Class_:£^_l_3A.l. Book £1± AMENOPHRA, AND OTHER POEMS AMENOPHRA AND OTHER POEMS ERNEST ARTHUR EDKINS DETROIT EDWIN B. HILL 1889 .E 4- 3oo(o TO E. B. H. Virginite du cceur, helas si tot ravie ! Songes riatits, projets de bonJieiir et d\imoiir, Fraiches illusions du matin de la vie, Pourquoi ne pas durer jusqii' a la fin diijou}'? Theophile Gautier. CONTENTS. PAGI In Limine, vii Amenophra, I A Vision, 5 The Suicide, 6 Requiem, 8 The CominCx of Spring, lo Degrees, ii Roundel, 12 On the Sea-Board, 13 Viareggio, 14 To , 16 Intaglios, 17 Quatrains, 18 Lines to a Young Girl, 19 Love, 20 Sorrow, 21 To my Mother, 22 April Nights, 23 Lines to M , 24 At Twenty, . . . . . . . . 26 Madelaine, 27 A Saddle Song, before Battle, .... 28 Medea, 30 CONTENTS. Correspondences, The Pine, In November, 34 Amour, 35 Chim.era, 36 Nostalgia, . . . . . . . . .38 Notes, 41 IN LIMINE. I drank of Avon, too, — a dangerous draught, That roused within the feverish thirst of song. Walter Savage Landor. I HAVE suffered these few lyrical efforts to be collected and republished, partly at the instance of my friend, Mr. Hill, and partly because I deem it a fitting acknowledgment to the critics, for the uniform courtesy, — I may even say, clemency — received at their hands. J\Iany of my earlier and lighter poems have been very properly omitted from this volume, and my altered conception of the poetic function as well as of the poetic principle, causes me to hope that they will meet with that Eluthanasia which Oblivion generally accords to the immature effusions of youth's third lustrum. Whether the residue herein preserved merits a similar fate, is a question, as Sir Thomas Browne would say, 'not beyond all conjecture!' E. A. E. AMENOPHRA.' THERE are rare moments in this earthly Hfe,. — In this terrestrial arc of being — rife ( E'en as they fade away, we shrink aghast ! ) With shrouded phantoms of an unknown past.^ Unknown, I say, — yet to the eye they seem Strangely familiar, while that fleeting dream Holds us beneath its spell ; in such brief space As marks the second-hand's erratic race Once 'round the smaller dial, or twice, perchance, — We sink, in breathless horror, 'neath the trance, We faint, and yet the helpless body falls ( It seems for hours ! ) between green chasmal walls Of polished, gleaming rock, which ever flee Upward, in glassy lines, so rapidly We fall ! Erom sheer excess of horror, then (Yet still within the trance) the mental ken Becomes a blank, until a gentler phase Of spirit- vision meets the seared gaze, — Blue seas, fair skies, and slanting P^astern trees That graceful bend beneath the aromatic breeze. 2 AMENOPHRA, AND OTHER POEMS. Passion of Dream -life! in thy vast domain, Where there is much of pleasure, more of pain, Where incorporeal Silence takes a Form, And forests reel beneath a windless storm ; ^ Where the weird chaos of a spedral world Leaves the dazed mind on heaps of horror hurled ! — Down thy enormous, sunless, silent isles I late have fared. Sardonic, fearful smiles Writhed on the stony lips of many a head Of carven marble, — at my echoing tread A mausoleum, towering in the gloom Swung wide its ponderous gates, to give me room ! But still I journeyed on, and did emerge At last, upon this glorious, boundless verge. Where, gazing through the blue infinite space, My soul identified its earlier dwelling-place. I have long idled, here, a life away Beneath vast marble porticoes, — each day. Bathed in cool caverns of perfumed shade And fanned by graceful Nubian slaves, arrayed In grotesque garbs. Only at night and morn Could I see the marine sun's rays adorn The rolling sea with rich prismatic fires And gild th' Eternal City's thousand spires, — Save when I left the couch, the shade, the band AMENOPHRA. 3 Of slaves, to pace the ribbed and tawny sand. Then all the blazoned colors of the sky Were mirrored in my own refledive eye, And so gave me, throughout the night and day Strange dreams with which to while the time away. The slaves, whose unique duty was to find And exorcise the care that weighed my mind With growing melancholy, danced in vain Their graceful measures to assuage my pain, Or, Seraph -like, evoked ' threttanelo' ^ From trembling strings that only voiced my woe. For an old sage in passing by had said, In words that seared my soul like molten lead, 'Dream, Amenophra, dream on while the breath Of Summer fans thy cheek, — full many a death And resurredion wait thee, ere thy soul Shall know the great peace of the final goal' Still in the trance, I traced my tortuous way Back through the spedral world of solemn gray ; Still in the dream, I wandered 'neath the smiles ( Frozen and joyless mirth ! ) that in those isles Leered saturnine from out the Stygian gloom, Or mocked me from the carvings on the tomb ! But all the formless phantoms that of yore 4 AMEXOPHRA, AND OTHER POEMS. Had triumphed o"er me with their helhsh lore I feared no longer : at the last hour of night 'T is seen, light grows invisible through light, — - Dawn breaks, the brightest planet fades away Before th' effulgence of the orb of day. And so, by virtue of the deeper shade I did not see the lesser ones which strayed Within my ken ; but still I could not flee The face of Amenophra by the sea, (Who was my former self!) the ^^'hile he died His glance sought mine, and almost me descried. In proud impatience, as Death closed his eyes, To pierce the veil, and Ihiis his second self surmise! A VISION. BEHIND, a sheer, precipitous crag that frowned Portentous, down upon the sullen sea, — A leaning menace to the seething sea, — Before, the shelving shingle's narrow bound. High in the mid -air hell there circled 'round Vast, misty, bird -like shapes, seeking to flee The cursed coast, the sentient enmity Of the gray sea's sardonic laugh ! A sound More keen, more piercing, clove the foam-fill'd air, — A human note of wild, unutterable woe, And down that haunted shore, with streaming hair, A form, methought I saw, pace to and fro, Singing a dirge of deep, divine despair, — I saw the form, I heard the voice, of Poe ! THE SUICIDE. OWHAT is abroad in the night, in the night I That I needs must awake from my dreams, And seek the lone bridge, and the sight, and the sight Of a sullen deep river that rolls in its might — Of a horrible river that seems Like the treacherous tide of my dreams? II. I lean o'er the rail in the toils of the trance And the tide flees away from my face, But on its broad breast I encounter the glance — The wild ghastly glance of two eyes that advance Not an inch in the current's swift race — That stare blankly up at my face. III. Long shuddering swords of resilient light From the furthermost sinuous shore. Trail over the waters or burv their bright THE SUICIDE. 7 Keen blades in the tide — but they point to a sight On the ghstening, watery floor* That freezes my heart to its core. IV. For the eyes, the cahii, beautiful unseeing eyes That hold me enthralled in their spell — No longer are mortal — their swift vision flies Up a moon -riven path through the wStygian skies, And away from this earthly hell Where the spirit disdained to dwell. O delicate form down there in the dark, O pitiful sight that I see — Thy golden hair cruelly caught in the bark Of a half sunken tree, and thy body a mark That the world of to-morrow, by thee, May its own inhumanity see ! REQUIEM. SING me a song in a minor chord, a song in a tender strain, Soft and low as the warm wet wind that comes in the wake of rain, Sad with the burden of vanished joys, and their heritage of pain. Sing me a song of the younger time — of the golden long ago, (How like the fire-light on the wall dim memories come and go!) Sing me a song of pleasure and pain, for my heart doth overflow. Softly the prelude, and tremblingly sad, as evoked by the organ keys, — There have been doubts as keen and as bitter and sadly uncertain as these. Voiced in the moated music -bar that lingers adown the breeze. REQUIEM. 9 Grandly the prelude, and thunderingly deep, as it * merges into the theme, Losing itself as a rill is lost in the greater tide of the stream, — So the old hopes and aims grew bravely out of a troubled dream. Hark ! the divine clear voice is thrilled with the passionate music's woe, And the eyes are heavy with unshed tears, and the night doth darker grow — That those who planted the germ, the fruit thereof may not know. Where are the leaders of that dear time, with a pur- pose strong and deep ? Shoulder to shoulder they fought like gods, and now in an iron sleep Like gods they rest, while I o'er their deeds a lonely vigil keep. THE COMING OF SPRING. I HEAR the lulling lisp of lotus leaves Whisper her name unto the passing wind, That faintly flings behind I'he echo, ere it onward grieves Through yon gaunt hill -top pine tree, sharp defined Against th' cerulean sky its sword point cleaves. The tangled grasses bow in reverence, pjiamored swallows, swift of wing and strong, Follow her path along That waste where Nature, dumb and tense Under some ban uncouth, some hideous wrong, Broke, at the call, from Winter's prison residence. w DEGREES. I. HERP^ the gray sea deftly moulded the lines of the curled and carven shore, And labored with infinite hands at ranging the shells and pebbles in rows, I loitered my lazy way, nor recked the work it would cost to restore The havoc 1 made or the ruin I wrought on the route my fancy chose. II. Ah, (jod ! And this young, glorious life that I held and exalted above All others, and sought with a tender touch to guide to planes still higher. Is left in ruins after a tempest of passion that had no love. Is crushed by the passing foot of a wretch in pursuit of his one desire ! ROUNDEL. OUT of the deep there came a sound, as of anguish stricken dumb In the midst of its cry — the heavy air seemed all too sad to weep, Save a raindrop, blood -like, splashed on my hand as a herald of wrath to come, Out of the deep. Breathless, I stood and listened, hearing naught but the sudden hum Of wings invisible, 'round my head, of bats aroused from sleep. Silent, I crouched and strained my eyes, seeing naught of the chasm deep. Then — crash! Creation reels "neath the final war begun, The searching swords of the storm from their cloudy scabbards leap, After this awful chaos can there rise to-morrow a sun Out of the deep ? OiN THE SEA-BOARD. WHAT magical spell abides in the keen salt wind and the stinging spray, That thrills and uplifts my heart from its narrow life,— And its hopeless strife, Till I scourge from my presence all sorrow, and on ly rem ember to - d ay ? Could not a man lie here forever with the breakers booming under. And the blue of the sky above and the cliffs around That echo the sound Of the circling bittern's scream and the angry ocean's thunder? Drinking, a soul disembodied, in the days and the nights that pass, In the blaze of burning planets at night, and the dead moon's rays. Or through long davs List to yon musical cricket in the brine -encrusted ffrass ! VIAREGGIO. OPWTEFUL coast, O lone, deserted shore ! Under the spell of that low moon's ^veird gleam Comes back to me, like some forgotten dream, A memory that will haunt me evermore. "T was there, 'mid those submerged, accursed weeds. Where the strong tide is quenched without a sound, A body with wide- staring eyes was found Wedged in between the wreckage and the reeds. And the waves looked upon it, and fled back,' Affrighted at their work. The sea-birds wheeled Yet lighted not ; the shrouded moon revealed Its face, a moment, through the storm-cloud's jack, — Beheld, and then withdrew its sickly light Away from that uplifted, ghastly face. Locked in the final pitiless embrace Of Death, and guarded by the jealous night. Such was the scene ; and now it comes again, — The haggard moon, the sands, the drifting tide, The ranks of crusted weeds, the corse denied VIAREGGIO. A grave, and floating out upon the main : t see the sight, in fancy, o'er and o'er ; Then, as the P^ast proclaims another day, I take my staff and slowly turn away, A fugitive from thought forever more. A FTER TO thy songs in praise of the others are sung, — Rounded and brought to an end with a passionate thrill, How shall we think of the theme, remembering the tongue Whose last low liquid notes are lingering still ? II. After thy sad -glad life, like an Autumn day. Smiles through the twilight bravely, and dies in the gloom, How shall we grudge thee the laurel wreath and the bay, Knowino: that voice forever stilled at fhv tomb ? INTAGLIOS. I. HAIR of gold against a sky of blue, Never colors were more richly blended, How the South -wind, like a cunning Jew, Caught her hair and all its wealth distended Where glints o' the warm Sun sifted through and through. II. Face of ivory in a frame of gold, Half averted from my eager gaze, Oh Grecian face, thy beauty I behold In rapturous, unutterable amaze, — A radiant angel's face, self-aureoled ! QUATRAINS. DEATH, AITRED, sleepy child, that shuts his e3'es And lays him down for slumber to bequeath Its dear repose at night, and doth arise In the Sun's orlorious mornino- • this is Death. SUNRISE. All of a sudden the sea -damp drifted up, And the great bowl of the Sun* came out of the Sea, Daylight had filled and lifted its drinking cup. And sweet was the promise of joy it pledged to me. WOE. Over a moonless, bare, deserted sea Of shifting sand and palms disconsolate, There came an awfu^, lonely cry to me, — A lion mourning for its captured mate. LINES TO A YOUNG GIRL. WFFH lingering step we paced the wal Beneath those stately trees, How light and careless was our talk, Our hearts how ill at ease ! The wind caressed your tawny hair And kissed your starry eyes, — Twin orbs of Heaven ! none half so fair Are left within the skies ! The river softly wandered by. The moon was veiled"^ above, — My heart had learned once more to sigh, And yours, poor child, to love ! LOVE. •Liles the world,' she sang, and tripped along The meadow path, near where the brooklet purled se its voice to swell t Love rules the world. ^ T OVE rulee L al( And seemed to raise its voice to swell the song just where the stream its tiny vortex whirled Around the stepping-stones, could it be wrong That I should pray Love's arrow to be hurled ? Together on Life's way we stroll along And oft remember where the brook once swirled Its mimic maelstrom, and joined in our song 'Love rules the world.' SORROW. THRICE welcome, Sorrow, though thy hand be hard, 'T is but the grip of friendship, and I see In thy stern eyes cold light the chastity That marks a soul from pleasure self- debarred. Men tell me that thy comradeship has marred The lives of countless beings, but to me There seems a higher destiny for thee Than that so often sung by mournful bard, For in the pain and anguish, in the smart Of injury, in the helpless sense of wrong There lies a chastening power, which doth make Us more of men, if there is in the heart Aught of true manliness, and we grow strong And live, and work and learn for Sorrow's sake. SONNET TO MY MOTHER, ON HER RECOVERY FROM A DANGEROUS ILLNESS. M' OTHER ! I breathe the dear name soft and low, Afraid lest I disturb thee in thy sleep, — "T is well that thou shouldst slumber while I weep And inly shudder, knowing all I know ; For thou didst lately leave me here, to go Wide-eyed yet all unseeing, down the steep Of that dim, silent Vale, whose shadows deep Blot out Life's feeble sunset after -glow. But looking back, perchance, with curious gaze (Not longingly, for life was pain to thee). Thou didst behold me, mute and sorrow - slain : Then thy stilled heart with Mother -love did blaze Into quick life, — the solving alchemy Of Death was stayed, — and thou didst live again! APRIL NIGHTS. I. WHEN the moon is a blur in the sky Faint, and affrighted, and far, — When the breeze of the night is a sigh For the Hght of the morning star ; When Earth turns, troubled, in sleep. And the East shows a sullen stain, My watchful vigil I keep Love! at thy window-pane. II. 1 come not with lute or with song, — 'T were a petty art to employ, For mine is a passion too strong. For mine is a tongueless joy, — When the silence is solemn and deep And the night shadows Westward flee,. I watch o'er thy dreamless sleep, Else there is no peace in me. LINES TO M . O VIOLIN, O violin, Thou ever faithful friend of mine O violin, dear violin That cheers me with thy voice divine ; Break this oppressive solitude, — Interpret thou my varying- mood. There was a time, there was a time So dear, alas, so long ago. When, in Italia's sunny clime This tremulous, caressing bow Wooed from the strings a melody Like to the love 1 offered thee. Ah me ! the fires at the shrine Of my lost love are waxing cold ; The skillful touch that once was mine Has gone, nor can I as of old Hope for that which may never be And speak through this violin, to thee. LINES TO M . 25 Oh. perished love, oh dead intent ; Sad rehcs of the buried past ! I gently touch my instrument And memories crowding thick and fast Come with the sobbing, low refrain And bear me back to youth again. AT TWENTY. THERE "S something noble in a shattered hope That bends its remnant still against the blast, There 's pathos in the blindness that doth grope Where light lay, last, In level lines across Life's rugged Western slope. And he who battled nobly in the strife Is loved, and he who bravely fell is mourned. But one, ah God ! I know, whose empty life Is justly scorned E'en by himself, with myriad sad reflections rife. O twenty barren years, forever fled ! O horror of inverted life, when age Is felt in youth, and youth's desires are dead. When the sweet mage Of music vainlv seeks to thrill this heart of lead ! MADELAINE. MYSTERIOUS child ! whose luminous eyes Can calmly scan my trembling heart ; Whither doth trend our destinies, — What, in your life, shall be my part ? I fear, each time I go away. That you will fail to wait for me, — That back to Heaven you will stray, Lost in some strange, sweet reverie ! A SADDLE SONG, BEFORE BATTLE. T I. *HE revel no longer holds sway, and the morn- ing is dawning, Impatient my charger doth chafe at his bit in the stall, The guests have all gone with the last dark hour of morning. And a rosier light than the cresset illumines the wall. II. Afar stretch the curving gray shores, where my path intermingles, And loses itself in the sinuous belt of the sand, — A vanishing, shimmering line which the sea ever singles To mould at its pleasure, — the terminal loop of the land. A SADDLE SONG, BEFORE BATTLE. 2() in. To my love's lattice window I look, where per- chance she is hiding To watch me depart ; and a last long libation I pour To her lips and her eyes and her manner so sweet and confiding, — Then ho ! for whateer may befall me adown the dim shore ! MEDEA. EYES all ablaze with awful wrath and pain, That sear the pulsing space through which they gaze, So fierce their light. The long, interminable days Drag their length by unheeded, since her reign Is ended. But that glorious bosom's swell, (On which a king might die!) and in her hand The jeweled dagger that usurps the wand, And those knit, gloomy brows, the story tell. CORRESPONDENCES. I. ALL colors, odors and sounds are bound Together, by a strange invisible chain, Thus, some faint perfumes I have found Soft, like a flute's low liquid sound, Sad, like autumnal rain. II. Fresh, like the sweet, firm flesh of a child Or the wind-blown golden hair of a girl, — Some odors! — exuberant, keen and wild Like long lush grasses, all beguiled By the brook's seductive purl. III. And some are as fierce as a wanton's kiss- Some have the expansion of infinite things That madden the senses with sudden bliss, Transporting to worlds remote from this The spirit, on viewless wings ! THE PINE. OTREE ! O tree ! I am sad and world aweary, Let me recline by thy resinous trunk, and share For an hour th}' dear immunil}" from care, — - What matters how dreary This hill -side be, with its slopes all worn and bare. II. O tree ! O tree ! Night hides in th}- dusky arms Through the hot day, and wandereth forth again When sinks the Day -God, baffled, beneath the })lain, — From Life's sudden alarms Would 1 could flee to thee ever, O soother of pain ! THE PINE. ^^ III. There is a Spirit which broods in thy deeper shade, There is a Voice in thy branches overhead, And I Hsten as one who heareth a voice from the dead, Yet though I have stayed Till moon -rise, know I the meaning of what it hath said ! L.QfC. IN NOVEMBER. A LONELY, limpid, lustrous star, Not high, but remote in the wild weird sky Gleams red through the wintry dusk, afar, To where, in a thicket maze, I lie. . A chill wind thrills through the leafless thorn, — Or was it Autumn went by in the gloom So hurriedly? Even now she is gone, Leaving a faint perfume. The red star flashes a ruby light Down in the darkling woodlands tlrear, We, and we only, mark the flight Of the gracious Queen of the Year. AMOUR. HERE, with the slumberous sea at our feet, that murmurs again in his sleep, And the low, blind muffled Western wind that passes with pensive tread, Over the fenceless fields of air to the refluent wastes of the deep, — I come as of old, love, to plead for the ghosts rearisen of hopes long dead. Low and large hangs the heavy, voluptuous moon in the clouded sky, Soon will a dull light broaden along the infi- nite blue of the East ; Tell me, belov'd, have you nothing for me but a tear, a regret and a sigh, — Love's Vale, the last tender message, of pity the most and of passion the least? CUmJERA. WHERE willows shiver, gaunt and stark, Above the black, moon -mirroring waves, There is a path whence one may mark The Mohawk, as it onward raves. And oft I linger there at night When the mad March- winds overhead, — Weird harpers! — sound in their dim flight Strange music 'mid the branches dead. The stars that light that lonely spot Gleam redly down, meseems, And a shadowy Past, remembered not, Returns to me in dreams ! O! is this chant the night-wind sings But the shrill cadence of the breeze, — Or do I hear the rushing wings Of the swift Stymphalides.^ And are those stars (so strangely bright!) Stars only, — or do I again Behold that glare of lurid light Athwart the vast Pharsalian Plain.? CHOLERA. '^'] Chimaeua's wings have fanned the air, And I between her children stand, — Lost in unending reverie, — where They He, half- buried in the sand. I see within their awful eyes The mirrored mysteries of the Past, So veil'd that I can but surmise, — Yet, thus surmising, stand aghast ! Old world visions and dreams antique Of a dim, Pre-natal life are mine; By the dying fire's columnar reek I have waited in vain for the Two to speak, — O Sphinxes ! dost make no sign .? NOSTALGIA. THE low and listless wash of languid seas, Lapping the level shores of tropic lands, — The strange sweet perfume of a fluctuant breeze Blowing at midnight o'er the damp sea-sands: Visions of pyramids, and palms and pines, The lotos -laden Nile, and dreamful nights In amorous Venice, where one's soul divines All the old pagan passions and delights, — Why do ye haunt me ? I can feel again The touch of thrilling fingers, the caress Of moist emollient lips — the joy, the pain. And all the old Love's power to blast or bless ! In a tense reverie, led by gray Regret, I softly tread amid the wreck of years, Finding, where I had prayed I might forget, Mem'ries that blind my eyes with bitter tears I NOTES NOTES. The idea of J //w/wj^/ira, — so far as there is any tangible idea attached to such a mere fragment, — was suggested to me by reading Charles Baudelaire's La Vie Antcrieure. O soUecito dubbio e fredda tema Che pensando I'accresci. — Tasso. And wandering amid those awful hills, I beheld sombre and moss - bearded pine - forests, the which were of vast size and inconceivable age, . . tossing their arms wildly to the sky, and crashing against each other, the while there was no breath of 7vind stirritig beneath that gloomy and evil vault. — Tritemius. 4- This is the beautiful representative echo by which Aris- tophanes expresses the sound of the Grecian phonninx, or of some other instrument, which conje6lurally has been shown most to resemble our modern European harp. — De Qukncey. 42 NOTES. See Racine's F/ia-dra, — ' Le flot qui I'apporta recule epovi- vante.' CORRECTION. In line 27, page 2, and line 66, page 3, read 'aisles' for 'isles. SEP 18 1901