TTTIZr 0£€# oo >R Kfr? HailingF ric e gQcts. '< 11V English Classics _ Shakespeare's * • King John Kellogg. New-York, -.iiARD, Merrill &Co- E2MM • SHAKESPEARE'S King John. NOTES, EXAMINATION PAPERS, AND PLAN OF PREPARATION. (selected.) By BRAINERD KELLOGG, A.M., Prof essor of the English Language and Literature in the Brooklyn Polytechnic Institute, and author of a "Text-Book on Rhetoric," a Text-Book on English Literature, 1 ' and one of the authors of Reed &■ UTellogg's " Graded Lessons \ t ' m English" and " Higher Lessons m j . «*) W in English," etc., etc. ' J NEW YORK : Effingham Maynard & Co., Publishers, 43- 45. and 47 East Tenth Street. Shakespeare's Plays, WITH NOTES. Uniform in style and price with this volume. MERCHANT OF VENICE. JULIUS Cy^ESAR. MACBETH. TEMPEST. . TWELFTH NIGHT. HAMLET. KING HENRY V. KING LEAR. KING HENRY IV., Part 1. KING -HENRY VIII. AS YOU LIKE IT. KING RICHARD III. MIDSUMMER-NIGHTS DREAM. A WINTER'S TALE. OTHELLO. CORIOLANUS. KING JOHN. ROMEO AND JULIET. MUCH ADO ABOUT NOTHING. Copyright, 1893, BY EFFINGHAM MAYNARD & CO. EDITOR'S NOTE. The text here presented, adapted for use in mixed classes, has been carefully collated with that of six or seven of the latest and best editions. Where there was any dis- agreement, those readings have been adopted which seemed most reasonable and were supported by the best authority. William Aldis Wright's exhaustive notes form the sub- stance of those here used. But as these plays are intended rather for pupils in school and college than for ripe Shake- spearean scholars, we have not hesitated to prune his notes of whatever was thought to be too learned for our purpose, or on other grounds was deemed irrelevant to it. The notes of other English editors and our own have been freely incorporated. B. K. 3 GENERAL NOTICE. "An attempt has been made in these new editions to interpret Shakespeare by the aid of Shakespeare himself. The Method of Comparison has been constantly employed ; and the language used by him in one place has been com- pared with the language used in other places in similar circumstances, as well as with older English and with newer English. The text has been as carefully and as thoroughly annotated as the text of any Greek or Latin classic. "The first purpose in this elaborate annotation is, of course, the full working out of Shakespeare's meaning. The Editor has in all circumstances taken as much pains with this as if he had been making out the difficult and. obscure terms of a will in which he himself was personally interested ; and he submits that this thorough excavation of the meaning of a really profound thinker is one of the very best kinds of training that a boy or girl can receive at school. This is to read the very mind of Shakespeare, and to weave his thoughts into the fibre of one's own mental constitution. And always new rewards come to the careful reader — in the shape of new meanings, recognition of 5 thoughts he had before missed, of relation between the chara Cters ^ ^^ ^ en the Shakespeare . just like examining Nature; there are no hollownesses, there is no scamped work, for Shakespea e is ztt^r* and as fct - hand as N « ure ^sei? Bestdes th,s thorough working-out of Shakespeare's mean ^ haj ^ ^ ^ ^ ™s eE™LL n ofr t0 make eaCh P ' a) ' a " Auction to the Et^LtSH of Shakespeare. For this purpose copious co.ect.ons of similar phrases have been gafherea from other plays; his idioms have been dwelt upon his T- cuhar use of words; his style and his rhythrn Some teachers may consider that ,o„ many instances are gfvT but, n teachmg, as in everything else, the old French S Tv tng ts true: Assez n>> a, ,a trap „> a . Th teach co e ,tte°d Tea r h PUPi ' l ° giVC W ™ "" " K *£ enoueh ' n i S 'T ° ne ° r tW °' " wi " P'oteb'y be "n sttT, ih am ° nS ; m a "' " is cer,ain that <*» «'■» pupils 1 I mem ° ry - " iS Pr ° bable th *<. ^ 'hose pupds who do not study either Greek or Latin this close examinat on of everv word -.„,! , t, • , er - " OI(1 J nd phrase in the text of m^t-o become"™ ""^ '° ^ h ° Ped ' hat Sh ^P^e should mal English of modern times a large number of pithy and vigorous phrases which would help to develop as well as to reflect vigor in the characters of the readers. Shake- speare used the English language with more power than any other writer that ever lived — he made it do more and say more than it had ever done ; he made it speak in a more original way ; and his combinations of words are perpetual provocations and invitations to originality and to newness of insight." — J. M. D. Meiklejohn, M.A., Professor of the Theory, History, and Practice of Educa- tion in t/ie University of St. Andrews. Shakespeare's Grammar points were r.ot yet settled ind\n%Lf trans ^ IOD - Various not only somewhS different toLo^f^X^^ 1 * uniform in itself. In the Eli^heth™ L " ?i Ut 1S by no m ^ans speech can be used as anj £mrtof g «^ m °! t an , y part of be used as a verb, 'They aHthft?; An adverb can backward and abysm of time • ' o? as an K as a noun - / the pleasure/ Any noun adierMVe ™ • f adjective, 'a setaoiw used as a transitive verb Yon ^n < , lutraiI! J">ve verb can be lice' or 'foof your enem y or ' f alP Jn PPy ^"J. £riend > ' ma ~ adjective can be used as an adverh a ,^ &Xe ° n his neck ' A ° comparatives (' more better 'Ko' ,„ d 1 ? uble "natives; double lowed by which tint bv «« t^l i* superlatives: such f oh Shakejperian Grammar. ummauve at all. —Dr. Abbott's Shakespeare's Versification ranged that the aeeemVcmsat re^ a* ta£K£', U ?E are so T tion is said to be rhuthmicS TnKl.„l !?_*£' ', he con >Posi- nsuaiiy of ten syiU^'^nW^ 'ftSS/SSC eighth, and tenth are accented. The line consists, there- fore, of five parts, each of which contains an unaccented followed by an accented syllable, as in the word attend. Each of these five parts forms what is called a foot or measure; and the five together form a pentameter. "Pentameter" is a Greek word signifying " five measures." This is the usual form of a line of blank verse. But a long poem composed entirely of such lines would be monotonous, and for the sake of variety several important modifications have been introduced. (a) After the tenth syllable, one or two unaccented syllables are sometimes added; as — " Me-thought | you said \ you nei \ ther lend \ nor bor \ row." (6) In any foot the accent may be shifted from the second to the first syllable, provided two accented syllables do not come together. "Pluck' the | young suck' \ ing cubs' | from the' | she bear'." | (c) In such words as " yesterday, 1 ' "voluntary," "honesty,'* the syllables -day, -ta-, and -ty falling in the place of the acceut, are, for the purposes of the verse, regarded as truly accented. " Bars' me \ the right' ] of vol'- \ un-ta' \ ry choos' | ing." (d) Sometimes we have a succession of accented syllables; this occurs with monosyllabic feet only. " Why, noiv, blow wind, siuell billow, and sivim bark." (e) Sometimes, but more rarely, two or even three unaccented syllables occupy the place of one; as— "He says\ he does, | be-ing then | most flat \ ter-ed." (/) Lines may have any number of feet from one to six. Finally, Shakespeare adds much to the pleasing variety of his "blank verse by placing the pauses in different parts of the line (especially after the second or third foot), instead of placing them all at the ends of lines, as was the earlier custom. N. B. — In some cases the rhythm requires that what we usually pronounce as one syllable shall be divided into two, asfi-er (fire), •su-er (sure), mi-el (mile), &c. ; too-elve (twelve), jaiv-ee (joy), &c. Similarly, she-on (-tion or -sion). It is very important to give the pupil plenty of ear-training by means of formal scansion. This will greatly assist him in his reading. PLAN OF STUDY 4 PERFECT POSSESSION.' To attain to the standard of 'Perfect Possession,' the reader ought to have an intimate and ready knowledge of the sub- ject. (See opposite page.) The student ought, first of all, to read the play as a pleasure; then to read it over again, with his mind upon the characters and the plot; and- lastly, to read it for the meanings, grammar, &c. With the help of the scheme, he can easily draw up for himself short examina- tion papers (i) on each scene, (2) on each act, (3) on the whole play. 1. The Plot arid Story of the Play. (a) The general plot ; (b) The special incidents. 2. The Characters: Ability to give a connected account of all that is done and most of what is said by each character in the play. 3. The Influence and Interplay of the Characters upon each other. (a) Relation of A to B and of B to A ; (b) Relation of A to C and D. 4. Complete Possession of the Language. (a) Meanings of words ; (b) Use of old words, or of words in an old mean- ing ; . (c) Grammar ; (d) Ability to quote lines to illustrate a gram- matical point. 5. Power to Reproduce or Quote. (a) What was said by A or B on a particular occasion ; (b) What was said by A in reply to B ; (c) What argument was used by C at a particular juncture ; (cTf To quote a line in instance of an idiom or of a peculiar meaning. 6. Power to Locate. (a) To attribute a line or statement to a certain person on a certain occasion ; (b) To cap a line ; (c) To fill in the right word or epithet. INTRODUCTION. Date of Composition. — Internal evidence as to structure of verse, tone of thought, style of composition, as well as allusions, real or supposed, to contemporary events, have all been appealed to in the endeavor to fix the date at which King fohn was written ; but all we know is, that it is first mentioned by Meres in his Palladia Tamia, published in 1598. Source. — Apart from history, the play is founded on an earlier one, by an unknown writer, entitled The Trouble- some Raigne of Iohn King of England, with the discouerie of King Richard Cordelions base sonne (vulgarly called, The Bastard Fawcon bridge): also the death of King John at Swin stead Abbey, etc., which was first printed in 1591. Outline of the Play. — The play opens at Northampton with the demand made by the King of France that John should relinquish, in favor of Arthur, the throne of England and Ireland, as well as the French fiefs of Poictiers, Anjou, Touraine, Maine. This demand is accompanied by the threat of war in case of refusal, a threat which John meets with haughty defiance and preparation for the invasion of France. On the departure of the ambassador, we are in. troduced to a quarrel between two brothers, the reputed II 1 2 IN TR OD UC TION. sons of Sir Robert Faulconbridge, the younger of whom claims his father's estate on the ground that his brother was an illegitimate son of his mother by Richard' Cceur-de-lion. On their being brought before the King to have their dis- pute decided, both John and his mother, Elinor, remark upon the strong likeness which the younger brother bears to Richard ; and he, on being asked by the latter whether he is willing to forsake his fortune and follow her, joyfully assents, having apparently been long convinced of his true parentage. He is then knighted by John as Sir Richard Faulconbridge, in place of his baptismal name Philip. Almost immediately afterwards his mother, who had heard of the quarrel between tne brothers, and angrily followed them to assert her good name, is brought to confess that she had been seduced by Richard during her husband's absence in Germany, and that her eldest son was the result of the intrigue. At the beginning of the second Act, Philip, King of France, with his son Lewis and the Archduke of Austria, is preparing to besiege the city of Angiers, which refuses to acknowledge Arthur's right, when John appears on the scene with an English army. After mutual recriminations, each king appeals to the citizens of the place to admit his claim, John for himself,, Philip on behalf of Arthur. On their refusal, an indecisive engagement takes place between the two armies, at the close of jvhich the Bastard suggests that, uniting their powers, the two kings should first bring the city Into submission, and then continue the contest to decide to which of them. the city^ shall belong. The sug- gestion is approved; but, while preparations are being made to carry the agreement into effect, one of the chief IN TROD UC riON. 1 3 citizens proposes a settlement of the quarrel by the marriage of Blanch, niece to John, with Lewis, the Dauphin. To this proposal Philip and John assent, the latter agreeing to bestow Anjou, Touraine, Maine, and Poictiers upon Blanch, as a dowry, while, as a sop to Constance and his own con- science, he proposes to create Arthur Duke of Bretagne and Earl of Richmond, and to make over to him the city of Angiers. The Act closes with preparations for the wed- ding. The third Act introduces Salisbury bearing to Constance the tidings of the agreement that had been entered into ; and, upon the entrance of the two kings, Elinor, etc., a fierce contest of words takes place between the mother and the grandmother of Arthur, the former bitterly reproaching Philip and Austria for having abandoned her son's cause. While these recriminations are going on, Pandulph, the Pope's legate, appears upon the scene, demanding of John his reason for refusing to acknowledge Stephen Langton as Archbishop of Canterbury. The king, defying the pope, is at once excommunicated by the legate, while Philip is bidden, on pain of the Church's curse, to break off all league with him, and to show his obedience to the pope by making war upon the " arch-heretic." Philip reluctantly obeys, and the first Scene ends with preparation on both sides for the conflict. The second Scene merely brings in the Bastard, bearing the head of the Archduke, whom he had killed ; and John, who in the engagement had taken Arthur captive, making him over to the custody of Hubert de Burgh, a Norman knight devoted to the king. In the third Scene the Bastard is commissioned by John to return to England and wring from the clergy their hoarded treas- 14 INTRODUCTION. ures in order to meet the expenses of the war. On his de- parture, the king breaks with Hubert as to Arthur's murder, which with little demur Hubert undertakes to bring about. The fourth Scene is mainly taken up with Constance's lamentations for her son, now torn from her, and with Pandulph's persuasion of Lewis to invade England. With the fourth Act we come to the Scene between Hubert and Arthur, whose eyes the former is preparing to have burnt out in order to render impossible his coming to the throne. Arthur's pleadings, however, soften Hubert's heart, and he renounces his project. In the second Scene, John, newly recrowned, is urged by Pembroke and Salis- bury to give Arthur his liberty, and has scarcely promised to do so, when Hubert, entering, tells him privately of Arthur's death. On his announcing these tidings to the lords, they throw off their allegiance and quit his presence. A messenger then appears with news of the French inva- sion under Lewis ; and immediately afterwards the Bastard returns to report the result of his commission to plunder the abbeys, bringing with him a hermit whom he had arrested for prophesying that before Ascension Day the king would yield up his crown. John, having ordered the hermit to be taken to prison and to be put to death on the day to which his prophecy referred, gives the Bastard the task of trying to reconcile the revolted peers. On his de- parture, Hubert enters ; and, telling the king that Arthur is still alive, is ordered to communicate the fact to the peers with all possible speed. The third Scene opens with Arthur's death in his attempted escape from prison. The peers in consultation about joining Lewis, are met by the Bastard, who calls upon them to return to the king. He INTRODUCTION. 15 has hardly delivered his message, when they come upon Arthur's dead body outside the castle walls ; and Hubert, entering, is accused by them of the deed. An angry collo- quy ensues, at the end of which Hubert is ordered to take up Arthur's body for burial, and the Bastard proceeds to rejoin the king, In the fifth Act, John, frightened out of his obstinacy by the menacing attitude of his subjects, determines to make submission to the pope, and yields up his crown, which is then returned to him by the legate. The Bastard enters with news that the nobles refuse to return and that the people are welcoming the Dauphin. At the king's entreaty, Pandulph goes off with the object of persuading Lewis to make peace, while John, utterly unnerved, leaves the Bas- tard to make preparations for the defense of the country. The second Scene describes the compact between the re- volted lords and the Dauphin, and the legate's unsuccessful endeavor to persuade the latter to return to France. In the third Scene, John enters from the field of battle, pros- trate with fever, and is borne off in a litter to Swinstead Abbey. In the fourth Scene, another part of the field is shown, in which the French lord, Melun, persuades Salis- bury, Pembroke, and Bigot to abandon Lewis, whose in- tention is to put them to death at the close of the battle, and to return to the king. In the fifth, the Dauphin, boasting of his success in the battle, is informed of the fall- ing off of these lords, and of the wreck of his expected re-en- forcements on the Goodwin Sands. Meanwhile the king has been poisoned by a monk, and Hubert seeks out the Bastard to inform him of this fact. Together they hasten to Swinstead, when, in the seventh Scene, the revolted i6 INTRODUCTION. lords, with Prince Henry, are found assembled round John's death-bed as he expires in great agony. The play closes with the news that the Dauphin is setting out on his return, and with preparations for the king's funeral and his son's accession to the throne. Deviations from History. — Having now traced the course of the play, it will be convenient for us to notice the main deviations from history which Shakespeare has chosen to make. In the first place, Arthur's title to the throne, which was without doubt a sound one, is represented in the play as indisputable, though in reality John had this much in his justification that in those days the rule of lineal descent was not as distinctly recognized as it later on came to be ; that in the second of Richard's two wills he is named as suc- cessor to the throne ; and that his accession was confirmed by election. In the next place, though Arthur's right was the cause of the wars between Philip and John, it was not in his murder that the. real troubles of John's reign, con- tinuing to its end, had their origin. These were due to his ill-treatment of his subjects, but for which the pope's inter- ference would probably have had but little effect. Again, "The great quarrel between John and the pope, with ref- erence to the election of Stephen Langton, did not take place till 1207, about six years after Arthur was taken prisoner at Mirebeau. Pandulph was not sent ' to practice with the French king' against John till 121 1 ; and the in- vasion of England by the Dauphin (which is suggested by Pandulph as likely to be supported by the indignation of the English on the death of Arthur) did not take place till 1216, the year of John's death " (Knight, Pictorial Shakespeare. INTR OD UC TION. 1 7 p. 57). In regard to Arthur, Shakespeare has made several more or less important deviations from history. When we first meet with him, as also at the time of his death, he is represented as little more than a child, while in reality he lived to be nearly eighteen years old. In the second place, his confinement and death are represented as taking place in England. In point of fact, he was first confined at Falaise, and afterwards at Rouen, where he died. Further, the scene between Hubert and Arthur has no historical author- ity, Hubert having, according to Holinshed, saved Arthur from the men sent to murder him. In the play, Angiers refuses to acknowledge as its lord either John or Arthur until the question of right to the throne of England should be decided by battle ; whereas in reality Anjou, Touraine, Maine were from the first loyal to Arthur. Shakespeare's Constance is a widow ; the real Constance was at this time married to her third husband, Guy De Thouars. Moreover, she died the year before Arthur fell into John's hands. The Austrian Archduke, who had confined Richard in a dungeon, is made to live five or six years after the date of his actual death, and is represented as one and the same person with Vidomar, Viscount of Limoges, in besieging whose castle of Chaluz, Richard was mortally wounded. The four wars between John and Philip are compressed into two ; and at the close of the play the Dauphin's return to. France makes it appear that all idea of trying to conquer England had been abandoned, though in reality Philip's efforts were continued for two years longer. Finally, though Holinshed, on the authority of Caxton, speaks of John as having been poisoned by a monk, he, according to 1 8 INTR OD UC TION. the best authorities, died at Newark of a fever, not at Swinstead. The General Question of Literal Accuracy in Historical Dramas Considered. — On the subject of literal accuracy in historical dramas, Knight remarks, " It would appear scarcely necessary to entreat the reader to bear in mind . . . that the ' Histories ' of Shakespeare are Dramatic Poems. And yet, unless this circumstance be watchfully regarded, we shall fall into the error of setting up one form of truth in contradiction to, and not in illustration of, another form of truth. It appears to us to be worse than useless employ- ment to be running parallels between the poet and the chronicler, for the purpose of showing that for the literal facts of history the poet is not so safe a teacher as the chron- icler. . . . The ' lively images ' of the poet present a general truth much more completely than the tedious narratives of the annalist. The ten magnificent ' histories ' of Shake- speare . . . stand in the same relation to the contemporary historians of the events they deal with, as a landscape does to a map. . . . The principle, therefore, of viewing Shake- speare's history through another medium than that of his art, and pronouncing, upon this view, that his historical plays cannot be given to our youth 'as properly historical,' is nearly as absurd as it would be to derogate from the merits of Mr. Turner's beautifuLdrawings of coast scenery, by maintaining and proving that the draughtsman had not accurately laid down the relative positions of each bay and promontory. . . . There may be, in the poet, a higher truth than the literal, evolved in spite of, or rather in combina- tion with, his minute violations of accuracy ; men may in the poet better study history 'so to speak after nature,' INTRODUCTION. 19 than in the annalist, — because the poet masses and general- izes his facts, subjecting them, in the order in which he pre- sents them to the mind, as well as in the elaboration which bestows upon them, to the laws of his art, which has a clearer sense of fitness and proportion than the laws of a dry chronology." Spirit of the Play. — Shakespeare has shown a wide dif- ference from the older play and Bishop Ball's pageant, in the way in which he treats the question of opposing religions. His feelings towards the papal power and towards Prot- estantism have no bitterness on the one hand or enthusiasm on the other; but, as Hudson points out, are "only the natural beatings of a sound, honest, English heart, resolute to withstand alike all foreign encroachments, whether from kings or emperors or popes." Shakespeare, remarks Gervinus, " did not go so far 4 as to make a farce of Faulcon- bridge's extortion from the clergy ; the old piece offered him here a scene in which merry nuns and brothers burst forth from the opened coffers of the ' hoarding abbots,' a scene certainly very amusing to the fresh Rrotestant feelings of the time, but to our poet's impartial mind the dignity of the clergy, nay even the contemplativeness of cloister-life, was a matter too sacred for him to introduce it in a ridicu- lous form into the seriousness of history." Another notice- able feature in the spirit of the play is the light in which Shakespeare, in accbrdance with historical truth, represents the feelings of his countrymen in John's time towards the papal interference. On this point Green, History of the English People, remarks, " In after times men believed that England thrilled at the news [of Pandulph's intervention on John's behalf] with a sense of national shame, such as she 20 INTR OD UC T/OJV. had never felt before. 'He has become the Pope's man,' the whole country was said to have murmured ; ' he has forfeited the very name of king ; from a free man he has degraded himself into a serf.' But this was the belief of a time still to come, when the rapid growth of national feel- ing, which this step and its issues did more than anything to foster, made men look back on the scene between John and Pandulph as a national dishonor. We see little trace of such a feeling in the contemporary accounts of the time. All seem rather to have regarded it as a complete settle- ment of the difficulties in which king and kingdom were involved. As a political measure, its success was immediate and complete. The French army at once broke up in im- potent rage.". The Characters in the Play—John. — The more promi- nent characters in the play are John, Constance, the Bastard, and Pandulph. John, though cruel and weak, is not, at all events in the earlier scejies, portrayed in colors as dark as those used by the historians. Hume says, " The character of King John is nothing but a complication of vices equally mean and odious, and alike ruinous to himself and destruc- tive to his people. Cowardice, inactivity, folly, levity, licentiousness, ingratitude, treachery, tyranny, and cruelty — all these qualities appear too evidently in 'the several in- cidents of his life to give us room to suspect that the disa- greeable picture has been anywise overcharged by the pre- judices of the ancient historians." According to Stubbs, "John trusted no man, and no man trusted him " ; Macau- lay calls him." a trifler and a coward." Green alone has a good word to say for him, declaring that, "with all his vices, he yet possessed all the quickness, vivacity, cleverness, IN TR OD UC TION. 2 1 good humor, and social charm which distinguished his House." At the opening of the play he is represented as blustering a good deal, though at the same time resolute, — a resolution no doubt largely due to his mother's strong will, — and showing in his invasion of France both prompt- itude and personal courage. He is, of course, ready enough to enter into an unholy compact with Philip, but the facil- ity of compromise is due rather to a consciousness of the doubtful nature of the title by which he holds the crown than to any promptings of physical cowardice. Again, in his defiance of the pope, Shakespeare gives him something like real dignity of purpose ; while his retreat from France is acknowledged by Philip and Lewis to have been con- ducted with masterly generalship. It may be that a good deal of the determination he displays is only such as would be evoked in any one so highly placed when amid the ex- citement of war ; for, no sooner is that excitement past, than he enacts the most shameless scene in the play, that in which he would tempt Hubert to the murder of Arthur, though not daring to put his temptation into anything but hints. Gervinus appears to discover in John qualities which Shakespeare would hardly acknowledge as his gift. "He is not" (i.e. at the opening of the play), that critic remarks, " the image of a brutal tyrant, but only the type of .the hard, manly nature, without any of the enamel of finer feelings, and without any other motives for action than those arising from the instinct of this same inflexible nature and of personal interest. Severe and earnest, an enemy to cheerfulness and merry laughter(_conversant with dark thoughts, of a restless, excited ten^»erament, he quick- ly rises to darih§ 22 INTRODUCTION. best advisers, laconic, and reserved ; he does not agree to the good design of his evil mother that he should satisfy Constance and her claims by an accommodation ; it better pleases his warlike, manly pride to bear arms against threat- ened arms ; in his campaigns against Constance and her allies the enemy himself feels that the ' hot haste,' managed with so much foresight, and the wise order in so wild a cause, are unexampled." Here it seems to me that we have a nearer approach to nobility of nature than the play war- rants ; and, further, that Shakespeare would not be likely to invest with such firmness of backbone a character so goon to be shown as the very impersonation of weakness. 'From the time of his return to England we see in him noth- ing but meanness, the most piteous vacillation, groveling humility, and 'an utter absence of anything like courage in adversity^; These may be the essential qualities of his na- ture, which stirring events have for a time obscured while brightening ; or it may be that " coward conscience," after the manner threatened by the ghosts in Richard the Third's dream, paralyzes whatever activity of mind he once pos- sessed, whatever resolution he had in France nerved him- self to display. In order to strengthen his position with his own countrymen, he on his return goes through the farce of being crowned again (in reality for the fourth time) ; he yields, plainly out of fear, to the. demand made by Pem- broke for Arthur's liberation ; he hypocritically laments Arthur's death when the news of it is brought to him ; is terror-stricken by the report of the Dauphin's invasion ; with incredible., meanness reproaches Hubert for the crime which had been his own suggestion ; apologizes as unreserv- edly when told by Hubert that his order has not been car- INTRODUCTION. 23 ried out \ yields up to Pandulph the crown which he had boastfully declared he would maintain " without the assist- ance of a mortal hand " ; beseeches him in the very spirit of cringing- servility to negotiate peace with the Dauphin ; in absolute prostration of mind leaves it to the Bastard To make preparations for defense ; is seen hastening from the battle-field to nurse his fever at Swinstead, and finally in his death agony parades his facility of quibbling out maudlin lamentations for himself. The Bastard. — The Bastard pervades the play with a presence ever active. The first Act is almost all Faulcon- bridge, with his good-humored jests during the dispute, his readily-given adherence to John, his amusing jself-c ompla- cency on being knighted, and his affectionate patronage of his mother. In the second, his impudent banter of the Austrian Archduke relieves the contentious mouthings of the two kings ; his is the pr actical suggestion that Angiers .should be brought to its bearings by the combined attack of the opposing forces ; and from him, though pretending to no more exalted morality than the pursuit of selfish ex- pediency, we have a caustic commentary on the hypocrisy and treachery of Philip and John. It is he who is promi- nent in the battle of the third Act ; to him, instinctively assured of his fidelity, John gives the important and diffi- cult commission of wringing from the abbots some of their hoarded wealth ; through his agency, John, on the news of the Dauphin's invasion, hopes to bring back to their alle- giance the revolted lords ; from his lips we have the stern- est condemnation of Arthur's murder, a condemnation pro- nounced in spite of his well knowing that Hubert, if guilty, 24 introduction: had only so acted out of misguided loyalty to the king. In his outspoken honesty, he shrinks not from freely chiding John when entreating the legate to help him to effect peace with Lewis ; in his embassy to that prince, his fearlessness teaches him a language of defiance which John had not dared to use ; in the ensuing battle he " alone upholds the day " ; to him Hubert hastens upon the poisoning of the king; and into his ear John pours his last querulous accents, persuaded that from him, if from none else, he will receive a genuine sympathy. The Bastard's general position in the play is thus set out by Swinburne : " Con- sidering this play in its double aspect of tragedy and his- tory, we might say that the English hero becomes the cen- tral figure of the poem as seen from the historic side, while John remains the central figure of the poem as seen from its tragic side ; the personal interest that depends on per- sonal crime and retribution is concentrated on the agony of the king ; the national interest which he, though epony- mous hero of the poem, was alike inadequate as a craven and improper as a villain to sustain and represent in the eyes of the spectators was happily and easily transferred to the one person of the play who could properly express within the compass of its closing Act at once the protest against papal pretension, the defiance of foreign invasion, and the prophetic assurance of self-dependent life and self- sufficing strength inherent in the nation, then fresh from a fiercer trial of its quality, which an audience of the days of Queen Elizabeth would justly expect from the poet who undertook to set before them in action the history of the days of King John." And, again, speaking of him more IN TR OD UC TION 2 5 in his personal character, he observes, "The national side of Shakespeare's genius, the heroic vein of patriotism that runs like a thread of living fire through the world-wide range of his omnipresent spirit, has never, to my thinking, found vent or expression to such glorious purpose as here. Not even in Hotspur or Prince Hal has he mixed with more godlike sleight of hand all the lighter and graver good qualities of the national character, or compounded of them so lovable a nature ^as this." Pandulph. — Pandulph plays nearly as large a part as the Bastard. From Philip, though the most powerful of con- tinental sovereigns, he will brook no wavering in the fullness of obedience to be rendered to the Church by its eldest son ; though, knowing how important to the papacy is his sup- port, he condescends to put forth every subtlety of persua- sion, while in the case of the recalcitrant John he scorns all argument, and at once pronounces his excommunication. Upon Lewis he works by appeals to his ambition in order to use him as a tool for the subjugation of John ; and, this end attained, he has no object in further humiliating that king, no interest in further giving his countenance to the Dauphin's invasion. That prince may bluster for a while and refuse to be a puppet in the legate's hands ; but his hesitation is not of much longer duration than was his father's, and he retires to France in abandonment of a project which he had flattered himself was so soon to be crowned with success. Pandulph is a hard, unlovely char- acter ; but we cannot altogether refuse a kind of admiration to the stern consistency of purpose with which, in the serv- ice of the Church, he sweeps away all obstacles, even though 26 INTRODUCTION. among his weapons unblushing casuistry and chicane are those most frequently used. Style and Subject-matter. — In style, at all events in the three first Acts, King Joh?i is closely allied with Richard the Second ; there is the same love of conceits, of antithe- sis, of rhetorical language, and empty declamation. And, though Shakespeare has now shaken himself free from the fetters of rhyme which so hampered him in Richard the Second, we have none of that rich prose which occupies' so large a part in the later historical plays, and gives them a vigor that is wanting in King John. Furnivall points out the similarity in subject-matter with Richard the Third. " In both plays," he says, " we have cruel uncles planning their nephew's murder because the boys stand between them and the crown. ' In both we have distracted mothers over- whelmed with grief. In both we have prophecies of ruin and curses on the murderers, and in both the fulfillment of these. In both we have the kingdom divided against itself, and the horrors of civil war. In both we have the same lesson of the danger of division taught to the discontented English parties of Shakespeare's own day. Richard III. is the example of the misgovernment of a cruel tyrant; King John of the misgovernment of a selfish coward. . . . The temptation scene of John and Hubert repeats that of Richard and Tyrrel. The Bastard's^ statement of his mo- tive, 'Gain, be my lord,' etc., is like that of Richard the Third's about his villany." The scope, however, of King John is much, larger than that of Richard the Third ; for, while the latter is but the history of the unscrupulous ambitions of one man and of the struggle for power between IN TR OD UC TION. 2 7 the two rival houses of York and Lancaster, King John deals with matters affecting more deeply the vital interests of England as a nation, and foreshadows the independence of spirit in regard to religious questions which at a later time was to be the accompaniment to political independ- ence. DRAMATIS PERSONS. King John. Prince Henry, son to the king. Arthur, Duke of Bretagne, nephew to the king. The Earl of Pembroke. The Earl of Essex. The Earl of Salisbury. The Lord Bigot. Hubert de Burgh. Robert Faulconbridge, son to Sir Robert Faulcon- bridge. Philip the Bastard, his half-brother. James Gurney, servant to Lady Faulconbridge. Peter of Pomfret, a prophet. Philip, King of France. Lewis, the Dauphin. Lymoges, Duke of Austria. Cardinal Pandulph, the Pope's legate. Melun, a French lord. . Chatillon, ambassador from France to King John. Queen Elinor, mother to King John. Constance, mother to Arthur. Blanch of Spain, niece to King John. Lady Faulconbridge. Lords, Citizens of Angiers, Sheriff,vHeralds, Officers, Soldiers, Messengers, and other Attendants. Scene: Partly in England, and partly in France. 28 . THE LIFE AND DEATH OF KING JOHN. - ACT I. Scene I. King John's palace. Enter King John, Queen Elinor, Pembroke, Essex, Salisbury, and others, with Cha- tillon. K. John. Now say, Chatillon, what would France with us ? Chat. Thus, after greeting, speaks the King of France In my behavior to the majesty, The borrow'd majesty, of England here. Eli. A strange beginning: "borrow'd maj- esty!" K. John. Silence, good mother; hear the em- bassy. Chat. Philip of France, in right and true behalf Of thy deceased brother Geffrey's son, Arthur Plantagenet,,lays most lawful claim To this fair island and the territories, 10 To Ireland, Poictiers, Anjou, Touraine, Maine, 29 3 o KING JOHN 1 . [act. I. Desiring thee to lay aside the sword Which sways usurpingly these several titles, And put the same into young Arthur'shand, Thy nephew and right royal sovereign. K.John. What follows if we disallow of this? Chat. The proud control of fierce and bloody war, T' enforce these rights so forcibly withheld. K. John., Here have we war for war and blood for blood, Jo Controlment for controlment : so answer France. Chat. Then take my king's defiance from my mouth, The farthest limit of my embassy. K.John. Bear mine to him, and so depart in peace.. Be thou as lightning in the eyes of France ; For, ere thou canst report I will be there, The thunder of my cannon shall be heard : So hence ! Be thou the trumpet of our wrath And sullen presage of your own decay. An honorable conduct let him have : 50 Pembroke, look to 't. Farewell, Chatillon. [Exeunt Chatillon and Pembroke. Eli. What now, my son! have I not ever said How that ambitious Constance would not cease Till she had kindled France and all the world Upon the right and party of her son? This might have been prevented and made whole With very easy arguments of love, Which now- the manage of two kingdoms must With fearful bloody issue arbitrate. sc. i.] KING JOHN. 31 K.John. Our strong possession and oiir right for us. Eli. Your strong possession much more than your right, 40 Or else it must go wrong with you and me : So much my conscience whispers in your ear, Which none but heaven and you and I shall hear. Enter a Sheriff. Essex. My liege, here is the strangest contro- versy Come from the country to be judg'd by you That e'er I heard : shall I produce the men? K. John. Let them approach. — Our abbeys aud our priories shall pay This expedition's charge. Enter ROBERT FAULCONBRIDGE andPniLlP his bastard brother. What men are you ? Bast. Your faithful subject I, a gentleman 50 Born in Northamptonshire, and eldest son, As I suppose, to Robert Faulconbridge, A soldier, by the honor-giving hand Of Cceur-de-lion knighted in the field. K. John. What art thou ? Rob. The son and heir to that same Faulcon- bridge. K. John. Is that the elder, and art thou the heir? You came not of one mother, then, it seems. Bast. Most certain of one mother, mighty king; That is well known; and, as I think, one father: 60 32 KING JOHN. [ACT i. But for the certain knowledge of that truth I put you o'er to heaven and to my mother: Of that I doubt, as all men's children may. Eli. Out on thee, rude man! thou dost shame thy mother And wound her honor with this diffidence. Bast. I, madam? no, I have no reason for it; That is my brother's plea and none of mine ; The which if he can prove, a' pop's me out At least from fair five hundred pound a year-. 70 Heaven guard my mother's honor and my land ! K.John. A good, blunt fellow. Why, being younger born, Doth he lay claim to thine inheritance? Bast. I know not why except to get the land. But once he slander'd me with bastardy: But whether I be as true begot or no, That still I lay upon my mother's head ; But, that I am as well begot, my liege, — Fair fall the bones that took the pains for me! — Compare our faces and be judge yourself. 80 If old sir Robert did beget us both And were our father and this son like him, old sir Robert, father, on my knee 1 give heaven thanks I was not like to thee ! K.JoJm. Why, what a madcap hath heaven lent us here ! x Eli. He hath a trick of Cceur-de-lion's face; The accent of his tongue affecteth him. Do you not read some tokens of my son In the large composition of this man? K.John. Mine eye hath well examined his parts sc. i.] KING JOHN. 33 And finds them perfect Richard. Sirrah, speak, 90 What doth move you to claim your brother's land'? Bast. Because he hath a half-face, like my father. With half that face would he have all my land : A half-faced groat five hundred pound a year ! Rob. My gracious liege, when that my father lived, Your brother did employ my father much, — Bast. Well, sir, by this you cannot get my land. Rob. — And once dispatch'd him in an em- bassy To Germany, there with the emperor To treat of high affairs touching that time. ioc Th' advantage of his absence took the king, And in the mean time sojourn'd at my father's, Where how he did prevail I shame to speak. Upon his death-bed he by will bequeath'd His lands to me, and took it on his death That this my mother's son was none of his: Then, good my liege, let me have what is mine, uc My father's land, as was my father's will. K. John. Sirrah, your brother is legitimate; Your father's wife did after wedlock bear him, And if she did play false, the fault was hers. Your father's heir must have your father's land. Rob. Shall then my father's will be of no force To dispossess that child which is not his? Eli. Whether hadst thou rather be a Faul- conbridge, And like thy brother, to enjoy thy land, 34 KING JOHX. [act i. 120 Or the reputed son of Cceur-de-lion, Lord of thy presence and no land beside ? Bast. Madam, an if my brother had my shape, . And I had his, sir Robert's his, like him ; And if my legs were two such riding-rods, My arms such eel-skins stuff'd, my face so thin That in mine ear I durst not stick a rose Lest men should say, " Look, where three-far- things goes ! " And, to his shape, were heir to all this land, . Would I might never stir from off this place, 130 I *d give it every foot to have this face ; I would not be sir Nob in any case. Eli. I like thee well : wilt thou forsake thy fortune, Bequeath thy land to him and follow me? 1 am a soldier and now bound to France. Bast. Brother, take you my land, I '11 take my chance. Your face hath got five hundred pound a year, Yet sell your face for five pence and 't is dear. Madam, I '11 follow you unto the death. Eli. Nay, I would have you go before me thither. Bast. Our country manners give our betters 140 way. K. John. What is thy name? Bast. Philip, my liege, so is my name begun; Philip, good, old sir Robert's wife's eld'st son. K. John. From henceforth bear his name whose form thou bear'st : Kneel thou down Philip, but arise more great, Arise sir Richard and Plantagenet. sc. i.] KING JOHN. 35 Bast. Brother by th' mother's side, give me your hand : My father gave me honor, yours gave land. Eli. The very spirit of Plantagenet ! I am thy grandam, Richard ; call me so. Bast. Madam, by chance but not by truth 5150 what though ? Something about, a little from the right, In at the window, or else o'er the hatch : Who dares not stir by day must walk by night, And have is have, however men do catch : Near or far off, well won is still well shot. K. John. Go, Faulconbridge : now hast thou thy desire ; A landless knight makes thee a landed squire. Come, madam, and come, Richard, we must . speed For France, for France, for it is more than need. Bast. Brother, adieu : good fortune come to 160 thee ! {Exeunt all but Bastard. A foot of honor better than I was, But many a many foot of land the worse. Well, now Can I make any Joan a lady. "Good den, sir Richard!" — " God-a-mercy, fellow ! " — And if his name be George, I '11 call him Peter; For new-made honor doth forget men's names ; 'T is too respective and too sociable For your conversion. Now your traveler, — He and his toothpick at my worship's mess, And, when my knightly stomach is sufficed, 17° Why then I suck my teeth, and catechize My picked man of countries : " My dear sir," 36 KING JOHN. [act I. Thus, leaning on my elbow, I begin, " I shall beseech you " — that is question now ; And then comes answer like an Absey book : " O sir," says answer, " at your best command ; At your employment ; at your service, sir : " " No, sir," says question, " I, sweet sir, at yours : " And so, ere answer knows what question would, 1 80 Saving in dialogue of compliment, And talking of the Alps and Apennines, The Pyrenean and the river Po, It draws toward supper in conclusion so. But this is worshipful society, And fits the mounting spirit like myself, For he is but a bastard to the time That doth not smack of observation ; And so ami, whether I smack or no; And not alone in habit and device, 190 Exterior form, outward accoutrement, But from the inward motion to deliver Sweet, sweet, sweet poison for the age's tooth : Which, though I will not practice to deceive, Yet, to avoid deceit, I mean to learn ; For it shall strew the footsteps of my rising. But who comes in such haste in riding-robes? What woman-post is this? hath she no husband That will take pains to blow a horn' before her? Enter Lady Faulconbridge and James GURNEY. O me! it is my mother. How now, good lady! 200 What brings you here to court so hastily? Lady F. Where is that slave, thy brother? where is he sc. i.] KING JOHN. 37 That holds in chase mine honor up and down? Bast. My brother Robert? old sir Robert's son ? Colbrand the giant, that same mighty man? It is sir Robert's son that you seek so? Lady F. Sir Robert's son ! Ay, thou un- reverend boy, Sir Robert's son: why scorn'st thou at sir Rob- ert? He is sir Robert's son, and so art thou. Bast. James Gurney, wilt thou give us. leave • awhile? Gur. Good leave, good Philip. Bast. Philip! sparrow: James, 21a There 's toys abroad : anon I '11 tell thee more. [Exit Gurfiey. Madam, I was not old sir Robert's son : Sir Robert might have eat his part in me Upon Good-Friday and ne'er broke his fast. Lady F. Hast thou conspired with thy brother too, That for thine own gain shouldst defend mine honor? What means this scorn, thou most untoward knave ? Bast. Knight, knight, good mother, Basilisco- like. What! I am dnbb'd ! I have it on my shoulder. But, mother, I am not sir Robert's son ; 220 I have disclaim 'd sir Robert and my land ; Legitimation, name, and all is gone : Then, good my mother, let me know my father ; Some proper man, I hope : who was it, mother? 38 KING JOHN. [act ii. Lady F. Hast thou denied thyself a Faulcon- bridge ? Bast. As faithfully as I deny the devil. Lady F. King Richard Cceur-de-lion was thy father. Heaven lay not my transgression to my charge ! Thou art the issue of my dear offense, 2 3° Which was so strongly urg'd past my defense. Bast. Madam, I would not wish a better father. Needs must you lay your heart at his dispose, Subjected tribute to commanding love, Against whose fury and unmatched force The aweless lion could not wage the fight, Nor keep his princely heart from Richard's hand. He that perforce robs lions of their hearts May easily win a woman's. Ay, my mother, With all my heart I thank thee for my father ! {Exeunt. • ACT II. 'Scene I. France. Before Angicrs. Enter Austria and forces, drums, etc., on one side : oil the other KING PHILIP of France and his power ; Lewis, Arthur,, Constance, and attendants. • v Lew. Before Angiers well met, brave Austria. Arthur, that great forerunner of thy blood, Richard, that robb'd the lion of his heart And fought the holy wars in Palestine, By this brave duke came early to his grave .' sc. I.] KING JOHN. 39 And, for amends to his posterity, At our importance hither is he come To spread his colors, boy, in thy behalf, And to rebuke the usurpation Of thy unnatural uncle, English John : Embrace him, love him, give him welcome hither. Arth. God shall forgive you Cceur-de-lion's death The rather that you give his offspring life, Shadowing their" right under your wings of war. I give you welcome with a powerless hand, But with a heart full of unstained love: Welcome before the gates of Angiers, duke. Lew. A noble boy ! Who would not do thee right? Aust. Upon thy cheek lay I this zealous kiss, As seal to this indenture of my love, That to my home I will no more return, Till Angiers and the right thou hast in France, Together with that pale, that white-fac'd shore, Whose foot spurns back the ocean's roaring tides And coops from other lands her islanders, — Even till that England, hedg'd in with the main. That water-walled bulwark, still secure And confident from foreign purposes, — Even till that utmost corner of the west Salute thee for her king: till then, fair boy, Will I not think of home, but follow arms. Const. Oh, take his mother's thanks, a widow's thanks, 40 KING JOHN. [act II. Till your strong hand shall help to give him strength To make a more requital to your love ! Aust. The peace of heaven is theirs that lift their swords In such a just and charitable war. K. Phi. Well then, to work : our cannon shall be bent Against the brows of this resisting town. Call for our chiefest men of discipline 40 To cull the plots of best advantages : We '11 lay before this town our royal bones, Wade to the market-place in Frenchmen's blood, But we will make it subject to this boy. Const. Stay for an answer to your embassy, Lest unadvis'd you stain your swords with blood : My Lord Chatillon may from England bring That right in peace which here we urge in war, And then we shall repent each drop of blood That hot, rash haste so indirectly shed. Enter Chatillon. 50 K. Phi. A wonder, lady! lo, upon thy wish, Our messenger Chatillon is arrived-! What England says, say briefly, gentle lord ; We coldly pause for thee ; Chatillon, speak. Chat. Then turn your forces from this paltry siege And stir them up against a mightier task. England, impatient of your just demands, Hath put himself in arms: the adverse winds, sc. I.] KING JOHN- 41 Whose leisure I have stay'd, have given him time To land his legions all as soon as I ; His marches are expedient to this town, 60 His forces strong, his soldiers confident.' With him along is come the mother-queen, An Ate, stirring him to blood and strife ; With her her niece, the Lady Blanch of Spain ; With them a bastard of the king's deceas'd ; And all the unsettled humors of the land, Rash, inconsiderate, fiery voluntaries, With ladies' faces and fierce dragons' spleens, Have sold their fortunes at their native homes, Bearing their birthrights proudly on their 7° backs, To make a hazard of new fortunes here : In brief, a braver choice of dauntless spirits Than now the English bottoms have waft o'er Did never float upon the swelling tide To do offense and scath in Christendom. [Dr?t/n beats. The interruption of their churlish drums Cuts off more circumstance : they are at hand To parley or to fight ; therefore prepare. K. Phi. How much unlook'd for is this expedition ! Aust. By how much unexpected by so much 80 We must awake endeavor for defense; ■For courage mounteth with occasion : Let them be welcome then ; we are prepared. Enter King John, Elinor, Blanch, the Bastard, Lords, and forces. 42 KING JOHN, [act ii. K. John. Peace be to France, if France in peace permit Our just and lineal entrance to our own ; If not, bleed France, and peace ascend to heaven, Whiles we, God's wrathful agent, do correct Their proud contempt that beats His peace to heaven. K. Phi. Peace be to England, if that war return 90 From France to England, there to live in peace. England we love; and for that England's sake With burden of our armor here we sweat. This toil of ours should be a work of thine ; But thou from loving England art so far That thou hast under-wrought his lawful king, Cut off the sequence of posterity, Out-faced infant state, and done a rape Upon the maiden virtue of the crown. * Look here upon thy brother Geffrey's face ; 100 These eyes, these brows were molded out of . his : This little abstract doth contain that large Which died in Geffrey, and the hand of time Shall draw this brief into as huge a volume. That Geffrey was thy elder brother born, And this his son ; England »was Geffrey's right, And this is Geffrey's : in the name of God How comes it then that thou art call'd a king, When living blood doth in these temples beat, Which'owe the crown that thou o'ermasterest ? no K. John. From whom hast thou this great commission, France, sc. I.] KING JOHN. 43 To draw my answer from thy articles ? K. Phi. From that supernal judge that stirs good thoughts In any breast of strong authority, To look into the blots and stains of right: That judge hath made me guardian to this boy : Under whose warrant I impeach thy wrong, And by whose help I mean to chastise it. K. John. Alack, thou dost usurp authority. K. Phi. Excuse; it is to beat usurping down. Eli. Who is it thou dost call usurper, France ? 120 Const. Let me make answer ; thy usurping son. Eli. Out, insolent ! thy bastard shall be king That thou mayst be a queen and check the world ! Const. My bed was ever to thy son as true As thine was to thy husband : and this boy Liker in feature to his father Geffrey Than thou and John in manners ; being as like As rain to water, or devil to his dam. 130 Eli. There 's a good mother, boy, that blots thy father. Const. There 's a good grandam, boy, that would blot thee. A nst. Peace ! Bast. Hear the crier. Aust. What the devil art thou? Bast. One that will play the devil, sir, with you, An a' may catch your hide and you alone : You are the hare of whom the proverb goes, Whose valor plucks dead lions by the beard : 44 KING JOHN. [act II. I '11 smoke your skin-coat, an I catch you right ; 140 Sirrah, look to 't ; i' faith, I will, i' faith. Blanch. Oh, well did he become that lion's robe That did disrobe the lion of that robe ! Bast. It lies as sightly on the back of him As great Alcides' shows upon an ass : — But, ass, I '11 take that burden from your back, Or lay on that shall make your shoulders crack. Aust. What cracker is this same that deafs our ears With this abundance of superfluous breath ? King Philip, determine what we shall do straight. 150 K. Phi. Women and fools, break off your conference. King John, this is the very sum of all : England and Ireland, Anjou, Touraine, Maine, In right of Arthur do I claim of thee : Wilt thou resign them and lay down thy arms? K. John. My' life as soon : I do defy thee, . France. Arthur of Bretagne, yield thee to my hand ; And out of my dear love I '11 give thee more Than e'er the coward hand of France can win : Submit thee, boy. Eli. Come to t^iy grandam, child. 160 Const. Do, child, go to it grandam, child ; Give grandam kingdom, and it grandam will Give it a plum, a cherry, and a fig: There's a good grandam. Artti.. Good my mother, peace ! I would that I were low laid in my grave : sc. I.] KING JOHN. 45 I am not worth this coil that's made for me. Eli. His mother shames him so, poor boy, he weeps. Const. Now shame upon you, whether she does or no ! His grandam's wrongs, and not his mother's shames, Draws those heaven-moving pearls from his poor eyes, Which heaven shall take in nature of a fee ; 17° Ay, with these crystal beads heaven shall be brib'd To do him justice and revenge on you. Eli. Thou monstrous slanderer of heaven and earth ! Const. Thou monstrous injurer of heaven and earth ! Call not me slanderer ; thou and thine usurp The dominations, royalties, and rights Of this oppressed boy : this is thy eld'st son's son, Infortunate in nothing but in thee : Thy sins are visited in this poor child ; The canon of the law is laid on him, 180 Being but the second generation Removed from thy sin -conceiving womb. K. JoJui. Bedlam, have done. Const. I have but this to say, That he's not only plagued for her sin But God hath made her sin and her the plague On this removed issue, plagued for her And with her plague ; her sin his injury, Her injury the beadle to her sin, 46 KING JOHN. [act II. All punish'd in the person of this child, 190 And all for her ; a plague upon her ! Eli. Thou unadvised scold, I can produce A will that bars the title of thy son. Const. Ay, who doubts that ? a will ! a wicked will ; A woman's will ; a canker'd grandam's will ! K. Phi. Peace, lady ! pause, or be more tem- perate : It ill beseems this presence to cry aim To these ill-tuned repetitions. Some trumpet summon hither to the walls These men of Angiers : let us hear them speak 200 Whose title they admit, Arthur's or John's. Trumpet sounds. Enter certain Citizens upon the walls. First Cit. Who is it that hath warn'd us to the walls ? K. Phi. 'T is France, for England. K. John. ■ England, for itself. You men of Angiers, and my loving subjects, — K.' Phi. You loving men of Angiers, Arthur's subjects", Our trumpet call'd you to this gentle parle — K. John. For our advantage ; therefore hear us first. These flags of France, that are advanced here Before the eye and prospect of your town, Have hither march'd to your endamagement: 210 The cannons have their bowels full of wrath, And ready mounted are they to spit forth Their iron indignation 'gainst your walls : SC. i.] KING JOHN. 47 All preparation for a bloody siege And merciless proceeding by these French Confronts your city's eyes, your winking gates ; And but for our approach those sleeping stones, That as a waist doth girdle you about, By the compulsion of their ordinance By this time from their fixed beds of lime Had been dishabited, and wide havoc made 220 For bloody power to rush upon your peace. But on the sight of us your lawful king, Who painfully with much expedient march Have brought a countercheck before your gates, To save unscratch'd your city's threatened cheeks. Behold, the French amaz'd vouchsafe a parlel And now, instead of bullets wrapp'd in fire, To make a shaking fever in your walls, They shoot but calm words folded up in smoke, To make a faithless error in your ears : 230 Which trust accordingly, kind citizens, And let us in, your king, whose labor'd spirits, Forwearied in this action of swift speed, Crave harborage within your city walls. K. Phi. When I have said, make answer to us both. Lo, in this right hand, whose protection Is most divinely vow'd upon the right Of him it holds, stands young Plantagenet, Son to the elder brother of this man, And king o'er him and all that he enjoys. 240 For this down-trodden equity, we tread In warlike march these greens before your town, Being no further enemy to you 4S KING JOHN. [act II. Than the constraint of hospitable zeal In the relief of this oppressed child Religiously provokes. Be pleased then To pay that duty which you truly owe To him that owes it, namely this young prince : And then our arms, like to a muzzled bear, 250 Save in aspect, hath all offense seal'd up ; Our cannons' malice vainly shall be spent Against th' invulnerable clouds of heaven ; And with a blessed and unvex'd retire, With unhack'd swords and helmets all un- bruis'd, We will bear home that lusty blood again Which here we came to spout against your town, And leave your children, wives, and you in peace. But if you fondly pass our proffer'd offer, 'T in not the roundure of your old-fac'd walls 260 Can hide you from our messengers of war, Though all these'English and their discipline Wereharbor'd in their rude circumference. Then tell us, shall your city call us lord, In that behalf which we have challeng'd it ? Or shall we give the signal to our rage And stalk in blood to our possessipn ? First Cit. In brief, we are the king of Eng- land's subjects : For him and in his right we hold this town. K. John. Acknowledge then the king, and let me in. 270 First' Cit. That can we not; but he that proves the king, sc. I.] KING JOHN. 49 To him will we prove loyal : till that time Have we ramm'd up our gates against the world. K. John. Doth not the crown of England prove the king? And, if not that, I bring you witnesses, Twice fifteen thousand hearts of England's breed, — Bast. Bastards and else. K. John. — To verify our title with their lives. K. Phi. As many and as well-born bloods as those, — Bast. Some bastards too. K. Phi. — Stand in his face to contradict 280 his claim. First Cit. Till you compound whose right is worthiest, We for the worthiest hold the right from both. K.John. Then God forgive the sin of all those souls That, to their everlasting residence, Before the dew of evening fall, shall fleet, In dreadful. trial of our kingdom's king ! K. Phi. Amen, amen! Mount, chevaliers! to arms ! Bast. Saint George, that swing'd the dragon, and e'er since Sits on his horse back at mine hostess' door, Teach us some fence ! [ To Attst.] Sirrah, were I 290 at home, At your den, sirrah, with your lioness, I 'd set an ox-head to your lion's hide, And make a monster of you. Aust. Peace ! no more. 50 KING JOHN. [act ii. Bast. Oh, tremble, for you hear the lion roar. K. John. Up higher to the plain ; where we '11 set forth In best appointment all our regiments. Bast. Speed then to take advantage of the field. ' K. Phi. It shall be so; and at the other hill Command the rest to stand. God and our right ! [Exeunt. Here after excursions, enter the Herald of France, with trumpets, to the gates. 300 F. Her. You men of Angiers, open wide your gates, And let young Arthur, Duke of Bretagne, in ; Who by the hand of France this day hath made Much work for tears in many an English mother, Whose sons lie scatter'd on the bleeding ground ; Many a widow's husband groveling lies, Coldly embracing the discolor'd earth ; And. victory, with little loss, doth play Upon the dancing banners of the French, Who are at hand, triumphantly display 'd, 310 To enter conquerors and to proclaim Arthur of Bretagne England's king and yours. Enter English Herald, with trumpet. E. Her. Rejoice, you men of Angiers, ring your bells ; King John, your king and England's, doth ap- proach, Commander of this hot, malicious day : sc. I.] KING JOHN. 51 Their armors, that march'd hence so silver- bright, . Hither return all gilt with Frenchmen's blood ; There stuck no plume in any English crest That is removed by a staff of France ; Our colors do return in those same hands That did display them when we first march'd 3 2 ° forth ; And, like a jolly troop of huntsmen, come Our lusty English, all with purpled hands, Dyed in the dying slaughter of their foes : Open your gates and give the victors way. • First Cit. Heralds, from off our towers we might behold, From first to last, the onset and retire Of both your armies : whose equality By our best eyes cannot be censured : Blood hath bought blood and blows have an- swer'd blows ; Strength match'd with strength, and power con- fronted power : 33° Both are alike ; and both alike we like. One must prove greatest : while they weigh so even, We hold our town for neither yet for both. Re-enter the two Kings, with their powers, severally. ■ K.John. France, hast thou yet more blood to cast away ? Say, shall the current of our right run on ? Whose passage, vex'd with thy impediment, Shall leave his native channel and o'erswell 52 KING JOHN. [act ii. With course disturb'd even thy confining shores, Unless thou let his silver water keep 34° A peaceful progress to the ocean. • A'. Phi. England, thou hast not sav'd one drop of blood, In this hot trial, more than we of France; Rather, lost more. And by this hand I swear, That sways the earth this climate overlooks, Before we will lay down our just-borne arms, We '11 put thee down, 'gainst whom these arms we bear, Or add a royal number to the dead, Gracing the scroll that tells of this war's loss With slaughter coupled to the name of kings. 350 \Bast. Ha, majesty! how high thy glory towers, When the rich blood of kings is set on fire ! Oh, now doth Death line his dead chaps with steel ; The swords of soldiers are his teeth, his fangs ; And now he feasts, mousing the flesh of men, In un.determin'd differences of kings. Why stand these royal fronts amazed thus? Cry, " havoc !" kings; back to the stained field, You equal potents,. fiery kindled spirits! Then let confusion of one part confirm 360 The other's peace ; till them blows, blood, and death ! K./okn. Whose party do the townsmen yet admit ? K. Phi. Speak, citizens, for England ; who 's your king ? Sc. I.] KING JOHN. 53 First Cit. The king of England, when we know the king. K. Phi. Know him in us that here hold up his right. K. John. In us that are our own great deputy, And bear possession of our person here, Lord of our presence, Angiers, and of you. First Cit. A greater power than we denies all this ; And, till it be undoubted, we do lock Our former scruple in our strong-barr'd gates ; 370 King'd of our fears, until our fears, resolv'd.. Be by some certain king purg'd and depos'd. Bast. By heaven, these scroyles of Angiers flout you, kings, And stand securely on their battlements, As in a theater, whence they gape and point At your industrious scenes and acts of death. Your royal presences be ruled by me : Do like the mutines of Jerusalem, Be friends awhile, and both conjointly bend Your sharpest deeds of malice on this town : 380 By east and west let France and England mount Their battering cannon, charged to the mouths, Till their soul-fearing clamors have brawl'd down The flinty ribs of this contemptuous city : I 'd play incessantly upon the:-e jades, Even till unfenced desolation Leave them as naked as the vulgar air. That done, dissever your united strengths, And part your mingled colors once again ; Turn face to face and bloody point to point; 390 54 KING JOHN. [act il Then, in a moment, Fortune shall cull forth Out of one side her happy minion, To whom in favor she shall give the day, And kiss him with a glorious victory. How like you this wild counsel, mighty states? Smacks it not something of the policy? K. Joints Now, by the sky that hangs above our heads, I like it well. France, shall we knit our powers ' And lay this Angiers even with the ground ; 400 Then after fight who shall be king of it ? Bast. An if thou hast the mettle of a king, — Being wrong'd as we are by this peevish town, — Turn thou the mouth of thy artillery, As we will ours, against these saucy walls; And, when that we have dash'd them to the ground, Why then defy each other, and pell-mell Make work upon ourselves, for heaven or hell. K. Phi. Let it be so. Say, where will you assault ? K.John. We from the west will send destruc- ' tion 4 IQ Into this city's bosom. Aust. I from the north. K. Phi. "Our thunder from the south Shall rain their drift of bullets on this town. Bast. O prudent discipline! From north to south, Austria and France shoot in each other's mouth; I'll stir-them to it. Come, away, away! First Cit. Hear us, great kings : vouchsafe awhile to stay, sc. i.] KING JOHN. 55 And I shall show you peace and fair-fac'd league; Win you this city without stroke or wound ; Rescue those breathing lives to die in beds, That here come sacrifices for the field : 4 2 ° Persever not, but hear me, mighty kings.' K.John. Speak on with favor; we are bent to hear. First Cit. That daughter there of Spain, the Lady Blanch, Is niece to England : look upon the years Of Lewis the Dauphin and that lovely maid : If lusty love should go in quest of beauty, Where should he find it fairer than in Blanch? If zealous love should go in search of virtue, Where should he find it purer than in Blanch? If love ambitious sought a match of birth, 430 Whose veins bound richer blood than Lady Blanch ? Such as she is, in beauty, virtue, birth, Is the young Dauphin every way complete: If not complete, oh, say he is not she; And she again wants nothing, to name want, If want it be not that she is not he: He is the half part of a blessed man, Left to be finished by such as she ; And she a fair divided excellence, Whose fullness of perfection lies in him. 440 Oh, two such silver currents, when they join, •Do glorify the banks that bound them in ; And two such shores to two such streams made one, Two such controlling bounds shall you be, kings, To these two princes if you marry them. 56 KING JOHN. [act ii. This union shall do more than battery can To our fast-closed gates ; for, at this match, With swifter spleen than powder can enforce, The mouth of passage shall we fling wide ope, 450 And give you entrance : but, without this match, The sea enraged is not half so deaf, Lions more confident, mountains and rocks More free from motion, no, not Death himself In mortal fury half so peremptory As we to keep this city. Bast. Here 's a stay That shakes the rotten carcass of old Death Out of his rags ! Here 's a large mouth, indeed, That spits forth death and mountains, rocks and seas, Talks as familiarly of roaring lions 460 As maids' of thirteen do of puppy-dogs! What cannoneer begot this lusty blood? He speaks plain cannon fire and smoke and bounce; He gives the bastinado with his tongue: Our ears are cudgel'd ; not a word of his But buffets better than a fist of France : Zounds ! I was never so bethump'd with words Since I first call'd my brother's father dad. Eli. Son, list to this conjunctiqn, make this match ; , Give with our niece a dowry large enough : 470 For by this knot thou shalt so surely tie Thy now unsur'd assurance to the' crown That yon green boy shall have no sun to ripe The bloom that promiseth a mighty fruit. I see a yielding in the looks of France ; sc. i.] KING JOHN. 57 Mark, how they whisper: urge them while, their souls Are capable of this ambition, Lest zeal, now melted by the windy breath Of soft petitions, pity, and remorse, Cool and congeal again to what it was. First Cit. Why answer not the double majesties 480 This friendly treaty of our threaten'd town ? K. Phi. Speak England first, that hath been forward first To speak unto this city : what say you ? K. John. If that the Dauphin there, thy princely son, Can in this book of beauty read, " I love," Her dowry shall weigh equal with a queen : For Anjou and fair Touraine, Maine, Poictiers, And all that we upon this side the sea, Except this city now by us besieg'd, Find liable to our crown and dignity, 490 Shall gild her bridal bed; and make her rich In titles, honors, and promotions, As she in beauty, education, blood, Holds hand with any princess of the world. K. Phi. What say'st thou, boy ? look in the lady's face. Lew. I do, my lord ; and in her eye I find A wonder, or a wondrous miracle, The shadow of myself form'd in her eye; Which, being but the shadow of your son, Becomes a sun and makes your son a shadow : 500 I do protest I never lov'd myself Till now infixed I beheld myself 58 KING JOHN. [act ii. Drawn in the flattering table of her eye. [ Whispers with Blanch. Bast. Drawn in the flattering table of her eye ! Hang'd in the frowning wrinkle of her brow ! And quarter'd in her heart! he doth espy Himself love's traitor : this is pity now, That, hang'd and drawn and quarter'd, there should be In such a love so vile a lout as' he. 510 Blanch. My uncle's will in this respect is mine : If he see aught in you that makes him like, That any thing he sees, which moves his liking, I can with ease translate it to my will ; Or, if you will, to speak more properly, I will enforce it easily to my love. Further I will not flatter you, my lord, That all I see in you is worthy love, Than this, — that nothing do I see in you, Though churlish thoughts themselves should be your judge; 520 That J can find should merit any hate. K.John. What say these young ones ? What say you, my niece? Blanch. That she is bound in honor still to do What you in wisdom still vouchsafe to say. K. John. Speak then, prince Dauphin ; can you love this lady ? Lew. Nay, ask me if I can refrain from love ; For I do love her most unfeignedly. K. John. Then do I give Volquessen, Tou- ra'ine, Maine, Poictiers, and Anjou, these five provinces, sc. I.] KING JOHN. 59 With her to thee ; and this addition more, Full thirty thousand marks of English coin. 53° Philip of France, if thou be pleas'd withal, Command thy son and daughter to join hands. K. Phi. It likes us well ; young princes, close your hands. Aust. And your lips too ; for I am well assur'd That I did so when I was first assur'd. A'. Phi. Now, citizens of Angiers, ope your gates. Let in that amity which you have made ; For at Saint Mary's chapel presently The rites of marriage shall be solemniz'd. Is not the Lady Constance in this troop ? 540 I know she is not, for this match made up Her presence would have interrupted much : Where is she and her son ? tell me, who knows. Lew. She 's sad and passionate at your high- ness' tent. A'. Phi. And, by my faith, this league that we have made AVill give her sadness very little cure. Brother of England, how may we content This widow lady ? In her right we came ; Which we, God knows, have turn'd another way, To our own vantage. K. John. We will heal up all; 550 For we '11 create young Arthur Duke of Bretagne And Earl of Richmond ; and this rich fair town We make him lord of. Call the Lady .Constance ; Some speedy messenger bid her repair 60 KING JOHN. [act II. To our solemnity : I trust we shall, If not fill up the measure of her will, Yet in some measure satisfy her so That we shall stop her exclamation. Go we, as well as haste will suffer us, 560 To this unlook'd for, unprepared pomp. {Exeunt all but the Bastard. Bast. Mad world ! mad kings ! mad com- position ! John, to stop Arthur's title in the whole,' Hath willingly departed with a part; And France, — whose armor conscience buckled on, Whom zeal and charity brought to the field As God's own soldier, — rounded in the ear With that same purpose-changer, that sly devil, That broker that still breaks the pate of faith, That daily break-vow, he that wins of all, 570 Of kings, of beggars, old men, young men, maids, Who, having no external thing to lose But .the word " maid," cheats the poor maid of that, That smooth-fac'd gentleman, tickling Com- modity,— Commodity, the bias of the world,* The world, who of itself is peised well, Made to run even upon even ground, Till this advantage, this vile-drawing bias, This sway of motion, this Commodity, M^kes'it take head from all indifferency, $80 From all. direction, purpose, course, intent: — And this same bias, this Commodity, sc. I.] KING JOHN. 6 1 This bawd, this broker, this all-changing word, Clapp'd on the outward eye of fickle France, Hath drawn him from his own determined aid, From a resolv'd and honorable war, To a most base and vile-concluded peace. And why rail I on this Commodity ? But for because he hath not woo'd me yet : Not that I have the power to clutch my hand, When his fair angels would salute my palm ; ■ rg But for my hand, as unattempted yet, Like a poor beggar, raileth on the rich. Well, whiles I am a beggar, I will rail And say there is no sin but to be rich ; And being rich, my virtue then shall be To say there is no vice but beggary. Since kings break faith upon commodity, Gain, be my lord, for I will worship thee. \Exit t ACT III. SCENE I. The French King's pavilion. Enter Constance, Arthur, and Salisbury. Const. Gone to be married ! gone to swear a peace ! False blood to false blood join'd ! gone to be friends ! Shall Lewis" have Blanch, and Blanch those provinces ? It is not so; thou hast misspoke, misheard; Be well advis'd, tell o'er thy tale again : It cannot be ; thou dost but say 't is so : 1 trust I may not trust thee ; for thy word 62 KING JOHN. [act hi. Is but the vain breath of a common man : Believe me, I do not believe thee, man ; 10 I have a king's oath to.the contrary. Thou shalt be punish'd for thus frighting me, For I am sick and capable of fears, Oppress'd with wrongs and therefore full of fears ; A widow, husbandless, subject to fears ; A woman, naturally born to fears ; And, though thou now confess thou didst but jest, With my vex'd spirits I cannot take a truce, But they will quake and tremble all this day. What dost thou mean by shaking of thy head ? 20 Why dost thou look so sadly on my son ? What means that hand upon that breast of thine? Why holds thine eye that lamentable rheum, Like a proud river peering o'er his bounds ? Be these sad signs confirmers of thy words? Then speak again ; not all thy former tale, But this one word, whether thy tale be true. Sal. As true as I believe you think them false That give you cause to prove my saying true. Const. Oh, if thou teach me to believe this sorrow, 30 Teach thou this sorrow how to make me die, And let belief and life encounter so As doth the fury of two desperate men Which in the very meeting fall and die. Lewis marry Blanch ! O boy, then where art thou ? sc. I.] KING JOHN. 63 France friend with England, what becomes of me ? Fellow, be gone : I cannot brook thy sight : This news hath made thee a most ugly man. Sal. What other harm have I, good lady, done, But spoke the harm that is by others done ? Const. Which harm within itself so heinous is 4° As it makes harmful all that speak of it. Arth. I do beseech you, madam, be content. Const. If thou, that bid'st me be content, wert grim, Ugly, and slanderous to thy mother's womb, Full of unpleasing blots and sightless stains, Lame, foolish, crooked, swart, prodigious, Patch'd with foul moles and eye-offending marks, I would not care, I then would be content; For then I should not love thee, no, nor thou Become thy great birth nor deserve a crown. 50 But thou art fair; and, at thy birth, dear boy, Nature and Fortune join'd to make thee great : Of Nature's, gifts thou mayst with lilies boast And with the half-blown rose. But Fortune, oh, She is corrupted, changed, and won from thee ; She adulterates hourly with thine Uncle John, And with her golden hand hath pluck'd on France To tread down fair respect of sovereignty, .And made his majesty the bawd to theirs. France is a bawd to Fortune and King John, 60 That strumpet Fortune, that usurping John ! Tell me, thou fellow, is not France forsworn? Envenom him with words, or get thee gone 64 KING JOHN. [act hi. And leave those woes alone which I alone Am bound to under-bear. Sal. ' Pardon me, madam, I may not go without you to the kings. Const. Thou mayst, thou shalt ; I will not go with thee : I will instruct my sorrows to be proud ; For grief is proud and makes his owner stoop. 7° To me and to the state of my great grief Let kings assemble ; for my grief 's so great That no supporter but the huge firm earth Can hold it up : here I and sorrows sit ; Here is my throne, bid kings come bow to it. [Seats herself on the ground. Enter King John, King Philip, Lewis, Blanch, Elinor, the Bastard, Austria, and Attendants. K. Phi. 'T is true, fair daughter; and this blessed dav Ever in France shall be kept festival : To solemnize this day the glorious sun Stays in his course and plays the alchemist, Turning with splendor of his precious eye 80 The meager cloddy- earth to glittering gold : The yearly course that brings this day about Shall never see it but a holiday. Const. A wicked day, and not a holy day ! [Rising. What hath this day deserv'd ? what hath it done That it in golden letters should be set Among the high tides in the calendar ? Nay, rather turn this dav out of the week, sc. i.] KING JOHN. 65 This day of shame, oppression, perjury. Or,, if it must .stand still, let wives with child Pray that their burdens may not fall this day, 9° Lest that their hopes prodigiously be cross'd : But on this day let seamen fear no wreck'; No bargains break that are not this day made : This day, all things begun come to ill end, Yea, faith itself to hollow falsehood change ! K. Phi. By heaven, lady, you shall have no cause To curse the fair proceedings of this day : .Have I not pawn'd to you my majesty ? Const. You have beguil'd me with a counter- feit Resembling majesty, which, being touch'd and 100 tried, Proves valueless: you are forsworn, forsworn ; You came in arms to spill mine enemies' blood, But now in arms you strengthen it with yours. The grappling vigor and rough frown of war Is cold in amity and painted peace, And our oppression hath made up this league. Arm, arm, you heavens, against these perjur'd kings ! A widow cries ; be husband to me, heavens ! Let not the hours of this ungodly day Wear out the day in peace; but, ere sunset, no Set armed discord 'twixt these perjured kings ! • Hear me, oh, hear me ! Aust. Lady Constance, peace ! Const. War ! war ! no peace ! peace is to me a war. Lymoges 3 O Austria ! thou dost shame 66 KING JOHN. [act ill. That bloody spoil : thou slave, thou wretch, thou coward ! Thou little valiant, great in villany.! Thou ever strong upon the stronger side ! Thou Fortune's champion that dost never fight But when her humorous ladyship is by 1 20 To teach thee safety ! thou art perjur'd too, And sooth'st up greatness. What a fool art thou, A ramping fool, to brag and stamp and swear Upon my party ! Thou cold-blooded slave, Hast thou not spoke like thunder on my side, Been sworn my soldier, bidding me depend Upon thy stars, thy fortune, and thy strength, And dost thou now fall over to my foes? Thou wear a lion's hide ! doff it for shame, . And han-g a calf's-skin on those recreant limbs. 130 AusL Oh, that a man should speak those words to me ! Bast. And hang a calf's-skin on those rec- reant limbs. Aust. Thou darest not say so, villain, for thy life. Bast And hang a calf's-skin on those re- creant limbs. K. John. We like not this ; thou dost forget thyself. Etiter Pandulph. K. Phi. Here comes the holy legate of the pope. Pand% Hail, you anointed deputies of heaven ! To thee, King John, my holy errand is. sc. i.] KING JOHN. 67 I Pandulph, of fair Milan cardinal, And from Pope Innocent the legate here, Do in his name religiously demand 140 Why thou against the church, our holy mother, So willfully dost spurn ; and force perforce Keep Stephen Langton, chosen archbishop Of Canterbury, from that holy see ? This, in our foresaid holy father's name, Pope Innocent, I do demand of thee. K.John. What earthy name to interroga- tories Can task the free breath of a sacred king: ? Thou canst not, cardinal, devise a name So slight, unworthy, and ridiculous, 15° To charge me to an answer, as the pope. Tell him this tale ; and from the mouth of Eng- land Add thus much more, that no Italian priest Shall tithe or toll in our dominions ; But as we, under heaven, are supreme head, So under Him that great supremacy, Where we do reign, we will alone uphold, Without th' assistance of a mortal hand : So tell the pope, all reverence set apart To him and his usurp'd authority. 160 K. Phi. Brother of England, you blaspheme in this. K.John. Though you and all the kings of Christendom Are led so grossly by this meddling priest, Dreading the curse that money may buy out ; And by the merit of vile gold, dross, dust, Purchase corrupted' pardon of a man, 68 RING JOHN. [act hi. Who in that sale sells pardon from himself,— Though you and all the rest, so grossly led, This juggling witchcraft .with revenue cherish, 17° Yet I alone, alone do me oppose Against the pope and count his friends my foes. Pand. Then, by the lawful power that I have, Thou shalt stand curs'd and excommunicate: And blessed shall he be that doth revolt From his allegiance to an heretic ; And meritorious shall that hand be call'd, • Canonized and worship'd as a saint. That takes away by any secret course Thy hateful life. Const. Oh, lawful let it be l8oThat I have room with Rome to curse awhile! Good father cardinal, cry thou ameii To my keen curses; for without my wrong There is no tongue hath power to curse him right. Pand. There 's law and warrant, lady, for my curse. Const. And for mine too: when law can do t no right, Let it be lawful that law bar no wrong: Law cannot give my child his kingdom here, For he that holds Ins kingdom holds the law; Therefore, since law itself is perfect, wrong, 190 How can the law forbid my tpngue to curse ? Pane/. Philip of France, on peril of a curse, Let go the hand of that arch-heretic ; And raise the power of France upon his head, Unless he do submit himself to Rome. Eli. Look'st thou pale, France ? do not let go thy hand. • sc. i.] KING JOHN. 69 Const. Look to that, devil ; lest that France repent, And, by disjoining hands, hell lose a soul. Anst. King Philip, listen to the cardinal. Bast. And hang a calf's-skin on his recreant limbs. Aust. Well, ruffian, I must pocket up these 200 wrongs, Because — Bast. Your breeches best may earn them. A'. John. Philip, what say'st thou to the car- dinal? Const. What should he say, but as the car- dinal? Lew. Bethink you, father; for the difference Is purchase of a heavy curse from Rome, Or the light loss of England for a friend : Forego the easier. Blanch. That 's the curse of Rome. Const. O Lewis, stand fast ! the devil tempts thee here In likeness of a new untrimmed bride. Blanch. The Lady Constance speaks not from her faith, But from her need. Const. Oh, if thou grant my need, 210 Which only lives but by the death of faith, That need must needs infer this principle, That faith would live again by death of need. Oh, then, tread down my need, and faith mounts up; Keep my need up, and faith is trodden down ! 7 o KING JOHN. [act hi. K.Johiu The king is moved, and answers not to this. Const. Oh, be removed from him, and answer well ! Aust. Do so, King Philip; hang no more in doubt. 220 Bast. Hang nothing but a calfs-skin, most sweet lout. K. Phi. I am perplex'd, and know not what to sav. Pant/. What canst thou say but will perplex thee more, If thou stand excommunicate and curs'd? K. Phi. Good reverend father, make my person yours, And tell me how you would bestow yourself. This royal hand and mine are newly knit, And the conjunction of our inward souls Married in league, coupled and link'd together With all religious strength of sacred vows; 230 The latest breath 'that gave the sound of words Was deep-sworn faith, peace, amity, true love Between our kingdoms and our royal selves; And even before this truce, but new before, No longer than we .well could wash our hands To clap this royal bargain up of peace, Heaven knows, they were besmear'd and over- stain'd With slaughter's pencil, where revenge did paint The fearful difference of incensed kings : And shall these hands, so lately purg'd of blood, 240 So newly join'd in love, so strong in both, Unyoke this seizure and this kind regreet? sc. i.] KING JOHN. 71 Play fast and loose with faith ? so jest with heaven, Make such unconstant children of ourselves As now again to snatch our palm from palm, Unswear faith sworn, and on the marriage-bed Of smiling peace to march a bloody host, And make a riot on the gentle brow Of true sincerity? O holy sir, My reverend father, let it not be so! Out of your grace, devise, ordain, impose 250 Some gentle order; and then we shall be blest To do your pleasure and continue friends. Paiid. All form is formless, order orderless, Save what is opposite to England's love. Therefore to arms! be champion of our church, Or let the church, our mother, breathe her curse, A mother's curse, on her revolting son. France, thou mayst hold a serpent by the tongue, A chafed lion by the mortal paw, A fasting tiger safer by the tooth, 260 Than keep in peace that hand which thou dost hold. K. Phi. I may disjoin my hand, but not my faith. Pand. So mak'st thou faith an enemy to faith ; And like a civil war set'st oath to oath, Thy tongue against thy tongue. Oh, let thy vow First made to heaven, first be to heaven per- form 'd, That is, to be the champion of our church ! What since thou sworest is sworn against thyself And may not be performed by thyself, For that which thou hast sworn to do amiss 270 72 KING JOHN. [act hi. Is not amiss when it is truly done, And being not done, where doing tends to ill, The truth is then most done not doing it : The better act of purposes mistook Is to mistake again ; though indirect, Yet indirection thereby grows direct, And falsehood falsehood cures, as fire cools fire VVithin the scorched veins of one new-burn'd. It is religion that doth make vows kept; 280 But thou hast sworn against religion, By what thou swearst against the thing thou swear'st, And mak'st an oath the surety for thy truth Against an oath : the truth thou art unsure To swear, swears only not to be forsworn; Else what a mockery should it be to swear! But thou dost swear only to be forsworn ; And most forsworn, to keep what thou dost swear. Therefore thy later vows against thy first Is in thyself rebellion to thyself; 290 And better conquest never canst thou make Than arm thy constant and thy nobler parts Against these giddy, loose suggestions: Upon which better part our prayers come in, If thou vouchsafe them. But, if not, then know The peril of our curses li<.;ht on three So heavy as thou shalt not shake them off, But in despair die under their black weight. Aust. Rebellion, flat rebellion.! Bast : Will 't not be ? Will not a calf's-skin stop that mouth of thine? Lew. Father, to arms! sc. i.] KING JOHN, 73 Blanch. Upon thy wedding-day ? 3°° Against the blood that thou hast married ? What, shall our feast be kept with slaughter'd men ? Shall braying trumpets and loud churlish drums, Clamors ol hell, be measures to our pomp? O husband, hear me ! ay, alack, how new Is husband in my mouth ! even for that name, Which till this time my tongue did ne'er pro- nounce, Upon my knee I beg, go not to arms Against mine uncle. Const. Oh, upon my knee, Made hard with kneeling, I do pray to thee, 310 Thou virtuous Dauphin, alter not the doom Forethought by heaven ! Blanch, Now shall I see thy love : what motive may Be stronger with thee than the name of wife? Const. That which upholdeth him that thee upholds, His honor: oh, thine honor, Lewis, thine honor ! Lew, I muse your majesty doth seem so cold, When such profound respects do pull you on. Pand. I will denounce a curse upon his head. A'. Phi, Thou shalt not need. England, I'll fall from thee. 3 2 ° Const. O fair return of banish'd majesty ! Eli. O foul revolt of French inconstancy ! K. John. France, thou shalt rue this hour within this hour. Bast. Old Time the clock-setter, that bald sexton Time, 74 KING JOHN. [act hi. Is it as he will ? well then, France shall rue. Blanch. The sun 's o'ercast with blood : fair day, adieu ! Which is the side that I must go withal ? I am with both : each army hath a hand ; And, in their rage, I having hold of both, 330 They whirl asunder and dismember me. Husband, I cannot pray that thou mayst win ; Uncle, I needs must pray that thou mayst lose ; Father, I may not wish the fortune thine; Grandam, 1 will not wish thy wishes thrive : Whoever wins, on that side shall I lose; Assured loss before the match be play'd. Lew. Lady, with me, with me thy fortune lies. Blanch. There where my fortune lives, there my life dies. K. John. Cousin, go draw our puissance to- gether. [Exit Bast. 340 France, I am burn'd up with inflaming wrath; A rage whose heat hath this condition, That nothing can allay, nothing but blood, The blood, and dearest-valued blood, of France. K. Phi. Thy rage shall burn thee up, and thou shalt turn To ashes, ere our blood shall quench that fire : Look to thyself, thou art in jeopardy. K. John. No more than he that threats. To arms let 's hie ! [Exeunt. sc. ii, ill.] KING JOHN. 75 Scene II. The same. Plains near Angz'ers. Alarums, excursions. Enter the BASTARD, with Austria's head. Bast. Now, by my life, this day grows wondrous hot ; Some airy devil hovers in the sky And pours down mischief. Austria's head lie there, While Philip breathes. Enter King John, Arthur, and Hubert. K. John. Hubert, keep this boy. Philip, make up : My mother is assailed in our tent, And ta'en, I fear. Bast. My lord, I rescued her ; Her highness is in safety, fear you not : But on, my liege; for very little pains Will bring this labor to an happy end. [Exeunt. Scene III. The same. Alarums, excursions, retreat. Enter King John, Elinor, Arthur, the Bastard, Hubert, and Lords. K. John. [ To Elinor] So shall it be ; your grace shall stay behind So strongly guarded. [To Arthur] Cousin, look not sad : Thy grandam loves thee ; and thy uncle will As dear be to thee as thy father was. 76 KING JOHN. [act hi. Arth. Oh, this will make my mother die with grief ! A'. 'John. [To the Bastard\ Cousin, away for England ! haste before : And, ere our coming, see thou shake the bags Of hoarding abbots ; set at liberty Imprison'd angels : the fat ribs of peace IoMust by the hungry now be fed upon : Use our commission in his utmost force. Bast. Bell, book, and candle shall not drive me back, When gold and silver becks me to come on. I leave your highness. Grandam, I will pray, — If ever I remember to be holy, — For your fair safety ; so, I kiss your hand. Eli. Farewell, gentle cousin. K. John. Coz, farewell. [Exit Bastard. Eli. Come hither, little kinsman ; hark, a word. K. John. Come hither, Hubert. O my gentle Hubert, 20 We owe thee much ! within this wall of flesh There' is a soul counts thee her creditor And with advantage means to pay thy love: And, my good friend, thy voluntary oath Lives in this bosom^ dearly cherished. Give me thy hand. I had a thing to say, But I will lit it with some better time. By heaven, Hubert, I 'm almost ashamed To say what good respect I have of thee. Huh. - I am much bounden to your majesty. 30 K. John. Good friend, thou hast no cause to say so yet, sc. in.] KING JOHN. 77 But thou shalt have ; and, creep time ne'er so slow, Yet it shall come for me to do thee good. I had a thing to say, — but let it go : The sun is in the heaven, and the proud day, Attended with the pleasures of the world, Is all too wanton and too full. of gawds To give me audience : if the midnight bell Did, with his iron tongue and brazen mouth, Sound on into the drowsy race of night ; If this same were a- churchyard where we stand, 4° And thou possessed with a thousand wrongs ; Or if that surly spirit, melancholy, Had bak'd thy blood and made it heavy, thick, Which else runs tickling up and down the veins, Making that idiot, laughter, keep men's eyes And strain their cheeks to idle merriment, A passion hateful to my purposes ; Or if that thou couldst see me without eyes, Hear me without thine ears, and make reply Without a tongue, using conceit alone, 50 Without eyes, ears, and harmful sound of words ; — Then, in despite of brooded watchful day, I would into thy bosom pour my thoughts. But, ah, I will not ! yet I love thee well ; And, by my troth, I think thou lov'st me well. Hub. So well that what you bid me under- take, Though that my death were adjunct to my act, By heaven, I 'd d' it. K. John. Do not I know thou wouldst? Good Hubert, Hubert, Hubert, throw thine eye 78 KING JOHN. fACT in. 60 On yon young boy : I '11 tell thee what, my friend, He is a very serpent in my way ; And, wheresoe'er this foot of mine doth tread, He lies before me : dost thou understand me? Thou art his keeper. Hub. And I '11 keep him so That he shall not offend your majesty. K. John. Death. Hub. My lord ? K. John. A grave. Hub. He shall not live. K. John. Enough. I could be merry now. Hubert, I love thee ; Well, I '11 not say what I intend for thee : Remember. — Madam, fare you well : 70 I '11 send those powers o'er to your majesty. Eli. -My blessing go with thee ! K. John. For England, cousin, go : Hubert shall be your man, attend on you With all true duty. On toward Calais, ho ! • [Exeunt. Scene IV. The same. The French King's tent. Enter King Philip, Lewis, Pandulph, and Attendants. K. Phi. So, by a roaring tempest on the flood, A whole armado of convicted sail Is scatter'd and disjoin'd from fellowship. Panel. Courage and comfort ! all shall yet go Well. sc. iv.] KING JOHN. 79 K. Phi. What can go well when we have run so ill? Are we not beaten ? Is not Angiers lost ? Arthur ta'en prisoner ? divers dear friends slain ? And bloody England into England gone, O'erbearing interruption, spite of France ? Lew. What he hath won, that hath he for- 10 tified : So hot a speed with such advice dispos'd, Such temperate order in so fierce a cause Doth want example : who hath read or heard Of any kindred action like to this ? K. Phi. Well could I bear that England had this praise, So we could find some pattern of our shame. Enter Constance. Look, who comes here ! a grave unto a soul ; Holding the eternal spirit, against her will, In the vile prison of afflicted breath. I prithee, lady, go away with me. 20 Coiist. Lo, now ! now see the issue of your peace, K. Phi. Patience, good lady ! comfort, gentle Constance ! Const. No, I defy all counsel, all redress, But that which ends all counsel, true redress, Death, death. O amiable, lovely death ! Thou odoriferous stench ! sound rottenness ! Arise forth from the couch of lasting night, Thou hate and terror to prosperity, And I will kiss thy detestable bones And put my eyeballs in thy vaulty brows 30 8o KING JOHN. [act hi. And ring these fingers with thy household worms And stop this gap of breath with fulsome dust And be a carrion monster like thyself : Come, grin on me, and I will think thou smilest, And buss thee as thy wife. Misery's love, Oh, cometo me ! A'. Phi. O fair affliction, peace ! Const. No, no, I will not, having breath to cry : Oh, that my tongue were in the thunder's mouth ! Then with a passion would I shake the world, 40 And rouse from sleep that fell anatomy Which cannot hear a lady's feeble voice, Which scorns a modern invocation. Pand. Lady, you utter madness, and not sorrow. Const. . Thou art not holy to belie me so. I am not mad : this hair I tear is mine; My name is Constance ; I was Geffrey's wife; Young Arthur is my son, and he is lost : I am not mad : I. would to heaven I were ! For then 'tis like I should forget myself: 50 Oh, i'f I could, what grief should I forget ! Preach some philosophy to make me mad, And thou shalt be canoniz'd, cardinal ; For being not mad but sensible of grief, My reasonable part produces reason How I may be deliver'd of tftese woes, And teaches me to kill or hang myself: If I were mad, I should forget my son, Or madly think a babe of clouts were he : I am not mad ; too well, too well I feel 60 The different plague of each calamity. BC. IV.] KING JOHN. 81 K. Phi Bind up those tresses. Oh, what love I note In the fair multitude of those her hairs ! Where but by chance a silver drop hath fallen, Even to that drop ten thousand wiry friends Do glue themselves in sociable grief, Like true, inseparable, faithful loves, Sticking together in calamiiy. Const. To England, if you will. A'. Phi. Bind up your hairs. Const. Yes, that 1 will ; and wherefore will I do it? I tore them from their bonds and cried aloud, 70 "Oh, that these hands could so redeem my son As they have given these hairs their liberty !" But now I envy at their liberty," And will again commit them to their bonds, Because my poor child is a prisoner. And, father cardinal, I have heard you say That we shall see and know our friends in heaven : If that be true, I shall see my boy again ; For since the birth of Cain, the first male child, To him that did but yesterday suspire, 80 There was not such a gracious creature born. But now will canker sorrow eat my bud And chase the native beauty from his cheek, And he will look as hollow as a ghost, As dim and meager as an ague's fit, And so he '11 die ; and, rising so again, When I shall meet him in the court of heaven I shall not know him : therefore never, never Must I behold my pretty Arthur more. 82 KING JOHN. [act hi. 90 Pand. You hold too heinous a respect of grief. Const. He talks to me that never had a son. K. Phi. You are as fond of grief as of your child. Const. Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, . Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well : had you such a loss as I, 100 1 could give better comfort than you do. I will not keep this form upon my head, When there is such disorder in my wit. O Lord !' my boy, my Arthur, my fair son ! My life, my joy, my food, my all the world ! My widow comfort, and my sorrows' cure ! [Exit. K. Phi. I fear some outrage, and I '11 follow her. [Exit. Lew. There's nothing in this world can make me joy:" Life is as tedious as a twice-told tale Vexing the dull ear of a drowsy man ; no And bitter shame hath spoiTd the sweet world's taste, That it yields naught but shame and bitterness. Pand. Before the curing of a strong disease, Even in the instant of repair and health, The lit is strongest ; evils that take leave On their departure most of all show evil : sc. iv.] KING JOHN. 83 What have you lost by losing of this day ?. Lew. All days of glory, joy, and happiness. Pand. If you had won it, certainly you had. No, no ; when Fortune means to men most good, She looks upon them with a threatening eye. 120 'T is strange to think how much King John hath lost In this which he accounts so clearly won : Are not you griev*d that Arthur is his prisoner? Lew. As heartily as he is glad he hath him. Pand. Your mind is all as youthful as your blood. Now hear me speak with a prophetic spirit ; For e'en the breath of what I mean to speak Shall blow each dust, each straw, each little rub, Out of the path which shall directly lead Thy foot to England's throne ; and therefore 130 mark. John hath seized Arthur ; and it cannot be That, whiles warm life plays in that infant's veins, The misplac'd John should entertain an hour, One minute, nay, one quiet breath of rest. A scepter snatch'd with an unruly hand Must be as boisterously maintained as gain'd ; And he that stands upon a slippery place Makes nice of no vile hold to stay him up : That John may stand, then Arthur needs must fall; So be it, for it cannot be but so. 140 Lew. But what shall I gain by young Ar- thur's fall ? Pand. You, in the right of Lady Blanch your wife, 84 KING JOHN. [act hi. May then make all the claim that Arthur did. Lew. And lose it, life and all, as Arthur did. Pa7id. How green you are and fresh in this old world ! John lays you plots; the times conspire with you ; For he that steeps his safety in true blood Shall find but bloody safety and untrue. This act so evilly born shall cool the hearts 150 Of all his people and freeze up' their zeal, That none so small advantage shall step forth To check his reign, but they will cherish it; No natural exhalation in the sky, No scope of nature, no disteinper'd day, No common wind, no customed event, But they will pluck away his natural cause And call them meteors, prodigies, and signs, Abortive's, presages, and tongues of heaven, Plainly denouncing vengeance upon John. 160 Lew. May be he will not touch voting Arthur's life, But hold himself"safe in his prisonment. Land. Oh, sir, when he shall hear of your approach, If that young Arthur be not gone already, Even at that news he dies ; and then the hearts Of all his people shall revolt from .him And kiss the lips of unacquainted change And pick strong matter of revolt and wrath Out of the bloody fingers' ends of John. Methinks I see this hurly all on foot : 170 And, oh, what better matter breeds for you Than I '.have named! The bastard Faulcon- bridge SC. I.] KING JOHN. 85 Is now in England, ransacking the church, Offending charity : if but a dozen French Were there in arms, they would be as a call To train ten thousand English to their side, Gr, as a little snow, tumbled about, Anon becomes a mountain. O noble Dauphin, Go with me to the king: 'tis wonderful What may be wrought out of their discontent, Now that their souls are topful of offense. 180 For England go: I will whet on the kfng. Lew. Strong reasons make strong actions : let us go : If you say ay, the king will not say no. {Exeunt, ACT IV. SCENE I. A room in a eastle. Enter Hubert and Executioners. Hub. Heat me these irons hot ; and look thou stand Within the arras: when I strike my foot Upon the bosom of the ground, rush forth. And bind the boy which you shall find with me Fast to the chair : be heedful : hence and watch. First Ex. I hope your warrant will bear out the deed. Hub. Uncleanly scruples! fear not you : look to 't. [Exeunt Executioners. Young lad, come forth ; I have to say with you. Enter Arthur. Arth. Good morrow, Hubert. 86 KING JOHN. [act iv. Hub. Good morrow, little prince. 10 Arth. As little prince, having so great a title To be more prince, as may be. Yon are sad. Hub. Indeed, I have been merrier. Arth. Mercy on me! Meihinks no body should be sad but I : Yet I remember, when I was in France, Young gentlemen would be as sad as night Only for wantonness. By my Christendom, So I were out of prison and kept sheep, . I should be as merry as the day is long ; And so I would be here, but that I doubt 20 My uncle practices more harm to me : He is afraid of me and I of him : Is it my fault that I was Geffrey's son ? No, indeed, is 't not ; and I would to heaven I were your son, so vou would love me, Hubert. Hub. [Aside] If I talk to him, with his inno- cent prate He will awake my mercy which lies dead : Therefore I will .be sudden and dispatch. Arth. Are you sick, Hubert ? you look pale - to-day : In sooth, I would you were a little sick 30 That I might sit all night and watch with you : I warrant I love you more than you do me. Hub. [Aside] His words do take possession of my bosom. * Read here, young Arthur. [Showing a paper. [Aside] How now, foolish rheum ! Turning dispiteous torture out of door ! I must be brief, lest resolution drop Out at mine eyes in tender, womanish tears. sc. I.] KING JOHN. 87 Can you not read it ? is it not fair writ ? Arth. Too fairly, Hubert, for so foul effect : Must you with hot irons burn out both mine eyes ? Hub. Young boy, I must. Arth. And will you ? Hub. And I will. \o Arth. Have you the heart ? When your head did but ache, I knit my handkercher about your brows, — The best I had, a princess wrought it me, — And I did never ask it you again ; And with my hand at midnight held your head, And, like the watchful minutes to the hour, Still and anon cheer'd up the heavy time, Saying, "What lack you?" and "Where lies your grief?" Or, " What good love may I perform for you ?" Many a poor man's son would have lain still 5° And ne'er have spoke a loving word to you ; But you at your sick service had a prince. Nay, you may think my love was crafty love And call it cunning: do, an if you will : If heaven be pleased that you must use me ill, Why then you must. Will you put out mine eyes ? These eyes that never did nor never shall So much as frown on you. Hub. I have sworn to do it ; And with hot irons must I burn them out. Arth. Ah, none but in this iron age would 60 do it ! The iron of itself, though heat red-hot, 8S KING JOHN. [act iv. Approaching near these eyes, would drink my tears And quench his fiery indignation Even in the matter of mine innocence; Nay, after that, consume away in rust, But for containing fire to harm mine eye. Are you more stubborn-hard than hammer'd iron? An if an angel should have come to me And told me Hubert should put out mine eyes, 70 I would not have believed him, — no tongue but Hubert's. Hub. Come forth. [Stamps. Re-enter Executioners, with a cord, irons, etc. Do as I bid you do. Arth. Oh, save me, Hubert, save me! my eyes are out Even with the fierce looks of these bloody men. Hub. Give me the iron, I say, and bind him here. Arth. Alas, what need you be so boisterous- rough ? I will hot struggle, I will stand stone-still. For heaven sake, Hubert, let me not be bound ! Nay, hear me, Hubert, drive these men away, So And I will sit as quiet as a lamb ; I will not stir nor wince nor speak a word Nor look upon the iron angenv : Thrust but these men away, and I '11 forgive you, Whatever torment you do put me to. Hub. ■ Go, stand within ; let me alone with him. .First Ex. I am best pleas'd to be from such a deed. {Exeunt Executioners. sc. i.] KING JOHN. 89 Arth. Alas, I then have chid away my friend ! He hath a stern look but a gentle heart : Let him come back that his compassion may Give life to yours. Hub. Come, boy, prepare yourself. 90 Arth. Is there no remedy ? Hub. None, but to lose your eyes. Arth. O heaven, that there were but a mote in yours, A grain, a dust, a gnat, a wandering hair, Any annoyance in that precious sense! Then, feeling what small things are boisterous there, Your vile intent must needs seem horrible. Hub. Is this your promise? go to, hold your tongue. Arth. Hubert, the utterance of a* brace of tongues Must needs want pleading for a pair of eyes : Let me not hold my tongue, let me not, Hubert ; 100 Or. Hubert, if you will, cut out my torgue, So I may keep mine eyes: oh, spare mine eyes, Though to no use but still to look on you ! Lo, by my troth, the instrument is cold And would not harm me. Hub. I can heat it, boy. Arth. No, in good sooth ; the fire is dead with grief, Being create for comfort, to be us'd In undeserv'd extremes: see else yourself; There is no malice in this burning coal ; The breath of heaven hath blown his spirit out 110 And strew'd repentant ashes on his head. 90 KING JOHN. [act iv. Hub. But with my breath I can revive it, boy. Arth. An if you do, you will but make it blush And glow with shame of your proceedings, Hubert: Nay, it perchance will sparkle in your eyes; And, like a dog that is compell'd to fight, Snatch at his master that doth tarre him on. All things that you should use to do me wrong Deny their office : only you do lack I2oThat mercy which fierce fire and iron extends, Creatures of note for mercy-lacking uses. Hub. Well, see to live ; I will not touch thine eye For all the treasure that thine uncle owes : Yet am I sworn and I did purpose, boy. With this same very iron to burn them out. Arth. . Oh, now you look like Hubert ! all this while You were disguised. Hub. Peace; no more. Adieu. Your uncle must. not know but you are dead ; I '11 fill these dogged spies with false reports : 13° And,- pretty child, sleep doubtless and secure That Hubert, for the wealth of all the world, Will not offend thee. Arth. O heaven ! I thank you, Hubert. Hub. Silence; no more: go ctosely in with me : * Much danger do I undergo for thee. [Exeunt. SC. ii.] KING JOHN. 91 Scene II. King John's palace. Enter King John, Pembroke, Salisbury, and other Lords. K. Jo/in. Here once again we sit, once again crown'd, And look'd upon, I hope, with cheerful eyes. Pem. This "once again," but that your high- ness pleased, Was once superfluous : you were crown'd before, And that high royalty was ne'er pluck'd off; The faiths of men ne'er stained with revolt ; Fresh expectation troubled not the land With any long'd-for change or better state. Sal. Therefore, to be possess'd with double pomp, To guard a title that was rich before, 10 To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish Is wasteful and ridiculous excess. Pem. But that your royal pleasure must be done, This act is as an ancient tale new told, And in the last repeating troublesome, Being urged at a time unseasonable. 20 Sal. In this the antique and well noted face Of plain old form is much disfigured; And, like a shifted wind unto a sail, It makes the course of thoughts to fetch about, Startles and frights consideration, 92 ' KING JOHN. [act iv. Makes sound opinion sick and truth suspected, For putting on so new a fashion'd robe. Pern. When workmen strive to do better than well, They do confound their skill in covetousness ; 30 And oftentimes excusing of a fault Doth make the fault the worse by the excuse, As patches set upon a little breach Discredit more in hiding of the fault Than did the fault before it was so patch 'd. Sal. To this effect, before you were new crown'd, We breath'd our counsel : but it pleas'd your highness To overbear 't, and we are all well pleas'd, Since all and every part of what we would Doth make a stand at what your highness will. 40 K. John. Some reasons of this double coro- nation I have possess'd you with and think them strong; And more, more strong, when lesser is. my fear, I shall indue you with: meantime but ask What you would have reform'd that is not well, And well shall you perceive how willingly I will both hear and grant you your requests. Pern. Then I,— ^as one that am the tongue of these To sound the purposes of all tbteir hearts, Both for myself and them, but, chief of all, 50 Your safety, for the which myself and them Bend their best studies, — heartily request Th' enfranchisement of Arthur; whose restraint Doth move the murmuring lips of discontent sc. ii.] KING JOHN. 93 To break into this dangerous argument,— If what in rest you have in right you hold, Why then your fears, which, as they say, attend The steps of wrong, should move you to mew up Your tender kinsman and to choke his days With barbarous ignorance and deny his youth The rich advantage of good exercise. 60 That the time's enemies may not have this To grace occasions, let it be our suit That you have bid us ask his liberty; Which for our goods we do no further ask Than whereupon our weal, on you depending, Counts it your weal he have his liberty. Enter Hubert. K. John. Let it be so : I do commit his youth To your direction. Hubert, what news with you ? [ Taking him apart. Pern. This is the man should do the bloody deed ; He show'd his warrant to a friend of mine : 70 The image of a wicked, heinous fault Lives in his. eye; that close aspect of his Does show the mood of a much troubled breast ; And I do fearfully believe 't is done, What we so fear'd he had a charge to do. Sal. The color of the king doth come and go Between his purpose and his conscience, Like heralds 'twixt two dreadful battles set : His passion is so ripe it needs must break. Pern. And, when it breaks, I fear will issue 80 thence The foul corruption of a sweet child's death. 94 KING JOHN. [act IV. K. John. We cannot hold mortality's strong hand : Good lords, although my will to give is living, The suit which you demand is gone and dead : He tells us Arthur is deceas'd to night. Sal. Indeed we fear'd his sickness was past cure. Pem. Indeed we heard how near his death he was Before the child himself felt he was sick :. This must be answer'd either here or hence. 9° K. John. Why do you bend such solemn brows on me ? Think you I bear the shears of destiny ? Have I commandment on the pulse of life? Sal. It is apparent foul-play ; and 't is shame That greatness should so grossly offer it : So thrive it in your game ! and so, farewell. Pem. Stay yet, Lord Salisbury; I '11 go with thee And find the inheritance of this poor child, His little kingdom of a forced grave. That -blood which owed the breadth of all this isle, ioo Three foot of it doth hold : bad world the while ! This must not be thus borne : this will break out To all our sorrows, and ere long I doubt. [Exeunt Lords. K. John. They burn in indignation. I repent : There is no sure foundation set on blood, No certain life achiev'd by others' death. sc. II. J KING JOHN. 95 E?iter a Messenger. A fearful eye thou hast: where is that blood That I have seen inhabit in those cheeks ? So foul a sky clears not without a storm : Pour down thy weather : how goes all in France ? Mess. From France to England. Never such no a power For any foreign preparation Was levied in the body of a land. The copy of your speed is learn'd by them ; For when you should be told they do prepare, The tidings comes that they are all aniv'd. K. John. Oh, where hath our intelligence been drunk ? Where hath it slept ? Where is my mother's care, That such an army could be drawn in France, And she not hear of it ? Mess. My liege, her ear Is stopp'd with dust ; the first of April died 120 Your noble mother : and, as I hear, my lord, The Lady Constance in a frenzy died Three days before : but this from rumor's tongue I idly heard ; if true or false I know not. K. John. Withhold thy speed, dreadful occa- sion ! Oh, make a league with me. till I have pleas'd My discontented peers ! What ! mother dead ! How wildly then walks my estate in France ! Under whose conduct came those powers of France That thou for truth giv'st out are landed here? *3° Mess. Under the Dauphin. 96 KING JOHN. [act. iv. K. Jo/in. Thou hast made me giddy With these ill tidings. Enter the Bastard and Peter of Pomfret. Now, what says the world To your proceedings ? do not seek to stuff My head with more ill news, for it is full. Bast. But if you be afeard to hear the worst, Then let the worst unheard fall on your head. K. John. Bear with me, cousin ; for- I was amaz'd Under the tide : but now I breathe again Aloft the flood, and can give audience 140 To any tongue, speak it of what it will. Bast. How I have sped among the clergymen, The sums I have collected shall express. But, as I travel'd hither through the land, I find the people strangely fantasied ; Possess'd with rumors, full of idle dreams, Not knowing what they fear, but full of fear: And here's a prophet, that I brought with me From forth the streets of Pomfret, whom I found With many hundreds treading on his heels : 1 5° To whom he" sung, in rude harsh-sounding rhymes, That, ere the next Ascension-day at noon, Your highness should deliver up^your crown. K. John. Thou idle dreamer, wherefore didst thou so ? Peter. Foreknowing that the truth will fall out so. K. John. Hubert, away with him ; imprison him : sc. ii.] KING JOHN. 97 And on that day at noon, whereon he says I shall yield .up my crown, let him be hang'd. Deliver him to safety ; and return, For I must use thee. [Exit Hubert with Peter. • O my gentle cousin, Hear'st thou the news abroad, who are arriv'd ? 16c Bast. The French, my lord ; men's mouths are full of it : Besides, I met Lord Bigot and Lord Salisbury, With eyes as red as new-enkindled fire, And others more, going to seek the grave Of Arthur, whom they say is kilPd to-night On your suggestion. K. John. . Gentle kinsman, go, And thrust thyself into their companies : I have a way to win their loves again ; Bring them before me. Bast. I will seek them out. K. John. Nay, but make haste; the better 170 foot before. Oh, let me have no subject enemies, When adverse foreigners affright my towns With dreadful pomp of stout invasion ! Be Mercury, set feathers to thy heels, And fly like thought from them to me again. Bast. The spirit of the time shall teach me speed. [Exit. K. Jo/in. Spoke like a sprightful, noble gen- tleman. Go after him ; for he perhaps shall need Some messenger betwixt me and the peers ; And be thou he. Mess. With all my heart, my liege. [Exit. 180 98 KING JOHN. ]ac . iv. K. John. My mother dead ! Re-ejiter Hubert. , Hub. My lord, they say five moons were seen to-night; Four fixed, and the fifth did whirl about The other four in wondrous motion. K. John. Five moons ! Hub. Old men and beldams in the streets Do prophesy upon it dangerously : Young Arthur's death is common in their mouths : And, when they talk of him, they shake their heads And whisper one another in the ear; 190 And he that speaks doth gripe the hearer's wrist, Whilst he that hears makes fearful action, With wrinkled brows, with nods, with rolling eyes. I saw a smith stand with his hammer, thus, The whilst his iron did on the anvil cool, With open moutji swallowing a tailor's news ; Who, with his shears and measure in his hand, Standing on slippers, which his nimble haste Had falsely thrust upon contrary feet, Told of a many thousand warlike French 200 That were embattailed and rank'd in Kent : Another lean, unwash'd artificer • Cuts off his tale and talks of Arthur's death. K. John. Why seek'st thou to possess me with these fears ? Why urgest thou so oft young Arthur's death ? Thy hand hath murder'd him : I had a mighty cause sc. ii.] KING JOHN. 99 To wish him dead, but thou hadst none to kill him. Hub. No'had, my lord! why, did you not provoke me ? K. John. It is the curse of kings to be at- tended By slaves that take their humors for a warrant To break within the bloody house of life, 210 And, on the winking of authority, To understand a law, to know the meaning Of dangerous majesty, when perchance it frowns More upon humor than advis'd respect. Hub . Here is your hand and seal for what I did. K. John. Oh, when the last account 'twixt heaven and earth Is to be made, then shall this hand and seal Witness against us to damnation ! How oft the sight of means to do ill deeds Make deeds ill done! Hadst not thou been by, 220 A fellow by the hand of nature mark'd, Quoted and sign'd to do a deed of shame, This murder had not come into my mind : But taking note of thy abhorr'd aspect, Finding thee fit for bloody villany, Apt, liable to be employ'd in danger, I faintly broke with thee of Arthur's death; And thou, to be endeared to a king, Made it no conscience to destroy a prince. Hub. My lord,— 230 K. John. Hadst thou but shook thy head or made a pause When I spake darkly what I purposed, ioo KING JOHN. ' [act. iv. Or'turn'd an eye of doubt upon my face, As bid me tell my tale in express words, Deep shame had struck me dumb, made me break off, And those thy fears might have wrought fears in me : But thou didst understand me by my signs And didst in signs again parley with sin ; Yea, without stop, didst let thy heart consent, 240 And consequently thy rude hand to act The deed, which both our tongues held vile to name. Out of my sight, and never see me more ! My nobles leave me ; and my state is brav'd, Even at my gates, with ranks of foreign powers : Nay, in the body of this fleshly land, This kingdom, this confine of blood and breath, Hostility 'and civil tumult reigns Between my conscience and my cousin's death. Hub. Arm you against your other enemies. 250 I '11 make a peace between your soul and you. Young Arthur is alive : this hand of mine Is yet.a maiden and an innocent hand, Not painted with the crimson spots of blood. Within this bosom never enter'd yet The dreadful motion of a murderous thought ; And you have slander'd nature in my form, Which, howsoever rude exteriorly, Is yet the cover of a fairer mind Than to be butcher of an innocent child. 260 A". John. Doth Arthur live? Oh, haste thee to the peers, Throw this report on their incensed rage, sc. in.] KING JOHN. 101 And make them tame to their obedience ! Forgive the comment that my passion made Upon thy feature ; for my rage was blind, And foul imaginary eyes of blood Presented thee more hideous than thou art. Oh, answer not, but to my closet bring The angry lords with all expedient haste. I conjure thee but slowly ; run more fast. [Exeunt. Scene III. Before the castle. Enter ARTHUR, on the walls. Arth. The wall is high, and yet will I leap down : Good ground, be pitiful and hurt me not ! There 's few or none do know me: if they did, This ship-boy's semblance hath disguis'd me quite. 1 am afraid ; and yet I '11 venture it. If I get down, and do not break my limbs, I '11 find a thousand shifts to get away : As good to die and go, as die and stay. [Leaps a 1 own. O me! my uncle's spirit is in these stones: Heaven take my soul, and England keep my io bones ! [Dies. Enter PEMBROKE, SALISBURY, and BlGOT. Sal. Lords, I will meet him at Saint Edmunds- bury : It is our safety, and we must embrace This gentle offer of the perilous time. 102 KING JOHN. [act. iv. Pern. Who brought that letter from the car- dinal ? Sal. The Count Melun, a noble lord of France; Whose private with me of the Dauphin's love Is much more general than these lines import Big. To-morrow morning let us meet him then. Sal. Or rather then set forward ; for 't will be 20 Two long days' journey, lords, "or ere we meet. Enter the Bastard. Bast. Once more to-day well met, distemper'd lords ! The king by me requests your presence straight. Sal. The king hath dispossess'd himself of us : We will not line his thin bestained cloak With our pure honors, nor attend the foot That leaves the print of blood where'er it walks. Return and tell him so : we know the worst. Bast. Whate'er you think, good words, I think, were best. Sal. Our griefs, and not our manners, reason now. 30 Bast. But there is. little reason in your grief ; Therefore 'twere reason you had manners now. Pern. Sir, sir, impatience hath his privilege. Bast. 'T is true, to hurt his master, no man else. Sal. This is the prison. What is he lies here? [Seeing Arthur. Pern; O death, made proud with pure and princely beauty ! sc. III.] KING JOHN. 103 The earth hath not a hole to hide this deed. Sal. Murder, as hating what himself hath done, Doth lay it open to urge on revenge. Big. Or, when he doom'd this beauty to a grave, Found it too precious-princely for a grave. 40 Sal. Sir Richard, what think you? have you beheld ? Or have you read or heard ? or could you think ? Or do you almost think, although you see, That you do see ? could thought, without this object, Form such another ? This is the very top, The height, the crest, or crest unto the crest, Of murder's arms : this is the bloodiest shame, The wildest savagery, the vilest stroke, That ever wall-eyed wrath or staring rage Presented to the tears of soft remorse. 5° Pern. All murders past do stand excus'd in this: And this, so sole and so unmatchable, Shall give a holiness, a purity, To the yet unbegotten sin of times ; And prove a deadly bloodshed but a jest, Exampled by this heinous spectacle. Bast. It is a damned and a bloody work; The graceless action of a heavy hand, If that it be the work of any hand. Sal. If that it be the work of any hand ! 60 We had a kind of light what would ensue : It is the shameful work of Hubert's hand ; The practice and the purpose of the king: 104 KING JOHN. [act. iv. From whose obedience I forbid my soul, Kneeling before this ruin of sweet life, And breathing to his breathless excellence The incense of a vow, a holy vow, ' Never to taste the pleasures of the world, Never to be infected with delight, 7° Nor conversant with ease and idleness, Till I have set a glory to this hand, By giving it the worship of revenge. em. Q ur sou ] s religiously confirm thy .words. Enter Hubert. Hub. Lords, I am hot with haste in seeking you : Arthur doth live; the king hath sent for you. Sal. Oh, he is bold and blushes not at death. Avaunt.'thou hateful villain, get thee gone ! Hub. I am no villain. Sal. Must I rob the law? [Drawing his sword. Bast. Your sword is bright, sir; put it up , again. So Sal. Not till I sheathe it in a murderer's skin. Hub. Stand back, Lord Salisbury, stand back, I say ; By heaven, I think my sword , 68 a', a colloquial abbreviation of he. See 11. 1. 136, Much Ado, 5. 3. 201: ''If he do fear God, a' must necessarily keep 6a round, used with numerals as a plural. 7 % whether is spelled in the folios, as it was pronounced, "where." , 78. Fair fall, good luck befall. £' Ata C l k f:f P aced lia g r ro e at tUre Groat S and I half- groats with the profile or half-face of the king were first struck m 1503, ^ the 18th year of Henry VII (Hawkins, The Stiver Coins of E 7ot took"it 2 on his death, not, maintained it on his death- bed, but maintained it by an oath, the asseveration being as true as his death was certain ; or, as I rather incline to believe, staking his life as security for his truth 119, 120. hadst thou rather be ... or to enjoy, in sucn I29 130 NOTES. [act i. clauses it is not uncommon to insert to before the second in- finitive, though it is omitted before the first. . 121. Lord of thy presence, with only your fine person for your fortune; an if, a reduplicated form of if, commonly printed and if in the folios. 123. Sir Robert's his, that "is, his shape, which is also his father Sir Robert's. 127. three- farthings. In 1561 Queen Elizabeth coined three-farthing pieces of silver, which were of course extremely thin, and had the queen's profile or half-face, with a rose behind her ear, to distinguish them from the silver pence. They were discontinued in 1582. 128. to his shape, in addition to his shape. 131. sir Nob is said to be a contemptuous diminutive of Sir Robert. 140. give our betters way, allow our superiors to pass before us. 151. The proverbial sayings which follow are characteristic of the Bastard's rusticity of breeding. 152. In at the window, or else o'er the hatch are both ex- pressions applied to those who have come into the world in an irregular manner. 163. any Joan a lady. Joan was a common name among peasants. 164. Good den, good even, or good evening. 167. 'T is too respective. The construction is the same as if in the previous line instead of forget we had not remember, and the antecedent to It then would be to remember men's names. 168. for your conversion, for one who has undergone such a change of ranu as you have. 169. He and his toothpick. In Sir Thomas Overbury's Characters, quoted by Malone, there is a description of An Affectate Traveler : " He censures all things by countenances, and shrugs, and speakes his own language with shame and lisping : he will choake, rather than confesse beere good drinke ; and his pick-tooth is a maine part of his behaviour." 169. at my worship's mess. A mess was properly a party of four, as at the Inns of Court still, and Nares (Glossary) says that at great dinners the guests were always arranged in fours ; so that the Bastard means, in the particular set allotted to per- sons of his quality. 172. picked, spruce, trim, affected ; man of countries, one who in his travels had seen many countries. 175. an Absey book or ABC book, which appears to have combined the Alphabet and the Catechism. 182. The Pyrenean, now called the Pyrenees. sc. I.] NOTES. 131 185. mounting, aspiring, ambitious. 187. doth not smack, hath not some taste. 189. device, fashion and ornaments of dress. 191. motion,, impulse or tendency. ' 204. Colbrand the giant, overthrown by Guy of Warwick before King Athelstan at Winchester. 210. Philip ! sparrow. From his chirping note the sparrow early got the name of Philip. Skelton wrote The boke of Phyllyp Sparowe. 211. toys, trifles, idle rumors or follies. 218. Knight, knight, good mother, Basilisco-like. There is an allusion here to an old play called Soliman and Perseda, printed in 1599, but written at least as early as 1592. Basilisco is a cowardly braggart, and Piston the buffoon, jumping upon his back, makes him take oath upon his dudgeon dagger. 232. dispose, disposal. 235. The aweless lion. The story of Richard's encounter with a lion, and of his plucking out the lion's heart, is told in the old metrical romance of which he is the hero,'and is re- peated in Rastell's Chronicle, where there is a picture of the scene. ACT II. Scene I. 1. Angiers, Angers, the capital of Anjou. 2. that great forerunner of thy blood. By some strange carelessness, Shakespeare here makes Arthur in the direct line of descent from Richard. 5. By this brave duke, etc. This is not in accordance with history, for Richard was slain by an arrow at the siege of Chaluz, which belonged to Vidomar, viscount of Limoges, and the Duke of Austria died some years before. Shakespeare, however, is not following the chronicles but the old play. 7. importance, importunity, urgency. 23. that white-faced shore ol which the " chalky cliffs " were supposed to have given the island the name of Albion. 37. bent, aimed, directed. The terms of archery were ap- plied to other weapons than the bow. 38. the brows. As the gates are the eyes of the city the bat- tlements are the eyebrows. 40. To cull the plots of best advantages, to select the posi- tions which are most favorable for the attack. 49. indirectly, unrighteously, wrongfully. 53. coldly, calmly, without passion or feverish impatience. 132 NOTES. [act ii. 60. expedient, quick, expeditious. 63. Ate, the goddess of revenge and mischief. Compare Julius Caesar, iii. 1. 271 : " And Caesar's spirit, ranging for revenge, With Ate by his side come hot from hen. 1 ' 64. her niece or granddaughter, Blanch being the daughter of John's sister Eleanor and Alphonso the Eighth, King of Castile. 65. a bastard of the king's deceased, one of the deceased king's bastards. The line is borrowed almost literally from the old play, as Malone has pointed out. 66. unsettled humors, used by metonymy for persons of unsettled disposition. 67. voluntaries, volunteers. 68. spleens, hasty tempers, passions, of which the spleen was believed to be the seat. 85. lineal, due to us in virtue of our descent. 87. "Whiles, while ; the old genitive of A.S. hwil, time, used adverbially. 95. under-wrought, undermined ; his for its — a form as yet rarely used. 97. outfaced infant state, browbeaten, put down by in- timidation or bravado, the state that belongs to an infant. 101. abstract, summary, epitome. 103. draw, draw out, expand ; this brief, this short writing. The legal metaphor suggested by abstract is still kept up. 109. owe, own, are rightful owners of. in. articles, the particulars of a document. 123. check, control, chide, rebuke. 125. As thine was to thy husband. Elinor had been divorced from her first husband, Louis the Seventh of France, for infidelity. 139. smoke. Delius thinks there is a reference to the use of smoke for the purpose of destroying moths. But in the North country dialect to smoke is synonymous with to thrash ; your skin-coat. Austria is supposed to be wearing the lion's skin which he had taken from Richard. 144. great Alcides' shows, the skin of the Nemean lion worn by Hercules. 147. cracker, boaster, braggart. In jhe North-country dialect to crack is to boast. 149. straight, straightway, at once. 156. Bretagne, spelled Britaine in the first folio. 160, 161. it, the old form of its, used ironically by Constance in imitating the language of the nursery. Compare Lear, i. 4. 236. , But it also occurs seriously in many passages of sc. i.] NOTES. 133 Shakespeare. See Hamlet, i. 2. 216 : " It lifted up it head." And Winter's Tale, iii. 2. 101 : " The innocent milk in it most innocent mouth. " 165. coil, turmoil, disturbance. 167. she refers to His mother. 183. Bedlam, lunatic — a contraction for Bethlehem, name of an old monastery converted into an asylum for the insane. 187. And with her plague ; her sin his injury, etc. Mr. Roby interprets the whole passage thus : " God hath made her sin and herself to be a plague to this distant child, who is punished for her and with the punishment belonging to her." 191. unadvised, rash, inconsiderate. 196. to cry aim, to give encouragement or approval ; a term of archery. 205. parle, parley, conference. 210. cannons and cannon are both used for the plural by Shakespeare. An anachronism here, as cannon were first used at Cr^cy, 1346. 215. winking, closed. To wink is properly to shut the eyes. 217. doth is attracted to the singular by the nearer waist. 220. dishabited, dislodged. 233. Forwearied, exhausted. Spelled forewearied in the folios; just as it is usual to write forego instead of forgo, while no one would use forebid or foreget for forbid and forget. 253. unvex'd, undisturbed, unmolested. Vex had formerly a much stronger sense than at present. See Psalm lxxxviii. 6, Prayer Book Version : " Thou hast vexed me with all thy storms ;" retire, retreat. 259. roundure, circuit, enclosure. 281. compound, settle, agree. 288. swing'd, beat, whipped. 290. some fence, some skill in weapons. 318. staff, the shaft of a lance. 328. censured, judged, estimated. 354. mousing, tearing, as a cat does a mouse, or a lion its prey. 357. Cry " havoc ! " The signal that no quarter was to be given. • 358. potents, potentates. 359. confusion, destruction, overthrow. 371. King'd of our fears. The citizens were not masters of their fear but were overpowered by it, and resolved to ac- knowledge no other sovereign till it was allayed by the appear- ance of the rightful king. 134 NOTES. [act ii. 373. scroyles, scabs, scrofulous wretches ; a term of con- tempt, from the French les escrouelles, the king's evil. 376. industrious, busy, laborious. 378. mutines, mutineers. 383. soul-fearing, soul-terrifying. For fear in this active sense, see The Merchant of Venice, ii. 1. 9 : " I tell thee, lady, this aspect of mine Hath fear'd the valiant." 395. states, used of persons holding high positions. 396. the policy, which is so much thought of. 401. peevish, foolish, childish, wayward. 448. spleen, quick impulse, impetuosity. 463. bastinado, a beating; from the Italian Bastonata, a bastinado, or cudgel blow. 466. Zounds = 'Swounds, that is, God's wounds, a common oath. 478. remorse is used here, as it frequently is by Shake- speare, in the sense of compassion or tender feeling, without the idea of compunction. 481. treaty, offer, proposal of agreement. 503. table, the tablet on which a picture is painted. 513. it, redundant, that anything in the previous line being the object to translate. 527. Volquessen, the ancient country of the Velocasses, whose capital was Rouen ; divided in modern times into Vexin Normand and Vexin Francais. 535. assur'd, affianced, betrothed. 544. passionate, full of lamentation, sorrowful. 552. Earl of Richmond. Arthur's grandfather, Conan le Petit, Duke of Brittany, and father of Constance, was the first who styled himself Earl of Richmond, although the lordship of the Honor of Richmond had been originally granted to his ancestor, Alan Fergaunt, Count of Brittany, by the Conqueror. 555. solemnity, marriage ceremony. 561. composition, compact, agreement. 563. departed, parted. " Till death us do part," in the mar- riage service, once read, '.' till death us depart.' 1 '' 566. rounded, whispered. The proper form of the word is rouned from Anglo-Saxon runian. 567. With, by. , 568. broker, an agent or go-between. Whatever be the etymology of this word, and it is very uncertain, it has nothing to do with break. 571. Who. The antecedent is maids, not commodity, and the meaning of the sentence is clear although the construction is irregular. 573. tickling, flattering. SC. I.] NOTES. 135 574. The figures of speech in the next few lines are derived from the game of bowls, bias, the weight of lead introduced into one side of a bowl in order to make it turn towards the side on which the weight is. A perfectly uniform spherical bowl on a perfectly level and smooth ground would run in a perfectly straight line. The word bias is derived from the French biais, and this again is said by Brachet to be from the Lat. bifacem, which is applied to a person whose vision is crooked. 575. who is used of inanimate objects regarded as persons. 579. indifferency, impartiality. 583. the outward eye. According to Staunton, the eye of a bowl was the aperture on one side which contains the bias or weight. 590. his fair angels. The Angel was a gold coin worth ten shillings, and was so called from having on one side a figure of Michael and the dragon. 591. for, because; 597. upon commodity, for motives of advantage. ACT III. Scene I. If the play were historical, Salisbury would be William Longsword, Earl of Salisbury, son of Henry II. and Fair Rosamond, whose tomb is in Salisbury Cathedral. 5. well advised, considerate, deliberate. 19. by shaking of thy head. For ... - ^ • 275. indirect, unjust. See 11. 1. 49. -277. as fire cools fire. Compare Coriolanus, iv. 7. 54: " One fire drives out one fire; one nail, one nail.' 1 281. By what thou swear'st against the thing thou swear 'st, by the oath thou hast taken thou hast sworn against religion, which is the thing thou swearest by. 282-284. Pandulph^ argument is that no oath is binding which is opposed to the higher obligations of religion. The 138 NO TES. [act hi. vow to God must be kept before and above all others. Other pledges of faith are of less certain obligation; but if by keep- ing them he breaks his vow to God he commits perjury in the highest degree, and to avoid this must break that pledge which is less binding than his religious obligation. Staunton and Hudson have rewritten the passage, and thereby have given it a meaning which is sufficiently clear, but may not be what Shakespeare intended. 289. Is. See ii. 1. 169, 250. The verb is singular on account of rebellion which follows. 292. suggestions, temptations, promptings. 295. The peril of our curses light. Were light is plural on account of the nearer substantive curses. See Hamlet, i. 2. 38, and, Julius Caesar, v. 1. 33: " The posture of your blows are yet unknown." 304. measures usually denote stately dances, but the word is here used for the music which accompanied them. 317. I muse, I marvel. 318. respects, considerations, motives. 339. Cousin is used of anyone not in the first degree of rela- tionship. See iii. 3. 17, where it means grandson; puissance, power, military force. It is used both as a trisyllable and a dissyllable. 346. jeopardy, danger, hazard. The origin of the word seems to be the French jeu partly a game in which the risk is evenly divided. Scene II. 4, 5. Philip. Shakespeare appears to have forgotten that he was now Sir Richard. 4. breathes, takes breath. 5. make up, move onward. Scene III. 9. imprisoned angels. See ii. 1. 590. 11. his, its. See ii. "i. 95. 12. Bell, book, and candle. Nares (Glossary - * says, "In the solemn form of excommunication used' in the Romish Church, the bell was tolled, the book of officer for the purpose used, and three candles extinguished, with certain cere- monies." 13. becks, beckons. Gold and silver expressing but one idea, the verb is singular. See Abbott, § 336. 26. time* Pope's correction. The folios have tune. 39. Sound on into the drowsy race of night. There is evidently some corruption in this line. The difficulty seems sc. iv.] NOTES. 139 to He in the word race. But it is not improbable that race is a misprint for ear, as Sidney Walker suggested, and this would be in keeping with tongue and mouth just before. So. conceit, the mental faculty or understanding. 52. brooded is an instance of an adjective formed from a substantive by means of the participial suffix -ed. It is derived from the substantive brood and is therefore almost equivalent to brooding, or sitting on brood. . 55. troth, faith. 57. adjunct to, consequent upon. 61. a very serpent in my way. See Genesis xhx. 17 : Dan shall be a serpent by the way." 65. offend, harm. 70. powers, forces, troops. Scene IV. 2 armado, a fleet of men-of-war ; from the Spanish armada, which is distinguished iromjlota, a fleet of merchant vessels; convicted, beaten, discomfited. The reference is probably to the great Spanish Armada, which after being harassed and beaten bv the English fleet was dispe.sed by a violent storm. 6 Angiers was not taken by John till 1206. It was at the capture of Mirebeau, in 1202, that Elinor was rescued and Arthur made prisoner. 11. with such advice or deliberation. 19. prison of afflicted breath, in which the afflicted breath is imprisoned. 23. defy, renounce. 02. fulsome, nauseous, disgusting. . ; . « buss is used of coarse and wanton kissing, and is in keeping with the rest of Constance's exaggerated and hysten- ^^ffStfon, afflicted lady ; the abstract being used for the C °4o Cr feli, fierce, cruel ; anatomy, skeleton. It is here used of death. See v. 2. 177. 42. modern, commonplace. c.c deliver'd of, delivered from. s8 a babe of clouts, a doll made of clouts or rags 68! To England. Constance here replies to Philip s invita- tion in line 20. 73. envy at, envy. 80. suspire, breathe, draw breath. . 81. was not, hath not been. See in. 1. 268; gracious, full of grace, attractive, lovely. . 85. dim, lacking color and brightness of complexion. Mo NOTES. [act iv.. 90. respect. See iii. 1. 318. Pandulph means, you regard your grief in too hateful an aspect. 96. Remembers me, reminds me. 101. this form, this orderly arrangement of hair. 107. joy, rejoice, be glad. in. That, so that. 116. day, like the French joumJe, is used for the day of battle. 128. rub is a technical term denoting any impediment to the course of a bowl. 138. Makes nice of, is scrupulous about. 146. lays you plots, lays plots for you or in your favor, and not, as he thinks, for his own gain. The emphasis is on you. 147. true blood, the blood of the rightful heir. 153. exhalation, meteor. 154. no scope of nature, no circumstance within the limits of nature's operations, no natural effect. Pope reads scape in the sense of freak. 158. Abortives, things produced contrary to the common course of nature, like monstrous births. 163. gone, a euphemism for dead. 169. this hurly, this tumult, uproar. The word is more common in the reduplicated form hurly-burly, as in Macbeth, i. 1. 3- 174. a call, the cry of the decoy by which birds are lured to the net, or the whistle by which the falcon is recalled to the falconer's hand. Mr. Rushton (Notes and Queries, Fourth Series, xi. 72) quotes from Lyly's Euphues (ed. Arber, p. 392), " Birds are trayned with a sweet call, but caugnt with a broade nette." 180. topful, brimful. So in Macbeth, i. 5. 43: " Unsex me here, And fill me from the crown to the toe top-full Of direst cruelty ! " 181. whet on, incite, instigate. ACT IV. Scene I. A room in a castle. Capell places the scene at Northampton, as at the opening of the play. Mr. Grant White places it at Canterbury ; Mr. Halliwell (Phillipps) at Dover. Beyond the fact that the scene changes to England, no indication of the locality is given. 2. the arras, the arras hangings, so called from a special kind of figured tapestry manufactured at Arras. sc. i.] NOTES. 141 4. which is applied to persons, as in the Lord's Prayer. 16. Only for wantonness, out of mere levity or sportive- ness ; By my Christendom, my baptism or Christianity. 19. doubt, fear, suspect. See iv. 2. 102, v. 6. 44, and Ham- let, i. 2. 256 : ".I doubt some foul play. 1 ' 20. practices, plots, contrives. 27. sudden, quick, speedy. 34. dispiteous, pitiless. Compare Chaucer's description of the Parson (C. T. prol. 518) : " He was to sinful men not dispitous. 1 ' 37. fair writ, well and clearly written. 38. effect, meaning, purpose. 42. handkercher. The spelling-, no doubt, represented the pronunciation. 43. wrought it me, worked it for me. 47. the watchful minutes to the hour, that is, the minutes which watch, or are watchful to, the hour. For this position of the adjective, compare All 's Well, iii. 4. 30: " To this unworthy husband of his wife." 48. Still and anon, ever and anon. 52. at your sick service, at your service in sickness. 57. nor never. For the double negative see v. 7. 11a. 61. heat, heated. Compare waft for wafted, ii. 1. 73. 70. I would not have believed him, — no tongue but Hu- bert's, that is, I would have believed no tongue but Hubert's. 82. angerly, angrily. 85. within, that is, within the arras. 86. from, away from. See Macbeth, iii. 1. 132 : " For 't must be done to-night, And something from the palace. 1 ' 92. mote. The reference is to Matthew vii. 3, 4, 5, and Luke vi. 41, 42. 93. a dust, a particle of dust. 95. boisterous, roughly violent or disturbing. 99. want pleading, be insufficient to plead. 106, 107. with grief ... to be used, with grief that it should be used. 108. In undeserv'd extremes, in acts of cruelty in which it has no right to be employed. 117. tarre him on, set him on to fight. 121. of note, noted, well known. 123. owes, owns, possesses. 128. but you are dead, that you are not dead. 130. doubtless and secure, free from fear and care. 142 NOTES. [act iv. Scene II. 8. long'd-for qualifies both change and better state. 10. guard, ornament. Guards or gards were the facings or trimmings of dress. 24. to fetch about, to veer round or take a circuitous route. 27. so new a fashion'd robe, a robe of so new a fashion. 29. They do confound their skill in covetousness, they destroy what they have done skillfully by their eager desire to improve it. 41. possess'd you with, informed you of. 50. myself and them. In Shakespeare's day the different forms of pronouns were not rigidly used as with us. 52. enfranchisement, deliverance from imprisonment. 55. in rest, in quiet possession. 56-60. Why then . . . exercise. The argument or inquiry takes the form of an indirect question. The people ask, says Pembroke, why your fears should move you to mew up your tender kinsmen, etc. 57. to mew up, to confine as in a mew or coop, to coop up, imprison. A mew was a cage for hawks. 60. good exercise. " In the middle ages," says Percy, " the whole education of princes and noble youths consisted in martial exercises, etc. 11 Compare As You Like It, i. 1. 76, where Orlando appeals to his elder brother, " You have trained me like a peasant, obscuring and hiding from me all gentleman-like qualities. The spirit of my father grows strong in me, and I will no longer endure it: therefore allow me such exercises as may become a gentleman. 11 61. the time's enemies, those who are opposed to the present condition of things. 62. To grace occasions, to give them a fair opportunitv for attack. 69. the man should. For the omission of the relative, com- pare The Merchant of Venice, i. t. 175 : " I have a mind presages me such thrift." See Abbott, § 244. 78. battles, armies in battle array; set refers to battles and not to heralds. 79. His passion is compared to a tumor. 92. commandment on, command over. ' 94. grossly, unskillfully, clumsily; offer it, attempt it. 109. thy weather, thy tempest. 116. our intelligence, our spies. Abstract for concrete, as in iii. 4. 36. 118. drawn, drawn together, assembled. 120. the first of April. This appears to be Shakespeare's sc. II.] NOTES. 143 own chronology. Queen Elinor died in 1204 (Ralph de Cogges- hall), in the month of July (Grafton), at the abbey of Beaulieu (Matthew Paris, Hist. Min.), which John had founded, and was buried at Westminster (Stow). The last- mentioned fact is doubtful. 122. The Lady Constance died at Nantes three years and not three days before Elinor, August 31, 1201. 124. idly, carelessly, without taking interest in it or troub- ling to make further inquiry. 125. occasion, the course of events which were following each other in rapid succession. 129. conduct, command, leading. 137. amaz'd, bewildered, confused ; used of the effects of any strong emotion. 148. Pomfret, the common spelling and pronunciation of Pontefract. The prophet of Pomfret appears in the old play. 158. safety, safe custody. 162. Lord Bigot is called in the old play Richard, earle of Bigot, and in Holinshed Richard earle de Bigot. Whether this is an error for Roger Bigod, Earl of Norfolk, it is difficult to say. 165. whom. See note, 1. 50. 177. sprightful, high-spirited. 185. beldams, applied contemptuously to old women, hags. The word originally meant grandmother. 186. prophesy in this passage appears to be used not so much in the sertse of foretelling the future events predicted by this phenomenon as in that of commenting upon and expound- ing the phenomenon itself, making it the text of a dangerous discourse. Jeremy Taylor's Liberty of Prophesying was not the liberty of predicting future events but of expounding scripture. 191. fearful action, gestures of fear. 198. upon contrary feet. Johnson's note on this passage is a curious illustration of the change of fashion. " He that is frighted or hurried may put his hand into the wrong glove, but either shoe will equally admit either foot. The author seems to be disturbed by the disorder which he describes. 11 There is abundant evidence, however, that, whatever might be the custom in the 18th century, in the 16th shoes were not made straight but shaped to the right and left foot respec- tively. 200. embattailed, set in order of battle. 207. No had ! had you not ? 210. To break within the bloody house of life, the house of life which thereby becomes bloody. This use of the adjec- tive grammarians call proleptic. 144 NOTES. [act iv. 214. More upon humor than advis'd respect, more out of caprice than deliberate consideration. 222. Quoted, noted ; from the notes or marks in the side {cote) or margin of a book. 227. broke with, communicated with. 234. As bid, that is, such an eye as bid, etc. 245. this fleshly land, this land of flesh, to which he com- pares his body. 258, 259. a fairer mind Than to be, etc., that is, a mind too fair to be, etc. 264. feature, external shape and personal appearance. 267. closet, private apartment. So in Julius Caesar, ii. 1. 35 : " The taper burneth in your closet, sir." And Matthew vi. 6 : " But thou, when thou prayest, enter into thy closet." Scene III. The death of Arthur is taken from the old play. 4. semblance, external appearance; and hence a disguise. 11. him, the Dauphin. 15. The Count Melun, called Vicount Meloun in the old play, as in Holinshed, iii. 193. 16. private, private communication. 20. or ere, before. With this reduplicated form compare an i/(\. 1. 138J and/ivisible is Death, and not the outward parts. Death, having destroyed the outworks of the body where the effect of his ravages could be seen, directs his attack upon the mind within where his operations are invisible to the eye. 17. the which. See i. 1. 68, and Abbott, § 270. 21. this pale, faint swan. Shakespeare refers more than once to this fiction of the dying swan. 26. that indigest or confused chaos. 37. maw, stomach ; A.S. maga. It is generally used of animals. 42. cold comfort. In Richard II. Gaunt"s death-scene is full of this trifling with words; strait, illiberal, niggardly. 48. unreprievable, condemned, condemned without hope of a reprieve. 51. to set mine eye, to close mine eye. 53. the shrouds or ropes, which form the standing rigging of a ship. 55. to stay it by, like the stays which strengthen the mast. 58. module, mold or form ; confounded, ruined, destroyed. 60. answer him, oppose him, meet his attack. 62. upon advantage, seizing a favorable opportunity. 65. dead news, news of death. 73. still, constantly. 74. stars, etc., meaning Salisbury and the other revolted nobles. 82. Cardinal Pandulph. It was Cardinal Gualo, or Guala Bicchieri, who really interfered between John and his French invaders. 97. princes. This word may have crept in, by a printer's error, irom prince in the line before. But in line 115 princes is used of the revolted nobles. 99. At Worcester, where his body was found in a stone coffin, July 17, 1797. THE END. EXAMINATION PAPERS. A (Historical). i, What is John's period as King of England ? 2. Which one, in number, of the Plantagenets was he ? 3. Outline his character. 4. How came he into antagonism to the Pope ? ' 5. By what three measures did the Pope bring him to obedience ? 6. Who was Stephen Langton, and what did he do for England ? 7. What great measure distinguishes John's reign ? 8. State the most important provisions of it. B (On the Play as a Whole). 1. To what group of Shakespeare's plays does King John belong ? 2. Tell what you have learned about the date, the first acting, and the first printing of the play. 3. Upon what was this play largely modeled, and how closely does Shakespeare follow the model ? 4. What are some of Shakespeare's departures in this play from real history ? 5. What, in particular, are some of the anachronisms of the play ? 6. Outline the play. ISO EXAMINATION PAPERS. 151 C (Characters). 1. Who are Elinor and Constance before and after mar- riage, and what are their salient traits ? 2. Depict Prince Arthur. 3. For what is Faulconbridge distinguished, and what is his agency in the play ? 4. What do you think of Hubert ? 5. Were the nobles justified in their desertion of John ? 6. What good qualities can you find in King John, in King Philip, and in Lewis ? 7. How is Blanch of Spain drawn by Shakespeare ? D (Quotations). 1. State by whom and on what occasions these lines were uttered : (a) Who dares not stir by day must walk by night. (b) A foot of honor better than I was, But many a many foot of land the worse. (c) He that perforce robs lions of their hearts May easily win a woman's. (d) He is the half part of a blessed man, Left to be finished by such as she. (e) Drawn in the flattering table of her eye. {/) Commodity the bias of the world. (g) For grief is proud and makes his owner stoop. (//) And hang a calf's-skin on those recreant limbs. (2) It is religion that doth make vows kept. ij) I hope your warrant will bear out the deed. (k) Hubert, the utterance of a brace of tongues Must needs want pleading for a pair of eyes. 152 EXAMINATION PAPERS. (/) How oft the sight of means to do ill deeds Make deeds ill done ! (m) Unthread the rude eye of rebellion. (n) This England never did, nor never shall, Lie at the proud foot of a conqueror. (o) And oftentimes excusing of a fault Doth make the fault the worse by the excuse. 2. Give other striking quotations from this play. E (Verbal). j. Give the meaning of these words and phrases : — A y ; Joan ; good den ; an Absey book; Basilisco-like ; dear offense; spleens; whiles; scroyles ; zounds ; rounded; angel; doff; arras; tarre ; an if ; scamble ; clippeth ; ba?i&d their towns ; the welkin ; tnoe. 2. How are these words used in the play, and what change of meaning have they undergone since ? Worship ; indirectly ; straight ; it (as possessive) ; his (for its) ; Bedlam ; owe ; fondly ; censure ; cousin ; re- morse ; conceit; convicted; defy; modern; exhalation ; boisterous ; enfranchisement ; weather ; prophesy ; closet ; rankness; shrewd ; still. A Text-Book on English Literature, With copious extracts from the leading authors, English and American. With full Instructions as to the Method in which these are to be studied. Adapted for use in. Colleges, High Schools, Academies, etc. By Bkainerd Kellogg, A.M., Professor of the English Language and Literature in the Brooklyn Collegiate and Polytechnic Institute, Author of a ** Text-Book on Rhetoric," and one of the Authors of Reed & Kellogg's " Graded Lessons in English," and "Higher Lessons in English." Handsomely printed. 12mo. 478 pp. I'fie Book is divided into the following Periods : Period I.— Before the Norman Conquest, 67MH66. Period II.— From the Conquest to Chaucer's death, 1066-1400. 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