LIBRARY OF CONGRESS. Shelf UNITED STATES OF AMERICA. THE PRINCESS ELIZABETH A LTBIC DBAMA. FEANCIS H. WILLIAMS. ^.V:. j^or;/'j PHILADELPHIA: CLAXTON, REMSEN, & HAFFELFINGER, 624, 626, AND 628 MARKET STREET. 1880. r Entered according to Act of Congress, in the year ISSO, by FKANCIS H. WILLIAMS, in the Office of the Librarian of Congress at Washington. COLLINS, PRINTER. TO MY WIFE, PEESONS, Elizabeth Tudor, Princess of England. Beatrice Dacres, ^ Isabella Markham, I Ladies Attendant upon Eliza- Lady Saint Lowe, j heth. Lady Willoughby, j Katharine Ashley, Governess. Thomas Seymour, Earl of Sudley. Stephen Gardiner, Bishop of Winchester. Sir John Harrington. Sir Robert Tyrwhit, Commissioner of the Council. John Heywood, | ^^'''"^^'^^ ^-our^ Jester to Henry \ VIII. Thomas Parry, Cofferer. Yvart, In the Service of Gardiner. Knights and Ladies, Officers, Soldiers, Attendants, A Courier, A Page. A detachment of the King' s Body-guard. Time — September, 1548, to March, 1549. Place — First and Third Acts, Cheston, in Hertfordshire. Second Act, London. fiel 1* Fourth Act, Hatfield House. THE PRINCESS ELIZABETH. ACT I. SCENE I.— Chestox. The Hall. Isabella. A Page. ISABELLA. Thou silly boy, thou hast not heard aright, Or if thou hast then do I know right well The vane points stormward. Dead now, dost thou say. Or only sick to death ? PAGE. Ay, lady, dead ; I caught the word upon the lips of him Who came post-haste from Hanworth. ISABELLA. From the Earl ? PAGE. Ay, lady. So my lord of Sudley bears Remembrance of his devoirs 'mid his griefs ; 8 THE PRINCESS ELIZABETH. [Act I. 'Twere joyance if the realm held many such To keep the image of a gentleman Ever before the glances of the page. My lord of Sudley — ISABELLA. Is a true gallant ; Yes, boy, I know : but speak less like a sage ; Thy head outruns thy shoulders, and anon May leave them on the wrong side of the block ; A smell of blood yet tingles in the air, And counsels prudence. PAGE. Good my lady, thanks ; I beg forgiveness that my foolish tongue Hath pressed untoward jargon on your ear ; I will amend my fault. ISABELLA. 'Twere well thou didst For thine own weal. And now where went this dark And direful messenger of woe ? PAGE. This way He held his path in haste, and seemed to feel The livery he wore gave warrant here Scene I.] THE PBINCESS ELIZABETH. 9 To murder all proprieties wherewith Her Highness hath hedged round herself. ISABELLA. Hush, boy. {Enter Beatrice. The Page withdraws to the rear.) BEATRICE. Oh, have you heard it, sweet ? ISABELLA. I prithee, what ? BEATRICE. This sudden stroke which kills and makes alive. This death that frees my lord. ISABELLA. And what to you Should bode his freedom ? BEATRICE. Nought, in very faith. Yet if mayhap the lord High Admiral Hath found his chain to gall, 'twere better so To shape it that it gall not. And anon The realm shall have the fuller, freer share Of his strong power to plan, and lead her on To nobler destinies. 10 THE PRINCESS ELIZABETH. [Act I. ISABELLA. Ah, sweet, I know How hot a thought lies hidden and half mad Beneath a show of interest in the realm ; Yet still beware. The queen hung on his breath, And sought, as one who follows will-o-wisps, To find fruition of a new delight Within the halo of his wondrous eyes. She made but two steps in the chase, — the first Was from the throne of Henry to the warmth Of Seymour's arms, — the second to her grave. BEATRICE. He killed her not. As well defame the sea With epithets of murder, crimson-tongued, Because it must be grand and soar despite The whims of fools who choose to drown themselves Within its proud caress. As well betray Anger against the eagle whose large flight Can pause not though his mate's heart break at home. The queen had loved him while his majesty Yet chafed upon his throne. Fruition came With Henry's death, and if she now be dead, She hath had that which others, finer tuned In nerve and nature, had wist well to die With knowledge of possessing. ISABELLA. Oh, how prone To very madness is a woman's heart ! You paint a picture, Beatrice, and lo. Scene I.] THE PRINCESS ELIZABETH. \\ The colors are all tinged with godlike glow — Great masses of broad light to kindle flame On the soul's altar of unblemished art. You coin rare drops of blood into the theme, Until the canvas stands, Olympus-like, Bearing God's image. Then you proudly cry: Behold, it is my true love's portrait! Ah, Go on, sweet, 'tis the old, delicious way; But full of danger, mark me, and the end Lies close to white Death's door. BEATRICE. Nay, this is wild; I reck not if death quench life's loves or no. Or if mayhap all life's loves lead to death. Seeing my soul is free of love's own life ; Still, loving not, I yet may find the wit To know a true man's figure and brave heart Amid a world grown dull with smiles of fools. ISABELLA. So be it, but methinks Wit steps a-halt When Love flies in the van. A VOICE without. i Come hither, boy. PAGE. Grace, lady, I am called. {The Page, starting to go out, is met hy a Courier wearing the Seymour livery.) 12 THE PRINCESS ELIZABETH. [Act I. COURIER. Madame, I come Directly from mv lord, and hither bring Such news as it had pleased me much the best Not to have had to carry. ISABELLA. Yes, I know. Tidings of sorrow^ run ahead of him Whose duty bids him bear them. In his grief The noble Earl of Sudley hath all tears Which English eyes can offer. COURIER. So it please, I fain would beg her Highness be informed, And, if she hold it meet, grant of her grace Short audience for deliverance of my trust. I bring a letter with his lordship's seal. ISABELLA. Her Highness shall receive it. Give it me. COURIER. Pardon, I beg, my lady, but my lord Bade me in person see it in that hand Whose princely fingers yet may hold the thread Of Britain's fate. Scene I.] THE PRINCESS ELIZABETH. 13 ISABELLA. Her Highness still prefers That some one of her ladies first make known The coming of such missives, so hath given The most explicit orders. COURIER. Still I crave That you acquaint her Highness that without Waits one of the lord Seymour's servitors. ISABELLA. Oh, if you will. I blame you not that so You strive to fill your master's full command ; But 'tis quite vain. \_Exit. BEATRICE. (Aside.) Nay, would God that it were. (To Courier.) You say you came from Hanworth even now ? COURIER. Ay, lady. BEATRICE. And the Earl was stricken sore ? COURIER. His loss is great, and keen he feels the pang Rankle and ache within his noble breast. 2 14 THE PRINCESS ELIZABETH. [Act I. The Admiral of England still has claims That will not pause for grieving. BEATRICE. That, of course. Who should expect my lord to play the girl, When all the nation looks to him to lead And bear her glory forward ? But icithin ? You can see something, and my lord is man ; Think you his spirit bends beneath this blow ? His smile was very gracious, and his eye Held light to make all glad. Must that go out, And leave us hopeless ? COURIER. Hopeless ? BEATRICE. Nay, the word Is strong, yet none so well fills out the thought That at the moment was at hand. But then 'Tis strong ; I meant not hopeless. Like the rest I should be sorry that my lord were sad ; — And was he very sad ? COURIER. My lady, fain Were I to answer, but I know not where My master keeps- the archives of his soul. Your ladyship must see. . . . Scene I.] THE FB IXC ESS ELIZABETH. 15 BEATRICE. Yes, 'tis enough ; Here comes your ansM^er from the Princess. (Enter Isabella.) ISABELLA. Well, Your master's suit is granted. (To the Page.) Lead him in. Her Highness waits you in the inner room. COURIER. Most gracious lady, thanks. [_Exeunt Courier and Page. ISABELLA. I am aghast ! The Princess seems like wind which ever veers — BEATRICE. Yet tends forever towards the amber south — ISABELLA. And knows not two like wishes. 'Twas but now — Yesternight when we sat to catch the breeze Wliich bore September odors through the leaves, That she insisted how her mind was fast To bar this easy access from without: She wanted rest and privacy, and here In this green Cheston — at her tender age — Sure she should have them. 16 THE PRINCESS ELIZABETH. [Act I. Now behold the change ! A booted messenger, besmirched with mire, Swoops hawk-like, and unstayed by ghost of form, Demands an instant hearing, pausing not Save to pronounce his master's magic name; But lo ! 'tis all-sufficient, and the doors That nearest hide the Princess fly wide back To welcome the intruder! BEATKICE. Think you this Holds aught to engender wonder? Nay, my lord Had marvelled more to find his message kept Waiting admittance. He can well command Quick welcomes elsewhere, and the smile of those Whose dignity is greater than a girl's. E'en though her heart hold royal blood. ISABELLA. Enough ; Yet I had thought her pride would turn her mind To hold consistency less cheaply. BEATRICE. Ah, I guessed much better. An you knew my lord As I do (and mayhap it so shall fall), Your heavy measure of unfeigned surprise Had shrunk to less than zero. Scene I.] TBE PRINCESS ELIZABETH. 17 ISABELLA. 'Tis a strange, Unfathomed world of ours. Come, let us go ; I hear the Ashley ranting on the stair, And yearn not for her discords. {Enter Katharine and Parry.) PARRY. Marry now, 'Tis balsam to the eyes of humble men When one room compasses two forms so fair. BEATRICE. You borrow, Master Parry, from the Court, A touch of court floridity of speech. \_Exeunt Beatrice and Isabella, to ichom Parry hoics low, KATHARINE. These butterflies but flout a gayer wing Fanned upward by a compliment. PARRY. Or blown Obliquely by a jest ! Well, as you said. You need wise counsel. I am here to give ; But prate not of necessity to keep 2* 18 THE PRINCESS ELIZABETH. [Act I. Faith with another, who, in trusting you, Implied that you should never trust a third ; A strange philosophy ! KATHARINE. So stated, — Ay. PARRY. The fardel which oppresses you concerns Her Highness ? (John Hey wood glides unperceived through the door at the rear and conceals himself behind a screen.) KATHARINE. Yes ; long since I saw a change Come o'er the childlike features and soft eyes Of her whom I had deemed too young for love. Yet could not tax with changing from mere whim, And doffing the fresh colors of new spring For the hot glow of summer. Deep I scanned To find the source of those strange, silent moods And studious abstention from the talk Which erst had drawn her into repartee. And piqued her wit to answer ; but in vain ; I watched her closely, and each day I saw An added thoughtfulness creep in her eyes, And over her broad brow slow lines of fear, Like shadows stealing from a jungle forth Out to the sun-bathed grasses. Now she sought Scene I.] THE PRINCESS ELIZABETH. 19 The solitude wliich lately she abhorred, And hid herself for hours within her room, Asking no help of comradeship to cheer The clogging passage of time deemed before, Unaided so, so drear. Her harpsichord Had sounded its last echo weeks agone, And, like a nightingale with murdered throat. Stood sad as beauty prisoned in a tomb, — Inurned in silence. None but saw how late The new emotions that so touched her face Had entered that young heart to make it grave, And none amonoj the ladies o^athered here Could guess their cause ; — none if perchance I fail To name the lady Beatrice, who alone The Princess had in private talk, and told 1 know not what, but something which made both More silent than before. PARRY. Ha ! I had thought The wit of woman, which the ballads sing And poets fall to sonnets to commend, Had long ere this have shown you all the cause ; A woman never grows unduly grave Save for two reasons, — one the loss of speech. The other, love. But pardon and go on. You say they both grew silent. 20 TJUr JNtLVCKS.^ KimtiKTM. [Act 1. KATHAKIXK* At, sir, K4h ; TV 1 i.»e^ : :>e vlav 1 s^ V -•'esa \ijx>: - iV* *ic^»iswfine« ietier tis*! si»e bead, — F " eW >\^ i^fcsi T r. . , ^ . .:i.. T\ y.^ xi>e ]»i»e i>tiiit - ^, «»l 1 vatiflMd A-^ ^ -^^-1^ JL WrtftM«iL; T ^:3»x. A ,. ^ ._.. ... .. ....^»t1«^. r Fyine, Tra la la, tra la la ; Its flavor as olden, Its sparkle as golden, And beaded as fine As the sun ; tra la la. Now, by Saint Patrick's robe! 'tis no bad berth, This being quartered on a willing foe To do a spy's work. Yet I hate the badge Of service to my lady, — nobly born. But bred to baseness by this heretic crew. His Grace of Norfolk kept a different house And different people in it. Ah how prone To deeds of kindness was my lady Jane ! I could be honest then, — swear when I would. And tell ray beads off in the light, not forced To hide devotion in the cellar, lest 64 THE PRINCESS ELIZABETH. [Act I. I be held contumacious to the King. Well, well, those days have passed. The Bishop holds Sterner authority, and bends his life To duty all unlighted by a joy. I shall do him all service as I find Occasion for the doing, and mayhap That chance may not be far. I am a fool, Not worthy secret mission from a clown. If this puffed Earl, who strides, all giant-wise, From decks of ships to privy councils, fall Not, some day, in the nets his hands have spread. But if he be entangled, that itself Can work nor good nor pleasure to our side, Falling alone. Oh no, my Bishop, no, I know your wise instructions better far, And they fit neater to my humor, too, Than if they were not complex, meant to fold Duplex entanglements, and ruin told In double numbers. Ah me ! one more cup, {He drinks again.') Then to my prayers, and afterward to work ; So runs the world, all pleasure, penance, pain. {He takes out a missal., and seating himself behind one of the casks., begins reading some devotional exercises.) Scene IV.] THE PRIXCESS ELIZABETH. 65 (^Enter^from the rear, a Butler and a country Clown, the farmer hearing a kmtern.) BUTLER. f Hither ! and make less stomping with thy clogs An thou wouldst be not tried for witchcraft. Those Who stay above-stairs will be like to swear To goblins in the cellar, shod with spikes, And dancing to the devil's castanets. CLOWN. Ay, master. I be use n't to the steps And alleys of fine housen. Be her Grace Tender o' nerve ? BUTLER. Odds, man ! speak not so loud ; Thy bellow is above thy clogs. CLOWN. For that I praise the Powers ! An it had been below, I needs had walken on my head. YVART (aside). No fool. BUTLER. I warrant thou hadst found thy paunch atween ; Thy memory serves thee well there. 6* 66 THE PBIXCESS ELIZABETH. [Act I. CLOWN. Well enow ; It 's whispering like a thimble-rigger now. BUTLER. Well, work then, sirrah. Dost thou think I 'm here To feed a lout that 's hungry, with strong hands Stirless beside him ? Work an thou wouldst eat. Thou cam'st here asking for an alms to eke Another day of life out, but when I, Moved to a pity, offer chance to earn The wherewithal to stay thy hunger's bite, Thou hast reluctant manner in thy gait, And movest snail-like. CLOWN. Master, nay, but show What I be bound to do. BUTLER. That row of casks Must go on t'other side. Run the line so. To make us room here. We lack space to place Two butts of wine that needs must find a home Close to yon wall. ( The Clown begins to move the casks.) Bend thy back, sirrah. cloavn. Ay. Scene IV.] THE FRIXCESS ELIZABETH. 67 YYART {aside). Now if the fellow thinks to roll away My covert's sides, I 'm in an awkward plight. Curse this regime, which makes religion crime, And forces churchmen to bewail their sins Beneath the ground. CLOWN. Master, be this the wine Her Grace's Royal Highness drinks betimes ? BUTLER. What 's that to thee ? Her Plighness may not drink Save in the small proportion that her age Prescribes unto her sex. CLOWN. And be 't the Earl Who drinks it i' the gross? BUTLEK. Odds, man ! what earl ? What may'st thou know of earls ? — a lout not half The stature of a yeoman's man o' field. What earl, thou wag-tongue ? CLOWN. He the Princess holds So high i' thought. (i/e continues worhing at the casl:s.) 68 THE FRIXCESS ELIZABETH. [Act I. YVART (aside). Ah, meat for head-Avork here! So ; even to this boor's low level comes The bruit that shall make our fortunes yet. 'Tis well befall'n I 'm hid here. BUTLER. Who is he ? Thou meanest the lord Seymour ? CLOWN. Ay ; his Grace, The maister o' the ships. BUTLER. Hold thy loose tongue, And speak of that thou understandest, knave. Straighten that barrel back flush with the rest. CLOWN. Ay, master. But I speaken without hurt ; Lord Seymour is a very noble lord ; I 've hearn much talk about him. Barlowe says, — And Barlowe be a justice o' the peace — He be a greater than great Somerset, Who wears King Edward's signet. BUTLER. If he be, How shouldst thou know wherein? Keep closer watch And hamper on thy clown's speech, else too soon Scene IV.] THE FBIXCESS ELIZABETH. 69 Thou slialt find decent exit from the world At the King's cost. Bring hither now the light ; Follow me to the buttery, and fill Thyself witli meat and ale to cure thy back O' straining o'er the casks. CLOWN. Ay, master, fast As the King's post-boy in a stormy day. BUTLER. Yes ; I '11 be sworn to that. This way, and see Thou stumble not across thine own clogs. CLOAVN. Ay. [Exeunt Butler and Clown. YVART {coming out from hehind the cask). I go as well, and have a new scent now Sliall lead me to the quarry, or I 'm fallen Into a dulness not ere this my wont. Her Highness' likings raise their eager heads, And overtop the usages whicli hedge Around her sex and rank. This fellow sniffs The smell of scandal trenchant i' the air, And speaks the vulgar knowledge. 70 THE PRIXCESS ELIZABETH. [Act I. By my soul, The Bishop's dreams were realler than the day, If we should yoke her Highness and the Earl, Tangling the feet of both in the same net And killing hawk and eaglet with the sweep Of the sling swung but once. Aha ! I feel New life and impulse, stirring to quick thought. As quick to execution. But I lose Time golden-pinioned, dallying o'er a dream And leaded w'ith reflection. Let me act : I know the part I have to play, and so Shall play it to the end. Let those who win Make merry when the curtain marks the close. [^Exit through side door. Scene V.] THE FRIXCESS ELIZABETH. 71 SCENE Y.— A Pkiyate Room. John Heywood enters, hcarincj a shaded lamp and a hunch of keys. Elizabeth /o//or/;s, her head and shoulders enveloped in the folds of a veil. HEYWOOD. The end of patience is reward of toil. Princess, behold the goal ! 'tis reached at last, As quoth the scaffold to the murderer. Pray you sit here. ELIZABETH. Ay, give me space for breath ; The stair we climbed in that dark gallery Seemed steep and hard as penitential pangs Forced on a wayward soul. HEYWOOD. The sole way. See How keen my wits lope off, and dash aback Rare scintillations of philosophy To sparkle 'gainst the background of dull prose. Am I not witty ? ELIZABETH. Ay, John, of a truth : But shall you hear me when I need to go ? 72 THE PRINCESS ELIZABETH. [Act I. HEY WOOD. Breathe once upon the gold-tipped whistle, hung There at your girdle ; 'tis a triton's horn Will summon me directly. I '11 away Through this door which we entered. ELIZABETH. And throujrh that? Will come the Earl. HEYWOOD. ELIZABETH. Thanks, Heywood, you are good. Great Heaven ! if you should ever prove me false, Remember you can smirch the royal house Of royal England if you turn a knave ; Remember also it will prove your death. HEYWOOD. Princess, you sure forget I am a poet, And death to poets holds promise of a theme Their lives are spent in seeking. Threats are vain, Rather temptations, when they take such form. Harry the Eighth knew better, and with all His practised threats, yet threatened not his fool. I was too good a fool to turn a knave. Scene v.] THE PRIXGESS ELIZABETH. 73 And am too good a poet to blench at death ; Scan all my actions, Princess, and then ask Forgiveness for your thought. ELIZABETH. Forgive me, John. You are all i' the right. There is so strange A flutter at my heart, I hardly know What words I utter. I do trust you ; go ; And pray you be not far. HEYWOOD. Too far to hear That which mine ears should hear not, and too near To fail of hearing all mine ears should hear. Princess, be wise, be cautious, and farewell. \^Exit Heywood. ELIZABETH. This is so strange. Why should I be here ? AYhy Stoop to this meeting, and, so stooping, bring Humiliation to a soul as proud As that whose glory loomed o'er Bosworth Field ? Oh ! how my blood stings at my finger tips. Nay, I will go. {^She raises to her lips a small ivkistle ivhich hangs at her waist^ but pauses with it in her hand.) 7 74 THE PRIXCESS ELIZABETH. [Act I. Yet I am far above All reaches of suspicion of a wrong ; This man is insolent, and should be taught, By means whose sternness he may not forget, To rein his aspirations. And withal, He hath been husband to my father's queen. Yes, I will stay, but keep him to his sphere. I can do that, I think I can do that ; It cannot be I love him with such love As drowns the sense of calculation, yet His manner bears a strange, resistless force That weaves about me like an iron gyve. And checks the word I most would wish to speak Ere it can find a fashion on my lips. Heaven ! how soft his breath is when he stoops To whisper that whose subtle essence runs Too deep for the inflexions of a voice ! In truth, I know not what this thing should be ; 'Tis very new, — and sweet. Within my heart There is a strange commotion, and my throat Seems stung with sudden dryness and a sense Of smothering expectance which forbids The functions of the tongue. Alas, I fear Mine own resolves. But let me not forget The name I bear. Kind Heaven, help me now To be in action what I once may be In very deed — a queen. Ah, how that name Scene V.] THE PRIXCESS ELIZABETH. 75 Pours in my soul a vigor, till I seem Strong as a builded bastion. (^A knock is heard.) Who is there ? A VOICE, ivithoiit. One who has waited many weary days To hear that question asked by that sweet voice. ELIZABETH. Which, when translated, means the noble lord Whose words are honeyed as home-speeding bees. You may come in. {Enter Seymour.) SEYMOUR. One glimpse of paradise Yet lingers in a world as gray as dawn. My sweet Elizabeth, the hours have hung Like leaded pennons, dragging and forlorn. {He advances towards Elizabeth.) ELIZABETH {drawing hack). The lord High Admiral of England bears Upon his breast the badge of his King's faith. Yet surely hath forgotten that he stands AVithin a presence scarcely used to jest. My lord, you have sought private words of us ; We grant your prayer ; speak an you will be brief. 76 THE rRIXCESS ELIZABETH. [Act I. SEYMOUR. Nay, this is badinage, meant but to pique A disposition needing no such spur ; 'Tis well done, but — ELIZABETH. 'Tis meant. I pray you note I came here moved by grace. Take from your mind The sweet emollient of a gentler thought, And let your business find an early voice, If it so please you. SEYMOUR. Ah, your Highness draws Most largely on the service of a knight ; But wliat should be done I have power to do. And now that I bethink me, I am called By matters personal to my estate To leave your Highness for a little space, — Perchance a month, — and so shall ask your leave To say farewell, first begging that your Grace May grant me pardon to have baldly placed Such matter in the light of thing so great As to demand your thought. If there is aught My liege would fjiin command, I still await To know its import, but, if not, I ask The right to say farewell. Scene v.] THE PMIXG ESS ELIZABETH. 77 ELIZABETH. Nay, pause. Perchance There may be something I have yet forgot ; 'Tis naught that you be gone, save that I find Leisure to then remember what should now Be said to save annoyance. — But you spake Nothing before of this your sudden call To go from Cheston, when you scarce have come. When must you go ? SEYMOUR. To-night. ELIZABETH. Nay, not to-night, You shall not go to-night. I wish for time To fashion my commands. SEYMOUR. Surely most grave Must be commands which fly so quick the mind. 'Tis meet I go in season. ELIZABETH. Hence, not now. This is no season to go travel-mad ; 'Tis meet you stay, my lord. 78 THE PBIXCESS ELIZABETH. [Act I. SEYMOUR. Your Highness sees How loath I am to quit a princely smile ; Yet nathless I must go. And if it be Your Highness still shall choose to make a home Here where the greensward dozes in the sun, I shall crave leave, at my recoming hither. To bend a loyal knee, and touch your hand. Farewell, my lady. ELIZABETH. Nay, I shall go mad ! 'Fore Heaven I swear you shall not leave me so, With polished phrasing of court dialects Trilled in a measured cadence from your tongue ; Leave off the titles, or I go stark mad ! Am I some village wench, to sweeten sack Or stand at guard over an oaken till, To be chucked under chin and told, mayhap, How red my cheeks are ? 'Tis a worthy game To play at battledore Avith frenzied dreams. And watch the quickened pulses of a girl. Hear then, the truth, for it shall ease my soul To tell it you. SEYMOUR. Your Highness would best pause ; The truth will keep ; there is no canker there To sour its essence. Have I leave to so ? Scene v.] THE PEINCESS ELIZABETH. 79 ELIZABETH. Nay, by my mother's spirit ! you shall stay. If there be blood within me which so gives A title to these courtesies of speech, The same blood holds command by right as good Inherent and untainted. Ah, my lord, Why do you dally, and so tent my heart. That fain would do all justice, ay, and more, To your each action ? Why so quickly tling Back to my teeth the echoes of a pride As falsely worded as 'tis basely born, To make me humble, where all sense demands Humility should wait discretion's beck ? Is it well done, my lord, to try me so ? Or brave to break enfeebled barriers down, By mad assault, where gaunt starvation leers, As sure to w^in if slower ? SEYMOUR. Princess mine, You speak once more less like your father's child. More like your mother's daughter. Speak but so When near me, and the world shall have the rest, And know you Queen. ELIZABETH. Ah, if I be but Queen. Methinks there were . . . 80 THE miXCESS ELIZABETH. [Act I. SEYMOUR. No if can find a place In sentences made up of nought but verbs. Do, Dare, Possess ; you have no need to hang A timorous zy upon a chain of words More timorous yet. Still, I would fain keep here One silent chamber, sacred to myself. Within your heart ; one space unpoached upon, Where the unfinished chord that holds my life Should be resolved into a harmony. ELIZABETH. My lord, how like a very poet you shape The angled words into those beauteous curves Wherein perfection sits. Such dulcet tones Linger like honey in a maiden's ear, And drown her senses in a flood as dense As vapors of red wine. I know not what Within you, or about you, holds in thrall Those forces of my nature which, till now, Have patient waited for mine own commands To slip the leash and let the hounds have tongue. In'faith I w^ell could wish it were not so, And blame myself for wishing what, withal, I fain would have quite other than my wish. I tell you, Seymour, there be thoughts that drift, Cloudlike and formless, dark'ning my desire To wield a golden sceptre, with the pale. Scene V.] THE PBINCESS ELIZABETH. 81 Delirious hue of an unnamed delight. AVhat may it mean, my lord? Out of your grace I pray you give me guidance, for I lack Even the years of young discretion. What Ought I to do to feed my hungry soul, Commission of whose deed shall work no wrong To me or mine own honor ? How so frame The code of action for each day, that I, At eventide, shall find all duty done. And yet my heart's long famine satisfied ? Why should you be so silent at my call? I pray you speak, my lord. SEYMOUR. I may not speak. Wherefore ? ELIZABETH. SEYMOUR. Because I should not utter truth. ELIZABETH. Lord Seymour was not wont to tell a lie. SEYMOUR. Lord Seymour was not wont to let his soul Fall under the dominion and the snare Of red-gold hair, rippled and ilecked with sun, 82 THE PRINCESS ELIZABETH. [Act I. And soft as dreams in shadow of the throat. Questions in ethics lie without the pale Of him whose tpT^ide is war. ELIZABETH. My lord, my lord, Indeed, I would I had not met you here ; I know not how some poison in my blood Stings into madness all this rift of life, "Which, since but yesterday, has lighted up The dead seclusion ! How or why I live Forever plucking some dull juiceless fruit To parch my lips like ashes ! See you not How keenly I do liate you as you are ? How you assume obedience, and so goad Into a frenzy all my woman's soul ? How you refuse your counsel and your help When my hurt heart hath asked them at your hands ? It were not well done. SEYMOUR. Ay, if done at all. Woman without that subtle touch of hate Which, leopard-like, springs slantly from her eyes. Is woman still, but woman without charm. You stickle for command ; I give it you ; Quick you relent, and sweet as Niobe, Weeping away her life to soulless stone, Charm me with tears. Scene V.] TEE PRINCESS ELIZABETH. 83 ELIZABETH. Now, by God's death, you lie ! Hear the words, Earl of Sudley, doubly lie, You, the High Admiral of England, lie, Deep in your throat ! I shed no tears ; 'tis false ! And in conception base as . . . SEYMOUR. Princess, hold ! Hard words on soft lips jar the startled air, And like incongruous colors, move the mind To ill-concealed derision. Said you not, But a short space agone, 'twas not my wont To utter falsehood ? ELIZABETH. Ay, and thought so, too ; But you have taught me better, since you dare To tell me, Princess of the royal blood. That you have brought me to your feet in tears. SEYMOUR. Nay, Princess, I spoke nothing of my feet ; 'Twas of your head — that wealth of banded hair, Which had so mazed my spirit in its mesh. That I could not be sponsor for my speech. 84 THE PRIN-CESS ELIZABETH. [Act I. ELIZABETH. Cease banter, Earl, or leave me if you will ; I brook no fencing with an idle word. Made to make sense absurd. You shall anon Find little in my manner to so turn Your brains to prettiness. seym6ur. Nay, if you will. Assume such dignity as shall seem meet To your own judgment ; but, before all else, You must withdraw the word so hotly barbed ; I sjjoke no falsehood, and require of you Require of me ELIZABETH. SEYMOUR. Ay, lady, w^ho more fit? Require of you to cancel the deep wrong By w^ord as deep of reparation. Then, After, no cloud shall come between us twain ; And, in so far as love for you may go . . . ELIZABETH. Who speaks of love ? Who dares prate love to me ? Such matter holds no commerce with my thoughts. Your lordship is most prone to random steps Down the steep passage of forgetfulness. Scene V.] THE PRINCESS ELIZABETH. 85 SEYIMOUR. Perhaps it is the " poison in my blood." ELIZABETH. My lord !• SEYMOUR. Or "hue of an unnamed delight." ELIZABETH. My lord of Sudley — ! SEYMOUIl. That " so holds in thrall These forces of my nature." ELIZABETH. Seymour, hear ! If pity find a lodgment in your soul, Spare me the word which trembles on your lips. Oh God ! how bitter is this gall of love. Forgive the word I spake. Ah, I am swirled AdoAvn a flood of doubts, and joys, and fears, That rend the blush of maidenhood in twain, To show the facts of feature. See, I hold Nought back, that so held, had enhanced my worth, By making steeper the fresh path of love Which leads into my heart. Nought do I strive 8 86 THE PBINCESS ELIZABETH. [Act I. To gain of vantage ground, 'twixt yon and me, Save what may lie between lips scarcely closed With telling all the truth. SEYMOUR. Closed not at all To me. So reach we now the golden goal That long hath glimmered, distant as some star, Fretting the soul with beauty unattained, And deep unfathomed joy. Elizabetli ! Elizabeth ! {He is about to enfold Iter in his arms, when Hey- AVOOD springs through the door and comes hetiveen them.) HEY WOOD. Not yet, my lord, not yet. SEYMOUR. Back, man, and leave us, if you be not mad. Back, ere I dim the polish on my blade With blood unworthy of it. Were it not I know you for so well intentioned, now I swear you had breathed out your life ere this ; Had you not done such service that, perforce, I am compelled to hold you in esteem, I had been rid of an intrusion born Of base eaves-dropping, when you should have held Your guard upon the furthest outer stair. vStand back ! Scene V.] THE PRINCESS ELIZABETH. 87 HEY WOOD. Nay, that I will not though you strike ; The fool hath words of wisdom ; pray you hear • The wusdom of the fool. You 're watched, my lord. The air is silent with a coming storm. Leave the room quickly, ere it be too late ; Quickly, I beg, my lord; her Highness' weal Depends upon your manhood. SEYMOUR. Heywood, hear. If you be honest, as you seem, no gift Within the Earl of Sudley's power to give Shall be beyond your power to command. Princess, what say you ? ELIZABETH. Oh, my lord, begone. For my sake, if you love me, pause not. HEYWOOD. Come, My lady ; quickly ; by this door ; the way We entered is the safest. SEYMOUR. Then farewell, But for one fleetins; hour. 88 THE FEIN CESS ELIZABETH. [Act T. HEYWOOD. The rest anon. Delay not longer, Earl, upon your life. [_Exit Seymour. Step softly. Princess. Lean upon my arm ; Here, take your veil and wind it thus to shield Half of your features from the light, that creeps Between the chinks like water. Soft, I pray ; Breathe not so hard ; mind the one sudden step ; So. . . . \_Exeunt Elizabeth and Heywood. ACT II. SCENE I.— London. A Room in the Tower. Bishop Gardiner. Yyart. YVART. Yes, my lord, I think the despots grow Stricter with longer holding of their power ; Cross questions, doubly put to scent a will Counter to language, fringed me 'round like spears To prick me an I flinched. Held I not sure My passport, writ in characters whose tinct Forbade suspicion, I had scarce made good My promise to your Grace to bring you plans Of the foe's camp, and cunning schemes of war To uplift Baal in the holy place. Methinks the grave lieutenant yet hath qualms Lest I be crammed with treason to the eyes And freighted with sedition. GARDINER. Ay, 'tis like. Hast thou obeyed my mandates to the shade Of every letter ? 8* 90 THE PRINCESS ELIZABETH. [Act II. Full well knows your Grace The letter is my law. My head the stake If I fail in the execution. All Your lordship's orders have been carried out And . . . GARDINER. The results ? YVART {^producing papers). Are here. At pains to note The movement of each wisp that tells a tale On the too-secret wind, nought hath escaped Its due inscription ; and the import drawn From things collateral to show whence it comes And whither tends withal. Here you may mark I underscore such words as seem to hold More meaning than a listener not before Privy to all the facts had wot of. {^Drawing forth another paper.) This Details the fragments of such talk as passed Between the lady Norwich and her near Friend and companion Percy-o'-the-Glade Once when they had a tryst beneath an oak And dreamed themselves unwatched. Scene I.] THE PB INC ESS ELIZABETH. 91 I, getting scent Of some intended meeting from a page AVlio carried certain rose-leaved missives, held My movements open for a sudden change, And so worked out the falling of events As to be near, ensconced within the shade Of a befriending hawthorn. Well I knew The moment would beget an interchange Of thoughts held secret from the vulgar eye. And taking chances that such thoughts might bear Upon your Grace's projects, waited there, And learned what, here set down, may show perhaps How right my surmise. GARDINER (^Scanning the papers). Ah, thy scent was keen ; This child of wrath carries a high head. So ! {He reads.) " For Somerset may die, and Sudley live To hold the reins full worthy of a" Ah, Yvart thou hast done well here ; keep we this Full carefully ; its matter is most apt, And well shall serve us. YVART {producing more papers). Here, my lord, you '11 find A ground-plan, showing how the garden lies; You see this alley, coming from without, Gives easy access to the privacy 92 THE PRIXCESS ELIZABETH. [Act II. Of the young Princess, and the wall is low Even for courtly climbers. GARDINER (^starti7ig). Ah ! the proof ! Give me the proof, brave Yvart, and thy life Is crowned w'ith fortune. Lies suspicion so ? YVART (presenting memoranda). I yet know nothing, but herein your Grace Perchance may scan a reading 'twixt the lines To serve as illustration to the text. This is a true Transcript of certain dialogues which passed Between my lady and the late King's fool, John Heywood. GARDINER. Ay, a very son and heir Of Tartarus. I mind the knave full well, And he shall suffer ere our work be done ; He hath wrought greater hurt to Henry's soul By lightly jesting, and so turning all My teaching to a mockery and worse, Than years of penance shall undo. Well, how Tended this conversation? Scene I.] THE PRINCESS ELIZABETH. 93 YVART. Read, my lord. (Gardiner reads the memoranda, appearing not to hear Yvart, who continues :) Your Grace may see how plain to watching eyes The path becomes when matters of the heart Have grown so bold to plead a cause outright And scarce conceal their seeming. Further yet, Gossip hath crept below-stairs. I have caught Its echo on the dull tongue of a clown, And marked how the infection seems to spread And poison the attendants. There is faith, However, yet at Cheston. Marked your Grace The words I wrote concerning one true soul, — The lady Dacres ? GARDINER. Ay, I've sent for her; She will be here anon, and if thy wits Have not misled thee into overpraise, We may build much upon her. Art thou sure Her loyalty to holy church is firm And equal to a strain ? YVART. As sure as life. 94 THE PRINCESS ELIZABETH. [Act II. GARDINER. 'Tis well. Hast thou aught else ? YVART. Nay, nothing now ; But I am busy with a tangled skein Which promises rare interest and much light When 'tis unravelled. GARDINER. In the mean while keep An active brain, — a silent tongue. Farewell. (YvART hows low, and goes towards the door as the scene closes.) Scene II.] THE FBINCESS ELIZABETH. 95 SCENE II.— The Tap-room of a London Inn. Soldiers scattered in groups^ some playing at dice, others at tables, drinking. A Sergeant of the King's Guard. A Woman, at the tap, is engaged in an altercation with a Soldier. Boisterous laughter is heard as the scejie progresses. SOLDIER. Be 't that I look like some tricked foister now, Who'd seek to pass a leaden shilling on ye, That ye howl on your lustiest, and outbrawl Your own she-stag-hounds ? woman. * Stay, and keep a tongue Less limber, or I '11 book you half a pint O' hot flip down your back ; that 's used to fire ; I warrant no foeman e'er saw else of you. You bragging, sprawling — SOLDIER. Hold ye, hold ye, now ! I want no more your venom, but your ale ; Ye see I 've lost my groats of many a day At yonder dice-box, and I 'm courting luck To win 'em back; but luck comes never a time To dusty throats. Lock up your speech a space Till ye can answer if ye '11 wait the turn. 96 THE PRINCESS ELIZABETH. [Act II. And mulct me double when the tide has changed. What say ye, yea or nay ? WOMAN. Xay, then ; nay, nay ! Pay me your score, or go yet thirsty still ; I 've heard your mighty talk o' luck before ; A murrain on such braggarts ; nought it brings Of market pence to me. D' ye think I keep A public house to feed the yeomen free ; Or run a licensed tap so that, forsooth. The guard be ahvay drunken ? SOLDIER. Then, egad, I '11 find the Avench who kept the till last night, And get two mugs for every one I ask. With pretty looks beside. WOMAN. Yes, now ye lie ; The lass is honest as she 's comely, SOLDIER. Ay, And more of either than her mother be ; You murdering, haggling huckster ! ScEXE II.] THE PRIN'GESS ELIZABETH. 97 Or, by my soul WOMAN. Keep your peace, SERGEANT. Peace, mother, give him drink ; Ye sure can score him for another mug ; Being so deep ab-eady. WOMAN. No, not I. SOLDIER. Oh, no ! But sure 'twill be a bit before The old 'un sees the score grow shallower. ANOTHER SOLDIER. Oh, mother, cease your ranting ! Give him ale. The lad wants heart to play and find his pence Where they be lost. WOMAN. Nay, and there others be Who'll get no more, an I hear not the chink O' their pence, too. SEVERAL VOICES. Oh! Oh! WOMAN. Ay, yelp your spleen ; I budge not for ye. 98 THE PRINCESS ELIZABETH. [Act II. SERGEANT. Hear ye, lads, I know A way to mellow the old woman. See, This key unlocks the spiggot. (^He puts a coin into the Woman's hand.) Bumpers all, And pledge the lass I love best. {The Woman ^//s the mugs, and all d?njik, crying :) Health and joy Attend the lass he loves best ! A SOLDIER. Barry, now, I think me of the maid that used to fill The burden o' the ditty which you sang Last winter i' the barracks. Mind ye that ? ANOTHER SOLDIER. Ay, and how merry did the welkin ring When the squad roar'd the chorus. SOLDIERS. Ay, ay, ay. We '11 have it now. OTHER VOICES. We '11 have it now, lads ; now. Scene II.] THE PRINCESS ELIZABETH. 99 SOLDIER. Then steady, and be ready for the sign To take the tune right smartly off my tongue. (^He sings:) Fill the tankard, we '11 be merry While the time is ours, lass ; For your red lips shame the cherry, And the jealous flowers, lass. Hang their heads when you go by them, Lest your laughing eyes espy them Waiting for the showers, lass. {Refrain, sung hy all :) Mire of field and din of battle, Clank of shield or lance's rattle ; No dismay, nor fear, nor sorrow Mars to-day, whose near to-morrow Brings you to my arms, lass. {He sings :) Now good-bye, love ; men are tramping On the outer stairs, lass. In the courtyard, horses champing ; Loud the trumpet blares, lass. Sure you '11 be no more refusing Kisses, which to keep were losing. To the man that dares, lass. {Refrain, sung as before.) ( While the song is progressing, two Officers of the Guard enter, immediately followed hy Yvart in the guise of a country clown and feigning intoxi- Gation.) 100 THE PRINCESS ELIZABETH. [Act II. FIRST OFFICER. The lads seem full of joyance to the eyes ; I doubt me they '11 find other stuff to whet The keen edge of their spirits, ere 't be long. SECOND OFFICER. Yes, an we fail not. FIRST OFFICER. When the devil failed To tempt Saint Barnabas, he whispered "Fail!" And lo ! the Saint turned villain. Speak no word "Which gives a failure breath of life ; 'tis fraught With half its own fruition. SECOND OFFICER. By the rood. You 're in the right, I think. Henceforward nought But an assured success can find a place Even within my thoughts. Have you yet learned How the w^ind blows at Bristol? FIRST OFFICER. Ay, indeed, 'Tis westerly ; the weather bodes most fair. My lord hath promised Sharington such gifts As make him all compliance. We shall bear No burden on our backs marked Poverty, Be sure of that. Scene II.] THE FBINCESS ELIZABETH. 101 YVART {coming up drunkenly). Ay, honors that be me ; For poverty, you know, be poverty, — A most insensate, blister-visaged rogue Is pov — pov — poverty. Ha, ha, I know The way to lay the ghost a score o' times, An he waylay ye. Ho, there ! bring us here Some sack. You'll drink, sirs, — yirrup, — drink with — SECOND OFFICER. Nay, Thou hast enough already, sirrah ; go And snore thy last potations off. YYART. Now, now, I meant to speak ye civil. FIRST OFFICER. Ay, ay ; more Of this civility we '11 take anon. The fellow must have tippled from the bung, And spent a week of earnings in a night. (YvART throws himself across a table, and lies appa- rently sleeping.) Nay, as I said, we shall have current means To make each promise good. Our chiefest bar Lies now with Paget, who hath shown a front 102 THE PRINCESS ELIZABETH. [Act II. Too friendly to the whims of Somerset ; He spoke his mind most boklly to the Earl, And dared remonstrance. SECOND OFFICER. 'Twill be found to be A venture somewhat costly at the end, Eh, Fawcett?- FIRST OFFICER. Ay. (YvART snores loudly.') The swine is sunk in fumes Of his besotted breath. Did you inquire How^ stood the yeomen for a sudden call, Should we be forced, unripely, to assume A positive front ? SECOND OFFICER. Yes, and the answers all "Were most auspicious. In the Southern wing We may sure count on one-third of the men, And of the leaders half. Northumberland Shows most responsive leaning, and the fire Which smoulders, ever ready to lick forth The flames to light a change, whate'er it be. Burns bright in Essex ; while beyond . . . Scene II.] THE FEINCESS ELIZABETH. 103 FIRST OFFICER. Hist ! here Comes a subaltern, who hath charge, mayhap, Of these o'er-boisterous fellows. SERGEANT {saliitlng the officer's). Sirs, I ask Your gentle judgment for this noisy crew. These nights of freedom are the first they've known For twenty weeks. SECOND OFFICER. Ay, we have nought to say In reprobation. Let them crowd the hours With what they may ; the daylight comes anon, And with it brings stern duty. FIRST OFFICER. Bid tlie tap Flow at my cost for bumpers to our lord, The noble Admiral, fair England's pride. SOLMERS. Huzza ! the Admiral ! the Admiral ! (^Mugs are filled, and all drink.) SECOND OFFICER (to SeRGEANT). I warrant an honest batch of roisterers. The stuflt' is good that bears its texture thus Uncovered to the sun. Give me the men 104 THE PRINCESS ELIZABETH. [Act II. Who '11 drink, and swagger, and tip maids a-cliin. Occasion offering, when I've work to do Calling for courage and stern doughty hearts. You would not fear to put them to the touch, Should quick events fall wide of what were held In expectation ? SERGEANT. Nay. Lead them but well, They '11 follow to the death, and face despair. SECOND OFFICER. Though leaders led them in a cause adverse To all they erst had fought for ? SERGEANT. Little they Reck of the cause, so that they have a name To deck their cheers with. SECOND OFFICER. Ah, good fellows they. FIRST OFFICER {aside to Second Officer). Hush ! no word further now. This clown, who seems So heavy in his cups, may breed us harm. I saw but now his head uplifted thus, And his ear strained to gather in your talk. He 's not so deep in ale as in intent, Or I 'm befogged. Scene II.] THE PRINCESS ELIZABETH. 105 SECOND OFFICER. Ha, is it so ? (to Sergeant.) I pray You keep your men in spirit for their work ; Their King looks to their manhood. Fare you well. SERGEANT. Good morrow to your honors. \_Exeunt First and Second officers, scanning YvART closely; he feigning to he sleeping heavily. SOLDIERS. Once more, lads, Clieers for the noble Earl who knows no fear, Cheers for the Admiral of England. TYART (aside). So; Be not too lusty, ye shall need your breath For other matter, if I find the way To put to use the truths mine ears have gleaned. 'Tis meet I follow too. [_Exit Yyart, as the men are cheering. Scene closes. 106 THE PRINCESS ELIZABETH. [Act II. SCENE III. — Night. A Room ix the Tower. A lamp suspended from the ceiling above a tahle^ at which Bishop Gardiner is seated^ intently examining some vapers. GARDINER. Miscarry now? Nay, for I see no avenue unwatched, No point uncovered, and no room for chance To fall adversely, marring holy schemes This side fruition. By my soul, I think This bastard-tainted Boleyn girl outcrops With early shoots of the same brazen weed Whose roots found shelter and luxurious soil Deep in her mother's being. So God shapes His ends, through means which, taken by themselves, Seem evil, and unhallowed by the light Of aught that might redeem. It suits me well, And fits most friendly to my purpose thus That she hath furnished pretext, doubly barbed, To do a double service to the church By but a single turning of fate's wheel ; I scarce had hoped for such conjunction rare Of circumstances ready to my hand And only waiting for the torch's touch To set them into blaze, that so quick fire May wither into ashes heretic hopes Scene III.] THE PRIXCESS ELIZABETH. 107 On heretic altars. Yet dispatch were well ; The King's life hangs upon the slender thread Of a weak body, sickly to the core, And at his going there must be no space For doubt which breeds confusion. Mary's claim Is valid, and her soul is set aright To cast down Satan from the lofty seat He hath befouled ; yet must there be no fear, Hanging white-lipped upon a possible chance, Of evil yet beyond. Elizabeth Ere that must be outside the sphere of hope Or even comment. She the first, and next The Admiral, whose insatiate lust of power Hath handicapped him sadly at the start, And bears him down already with the pomp Of boasted pedigrees of great Saint Maurs And French pretensions. Now, in truth, methinks I may find faithful action in this girl. For Yvart rarely misses at a guess ; Yet how long shall mad persecution hold The force to keep me here, with weighted wing Forbidding flight, save where my brain may find A potency to impart to other arms Sweeping to glorious action in my stead? How long ? Oh sweet release — revenge ! Peace, peace, I shall grow w^eak growing angered. Let me wait ; The issue is not far. 108 THE PRINCESS ELIZABETH. [Act II. This Sudley wears Danger writ warlike on his brow, and well The Council scans how, traitor-like and stitl, Close beneath smiling surface of events, Lies the sharp r«ef, more pitiless than steel, To rend the nation. A suspicion there. Carefully cast, shall w^eave a flawless chain, Even w^ere fate less helpful. But the girl? Will she act here — here, where beyond all else She can do most of service? If perchance She loves him, and I deem it likest, for He hath a serpent manner and low voice To grace the person of Apollo's self, There may be difficulty. Nay, I hold The charm shall charm me mine own wishes quick As 'tis applied. She dare not disobey The church's mandate, nor tear from her soul Its own best hope of heaven. If she balk, Diplomacy may aid to hide a snare Hid under cover of another's fall. Elizabeth's entanglement must grow Till it be knotted past unravelling By any friendly fingers. Then, the blow Which sweeps the one to ruin, bears along The other in its wake. {Enter a Guard.) GUARD. My lord, one waits. With proper passport duly signed to give ScEXE III.] THE rRINCESS ELIZABETH. 109 Admission to yon, asking for the right To be brought hither, but the right is yours Still to refuse her. GARDINER. 'Tis a lady then. GUARD. Ay. GARDINER. I will see her, an you be content That I may be unvvatched. Methinks I know Who this may be, and knowing, safely guess Before I see her that she comes to me To make confession, for to me alone For years she hath confessed. I pray you beg This boon of the lieutenant. GUARD. Ay, my lord. [^Exit. GARDINER. The girl comes e'en ahead of her fixed hour, Eager to earn salvation by quick deeds. I worded well my missive. Now let care Be twice itself, to ascertain how lies The land of her best hopes, — most near desires 10 1 1 THE PRINCESS ELIZABETH. [Act II. And keenest fenrs. Then afterwards, my plans, Backed by command and promise. {Enter Guard, followed by Beatrice, veiled, whom he motions toivards a low chair.) Is granted. GUARD {to Gardiner). Your request GARDINER {rising). My thanks in return. \_Exit Guard. (^0 Beatrice.) You are ? BEATRICE {throwing hack her veil), Beatrice Dacres, father, hither come. Fast as I may, to learn the Church's wish Concerning me. GARDINER {placing his hand on her head). Bless thee, my child. BEATRICE. I fled All my surroundings, leaving duties half. Or less than half, fulfilled, full well aware How certain w^as my duty waiting here. GARDINER. We have an urgent work for thee, my child, Which 'tis thy privilege to best perform. Scene III.] THE PRINCESS ELIZABETH. \ \ 1 BEATRICE. Your Grace hath chosen an instrument too poor, And all unworthy of an urgent work. GARDINER. I chose thee not ; it was the holy Church, Speaking through me, that called thee hither. Thou Art blessed most highly, being selected thus By special calling of Our Lady. BEATRICE {crossing herself). Hail! To her most august name. Her handmaid waits Meekly her mandates. GARDINER. Well bespoken, child ; The gentle Mother of our Lord is pleased To choose weak instruments for stalwart ends ; So calls thee to strike hard for holy Church, Relying on thy loyalty. of soul To shrink no step from danger, or the stings Which life's desires, and longings born of earth May lift, like serpents' fangs, to bar the way. BEATRICE. Oh, father, tell me what I have to do. I shall not falter, though the path be steep. 112 THE PRINCESS ELIZABETH. [Act II. And, as my bleeding feet spurn o'er the stones Of Satan's placing, I shall still exnlt In knowledge of the glory which beyond I am full sure of. GARDINER. That I promise thee, An thou shall do the bidding of the Church To every letter. BEATRICE. 'Tis beforehand pledged. ^ What must I do ? GARDINER. Listen, and ponder well How mighty are the issues which thus hang Upon thy soul. Thou knowest how Henry broke His best defence in breaking with the faith, And, when he died, left loose the jagged ends Of theologic disputation, wrought To very frenzy in a wordy w^ar. Religion, still aloof and smiling sad. Waits mournfully the doom that follows crime Committed in her seeming, doubly sure How bitter is the end. Meanwhile, unfledged, The boy-King falters, and falls off apace, Misled by heretic teachers. Scene III. ] THE PRINCESS ELIZABETH. 113 'Tis not loii! o To peer ahead, to prophesy his death, For even now he bends a weakly frame Before life's buffets. He must surely die Ere our beloved Mother, Holy Church, Shall reassert her footing and domain Upon the island ; and, so dying, what May anxious eyes see forward? Still the chance Of struggle fierce against supremacy Of those whom God hath set to hold the rule. The Princess Mary, left alone, will find Her path made easy, and I know how sure That path leads on to Zion ; but can we Hope she will be so left to guide her sway By her own inspirations ? Nay ; full well I see fell danger, loomino- like a cloud And counselling precaution. Thou must know Elizabeth hath partisans. BEATRICE. Ay, many. GARDINER. And she is strong in will though young in years. BEATRICE. She may be led ; not driven. 10* 114 THE PRINCESS ELIZABETH. [Act II. GARDINER. Know'st tliou not How deep a lie lies hidden in that phrase ? It is a setting of harmonious sounds, Tickling the conscience, and, translated, means She spurns authority, and, spurning, grows Most easy to seduce. Black danger threats Our wishes from the Princess. Thou hast said Her partisans are many ; it were well Their numbers shrink apace. BEATRICE. Perchance your Grace Forgets that I am in her service. GARDINER. Nay ; Knowledge of that but stamps thee doubly fit. In that same service must thou stay, to learn Tlie unguarded outposts of the foeman's camp. Thine opportunities — BEATRICE. My lord, my lord, I cannot welcome treachery to trust. Nor hug a falsehood to an honest heart To help a heart's desire. Scene III . ] THE PBINCESS EL IZABETH. 115 GARDINER. The word is void Of meaning in such cases ; to whose faith Shouldst thou be treacherous ?j Ask it of thy soul, Hadst thou lived when dark Judas strode abroad To seek his Master, and, wdth damned lips, Compass the death of Deity with a kiss ; — Hadst thou been privy to the fell intent. And failed to do what, being done, were sure To sear the lips and quench the murderous kiss Ere it could find a being, wouldst thou then Have paused to prate of treachery, and so Let slip the opportunity for good Because thy conscience quibbled at a straw. And feared a gnat's sting ? Bah ! BEATRICE. Your Grace . . . GARDINER. Hold, hold. Let me make note of how a favored child Of holy Church can basely blench and start At the first shadow flung by Satan down To daunt a puny spirit. BEATRICE. Ah, my lord. Give me but time for thought ; 'tis very hard 116 THE PRINCESS ELIZABETH. [Act II. To stoop to even little wrong, that so A mighty right may follow. May I not V GARDINER. Peace, I can brook no dalliance with thy qualms ; The case is clear defined, beyond the room For any cavil. Here, a dread command From source the highest, whose fulfilment brings Rewards beyond all human estimate ; There, weak indulgence in a whim, the way The tempter maketh easy. BEATRICE. Nay ; I '11 strive To do my duty, though I fain would save Mine honor of myself. GARDINER. Thou honorest much Thyself, in honoring her who honors thee. Thou wilt not shrink? BEATRICE. Nay, father. GARDINER. Good. Thy work Will not be long, though haply bitter. Know That this same princess whom thou servest, bears Within her heart the germ of her own fall. Scene III.] THE PRINCESS ELIZABETH. 117 The Church asks not her life, but only bids Us, her true servants, that oblivion hide Elizabeth beyond all future hope Of queenly honors, or of England's throne. The germ "will do its work, if we but nurse Its principle of life, until it grow And burst to bud and blossom and full fruit. 'Tis thou must nourish it and keep it warm. Encouraging its outspread, hour by hour. And thou wilt do this ? BEATRICE. Ay. GARDINER (^rising). Upon thine oath ? BEATRICE (^rising). Upon mine oath. GARDINER (Jioldiiig forth his hand, xi/pon one of the fingers ofiuhich is his signet ring). Swear here. BEATRICE (laying her hand upon the ring). Upon mine oath ! GARDINER. Our Lady smiles upon thee, Beatrice. 118 THE PRINCESS ELIZABETH. [ A ct II. BEATRICE. Ah, father, her sweet smile is always sad. GARDINER. No holy thing were ever else than sad, Being here imprisoned ; in the great Beyond, Her smile will flash a joy beyond compare ; Thy duty done, 'tis thine to know its light. BEATRICE. And T shall do my duty. GARDINER. Ay ; of that I make no doubt. The doing will demand Much circumspection, and a little tact, Much faith, and, most of all, unflincliing zeal. The Princess must have matter near at hand Ready to feed the flame which lurid burns, E'en now, to her undoing. BEATRICE. Father, tell All that these words may mean. What is this flame — This germ that needs but warmth to make it grow And burst to fruitage — this augmenting weight, Gathering force to drag the Princess down, And needing but my hand to give it sway Too potent for resistance ? Scene III.] THE PRINCESS ELIZABETH. ng I know not "What signifies the mystery, nor guess The drift of your commanding : GARDINER. Nay ? Then know Elizabeth hath found a foolish love, Down somewhere in the corners of her heart, And holds it something dearer than her life. -The sleeper dreams her dream ! BEATRICE. Elizabeth loves ? GARDINER. Ay, much: BEATRICE. She hath concealed it from me then, More deftly than a brooding mother-bird Cumbers her nest with wisps and color'd leaves Chosen to match the bark it rests upon. So thinking to deceive a prying glance. Elizabeth loves ? GARDINER. Ay. BEATRICE. Whom? 120 THE PRINCESS ELIZABETH. [Act II. GARDINER. Whom better she Had feared — the Earl of Sudley. BEATRICE. God ! GARDINER {aside). 'Tis then As I surmised; this blade leaps through the quick. {To Beatrice :) What now ? The red flies madly, leaving nought To herald life upon thy brow and cheek. Hold, hold, child, I meant not to hurt thee. So; Bear not so heavy, nor with clench'd hand thrust The nails into thy palms. {He pours some cordial into a glass.) Taste this ; the good And pious Benedictines know its worth. Drink, child. Thou wilt not ? Wherefore dost thou stand So moveless, yet so full of quivers, quench'd By very might of will ? Ah, daughter, well I know thou suiferest. I would fain defer . . . BEATRICE. Nay, father, nay; go on, what must I do? Scene III.] THE PRIXCESS ELIZABETH. 121 GARDINER. But there is time for pause. BEATRICE. I pray, my lord, Pause not, but tell me what I have to do. GARDINER. The work is thine to lead the Princess on To deeper dalliance, and a love whose links, Riveted round her soul, shall bar all chance Of alien passions, coming from without. Potent to pale the scarlet of desire. And less apt to the purpose of our aim. Elizabeth's fair fame, already smirched, Must be damned past revival in men's eyes. That so a kingly aspiration, held In durance by a woman's wayward heart, Shall find, beyond, no hope, e'en should it break Away from love's enthralment. BEATRICE. And the Earl? GARDINER. A fair hand touches pitch, and is defiled; That goes without the saying ; but doth not Tlie pitch seem nobler after it hath borne The soft, sweet burthen of a woman's hand ? A queen who falls to dalliance forfeits both 11 122 THE PRINCESS ELIZABETH. [Act 11. Her royalty and womanhood, but he Whom she hath loved goes forth a nobler man, Having possessed a queen. BEATRICE. Alas, my lord, I am so simple, and so far removed From the schools' teaching of philosophy. That I may not contend ; but tell me why All that the hard world holds to sweeten life Hastens forever past on wings of light. Pursued by an avenging Nemesis, And marred with hate as vapors mar the sun ? Whence is the demon kindling in men's souls The fires of Hades, licking with live flame Heaven's lovely altars there ? GARDINER. My daughter, thou — E'en hadst thou sought thro' penitential years, And by long vigils and enfeebling fasts — May'st never solve the problem of this world. It pleaseth the all-seeing Source of Good, Weighing with nicest balance means and ends, That evil should exist. Thou askest why. Well, hast thou never noted, in the night. Some iteration of a single sound. Sweeter than honey, but forever pressed Into the echoing arches of the ear. Till thou hast felt 'twere madness an there fell Upon the air nought else ? S CE N E III . ] THE PRINCESS ELIZABETH. 123 I strike a chord — A noble blending of concurrent notes — Upon the harpsichord, and in my soul, Despite the technic symmetry of the whole, I feel the want of something unattained, My sick heart calling on my wounded sense, My ear quick drinking the mellifluent sound, Yet dying of vslow thirst, and finding not The vague and subtle tone of its desire. Stung with a fear, my nervous fingers grope. And, stumbling on a key whose dissonance Jars with its neighbor by a semitone And shrieks abroad tlie anguish of the lost, Lo ! in that moment my desire is filled, My soul is satisfied, and on mine ear The chord falls perfect, and its waves enwrap The courses of my life. What have I done To so evolve perfection where before The theme was marred ? What ? I will tell thee, child ; But found a discord ! Tempered joy with pain. So, daughter, learn that question as we may The origin of evil, it remains That 'tis a discord potent to reveal The harmony of life. BEATRICE. 'Tis very sad. There is such scope for joy ; life is so warm 124 THE PRINCESS ELIZABETH. [Act II. To young liearts, and lier tunes keep time so sweet To pulses of our being. GARDINER. Ay, but mark, The sweetest tunes are pregnant with a want, And writ in minors ever. 'Tis soon past ; The cradle-song is but a prelude, sung To usher in the requiem for the dead ; The requiem's murmurs do but tone the soul In unison with those who chant the vast, Exultant strains of ever-living joy. The duty thou hast sworn to undertake Is over wnth the doing, but beyond. Where that same oath is registered, . . . BEATRICE. Nay, nay, Give me some other work. I swore not so. I do not vow to . . . GARDINER. On my signet ring Thy hand was laid in oath. Strive not, my child, To kick against the pricks. The Church's wrath Is fearful as her love is bountiful. Thou wilt not falter ? Scene III.] THE PRIXG ESS ELIZABETH. 125 BEATRICE. Father, on my soul Let fall your pity. Your commands come stern As storms which sweep and gather o'er the hills. Leaving no covert for one tender shrub, Sun-kissed to life and languor. Aught, aught else, So that I be not bid to lead my lord To love false nurtured to insure false ends. Tell me to turn my back on life and love ; Command me to be gone forever hence Ne'er to return, or if it be my lot To see no more the light of Seymour's eyes, I shall obey all meekly, and so eke Living till comes my summons, and I go With wide-ope'd arms to welcome lustful death. But ask me not, condemned, alas ! to live. To cut my heart's flesh into warring halves, And burn my hope to ashes. GARDINER. Nay, not so. The blessed Mother sees thee, and erewhile Shall smile, and so drown bitterness in joy. Mine office gives me power to recompense Much suffering with promise. BEATRICE. Father, hear! It cannot be the cassock smothers out All manhood's tenderness, and those quick fires 11* 126 THE PRINCESS ELIZABETH. [Act II. AVhose light hath lit the world to noblest deeds. ■Release me, father ; give another work Into my hands to do. {She throws herself on her hnees before Gardiner. At the same moment a party of students without is heard singing the following hymn:') Stabat Mater speeiosa Juxta foeiium gaiuliosa, Dum jacebat parvulus — Cujiis animam gaiulentem, Laetabundam ac ferventem, Pertransivit jiibilus. GARDINER. Ah, pregnant words Of old Jacopone ! How ye fall between The beetling cliffs of duty and desire. Bridging the chasm which mercilessly yawned To daunt a timorous step. Sweet daughter, cease This piteous undertone of stifled sobs, Weaving a web of sorrow through the mesh Of cadenced exultation. Listen, now, How the hymn's phrasing mellows into curves. As distance drinks the voices, and so smooths The intervals to undulated sound. ( The hymn is again heard, farther off, and gradually dying away in the distance :) Scene HI.] THE rRIXCESS ELIZABETH. 127 Fac me vere congaudere, Jesulino coha^rere Donee ego vixero. In me sistat ardor tni — Puerino fac me frui Dum sum in exilio. Himc ardorem fac commimem, Ne me facias immunem Ab hoc desiderio. GARDINER. Let thy soul con the echo, child, and learn To blend thy love with Mary's, ne'er restrained By fear of hurt, or pain of maimed desire. Ah, it were bliss to suffer in such cause, Breaking the heart to save the soul alive. Canst thou not feel it so ? BEATRICE. Ay. (^A knock is heard.^ GARDINER. Who 's without? A VOICE (ivitlwiit). My lord, the allotted time is past. The rules Are strained already to admit so long A converse, and my duty so compels That I conduct the lady hence. 128 THE PRINCESS ELIZABETH. [Act II. GARDINER. 'Tis well. (To Beatrice.) And thou wilt do the biddino: of the Church ? Ay. All? All. BEATRICE. GARDINER. BEATRICE. GARDINER. Holy Saints ! how pale thou art. (Beatrice totters as though about to fall. Gardi- ner reaches his arm to support her, but she waves him off, and bows her head as if ashing only for his blessing. He extends his hands over her.') Heaven bless and help thee, daughter. A VOICE (ivithoui). I await The lady, and time presses. GARDINER. Fare thee well. (Beatrice walks sloivly and firmly towards the door, as the scene closes.) ACT III. SCEXE I.— Cheston. The Hall. Elizabeth is discovered seated at the right, Seymour half reclininr/ on a low stool at her feet. Behind him the ladies Willoughby and Saint Lowe. At the left, Beatkice, Isabella, Harrington, and Heywood. At the rear, Tyrwhit is seen giving directions to Yyart, zvho is in the Princess' livery; and tvho listens intently and bows. In the centre of the Hall, Knights and ladies are treading a measure. Music. Harrington (aside to Isabella). Sweet mistress, all the world's face seems to glow With borrowed light to show me mine own joy, And like the surface of swift-polished brass, To give me back an image of my soul. The air is grown a-weighty with the full And indolent rapture of too amorous sighs. And, plethoric with vows, throbs pulse-like, warm And faint with its own incense. Is it I, And I alone, who dream that men have turned To softer measures and more tender ways ? 130 THE FBINCESS ELIZABETH. [Act III. See yonder liow the Earl bends near to catch What else had seemed unspoken, for I think Her Highness hardly trusts her thoughts to words, But fashions them in breath, till o'er her lips They steal like half-heard rustlings in a wood Nymph-haunted. ISABELLA. Yes, in her 'tis coquetry. HARRINGTON. In other bosoms — ? ISABELLA. Love. I know full well How skilful is Elizabeth to keep The poise of passions in a pregnant heart, So that though each be strung with Titan thews Neither shall say I rule! HARRINGTON. Yet she is less Than woman still. ISABELLA. In years but not in soul ; 'Tis the exquisite bliss of pain self given. The torture of delight flung cruelly back Upon fruition's threshold, that in her Sparkles like love. ScEXEl.] THE PRIXC ESS ELIZABETH. 131 HARRINGTON. What is it in my lord ? ISABELLA. Ambition ! Strange dull fires that smoulder deep, Kill what had else been restful, and anon, Kindle to war and ruin ; or, perchance, Gnaw silently, till (as a sick man racked With unexplained distresses thinks to find A cause before undreamed of) he, mayhap, Comes to believe he loves. HARRINGTON. Ah, you have read Your characters with a purpose. See you now How her blush deepens as his words come keen ? They must be keen to so writhe from his lips. ISABELLA. A cruel, remorseless mouth, as stern as death ; I 've watched those lips firm wedded in repose, And noted how the lines bespoke delight Riveted fast to power. I 've seen them part, And heard the music which no woman's soul Was ever yet quite proofed against, yet still Pitiless fate sat throned there, and below The flame of man's love, gleamed cold blades of steel. His mouth is cruel ! 132 THE PRINCESS ELIZABETH. [Act III. IIARRIXGTOX. - But yet the Princess seems Complacent or unconscious. ISABELLA. Both, perhaps ; Complacent in the knowledge of her strength, Unconscious of the clanger hid in his ; A very summer bird, which having crushed A gaudy butterfly, soars boldly off To trifle with a hawk ! HARRINGTON. I shall ere long Look to my rights, lest that I find the Earl Hath stolen some precedence, for by my soul You speak so by the card your words enfold Experience's savor. ISABELLA. Do not fear ; No blot shall mar your scutcheon from such cause. My lord threw^ down the gage of battle once, "With hints of roses for a flag of truce ; The gage was never lifted, and mayhap The roses now are dead. Scene I.] THE FBIXCESS ELIZABETH. 133 HARRINGTON (aside). One arrow more Awaits liim in my quiver. (To Isabella.) Know you now Who 's be that bends so supple, and whose glide Nearly disdains the ground ? ISABELLA. He who now bows To Mistress Skipwith? HARRINGTON. Ay. ISABELLA. Nay, I must learn His name from Master Heywood ; he it is Who 's turned court jester to our mimic court. (Turning to Heywood.) What knight is he with cloak low drooping back And blonde locks flung at random ? HEYWOOD. The cousin he To Katharine our late lamented Queen, — Sir Nicholas Throckmorton. He it is Who spurns the idle gossip which the air Hath late grown heavy with. His presence here Is meant to show^ how vainly falls the bruit On ears most near concerned to know the truth, 12 134 THE PBINGESS ELIZABETH. [Act III. Of keenest honor to detect the lie. Methinks he shall have cause erewhile to list To rumor's tongue, hung pivot-wise and loose To wag his own name, or he find a way To scare my Lady Mountjoye from her game ; She battles by assault. ISABELLA. Now, on my faith, I pray to be delivered from the gaze And ruthless speech of poets. Have you no shame To so shred reputations ? HEYWOOD. An there be Whole ones to shred ; but now the world laughs low, And shrugs its shoulders at a life too clean ; Morality 's a trifle old, perchance. And holds the musty flavor and quaint cut Of garments worn a dozen years ago. The Lady Mountjoye does but keep the track AVorn smooth and easy by the unerring pack ; To do aught else would lose her sure the brush. And lead her steps through brambles and cruel thorns To punish tender feet. HARRINGTON. 'Tis spoken well If holding matter oft left out of speech Because well known unspoken. Scene L"! THE PEIXCESS ELIZABETH. 135 ISABELLA. Yet methinks 'Twere well did Master Heywood dam the flood Of well-meant indignation for a space ; 'Tis the poet's part to search all beauty out, And find where, in the leaden gloom of life. The Ideal lies encoffined. Not for him Glints forth the flaw, more quick to catch the eye Than all the close perfection of the gem Holding the sun in durance. HEYWOOD. Cry you nay! The Ideal of the poet is out of life. Else, being life, it bear but bastard sons To dead Reality. Being beyond, It haply shall hold forth a standard set To which men still may strive, though knowing well A full attainment is beyond all hope. To find perfection throned in earth but once Had murdered the Ideal of the poet By turning it to fact. HARRINGTON. A trifle of the schools. Your logic smells ISABELLA. Ay, soon he '11 prove The truth of genius by a syllogism, 136 THE PRINCESS ELIZABETH. [Act III. And show how all men, by a rule of thumb, Are veiy Chancers. HEYWOOD. None so weak as I To stand before my lady Markliam's wit ; I had forgot you kept so near the marge Of things sublunar as to catch the tinge Of essences beyond. HARRINGTON. 'Tis fairly dealt. HEYWOOD. Moreover, I combine in equal parts The jester with the poet. ISABELLA. Ay, 'tis but just To make you that allowance. Are we quits? HEYWOOD. Ay, lady. HARRINGTON. See, the measure halts for us ; I pray you grant me for the dance the hand So soon to prove the guerdon of a life Lived to your service. (Isabella and Harrington pass.) Scene I.] THE FBIXCESS ELIZABETH. 137 HEY WOOD (solus). I do know a bird Shall sing more dirges than it now knows songs Ere the life be lived out. (YvART is seen to cross at the rear and station him- self immediately/ behind Elizabeth's chair.) Ay, and there swoops The hawk ! There 's somewhat brooding in the air Speaks not of peace. I scent a taint of fear And chaos born of battle. There, erewhiles, I noted how Sir Robert and this man — This strange unknown and humble lackey — held A discourse closer than the mere receipt And o-ift of a command 2;ave color to. And here the other comes. (Tyrwhit is seen to ajjproach Beatrice.) ^ I had best quit Too near proximity, and find how fares My Princess in the glamor of her dream. (Heyavood passes.) TYRWHIT {to Beatrice). My lady Dacres, hath the dance at last Lost all its charm for one whose grace hath held All dancers spellbound? BEATRICE. When the true knight speaks One must perforce cry mercy for a space 12* 138 THE PRINCESS ELIZABETH. [Act III. To pluck away the flowers and find tlie thouglit AVliich, stem-like, gives them being, still lies hid. If your gallant phrase point to me, I own The dance hath lost it flavor. But for you ? TYRAVHIT. I erst preferred the clink and ring of mail To rustle of soft silk, and ne'er have changed My preference withal. Some knights I ken, Tripping right glibly through yon mazes, who Hold to the converse with consistent lives; At least they 're honest. BEATRICE. Do you deem that rare? TYRWHIT. A question answered best when answered least To our own liking. There be knaves and knaves ; Some from a paltry leaning to the wrong For very wrong's sake ; others, nobler toned, Acting deceit, regretful of the world Which makes deceit essential. Then again. Ambition hath so poisoned the broad minds And high capacities of others yet As to evolve the knave from out whom else Had been a patriot. Scene I.] THE PRIXCESS ELIZABETH. 139 By my soul, I know Some specimens of each. Not tar to go To find such apt examples as should put Confessors to the blush. BEATRICE. Methinks your birth Hath happened under an unlucky star ; I know but few knaves. TYRWHIT. It hath fallen out Too often that the hope of gentle hearts Hath warped the judgment of indulgent heads. You cannot, by a standard of your own. Measure with justice all the gifts and wants Of one towards whom you treasure some sweet germs Of tenderness unwonted. BEATRICE. Hence 'twere well ? TYRWHIT. To stifle tenderness and so judge right. Lest, judging wrongly, tenderness too soon Turn to a gall and poison. BEATRICE. There is food For whole worlds of reflection in your words, Yet, if the end be only to find knaves, 140 THE PRINCESS ELIZABETH. [Act III. Methinks the game had cost too hard a run To justify the chase. TYRWHIT. Nay, lady, not To find knaves, but to know for knaves those whom We had long since received as honest men. Would you I 'd show you such ? BEATRICE. Nay, for I fain Would keep sad knowledge from my heart awhile. TYRWHIT. But if the knowledge pressed upon your ear. Demanding its admissson as a right Born of a sacred duty, doubly strong By reason of a vow more sacred still. You would not ? You have full faith in yourself, And thus can claim the trust of others. BEATRICE. How? I understand you not. TYRWHIT. I pray you, step A little from the crowd. I 've that to say Can best be spoken where there is less chance Scene I.] THE PRINCESS ELIZABETH. 141 Of private coinage finding public trust. Pray you, this way. (Beatrice and Tyrwhit pass toivards the rear.) A KNIGHT. Is Master Tyrwliit sure Whereon he leans ? SECOND KNIGHT. Oh ay. He tries the ground With weeks of innuendo and decoys Ere he gives utterance to a sentence fraught With any word of danger to himself. Fear not of him. FIRST KNIGHT. And how soon will the fruit So long a-ripening fall into our laps ? SECOND KNIGHT. Marry to-night, if 'twere not that his friends Have scented some faint odor of the scheme. And so made small delay the truer speed. FIRST KNIGHT. 'Tis well, for I do think he winds more firm The coils that shall destroy him. Have you marked ? 142 THE PBINCESS ELIZABETH. [Act III. SECOND KNIGHT. Ay, even now. But come ; we must not seem Too deep in converse ; and the music flags ; The dancers will be strolling hither. Come. {They pass.) (^The dance ceases. Attendajits are seen serving ivine to the guests.) SEYMOUR (to YvART). Give me a cup of wine. (YvAiiT boivs and retires.) (To Elizabeth.) Methinks your Grace Should lend the countenance of royal steps To give the measure what alone it lacks, — The lustre of your presence. ELIZABETH. Nay, there be Those here who 'd hold such effort, wrought by me, A work of supererogation. SEYMOUR. Who? ELIZABETH. Mine eyes but now fell on Lord Herbert, he Who deems a Pembroke close-linked to a throne ; And yonder, with rare dignity of mien, Stands your most noble brother-in-law and friend, The Marquess of Northampton. Scene I.] THE PRINCESS ELIZABETH. 143 SEYMOUR. Surely none So privy to the thoughts of mine own soul Could homage keep from you. YVART (presenting a salver, upon ivJiich are a jiarjon of wine and some goblets). My lord. SEYMOUR (raising a goblet). Friends all, Your hearts Avill echo mine, and to your lips Bring swiftly words of loyalty and joy ; I drink the Princess' happiness and health, And full fruition of auspicious days. {All drink.) ELIZABETH. My lord, the cause which you espouse must needs Rule by the right divine of eloquent force ; You sweep by storm an opposition ofl' Though it should rally later. SEYMOUR. None so poor To fail in an attack where all the gods Give aid and comfort of Olympian smiles. Who is't you gaze upon with that keen look? I've marked you, Princess, thrice within the space Of thrice three minutes, fix your eyes so fast 144 THE PRIXCESS ELIZABETH. [Act III. Upon some knight or lady in the hall On th' other side. ELIZABETH. 'Tis she. You must have seen — You who are quick to note a light or shade — How strange a shadow dwells upon her face. 'Tis Beatrice. SEYMOUR (aside). Seen — yes, too deep i' faith. (To Elizabeth.) Ay, I do think the lady dreams too much ; She should have wider ranges and more air To tone her life. ELIZABETH. There 's that within her which I cannot fathom quite. She grows more grave And proner to seclusion than of old, Leans less to foibles of the lighter sort, And I suspect clings closer to her beads. Once, when a hunt in Epping was afoot, She plead quick illness to remain away, And closed herself within her chamber, there To ponder or to weep. SEYMOUR. To weep is good For woman, but to ponder is to ope The gates of madness. Know you if there be Scene I.] THE PRINCESS ELIZABETH. 145 Aught in her soul to so estrange her ways From all her former seeming ? ELIZABETH. I know not. My lady Willoughby, what cloud hath crossed The sky of Beatrice ? Or you, Saint Lowe, Mayhap can tell us, seeing you keep store Of all the soft things of poor human hearts. What genius of sadness holds his sway Within her bosom ? LADY SAINT LOWE. Nay^ I do protest, She gives me not her secrets. LADY WILLOUGHBY. No, nor me ; It may be spleen, or weariness, or, worse. Imagined love. SAINT LOWE. Mayhap all three combined In due proportion to insure swift death To long-imprisoned hopes. SEYMOUR. Your judgment smacks Of biased preconceptions. 'Twere more fair To hear the lady's cause as ably plead As those who know could plead it, e'er you sweep 13 146 THE FR INC ESS ELIZABETH. [ A c t III . To condemnation, quick as 'tis severe ; I trust my head may ne'er hang on the word, Prompted by pity, of the fair and cruel Lady Saint Lowe ! ELIZABETH (aside). By Heaven, 'tis worth a score Of well-fought tourneys ! SAINT LOWE. Oh, my lord, my lord, One must jest sometimes, or one wears too soon The wrinkles of the wise. I do believe Sweet Beatrice hath something in her heart That casts a shadow on her brows. WILLOUGHBY. And gives Some curt forms to her speech. She grows more still Than Egypt's sphinx. SEY.^IOUR. A virtue, by my soul, Nearly forgot in England. ELIZABETH (aside). Twice a score Of tourneys were cheap recompense for that ! Scene I.] THE FRINCESS ELIZABETH. 147 AVILLOUGHBY. If it indeed be found a virtue, yet 'Tis none the more a grace. SEYMOUR. Nay, wise men say The two go not together. (To Elizabeth.) Tyrwhit seems Intent in some vexed marvel or deep theme That holds my lady Dacres by a spell. Note you how rapt she sits ? ELIZABETH. Perchance mine eyes Are hardly keen as yours, my lord, to catch Each gleam of sunlight prisoned in a pearl ; And, if the prose of truth must hold its sway, I tire a little of the subject. SEYMOUR. So? Then, Princess, I can supplicate again With better grace for favor at your hands, Seeing the favor shall give ready change Of stuff for thought and converse. Will you join The measure ? ELIZABETH. If it please you so, my lord. (Seymour leads Elizabeth to the head of the hall, and the dance continues as the scene closes.) 148 THE PRINCESS ELIZABETH. [Act IIT. SCENE 11. — A AViTHDRAwixG Room opening into THE Hall. Dance-music Tieard as from a distance. BEATRICE {sola). Wherefore? There is no cordial for the soul, To lend a staying strength and give it tone Whilst earth is tottering, and the daylight pales Into a dusk abysmal. Out beyond. Deep, deep beyond where glints the dog-star, hung Like one of God's tears on the fjice of night, There may be restful recompense; but now? How bridge this terrible present, this gaunt ghost That will not down, though human hearts are rent Into mere quivering morsels of despair ? Nay ; for the heart breaks, still beats on and on. Slower for anguish, and with duller sound. Like muffled drums which follow the dead years. Wherefore ? The ages stretch in mystic ranks, Grim giants, shoulder unto shohlder set, Till distance covers them, and men are crazed With striving to conceive what lies beyond. And I stand midway, I, the veriest point, Existent but as thought shall make me so, And mourn because life holds its grief for me And I can find no solace in a night! I should have better conned the lesson through. Than thus to falter at the prime essay, Scene II.] THE PRINCESS ELIZABETH. 149 And shrink the first fleet clangor of the steel. What though I suffer? — Suffer! Ah, sweet Saint, Set in the glory of eternal days, Forgive the words my recreant lips have formed And teach me thine endurance. Teach me — ha! The lesson comes all quickly on my words. And in so hard a form. {Enter Seymour.) SEYMOUR. Why are you sad ? I could not choose but note how pale you were, And how unrestful fantasies trooped weird Across your features, as you stood aloof And watched the dance. BEATRICE. My lord, you were most kind ; It is my habit. SEYMOUR. Ah, that might be said To others who have found less in your life To quicken their inquiry and regard. If it do please you, I would pray you be More open with me ; there mayhap should be A sphinx's riddle, whose sole charm is held By me, and on mine honor as a knight, 'Twere happiness to serve you an I may. 13* 150 THE PRINCESS ELIZABETH. [Act III. BEATRICE. I do believe you, sir, and my poor tlianks Are true as the assurance there is nought To help my peace. SEYMOUR. Nought? BEATRICE. Nought, Lord Seymour. I, Like others ot my sex, am born to moods ; 'Tis scarcely meet to be forever decked In plumage of the spring. SEYMOUR. Yet no bird sings But half its summer through, and then falls mute. Bereaving those who 've listened and grown glad By reason of its song. I, most of all. Stand wounded by the silence, and am come To find if all the melody be dead And gone from me forever. BEATRICE. You, my lord. Admitting for the nonce the image which You please to fratne your thought in, scarce can miss So mean a piping as one poor bird's note. Amid the choir of all melodious throats Ready to hymn your praises. Scene II.] THE PRINCESS ELIZABETH. 151 I have learned Somewhat of duty, much mayhap of care ; And if these latter days have borrowed hues Nearer to russet than last summer's gold, Believe me it is well. SEYMOUR. Nay, it is crime. Life falls as fleetly from fast-flying time As dewdrops shaken from the pauseless wing Of an on-speeding bird. Have you no care For what is priceless, thus to borrow woe Before the appointed hour, and mar sweet youth With furrows stol'n from age ? And you have learned Somewhat of duty? 'Tis a meagre word, Scarcely deflned, or, if so, held to have A thousand meanings, suited to the whim Of him who last defines it, and so backed And clipped and moulded to the mind's desire As to annul its essence, and avoid All else deemed germ an to it. I dare swear The thing ne'er finds a lodgement but by name Within the bosom, though perchance the soid At seasons runs a-tangle of some threads Spread net-like in the way, and, knowing not Whence they are spun, a swift conclusion draws And dubs the network duty. 152 THE PRIXCESS ELIZABETH. [Act III. Has the earth, Blooming with thousand colors, dulcet made By odors manifold of flower and fern. No voice to plead for youth and love and spring ? Has nature's harmony no tone for you ? No whisper of sweet sound, low, liquid, rare As the ethereal lullaby, soft sung To an enchanted child by fairy folk At chano-inoj of the moon ? You will not drown Life's golden mote of sunshine in the dank, Unhealthy fen of an ascetic dream ? BEATRICE. I will do nothing but fill out my fate, Whate'er the mould be it is fashioned in ; I work not to destroy. 'Twere easy so To live out life ; I work not, but I wait, And herein dwells the efibrt. SEYMOUR. Here the wrong ! "We make our destinies. I clear defy This thing called Fate to harm me, while I choose To carve my way out on Time's roadway, bold To hew and cleave opposing rocks amain As to smooth level foot-beds out of sand ; And woman, though in her 'twere well to find Less vigor, needs to look to man, I think, More than to Destiny. Her way is made Scene 11. ] THE TRIXCESS ELIZABETH. 153 By that same other self, twin-gift of God, Xot moulded by an iron-compassed law. I beg you turn your back upon this drear, Gray phantom of set duty. BEATRICE. Nay, my lord, I may not vanquish Destiny, though Joy Lead on Life's vanguard in tumultuous haste To capture Life's desire. I think you scarce Can find good reason for a fault with me, Seeing I am but silent. SETMOUR. And so sad. You mar what nature, with ineffable And matchless touch, hath hallowed. BEATRICE. How, my lord ? SEYMOUR. Your lips have grown too pallid by a shade With overmuch confession, and methinks You might wear Aphrodite's cestus clasp'd About your lithe waist, to replace awhile Our Lady's sad, sw^eet shadow on your brow\ I saw a cloud, once when we were afield. By quick accretion cumber the red west. 154 THE PRINCESS ELIZABETH. [Act III. And thrust up buge, high shouklers to the sky, Till Avild flowers took an ashy hue, and birds Strangled their half-sung songs, and, frighted, flew For shelter to their nests. I question not The cloud was freighted with beneficence, And charged with blessing to a thirsty earth. Yet while the shadow lasted nature donned The colors of despair. I pray you, sweet. Let the cloud pass, and give me — if myself "Were object like to move you — once again The old light in your eyes. BEATRICE. My lord, 'tis meet Your words were spoke to one more quick to weave Close-meshed delight from the effulgent woof And warp of your wing'd speech. I know a heart "Which stays the measure of its time till first It learns how beat your pulses. SEYMOUR. AYhose ? BEATRICE. 'Twere scarce A secret worth the keeping, since the w^orld Has ceased to marvel. 'Tis a royal heart. Scene II.] THE PRINCESS ELIZABETH. 155 SEYMOUR. The Princess ? BEATRICE. You are apt. SEYMOUR. Pah ! we will speak No more of that theme now. 'Tis you whose breath I fain would hear come quicker for my words, You whose sad eyes lured me but now away From yonder festal throng, and drew my steps Hither by some unerring instinct, born Twin progeny with life. BEATRICE. Nay, nay, no more, I may not hear you more, my lord. {Aside.) O, stay My heart, compassionate Mother ! SEYMOUR. Beatrice, It may be you have grown to disbelieve A ready tongue can ever shape aught else Than vapid words. Ah, do me not the wrong To deem the saw forever good. I bring No such stale phrases or dead wreaths to you "Whose soul hath ever spurned them. 156 THE PBINCi:SS ELIZABETH. [Act III. Oft, indeed, In days too redolent of perfume, stung With breath of spring, when all the being sinks Into a dreamful rest and sense of flowers, The lips move to poetic numbers, wrought By fancy more than truth. But see you not How wide a gulf is set between such toys And these vows offered, honor-stamped, before The altar of your eyes ? BEATRICE. Alas! my lord, I may see nothing, for mine eyes are seared, And cannot bear the light. There are strange ghosts. Close clinging phantoms of liopes buried deep. And crucifled desires, — which stalk, unknelled, Forever by our sides. 'Twere well we learned To know them by their names, that so past love May yield to present duty. SEYMOUR. Past love ? BEATRICE. Yes. SEYMOUR (taking her hy the ivrists, and loohing at her sear chin (jly). There is a questiou I would ask you . . . Scene II.] THE PRIXCESS ELIZABETH. 157 BEATRICE (aside.) Heaven Now give me aid ! SEYMOUR. Which had been asked before But for the bars which hedge occasion off. Do you not love me ? BEATRICE. No. A VOICE {ivithont). This way methinks My lord of Sudley went but now. I'll say Her Highness waits. SEYMOUR {aside). Curse them ! BEATRICE (aside, simultaneously). Thank God ! (Enter Tyrwiiit and Harrington.) HARRINGTON. My lord, The Princess bids me say the dance hath ceased And you are stayed for. 14 158 THE TBIXC ESS ELIZABETH. [Act III. SEYMOUR. Gentlemen, your pains Have been most lavish. {To Beatrice.) Will you lead the way, My lady Beatrice ? BEATRICE. My lord, I crave Your patience. I'll attend her Highness soon Within her chamber. SEYMOUR. As you will. \_He hows, and exit. TYRWHIT. 'Tis late ; Methinks the mirth and music have nigh drown'd The memory of time ; I ne'er have seen So gay a night at Cheston. {To Beatrice.) Have you, too, Drunk the light froth of evanescent hours Which burst in golden bubbles at the lips And leave the throat the thirstier ? BEATRICE. I have seen Some others drinking while I still abstained. Scene II.] THE PRINCESS ELIZABETH. 159 HARRINGTON. So proving how the wisdom of long years May grace the brows of youth. TYRWHIT. A truth twice proved To him who counts my lady in his list Of friends. BEATRICE. My masters, by your leave I beg To wish you a good morrow. \_Exit Beatrice, to whom Harrington and Tyrwhit bow. HARRINGTON. There is that About her which inspires full trust, and brings Sense of security in secrets pledged Within her keeping. TYRWHIT. Marry, so I found Long weeks agone, and, as I said but now As we stood in the angle of the stair, Have put my trust to test, and by her aid Look to attain our ends. HARRINGTON. And does she know How both fates hang suspended by one thread ? 160 THE PRIXC ESS ELIZABETH. [Act III. TYRWHIT. Less said of that the better. As it stands, The Bishop's party aim but to preserve The crown where they can mould it, at a need, To do church work by wheels and cranks of state, Smooth running by ecclesiastic law. We help ourselves in aiding them, while they Can only gain their purpose leagued with us. 'Tis thus it follows we are forced to strike This proud, usurping Admiral by means Which implicate Elizabeth. So, too, His Grace of Winchester can only reach The Princess by involving Sudley. HARRINGTON. You Have bargained with the spy ? TYRWHIT. 'Tis understood What shall be done. The man is keen as steel ; Trust him for right good knave's work. HARRINGTON. And you think The lady knows not 'tis the Earl whose fate Hangs in the same scale with her Highness' weal? TYRAVIIIT. She serves her church, and takes her church's word For what it aims at. Scene II.] THE PRINCESS ELIZABETH. 161 'Tis the Bishop's mode To tell so much as shall insure his ends, — No more. HARRINGTON. By Heaven ! it galls me so to reap Harvest from seeds of treacherous deceit That hold death's o-erms for innocent hearts. I would The thing were done. TYRW'HIT. Hist ! some one comes. And see, The last among the knights is leading out The latest of the ladies. I'll to bed. And parley further when the day hath brought More power to your nerves. Eh, Harrington ? HARRINGTON. Oh ! jest ; 'tis harmless. But I hardly see Cause for light-heartedness, and, by my faith. Shall be content to bring my conscience out Without a broken pate. TYRWHIT. Well, more anon ; We'll speak of this to-morrow. Now, good-night. \_£xeunt in opposite directions, 14* 162 THE FRIXCESS ELIZABETH. [Act HI. SCENE III.— An Anteroom. Seymour. Heywood. HEY WOOD. Ay, there is danger, Earl. SEYMOUR. Preach ghosts to them Who pay to ghosts the tribute of belief. I pray you feed no more weak' milk for babes To one who'd liefer thrive on meat for men. I credit not these rumors. HEYWOOD. There a fear Should best find footing, for an you had learned But once to credit, you should soon find means To silence them forever. SEYMOUR. 'Tis most like. What should these plotters have to gain or lose By my reversal or more lofty reach ? I can as lightly crush them as the heel Ends being for a gnat. Scene III.] THE PBIXG ESS ELIZABETH. 163 HEYWOOD. And shall you live Forever on tlie knowledge of a force Never exerted? Know you not, my lord, The gnat may secrete venom 'neatli its tongue, And strike while you forbear? I oft have seen The great wrecked by the little, and anon Where noble courage, fraught with strength, hath failed. Dark stratasfem of weaklinc^s hath outborne All opposition down. SEYMOUK. Pall ! I '11 have none Of this foreboding and poor womanish fear ; I say mine ears are weary of your moans And prophesies of dire disaster wrought Upon my schemes. Hark you, John Heywood, you Whom I do trust because your soul is free Of blistering deceit, thus stands my cause : There is no room for failure, and no power To bring about defeat. In England's realm I hold the balance which decides how go The fortunes of the day. No man shall dare To face me with an opposition writ Upon his banners. 164 THE PMINCESS ELIZABETH. [Act III. Look you here. (^He draws a folded paper from his breast.) On this You may see lists of those who stand at arms Waiting my signal. These trustworthy shires, Beyond a peradventure, will yield up A goodlier number of impatient hands Than those here noted ; yet I err i' the right In polling only such as I do know Devoted to me. Add to these my tried Retainers, servants, and the turbulent ones Forever eager for unrestful days. And you shall find ten thousand men a safe And modest estimate of those whose arms Shall gleam beneath my standard. HEY WOOD. 'Tis most fair In seeming, but I 'd fain you stored the facts Within your memory, and destroyed this bold And undisguised proclaimer, which, in hands Inimical, might ruin buoyant plans By over-hasty ripening. SEYMOUR. It is safe Where it hath been so for a fortnight past. I can protect my secrets. ScEXE III.] THE PRIXCESS ELIZABETH. 165 HEY WOOD. Guard you well 'Gainst treacliery, my lord. SEYMOUR. Oh, that liatli been Forever cliiefest of my cares. HEYAYOOD. My lord, His Grace of Winchester holds no good will Towards those whose lofty flight sweeps on, uncheck'd, Beyond the Church's pale. Have you well weigh'd The danger there ? SEYMOUR. 'Tis naught. His venom stays To vent itself upon a royal rose In royal fashion. 'Twill be later ere His gaze will compass me. HEYWOOD. I would my heart Were well persuaded of it. SEYMOUR. Nothing fear. Come for a moment with me ; I have that Will give you firmer purpose. 166 THE PRINCESS ELIZABETH. [Act III. HEYWOOD. Well, lead on ; Yet would I were persuaded. [^Exit SEY:sio\]ii, followed hy Heywood. (Yyart enters quickly from the opposite side.) YVART (solus). But the wish Can hardly bring its own fruition forth ; You are too wise, John Heywood. I 've a fear You yet shall thwart me. Ah, this mousing leads To rarer fortune than I hoped for. How To gain possession of this paper ; how To so possess it as to mesh the Earl In self-confessed pre-ownership, now seems The only problem whose solution waits My wits. We must have witnesses ; and these Must be of our own party, bold to show The naked truth, and fearless of the wrath Or craft of my lord Seymour ; those who '11 prove Black treason spite of power to bribe or threat, And scorn a heretic vengeance. I '11 below, And find some noiseless corner, where the mind May meditate and mould an alley out To run quick action in. Scene III.] THE PRINCESS ELIZABETH. 1G7 Ha, hither comes Once more his mightiness, with Ciesar's gait ; Wait, wait, sweet gossip. \_Exit at left. {Enter Seymour at right.) SEYMOUR (solus). So ; I should despatch Briskly this business, but, by my faith, I am undone for sober work to-day. I cannot shake the shadow from my mind Of this girl's earnest eyes whose depths dissolve In limpid worlds of tears. I cannot stay These strange new fingers o'er my heartstrings swept With power so infinite, yet with touch so light, E'en as a bird that hath outrun the Spring Rests, trembling, in the branches of an oak. Until the very twig whereon it sits Vibrates to each pulsation of its life And seems to share its being. There 's a fire. Whose flames are not the color I have known. Which burns and goads me. Is it passion, lit At that mysterious vesper-lamp of sense Which men name instinct ? Is it love ? Or thirst For juice of grapes, empurpled on the stem And known but to the sun ? Or is it pique ? 'Fore Heaven I know not, yet here, knowing not. 168 THE PRINCESS ELIZABETH. [Act III. f I come and wait to cross her ling'ring step, And draAV some further answer from her eyes To my mute question, mute no longer now. But spoken barbed and hurled back in my throat Dipped in denial! 'Tis death ! I am unused To treatment of this savor, and I tliink Must turn to weakness, — oh, reproach can Avait, For hitherward she comes with bended head, Lost in her missal, and mayhap unloosed From hard bonds of the world. (Beatricb enters, intently readuKj, and apjycirently unconscious of any one's presence.) SEYMOUR. Amen, amen ; I may conclude the prayer, unpausing here To query of its purpose. BEATRICE (^starting). Ah, my lord ! SEYMOUR. Nay, 'tis most apt you find me at a time Conducive to confession. BEATRICE. I looked not To find you housed at this unusual hour Of this majestic day. The gentlemen Are all afield save you. Scene III.] THE PRINCESS ELIZABETH. 169 SEYMOUR. My brains are set To other matter now. I 've that to do Demands more skill than falconry. Yet ere I plunge to action, I would fain wear joy — A gala ribbon to deck out the day — Wreathed round my heart. I left you yesternight With poison clinging to the word you spake To murder life in me, and since, your face Dwells in the air before me. I may not Look on the illumined page of book or scroll But all the quaint devices run and reel. Taking a shape unknown before, and quick Melting into the features and fjiir form Which my lips sum in saying Beatrice. God judging us, you know how love like mine Stops not to reckon. BEATRICE. Oh, my lord, my lord. If your heart be not marble, reckon now. Speak not of love. SEYMOUR. When 'tis the word alone Shall be my talisman of life ? 15 170 THE PRINCESS ELIZABETH. [Act III. BEATRICE. Nay, nay, Speak not to me ; it ill befits me, Earl. I am a simple girl, unused to state; You love a princess. SEYMOUR. Ah, my heart of heart, I love a Goddess! BEATRICE. Oh, no more, no more! SEYMOUR. Once more; do you not love me? BEATRICE. No. SEYMOUR. Why then Ask me to pause for sake of pity, — speak Of hearts of marble or of words which sting, Seeing you reck not ? BEATRICE. 'Tis because my life Is walled by my obedience to the law Of good and evil. You would level low That which hath held me when all other props Scene in.] THE PRINCESS ELIZABETH. 171 Have crumbled into ashes. 'Tis but meet I call on manhood to sustain man's code. SEYMOUR. By what law's working shall we gauge the heart, Or mortise the affections with nice joint Into a worldling's sense of fitness? How Smooth off desire with plane and chisel held Within the hand of policy? God wot I've had enough of such poltroonery! I Have fed ambition till my soul is sick, And, so it please high Heaven, shall give at last A drop of dew to my long thirsty heart. To perishing manhood love. Believe I come In honorable fashion, seeking here Nought you should shame to grant, or, granting, mar The whiteness of your soul. My very ftite I cast within your hands. This niglit I go To meet Elizabeth, and though this night I am so bounden, 'tis the last essay That shall so taint mine honor. Nay, shrink not; I fain would have you privy to my thoughts, That, seeing how I trust you, you may school Your own heart to belief. So I shall ask A favor of you, Beatrice. There's need My lord Northampton should receive, to-night, 172 THE PRINCESS ELIZABETH. [ A ct III . This paper. Will you be my messenger To place it in his hands, unseen, unknown Of any man? for it holds that withal "Would, being known, undo me. BEATRICE (takinff the papei^ which he proffers and concealing it in her dress). I will be Your messenger, but bound by ties of truth And loyalty, not love. SEYMOUR. Ah sweet, how fleet Tlie crimson wooes the pallor on your cheek To contradict your lips. You love me. BEATRICE. No. SEYMOUR. And dare to say so closer to mine ear ? (^e comes near to her. At the same time fragments of the hymn " Stahat Mater Speciosa'' are heard, sung without hy very distant voices.') Fac me vera eongaudere, Jesulino cohaerere Donee ego vixero. Hunc ardorem fae communem, Ne me facias immunem Ab hoc desiderio. Scene III.] THE PBINCESS ELIZABETH. 173 BEATRICE. Ah mercy, lord of Sudley ! 'Tis my soul Hangs in the balance. If your being bears A texture sensitive to joy and woe, Oh, let the shadow of my anguish fall Between your eyes and mine. SEYMOUR. Though fate of worlds Barred off the way, I could not stem the swift. Mad current of my life. Let me but plead My cause in softer numbers. (He hends close to Beatrice, ivJio holds her missal to her bosom as if for protection^) Tell me now, Beatrice, do you love me ? BEATRICE. No. SEYMOUR. Again, Spurning defeat as eagles spurn the ground, The question comes elated, and perforce Compels my tongue to service. (He takes her face between his hands.) Tell me here, Beatrice, do you love me? 15* 174 THE PRINCESS ELIZABETH. [Act III. BEATRICE {Jiinrji7ig aivay the missal). Yes! * SEYMOUR. At last. BEATRICE. Better than what I 've trampled on for love And fiung away with yon accusing book, Better than peace of mind, life, conscience, truth ; Better, alas ! my lord, than mine own soul. SEYMOUR. Nay, nay, love ; 'tis no time for mourning sighs When every lambent zephyr whispers joy ! I shall soon find the key-note of your fears, And turn your breath to strange chords of delight Shall bury sadness. BEATRICE. Ah, my lord, I know Nothing beyond the moment. I would fain Dream my sweet dream this once. It must be brief. Being so perfect. SEYMOUR. Peace, my little one, This dream has no awaking. (^A hell is heard to toll without.) Scene III.] THE FRINCESS ELIZABETH. 175 BEATRICE. Ah, so soon? Time flies to vespers ere I knew the day Had reached its afternoon. I must be gone. SEYMOUR. Nay. BEATRICE. For a space. You must abide, my lord, The morrrow's coming. SEYMOUR. Ah, some cruelty chafes Even unfledged delight. How may I stay The hunger of my heart till then to see Your face ? I know not, yet am strong to go — Love's waiting being short. The night is near, The day shall bring us Heaven. Farewell. BEATRICE. Farewell. [^Exit Seymour. Alas, he carries all my soul along Into an unknown sea, and leaves me void Of every sense but ecstasy whose edge Is very close to pain. 176 THE PRINCESS ELIZABETH. [Act III. Ob, love, my love ! I reck not of the future, there lies doom, But here I have my hour. {She turns to go out, and is rnet by Tyrwhit and Harrington.) Ah! TYRWHIT. Start not so ; You have forgotten this. {He picks up the missal and holds it towards her.) BEATRICE. I had forgot That gentlemen were spies. {Enter Yvart.) {Aside.) That man here, too ! Alas, lost heart, lost heart ! YVART. And somewhat else Methinks the lady hath forgotten. BEATRICE. What ? Y'VART. This. {He raises his Jinger, upon which is Bishop Gar- diner's signet ring. Beatrice utters a ivild cry and falls forward, being caught by Harrington.) Scene III.] THE PBINCESS ELIZABETH. 177 TYRWHIT. Quick, the paper ! (Harrington finds the paper in her dress, and hands it to Yvart.) Lose no moment. Time Is freighted now with fate. YYART. Nay, do not fear ; I am no laprfjfard. \_Uxit Yyart. HARRINGTON. By my faith, this swoon Comes opportunely. TYRWHIT. Ay, and ere it pass She must be safely placed beyond the reach Of those who might sound warning ere the trap Is ready to be sprung. Need you my help ? HARRINGTON. No ; for the burden is as light as fair. \^^xit Harrington, hearing Beatrice in his arms. Tyr^yhit folloivs. 178 THE PRIKCESS ELIZABETH. [Act III. SCENE IV.— A Private Room. Night. ELIZABETH (solci). 'Tis strange she came not sharply on her hour, This woman of much thought, and eyes as large As liquid-orbed Penelope grown sad With weeping for Ulysses. Strange, Avere it not That breach of custom hath become the law She late hath lived by. I can fathom not Her soul's disease. Ah, well, I may not wish To fathom aught without the pale and scope Of mine own being, for in faitli I think The problem 'there 's sufficient. Some strong hand Were needed sorely to stay back my heart. Held I not fast the reins which guide the steeds Traced to the car Ambition. Is it well ? Nay, an it were I scarce had known such fear Lest pitiless discovery un-urn What I deny to self. But if it be Not well, I still shall seize my cup of joy While Life's new wine is golden, though a sting Lino-er amonsj the lees. Scene lY.] TEE PRINCESS ELIZABETH. 179 (^Enter Seymour.) SEYMOUR. My Princess. Here, At least, the envious world is barred and locked Outside the gates of Life. I caught some word Of Life that from your lips met me half way Upon the stair. ELIZABETH. Yes ; I bemoaned the fate Which makes Life golden, and within its bead Encases its destroyer. You, whose flight Hath held so wide a sweep, must oft have mourned To find joy handicapped. SEYMOUR. Nay, for that loss Is overmatched by bringing forth the force And power of its pinion. There 's new bliss In sharing happiness with dreaded pain And oftener dreaded danger. Have you thought Of all I asked you well to ponder o'er, And, thinking, found the truth ? ELIZABETH. Ay, for the truth Lay very near the surface. In my sleep 180 THE PRINCESS ELIZABETH. [Act III. I saw you yesterniglit, incased in mail, Ride down the lists, and challenge all who would To join in single fight for some vague prize That still from knowledge in a casket hid Possessed a mystic power of untold joy. And no man knew what the strange prize should be Nor could divine its meaning, yet all felt An intuition that its worth was great, And that the knight who gained it should thereby Encompass happiness beyond his hope, Rapture beyond desire. And forth they came. One after other, very gallant lords. Plumed and embelted, steel from crown to spur, And wearing each upon his crest the hue That told of an allegiance bravely held To nerve brave arms the stronger. One by one They set stanch lance in rest, while mighty blared The trumpet's voice to sound the furious charge ; And, midway in the lists, the gleaming points Met as opposing lightnings rifting wide Black, beetling tiers of cloud. And, one by one, Before your pauseless onset borne amain. They reeled, and, sidewise from their saddles flung. Like huge and humbled monarchs, bit the dust. INIadly the loosened steeds careered the lists Unchecked, for faster forth the champions came. And, past all forms which govern tourneys, rushed Scene IV.] THE PRINCESS ELIZABETH. 181 Pell-mell in chaos, till the tumult roared And, panic-struck, the heralds fled away, And the onlookers paled ! Anon the dust, Which swept up in great masses, hid from view Horses and men, and then my heart stood still To hear the splintering crash of rended wood And clang of falling greaves. Then, once again, The yellow^ fumes rolled back\vard, and I saw Your plume still proudly swirling, beacon-like. High above all that grovelling mass of men ; And quick once more my blood, in mighty throbs, Rushed to my finger-tips and drowned my face, And I breathed hard, fearing the end. At last They all w^ere vanquished, and the trodden field. Strewed with the tokens of your prowess, lay Before your imperious glance. 'Twas then you turned To seek the guerdon, which in mystery still Waited the victor's claim. And as they brought The casket forth, my being seemed to go Wondrously with it, and I knew not wiiat Should bode the mad elation of my soul. But, as you took it, over all the scene Floated rare purple mists in incensed folds, And, as in dreams strano^e inconojruities ' CD O Astonish us, yet seem to come by law% Falling as by necessity, and so Woven into the texture of events, 16 182 THE PRINCESS ELIZABETH. [Act III. You opened quick the casket, and within Lay something that you most had wished to find, For on your face I saw the color mount, And in your eyes flamed a strange light that fled Behind the passionate lids. Then nearer I Crept, till I felt your breath upon my neck, And, leaning slowly o'er the casket's brim, I looked within and saw there — my own heart! I know not what came after that, for sense Seemed swallowed in a tumult of strange forms Which came and went in a grotesque parade, Scorning all sequences of place and time, Running to wild nonentities, and strung Like colored beads upon a tangled thread. SEYMOUR. My Princess, 'twas the whisper of your heart Which slept not though you slumbered, intermixed With some soft romance of old Camelot, Mellow as wine, and listened to at noon. There is a time midway adown the course That slopes from dawn to sunset, when the day Sinks into drowsiness and nature sleeps. And at that hour quaint pages from the past Enter our beings, and we store them up To glorify the night and make it grand With panoply of dreams. Scene IV.] THE PRINCESS ELIZABETH. 183 ELIZABETH. Nay, but, my lord, This was not all my dream, for quick there came False witnesses to rob you of your right, Swearing false practice in the use and length Of your all-conquering lance ; taxing you sore With treason and disloyalty, and ere Your mailed arm could raise itself to fling Back your defiance, came a score of men "Who rushed unheralded, and, like poltroons Mindless of honor, stabbed you in the back. Oh Heaven ! I shudder yet to hear their tread And their mad cry of Treason! Bear him down! Down ivith the traitor! (^The tramp of armed men is heard without.^ SEYMOUR. Hark ! ELIZABETH. What sound is that? SEYMOUR. It is the King's Guard, or mine ears have lost Part of their old acuteness. In the realm No other heels can mark a time like that Nor fall with like precision. 184 THE PEINCESS ELIZABETH. [Act III. ELIZABETH. Seymour, fly ! There is a terror tightening at my heart, I know not why, I know not whence ; but fly ! So strangely comes reality to fill The vague and empty chambers of my dreams. What should the Guard do here? I do implore. For my sake leave me. Oh, my lord, be quick. Fly, if you love me ! SEYMOUR. Nay, Elizabeth ; This is but terror born of over-wrought And over-heated fancy. If it be My lord of Somerset have need to seek A brother's closer housing, he shall find Less than a brother's aid. I would the way "Were open for your going, so that none Should find you thus. But 'tis too late. I hear The men now marching up the gallery And posting in the hall. Be firm, and keep A studied silence. ELIZABETH. I am cold with dread ! Scene IV.] THE PRIN^CESS ELIZABETH. 185 A VOICE {without). Admittance in the Lord Protector's name. SEYMOUR (throiving open the doors). I marvel that the portal flew not back Even of its own volition ! (^Enter a detachment of the King^s Guard, forming across the doorivay and at one side of the room.) OFFICER OF THE GUARD. I am pained To make so rude a showing in the eyes Of so august a lady. You, my lord, Will understand my duty ere I frame That duty into speech. SEYMOUR. I understand Naught so addressed. You should have learned the role Of soldier better than to march before The lord Hi^fh Admiral of Enojland thus And halt your men at ease. OFFICER. Sir! 16* 186 THE PRINCESS ELIZABETH. [Act III. SEYMOUR. Acts, not words. Salute, I say ! ( The officer gives a sign to the men, who present arms.^ OFFICER. My lord High Admiral, In the King's name, your sword. SEYMOUR. Now, as before. Quick drawn in the King's service. (^He delivers his sioord to the Officer.) Ere I leave Her Highness must have meet attendance. JOHN hey WOOD {appearing in the doorway). Here, My lord, am I, if that I can but pass. OFFICER {to a guard at the door). Let him come in. (Heywood comes forward, and, as he passes Seymour, ivhispers :) The list I warned you of Has been delivered to your foes. ScEXElV.] THE PBINCESS ELIZABETH. 187 SEYMOUR (aside). Great Heaven ! Was ever the black heart of treason set Within so fair a setting ! [Exit Elizabeth, leaning upon Heywood's arm, the Officer of the Guard loioering the point, of his sword as she passes. If it so please you. OFFICER. jSTow, my lord, SEYMOUR. Ay, sir. {T7ie guard form around Seymour.) OFFICER. Forward ! \_JExeunt omnes. ACT IV. SCENE L— Hatfield House. The Hall. Katharine Ashley. Parry. KATIIAKINE. Thus Labor but ends in strife, and strife in loss Of all that labor wrought for. I have galled At this long durance they have put on me. 'Twas villainy ! TATIRY. Nought less. I burn to make My opportunity fit well to meet The purpose of my mind. What right is placed Within a council-minion's hands to grasp At secrets personal, and matters freed From touch of public import ? I have borne Questions but put to trip old answers up, And deftly made to hold a double sense, AYith hope to balk me. This is statesmanship ! Scene I.] THE PRINCESS ELIZABETH. ] 89 KATHARINE. That sort which prospers now. But T am proud They gleaned from me but little. If my lord Hath been condemned of treason, 'tis for that Outside his gallantries. The priests have moved All heaven and earth to find the armor weak About his heart, but scarce they framed the form Of their attack than the defence was made By proving other issues. PARRY. None the less He is condemned, and with no show of trial Deserving a trial's name. This parliament Is lither than the flexible bamboo Which savage princes use on savage backs ; It bends within the council's grasp, and falls Upon the council's foes, with ne'er a dream Of its own force and duty. KATHARINE. Was the guilt Indeed high treason ? PARRY. If high treason lie In being more loved than they who hold the rule. He had his partisans, and these had grown Too numerous to please a puny lord With potent powers at hand. 190 THE FRINCESS ELIZABETH. [Act IV. There is at court Indecent show of satisfaction, scarce Held Avithin bound of custom ; — the reverse Of all we see at Hatfield. How find you The Princess since returning ? KATHARINE. Sorrowing, sad, And very silent. There's a fire within. Holding the potency of wrath, whose flame Shall one day light the realm. It smoulders now, But is not quenched, by grief. A different stuff Makes up the lady Dacres, who is crushed By a despair born of some instinct nursed To life in that strange, busy brain of hers. I cannot comprehend her, but I note She journeys fast towards madness or the grave. You scarce should know her fiice if seen away From where you looked to find it. PARRY. And methinks Fair Markham falls away to colors less Of bridals than of fasts. 'Twere hardly meet That Mistress Harrington should borrow gloom To deck her nuptials with. ScEXEl.] THE TBIXCESS ELIZABETH. 191 KATIIARIXE. Nay, but the times Are so unhinged that nothing falls as hope And calculation planned it. There's a pall Covers the earth so far as earth is seen From eyes that keep at Hatfield. PARRY. Here comes one Whose grief shall scarcely darken deeper yet The shades of destiny, though even she Perhaps hath caught contagion of droop'd lids. {Enter Lady Willoughby.) LADY WILLOUGHBY. Good Mistress Ashley, I am bid to say. Her Highness begs some words with you within. KATHARINE. I go directly. \_Exit Katharine, PARRY. May a better fate Attend her words than mine! LADY AVILLOUGIIBY. You sought too much In seeking to unravel truths close hugged Within the arms of passion. Such work brings But meagre compensation. 192 THE PRINCESS ELIZABETH. [Act IV. PARRY. And much pain ! I stand degraded, — punished, — for the crime Of doing promised service. Days will come When this bland council, \Yith its iron hand Covered but never still, shall find it vain To seek for favor where it now spurns grace ; The sun shines not forever. LADY WILLOCGHBY. Yes. But shines Sometimes behind a cloud. Did you see aught Of these unseemly methods, — this new haste To sweep down barriers and destroy the Earl? PARRY. Enough to strike a terror to the heart Of him who dreams of law. The witnesses Were only such as could bring word or deed Of fiavor to breed doubt or lead the mind Into suspicion. When the Commons spoke, They did but echo what was taught before By Somerset or AVarwick. For the Peers, They scarcely spoke at all, and smiled in dull And feeble approbation. LADY WILLOUGHBY. And the Earl Made no appeal ? Scene I.] THE PRINCESS ELIZABETH. 193 PARRY. None other than denial Charged to the brim with scorn. LADY AYILLOUGHBY. Was there no voice To sound a note of danger at the risk Of precedent established so ? PARRY. Scarce one. A meagre protest, framed in timid words, Put forth objection to attainder ; but 'Twas like a bee's hum in a gust of wind. LADY WILLOUGHBY. Methinks such speed to reach a bloody end Bodes illy for the future. PARRY. Marry, ay. The judgment was a judgment weighing nought Which spoke defence. If such hath come to be The method of the time, give me again The ordeal of the ploughshares. LADY WILLOUGHBY. Well bespoke ; The Earl was arrogant, but yet deserved From England English justice. 17 194 THE PRINCESS ELIZABETH. [Act IV. PARRY. He hath gained From envy envy's vengeance. LADY WILLOUGHBY. Is there naught Can save him from the last dread sentence ? Nay Unless he does that he hath never done, — Craves pardon. LADY WILLOUGHBY. And the time is very short. PARRY. As condemnation proved how Avork of months Can be so crowded as to scarce fill weeks, So execution will but pause a day Where it should wait a fortnight. {Reenter Katharine.) KATHARINE. On my soul My lady's tastes are difficult to please. I scarce can meet her wishes. She is wrought Into a strange unwonted mood of mind, Unfriendly to her welfare. Scene I.] THE PBIXCESS ELIZABETH. 195 LADY AVILLOUGHBY. 'Tis the gall Of this rude parting. Found you her alone ? KATHARINE. The lady Markham waits, but ne'er upholds A countenance of hope. LADY WILLOUGHBY. 'Twere well to lend The aid of helping hands. I shall essay What one with heart unseared by too deep grief May do to lighten grief too deeply borne. KATHARINE. A pliilanthropic purpose — PARRY. Well conceived. \_Scene closes. 196 THE PRINGEHa ELIZABETH. [Act IV. SCENE II.— The Samh. Heywood seated at a table, apparently buried in thought. (A female voice, without, is heard singing.^ A bird in mj bower Sat calling, a-calling ; A bird answered low from the garden afar. His note came with power, AVhile falling, a-ftdling. Her note quivered faint as the light of a star. "I am Life! lam Life!" From the bower a-ringing. Trilled forth a mad melody, soaring above ; "I am Love ! I am Love !" From the garden a-singing. Came soft as a dream, and the echoes sang "Love." They joined, and together Fast flying, a-flying, AVere lost to my gaze in the arch of the sky. The wind through the heather Is sighing, a-sighing ; Ah ! how should it ever do other than sigh ? AVhere art thou, where art thou, Life, flying, a-flying? Where art thou, O Love, sweetest child of the daAvn ? The song in the meadow Is dying, a-dying ; My heart groweth heavy, and whispereth — "Gone." Scene II.] THE PRINCESS ELIZABETH. 197 HE Y WOOD (solus). A still unsolved enigma, made to craze The minds that grapple with it. This thing Life, What is it? how? And whither tends it? Ay, Whence comes it? Deepest mystery of all, Buried beneath the wreck of ruined worlds And hid in mist of ages. Life and Love, Children of far unfathomable days In an unfathomed Past, come ye by law? ' Is all this bitter struggle of the soul — This pauseless passage over pathways red With the shed blood of martyrs — rugged made By lust-engendered misery of men, Is it all nought but sequence of a fact Made fact by reason of a prior cause, Itself a dead necessity of law? Do generations live pre -ordered days, And cease all deeds at the allotted stroke Of Fate's unpausing pendulum ? God knows ! There be that tell us nature works by rule, And in like causes ever finds the germ Of like effects. Behind there is no force To change the order of ordained events Or thwart dead law by living will. But yet Methinks the living will fore-lived the law Ere that the law grew comatose and shrank 17* 198 THE FBINGESS ELIZABETH. [Act IV, Into a dull and automatic chain Of endless links. Such being true, it falls That mighty law is but itself produced By will which overrides it, and, behind Permitted sequence, holds the right to sway A counter force and action. Pah ! my mind Runs into weeds with speculation bald And bare as Ossa's summit. These hold not The power to save this giant in the toils, Whose fall hath gendered ruin of fair hopes And spread a gloom o'er Hatfield. On my soul. There is more matter for rebellion here Than privy councils wot of. Did they know The forces, over-crusted but by chance. That still contain a potency and growth For future exercise, methinks the day Had worn a front less bloody. {A knock is heard.') Ah ! {Enter an Attendant.) ATTENDANT. So please. My lady Markham sends her Highness' wish To see you, sir, within. Scene III.] THE PRINCESS ELIZABETH:. 199 HEYWOOD. Tell her I come Directly to her. [Exit Attendant. 'Tis as I had looked To find it. But alas ! I 've nought to give That shall enrich the hunger-haunted heart "With bounty born of hopefulness or faith. [Exit. SCENE III. — An Upper Room with Large Oriel Window. Elizabeth. Isabella. (Beatrice is seen at the rem-, half reclining at the win- dow, her face hidden in her hands ichich rest upon the sill.) ISABELLA. Light love were hardly best if love so light Turn hearts so heavy ? ELIZABETH. No. ISABELLA. If but a ray Might yet illumine this unchanging sky 'Twere not so dreary. 200 THE FBINCESS ELIZABETH. [Act IV. ELIZABETH. No. ISABELLA. And yet, methinks, It ever lowers darker. ELIZABETH. Yes. ISABELLA. Mayliap We shall have news of import to amend Some portion of our sorrow by and by. ELIZABETH. It may be so. I look for little. ISABELLA. Less I look for than I hope. Are you full sure Your letters were delivered as you bade ? ELIZABETH. I do believe it ; but the time hath fled For doing aught. Was Hey wood sent for ? ScEXE III.] THE PRINCESS ELIZABETH. 201 ISABELLA.. Ay; He will be here anon. (^A hioch is heard.) ELIZABETH. 'Tis he. I pray You bid him enter, sweet. (Isabella opens a door at the left, at which Hey WOOD enters.) HEYAYOOD. Now, as of yore, Genius is never called for till mayhap A danger threatens, and the easy mind Of simple folk is meshed and cries for help. 'Tis so, Madonna, I am sent for here, Seeing how leaded are the hours with care, How stern the day with sadness. I v/ould fain Bring consolation, an it sprang full-armed From wit, as Pallas from the brain of Jove, But I have nought to offer. ELIZABETH. Then, indeed, You balk at duty in the deepest need "Which it is bid to. Is there nought to rend This equipoise of vast events, which lower 202 THE rBIKCESS ELIZABETH. [Act IV Like awful clouds, portentous, yet not ripe For instant breaking? HEYWOOD. Nought. BEATRICE (rising and coming forward). What is't o'clock ? ELIZABETH. It lacks enough of noon for you to tell [lids Why you have blanched your cheeks and stained your With weeping that would better be reserved For sins of your own doing. BEATRICE. 'Tis for these, Perchance, I weep, if I have wept at all. ELIZABETH. Bah ! An you piled a pyramid of w^oes Upon weak wTCtchedness, you still had cause Less deep than I for weeping. ISABELLA (aside to Heywood). AVill the doom Be reached at noon ? HEYWOOD. Ay, lady. You shall know How prompt upon its mission falls the steel Scene III.] THE PR IXC ESS ELIZABETH. 203 By heai'kening to tlie guns. They tell the tale Of a grim deed accomplished. ISABELLA. And the Earl Bears a firm front ? HEY^YOOD. Ay, to the last. 'Tis said He scorned a final mediation, which. An it had been accepted, might have proved A power to save. ELIZABETH {overhearing hhii). Ay, such was Seymour ever ; Prouder than Lucifer, — more godlike, too, In carriage of his pride. ISABELLA. How bitter comes This ending, ere meridian's touch hath fallen Upon his noble genius. ELIZABETH. Well bespoke ; And retribution yet shall follow fleet Upon o'er-hasty deeds, done in the guise Of sacred law. 204 THE FRIXCESS ELIZABETH. [Act IV. ISABELLA. Why ^YOuld he yield not now, E'en though 'twere but in seeming ? ELIZABETH. Nay ; he holds A neck as stubborn as unbridled steeds Impatient of command. Such spirits brook No mediation bearing in its train Even implied surrender. Am I not True to experience in saying so ? Tell me, John Heywood. HEYWOOD. Yes, my lady. All The grim philosophy of this world of ours Confirms it, — more the pity. I have seen Alas ! so many lives like rockets rise. To burst with o'er-much fury long before They reached th' intended climax. (^He looks through the ivindow.) There beyond Those feathery hills that bar the blue of heaven I seem to see the Tower, and in my mind Conjure the stories of its inmates up. Until mine eyes grow dazzled, as if seared By glitter of the axe, and my pained ears Shrink at its whirring fall. Scene III.] THE PRINCESS ELIZABETH. 205 ISABELLA. Ah me ! your words Are charged with terror, and my heart turns sick, As though the moment hekl a nameless dread And Death glared at my elbow. BEATRICE {gazing tJiroiigh the luindoio in the direction indicated by Heywoob's frig er). Prithee, show Which way lies Tower Hill. HEYWOOD. My lady, here, Further to northward than your gaze is set. See you not how the cumbered highland breaks And slopes into the clearing, seeming cut Straight through the hills ? BEATRICE. Yes, yes. HEY^yOOD. There on a line With yon up-looming cluster of bare trees (That soon will dress as gay to meet the spring As though no pain had entered in the world), You see two hillocks facing, and as like As apples on one stem ? 18 206 THE PRINCESS ELIZABETH. [Act IV. BEATRICE. Ay. HEYWOOD. Look but now So as to bring these objects into line, And you face Tower Hill directly. BEATRICE. Take My liand in yours, and let me point the way. ELIZABETH. Wherefore ? BEATRICE. 'Tis but a whim. HEY-WOOD (taking her hand). Then so. Great Heaven ! How colder than the grave BEATRICE. Nay, nay . . . ISABELLA. Yes, speak. Sweet Beatrice ; your pallor frights my soul ; Wliat should this mean ? Scene III.] THE PRINCESS ELIZABETH. 207 ELIZABETH. Ay, what? Who dares to pale, As though the time were fraught with deeper dole Than I have reason for ? BEATRICE. Nay, I am calm. I do but suffer with the rest some pang To find stern fate unbending. I have seen My lord so gay, and now have nought to keep His living in my memory. ELIZABETH. I but this. (^She draws from her pocJcet a jewelled dagger.^ He gave it me once in a mimic mood, And bade me keep it bright for friendship's sake. HEYWOOD. It is a piece of art-work ! See how close The velvet of the hilt woos with soft touch The danger of the steel. . ELIZABETH. A pretty toy. These jewels, now, are rare and brilliant. 208 THE PBIXCESS ELIZABETH. [Act IV. Let me too see it. BEATRICE. Pray, ELIZABETH {giving her the dagger). Ay. ISABELLA. How weary moans The March wind, sweeping up from russet downs. And from the desolation of sear grass Stealing the whisper of a broken heart To sigh a song of doom. I would the day "Were over. HEYWOOD. 'Tis half spent ; and envious night Comes fleet enough for some. {The report of a cannon is heard ivithont. A cry escapes Isabella ; Elizabeth buries her face in her hands, ivhile Beatrice stands motionless, looMng straight before her.) HEYWOOD {after a pause). The signal gun ! The Earl of Sudley is no more ! Scene III.] THE PRINCESS ELIZABETH. 209 ELIZABETH (^rising to her feet). So dies A man of little judgment and much wit. His gift is now thrice valued ; prithee, sweet, Give me again the dagger. BEATRICE. Seek it here, Where he who gave it reigns supreme, alone. Beyond the reach of malice. (^Sfie drives the dagger into her heart. Isabella swoons. Elizabeth springs forward with a cry.) heywood {supporting Beatrice). Gracious Heaven ! Princess, I pray you pluck the poniard-blade From out the wound. God ! what a scarlet tide. What, ho! there. Some one, quick! (YvART enters hurriedly., followed by several other attendants.) Those cushions. So. Bring me some water here. ELIZABETH {very pale, and drawing the dagger out of the wound). 'Tis mine alone. 210 THE PRINCESS ELIZABETH. [Act IV. BEATRICE (supported by Heywood). Sweet Mother of our Lord, liow dark it is ! This once were bitter, — but not now. How dark ! The shadow falls so fast, — so fast . . . (^She reaches forth her arms as though groping blindly^ and Yvart, pressing close, draivs from the folds of his doublet a crucifix which he places in her hands.) ELIZABETH. Who gives The right to flaunt such emblems in this place ? YYART. The high priest Death ! ELIZABETH. Out, sirrah! Some among You terror-stricken throng of churls, fling forth This insolent intruder. YVART {displaying Gardiner's signet-ring). Nay, your Grace Will pause to give the word. ELIZABETH. Ha, treachery ! Scene III.] THE PBINCESS ELIZABETH. 211 HEYWOOD. Peace ! peace ! (^Distant voices^ ivWiout, are heard singing ; the first tivo lines being sung in vnison, and the re- maining lines in harmony.) Stabat Mater speciosa Jiixta foenum gaudiosa, Dura jacebat parvulus — Ciijiis animam gaudentem, Laetabundam ac ferventem, Pertransivit jubilns. BEATRICE {ivhispering brokenly). Ah ! mercy, — 'tis my soul, — my lord, My soul . . . {The hymn is again heard from ivithout.) In me sistat ardor tui — Puerino fac me frui Dum sum in exilio. Hunc ardorem fac communem, Ne me facias immunem Ab hoc desiderio. BEATRICE. Who spoke ? — yes — yes. The night — is near, — The day shall bring us Heaven . . . Yes — ^love, — the day, — ( The hymn is again heard from without., vaguely, as from a great distance.) 212 THE PRINCESS ELIZABETH. [Act IV. Quando corpus morietur, Fac ut animae donetur Tui nati visio. — Amen. BEATRICE. 'Tis strangely silent! Seymour . . Seymour . . {She slowly sinks in Heywood's arms.) HEYWOOD (m a whisper). Husb ! A LOUD VOICE, luithout (^'proclaiming the execution of the Earl of Sudley). So perish the King's traitors ! ELIZABETH. Give me air. THE END.