Class \-l g > ^'^^ S Book- Gopyiight]^°_ COPreiGHT DEPOSIT. STANDARD READER SERIES TEACHERS' MANUAL FOR FIRST READER CONTAINING AN INTRODUCTION FOR THE ENTIRE SERIES Edited by ISAAC K, FUNK, LL.D. Editor-in-Chief of the Standard Dictionary MONTROSE J. MOSES, B.S. FUNK (2f WAGNALLS COMPANY New York and London igo2 THF i *8RARY •F CONGRESS, Two OOP.feS RECEIVEt APR. 30 1902 OOPVRWHT ENTRY CLASS a^ XXO. N«. 3 ^ CO 1^ CopyrighU 1902, by Funk & Wagnalls Company Published in Mat, 1902 Printed in the United States of America GENERAL INTRODUCTION ^ In the following pages is repeated some- what largely the Introduction to the First Reader, but thoughts there given are here enlarged upon, and others are introduced. A child learns words in trying to tell or understand some thought. Keep him inter- ested in the thought, and Teacli Words ^^^ ^^^^tle is soon won. The prattling babe is not told that this is the name of a cat or a dog. The father asks him, "Does Frank wish a cat?" "Does Frank w4sh a dog?" And the child tries to understand the thought, and afterward he tries to express it by imitating what he has heard. The words come to his lips without any effort ; it is nature's way. In teaching words to a child, the words should not be separated from the thought, and the child should be kept free as possible from self-consciousness. (iii) iv Teachers' Manual A child learns words as easily when the thought expressed is something worth know- ing as when it is trivial. K.now'ino- ^^ Readers to make each lesson instructive. We have sought to follow this ideal even in the First or Primary Reader. The child is not told that ''The hen laid an egg in John's hat," or that "The cat sat on the mat." Yet we have tried to keep easily within the reach of a child of five or seven years of age — seeking to be childlike, but not childish. Preference has been given to that kind of information that is in-/orm-ation — that which builds character. Every effort has been made to bring the mind of the pupil into contact with thoughts that inspire love for home, '^ClTar^tfr^ for country, for all people, for nature, for truth be- cause it is truth ; to awaken love for the inner other world ; to impress thoughts that help to make close-observing, self-respect- ing, self -con trolled, courageous men and women. Thoughts that suggest cruelty, envy, meanness are avoided, for it is well to make life beautiful to a child. His General Introduction nature is easily quickened and lifted by love, by hope, by joy, by things sweet and attractive. All children should be in close contact with nature. A First Reader especially is fatally faulty that does That I.ead ^^^ gj^^jj ^^ ^^le earth, Back to Nature _ , i /. ^i of the woods, of the new- mown hay, of flowers — that is not full of the chirping of insects, the song of birds, the murmur of water. Teach a child to love nature, and the chances are greatly in- creased that he will grow up a good citizen. Pullman, the inventor, said: "I have flow- ers in front of every home in this city of Pullman ; their civilizing influence reaches through the mothers and the children to the fathers." Children should be taught the names of the various animals and plants of their neighborhood — the birds, trees, shrubs, flowers, and blossoms — and facts about them. They should be led intelligently to watch the spider spin his web, the ant dig in the ground, the bird build her nest ; to wonder at and revere the spark of life in every insect ; to look up at night and see the splendor of the sky. As Emerson says, vi Teachers' Manual ''If the stars appeared only once in every thousand years, what a marvel upon marvel it would be, how their appearance would be handed down from generation to generation, and how all the world would turn out at their reappearance to see the city of God." With intelligent encouragement and di- rection, nature will remain a great school- house to children, and a ^^^FreeT^"'^ source of never - failing to Children ^^^ wholesome enjoy- ment and instruction, for she is responsive to children, and it is beauti- ful to see how easily they learn of her. She has a thousand tongues for little folks where she is dumb to the average adult ; but train a generation of children to keep in love with nature and to commune with her, and she will not be dumb to them when they are full grown. Nature loves a lover and is never done talking to him. When God created a flower. He had in His mind a dis- tinct thought, and we never fully understand a flower until it awakens in us that thought. Yet there is danger that in the backward swing of the pendulum, too much emphasis may be given to nature lessons. We have striven in this matter to be moderate, but General Introduction not too moderate, remembering that there are other lines of thought with which the little ones should be made acquainted to start them rightly. The mind and heart of a child of six years are not too young to have uncovered in them the bubbling springs of Scliools ^^^^ philanthropy, patri- Sliould Grow ^. ^ , ^ i Character ^^i^^' ^^^^ f^^' ^r^^^' heroism, religion. It would be worth far more than all the dia- mond fields of Africa were this thought fixed in the mind of every teacher, even to the primary classes and the kindergarten : The school that does not grow character is a failure. Truthfulness, honesty, loving others, liv- ing for others, self-denial, self-dependence, capacity for prolonged effort, patience, obe- dience, humility, courage, true heroism, love for home, love for parents, love for country, all should be woven on the loom of the school into the texture of the minds and hearts of children. It is not diflScult to get the children, even in the primary class, to help make the neighborhood prettier by now and then planting an acorn or other seed of either viii Teachers^ Manual tree or flower ; to decorate the classroom with flowers or leaves ; it is even feasible to have them form little Beginnings of a ^j^^s for good works ; as, Public Spirit . x ,i . !• against cruelly treating birds or other dumb creatures, against throw- ing paper on the sidewalks; to gather flowers for the poor, for hospitals, for jails — to try to make somebody happy. The aim should be to make real love the actuating motive, some- thing more than pity, something much more than a desire for praise. Pupils should act out the sentiment taught. Doing grows character. It is the nature of truth to be self-evident to any one up to its own level. Hence the growth of the inner nature — character — is the chief object to be aimed at in education. Of course, care should be taken not to let the child gi-ow morbid or over-anxious about such things. Very much in this, as in all lines of teaching, depends upon the tact, that is the common sense, of the teacher. It is helpful to fasten proverbs that inspire hope and courage in the pupil's mind ; as, *' Great oaks from little acorns grow ; " *' Do your best, angels can do no more ;" ** Many General Introduction small raindrops make large farm crops ; " *' Little helpings make great helping." Teachers should keep in mind such thoughts as this : As public schools are sus- tained by the state, the state has a right to expect, as the product of schools, good citi- zenship. And this : He who does some- thing, be it ever so little, toward making the neighborhood in which he lives cleaner or better is laboring to make the world a better place in which to live. While we remember that the flag is a symbol, and that a symbol can be made a way of teaching patriot- Of Patriotism . ^ . , , ^ f^- ism, we should not forget that the flame of patriotism is not often lighted by abstract thought, or by compulsory saluting of the flag — these are e/ficient, but not si^/ficient. Nothing teaches like life ; much use should be made of biography. To love things that are right, to love country, a pupil n\ust be made to see that righteousness, patriotism, heroism, are lov- able. One living example of a hero who made tremendous sacrifices for the flag will do more toward teaching the child patriotism than days spent in attempting to enforce abstractions about patriotism. Teachers^ Manual Children, more than adults, are taught by- living examples. Every teacher should master the art of story-telling — the stories should talk ; it is easy to overmoralize. Many stories of pa- triotism are suggested in the ** Teachers' Manual." But, above all, the teacher must he to the children the embodiment of pa- triotism. He must burn who vrould set others on fire. A true teacher is worth many books ; nothing teaches like life. It is said that a cannon must be a hundred times heavier than the ball it throws. Much, very much, depends upon the char- acter behind the words the teacher speaks. A teacher must be what she would have the children think she is, and what she would have the children be. Generally speaking, truth can only be taught by those who live it. In the second and the other more ad- vanced Readers of this series, the pupil should be made to understand clearly the position his country has in the world, what it is, and what it has done ; that is, a rational basis must be given for patriotism. Above all, as Bolingbroke has put it, *' Pa- triotism must be founded on great principles and supported by great virtues." Children General Introduction should be taught these principles and these virtues. Mere sentiment is an uncertain foundation to build upon. It also should be made clear to pupils in just what sense it is true that the whole world is ' ' my country and all peoples one family." Avoid the pa- triotism that narrows sympathies, and would build up our own country by the injury or ruin of others. The Golden Eule applies to nations as to individuals. A strong motive for the exaltation of our own land should be that we thereby may be a help and inspiration to all other nations. No better service can be rendered a child than to give him noble Of Religion , i,^ ^ . • i. . j thoughts of his being and of his destiny ; thus you hitch his baby-cart to the inner, the unseen, the truest of all forces. Ethical truths should be given re- ligious sanction. The state trusts to an oath ; that is, to an appeal to God. It is then reasonable that schools supported by the state should help to grow men who will respect their oaths. Pupils should be imbued with a deeply re- ligious sentiment, a spirit of reverence. In this series of Readers we seek to do this in a xii Teachers' Manual way that most carefully avoids dogmatism and all sectarian instruction. As an example, there will be found in the First Reader, on page 20, a lesson that tells of Washington, in the woods at Valley Forge, praying for his fellow soldiers and for his country. Who can object to telling children this historic fact ? The story teaches the idea of God, the idea of prayer, and the idea of love for man. There is much in the Bible itself which can be taught as literature in a way that should not give offense to any reasonable person. True religion is simple and altogether reasonable. It is being right and doing right with a right motive. A school that trains its pupils to love un- selfishly and to show this love in acts has progressed far in becoming a truly religious school. On these and similar lines it is easy to find common religious ground where Protestant, Catholic, and Jew alike can stand. In the notes for the various lessons of the First Reader given in this manual, the above thoughts are illustrated in many ways. It is hoped that the teacher will study carefully the notes for each lesson. The coming of a teacher before her class, even tho it be a General Introduction primary class, should be a matter of careful preparation and of serious thought. The first step in this teaching is to train in the ability to detect and produce each of the sounds that make up the The Exact spoken English languae'e; Pronunciation ,^. ^, . ^ , ^i of Words ^^^ ^^^^ "® done thor- oughly and the pupil has taken a long step toward becoming a good reader, a good speller, and, incidentally, a good talker. The drill in phonetics should begin early — in the kindergarten is not too soon ; even better were it to begin in the nursery. Effort should be made to detect and overcome every defect in the action of the organs of speech, as drawling, stammering, weakness of voice. Suggestions which it is believed the teachers will find helpful to secure these results will be found under these notes to teachers. With a large proportion of children, certain sounds are produced with difficulty. A teacher should be able to detect whether the trouble is in the vocal cords, tongue, or lips. Let the drill be patient and persistent on those sounds which are defective. The skil- ful teacher will use different devices with different scholars, and with the same schol- xiv Teachers^ Manual ars at different times. Eemember, the shortest road is still a hard road ; there is no excellency, here as elsewhere, without great labor and the exercise of will-power, endurance, and patience by both teacher and pupil — nor icould it he well were it otherivise. For the correct ase of tongue, lips, teeth, breath, vocal cords in giving the sounds, carefully prepared directions will be found under the various lessons in the First Reader or in the accompanying notes. These directions are in harmony with those given by Alexander Melville Bell, and have been passed upon by Prof. F. A. March, LL.D., who was the Chairman of the Committee of the American Philological Society, which led in the development of the Scientific Alphabet. For drill in phonetics and for pronuncia- tion, we have chosen in this series of Readers the Scientific Alphabet. For simplicity, exactness, and thorough- ness in training the pupils to pronounce the sounds of the language, Tlie Scientific ^^ system of diacritics Alpliabet » , compares for a moment with this alphabet, invented and recom- General Introduction mended by the philological societies of Eng- land and America. The powers of the let- ters of this alphabet are similar to those used in the orthography of the United States Board of Geographical Names, by the Royal Geographical Society of England, in the pronunciation of the great Oxford Historical Dictionary, and in the Funk & Wagnalls Standard Dictionary Series. Through it, for the first time, is supplied a strictly scientific series of diacritic markings. Dr. March has been consulted at every step in the use, in this First Reader, of the Scientific Alphabet in the Pronunciation Drills, or drills in phonetics. There is no definite relation between the name of a letter and its sound in the ordi- nary spelling, hence it is that the common alphabet name should not be the first taught to a child learning to read, as this leads to confusion, for a letter in Al'hTbe't *^® common alphabet often stands for many sounds. This confusion of symbols and sounds in the common alphabet makes an appalling difficulty for young children, ' ' los- ing," as says United States School Commis- sioner Harris, "two years of the child's Teachers' Manual early school life." At the very best it is an enormous draft on the energy of the child to learn to read. Sweet charity, if nothing more, should make us enthusiastic for everything that simplifies this task. It is maintained by educators that the child, during his first seven years, learns more facts than in all the rest of his life. It is ex- ceedingly unfortunate that a child should be compelled to waste so much of his time, at this most important period of his life, in trying to master the spelling of English words — a task that receives its whole sig- nificance from the fact that the language is not phonetic. Let it be remembered that the Scientific Alphabet is used in the First and Second Eeaders of this series Used Only ^^^y for pronunciation Pronunciation P^rposes, and is always printed in red ink, while the common alphabet is always printed in the color usually seen in the books and newspapers. In this way the pupils will distinguish at a glance which are the letters of the Scientific Alphabet. This is the first time this alphabet has been used in any series of readers. General Introduction There are many advantages in having a pupil first learn the fixed symbols that stand for the sounds in spoken English. After the pupil has mastered these sounds of the Scientific Alphabet, and fixed their unvary- ing symbols in his mind, he can then with- out confusion proceed to master the hun- dreds of equivalents of these symbols which are to be found in the common spellings. For example : in the Scientific Alphabet 6 is the unvarying symbol for the sound of the vowel o in no ; in the common spellings the sound is expressed by many symbols and combinations of symbols, as o^v in know, eau in beau, oe in foe, oa in boat, ew in sew, ou in soul, oo in floor, ougb in tbongb. (See the Table of Equivalents in the Appendix of the First Reader.) The variations and vagaries of the com- mon spellings are so confusing even to grown people that a child One Sound, should not be taught them One Sy^j^^j5 until after he has fixed ^ne^S^nd' ^^ ^^^ mind the actual sounds that make up English words and has tied these to unvary- ing symbols — one sound for each symbol, one symbol for each sound. The mind of 2* Teachers' Manual the child then has something fixed to tie to. Any other system is needless torture to little folks, and a waste of time. This is the way music is taught — first the sounds, then the symbols of the sounds, and then the variations. The variations of *'America"or ''Home, Sweet Home" are never taught first. We have sought in every way possible to keep the training in phonetics as far from drudgery as possible, striving to make it a delight to both pupils and J^^\^^ ^ teachers. Let it always Royal Road . , • n ^, ^ be borne m mmd that there is no royal road to exact pronunciation and orthography other than this : (1) To train the pupil to detect and produce each sound in the language ; (2) to fix in his mind an unchanging scientific sign for each sound ; (3) to fix in his mind the equivalents in the common spelling for each of these signs. It is urged upon the teachers to require the children, beginning with the latter part of the First Reader and continuing through the Second Reader, to make on slate, pad, or blackboard each symbol of the Scientific Alphabet until they are able to recognize it without thought. It may be well to have General Introduction thein write the scientific symbols for the different sounds over words written in the common alphabet ; this they should do on their pads or slates or on the blackboard. It will be found that this course will teach not only pronunciation in an independent way, but also the common spelling. The aim throughout this series of Readers is to lead to exact pronunciation, and to reading by the sense, and, in the end, to good spell- ing, while in every lesson the thought is kept in mind that education is control and development of the organs of the body and mind, with instruction and character- building. The scientific symbols that have been chosen for these sounds are so like those of the common alphabet Common Al- ^^^^ ^^^ ^^ ^^^^ ^^^ ^^ pbabet Ctuickly ^, ,, ^ .,. I^earned ^^® ^^^^"^ ^^^^ ^^^^ ^<^ trouble. No effort need be made to teach the common alpha- bet. Before children have finished the First Reader, it will be found that they have ** learned their letters," and then the letters can easily be put in their alpha- betical order. It has been demonstrated that those taught to read by the Scientific Teachers^ Manual Alphabet learn both this method and the method of reading in the common spelling in less time than they are able to learn to read otherwise, because, being familiar with the phonetic symbols, the variations from them will attract attention and fasten them- selves on the memory. In reply to a question touching this point, School Commissioner Harris fully indorsed what is here said, and Commissioner added: ^'I am glad that Harris' x.. Judgment ^""^ ^^^ gettmg out a Reader in which you give emphasis to the importance of pho- netics. I think that the use of a phonetic alphabet would help forward the work of teaching English in Porto Rico and Manila." Mr. Harris accompanies his letter with the following description of a conclusive experiment which he made when superin- tendent of the schools in St. Louis : "The silent letters in the language were printed in hair-line type (skeleton type); the other letters were printed in type of a modified form, showing by the modification the sound of the letter used. This alphabet of modified letters amounted to some seventy or seventy- five characters, but when the sound of a character was once learned, the child, on seeing the letter again, could be sure that it represented the same sound as before. Pre- General Introduction xxi vious to the introduction of the new alphabet, the children required a year to finish the First Reader and another year to finish the Second Reader. No child began the Third Reader before the third year. With the new alpha- bet two books were printed instead of one (a Primer and a First Reader), doubling the amount of reading matter. One hundred and fifty primary teachers commenced teaching the books printed in Dr. Leigh's type at the be- ginning of the year, and in ten weeks' time all reported the Primer finished and well learned. A second ten weeks finished the First Reader with similar thorough- ness. In the second half-year the entire Second Reader was finished by many pupils and at least one-half of it by all. The bright pupils, who were promoted from class to class and not kept back for the dull pupils, were found to be able to complete in the first year the Primer and First Reader in Leigh's type and the Second Reader and one hundred pages in the Third Reader in the ordinary spelling. This showed a saving from one and a half to two ^ years in learning to read. It was found, moreover, that these children not only learned to read rapidly, but that they learned to spell the ordinary spelling much more correctly than other pupils. This was due to the fact that they noticed the silent letters more carefully. The children learned logical habits of analysis and were more intelligent in regard to the meaning of what they read than others. This system was used about twenty years under my observation, and is, I doubt not, still in use in St. Louis. It was noted that the children found learning to read so easy a task by Leigh's method that they took more pleasure in reading books and newspapers at home, and yet Leigh's system would be called a very difficult method of learning to read as compared with any per- fectly phonetic alphabet; for the phonetic alphabet for English should have only forty letters, while Leigh's Teachers' Manual alphabet had more than seventy. Leigh's alphabet was intended only as a transition alphabet, to be used in learning how to read the ordinary spelling. It was seen that the child could learn the forms of words by the phonetic system first and then recognize the words in their ordinary spelling by their general resemblance to the words printed phonetically. " American children are thus weighted with the heavy load of learning the spelling of words written without regard to any consistent system. It is not strange that they are not able to make so rapid progress as German, French, and Italian children, who are taught [more] con- sistent systems of orthography. It should be mentioned that the spelling of the Spanish, French, Italian, and German languages has been modified from time to time and simplified by national academies or commissions of learned men acting under government sanction." Make no attempt to load the child's mem- ory with rules for pronunciation. When he has mastered the signs and sounds that make up the Scientific Alphabet, he has mastered practically and scientifically the art of pro- nunciation, and has laid the surest of all foundations for expertness in common spell- ing. The general introduction of teaching of this kind in the schools of our country would be the death-knell of provincial pro- nunciation, of dialects. The teacher herself should thoroughly master the sounds of letters ; that is, be an expert in phonetics. No teacher would General Introduction think of teaching a child to read until she herself had mastered the common alphabet ; and yet that would be no more unreasonable than for her to try to teach phonetics with- out having trained herself to detect and produce each sound of the language with facility and accuracy. It is sometimes objected that to build the lessons on a phonetic plan in a First Reader gives stiffness to the lesson. This need not be so any more than rime or meter must necessarily make poetry stiff. In addition to the simplicity and accuracy with which the Scientific Alphabet gives pronunciation, it familiarizes the rising Line of I.east generation with the forms Resistance , . , t , i , which words would have were our language spelled phonetically ; that is, scientifically. The pupils thus prepared will not be shocked, when full grown, at any step it may be found necessary to take to simplify spelling in years to come. It thus becomes a kind of flank movement of sim- plifying spelling ; it is in the line of the least resistance. In teaching sounds and fastening them on the memory in the First Reader, we have had recourse to music specially prepared Teachers' Manual by musical experts for this purpose. Chil- dren love music. Rhythm and rime greatly assist the memory. It Music Helps ^.iii |3^ g^^^ ^1^^^ ^ g^^g Memory . ... .^, of music IS given with each lesson and that all the staves under one group of sounds make a complete song. In the first part of the First Reader the vowels in their order are given for drill. In the second part the lessons are primarily a drill in consonant sounds. The object is to have the children, by the time they have finished the book, masters of the sounds that make up the language, with the exception of several diphthongs which are taught in the Second Reader; The mottoes or sentiments in smaller type in the lessons of the First Reader are not to be read by the pupil, but are to be read by the teacher, and the thoughts explained ; proverbs are often the bottled wisdom of the ages, and it is a gain to have them fastened in the mind at an early age. The teacher will be greatly pleased to Mottoes to ggg Yiov7 many of these Be Elxplained ,, , , mottoes have been com- mitted to memory without effort by the pupils. The explanations and other talks General Introduction by the teacher should not be left to impulse or the inspiration of the moment, but be carefully prepared. Each motto contains words that embody the sounds of the lesson in which it appears. It will be found of great advantage after the pupils have read through the iirst part of the First Reader for the teacher to begin all over again and have the pupils read also the motto lessons, and answer questions as to their meanings. Franklin was not amiss when he said that in teaching it is well to see that the chil- dren's minds are stored with wise maxims and proverbs. All the pictures have been drawn or painted with skill by able artists to illus- trate the lessons ; the aim has been to help fasten thought, not simply to make a picture. Each picture Tlie Pictures ^^^ j^g j^gg^^ together, Help Tliought xu ^ +1. Tr SO that the pupil's eye helps the ear to give the mind the idea, for it must never be forgotten that the natural way for a child to learn words is by trying to understand or tell a thought. Do not attempt, especially in the First Reader, to have the pupil learn many new Teachers' Manual words in a single lesson. A great help in enlarging a pupiFs vocabulary is to induce him to talk and to tell Enlarging a ^y^^^^ ^^^ ^^ ^^^ Pupil's *= ' Vocabulary ^^ on his way to school, or to tell any little inci- dent or story he has heard or read. In aiming to teach children ideas, we should keep in mind that they grasp ideas quickly, and are pleased when they have a new idea, and that the remembering of a word is incidental. Train the children to think. This is a chief object of education. Encourage in every way original thought. Ask the pupils what water is good for, Train to ^j^^^ ^^^^ ^ ^^i the air moves, what are the sounds made by different familiar animals, and have the children try to imitate certain of these sounds. Have them give the names of different birds and flowers, and describe them. Seek in every way to develop the creative faculty — originality, invention, initiative. To this end have the children use dough, putty, clay, peas. With a little encourage- ment they will make many original forms General Introduction that will show thought and inspiration. Visit with the pupils carpenter shops, black- smiths' shops, paper-mills, foundries, rope- walks, glass- factories. Show them how things are made. Have them cut tools out of paper ; this will help familiarize them with their shapes and names. Pupils three to five years old do this in the kindergarten schools. Have them make pictures giving the different shapes of leaves of trees, as oak, beech, cherry, peach, birch, sycamore. The aim should be to let the children do much of this work themselves; this will quicken orig- inal thought. To teach knowledge is of secondary importance, to teach independent thinking is of chief importance. It is desirable, in every way, to avoid con- fusing the mind of the child ; his atten- tion should be fixed on only one thing at a time. The child should be permitted to learn incidentally many things. No special effort in the First Reader How Script Is ig ^^^^ ^^ ^^^^Yi script. to Be Tauglit _,, , . o • 4. a i i The entire Script Alpha- bet is given on the page opposite the first lesson. To mingle it with the print letters on the lesson pages confuses the eye of the child and divides attention. These letters xxviii Teachers' Manual are made so nearly like the print that a child learning the one will learn the other. The teacher will find no difficulty in using the script on the blackboard, and the child will quickly fall into the way of using it in slate or pad exercises. In this way the object aimed at by lessons wholly or in part in script can be equally well secured, and with far less confusion to the pupils. Besides, it is well to remember that a child has occasion to read the printed page one hundred times at home to once the written page. A child must learn prolonged effort and hard work — to dig ; that is, patience and perseverance ; the work can be made a pleasure if the teacher has tact and enthusi- asm and knows how to inspire pupils. Yes, make the lesson pleasant; still we must never forget that an essential part of education is to learn to do that which Teach Cliildren ^^ ^^ ^^^ jij^^ to do. to Do Tasks . ^ xi ^ Any system that secures knowledge to a child without work is likely to be hurtful and end in degeneration — we may easily overdo the pleasure side of learning. The predigestion of food may be carried so far as to undermine the tone of General Introduction the stomach. Of course, every right-minded educator will consider the kindergarten an indispensable aid, but the true measure of its worth is its power to impart to its pupils such qualities as these : independent think- ing, self-dependence, self-control, patience, courage. Here are a few commonplaces — are they commonplaces ? — which will commend themselves to every teacher : Cultivate sympathy and imagination — the ability to put yourself in the pupil's place, and feel as he feels. Never forget that the highest aim of the teacher is not to give knowledge, but to give character. Eemember Sow thought, reap act; Sow act, reap habit; Sow habit, reap character. Character is the end of the chain of which thought is the first link. See that the pupil is kept interested while he is learning the drills in sounds, but see that what he learns is worth learning. Distinguish between simplicity and simpleness ; there is such thing as sensible simplicity. XXX Teachers' Manual On the one hand, avoid teaching rude- ness ; on the other, namby-pambyism. Eemember that the best teaching is to teach the child to be a self -teacher. Keep the pupil from forming the habit of introspection, self- watching, self -conscious- ness. Do not tell the children that you are trying to give them a clear or strong voice, that you are trying to get them to pro- nounce or read with precision. Go to the other end of the room and have the pupil, without raising his voice, talk so that you can understand every word he says. A piano or tuning-fork can give the key for the pitch of the voice. Do not say to the child, "Now repeat that word again; this sound is not quite clear," but tell the child you did not quite understand. Put the question to him that will cause him to give emphasis on the sound that he slurs or gives wrongly. Teachers, study tact, tact, tact. Be patient, above all, with any sincere effort on the part of the pupils. Encourage- ment and sympathetic assistance rightly applied will often prove of lasting value. Never forget that in moral and religious education almost everything depends upon General lutroduction the teacher. The stream can not go above the source. The teacher is the source. I am much indebted to Montrose J. Moses for assistance in giving final verbal shape to much of the First Reader and of this accompanying Manual. During the last year of their preparation he has been my constant helper. In the earlier stages of the work on the First Reader, large credit is due to Mrs. T. H. Roberts, James C. Fernald, and H. C. Rankin. Much helpful advice has been received from Francis A. March, LL.D., of Lafayette College, and scores of other prominent educators, and from many principals and teachers in schools in this country and Canada, also in schools in England and on the Continent. I. K. Funk. March 20, 1902. Teaciiees^ Manual LESSON I The Sounds Taught : The first lesson introduces the vowel sounds a, a ; always speak of these sounds as "ah short," as in so^-fa, and "ah long," as in arm (see Sci- entific Alphabet in the Appendix of the Keader, page 106, and the list of long and short vowels on page 63 of the Eeader proper) ; a short appears in the unaccented syllables of pa-pd^, ma-ma'; d long in the accented syllables. Preferably the final syl- lables in pa-pd^, ma-md^ are accented. Guard the pupil against vulgarisms, such as ' * popper, " ' * mommer. " By free use of the blackboard there may be further drill in a short as it appears in the unaccented syllables of a-live', a-wake', a-vray^; and in d long, in bdr, cdr, fdr, stdr. These words should be printed upon the board, and the a and d letters written with colored chalk. 1 2 Teachers' 3Ianual If care be taken to avoid drawling, the vowel may be made emphatic by break- ing the vowel sound thus, Cd-arl=Carl, ba-ar=bar, etc. The teacher should note that the vowel sounds a, a, are the saTiie sound, only one is short in voice-effort and the other long ; the organs of the mouth must be held in the same positions in ma- king both of these sounds. In this and subsequent Pronunciation Drills it will re- quire tact to secure the proper positions of the organs, and at the same time to avoid self -consciousness on the part of the pupils. Tlie Tlioug-ht : Eead by sentences, not by words separately, keeping the mind fixed on the thought of each sentence; and let the drill always be kept subordinate to the thought ; the drill, however, must be prac- tised until mastered. The sentences of the text may be varied, as "Papa, good-by"; "Mama, good-by"; "Good-by, girls"; "Good-by, boys." Articulation : Avoid loudness, and in- sist on clear articulation. Go to the opposite side of the room from the pupil and ask : " To whom did you say * good-by ' ? To your sister 9 " See that the pupil's reply is clear and distinct. Put question after question Lesson I 3 suggested by the lesson, and do not permit any false or undue raising of the voice in the answers. This method will help to give clearness and a carrying power or intensity of tone to the voice. Strive to cultivate in the pupils a pleasant, sweet conversational tone of voice. music: To impress the sounds further, two verse lines with words containing the vowel sounds are set to a simple and bright tune. These lines and the ones succeeding will, at the end of the '' A " sounds, make a complete song. The singing will be found an effective and a pleasing way of rehearsing and fastening the sounds of the lessons in the memory. The lines of the preceding lessons are to be sung with the lines of each day's lesson. Be sure that the tune is sung and not shouted, and that the tones are pure and pleasant. For the completed song see Reader, Lesson XV, page 23. Consonants and Words : Give no special attention at present to consonants. Teach " see" and ^' good-by " as wholes, but indicate that "good-by" is formed of two words. mottoes : The following motto contain- ing other examples of the a sound may be Teachers' Manual useful, and it would be well to print it upon the blackboard : Carl and Margie start to school ; " Never tdrdy " is their rule. In this and succeeding lessons the mottoes are to be read and explained by the teacher to the class, and after a few repetitions the teacher will often be surprised to find that the children thus have learned the mottoes by heart. Expression: Clear thinking must pre- cede and accompany right utterance. See that the pupils think the thought in each word and sentence, before attempting to speak it. Questions rightly chosen will help this. When practicable, have the thought of the sentence acted out by the pupils, as by waving hand or handkerchief for '' good- by^^ in this lesson, and by ''playing cars'"* in Lesson III. If convenient, have the children play "going to school,''' one of them to be the papa, another the mama, and the others to pass before them, waving their handkerchiefs and saying * ' Good-by , papa," * "Good-by, mama." Watch for errors in emphasis and enunciation ; correct by questions, as "John, what was that you said ? " If he gives a sound incorrectly, the Lesson I 5 teacher should, in some question, give the sound correctly, laying emphasis on the word or sound defectively uttered by him. Enlarge the Pupil's Vocabulary by leading him or her to talk on the thought of the lesson, ''going to school"; as, Ques- tion: "William, please tell us somethings you saw on your way to school this morning." Answer: "Horses, wagons, cars, trees, peo- ple." "Mary, can you tell us some things we do in school?" etc. This will encourage close observation. The picture in the lesson may be used to advantage. Have the pupils repeat the story it suggests — how every morning papa and mama come to bid Carl and Margie (preferably these names, as they contain the u sound) good-by when they go to school ; how they go early, not wishing to be late, etc. Call attention to the flowers and other details in the picture, and draw from the pupils as much individual thought about the picture as possible. Stories: Interest the children with stories suggested by going to school ; as, how President Lincoln was too poor to go to school ; walked ten miles to get a book, and had no light to study by, save that of a log fire ; President Andrew Johnson did not 6 Teachers' Manual learn to read until he was twenty-six years old ; JEsop was a slave in ancient Greece, and yet became a very wise man, writing what are known as " ^sop's Fables." En- courage the pupils to tell these stories at home and to other children. If simply told, the following story may be used to advantage, in connection with the motto : Daniel Webster, when a boy, once became tired of school, and so was told by his father that he need go no more, but as there was a ditch to be dug in one of the fields, Daniel could stay at home and dig it. After a day or two of hard work in the ditch, Daniel thought that he would rather go to school, and so told his father. He be- came a very learned man. Do not empha- size too much the moral of a story. The Teaclier : The teacher should have a definite plan, as to the manner of treat- ment, for this lesson and for each lesson to follow. Upon her rests the task of making the text of the lesson interesting and in- structive to the pupils. The text is to be read by her to the class, and then the points are to be enforced. The notes given in this Manual are to be considered only as sug- gestive. LESSON II Pronunciation I>rill: The drill on the a and a (short and long " ah") sounds is continued. The teacher should remember that every sound in the Scientific Alphabet has but one sign : one sign, one sound ; one sound, one sign ; therefore, in each lesson, the symbol for the sound should be familiar- ized. If convenient, have red chalk for making scientific letters upon the black- board. Attention should be given to the ac- cented syllables found in each word of the Pronunciation Drill. In addition to the ac- cents, words of more than one syllable are separated by hyphens into their respective syllables. Review the drill of the previous lesson. See that there is accuracy and clear- ness in enunciation, so that every sound when pronounced is heard across the room, the pitch of the voice being kept natural. . Natural Pau§es : In this and in nearly all of the succeeding lessons, the object has (r) 8 Teachers^ Manual been to end a reading line in the text on a natural pause, thus making it easier for a beginner ; for this reason the lines are in many cases made quite short. The Teaching of ^e^w Word§ and of Thong^ht : Care should be taken that the meanings of the new words in the large type are imderstood, and that such new words are rightly used, by one or more of the pupils, in original sentences. The teacher should be patient with the pupils in forming these sentences, giving help when needed. Do not fail to see that the pupils think the thought ; then the word usually comes with- out effort. This is the natural way of teach- ing language to children ; the child learns words by trying to tell or understand some thought. Make no attempt to teach any words in this lesson except those in the large type, and teach them as ivholes. To make sure that the pupil understands what has been read, carry on a conversation somewhat after the following manner : Teacher : *' Where are mama and papa ? " Pupil : ''In the parlor." Teacher : " Who are in the parlor ? " Pupil : ' ' Mama and papa." Encourage the children by asking such questions while in the classroom. Lesson II 9 Such an analysis will show whether or not the meaning of the sentence is understood. Blackt>oard : It will be well to place the new words used in this lesson on the blackboard, in new sentences; as, ^'I see Margie by the sofa in the parlor"; ''Papa and mama sit on the sofa,'* etc. Mu§ic and Picture: In the music, the a and d sounds are used; the music- line, at the bottom of the lesson page, is to be practised and sung in connection with the music-line of the previous lesson ; re- member that these music-fragments are parts of an entire song, which in its com- plete form contains examples of all the sounds of the letter "A." (See Eeader, page 23.) The details of the picture should be discussed, and a story told, emphasizing affection among people, and also of people for the lower animals. Tell the story of Dr. Abernethy, who was a great physician in England. One night he fixed the broken leg of a strange dog. The next night the same dog brought to the doctor another dog that was sick, and scratched at the door till the doctor's attention was attracted. The doctor came out and tenderly cared for both patients. The best of all ways to teach 10 Teachers' Manual kindness and politeness is by being kind and polite. Life far more than speech teaches, especially children. Be what you would have your pupils be. Motto : In repeating the motto, encour- age the children to tell why they love their papas and mamas. In the little verse, the last line, " Mama,'' has been substituted for the original, '* My mother," for the sake of the a and d sounds. Action : Have the pupils act the lesson. When the words ''I see mama," etc., are read, have them wave their hands, and let them ' ' play family. " Sources : The teacher must not hesitate to seek help from every source, and not try to be as wholly original as the quaint Scotchman said Gladstone was — '*a greater statesman than Moses, for Moses got the laws ready made from God, but Gladstone got his ' hoot ' of his own head." Home : Enlarge upon the thought that " home is home, tho it be ever so homely." " Home, Sweet Honie," could be sung to the pupils. Tell the story of the author of this song, J. Howard Payne ; how while wandering homeless in Paris one evening, he heard the strains of this music. LESSON III Pronunciation Drill: The a sound is continued. Be sure that the pupil does not merely memorize the words ; see that the meaning of each word is grasped. (Do not forget that children learn language, not by committing words to memory, but by trying to understand and to express thought ; try to have the pupils use the words of the lesson in sentences other than those given in the text.) The motto likewise contains words with the a sound ; such words must be emphasized, as part, licart [ea=a]. It will be found advantageous to have the pupils attempt tracing the letters of the Scientific Alphabet as they appear in each lesson. Tracing-paper may be used at first. Give on the blackboard additional words with the a sounds, as drm, mdr'-ble, harp, etc. (11) 1^ Teachers' Manual Action : As the words ' ' Hark, the cars " are uttered, have the pupils place the right hand to the ear as if listening and act as tho the cars were coming ; but strive to have the pupils avoid self-consciousness. The pupils will be amused by this simple action, and will catch more fully the meaning of the word ''hark." The Picture: Questions should be asked about the picture, encouraging close observation; as, ''How many things do you see in the picture?" "What story does the picture tell you ? " etc. Ask what sound a railroad train makes. Stories : Do you not think that you could tell the following story in language so simple that your pupils will understand it and repeat it at homer Stephenson, the inventor of the railroad, was made fun of at one time by a member of Parliament, who said, "Suppose your cars, going fifteen miles an hour, should meet a cow ? " He answered, ' ' My lord, it would be bad for the cow." Tell of James Watt and the reputed story of the tea-kettle lid — of the time when there were no cars, only stage-coaches, etc. See "St. Nicholas Song Book," page 55 (The Century Co.), for a song, "Riding on the Lesson III 13 Kail," which is full of action and heartily recommended. Click-e-ty, clack-e-ty, how the wheels run ! Crick-e-ty, crack-e-ty, isn't it fun ? Rushing thro' bridges and over the streams, Seeing the country hke so many dreams. From " Riding on the Rail." I^ingular and Plural: Explain the difference between car and cars, girl and girls ; and in as simple a way as possible show that in these words the addition of s signifies more than one ; that while car means only one car, cars may mean two or more cars, etc. At present, do not teach the irregular plurals, as man, men ; goose, Mu§ic : In the verse lines accompany- ing the music, the a sound is given ; the teacher should see that the words contain- ing this sound are used apart from the song, and in conjunction with the words found in the Pronunciation Drill. Critic! §111 : Do not permit the pupils to laugh over the mistakes of one another. Yet remember it is well to have the children inured to criticism from others. Teach independence ; on the one hand, to avoid rudeness, on the other, namby pambyism. LESSON IV By word-guessing is meant that the pupil must supply the words suggested by the outline pictures. Many of these words contain the vowel sounds pre- viously studied. The small outline pictures in this and similar lessons will (1) acquaint the pupils with the pictorial symbols of words already known ; (2) suggest new words for drill in the vowel sounds. It will help if the teacher reproduces the pictures roughly on the blackboard, and directs the pupils to call the name of each as it is drawn. The merest outline would be sufficient. En- courage the pupils to draw the pictures on their slates or tablets. Bring out the thought of each outline picture, and of each sen- tence, by action, by illustration, by all the side-lights available. If unrecognized by the pupils, give the name yourself of the object represented by the picture. Drill in (14) Lesson IV 15 the long sound a in barn, cart, Iiarp, heart, and other simple words. Note that in heart ea=a. Tlie ^Vords: The words represented by the outline drawings and given in the order of appearance in the text are the following : ma-md'', pa-pd', Cdrl, Mdr^- gie, girls and boys, cdrt, po^'-iiy, arm, bdrn, dog, bars, dog and pony. The Picture : At the bottom of the page a picture is given which is full of ac- tion ; see if the children w^ll not become interested in guessing what the girls and boys are doing. Ask, *'Are they playing * tag,' or are they running toward the bars ? ■' Continue, " I wonder who will reach the bars first," etc. Lead them tactfully to use words which contain the vowel sounds of the lesson, and to give each sound correctly. Script : Those teachers who prefer to teach writing the first year may find it well to have the pupils begin with this lesson to write such words as ma-ma^, pa-pa', on their pads or on the blackboard, using either the print or script letters as given in the Reader, page 8. The script is so nearly like the printed letter that the pupils should be trained to recognize them as interchangeable. LESSON V Prommeiatioii Drill : The vowel sound g in gslt, gnt, glass, is the a sound as in arm, varying toward a in at. Care should be taken that a clear, natural, and distinct sound is produced. Drill so as to bring out clearly the difference between this sound and the two previous sounds. As suggested before, place new sentences upon the blackboard, and introduce into these sentences words containing the present sound and the previous sounds ; as, ''Mama, do gnts like the grass?" etc. Be sure that there is no repetition of words from memory alone. The ILesson : Do not teach by phrases, as *' a class,^' " the class,'' etc., but tell something about the class. The teacher, after reading the lesson aloud, should have the pupils tell in their own language what has just been read. Sometimes the lesson (16) Lesson V 17 may be read to part of the class, out of hearing of the other part of the class, and then one who has heard may be asked to tell to the others what has been read. By this means the attention is trained and the vocabulary enlarged. Many questions con- taining the same words should be asked. Besides the words in the Pronunciation Drill containing the g sounds, the teacher should call attention to bgtli and rgft, which ap- pear in the text. These likewise have the same sound. Blackboard and music: As previ- ously suggested. The Notes to the Teacher: Re- member that many things in these notes are merely suggestions ; the teacher must use her own judgment as to the pupil's power of continued attention. A tired pupil learns slowly ; a tactful teacher will not let the interest of her class flag. Picture : This lesson is a nature-lesson, based upon ant-life. Tell the pupils of the habits of the ants ; the different kinds of ants ; how they tunnel ; an ant-tunnel is shown at the bottom of the picture ; en- trances may be seen on the ground to the left of the page showing ants in the act of 8 IS Teachers^ Manual entering. The picture gives a side section of the tunnel. Call attention to the ants with wings. The teacher should store her mind with facts about the ants, reading about them in some natural history or en- cyclopedia. Stories : Tell the story of the ant saved from drowning by a blade of grass, dropped by a dove, as shown in the picture. See '*La Fontaine's Fables," W. Wright, book II, page 39 (George Bell & Sons, 1896); **Ants, Bees, and Wasps," Avebury (D. Appleton & Co. , 1900). Also talk of the bees and the blossoms. Imitate the sound the bee makes, as " buzz, buzz." Encourage the pupils to tell some little experience with bees or ants, as watching ants dig holes in the ground ; the swarming of bees ; bees working hard to gather honey from flowers. Ask the pupils if they have watched ants digging holes in the ground, and whether they have thought how strong the little workers are. If convenient, take the class where ants are at work. Tell them the way the ants build their houses ; that if we crush in their hole we may cause hundreds of these ants days of extra labor. LESSON VI Pronunciation Orill : The a sound is continued and the a sound is reviewed in dark, park, and pdr^-ty. Care should be taken that the accented syllable in bgs'-ket be properly emphasized. Colors: Observe that colors are intro- duced in this lesson for the first time, as blue and green. (This lesson may be used as a nature-lesson.) It would be helpful to draw leaves with colored chalk on the black- board and have leaves of different shapes brought to the class-room. Bfumtoers : Count up to three ; six trees are to be seen in the picture Count them as follows : one tree; a group of two trees; a group of three trees. It would be best not to carry counting too far at first. In reading, the numbers are associated with the sound; place the figures 1, 2, 3 on the blackboard, anfl have the pupils copy them. Then intro- duce ways of using numbers, as : dra w on (19) 20 Teachers' Manual the blackboard, in outline, three cherries, two boxes, etc. Put one mark on the board; ask how many more marks would make three. Arrange the pupils in groups of two and three, and have some one count the number of pupils in each group. Ask the pupils to show you three books; to point to two chairs, etc. From this the advance will be easy to the idea that three and two make five, and that three and three make six. When the five is taught, the counting of the fingers will be found a valuable aid, and, later, by the use of the two hands, become the foundation of the decimal system. Text and Picture : Give a short talk about the pleasure one may have at a picnic in Spring time. Let the pupils talk about the picnics at which they have been; also about the one shown in the picture. Talk about the grass and the flowers. Ask " What tree do you like? " *' What flower do you think the prettiest?" Awaken an interest in nature. If convenient, have the pupils bring in one or more of their favorite flowers and leaves. In conversation, men- tion the names of simple flowers and of trees. Read aloud some poems about flowers. Remember always to give a clear explana- Lesson VI 21 tion of each thought in the text,. and intro- duce a review of some of the old sounds. Music and Hotto : There should be a review of the previous music-lines, and a reading of the motto. The Lesson : It should be remembered that it is not necessary to complete a lesson in a day; as long a time as is necessary is to be given to each sound. Review the sounds often, keeping up the interest by introducing new sentences and new stories in which care should be taken to use some words contain- ing the sounds to be reviewed. Poems : The '' St. Nicholas Song Book " (The Century Company) contains a song called *'In the Woods," the first stanza of which is : What says the brook, my lassie, What says the brook to thee? It says the woods are beautiful, The blossoms fair to see, It says the birds sing merrily A little tale of glee. Care should be taken that the pupils give the correct pronunciation of says (sez, never sez). Read the entire poem to the class. In Eugene Field's '' Lullaby-land" (Charles Scribner's Sons), read the poem called " The 22 Teachers'' Manual Sugar-plum Tree," telling about the tree full of sugar-plums where a gingerbread dog and a chocolate cat are to be found : You say but the word to that gingerbread dog And he barks with such terrible zest That the chocolate cat is at once all agog, As her swelling proportions attest. And the chocolate cat goes cavorting around From this leafy limb unto that, And the sugar-plums tumble, of course, to the ground — Hurrah for that chocolate cat ! There are marshmallows, gumdrops, and peppermint canes, With stripings of scarlet or gold. And you carry away of the treasure that rains As much as your apron can hold I To the Teacher : Learning to read is not the only thing, nor is the getting of ideas. The one is the correlative of the other and is so necessary to the other that neither is com- plete by itself. LESSON VII Directions for Peas and l^ticks: This play can be made very amusing and instructive to children. The only things re- quired are a box of wooden toothpicks, cost- ing only a few cents, and some dry or green peas. Dry peas should be soaked over night before using, but they should bie firm enough to hold the toothpicks, as shown in the diagrams given in the lesson. Encourage the pupils to exercise their ingenuity in ma- king these and other objects. The teacher may use the blackboard effectively in sug- gesting designs for the pupils to follow, as : draw a box, hoe, shovel, and have the pupils reproduce them with the peas and sticks. It will also be well to have the pupils draw or trace the objects on their pads or slates. After drilling in elementary designs, the teacher should suggest other objects to be made with the peas and sticks, such as (23) 24 Teachers^ Manual letters of the alphabet, numbers, flags, swords, stools, chairs, etc., preferably objects with which the child is familiar. Remember that this is a play-day, and that the pupils expect to be amused. The things made should, however, be useful as well as entertaining. The peas could be utilized for counting, by twos, threes, etc. Many helpful suggestions are to be found in a book by Charles Stuart Pratt, entitled " Stick-and-Pea Plays " (Lothrop Publishing Company). Music : The music of the previous lessons should be reviewed. Review: A short review of the three sounds of ** A " thus far studied is given and is intended to be used in the same way as the former Pronunciation Drills under each lesson. Care must be observed that every sound is properly given, and that the accents are placed on the right syllables. LESSON VIII Word-Ouessing : The objects illus- trated by the small pictures in the text are to be guessed by the pupils, while the text is being read aloud by the teacher. In the word-guessing, make the pupils think the idea of each sentence, and not merely repeat the sound heard. Several of these guess- words contain the g sound, and one the a sound, so that a review lesson is here given in a different form. It would be advisable to have the words represented by the out- line drawings placed upon the blackboard in the order in which they appear in the text, as follows : gnt— tree. bgfs^-ltet— eggs. dove— bgth. cgslt— hand— glgss. mgst— sliip. book:. bars. (25) Sentence 1. 2. 3. 4. 5. 6. 7. Teachers^ Manual Have the pupils make sentences contain- ing these words; as, *' The man made a mast out of the tall tree," etc. Always see that in pronunciation the articulation is clear. Story: Take sentence 2 for example, and have one of the pupils start a story and let the others give suggestions. Tell the story of Little Red Riding Hood, and the basket she took to her grandmother. Tell the revised story, in which the wolf is frightened away just as he is going to hurt the little girl. Keep sunshine as much as possible in children's lives, remembering always that little folks as well as big folks are helped mostly by hope and love. Music : As there was no music-line in the preceding lesson, and as there is none in this, the teacher will find it advisable to repeat, as a review, all of the music-lines thus far practised. LESSON IX Pronunciation I>rill : A new sound is introduced in the word flag. Care should be taken that the positions of organs are as given in the directions, and that the sound is obtained without straining. The Picture shows Gen. Frederick Dent Grant, whose father, Ulysses S. Grant, was General of the Northern armies in the Civil War, and Gen. Fitzhugh Lee, whose uncle, Eobert E. Lee, was General of the Southern armies. The Northern and the Southern man are side by side now, under one flag. Tell how in the war against Spain for the liberation of Cuba, these two rel- atives of the great opposing generals in the Civil War upheld the same flag—*' Old Glory." The Flag: Tell what the flag repre- sents ; how all Americans love it. If the schoolhouse has a flag on it, explain that as (27) Teachers' Manual all the people in the school are under one flag, and love it — so are the people of the whole United States under one flag. Ex- plain what patriotism means. Always see that the oral lesson relates to the reading lesson in some way. Let the pupils name the flag colors, pointing to them on a flag ; it will help to teach them colors ; draw a flag on the blackboard, and let the pupils copy it with colored crayons. Attention : Close observation is to be encouraged. Tell the pupils to look at the picture carefully, then shut their eyes, and name the things seen by them in the picture. This suggestion could be used in the form of a game. Action: "Hurrah for the red, white, and blue ! " Let the pupils wave their hands or a flag when this part of the text is read. Music : Drill as heretofore on the line of music, repeating the music-lines of previous lessons. In this lesson it would also be ad- visable to make the pupils familiar with the air of "The Star-Spangled Banner," playing it over some time during the day. Story : Tell the story of how this song, "The Star-Spangled Banner," was com- Lesson IX 29 posed. The Educational Gazette writes it thus for children : " During the second war with England, in 1814, the British made an attempt to capture the city of Baltimore. As it was necessary first to attack Fort McHenry, which lay a little below the city, the war- ships moved near it and opened fire. *' Francis Scott Key, with a few Ameri- cans, had gone out to the British fleet under a flag of truce, to gain the release of an American citizen who had been taken pris- oner. The party was held over night in the fleet, and the men watched the bom- bardment all through the night, listening to the sound of the guns and watching the rockets and bursting bombs. Late in the night the guns ceased flring. Had the fort been surrendered? Only the dawn of day would tell. Eagerly the anxious watchers scanned the horizon for the break of day. As the light began to dawn, they saw with joy the Stars and Stripes still waving over the ramparts of the fort. *' In the depth of his gladness Mr. Key gave vent to his feelings by scribbling on a scrap of paper the words of 'The S tar- Spangled Banner.' On his return to camp 30 Teachers^ Manual he read the lines to several of his comrades, who received them with delight. A happy- idea seized one of them. Hunting up a volume of flute music, hidden away in a tent, he whistled snatches of the tunes, as, in turning the pages, they caught his eye. When he came to one, he gave a shout and exclaimed, ' Boys, I've hit it ! ' and then and there rang out for the first time the words and music of the beautiful song. It spread like wildfire — the soldiers sang it in camp, the boys whistled it in the streets, and after peace was declared, it was carried to all American homes — a precious bit of the war of 1812." The teacher should sim- plify this account. [See also ' * Stories of Our Country," James Johonnot, page 187 (American Book Company); "Stories of Great Americans," Edward Eggleston, page 107 (American Book Company).] Much suggestive material about the flag may be found in '* Holy-Days and Holidays," Edward M. Deems (Funk & Wagnalls Com- pany). From it thQ following is taken : ''It has been impossible to decide with certainty who designed the American flag as first adopted by Congress, but the best recorded evidence gives part of the credit of Lesson IX 31 designing it and all the credit of making it to Mrs. John Ross, an upholsterer, who re- sided on Arch Street, Philadelphia. Her descendants assert that a committee of Con- gress, accompanied by General Washington, who was in Philadelphia in June, 1776, called upon Mrs. Ross and engaged her to make the flag from a rough drawing. This drawing was, at her suggestion, redrawn by General Washington with pencil, in her back parlor, and the flag thus designed was adopted by Congress." *' The adoption of the ' Stars and Stripes ' occurred on June 14, 1777, nearly a year after the declaration of independence, [when] the American Congress 'Resolved, that the flag of the thirteen United States be thirteen stripes alternate red and white ; that the union be thirteen stars white on a blue field, representing a new constella- tion.' " [*' Encyclopaedia Britannica."] LESSON X Word-Ouessing: : For general direc- tions, see notes for Lesson VIII. The words represented in the outline drawings are as follows : (1) cannon ; (2) apple ; (3) lamb ; (4) cat ; (5) cap ; (6) arrow. These words contain the same a sound as in flag. Pronunciation Drill : A number of easy words containing the a sound are given for pronunciation purposes. Make up sen- tences containing these words and see that the meaning of each sentence is understood by the pupil. Aim to teach by thought, and not by mere memorizing of words. Numberi: The word-guessing here aims to teach counting ; the use of num- bers was suggested in the notes for Lesson VII. The numbers are carried up through six. (3^) Lesson X Impelling and Blackboard : While it is not the intention to teach the pupils to spell, at the outset, but to master the sounds of the Scientific Alphabet, still by clear enunciation the pupil will be able to place the vowel sound between two given con- sonant sounds to make a word ; thus : — What sound of "A" is placed between f and n to make fan ? If rightly managed the pupils will delight in this guessing. Upon the blackboard, the following should be printed : 1. [l]-r-m. 2. m-a-m-m. 3. c-ni-t. What letter, the teacher should ask, must be placed within the brackets of 1 to make arm, etc. This '' play " constitutes, in itself, a review of the vowel sounds. Music : Review of music-lines of the previous lesson. Singular and Plural: Continue the ideas suggested in Lesson III. Stories : Tell some story about the can- non, as Tennyson's ''Charge of the Light Brigade" in very simple language — em- phasizing the bravery and love for country. 3 34 Teachers' Manual Repeat the following lines from the poem : Cannon to right of them, Cannon to left of them, Cannon in front of them, "Volleyed and thundered. About the apple. Story of William Tell and how he shot the apple off his son's head with an arrow. Blackboard Exercises : The teacher will probably find it advisable to print the sentences of the lesson in full upon the black- board, as : One cannon and one cannon are two can- nons. She might also, during her talk on num- bers, place the following on the board : 1 + 1 = 2 1 + 2 = 3 1 + 3 = 4 3 + 2 = 5 . 2 + 4 = 6 3 + 3 = 6 It is well to familiarize the pupils as early as possible with the numbers from 1 to 10. LESSON XI Pronunciation I>rill : The long sound of a in air [rti=a] is here given, which is a prolongation of a in at. Follow direc- tions carefully, reading the text to the pupil, and emphasizing the new sound. Write on the blackboard words containing this a sound found before r in the following : bear [ea=:a], care, dare, fair [ai=a], lair, pair, etc. Make new sentences with old words, as: ''Where [^=a] are papa, Cdrl, and Mar- gie ? " introducing by this means a review of the previous sounds. In the Pronunciation Drill, the word there has the first e itali- cized. It is equivalent to a, as is shown in the brackets following the word ; so in the words given above, a equivalents are placed in the brackets. The teacher should take care that no confusion is raised in the pupil's mind because of the italicized letters. (35) 36 Teachers' Manual Picture and Stories: In cities, and in some towns, small parks are often called squares. Ask the pupils to name objects which they have seen in such a square, as : fountain, statues, benches, ivalks, grass, people, etc. Tell of well-known statues in parks, as in Union Square, New York, where the statues of Washington, Lafay- ette, and Lincoln are placed. Lafayette's statue was given to the city of New York by the city of Paris. Tell in simple words of Washington and Lafayette, and the kind- ness of France in helping us in our American Revolution. Tell how in cities, were it not for the parks and the squares, many poor children would never see the flowers, the grass, or trees. Questions : Ask questions about the picture, as : •' How many trees do you see? How many cars ? How many carriages ? " etc. Blackboard : Draw the figure of a square on the blackboard. Explain the difference between it and a public square in the city or town. Lesson XI 37 Music : Let one pupil sing one part of the song previously learned ; another pupil another part, etc. Then let them all sing it over together as far as they have gone. The Child's Mental Powers : Nicholas Murray Butler, President of Columbia University, in his "The Argu- ment for Manual Training," said: "For educational purposes we may agree that the mental powers are roughly divisible into two classes, the receptive and the expressive or active. By means of the former the child is put into possession of new facts, and by means of the second, he makes these facts his own, and uses them in practical life. As food will not nourish unless assimilated, so knowledge, or mental food, is not really knowledge, is not really possessed, until we have so gained control of it as to be able to express or use it." LESSON XII Pronunciation Drill : This lesson gives a continuation of the a sound, found both in the text and in the words to the music. Picture, Motto, Music : As in previ- ous lessons. Stories : The lesson lends itsel£ easily to a patriotic talk by the teacher. After ex- plaining the text thoroughly, tell about the following : (a) Suffering of soldiers at Valley Forge during the Revolutionary War. Emphasize that they suffered for love of country. (b) Tell why Washington is called the *' Father of his Country." (c) Story of the canary-bird, hanging in a cage over a shoemaker's bench. Day by day, the shoemaker whistled "Yankee Doodle." One morning he was startled by snatches of (38) Lesson XII 39 the tune being sung by the bird. Soon the bird could give the entire tune, without the loss of a note. Prayer : Impress upon the pupils that there is a Power beyond that of man's eyes to see, that guides and protects us and cares for us. Avoid being dogmatic or sectarian, but emphasize the necessity of truth, of reverence, of faith in the Supreme Power that strengthens the good and overrules the bad, that makes for righteousness. Socrates was a great philosopher who lived 500 years before Christ's time. Plato tells us that Socrates frequently prayed — always before doing anything of unusual importance. Frederick the Great, Abraham Lincoln, StonewallJackson, Bismarck, Glad- stone, and nearly all other great men be- lieved in prayer. Joan of Arc was a wonderful woman who loved France, her native country, and led the French army. She died for what she believed to be right ; she always prayed to God. Avoid too much solemn moralizing or speculation. Be constantly on your guard against this. Never make the children feel that you are lecturing them, especially when you are telling them stories. 40 Teachers' Manual New Sentences : It would be well to write upon cards parts of sentences, for the pupils to piece together, so as to obtain complete sense ; for example : man the see see the man This method is a good way of finding out if the sentence has been understood, after it has been read aloud by the teacher. Take also short sentences from the text with which the child is familiar, and treat in the same way : soldier was Washington a Washington was a soldier LESSON XIII Pronunciation Drill : Care should be taken in the use of this & sound, which seldom occurs except before double conso- nants. Because it is a rare and obscure sound, only two words containing it are given, at-tack' and ^t-ten^tion; these are big words for little folks ; they should be carefully explained. Talks : Tell some things about patriot- ism, bravery, etc., but avoid any accounts of bloodshed. In the teaching of very young children, subjects suggesting suffer- ing or ugliness — all things unpleasant — should, as a rule, be avoided. Too little sunshine always hinders the grov^th of flowers, yet it is well to remember that clouds and rain, and even lightning and thunder-storms, help the flowers to grow ; thus repellent things have their share of work in developing men and women. (41) 42 Teachers' Manual The Picture : Call attention to the laurel wreath, and tell a story about its being used in Greece for the crowning of victors in the Olympian games. See that the pupils observe the soldier's uniform, sword, drum, etc. The soldier in the picture is a marine. Tell the differences be- tween marine soldiers (those who fight on the ships when it is necessary — the naval reserve) and land-soldiers ; also, between the cavalry (who ride on horses) and the infantry (foot- soldiers). Ask questions about soldiers : ask if any of the pupils had relatives who were soldiers. Tell the pupils that there is not so much war now as there used to be, and that the time may soon come when all people will feel that they are brothers and have the same Heavenly Father (Peace Congress at The Hague). Tell how certain kinds of ants have bands or companies of soldiers who protect the other ants ; how they sometimes have battles with strange colonies of ants. LESSONS XIV, XV Revieiv: This review contains a drill on all of the "A" sounds of the Scientific Alphabet, which have been considered in the preceding lessons. The song will help to group and to fasten these sounds in the memory. While here placed as one lesson, the teacher must use judgment about ma- king one or more lessons of the review. Sen- tences containing the vowel sounds are to be repeated by the pupils until clear sounds are obtained without effort or straining. At present, the words are not to be spelled, but are to be treated as wholes. Remember always that enunciation is secondary to thought, and the teacher must see that the pupils think as well as memorize. This is accomplished by Usin^ tlie \irords in short sentences. Where words denote action, as in bdrlt, lidrk, stand, tliere, etc., have the pupils (43) 44 Teachers' Manual express it by some outward movement. Where it is possible, by a drawing, to re- present upon the blackboard the object for which the word stands, it would be well for the teacher to do so. For example, draw a car, a cat, a pan, a glass, etc. Equivalents : In the treatment of the sound a, care must be taken that the equiv- alents ai=a, e=a, and ea=a are not con- fused in the mind of the pupil. The Picture: In discussing the pic- ture, call attention to the various attitudes of the children sitting on the bench. 8ong : The entire song must be reviewed. It comprises the lines that have appeared at the bottom of many of the preceding lesson pages, with the music. The song forms Lesson XV, page 23, of the Reader. Interest : See to it that the lesson is made interesting ; while it is a review with the express purpose of reviewing the sounds, the interest must be sustained. If the class shows signs of being tired, turn to the song. LESSON XVI Pronunciation Drill? The directions for positions of organs are to be carefully followed in drilling on this short (e) sound. Text : Three points are mentioned which should be emphasized: (a) Color. If in season, show a cherry to the child, calling attention to the red color; speak of the white blossoms. In examining the fruit show: 1. stem. 2. leaf. 3. stone. (b) Number. Outline drawings of cherries, 2+4 = 6. Vary this ; let the pupils count up to seven. Put upon the blackboard 3 + 2 = [?], then place three cherries on a desk and have the pupils count them; add two more cherries to these and have the pupils count again. Then write the result on the board in place of the interrogation- point, as 3 + 2 = 5, (45) 46 Teachers* Manual (c) Nature lesson. The cherry-tree blos- soms so early that it is subject to Spring frosts which very often kill the flowers. The fruit is of such a brilliant color that it readily attracts birds. Have the pupils bring in cherry blossoms or cherries on the stem Show how many parts enter into the blossom. If this lesson is studied be- fore the cherry season, it should be reviewed in that season. The same rule will hold for the nature lessons throughout the Eeader. Story: Of course the teacher will be unable to resist telling the story of George Washington and the cherry-tree. If so, use it so as to awaken independent conscience in the pupils. A lie is just as wrong if all the children we are with tell it as it is if told by one ; disobedience is just as bad in twenty as in one. We must do right be- cause it is right, not because others do it. LESSON XVII Pronunciation Drill : The e sound, found in dan'-d§-li'^-oii, varies toward i in it. Nature Lesson : If this lesson is stud- ied in season, the pupils should be taken into the fields to hunt for the dandelion. If it is not convenient to do this, or if the lesson does not fall in season, then a picture of the dandelion should be shown. Instil into the pupils a love for the fields and at- tempt to make them closely observant of the beauties of nature; also lead them to think of the intelligence behind nature; tell them that God had a thought in His mind when He made each flower, and that we must try to think that thought. If a real dandelion is used, call attention to the stem, the leaves, and the inner whorl of petals giving a deeper yellow to the center. The teacher will find it advisable (47) 48 Teachers' Manual to read about the dandelion {Vid, "Nature's Garden," Neltje Blanchan (Doubleday, Page & Co.) ], and to prepare an outline about the flower, as (1) Where found — lawns, grassy waste places. (2) Name — from dent de lion^ lion's tooth, which the jagged leaves suggest. Tlie Text : In connection with the text, the following conversation may be carried on: Teacher — What flower is yellow? Pupil — The dandelion. T, — What color is the dandelion? P.— Yellow. T. — Where do dandelions grow ? P. — In the fields, gardens, etc. T, — Can you name other flowers that are yellow ? P. — Sunflower, buttercup, etc. Poems on tlie Handelion: *'The Dandelion," by Mary N. Prescott (''St. Nicholas," May, 1881). "Little Dandelion," by Helen B. Bostwick [''Round the Year in Myth and Song," page 150 (American Book Co.)], of which the following is one verse : Lesson XVII 49 Cold lie the daisy banks Clothed but in green, Where in the days agone Bright hues were seen. Wild pinks are slumbering; Violets delay: True little dandelion Greeteth the May. Stories : Never forget to fasten thoughts in the minds of children by stories. For example, in this lesson tell them that 3,000 years ago in the city of Babylon was a queen who so loved to see trees and flowers that the king had made great gardens, that were called " hanging gardens, "because they seemed to overhang the city from their lofty height. Revieiv: A review of some of the sounds thus far studied may be printed upon the blackboard, such as a — a-round' a — gdr'-dens a — and, dan^-de-li'^-on a — wliere [e = a] e — ev^-er LESSON XVIII Pronunciation Drill : In the use of this variant g sound, care should be taken that it is not made a full u sound; the e varies toward u, but is not the u sound. Text : This is based upon a picture of the Capitol. In the motto a few lines from "The Star-Spangled Banner" are intro- duced. If the story of how the song was written has been told, as suggested in Les- son IX, have one of the pupils re-tell it or what he remembers of it. [Vid. "Stories of Our Country," James Johonnot, page 187 (American Book Co.).] Storie§ : Give added facts about Wash- ington ; how during the war for Independ- ence [in'^de-pend'ens] (this word contains the g sound) he crossed the Delaware during a Winter's night and captured many prison- erg. [ Vid. ' ' Stories of Our Country," James Johonnot, page 131 (American Book Co.).] • (50) Lesson XVIII 51 Tell the story of the Declaration of Inde- pendence, how it was adopted, the ringing of the liberty bell by the grandfather of a lad, who, upon hearing that independence had been declared, cried to his grandfather up in the belfry, "Eing, grandpa, ring for liberty." [Vid. *^ Stories of Heroic Deeds," James Johonnot, page 80 (American Book Co.).] When talking about the War of Inde- pendence, read aloud " Paul Revere's Eide" (Longfellow), or tell in your own way the story of the ride. In giving these references, it is to be remembered that the teacher is to read the accounts, and simplify and explain in such a way as will interest and instruct the class. Words : Explain to the pupil what is meant by capitol—a> building; but do not as yet explain the difference between capital and capitoL Tell in simple words some of the chief duties of Congress, and of the President. Helen Keller, born blind, deaf, and dumb, when told by Phillip Brooks there is a God, replied, '^ I knew that there must be some one." LESSON XIX Clay-modeling* : This lesson in clay- modeling is intended to be suggestive for work throughout the year. The teacher should refer to books and manuals on the subject, such as " Clay-Modeling in the School Room " (Milton Bradley Co.). A progressive method should be used in the treatment of the objects to be made, and such a method is here suggested, start- ing with the sphere {Figure i), which is most easily made by pupils. The teacher should show how to make each object, preparing the clay herself, and mixing it to the con- sistency of stiff dough. Talk about the sphere, and ask what objects have a like shape. Answer: Balls, marbles, etc., and in a general sense, the earth. Figure 2 is the sphere changed into a sugar-bowl. I Figure 3 is an apple, with the sphere shape modified by indentations. Have the (52) Lesson XIX 53 pupils tell the difference between the sphere and the apple. Make a sphere, cut it in half, as in Figure 4. Show the pupils how to put two hemi- spheres together, and explain that these two hemispheres make a sphere. Figure 5 (a bowl) and Figure 6 (a basket) are based upon Figure 4. Figure 7 is an ovoid, an almost egg-shaped figure, obtained by rolling out a sphere, with a little pressure on opposite sides. Figure 8 (semi-ovoid) and Figure 9 (dish) are based upon Figure 7, Figure 10 is a cube and is given last be- cause it is most difficult to make. Explain in simple language the difference between a sphere and a cube, illustrated by the differ- ence between a ball and a square box. Figure 11 (inkstand) and Figure 12 (book) are based upon Figure 10, The Lesson : Always have something definite to make with the clay; do not allow the pupils to play aimlessly. At times while working, it may be well to sing in review the bars of music given in previous lessons. Oame : With the models made by the children, the following game could be played : With closed eyes, have the pupils 54 Teachers' Manual handle the models, telling the difference between a sphere and a cube. Have them guess by the shape what they have in their hands. Teacher — What have you in your hand? Pupil — A sphere. T. — How do you know ? P. — Because it is round, etc. ■ Association : Attempt to develop the associative faculty as much as possible, for example, that a sphere makes one think of an orange or an apple, because all three ob- jects have the quality of roundness. £neourageineiit : Any earnest en- deavor on the part of the pupil to mold these objects should be encouraged, even tho the object made falls far short of the model. Remember that failure does not necessarily mean lack of ability. Knowledge is progressive. Children first have an instinct, then a belief, and then they know. Inspire them with the courage to follow their instincts. LESSON XX Review: The review of these three sounds of " E " should be used as suggested in the review of the ''A" sounds. The re- view does not necessarily mean that the words are the same that have heretofore been used. New words are introduced with the old sound ; therefore the teacher should see that these words are understood by the pupils and both the pupils and the teacher should use them in sentences of their own construction. Drawing I^esson : This is intended for paper, blackboard, or slate use. Upon the blackboard, it would be well for the teacher to make free-hand drawings of these diagrams. The pupils should watch care- fully while the teacher is drawing. After drawing the straight line many times, a cer- tain steadiness of hand will be obtained. See that the pupils hold the pencil or the chalk (55) 56 Teachers' Manual properly between the forefinger and the thumb, the pencil resting against the middle finger. The entire drawing lesson is based upon the straight line, and each figure should be explained many times before passing to the next. In the diagrams, the top row illustrates the processes in making a square, the second row a rectangle, the third row a cube and a box. Two extra diagrams are given, show- ing parallel perpendicular and parallel hor- izontal lines. Peas and sticks : It would be well also to construct these objects with tooth- picks and peas, thus lending additional in- terest to the lesson. Otoject-Teacliiiig : Show that the edge of a ruler represents a straight line ; show how a straight line may be ruled upon the board; show how a straight line may be represented by a straight piece of wire, and how from this wire, by pulling the two ends slightly together, a curved line may be made. 'Wherever in any lesson, the actual objects can be shown, it would be well to do so. Have the pupils draw squares and rectangles on cardboard, and give them scissors for cutting out the figures. Lesson XX 57 The lje§§0]i : This is not necessarily to be finished in one day. Properly used, the teacher will see that the freehand draw- ing results in steadiness of hand and ac- curacy of eye. mottoes : A few mottoes are here given, containing some of the words found in the review : To look up and not down, To look forward and not back, To look out and not in — and To lend a hand. — Edward Everett Hale. I remember, I remember The roses red and white. — Hood. I would rather be right than be President. — Henry Clay. We should never forget that children are largely influenced by hope or fear ; are crea- tures of imagination, of the play of fancy and make belief ; have imaginations that are reminiscent, rather than constructive ; and that their language is naturally metaphor- ical and picturesque. LESSON XXI Pronunciation Drill : The er sound is different from the e sound, inasmuch as it is affected by the consonant r, which follows it. The r sound, while it is not to be rolled, should be pronounced distinctly. The Pro- nunciation Drill contains all the er sounds to be found in the text, and the two verse lines accompanying the music contain four examples of this sound. The Picture: The color-plate shows six birds which, in order of appearance, be- ginning with the Scarlet Tanager in the lower left-hand corner, are : the Blue Jay, the Robin, the Humming-bird, the Gold- finch, and the Golden-crowned Kinglet, The teacher will find Neltje Blanchan's ** Bird- Neighbors " (Doubleday & McClure Co.) and *' Birds that Hunt and Are Hunted" (Doubleday & McClure Co.) of great use, (58) Lesson XXI 59 and will probably think it advantageous to prepare for the lesson a short description of each bird, such as : Blue Jay. — A little larger than the robin. Black band around neck ; under part white ; tail blue, with black bars across it ; many feathers tipped with white. Found - from eastern coast of North America to plains ; Canada to Florida and eastern Texas ; permanent resident. This is a mis- chievous bird and has a harsh scream. ( Vid, '* Bird Neighbors," page 104.) The blue jay is the torment of the hunter, as it will fly ahead of him, perching on the tallest trees, out of range, and screaming so as to warn all birds and animals of his approach. Mumming-Bird.— Green above ; wings and tail ruddy purple ; throat and breast changeable as light strikes them ; bill long. Found during Summer in eastern North America from Canada to Gulf of Mexico ; winters in Central America. Very small bird ; frequents honeysuckle, roses ; a great fighter. {Vid. " Bird Neighbors," page 170, etc.) Awaken the interest of the pupils in the habits of birds. In season, call attention to the different birds — show the nests, tell how 60 Teachers' Manual they are made. Imitate as nearly as pos- sible the different calls of the birds, so that the children may soon begin to recognize the birds by this means and begin to imitate the sounds themselves. Keep the pupils con- stantly on the alert for sounds, color, etc. Color variety is exemplified in plumage and eggs. Equivalents : The gr sound which occurs in bird is equivalent to ir. Pho- netically, bird^bgrd. Poems and Stories : See Jessie L. Gaynor's ^' Songs of the Child World" (The John Church Co.), and read the words from some of the songs ; as : (a) '' The Birds' Nest," page 10. There's a wee little nest in the old oak-tree, Safe and high, safe and high ; There are three tiny eggs, blue as blue can be, Like the sky, like the sky. And the dear mother bird keeps them warm 'neath her breast, 'Neath her outspreading wings safe the blue eggs can rest ; There'll be three little birds in the tiny nest, By and by, by and by. (6) " Farewell to the Birds," page 66. (c) '* Robin Red-Breast," page 73. {d) ** Spring Song," page 75. Lesson XXI 61 See also Eleanor Smith's '' Songs for Little Children" [2 parts] (Milton Bradley Co.): (a) '* Hark, Hark, Like the Lark," Part I, page 66. (6) '^Fly, Little Bird," Part H, page 40. (c) *' Welcome, Little Robin," Part II, page 106. See '' St. Nicholas " (June, 1883, page 635), for a poem *' Birds and Words." In "The Story Hour," by Kate Douglas Wiggin and Nora A. Smith, page 29 (Houghton, Mifflin & Co.), a story, "The Oriole's Nest," which tells of the habits of the oriole, may be read aloud to the pupils. In the "Story of the Mocking-Bird," by Sidney Lanier, an incident is told of how the bird saw itself in the glass, and thinking an- other bird was in the room, fought at its own image for quite a while. The teacher may be able to invent a story about the cardinal, after reading James Lane Allen's delightful story, "A Kentucky Cardinal." LESSON XXII Pronunciation Drill : The e sound is a prolongation of the e in met, vanishing toward i, and in some dialects is recognized as a distinct diphthong ; it is found in such words as eight, freight, etc. Equivalents : The equivalents of this e sound are found marked in the Pronuncia- tion Drill. The italicized letters in the dif- ferent words are equal in sound to the e sound. In the Tables of Equivalents, found in the Appendix of the Reader (page 108), the definition of Equivalents is thus given : ''Separate letters or groups of letters hav- ing the same sound." Text : In the text several questions are asked. Have the pupils make some attempt to answer them. In the nature lesson, a daisy should be brought to the class-room if possible, or if not studied "in season," the (62) Lesson XXII 63 lesson should be reviewed at the time the daisy blooms. Out of season, pictures of the flower may be used to advantage. The pupils, in all nature lessons, should be made familiar with the actual objects. Call attention to the numerous yellow or white rays, the yellow or black centers, accord- ing to the kind of daisy used ; show the ox- eyed daisy. Description : The daisy has a long stem from ten to twenty inches high ; grows in meadows, pastures, roadsides, etc., and blooms from May to November. Teachers will find Neltje Blanchan's book ''Nature's Garden," pages 270, 354 (Doubleday, Page & Co.), helpful. It is strongly advised that as the different flowers bloom, and as the various birds come, the pupils should be told their names. Train the pupils to be in- terested in nature. No studies are so likely to bring school and home close together as nature studies. Mottoes : These are taken from well- known authors. The simplicity of the lan- guage in Wordsworth's poem "The Daisy" would warrant the teacher reading it aloud and commenting upon the poet's description of these " stars of the fields. " Eleanor Smith, 64 Teachers' Manual in her book *' Songs for Little Children" (Milton Bradley Co.), has many songs about the daisy — the words could be used by the teacher profitably: Part I. A Little White Daisy, page 14 Part I. The Daisy page 86 Part II. Stars and Daisies page 68 Part II. Daisies Are Dancing, page 80 I'm a humble little thing, Always coming in the spring. In the meadows green I'm found, Peeping just above the ground; And my stalk is covered flat With a white and yellow hat. From "The Daisy." The stars are tiny daisies high. Opening and shutting in the sky, While daisies are the stars below, Twinkling and sparkling as they grow. From " Stars and Daisies.'' LESSON XXIII Pronunciation Urill : The e sound is a shortened form of the sound heard in day (ay=e); it does not occur in accented syllables. The sound approaches the sound of i in pity. It should be noted that ay is equivalent to e. Text : See that the pupils learn the names of the days of the week, and to lend interest to the exercise, a playful illustration has been made of seven little girls carrying the names of the days on *' sandwich" boards. This suggestion might be used in a game called "The days of the week'- — the boards made of cardboard, which is in- expensive — each little girl being a day of the week— the seven together being the week entire. With these boards on, mix up the "days of the week " and ask them to arrange themselves in the order in which 5 (65) 66 Teachers' Manual they should come. Ask one pupil, "What happened last Tuesday ? " Say to another, ''Smce there are seven days in a week, which day of the week is Thursday?" An- siuer: " The fifth day." Have the pupils make calendars of the days of the week, with slips of paper. Show them a regular calendar. In " Round the Year in Myth and Song," page 47 (American Book Co.), an account of how the names of the days of the week were derived is given. In Northern Mythology : Sunday — from the sun. Monday — from the moon. Tuesday — from Tiu, god of war. Wednesday — from Woden, king of gods. Thursday — from Thor, god of thunder. Friday — from Frigga, queen of gods. Saturday — from Saeter, god of harvest. Full accounts of the legends may be found in a mythology or an encyclopedia. Simply outline these stories, making them interest- ing and readily understood. The stories will be told in full in one of the advanced Readers of this series. LESSON XXIV Review : The review of three sounds of '' E " here given should be carefully studied, attention being paid especially to the clear articulation. After going over the words, for they are new, tho the sounds are famil- iar, and after seeing that the meaning of each word is grasped, use the words in sentences, as " See the bird fly "; '' The girl is study- ing "; '' Monday, the girl will go to school," etc. Upon the blackboard, place three or four of the words arranged in columns marked singidar and plural, thus : Singular, Plural, bird • birds girl girls day days, etc. Drill upon the singular and plural as here- tofore suggested. Have cards with the days of the week printed upon them — for review, have these cards mixed up so that the pupils (67) Teachers' Manual may arrange them in the order in which they should go. £quiTaleiit§ : The equivalents which have appeared in previous Pronunciation Drills should be carefully reviewed. Miiiic : The completed song for the sounds of '' E " is here given, and should be sung in its entirety. The pupils by this time should be able to sing the tune if desired without the piano accompaniment. Stories : Tell the story of Oliver Gold- smith ; how he wandered through Europe with a flute ; how the children gathered about him to hear him play. The ** Ency- clopedia Britannica" says: '*His flute proved a useful friend. He rambled on foot through Flanders, France, and Swit- zerland, playing tunes which everywhere set the peasantry dancing, and which often procured for him a supper and a bed. He wandered as far as Italy." LESSON XXV Color Drill : This color lesson, the only one found in the book, is intended for use throughout the Reader. Judiciously han- dled, it may be made to teach much about color — as much as little children need know. Explanation of Diag^rams : The six rectangles on the right and left at the top of the page consist, popularly speaking, of the six fundamental colors : Red, orange, yellow, green, blue, violet. The central triangle contains red, blue, and yellow (the three primary colors), overlapping to show that (a) Red4-Yellow= Orange. (b) Red+Blue-Violet. (c) Blue+Yellow=: Green. The orange, violet, and green are to be found in the three corners of the triangle. The Lesson : The pupils should be drilled in the recognition of the six colors. It would be helpful to show the pupils many (69) 70 Teachers^ Manual strips of paper which have been printed in these colors and ask them to pick out all the reds, the blues, etc. — in the same way that an oculist would test one of his patients for color-blindness. Probably, it will be found that the foregoing is sufficient for one day's lesson. Blackboard : For practical purposes the combination of two colors may also be shown in the mixing of paints or crayons. In these color lessons, the use of the black- board is advised. When in the first day's lesson the colors are mentioned, if conve- nient, have colored chalk and, as each color is described, draw a square containing that color. In Eleanor Smith's song-book — ** Songs for Little Children," Pt. II, page 54 (The Milton Bradley Co.) — there is a song called "We Are Red Birds," each verse of which contains the name of one of the six colors. It would be helpful to read the words of the song to the pupils ; the follow- ing verse will give some idea of the poem : We are red birds, we are red birds, So fearless and bold ; We are out in all weather, And fear not the cold. ^hade and Tint : The large circular Lesson XXV 71 diagram in the illustration is composed of three circular bands of color and a black central spot. The second circular band con- tains the six standard colors ; the outer band a lighter tint of the standard colors ; the inner band a darker shade of the standard colors. From this a good idea of tint and shade may be given : (a) A tint of red is a red lighter than the standard color, tending toward white, the white being represented by the surface of the page. (5) A shade of red is a red darker than the standard color, tending toward black, which is the central spot. (c) A little white mixed with any of the standard colors will result in a lighter color; a little black mixed with any of the stand- ard colors will give a darker color. This explanation should be used carefully; not more than one tint and one shade should be taught in a single lesson; three or four lessons should be given to the subject. In the mixing of color, it would be advisable to obtain a book or manual discussing the teaching of color. [Vid. "A Class-Book of Color," Mark M. Maycock, M. P. (The Mil- 72 Teachers' Manual ton Bradley Co.).] If you write to the pub- lishers of the Standard First Reader, they will send you a page from the Standard Dictionary, giving the exact proportions of standard colors required to make a given color in combination; this mixture may be easily demonstrated by means of the Stand- ard Color Wheel, which may be procured likewise from the same publishers. Application of Color Drill: The color drill may be made very helpful in training the eye of a child ; see that the child has clear ideas of different colors. To encourage close observation, it would be well to ask questions such as *'John, look out of the window until I count ten and tell us how many different colors you see." ^'Mary, do you see anything in this room which is blue, green, red, etc." A glass prism will show the pupils the prismatic colors to be seen when the glass is held up to the light. One of the glass pendants of a chandelier will do good service as a prism, and can be obtained at trifling cost. A simple but interesting experiment may easily be made with what are called comple- mentary colors. Have the pupil look for a minute at a blue color and then look at the Lesson XXV 73 wall or a white piece of paper, and the complementary of blue, which is orange, will be seen. The complementary color of red is green, of yellow is violet. Remem- bering that the primary (or primitive) colors are red, blue, and yellow, the following ex- planation will be of service : "If the given color be a primitive, its complementary color is composed of the other two primitive colors; e. g., the com- plementary color of blue is orange (red and yellow). Again, if the given color be a sec- ondary, its primary color is the remaining primitive color. Thus, the complementary color of green — blue and yellow — is red." ("The International Encyclopedia" [Dodd, Mead & Co.].) Stories : The following stories are sug- gested for the teacher to use some time during the lesson : (a) Little Red Riding Hood; (b) Little Boy Blue; (c) Revised version of Little Snow White (Grimm). Once upon a time there was a little girl named Snow White, who had a very cruel mistress. This mistress had a mirror which, whenever she repeated to it the following verse, 74 Teachers" Manual Mirror, mirror, on the wall, Wlio is the fairest of us all ? would reply that she was the fairest of them all. This made the mistress very vain and proud. When Snow White grew to be a big girl she became very beautiful, so beau- tiful that it made the mistress jealous, and one day when she asked the mirror ^vho was the fairest of them all, it replied: "Snow White." The mistress ordered Snow White to be taken away to a distant country ; but the hunter who carried her off took pity upon the young girl and let her wander away. Snow White came to a house far in the woods ; she entered and found there a table upon which were placed seven bowls of porridge. She took a taste from each bowl and going to a room where she found seven beds she lay down on one and fell asleep. Soon after the owners of the house, seven dwarfs, returned home and found her. Snow White woke up and the dwarfs asked her if she had taken the porridge from the seven bowls. She explained everything, and the dwarfs told her that they would like her to stay with them and keep house for them. Soon after this the mistress heard that Lesson XXV Snow White had not been carried away, and her jealousy being aroused, she deter- mined to seek the girl. The last time she came to see Snow White, she poisoned her with an apple, and the dwarfs when they returned home found her apparently lifeless, but they could not believe that she was dead, because her cheeks were still pink, as tho she were alive. They put her in a glass case and took her to a tall rock, where they placed the case in charge of a dwarf. Shortly after, a Prince passed by and saw the case with Snow White in it, and he asked the dwarf to give her to him and he would take care of her. This the dwarf finally did, and the Prince ordered his men to carry the case away. As the men bore Snow White away, they stumbled over some rocks and the case dropped from their shoulders. The apple, which had been in her mouth all the time, fell out, and Snow White opened her eyes. The Prince took her to his father's castle, and there the two were married and lived happily ever after. The mistress after a while grew to like Snow White, because at one time she re- ceived great kindness from her. The mis- 76 Teachers' Manual tress became quite sick, and Snow White had her brought to the palace, where she was taken care of and soon recovered. Snow White forgave all the hard things her former mistress had done and said to her. Questions : Ask the following : What color are many apples? Eed. What color are many grapes ? Blue and green. What color are ripe lemons ? Yellow. What color are ripe oranges ? Orange. What color are most leaves ? Green. (See *' Object Teaching for Infant School " [No. 201].) V I B Cr Y O R : Teachers will doubt- less remember this device by which the order of the colors in the spectrum may be remembered :— V I B G Y O R V = violet I = indigo B = blue G = green Y = yellow O = orange R = red LESSON XXVI Pronunciation I>rill: The vowel sound i is short and sharp, being cut off by the consonant following. The word squirrel (scwir^-el), upon which the lesson is based, has the i sound modified by the r sound following, whereas in such words as in, is, it, to be found in the Pronunciation Drill, the sound is stopped by the n, s, and t. Mature Lesson : In a book entitled ** Squirrels and Other Fur-bearers " (Hough- ton, Mifflin & Co.), by that lover of nature, John Burroughs, is an interesting account of the habits of squirrels, which is told in a charming way, and is within the easy reach of any child. From it we cull the follow- ing, advising the teacher, if possible, to con- sult the book: "One reason, doubtless, why squirrels are so bold and reckless in leaping through the trees is that, if they miss their hold and fall, (77) 78 Teachers' Manual they sustain no injury. Every species of tree-squirrel seems to be capable of a sort of rudimental flying, — at least of making itself into a parachute, so as to ease or break a fall or leap from a great height. * * * * -Jf -x- **As I drew near he [the squirrel] took refuge in the topmost branch, and then, as I came on, he boldly leaped into the air, spread himself out upon it, and, with a quick, tremulous motion of his tail and legs, descended quite slowly and landed upon the ground thirty feet below me, apparently none the worse for the leap, for he ran with great speed, and eluding the dog, took refuge in another tree. ****** *'The tails of the squirrels are broad and long and flat, not short and small like those of gophers, chipmunks, woodchucks, and other ground rodents, and when they leap or fall through the air the tail is arched and rapidly vibrates, A squirrel's tail, there- fore, is something more than ornament, something more than a flag; it not only aids him in flying, but it serves as a cloak, which he wraps about him ^vhen he sleeps. Lesson XXVI 79 " His [the squirrel's] home is in the trunk of some old birch or maple, with an entrance far up amid the branches. In the spring he builds himself a summer-house of small leafy twigs in the top of a neighboring beech, where the young are reared, and much of the time passed. But the safer retreat in the maple is not abandoned, and both old and young resort thither in the fall, or when danger threatens. •3f * * -JS- * -Sf *' The elegant creature [the squirrel], so cleanly in its habits, so graceful in its car- riage, so nimble and daring in its move- ments, excites feelings of admiration akin to those awakened by the birds and the fairer forms of nature. His passage through the trees is almost a flight. Indeed, the fly- ing squirrel has little or no advantage over him, and in speed and nimbleness can not compare with him at all. If he miss his footing and fall, he is sure to catch on the next branch ; if the connection be broken, he leaps recklessly for the nearest spray or limb, and secures his hold, even if it be by the aid of his teeth. ' ' I have seen his [the squirrel's] savings — 80 Teachers' Manual butternuts and black walnuts — stuck here and there in saplings and trees near his nest ; sometimes carefully inserted in the upright fork of a limb or twig. One day, late in November, I counted a dozen or more black walnuts put away in this manner in a little grove of locusts, chestnuts, and maples by the roadside, and could but smile at the wise forethought of the rascally squirrel. * * * ^ * * '' The cheeks of the red and gray squirrels are made without pockets, and whatever they transport is carried in the teeth. They are more or less active all winter, but Octo- ber and November are their festal months." It would be well for the teacher to put in tabular form upon the blackboard some characteristics of the squirrel, such as (1) Timid. (2) Bushy tail. (3) Sharp teeth. (4) Swift flight. If convenient, take pupils to the woods or park to see the squirrels; tell them how some squirrels will run away as soon as they see a man ; others, if the man keeps very still, will creep near him. Lesson XXVI 81 l§ong[ : In the '* St. Nicholas Song Book " (The Century Co.) there is a piece called " Little Squirrels," of which the following is a verse : Little squirrels, crack your nuts ; Chirp your busy tune ; Sound your merry rut-a-tuts — Boys are coming soon ! Hide to-day and pile to-day, Hoard a goodly store ; When the boys are gone away. You may find no more. The song beginning the drill upon the sounds of "I" should be used as suggested in previous lessons. Blackboard Sentences: (a) The squirrel's tail is like a brush. (h) The nuts drop on the ground. (c) The squirrels pick up the nuts. {d) The teeth of the squirrel are sharp. (e) Some squirrels are gray. (/) Some squirrels are red LESSON XXA^I Pronunciation I>rill : Continuation of the i sound. Be sure to review the pre- vious words containing the sound, and to aim at clear enunciation. The pupils should be made to know the difference between loudness and clearness. A clear, low, sweet voice is scarcely an American accomplish- ment, but should be. Text : If an aquarium is near, it would be well to have the pupils examine for them- selves the movements of the fish, the teacher calling attention to the motion of the tail, the eyes, the gills and gill-slits, and the mouth. The picture contains all the fish mentioned in the motto except the salmon. At the top is the herring ; the long-mouthed fish is the pickerel ; the fish immediately below with bubbles above its mouth is the bluefish ; and the last is the trout. The teacher will find the children interested if she gives a general (82) Lesson XXVII 83 description of the fish somewhat as follows : Man can not live in water ; fish can not live out of water. The air raan breathes keeps his body warm ; the air the fish draw from the water is not enough to keep them warm, hence they are called *' cold-blooded." Man breathes through lungs. Fish breathe through gills, seen within gill-slits. Man is covered with skin ; fish with skin and scales. The shape of the fish aids it in moving through the water. The fish swims by the undulations of its body, especially of the tail, which acts much like the screw of a pro- peller. The lateral fins merely balance it in the water, and enable it to move upward or downward. The teeth of the fish are many, close together, and minute. It may be con- venient to show the children goldfish in clear water. In some schools aquariums are started, the children taking part in ma- king them. The attention should be called to the colors of some of the fish. Show the numerous bones. Tell the pupils about fishermen ; what lives they lead ; how they catch fish in nets. In "Familiar Fish," Eugene McCarthy, page 187 (D. Appleton & Co., 1900), there is a diagram showing the important parts of a fish. LESSON XXVIII Pronunciation Urill : This i sound is equivalent to ea in \eat and ee in see, and great care should be taken to see that the pupil obtains a pure sound in pronoun- cing words containing these equivalents. The 1 sound, which is a variant between i in it and i in tree, is not used in any of the lessons of the Reader, because words in which this sound occurs (to quote the Standard Dictionary) have (in the Standard) the preferred pronunciation e, as re-vie vr'. Bfature Lesson : Call attention to : f roots — in ground 1 Ppjjpi. r Leaves— shape. (Pre- tree I branches— large J pares the way for I and small ] next lesson on t (^ leaves) fcoZor— pink 2. Blossom ] leaves— green (In May) 1 center of blossom; bees hover around the l^ center o yt\\\\ ^ shape — Show how different from sphere /T,n,^^ I w/or— Pinkish touches over surface V„ w ' I 5A:m-Fuzz July, August, and Sep- tember) (84) ^ r shape ! r>nlnr . , color sione i indentations ^kernel Lesson XXVIII 85 Drawings and Clay - Hodelmg^ : Draw upon the blackboard an outline of a peach on the stem. Color with crayon, and have the pupils copy it on their pads. As a recreation, pupils might model the peach in clay, using suggestions given under lesson on clay modeling (Lesson XIX). Remem- ber that most young children learn drawing easily if well taught. mottoes : The ripest peach is highest on the tree. — James Whitcomb Eilet. In this motto, the words peach and tree contain the particular vowel sound being studied. The motto on the lesson page shows examples of the sound in the words trees and sweetest. LESSON XXIX Pronunciation Drill : A continua- tion of the i sound. Drill on the previous sounds contained in many of the words, as a are a tlicre [e=a] e many [a=e] e shapes [a=e] Bfature Lesson : The picture for this lesson contains a number of leaves taken from the familiar trees to be seen in almost any neighborhood. They are of different colors and of various shapes; call attention to these shapes and the varying way the indented sides are shown. Do not use scien- tific terms in describing leaves, but make the differences between them as clear as possible, and in as simple language as pos- sible. Call attention to the colors of the leaves, some green, others red; in Autumn some of them turn yellow. Show the parts of the leaf: (1) The blade or leaf proper. (2) Stem. (3) Veins. (86) Lesson XXIX 87 In Spring, the little green leaves come out; in Summer, they are big leaves; in Autumn, they are old leaves, and die and fall to the ground; in Winter, there are no leaves on most of the trees. Try to make the pupils observant. The following outline drawing will serve as a key to the color illustration of the Eeader, page 37: \. Maple 2. Red Oak 3. LoMBARDY Poplar 4. Downy-leaved Poplar 5. Buckeye 11. Black Haw 6. White Oak 7. Scarlet Oak 8. Burr Oak 9. AVhite Birch 10. Chestnut 88 Teachers' Manual Describe the trees about the schoolhouse or in the parks ; tell the names of the trees. The leaves to be seen in the colored drawing are shown in outline on the preceding page, with names attached. Children love to be out of doors. Encourage them to hunt for leaves and to bring them to school. Let the pupils talk about the leaves they have brought, and encourage them to bring more. Ask what things besides trees have leaves? Ansioer: Rose-bushes, nearly all plants. Call attention to large leaves and small ones; consult books on leaves ; e. g, , S. Mathews' *' Familiar Trees and Their Leaves " (D. Ap- pleton & Co.). Color and Form : This lesson teaches color as shown in the leaves, for example: yellow, green, red, and brown. It would be well to see if some of the pupils can not draw upon paper a leaf in outline. They will be delighted if permitted to use colored chalk in making these drawings. Let the pupil lay a leaf on paper and draw the out- line around the edge. Story: "The Babes in the Woods"—- which story is, of course, familiar to every teacher; the emphasis in the story should be laid upon the leaves which were dropped upon the children by the birds. LESSON XXX Review: The review contains exam- ples of the sounds of " I " with which the previous lessons have been dealing. Care should be taken that proper enunciation is given and that the meaning of each word is grasped; also that no confusion is caused by the use of the equivalents. As heretofore, have the words used in sentences. ^ong^ : The review song should be used with this lesson. The suggestions already given under music should be followed. Aetion : The song admits of a little gesture on the part of the pupils ; e. g,, mo- tion of the snow as it falls ; the planting of seed. Remember that it is natural for chil- dren to be active. LESSON XXXI Word-Cruessing : This is to be used like the previous word-guessing lessons ; some of the words represented by the out- line drawings contain the sounds hitherto studied ; e. g.: a in cat. i in fiddle, disli. i in slieep [ee=\]. The words represented by the drawings, in the order of appearance in text, are as follows : Cat, fiddle, cow, moon, dog, dish, spoon, horn, sheep; cow. The picture found at the foot of the lesson page illustrates " Little Boy Blue." Mother CrOo§e Rimes : Find out from the pupils how many of the Mother Goose rimes they know, and encourage them to recite some of the verses, or tell the Mother Goose stories in their own language. (90) Lesson XXXI 91 Below are given a few more of these popu- lar rimes. ^ Would it not be well for the teacher to obtain a Mother Goose book and read still others to the class, as little children seem never to tire of them ? Rain, rain, go away, Come again another day, Little Johnny wants to play. RocK-A-BY, Baby. [Have this acted.] Rock-a-by, baby, On the tree- top ; When the bough bends The cradle will rock ; When the bough breaks The cradle will fall, Down will come baby, Cradle, and all. What Is It? I have a little sister ; they call her Peep, Peep, She wades the water, deep, deep, deep ; She climbs the mountains, high, high, high ; Poor little thing ! she has but one eye. Answer: A Star. * The teacher will observe that the original and etymo- logically correct spelling of the word rime is here fol- lowed. The spelling rhyme is a sixteenth-century error due to the supposed necessity of makiug this word cor- respond with rhythm. LESSON XXXII The bounds : o (short) and 6 (long) are studied in this lesson. The short sound, occurring only in unaccented syllables, is found with few exceptions in words beyond the vocabulary of a First-Reader pupil. The directions for both sounds should be care- fully studied, and should the teacher think best, the Pronunciation Drill upon the long sound might be reserved for Lesson XXXIII, where the sound is continued. The Lie§§on : This is another bird- lesson, and the teacher is referred to the following books as helpful in preparation : "Bird Neighbors," Neltje Blanchan (Doubleday & McClure Co.). " Nature Study in Elementary Schools,'' Wilson (The Macmillan Co.). "Bird Studies with a Camera," Chapman (D. Appleton & Co.). "Bird Life," Chapman (D. Appleton & Co.). (92) Lesson XXXII 93 As has been suggested in a previous bird- lesson (Lesson XXI), the teacher will find it of advantage to prepare a chart to be repro- duced upon the blackboard, giving 1. Color of swallow. 2. Where found — in garden or meadow. 3. Color of eggs. 4. What season found in neighborhood. 5. Building of nest. The swallows after building a nest become much attached to it and return to it season after season. {Vid, •' Industries of Animals," Houssay [Charles Scribners' Sons].) 6. Sound it makes. Singular and Plural: Swallow, swallows. Sparrow, sparrows. One sparrow, one swallow. Two sparrows, two swallows. One bird, two birds, six birds. There are six birds in the picture. Arltlinietie : Cover one of the birds in the picture and ask how many birds remain ? Ans.: Five. Put upon the blackboard the following sentences : 94 Teachers' Manual (a) One swallow taken from six swallows leaves five swallows. {h) One swallow added to fivQ swallows makes six swallows, etc. Vary this drill. ]flii§ic : Heretofore, in the music given with many of the lessons, not only words containing the sound being studied, but the sounds themselves apart from words, have been used in the verse line accompanying each music-line. In the songs for the sounds of '' O " and '' U," it will be noticed that the above scheme is not followed. Italicized words containing the sound being studied are used, and such words are to be emphasized in pronunciation. For ex- ample, in this lesson the 6 sound is repre- sented by the. words go, foVlow \ow=o\, and \liiow. The Teacher : Remember that sen- tences express thought, and it is the duty of the teacher to see that the pupils understand the thought. Not everything suggested to the teacher in these notes is to be rigorously impressed upon the pupil It is for the teacher to simplify so that no confusion will remain in the minds of the pupils Lesson XXXII 95 Stories : Frank M. Chapman in his book '* Bird Studies with a Camera," quoted before, tells some interesting stories about his feathered friends. Of the sparrow he says : '^ In my own case, I have learned almost to tolerate the House Sparrows, with which I have been at war as long as memory serves me, for the pleasure found in attempting to outwit these shrewd, independent, impudent rats among birds; and, on closer acquaint- ance, they prove such interesting subjects for study that, if their vocal ability equaled their intelligence, they might be as generally liked as they are hated. So much for the magic of a sweet voice. As it is, they pos- sess a greater variety of notes than they are generally credited with, and their conversa- tional powers undoubtedly exceed those of many accomplished singers. In addition to the insistent, reiterated chissick, chissicJc, which constitutes the song of the male, one soon learns to recognize calls of warning, alarm, flight, battle, and the soft whistle which the bird utters when it approaches its nest — the only musical note in its vocabulary. ''Quick to notice the slightest deviation from normal conditions, House Sparrows Teachers' Manual are difficult birds to photograph. They seem to be constantly on the watch for some sign of danger, and an unusual arrangement of blind or shade at once arouses their sus- picions. After a heavy fall of snow, how- ever, hunger dulls the edge of their fears, and by scattering food near a suitable win- dow, the birds may be decoyed within pho- tographing distance. It will be found necessary, even then, to conceal the camera, which they evidently distinguish from fa- miliar pieces of furniture and regard with alarm." Sentences : Write parts of sentences on cards, and have the pupils arrange them so as to make complete sense ; cg.i ithe IS swallow come i the swallow is come LESSON XXXIII The Ije§§on : The lesson is based upon the word rose, containing the o sound intro- duced in Lesson XXXII. Draw, however roughly, a rose-leaf upon the board, a rose- bud, and a full-blown rose; if convenient, have a rose upon your desk. Examine it carefully, showing the stem, the petals, the leaves, and the thorns. Have the pupils note the picture in the lesson, telling which rose they think the prettiest, and request them to bring some roses to the schoolroom. Have them count the number of roses in the pic- ture. Devote as much time as convenient to talking about roses, rose gardens, dew on the petals of the rose in the early morning, etc. Unless a rose drinks water it will die, therefore when we pick flowers and wish to keep them we should give them some water. Have as much outdoor study as possible in all the nature lessons. Write upon the board the following sentences: 7 (97) 98 Teachers' Manual 1. I see a red rose. 2. I see a pink rose. 3. I see a white rose. 4. I see a yellow rose. It is suggested that the teacher base a colcn^ lesson upon the rose, at some future time, if she thinks advisable. If this lesson falls "out of season," the teacher should review it in the Spring or early Summer. The teacher will find in " The St. Nicholas Song Book " a song called " The Sweet, Eed Rose," by Mary Mapes Dodge. The first verse is : To be as sweet as a sweet, red rose, A little girl like you Jast grows, and grows, and grows, and grows, And that's what she must do. After the lesson, the teacher, if the song- book above mentioned be available, would find it well to play over the music to the children. The music-lines of the previous lesson should be reviewed. §tory : Grimm's •* Briar Eose," about the household that slept one hundred years, among them Princess Briar Rose. Once upon a time there lived a King and a Queen who dwelt happily together, but they Lesson XXXIII 99 had no children, and this soon made them very sad. One day, however, as the Queen was coming from the baths, a frog jumped out of the water and told her that very soon she would have a little daughter. A short time after, a little girl was born, and the King and Queen were so happy that they invited all of their relatives, and all the w^ise women of the realm who knew how to treat children kindly, to a magnificent feast in honor of the birth of their daughter. Thir- teen wise w^omen were invited to the festal board, but as the King only had twelve gold plates, he decided that one of the women should stay away. The day arrived on which the feast was to be given. The different wom- en brought presents for the little baby, and while they were at the feast, the thirteenth woman rushed to the hall and predicted that on the little one's fifteenth birthday she would prick her finger with a spindle and die ; but one of the old ladies who had not given any gift to the baby lightened the sentence of the jealous old woman, and said that the little girl would fall asleep and sleep for a hundred years. The King and the Queen watched over their dauo:hter, and on the approach of her fifteenth birthday they LofC. 100 Teachers' Manual had all the spindles in the realm burned, as they supposed. When the little girl's birth- day arrived, it happened that she was left alone in the great palace. Wandering about the roonio, she came to a hidden chamber where an old woman sat spinning, and as was predicted, she pricked her finger with a spin- dle. Immediately she fell asleep. The King and the Queen, who had just returned, also fell asleep. The cook, who was broiling a chicken at the time, and all the other serv- ants and the various animals slept, too. For a hundred years not a sound was to be heard in the palace. The garden became choked with weeds, and large briar-rose bushes hid the palace from public view. Princes, upon hearing of the beautiful Princess, who was known throughout the realm as Briar Kose, tried to penetrate the thick hedge. Finally, on the day before the end of the one hundred years, a Prince came and went to the palace. He determined to make his way and capture the Princess. When the one hundred years came to an end, the birds began to sing; the dogs began to wag their tails; the cook woke up and continued broiling her chicken, and all in the palace showed great activity, Lesson XXXIII 101 resuming life where they had left off one hundred years before. The Prince found the Princess just as she opened her eyes. Of course, the Prince and the Princess were married, and lived happily ever after. Eead parts of Tennyson's "Day-Dream," such as the following : The Revival. A touch, a kiss ! the charm was snapt. There rose a noise of striking clocks, And feet that ran, and doors that clapt, And barking dogs and crowing cocks; A fuller light illumined all, A breeze thro' all the garden swept, A sudden hubbub shook the hall. And sixty feet the fountain leapt. . . . the King awoke. And in his chair uprear'd, And yawn'd, and rubb'd his face, and spoke, " By holy rood, a royal beard! How say you? we have slept, my lords. My beard has grown into my lap." LESSON XXXIV Lesson : This lesson is composed of two parts, and may, at the discretion of the teacher, be used as one or two lessons. The paper-folding is somewhat a play-day exer- cise ; the drawing lesson should be made a little more ''serious." Paper-Folding- : The teacher will find it well to use paper that will bear a great deal of pulling — as, very often, the paper tears before the boat is completed. With the following directions and the diagrams on page 42 of the Reader, the teacher w ill find no difficulty in mastering the movements : 1. Take a piece of paper, with shape as in Fig 1. Fold it in half at A and A'; the result will be as in Fig. 2. 2. Fold over the corner A until it meets the line A' A"; the result will be as in Fig. 3. 3. Fold the corner B until it meets the other turned-down corner ; the result will be as in Fig. i. (102) Lesson XXXIV 108 4. Turn up the single flap AD ; the result will be as in Fig. 5. 5. Turn up the flap BB' on the reverse side ; the result will be as in Fig. 6. 6. Turn os'er the double corner A ; the result will be as in Fig. 7. 7. Turn over the double corner B on the reverse side ; the result will be as in Fig. 8. 8. Take hold of the single flap with the fingers at point A, and do the same on the opposite side also ; pull the two flaps apart as far as they will go ; shape results as in Fig. 9. 9. Take point A ; raise it as far as it will go ; the result will be as in Fig. 10. 10. Take point B ; raise it as far as it will go on the reverse side ; the result will be as in Fig. 11. 11. Take the paper at the bottom of the bisecting line, and on opposite sides ; pull out until it assumes shape as in Fig. 12. 13. Take points A and B in fingers, and pull apart as far as they will go ; the result will be Fig. 1 3, which is the boat. The teacher will find it convenient to have the pieces of paper prepared for the class before the lesson hour ; when the pupils first undertake the task, the teacher should go through every stage of the making of the 104 Teachers' Manual boat, taking as much time as is necessary for each pupil to understand every movement. This paper-folding may be used as a recrea- tion for several review lessons. ]>ra\ring^ Lessoii : This treats of the straight line introduced in Lesson XX. The fourth diagram is made with the straight line, but likewise introduces a new element — the curve. The object of the drawing les- son is to obtain accuracy of eye, and, as has been said before, steadiness of hand. Each diagram should be put upon the board at first by the teacher, and each pupil should receive careful supervision. No rulers should be used at the outset ; free-hand drawing requires and develops moral cour- age, as well as truth of hand and eye — to fix the direction in the mind, and then strike boldly and firmly for it. It does not hurt to fail sometimes, for one can try again. Every part of each diagram should be analyzed and drawn separately. Talk about the dif- ferences between a straight line and a curved line, and show the difference by something in the schoolroom. The teacher may make the first three diagrams with toothpicks, and the different lines could be drawn with colored chalk. LESSON XXXV The Teacher: Throughout these notes, there has been occasion to impress the teacher with the idea that neither the lessons nor the notes were rigid, the only- permanent thing not to be changed at the will of the teacher being the Scientific Alphabet. Not only should the teacher allow her imagination to enter into her work as much as possible, but she should seek in every way to develop the creative faculties of the pupils. Do not adhere too strictly to the lesson. Simple as they are, the lessons are arranged in such a way that a unity is found in each. The unity found in sameness, however, has been avoided. The Child : By this time, the pupils will have realized what is meant by Pronun- ciation Drill, and will begin to have some idea of the significance of study. The o sound of the previous lesson is here con- (105) 106 Teachers^ Manual tinned. The music is to be used as previ- ously suggested. The words to he empha- sized in the verse-line accompanying the music-line are : boat [oa=6], float, and go. Each day the teacher should have the song, from the beginning to the point reached in the day's lesson, sung in its entirety. The Leisson : Have the words contain- ing the 6 sound placed upon the board, and ask the children to suggest other words with the same sound. Eead the little poem printed below the text ; it is an old kinder- garten song, for which music has been written. All the music in this Reader has been specially prepared for it. Print on the blackboard the words in the poem con- taining the o sound. Pay special attention to the equivalents 6=oa in boat, o = ow in bloit*. Question§ : Ask how many of the pupils have seen a boat ; what kind? Put upon the board the names 1. Canoe. 2. Sailboat 3. Rowboat. 4. Steamboat. If possible, show pictures of each boat, as mentioned. Tell how the Indians used to go on the rivers in birch-bark canoes ; how Lesson XXXV 107 at the colleges, the men row in "shells." Tell the pupils that sailboats are moved by the wind, steamboats by steam. Stories : Tell of Washington crossing the Delaware in a boat on Christmas night. If convenient, show a picture of the histor- ical incident. [Vid. ''Stories of Our Own Country," page 131 (American Book Co.)] Poems : Read Robert Louis Stevenson's "My Bed Is a Boat" ["Child's Garden of Verses" (Charles Scribner's Sons)], the first verse of which is : My bed is like a little boat, Nurse helps me in when I embark ; She girds me in my sailor's coat And starts me in the dark. Read the following verse : The wind blows north, the wind blows south, The wind blows east and west. A gentle wind, a roaring wind— Which one do you like best? Have the children point N. S. E. W. as the directions are mentioned. The teacher should remember that the best way for a child to secure a good vocabulary is to talk about what he has seen and heard. Have the child talk — tell things in his oVn lan- guage. 108 Teachers' Manual In the "Chinese Mother Goose Rhymes,"' Prof. Isaac Taylor Headland (Fleming H. Re veil Co.) the following riddle is printed ; My boat is turned up at both ends. All storms it encounters it weathers. On its body you'll find not a board, But covered all over with feathers. We daily reload it with rice, 'Tis admired by all whom we meet, You will find not a crack in my boat, But you'll find underneath it two feet. Answer : A duck. Slaekboard l§eiiteiiee§ : (a) The boy has two oars. (5) See the trees on the shore. (c) The sun shines on the water. Analyze the sentences of the text as fol- lows: Teacher: What ripples when the wind blows ? Pupil : The water. T, : The water ripples when what blows ? P. : The wind. T.: The water ripples when the wind does what? P.: Blows. LESSON XXXVI L at an age when the imagination is most vivid, and happiness clings to the expecta- tions of what Santa Claus will bring them. Shall we dispel this illusion ? The editor of the New York Sun was once asked by a little girl, eight years old, if there was a Santa Claus. " Please tell me the truth," the little one pleaded, and here is the answer : "Yes, Yirginia, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know tliat they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus! It would be as dreary as if there were no Virginias. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment except in sense and sight. The eternal light with which childhood fills the world would be extinguished. " You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, (117) 118 Teachers' Manual could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah, Virginia, in all this world there is nothing else real and abiding. "No Santa Glaus! Thank God! he lives, and he lives forever. A thousand years from now, Virginia, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood!" On the other hand, a well-known author says : "From thorough experience, I know that children enjoy fairy stories and myths if told frankly that they are 'make-believe' or imaginary — just as we enjoy Homer and * Paradise Lost.' The truth should always be told children; it is too precious to be vaporized. I told my children the exact truth about Santa Glaus, and I am sure they got as much enjoyment out of Santa Glaus as did those children who believe him a real being." In discussing Christmas, emphasize the fact that it is a season when '' peace on earth and good-will toward men " reign. Have the children talk about Christmas, and ask questions to encourage them. Talk about holly, the fir-tree, etc. Pronunciation I>rill: Eeview the sounds as given in Lesson XXXVII and then take up each word relating to the sound found in the text and in the drill ; see that the positions of the organs are those indi- Lesson XXXVIII 119 cated in directions. Note the equivalent a=e in Avatcli. Holidays : Christmas is both a holy day and a holiday, coming in December. There are twelve months in a year. If the children do not knov7 all the months of the year, have the names v^^ritten upon the board and in- troduce in such list the most important holi- days ; thus : January — New^ Year's Day. -p , ^ j 22 — Washington's Birthday , (12 — Lincoln's Birthday. March. April — Arbor Day (in some states). Tyr j Victoria Day (Canada), ( Memorial Day, or Decoration Day. June. J 1 j Fourth of July (Independence ( Day), Dominion Day (Canada). August. September — Labor Day (first Monday). October. November — Thanksgiving Day. December — Christmas. [Ftd. '^Eound the Year in Myth and Song " (American Book Co.)] Explain the meaning of each holiday as it comes ; not all at once, or you will confuse 120~ Teachers' Manual the pupils. Ask question: In what month were you born ? December is the last month of the year. January begins a New Year. On the blackboard divide the months into seasons : ( March i September Spring \ April Autumn ■< October ( May ( November { June ( December Summers July Winter < January ( August ( February Stories : Read to the children the poem " A Visit from St. Nicholas," by Clement C. Moore. The following is the first verse of the same : 'Twas the night before Christmas — When all through the house Not a creature was stirring — Not even a mouse. Tell the story of Christmas. [Vid, *'The Story Hour," Kate Douglas Wiggin and Nora A. Smith, page lOl (Houghton. Mifflin & Co ).] Tell the story of Thanksgiving. {Vid, *' The Story Hour," page 107.) LESSON XXXIX Review : Three sounds of " O "' are here reviewed, and should be used in the man- ner suggested in previous lessons. Use the v^ords in short sentences, and see that the meaning of each word is understood; where pictures are available, show an oar, a rose, a bow, etc.; have the pupil count the num- ber of doors in the room; point to the floor, etc. Have the words mean something to the child — each to express a thought. Drawings Leisoii : The circle is here given in combination with the straight line; the teacher may use either a compass and ruler, or draw the circle with the aid of. a pencil and string. The figures may thus be explained — of course care being taken that the child is not unnecessarily confused by the technical words radius, diameter, quad- rant, and concentric. Fig. 1. Circle with radius. (121) 122 Teachers' Manual Fig. 2. Circle with diameter which di- vides circle in half. Fig. 3. Circle in quarters; Fig. 5 same. Fig. 4. Square in circle made by connect- ing the four points in Fig. 3. Fig. 6. Quarters of Fig. 5 bisected. Fig. 7. Square in circle, constructed on points different from those in Fig. 4. Fig. 8. Two squares in circle, constructed on the eight points of Fig. 6. Fig. 9. Two circles with the same center (concentric); do not use the word concentric. Fig. 10. Three circles with the same cen- ter. Fig. 11. Same as Fig. 4, only a circle is placed inside the square, drawn with a ra- dius equal to the distance from the center of the circles to the center of one side of the square. The diagrams should be explained care- fully, and each one should at first be placed upon the blackboard by the teacher. LESSON XL Pronunciation Drill: The e sound is equivalent to aw in t\\aw and to a in fall. It is a long vowel sound as heard in pro- nouncing the o in or. Text : Before using the text, give a little talk to the pupils about ice, frost. Winter, and skating. Then take up each sentence of the text separately, and see that it is understood before passing to another. Em- phasize especially the words containing the vowel sound as found in the Pronunciation Drill, and see that the sound is given in a natural tone. Winter : Put upon the blackboard some of the characteristics of Winter time, as : Cold; snow; ice; frost; snow flakes. Q. : What do you put on when you go out to walk in Winter ? Ans,: Coat; mittens; earpads; muffler. (123) 124 Teachers' Manual Q. : How do you keep warm ? Ans.: Fire, coats, etc. Q. : What can you do in Winter that you can not do in Summer ? Ans.: Snowball; skate. Talk about snow and snow-men; toboggan- slides; snowbirds. I^kating : Describe roller-skates and ice- skates. Get the children to ask questions about skating. Tell of the girls and boys of Holland who nearly all know how to skate, and go from place to place on the steel run- ners. In *'St. Nicholas Song Book" (The Century Co.) there is a " Song of the Roller Skates," by Maria J. Hammond; the first verse is as follows : Swoop-a-hoo ! Swoop-a-hoo ! * To the left, to the right; Swoop-a-hoo! Swoop-a-hoo! On our rollers so bright. Read this verse to the pupils, and if you have the book, read the entire poem. Siiowflake§ : Explain to the children as simplv as possible how snowflakes are made, how frost comes, and read the follow- ing verses taken from another song by IMary Mapes Dodge in the ''St. Nicholas Song Book": Lesson XL 125 Whene'er a snowflake leaves the sky, It turns and turns to say " Good-by ! Good-by, dear cloud, so cool and gray! " Then lightly travels on its way. But when a snowflake, brave and meek, Lights on a rosy maiden's cheek, It starts, " How warm and soft the day! 'Tis summer!" and it melts away. Experiments : While it is not intended to teach young children science, still there are a few experiments that may be shoivn and explained in simple language. Not only will the children enjoy the experi- ments, as something seen will always leave a deep impression, but at the same time they will learn a truth, and "knowing a thing because I have seen it " is a long way on the road toward reaching the "why," which will come later. Place a glass of water on a table. Put a cork in the water; it floats. Put in a stone; it sinks to the bottom. Put in a piece of ice; it floats. Idea of Weight : (a) Tell the pupils that the cork and the ice. floating in water, are lighter than water. All things that float in the water are lighter than water. (b) The stone, sinking to the bottom of the glass, is heavier than water. All things 126 Teachers' Manual that sink in the water are heavier than water. Heat and Cold : Have an iron ring and two iron balls, one that will just slip through the ring and one that is just a little too large to slip through. (a) Heat the ball that will slip through the ring, and when it is blood-red, show that it will not slip through the ring; in other words, that it has grown larger. The heat has made the iron ball grow larger. (5) Take the remaining ball and freeze it ; this freezing may occupy some time, so it had better be started early in the morning, and the ball allowed to stand incased in ice till thoroughly chilled. Show that this ball will now slip through the ring. The cold has made the iron ball grow smaller. llu§ic and Motto : To be used as heretofore explained. The motto is to be read and a talk based on it ; it is taken from Shakespeare. Tell something about Shake- speare. LESSON XLI The l^ound : The © is an obscure sound, and great care should be taken in drilling upon it. The syllable -or in saiF-or should not be slurred, but it should be remembered that it is not the full or long or sound, as in nor. The I^esson: Explain to the pupils what is meant by the word harbor. Ask if they have ever seen a sailor. Have them tell what they know about sailors. Sailors that are in our navy are sometimes called "Uncle Sam's Boys." If you have the music, play "Nancy Lee," and "Sailing" with its chorus: Sailing, sailing Over the bounding main, For many a stormy wind shall blow Ere Jack comes home again. Describe Uncle Sam's war-ships ; how large, how fast they can go, what big guns. Ask the boys if they can name any of the ships. (127) 128 Teachers' Manual Stories : Many stories of war- vessels may be found in American history ; but in telling such, always emphasize the bright side for children. War-ships are not made for play, but to children they suggest adven- ture, "The Frigate's Namesake" (The Cen- tury Co.) is a delightful story, dealing with a little girl who knew all about ships, had a boat of her own, and one day visited a real ship. If procurable, the teacher will find it a help. Talk to the pupils about Decatur, Dewey, etc. The "St. Nicholas Song Book" (The Century Co.) contains a song, " There's a Ship on the Sea." Sailors : Explain wigwagging, or signal- ing with flags, to the children. This may be illustrated in the form of a game; for ex- ample, have a girl and a boy stand in opposite corners of the schoolroom, each with flags, and tell the boy that a certain movement he makes with his flag will mean "Are you 'going out to play?" and tell the girl that the movement she makes with her flag will mean "Yes." Tell how signaling is done at night by electricity or other lights. Talk about the search-lights on a battleship, etc. Sometimes the sailors on a war-ship have rescue drill in this way: a life-buoy is thrown Lesson XLI 129 overboard, and the ship quickly leaves it behind. The man on watch calls "man overboard," the ship is stopped, a life-boat is lowered, and a crew of sailors get in and row back fast, just as if a man were sinking, till they can pull the poor "buoy" out of the water and take it on board the ship. Thus, in case of a real accident, these men would be ready. Review : Review the making of the paper boat, found in Reader, Lesson XXXIV, page 42. To the Teachers From *' Scientific Side-Lights," James C. Fernald (editor) [Funk & Wagnalls Co.] : The following is culled from topic 680 : [Materials] taken in gradually, day after day, recurring in different contexts, considered in various relations, associated with other external incidents, and repeatedly reflected on, grow into such a system, form such connec- tions with the rest of the mind's fabric, lie open to so many paths of approach, that they remain permanent possessions. This is the intellectual reason why habits of continuous application should be enforced in educa- tional establishments. — James Psychology^ vol. i, ch. 16, page 663. (H. H. & Co., 1899.) LESSONS XLII, XLIII Ol)ject-I>r Having : This is the first les- son designated as an Object-Drawing lesson. It is based upon the straight line and the curve, both of which have been given in a previous drawing lesson. The teacher is to use discretion as to whether this lesson shall be completed in one or more days. It may be advisable to make several lessons of it. Of course, the objects are to be drawn free-hand. If possible, have the objects themselves placed before the class, in the positions as seen in the cut, Eeader, page 50. Do not confuse the child with the term per- spective, but explain that a little of the top of the box in Fig. 2 is to be seen, and show how the side lines converge to make this top. Explain everything as simply as pos- sible. The drawings may be gi'ouped in the following manner, running across page : (1) Square. (2) Box. (3-4) Cylinders. (5) Door. (6) Book. (7) Cup. (8) Pail. (9) Ink-bottle. (10) Rolling-pin. (130) Lessons XLII, XLIII 131 The teacher on careful examination will see that the groaps are practically repeti- tions in new shapes of elements that have already been introduced in previous drawing lessons. RevicAV Lesson : Two sounds of '*0" are to be reviewed in the same way as di- rected in previous review lessons. See that the meaning of each word is understood. Write sentences or verses containing the words upon the blackboard and read to the pupils, as: Humpty Dumpty eat on the wall; Humpty Dumpty had a great fall, etc. Music : The completed song, containing the examples of all the sounds of "O," is given on page 51 of the Header, and should be carefully practised. As much gesture as possible should be taught the children. The flowing of the water, the exclamation *' Hark ! " lend themselves readily to action on the part of the pupils. Verse : The little verse from Robert Louis Stevenson's *' Child's Garden of Verses " (Charles Scribner's Sons) is to be read by the teacher to the class. LESSON XLIV Pronunciation ]>rill: The two dia- grams at the top of the lesson page contain nine words formed by the addition of (1) Six consonants to ook. (2) Two consonants and the digraph sli to ould (digraph = two letters representing one sound). • Put upon the blackboard the sentences : (1) I would if I could. (2) You should if you could. Explain in a simple way the moral sig- nificance of such expressions. The two equivalents found in this lesson are oo = u and ou = u. Stories : The teacher by this time has probably found that the pupils show some eagerness in suggesting words containing the vowel sound that is being studied. Upon such words the teacher may often base a (132) Lesson XLIV 133 story. It is not asked that the teacher always use the story suggested in these notes, but a child's interest needs stimula- tion, and the desire for a story should be met. '* Little Red Elding Hood "has else- where been used ; if the pupils remember having heard it, let one of them repeat the story. Tell the class that the word wolf contains the u sound, and write a sentence upon the blackboard in which the word is used ; as, " The wolf is cross." Narrate the story of the boy who cried ' ' Wolf . " In brief it runs : Once there was a boy who went into the fields to watch his flock of sheep ; during the day he thought he would have fun with the village folk, so he cried aloud, '^ Wolf, wolf, wolf," and the people came running out, thinking that the sheep were being eaten up. But they only found a laughing boy, and the sheep quietly grazing in the meadow. One day, however, a real wolf came, and when the boy called out, '' Wolf, wolf, wolf," no one ran to help him, and his sheep were killed. The following Mother Goose rime should be read to the pupils ; the word crooked con- tains the u sound : 134 Teachers' Manual There was a crooked man, And he went a crooked mile, And he found a crooked sixpence Against a crooked stile; He bought a crooked cat, Which caught a crooked mouse, And they all lived together In a little crooked house. music : The same idea of emphasizing the different sounds of " U" by italicizing words containing the sound studied, as sug- gested in the '*0" song, is here followed. The two music lines should be practised carefully, and the italicized words in the Terse lines should be written upon the black- board, and used in connection with the Pronunciation Drill. LESSON XLV Pronunciation I>rill: The u sound is continued in this lesson, and as it is rather a difficult sound, it should be studied care- fully ; we repeat that the teacher should see that no pupil raises the voice too high ; a natural pitch is desired — aim at intensity^ not loudness. T^cison: The lesson and the picture show unity ; in fact, it has been the aim throughout the Reader to show that the best results are obtained by the use of related subjects rather than isolated ones, and also by the emphasis of such relation. There is scope for a large variety of related topics, based upon the picture illustrating the lesson : (1) Winter time. (2) Ice and snow. (3) Sunset. 1135) 136 Teachers' Manual (4) Trees and bushes. (5) The brook nearly frozen over. (6) Deer. (7) Color lesson. What colors do you see in the picture ? (8) The woods. ISin^ular and Plural : Put upon the blackboard the following sentences : I see a deer. I see two deer. Explain that the word deer may mean one or more. As the pupils by this time have some idea that the plural is formed by the additions of s or es to the singular, care should be taken that a simple explanation, leading to no confusion, is given about the plural of the word deer. The irregular plurals in general shoidd he avoided for the present. Of course, the children will under- stand the ideas that the words plural and singular represent long before they need be taught these terms. I>eer : Talk to the children about deer : (1) Color. (2) Horns — different from cow's ; how they are shed. (3) Eyes — keen, bright. (4) Tail— short. Lesson XLV 187 (5) Timid animals. (6) Swift runners. Reindeer: Attached to sleighs in very cold countries ; used as we use horses. Tell of Santa Claus coming in a sleigh drawn by reindeer. Story : Have one of the pupils repeat the story of the ''Babes in the Woods," which was told in a previous lesson. Poem : Tennyson's '' The Brook." While the poem as a whole is beyond the under- standing of the average pupil studying a First Reader, it is believed that certain lines, supplemented by the teacher's explanation, will give a vivid picture of a brook : And sparkle out among the fern. . . . By thirty hills I hurry down, Or slip between the ridges. . . . I chatter over stony ways. . . . With many a curve. . . . By many a field. ... I chatter, chatter, as I flow To join the brimming river. . . . I wind about, and in and out, With here a blossom sailing. . . . I steal by lawns and grassy plots. . . . 138 Teachers' Manual I slip, I slide, I gloom, I glance. . . . I murmur under moon and stars. . . . I linger, etc. Wherever in the lessons it is possible to illustrate the many points in a simple way by using the words of a master-artist such as Tennyson, it would be well to do so. Longfellow thus describes *' The Brook " : Laugh of the mountain ! — lyre of bird and tree ! Pomp of the meadow ! mirror of the morn ! The soul of April, unto whom are born The rose and jessamine, leaps wild in thee! There is everything in entering into the spirit of a season, and the above lines are given not necessarily to be read to the pupils, but to emphasize that sympathy with all nature which a teacher should strive to cultivate. LESSON XLVl Pronunciation Drill: Take partic- ular care in tlie drill upon the ii equivalents, o, oo, and ou. The Teacher: Each point of the lesson should be studied in regular order. First the Scientific Alphabet sound should be con- sidered, along with the words containing the sound to be found in the text and Pronunciation Drill. After reading the text to the pupils, see that every thought therein contained is clearly understood. Ask questions. Remember that it is the object of this Reader to have each lesson tell something to the pupil that is worth his while to know. Emphasis of the sound must not be neglected, wherever it is pos- sible to emphasize it. The Text : The last sentence in the text asks a question. In a previous lesson (XL), an experiment with water, ice, and a stone a39) 140 Teachers' Manual was suggested. If the pupils have been shown the experiment, they should be able to an- swer this question. If the experiment is not remembered, perform it again before giving an answer. In every case, the thoughts sug- gested to the pupils should relate to Winter time, which is the basis of the lesson. Experiment : If this lesson is studied during very cold weather, it might be shown the pupil how ice forms on pools of water, at first in thin sheets, then becoming so thick that men can skate and horses walk upon it. An inexpensive experiment could be shown by the teacher at this point of the lesson. Ask the pupils if they have ever seen a thermometer; show them one. Have two glasses placed upon a table, one filled with cold water and the other with warm water. Put the thermometer into cold water and show how the mercury in it drops; then put it into warm water; show how the mer- cury rises. Inference : When put into hot water the mercury rises — becomes larger (or ex- pands). When put into cold water the mer- cury falls — becomes smaller (or contracts), Quest! on § : Do you remember how the ball grew larger when it was heated ? Do you Lesson XL VI 141 remember how the ball grew smaller when it was frozen? Literature: See "Nature Study in Elementary Schools," Wilson (The Macmil- lan Company) : (a) Snowflakes — pages 108, 109. (b) Snow, Hail — pages 154, 155. In Lovejoy's ''Nature in Verse" (Silver, Burdett & Co.) there are many poems rela- ting to the "Winter season. One called ' ' The Snow-Storm " (page 269) is quoted in full : The Snow-Storm. We are free! we are free! the snowflakes cried, Hurrah! hurrah! away we hide. Now we're whirling, and twirling, and dancing around, And gently sinking to the ground. The jolly north wind! how he makes us fly, And whistles the tune we are dancing by. We cover the valleys, we cover the hills. We bury the flowers and frozen rills, We're dashing out this way, and that way again, We're dashing against the window-pane. Then away, away, away, away. We'll make a track for the merry sleigh; We're drifting high, ah! ah! here's fun For the boys and girls When school is done. Now we're whirling, and twirling, and dancing around. And gently sinking to the ground. Other poems that might be of use to the 143 Teachers' Manual teacher may be found in the same volume on pages 258-276. The following songs might be consulted to advantage by the teacher : "Songs of the Child- World," Gay nor (The John Church Co.) : (a) "Jack Frost," page 68. (5) " Tracks in the Snow," page 69. (c) " Sleighing Song," page 70. " Songs for Little Children," Eleanor Smith (Milton Bradley Co.) : (a) "In the Snowing and the Blowing" [Part I], page 12. (5) " The Snow Clouds" [Part I], page 35. (c) "Jack Frost" [Part II], page 28. (d) "Snow Ball Song " [Part II], page 31. Talks : Tell the pupils of the provision of nature by which, when water freezes, the ice always forms at the top, the water below retaining a certain amount of warmth, and thus protecting the fish during the cold months. Describe the extra amount of fur to be found on animals in Winter time. LESSON XLYII The Teacher: The thought of the lesson should go through the mind of the pupils. Carlyle at one time said, "Hold your tongue and do something." Never forget that in moral and religious education almost everything depends upon the teacher. A stream can not go above its source; the teacher is the source. As has been well said, "Truth can be promulgated only by those who possess it." The Ije§§on : Write out parts of the lesson on the blackboard, dwelling upon the vowel sounds contained in it. It would be well for the teacher to prepare herself for every lesson on the day before it is given, and determine in what way she will make the details of the lessons clear to the class. Vocahiilary : A good way of securing a conversational vocabulary is by inducing the pupils to talk freely about things they have seen on their way to school. Have them (143) 144 Teachers' Manual repeat any little story they may have had read to them either at school or at home. En- courage the children to talk by asking ques- tions and by keeping up the interest in the topic being studied. Remember that chil- dren learn words by efforts to understand and to express ideas. Proiiiiiiciatioii I>rill: The word bugle, found in the text, contains a combi- nation of i and u sounds, and is pronounced l>iu'-gl. Picture : This is divided into three parts : I. Soldiers. Have the children count the number in each row or rank, and repeat the following stanzas : One little, two little, three little soldiers, Four little, five little, six little soldiers, Seven little, eight little, nine little soldiers, Ten little soldier boys. Ten little, nine little, eight little soldiers, Seven little, six little, five little soldiers, Four little, three little, two little soldiers, One little soldier boy. In the same verse, substitute the word sailors, and repeat it. II. Bugler. Tell the pupils some things the cavalry bugler has to do, e. g,: Blows Lesson XL VII 145 bugle for soldiers (1) to get up (reveille); (2) to go to bed, *' lights out," ^'taps"; (3) to make a charge in battle. The West Point cadets, it is said, think that the bugle-call in the morning means the following : And I can't get them up, and I can't get them up, And I can't get them up in the morning, And I can't get them up, and I can't pet them up, And I can't get them up at all. Tennyson in his "Bugle Song," found at the end of the third part of *' The Princess," gives this refrain : Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying. O hark, O hear! how thin and clear, And thinner, clearer, farther going ! The bugle is also sounded on board a war- ship. Play some of the bugle-notes on the piano. If a phonograph be obtainable, a record may be readily procured that repro- duces all the well-known bugle-calls. III. Sailors. See suggestions in a previous lesson (XLI). Storie§ : (1) Sir Philip Sidney, wounded on the battle-field, gave the single cup of water which had been brought for him to 10 146 Teachers' Manual a dying soldier, saying, ' ' Thy necessity is greater than mine." (2) The little drummer- boy, wounded and being left behind by a defeated and retreating army, beat his drum until the soldiers took heart and rushed back up a hill to victory. ISSackboard Sentences : (a) The soldiers are marching. (5) They have guns. (c) The soldiers wear hats. (c?) The sailors wear caps. (e) Soldiers belong to the army. (/) Sailors belong to the navy. (g) Hurrah for the soldiers ! (h) Hurrah for the sailors ! (?) The soldiers and the sailors love one flag. (j) Hurrah for the red, white, and blue ! LESSON XLVIII The Teacher : It is told of a certain teacher how, when he had to give to his class a lesson on measurement, he sought for means by which to interest the pupils at the outset. Entering the room, he took a ruler from the desk, and getting down upon the floor, began measuring one side of the room. The pupils, on the qui vive, watched intently, and finally, when one side had been meas- ured, and the result put upon the blackboard, the teacher began his explanation. This in- cident should be borne in mind ; if the pupils are interested, they will go a long way be- cause of that interest. What matter if mis- takes are made at the beginning? The teacher should see that the children are not too sensitive to criticism. The L