I MODERN STANDARD DRAMA. R 5097 EDITED BY JOHN W. S. HOWS. 115 T6 1^ Na LXV, 848 opy 1 115 T6 jK 848 ^BIk; TOWN AND COUNTRY. IN FIVE ACTS. BY THOMAS MORTON, ESQ, WITH THE STAGE BUSINESS, CASTS OF pHARACTERS, COSTUMES, RELATIVE POSITIONS. ETC. NEW YORK : M DOUGLAS, 11 SPRUCE ST., Pubushkr, AND FOR SALE BY BERFORD & CO., 2 ASTOR HOUSE; Siriiippf St. Townsend, and H. L«ii^ & Brotliwr, New York ; Red-liiis A-. Co. aiirt Hotcliki8R&Co., Bostun; S. G. Slieinuin.T. R. reiersnn, I'iiik:- dclfilim. Win. Taylor & Co., Baltimore: Amos Head, CliHil Rnrko, Biittalo; Wm. Adam, Washington, D. G. r RICE I2j CENTS THE OPERATIC LIBRARY. The undersigned have now in course of publication, uniform with the " Modern Standard " and " .MiNoii Dramas," a complete series of all the Operas, Italian and English, that are likely to be played in the United States. In all cases, the Italian and English versions have been carefully revised, and, in many instances, new translations have been procured, thus rendering; this not only the most correct edition ever published, but, at the same time, handsome, uniform, and cheap. The following have already been published The Favorite,* The Niglit-Dancerr,,* . Nornii, . . . . The Somnambulist,* . Liicrezia Borgia, II Barbiere di Siviglia, Maid of Artois,* Elixir of Love,* Beatrice di Tenda, La SonuMmbula, Anna Bolenn, Lucia di Lammermoor, 1! Furioso, . , . L'lClisir D'Amore, . Fra Diavoli),* . La Favonrita, ' . . Smniraniide, La G.izza Ladra, , Krninii. . . , Don PasquMlc, II Giuramento, . , L:i Gemma, Linda of Chamouni,* Roineo e Giulietta. . I C:i])u]etti e Moutecchi, r Lombrii'di, Robeito Devereux, Nabiicodoiiosor, . , Don Giovanni, The EncliMutiess,* Marino Faliero, * Tliosc mai'ked with asterisks aro Englisli only, Donizetti. Loder. Bellini- Bellini. Donizetti. Rossini. Bal/c. Donizetti. Bellini Bdl/'ni. Donizetti- Donizetti. Donizetti. Donizetti. Au'ier- Donizctli. Rossini. Donizetti. Verdi. Donizetti. MereniJau'e. Do7iizdU. Bellini. Zinp^firelli. Bel It I i. Verdi. ' "~^ Donizelli, Verdi, Mozart. Balfe. DoniziMi, WM. TAYLOR & Co., 151 Nassau St., Corner of Spruce. MODERN STANDARD DRAMA. EDITED BY JOHN W. S. HOWS. No. LXX. TOWN AND COUNTRY, IN FIVE ACTS. BY THOMAS MORTON, ESQ. '\ WITH THE STAGE BUSINESS, CASTS OF CHARACTERS COSTUMES, RELATIVE POSITIONS, ETC. NEW YORK : DOUGLAS, 11 SPRUCE ST., Pob AWD FOR SALE BT ALL BOOKSELLERS. 1848. ^^ % i^V 2 4 1916 EDITORIAL INTRODUCTION. The comedies of Morton were the delight of the last age, and notwithstanding the mutations that have occurred in theatrical taste, his productions continue to be attractive on the stage, when casts of sufficient excellence can be collected, requisite for giving due effect to his creations. The radical change, how- ever, that has taken place in the taste of our modern race of play-goers, has shorn Morton of much of his once universally acknowledged supremacy as a dramatist. The modern critic sees nothing in the productions of the veteran play-wright but ex- travagance of character, and platitudes of false sentimentality. Being ourselves a kind of connecting link between the old and the new school of the drama, we confess to having a lingering par- tiality for the rich and fertile combination of vivid dramatic inter- est, with the strong contrasts of character, which Morton so skilful- ly exhibits in all his productions. Even his most glaring defect, we mean his sentimentality, finds an excuse with us, as being like the defects of Shakspeare, rather the consequence of the age in which he wrote, than the natural discrepancies of the author's own imaginings. English comedy in the time o( Morton, was just emerging from the lachrymose style, introduced by Kelly, and followed up by Cumberland and others ; and its first transition was into the more objectionable school of German sentimentality, rendered attractive as it was by deep pathos and romantic incidents. Mor- ton saw the strong leaning of the public taste, and constructed his comedies in accordance with the prevailing tone then given to all dramatic compositions. Hence the overwrought sent:- ment and false views of life, which in our " matter of fact age" excite either ridicule or disgust in modern audiences. There is still, however, character enough in all Morton's comedies, to enable them to keep possession of the stage for years to come. It is true that the eccentricities and the peculiar distinctiveness of English character thi^ author delighted in portraying, are IV EDITORrAL INTRODUCTION. fast disappearing, if they are not wholly extinguished. The progressive spirit of the age, is decidedly levelling in its charac- ter : not only does it amalgamate distinctive classes, but it mer- ges idiosyncracies of character into one species of level uni- formity, under the influence of the general intelligence now pervading alt classes of the community ; and thus Morton's characters, which, in a past age, were the embodiments of a class, or the representatives of some well recognised existing eccentricity, find little sympathy from readers or audiences of our utilitarian times. Town and Country was among the least successful produc- tions of this prolific dramatist. The admirable acting of John Kemble in the part of Reuben Glenroy, is supposed to have saved the piece. Although we should think that the character of old Cosey in the hands of Fawcett, together with the array of talent combined in the original cast, must have materially aided the effect Kemble produced in his delineation of the hero, however powerful may have been his individual exertions. This comedy, apart from the defects we have noticed as being the characteristics of Morton's plays, is a very pleasing produc- tion ; the plot is full of dramatic incident, although it violates probability. Reuben Glenroy, the hero, is a noble fellow, too chivalrous, as the world now goes, but still popular on the stage, where we love to applaud the virtue and generosity we prac- tically contemn in actual life. The dramatic colouring of Reuben is heightened in its effect by the tinge of eccentricity, caught by a life of rural retirement in the seclusion of the wild mountainous country of Wales. Old Cosey, the wealthy old stock-broker, philanthropic, munificent, and, withal, most humourously eccen- tric, could not, now-a-days, find his counterpart on 'Change or in Wall Street, but as an ideal character he is infinitely amusing on the stage, and we believe might have existed in reality some '■"sixty years ago," in the purlieus of the Stock Market. Trot, the cotton-spinner, is another picture of a bye-gone age — cari- catured, no doubt, but forming an admirable contrast to Cosey. Hawbuck is the stereotyped Yorkshire lout, common to the stage ; and the other characters are but common-place. Yet they serve to complete a picture at once agreeable and interest- ing. H. CAST OF CHARACTERS. Covcnt (Jardrm. Erondwny, 1618. Plastic > JIi"- ^- Kemble. Mr. Dnwson. Trot " BlancliaiJ. " Vachc. Costy '' Fawcctt. "Blake. Rcv.Otoon GUnroy " Murray. " F'rodericks. Reuben Glenroy "Kemble. " Vandenhoff. Captain Glenroy " Bruntou. " Flemiog. First Tradesman, a Tailor " Len. Second Tradesman, a S/wemaktr " Wilde. Third Tradesman, a Stick- Seller " Sergeant. Fourth Tradesman, a MiUiner " Menage. Sr^""} ^'-*^"''^-'' { ':^7.t^!- Ross " Creswell. " D. C. Andereon. Williants " King. Evans "Truman. " Gallot. First Waiter " Trnby. " Wright. Second Waiter " Field. " Watson. Stilt " Beverly. Robin "Atkins. "Hamilton. Hawbuck "Emory. " Hadaway. Robert, Servant to Mrs. Glenroy " Jeffries. " Thompson. Thomas, Servant to Trot "Piatt. "Wright. Postillion " T. Blanchard, Hon. 3Jrs. Glenroy Mrs. Glover. Miss Telbin. Rosalie Somcrs Miss Brunton. .Mi.'tB F. Wallack. Mrs. Trot Mrs. Mattocks. Mrs Scrg^eant. Mrs. Moreen '• Davenport. " Winstanley. Goody Hawbuck " Emory. "Chapman. Taffline Miis Tyrcr. " Boulard. Waiting Maid .M it* Cox. Tfurse Mrs. Whitmorc. yi'Jnffers and Dancers. COSTUMES. REV. OWEN GLENROY.— Black suit, REUBEN GLENROY.-Drdb cloth shooting- jacket, striped waiMcoat, buff breechoe CAPTAIN GLENROY.— Scarlet regimentals. PLASTIC— Modern suit. TKOT .— First dress : — Lig^il blue cloth!=uit, lined wit'i .-^ilk. Second rfrcM ; — Brown coat and breeches, .steel buttons. COSEY--Browncoatatid waistcoat, figur'd buttons— black velvet breeches, jack boots, ROSS. — Mixture coat and breeches, scarlet v.'aistco.it, speckled stockings. WILLIAMS. — Countryman's sm^'t suit. ARMSTRONG.— Brown lopellcd coat, buff wais.oat, and breeches. DWINOIiE. — Plum-coloured coat, waistcont, and breeches. STILT.--Mopy fellow ! — I mean, I pity you. Plas. Ha, ha ! thank you. Capt. G. I have done, I tell you ; and my commis si on Plas. Will amply support the establishment of the most fashionable wife in town, ha, ha! Capt. G. Damnation ! But for my beloved Honoria, \ could smile at poverty. By all that's sacred, 'tis for het- sake alone that — Plas. You will condescend to accept the loan of a few hundreds, and once more try — [Presenting notes. Capt. G. Charles — gcnenjus fellow ! — If you really think I ought to try once more, why — Plas. Upon my soul, I do. Capt. G. But, only once more. Pins. Oh ! certainly — only once more. Well, Glenroy, I'll follow you — throw boldly, my boy — but don't clear all out ; leave me the sweepings. Capt. G. Farewell. Hojie and despair both uige me on. Exit, I.. Enter Hawbuck, c. u. f., carrying refreshments. Plas. Very well — not a word. [HaichucJc ascchds tJic stairs.] Sf), Crlenroy is in my power, and if the necessities of his wife should require the same sum, why, she'll be in my power too. [A crash oj hrohcn china and glass is hcard.\ Clumsy scoundrel! [Haivhuck runs donui the stairs. Haw. Lord have mercy, sir! Plas. What's the niatrer! Ha}o. Matter! Why, Miss up-stairs be gone. 48 TOWN AND COUNTKY, [Act IV. Plas. [Seizing hi?n hy the collar.^ Gone! impossible! Hate. Quite impossible. [Plastic runs up.] Only she happens not to be there, that's all. Plas. [Above.] The window forced ! When — how ? [Descends.] Run ! Ilaio. Yes, sir. Plas. Where are you running ? Haw. I don't know. Plas. 'Tis all owing to your damned stupidity. — You should have watched, and — distraction ! my hopes de- stroyed, my conduct exposed. [ Walks about agitated. Haw. Ha, ha! Ecod ! she mun be a nice clever lass, however, like. Plas. [ With siij)pressed irritation.] 'Tis amusing, isn't it? Haw. Yes, varry, I think, — he, he ! Plas. (r.) You do — here are five pounds for you. Haw. Thank you, sir : nice snug place, this, I've got. Plas. Now, go : I discharge you ! go ! [ Violently. Haw. Go ! where % [Alarmed. Plas. To the devil. — Go ! [Points to the door. Hajv. I'll follow you, sir, if you please. Plas. If you remain in this house five minutes, I'll break every bone in your infernal ugly body. Out-tricked ! exposed ! [Exit, l. Haxo. My ugly body ! That's malice. Ecod ! he's gone : however, I've got five pounds, and this grand coat. Come, that's fair enough for three days' service. Ecod ! I'm not quite so sui'e that I will go home. For if youi cockneys be such flats as that, there can be no call for a lad brought up in Yorkshire, to be in a hurry to go away. [Exit, b; Scene III. — A Fasldonablc street. Enter Cosey and Reuben. Casey, (c.) [Si?iging as he enters.] " Oh, rare London Town ! charming London Town !" Thank heaven, here we are ! Ay, here are nice hard flags to walk on — there are your houses, so pretty, all of a row, like my ledgers. Does it not raise your spirits, eh ? Only see me in the city by-and-by — up to Lloyd's — down to the Jerusalem — Scene III.] TOWN AND COUNTRY. 49 cross to the Bank — into the Alley — pop to Garraway's. But, heyday, Reuben ! what are you looking for, eh 1 Rcuh. (r. c.) Is not my brother's residence in this neif^hbourhood. Cose;/. Oh ! true. Egad ! I had quite forgot. There the prodigal lives : but he is not worth our care. Reub. Oh, sir ! the hope of restoring a brother to virtue, is the only balmy drop that is mingled in my cup of bit- terness : do not dash it from my, lips. Coney. He is an incorrigible gamester. Reub. I hope not. But should his misfortunes urge him to despair — think of my poor father. Who then will cheer his latter days ? Cosey. Has he not Reuben ? Rcuh. He may not live long. Cosey. Come, come, no more of that. There's my pocket-book ; the contents are yours. But don't let brotherly love get tlie better of honest discretion. Reub. Worthy friend, doubt me not. Cosey. Grood-bye ! but damn the dumps. I'll soon put you in spirits. I sa,y, I'll show you our hall, and Bedlam, and Newgate ; and we'll be so jolly ! And should I hear anything of Rosalie — My dear fellow, I ask a thousand pardons for bringing her to your mind. Reub. [ With a melancholy S7nile.\ Bringing her to my mind! Ah, sir! [Exit, r. Cosey. An ungrateful jade ! Where can she be 1 Pugh ! no matter. I would not go the length of this cane to save her from — [Looking out.] Eh ! why, sure, is that — [Running and calling.] — Rosalie ! won't you speak to your old guardian ? Oh, lud ! no — nothing like her.— No, not the length of this cane ! Enter Trot, l. Ah, my old friend ! — Welcome to London ! Trot. [In a melancholy tone.] Thank you. Cosey. Isn't it a jolly place 1 Trot. Oh, veiy. Cosey. But, heyday ! you don't seem to be what I call comfortable. Trot. No, not particularly so. Cosey. That's because you don't live in the city. — Here, even their language is unintelligible. 50 TOWN AND roUNTF.Y. [Act IV. Trot. Oh ! but I've learned some of that. When anybody says, " How are you ?" I am to say, I am in great force, and that my wife's in high preservation ; then I'm to throw in taste and style into every sentence, just like mace and cloves in a cookery book. Coseij. Then, their late hours — Trot. Why, that's pretty well managed : for, when we have a party, I am to sup before dinner, and then I can attend to the guests. But, zounds ! they won't attend to me : they make such a fuss about the new woman, as they call my wife, that nobody thinks of the old man. Last night, when the rooms were as full as a bag of cot- ton, they elbowed me about, till I was forced to tell them who was the man of the house ; and then, a squalid, nankeen-faced fop lounged up to me, munching a bunch of grapes that cost me a guinea, and, sputtering the skins in my face, said I v/as a damned fine fellow, and had better go to bed. Cosey. Oh, 'tis like them. Trot. But that was nothing to what I went through at the club. * Coscij. What ! have you been at a stylish club, too ? Trot. Oh, yes: and one member said, if I would make it worth his while, he would caricature me ; another asked me if I was ever out? I said, every morning; then they all laughed at me. In short, they set me on fire with ice-cream made of cayenne, and quenched m» with claret ; and, when I was completely, what they called, turned up, they ordered a porter, pinned my direction on my back, and sent me home as damaged goods. Cosey. Ha, ha ! Oh, rare London ! I beg your par- don — ha, ha ! ^Looking at Ms icatcJi.] Egad I I must be off to 'Change. Trot. Ah, if I could but muster courage enough to have my own way — Cosey. Why, that can't require much resolution. Trot. And go into the country. Cosey. Ah ! that must require a good deal. But, zounds! be determined ; and, if vou dislike your stylish hfe, sell the house, and all thai';; in it. Trot. Whv, I've had it but a v.cek. SCEKE III.] TOWN AND COUNTRY. 51 Coscy. So much the more fashionable : for now the run to ruin is so rapid, that the upholsterer has hardly done knocking up, when in pops the auctioneer, and ho begins knocking down. [Exit, l. Trot. What an expense ! How many times must my spinning-jennies turn round before this account is bal- anced ! Among them, 1 was happy — so busy from morning to night, I liad not time to eat or sleep. Ah ! those jolly times are over! Here, T may twirl my thumbs all day, oi' — Enter Rosalie, l., running. Rosa. (l. c.) Oh, in mercy save me ! [SitiJcing down. Trot, (c.) A woman in distress ! Be composed — there, there ! [Supporting her. Rosa. Oh, defend me ! Trot. That I will. Rosa. 1 fear I'm ])ursued. Trot. No, no — you are safe. What do you fear? — From whom do you fly 1 Rosa. A wretch, wlio, by a vile stratagem, tore me from my friends, and, as he thought, secured — Trot. Don't tremble so. There — recover your spirits. And how did you escape ? Rosa. I'll tell you, sir; the room I was confined in looked into an obscure street, where T observed some workmen employed. T watched an opportunity, by signs, to implore their assistance, and showed them my purse. Fortunately, they understood me, and raised a ladder against the window, which they forced open, and thus enabled me to effect my escape. I threw them their re- ward, and fled ; but I fear I shall be pursued. Trot. Fear nothing. — Where shall I conduct you ? Rosa. Alas ! I know not ; my friends live in Wales, sir. Trot. Well, well ; my house is at hand, and I shall like it the better for sheltering you, my pretty innocent ? So come. Have you any objection to inform me who you are 1 Rosa. Oh, sir, I have no concealments. My name is Rosalie Somers. Trot. Rosalie Someis ! Zounds ! what shall I do ? — 52 TOWN AND COUNTRY. [Act IV. You must know, Miss Somers, that I had the TOisfortune — no, I mean simply, I married into the family of the Plastics : and my wife — she — that is, perhaps — Rosa. I understand : she would not receive me. De- serted, miserable girl ! Trot. Hold ! I certainly am married to Mrs. Trot, but as certainly not wedded to her opinions. And, though, between ourselves, I believe I may have sunk a little the dignity of the husband, I hope I have not degraded the character of the man; so fear nothing. I'll conduct you to the protection of a kind lady, the Honourable Mrs. Glenroy. Rosa. Mrs. Glenroy ! — She is related to my dearest friends. Oh, thanks, thanks ! Would I were there ! Trot. Why, sure, you are not afraid of me ? Rosa. No, sir ; you look like a very harmless gentle- man. Trot. Egad ! they would not find me so who attempted to insult you ; and, so far from fearing to encounter a hundred of your fighting-bloods, curse me if I think I should be afraid of meeting Mrs. Trot ! I dare say I shall look quite smart by her side. [Cocking his liat.\ So, take my arm, my dear; nay, don't hurry: we'll proceed leisurely, and enjoy the walk, and talk of tliis, that, and t'othei-. \l^xcunt, n., arm in arm ; he strutting and flou- rishing his cane. Scene IV. — An Apartment in Captain Glenroy' s House. E7iter Reuben, /ireceJefZ by Robert, l. Reuh. Your lady, you say, is in her own apartment. Serv. Yes, sir; I believe she is dressing. Reuh. I wish to speak with her. Serv. I don't think she'll be at home, sir, R&ub. Why, 'sdeath ! don't you say she is at home? iSerz'. No, sir; I only say she is not out. Reuh. Psha! go, and acquaint her a gentleman must see her immediately. Serv. Your name, sir ? Reuh. I'll tell her my name, sir. — Go. [Exit Robert, r.] How changed my nature ! I feel my heart contract witbin me, as if it shrunk from all commerce with social Scene I V.J TOWN AND COUNTUY. 53 feeling. Let me not, however, while I lament that vice is the common shade in the portrait of the human heart — no, let me not forget, that it is but the shade ; — and infernal must that eye be, which dwells only on the sombre spots of the picture, blind to tlie warm colouring of the affections, and the glowing tints of active benevo- lence. Enter Mrs. Glenrov, r. h. Mrs. G. (l. c.) Sir, I am quite shocked that you should have been admitted. lieub. Madam, I didn't mean to intrude. [Rctirijig. 3Irs. 6r. Dear sir, don't mistake. I presume you know 'tis the height of ill-breeding to let anybody in, that's kind enough to inquire after one's health. jRcub. I did not know that, madam ; yet am glad to re- ceive from your fair self the pleasing evidence that the inquiry is needless. BIrs. G. I am well, I thank you, sir. Health is quite the fashion. Keith. Indeed ! then I hope, for your sake, madam, fashion will no longer be distinguished for its fickleness. M)-s. G. To whom am I indebted for these kind wishes ! Reuh. Madam, I am the elder brother of that miserable and degi'aded man, your husband. Mrs. G. Miserable ! degraded ! [Indignantly. Renb. Ay, lady. — Must he not be miserable, who risks at play what might preserve his family from ruin 1 Is he not degraded, who, by dissipation, contracts debts, and withholds from honest industry its hard-earned pit- tance ? Mrs. G. Vulgar and contemptible ! You the brother of Augustus 1 Reub. I have confessed it. Mrs. G. I am sorry for it. Reub. So am I. But I prefer humiliation to falsehood. Mrs. G. [Courtcs}jing.] 1 would wish, sir, to be mistress of my own time, as soon as it may suit your convenience. [ Gni/ig. Reub. Madam, my business hcie is to serve, rather than to please ; to speak the severe language of truth, not the soft blandishments of flattery. Yet, believe me, 54 TOWN AND COUNXnY. [Act IV, niy nature (though perhaps blunt) is averse to insult : and, should I prosjier in snatching a beloved brother from ruin, the joy of my heart will be damped indeed, if, in saving him, I forfeit your kind estimation. B'hs. G. [^Presenting her hand.] All is forgotten, — You are my husband's brother, Reub. And your devoted friend. [ Taking her hand and kissing it.] How does your sweet infant? Where is my little nephew ? Mrs. G. Quite well, and with his nurse, Reub. Surely, I am with his nurse ? Mrs. G. Oh, no, sir; 'tis not the fashion for ladies — Reub. The fashion ! Now, is it possible, a woman should be so lost to her own felicity, as to lavish on a hireling the cherub smile of instinctive gratitude, which beams in the eye of infancy, while nestling on that bosom, at once the fountain of its life and pillow of its rest 1 Oh, my young matrons, in thus estranging your little offspring, you forsee not the perdition you cause ; you know not the earthly pai-adise you abandon. Mrs. G. [Stro7igly affected.] Sir — you are eloquent, Reub. 'Tis the subject that is so : Nature wants no orator to plead her cause. Ha ! a tear ! Oh, hide it not ! Believe me, my dear -sister, no gem that sparkles in your dress is half so ornamental as that glistening drop, which your overflowing heart now shoots into your eye, endear- ing evidence of maternal sympathy. Mrs. G. I feel my error. Oh ! why did not your brother thus admonish, thus — Reub. I am your friend, but he is your lover : and he who loves truly will suffer much ere he can teach his eye the scowl of discontent. Long, long will his heart throb with agony, before one groan shall disturb your slumbers, one breath of reproof ruffle your peaceful bosom. Mrs. G. Ah ! you have loved. \Reuben agitated.J Are you ill ? Reub. 'Twas nothing; 'tis past, I have learnt where your' husband will pass his evening. I'll bring him to you. Mrs. ?i.] Nay, tliink not to escape me : these sinews are braced by ligorous toil ; the blood that rushes from tliis heart flows like its feelings — warm, steady, and uncorrupted. Where is she, sir? — Where is jny — where is your Rosalie ? Plus. Sir, we this morning parted ; she left me to — lietih. And with honour? Pins. With honour, [lleuhcn expresses thanks to heaven, Keuh. One question more : does she love you ? Plas. Does that require an answer.^ She left your protection for mine; I thought you had received a letter from her, expressive of — JReuh. It is enough. I promised Rosalie my life should be devoted to her happiness ; the task is hard indeed, but it shall be performed. She has given you her heart: sir, you must make yijurself woithy of it by the only atone- ment in your power. Plas. As how 1. Penh. By marrying her? Plas* Marry her? Reuh. Surely he does not understand me! The pun- ishment assigned you for shooting the icy bolt of death tlirough this heart, which rekindled life in yours, is to marry Rosalie Somers : to pass your life with her — to have cherubs climb your knees, that call her mother: in sickness and misfortune, to have her hand to smooth the pillow for your head — her love to soothe the sorrows of your heart! [Sits and writes.] You say you owe me gra- titude : sign this — the debt is paid. Plas. What does it contain ? Ileuh. A promise of marriage. Plas. Sir, I adore Miss Somers ; and, were not my for- tune so inadequate to — Reuh. But .she is rich — immensely rich : the Cardigan estate is hers. Plas. Indeed ! — The best speculation that could possi- bly ofliM'. — Sir, I only wished the mraus to make her ht. G. Dear sir, far distant be that hour. Cosey. [Takes their ha?uh icitli firmness \ Ah, my boy ! settling-day must come to us all. But, if we take care that the balance appears on the side of probity, and warm feeling to our fellow-men, doubt not but our accounts will be passed with errors excepted. But come. Captain, you must with me, to prepare for the city in the morning. You are set on your legs, to be sure ; but we must enable you to w^ag them a bit, and a transfer-receipt is an excel- lent recipe. But zounds ! why do you hang back ? Cpus. 70. Town and Country. 71. King Lear. 72. Blue Devils. H'llfi a Portrait and Memoir of Mrt. SUA IK VOL. X. 73. Henry VIII. 74. Married and Single. ':>. Ilenrv IV. ^ 76. Paul Pry. 77. Guy Mamiering. 78. Sweethearts and Wives. t^" On a Remittance of One DoUnr, free of pnat.ifre, Ten copies of any of the pluys will be sent l>y mull. M. DOUGLAS, 11 Spruce Street, N. Y. LIBRARY OF CONGRESS li«* rSM WiM ■■■■■■■«l ^ 014 528 472 7 # Uniform with the " Modern Standard Drama." With the view of giving completeness to their design of supplying the public with all the best di-atiiatic works that keep possesBion of the stage, iho publislier of the " Motlerii Standard Drama" liave com- menced the " MINOK DRAMA/' in wliicU series will be embraced all those Minor'Stock I'ieces, Farces, Vaudevilles, and Burleltas, which could not properly be classed under the Cormer title. The " Minor Drama " will be printed uniform with the " Modern Standard Drama," and every number will be embellished with a spirited Kngraving, ilkistrative of some piominent scene. All the old stock after-pieces, together with all new ones of decided merit, will be embraced in this subsidiary series, and issued from the press in rapid succession. The following have bcRn already published : 1. THE IRISH ATTORNEY. 2. BOOTS AT TllK SWAN. 3. HOW TO PAY THK RENT. 4. TllR LOAN OF A LOVER. I 5. THE DEAD SHOT. 6. HIS LAST Lr:GS. 7. The INVISIBLE PRINCE. 8. The GOLDEN FARMER. With a Portrait and Memoir of MR. JOHN SEFTON. 3. The Pride of the Market. 10. Used Up. 11. The Irish Tutor. 12. The Barrack Room. VOL. II. 113. Luke the Labourer. 14. Beauty and the Beast. I 15. St. Patrick's l-:ve. I 16 Captain of the Watch. With a Portrait and Memoir of MISS C. WEMYSS. 17. The Secret. 18. Wliite Horse of the Peppers 19. The Jacobite. 20. The Bottle VOL. III. 2 1 . Box and Cox. 22. Bamboozling. 23. Widow's Victim. 24. Robert Macaire. With a Portrait and Memoir of MR. F. S. CHANFRAU. 2.5. Secret Service. 26. Ouniibiis, 27- Irish Lion. 28. Maid of Croissey. '??. The Old Guard. 30. 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