S 3066 U5 ;opy 1 d is. : :':' ' UNDER THE OUTHERN CROSS. A WAR DRAMA IN FOUR ACTS. if ^^P By CHRISTIAN EEID "l|l ill" Hi" ' ill '!"•' "'I'"' " 'I I 1 ' Under the Southern Cross. A WAR DRAMA 1ST FOUR ACTS. o. u BY CHRISTIAN REID. RALEIGH: Capital Printing Company, Printers and Binders. 1900. I LIBRARY of CONGRESS Two Copies Recasts DEC 18 1907 . Gopyngiu tntry \ftdUf2z. mo "glass* xte. m COPY S. Copyright, 1900, BY F. C. TIERNAN. COPYRIGHT NOTICE AND WARNING. This play is fully protected by the copyright law, all requirements of which have been complied with. No performances of it may be given without the written permission of the author, and this permission will only be given to Chapters of the Daughters of the Confederacy desiring to produce it for the objects of the organization. All such Chapters may obtain permission by applying to author. The subjoined is an extract from the law relating to copyright : SEC. 4996. Any person publicly performing or representing any dra- matic or musical composition for which a copyright has been obtained, without the consent of the proprietor of said dramatic or musical compo- sition or his heirs or assigns, shall be liable for damages therefor, such damages in all cases to be assessed at such sum not less than one hundred dollars for the first and fifty dollars for every subsequent performance as to the Court shall appear just. If the unlawful performance and repre- sentation be willful and for profit, such person or persons shall be guilty of a misdemeanor, and upon conviction shall be imprisoned for a period not exceeding one year. THE PERSONS IN THE PLAY. General Dering, C. S. A. Gordon Beverley, his Chief of Staff. Jack Warrington, commanding cavalry legion called Warrington's Light Horse. Lieutenant Forrest, A. D. C. to General Dering. George Stone, a neighbor of the Warringtons. Captain Porter, U. S. A. Mrs. Warrington, mother of Jack. Marion Warrington, her daughter. Kate Conyers, her niece. Ned, a young negro of ante bellum type. Mom Elsie, a faithful family servant. Soldiers, scouts, surgeon, etc. Act First. The Garden of Warrington Court, an old Southern man- sion in the country. (A day elapses). Act Second. Miller's Farm-house, occupied by Northern troops. (A day elapses). Act Third. Scene I. Woods near Confederate camp. Scene II. Confederate camp. (An hour or two elapses). Act Fourth. Drawing-room of Warrington Court. Time: Summer 1863. Music Required. overture. A medley of familiar Southern airs, current during the war, such as, "The Bonnie Blue Flag," "My Maryland," " Old Folks at Home," etc. Ending with " Dixie," to the strains of which the curtain should rise. incidental. After first act, medley of the airs of songs sung in this act. After second, martial music, to prepare for next act. After third act a stirring march should be played. If the or- chestra can accompany the singing of the last verse of " The Cavalier's Glee " in this act, it will be well, but is not nec- essary. After curtain has gone down finally, " Dixie " should again be played. SCENE PLOT. Act First. tt.U..S. / &.3.e._±— / ^ _J / £p<§> 0* "0^ ••Xl^.s*- *"" — Q ^. . -- i. End of portico of house. 2. Trellis. 3. Seat under trellised arch. 4. Table. 5. Chair. 6. Chair. Scene. — The garden of Warrington Court, planted, not too thickly, with flowers and blossoming shrubs. The back-cloth is painted to show garden vistas, but about one- third of it is cut off by representation of the wall of the house, only the corner of which is supposed to show. It should be white, with one, or possibly two, green-shuttered windows. The end of the portico (i) a platform, with Co- rinthian columns at L,- U. E., is elevated one or two steps above the level of the stage. A trellis (2) covered with vines extends five or six feet from R. 3 E. Farther dowu stage on right stands a trellised, rose-covered arch, under which is a rustic seat, large enough for two persons. A rustic table (4) stands in front of this and a rustic chair (5) is placed on left side of table. Another rustic chair (6) stands back near trellis. 5 Act Second. <9. ^-. i*» indifferently). If that is your opinion, I quite agree with you. It is the only wise thing to do BEVERLEY very angry). Because I am now sure that there is nothing to search, for. One man is just the same as another to you. All that we are good for (rising) is to minister to your love of admiration, and love of power. Marion [rising and also angry). And all that we are goec for :\ to mirh-.ter to your vanity I — ." v;"" t v ,e 2. near, for an;. thing Bzyzzlzv. A no I v/ovho ^ anything -/yvner than a Mario:-" V.: are terrain'.;.- flatter: ng. Bevz?lzy So are ;. v; Tke\ ..< r J.t each other in angry nlence for a minute. Then BEVERLEY ^.'?'M a^ impatient gesture walks acroz~ front of stage t while BfARXOH resuming her xeat opens the novel vjhich still lies on the table and ostentatiously prete cad. Presently BevERLBI ■pause: r nt of her 9 but she does not look up . h.v z?zz: 'very -tifty r I am afraic I have 'oeen r;o : e I beg your pardor. I i '. Varringt o d Marion <>/{^>' «/«?). It is unnecessarj Captain Be erle; BZYZZZZY _-;;:.-. ; Bit ;.-„-; v/onic ezO'l.ve my ruoene^ if ; t ; !•:-. -v ... f h. -': — I mean how ; have ioveo UNDER THE SOUTHERN CROSS. you, how I have thought of you,, dreamed of you, carried your image in my heart, through— through everything! (His voice fails with emotion. He items abruptly and again walks across stage. Marion looks after him with an ex- pression of tenderness and regret, but when he turns to come back she looks quickly at book. He -pauses again be- fore her and speaks more calmly}. I've been a fool, of course, to think so much of a girl who is only a heartless flirt, but I never believed that of you — until now, I thought you had a heart under all your coquetry, and that I could find it. So you have been my comfort and inspiration in hardship and danger and battle. I've dreamed of you as I lay in the trenches and forgot that I was cold and wet and. hungry. I've thought of you when the order was given to storm the enemy's breastworks, and carried you with me in the rush upon them. I've been face to face with death and whispered to myself " Marion ! " (Marion looks tip at him with a yielding expression and half holds out her hand, when he goes on bitterly). And all the time you were thinking of me " now and then," together with your " other friends," and finding diversion in flirting with a contempt- ible coward who hasn't manhood enough to go to the front and strike a blow for his country !" Certainly I have been a fool — and more than a fool ! Marion (rising). I fully agree with you. You have been a fool, and you are very impertinent besides. How dare you to talk of my flirting with — with — Beverley (sarcastically). Your friend, Mr. George Stone. I dare because everybody knows how you amuse yourself with me, while your other lovers — one must speak of them in the plural ! — are facing death on the battle-field. 32 UNDER THE SOUTHERN CROSS. I really can't say much for your taste. In your place I should try to induce him to put on a gray coat, if only for the sake of appearances. He might go into the quarter- masters department. That 's a safe place. Marion. Oh, you — you — you are perfectly detestable ! (She looks at him furiously ', then turns away and walks in a very dignified manner into the house. Forrest's voice is heard singing " Good-bye, Sweetheart, Good- bye ! " BEVERLEY sits down at table and buries his face in his hands. While singing goes on Mrs. WarRing- TON and GENERAL Dering a-ppear, coming slowly forzvard. Mrs. Warrington has fiowers in her hands. As nuisic ceases she says:) Mrs. W. I must go now, my dear General, to put these flowers in water and attend to some housekeeping duties. Dinner will be served very soon. Will you come in and rest until it is ready ? Gen. If you'll allow me, I will remain here. This gar- den is not only a charming place, but I see Capt. Beverley, with whom I wish to speak a few words. Mrs. W. Then I will leave you. (She smiles, bows and enters house). Gen. (going, over to Beverley, who rises as he ap- proaches). Sit down, Beverley. I want to consult you. (He sits down in chair and Beverley resumes his seat on bench). You know our scouts report the Yankees in great force very near by. Beverley. Yes, General, I know. Gen. They outnumber us so greatly that we have no alternative but to fall back until the rest of our division can 33 UNDER THE SOUTHERN CROSS. come up. But I've thought of a plan by which we may possibly entrap them, cut them off from their main army and give them a severe lesson. BEVERLEY {with an air of attention). That would be capital. How have you thought of setting the trap ? Gen. I've thought — but we might as well put it down at once ! Have you paper and pencil about you ? BEVERLEY {drawing out note-book and -pencil). Here are both. Gen. Write then {dictating)-. "To Gen. Hill, com- manding First Cavalry Division. Learning that the enemy are near this place in overwhelming force I am about to fall back on Elliott's Run, where I shall await your ad- vance." BEVERLEY {looking up with surprise). But I thought — Gen. Don't you understand ? Instead of going to El- liott's Run, which lies east of here, we'll swing around to the southwest and fall on the Yankee force in the rear, from the direction where they least expect us. We can surprise and cut them off in the prettiest manner imaginable if we can get this dispatch into their general's hands so as to mis- lead him. It must be done in a perfectly natural manner, however, or he will be sharp enough to suspect a trap. Beverley. One of the couriers must allow himself to be taken prisoner. Gen. {musingly). There is no other way, I suppose, but I'm afraid of their suspecting that, and if they did — well, then the trap would be a trap for us ! BEVERLEY {also musingly) . What else can we do ? ( They both look thoughtful, and BEVERLEY half absently, tears leaf out of his note-book and lays it on open page 34 UNDER THE SOUTHERN CROSS. of '•''Henry Esmond" while reflecting. Suddenly Jack comes hurriedly out of house, followed by scout, advances to Gen. Dering and salutes. The General and BEVERLEY start to their feet, and as he rises BEV- ERLEY by a careless motion of his hand closes the novel). Jack. General, here's one of my men, who has just brought news that the enemy are at Miller's farm, within six miles of us. Gen. Ah ! {addressing scout). Are they advancing ? Scout (saluting). No, general. They don't know our strength. But their scouts are out in all directions. Gen. Then they'll learn it soon. {Looks at Jack). Major Warrington, have the order, " Boot and Saddle " sounded at once. Captain Beverley, transmit the same or- der to the other commands. We have no time to lose, but must get away immediately. Jack {saluting). Yes, general. {He turns and goes back to house, followed by scout). Beverley. And about the dispatch, general ? Gen. {waving his hand). No time for that now. We'll attend to it later. Send orders at once to get the men in motion. We don't want to be surprised. Beverley. No. {He -picks up his note-book and closing it puts it in his ■pocket, forgetting he has torn out page, and goes has- tily to house. General follows more slowly. Stage remains empiy for a moment and then GEORGE STONE emerges from behind upper trellis, comes down and bending over table picks up novel). Stone. I couldn't hear what they were saying, but un- 35 UNDER THE SOUTHERN CROSS. less I am mistaken there was a paper left in this book which may be of value. Where is it now? {Begins to turn over -pages, but has not yet found paper, when Marion comes hastily out of house and pauses at sight of him). Marion (with surprise). What, you still here ! I thought you went away long ago. Stone. I went down to the farther end of the garden. There wasn't much pleasure in staying here while those soldiers were absorbing your attention. Marion. Of course they absorbed my attention. Other men simply don't exist for a Southern woman when there are Confederate soldiers about. Stone (bitterly). I suppose not. Well, I'll relieve you of my presence ; but if you have no objection I will borrow this book. I've long wanted to read — " Henry Esmond " again. Marion (holding out her hand for the book). I'm sorry, but I can't let you have it. I haven't finished it myself and I'm at a very interesting part of the story. Stone (retaining the book). I will bring it back to- morrow. Marion (shaking her head). No, you can't have it. I came out specially to get it. (Aside). And because I thought Gordon might still be here. Kate (appearing in door of house and calling). Marion ! Marion ! Come quick ! They are going away — Jack and the General and all. (She disappears as bugles sound " Boot and Saddle.") Stone (%vi(h poorly repressed delight). Ah, the Yan- kees are coming ! 36 UNDER THE SOUTHERN CROSS. Marion {looking at him indignantly). I believe you are glad ! I believe you are — Stone (interrupting). You can believe what you please. But you'd better go if you want to see the last of your Con- federate lovers. Marion (proudly). It won't be the last — you may be sure of that Meanwhile (she holds out her hand), I'll trouble you for my book, Mr. Stone. Stone (still retaining booh and turning over leaves while he looks furtively for paper). I'll take it into the house for you. Marion. No, I will accept no further service from you of any kind, and we don't care to see you at Warrington Court any more. Please understand that. STONE (finds paper and closing book hastily puts his hands with it behind him). You will be only too g-lad to see me when I come to Warrington Court again — if I do come. Marion. There are no possible circumstances under which I could be glad to see a traitor to his country — and if you welcome the Yankees that is what you are ! Mean- while (stamps her foot), give me my book. (STONE withdraws paper, holds it in one hand behind him and extends book to her with the other). Kate {reappearing in door). Marion ! (Marion snatches book and jlies toward house. As she disappears STONE brings forward paper and looks at it. Then, with violent gesture, crumples it in his hand and throws it down). Stone (passionately). Damn it — the wrong paper ! (Bugles sound again as the curtain falls). 37 UNDER THE SOUTHERN CROSS. ACT SECOND. SCENE — The interior of a farm-house, a large room, -with a door and window at back. Also door on right, com- municating with another room. In one corner stands a spinning-wheel, there are some plain chairs, and a pine table, with writing materials and papers on it. At left of ^able sits Captain Porter, in uniform. At right STONE sits. He is in riding dress — breeches, buttoned leggings and short coat, and also carries a riding-whip. For details, see scene plot. PORTER {making some notes). We are much obliged for your information, Mr. Stone. I '11 mention you to the gen- eral and we '11 see that your plantation is protected. And this is all you know ? You didn't find out anything about Dering's plans ? We 'd like very much to learn something of his movements. Stone {regretfully). I 'm sorry to say that I couldn't find out anything. As I have told you, I was at Warring- ton Court yesterday when Dering was there, and I even saw him in the garden holding what I am sure was an im- portant conversation with his chief of staff, but I couldn't approach near enough to hear what they said. Porter. That was a pity. You heard absolutely noth- ing. STONE {after hesitating a moment). I heard nothing but I saw something. I saw Gen. Dering dictate a note, 38 UNDER THE SOUTHERN CROSS. probably a dispatch, which the officer wrote off, and left in a book which chanced to be lying on the table at which they were seated. Porter. How did that happen ? Stone. Oh, a scout came up with the news of your be- ing close at hand and put all other matters out of their heads. Porter And did you make no effort to get that paper ? Stone. The moment I had a chance I attempted to get it, but I got hold of the wrong paper. Portor {suspiciously). The wrong paper ! Stone. I drew out what was only a book mark. Porter. And didn't you look for the other ? Stone. I had no opportunity to do so. The book was taken from be by — a woman. Porter {contemptously). You might have managed to keep it in spite of a woman, I should think. Stone. I saw no reason to keep it. You see I thought I had the paper. Porter {drily). I see. But it was a pity ! We 'd give a good deal for that paper. Stone. So would I. {He -pauses an instant). But it may be possible to get it yet. Porter {sharply). How ? Stone. By going to Warrington Court, and exercising some compulsion over the person who must have it in her possession. Porter. Who is that ? Stone Miss Warrington. The note was left in a novel which she was reading. If she has opened the book 39 UNDER THE SOUTHERN CROSS. since she took it from me, she has found the paper, and I 'm sure she hasn't destroyed it. Porter. Yet that would be the most natural thing for her to do. Stone. Perhaps so, but she won't do it. I know her too well. Porter. What will she do, then ? Stone. She '11 keep it, and — {He breaks off as Sergeant enters and salutes officer). Porter. Well, what is it, sergeant? Sergeant. We 've just taken two prisoners, captain. Porter. Prisoners of what kind ? Sergeant. A woman and a nigger, sir. Porter. Why on earth did you make prisoners of a woman and nigger? Sergeant. They rode into our lines believing it was the Confederate camp, so I held them, thinking they might be conveying information to the enemy. Porter {indifferently). It 's not likely. They are probably only some of the country people, blundering about. Sergeant {doubtfully). They don't look like that, sir. The woman 's a lady, and the nigger 's one of the quality kind, and they are well mounted. Porter {impatiently). I can't be bothered with women and niggers ! The men of the country are as much as I can attend to. But you can send these people in and I '11 ask them a few questions before we let them go. Sergeant. Very good, sir. But you don't mean to let their horses go ? 40 UNDER THE SOUTHERN CROSS. Porter. Take the horses, of course. Sergeant {saluting). Very good, sir. {Retires with an air of satisfaction. During this conver- sation Stone has gone to window at back of stage and looked out. He now returns to officer ; with signs of excitement in his manner). Stone. The game 's in our hands, captain ! That 's Miss Warrington out there ! Porter. The deuce it is ! [Rises and goes to window, where he looks out, adding as he returns to seat)'. What do you suppose that means ? Stone {excitedly). It means that she has the paper and is trying to take it to the Confederates. It is just what I would have expected of her. Porter. Then she is very obliging to save us the trouble of going after it. If you are right and she proves to have it, I '11 not forget to report that we owe our knowl- edge to you. It will increase our obligations to you. Stone {leaning over him and speaking eagerly). You can repay them all if you will let me deal with this pris- ioner — after you have taken the paper from her. Porter {laughing). You have a score to pay off, have you ? Very well, I '11 turn her over to you as soon as I have extracted my information. But hadn't you better be out of sight at first ? Stone. Yes, yes. Where shall I go ? Porter {-pointing toward side door). There's a room where you can wait. (STONE goes out hastily, while MARION enters, followed by Ned, and escorted by sergeant, who then retires. 41 UNDER THE SOUTHERN CROSS. Marion wears a riding-habit and is -perfectly com- posed in manner. She walks forward to front of stage and shows great surprise when officer simply looks at her and does not rise. She gazes at him with an expression which changes from surprise to disdain). Porter. What was your object, madam, in coming within our lines ? Marion {turning to Ned). Bring me a chair. (Ned hastens to bring one forward and places it for her. She sits down, lays her whip across her lap and be- gins to pull off one of her gloves). PORTER {raising his voice slightly). Why are you within our lines ? Marion (coolly, without raising her eyes) . By an acci- dent, of course. Porter. What accident ? Marion. The accident that you happen to be occupy- ing a position which I thought the Confederates occupied. Porter. So you were in search of the Confederate camp? Marion {lifting her eye-brows). Did you suppose I was in search of yours ? PORTER [growing irritated). Be good enough to an- swer my questions directly. Why were you looking for the Confederate camp? Marion {coolly). I don't like to be discourteous even to a — hem ! enemy, but I cannot see that that is any business of yours. Porter {severely). If you are wise you'll understand that it is very much of my business, and unless you tell me 42 UNDER THE SOUTHERN CROSS. what your object was in going to the Confederate camp 111 hold yon a prisoner. Marion (a little startled). If yon mnst know then, — thongh I don't admit that it concerns yon in the least — I was going to see — my brother. Porter. Who is yonr brother? Marion. Major Warrington, commanding Warrington's Light Horse. Yon've heard of them, I'm snre. Porter. Yon are the danghter, then, of the rebel. Gen- eral Warrington? Marion. I am the danghter of General Warrington, and the sister of Major Warrington, and the consin of Cap- tain Warrington and Lientenant Warrington and pnvate Warrington, all of the Confederate army. Porter Yon seem to be a very rebel fan. Marion. On the contrary, we are a very loyal family — absolnteh* loyal to orrr State and to the Sonth. Porter : snceringly \. Yonr State It's to the Fedeaal c tmment yonr loyalty is dne. Marion. And pray, what created the Federal govern- ment bnt the States, and how can any power cre= fce s. power greaitr than itself? Porter (aside). The ver ~omen have the States- ?.^'htsargnmentat the end of their tongnes ! 7. 2