^^ri M^^^ \ '^'i^\ V k:'^'^^^^ VA :4cfgfij IM|tt/i.< r^AINE. ►^ '5'tu™^Ji-i-.^«-£(^i«»i^ -v^y, A^.r*w c^fyf}^) ^^LIBRARY OF CONGRESS. i^ap. ©0|n|ng]^ !|ti UNITED STATES OF AMERICA. CY^ 1 V ^' .5% m m NEW e;ngland y By HARRIET E.^TAINE, (f//f? 16 JC82/1 BOSTON : A. WILLIAMS & CO. 1882. Copyright, 1882, A. Williams & Co. Note Dawn - The Blue Bird - Red-Winged Starling The Wood Pewee Meadow Lark Barn Swallow - Batimore Oriole The Linnet The Warbling Vireo ■ - Red Eyed Vireo Maryland Yellow-Tiiroat Golden-Crowned Thrush Black and White Creeper Red Thrush Cat Bird Summer Yellow Bird Black-Throated (ikeen Warbler Wood Sparrow Song Sparrow EvENrNc; Songs - Page 5 7 9 lo 12 15 i6 17 i8 19 20 21 21 22 23 24 25 26 27 28 J "HOWSOE'ER THE WORLD WENT ILL CERTAINLY THE THRUSHES STILL SANG IN IT." — Mrs. lirmoning. m?- These verses make no claim as poetry. Their aim is, simply, to give some idea of the common bird-songs, which are usually caught more readily when the notes are associated with accented words. The music of the Red Thrush, for instance, is complicated, but can easily be remembered by Thoreau's interpretation of it : " Drop it ! Drop it ! Cover it up ! " etc. The time of day, the season and the locality in which the songs are most frequently heard have been preserved, and I hope the information given may be full and accurate enough to enable readers to identify some of the birds for themselves. H. E. P. Groreland, Mass., March, 1882. -5- dttrn. jlHE beautiful day is breaking, |l The first faint line of light Parts the shadows of the night, And a thousand birds are waking. I hear the Hairbird's slender trill, — So fine and perfect it doth fill The whole sweet silence with its thrill. A rosy flush creeps up the sky, The birds begin their symphony. I hear the clear, triumphant voice Of the Robin, bidding the work! rejoice. The Vireos catch the theme of the song. And the Baltimore Oriole bears it along, While from Sparrow, and Thrush, and Wood Pewee, And, deep in the pine trees, tlie Chickadee, There's an undercurrent of harmony. The Linnet sings like a magic flute, The Lark and Blue-bird touch the lute. The Starling pipes to the shining morn With the vibrant note of the joyous horn, The splendid Jay Is the trumpeter gay, The Kingfisher, sounding his rattle, — he May the player upon the cymbals be, The Cock, saluting the sua's first ray. Is the bugler sounding a reveille. ' Caw ! Caw ! " cries the crow, and his grating tone Completes the chord like the deep trombone. But, above them all, the Robin sings ; His song is the very soul of day, And all black shadows troop away While, pure and fi-esh, his music rings " Light is here ! '•Never fear ! " Day is near ! "My dear!" Ifje film 1)tri f DREAMY haze of sunlight floats Across the shining fields of snow, And, rippling through the glory, flow A few delicious, liquid notes. It is the first warm day of Spring, When tender breezes wander by ; And, bluer than the soft blue sky, I see the Blue-Bird's radiant wing. Thy message, gentle bird, I know ; Immortal hope thou hringest me Of love and beauty yet to be, Of summers sure beyond the snow. l'(fe |(ttl-utiiT0etl [OWN in the marshes beside the river, From the alder-buslies stiff and bare, I hear a joyous bird-note quiver. Clear and bright in the bleak March aii-, As the Red-winged Starling calls to me : "Quonkaree, quonkar-r-ree, quonka-reee-e." Do you really mean that the winter is over, In spite of the chilly March wind to-day? That violets are coming, and daisies, and clover ? Or what is it all that you try to say, When calling so loudly and gladly to me ? " Quonkaree, quoiikar-r-ree, (luonka-ree-e-e." Mrs. Starling is still at the South, it would seem. While you hurried forward to build her a nest On an alder- bough hanging far over the stream, Where the sauciest boy cannot reach to molest. And this is the story you're telling to me With your gay " quonkaree, quonkaree-e-e." ^ -to Oh, Starling, you are a handsome fellow. All dressed in sable from top to toe, Save epaulets, red, and white, and yellow, Which flash as you flutter to and fro. How I love to hear you call to me : " Quonkaree, quonkar-r-ree, quonkaree-e-e. J %\\^ ipaail |}ciucc. a ?|OiHCEBE ! Phoebe ! PhteK^ !" W^ I hear that sweet and mournful cry When the sno.vs of winter he Heaped about our door. " Phoebe ! Phcebe ! Phoebe ! " Still I hear that plaintive call, When the leaves of autumn fall And blossoms are no more. " Phoebe ! Phoebe ! Phoebe ! " When the fair young flowers are springing, And the air with song is ringing, P'ar off in the wood I hear : " Phoebe ! Phoebe ! Phoebe ! " While all living things rejoice, Still I hear that gentle voice, Melancholy, soft and clear. ' Phoebe ! Phoebe ! Phoebe ! " Dost thou mourn some long-lost love, In those quiet notes, that move Every tender, listening heart ? Phoebe ! Phoebe ! Phoebe ! " In the winter thou dost cheer us, But, when happier birds are near us, Thou dost sadly sing apart. il^Miil — 13 — fjc 3|}ca((ottt '^ni'I|. § SINGLE wave of melody, — A few long notes, so sweet and high It seems as if they pierced the sky ; Hark ! Hark ! Where are you, dear Lark? A meadow of dainty violets blue ; In the fragrant grasses, bright with dew, A nest securely hid from view ; See ! See ! There your nestlings be. ^. 14 lljc ^ju*)( Swallffm. dME brings no beautiful song, dear child, 1^ No musical notes ; Yet he floats Through the deep blue sky with rapture wild. He only twitters among his mates, He cannot sing ; Yet with untired wing He mounts and mounts to Heaven's very gates. He sweeps through the air, till, with sudden flash, And steady curve Which doth not swerve. He skims the water with dip and splash. Is there no music within thy breast, O, silent bird? It is )iot lieard. But impels thy flight, and thy life is blest. 15 — \\t llalttmirrc ^ttifflc. )DITH, our darling, our little brown maid, i With her rosy red cheeks and her bright black eyes, Is tired ; and I really must say, I'm afraid That she is a little ill-tempered likewise. But she hears from the eln bough, calling clear : " Look /lere/ ^-dith ! ^-dith ! look ker^/ " O, gay little bird, with your happy voice ! You'beauty, flashing with jet and gold ; Who can do anything but rejoice, Who would wish to fret or could ever scold While the Oriole whistles so loud and clear : "Look here/ /'^f^-vish ! Pee-v\sh\ look HERE?" - 16- innd. |HAT is the happiest morning song? ^ The Linnet's. He warbles, bhthe and free, In the sunlit top of the old elm tree. Joyous, and fresh, and hopeful, and strong. The trees are not high enough, little bird ; You mount, and wheel, and eddy, and soar. And with every turn yet more and more Your wonderful, ravishing music is heard. A crimson speck in the bright blue sky. Do you search for the secret of heaven's deep glow? Is not heaven within, when you carol so? Then why, dear bird, must you soar so high ? He answers nothing, but soars and sings ; He heeds no doubtful questions like this. He only bubbles over with bliss. And sings, and mounts on shining wings. — 17 #^4 l;f(t DparWmg wu^* TINY little bird is he, Flitting about in a bustle and fidget, Who calls as loud as loud can be : " Brigadier, Brigadier, Brigadier, Bridget " Our Bridget is no Brigadier ; Why do you call her so, tell me thai, midget ? But still he only answers clear : "Brigadier, Brigadier, Brigadier, Bridget." His song is like the Linnets song. With all of the music left out, to abridg'e it ;* It is not sweet, but free and strong : " Brigadier, Brigadier, Brigadier, Bridget." A part of the Linnet's song is like the Vireo's, though the whole of it is much longer and sweeter. v.. iS -ir %'jl\t |(cri %^^{ WttifO* WM. tired of the Red-eyed Vireo, # Calling from morningvtill night In the tone of asserting a right : " There, now ! look at me ! see here ! don't you see? " But yet he's a brave little creature, He always is cheerful and gay, Singing all through the heat of the day : " There, now ! Look at me ! see here ! don't you see?" Perhaps he is vain, but he's happy, And that makes me happy, my dear ; After all, it is pleasant to hear : " There, now ! look at me ! see here ! don't you see? " Have you seen his dear little dwelling, — His nest in the fork of a tree? Perhaps now his meaning may be ; " See here ! come with me ! Nice nest ! don't you see? " I really believe that I like him. Although he can never be still, But calls out so constant and shrill : ' " There, now I look at me ! see here ! don't you see? " 19 — ^?^^^ 3|arglantl tifllffm-l'liroat. (^ |to^HO is it? who is it? who is it? " ?sp(.f Who so anxiously sings, yet so merrily, too? Who is it ? who is it ? who is it ? I ask your own question of you. " Who is it? who is it? who is it?" A dear little yellow-green bird. Who is it ? who is it ? who ^« it ? With black spectacles, now, on my word ! "Who is it? who is it? who is it? " Who so earnestly utters this note ? Who is it ? who is it ? who is it ? Why, the Maryland Yellow-Throat. I I WN the hot midsummer noontide, # When all other birds are sleeping, Still one in the silent forest, Like a sentry, watch is keeping, Singing in the pine tops spicy : " I see. / see, / SEE, / SEE." No one ever sees you, atom ! You are hidden too securely. I have sought for hours to find you. It is but to tease us, surely, That you sing in pine tops spicy : "I see, / see, / see, / SEE." W\\t "Jlnd) ami 1jpl|ifc ^rcjfpct< feiKE an echo, far and fine, M Follows closely, line by line, Just a slender thread of song, Where the creeper flits along : I see, I see, I see, I see.' %\l^ |(ci( Cljnislj, ' H, my dainty and fine Red Thrush, I Tell me why You never fly, But only flit from bush to bush, In a stately and leisurely way? Do you never long for the sky, My peerless, my perfect beauty ? Or do you think that the livelong day Should be merely a round of duty ? That every-day life may be fair and sweet, But that soaring and singing are surely meet For a practical bird like you ? When you wish to fly, you watch your nest ; \Vh :n you wish to sing, your song is addressed To the farmer sowing his seed ; You implore him to take good heed. And you tell him what to do : ''Drop it ! Drop it ! '* Cover-it-up, cover-it-up, cover-it-up, (Faster) " Pick-it-up, pick-it-up, pick-it-up." My dear Red Thrush, you are noble and fine ; But, are you quite right, oh, bird of mine ? Ki I'lfe Cat Bid. IHE simple Cat-bird, in Quaker gray, 1 Admires the Thrush, as well he may. And practises over and over again The varied notes of the Thrush's strain. He listens and catches The song by snatches, But with all the sweet and beautiful tones Are mingled cries and sorrowful moans. What anguish fills his innocent breast? Does he fear for his little ones in the nest? Do his trials and failures make him despond? Or is he longing for something beyond ? For, when he is sitting far up in the tree And no one is by, what a song sings he, Of a thousand bewildering notes ! And the musical utteiance floats Through the pleasant woodland air. Ah, then he was longing for something higher. And the moan, after all, was a prayer. Do you think, my dear, we shall ever know Which is better, the cheerful Thrush below Or the bird that complains but doth still aspire? l'|{c $ummcr %tilm fm\. fHO is it that sings in the maple tree, And constantly, cheerfully, doth repeat : " Xi'ss, kiss, h'ss, kiss, kiss me, My Sweet, sweet, sweet, sweet, sweet, sweet." I see him now in the shadowy leaves, — Or is it the sunlight rippling through ? Now the song his gentle bosom heaves ; ■ Ah, dear little Yellow Bird, is it you ? — 24 — TPR Iatl|-l'liir0at