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LITERATURE, 
 
 Art and Song: 
 
 4^^— MOORE'S MELODIES 
 
 AND 
 
 AMERICAN POEMS; 
 
 A BIOGRAPHY, 
 
 AND 
 
 A CRITICAL REVIEW OF LYRIC POETS, 
 
 BY 
 
 DR. R SHELTOIsr :5^iACKEKZIE, 
 
 AUTHOR OP THE "LIFE OF CHARLES DICKENS. " ETC.; 
 AND 
 
 A COLLECTION OF CHOICE MELODIES, 
 
 ARRANGED AS SOLOS, DUETS, TRIOS, AND QUARTETS, WITH PIANO 
 A CCOMPA NIMENT, 
 
 By sir JOHN STEVENSON, 
 
 ^ i AND OTHERS. , , , f. 
 
 ILL US TRA TED ^<^hjC^ 
 
 By DANIEL MACLISE, of the Royal Academy, London, 
 
 AND 
 
 WILLIAM RICHES, an American Artist. 
 
 ^ N E W Y O R K : 
 
 INTERNATIOxVAL PUBLISHING COMPANY. 
 
7R ^ ^f 
 
 Entered according to Act of Congress, in tlie year 1872, 
 By the international PHBLISHING COMPANY 
 In the Office of tbe Librarian of Congress, at Washington, D. C. 
 
 Entered according to Act of Congress, in the year 1871, 
 By the INTERNATIONAL PUBLISHING COMPANY 
 In the Office of the Librarian of Congress, at Washington, D. C. 
 
 Entered according to Act of Congress, in the year 186P, 
 
 By RICHES & MOORE, 
 
 In the Clerk's Office of the District Court of the Uoited States, for the Southern District of Ohio. 
 
 Entered according to Act of Congress, in the year 1867, 
 
 By RICHES & MOORE, 
 
 In the Clerk's Office of the District Court of the United States, for the Southern District of Ohio 
 
 Entered according to Act of Congress, in the year 1666, 
 
 By RICHES i& MOORE. 
 
 In the Clerk's Office of the District Court of the United States, for the Southern District of Ohio. 
 
mo 
 
 All Loyei\s of Poetf\y and the Fine Ar^s, 
 Ts Respectfully Jnsci^ibed 
 
 ^KE ^UBLISHEKS. 
 
S'RTHPLACE-- 07 2 RESIDENCE- 
 
 LIFE OF THOMAS MOORE 
 
 ^^te; 
 
 ^ I^^ WORK designed to illustrate the conceptions of 
 
 -.^w-ici the most melodious of modern poets, by the aid 
 
 of the pen, the pencil, and the graver, would justly bo 
 
 considered incomplete without some record of the man. 
 
 All cultivated minds have a natural eao:erness to see the 
 
LIFE OF THOMAS MOORE. 
 
 fountain from which springs the clear invigorating draught 
 that refreshes and strengthens them. We possess the works, 
 they exclaim, — let us gaze on the creator of them, — let us 
 see the features, bodily and mental, of the child of genius 
 who has delighted and entranced us. We hasten, then, to 
 gratify this just and amiable desire. 
 
 The parents of our Poet were persons of humble circum- 
 stances, carrying on business at Aungier-street, Dublin, in 
 which place he was born on the 28th of May, 1779. His 
 father was a most amiable man, and his mother a woman 
 of a very endearing and intellectual character. Perceivino- 
 that their child had no common mind, they bestowed upon 
 him an excellent education, intending to bring him up to 
 the profession of the bar. At a very early age he indulged 
 the natural promptings of an imaginative nature, and pro- 
 duced various scraps of childish poetry, — so early that he had 
 quite forgotten at what period he commenced these feeble 
 offerings to the muse. But at the age of fourteen, he first 
 had the delight of seeing his lines in print. He had ad- 
 dressed a sonnet to his schoolmaster, Mr. Samuel Whyte, 
 and sent it to a Dublin magazine called the Anthologia : it 
 was inserted, and the heart of the young aspirant fluttered 
 with anticipations of future fame. 
 Mr. Whyte was a vain but good-hearted man, and enjoyed 
 
LIFE OF THOMAS MOOKE. 
 
 considerable reputation as a teacher of public reading and 
 elocution, llichard Brinsley Sheridan had, some years pre- 
 viously, been under his direction ; but tlie schoolmaster 
 pronounced the boy, who afterward became the most brilliant 
 wit and orator of his age, to be " an incorrigible dunce." 
 Such is too often the judgment of the book-learned ; the 
 mind of the child of genius will not receive that with which 
 it can not sympathize, and the unobserving teacher condemns 
 it as dull ; but place before it the kind of knowledge which 
 accords with its gifts, and observe then with what alacrity it 
 receives the enchanting draught. Mr. "Whyte not only en- 
 couraged the study of elocution among his pupils, but also a 
 taste for dramatic performances. In this direction young 
 Moore was his favorite pupil, and on one occasion when a 
 performance was got up by the lads, he personated Patrick in 
 "The Poor Soldier," and Harlequin in a pantomime, besides 
 contributing an appropriate epilogue. 
 
 "VVe have said that young Moore was intended by his father 
 for the bar, but his family were Catholics, and to members 
 of the Roman Catholic Church the Dublin University was 
 at that period closed, and thus the only recognized avenue 
 to the learned professions was barred against their entrance. 
 Although this restriction was swept away by the memorable 
 act of 1793, which abolished the most offensive enactments 
 against the Catholics, yet this unjust exclusion seems to have 
 
LIFE OF THOMAS MOORE. 
 
 cherished in the mind of the Poet that patriotic ardour and 
 political energy, which, in early youth, were near placing 
 him in a dangerous position. He was among the first of his 
 faith who availed themselves of the new privilege of being 
 educated at their national University, though they were still 
 excluded from the attainment of college honours and emolu- 
 ments. 
 
 Having attracted some notice by his occasional versifica- 
 tion, Moore determined to attempt a free translation of some 
 of the songs and odes of Anacreon into English verse; and 
 after accomplishing a portion of this task, he submitted the 
 manuscript to Dr. Kearney, then one of the senior Fellows 
 of the University, afterwards Bishop of Ossory, and requested 
 his advice relative to laying it before the Board, in the hope 
 of obtaining some honourable reward or distinction. That 
 gentleman spoke very highly of the translation, and encour- 
 aged him to persevere with it, but told him he did not see 
 that the Board of the University could, by any public reward, 
 give their sanction to verses of so convivial and free a char- 
 acter. 
 
 In his nineteenth year the young poet proceeded to London, 
 for the two-fold purpose of keeping his terms in the Middle 
 Temple, and publishing his translation of Anacreon, by sub- 
 scription. The elegant and voluptuous productions of the 
 Greek poet had the credit, we are told, of softening the mind 
 
 10 
 
LIFE OF THOMAS MOORE. 
 
 of Polycrates into a spirit of benevolence toward, his subjects. 
 "They are, indeed," says Moore, "all beauty, all enchant- 
 ment. He steals us so insensibly along with him, that we 
 sympathize even in his excesses." It is somewhat singular 
 that Moore's first work should be dedicated to the Prince of 
 Wales, against whom, in after years, he aimed so many of 
 his brilliant, laughing satires. Two years later (iu 1801) 
 Mr. Moore published his juvenile efibrts, under the title of 
 " The Poems of the Late Thomas Little." These were 
 pleasing amatory trifles, some of which, in years of maturity, 
 he would willingly have forgotten. In his preface, Moore 
 reminds us that they were " the productions of an age when 
 the passions very often give a coloring too warm to the im- 
 agination ; and this may palliate, if it can not excuse, that 
 air of levity which pervades so many of them." 
 
 In 1803, Mr. Moore had the gOod fortune to have the com- 
 parative sinecure of the registrarship of Bermuda bestowed 
 upon him; but slight as the duties were, they were not to 
 his taste ; so he appointed a deputy, and then proceeded on 
 a tour through some parts of North America. This turned 
 out very unfortunately; the deputy became a defaulter to 
 a considerable extent, and the poet had to make up the 
 deficiency. 
 
 The title of Poet bespoke every-where a kind and distin- 
 guishing welcome for its wearer; the captain of the packet 
 
 11 
 
LIFE OF THOMAS MOORE. 
 
 in which he crossed Lake Ontario not only loaded him with 
 civilities, but begf^ed on parting to be allowed to decline 
 pajnncnt for his passage. Progress is rapid in America ; on 
 his journey to the Falls of Niagara he met with a slight 
 accident, which detained him some days at Buffalo, then a 
 mere village, consisting of huts and wigwams; over half a 
 century has rolled away since then, and the village has long 
 since been a populous and splendid city. The first sensation 
 of the poet on beholding the terrific fall of waters at Niagara 
 was that of slight disappointment; but its wild grandeur 
 soon entirely captivated his imagination, and on each suc- 
 ceeding visit he seemed to behold new beauties. He tells us, 
 "I should find it difiicult to say on which occasion I felt 
 most deeply aftected : when looking on the falls of Niagara, 
 or when standing by moonlight among the ruins of the Col- 
 iseum." The publication of two volumes of odes and epis- 
 tles followed Moore's return to his native land. In the 
 poems descriptive of American scenery, he delineates the wild 
 and beautiful features of this vast continent, not only with 
 the graces of imagination, but with a singularly graphic 
 accuracy. 
 
 In 1806 occurred the famous duel between our poet and 
 the late Lord Jeffrey, which ultimately led to the friendsliip 
 of the former with Lord Byron. In consequence of some 
 dispute, the intended combatants met at Chalk Earm, but 
 
 12 
 
LIFE OF THOMAS MOORE. 
 
 the duel was prevented by the interference of the magistracy, 
 and it was stated that upon examining the weapons, they 
 were found to be loaded with powder only. Byron thus 
 playfully alluded to this rumor in that bitter satire, Enrjlish 
 Bards and Scotch Reviewers: — 
 
 "Can none remember that eventful day, 
 That ever-glorious, almost fatal fray, 
 When Little's leadless pistol met his eye. 
 And Bow street myrmidons stood laughing by." 
 
 This report, which was doubtless without foundation, was 
 denied by Mr. Moore in the public papers, and the indignant 
 poet further demanded a retraction of the satire ou the part 
 of Lord Byron ; but this demand, instead of leading to an- 
 other hostile meeting, terminated in the close friendship of 
 these two gifted men. 
 
 Moore's next effusions appeared in 1808, without the name 
 of their author. They consisted of two serious political satires, 
 one entiled Corriqjtion, the other Intolerance, and the next 
 year they were followed by a brief poem called The Sceptic. 
 But these serious attempts in the juvenalian vein did not 
 attract any very great deal of attention, none of them at the 
 time attaining a second edition. Still they deserved a 
 greater success than they met with, and will well repay the 
 
 13 
 
LIFE OF THOMAS MOOEE. 
 
 labor of perusal: perhaps the chief cause of their waut of 
 popularity was that they abused Whigs and Tories with 
 considerable impartiality. 
 
 Abandoning the serious vein, Moore next produced his 
 sparkling collection of light political satires entitled The 
 Two-penny Post-bag. Brilliant and pointed as were these 
 elegant lampoons, their effect was qualified by playful light- 
 ness, and even by a tone of good humour which entered into 
 the composition of them. Every one laughed, and even the 
 objects of them joined in the mirthful chorus, though there 
 might have been a little hollowness in their merriment. 
 Moore commenced in 1807, and continued until as late as 
 1834, the publication of his famous Irish 3Ielodies, — poems 
 which are not only wedded to music, but are in themselves 
 music. They were suggested by a collection of the old 
 national airs made by Mr. Bunting, which the poet justly 
 thought would be rescued from comparative oblivion by 
 being associated with modern and patriotic songs. Though 
 never regularly instructed in music, Moore could play most 
 of these fine old airs upon the piano-forte with tolerable 
 facility. While at the Dublin University, he had become 
 acquainted with the unfortunate patriot Robert Emraett. 
 The young poet greatly admired the political enthusiast, 
 who would frequently sit and listen to his performance of 
 these old tunes; and on one occasion, when he had just 
 
 14 
 
LIFE OF THOMAS MOORE. 
 
 finished that spirited air called the " Red Fox," to which he 
 afterwards wrote the touching lines beginning, — 
 
 " Let Erin remember the days of old," 
 
 Emmett started up as from a dream and exclaimed : " 0, 
 that I were at the head of twenty thousand men, marching 
 to that air." 
 
 It has been said that melody is inseparable from the name 
 of Moore; the genius of his country seems to breathe from 
 some of these national poems; others are sacred to love and 
 friendship; while in the rest the poet's muse revels in a kind 
 of intellectual intoxication of both soul and sense. The 
 mode also in which he has alluded to many of the wild 
 superstitions of his native land, w^hose beautiful scenery and 
 imaginative peasantry have niade it the very home of the 
 fairies, is both elegant and interesting. Eut the great charm 
 of these melodies consists in their sweet tenderness, and the 
 soft strains of love, and elegant epicurism which pervades 
 them. It is this that makes them so universally popular, 
 and has caused them to be translated into the Latin, Italian, 
 French, Ttussian, and Polish languages. Some share of this 
 world-wide admiration is to be attributed to the exquisite 
 airs to w^iich the melodies are written : indeed, such a love 
 of song dwells in the sons and daughters of the " Green 
 Isle," and so adapted is their speech for musical expression, 
 
LIFE OF THOMAS MOORE. 
 
 that some fugitive genius has asserted that Irish was the 
 language spoken by Adam and Eve in Paradise. 
 
 In the intervals of other labors, Moore continued the Irish 
 Melodies, wrote the Sacred Sonc/s, and now and then fur- 
 nished a lively article to the Edinburgh Review. 
 
 Our poet's reputation was so firmly established, that 
 Messrs. Longman agreed to give him the large sum of three 
 thousand guineas for a poem upon an Eastern story. Moore 
 retired to the picturesque banks of the river Dove, in Der- 
 byshire, went through a course of oriental reading, and in 
 three years produced his exquisite poem of Lalla Hookh. It 
 was published in 1817 ; its success was triumphant, and at 
 once dissipated from the mind of its author the doubts which, 
 during the long anxious period of labor, would occasionally 
 haunt him, respecting its reception by the public. It was 
 the first product of a new school of poetry, perfectly oriental 
 in character; the warm rays of an Eastern sun seem to 
 radiate from every page : the judgment of the reading 
 world was taken captive, and bound in chains of flowers. 
 While in the glow of triumph, resulting from a success so 
 beyond the expectation of the author, Mr. Rogers, a fellow- 
 poet, offered Moore a seat in his carriage, in which he was 
 then about to proceed on a visit to the French capital. A 
 trip of so interesting a character, and in such congenial so- 
 ciety, was not to be refused ; the two poets started together, 
 
 16 
 
LIFE OF THOMAS MOORE. 
 
 and, on their return, Moore published his Fudge Family in 
 Paris; the satirical trifles in which were so much to the taste 
 of the public, that, in the race of successive editions, Miss 
 Biddy Fudge was for some time not behind Lalla Rookh. 
 
 In 1819 Moore again visited Paris in company with Lord 
 John Russell, a nobleman with whom he ever maintained the 
 closest ties of friendship ; after remaining there for a week 
 or two, they proceeded to the Simplon, going from thence to 
 Milan, where they parted, the politician proceeding to Genoa, 
 and the poet to visit Lord Byron at Venice. Moore also 
 spent some time at Rome, where he carried on a delightful 
 intercourse with those high priests of the arts — Canova, 
 Chantrey, Lawrence, Jackson, Turner, and Eastlake, This 
 delightful trip was followed by the appearance of a volume 
 entitled Rhymes on the Road, a light and pleasing record in 
 verse of his travels, in which he expressed the various im- 
 pressions made upon him by the exquisite productions of art 
 and nature that every-where met his dazzled and enraptured 
 view. 
 
 Moore then proceeded to Paris, and remained there until 
 1822. He produced, during his stay in that gay city, his 
 sweet and melodious poem. The Loves of the Angels, which 
 seems to have been penned during a long dream of poetic 
 love and sensuous raptures ; and The Fables of the Holy Alli- 
 ance, a collection of political satires, some of which possess 
 
LIFE OF THOMAS MOORE. 
 
 not only a bold, but an enduring character. Probably he 
 felt that the apparent trifler could tell home truths with im- 
 punity, for his laughing muse has given birth to utterances 
 which might have drawn down dangerous consequences 
 upon the head of a more serious and sterner speaker. On 
 his return to England he took up his residence at Sloperton 
 Cottage, in the immediate vicinity of the beautiful demesne 
 of Bowood, the seat of his distinguished and ever constant 
 friend, tlie Marquis of Lansdowne. Here, surrounded by 
 scenery in which a poet would have chosen to dwell, visited 
 by literary friends, and indeed enjoying an intercourse with 
 all that was exalted in intellect, rank, or beauty, did he pass 
 the remainder of his life. Here it was that he perfectly re- 
 alized Lord Byron's generous eulogy, that he was "the poet 
 of all circles, and the idol of his own." 
 
 In the full maturity of intellect, Moore turned his attention 
 to prose-writing, and in 1825 he penned a biography of 
 the brilliant but thoughtless Sheridan; live years later, his 
 well-known Life of Byron emerged from the press; it is a 
 perfect picture of the literary and domestic character of that 
 great creature of impulse and passion, — a daguerreotype of 
 the man, though painted with words, not sunbeams. In 
 1831, he produced the Memoirs of Lord Edward Fitzgerald, 
 that ill-fated patriot who terminated a life of enthusiasm by 
 a melancholy death in prison. Besides these biographical 
 
 18 
 
LIFE OF THOMAS MOORE. 
 
 efforts, Moore produced in 1827 his gorgeous prose romance 
 illustrative of Egyptian life, entitled The Epicurean. This 
 delightful book, of which the language, though not in verse, 
 often rises to poetry, is in some respects his most elevated 
 work. 
 
 The later years of the poet's life were passed in compar- 
 ative indolence : he occasional!}' contributed to the daily 
 press some little sparkling satirical verse on matters of pass- 
 ing interest; but age had chilled the warm, brilliant spirit 
 which animated him in years past; his intellectual career 
 was over, and his existence merely physical — the seared and 
 yellow leaf of life trembled upon its parent stem — a brief 
 space and it had fallen. The last of that brilliant phalanx 
 of poets, who rushed into the arena of fame in the begin- 
 ning of the present century, died at Sloperton Cottage, on 
 the 25th of Februar}', 1852. His remains were interred in 
 a vault on the north side of the church-yard of Bromham, 
 but his fame is preserved in the affectionate remembrance 
 and admiration of all who speak the English language. 
 
 1:^0 mean evidence of the universality and earnestness of 
 the admiration elicited by the sparkling genius of our poet 
 is to be found in the fact, that a committee of noblemen 
 and others met at the house of Lord Lansdowne for the 
 purpose of raising a subscription for the erection of a monu- 
 ment to the memory of the departed bard, in his native city 
 
 19 
 
LIFE OF THOMAS MOOEE, 
 
 of Dublin. This is as it should be; when nobility bows 
 the knee to genius, it shares the glory of the laurel it confers. 
 Elegant trifler as Moore sometimes was — a modern Ana- 
 creon, tinged with the burning glow of patriotism, and 
 mingling lays of love and liberty with sparkling satires, 
 whose seeming lightness covered their real poignancy, still 
 he possessed the divine secret of poesy, the power of thrill- 
 ing and captivating the heart of the nation. The darling 
 of drawing-rooms, his melodies were carolled forth by the 
 lips of fashionable beauties in the luxurious saloons of 
 nobles, but they were also sung by the homely-clad peasant 
 in the green valleys of Ireland, and the mountains of his 
 fatherland echoed back the touching strains. As a poet of 
 the senses, he was unrivalled; there is a glorious beauty in 
 his works, a profusion of elegant and voluptuous similes, an 
 intoxicating mingling of rainbows, stars, and flowers. Ilia 
 genius wins our aflectionate admiration. 
 
 N^OTE. — Dr. Mackenzie's Critical Review of Lyric Poets begins on page 471. 
 
 20 
 
PREFACE. 
 
 ^^N earnest wish having been expressed by my Pub- 
 ^^^ lishers that this new Edition of the Irish Melodies 
 should be accompanied by a few prefatory words, I have 
 readily yielded to their request; though so frequently have 
 I been called to this very welcome task, that all I can say 
 upon such a theme, without degenerating into mere need- 
 less egotism, must have been long since exhausted. 
 
 On the poetical part of this work, it is not for me to 
 give an opinion. Whatever may be its merits, to the 
 music they are almost solely owing. It was, indeed, my 
 strong desire to convey in words some of those feelings and 
 fancies which music seemed to me to utter that first led me 
 to attempt poetry. Thus song was the inspiring medium 
 through which I became initiated into verse. Whatever 
 merit there may be in interpreting the voice that spoke in 
 my country's music, lending it a vent in verse, and briug- 
 
 21 
 
PREFACE. 
 
 ing home to other hearts besides mj own the various feel- 
 ings, sad, gay, or impassioned, with which it teems, to such 
 merit I may, perhaps, proudly pretend. But the whole 
 source and soul of the Irish Melodies lies in their match- 
 less music. As I have already said in song, I was onl}' as 
 the wind to the sleeping harp, and "all the wild sweetness 
 I waked was its own." 
 
 I shall only add, that I deem it most fortunate for this 
 new Edition that the rich, imaginative powers of Mr. Maclise 
 have been employed in its adornment; and that, to complete 
 its national character, an Irish pencil has lent its aid to an 
 Irish pen in rendering due honour and homage to our 
 country's ancient harp. 
 
 THOMAS MOORE. 
 
 22 
 
Other arms may press thee,^ 
 Dearer friends caress thee, ,j/ 
 p All the joys that bless thee, 4 
 ^A-/ Sweeter far may be ; ''"' 
 

 <^^ 
 
 When, around thee dying, i'; 
 Autum leaves are lying, 
 
 
 
 'il^/l:;l^ 
 
 Im 
 
 <^i 
 
 Oh ' then remember me \^-. ^ 
 ^3B And, at night, when gazmg ^-^^ 
 ^p" „ On the gay hearth blazing, 
 j^ ^ Oh ' still remember me 
 Then should music, stealing 
 All the soul of feeling, ^ 
 M, '^" To thy heart appealing, 
 l||\ if Diaw one tear fiom thee , 
 ))Then let memory bring thee 
 Stroins I us'd to sing thee, — ^"1/ 
 Oh ' then lemember me pr' ^ 
 
 €3' t^' 
 
^ememto thee ? yes, while there's Hfe in this heart, 
 It shall never forget thee, all lorn as thou art ; 
 More clear in thy sorrow, thy gloom, and thy showers, 
 Than the rest of the world in their sunniest hours. 
 
 Wert thou all that I wish thee, great, glorious and free, 
 First flower of the earth, and first gem of the sea, 
 I might hail thee with prouder, with happier brow, 
 But oh ! could I love thee more deeply than now ? 
 
 No, thy chains as they rankle, thy blood as it runs, 
 But make thee more painfully dear to thy sons — 
 Vv^hose hearts, like the young of the desert-bird's nest. 
 Drink love in each life-drop that flows from thy breast. 
 
CBnW, the tear and the smile in thine eyes, 
 Blend like the rainbow that hangs in thy skiesl 
 Shining through sorrow's stream, 
 Saddening through pleasure's beam, 
 Thy suns with doubtful gleam, 
 
 i^f ^/Cftes. 
 
 ;i>> 
 

 Ti[ 
 
 breathe not his name, let it sleep in the shade, 
 Where cold and unhonour'd his relics are laid : 
 Sad, silent, and dark, be the tears that we shed, 
 As the night-dew that falls on the grass o'er his head. 
 
 But the night-dew that falls, though in silence it weeps, 
 Shall brighten with verdure the grave where he sleeps ; 
 
 And the tear that we shed, though in secret it rolls, ""^^ 
 'illTY-v-v Shall long keep his memory green in our souls. 
 
 ) -^iMi 
 
 
 -^^^aiBas^^m 
 
m, 
 
 ®hjp[^ the last glimpse of Erin with sorrow I see, 
 
 Yet wherever thou art shall seem Erin to me; 
 
 In exile thy bosom shall still be my home, 
 
 And thine eyes make my climate wherever we roam. 
 
 To the gloom of some desert or cold rocky shore. 
 Where the eye of the stranger can haunt us no more, 
 I will fly with my Coulin, and think the rough wind 
 Less rude than the foes we leave frowning behind. 
 
 And I'll gaze on thy gold hair as graceful it wreathes. 
 And hang o'er thy soft harp, as wildly it breathes ; 
 !N'or dread that the cold-hearted Saxon will tear 
 One chord from that harp, or one lock from that hair/ 
 
 35 
 
^^ 
 
 Tho' the days of the hero are o'er; 
 yTho' lost to Mononia and cold in the grave 
 
 He returns to Kinkora no more.* 
 ''"That star of the field, which so often hath pour' 
 
 Its beam on the battle, is set; 
 {^But enough of its glory remains on each sword 
 light us to victory yet. 
 
! Mononia ! when Nature embellisli'd the tint' 
 Of thy fields, and thy mountains so fair, 
 Did she ever intend that a tyrant should print 
 
 The footsteps of slavery there? 
 No ! Freedom, whose smile we shall never resign. 
 
 Go, tell our invaders, the Danes, /(o^t 
 
 That 'tis sweeter to bleed for an age at thy shrine,, 
 1^ Than to sleep but a moment in chains. 
 
^^ Forget not our wounded companions, who stood^ 
 ^5f In the day of distress by our side; 
 ^^ While the moss of the valley grew red with their blood, 
 They stirr'd not, but conquer'd and died. 
 That sun which now blesses our arms with his light. 
 1] --^-r^^vA] ^^^ them fall upon Ossory's plain; — 
 W'4 1 ^^^ 'li ^ M ^^ ■' ^^^ ^^^ ^^^ blush, when he leaves us to-night, 
 ,*CS£i/^ 1 J^^.P-" \i To find that they fell there in vain. 
 
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 A-rr 
 
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 jXlU not yet, 'tis just the hour, 
 When pleasure, like the midnight flower 
 That scorns the eye of vulgar light. 
 Begins to bloom for sons of night. 
 
 And maids who love the moon. 
 'Twas but to bless these hours of shade 
 That beauty and the moon were made; 
 'Tis then their soft attractions glowing 
 Set the tides and goblets flowing. 
 
 Oh! stay, — Oh! stay, — 
 vv Joy so seldom weaves a chain 
 
 Like this to-night, that oh, 'tis pain 
 
 To break its links so soon. 
 
 V;" 
 

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 "^ItC harp that once through Tara's halls f^K 
 
 ^^'^^.^ii \^ '^^^ ^^^ ^^ music shed, 
 
 ''^^m l^ow hangs as mute on Tara's walls, 
 As if that soul were fled. — 
 So sleeps the pride of former days, 
 |,| ^ So glory's thrill is o'er, Xj> 
 
 I ^ V And hearts, that once beat high for praise, 
 \!^ Now feel that pulse no more. 
 
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No: — life is a waste of wearisome hours, 
 
 Which seldom the rose of enjoyment adorns; 
 And the heart that is soonest awake to the flowers, 
 
 Is always the first to be touch'd by the thorns. 
 But send round the bowl, and be liappy awhile — 
 
 May we never meet worse, in our pilgrimage here, 
 Than the tear that enjoyment may gild with a smile, 
 
 And the smile that compassion can turn to a tear. 
 
 The thread of our life would be dark, Heaven knows! 
 
 If it were not with friendship and love intertwin'd; 
 And I care not how soon I may sink to repose, 
 
 When these blessings shall cease to be dear to my mind. 
 But they who have lov'd the fondest, the purest, 
 
 Too often have wept o'er the dream they believ'd; 
 And the heart that has slumber'd in friendship securest. 
 
 Is happy indeed if 'twas never deceiv'd. 
 But send round the bowl; while a relic of truth 
 
 Is in man or in woman, this prayer shall be mine, — 
 That the sunshine of love may illumine our youth. 
 
 And the moonhght of friendship console our decline. 
 
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 ill;h^Vi^ is not in the wide world a valley so sweet 
 As that vale in whose bosom the bright waters meet;* 
 Oh ! the last rays of feeling and life must depart, 
 Ere the bloom of that valley shall fade from my heart. 
 
 Yet it ivas not that nature had shed o'er the scene 
 Her purest of crystal and brightest of green ; 
 'Twas not her soft magic of streamlet or hill, 
 Oh ! no — it was something more exquisite still. 
 
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 'Twas that friends, the belov'd of my bosom, were near, 
 Who made every dear scene of encliantment more dear, 
 And who felt how the best charms of nature improve, 
 When we see them reflected from looks that we love. 
 

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 I Sweet vale of Avoca ! how calm could I rest,^:^/3[g 
 In thy bosom of shade, with the friends I love best,^^ 
 P^ Where the storms that we feel in this cold world ^Lr^ 
 ^^ should cease, "^' 
 
 ^'v And our hearts, like thy waters, be mingled in peace. ^^'| 
 
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^*i a beam o'er tlie face of the waters may glow 
 While the tide runs in darkness and coldness below, 
 So the cheek may be ting'd with a warm sunny smile, 
 Though the cold heart to ruin runs darkly the while. 
 
 One fatal remembrance, one sorrow that throws 
 Its bleak shade alike o'er our joys and our woes. 
 To which life nothinor darker or brighter can brino- 
 
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 For which joy has no balm and affliction no sting — 
 
 Oh ! this thought in the midst of enjoyment will stay 
 Like a dead, leafless branch in the summer's bright ray ; 
 The beams of the warm sun play round it in vain. 
 It may smile in his lidit, but it blooms not acrain. 
 
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"Lady! dost thou not fear to stray, 
 
 "So lone and lovely tlirough this bleak way? 
 
 "Are Erin's sons so good or so cold, 
 
 "As not to be tempted by woman or gold?" 
 
 "Sir Knight! I feel not the least alarm, 
 "No son of Erin will offer me harm: — 
 "For though they love woman and golden store, 
 "Sir Knight ! they love honour and virtue more ! " 
 
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 ^0W oft has the Benshee cried, 
 How oft has death untied 
 Bright Hnks that Glory wove, 
 Sweet bonds entwin'd by Love ! 
 
 Peace to each manly soul that sleepeth ; 
 
 Rest to each faithful eye that weepeth ; 
 Long may the fair and brave 
 Sigh o'er the hero's grave. 
 
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 We're fall'n upon gloomy days!^° * 
 Star after star decays, 
 Every bright name, that shed 
 Light o'er the land, is fled. 
 Dark falls the tear of him who mourneth 
 Lost joy, or hope that ne'er returneth; 
 But brightly flows the tear, 
 Wept o'er a hero's bier. 
 
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Quench'd are our beacon lights — 
 Thou, of the Hundred Fights!" 
 Thou, on whose burning tongue 
 Truth, peace, and freedom hung!'* 
 Both mute, — but long as valour shineth, 
 Or mercy's soul at war repineth 
 L_^^^ So long shall Erin's pride 
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 gtOir dear to me the hour when daylight dies, 
 And sunbeams melt along the silent sea. 
 
 For then sweet dreams of other days arise. 
 And memory breathes her vesper sigh to thee. 
 
 And, as I watch the line of light, that plays 
 
 Along the smooth wave tow'rd the burning west, 
 
 I long to tread that golden path of rays. 
 
 And think 'twould lead to some bright isle of rest. 
 
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<1WuCW lie, who adores thee, has left but the name 
 
 Of his fault and his sorrows behind, 
 Oh ! say wilt thou weep, when they darken the fame 
 
 Of a life that for thee was resign'd? 
 Yes, weep, and liowever my foes may condemn. 
 
 Thy tears shall efface their decree; 
 For Heaven can witness, though guilty to them, 
 
 I have been but too faithful to thee. 
 
 With thee were the dreams of my earliest love ; 
 
 Every thought of my reason was thine; 
 In my last humble prayer to tlie Spirit above, 
 
 Thy name shall be mmgled with mine. 
 Oh ! blest are the lovers and friends who shall live 
 
 The days of thy glory to see; 
 But the next dearest blessing that heaven can give 
 
 Is the pride of thus dying for thee. 
 
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 When the hght of my song is o'er, 
 / Then take my harp to your ancient hall ; 
 Hang it up at that friendly door, 
 
 Where weary travellers love to call/' ^ 
 
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WRITTEN ON RETURNING A BLANK BOOK. 
 
 ifiiHlt^ back the virgin page, 
 
 White and unwritten still ; 
 Some hand, more calm and sage, 
 
 The leaf must fill. 
 Thoughts come, as pure as light, 
 
 Pure as even you require : 
 But, oh ! each word I write 
 
 Love turns to fire. 
 
 Yet let me keep the book : 
 Oft shall my heart renew, 
 
 When on its leaves I look. 
 Dear thoughts of you. 
 
 Like you, 'tis fair and bright, 
 Like you, too bright and fair 
 
 To let wild passion write 
 
Haply when from those 
 
 Far, far away I roam 
 Should calmer thoii2:hts 
 
 Tow'rds you and home ; 
 Fancy may trace some line, 
 
 Worthy those eyes to meet, 
 Thoughts that not burn, but shine. 
 
 Pure, calm, and sweet. 
 
 And as, o'er ocean far. 
 
 Seamen their records keep, 
 Led by some hidden star 
 
 Through the cold deep; 
 So may the words I write 
 
 Tell thro' what storms I stray 
 You still the unseen lights 
 
 Guiding my way. 
 
"@hl haste and leave this sacred isle, ^ 
 "Unholy bark, ere morning smile; 
 " For on thy deck, though dark it be, 
 
 "A female form I see; 
 "And I have sworn this sainted sod 
 "Shall ne'er bv woman's feet be trod." 
 
 
 
iXt may roam thro' this world, like a child at a feast, 
 
 Who but sips of a sweet, and then flies to the rest ; 
 And, when pleasure begins to grow dull in the east. 
 
 We may order our wings and be ofl" to the west ; 
 But if hearts that feel, and eyes that smile. 
 
 Are the dearest gifts that heaven supplies. 
 We never need leave our own green isle. 
 
 For sensitive hearts, and for sun-bright eyes. 
 Then remember, wherever your goblet is crown'd, 
 
 Thro' this world, whether eastward or westward you roa: 
 When a cup to the smile of dear woman goes round, 
 .Oh I remember the smile that adorns her at home. 
 
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Oh ! they want the wild sweet-briery 
 
 Which round the flowers of Erin dwells ; 
 Which warns the touch, while winning the sense,, 
 
 Nor charms us least Vv'hen it most repels. 
 Then remember, wherever your goblet is crown'd 
 
 Thro' this world, whether eastward or westward you roani , 
 When a cup to the smile of dear woman goes round, 
 ^ Oh ! remember the smile that adorns her at home. 
 
 In France, when the heart of a woman sets sail. 
 
 On the ocean of wedlock its fortune to try, 
 Love seldom goes far in a vessel so frail, 
 — .But just pilots her oflf, and then bids her good-bye.PI 
 
AVhile the daughters of Erin keep the boy, 
 
 Ever smiling beside his faithful oar, 
 Through billows of woe, and beams of joy, S/ 
 
 The same as he look'd when he left the shore. 
 Then remember, wherever your goblet is crown'd. 
 
 Thro' this world, whether eastward or westward you roam, 
 When a cup to the smile of dear woman goes round. 
 
 Oh ! remember the smile that adorns her at home. \( 
 
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 ^^x:^^_^ ©U ! weep for the hour, .^;^&>--^^=^ 
 "^ When to Eveleen's bower 
 The Lord of the Valley with false vows came ; 
 The moon hid her light 
 From the. heavens that night, 
 And wept behind her clouds o'er the maiden's shame. 
 
The clouds pass'd soon 
 From the chaste cold moon, 
 
 And heaven smil'd a2;ain with her vestal flame: 
 But none will see the day, 
 When the clouds shall pass away, 
 
 Which that dark hour left upon Eveleen's fame. 
 
 The white snow lay 
 
 On the narrow path-way, 
 AVlien the Lord of the Valley crost over the moor ; 
 
 And many a deep print 
 
 On the white snow's tint 
 Show'd the track of his footstep to Eveleen's door. ^ ' 
 
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 The next sun's ray 
 
 Soon melted away 
 Every trace on the path where the false Lord came ; 
 
 But there's a light above. 
 
 Which alone can remove 
 That stain upon the snow of fair Eveleen's fame. y,--- 
 
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\d\m pe, if all tUu m&mm^ 
 
 ^ni^-^ me, if all those endearing young charms, 
 
 Which I gaze on so fondly to-day, 
 Were to change by to-morrow, and fleet in my arms, 
 
 Like fairy-gifts fading away, 
 Thou wouldst still be adored, as this moment thou art, 
 
 Let thy loveliness fade as it will. 
 And around the dear ruin each wish of my heart 
 
 Would entwine itself verdantly still. 
 
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 ^t\ Erin remember the days of old, 
 
 Ere her faithless sons betray'd her ; 
 When Malachi wore the collar of gold/® 
 
 Which he won from her proud invader, 
 When her kings, with standard of green unfurl'd, 
 
 Led the Red-Branch Knights to danger ; — ' * 
 Ere the emerald gem of the western world 
 
 Was set in the crown of a stranger. 
 
 On Lough Neagh's bank as the fisherman strays, 
 
 When the clear cold eve's declining, 
 He sees the round towers of other days 
 
 In the wave beneath him shining ; 
 Thus shall memory often, in dreams sublime; 
 
 Catch a glimpse of the days that are over ; 
 Thus, sighing, look through the waves of time 
 
 For the long-faded glories they cover. ^ ' 
 
^mtttt oh Moyle, be the roar of thy water, 
 
 Break not, ye breezes, your chain of repose, 
 While, murmuring mournfully, Lir's lonely daughter 
 
 Tells to the night-star her tale of woes. 
 When shall the swan, her death-note singing, 
 
 Sleep, with wings in darkness furl'd? 
 When will heaven, its sweet bell ringing. 
 
 Call my spirit from this stormy world? 
 
 Sadly, oh Moyle, to thy winter-wave weeping, 
 
 Fate bids me languish long ages away ; 
 Yet still in her darkness doth Erin lie sleeping, 
 
 Still doth the pure light its dawning delay. 
 Wlien will that day-star, mildly springing, 
 
 Warm our isle with peace and love? 
 yWhen will heaven, its sweet bell ringing. 
 
 Call my spirit to the fields above? 
 
&0mtf MtiA x0mA the Wxnt 
 
 (t^OVAtf send round tho wine, and leave points of belief 
 
 To simpleton sagos, and reasoning fools ; 
 This moment's a flower too fair and brief, 
 
 To be wither'd and stain'd by the dust of the schools. 
 Your glass may bo purple, and mine may be blue. 
 
 But, while they are fill'd from the same bright bowl, 
 Tho fool, who would -quarrel for difference of hue. 
 
 Deserves not the comfort they shed o'er the soul. 
 
 Shall I ask the brave soldier, who fights by my 
 
 In the cause of mankind, if our creeds agree' 
 Shall I give up the friend I have valued anc 
 
 If he kneel not before the same altar with 
 From the heretic girl of my soul should I fly, 
 
 To seek somewhere else a more orthodox 
 No, perish the hearts, and the laws that try 
 
 Truth, valour, or love, by a standard like 
 
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 ^ttblim^ vcu i\xt Warning. 
 
 ^Ubtittt^ was the warning that Liberty spoke, 
 And grand was the moment when Spaniards awoke 
 
 Into Hfe and revenge from the conqueror's chain. 
 Oh, Liberty ! let not this spirit have rest, 
 Till it move, like a breeze, o'er the waves of the west- 
 Give the light of your look to each sorrowing spot, 
 Nor, oh, be the Shamrock of Erin forgot 
 
 While you add to your garland the Olive of Spain 
 
 If the fame of our fathers, bequeath'd with their rights, 
 Give to country its charm, and to home its delights, 
 
 If deceit be a wound, and suspicion a stain, 
 Then, ye men of Iberia, our cause is the same ! 
 And oh! may his tomb want a tear and a name. 
 Who would ask for a nobler, a holier death. 
 Than to turn his last sigh into victory's breath. 
 
 For the Shamrock of Erin and Olive of Spain! 
 
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 Ye Blakes and O'Donnels, whose fathers resign'd 
 )Tlie green hills of their youth, among strangers to find 
 
 That repose which, at home, they had sigh'd for m vain, 
 Join, join in our hope that the flame, which you light, 
 -J) May be felt yet in Erin, as calm and as bright, 
 And forgive even Albion while blushing she draws. 
 Like a truant, her sword, in the long-sHghted cause 
 
 Of the Shamrock of Erin and Olive of Spain! 
 
 God prosper the cause! — oh, it cannot but thrive, 
 While the pulse of one patriot heart is alive, 
 
 Its devotion to feel, and its rights to maintain; 
 Then, how sainted by sorrow, its martyrs will die ! 
 The finger of Glory shall point where they lie; 
 While, far from the footstep of coward or slave, 
 The young spirit of Freedom shall shelter their grave 
 
 Beneath Shamrocks of Erin and Olives of Spain 
 
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 Xht the bright lamp, that shone in Kildare's holy fane/ 
 And burn'd thro' long ages of darkness and storm, 
 Is tlie heart that sorrows have frown'd on in vain, 
 AVhose spirit outlives them, unfading and warm 
 Erin, oh Erin, thus bright thro' the tears 
 Of a long night of bondage, thy spirit appears. 
 
 The nations have fallen, and thou still art young, 
 Thy sun is but rising, when others are set ; 
 
 And tho' slavery's cloud o'er thy morning hath hung 
 The full noon of freedom, shall beam round thoe yet 
 
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 0tt I blame not the bard, if he fly to the bowers/^ 
 
 Where Pleasure lies, carelessly smiling at Fame ; 
 He was born for much more, and in happier hours 
 
 His soul might have burn'd with a holier flame. 
 The string, that now languishes loose o'er the lyre. 
 
 Might have bent a proud bow to the warrior's dart ; 
 And the lip, which now breathes but the song of desire, ^ 
 
 Might have pour'd tlie full tide of a patriot's heart. 2^ 
 
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 But alas foz his country ! — her pride is gone by, 
 
 And that spirit is broken, which never would bend; 
 O'er the ruin her children in secret must sigh, 
 
 For 'tis treason to love her, and death to defend. 
 Unpriz'd are her sons, till they 've learned to betray ; 
 
 Undistinguish'd they live, if they shame not their sires ; Jlj 
 And the torch, that would light them thro' dignity's way, \K^ 
 
 Must be caught from the pile, where their country expires 
 
 Then blame not the bard, if in pleasure's soft dream. 
 
 He should try to forget, what he never can heal : 
 Oh ! give but a hope — let a vista but gleam 
 
 Thro' the gloom of his country, and mark how he'll feel ! 
 That instant, his heart at her shrine would lay down 
 
 Every passion it nurs'd, every bliss it ador'd ; 
 While the myrtle, now idly entwin'd with his crown, 
 
 Like the wreath of ITarmodius, should cover his sword." 
 
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 _ But tho' glory be gone, and tho' hope fade away, 
 O^iThy name, loved Erin, shall live in his songs; 
 Not ev'n in the hour, when his heart is most gay, 
 
 Will he lose the remembrance of thee and thy wrongs. 
 The stranger shall hear thy lament on his plains ; 
 
 The sigh of thy harp shall be sent o'er the deep, 
 
 Till thy masters themselves, as they rivet thy chains, 
 
 "^'lall pause at the song of their captive, and we 
 
With golden key Wealth thought 
 
 To pass — but 'twould not do: 
 While Wit a diamond brought, 
 
 Which cut his bright way through 
 So here's to her, who long 
 
 Hath wak'd the poet's sigh, 
 The girl, who gave to song 
 
 What gold could never buy. 
 
 The love that seeks a home 
 
 A\Tiere wealth or grandeur shines, 
 Is like the gloomy gnome, 
 
 That dwells in dark gold mines. 
 But oh! the poet's love 
 
 Can boast a brighter sphere; 
 Its native home's above, 
 
 Tho' woman keeps it here. 
 Then drink to her, who long 
 
 Hath wak'd the poet's sigh, 
 The girl, who gave to song 
 
 ^Miat gold could never buy. 
 
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 ^tthjte gating 0\x Wh p^ou';^ light 
 
 'WhtlC o-azino; on the moon's lio-ht, 
 
 A moment from her smile I turn'd, 
 To look at orbs, that, more brio;ht. 
 In lone and distant glory burn'd. 
 But too far 
 Each proud star, 
 For me to feel its warmino; flame ; 
 Much more dear 
 That mild sphere, 
 Which near our planet smiling came ;'* 
 Thus, Mary, be but thou my own ; 
 
 While brighter eyes unheeded play, 
 I'll love those moonlight looks alone, 
 That bless my home and guide mv wav. 
 
 
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 ^^ ^'V The clay had sunk in dim showers, 
 
 But midnight now, with lustre meet, 
 Illumin'd all the pale flowers. 
 
 Like hope upon a mourner's cheek. 
 I said (while 
 The moon's smile 
 Play'd o'er a stream, in dimpling bli 
 "The moon looks 
 "On many brooks, 
 "The brook can see no moon but this;" 
 And thus, I thought, our fortunes run, 
 
 For many a lover looks to thee. 
 While oh ! I feel there is but one, 
 One Mary in the world for me. 
 
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^vIVCW daylight was yet sleeping under the billow, 
 And stars in the heavens still Hngerino- shone, 
 
 Young Kitty, all blushing, rose up from her pillow, 
 The last time she e'er was to press it alone. 
 
 For the youth whom she treasured her heart and her soul in 
 
 Had promised to link the last tie before noon ; 
 
 And when once the young heart of a maiden is stolen 
 The maiden herself will steal after it soon. 
 
 As she look'd in the glass, which a woman ne'er misses, 
 v^ Nor ever wants time for a sly glance or two, 
 A butterfly,^* fresh from the night-flower's kisses, 
 
 Flew over the mirror, and shaded her view. 
 Enracr'd with the insect for liidino; her graces, 
 
 She brush'd him — ^he fell, alas; never to rise: 
 "Ah ! such," said the girl, "is the pride of our faces, 
 
 "For which the soul's innocence too often dies." 
 
While she stole thro' the garden 
 ease was growing, 
 She cull'd some, and kiss'd off its nig 
 And a rose, further on, look'd so tempting and glowing, 
 
 That, spite of her haste, she must gather it too : 
 But while o'er the roses too carelessly leaning. 
 
 Her zone flew in two, and the hearts-ease was lost : 
 Ah ! this means, ' ' said the girl (and she sigh'd at its meaning), 
 "That love is scarce worth the repose it will cost!" 
 
iJJ the hope within us springing, 
 
 Herald of to-morrow's strife ; 
 By that sun, whose Hght is bringing 
 
 Chains or freedom, death or hfe — 
 
 Oh! remember hfe can be 
 No charm for him, who Hves not free 
 
 Like the day-star in the wave, 
 
 Sinks a hero in his grave, 
 Midst the dew-fall of a nation's tears. 
 
O'er his watch-fire's fading embers jl 
 Now the foeruan's cheek turns white, 
 
 When his heart that field remembers, 
 Where we tamed his tyrant might. 
 
 Never let him bind again 
 
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 A chain, like that we broke from then. 
 
 Hark ! the horn of combat calls — 
 
 Ere the golden evening falls, 
 May we pledge that horn in triumph round!" 
 
 Many a heart that now beats high 
 In slumber cold at night shall lie, 
 Nor waken even at victory's sound : — 
 But oh, how blest that hero's sleep. 
 O'er whom a wond'ring world shall weep 
 
The last sad hour of freedom's dream, 
 
 And valor's task, moved slowly by, 
 Wliilo mute they watch' d, till morning's beam 
 
 Should rise and give them light to die. 
 There's yet a world, where souls are free, 
 
 Where tyrants taint not nature's bliss; — 
 If death that world's bright opening be, 
 
 Oh! who would live a slave in this? 
 
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 ©bl tod m mwt briglit little fisile of 
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 C9lli I had we some bright little isle of our own, 
 In a blue summer ocean, far off and alone, • 
 AVhere a leaf never dies in the still blooming bowers, 
 And the bee banquets on through a whole year of flowers ; 
 
 AVhere the sun loves to pause 
 With so fond a delay, 
 
 That the night only draws 
 A thin veil o'er the day; 
 AVliere simply to feel that we breathe, that we live. 
 Is worth the best joy that life elsewhere can give. 
 
 There, with souls ever ardent and pure as the clime, 
 We should love, as they lov'd in the first golden time ; 
 The glow of the sunshine, the balm of the air. 
 Would steal to our hearts, and make all summer there. 
 
 With affection as free 
 
 From decline as the bowers, 
 
 And, with hope, like the bee, 
 Living always on flowers. 
 Our life should resemble a long day of light, 
 And our death come on, holy and calm as the night. 
 
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 WhXtJiXimX grief and tlirougli danger tliy smile liatli 
 
 cheer 'd my way, 
 Till hope seem'd to bud from each thorn that round 
 
 me lay; 
 The darker our fortune, the brighter our pure love 
 
 burn'd. 
 Till shame into glory, till fear into zeal was turn'd ; 
 Yes, slave as I was, in thy arms my spirit felt free, 
 And bless'd even the sorrows that made me more 
 
 dear to thee. 
 
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 ^ Thy rival was lionour'd, while thou wert wrong'd "^^ 
 
 and scorn'd, _^ 
 
 Thy crown was of briers, while gold her brows ^^ 
 ;^^ adorn'd ; ^ 
 
 Sho woo'd me to temples, while thou lay'st hid in 
 
 caves, 
 Her friends were all masters, while thine, alas ! were 
 
 slaves; 
 Yet cold in the earth, at thy feet, I would rather be, 
 Than wed what I lov'd not, or turn one thought from 
 
 thee. 
 
 They slander thee sorely, who say thy vows are 
 
 frail — 
 Hadst thou been a false one, thy cheek had look'd 
 
 less pale. 
 They say, too, so long thou hast worn those lingering 
 
 chains, 
 That deep in thy heart they have printed their servile 
 
 stains — j 
 
 Oh! foul is the slander, — no chain could that soul I 
 
 subdue — 
 Where shineth % spirit, there liberty shineth too!'' 
 
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^lu (9vij)itt of the ^m\i 
 
 I itX^ believ'd that this Harp, which I wake 
 
 now for thee, 
 Was a Siren of old, who sung under the sea; 
 I And who often, at eve, thro' the bright watersrov'd, — . 
 |3^o meet, on the green shore, ayouth whom she lov'd,-{ 
 But she lov'd him in vain, for he left her to weep, . 
 And in tears, all the night her gold tresses to steep ; 
 Till heav'n look'd with pity on true-love so warm, MM 
 And chang'd to this soft Harp'' ' ■" ' " '~'' 
 
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 Still her bosom rose fair — still her cheeks smil'd the 
 
 same- 
 
 While her sea-beauties gracefully form'd the light | 
 
 frame ; 
 And her hair, as, let loose, o'er her white arm it fell, 
 Was chang'd to bright chords utt'ring melody's spell. 
 
 Hence it came, that this soft Harp so long hath been known 
 To mmgle love's language with sorrow's sad tone ; 
 "^^ Till ikou didst divide them, and teach the fond lay 
 To speak love when I m near thee, and grief when away. 
 
 <WtJfp on, weep on, your hour is past; 
 
 Your dreams of pride are o'er; 
 The fatal chain is round you cast. 
 
 And you are men no more. 
 In vain the hero's heart hath bled ; 
 
 The sage's tongue hath warn'd in vain; — 
 Oh, Freedom! once thy flame hath fled, (^/ 
 
 It 
 
 never 
 
 lights 
 
 agam. 
 
 ^i:: 
 
 MAA^^KMOUkh 
 
 89 
 
^ 
 
 Weep on — perhaps in after days, 
 They '11 learn to love your name ; 
 
 When many a deed may wake in praise 
 ■ That long hath slept in blame. 
 
 And when they tread the ruin'd isle, 
 
 Where rest, at length, the lord and slave, 
 
 They'll wondering ask, how hands so vile 
 Could conquer hearts so brave? 
 
 "Twas fate," they'll say, "a wayward fate 
 
 "Your web of discord wove; 
 "And while your tyrants join'd in hate, 
 
 "You never jom'd in love. 
 "But hearts fell off, that ought to twine, 
 
 "And man profan'd what God had given 
 "Till some were heard to curse -the shrine, 
 
 "Where others knelt to heaven!" 
 
 Sr 
 
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 ^^ 
 
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§mx ^m\ii 0f mjj ®0«ttfrjj. 
 
 ^ f HV Harp of my Country ! in darkness I found thee, 
 
 The cold chain of silence had hung o'er thee long,^" 
 When proudly, my own Island Harp, I unbound thee, 
 
 And gave all thy chords to light, freedom, and song! 
 The warm lay of love and the light note of gladness 
 
 Have waken'd thy fondest, thy liveliest thrill; 
 But, so oft hast thou echoed the deep sigh of sadness. 
 
 That ev'n in thy mirth it will steal from thee still. 
 
 ^9 
 
 ^ii, 
 
 Dear Harp of my Country ! farewell to thy numbers. 
 
 This sweet wreath of song is the last we shall twine I 
 Go, sleep with the sunshine of Fame on thy slumbers, 
 
 Till touch'd by some hand less unworthy than mine; 
 If the pulse of the patriot, soldier, or lover, Vv/i5 
 
 Have throbb'd at our lay, 'tis thy glory alone; 
 I was but as the wind, passing heedlessly over. 
 
 And all the wild sweetness I wak'd was thy own 
 
 ,*ifi^fr^ 
 
 ,-f>~M(, 
 
 ~e >.! J 
 
 
 
@h I the days are gone, when Beauty bright 
 
 My heart's chain wove; 
 When my dream of life, from morn till night, 
 Was love, still love. 
 New hope may bloom, 
 And days may come, 
 Of milder, calmer beam, 
 But there's nothing half so sweet in life 
 
 As love's young dream: 
 No, there's nothing half so sweet in life 
 As love's young dream. 
 
 Tho' the bard to purer fame may soar. 
 
 When wild youth's past; 
 Tho' he win the wise, who frown'd before, 
 To smile at last; 
 He'll never meet 
 A joy so sweet. 
 In all his noon of fame. 
 As when first he sung to woman's ear 
 
 His soul-felt flame, 
 And, at every close, she bliish'd to hear 
 The one lov'd name. 
 
 \C 
 
 i?r 
 
.i.lP^J^^^o. — that hallow'd form is ne'er forgot 
 Which first love trac'd ; 
 Still it lingering haunts the greenest spot^ 
 ^^ ^^- On memory's waste. 
 'T was odour fled 
 As soon as shed; 
 y 'Twas morning's winged dream; 
 ^ T was a light, that ne'er can shine again ^^ 
 1^^^ On life's dull stream : .„ 
 
 ^^ i .|^ Oh ! 't was light that ne'er can shine again \X|< 
 
 ■s^I 
 
 
b a 
 
 it ho* dark are our sorrows, to-daj we '11 forget them, 
 
 And smile tlirougli our tears, like a sunbeam in showers : 
 There never were hearts, if our rulers would let them, 
 More form'd to be grateful and blest than ours. 
 But just when the chain 
 Has ceas'd to pain. 
 And hope has enwreath'd it round with flowers, 
 There comes a new link 
 Our spirits to sink — 
 Oh 1 the joy that we taste, like the light of the poles, 
 
 Is a flash amid darkness, too brilliant to stay ; 
 But. though 'twere the last little spark in our souls. 
 We must Hght it up now, on our Prince's Dav. 
 
 Contempt on the minion, who calls you disloyal ! 
 
 Tho' fierce to your foe, to your friends you are true; 
 jVnd the tribute most high to a head, that 
 
 Is love from a heart that loves liberty 
 
 i. 
 
 ^ (i 
 
While cowards, who blight 
 Your fame, your right, 
 Would shrink from the blaze of the battle array, 
 The standard of Green 
 In front would be seen, — 
 Oh, my life on your faith I were you summon'd 
 this minute. 
 You'd cast every bitter remembrance away, 
 And show what the arm of old Erin has in it. 
 When rous'd by the foe, on her Prmce's Dav. 
 
 He loves the Green Isle, and his love is recorded 
 
 In hearts, which have suffer'd too much to forget ; 
 And hope shall be crown'd, and attachment rewarded. 
 And Erin's gay jubilee shine out yet. 
 The gem may be broke 
 By many a stroke, 
 But nothing can cloud its native ray; 
 Each fragment will cast 
 A light to the last, — 
 And thus, Erin, my country tho' broken thou art, 
 
 There's a lustre within thee, that ne'er will decay ; 
 A spirit, which beams through each suffering part, 
 And now smiles at all pain on the Prince's Day. 
 
 /:^'i 
 
 i (l 
 
Lesbia wears a robe of gold, 
 
 But all so close the nymph hath lac'd it, 
 Not a charm of beauty's mould 
 
 Presumes to stay where nature plac'd it. 
 Oh ! my Nora's gown for me, 
 
 That floats as wild as mountain breezes. 
 Leaving every beauty free 
 
 To sink or swell as Heaven pleases. 
 Yes, my Nora Creina, dear, 
 My simple, graceful Nora Creina, 
 Nature's dress 
 Is loveliness — 
 The dress you wear, my Nora Creina. 
 
 Lesbia hath a wit refin'd, 
 
 But, when its points are gleaming round us, 
 AVho can tell if they're design'd 
 
 To dazzle merely, or to wound us? 
 Pillowed on my Nora's heart, 
 
 In safer slumber Love reposes — 
 Bed of peace! whose roughest part 
 
 Is but the crumpling of the roses. 
 
 1^ 
 
 % 
 
 R'CHCS I CO 
 
y- 
 
 
 'Twas from. Kathleen's eyes he flew, — 
 Eyes of most unholy blue! 
 She had lov'd him well and long, 
 Wish'd him hers, nor thought it wrong. 
 Wheresoe'er the Saint would fly. 
 Still he heard her light foot nigh; 
 East or west, where'er he turn'd, 
 Still her eyes before him burn'd. 
 
 On the bold cliff's bosom cast, 
 Tranquil now he sleeps at last; 
 Dreams of heav'n, nor thinks that e'er 
 Woman's smile can haunt him there. 
 But nor earth nor heaven is free 
 From her power, if fond she be : 
 Even now, while calm he sleeps, 
 Kathleen o'er him leans and weeps. 
 
 Fearless she had track 'd his feet 
 To this rocky, wild retreat; 
 And when morning met his view, 
 Her mild glances met it too. 
 Ah, your Saints have cruel hearts! 
 Sternly from his bed he starts. 
 And with rude, repulsive shock, 
 Hurls her from the beetling rock. 
 
 n 
 
 I 
 
 RICHE^-CO. 
 
 100 
 
■-Xi 
 
 Glendalough, thy gloomy wave 
 Soon was gentle Kathleen's gravel 
 Soon the saint (yet ah! too late,) 
 Felt her love, and mourn'd her fate. 
 When he said, "Heaven rest her soul!" 
 Round the Lake light music stole; 
 And her ghost was seen to glide, 
 Smiling o'er the fatal tide. 
 
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 gt fe not tht Un at thb mt^mtni isibd.- 
 
 1ft is not the tear at tliis moment shed, 
 
 When the cold turf had just been laid o'er hiin, 
 That can tell how belov'd was the friend that 's fled, 
 
 Or how deep in our hearts we deplore him. 
 'Tis the tear, thro' many a long day wept, 
 
 'Tis life's whole path o'ershaded; 
 'Tis the one remembrance, fondly kept, 
 
 When all lighter griefs have faded. 
 
 .■V) V'M-'M 
 
 ^ 
 
 f%^. 
 
 Thus his memory, like some holy light, 
 
 Kept alive in our hearts, will improve them, 
 
 For worth shall look fairer, and truth more bright. 
 When we think how he liv'd but to love them. 
 
 And, as fresher flowers the sod perfume 
 Where buried saints are lying, 
 
 So our hearts shall borrow a sweet' ning bloom 
 P.lT From the image he left there in dying! 
 
 ^i 
 
 ^^ 
 
 ijj 
 
-^^ 
 
 g ^Jlttt thy form in youthful prime, 
 Nor thought that pale decay 
 
 Would steal before the steps of Time, 
 And waste in bloom away, Mary ! 
 
 Yet still thy features wore that lic^ht. 
 Which fleets not with the breath; 
 
 And life ne'er look'd more truly bright 
 Than in thy smile of death, Mary 
 
 As streams that run o'er golden mines. 
 
 Yet humbly, calmly glide, 
 Nor seem to know the wealth that shines 
 
 Within their gentle tide, Mary! 
 So veil'd beneath the simplest guise, 
 
 Thy radiant genius shone. 
 And that which charm'd all other eyes, 
 ,,:;<xSeem'd worthless in thine own, Mary! 
 
104 
 
 n/cf/es-co. 
 
Love stood near the Novice and listen'd, 
 
 And Love is no novice in taking a hint; 
 His laughing blue eyes soon with piety glisten'd; 
 His rosy wing turn'd to heaven's own tint. 
 "Who would have thought," the urchin cries, 
 "That Love could so well, so gravely disguise 
 ■'His wandering wings, and wounding eyes?" 
 
 Love now warms thee, waking and sleeping, 
 Young Novice, to him all thy orisons rise. 
 He tinges the heavenly fount with his weeping. 
 He brightens the censer's flame with his sighs. 
 Love is the Saint enshrin'd in thy breast, 
 And angels themselves would admit such a guest, 
 If he came to them cloth'd in piety's vest. 
 
^ViCttgiWJ and bright fall the swift sword of Erin^ 
 On liim who the brave sons of Usna betray'd 
 
 For ev'ry fond eye he hath waken'd a tear in, 
 
 A drop from his heart- wounds shall weep o'er her blade. 
 
 By the red cloud that hung over Conor's dark dwelling/' 
 When Ulad's^' three champions lay sleeping in gore — 
 
 By the billows of war, which so often, high swelling, 
 Have wafted these heroes to victory's shore — 
 
 We swear to revenge them! — no joy shall be tasted, 
 The harp shall be silent, the maiden unwed. 
 
 Our halls shall be mute and our fields shall lie wasted, 
 Till vengeance is wreak'd on the murderer's head. 
 
 Yes, monarch! tho' sweet are our home recollections, 
 Though sweet are the tears that from tenderness fall ; 
 
 Though sweet are our friendships, our hopes, our affections, 
 Revenge on a tyrant is sweetest of all ! 
 
^ 
 
 ^ 
 
 §t,—^X\U^ the bee is to the floweret, 
 When he looks for honey-dew, 
 Through the leaves that close embower it, 
 That, my love, I '11 be to you. 
 
 ^)Xt, — "What the bank, with verdure glowing, 
 Is to waves that wander near, 
 Whispering kisses, while they're going, 
 That I'll be to you, my dear, 
 
 '^Ut, — But they say, the bee 's a rover 
 
 Who will fly, when sweets are gone ; 
 And, when once the kiss is over. 
 Faithless brooks will wander on. 
 
 |iif. — ISTay, if flowers will lose their looks, 
 If sunny banks will wear away, 
 'Tis but right, that bees and brooks 
 
 Should sip and kiss them, while they may. 
 
 v//(f'? 
 
(^^ 
 
 ^Ixt x^ Uk fxom tht latti 
 
 IXt is far from the land where her young hero sleeps, 
 And lovers are round her, sighing: 
 But coldly she turns from their gaze, and weeps, 
 For her heart in his grave is lying. 
 
 She sings the wild song of her dear native plains, 
 Every note which he lov'd awaking; — 
 
 Ah! httle they think who delight in her strains, 
 How the heart of the Minstrel is breaking. 
 
 He had liv'd for his love, for his country he died. 
 They were all that to hfe had entwin'd him; 
 
 Nor soon shall the tears of his country be dried. 
 Nor long will his love stay behind him. 
 
 Oh! make her a grave where the sunbeams rest. 
 When they promise a glorious morrow; 
 
 They'll shme o'er her sleep like a smile from the West, 
 From her own loved island of sorrow. 
 
m 
 
 Ne'er hath a beam 
 
 Been lost in the stream 
 That ever was shed from thy form or soul; 
 
 The spell of those eyes, 
 
 The balm of thy sighs, 
 Still float on the surface, and hallow my bowl 
 Then fancy not, dearest, that wine can steal 
 One blissful dream of the heart from me; 
 Like founts that awaken the pilgrim's zeal, 
 The bowl but brightens my love for thee. 
 
 They tell us that Love in his fairy bower 
 
 Had two blush-roses, of birth divine ; 
 He sprinkled the one with a rainbow's shower, 
 But bath'd the other with mantling wine. 
 Soon did the buds 
 That drank of the floods 
 Distill'd by the rainbow, decHne and fade; 
 While those which the tide 
 Of ruby had dy'd 
 All blush'd into beauty, like thee, sweet maid 
 Then fancy not, dearest, that wine can steal 
 One blissful dream of the heart from me; 
 Like founts, that awaken the pilgrim's zeal, 
 The bowl but brightens my love for thee. 
 
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 (^t the mid hour of night, when stars are weeping, I fly- 
 To the lone vale we lov'd, when life shone warm in thine eye ; 
 And I think oft, if spirits can steal from the regions of 
 
 air. 
 
 To revisit past scenes of delight, thou wilt come to me 
 there, 
 And tell me our love is remember'd, even in the sky. 
 
 Then I sing the wild song 't was once such pleasure to hear ! 
 
 When our voices commingling breath'd, like one, on the ear ; 
 
 And, as Echo far off through the vale my sad orison 
 
 rolls, 
 I think, oh my love ! 't is thy voice from the Kingdom 
 of Souls, ^' 
 Faintly answering still the notes that once were so dear. 
 
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^'^"rWBl 
 
 young May moon is beaming, love, ,i -^ h 
 The glow-worm's lamp is gleaming, love, ^f^^ -Xj 
 
 How sweet to rove .^^Jl^A^^y \\'^ 
 
 Through Morna's grove,"" **^ '' "^"^t^ 
 When the drowsy world is dreaming, love ! 
 ! Then awake ! — the heavens look bright, my dear, 
 I'Tis never too late for delight, my dear, 
 
 And the best of all ways 
 
 To lengthen our days. 
 Is to steal a few hours from the night, my dear ! 
 
 1^2 
 
113 
 
®W^ UU fe all jch^jjmtJ'd with 
 
 ®hfe life is all chequer'd with pleasures and woes, 
 
 That chase one another like waves of the deep, — 
 Each brightly or darkly, as onward it flows, 
 
 Reflecting our eyes, as they sparkle or weep. 
 So closely our whims on our miseries tread. 
 
 That the laugh is awak'd ere the tear can be dried; 
 And, as fast as the rain-drop of Pity is shed. 
 
 The goose-plumage of Folly can turn it aside. 
 But pledge me the cup — if existence would cloy. 
 
 With hearts ever happy, and heads ever wise. 
 Be ours the light Sorrow, half-sister to Joy, 
 
 And the light, brilliant Folly that flashes and dies. 
 
 When Hylas was sent with his urn to the fount. 
 Thro' fields full of light, and with heart full of play 
 
 114 
 
IIG 
 
-"^ 
 
 r 
 
 Says Valour, "See, 
 
 "They spring for me, 
 "Those leafy gems of morning!" — ^ 
 
 Says Love, "No, no, 
 
 "For me they grow, 
 " My fragrant path adorning." 
 
 But Wit perceives 
 
 The triple leaves. 
 And cries, " Oh ! do not sever^ 
 
 "A type, that blends 
 
 "Three godlike friends, 
 »"Love, Valour, Wit, for ever!"t 
 
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 7 
 
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 V 
 
 
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 1 
 
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 1)1 'I i T"" yiiN 
 
 PRINCE OF BBEFFKI. 4 3 
 
 ^nt valley lay smiling before me, 
 
 Where lately I left her behind ; 
 Yet I trembled, and something hung o'er me, 
 
 That saddened the joy of my mind. 
 I look'd for the lamp which, she told me. 
 
 Should shine, when her Pilgrim return'd ; 
 But, though darkness began to infold me, 
 
 No lamp from the battlements burn'd ! 
 
 I flew to her chamber — 'twas lonely, 
 
 As if the lov'd tenant lay dead ; — 
 Ah, would it were death, and death only ! 
 
 But no, the young false one had fled. 
 And there hung the lute that could soften 
 
 My very worst pains into bliss ; 
 While the hand, that had wak'd it so often. 
 
 Now throbb'd to a proud rival's kiss. 
 
T 
 
 m 
 
 I 
 
 There was a time, falsest of women, 
 
 When BrefFni's good sword would have sougl 
 That man, thro' a million of foemen, 
 
 Who dar'd but to wrong thee in thought ! 
 While now — oh degenerate daughter 
 
 Of Erin, how fall'n is thy fame ! 
 And thro' ages of bondage and slaughter, 
 
 Our country shall bleed for thy shame. 
 
 Already, the curse is upon her. 
 
 And strangers her valleys profane; 
 
 They come to divide, to dishonour, 
 And tyrants they long will remain. 
 
 But onward ! — the green banner rearing, 
 Go, flesh every sword to the hilt; 
 
 On OUT side is Virtue and Erin, 
 kOu theirs is the Saxon and Guilt. 
 
 i=£\ 
 
^S^^t 
 
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 W. 
 
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 10 
 
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 <^0U remember Ji,ilen, our hamlet s pride, 
 
 rr\ 
 
 •.^^ 
 
 How meekly she blessed her humble lot, 
 When the stranp;er, William, had made her his bride, /'WS 
 
 And love was the light of their lowly cot. 
 Together they toil'd through winds and rains, 
 Till William, at length, in sadness said, 
 4^^ "We must seek our fortune on other plains ;"- 
 ^^ ^';w«^/§ Then, sisihincr she left her lowly shed. , 
 
 1/1 
 

 C:^> 
 
 0^^ 
 
 They roam'd a long and a weary way, 
 
 'Hov much was the maiden's heart at ease, \il\fiw)ll 
 
 When now, at close of one stormy day, 
 
 They see a proud castle among the trees. 
 "To-night," said the youth, " we'll shelter there; 
 
 "The wind blows cold, the hour is late:" 
 So he blew the horn with a chieftain's air, 
 
 And the Porter bow'd, as they pass'd the gate. 
 
 "Now, welcome, Lady," exclaim'd the youth, — 
 
 "This castle is thine, and these dark woods all !" 
 She believ'd him crazed, but his words were truth, 
 
 For Ellen is Lady of Eosna Hall! 
 And dearly the Lord of Rosna loves 
 
 What William the stranger woo'd and wed ; 
 And the light of bliss, in these lordly groves. 
 
 Shines pure as it did in the lowly shed. 
 
 
 ^Tv 
 
 m^ « 
 
 
qI)\$ the last rose of summer 
 
 Left blooming alone ; 
 All her lovely companions 
 
 Are faded and gone ; 
 No flower of her kindred, 
 
 No rose-bud is nigh, 
 To reflect back her blushes 
 
 Or give sigh for sigh. 
 
 I '11 not leave thee, thou lone one 
 
 To pine on the stem ; 
 Since the lovely are sleeping, 
 
 Gro, sleep thou with them. 
 Thus kindly I scatter 
 
 Thy leaves o'er the bed, 
 Where thy mates of the garden 
 
 Lie scentless and dead. 
 

 ^m 
 
 \% 
 
 ®u ^\m. 
 
 ^X>\M, tliro' life unblest we rove, 
 Losing all that made life dear, 
 Should some notes we used to love. 
 In days of boyhood, meet our ear. 
 Oh! how welcome breathes the strain 
 
 Wakening thoughts that long have slept ; 
 Kindling former smiles again 
 
 In faded eyes that long have wept. 
 
 Like the gale, that sighs along 
 
 Beds of oriental flowers. 
 Is the grateful breath of song, 
 
 That once was heard in happier hours; 
 Fiird with balm, the gale sighs on, 
 
 Though the flowers have sunk in death ; 
 So, when pleasure's dream is gone, 
 
 memory lives in Music's breatl 
 
 \ 
 
 \ 
 
 X 
 
 \ 
 
 125 
 
®b^ §liw^trrt-§0j}. 
 
 Minstrel-Boy to the war is gone, 
 
 In the ranks of death you'll find him; 
 His father's sword he has girded on, 
 
 And his wild harp slung behind him. — 
 "Land of song!" said the warrior-bard, 
 
 "Tho' all the world betrays thee, 
 " One sword, at least, thy rights shall guard, 
 
 " One faithful harp shall praise thee!" 
 
 '^<:>(v«s-t« 
 
ne Minstrel fell : — but the foeman's chain ^^ 
 
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 1 
 
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 =\. 
 
 r^^ 
 
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 '®fe ^xcut U tlunlt. 
 
 '®i)S sweet to think, that, where 'er we rove, 
 
 We are sure to find something bUssful and dear, 
 And that, when we're far from the lips we love. 
 
 We've but to make love to the lips we are near.*' 
 The heart, like a tendril, accustom' d to cling. 
 
 Let it grow where it will, cannot flourish alone, 
 But will lean to the nearest, and loveliest thing, 
 
 It can twine with itself, and make closely its own. 
 Then oh ! what pleasure, where'er we rove. 
 
 To be sure to find something, still, that is dear, 
 And to know, when far from the lips we love, 
 
 We've but to make love to the lips that are near. 
 
 ^^: 
 
 '-AT 
 
 t- 
 
 '^ 
 
 s.-^ 
 
'Twere a shame, when flowers around us rise, 
 
 To make light of the rest, if the rose is n't there ; 
 And the world's so rich in resplendent eyes, 
 
 'T were a pity to limit one's love to a pair. 
 Love's wing and the peacock's are nearly alike, 
 
 They are both of them bright, but they 're changeable 
 And, wherever a new beam of beauty can strike, 
 
 It will tincture Love's plume with a different hue. 
 Then oh ! what pleasure, where 'er we rove. 
 
 To be sure to find something, still, that is dear. 
 And to know, when far from the lips we love. 
 
 We' ve but to make love to the lips we are near. 
 
 too, 
 
 V^ 
 
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 130 
 
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 ^mtmlli — but whmmx ^on 
 wtUomt th^ Imix. 
 
 M^XtVCtll I — but whenever you welcome the hour, 
 That awakens the night-song of mirth in your bower, 
 Then think of the friend who once welcom'd it too. 
 And forgot his own griefs to be happy with you. 
 His griefs may return, not a hope may remain 
 Of the few that have brighten'd his pathway of pain, 
 But he ne'er will forget the short vision, that threw 
 Its enchantment around him, while ling'ring with you. 
 
 it II 
 
 And still on that evening, when pleasure fills up 
 To the highest top sparkle each heart and each cup, 
 Where 'er my path lies, be it gloomy or bright. 
 My soul, happy friends, shall be with you that night ; 
 
 .^ 
 
Shall join in your revels, your sports, and your wiles. 
 And return to me, beaming all o'er with your smiles — 
 Too blest, if it tells me that, 'mid the gay cheer 
 Some kind voice had murmur'd, "I wish he was here !' 
 
 Let Fate do her worst, there are relics of joy, 
 Bright dreams of the past, which she cannot destroy ; 
 Which come in the night-time of sorrow and care, 
 And bring back the features that joy used to wear. 
 Long, long be my heart with such memories fill'd 
 Like the vase, in which roses have once been distill'd — 
 You may break, you may shatter the vase, if you will, 
 But the scent of the roses will hang round it still. 
 

 ^*rt tttOUVW the hopes that leave me, 
 
 If thy smile had left me too ; 
 I 'd weep when friends deceive me, 
 
 If thou wert, like them, untrue. 
 But while I 've thee before me, 
 
 AVith heart so warm and eyes so bright, 
 No clouds can linger o'er me, 
 
 That smile turns them all to light. 
 
 f% 
 
 'Tis not in fate to harm me, 
 
 AVhile fate leaves thy love to me ; 
 'Tis not in joy to charm me, 
 
 Unless joy be shared with thee. 
 One minute's dream about thee 
 
 Were worth a long, an endless year 
 Of waking bliss without thee, 
 
 My own love, my only dear! 
 
 ^^.1 
 
'And tlio' the hope be gone, love, 
 
 That long sparkled o'er our way, 
 Oh ! we shall journey on, love, 
 
 More safely, without its ray. 
 Far better lights shall win me 
 
 Along the path I' ve yet to roam : — 
 The mind that burns within me, 
 
 And pure smiles from thee at home. 
 
 Thus, when the lamp that lighted 
 , The traveller at first goes out. 
 He feels awhile benighted, 
 
 And looks around in fear and doubt. 
 But soon, the prospect clearing, 
 
 By cloudless starlight on he treads. 
 And thinks no lamp so cheering 
 
 As that light which Heaven sheds.- 
 
 136 
 
But come, — may our life's liappy measure 
 Be all of such moments made up ; 
 
 They 're born on the bosom of Pleasure, 
 They die 'midst the tears of the cup. 
 
 As onward we journey, how pleasant 
 
 To pause and inhabit awhile 
 Those few sunny spots, like the present, 
 
 That 'mid the dull wilderness smile ! 
 But time, like a pitiless master, 
 
 Cries " Onward !" and spurs the gay hours 
 Ah, never doth time travel faster. 
 
 Than when his way lies among flowers. 
 But come — may our life's happy measure 
 
 Be all of such moments made up; 
 They're born on the bosom of Pleasure, 
 
 They die 'midst the tears of the cup. 
 
 We saw how the sun look'd in sinking, 
 
 The waters beneath him how bright; 
 And now, let our farewell of drinking 
 
 Resemble that farewell of light. 
 You saw how he finish'd, by darting 
 
 His beam o'er a deep billow's brim 
 So, fill up, let's sbine at our part 
 
 In full liquid glory, like him. 
 
nrt 
 
Has love to that soul, so tender, 
 
 Been like our Lagenian mine,*'' 
 Where sparkles of golden splendour 
 
 All over the surface shine — 
 But, if in pursuit we go deeper, 
 
 Allur'd by the gleam' that shone, 
 Ah ! false as the dream of the sleeper, 
 
 Like Love, the bright ore is gone. 
 
 Has Hope, like the bird in the story,*' 
 
 That flitted from tree to tree 
 With the talisman's glittering glory — 
 
 Has Hope been that bird to thee? 
 On branch after branch alighting. 
 
 The gem did she still display, 
 And, when nearest and most inviting, 
 
 Then waft the fair gem away? 
 
 If thus the young hours have fleeted. 
 
 When sorrow itself look'd bright; 
 If thus the fair hope hath cheated, 
 
 That led thee along so light; 
 If thus the cold world now wither 
 
 Each feeling that once was dear: — 
 Come child of misfortune, come hither, 
 
 I '11 weep with thee, tear for tear. 
 
 'i^ 
 
 -vJl^^^ii 
 
Let fate frown on, so we love and part not ; 
 'Tis life where thou art, 'tis death where thou art not. 
 Then come o'er the, sea. 
 Maiden, with me, 
 Come wherever the wild wind blows ; 
 Seasons may roll, 
 But the true soul 
 Burns the same, where'er it goes. 
 
 Was not the sea 
 
 Made for the Free, 
 Land for courts and chains alone? 
 
 Here we are slaves. 
 
 But, on the waves. 
 Love and Liberty's all our own. 
 No eye to watch, and no tongue to wound us. 
 All earth forgot, and all heaven around us — 
 
 Then come o'er the sea, 
 
 Maiden, with me. 
 Mine thro' sunshine, storm and snows ; 
 
 Seasons may roll, 
 
 But the true soul 
 Burns the same, where'er it goes. 
 
 -J^te.l<:^^^«.^^..■^M^^ --^ ^ 
 
W;^ 
 
 m\m iUi i mrt ®to. 
 
 <wlt^U first I met thee, warm and young, 
 
 There shone such truth about thee, 
 And on thy Hp such promise hung, 
 
 I did not dare to doubt thee. 
 I saw thee change, yet still relied, 
 Still clung with hope the fonder, 
 And thought, tho' false to all beside. 
 From me thou couldst not wander. 
 But go, deceiver ! go, 
 
 The heart, whose hopes could make it 
 Trust one so false, so low, 
 
 Deserves that thou shouldst break it. 
 
 When every tongue thy follies nam'd, 
 
 I fled the unwelcome story ; 
 Or found, in ev'n the faults they blam'd, 
 
 Some gleams of future glory. 
 
.i^S^y 
 
 / still was true, when nearer friends 
 Conspired to wrong, to slight thee ; 
 The heart that now thy falsehood rends, 
 Would then have bled to right thee. 
 But go, deceiver! go, — - 
 
 Some day, perhaps, thou 'It waken 
 From pleasure's dream, to know 
 The grief of hearts forsaken. 
 
 Even now, tho' youth its bloom has shed. 
 
 No lights of age adorn thee : 
 The few, who lov'd thee once, have fled, 
 
 And they who flatter scorn thee. 
 Thy midnight cup is pledg'd to slaves, 
 
 No genial ties en wreath it; 
 The smiling there, like light on graves, 
 Has rank cold hearts beneath it. 
 Gro — go — tho' worlds were thine, 
 
 I would not now surrender 
 One taintless tear of mine 
 For all thy guilty splendour 
 
 And days may come, thou false one ! yet 
 When even those ties shall sever; 
 
 When thou wilt call, with vain regret. 
 On her thou 'st lost for ever; 
 
On her who, in thy fortune's fall, 
 
 With smiles had still receiv'd thee, 
 And gladly died to prove thee all 
 Her fancy first believ'd thee. 
 Go — go — 'tis vain to curse, 
 
 'T is weakness to upbraid thee ; 
 Hate cannot wish thee worse 
 
 Than guilt and shame have made thee. 
 
 145 
 
146 
 
147 
 
Her smile when Beauty granted, 
 ^bung with gaze enchanted, _^ 
 Like him the Sprite,** 
 ^ \Miom maids by night 
 meet in glen that's haunted 
 e him, too, Beauty won me, 
 while her eyes were on me, 
 : If once their ray 
 Was turn'd away, 
 winds -could not outrun me. 
 
g\\\ ih h\m\m fmt 
 
 the bumper fair ! 
 
 Every drop we sprinkle 
 O'er the brow of Care 
 
 Smooths away a wrinkle. 
 Wit's electric flame 
 
 Ne'er so swiftly passes, 
 As when thro' the frame 
 
 It shoots from brimming glasses. 
 Fill the bumper fair ! 
 
 Every drop we sprinkle 
 O'er the brow of Care 
 
 Smooths away a wrinkle. 
 
 160 
 
-<i'A 
 
 ;p 
 
 Sages can, they say, 
 
 Grasp the lightning's pinions, 
 And bring down its ray 
 
 From the starr'd dominions: — 
 So we, Sages, sit, 
 
 And, 'mid bumpers bright'ning, 
 From the Heaven of Wit 
 
 Draw down all its lightning. 
 
 Would 'st thou know what first 
 
 Made our souls inherit 
 This ennobling thirst 
 
 For wine's celestial spirit? 
 It chanc'd upon that day, 
 
 When, as bards inform us, 
 Prometheus stole away 
 
 The living fires that warm us : 
 
 The careless Youth, when up 
 
 To Glory's fount aspiring, 
 Took nor urn nor cup 
 
 To hide the pilfer'd fire in. — 
 But oh his joy, when, round 
 
 The halls of Hea,ven spying, 
 Among the stars he found 
 
 A bowl of Bacchus lying ! 
 
 
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t 
 
 7 • 
 
 f Sweet voice of comfort ! 't was like the stealing 
 
 Of summer wind thro' some wreathed shell — 
 
 Each secret winding, each inmost feeling 
 
 «, Of all my soul echoed to its spell, 
 
 "T was whisper'd balm — 't was sunshine spoken^ 
 
 I 'd live years of grief and pain 
 To have my long sleep of sorrow broken 
 By such benign, blessed sounds again. 
 ^-o r ■ 
 
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 ® W0U0U humble the banquet to which I invite thee, 
 ^ ;\\ Thou 'It find there the best a poor bard can command : 
 Eyes, beaming with welcome, shall throng round, to light thee, 
 And Love serve the feast with his own willing hand 
 
And though Fortune may seem to have turn'd from the d wellin ' 
 
 Of him thou regardest her favouring ray, 
 Tliou wilt find there a gift, all her treasures excellintr, 
 ^(^ Which, proudly he feels, hath ennobled his way. 
 (^ 
 'T is that freedom of mind, which no vulgar dominion 
 
 Can turn from the path a pure conscience approves ; 
 Which, with hope in the heart, and no chain on the pinion. 
 Holds upwards its course to the light which it loves. ([ t 
 
 'Tis this ixiakes the pride of his humble retreat, ^ 
 
 And, with this, though of all other treasures bereaved. 
 
 The breeze of his garden to him is more sweet 
 
 Than the costliest incense that Pomp e'er received. 
 
 Then, come, — if a board so untempting hath power 
 To win thee from grandeur, its best shall be thine ; 
 
 And there's one, long the light of the bard's happy bower. 
 Who, smiling, will blend her bright welcome with mine. 
 
 c^. 
 
know not my lieart, who believe there can 
 One stain of this earth in its feehngs for thee ; 
 Who think, while I see thee in beauty's young hour 
 As pure as the morning's first dew on the flow'r, 
 I could harm what I love, — as the sun's wanton ray 
 But smiles on the dew-drop to w^aste it away. 
 
 No — beaming with light as those young features are, 
 There's a light round thy heart which is lovelier far : 
 It is not that cheek — 'tis the soul dawnincj clear 
 Thro' its innocent blush makes thy beauty so dear ; 
 As the sky we look up to, though glorious and fair, 
 Is look'd up to the more, because Heaven lies there 
 
History's Muse the memorial was / keepmg 
 Of all that the dark hand of Destiny weaves, 
 Beside her the Genius of Erin stood weeping, 
 
 For hers was the story that blotted the leaves. 
 But oh ! how the tear in her eyelids grew bright. 
 When, after whole pages of sorrow and shame. 
 She saw History write, 
 With a pencil of light 
 That illum'd the whole volume, her Wellino-ton's name 
 
 "1: 
 
 157 
 
Hail, Star of my Isle!" said the Spirit, all sparkling 
 With beams, such as break from her own dewy skies — 
 Thro' ages of sorrow, deserted and darkling, 
 " I've watch'd for some glory like thine to arise. 
 For, tho' Heroes I've niimber'd, unblest was their lot, 
 And unhallow'd they sleep in the cross- ways of Fame ;— 
 "But oh! there is not 
 ' ' One dishonouring blot 
 ' On the wreath that encircles my Wellington's name. 
 
 ' Yet still the last crown of thy toils is remaining, 
 
 " The grandest, the purest, ev'n thou hast yet known ; 
 ' Tho' proud was thy task, other nations unchaining, 
 "Far prouder to heal the deep wounds of thy own. 
 '" At the foot of that throne, for whose weal thou hast stood;' 
 " Go, plead for the land that first cradled thy fame, 
 "And, bright o'er the flood 
 " Of her tears and her blood, 
 " Let the rainbow of Hope be her Wellington's name !"i 
 
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 ^%\^ gone, and for ever, the ligbt we saw breaking. 
 Like Heaven's first dawn o'er the sleep of the dead — 
 *^^ When Man, from the slumber of ages awaking, 
 
 Look'd upward, and bless'd the pure ray, ere it fled. 
 'Tis gone, and the gleams it has left of its burning 
 But deepen the long night of bondage and mourning. 
 The dark o'er the kingdoms of earth is returning, 
 ^ x\nd darkest of all, hapless Erin, o'er thee. 
 
 For high was thy hope, when those glories were darting 
 Around thee, thro' all the gross clouds of the world ; 
 
 When Truth, from her fetters indignantly starting, (J 
 At once, like a Sun-burst, her banner unfurl'd.*' 
 
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eartli see a moment so splendid ! 
 Then, then — had one Hymn of Dehverance blended 
 The tongues of all nations — how sweet had ascended^ 
 The first note of Liberty, Erin, from thee ! 
 
 But, shame on those tyrants, who envied the blessing ! 
 
 And shame on the light race, unworthy its good, 
 AVho, at Death's reeking altar, like furies, caressing 
 
 The young hope of Freedom, baptiz'd it in blood. 
 Then vanish'd for ever that fair, sunny- vision, 
 Which, spite of the slavish, the cold heart's derision, 
 Shall long be remember'd, pure, bright, and elysian, 
 
 As first it arose, my lost Erin, on thee. 
 
UbOlU^, rest in this bosom, my own stricken deer, 
 Tho' the herd-have fled from thee, thy home is still here, 
 Here still is the smile, that no cloud can o'ercast, 
 And a heart and a hand all thy own to the last. 
 
 Oh ! what was love made for, if 'tis not the same 
 Thro' joy and thro' torment, thro' glory and shame? /<^^ 
 I know not, I ask not, if guilt's in that heart, ji 
 
 ■I but know that I love thee, whatever thou art. 
 
 161 
 
Thou hast call'd me thy Angel in moments of bliss, 
 And thy Angel I'll be, 'mid the horrors of this, — 
 Thro' the furnace, unshrinking, thy steps to pursue, 
 And shield thee, and save thee, — or perish there too 
 
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 £(iX(itt not the field where they perish'd, 
 
 The truest, the last of the brave, 
 All gone — and the bright hope we cherish'd 
 
 Gone with them, and quench'd in their grave 
 
 Oh ! could we from death but recover 
 ^Pl Those hearts as they bounded before, 
 In the face of high heav'n to fight over 
 That combat for freedom once more;— 
 
 Could the chain for an instant be riven 
 Which tyranny flung round us then, 
 
 No, 'tis not in Man, nor in Heaven, 
 To let Tyranny bind it again ! 
 
But 'tis past — and, tho' blazon'd in story 
 The name of our Victor may be, 
 
 Accurst is the march of that glory 
 
 Which treads o'er the hearts of the free 
 
 Far dearer the grave or the prison, 
 
 Illumed by one patriot name. 
 Than the trophies of all, who have risen 
 
 On Liberty's ruins to fame. 
 
 J} g^wtk ^mp. 
 
 JJ gentle Harp, once more I waken 
 
 The sweetness of thy slumbering strain ; 
 In tears our last farewell was taken. 
 
 And now in tears we meet again. 
 'No light of joy hath o'er thee broken. 
 
 But, like those Harps whose heav'nly skill 
 Of slavery, dark as thine, hath spoken, 
 
 Thou hang'st upon the willows still 
 
 163 
 
And yet, since last ttiy chord resounded, 
 
 An hour of peace and triumph came, 
 And many an ardent bosom bounded 
 
 With hopes — that now are turn'd to shame 
 Yet even then, while Peace was singing 
 
 Her halcyon song o'er land and sea, 
 Tho' joy and hope to others bringing. 
 
 She only brought new tears to thee. 
 
 Then, who can ask for notes of pleasure. 
 
 My drooping Harp, from chords like thine • 
 Alas, the lark's gay morning measure 
 
 As ill would suit the swan's decline 
 Or how shall I, who love, who bless thee, 
 
 Invoke thy breath for Freedom's strains. 
 When ev'n the wreaths in which I dress thee, 
 
 Are sadly mix'd — half flow'rs, half chains? 
 
 But come — if yet thy frame can borrow 
 
 One breath of joy, oh, breathe for me, 
 And show the world, in chains and sorrow, 
 
 How sweet thy music still can be ; 
 How gaily, ev'n mid gloom surrounding. 
 
 Thou yet canst wake at pleasure's thrill- 
 Like Memnon's broken image sounding, 
 
 ' Mid desolation tuneful still ! 
 
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 When, round tlie bowl, of vanish'd years 
 
 We talk, with joyous seeming, — 
 With smiles that might as well be tears, 
 
 So faint, so sad their beaming ; 
 While mem'ry brings us back again 
 
 Each early tie that twined us. 
 Oh, sweet's the cup that circles then 
 
 To those we've left behind us. 
 
 h 
 
 And when, in other climes, we meet 
 
 Some isle, or vale enchanting, 
 Where all looks flow'ry, wild, and sweet. 
 
 And nouo;ht but love is wanting • 
 We think how great had been our bliss, 
 
 If Heav'n had but assign'd us 
 To live and die in scenes like this, 
 
 With some we've left behind us ! 
 
 As trav'llers oft look back at eve, 
 
 When eastward darkly going. 
 To gaze upon that light they leave 
 
 Still faint behind them glowing, — 
 So, when the close of pleasure's day 
 
 To gloom hath near consign'd us. 
 We turn to catch one fading ray 
 
 Of joy that's left behind us. 
 
 i 
 
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 gtt the morning of life, when its cares are unknown, 
 
 And its pleasures in all their new lustre begin. 
 When we live in a bright-beaming world of our own, 
 
 And the light that surrounds us is all from within ; 
 Oh 'tis not, beheve me, in that happy time 
 
 We can love, as in hours of less transport we may ;— 
 Of our smiles, of our hopes, 'tis the gay sunny prime. 
 
 But affection is truest when these fade away. 
 
 When we see the first glory of youth pass us by. 
 
 Like a leaf on the stream that will never return ; 
 When our cup, which had sparkled with pleasure so high, 
 
 First tastes of the other, the dark-flowing urn ; 
 Then, then is the time when affection holds sway 
 
 With a depth and a tenderness joy never knew ; 
 Love, nursed among pleasures, is faithless as they. 
 
 But the love born of Sorrow, like Sorrow, is true. 
 
 167 
 
168 
 
i^t- hCU cold in the earth lies the friend thou hast loved, 
 
 Be his faults and his follies forgot by thee then ; 
 Or, if from their slumber the veil be removed, 
 
 Weep o'er them in silence, and close it again. 
 And oh 1 if 'tis pain to remember how far 
 
 From the pathways of light he was tempted to roam, 
 Be it bliss to remember that thoa wert the star 
 
 That arose on his darkness, and guided him home. 
 
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 Sv»-^ 
 
 From thee and thy innocent beauty first came 
 
 The reveaUncfS, that taught him true love to adore 
 To feel the bright presence, and turn him with shame^ 
 
 From the idols he blindly had knelt to before. 
 O'er the waves of a life, long benighted and wild/ 
 
 Thou earnest, like a soft golden calm o'er the sea ; 
 And if happiness purely and glowingly smiled 
 
 On his ev'ning horizon, the light was from thee. 
 
 And tho', sometimes, the shades of past folly might rise, 
 
 And tho' falsehood again would allure him to stray, 
 ■He but turn'd to the glory that dwelt in those eyes. 
 
 And the folly, the falsehood, soon vanish'd away. 
 As the Priests of the Sun, when their altar grew dim, 
 
 At the. day-beam alone could its lustre repair, 
 So, if virtue a moment grew languid in him. 
 
 He but flew to that smile and rekindled it there. 
 
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 W0 Ladies' eyes around, boy, 
 
 We can't refuse, we can't refuse, 
 Tho' brig-lit eyes so abound, boy, 
 
 'Tis hard to choose, 'tis hard to choose. 
 For thick as stars that hghten 
 
 Yon airy bow'rs, yon airy bow'rs, 
 The countless eyes that brighten 
 
 This earth of ours, this earth of ours. 
 But fill the cup — where'er, boy, 
 
 Our choice may fall, our choice may fall 
 We're sure to find love there, boy, 
 
 So drink them all ! so drink them all 
 
 Some looks there are so holy, 
 
 They seem but giv'n, they seem but giv'n 
 As shining beacons, solely, 
 
 To light to heav'n, to light to heav'n. 
 
 A.y'lyAVV/M ^'Wi'Um 
 
\ 
 
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 While some — oli ! ne'er believe them — 
 
 With tempting ray, with tempting ray, 
 Would lead us (God forgive them !) 
 
 The other way, the other way. 
 But fill the cup — where'er, boy, 
 
 Our choice may fall, our choice may fall 
 We 're sure to find Love there, boy. 
 
 So drink them all ! so drink them all 
 
 In some, as in a mirror, 
 
 Love seems pourtray'd. Love seems pourtray'd. 
 But shun the flattering error, 
 
 'Tis but his shade, 'tis but his shade. 
 Himself has fix'd his dwelling 
 
 Li eyes we know, in eyes we know, 
 And lips — but this is telling — 
 
 So here they go ! so here they go ! 
 Fill up, fill up — where 'er, boy. 
 
 Our choice may fall, our choice may fall, 
 We're sure to find Love there, boy. 
 
 So drink them all ! so drink them all ! 
 
Then, wreath the bowl 
 With flowers of soul, 
 
 The brightest Wit can find us; 
 We '11 take a flight 
 Tow'rds heaven to-night. 
 
 And leave dull earth behind us; 
 
 'Twas nectar fed 
 
 Of old, 'tis said, 
 Their Junos, Joves, Apollos; 
 
 And man may brew 
 
 His nectar too, 
 The rich receipt 's as follows : 
 
 Take wine like this, 
 
 Let looks of bliss 
 Around it well be blended, 
 
 Then bring Wit's beam 
 
 To warm the stream, 
 And there's your nectar, splendid 
 
 So wreath the bowl 
 
 With flowers of soul. 
 The brightest Wit can find us; . 
 
 We'll take a flight 
 
 Tow'rds heaven to-night. 
 And leave dull earth behind us. 
 
 174 
 
Say, why did Time 
 
 His glass sublime 
 Fill up with sands unsightly, 
 
 When wine, he knew. 
 
 Runs brisker through. 
 And sparkles far more brightly ? 
 
 Oh, lend it us. 
 
 And, smiling thus. 
 The glass in two we '11 sever, 
 
 Make pleasure glide 
 
 In double tide. 
 And fill both ends for ever 
 
 Then wreath the bowl 
 
 With flowers of soul 
 The brightest AVit can find u? 
 
 We'll take a flight 
 
 Tow'rds 
 And leave dul 
 
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 ^ may rail at this life — from the hour I began it, 
 found it a life full of kindness and bliss ; 
 , until they can show me some happier planet, 
 social and bright, I "11 content me with this. 
 ng as the world has such lips and such eyes, 
 before me this moment enraptured I see, 
 may say what they will of their orbs in the skies, 
 : this earth is the planet for you, love, and me. 
 
 Mercury's star, where each moment can bring them 
 ;unshine and wit from the fountain on high, 
 nymphs may have livelier poets to sing them,'"' 
 ve none, even there, more enamour'd than I. 
 as long as this harp can be waken M to love, 
 i that eye its divine inspiration shall be, 
 may talk as they will of their Edens above, 
 s earth is the planet for you, love, and me. 
 
 /<rt3T5cr\ 
 
f^W 
 
 But tlio' they were even more bright than the queen 
 Of that isle they inhabit in heaven's blue sea, 
 
 As I never those fair young celestials have seen, 
 
 Why — this earth is the planet for you, love, and me. 
 
 As for those chilly orbs on the verge of creation, 
 Where sunshine and smiles must be equally rare, 
 
 Did they want a supply of cold hearts for that station. 
 Heaven knows we have plenty on earth we could spare 
 
 J (■. 
 
 178 
 
^t*tX ask the hour — what is it to us 
 
 How Time deals out his treasures? 
 The golden moments lent us thus, 
 
 Are not hi^ coin, but Pleasure's. 
 If counting them o'er could add to their blisses 
 
 I 'd number each glorious second : 
 But moments of joy are, like Lesbia's kisses, 
 
 Too quick and sweet to be reckon'd. 
 Then fill the cup — what is it to us 
 
 How Time his circle measures? 
 The fairy hours we call up thus, 
 
 Obey no wand but Pleasure's. 
 
 Young Joy ne'er thought of counting hours 
 Till Care, one summer's morning. 
 
 Set up, among his smiling flowers. 
 A dial, by way of warning. 
 
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 ^ ^t thou 'It be mine, the treasures of air, %<s^^ 
 Of earth, and sea, shall lie at thy feet; 
 
 Whatever in Fancy's eye looks fair, 
 
 Or in Hope's sweet music sounds most sweet, 
 Shall be ours — if thou wilt be mine, love ! 
 
 Bnght flowers shall bloom wherever we rove, / /i "W'^^si 
 
 A voice divine shall talk in each stream ; 
 The stars shall look like worlds of love ^^.^-^ 
 
 ''¥?>?Q^ ^^^ ^^^^^ ^^^^^^ ^^ ^^^ ^^^® beautiful dream ^^ 
 ,j.% \^ Xn Quj. eyes— if thou wilt be mine, love 
 
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 And thoughts, whose source is hidden and hio-h 
 Like streams, that come from heaven-ward hills, 
 
 Shall keep our hearts, like meads, that lie 
 To be bathed by those eternal rills. 
 
 Ever green, if thou wilt be mine, love! 
 
 All this and more the Spirit of Love 
 
 Can breathe o'er them, who feel his spells ; 
 
 That heaven, which forms his home above, 
 He can make on earth, wherever he dwells. 
 As thou 'It own, — if thou wilt be mine, love ! 
 
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 HVhCUC'tt I see those smiling eyes, 
 
 So full of hope, and joy, and light, 
 As it no cloud could ever rise, 
 
 To dim a heavn so purely bright — 
 I sigh to think how soon that brow 
 
 In grief may lose its every ray, 
 And that light heart, so joyous now. 
 
 Almost forget it once was gay. 
 
 'V 
 
 For time will come with all its blights. 
 
 The ruined hope, the friend unkind, 
 And love, that leaves, where 'er it lights, 
 
 A chiird or burning heart behind: — 
 While youth, that now like snow appears, 
 
 Ere sullied bv the dark'ning rain. 
 When once 'tis touch'd by sorrow's tears 
 
 Can never shine so bright again. 
 
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 18-i 
 
©h for the ^irortl^ of former time 
 
 @h for the swords of former time ! 
 
 Oil for tlie men who bore them, 
 When arm'd for Right, they stood subUme, 
 
 And tyrants crouch'd before them : 
 When free yet, ere courts began 
 
 With honours to enslave him, 
 The best honours worn by Man 
 
 Were those which Virtue gave him. 
 Oh for the swords, &c.. &c. 
 
 
 Oh for the Kings who flourish'd then ! 
 
 Oh for the pomp that crown 'd them, 
 When hearts and hands of freeborn men 
 
 Were all the ramparts round them. 
 When, safe built on bosoms true. 
 
 The throne was but the centre, 
 Round which Love a circle drew, 
 
 That Treason durst not enter. 
 Oh for the Kings who flourish'd then ! 
 
 Oh for the pomp that crown 'd them, 
 When hearts and hands of freeborn men 
 
 Were all the ramparts round them ; 
 
 B/ 
 
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 ^Wil on, sail on, thou fearless bark — 
 
 Wherever blows the welcome wind. 
 It cannot lead to scenes more dark, 
 
 More sad than those we leave behind. 
 Each wave that passes seems to say, 
 
 "Though death beneath our smile may be, 
 " Less cold we are, less false than they, 
 
 "Whose smiling wreck'd thy hopes and thee." 
 
 Sail on, sail on, through endless space — 
 
 Through calm — through tempest — stop no more 
 The stormiest sea 's a resting place 
 
 To him who leaves such hearts on shore. 
 Or — if some desert land we meet. 
 
 Where never yet false-hearted men 
 Profaned a world, that else were sweet, — 
 
 Then rest thee, bark, but not till then. 
 
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 <^J^^, sad one of Sion, if closely resembling," 
 In shame and in sorrow, thy wither'd-up heart — 
 
 If drinking deep, deep, of the same "cup of trembling" 
 Could make us thy children, our parent thou art. 
 
 Like thee doth our nation lie conquer 'd and broken, 
 And fall'n from her head is the once royal crown; 
 
 In her streets, in her halls. Desolation hath spoken, 
 And " while it is day yet, her sun hath gone down." ' 
 
 Like thine doth her exile, 'mid dreams of returning. 
 Die far from the home it were life to behold ; 
 
 |Like thine do her sons, in the day of their mourning, 
 Remember the bright things that bless'd them of ok 
 
 'O 
 
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Ah, well may we call her, like thee "the Forsaken,"*' 
 Her boldest are vanquish'd, her proudest are slaves ; 
 
 And the harps of her minstrels, when gayest they waken, 
 Have tones 'mid their mirth like the wind over graves ! 
 
 Yet hadst thou thy vengeance — yet came there the morrow. 
 That shines out, at last, on the longest dark night, /(| 
 
 When the sceptre, that smote thee with slavery and sorrow, f|^^]l| 
 Was shiver'd at once, like a reed, in thy sight. 
 
 When that cup, which for others the proud Golden City 
 Had brimm'd full of bitterness, drench'd her own lips; 
 
 And the world she had trampled on heard, without pity. 
 The howl in her halls, and the cry from her ships. 
 
 When the curse Heaven keeps for the haughty came over 
 Her merchants rapacious, her rulers unjust. 
 
 And, a ruin, at last, for the earthworm to cover,'" 
 The Lady of Kingdoms lay low in the dust 
 
 18ri 
 
S/ 
 
 ^duk of this cup; — you '11 find there 's a spell in 
 
 Its every drop 'gainst the ills of mortality ; 
 Talk of the cordial that sparkled for Helen ! 
 
 Her cup was a fiction, but this is reality. 
 Would you forget the dark world we are in, 
 
 Just taste of the bubble that gleams on the top of it ; 
 But would you rise above earth, till akin 
 
 To Immortals themselves, you must drain every drop of it 
 Send round the cup — for oh there 's a spell in 
 
 Its every drop 'gainst the ills of mortality; 
 Talk of the cordial that sparkled for Helen ! 
 
 Her cup was a fiction, but this is reality. 
 
 u 
 
 Never was philter form'd with such power 
 
 To charm and bewilder as this we are quaffing; 
 
 Its magic began, when, in Autumn's rich hour, 
 A harvest of gold in the fields it stood laughing. 
 
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 BICHES 
 
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 There having, by Nature's encliantment, been fiU'd 
 
 With the bahn and the bloom of her kindhest weather, 
 This wonderful juice from its core was distill'd 
 
 To enliven such hearts as are here brought together. 
 Then drink of the cup — you '11 find there 's a spell in 
 
 Its every drop 'gainst the ills of mortality ; 
 Talk of the cordial that sparkled for Helen ! 
 
 Her cup was a fiction, but this is reality. 
 
 And though, perhaps — but breathe it to no one — 
 
 Like liquor the witch brews at midnight so awful, 
 This philter in secret was first taught to flow on, 
 
 Yet 'tis n't less potent for being unlawful. 
 And, ev'n though it taste of the smoke of that flame. 
 
 Which in silence extracted its virtue forbidden — 
 Fill up — there 's a fire in some hearts I could name. 
 
 Which may work too its charm, though as lawless and 
 hidden. 
 So drink of tlie cup — for oh there 's a spell in 
 
 Its every drop 'gainst the ills of mortality; 
 Talk of the cordial that sparkled for Helen ! 
 
 Her cup was a fiction, but this is reality. 
 
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 filCHES 
 
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|a9>'^ It is true, it is true, we are shadows cold and wan ; 
 And the fair and the brave whom we lov'd on earth 
 are crone ; 
 
 But still thus ev'n in death ; 
 So sweet the living breath 
 Of the fields and the flowers in our youth we wan- 
 der'd o'er, 
 
 That ere, condemn'd, we go 
 To freeze 'mid Hecla's snow. 
 We would taste it awhile, and think we live once more 
 
 ®to goxtmxt'UlUx. 
 
 ^ 3J0tVtt in the valley come meet me to-night, 
 And I '11 tell you your fortune truly 
 As ever 'twas told, by the new-moon's light, 
 To a young maiden, shining as newly. 
 
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 But, for the world, let no one be nish. 
 
 Lest haply the stars should deceive me ; 
 Such secrets between you and me and the sky 
 
 Should never go farther, believe me. 
 
 If at that hour the heav'ns be not dim, 
 My science shall call up before you 
 
 A male apparition, — the image of him 
 Whose destiny 't is to adore you. 
 
 And if to that phantom you '11 be kind, 
 So fondly around you he '11 hover. 
 
 You '11 hardly, my dear, any difference find 
 'Twixt him and a true living lover. 
 
 Down at your feet, in the pale moonlight. 
 He '11 kneel, with a warmth of devotion — 
 
 An ardour, of which such an innocent sprite 
 You 'd scarcely believe had a notion. 
 
 What other thoughts and events may arise, 
 As in destiny's book I 've not seen them, 
 
 Must only be left to the stars and your eyes 
 To settle, ere morning, between them. 
 
 1% 
 
 It^ 
 
Oft banquet not in those shining bowers, 
 
 Where Youth resorts, but come to me; 
 For mine 's a garden of faded flowers, 
 
 More fit for sorrow, for age, and thee. 
 And there we shall have our feast of tears, 
 
 And many a cup in silence pour; 
 Our guests, the shades of former years. 
 
 Our toasts, to lips that bloom no more. 
 
 There, while the myrtle's withering boughs 
 
 Their lifeless leaves around us shed. 
 We '11 brim the bowl to broken vows, 
 
 To friends long lost, the changed, the dead 
 Or, while some blighted laurel waves 
 
 Its branches o'er the dreary spot, 
 We '11 drink to those neglected graves'. 
 
 Where valour sleeps, unnamed, forgot 
 
 192 
 
193 
 
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 V. 
 
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 Wxu, t\m, onhj thtt 
 
 ^IXt dawning of morn, the diivlight's sinking, 
 The night's long hours still find me thinking 
 \^ Of thee, thee, only thee. 
 
 When friends are met, and goblets crown 'd, 
 And smiles are near, that once enchanted, 
 Unreach'd by all that sunshine round, 
 My soul, like some dark spot, is haunted 
 By thee, thee, only thee. 
 
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 j\^hatever in fame's high path, could wakem 
 fte /l^^^^'' ^^y spi^i^ once, is now forsaken 
 ^^^^^^ For thee, thee, only thee. 
 
 Like shores, by which some headlong bark 
 
 To th' ocean hurries, resting never. 
 Life's scenes go by me, bright or dark, 
 I know not, heed not, hastening ever 
 To thee, thee, only thee. 
 
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 I have not a joy but of thy bringincr, c 
 
 And pain itself seems sweet when springing ' 
 
 From thee, thee, only thee. 
 Like spells, that nought on earth can break, 
 
 Till lips, that know the charm, have spoken, 
 This heart, howe'er the world may wake 
 Its grief, its scorn, can but be broken 
 By thee, thee, only thee. 
 
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 (^uicfe ! m )xut but a mmt 
 
 ©Ui^b I we have but a second, 
 
 Fill round the cup, while you may ; 
 For Time, the churl, hath beckon'd, 
 
 And we must away, away! 
 Grasp the pleasure that 's flying. 
 
 For oh, not Orpheus' strain 
 Could keep sweet hours from dying, 
 Or charm them to life again. 
 
 Then, quick! we have but a second. 
 
 Fill round the cup, while you may ; 
 For Time, the churl, hath beckon'd, 
 And we must away, away ! 
 
 See the glass, how it flushes. 
 
 Lik( 
 
 Heb( 
 
 e some young Jtieoe s iip, 
 3^^, A0^ And half meets thine, and blushes 
 ,-\> ^ That thou shouldst delay to sip. 
 
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 19« 
 
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 Shame, oh shame unto thee, 
 
 If ever thou see'st that day, 
 When a cnp or a hp shall woo thee, 
 And turn untouch'd away ! 
 
 Then, quick ! we have but a second. 
 
 Fill round, fill round, while you may; 
 For Time, the churl, hath beckon'd, 
 And we must away, away 
 
 i m\\ g mi htj that Urn pU 
 
 ^ tVijSill I was by that dim Lake, 
 Where sinful souls their farewell take 
 Of this vain world, and half-way lie 
 In death's cold shadow, ere they die. 
 There, there, far from thee. 
 Deceitful world, my home should be ; 
 Where, come what might of gloom and pain. 
 False hope should ne'er deceive again. 
 
7^ ^-^. 
 
 - g^C ^"^ 
 
 ^^-^ 
 
 
 The lifeless sky, the mournful sound 
 
 Of unseen waters falling round ; 
 
 The dry leaves, quiv'ring o'er my head, 
 
 Like man, unquiet ev'n when dead! 
 
 These, ay, these shall wean 
 
 My soul from life's deluding scene. 
 
 And turn each thought, o'ercharged with g 
 
 Like willows, downward tow'rds the torn 
 
 loom. 
 
 As they, who to their couch at night 
 Would win repose, first quench the light, 
 So must the hopes, that keep this breast 
 Awake, be quench'd, ere it can rest. 
 Cold, cold, this heart must grow, 
 , ^Unmoved by either joy or woe, 
 ; JLike freezing founts, where all that's throw: 
 
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 Within their current turns to stone. 
 
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^Wttt Innisfallen, fare thee well, 
 May calm and sunshine long be thine 
 
 How fair thou art let others tell, — 
 To feel how fair shall long be mine. 
 
 Sweet Innisfallen, long shall dwell 
 In memory's dream that sunny smile, 
 
 Which o'er thee on that evening fell 
 When first I saw thy fairy isle. 
 
 'T was light, indeed, too blest for one, 
 Who had to turn to paths of care — 
 
 Through crowded haunts again to run. 
 And leave thee bright and silent there: 
 
 No more unto thy shores to come, 
 But, on the world's rude ocean tost, 
 ^ Dream of thee sometimes, as a home 
 Of sunshine he had seen and lost. 
 
 199 
 
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 Far better in thy weeping hours 
 To part from thee, as I do now, 
 
 When mist is o'er thy blooming bowers, 
 Like sorrow's veil on beauty's brow. 
 
 For, though unrivall'd still thy grace, 
 Thou dost not look, as then, too blest. 
 
 But thus in shadow, seem'st a place 
 
 Where erring man might hope to rest — 
 
 Might hope to rest, and find in thee 
 A gloom like Eden's, on the day 
 
 He left its shade, when every tree, 
 
 Like thine, hung weeping o'er his way. 
 
 Weeping or smiling, lovely isle! 
 
 And all the lovelier for thy tears — 
 For tho' but rare thy sunny smile, 
 
 'T is heav'n's own glance when it appears. 
 
 Like feeling hearts, whose joys are few. 
 But, when indeed they come, divine — 
 
 The brightest light the sun e'er threw 
 Is lifeless to one gleam of thine ! 
 
 200 
 

 (yU the sight entrancing, ^T^fe^ 
 
 Mr When morning's beam is glancing ^ 
 "^'"^:)iP^ /w^, O'er files array'd,^.4> A^'^0) 
 **' ' ''^^^T^' ^A^^ With helm and blade]/ ' 
 
 ^ And plumes, in the gay wind dancing.L^ 
 When hearts are all high beating. 
 And the trumpet's voice repeating ,>^ Wy f 
 That song, whose breath':;;;;-'^^^^^^\^j 
 lAIay lead to death, 1^ 
 
Oh the sight entrancing, 
 
 When morning's beam is glancing 
 O'er files array'd 
 With helm and blade, 
 
 And plumes, in the gay wind dancing. 
 
 Yet, 'tis not helm or feather — 
 
 For ask yon despot, whether 
 His plumed bands 
 Could bring such hands 
 
 And hearts as ours together. 
 
 Leave pomps to those who need 'em — 
 
 Give man but heart and freedom, 
 And proud he braves 
 The gaudiest slaves 
 
 That crawl where monarchs lead 'em. 
 
 The sword may pierce the beaver, 
 
 Stone walls in time may sever, 
 'Tis mind alone. 
 Worth steel and stone. 
 
 That keeps men free for ever. 
 
 Oh that sight entrancing. 
 
 When the morning's beam is glancing 
 O'er files array'd 
 With helm and blade. 
 
 And in Freedom's cause advancing 
 
^® WHjS one of those dreams, that by music are brought, 
 Like a bright summer haze, o'er the poet's warm thought- 
 When, lost ia the future, his soul wanders on, 
 And all of this life, but its sweetness, is gone. 
 
 The wild notes he heard o'er the water were those 
 He had taught to sing Erin's dark bondage and woes, 
 And the breath of the bugle now wafted them o'er 
 From Dinis' green isle, to Glena's wooded shore. 
 
 // He listen'd — while, high o'er the eagle's rude nest, { 
 '' The lingering sounds on their way loved to rest; 
 
 And the echoes sung back from their full mountain quire. 
 As if loth to let song so enchanting expire. 
 
 It seem'd as if ev'ry sweet note, that died here. 
 Was again brought to life in some airier sphere, 
 Some heav'n in those hills, where the soul of the strain 
 That had ceased upon earth was awaking again 
 
 ^«i\\5.- 
 
 203 
 
Oh forgive, if, while li^teiiing to nui-^ic, who've breath 
 Seem'd to circle his name with a charm against death, 
 lie hhould feel a proud Spirit within him proclaim, 
 "Even so shalt thou live in the echoes of Fame: 
 
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JatolSiti puton awhile fi 
 
 These pinions of light I bring thee, 
 And o'er thy own green isle 
 
 In fancy let me wing thee. 
 Never did Ariel's plume, 
 
 At golden sunset hover 
 O'er scenes so full of bloom, 
 
 As I shall waft thee over. 
 
 Fields, where the Spring delays 
 
 And fearlessly meets the ardour 
 Of the warm Summer's gaze, 
 
 With only her tears to guard her. 
 Rocks, through myrtle boughs 
 
 In grace majestic frowning; 
 Like some bold warrior's brows 
 
 That Love hath just been crowning. 
 
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 205 
 
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 Islets, so freshly fair, 
 
 That never hath bird come nigh them. 
 But from his course thro' air 
 
 He hath been won down by them ; — '' ' 
 Types, sweet maid, of thee, 
 
 Whose look, whose blush inviting, 
 Never did Love yet see 
 
 From Heav'n, without alighting. 
 
 Lakes, where the pearl lies hid,'' 
 
 And caves, where the gem is sleeping, 
 Bright as the tears thy lid 
 
 Lets fall in lonely weeping. 
 Glens,'* where Ocean comes, 
 
 To 'scape the wild wind's rancour. 
 And Harbours, worthiest homes 
 
 Where Freedom's fleet can anchor. 
 
 Then, if, while scenes so grand. 
 
 So beautiful, shine before thee, 
 Pride for thy own dear land 
 
 Should haply be stealing o'er thee. 
 Oh, let grief come first, 
 
 O'er pride itself victorious — 
 Thinking how man hath curst 
 
 What Heaven had made so glorious ! 
 
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 Jittd Mix mt n parting liltc i\\b. 
 
 ^ttU doth not a meeting like tliis make amends, 
 
 For all the long years I 've been wand'ring away — 
 To see thus around me my youth's early friends, 
 
 As smiling and kind as in that happy day? 
 Though haply o'er some of your brows, as o'er mine, 
 
 The snow-fall of time may be stealing — what then ? 
 Like Alps in the sunset, thus lighted by wine. 
 
 We'll wear the gay tinge of youth's roses again. 
 
 What soften'd remembrances come o'er the heart, /H^f) 
 
 In gazing on those we've been lost to so long! iff'^L 
 The sorrows, the joys, of which once they were part, 
 
 Still round them, like visions of yesterday, throng. 
 [As letters some hand hath invisibly traced, 
 
 When held to the flame will steal out on the siglitT/ 
 So many a feeling, that long seem'd effaced. 
 
 The warmth of a moment like this brings to light. 
 
And thus, as in memory's bark we shall glide, 
 
 To visit the scenes of our boyhood anew, 
 Tho' oft we may see, looking down on the tide, 
 
 The wreck of full many a hope shining through ; 
 Y^t still, as in fancy we point to the flowers. 
 
 That once made a garden of all the gay shore, 
 Deceived for a moment, we '11 think them still ours, 
 
 And breathe the fresh air of life's morning once more/' 
 
 So brief our existence, a glimpse, at the most, 
 
 Is all we can have of the few we hold dear; 
 And oft even joy is unheeded and lost. 
 
 For want of some heart, that could echo it, near. 
 Ah, well may we hope, when this short life is gone, 
 
 To meet in some world of more permanent bliss. 
 For a smile, or a grasp of the hand, hast'ning on. 
 
 Is all we enjoy of each other in this/* 
 
 L^ 
 
 But, come, the more rare such delights to the heart, 
 
 ^^,^^e^ The more we should welcome and bless them the more ; 
 They're ours, when we meet, — they are lost when we part, 
 Like birds that bring summer, and fly when 'tis o'er. 
 
 U 
 
2U9 
 
(^it^II the Harp then be silent, when he who first gave 
 To our country a name, is withdrawn from all eyes? 
 
 Shall a Minstrel of Erin stand mute by the grave 
 Where the first — where the last of her Patriots lies? 
 
 No — faint tho' the death-song may fall from his lips, 
 Tho' his Harp, like his soul, may with shadows be crost 
 
 Yet, yet shall it sound, 'mid a nation's eclipse, 
 
 And proclaim to the world what a star hath been lost ; 
 
 What a union of all the affections and powers 
 By which life is exalted, embellish'd, refined, 
 
 Was embraced in that spirit — whose centre was ours, 
 While its mighty circumference circled mankind. 
 
 210 
 
9 
 
 i> 
 
 Oh, who that loves Erin, or who that can see, 
 
 Through the waste of her annals, that epoch sublime — 
 
 Like a pyramid raised in the desert — where he 
 And his glory stand out to the eyes of all time ; 
 
 That one lucid interval, snatch'd from the gloom 
 And the madness of ages, when fill'd with his soul, 
 
 A Nation o'erleap'd the dark bounds of her doom, 
 And for one sacred instant, touch'd Liberty's goal? 
 
 Who, that ever hath heard him — hath drank at the source 
 Of that wonderful eloquence, all Erin's own, 
 
 In whose high-thoughted daring, the fire, and the force. 
 And the yet untamed spring of her spirit are shown ? 
 
 An eloquence rich, wheresoever its wave 
 
 Wander'd free and triumphant, with thoughts that 
 shone through, 
 
 As clear as the brook's "stone of lustre," and gave. 
 With the flash of the gem, its solidity too. 
 
 Who, that ever approach'd him, when free from the crowd, 
 In a home full of love, he delighted to tread 
 
 'Mong the trees which a nation had giv'n, and which bow'd, 
 As if each brought a new civic crown for his head — 
 
Is there one, who hath thus, through his orbit of hfe 
 But at distance observed him — thro' glory, thro' blame, 
 
 In the calm of retreat, in the grandeur of strife. 
 
 Whether shining or clouded, still high and the same, — 
 
 Oh no, not a heart, that e'er knew him, but mourns 
 Deep, deep o'er the grave, where such glory is shrined — 
 
 O'er a monument Fame will preserve, 'mong the urns 
 Of the wisest, the bravest, the best of mankind ! 
 
 212 
 
213 
 

 Love came, and brought sorrow 
 
 Too soon in his train ; 
 Yet so sweet, that to-morrow 
 
 'T were welcome again. 
 Though misery's full measure 
 
 My portion should be, 
 I would drain "it with pleasure, 
 
 If pour'd out by thee. 
 
 You, who call it dishonour 
 
 To bow to this flame. 
 If you 've eyes, look but on her 
 
 And blush while you blame. 
 Hath the pearl less whiteness 
 
 Because of its birth ? 
 Hath the violet less briglitness 
 
 For growing near earth? 
 
 No — Man for his glory 
 
 To ancestry flies ; 
 But Woman's bright story 
 
 Is told in her eyes. 
 While the Monarch but traces 
 
 Thro' mortals his line, 
 Beauty, born of Graces, 
 
 Ranks next to Divine 
 
 214 
 
|>.a 
 
 I'll seek, to whisper it in thine ear, 
 
 Some shore where the Spirit of Silence sleeps; 
 
 Where summer's wave unmurmuring dies, 
 Nor fay can hear the fountain's gush; 
 
 Where, if but a note her night-bird sighs, 
 The rose saith, chidingly, "Hush, sweet, hush 
 
 There, amid the deep silence of that hour. 
 
 When stars can be heard in ocean dip. 
 Thyself shall, under some rosy bower, 
 
 Sit mute, with thy finger on thy lip: 
 Like him, the boy,"' who born among 
 
 The flowers that on the Nile-stream blush 
 Sits ever thus, — his only song 
 
 To earth and heaven, "Hush, all, hush!" 
 
• /"l' 
 
 Wu §\m\\im ^\mtt 
 
 ^J ^tt Yond?r valley there dwelt, alone, 
 [ J A youth, whose moments had calmly flown, 
 ^^Till spells came o'er him, and, day and night. 
 He was haunted and watch'd by a Mountain Sprite.^ 
 
 As once, by moonlight, he wander'd o'er 
 The golden sands of that island shore, 
 A foot-print sparkled before his sight — 
 'T was the fairy foot of the Mountain Sprite ! 
 
 Beside a fountain, one sunny day. 
 
 As bending over the stream he lay, 
 
 There peep'd down o'er him two eyes of light. 
 
 And he saw in that mirror the Mountain Sprite. 
 
 He turn'd, but, lo, like a startled bird. 
 
 That spirit fled — and the youth but heard 
 
 Sweet music, such as marks the flight 
 
 Of some bird of song, from the Mountain Sprite. 
 
 One night, still haunted by that bright look, 
 
 The boy, bewilder'd, his pencil took, 
 
 And, guided only by memory's light. 
 
 Drew the once-seen form of the Mountain Sprite. 
 
 'f\tHLi 
 
 216 
 
V 
 
 ^^ vmtiwWA (Bxxn 
 
 %^ vanquish'd Erin wept beside 
 
 The Boyne's ill-fated river, 
 She saw where Discord, in the tide. 
 
 Had dropp'd his loaded quiver. 
 "Lie hid," she cried, "ye venom'd darts, 
 
 "Where mortal eye may shun you; 
 <'Lie hid — the stain of manly hearts, 
 
 "That bled for me, is on you." 
 
 But vain her wish, her weepmg vain, — 
 
 As Time too well hath taught her — 
 Each year the Fiend returns again. 
 
 And dives into that water; 
 And brings, triumphant, from beneath 
 
 His shafts of desolation, 
 And sends them, wing'd with worse than death, 
 
 Through all her madd'ning nation. 
 
 Alas for her who sits and mourns, 
 
 Ev'n now, beside that river — 
 Unwearied still the Fiend returns. 
 
 And stored is still his quiver. 
 
"When will this end, ye Powers of Good?" 
 
 She weeping asks for ever ; 
 But only hears, from out that flood, 
 
 The Demon answer, " Never!" 
 
 H 
 
 :^ 
 
 ^itt0, mut §iavjr. 
 
 ^j!>^ 
 
 j^itttj. sweet Harp, oh sing to me 
 
 Some song of ancient days. 
 Whose sounds, in this sad memory, 
 
 Long buried dreams shall raise ; — 
 Some lay that tells of vanish 'd fame. 
 
 Whose light once round us shone; 
 Of noble pride, now turn'd to shame, 
 
 And hopes for ever gone. — 
 Sing, sad Harp, thus sing to me ; 
 
 Alike our doom is cast. 
 Both lost to all but memory. 
 
 We live but in the past. 
 
 219 
 
How mournfully the midnight air 
 
 Among thy chords doth sigh, 
 As if it sought some echo there 
 
 Of voices long gone by ; — 
 Of Chieftains, now forgot, who seem'd 
 
 The foremost then in fame ; 
 Of Bards who, once immortal deem'd, 
 
 Now sleep without a name. — 
 In vain, sad Harp, the midnight air 
 
 Among thy chords doth sigh ; 
 In vain it seeks an echo there 
 
 Of voices long gone by. 
 
 Could' st thou but call those spirits round. 
 
 Who once, in bower and hall. 
 Sate listening to thy magic sound, 
 
 Now mute and mouldering all ;— 
 But, no ; they would but wake to weep 
 
 Their children's slavery; 
 Then leave them in their dreamless sleep, 
 
 The dead, at least, are free ! — 
 Hush, hush, sad Harp, that dreary tone, 
 
 That knell of Freedom's day ; 
 Or, listening to its death-like moan. 
 
 Let me, too, die away. 
 
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 220 
 
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 Hit 
 
 sung of Love, while o'er her lyre 
 
 The rosy rays of evening fell, 
 As if to feed with their soft fire 
 
 The soul within that trembling shell. 
 
 o 
 
 The same rich light hung o'er her cheek, 
 And play'd around those lips that sung 
 
 And spoke, as flowers would sing and speak. 
 If Love could lend their leaves a tongue. 
 
 i.^ 
 
 But soon the West no longer burn'd, 
 
 Each rosy ray from heav'n withdrew ; 
 And, when to gaze again I turn'd, 
 
 The minstrel's form seem'd fading too. 
 (;3^ As if ker light and heav'n's were one, 
 The glory all had left that frame; 
 
 And from her glimmering lips the tone, 
 As from a parting spirit, came."* 
 
 i() 
 
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ed, but had the thought 
 
 and all he loved must part ? 
 
 this fear, I flew and caught 
 
 image to my heart — 
 
 Oh Love ! is this thy doom ? 
 
 " Oh light of youth's resplendent day ! 
 
 Must ye then lose your golden bloom, 
 
 " And thus, like sunshine, die awav ? " 
 
 Mt plight §ma. 
 
 ^txiflit the gay harp! see the moon is on high, 
 And, as true to her beam as the tides of the ocean, 
 
 Young hearts, when they feel the soft light of her eye, 
 Obey the mute call, and heave into motion. 
 
 Then, sound notes — the gayest, the lightest, 
 
 That ever took wing, when heav'n look'd brightest! 
 Again ! Again ! 
 
 r 
 
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 e. 
 
 Oh ! could such heart-stirring music be heard 
 In that City of Statues described by romancers, 
 
 So wakening its spell, even stone would be stirr'd, 
 And statues themselves all start into dancers ! 
 
 Jl 
 
 Why then delay, with suoh sounds in our ears, 
 
 And the flower of Beauty's own garden before us, — 
 While stars overhead leave the song of their spheres, 
 
 And list'ning to ours, hang wondering o'er us? 
 Again, that strain! — to hear it thus sounding 
 
 Might set even Death's cold pulses bounding — 
 Again ! Again ! 
 Oh, what delight when the youthful and gay. 
 
 Each with eye like a sunbeam and foot like a feather, 
 Thus dance, like the Hours to the music of May, 
 
 And mingle sweet song and sunshine together ! 
 
 '1^ 
 
 
 228 
 
^XmtiX this hour the pledge is given, 
 
 From this hour my soul is thine : 
 Come what will, from earth or heaven. 
 
 Weal or woe, thy fate be mine. 
 When the proud and great stood by thee. 
 
 None dared thy rights to spurn ; 
 And if now they 're false and fly thee, 
 
 Shall I, too, basely turn? 
 No; — whate'er the fires that fay thee, 
 
 In the same this heart shall burn. 
 
 Tho' the sea, where thou embarkest, 
 
 Offers now no friendly shore, , 
 Light may come where all looks darkest, 
 
 Hope hath life, when life seems o'er. 
 And, of those past ages dreaming. 
 
 When glory deck'd thy brow. 
 Oft I fondly think, though seeming 
 
 So fall'n and clouded now, 
 Thou 'It again break forth, all beaming, 
 
 None so bright, so blest as thou! 
 
kr^-^ 
 
 The minstrels have seized their harps of gold. 
 - sing such thrilling numbers, — 
 ^ " ' ^ of the Brave, of old, 
 
 rom their place of slumbers ! 
 .^^ .:kler rang, 
 
 As the minstrel sang, 
 Ajid the Son-burst " o'er them floated wide; 
 While rememb'ring the yoke 
 WTiich their fiathers broke, 
 
 "On for liberty, for liberty ! " the Jinians cried 
 
 Idke clouds :: :iie nignt ice ZSorthmen came, 
 
 O'er the vallev of Almhin lowering; 
 While on\surd moved, in the light of its fame. 
 That banner of Erin, towering. 
 With the mingling shock. 
 Rung cliff and rock, 
 While, rank on rank, the invaders ic- 
 And the shout, that ^ast 
 O'er the dying pass'd. 
 Was " victorv ! victorv ! " — the Finian's ctv. 
 
Q 
 
 JZ 
 
 ■; 
 
 1 
 
 u^ 
 
 S $au* from the 2cach. 
 
 a! SaiT from the beach, when the morning was shining, 
 A bark o'er the wateK move gloriously on ; 
 
 I came when the snn o'er that beach was declinincr. 
 The bark was still there, but the waters were gone. 
 
 : ^N 
 
 And such is the fate of our Hfe's early promise. 
 So passing the spring-tide of joy we have known 
 
 Each wave, that we danc d on at morning, ebb? from us 
 And leaves us, at eve, on the bleak shore alo 
 
 'Ne'er tell me of dories, serenelv adomino- 
 
 The close of our dav. the calm eve of our nio-ht ■ — 
 Give me back, give me back the wild freshness of Morning. 
 Her clouds and her tears are worth Evening's best lit»ht. 
 
 KVSf Oh, who would not welcome that moment's returning, 
 When passion first wak'd a new life thro' his frame. 
 And his soul, like the wood, that grows precious in burning. 
 Gave out all its sweets to love's exquisite flame. T^P ^ 
 
 3 
 
- i 
 
 Shf 5rfam of those |1ati$. 
 
 U hf dream of those days •wi.cii nrst I sxi-iig liiee is o er, 
 Ilx t-ntrmph Kath Btain'd the charm thT sorrows then wore ; 
 Arid er'n of the light which Hope once shed o'er thv cha::- - 
 Als.?. not a ^learn to ^ace thv freedom remains. 
 
 Sar, is it that =]aTerT sunk so deep in thv heart. 
 
 That stil- t'lr iark trand is there, tho' diainless ihon art ; 
 
 ' ^ \ And Freedom 5 sweet fmit, for which thy spirit long bum'd, / 1 ii 
 2s ow. reaching at last thy lip, to ashes hath tom'd ? "* -- 
 
 Up liberty's steep by Troth and Eloquence led, 
 Willi eyes on her temple fix'd, bow proud was thy tread ! 
 Ah, better thon ne'er had'st lived that summit to gain. 
 Or died in the porch, than "dms dishonour the fane. 
 
 n 
 
 v4 
 
 2S 
 
m?. 
 
 m 
 
 
 'if 
 
 'Tis true, in manliest eyes 
 
 A passing tear will rise, 
 When we think of the friends we leave lone; 
 
 But what can wailing do? 
 
 See, our goblet's weeping too 
 AVith its tears we'll chase away our own, boy, 
 
 our own ; 
 With its tears we '11 chase away our own. 
 
 But daylight's stealing on; — 
 
 The last that o'er us shone 
 Saw our children around us play; 
 
 The next — ah ! where shall we 
 
 And those rosy urchins be? 
 But — no matter — grasp thy sword and away, 
 
 boy, away; 
 No matter — grasp thy sword and away 
 
 Let those, who brook the chain 
 
 Of Saxon or of Dane, 
 Ignobly by their fire-sides stay; 
 
 One sigh to home be given. 
 
 One heartfelt prayer to heaven. 
 Then, for Erin and her cause, boy, hurra! 
 
 hurra! hurra! 
 Then, for Erin and her cause, hurra 
 
 230 
 
^ 
 
 @V all the fair months, that round the sun 
 In light-link'd dance their circles run, 
 
 Sweet May, shine thou for me; 
 For still, when thy earliest beams arise, 
 That youth, who beneath the blue lake lies, 
 
 Sweet May, returns to me. 
 
 Of all the bright haunts, where daylight leaves 
 Its lingering smile on golden eves, 
 
 Fair Lake, thou 'rt dearest to me ; 
 For when the last April sun grows dim. 
 Thy Naiads prepare his steed for him " 
 
 Who dwells, bright Lake, in thee. 
 
 Of all the proud steeds, that ever bore 
 Young plumed Chiefs on sea or shore, 
 
 White Steed, most joy to thee; 
 Who still, with the first young glance of spring. 
 From under that glorious lake dost bring 
 
 My love, my chief, to me. 
 
 -:^^ 
 
 RICHES 
 
J^ . 
 
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 <^A 
 
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 ■';il" \ '»! 
 
 ii^' 
 
 ®h^ Witnil^tingi §afil. 
 
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 >^" 
 
 «itj«ilt life like that of the bard can be, — 
 The wandering bard, who roams as free 
 As the mountain lark that o'er him sings, 
 And, like that lark, a music brings 
 Within him, where'er he comes or goes, — 
 A fount that for ever flows ! 
 The world's to him like some play-ground. 
 Where fairies dance their moonlight round ;- 
 If dimm'd the turf where late they trod, 
 The elves but seek some greener sod; 
 So, when less bright his scene of glee. 
 To another away flies he! 
 
 ,0l 
 
 4-.' 
 
 ,^ 
 
 %, ('' 
 
 'A, 
 
 ^'- 
 
 v7; 
 
 238 
 
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,^A>. 
 
 
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 '^^^^ 
 
 A: 
 
 Oh, what would have been young Beauty's doom, 
 
 Without a bard to fix her bloom? 
 
 They tell us, in the moon's bright round, 
 
 Things lost in this dark world are found ; 
 
 So charms, on earth long pass'd and gone, 
 
 In the poet's lay live on. — 
 
 Would ye have smiles that ne'er grow dim? 
 
 You've only to give them all to him, 
 
 Who, with but a touch of Fancy's wand, 
 
 Can lend them life, this life beyond, 
 
 And fix them high, in Poesy's sky, — 
 
 Young stars that never die ! 
 
 Then, welcome the bard where'er he comes, 
 For, though he hath countless airy homes. 
 To which his wing excursive roves. 
 Yet still, from time to time, he loves 
 To light upon earth and find such cheer 
 As brightens our banquet here. 
 No matter how far, how fleet he flies, 
 You 've only to light up kind young eyes. 
 Such signal-fires as here are given, — 
 And down he'll drop from Fancy's heaven, 
 The minute such call to love or mirth 
 ^Proclaims he's wanting on earth! 
 
^ittjj — sing — MUSIC was given, 
 To brighten tlie gay, and kindle the loving ; 
 Souls liere, like planets in Heaven, 
 
 By harmony's laws alone are kept moving. 
 Beauty may boast of her eyes and her cheeks, 
 
 But Love from the lips his true archery wings ; 
 And she, who but feathers the dart when she speaks, 
 At once sends it home to the heart when she sings. 
 Then sing— sing— Music was given. 
 
 To brighten the gay, and kindle the loving ; 
 Souls here, like planets in Heaven, 
 
 By harmony's laws alone are kept moving. 
 
 When Love, rock'd by his mother, 
 
 Lay sleeping as calm as slumber could make him, 
 "Hush, hush," said Venus, "no other 
 
 "Sweet voice but his own is worthy to wake him." 
 Dreaming of music he slumber'd the while 
 
 Till faint from his lip a soft melody broke, 
 And Venus, enchanted, look'd on with a smile, 
 
 While Love to his own sweet singing awoke. 
 
 U" 
 
 Then sing — sing — Music was given, 
 
 To brighten the gay, and kindle the loving^ 
 Souls here, like planets in Heaven, 
 fc,^ By harmony's laws alone are kept moving. 
 
 ^ 
 
 s..^ 
 
 at^^ 
 
 235 
 
®foVt are sounds of mirth in the night-air ringing,' 
 
 And lamps from every casement shown ; 
 While voices blithe within are singing, 
 
 That seem to say "Come," in every tone. 
 Ah ! once how Kght, in Life's young season, 
 
 My heart had leap'd at that sweet lay ; 
 Nor paus'd to ask of greybeard Reason 
 
 Should I the syren call obey. 
 
 And, see — the lamps still livelier glitter. 
 
 The syren lips more fondly sound ; 
 No, seek, ye nymphs, some victim fitter 
 To sink in your rosy bondage bound. 
 Shall a bard, whom not the world in arms 
 d bend to tyranny's rude controul, 
 quail, at sight of woman's charms, 
 yield to a smile his freeborn soul 
 
 23G 
 
V? 
 
 ^m% tA f ttttii^Wl 
 
 V 
 
 Ul^U^ came from a land beyond the sea, 
 
 And now o'er the western main 
 Set sail, in their good ships, gallantly, 
 
 From the sunny land of Spain. 
 "Oh, where 's the Isle we've seen in dreams, 
 
 "Our destin'd home or grave?" ^^ 
 Thus sung they as, by the morning's beams. 
 
 They swept the Atlantic wave. 
 
 /\ 
 
 And, lo, where afar o'er ocean shines 
 
 A sparkle of radiant green. 
 As though in that deep lay emerald mines, 
 
 Whose light through the wave was seen. 
 "'Tis Innisfail— 't is Innisfail!"" 
 
 Rings o'er the echoing sea; 
 While, bending to heav'n, the warriors hail 
 
 That home of the brave and free. 
 
 \ 
 
 Then turn'd they unto the Eastern wave. 
 Where now their Day-God's eye 
 
 A look of such sunny omen gave 
 As lighted up sea and sky. 
 
 
 
 L, 
 
 288 
 
Nor frown was seen through sky 
 Nor tear o'er leaf or sod, 
 
 When first on their Isle of Destiny 
 Our great forefathers trod. 
 
 ^\mt in (Rx0xc&^ U wmtkx m. 
 
 ^Wtit in crowds to wander on, 
 
 And feel that all the charm is gone 
 
 Which voices dear and eyes beloved 
 
 Shed round us once, where'er we roved — 
 
 This, this the doom must be 
 
 Of all who 've loved, and lived to see 
 
 The few bright things they thought would stay Wu't 
 
 For ever near them, die away. 
 
 Tho' fairer forms around us throng. 
 Their smiles to others all belong, 
 And want that charm which dwells alone 
 Round those the fond heart calls its own. 
 

 U 
 
 y5 
 
 Where, where the sunny brow? 
 
 The long-known voice — where are they now? 
 
 Thus ask I still, nor ask in vain. 
 
 The silence answers all too plain. 
 
 Oh, what is Fancy's magic worth, 
 
 If all her art cannot call forth 
 
 One bliss like those we felt of old 
 
 From lips now mute, and eyes now cold? 
 
 No, no, — her spell is vain, — 
 
 As soon could she bring back again 
 
 Those eyes themselves from out the grave. 
 
 As wake again one bliss they gave. 
 
 ©Ill Arranmore, loved Arranmore, 
 
 How oft I dream of thee, 
 And of those days when, by thy shore, 
 
 I wander'd young and free. 
 

 ^■m 
 
 "Tfr 
 
 Full many a path I've tried, since then, 
 Through pleasure's flowery maze, ^ 
 
 But ne'er could find the bliss again 
 I felt in those sweet days. 
 
 How blithe upon thy breezy cliffs 
 
 At sunny morn I 've stood. 
 With heart as bounding as the skiffs 
 
 That danced along thy flood ; 
 Or, when the western wave grew bright 
 
 With daylight's parting wing, 
 Have sought that Eden in its light 
 
 Which dreaming poets sing; — "' 
 
 That Eden where th' immortal brave 
 
 Dwell in a land serene, — 
 Whose bowers beyond the shining wave, 
 
 At sunset, oft are seen. 
 Ah dream too full of sadd'ning truth I 
 
 Those mansions o'er the main 
 Are like the hopes I built in youth, — 
 
 As sunny and as vain. 
 
 fe.iV 
 

 @h, could we do with this world of ours 
 As thou dost with thy garden bowers, 
 Reject the weeds and keep the flowers, 
 
 What a heaven on earth we 'd make it ! 
 So bright a dwelling should be our own, 
 So warranted free from sigh or frown, 
 That angels soon would be coming down. 
 
 By the week or month to take it 
 
 Like those gay flies that wing thro' air, 
 And in themselves a lustre bear, 
 A stock of light, still ready there, 
 
 Whenever they wish to use it ; 
 So, in this world I 'd make for thee. 
 Our hearts should all like fire-flies be. 
 And the flash of wit or poesy 
 
 Break forth whenever we choose it. 
 
While ev'ry joy that glads our sphere 
 Hath still some shadow hovering near, 
 In this new world of ours, my dear, 
 
 Such shadows will all be omitted : — 
 Unless they 're like that graceful one, 
 Which, when thou 'rt dancing in the sun, 
 Still near thee, leaves a charm upon 
 
 Each spot where it hath flitted ! 
 
 Mtna fe in mx ^tM palfe/' 
 
 ^ileUCC is in our festal halls,— 
 
 Sweet Son of Song ! thy course is o'er ; 
 In vain on thee sad Erin calls. 
 
 Her minstrel's voice responds no more ; — 
 All silent as th' Eolian shell 
 
 Sleeps at the close of some bright day,' 
 When the sweet breeze, that waked its swell 
 
 At sunny morn, hath died away. 
 
Yet, at our feasts, thy spirit long, 
 
 Awaked by music's spell, shall rise; 
 For, name so link'd with deathless song 
 
 Partakes its charm and never dies; 
 And ev'n within the holy fane, 
 
 When music wafts the soul to heaven, 
 One thought to him, whose earliest strain 
 
 Was echoed there, shall long be given. 
 
 But, where is now the cheerful day, 
 
 The social night, when, by thy side, 
 He, who now weaves this parting lay. 
 
 His skilless voice with thine allied; 
 And sung those songs whose every tone, 
 
 When bard and minstrel long have past, 
 Shall still, in sweetness all their own, 
 
 Embalm'd by fame, undying last. 
 
 Yes, Erin, thine alone the fame, — 
 
 Or, if thy bard have shared the crown. 
 From thee the borrow'd glory came. 
 
 And at thy feet is now laid down. 
 Enough, if Freedom still inspire 
 
 His latest song, and still there be. 
 As evening closes round his lyre. 
 
 One ray upon its chords from thee. 
 

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 ^HJJ his sword by his side, — it hath served him too well 
 
 Not to rest near his pillow below; 
 To the last moment true, from his hand ere it fell 
 
 Its point was still turn'd to a flying foe. 
 Fellow-lab'rers in life, let them slumber in death. 
 
 Side by side, as becomes the reposing brave, — 
 That sword which he loved still unbroke in its sheath, 
 
 And himself unsubdued in his grave. 
 
 
M 
 
 Yet pause — for, in fancy, a still voice I hear, 
 
 As if breathed from his brave heart's remains ; — 
 Faint echo of that which, in Slavery's ear, 
 
 Once sounded the war-word, "Burst your chains!" 
 And it cries, from the grave where the hero lies deep, 
 
 "Tho' the day of your Chieftain for ever hath set, 
 "Oh leave not his sword thus inglorious to sleep, — 
 
 "It hath victory's life in it yet! 
 
 '"Should some alien, unworthy such weapon to wield, 
 
 "Dare to touch thee, my own gallant sword, 
 "Then rest in thy sheath, like a talisman seal'd, 
 
 "Or return to the grave of thy chainless lord. 
 " But, if grasp'd by a hand that hath learn'd the proud use 
 
 "Of a falchion, like thee, on the battle-plain, — 
 "Then, at Liberty's summons, like lightning let loose, 
 
 "Leap forth from thy dark sheath again!" 
 
 r^i 
 
A CHOICE COLLECTION 
 
 OF 
 
 MOORE'S MELODIES, 
 
 ARRANGED AS SOLOS, DUETS, TRIOS, AND QUARTETS, 
 IVITH PIANO ACCOMPANIMENT, 
 
 SIR JOHN STEVENSON, 
 
 AND OTHERS. 
 
#0 whtxt glovjj mife tlm. 
 
 FOR ONE OR TWO VOICES. 
 
 <muZ — I' 
 
 
 
 Tenderly. \ f T f ^ ?P 
 
 :?=^-=r 
 
 ^t^-Z — •- 
 
 v-^M 
 
 espress. lenfando. 
 
 -^- -V- 
 
 I ^ ri_ 
 
 t-^-1->- 
 
 ^2ziiz5_ 
 
 :i 
 
 Go where glory waits thee, But while fame elates thee, Oh ! still remember me. 
 
 s^=i:: 
 
 ^=^: 
 
 ;f^ 
 
 r-^ 
 
 idzzzirz^r—z: 
 
 ^^•— V— t^-- 1- 
 
 5;:^=^-*- - -^^-?-? 
 
 Go where glory waits thee, But while fame elates thee. Oh! still remember me. 
 
 
 I — I ^ J — ^^ ^-— • 
 
 ^ 4r :* ^ -^ -0- ^V 4-5-^- 
 
 •>ym. 
 
 
 -t^h 
 
 
 
 .espress. lentindo. 
 
 izMi 
 
 i-?-?— 
 
 When the praise thou meetest To thine ear is sweetest. Oh ! then remember me. 
 
 -^ '^^m ^w i^^^^--mm ^^^ m^ m 
 
 When the praise thou meetest To thine ear is sweetest, Oh ! then remember me. 
 
 S^H=;=SiE^^^ 
 
 
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 /|§:s:=J=:3:=f 
 
 1^BEE=^===^ 
 
 -*— c * ». * 
 
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 45li.«q 
 
 =|S£^ 
 
 248 
 
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 Other arms may press thee,Dearer friends caress thee, All the joys that bless thee , Sweeter far muy be; 
 Other arms may press thee, Dearer friends caress thee, All the joys that bless thee, Sweeter far may be; 
 
 lentandv. 
 
 I 
 
 
 But when friends are nearest, And when joys are dearest, Oh ! then remember me ! 
 
 
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 But when friends are nearest. And when joys are dearest, Oh ! then remember me ! 
 
 5:*- ♦ T* ^_p,. ^^» 9-1^9 ^.^^'9. ^^ ■ .^— - 
 
 
 ili^^si^i 
 
 When, at eve, thon rovest 
 By the star thou lovest, 
 
 Oh ! then remember me. 
 Think, when home returning, 
 Bright we've seen it burning, 
 
 Oh ! thus remember me. 
 Oft as summer closes, 
 When thine eye reposes 
 On its ling'ring roses, 
 Once so loved by thee, 
 Think of her who wove them, 
 Her who made thee love them, 
 
 Oh ! then remember me. 
 
 3 When, around thee dying, 
 Autumn leaves are lying. 
 
 Oh ! then remember me. 
 And, at night, when gazing 
 On the gay hearth blazing. 
 
 Oh ! still remember me. 
 Then should music, stealing 
 All the soul of feeling, 
 To thy heart appealing. 
 Draw one tear from thee ; 
 Then let mem'ry bring thee 
 Strains I used to sing thee, — 
 
 Oh ! then remember me. 
 
 249 
 
Wiht ^m^ that owe thmtgb ©ara'is hatfe. 
 
 J 
 
 S/ow 
 
 
 ,^s"i L - IS ^F * •— r»— §-• — ■-- f re-t — • »-T — « B»-* 1 
 
 
 
 9ife 
 
 IE 
 
 I 
 
 V\> — \- -» -'- — ; ■ 
 
 -:^- 
 
 t=±-^ =?=:^: 
 
 :^=t^ 
 
 ::^ 
 
 a_tz ? — g ♦ * Jz: aizd 
 
 fe 
 
 ^>— ? 
 
 The Harp that once thro' Ta - ra's halls The soul of Mu - sic shed, Now 
 
 zK: 
 
 
 ^1.2==±ztz 
 
 ^ 
 
 :»zz«: 
 
 ?:|2: 
 
 ^^^^^=i=^=J=|i^^=fe: 
 
 -7 — f- 
 
 hangs as mute on Ta - ra's walls, As if that soul were fled. — 
 
 So 
 
 250 
 

 ^^^^^m 
 
 ^^SE^. 
 
 sleeps the pride of fur - incr d;ij's, So glo - ry's thrill is o'er, 
 
 And 
 
 
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 ■I M I 
 
 -J i 1 
 
 mm 
 
 'B 
 
 feg^ 
 
 ii&= 
 
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 hearts, that once beat high for praise, Now feel that pulse no more. 
 
 "rz S 
 
 F*: \ii^.± 
 
 7 ■' — ^ — #" ^ ^ r~ ^ s ^~" '^"^ BHa^ — '""' — 'M~' — ' "j H 
 
 ^ — ^—-^ « «-M; — I ^ 1 1 «,-# — 5— a 
 
 i r I ,11 "^^^^ n^ 
 
 ■*■ " ' If: i^ 1- ■•" 'I 
 
 2 No more to chiefs and ladies bright 
 
 The harp of Tara swells ; 
 The chord alone, that breaks at night, 
 
 Its tale of ruin tells. 
 Thus Freedom now so seldom wakes, 
 
 The only throb she gives. 
 Is when some heart indignant breaks 
 
 To show that still she lives ! 
 
 2.^1 
 
With 
 fceliii£r. 
 
 \t\mt ^t, if alt Wmt mkmxk^ louug ffifcamisi^ 
 
 HAEMONIZED FOR TWO VOICES. 
 
 --8-- 
 
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 Jfc Fy-^ y — H- 
 
 :=[d: 
 
 -d=:^F± 
 
 — ' — « — r* — r*-!- 
 
 :d: 
 
 r-J i~T^-s-^ -tT^H — ' 1— •*-" — — ^ — r\-> -^ ' — I — 4t 
 
 
 mT^s ^^^^^^^^^ ^:^M ^^ 
 
 1. Believe me, if all those endearing young charms, Which I gaze on so fondly to - day, .... Were to 
 
 
 h— >--t^ 
 
 3^^m^^^^^^- 
 
 2. It is not while beauty and youth are thine own, And thy cheeks unprofan'd by a tear, .... That the 
 
 J^"7— f3=== 
 
 ^v 
 
 ■5-1 -^ -*• . -»■ •*■ -^ ■*•■ ■»•■ -«"•"•• •♦.-»■ 
 
 5- 
 
 ^^ 
 
 -«-i- 
 
 — #-. — 
 
 1 K r « L n. 
 
 V-?=^e=2: 
 
 
 
 -^i:?v=:^i^t^i=? 
 
 change by to-morrow, and fleet in my arms, Like fai-ry gifts fading a - way,Thou wouldst 
 
 ^—^~ 
 
 
 
 p::] 
 
 _i ti_ 
 
 li'l?i§ 
 
 fer - vor and faith of a soul can be known, To which time willbut make thee more dear; No, the 
 
 _ — _ — . — I — 9 — 
 
 n^: 
 
 3^ 
 
 :?=S^?= 
 
 7 #- 
 
 z:5=#=:2n=t:4::=2: 
 
 252 
 
;!i=i 
 
 still be ador'd, as this moment thou art. Let thy love-liness fade as it ■will,.... And a - 
 
 &--— 
 
 -#-• •- 
 
 heart that has tru - ly lov'd never forgets, But as tru - ly loves ou to the close, As the 
 
 
 
 ^• 
 
 is 
 
 Ji-\-Z- H — Z- %- 
 
 -• '■ — • '^- 
 
 -t \ 
 
 £ 
 
 
 
 round the dear ruin each wish of my heart Would entwine itself verdantly still . . 
 
 <j N fer— Nba tr» i 1 r—N »— ^ — i^-iA-ri— -— -^ 
 
 sun-flower turns onhergod,whenhesets, The same look whicli she tum'dwhenhe rose. 
 
 fia. 
 
 l^F==^^f=3: 
 
 tr; 
 
 
 s— -^ »f— F»-*-f -f — s ^ 
 
 (i-z- 
 
 
 
 
 253 
 
(Som^ 0'tx ty ^m. 
 
 With \ 
 
 Impassioned ) 
 Melanclwly. ^\ 
 
 *~. — 1* — ^A\ — ^+- '-7T-F-' — ' — F-t — \-r~\ — ' — ^ - 
 
 -I — - — j|- -{'^m — H*-i «— j-l-a;-*— l-^--*|-l-H-# — 'ri^ — 
 
 -p J p=- ^ m — ^*-v — #— ^,-« — ^ -^- V*— gS: • — 
 
 9'JSJi;==i^: 
 
 L'^#=f-— 
 
 ^fH 
 
 ■::^- 
 
 J. *__• !• — ^_^. — « ^_- L^- 
 
 :dzzz=i=: 
 
 1. Come o'er the sea, Maiden, with me. Mine thro' san-shine, 
 
 I _ I I I M I ! I I 
 
 •A- — *-| \T*-v *-wt:;r— * 
 
 g— rs'-g-T — ^-^— ^^^TJ-* 
 
 
 CCJV 
 
 W==-=f> ==5zzfe.z=3-?=: : 
 
 ;^=^=fes^i^^£s=ip^EP3^ 
 
 1/ i? > 
 
 storm and snows ; Seasons may roll, But the true soul Burns the same, where'er it goes. Ltt 
 
 IzmZX-z. 
 
 ^'~'r~B-^ *i~^ *rTT i*-"^ **♦ fl^ I I '" fl^' 
 
 I 1 i 
 
 ! I ( 
 
 eiiEf^=g^= 
 
 i I M J ! i M I I ! i I 
 
 .ip . F^-^q: Tp — znp 
 
 254 
 
fate frown on, so we love and part not; 'Tis life where thou art, 'tis death where thou art not. Then 
 
 -#■-* ^ -#• -#--•• •*■■«• w»- -w^ ^»- -»»■ ■»»- 
 
 
 come o'er the sea, Maiden, with me, Come wherever the wild wind blows; Seasons may roll, 
 
 =]-^,— *-^-T-* — ^ — ^— *-»-#=i^,^ 
 
 d d S d d \ ^ II 11 I ^0- I I I I I 
 
 EE=L'=E'=S!EEZL=i=?Ea3pEE=zi 
 
 'F^ 
 
 But the trne soxil Burns the same, where'er it goes. 
 
 II 
 
 igi&^liiiB 
 
 — H- ^1 T- — ^. — =F— ^#-T #-v— ij-:-*-^— ^j:-j».-:-il-.5-J^ 
 
 2 Was not the sea 
 
 Made for the Free, 
 Land for courts and chains alone ? 
 
 Here we are slaves, 
 
 But, on the waves, 
 Love and Liberty's all our own. 
 No eye to watch, and no tongue to wound us, 
 All earth forgot, and all heaven around us — 
 
 Then come o'er the sea. 
 
 Maiden, with me, 
 Mine through sunshine, storm and snows ; 
 
 Seasons may roll. 
 
 But the true soul 
 Burns the same, where'er it goes. 
 
 255 
 
'®fe tk^ la^t $m 0i ^mnmtx. 
 
 Accomp. 
 
 ( 
 
 M Uf Feelingly. 
 
 
 
 
 agifa 
 
 r'-^ir^— #^ i-^*— ^ •— .r* 
 
 ( 
 
 « 
 
 P 
 
 ii 
 
 'Tis the 
 
 
 ii^iilf^gei^;^.@^ii 
 
 3=1^ 
 
 last rose of summer Left bloom - ing a - - lone ; 
 
 All her 
 
 Ifesi^ 
 
 ,-i|:di#--;-=l-#:t:1-j_#-it-=^rd^-#-tr^*-j-_-#-d__^-irzl Hr^-T-^*— I — •^J 
 
 r-^ -^T^ 
 
 iLfe 
 
 ---f2- 
 
 =?=^ 
 
 ■m 
 
 rm_L! 1 1 1 _^ 1 — A--g — \-0 — s=:*^-«i-«-^-y — I- 
 
 n^: 
 
 =1=5: 
 
 m 
 
 love - ly com - panions 
 
 Are fad - ed and gone ; 
 
 No 
 
 Lz£=it5^3^3'33^fE5^£d^53^i-^tt-'3^ 
 
 
 ■jr ■»>• 
 
 ailigiEEEEEEE?: 
 
 1^ 
 
 =3=f^iE 
 
 256 
 
flow'r of her kin - dred. No rose - bud is nigh To re - 
 
 3==: 
 
 -St 
 
 
 rpii:^: 
 
 ^^fe 
 
 -A -j -s=*-^#-f • — -1 ? ^-*'- — I -«^^ '-^H 1 — +— f 
 
 fleet back her blushes, 
 
 Or give sigh for sigh. 
 
 ;|*i==E^^EfeE: 
 
 :?:*rp: 
 
 ij «-«'-«- 
 
 ^ ^ ^ L^llll^ L *»^ Irfllll^ L^l ^ Irffl^ k^ ^ 
 
 sSjs^ 
 
 2 I'll not leave thee, thou lone one ! 
 
 To pine on the stem ; 
 Since the lovely are sleeping. 
 
 Go, sleep thou with them. 
 Thus kindly I scatter 
 
 Thy leaves o'er the bed, 
 Where thy mates of the garden 
 
 Lie scentless and dead. 
 
 3 So soon may / follow, 
 
 When friendship's decay. 
 And from Love's shining circle 
 
 The gems drop away. 
 When true hearts lie witherd, 
 
 And fond ones are flown, 
 Oh ! who would inhabit 
 
 This bleak world alone ? 
 
 257 
 
^ati^urrtll-Irut wh<^«<iJ^j; jjau wd^m^ tfo \xmx. 
 
 SONG OB DUET. 
 
 With 
 Expression. 
 
 } 
 
 J;;^ 
 
 
 
 
 ^:^-^. 
 
 1. Farewell ' — but whenever you welcome the hour. That awakens the night-song of mirth in your bow'r, Then 
 
 
 
 2. And still on that evening, when pleasure fills up To the highest top sparkle each heart and each cup.Wiiere- 
 
 ^1^1 ; I . [ ^1 f I I I ; j III I ? I r I I I ; | f \ Pi 
 
 : (6 TSi W-~=^— 
 
 ^^1=^ 
 
 '(9 
 
 
 think of the friend who once welcom'd it too, And for-got hia own griefs to be happy with you. 
 
 
 e'er my path lies, be it gloomy or bright, My soul, hap-py friends, shall be with you that night; 
 
 I ! I L 
 
 
 (2-- 
 
 *— if- 
 
 » *- 
 
 258 
 
felgp^ Eg^ lgpi ^ f ^pig^g^ l^^^ 
 
 His griefs may return, not a Impe may remain Of tlie few that have brighten'd Lis path-way of pain. But he 
 
 iz-M^-^^r^^-^ 
 
 ;z^d-irr^Tu:=zz- 
 
 Shall join in your revels. your sports, and your wiles, And return to me, beaming all o'er with your snules — Too 
 
 iff ^-— ^ - i — ^^r- ^ _ »!*- • 
 
 ^id^ 
 
 :^ 
 
 :iftr=^- 
 
 J^ 
 
 _1 ^ I^.€ — ^ riJ-i' — — I 1 0---it •-« — • — •-# — |J-#-f^-^-^P — '--X- 
 
 ne'er will forget the short vis- ion, that threw Its enchantment around him, while ling'ring with you. 
 (>i-^ »-0 
 
 blest, if it tells me, that mid the gay cheer Some kind vi.iice h:ul luiuuiiui'd,--! wish Le was here!" 
 
 tA.|_o 1 — . a ■ ITS! j=q Tl=a *- 
 
 » — » 
 
 :?c:: 
 
 
 
 11? 
 
 ==^1^3] 
 
 3 Let Fate do ber worst, there are relics of joy. 
 
 Bright dreams of the past, which she cannot destroy ; 
 Which come in the nipiht-time of soriow and care. 
 And bring back the features that joy us"d to wear. 
 Long, long be my heart with such memories fiil'd ! 
 Like the vase, in which roses have once been distill'd — 
 You may break, you may shatter the vase, if j'ou will, 
 But the scent of the roses will hang round it still. 
 
 259 
 
She meeting of the iratcr^.* 
 
 THERE IS KOT IX THIS WIDE XK-OELD, 
 
 efe^^ ^-*-* , \ 0*: ^^^ ^^-\ l^ =^^^^^^T^^^~ TT 
 
 Bkff 
 
 ^ »- 
 
 _* « K_ 
 
 
 • * - \ \r 
 
 m 
 
 >^-^ / . < —'^— •—m — 0- 
 
 :^_. 
 
 V ^' 
 
 V — '^ 
 
 1. There is not in the wide world a val - ley so sweet As that vale in whose bosom the 
 
 2. Yet it vas not that na - tare had shed o'er the scene Her purest of crystal and 
 
 9=5 
 
 '.^'"s- 
 
 
 Gi^ * N 1 
 
 
 
 
 
 
 — S 1 
 
 
 y-"} — • — ' — ^ — -, ~^r — *~ 
 
 —0 
 
 — 
 
 — m '^j 
 
 m 
 
 
 
 
 
 ^^-^ ^ * % ir- 
 
 -^ 
 
 -V — 
 
 — „S;-^ 
 
 
 
 
 # 
 
 
 ^ ? — ? — 1-- 
 
 bright wa - tere meet.t Oh I the last 
 bright - est of green ; 'Twas not 
 
 ravs 
 
 her 
 
 of 
 soft 
 
 —^ 
 
 feel - 
 ma - 
 
 ing 
 gic 
 
 and 
 of 
 
 \ 
 
 ^'^ " • 0-, 
 
 ^} * ^ \ 
 
 "^—^ , ^ 
 
 ^^ 
 
 •- 
 
 -,-0- 
 
 ^ 
 
 
 -#- 
 
 / 
 
 ^. 
 
 
 - 
 
 — # 
 
 -s — 
 
 
 - 
 
 •See Xote 7, Page 422. t See Xote 8, Page 425. 
 
 260 
 
lenlando. 
 
 
 ^h?^ 
 
 life must de - part. Ere the bloom of that vaUty shall fade from my heart. Ere the 
 streamlet or hill. Oh ! no— it was something more ex - qTii5-it'e still, Oh ! 
 
 
 
 0m 
 
 -^— r- 
 
 bloom of that valley shall fade from my heart 
 
 no — it was something more ex - quis-ite stilL 
 
 
 3|ilir 
 
 / m^^ 
 
 GS^ 
 
 
 r^> 
 
 ■m^s^} 
 
 
 P 
 
 3 "Twas that friends, the belov'd of my bosom, were near. 
 Who made every dear scene of enchantment more dear. 
 And who felt how the best charms of nature improve, 
 When we see them reflected from looks that we love. 
 
 4 Sweet vale of Avoca ! how calm could I rest 
 
 In thy bosom of shade, with the friends I love best. 
 
 Where the storms which we feel in this cold world should cease, 
 
 \jid our hearts, like thy waters, be mingled in peace. 
 
 •261 
 
^t'hctt iu AtMx f $M\ calmtjj xtdim. 
 
 THE LEGACY. 
 
 With ' 
 
 Feeling 
 
 and i 
 
 Gaiety. I 
 
 « _- -f: .:?: .„*< ---f! .^-^r! -^ «_ 
 
 g^g^^EEgiji^ 
 
 1. When in death I shall calmly re - cline, 
 
 jE=EiE«1^3=gii^=5=^Egg^ 
 
 ■P 
 
 
 ^* # — J — *-\~, H^#- — ii — F — • s ' a-}-* m — * a — 
 
 
 -* *— « 
 
 bear my heart to my mis - tress dear ; Tell her it liv'd up - on smiles and \vine Of the 
 
 ^ It ^^ J ^ ^ ^ 
 
 :Ed£S=d=: 
 
 ^•"^ -^ ?=g ?-|^ »-r-?- J2 = ?-=ip T {- ?-^ 
 
 9 1 -2 9 1 9 - N , 7 : 9 * r ^- - ' 1- * ,, * — y- 
 
 bright - est hue, while it lin - ger'd here. Bid her not shed one tear of sorrow To 
 
 -#■-*■ ^ 
 
 m^=^ 
 
 
 -I— 
 
 . 262 
 
sul-ly a heart so brilliant and light ; But balm-j- drops of the red grape borrow, To 
 
 G-: r''^'!^^^^—0 #— T-s — = ■ ^-^0 . w I .N- 
 
 p^=f^-=r^-=t-iZ0^=J- ^—0 *- r:*=^=g^:T:zr-:>Tzj|^z;3=;j:zz==^ 
 
 3iir 
 
 bathe 
 
 the re - lie from mom till night. 
 
 
 -,jr-«-^ 
 
 
 9iS^ 
 
 -^ ^ 
 
 35^^ 
 
 • Se« Xote 13, Page 424. 
 
 i^fa^^^l^^] 
 
 2 When the light of my song is o'er, 
 
 Then take my harp to your ancient hall ; 
 Hang it up at that friendly door 
 
 Where weary travellers love to call. * 
 Then if some bard, who roams forsaken, 
 
 Revive its soft note in passing along, 
 Oh ! let one thought of its master waken 
 
 Your warmest smile for the child of song. 
 
 3 Keep this cup, which is now o'erflowing. 
 
 To grace j'our revel, when I'm at rest ; 
 Never, oh ! never its balm bestowing 
 
 On lips that beauty hath seldom blest. 
 But when some warm devoted lover 
 
 To her he adores shall bathe its brim, 
 Then, then my spirit around shall hover, 
 
 And hallow each drop that foams for him. 
 
 263 
 
^iUnt, 0b pagk, ht t\xt torn of tbij tvakt 
 
 THE SONG OF FIOKNUAIiA. 
 
 Mourn- 
 fully. 
 
 ^^^g^ij:-fegg^^g^ 
 
 ^♦r:*-^: 
 
 jl 
 
 ggg ggpji Ej^ip |i^3jxi;rf ^^=^ 
 
 
 '^^H— ff « C f « 0-1. 1- j; — 
 
 1. Silent, oh Moyle, be the roar of thy water, Break not,yebreezes,your chain of repose, While, 
 
 -*-•-• — —'rw—r 
 
 
 :tiz?i£j=iS: 
 
 9--=t^=? =^,y^^ 
 
 ^ ^ ?- 
 
 £Hf: 
 
 ^=t=J^ 
 
 ^-#-? - 
 
 — P H W-l=:» ^ # ^ — «- — — -d—^-^- — A ^- -g *-.—»- ^-» — m~»-T~\ 
 
 mur - mur- ing mourn - ful - ly, Lir's lone-ly daughter Tells to the night-star her 
 
 
 9lEE^3^ 
 
 -r ^ 
 
 
 
 «^ See Note 18, Page 426. 
 
 264 
 
p 
 
 ^ — ^* 
 
 z:|:_-=f^=3-.T=i^5z=:i=.:* — ^_|-f^r*T^=*zz^siziz=Tz:^:==i.Nz=*-^ — , 
 
 -v-v- 
 
 ^ — 
 
 tale of woes. When shall the swan.her death-note singing, Sleep, with win^s in 
 
 
 §iE£ 
 
 3^^ 
 
 &3E 
 
 
 • ,_i — «- 
 
 ^V^- 
 
 :&=; 
 
 f=F- 
 
 >— M— i-f 
 
 :pzT:r, 
 
 
 -fv-^— 
 
 V— t^- 
 
 11^ 
 
 darkness furl'd? "When will heav'n, its sweet bell ringing. Call my spirit from this 
 
 9^-?=Sf^ 
 
 --?" 
 
 -r—?— --*—?■ 
 
 :?^^r= 
 
 i 
 
 :i* 
 
 ;^] 
 
 stormy world? 
 
 --I — 
 
 « — \-'-^-» ^— -L — i 
 
 
 i=d=q^z=^=r:^q-^i=q-:i=i 
 
 
 ;»? 
 
 
 ^- 
 
 :i!==:^q 
 
 P]| 
 
 ^1 I 
 ' b>«> I 
 
 2 Sadly, oh Moyle, to thy winter-wave weeping. 
 
 Fate bids me languish long ages away ; 
 Yet still in her darkness doth Erin lie sleeping. 
 
 Still doth the pure light its dawning delay. 
 When will that day-star, mildly springing, 
 
 Warm our Isle with peace and love ? 
 When will heav'u, its sweet bell ringing. 
 
 Call my spirit to the fields above ? 
 
 265 
 
(&0mt, xt^t in tbfe U^onu 
 
 By KlALJ.MAEK. 
 
 A ndartte. 
 
 
 .N L 
 
 
 ' — ^~ IrcdJ^=^^"T — — ^xd ' — S '— r-i 1 
 
 *— ^ *^# • tf -i^* — — * — L^ 
 
 3i^t=?-b 
 
 ♦•^■*- •♦•^■#- -*- -#- ■♦- -•- ■0-^-0- -#- -#• -»f«- -#'[7-, 
 
 -J , — •-r-| 1 — »-' F-»-< — I —0-i 1 — #-l-| t-;.«-i-i^«_#- 
 
 fc __ p:==:^ p p, . ,^_^p, :^— ^. 
 
 ^f ■ - - - V ? ' -* » . -» 
 
 1. Come, rest in this 
 
 -•-i » 
 
 ^ ^ '-^ =;7^i !^-'p ^I^:?^ 
 
 — *^ 0-*'-\—j-m- 
 t-' ■ 
 
 6 -«• 6 
 
 ;^:^/^^4#-^:#: 
 
 gPllg lp^gg^g ^ p^^ 
 
 lirn 
 
 :^^ a^ Pg g=ggEgp3=^ | ^£^.^ .^g^ 
 
 bo - som, My owu stricken deer, Tho' the herd have fled from thee, Thy 
 
 ^ ^ I, ^ ^ ^_J^ ^ ^ ^ I, ^ ^ ,J,^ ^ ^ ^ I. . 
 
 «3 — ^"— eg 1 — c»" e» — r — «5 — ^"**~"iT "ZJ^f ~zzz:i«'~ru_:^Vrf H*_zq 
 
 S3 I I I ^XS I'll Mil I I I k^MU I I I 
 
 2ife— »- 
 
 pi 
 
 ri 
 
 =!•: 
 
 266 
 
-!>\-K-A 
 
 
 home is still here, Here still is the smile, That uo cloud can o'er - 
 
 I 
 
 \j—- - 6* ^-Oji 1 0* Z^'f^ir — <5# G* T — 0# G» 1 6i 0= 1 
 
 ^ §i^=^H 
 
 ■ « 
 
 izi3z; 
 
 9 
 
 i 
 
 
 ",7_«- 
 
 =$? 
 
 
 cast, And a heart and a hand All thy own to the last. 
 ^ ^ ^ 
 
 F=|^— =- F^^ =] • ~'~1 =F*- 
 
 6 — 
 
 
 2 Oh! what was love made for, 
 
 If 'tis not the same 
 Through joy and throuG[h torment. 
 
 Through glory and shame ? 
 I know not, I ask not. 
 
 If guilt's in that heart, 
 I but know that I love thee, 
 
 Whatever thou art. 
 
 13] 
 
 3 Thou hast called me thy Angel, 
 
 In moments of bliss. 
 And thy Angel I'll be, 
 
 Mid the horrors of this, — 
 Through the furnace, unshrinking, 
 
 Thy steps to pursue, 
 And shield thee, and save the«, — 
 
 Or perish there too ! 
 
 267 
 
mu pitt^tol §0ij» 
 
 With 
 
 strength 
 
 an,I 
 
 Spirit. 
 
 
 §ipEi^EE=^=f^^^^EE^=|^^=3=|;E3^^?= 
 
 iii 
 
 1. The 
 
 #— 5- — >— 5r 
 
 ^^ 
 
 «# * « J « • • -•—* f - — = K — e_x_« — ff — I • 1 1 1 
 
 ■ -•- 
 
 I 
 . — 1 
 
 -^• 
 
 ff 
 
 \20. 
 
 n — 1-^— I *— ^ — 1| 
 
 ^1===^^ 
 
 
 =1: 
 
 ^=gz^ >z.^=^=gjd=^,^-j 
 
 Mill - strel - Boy to the war is gone, In the ranks of death you'll find him ; His 
 
 -A — 
 
 I -^ 
 
 Ei^Si^^rj^f^==iS=?Ei^s;fi^-=^ 
 
 ^ — »-i — « — 0- 
 
 C» • 1 — i — * 0- 
 
 
 ll^iil 
 
 5= ggi g gI^^g^ggri^^i^ BS|gp=^pN^ 
 
 fa - ther's sword he has gird - ed on, And his wild harp slung be- hind him. 
 
 :V^: 
 
 
 g^; 
 
 
 rr* 
 
 t^::— ^ 
 
 --? 
 
 268 
 
0- 
 
 ?^ .^ 
 
 tr 
 
 Tendalij. 
 
 
 
 £ 
 
 "Land of song !" said the war - rior - bard, "Tho' all the world be - trays thee, One 
 
 i7 ^~ — ~ — - • *~ '0-' — ff — • ^- 
 
 9:.=fEEE 
 
 ,—^-^' 
 
 iiEE: 
 
 -o # — ~ 
 
 li-linziEz: 
 
 ' v«v 
 
 'S- 
 
 
 sword, at least, thj' rights shall guard, Une faith - ful harp shall praise thee !" 
 
 
 ^? 
 
 -9- :^ 
 
 ' u III 
 
 fHI] 
 
 2 The Minstrel fell !— but the foeruan's chain 
 
 Could not bring his proud soul under ; 
 The harp he lov'd ne'er spoke again, 
 
 For he tore its chords asunder ; 
 And said, "No chains shall sully thee. 
 
 Thou soul of love and bravery ! 
 Thy songs were made for the jiure and free, 
 
 They shall never sound in slavery." 
 
 269 
 
^Vlmx ttougb \iU mxhk^t vet xovt. 
 
 ON MUSIC. 
 
 Slow, and with feeling. 
 
 His ^ .S«W ■«-■•- ' 
 
 .EEJ^'ggE^^ 
 
 -I- =:^-[^,,g^-, , 1- ^,-, ^g::-! 
 
 -*-*■-#■-* -5--5--5--5--5--i--*--#--#- — 
 
 I 1^ w— 1 1 — *- 
 
 :3=: 
 
 1. When thro' life un - blest we rove, 
 
 -»-'^-0- 
 
 
 
 ^==^p=i-Z_^_^_^_c:-_p«— -P-— 5— — 5- 
 
 
 ^^iiii 
 
 I ' 
 
 1 ' — ' 
 
 .«_• — « — ^L^-H- f:= 
 
 -^ — b-- 
 
 P=gEg£^^ 
 
 Los - ing all that made life dear, Should some notes we us'd to love, In 
 
 ^ 1.1 
 
 
 ^. r 
 
 
 „- -n"-! "": — ^_ _ 
 
 
 270 
 
days of boy - hood, meet our ear, Oh ! how wel - come breathes the strain ! 
 
 
 ^t 
 
 vH 
 
 
 il 
 
 
 r#z*: 
 
 -A- 
 
 Wak'iiing thouL^hts that long have slept ; Kind-ling form-er smiles a - gain In 
 
 
 
 fad - ed eyes that long have wept ! 
 
 
 ^ -0- • -e- -#■ -J- •«»• 
 
 _^^^ _r^^^ 
 
 r r I 
 
 -?— •— ^ 
 
 1 
 
 Eil^l^lJ 
 
 2 Like the gale, that sighs along 
 
 Beds of oriental flowers, 
 Is the grateful breath of song, 
 
 That once was heard in happier hours ; 
 Fill'd with balm, the gale sighs on. 
 
 Though the flow'rs have sunk in death 
 So, when pIpaRv^re's dream is gone, 
 
 Its memrv lives in Music's breath. 
 
 3 Music, oh how faint, how weak. 
 
 Language fades before thy spell ! 
 Why should Feeling ever speak. 
 
 When thou canst breathe her soul so well? 
 Friendship's balmy words may feign. 
 
 Love's are ev'n more false than they ; 
 Oh ! 'tis only music's strain 
 
 Can sweetl}' soothe, and not betray. 
 
 271 
 
;rt (Sxm xmmhtK t\xt Mp ^f 0\L 
 
 Grand 
 
 and 
 
 Spirited. 
 
 e- 
 
 ^ — z^-l • — 9±z ^— i-#^s— #^-^=1— j—r-^t--— ---5 — 
 
 I — i: — I I 
 
 ^uE^fhfE^^EEzl^^^ 
 
 ^ ^^—' •#- -^ 
 
 e^eee: 
 
 ^— -1- [ — 1 J— --I ; ^— I 
 
 ^E^E^:: 
 
 ^E^ 
 -(-- 
 
 
 i^ 
 
 ::; — » ^ *» I * • g « j 
 
 -J— ^- 
 
 
 V— ^ — ; 
 
 Itiprii^si^a^lPillt^ll^ 
 
 Let E - rin remem - ber the daj's of oLi Ere lier faith - less sons be - 
 
 4 I r-^~-r-A ^^- 
 
 P 
 
 ;=]: 
 
 --i- 
 
 "^~v-f — *, a~-~ S — T~a 
 
 
 -^---a- 
 
 *. p 
 
 r' <^—T-A -\' — I -1 
 
 ::=]: 
 
 -i^-v- 
 
 l^^iPii^s^liili^lli=S-^ 
 
 tray'd her ; When Mala-chi wore the collar of gold, *Which he won from her proud invader, 
 
 
 ^ 
 
 — • 
 
 ^ — J/ #i« ^J— # — ,— • 
 
 
 »See Note 15, Page 425. 
 
 
i 
 
 
 :t£ 
 
 =^^^^=^ 
 
 
 When her kings, wit?i standard of green nu - furl'd. Led the Eed Branch Knights* to 
 
 *^ I ' — -* S-* • i 
 
 
 \^^ 
 
 .g=;2=^£E=^z=E=z/=:>zi7£=:^=^ — Li=zfzizzzfzz:*AZzd^^^J. 
 
 dan-ger ; — 'Ere the emerald gem of the western world Was set in the crown of a stranger. 
 
 gg=gE=p|^J= i=g|^ 3=g^^gpig g3^^}5^:j 
 
 
 3^^zi5zz'3 
 
 rP— n r s • ■ — ?- 
 
 zziL ^ziz=:g=^p: ^ izfziz^g=zz^=:zHJ 
 
 2ip 
 
 t- 
 
 2 On Lough Neagh's bank as the fisherman strajs, 
 
 When the clear cold eve's declining, 
 He sees the round towers of other daj'S 
 
 In the wave beneath him shining ; 
 Thus shall memory often, in dreams sublime ; 
 
 Catch a glimpse of the days that are over ; 
 Thus, sighing, look through the waves of time 
 
 For the long-faded glories thy cover, f 
 
 • See Note 16, Page 425. t Seo Note 17, Page 425. 
 
 273 
 
 =E 
 
 ^\ 
 
mt'^ jl^mtg Axmn. 
 
 HABMONIZED FOB THEEE VOICES. 
 
 H— -«. ■#- i-v ^— ^^ — .#. -#i *-^ -•• r J P I 1^1 . I II 
 
 
 Soprano. 
 
 
 :?^ii^^iEi^^^^?^i=?eii2=^ 
 
 I. Oh! the days are gone,when Beauty hright My heart's chain wove;When my dream of life, from morn till night, Was 
 Tenor. 
 
 
 Jv j h i i — b it 
 
 y — #--, — *-j ^ |_ — |— ^:* — *-- * — 9* — * > — *-» — *- j 
 
 2. Tho' the hard to purer fame may soar, When wild youth's past ; Tho' he win the wise,who frown'd hefore,To 
 Bass. 
 
 .-^:— I — [/-T# — ff—0 — P-T0 — 0-0 nT^ P fJ — r — *-T» — •-• — •-!• — •-• — -r^ 
 
 3. No,— that hallow'd form is ne'er forgot Which first-love trac'd; Still it jing'ring haunts the greenest spot On 
 
 .—4 
 
 
 MmmEmi^m^m=00^m^t^ 
 
 274 
 
:t=1: 
 
 m^^^i^mmmmi^m^ 
 
 love, still love. New hope may bloom, And days may come, Of milder, calmer beam But there's nothing half so 
 smile nt last ; He'll no - ver meet A joy so sweet, In nil his noon of fame. As when first he sung to 
 
 y-'r- 
 
 mein'ry's waste, 'Twas odor fled As soon as shed,"Twas morning's winged dream ; 'Twas a lijjht that ne'er can 
 
 r--!-'-,. — I — rJ 1 — tJ 1 — T-i ,-t:,'_.s^ ._» 
 
 slrnlandn a tempo. 
 
 rilardando. ^-^ :Q: 
 
 
 sweet in life As love's young dream : No, there's nothing half so sweet in life As love's young dream. 
 
 ~ . J=:-i; -^.— „--_ TirT:r-j^i.ri ; t--K- 
 
 Oman's ear His soul • felt flaiue, And, at ev -'ry cloje, she bhish'dto hear The one lov'd name. 
 
 slcnlando a irmpo. i^ ^^^ ;0; 
 
 '.:Ay-q=zti^=I:^^3===5^riII=:a==:I^T;^=^=•=AT^===^=^?=^h— '**"»^^ 
 
 shine a - gain On life's dull stream : Oh ! 'twas light that ne'er can shine a-gaiu On life's dull stream. 
 
 ^ 1 , ^ -VS: 
 
 J 
 
 
 rilardando. 
 
 Dal Segno for Si/ in. 
 
 275 
 
Sht i$ fat from the land. 
 
 
 ^m 
 
 HABMONISZD FOE ONE, TWO OB THEEE TOICES. 
 
 Ftt.st Yoicx. 
 1 fc^ S I ^ 
 
 ^=^.: 
 
 r-i^-i=±--Jt 
 
 1. She is far from the land "where her 
 Tesoe Yoicz. (8valo-wer. ) 
 
 
 1. She IS far from the land where her 
 Bass Yoice. 
 
 ^^^^fe=^ 
 
 ^=I±2* 
 
 \ 
 
 
 / / 
 
 ^ V 
 
 TYj/A mdancholy expression 
 
 
 
 • «- 
 
 -V- 
 
 -V— ^-^"^T^a 
 
 young he - ro sleeps, And lov-ers are round her, sigh - ing : But 
 
 P 
 
 IZHtl 
 
 ?:2=z 
 
 .0 ^ \ 4 #-i^ — — ' ■— - — ^ ^# # 
 
 -r— r— »— A 
 
 -'-V 
 
 
 9^; 
 
 .,^- 
 
 # — * 
 
 276 
 
■g;;fcrr.-vzii:ra= f— 8 ZZ7--T =v-^ . 
 
 s5£ 
 
 
 =tFt 
 
 coldly she turus from their gaze, and weeps, For her heart iu his grave is ly - ing. 
 
 b=A-=^r:fc 
 
 
 ^2-± 
 
 — !j— K — ^- -: — Is-r i^ — s^ 1 ^ — ^n— T — N— ^2 — ^i ^ ^-— . — — 
 
 coldly she turns from their gaze.and weeps.For her heart in his grave is ly - ing. 
 
 =^-0~ 
 
 
 -A 
 
 -^^: 
 
 "< "> ' I] _] V 
 
 ^U^^-^. 
 
 
 
 
 
 -0 — « 
 
 i?=^ 
 
 s=^^^; 
 
 
 
 i; 
 
 T 5? 
 
 2 She sings the wild song of her dear native plains, 
 
 Ev'ry note which he lov'd awaking ; — 
 Ah ! little they think who delight in her stniins, 
 How the heart of the ilinstrel is breaking. 
 
 3 He had lived foy his love, for his country he died, 
 
 They were all that to life had entwined him ; 
 Nor soon shall the tears of his country be dried. 
 Nor long will his love stay behind him. 
 
 4 Oh ! make her a grave where the sunbeams rest, 
 
 "When they promise a glorious morrow ; 
 They'll shine o'er her sleep like a smile from the West, 
 From her own loved island of sorrow. 
 
 277 
 
ANDANTE. 
 
 Words and Music by Mooke. 
 
 It 7~ ^ ^n 
 
 F. ^=~=^- 
 
 — ^" 
 
 ~^" 
 
 ^ H^ i^ ._d 
 
 1. Faiut-ly as tolls the 
 [j- 1 : ! 1 y-1 
 
 * # # 
 
 ev' - ning chime, Our 
 
 — 9~ 
 
 voi- 
 
 ces 
 
 keep tune and our 
 
 ■— ■ 1 n 1 , 
 
 |s J 5-_5 -5 _ ?|-.i 5 -| fp:;- 
 
 — — 
 — 0— 
 
 -] v^-n 
 
 ,; — - _ ^ *■ 
 
 ■0- 
 
 
 
 
 i3= 
 
 
 /s 
 
 i^^= 
 
 -,— - — -A — — — :^i:z=i:fei=— 
 
 — h ' 0— ^ - ^ ^~]~; * '~ • * — 
 
 oars keep time, 
 
 '=9-: 
 
 \ 
 
 /b^g^Eg^ 
 
 Our voi - ces keep tune and our oars keep time. 
 
 . . »"• ? — 
 
 0' 
 
 ^- J — 9—]—% —0 - 
 
 S - =_i — ff_ 
 
 --N- 
 
 * >- 
 
 -^=*=S=^ 
 
 a — , * — ^ *— p- 
 
 ^- 
 
 Soon as the ■woods on shore look dim, We'll sing at St. Ann's our part - ing hymn. 
 
 278 
 
i — ^ — V — -"- 
 
 ^: 
 
 --> 4- 
 
 m 
 
 Eow, brothers row, the stream runs fast, The Rap - ids are near, and the 
 
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 day - light's past, The Rap - ids are near, and the day - light's past. 
 
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 2 Why should we yet our sail unfurl ? 
 There is not a breath the blue wave to curl. 
 But, when the Ts-ind blows oflF the shore, 
 
 0, sweetly we'll rest our weary oar ; 
 Blow, breezes, blow, the stream runs fast. 
 The Rapids are near, and the daylight's past. 
 
 3 Utawas' tide, this trembling moon 
 Shall see us float o'er thy surges soon ; 
 Saint of this green isle! hear our prayers, 
 0, grant us cool Heavens and favoring airs ; 
 Blow, breezes, blow, the stream runs fast. 
 The Rapids are near, and the daylight's past. 
 
 279 
 
I I 
 
 MOORE'S 
 
 American Poems. 
 
 ILLUSTRATED BY 
 
 William Riches. 
 
POEMS RELATING TO AMERICA. 
 
 PR.EFAOE. 
 
 likHE Poems suggested to me by my visit to Bermuda, in 
 r the year 1803, as well as by the tour which I made sub- 
 sequently, through some parts of North America, have been hith- 
 erto very injudiciously arranged; any distinctive character they 
 may possess having been disturbed and confused by their being 
 mixed up not only with trifles of a much earlier date, but also 
 with some portions of a classical story, in the form of Letters, 
 which I had made some progress in before my departure from 
 England. In the present edition, this awkward jumble has been 
 remedied ; and all the Poems relating to my Transatlantic voy- 
 age will be found classed by themselves. As, in like manner, 
 the line of route by which I proceeded through some parts of 
 the States and the Canadas, has been left hitherto to be traced 
 confusedly through a few detached notes, I have thought that, to 
 future readers of these poems, some clearer account of the course 
 
 281 
 
POEMS RELATING TO AMERICA. 
 
 of that journey might not be unacceptable, — together with such 
 vestiges as may still linger in my memory of events now fast 
 fading into the background of time. 
 
 For the precise date of my departure from England, in the 
 Phaeton frigate, I am indebted to the Naval Recollections of 
 Captain Scott, then a midshipman of that ship. " We were soon 
 ready," says this gentleman, "for sea, and a few days saw Mr. 
 Merry and his suite embarked on board. Mr. Moore likewise 
 took his passage with us on his way to Bermuda. We quitted 
 Spithead on the 25th of September (1803), and in a short week 
 lay becalmed under the lofty peak of Pico. In this situation, the 
 Phaeton is depicted in the frontispiece of Moore's Poems." 
 
 During the voyage, I dined very frequently with the officers 
 of the gunroom ; and it was not a little gratifying to me to learn, 
 from this gentleman's volume, that the cordial regard these social 
 and open-hearted men inspired in me was not wholly unreturned, 
 on their part. After mentioning our arrival at Norfolk, in Vir- 
 ginia, Captain Scott says, " ISIr. and Mrs. ]Merry left the Phaeton, 
 under the usual salute, accompanied by Mr. ISIoore;" — then, 
 adding some kind compliments on the score of talents, &c., he 
 concludes with a sentence which it gave me tenfold more pleasure 
 to read, — " The gunroom mess witnessed the day of his departure 
 with genuine sorrow." From Norfolk, after a stay of about ten 
 days, under the hospitable roof of the British Consul, Colonel 
 Hamilton, I proceeded, in the Driver sloop of war, to Bermuda. 
 
 282 
 
POEMS RELATING TO AMERICA. 
 
 There was then on that station another youthful sailor, who 
 has since earned for himself a distinguished name among English 
 Avriters of travels, Captain Basil Hall, — then a midshipman on 
 board the Leander. In his Fragments of Voyages and Travels, 
 this writer has called up some agreeable reminiscenses of that 
 period; in perusing which, — so full of life and reality are his 
 sketches, — I found all my own naval recollections brought freshly 
 to my mind. The very names of the different ships, then so 
 familiar to my ears, — the Leander, the Boston, the Cambrian, — 
 transported me back to the season of youth and those Summer 
 Isles once more. 
 
 The testimony borne by so competent a witness as Captain 
 Hall to the truth of my sketches of the beautiful scenery of 
 Bermuda is of far too much value to me, in my capacity of trav- 
 eller, to be here omitted by me, however conscious I must feel 
 of but ill deserving the praise he lavishes on me, as a poet. 
 Not that I pretend to be at all indiiferent to such kind trib- 
 utes; — on the contrary, those are always the most alive to praise, 
 who feel inwardly least confidence in the soundness of their own 
 title to it. In the present instance, however, my vanity (for so 
 this uneasy feeling is always called) seeks its food in a different 
 direction. It is not as a poet I invoke the aid of Captain Hall's 
 opinion, but as a traveller and observer; it is not to my inven- 
 tion I ask him to bear testimony, but to my matter of fact. 
 
 "The most pleasing and most exact description which I know 
 
 283 
 
POEMS RELATING TO AMERICA. 
 
 of Bermuda," says this gentleman, '4s to be found in Moore's 
 Odes and Epistles, a work published many years ago. The 
 reason why his account excels in beauty as well as in precision 
 that of other men probably is, that the scenes described lie so 
 much beyond the scope of ordinary observation in colder cli- 
 mates, and the feelings which they excite in the beholder are so 
 much higher than those produced by the scenery we have been 
 accustomed to look at, that, unless the imagination be deeply 
 drawn upon, and the diction sustained at a correspondent pitch, 
 the words alone strike the ear, while the listener's fancy remains 
 where it was. In Moore's account there is not only no exagger- 
 ation, but, on the contrary, a wonderful degree of temperance in 
 the midst of a feast which, to his rich fancy, must have been 
 peculiarly tempting. He has contrived, by a magic peculiarly 
 his own, yet without departing from the truth, to sketch what 
 was before him with a fervor which those who have never been 
 on the spot might well be excused for setting down as the sport 
 of the poet's invention." ^ 
 
 How truly politic it is in a poet to connect his verse with well- 
 known and interesting localities, — to wed his song to scenes 
 already invested with fame, and thus lend it a chance of sharing 
 the charm which encircles them, — I have myself, in more than 
 one instance, very agreeably experienced. Among the memorials 
 of this description, which, as I learn with pleasure and pride, 
 still keep me remembered in some of those beautiful regions of 
 
 284 
 
POEMS EELATING TO AMEEICA. 
 
 the West which I visited, I shall mention but one slight in- 
 stance, as showing how potently the Genius of the Place may- 
 lend to song a life and imperishableness to which, in itself, it 
 boasts no claim or pretension. The following lines, in one of 
 my Bermudian Poems, 
 
 'Twas there, in the shade of the Calabash Tree, 
 With a few who could feel and remember like me, 
 
 still live in memory, I am told, on those fairy shores, connecting 
 my name with the picturesque spot they describe, and the noble 
 old tree which I believe still adorns it. One of the few treas- 
 ures (of any kind) I possess, is a goblet formed of one of the 
 fruit shells of this remarkable tree, which was brought from 
 Bermuda, a few years since, by Mr. Dudley Costello, and which 
 that gentleman, having had it tastefully mounted as a goblet, 
 very kindly presented to me; the following words being part of 
 the inscription which it bears: — "To Thomas Moore, Esq., this 
 cup, formed of a calabash which grew on the tree that bears 
 his name, near Walsingham, Bermuda, is inscribed by one 
 who," &c. &c. 
 
 From Bermuda I proceeded in the Boston, with my friend 
 Captain (now Admiral) J. E. Douglas, to New York, from 
 whence, after a short stay, we sailed for Norfolk, in Virginia; 
 and about the beginning of June, 1804, I set out from that city 
 on a tour through part of the States. At Washington, I passed 
 
 285 
 
POEMS RELATIiS'G TO AMERICA. 
 
 some days with the English minister, Mr. ;Merry ; and was, by 
 him, presented at the levee of the President, Jefferson, whom I 
 fomid sitting with General Deai'born and one or two other offi- 
 cers, and -in the same homely costume, comprismg slippers and 
 Connemara stockings, in which ]Mr. Merry had been received by 
 him — much to that formal minister's horror — when waiting upon 
 him, in full dress, to deliver his credentials. ]\Iy single inter- 
 view with this remarkable person was of very short duration; 
 but to have seen and spoken with the man who drew up the 
 Declaration of American Independence was an event not to be 
 forgotten. 
 
 At Philadelphia, the society I was chiefly made acquainted 
 with, and to which (as the verses addressed to " Delaware's green 
 banks" sufficiently testify) I was indebted for some of my most 
 ao-reeable recollections of the United States, consisted entirelv of 
 persons of the Federalist or Anti-Democratic party. Few and 
 transient, too, as had been my opportunities, of judging for my- 
 self of the political or social state of the country, my mind was 
 left open too much to the influence of the feelings and prejudices 
 of those I chiefly consorted with ; and, certainly, in no quarter 
 was I so sure to find decided hostility, both to the men and the 
 principles then dominant throughout the Union, as among officers 
 of the British na\y, and in the ranks of an angry Federalist 
 opposition. For any bias, therefore, that, under such circum- 
 stances, my opinions and feelings may be thought to have re- 
 
 286 
 
POEMS EELATING TO AMERICA. 
 
 ceived, full allowance, of course, is to be made in appraising the 
 weight due to my authority on the subject. All I can answer 
 for, is the perfect sincerity and earnestness of the actual impres- 
 sions, whether true or erroneous, under which my Epistles from 
 the United States were written ; and so strong, at the time, I 
 confess, were those impressions, that it was the only period of 
 my past life during which I have found myself at all skeptical 
 as to the soundness of that Liberal creed of politics, in the pro- 
 fession and advocacy of which I may be almost literally said to 
 have begun life, and shall most probably end it. 
 
 Reaching, for the second time, Xew York, I set out from 
 thence on the now familiar and easy enterprise of visiting the 
 Falls of Niagara. It is but too true, of all grand objects, 
 whether in nature or art, that facility of access to them much 
 diminishes the feeling of reverence they ought to inspire. Of 
 this fault, however, the route to Niagara, at that period — at 
 least the portion of it which led through the Genesee country — 
 could not justly be accused. The latter part of the journey, 
 which lay chiefly through yet but half-cleared wood, we were 
 obliged to perform on foot; and a slight accident I met with, in 
 the course of our rugged walk, laid me up for some days at 
 Buffalo. To the rapid growth, in that wonderful region, of, at 
 least, the materials of civilization, — however ultimately they may 
 be turned to account, — this flourishing town, which stands on 
 Lake Erie, bears most ample testimony. Though little better, 
 
 zm 
 
POEMS EELATIKG TO AMERICA. 
 
 at the time when I visited it, than a mere village, consisting 
 chiefly of huts and wigwams, it is now, by all accounts, a popu- 
 lous and splendid city, with five or six churches, town hall, 
 theatre, and other such appurtenances of a capital. 
 
 In adverting to the comparatively rude state of Buffalo at that 
 period, I should be ungrateful were I to omit mentioning, that, 
 even then, on the shores of those far lakes, the title of " Poet," — 
 however unworthily in that instance bestowed, — bespoke a kind 
 and distinguishing welcome for its wearer; and that the Captain 
 who commanded the packet in which I crossed Lake Ontario,^ 
 in addition to other marks of courtesy, begged, on parting with 
 me, to be allowed to decline payment for my passage. 
 
 When we arrived, at length, at the inn, in the neighborhood 
 of the Falls, it was too late to think of visiting them that even- 
 ing; and I lay awake almost the whole night with the sound 
 of the cataract in my ears. The day following I consider as a 
 sort of era in my life; and the first glimpse I caught of that 
 wonderful cataract gave me a feeling which nothing in this world 
 can ever awaken again.^ It was through an opening among the 
 trees, as we approached the spot where the full view of the Falls 
 was to burst upon us, that I caught this glimpse of the mighty 
 mass of waters folding smoothly over the edge of the precipice ; 
 and so overwhelming was the notion it gave me of the awful 
 spectacle I was approaching, that, during the short interval that 
 followed, imagination had far outrun the reality; and, vast and 
 
POEMS RELATING TO AMERICA. 
 
 wonderful as was the scene that then opened upon me, my first 
 feeling was that of disappointment. It would have been impos- 
 sible, indeed, for any thing real to come up to the vision I had, 
 in these few seconds, formed of it; and those awful scriptural 
 words, "The fountains of the great deep were broken up," can 
 alone give any notion of the vague wonders for which I was 
 prepared. 
 
 But, in spite of the start thus got by imagination, the triumph 
 of reality was, in the end, but the greater ; for the gradual glory 
 of the scene that opened upon me soon took possession of my 
 whole mind; presenting, from day to day, some new beauty or 
 wonder, and, like all that is most sublime in nature or art, 
 awakening sad as well as elevating thoughts. I retain in my 
 memory but one other dream — for such do events so long past 
 appear — which can in any respect be associated with the grand 
 vision I have just been describing; and, however different the 
 nature of their appeals to the imagination, I should find it diffi- 
 cult to say on Avhich occasion I felt most deeply affected, when 
 looking on the Falls of Niagara, or when standing by moonlight 
 among the ruins of the Coliseum. 
 
 Some changes, I understand, injurious to the beauty of the 
 scene, have taken place in the shape of the Falls since the time 
 of my visit to them ; and among these is the total disappearance, 
 by the gradual crumbling away of the rock, of the small leafy 
 island which then stood near the edge of the Great Fall, and 
 
 289 
 
POEMS RELATING TO AMERICA. 
 
 whose tranquillity and unapproachableness, in the midst of so 
 much turmoil, lent it an interest which I thus tried to avail 
 myself of, in a Song of the Spirit of that region : * 
 
 There, amid the island sedge, 
 Just above the cataract's edge, 
 "Where the foot of living man 
 Xever trod since time began, 
 Lone I sit at close of day, &c. &c. 
 
 Another characteristic feature of the vicinity of the Falls, 
 which, I understand, no longer exists, was the interesting settle- 
 ment of the Tuscarora Indians. With the gallant Brock,^ who 
 then commanded at Fort George, I passed the greater part of 
 my time during the few weeks I remained at Niagara; and a 
 visit I paid to these Indians, in company with him and his 
 brother officers, on his going to distribute among them the cus- 
 tomary presents and prizes, was not the least curious of the 
 many new scenes I witnessed. These people received us in all 
 their ancient costume. The young men exhibited for our amuse- 
 ment in the race, the bat game, and other sports, while the old 
 and the women sat in groups under the surrounding trees; and 
 the whole scene was as picturesque and beautiful as it was new 
 to me. It is said that West, the American painter, when he first 
 saw the Apollo, at Eome, exclaimed instantly, "A young Indian 
 warrior ! " — and, however startling the association may appear, 
 
 290 
 
POEMS EELATING TO AMERICA. 
 
 some of the graceful and agile forms which I saw that day 
 among the Tnscaroras were such as would account for its arising 
 in the young painter's mind. 
 
 After crossing "the fresh- water ocean" of Ontario, I passed 
 down the St. Lawrence to Montreal and Quebec, staying for a 
 short time at each of these places ; and this part of my journey, 
 as well as my voyage on from Quebec to Halifax, is sufficiently 
 traceable through the few pieces of poetry that were suggested to 
 me by scenes and events on the way. And here I must again 
 venture to avail myself of the valuable testimony of Captain 
 Hall to the truth of my descriptions of some of those scenes 
 through which his more practiced eye followed me; — taking the 
 liberty to omit in my extracts, as far as may be done without 
 injury to the style or context, some of that generous surplusage 
 of praise in which friendly criticism delights to indulge. 
 
 In speaking of an excursion he had made up the River Ot- 
 tawa, — " a stream," he adds, " which has a classical place in every 
 one's imagination from ISIoore's Canadian Boat Song," Captain 
 Hall proceeds as follows : — " While the poet above alluded to has 
 retained all that is essentially characteristic and pleasing in these 
 boat songs, and rejected all that is not so, he has contrived to 
 borrow his inspiration from numerous surrounding circumstances, 
 presenting nothing remarkable to the dull senses of ordinary 
 travellers. Yet these highly poetical images, drawn in this way, 
 as it were carelessly and from every hand, he has combined with 
 
 291 
 
POEMS KELATI^'G TO AMERICA. 
 
 such graphic — I had ahnost said geographical — truth, that the 
 effect is great even upon those who have never, with their own 
 eyes, seen the ' Utawa's tide,' nor ' flown down the Rapids,' nor 
 heard the 'bell ot St. Anne's toll its evening chime;' while the 
 same lines give to distant regions, previously consecrated in our 
 imagination, a vividness of interest, when viewed on the spot, of 
 which it is difficult to say how much is due to the magic of the 
 poetry, and how much to the beauty of the real scene." ^ 
 
 While on the subject of the Canadian Boat Song, an anecdote 
 connected with that once popular ballad may, for my musical 
 readers at least, possess some interest. A few years since, while 
 staying in Dublin, I was presented, at his own request, to a gen- 
 tleman who told me that his family had in their possession a 
 carious relic of my youthful days, — being the first notation I had 
 made, in penciling, of the air and words of the Canadian Boat 
 Song, while on my way down the St. Lawrence, — and that it 
 was their wish I should add my signature to attest the authen- 
 ticity of the autograph. I assured him with truth that I had 
 wholly forgotten even the existence of such a memorandum; 
 that it would be as much a curiosity to myself as it could be to 
 any one else, and that I should feel thankful to be allowed to 
 see it. In a day or two after, my request was complied with, 
 and the following is the history of this musical "relic." 
 
 In my passage down the St. Lawrence, I had with me two 
 travelling companions, one of whom, named Harkness, the son 
 
 292 
 
POEMS RELATING TO AMERICA. 
 
 of a wealthy Dublin merchant, has been some years dead. To 
 this young friend, on parting with him, at Quebec, I gave, as a 
 keepsake, a volume I had been reading on the way, — Priestley's 
 Lectures on History; and it was upon a flyleaf of this volume I 
 found I had taken down, in penciling, both the notes and a few 
 of the M'ords of the original song by which my own boat glee 
 had been suggested. The following is the form of my memo- 
 randum of the original air: — 
 
 .i* ^s 
 
 ''^z^-*lY-^Lr,-'—^--\''-^-^^ 
 
 S=i=^=-^^^^S~=r*^=-rT5-- 
 
 Then follows, as penciled down at the same moment, the first 
 verse of my Canadian Boat Song, with air and words as they are 
 at present. From all this it will be perceived, that, in my own 
 setting of the air, I departed in almost every respect but the time 
 from the strain our voyageurs had sung to us, leaving the music 
 of the glee nearly as much my own as the words. Yet, how 
 strongly impressed I had become with the notion that this was 
 the identical air sung by the boatmen, — how closely it linked 
 itself in my imagination with the scenes and sounds amidst 
 which it had occurred to me, — may be seen by reference to a 
 
 293 
 
POEMS RELATING TO AMEEICA. 
 
 note appended to the glee as first published, which will be found 
 in the following pages. 
 
 To the few desultory and, perhaps, valueless recollections I have 
 thus called up, respecting the contents of our second volume, I 
 have only to add, that the heavy storm of censure and criticism, — 
 some of it, I fear, but too well deserved, — which, both in America 
 and in England, the publication of my "Odes and Epistles" 
 drew down upon me, was followed by results which have far 
 more than compensated for any pain such attacks at the time, 
 may have inflicted. In the most formidable of all my censors, 
 at that period, — the great master of the art of criticism, in our 
 day, — I have found ever since one of the most cordial and highly 
 valued of all my friends; while the good will I have experienced 
 from more than one distinguished American sufficiently assures 
 me that any injustice I may have done to that land of freemen, 
 if not long since wholly forgotten, is now remembered only to 
 be forgiven. 
 
 As some consolation to me for the onsets of criticism, I re- 
 ceived, shortly after the appearance of my volume, a letter from 
 Stockholm, addressed to " the author of Epistles, Odes, and other 
 Poems," and informing me that " the Princes, Nobles, and Gen- 
 tlemen, who composed the General Chapter of the most Illus- 
 trious, Equestrian, Secular, and Chapteral Order of St. Joachim," 
 had elected me as a Knight of this Order. Notwithstanding the 
 grave and official style of the letter, I regarded it, I own, at 
 
 29-i 
 
POEMS RELATING TO AMERICA. 
 
 first, as a mere ponderous piece of pleasantry ; and even suspected 
 that in the name of St. "Joachim" I could detect the low and 
 irreverent pun of St. Jokehim. 
 
 On a little inquiry, however, I learned that there actually ex- 
 isted such an order of knighthood; that the title, insignia, &c., 
 conferred by it had, in the instances of Lord Nelson, the Duke 
 of Bouillon, and Colonel Imhoff, who were all Knights of St. 
 Joachim, been authorized by the British court; but that since 
 then, this sanction of the order had been withdrawn. Of course, 
 to the reduction thus caused in the value of the honor was owing 
 its descent in the scale of distinction to " such small deer " of 
 Parnassus as myself. I wrote a letter, however, full of grateful 
 acknowledgment, to Monsieur Hansson, the Vice Chancellor of 
 the Order, saying that I was unconscious of having entitled my- 
 self, by any public service, to a reward due only to the benefac- 
 tors of mankind ; and therefore begged leave most respectfully 
 to decline it. 
 
 295 
 
POEMS EELATING TO AMEEICA. 
 
 TO 
 
 FRANCIS, EARL OF MOIRA, 
 
 GENERAL IN HIS MAJESTY'S FORCES, MASTER GENERAL OF THE 
 ORDNANCE, CONSTABLE OF THE TOWER, ETC. 
 
 My Lokd : — It is impossible to think of addressing a Dedi- 
 cation to your Lordship without calling to mind the well-known 
 reply of the Spartan to a rhetorician, who proposed to pronounce 
 a eulogium on Hercules. " On Hercules ! " said the honest 
 Spartan, ''who ever thought of blaming Hercules?" In a sim- 
 ilar manner the concurrence of public opinion has left to the 
 panegyrist of your Lordship a very superfluous task. I shall, 
 therefore, be silent on the subject, and merely entreat your in- 
 dulgence to the very humble tribute of gratitude which I have 
 here the honor to present. 
 I am, my Lord, 
 
 With every feeling of attachment and respect, 
 
 Your Lordship's very devoted Servant, 
 
 Thomas Moore. 
 
 27, Bury Street, St. James s, 
 April 10, 1806. 
 
 296 
 
POEMS EELATING TO AMERICA. 
 
 preface; 
 
 HE principal poems in the following collection were writ- 
 ten during an absence of fourteen months from Europe. 
 Though curiosity was certainly not the motive of my voyage to 
 America, yet it happened that the gratification of curiosity was 
 the only advantage which I derived from it. Finding myself in 
 the country of a new people, whose infancy had promised so 
 much, arid whose progress to maturity has been an object of such 
 interesting speculation, I determined to employ the short period 
 of time, which my plan of return to Europe afforded me, in 
 travelling through a few of the States, and acquiring some 
 knowledge of the inhabitants. 
 
 The impression which my mind received from the character 
 and manners of these republicans, suggested the Epistles which 
 are written from the city of Washington and Lake Erie. How 
 far I was right, in thus assuming the tone of a satirist against a 
 people whom I viewed but as a stranger and a visitor, is a doubt 
 
POEMS RELATING TO AMERICA. 
 
 which my feelings did not allow me time to investigate. All I 
 presume to answer for is the fidelity of the picture which I have 
 given; and though prudence might have dictated gentler lan- 
 guage, truth, I think, would have justified severer. 
 
 I went to America with prepossessions by no means unfavor- 
 able, and indeed rather indulged in many of those illusive ideas, 
 with respect to the purity of the government and the primitive 
 happiness of the people, which I had early imbibed in my native 
 country, where, unfortunately, discontent at home enhances every 
 distant temptation, and the western world has long been looked 
 to as a retreat from real or imaginary oppression ; as, in short, 
 the elysian Atlantis, where persecuted patriots might find their 
 visions realized, and be welcomed by kindred spirits to liberty 
 and repose. In all these flattering expectations I found myself 
 completely disappointed, and felt inclined to say to America, as 
 Horace says to his mistress, ^'intentata nites." Brissot, in the 
 preface to his travels, observes, that " freedom in that country is 
 carried to so high a degree as to border upon a state of nature ; " 
 and there certainly is a close approximation to savage life, not 
 only in the liberty which they enjoy, but in the violence of party 
 spirit and of private animosity which results from it. This illib- 
 eral zeal embitters all social intercourse ; and, though I scarcely 
 could hesitate in selecting the party, whose views appeared to 
 me the more pure and rational, yet I was sorry to observe that, 
 in asserting their opinions, they both assume an equal share of 
 
 298 
 
POEMS EELATING TO AMEEICA. 
 
 intolerance; the Democrats, consistently with their principles, 
 exhibiting a vulgarity of rancor, which the Federalists too often 
 are so forgetful of their cause as to imitate. 
 
 The rude familiarity of the lower orders, and indeed the un- 
 polished state of society in general, would neither surprise nor 
 disgust if they seemed to flow from that simplicity of character, 
 that honest ignorance of the gloss of refinement which may be 
 looked for in a new and inexperienced people. But, when we 
 find them arrived at maturity in most of the vices, and all the 
 pride of civilization, while they are still so far removed from its 
 higher and better characteristics, it is impossible not to feel that 
 this youthful decay, this crude anticipation of the natural period 
 of corruption, must repress every sanguine hope of the future 
 energy and greatness of America, 
 
 I am conscious that, in venturing these few remarks, I have 
 said just enough to offend, and by no means sufficient to con- 
 vince ; for the limits of a preface prevent me from entering into 
 a justification of my opinions, and I am committed on the sub- 
 ject as effectually as if I had written volumes in their defence. 
 My reader, however, is apprised of the very cursory observation 
 upon which these opinions are founded, and can easily decide for 
 himself upon the degree of attention or confidence which they 
 merit. 
 
 With respect to the poems in general, which occupy the fol- 
 lowing pages, I know not in what manner to apologize to the 
 
 299 
 
POEMS EELATING TO AMEEICA. 
 
 > 
 
 public for intruding upon their notice such a mass of uncon- 
 nected trifles, such a world of epicurean atoms as I have here 
 brought in conflict together. To say that I have been tempted 
 by the liberal offers of my bookseller, is an excuse which can 
 hope for but little indulgence from the critic; yet I own that, 
 without this seasonable inducement, these poems very possibly 
 would never have been submitted to the world. The glare of 
 publication is too strong for such imperfect productions: they 
 should be shown but to the eye of friendship, in that dim light 
 of privacy which is as favorable to poetical as to female beauty, 
 and serves as a veil for faults, while it enhances every charm 
 which it displays. Besides, this is not a period for the idle oc- 
 cupations of poetry, and times like the present require talents 
 more active and more useful. Few have now the leisure to read 
 such trifles, and I most sincerely regret that I have had the 
 leisure to write them. 
 
 300 
 
POEMS RELATING TO AMERICA. 
 
 ADDRESS. 
 
 N presenting this new and revised edition of the present 
 Great Work to the American Public, containing the 
 Irish Melodies, illustrated by the matchless pencil of Maclise, 
 and the American Poems, now for the first time illustrated in 
 any country, the subscriber would most respectfully state that 
 the great success of the first edition of this work, has encouraged 
 him to still greater efforts in producing more highly-finished 
 engravings than those contained in the earlier editions; but, as 
 to their merits, he will express no opinion, simply leaving that 
 to an enlightened and refined public taste. 
 
 The genuine admirers of Moore will estimate the value of this 
 new edition, by the simple fact that it contains, in addition, the 
 American poems highly illustrated. Many condemn Moore for 
 his sharp criticisms upon our country, as being ungenerous and 
 ill-natured, and as showing a great want of acuteness in obser- 
 vation; but he, in later years, when Washington Irving was 
 visiting him, expressed himself in the fullest and strongest man- 
 
 301 
 
POEMS EELATI^*G TO AMEEICA. 
 
 ner, on the subject of his writings on America, as being the 
 greatest sin of his early life. 
 
 To the press of the country, I return my most sincere thanks 
 for the invariably kind and very liberal notices, with which 
 they have been pleased to greet it, thus assisting in bringing the 
 work prominently before the public, and thereby making it a 
 complete success. And to all my friends and patrons, who have 
 taken a deep interest in the successful termination of mv many 
 years' " labor of love," 
 
 I tender my warmest thanks. 
 
 William Eiches. 
 
 302 
 
/? 
 
 ■S^' 
 
 
 The reveries of fond regret, 
 
 The promise, never to forget, 
 
 And all my heart and soul would send 
 
 To many a dear-lov'd, distant friend. 
 
 How little, when we parted last, 
 I thought those pleasant times were past, 
 Forever past, when brilliant joy 
 Was all my vacant heart's employ : 
 When, fresh from mirth to mirth again, 
 
 We thought the rapid hours too few; 
 Our only use for knowledge then 
 
 To gather bliss from all we knew, 
 Delicious days of whim and soul ! 
 
 When, mingling lore and laugh together, 
 We lean'd the book on Pleasure's bowl. 
 
 And turn'd the leaf with Folly's feather. 
 Little I thought that all were fled. 
 That, ere that summer's bloom was shed, 
 My eye should see the sail unfurl'd 
 That wafts me to the western world. 
 
 fell— .V 
 
 %-s 
 
 
 And yet, 'twas time; — in youth's sweet days, 
 To cool that season's glowing rays, 
 
 ^&k4^ 
 
 30(1. 
 
The heart a while, with wanton winor. 
 May dip and dive in Pleasure's spring; 
 But, if it wait for winter's breeze, 
 The spring will chill, the heart will fi-eeze. 
 And then, that Hope, that fairy Hope, 
 
 0, she awak'd such happy dreams. 
 And gave my soul such tempting scope 
 
 For all its dearest, fondest schemes, 
 That not Verona's child of sonor. 
 
 When flying from the Phrygian shore, 
 With lighter heart could bound along, 
 
 Or pant to be a wanderer more ! ' 
 
 Even now delusive hope will steal 
 Amid the dark regrets I feel. 
 Soothing, as yonder placid beam 
 
 Pursues the murmurers of the deep, 
 And lights them with consoling gleam. 
 
 And smiles them into tranquil sleep. 
 0, such a blessed night as this, 
 
 I often think, if friends were near. 
 How we should feel, and gaze with bliss 
 
 Upon the moon-bright scenery here 
 
 ^.^ 
 
,^*i 
 
 ^ 
 
 ^ 
 
 The sea is like a silvery lake, 
 
 And, o'er its calm the vessel glides 
 Gently, as if it fear'd to wake 
 
 The slumber of the silent tides. 
 The only envious cloud that lowers 
 
 Hath hung its shade on Pico's height,^" 
 Where dimly, 'mid the dusk, he towers, 
 
 And scowling at this heav'n of light, 
 Exults to see the infant storm 
 Cling darkly round his giant form ! 
 
 Now, could I range those verdant isles, 
 
 Invisible, at this soft hour, 
 And see the looks, the beaming smiles, 
 
 That brighten many an orange bower ; 
 And could I lift each pious veil, 
 
 And see the blushing cheek it shades, — 
 0, I should have full many a tale, 
 
 To tell of young Azorian maids/ ^ 
 
 Yes, Strangford, at this hour, perhaps, 
 Some lover (not too idly blest, 
 
 Like those, who in their ladies' laps 
 May cradle every wish to rest,) 
 
 308 
 
Warbles, to touch his dear one's soul, 
 Those madrigals, of breath divine, 
 
 Which Camoen's harp from Rapture stole 
 And gave, all glowing warm, to thine.'" 
 
 0, could the lover learn from thee, 
 
 And breathe them with thy graceful tone 
 
 Such sweet, beguiling minstrelsy- 
 Would make the coldest nymph his own. 
 
 But hark ! — the boatswain's pipings tell 
 'Tis time to bid my dream farewell : 
 Eight bells — the middle watch is set; 
 Good night, my Strangford ! — ne'er forget 
 That, far beyond the western sea 
 Is one, whose heart remembers thee. 
 
cftansa^. 
 
 ©v/i05 6f not f U05 
 
 /.K ripoapuivti ta.5(. 
 
 JEscHYL. Fragmeyit. 
 
 ^ UtHUt of tranquillity srail'd in the west 
 The storms of the morning pursued us no 
 I I more ; 
 
 And the wave, while it welcom'd the moment 
 
 of rest, J^i 
 
 ? Still heav'd, as rememberino; ills that were "^-'-^ 
 
 w*> er. 
 
 heart took the hue of the hour, 
 were sleeping, were mute as the 
 
 UQ 
 
 beealm'd but remember'd their 
 
 ow the force of the gale that was fled 
 
 ose days, when to pleasure alone 
 er granted a wish or a sigh ; 
 est emotion my bosom had known, 
 those who were wiser than I. 
 
I reflected, how soon in the cup of Desire 
 
 The pearl of the soul may be melted ^?v 
 
 away; | 
 
 How quickly, alas, the pure sparkle of fire 
 We inherit from heav'n, may be quench'd 
 in the clay ; 
 
 And I pray'd of that Spirit who lighted the 
 flame. 
 That Pleasure no more might its purity dim; 
 ^^ So that, sullied but little, or brightly the same.'^ 
 fet I might give back the boon I had borrow'd ' 
 from Him. 
 
 How blest was the thought! it appear'd as if 
 Heaven 
 
 Had already an opening to Paradise shown ; 
 As if, passion all chasten'd and error forgiven, 
 
 My heart then began to be purely its own. 
 
 'I look'd to the west, and the beautiful sky 
 
 Which morning had clouded, was clouded no more : 
 
 "0, thus," I exclaimed, "may a heavenly eye 
 
 "Shed light on the soul that was darken'd before." 
 
 '^.- 
 
 m 
 
 ^ 
 
 ViV- 
 
 f 
 
 ,^^^^^^^»jsr 
 
^5^^.-€i?"^--T^Y 
 
 ®0 Wxt |l}jJ«g gi^k' 
 
 ^Vlittl I bave seen thy snow-white wing 
 the blue wave at evening spring, 
 show those scales of silvery white, 
 ayly to the eye of light, 
 thy frame were form'd to rise, 
 live amid the glorious skies; 
 has made me proudly feel, 
 like thy wing's impatient zeal 
 e pure soul, that rests not, pent 
 thin this world's gross element, 
 takes the wing that God has given, -^ 
 rises into light and heaven ! 
 
 I IT T ri<TT> *.^^->wlv</^J» 
 
 312 
 
~-^:::^r^^.^o^r^^^ 
 
 \\< 
 
 '//) \t? 
 
 .V 
 
 But, when I see that wing, so bright, 
 Grow languid with a moment's flight. 
 Attempt the paths of air in vain, 
 And sink into the waves again ; 
 Alas ! the flattering pride is o'er ; 
 Like thee, a while, the soul may soar, 
 But erring man must blush to think, 
 Like thee, again the soul may sink. 
 
 Virtue ! when thy clime I seek, 
 Let not my spirit's flight be weak; 
 Let me not, like this feeble thing, 
 With brine still dropping from its wing, 
 Just sparkle in the solar glow 
 And plunge again to depths below; 
 But, when I leave the grosser throng 
 With whom my soul hath dwelt so long, 
 Let me, in that aspiring day. 
 Cast every lingering stain away, 
 And, panting for thy purer air. 
 Fly up at once and fix me there. 
 
 I *-fn*^tLJthfirmi 
 
 313 
 
And then, at night, how sweet to say, 
 "'Tis late, my love!" and chide delay. 
 
 Though still the western clouds are bright; 
 Oh ! happy, too, the silent press, 
 The eloquence of mute caress. 
 
 With those we love, exchanged at night 
 
 814 
 
3^. 
 
 No damp on her deck but the even-tide's weep- 
 
 m 
 
 No breath in her sails but the summer-wind's v 
 sigh. 
 
 Yet who would not turn, with a fonder emotion, 
 To gaze on the life-boat, though rugged and 
 worn, 
 
 Which often hath wafted, o'er hills of the ocean, 
 The lost light of hope to the seaman forlorn ! 
 
 \(lj 
 
 f 
 
 Oh! grant that of those who in life's sunny 
 slumber 
 Around us like summer-barks idly have 
 play'd. 
 When storms are abroad we may find in the 
 number 
 One friend, like the life-boat, to fly to our 
 aid. 
 
 fi 
 
 # 
 
(BW beds of snow the moonbeam slept, 
 And chilly was the midnight gloom, 
 
 When by the damp grave Ellen wept — 
 Sweet maid ! it was her Li 
 
A warm tear gush'd, the wintry air 
 Congeal'd it as it flow'd away: 
 
 All night it lay an ice-drop there, 
 At morn it glitter'd in the ray ! 
 
 An angel, wandering from her sphere, 
 Who saw this bright, this frozen gem, 
 
 To dew-eyed Pity brought the tear, 
 And hung it on her diadem ! 
 
 318 
 
RiCHCS' 
 
 819 
 
I^i 
 
 
 
 ^ 
 
 ^ ►.i^^ 
 
 ^r^ 
 
 ^^) 
 
 ^^^ 
 
 And, mild as eveninor's matron hour. 
 Looks on the faintly shutting flower, 
 A mother saw our eyelids close. 
 And bless'd them into pure repose ; 
 Then, haply if a week, a day, 
 I lingered from that home away, 
 How long the little absence seem'd! 
 How bright the look of welcome beam'd, 
 As mute you heard, with eager smile, 
 My tales of all that pass'd the while ! 
 
 Yet now, my Kate, a gloomy sea 
 Rolls wide between that home and me ; 
 The moon may thrice be born and die. 
 Ere ev'n that seal can reach mine eye, 
 Wliich used so oft, so quick to come, 
 Still breathing all the breath of home, — 
 As if, still fresh, the cordial air 
 From lips belov'd were lingering there. 
 But now, alas, — far different fate ! 
 It comes o'er ocean, slow and late. 
 When the dear hand that fill'd its fold 
 
 With words of sweetness may lie cold. 
 
 \J- 
 
 '■^ 
 
 -•]20 
 
'^1 
 
 « ' 1 
 
 V 
 
 rr^N\ 
 
 [K \ 
 
 ^-i 
 
 ^^ 
 
 
 But hence that gloomy thought! at last, 
 Belov'd Kate, the waves are past: 
 I tread on earth securely now, 
 And the green cedar's living bou(yh 
 Breathes more refreshment to my eyes 
 Than could a Claude's divinest dyes. 
 At length I touch the happy sphere 
 To liberty and virtue dear. 
 Where man looks up, and, proud to claim 
 His rank within the social frame. 
 Sees a grand system round him roll. 
 Himself its centre, sun, and soul! 
 Far from the shocks of Europe — far 
 From every wild, elliptic star 
 That, shooting with a devious fire, 
 Kindled by heaven's aveno-ing ire, 
 So oft hath into chaos hurl'd 
 The svstems of the ancient world. 
 
 k 
 
 -^^ 
 
 The warrior here, in arms no more, ,^-^ 
 ; Thinks of the toil, the conflict o'er, j 
 And glorving in the freedom won '* 
 
 V 
 
 f>>l-s to: 
 
For hearth and shrine, for sire and son, 
 Smiles on the dusky webs that hide 
 His sleeping sword's reciTiizfr d pride. 
 While Peace, with sonny cheeks of toil. 
 Walks o'er the free, unlorded soil, 
 Efl^ng with her splendid share 
 The drops that war had sprinkle • : rre 
 Thrice happy land! where he vr _; - rs 
 From the dark ills of other ££::e5 
 From scorn, or wants unnerviL^ ~:t5. 
 May shelter him in proud repose : 
 Hope sings ai^- -Ir rellow sand 
 His welcome t: itland; 
 
 The mighty woca, TTiin pomp, receives 
 The stranger in its world of leaves, 
 J^ Which soon their barren glory yield 
 To the warm shed and cultur'd field; 
 
 id he, who came, of all b^efl. 
 To whom malignant £a^ had left 
 
 c nor firiends nor country :. 
 e and friends and country 
 
 tss 
 
Sach is the picture, warmiy such, 
 That Fancy long, with florid touch. 
 Had painted to my sanguine eye 
 Of man's new worid of Hberty. 
 0, ask me not, if Truth have yet 
 Her seal on Fancy's promise set; 
 If ev'n a glimpse my eyes behold 
 Of that imagin'd age of gold : — 
 Alas, not yet one gleaming trace!** 
 Never did youth, who lov'd a £ace 
 As sketch'd by some fond pencil's skill 
 And made by fancy loveUer stall. 
 Shrink back with more of sad surprise 
 When the live model met his eyes. 
 Than I have felt, in sorrow felt. 
 To find a dream on which I've dwelt 
 From boyhood's hour, thus fade and flee 
 At touch of stern reality ! 
 
 But, courage, yet. my wavering heart I 
 Blame not the temple's meanest part," -'^ 
 Till thou hast traced the fabric o'er: — 
 As yet, we have beheld no more 
 
 r^ 
 
 s:fJ! 
 
^.Ar r 
 
 T^ 
 
 /^ 
 
 ^N 
 
 r^^^: 
 
 ^ 
 
 /I 
 
 #..\ 
 
 Than just the porch to Freedom's fane ; 
 And, though a sable spot may stain 
 The vestibule, 'tis wrong, 'tis sin 
 To doubt the godhead reigns within! 
 So here I pause — and now, my Kate, 
 To you, and those dear friends, whose fate 
 Touches more near this homesick soul 
 Than all the Powers from pole to pole, 
 One word at parting, — in the tone 
 Most sweet to you, and most my own. 
 The simple strain I send you here,^" 
 Wild though it be, would charm your ear, 
 Did you but know the trance of thought 
 In which my mind its numbers caught. 
 'T was one of those half-waking dreams. 
 That haunt me oft, when music seems 
 To bear my soul in sound along, 
 And turn its feelings all to song. 
 I thought of home, the according lays „r) 
 Came full of dreams of other days ; 
 
 l\^ 
 
 V 
 
/V". 
 
 ^-s^^iS" 
 
 K^ 
 
 </^- 
 
 V 
 
 ^ 
 
 ^ 
 
 Freshly in each succeeding note 
 I found some young remembrance float, 
 Till following, as a clue, that strain, 
 I wander' d back to home again. 
 
 0, love the song, and let it oft 
 Live on your lip, in accents soft. 
 Say that it tells you, simply well. 
 All I have bid its wild notes tell, — 
 Of Memory's dream, of thoughts that yet 
 Glow with the light of joy that's set, 
 And all the fond heart keeps in store 
 Of friends and scenes beheld no more. 
 And now, adieu I — this artless air, 
 With a few rhymes, in transcript fair, 
 Are all the gifts I yet can boast 
 To send you from Columbia's coast ; 
 But when the sun, with warmer smile, 
 Shall light me to my destin'd isle,^^ 
 You shall have many a cowslip bell 
 Where Ariel slept, and many a shell, 
 In which that gentle spirit drew f/ 
 
 From honey flowers the morning dew. '^ 
 
 fi 
 
 325 
 
1^ 
 
 "They tell of a young man. who lost his mind upon the death of a 
 girl he loved, and who, suddenly disappearins; from his friends, was 
 never afterwards heard of As he had frequently said, in his rav- 
 ings, that the girl was not dead, but gone to the Dismal Swamp, it 
 is supposed he had wandered into that dreary wilderness, and had 
 died of hunger, or been lost in some of its dreadful morasses. " — 
 Anoyi. 
 
 "La Po^sie a ses monstres comme la nature." — D'Alembeet. 
 
 ^^ilhCM made her a grave, too cold and damp 
 
 " For a soul so warm and true ; 
 "And she's gone to the Lake of the Dismal Swamp," 
 " Where, all night long, by a firefly lamp, 
 
 "She paddles her white canoe. 
 
 "And her firefly lamp I soon shall see, 
 
 "And her paddle I soon shall hear; 
 "Long and loving our life shall be, 
 "And I'll hide the maid in a cypress tree, 
 
 "When the footstep of death is near."' 
 
 326 
 
rMff 
 
 
 And, when on the earth he sunk to sleep, 
 
 If slumber his eyelids knew, 
 He lay, where the deadly vine doth weep 
 Its venomous tear and nightly steep 
 
 The flesh with blistering dew! 
 
 And near him the she wolf stirr'd the brake, 
 And the copper snake breath'd in his ear, 
 Till he starting cried, from his dream awake, 
 "0, when shall I see the dusky Lake, 
 "And the white canoe of my dear?" 
 
 He saw the Lake, and the meteor bright 
 
 Quick over its surface play'd — 
 "Welcome," he said, "my dear one's hght!" 
 And the dim shore echoed, for many a night. 
 
 The name of the death-cold maid. 
 
 Till he hollow'd a boat of the birchen bark. 
 
 Which carried him off from shore ; 
 Far, far he follow'd the meteor spark, 
 The wind was high and the clouds were dark, 
 And the boat return'd no more. 
 
 M 
 IP 
 
:^^ 
 
 ®0 tk pav^lw0tt<?^!Si g^uiag^v d g^tugall 
 
 FROM BERMUDA, JANUARY, 1804. 
 
 ^HUM I where'er you roam, whatever land 
 Wooes the bright touches of that artist hand ; 
 Whether you sketch the valley's golden meads. 
 Where mazy Lintli his lingering current leads ;^ 
 Enamour'd catch the mellow hues that sleep, 
 At eve, on Meillerie's immortal steep; 
 Or musing o'er the Lake, at day's decline, 
 Mark the last shadow on that holy shrine 
 
 ^\^HtS— WQQ^t 
 
 1{*timnr;?==^ 
 
 3?.0 
 
Where, many a night, tlie shade of Tell com- 
 plains 
 Of Gallia's triumph and Helvetia's chains ; 
 0, lay the pencil for a moment by, 
 Turn from the canvas that creative eye, 
 And let its splendor, like the morning ray 
 Upon a shepherd's harp, illume my lay. 
 
 Yet, Lady, no — for song so rude as mine. 
 Chase not the wonders of your art divine ; 
 Still, radiant eye, upon the canvas dwell ; 
 Still, magic finger, weave your potent spell ; 
 And, while I sing the animated smiles 
 Of fairy nature in these sun-born isles, 
 0, might the song awake some bright design, 
 Inspire a touch, or prompt one happy line. 
 Proud were my soul, to see its humble thought 
 On painting's mirror so divinely caught; 
 While wondering Genius, as he lean'd to trace 
 The faint conception kindling into grace, 
 Might love my numbers for the spark they threw, 
 And bless the lay that lent a charm to you. 
 
 Say, have you ne'er, in nightly vision, stray'd 
 To those pure isles of ever-blooming shade. 
 
 V.^lWlS — l»ttll»t 
 
 331 
 
-^:::r~,7C-.^...g--^_ 
 
 Imk 
 
 Whicli bards of old, with kindly fancy, plac'd 
 
 For happy spirits in th' Atlantic waste? ^^ 
 
 There listening, while, from earth, each breeze that 
 
 came 
 Brought echoes of their own undying fame, 
 In eloquence of eye, and dreams of song. 
 They charm'd their lapse of nightless hours along :- 
 Nor yet in song, that mortal ear might suit, 
 For every spirit was itself a lute. 
 Where Virtue waken'd, with elysian breeze, 
 Pure tones of thouo;ht and mental harmonies. 
 
 Believe me. Lady, when the zephyrs bland 
 Floated our bark to this enchanted land, — 
 These leafy isles upon the ocean thrown, 
 Like studs of emerald o'er a silver zone, — 
 ISFot all the charm, that ethnic fancy gave 
 To blessed arbors o'er the western wave. 
 Could wake a dream, more soothing or sublime, 
 Of bowers ethereal, and the Spirit's clime. 
 
 Bright rose the morning, every wave was still 
 When the first perfume of a cedar hill 
 
 Sweetly awak'd us, and, with smiling charms, 
 '^' The fairy harbor woo'd us to its arms 
 
 ?^\^«t^— *OtlTt 
 
 332 
 
 .ir-fro?«T7?==» A 
 
Gently we stole, before the whispering wind, 
 Through plaintain shades, that round, like awnings, 
 
 twin'd, 
 And kiss'd on either side the wanton sails. 
 Breathing our welcome to these vernal vales; 
 While, far reflected o'er the wave serene, 
 Each wooded island shed so soft a green 
 That the enamour'd keel, with whispering play. 
 Through liquid herbage seem'd to steal its way. 
 
 ITever did weary bark more gladly glide. 
 Or rest its anchor in a lovelier tide ! 
 Along the margin, many a shining dome, 
 White as the palace of a Lapland gnome, 
 Brighten'd the wave ; — in every myrtle grove 
 Secluded bashful, like a shrine of love. 
 Some elfin mansion sparkled through the shade ; 
 And, while the foliage interposing play'd, 
 Lending the scene an ever-changing grace, 
 Fancy would love, in glimpses vague, to trace 
 The flowery capital, the shaft, the porch, ^^ 
 And dream of temples, till her kindling torch 
 Lighted me back to all the glorious days 
 Of Attic genius ; and I seem'd to gaze 
 O|0n marble, from the rich Pentelic mount, 
 Gracing the umbrage of some Naiad's fount. //^ 
 
 
 
 Vn\^.W^%— MiOtVl 
 
 i^-r<p-^s- 
 
 333 
 
 iifi<fr^u?rff=^^ -4 
 
Then thought I, too, of thee, most sweet of all 
 The spirit race that come at poet's call, 
 Delicate Ariel! who, in brighter hours, 
 Liv'd on the perfume of those honeyed bowers, 
 In velvet buds, at evening, lov'd to lie. 
 And win with music every rose's sigh. 
 Though weak the magic of my humble strain 
 To charm your spirit from its orb again, 
 Yet, 0, for her, beneath whose smile I sing. 
 For her (whose pencil, if your rainbow wing 
 Were dimm'd or ruffled by a wintry sky. 
 Could smooth its feather and relume its dye,) 
 Descend a moment from your starry sphere, 
 And, if the lime-tree grove that once was dear, 
 The sunny wave, the bower, the breezy hill, 
 The sparkling grotto can delight you still, 
 cull their choicest tints, their softest light. 
 Weave all these spells into one dream of night. 
 And, while the lovely artist slumbering lies, 
 Shed the warm picture o'er her mental eyes; 
 Take for the task her own creative spells, 
 And brightly show what song but faintly tells. 
 
 'i^^5^^ 
 
 5^ 
 
 »v\^«ti— W60M. 
 
 S34 
 
^0 ^mp §Ux^mt, (B^. 
 
 OF NORFOLK, VIRGINIA.''* 
 
 FROM BERMUDA, JANUAEV, 1804. 
 
 Keci'Tf 6' TjveuoeffGa koi arpo-og, oia t?' alinXrj^, 
 AiBviT]^ Kai [laMov emdpo/io^ Tienep i-noiq, 
 TlovTij EvearijptKTia. 
 
 Callimach. Hymn, in Del. v. II. 
 
 ©♦ tCMt a sea of storm we've pass'd! — 
 
 High mountain waves and foamy showers 
 And battling winds whose savage blast 
 But ill agrees with one whose hours 
 Have passed in old Anacreon's bowers. 
 Yet think not poesy's bright charm 
 Forsook me in this rude alarm: — ^' 
 When close they reef'd the timid sail, 
 
 When, every plank complaining loud, 
 We labor'd in the midnight gale, 
 
 And ev'n our haughty mainmast bow'd, 
 Even then, in that unlovelv hour, 
 The Muse still brought her soothing power, 
 And, 'midst the war of waves and wind. 
 In song's Elysium lapp'd my mind. 
 Nay, when no numbers of my own 
 Responded to her wakening tone. 
 
 885 
 
She open'd, with her golden key, 
 The casket where my memory lays, 
 
 Those gems of classic poesy. 
 
 Which time has sav'd from ancient days. 
 
 Take one of these, to Lais sung, — 
 I wrote it while my hammock swung, 
 As one might write a dissertation 
 Upon "Suspended Animation!" 
 
 Sweet ''^ is your kiss, my Lais dear, 
 But, with that kiss I feel a tear 
 Gush from your eyelids, such as start 
 When those who've dearly lov'd must part. 
 Sadly you lean your head to mine, 
 And mute those arms around me twine, 
 Your hair adown my bosom spread. 
 All glittering with the tears you shed. 
 In vain I 've kissed those lids of snow, 
 For still, like ceaseless founts they flow. 
 Bathing our cheeks, whene'er they meet. 
 Why is it thus? do, tell me, sweet! 
 Ah, Lais! are my bodings right? 
 Am I to lose you? is to-night 
 
 Our last go, false to heaven and me ! 
 
 Your very tears are treachery. 
 
WCltf while in air I floating hung, 
 Such was the strain, Morgante mio 
 
 "^s-l 
 
 The muse and I together sung, 
 
 With Boreas to make out the trio. 
 But, bless the little 'fairy isle! 
 
 How sweetly after all our ills, 
 We saw the sunny morning smile 
 Serenely o'er its fragrant hills; 
 And felt the pure, delicious flow 
 Of airs, that round this Eden blow 
 Freshly as ev'n the gales that come 
 O'er our own healthy hills at home. 
 
 Could you but view the scenery fair, 
 
 That now beneath my window lies, 
 You'd think, that nature lavish'd there 
 
 Her purest wave, her softest skies. 
 To make a heaven for love to sigh in, 
 For bards to live and saints to die in. 
 Close to my wooded bank below, 
 
 In glassy calm the waters sleep, 
 And to the sunbeam proudly show 
 
 The coral rocks they love to steep/ ^ 
 The fainting breeze of mor 
 
 The drowsy boat m.oves 
 And I can almost touch its 
 
 As loose they flap aroun 
 
 ^i^^jt 
 
r-' 
 
 .)■/'■- 
 
 "m- 
 
 ?^ 
 
 The noontide sun a splendor pours 
 That lights up all these leafy shores; 
 While his own heav'n, its clouds and beam 
 
 So pictured in the waters lie, 
 That each small bark, in passing, seems 
 
 To float along a burning sky. 
 
 O for the pinnace lent to thee." 
 
 Blest dreamer, who, in vision brigiir 
 Didst sail o'er heaven's solar sea 
 
 And touch at all its isles of light. 
 Sweet Venus, what a clime he found 
 Within thv orb's ambrosial round ! '* 
 There spring the breezes, rich and warm, 
 
 That sigh around thy vesper car ; 
 And angels dwell, so pure of form 
 
 That each appears a living star.'" 
 These are the sprites, celestial queen ! 
 
 Thou sendest nightly to the bed 
 Of her I love, with touch unseen 
 
 Thv planet's brightening tints to shed ; 
 To lend that eye a light still clearer. 
 
 To give that cheek one rose blush more, 
 And bid that blushing hp be dearer, 
 
 Which had been all too dear before. 
 
 But, whither means the muse to roam? 
 'T is time to call the wanderer home. 
 
^ 
 
 iTy^ 
 
 '-h 
 
 'ho could have thought the nymph would perch her V\ ^^ 
 Up in the clouds with Father Kircher? ^^"^ 
 
 So, health and love to all your mansion ! 
 
 Long may the bowl that pleasures bloom in. 
 The flow of heart, the soul's expansion, 
 
 Mirth and song, your board illumine. 
 At all your feasts, remember too, 
 
 When cups are sparkling to the brim, ///% 
 
 That here is one who drinks to you, ^4^ 
 
 And. 0, as warmly drink to hira. ^^ ^^^S? 
 
340 
 
K\ 
 
 ^ 
 
 VI 
 
 «■ 
 
 ^ 
 
 ^0, there 's a holy calm profound 
 
 Jn awe like this, that ne'er was giveiji 
 
 To pleasure's thrill ; 
 'T is as a solemn voice from heaven, r^ 
 And the soul, listening to the sound, r ^ 
 Lies mute and still. 
 
 'T is true, it talks of danger nigh. 
 
 Of slumbering with the dead to-morrow 
 
 In the cold deep, 
 Where pleasure's throb or tears of sorrow 
 Xo more shall wake the heart or eve 
 
 But all must sleep. 
 
 Well ! — there are some, thou stormy bed. 
 To whom thy sleep would be a treasure ; 
 
 0, most to him, 
 Whose lip hath drain'd life's cup of pleasure, 
 Nor left one honey drop to shed 
 
 Round sorrow's brim. 
 
 Yes — he can smile serene at death : 
 
 Kind heaven, do thou but chase the weeping 
 
 Of friends who love him ; 
 Tell them that he lies calmly sleepin<T 
 Where sorrow's sting or envy's breath 
 
 Xo more shall move him. 
 
 lim 
 
Wi^\\f tempt me not to love again, 
 
 There was a time when love was sweet ; 
 Dear Nea ! had I known thee then, 
 
 Our souls had not been slow to meet. 
 But, 0, this weary heart hath run, 
 
 So many a time, the rounds of pain, 
 Not ev'n for thee, thou lovely one. 
 
 Would I endure such pangs again. 
 
 If there be climes, where never yet 
 The print of beauty's foot was set, 
 Where man may pass his loveless nights, 
 Unfever'd by her false delights. 
 Thither my wounded soul would fly. 
 Where rosv cheek or radiant eye 
 Should bring no more their bliss, or pain, 
 Nor fetter me to earth again. 
 
 •r<«j- k<c*f 
 
w 
 
 sT 
 
 \ 
 
 W 
 
 Dear absent girl ! whose eyes of light, 
 
 Though Httle priz'd when all my own, [ 
 Now float before me, soft and bright 
 
 As when they first enamouring shone, — 
 What hours and days have I seen glide. 
 While fix'd, enchanted, by thy side, 
 Unmindful of the fleeting day, 
 I 've let life's dream dissolve away. 
 bloom of youth profusely shed ! 
 moments! simply, vainly sped, 
 Yet sweetly too — for Love perfum'd 
 The flame which thus ray life consum'd; 
 And brilliant was the chain of flowers. 
 In which he led my victim hours. 
 
 Say, Nea, say, couldst thon, like her, 
 When warm to feel and quick to err. 
 Of loving fond, of roving fonder, 
 This thoughtless soul might wish to wander, - 
 Couldst thou, like her, the wish reclaim, 
 
 Endearing still, reproaching never. 
 Till ev'n this heart should burn with shame, 
 
 And be thy own more fix'd than ever? 
 
 > 
 
 ■^ 
 
 343 
 
no — on earth there 's only one 
 Could bind such faithless folly fast; 
 
 sure on earth but one alone 
 Could make such virtue false at last 
 
 Nea, the heart which she forsook, 
 
 For thee were but a worthless shrine — 
 Go, lovely girl, that angel look 
 
 Must thrill a soul more pure than mine. 
 0, thou shalt be all else to me, 
 
 That heart can tell or tongue can feign ; 
 I '11 praise, admire, and worship thee. 
 
 But must not, dare not, love again. 
 
That little Bay, wliere turning in 
 From ocean's rude and angry din, 
 
 As lovers steal to bliss, 
 The billows kiss the shore, and then 
 Flow back into the deep again. 
 
 As though they did not kiss. 
 
 Remember, o'er its circling flood 
 
 In what a dangerous dream we stood — 
 
 The silent sea before us, 
 Around us, all the gloom of grove, 
 That ever lent its shade to love, 
 
 No eye but heaven's o'er us ! 
 
 I saw you blush, you felt me tremble. 
 In vain would formal art dissemble 
 
 All we then look'd and thought; 
 'T was more than tongue could dare reveal, 
 'Twas ev'ry thing that young hearts feel. 
 
 By Love and Nature taught. 
 
 I stoop'd to cull, with faltering hand, 
 A shell that, on the golden sand, 
 
 Before us faintly gleam'd; 
 I trembling rais'd it, and when you 
 Had kiss'd the shell, I kiss'd it too — 
 
 How sweet, how wrong; it seem'd. 
 
 ^4 
 
 34b 
 
0, trust me, 't was a place, an hour, 
 The worst that e'er the tempter's power 
 
 Could tangle me or you in; 
 Sweet Nea, let us roam no more 
 Along, that wild and lonely shore, 
 
 Sucn walks ma}^ be our ruin. 
 
m§Tm 
 
 Heard you the wish I dar'd to name, 
 To murmur on that luckless night, 
 
 When passion broke the bonds of shame, 
 And love grew madness in your sight? 
 
 Divinely through the graceful dance, 
 You seem'd to float in silent song. 
 
 Bending to earth that sunny glance. 
 As if to light your steps along. 
 
 0, how could others dare to touch 
 
 That hallow'd form with hand so free, 
 
 When but to look was bliss too much. 
 Too rare for all but love and me ! 
 
 With smiling eyes, that little thought 
 How fatal were the beams they threw, 
 
 My trembling hands you lightly caught. 
 And round me, like a spirit, flew. 
 
 Heedless of all, but you alone, — 
 
 And you, at least, should not condemn, 
 
 If, when such eyes before me shone, 
 My soul forgot all eyes but them, — 
 
 
g^ 
 
 B 
 
 I dar'd to whisper passion's vow, — 
 
 For love had ev'n of thought bereft me,- 
 
 Nay, half way bent to kiss that brow, 
 But, with a bound, you blushing left me. 
 
 Forget, forget that night's offence, 
 
 Forgive it, if, alas ! you can ; 
 'T was love, 't was passion — soul and sense- 
 
 'Twas all that's best and worst in man. 
 
 IV 
 
 That moment, did th' assembled eyes 
 Of heaven and earth my madness view, 
 
 I should have seen, through earth and skies, 
 But you alone — but only you. 
 
 Did not a frown from you reprove. 
 Myriads of eyes to me were none ; 
 
 Enough for me to win your love. 
 And die upon the spot, when won. 
 
 01 
 
 m 
 
!^^= -.--t> 
 
 -^^ 
 
 '"■¥, 
 
 ^ 
 
 Before I laid me down to sleep, 
 A while I from the lattice gaz'd 
 
 Tjpon that still and moonlight deep, 
 
 With isles like floating gardens rais'd,^/ 
 
 For Ariel there his sports to keep; 
 
 While, gliding 'twixt their leafy shores 
 
 The lone night fisher plied his oars. 
 
 I felt, — so strongly fancy's power 
 Came o'er me in that witching hour, — 
 As if the whole bright scenery there 
 
 Were lighted by a Grecian sky, 
 And I then breath'd the blissful air 
 
 That late had thrill 'd to Sappho's sigh. 
 
 Thus, waking, dreamt 1, — and when Sleep 
 Came o'er my sense, the dream went on: 
 
 Nor, through her curtain dim and deep, 
 Hath ever lovelier vision shone. 
 
 I thought that, all enrapt, I stray'd 
 Throudi that serene, luxurious shade." 
 
 Epicurus taught the Loves 
 To polish virtue's native brightness. 
 
 4!^. 
 
Q 
 
 3 As pearls, we 're told, that fondling dove 
 
 Have play'd with, wear a smoother 
 whiteness/^ 
 'Twas one of those delicious nights 
 
 So common in the climes of Greece, 
 When day withdraws but half its lights 
 
 And all is moonshine, balm, and peace. 
 And thou wert there, my own belov'd, 
 And by thy side I fondly rov'd 
 Through many a temple's reverend gloom, 
 And many a bower's seductive bloom. 
 Where Beauty learn'd what Wisdom taught 
 And sages sigh'd and lovers thought; 
 Where schoolmen conn'd no maxims stern. 
 
 But all was form'd to soothe or move, 
 To make the dullest love to learn, 
 
 To make the coldest learn to love. 
 
 And now the fairy pathway seem'd 
 To lead us through enchanted ground, 
 
 Where all that bard has ever dream'd 
 Of love or luxury bloom'd around. 
 
 0, 't was a bright, bewildering scene. 
 
 Along the alley's deepening green 
 
 
 852 
 
 % 
 
Soft lamps, that hung like burning flowers, 
 'And scented and illum'd the bowers, 
 ^j^Seem'd, as to him, who darkling roves ^| 
 1^3^ Amid the lone Hercynian groves, 
 Appear those countless birds of light, 
 That sparkle in the leaves at night, 
 And from their wings diffuse a ray- 
 Along the traveller's weary way/^ 
 'T was light of that mysterious kind. 
 
 Through which the soul perchance may roam, 
 When it has left this world behind. 
 
 And gone to seek its heavenly home. 
 And, ISTearthou wert by my side, 
 Through all this heo.v'nward path my guide. %/ 
 
 But, lo, as wand'ring thus we rang'd 
 That upward path, the vision chang'd; 
 And now, methought, we stole along 
 
 Through halls of more voluptuous glory 
 Than ever liv'd in Teian song, 
 
 Or wanton'd in Milesian story.'* 
 And nymphs were there, whose very eyes 
 Seem'd soften 'd o'er with breath of sighs; 
 
 a/CMEs-co. 
 
i 
 
 0n 
 
 y 
 
 ...-H 
 
 Whose ev ry ringlet, as it wreath'd, 
 A mute appeal to passion breath'd. 
 Some flew, with amber cups, around, 
 
 Pouring the flowery wines of Crete ;'^ 
 And, as they pass'd with youthful bound, 
 
 The onyx shone beneath their feet/* 
 While others, waving arms of snow 
 
 Intwin'd by snakes of burnish'd gold,^' 
 And showinor charms, as loath to show, 
 
 Through many a thin Tarentian fold,^' 
 Glided amono- the festal throng 
 Bearincr rich urns of flowers alono-. 
 
 o o 
 
 Where roses lay, in languor breathing, 
 
 And the young bee grape, '^ round them wreathing. 
 
 Hung on their blushes warm and meek, 
 
 Like curls upon a rosy cheek, 
 
 0, Nea! why did morning break 
 
 The spell that thus divinely bound me? 
 
 Why did I wake? how could I wake 
 
 With thee my own and heaven around me 
 
 864 
 
iA. 
 
 WtW — pcHce to tltjj heart. 
 
 'iVtW — peace to thy heart, though another's it be, 
 And health to that cheek, though it bloom not for me 
 To-morrow I sail for those cinnamon groves,*** 
 Where nightly the ghost of the Carribee roves, 
 And, far from the light of those eyes, I may yet 
 Their illurements forgive and their splendor forget. 
 
 Farewell to Bermuda,*^ and long may the bloom 
 Of the lemon and myrtle its valleys perfume; 
 May spring to eternity hallow the shade, 
 Where Ariel has warbled and Waller*^ has stray'd. 
 And thou — when, at dawn, thou shalt happen to roam 
 Through the lime-cover'd alley that leads to thy home. 
 Where oft, when the dance and the revel were done. 
 And the stars were beginning to fade in the sun, 
 I have led thee along, and have told by the way 
 What my heart all the night had been burning to say — 
 0, think of the past — give a sigh to those times, 
 And a blessing for me to that alley of limes. 
 
 ¥ 
 
 -^. 
 
 ^'-//. 
 
 356 
 
aj«4J>*^i<^7''^ _ 
 
 f I were yonder wave, my dear, 
 And thou the isle it clasps around, 
 I would not let a foot come near 
 My land of bliss, my fairy ground. 
 
 If I were yonder couch of gold, 
 
 And thou the pearl within it plac'd, 
 
 I would not let an eye behold 
 
 The sacred gem my arms embrac'd. 
 
 If I were yonder orange tree, 
 
 And thou the blossom blooming there, 
 I would not yield a breath of thee 
 
 To scent the most imploring air. 
 
 0, bend not o'er the water's brink. 
 Give not the wave that odorous sigh, 
 
 Nor let its burning mirror drink 
 The soft reflection of thine eye. 
 
 That glossy hair, that glowing cheek, 
 So pictur'd in the waters seem. 
 
 That I could gladly plunge to seek 
 Thy image in the glassy stream. 
 
 Blest fate ! at once my chilly grave 
 And nuptial bed that stream might be ; 
 
 I '11 wed thee in its mimic wave. 
 And die upon the shade of thee. 
 
y^-^^ 
 
 /Behold the leafy mangrove, bending 
 
 O'er the waters blue and bright, 
 Like Nea's silky lashes, lending 
 Shadow to her eyes of light. 
 
 0, my belov'd ! where'er I turn, 
 
 Some trace of thee enchants mine eyes; 
 
 In every star thy glances burn ; 
 Thy blush on every flow'ret lies. 
 
 Nor find I in creation aught 
 Of bright, or beautiful, or rare, 
 
 Sweet to the sense, or pure to thought, 
 But thou art found reflected there. 
 
 gi0, ne'er did the wave in its element steep 
 
 An island of lovelier charms ; 
 It blooms in the giant embrace of the deep. 
 
 Like Hebe in Hercules' arms. 
 The blush of your bowers is light to the ey 
 
 And their melody balm to the ear ; 
 But the fiery planet of day is too nigh. 
 
 And the Snow Spirit never comes here 
 
 357 
 
^*#J 
 
 The down from his wing is as white as the pearl 
 
 That shines through thy hps when they part, 
 And it falls on the green earth as melting, my girl. 
 
 As a murmur of thine on the heart. 
 0, fly to the clime, where he pillows the death, 
 
 As he cradles the birth of the year ; 
 Bright are your bowers and balmy their breath, 
 
 But the Snow Spirit cannot come here. 
 
 How sweet to behold him, when borne on the gale. 
 
 And brightening the bosom of morn, 
 He flings, like the priest of Diana, a veil 
 
 O'er the brow of each virginal thorn. 
 Yet think not the veil he so chillingly casts 
 
 In the veil of a vestal severe : 
 No, no, thou wilt see, what a moment it lasts, 
 
 Should the Snow Spirit ever come here. 
 
 But fly to his region — lay open thy zone, 
 
 And he '11 weep all his brilliancy dim, 
 To think that a bosom, as white as his own, 
 
 Should not melt in a daybeam like him, 
 0, lovely the print of those delicate feet 
 
 O'er his luminous path will appear — 
 Fly, my beloved ! this island is sweet, 
 
 But the Snow Spirit cannot come here. 
 
g j^tale ^\mx^ t\xt tbvctx^ 
 
 Evravda 6e KaOupfiiOTai ■^/niv. Km b, ti fiEV ovofza t] vTjauy. 
 Xpvarj «J' av npog ye cfiov ovofia^oiro. Philostrat. Icon. 
 
 ■S'^'^^B ^ ^Ult along the flowery bank 
 
 While many a bending seagrape 
 The sprinkle of the feathery oar 
 That wing'd me round this fairy 
 
T was noon : and every orange bud 
 Hung languid o'er the crystal flood, 
 Faint as the lids of maiden's eyes 
 When love thoughts in her bosom rise 
 0, for a naiad's sparry bower, 
 To shade me in that glowing hour! 
 
 A little dove, of milky hue. 
 Before me from a plantain flew, 
 And light alono- the water's brim, 
 I steer" d my gentle bark by him ; 
 For fancy told me, Love had sent 
 This gentle bird with kind intent 
 To lead my steps where I should meet- 
 I knew not what, but something sweet. 
 
 And — bless the little pilot dove ! 
 He had indeed been sent b}' Love, 
 To guide me to a scene so dear 
 As fate allows but seldom here; 
 One of those rare and brilliant hours. 
 That, like the aloes** lingering flowers, 
 May blossom to the eye of man 
 But once in all his weary span. 
 
 Just where the margin's opening shade V- 
 A vista from the waters made, " ^- 
 
V 
 
 My bird repos'd his silver plume 
 Upon a rich banana's bloom. 
 sO vision bright! spirit fair! 
 What spell, what magic rais'd her there? 
 'Twas Nea! slumbering calm and mild, 
 And bloomy as the dimpled child, 
 Whose spirit in elysium keeps 
 Its playful sabbath, while he sleeps. 
 
 The broad banana's green embrace 
 Hung shadowy round each tranquil grace; 
 One little beam alone could win 
 The leaves to let it wander in, 
 And, stealing over all her charms. 
 From lip to cheek, from neck to arms, 
 New lustre to each beauty lent, — 
 Itself all trembling as it went 
 
 Dark lay her eyelid's jetty fringe 
 Upon that cheek whose roseate tinge 
 Mix'd with its shade, like evening's light 
 Just touching on the verge of night. 
 Her eyes, though thus in slumber hid, 
 Seem'd glowing through the ivory lid, 
 And, as I thought, a lustre threw 
 Upon her lip's reflecting dew, — 
 Such as a night lamp, left to shine 
 Alone on some secluded shrine, 
 
 ^ 
 
 ^ 
 
 /^Z- 
 
 i^\ 
 
May shed upon the votive wreath, 
 Which pious hands have hung beneath 
 
 '^ ''^ Was ever vision half so sweet 
 
 Think, think how quick my heart pulse beat, 
 
 As o'er the rustling bank I stole ; — 
 
 0, ye, that know the lover's soul. 
 
 It is for you alone to guess. 
 
 That moment's trembling happiness. 
 
 gi ^tudg torn ttu gintiqut 
 
 ^^U0lUt niy love, the curious gem 
 Within this simple ring of gold ; 
 
 'Tis hallow'd by the touch of them 
 Who liv'd in classic hours af old. 
 
 Some fair Athenian girl, perhaps. 
 Upon her hand this gem display 'd. 
 
 Nor thought that time's succeeding lapse 
 Should see it grace a lovelier maid. 
 
 Look, dearest, what a sweet design ! 
 
 The more we gaze, it charms the more 
 Come — closer bring that cheek to mine, 
 
 And trace with me its beauties o'er. 
 
u seest, 
 By some enamour'd nymph embrac'd; 
 Look, as slie leans, and say in sooth 
 Is not that hand most fondly plac'd? 
 
 Upon his curled head behind 
 
 It seems in careless play to lie,** 
 
 Yet presses gently, half inclin'd 
 To bring the truant's lip more nigh. 
 
 happy maid ! too happy boy ! 
 
 The one so fond and little loath, 
 The other yielding slow to joy — 
 
 rare, indeed, but blissful both. 
 
 Imagine, love, that I am he, 
 
 And just as warm as he is chilling; 
 
 Imagine, too, that thou art she. 
 But quite as coy as she is willing: 
 
 So may we try the graceful way 
 
 In which their gentle arms are twin'd, 
 
 And thus, like her, my hand I lay 
 Upon thy wreathed locks behind : 
 
 And thus I feel thee breathing sweet, 
 As slow to mine thy head I move ; 
 And thus our lips together meet, 
 
 :iss thee, love 
 
 Z6i 
 
?■ 
 
 ^"^ 
 
 42^ 
 
 -Xi6avoTO) emaaev, oti aTvoXkvfievov trxppaivei. 
 
 Aristot. Rhetor, lib. iii. cap. 4. 
 
 'n, 
 
 4^p\ 
 
 ^cm 
 
 :^ I 
 
 %\ktXt% not a look, a word of thine, 
 
 My soul hath e'er forgot; 
 Thou ne'er hast bid a ringlet shine, 
 Nor giv'n thy locks one graceful twine 
 
 Which I remember not. 
 
 '^i 
 
 There never yet a murmur fell 
 A^^^ From that beguiling tongue, 
 
 W§ Which did not, with a lingering spell, 
 
 Upon my charmed senses dwell, 
 Like songs from Eden sung. 
 
 P 
 
 Ah! that I could, at once, forget 
 
 All, all that haunts me so — 
 And yet, thou witching girl, — and yet, 
 To die were sweeter than to let 
 The lov'd remembrance go. 
 
 No ; if this slighted heart must see 
 
 Its faithful pulse decay, 
 let it die, remembering thee, 
 And, like the burnt aroma, be 
 
 Consum'd in sweets away. 
 
 'V[ 
 
 364 
 
Hi 
 
 ®0 f 0^qrlt §itfem^0tt, (&^. 
 
 FROM BERMUDA. *'• 
 
 "©hie daylight is gone — but before we depart 
 "One cup shall go round to the friend of my. heart, 
 "The kindest, the dearest — 0, judge by the tear 
 "I now shed while I name him, how kind and how 
 dear." 
 
 'T was thus in the shade of the Calabash Tree, 
 With a few, who could feel and remember like me. 
 The charm that, to sweeten my goblet, I threw 
 Was a sigh to the past and a blessing on you. 
 
 0, say is it thus, in the mirth-bringing hour. 
 When friends are assembled, when wit, in full flower. 
 Shoots forth from the lip, under Bacchus's dew, . 
 In blossoms of thought, ever springing and new — 
 Do you sometimes remember, and hallow the brim 
 Of your cup with a sigh, as you crown it to him 
 \ Who is lonely and sad in these valleys so fair. 
 And would pine in elysium, if friends were not there ! 
 
 Last night, when we came from the Calabash Tree, 
 When my limbs were at rest and my spirit was free. 
 The glow of the grape and the dreams of the day 
 Set the magical springs of my fancy in play. 
 
And 0, — such a vision as haunted me then 
 I would slumber for ages to witness again. 
 The many I like, and the few I adore, 
 The friends who were dear and beloved before. 
 But never till now so beloved and dear. 
 At the call of my Fancy, surrounded me here; 
 And soon, — 0, at once, did the light of their smiles 
 To a paradise brighten this region of isles; 
 More lucid the wave, as they look'd on it, flow'd. 
 And brighter the rose, as they gather'd it, glow'd. 
 Kot the valleys Heraean (though water'd by rills 
 Of the pearliest flow, from those pastoral hills,*' 
 Where the Song of the Shepherd, primeval and wild, 
 Was taught to the nymphs by their mystical child,) 
 Could boast such a lustre o'er land and o'er wave 
 As the magic of love to this paradise gave. 
 
 .£>;■ 
 
 magic of love! unembellish'd by you, 
 ,^^^ Hath the garden a blush or the landscape a hue? 
 ^ Or shines there a vista in nature or art, 
 
 Like that which Love opes through the eye to the heart' 
 
 Alas, that a vision so happy should fade ! 
 That, when morning around me in brilliancy play'd. 
 
 Y 
 
While the friends who had seem'd to hang over the ^ 
 
 ■t 
 
 stream, 
 And to gather the roses, had fled with my dream. 
 
 But look, where, all ready, in sailing array, 
 The bark that's to carr}^ these pages away,** 
 Impatiently flutters her wing to the wind. 
 And will soon leave these islets of Ariel behind. 
 What billows, what gales is she fated to prove. 
 Ere she sleep in the lee of the land that I love ! 
 Yet pleasant the swell of the billows would be, 
 And the road of those gales would be music to me. 
 Xot the tranquillest air that the winds ever blew, 
 Xot the sunniest tears of the summer eve dew, 
 Were as sweet as the storm, or as bright as the foam 
 Of the surge, that would hurry your wanderer home. 
 
®lte ^tmmm'^ ^m^. 
 
 ■WRITTEN ABOARD THE BOSTON FRIGATE, 28TH APRIL.<» 
 
 -^^^ 
 
 3HtllCW freshly blows the northern gale, 
 And under courses snug we fly ; 
 «>- Or when light breezes swell the sail, 
 
 ^^N And royals proudly sweep the sky ; 
 'Longside the wheel, unwearied still 
 I stand, and, as my watchful eye 
 Doth mark the needle's faithful thrill, 
 I think of her I love, and cry. 
 
 Port, my boy ! port. 
 
 When calms delay, or breezes blow. 
 
 Right from the point we wish to steer ; 
 When by the wind close haul'd we go, 
 And strive in vain the port to near; 
 I think 't is thus the fates defer 
 ?^''i My bliss with one that's far away, 
 And while remembrance springs to her, 
 I watch the sails and sighing say. 
 
 Thus, my boy! thus. 
 
 But see the wind draws kindly aft, 
 All hands are up the yards to square, 
 ] And now the floating stu'n sails waft 
 
 Our stately ship through waves and air. 
 
0, then I tliink that yet for me 
 
 Some breeze of fortune thus may spring, 
 Some breeze to waft me, love, to thee — 
 
 And in that hope I smiling sing, 
 
 Steady, boy ! so. 
 
 m t\u gmUxj." 
 
 ^ 
 
 t morning, when the earth and sky 
 Are glowing with the light of spring, 
 We see thee not, thou humble fly ! 
 JSTor think upon thy gleaming wing. 
 
 But when the skies have lost their hue, 
 And sunny lights no longer play, 
 
 then we see and bless thee too 
 For sparkling o'er the dreary way. 
 
 Thus let me hope, when lost to me 
 The lights that now my life illume, 
 
 Some milder joys may come, like thee, 
 To cheer, if not to warm, the gloom. 
 
 SG9 
 
®0 i\\t ^mt\ Wxmxnxt goxh^. 
 
 FROM THE CITY OF WASHINGTON. 
 
 h 
 
 alt former times had never left a trace 
 Of human frailty in their onward race, 
 Nor o'er their pathway written, as they ran, 
 One dark memorial of the crimes of man ; 
 If every age, in new unconscious prime, 
 Rose, like a phoenix, from the fires of time, 
 To wing its way unguided and alone. 
 The future smiling and the past unknown ; 
 
 _J 
 
ardent man would to himself be new, 
 I Earth at his foot and heaven within his view : 
 I Well might the novice hope, the sanguine scheme 
 Of full perfection prompt his daring dream, 
 Ere cold experience, with her veteran lore. 
 Could tell him, fools had dreamt as much before. 
 But, tracing as we do, through age and clime, 
 The plans of virtue 'midst the deeds of crime, 
 The thinking follies and the reasoning rage 
 Of man, at once the idiot and the sage; 
 When still we see, through every varying frame 
 Of arts and polity, his course the same, 
 And know that ancient fools but died, to make 
 I A space on earth for modern fools to take ; 
 'T is strange, how quickly we the past forget ; 
 That Wisdom's self should not be tutor'd yet. 
 Nor tire of watching for the monstrous birth 
 Of pure perfection 'midst the sons of earth ! 
 
 0, nothing but that soul which God has given, 
 Could lead us thus to look on earth for heaven ; 
 O'er dross without to shed the light within. 
 And dream of virtue while we see but sin. 
 
 Even here, beside the proud Potowmac's stream, 
 Might sages still pursue the flattering theme 
 
 V 
 
^^ 
 
 X)f days to come, when man shall conquer fate, 
 Rise o'er the level of his mortal state, 
 Belie the monuments of frailty past, 
 And plant perfection in this world at last! 
 "Here," might they say, "shall power's divided 
 
 reign 
 "Evince that patriots have not bled in vain. 
 "Here godlike liberty's herculean youth, 
 "Cradled in peace, and nurtur'd up by truth 
 "To full maturity of nerve and mind, 
 "Shall crush the giants that bestride mankind." 
 " Here shall religion's pure and balmy draught 
 "In form no more from cups of state be quaff'd, 
 "But flow for all, through nation, rank, and sect, 
 "Free as that heaven its tranquil waves reflect. 
 "Around the columns of the public shrine 
 "Shall growing arts their gradual wreath intwine, 
 "Nor breathe corruption from the flowering braid, 
 "Nor mine that fabric which they bloom to shade. 
 "No longer here shall Justice bound her view, 
 "Or wrong the many, while she rights the few; 
 "But take her range through all the social frame, 
 "Pure and pervading as that vital flame 
 "Which warms at once our best and meanest part. 
 "And thrills a hair while it expands a heart!" 
 
 golden dream ! what soul that loves to scan 
 The bright disk rather than the dark of man, 
 
 ^vt 
 
 372 
 
good, while smarting with the ill, 
 And loves the world with all its frailty still,- 
 What ardent bosom does not spring to meet 
 The generous hope, with all that heavenly heat, 
 Which makes the soul unwilling to resign 
 The thoughts of growing, even on earth, divine! 
 Yes, dearest friend, I see thee glow to think 
 The chain of ages yet may boast a link 
 Of purer texture than the world has known. 
 And fit to bind us to a Godhead's throne. 
 
 But, is it thus? doth even the glorious dream 
 Borrow from truth that dim, uncertain gleam. 
 Which tempts us still to give such fancies scope, 
 As shock not reason, while they nourish hope? 
 No, no, believe me, 't is not so — ev'n now. 
 While yet upon Columbia's rising brow 
 The showy smile of young presumption plays, 
 Her bloom is poison'd and her heart decays. 
 Even now, in dawn of life, her sickly breath 
 Burns with the taint of empires near their death ; ^ 
 And, like the nymphs of her own withering clime 
 She's old in youth, she's blasted in her prime. ^" 
 
 Already has the child of Gallia's school 
 The foul Philosophy that sins by rule. 
 With all her train of reasoning, damning arts, 
 Begot by brilliant heads on worthless hearts, 
 
 .^^3. 
 
 373 
 
Tlie venom'd birth of sunshine and of mu 
 Ah^ady has she pour'd her poison here 
 O'er every charm that makes existence dear; 
 Already bhghted, with her blackening trace, 
 The opening bloom of every social grace, 
 And all those courtesies, that love to shoot 
 Round virtue's stem, the flowrets of her fruit. 
 
 'S 
 
 And, were these errors but the wanton tide 
 Of young luxuriance or unchasten'd pride ; 
 The fervid follies and the faults of such 
 As wrongly feel, because they feel too much; 
 Then might experience make the fever less, 
 Nay, graft a virtue on each warm excess. 
 But no; 'tis heartless, speculative ill, 
 All youth's transgression with all age's chill; 
 The apathy of wrong, the bosom's ice, 
 A slow and cold stagnation into vice. 
 
 Long has the love of gold, that meanest rage, 
 And latest folly of man's sinking age. 
 Which, rarely venturing in the van of life, 
 While nobler passions wage their heated strife. 
 Comes skulking last, with selfishness and fear, 
 And dies, collecting lumber in the rear, — 
 Long has it palsied every grasping hand 
 And greedy spirit through this bartering land; 
 
 374 
 
set the demon gold 
 loose aoroaa tnat virtue's self is sold, 
 
 iscience, truth, and honesty are made 
 and fall, like other wares of trade." 
 
 Already in this free, this virtuous state, 
 Which, Frenchmen tell us, was ordain'd by fate, 
 To show the world, what high perfection springs 
 Fi-om rabble senators, and merchant kino-s, — 
 Even here already patriots learn to steal 
 Their private perquisites from public weal, 
 And, guardians of the country's sacred fire. 
 Like Afric's priests, let out the flame for hire. 
 Those vaunted demagogues, who nobly rose 
 From England's debtors to be England's foes,'^* 
 Who could their monarch in their purse forget, 
 And break allegiance, but to cancel debt," 
 Have prov'd at length, the mineral's tempting hue, 
 Which makes a patriot, can unmake him too.' 
 0, Freedom, Freedom, how I hate thy cant! 
 Not Eastern bombast, not the savage rant 
 Of purpled madmen, were they number'd all, 
 From Roman Nero down to Russian Paul, 
 Could grate upon my ear so mean, so base. 
 As the rank jargon of that factious race. 
 Who, poor of heart and prodigal of words, 
 Form'd to be slaves, yet struggling to be lords, 
 
 376 
 
Strut forth, as patriots, from their negro marts, n^ 
 
 And shout for rights, with rapine in their hearts. 
 
 Who can, with patience, for a moment see 
 The medley mass of pride and misery,- 
 Of whips and charters, manacles and rights, 
 Of slaving blacks and democratic whites," 
 And all the piebald polity that reigns 
 In free confusion o'er Columbia's plains? 
 To think that man, thou just and gentle God! 
 Should stand before thee with a tyrant's rod 
 O'er creatures like himself, with souls from thee, 
 Yet dare to boast of perfect liberty ; 
 Away, away — I'd rather hold my neck 
 By doubtful tenure from a sultan's beck. 
 In climes, where liberty has scarce been nam'd. 
 Nor any right but that of ruling claim'd, 
 Than thus to live, where bastard Freedom waves 
 Her fustian flag in mockery over slaves; 
 Where — motley laws admitting no degree 
 Betwixt the vilely slav'd and madly free — 
 Alike the bondage and the license suit 
 The brute made ruler and the man made brute. 
 
 But, while I thus, my' friend, in flowerless song,- 
 So feebly paint, what yet I feel so strong. 
 
 376 
 
Where treason's arm by royalty was nerv'd, 
 And Frenchmen learn'd to crush the throne they 
 
 serv'd — 
 Thou, calmly lull'd in dreams of classic thought, 
 By bards illumin'd and by sages taught, 
 Pant'st to be all, upon this mortal scene, 
 That bard hath fancied or that sage hath been. 
 Why should I wake thee? why severely chase 
 The lovely forms of virtue and of grace, 
 That dwell before thee, like the pictures spread 
 By Spartan matrons round the genial bed. 
 Moulding thy fancy, and with gradual art 
 Brightening the young conceptions of thy heart. 
 
 Forgive me, Forbes — and should the song destroy 
 One generous hope, one throb of social joy. 
 One high pulsation of the zeal for man. 
 Which few can feel, and bless that few who can,^^ 
 0, turn to him, beneath whose kindred eyes 
 Thy talents open and thy virtues rise, 
 Forget where nature has been dark or dim, 
 And proudly study all her lights in him. 
 Yes, yes, in him the erring world forget. 
 And feel that man may reach perfection yet. 
 
®0 Wtmu §iume, (B^. p» §. 
 
 FROM THE CITT OF WASHINGTON. 
 
 AiyyT}ao/iai duj-yTifiara laug aniCTa. KOivuva cjv Trenovda ovk e^oyv. 
 
 Xenophont. Ephes. Ephesiac. lib. v. 
 
 '® fe evening now ; beneath the western star 
 Soft sighs the lover through his sweet cigar, 
 And fills the ears of some consenting she 
 With puffs and vows, with smoke and constancy. 
 The patriot, fresh from Freedom's councils come, 
 Now pleas'd retires to lash his slaves at home; 
 Or woo, perhaps, some black Aspasia's charms, 
 And dream of freedom in his bondmaid's arms/* 
 
 In fancy now, beneath the twilight gloom. 
 Come, let me lead thee o'er this "second Rome!' 
 Where tribunes rule, where dusky Davi bow. 
 And what was Goose Creek once is Tiber now;^° 
 This embryo capital, where Fancy sees 
 Squares in morasses, obelisks in trees; 
 Which second-si crh ted seers, ev'n now. adorn 
 With shrines unbuilt and heroes yet unborn, 
 
 JSj-^g^raJ^Sa 
 
Though naught but woods*' and J 
 
 Where streets should run and sages ought to be. 
 
 And look, how calmly in yon radiant wave, 
 The dying sun prepares his golden grave. 
 mighty river ! ye banks of shade ! 
 Ye matchless scenes, in nature's morning made, 
 While still, in all th' exuberance of prime, 
 She pour'd her wonders, lavishly sublime, 
 Nor yet had learn'd to stoop, with humbler care, 
 From grand to soft, from wonderful to fair; — 
 Say, were your towering hills, your boundless floods, 
 Your rich savannas and majestic woods. 
 Where bards should meditate and heroes rove. 
 And woman charm, and man deserve her love, — 
 say, was world so bright, but born to grace 
 Its own half-organized, half-minded race*^ 
 Of weak barbarians, swarming o'er its breast. 
 Like vermin gender'd on the lion's crest? 
 Were none but brutes to call that soil their home. 
 Where none but demigods should dare to roam? 
 Or, worse, thou wondrous world ! 0, doubly worse, 
 Did heaven design thy lordly land to nurse 
 
The motley dregs of every distant clime, 
 Each blast of anarchy and taint of crime 
 Which Europe shakes from her perturbed sphere, 
 In full malignity to rankle here? 
 
 But hold, — observe yon little mount of pines, 
 Where the breeze murmurs and the firefly shines. 
 There let thy fancy raise, in bold relief. 
 The sculptur'd image of that veteran chief** 
 Who lost the rebel's in the hero's name, 
 And climb'd o'er prostrate loyalty to fame ; 
 Beneath whose sword Columbia's patriot train 
 Cast off their monarch, that their mob might reign 
 
 How shall we rank thee upon glory's page? 
 Thou more than soldier and just less than sage 
 Of peace too fond to act the conqueror's part, 
 Too long in camps to learn a statesman's art, 
 Nature design'd thee for a hero's mould, 
 But, ere she cast thee, let the stuff grow cold. 
 
 While loftier souls command, nay, make their 
 fate, 
 Thy fate made thee and forc'd thee to be great; 
 
Yet Fortune, who so oft, so blindly sheds 
 
 Her brightest halo round the weakest heads, 
 
 Found thee undazzled, tranquil as before, 
 
 Proud to be useful, scorning to be more ; 
 
 Less raov'd by glory's than by duty's claim, 
 
 Renown the meed, but self-applause the aim; 
 
 All that thou wert reflects less fame on thee, 
 
 Far less, than all thou didst /orJea?- to be. 
 
 Nor yet the patriot of one land alone, — 
 
 For, thine 's a name all nations claim their own ; 
 
 And every shore, where breath 'd the good and brave, 
 
 Echo'd the plaudits thy own country gave. 
 
 Now look, my friend, where faint the moonlight 
 falls 
 On yonder dome, and, in those princely halls,- — 
 If thou canst hate, as sure that soul must hate, 
 AVhich loves the virtuous, and reveres the great,- 
 If thou canst loathe and execrate with me 
 The poisonous drug of French philosophy. 
 That nauseous slaver of these frantic times, 
 With which false liberty dilutes her crimes, — 
 If thou hast got, within thy free-born breast. 
 One pulse that beats more proudly than the rest, 
 
 'i 
 
 MS.' 
 
 '-'BVtffrfNiT^aaj-ig 
 
 881 
 
With honest scorn for that inglorious soul, 
 
 Which creeps and winds beneath a mob's control, 
 
 Which courts the rabble's smile, the rabble's nod. 
 
 And makes, like Egypt, every beast its god, 
 
 There, in those walls — but, burning tongue, forbear 
 
 Rank must be reverenc'd, even the rank that's there: 
 
 So here I pause — and now, dear Hume, we part: 
 
 But oft again, in frank exchange of heart, 
 
 Thus let us meet, and mingle converse dear, 
 
 By Thames at home, or by Potowmac here. 
 
 O'er lake and marsh, through fevers and through fogs, 
 
 'Midst bears and yankees, democrats and frogs. 
 
 Thy foot shall follow me, thy heart and eyes 
 
 With me shall wonder, and with me despise 
 
 While I, as oft, in fancy's dream shall rove. 
 
 With thee conversing, through that land I love. 
 
 Where, like the air that fans her fields of green, 
 
 Her freedom spreads, unfever'd and serene; 
 
 And sovereign man can condescend to see 
 
 The throne and laws more sovereign still than he 
 
 882 
 
RIGHES 
 
 883 
 
V 
 
 
 Xor long did the soul of the stranger remain 
 
 Unblest by the smile he had languish'd to meet; 
 
 Though scarce did he hope it would soothe him again, 
 Till the threshold of home had been press'd by his 
 feet. 
 
 But the lays of his boyhood had stol'n to their ear, 
 And they lov'd what they knew of so humble a 
 name; 
 And they told him, with flattery welcome and dear, 
 That they found in his heart something better than 
 fame. 
 
 Nor did woman — woman! whose form and whose 
 soul 
 
 Are the spell and the light of each path we pursue ; 
 Whether sunn'd in the tropics or chill'd at the pole, 
 
 If woman be there, there is happiness too : — 
 
 // 
 
 Nor did she her enamouring magic deny, — 
 That magic his heart had relinquish'd so long,- 
 
 Like eyes he had lov'd was Aer eloquent eye, 
 Like them did it soften and weep at his song. 
 
 ..s.:!^' 
 
0, blest be the tear, and in memory oft 
 
 May its sparkle be shed o'er the wanderer's 
 dream ; 
 
 Thrice blest be that eye, and may passion as soft, 
 As free from a pang, ever mellow its beam! 
 
 The stranger is gone — but he will not forget, 
 When at home he shall talk of the toils he has 
 known, 
 
 To tell, with a sigh, what endearments he met. 
 
 As he stray'd by the wave of the Schuylkill alone. 
 
 
 Residence of tfie lale Thomag .Jfoore, on ilie bnnJis of Ihe SchujlJiill. 
 
 Oa 
 
 RICHES 
 
 080 
 
A 
 
 ^ 
 
 WRITTEN AT THE COHOES, OR FALLS OP THE MOHAWK RIVER." 
 
 Gia era in loco ove s' udia '1 rimbombo 
 Deir acqua . Dante. 
 
 MXtaXCHt rise of morn till set of sun 
 
 I 've seen the mighty Mohawk run ; 
 
 And as I mark'd the woods of pine 
 
 Along his mirror darkly shine, 
 
 Like tall and gloomy forms that pass 
 
 Before the wizard's midnight glass; 
 
 And as I view'd the hurrying pace 
 
 With which he ran his turbid race, 
 
 Rushing, alike untir'd and wild, 
 
 Through shades that frown'd and flowers that smil'd, 
 
 l^ 
 
 386 
 
yx/" 
 
 Flying by every green recess 
 That woo'd him to its calm caress, 
 Yet sometimes turning with the wind 
 As if to leave one look behind, — 
 Oft have I thought, and thinking sigh'd, 
 How like to thee, thou restless tide, 
 May be the lot, the life of him 
 Who roams along thy water's brim; 
 Through what alternate wastes of woe 
 And flowers of joy my path may go; 
 How many a shelter'd, calm retreat 
 May woo the while my weary feet, 
 While still pursuing, still unblest, 
 I wander on nor dare to rest; 
 But, urgent as the doom that calls 
 Thy water to its destin'd falls, 
 I feel the world's bewildering force 
 Hurry my heart's devoted course 
 From lapse to lapse, till life be done, 
 And the spent current cease to run. 
 
 '/ 
 
 One only prayer I dare to make, 
 As onward thus my course I take; — 
 0, be my falls as bright as thine ! 
 May heaven's relenting rainbow shine 
 Upon the mist that circles me. 
 As soft as now it hangs o'er thee! 
 
i^^^^ 
 
 fliT' ^V^^-^ 
 
 A 
 
 ^oiig of the (Bi-il <f pmt of tlw 5(«fo<«lsi. 
 
 Qua via difficilis, quiique est via nulla. 
 
 Ovid. Metam. lib. iii. v. 227. 
 
 ^0IV the vapor, hot and damp, 
 Shed by day's expiring lamp. 
 Through the misty ether spreads 
 Every ill the white man dreads ; 
 Fiery fever's thirsty thrill, 
 Fitful ague's shivering chill! 
 
 Hark ! I hear the traveller's song, 
 As he winds the woods along ; 
 Christian, 't is the song of fear ; 
 Wolves are round thee, night is near, 
 And the wild thou dar'st to roam — 
 Think, 'twas once the Indian's home!^^ 
 
 Hither, sprites, who love to harm, 
 Wheresoe'er you work your charm, 
 By the creeks, or by the brakes. 
 Where the pale witch feeds her snakes, 
 
 V^^/hrmw\m "^ 
 
 388 
 
'^^^ 
 
 al 
 
 And the cayman*" loves to creep, 
 Torpid, to his wintry sleep : 
 Where the bird of carrion flits, 
 And the shuddering murderer sits,'* 
 Lone beneath a roof of blood ; 
 While upon his poison 'd food. 
 From the corpse of him he slew- 
 Drops the chill and gory dew. 
 
 Hither bend ye, turn ye hither, 
 Eyes that blast and wings that wither 
 Cross the wandering Christian's way, 
 Lead him, ere the glimpse of day, 
 Many a mile of madd'ning error 
 Through the maze of night and terror, 
 Till the morn behold him lying 
 On the damp earth, pale and dying. 
 Mock him, when his eager sight 
 Seeks the cordial cottage light; 
 Gleam then, like the lightning bug, 
 Tempt him to the den that 's dug 
 For the foul and famish 'd brood 
 Of the she wolf, gaunt for blood; 
 Or, unto the dangerous pass 
 O'er the deep and dark morass, 
 
 H 
 
 kr 
 
 m 
 
 ^A 
 
 «i^ 
 
Where the trembling Indian brings 
 Belts of porcelain, pipes, and rings, 
 Tributes to be hung in air. 
 To the Fiend presiding there !^° 
 
 Then, when night's long labor past, 
 Wilder'd faint, he falls at last, 
 Sinking where the causeway's edge 
 Moulders in the slimy sedge. 
 There let every noxious thing 
 Trail its filth and fix its sting; 
 Let the bull toad taint him over, 
 Eound him let musquitoes hover, 
 In his ears and eyeballs tingling, 
 With his blood their poison mingling, 
 Till, beneath the solar fires, 
 Eankling all, the wretch expires ! 
 
 390 
 
 ^ 
 
FROM BUFFALO, UPON LAKE EUIE. 
 
 Neo venit ad duros musa vocata Getas. 
 
 Ovid, ex Fonto, lib. 1, ep. 5. 
 
 (ii^UiJU oft hast told me of the happy hours 
 
 Enjoy 'd by thee in fair ItaHa's bowers, 
 
 Where, lingering yet, the ghost of ancient wit 
 
 'Midst modern monks profanely dares to flit, 
 
 And pagan spirits, by the pope unlaid, 
 
 Haunt every stream and sing through every shade;; 
 
 There still the bard who (if his numbers be 
 
 His tongue's light echo) must have talk'd like thee,- 
 
 The -courtly bard, from whom thy mind has caught 
 
 Those playful, sunshine holy days of thought. 
 
 & 
 
 M 
 
 >'^vn=v 
 
spirit baskingly reclines, 
 
 itbout efFoi 
 
 while it shines, 
 
 t, restin^^ 
 There still He roves, and laughing loves to see 
 How modern priests with ancient rakes agree ; 
 How, 'neath the cowl, the festal garland shines, 
 And Love still finds a niche in Christian shrines. 
 
 There still, too, roam those other souls of song, 
 With whom thy spirit hath commun'd so long, 
 That, quick as light, their rarest gems of thought. 
 By Memory's magic to thy lip are brought. 
 But here, alas ! by Erie's stormy lake, 
 As, far from such bright haunts my course I take, 
 No proud remembrance o'er the fancy plays, 
 No classic dream, no star of other days 
 Hath left that visionary light behind. 
 That lingering radiance of immortal mind, 
 Which gilds and hallows even the rudest scene. 
 The humblest shed, where Genius once has been ! 
 
 All that creation's varying mass assumes 
 Of grand or lovely, here aspires and blooms. 
 Bold rise the mountains, rich the gardens glow, 
 Bright lakes expand, and conquering^ ^ rivers flow 
 But mind, immortal mind, without whose ray, 
 This world's a wilderness and man but clay, 
 
 1 
 
 r<^ 
 
cc^l 
 
 ^ 
 
 Mind, mind alone, in barren, still repose, 
 Nor blooms, nor rises, nor expands, nor flows. 
 Take Christians, Mohawks, democrats, and all 
 From the rude wigwam to the congress hall, 
 From man the savage, whether slav'd or free. 
 To man the civiliz'd, less tame than he, — 
 'T is one dull chaos, one unfertile strife 
 Betwixt half-polish'd and half-barbarous life; 
 Where every ill the ancient world could brew 
 Is mix'd with every grossness of the new ; 
 Where all corrupts, though little can entice, 
 And naught is known of luxury, but its vice ! 
 
 Is this the region then, is this the clime 
 For soaring fancies? for those dreams sublime, 
 Which all their miracles of light reveal 
 To heads that meditate and hearts that feel? 
 Alas ! not so — the Muse of Nature lights 
 Her glories round ; she scales the mountain heights 
 And roams the forests; every wondrous spot 
 Burns with her step, yet man regards it not. 
 She whispers round, her w^ords are in the air. 
 But lost, unheard, they linger freezing there,'" 
 Without one breath of soul, divinely strong. 
 One ray of mind to thaw them into song. 
 
 
m 
 
 w 
 
 Yet, yet forgive me, ye sacred few, 
 Whom late by Delaware's green banks I knew; 
 Whom, known and lov'd through many a social eve, 
 'T was bliss to live with, and 'twas pain to leave. '^ 
 Not with more joy the lonely exile scann'd 
 The writing trac'd upon the desert's sand, 
 Where his lone heart but little hop'd to find 
 One trace of life, one stamp of humankind, 
 Than did I hail the pure, th' enlighten'd zeal, 
 The strength to reason and the warmth to feel, 
 The manly polish and the illumin'd taste, 
 Which, — 'mid the melancholy, heartless waste 
 My foot has travers'd, — you sacred few! 
 I found by Delaware's green banks with you. 
 
 Long may you loath the gallic dross that runs 
 Through your fair country and corrupts its sons; 
 Long love the arts, the glories which adorn g 
 
 Those fields of freedom, where your sires were born 
 0, if America can yet be great, 
 Tf neither chain'd by choice, nor doom'd by fate 
 To the mob mania which imbrutes her now. 
 She yet can raise the crown'd, yet civic brow 
 Of single majesty, — can add the grace 
 Of Rank's rich capital to Freedom's base, 
 Nor fear the mighty shaft will feebler prove 
 For the fair ornament that flowers above; — 
 
 
 A* 
 
 394 
 
'^^ 
 
 l^ 
 
 If yet releas'd from all that pedant throng 
 
 So vain of error and so pledg'd to wrong, 
 Who hourly teach her, like themselves, to hide 
 Weakness in vaunt, and barrenness in pride. 
 She yet can rise, can wreath the Attic charms 
 Of soft refinement round the pomp of arms, 
 ,<^And see her poets flash the fires of song, 
 To light her warriors' thunderbolts along; — 
 It is to you, to souls that favoring heaven 
 Has made like yours, the glorious task is given! 
 0, but for such, Columbia's days were done; 
 Rank without ripeness, quicken 'd without sun. 
 Crude at the surface, rotten at the core, 
 Her fruits would fall, before her spring were o'er. 
 
 Believe me, Spencer, while T wing'd the hours 
 Where Schuylkill winds his way through banks of 
 
 flowers, 
 Though few the days, the happy evenings few, 
 So warm with heart, so rich with mind they flew, 
 That my charm 'd soul forgot its wish to roam 
 And rested there, as in a dream of home. 
 And looks I met, like looks I 'd lov'd before. 
 And voices too, which, as they trembled o'er 
 The chord of memory, found full many a tone 
 Of kindness there in concord with their own. 
 
 895 
 
 <^ 
 
Yes, — we had nights of that communion free, 
 That flow of heart, which I have known with thee 
 So oft, so warmly; nights of mirth and mind, 
 Of whims that taught, and folHes that refin'd. 
 When shall we both renew them? when, restor'd 
 To the gay feast and intellectual board, 
 Shall I once more enjoy with thee and thine 
 Those whims that teach, those follies that refine? 
 Even now, as, wandering upon Erie's shore, 
 I hear Niagara's distant cataract roar, 
 I sigh for home, — alas ! these weary feet 
 Have many a mile to journey, ere we meet. 
 
 il HATPIS, 'i22 20T KAPTA NYN MNEIAN EX«. 
 
 EUEIPIDES. 
 
 396 
 
^ UUCtV by the smoke that so gracefully curl'd 
 Above the green elms, that a cottage was near, 
 
 And I said, "If there's peace to be found in the world, 
 " A heart that was humble might hope for it here! " 
 
 It was noon, and on flowers that languish'd around 
 
 In silence repos'd the voluptuous bee ; 
 Every leaf was at rest, and I heard not a sound 
 
 But the woodpecker tapping the hollow beech tree. 
 
 And, "Here in this lone little wood," I exclaim'd, 
 " With a maid who was lovely to soul and to eye, 
 
 " Who would blush when I prais'd her, and weep if I 
 blam'd, 
 "How blest could I live, and how calm could I die! 
 
 "By the shade of yon sumach, whose red berry dips 
 "In the gush of the fountain, how sweet to recline,,; 
 
 " And to know that I sigh'd upon innocent lips 
 "Which had never been sigh'd on by any but 
 rame ! 
 
 ^U>\L%— \Hl(l»t. 
 
^ (^rnxUm §ut ^m^. 
 
 WRITTEN ON THE RIVER ST. LAWRENCE.'* 
 
 Et remigem cantus hortatur. 
 
 QUINTILTAN. 
 
 ^^itttljj as tolls the evening chime 
 Our voices keep tune and our oars keep time. 
 Soon as the woods on shore look dim, 
 We'll sing at St. Ann's our parting hymn." 
 
 398 
 
Row, brothers, row, the stream runs fast, 
 The Rapids are near and the daylight's past. 
 
 Why should we yet our sail unfurl? 
 There is not a breath the blue wave to curl. 
 But, when the wind blows off the shore, 
 0, sweetly we '11 rest our weary oar. 
 Blow, breezes, blow, the streann runs fast. 
 The Rapids are near and the daylight's past. 
 
 Utawas' tide : this tremblino; moon 
 Shall see us float o'er thy surges soon. 
 Saint of this green isle ! hear our prayers, 
 0, grant us cool heavens and favoring airs. 
 Blow, breezes, blow, the stream runs fast. 
 The Rapids are near and the daylight's past. 
 
 399 
 
400 
 
..-^^^^z^::::;^^^ 
 
 ^ 
 
 ■■TA^yW'Vvvw. ^fw^m^\ 
 
 Our boat glides swiftly past these wooded 
 
 shores, 
 
 Saw me where Trent his mazy current pours, "^^ 
 And Donington's old oaks, to every breeze, 
 Whisper the tale of by-gone centuries ; — 
 Those oaks, to me as sacred as the groves. 
 Beneath whose shade the pious Persian roves, 
 And hears the spirit voice of sire, or chief, 
 Or loved mistress, sigh in every leaf/* 
 There, oft, dear Lady, while thy lip hath sung 
 My own unpolish'd lays, how proud I 've hung 
 On every tuneful accent ! proud to feel 
 That notes like mine should liave the fate to 
 
 steal, 
 As o'er thy hallowing lip they sigh'd along, 
 Such breath of passion and such soul of song. 
 Yes, — I have wondered, like some peasant boy 
 Who sings, on Sabbath eve, his strains of joy. 
 And when he hears the wild, untutor'd note 
 Back to his ear on softening echoes float, 
 Believes it still some answering spirit's tone, 
 And thinks it all too sweet to be his own ! 
 
 A\ 
 
 [& 
 
 V 
 
 401 
 
^ I dreamt not then that, ere the roUing year 
 Had fill'd its circle, I should wander here 
 In miisincf awe; should tread this wondrous 
 
 world, 
 See all its store of inland waters hurl'd 
 In one vast volume down Niagara's steep, 
 Or calm behold them, in transparent sleep, 
 Where the blue hills of old Toronto shed 
 Their evenins; shadows o'er Ontario's bed; 
 Should trace the grand Cadaraqui, and glide 
 Down the white rapids of his lordly tide 
 Through massy woods, 'mid islets flowering fair, 
 And blooming glades, where the first sinful pair 
 For consolation might have weeping trod. 
 When banish'd from the garden of their God. 
 0, Lady! these are miracles, which man, 
 Cag'd in the bounds of Europe's pigmy span, 
 Can scarcely dream of, — which his eye must see 
 To know how wonderful this world can be! 
 
 But lo, — the last tints of the west decline. 
 And night falls dewy o'er these banks of pine. 
 
 J. 
 
 \ 
 
 
 402 
 
S Vj 
 
 Among the reeds, in which our idle boat 
 /f Is rock'd to rest, the wind's complaining note 
 Dies like a half-breath'd whispering of flutes ; 
 Along the wave the gleaming porpoise shoots, ( 
 And I can trace him, like a watery star," 
 Down the steep current, till he fades afar 
 Amid the foaming breakers' silvery light. 
 Where yon rough rapids sparkle through the 
 
 night. 
 Here, as along this shadowy bank I stray, 
 And the smooth glass snake,'* gliding o'er my 
 
 way, 
 Shows the dim moonlight through his scaly form. 
 Fancy, with all the scene's enchantment warm. 
 Hears in the murmur of the nightly breeze 
 Some Indian Spirit warble words like these : — 
 
 A 
 
 \ 
 
 From the land beyond the sea, 
 Whither happy spirits flee; 
 Where, transform'd to sacred doves,'' 
 Many a blessed Indian roves 
 Through the air on wing, as white 
 As those wondrous stones of light,*" 
 
^ 
 
 -OS 
 
 / 
 
 ^• 
 
 Which the eye of morning counts 
 On the Apallachian mounts, — 
 Hither oft my flight I take 
 Over Huron's lucid lake, 
 Where the wave, as clear as dew, 
 Sleeps beneath the light canoe, 
 Which, reflected, floating there, 
 Looks as if it hung in air." 
 
 Then, when I have stray 'd a while 
 Through the Manataulin isle,"" 
 Breathing all its holy bloom, 
 Swift I mount me on the plume 
 Of my Wakon Bird,^^ and fly 
 Where, beneath a burning sky, . 
 O'er the bed of Erie's lake 
 Slumbers many a water snake, 
 Wrapp'd within the web of leaves, 
 Which the water lily weaves,** 
 Next I chas'd the flow'ret king 
 Through his rosy realm of spring; 
 See him now, while diamond hues 
 Soft his neck and wings suffuse, 
 
/ 
 
 \ 
 
 In the leafy chalice sink, 
 Thirsting for his balmy drink; 
 Now behold him all on fire, 
 Lovely in his looks of ire, 
 Breaking every infant stem, 
 Scattering every velvet gem, 
 Where his little tyrant lip 
 Has not found enough to sip. 
 
 J. 
 
 \ 
 
 Then my playful hand I steep 
 Where the gold thread*^ loves to creep. 
 Cull from thence a tangled wreath, 
 Words of magic round it breathe. 
 And the sunny chaplet spread 
 O'er the sleeping flybird's head,*® 
 Till, with dreams of honey blest. 
 Haunted, in his downy nest. 
 By the garden's fairest spells, 
 Dewy buds and fragrant bells. 
 Fancy all his soul embowers 
 In the flybird's heaven of flowers. 
 
 / 
 
 405 
 
/ 
 
 loar and silvery flakes 
 Melt along the ruffled lakes, 
 When the gray moose shed his horns, 
 When the track, at evening, warns 
 Weary hunters of the way 
 To the wigwam's cheering ray, 
 Then, aloft, through freezing air. 
 With the snow bird*' soft and fair 
 As the fleece that heaven flings 
 O'er his little pearly wings. 
 Light above the rocks I play. 
 Where Niagara's starry spray. 
 Frozen on the cliff", appears 
 Like a mant's startino- tears. 
 There, amid the island sedge. 
 Just upon the cataract's edge. 
 Where the foot of living man 
 Never trod since time began, 
 Lone I sit, at close of day. 
 While, beneath the golden ray, 
 Icy columns gleam below, 
 Feather'd round with falling snow, 
 
 i''n n i n 
 
 / 
 
 / 
 
 406 
 
.-S^^ic;:^^;^^%. 
 
 \ 
 
 And an arch of glory springs, 
 Sparkling as the chain of rings 
 Round the necks of virgins hung, — 
 Virgins/* who have wander'd young 
 O'er the waters of the west 
 To the land where spirits rest! 
 
 Thus have I charm'd, with visionary lay, 
 The lonely moments of the night away ; 
 And now, fresh daylight o'er the water beams! 
 Once more, erabark'd upon the glittering streams, 
 Our boat flies light along the leafy shore, 
 Shooting the falls, without a dip of oar 
 Or breath of zephyr, like the mystic bark 
 The poet saw, in dreams divinely dark, 
 Borne, without sails, along the dusky flood,*" 
 While on its deck a pilot angel stood, 
 And, with his wings of living light unfurl'd, 
 Coasted the dim shores of another world ! 
 
 Yet, 0, believe me, 'mid this mingled maze 
 Of nature's beauties, where the fancy strays 
 
 A\ 
 
 /\ 
 
 Vaa.v/// v'W'AM'>> 
 
 -'^nwava'/av.vt; 
 
^1 
 
 M 
 
 10^ 
 
 \ 
 
 I Hath something strange, and every leaf is new,— 
 I never feel a joy so pure and still, 
 So inly felt, as when some brook or hill, 
 Or veteran oak, like those remember'd well, 
 Some mountain echo or some wild-flower's smell, 
 (For, who can say by what small fairy ties 
 The mem'ry clings to pleasure as it flies?) 
 Reminds my heart of many a sylvan dream 
 I once indulg'd by Trent's inspiring stream ; 
 Of all my sunny morns and moonlight nights 
 On Donington's green lawns and breezy heights. 
 
 Whether I trace the tranquil moments o'er 
 When I have seen thee cull the fruits of lore. 
 With him, the polish'd warrior, by thy side, 
 A sister's idol and a nation's pride! 
 When thou hast read of heroes, trophied high 
 In ancient fame, and I have seen thine eye 
 Turn to the living hero, while it read. 
 For pure and brightening comments on the dead;- 
 
 |} 
 
 •408 
 
■rlMi-f'^ 
 
 \\m 
 
 v^^^\W^W^ VAW/AV<^ 
 
 'Or whether memory to my mind recalls 
 The festal grandeur of those lordly halls, 
 When guests have met around the sparkling 
 
 board, 
 And welcome warm'd the cup that luxury 
 
 pour'd ; 
 When the bright future Star of England's throne. 
 With magic smile, hath o'er the banquet shone. 
 Winning respect, nor claiming what he won, 
 But tempering greatness, like an evening sun 
 Whose light the eye can tranquilly admire, 
 Radiant, but mild, all softness, yet all fire; — 
 AVhatever hue my recollections take, 
 Even the regret, the very pain they wake 
 Is mix'd with happiness ; — but, ah ! no more — 
 Lady ! adieu — my heart has linger'd o'er 
 Those vanish'd times, till all that round me lies. 
 Streams, banks, and bowers have faded on my 
 
 eyes ! 
 
 '""iiiiiiii 
 
i7 
 
 AFTER A VISIT TO MKS. , OF jrOyTItEAL, 
 
 ®tVH!5" but for a moment — and yet in that time 
 She crowded th' impressions of many an hour : 
 
 Her eye had a glow, like the sun of her clime, 
 Which wak'd every feeling at once into flower, 
 
 0, could we have borrow'd from Time but a day, 
 To renew such impressions again and again, 
 
 The things we should look and imagine and say 
 
 Would be worth all the life we had wasted till then. 
 
 What we had not the leisure or language to speal- 
 We should find some more spiritual mode of re- 
 vealing, 
 
 And, between us, should feel just as much in a wee! 
 As others would take a millennium in feeling. 
 
 410 
 
 WW« — VSMW. 
 
Say, what doth that vessel of darkness hear? 
 The silent calm of the grave is there, 
 Save now and again a death knell rung, 
 And the flap of the sails with night fog hung. 
 
 There lieth a wreck on the dismal shore 
 Of cold and pitiless Labrador ; 
 Where, under the moon, upon mounts of frost 
 Full many a mariner's bones are toss'd. 
 
 Yon shadowy bark hath been to that wreck, 
 And the dim blue fire, that lights her deck, 
 Doth play on as pale and livid a crew 
 As ever yet drank the churchyard dew. 
 
 To Deadman's Isle, in the eye of the blast, 
 To Deadman's Isle, she speeds her fast; 
 By skeleton shapes her sails are furl'd, 
 And the hand that steers is not of this world! 
 
 0, hurry thee on — 0, hurry thee on. 
 Thou terrible bark, ere the night be gone, 
 Nor let morning look on so foul a sight 
 As would blanche forever her rosy light! 
 
For they tell me I soon shall be wafted, in 
 
 thee, 
 To the flourishing isle of the brave and the free 
 J And that chill IsTova Scotia's unpromising strand 
 Is the last I shall tread of American land. 
 Well — peace to the land ! may her sons know, at 
 
 length, 
 That in high-minded honor lies liberty's strength. 
 That though man be as free as the fetterless wnid, 
 As the wanton est air that the north can unbind, 
 Yet, if health do not temper and sweeten the 
 
 blast. 
 If no harvest of mind ever sprung where it pass'c 
 !^Then unblest is such freedom, and baleful its 
 
 might, — 
 Free only to ruin, and strong but to blight! 
 
 Farewell to the few I have left with regret; 
 May they sometimes recall, what I cannot forget 
 The delight of those evenings, — too brief 
 
 a delight! 
 When in converse and song we have stol'n "W/k 
 
 on the night; 
 
When they 've asked me the manners, the 
 
 mind, or the mien. 
 Of some bard I had known, or some chief I had 
 
 seen. 
 Whose glory, though distant, they long had 
 
 ador'd, 
 Whose name had oft hallow 'd the wine cup they 
 
 pour'd. 
 And still as, with sympathy humble but true, (\^' 
 
 I have told of each bright son of fame all I 
 
 knew. 
 They have listen'd, and sigh'd that the powerful 
 
 stream 
 Of America's empire, should pass, like a dream. 
 Without leaving one relic of genius, to say 
 How sublime was the tide which had vanish'd 
 
 away ! 
 Farewell to the few — though we never may meet 
 On this planet again, it is soothing and 
 
 sweet 
 To think that, whenever my song and my 
 
 name ■ ^^ 
 
 Shall recur to their ear, they'll recall me the 
 
 same 
 
w 
 
 
 
 
 h> 
 
 r4^i 
 
 I have been to them now, young, un thought- 
 ful, and blest, 
 Ere hope had deceived me or sorrow depress'd. 
 
 But, Douglas ! while thus I recall to my mind 
 The elect of the land we shall soon leave behind 
 I can read in the weather-wise glance of thine eye, 
 As it follows the rack flitting over the sky, 
 That the faint coming breeze will be fair for our (K^. 
 
 flight. 
 
 And shall steal us away, ere the falling of night. y%!^^^J 
 Dear Douglas ! thou knowest, with thee by my --^J^^. 
 
 side, 
 ^ With thy friendship to sooth me, thy courage to 
 
 guide, 
 There is not a bleak isle in those summerless seas, ^ 
 Where the day comes in darkness, or shines but to 
 
 freeze. 
 Not a tract of the line, not a barbarous shore, 
 That I could not with patience, with pleas- |n,,^ . 
 
 ure explore ! \^| 
 
 think then how gladly I follow thee '~^7k,^.^ 
 now, ^\m 
 
 When Hope smoothes the billowy path of our 
 
 prow, 
 
APPENDIX, 
 
 COSTAIMSO 
 
 NOTES 
 
 MOORE'S MELODIES 
 
 AMEEICA^^ POEMS. 
 
 ! i 
 
NOTES TO THE MELODIES. 
 
 XoTE 1. page 35. 
 
 Ortc chord from that harp, or one loch Jr^,m that hair. 
 
 "In the twenty-eighth year of the reign of Henry VIII. an Act was 
 made respecting the habits, and dress in general, of the Irish, whereby all 
 persons were restrained from being shorn or shaven above the ears, or 
 from wearing Glibbes, or CouKns (long locks), on their heads, or hair on 
 their upper lip, called Crommeal. On this occasion a song was written 
 by one of our bards, in which an Irish virgin is made to give the prefer- 
 ence to her dear CouHn (or the youth with the flowing locks) to all 
 strangers (by which the English were meant), or those who wore their 
 habits. Of this song the air alone has reached us, and is universally ad- 
 mired." — Walker's Historical Memoirs of Irish Bards, p. 134. Mr. 
 Walker informs us, also, that about the same period there were some 
 harsh measures taken against the Irish Minstrels. 
 
 Note 2, page 36. 
 
 REirEMBER THE GLORIES OF BRIEX THE BRAVE. 
 
 Brien Borombe, the great Monarch of Ireland, who was killed at the 
 battle of Clontarf, in the beginning of the 11th century, after having de- 
 feated the Danes in twenty-five engagements. 
 
 XoTE 3, page 36. 
 
 The' lost to MOXONIA and cold in the grave. 
 Munster. 
 
 4-21 
 
IRISH MELODIES. 
 
 Note 4, page 36. 
 He returns to KiNKORA no more .' 
 The palace of Brien. 
 
 • Note 5, page 38. 
 
 Forget not our wounded companions, who stood. 
 
 This alludes to an interesting circumstance related of the Dalgais, the 
 favourite troops of Brien, when they were interrupted in their return from 
 the battle of Clontarf, by Fitzpatrick, prince of Ossory. The wounded 
 men entreated that they might be allowed to fight with the rest. — "Let 
 stakes (they said) be stuck in the ground, and suffer each of us, tied to and 
 supported by one of these stakes, to be placed in his rank by the side of a sound 
 man." "Between seven and eight hundred wounded men (adds O'Hal- 
 laran), pale, emaciated, and supported in this manner, appeared mixed 
 with the foremost of the troops; — never was such another sight exhib- 
 ited." — History of Ireland,, Book XII. Chap. i. 
 
 Note 6, page 39. 
 In times of old through Ammon's shade. 
 Solis Fons, near the Temple of Amnion. 
 
 Note 7, page 44. 
 
 THE MEETING OP THE WATERS. 
 
 "The Meeting of the Waters" forms a part of that beautiful scenery 
 which lies between Rathdrum and Arklow, in the county of Wicklow; 
 and these lines were suggested by a visit to this romantic spot, in the 
 summer of the year 1807. 
 
 422 
 
NOTES. 
 
 Note 8, page 44. 
 As that vale in whose bosom the bright waters meet. 
 The rivers Avon and Avoca. 
 
 Note 9, page 47. 
 
 RICH AND RARE WERE THE GEMS SHE WORE. 
 
 This ballad is founded upon the following anecdote : — " The people were 
 inspired with such a spirit of honour, virtue, and religion, by the great 
 example of Brien, and by his excellent administration, that, as a proof of 
 it, we are informed that a young lady of great beauty, adorned with jew- 
 els and a costly dress, undertook a journey alone, from one end of the 
 kingdom to the other, with a wand only in her hand, at the top of which 
 was a ring of exceeding great value ; and such an impression had the laws 
 and government of this monarch made on the minds of all the people, 
 that no attempt was made upon her honour, nor was she robbed of her 
 clothes or jewels." — Warner's History of Ireland, Vol. I. Book x. 
 
 Note 10, page 49. 
 
 We 're fallen, upon gloomy day?. 
 
 I have endeavoured here, without losing that Irish character which it 
 is my object to preserve throughout this work, to allude to the sad and 
 ominous fatality, by which England has been deprived of so many great 
 and good men, at a moment when she most requires all the aids of talent 
 and integrity. 
 
 Note 11, page 50. 
 
 Thou, of the Hundred Fights ! 
 
 This designation, which has been applied to Lord Nelson before, is 
 the title given to a celebrated Irish Hpro, in a Poem by O'Guive, the 
 
 4-J.S 
 
IRISH MELODIES. 
 
 bard of O'Xid, wMch is quoted in the '* Pliilosopliical Survey of the 
 South of Ireland," p. 433. "Con, of the hundred Fights, sleep in thy 
 grass-grown tomb, and upbraid not our defeats with thy Tictoriesl" 
 
 Note 12, page 50. 
 Truth, peace, and freedom htmgl 
 Fox, "Komanorum ultimus," 
 
 XoTE 13, page 53. 
 
 Where weary travellers love to caU. 
 
 '' In every house was one or two harps, free to all travellers, who wfere 
 the more caressed the more they excelled in music.'" — O H^t t.opax. 
 
 Note 14, page 57. 
 
 ST. sEXA^rrs. 
 
 In a metrical life of St, Senanus, which is taken from an old Kil- 
 kenny MS., and may be found amor.g the Ada Sanctorum Hibernice, we 
 are told of his flight to the island of Scattery, and his resolution not to 
 admit any woman of the party ; he refused to receive even a sister saint, 
 St Cannera, whom an angel had taken to the island for the express pur- 
 pose of introducing her to him. The following was the ungracious answer 
 of Senantis, according to his poetical biographer: — 
 
 Cui Prcesul, quid foeminis 
 Commune est cum m^onaehisf 
 Nee te nee uUam alr'am 
 Admitfemug in intulam. 
 
 See the Acta Sa^tct. Hib. p. 610. 
 
 According to Dr. Ledwicht, St Senanus was no less a personage than 
 
NOTES. 
 
 the river Shannon ; but O'Connor and other antiquarians deny the meta- 
 morphose indignantly. 
 
 Note 15, page 66. 
 
 When Malachi wore the collar of gold, 
 
 " This brought on an encounter between Malachi (the Monarch of Ire- 
 land in the tenth century) and the Danes, in which Malachi defeated two 
 of their champions, whom he encountered successively, hand to hand, 
 taking a collar of gold from the neck of one, and carrying off the sword 
 of the other, as trophies of his victory." — "Wae^tee's Hiitcry of Ireland, 
 Vol. I. Book ix. 
 
 Note 16, page 66. 
 
 Led the Red-Branch Knights to danger. 
 
 "Military orders of knights were very early established in Ireland; 
 long before the birth of Christ we find an hereditary order of Chivalry in 
 Ulster, called Curaidhe na Craiohhe ruadh, or the Knights of the Eed- 
 Branch, from their chief seat in Emania, adjoining to the palace of the 
 Ulster kings, called Teagh na Craiohhe ruadh, or the Academy of the Eed- 
 Branch; and contiguous to which was a large hospital, founded for the 
 sick knights and soldiers, called Bronbhearg, or the House of the Sorrow- 
 ful Soldier." — 0'Halloea>''s Introduction, dec, Part I. Chap. v. 
 
 Note 17, page 66. 
 
 For the long-faded glories they cover. 
 
 It was an old tradition, in the time of Greraldus, that Lough Neagh had 
 been originally a fountain, by whose sudden overflowing the country was 
 inundated, and a whole region, like the Atlantis of Plato, overwhelmed. 
 He says that the fishermen, in clear weather, used to point out to strangers 
 
 425 
 
lEISH MZLODIES. 
 
 the tall ecclesiastical towers under the water. Piscaiora aqxuB iUiut turres 
 exxlesiastieas, qtuz more patriae arcta sunt et altct, necnon et rotunda, iub undis 
 wiam/ale tererw tempore confpidunt, et exiraneis transeuntibus, reique causas 
 admirantibus, frequenter osiendunt. — ToPOGiL HxB., Dist. ii. c. 9. 
 
 Note 18, page 67. 
 
 THE SOS^G OF FIOySTALA. 
 
 To make this story intelligible in a song would require a much greater 
 number of verses than any one is authorised to inflict upon an audience 
 at once; the reader must therefore be content to learn, in a note, that 
 Fionnuala, the daughter of Lir, was, by some supernatural power, trans- 
 formed into a swan, and condemned to wander for many hundred years, 
 over certain lakes and rivers in Ireland, till the coming of Christianity, 
 when the first sound of the mass-bell was to be the signal of her release. 
 — I found this fanciful fiction among some manuscript translations from 
 the Irish, which were begun under the direction of that enlightened firiend 
 of Ireland, the late Countess of Moira, 
 
 Note 19, page 71. 
 
 Liix the bright lamp, that shone in Ktldabe's holy feme. 
 
 The inextinguishable fire of St Bridget, at Kildare, which Giraldus 
 mentions, "Apud Kildariam occurrit Ignis Sanctee Brigidae, quern inex- 
 tinguibilem vocant ; non quod extingui non possit, sed quod t^tm soUcite 
 moniales et sanctse mulieres ignem, suppetente materia, fovent et nutri- 
 unt, ut a tempore viiginis per tot annorum curricula semper mansit inex- 
 tinctus." — Girald, Camb. de Mirabit. Hibem., Dist. ii. c. 34. 
 
 Note 20, page 72. 
 
 And daylight and liberty bless the young flower. 
 
 Mrs. H. Tighe, in her exquisite lines on the lily, has applied this image 
 to a still more important object. 
 
 426 
 
NOTES. 
 Note 21, page 73. 
 
 OH I BLAME NOT THE BARD. 
 
 "We may suppose this apology to have been uttered by one of those 
 wandering bards, whom Spenser so severely, and perhaps truly, describes 
 in his " State of Ireland," and whose poems, he tells us, " were sprinkled 
 with some pretty flowers of their natural device, which have good grace 
 and comeliness unto them, the which it is great pity to see abused to the 
 gracing of wickedness and vice, which, with good usage, would serve to 
 adorn and beautify virtue." 
 
 Note 22, page 73. 
 
 Might have bent a proud bow to the wamor's dart. 
 
 It is conjectured, by Wormius, that the name of Ireland is derived from 
 Yr, the Eunic for a bow, in the use of which weapon the Irish were once 
 very expert. This derivation is certainly more creditable to us than the 
 following : " So that Ireland (called the land of Ire, from the constant 
 broils therein for 400 years) was now become the land of concord." 
 — Lloyd's State Worthies, art. The Lord Grandison. 
 
 Note 23, page 74. 
 
 lAie the wreath of Harmoditjs, should cover his sword. 
 
 See the Hymn, attributed to Alcseus Ev jxvprcyv xXa5t to ^i^o; ^opi^aw 
 — "I will carry my sword, hidden in myrtles, like Hannodius and 
 Aristogiton," &c. 
 
 Note 24, page 78. 
 
 Which near our planet smiling came. 
 
 " Of such celestial bodies as are visible, the sun excepted, the single 
 moon, as despicable as it is in comparison to most of the others, is much 
 more beneficial than they all put together." — Whiston's Theory, &c. 
 
 427 
 
IRISH MELODIES. 
 
 In the enfrefiens cTAriste, among other ingenious emblems, we find a 
 starry sty without a moon, with these words, Hon milie, quod absens. 
 
 Note 25, page 79. 
 
 " 7^« brooi can see no moon but this." 
 
 This image was suggested by the following thought, which occurs some- 
 where in Sir "William Jones's works : " The moon looks upon many night- 
 flowers, the night-flower sees but one moon." 
 
 Note 26, page 80. 
 
 A butterfly fresh from the night-floirer' s hisses. 
 
 An emblem of the soul. 
 
 Note 27, page 83. 
 
 May we pledge that horn in triumph round ! 
 
 " The Irish Coma was not entirely devoted to martial purposes. In 
 the heroic ages our ancestors quaffed Meadh out of them, as the Danish 
 hunters do their beverage at this day." — "SValkee. 
 
 XoTE 28, page 86. 
 
 THE lEISH PEASA>~r TO HIS MISTKESS. 
 
 Meaning, allegorically, the ancient church of Ireland. 
 
 Note 29, page 87. 
 
 Where shineth thy spirit, there liberty shineth too ! 
 
 "Where the spirit of the Lord is, there is liberty" — St. Paul, 2 Cor. 
 iii. 17. 
 
 428 
 
NOTES. 
 
 Note 30, page 91. 
 
 The cold chain of Silence had hung ffer thee long. 
 
 In that rebellious but beautiful song, " When Erin first rose," there is, 
 if I recollect right, the following line : — 
 
 " The dark chain of Silence was thrown o'er the deep." 
 
 The Chain of Silence was a sort of practical figure of rhetoric among 
 the ancient Irish. Walker tells us of " a celebrated contention for pre- 
 cedence between Finn and Gaul, near Finn's palace at Almhaim, where 
 the attending bards, anxious, if possible, to produce a cessation of hos- 
 tilities, shook the Chain of Silence, and flung themselves among the 
 ranks." See also the Ode to Gaul, the Son of Jlomi, in Miss Brooke's 
 Beliques of Irish Poetry. 
 
 XoTE 31, page M. 
 
 THE PEDfCE'S DAY. 
 
 This song was written for a fete in honour of the Prince of Wales's 
 birthday, given bv mv friend, Major Brvan, at his seat in the county of 
 Kilkenny. 
 
 Note 32, page 99. 
 
 BY THAT T.AKT:, whose GLOOMY SHORE. 
 
 This ballad is founded upon one of the many stories related of St. 
 Kevin, whose bed in the rock is to be seen at Glendalough, a most gloomy 
 and romantic spot in the county of Wicklow. 
 
 Note 33, page 99. 
 
 aty-tark never varbles oW. 
 
 There are many other curious traditions concerning this Lake, which 
 may be found in Giraldus, Colgan, &c. 
 
 429 
 
IRISH m;elodies. 
 
 Note 34, page 102. 
 
 IT IS XOT THE TEAK AT THIS MO>rE>'T SHED. 
 
 These lines were occasioned by the loss of a very near and dear relative, 
 who died lately at Madeira. 
 
 Note 35, page 104. 
 
 Than to remember thee, ;Makt ! 
 
 I have here made a feeble effort to imitate that exquisite inscription of 
 Shenstone's, " Heu ! quanto minus est cum reliquis versari quam tui 
 meminisse ! " 
 
 Note 36, page 106. 
 Avenging and bright fall the swift sword of Erin. 
 
 The words of this song were suggested by the very ancient Irish story 
 called " Deirdri, or the Lamentable Fate of the Sons of Usnach," which 
 has been translated literally from the Gaelic, by Mr. O'Flaxagax (see 
 Vol. I. of Transactions of the Gaelic Society of Dublin), and upon which it 
 appears that the " Darthula of Macpherson " is founded. The treachery 
 of Conor, King of Ulster, in putting to death the three sons of Osna, was 
 the cause of a desolating war against Ulster, which terminated in the 
 destruction of Eman. " This story (says Mr. O'Flas'agax) has been, 
 from time immemorial, held in high repute as one of the three tragic 
 stories of the Irish. These are, 'The death of the children of Touran;' 
 ' The death of the children of Lear' (both regarding Tuatha de Danans) ; 
 and this, 'The death of the children of Usnach,' which is a Milesian story,'' 
 It will be recollected that, in the Second Number of these Melodies, 
 there is a ballad upon the story of the children of Lear or Lir ; " Silent, 
 oh Movie I " &c. 
 
 TVhatever may be thought of those sanguine claims to antiquity, which 
 Mr. O'ELAKAGAy and others advance for the literature of Ireland, it 
 
 4V.' 
 
IT 
 
 would be a very Li^ti-? r^pr'-.ach cpon onr -.i:::z-L--r-. :: -.^ : "- : - .: re- 
 searches of tiiia gentlema did noc i::^5€t "^liii al^ uie L-z-ir^ ^^ : . -rage- 
 ment ihej nierit. 
 
 XoTE 37, page 106 
 
 ^ iie fof tbrnd that bamg oner Co:ros;'3 dark imdEnj. 
 
 " Oh Xaai ! Tiew Asl dood tiist I here see in the aky '. I >ee ov^ 
 EmaD-greeB a driTHi^ doad ef Uood-dBged led.' — Dairu Samg. 
 
 NosK 38^ page IML 
 W2et Ut.at/3 three dHoafieme lag wkr^imj m jmpb. 
 
 Ulster. 
 
 S'orrs 39, page III. 
 
 lOiai, ekwof beef tit Oaf wmetjrtm Oe I m gAm efmab. 
 
 "There are cotnitries." says Mostaigxe:, "wiae ftey lM£eve &e 
 soTxb of the happj lire in all vuaner of Hboty, in drf^htfal fields; aad 
 that it is those aoaH a q peaiMg Ae wondi «e attar vMdi ve eaD EdhoL* 
 
 yoTK 40, page lli 
 Ti r em gi k Moxsa's s^^ee. 
 " Steab sakattr ^ Mania% gnyre^" 
 See a t ntnal a twin from dte limb, ia Me. Boatzng's adketkn, b^ Josir 
 R£0'fr!!r, one of b^ eaiBeaft eoB^e c namaBM BS. and fnendst ; whose deat& 
 ■was as sinznlarir melaadbofy aad aafixtaaate as Us fife kad beea i 
 honourable, and eiemplairy. 
 
 Note 41, page 115. 
 
 JadmegbeCeiJm took ^Hejbmere em tke wag. 
 
 Proposito flonaa poBta^ offion.-^P!BonB3rr. lib. L Meg. 20. 
 
IKISH MELODIES. 
 
 Note 42, page 116. 
 
 A triple grass. 
 
 St. Patrick is said to have made use of that species of the trefoil, to 
 which in Ireland we give the name of Shamrock, in explaining the doc- 
 trine of the Trinity to the Pagan Irish. I do not know if there be any- 
 other reason for our adoption of this plant as a national emblem. IIope, 
 among the Ancients, was sometimes represented as a beautiful child, 
 standing upon tip-toes, and a trefoil, or three-coloured grass, in her hand. 
 
 Note 43, page 119. 
 
 PEIXCE OF BKEFFXI. 
 
 These stanzas are founded upon an event of most melancholy impor- 
 tance to Ireland ; if, as we are told by our Irish historians, it gave Eng- 
 land the first opportunity of profiting by our divisions and subduing us. 
 The following are the circumstances, as related by O'Ualloran : — "The 
 king of Leinster had long conceived a violent affection for Dearbhorgil, 
 daughter to the king of Meath, and though she had been for some time 
 married to O'Ruark, prince of Breffni, yet it could not restrain his pas- 
 sion. They carried on a private correspondence, and she informed him 
 that O'Ruark intended soon to go on a pilgrimage (an act of piety fre- 
 quent in those days), and conjured him to embrace that opportunity of 
 conveying her from a husband she detested to a lover she adored. Mac 
 Murchad too punctually obeyed the summons, and had the lady conveyed 
 to his capital of Ferns." — The monarch Roderick espoused the cause of 
 O'Ruark, while ]Mac Murchad fled to England, and obtained the assist- 
 ance of Henry II. 
 
 " Such," adds Giraldus Cambrensis (as I find him in an old translation), 
 " is the variable and fickle nature of woman, by whom all mischief in the 
 world (for the most part) do happen and come, as may appear by Marcus 
 Antonius, and by the destruction of Troy." 
 
 432 
 
NOTES. 
 NoTK 44, page 121. 
 
 YOU REMEMBER ELLEX. 
 
 This ballad was suggested by a well-known and interesting story told 
 of a certain noble family in England. 
 
 Note 45, page 129. 
 
 We've but to riiake love to the lips we are near. 
 
 1 believe it is Marmontel who says, " Quand on n' a pas ce que Con aime, 
 il/aut aimer ce que I' on a."— Thdre are so many matter-of-fact people, who 
 take such Jeux d' esprit as this defence of inconstancy to be the actual 
 and genuine sentiments of liim who writes them, that they compel one, 
 in self-defence, to be as matter-of-fact as themselves, and to remind them, 
 that Domocritus was not the worse physiologist for having playfully con- 
 tended that snow was black ; nor Erasmus in any degree the less wise for 
 having written an ingenious encomium of folly. 
 
 Note 46, page 140. 
 
 Been lihe our Lagenian mine. 
 
 Our Wicklow gold-mines, to which this verse alludes, deserve, I fear, 
 but too well the character here given of them. 
 
 Note 47, page 140. 
 
 Has Hope, like tlie bird in the story. 
 
 "The bird, having got its prize, settled not far off, with the talisman 
 in his mouth. The prince drew near it, hoping it would drop it ; but as 
 he approached, the bird took wing, and settled again," &c.— Arabian 
 K'tghls — Story of Kummir at Zummaiin and the Princess of China. 
 
 433 
 
lEISH MELODIES. 
 
 . Note 48, page 148. 
 
 Like him the Sprite. 
 
 This alludes to a kind of Irish fairy, which is to be met with, they say, 
 in the fields at dusk ; — as long as you keep your eyes upon him, he is 
 fixed, and in your power ; but the moment you look away (and he is in- 
 genious in furnishing some inducement) he vanishes. I had thought that 
 this was the sprite which we call the Leprechaun ; but a high authority 
 upon such subjects, Lady Morgan (in a note upon her national and in- 
 teresting novel, O'Donnel), has given a very different account of that 
 goblin. 
 
 Note 49, page 159. 
 
 At once, like a Sun-hirst, her banner unfurVd. 
 
 "The Sun-burst" was the fanciful name given by the ancient Irish to 
 the royal banner. 
 
 Note 50, page 164. 
 ^Mid desolation tuneful still 1 
 "Dimidio magicse resonant ubi Memnone chordae." — JuvEiirAL. • 
 
 Note 51, page 176, 
 
 Tho' the nymphs may have livelier poets to sing them. 
 
 " Tons les habitans de Mercure sont vifs." — Plurality des 3fondes. 
 
 Note 52, page 177. 
 
 And look, in their tioilights, as lovely as you. 
 
 " La Terre pourra etre pour Venus I'etoile du berger et la mSre des 
 amours, comme Venus Test pour nous." — Ibid. 
 
 434 
 
NOTES. 
 
 Note 53, page 185. 
 
 Yes, sad one of Siox, if closely resembling. 
 
 These verses wore written after the perusal of a treatise by Mr. Hamil- 
 ton, professing to prove that the Irish were originally Jews. 
 
 Note 54, page 185. 
 
 And " while it is day yet, her sun hath gone down." 
 
 " Her sun is gone down while it was yet day." — Jer. xv. 9. 
 
 Note 55, page 186. 
 Ah, well may we call Iter like thee " the Forsahen.'* 
 " Thou shalt no more be termed Forsaken," — Isaiah, Ixii. 4. 
 
 Note 56, page 186. 
 
 Wlien that cup, which for others the proud Golden City. 
 
 " How hath the oppressor ceased ! the golden city ceased I " — IsAlAH, 
 xiv. 11. 
 
 Note 57, page 186. 
 
 And, a ruin, at last, for the earth-worm to cover. 
 
 "Thy pomp is brought down to the grave and the worms cover 
 
 thee." — Isaiah, xiv. 4. 
 
 Note 58, page 186. 
 
 The Lady of Kingdoms lay loio in the dust. 
 
 "Thou shalt no more be called the Lady of Kingdoms."— Isaiah, 
 xlvii. 5. 
 
 435 
 
lEISH MELODIES. 
 
 Note 59, page 189. 
 
 Oh, ye Dead I oh, ye Dead ! whom ice know by the light you give. 
 
 Paul Zealand mentions that there is a mountain in some part of Ire- 
 land, where the ghosts of persons who have died in foreign lands walk 
 about and converse with those they meet, like living people. If asked 
 why they do not return to their homes, they say they are obliged to go 
 to Mount Hecla, and disappear immediately. 
 
 Note 60, page 197. 
 I wish I was by that dim Lake, 
 
 These verses are meant to allude to that ancient haunt of superstition, 
 called Patrick's Purgatory. "In the midst of these gloomy regions of 
 Donegal (says Dr. Campbell) lay a lake, which was to become the mystic 
 theatre of this fabled and intermediate state. In the lake were several 
 islands ; but one of them was dignified with that called the Mouth of Pur- 
 gatory, which, during the dark ages, attracted the notice of all Christen- 
 dom, and was the resort of penitents and pilgrims from almost every coun- 
 try in Europe." 
 
 " It was," as the same writer tells us, '•' one of the most dismal and 
 dreary spots in the North, almost inaccessible, througli deep glens and 
 rugged mountains, frightful W-th impending rocks, and the hollow mur- 
 murs of the western winds in dark caverns, peopled only with such fan- 
 tastic beings as the mind, however gay, is, from strange association, wont 
 to appropriate to such gloomy scenes." — Strictures on the Ecclesiastical and 
 Literary History of Ireland. 
 
 Note 61, page 203. 
 
 't was oxe of those deeams, that by music are brought. 
 
 "Written during a visit to Lord Kenmare, at Killarney. 
 
 436 
 
NOTES. 
 
 Note G2, page 206. 
 
 He hath been won down by iJiem. 
 
 In describing the Skeligs (islands of the Barony of Forth), Dr. Keating 
 sayg, "There is a certain attract! s-e virtue in the soil which draws down 
 all the birds that attempt to fly over it, and obliges them to light upon 
 the rock." 
 
 Note 63, page 206. 
 
 La/:es, tvhere the pearl lies hid, 
 
 "Xennius, a British writer of the ninth century, mentions the abun- 
 dance of pearls in Ireland. Their princes, he says, hung them behind 
 their ears ; and this we find confirmed by a present made, A. C. 1094, by 
 Gilbert, Bishop of Limerick, to Anselm, Archbishop of Canterbury, of a 
 considerable quantity of Irish pearls." — O'IIalloran". 
 
 Note 64, page 206. 
 Glens, tvhere Ocean comes. 
 
 Glen":ariff. 
 
 Note 65, page 208. 
 
 And breathe the fresh air of lifers morning once more. 
 
 Jours charmans, quand je songe a vos heureux instans, 
 Je pense remonter le fleuve de mes ans ; 
 Et mon coeur enchantesur sa rive fleurie 
 Respire encore Fair pur du matin de la vie. 
 
 Note Q>Q, page 208. 
 Is all we enjoy of each other in this. 
 The same thought has been happily expressed by my friend Mr. Wash- 
 ington Irving, in his Bracebridge Hall, Vol. I. page 213. The pleasure 
 
 487 
 
IRISH MELODIES. 
 
 which I feel in calling this gentleman my friend, is much enhanced by 
 the reflection that he is too good an American to have admitted me so 
 readily to such a distinction, if he had not known that my feelings to- 
 wards the great and free country that give him birth have long been such 
 as every real lover of the liberty and happiness of the human race must 
 entertain. 
 
 Note 67, page 210. 
 
 And proclaim to the world ivhat a star hath been lost! 
 
 It is only the two first verses that are either fitted or intended to be 
 sung. 
 
 Note 68, page 213. 
 
 DESMOND'S SONG. 
 
 " Thomas, the heir of the Desmond family, had accidently been so en- 
 gaged in the chase, that he was benighted near Tralee, and obliged to take 
 shelter at the Abbey of Feal, in the house of one of his dependents, called 
 Mac Cormac. Catherine, a beautiful daughter of his host, instantly in- 
 spired the Earl with a violent passion, which he could not subdue. He 
 married her, and by this inferior alliance alienated his followers, whose 
 brutal pride regarded this indulgence of his love as an unpardonable de- 
 gradation of Ms family." — Leland, Vol. II. 
 
 Note 69, page 215. 
 Like him, the boy, who born among. 
 The God of Silence, thus pictured by the Egyptians. 
 
 438 
 
NOTES. 
 
 Note 70, page 221. 
 
 As from a parting sjnrit, came. 
 
 The thought here was suggested by some beautiful lines in Mr. Rogers's 
 Poem of Human Life, beginning — 
 
 " Now in the glimmering, dying light she grows 
 Less and less earthly." 
 
 I would quote the entire passage, but that I fear to put my own humble 
 imitation of it out of countenance 
 
 Note 71, page 225. 
 
 The wine-cup is circling in Almhin's hall. 
 
 The palace of Fin Blac-Cumhal (the Fingal of Macpherson) in Lcinster. 
 It was built on the top of the hill, which has retained from thence the 
 name of the Hill of Allen, in the County of Kildare. The Finians, or 
 Fenii, were the celebrated National Militia of Ireland, which this chief 
 commanded. The introduction of the Danes in the above song is an 
 anarchronism common to most of the Finian and Ossianic legends. 
 
 Note 72, page 226. 
 And the Sun-burst o'er them floated wide. 
 The name given to the banner of the Irish, 
 
 Note 73, page 231. 
 
 Thy Na/iads prepare his steed for him. 
 
 The particulars of the tradition respecting O'Donohue and his White 
 Horse may be found in Mr. "Weld's Account of Killarney, or more fully 
 detailed in Derrick's Letters. For many years after his death, the spirit 
 of this hero is supposed to have been seen on the morning of May-day, 
 
 439 
 

 
 r 
 
 T If - :: ±r =-:zriof sweefc 
 
 ^ 
 
 e Lakes^ it is said 
 
 :_ 
 
 4iva3 9oim- 
 
 '. : - - , 
 
 : .incied licxsdf 
 
 iz T 
 
 Mav-moming, 
 
 
 XoxE 74, p^ge 233. 
 
 
 When T.nrfr iaaad^d, tig Img wmte emrb. 
 
 ~"-^ "-. 
 
 :all those wxves vUdi eone OB a viadr 
 
 - 
 
 ^3, " (rDoBolne^ wkite hoEses." 
 
 
 Xuu^ 73, page 2S7. 
 
 
 Wat Bie UtM nei tfiie Drmii rwrr. 
 
 DKnd,iA> 
 sesotofa W< 
 
 Xotk7«, 
 
 OmrJeM&^diameargnwef 
 
 the iiwiiliTili pgedictitm of the principal 
 Oat the poElerity of GaUns ahoold obtain the p<^ 
 Idaad (whidh was Irelaiid), a^ there inhaUt''— 
 
 ^OiJ:. <<, fSP 
 
 "Tit Bud^ul—^tu tuu^aar 
 XheldaadofDeEti^, ooeofOe anci.-: zj^ni. 
 
 44U 
 
50TZS. 
 
 Koxz 73; poTr f:4L 
 Wiidk dnrnxu..'. ~ zr^tA r'j- 
 
 "Tke iakaliifcnti «f AraBBOR are itill . 
 ^CT en aee frim &■ cant H7 &;Kfl,'ar tte 
 PanidiK of Oe Rigm IriA, ad *— *— J-g «Uek Ocj 
 
 XoTZ 79, pase 243^ 
 
 XoTE SO, pa^ 245. 
 ""rrdhf JuM ri d e i t . imik mrri kim to9 wdL 
 
 r 
 
 J*^A >■ I 
 
 of tfeir koses aloK wi& 
 
 J I 
 
AMERICAN POEMS. 
 
 NOTES TO AMERICAN POEMS. 
 
 Note 1, page 284. 
 Fragments of Voyages and Travels, Vol. II. Chap. vi. 
 
 Note 2, page 288. 
 The Commodore of the Lakes, as he is styled. 
 
 Note 3, page 288. 
 
 The two first sentences of this paragraph, as well as a passage that oc- 
 curs in a subsequent paragraph, stood originally as part of the Notes on 
 one of the American Poems. 
 
 Note 4, page 290. 
 Introduced in the Epistle to Lady Charlotte Eawdon. 
 
 Note 5, page 290. 
 
 This brave and amiable officer was killed at Queenstown, in Upper 
 Canada, soon after the commencement of the war with America, in the 
 year 1812. He was in the act of cheering on his men when he fell. The 
 inscription on the monument raised to his memory, on Queenstown 
 Heights, does but due honor to his manly character. 
 
 Note 6, page 292. 
 
 ■' It is singularly gratifying," the author add.?, " to discover that, to this 
 hour, the Canadian voyageurs never omit their offerings to the shrine of 
 
 442 
 
NOTES. 
 
 St. Anne, before engaging in any enterprise; and that, during its per- 
 formance, they omit no opportunity of keeping up so propitious an inter- 
 course. The flourishing village which surrounds the church on the 'Green 
 Isle' in question owes its existence and support entirely to these pious 
 contributions." 
 
 Note 7, page 297. 
 
 This Preface, as well as the Dedication wbich precedes it, were prefixed 
 originally to the miscellaneous volume entitled "Odes and Epistles," of 
 which, hitherto, the poems relating to my American tour have formed a 
 part. 
 
 Note 8, page 305. 
 
 Sweet Moon ! if, Uhe Cp.OTOXA's sage. 
 
 Pythagoras; who was supposed to have a power of writing upon the 
 moon by the means of a magic mirror. — See Bayle, art. Pijthag. 
 
 Note 9, page 807. 
 
 Or pant to be a wanderer more! 
 
 Alluding to these animated lines in the 44th Carmen of Catullus:— 
 
 Jam mens prtetrepidans avet vagari. 
 Jam laeti studio pedes vigescunti 
 
 Note 10, page 308. 
 
 Hath hung its shade on Pico's height. 
 
 A very high mountain on one of the Azores, from which the island 
 derives its name. It is said by some to be as high as the Peak of Ten- 
 erifle. 
 
 443 
 
AMERICAN POEMS. 
 
 yoTE 11, page SOS. 
 
 To tell of young Azorian maids. 
 
 I believe it is Gutkrie who savs, that the inhabitants of the Azores are 
 much addicted to gallantry. This is an assertion in which even Guthrie 
 mar be credited. 
 
 XoTE 12, page 309. 
 And gav€, all gloicing tcarm, to thine. 
 These islands belong to the Portuguese. 
 
 XoiT 13, page 312. 
 
 TO THE FLYING FISH. 
 
 It is the opinion of St. Austin upon Genesis, and I believe of nearly 
 all the Fathers, that birds, like fish, were originally produced from the 
 waters; in defence of which idea they have collected every fanciful cir- 
 cumstance which can tend to prove a kindred similitude between them; 
 ev/ yirttar roij jiiToutrois rtpoj ■ro tnrxra. With this thought in our minds, 
 when we first see the Flying Fish, we could almost fancy, that we are 
 present at the moment of creation, and witness the birth of the first bird 
 from the waves. 
 
 Note 14, page 323. 
 
 Aku, not yet one gleaming trace ! 
 
 Such romantic works as "The American Farmer's Letters," and the 
 account of Kentucky by Imlay, would seduce us into a belief, that inno- 
 cence, peace, and freedom had deserted the rest of the world for Martha's 
 Vineyard and the banks of the Ohio. The French travellers, too, almost 
 all from revolutionary motives, have contributed their share to the diffu- 
 sion of this flattering misconception. A visit to the country is, however, 
 quite sufficient to correct even the most enthusiastic prepossession. 
 
 444 
 
NOTES. 
 
 Note 15, page 323. 
 
 Blame not the tempU^i meanest part. 
 
 Norfolk, it must be owned, presents an unfavorable specimen of Amer- 
 ica. The characteristics of Virginia in general are not such as can delight 
 either the politician or the moralist, and at Norfolk they are exhibited in 
 their least attractive form. At the time when we arrived the yellow fever 
 had not yet disappeared, and every odor that assailed us In the streets very 
 
 strongly accounted for its visitation. } 
 
 I 
 
 Note 16, page 324, 
 
 The simple strain I send you here. 
 
 A trifling attempt at musical comp)osition accompanied this Epistle, 
 
 Note 17, page 325. 
 
 ShaU light me to my destined isle. 
 EJermuda. 
 
 Note 18, page 326. 
 
 ''And ghe's gone to the LaJx of the Dismal Swamp." 
 
 The Great Dismal Swamp is ten or twelve miles distant from Norfolk, 
 and the Lake in the middle of it (about seven miles long) is called Drum- 
 mond's Pond. 
 
 Note 19, page 330. 
 
 Where mazy LnfTH his lingering current lead?. 
 
 Lady Donegall, I had reason to suppose, was at this time still in Swit- 
 zerland, where the well-known powers of her pencil must have been fre- 
 quently awakened. 
 
 445 
 
AMERICAN POEMS. 
 
 Note 20, page 830, 
 Mark the last shadow on that holy shrine. 
 The chapel of William Tell on the Lake of Lucerne. 
 
 Note 21, page 332. 
 
 Eir happy spirits in th' Atlantic waste ? 
 
 M. Gebelin says, in his Monde Primifif, " Lorsque Strabon crut que les 
 anciens theologiens et poetes placoient les champs elysees dans les isles 
 de V Ocean Atlantique, il n'entendit rien a leur doctrine." M. Gebelin's 
 supposition, I have no doubt, is the more correct; but that of Strabo is, 
 in the present instance, most to my purpose. 
 
 Note 22, page 332. 
 
 The fairy harbor woo'd us to its arms. 
 
 Nothing can be more romantic than the little harbor of St. George's. 
 The number of beautiful islets, the singular clearness of the water, and 
 the animated play of the graceful little boats, gliding forever between the 
 islands, and seeming to sail from one cedar grove into another, formed 
 altogether as lovely a miniature of nature's beauties as can well be im- 
 agined. 
 
 Note 23, page 333. 
 
 77i.e flowery capital, the shaft, the porch. 
 
 This is an allusion which, to the few who are fanciful enough to indulge 
 in it, renders the scenery of Bermuda particularly interesting. In the 
 short but beautiful twilight of their spring evenings, the white cottages, 
 scattered over the islands, and but partially seen through the trees that 
 surround them, assume often the appearance of little Grecian temples; 
 and a vivid fancy may embellish the poor fisherman's hut with columns 
 
 446 
 
NOTES. 
 
 such as the pencil of a Claude might imitate. I had one favourite object 
 of this kind in my walks, which the hospitality of its owner robbed me 
 of, by asking me to visit him. He was a plain good man, and received me 
 well and warmly, but I could never turn his house into a Grecian temple 
 again. 
 
 Note 24, page 335. 
 
 TO GEORGE MORGAN, ESQ., OF NORFOLK, VIRGINIA. 
 
 This gentleman is attached to the British consulate at Norfolk. His 
 talents are worthy of a much higher sphere ; but the excellent dispositions 
 of the family with whom he resides, and the cordial repose he enjoys 
 amongst some of the kindest hearts in the world, should be almost enough 
 to atone to him for the worst caprices of fortune. The consul himself, 
 Colonel Hamilton, is one among the very few instances of a man, ardently 
 loyal to his king, and yet beloved by the Americans. His house is the 
 very temple of hospitality, and I sincerely pity the heart of that stranger, 
 v.ho, warm from the welcome of such a board, could sit down to write 
 a libel on his host, in the true spirit of a modern philosophist. See the 
 Travels of the Duke de la Rouche/oucault Liancourt, Vol. II. 
 
 Note 25, page 335. 
 
 Forsook me in this rude alarm. 
 
 "We were seven days on our passage from Norfolk to Bermuda, during 
 three of which we were forced to lay-to in a gale of wind. The Driver 
 sloop of war, in which I went, was built at Bermuda of cedar, and is ac- 
 counted an excellent sea boat. She was then commanded by my very 
 regretted friend Captain Compton, who in July last was killed aboard the 
 Lilly in an action with a French privateer. Poor Compton! he fell a vic- 
 tim to the strange impolicy of allowing such a miserable thing as the 
 Lilly to remain in the service; so small, crank, and unmanageable, that 
 a well-manned merchantman was at any time a match for her. 
 
 447 
 
AMERICAN POEMS. 
 
 Note 26, page 336. 
 
 Sweet is your /dss, my Lais dear. 
 
 This epigram is by Paul the Silentiary, and may be found in the Ana- 
 lecta of Brunck, Vol. III. p. 72. As the reading there is somewhat dif- 
 ferent from what I have followed in this translation, I shall give it as I 
 had it in my memory at the time, and as it is in Heinsius, who, I believe, 
 first produced the epigram. See his Poemata. 
 
 'H(5u fit* tan (piXriiia to AaiSog- r)Sv 6e avToii 
 
 llTnoitvi]T<t)v 6aKpv Xttt; /]\t(papwv, 
 Kai tioXv KixKi'^ovaa aoSti; evSoarpvxov aiyXnv, 
 
 'HlitTCpa Ktpa\r)V iqpov tptKraficvrj 
 ^Ivpofxtvriv 6' ctlnXriaa' ra &' wj Ipoatpt; airo TrTtyra, 
 
 AaKpva piyvvjitvtjiv iHTTTt Kara (XTOfiariov 
 EiTTC 6' avtipojitv(o, Ttvo; ovvtxa SaKpva XtiStt; ; 
 
 Atiiia fir] jit XiT^f tart yap opKairaTat. 
 
 Note 27, page 337. 
 
 The coral rocks they love to steep. 
 
 The water is so clear around the island, tliat the rocks are seen beneath 
 to a very great depth; and, as we entered the harbor, they appeared to 
 us so near the surfare that it seemed impossible we should not strike on 
 them. There is no necessity, of course, for heaving the lead; and the 
 negro pilot, looking down at the rocks from the bow of the ship, takes 
 her through this difficult navigation, with a skill and confidence which 
 seem to astonish some of the oldest sailors. 
 
 Note 28, page 338. 
 
 for the pinnace lent to thee. 
 
 In Kircber's " Ecstatic Journey to Heaven," Cosmiel, the genius of the 
 world, gives Theodidactus, a boat of asbestos, with which he embarks into 
 the regions of the sun. " Vides (says Cosmiel) banc asbestinam naviculam 
 commoditati tuse praeparatam." — Itinerar. I. Dial. i. cap. 5. This work 
 of Kircher abounds with strange fancies. 
 
 448 
 
NOTES. 
 
 Note 29, page 338. 
 
 Within thy orb's ambrosial round/ 
 
 When the Genius of the world and his fellow-traveller arrive at the 
 planet Venus, they find an island of loveliness, full of odors and intelli- 
 gences, where angels preside, who shed -the cosmetic influence of this 
 planet over the earth; such being, according to astrologers, the "vis in- 
 fluxiva" of Venus. When they are in this part of the heavens, a casu- 
 istical question occurs to Theodidactus, and he asks, " Whether baptism 
 may be performed with the waters of Venus?" — "An aquis globi Veneris 
 baptismus institui possit?" to which the Genius answers, "Certainly." 
 
 Note 30, page 338. 
 
 That each appears a living star. 
 
 This idea is Father Kircher's. "Tot animates soles dixisses." — Itinerar. 
 I. Dial. i. cap. 5. 
 
 Note 31, page 351. 
 
 Through that serene, luxurious shade. 
 
 Gassendi thinks that the gardens, which Pausanias mentions, in his first 
 book, were those of Epicurus; and Stuart says, in his Antiquities of 
 Athens, "Near this convent (the convent of Ilagios Asomatos) is the 
 place called at present Kepoi, or the Gardens; and Ampelos Kepos, or 
 the Vineyard Garden: these were probably the gardens which Pausanias 
 visited." Vol. I. Chap. 2. 
 
 Note 32, page 352. 
 
 Have play'd with, wear a smoother whiteness. 
 
 This method of polishing pearls, by leaving them a while to be played 
 with by doves, is mentioned by the fanciful Cardanus, de Rerum Varietat. 
 lib. vii. cap. 34. 
 
 449 
 
I 
 
 Ai£EEICA2v POEMS. 
 
 XOTE 33, page 353. 
 
 Al<mg ihe tint'eUer't vaxry wag. 
 
 In Hercrnio Gremianiae salta inositata genera alitnm accepimus, qnaram 
 ■"liinis. igrdmn modo, collnceant noctibus. — Plin. lib. x. cap. 47. 
 
 Note 34, page 353. 
 
 Or wembm^d tit MUaiim story. 
 
 The MUesiacs, or Afi1<yi.-^Ti fables, had their origin in Miletus, a Jtrsu- 
 rioas town of Ionia. Aristides was the most celebrated author of these 
 lieentioiis fictions. See Pluiajrh (in Crasso) who calls them tixojjijro 
 
 Note 35, page 354. 
 
 HmriMg the flovxry wines of Cretf. 
 
 "Some of the Cretan wines, which Athensns calls otroj atSoajuo^, from 
 their feagrancy resembling that of the finest flowers." — Barry on lftii«s. 
 
 Chap. Tn. 
 
 i 
 
 j Note 36, page 354. 
 
 I I The onjfz shone beneath their fed. 
 
 « j 
 
 I It a{^>eaTs tiiat in rery splendid mansions, the floor or payement was 
 
 I frequently of onyx. Thus Martial: " Calcatosqne tuo sub pede lucet 
 
 onyx." — Epig. 50. lib. xiL 
 
 XoTE 37, page 354. 
 
 Iniirm'd by snakes of burnished gold. 
 
 Bracelets of inis shape were a farotirite ornament among the women of 
 antiquity. Oi «n:iap:tiot co?tj xai al j^pijat ritbai ©ai6oj xwt A - 1 jroyopaj 
 xoA. Aotioj eof/iQio. — Phik^ftrat. Epist. xl. Lncian, too, tells tis of the 
 
 450 
 
 i( 
 
NOTES. 
 
 ^faztot» ifoxorrte. See bis Amores, where he describes the dressing 
 room of a Grecian ladv, and we find the "dlyer rase," the roage, the 
 tooth powder, and all the " mv=tic order" of a modem toilet. 
 
 Note ZS, page 354. 
 Tkroiigh many a thin Tarfntian fold, 
 
 xa* rf.'Vpi;;. — Pollux. 
 
 Note 39, page 354. 
 
 And the young bee grape, round them vreathing. 
 
 Apiana, mentioned by Plinv, Lib. XTV. and " now called the MoscateU 
 (a mascarum telis)," says Pancirolius, Book L Sect. 1, Chap. 17. 
 
 Note 40, page 35at 
 Tj-^:iorTO'£ I izilfor thaae gi'ni>i» o» gnmea. 
 
 I had, at this time, s-.m^ il-ea of paying a Tisrt to the West Indies. 
 
 Note 41, page 355. 
 
 Ibrewen to Be&kuda, and lomg may tie bbom. 
 
 The inhabitants pronounce the name as if it were wrinen Bermooda. 
 See the commentators on the words "still- vexd Bermooth^/' in the 
 Tempest. — I wonder it did not occur to some of those all-reading gen- 
 tlemen that, possibly, the discoverer of this " island of hogs and deTils "' 
 might have been no less a personage than the great John Bermndez, 
 who, about the same period (the beginning of the sixteenth century u 
 was sent Patriarch of the Latin church to Ethiopia, and has left us 
 most wonderful stories of the Amazons and the Griffins which he 
 encountered. — Trijrreh of the Jesuits, Vol. L I am afraid, however, that it 
 would take the Patriarch rather too much out of his wav. 
 
 -tol 
 
AMERICAN POEMS. 
 
 Note 42, page 355. 
 
 Where Ariel has warbled and Waller has strayed. 
 
 Johnson does not think that Waller was ever at Bermuda; but the 
 "Account of the European settlements in America" affirms it confidently. 
 (Vol. II.) I mention this work, however, less for its authority than for 
 the pleasure I feel in quoting an unacknowledged production of the great 
 Edmund Burke. 
 
 Note 43, page 359. 
 While many a bending seagrape drank. 
 The seaside or mangrove grape, a native of the West Indies. 
 
 Note 44, page 360. 
 
 That, like tlie aloe^s lingering flowers. 
 
 The Agave. This, I am aware, is an erroneous notion, but it is quite 
 true enough for poetry. Plato, I think, allows a poet to be "three removes 
 from truth;" tptraroj orto trji aXriOsLas. 
 
 Note 45, page 363. 
 
 It seems in careless play to lie. 
 
 Somewhat like the symplegma of Cupid and Psyche at Florence, in 
 which the position of Psyche's hand is finely and delicately expressive of 
 aifection. See the Museum Florentinum, tom. ii. tab. 43, 44. There are 
 few subjects on which poetry could be more interestingly employed than 
 in illustrating some of these ancient statues and gems.- 
 
 Note 46, page 365. 
 
 TO JOSEPH ATKINSON, ESQ., FROM BERMUDA. 
 
 Pinkerton has said that "a good history and description of the Bermu- 
 das might afford a pleasing addition to the geograpical library;" but 
 
 452 
 
NOTES. 
 
 there certainly are not materials for such a work. The island, since the 
 time of its discovery, has experienced so very few vicissitudes, the people 
 have been so indolent, and their trade so limited, that there is but little 
 which the historian could amplify into importance; and, with respect to 
 the natural productions of the countiy, the few whicli the inhabitants can 
 be induced to cultivate are so common in the West Indies, that they have 
 been described by every naturalist who has written any account of those 
 islands. 
 
 It is often asserted by the transatlantic politicians that this little colony 
 deserves more attention from the mother country than it receives, and it 
 certainly possesses advantages of situation, to which we should not be 
 long insensible, if it were once in the hands of an enemy. I was told by 
 a celebrated friend of Washington, at New York, that they had formed a 
 plan for its capture towards the conclusion of the American War; "with 
 the intention (as he expressed himself) of making it a nest of hornets for 
 the annoyance of British trade in that part of the world." And there is 
 no doubt it lies so conveniently in the track to the West Indies, that an 
 enemy might with ease convert it into a very harassing impediment. 
 
 The plan of Bishop Berkeley for a college at Bermuda, Avhere American 
 savages might be converted and educated, though concurred in by the gov- 
 ernment of the day, was a wild and useless speculation. Mr. Hamilton, 
 who was governor of the island some years since, proposed, if I mistake 
 not, the establishment of a marine academy for the instruction of those 
 children of West Indians, who might be intended for any nautical em- 
 ployment. This was a more rational idea, and for something of this nature 
 the island is admirably calculated. But the plan should be much more 
 extensive, and embrace a general system of education ; which would re- 
 lieve the colonists from the alternative to which they are reduced at 
 present, of either sending their sons to England for instruction, or intrust- 
 ing them to colleges in the states of America, where ideas, by no means 
 fiivourable to Great Britain, are very sedulously inculcated. 
 
 The women of Bermuda, though not generally handsome, have an affec- 
 tionate languor in their look and manner, which is ahvavs interesting. 
 
 4.^3 
 
AMERICAN' POEMS. 
 
 What the French imply by their epithet aimante seems very much the 
 character of the young Bermudian girls — that predispositiou to loving, 
 which, without being awakened by any particular object, diffuses itself 
 through the general manner in a tone of tenderness that never fails to 
 fascinate. The men of the island, I confess, are not very civilized; and 
 the old philosopher, who imagined that, after this life, men would be 
 changed into mules, and women into turtle-doves, would find the met:i- 
 raorphosis in some degree anticipated at Bermuda. 
 
 Note 47, page 366. 
 
 Of the pearliest flow, from those pastoral hills. 
 
 Mountains of Sicily, upon which Daphnis, the first inventor of bucolic 
 poetry, was nursed by the nymphs. See the lively description of these 
 mountains in Diodorus Siculus, lib. iv. 'Hpaia yap op^^ xara tr^v StxsXtai' 
 
 Note 48, page 367. 
 The bark that's to carry these pages away. 
 A ship, ready to sail for England. 
 
 Note 49, page 368. 
 
 THE STEEESMAK'S SOXG. 
 
 I left Bermuda in the Boston about the middle of April, in company 
 with the Cambrian and Leander, aboard the latter of which was the Ad- 
 miral, Sir Andrew Mitchell, who divides his year between Halifax and 
 Bermuda, and is the very soul of society and good fellowship to both. 
 We separated in a few days, and the Boston after a short cruise proceeded 
 to New York. 
 
 454 
 
lsOTE3. 
 Note 60, page 369. 
 
 TO THE FIEEFLY. 
 
 The lively and varying illumination, with which these fireflies light up 
 the woods at night, gives quite an idea of enchantment, "Puis ces 
 mouches se develloppant de I'ob scurite de ces arbres et s'approchant de 
 nous, nous les voyjons sur les orangere voisin.?, qu'ik mettoient tout en 
 feu, nous rendant la vue de leurs beaux fruits dores que la nuit avoit 
 ravie," &c. &c. — See VHbitoire de» Antilleit, art. 2, chap. 4, liv. i. 
 
 Note 51, page 372. 
 
 "Shall crush the giant* thai bestride mankind." 
 
 Thus Morse. "Here the sciences and the arts of civilized life are to 
 receive their highest improvements : here civil and religious liberty are to 
 flourish, unchecked by the cruel hand of civil or ecclesiastical tyranny: 
 here genius, aided by all the improvements of former ages, is to be ex- 
 erted in humanizing mankind, in expanding and enriching their minds 
 with religious and philosophical knowledge," &c. &c. — P. 569. 
 
 Note 52, page 373. 
 
 She '» old in yotdh, the '» blasted in her prime. 
 
 " "What will be the old age of this government, if it is thus early de- 
 crepit ! " Such was the remark of Fauchet, the French minister at Phil- 
 adelphia, in that famous dispatch to his government, which was inter- 
 cepted by one of our cruisers in the year 1794. This curious memorial 
 may be found in Porcupine's "Works, voL i. p. 279. It remains a striking 
 monument of republican intrigue on one side and republican profligacy 
 on the other; and I would recommend the perusal of it to every honest 
 politician, who may labor under a moment's delusion with respect to the 
 purity of American patriotism. 
 
AMEKICAN POEMS. 
 
 Note 53, page 375. 
 
 To rise and fall, like other ivares of trade. 
 
 " Nous voyons que, dans les pays oii 1' on n' est affecte que de 1' esprit de 
 commerce, on trafique de toutes les actions liumaines et de toutes les 
 vertus morales." — Montesquieu, de V Esprit des Lois, liv. xx. chap. 2. 
 
 Note 54, page 375. 
 
 From England's debtors to be England's foes. 
 
 I trust I shall not be suspected of a wish to justify those arbitrary steps 
 of the English government which the colonies found it so necessary to re- 
 sist; my only object here is to expose the selfish motives of some of the 
 leading American demagogues. 
 
 Note 55, page 375. 
 
 And break allegiance, but to cancel debt. 
 
 The most persevering enemy to the interests of this country, amongst 
 the politicians of the western world, has been a Virginian merchant, who, 
 finding it easier to settle his conscience than his debts, was one of the 
 first to raise the standard against Great Britain, and has ever since en- 
 deavored to revenge upon the whole country the obligations which he 
 lies under to a few of its merchants. 
 
 Note 56, page 375. 
 
 Which makes a patriot, can unmake him too. 
 
 See Porcupine's account of the Pennsylvania Insurrection in 1794. In 
 short, see Porcupine's works throughout, for ample corroboration of every 
 sentiment which I have ventured to express. In saying this, I refer less 
 to the comments of that writer than to the occurrences which he has re- 
 lated and the documents which he has preserved. Opinion may be sus- 
 pected of bias, but facts speak for themselves. 
 
 466 
 
iJOTES. 
 
 Note 57, page 376. 
 
 Of slaving blacks and democratic whites. 
 
 In Virginia the effects of this system begin to be felt rather seriously 
 While the master raves of liberty, the slave cannot but catch the conta- 
 gion, and accordingly there seldom elapses a month without some alarm 
 of insurrection amongst the negroes. The accession of Louisiana, it is 
 feared, will increase this embarrassment; as the numerous emigrations, 
 which are expected to take place, from the southern states to this newly- 
 acquired territory, will considerably diminish the white population, and 
 thus strengthen the proportion of negroes, to a degree which must ulti- 
 mately be ruinous. 
 
 Note 58, page 378. 
 
 And dream of freedom in his bondmaid's arms. 
 
 The "black Aspasia" of the present * * * * of the United States, 
 inter Avernales baud ignotissima nymphas, has given rise to much pleas- 
 antry among the anti-democrat wits of America. 
 
 Note 59, page 378. 
 
 Come, let me lead thee o'er this "second Borne/" 
 
 " On the original location of the ground now allotted for the seat of the 
 Federal City (says Mr. Weld) the identical spot on which the capitol 
 now stands was called Rome. This anecdote is related by many as a cer- 
 tain prognostic of t!ie future magnificence of the city, which is to be, as 
 it were, a second Rome." — Weld's Travels, letter iv. 
 
 Note 60, page 378. 
 
 And what xoas Goose Creek once is Tiber now. 
 
 A little stream runs through the city, which, with intolerable affectation, 
 they have styled the Tiber. It was originally called Goose Creek. 
 
 457 
 
AMERICAN POEMS. 
 
 Note 61, page 379. 
 Though nought but woods and J- n they see. 
 
 "To be under the necessity of going through a deep wood for one or 
 two miles, perhaps, in order to see a next-door neighbor, and in the same 
 city, is a curious, and, I believe, a noA'el circumstance." — Weld, letter iv. 
 
 The Federal City (if it must be called a city) has not been much in- 
 creased since Mr. Weld visited it. Most of the public buildings, which 
 were then in some degree of forwardness, have been since utterly sus- 
 pended. The hotel is already a ruin; a great part of its roof has fallen 
 in, and the rooms are left to be occupied gratuitously by the miserable 
 Scotch and Irish emigrants. The President's house, a very noble struct- 
 ure, is by no means suited to the philosophical humility of its present 
 possessor, who inhabits but a corner of the mansion himself, and aban- 
 dons the rest to a state of uncleanly desolation, which those who are not 
 philosophers cannot look at without regret. This grand edifice is encir- 
 cled by a very rude paling, through which a common rustic stile intro- 
 duces the visitors of the first man in America. With respect to all that 
 is within the house, I shall imitate the prudent forbearance of Herodotus, 
 and say, to. hs tv artofpr^ti^. 
 
 The private buildings exhibit the same characteristic display of arro- 
 gant speculation and premature ruin ; and the few ranges of houses which 
 were begun some years ago have remained so lojig waste and unfinished 
 that they are now for the most part dilapidated. 
 
 Note 62, page 379. 
 
 Its own half-organized, half-minded race. 
 
 The picture which BuflJbn and De Pauw have drawn of the American 
 Indian, though very humiliating, is, as far as I can judge, much more 
 correct than the flattering representations which Mr. Jefferson has given 
 us. See the Notes on Virginia, where this gentleman endeavors to dis- 
 
 458 
 
NOTES. 
 
 prove in general the opinion maintained so strongly by some philosophers 
 that nature (as Mr. Jeiferson expresses it) beliitles her productiops in the 
 western world. M. de Pauw attributes the imperfection of animal life in 
 America to the ravages of a very recent deluge, from whose effects upon 
 its soil and atmosphere it has not yet sufficiently recovered. — Eecherches 
 sur les Anuricains, Part I. torn i. p. 102. 
 
 Note 63, page 380. 
 The sculptured image of that veteran chief. 
 
 On a small hill near the capitol there is to be an equestrian statue of 
 General Washington. 
 
 Note 64, page 382. 
 
 With me shall wonder, and with me despise. 
 
 In the ferment which the French revolution excited among the demo- 
 crats of America, and the licentious sympathy with which they shared in 
 the wildest excesses of jacobinism, we may find one source of that vul- 
 garity of vice, that hostility to all the graces of life, which distinguishes 
 the present demagogues of the United States, and has become indeed too 
 generally the characteristic of their countrymen. But there is another 
 cause of the corruption of private morals, which, encouraged as it is by 
 the government, and identified with the interests of the community, seems 
 to threaten the decay of all honest principle in America. I allude to 
 those fraudulent violations of neutrality to which they are indebted for 
 the most lucrative part of their commerce, and by which they have so 
 long infringed and counteracted the maritime rights and advantages of 
 this country. This unwarrantable trade is necessarily abetted by such a 
 system of collusion, imposture, and perjury, as cannot fail to spread rapid 
 contamination around it. 
 
 459 
 
AMERICAN POEMS. 
 XoTE 65, page 3S6. 
 
 LINIS WRITTEN' AT THE COHOES, OR FALLS OF THE MOHAWK RIVEK. 
 
 There is a dreary and savage character in the country immediately 
 about these Falls, which is much more in harmony with the wildness of 
 such a scene than the cultivated lands in the neighborhood of Niagara. 
 See the drawing of them in Mr. Weld's book. According to him, the per- 
 pendicular height of the Cohoes Fall is fifty feet; but the Marquis de 
 Chastellux makes it seventy-sLs. 
 
 The fine rainbow, which is continually forming and dissolving, as the 
 spray rises into the light of the sun, is perhaps the most interesting beauty 
 which these wonderful cataracts exhibit. 
 
 Note 66, page 388. 
 
 SO:S^G OF THE EYIL SPIRIT OF THE WOODS. 
 
 The idea of this poem occurred to me in passing through the very 
 dreary wilderness between Batavia, a new settlement in the midst of the 
 woods, and the little village of Bufllilo upon Lake Erie. This is the most 
 fatiguing part of the route, in travelling through the Genesee country to 
 Niagara. 
 
 Note 67, page 388. 
 
 Think, 'twas once the Indian's home! 
 
 The Five Confederated Nations (of Indians) Avere settled along the 
 banks of the Susquehannah and the adjacent country, until the year 1779, 
 when General Sullivan, with an army of 4000 men, drove them from their 
 country to Niagara, where, being obliged to live on salted provisions, to 
 which they were unaccustomed, great numbers of them died. Two hun- 
 dred of them, it is said, were buried in one grave, where they had en- 
 camped." — Morse's American Geography. 
 
 460 
 
NOTES. 
 
 Note 68, page 389. 
 
 And (he cayman loves to creep. 
 
 The 'alligator, who is supposed to lie in a torpid state all the winter, in 
 the bank of some creek or pond, having previously swallowed a large 
 uumber of pine knots, which are his only siistenance during the time. 
 
 Note 69, page 389. 
 
 And the shuddering murderer sits. 
 
 This was the mode of punishment for murder (as Charlevoix tells us) 
 among the Hurons. "They laid the dead body upon poles at the top of 
 a cabin, and the murderer was obliged to remain several days together, 
 and to receive all that dropped from the carcass, not only on himself but 
 on his food." 
 
 Note 70, page 390. 
 To the Fiend presiding there/ 
 
 "We find also collars of porcelain, tobacco, ears of maize, skins, &c. by 
 the side of difficult and dangerous ways, on rocks, or by the side of the 
 falls; and these are so many offerings made to the spirits which preside 
 in these places." — See Charlevoix's Letter on the Traditiom and the Re- 
 ligion of the Savages of Canada. 
 
 Father Hennepin too mentions this ceremony; he also says, "We took 
 notice of one barbarian, who made a kind of sacrifice upon an oak at 
 the Cascade of St. Antony of Padua, upon the river Mississippi." — See 
 Hennepin's Voyage into North America. 
 
 Note 71, page 392. 
 
 Bright lahes expand, and conquering rivers flow. 
 
 This epithet was suggested by Charlevoix's striking description of the 
 confluence of the Missouri with the Mississippi. " I believe this is the 
 
 461 
 
I 
 
 AMERICAN POEMS. 
 
 finest confluence in the world. The two rivers are mucli of the same 
 breadth, each about half a league; but the Missouri is by far the most 
 rapid, and seems to enter the Mississippi like a conqueror, through which 
 it carries its white 'waves to the opposite shore, without mixing them : 
 afterwards it gives its color to the Mississippi, which it never loses again, 
 but carries quite down to the sea." — Letter xxvii. 
 
 Note 72, page 393. 
 
 But lost, unheard, they linger freezing there. 
 
 Alluding to the fanciful notion of " words congealed in northern air.'' 
 
 Note 73, page 394. 
 
 ' Twas bliss to live with, and 't was pain to leave. 
 
 In the society of Mr. Deunie and his friends, at Philadelphia, I passed 
 the few agreeable moments which my tour through the states afforded me. 
 Mr. Dennie has succeeded in diffusing through this cultivated little circle 
 that love for good literature and sound politics, which he feels so zealously 
 himself, and which is so very rarely the characteristic of his countrymen. 
 They will not, I trust, accuse me of illiberality for the picture which I 
 have given of the ignorance and corruption that surround them. If I did 
 not hate, as I ought, the rabble to which they are opposed, I could not 
 value, as I do, the spirit with which they defy it; and in learning from 
 them what Americans can be, I but see with the more indignation what 
 Americans are. 
 
 Note 74, page 398. 
 
 A CANADIAK BOAT SONG. 
 
 I wrote these words to an air which our boatmen sung to us frequently. 
 The wind was so unfavorable that they were obliged to row all the way, 
 
 462 
 
NOTES. 
 
 aud we were five days in descending the river from Kingston to Montreal, 
 exposed to an intense sun during the day, and at night forced to take 
 shelter from the dews in any miserable hut upon the banks that would 
 receive us. But the magnificent sceneiy of the St. Lawrence repays all 
 such difficulties. 
 
 Our voyageurs had good voices, and sung perfectly in tune together. 
 The original words of the air, to which I adapted these stanzas, appeared 
 to be a long, incoherent story, of which I could understand but little, 
 from the barbarous proimnciution of the Canadians. It begins, 
 
 Dans mon chemin j'ai rencontr6 
 Deux cavaliers tres-bien months; 
 
 And the refrain to every verse was, 
 
 A I'ombre d'un bois je m'en vais jouer, 
 A I'ombre d'un bois je m'en vais danser. 
 
 I ventured to harmonize this air, and have published it. Without that 
 charm which association gives to every little memorial of scenes or feel- 
 ings that are past, the melody may, perhaps, be thought common and tri 
 fling; but I remember when we have entered, at sunset, upon one of those 
 beautiful lakes, into which the St. Lawrence so grandly and unexpectedly 
 opens, I have heard this simple air with a pleasure which the finest com- 
 positions of the first masters have never given me; and now there is not 
 a note of it which does not recall to my memory the dip of our oars in 
 the St. Lawrence, the flight of our boat down the Eapids, and all those 
 new and fanciful impressions to which my heart was alive during the 
 whole of this very interesting voyage. 
 
 These stanzas are supposed to be sung by those voyageurs who go to the 
 Grand Porta^^e by the Utawas Kiver. For an account of this wonderful 
 undertaking, see Sir Alexander Mackenzie's General History of the Fur 
 Trade, prefixed to his Journal. 
 
AMERICAN" POEMS. 
 
 XOTE 75, page 398. 
 
 We 'II sing at St. A^t^s "s our parting hymn. 
 
 "At the Eapid of St. Ann they are obliged to take out part, if not the 
 whole, of their lading:. It is from this spot the Canadians consider they 
 take their departure, as it possesses the last chtirch on the island, which 
 is dedicated to the tutelar saint of voyagers." — Mackx>'zie, General His- 
 fory of the I\ir Trade. 
 
 Note 76, page 401. 
 
 Or loved mistress, sigh in every leaf. 
 
 "Avendo essi per costume di avere in venerazione gli alberi grandi et 
 antichi, quasi che siano spesso ricettaccoli di anime beate." — Pietro deUa 
 ValJe, part, second., lettera 16 da giardini di Sciraz. 
 
 yoTE 77, page 403. 
 
 And I can trace him, like a watery ?far 
 
 Anbttrey, in his Travels, has noticed this shooting illumination which 
 porpoises diffuse at night through the river St. Lawrence. — Vol. I. p. 29. 
 
 XoTE 78, page 403. 
 And the smooth glass snaJx, gliding o'er my way. 
 The glass snake is brittle and transparent. 
 
 Note 79, page 403. 
 
 Where, transform'd to sacred doves. 
 
 "The departed spirit goes into the Country of Souls, where, according 
 to some, it is transformed into a dove." — Charlevoix, -upon he Traditions 
 and the Religion of the Savages of Canada. See the ctirious fable of the 
 American Orpheus in Lafitau, tom. i. p. 402. 
 
 4»i4 
 
KOTES. 
 
 Note 80, page 403. 
 
 As those wondrous stones of light. 
 
 "The mountains appeared to be sprinkled with white stones, which 
 glistened in the sun, and were called by the Indians manetoe aseniah, or 
 spirit stones." — Mackenzie's Journal. 
 
 Note 81, page 404. 
 
 IjOoliS as if it hung in air. 
 
 These lines were suggested by Carver's description of one of the Amer- 
 ican lakes. "When it was calm," he says, "and the sun shone bright, I 
 could sit in my canoe, where the depth was upwards of six fathoms, and 
 plainly see huge piles of stone at the bottom, of different shapes, some of 
 which appeared as if they had been hewn; the water was at this time as 
 pure aud transparent as air, and my canoe seemed as if it hung suspended 
 in tliat element. It was impossible to look attentively through this limpid 
 medium, at the rocks below, without finding, before many minutes were 
 elapsed, your head swim and your eyes no longer able to behold the daz- 
 zling scene. 
 
 Note 82, page 404. 
 
 Through the Manataulin isle. 
 
 Apres avoir traverse plusieurs isles pen considerables, nous en trou- 
 vames le quatrieme jour une fameuse nommee I'lsle de Manitoualin. — 
 Voyages du Baron de Lahoxtax, toin. i. let. 15. Manataulin signifies a 
 Place of Spirits, aud this island in Lake Huron is held sacred by the 
 Indians. 
 
 Note 83, page 404. 
 
 Of my Wakon Bird, and fly. 
 
 "The Wakon Bird, which probably is of the same species with the bird 
 of Paradise, receives its name from the ideas the Indians have of its su- 
 
 4'j.'. 
 
AMERICAN POEMS. 
 
 perior excellence; the Wakon Bird being, in their language, the Bird of 
 the Great Sioirit." — Mouse. 
 
 Note 84, page 404. 
 
 Which the water lily weaves. 
 
 The islands of Lake Erie are surrounded to a considerable distance by 
 the large pond lily, whose leaves spread thickly over the surfixce of the 
 lake, and form a kind of bed for the water snakes in summer. 
 
 Note 85, page 405. 
 
 Where the gold thread loves to creep. 
 
 "The gold thread is of the vine kind, and grows in swamps. The re ots 
 spread themselves just under the surface of the morasses, and are easily 
 drawn out by handfuls. They resemble a large entangled skein of silk, 
 and are of a bright yellow." — Morse. 
 
 Note 86, page 405. 
 
 O'er the sleeping flybird's head. 
 
 "L'oiseau mouche, gros comme un hanneton, est de toutes couleurs, vives 
 et changeantes: il tire sa subsistence des fleurs commes les abeilles; son 
 nid est fait d'un cotton tros-fin suspendu a une branche d'arbre." — Voy- 
 ages sur Indes Occidentales, par M. BossTJ, secoude part, let. xx. 
 
 Note 87, page 406. 
 With the snow bird soft and fair. 
 Emberiza hyemalis.— See Imlay's Kentucky, p. 280. 
 
 4t56 
 
NOTES. 
 
 Note 88, page 407. 
 
 Virgins, who have wander'd young. 
 
 Lafitau supposes that there was an order of vestals established among 
 the Iroquois Indians. — Bkmrs des Smivages Amhicains, &c. torn. i. p. 173. 
 
 Note 89, page 407. 
 
 BiTne, without sails, along the duskij fin(,d. 
 
 Vedi che sdegna gli argomenti iinuini; 
 Si che remo non vuol, ne altro velo, 
 Clie Tale sue tra liti si lontani. 
 
 Vedi come I'ha dritte verso '1 cielo 
 Trattando Paere con I'eterne penne: 
 Che non si mutan, come mortal pelo. 
 
 Dakte, Pargafor. cant. ii. 
 
 Note 90, page 411. 
 
 WRITTEN ox passing DEADMAN'S ISLAND. 
 
 This is one of the Magdalen Islands, and, singularly enough, is the 
 property of Sir Isaac CofSn. The above lines were suggested by a super- 
 stition very common among sailors, who call this ghost ship, I think, "the 
 flying Dutchman." 
 
 We were thirteen days on our passage from Quebec to Halifax, and I 
 had been so spoiled by the truly splendid hospitality of my friends of the 
 Phaeton and Boston, that I was but ill prepared for the miseries of a 
 Canadian vessel. The weather, however, was pleasant, and the scenery 
 along the river delightful. Our passage through the Gut of Canso, with 
 a bright shy and a fair wind, was particularly striking and romantic. 
 
 407 
 
AMEKICAK POE:!dS. 
 Note 91, page 413. 
 
 TO THE BOSTON FRIGATE, 
 
 (Commanded by Captain J. E. Douglas, witli whom I returned to Eng- 
 land, and to whom I am indebted for many, many kindnesses. In truth, 
 I should but offend the delicacy of my friend Douglas, and, at the same 
 time, do injustice to my own feelings of gratitude, did I attempt to say 
 how much I owe to him. 
 
 XoTE 92, page 414. 
 
 And thai chill XovA Scotia's unpromising strand. 
 
 Sir John "Weutworth, the Governor of Xova Scotia, very kindly allowed 
 me to accompany him on his visit to the College which they have lately 
 established at Windsor, about forty miles from Halifax, and I was indeed 
 most pleasantly surprised by the beauty and fertility of the country which 
 opened upon us after the bleak and rocky wilderness by which Halifax is 
 surrounded. — I was told that, in travelling onwards, we should find the 
 soil and the scenery improve, and it gave me much pleasure to know that 
 the worthy Governor has by no means such an "inamabile regnum" as I 
 was, at first sight, inclined to believe. 
 
 41 -,8 
 
A CRITICAL REVIEW OF 
 
 LYRIC POETS, 
 
 DR. R. SHELTOX MACKENZIE, 
 
 ACTHOE OF THE '"LIFE OF CHAKLES DICKERS." 
 
 i69 
 
A CRITICAL REVIEW 
 
 or 
 
 LYRIC POETS. 
 
 " I knew a very wise man who believed that, if a man were permitted to 
 make all the ballads, he need not care who should make the laws of a nation." 
 
 Andrew FUUJtfr of SalttMn. 
 
 So, nearly two centuries ago, wrote a sagacious Scottish. 
 Statesman. The songs of Robert "Rurns, his countryman, 
 which justify the remark, exercise an influence wherever 
 the English language is spoken, greater than even tlie law, 
 in its majesty, has ever possessed or exercised. Almost 
 contemporaneous have been three other song- writers : Be- 
 ranger, in France, whose patriotism was seasoned with wit ; 
 Charles Dibdin, whose sea-songs very successfully aroused 
 the mariners of England, during the stirring war events 
 towards the close of the last century; and Thomas Moore, 
 a native of Ireland, whom Shelley calls 
 
 " The sweetest lyrist of her saddest wrong." 
 
 471 
 
A CBITICAL REVIEW 
 
 As jet, America can scarcely be said to possess ballads 
 of national value. " Home, sweet Home," by John 
 Howard Payne, does not express any patriotic feeling, and 
 even its music was made by an English composer. " The 
 Star-Spangled Banner." a stirring lyric of the highest 
 merit, is set to an old English tune. In France, the 
 chansons of Beranger went out of fashion years ago, and 
 are not committed to memory by the rising generation. 
 In England, Dibdin's sea-songs are equally out of date. 
 Burns and Moore alone are lyrists, who being dead yet 
 speak, and are not likely to pass into obli^aon. Though 
 these poets wrote more particularly for their own country- 
 men, their songs are universally popular, have survived 
 their more ambitious works, and have grown, as it 
 were, into the literature of the world. Burns may now 
 be more popular than Moore : bat who will contend that 
 he was a better song- writer ? The fact is, Burns' songs 
 were for his own people, while Moore, though he also 
 wrote for his own country, gained his poyjularity out of 
 it, for the most part. 
 
 The ballad-poetry of England and Scotland has been 
 the growth of centuries. Dryden has said that " man- 
 kind, even the most barbarous, have the seeds of poetry 
 implanted in them." Music, also, had an early origin. 
 Song and melody are the most antique forms of poetry. 
 
 472 
 
OF LYRIC POETS. 
 
 The bards, the ininatrels, were the fathers of romance, 
 preserved in memory long before printing was invented. 
 There are English ballads composed as early as the thir- 
 teenth century — tte subjects being rural life, courting, 
 battle, feasting, and the chase. During the reign of Queen 
 Elizabeth, which was graced by the Nvritings of Shakspere, 
 poetry set to music was very popular. Besides " The 
 Swan of Avon,'" other bards were at work — iXIarlowe, 
 Wither, Jonson, Herrick, and Lovelace. From the death 
 of Oliver Cromwell down to the present time, crowds of 
 hTists have appeared. Contemporary with Moore himself 
 were Scott, Barry Cornwall, and Lover. A few of Bul- 
 wer's and Tennyson's songs have been " wedded to im- 
 mortal music," but it may be fairly claimed that Moore's 
 Melodies have obtained higher and more permanent popu- 
 larity than any other songs during the present century. 
 They have been characterized as '• all but unequalled for 
 elegance of expression and subtlety of thought, flowing 
 along in the same time in exactest harmony." There is 
 scarcely one bad rhyme in all the Melodies, and they 
 exhibit sense as well as sound. 
 
 For the most part, the Scottish are more natural than 
 any other songs. In EngHsh love-songs, the writers ap- 
 pear more anxious to express their passion well than 
 warmly, while the Scottish poets evidently are bent upon 
 
 4T3 
 
A CRITICAL REVIEW 
 
 letting the cliarmers know how deeply, how tenderly, 
 how engrossingly they love them. An English song gen- 
 erally contains a single conceit or sentiment, but the 
 Scottish gives a little story in addition. One is an 
 attempt to make a charming poem : the other, to pour 
 the soul out into musical utterance. In the English song 
 we find sentiment and description : in the Scottish, senti- 
 ment and story. 
 
 Thanks to the labor and perseverance of Bishop Percy 
 and Sir Walter Scott, many fine old ballads and songs 
 have been rescued from oblivion. Percy hunted out old 
 manuscripts, while Scott would travel many a weary mile 
 to take down old ballads from the lips of peasants who 
 had committed them to memory in their childhood. 
 Many of these record incidents of national history; others, 
 of later date, were the production of even royal authors. 
 Allan Kamsay, himself a poet, was a reviver and 
 restorer of Scottish songs, in the last century. The 
 Jacobite lyrics of that time are sung to this hour. Eo- 
 bert Bums, himself the very Lord of Song, whether in 
 pathetic, jovial, or afiectionate mood, may be said to 
 have breathed life and youth, grace and beauty, into the 
 fragments of old verse which he undertook to restore. 
 Tannahill and Ferguson, Walter Scott and Allan Cun- 
 ningham, Lady Anne Lindsay with her " Auld Kobin 
 
 474 
 
OF LYRIC POETS. 
 
 Gray," and Lady Nairne with her " Land o' the Leal," 
 James Hogg and Thomas Campbell, William Motherwell 
 and Joanna Baillie, have contributed largely to Scottish 
 minstrelsy, and, even in the present unpoetical days of 
 hard work and low wages, there are more songs written 
 in Scotland in one year, than in the rest of the English- 
 speaking world in five. These productions, too, are racy 
 of the soil — stamped with nationality of feeling and lan- 
 guage. 
 
 Thomas Moore, thanks to an admirable mother, at once 
 affectionate and ambitious, received not only a sound class- 
 ical education, but obtained a competent knowledge of 
 French and Italian, It was by his mother's liberality, 
 and good sense, too, that, despite his comparatively hum- 
 ble station, he was enabled to enter the University of 
 Dublin. "When he was very popular, in London, in his 
 early manhood, on account of his poetry, he dined with 
 the Prince of Wales, afterwards George lY., as an hon- 
 ored guest. In the course of conversation, the Prince 
 asked, " I suppose, Mr. Moore, that you are a kinsman 
 of the Marquis of Drogheda ? He is head of the Moore 
 family, I think." The poet, too proud to claim kindred 
 with the mere nobility of rank, instantly replied: " Your 
 Eoyal Highness is mistaken. My family is very humble ; 
 my father, whose ordinary title is ' Honest Jack Moore,' 
 
 475 
 
A CRITICAL REVIEW 
 
 keeps a grocer's shop at the corner of Aungier Street, 
 Dublin." The Prince answered, " Ton have every 
 reason to be proud of such a title in jour family. Gen- 
 tlemen," addressing the guests, " I propose that we di'ink 
 the health of * Honest Jack Moore,' who has such a gifted 
 son." 
 
 In music — an accomplishment rarely acquired by gen- 
 tlemen in the last century — Thomas Moore was at home. 
 In the fragment of his autobiography which remains, he 
 says of Music, that it was " the only art for which, in 
 my own opinion, I was born with a real natural love ; 
 my poetry, such as it is, having sprung out of my deep 
 love for music." Under an instructor, almost as young 
 as himself, he acquired little more than " the power of 
 playing two or three tunes, on an old lumbering harpsi- 
 chord, with the right hand only." But it was discovered 
 that he had an agreeable voice and taste for singing, 
 and his talent was often called into practice. In private 
 theatricals, too, he sang with great spmt. He was fif- 
 teen years old when, fascinated by Haydn's music, having 
 many musical associates, he suddenly began to teach him- 
 self. His instrumental performance did not then extend 
 beyond playing an accompaniment to a song, but he 
 subsequentl}' acquired a knowledge of the scientific ele- 
 ments of the art. — so thorouorh, indeed, that wlien he 
 
 476 
 
OF LYRIC POETS. 
 
 first met Sir Henry Bishop, who encceeded Sir John 
 Stevenson in arranging the music for the Melodie?, 
 among the airs he produced to him, was one his (Moore's) 
 own, which he had called a Swedish air. He wrote in 
 his Diary: "It was the last I bronght forward, and he 
 had scarcely played two bars of it when he exclaimed, 
 ' Delicious ! ' and when he had finished it said, ' This is 
 the sweetest air you have selected yet.' " Considering 
 that Bishop (who composed the air of " Home, Sweet 
 Home,'-) was then the most eminent composer of the Eng- 
 lish school, Moore must have been very clever, thus pleas- 
 antly to deceive him. Moore declared that he had never 
 received any regular lessons in playing, yet standing often 
 to listen when his Bister was being tauglit, " and endea- 
 voring constantly to pick out tunes — or 'make them — 
 when I was alone, I became a pianoforte-player (at least 
 sufficiently so to accompany my own singing) before 
 almost any one was in the least aware of it." In short, 
 the theory and practice of music came unconsciously to 
 him, preparing him for the great work on which his 
 fame will chiefly rest. — for it is as the greatest song-writer 
 of his time, and not as the author of " Lalla Eookh," or 
 the gay satirist of society, or the biographer of Sheridan 
 and Byron, that Thomas Moore will live in literature. 
 At the age of sixteen, Moore wrote a dramatic masque, 
 
 477 
 
A CBITICAL RETIE"W 
 
 in which were sereral songs, which his sister's teacher 
 eet to music, and which the poet sang with applause. 
 Many of his College mates were musical. With 
 one of them, Edward Hudson, afterwards an exile on 
 account of politics, he spent many hom^ — " now trying 
 over the sweet melcKiies of our country, now talking with 
 indignant feeling of her suffering? and wrongs." About 
 this time, Mr. Edward Bunting published the first volume 
 of the Ancient Music of Ireland, which may be said to 
 have first made Moore acquainted with the beauties of 
 the native music. It was not until ten years later, how- 
 ever, that he made use of the treasures thus revealed, 
 and produced the first number of the Irish Melodies. 
 
 After the publication of his Anacreon, in 1800 ; of 
 Little's Poems, in 1801 ; and of the American Epistles 
 and Odes, in 1806, Mr. Moore made an arrangement 
 with James and William Power, music-sellere in Dublin, 
 to supply words to which Sir John Stevenson, then the 
 great musical composer of that city, was to adapt Irish 
 airs. He had previously supplied music to several of 
 Moore's son^, which Messre. Power had published, and 
 which the author — who, under the wing of Lord Moira, 
 the Lord Rawdon of our War of Independence, had 
 been introduced into the firet society in London — had 
 literally warbled into popularity. The first number, like 
 
 478 
 
OF LTEIC POETS. 
 
 each of its successors, contained twelve Melodies, with a 
 Preface from the Publisher, and giving part of a letter 
 from Moore to Stevenson, stating, " Our National Music 
 has never been collected ; and whUe the composers ot 
 the Continent have enriched their Operas and Sonatas 
 borrowed from Ireland — very often without the honesty 
 of acknowledgment — we have left these treasures in a 
 great degree unclaimed and fugitive. Thus our Airs, 
 like too many of our countrymen, for want of protection 
 at home, have passed into the service of foreigners." 
 The truth of this was illustrated six years after Moore's 
 death, when Frederic de Flotow, the German composer, 
 took the air known as *' The Last Eose of Summer," 
 and made it the principal gem in his opera of " Martha." 
 The second number of the Irish Melodies appeared 
 towards the close of 1807. A long Preface, prepared by 
 Moore, and actually printed, was suppressed — Mr. Power 
 being alarmed at the freedom of the Poet's political 
 comments upon his country's wrongs and sorrows. It is 
 said that these opening numbers were sold to Mr. Power 
 for fifty pounds ($250) ; and, indeed, there is a sentence 
 in a letter from Moore to his mother, dated August, 
 1808. — " I quite threw away the Melodies : they will 
 make the little smooth fellow's fortune,"' — which goes far 
 to confirm this statement. The third number appeared 
 
 -iTO 
 
A CRITICAL REVIEW 
 
 in 1810, in which year Moore made England his 
 place of residence ; the fourth in ISll ; the fifth in 
 1813 ; and the sixth in 1815. This was announced as 
 the last of the series ; but the Poet, when bidding 
 adieu to the Irish Harp forever, confessed that it might 
 be, perhaps, " only one of those eternal farewells which a 
 lover takes of his mistress occasionally." Accordingly, 
 though the last of these Melodies was a farewell to the 
 dear Harp of his Country (p. 91), declaring — 
 
 " If the pulse of the patriot, soldier, or lover, 
 
 Have throbb'd at our lay, 'tis thy glory alone ; 
 I was but as the wind passing heedlessly over, 
 
 And all the wild sweetness I wak'd was thy own," — 
 
 no one was surprised when, in 1818, the seventh num- 
 ber appeared, as the first of a new series, opening, as 
 the last had closed, with an address to his Harp. The 
 eighth number, written in Paris, was published in 1821 ; 
 the ninth, in 182-1 ; and the tenth, closing the work, 
 was delayed until the summer of 1834. It contained 
 four Supplementary Airs, and a Dedication of the entire 
 work to the Marchioness of Head fort, daughter of his 
 friend Sir John Stevenson, of Dublin, who had arranged 
 the music for the Melodies from 1807 to 1819 — that task 
 being confided to Sh- Henry Bishop from the latter date 
 to 1831:. Moore was the author, also, of numerous 
 
 480 
 
OF LYRIC POETS. 
 
 Sacred Songs, National Airs, and separate Lyrics, most 
 of which obtained great popularity. 
 
 The adage, " Easy writing is often very hard reading," 
 means that rapid execution, usually careless, is less effect- 
 ive than that on which requisite labor has been be- 
 stowed — though the skillful artist will not leave the 
 mark of his chisel on the marble. During his long 
 connexion with Mr. James Power, extending over thirty 
 years, Moore wrote over twelve hundred letters to him. 
 Of these, only fifty-seven were used in Lord John Russell's 
 biography of the Poet. Over one thousand were sold 
 by public auction in London, in 1853, for the benefit ot 
 Mr. Power's family, and thus irretrievably scattered 
 through the world. But there is an excellent catalogue, 
 containing copious extracts from the more important of 
 these letters, and reference to this manifests what 
 labor, thouo;ht, and severe criticism Moore bestowed 
 on the composition and revision of the Melodies. He 
 was not what is called a rapid writer, though his works 
 occupy many volumes ; but he was very industrious, and, 
 except when he lived in Paris (1819-1822), seems rarely 
 to have wasted his time. Even in his annual visits to 
 London, though he wrote little, and chiefly fluttered about 
 in fashionable society, he was advancing his own interests, 
 for, being greatly admired as a vocalist, he availed him- 
 
 481 
 
A CBITICAL EEVIEW 
 
 self of the oppormnitv to sing his new forthcoming songs, 
 in faTor of which he thus created a furore in advance of 
 their publication. It was a mode of advertising them, 
 which gave him pleastire as well as prolit. His cor- 
 respondence with Power shows his anxions desire to make 
 his Melodies as perfect as possible. Sometimes he wonld 
 order particular songs to be kept back until the verj 
 last minute, because, being " very anxious " about them, 
 he was hesitating in his choice even of single words. 
 He wrote in 1S15, when, at the age of thirtv-sis, he was 
 in foil vigor of mind and body, *' I am never done 
 touching and retouching while the things Ke by me ; " but 
 even after they had passed into the printers hands, he 
 would send letter after letter to his publisher, suggesting 
 the substitution of one word for another, or an alteration 
 in the rhyme, or, sometimes, even the canceling of an 
 entire stanza, and the insertion of a new one more per- 
 fectly expressing his meaning. The result was, that 
 scarcely an indifferent rhyme occurs in his poetry, and, 
 from his musical ear. the rhythm is almost as unexcep- 
 tionable. 
 
 The success of Moore's Songs may be said to have 
 created a squadron of imitators — good, bad, and indifferent 
 — few of whom are now remembered. Samuel Lover, 
 whose " Angel's Whisper " and '' Rory O'More "' are fair 
 
 482 
 
OP LYRIC P0BT8. 
 
 specimens of his sentiment and humor, did not appear 
 among the song-writers until Moore was writing his latest 
 verses. There was another Ivrist, popular to a consider- 
 able d^ree some forty years ago, when Moore was in the 
 fullness of his fame, who wrote verses with great facility 
 (and carelessne^), and was even able to compose music 
 for them, occasionally. Mr. Haynes Bayly, who began as 
 a man of fortune and fashion, writing songs for his 
 amusement, was finally compelled to produce them for a 
 livelihood. One or two, such as a touching ballad — ^be- 
 ginning, " Oh, no, we never mention her,'' — were truthful 
 and pathetic ; but his attempt to compete with Moore's 
 Melodies, by a series of versicles, entitled " Loves of the 
 Butterflies," was not permanently successfuL For a few 
 seasons, however, sensitive lady-vocalists warned their au- 
 ditors that '* The Butterfly was a gentleman of no very 
 good repute ; " and plethoric amateurs of the other sex 
 might be heard asthmatically to warble 
 
 Td be a baiterflv, bom in a bowei^ 
 
 Where roses, and lilies, and violets meet , 
 I would not langoish for wealQi or for power, 
 
 I would not sigh to see slaves at my feet, 
 rd be a bntteiflj, bom in a bower. 
 
 And sacking all bads that are prettj and sweeL** 
 
 Moore's Melodies, whose popularity is as great in 
 America, since their authors death, as it was in Europe 
 
F 
 
 A CRITICAL R E V I E ^^' 
 
 while he lived, have been translated into vai'ious lan- 
 guages — into Latin. Italian, French, Knssian, Polish, and 
 German ; and Mere admirably rendered into the Irish 
 language bv Archbishop McIIale. 
 
 Posterity may be said already to have passed its sen- 
 tence upon Moore's Melodies. They manifest a very deep 
 love of country, and an indignant spirit of indignation at 
 the misgovern ment which so long oppressed her. Senti- 
 ment, love, and geniality also pervade them. Like the 
 rest of his writings, they abound in similes ; and it has 
 been said they constitute a treasury of gems and a con- 
 servatory of tlowei*s. Still, their expression is not mere- 
 tricious, and their musical harmony has never been 
 equaled, or even approached. Their poetic excellence was 
 not fully appreciated until the words were published 
 separate from the music — to be read rather, than sung. 
 Then it was discovered by the world, what honest critics 
 had already declared, that they were full of intelligence 
 as well as of melody. Lord Byron, after reading one or 
 two of the numbers of the Irish Melodies, then recently 
 published, selected four of the songs, which, he said, " are 
 worth all the epics that ever were composed.'' ITazlitt, 
 a severe critic, who declared that Moore ought not to have 
 written Lalla Kookh, even for three thousand guineas, said, 
 " His muse is like Ariel — as light, as tricksy, as inde- 
 
 484 
 
OF LYRIC POETS. 
 
 fatigable, and as humane a Bpirit. II ;> fancy is ever on 
 the wing; it flutters in the gale, gi iters in the sun. 
 Everything lives, moves, and sparkles in his poetry ; and, 
 over all, Love waves his purple wings. His thoughts are as 
 many, as restless, and as bright as the insects that people 
 the sun's beam." Lord John Russell's opinion was, that 
 fancy and feeling were " the two qualities in which Moore 
 was most rich Never has the English lan- 
 guage, except in some few songs of the old poets, been 
 made to render such melody ; never have the most re- 
 lined emotions of love, and the most ingenious creations 
 of fancy, been expressed in a language so simple, so easy, 
 60 natural." Alison, the historian, pronounced that the 
 Melodies "have the deKcacy of refined life without its 
 fastidiousness — the warmth of natural feeling without its 
 rudeness." Professor Wilson, fur more enthusiastic, de- 
 clared, " Of all the song-writers that ever warbled, or 
 chanted, or sung, the best, in our estimation, is verily 
 none other than Thomas Moore Burns some- 
 times wrote like a mere boor — Moore has, too, written like 
 a mere man of fashion. But take them both at their 
 best, and both are inimitable. Both are national poets — 
 and who shall say that if Moore had been bom and 
 bred a peasant, as Bums was, and if Ireland had been 
 such a land of knowledge, and virtue, and religion, as 
 
 485 
 
A CRITICAL REVIEW 
 
 Scotland is — and surely, without offence, we maj say that 
 it never was and never will be — though we love the 
 Green Island well — that with his fancy, warm heart, and 
 exquisite sensibilities, he might not have been as natural 
 a lyrist as Burns ; while, take him as he is, who can 
 deny that in richness, in variety, in grace, and in the 
 power of art, he is superior to the ploughman." 
 
 Mention having here been made of the very effective 
 manner in which Moore sang his own lyrics, it may be 
 in place to give, in this desultory essay, some description 
 of it. We find Mr. Edmund D. Griffin, a young 
 American clergyman, who visited England over forty years 
 ago, mentioning that he had met Thomas Moore, Lockhart, 
 Washington Irving, and other eminent men of letters, at 
 a dinner given by Murray, the London publisher. The 
 poet, then in his fiftieth year, was to be remarked for 
 " the height of the bald crown, the loftiness of the re- 
 ceding pyramidical forehead, the marked yet expanded 
 and graceful lines of the mouth ; above all, when you 
 catch the bright smile and the brilliant eye-beam, which 
 accompanies the flashes of his wit and the sallies of his 
 fancy, you forget, and are ready to disavow, your formei 
 impressions " — not favorable, on first sight of his unpoeticai 
 figure and small stature. After the party had adjourned 
 to the drawing-room, " Mr. Moore," he tells us, " was in- 
 
 486 
 
OF LYRIC POETS. 
 
 diiced to seat himself at tlie piano, and indulged his 
 friends with two or three of his own Irish melodies. I 
 cannot describe to you his singing : it is perfectly unique. 
 The combination of music and of poetic sentiment, ema- 
 nating from one mind, and glowing in the very counte- 
 nance, and speaking in the very voice which that same 
 mind illuminates and directs, produces an effect upon the 
 eye, the ear, the taste, the feeling, the whole man in 
 short, such as no mere professional excellence can at all 
 aspire to equah His head is cast backward, and his 
 eyes upward, with the true inspiration of an ancient bard. 
 His voice, though of little compass, is inexpressibly sweet. 
 He realized to me, in many respects, my conceptions of 
 the poet of love and wine ; the refined and elegant, 
 though voluptuous Anacreon." 
 
 Mr. Willis, who met him six years later (in the autumn 
 of 1834), thus set down, in his Pencilings by the Way, 
 his impressions of Moore. " To see him only at table," 
 Willis says, " you would think him not a small man. 
 His principal length is in his body, and his head aiui 
 shoulders are those of a much larger person. Conse- 
 quently, he sits tall, and, with the peculiar erectness of 
 
 head and neck, his diminutiveness disappears 
 
 I have no time to describe his singing. It is well 
 known, however, that its effect is only equaled by tlie 
 
 487 
 
A CRITICAL RETIEW 
 
 beauty of liis own words He makes no 
 
 attempt at music. It is a kind of admirable recitative, 
 in which every shade of thought is syllabled and dwelt 
 upon, and the sentiment of the song goes through your 
 blood, warming you to the very eyelids, and starting ycur 
 tears, if you have soul or sense in you. I have lieard of 
 women fainting at a song of Moore's ; and if the bur- 
 den of it answered, by 'chance, to a secret in the bosom 
 of the listener, I should think, from its comparative eflect 
 upon so old a stager as myself, that the heart would break 
 
 with it. We all sat round the piano He 
 
 rambled over the keys awhile, and sang ' When first I 
 met thee,' [page l-i3 in this volume], with a pathos that 
 beggars description. When the last word had faltered 
 out, he rose and took Lady Blessington's hand — said good- 
 night, and was gone before a word was uttered. For a 
 full minute after he had closed the door, no one spoke. 
 I could have wished, for myself, to drop silently asleep 
 where I sat, with the tears in my eyes and the softness 
 in my heart." 
 
 These descriptions may appear exaggerated, but, having 
 heard Moore sing — always with the little trick of silently 
 gliding away the moment he had producel his greatest 
 effect— I can answer for their truth. Poets of the highest 
 order do not usually do justice, in singing, or even in 
 
 488 
 
OP LYRIC POETS. 
 
 reading, to their own lyrics. Bums sang very well 
 but, rarely attempting ballads of sentiment or love, con- 
 iined himself to his more jonal eflfusions. Lover, like 
 Moore, rather spoke than sung his own songs, and some 
 times touched his listeners' hearts. 
 
 The remuneration which Moore received for his Melo- 
 dies was very considerable. Compared with the payments 
 to Burns, it might be called enormous. There are some 
 two hundred and fifty lyrics, written or amended by Bums, 
 for which he received only five pounds ($25) at the 
 beginning of his task, and as much more sent to him, 
 when he was on his death-bed, when, if needed, it was 
 not used. Moore received five hundred pounds a vear 
 for nearly thirty years, during which he wrote the Melodies, 
 — the hundred and twenty-four contained in this volume. 
 This annuity makes a total of fifteen thousand pounds 
 Sterling ($70,000) — which shows a payment of nearly $605 
 for eich song I Scott, Byron, Bulwer, Macaulay, and 
 Dickens had magnificent remuneration for their writings, 
 but nothing approaches the rate of payment given to 
 Moore for his Melodies. For " Lalla Rookh," a collection 
 of poems, set, as it were, in th • framework of a prose 
 narrative — like Orient pearls strung upon a thread of eold 
 — Moore also received a very large sum. The friend who 
 negotiated the sale of that work, one line of which the 
 
 489 
 
A CRITICAL REVIEW 
 
 intending pnLlisliers and purchasers had never read, at 
 the time, simply declared " that Moore ought to receive 
 for his poem the largest price that has ever been given, 
 in our da}', for such a work." That was three thousand 
 guineas ($16, £00), and this was the sum paid to the 
 negotiator, on Moore's part, (Mr. Perry, then editor of a 
 leading Liberal newspaper in London.) to whom the grateful 
 poet addressed some verses, not to be found in any 
 collection of his writings ; but he personally acknowledged 
 to me that though he had forgotten and lost, he certainly 
 had written them. I have pleasure in reproducing them 
 here. They are as follow : — 
 
 To , to whose interference I chiefly oioe the very liberal price given for 
 
 ♦•Lalla llOOKlI." 
 
 " Wlica they shall tell, ia future times. 
 Of thousands given for idle rhymes, 
 
 Like these — the pastime of an hour, 
 They'll wonder at the lavish taste 
 That could, like tulip-fanciers, waste 
 A little fortune on a flower I 
 
 "Yet wilt not thou, whose friendship set 
 Such value on tlie bard's renown, — 
 Yet, wilt thou not, my friend, regret 
 The golden shower thy spell brought down ; 
 
 490 
 
OF LYRIC POETS. 
 
 " For thou dost love the free-born Muse 
 Whose flight uo curbing chain pursues ; 
 
 And thou dost think the song, that shrines 
 That image, — so ador'd by thee. 
 And spirits like thee, — Liberty, 
 
 Of price beyond all India's mines I " 
 
 It only remains to add a few particulars concerning 
 the present edition of Moore's Melodies, which also con- 
 tains his Poems, written in America, at the commencement 
 of his life of authorship. Tlie illustrations of the Mel- 
 odies were designed by Moore's countryman and friend, 
 the late Mr. Daniel Maclise, who died suddenly in Lon- 
 don, in April, 1S70, and for thirty-five years had been a 
 distinguished member of the British Academy of Fine 
 Arts, — one of the most poetical -historical painters of the 
 age, and unsurpassed as a brilliant colorist. Like Moore, 
 he was the son of parents who belonged, in Ireland, not 
 to the aristocracy of rank or wealth, but to that ot 
 industry and honesty. Like him, too, he ventured upon 
 the troubled and dangerous ocean of London life, at a 
 very early age. Still continuing the parallel, Maclise 
 speedily obtained an early recognition of his genius. 
 Every honor, in the way of his profession, that Maclise 
 contended for he obtained, with apparent ease, over 
 
 491 
 
A CRITICAL REVIEW 
 
 numerous and gifted competitors. In 1833, when lie was 
 only twenty-two years old, among other fine paintings of 
 his in the Royal Academy Exhibition, was a master- 
 piece entitled " Mokanna," illustrating the efiective story, 
 " The Veiled Propliet of Khorassan," in Moore's " Lalla 
 Eookh." The wonderful productiveness and rich imagina- 
 tion of this great painter were assisted by remarkable 
 skill and clear judgment. When it was determined that 
 the new Houses of Parliament, in London, should be 
 enriched by the sister Muses of Painting and Sculpture, 
 a commission was given to Mr. _Maclise to execute, in 
 fresco, several of the illustrations of British history, 
 representing war-scenes on sea and land, and his " Death 
 of Nelson " and " Meeting of Blucher and Wellington after 
 the Battle of Waterloo,"' are among the most illustrious 
 triumphs of Art in that national gallery. In 1866, he 
 refused the presidency of the Eoyal Academy, the highest 
 honor that, as a Painter, he could receive. He devoted 
 years of study and labor to the production of his 
 pictorial edition of Moore's Melodies, and Moore 
 gratefully spoke of his good fortune in having " the 
 rich imaginative powers of Mr. Maclise employed 
 in its adornment." It is not too much to say that 
 never before was Poetry waited upon by such a lovely 
 hand-maiden as Art. Beauty and grace pervade every 
 
 492 
 
OF LYRIC POETS. 
 
 page, and bring out, as it were, the deeper and more 
 subtle meaning of the bard. 
 
 Mr. William Kiches, one of our own artists, has com- 
 pleted this volume, by illustrating, for the first time 
 in any country, Moore's American Poems, and his 
 designs, characteristic and national, will bear, though 
 they do not challenge, comparison with those which 
 Maclise produced for the Melodies. They chiefly 
 illustrate the scenery and natural objects which Moore 
 admired on this side of the Atlantic, and are a graceful 
 and appropriate tribute to his genius. 
 
 Philadelphia, March 21, 1871. 
 
 498 
 
CONTENTS. 
 
 Paue 
 
 Publishers' Dedication 5 
 
 Life op Thomas Moore, with Portrait, Views of Birthplace akd 
 
 English Residence 7 
 
 Preface to Melodies 21 
 
 Illustrated Title to Melodies 25 
 
 Frontispiece to AIelodies 27 
 
 Moore's Melodies, with Illustrations 29 
 
 Collection of Melodies, arkakged as Solos, Duets, Tkios, and 
 
 Quartets, with Piano Accompaniment 248 
 
 Preface — Moore's Visit to America 281 
 
 Dedication of American Poems to Francis, Earl of Moira 296 
 
 Preface to American Poems 297 
 
 A rtist's Address 301 
 
 Frontispiece to American Poems 303 
 
 American Poems, with Illustrations 305 
 
 Notes to Melodies 421 
 
 Notes to American Poems 442 
 
 A Critical Review of Ltric Poets 471 
 
 Index to Melodies 496 to 500 
 
 Index to American Poems 501 to 504 
 
 495 
 
INDEX TO THE MELODIES. 
 
 PAGB 
 
 Alone in crowds to wander on 239 
 
 And doth not a meeting like this make amends 207 
 
 As a beam o'er the face of the waters may glow 46 
 
 As slow our ship her foamy track 165 
 
 As vanquish'd Erin wept beside 218 
 
 At the mid hour of night, when stars are weeping, I fly Ill 
 
 Avenging and bright fall the swift sword of Erin 106 
 
 Believe me, if all those endearing young charms 64 
 
 By that Lake, whose gloomy shore 99 
 
 By the Feal's wave benighted 213 
 
 By the hope within us springing 82 
 
 Come o'er the sea 141 
 
 Come, rest in this bosom, my own stricken deer 161 
 
 Come, send round the wine, and leave points of belief. 68 
 
 Dear Harp of my Countryl in darkness I found thee 91 
 
 Down in the valley come meet me to-night 190 
 
 Drink of this cup; — you'll find there's a spell in 187 
 
 Drink to her who long 75 
 
 Erin! the tear and the smile in thine eyes 83 
 
 Fairestl put on awhile 205 
 
 Farewell 1 — but whenever you welcome the hour 131 
 
 496 
 
IRISH MELODIES. 
 
 PAGE 
 
 Fill the bumper fair 150 
 
 Fly not yet, 'tis just the hour 39 
 
 Forget not the field where they perish'd 162 
 
 From this hour the pledge is given 224 
 
 Go where Glory waits thee 29 
 
 Has sorrow thy young days shaded 139 
 
 Here we dwell, in holiest bowers 104 
 
 How dear to me the hour when daylight dies 60 
 
 How oft has the Benshee cried 49 
 
 How sweet the answer Echo makes 193 
 
 I'd mourn the hopes that leave me ; 135 
 
 If thou 'It be mine, the treasures of air 181 
 
 In the morning of life, when its cares are unknown 167 
 
 In yonder valley there dwelt, alone 216 
 
 I saw from the beach, when the morning was shining 227 
 
 I saw thy form in youthful prime 103 
 
 I wish I was by that dim Lake 197 
 
 It is not the tear at this moment shed.. 102 
 
 I've a secret to tell thee, but hush! not here 215 
 
 Lay his sword by his side — it hath serv'd him too well 245 
 
 Lesbia hath a beaming eye 96 
 
 Let Erin remember the days of old 66 
 
 Like the bright lamp, that shone in Kildare's holy fane 71 
 
 My gentle Harp, once more I waken 163 
 
 Nay, tell me not, dear, that the goblet drowns 109 
 
 Ne'er ask the hour — ^.what is it to us 179 
 
 Night clos'd around the conqueror's way 84 
 
 No, not more welcome the fairy numbers 153 
 
 407 
 
INDEX. 
 
 PAGE 
 
 Of all the fair months, that round the sun 231 
 
 Oh! Arranmore, lov'd Arranmore 240 
 
 Oh banquet not in those shining bowers 192 
 
 Oh! blame not the bard, if he flies to the bowers 73 
 
 Oh! breathe not his name, let it sleep in the shade 34 
 
 Oh! could we do with this world of ours 242 
 
 Oh! doubt me not — the season.... 133 
 
 Oh for the swords of former time 183 
 
 Oh! had we some bright little isle of our own 85 
 
 Oh! haste and leave this sacred isle 57 
 
 Oh! the days are gone, when Beauty bright 92 
 
 Oh, the sight entrancing 201 
 
 Oh! think not my spirits are always as light 42 
 
 Oh, ye Dead! oh, ye Dead! whom we know by the light you give... 189 
 
 Oh! weep for the hour 62 
 
 Oh! where's the slave so lowly 146 
 
 One bumper at parting! — the' many 137 
 
 Quick! we have but a second 196 
 
 Remember the Glories of Brien the Brave 36 
 
 Remember thee; yes, while there's life in this heart 32 
 
 Rich and rare were the gems she wore 47 
 
 Sail on, sail on, thou fearless bark 184 
 
 Shall the Harp then be silent, when he who first gave 210 
 
 She is far from the land where her young hero sleeps 108 
 
 She sung of Love, while o'er her lyre 221 
 
 Silence is in our festal halls 243 
 
 Silent, oh Moyle! be the roar of thy water 67 
 
 Sing — sing — Music was given 235 
 
 Sing, sweet Harp, oh sing to me 219 
 
 Strike the gay harp! see the moon is on high 222 
 
 -tf)8 
 
IRISH MELODIES. 
 
 PAGE 
 
 Sublime was the warning that Liberty spoke 69 
 
 Sweet Innisfallen, fare thee well 199 
 
 Take back the virgin page 55 
 
 The dawning of morn, the daylight's sinking 194 
 
 The dream of those days when first I sung thee is o'er 228 
 
 The harp that once through Tara's halls 41 
 
 The Minstrel-Boy to the war is gone 127 
 
 The time I've lost in wooing 147 
 
 The valley lay smiling before me 119 
 
 The wine-cup is circling in Almhin's hall 225 
 
 The young May -moon is beaming, love 112 
 
 There are sounds of mirth in the night-air ringing 236 
 
 There is not in the wide world a valley so sweet 44 
 
 They came from a land beyond the sea 238 
 
 They know not my heart, who believe there can be 156 
 
 They may rail at this life — from the hour I began it 176 
 
 This life is all chequer'd with pleasures and woes 114 
 
 Tho' dark are our sorrows, to-day we'll forget them 94 
 
 Tho' the last glimpse of Erin with sorrow I see 35 
 
 Though humble the banquet to which I invite thee 154 
 
 Through Erin's isle 116 
 
 Through grief and through danger thy smile hath cheer'd my way.... 86 
 
 'Tis believ'd that this Harp, which I wake now for thee 88 
 
 'Tis gone, and for ever, the light we saw breaking 159 
 
 'Tis sweet to think, that, where'er we rove 129 
 
 'Tis the last rose of summer 123 
 
 To Ladies' eyes around, boy 171 
 
 To-morrow, comrade, we 229 
 
 'Twas one of those dreams, that by music are brought 203 
 
 We may roam thro' this world, like a child at a feast 69 
 
 Weep on, weep on, your hour is past 89 
 
 4f!!t 
 
INDEX. 
 
 rxGE 
 
 What life like that of the bard can be , 233 
 
 What the bee is to the floweret 107 
 
 When cold in the earth lies the friend thou hast loved 169 
 
 When daylight was yet sleeping under the billow 80 
 
 When first I met thee, warm and young 143 
 
 When he, who adores thee, has left but the name 51 
 
 When in death I shall calmly recline 52 
 
 When thro' life unblest we rove 125 
 
 Whene'er I see those smiling eyes 182 
 
 While gazing on the moon's light '. 78 
 
 While History's Muse the memorial was keeping 157 
 
 Wreath the bowl I73 
 
 Yes, sad one of Sion, if closely resembling 185 
 
 You remember Ellen, our hamlet's pride 121 
 
 500 
 
AMERICAN POEMS. 
 
 INDEX TO AMERICAN POEMS. 
 
 PAGE 
 
 At Night — "At night, when all is still around" 314 
 
 A Dream of Antiquity — "I just had turn'd" 350 
 
 A Canadian Boat Song — "Faintly as tolls the evening chime" 398 
 
 A Study from the Antique — " Behold, my love, the curious gem "... 362 
 
 Ballad Stanzas — "I knew by the smoke" 397 
 
 "I pray you let us roam no more" 345 
 
 "If I were yonder wave, my dear" .*. 356 
 
 "I stole along the flowery bank" 359 
 
 Lines written in a Storm at Sea — "That sky of clouds" 340 
 
 Lines written at the Cohoes — "From rise of morn" ' 386 
 
 "Nay, tempt me not to love again" 342 
 
 On leaving Philadelphia — "Alone by the Schuylkill" 383 
 
 Stanzas — "A beam of tranquillity smiled" 310 
 
 Song of the Evil Spirit of the Woods — "Now the vapor" 388 
 
 To Lord Viscount Strangford—" Sweet Moon" 305 
 
 To the Flying Fish— "When I have seen" 312 
 
 The Life Boat— "'T is sweet to behold" 315 
 
 The Tear— "On beds of snow" 317 
 
 To Miss Moore — "In days, my Kate, when life" 319 
 
 501 
 
PAGK 
 
 The Lake of die Dismal Swamp — "Thev made her a grare" 3ii6 
 
 To the Marchioness Dowager of DonegaL^ 330 
 
 To George Moigsn, Esq. — "Oh, what a sea of storm" 335 
 
 The &0W Spirit — "Xo, ne'er did the ware" 357 
 
 "Them's not a look, a word of thine" 364 
 
 To Josej-h Atkinson, Esq. — "The daylight is gone" 365 
 
 The Steersman's Song — "When freshly blows" 36S 
 
 To the Firefly — "At morning, when the earth" 369 
 
 To Lord Viscount Forbes — "K former times had never" 370 
 
 To Ili<Hnas Home, Esq. M- D. — "Tis evening" 37S 
 
 To the Hon. W. R Spencer— " Thou oft hast told me" 391 
 
 To the Lacy Charloue Rawdon — "Xoi many months" 400 
 
 To the Eos; m Frigate — '"With triumph this moruing" 413 
 
 •'Well — r-eace to thy heart". 355 
 
 Wriuen on "vassing Deadaian"s Island — "See you" 411 
 
 " Tou read i" in those spell-bound eyes" 347 
 
 WHOLE SFMBZE Or PAGZ; 
 

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