THACKERAYANA LONDON : PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE AND PARLIAMENT STREET THACKERAYANA NOTES &> ANECDOTES fllttgfratefr bg ttmlg %\x Jgntteb Skcttljes WILLIAM MAKEPEACE THACKERAY Depicting- Humorous Incidents in his School Life, and Favourite Scenes and Characters in the Books of his Every-day Reading ' L /^ z e> CHATTO AND WINDUS, PICCADILLY 1875 A' 7 jtP^ INTRODUCTION LARGE portion of the public, and especially that smaller section of the community, the readers of books, will not easily forget the shock, as uni- versal as it was unexpected, which was produced at Christmas, 1863, by the almost incredible intelligence of the death of William Makepeace Thackeray. The mournful news was repeated at many a Christmas table, that he, who had led the simple Colonel Newcome to his solemn and touching end, would write no more. The circumstance was so startling from the suddenness of the great loss which society at large had sustained, that it was some time before people could realise the dismal truth of the report. It will be easily understood, without elaborating on so saddening a theme, with how much keener a blow this heavy bereavement must have struck the surviving relatives of the great novelist. It does not come within our pro- vince to speak of the paralysing effect of such emotion ; it is sufficient to recall that Thackeray's death, with its over- vi INTRODUCTION. whelming sorrow, left, in the hour of their trial, his two young daughters deprived of the fatherly active mind which had previously shielded from them the graver responsibilities of life, with the additional anxiety of being forced to act in their own interests at the very time such exertions were peculiarly distracting. It may be remembered that the author of ' Vanity Fair ' had but recently erected, from his own designs, the costly and handsome mansion in which he anticipated passing the mellower years of his life ; a dwelling in every respect suited to the high standing of its owner, and, as has been said by a brother writer, ' worthy of one who really represented literature in the great world, and who, planting himself on his books, yet sustained the character of his profession with all the dignity of a gen- tleman.' In such a house a portion of Thackeray's fortune might be reasonably invested. To the occupant it promised the enjoyment he was justified in anticipating, and was a solid property to bequeath his descendants when age, in its sober course, should have called him hence. But little more than a year later, to those deadened with the effects of so terrible a bereavement as their loss must have proved when they could realise its fulness, this house must have been a source of desolation. Its oppressive size, its infinitely mournful associations, the hopeful expectations with which it had been erected, the tragic manner in which the one dearest to them had there been stricken down ; with all this acting on the sensibilities of unhealed grief, the building must have impressed them with peculiar aversion ; and hence it may be concluded that their first INTRODUCTION. vii desire was to leave it. The removal to a house of dimen- sions more suitable to their requirements involved the sacrifice of those portions of the contents of the larger mansion with which it was considered expedient to dis- pense ; and thus Messrs. Christie, Manson, and Woods announced for sale a selection from the paintings, draw- ings, part of the interesting collection of curious porcelain, and such various objects of art or furniture as would other- wise have necessitated the continuance of a house as large as that at Palace Green. These valuable objects were accordingly dispersed under the hammer, March 16 and 17, 1864, and on the following day the remainder of Thack- eray's library was similarly offered to public competition. To anyone familiar with Thackeray's writings, and more especially with his Lectures and Essays, this collection of books must have been both instructive and fascinating ; seeing that they faithfully indicated the course of their owner's readings, and through them might be traced many an allusion or curious fact of contemporaneous manners, which, in the hands of this master of his craft, had been felicitously employed to strengthen the purpose of some passage of his own compositions. Without converting this introduction into a catalogue of the contents of Thackeray's library it is difficult to par- ticularise the several works found on his book-shelves ; it is sufficient to note that all the authorities which have been quoted in his Essays were fitly represented ; that such books — in many instances, obscure and trivial in them- selves, as threw any new or curious light upon persons or things — on the private and individual, as well as the public or political history of men, and of the events or writings to / viii INTRODUCTION. which their names owe notoriety, of obsolete fashions or of the changing customs of society — were as numerous as the most ardent and dilettanti of Thackeray's admirers could desire. The present volume is devised to give a notion, neces- sarily restricted, of certain selections from these works, chiefly chosen with a view of farther illustrating the bent of a mind, with the workings of which all who love the great novelist's writings may at once be admitted to the frankest intercourse. It has been truly said that Thackeray was ' too great to conceal anything ; ' the same candour is extended to his own copies of the books which told of times and company wherein his imagination delighted to dwell ; for, pencil in hand, he has recorded the impressions of the moment without reserve, whether whimsical or realistic. A collection of books of this character is doubly inter- esting. On the one hand were found the remnants of earlier humorists, the quaint old literary standards which became, in the hands of their owner, materials from which were derived the local colouring of the times concerning which it was his delightful fancy to construct romances, to philo- sophise, or to record seriously. On the other hand, the present generation was fitly represented. To most of the writers of his own era it was an honour that a presentation copy of their literary off- spring should be found in the library of the foremost author, whose friendship and open-handed kindness to the members of his profession was one of many brilliant traits of a character dignified by innumerable great qualities, and tenderly shaded by instances uncountable of generous readiness to confer benefits, and modest reticence to let the fame of his goodness go forth. INTRODUCTION. ix Presentation copies from his contemporaries were there- fore not scarce ; and whether the names of the donors were eminent, or as yet but little heard of, the creatures of their thoughts had been preserved with unvarying respect. The ' Christmas Carol/ that memorable Christmas gift which Thackeray has praised with fervour unusual even to his impetuous good-nature, was one of the books. The copy, doubly interesting from the circumstances both of its authorship and ownership, was inscribed in the well-known hand of that other great novelist of the nineteenth century, 4 W. M. Thackeray, from Charles Dickens {whom he made very happy once a long way from home)! Competition was eager to secure this covetable literary memorial, which may one day become historical ; it was knocked down at 25/. ioj\, and rumour circulated through the press, without foundation, we believe with regret, that it had been secured for the highest personage in the State, whose desire to possess this volume would have been a royal compliment to the community of letters. Nor were books with histories wanting. George Au- gustus Sala, in the introduction to his ingenious series of ' Twice Round the Clock,' published in 1 S62, remarks with diffidence, ' It would be a piece of sorry vanity on my part to imagine that the conception of a Day and Night in Lon- don is original. I will tell you how I came to think of the scheme ©f " Twice Round the Clock." Four years ago, in Paris, my then master in literature, Mr. Charles Dickens, lent me a little thin octavo volume, which I believe had been presented to him by another master of the craft, Mr. Thackeray.' A slight resemblance to this opuscule was offered in ' A View of the Transactions of London and Westminster from the Hours of Ten in the Evening till x INTRODUCTION. Five in the Morning,' which was secured at Thackeray's sale for forty-four shillings. Thus, without presuming to any special privileges, we account for the selection of literary curiosities which form settings for the fragments gathered in ' Thackerayana.' The point of interest which rendered this dispersion of cer- tain of Thackeray's books additionally attractive to us may be briefly set forth. In looking through the pages of odd little volumes, and on the margins and fly-leaves of some of the choicest works, presentation copies or otherwise, it was noticed that pencil or pen-and-ink sketches, of faithful conceptions suggested by the texts, touched in most cases with re- markable neatness and decision, were abundantly dispersed through various series. It is notorious that their owner's gift of dexterous sketching was marvellous ; his rapid facility, in the minds of those critics who knew him intimately, was the one great impediment to any serious advancement in those branches of art which demand a lengthy probationship ; and to this may be referred his implied failure, or but partial success, in the art which, to him, was of all cultivated accomplish- ments the most enticing. The fact has been dwelt on gravely by his friends, and was a source of regret to cer- tain eminent artists best acquainted with his remarkable endowments. The chance of securing as many of these characteristic designs as was in our power directed the selection of books which came into our possession in consequence of the sale of Thackeray's library ; it was found they were richer in" these clever pencillings than had been anticipated. INTRODUCTION. xi An impulse thus given, the excitement of increasing the little gathering was carried farther ; many volumes which had been dispersed were traced, or were offered spontaneously when the fact of the collection became known ; from books wherein, pencil in hand, passages had been noted with sprightly little vignettes, not unlike the telling etchings which the author of ' Vanity Fair ' caused to be inserted in his own published works, we became desirous of following the evidence of this faculty through other channels ; seeing we held the Alpha, as it were, inserted in the Charter House School books, and the latter pencillings, which might enliven any work of the hour indifferently, as it excited the imagination, grotesque or artist-like, as the case might be, of the original reader, whether the book happened to be a modest magazine in paper or an edition de luxe in morocco. A demand created, the supply, though of necessity limited, was for a time forthcoming ; the energy, which fosters a mania for collecting, was aided by one of those unlooked-for chances which sustain such pursuits, and, from such congenial sources as the early companions of the author, sufficient material came into our possession to enable us to trace Thackeray's graphic ambition through- out his career with an approach to consistency, following his efforts in this direction through his school days, in boyish diversions, and among early favourites of fiction ; as an undergraduate of Cambridge ; on trips to Paris ; as a student at Weimar and about Germany ; through maga- zines, to Paris, studying in the Louvre ; to Rome, dwell- ing among artists ; through his contributions to ' Fraser's,' and that costly abortive newspaper speculation the ' Consti- xii INTRODUCTION. tutional ; ' through the slashing Bohemian days, to the period of ' Vanity Fair ; ' through successes, repeated and sustained — Lectures and Essays ; through travels at home and abroad — to America, from Cornhill to Grand Cairo, to Scotland, to Ireland, ' Up the Rhine,' Switzerland, Italy, Belgium, Holland, and wherever Roundabout ' sketches by the way ' might present themselves. The study which had attracted an individual, elicited the sympathy of a larger circle ; the many who preserve mementos similar to those dispersed through ' Thacke- rayana' enlarged on the general interest of the materials, and especially upon the gratification which that part of the public representing Thackeray's admirers would discover in such original memorials of our eminent novelist ; and which, from the nature of his gifts, and the almost unique propensity for their exercise, would be impossible in the case of almost any other man of kindred genius. Selections from the sketches were accordingly produced in facsimile, only such subjects being used as, from their relation to the context, derived sufficient coherence to be generally appreciable. The writer is aware that many such memorials exist, some of them unquestionably of greater worth in them- selves than several that are found in the present gathering ; but it is not probable, either from their private nature, the circumstances of their ownership, or from the fact that, in their isolated condition, they do not illustrate any particular stage of their author's progress, that the public will ever become familiar with them. 1 Thackerayana' is issued with a sense of imperfections ; many more finished or pretentious drawings might have INTRODUCTION. xiii been offered, but the illustrations have been culled with a sense of their fitness to the subject in view. It is the intention to present Thackeray in the aspect his ambition preferred, — as a sketcher ; his pencil and pen bequeath us matter to follow his career ; we recognise that delightful gift, a facility for making rapid little pictures on the inspi- ration of the moment ; it is an endless source of pleasure to the person who may exercise this faculty, and treasures up the most abundant and life-like reminiscences for the de- lectation of others. It will be understood as no implied disparagement of more laboured masterpieces if we observe that the composition of historical works, the conception and execution of chefs-d'ceuvre, are grave, lengthy, and systematic operations, not to be lightly intruded on ; they involve much time and preparation, many essays, failures, alterations, corrections, much grouping of accessories, posing of models, and setting of lay-figures, — they become op- pressive after a time, and demand a strain of absorption to accomplish, and an effort of mind to appreciate, which are not to be daily exerted ; long intervals are required to recruit after such labours ; but the bright, ready croquis of the instant, if not profound, embalms the life that is passing and incessant ; the incident too fleeting to be preserved on the canvas, or in a more ambitious walk of the art, lives in the little sketch-book ; it is grateful to the hand which jots it down, and has the agreeable result of being able to extend that pleasure to all who may glance therein. If it was one of Thackeray's few fanciful griefs that he was not destined for a painter of the grand order, it doubtless con- soled him to find that the happier gift of embodying that abstract creation — an idea — in a few strokes of a pencil t I INTRODUCTION. was his beyond all question ; and this graceful faculty he was accustomed to exercise so industriously, that myriad examples survive of the originality of his invention as an artist, in addition to the brilliant fancy and sterling truth to be found in his works as an author. CONTENTS, CHAPTER I. PAGE Voyage from India — Touching at St. Helena — Schooldays at the Charterhouse — Early Reminiscences — Sketches in School Books — Boyish Scribblings — Favourite Fictions — Youthful Caricatures — Sou- venirs of the Play — Holidays — Visits to Parents . . ... I CHAPTER II. Early Favourites — The Castle of Otranto— Rollin's Ancient History . 20 CHAPTER III. Thackeray's last visit to the Charterhouse — College days — Pendennis at Cambridge — Sketches of University worthies — Sporting subjects — Pen's popularity — Etchings at Cambridge — Pencillings in old authors — Pic- torial Puns — The 'Snob,' a Literary and Scientific Journal — 'Tim- buctoo,' apprize poem 49 CHAPTER IV. Early Favourites — Fielding's 'Joseph Andrews' — Imitations of Fielding's novels — 'The Adventures of Captain Greenland' — 'Jack Connor' — * Chrysal, or the Adventures of a Guinea ' .74 CHAPTER V. Continental Ramblings — A Stolen Trip to Paris — Calais and the Paris Road in 1830 — French Jottings — Thackeray's Residence at Weimar — Contributions to Albums — Burlesque State — German Sketches and Studies — The Weimar Theatre — Goethe — Weimar re-visited — Sou- venirs of the Saxon city — 'Journal kept during a Visit to Germany ' . 92 CONTENTS. CHAPTER VI. PAGE Thackeray's Predilections for Art — A Student in Paris — First Steps in the Career — An Art Critic — Impressions of Turner — Introduction to Marvy's English Landscape Painters — Early connection with Litera- ture — Michael Angelo Titmarsh, a contributor to ' Fraser's Magazine ' — French Caricature under Louis Philippe — Political Satires — A Young Artist's life in Paris— Growing Sympathy with Literature — Paris Sketches 116 CHAPTER VII. Thackeray on the staff of ' Fraser's Magazine ' — Early connection with Maginn and his Colleagues — The Maclise Cartoon of the ' Fraserians' — Thackeray's Noms de Plume — Charles Yellowplush as a Reviewer — Skelton and his ' Anatomy of Conduct ' — Thackeray's proposal to Dickens to illustrate his novels — Gradual growth of Thackeray's noto- riety — His genial admiration for ' Boz ' — Christmas Books and Dickens's ' Christmas Carol ' — Return to Paris — Execution of Fieschi and Lace- naire — Daily Newspaper Venture — The ' Constitutional and Public Ledger ' — Thackeray as Paris Correspondent — Dying Speech of the 'Constitutional' — Thackeray's marriage — Increased application to Literature — The ' Shabby Genteel Story ' — Thackeray's article in the 'Westminster' on George Cruikshank — First Collected Writings — The ' Paris Sketch Book,' illustrated by the Author — Dedication of M. Aretz — ' Comic Tales and Sketches,' with Thackeray's original illustra- tions — The 'Yellowplush Papers' — The ' Second Funeral of Napo- leon,' with the 'Chronicle of the Drum' —The 'History of Samuel Titmarsh and the great Hoggarty Diamond' — ' Fitzboodle's Confes- sions' — The 'Irish Sketch Book,' with the Author's illustrations — The 'Luck of Barry Lyndon' — Contributions to the 'Examiner' — Miscellanies — ' Carmen Lilliense' — ' Notes of a Journey from Cornhill to Grand Cairo,' with the Author's illustrations — Interest excited in Titmarsh — Foundation of ' Punch ' — Thackeray's Contributions — His comic designs — The 'Fat Contributor' — 'Jeames's Diary '—'Prize Novelists,' &c. 130 CHAPTER VIII. Increasing reputation — Later writings in ' Fraser' — ' Mrs. Perkins's Ball, with Thackeray's illustrations — Early Vicissitudes of ' Pencil Sketches of English Society' — Thackeray's connection with the Temple — Appearance of ' Vanity Fair ' with the Author's original illustrations — Appreciative notice in the ' Edinburgh Review ' — The impression pro- CONTENTS. xvii PAGE duced— 'Our Street,' with Titmarsh's Pencillings of some of its In- habitants—The 'History of Pendennis,' illustrated by the Author — ' Dr. Birch and his Young Friends,' with illustrations by M, A. Tit- marsh — 'Rebecca and Rowena' — The Dignity of Literature and the ' Examiner ' and l Morning Chronicle ' newspapers — Sensitiveness to Hostile Criticism — The ' Kickleburys on the Rhine, ' with illusti-ations by M. A. Titmarsh — Adverse bias of the ' Times ' newspaper — Thack- eray's reply — An 'Essay on Thunder and Small Beer ' 152 CHAPTER IX. Commencement of the Series of early Essayists — Thackeray as a Lec- turer — The ' English Humorists of the Eighteenth Century ' — Char- lotte Bronte at Thackeray's readings — The Lectures repeated in Edin- burgh — An invitation to visit America — Transatlantic popularity — Special success attending the reception of the ' English Humorists ' in the States — ' Week-day Preachers ' — Enthusiastic Farewell — Appleton's New York edition of Thackeray's Works ; the Author's Introduction, and remarks on International Copyright — Thackeray's departure — : Cor- dial impression bequeathed to America — The ' History of Henry Esmond, a story of Queen Anne's Reign' — The writers of the Augustan Era — The ' Newcomes ' — An allusion to George Washington misunder- stood — A second visit to America— Lectures on the 'Four Georges' — The series repeated at home — Scotch sympathy — Thackeray proposed as a candidate to represent Oxford in Parliament — His liberal views and impartiality ........... 166 CHAPTER X. Curious authors from Thackeray's library, indicating the course of his readings — Early essayists illustrated with the humorist's pencillings — Bishop Earle's ' Microcosmography ; a piece of the World Characterised,' 1628 — An 'Essay in Defence of the Female Sex,' 1697 — Thackeray's interest in works on the Spiritual World — ' Flagellum Dsemonum, et Fustis Doemonum. Auctore R. P. F. Hieronymo Mengo,' 1727 — 'La Magie et L'Astrologie,' par L. F. Alfred Maury — 'Magic, Witchcraft, Animal Magnetism, Hypnotism, and Electro Biology,' by James Baird, 1852 183 CHAPTER XI. ENGLISH ESSAYISTS OF THE GEORGIAN ERA. Early Essayists whose writings have furnished Thackeray with the acces- sories of portions of his Novels and Lectures — Works from the a xviii CONTENTS. I'ACE Novelist's Library, elucidating his course of reading for the preparation of his ' Lectures' : Henry Esmond,' the 'Virginians,' &c. — Character- istic passages from the lucubrations of the Essayists of the Augustan Era illustrated with original Marginal sketches, suggested by the Text, by Thackeray's hand — The ' Tatler ' — Its history and influence — Re- • forms introduced by the purer style of the Essayists — The Literature of Queen Anne's Reign — Thackeray's love for the writings of that period — His remarks on Addison and Steele ; the ' Early Humorists ' and their contemporaries— His picture of their times — Thackeray's gift of reproducing their masterly and simple style of composition, their irony, and playful humour — Extracts from notable essays ; illustrated with original pencillings from the Series of The ' Tatler,' 1709 . .218 CHAPTER XII. thackeray's researches amongst the writings of the early essayists — continued. Extracts of characteristic Passages from the Works of ' the Humorists,' from Thackeray's Library, illustrated with original Sketches by the Author's hand — The Series of the 'Guardian,' 1713 — Introduction —Steele's Programme — Authors who contributed to the ' Guardian ' — Paragraphs and Pencillings . . . . . . . .276 CHAPTER XIII. THACKERAY'S RESEARCHES AMONGST THE WRITINGS OF THE early essayists— continued. Characteristic Passages from the Works of Humorous Writers of the ' Era of the Georges,' from Thackeray's Library, illustrated with original Marginal Sketches by the Author's hand — The 'Humorist,' 1724 — Extracts and Pencillings ......... 299 • CHAPTER XIV. THACKERAY'S RESEARCHES AMONGST THE WRITINGS OF THE early essayists — continued. Characteristic Passages from the Works of the ' Humorists,' from Thackeray's Library, illustrated by the Author's hand, with Marginal Sketches suggested by the Text — The 'World,' 1753 — Introduction — Its Difference from the Earlier Essays — Distinguished Authors who contributed to the ' World ' — Paragraphs and Pencillings . . . 318 CONTENTS. CHAPTER XV. thackeray's familiarity with the writings of the satirical essayists — continued. PAGE Characteristic Passages from the Compositions of the ' Early Humor- ists,' from Thackeray's Library, illustrated by the Author's hand with original Marginal Sketches suggested by the Text — The ' Connoisseur,' 1754 — Introduction — Review of Contributors — Paragraphs and Pen- cillings 357 CHAPTER XVI. thackeray's researches amongst the writings of the EARLY ESSAYISTS COJltilllied. Characteristic Passages from the Works of the • Humorists,' from Thackeray's Library, illustrated by the Author's hand with Marginal Sketches suggested by the Text— The 'Rambler,' 1749-50 — Introduc- tion — Its Author, Dr. Johnson — Paragraphs and Pencillings . . 370 CHAPTER XVII. THACKERAY'S FAMILIARITY WITH THE WRITINGS OF THE satirical essayists — continued. Characteristic Passages from the Works of ' Early Humorists, ' from Thackeray's Library, illustrated by the Author's hand with original Marginal Sketches suggested by the Text — The ' Mirror,' Edinburgh, 1779-80 — Introduction — The Society in which the 'Mirror' and ' Lounger ' "originated — Notice of Contributors — Paragraphs and Pen- cillings ............ 408 CHAPTER XVIII. Thackeray as an Illustrator — Allusions to Caricature Drawing found throughout his Writings — Skits on Fashion — Titmarsh on Artists, Men, and Clothes — Sketches of the 'Fraser' Period — Jottings of the time of ' Vanity Fair ' — Of the 'English Humorists ' — 'Esmond,' and the Days of Qaeen Anne — ' The Virginians, ' and the Early Georges — Bohemian- ism in youth — Sketches of Contemporary Habits and Manners — Imaginative Illustrations to Romances — Skill in Ludicrous Parody — Burlesque of the ' Official Handbook of Court and State ' . . . 436 CONTENTS. CHAPTER XIX. PAGE Thackeray as a Traveller — Journey in Youth from India to England — Little Travels at Home — Sojourn in Germany — French Trips — Resi- dence in Paris— Studies in Rome — Sketches and Scribblings in Guide Books — Little Tours and Wayside Studies — Brussels — Ghent and the Beguines — Bruges — Croquis in Murray's ' Handbooks to the Conti- nent' — Up the Rhine — ' From Cornhill to Grand Cairo ' — Journeys to America — Switzerland — A ' Leaf out of a Sketch Book' — The Grisons — Verona — ' Roundabout Journeys ' — Belgium and Holland . -455 CHAPTER XX. Commencement of the 'Cornhill Magazine' — 'Roundabout Papers' — ' Lovel the Widower ' — The ' Adventures of Philip on his Way through the World ' — Lectures on the ' Four Georges ' — Editorial Penalties — The 'Thorn in the Cushion'— Harass from disappointed Contributors — Vexatious Correspondents — Withdrawal from the arduous post of Editor — Building of Thackeray's House in Kensington Palace Gardens, Christmas 1863 — Death of the great Novelist — The unfinished Work — Circumstances of the Author's last Illness 485 THACKERAYANA CHAPTER I. Voyage from India — Touching at St. Helena — School days at the Charter- house — Early Reminiscences — Sketches in School Books — Boyish Scribblings — Favourite Fictions — Youthful Caricatures — Souvenirs of the Play — Holi- days — Visits to Parents. The fondness of Thackeray for lingering amidst the scenes of a boy's daily life in a public grammar school, has generally been attributed to his early education at the Charterhouse, that celebrated monastic- looking establishment in the neighbour- hood of Smithneld, which he scarcely dis- guised from his readers as the original of the familiar ' Greyfriars ' of his works of fiction. Most of our novelists have given us in various forms their school reminiscences ; but none have reproduced them so frequently, or dwelt upon them with such manifest bias towards the subject, as the author of 'Vanity- Fair,' ' The Newcomes,' and 'The Adventures of Philip.' It is pleasing to think that this habit, which Thackeray was well aware had been frequently censured by his critics as carried to excess, was, like his partiality for the times of Queen R View of Life as seen through the Charterhouse Gates THA CKERA VAN A. Anne and the Georges, in some degree due to the traditional re- verence of his family for the memory of their great-grandfather, Dr. Thomas Thackeray, the well-remembered head-master of Harrow. Sketches of Indian life and Anglo-Indians generally are abun- dantly interspersed through Mr. Thackeray's writings, but he left India too early to have profited much by Indian experiences. He is said, however, to have retained so strong an impression of the scene of his early childhood, as to have long wished to visit it, and recall such things as were still remem- bered by him. In his seventh year he was sent to England, when the ship An Exile having touched at St. Helena, he was taken up to have a glimpse of Bowood, and there saw that great Captain at A Sentry whose name the rulers of the earth had so often trembled. It is remarkable that in his little account of the second funeral of Na- poleon, which he witnessed in Paris in 1840, no allusion to this fact appears ; but he himself has described it in one of his latest works. ' When I first saw England,' he says, ' she was in mourning for the young Princess Charlotte,* the hope of the empire. I came from * The Princess Charlotte died Nov. 6, 181 7. EARLY REMINISCENCES. India as a child, and our ship touched at an island on our way- home, where my black servant took me a long walk over rocks and hills, until we reached a garden where we saw a man walking. " That is he ! " cried the black man ; " that is Bonaparte ! He eats three sheep every day, and all the children he can lay his hands on ! " With the same childish attendant,' he adds, ' I remember peeping through the colonnade at Carlton House, and seeing the abode of the Prince Regent. I can yet see the guards pacing The It is A highly respectable Member of Society A Master of Arts before the gates of the palace. The palace ! What palace ? palace exists no more than the palace of Nebuchadnezzar, but a name now.' * We fancy that Thackeray was placed under the protection of his grandfather, William Makepeace Thackeray, who had settled with a good fortune, the fruit of his. industry in India, at Hadley, near Chipping Barnet, a little village, in the churchyard of which * * The Four Georges,' p. in. B 2 THA CKERA YANA. lies buried the once-read Mrs. Chapone, the authoress of the ' Letters on the Improvement of the Mind/ the correspondent of Richardson, and the intimate friend of the learned Mrs. Carter and other blue-stocking ladies of that time. In the course of time — we believe in his twelfth year — Thackeray was sent to the Charterhouse School, and remained there as a boarder in the house of Mr. Penny. He appears in the Charterhouse records for the year 1822 as a boy on the tenth form. In the next year we find him promoted to the seventh form ; in 1 824 to the fifth ; and in 1828, when he had become a day-boy, or one residing with his friends, we find him in the honourable positions of a first-form boy and one of the monitors of the school. He was, however, never chosen as one of the orators, or those who speak the oration on the Founder's Day, nor does he appear among the writers of the Charterhouse odes, which have been col- lected and printed from time to time in a small volume. We need feel no surprise that Thackeray's ambition did not lead him to seek this sort of distinction ; like most keen humorists he preferred exercising his powers of satire in bur- lesquing these somewhat trite compositions to contributing seri- ously to swell their num- bers. Prize poems ever yielded the novelist a de- lightful field for his sar- casms. While pursuing his studies at ' Snuffle/ as the Carthusians were pleased to style ' Grey friars/ Thac- keray gave abundant evi- dences of the gifts that were in him. He scribbled juvenile verses, towards the close of A Man of Letters Early efforts at Drawing EARLY REMINISCENCES. 5 his school days, displaying taste for the healthy sarcasm, which afterwards became one of his distinctive qualities, at the expense of the prosaic compositions set down as school verses. In one of his class books, 'Thucydides,' with his autograph, ' Charter House, 1827/ is scribbled two verses in which the tender passion is treated somewhat realistically : — Love 's like a mutton chop, Soon it grows cold ; All its attractions hop Ere it grows old. Love 's like the cholic sure, Both painful to endure ; Brandy 's for both a cure, So I've been told. When for some fair the swain Burns with desire In Hymen's fatal chain, Eager to try her, He weds as soon as he can, And jumps — unhappy man — Out of the frying pan Into the fire. As to the humorist's pencil, even throughout these early days, it must have been an unfailing source of delight, not only to the owner but to the companions of his form. ' Draw us some pictures,' the boys would say, and straightway down popped a caricature of a master on slate or exercise pa- per. Then school books were brought into requisition, and the fly-leaves were adorned with whimsical travesties of the sub- jects of their contents. Abbe Barthelemy's 'Travels of Ana- charsis the Younger ' suggested the figure of a wandering minstrel, with battered hat and dislocated flageolet, piping his way through the world in the dejected fashion those forlorn pilgrims might have THACKERAYAXA. presented themselves to the charitable dwellers in Charterhouse Square ; while Anacharsis, Junior, habited in classic guise, was sent (pictorially) tramping the high road from Scythia to Athens, with stick and bundle over his back, a wallet at his side, sporting a family umbrella of the defunct ' gingham ' species as a staff, and furnished with lace-up hob- nailed boots of the shape, size, and weight popularly approved by navvies. Then Ainsworth's Latin Dictionary was turned into a sketch book, and sup- plemented with studies of head-masters, a Gmgham early conceptions of Roman warriors, primitive Carthusians indulging disrespectful gestures, known as ' sights,' at the rears of respectable governors, and boys of the neighbouring ' blue coat ' foundation, their costume completed with the addition of a fool's or dunce's long-eared cap. Fantastic designs, even when marked by the early graphic talent which Thackeray's rudest scribblings display, are apt to en- tail unpleasant consequences when discovered in school-books, and greater attractions were held out by works of fiction. Pages of knight- errantry were the things for inspiration : Quix- ote, Orlando Furioso, Valentine and Orson, the Seven Champions, Cyrus the Grand (and intermin- able), mystic and chivalrous le- gends, clean forgotten in our generation, but which, in Thack- eray's boyhood, were considered fascinating reading ; — quaint ro- mances, Italian, Spanish, and Per- sian tales, familiar enough in those days, and oft referred to, with ac- cents of tender regret, in the re- miniscences of the great novelist. What charms did the ' Arabian Nights ' hold out for his kindling imagination, — how frequently were its heroes and its episodes In a state of suspense SCHOOLDAY ROMANCES. brought in to supply some apt allusion in his later writings. It seems that Thackeray's pencil never tired of his favourite stories in the 'Thousand and One Nights/ precious to him for preserving ever green the impressions of boyhood. How numerous his un- published designs from these tales, those who treasure his number- less and diversified sketches can alone tell. We see the thrilling A Grey Friar Fancy sketch A worthy Cit episode of ' Ali Baba,' perched among the branches, while the robbers bear their spoil to the 'mysterious cave, repeated with unvarying interest, and each time with some fresh point of humour to give value to the slight tracings. " ' I say, old boy,' writes 8 THA CKERA YANA. Thackeray in his ' Roundabout Paper,' ' De Juventate,' treating of schoolday reminiscences, ' draw Vivaldi tortured in the Inqui- sition,' or, 'Draw. us Don Quixote and the windmills you know,' amateurs would say to boys who had a taste for drawing — ' Pere- grine Pickle we liked, our fathers admiring it, and telling us (the sly old boys) it was capital fun ; but I think I was rather bewildered by it, though Roderick Random was and remains delightful.' " ' Make us some more faces,' cry theboys. 'Whom will you have? name your friends,' says the young artist. Perhaps one young rogue, with a schoolboy's taste for personalities, will cry, ' Old Buggins ; ' and the junior Buggins blushes and fidgets as the ideal presentment of his pro- genitor is rapidly dashed off and held up to the appreciation of a circle of rapturous critics. ' Now,' says the wounded youngster, glad to retaliate, ' you remember old Fig- Biueskin gins' pater when he brought Old MELODRAMATIC HEROES. Virtue triumphant Figs back and forgot to tip — draw him ! ' and a faithful portraiture of that economic civic ornament is produced from recollection. The gallery of family portraits is doubtless successfully exhausted, and each of the boys who love books, calls for a different favourite of fic- tion, or the designer ex- ercises his budding fancy in summoning monks, Turks, ogres, bandits, highwaymen, and other heroes, traditional or imaginary, from that won- derful well of his, which, in after years, was to pour Early Recreations — Marbles io THA CKERA YANA. out so frankly from its rich reservoirs for the recreation, and im- provement too, of an audience more numerous, but perhaps less enthusiastic, than that which surrounded him at Greyfriars. Holidays came, and with them the chance of visiting the theatres. Think of the plays in fashion between 1820 and ''30; what juvenile rejoicings over the moral drama, over the wicked earl unmasked in the last Act, the persecuted maiden triumphant, and virtue's defenders rewarded. Recall the pieces in vogue in those early days, to which the novelist refers with constant pleasure ; THE A TRICAL REMINISCENCES. 1 1 how does he write of nautical melodramas, of 'Black Ey'd Seusan,' and such simply constructed pieces as he has parodied in the pages of ' Punch ? ' such as Theodore Hook is described hitting off on the piano after dinner. Think of Sadler's Wells, and the real water, turned on from the New River adjacent. Remember Astley's, and its gallant stud of horses. How faded are all these glories in our time, yet they were gorgeous subjects for young Thackeray's hand to work out ; and we can well conceive eager little Cistercians, in miniature black gowns and breeches, revelling over the splendid pictures, perhaps made more glorious with the colour box. How many of these scraps have been treasured to this day, and are now gone with the holders, heaven knows where ? Then there was ' Shakespeare,' always a favourite with ' Tit- marsh.' Think of the obsolete, conventional trappings in which the characters of the great playwright were then condemned to strut about to the perfect satisfaction of the audience, before theatrical ' costume ' became a fine art ! And then there were Braham, and Incledon, and the jovial rollicking tuneful 'Beggar's Opera.' 1 2 THA CKERA YANA. Behold the swaggering Macheath, reckless in good fortune, and consistently light-hearted up to his premature exit. The Captain Since laws were made for erfry degree, To curb vice in others, as well as me, I wonder we han't better company Upon Tyburn tree ! But gold from law can take out the sting ; A?id if rich men like us were to swing, 'Twould thin the land, such numbers to string Upon Tyburn tree! 1 The charge iz prepared, the Lawyers are met; The fudges all rang'd (a terrible show I) I go imdismay' d—for death is a debt, A debt on demand, — so take what I owe. Then, farewell, my love — dear charmers, adieu; Contented I die — 'tis the better for you ; Here ends all dispute the rest of our lives, For this way at once I please all my wives.'' CAPTAIN MACHEATH. J3 H T HACK ERA YANA. In his 'English Humorists of the Eighteenth Century,' Thackeray does not forget to pay his honest tribute to Gay. Writing of the higher portions of this very Newgate Pastoral, he says of its favoured author—' In almost every ballad of his, however slight, there is a peculiar, hinted, pathetic sweetness and melody. It charms and melts you. It's indefinable, but it exists ; and is the property of John Gay's and Oliver Goldsmith's best verse, as fragrance is of a violet, or freshness of a rose.' 1 At the tree I shall suffer with pleasure, At the tree I shall suffer with pleasure, Let me go where I will, In all kinds of ill, I shall find no such Furies as these arc.'' Thackeray's predilections for the stage survived the first flush of enthusiasm, and like most of his pleasures flourished vigorously almost throughout his career. It may be fresh to the recollections of most of his admirers how in 1848 he describes, in his chef-d'oeuvre, a picture, the vivid colouring of which outshines his entire gallery of theatrical sketches. ' Do you remember, dear M , oh friend of my youth, how one blissful night five and-twenty years since, the " Hypo- crite " being acted, Elliston being manager, Dowton and Liston REMTNISCEXCES OF 'GOING TO THE PLAY: IS performers, two boys had leave from their loyal masters to go out from Slaughter House School, where they were educated, and ap- pear on Drury Lane stage, amongst a crowd that assembled there to greet the King. The King? There he was. Beef-eaters were before the august box ; the Mar- quis of Steyne (Lord of the Pow- der Closet) and other great offi- cers of state were behind the chair- on which he sate. He sate — florid of face, portly of person, covered with orders, and in a< rich curling head of hair. How we sang God save him ! How the house rocked and shouted with that magnificent music. How they cheered, and cried, and waved handkerchiefs. Ladies wept, mothers clasped their children ; some fainted with emotion. People were suffocated in the pit, shrieks and groans rising up amidst the i6 TH ACKER A VAN A. writhing and shouting mass there of his people who were, and indeed showed themselves almost to be, ready to die for him. Speculation ' Yes, we saw him. Fate cannot deprive us of that. Others have seen Napoleon. Some few still exist who have beheld Quixote Frederick the Great, Doctor Johnson, Marie Antoinette, &c. — be it our reasonable boast to our children, that we saw George the Good, the Magnificent, the Great ! ' EARLY RECOLLECTIONS— TUNBRIDGE, 17 Mr. Thackeray's readers are familiar with the zest with which the novelist looks back upon his early reminiscences. How faith- fully and with what happy simplicity does he describe that while at Greyfriars he was entrapped into incurring a liability of three and sixpence by a boy he calls Hawker, one of those precocious com- mercial geniuses who trade, even at school, on the weakness of smaller and more ingenuous youths. How he relieved himself of A Spanish Don an incubus that had oppressed him through the half, with the small balance his master had given him to defray the expenses of the road on his return to his parents, who had then a house at Tun- bridge Wells. We are admitted to view the picture of relief, which Thackeray's mind preserved in all its freshness, when penning the circumstances of this smallest of peccadilloes, in a memorable ' Roundabout Paper ' upon ' Tunbridge Toys,' to which we must turn for a description of his feelings at the period to which we refer. < As I look up from my desk, I see Tunbridge Wells c 1 8 THA CKERA YANA . Common, and the rocks, the strange familiar place which I remem- ber forty years ago. Boys saunter over the green with stumps and cricket-bats. Other boys gallop by on the riding master's hacks. I protest it is Cramp, Riding Master, as it used to be in the reign of George IV., and that Centaur Cramp must be at least a hun- dred years old. Yonder comes a footman with a bundle of novels from the library. Are they as good as our novels? Oh ! how delightful they were I Shades of Valancour, awful ghost of Man- froni, how I shudder at your appearance ! Sweet image of Thad- deus of Warsaw, how often has this almost infantine hand tried to depict you in a Polish cap and richly embroidered tights ! As for Corinthian Tom in light-blue pantaloons and Hessians, and Jerry Hawthorn from the country, can all the fashion, can all the splendour of real life, which these eyes have subsequently beheld, can all the wit I have heard or read of in later times, compare with your fashion, with your brilliancy, with your delightful grace and sparkling vivacious rattle ? ' 1 stroll over the Common and survey the beautiful purple hills around, twinkling with a thousand bright villas, which have sprung up over this charming ground since first I saw it. What an admir- able scene of peace and plenty! What a delicious air breathes EARLY RECOLLECTIONS— TUNBRIDGE. 19 over the heath, blows the cloud-shadows across it, and murmurs through the full-clad trees ! Can the world show a land fairer, richer, more cheerful ? I see a portion of it when I look up from the window at which I write. But fair scene, green woods, bright terraces gleaming in sunshine, and purple clouds swollen with summer rain — nay the very pages over which my head bends — disappear from before my eyes. They are looking backwards, back into forty years off, into a dark room, into a little house hard by on the Common, there in the Bartlemy-tide holidays. The parents have gone to town for two days ; the house is all his own, his own and a grum old maid- servants, and a little boy is seated at night in the lonely drawing-room, poring over Ma?ifro?ii, or the One-handed Monk, so frightened that he scarcely dares to turn round.' c 2 20 THA CKERA YANA. CHAPTER II. Early Favourites— The Castle of Otranto — Rollin's Ancient History. The references made by- Thackeray to the romances which thrilled the sympathies of novel-readers in his youth are spread throughout his writings. In the ' Round- about Paper' (No. xxiv.), de- voted to reminiscences of fictions which delighted his schooldays, he thus solilo- quises : — ' Ah, woe is me that the glory of novels should ever decay ; that dust should gather round them on the shelves ; that the annual cheques from Messieurs the publishers should dwindle, dwindle ! Inquire at Mudie's, or the London Library, who asks for the " Mysteries of Udolpho " now ? ' and then the great author proceeds to demand intelligence of his other early favourites. In the 'Roundabout Paper' 'De Juventate ' (No. viii.) he makes an earlier record of his partiality for the imaginary com- panions of his boyhood. ' For our amusements, besides the games in vogue, which were pretty much in old times as they are now, there were novels — ah ! I trouble you to find such novels in the present day ! O " Scottish Chiefs," didn't we weep over you ? O "Mysteries of Udolpho," didn't I and Briggs minor draw pictures out of you, as I have said ? This was the sort of thing ; this was the fashion in our day ; ' — and here follows, on what purports to be the title-page of an old class book, ' The Eton Latin Gram- THE CASTLE OF OTRANTO. 21 mar,' fanciful scribblings, founded on the manner of Skelt's once famous theatrical characters, of schoolboy versions of Sir William Wallace triumphing over the fallen Sir Aymer de Valence, while Thaddeus of Warsaw, attired in a square Polish cap, laced jacket, tights, and Hessian boots, his belt stuck round with pistols, is gal- lantly nourishing a curly sabre. Sketches of this picturesque nature seem to have held a certain charm over the novelist's fancy through life ; the impres- sions of his boyhood are jotted down in all sorts of melodramatic fragments. Similar reminiscences, applying to different stages of our writer's career, and forming portions of the illustrations to ' Thackerayana,' will be recognised throughout this work. We endeavour to trace sufficient of the thread of the once familiar story of 'The Castle of Otranto' (published in 1782, the fourth edition), enlivened with highly droll marginal pencillings, to assist our readers in a ready appreciation of the point and cha- racter of the little designs, as it is more than probable that, by this time, the interest and incidents of the original fiction are somewhat obscured in the memories of our readers. We follow the words of the author as closely as possible. ' Manfred, Prince of Otranto, had one son and one daughter. The latter, a most beautiful virgin, aged eighteen, was called Matilda. Conrad, the son, was only fifteen, and of a sickly con- stitution j he was the hope of his father, who had contracted a marriage for him with the Marquis of Vicenza's daughter, Isabella. The bride elect had been delivered by the guardians into Man- fred's hands,^ that the marriage might take place as soon as Con- rad's infirm health would permit it. The impatience of the prince for the completion of this ceremonial was attributed to his dread of seeing an ancient prophecy accomplished, which pro- nounced — " that the Castle and Lordship of Otranto should pass from the present family, whenever the real owner should be grown too large to inhabit it." ' Young Conrad's birthday was fixed for the marriage, the company were assembled in the chapel of the castle, everything ready, — but the bridegroom was missing ! The prince, in alarm, went in search of his son. The first object that struck Manfred's eyes was a group of his servants endeavouring to raise something 22 THACKERAYANA. that appeared to him a mountain of sable plumes. " What are ye doing?" he cried, wrathfully ; "where is my son 1 " A volley of voices replied, " Oh ! my lord ! the prince ! the helmet ! the helmet ! " Shocked with these lamentable sounds, and dreading he knew not what, he advanced hastily, — but what a sight for a father's eyes ! He beheld his child dashed to pieces, and almost buried under an enormous helmet, a hundred times larger than any casque ever made for human being, and shaded with a pro- portionable quantity of black feathers. THE CASTLE OF OTRANTO. 23 ' The consternation produced by this murderous apparition did not diminish. Isabella was, however, relieved at her escape from an ill-assorted union. Manfred continued to gaze at the terrible casque. No one could ex- plain its presence. In the midst of their sense- less guesses, a young peasant, whom rumour had drawn thither from a neighbouring village, ob- served that the miraculous helmet was like that on the figure in black marble, in the church of St. Nicholas, of Alonzo the Good (the original Prince of Otranto. who having died without leaving an ascertained heir, his steward, Manfred's grandfather, had illegally contrived to obtain possession of the castle, estates, and title). " Villain ! What sayest thou ? " cried Manfred, starting from his trance in a tempest of rage, and seizing the young man by the collar. " How darest thou utter such treason ? Thy life shall pay for it ! " The peasant was secured, and confined, as a necromancer, under the gigantic helmet, there to be starved to death. Manfred retired to his chamber to meditate in solitude over the blow which had descended on his house. His gentle daughter, Matilda, heard his disordered footsteps. She was just going to beg admittance, when Manfred suddenly opened the door; and as it was now twilight, concurring with the disorder of his mind, he did not distinguish the person, but asked angrily who it was. Matilda replied, trem- bling, " My dearest father, it is I, your daughter." Man- fred, stepping back hastily, cried, " Begone, I do not want a daughter ; " and flinging back abruptly, clapped the door against the terrified Matilda. His dejected daughter returned to her mother, the pious Hippolita, who was being comforted by Isabella. A servant, on the part of Manfred, informed the latter that Manfred demanded to speak with her. " With me ! " cried Isabella. " Go," said Hippolita, " console him, and tell 24 THACKERAYANA. him that I will smother my own anguish rather than add to his." ' As it was now evening, the servant, who conducted Isabella, bore a torch before her. When they came to Manfred, who was walking impatiently about the gallery, he started, and said hastily, "Take away that light, and begone." Then, shutting the door impetuously, he flung himself upon a bench against the wall, and bade Isabella sit by him. She obeyed trem- bling. The iniquitous Manfred then proposed, that as his son was dead, Isabella should espouse him instead, and he would divorce the virtuous Hippolita. Manfred, on her refusal, resorted to violence, when the plumes of the fatal helmet suddenly waved to and fro tempestuously in the moonlight. Manfred, disregarding the portent, cried — " Heaven nor hell shall im- pede my designs," and advanced to seize the princess. At that instant the portrait of his grandfather, which hung over the bench where they had & been sitting, uttered a deep sigh, and heaved its breast. Manfred was distracted between his pur- suit of Isabella and the aspect of the picture, which quitted its panel and stepped on the floor with a grave and melancholy air. The vision sighed and made a sign to Manfred to follow him. " Lead on ! " cried Manfred ; " I will follow thee to the gulph of perdition." The spectre marched sedately, but dejected, to the end of the gallery. Manfred followed, full of anxiety and horror, but resolved. The spectre retired. Isabella had fled to a subterranean passage leading from the Castle to the Sanctuary of St. Nicholas. In this vault she encountered the young peasant who had provoked the animosity of Manfred. He lifted up a secret trap-door, and Isabella made her escape ; but Manfred and his followers prevented the flight of the daring stranger. The prince, who expected to THE CASTLE OF OTRANTO. 25 secure Isabella, was considerably startled to discover this youth in her stead. The weight of the helmet had broken the pavement above, and he had thus alighted in time to assist Isabella, whose disappearance he denied. A noise of voices startled Manfred, who was alarmed by fresh indications of hostile evidences. Jacques and Diego, two of his retainers, detailed the fresh cause of alarm. It was thus : they had heard a noise — they opened a door and ran back, their hair standing on end with terror. "It is a giant, I believe," said Diego ; " he is all clad in armour, for I saw his foot and part of his leg, and they are as large as the helmet below in the court. We heard a violent motion, and the rattling of armour, as if the giant was rising. Before we could get to the end of the gallery we heard the door of the great chamber clap behind us ; but for Heaven's sake, good my lord, send for the chaplain and have the place exorcised, for it is certainly haunted." The attendants searched for Isabella in vain. The next morning father Jerome arrived, announcing that she had taken refuge at the altar of St. Nicholas. He came to inform Hippolita of the perfidy of her husband. Manfred prevented him, saying, " I do not use to let my wife be acquamted with the affairs of my state ; they are not within a woman's province." " My Lord," said the holy man, " I am no intruder into the secrets of families. My office is to promote peace and teach man- kind to curb their headstrong passions. I forgive your highness's uncharitable apostrophe ; I know my duty, and am the minister of a mightier Prince than Manfred. Hearken to Him who speaks through my organs." The good father — to divert Manfred by a subterfuge from his unhallowed de- signs — suggested that there might, perhaps, be an attachment be- 26 THA CKERA YANA. tween the peasant and his recluse. Manfred was so enraged that he ordered the youth who defied him to be executed forthwith. The removal of the peasant's doublet disclosed the mark of a bloody arrow. " Gracious Heaven ! " cried the priest, starting, " what do I see ? it is my child ! my Theodore ! " Manfred was deaf to the prayers of the father and friar, and ordered the tragedy to proceed. " A- saint's bastard may be no saint himself," said the prince sternly. The friar exclaimed, " His blood is noble ■ he is my lawful son, and I am the Count of Falconara ! " At this critical juncture the tramp of horses was heard, the sable plumes of the enchanted helmet were again agitated, and a brazen trumpet was sounded without. " Father," said Manfred, " do you go to the wicket and demand who is at the gate." "Do you grant me the life of Theodore ? " replied the friar. " I do," said the prince. The new arrival was a herald from the Knight of the Gigantic Sabre, who requested to speak with the Usurper of Otranto. ' Manfred was enraged at this message ; he ordered Jerome to be thrust out, and to reconduct Isabella to the castle, and com- manded Theodore to be confined in the black tower. He then directed the herald to be admitted to his presence. " Well ! thou insolent ! " said the prince, " what would'st thou with me?" " I come," replied he, " to thee, Manfred, usurper ol the principality of Otranto, from the renowned and invincible knight, the Knight of the Gigantic Sabre : in the name of his Lord, Frederic, Marquis of Vicenza, he demands the Lady Isabella, daughter of that prince whom thou hast basely and treacherously got into thy power, by bribing her false guardians during his absence ; he requires thee to resign the principality of Otranto, which thou hast usurped from the said Lord Frederic, the nearest of blood to the last rightful Lord Alonzo the Good. If thou dost not instantly comply with these just demands, he defies thee to single combat to the last extremity." And so saying, the herald cast down his warder. Manfred knew how well-founded this claim was ; indeed, his object in seeking an alliance with Isabella had been to unite the claimants in one interest. ' The herald was despatched to bid the champions welcome, and the prince ordered the gates to be flung open for the reception of THE CASTLE OF OTRANTO. 27 the stranger knight and his retinue. In a few minutes the caval- cade arrived. First came two harbingers with wands. Next a herald, followed by two pages and two trumpets. Then a hundred foot-guards. These were attended by as many horse. After them fifty foot-men clothed in scarlet and black, the colours of the knight. Then a led horse. Two heralds on each side of a gentle- man on horseback bearing a banner with the arms of Vicenza and Otranto quarterly — a circumstance that much offended Manfred, but he stifled his resentment. Two more pages. The knight's confessor telling his beads. Fifty more foot-men clad as before. Two knights habited in complete armour, their beavers down, comrades to the principal knight. The squires of the two knights, carrying their shields and devices. The knight's own squire. A hundred gentlemen bearing an enormous sword, and seeming to faint under the weight of it. The knight himself on a chestnut steed, in complete armour, his lance in the rest, his face entirely concealed by his vizor, which was surmounted by a large plume of scarlet and black feathers. Fifty foot-guards, with drums and trumpets, closed the procession. Manfred invited the train to enter the great hall of his castle. He proposed to the stranger to disarm, but the knight shook his head in token of refusal. " Rest here/' said Man- fred ; " I will but give orders for the accommodation of your train, and return to you." The three knights bowed as accepting his courtesy. Manfred directed the stranger's retinue to be conducted to an adjacent hospital, founded by the Princess Hippolita for the reception of pilgrims. As they made the circuit of the court, the gigantic sword burst from the supporters, and falling to the ground opposite the helmet, remained immovable. 28 THACKERA YANA. 1 Manfred, almost hardened to supernatural appearances, sur- mounted the shock of this new prodigy ; and returning to the hall, where by this time the feast was ready, he invited his silent guests to take their places. Manfred, however ill his heart was at ease, endeavoured to inspire the company with mirth. He put several questions to them, but was answered only by signs. They raised their vizors but suffi- ciently to feed themselves, and that #? sparingly. During the parley Father Jerome hurried in to report the disappearance of Isabella. The knights and their retinue dispersed to search the neighbourhood, and Manfred, with his vassals, quitted the castle to confuse their movements. Theodore was still confined in the black tower, but his guards were gone. The gentle Matilda came to his assistance ; she carried him to her father's armoury, and having equipped him with a complete suit, conducted him to the postern-gate. " Avoid the town," said the princess, " but hie thee to the opposite quarter ; yonder is a chain of rocks, hollowed into a labyrinth of caverns that lead to the sea-coast. Go ! Heaven be thy guide ! and sometimes, in thy prayers, remember Matilda ! " Theodore flung himself at her feet, and seizing her lily hand, which with struggles she suffered him to kiss, he vowed on the earliest opportunity to get himself knighted, and fervently in- treated her permission to swear him- self eternally her champion. He then sighed and retired, but with eyes fixed on the gate, until Matilda, closing it, put an end to an interview, in which the hearts of both had drunk so deeply of a passion which both now tasted for the first time.' We must now crowd the sequel of this remarkable story into the smallest possible space. In the caverns Theodore recovered the distracted Isabella, but a knight arrived at the moment of his happy discovery, and mistrusting her deliverer, while Theodore THE CASTLE OF OTRANTO. 29 deceived himself as to the intentions of the stranger, a desperate combat ensued, and the younger champion gained the victory. The stranger knight explained his mistake, and revealed himself as the missing Marquis of Vicenza, father to Isabella, and nearest heir to Alonzo. He anticipated his wounds were fatal, but he recovered at the castle. Manfred artfully pursued his unholy designs for a union with Isabella. He gave a great feast, with this object, but Theodore withdrew from the revelry to pray with Matilda at the tomb of Alonzo. Manfred followed him to the chapel, believing his companion was Isabella, and struck his dagger through the heart of his daughter. He was overwhelmed with remorse for his errors on discovering that he had murdered his child. Theodore 3o THACKERAYANA. revealed to Frederic that he was the real and rightful successor to Alonzo. This declaration was confirmed by the apparition of Alonzo. Thunder and a clank of more than mortal armour was heard. The walls of the castle behind Manfred were thrown down with a mighty force, and the form of Alonzo, dilated to an immense magni- tude, appeared in the centre of the ruins. 'Be- hold in Theodore the true heir of Alonzo ! ' said the vision, and, ascending so- lemnly towards heaven, the clouds parted asunder, and the form of St. Nicholas received Alonzo's shade. Manfred confessed, in his terror, that Alonzo had been poisoned by his grand- father, and a fictitious will had accomplished his trea- cherous end. Jerome fur- ther revealed that Alonzo had secretly espoused Victoria, a Sicilian virgin. After the good knight's decease a daugh ter was born. Her hand had been be- stowed on him, the disguised Count of Falconara. Theodore was the fruit of their marriage, thus establishing his di- rect right to the principality. Manfred and his virtuous wife, Hippolita, retired to neighbouring convents. Frederic offered his daughter to the new prince, but ' it was not until after frequent dis- courses with Isabella of dear Matilda that he was persuaded he could know no happiness but in the society of one with whom he could for ever indulge the melancholy that had taken pos- ROLLINGS ANCIENT HISTORY. 3i session of his soul,' with which cheerful prospect the ' Castle of Otranto ' is brought to an appropriate conclusion. On the fly-leaf at the end of this worthy novel follows a sketch suggestive of the out-of-door sports alluded to earlier. An instance of the felicitous parodies to which the works of grave historians are liable at the hands of a budding satirist is sup- plied by ' Rolling Ancient History/ one of the books of which we feel bound to give more than a passing' notice ; we therefore select the more tempting passages of the eight volumes forming the par- ticular edition in question, to which a fresh interest is contributed by certain slight but pertinent pencillings probably referable to a somewhat later period. SKETCHES ILLUSTRATIVE OF ROLLIN'S ANCIENT HISTORY. PART I. Ancient History of the Egyptians, etc, etc. ' ... In the early morning and at daybreak, when their minds were clearest and their thoughts were most pure, the Egyptians would read the letters they had re- ceived, the better to obtain a just and truthful impression of the business on which they had to decide.' — Vol. I. p. 60. ' ... In addition to the adoration practised by the Egyptians of Osiris, Isis, and the higher divinities, they worshipped a large number of animals, paying an especial re- spect to the cat.' — Vol. I. p. 73. ' Until the reign of Psammeticus the Egyp- tians were believed to be the most ancient people on the earth. Wishing to assure them- selves of this antiquity, they employed a most remarkable test, if the statement is worthy of credit. Two chil- 32 THA CKERA YANA. dren, just born of poor parents, were shut up in two separate cabins in the country, and a shepherd was directed to feed them on goat's milk. (Others state they were nourished by nurses The Historic Muse supported by the veracious historians. Frontispiece to Vol. I. In this sketch Monsieur Rollin is archly classed among the ranks of the writers of fiction — a position to which he is entitled from the remarkable nature of the facts he gravely puts on record. ROLLINGS ANCIENT HISTORY. 33 whose tongues had been cut out.) No one was permitted to enter the cabins, and no word was ever allowed to be pronounced in their presence. One day, when these children arrived at the age of two years, the shep- herd entered to bring them their usual food, when each of them, from their different di- visions, extending their hands to the keeper, cried, " Beccos, beccos." This word, it was discovered, was employed by the Phrygians to signify bread ; and since that period this nation has enjoyed, above all other peoples, the honour of the earliest antiquity.' — Vol. I. p. 162. Triumphant Statue of Scipio Africanus.— End of Vol. I. D 34 TH ACKER A YANA. History of the Carthaginians, etc. etc. 1 . . . Virgil has greatly altered many facts in his " History of the Carthaginians," by the supposition that his hero, Eneas, was a contemporary of Dido, although there is an interval of about three centuries between the two personages ; Carthage having been built nearly three hundred years before the Fall of Troy.'— Vol. I. p. 241. '-. . . By the &&&* AENEAS order of Hannibal a road was excavated through the bed of the rocks, and this labour was carried on with astonishing vigour and perseverance. To open and enlarge this pathway they felled all the trees in the adjoining parts, and as soon as the timber was cut down the soldiers arranged the trunks on all sides of the rocks, and the wood was then set on fire. \ Fortunately, there being a high wind, an ardent flame was quickly kindled, until the rock glowed with heat as fiery as the furnace burn- ing round it. Hannibal — if we may credit Titus Livius (for Polybius* does not mention the circumstance) — then caused a great quan- tity of vinegar to be poured upon the heated stone, which ran into * The most improbable part of this narrative, observes the historian, is, that Hannibal, in the very centre of the mountains, should have been able to obtain sufficiently large quantities of vinegar for the operations. ROLLINS ANCIENT HISTORY 35 the fissures of the rocks (already cracked by the heat of the fire), and caused them to soften and calcine to powder. By this con- trivance he prepared a road through the heart of the mountains, giving easy passage to his troops, their baggage, and even their elephants.' — Vol. I. p. 406. *yE BATTLE OF CANNES Battle Cannes. — Vol. I. p. 439. History of the Lydians. 1 Crcesus, wishing to assure himself of the veracity of the dif- ferent oracles, sent deputies to consult the most celebrated sooth- sayers both in Africa and in Greece, with orders to inform them- selves how Crcesus was engaged at a certain hour on a day that was pointed out to them. 'His instructions were exactly carried out. The oracle of Delphi returned the only correct reply. It was given in verses of the hexameter metre, and was in sub- stance : " I know the number of grains of sand in the sea, and the measure of the vast deep. I understand the dumb, and those who have not learned to speak. My senses are saluted with the savoury odour of a turtle stewed with the flesh of lambs in a brazier, which has copper on all sides, above and below ! ' ; 1 In fact the king, desiring to select some employment which it would be impossible to divine, had occupied him- self at the hour appointed for the 're- velation in preparing a turtle and a lamb in a copper stewpan, which had also a lid of copper.' — Vol. II. p. 129. TH ACKER A YANA. History of Cyrus. * , . . When the people of Ionia and Eolia learnt that Cyrus had mastered the Lydians, tbey despatched ambassadors to him at Sardis, proposing to be received into his empire, under the same conditions as he had accorded to the Lydians. Cyrus, who before his victories had vainly solicited them to unite in his cause, and who now found himself in a position to constrain them by force, gave as his only answer the apologue of a fisherman, who, having tried to lure the fish with the notes of his flute, without any success, had recourse to his net as the shortest method of securing them.' — Vol. II. p. 232. 1 Herodotus, and after him Justinian, re- counts that Astyages, King of the Medes, on the impressions of an alarming dream, which announced that a child, his daugh- ter was to bear, would dethrone him, gave ROLLINGS ANCIENT HISTORY. 37 Mandane, his daughter, in marriage to a Persian of obscure birth and condition, named Cambyses. A son being born of this mar- riage, the king charged Harpagus, one of his principal officers, to put the child to death. Harpagus gave him to one of his shep- herds to be exposed in a forest. However, the infant, being miraculously preserved, and afterwards nourished in secret by the herd's wife, was at last recognised by his royal grandfather, who contented himself by his removal to the centre of Persia, and vented all his fury on the unhappy officer, whose own son he caused to be served up, to be eaten by him at a feast. Some years later the young Cyrus was informed by Harpagus of the circumstances of his birth and position ; animated by his counsels and remonstrances, he raised an army in Persia, marched against Astyages, and challenged him to battle. The sovereignty of the empire thus passed from the hands of the Medes to the Persians.' -Vol. II. p. 315. Ancient History of Greece. ' The wealthy and luxurious members of the Lacedemonians were extremely irritated against Lvcurgus on account of his decree introducing public repasts as the means best suited to en- force temperance. 1 It was on this occasion that a young man, named Alcandres, put out one of Lycurgus's eyes with his staff, during a popular tumult. The people, indignant at so great an outrage, placed the youth in his hands. Lycurgus permitted himself a most honourable vengeance, converting him, by his kindness, and the generosity of his treatment, from violence and rebellion to moderation and wisdom.' — Vol. II. p. 526. 38 THA CKERA YANA. Ancient History of the Persians and the Greeks. 'The Greek historians gave to Artaxerxes the surname of " Longhand," became, according to Strabo, his hands were so long that, when he stood erect, he was able to touch his knees. According to Plutarch, because his right hand was longer than the left.' — Vol. III. P- 347- ' The stories related of the voracity of the Athletes are almost incredible. The appe- tite of Milo was barely ap- peased with twenty " mines " (or pounds) of meat, as much bread, and three " conges " (fif- teen pints) of wine daily. Athenes relates that Milo, after traversing the entire length of the state — bearing on his shoulders an ox of four years' growth — felled the beast with one blow of his fist, and entirely devoured it in one day. ' 1 willingly admit other exploits attributed to Milo, but is it in the least degree probable that a single man could eat an entire ox in one day?' — Vol. III. p. 516. 1 . . . While Darius was absent, making war in Egypt and Arabia, the Medes revolted against him ; but they were over- powered and forced into submission. To chastise this rebellion, their yoke, which had until that date been very easy to bear, was made more burdensome. This fate has never been spared to those subjects who, having revolted, are again compelled to sub- mit to the- power they wished to depose.' — Vol. III. p. 613. ROLLINS ANCIENT HISTORY. 39 Ancient History of the Persians and the Greeks. Death of Alcibiades. '. . . Alcibiades was living at that time in a small town of Phrygia, with Timandra, his mistress (it is pretended that Lais, the celebrated courtesan — known as "the Corinthian" — was a daughter of this Timandra). The ruffians who were engaged to Frontispiece to Vol. IV. assassinate him had not the courage to enter his house; they contented themselves by surrounding it and setting it on fire. Alcibiades, sword in hand, having passed through the flames, these barbarians did not dare to ' await a hand-to-hand combat with him, but sought safety in flight ; but, in their retreat, they overcame him with showers of darts and arrows. Alcibiades fell 4o T HACK ERA YANA. down dead in the place. Timandra secured the remains, and draped the body with her finest vestments; she gave him the most magnificent funeral the state of her fortune would permit.' Vol. IV. p. no. Retreat of the Greeks from Babylon. * . . . The troops put themselves in marching order ; the battalions forming one large square, the baggage being in the centre. Two of the oldest colonels commanded the right and left wings.' — Vol. IV. p. 190. 'Agesilaus was in Bceotia, ready to give battle, when he heard the distressing news of the destruction of the Lacedemonian fleet by Conon, near Cnidus. Fear- ing the rumour of this de- feat would discourage and intimidate his troops, who were then preparing for battle, he reported throughout the army that the Lacedemonians had gained a considerable naval victory ; he also appeared in public, wearing his castor crowned with flowers, and offered sacrifices for the good news.' — Vol. IV. p. 287. * . . . Artaxerxes resorted to treason unworthy of a prince to rid himself of Datames, his former favour and friendship for whom were changed into implacable hatred. ROLLINS ANCIENT HISTORY. 4i 1 He employed assassins to destroy him, but Datames had the food fortune to escape their ambuscades. 1 At last Mithridates, influenced by the splendid rewards pro- mised by the king if he suc- ceeded in destroying so re- doubtable an enemy, insinu- ated himself into his friend- ship • and having afforded Datames sufficient evidences of fidelity to gain his confi- dence, he took advantage of a favourable moment when he hap- pened to be alone, and pierced him with his sword before he was in a condition to defend him self— Vol. IV. p. 345. c . . . Socrates took the poisoned cup from the valet without chang- ing colour, or exhibiting emotion. " What say you of this drink ? " he asked ; "is it permitted to take more than one draught?" replied that it was but for one libation. " At least," continued he, " it is allowable to suppli- cate the gods to render easy my departure be- neath the earth, and my last journey happy. I ask this of them with my whole heart." Having spoken these words, he remained silent for some time, and then drank the entire contents of the cup, with marvellous tranquillity and irresistible gentleness. ' " Cito," said he — and these were his last words — " we owe a cock to Esculapius ; acquit yourself of this vow for me, and do not forget ! " ' — Vol. IV. p. 439.. 4 . . . The Greek dances prescribed rules for those movements most proper to render the figure free and the They 42 THA CKERA YANA. carriage unconstrained ; to form a well-proportioned frame, and to give the entire person a graceful, noble, and easy air ; in a word, to obtain that politeness of exterior, if the expression is admissible, which always impresses us in favour of those who have had the advantage of early training.'— Vol. IV. p. 538. ' . . . After these observations on the government of the prin- cipal peoples of Greece, both in peace and in war, and on their various characteristics, it now remains for me to speak of their religion.' End of Vol. IV. History of the Successes of Alexander. Battle of Lamia. '. . . The cavalry amounted to 3,500 horse, of which 2,000 were from Thessaly ; this constituted the chief force of the army, and their only hope of success. In fact, battle being given, it was this cavalry which obtained the victory, under the leadership ROLLINS ANCIENT HISTORY. 43 of Menon. Lennatus, covered with mortal wounds, fell on the field of battle, and was borne to the camp by his followers/ — Vol. VII. p. 55. Battle of Cappadocia. ' Neoptolemus and Eumenes (the generals in command of the hostile forces) cherished a personal hatred of each other. They came to a hand-to-hand encounter, and their horses falling into collision, they seized each other round the body, and their chargers escaping from under them they fell to the ground together. Like en- raged athletes, they fought in that posi- tion for a long time, with a species of maddened fury, until Neoptolemus received a mortal blow and expired. Eumenes then remounted his horse and continued the battle.' — Vol. VII. p. 89. ' The reign of Seleucus was described by the Arabs as the era of the " Double-horned," sculptors generally representing him de- corated thus, wearing the horns of a bull on his head ; this prince being so powerful that he could arrest the course of a bull by simply seizing it by the horns.' — Vol. VII. p. 189. ' . . . Democies, surnamed the Beautiful, in order to escape the violence of Demetrius, threw himself, while still a youth, into a vessel of boiling water, which was being prepared to heat a bath, and was scalded to death ; preferring to sacrifice his life rather than lose his honour.' — Vol. VII. p. 374. The Engagement of Pyrrhus with the Consul Aevinus. ' . . . Pyrrhus exerted himself without any precaution for his own security. He overthrew all that opposed him ; never losing 44 TH ACKER A YANA. sight of the duties of a general, he preserved perfect coolness, giving orders as if he were not exposed to peril j hurrying from post to post to re-establish the troops who wavered, and support- ing those most assailed.' — Vol. VII. p. 404. Death of Pyrrhus at Argos, etc. etc. ' . . . Placing confidence in the swiftness of his charger, Pyrrhus threw himself into the midst of his pursuers. He was fighting des- perately when one of the enemy approached him, and. penetrated his javelin through his armour. The wound was neither deep nor dangerous, and Pyrrhus immediately attacked the man who had struck him, a mere com- mon soldier, son of a poor woman of Argos. Like the rest of the townswomen, his mother was observing the conflict from the roof of a house, and, seeing her son, who chanced to be beneath her, engaged with Pyrrhus, she was seized with fright at the great danger to which her child was exposed, and raising a heavy tile, with both hands, she hurled it on Pyrrhus. ROLLINS ANCIENT HISTORY. 45 It struck him on the head with its full force, and his helmet being powerless to resist the blow, he became unconscious instantly. The reins dropped from his hands, and he fell from his horse with- out recognition. Soon after a soldier who knew Pyrrhus observed his rank, and completed the work by cutting off the king's head.'' — Vol. VII. p. 460. * . . . A few days after Ptolemy had refused the peace proposals of the Gauls, the armies came to an engagement, in which the Macedonians were completely defeated and cut to pieces. Ptolemy, covered with wounds, was made prisoner, his head was cut off, and, mounted on the point of a lance, was shown in derision to the soldiers of the enemy.' —Vol. VII. p. 376. ' . . . The Colossus of Rhodes remained as it fell, without being disturbed for 894 years, at the expiration of which time (in the year 672 of the Christian era) the Sixth Caliph, or Emperor of the Saracens, having con- quered Rhodes, he sold the remains of the Colossus to a Hebrew merchant, who carried it off in 500 camel loads ; thus — reck- oning eight quintals to one load — the bronze of this figure, after the decay, by rust, of so many years, and after the probable loss of some portion by pillage, still amounted to a weight of 720,000 pounds, or 7.200 quintals. '- Vol. VII. p. 650. 46 THA CKERA YA NA. * Philip returned to the Peloponnesus shortly after his defeat. He directed all his exertions to deceive and surprise the Messenians. His stratagems being discovered, however, he raised the mask, and ravaged the entire country.' — Vol. VIII. p. 121. ' Philammon (the assassin who had been em- ployed to murder Queen Arsinoe) returned to Alexandria (from Cyrene) two or three days be- fore the tumult. The ladies of honour, who had been attached to the unfortunate queen, had early information of his arrival, and they determined to take advantage of the disorder then prevailing in the city to avenge the death of their mistress. They accordingly broke into the house where he had sought refuge, and overcame him with showers of blows from stones and clubs.' — Vol. VIII. p. 215. ' . . . Scopas, finding himself at the head of all the foreign troops — of whom the principal portions were Aetolians like himself — believed that as he held the command of such a formid- able body of veterans, so thoroughly steeled by warfare, he could easily usurp the crown during the minority of the king.'— Vol. VIII. P- 327. ' . . . The arrival of Livius, who had com- manded the fleet, and who was now sent to Prusias (King of Bithynia), in the quality of an ambassador, ROLLINGS ANCIENT HISTORY. 47 decided the resolutions of that monarch. He assisted the king to discover on which side victory might be reasonably expected to turn, and showed him how much safer it would be to trust to the friendship of the Romans rather than rely on that of Antiochus.'— Vol. VIII. p. 426. Funeral Obsequies of Philopoemen. * . . . When the body had been burned, and the ashes were gathered together and placed in an urn, the cortege set out to carry the remains to Megalopolis. This ceremonial resembled a triumphal celebration rather than a funeral procession, or at least a mixture of the two. ' The urn, borne by the youthful Polybius, was followed by the entire cavalry, armed magnificently and superbly mounted. They 4 8 T HACK ERA YANA. followed the procession without exhibiting signs of dejection for so great a loss, or exultation for so great a victory.' — Vol. VIII. P- 537- Attempted Sacking of the Sanctuary. ' . . . Heliodorus, with his guards, entered the temple, and he was proceeding to force the treasures, when a horse, richly clad, suddenly appeared, and threw himself on Heliodorus, inflicting several blows with his hoofs. The rider had a terrible aspect, and his armour appeared to be of gold. At the same moment two celestial-looking youths were observed on each side of the violater of the sanctuary dealing chastisement without cessation, and giving him severe lashes from the whips they held in their hands. —Vol. VIII. p. 632. 49 CHAPTER III. Thackeray's last visit to the Charterhouse — College days — Pendennis at Cam- bridge — Sketches of University worthies — Sporting subjects — Pen's popu- larity — Etchings at Cambridge— Pencillings in old authors — Pictorial Puns — 'The Snob,' a Literary and Scientific Journal — ' Timbuctoo,' a prize poem. In Thackeray's schooldays the Charterhouse enjoyed considerable reputation under the head-mastership of Dr. Russell, whose death happened in the same year as that of his illustrious pupil. No one who has read Thackeray's novels can fail to know the kind of life he led here. He has continually described his experi- ences at this celebrated school — the venerable archway into Charterhouse Square, which still preserves an interesting token of the old monkish character of the neighbourhood. Only a fort- night before his death he was there again, as was his custom, on the anniversary of the death of Thomas Sutton, the munificent founder of the school. ' He was there,' says one who has described the scene, 'in his usual back seat in the quaint old chapel. He went thence to the oration in the Governor's room ; and as he walked up to the orator with his contribution, was received with such hearty applause as only Carthusians can give to one who has immortalised their school. At the banquet after- wards he sat at the side of his old friend and artist-associate in " Punch," John Leech ; and in a humorous speech proposed, as a toast, the noble foundation which he had adorned by his literary fame, and made popular in his works.' 'Divine service,' says another describer of this scene, for ever memorable as the last appearance of Thackeray in public life, 'took place at four o'clock, in the quaint old chapel ; and the appearance of the brethren in their black gowns, of the old stained glass and carving in the chapel, of the tomb of Sutton, could hardly fail to give a peculiar and interesting character to the service. Prayers were So THACKERA YANA. said by the Rev. J. J. Halcombe, the reader of the house. There was only the usual parochial chanting of the Nunc Dimzttis ; the familiar Commemoration-day psalms, cxxii. and c, were sung after the third collect and before the sermon; and before the general thanksgiving the old prayer was offered up expressive of thankfulness to God for the bounty of Thomas Sutton, and of hope that all who enjoy it might make a right use of it. The sermon was preached by the Rev. Henry Earle Tweed, late Fellow of Oriel College, Oxford, who prefaced it with the " Bidding Prayer," in which he desired the con- gregation to pray generally for all public schools and colleges, and particularly for the welfare of the house " founded by Thomas Sutton for the support of age and the education of youth." ' ( First Term Second Term From Charterhouse School Thackeray went to Trinity College, Cambridge, about 1828, the year of his leaving the Charterhouse, and among his fellow-students there had Mr. John Mitchell Kemble, the great Anglo-Saxon scholar, and Mr. Tennyson. With the latter — then unknown as a poet — he formed an ac- COLLEGE DA VS. 5' quaintance which he maintained to the last, and no reader of the Poet Laureate had a more earnest admiration of his productions than his old Cambridge associate, Thackeray. At college, Thackeray kept seven or eight terms, but took no degree : though he was studious, and his love of classical literature is apparent in most of his writings, either in his occasional apt two words from Horace, or in the quaint and humorous adoption of Latin idioms ' O crikey, Father, there's a jolly great what's-a-name !' in which, in his sportive moods, he sometimes indulged. A recent writer tells us that his knowledge of the classics — of Horace at least — was amply sufficient to procure him an honour- able place in the ' previous examination.' To the reader who would gain an insight into Thackeray's doings at Cambridge, we say, 'Glance through the veracious pages in which he records the University career of Mr. Arthur Pendennis ; you will there at least seize the spirit of his own college days, if perchance you do not find the facts of the author's 52 THA CKERA YANA. own residence circumstantially stated. Take his studies for example. 1 During the first term of Mr. Pen's academical life, he attended classical and mathematical lectures with tolerable assi- duity; but discovering before very long time that he had little taste or genius for the pursuing the exact sciences, and being perhaps rather annoyed that one or two very vulgar young men, who did not even use straps to their trousers so as to cover the abominably thick and coarse shoes and stockings which they wore, beat him completely in the lecture- room, he gave up his attendance at that course, and announced to his fond parent that he proposed to devote himself exclusively to the cultivation of Greek and Roman Literature. ' Presently he began to find that he learned little good at the classical lecture. His fellow- students were too dull, as in mathematics they were too learned, for him. Mr. Buck, the tutor, was no better a scholar than many a fifth-form boy at Grey- A University Tradesman, ^ . ^^ ^ ^^ ^^ j^ drum notion about the metre and grammatical construction of a passage of iEschylus or Aristophanes, but had no more notion of the poetry than Mrs. Binge, his bed-maker; and often grew weary of hearing the dull stu- dents and tutor blun- der through a few lines of a play, which he could read in a tenth A Mathematical Lecturer part Qf ^ i[mQ which they gave to it. After all, private reading, as he began to per- A Classman COLLEGE DAYS. 53 ceive, was the only study which was really profitable to a man ; and he announced to his mamma that he should read by himself a great deal more, and in public a great deal less.' % ' A Grinder ' A Plodder ' Pen's circumstances, tastes, and disposition generally, pre- suming the resemblance to be merely accidental, present a tole- rably faithful reflection of those of his biographer at this period. ' Thus young Pen . . . with a good allowance, and a gentleman- like bearing and person, looked to be a lad of more consequence than he was really ; and was held by the Oxbridge authorities, tradesmen, and undergraduates as quite a young buck and member of the aristocracy. His manner was frank, brave, and perhaps a little impertinent, as becomes a high-spirited youth. He was perfectly generous and free-handed with his money, which seemed pretty plentiful. He loved joviality, and had a good voice for a song. Boat-racing had not risen in Pen's time to the 54 TH ACKER A YANA. fureur which, as we are given to understand, it has since attained in the University ; and riding and tandem-driving were the fashions of the ingenuous youth. Pen rode to hounds, appeared in pink, as became a young buck, and not particularly extravagant in equestrian or any other amusement, yet managed to run up a fine bill at Nile's, the livery-stable keeper, and in a number of other quarters. In fact, this lucky young gentleman had almost every taste to a considerable degree. He was very fond of books of all sorts : Doctor Portman had taught him to like rare editions, Vingt-et-un and his own taste led him to like beautiful bindings. It was marvellous what tall copies, and gilding and marbling, and blind tooling the booksellers and binders put upon Pen's shelves. He had a very fair taste in matters of art, and a keen relish for prints of a high school — none of your French opera dancers, or tawdry racing prints, but your Strange's, and Rembrandt etchings, and Wilkie's before the letter, with which his apartments were fur- nished presently in the most perfect good taste, as was allowed in the University, where this young fellow got no small reputation. ' He was elaborately attired. He would ogle the ladies who came to lionise the University and passed before him on the arms of happy gownsmen, and give his opinion upon their personal COLLEGE DA VS. 55 charms, or their toilettes, with the gravity of a critic whose expe- rience entitled him to speak with authority. Men used to say they had been walking with Pen- dennis, and were as pleased to be seen in his company as some of us would be if we walked with a duke down Pall Mall. He and the proctor capped each other as they met, as if they were rival powers, and the men hardly knew which was the greater. ' In fact, in the course of his second year, Arthur Pendennis had become one of the men of fashion in the university. It is curious to watch that facile admiration and simple fidelity of youth. They hang round a leader and wonder at him, and love Well on' 111 off* him, and imitate him. No generous boy ever lived, I suppose, that has not had some wonderment of admiration for another boy; 56 THACKERAYANA, A -few University Favourites COLLEGE DA VS. 57 and Monsieur Pen at Oxbridge had his school, his faithful band of friends, and his rivals. ' Hence young Pen got a prodigious reputation at the Uni- versity, and was hailed as a sort of Crichton ; and as for the English verse prize, Jones of Jesus carried it that year certainly, but the undergraduates thought Pen's a much finer poem, and he had his verses printed at his own expense and distributed in gilt morocco covers amongst his acquaintance. I found a copy of it 'Just a little playful lately in a dusty corner of Mr. Pen's bookcases, and have it before me this minute, bound up in a collection of old Oxbridge tracts, university statutes, prize poems by successful and unsuccessful candidates, declamations recited in the college chapel, speeches delivered at the Union Debating Society, and inscribed by Arthur with his name and college, " Pendennis, Boniface;" or presented to him by his affectionate friend Thompson or Jackson, the author. How strange the epitaphs look in those half-boyish hands, and what a thrill the sight of the documents gives one after 58 THACKERAYANA. Sport in earnest. the lapse of a few lustres ! How fate, since that time, has removed some, estranged others, dealt awfully with all ! Many a hand is cold that wrote those kindly memorials, and that we pressed in the confident and generous grasp of youthful friend- ship. What passions our friendships were in those old days, how artless and void of doubt ! How the arm you were never tired of having linked in your's, under the fair college avenues, or = by the river side, where it washes Mag- dalene Gardens, or Christ Church Mea- dows, or winds by Trinity and King's, was withdrawn of neces- sity, when you entered presently the world, and each parted to push and struggle for himself through the great mob on the way through life ! Are we the same men now that wrote those inscrip- tions — that read those poems? that delivered or heard those essays and speeches, so simple, so pompous, so ludicrously solemn ; parodied so artlessly from books, and spoken with smug chubby faces, and such an admirable aping of wisdom and gra- vity ? Here is the book before me; it is scarcely fifteen years old (the monthly numbers of Pendennis appeared in 1849 an d 1850). Here is Jack moaning with despair and Byronic misanthropy, whose career at the University was one of unmixed milk-punch. Here is Tom's daring essay in defence of suicide and of republi- canism in general, apropos of Roland and the Girondins. Tom's, who wears the stiffest tie in all the diocese, and would go to Smithfield rather than eat a beef-steak on a Friday in Lent. Here is Bob of the circuit, who has made a fortune in railroad committees, and whose dinners are so good, bellowing out with Tancred and Godfrey, 1 " On to the breach, ye soldiers of the cross, Scale the red wall and swim the choking foss. COLLEGE DA VS. 59 Ye dauntless archers, twang your crossbows well; On bill and battle axe and mangonel ! Ply battering-ram and hurtling catapult, Jerusalem is ours — id Deus vult." After which comes a mellifluous description of the garden of Sharon and . the maids of Salem, and a prophecy that roses shall deck the entire country of Syria and a speedy reign of peace be established — all in undeniably decasyllabic lines, and the queerest aping of sense and sentiment and poetry. And there are essays and poems along with the grave parodies and boyish exercises (which are at once frank and false, and so mirthful, yet, somehow, so mournful), by youthful hands that shall never write more. Fate has interposed darkly, and the young voices are silent, and the eager brains have ceased to work.' Who shall say how faithfully, albeit perhaps unconsciously, the following paragraphs picture the earliest impressions of the writer, or how nearly the descriptions approximate to the actual circumstances of his own college career ? ' Amidst these friends then, and a host more, Pen passed more than two brilliant and happy years of his life. He had his fill of pleasure and popularity. No dinner or supper party was complete without him ; and Pen's jovial wit, and Pen's songs, and dashing courage, and frank and manly bearing, charmed all the undergraduates, and even disarmed the tutors, who cried out at his idleness, and murmured about his extravagant way of life. Though he became the favourite and leader of young men who were much his superiors in wealth and station, he was much too generous to endeavour to propitiate them by any meanness or cringing on his own part, and would not neglect the humblest man of his acquaintance in order to curry favour with the richest young grandee in the University. ' There are reputations of this sort made quite independent of the collegiate hierarchy, in the republic of gownsmen. A man may be famous in the honour lists, and entirely unknown to the undergraduates; who elect kings and chieftains of their own, whom they admire and obey as negro gangs have private black sovereigns in their own body, to whom they pay an occult obe- dience, besides that which they publicly profess for their owners 6o THACKERAYANA. Occasional Canters from ' Childe Harold's (first and last) Pilgrimage' COLLEGE DA VS. 61 and drivers. Among the young ones Pen became famous and popular ; not that he did much, but there was a general determi- nation that he could do a great deal more if he chose. " Ah, if Pendennis of Boniface would but try," the men said, " he might do anything." He was backed for the Greek ode won by Smith of Trinity; everybody was sure he would have the Latin hexameter prize which Brown of St. John's, how- ever, carried off; and in this way one University honour after another was lost by him, until, after two or three failures, Mr. Pen ceased to compete.' We are not informed how far the sequel of Pen's college career coincides with that of his author. The two his- tories are, however, identical in one fact, both the real and the ideal man of genius left the University abruptly and without taking honours. 1 At last came the Degree Examina- tions. Many a young man of his year, whose hob-nailed shoes Pen had de- rided, and whose faces or coat he had caricatured ; many a man whom he had treated with scorn in the lecture-room, or crushed with his eloquence in the debating-club ; many of his own set, who had not half his brains, but a little re- gularity and constancy of occupation, took high places in the ho- nours or passed with decent credit. And where in the list was Pen the superb, Pen the wit and dandy, Pen the poet and 62 THA CKERA YANA. orator? Let us hide our heads, and shut up the page. The lists came out ; and a dreadful rumour ran through the University that Pendennis of Boniface was plucked.' His pencil would seem to have been a recreation of Thack- eray's college days as well as of his later career. His first efforts in etching on copper were probably produced about the period of which we treat ; the subjects of nearly all of these plates, none of which, we believe, were ever published, were evidently sug- gested by incidents in the career of an undergraduate. The margins and fly-leaves of a copy of Ovid's ' Opera Omnia,' one of Black's editions of the Classics (1825), offer various whim- sical illustrations of certain portions of the poems ; we incline to the impression, however, that although some of these parodies may be referred to Thackeray's college days, to others must be assigned a considerably later date. P. Ovidii Nasonis Opera omnia. P. Ovidii Nasonis Remediorum Amoris,' ' Medicaminum Faciei/ et ' Halieutici Fragmenta.' OVID'S WORKS. 63 Epigramma Nasonis in Amores Suos. Qui modo Nasonis fueramus quinque libelli, Tres sumus : hoc illi praetulit auctor opus, Ut iam nulla tibi nos sit legisse voluptas : At levior demtis poena duobus erit. Artis Amatory. (Lib. II.) Ecce ! rogant tenerse, sibidem praecepta, puellae. Vos eritis chartae proxima cura mese. 6 4 THACKERAYANA. Remedia Amoris. Hoc opus exegi : fessae date serta carinae Contigimus portum, quo mihi cursus erat Postmodo reddetis.sacro pia vota poetae, Carmine sanati femina virque meo. Death mowing down the Loves OVID'S WORKS. 65 Another amusement at this period was the designing of picto- rial puns, after the manner introduced by Cruikshank, and which was successfully prac- tised by Aiken, Sey- mour, and Tom Hood. India Ink Among the sketches by the hand of the no- velist, which we attribute to these earlier days, are /Ju a number of humorous Chalk designs, many of them equal to the most grotesque efforts of the well-known artists we have mentioned. A full length 66 TH ACKER A YANA. LEGAL DEFINITIONS. BY A GENTLEMAN WHO MAY BE CALLED TO THE BAR. Fee Simple On freeholds — A general clause PICTORIAL PUNS. 67 A declarat A rejoinder 65 THACKERAYANA. Possession. — With remarks on assault and battery if An ejectment RECREATIONS AT THE UNIVERSITY. 69 The earliest of Thackeray's literary efforts are associated with Cambridge. It was in the year 1829 that he commenced, in con- junction with a friend and fellow-student, to edit a series of humorous papers, published in that city, which bore the title of 1 The Snob : a Literary and Scien- tific Journal.' The first num- ber appeared on April 9 in that year, and the publication was con- tinued weekly. Though affect- ing to be a periodical, it was not originally intended to publish more than one number; but the project, was carried on for eleven weeks, in which period Mr. Lett- som had resigned the entire management to his friend. The contents of each number — which consisted only of four pages — were scanty and slight, and were made up of squibs and Fives Beauty is but skin deep humorous sketches in verse and prose, many of which, however, show some germs of that spirit of wild fun which afterwards dis- 7o THACKERAYANA. tinguished the * Yellowplush ' papers in ' Fraser.' A specimen of the contents of this curious publication cannot but be interesting Prisoners' base to the reader. The parody we have selected, a clever skit upon the ' Cambridge Prize Poem,' appeared as follows : — Timbuctoo. To the Editor of ' The Snob: Sir, — Though your name be ' Snob,' I trust you will not refuse this tiny ' Poem of a Gownsman/ which was unluckily not finished on the day appointed for delivery of the several copies of verses on Timbuctoo. I thought, Sir, it would be a pity that such a poem should be lost to the world ; and conceiving ' The Snob ' to be the most widely-circulated periodical in Europe, I have taken the liberty of submitting it for insertion or approbation. I am, Sir, yours, &c, &c, &c. TIMBUCTOO. — PART I. The situation. In Africa (a quarter of the world), Men's skins are black, their hair is crisp and curl'd. Lines I and 2. — See 'Guthrie's Geography.' The site of Timbuctoo is doubtful ; the Author has neatly expressed this in the poem, at the same time giving us some slight hints relative to its situa- tion. 'THE SNOB' MAGAZINE. And somewhere there, unknown to public view, A mighty city lies, called Timbuctoo. The natural history. There stalks the tiger, — there the lion roars, Who sometimes eats the luckless blackamoors ; All that he leaves of them the monster throws Ta jackals, vultures, dogs, cats, kites, and crows ; His hunger thus the forest monarch gluts, And then lies down 'neath trees called cocoa nuts. Line 5. — So Horace : ' leonum arida nutrix.' Line 8. — Thus Apollo : kKapia T6u^6 Kvveffaiv Oldovoicri re iraai. Lines 5-10. — How skilfully introduced are the animal and vegetable pro- ductions of Africa ! It is worthy to remark the various garments in which the Poet hath clothed the lion. He is called, 1st, the ' Lion ; ' 2nd, the 'Monster' (for he is very large); and 3rd, the 'Forest Monarch,' which undoubtedly he is. 72 THA CKERA VAN A. The lion hunt. Quick issue out, with musket, torch, and brand, The sturdy blackamoors, a dusky band ! The beast is found — pop goes the musketoons — The lion falls covered with horrid wounds. Their lives at home. At home their lives in pleasure always flow, 15 But many have a different lot to know ! Abroad. They're often caught, and sold as slaves, alas ! Reflections on the foregoing. Thus men from highest joys to sorrow pass. Yet though thy monarchs and thy nobles boil Rack and molasses in Jamaica's isle ; 20 Desolate Afric ! thou art lovely yet ! ! One heart yet beats which ne'er thee shall forget. Lines H-14. — The author confesses himself under peculiar obligations to Denham's and Clapperton's Travels, as they suggested to him the spirited description contained in these lines. Line 13. — ' Pop goes the musketoons.' A learned friend suggested ' Bang ' as a stronger expression, but as African gunpowder is notoriously bad, the author thought ' Pop ' the better word. Lines 15-18. — A concise but affecting description is here given of the domestic habits of the people. The infamous manner in which they are entrapped and sold as slaves is described, and the whole ends with an appro- priate moral sentiment. The Poem might here finish, but the spirit of the bard penetrates the veil of futurity, and from it cuts off a bright piece for the hitherto unfortunate Africans, as the following beautiful lines amply ex- emplify. It may perhaps be remarked that the Author has here ' changed his hand. ' He answers that it was his intention to do so. Before, it was his endeavour to be elegant and concise, it is now his wish to be enthusiastic and magni- ficent. He trusts the Reader will perceive the aptness with which he has changed his style ; when he narrated facts he was calm, when he enters on prophecy he is fervid. ' THE SNOB ' MA GAZINE. 73 What though thy maidens are a blackish brown, Does virtue dwell in whiter breasts alone ? Oh no, oh no, oh no, oh no, oh no ! 25 It shall not, must not, cannot, e'er be so. The day shall come when Albion's self shall feel Stern Afric's wrath, and writhe 'neath Afric's steel. I see her tribes the hill of glory mount, And sell their sugars on their own account; 30 While round her throne the prostrate nations come, Sue for her rice, and barter for her rum ! 32 The burlesque prize poem concludes with a little vignette in the ' Titmarsh ' manner, representing an Indian smoking a pipe, of the type once commonly seen in the shape of a small carved image at the doors of tobacconists' shops. The enthusiasm which he feels is beautifully expressed in lines 25 and 26. He thinks he has very successfully imitated in the last six lines the best manner of Mr. Pope ; and in lines 12-26, the pathetic elegance of the author of 'Australasia and Athens.' The Author cannot conclude without declaring that his aim in writing this Poem will be fully accomplished if he can infuse into the breasts of English- men a sense of the danger in which they lie. Yes — Africa ! If he can awaken one particle of sympathy for thy sorrows, of love for thy land, of admiration for thy virtue, he shall sink into the grave with the proud consciousness that he has raised esteem,, where before there was contempt, and has kindled the flame of hope on the mouldering ashes of despair ! 74 THA CKERA YANA. CHAPTER IV. Early Favorites — Fielding's ' Joseph Andrews ' — Imitators of Fielding — 'The Adventures of Captain Greenland' — 'Jack Connor' — 'Chrysal, or the Ad- ventures of a Guinea. ' Thackeray's references to his favourite novels, and his liking, which assumed a sort of personal regard, for the authors who had given him pleasure, especially in youth, occur constantly throughout his writings, both early and late. He has told us how in the boyish days spent in the Charter- house he began to cultivate an acquaintance with the sterling English humorists whose works had a deeply-marked influence on his own literary training. ' Peregrine Pickle ' was familiar to him at Greyfriars ; later on, Fielding's masterpieces came into his possession. The buoyant spirit, vigorous nature, and absence of affectation which are peculiarly the property of that great novelist, must have highly delighted the budding author. Not only did Thackeray treasure up ' Tom Jones ' and * Joseph Andrews/ but by some means he managed to get possession of various novels now completely obsolete, the productions of less brilliant contem- poraries of Fielding, who were tempted by the success of his frankly penned novels to attempt to reach a similar success by- walking servilely in the footsteps of the inaugurator of what may be considered the natural order of English novel writing. Once more we refer to the reminiscences of school and college days scattered through the confidentially chatty ' Roundabout Papers.' ' Any contemporary of that coin,' says Thackeray, musing over the memories which for him surround a crown-piece, ' who takes it up and reads the inscription round the laurelled head, " Georgius IV. Britanniarum Rex. Fid. Def. 1823," if he will but look steadily enough at the round, and utter the proper incantation, I dare say may conjure back his life there. Look well, my EARL Y FA VORITES. 7$ elderly friend, and tell me what you see ? First I see a sultan, with hair, beautiful hair, and a crown of laurels round his head, and his name is Georgius Rex. Fid. Def. and so on. Now the sultan has disappeared ; and what is that I see ? A boy — a boy in a jacket. He is at a desk ; he has great books before him, Latin and Greek books and dictionaries. Yes, but behind the great books, which he pretends to read, is a little one with Bambooz-ling pictures, which he is really reading. It is — yes, I can read now — it is the " Heart of Midlothian," by the author of "Waverley ;" or, no, it is " Life in London • or, the Adventures of Corinthian Tom, Jeremiah Hawthorn, and their Friend Bob Logic," by Pierce Egan ; and it has pictures — oh ! such pictures ! As he reads, there comes behind the boy a man, a dervish, in a funny black gown, like a woman, and a black square cap, and he has a book in each hand, and he seizes the boy who is reading the picture-book, and lays his head upon one of his books and smacks 76 THACKERA YANA. it with the other. The boy makes faces, and so that picture disappears. ' Now the boy has grown bigger. He has got on a black Blind man's buft gown and cap, something like the dervish. He is at a table, with ever so many bottles on it, and fruit, and tobacco \ and other Pitch and toss young dervishes come in. They seem as if they were singing. To them enters an old mollah \ he takes down their names, and orders them all to go to bed.' EARL Y FA VORITES.— JOSEPH ANDRE WS. 77 THE HISTORY OF 'JOSEPH ANDREWS.' T HE edition (1742) of Fielding's earliest novel, which formed a portion of Mr. Titmarsh's libra- ry, has been enriched by certain characteristic il- lustrations of the drollest incidents. But few of Thack- eray's readers can fail to remember his sincere appreciation of the works of his brilliant predeces- sor, Justice Fielding, the founder of that unaffec- ted school of novel writ- ing which has since been rendered illustrious by many masterpieces of genius. It is singularly appropriate that ' Joseph Andrews ' happens to form one of the series distinguished with Thackeray's pencillings, as no one acquainted with his writings can fail to recall his ten- derly affectionate allusions to the author of ' Tom Jones.' On the fly-leaf of ' Joseph Andrews ' occurs the group of Lady Booby tempting the Joseph of the Georgian era, which forms our initial ; the cut gives, without effort, a key to the wittiest of sly satires ; for ws cannot easily forget that merry mischievous Fielding projected this work as a ludicrous contrast to the exem- plary 'Pamela,' whose literary success brought its well-meaning prosy author so much fame, profit, and flattery. The wicked irony of Fielding was peculiarly shocking to sensitive Richardson; and it is positive that the persecuted Pamela appears shorn of much of her dignity when associated with the undignified tempta- tions suffered by her unexceptionable brother ' Joseph.' 78 THA CKERA YANA. The substance of this novel is so generally familiar that the merest reference will refresh the memories of our readers so far as the incidents illustrated by these slight pencillings are concerned. Parson Adams, it may be remembered, endeavoured to raise a loan on a volume of manuscript sermons to assist Joseph An- drews, when Tow-mouse (the landlord), who mistrusted the security, offered excuses. Poor Adams was extremely dejected at this disappointment. He immediately ap- plied to his pipe, his constant friend and comfort in his afflictions; and leaning over the rails, he devoted himself to meditation, assisted by the inspiring fumes of tobacco. He had on a night-cap drawn over his wig, and a short great coat, which half covered his cassock; a dress which, added to some- thing comical enough in his countenance, composed a figure likely to attract the eyes of those who were not over-given to observation. Joseph Andrews and Parson Adams arrived at the inn in no cheery plight, the hero's leg having been injured by a propensity for performing unexpected genuflections, the pride of a horse bor- rowed by the parson for the occasion. The host, a surly fellow, treated the damaged Joseph with roughness, and Parson Adams briskly resented the landlord's brutality by ' sending him sprawling ' on his own floor. His wife retaliated by seizing a pan of hog's- blood, which unluckily stood on the dresser, and, discharging its contents in the good parson's face, rendered him a horrible spec- tacle. Mrs. Slipshod entered the kitchen at this critical moment, JOSEPH ANDREWS. 79 and attacked the hostess with a skill developed by practice, tear- ing her cap, uprooting handfuls of hair, and delivering a succession of dexterous facers. Parson Adams, when he required a trifling loan, ventured to wait on the swinish Parson Trulliber, whose wife introduced Adams in error, as ' a man come for some of his hogs.' Trulliber asserted that his animals were all pure fat, and upwards of twenty- score a piece ; he then dragged the parson into his stye, which was but two steps from his parlour- window, insisting that he should examine them before he would speak one word with him. Adams, whose natural complacence was beyond any artifice, was obliged to comply before he was suffered to explain himself, and laying hold of one of their tails, the wanton beast gave such a sudden spring that he threw poor Adams all along in the mire. Trulliber, instead of assisting him to get up, burst into laughter, and, entering the stye, said to Adams, with some contempt, ' Why, dost not know how to handle a hog?' To those writers whose heroes are of their own creation, and whose brains are the chaos whence all their materials are collected — one may apply the saying of Balzac regarding Aristotle, that they are a second nature, for they have no communica- tion with the first, by which authors of an in- ferior class, who cannot stand alone, are obliged to support them- selves as with crutches ; but these of whom I am now speaking 8o THA CKERA YANA. seem to be possessed of those stilts which the excellent Voltaire tells us, in his letters, carry the genius far off , but with an irregular pace. Indeed, far out of the sight of the reader — Beyond the realm of chaos and old night. The pedlar, introduced in these adventures, while relating to Joseph Andrews and Parson Adams the early history of Fanny (then returned from Lady Booby's), proceeded thus : ' Though I am now contented with this humble way of getting my livelihood, I was formerly a gentleman ; for so all those of my profession are called. In a word, I was drummer in an Irish regiment of foot. Whilst I was in this honourable station, I attended an officer of our regiment into England, a recruiting/ The pedlar then described meeting a gipsy-woman, who confided to him, on her death-bed, that she had kidnapped a beautiful female infant from a family named Andrews, and sold her to Squire Booby for three guineas. In Fanny, he professed to recognise the stolen infant. CAPTAIN GREENLAND. 81 THE ADVENTURES OF CAPTAIN GREENLAND. * The Adventures of Cap- tain Greenland/ an ano- nymous novel published in 1752, are avowedly 'written in imitation of all those wise, learned, witty, and humorous authors who either have or hereafter may write in the same style and manner.' The story, divided over a tedious number of books — like the high- flown romances of the 'Grand Cyrus' order — also resembles those antiquated and unreal elaborations in the astonishing intrepidity of its professed hero, Sylvius, who, however, engages, like his model ' Joseph Andrews,', in situations generally described as menial. Captain Greenland himself, denuded of his powerful swearing propensities, might be regarded at this date as an interesting curiosity, a British commander of the true-blue salt type. A parson, and other characters suggestive of the ac- quaintances we make in 'Joseph Andrews/ contribute to swell the ' dramatis personam ' A portion of the adventures, which are neither new nor startling, consists of escapes from Spanish con- vents, and complications connected with the Romanist faith, not unlike somewhat kindred allusions in Richardson's ' Sir Charles Grandison.' A stage-coach journey occupies ten chapters of one book; and the travellers relieve this lengthy travel (from Worcester to Lon- don) by unfinished anecdotes. Captain Greenland relates an adventure with a highwayman who once stopped his coach. The G 82 THA CKERA YANA, < gentleman of the road ' bade the driver ' unrein/ The captain seized his blunderbuss and ' jumped ashore/ thinking it a scandal that a gentleman who had the honour of commanding one of His Majesty's ships of war should suffer himself to be boarded and plundered by a single fellow. Being a little warm and hasty, he salutes his enemy with, ' " Blank my heart, but you are a blank cowardly rascal, and a blank mean-spirited villain ! You scoun- drel, you ! you lurk about the course here to plunder every poor creature you meet, that have nothing at all to defend themselves ; but you dare not engage with one that is able to encounter with you. Here, you rascal ! if you dare fight for it, win it and wear it." With that I pulled out my purse and money, and flung it to the ground between us ; but the faint-hearted blank durst as well be blank'd as come near me. So after I had swore myself pretty well out of wind (judging from the captain's ordinary vernacular, the strongest lungs could not have held out long), I ran towards him with my cock'd blunderbuss ready in my hand ; but he at that very moment tacked about, and sheer'd off. I now picked up my purse, and went aboard the coach ; but, blank my heart ! I can't forgive myself for not saluting the rascal with one broadside.' At the conclusion of ten chapters of stage-coach journeying, the author brilliantly observes, ' He has cooped up his readers for a considerable time,' and the captain swears the coach is somewhat ' over-manned.' ' At night they were all exceedingly merry and agreeable ; and the generous captain again insisted upon paying the bill him- self, which he found no matter of fault with, but in the customary CAPTAIN GREENLAND. 83 article (at that place) of sixpence a head for firing ; which he swore was as much as could have been demanded if they had supp'd at an inn in the middle of the Pacific Ocean.' The next day's journey being happily concluded, without any extraordinary occurrences, they arrived about six o'clock in the afternoon at the ' Blue Boar Inn, in Holborn, where they all agreed to sup together, and to lie that night.' Rosetta the heroine, and her brother, Sir Christopher, attended by the faithful Sylvius as steward, embark at Portsmouth for 84 THA CKERA YANA. Lisbon. After some thirty hours' sea-sickness, Rosetta resumed her usual cheerfulness by making merry over her late incapacity. ' Sylvius was yet as bad as any of them. The knight (her brother) was also in the same helpless condition, and continued in the same manner till he was eased of the lofty tosses which were so plentifully bestowed on them by the restless Biscaian Bay.' They all recover at last, and are diverted by the shoals of wanton por- poises. ' By and by their remarks turned on their " little bark's climbing so wonderfully over the vast ridges of the mountainous waves, which formed perpetual and amazing prospects of over- rolling hills and vales, as could scarcely meet belief from those who had never been at sea.'" 'JACK CONNOR/ ' Jack Connor ' is another instance of the novels written by imitators of Fielding. Aiming to produce an unaffected and easy style of fiction, enlivened by incidents of every-day interest, it falls far short of the standard to which it aspires, as one would reason- ably suppose. The book is anonymous, and is dedicated to Henry Fox, ' Secretary at War,' and was published in 1752 j it is founded on a rambling plot, detailing the adventures of a ' waif thrown on the world by his Irish parents. The first volume is mostly occupied by youthful ' amours,' and ends with the ' Story of Polly Gunn,' which unfortunately bears a certain resemblance to De Foe's { Moll Flanders,' in a condensed form. 'Jack Connor' had a patron, a marvellously proper man, the ' model of righteous walking,' and the dispenser of admirable precepts, over which the hero grew eminently sentimental; but directly after acted in direct opposition to the teaching of this worthy guardian. The pencilling we have selected from the margin of vol. i. illustrates a passage describing the scandals of the kitchen, which affixed to Jack Connor's benefactor, Mr. Kindly, the questionable honour of being father to his protege. ' I hope,' said Tittle, ' your la'ship won't be angry with me, only they say that the boy is as like Mr. Kindly as two peas ; but they say, " Mem "— ' JACK CONNOR. 85 'Hold your impertinent tongue,' said my lady; 'is this the occasion of so much giggle? You are an ungrateful pack. I am sure 'tis false,' &c. 'Indeed,' said Tittle, 'if I've said anything to offend your la'ship — ' ' Yes, madam,' said my lady, ' you have greatly of- fended me; and so you all have,' &c. Poor Mrs. Tittle was not only vastly disappointed, but greatly frightened. She in- formed the rest of the recep- tion she had met with. The servants were quite surprised at the oddity of her ladyship's temper, and quoted many examples diametrically opposite. ' I'm sure,' said Mrs. Tittle, ' had I told as much to Squire Smart's lady, we should have laughed together about it the live- long night ! ' ' Ay, ay,' said Mrs. Matthews, ' God bless the good Lady Malign ! When I waited on her in Yorkshire, many a gown, and petticoat, and smock have I gotten for telling her half so much; but, to be sure, some people think themselves wiser than all the world ! ' ' Hold, hold,' said Tom Blunt, the butler. ' Now, d'ye see, if so be as how my lady is wrong, she'll do you right ; and if so be as how my lady is right, how like fools and ninnihammers will you all look ! ' In vol. ii. we find Jack Connor resorting to the reputable pro- fession of 'gentleman of the road ;' he plans his first ' stand-and- deliver ' venture in company with two experienced highwaymen. Hounslow is the popular spot selected for his debfit. Thither he proceeds in a post-chaise from Piccadilly, having arranged for his horse in advance. Two circumstances favour him ; he knows a family in the neighbourhood, and he wears a surtout of a cloth that is blue on one side and red on the other, and that has no other lining. In a blue coat with scarlet cuffs he orders wine, arranges fc* 86 THACKERA VAN A. a return post-chaise, and enquires the address of the people whose name he knows. He then departs, secures his horse, and turns his coat ; he is behind-hand, and the coach just then coming up, the two high- waymen lead the attack; one is shot, and the other disabled and captured. Connor escapes in the con- fusion, ties up his horse, turns his coat, and walks back to the inn for his post-chaise, which is delayed, one horse being wanting. The landlord enters. ' There now,' said he, ' is two fine gentlemen that have made a noble kettle of fish of it this morning ! ' ' Bless me, my dear,' said his wife, ' what's the matter ? ' f Not much ; only a coach was stopped on the heath by three highwaymen, and two of 'em is now taken, and at the next inn.' ' Dear sirs,' said the landlady, ' 'tis the most preposteroustest thing in life that gentlefolks won't travel in post-chaises ; and then they're always safe from these fellows.' ' Well,' said the husband, ' I must send after the third, who escaped; I'll engage to find out his scarlet coat before night' Connor, recollecting his situation, chimed in with the hostess, and spoke greatly against the disturbers of the public. At last he and safe to London; but took leave, mounted his chaise, often thought the horses very bad. Jack Connor, after various vicissitudes, was at last reduced to service, and was employed as secretary by Sir John Curious, an infirm compound of wealth and avarice, married, in his last days, to a young wife. Connor became unpopular with the ladies of the estab- lishment, on account of his over-correct behaviour. One day he was busy read- ing to Sir John, when Mr. Sampson, a wine merchant, entered. The knight had a great regard for this gentleman, and was ex- tremely civil to him. ' Well, friend Sampson,' said he, l time was JACK CONNOR. 8/ when we used to meet oftener ; but this plaguy gout makes me perform a tedious quarantine, you see.' ' Ah, Sir John,' replied Mr. Sampson, l you are at anchor in a safe harbour: but I have all your ailments, and am buffeted about in stormy winds.' ' Not so, not so,' answered the knight ; ' I hope my old friend is in no danger of shipwreck. No misfortunes, I hope.' ' None,' said Mr. Sampson, ' but what my temper can bear. I have lost my only child, just such a youth as that (pointing to Jack). I have lost the best part of my substance by the war, and I have found old age and infirmities.' Sir John regretted that he could not assist his friend with a loan, but he paid his account for wine, and handed over Connor to assist Mr. Sampson in his business. After a long letter on the state of Ireland — which appeared even in 1744 a question beyond the wisdom of legislation to dispose of satisfactorily — the author apologises for his digressions with con- siderable novelty. ' I am afraid I have carried my reader too far from the subject-matter of this history, and tried his patience ; but I assure him that my indulgence has been very great, for, at infinite pains, I have curtailed the last chapter (the Irish ques- tion) at least sixty pages. Few know the difficulty of bridling the imagination, and reining back a hard-mouthed pen. It sometimes gets ahead, and, in spite of all our skill, runs away with us into mire and dirt ; nay, at this minute I find my quill in a humour to gallop, so shall stop him short in time.' The life of Connor is chequered. He finally figures as a cap- tain of dragoons in the campaign in Flanders, under the ' Cullo- den' Duke. He performs deeds of valour with the army, and rescues a Captain Thornton from three assailants, preserves his life and secures his gratitude. He next appears at Cadiz, on a commer- cial errand, and he regains his long-lost mother in Mrs. Magraph, a 88 TH ACKER A YANA. wealthy widow, to whom he had made love. This lady, who had saved thirty thousand pounds, was very communicative, she finally recognised him as her son, and acquainted him that Sir Roger Thorn- ton, the life of whose son he had preserved, was in reality his father, and not Connor, as he had previously believed. The hero then set out for Paris. The ship was ready to sail. All were concerned at losing so polite a companion, and he was loaded with praises and caresses. His mother could not bear it with that resignation she at first thought ; but, how- ever, she raised her spirits, and with many blessings saw him set sail. The voyage was pros- perous, and he arrived at Marseilles, safe and in good health. He took post for Paris, and embraced his dear friend Captain Thornton, as indicated in the marginal illustration. Jack Connor marries a lord's daughter, and becomes an Irish landed gentleman. The author concludes with the regret that he has not the materials to reveal his hero's future. CHRYSAL, OR THE ADVENTURES OF A GUINEA. overtaken by a We gather from the copy of this work, which was formerly on the shelves of Thackeray's library, that * Chrysal ' had reached seven editions in 1771, having been originally published, in 1760, with a dedication of a highly laudatory order to William Pitt. The bookseller's prefix to the first edition is slightly imaginative. To de- scribe its nature briefly, the publisher, while taking a country stroll in White- chapel, then an Arcadian village, was shower, and sought shelter in a cottage where a CHRYSAL. 89 humble family were breakfasting. His eye was caught by a sheet of manuscript which had done duty for a butter- plate. Jts contents interested him, and he learnt that the chandler next door wrapped up her commodities in such materials. He made an experimental purchase, which was done up in another leaf of the paper. Cautious enquiries elicited that brown paper being costly, and a quantity of old 'stuff' having been left by a long deceased lodger of her departed mother's, the manuscript was thus turned into use. The enterprising publisher invested is. 6d. for brown paper, and secured the entire remaining sheets in exchange. Finding, on perusal, that he had secured matter of some literary value, he pursued his investi- gations with the same lady, and learned that the author was an unfortunate schemer, who, after wasting his entire fortune in seeking the philosopher's stone, perceived his folly too late, wrote the story of ' Chrysal ' in ridicule of the fallacy of golden visions, and' expired before he could realise any profit by the publication of his papers. The bookseller secretly resolved to admit the good woman to a half share of the profits of her 'heirship,' and 'Chrysal' appeared. It excited some attention, and had various charges laid to its account. The scheme is ingenious, tracing the guinea from its pro- jection, and giving an account of the successive stages of its changing existence. We are admitted to con- template the influence of gold in various situa- tions j with dissertations on ' traffic,' and, in short, follow the history of a guinea through the possession of numerous owners, male and female, while the reader is by these means introduced to some very curious situations. The little design in the margin occurs in the history of a horned cock, a parody on collectors of curiosities, describing the manner in which a noble ' virtuoso ' was imposed upon by a cunning vendor of wonderful produc- tions. There was considerable competition to secure the composite phenomenon, and when his lordship obtained it, vocation of ' savants ' was summoned to report on the marvel. con- The 9o THA CKERA YANA. bird, a game-cock, had unfortunately taken offence at an owl in a neighbouring cage, and when the company arrived it had rubbed off one of the horns and disturbed the other. While arguing that the bird had shed its horn in the course of nature, one of the com- pany dropped some snuff near the bird's eye, who thereupon shook his head with sufficient violence to dislodge the remaining horn ; exposing the imposture, and overwhelming the virtuose with such vexation that the cock was sacrificed to ^sculapius forthwith. The guinea gets into the hands of a justice of the peace, in the shape of a bribe, and a very remarkable state of corruption and traffic in iniquity is displayed. The little pencilling of a quaint figure holding the scales occurs on the margin of a para- graph which records a warm dispute between the justice and his clerk on the proportioning of their plunder, the llS^I^J? /LjU clerk revolting against an arrangement by which it is proposed to confine him to a bare third ! The dispute is checked by the arrival of some cus- tomers, matrons dwelling within the justice's district, who come to compound with him in regular form ' for the breach of those laws he is appointed to support.' The sketches pencilled in ' Chrysal ' do not follow the story very closely ; indeed, they can hardly be intimately associated with the text they accompany. This, however, is quite an excep- tional case ; the drawings found in Mr. Thackeray's books, in nearly every instance, being very felicitous embodiments of the subject matter of the works they may be considered to illustrate with unusual fidelity. On a fly-leaf of ' Chrysal' is a jovial sketch of light-hearted and nimble-toed tars, who form a realistic picture of the good cheer a guinea may command, and is immediately suggestive of bags of prize-money, apoplectically stored with the yellow boys, which in the good old days were supposed to profusely line the pockets of true salts when they indulged in the delights of a spell on shore, at the date sailors experimented in frying, as the story represents them, superfluous watches in bacon-fat, as a scientific relaxation, when the ships were paid off at Portsmouth, jolly tars: 91 and ' jolly tars ' had invested in more timekeepers than the exi- gencies of punctuality strictly demanded. THACKERA YANA. CHAPTER V. Continental Ramblings — A Stolen Trip to Paris — Calais and the Paris Road in 1830 — French Jottings — Thackeray's Residence at Weimar — Contribu- tions to Albums — Burlesque State— German Sketches and Studies — The Weimar Theatre — Goethe — Weimar re-visited — Souvenirs of the Saxon city — 'Journal kept during a visit to Germany.' We cannot take leave of Thackeray's college days without referring to the first trip he made to Paris during a vacation, on his own responsibility, and, indeed, without consulting his pastors and masters on the subject. This little episode occurred when he was nineteen, and we feel that no language but his own will do justice to the characteristic anecdote which is happily introduced in a gossiping essay on the Hotel Dessein at Calais. 6 1 remember as boy, at the " Ship " at Dover (imperante Can^o Decimo), when, my place to London being paid, I had but twelve shillings left after a certain little Paris excursion (about which my benighted parents never knew anything), ordering for dinner a whiting, a beef- steak, and a glass of negus, and the bill was, dinner seven shillings, glass of negus two shillings, waiter sixpence, and only half-a-crown left, as I was a sinner, for the guard and coachman on the way to London ! And I was a sinner. I had gone without leave. What a long, dreary, guilty, forty hours' jour- ney it was from Paris to Calais I remember ! How did I come to think of this escapade, which oc- curred in the Easter vacation of the year 1830 ? I always think of it when I am crossing to Calais. Guilt, sir, guilt remains stamped on the memory, and I feel -easier in my mind now that it is liber- ated of the old peccadillo. I met my college tutor only yesterday. We were travelling, and stopped at the same hotel. He had the Coachee, 1830 THE PARIS ROAD IN 1830. 93 very next room to mine. After he had gone to his apartment, having shaken me quite kindly by the hand, I felt inclined to knock at his door, and say, " Doctor Bentley, I beg your pardon, but do you remember, when I was going down at the Easter vacation in 1830, you asked me where I was going to spend my vacation, and I said, with my friend Slingsby, in Hunting- donshire ? Well, Sir, I grieve to have to confess that I told you a fib. I had got twenty pounds, and was going for a lark to Paris, where my friend Edwards was staying." *' That first day at Calais ! The voices of the women crying out at night, as the vessel came alongside the pier ; the supper at Quillacq's, and the flavour of the cutlets and wine ; the red-calico canopy under which I slept ; the tiled floor, and the fresh smell of * the shells ; the wonderful postilion in his jack-boots and pig- tail — all return with perfect clearness to my mind, and I am seeing them and not the objects actually under my eyes. Here is Calais. Yonder is that commissioner I have known this score of years. Here are the women screaming and bustling over the bag- gage ; the people at the passport barrier who take your papers. My good people, I hardly see you. You no more interest me than a dozen orange women in Covent Garden, or a postilion a shop book-keeper in Oxford Street. But you make me think ot a time when you were indeed wonderful to behold — when the little French soldiers wore white cockades in their shakoes, when the dili- gence was forty hours going to Paris, and the great-booted postilion, as surveyed by youthful eyes from the coupe, with his jurons, his ends of rope for harness, and his clubbed pigtail, was a wonderful being, and productive of endless amusement. You young folks don't remember the apple-girls who used to follow the diligence up the hill beyond Boulogne, and the delights of the jolly road ? In making continental journeys with young folks, an oldster may be very quiet, and, to outward appearance, melancholy ; but really he has gone back to the days of his youth, and he is seventeen or eighteen years of age (as the case may be), and is amusing himself * A Roundabout Journey. 94 THA CKERA YANA. with all his might. He is noting the horses as they come squealing out of the post-house yard at midnight ; he is enjoying the delicious meals at Beauvais and Amiens, and quaffing ad libitum the rich table-d'hote wine ; he is hail fellow with the con- ductor, and alive to all the incidents of the road. A man can't be alive in i860 and 1830 at the same time, don't you see. Bodily, I may be in i860, inert, silent, torpid ; but in the spirit I am walking about in 1828, let us say, in a blue dress coat and brass buttons, a sweet figured silk waistcoat (which I button round a slim waist with perfect ease), looking at beautiful beings with gigot sleeves and tea-tray hats under the golden chesnuts of the Tuileries, or round the Place Vendome, where the drapeau blanch floating over the statue- less column. Shall we go and dine at Bombarda's, near the Hotel Breteuil, or at the Cafe Virginie ? Away ! Bom- barda's and the Hotel Breteuil have been pulled down ever so long. They knocked down the poor old Virginia Coffee-house last year. My spirit goes and dines there. My body, perhaps, is seated with ever so many people in a railway carriage, and no wonder my companions find me dull and silent. My soul whisks away thirty years back into the past. I am looking out anxiously for a beard. I am getting past the age of loving Byron's poems, and pretend that I like Words- worth and Shelley much better. Nothing I eat or drink (in reason) disagrees with me ; and I know WEIMAR SKETCHES. 95 whom I think to be the most lovely creature in the world. Ah, dear maid (of that remote but well-remembered period), are you a wife or widow now ? are you dead ? are you thin and with- ered and old? are you grown much stouter, with a false front? and so forth.' About 1830 Thackeray re- paired to Weimar, in Saxony, where, as he describes it, he lived with a score of young English lads, 'for study, or sport, or society.' Mr. G. H. Lewes, in his ' Life of Goethe,' tells us that Weimar albums still display with pride the cari- catures which the young artist sketched at that period. ' My delight in those days,' says Mr. Thackeray, ' was to make caricatures for children' — a habit, we may add, which he never forgot. Years after- wards, in the fulness of his fame, revisiting the 'friendly little Saxon capital,' he found, to his great delight, that these were yet remembered, and some even preserved still ; but he was much more proud to be told, as a lad, that the great Goethe himself had looked at some of them. In a letter to his friend Mr. Lewes, inserted by the latter in the work referred to, Thackeray has given a pleasing pic- ture of this period of his life, and of the circle in which he found himself. The Grand Duke and Duchess (he tells us) received the A Court chaplain English lads with the kindliest 96 THACKERA YAK A. WEIMAR SKETCHES. 97 hospitality. 'We knew the whole society of the little city, and but that the young ladies, one and all, spoke admirable English, - © & v ®> W 7<0 6^ 01V 6w t)i/ju - A// oufUal we surely might have learned the very best German.' Readers familiar with the ' Rose and the Ring,' Thackeray's popular Rara avis in terris, nigroque simillima cigno. (Album oddities. Weimar, 1830) Weimar, 1830 Christmas book, will recognise in the sketch on page 98 the artist's fondness for playing with ' royalty— especially with pan- tomimic royalty. The Weimar court was full of old ceremony, H 9« THA CKERA YANA. RESIDENCE AT WEIMAR. 99 A Weimar sketch. and yet most pleasant and homely withal. Thackeray and his friends were invited in turns to dinners, balls, and assemblies Schiller's plays. Weimar, 1830 there. Such young men as had a right appeared in uniforms, diplomatic and military. Some invented gorgeous clothing : the IOO TH ACKER A YANA. old Hof Marschall, M. de Spiegel, who (says our author) had two of the most lovely daughters ever looked on, being in nowise difficult as to the admission of these young Englanders. Of the winter nights they used to charter sedan chairs, in which they were carried through the snow to these court entertain- ments. Here young Thackeray had the good luck to purchase Schiller's sword, which formed a part of his court costume, and v which hung in his study till the A day of his death, to put him (as i he said) in mind of days of youth the most kindly and delightful. Here, too, he had the advan- tage of the society of his friend Church militant and fellow-student at Cambridge, Mr. W. G. Lettsom, later Her Majesty's Charge-d' Affaires at Uruguay, but who was at the period referred to attached to the suite of the English Minister at Triumphal march of the British forces Weimar. To the kindness of this gentleman he was indebted in a considerable degree for the introductions he obtained to the best JOTTINGS IN GERMANY. ior families in the town. Thackeray was always fond of referring to this period of his life. In a private letter, written long after- wards, he says :— ' I recollect, many years ago, at the theatre at Weimar, hearing Beethoven's "Battle of Vittoria," in which, amidst a storm of glorious music, the air of '*God save the King" was intro- duced. The very in- stant it begun every Englishman in the theatre stood upright, and so stood rever- ently until the air was finished. Why so ? From some such thrill of excitement as makes us glow and rejoice over Mr. Tur- ner and his " Fighting Temeraire.'" The spirited sketch of a German Fencing Bout, given on the following page, was probably drawn on the spot during the progress of the com- bat. The collegians enable us to con- struct a realistic picture of the student of a generation ago. The object of the combatants being to inflict a prick or scratch in some conspicuous part ot the face, the rest of the person is carefully padded and protected. In our days the loose cap with its pointed peak has disappeared before its gay muffin-shaped substitute ; but the traditional pride in a scarred face is still observable. Even at the present day we find the youths of German University towns rejoicing in a seam down the nose, Opera at Weimar 102 THACKERAYANA. WEIMAR REVISITED. 103 or swaggering in the conscious dignity of a slashed cheek, as out- ward and visible evidence of the warlike soul within. Devrient, who appeared some years since at the St. James's Theatre in German versions of Shakspeare, was performing at Weimar at that period, in ' Shy- lock/ 'Hamlet, Shakspeare at Weimar Operatic reminiscences at Weimar the ' Robbers ;' and the beautiful Madame Schroder was appearing in 'Fidelio.' The young English students at Weimar spent their evenings in frequenting the performances at the theatres, or attending the levees of the Court ladies. ' After three-and-twenty years' absence,' continues Mr. Thack- eray, ' I passed a couple of summer days in the well-remembered place, and was fortunate enough to find some of the friends of my youth. Madame de Goethe was there, and received me and my 104 T HACK ERA YANA. daughters with the kindness of old days. We drank tea in the open air at the famous cottage in the park, which still belongs to the family, and had been so often inhabited by her illustrious father. In 1 83 1, though he had retired from the world, Goethe would nevertheless very kindly receive strangers. His daughter-in-law's tea-table was always spread for us. We passed hours after hours there, and night after night with the pleasantest talk and music. We read over end- less novels and poems in French, English, and German. . . . He remained in his private apartment, where only a very few privileged persons were admitted ; but he liked to know all that was happening, and interested himself about all strangers. ... Of course I remember very well the perturbation of spirit with which, as a lad of nineteen, I received the long-expected intimation that the Herr Ge- heimrath would see me on such a morning. This notable audience took place in a little ante-chamber of his private apartments, covered all round with antique casts and bas- reliefs. He was habited in a German student of the period. (Weimar, x8 3 o) ^ ^ ^ dmb redingotej with a white neckcloth and a red riband in his button-hole. He kept his hands behind his back, just as in Rauch's statuette. His complexion was very bright, clear, and rosy ; his eyes extraordi- narily dark, piercing, and brilliant. I felt quite afraid before them, and recollect comparing them to the eyes of the hero of a certain romance called " Melmoth the Wanderer," which used to alarm us boys thirty years ago ; eyes of an individual who GOETHE AND WEIMAR. 105 had made a bargain with a certain person, and at an extreme old age retained these eyes in all their awful splendour. I fancied Goethe must have been still more handsome as an old man than even in the days of his youth. His voice was very rich and sweet. He asked me questions about myself, which I answered as best I could. I recollect I was at first astonished, and then somewhat relieved, Goethe (Sketched at Weimar, 1830) Goethe. A sketch from the Fraser portrait when I found he spoke French with not a good accent. Vidi tantum. I saw him but three times. Once walking in the garden of his house in the Frauenplan; once going to step into his chariot on a sunshiny day, wearing a cap, and a cloak with a red collar. He was caressing at the time a beautiful little golden-haired granddaughter, over whose sweet fair face the earth has long since closed too. Any of us who had books or magazines from England sent them to him, and he examined them eagerly. "Fraser's Magazine" had lately come out, and I remember he was interested in those admirable outline portraits which appeared for a while in its pages. But there was one, a very ghastly carica- ture of Mr. R * which, as Madame Goethe told me, he shut iamuel Rogers, the poet. io6 THA CKERA YANA. RESIDENCE AT WEIMAR. 107 up and put away from him angrily. ? They would make me look like that," he said ; though in truth I can fancy nothing more serene, majestic, and healthy-\ook\\\g than the grand old Goethe. Though his sun was setting, the sky round about was calm and bright, and that little Weimar was illumined by it. In every one of those kind salons the talk was still of art and letters. ... At Album sketches court the conversation was exceedingly friendly, simple, and polished. The Grand Duchess (the present Grand Duchess Dowager), a lady of very remarkable endowments, would kindly borrow our books from us,* lend us her own, and graciously talk to * In October 1830, we find Thackeray writing from W.eimar to a bookseller in Charterhouse Square, for a liberal supply of the Bath post paper, on which he wrote his verses and drew his countless sketches. On certain sheets of this paper, after his memorable interview with Goethe, we find the young, artist :oS THACKERAYANA. RESIDENCE AT WEIMAR. 109 us young men about our literary tastes and pursuits. In the respect paid by this court to the patriarch of letters there was something ennobling, I think, alike to the subject and sovereign. With a five-and-twenty years' experience since those happy days of which I write (says our author), and an acquaintance with an immense variety of human kind, I think I have never seen a society more simple, charitable, courteous, gentlemanlike, than that of the dear little Saxon city where the good Schiller and the great Goethe lived and lie buried.' * The preceding sketch of sleighing, which has all the life and spirit of a drawing executed whilst the recollection of its subject is still fresh, was evidently made at the period of Thackeray's residence at Weimar. He has left various pen-and-ink dottings of the quaint houses in this town, which cor- respond with the little buildings in the above landscape. Thackeray frequently carries his read- ers back to the delightful days he spent at the miniature capital. In his ' Roundabout Paper,' ' De Finibus ' (1862), he writes: ' Every man who has had his German tutor, and has been coached through the famous Faust of Goethe (thou wert my instructor, gOOd Old Weissenbom, and A German peasant maiden those eyes beheld the great master himself in that dear little Weimar town !), has read those charming verses which are pre- fixed to the drama, in which the poet reverts to the time when his trying to trace from recollection the features of the remarkable face which had deeply impressed his fancy. There are portraits in pen and ink, and others washed with colour to imitate more closely the complexion of the study he was endeavouring to work out. The letter to which we here refer contains an order of an extensive character, for the current literature, which throws some light on his tastes at this period : — 'Fraser's Town and Country Magazine for August, September, October, and November. The four last numbers of the Examiner and Literary Gazette, The Co?nic Annual, The Keepsake, and any others of the best annuals, and Bombastes Furioso, with Geo. Cruikshank's illustrations. The parcel to be directed to Dr. Frohrib, Industrie Comptoir, Weimar.' * The whole of this valuable and interesting letter may be found in Mr. Lewes's biography of ' the Great Goethe.' 1 10 THA CKERA VAN A. work was first composed, and recalls the friends now departed, who once listened to his song. The dear shadows rise up around him, he says; he lives in the past again. It is to-day which ap- pears vague and visionary.' Among the volumes originally in Thackeray's possession was a book, privately printed, containing portions of the diaries of Mrs. Colonel St. George, written during her sojourn among the German courts, 1799 and 1800. As the margins of the book are pencilled with slight but graphic etchings illustrative of the matter, we insert a few extracts while treating of Thackeray's early experience of Weimar, as harmonising with this part of our subject. It may be premised that the actual sketches belong to a considerably later date. JOURNAL KEPT DURING A VISIT TO GERMANY IN 1799, 1800. One of the most entertaining diaries of travel among the German courts which flourished at the beginning of this century proceeds from the pen of a widow of distinction, who was received with refined courtesy at the capitals described in her journal. The work, privately printed, is really valuable for the life-like studies it offers of certain celebrities ; one portion, describing the appearance of Lord Nelson, with Lady Hamilton, at the Elector's capital, is peculiarly interesting. ' Vienna, July 18, 1800. — Dined at La Gardie's ; read " Les Meres Rivales " aloud, while she made a eouvre-pied for her ap- proaching confinement ; her mother worked a cap for the babe, and he sat down to his netting ; it was a black shawl for his wife. A fine tall man, a soldier, too, with a very martial appearance, netting a shawl for his wife amused me. ' Dresden, Oct. 2. — Dined at the Elliots'.* While I was playing at chess with Mr. Elliot, came the news of Lord Nelson's arrival, with Sir William and Lady Hamilton, Mrs. Cadogan, mother of * The Right Hon. Hugh Elliot, brother to Lord Minto, at that date English * Minister at Dresden : he was afterwards made Governor of Madras. JOURNAL OF A VISIT TO GERMANY. in the latter, and Miss Cornelia Knight, famous for her " Continua- tion of Rasselas " and her " Private Life of the Romans.'' * 1 Oct. 3.— Dined at Mr. Elliot's, with only the Nelson party. It is plain that Lord Nelson thinks of nothing but Lady Hamilton, who is totally occupied by the same object. She is bold, forward, coarse, assuming, and vain. Her figure is colossal, but except- ing her feet, well shaped. Her bones are large, and she is exceedingly embonpoint. She resembles the bust of Ariadne ; the shape of all her features is fine, as is the form of her head, and particularly her ears ; her teeth are a little irregular, but tolerably white ; her eyes light blue, with a brown spot in one, which though a defect, takes nothing away from her beauty and expression. Her eyebrows and hair are dark, and her complexion coarse. Her expression is strongly marked, variable, and interesting; her movements in common life ungraceful ; her voice loud, yet not disagreeable. Lord Nelson is a little man, without any dignity ; who, I suppose, must resemble what Suwarrow was in his youth, as he is like all the pictures I have seen of that general. Lady Hamilton takes possession of him, and he is a willing captive, the most submissive and devoted I have seen. Sir William is old, infirm, all admiration of his wife, and never spoke to-day but to applaud her. Miss Cornelia Knight seems the decided flatterer of the two, and never opens her mouth but to show forth their praise ; and Mrs. Cadogan, Lady Hamilton's mother, is what one might expect. After dinner we had several songs in honour of Lord Nelson, written by Miss Knight, and sung by Lady Hamil- ton. She puffs the incense full in his face ; but he receives it with pleasure and sniffs it up very cordially. The songs all ended in the sailor's way, with " Hip, hip, hip, hurra ! " and a bumper with the last drop on the nail, a ceremony I had never heard of or seen before. * Marcus rlaminius ; or, Life of ' tJie Romans, 1795- U2 thackerayana; ' Oct. 4. — Accompanied the Nelson party to Mr. Elliot's box at the opera. She and Lord Nelson were wrapped up in each other's conversation during the chief part of the evening. ' Oct. 5. — Went, by Lady Hamilton's invitation, to see Lord Nelson dressed for court. On his hat he wore the large diamond feather, or ensign of sovereignty, given him by the Grand Signior ; on his breast the order of the Bath, the order he received as Duke of Bronte ; the diamond star, including the sun or crescent, given him by the Grand Signior; three gold medals, obtained by three different victories ; and a beautiful present from the King of Naples. On one side is His Majesty's picture, richly set, and surrounded with laurels, which spring from two united laurels at bottom, and support the Neapolitan crown at top ; on the other is the Queen's cypher, which turns so as to appear within the same laurels, and is formed of diamonds on green enamel. In short, Lord Nelson was a periect constellation of stars and orders. ' Oct. 7. — Breakfasted with Lady Hamilton, and saw her repre sent in succession the best statues and paintings extant. She assumes their attitude, expression, and drapery with great facility, swiftness, and accuracy. Several Indian shawls, a chair, some antique vases, a wreath of roses, a tambourine, and a few children are her whole apparatus. She stands at one end of the room, with a strong light on her left, and every other window closed. Her hair is short, dressed like an antique, and her gown a simple calico chemise, very easy, with loose sleeves to the wrist. She disposes the shawls so as to form Grecian, Turkish, and other drapery, as well as a variety of turbans. Her arrangement of the turbans is absolutely sleight-of-hand ; she does it so quickly, so easily, and so well. It is a beautiful performance, amusing to the most ignorant, and highly interesting to the lovers of art. The chief of her imitations are from the antique. Each representation lasts about ten minutes. It is remarkable that, though coarse and ungraceful in common life, she becomes highly graceful, and even beautiful, during this performance. After showing her attitudes, she sang, and I accompanied. Her voice is good and very strong, but she is frequently out of tune ; her expression strongly marked and various ; but she has no flexibility, and no sweetness. She acts her songs. ... A VISIT TO GERMANY. 113 ' Still she does not gain upon me. I think her bold, daring, vain even to folly, and stamped with the manners of her first situa- tion much more strongly than one would suppose, after having represented majesty, and lived in good company fifteen years. Her ruling passions seem to me vanity, avarice, and love for the pleasures of the table. Mr. Elliot says, "She will captivate the Prince of Wales, whose mind is as vulgar as her own, and play a great part in England." 1 Oct. 8. — Dined at Madame de Loss's, wife to the Prime Minister, with the Nelson party. The Electress will not receive Lady Hamilton, on account of her former dissolute life. She wished to go to court, on which a pretext was made to avoid receiving company last Sunday, and I understand there will be no court while she stays. Lord Nelson, understanding the Elector did not wish to see her, said to Mr, Elliot, " Sir, if there is any difficulty of that sort, Lady Hamilton will knock the Elector down, and me, I'll knock him down too ! " ' Oct. 9. — A great breakfast at the Elliot's, given to the Nelson party. Lady Hamilton repeated her attitudes with great effect. All the company, except their party and myself, went away before dinner ; after which Lady Hamilton, who declared she was pas- sionately fond of champagne, took such a portion of it as asto- nished me. Lord Nelson was not behind-hand, called more vociferously than usual for songs in his own praise, and after many bumpers proposed the Queen of Naples, adding, " She is my queen; she is queen to the back-bone." Poor Mr. Elliot, who was anxious the party should not expose themselves more than they had done already, and wished to get over the last day as well as he had done the rest, endeavoured to stop the effusion of champagne, and effected it with some difficulty, but not till the lord and lady, or, as he calls them, Antony and Moll Cleopatra, 1 ii4 THACKERAYANA. were pretty far gone. I was so tired, I returned home soon after dinner ; but not till Cleopatra had talked to me a great deal of her doubts whether the queen would receive her, adding, " I care little about it. I had much sooner she would settle half Sir William's pension on me." After I went, Mr. Elliot told me she acted Nina intolerably ill, and danced the Tarantola. During her acting, Lord Nelson expressed his admiration by the Irish sound of astonished applause, and by crying every now and then, " Mrs. Siddons be ! " Lady Hamilton expressed great anxiety to go to court, and Mrs. Elliot assured her it would not amuse her, and that the Elector never gave dinners or suppers. " What ? " cried she, " no guttling ! " Sir William also this evening per- formed feats of activity, hopping round the room on his backbone, his arms, legs, star and ribbon all flying about in the air. ' Oct. 10. — Mr. Elliot saw them on board to-day. He heard, by chance, from a king's messenger, that a frigate waited for them at Hamburg, and ventured to announce it formally. He says : " The moment they were on board, there was an end of the fine arts, of the attitudes, of the acting, the dancing, and the singing. Lady Hamilton's maid began to scold, in French, about some provisions which had been forgot. Lady Hamilton began bawl- ing for an Irish stew, and her old mother set about washing the potatoes, which she did as cleverly as possible. They were exactly like Hogarth's actresses dressing in the barn." At Berlin, the fair diarist was introduced to Beurnonville, the French minister, who had gained notoriety for his services at Valmy and Gemappes. He was one of the commissioners despatched by the convention to arrest Dumouriez, who, it may be remembered, treated him with marked cordiality; the special envoy of the republic was, however, arrested, with his companions, and delivered by the general into the hands of the Austrians. ' Nov. 18-23. — I have been at a great supper at Count Schulen- berg's. As usual, I saw Beurnonville, who was very attentive. He looks like an immense cart-horse, put by mistake in the finest caparisons ; his figure is colossal and ungainly ; and his unifonn of blue and gold, which appears too large even for his large person, is half covered with the broadest gold lace. His ton is that of a corps-de-garde (he was really a corporal), but when he addresses himself to women, he affects a softness and tegerete, SUPPER AT MAD. ANGESTROM'S. 5 which reminds one exactly of the " Ass and the Spaniel," and his compliments are very much in the style of M. Jourdain. It is said, however, he is benevolent and well meaning. ' Nov. 30. — Supped at Mad. Angestrom's, wife of the Swedish Minister, who is perfectly indifferent to all the interests of Europe, provided nothing inter- rupts her reception of the Paris fashions, for which she has an un- common avidity. " Nest-ce pas, ma chere, que ceci est charmantl C est copie fidele?nent cF tin jour- nal de Paris, et quel journal delicieux f" ' She wears very little covering on her person, and none on her arms of any kind (shifts being long exploded), except sleeves of the finest cam- bric, unlined and travaille au jour, which reach only half way from the shoulder to the elbow. She seems to consider it a duty to shiver in this thin attire, for she said to Lady Carysfort, " Ah, Miledi, que vous etes heureuse, vous portez des poches et des jupes /" I conversed chiefly with Beurnonville and Pignatelli. Beurnonville says, " Mo?i secretaire est pour les affaires, mon aide-de- camp pour les dames, et moi pour la represent- ation." The people about him are conscious he is peu de chose, but say, " Qii'importe ? on est si bon en Prusse, et si Men dispose pour nous." A person asked Vaudreuil, aide-de-camp to Beurnonville, if the latter was a ci-devant. " Non," dit- il, " mats il voudroit Fetre " — a reply of a good deal of jinesse, and plainly proving how unconquerable the respect for rank, and wish among those who have destroyed the substance to possess the shadow.' , i 2 16 THACKERAYANA. CHAPTER VI. Thackeray's Predilections for Art — A Student in Paris — First Steps in the Career — An Art Critic — Impressions of Turner — Introduction to Marvy's English Landscape Painters — Early connection with Literature — Michael Angelo Titmarsh, a contributor to ' Fraser's Magazine ' — French Caricature under Louis Philippe — Political Satires — A Young Artist's life in Paris — Growing Sympathy with Literature — Paris Sketches. The Weimar reminiscences show how early Thackeray's passion for art had developed itself. One who knew him well affirms that he was originally intended for the Bar ; but he had, indeed, already determined to be an artist, and for a considerable period he diligently followed his bent. He visited Rome, where he stayed some time, and subsequently, as we shall see, settled for a considerable time in Paris, ' where,' says a writer in the 'Edin- burgh Review' for January 1848, 'we well remember, ten or twelve years ago, finding him, day after day, engaged in copying pictures in the Louvre, in order to qualify himself for his intended profession. It may be doubted, however,' adds this writer, ' whether any degree of assiduity would have enabled him to excel in the money-making branches, for his talent was altogether of the Hogarth kind, and was principally remarkable in the pen-and-ink sketches of character and situation which he dashed off for the amusement of his friends.' This is just criticism; but Thackeray, though caring little himself for the graces of good drawing or correct anatomy, had a keen appreciation of the beauties of his contemporary artists. Years after — in 1848 — when, as he says, the revolutionary storm which raged in France 'drove many peaceful artists, as well as kings, ministers, tribunes, and socialists of state for refuge to our country,' an artist friend of his early Paris life found his way to Thackeray's home in London. This was Monsieur Louis Marvy, in whose atelier the former had IMPRESSIONS OF TURNER. 117 passed many happy hours with the family of the French artist— in that constant cheerfulness and sunshine, as his English friend expressed it, which the Parisian was now obliged to exchange for a dingy parlour and the fog and solitude of London. A fine and skilful landscape-painter himself, M. Marvy, while here, as a means of earning a living, made a series of engravings after the works of our English landscape-painters. For some of these his friend obtained for M. Marvy permission to take copies in the valuable private collection of Mr. Thomas Baring. The pub- lishers, however, would not undertake the work without a series of letter-press notices of each picture from Mr. Thackeray; and the latter accordingly added some criticisms which are interesting as developing his theory of this kind of art. The artists whose works are engraved are Calcott, Turner, Holland, Danby, Cres- wick, Collins, Redgrave, Lee, Cattermole, W. J. Miiller, Harding, Nasmyth, Wilson, E. W. Cooke, Constable, De Wint, and Gains- borough. Of Turner he says : ' Many cannot comprehend the pictures themselves, but stand bewildered before those blazing wonders, those blood-red shadows, those whirling gamboge suns — awful hieroglyphics, which even the Oxford undergraduate (Mr. Ruskin), Turner's most faithful priest and worshipper, cannot 1 1 8 THA CKERA YANA. altogether make clear. Nay, who knows whether the prophet himself has any distinct idea of the words which break out from him as he sits whirling on the tripod, or of what spirits will come up as he waves his wand and delivers his astounding incantation ? It is not given to all to understand: but at times we have The Two-penny Post-bag glimpses of comprehension, and in looking at such pictures as the " Fighting Temeraire," for instance, or the " Slave Ship," we admire, and can scarce find words adequate to express our wonder at the stupendous skill and genius of this astonishing master. If those words which we think we understand are sub- lime, what are those others which are unintelligible ? Are they ENGLISH LANDSCAPE PAINTERS. 119 sublime too, or have they reached that next and higher step which by some is denominated ridiculous ? Perhaps we have not arrived at the right period for judging, and Time, which is pro- verbial for settling quarrels, is also required for sobering pictures.' Of Danby he says : ' His pictures are always still. You stand before them alone, and with a hushed admiration, as before a great landscape when it breaks on your view.' On Constable's well-known picture of the ' Corn-field ' in the National Gallery he says : ' This beautiful piece of autumn appears to be under the influence of a late shower. The shrubs, trees, and distance are saturated with it. What a lover of water that youngster must be who is filling himself within after he has been wetted to the skin by the rain which has just passed away. As one looks at this delightful picture one cannot but admire the manner in which the specific character of every object is made out : the undulations of the ripe corn, the chequered light on the road, the freshness of the banks, the trees and their leafage, the brilliant cloud, awfully contrasting against the trees, and here and there broken with azure.' Such were the opinions of the author of the grotesque illustrations of ' Vanity Fair ' and ' Pendennis ' upon those great landscape painters of whom England is proud — opinions which show at least a warm sympathy with that higher order of art in which he had failed to achieve a satisfactory degree of success. It was, we believe, in 1834, and while residing for a short period in Albion Street, Hyde Park, the residence of his mother and her second husband, Major Carmichael Smyth, that Mr. Thackeray began his literary career as a contributor to ' Fraser's Magazine.' The pseudonyms of ' Michael Angelo Titmarsh,' 1 Fitz Boodle,' 6 Yellowplush,' or ' Lancelot Wagstaff,' under which he afterwards amused the readers of the periodicals, had not then been thought of. His early papers were chiefly relating to the Fine Arts ; but most of them had some reference to his French experiences. He seems to have had a peculiar fancy for Paris, where he resided, with brief intervals, for some years after coming of age, and where most of his magazine papers were written. The drawing on p. 120 represents the despair (desespoir) of the Orleans family at the threatened political decease (deces) of Louis Philippe, familiar to Parisians as the ' Pear ' (Poire), from 120 TH ACKER A YANA. FRENCH CARICATURES. 121 the well-known resemblance established by the caricaturists between the shape and appearance of the king's head and a Burgundy pear. Thackeray resided in Paris during the contests of the king with the caricaturists (under the banner of Phillipon), and he was much impressed by their wit and artistic power. If the reader will turn to the ' Paris Sketch Book,' he will see Mr. Thackeray's own words upon the subject. We may state, for the assistance of the reader unacquainted with the French caricatures of that period, that the figure to the right with an elongated nose is M. d'Argout ; the gentleman at the foot of the bed, astride a huge squirt (the supposed favourite im-. plement with every French physician), is Marshal Lobau. Queen Marie Amelie, the Due d' Orleans, and other members of the royal family are in the background. One of Thackeray's literary associates has given some amusing particulars of his Paris life, and his subsequent interest in the city, where he had many friends and was known to a wide circle of readers. ' He lived,' says this writer, ' in Paris " over the water," and it is not long since, in strolling about the Latin Quarter with the best of companions, that we visited his lodgings, Thackeray inquiring after those who were already forgotten — unknown. Those who may wish to learn his early Parisian life and associations should turn to the story of " Philip on his Way through the World." Many incidents in that nar- rative are reminiscences of his own youth- ful literary struggles whilst living modestly in this city. Latterly, fortune and fame enabled the author of " Vanity Fair " to visit imperial Paris in imperial style, and Mr. Thackeray put up generally at the Hotel de Bristol, in the Place Vendome, Never was increase of fortune more grace- fully worn or more generously employed. The struggling artist and small man of tJnder the second empire letters, whom he was sure to find at home or abroad, was pretty safe to be assisted if he learned their wants. I know of many a kind act. One morning, on entering Mr. Thackeray's bed- room in Paris, I found him placing some napoleons in a pill-box, on the lid of which was written, " One to be taken occasionally." 122 THACKERAYANA. "What are you doing?" said I. "Well," he replied, " there is an old person here who says she is very ill and in distress, and I strongly suspect that this is the sort of medicine she wants. Dr. Thackeray intends to leave it with her him- self. Let us walk out together." * Thackeray used to say that he came to Paris for a holiday and to revive his recollections of French cooking. But he generally worked here, espe- cially when editing the "Cornhill Magazine."'f Thackeray's affection for Paris, however, appears to have been The political Morgiana founded upon no relish for the gaieties of the French metropolis, and certainly not upon any liking for French institutions. His papers on this subject are generally criticisms upon political, * A similar story has been told of Goldsmith, which, indeed, may have suggested the pill-box remedy in the instance in the text, f Pans correspondent, Morning Post. , PARIS VISITS. 123 social, and literary failings of the French, written in a severe spirit which savours more of the confident judgment of youth than ot the calm spirit of the citizen of the world. The reactionary rule of Louis Philippe, the Government of July, and the boasted Charter of 1830, were the ob- jects of his especial dis- like ; nor was he less unsparing in his views of French morals as ' exemplified in their law courts, and in the novels of such writers as Ma- dame Dudevant. The truth is, that at this period Paris was, in the eyes of the art- student, simply the Paradise of young painters. Pos- sessed of a good fortune —said to have amoun- ted, on his coming of age in 1832, to 20,000/. — the young English- man passed his days in the Louvre, his even- ings with Jhis French artist acquaintances, of whom his preface to Louis Marvy's sketches gives so pleasant a glimpse ; or sometimes in his quiet lodgings in 0ne of the ornaments of ParIs - the Quartier Latin in dashing off for some English or foreign paper his enthusiastic notices of the Paris Exhibition, or a criticism on French writers, or a story of French artist life, or an account of some great cause celebre then stirring the Parisian world. This was doubtless the happiest period of his life. In one of these 1 24 THA CKERA YANA. papers he describes minutely the life of the art student in Paris, and records his impressions of it at the time. ' To account,' he says, ' for the superiority over England — which, I think, as regards art, is incontestable — it must be remem- bered that the painter's trade, in France, is a very good one; better appreciated, better understood, and, generally, far better paid than with us. There are a dozen excellent schools in which a lad may enter here, and, under the eye of a practised master, learn the apprenticeship of his art at an expense of about ten pounds a year. In England there is no school except the " Aca- demy," unless the student can afford to pay a very large sum, and v A decorated artist place himself under the tuition of some particular artist. Here a young man for his ten pounds has all sorts of accessory instruc- tion, models, &c. ; and has further, and for nothing, numberless incitements to study his profession which are not to be found in England ; the streets are filled with picture-shops, the people themselves are pictures walking about; the churches, theatres, eating-houses, concert-rooms, are covered with pictures; Nature itself is inclined more kindly to him, for the sky is a thousand times more bright and beautiful, and the sun shines for the greater part of the year. Add to this, incitements more selfish, but quite as powerful : a French artist is paid very handsomely — for five PARIS SKETCH BOOK. 125 hundred a year is much where all are poor — and has a rank in society rather above his merits than below them, being caressed by hosts and hostesses in places where titles are laughed at, and a baron is thought of no more account than a banker's clerk. ' The life of the young artist here is the easiest, merriest, dirtiest existence possible. He comes to Paris, probably at six- teen, from his province; his parents settle forty pounds a year on nim, and pay his master ; he establishes himself in the Pays Latin, or in the new quarter of Notre Dame de Lorette (which is quite peopled with painters); he arrives at his atelier at a tolerably *arly hour, and labours among a score of companions as merry and poor as himself. Each gentleman has his favourite tobacco- pipe, and the pictures are painted in the midst of a cloud of smoke, and a din of puns and choice French slang, and a roar of choruses, of which no one can form an idea who has not been present at such an assembly.' In another paper he discourses enthusiastically of the French school of painting as exemplified in a picture in the Exhibition by Carel Dujardin, as follows : — ' A horseman is riding up a hill, and giving money to a blowsy beggar- wench. O matutini rores aui<(zque salnbres ! in what a won- derful way has the artist managed to create you out of a few 126 TH ACKER A YANA. bladders of paint and pots of varnish. You can see the matutinal dews twinkling in the grass, and feel the fresh, salubrious airs (" the breath of Nature blowing free," as the corn-law man sings) blowing free over the heath. Silvery vapours are rising up from the blue lowlands. You can tell the hour of the morning and the time of the year ; you can do anything but describe it in words. As with regard to the Poussin above mentioned, one can never pass it without bearing away a certain pleasing, dreaming feeling of awe and musing; the other landscape inspires the spectator Back to the past infallibly with the most delightful briskness and cheerfulness of spirit. Herein lies the vast privilege of the landscape painter ; he does not address you with one fixed particular subject or expres- sion, but with a thousand never contemplated by himself, and which only arise out of occasion. You may always be looking at a natural landscape as at a fine pictorial imitation of one; it seems eternally producing new thoughts in your bosom, as it does fresh beauties from its own.' It is certain that he had developed a talent for writing long before he had abandoned his intention of becoming a painter, and that he became a contributor to magazines at a time when there EARLY CONTRIBUTIONS TO LITERATURE. 127 was at least no necessity for his earning a livelihood by his pen. It is probable, therefoie, that it was his success in the literary art, rather than his failure, as has been assumed, in acquiring skill as a painter, which gradually drew him into that career of authorship, the pecuniary profits of which became afterwards more important to him. Other papers of his, written at this undecided period of his life, contain numerous interesting evidences of his growing love of literature. Of his contemporary English writers he has much to say. ' Pickwick ' and ' Nicholas Nickleby,' then publish- ing, are frequently mentioned. We have seen how he quotes the Corn Law Rhymer, then but little known to the English public. Speaking of the French, he says, ' They made Tom Paine a deputy ; and as for Tom Macaulay, they would make a dynasty of him.' In a paper ' On French Fashionable Novels,' in an Ameri- can newspaper, of which he was the Paris correspondent, he thus alludes to the circulating libraries of Paris, from which he obtained his supply of contemporary reading : — ' Twopence a volume bears us whithersoever we will ; — back to Ivanhoe and Cceur de Lion, or to Waverley and the Young Pretender, along with Walter Scott ; up to the heights of fashion with the charming enchanters of the silver- fork school ; or, better still, to the snug inn parlour or the jovial tap-room, with Mr. Pickwick and his faithful Sancho Weller. ' I am sure that a man who, a hundred years hence, should sit down to write the history of our time, would do wrong to put that great contemporary history of " Pickwick " aside, as a frivolous work. It contains true character under false names; and, like " Roderick Random," an inferior work, and " Tom Jones ,; (one that is immeasurably superior), gives us a better idea of the state and ways of the people than one could gather from any more pompous or authentic histories.' In another paper on Caricatures and Lithography, in the same journal, containing a kindly allusion to his friend, George Cruikshank, he develops this idea further, giving us a still more interesting view of his reading, and of his growing preference for fiction over other forms of literature. ' At the close,' he says, 'of his history of George II., Smollet condescends to give a short chap- ter on Literature and Manners. He speaks of Glover's " Leonidas," Gibber's "Careless Husband," the poems of Mason, Gray, the 128 THA CKERA YANA. two Whiteheads, "the nervous style, extensive erudition, and superior sense of a Cooke ; the delicate taste, the polished muse, and tender feeling of a Lyttelton." "King," he says, "shone unrivalled in Roman eloquence, the female sex distinguished them- selves by their taste and ingenuity. Miss Carter rivalled the cele- brated Dacier in learning and critical know- ledge; Mrs. Lennox signalised herself by many successful efforts of genius, both in poetry and prose ; and Miss Reid excelled the celebrated Rosalba in portrait painting, both in miniature and at large, in oil as well as in crayons. The genius of Cervantes was transferred into the novels of Fielding, who painted the characters and ridiculed the follies of life with equal strength, humour, and pro- priety. The field of history and biography was cultivated by many writers of ability, among whom we distinguish the copious Guthrie, the circumstantial Ralph, the la- borious Carte, the learned and elegant Robertson, and, above all, the ingenious, penetrating, and comprehensive Hume," &c. &c. We will quote no more of the passage. Could a man in the best humour sit down to write a graver satire? Who cares for the tender muse of Lyttelton ? Who knows the signal efforts of Mrs. Lennox's genius? Who has seen the admirable performances, in miniature and at large, in oil as well as in crayons, of a Miss Reid ? Laborious Carte, and circumstantial Ralph, and copious Guthrie, where are they, their works, and their reputation? Mrs. Lennox's name is just as clean wiped out of the list of worthies as if she had never been born ; and Miss Reid, though she was once actual flesh and blood, " rival in miniature and at large " of the celebrated Rosalba, she is as if she had never been at all; her little farthing rushlight of a soul and reputation having burnt out, and left neither wick nor tallow. Death, too, has overtaken copious Guthrie and circumstantial Ralph. Only a few know whereabouts is the grave where lies laborious Carte; and yet, oh ! wondrous power of genius ! Fielding's men and women are alive, though history's are not. The progenitors of circumstantial Ralph sent forth, after much labour and pains of mating, edu- LOVE FOR LITERATURE. 129 eating, feeding, clothing, a real man-child — a great palpable mass of flesh, bones, and blood (we say nothing about the spirit), which was to move through the world, ponderous, writing histories, and to die, having achieved the title of circumstantial Ralph ; and lo ! without any of the trouble that the parents of Ralph had under- gone, alone, perhaps, in a watch or sponging-house, fuddled, most likely, in the blandest, easiest, and most good-humoured way in the world, Henry Fielding makes a number of men and women on so many sheets of paper, not only more amusing than Ralph or Miss Reid, but more like flesh and blood, and more alive now than they. ' Is not Amelia preparing her husband's little supper? Is not Miss Snap chastely preventing the crime of Mr. Firebrand ? Is not Parson Adams in the midst of his family, and Mr. Wild taking his last bowl of punch with the Newgate Ordinary ? Is not every one of them a real substantial Aave-been personage now ? — more real than Reid or Ralph ? For our parts, we will not take upon ourselves to say that they do not exist somewhere else; that the actions attributed to them have not really taken place ; certain we are that they are more worthy of credence than Ralph, who may or may not have been circumstantial ; — who may or may not even have existed, a point unworthy of disputation. As for Miss Reid, we will take an affidavit that neither in miniature nor at large did she excel the celebrated Rosalba ; and with regard to Mrs. Lennox, we consider her to be a mere figment, like Narcissa, Miss Tabitha Bramble, or any hero or heroine depicted by the historian of " Peregrine Pickle." ' 1 30 THA CKERA YANA. CHAPTER VII. Thackeray on the staff of 'Frasers Magazine ' — Early connection with Maginn and his Colleagues — The Maclise Cartoon of the Fraserians — Thackeray's Noms de Plume — Charles Yellowplush as a Reviewer — Skelton and his ' Anatomy of Conduct ' — Thackeray's proposal to Dickens to- illustrate his novels — Gradual growth of Thackeray's notoriety — His genial admiration for 'Boz' — Christmas Books and Dickens's ' Christmas Carol' — Return to Paris — Execution of Fieschi and Lacenaire — Daily Newspaper Venture — The ' Constitutional ' and ' Public Ledger ' — Thackeray as Paris Correspon- dent — Dying Speech of the 'Constitutional' — Thackeray's marriage — Increased application to Literature — The 'Shabby Genteel Story' — Thackeray's article in the ' Westminster ' on George Cruikshank — First Collected Writings— The ' Paris Sketch,' illustrated by the Author — Dedi- cation of M. Aretz — ' Comic Tales and Sketches,' with Thackeray's original illustrations — The 'Yellowplush Papers ' — The ' Second Funeral of Napoleon, ' with the ' Chronicle of the Drum ' — ' The History of Samuel Titmarsh and the great Hoggarty Diamond ' — ' Fitzboodle's Confessions ' — ' The Irish Sketch Book,' with the Author's illustrations — 'The Luck of Barry Lyndon ' — Contributions to the ' Examiner ' — Miscellanies — ' Carmen Lilliense ' — 'Notes of a Journey from Cornhill to Grand Cairo,' with the Author's illus- trations — Interest excited in Titmarsh — Foundation of Punch — Thackeray's Contributions — His comic designs — 'The Fat Contributor' — 'Jeames's Diary ' — ' Prize Novelists,' &c. Thackeray had scarcely attained the age of three-and-twenty when the young literary art-student in Paris was recognised as an established contributor of ' Fraser,' worthy to take a permanent place among that brilliant staff which then rendered this periodical famous both in England and on the Continent. It was at that time under the editorship of the celebrated Maginn, one of the last of those compounds of genius and profound scholarship with reckless extravagance and loose morals, who once flourished under the encouragement of a tolerant public opinion. There can be no doubt that the editor and Greek scholar who is always in diffi- LITERARY ASSOCIATES. 131 culties, who figures in several of his works, is a faithful picture of this remarkable man as he appeared to his young contributor. His friend, the late Mr. Hannay, says : — ' Certain it is that he lent — or in plainer English, gave — five hundred pounds to poor old Maginn when he was beaten in the battle of life, and like other beaten soldiers made a prisoner — in the Fleet. With the generation going out — that of Lamb and Coleridge — he had, we believe, no personal acquaintance. Sydney Smith he met at a later time ; and he remembered with satisfaction that something which he wrote about Hood gave pleasure to that delicate humorist and poet in his last days.* Thackeray's earliest literary friends were certainly found among the brilliant band of Fraserians, of whom Thomas Carlyle, always one of his most appreciative admirers, is probably the solitary survivor. From reminiscences of the wilder lights in the " Fraser " constellation were drawn the pictures of the queer fellows con- nected with literature in " Pendennis " — Captain Shandon, the ferocious Bludyer, stout old Tom Serjeant, and so forth. Maga- zines in those days were more brilliant than they are now, when they are haunted by the fear of shocking the Fogy element in their circulation ; and the effect of their greater freedom is seen in the buoyant, riant, and unrestrained comedy of Thackeray's own earlier " Fraser" articles. " I suppose we all begin by being too savage," is the phrase of a letter he wrote in 1849; " I know one %vho did" He was alluding here to the " Yellowplush Papers " in particular, where living men were very freely handled. This old, wild satiric spirit it was which made him interrupt even the early chapters of " Vanity Fair," by introducing a parody which he could not resist of some contemporary novelist.' f But we have a proof of the fact of how fully he was recognised by his brother Fraserians as one of themselves, in Maclise's picture of the contributors, prefixed to the number of ' Fraser's Magazine' for January 1835 — a picture which must have been drawn at some period in the previous year. This outline car- toon represents a banquet at the house of the publisher, Mr. * He had certainly seen Sydney Smith. A quaint, half- caricature, outline sketch of the latter was contributed by ' T-itmarsh ' to Erasers Magazine, at an early period of his connection with that journal. f Edinburgh Evening Courant, Jan. 5, 1864. K 2 132 TH ACKER A YANA. Fraser, at which, on some of his brief visits to London, Thackeray had doubtless been present, for it is easy to trace in the juvenile features of the tall figure with the double eyeglass — Thackeray was throughout life somewhat near-sighted — a portrait of the future author of 'Vanity Fair.' Mr. Mahony, the well-known \ Father Prout ' of the magazine, in his account of this picture, written in 1859, te ^ s us tnat the banquet was no fiction. In the chair appears Dr. Maginn in the act of making a speech; and around him are a host of contributors, including Bryan Waller Procter (better known then as Barry Cornwall), Robert Southey, William Harrison Ainsworth, Samuel Taylor Coleridge, James Hogg, John Gait, Fraser the publisher, having on his right, Crofton Croker, Lockhart, Theodore Hook, Sir David Brewster, Thomas Carlyle, Sir Egerton Brydges, Rev. G. R. Gleig, Mahoney, Edward Irving, and others, numbering twenty-seven in all — of whom, in 1859, eight only were living. This celebrated cartoon of the Fraserians appears to place Thackeray's connection with the magazine before 1835; ^ ut we have not succeeded in tracing any contribution from his hand earlier than November 1837. Certainly, the afterwards well-used notns de plume of Michael Angelo Titmarsh, Fitzboodle, Charles THE ANATOMY OF CONDUCT. 133 Yellowplush, and Ikey Solomons, are wanting in the earlier volumes. It is in the number for the month and year referred to that we first find him contributing a paper which is not reprinted in his 'Miscellanies/ and which is interesting as ex- plaining the origin of that assumed character of a footman in which the author of the 'Yellow- plush Papers' and 'Jeames's Diary' afterwards took delight. A little volume had been pub- lished in 1837, entitled, 'My Book; or, The Anatomy of Conduct, by John Henry Skelton.' The writer of this absurd book had been a woollendraper in the neighbourhood of Regent Street. He had become possessed of the fixed idea that he was destined to become the in- structor of mankind in the true art of etiquette. He gave parties to the best company whom he could induce to eat his dinners and assemble at his conversaziones, where his amiable delusion was the frequent subject of the jokes of his friends. Skelton, however, felt them little. He spent what fortune he had, and brought himself to a position in which his fashionable acquaintances no longer troubled him with their attentions; but he did not cease to be, in his own estimation, a model of de- portment. He husbanded his small resources, limiting himself to a modest dinner daily at a coffee-house in the neighbourhood of his old home, where his perfectly fitting dress-coat — for in this article he was still enabled to shine — his brown wig and dyed whiskers, his ample white cravat of the style of the Prince Regent's days, and his well polished boots, were long destined to raise the character of the house on which he bestowed his patro- nage. In the days of his prosperity Skelton was understood among his acquaintances to be engaged on a work which should hand down to posterity the true code of etiquette —that body of unwritten law which regulated the society of the time of his favourite mo- narch. In the enforced retirement of his less prosperous days, the ex-woollendraper's literary design had time to develop itself, 34 THA CKERA YANA. and in the year 1837 ' My Book; or, The Anatomy of Conduct, by John Henry Skelton,' was finally given to the world. It was this little volume which fell in the way of Thackeray, who undertook to review it for ' Fraser's Magazine.' In order to do full justice to the work, nothing seemed more proper than to present the reviewer in the assumed character of a fashionable footman. The review, therefore, took the form of a letter from Charles Yellowplush, Esq., containing ' Fashionable fax and polite Annygoats,' dated from ' No. , Grosvenor Square (N.B. — Hairy Bell),' and addressed to Oliver Yorke, the well- known pseudonym of the editor of Fraser.' To this accident may be attributed those extraordinary efforts of cacography which had their gerrn in the Cambridge 'Snob,' but which attained their full development in the Miscellanies, the Ballads, the ' Jeames's Diary,' and other short works, and also in some portions of the latest of the author's novels. The precepts and opinions of 'Skelton,' or 'Skeleton,' as the reviewer insisted on calling the author of the ' Anatomy,' were fully developed and illustrated by Mr. Yellowplush. The footman who reviewed the ' fashionable world' achieved a decided success. Charles Yellowplush was re- quested by the editor to extend his com- ments upon society and books, and in January 1838 the k Yellowplush Papers ' were commenced, with those vigorous though crude illustrations by the author, which appear at first to have been suggested by the light-spirited style of Maclise's por- traits in the same magazine, a manner which afterwards became habitual to him. It was in the year 1836 that Thackeray, according to an anecdote related by himself, offered Dickens to undertake the task of illustrating one of his works. The story was told by the former at an anniversary dinner of the Royal Academy a few years since, Dickens being present on the occasion. The rejected one I can SLOW GROWTH OF FAME. 135 remember,' said Thackeray, 'when Dickens was a very young man, and had commenced delighting the world with some charming humorous works in covers, which were coloured light green, and came out once a month, that this young man wanted an artist to illustrate his writings j and I recollect walking up to his chambers in Furnival's Inn, with two or three drawings in my hand, which, strange to say, he did not find suitable. But for the unfortunate blight which came over my artistical existence, it would have been my pride and my pleasure to have endeavoured one day to find a place on these walls for one of my performances.' The work re- ferred to was the ' Pickwick Papers,' which were originally com- menced in April of that year, as the result of an agreement with Dickens and Mr. Seymour, the comic artist — the one to write, and the other to illustrate a book which should exhibit the adventures of cockney sportsmen. As our readers know, the descriptive letterpress, by the author of the ' Sketches by Boz,' soon attracted the attention of the world ; while the clever illustrations by Seymour, which had the merit of creating the well-known pictorial character- istics of Mr. Pickwick and his friends, became regarded only as illustrations of the new humorist's immortal work. Unhappily, only two or three monthly numbers had been completed, when Seymour destroyed himself in a fit of derangement. A new artist was wanted, and the result was the singular interview between the two men whose names, though representing schools of fiction so widely different, were destined to become constantly associated in the public mind. Dickens was then acquiring the vast popularity as a writer of fiction which never flagged from that time : the young artist had scarcely attempted literature, and had still before him many years of obscurity. The slow growth of his fame pre- sents a curious contrast to the career of his fellow-novelist. So much as Thackeray subsequently worked in contributing to ' Fraser,' in co-operating with others on daily newspapers, in writing for ' Cruikshank's Comic Almanac,' for the ' Times ' and the ' Ex- aminer,' for ' Punch,' and for the ' Westminster ' and other Reviews, it could not be said that he was really known to the public till the publication of ' Vanity Fair,' when he had been an active literary man for at least ten years, and had attained the age of thirty-seven. The ' Yellowplush Papers ' in ' Fraser ' enjoyed a sort of popularity, and were at least widely quoted in the news- 1 36 THA CKERA YANA. papers; but of their author few inquired. Neither did the two volumes of the ' Paris Sketch Book,' though presenting many good specimens of his peculiar humour, nor the account of the second funeral of Napoleon, nor even the ' Irish Sketch Book,' do much to make their writer known. It was his ' Vanity Fair ' which, issued in shilling monthly parts, took the world of readers as it were by storm; and an appreciative article from the hand of a friend in the ' Edinburgh Review' in 1848, which for the first time helped to spread the tidings of a new master of fiction among us, destined to make a name second to none in English literature in its own field. • Still later fl when commenting on the Royal Academy Exhibi- tion, we find another interesting reference to Dickens, with a prophecy of his future greatness : ' Look (he says, in the as- sumed character of Michael Angelo Titmarsh) at the portrait of Dickens — well arranged as a picture, good in colour and light and shadow, and as a likeness perfectly amazing; a looking-glass could not render a better facsimile. Here we have the real identical man Dickens : the artist must have understood the inward Boz as well as the outward before he made this admirable representation of him. What cheerful intelligence there is about the man's eyes and large forehead ! The mouth is too large and full, too eager and active, perhaps ; the smile is very sweet and aenerous. If Monsieur de Balzac, that voluminous physiogno- mist, could examine this head, he would no doubt interpret every line and wrinkle in it : the nose firm and well placed, the nostrils wide and full, as are the nostrils of all men of gen us (this is Monsieur Balzac's maxim). The past and the future, says Jean Paul, are written in every countenance. I think we may promise ourselves a brilliant future from this one. There seems no flagging as yet in it, no sense of fatigue, or consciousness of decaying power. Long mayest thou, O Boz ! reign over thy comic kingdom ; long may we pay tribute, whether of threepence weekly or of a shilling monthly, it matters not. Mighty prince ! at thy imperial feet, Titmarsh, humblest of thy servants, offers his vows of loyalty and his humble tribute of praise.' But a still more touching and beautiful tribute to Dickens's ^enius from the yet unknown Michael Angelo Titmarsh appears in ' Fraser' for July 1844. A box of Christmas books is supposed TRIBUTES TO