4 N. x 0o x. 3e c! ^ ^ X ^, ^ *c ^ ^ ■> ■V V & f '/ V ^ .\* .o \ 1 *b o X o >i V - V o % £' '3 -$■ V ^. * o \ v v , '*"- ' ' ' ' ■& • / - V 6- c ^Digitized by the Internet Archive ^i'n 2010 with funding f^m W '%rje Library of C^grtss < ' ' IV c ° * ->> ^ ■\*" ^ http:^^ -^ ^ ^, ^ ^ ,x\ V ,V * , •*» ^ THE COUNTRY COUSIN BY BOOTH TARKINGTON and JULIAN STREET SAMUEL FRENCH, 28-30 West 38th St., New York BILLETED. A comedy in 3 acts, by F. Tennison Jesse and H. Harwood. 4 males, 5 females. One easy interior scene. A charming comedy, constructed with uncommon skill, and abounds with clever lines. Margaret Anglin's big success. Amateurs will find this comedy easy to produce and popular with all audiences. Price, 60 Cents. NOTHING BUT THE TRUTH. / A comedy in 3 acts. By James Montgomery. 5 males, 6 females. Cos- tumes, modern. Two interior scenes. Plays 2% hours. / Is it possible to tell the absolute truth — even for twenty-four hours? It is— "yleast Bob Bennett, the hero of "Nothing But the Truth," accomplished the teat. The bet he made with his business partners, and the trouble he got into— with his partners, his friends, and his fiancee — this is the subject of William Collier's tremendous comedy hit. "Nothing But the Truth" can be whole-heartedly recommended as' one of the most sprightly, amusing and popular comedies that this country can boast. Price, 60 Cents. IN WALKED JIMMY. A comedy in 4 acts, by Minnie Z. Jaffa. 10 males, 2 females (although any number of males and females may be used as clerks, etc.) Two interior scenes. Costumes, modern. Plays 2 l / 2 hours. The thing into which Jimmy walked was a broken-down shoe factory, when the clerks had all been fired, and when the proprietor was in serious contemplation of suicide. Jimmy, nothing else but plain Jimmy, would have been a mysterious figure had it not been for his matter-of-fact manner, his smile and his everlastinp humanness. He put the shoe business on its feet, won the heart of the gir? clerk, saved her erring brother from jail, escaped that place as a permanent boarding house himself, and foiled the villain. Clean, wholesome comedy with just a touch of human nature, just a dash o> excitement and more than a little bit of true philosophy make "In Walked Jimmy" one of the most delightful of plays. Jimmy is full of the religion of life, th religion of happiness and the religion of helpfulness', and he so permeates th atmosphere with his "religion" that everyone is happy. The spirit of optimism good cheer, and hearty laughter dominates the play. There is not a dull moment in any of the four acts. We strongly recommend it. Price, 60 Cents. MARTHA BY-THE-DAY. An optimistic comedy in three acts, by Julie M. Lippmann, author oi the "Martha" stories. 5 males, 5 females. Three interior scenes. Cos-j tumes modern. Plays 2 l A hours. ( It is altogether a gentle thing, this play. It is full of quaint humor, old j fashioned, homely sentiment, the kind that people who see the play will recal and chuckle over tomorrow and the next day. Miss Lippmann has herself adapted her very successful book for stage service; and in doing this has selected from her novel the most telling incidents, infectious comedy and homely sentiment for the play, and the result is thoroughly delightful! Price, 60 Cents. (The Above Are Subject to Royalty When Produced) ilh.im.ih ii »i n»— — — »— ill m^— — iw— — ■ — ■imi^nr iim«ri-i — l _^____________^ SAMUEL FRENCH, 28-30 West 38th Street, New York City Netf and Explicit Descriptive Catalogue Mailed Free on Request The Country Cousin A COMEDY IN FOUR ACTS By BOOTH TARKINGTON AND JULIAN STREET All Rights Reserved CAUTION. — Professionals and amateurs are hereby warned that "THE COUNTRY COUSIN," being fully protected .under the copyright laws of the United_ States of America, Great Britain and the Dominion of Canada, is subject to a royalty, and any one presenting the play without the consent of the authors or their authorized agents will be liable to the penalties by law provided. Applications for the amateur acting rights must be made to Samuel French, 28-30 West 38th Street, New York. Appli- cations for the professional acting rights must be made to George C. Tyler, New Amsterdam Theatre Building, West 42nd Street, New York. New York: SAMUEL FRENCH Publisher 28-30 West 38th Street London : SAMUEL FRENCH, Ltd. 26 Southampton Street Strand >S>&* <\p "^V \ Q> Copyright, January 20, 1916 (under the title "The Ohio Lady"), by N. Booth Tarkington. Copyright, March 14, 1916 (under the title "The Ohio Lady"), by N. Booth Tarkington and Julian Street. Revised, 1917, by N. Booth Tarkington and Julian Street. Copyright, 1921, by N. Booth Tarkington and Julian Street. Also copyright in Great Britain and The Dominion of Canada, 1921, by N. Booth Tarkington and Julian Street. All Rights Reserved. Especial notice should be taken that the possession of this book without a valid contract for production first having been obtained from the publisher, con- fers no right or license to professionals or amateurs to produce the play publicly or in private for gain or charity. In its present form this play is dedicated to the reading public only, and no performance of it may be given except by special arrangement with Samuel French, 28-30 West 38th Street, New York. Section 28 — That any person who wilfully or for profit shall infringe any copyright secured by this act, or who shall knowingly and wilfully aid or abet such infringement shall be deemed guilty of a mis- demeanor, and upon conviction thereof shall be punished by imprisonment for not exceeding one year, or by a fine of not less than one hundred nor more than one thousand dollars, or both, in the dis- cretion of the court. Act of March 4, 1909. NOV -7 I CI.D 5SQB9 k The following in a copy of the play-bill of the first per- formance of "THE COUNTRY COUSIN." GAIETY THEATRE, NEW YORK, Sept. 8, 1917 Messrs. KLAW & ERLANGER AND GEORGE C. TYLER PRESENT ALEXANDRA CARLISLE 1 IN Booth Tarkington and Julian Street's NEW AMERICAN COMEDY IN FOUR ACTS ENTITLED "THE COUNTRY COUSIN" Staged by Robert Milton THE PLAYERS (In the order of their appearance.) Mrs. Howitt Miss Julia Stuart Eleanor Howitt Miss Marion Coakley Sam Wilson Mr. Donald Gallaher Nancy Price Miss Alexandra Carlisle George Tewksberry Reynolds, 3rd Mr. Eugene O'Brien Stanley Howitt .Mr. Arthur Forrest Athalie Wain wright ..Miss Louise Prussing Mrs. Jane Kinney Miss Eleanor Gordon Cyril Kinney Mr. Donald Foster Mrs. Maud Howitt Miss Clara Blandick Archie Gore .Mr. Charles Mackay Pruitt , Mr. George Wright, Jr. Blake Mr. Albert Tavernier The Time is 1916. THE SCENES ACT I. — The sitting-room at Mrs. Howitt's, Cen- terville, Ohio. A June morning. ACT II.— A "Villa" by the Sea. An August after- noon. ACT III. — Inside the "Villa." The same evening. ACT IV. — The same as Act III. The next morn- ing. THE COUNTRY COUSIN ACT I Scene: Sitting-room at Mrs. Howitt's, Center- vilk, Ohio. A June morning. A pleasant, homelike, incongruous interior of the Eighties and Nineties. Two windows, rectangular ob- longs, plain (with no small panes) in back. Cream-colored shades and lace curtains. Door l.u. in l. wall, leading to a porch. Upper pari of door opaque frosted glass, designed 'with floral emblems. When the door is opened, bal- ustrade of porch seen and shrubberies close be- yond. ' Close foliage seen through windozvs. Door to interior R.c. Book shelves between windows and cornering upper r. wall and back; also down of door R.c. Wall paper figured in small, neutral design, quiet but not drab. Furniture Eastlake; rather nondescript, but comfortable and somewhat inane. No "Co- lonial" ; no wicker; no "Mission." Piano up R.c. dull blue "throw" over back zvith fringe. Wooden framed family photographs on piano. Black plaster or terra-cotta bust of Dante on book-shelves between windows. Other orna- ments on book-shelves; a couple of green bronze Pompeian lamps; small souvenir Ro- man columns; marble ; china candlesticks ; sea shells and a few small, baddish water-colors ; family photographs framed in wood and plush. Marble-topped center table with books and a china vase, empty. Large engraving of Gen- 5 6 THE COUNTRY COUSIN eml Grant on wall over shelves between win- dows. Beneath it (on wall) a Civil War offi- cer s sword. Other engravings: "President Rutherford B. Hayes and his cabinet," "Battle of Gettysburg" "A Reading from Homer" Medium slow curtain on rise after piano has played introduction of "Absent." Discovered : Mrs. Howitt is seated at the piano, playing. She is a gentle but rather careworn forty-five; wears half -mourning . She is play- ing the air of the song "Absent." Eleanor r.c. She is a pretty young thing, altogether girlish and provincial. Her blue and white "Peter Thompson" suit is becoming enough but without "smartness" or style. Elea- nor seated on sofa r.c. with feet up. Bored zvith Mrs. Howitt's playing. Looks pleadingly at her as if begging her to stop. Mrs. Howitt continues playing — Eleanor stands it as long as possible- — gets up — goes to c. Gives a little jump — loo'' at Mrs. Howitt — then goes to bookcase c. — selects book — comes down l.c. — goes around couch l. and is about to sit when Sam's voice is heard off l. She puts fingers in her ears — squeals and jumps up and down in anger. The voice of Sam Wilson is heard calling, off. Sam. (Off) Oh, Eleanor! Oh, Eleanor! Come on out! ^Eleanor, hearing Sam call, puts fingers in ears — Jumps up and down in anger.) Mrs. Howitt. (Still playing) Isn't that Sam Wilson calling 1 you, Eleanor? Eleanor. (Drily) Let him call ! (Throws her- self on couch — puts feet upon it) Mamma, I do THE COUNTRY COUSIN 7 wish you wouldn't play "Absent." You've been playing it so much lately. What's the matter with something 1 cheerf uller ? Mrs. H. (Her voice sad) , It isn't very cheerful, is it? Sam. (Off) Oh, Eleanor! Aren't you coming 1 out? Oh, El — eanor! Eleanor. (Very much annoyed) Isn't he tedious ? BELL (A bell upon door l.u. rings; it is not an elec- tric bell, but one upon the door itself, rung by turning a knob outside. Mrs. Howitt stops playing, turns toward the door and after an in- stant's thought, half rises to go and open it.) Eleanor. I'll go, Mamma. It's only Sammy. (She crosses to door l.uJ Mrs. H. (Nervously. She watches the door ap- prehensively) Oh, all right, dear. Eleanor. (At door, alluding to the person out- side indifferently) Old thing! (Opens the door) What you want, Sam ? Sam. (Entering)- 'Lo, Eleanor. Good morn- ing, Mrs. Howitt. (He is nineteen; very boyish and of an intense look and manner; and profoundly serious; an Ohio State College student. Coat and trousers not new, and a little skimpy — high-school fashion; no waistcoat; no hat. Hair long, (< pompadour" on top; skinned to above the ears — mongolian fashion; blue and red bow tie under soft col- lar; one flank of latter rising against his cheek.) Eleanor. (Indifferently) What you want? Mrs. H. (Turning over some music at the piano where she remains seated) Good morning, Sammy. 8 THE COUNTRY COUSIN Sam. (His )nanner is hurried and earnest) I Came over -(//<• crosses to Mrs. Howitt, lea-ring door open. Eleanor glares after him, tlien shuns door ) 1 came in here to see if T could borrow your copy of Shakespeare's Hamlet again. (Turning to tlte book she! res) It's for an oration. (Runs his hand through Jus hair, disarranging it.) Mrs. 11. Certainly, Sammy. ( Sam reaches the shelves.) Fmanor. (No pause) What you want to be making orations in vacation for? SAM, (Back to front as he looks in shelves. Stooging) I got the future to think of, haven't I? I Set ions a ck. ) Eleanor, (Not pleased. Coming down l. Sits txi I Oh, mv ! Sam. (Stra ly, book in hand; argument to her. He speaks rap* v) You take the fellows that loaf all their vacation, where'll fhev be time I'm in politics. Congress? t*m gohV to get somewhere in this short we got, I tell you! More mildly, c 'Mrs. Howrrr at c. I 1 get a lot ' Shakes he's 1 writer. Every now and then, when I'm workin on an oration I come gainst somep'n t — somep'n 1 cai n to work out right Well, sir, time and again, if 1 got a copy of Shakes e's got just what I want. 's got ■: work r*n I Sam i) He is ! (This is Mrs. II. Y< cress. Sa Sam, to THE COUNTRY COUSIN 9 stand up there once, Mrs. Howitt, and tell 'em how to run this country ! Just a few minutes, that's all I'd ask! Eleanor. (Goes up L. Marveling at his con- ceit. Kneels on couch l. — speaking over back of it) You think you could tell 'em, do you, Sam ? In a few minutes? Sam. (Vehemently. Going toward her — pulling chair with him as he goes to l.cJ Me? Why, you could tell 'em ! Look what this Government's policy was in Central America! Look what that policy's been ever since the European conflict, the most de- structive known to man in all the ages, the most dangerous to the peace of these United States of America ! What was that policy, just let me ask you ? (Oratorically to Eleanor,) I ask you ! State the policy of (Broken speech.) Eleanor. (Crisply. Goes down l.J Oh, talk about batter cakes ! Mrs. H.. You mustn't say that, Eleanor. It's a good thing for a young man to take an interest in public things. Eleanor. (Coldly) He isn't a young man — yet. Sam. (Coming down l.c.J I may not have any great political power to-day, but I'm a citizen and I expect to have and express an opinion upon each and all questions of the hour ^Eleanor. (Calmly) He always talks like this when he's working on one of his orations, -Mamma. His family pretty near die. Sam. (Grieved) Don't you take any interest in the affairs of your country, Eleanor? Eleanor. (With a little vanity) I finished an essay for the Girl's Economic Club yesterday : "Bi- ological Origins of Commercial Wars." My essay says: The present conflict which has now ravaged Europe for more than a year and seven months io THE COUNTRY COUSIN Sam. (Always earnest) I beg to differ ! (^Eleanor starts to argue — Mrs. Howitt breaks in.) Mrs. H. (Still at piano. Faintly amused) What with, Sam? Sam. (Crossing to couch R.c, sits) I think a woman's position is the Home, not lecturing on Biology. Eleanor. (Derisively, crossing to chair l.c. — sits) But you just said (Broken speech.) Sam. (Interrupting) I want you to take an in- terest in public affairs and all questions of science and metaphysics, but I hold you should see every- thing like that through your husband's eyes. (Rises. Goes to her) Your place is preparing the Home, making it helpful to your husband while he wins his position on the — on the political ladder. Your work is to study to make domestic matter's yield to the hard, worldly struggle of your husband! Eleanor. (Quietly) Haven't got any. Sam. (Quietly and decidedly) You will have! Mrs. H. (Mildly) Not for several years, I hope, Sammy. Sam. (Goes to piano r.c. Holding book in his left hand and slapping it argumentativcly but lightly with his right, to emphasize Jiis points) I don't agree with you, Mrs. Howitt. I hold that if a woman is to marry an ambitious man, a man who means to make his way in the world in spite of even- opposition — I hold that that man and woman should marry young — young — (Going back to Eleanor ) — at the time when that man most needs the comfort of that woman's sympathy and domestic assistance ! (Raises book in his right hand, ) Eleanor. (Calmly) Is that the "Hamlet" you were looking for? Sam. (A little disconcerted, glancing at book to ( THE COUNTRY COUSIN n see what it is) No. It's the West Virginia Cook- Book. (Goes up to bookcase c. — puts book back and takes another.) Eleanor. (Placidly explaining to her mother) He always likes to gesture with a book in his hand. Doesn't matter what it is. Sam. (Coming down to her. Beginning hotly and then tapering off) Eleanor — that's — (Goes down l.) — that's neither here nor there. Eleanor. (Placidly) Well, anyway, I don't think I'd ever be having a husband from this town. Sam. (Turns quickly — goes to her, speaks with energy) You know perfectly will that I intend to begin the practice of law in Columbus. I never dreamed of askin' you to settle down here. Eleanor. (Taken aback, derisive and incredu- lous) Asking me! Oh, my goodness ! Sam. (Somewhat astonished at what his im- petuosity has led him to say) Well (Pauses.) Eleanor. (Staring at him as a tittle girl stares at a boy who has done something awful) Sam Wil- son! You are the craziest (Gasps.) Sam. (Recovering himself, his manner is lofty, yet off-hand. Crosses down l.J Well, we'll let it go — for the present. Mrs. H. (Gravely. Rising, crosses to Eleanor, puts hand on her shoulder) I think I would, Sam ! Eleanor is (Broken speech.) Sam. (Becoming really dignified, gentle and sim- ple for the moment. Goes up to l. of EleanorJ She's young, I know, Mrs. Howitt. I didn't mean to carry it quite so far — not for the present. Eleanor. (Derisive) "For the present!" (Meaning "no use at any time." Rises — goes up R. to piano and strikes a discord. Sam tries to speak through this — can't — stops — Mrs. Howitt motions Eleanor to stop it. She does so — Sam continues) Sam. (Continuing, to Mrs. HowittJ Mrs. 12 THE COUNTRY COUSIN Howitt, I don't believe in any man's livin' on his wife's money. The more ambitious that man is for himself, why, the less he ought to do such a thing". ("Mrs. Howitt agrees with him — crosses r. to couch and sits. Sam follows — to back of table r.c.J I understand ole skinny Ben — (Snaps his fingers) — I beg your pardon, I mean Eleanor's Uncle Ben — I understand he left Eleanor a — substantial sum of money, and I realize that is a — a serious obstacle for an ambitious man to overcome, especially under — under the circumstances. But there are lawyers in this country to-day — (Becoming a little oratori- cal again) — whose income from practice is four times as large as the salary of the President of these United States, and what one man can do, Mrs. Howitt Eleanor. (Indicating the book) Is that the copy of "Hamlet"? Sam. (Looks at book. Indignantly) Yes, it is! (Goes few steps lJ Eleanor. (Rises. Coldly, not pettishly) Then you'd better study it instead of talking so much about me and the President of the United States ! Sam. (Hotly, crossing to her) I'm talking about myself! Eleanor. (Sharply) Yes! All the time! I never heard anybody that (Broken.) Mrs. H. (Gentle — but a little worried) You make me nervous, children. (Rises and goes to c. Turns) I'm going over to sister Sallie's. (Sam crosses to door l., opens it for her. Goes toward door, speaking as she goes) Cousin Nancy Price will be in from her farm presently. (Turns at door) Come for me as soon as Nancy gets here, Eleanor. (Exit u.l. Sam boxvs as she exits.) Eleanor. (As she goes around r. of piano) I will. Maybe I'll come before that ! (Sits on r. end of couch r.c. With a cold glance at SamJ THE COUNTRY COUSIN 13 Sam. (Closes door and comes down c. Approv- ingly, looktng after Mrs. HowittJ Your mother's a tactful woman ! She understood I wanted to be alone with you. Eleanor. (Scornfully amused) Poot! She didn't think anything about you at all! You're always thinking" people are thinking about you! Sam. (With mystic conviction) They are. (Going toward her a step) There are some people in this world, Eleanor, that people can't help think- ing about them; because they're different. (Going to her) You know yourself, I'm not like any of the other boys. Eleanor. They all claim you're not, Sam ! Sam. (Gravely, going to c. Looking after Mrs. HowittJ Yes, sir, your mother likes me. (Turns) I can feel things like that. (Coming toward her) She'd be glad — I can feel it — (Sits near Eleanor on couch) — she'd be glad if you and I were en- gaged ! Eleanor. (Decidedly) Well, she'll be gloomy, then! Sam. (As if inspired with prophecy) No, she won't ! Listen ! You think I'm conceited Eleanor. (Loudly protesting) Oh, no! Sam. Well, I'm not ! Look at that picture yon- der. (Pointing to Grant,) Who was he but a small-town boy from this State ? Look at that one ! (TIayes and his cabinet) Who was he but another small-town boy from out here? (Sits on footstool facing her, telling them off on his fingers) Who was James A. Garfield, William Tecumseh Sher- man, John Sherman, William McKinley, William H. Taft, Theodore Roosevelt (Broken.) Eleanor. (Crying out) Roosevelt isn't from Ohio! (Rises and crosses to l.c. — sits. ) Sam. (Unabashed, rapidly. Snaps h ; s fingers ) I know it. I got him mixed in from another oration i 4 THE COUNTRY COUSIN I'm writing-. (Rises and goes c.) But I mean those men didn't get where they got without a struggle and / expect to have a struggle, but I'm goin' to be Somebody in these United States of America, and you bet nothing- on earth is going to stop me! ( Pause) Don't you believe it? Eleanor. (Awed by Jus intense belief, in spite of herself) I almost do! Sam. (Quickly) When I get to be a United States Senator you won't think I'm conceited. Eleanor. (Promptly) I will, too! Sam. (Shrewdly) That proves you think I am going to be one. I knew you believed in me as much us 1 do myself ! Elk an or. (Rises. SJiarply) I do not! Sam (Vehement and oratorical) Why. of course you do! (Bell. The door-bell rings, but Sam w so vehement that neither of them notices the ring ) How could a man of any gumption be a citizen of this country without wanting to help run ft? | Pointing his remarks with Jiis finger) You know as well as I do I'm goin' to be one of the one9 that do. 1 You know (Broken.) Eleanor. (Sharply. She backs away indig- nantly ) I don't anything of the sort! Sam. Yes, you do! (Belt rings again unno- ticed. Bell ) And yon know whatever / get to be you'll be there with me (Broken.) Eleanor. (Shouting) I will not! Sam. Yes, you will! I'll take you up and up with me, and you'll be ever thoughtful of my inter- ests, ever faithful, ever ready, ever [Broken.) Eleanor. ( Crosses to mantel l. — tJ:e couch be- tween them. Shouting, all :■■: a breath) Ever sick at the stummick if you talk like this any more! Sam, (Vehemently) Nothing of the kind! (Lee roer back uch. He ■■ tes this, lANO* Protesting) "I will. too. be!" (Ad lib; THE COUNTRY COUSIN 15 both talking at the same time) How'd you like to be a Representative's wife — a Congressman's wife — a Senator's wife — wife of the Pres (And the door l.u. opens — Nancy standing upon the thresh- old for a moment ; then entering. She is the best- looking, intelligent girl in the United States; about twenty-six, gravely humorous, quiet, and fearlessly cordial, though not bubbling or enthusiastic. She wears a pretty summer gown; not noticeably "smart" in make, but of a thought for its becomingness and its summeriness! and her hat is broad, as against strong sun. Over each arm she carries the handle of a large basket. One basket is topped with a white napkin, the other overflows with daisies and sweet- peas. She stands unnoticed for a moment, looking on. Then she speaks quietly.) Nancy. Won't you have a strawberry? (Comes down l. between them. The altercation ceases, Eleanor runs to her, happily; kisses her) Eleanor. Cousin Nancy ! Strawberries ? (Reaches into basket— picks out a berry — eats it.) Nancy. (Placing basket on table) Here. (Takes a box of strazvberries from under the flowers) I brought them in from my farm to your mother. Honest, fat ones, aren't they ? (^Eleanor eats, rapturously) I shipped four hundred quarts last week. (Quietly, matter-of-fact. Her manner is thoughtful. Goes to table R.c. — puts baskets down.) Eleanor. (Eating) You raised 'em yourself, Nancy ? Nancy. Well, I sat on the porch and read the "Farmer's Annual" and George Meredith — and my farm-hands did most of the work; still I think I can claim the strawberries. (Touching the other basket. Eleanor follows her to c. Going front of couch and Sam J And these chickens and eggs and honey and Alderney butter, too. (Puts flowers and 16 THE COUNTRY COUSIN box of strawberries on table) Your mother wrote me to come in, I thought her note seemed wor- ried (Going to Eleanor. Connecting the two thoughts) What have you been doing, Eleanor? Eleanor. Nothing. (With a look at Sam J Just poking. What else does anybody do here? Some day I hope to see a place with a little more life in. it ! I'm going to, too ! Nancy. (Indicating baskets) Better have your cook put all these on ice. Eleanor. (Hastening off R. with the two bas- kets) Oh, the goodies ! Nancy. It's Sammy Wilson, isn't it? Sam. (Gloomy) Yes, ma'am. Nancy. (Arranging flowers on table R.c.j I thought so, out you all grow so fast, nowadays — and you've been away to school — or college — haven't you? Sam. Yes, ma'am. Nancy. (Crosses to him. with box) Won't you have a strawberry ? ( Eleanor has left the box upon the table.) Sam. Yes, ma'am, thank you. (He eats one. No pause.) Nancy. (Crosses back to table) I remember when you were a little boy, you used to do declama- tions so well. Sam. (Mouthful of berries. Becoming inter- ested and earnest) I do yet. I think oratory is a great power for good. I mean to employ it — in my — career. (Puts chair behind him — leans back on it. Career with a little added solemnity.) Nancy. (Hands him basket of berries — he takes a handful. Gravely) I shall certainly come to hear you. Eleanor. (Running in r. with bowl for flowers) THE COUNTRY COUSIN 17 Mamma said to call her soon's you got here. She's over at Aunt Sallie's. (Rushes to table, takes a handful of strawberries with her. Turning to go, almost runs into Sam — she steps around him and exits l.u.e. — Sam starts to follow her — gets to door — stops — thinks a moment — turns. She places two straw- berries in her mouth as, she goes. She sings cheerily, hurrying off l.u. She has left bozvl, and Nancy arranges flowers.) Sam. ("Nancy goes to couch r.c. and sits — ar- ranges flowers — picks 1 up newspaper from table r.c. — spreads it on stool. Abruptly) Miss Price, I know how all this family look up to you and de- pend on your advice, and (Broken.) Nancy. (Takes bowl from table, puts it beside her on couch. Amused and surprised) No ! Do they ? Sam. (Coming down c, leans back against chair) Never heard of any of 'em bein' sick — or worried about anything, they didn't some of 'em say, "Send for Cousin Nancy." This whole cummunity looks up to you. I guess it's because you're only a woman, but been makin' a farm pay. Nancy. (Takes pair of folding scissors from pocket — cuts string around flowers — also stems — and sorts them) I'm glad there's a reason. Sam. People thought you were so strong for es- says on Michelangelo and Emerson at the Woman's Club your farm'd just turn out to be a fad, but when you got a bigger corn profit last year than anybody in the country, they changed their minds. (Going to table R.c.j Then, the way you stick to drivin' those fast trotters to your light surrey in- stead of runnin' some flivver automobile has raised you higher than ever in this community. Nancy. (Gravely) Sam, are you just practic- i8 THE COUNTRY COUSIN ing being- a politician or do you want me to do some- thing for you? Sam. (Promptly) I certainly do. (Leaning over tabic.) Nancy. (Nodding. Puts flowers in bowl) All right. Sam. When ole skinny Ben — (Snaps fingers — backs away a step) — I beg pardon — I mean, when your Uncle Ben died last year he left Eleanor quite some money in her own right, didn't he? Nancy. Yes. Sam. Well, I believe that a man ought to earn as much as his wife's got, before he marries her. What I want you to do first — is to please tell me just how much Eleanor's uncle left her, because I expect to earn that much before we consider things settled. A man mustn't be a dependent on a woman, must he ? Nancy. No. Sam. Well, how much is Eleanor worth ? Nancy. (Gently) About four hundred thou- sand dollars. Sam. (Long pause — he looks at her. Szvallozv- ing. Quietly — leaning toward her) What? Nancy. I think it's a little over four hundred thousand. Sam. (Slowly goes down l. — puts one finger on his right ear. Bending it down— -lets it snap back j — does it again) Well, of course, that's goin' to take me some time. (Recovering himself — turns and goes toward her to c.) I don't expect to start right out and make that much in a few months. All I want is to know that when I do have it, there won't be any family opposition. Nancy. (Gently. Rises — goes down r. — around piano to upper end. Puts bozvl of flowers on lower end of piano) I'm sure there wouldn't — by then, Sam ! THE COUNTRY COUSIN 19 Sam. You could settle that. If you were for me, Eleanor's mother and the whole family connec- tion would sure be for me. Nancy. (Coming down to table r.c.J It might depend on the kind of man you turn out to he — by that time. Sam. (Going to her. Beginning easily) Oh, by that time, I'll be — I'll be — ah (He pauses in modesty.) Nancy. (Finishing for him) United States Senator? Sam. (Firmly) Well, why not? Nancy. All right. (Goes back to couch — picks up papers and tidies up. Picks up small flowers.) Sam. (Change of tone) See here, Miss Price, it's a delicate subject — but Eleanor's father wouldn't have anything to say about her marrying, would he? Nancy. (Gravely) Possibly he might. Sam. (Surprised and troubled) I thought Mrs. Howitt got a divorce from him when Eleanor was only three years old, and he never even saw her from that time. Nancy. Eleanor's of age now. She might de- cide to take her father's advice before marrying. (Puts a few flowers on table.) Sam. How could she, when she never sees him? Nancy. He'd have a right to see her, now that she's of age. Sam. (Turns away l. a few steps — same ear bus. Frowning) I don't like it. (Turns) I be- lieve when a man's divorced and the court gives a child to the mother, he ought to keep away. Nancy. (Faintly amused) Well, he has — for over seventeen years! (Goes up c. — puts papers in waste basket.) Sam. (Crosses to chair l.c v puts one knee on it) He married again, didn't he ? 20 . THE COUNTRY COUSIN Nancy. Fve heard so. Sam. (Gloomily) Hm-m! Oh, dear! (Sits) That's a whole new set of relatives I suppose would have their influence either for or against me. (Rises) But anyhow, you'll be for me. Nancy. (Tucking flowers in her belt. Gently — coming down to him) You mustn't count on it, Sam — not till you're a good United States Senator — and worth four hundred thousand dollars. (Her manner with him is not arch nor indulgent nor "kidding." Her manner is always free of such things. Puts a flower in his buttonhole.) Sam. Wait a minute. What do you call a "good" United States Senator, — or Congressman? Nancy. One that cares more about his country than getting elected. Sam. Well, I mean if things looked like I was going to be one pretty certain, I wouldn't believe in waiting any longer. Nancy. (Going back to table R.c Estimating him) I don't believe you would. Sam. All I need is the time. I'm the raw ma- terial, ain't I? Nancy. (Smilingly) I'm sure of that. Sam. Then you might as well be for me right now. You will be some day; so why wait? (Pats him on shoulder.) '^Mrs. Howitt enters L.u v followed by Eleanor. J Mrs. H. (Goes to Nancy and kisses her; man- ner is anxious and hurried. Sam watches Eleanor, who goes down L., picks up book from couch where she has left it — goes to lower end of mantel and sits. Sam sits on arm of couch l. — watching her — she ignores him. Begins to read) Nancy ! Thank you for the chickens and eggs and butter and honey and strawberries and flowers ! You always bring chick- THE COUNTRY COUSIN 21 ens and eggs and butter and honey and fruit and flowers ! Nancy. (Seriously) Everybody lives too much on canned goods in the country now-a-days. Mrs. H. (Looks at Eleanor. In a hushed voice) "Something's happened." Oh, I do need you! (Turning. Goes to table R.c. — picks up book) Eleanor, I borrowed this "Astronomy" from old Professor Hobart of the High School. I wish you'd take it back for me. (Gives her a book from table.) f Nancy goes r., taking off hat — puts it on piano — by flowers.) Eleanor. (Plaintive. Going to her at l.c.J He lives way at the other side of town. You don't mean ■ (Broken.) Mrs. H. I wish you'd take it to him right away, dear. (Eleanor goes to door up l. Pauses — then gentle — seeing the anxious look on Sam's face) Don't you want to go with her, Sam? Sam. (Smiles, for the first time. He grins) Yes, ma'am. (Hurrying up to door.) Eleanor. (Seriously and plaintively objecting) I won't go with him unless you make him promise to talk about something beside himself. "Sam. (With a gleam of intelligence) I only do that because if we talk about you I'd say too much ! Eleanor. (Quickly, approvingly) You have got a glimmer of sense, sometimes, Sam! Mrs. H. Run, children! Sam. (Obediently) Yes, ma'am. (Exit Eleanor and Sam, l.u.). Mrs. Howttt in chair l.c.J Nancy. (Back of piano — goes to Mrs. Howitt. Seriously) What is it, Aunt Ellen? 22. THE COUNTRY COUSIN Mrs. H. (Sinking into chair l.c.J Eleanor's father! Stanley Howitt! Nancy. (Very serious) He's written again? ^Mrs. Howitt nods) Without your answering his other (Broken.) Mrs. H. (In a stricken voice) He came to-day, himself. Nancy. He's in this town now? Mrs. H. (Almost overcome) He's — he's at the hotel. Nancy. (Seriously) Then whatever the wrong he did you in the old days, Aunt Ellen, I think it will be expiated, if he has to put in any time at the National House! (Change of tone) You haven't seen him? Mrs. H. (Crying out) No! I couldn't! I tele- phoned to him from sister Sallie's. That's what I went there for. I told him he could come here and someone would talk to him. That's what I got you here for. Nancy. (Crisply) All right. Mrs. H. (Helplessly) You always know what to do. Nancy. (Putting out her hand— -Mrs. Howitt takes it) What do you want me to do? Mrs. H. (In a despairing appeal) Nancy, don't you think there's a chance we could keep him from seeing Eleanor at all? Nancy. (Puts her arm around Mrs. Howitt. Decisively) No. She's of age, and you can't pre- vent it unless she refuses to see him. Mrs. H. (Unhappily) She cut his picture out of one of the New York fashion papers! (With gen- tle bitterness) For years she's been thinking about him more and more. I know it ! Nancy. (In a business-like tone) That settles it then. THE COUNTRY COUSIN 23 Mrs. H. What? (Meaning, "What does it set- tler) Nancy. If she's been making* a romance of him, the sooner you have her see him the better. Mrs. H. (Weakly protesting) Oh, no! Nancy. You've never accused him of any great crime to the family, Aunt Ellen (Broken.) Mrs. H. (Interrupting) He's just weak! And he's married again — we don't know zvhat kind or who (Quick and disjointed.) Nancy. Eleanor will have to work out the truth for herself. Mrs. H. That frightens me! Nancy. He's of some consequence in the world, at least. I've seen his name (Broken.) Mrs. H. But that means so little! Nancy. When's he coming to the house? Mrs. H. (Hurried and troubled. Rises) He said he'd start right up here. That's why I got Eleanor off so quickly. Nancy. (Quickly) Get her back as quickly as you can. Mrs. H. (Appealing) Oh, Nancy, can't I keep her from him? Nancy. (Taking both her hands. Quickly) He's here to see her, and he'll do it ! Then if she finds out you've been trying to prevent it, she'll be resentful at you. Mrs. H. (Quavering) But we don't know what he'll want! He might persuade her to go Oh, Nancy, I'm frightened! He'd fascinate her — he's just exactly the kind of man to be so well-preserved he wouldn't look within twenty years of MY age! That would be just LIKE him ! Nancy. He can't WIN her by merely looking YOUNG! Mrs. H. Looking young APPEALS to the 24 THE COUNTRY COUSIN young and he (In great agitation) You don't know what I'm so afraid of ! Nancy. (Sharply) Yes, I do. But it can't be helped. MRS. H. But we might (BELL. Bell rings — she utters a subdued shriek. Then getting her breath — low tone — going toward door L.J He'd just have time to get here. I know it is. Nancy. (Grasps her hand and leads her r. be- hind piano) You can't speak to him? Mrs. H. (With horror) Oh, no! Nancy. Then go out the side way. M} r surrey's out there and old John's driving. Jump in and bring Eleanor back. She can't have gone more than a couple of squares. Mrs. H. (In complete distress) I'll do what- ever you say. * (Exit r. Nancy comes down r. around front of couch and goes to the door up l. and opens it.) Nancy. (Not as a question) Will you come in, please? (George enters — a superior and triumphant youth of twenty-eight; very smart, half-Boston English, yet altogether a New Yorker. His accent is Anglicised heavily. He wears a smart sack suit, carries a soft Jiat and wears glo: George. Ah — this is where Miss Eleanor Howitt lives ? Nancy. (Surprised and puzzled by George's youth, incredulous) Yes, she lives here. George. Do you mind telling her her father is here? Nancy. (Slowly accepting him as Howitt) Oh! Yes, of course. ^Yon't you sit down? (In- dicating chair L.cJ THE COUNTRY COUSIN 25 George. (Meaning "No") Thanks. (Coming down l. front of mantel.) Nancy. I — I'm Eleanor's cousin, Nancy Price. George. Really I'm here, you know, to — ah — to (Pause.) Nancy. (Coining down to chair l.cJ You'll have only a few moments to wait. The fastest trotters in the country have gone for Eleanor and she wasn't far. Of course, one can't g?t very far in Centerville! George. No ; I suppose not. What name was it — Center ? (Coming down a bit.) Nancy. (Astonished) Centerville ! George. (Going to her) Yes, I remember. That's the name of this place, Centerville. Ah — what State is it in? Nancy. Good gracious! Don*t you know? Ohio ! George. Oh, yes, of course. I motored out from New York, you see, but I didn't hold the map. I — ah — drove. When one's driving- oneself one has so many things on one's mind — and your States out this way do seem rather mixed up. Centerville in the State of Ohio-. (Turns away l. a few steps) Yes, of course. Curious little place — (Seeing glass case over wax flowers) — such odd people ! Nancy. (Drily) Are we? Of course, we don't seem odd to us! George. (Turns hack again to her) Oh, very worthy ! Quite so ! I've only been here a couple of hours, you see ! I mean : what a strange life it must be! (Turns l. — around couch and up l v looking at mantel ornaments. ) Nancy. (Thoughtfully) I suppose so. (Broken.) George. Funny old natives and all that, I dare say. Nancy. (A little wistfully) We're all natives 26 THE COUNTRY COUSIN here. When the apple trees are in bloom in every- body's yard, why, it's very — it's very pleasant. George. (Going down l. — looks at flowers in case again. Drily) I see. Depend on apple- trees blossomin' for entertainment ! Must be a lively place in autumn ! Nancy. (Smiling faintly) Oh, well — we have our thoughts — sometimes they blossom, too! George. (Somewhat bored, crossing r. — looking at engravings on wall) Oh, no doubt! They'd have plenty of time to — out here so far away from things, I dare say ! However, I saw several Fords on the principal street, going- quite rapidly. (Stops extreme r. — turns to her ) And there must have been at least nine men in their shirt-sleeves sitting in chairs in front of the hotel gesturing — oh, quite noisv Nancy. (Laughs. Coming c. front of chair) Yes, they are. lately. They're talking about the pros- pect of rousing the country if it has to be roused again, as it was in sixty-one. We'll find the place lively enough if it comes to that. George. (At extreme r.J No doubt — sJiorely. (Turns away — looks up at picture of Grant. ) Nancy (Repeating it — half to herself) Shore- ly — f (Noting his pronunciation ; she is puzzled and the least bit nettled, but speaks coolly ) I suppose our pronunciation seems odd to you, too? Nancy. (Noting his pronunciation : she is puz- zled and the least bit nettled, but speaks coolly) I suppose our pronunciation seems odd to you, too? George. (Turning back again to her ) It is rather quaint to hear a dialect with so much of the letter "R." (Pronounces it "ah.") Nancy. (Quietly) Yes. We haven't murdered it George. I beg your pardon. THE COUNTRY COUSIN 27 Nancy. We believe in the whole alphabet, just as the French and Italians do. George. (Faintly amused; polite tone) I sup- pose you have quite a lot of French and Italian society. Nancy. (Crisply) Yes, I have some working for me on my farm. (Sits chair L.cJ George. (Blankly) Ah — you were alluding to local superiority in the matter of the letter "ft," I believe. Nancy. When you talk over the telephone, don't you find it easier to understand a person who hasn't lost his "R's" ? Yet thousands of people are able to offer a missing" "R" as the only sign of their culture. George. (Bored. Not noticing her — he goes up r. — around back of piano to window R.C. ) Stremely interestin' all this to me ! Always heard people out this way great on writing essays for "literary clubs" or reading something "deep" and making political orations. Hadn't got over Daniel Webster yet ! Nancy. (Gently) Perhaps it's only because we're so eager to be part of the world. George. (Crossing back of her chair — comes down l. of her — back against couch l. Superior and amused, yet bored) ' The "world"? Well, that does seem rather a trip — from here? Nancy. (With feeling) You mean we're pro- vincial — and you're right — we are. No, we haven't got over Daniel Webster yet ! You see, we can only write club essays about the things you have and do. W r e have so little and you have everything. You have living opera and we have opera sung by a needle ! You have picture galleries — and we have picture shows ! George. Rather think you have the advantage there ! Nancy. Ah! But the shops! We know the 23 THE COUNTRY COUSIN names of them, even though we've never seen them — and we know that great skyline of yours striking up from the river — so high that clouds break against it. George. (Goes l. around couch and up — back to mantel. Vaguely surprised and superior) Oh, yes, very much so and so forth. But we rather take our skyline as a matter-of-course. One doesn't notice it often, you see Nancy. (Rises — steps toward him. Mastering a sudden indignation with him ) If you should per- suade Eleanor to go with you, I hope you won't keep her from "noticing it!" George. (Scene played over back of couch l.) Vm sure / don't care what she notices ! Nancy. (Astonished) You don't? George. Why should I ? She may be very charming but as I've never seen the young woman in my life I don't know why I (Broken.) Nancy. (Astonished ) Wiry, you saw her when she was a baby! George. I think it impossible : she must have been a baby when I was a boy in prep, school, and nobody brings babies to show 'em to prep, school boys. Nancy. (Exclaiming. Packs away — sits in chair i..c.) T thought you were too well-preserved to be Aunt Ellen's husband! George. "Well-preserved !" What a remarkable remark ! Nancy. (With decision, assuringly ) You're not "Mr. Howitt! (Stares at him angrily. ) George. Certainly not! I was going to take a motor trip: didn't care where; and he said: Why not motor him out West? He's sitting out in the car in front. Naturally he didn't want any awk- ward encounters in this house, so he sent me in to see THE COUNTRY COUSIN 29 Nancy. (Staggered) "Sent" you? Are you his chauffeur? George. (Turns azvay — faces front — then back to her. Quickly and compassionately, though stung) No. No, I'm not his chauffeur. It's my car. There's a chauffeur in it. too. He sits behind when I drive. I'm an acquaintance of Howitt's. I play golf and bridge with Howitt, hut I'm not Howitt and I'm not even his chauffeur Nancy. (Mortified and nettled, Rises — goes R.) I thought you were Eleanor's father! That's why I talked to you about — East and West ! George. (Going dozun extreme l. Lightly) Well, one does expect anything in these out-of-the- way places. Nancy. (Turns to him. Not changing her at- titude) Oh ! George. (Crossing to c.) All the same, poor old Howitt is waiting out there in the sun (Broken. ) Mrs. H. (Off r.) Nancy? (She enters r. She has been weeping) Nancy Nancy. (Grimly, going to Mrs. Howitt,) This is someone who came with Mr. Howitt. ( George turns away — goes up l.c. — looks out of window — then down l.c.J Mrs. H. He and Eleanor are sitting in an auto- mobile in front, talking. When I brought her, she saw him — she knew him from his picture — and she ran to him ! (Almost sobs) They'd better come in instead of sitting out there. If this is a friend of his would you ask him to ask them to come in? (Turns back to door r. Stands about to exit r.) Nancy. (Dryly, after a short pause, staring at George J Be kind enough to do what she says. George. (Starting) Oh, I say! 30 THE COUNTRY COUSIN Nancy. (Going toward him to c. Crisply) One must expect "anything in these out-of-the-way places !" George. (Coldly) Rath-w any expression, ) Mrs, K. (Ottirtlv) Not bad, old party! ( MAUD e>:ters C.E.J Athalte. (Same tone) 1 fear I wasn*t too «*&- // Mrs, KinneyJ Howdy 1 do. (dancing up off l. a(]ain) Really, 1 can;/.'/ see it. ' Maud. What's the matter? 66 THE COUNTRY COUSIN George, (Coming to c, of str } -s ] It's that 'Miss What's-her-name from Iowa — Ohio, Maud, (Quickly) What did she do? George. (As if relating an astonishing offence) She waved her hand at me ! (Athai.ie cje. Well have it out bere. (Rings bell inside :: ti ace. I Nancy, /'.-.."• to Howitt. n " Is about to sit of steps, '-~ s Mr. Howitt — is E oom? Howitt. (A at interruption 'What did i say? Nancy. Is Eleanor in her room? (Athalie rises — starts to go to Nancy J Howitt. (Rising as if to set where '■■' :. ' - - :v .: . ■ red She's coming ently. I believe. (Crosses to settee r. and sits. SUi Nancy, Then I suppose I — — (Broke .: .v as, K. (As disturbed and \oyed) C me! | Bo td w:\ (Calling :.-\\yc '.c. Athaue appears to be Arhalie! ' Mav: shows : magazine that has been lying on Photog rge in fancy dress — as Plato, (Athaltje re cc .v Nancy .:/.::"■:. Mavo c: V e.ce.ir.} Athaiiei THE COUNTRY COUSIN 69 fPRuiTT enters with bar-wagon c.e. — places it on :r r. of steps. Exits c.e. Maud goes to it — begins mixing cocktails. ) Athalte. Thought prossibly Miss Uh, hero, would be telling us more about the weather — and her Swede. / knew a woman that loved a Swede once. (To NancyJ Do you love your Swede? Perhaps you're too Xew to love Swedes. You are frightfully Xew, aren't you? Nancy. (Knitting, speaks gently) Yes. I got here this morning. Athalte. Perhaps you don't love anybody in the daytime. (Looking meaningly at George) Nothing- interesting- really happens till after dark. Don't you hate afternoons? Nancy. (Lightly, absently) Oh. sometimes one gets a great deal out of an afternoon. (Quietly, ■ ) I'm certainly getting a lot out of this one. 'HALIE. (Curiously ) Outside, you're very 1, Miss Uh, but secretly — secretly — au fond — • you're keen on men, aren't you? Nancy, (Pleasantly and thoughtfully) Well, I met one man to-day that I liked. ('George tmus away in Jiis chair.) Athalte. (Under her breath, as if she had Jtad e. : serious reveto ion made to Iter which she ht have foreseen) Ah, of course! Parfaitc- ment! (She glances over at George, then back at Nancy, who goes on knitting without looking up. George shifts c msciously and with annoyance in his seat.) Nancy. (Not noticing Athalie's remark, still looking at her knitting) He was so friendly! He told me all about his family. ('George clears Jiis throat — annoyed.) 70 THE COUNTRY COUSIN Athalie. (Going a step tozvard GeorgeJ Of course, yes. He would. (She speaks under her breath, seriously, glancing at George. George is extremely annoyed. Nancy realises he thinks it is he she is speaking of.) Nancy. (Continuing after a very short pause) It was that old Italian man that works in the gar- den. (^George registers this) I liked him. (Very gently) He was so kind. ^George looks at her intently on the word "kind." Howitt gets this rap at George and smiles.) Athalie. (After a short pause of astonishment ; speaking eagerly) Oh, but natural women don't like kind men ! (Laughs — goes up to Maud at ter- race, rail R.J Didn't you fancy my ragging her? Mrs. K. (Crossing to Howitt r.c. — throwing "magazine on terrace rail as she goes) I say — when's that stunnin' little brooch from Stromberg's comin' for Maud? (Voice loud and careless. George gets up — goes up r. — back of settee to steps and up on terrace to bar-wagon.) Howitt. Stromberg's promised it for Monday. They're putting on a stronger catch. Mrs. K. I wanted it myself but dividends are too short. Eleanor must have a money-tree ! ^Nancy has looked over, taking this in keenly. Maud notes this and frowns at Howitt.) Howitt. (Annoyed, noting Nancy J It's noth- ing to speak of. ( Nancy rises and goes l. Presses Mrs. Kinney's hand warningly) Sh ! ^Mrs. Kin- ney glances at Nancy and understands. She goes tip to rail r. Maud, zl>Jio has finished mixing the cocktails, now begins to move the shaker sharply.) THE COUNTRY COUSIN 7* (At the sound of the ice in the shaker, Cyril, who has been sound asleep throughout, does not wake at once, but lifts one arm and lets it drop again upon his breast. s . As the shaker contin- ues, he turns over. Then he sits up quickly and swings round to front again, looking at it du- biously, while the others get theirs. He looks around at the others then, and referring to his cocktail, says solemnly:) Cyril. It's an even shot what's going to happen now ! ( Cyril summons his faculties and drinks the cocktail, then he looks around and seems to see Mrs. Kinney for the first time. Speaks in a loud, hearty voice) Why, there's dear old mumsey ! ^Athalie gets drink — goes down to Howitt on settee and gives him one.) Mrs. K. (Coldly. Going to Cyril r. of steps) You'll go the way your silly old father did ! Cyril. Well, he liked it! (Drinks — then sits again.) ("George crosses stiffly to Nancy, carrying a cock- tail to her.) George. (Offering the cocktail) Ah — ah, Miss Price ? (Mrs. Kinney goes up steps to bar-wagon. Howitt and Athalie finish drinks and put empty glasses on table back of settee. Maud and Athalie turn to look at this sourly.) Nancy. (With a little quick glance at him, drop- ping her eyes as she shakes her head. Speaking pleasantly) No, thank you. I don't care for any. 72 THE COUNTRY COUSIN (Goes up l. Drops sewing bag in chair l. George backs tip stage.) Maud. Very curious thing- to do, George! Athalie. (Back of settee r.c .) I never saw you take that much trouble for anybody before, Mon- sieur ! (George turns away l. Cyril puts empty glass on bar-wagon. Eleanor enters c.e.J George. Here's one nobody seems to want. (Cyril starts up to take it. George sees Eleanor in c.E.J Eleanor, you're just in time for it. Nancy. Eleanor! (Eleanor about to take it from him — stops at sound of her voice. Crosses to Nancy — r. of table. Nancy is l. of table. She has become serious. Speaks in a lozv but clear voice) Eleanor, you don't want that! (Eleanor sits in chair r. of table.) George. (Offended — to NancyJ You mean / shouldn't give it to her? Nancy. I mean she shouldn't take it. George. Good Heavens ! I'm not a corrupter of youth! (All have turned to look at the three. The situation becomes a disagreeable little "scene." ) Maud. (Stepping down' from terrace to c. Quickly on George's speech) What is the disturb- ance? Doesn't Eleanor like the cocktails? And I thought I was such a good mixer I (Comes c.) (Eleanor takes glass out of George's hand.) Nancy. Eleanor ! (George drops back of table.) THE COUNTRY COUSIN 73 MAUD. (To Nancy, affecting good-nature) Dear me, Miss Price, is it you criticizing my cock- tails? Nancy. (Quietly) No." I'm not — criticizing-. Maud. But really, don't you suppose Eleanor's old enough to know what she likes ? Nancy. (Softly) No. Maud. (Laughing, but until feeling beneath. I'm afraid you don't understand : her father's right here. (Turning to HowittJ We might let him have a word, mightn't we? ('Mrs. Kinney and Cyril on terrace watching this scene.) Howitt. (Patronizingly. Rises — takes a step lJ I've no doubt Miss Price has very good intentions ; but Eleanor's life now is not the life of a little coun- try town. Maud, Does seem to be a lot of ado over noth- ing! (With affected laughing good-nature) Elea- nor's no novice. (To Eleanor ) Afraid of what the Ladies' Teetotal Backwoods Sewing Circle will say. Eleanor? (Gesture tozvard the cocktail) Don't be silly ! ( Eleanor lifts her glass to her lips and drinks half the cocktail. George goes to extreme l.) Nancy. (Reaching for glass as she drinks it. Sadly) Eleanor? (Her tone is questioning. Elea- nor looks back at the glass as if thoughtfully de-> bating whether she should finish it. She sets the glass dozen. Maud laughs, puts one arm around her.) Cyril. (Taking another cocktail) There's noth- ing like an afternoon tea ! Maud. (Briskly, going up to steps) I suppose 74 THE COUNTRY COUSIN you know that most of this fine little party is ex- pected to dine on Archie Gore's yacht. Going" to wear your riding breeches, girls ? Come on ! Mrs. K. (Going in c.e .) Take us no time at all ! (Exeunt c.e. Mrs. Kinney, Maud, Athalie, and Cyril. Eleanor rises — starts to follow them — Howitt goes up to r. of steps. Nancy fol- lows Eleanor up. George goes down l. of table.) Nancy. Eleanor, will you wait a minute? Eleanor. I'm afraid not, Nancy. Nancy. Won't you, please? (She tries to stop her.) Howitt. (Putting arm around Eleanor, goes up steps) I'm sure you won't mind our leaving you. (Exeunt r. Eleanor and Howitt c.e. Nancy goes up steps slowly and looks after them. George perplexed and frowning.) George. (In an annoyed tone) Do you mind sparing me a moment, Miss Price? (She turns, apparently surprised to see him.) Nancy. (On top step) No, I don't mind. George. Of course, one doesn't ordinarily notice every little annoyance, but, still, when one's harassed by an attack such as you made upon me ^Nancy gives him a look. In a tone of cross and plaintive protest) I mean this cocktail thing. I'd like to say that I'm not in the habit of forcing drinks upon infants and children. Just before that, you implied that an Italian gardener was the only per- son on the whole place who knew what good man- ners were. (Turns away — he is grieved, angry and THE COUNTRY COUSIN 75 in earnest) Is it your idea that that's any way to go about making a hit with a man ? Nancy. (Gravely) No. George. (Hotly) Then what did you want to do it for? Nancy. (Coming down to back of chair r. of table l.c. Shaking her head wonderingly) Mr. Reynolds, it's been quite an experience for me to meet you. George. (Suspiciously) What do you mean? (Steps to her.) Nancy. I never met a man before that owned up that he couldn't imagine a girl having any interest in life except to make a hit with him ! George. (Flustered) Miss Price, I've been no- ticing you. In fact, I begin to realize that, of course, you're not used to men like me, and Nancy. Well — almost. One of our drug-clerks at home has just the same symptoms about girls making hits with him. George. (Incredulously. Backs away slowly — - in amazement and disgust) Do I remind you of a drug-clerk? Of an Ohio drug-clerk? Nancy. Oh, of course, there's a difference. George. (With superiority and sarcasm) Just possibly, I hope ! Nancy. Yes, he'd think just the same thing, but he wouldn't have owned up to it. George. (Nettled) That is to say, you think I'm the most conceited man in the whole wide world ? Nancy. Indeed I don't! (Then, with a genial laugh) I haven't traveled enough to say that ! George. Perhaps it's that same silly old idea. We city people are all a wicked lot, but you and your simple village folk are all sweet and pure and noble ! Nancy. Oh, my, no ! You ought to see some of 76 THE COUNTRY COUSIN the riff-raff we've got! (Goes r. to settee. Very slight emphasis on "we" Lights begin to grow dim.) LIGHTS George. (In amazement — quickly, and with feel- ing) All because I was civil enough to hand a girl a cocktail? Nancy. (As if excusing him) Well — of course, all that depends 0:1 — the way a person's brought up. George. (Testily) And I suppose I've been "brought up" badly because I have "third" after my name. Nancy. (Going to c. With apparently impul- sive pity) Oh, nobody can criticize you for that ! If your parents wanted you to have your name that way — and you don't mind — why, that isn't anybody else's business ! George. (With some bitterness) And I suppose I've been "brought up" badly because the crowd snubbed you a while ago ! I suppose you lump us together, do you? Nancy. (Agreeing) Well, aren't you ? George. (Challengingly) Well, we. think we're about the right sort ! Nancy. (Takes a step to him. Slowly and won- deringly) You certainly do ! (Slowly) I'm sure — (Then quickly) — I'm sure you all feel that you're — "people of distinction !" George. That bothers you, does it? Nancy. It doesn't bother me ; it just puzzles me ! George. (With curiosity) Then, generations of position, ancestry and — ah — income mean nothing at all to you ? Nancy. (Crossing to table. Thoughtfully, smil- ing faintly) But — well, the "income" part of it wouldn't count with a stranger much, would it ? Be- cause you can't carry a great deal around with you THE COUNTRY COUSIN 77 — and you can't carry any ancestors at all around with you — so, doesn't it seem as if, when you meet a stranger, you wouldn't have any position till you made it? Really, meeting- a stranger seems to be a pretty good test, doesn't it ? George. You mean you're a stranger? Nancy. I mean that all you can show a stranger is what you are. George. (Facing front) I see ! (Pause) And the last thing about me that you don't like is what I am ! (Speaks with an undercurrent of injured dig- nity.) Nancy. Ah, but I don't know what you are ! It seems to me that I've only seen the things you aren't! George. (Looks at her) What — what makes you think that? Nancy. (Half-lightly) Because I don't believe that any real man could be so heavenly a snob as you seem to be. It must be a pose ! George. (Haughtily. Goes front of table and up c to steps — she watches him till he goes up steps — then she crosses R. ) Thank you ! (On steps) Miss Price. (She turns) When those women were treat- ing you as they did, I felt a little sorry for you. I began to think perhaps we were all wrong and you were all right. You've shown me that was a mis- take. (Quickly, on this, Eleanor appears in c.eJ In all my life no woman has ever spoken to me as you just did! I shall not, in any manner, further trouble you. And so Nancy. (Pleasantly) Come here, Eleanor! (^Eleanor comes in. Nancy goes up to her as she comes down steps. To GeorgeJ What were you saying, Mr. Reynolds? George. (Coldly) I said, and so — and so, good afternoon ! (Turns — goes along terrace — exits. Nancy looks after him gravely.) Eleanor. Have you been making more breaks ? 78 THE COUNTRY COUSIN Nancy. (Leans back against pier r. of steps. Kindly) I don't think you need worry, dear. Eleanor. (Crosses down to table l.c. and sits R. of it. Troubled) I worried so much that papa thought he'd better let me come and talk to you. Nancy ! (In a despairing tone) That awful scene 3'OU made over that cocktail ! Papa and I just found out that you'd been asking the chauffeur about his wages ; and you asked the gardener how many men we had working on the place. Papa said he didn't object if I asked you what right you had to go pry- ing around like that ! (Light begins to be fainter.) Nancy. (Looking at her, thoughtfully ) I'm glad he didn't object, dear. (Going to back of Elea- nor's chair) I heard Mrs. Kinney speaking of a present for Mrs. Howitt. Eleanor. (Defiantly) Certainly I'm giving Maud a present. It's nothing but a brooch. Why shouldn't I? Nancy. I don't know that you. shouldn't. It depends on the cost. Eleanor. (Decidedly) Maud wouldn't accept anything that cost too much ! (Crisply) Besides, it's already paid for. Nancy. (Comes down around her chair to r. of her) How much was it?. Eleanor. (Indifferently) I don't know ex- actly. Nancy. (Smilingly) How can that be if you paid for it? Eleanor. I gave papa a check. Nancy. (Going r. a few steps) But how much was the check for? Eleanor. (Impatiently) I told you I just gave him a check ! f Nancy turns on her in surprise) I THE COUNTRY COUSIN 79 just wrote : "Pay to the Stromberg Company" and signed my name. Papa said he'd fill in the rest when he found out just how much it was going- to be. Nancy. (Going to her. Startled) Eleanor ! You mustn't do such things ! Eleanor. I will ! I want to make Maud a hand- some present. (Rises) I'd do it even if it came to a thousand dollars ! Nancy. (Patting hands on her shoulders) Elea- nor — you don't understand (Broken.) Eleanor. I will ! I'll make presents any time I feel like it ! Would you try to interfere in a thing like this? (Threatening.) Nancy. Why, I might have to interfere. Eleanor. (Crossing to r.c.) Oh, you're spoil- ing things ! (Turns) You'll queer yourself with everybody ! ('Eleanor, looking at her peevishly) Don't you see that my life can never again be that monotonous, gray life it used to be out there with mamma ? VICTROLA WARNING Nancy. (Speaks slowly and gently) Yes, it's pretty monotonous and gray for her. (^Eleanor goes slowly to settee as Nancy goes up steps) She misses you, Eleanor. ( Eleanor sits on settee.) Eleanor. The most exciting thing we ever did was sit out on the porch in the evening — and watch the lightning-bugs ! — When they went out, all the ex- citement in town was over ! — I can't keep thinking of mamma all the time I'm with papa ! Amber foots and borders out — LIGHTS 8o THE COUNTRY COUSIN ('Nancy goes into house through c.e. to piano. Then, very quietly, she begins to play; and she sings the song "Absent") Song. "Ah, sometimes, in the twilight gloom apart, The tall trees whisper, whisper heart to heart, From my fond lips the eager answers fall, Thinking I hear thee, thinking I hear thee call!" (As Nancy sings, Eleanor faces front — thinking of home — grows a little sad — turns toward c.e. — rises — goes slowly up c. to pier r. of steps — stops — looks back — goes up steps — sees George coming — exits c.e. George appears quietly and thoughtfully. He leans against the R. side of the doonvay. He has come from terrace up l.) George. (Quietly, and a little huskily, looking in c.e., only turning his head to speak) Will you sing the second verse, Miss Price ? Nancy. (Off) "Sometimes, between *ong shadows on the grass, The little truant waves of sunlight pass. My eyes grow dim with tenderness the while. Thinking I see thee, thinking I see thee smile!" (At the beginning of the second line of the song, Maud, off l.u.e. and unseen, bursts into irre- pressible, lo.td laughter. Nancy's song stops abruptly and her startled fingers sound a loud, sharp discord upon the keys, playing no more.) Maud. (Rushing in l.u.e. along terrace, cackling, hand over mouth — she is in evening dress) I did wonder who in this house could be pulling that senti- mental slush ! (VICTROLA. Victrola plays "Den- gose") Georgie ! You are a devil ! Stringing this THE COUNTRY COUSIN 8r poor little Miss Price into singing her Sunday night melodeon repertoire ! George. (Trying to protest) But, Maud, I (Broken.) Maud. (Laughing violently) Oh, you kidder! ^Nancy comes in c.e. In an ecstacy of mirth) Good Lord ! She heard us ! George. (Desperately, to Nancy, who gives him a steady look of contempt and goes down steps to extreme r.) Miss Price, I Maud. (Going into house. Calling jovially) Athalie, you'd better come and save George from having his eyes scratched out! Athalie. (Rushing out, dressed for the eve- ning) George, take me ! (Tries to make him dance; flings herself at him. He throws her off.) ^Cyril follows, in evening clothes, singing the dance- tune loudly; he goes down steps to c, turns — calls — "Come on, Athalie." She leaps down steps and into his arms — they dance down r. — George exits c.e. Howitt and Mrs. Kinney, in evening clothes, dance out of c.e. and down steps, going l. — Gore enters in yachting clothes — speaking as he comes down c. — Maud comes in c.e. — on to terrace c.e. J Gore. (Shouting) Got the romp all begun, have you ? ("Maud sings; all singing with words "Ta, da, te, da, da" etc. Stopping) Get your wraps on! I've got things on ice out on the boat ! I've got Cyril. (Shouting. Dances up stage and off c.e. ) Oh, bubbles ! Gore. (No pause for CyrilJ I've got five nig- gers to play for you to dance ! ( Cyril repeats this until his exit. Gore goes on without stopping) Go on, now ! Wraps ! Stan, get your cars around. STOP VICTROLA 82 THE COUNTRY COUSIN (All except Maud, Gore and Nancy go off c.e. Nancy's back is toward Gore. He shouts to her.) Here, go get your duds on ! ^Nancy turns, looking at him, a little frightened.) Maud. (Coming down steps to c Sharply) Archie ! You forgot ! Gore. (Boisterously) She's not half bad ! What's the matter her comin' aboard my boat for the party ? She's the kind I like to have aboard ! Maud. (Angry) You certainly have been aboard your boat ! Gore. (Laughing) What's the difference, long as she's in harbor? (As Nancy starts to go around back of settee to r.c .) Here ! Wait ! Maud. (Down c. — sharply) Archie, this is my party, isn't it? Gore. (Promptly) Why, yes. Maud. (Quickly) Then this young lady isn't invited. (Smiling and affecting a friendly man- ner) She's been traveling and she's too tired. (Laughing — goes up steps.) Gore. (Smiling and shaking his head to Nancy} Sorry ! (Turns — runs up steps and into house — going L.J ('Eleanor appears^ c.e., wearing light wrap. Comest down.) Eleanor. Vm ready. Nancy. (Going up to Eleanor. In a troubled voice) Eleanor, just let us two not go ! Maud. (Quickly, gaily, speaking to Eleanor} I've just ruled that Miss Price is too tired to go. Nancy. (In a troubled voice ) Oh, no, I'm not, if Eleanor goes. THE COUNTRY COUSIN 83 Maud. (Laughing triumphantly — pulling Elea- nor away. To Nancy J Oh, yes, you are ! We won't let you into the motor ! You're going- to stay and rest. (As she goes off c.e., calling back from off-stage) Come on, Eleanor ! It's Liberty Hall to-night ! (Exits — laughs off-stage up L.J (Eleanor starts to follow her.) Nancy. (Up to her — stops her) Eleanor, please ! Just stay here with me this evening. (Pleadingly) Don't go ! (Romping and shouting heard off up l.) Cyril. (Off up l v bellowing) All ready for the big show ! (Voices off-stage repeat this.) Eleanor. Maud's right: you wouldn't enjoy it — and if you want me to be frank, nobody else would either! (Trying to break away.) Nancy. (Quickly) She said that to you ! Eleanor. Tell the butler when you want dinner. (Runs into house.) (Voices heard singing "Liberty Hall" off-stage as she exits. Maud, with Mrs. Kinney, Cyril, Howitt and Athalie, the three women wear- ing light wraps, the men in light coats, come running in c.e. in line, holding one another's coattails — Eleanor leading. — All singing: "Lib- erty Hall to-night — to-night — to-night — Lib- erty Hall to-night — to-night — to-night — to- night." Keeping step — they go down steps to c. — turn l. — go down around table and exit L. 2nd entrance — repeating song as they go.) (All lights remain set as they are till finish.) LIGHTS 8 4 THE COUNTRY COUSIN (No pause in action. All this very brief, leaving Nancy on the stage alone, looking after them, with grave trouble. Shouting and singing of the dance-tune is immediately heard off l. The noise dies out for a moment, and is heard much more faintly with an echo of the tune, sung off l. Nancy crosses quickly and looks off l. The noise dies out. She crosses slowly and exits c.e v her head bent. Sunset light-up has deep- ened; the stage has grown somewhat darker since the departure of the yachting party. Si- lence for a moment. A middle-aged man, Blake, dressed in a dark sack-suit, black shoes, black derby hat, appears up of gate up r. En- ters gate u.r. — comes to c. — Hearing noise of party in the distance — goes l. — looks off a mo- ment — turns back to house and is going up steps as Nancy comes out of c.eJ Nancy. What— do you want ? Blake. (Slightly nervous. Backs down steps) I — I beg- your pardon. I'm a messenger. Nancy. From whom? Blake. I beg your pardon, but Mr. Howitt is the only one I know here. Is he (Broken.) Nancy. (Suspiciously) Mr. Howitt is not at home. I'm alone here with the servants — but there plenty of them. Blake. (Somewhat resentful) I'm not a burg- lar, madam ! I'm from Stromberg-'s. Nancy. (Remembering) With a brooch ? (Con- trolling a slight excitement.) Blake. (Stiffly) Certainly, madam. And a sneak-thief might have a brooch on him, but he wouldn't be very anxious to turn it over on receipt. Nancy. Mr. Howitt said the clasp wouldn't be ready until Monday. (Her tone is suspicious.) Blake. (Smiling) Mr. Stromberg prides him- THE COUNTRY COUSIN 85 self on being a little ahead with deliveries, when he can ; and Mr. Howitt was anxious to get it as soon as possible. (Takes packet from pocket. Going to table l.cJ I think it will convince you that I am a respectable man. WARNING. YACHT MUSIC Nancy. (Coming down steps. Goes r.c. With a slight re-echo of suspicion) Yes — if it is the brooch. Blake. (Starting to open the packet) We can easily settle that. And Mr. Stromberg was pretty sure that you'd all be very much pleased. ^Pruitt enters c.e., halts just R. of entrance, for only a moment, looking at Nancy and Blake. Blake stops opening the package and looks ner- vously from Nancy to the servant.) Pruitt. I beg- pardon, madam. Both chauffeurs have come back from the dock and they say Mr. Howitt forgot to tell them what time to return there. May I ask, did Mr. Howitt mention what time he ex- pected to get back ? Nancy. No ; he didn't say anything about it. Pruitt. Thank you, madam ! What time shall I serve dinner? Nancy. Whenever it's ready. Pruitt. Thank you, madam. (Exits c.eJ Blake. (He has been looking keenly from Pruitt to Nancy and back, and now smiles as he opens the inner case, which zuas contained in the packet, and discloses the brooch) There ! A man that's trusted to bring a twenty-five-thousand-dollar pin would hardly be slipping in to steal your hus- band's overcoat, would he, ma'am? (^Nancy is stunned. For a moment she does not move. Then slowly, her eyes fall from Blake's face to the S6 THE COUNTRY COUSIN brooch. Blake smiles upon her. Benevolently, in- terpreting her emotion) It is rich, isn't it, ma'am? (Taking an unsealed envelope from his pocket, and therefrom a billhead, and laying it, unfolded, beside the jewel-case upon the table. Speaking briskly) There's our receipt for the check Mr. Howitt sent, ma'am. And here's your receipt to us for the brooch. (Crossing back of her to l.c.J If you'll please sign it. (Offers her a black blank-book and his foun- tain-pen. Nancy stands, with parted lips, looking at him for one moment. Then, with a gesture of de- cision, she takes the pen and writes quickly, then re- turns the pen and book to him. He has taken a small blotter from his pocket and quickly blots her writing) Thank you, Mrs. Howitt. (Turns toward r.u.e. and taking his hat. Then turns again to Nancy. Going up r v benevolently) I imagine you don't think I'm a burglar now! Nancy. (Slowly) No. Blake. (At r.u.e., with feeling) Good night, Mrs. Howitt. Nancy. (In a low voice) Good night. (Exit Blake gate r. Nancy slowly turns her head to stare at the brooch again. She closes the case mechanically and with both hands, gathers case, wrappings and receipt together, stares at them, then, with quick decisiveness, she places them in her sezving-bag ; she stands for a moment staring front, in deep thought. From up off R. and very distant, come yacht music, the faint sounds of the "Deyigozo" music played by vic- trola. Carrying the sewing-bag under her arm, Nancy crosses to l. and stands looking out into the darkness in the direction of the music. Pruitt appears.) CURTAIN WARNING THE COUNTRY COUSIN 87 Pruttt. (At c. of top step) Dinner will be ready in about ten minutes, madam! (Takes tray from bar-wagon. After a look off l.u.e. listens to music a second) You can hear the music from Mr. Gore's yacht quite plain across the water, can't you, madam? (Going down steps to c.) Beg pardon, madam, can you see Mr. Reynolds ? Nancy. (In a dazed voice) What? Pruttt. (Turning toward her, deferentially, amused at her thought) Oh, I didn't mean on the yacht, madam. That would be asking - for good eye- sight. Mr. Reynolds didn't go with Mr. Gore's party. He's here somewhere. He asked me to let him know when dinner was ready. There'll only be you and Mr. Reynolds at table, madam — (With a confidential semi-laugh) — and he did seem anxious to know how you'd feel about that. Nancy. Oh, did he? I'll be down in ten min- utes. (She sweeps up to steps, going to exit.) Pruitt. (Backs away — making room for her to go up steps) In fact, Mr. Reynolds asked me to re- member the exact words you used. (It is this speech of his which halts her c.e.J Nancy. (Furious, but controlled) Very well ! Do you think Mr. Reynolds knows whether it was Iowa or Ohio that General William Tecumseh Sher- man came from? Do you suppose he knows what General Sherman said — — (Broken.) Pruitt. (A little rattled, but polite) I could see about it, madam. He's just yonder. (Starting to go up steps.) Nancy. (Furiously) No! 77/ tell him! (Turns to c.e v apparently seeing George. Pruitt goes to table r.c, puts empty glasses on tray. After a moment George appears at c.eJ George. (As he enters, blankly) She told me 88 THE COUNTRY COUSIN what she thought about having dinner with me was the same that General Sherman thought about (Checks himself, remembering that Pruitt is not a confidant) Pruitt, what was that thing General Sherman said about war ? Pruitt. (Making hasty exit with tray) Oh, that. As a matter of fact, sir, General Sherman denied ever having said it at all! (Turns and ex- its R.) MEDIUM FAST CURTAIN Playing time: — 47 minutes. ACT III Scene: After dinner the same evening. Interior. Room looking out on terrace; French zvindows. Cheerfully lighted. It is entirely dark out of doors. Nancy stands in c.e. — looking off. She wears a handsome and becoming evening dress, well in the style. She carries her sewing-bag. A moment later, Pruitt enters with a tray on which is an after-dinner coffee service and tzvo cups. He comes to l. end of couch R.c. — stops — speaks. — Looking up to her. Pruitt. (Entering with coffee, etc. Apologetic- ally) Mrs. Howitt's instructions have been always to serve coffee, after dinner, for both the ladies and gentlemen in here, madam. But Mr. Reynolds just asked me to ascertain whether that would be agree- able to you. Nancy. (Turning — comes to top step. Frown- ing) Did he ask if it would be "agreeable" to me? Pruitt. Yes, madam. Nancy. (Grimly) Well, after that dinner, if he thinks it would be "agreeable" to him — tell him — all right. (Pauses after "tell him" then finishes crisply and quickly. She comes down steps — crosses to l. of table l.c. — walks up and down stage.) Pruitt. Thank you, madam. (Crosses to table L.c. — puts down tray — pours coffee. Exits r.e. Nancy sits l. of table.) 8 9 90 THE COUNTRY COUSIN (A moment later George appears r.e. He is in eve- ning dress: his expression ana 1 manner are very serious and he seems gravely disturbed. Nancy, after a quick, quiet glance at him, opens her sewing-bag, begins to sew, and continues to sezo thoughtfully, apparently unaware of George's presence. George comes across to R. of fable and stands there, staring at her. then goes R. to couch — stands looking at her, annoyed. Pruitt re-enters r.e.. with tray — two decanters and poncy glasses on it. Places tray on table up R.e., places chair from up r. to r. of to for George. George, noting this with a slight start, moves as if to sit down in the chair, but does not. Pruitt goes back to serving table. George goes r. to couch and sits l. end of it. Pruitt crosses with tray of cordials to Nancy at table L.C.J Pruitt. (To Nancy ) Liqueur, ma'am? Nancy. No, thank you. (Pruitt goes to George, at couch r.c. I Pruitt. ( To George ) Your brandy, sir. (This is not an inquiry.) George. (About to take decanter. With a slight start) Uh — no, thank you. ( Pruitt bows — goes back to serving table, puts do:. . George rises, i cigarette ft his pocket. He looks curiously at Nancy. He wishes to smoke, but is afraid to ask her per- mission. Nancy goes on knitting. Pruitt comes down to George with match stand, lig a match and offers it to George. George, a'r to light his cigarette, gives a glance at Nancy and draws back.) George. Uh — no. thank you. THE COUNTRY COUSIN 91 fPRUiTT bows — goes up to tabic up r.c. — puts down matches and exits r.e. Nancy has not once looked 'round at George. George looks at his unlighted cigarette and then at her. and carry- ing the cigarette in his hand, goes up steps c. and looks out.) Nancy. (Quietly, looking up from her knitting, as he stands looking out. Pushes match stand to- ward him ) Hadn't you better light your cigarette? George. (Astonished) Oh! (Comes reek to table) Oh, thanks. (Lights cigarette) Quite start- led me — your speaking. (He speaks in a rather humble tone) Last time you were gracious enough to address me was when the soup was served. I be- lieve. NANCY. (Knitting, not smiling nor looking at him ) I had to then, to keep you from burning yourself, George. Ah — thanks! (He sits R. of table and drinks his coffee. Pause) Sorry the coffee wasn't hot enough to start all that talkativeness again. NANCY. (Still knitting, not looking up ) Why should I talk? I haven't anything to say. George. (With dignity I Wouldn't it be merely civil to say that you accept what I said : that Maud Howitt was mistaken? — I did viol ask you to sing-. this afternoon, with the idea of laughing: either at you or the song. NANCY. (As before) Very well. I believe you. George. (After a short pause, looking at her with sonic surprise and injury) Is that all? Nancy. (Looking at him, perplexed) "Is that aiir George. (Earnestly) See here : don't you think a man might have liked to be out yonder dancing with a jolly crowd, instead of putting in an evening THE COUNTRY COUSIN like this? (With feeling as he rises) You don't seem to realize that I ga-qe that up just in order to stay here and straighten this thing out with you. mse. He walks to up c, and looks She resumes her knitting. At r.c.e. He ward her argumentatively, again) It was a thing I felt was due to myself. Nancy. (Knitting, speaks indt v) Well, you've done it. You've paid yourself. George. (Annoyed, Down c. to her) I say! You do have a way of making a man uncomfortable ! (Sits in chair r. of table) 1 say, something's wor- n-ins: you. isn'r it? I remember being told as a child that people were usually rude when they were wor- ried about something. Nancy, (Knitting) You're a living proof that that can't be true, Mr. Reynolds. George. But I'm positive I'm correet. (With o twinkle ) You see. as you never looked up during dinner — except on your Christian kindness about the soup — the fact is— I — well — / — did! You di< know it. but I looked up all the time, in fact It was on account of where I was looking that I came so near burning myself! (1 towo : in a tone s ■: ) There! You see I admit I was — ah — interested. Nancy, (Non-committal I suppose that's quite a stram. Mr. Reynolds. Cc : stitches,) George. (Antagonized for ti \) I might mention that I'm not used to quite so much knitting when I take an .'teres; ! Nancy, (Amiab Yes. You seem to be "used" to the kind of thing Ben Bolt was, Mr. Reynolds ! "She sobbed with delight when you gave her a smile. — And trembled with fear ar your frown !" THE COUNTRY COUSIN 93 George. (Disturbed, rises, goes r. to R.c. ) Is habitual rudeness considered a virtue in O — Ohi — in your part of the country ? Nancy. (Tunis, looking at him) Rudeness? Why, when I met you, when you came to Centre- ville — at first I was as friendly and expansive as a setter pup. I don't think I ever did behave more neighborly to anybody on first sight. George. (Flustered, going to chair r. of table ) Well — we — here — we — we don't understand that "neighborly" sort of rhino-. as you call it. at first. Nancy. No. you don't seem to\ You seem to consider it insulting. It must be that you're not used to it. George. (Explaining, kindly ) Of course, one has to be a little on one's guard, doesn't one? Oth- erwise, mightn't the oddest sort of people be getting in with one? Nancy. (Genially) I understand. That's why you had to be on your guard with me at first. I might have turned out to be the "oddest sort" of people. (Rises, goes up to upper end of mantel — pushes button. Taking sewing-bag with her.) George. (Honestly and earnestly ) But don't you see? I got over all that. (Reasonably, up of chair r. of table ) But by the time I'd got polite to you. you'd got /;;;polite to me. Nancy. (TJi ought fully and not boasting) Yes, I'm sure you feel it's safer to be impolite to people until you make up your mind they're all right, (c.) In our part of the country we're polite to people until we make up our minds they ought to be in jail. George. (Goina toward her) That is, you wait to lock the stable door until after the horse is stolen. Nancy. No. we go and sret him back — and hang the fellow that stole him ! Only, we never hang him before we get really acquainted -with him. 94 THE COUNTRY COUSIN fPRUiTT enters r.e. — Nancy indicates coffee things — he crosses to table — picks up tray and quickly exits r.e. Nancy has come down l. during this — crosses R. to r.c. — George following her, speaking as he goes.) George. So far as I can see, you re ready to hang a man without even telling him what he's done! I don't understand it: I'm a guest in your own cousin's house ; an intimate friend of her father's and her step-mother's, one of the circle about her. What's the matter? Nancy. That might be the matter — partly. ("Partly" a second thought, an amused one.) George. (Quickly and sharply) Oh, because I am their friend and a visitor here. How's that against me? ("Nancy begins to laugh good-naturedly, but a little grimly, too.) Nancy. Eleanor scolded me for telling small- town stories, but you do remind me of old Millie Swanter when they quarantined her with the Lingle family after they'd all been exposed to smallpox. "You can't quarantine me," she said, "I'm only a boarder /" (Concluding, she turns — goes up steps to c.e. and looks out.) George. (Crosses l. to chair l.cJ And I'm a visitor ; I see you include me, then — with (Broken.) Nancy. (She turns, with semblance of a little bozv to him) With these other "people of distinc- tion" that her father promised her. George. (Up to her) Meaning that you've de- cided our little crowd here are rather a tainted lot? Nancy. (Inquiring) "Tainted?" (Then, as not going so far) Oh (Comes slowly down steps.} THE COUNTRY COUSIN 95 George. (Goes r. to r.c.J Oh, of course one can't set up a code of morals. I don't pretend I like everything I see in a little set like this. One always overlooks some things in almost any set ; there'd be pretty well no good times if one didn't. Nancy. (Almost inaudibly) Ah! (Laughs — goes to mantel l.J George. (Going up to her. Huskily) How un- pleasantly you do think of me ! Nancy. (Goes to back of chair l. of table. Se- riously) I don't think of you at all — except as you concern my cousin. George. (Blankly) Little Eleanor? Nancy. (Defiant note, and troubled) Yes! Don't you see I'm thinking of her? George. Well, / — wasn't. (Going near her.) Nancy. (Half -sorrow fully, half -scornfully) No, and I don't suppose you often would. That's the trouble: I'm afraid you'd always be thinking — (Pauses — continues slowly and gently) — of George Tewksberry Reynolds — Third. (Going down l.) George. (Stung) I say : just suppose you for- get that "third!" Nancy. (Laughs) No. There's not enough fun in life to give up the memory of a thing like that. (Goes up l. to upper end of mantel — leans arm upon it — laughing.) George. You do hate me. don't you? Nancy. (Quickly and emphatically) No. George. (Goes up l.c to her. Earnestly ap- pealing) TELL me what's the matter with me? Nancy. (With spirit) There's NOTHING the matter with you; that's the trouble. You do nothing wrong because you do nothing at all. (Go- ing to him — back of table) What is in your life? What do you CARE for? Some day your country- may need great actions. You think the time will ever come when you — (Slight emphasis) — can be 96 THE COUNTRY COUSIN roused to a great action — to a thing generous and heroic? Why, look! Half the world's on fire and YOU'RE worrying over suitcases! (Goes down l. of table to extreme l.J George. (Looks front, thinking. Puzzled and loudly, earnest. Nancy zvalks up and down l. dur- ing this) Upon my soul ! I DO wish I knew what on earth you're talking about ! What ARE you talking ab- (Broken.) Nancy. (Satirical, as if giving a nonsense an- swer, yet she means it, and this is what she has really been talking about. Going up to him) The United States and the Kaiser Wilhelm! (Goes Hp steps — looks off c.e .) George. (Taken utterly aback, and as if object- ing in the midst of his puzzlement) The Kaiser? The Kaiser? The United States and the Kaiser? I don't see at all how you could mean Nancy. (Quickly) It's just what I DID mean. George. (Slowly — thinking) By Jove, I shall have to think that out. I mean to, you know, I mean to think it out. (Goes to couch r. and sits.) Nancy. I'm afraid you won't have time. (After count of 5 voices heard off R. Listening off. ) George. I'll keep at it till I (Broken .) (Noise of Mrs. Kinney's, Athalie's, and Cyril's voices, off R. Athalie, in her wraps, but some- what tousled, enters c.e., speaking excitedly as she comes.) Athalie. (Standing on landing c.) George. Did you miss me ? Nancy. (Taking a step toward her) Is Eleanor there ? Athalie. No — she's coming in the other motor. She's all in. ^Nancy on steps, crosses to George, who is r. on couch) George, say you missed me! THE COUNTRY COUSIN 97 ( Not pausing for a reply, she throws herself upon l. arm of settee r.c.) Had such a big romp it broke tip the party. I adore to see men fight ! George. (Rises quickly; frowning) Somebody got in a fight? Athalie. ('Nancy looking off r. — on terrace. With champagney ecstacy and intensity) If it weren't for you, George, I could love that man Archie Gore ! He never ought to go without drink. When he's had his goblet of brandy, he's his best self, a gorgeous, adorable brute ! One moment he was dancing with Eleanor — ^Nancy registers this) — singing and merry, and the next he saw Cyril Kinney tickling Maud's back with a spoon (Grandiloquently ) It was epatant, colossal — like a primordial god ! (More naturally and briskly) He caught Cyril on the point of the chin and knocked him clear across the deck! Nancy. (Stepping in. Tensely) Eleanor saw that? (Voices.) Athalie. (Rises) Nobody missed it. Archie Gore is a superb he! (To George J Look what he did ! (Crosses l. to behind table L.c.J (Gestures to c.e., where Pruitt and Mrs. Kinney appear, holding up Cyril. Cyril holds his handkerchief to his chin.) Cyril. (As they enter c.e. from along terrace R.J I don't want to be all right. I'm satisfied the way I am. I got a perfect right to tickle every- body; and I'll tickle 'em, too! (Drops into chair l. of c.e. Pruitt goes to door up L.J Mrs. K. (Going front of Cyril to l. of him) It's a rotten shame ! I guess Archie Gore doesn't own Maud Howitt, does he? (^Eleanor, dragging her wrap, very pale, and hold- 9 8 THE COUNTRY COUSIN ing her arm across forehead as if in pain, enters quickly c.e. George, seeing her, goes up r. back of piano to rail.) Nancy. (Standing r. of c.e. — catches her as she staggers in) Eleanor ! Come up to your room with me. (Puts arm around her.) Eleanor. ^Nancy helping her down steps — they go R. Painfully, quickly) Get Cyril out of here, Mrs. Kinney. Maud and papa are keeping Mr. Gore talking outside — but they can't do much with him. Get Cyril upstairs ! (Sits l. end of couch r. — Nancy above her.) CPruitt helps Mrs. Kinney get Cyril to l.u. Nancy moves toward Eleanor, who is still holding her head. George takes Mrs. Kin- ney's place at one side of Cyril. ) Mrs. K. (Sharply to Cyril, as they go) See what you started ! Cyril. (As they go) What's the yacht for? (Exeunt George, Cyril and Pruitt, up l.e v Mrs. Kinney following them. Eleanor still hold- ing her head. Nancy takes her hand. Atha- lie has followed the other group toward l.e. and stands listening, excitedly, and looking off C.E.J Athalie. (Turning toward Eleanor and Nancy,) They're taking Cyril up the back way. Gore's raging. (With pleased excitement) He's hunting him all over the place. Ooh ! (She gives a delighted little scream, looking off c.e. again. As Gore enters — she goes l. to railing — watches fol- lowing scene.) fGoRE enters c.e., from along terrace R v followed closely by Maud, and giving the effect of hav- THE COUNTRY COUSIN 99 ing just broken from her grasp. He is drunk, but does not stagger nor mispronounce. He is heavily flushed but not in disorder. Howitt appears in c.e. anxiously. Nancy rises above Eleanor, covering her from, sight.) Gore. (Leaping dozvn steps to c. As he enters, harshly) I'll break the last bone in his body ! (Goes down r.c. and back c.) I will if I get him! Maud. (Sharply, coming down c.) Don't be a fool, Archie ! Gore. (Striding about the room) I did land him one, but I didn't get it in right. (Crosses to her) Think I'll stand any other man pawing over my best girl ? Maud. (Shrilly, with great vehemence) Shut up, Archie ! (Goes to him.) Gore. (Suddenly offended with her, and angry) What's the matter? (To c.) Maud. (Nervously) Nothing. You've had a little too much, Archie, and it's made you ugly. Gore. (Harshly. Breaking away. Goes down r.c. — then back to her) Oh, it has, has it? I sup- pose you want me (Broken.) Maud. You just, let Stan look after you. (Goes up steps — to rail R.) Gore. (Going dozvn l. — then back to c. As if controlling his rage) I'll go! I'll go back — sleep on my own boat ! (He strides toward c.e. Howitt comes to meet him, with his hand lifted as if to as- sist Gore. Gore does not pause, but speaks harshly to Howitt ) Keep your hands off me ! (Strides out c.e., followed by Howitt. Maud stares after them tensely, then exits r.u.e.J Athalie. What a man! (Goes to l.u.e. and ex- its. Nancy stands looking gravely at Eleanor; Eleanor looks slowly up at her.) Eleanor. Papa and Maud were there to look ioo THE COUNTRY COUSIN after me. I was all right. I haven't learned to take that much champagne! (Rises — backs azuay R.) Nancy, I guess I won't stand any talk! I can't Nancy. (Gently) No, I see you can't, to-night. All I'll do to-night is just get you to bed. ("Maud enters r.u.e. — sees this. She puts her arm around Eleanor and helps her toward exit r.) Come on, dear, and I'll tuck you in. We'll just pretend we're home. (Exeunt Nancy and Eleanor r.e. Nancy has car- ried her sewing-bag throughout. After a mo- ment, Maud goes to table, in a tired attitude, and lights a cigarette. Enter Howitt c.e. Comes down steps and goes R.) Maud. (As he enters) You got him off? fHowiTT nods gravely; begins to walk back and forth across the room.) Howitt. (Coming down r.c. In a sharp, low voice) I didn't know Eleanor was overdoing it so ! Where is she? Maud. (Wearily, sits l. of table) Gone up- stairs with that Price girl. Howitt. (Going c.) What did you let her do that for? Especially after Maud. (Impatiently) Eleanor's too done up to» listen to her — or understand her! Howitt. (Bitterly) I'd almost call that fortu- nate after that break made by your friend Gore! Maud. (Sharply) Now, I won't (Broken.) Howitt. His delicate allusion (Broken.) Maud. Oh, good heavens ! (Enter Pruitt r.) THE COUNTRY COUSIN 101 Pruitt. Mr. Strombcrg called up by long dis- tance, while you were out, ma'am. Maud. (Pettishly) Oh, I suppose he wants to say I couldn't have my brooch Monday, after all. Pruitt. No, madam. Mr. Stromberg was anx- ious to know if everything was satisfactory. Maud. Oh, he did send it, then? Where is it? Pruitt. Nothing was left with me, madam, or any of the domestics. Howitt. (Crossly, not taking interest) Of course not ! How ridiculous ! Maud. What time was the messenger here? Pruitt. A few minutes after you left for Mr. Gore's yacht, madam. At least I suppose it was the messenger. Maud. Who let him in? Pruitt. Miss Price saw him on the terrace, madam. ^Maud looks at Howitt. ) Howitt. (Snubbing Maud's questioning ) Miss Price ? He wouldn't have left it with her. He had no authority to. Maud. Did you notice — was he carrying a pack- age? Pruitt. No, madam, not carrying it. He was just opening it for- her. Howitt. (Halting — incredulously) He was? Pruitt. Yes, sir. Howitt. He — he certainly didn't leave it with' Miss Price, did he? Pruitt. I couldn't say, sir. Maud. Did you hear him speak to Miss Price by name ? Pruitt. No, madam. Maud. Did you speak to her by name? Pruitt. No, madam. I just spoke to her as "madam." Maud. That's all. Pruitt. Thank you, madam. (Exits r.eJ 102 THE COUNTRY COUSIN Howitt. (He stands frowning a moment, then speaks) Funny the messenger's showing it to her. Maud. (Looking straight front, not at Howitt, speaks with decision) She's got it ! Howitt. (Crossly) They don't leave things like that with casual visitors. They'd have to have your signature or mine. Maud. They don't know mine. Couldn't she sign it? Howitt. (Going up c.) It's impossible. He wouldn't have left it with her — (Slower. Goes to her) — not unless he thought she was Mrs. Howitt. Maud. (Rises and goes R. Turning sharply to How itt ) She was alone here. That messenger took her absolutely for Mrs. Howitt — and she let him. Howitt. (Going l. Frowning) Curious way to behave — if she did. Maud. One thing's certain: she didn't do it to oblige us ! Howitt. No ! (Sorely.) Maud. (Going c.) Well, that brooch is mine, and I want it. Howitt. (Turning to her sharply ) Wait. Driv- ing down to the dock, Eleanor asked me if the brooch came to a thousand dollars. This Price girl had been making her nervous, I suppose, over ex- penses. Well — I told Eleanor it was five thousand ! Maud. All right; let her think it was five. (Steps away r. to couch.) Howitt. (Steps after her. Quickly) I sent them her check for twenty-five yesterday. (She turns) There isn't a chance on earth but that Strom- berg sent the receipt out here with the brooch, and the Price girl's got it, — if she's got the brooch. (Enter George c.e.J THE COUNTRY COUSIN 103 George. (Coming to c.) Uh ^Maud Howitt starts at sound of his voice) Do you know is Miss Price coming down again ? Howitt. (Giving her a hint) Maud was just going up to ask her if she wouldn't come down for a little talk with us. ("Maud goes to R. of piano.) George. Oh ! Maud, f Grimly, going to r.eJ She'll come! That's all I'll ask her to do. (Stan nods. Exit Maud r.e. Howitt goes up r. back of piano, looking after Maud — frowning. George comes down steps — goes slowly to chair r. of table.) George. (Rather dreamily) Odd world, isn't it? Howitt. Very. George. (Still dreamily) You know I've never liked many people. I wonder if they've thought much about it ? Howitt. I dare say not. George. It just struck me that you can think a great deal about people not liking you. In fact, you can think most of all about somebody that dis- likes you. - Howitt. (Paying no attention — with his back tozvards GeorgeJ I dare say. George. (Gently) Yes. (About to sit in chair R. of table) Fine night out, isn't it? Howitt. (Turns — goes to c.) George, would you mind going out for a while? ^Maud enters) Maud and I have something rather intimate to talk over with Miss Price. George. (Going to steps c. Blankly) Oh! Cer- tainly ! Howitt. Thank you. Maud. Oh — eh (^George exits c.e. How- itt motions her not to speak. She goes to him at c.) io4 THE COUNTRY COUSIN Eleanor's asleep. They didn'1 talk. Her maid told me. (In a breath) We'll ^et thai brooch and get rid of her, tool 1 1 ow itt. Where's (Nancy ruins k.k., carrying her sewing-bag. She stands k.c, looking at HOWITT. Maud goes R.C. to Nancy. I low itt stands C., looking se- verely at Nancy. ) Maud. (Starts to Speak - weakens. Turns to lTowriTJ I thought I'd just lei you ask Miss Price about it, Stan, in case IIowitt. (Takes a step towards Nancy) Yes. It's aboul the jeweller's messenger thai you saw this afternoon. Miss Price (Broken.) Nancy. (Comprehending, speaks quietly) Oh, about him. (Sits l. end of couch r. ) IIowitt. (Merely questioning) lie left Airs. Howitt's brooch with von? And the receipt? (She does not speak) You didn't understand me. I'm asking for Mrs. Howitt's brooch. NANCY. ( Lifeless /one ) I'll talk about that with Eleanor -when she can. ( Maud gives IIowitt a look— 'Crosses to chair L.C. I HOWITT. (Stiffening, doing to Nancy) May 1 ask when von propose to consider thai she "can"? Nancy. (Significantly) Not to-night. IIowitt. (Incredulously) You surely don't mean that von refuse to turn over my wife's prop- erty when she demands it ? Nancy. I'll speak of it only ie> Eleanor, Maud. (Sits chair l.c. Sharply) Make her ad- mit she's got it ! Howitt. It strikes me she has admitted it — rather! (To Nancy) You actually wish to put THE COUNTRY COUSIN 105 yourself in the position of declining to turn over M rs. 1 1 < ) wilt's brooch to her, do you ? (Short pause) Very well ! I didn't believe you'd walk into this house and take something without thinking your- self, in some crazy way, in the right about it. Nancy. (After giving him a long, keen look) Go on, Mr. Howitt. Howitt. It strikes me that perhaps your Uncle Ben left you out of his will 'because he knew you had — traits such as have just come to Our notice, here. Wasn't that the reason he left it all to Eleanor? Nancy. (Mildly) Oh, no. The reason he lefl it all to Eleanor was because the rest of us were getting on all right. But Eleanor's mother had had all her money spent for her, long ago. Howitt. (Controlling himself with difficulty) Miss Price, my wife and I are willing to keep the whole thing quiet even from Eleanor herself. All you've got to do is to turn that brooch over to me at once, with the receipt that came with it, and to- morrow you can pack up and make some excuse for being called back home. ("Nancy chuckles at this.) .Maud. Well, well? (Rises.) Howitt. Now, Miss Price. Maud. Stop being polite! Howitt. I will. It's about time we stopped be- ing polite to you ! Nancy. You can't, you can't stop anything you haven't begun. ("Howitt goes up c, then down L.cJ Maud. (Crossing to Nancy,) Don't you take that tone with us. You think you'll tell Eleanor about the price of that brooch, and make a great hit with her and damage her father, don't you? /Howitt up and down l.c. during this) Of course, 106 THE COUNTRY COUSIN we'll have to let Eleanor know that we told her the brooch was five thousand dollars to give her the pleasure of thinking she was making such a pres- ent, but naturally we intended from the first to make up the other twenty thousand ourselves ! Howitt. ( Coming down l.c. Delighted) Of course. That's it ! Maud. You ought to be devilish thankful we don't send for the police ! How itt. (Taking a step forward) Miss Price, if you think that's an exaggeration, I'll take pleas- ure in making it clear just where you stand. You impersonated another woman this afternoon in or- der to obtain jewelry of considerable value. That's a felony. In addition, you forged Mrs. Howitt's name. \Ye know that. Forgery. That's another felony, Nancy, (Gently ) I helped you to get Eleanor here, Mr. Howitt. I'd gladly commit a real felony to pay for that ! Howitt. We demand possession of that brooch. Do you refuse? 1 said. Do you refuse? Nancy. | Rising. Goes c.) You're getting yourselves all upset for nothing. ("Howitt goes up l.c.) Maud. (Going to her) Upset! You'd better get a little upset, yourself. A maid took a necklace oi mine once : this one right here, that I'm ■:. . Would you like to know where she is now? (Nancy crosses l. to table. ) Howitt. (Coming don r) Mrs. Howitt didn't put that one bit too strong. Miss Price. That brooch belonged to my wife from the moment Strom- berg got the check ; and the minute we allow him THE COUNTRY COUSIN 107 to discover that it was taken from his agent by fraud and forgery, the case is out of our hands. ( Nancy goes front of table and up l. to mantel.) Maud. And God help you when it gets as far as that ! Howitt. (Going up c. Beginning fiercely) If I could reach Stromberg on the telephone to-night, I'd Maud. (Crossing L. to table. Grozuing nearer loss of all control) Why, you little Jay, do you think you can come here and ride over me like this? I've been too long in the world for a little country scrub to take my own jewels right off my breast ! When Stromberg has finished getting them from you, you'll be through with interfering in people's family affairs, for quite some time ! (During this speech Howitt walks up and down r.c. Almost shrieking) You were sent on here by Stan's first wife to make trouble between him and his daugh- ter ! You'll see what you get ! fHowiTT goes back of piano to r. of it — then to front of couch. George appears in c.e. — frowning and disturbed. Athalie and Mrs. Kinney, with billiard cues in their hands, ap- pear at u.l.e., looking startled. No pause.) George. (At c.e., speaking quickly and gravely) I don't know what about the neighbors, Maud, but / could hear you at the other end of the terrace. Mrs. K. (Going down r.c. to l. of couch. Quickly and loudly) Of course we could hear you outside, but Athalie. (Leaning over rail l.) But one does love to see! Maud. (Going on violently) What do / care ioS THE COUNTRY COUSIN who hoars me? Eleanor's had to spend all her life out there with those people — having a rotten, dull time of it, too, you bet — and the minute she got with her lather, where she eould enjoy — (ELEANOR, in a peignoir, her u. forearm across Iter forehead, in pain, enters R.E. /<> below eoueJi) — herself, they sent this woman on to get her back, for fear she'll Spend a little of her money on somebody else but them! ( Crosses to rx, ) llowriT. (Looking r.e, and exclaiming. Goes to tier) Eleanor! Eleanor. (As she enters) What w all the noise about ? Nancy. (Crossing R, to c.) Nothing for you to worry about to-night. Maud. (Coming down between them. With a loud laugh ) No! Not to-night! Eleanor. Oh, Nancy! (George comes do\ steps — goes back of table to l,J Couldn't you let things be peaceful just to-night, when you knew I had this headache? I can't stand it! (Falls back lowi rr's arms.) NANCY, ( Taking a step toward her) Then just let me take you back to bed, dearie. How itt. [Intervening, and placing his arm around Eleanor, who turns to him) If von please. This is my daughter, and if she needs any attention, my wife is going to give it to her! ( Beckoning to Maud with his head ) Maud ! ( Maud takes Eleanor in her arms. ) Eleanor, Nancy! Nancy! What have you been doing? Maud, What's she been doing every minute since she got here Trying to set you against your father! Eleanor, Oh, Nancy! If you'd only have a little tactl THE COUNTRY COUSIN 109 Howitt. (Bitterly) Tact ! Nancy. (Crosses to R.C.J You said you could give her a "larger and brighter life" Howitt. (Hotly) Isn't it here? Hasn't she got it? Nancy. It's here, somewhere, but she hasn't got it! You said she would meet "people of dis- tinction !" These? You might as well have brought her into a nest of rattlesnakes! (Crosses to chair L.CJ Howitt. (Crossing to Nancy,) Miss Price! I warn you to spare my daughter this outburst to- night. You'll talk to-morrow morning. Nancy. I'd rather talk now while I have a chance ! ('Howitt crosses up r.c. to r. of steps.) Eleanor. (Protesting sharply) No! Maud. No. I don't think Eleanor will care to hear anything from you, after your calling all her dearest friends "a nest of rattlesnakes !" (Starts to take Eleanor to r.eJ Nancy. (Taking c. With fire) I shouldn't have called you that. A rattlesnake doesn't lie and he doesn't drink ; his family is one of the oldest in the world and you never heard of his mentioning it or even thinking about it! Maud. (Loudly derisive) There's one for you, George ! (Turns — with Eleanor r. of couch.) Nancy. (Taking them all in — works her way Up steps) And when I think I compared him with people who live for highballs and ragtime — and money that comes any way that's easy — people who judge humanity by whether humanity carries a leather suitcase or a wicker one (Mrs. Kinney drops dozun to l. of couch.) no THE COUNTRY COUSIN George. (Going up to Nancy) You're wrong ! You're wrong, I tell you! When you attempt to say (Broken.) Nancy. (On c. of top step) I am wrong! And I ask pardon — of the rattlesnake ! I tell you a rat- tlesnake is a good American and some pretty good Americans put him on a flag once, "Don't tread on me!" it said. A rattlesnake lets you know when he's going to fight, and he rights fair, but he strikes with every ounce of strength he's got in him ! Oh, you little people you, how I wish you were like him ! How I wish / were ! (She runs out c.e .) WARNING CURTAIN (After Nancy's exit. Nancy to finish strong, let applause come as hard as possible. Confused speeches together, angry and surprised voices.) Maud. (Front of couch with EleanorJ A very pleasant exhibition ! Pleasant behavior for a guest ! (Ad lib.) Mrs. K. (At r.cJ What — did — she — mean? Great treat for visitors ! "Come to see us and get called a rattlesnake." (Ad lib.) Athalie. (Leaning over railing lJ No mean- ing to what she said ! Howitt. (Coming down, c.) I suppose you might as well all understand, this whole trouble was over a brooch of Maud's. Now WHAT did that outburst of hers have to do with a brooch? — What did IT have to do with ANYthing? What on earth was she talking about? George. (Back of table l. Loudly, with im- mense conviction) I can tell you ! Howitt. (Amazed) Youf George. She was right, too ! Right to the min- THE COUNTRY COUSIN nr ute! She was doing it again! She WAS! I know what she was talking about ! Howitt. (Fiercely) You do? Then for God's sake tell us what was it? CURTAIN George. (Inspired) The United States and the Kaiser ! Playing time — 24 minutes. FAST CURTAIN ACT IV Scene: The same as Act III. Morning, At the fable l.c. seated r, of it. stu . is Mrs. Kin- ney, in a becoming g dress, eakfast with Cyril, who is l, of table. He wears es':, or other type summer ning suit. A newspa ber i at Mrs Kinney's right She is reading it. Cyril lass and sighs with painful sai on. Mrs. Kinney reads scene. Mrs. Kinney You'd better eat something. I think! (Alluding to glass,) Cyril. all pinch of toast) Oh. I do, ' do at '..' . drinks ogam. I Mrs. K. CoU :'.';. Fve told you. you'll go the way your father did. That ends my responsibility, .'. ' Facing front, ) Cyrii . It's wonderful, mumsey, how well I don't SI tful pause I o\ to have taken coffee after er, last night: it always Mrs. K. Don*t bother me with your trouble?, we had some real excitement last night. That Miss Price, Cyril, What did she do? Mrs. K. She raised Cain. Cyril. What like: Mrs, K. (Coolly Like the devil! Insulted us all — went quite out of her head — called us ''rattle- snakes" Cyril. Well, well! 112 THE COUNTRY COUSIN 113 Mrs. K. Oh, she quite laid your performance in in the shade — even your getting yourself knocked down. Cyril. (Nervously, sloivly) My "getting my- self" — what? (Touches his chin anil moves it rust- ily) Oh, that's what did it! Mrs. K. Really, doesn't it make you rather tired, knowing what an ass you made of yourself, last night ? Cyril. But I don't know ! Mrs. K. Sometimes you take me back quite to the days of my honeymoon, you're so like your father ! (Resumes reading. ) Cyril. (Plaintively) Why, mumsey, you're sen- timental ! Mrs. K. Yes, your father never could remem- ber anything — about the preceding evening. Cyril. That's the one, single blessing of a morn- ing after a preceding evening. But it doesn't last. Your best friends always tell you. So go ahead, mumsey. Who — who'd you say hit me? Mrs. K. Archie Gore. Cyril. (Timidly) What — what for? Mrs. K. (Coldly) Because you were tickling Maud Howitt. Cyril. (Smiling faintly) That all? Why, / must be a rogue! What did Gore hit me for? Mrs. K. (Sharply — spacing words) I said, be- cause you were — tickling — Maud — Hozvitt. Cyril. I mean, it doesn't seem very subtle of him. Howitt was there to hit me. Mrs. K. Maud's very imprudent. Cyril. I don't think Maud and Stan will be very rough with Gore over it, though. Mrs. K. No, not so long as he keeps poor Stan in his firm. Cyril. Guess I'll be humane and let old Gore off, myself. I like his boat. ii4 THE COUNTRY COUSIN /'Athalie enters l.u.e., wearing summer morning dress; rather "extreme" and fairly short. She zvears a hat; has parasol.) Athalie. (As she enters l.u.e.J Good morn- ing. (They respond. Leaning over rail L.J How are all my fellow rattlesnakes, this morning-? Did you ever know anything quite like that girl's goin' off her head the way she did ? Has anybody seen George? (Both shake hands; Cyril is sorry after shaking his) What's the idea, breakfast in here ? Mrs. K. After last night you don't suppose we want to sit at table with the Price woman, do you, old party ? Athalie. (Joining them) Had mine in my room. Not much sleep, my room bein' next to young Eleanor's ! Maud spent most of the night with her, and Stan was there bright and early, thank you, headin' off the Price girl from goin' in. She hasn't got to see Eleanor, yet. What's your news? (Sits on rail L.J Mrs. K. (Picking up paper, bored) Nothing. Only this tiresome war. I don't see why they keep it up so long. I should think they'd have been bored to death with it ages ago ! Athalie. My dear thing! I don't mean that. I mean what's Stan told you about the Price per- son's turning out to be an amateur Raffles. (Slyly) Stan tells you everything, doesn't he, Janie? Mrs. K. (Coldly. Indignant — puts paper on table) I don't quite care for that, you know. Athalie. (Amused glance at Cyril J Tactless of me — with the children present! Apologies. Now tell us. What's really up? Mrs. K. Eleanor's put everything absolutely in her father's hands. I think there's to be some sort of sfeneral riot. THE COUNTRY COUSIN 115 Cyril. (Tired) This Miss Price must have been quite the rowdy ! Athalie. Curious type — the provincial adven- turess. ^George enters slowly r.e. with a note-book and thin volume of an encyclopedia, which he is dream- ily reading. Mrs. Kinney notes him first.) Mrs. K. (Negligently) There's George. Athalie. (Rising quickly. Going to c. of plat- form) George ! George, have you heard (As- tonished. Stops) What on earth are you doing with a book? George. (Quietly, as he comes to couch r.c J Reading, Athalie. Cyril. What ! Athalie. (Profoundly puzzled) Very strange ! (To others) What do you make of it? Mrs. K. Recent events have deeply affected his poor mind. (Indulgently) What is the book, George ? George. (Sits couch r.c. Absently) Reference book. I've been making some notes. Athalie. (Coming down r.c. above him) For heaven's sake ! What about ? George. (Mildly and studying his scribbled sheet) It's very surprising but it seems to be so! (Reads) "Although New York and adjacent set- tlements take a pardonable pride in their vast size and rightful importance, it is difficult to deny that at the close of the Civil W T ar, the two ranking-gen- erals in command of all the forces of the United States both came from a state at some distance from this great center. In fact, it is also difficult to deny that while only nine citizens have been elected to che presidency of the United States, since the Civil War, actually six of these nine presidents were born n6 THE COUNTRY COUSIN in the same state which supplied the two generals just mentioned. Note. There must be so reason For this. Ohio also produces more pig iron than New York and all the New England States combined." (Thi out, he is st and se- s. \ MRS. K. What special brand of tomfoolery is all that? Cyril, (Hushes her) Let'mgoon, It's botany, adjusts chah . : sry interested, George, (Reads) "Again, : .-\ the production of agricultural implements, women's knitted, goods and iron castings, Ohio stands M Athalie, George, I jus: hate information! ( Moi cs and a\ ■.■'.-.'■ ■•:. S&s on l. of settee Are j . u uite sober? George, Graz eb v ;>. Quite, AniALiE. (Puts her arm a\ I George you mustn't he queer. [t*s not your line, poor dear. What is it? , Rises — takes his hand >s to pull him up ' Come somewhere and tell me. Cyril, (Gently oachful, grinning over his glass) Why, Athalie, I thought the boy was sup- posed to he here eanor's account! Gi Rises, Detach isclf from Atha- lie dreamily) Has anybody seen Miss Price? Mas. K, With a sour s>ni!e) No: precisely! oken.) Amu it. .' •:.- ed \c S You've C in provincial adventuresses, are you, Geo] [*ve never Pound anything unwholesome about you fore. Sits a i-:v ;.• •. fgnot ' : . '-■ crosses to c, Id like to find Miss Price, Mrs. K. V From " Athalie, Faking .-. p he s >eecl a Yes, From what Stan tells us. you're going to see little Miss Price under unpleasant circumstances! THE COUNTRY COUSIN u; Mrs, K, (Rises— moving to terrace) As a sort of reparation to us, Cyril. (Rises — goes to C.E.J Lot's go gel a lit- tle open air! (Exit Mrs, Kinney and Cyrii. fo terrace*) Atiialie. (Following. Coolly, no pause, cover' ing their exit) Quite, oh, Georgiel St.-m means to make a holy show of the poor thing! Possibly you'll find the exhibition trying? (Enter Pruitt, troubled - speaks quickly as he en" tersj Pruitt. I beg pardon, but there's a person that insists on seeing Miss- -Eleanor. He can't see her now — (Turning to k., protesting) — oh, no, kindly wait in the hall — not in here I ('Sam Wilson enters briskly u.. very determined. He wears a new Hart, Shaffner and Marx ready-made $13 suit that doesn't quite fit; a preposterous green hat of Tyrolean modal and American make. GEORGE and ATHALIE, she up terrace, regard him diimhfouudedly.) S.AM. (As lie enters) You go tell her just what I told you! Say it's somebody from Centreville — 'I want to surprise her. Atiialie. More from Ohio? Why don't you kiss him, George? (She is up at terrace about to exit.) Sam. (Wheeling suspiciously, crosses to c. ) What? Athalie. (To Sam) This gentleman adores the middle West. Tell him all about it. Be woolly. He'll love you ! (Exits to terrace.) n8 THE COUNTRY COUSIN Pruitt. Indeed, you'd best wait in the hall! Sam. (Crisply) You wouldn't be tellin' me where to wait — if you knew who I was. George. (Sudden idea) By Jove! I know! I've got you perfectly ! Sam. What? George. I mean to say, I know who you are, you see. Pruitt, you needn't wait and don't — ah — mention him to awybody. ('Pruitt exits, worried but acquiescent.) Sam. (On his guard) I know who you are, too. You were with her father when he came for her. (He reaches out — takes George's hand and shakes it.) George. Yes, and you were the neighbor boy that made such a noise . . . shouting — "El-a-an- aw." Sam. (Puzzled) "El-e-an-aw ?" Oh, you mean Ellunner ! George. (After a thought) Ah— "Ellunerr" ? It's just possible we mean the same thing — that is, Miss Howitt? Sam. (Emphatically) That's certainly who I'm talkin' about. George. (With no expression upon his face, but with voice emphatic and serious) I'm very glad to see you, indeed ! (Offers his hand.) Sam. (Shaking hands unsmilingly) I stood not seein' her just about as long as I could and when Miss Price left I couldn't stand it, so I sold a man- dolin and my bicycle and my last winter suit and mother's lawn-mower and borrowed twenty-eight dollars from the bank on my note and hit an ex- cursion to New York City and trolleyed from there. When I make up my mind to do a thing I do it, and it's time I saw Eleanor, and time she saw met THE COUNTRY COUSIN 119 George. (Gravely) You — ah — feel that her sentiments (Broken.) Sam. Why, we're just as good as engaged. George. "Just as good ?" Sam. "We're going to be. It's the same thing — practically. (Quietly — facing front) I need her and she'll have a wonderful life. George. Ah — you think she feels — ah? (Bus. He takes a letter — not in an envelope — from his pocket.) Sam. Look here. Here's the last letter her mother got from her just before I started. She gave it to me, and she thought it was a good thing I was coming. Read the last line It's about me. (Giving letter to George.J George. (Reading) Ah — "Lovely new life all just what I dreamed." Sam. No, no— the last line. George. ''Though sometimes — sometimes — just for a minute — I feel sort of queer — like being home- sick. How is Sam Wilson?" Sam. That tells it, don't it? George. (Puzzled, re-reading) "How is Sam Wilson ?" Sam Wilson. Is that one of their — ah — menage ? Sam. Who? It's me! (Taking letter from him) Look at it: "homesick — how is Sam Wilson?" I'm Sam W r ilson. Wait till she sees me, and you'll understand ! George. (Staring at him) I've encountered a great many types, but, I mean to say. you do strike me as a most remarkable young man ! Sam. You've got to be remarkable these days if you're going to get where I'm going! George. More and more the central West re- veals itself as a marvelous place ! It's queer, cer- 120 THE COUNTRY COUSIN tainly, but it really seems one's duty to try to comprehend it ! Sam. (Stepping back, looking him over) The way I size you up you must belong here — East. George. I hope you'll forgive me if I'm still able to say "Thank God I do !" Sam. Yes; everybody ought to stick up for his own place — no matter what he really thinks of it. (Sits on couch r.c. Pulling up each troaser leg in an awkward manner. Crosses his legs. Seri- ously. Sam never has a gleam of humor.) George. (Blank expression) And, of course, one ought to be polite about someone else's part of the country — no matter what he really thinks of it! Sam. (Briskly) That's the way / do. (Slaps sole of right shoe.) WARNING VOICES George. (Mildly) I'm trying to. Sam. It makes friends for you. George. I was hoping it might make one. Sam. (Leaning back — arms outstretched) I found that out years and years ago ! George. (Polite tone, almost genial) I believe / might have discovered things like that, at the — ah — evidently early age at which you did — if I'd had perhaps just a little more — ah — self-assurance. Sam. (Easily) Yes, everybody ought to have some. A little, anyway. George. Mr. Wilson, let me speak frankly Sam. I'm ahvays frank. It pays. The more you speak out the more you get to be believed — especially about yourself. George. (Steps back) Frankly then, there's THE COUNTRY COUSIN 121, something about you that convinces me you will get what you want. Sam. Why, certainly! VOICES OFF r.u, George. Just now you want to see Eleanor, ah, I mean Miss Howitt. Sam. (Rises and goes to him at c.) Well — ; what do you suppose I gave my note at the bank, sold my mandolin, mother's lawn-mower and my (Broken.) George. You happen to arrive rather in a time of difficulty, you see. (Voices again) Would you mind (Pauses, glancing toward up R.J Sam. All I want's to surprise Eleanor. Then you'll see. George. There's a rather dreadful phrase — "phychological moment" — what? Do you mind waiting for it? Sam. Where'll I wait? George. (Pointing to door r.) Just yonder. I think you'll find a trunk there — to sit on, I mean to say. Sam. (Going slowly, distrustfully. Turns) You aren't trying to be funny with me? George. Ah — this isn't a funny morning. (Voices on terrace.) Sam. Well George. (Hastily) And would you mind — all — hurrying? (Exit Sam r.e. George turns his back to front, hid hands behind him. Goes to R.c. Howitt en- ters l.u.e v frowningly alert and grave; gives George a short look, then comes down steps — \ goes l. to above mantel — pushes wall button — •. then goes up to l. of steps.) 122 THE COUNTRY COUSIN Howitt. (Speaking to off, up c. quietly) Will you come in, please? (Mrs. Kinney, Cyril and Athalie enter from ter- race. Howitt waits till they have come down. Pruitt enters down r.) Pruitt. (As he goes l. to table) I told Miss Price. She is here, sir. (Gets tray of dishes and exits up r.) (Exits. Nancy enters down r.) Nancy. (Gravely to all) Good morning. (She 'comes down slowly.) George. (Gravely) Good morning, f George 'stands looking at her.) r fMRS. Kinney comes down to couch r. Cyril l. of c.e. Athalie r. of c.e. on landing.) Howitt. (To others) It's very disagreeable, but this young woman — (A few steps toward Nancy J — included you in her insult to us last night. I thought you should be here. Nancy. (Going to him to up c.) Mr. Howitt — (Voice brave but a little tremulous) — you are going to let me see Eleanor ? Howitt. (Significantly) Yes, we are! (Turn- ing to l.u.eJ All right, Maud. (Maud comes in l.u.e. Eleanor, very pale, fol- lows her, coming down.) Nancy. (Stepping toward her) Dear- (Maud steps between) Mr. Howitt, I want to speak to her alone. Howitt. (Shortly but quickly) Not at all. I THE COUNTRY COUSIN 123 Mrs. K. (Sharply) I suppose we're to expect some sort of apology from (Broken.) Howitt. No. f Cyril sits on arm of chair l. of c.e. George at lower r. end of piano.) Maud. (Quickly) Good gracious ! She doesn't understand apologies! I think you'll be satisfied, though, Janie ! (Crosses back of Howitt — goes to chair l. of table. Athalie goes down r.c. to back of piano. Mrs. Kinney sits — couch r.c J Howitt. (With arm around her) I want to make one thing clear at once. Maud's explained to all of you, I believe; and Eleanor perfectly under- stands that we deceived her about the price of Maud's brooch because we wanted to give her a lit- tle added happiness in thinking she gave all of it. That is understood, isn't it, dear? Eleanor. (In low voice) Yes. (Drops down to chair r. of table.) Howitt. Very well. Now, Eleanor. ("Maud sits in chair l. of table.) Eleanor. (Can't face Nancy — turns front) Nancy, we've had your trunk packed (Broken.) Nancy. (Steps to her) You've listened to them pretty long, Eleanor. Don't you want to hear what I have to say? Eleanor. (Drops down front of chair) It's — it's unnecessary. (Unhappily, jerkily, and like a les- son committed to memory) Nancy, we've had your trunk packed and your luggage has been brought down and put in the hall 124 THE COUNTRY COUSIN Howitt. (Indicating r.e.) Just yonder !^ Eleanor. Mamma made a great mistake in sug- gesting your coming here, and, of course (She turns unhappily to Howitt. Howitt nods to con- tinue. Going on) — of course, that makes me doubt her judgment in the future. We feel, though, the whole thing has been a lesson and the best thing to do — after you've given Maud her property — is to have as little scandal as we can. ^Nancy moves slowly down to her) Nancy, the way you've acted here has made it plain that Maud is right and you — (Gulping) — were jealous because Uncle Ben left it all to me, and so you came to see what you could get for yourself ^Nancy takes brooch out of her pocket. She lifts the brooch in its case in her l. hand, for Eleanor to take. No pause for this. Nancy gives the brooch without looking at it; looking front. Going on as she takes the brooch, not glancing at it) And you thought you could keep this — this (Sinks into chair R. of table. Abruptly turns to her father, wailing) Papa! I can't ! When I look at Nancy, all those things don't sound true any more ! Howitt. (Coming down to back of her chair. Hotly to all. Trying to hypnotize her) Do you see what a poor little tender heart she's been imposing on? Now, dear. Eleanor. Nancy, the servants will see that your luggage is taken to the station. Maud. And you might suggest to Miss Price that there's a pleasant waiting-room at the station. (Lightly. Movement half of protest front George.J Eleanor. Papa ! Can't I stop now? Athalie. (Loudly, as Eleanor clings to How- itt, pleading) Look at George Reynolds staring at Miss Price! I believe she's making him actually sick ! THE COUNTRY COUSIN 125 George. You're absolutely right! She's been making- me sick ever since she got here ! (Maud and Athalie and Mrs. Kinney laugh approvingly) I mean to say of me — and the whole beastly outfit of us — I mean to say — and so forth — and that's what I mean to say ! Eleanor. (Quickly) Papa! Can't I? Howitt. (With indignation, ignoring GeorgeJ No, we might like to be lenient, but this is a case of right and wrong. Everyone here sees that (Broken.) George. (Crossing to c. Breaking out after a long period of self-repression) Oh, I say! Isn't it about time you see what everyone here does see? (General exclamation. Athalie drops down to R. of piano.) Howitt. (Hotly, turning toward him) What's that? George. (Hotly) That Miss Price knew this little girl had no business making such an extrava- gant present to her stepmother and didn't know the cost of it at that ! Eleanor hasn't been able to talk of it with her till now — and she's got the thing in her hand, hasn't she? ('Nancy comes down a step.) Howitt and Maud. (Speaking almost together, fiercely) What of that? What are you George. Eleanor's the person that paid for it and she's the one Miss Price took it for. Well, she's got it, hasn't she? (Turning sharply to Nancyj Miss Price, you'll be wrong if you think — well, they're not all — like us! Nancy. (Very quickly) I see that — now! Howitt. Are you through interrupting? 126 THE COUNTRY COUSIN George. It's perfectly plain Miss Price took a chance of this kind of thing and that she did it to watch over her cousin. You want to go on making Eleanor insult her (General exclamation.) Athalie. What's the matter with " George ? Maud. He's crazy! >Tog ether. Howitt. (Going up l.c.) Oh, piffle ! Mrs. K. What a rotten row ! George. (Crossing to Howitt. Nancy goes r.c. Going on) You put your daughter through a few more such stunts and you'll lose her, you fool, and serve you jolly well right ! Howitt. (Violently to George J Have you fin- ished ? George. I'll leave the house when I have! But I'll say one thing first ! (Coming down a few steps to EleanorJ Either Eleanor isn't worth Miss Price's making the sacrifice of this humiliation for — or if she is worth it she won't stand -for it. Eleanor. (Miserable, quickly) I ought to have stayed in Centreville. I don't know what to do! (Head on back of chair — she breaks down.) ( Under cover of this George has gone to door r.e. ; he speaks instantly upon Eleanor's speech and all the action is swift. Nancy goes to Eleanor to comfort her, but is prevented by Howitt, who comes between — she goes up c. a bit.) George. (Loudly) Come in, Mr. Wilson! (Sam enters quickly to c, grinning. Nancy comes down c. — takes his hand. Instantly at sight of him Eleanor utters his name with a loud out- cry.) THE COUNTRY COUSIN 127 Eleanor. (Going to him) Oh, Sammy ! (^George crosses proudly to R.c. ) Sammy ! Sam, Eleanor ! (She seizes his hand, not pausing an instant, and runs, taking him along with her, to r.e. — they exit. General exclamation. Cyril comes down steps to back of piano, looking r.) Howitt. What are you doing? Maud. (Rising) Who on earth is > Together. this idiot boy? J Howitt. (Looks at Maud in dismay. Follow- ing her, anxiously) Eleanor, where are you going? Eleanor. (Off-stage, as she exits with Sam J No, no, no, Papa ! /Howitt following her off.) Maud. (Crossing to George at c. To George. As Howitt exits) Who was that boy? George. All I know is he said his name was Wilson and he was going to be engaged to Eleanor. Maud. What ! ^Maud exits hastily r.) Athalie. At least she's through with Miss Price! Cyril. Yes ! (Going r. — follows them off.) Mrs. K. Let's see what's up ! (Exeunt the three r., quickly. George remaining — looks after them.) c. Nancy. (Sits R. of table — head bowed. To George J Thank you. 128 THE COUNTRY COUSIN George. (To Nancy,) You said — you knew we weren't all, like this. Nancy. Yes. George. Maybe not even — me? Nancy. No. Not "even" — you, George. Where are you going? Nancy. (Gently) Why — 'back to Ohio. George. Without Nancy. No. Not without her. George. (Doubtfully) They're at her pretty hard, I'll venture. I'm afraid they won't let her take even Mr. Wilson very seriously. Nancy. He's going to be a great man, and I be- lieve in him now, as much as he does in himself. George. You seem — to have accomplished a mor- tal disturbance, Miss Price. Nancy. I'm sorry. George. Ah — just for a minute you seem to have forgotten how conceited I am. Nancy. Why, I did forget that, just for a min- ute! George. / meant in me. A — a mortal disturb- ance in me. I've been — ah — ignorant. (Alluding to his book) But I've been studying. You see, I always got Ohio and Iowa and even Idaho all mixed up. But now I see they're not the same thing at all! For instance, when it comes to the manufac- ture of trunks and bags and suitcases, Iowa and Idaho are simply nowhere. And, for instance — that is to say: Well, I find it very pleasant to think about Ohio. Nancy. (Gently, gravely) And so you're try- ing to keep me thinking of something pleasant while I'm waiting. George. (With a little apologetic laugh) Uh — no. I'm only trying to keep you waiting. I know I've convinced you I'm utterly an ass — but I — I'm not! THE COUNTRY COUSIN 129 Nancy. (Absently) No, no. George. Well! That's quite a startling admis- sion from you! (Truitt enters R. with Nancy's hat and coat. Goes to R.C.J Pruitt. I beg pardon, madam, but the luggage wagon is here, and we've loaded your box upon it — your trunk, I mean to say. George. (Sharply ) Get my bags down from my room, will you, and put them on the wagon? Pruitt. Yes, sir. (Crosses to Nancy — gives her her hat and coat) Beg pardon. But Miss Howitt has ordered the wagon to wait for her own trunk. George. By Jove, has she? Pruitt. Yes, sir. Miss Howitt and two maids are packing Miss Howitt's trunks and that young man is standing around talking a great deal and there's quite a commotion. I fear (Broken.) ("Eleanor runs in r.e. Sam stands grinning at r.e. Pruitt exits r.e. J Eleanor. (Breathless) Nancy, if you just hadn't stood there — if you'd said anything back, — (Crosses front of George to l.c.) — I've told them — they can have the brooch — and the house for the rest of the time — and everything I've brought here — they can have the whole thing — it's cheap at the price! (She runs to Nancy — falls on her knees at her feet — putting arms around her — pause — Sam takes a few steps to R.e. — she continues) Wait for me ! We'll go as quick as we can ! I want to be gone — to mother (Broken. AH fast here.) WARNING CURTAIN 130 THE COUNTRY COUSIN Nancy. (Seriously) With Sam and me? ("Eleanor holds out her hand to Sam — he swells out his chest — crosses to her — takes it.) Eleanor. Sam's got half of a round-trip ticket left to go back on ; he's so independent ! (Looks up at Sam — gives his hand a strong shake.) ^Nancy holds out her hand to him — he takes it — • shakes it once — pulls Eleanor to her feet. Puts her r. arm in his left. Beckons twice with his head for her to come. They start to go R. — stop c. — seeing George — Sam slaps him twice on the chest — puts out his hand — George takes it. Sam gives it a strong single shake. Swells out his chest and struts with Eleanor to r.e. and exits — all this done with sincerity.) Nancy. (Quietly, thoughtfully) Yet I don't think he's good enough for her. George. You didn't think / was good enough for her either, did you? Nancy. No — I didn't. . George. (Helping her on with her coat) Well, everything you've done here shows that you think more of Eleanor than you do of yourself. God knows why ! Perhaps you'd think what wasn't good enough for Eleanor might be (Broken.) Pruitt. (Entering with a suitcase) Beg par- don, but did you wish to take this with you in the (Broken.) George. (Sharply) Here, give that to me I (Taking suitcase.) CPruitt exits R.) Nancy. Put it down. It's wicker. THE COUNTRY COUSIN 131 George. Wicker? It's my whole education. (Gently) Couldn't I carry it for you? Nancy, To the car? George. No, to New York where you'll take your train for Ohio, and I'll take mine for — the training camp at Pittsburgh. (Quietly.) Nancy. You're going to Pittsburgh? (Be- wildered.) George. Due to-morrow. Maybe I won't turn out such a bad old American rattlesnake after all. If I strike Nancy. (In a hushed voice, but with fire) Strike hard ! George. (Noting her face, which is startled but alight) Will you — love me — if I do? Nancy. (Breathless) Everybody will! ("George puts suitcase under his left arm — extends his right hand to her. Lifting her face bravely. Their hands meet, but they do not embrace or kiss.) CURTAIN Playing time — 23 minutes. ACT I PROPERTY PLOT Bookcase tilled with book backings. Below door R, Bookcase filled with book backings. Above door k. Bookcase filled with book backings. Up c. be- tween windows. Mantel— on fiat t.. — below door. ire-irons, fire-screen (tapestry), fire-dogs — grate er— in :" v i . to and stool — off stage r. Square piano — R.c. no bench — (tapestry top) — r. of piano. Side chair (upholstered mahogany) back of piano. Side chair (upholstered mahogany) below book- case down r. Side chair (upholstered mahogany) front of * dow i .0. — (back to front V Arm chair (upholstered mahogany) below mantel and table — t .. Couch — front of piano r.c. FoOtStOO] -front oi COUch R.C. Couch — front of mantel \. (facing it). Tall stand — R. of window r.c. Checker board top table front of window r.c. Waste basket — k. of window I >G Lacquer table — l. of window i .o. I £ Si uj THE COUNTRY COUSIN [33 Round table— ^ below mantel (in |og) l. black and gold scarf over It Glass-cased was Bowers on round table l. Gate-leg table — l. end of piano (lefl wing raised). Black side chair (green seat)- below gate-leg table R.c. Large carpet covering entire stage (tan). Window curtains. Draperies owr windows (green velvet). Window seal cushions. Cushion on each window seat. Cushion on chair back of piano. Grass ma! and bed of dowers OUtsidc door up L, — (roses in hedge). Flower beds — outside — on a level with windows. On Mantel Marble clock c. Sword hanging above. Large Framed picture above. Metal figures Of man and wo'man R, and L. of clock. White and gold china vases— each end. Yellow satin scarf. On Couch r.c. Round cushion R, Square pink cushion L, On Gate-Leg Table R.c. Flowered scarf, yellow border. Five books in book ends of Shakespeare's bust. Folded newspaper. Book of astronomy. i .VI NIK COUNTRY COUSIN On l. Flat— 'Below Mantel Picture of Washington. Family photograph in round mahogany frame. On Bookcase Down a. Bus! of Lincoln c. Flowered vases -R. and L. Picture of Grant hanging above. On Bookcase up u. Bust o\' Panic C. Green vase L. White vase u. Picture above. On Lacquer Table up l.c. Blue fringed scarf. Covered work basket. Throe red book's. Glass candalabra. Round picture on wall above. Paper catcher hanging below it. 'On Piano u.c. Music — large chest on L. end. On Bookcase up c Gold bird — c\ Glass candlesticks a, and l. Picture of Gen. Sherman hanging above. THE COUNTRY COUSIN 135 On Tall Stand up r. I lig china lamp and globe ( top). Small white vase (below). Picture of lady, in small gold frame hanging on wall above. Side Props Piano — off r. ( [lass flower bowl o(T r. Astronomy- -table k.c. Newspaper table r.c. Song "Absent" on piano off R. In Bookcase up c. ( uo!v book. "Hamlet." Eleanor's book. For Nance Price. — pair of folding scissors. Two open markel baskets.— one containing wrapped pack- ages ib'' other three boxes of strawberries— (one real) daisies and s wed peas (real). LIGHTING Foots — while — full up. Amber— 1/3 up. 1st — while full up. Amber ]/• up. Borders .|ih and 5th white and blue — full up. Brackets r. and 1.. of mantel (not lighted). Table lamp up k. ( not lighted). ELECTRIC DEPARTMENT 8 — t 000- watt lamps. t — Bunch light. 2 — Brackets. 1 — Table lamp. 136 THE COUNTRY COUSIN ACT II PROPERTY PLOT One large grass mat. — Four small grass mats. Three beds of flowers. One mound of sunflowers. One mound of hydrangeas. One bunch of pink roses — (in hedge up R.). Two urns of hydrangeas. Red and pink ramblers for arbors — R. and l. Stone bench up R. Wicker settee, with two cushions. Two wicker armchairs. One wicker table (large). Two wicker tables (small). Two reed chairs (small, round). One green grass side chair. One red grass side chair. Two side chairs. One mahogany armchair One mahogany square table One 8xio rug > Interior. One baby grand piano and stool One screen 1 SIDE PROPS Victrola — (ofT stage up l.). Two records — "Dengozo" and "Pack up Your Troubles in Your Old Kit Bag." Three blankets to muffle victrola. Train clothes in entrance l.u. Cigarettes in box on table l.c. Matches and stand on table l.c. Four "sporty" magazines on table l.c. Card case and cards (printed) — for "George Tewksberry Reynolds III." ^ * H ■* r al G- o £}%•:% ', ,h ui o5 , i i I- Wtf, f Or ;- o Z r O. -. -i j j 2 efe £«' ! I x -I ^ CO i CO o ■ CC I a 2 THE COUNTRY COUSIN 137 "Vanity Fair" (on chair R. on terrace). Wrist watch (for Maud). Sheet music — song "Absent" (on piano). Wicker suitcase — off l.u.e. Newspaper — off l.u.e. Bar wagon — off l.u.e., containing — Three bottles (Gordon gin, French and Italian Vermouth). Nine cocktail glasses. Napkin. rp , .— ^ I — ginger-ale. .1 wo shaKers ) T • r 1 < i — piece of glass. One bowl (ice). One pair of tongs. Round tray — bottom of wagon. Ash tray (on table back of settee R.c.) Four rickey glasses 1 Glass of straws [>on table R. on terrace. Tray J Brooch and case (wrapped) 1 r t em u » Receipt book I T ,, , ■d • 4. • 1 ^Jeweller s Receipt in envelope [messenger, fountain pen J & LIGHT PLOT— AT RISE Foots — White — full up. Amber — 1/3 up. Blue — Va "P. Borders — White — full up. Blue — full up. Am- ber — 1/3 up. Spots — Frost — 1000-wt. lamps — J / 2 and ^ blue and frost. FINISH OF ACT Foots — white — 34 up. Amber — out. Blue — % up. On cue change slowly to white — 2/3 up. 138 THE COUNTRY COUSIN Borders — Blue — full up. Amber — out. Spots change to steel blue and frost. 1000-wt. lamps — change to marks. — A little frost still uncov- ered. ELECT. DEPT. Nine 1000-watt lamps. Two spots on bridge. One baby spot in foots c. ACT III PROPERTY PLOT Wine-colored carpet (covering entire stage). 8x10 rug in entrance. R. Large rug (from c.e. to steps c). Two small rugs — (front of windows R.c. and l.c). Two urns of hydrangeas — (on piers r. and l. of steps off-stage c.) Two square wicker baskets of ferns (on rail posts r. and l. of steps c). Two wicker flower-box stands of ferns (front of windows R.c. and l.c). Two round wicker baskets of ferns — (one on r. end of piano — one on table up L.). Artificial ferns. Gray, upholstered armchair (r. of c.e.). Gray, upholstered wing chair (l. of c.e.). Tapestry upholstered wing chair (down l. below mantel). Tapestry upholstered armchair (down r. below R.E.). Wine-colored carpet on stairs c. Chintz draperies over three French windows. Single curtain of chintz on pole (on doors up r. and l.). THE COUNTRY COUSIN 139 Double curtain of chintz on pole (arch down r.). White satin curtains on French windows (drawn up)- Two prop, tables (off-stage R.E.). Baby grand piano and stool. Settee — mahogany — (front of "] piano) > I An of Two cushions on settee (x). Lsatne Mahogany library table (l.c.). I pattern. Mahogany armchair (l. of table). | * Mahogany side chair (r. of steps c). J Straight mahogany armchair (l. of steps c). Side table, mahogany (below rail R.C.). Small table, mahogany (up R.). Small table, mahogany (up l.). Two white china vases (on mantel l.). Large framed picture (over mantel L.). Club fender (in fireplace l.). Brass fire screen (in fireplace L.), Fire dogs (in fireplace L.). Fire irons (in fireplace l.). Bunch of roses (in fireplace l.). Blue china bowl (on table up R.C.). Matches and stand (on table up r.c.) Smoking set on tray consisting of match stand — cigarette jar (with cigarettes), ash receiver (on table L.c). * Match stand on tables l.c. and up r.c. impor- tant. SIDE PROPS. After dinner coffee service (china) on large tray with handles (off-stage R.) consisting of — china cof- fee pot — sugar bowl — two demitasse cups — saucers — spoons — two napkins. 140 THE COUNTRY COUSIN Liqueur set on tray — consisting of two glass de- canters — four liqueur glasses on napkin (off-stage R.). Train cloths (entrances — r. — r.u.e. — l.u.e.). Two billiard cues (off-stage l.u.e.). Necklace (for Maud). LIGHTING Foots — Whites — % up. Amber — Full. Borders — ist — Amber and white — full up. 4- 5th— Blue— full. ELECT. DEPT. Five ioocHwatt lamps. One bunch light. Two strip lights. One table lamp Four brackets ^lighted. ACT IV PROPERTY PLOT Same as Act III. Strike Coffee service and liqueur set — 'billiard cues. Breakfast set on very large tray (on table l.c.) consisting of — Coffee pot. Sugar bowl. Creamer. Two coffee cups (coffee poured). Two saucers. Two spoons. - Two knives. Two forks. k\ a. J < u> a < -i — ' o 3 tin 2: i . ' ' L h u < 1 a i — i b x a 0. J X i. CO i- o o tu. Si <4 1 10 -t ca OS Ltl 8 THE COUNTRY COUSIN 141 Two breakfast plates. Two egg cups. Two napkins (opened). Toast rack Four pieces of toast. One tall glass (rickey). These things set on cloth covering entire tray. Morning paper (on table l.c). Cigarettes in holder (on table l.c). Letter (written in ink — no envelope) for Sam Wilson. Encyclopedia volume (for George). Wicker suitcase (off r.e.). LIGHT PLOT Foots — white and amber — full up. Borders — 1st — white and amber — full up. 4th — white and amber — full up. 5th — white and amber — full up. 3 — 1000-watt lamps — up R. — clear frost. 3 — 1000-watt lamps — up l. — clear frost. Change Center lamp on terrace Act III — dead in from < Act IV. Act III Change blue strips — to white strips. 4 brackets and table lamp — out. to Bunch in r. entrance — white and amber. DOROTHY'S NEIGHBORS. \K Brand new comedy in four acts, by Marie Doran, author of "The few Co-Ed," "Tempest and Sunshine," and many other successful plays, males, 7 females. The scenes are extremely easy to arrange ; two plain leriors and one exterior, a garden, or, if necessary, the two interiors til answer. Costumes modern. Plays 2 1 /l hours. The story is about vocational training, a subject now widely discussed; also, e distribution of large wealth. I Back of the comedy situation and snappy dialogue there is good logic and Sound moral in this pretty play, which is worthy the attention of the expen- ded amateur. It is a clean, wholesome play, particularly suited to high school pduction. Price, 30 Cents, MISS SOMEBODY ELSE. J lA modern play in four acts by Marion Short, author of "The Touch- wvn," etc. 6 males, 10 females. Two interior scenes. Costumes mod^ fi. Plays 2J4 hours. '.This delightful comedy has gripping dramatic moments, unusual character pes, a striking and original plot and is essentially modern in theme and treat- Hit. The story concerns the adventures of Constance Darcy, a multi-million- re's young daughter. Constance embarks on a trip to find a young man who A been in her father's employ and had stolen a large sum of money. She (ipost succeeds, when suddenly all traces of the young man are lost. At this lint she meets some old friends who are living in almost want and, in order to sist them through motives benevolent, she determines to sink her own aristo- atic personality in that of a refined but humble little Irish waitress with the Daily that are in want. She not only carries her scheme to success in assisting e family, but finds romance and much tense and lively adventure during the :riod of her incognito, aside from capturing the young man who had defrauded 3" father. The story is full of bright comedy lines and dramatic situations and highly recommended for amateur production. This is one of the, best come- es we have ever offered with a large number of female characters. The dialogue bright and the play is full of action from start to finish; not a dull moment in This is a great comedy for high schools and colleges, and the wholesome ory will please the parents and teachers, We strongly recommend it. Price, 30 Cents. PURPLE AND FINE LINEN. An exceptionally pretty comedy of Puritan New England, in three ts, by Amita B. Fairgrieve and Helena Miller. 9 male, 5 female char- ters. This is the Lend A Hand Smith College prize play. It is an admirable play * amateurs, is rich in character portrayal of varied types and is not too difficult lile thoroughly pleasing. Price, 30 Cents. (The Above Are Subject to Royalty When Produced) SAMUEL FRENCH, 28-30 West 38th Street, New York City Mew and Explicit Descriptive Catalogue Mailed Free on Request THE TOUCH-DOWN. A comedy in four acts, by Marion Short. 8 males, 6 females, but an; number of characters can be introduced in the ensembles. Costumes mod em. One interior scene throughout the play. Time, 2y 2 hours. This play, written for the use of clever amateurs, is the story of life is Siddell, a Pennsylvania co-educational college. It deals with the vicissitudes an. final triumph of the Siddell Football Eleven, and the humorous and dramatic incidents connected therewith. "The Touch-Down" has the true varsity atmosphere, college songs are sungij and the piece is lively and entertaining throughout. High schools will make n< mistake in producing this play. We strongly recommend it as a high-class an< well-written comedy. Price, 30 Cents HURRY, HURRY, HURRY. A comedy in three acts, by LeRoy Arnold. 5 males, 4 females. Om interior scene. Costumes modern. Plays 2% hours. The story is based on the will of an eccentric aunt. It stipulates that he! 1 pretty niece must be affianced before she is twenty-one, and married to he! fiance within a yean, if she is to get her spinster relative's million. Father ha nice notions of honor and fails to tell daughter about the will, so that she mal make her choice untrammeled by any other consideration than that of true love 1 The action all takes place in the evening the midnight of which will see he: reach twenty-one. Time is -therefore short, and it is hurry, hurry, hurry, if sh< is to become engaged and thus save her father from impending bankruptcy. The situations are intrinsically funny and the dialogue is sprightly. 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