»°-*, 55' - . • >-o^ ^oK ..'^' '^6" 1 o ^n. ^b '^. oK /'^ "' ■< '^0^ * o « o ' -^^ ...5^, ^^ J ^^^ ^':^^^% *o no' r^V^^ii&V/' ^^«^.v >v ^°r.. .^" Ferguson, of Troy A Farce Comedy in Three Acts By BERNARD FRANCIS MOORE Author of " The Rough Rider" " Brother Against Brother" " The IVrecher's Daughter" " The Man from Texas" etc. 1 • . _x ;^ BOSTON WALTER H. BAKER & CO 1900 1 ?5 7i.^7J] .M35F^ Ferguson, of Troy CHARACTERS Walter Hawley, an elder i?i the Reformed Church. Tom Ferguson, M.D., and a red-hot sport from Troy, N. Y. Charley Marshall, a young man in love with Suzette. LiONELL Fairfield, a crank that lives next door. Mike Murphy, one of the finest iii hard luck. Ellen Hawley, the elder' s wife and Tom' s sister. Belinda Ferguson, Tom's wife and Walter's sister. Suzette Hawley, the elder's niece. Johanna Mulrooney, the queen of the kitchen. Act I. — Morning, "Trouble." Act II. — Noon, " More trouble. " Act III. — Evening, " Sunshine." Time. — The Present. Place. — Drawing-room in the home of Walter Hawley. COSTUMES MODERN. ^7€ytli Library of Congre»^3 Two Copies Received | NOV 19 1900 I ^. Copyright (mtry SEfOND fApf^oPYRiGHT, 1900, BY Walter H, Baker & Co. Oelivwod to ORDER DIVISION NOV 27 1900 Ferguson, of Troy ACT I SCENE. — A plain interior ; doors r. andi.. ; large double door c. ; doivn L. fireplace hut no fire ; opposite fireplace sofa ; dotvn R. table and two chairs ; statue on pedestal oti each side of door c. ;* carpet down ; rugs before entrance of three doors ; velvet curtains for door c. looped back zuith blue rib- bons ; up R. c. is a large screen ; over mantel are a number of pictures and other bric-a-brac ; other furniture around room. Music at rise. Johanna is dusting table as the cur- tain rises ; her sleeves are rolled up and her skirt tucked up around her waist. Johanna {singing~). " All around me hat I will wear a green willow, All around me hat for a twelvemonth an' a day ; An' ef any wan shall ask me the rason why I wear it, I will tell thim me thrue love is far, far away." Walter runs in from l. Walter {his vest is unbuttoned, and his tie and one side of his collar are open'). Johanna, stop that infernal singing ! {He speaks very crossly as he looks around room.) JOH. (meekly). Yis, sur. {Aside.) I wonder what ails him now ? Wal. What time is it ? {He buttons his collar and fixes his tie.) JOH. A little afther sivin, sur. Wal. Seven o'clock? Great heavens ! Any of the family up yet? {Bes;ins to button his vest.) JOH. {aside). I won't tell him the missus didn 't come 3 home 4 FERGUSON, OF TROY. herself till afther six o'clock. (^Aloud.) Thim's all aslape as yet, sur. Wal. {aside). Thank heaven for that ! {Aloud.) That will do ! You may leave the room now. JOH. But the dustin', sur. Wal. Oh, damn the dusting. You may finish the dusting some other time. And Johanna. JOH. Yis, sur. Wal. {looks around and the?i speaks in a cautious whisper). Above all things don't tell any one the time I came home this morning ! Do you hear me, Johanna ? Tell no one ! JOH. Not aven yer wife, sur ! Wal. {angrily). No, you infernal idiot ! I don't want my wife to hear of it all ! And if I hear you telling it to any one, after what I have just said, you can prepare to hunt another place. Now leave the room. JoH. Yis, sur. \_Exit c. Wal. {silling doivn on sofa with a sigh of relief). At last I am alone. Once more beneath the shelter of my own roof! Now to collect my thoughts. What if my wife should hear of last night's escapade. I should be ruined ! Such a loving, trusting nature as she has too ! It's a burning shame, that's what it is. A woman without a secret. A life like an open book. She doesn't even know I have a sister living in Troy, New York. A woman with a soul as pure as an angel's. While I am nothing but a scoundrel. The idea of Walter Hawley, elder of the Reformed Church, a spectator of a chicken fight in a dirty barn at midnight ! It's awful ! And to think the place should be raided by the police. Horrible ! And to think that since the hour of one, I have been hiding from the police. Every time I saw the flash of a star, I would dodge into some alley, and after running all over town, I finally managed to reach my own home at seven o'clock in the morn- ing. And all this time my poor loving wife was sleeping on, unconscious of the fool I was making of myself. And that man that was sitting next to me. The fellow that called him- self Ferguson. That fellow was certainly a warm member. But there, the Lord forgive me ! I am talking slang again ! SuzETTE enlers from r. SuzETTE {ill surprise). Why, uncle, are you up already ? Wal. {J7imping up at sound of her voice, looks around and FERGUSON, OF TROY. 5 theti sits dotvn agaiji). Oh, yes, hours ago ! {Quickly.) No, no, child. I mean one hour ago. Suz. {aside). How strange he talks. {Aloud.) Why, uncle, I don't believe you have closed your eyes during the night ! {Staiids at back of sofa looking at him.) I am afraid you are not well, uncle. Shall I send for Dr. Ferguson ? ^V'AL. {aside). Ferguson again ! {Aloud.) Ferguson, Ferguson ? And who in the name of heaven is Dr. Ferguson ? Suz. Why, uncle, he is a physician, and just opened up his office for business yesterday. I saw the sign in the window and over the door. Shall I send for him, uncle ? I am sure you are badly in need of his help. Wal. {getting up a7id speakitig sternly). Suzette, how dare you say I am sick? I am well ! Never felt better in all my life ! Had a fine night's rest. Never slept better since I was an infant in my mother's arms ! {Aside.) I'll bet the police will be here for me inside of an hour ! Suz. Uncle, do you know where Hogan's barn is ? Wal. {startled). What, Suzette? {Angrily.) How dare you accuse me of being there ! How dare you, I say ? Suz. {in surprise). Why, uncle, 1 never said you were there ! I merely asked you if you knew where the place was. Wal. What put such an idea in your head ? What should I know of Hogan's barn? Girl, what do you know about this place ? Confess all ! You must have heard some one mention the place, or you would not ask me such a question. Suz. Why, uncle, I never heard of the place until a short time ago. Wal. And then some one told you, of course. {Aside.) Oh, Lord, I can see my disgrace being published all over the city. Suz. {shaking her head quickly). You are quite wrong, uncle. The way I came to hear about the place is from this morning's paper ! W'AL. The paper, Suzette ? {Aside.) What if they should have my name in the paper? {Aloud.) What had the paper to say about the place, Suzette ? Suz. The paper mentions about a chicken fight being held in the barn last night, and during the contest, the place was raided by the police. Then follows, I believe, the names of those present in the barn at the time of thie raid ! Wal. {in a zvhisper as he looks arojind room). Names, Suzette? {Aside.) It's all up with me now ! I can see my- 6 FERGUSON, OF TROY. self locked in a cell peeking through the bars. (Aloud.) Girl, did you know any of the names ? Suz. {shaking her head). I didn't read any of them, uncle. Wal. Where is the paper ? Suz. I left it in the kitchen with Johanna. (He walks toward door Q.) Where are you going, uncle, in such a great hurry ? Wal. To find the paper and read the names of those present at the disgraceful scene. As an elder of the Reformed Church, it is my duty to put a stop to such evils. (Aside.) I can feel myself in trouble already. (Aloud. ) You remain here, Suzette, and attend to your aunt when she gets up. Now to get the paper, and then for my crusade against this brutal sport. \^Exit c. quickly. Suz. Mercy on me, what does it all mean ? Is my uncle going crazy? I never remember him to have acted like that before, in all my life. Something is wrong somewhere. And then why should he have been so excited when I spoke about Hogan's barn ? Well, I am afraid I will have to give it up. I am afraid there is some mystery here that needs solving very badly. Charley enters from c. Charley. Good-morning, Suzette, my darling ! Suz. (at sound of his voice she looks around in surprise). Oh, Charley, how dare you come here, when you know uncle forbade you entering the door of this house again? Char, (laughing). I know he did, Suzette ! (Both sit on sofa.) But then you see I didn't enter this house through any door this time. Suz. Why, Charley, what do you mean ? Char. I mean that, burglar like, I entered through one of the basement windows. I knew there was no use in going to the front door and ringing the bell, as Johanna had received instructions from your uncle not to let me in. Suz. I am afraid if uncle found you here now, Charley, he would hand you over to the police. Char. Oh, I don't know about that ! Suzette, was your uncle in the house all of last night ? Suz. Why, of course he was. Where should he be? Char. But are you quite sure he was ? Suz. Why, yes, Charley. He told me so himself, less than FERGUSON, OF TROY. 7 ten minutes ago. But what does it all mean ? I believe my poor uncle is going crazy. Char. Heavens ! No ! What are his symptoms ? Suz. Why, when I came into this room a short time ago, I found my uncle here and he seemed dreadfully excited. I spoke to him and he answered me in a rambling manner. Suddenly I asked him if he knew where Hogan's barn was. Char, (eagerly). And how did he act then ? Suz. He jumped up and behaved in a most extraordi- nary manner. He wanted to know how I dared accuse him of being there. Char. {laughing). And did you, Suzette? Suz. Why, no ! I merely asked him if he knew where the place was. Finally he calmed down and wanted to know what I knew about Hogan's barn, chicken fights, police raids and so on. Char. And how did he act then ? Suz. Worse than before ! Char, (aside). I was right then. It was he I met last night. (Aloud.) And where is dear, saintly uncle now, Suzette ? Suz. Gone to the kitchen in search of the i)aper. (Anx- iously.) But tell me, Charley, dear, what does it all mean? Char. It means that when I come back, I am going to be admitted through the front door. And, furthermore, I am going to ask your hand from your uncle, and he won't dare to refuse me. I have the saintly gentleman just where I want him at last. Suz. (sternly). Charley Marshall, are you going crazy too ? Char. Not at all, Suzette. (He places arm around her waist and kisses her.) You will know all in time. ( Walks toiuard door c.) Suz. Where are you going now, Charley? Char. I am going to procure a marriage license. And once armed with that important document, I am going to re- turn to this house and tackle dear uncle for his consent. So for the present, Suzette, be a good little girl until I return. {^Exit c. Suz. (lookifig after him). AVell, I hope you will be success- ful. There is some deep, dark mystery in all this, and my uncle is mixed up in it. I trust it's nothing serious. O FERGUSON, OF TROY. Ellen ejiters from R. Ellen {seeing Suzette and speaking quickly as she looks around). Child, have you seen your uncle this morning yet? Suz. Why, yes, auntie, he just left me to go to the kitchen and get the morning paper from Johanna. Ellen {aside). Merciful heavens ! if my husband ever reads the paper I am lo^t. He must not read it ! (Aloud.) Suzette, go this very instant and bring the paper to me. Suz. But he may not wish to give it up, auntie. Ellen (sternly). But he must, I say ! The happiness of this house depends on my securing possession of the paper. Go, Suzette, go before it is too late ! (Aside. ) It may be too late already. Oh, why didn't I think of the paper myself ! Suz. Very well, auntie, I will do the best I can to preserve the happiness of this house. \^Exit c. Ellen (looking around and speaking wildly). Oh ! why was I tempted to go to that masquerade ball last night ? What if the papers should contain a list of tlie names of those pres- ent ! It was an unfortunate thing for me that my mask slipped off when it did. I am sure that more than one of those pres- ent knew and recognized me. And the idea of deceiving my poor loving husband. Poor Walter, to spend the entire night like a ministering angel of mercy, beside the bed of a sick friend. If he should read the paper I would be disgraced for life ! My only hope is to secure possession of the paper and then destroy it. (Wildly clasping her hands.) Oh, will Suzette be successful ? Suzette runs in from c. Suz. Uncle has carried the paper up to his study with him, auntie ! Johanna has just told me so ! Ellen (rising). Suzette, we must secure that paper at once. (Taking her by the hand.) Come, child. Suz. Yes, auntie. \_Exeunt l. Johanna enters frojn c. JoH. (carrying a duster). Well, sur, the paper do be in great demand this mornin' entirely. I wonder what is all the news about? (Begins to dust table.) Shure Ireland must be free, or somethin' like that, to make thim all so anxious to get hould av the paper. Be heavens, I'm gittin' anxious to read FERGUSON, OF TROY. 9 the paper meself. An' that just reminds me. The family nixt dure sint in wurd if the crazy man that thinks himself a poet should stray into the house, to pay no attention to him, but to humor him as if he was perfectly harmless. Faith, I'll humor him with an ax if he gits funny with me, so I will. Lion ELL enters from c. Lion. (Jiis face is very pale and he wears his hair long). Ah, fair creature, pause for an instant, and listen to the plead- ings of my heart. JoH. (^looking around ; aside). Sufferin' Shamrocks ! the lunatic from nixt dure ! {Aloud. ) Good-day, sur. Lion. Ah, yes, sure enough, it's, day — morning. And such a beautiful morn ! {Taking her by the hand.) But come, fair creature, and let us sit on yonder cliff, {points to sofa), and enjoy the beauties of the morn ! JOH. {aside). Where the divil is the cliff? {Aloud.) With all me heart an' soul, sur. Lion. Come, then, fair creature. {Both sit on sofa.) Are not these cliffs reminiscent of dear old England ? JOH. They are that same. {Aside.) Divil the wan av me knows what the man is talkin' about, at all ! Lion, {placing hand to ear and listeni?tg). Listen— listen, fair creature, I say, hear you not the song of the little birds in the tree yonder, as they flit from bough to bough ? JOH. {aside). Shu re he sees birds now. I wonder what will it be nixt ? {Aloud.) Shure I think they must be canary birds from the feathers they wear. Lion. Yes, fair creature, they are canary birds. But see the beautiful river at our feet. {Points to ground.) Seethe white wings of the vessels, as they glide gently down the stream. Is the scene not a magnificent one? JOH. It certainly do be a very beautiful picture ! {Aside.) I must humor this gintleman, or there might be throuble in shtore for me. Oh, if Moike were only here ! Lion. But, fair creature, shall I sing to thee ? JoH. {quickly). Oh, yes, sing be all means! {Aloud.) Some wan may hear him an' come to me riscue. Lion, {thoughtfully). But stay. I will not sing now. JoH. {aside). If I could only place me hand convaniently on an ax ! {Aloud.) What shall we do thin ! {Aside.) I'm gittin' as bad as he is ! Lion, {quickly). Ah, an idea has just struck me ! 10 FERGUSON, OF TROY. JOH. (aside). I wish to heaven it was a fist ! {Aloud.') So ye were teUin' me, sur. Lion. Silence, and I shall unfold to thee a scheme ! On the banks of yon stream in the heart of the mountain is my castle. I shall fly away with tliee, peerless creature, and to- gether we shall enjoy the moonlight from the balcony of my castle ! JoH. {aside). Now it's moonlight an' castles? Somethin' is goin' to happen in a minute. {Aloud.) An' where is yer boat, sur? Lion. Boat, fair creature? I scorn the use of a boat ! I shall carry thee away with me in my airship ! {Juvipin;^ uj . ) So, fair creature, meet me in one hour from now at the window of the turret chamber of this mansion, and together we shall fly through space to my castle in the heart of the mountains. So farewell, fair creature, for the present. I go now to prepare my airship for the journey. [^Exit c. slowly and majestically. JOH. {slowly rising and looking after him). Weil, be the time ye git back wid the airship, I'll be in the kitchen wid me hand on a flatiron waitin' fer ye, me darlin'. But thin shure he's not the only crazy man in the wurld I'm thinkin'. There's wan or two in this house as shure as me name's Johanna. {Begins to dust chairs again.) Walter enters from c. Wal. {he carries a pa fer in his hand). So you are here again, are you? JoH. {nodding). Yis, sur. Is there any thin' I can do fer ye, sur ? Wal. {crossly). Yes, leave the room ! JOH. {twirling the duster over her shoulder). Very well, sur. \She exits c. sloivly. Wal. {looking cautiously around before he sits dotvn on sofa). At last I have the paj^er in my possession ! Now to read about last night's escapade v/hile I have the chance ! {Looks over paper.) Ah, here we have it ! {Reads aloud.) "Last night, about twelve o'clock, or a litde later, a (juiet tip was given to the police about a chicken fight about to take place in a notorious resort named Hogan's barn, and situated in one of the worst jiarts of the town. When the police arrived the place was well filled, and a fight between two game cocks in progress. The sudden arrival of the police caused a stampede FERGUSON, OF TROY. It among those present ! A free for all fight then took place ! One man who looked and dressed like a minister of the church went flying through a small window in one side of the building. In trying to make a prisoner of him policeman Murphy received the heel of one of his shoes in the face, and he now has a most beautiful black eye. All managed to escape, and thus the names of those present could not be learned." {^Letting the paper fall and uttering a sigh of relief .') Thank heaven for that ! I am safe for the present ! 1 wonder who policeman Murphy is ? I am sorry for the kick in the eye, but then I had to make my escape or face an awful scandal ! A black eye will wear away in time, but the talk of a scandal never ! Charley enters from c. Char. Good-morning, Mr. Hawley ! Wal. i^fumpin^ up atid looking around ; then speaking angrily). How dare you come to this house ? How dare you, I say? What do you want? Didn't I close my door against you ? Char, (jtodding). I know you did ; but I am here just the same. Wal. (i7?igrily). You — you — young scoundrel ! Char. Oh, keep cool ! There is no use of getting excited ! I am not going to run away. I'm here to talk business. (^He sits 071 edge of table. ) Wal. {angrily'). Leave the place before I send for the police and have you locked up ! Char, (^quietly). Speaking of police, do you know an officer by the name of Murphy, who has a most beautiful black eye ? Wal. (falling back on the sofa ; then aside). I wonder what does he mean by that? (Aloud.) What do you mean, you young reprobate ? Char, (coolly). Just what I say. Did you ever hear of a place called Hogan's barn ? Wal. (aside). I must be careful. (Aloud.) Did you ever hear of the place, young man ? Char, (^nodding). Yes, I was there at a chicken fight last night ! Wal. (aside). I wonder if he saw me there? (Aloud.) And what brings you here this morning ? Char. I came here to ask you to allow me to marry Suzette. 12 FERGUSON, OF TROY. I have the license in my pocket, and as you are an elder of the Reformed Church you can perform the ceremony. Wal. (aside). Now to see liow far a bluff will go with this young man. (^Aloiid. ) How dare you ask the hand of my niece in marriage? (Jumping up and shaking his fist at him.') How dare you, I say? (Angrily.) You — you — spectator of a chicken fight at midnight ! No, sir ! You are not good enough for my niece ! Do you think I would allow Suzette to marry a spectator of a chicken fight? Decidedly not, sir! (Aside.) He don't seem to be weakening any. Char. Well, don't you think she would be just as safe with me as she is with an uncle who is a spectator of a chicken fight, and likewise an elder in the Reformed Church ? Wal. (angrily). Do you mean to accuse me of being pres- ent at that disgraceful scene,? Char, (iiodding). I most certainly do. Wal. (sternly). Young man, I'll iBake you prove what you say ! Char, (^gettitig off table). Very well, sir, I will any time you want me. Wal. (aside). The bluff won't work ! I'll have to con- ciliate him. (Aloud.) Young man, why are you so sure I was there ? Char, (laughing). Because when you went flying through the window, and while the officer was feeling his eyes, I was the next one to follow you. Wal. (aside). The game is up ! (Aloud.) And what if I refuse to give my consent to the match ? Char. Then, by jingo ! I'll tell your wife all about last night's racket ! Wal. (quickly). Heavens ! anything but that ! You can marry the girl, my boy, on one condition. Char. Well, Mr. Hawley. Wal. Charley, my boy, I know you are a splendid liar ! And in case of any trouble I want you to help me out ! Char. I will do the best I can, sir. Wal. (shaking him by the hand). That will be sufficient, young man. And now I will call Suzette and tell her the joyful news. (Calls.) Suzette, oh, Suzette! Suzette enters from l. Suz. Did you call me, uncle? (Aside.) I wonder has Charley been as successful as he thought he would be. FERGUSON, OF TROY. I3 Wal. This young man and myself have come to a peaceful understanding concerning you. He has asked your hand in marriage. Suz. Oh, uncle ! Wal. And before I give my consent, I want to find out if you are willing to take him for better or worse ? Suz. {JwJding doiun her head). Oh, uncle, you know I am ! Wal. {^^iviug her right hand to Charley.) Then take her, my boy, and be happy ! You can get married just as soon as you please. Char. Mr. Hawley, you are a gentleman. Suz. {throiving her ari7is around Vedl'yCHARhEy who carries two swords. Wal. So, you scoundrel, you are here, are you ? Tom. Yes. And when I get through with you, your wife Avill be a widow ! Wal. Talk is cheap, talk is cheap ! Tom. And blood is still cheaper, as you will find, sir ! Char. Come, come, gentlemen, enough of this ! Select your weapons ! {He hoids the siuords out to them and each takes one.) Time ! Wal. {to Tom). Understand, sir, there is no kicking in this fight ! Tom. Certainly not ! You don't think we are going to in- dulge in a game of football, I hope ! Char, {sternly). Gentlemen, we are wasting valuable time ! Are you ready to commence ? Tom. I am ready! {Aside.) I'll have to laugh in a minute ! FERGUSON, OF TROY. 49 Wal. And so am I ! (Aside.) I wonder can I reach his kidney ! Char. Then commence ! (^They face each other, and then com7ne7ice to fight iti an ab- surd fashion. Charley is watching them with a grin on his face.) SuzETTE enters from c, looks at them for a moment in aston- ishment, and then rushes down and grabs Charley by the arm. Suz. (angrily). Charley Marshall, what is the meaning of this scene? (^At sound of her voice, the fighters look at her and then sepa- rate. ) Tom (aside). Now to crush the old fellow completely. {Aloud.) And so you old scoundrel, you have prompted this young woman to rush in when she did, and thus put a stop to the encounter ! Wal. Liar ! (Both of them try to get together again when Suzette steps in betiveen them.) ^\]Z. (sternly). Stop! (Calls.) Auntie, this way, quick ! Ellen and Belinda enter from l. Ellen. In the name of mercy, what is the matter ? (She crosses to Walter's side, and Belinda crosses to Tom.) Suz. It seems, auntie, uncle and this gentleman were try- ing to cut each other to pieces, when I interrupted them ! Wal. (to Belinda ; sternly). Belinda, come away from that scoundrel ! Bel. I shall do nothing of the kind ! This gentleman, Walter, is my husband ! Tom (throiving the sword atvay and stepping up to Walter). I understand it all now. The mystery is explained at last ! You are married to my sister, and I am married to yours ! AV^e have been at cross purposes all along ! Shake ! (Both shake hands.) m 50 FERGUSON, OF TROV. Wal. {quickly ; aside). But how about the policeman ? Tom (aside to hint). That's all right, old fellow, I have fixed all that up. (A loud 7ioise is heard from outside of door c, and Lionell and Mike enter arm-in-artn and intoxicated. Lionell has on Mike's hat and coat, while Mike is in his shirt sleeves.) Lion, (waving his hand). It's all right, people, I am go- | ing to leave you now and wend my way to my castle in the mountain fastness ! Mike. An' I'm to be a sailor on the airship ! {Both stagger out door c. again, still arm-in-ar?n.') Ellen. A good riddance of bad rubbish ! Bel. And so say I ! Wal. And now that everything has been explained satis- factorily, let us go in to supper taking along with us our friend, Mr. Ferguson, of Troy ! All. And so say we all ! (Suzette and Charley ttp c. Tom and BELI^fDA down l. Walter and Ellen down r.) SLOW CURTAIN LATEST PLAVS. The Old Maids' Convention. AN ENTERTAINMENT IN ONE SCENE. By LAURA M. PARSONS. Author of "Jerusha Dow's Family Album," "The District School at Blueberry Corners," Etc. One male, twenty female characters and specialties. Costumes eccen- tric; scenery unimportant; can be produced on a platform without any. This is an excellent version of a widely popular entertainment which has long existed in manuscript, but is now for the first time offered in print. It is practically for all female characters, since Prof. Pinkerton, its one man, may be represented by a lady, if desired. "Pinkerton's Electric Transform(h)er " is a marvelous invention, whatever the sex of its dis- coverer, and is capable of creating great amusement. This entertainment, of which it is a feature, is brightly and humorouslj' written, and moves along briskly to a hiughable conclusion. Lots of good characters and opportunity for specialties. A worthy successor to the popular " Prof. Baxter's Great Invention." Plays an hour and a half with specialties. Price 25 Cents. SYNOPSIS. Scene.— The Old Maids' Matrimonial Club. The Club in executive session. Quotations. An unpopular sentiment. The Secretary's report. The report of the Treasurer. " Candy kisses." The Lookout Committee. " Widower Goodhope." A bachelor by the name of Rigby. " I don't care if he hasn't a dollar." A few suggestions toward the propagation of matrimony. The club in debate. A literary interlude. Prof. Pinkerton's advent. A scientific exposition. Testimonials. "Before using your Transform(h)er I was totally blind, and now I can see my finish." The great invention at work. " Blonde or brunette ? " Old maids made new. A great success. A difficult case. Somewhat overdone. " The machine can make no mistake." A hard problem. " I want to be a man." The Pro- fessor phazed but not daunted. "Drink the stuff and pile in." An explosion — of laughter. POPPING BY PROXY. A FARCE IN ONE ACT. By O. E. YOUNQ. Two male, four female characters. Scenery easy, costumes rustic. This is a very amusing, if somewhat athletic farce, suitable for the young and robust, and likely to be popular among people who rejoice in practical joking and high animal spirits. It is distinctly not a drawing-room play, but is full of good, broad, boisterous fun, and tells a very entertaining story. Plays forty-five minutes. Price, .... 15 Cents. Sent, postpaid, on receipt of price, by BAKER, 5 HAMILTON PLACE, BOSTON, MASS. NOV 19 1900 NEW PLAYS. UNCLE SL cA Comedy Drama in Four cAcis, By FREDERICK H. WILSON. Seven male, four female characters. Costumes modern and rustic ; scenery, varied, but easy. This is a piece of considerable emotional interest, but relieved by abundant comedy episodes. Uncle Si is a good part, combining pathos with humor ; and Prof. Ticklepitclier and O'Flannigan are first-rate low comedy parts. Has been produced professionally. Plays a full evening. PRICE . . 25 CENTS. SYNOPSIS. Act I. — In camp. Uncle Si's experience in the city. " Mr. Potter's field." The Professor sees snakes. The tramp. The " Hotel Few-and-far-between." The milk-maid. Love's young dieani. An Irishman named Flarniigan. TicKle- jjitcher aiid the gun. The proposal. The Professor's courtship. Ruth's father. " J mean every darn word 1 said." The tramp again. The Professor goes home in a barrel. Act 11. — Down on the farm. Tranquillity Hedges. A distinguished way- farer. "Git." A niiscue. A carom on tlie Professor. " The bugler alarm!" The last day at home. Rehearsing. The fortune teller. A shower of hay. A true friend. Frank's father. The wedding gown. Josiah's best clothes. "Where's my collar-button?" Tl\e minister. A momentous interview. "I must object to this marriage." Father and son. " My honor is at stake" A plucky bride. " Whom (lod hath joined, let no man put asunder." Act III. — Frank's studio. The lesson in painting. The rustic bride. " Skinning a rabbit." Disillusionized. A new face. " Mr RoUeston, your pigs is loose!" Married life. Uncle Si's arrival. "Blank mange and Charlie Russie." A regular dude. " Kiss ma for me." Ruth's little plan. The Pro- fessor. " If you need a friend, come to me." The end. " I'm going out into the big wf>rld, and when I come back I shall be a lady." Act IV. — Six years later. Ned and Nellie. A striking resemblance. Hus- band and wife. " Five years banished from Paradi.se." Flannigan in livery. " Prof. Kick-the-pitcher." An old friend. A meeting. Risen from the dead. Rachel and the Professor. Josiah opens a bottle. " That bottle kicks worse'n a Vermont mule." The dream. Breaking the veil. " Paradise reg.iincd." A CONFIDENCE GAME. c/l Comedy in T'wo cAcis* By EVELYN G. WHITING. Six male, three female characters. Costumes modern ; scenery, a siinpie interior. A clever up-to-date piece, with plenty of bright comedy and a strojig dramatic Interest. The characters are all young people, the dialogue vivacious and the action bustling. Particularly recommended for lively young folks. Plays one hour to an hour and a ijuarter. PRICE ...... 15 CENTS. 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