■ ■ IV. ■ J i******* Oass_JLE-4141 Book iQi Iffbf 6*1 OX ^0 V "QUIPS AND CRANKS, AND WANTON WII.KS, NODS AND BECKS, AND WREATHED SMILES,* 1 OUfPS and CRANKS BY J HOMAS HOOD. r LONDON: Soutlebgc, ISantc, nnft lioutlriigc, Jfamnjjbmt Street, NEW YORK: 56, WALKER STREET. MDCCCLXL TO THE LADY MOLESWORTH, of pencarrow. My dear Lady Molesworth, I have ventured to inscribe this book to you rather in the hope that your good-nature would invest it with a value in your eyes, than in the belief that it is at all worthy of such a dedication. To myself it is a great satisfaction thus to render, in return for the friendship and the many kindnesses you have extended to me, the best proof of my gratitude that it lies in my power to give. u VI DEDICATION. Such as the book is, whatever its merits or demerits, I feel certain that it will have a welcome at your hands. I have the honor to be Your Ladyship's very grateful Servant, THOMAS HOOD. PKEFACE. my aim is in the following pages it is not very diffi- cult to state. To kill a passing moment, and that not perhaps without profit to the reader, is the purpose for which I put forth my literary canoe on the waters of public opinion. Little excuse can be needed for such an under- taking in these days of much reading. And if it be urged that the collection is of too slight materials to be worthy of publication, I would respectfully Vlll PKEFACE. suggest that as we have "Half Hours with the Best Authors," there is no reason why we should not have Five Minutes with less exalted writers. Such five minutes occur in the lives of us all. Five minutes, when we would fain escape from the pressure of business or trouble. Five minutes, when we are desirous of not feeling how " the world is too much with us " — or against us. Five minutes, that we despairingly devote to the mysteries of Bradshaw or the supplement of the Times in order to interpose a barrier of type between our minds and meditation. For such twelfths of an hour, or what you will, this little volume may serve to divert, if not the reader, at least his mind, and so prevent his plodding round and round for ever in the same dull circle of thought like a horse in a mill — or that melancholy dog — the dog that runs after his own tail. It is an old saying that men often entertain angels unawares. I trust it may be my good luck to enter- tain my readers, and unawares instruct them too. For I take it no author does — or should — write, without a hope of doing this, even though he have not sufficient self-confidence to enunciate such an PREFACE. IX intention deliberately. If I am so fortunate I shall indeed be proud and gratified. I am encouraged to publish this volume, moreover, by the kind welcome accorded some years since to "Pen and Pencil Pictures," to which the present collection is somewhat similar. A few of the papers have already appeared in the pages of Household Words, and Chambers' Journal, and elsewhere. I take this opportunity of thanking the respective Editors for their kind permission to republish. The remainder make their bow for the first time. For the caprioles and curvets of my pencil I have thus much excuse to plead. The drawings were many of them made to give the hand a little variety from the monotony of scriptorial up and down strokes. Unlike the illustrations of my friend Sanderson, for whose assistance I am most grateful, they cannot be considered as artistic works. To be a draughtsman indeed I dare not pretend. But even if I could, I doubt if finished pictures by one of my name would be so welcome to the public as those peculiar combinations of Hood and Wood that made the old Comic Annuals favourites. X PREFACE. Such as they are, however, I modestly offer my blocks to my readers. I have affixed them some- what at random to the prose and verse articles, in tolerable profusion, in the belief that a book, like a boy, is often the more lively for a few cuts. HIS BROW WAS BENT— HIS EYE WAS GLAZED- HE RAISED HIS ARM, AND FIERCELY RAISED—" CONTENTS. PAGE MY SONG 1 A poet's bequeathing 41 UNDER THE CHESTNUT BOUGHS 42 A HANDFUL FROM HORACE 43 HOW MR. KEITT OP SOUTH CAROLINA STUBBED HIS TOE . 48 THE DEAL SHUTTER 55 THE PRATER OP THE WORKERS 76 THE GRAVE IN THE WEST 78 THE PRODIGAL 79 ELEGIACS 82 THE WIND'S ERRAND 84 A volunteer'd REVIEW IN 1858 86 FAREWELL TO THE SWALLOWS 97 BY THE RIVER-SIDE 99 A KING WITHOUT A CROWN 101 A LETTER FROM PRUSSIA 101 AMY MORTON 104 A LAY SERMON 106 -ENONE'S VIGIL 118 DRINKING SONG 119 CYPRESS AND LAUREL 121 MEMORY 125 ON THE WATER IN SPRING 127 "THE MAKER AND MODEL OF HARMONIOUS VERSE." . . 128 A BRASENOSE BALLAD 169 SAUCY ADELE 176 THE POACHER 178 THE HOLY GRAIL 181 Xll CONTENTS. PAGE PEACE AND LOVE 181 DEATH AND THE LITTLE CHILD 186 AN IDLE TALE 193 IN AN ALBUM 194 THE VOLUNTEER • 196 A FABLE 197 A TALE OP THE HORSE-SHOE PALL ........ 202 MORN AND NIGHT 224 RECOVERY 225 THE SARACEN LADY 226 A SONG TO THE RIPPLES 227 A QUESTION 228 MY DOMESTIC'S MEDICINE 230 FREENDS 241 grains op gold 246 all in the downs 250 love and pity 252 the governess 254 the fair maids op cornwall 256 the secret of the stream 286 to * * * 287 prieraphaelite rhymes to a picture op my native SEAPORT 289 SO FAR AWAY 292 AUTUMN 293 THE OLD YEAR'S RECORD 294 READING ALOUD 296 THE BRACELET 306 IN THE TRENCHES 307 THE TWO TWILIGHTS 309 AN UNTOLD STORY 311 A GATHERED BUD 312 "CHILDISH LITERATURE". 313 THE BIRDIE . 325 THE LAST OF THEM ALL 326 TO MY DOG 327 CONTENTS. Xlll PAGE song . 329 her foot-step . . . . 330 THE TIDE-LINE 331 DYING LOVE 338 OXFORD BY NIGHT 338 DEATH AND SPRING 340 LIFE 340 THE SHELL 342 PROFESSOR STEINHERZ 343 LONG AGO 364 SONNET 365 beyond the sea 366 the days of powder 366 a very remarkable dream 368 little kindnesses 386 a parting song 387 a constant mind 388 l'envoi 389 ompH km CHAHKS. MY SONG. THE PRELUDE. "Alas! Now the most blessed memory of mine age. Tennyson. HEY learn in suffering what they teach in song," was not meant, I take it, to apply only to those whose an- guish has wrung from them a me- lancholy melodious utterance, which the ancients may have called Nsenia. I do not know that I have any right to 2 QUIPS AND CKANKS. bring forward this statement, being only a poor organist in a country church, but perhaps I may be allowed to explain what I mean. From my earliest youth I have been devoted to music : it has been my mistress : she, who in my dreams visited me, and in my waking hours strength- ened and comforted me : as far as I know, she is better than any human mistress, for she has never given me a cause of grief or jealousy, as a woman might have done. Yet in this latter case, you must know, I do not speak from my own experience, but only because I have been the receptacle of the love- sorrows of many men — younger men than myself by many years — who have confided the stories of their attachments to me, for a reason I am almost ashamed to write, but which I must write, because I am determined to speak the whole truth, now, at last, when, after so long a time, I take up the pen. Well, then, because they have a sort of love and confidence in the old quiet organist of St. Etheldred's, who has neither chick nor child to steal secrets from him. Who has, mayhap, (God knows) a warm heart that feels for other hearts, which are not con- tent with a selfish warmth (if you will so call that which has a nook for every sorrowing soul, and is not so wrapt up in its own well-doing, as to grudge shelter to another), but will spend their brightest gleams in scintillating, like fireflies, around eyes, women's eyes — brighter to mortal ken than their own steadfast fires — to immortal vision, possibly, how MY SONG. 3 much less purely brilliant ! However, the boys here, in this town of Lancarret, have a habit of coming to me and telling their love-tales. But all this has no more, that I can see, to do with my Song, than the unmearftng preludes of many composers have with the words they desire to give musical utterance to. What I intended to say is, that Music ever has been my faithful and kind mistress, and I have never had experience of any other. I am only, as I said before, the organist of a country church — only a man wholly devoted to his art— looking upon it, it may be foolishly, as that by which this great harmonious universe of ours is directed and governed, but still, looking at it in that way, finding it not altogether to disprove his theory. I may tell you how hereafter ; at present, I am only speaking of myself. The composer, before he adapts his poet's words to music, gives you a few introductory bars, from which I — and I say "I" humbly, as prefacing merely an opinion of little worth— always endeavour, and if I fail, believe that I ought to perceive the impression which the poem conveys to the composer's mind. It is for this reason that I am saying, and shall say, so much about myself, in order that you may see what solemn chords my subject awakes in me, and may judge of it accordingly. I believe as a writer, author, essayist (I am so ignorant that I do not know the right term), I am acting totally in opposition to all rule and precedent, b2 4 QUIPS AND CRANKS. in talking so much of myself, and divulging what is called the plot. I am not so ignorant as not to see that people may ask, how it is that I use Latin or Greek words in the beginning of my Song, and so I shall* at once account for it, by the foolish love of music that I have. Will any one believe that, when I was thirty, I began to study the classics, for the sake of the treatises on music they afforded ? To be sure I had spare time that might otherwise have been irksome — and as my father was a clergyman — only a poor curate, howbeit — he had given me a grounding in the dead languages when I was a boy. Latin I merely read as a stepping- stone to Greek. It was made a stepping-stone to everything in my younger days. (I am seventy-two now, so I may speak of thirty as my younger days.) Well, I learnt Greek, in order to read the treatise of the great philosopher Udamus, irepi tt;? /juovcrucr}? Te^v?7?. Besides this treatise, which I found of little use, I read much of Plato, who had a great, glorious, golden ideal of 'kpfiovia, which I reverence, and shall make use of some part of it in this — one of the sad- dest songs this present age has known. Being only an organist in a country church, I believe I am, perhaps, over-bold in my last assertion ; but I have read Milton, Shakespeare, and other great writers of ancient time, and some among modern men of letters, but I do not think that they have written a more sorrowful song than this of mine ; mark me, I say one more sorrowful, for I have not pride enough MY SONG. 5 to place my facts, even, in rivalry with their godlike fictions ; but only say that, did they know this Song of mine, they could not do more than give it miracu- lous and wonder-stirring accompaniment of artistic treatment, which I cannot do. And I am quite aware too, that much very much, depends upon this adapta- tion — this musical translation of feeling or fact. I am quite well aware, that in this I may fail signally ; that is, as far as black and white go ; but I know my theme is perfect, and to that I trust. There are people who aver that Handel and Mozart, after conceiving a piece of music, would have been able with dots and lines, with the assistance of feeble words, such as ajfetuoso, or pianissimo, to convey in black and white, all those glorious melodies that were surging in their souls — could give their mantle of inspired song — a sheet -of white paper, forsooth, smeared with the imprint of a bleared copper-plate, — alike to the school-girl, who has music driven into her at two guineas a quarter (I have taught at less), and the eager soul that drinks in music from pure founts of inspiration with awe and reverence. Now, I, always with a due sense of my un worthiness, being what I am, feel that this cannot be true ; that the great music which the mighty composers conceived, is not to be conveyed by the mechanical means of rests, minims, pedals, and such directions as con expressione — can only be approached and rightly construed by the heart, which sees beyond the scroll of paper into the emotions that gave rise to, and the G QUIPS AND CKANKS. feelings that find utterance in the melody. And this I will hold by to the death, because if it be otherwise, you reduce music, my adored, my immortal mistress, to a mere automaton, a mechanism, a science, and not a soul-inspiring art, and would have me believe that with a pattern before you, you can weave music as a poor, ignorant, factory- operative weaves a carpet or a curtain, I was saying before this came into my mind, that a great writer, knowing the story of this Song, might, with his higher knowledge of the instruments and appliances of his art, give it to you more artistically and eloquently, yet lie could scarce do it as the subject requires. As for me, I can only give it to you as I felt it, and only by means of pen and ink, and words — mere words, here, before your eyes, cold and lifeless ; but you must awaken your soul, reader, — " Make thine heart ready with thine eyes." and then shall be revealed to you what this scroll cannot show, the infinite pathos, the sublime, sad melodiousness and rhythm of this my mournful Song. MY SONG. THE FIRST VERSE. " It has caught a touch of sadness, Yet it is not sad ; A dim sweet twilight voice it is, Where To-day's accustomed blue Is overgrayed with memories, With starry feelings quivered through ! " Lowell. I think it was about twenty years ago that my sister died, and bequeathed her child to my care. Her husband had left her for another world, long before ; and she had lived amid great struggles and priva- tions, unknown to me, because " she would not become a burden to her brother," she said. When dying, she sent for me, and I went to her. I need not tell you how it pained me to think of her unkind concealment of her distress from me, for I think we have a claim upon those near and dear to us to be allowed to share their sorrows, and struggle by their side. I know it gives an indescribable sort of happi- ness to do so. What her struggles had been, I even then did not know, but afterwards, when Phyllis had lived with me some years, I began in some dim wise to see what those sorrows must have been, that had tuned the chords of that child's heart, which un- wittingly awoke at times to such inexpressibly sad JEolian murmurings. When I received her as a gift 8 QUIPS AND CRANKS. at her mother's death-bed, she was barely nine years old ; yet, she was subdued, and silent, and most unlike a child. The day after my sister died, I returned to Lancarret, bringing her body with me, and I buried her on the south side of the church ; so close to it, that when I played my favourite anthem on Easter Day, the flowers that Phyllis had planted on the grave, almost trembled at the gush of triumphant music that gave wings to the words — H He has arisen — arisen from the dead ! Captivity is captive led ! Where — oh Death ! — where is thy sting ? Grave !— where is thy triumphing 1 " I cannot tell why my sister called her child Phyllis ; it is not a name that is common, is not even par- ticularly pleasing. All she said to me was, " Phyllis is the name we have given her ;" and so Phyllis was what I called the child. Child ? ah me ! how many years ago ! Not a child now ; and yet I cannot tell, for in some of the old masters' paintings angels are represented as children, ever beholding the face of our Father in heaven. I cannot tell ! It was my custom to go every evening and spend an hour or so of the twilight with the grand old organ in the church : calling from it memories of solemn hours of praise or prayer recorded by the great masters of my art — or feebly, blindly, reaching toward their majestic thoughts with my poor volun- taries — or, it may be, sometimes, when by the slowly MY SONG. 9 brightening stars I beheld mourners among the graves in God's Acre, sinking the tones of the instrument to low notes of sorrow and pity — thinking that, if my divine mistress' voice could bring tears to some of those eyes, she would give them a relief they had not known for long. At these times Phyllis accompanied me ; and often in the dusk — when the pathos of such melody as that of the Lord's despairing cry in the oratorio of The Cross, wailing out. in anguish, made the darkness tremulous with awe — I used to feel a little timid hand rest upon my shoulder, and sometimes a low sob would tell me that my child's heart was like mine, that we both loved music with that reverential love, which resembles only the memory of a mother, gone from earth to heaven : far removed above our humanity and its weaknesses ! Well, so she grew by my side, from the quiet meek girl, to the woman : sharing all my little plea- sures, and not shrinking from my cares. She moved about with a grace and sweetness that I can compare to nothing but music, and that was why I called her " Ditty." It seems an unmeaning name perhaps ; but it grew out of the one her mother had given her as a baby — " Dot," — which fitted her tiny frail figure, even when I first knew her. But she was such music in my home, that it grew to be " Ditty." I daresay it does not sound well to other ears ; but to mine ! — Oh, what would I not give if I dare utter it — dare whisper it only to myself. I feel as if it were almost 10 QUIPS AND CEANKS. a sacrilege to write it. Ah, my child, my child ! your name has never left my heart, or passed my lips, since you were taken from me : since the last note of my song died into silence — was borne away to join a divine harmony, that never wearies or ceases. I may be told perchance, that in speaking in this way, and babbling so, I am destroying the effect of my story ; but I tell you I am writing from my heart, and cannot think of cold rules and formalities, when I speak of my darling, my child; and the heart, that is attuned to mine and sounds in unison, will have seen from my prelude prophetically, and knows this history ere it is written. She was very pretty : I cannot describe her : I should but fall into old commonplace phrases. Only ask of any of those in this town here, and they will remember her, and tell you how lovely, and how loveable she was ; this last quality, I take it, is a great component part of beauty, and I will tell you why I think so. The poor fellow, who used to blow the organ-bellows here, was an idiot ; he could not speak more than about twenty words, scarcely suffi- cient indeed to express his wants, and they were not many. He lived here with me in this old house, and would go to market, and on errands for me, and was the only servant I had, except poor old Anne, who had been Phyllis's nurse, and was another legacy left me by my sister. Well, this poor idiot adored Ditty. He would face any danger, undergo any labour at one word from MY SONG. 11 her, and understood far better what was said by her, than by any one else. It was wonderful to see his love and devotion ! Once as I was looking from rny window, I saw Ditty come out of a house a little way down the street, where she had been visiting a sick child. It was getting near my tea-time, so she came away hurriedly, and, running down the steps (the side walk below my house, on the other side, is ten feet above the road), she trod upon a large dog that was lying asleep a,t the bottom. My heart stood still, and I could not speak for terror, as I saw the great brute spring up, bristling his back, snarling, and showing a row of long white fangs. He made a rush at Ditty, who, pale as a lily-leaf and as tremulous, had sprung back to the top step, and feeling she could go no further, had turned and faced the animal. All this passed as quickly as light, but not less quickly did poor Joe fly across from our door, and in an instant I saw the timid idiot, who usually skulked through the streets, trembling at every child, and every half-starved cur he met, throw himself upon the dog with such frenzied strength and fury, that the surprised animal, instead of attacking him in turn, only exerted its power to make its escape. This Joe suffered it to do as soon as he saw his mistress in safety, and then came slouching over to the house in the same listless way as ever. Now on the other hand there was a young man (of 12 QUIPS AND CRANKS. whom you will hear more in the course of my song) who was the handsomest man I ever saw. He was not unkind to Joe ; he gave him money often ; yet still the idiot, with some peculiar instinctive per- ception, hated and feared him intensely ! I can't tell whether philosophy or physiology can account for this antipathy, but I think that Joe's mind, or soul — I know not what — was impressed by the shadow of an evil, which that young man was to bring upon all the household Joe loved, and more especially upon her for whom he had so intense and marvellous an affection. This young man, Guy L (I will not mention his surname, for he is, I believe, still alive), was, when first our acquaintance began, living with the Vicar here, who superintended his studies with a view to preparing him for the Civil Service in India, in which he had been promised an appointment. He was a fine, tall, hearty lad — selfish, I thought — but all boys are selfish and vain for a time, and I think it a good probationary trial they have to pass in being so. The Vicar had a bronze of Antinous which he had brought from Italy, and I was much struck with the likeness it bore to Guy. His hair fell on each side of his forehead in thick, strong, wavy curls, and would have fallen on his shoulders if he had suffered it to grow : his eyes were full and black ; his colour rich in a well-rounded cheek, and his lips were classically carved but rather full ; indeed, the lower MY SONG. 13 part of his face was like that of Alexander on some Macedonian coins that I have seen. That which, I daresay, helped these resemblances to the classic heads, was the calm cold expression of his face. Yon read mind and intellect in his eye ; yon saw the innate strength and power of his nature, but they seemed marble, motionless, lifeless, not to be waked. Yon saw too the depths of passion and fire in him, bnt they were slumbering, like a waveless, inscrutable ocean asleep. You looked upon him as you do at a strong fortress standing by the sea ; you perceive the gaping cannon peeping from its embrasures, or looking over its battle- ments ; you are aware that half of its interior is a mag- azine of powder and deadly shells, and you know that that calm glassy sea is the same which engulphs whole navies, and bursts asunder the bars the land raises against its approach. But you feel secure ; you do not expect the silence to be broken, which envelops fortress and sea alike with a mighty calm, as the moon floods them with liquid silver. So you knew all the latent fire and fury, the ungovernable passions and desires that were concealed beneath that calm face of Guy's, but yet you never dreamt of seeing them called into action — of beholding the fortress clothed in all-devouring flame, and spreading death around — the sea seething, lashing, and writhing, as if it would swallow up the earth, and mingle with the sky! Only since the time of which I speak, have I begun to know that all that passion, that grasping, thirsting, 14 QUIPS AND CRANKS. selfish strength, if quiescent apparently, was yet not slumbering, and was not the less dreadful, baleful, and destructive, because, instead of bursting out, and raging madly and ungovernably, it was a slow con- suming flame, burning its way like a fever steadily, and devouring all things alike, on the altar raised to self ; careless of the bleeding hearts, of the miserable victims it destroyed, if only the fragrance of these sacrifices was pleasing to the nostrils of the hideous idol of this fearful worship. Among his other refined tastes, Guy had a great liking for music, and to all instruments preferred the organ — and I think very rightly. There is such power, such scope in an organ, as is not found else- where subservient to one musician; and there is a holiness and sanctity, as it were, in it, that leads me to believe that it was not mere chance which made it the vehicle of sacred melody, but that it was ap- pointed divinely as the highest and best medium between this world and the harmony of heaven, that could be obtained by man. Guy's love for music brought him often to my house — in fact, he became pupil of mine, and a beloved pupil too ; for I saw (or thought I saw) that his better self refreshed and cheered him with the soft, tremu- lous strains of the organ, when the evil spirit troubled him, as David did of old for Saul. Before long, my evening reveries in the organ-loft were never without two sharers : as Ditty and I crossed the churchyard, we used to see Guy throw down his MY SONG. 15 books (his study looked out on the church), and he was sure to join us by the time I had unlocked the door of the tower, of which the key always hung in my bedroom. We used to speak very little together, for Guy quite understood that it was a privilege to be allowed to accompany us, and as he saw that Ditty and I seldom spoke, he thought it right to follow our example. Once or twice, when I looked round as it was growing dusk, I saw his eyes fixed upon Ditty, who was looking out of the window at her mother's grave. There was, I fancied, a strange sort of fasci- nation in that fixed look ; but Ditty did not see him, and I, knowing how lovely she was, did not wonder at his admiring her. If she turned towards him, his looks fell; yet, though their eyes did not meet, it seemed as if Phyllis instinctively felt that long, steady gaze, for I saw her often raise her hand to her head, Or" move uneasily, as if under some strange inexplicable influence. Perhaps I ought to have given more attention to this, but I was so carried away upon the wings of my beloved melodies, that I hardly thought of it — it may be, I was not loth to see that the boy I loved admired my child, and did not care to prevent him from trying to win her heart. One thing I learnt at this time, namely, that when Phyllis went out, Guy would join her, but she never accepted his invitations to stroll out into the country, although she was very fond of the green lanes, and I could seldom take her to wander, in their shade. 16 QUIPS AND CRANKS. But by degrees the two came to a better under- standing ; a friendship grew up imperceptibly. Guy used to bring flowers, and show Ditty how to arrange them, and sometimes he would copy some happy combinations of the bright blossoms for her work- patterns ; in short, he exerted, quietly and unosten- tatiously, all those thousand little pleasing arts and attentions, which seem to spring up spontaneously in a man, when the strings of the heart vibrate at the first touch of Love. And so, at last, Ditty's manner changed — at first she had seemed to fear him — to have a sort of in- voluntary shudder when he came, as an iEolian harp trembles prophetically before the storm awakes. But now her eyes met his frankly, and her little hand came out and laid itself confidingly in his, when he came, and when he went ; I cannot say that, finally, it did not linger somewhat in his grasp. Time passed on, and of an evening, in the old organ-loft, less often did Phyllis' eyes stray out of the window to watch the waving flowers on her mother's grave. And now the timid hand did not seek me in the dark, or rest upon my shoulder, when the organ lamented almost articulately, in unison with the cry, " Why hast thou forsaken me?" I think that the little hand had found another resting place — a hand that pressed it cheeringly, and caress- ingly, and held it closely, that it might not tremble ! And thus, at last, it fell out that, although Ditty had declined a walk in the lanes when they were MY SONG. 17 green, and rich with violet-odours, and white with flowering May, she did not refuse to stroll along them when the green was changed to gold, to russet; when the sere foliage was flittering slowly down, and there hung in the air " the moist rich smell of the rotting leaves;" nay, not even when the hedges began to be white with snow. From this time Poor Joe, the idiot organ-blower, began to show a settled melancholy, sometimes ex- hibiting traces of ungovernable rage. His avoidance of Guy was not noticed by anyone save myself, but it was not the less marked. He would creep in by the belfry of an evening, and stay concealed behind the organ, till we left the church, and I once caught his eyes in the dark, peering round the screen, fixed, with a look of hatred and dislike, upon Guy, who was thinking of nothing but Ditty ; they had a fire in them, a gleam, a spark, such as I never saw else- where, except in the eyes of animals. Often too, when I turned in crossing the churchyard on our way home, I saw by the light of the moon, or when the stars were many and bright, the face of Joe gazing down on us from the belfry window, looking weird and ghastly and wretched, in the cold white light. Ditty was much altered now ; she had lost some — yet not all, for it was almost a part of her nature — of that silent, subdued sadness, that I have described as surrounding her childhood. And so now, towards the end of the first verse, my song rises to a more cheerful tone, and its notes are bolder and louder, c 18 QUIPS AND CRANKS. but still, through all, there runs the old air, hidden perchance for a time, by gayer variations, but -not lost ; as we hear the moan of the sea at night, dis- tinctly above merry laugh and jest, as it rolls its dim sad music through the open windows into bril- liant saloons filled with happy, careless rejoicers. " No more, ah nevermore ! Such language holds the solemn sea To the sands upon the shore." Meanwhile Guy came more and more often to see me, and would on some evenings come from the organ-loft home with us, and sit by the fire till midnight, talking. On such occasions Ditty and I used to listen to him with great pleasure and interest, for he was well-informed, and told us much about many things — about India, his destination ; his future duties, — and something of himself. He was an orphan: his uncle was his trustee. His father had died very rich, but had extended his son's minority until he was six-and-twenty. He had three years to pass before he could claim his property, and he had accepted the Indian appointment as a pursuit, an employment, which would keep his mind from stagnating. He was to leave for Calcutta before the spring. The evening after he told us this, we went as usual to the church. It so happened, that I stayed musing over the keys, for a longer time than was my wont. At last, after many other airs, I began that beautiful one, arranged to Ruth's words to her mother-in-law. MY SONG. 19 As I came to the words, "Thy people shall be my people/' I heard a little short sob. I turned in wonder, for it was a sound I had not heard for a long- time—not since Ditty's autumn walks. There sat Guy, looking flushed, and happy, and so proud : and poor little Ditty was encircled with one of his arms, and had hidden her face on his shoulder. * Mine ? — oh, yes — mine ? " exclaimed Guy enquir- ingly, looking at me, and speaking with a strange, unnaturally-check'd voice, as if he could hardly refrain from crying out aloud. I grasped his hand in silence, and we went out, Ditty clinging to me, as if she feared I should be hurt that she could love anyone but me. It might have been the echo of Ditty's sobbing, but I fancied, as we left the church, I heard a low cry — a faint moan come from behind the organ. That night we sat long over the fire : the lamp was not lit, but by the dim, flickering flame of the logs, I saw Guy's arm steal round my child's waist again, and in the dusk, I almost fancied that her head was leaning on his shoulder. So sitting, we talked of what should be done. Then Guy told us that three years must elapse before he could make Ditty his wife ; for one of the clauses of his father's will debarred him from his property, if he married during his minority, without the consent of his guardian. "My father," said Guy, "married unhappily: he married at four-and-twenty, against the wishes of all who knew and loved him. My mother was a danseuse c2 20 QUIPS AND CKANKS. — of French or Italian extraction, I believe. Of course, when my father married her, he withdrew her from the stage ; but the quietness of a private life in the country, was irksome to one so accustomed to excitement. Disagreements arose : they finally went to reside at Kensington, and there my — my father's wife met with a Polish count, with whom she had been acquainted during her public career. Well, it is a sad story, an old story ! In a word, when I was but three years old, I had no mother: that was a name unrecognised in the house. And so you see my father inserted those clauses in his will. " My uncle and I do not agree. I daresay there is blame on both sides, but I think — sincerely believe, that our first difference arose from his anger at the disappointment of his favourite scheme, which was a marriage between myself and his daughter; but I did not like her, nay, did my best to avoid her, although he threw her in my way at every oppor- tunity. She is beautiful, they say — not unamiable, certainly. I don't know how it happened that, boy as I was, I did not fall in love with her. Perhaps the Fates reserved my heart whole, that it might be an offering not altogether unworthy of my Phyllis' acceptance ! " The end of our evening's chat was, that the lovers must wait patiently until the three years were over, and that Guy was to resign his Indian appointment. A week, it may be, passed quickly by in happiness. Guy and Ditty were seldom separated. But at length MY SONG. 21 came a cloud ! Guy's uncle had speculated in mines and railways, not only with his own property, but with the whole of Guy's also — whether with honest intentions or not, is uncertain. At all events, one or two serious failures, following close one upon the other, alarmed him, and fearing for the safety of the rest of his own money, and thinking that his misappropriation of Guy's would come to light, he sold up everything he had, realised an enormous sum, and was miles away on his road to Australia, before Guy heard of his losses. This calamity had a terrible effect upon us all. It broke up our plans for the future, and increased the time that must elapse before the marriage, nay, ren- dered it very uncertain as to how many long years must pass, before there was a chance of the union. Upon none of us, however, had this disaster a greater effect, than upon Guy. I am not speaking of his feeling hurt at his uncle's wickedness, or the loss of his property, but I am speaking of an effect upon his character. He stayed another month in Lancarret, and by the end of that time I distinctly saw the change, and trembled ! Accustomed to have every comfort, and to deny himself nothing, he could not bear the slightest privation. He grew peevish and morose — not with Ditty though, and only very, very seldom with me. This was the first time I noticed how utterly selfish he was. That Ditty was to suffer all the uncertainty 22 QUIPS AND CRANKS. of a procrastinated engagement, seemed to affect him less, than that he was obliged to deprive himself of his horses, his wines, his dress, and such selfish animal pleasures and luxuries. Of course, now, the Indian appointment was the only chance left him of marrying in any reasonable time ; so it was resolved he should go to Calcutta without delay, and that, in three or four years or so (unless he was lucky enough to get on in the interim by other unforeseen aid), when his salary was increased to a sum which would warrant his marry- ing, he was to return to England on leave, and make Ditty his wife. Poor Ditty ! The loss of wealth was little to her : if enough had been left to enable them to live ever so humbly, she would not have murmured ; but she knew that now Guy must leave her; must journey so far over the sea, and, amid all the evils of the tropics, and the dangers of a scarcely subdued pro- vince, strive on alone, for years, before he could make her his : this was more than she could bear. She began to droop again. And so the original melancholy of my song returns once more, to grow ever more and more intensely sad, until its close. Then came the departure. Guy left for South- ampton ; we could not accompany him, for Ditty was very ill. I only went to London with him for a day, to help him to get his outfit, for which I lent him what little money I had saved. MY SONG. 23 The letter lie wrote to Ditty the day before his vessel sailed, found her still very ill, and was opened by weak, trembling fingers, that, as she held it up to the light to read it better, were so thin and wasted, that I could hardly bear to see how transparent and bloodless they looked, against the flame of the candle. Thus, then, concludes the first verse of the song with a low, tremulous wail, dirge-like, prophetic, ever-deepening, to die at length into silence and gloom. 24 QUIPS AND CRANKS. THE SYMPHONY. " God, strengthen thou my faith that I may see That 'tis thine angel, who, with loving haste, Unto the service of the inner shrine, Doth waken thy beloved with a kiss." Lowell. I FIND that being unused to composing — being indeed utterly ignorant of the artistic rules — I have not explained what I started by saying about those words : " they learn in suffering what they teach in song." I will try to make my meaning clear; but I daresay you may have judged from the first verse of my song, what it was my wish to prove — that sorrow attunes all human hearts (joy does the same), but that the heart does not always find utterance for its song in the rhythmical — that, in a word, the song, by which it teaches, is not necessarily the actual poet's flying words, or the composer's plaintive notes, but may find expression in life and actions. Thus my Ditty, having, in that early childhood of which I know so little, undergone many privations and more griefs (seeing the struggles and sorrows of the mother she loved so dearly), learnt that patience, that affection, that tenderness, that subduedly-cheer- ful spirit which formed her song — her life ! Wretched I might be ; sometimes almost despair- MY SONG. 25 ing, but when Phyllis was by me, she taught me " in song" — in her gentleness — her long-suffering — her love and trust — " how sublime a thing it is To suffer and be strong." With such sweet music, my heart could not jar — could not break forth inharmoniously, amid those low sweet tones. And that is what I mean, by saying that, "they learn in suffering, what they teach in song," applies as much to every man and woman, as to the poet ; who, after all, is but, says the Greek scholar, the doer, the maker, which may mean the framer of a life, as much as of a poem. My life, too, is of this description now ; it is a dirge ; so sad, so melancholy, that between myself and the world, it is like a mourning veil, — looking through which I see a gloom upon all things ; while I in turn, to all eyes that view me, am shaded, darkened, concealed ; and, apart from the rest of the world, chaunt my last song before I die, like the cycnus of the Greeks. Chaucer says that this " Swan, ayenst his death that singeth," is bewailing his departure from the reedy lake that he has loved so long ; but Plato tells us it is not so, and argues well that nature's music is not sad. But man, toiling amid the thorns and thistles to earn his bread with the sweat of his brow, makes the merry wild creatures sharers of his woes. 26 QUIPS AND CKANKS. I am sure that this is true ; I feel that as we are in sorrow or happiness, we construe the music of the universe. I do not think two people would give exactly the same meaning to Mendelssohn's Lieder ohne Worte. Have you not noticed when travelling by a coach, that, as the colour of your thoughts happens to suggest, the rattling and jingling resolve themselves into either a lamentation, or a lively dance-tune % Why, take that melancholy last waltz of Weber's, and you would find that Terpsichore would dance a deux-temps to it, while it would bring a flood of tears to the eyes of Thalia ; — and these two are sisters ! Thus, then, now after my great sorrow, all sights and sounds awake in me some thrill of sadness, awake some sleeping lament, and bring the tears to my eyes. If the sun shines, it has shone as brightly on Ditty ere this ; if the wind whisper, it has waved her hair long ago ! Oh, sorrow ! queen of the world, that art able to turn the earth, which He made and "saw that it was good," into one vast instrument, whose every note is part of the dirge for my child — oh, my child ! my child ! It is strange, ah, how strange ! that poor humanity should thus attune all things to its own key-note. Sights and sounds that I once thought cheerful are now most melancholy in my ears, and to my eyes. But so has it ever been since the world knew sorrow. The forsaken lover, wandering by night in dismal gloomy groves, that suited well his sombre thoughts, MY SONG. 27 was the first who called the nightingale the bird of melancholy (ah, I remember a time when I thought it as merry as the lark). The suicide, forgotten of man and forgetting his God, as he hastened to the river's brink, first discovered wailing voices in its waves, and cries and moanings in the gale. "We set our own words to nature's music, giving to unmeaning sounds, words that belong to our own woes ; and so when a little brown bird cheers its brooding mate with song, we interpret it to be a gushing of melodious tears from a broken heart. 28 QUIPS AND CKANKS. A FUGUE. Sometimes however, when I feel saddest, this same thought of which I have just spoken, appears to me in a different light, and it seems as if wind, and water, and merry bird, were all alike too gay ; that nature cannot lend a single tone of sadness to blend with my lament. Oh, silver river, That flowest on for ever, Nor break'st the mirror'd heaven of thy breast ! I cannot borrow One note of sorrow From thy low music, murmuring of rest ! Oh, gentle breezes, Whose whisper never ceases To waft the praises of the perfumed flowers ! I cannot borrow One note of sorrow From your soft voices in the summer-bowers. And thou, who chantest, Amid the groves thou hauntest, Sweet Philomel — mis-named Disconsolate ! I cannot borrow One note of sorrow From thy fond serenade unto thy mate. Oh, heart that failest Through grief, and ever wailest Thy bleeding wounds in mournful monotone ! Thou canst not borrow One note of sorrow From any, save thine own sad self alone ! MY SONG. 29 THE LAST VERSE. " Singing — in her song she died ! " Tennyson. Springs passed by, and summers grew, and waned to dreary autumns, and on to drearier winters, and yet no news from India ! Paler and paler grew Phyllis, day by day, paler and ever paler ! Night after night in the dusky church, we spent hours together, with Music, my beloved mistress, — and with us she mourned, with us she lifted up her voice, and cried aloud. The tattered flags, that hung from the chancel walls, trembled at the agony of those dim strains, that wailed and moaned so wildly ! Poor, poor Ditty ! Her light footstep became so light, you could scarce hear it, though you listened for it, as I did, oh, how often ! I used to wait for it of a morning, and yet my ears, intent as they were, did not catch the sound of her tread. She seemed to glide, and, oh, so frail, so ghost-like did she look, I almost feared that she would fade away. Old, cold, relentless time still stole onward, and still no news ! Once or twice the Yicar heard of Guy ; but the Vicar did not know of Ditty's engagement, and so said little to us, — indeed it was little that he knew, 30 QUIPS AND CBANKS. for he only heard indirectly of him through friends. "He was doing well," the worthy old clergyman told us, " but," he added, " I think grati- tude might prompt him to write to his old tutor." How little did the Vicar think, that Guy's neglect of him was nothing, compared with his neglect of that true, trusting, loving heart, which lived only for him, which, failing, and growing feebler daily, still only beat at the thought of him. For all this time, my Ditty hoped that he would return ; still looked for- ward to his coming ; believed he was only silent in order to surprise her by his swift and unexpected success, and intended to fetch her very soon. All this she believed, and did not believe. I mean she did not really believe it, but persuaded herself to entertain these ideas. I cannot tell : I could not altogether understand her. At all events she did not wholly despair ; and yet she hardly hoped ! Despair came afterwards ; a new note was struck then, and one there was no mistaking ! I can hardly tell whether I was grieved, or glad, at what happened about this time — the last illness of poor Joe. I think it was as well for him, poor fellow, to close an existence only half-lighted by reason, darkened by sorrow, poverty, and persecution, to begin a life in a better world, where are no clouds, either of sky, or mind ! To Ditty this illness of Joe's was of great benefit ; it roused her from the settled melancholy, which was closing around her, and employing her with the MY SONG. 31 sorrows of another, made her half forget her own ! Poor Joe had latterly become very weak, and had seldom been able to attend me to the church, but I still continued his pay as organ-blower ; and his brother, who was an ingenious fellow, with a turn for mechanics, contrived some very excellent machinery, which could be connected at pleasure, by a crank, to the works of the clock, and would blow the bellows by that means very evenly and well. I fear it rather injured the correctness of the clock, but, as its regu- larity was not very great at the best of times, the Vicar did not complain. But to return to poor Joe. At length he became seriously ill, and confined to his bed. One morning Ditty told me the Doctor believed he could not live through the day. I went to see him. He was worn to a skeleton. The surgeon, who was present, explained to me -what his treatment had been ; but allowed that the phenomena of the case were peculiar, and that he hardly knew what course to pursue. " You know," he said at last, " I daresay, that a new Physician has come into the town. A very clever man I hear. He was with the army in Egypt. Perhaps you are not aware, that the men, while there, suffered much from the heat of the climate, which brought on a peculiar mania or phrenzy, terminating always in an exhaus- tion, almost comatose, similar to what my patient here labours under. Now, do you mind sending for 32 QUIPS AND CKANKS. the new Doctor ? I think he might be acquainted with the symptoms, and possibly do something for the poor fellow." I sent off at once, of course ; thanking the surgeon for the suggestion. He said he hoped his advice might be of use, and added, as he rose to go, " Send for me when he comes, or if Joe gets worse. I don't think that it is much use though ; I don't think he can live out the day." Joe was awake by this time, but we spoke without reserve before him always, imagining that he could not understand us. At these words of the surgeon, however, he sat up in the bed, and to our surprise asked in an anxious voice : — "When must I die, sir? Oh, tell me, tell me, please !" We were speechless with astonishment ! I looked at his face, — it was altered utterly ! The suspicious, restless, movement of his eyes had disappeared with the dullness, which used to shade them ; the droop- ing of his lower jaw was gone: his mouth was closed firmly, and altogether he looked as intelligent as any one I ever saw ; although he had that happy, innocent, yet astonished, look we see in a child, when it wakes suddenly out of a strange dream. "Die!" he murmured, "Why I seem only just to be alive ; it is hard, oh, very hard to die now, just when I am alive ! I know I've been very strange and odd — mad isn't it ; I think that is what the boys used to call me, — 'Mad Joe; I'm not mad now MY SONG. 66 though, really! Am I?" He lay back in the bed, looking at the ceiling thoughtfully. The surgeon shook his head ; for he saw this was the beginning of the end ; so, whispering to me that he was going for the new Doctor, he went out. Ditty bent over Joe, and arranged the pillows under his head. He looked at her earnestly for a long time ; took her by the hand timidly, and thanked her for all her gentleness and kindness. At last, in a faint, eager voice, he said — "Will you be angry with me for asking you to promise me a greater kindness than all the rest? Please forgive me for asking it! Will you promise?" He saw assent in Ditty's face, for she could not speak. "No, don't promise, though!" he continued, "but, if you do not think I am asking for too much — when — when I am dead — and I know I am dying — shall die soon, but I'm not afraid; when I am dead, just put your lips to my forehead, please, — once, only once — before they bury me — only once!" • In an instant Ditty bent over him, with tears in her eyes, and kissed him on the lips — a pure, pitying kiss. Such an one as a mother gives her child before it falls asleep — and thus poor Joe fell asleep for ever on Earth, but in Heaven awoke to join in the ceaseless Music of Praise, with lips sanctified, it may be, by that last kiss of pity and mercy. Before long, the surgeon returned with the new doctor, who was much interested in Joe's history, D 34? QUIPS AND CRANKS. and staying with us, sat down for some time, and listened to my account of the poor fellow. When he had heard me to the end, he said, " It may be some comfort to yon, perhaps, to know that it is my opinion that no one could have saved him ! From your description of him, I should think that some great emotion or passion had awakened the sleeping reason within him, and that this, striving to assert its powers, and assume its reign, had been too powerful .for the body — the blade was too keen for the sheath — it is not an unusual thing, I fancy ; and so nothing could have saved him. "Mental ailments, Shakespeare tells us, are not to be minister'd to by man's art, and I really half think he is right. Moreover, they often superinduce physical diseases which are apparently as incurable as the malady which caused them." His words struck me very forcibly; I wondered and pondered. All Joe's actions came before me. Did the poor creature love Ditty? It might be so, certainly > no one could help loving her. And this intense love, awakening reason, it had overwrought the poor frail house it dwelt in. All this seem'd to be, as it were, revealed to me in those few words of the Doctor's. He continued: " In the case of people of weak intellect too, it is so difficult to get them to explain their symptoms properly ; and what is more they stray and wander about everywhere, and so often contract contagious or infectious diseases, which they carry home with MY SONG. 35 them, and communicate to persons, who have no suspicion of the places they have been haunting, and only discover it too late ! " When I was in India I met with a very distressing case of this description. Just before I returned to England, a Coolie, whose reason .was much obscured, had caught one of the most malignant of Indian fevers, during his wanderings in an unhealthy suburb. He was taken ill and died ; but not before he had given the fever to all in the house. His master was a friend of mine in the Civil Service at Ballyghur. He called me in, but I could do very little. The sickness carried off all the four children, and poor Guy L and his wife were scarcely recovered when I left the East." At the mention of that name, poor Ditty became in an instant (for I instinctively looked at her directly it was spoken) as pale as death ! She did not faint — she did not scream ; she half rose from her chair, and pressed her hand tightly over her heart. Her breath ceased for a moment, and then broke out in a short sob, half a sigh, half a cry ! "What is the matter?" exclaimed the Doctor. " It is very foolish of me to alarm you in this way ; indeed I did not think your nerves were so delicate. Eeally — I assure you there is no fear : I am sure the patient you have so kindly nursed was not suffering from anything contagious. If you feel at all unwell, we will soon set that to rights : depend upon it D 2 36 QUIPS AND CRANKS. it's only from weariness, and over-excitement. Pray set your mind quite at rest." She never answered a word. She seemed to glide out of the room. As for me, for some minutes I could neither speak nor move. At length I recovered myself. I don't quite know what I said to the Doctor, but I think I told him he had mentioned the name of a dear friend of ours, " who was dead — was gone — was not the one he spoke of, but another ; the resemblance of the names had been too much for my niece ; would he excuse my going to her." At all events he went ; and I stole up to Ditty's door — not a sound ; I knocked, but she only answered by a sob. At length she begged of me not to think of her — to leave her ; she would be down soon. So I had respect for her grief, and went down stairs. Her room was over the sitting room, and she never moved : once or twice I was so frightened, that I went up to her door, and then I heard a low murmur, that I could hardly call a moan, yet I felt it was one ; it was a new note in my Song, Despair! It was breaking in upon it now, for the first time telling of its close ! Little sleep was there in our house that night ! The next morning Ditty came down. She came to me, and kissed me, and, laying her head upon my shoulder, whispered, " Not a word, dear uncle, not a word ; it is all buried. Do not speak to me of what is passed. Forget it !" From that day we never spoke of it. She moved MY SONG. 37 about the house the same as ever. But my Song was changed. A new chord was struck in it, that rose, strong, and incessant, over all the rest ; and the music that once fillefl my house was changed to a dirge, that spoke only of despair, and unutterable woe ! When I had recovered from the shock sufficiently to be able to think and reason with myself, I went to the doctor, and learnt from him all the particulars of Guy's life. He had married a rich widow the year after he got out to India. "Everybody said he married her for her money, " the doctor told me, " and he was afraid there might be some truth in it, for she had little other recommendation. She was a fierce, jealous, proud, vulgar woman; and" — although the money made Guy happy enough, by enabling him to satisfy all his selfish desires, and to surround himself with every luxury and indulgence — " his domestic life was one perpetual round of brawls, of reproaches and recriminations, which wealth could hardly find a balm for." I learnt also that the fever, which I have mentioned, had left him blind and a cripple ! " Are the wicked never punished in this world ?" will you ever say after hearing this? If the rain falls on the just and the unjust, there are also judgments which fall upon sinners only : and there is a hereafter awaiting the righteous, who are not cast down utterly* although the children of wickedness seem, for a time, to overcome and oppress them. Such were the thoughts which entered my mind 38 QUIPS AND CRANKS. as I sat musing over the fire, when I returned from the Doctor's. It was night and Ditty was not at home, but I was not alarmed as I thought she might have taken the opportunity of my absence to visit her mother's grave, as she had often done of late. Suddenly I heard the sound of the organ in the church. I immediately guessed she was there. How strange at that time of night ! I listened. She was playing " Euth ; " she was thinking of the time when Guy had declared his love for her. I stood rooted to the spot for some minutes, she played so plaintively — so supernaturally ! I could hardly believe that any human being could so touch the keys, and bring forth such weird, such ghost-like sounds. I went down the stairs and stepped into the churchyard intending to bring her home, for it was a bitter cold night. As I opened the church door, the music ceased suddenly ; and then the organ broke forth into a strange, unearthly wail, that seemed almost like a human voice ! With this wild cry ringing in my ears, I rushed to the organ ; and there lay my poor child, my Song, my only music— dead! Her face had fallen forward upon the keys, and, above her, the organ still, amid the gathering darkness, moaned and lamented in that long solemn sighing ! Poor child, poor child! The broken heart had MY SONG. 39 ceased its painful throbbing at last, the aching head was at rest, the weary spirit fled! So I took up my dead, that had raised its own dirge, and bore it into the house. How I did it I cannot tell, for I did it mechanically, and, as soon as I had laid my Ditty on her bed, I fell to the ground myself — stricken down by that great burden of grief — senseless, speechless, lifeless ; as motionless and still as my own darling, silent as my Song, which had died into stillness for ever and ever. THE FINAL BAES. " Faith, which is but Hope grown wise, and Love And Patience, which at length shall overcome." Lowell. So is my child gone before ! So has my Song died away upon earth to become perfected in Heaven — for there, I know, it arises purified from sorrow, doubt, and pain — a part of the eternal melody of the great creation — without a jarring chord, a doubtful note, an erring sound. And now is my life also a song ; it may be a sad one — a dirge for my child, but not the less a song, and at least without the solemn note of despair — and angel wings shall, some day, bear it upward to join the harmony of that better world, whence, I 40 QUIPS AND CRANKS. think, some notes of my Ditty's divine lays descend to me to sanctify this life of mine, which is my song. And thus, in much suffering, with much sorrow through many long years, have I learnt that lesson, which I would humbly teach in my song : And that lesson is Faith, Love, Charity ; and that crown of all virtues, that key-note of all holy strains, all acceptable hymns — Patience ! A QUICK MOVEMENT IN C. 41 A POETS BEQUEATHING. He left not to his children wealth untold, No lofty title, and no lordly fee, No wide estate of cornland, wood, and wold, No prosperous argosy upon the sea, No weighty treasure of ancestral gold, — Nothing that Moth and Eust corrupt left he ! The mantle of his inspiration fine, As he ascended, did not fall on them ; Yet, so in his reflected worth they shine, It seems as they had touched the mantle's hem : For he had won a people's reverence That grows to love for those he loved : and when In His appointed time God took him hence, Their heritage was in the hearts of men. 42 QUIPS AND CRANKS. UNDEE THE CHESTNUT BOUGHS. E hear the Cuckoo far away Go wandering through the wood; As we heard it many years ago, When in this place we stood. As then the daisies stud the grass, The trees burst into bud ; Green grow the arches overhead, And green the mirror-flood — Under the Chestnut Boughs ! Oh, many, many years ago We heard the Cuckoo's tones, And saw the branches overhead Waving their snowy cones. Ah, many, many years ago, Our daughter's tiny hand Was clasped in ours, when here we stood Where now alone we stand — Under the Chestnut Boughs ! The silver flecks your hair, my wife, The wrinkles mark my brow : . UNDEK THE CHESTNUT BOUGHS. 43 But Time can touch our hearts no more Than it can touch her now. So many, many years ago, And yet our Love's the same, While Grief has blossomed into Hope, And we can breathe her name — Under the Chestnut Boughs ! A HANDFUL FROM HORACE. TO LYDIA. (Lib. I. 0. 8.) A MODERN VERSION ATTEMPTED IN THE ORIGINAL METRE. Say, madam, I adjure you By heaven above — why with your love Charlie to ruin lure you ? Why does he hate reviewing, He, who before, best in the corps, stood so much dust and stewing ? Why does he too, refusing Rides with a mate, never of late break his own charger, using A bit of the Chiffney pattern ? 44 QUIPS AND CRANKS. What's come to him that he won't swim ? Why does he wear, the slattern, Belts that so want pipe-elaying ? What is he at? He was a bat, famous for cricket playing. Why ! he was such a driver, If he at all swiped at a ball, it was a four or fiver ! Why is he hid — as Thetis Kept her young boy, in days of Troy, (so says the ancient treatise,) Making her son a daughter ; Lest from her arms, 'mid war's alarms, he should be snatched for slaughter ? FANCY PORTRAIT. CURIUS DENTATUS. A HANDFUL FROM HORACE. 45 •* TO NEOBULE. (Lib. III. 0. 12.) A MODERN VERSION ATTEMPTED IN THE ORIGINAL METRE. Hapless lasses ! who in glasses may not drown the pangs of passion, Or disclose its bitter woes, it's — so they tell you — not the fashion ; And each petty breach of etiquette has savage tongues to task it ! But now, truly, Neobule, Love has pilfered your work- basket, And your netting; quite upsetting your once busy disposition ! That young Cornet (tho' you scorn it as a very weak suspicion) He's the fellow, with his yellow whiskers, and his Queen's commission. Well, he's rather, as a bather, thought a splendid hand at diving ; Nor forgotten be in Eotten Eow his horsemanship, — his driving. Then he's reckoned scarcely second to professionals in sparring ; And at running, he is cunning: good at all things, nothing barring. 46 QUIPS AND CRANKS. I've heard talking that out stalking he's a crack shot with* a rifle, And in India (where he's been, dear) of wild-boar he's speared a trifle. THE BANDUSIAN SPRING. (Lib. III. 0. 13.) Clearer than crystal, Bandusian spring, Worthy of goblets of flower-crowned wine ! Hither to-morrow a kid will I bring, Bring as a gift to these waters of thine. Flower of the flock, the young wanton in vain (With the horns on his brow just beginning to bud) Plans the wars he shall wage, or the loves he shall gain, For to-morrow thy ripples shall blush with his blood. The Dog-star, when fiercest it rages on high, Cannot touch thy cool wave. To the plough-wearied ox Deep draughts of delight the sweet waters supply, And a stream cold as ice to the wandering flocks. Thou shalt be first 'mid the springs of renown, This oak will I sing that o'ershadows thy head, From under whose roots thy bright waters flow down With laughter and song o'er the rocks in their bed. A HANDFUL FEOM HORACE. 47 FAUNUS. (Lib. III. 0. 18.) Faunus, flying nymphs pursuing In wild wooing, Tread propitious o'er my ground And the sunny slopes around, And in going Bless the growing Steers from murrain's foul undoing. So each year to thee a tender Kid I'll render ; And rich incense to the skies From thine altar shall arise ; Nor of Bacchus Shall there lack us, Venus' playmate and befriender ! Eoams the flock, unwatched, at pleasure When we measure To December's nones the year, — 'Tis thy feast ! and far and near 'Neath cool shadows In the meadows, Man and beast share rest and leisure. 48 QUIPS AND CKANKS. Strays the wolf among the feeding Flocks unheeding, While the wood its leaves around Strews for thee ; and on the ground, Hateful soil, Source of toil, Happy clowns the dance are leading. HOW ME. KEITT OF SOUTH CAKOLINA STUBBED HIS TOE. " But 'twas a glorious Victory ! " — Battle of Blenheim. In Congress Hall, before them all, up Gin'ral Quit- man gets : For when his side says, " Let's explain ! " — says Gin'ral Quitman — " Let's ! " So first he spat, then up he gat, and coughed to clear his throat, Says he, " an explanation, gents of Congress Hall, I vote ! " Now, ill or well, it so befell that Grow had crossed the Hall To have a word with Hickman there, and he began to call — HOW MR. KEITT STUBBED HIS TOE. 49 "Order I say, this here won't pay! Come, Gin'ral you, it's plain You've got no right to speak to-night, so jest sit down again ! " " Terrible,"— Well, I will not tell what wrathy Keitt exclaimed, " Oh chalk and nutmegs ; if I don't may I be tarnal blamed ! I say, hullo, you Mister Grow, what everlastin' call Have you to talk, unless you walk to your side of the Hall? You've no right here, it's mortal clear, on this side anyhow!" " The Hall is free to you and me ! " says calmly Mister Grow, "And where I please I'll straighten knees, and rise for an oration!" With husky breath, between his teeth, says Mister Keitt, "Tarnation!" Then Indiana Harris rose, and came it pretty slick, Just as a sickly kitten leans agen a hotted brick, " With confidence," says he, " immense, I fearlessly repose On warmth and generosity, as tall as Mister Grow's : And he's the gent as won't prevent an explanation fair, Such as I calculate we'll get from Gin'ral Quitman there!" E 50 QUIPS AND CRANKS. Now when he heard that knowing card, and what he sort o' said, Grow, with a smile as smooth as ' ile/ says, " Gin'ral, go ahead ! " Then turning back, he made a track the other side to reach, But Keitt in wrath obstructs his path, with wild and angry speech, " Oh beef and greens ! " he cries, " what means that answer as you made?" Says Mister Grow, " I'd hev you know, I mean jest what I said ! " " I'll show you, — you " (and angry grew that Carolina man) " You nigger-pup, I'll show what's up, I'll give you black — and tan ! " " Think what you please," says Grow at ease, " but don't the notion nourish, That round my ears, slave-driver fierce his cowhide e'er shall flourish !" Oh! wild as snakes "when first they wakes," Keitt clutches at the throat Of Mister Grow, but misses, — so he only tears his coat; His foeman bold shakes off his hold, and frees his velvet collar, And Eeuben Davis runs between " for fear as worse should foller ; " But all in vain would he restrain the causer of the row, HOW MR. KEITT STUBBED HIS TOE. 51 (For Keitt, you see, well knew that he was twice as big as Grow) — He broke away, and on his prey he leapt, with fierce intent, — Then Grow let out his manly left, and down his foe- man went ! He rose again, but all in vain, his blows were weak and wild; And out into the open air they led that wayward child: They sponge his nose, they brush his clothes, they dust his tro user-knees, And to himself that warlike elf returned by slow degrees. His brain confused, his body bruised, cool'd not his valor's glow, He faintly sighed, "the dog had died, had I not stubbed my toe!" His friends around with pity found his mind in sue confusion, But winked, and gently grinned aside, and suffer' d the delusion. Meanwhile the din grew loud within the lofty Con- gress Hall; In furious fray, with loud hurray, had joined the members all; For Davis and the Southern band had seized on Mister Grow, 52 QUIPS AND CRANKS. When, swift as flame, the North men came to free him from the foe. Then many a hand, with peaceful aim, was laid on wrathy wrist, But found, with dread, it only led to fiercely don bled fist. And many a legislator stern with awe expected that, Which he'd expectorated it, would smash his head or hat, For down came Croode from where he stood, and raising in his hands An earthenware spittoon in air, he join'd the op- posing bands. With fearful glance, each foe askance the dreadful weapon viewed, And, though the blows fell pretty thick, no blow was aimed at Croode. But he, uncertain upon whom his favour to bestow, Around the ring kept hovering, and threatened still the blow ; Until at last the thing he placed (when silenced was the din) Upon the floor, where 'twas before, and calmly spat therein. Eanged on the side of South was spied old Caroline's McQueen, HOW ME. KEITT STUBBED HIS TOE. 53 And there were Craige, and Barksdale bold, and Keuben Davis seen; While on the North, for manly worth, brave Potter bore the bell, And forward strain'd the Washburnes twain the warlike ranks to swell. On Barksdale's back, with mighty thwack, resounded Potter's blow; And Barksdale swore a horrid oath, and dropt his hold of Grow: With rage he burned, and round he turned, " Oh snakes and bowie-knives ! " He cried aloud, "You loafing crowd! I'll spile your mortal lives ! " That Eli Washburne struck the blow he thought, and kind o' grinned, Then cut three capers on the floor, and smote him in the wind. As bends au oak 'neath lightning's stroke, before the tempest's brunt, Elihu fairly doubled up, and gave a hollow grunt ! But aid was near, for with a cheer, the other Wash- burne came, Cadwallader, the wondrous spry, the man of Cam- brian name. " Oh, tall destruction ! I'll avenge Elihu mighty smart ! " He cried; and straight at Barksdale's pate he made a sudden dart; His aim was this, his foeman's head in chancer}' to get— 54 QUIPS AND CKANKS. But Washburne hold, oh warrior bold, you haven't done it yet! He grasped his hair, "You coons beware! your leader's race is o'er ! " Then off he hauled — the wig ! and bald stood Barks- dale on the floor. The laugh that rose cooled down the foes, and expla- nation came, And none could say how rose the fray, but " 'twas a tarnal shame ! " Long may our heirs in future years this tale of combat know; How wrathy Keitt in Congress "n't," and how he stubbed his toe. 55 THE DEAL SHUTTER EPEND upon it," said the Surgeon, " that Waterloo Bridge mystery will be cleared up, somehow or other, and the perpetrator of the deed even- tually detected." "Well, Doctor, I don't think murder often escapes detection, but, at the same time, this is one of those cases," said the Major, knocking the ashes out of his pipe, "in which we discover no trace to guide us. In fact detection is almost impossible — at all events improbable." " Not at all ! " said the Surgeon, " although you may be right, humanly speaking ; still Heaven does not always require human aid, or use everyday means in discovering crime. I can tell you a very curious story of a murder, and the cause of its revelation, which I met with in the Crimea." " Stop till I've lit my pipe," said the Major. " It is not an easy story to make tell-able," said the Surgeon, half to himself, " especially as I have no experience in that line. Perhaps," he continued, looking at the Major to see if he was comfortably settled, " perhaps the best way to begin will be to 56 QUIPS AND CKANKS. remind you that, some four or five years ago, there appeared in the papers the account of a mysterious case in Switzerland, near the Vale of Chamouni, where a man was found dead a little way out of the village, with his own discharged gun in his hand, and yet the wound was of a description that could hardly have been inflicted by his own hand. At first it was universally thought an accident, but rumours of an unfortunate love affair made suicide seem the more probable solution; murder was not thought of, for the people who lived nearest to the spot where the body was found, deposed to hearing only one shot fired, and moreover, the bullet when extracted, was found to fit the bore of the gun exactly. " But when a French surgeon, who was staying in the village, examined the body, he pronounced it a case of murder, giving the following reasons for his opinion : "First he showed that the bullet entered at the abdomen, and proceeded in a straight line upward, until it lodged in the heart. The deceased could hardly have placed, or at all events fired, the gun in a position to inflict such a wound ; besides, there was a great improbability that he would choose it in preference to pointing the muzzle straight at hi heart or head. Secondly, the Frenchman pointed out that the clothes were not scorched by the gun- powder, as they would most certainly have been if the gun had been discharged in close proximity, nor would the bullet have been found in the body. THE DEAL SHUTTER. 57 "However, on the whole, there was as much evi- dence in favour of the conclusion of murder as of suicide, — and no more; so after enquiry had been made, and the country searched, the mystery was not a whit more cleared up than at first, when a young girl, who was on the point of being married to the foster-brother of the deceased, made a dis- closure to the Frenchman and the magistrates, which led them to believe that, however it was managed, suicide was the real solution of the 'enigma. Her confession amounted to an admission that she had foolishly flirted with the deceased, and that, the day before the body was discovered, he had met her, and avowed his love for her, at the same time acknow- ledging that he was betraying his foster-brother, and forfeiting his honour, by giving way to the passion. "What passed during the interview she would not say, but stated that, when they parted, he had exclaimed — 1 Anna, you shall never see me again ! ' and had gone away in a state of great excitement. "After this confession, suicide was the universal verdict, and curiosity died out. " The girl's fiance, in a fit of unaccountable anger and suspicion, broke off the match, and, having sold his little property, left the country. People pitied him very much, as the victim of misplaced love and friendship, and it was whispered that the girl had confessed to him more than she had to the magis- trates ; and public feeling was so strong against her, that she was glad to avail herself of the Frenchman's 58 QUIPS AND CKANKS. offer to obtain her a situation in one of the hospitals in Paris. "Well, the matter blew over, and nothing more was thought about it. " If a visitor to the valley enquired what was the meaning of the cross among the clump of pines at the foot of the mountain, he was told it was the place where ' a young jager shot himself through the heart for love of his friend's betrothed/ and so he enquired no more about it, suicides being, to the much-travelled, not a whit rarer than affection for another man's betrothed is to those even who are not much-travelled. " Having told you thus much, which lets you into the plot of my story in a clumsy and inartistic manner," said the Surgeon, after a pull of beer, "I don't quite know how to go on." " Go ahead," said the Major, " we're none of us Saturday Eeviewers or Quarterly Critics." " Well then, I must go on to the time of the Crimean War. I was left by the regiment at Bala- klava, you remember," — " All right," chimed in a young Ensign, " and a very good thing too, or I should have missed a good doctor to fight me through the fever I caught after landing with my draft of men from the depot." " You're right there," said the Major ; " if it hadn't been for good doctoring, you would not have joined ' the regiment in time for the storming of Sebastopol." " Thank you, gentlemen both ! " said the Surgeon. THE DEAL SHUTTER 59 " But to proceed. While I was there, an old school- fellow of mine, who was in the commissariat, asked me to go and see one of his men — his own servant — who was down with the fever " — " I say," said the Ensign, " was that Parkinson, the fellow with the big beard?" " That's rather a vague definition of a man in the Crimea/' " Well, perhaps it is : beards were pretty common there," said the Ensign, complacently stroking his chin, whereon a close observer might perceive a growth of silky hairs, neither very long nor very frequent, — " I grew mine there ! But I mean a dark, tall, and superlatively hairy man, a sort of he-Julia Postrana." " That's the man," said the Surgeon ; " he was at Rugby with me, and then went to Cambridge, where he ran over head and ears in debt ; took his name off, and made tracks : got something in the Commissariat ; and that's all I know about him !" "Well, then I know a little more to my cost !" sighed the small Ensign. " He came to my hut one night, and we had an orgie over a hamper that my affectionate parents had sent* me out, and he drank half my small stock of wine." "I daresay you helped him !" growled the Major, from the midst of a tornado of tobacco smoke. " Why, you see, we had no glasses," expostulated the youngster, " so we had each a bottle to drink out of, and he drank three to my one, and walked off 60 QUIPS AND CEANKS. quite straight and comfortable, while I found the hut apparently suffering from an earthquake ; in fact, the oscillation threw me over the hamper, and so the rest of my cellar came to sorrow ; and I found next morning, that my fond relatives had not thought of putting in any soda-water!" There was a general laugh against the little man, and then the Surgeon took up his tale again. "I found the fellow lying on a comfortable bed in one of the houses, which seemed to have pretensions to a higher style of civilisation than the general run in Balaklava. He was a foreigner I could see ; a Swiss he told me afterwards." "I see it all !" exclaimed an impetuous Lieutenant, who had been " messing " out ; " He's the fellow who murdered the jager at Chamouni; delirium, death- bed, confession, penitence, last struggle ; that sort of thing, eh?" " Well," said the Surgeon, a little nettled ; " If the gentlemen are satisfied with that wind-up of the narrative, I will stop ! " " No, no, go on, old fellow ! " cried everybody. "Very well, here goes. I found the poor fellow was really very seriously ill. His symptoms were — " " Oh, hang the symptoms, Doctor ! " cried the Ensign impatiently ; "You need not tell us, we should not understand them ; and you may as well skip the medicines you exhibited, too ! " "Patience, young ; un !" said the Surgeon — "if it had not been for my knowledge of the symptoms, and the THE DEAL SHUTTEE.' 61 drugs I exhibited, in your case, you would not have had an opportunity of exhibiting yourself in the trenches ! " " I don't know whether that was to be desired ! " murmured the Ensign, who had seen some hard work there. " Moreover," continued Medicus, " if you had waited a moment, you would have heard what I meant to say, which was, that his symptoms were alarming ; but I saw, with a true professional delight, that the disease and I were to have a fair stand-up fight, for the patient had a constitution like a camel, and showed plucky too, so the fever and I were on tolerably equal ground. " Beginning with an interest in the disease, I gradually grew to feel an interest in its owner. He seemed a clever fellow, and must have had good qualities too, for I found that an old comrade of his liked him well enough to sit up all night with him, and nurse him, and a better nurse I never saw." " 'Gad !" said the Major, "I believe a man, especially an old soldier, is as gentle a nurse as a woman any day, — with all respect to the sex I say it." "Nobody doubts the latter statement!" said some one in the background ; and there was a laugh, for the Major was always philandering after some damsel or widow, wherever he might be quartered. " The struggle," the Surgeon went on, " lasted for a long time, but at length the patient took a turn for the better, and began to improve so rapidly, that I 62 QUIPS AND CKANKS. "was calculating on his soon returning to his duties, and was looking forward to taking up my abode in the cottage when he left it. It was infinitely more comfortable and convenient than my hut, and was not much further from the hospital, so it would not interfere with my duties. " There were one or two pictures on the walls — one a rude Eussian virgin and child, which now hangs in my room. On the mantel-piece was a malachite vase (which I brought home for my sister), and some of those queer toys and carvings, that you depot men must have seen made by the prisoners over here. " There were three or four tidy chairs in the room, and a respectable table ; only of deal, to be sure, but nicely finished, and, what is more, all highly varnished. There was only one window in the room, the shutter of which was also of deal, varnished in the same manner as the chairs and table. (( Besides all these elegances, the sick man's friend had routed out some pillows, and had made, with the help of an old packing-case and a hamper, a very desirable easy chair. This I purchased of him, not exactly for a song, but for a bottle of brandy when I dismissed him, which I did as soon as I found the invalid progressing so rapidly. " To my extreme astonishment, however, the morn- ing after the he-nurse was gone, my patient had a relapse. He was in a high state of fever again, and this time the symptoms puzzled me. I could have fancied he was suffering more from mental than THE DEAL SHUTTER. bd bodily disturbance, and that you know makes the disease very difficult to treat. However, towards night he got better and calmer; but the next morning he was worse than ever, and at last he grew positively violent and delirious. During his delirium, he talked of nothing but gaping bullet wounds, and drops of blood, and that sort of thing. I took very little notice of it at the time, for I fancied he had been deeply impressed by some of the wounds he had seen in Hospital, which, though not very horrifying to old soldiers and surgeons, have, I know, a tremendous effect upon persons unaccustomed to them." " True for you ! " said the Ensign, with a ghost of a shudder, " I shall never forget my first experience of a battle field after the fight." " Yes, you will ;" said the Major, who was an old campaigner, and had seen long service in India under Sale ; " yes, you will, and what's more, if you live as long as I have, and go through as much fighting, you'll forget what your first wound was like." " I don't know that, sir," said the Ensign — adding a little proudly, "I have been wounded, and the remembrance is more peculiar than painful — so different from my pre-conceived ideas, that it is not likely to be soon effaced I " It was in one of the attacks on the Eedan. As I was charging up, I felt a sharp blow on my left arm, as if some one had hit me pretty hard with the knob of a ground ash. I looked down, and saw a hole in my sleeve on one side, and a strip of cloth 64 QUIPS AND CEANKS. and a piece of flesh hanging down on the other. I felt no pain — so little inconvenience indeed, that I stuffed the flesh back into the wound, and went on until I fainted, all of a sudden, from loss of blood ! " " And a pretty bother you gave the surgeon, I'll warrant," said Medicus, feeling for his brother prac- titioner ; " why, pushing that flesh back into the wound must have delayed the healing some con- siderable time ! " " That's true enough ; but go on," said the Ensign. " Let's see, where was I \ Oh, about the wound ! "Well, I took no notice of his raving, and at last, after an infinite deal of dosing and doctoring, I got him quiet and sensible again ; and then after binding me to secrecy, he told me the following story." " Which promise of secrecy you are about faith- fully to keep !" broke in the Lieutenant. But the Surgeon stopped him. " If you'll have patience, you'll see by the end of my tale that there's no necessity for secrecy. Death cancels all debts ! " " By Jove, I wish it did ; and that some tradesmen I wot of were in Abraham's bosom !" parenthesized the Ensign. " But you fellows," objected the Surgeon, " spoil the story by your remarks ; so if I'm interrupted again, I put up the shutters. Once more, here goes. TV tell the story in the man's own words. " I don't suppose that in the village there was a prettier girl than Anna ; or a man with more cattle, THE DEAL SHUTTER. 65 or altogether better to do, than I was ; so of course when I asked Anna in marriage, her parents favoured my wishes. " Anna herself, had always shown a marked par- tiality for me, and danced oftener, and would talk longer, with me than with anyone else ; so the young fellows of the village had no chance against me. I don't think, now, that she really cared for me ; but because I was the best man in the place, and all the other girls set their caps at me, her pride and vanity made her exert every art to captivate me. At any rate she succeeded ! I loved her, proposed, was accepted, and we were betrothed. Soon after the ceremony, I sent for my foster-brother, who lived at a village about forty miles away, to come and take up his quarters with me till I married. He was to attend to the farm, while I made preparations for the wedding. These frequently took me from the valley for seve- ral days, so I suppose he and Anna were thrown together a great deal. He was a fine, tall, handsome fellow, was Max. He was fond of chamois hunting, and had been jager to a nobleman ; but he lived a wild life, and hadn't a penny of his own, and so was glad enough to come and live with me. I never suspected, or dreamt of, his falling in love with Anna, for I thought him the very soul of honour : and so he was, poor fellow ! " At last the neighbours — especially the girls, curse them! — began to whisper, and drop hints about Anna's flirting with Max. I laughed at them 66 QUIPS AND CKANKS. openly, but my nature was a jealous one, and inwardly I fumed and raged. But one unhappy day at length opened my eyes, and I saw only too much ! Anna told me afterwards what passed between them. Max was going out chamois hunting, as it seems he had often done the latter part of the time, in order to avoid meeting Anna; but misfortune threw her in his way. He was seated at the foot of a tree, trim- ming some bullets, when she passed along the road not far from him. Leaving what he was about, he sprang up, and went towards her. In a few hurried, incoherent words, he declared his love to her, owning and lamenting at the same time his dishonourable conduct to me, but telling her that, for his peace of mind, he felt he must confess all to her, and then leave her for ever ! While talking, they had insensibly walked nearly to her home, and so they took leave of each other. I, unhappy wretch, witnessed this adieu, although I was too far off to hear their words ! I had been waiting at Anna's cottage for her return. Imagine my rage when I saw him clasp her to his heart and kiss her ; when I saw her throw her arms round him, and weep ! But I saw no more — I rushed out of the house by the back door, and fled ! " I learnt from Anna afterwards, that as they were about to part, he said, 'Ah dearest Anna, we shall never meet again on earth. Let me once, and only once, press my lips to yours : one kiss to bear away to my grave !' She was quite unnerved and stupified by all that had passed, and, in a fit of folly and pity, THE DEAL SHUTTER. 67 scarcely knowing what she did, she threw herself upon his breast, and sobbing, asked him to forgive her for having trifled with him. Women's hearts are very soft, you know ; and though they love flirtation and conquest, I think when they see that they have really pained and broken a true, honest heart, they are bitterly sorry for it— at least if they are worthy of the name of woman. "When I saw Anna rush into his arms, in an agony of rage and shame, I fled. My evil fate con- ducted me — for I ran on blindly, without any aim or purpose — to the spot where my foster-brother had been sitting when first he saw Anna. His gun was resting against the tree ! In the first impulse of my fury, I was about to blow my brains out — would to heaven I had ; but a moment's reflection stopped me ! What ! should I make away with myself, the only obstacle ; and leave these two treacherous, un- grateful creatures, to marry when they would ; to triumph over me, and laugh at my folly ? The very thought maddened me, and, as I stood there pictur- ing it to myself, I gnashed my teeth, and foamed at the mouth with impotent rage. " While I was in this frenzy, I saw Max approach- ing ; he was coming on slowly, with his eyes fixed on the ground, and so he had not seen me. At the sight of him I lost all command over myself. 'Traitor, — wretch, — seducer ! ' I screamed, ' I will have your blood !' " At my voice he started, and looked up. ^must f2 68 QUIPS AND CEANKS. have presented a fearful spectaele ; more like an en- raged wild beast, than a human being, as I stood there, pointing the gun at him. He sprang back, and in so doing tripped over the root of a tree, and fell. I was a capital marksman, and, on this occasion, I think the devil directed my aim. I fired as he fell ; the bullet entered the lower part of his body, and, as I learnt afterwards, passed through to his heart. " I rushed forward to him, for almost at the mo- ment I fired I felt horrified at what I had done. To my horror he rose from the ground, and came towards me. His face was deathly white, and his eyes fixed. He staggered a few steps, and then, clutching at me to support himself, he caught hold of the gun, on which my palsied hand retained no hold. With a low groan he fell on his back, and, after a convulsive shudder, died. "I stood for a minute motionless, and speechless, gazing at him. I had never seen a man die by violence before, and now to see one, and that one my foster-brother, perish by my hand, deprived me of all power to move or think. " He had on a white tunic, over which the blood oozed out in fearful contrast ; it did not gush out in a stream, but bubbled up, and slowly overflowed the ghastly round bullet-hole ! Oh, it was an awful sight ! It haunted me for days, for years, it haunts me now ! and the poor wretch," said the Doctor, "sat up in the bed, threw his hands wildly aloft, and shrieked, "It haunts me now ! — I see it every night j that awful THE DEAL SHUTTEK. 69 bullet-mark, black and gaping, with the red blood oozing out round it ! I tell you, Englishman, it appears to me every night ! It is driving me mad, mad, mad !" and he threw himself down, and buried his face in the pillow. I raised him. He had fainted. I must confess I felt uncomfortable to think my patient had been guilty of murder, and had a strong inclination to let him lie ; but the professional soon gofr the better of me, and I set myself about restoring him, which was no easy task. "At length he came round, and \v T as more calm, and I then prevailed upon him to give me a clear and accurate description of the appearance, which had so disturbed him. " It seemed that, the first night after the watcher left him, he awoke to see, painted, as it were, on the dark- ness, the wound which he had inflicted on his victim. "He described it as a dark mark — the bullet-hole — surrounded by blood, as vivid and distinct as reality ; and every night since, he said, it had grown out of the darkness, gradually becoming more and more distinct and vivid, and seeming to come closer and closer, until his over-wrought senses gave way, and he either fainted or became delirious. " This accounted to me for the relapse, and also for the symptoms of mental disturbance I had detected. I tried to persuade him it was a dream, but that he would not hear of. ' I know,' said he, 'that dreams are very often like reality ; but, in order to test whether I was awake or no, see what I did !' He 70 QUIPS AND CRANKS. drew his left hand from under the bed-clothes, and unwound some rag from the thumb. It was nearly- bitten through 1 'I did that/ he said, 'while my eyes were fixed upon that awful wound. I was. not asleep you think now V " I confess I was at a loss. There was something more, I thought, than the imagination of delirium in it. ' Well ! ' I said, ' I will sit up with you to-night, and see if we cannot solve this mystery !' " ' It is no mystery,' said he, ' it is sent by Heaven to punish me, to haunt, and torture me, and drive me mad ! Oh, that I had destroyed myself as I first intended ! I could almost wish I had delivered my- self up to justice. Oh, I shall go mad ! I shall go mad !' Another fit of fainting followed, from which he awoke delirious and violent. I managed to administer an opiate, and, before long, had the plea- sure of seeing him go off into a calm sleep. " I then visited the hospital, went to a friend's hut, and had a pipe and some grog, and then blundered my way (for by this time it was dark) back to the Swiss Cottage, as I had intended to christen the house, as soon as my patient vacated it, and it became my property. " I found the invalid still asleep. I lit .the candle which I had obtained from the hospital, and set it up in the neck of a bottle. I then proceeded to make things as comfortable as I could : I locked and bolted the door, and placed a box against it. The careful he-nurse had actually nailed strips of cloth all round the door, and had stopped up every nook THE DEAL SHUTTER. 71 and cranny whence a draught could come. I then looked to the shutter. There either never had been glass in the window, or else, what was more likely, some one had appropriated the sash to improve his own hut, so I was not sorry to find that the shutter had been fitted so closely and carefully as to exclude every breath of air ; and I need not tell you the less you get of Crimean, or indeed of any night air, the better. " I next placed my revolver on the table near me, and made myself comfortable in the 'easy packing case.' I began to apply myself to a book, one of those which people so kindly sent out by the box- full from England. I shan't tell its title, because my conduct was not complimentary to the author, for I fell sound asleep over it." " It mightn't have been ' Proverbial Philosophy ' by any chance?" suggested the Lieutenant, who was somewhat of a literary turn. "Well, it might have been," said the Surgeon, smiling, " but it wasn't. However, whatever it was, after a few minutes my nose fell forward on it, and I was buried in a very sound sleep — a not un- usual occurrence with me after my hard work all day. " I don't know how long I slept, but it must have been some hours, for the candle had burnt down, fallen into the bottle, and gone out, when I was awakened by the voice of the Swiss. " ' Oh Heaven ! ' he cried, ' Max, my brother — for- give me — oh, forgive me ! do not torment me — haunt me no longer! Oh Heaven! help! help!' 72 QUIPS AND CRANKS. "I was barely awake, and - my senses were not thoroughly on the alert, so no wonder I felt a cold shudder run through me, when I saw, exactly as he had described it, the ring of blood, fresh and vivid, and in the centre, the dark bullet-hole, painted clearly upon the darkness. " The shock however soon brought me to myself, and I saw at a glance what it was," — " Some fellow with a magic lantern, or some dodge of that sort," said the Ensign, suggestively. "Hold your tongue!" exclaimed everybody, in a state of intense excitement. " Pish ! " exclaimed the Surgeon, angrily, " a magic lantern! I never heard of one in the Crimea, unless Papa and Mamma put one into the hamper you told us of just now, to amuse young Hopeful." " Leave the young'un alone, Doctor, and tell us what it was," said the Major. " Well," said the Surgeon, " I've told you the shutter was of varnished deal, and that it fitted very close, so that not a ray of light could shine through anywhere. It so happened, however, that in one part of the board (which, I should tell you, was not very thick) there was a knot, and, imme- diately round it, the wood was of such a resinous nature as to be translucent, and, in addition to the resin, the varnish gave the transparency a bright red colour. " As the poor wretch had described, this did grow more and more vivid, of course, as the daylight out- side grew stronger." THE DEAL SHUTTER. 73 "Humph!" said the Major, "how very strange! I've never seen anything of the sort, but I can easily imagine it." " I can assure you, sir," said the Surgeon, " it had a very peculiar appearance. The colour was very bright ; hardly blood-colour, but still it had a weird sort of supernatural light about it, that made it look ghastly and fearful, and the hard, solid knot in the middle had a great resemblance to a round bullet- hole. Under the circumstances, I can quite under- stand the guilty man's terror." "What did you do?" enquired the Lieutenant. " In half the time I have taken in telling you this, I had thrown open the shutter and let in the light. The Swiss had fainted again. I recovered him, and explained the cause of the appearance to him, but he would not believe it; I closed the shutter, but he would not look; he declared it was very well to explain and account for it so, but he knew it was a supernatural and heaven-sent curse to haunt him, and I tried in vain to persuade him otherwise." " I'm not quite sure that he wasn't right, too ; " said the Major. " Well, there is not much more to tell," said the Surgeon, with an assenting nod to the last speaker. " When I returned in the evening, I found he had been so violent and dangerous, that he had been removed to the hospital, to be under safe keeping. I was not anxious to see him again, and tried to banish the memory of what he had told me from my mind. 74 QUIPS AND CEANKS. " I did not remove from my hut into the Swiss Cot- tage, which fell into the hands of some officers in the 60th Eifles, who made a very tidy place of it. "About eight or ten days after my patient's removal to the Hospital, I was passing near the advanced posts to see a young fellow who had gone out, against my advice, to picket duty, and had been taken ill. "Under a tree, a little way beyond the lines, I saw a group of men gathered round some one on the ground. Thinking it might be a case requiring pro- fessional aid, I went up to them. One of the Kifles came towards me, ' It's no use, sir, he's dead sure enough,' said he, saluting. '"What is the matter?' I enquired. "'Well, you see, sir/ he answered, f as I was down here on the look-out for some practice at the .Rus- sians, I saw something dodging about up in that tree. Well! I hollar'd out to him, and told him to come down, or I'd shoot him. With that, he sings out in some language I couldn't understand, so, thinking he was a Eussian spy, I let fly at him, and down he came ! However, it turns out he ain't a Eussian at all, but a poor, crazy German, who had escaped out of the hospital last night. I'm very sorry, but it can't be help'd, sir, you see ! ' "By this time I had reached the group, which divided as I drew near, and there I saw my late patient lying on his back, dead ! He had on an old ragged flannel shirt, and a pair of white duck trowsers. THE DEAL SHUTTEE. 75 " The ball had entered the lower part of his body, and from its direction, must have passed in a straight line to his heart ! " "By Jove, that was strange ! " said the Major : — " but I say, Doctor, I did not like to interrupt you before, but how was it that that other fellow, when he was shot in the heart, had life enough to get up and walk towards the murderer ? " " Why," said the Surgeon, " you see, if the bullet passing through the viscera, in an oblique direction, and piercing the diaphragm, were to lodge in the fatty membrane of the pericardium, avoiding all vital organs on its way — perhaps touching slightly the edge of the liver, but missing the " On hearing this however, we all took our candles and made a simultaneous move bedwards, leaving the Doctor to finish his lecture to himself. AN ENCUMBERED ESTATE— A LIEN ON THE PROPERTY. 76 QUIPS AND CKANKS. THE PRAYER OF THE WORKERS. He rested on the Seventh Day, He saw His work was good ; And from that hour the world began, A home divinely made for Man, Completed, land and flood. Oh ! beauteous on the Seventh Day, Rejoicing in their birth ; The seas, the streams, the mountains high, The birds, the flowers, the trees, the sky, — « The happy primal Earth ! The Angels on the Seventh Day The world completed saw, And downward from their thrones to gaza They bent in solemn love and praise, And viewed His work with awe ! Not silent on the Seventh Day Was either Heaven or Earth, For, mingled with the Angels' lays, Sweet Nature's music spoke of praise, Of gratitude and mirth. I THE PEAYER OF THE WORKERS. 77 Yet bigots on His Holy Day Shut out our glimpse of Heaven : " The law," they cry, " is not reversed, Although our Sabbath be the first, And not the last of Seven." Oh ! will ye on His Holy Day, Debar our cherish' d right In Nature's beauties to rejoice, To see her works, and hear the voice Of music with delight ? And will ye on His Holy Day, Our longing souls confine ? Will ye forbid our eyes to scan The God-permitted works of Man — Art's triumphs half divine ? Hard toil is ours for six long days, In noisome dens and holes ! One day with Nature leave us yet, With His great works — lest we forget That we have human souls ! 78 QUIPS AND CKANKS. THE GEAYE IN THE WEST. Western Wind, balmy and sweet ! Stole you the breath of the blossoming limes Under whose boughs we were wont to meet ; Wont to meet in the olden times ? Ear away, adown in the West, Blossom the limes that I love so well, Under whose boughs my life was blest With a love far dearer than words may tell. Western Wind, though so far away, I trace in your sighing their odorous breath. Surely you stole it, and brought it to say, "Think of the boughs you have wander'd beneath. The limes in that avenue, leafy and sweet, Blossomed and faded one happy year, While under their shadow our two hearts beat With love unclouded by doubt or fear. The limes in that avenue, shady and old, Have blossomed and faded many a year, Since one true heart grew for ever a-cold, And the other for ever withered and sere ! THE GEAVE IN THE WEST. 79 Western Wind, let the lindens rest ! Waft me no breath from the lime-tree bowers, But the perfume of roses that grow in the West, On a lowly grave that is covered with flowers. THE PBODIGAL.* Out along the highway dreary, Dark and weary, Through the rainpools in the road, Ever onward still he strode. And the sign-boards in the rain Groaned and shrieked as one in pain, Moaning o'er remembered sin. And the roaring fires within Through the windows gazed outside, Tried to gaze — but vainly tried ; For their gleaming could not light Aught within that outer night ; For their glaring could not pierce Through the rainfall thick and fierce. And the sign-boards shrieked and swang, And " Come in, come in," they sang ! 80 QUIPS AND CKANKS. But along the highway dreary, Dark and weary, Through the rainfloods in the road, Ever onward still he strode ! And the poplars dark and tall On the gusts uprise and fall, Swaying, beckoning to the rack Of the storm-clouds, leaden-black ; While the wind comes down in flaws, Wrestles with the roofs of thatch, Striving wantonly to snatch Wisps of reed and loosened straws. And the rain in one dense stream Hisses on the ground like steam : While the thunder's distant growling Mingles with the tempest's howling : And the storm in dreadful gloom Laps the world as in a tomb : Saving where the lightning gashes Through the night with livid flashes ; Saving where the windows gleam Through the rain's descending stream, Where the fires with flickering blaze Tempt the wanderer's aching gaze. But along the highway dreary, Dark and weary, THE PEODIGAL. 81 Through the rainfloods in the road, Ever onward still he strode ! Now he reaches home at last, Up the path he hurries fast — Up the well-known path, and straightway Clamours loudly at the gateway ; Then, worn out with journey weary On the highroad dark and dreary, Travel-stained, and weak, and sore, Falls down lifeless at the door ! But meanwhile the sudden din Bouses those who sit within. Then they fling the portal wide, And the cheery light inside Comes out boldly to the door, Comes straight out, three yards or more, Falls upon him where he lies, Folds him round. With joyous cries Spring the household forth to greet him, All their hearts go out to meet him. So they raise him from the ground, This heart-cheering welcome giving — " He was dead — and he is living, He was lost — and he is found ! " G 82 QUIPS AND CRANKS. ELEGIACS. Farewell, Grey Tower, whose shadow falls On those green mounds that lie below ! My dearest Friend is sleeping now Within your quiet churchyard walls. A few short weeks, and he is gone ! The gentle Heart, the generous Friend ; Our fond communion at an end, And all our kindly converse done ! A vacant place that none can fill, And lips a-cold that never spake Except for love and kindness sake, And a warm heart for ever still ! A cloud hangs over all I see, Sad thoughts with all my musings blend ; The memories of my dear dead Friend Lie cold between the world and me. ELEGIACS. Yet He will give, Who takes away, And when, in brighter, happier skies, He wipes the tear-drops from all eyes, My Friend and I shall meet that day. And so I hold that with our pain, A gleam of Heaven is still inwrought.- God's greatest mercy is the thought, " We do but part to meet again ! " " Be still !" they say, " Is this the time, When tears bedew his silent hearse, To strive to speak your thoughts in verse, And set your sorrows to a rhyme ?" I give the little that I have ! — Not mine to raise the storied stone : These few poor verses of my own I lay beside his quiet grave. I860. G2 84 QUIPS AND CEANKS. THE WIND'S EEBAND. Into thy bosom, wandering wind, I trust a tender kiss, And the sweetest word That e'er was heard, — And all I ask is this : That thou wilt leave this land behind, And bear the charge aright, Within thy breast To the glowing East, Oh whispering wind of night ! O'er land and water, wandering wind, Ely swiftly on thy way, O'er moorland vast, O'er bending mast, O'er heath and salt-sea spray. And eastward be thy course inclined, To where may be espied A busy town By the waters brown Of a rapid rushing tide. THE WINDS ERRAND. There fold thy wings, thou wandering wind, And my Beloved seek, Then in her ear Breathe " Lily dear!" And kiss her on the cheek ! Kiss her for me, thou wandering wind, And breathe that word for me, And to be near My Lily dear Will pay thee twice thy fee ! 85 FREE IMMIGRATION OF BLACKS. 86 QUIP3 AND CEANKS. A VOLUNTEER'D REVIEW IK 1858. University Costumes. (J. Vincent, Oxford.) An Immense Sacrifice. (Hoop & Squeletti, Regent Street.) The Sydenham Trowsers. (Samuel, Shorediteh.) And other Modern Works. We all know that Fletcher of Saltoun offered to let any one make a nation's laws, if he might make its songs ; but in these days an enterprising and laconic outfitter might, with some semblance of reason, give a man leave to be bard and legislator both, provided he (the enterprising and laconic outfitter) might make the nation's clothes ! Punch has been at war with Noah's-ark coats and pyramidal petticoats this long time, but who ever thought that the works of tailor and milliner would arrive at the dignity of a notice in " The Reviews V* Or who, in his wildest dreams, imagined that national calamities would be attributed to fashions, and a monetary crisis to horse-hair and hoops ? Yet it is so ; nor does the matter rest there. Not only does the poet sing of " Ladies fair, with nothing to wear" — not only does the caricaturist sharpen his A volunteer'd be view. 87 pencil against the steel-scaffoldings of beauty, and the satirist and philosopher see in Chiswick fetes mere Egyptian banquets got up "on an unprecedented scale," with skeletons innumerable — not only does the judge (See Insolvency Court Eecords) refuse "protection" to the fair sex, when their milliners' bills have four figures in the pounds' column — and the physician point out the bodily ills arising from heavy metallic garments and high-heeled boots — (the preacher we pass over, because, since the days of the Queen of Sheba, he has always been crying out about vanity) — and, finally, not only does the political economist charge the late American distress upon the American dress, but — Alma Mater fulminates in her Convocation House upon the same subject ! This hubbub of voices declaiming against Le Follet of Fashion, awakes an echo actually in the shady groves of learning ! The classic cloistered shores of Isis resound to the war-cries of Costume ! And wherefore? Because the youngsters, sitting at the feet of the vice-chancellor, do not wear their academicals sufficiently often to please the picturesque eye of the proctors ! "An eager novice in his fluttering gown" is no greater a variety, to be sure, than it was in Words- worth's day ; but, alas ! when once the novitiate is over, the youth doffs his gown together with his eager freshmanship, and lounges listlessly through the old city in the unlawful liberty of "Beaver." A cry of " Gown ! " is raised in Academe : and the 88 ' QUIPS AND CKANKS. Dons gulp down their last glass -of port — rare old common-room port — and sally out to the fray as eagerly as they did on the 5th of November in their early college days ; for, my young friends, Crasher of Christchurch, Miller of Merton, and Pewgil of Pem- broke, who have, for freaks of last Fifth, suffered fines, " gates " and other unpleasantness at the hands of your tutors — be you sure that they were boys too once, and enjoyed the fighting with as much zest as you do, and bore their punishment with no better grace ! It may be the lingering sparks of this old fire that now brings them all down to Convocation House at the first cry of " Gown !" These dear aged war-horses, turned out into paddocks of Fellowship and fine old port, prick up their ears at the sound of the clarion, and stamp and fret and rush into wordy warfare with unabated courage and energy ! As far as is revealed to eyes profane, the question of dress at Oxford arose from the cause we have stated — the proctor's complaint of the " disregard of academical costume displayed by the junior members of the university." Convocated wisdom discussed the point, and some learned fellow (we speak re- spectfully, meaning " Socius quidam ") suggested that the dislike of the gown arose from its ugliness. Now, sooth to speak, we think nothing could be devised more uselessly ugly than the commoner's gown. For the benefit of those who have never seen it, we subjoin a receipt for its preparation : — A VOLUNTEER D REVIEW. 89 ; "Take of black stuff an oblong, at the upper extremity of which cut two round armholes, suf- ficiently close together to prevent the material from falling in too many frivolous and unnecessary folds between the wearer's shoulders. Slope the portion above the armholes into a collar, about six inches deep, which turn down. Next to those two points in the two arm-hole-circumferences, which are nearest to each other, attach (not too securely, for it is a part of their ornamental character to come off) two strips of the same material as the gown, about three inches wide, and adorned at the top with a little simple puffing. These trimmings are called streamers, and should be of indifferent length — or, to speak precisely, of different lengths. Give the whole a rag-out along the bottom, and serve up on a trencher-cap." Fond mothers of hopeful sons, when they sit dreaming beside the domestic hearth, imagine their offspring clothed in rustling robes with voluminous folds ; but, ah, ladies ! how would you be grieved if you beheld your children in the hideous apparel they really wear ! Besides the naturally unbecoming cut of the commoner's gown, undergraduate fashion compels her votaries to add to its unsightliness by subtracting from its length — in a word, it is worn as short as possible, and ragged in proportion. We remember one aggravated instance of a cur- tailed gown, which made its tall wearer bear so striking a resemblance to a Cochin-China fowl, that 90 QUIPS AND CRANKS. it drew an observation to that effect from a bystander; who found however to his cost that, if the resem- blance was striking — so was the undergraduate ! In our belief it is not the costume, unsightly as it is, that induces the young men to rebel against the powers that be ; for they, of their own free will, apparel themselves in garments that are the reverse of beautiful or becoming — to wit, white round-crowned felt hats, that seem " moulded on a porringer ;" and coats and trowsers of designs that must have emanated from a Fuseli tailor after a supper of raw meat. While we are on the subject of the undergraduate's wwacademic costume, we may observe that some of the college authorities interfere with the dress of the young men somewhat unnecessarily, and to a greater extent than we can think warranted even by the absurd regulations of a worn-out and generally disregarded statute-book. One friend of ours, who indulged in a slightly hirsute-coat for morning chapels and lectures, was severely handled by his tutor, who, worthy man, acted very injudiciously — for what was the result ? Why, as Blenkinsop of the " Unequal Match " would say, " The young man only gave him- self more Aairs, and become a great bear than hever ! " In our opinion the tutors would be better employed in attending to the minds and peculiar talents and inclinations of their pupils, than in criticising the cut of their coats. In a word, let them make men and scholars of the boys ; and let the boys make figures of themselves, if they choose ! A volunteee'd review. 91 This by way of interlude. Now to the consideration of the original question, " Why will not the under- graduates wear their gowns?" Not, we believe, on account of its want of grace, do they reject that toga prcetexta — "that apology for a gown," which the statute ordains to be worn until the youth arrives at the " toga virilis " — the " flowing honours " of a bachelor's long sleeves ; not on account of its want of grace do they dislike it, but for a reason, common enough in this world — not very undiscoverable, O House of Convocation ! They dislike it, and will not wear it, simply and precisely because they ought to wear it ! The Irishman who told his pig that he intended to drive it to Cork, when he really wished to drive it to Kinsale, was a philosopher, with a profound know- ledge of human, as well as hoggish nature ; and his example should be emulated by those erudite Melibcei and Mopsi, who drive their flocks and herds along the banks of Isis, chanting to their un- willing charge, " Ite capellse !" (Which, we observe for the benefit of aspirants for Little-go, means "Kids, proceed !" and not " Go to chapel," although that is a frequent cry of the sage shepherds.) If Convocation would only attach some penalty to the wearing, and not the non-wearing of the gowns, they would find the undergraduates sally out in them en masse. No " Young Oxonian " in our day, would have any desire to play at marbles in the streets, if it were not that the statute book deprecates such an 92 . QUIPS AND CRANKS. ' amusement, and so renders the temptation almost insurmountable ; and we are assured that the same spirit which prompts the infringement of the one law, would lead to the disregard of the other, pro- posed by us — " de vestitu academico NON induendo." We would wish here to be understood to speak only of the commoner's gown— the scholar's is far from unsightly, preferable perhaps to the bachelor's — while the master's may be made of silk, and other- wise rendered less of an eyesore. Against the trencher cap, we have not a word to say — nay, we would pay a passing tribute to its comfort and elegance, and deplore its perishableness ! " All that's bright must fade, The brighter still the fleeter—" And nothing was ever made, that sooner comes to utter wreck than a college cap. Its corners speedily wear away, and reveal the board within (for we abjure " flexibles," and other modern innovations), and the board itself warps, cracks, and falls out — and when the cap becomes a mere bag, it is needless to say it ceases to be elegant. We remember a Christchurch man, who, of an evening, was invariably met in the High by the proctor, and, as invariably, without his academicals. The dignitary at first gently remonstrated (proctors are, to a proverb, easy with Christchurch men on this point), but at length felt compelled to insist on a conformation with the statute. The next evening, a volunteer'd eeview. 93 accordingly, our undergrad presented himself to the astonished eyes of the proctor in such a cap as we have described, — its board gone, and its corners hang- ing inanely down round his head, — and in a gown which consisted of about a quarter of a yard of stuff between his shoulders, and the moiety of a streamer. " Now, really, sir," exclaimed the proctor, " do you call those things your academicals ? " " Oh, yes, sir, they are mine" was the reply of the undergraduate, as he daintily removed his cap with his finger and thumb, and held it dangling by an extreme corner, " they are mine, sir ; and," he added, in a solemn and confidential whisper, " I hope — with care — to make them last out the term ! " If, then, men from choice will wear such things as our friend, it is not the want of beauty in the regula- tion attire that renders it unpopular ; and we firmly believe we have arrived at the true cause of its neglect. But, as Convocation elders are not likely to take our advice as to the method of bringing about its re-adoption, we sincerely hope they will not alter the fashion. A fresh term is commencing, and we hear a " horrid whisper " that the question is to be mooted again — the first contest having terminated in favour of the old institution. i The gown, after all, is not like the military stock, or the exploded shell jacket, a cause of pain or in- convenience to the wearer (we doubt the applicability of that title to the undergraduate), and, since the proposed alteration has only a doubtful picturesque 94 QUIPS AND CRANKS. end in view, we can hardly be prepared to advo- cate it. If we are to add " picturesque reform " to the list of forward movements, where will it stop ? We shall have some serious artistic mind framing a law, " that every individual in the Houses of Parliament, at public dinners, and other large assemblies, shall be (under the superintendence of Mr. Owen Jones) carefully covered with a thin coat of paint ; the colour (which shall be varied in each case) to be chosen with a view to the most pleasing effects in combination !" But we need not tremble for the gown. "There are," says Terence (and everybody else, for it's a hack quotation), " as many minds as men ; " and some minds are ponderous. Add to this the scientific fact that a coal-scuttle full of lead weighs more than a houseful of feathers, and our meaning will be plain. The Convocation is made up of many ingredients. First you see, " summa nantes in aqua colludere plumas" — the feathers a-top — representing "Young Oxford" lesjeunes gens — blown about by every wind, and for ever " on the floor of the House," inflating bubbles of as mere soapsuds as the South Sea one itself. From this class we descend through all the degrees of advanced, moderate, stationary, and retrograde men, until, "last scene of all in this eventful history," we arrive at the lead. Here we find the fixed pillars of the Convocation Houses, and we A volunteee'd eeview. 95 should like to see the Samson who is likely to shake them ! These fossil philosophers, deaf alike to argument and reason — the petrified blossoms of an old system, throw their inert ponderosity into the chosen balance, and up goes the other scale, with its share of feathers, and more solid ingredients. We have mentioned the pig that was " driven " by Paddy, and have just touched on the pig that is " lead ;" but there is an obstinacy that no power or persuasion can lead or drive ; and this has opportunely aided, and will again, we trust, aid in protecting the gown ! Therefore, we pronounce the gown safe — because the unanimous opinion of the fossil faction, whenever Convocation is called upon to "reform its tailor's bills," will always resemble the unyielding sentiments of a lady of our acquaintance, as displayed in the following anecdote : — The committee of a turnpike trust was desirous of turning a certain highway into a straighter course ; and to do this, it was necessary to take in a portion of the lady's land which adjoined the road. Accord- ingly, an epistle was penned to her, offering, if the committee might be allowed the requisite piece of ground, to replace it by a larger portion on the other side of the projected highway; the letter concluded by pointing out how advantageous to both parties such an improvement would be. At the next meeting the lady's reply was read 96 QUIPS AND CRANKS. to the committee by the clerk, and with what feelings received, our readers may imagine — it ran as follows : — " Mrs. presents her compliments to the gentlemen of the Turnpike Trust, and begs to inform them that she objects to all improvements ! "* * This paper was written in 1858, when the Oxford Authorities, as described, meditated a change in academical attire. The result of the movement was what I anticipated. THE ATTIC DIALECT. 97 FAKEWELL TO THE SWALLOWS. ^WALLOWS, sitting on the eaves, See ye not the gather'd sheaves See ye not the falling leaves ? Earewell ! Is it not time to go To that fair land ye know ? The breezes as they swell, Of coming winter tell, And from the trees shake down The brown And withered leaves. Earewell ! Swallows, it is time to fly ; See ye not the alter'd sky ? Know ye not that winter's nigh % Earewell ! Go ; fly in noisy bands To those far-distant lands Of gold, and pearl, and shell, And gem (of which they tell H 98 QUIPS AND CKANKS. In books of travel strange) ; There range In happiness. Farewell ! Swallows, on your pinions glide O'er the restless rolling tide Of the ocean deep and wide ; Farewell ! In groves far, far away, In summer's sunny ray, In warmer regions dwell ; And then return to tell Strange tales of foreign lands, In bands Perch'd on the eaves. Farewell ! Swallows, I could almost pray That I, like you, might fly away, And to each coming evil say — Farewell ! Yet 'tis my fate to live Here, and with cares to strive. And I some day may tell How they before me fell Conquered. Then calmly die, And cry " Trials and toil— Farewell !" 99 BY THE RIVER-SIDE. Wheke the polluted river rolls sluggishly along, Its waters dark, by ship and barque, in dense and endless throng, Where swing the cranes, where ring the chains, where shriek the busy blocks, Where human labour seethes and boils about the busy docks, — How live they there? On brutal fare, than brutes yet faring worse ; Worse housed — and fed on bitter bread, earned 'neath the bitter curse, Who, in the narrow lanes and courts, toil on from morn till even, With scarce a glimpse of the bright blue sky, — and never a glimpse of Heaven ! Oh, day and night the fearful sight ! to see in that noisome place The sin that flaunts in its tawdry rags, with its wretched leering face ; The scorn of life, and the brandish'd knife, and the savage foul-tongued fray ; The crime, the theft, — and the child bereft of its childish mirth and play, h2 100 QUIPS AND CKANKS. Sent to pick from the streets the garbage it eats, and the garbage that it learns, — The filthy jest, and the words unblest, that serve unlawful turns : The brutal curse, and the foulness worse, unholy and awful both ; If it learn God's name, oh, horror and shame ! it is only as part of an oath ! ^iii^ciswMP- A PAIR OF PINCHERS. 101 A KING WITHOUT A CROWN. He carved his country's fortune with his sword, He smote the tyrant, and the prisoner freed, Gave back the kingdom to its proper lord, And asked no guerdon for the generous deed ! The people loved him — would have placed the crown Upon his head, had he, like Caesar, pushed The gewgaw from him, with a feeble frown Faint on a brow that wild ambition flushed ! He laid his glory by like idle weeds Worn on high days. His sword, from point to hilt, Hid by the garlands of victorious deeds, He placed on Freedom's altar newly built. But History writes upon the scroll of Fame Among her greatest kings our Garibaldi's name. A LETTEE FROM PEUSSIA. My dearest Miss Sacharissa, Since At my not describing the " dear little Prince, Some slight displeasure you seem to evince 102 QUIPS AND CEANKS. By calling my conduct shabby, This excuse for my silence I beg to assign — That His Highness, though born to be King on the Ehine, Appeared to these bachelor glances of mine Just like any other " babby." He kicks, and he crows, and he wears long clothes ; Has two eyes, and two cheeks, and a mouth and a nose, But as yet very little expression, For he does not " take notice ;" (familiar words ! Belonging in common to nurses — and boards Against trespass and other transgression.) Then as to his teeth, to give of his sense And proper feeling a proof immense, — A proof that there's no rebutting ! The teeth called " wise," (and I would that Man Pursued with his friends the self-same plan), Are the last he thinks of cutting ! And then on his little regal crown There begins to appear a clothing of down, — Just enough in fact to warrant The eloquent exclamation that burst From the English lady, by whom he is nurst, And who cried aloud on beholding him first — " He's a little 7*eir apparent I " A LETTEE FKOM PRUSSIA. 103 On the skin of his deltoid are seen some scars, Which, (tho' he's in arms,) were not got in the wars, Or impressed for identification : But regular vaccination wounds — The marks, like the Druids' barrows and mounds, Of a by-gone Jenneration. At present there flaunts a cap of lace On the brow, that the future's hand may grace With a golden crown or a laureL While the hand, that may some day grasp the helm Of state, and the sceptre of all the realm, Is now content with a coral. Now I hope you will not find fault with this sketch, (The very best I can manage to etch) Of His Highness, that " dear little baby :" And having obeyed your behest and decree, I am proud, my dear Sacharissa, to be Your friend, Thomas Bachelor Gaibee. 104 QUIPS AND CEANKS. AMY MOKTOK A SERENADE. Lady, hearken ! Do not darken Yet your casement-lattice bright : While you listen, Let it glisten With that single taper's light ! On the curtain Its uncertain Flickering gleams your shadow throw ; And your face's Shadow'd graces Fairer are than aught I know ! Amy Morton ! Let me shorten Mght's long hours with loving lay List your poet ! Ere you know it He will usher in the day ! I will tell you None excel you — AMY MOETON. 105 Nay ! you fairer are than all ! Amy dearest ! Sweet, thou hearest Truth in this fond madrigal ! Must I languish In this anguish All the weary summer through ? Dearest Amy, Either slay me, Or else — bid me live for you ! ACE, DEUCE, AND TRAY. 106 QUIPS AND CEANKS. A LAY SEKMON. was sitting on the extreme edge of the chair, just as I have drawn him, when I first came to recognise him as the text of the lay sermon I had excogitated. I had come to the shop for some note-paper, or pens, or the last number of the Cornhill Magazine. For the shop called itself a stationer's. I confess myself utterly unable to assign a reason why the term "stationery" should apply to an emporium so discursive as to sell embroidery and Berlin wool, in addition to literary matters, and even to touch upon Horniman's tea, and Holloway's medicaments. The shop door has a very demonstrative bell attached to it ; and on the day in question, it seemed more than usually overbearing and noisy. But it never rang, though it might have given a little genteel A LAY SEEMON. 107 shudder, at the shrinking entrance of the poor Union Boy, When he came to the door he opened it very gently and slowly with his right hand, having a wicker market-basket suspended on his left arm. When the door was opened he gave, in proper humility, the precedence to his employer's errands, and let the basket bring him in. It so happened when he came in there were several customers in the shop, and even my claims — the claims of a literary man — were compelled to rest in abeyance in a shop where Bulwer's novels and the refinements of Mrs. Trollope were dropping to pieces on the shelves, waiting for customers. Oh, if I, Auctor Ego, was obliged to be patient in such illustrious company, and waive my pressing scriptorial demands in favour of Mrs. Jones, who required three ounces of four-shilling Horniman, or Mrs. Smith, who desired a little petticoat-edging, what wonder that poor Nullius Filius should have to bow to Necessity — Bow to Necessity ! Poor wretch, it was' impossible for him to do it ! His head was so much too heavy for his pitiable, long, thin neck, or Necessity had given him such a permanent air of submission to it, that he could not have bowed except by thrusting his head into the pit of his stomach. When he wanted to salute (and he did so on entering the shop) he took a pull at his stubby, dry, hay-like hair, cropped close, and brushed down just over his eyebrows. After performing this salute he took off his grey 108 QUIPS AND CRANKS. Scotch cap ; and, placing that article on the seat of the chair, as if he felt that (not being a part of him- self, and belonging, so to speak, to the Union) it deserved the post of honour, he placed himself, as I have said, on the edge. This grey Scotch cap I have mentioned was not, please to understand, the flat rakish Glengarry with its streaming ribbons, such as young swells indulge beneath, but that shapeless bowl of pale grey, with a gap behind, and a feeble pattern round the edge, such as one never sees except in Unions and Lunatic Asylums. I think I once saw a London street-boy in one, but I concluded at once that it was only for its harrowing associations that that juvenile metropolitan fiend selected it as a matter of choice. This cap is a thing that leaves its mark upon the poor creatures that wear it ; just as fetters leave marks. They pull it down over their heads as far as it will go ; either because they suffer from habitual moral coldness, or to cover their intellectual naked- ness and disease. The cap always drawn down to the ears give to those organs an unearthly prominence, that reminds you of the ears of those lower animals, which contract a perpetual timidity from persecution. This, added to a restless watchfulness, and some other peculiarities, gave me a painful feeling, as if I knew him to have been severed, almost at his birth, from the humanity for which God intended him, and exiled among the brutes. A LAY SERMON. 109 One other peculiarity was a habit I have observed in the animals in the Eegent's Park Gardens. It was somewhat akin to the ceaseless prowling to and fro to be noted in the beasts under the terrace ; but it was exactly the same as the ungainly motion of the white bear in the den beside the terrace. It was that uncouth, monotonous, and mechanical swaying from one limb to the other, painful enough to see in a caged dumb beast, but sad beyond words to observe in an articulate being, for whom philosophers argue, a cogito, ergo sum — I think, therefore I exist." The poor boy was sitting, as I said, on the edge of the chair, and his basket was on the floor by his side. I could see, through the interstices of the wicker work, smooth little blue paper cones, suggestive of moist sugar, and noduled packets, hinting at raisins. The dim glory of perhaps half-a-dozen St. Michael's oranges overnooded the whole. I wondered whether he knew what these meant at first, he seemed such an outcast from his fellows. Then I felt he must know, and I pitied the wretched little thing, laden with simple childish luxuries, that he might not taste. He was dressed in an ill-fitting suit of corduroy, of that indescribable shade between white and clay- colour. It was inferior material, and dirty, and frayed. His wretched shirt-collar was crumpled and creased up. as if at some remote period he had had the audacity to stand upright like a human being. His raw. red and purple hands were pushed out far beyond the shelter of his sleeves, like anatomical 110 QUIPS AND CRANKS. Ishmaels. As for his feet, they were thrust into thick-soled, hard-leathered shoes, that were corru- gated, not to suit his convenience, but the tendencies of the material, and bore written clearly on their dead-black, wrinkled faces, the decree — " To be sup- plied by contract, so many dozen children's shoes. Tenders to be sent in at the Union by the — instant." It was a bleak day with the sun shining as cold as comfort. The children were very jolly in the streets ; they had some of them cloaks or great-coats, most of them woollen comforters, and all good healthy red noses, touched, in some instances, with a faint ultra- marine. This poor boy had not enough red in him to do more than to diffuse a pale inflammatory pink about the region of his mouth ; especially on his feeble upper lip. He sat on the chair-edge, his neck pro- truded anxiously, and his head on one side, watching the children at play. The pose reminded me of a cage-bird watching the gambols of a flight of swallows, at noisy liberty outside the window. There seemed to be a stir — very slight and perhaps not so recognised by him — a stir of sympathy with their nature; an interest in their pursuits. But there was as well, and painful to see, a sort of wonder mingled with this sensation, and moreover a kind of terror, trembling* and shrinking, as if he dreaded to pass through the turbulent youngsters. Good Heaven ! I thought, what despicable bullies and tyrants we are as healthy children ! A LAY SERMON. Ill This bird-like peering about was not only to be observed in the watch he kept on the gambols outside. His quick restless eyes wandered from one thing to another, and took rapid notice of everything going on within — but notice that sank no lower than the crystalline lens, — that cast no image upon the brain. The strongest peculiarity was, that the poor crea- ture never turned its face full upon anything it looked at. It peered at it from the corner of its eye, and from under its brows, never lifting its head, except very briefly, at nervous and long intervals. Indeed, the only countenance could be said to present it to the grown-up world was, the nape of its neck. " Pronaque dum spectent animalia csetera terram Os homini sublime dedit !" If this be the definition of humanity, is this hu- man ? Did Heaven ever bid this thing, — " Look the sky straight in the face, and stand erect beneath the stars?" Then the words of a later poet than Ovid came into my mind, and I asked — " Had he a father, Had he a mother, Had he a sister, Had he a brother ?" Alas ! I knew the poor children in Unions are too often — and certainly, in the one to which this belonged, generally — the offspring of folly, or of sin ; not the sin, do you think, only of the parents ? is it 112 QUIPS AND CEANKS. not also the sin of us, who do not teach these, and raise, and aid them? But wheresoever the sin lies, these poor things are the waifs and strays, flotsom, jetsom, and lagend of the polluted sea, that men call the World, and shrug their shoulders at, with the easy philosophy of " what must be, must ! " There, meanwhile, sat the poor boy, swaying to and fro after the manner of brutes, as I have described, and shaking with frequent shivering fits, that did not seem to be so much the effect, as the habit of being cold. I turned from the wretched spectacle, and took from the shelves of the National Society's Library, (that Institution has a niche in the shop as well as Holloway,) a prayer-book, into which I looked to divert my thoughts. I opened on "And visit the sins of the fathers upon the children." I closed the book. Is it a hard saying ? Do people often have such an illustration as this to the text ? I put the volume back, and turned round again. The evening was closing in quickly, but the children were still at play outside. For lack of light to see what was doing within, the child was watching them. It seemed as if the spirit they threw into the game, riveted his attention. He looked on intently, follow- ing with his eyes, and with little bird-like jerks of his attenuated neck, all their manoeuvres as they coursed up and down. How different such play was from what he joined in, I knew well. Had I not seen the Union children going through a mockery of play A LAY SERMON. 113 on their own green, running and romping, but with, the life only of mechanical wax figures of children, in a ghastly mockery of childhood ? I had seen this, and had turned away from the rails, — from the imploring, longing, animal eyes of the little witlings that crowded up against them with vacant faces, be- seeching alms with uncouth noises. The boy had now taken some halfpence from his pocket, and was counting them over, automatically, to settle for his purchase, which he might now shortly make, since Mrs. Jones was gone with her herb, and Mrs. Smith had, the gas being lit, nearly settled on her edging. This act perhaps was the most melan- choly thing to note. To see his utter want of true acquaintance with halfpence, those most infantile of all coins ! A child's financial ideas seldom range higher than halfpence can represent. I know some little friends of Frank Whitestock's, who could read Karitongo and Wankyfungo without a stutter, but who could not easily manage the distribution of a six- pence. "Hap'ny — aha — orange, and hap'ny — aha — apple, and hap'ny — aha — treacle, and'" — there an end ! Give a child a shilling, and mere acquisitiveness causes it to be grateful for a white, shining, pretty piece of money : but give it a few halfpence, and its face glows with genuine pleasure. Every copper — dear old familiar friend — represents a doll, a leaden soldier, a stick of toffy, or some other treasure of childhood. This poor boy fingered childhood's own peculiar I 114 QUIPS AND CKANKS. coinage, as if they were sovereigns ; things, of which he had never been possessed, and which he never dreamed of possessing. And now his purchases made, the parcel was added to the sugar, the raisins, and the St. Michael's oranges ; and the money deposited on the counter without any of that childish, reluctant, longing fingering of the dear unctuous medals, such as an urchin has a right to take a furtive pleasure in. He picked up his flabby head-gear, and put his head into it. He was so kept down, — had such a general spirit (?) of " down-ness " in him, that it was more natural to lower his head into his cap, as he held it in his hand, than to raise his hand to his head with that covering. I took a last survey of him. What age was he ? From his height and build, eight ; from his face, fifty. His face had not the experience (which is the wisdom) or the cunning of fifty ; but it had the suffering, the care, the resignation of fifty, — the aged look to be seen in the face of an old ill-used horse, or a worn- out dog, but not often, I trust, among human creatures. He turned to leave the shop. His little cap, with the gap behind, yawned over his attenuated neck. A strange wolfish thought rose in me, that, if I took that miserable isthmus between heart and brain in my hand, and squeezed it for a minute or so, — why then an end of the thing's troubles ! If all such Union starvelings had had that one neck, I should almost have been Nero enough to pinch it with a A LAY SEKMON. 115 compassionate finger and thumb, and send them out of the world — whither ? No matter ! at least to something better than bare walls and thin gruel, a miserable, stinting, soul-stunting vegetation. The wolf-thought slank away, and in its stead, a mist, that it would not have taken much to condense into tears, rose before my eyes. If to see this one was sad, how sad to see the thousands of like outcast things in this great prosperous country of ours ! I saw the other day a notice of a Eevival, whither sinners were invited to prove a lively repentance by convulsions and howls. I saw the other day a great speech by Bermynghame Boisterous, Esq. M.P. about Political Eeform, Man- hood Suffrage, the Eights of Labour, and other things beginning with capital letters. I think I saw, too, the other day, that the Eev. Frantic Plodd, M.A., was going to deliver a sermon in aid of the Society for " The Distribution of coals and blankets in Central Africa," " The Diffusion of Kent's Eefrigerators among the Greenlanders," or some other equally meritorious Mission. I think I have seen these. I am sure I have seen a want of a system of education, the result of sectarian desires to gild the pill of knowledge, each sect with its own tinsel ; and a want of an active every-day religion of working propensities, and Christian catholicity. Well, and what is the use of all this, you may ask? Is there no good in a man s honestly telling what is I 2 116 QUIPS AND CRANKS. in his heart, and describing truthfully (as I have, on my conscience) what he has seen, and felt ? Mind you, I believe Education to be fiercely needed, I consider Missions to be necessary, and I admit Ke- form to be desirable. I am sure if there be such a thing as true Christianity extant, it wants a little awakening. But, Eevived Christian, had you not better employ your muscles in visiting the teeming- allies of poverty, instead of rolling on the cocoa-nut matting of your conventicle ? But, Eeformer and Edu- cator (for it is no use being the former without being the latter, I submit), do come down off the Platform and out of the House, into the festering chaos of unreformed ignorance ! But, Eeverends, come down from the pulpit (and off the stage) a little oftener, and a little oftener take for your text such a text as I have taken for my lay sermon. If Charity, or Love, which means the same I take it, is the greatest of a certain Three you wot of, you cannot preach it too frequently, and you would never find a better text! The boy was gone ; but I still saw him in my mind's eye sitting, as I described before, on the ex- treme edge of the chair, just as I have drawn him ; just as he sat when 1 first recognised him as the key- note of the sermon I excogitated. I dare say you will not all be able to guess my lay sermon from these rough short-hand notes. The more's the pity ! I left the shop, and closed the door A LAY SERMON. 117 behind me, leaving the demonstrative bell as noisy as bigotry. Ah, well !— " There's somewhat in this world amiss Must be unriddled by and by ! " A LAY IMPROPRIATOR. 118 QUIPS AND CRANKS. tENONE'S vigil. Is my waiting all vain? Comes he never again? Must my tears, lonely tears, ever fall like the rain In the long autumn days on the hills? Is he gone to the waves Of the river that laves Death's strand, ever-mi Lost to life, with its joys or its ills? Death's strand, ever-mute, and unechoing caves, Oh, I see that cold shore, Evermore — evermore ; That island where souls that were mighty in war, An immortal existence have found. They loom misty and dim, Through the vapours that swim, Slowly up from the waters so silent and grim, Which circle them nine times around. Yet the melody swells From the silvery bells In the beautiful meadow of asphodels, And it floats o'er the wide sluggish stream. ^enone's vigil. 119 And I know lie is there In the meadow-lands fair ; I can see the soft light on his beautiful hair, Like the sunlight that glows in a dream. But my visions are vain, I awake to my pain, And the tears, bitter tears, slowly fall like the rain, In the dark misty days on the hills. Come and steal my sad breath In long sighs, Gentle Death, ,For the sword of my spirit has fretted its sheath, Oh, thou mighty Eemover of Ills ! DEINKING SONG. Fill the glass ! The bottle pass, And drain the wine down to the bottom. Leave Life's affairs And all their cares To those who like 'em when they've got 'em ! For me : — I own That when alone I find cares come still thick and thicker. 120 QUIPS AND CEANKS. But when I meet With friends — 'tis sweet To have some cares to drown in liquor. For Life, like wine, In close confine Gathers a dingy crust, unsightly, But when it passes To many glasses, It bubbles up and sparkles brightly. Alack-aday ! Bright things decay. First fails the cask that quickest spirted. Well — then we'll in Upon the bin To sleep — like wine-glasses inverted. f S ■ / THE BEST SPIRIT-MEDIUMS. 121 CYPEESS AND LAUEEL. (The Dying Painter speaks.) lELP me back to the couch : I am strangely weary and weak. How my knees trem- ble and fail ! — Have I stood at the easel long? Look at the beads of sweat on my brow, and the flush on my cheek ! Put me a shade on the lamp, it is burning over-strong. Ah, that dear, cool hand, sweet Wife ! Like a costly balm I feel its touch so white, — 'tis in alabaster too ; Here on my feverish brow lay its little rosy palm. Oh, I am weary to the death, nor know what I say or do. This was the hand I took in mine one jubilant morn, There in the old Cathedral I see through the moon- lit pane ; Here is the tiny ring that it ever since has worn. 122 QUIPS AND GEANKS. Stop — do not hurry me, sweet, let me pause and rest again. Ah, that little hand ! " I would lead it up to Fame ! The world should own that my wife and model was passing fair ! " That was an idle dream ! Now, penniless, sickly, and lame, I must trust to its feeble help to guide me back to my chair. Nay, do not smile! Yet stay — smile on! 'tis thus I would fain Have painted my Virgin smiling down at the babe on her knee, With a joy in love that is sobered by dim fore- knowledge of pain That waits her beloved one. — Dearest, do you think it will ever be That the picture all completed and hung in the Minster there, Will catch the eye of the Duke ; will he pause, and pursing his mouth, Throw back his head for a while, and say with a learned air " Come, there is merit in that ; we have painters still in the South? " Trim up the lamp. Erewhile it was over-strong for my eyes, Now it seems very dim. You have turned it down too low. CYPRESS AND LAUREL. 123 How has it grown so gloomy? Why, when did the moon arise? — Scarcely an hour ago, and it cannot be setting now. Yet, though it grows so dark — is it not strange? — I seem Lying so still, to discover the secrets I vainly have sought. I am wringing their hearts out now. Or do I lie in a dream, And think that the victory's won — that the long, long battle is fought. Now, if I had my palette, I think I could mix the tint I wished for Madonna's hair, and the purple glaze for her veil; Something the color you see in morning clouds, with a hint Of the undeiiying sunset, — glowing and rich, though pale. Yes, it grows on the gloom, the picture that many a year, Sleeping and waking, I've planned — the master-piece of my life, The Presentation of Christ in the Temple. It stands so clear, All the lines of the figures as sharp as if cut with a knife; And above all, the Mother, filled with that threefold love (Trebly a woman therefore), nursing her babe, the Christ, 124 QUIPS AND CKANKS. Loved as a child upon earth, as her Saviour come from above, While she leans in confidence pure, upon her be- trothed' s wrist. If I could see the easel that's standing back in the dark, Then (comparing the picture there with the vision here), I might find out the faults of my feeble painting — and mark Where I should give the touches would make it grow bold and clear. Hush — for I see a figure ! How lean ! Of nothing but bone. What is the wreath in its hand with a silver high- light on the leaves ? See, it is passing before the picture ! Am I alone? Wife, are you here? come closer, the flickering light deceives, Ah ! How faint I have grown. My heart beats heavy and slow. Where is that solemn spectre? I feel it is here, close by. 'Tis that, not you, dear wife, that is pressing the wreath on my brow — What is this odour from branches of laurel fresh - gathered ? — I die! 125 MEMOBY. Love's Priest is Memory. He sits beside The god's warm altar and casts incense on To feed the flame with recollections sweet. Love's Priest is Memory. He sits between Two lovers, folded in each other's arms, With lips so closely meeting, every word Is ended with a kiss. There Memory leans Above them, and they look through vanished years And whisper happy recollections. " Sweet, Do yon remember that first walk we took ? Others were with us. On your arm I leant, And oft I strove to free my hand — ah, love, 'Twas but to feel the soft entreating clasp Of that dear hand that made it prisoner." " Ah, yes, I do remember. 'Twas that night That some mischance (not 1, of course, the cause) Put out the tapers as you played the air Which haunts me yet. Do you remember, love ?" " Ah, yes, and then it was you kissed my hand, And I half feared, half hoped, I know not which, That your presumption would attain my lips." 126 QUIPS AND CEANKS. " Your lips ! — oh shall I e'er forget the day When first I pressed them to my own, and drank, Rather than heard, those words — 'I love — I love'?" " I too remember that dear time, mine own ! " Love, look with tenderness on these fond hearts, Give them for ever Memory shared by each ! Never apart, alone, and desolate, May either whisper sadly " Woe is me ! I do remember : — then I was beloved ! " UN-NATURAL HISTORY — A MOONCALF. 127 ON THE WATER IN SPRING. The tender buds like emeralds Are bursting on the bough, And gleam reflected on the wave That ripples neath the prow. The trees, the sky, the fleecy clouds, Are mirror'd in the lake, Until our silver-dropping oars The placid image break. Yet looking back along the track "Whereby our course has lain, We see the pictured loveliness Tremble to shape again. So though the world at times disturbs The current of my thought, And your remembrance there obscures, Kind Sister — it is nought ! As does the lake, once more at rest, Reflect the sky above, So seeks my heart in calmer hours The old familiar love. 128 QUIPS AND CRANKS. THE MAKEE AND MODEL OF HAEMONIOUS VEESE." A BIOGRAPHICAL LECTURE.* thousand six hundred and five. IEST of all, allow me to introduce to you Edmund Waller, of Bea- consfield,"Bucks — gentleman, M.P. poet, courtier, wit, orator, exile, lover, sinner, penitent ! In a word, a bro- ther of ours ; though rather an elder one to be sure, seeing he was born in the Year of Grace, one I wish I could * I am indebted for much of the information in this paper to an article in Household Words from the brilliant pen of Mr. Charles Kent. THE MAKER OF HARMONIOUS VERSE. 129 describe this writer of the Seventeenth Century with the delicate touch and faithful execution of the chronicler of the writers of the Eighteenth Century. It is this accuracy of delineation that constitutes the true portrayer of the men of the past, and it is the want of it that turns the would-be essayist into a clumsy uninteresting caricaturist. Nothing is easier than to draw a head with a decided Eoman nose and a cocked hat, and proclaim it to be " The Duke ; " (what a grandeur there is in that definite article at times) — the bigger the nose, and the more exaggerated the hat, the more silly people will be led away into unmeaning delight. If you go a step further and append the name they are ravished. Thinking men must deplore such grotesque folly. When we were at school, don't you remember that we used to draw the master with a wig, a cane, a pimply nose, and a long-legged desk with a dunce's cap on it ? That was a conventional essay on school- masters, and if our particular dominie did not resemble the picture, it was not the error of the artist, but the crime of the pedagogue. He ought to have had those attributes as a matter of duty. We young scrawling reprobates at school were only juvenile copyists of a certain class, who, having conventional notions of Johnson, Goldsmith, and Swift, will prose by the hour about Johnson being a bear in a big wig with a big voice ; Goldsmith a soft-hearted half-idiot, given to flute-playing, and K 130 QUIPS AND CRANKS. Swift a man possessed of a devil and a deanery in Ireland. Is it hard to draw a bear in a bob-wig, a fool tooting on a pipe, and a demon in cassock and bands ? Yet these are the generality of the word-pictures elaborated so often about them. Men will take their subject and stick it up before you as stiff and lifeless as a lay-figure. Now a lay-figure is as un-human a thing as you can clap eyes on — an exaggerated doll, such as the Princess of Brobdignag nursed before Fortune sent her little Lemuel Gulliver for a plaything. Lay its sausage fingers on its bare poll, and turn its lack- lustre eyes on the chandelier-hook, and straddle its legs. That is Despair, for instance. But the true artist from this poor monster creates a fair humanity, clothes it with the attributes of man, and cunningly limns the features. Then we see and admire the picture. Alas ! there be some, who having adjusted their lay-figures accurately, photograph them with the utmost precision, and imagine they have achieved a success. The men of the past have left us only lay-figures to depict them from, — have bequeathed to us a few pictures, a few traditions, a snuff-box, some rings, or a clouded cane, and their own writings. From these, it is the manner of some to take pallid ghastly photographs, and so their subjects become to us mere things of padding and springs ; things of awkward attitude and unintelligible meaning. THE MAKEE OF HAEMONIOUS VEESE. 131 It is reserved for the few to paint from these true humanities, and not gaunt unrealities, Frankenstein "botches of dead men's bones. See how Thackeray paints from these relics, (and at times Mr. Sala shows how he can wield the master brush), he describes us the old writers, not as men of a different race, a distinct class of beings from ourselves, but as men, our brothers, with the same hearts as ours, beating beneath long brocaded vests, the same brains as ours, busy beneath Eamillies wigs, and the same errands of grace, folly, error, love, mercy, wisdom, making feet like ours hurry by in high-heeled shoon, knees like ours hinge in velvet breeches, and shanks like ours flash by in silken stockings. Were men's hopes and intentions, faults and favours, really different because they wore a pig-tail at the back, instead of a watch and seals at the waistband, think you ? Or did the Fops differ from the Swells of to-day, because they carried a court-sword in place of an attenuated umbrella, and a pouncet-box in lieu of a cigar-case ? Were children more or less obedient because they said " Sir," instead of " Governor ?" Be- cause men wore wigs, patches, and powder was their whole being artificial ? Was it a distinct race, that crowded the Mall, or danced at Eanelagh? We know that mankind was the same then as now, and yet we seem to think so little of it that we need an army of Laputa flappers to keep us in mind. As for some writers, when they sit down to pen biographies of great men, some one ought to be employed to k2 132 QUIPS AND CRANKS. whisper at intervals "Philip, remember they were mortal!" But all this time my friend Edmund has been waiting to make himself known to you. As, of course, I should not introduce a person of no family, and limited means, you will presume that he is of good birth and property. And so he was. His father died in our hero's infancy, and left him a for- tune of £3,500 per annum. So much for wealth! As regards descent, he was no less fortunate. I need not trouble you with very many particu- lars. Indeed, to trace our Waller's " pedigree To the very root of the family tree Were a task as rash as ridiculous :" and it will suffice to say that somewhere in that genealogical arborescence, between Adam and Eve, and Edmund, there occurs a certain Eichard Waller, of Spendhurst, Sheriff of Kent. It was his fate to live in the days of Harry Monmouth, and his good fortune to be present at Agincourt. As regards that battle, I have heard a gentleman, not well-read in his black-letter chronicles, who avowed his belief that it was never fought at all, but that Shakespeare invented it for his Henry the Yth, and the historians, out of respect to the Poet, ab- stained from exploding the fallacy. With this belief I cannot hold, but of one thing I am certain, namely, that it happened exactly as the Bard of Avon describes it. So that you remember THE MAKER OF HARMONIOUS VERSE. 133 King Hal said, (and I am prepared to assert that they are the exact words he made rise of,) in answer to Westmoreland's wish for reinforcements, — " If we are marked to die, we are enough To do our country loss — but if to live, The fewer men, the greater share of Honor !" If those were not the precise words they ought to have been, for he could not have said anything finer. And then he added that when the victory was won (of which, as an Englishman, of course he had no doubt) the people would remember in all ages the names of " Harry the King, Bedford, and Exeter, Warwick and Talbot, Salisbury and Gloster." Now Harry the King omitted from that list the name of Waller of Spendhurst, which should have been therein enrolled, and I will tell you why. The battle being fought on St. Crispin's day, and he being the patron saint of cobblers, most appro- priately the result was that the over-confident Dauphin was sold, Hal's wounded pride was healed, and to speak by the Ring, oceans of French claret were tapped, without any removal of duty by the then Chancellor of the Exchequer. To hunt the metaphor to death, many illustrious prisoners were on this occasion bound, and among them the Due D' Orleans, the captive of no other than Eicharcl Waller of Spendhurst, Sheriff of Kent, the paternal ancestor of Edmund Waller, who thus, on his 134 QUTPS AND CKANKS. father's side, traced his line back to the heroes of the chivalric ages. On his mother's side he was not so much connected with the Past as with the Future. The phrase may- seem ambiguous, but you will allow it correct, when I explain to you. Waller of Spendhurst was part of an almost obsolete feudal system, of a Chivalry that was well nigh extinct. But Edmund Waller's mother was Anne, the daughter of Griffith Hampden, of Hamp- den, the aunt of England's great patriot. Hampden, then, was first cousin to Cromwell, and first cousin to Waller, so that the Protector and the Poet were what the Americans would call "kinder cousins," or, to reverse and alter a common quotation, "A little less than kin, and more than kinder" cousins. Am I wrong then in saying that our hero, on his mother's side, was rather connected with the Future than the Past ? At the time of Edmund's birth, Hampden, if he was resisting any shape of despotism, was doing so by thrashing the bully of his school at Thame, and, again to alter a quotation, " With dauntless breast the little tyrant of his form withstood ;" While Cromwell, "guiltless of his country's blood" though he might be, was yet be spattered with that of his class-mates, for lie was a pugnacious urchin in the lower school at Huntingdon. THE MAKER OF HARMONIOUS VERSE. 135 To exhaust the verse of The Elegy, Milton was at this period a decidedly "mute, inglorious" one, for the simple, but sufficient, reason that he was neither born, nor thought of. I have dwelt at length on these two relationships, these two descents if I may call them so, because they prove an excuse for the vacillations, of which, in after life, Waller was with a slight show of justice accused. One or the other of these kinds of blood was for ever getting the upper hand, and so, at one time our Poet and M.P. would stand by Charles the First, and at another, with a poetical licence, turn round and side with the Parliament. In the first instance he was influenced by the loyal ichor of Eichard of Spendhurst, the vassal of Henry of Mon- mouth, and in the last by a kindred sympathy with the noble fluid that filled the veins of a Cromwell, and swelled the great heart of a Hampden. I cannot tell you anything of the life and politics of his father ; his mother was a Eoyalist and lectured her nephews often, but unavailingly, on the course they pursued in after years. In Anno Domini 1621, Hampden and Waller were elected to Parliament, the latter for Amersham, or Agmondesham, the former for a borough, "which," says the late Lord Macaulay, " has in our time obtained for itself a miserable celebrity," the borough of Grampound. Hampden had been married about two years before this, and threw aside fowling-piece, hunting boots, and the pleasures of a country squire, 136 QUIPS AND CBANKS. for the serious duties of a legislator. He was seven and twenty when he took his seat. But what will you say when I tell you that Edmund Waller, M.P. had only seen sixteen summers?* Were young men so advanced in those days? tem- pora, o mores, how they must have degenerated now ! After all I fancy they have not, though. In our times they know more about cricket and pitch in the hole than politics. I don't suppose they were far advanced beyond bat and ball and marbles then. The fact is that the Universities admitted boys at an age when public schools would take them now. So it was that Waller had passed his collegiate career at King's College, Cambridge, after having been grounded at Eton, before he arrived at the mature senatorial honours of sixteen. The grounding at Eton could of course have been little beyond A. B.C. As for his College days, one does not wonder that the old statutes of the Uni- versities bid the Heads of Houses to see their pupils in bed by nine, to birch them if they are disobedient, and to flog them if they play at ring-taw in the pub- lic streets. But the undergraduate now! — Quantum mutatus ab illo ! I have seen him out of bed, and college too, hours after nine : I never heard of his being birched ; and as for ring-taw, if that were the game, and the only one, the youngsters played in the streets, they * At all events they were not more than eighteen. THE MAKEE OF HARMONIOUS VERSE. 137 would not deserve to "be whipt half as much as they do. History does not reveal whether our young legis- lator ever wished to slip out of St. Stephens, and have a game at leap-frog. I daresay he did ; indeed, I should not wonder if Lords Derby and Palmerston sometimes wish themselves back in Eton playground, having a turn at fly-the-garter. Waller however, though as Clarendon says, "nursed in Parliaments," was not yet allowed to run alone, and was, according to some authorities, still under the salutary rule, that " little children should be seen, and not heard/' For Amersham, they say, claimed in electing him a right of representation which it had left dormant since the beginning of Edward the Second's reign. In this case, Waller would sit sub silentio ; that is he sat by courtesy, but could neither speak nor vote, till the claim of his borough was finally determined, which was not till some years after. This may be the reason why he is not mentioned in the blue books, or in the Hansard of the period, as proposing a measure for the abolition of charges at pastry-cooks' shops, or for a grant of a liberal weekly allowance to all gentlemen M.P.'s, under eighteen years of age, or any such other measures as might have been expected of his years. But though a dummy in the House, our friend was well received at Court. What a Court it was ! James the First of England and Sixth of Scotland must 138 QUIPS AND CEANKS. have been the source of keen mirth and scorn to young Waller, whose wit, humour, and satire were so strong, and, at his age, so untempered by the love, the charity, the pity, the self-abasement, which a few years' experience brings us to blunt the edge of sarcasm, and modify the cruel bitterness of contempt. How Waller's thoughts in after-years must have recurred to this poor royal dotard, playing his sad foolish pranks between two bloody scaffolds ; the one. whereon his mother perished ; the other whereon his son, his pet, his Baby Charles, was doomed to die afterwards. It was to Baby Charles our Poet wrote his first lines, and very notable lines they are ; on his Boyal Highness' escape from a storm off the coast of Spain. Smooth they are to a degree, and musical ; but full of mythological pomposity, and betraying the youth of their writer very clearly in a passage wherein the tumultuous billows of an angry sea, are compared to nothing more lofty than "a sort of lusty shepherds" at foot-ball. In the June of 1625, in which year Baby Charles came to the throne, Waller sat again for Amersham. But he was still a silent member. It was in 1628 that our gentleman first eminently distinguished himself, by marrying an heiress. Clarendon says of him, that he was " little known till he had obtained a rich wife in the city." But Clarendon had no reason to love Waller ; but had two reasons for hating him ; the first because Waller had injured him, and the second, THE MAKER OF HARMONIOUS VERSE. 139 and I believe more powerful, because lie had injured Waller. Johnson comments on this ill-natured remark, by reminding the reader that Edmund was only three and twenty when he married, " an age before which few men are conspicuous much to their advantage." " He was known, however," continues the Doctor, "in Parliament and at Court ; and if he spent part of his time in privacy, it is not unreasonable to suppose that he endeavoured the improvement of Ins mind, as well as his fortune." I am afraid it was the improvement of his fortune, rather than of his mind that he meditated in his marriage. The lady was a city heiress, most appro- priately named Banks. I don't think he besieged her with glowing verse ; if he did, we know nothing of it : neither do we know anything of his domestic life. His wife bore him two children, a son, who died early, and a daughter, who passes out of our history, to marry a Mr. Dormer of Oxfordshire. I daresay Waller and his wife got on then, much as any one and his wife get on now ; differing it may be as to milliners' bills, or the latch-key (if there were one in those days), and finding doubtless that the romance of Love was somewhat destroyed after wedlock by butchers' and bakers' bills, washings at home, and cold joints on Saturday. Mrs. Waller, No 1, died in 1630, leaving Edmund a widower at five and twenty. Much too young to 140 QUIPS AND CRANKS. be a widower ! And so he thought, and therefore set about searching for Mrs. W. No. 2. The result is that in 1631 we find him laying aside his weeds, and flinging himself a prostrate victim before the fair feet of Lady Dorothea Sydney, a descendant of the famous Sir Philip. To look at the matter calmly, this was rather bold of our young friend. There's a lady, an Earl's daughter ; she is fair and she is noble, And she treads the crimson carpet, and she breathes the per- fumed air ; And a kingly blood sends glances up her princely eye to trouble, And the shadow of a monarch's crown is softened in her hair." , The semblance of a coronet in Sacharissa's golden curls ought to have awed Edmund from the pursuit. But his former matrimonial success warranted his boldness. When he wooed and won Miss Banks, the Court had entered one, Mr. Crofts, for the rich prize, and no doubt he argued that if he could carry off a fortune despite the interest of a money-loving Court, he might carry off a noble lady from that Court by in- fluence of his money. And so he might a great many ; but unfortunately he made choice of the wrong one. Lady Dorothea was never " Miss Bight " to poor Edmund ! " Miss Bight" nevertheless to two suc- cessive successful gentlemen ; first to Henry, Lord Spencer, afterwards Earl of Sunderland, and sub- sequently to no more exalted a personage than plain Mr. Smyth. This latter matrimonial condescension THE MAKER OF HARMONIOUS VERSE. 141 was most probably owing to the troubled times of trie rebellion. Lady Dorothea however was never " Miss Eight" to Edmund Waller ; to him only a distant and much revered Divinity, on whom the poet by a strange reciprocity conferred a share of an immortality which he chiefly derived from her. For so it was that the fame these two begot, out of wedlock, out-lived all the children lawfully born of their respective husbands and wives. It is very amusing to look at the titles of some of Waller's poems. Here are a few instances : — " To a Lady who can do anything but sleep when she pleases." " The apology of Sleep for not approaching a Lady who can do," &c. Whether these two poems had the desired soporific effect I cannot positively say, but it seems probable, for soon we have : — " To a Lady who can sleep when she pleases ; " perhaps by reading the two preceding poems, which certainly contain as much opiate for their size as any I ever met with. There are a host of such trifles as the following : — " To a Lady on her passing through a crowd." " On a brede of various colours, worked by four ladies." " On the misreport of a Lady's being painted." " On a tree cut in paper by a Lady." And then comes one, " To a Lady who returned the above copy of verses after they had been for many years missing." 142 QUIPS AND CRANKS. The lost MS. was only a scrap of fourteen lines, but for its restoration the lady is called in fourteen more, a Venus, Virtue personified, the loveliest of women, the most irresistible of her irresistible sex! If the return of lost papers were so repaid now, Bramah himself could devise no safety-lock for the Poet Laureate's study. I am afraid, in running over the index of Waller's poems with me, a censorious world will be prone to quarrel with him, when it finds therein numerous love- songs to an Amoret, a Chloris, a Phillis, a Zelinda, a Celia, a Flavia, and a Sylvia. The fact is, our friend was a " pretty fellow," and the idol of the ladies. Those dear creatures are not stern judges — indeed, I fear it is a rule that such an idol is not a hero with us men. Waller was not, for instance. Yet I doubt whether the ladies are not right after all, and incline to believe that a poor, nice, amiable, unlucky, devil-may-care fellow with a lot of faults is preferable to a straight-backed, stiff- necked fellow, who is so "confoundedly virtuous," that if he sin at all (and we are told on good autho- rity that all men do) he sins surreptitiously, under the rose, and adds the crime of hypocrisy to the fault committed. You will be for guessing from this that Waller had his faults — and a fair proportion of them. Well, I confess he had — and what is more, I don't like him the less for it. Upon my word, I believe it is better to be amiable than to be clever, and infinitely more THE MAKEE OF HARMONIOUS VEESE. 143 pleasant to be liked than to be admired. One warm hearty shake of the hand is worth a hundred distant awe-struck bowings and scrapings. But as these errors and failings are in the lap of the future just now, you will please to make them no palliation for Sacharissa's savagery. She impaled poor Edmund as remorselessly as boys do cock- chaffers, and when he buzzed and droned over his agonies, she smiled! I address this portion of my paper to men ; for a young and interesting lady, to whom I once read that last sentence, said very innocently, "Well, why shouldn't she?" so I suppose here I am become un- intelligible to the sex. "No doubt Sacharissa en- couraged the poor poet up to a certain point, and it was not unpleasant to her to hear her own praises sung so musically, and to have him twangling his guitar under her bed-room window of cold nights. There is a picture of Waller extant, copied from one in the collection of Lord Chesterfield, which must have been done about this time. It represents him as a nice-looking fellow enough, with a touch of sly humour in his face, but with no excess of energy nor of firmness. No firmness, even in his moustache, an appendage which be it ever so slight, generally gives, an air of ferocity to a face, but which only adds in- decision to his, for it is faint, feeble, and uncertain, and resembles nothing in the world so much as a strayed eyebrow. Besides this effigy we have Aubrey's pen-and-ink 144 QUIPS AND CRANKS. sketch of him. " A fair, thin skin, his hair frizzed and of a brownish colour, a full eye, and a com- plexion somewhat of an olivaster." I have now given you the likeness of Sacharissa's Waller ;— but how shall I give you the likeness of Waller's Sacharissa? For my own part, I confess I have never seen her portrait. I can scarce believe she has left one for posterity to criticise and carp at, — for she was ever fortunate. Imagine a lady who had a poet for a lover, yet not as a husband; who, though twice married, has left no record of her age or the date of her birth in any Penshurst Register, on any monument, or in any family Bible ; and who, famed in life for her loveliness, had left no counterfeit pre- sentment behind her for the world to sneer at and find fault with* Beautiful she was, and young and charming, doubtless! From what I can gather, a blonde; golden-haired, rosy -cheeked, cherry -lipped, and dreamy- eyed. We must not quarrel about tastes, but I fancy Sacharissa was, as Johnson interprets her name, a sugary, spiritless mildness. At all events it is certain the string of epithets I have threaded for her would apply as aptly to a flaxen-curled, pink-painted, blue- bead-eyed wax doll such as little girls delight in. The first poem he penned to her was, I guess, one which begins : — * There is a portrait at Penshurst I believe, said to be hers ; there are several engraved portraits of her. THE MAKER OF HARMONIOUS VERSE. 145 " Treading the path that leads to noble ends, A long farewell to love I gave, Resolved my country and my friends All that remained of me should have ! " In this lie states his fixed resolve to become a hero, a patriot, a poet, or some such other public bene- factor, but admits that it has been overturned by a " nymph, he dare not, need not name !" He, in fine, modestly compares himself to an oak, not intended for vulgar faggots but destined to build a mansion, which, though safe from the fire on the humble hearth, must, alas, bow before the scorching flame of Heaven. Our oak survived the scorching a long time, and adorned Parliament for years after — but as for build- ing the House, it had little to do with that. It is amusing to see in the lines I have quoted the MasS man of the advanced age of five and twenty devoting the poor remnant of his life as he does. Young men who begin as M.P.'s at sixteen are likely to get into this frame of mind. Perhaps, considering his age, you and I might have been tempted to bid more for the remainder than it proved to be worth afterwards. But in all his poems to Sacharissa while aspiring he is despairing. He says he is like one who sees, " inviting fruit on too sublime a tree," and declares — " his hope shall ne'er rise higher Than for a pardon that he dare admire." But however sublime the tree he does not cry sour grapes. She he has once elected his idol is faultless L 146 QUIPS AND CKANKS. for ever; that is as long as she is young and fair. Of course when she grows old and ugly it is differ- ent. We shall hear what he thinks of her then, by-and-by. But now she is one perfect chrysolite ! The other ladies, whose names I have given before, he treats after several fashions somewhat cavalierly. And indeed, while he is telling Amoret he loves her, he does not hesitate to confess that he adores Sacharissa. And so he, knowing what a profitless and vain infatuation it is, still hovers, poor moth, singeing his wings at her burning eyes. And to her he sings that exquisite little poem — " Go, lovely Eose," with which every one is acquainted. Kirke "White admired it so much, that he added a new stanza to it. Like all other additions of the sort it is, although monstrously clever, quite out of place, for it differs in moral and tone from Waller's lines. While Waller was hymning the dilatory Eose, who lingered " To clothe herself with love, Delaying as the tender ash delays To clothe herself, when all the woods are green," he is chaunting sweetly to the lilies and pinks as well, that nodded in the Palace parterres. They received his worship propitiously probably. Not so Lady Dorothea, for at last he comes to compare himself to a traveller struck down by a lion, and obliged to lie as still as death, in order to escape THE MAKER OF HARMONIOUS VERSE. 147 it. Perhaps the lioness felt this was prudent, for she was about to take to herself a master and keeper, Lord Spencer. In 1639 she marries him. Then the pensive sighing Waller retires. " Courtly Waller," as Addison calls him, could do nothing gauche, so he backs out in a graceful manner without any grumbling or stumbling. He closes his pursuit with an ease and majesty as if he were finishing a minuet ; with a respectful sadness, too, that leaves an atmosphere of genteel misery behind it, as an odorous pastille bequeathes us a cloud of delicate fragrance. His farewell is worthy of attention. " It is not that I love you less Than when before your feet I lay — But to prevent the sad increase Of passion — that I keep away. In vain, alas, for every thing Which I have known belong to you, Your form does to my fancy bring, And makes my old wounds bleed anew. ***** Yet vowed I have ! And never must Your banished servant trouble you ; For if I broke, you might mistrust The vow I made to love you too ! " " Courtly Waller ! " Addison's is the most appro- priate epithet for him. Does he not die like a refined Phoenix amid a gush of Sabaean spices? He must never see her more (although not seeing her will not cure him), because, having vowed he would not, — if he ever did set eyes on her again, L 2 148 QUIPS AND CRANKS. she might doubt that he loved her — which he cannot vow more strongly than he has vowed never to behold her face again! There is such 'a profundity of polite polish and foolish love-logic in that ! But in spite of vows and oaths, polish and love- logic, the two do meet. But you will hear of that anon. The final record of this Sacharissa passion — the last song of the swan, is "The Fable of Phoebus and Daphne applied." We don't read mythology much in these days — even for the Marine Store purposes of a Civil Ser- vice examination, but we all know that the God of Poetry was enamoured of the daughter of Peneus of Tempe, but that she, with a wisdom which rude people say is uncommon in her sex, objected to so ill-sorted an alliance. In fact, when the deity's attentions became pressing, she fairly took to her heels. Apollo pursued her, and had nearly caught her, when she prayed to Diana for rescue, and was changed into a laurel. On this myth Waller cleverly grafts his love-story, by describing how Thyrsis, "one of the inspired train," loved fair Sacharissa but " in vain," pursuing her as Apollo did his love. The concluding lines, smacking a little of the same tricky "counterpoint," to be observed in the poem I last quoted, are, howbeit, very neat. " Yet what he sung in his harmonious strain, Though unsuccessful, was not sung in vain ; All but the nymph, who should redress his wrong, THE MAKER OF HARMONIOUS VERSE. 149 Applaud his passion, and approve his song. Like Phcebus thus, acquiring unsought praise, He catched at Love — and filled his arms with bays." I almost fancy, when I think how little his poems are read now, that his green bays ought to be spelt with an "aiz e," like the perishable flannel we make school-bags and hall-tablecloths of. Poets of his own age were lavish in their praises. Fenton calls him the " maker and model of harmo- nious verse ; " and Addison declares that " Waller's strains shall move our passions, and Sacharissa's beauty kindle our love," as long as English lasts — and English is not half worn out yet ! Pope, too, speaks of " The easy vigour of the line Where Denham's strength and Waller's sweetness join." Even Johnson praises Waller ! Waller, by the way, was a patient miracle at polishing his verses. He spent a summer in glossing up ten lines for the Duchess of York's Tasso ; though, considering he professed himself indebted to Fairfax's "Jerusalem Delivered," for his smooth versification, it is possible the decade was a votive altar erected to Gratitude and Tasso by the Bard of Beaconsfield. Indeed he might have thought it a lasting monument, for, says he : — " Our lines reformed, and not composed in haste, Polished like marble, shall like marble last ! " The marble of his tomb in Beaconsfield church- yard is not so worn out, decayed, and disregarded, as 150 QUIPS AND CRANKS. the cold chill marble of his lines. A wooden head- board would have nearly outlived the immortality which he believed, and his immediate successors predicted, would surround his works. Oh, this poor world of ours ! with a never-dying renown, which scarce survives a century! "With its eternal loves, its imperishable friendships, its everlasting honours, which barely support existence for a few short months, or days ! The star of Love has a stormy setting for Waller, but a darker tempest is collecting its lowering shadows around the throne. Parliament is just beginning that aggressive, unyielding opposition to the crown which culminates eventually on the Whitehall Scaffold. In the days of Noah, we are told, they were marrying and giving in marriage when the Flood commenced. So were they doing in Charles's time, when the Deluge of blood was at hand, that devas- tated the fair land of England, from the field of Broadoak in Cornwall to the Scottish border. And in 1 640, Waller marries again ! Soon reconciled, say some, to the loss of Sacharissa. But, in my belief, to spite her — and a very natural desire, too, on his part. Take my word for it, she had a little of that dog-in-the-manger love for him, that made it out of all count unpleasant to see one, who had been worshipping at her feet so long, albeit they spurned him, finding a new devotion at another shrine, consoling himself with a fresh passion. My THE MAKEE OF HAEMONIOUS VEESE. 151 belief is confirmed by the fact that the second Mrs. W. was a nonentity of French extraction, whose very name is uncertain, and of whom dear old Johnson antithetically observes, that Waller " doubtless praised some whom he would have been afraid to marry, and perhaps, married one, whom he would have been ashamed to praise." From the blandishments of this irresistible dame our poet managed to tear himself, wondrous to tell, within twelve months after his marriage, to take his seat again for Amersham, as he did in the last Parliament twelve years before. His cousins, Crom- well and Hampden, represent respectively Cambridge and Buckinghamshire this year. These two men have seen much, done much, and suffered much, during the time he has spent in the noble task of twangling cat-gut in honour of Sacharissa. Are we not told that only an Order in Council, preventing all ships from sailing, kept them in England to overthrow the promulgator of the decree himself ? The session of which I am speaking, opened with the lurid threatening of a thunderstorm. At its close the tempest had burst over England. Early in the contest Waller boldly opposed the exactions of the king, and was indeed so estimated by the popular party, as to be selected to conduct the impeachment of Judge Crawley. But when, as time went on, the Commons openly and consistently took up that position of aggressive defence, to use an odd term, which showed their intention to defy him a Voutrance, 152 QUIPS AND CKANKS. then, although Charles's conduct was insane and tyrannical, and the counsels of Strafford perilous and impolitic, Waller, with an inherent instinctive loyalty, which we cannot but pityingly admire, if we may not reasonably approve, brought all the influence of his money, his position, and his eloquence, to prop the tottering cause of Eoyalty, and repress the fierce vigor of the Commons. Waller's political career it has been the fashion to call shameless tergiversation. I confess it seems to me in keeping with his character, — an independence debilitated by want of energy, and kept alive only by those sudden bursts of headlong vehemence, which are characteristic of this class of minds. It must be remembered that at that time Parliament did not boast of many independent M.P.s. Then (has it ceased to be so now ?) the House was divided into factions led on blindly by their chiefs. When a member had once given in his adhesion to a party he was supposed to be irrevocably wedded to it beyond the power of a Bench of Sir Cresswell Cresswells, for better, for worse, in office, or out of office, through good report, and evil report. He was bound to sacrifice his opinions to the dictates of his general, and forswear his conscience, while he clung to his faction with a persistent virtue, which, call it honesty and earnestness if you will, I take to be dangerously like factious obstinacy. In 1641, when Waller discovered that the struggle between King and Commons was a mortal one ; when THE MAKEE OF HARMONIOUS VERSE. 153 he saw the former setting at nought the privileges of the latter, while they in turn disregarded his prerogatives ; in disgust and despair, the M.P. for Agmondesham retired from Parliament, and refused to sit again save with the King's permission. This was speedily conveyed to him ; according to some, it even took the form of an entreaty, and our orator returned to the House, and " spoke on the Eoyal side with great freedom and sharpness," says Johnson. But he was powerless in the excited state of Parlia- ment, and indeed was the stalking horse for his opponents, who, when accused of allowing no utterance of Eoyalist opinions, instanced Waller as speaking " daily, with all impunity against the sense and proceedings of the House." In 1642, the King set up his standard at Notting- ham, and Waller sent him 1,000 broad pieces. One would think this was a sufficiently open avowal of his opinions, even though he did, under the excusable circumstances I have mentioned, continue to sit in what the Doctor calls, " the rebellious conventicle." All authorities are prone to abuse Waller, and not for entirely undiscoverable reasons. In the first place the man is down, which is an irresistible provocative. Then some of them have a personal grudge against him — Clarendon for one. But the generality of these writers are holders of decided opinions either for the Parliament or the Throne, and whichever way they are biassed, poor Waller is in the position of the proverbial wight between two stools. 154 QUIPS AND CKANKS. The royalists, who see in Cromwell and the Com- monwealth only a gigantic wrong and fraud against God and man, cannot understand — which is, being interpreted, will not pardon — his submission to the Protectorate, and his admiration of the Protector. The Cromwellite chroniclers, on the other hand, are equally unforgiving, for they cannot comprehend how a mind that bowed to necessity in the Commonwealth and recognised the greatness of Oliver, conld welcome with instinctive loyalty, the restoration of a Royal House and Conrt, in which its youth had been spent. And a great number of writers having thus trodden out a path, a herd of lesser men have hnddled un- thinkingly into it, without giving themselves the trouble to judge at all. Here is the danger derived from a mechanical reading of histories. People forget that a historian's facts, and not his opinions, are the things to lay by in the mind, and the con- sequence is that they swallow his one-sided con- clusions open-mouthed, and believe them to be veritable history. As an instance look at the folly, as Carlyle has pointed out, of using such an ex- pression as a "fanatical hypocrite." Yet that was the cant word, which one of our 'standard histories teaches our youth to designate Cromwell withal ! For my own part, when I read history, I do most religiously fan, sift, and otherwise winnow my read- ings, and try to lay by nothing but the veritable grain; and I wish others would do the same. Alas ! for the ovine nature of mankind, if one THE MAKER OF HARMONIOUS VERSE. 155 jumps over the gate, the others all come " tumbling after." When Prejudice has cast the first stone. Thoughtlessness and Folly are never backward to aid in the execution. And thus was it that poor Waller was driven from the gates, even, of the temple of our hearts (in whose very midst the money-changers and sellers of doves are allowed^to establish themselves), and hunted out of the camp to perish by the hands of his brethren. How many of us are duly qualified to initiate the stoning ? It was a piece of his usual ill-luck, that he should be one of the Commissioners who tried to negociate between the King and the Parliament in 1643, after the battle of Edgehill. At that time, Charles was at Oxford. The classic shades were filled with scarlet doublets and nodding plumes, in lieu of trencher caps and sombre flowing gowns. Pair damsels sailed rustling along the college corridors, and gay cavaliers lounged in the cloisters, where once the pale scholar wandered, or the portly Don promenaded. Oxford was strangely alive : — " Her groves were full of warlike stirs ; The student's heart was with the merry spears, Or keeping measure to the clanking spurs Of Rupert's Cavaliers." The interview was a fruitless one, and the ambas- sadors went away empty. Yet even here Waller's detractors find a fresh count for the indictment. When Waller, who came into the Audience last, 156 QUIPS AND CRANKS. presented himself, Charles complimented him in a speech which I may modernize and condense into, " though last not least." And this, say some essayists, induced the vain Waller to meditate a plot to restore His Majesty to the throne. Was ever so preposter- ously foolish a reason assigned for a man's turning conspirator ? Not long after this useless negociation, occurred the skirmish of Chalgrove, the most fatal contest of all that occurred between Eoyalists and Parliament- arians. From that unhappy field, Hampden retired mortally wounded ! With his death, the last bright pure page of the history of the Eebellion closes. Some of the ensuing ones may be inscribed with great actions, but they are spotted with blood from that Whitehall scaffold, that darkens the record of the close of the struggle. It is hardly fair to speak of this great patriot, and remind you how noble men can be, just as I am about to chronicle the worst and most indefensible of my poor Waller's faults and follies. However, every man cannot be a hero, and it was certainly not his trade to be one. No man is a hero to his valet they tell us, so let us consider ourselves the valets of Edmund for the nonce, and imagine that we are brushing the dust from the knees of his green velvet breeches, and the elbows of his orange doublet, striving with all our charitable might to efface the traces of his painful and ignominious fall. Waller engaged in a plot with some of his friends THE MAKER OF HARMONIOUS VERSE. 157 and relatives. It was in truth rather of a political than a sanguinary description, namely the weakening of the power of Parliament, by popular demonstra- tions, and by a refusal of supplies. Unfortunately a conspiracy of a less mild character, organized by Sir Mcholas Crispe was discovered at the same time, and the two were confounded into one wide spread and deeply planned conspiracy of a most dangerous nature. Yet Hume (and I think Lingard) speaks of it as a project only, if not a pure piece of invention on the part of Parliament. How the discovery was made is uncertain. Waller, full of bitter Sacharissa memories declared that as a woman had known of the plot it was sufficiently plain that it must be discovered. It is a very curious fact, by the way, that we are indebted to the fair sex for most of the revelations of conspiracy, with which we meet in history, from the time of Cataline until the days of our Edmund ; and it is a fact for which we should be profoundly grateful. Moreover as nature does nothing in vain, we may at last discover in this the use of the sex's failing for talking. But however the plot was betrayed, its authors were at once taken and tried. Two of them, Tomkyns and Chaloner, were executed. For the third — Waller — no sooner had the prison gates clanged to behind him than he fell into a pitiable state of most abject terror. His courage (what little he had of it) entirely forsook him ; and, with copious tears of alarm and penitence, he revealed everything that he knew ; perhaps even 158 QUIPS AND CKANKS. something more than that, involving guilty and innocent alike in dire ruin, during the ungovernable paroxysms of his fear and anguish. He pleaded most eloquently, but in an ignoble speech for his life, before the Council of War, by which he was tried, Parliament having expelled him. He pleaded, he prayed, he humbly petitioned . for mercy and pardon ; but he was condemned ! Essex reprieved him for a while, and finally, after paying a fine of 10,000?., he was at the end of a twelvemonth released from prison, and sent to spend in exile that remnant of a life, which he had purchased at so dear a price, at the cost of honour, of fame, of respect. Yet who of us, sitting here as judges, can tell what his own conduct would have been, if thus tested ? We might behave no better than Waller, if we could see only the hideous skeleton of a scaffold staring at us through the bars. We might think cowardice the wiser part of courage then, and face dishonour more readily than death ! Leading not such conspicuous lives as Waller, let us be very grateful for an obscure existence, wherein we may stumble, and fall, and get up again without much notice from the world at large. Down in the valley you may roll head over heels in a copse, or plump up to your neck into the brook, in pleasing privacy. But on the hill-top you stand out clear against the cold grey sky, thrown up in a strong relief, that betrays every faltering step, and exaggerates every slip. THE MAKEE OF HAEMONIOUS VEESE. 159 We all have our slips and stumbles, — and our falls ! Let us learn a little charity for those of our more conspicuous neighbours. " Ah," says the greatest living writer of the day, "if we pity the good and weak man, who suffers undeservedly, let us deal very gently with him, from whom Misery extorts not only tears, but shame ! * * * Cover the face of the good man who has been vanquished ; cover his face and pass on !" Let us, then, cover poor Waller's shame-stricken face, and pass on. His year of imprisonment was doubtless penance plentiful to the mind, and the fine of 10,000Z. mulcted him sufficiently in pocket : while exile brought its bitter herbs of melancholy memories to crown the over-brimming cup of the poor banished penitent, as he poured forth his pro- pitiatory libation of burning, remorseful tears. France was the land of our poor brother's banish- ment. There he dwelt in much poverty, and with straitened means, selling his wife's trinkets to pro- cure the bare necessaries to support the life which he had purchased at the price of the inestimable jewel of Honour. He wrote a few poems breathing the bitterness of his soul against his judges. But they were far too busy with more important matters to listen to his complaints. For first their reverses in Cornwall, then the battles of Newbury (in one of which Sacharissa's husband, Lord Sunderland, was killed), then the execution of Laud, the murder of Montrose, 160 QUIPS AND CRANKS. the victory of Naseby, the overthrow and surrender of Charles, the imprisonment at Carisbrooke, and the death of the King before the window of his own banquet-room of Whitehall, followed one another with all the fierce confused rapidity of the fearful phantasmagoria of dreams. But while these dire scenes were being enacted, there came a letter, written in a female hand, to request Waller to send all his poems to a certain address in London. He did so ; and shortly after appeared the first collected edition of his works ! Mysterious lady ! who was she % I suspect it was she, whilome Sacharissa, now widow of Lord Sunder- land. None but she would have published all his verses. Any other woman, Amoret, Flavia, or Chloris, would have suppressed the Sacharissa lucubrations. She would have considered it "her duty not to give to the world those inferior verses about that Sacharissa; they were not worthy of his great reputation ; for her part, she never could discover what he saw to admire in that very ordinary," etc. etc. I think any lady, who will be candid, cannot but allow that I have strong reasons to judge from this that the Lady Dorothea was the unknown editress. For eight years Waller resided in France, and then at last, after having been reduced to selling his wife's last brooches and rings, he obtained leave from Cromwell to return to his native land. I do not think he merits for this all the abuse that has been lavished upon him. Poor fellow ! no doubt he longed THE MAKER OF HARMONIOUS VERSE. 161 — lie craved — lie hungered for his own England, and was ready to comply with any existing form of government. He was getting tired of struggling, no doubt, and had learnt the virtue of acquies- cence, and the true and sad philosophy of " It can't be helped ! " The Protector received our poet warmly, and made him an intimate friend. You see, everybody liked him, and that is a fair recommendation ! As a return for this kindness and consideration on the part of the Protector, Waller wrote a panegyric on him, the grandeur and beauty of which Cromwell was not slow to perceive and appreciate. Indeed this is the finest, and, perhaps, most sincere of all Waller's effusions. Two years after this Waller, with a sad heart, let us believe, writes an elegy for his friend, for Oliver has died, full of honours, and no successor is at hand to fill his place. Another two years, and we find Edmund laboriously tuning the lyre with which he mourned Cromwell's decease, to hail the Restoration of the Stuarts in the person of Charles the Second. There are other English bards (Dryden among them) w T ho must share with Waller the charge of singing the praises of Cromwell and Charles ttie Second with equal gusto. But the poets were not the only people who threw up their caps for the Protector, and then bawled themselves hoarse with " God save the King ! " at the Restoration. Success, M 162 QUIPS AND CEANKS. I believe, is never without its panegyrists even among men who have never written a line in their lives. None of the poets, however, made much of their Eestoration Odes. Waller's was so poor, that even the vain Charles saw it, and complained that it was inferior to the Ode to the Protector. "Sire," said the ready Waller, "poets succeed better in composing fiction than in adorning truth." He was great at this quick repartee, and in profuse compliments. He told Lady Newcastle, who had written some balderdash about a stag, that he would give all his poems to have written her verses. When charged with the extravagance of this speech, he said, " Surely it was impossible to give too much to save a lady from the disgrace of such a vile composition ! " In 1661, he again sits in Parliament, — for Hastings now, — and is nearly made provost of Eton. But Clarendon will not sign the appointment ; in return for which our poet, in after years, lent his shoulder to the wheel of Fortune that rolled poor Clarendon in the mud. These two, you see, are not to be taken as evidence against one another, for they hated each other cordially with the politest malignity. All through the Merry Monarch's debauched reign, Waller made his home at Hall Barn, not far from his old estate of Beaconsfield. But in spite of his shattered fortunes, he did not give himself up entirely to rural retirement. He was often at Court, and sat at the groaning tables of that festive, boisterous reign, the delight of all companies, the idol of THE MAKER OF HAEMONIOUS VERSE. 163 naughty Nell Gwynnes, and other such like painted ladies of the Court, just as he was the idol of Parliaments for his sprightly wit, his refinement, his vivid eloquence. In the wild orgies of those libertine days, though present, he nevertheless did not join, for his dancing days were numbered. He sat by, sipping his glass of cold water (with perhaps a little lemon juice to give it a flavour), and kept the whole table on a roar, — a fellow of infinite jest and excellent fancy. But he is getting very old now. His voice is a little croaky, his hand shakes somewhat, and his shrunk shanks have no fatted calves for the prodigal sons of that profuse reign, for he will not see seventy again. 'Yet Chipping Norton chooses him as its representative in the Parliament of 1676. The veteran senator still brightens the House with gleams of his expiring eloquence, with flashes of a wit that has well-nigh burnt down in the socket, He will not see eighty again when he meets — whom do you suppose ? Why, no other than Sacha- rissa, now plain Mrs. Smyth ! In the year following this interview she died. Let us hope that the aged dame's dissolution was not accelerated by her quon- dam lover's severity. The meeting was on this wise. Fancy Mrs. Smyth wrinkled, wizen'd, painted, and patched ! Was there any tremor about her womanly heart, when she saw Edmund — he, too, wrinkled, wizen'd, powdered, and patched ? Any tremor ? — of course there was ! It m2 164 QUIPS AND CRANKS. is said by wicked people that women are seldom too old to love, and never too old to think them- selves capable of inspiring that passion. Picture these two dry old humanities, with such a gulf between their past and their present ! Listen to the silly old harridan ! How eaten out with vanity she must have been, to dare to ask Wal- ler the question she did ! — " When, Mr. Waller, will you write verses again upon me as you used to do?" What does she expect from the doubly despised lover, the doubly rejected aspirant, wounded in vanity and heart, but that caustic reply, scarce sweetened by the bow of the aged beau in his rustling silks and laces : — " When, Madam, you are as young and lovely as you then were ! " I am sure if anything rankled in that dear old lady's soul when she drew her last breath, it was that verbal slap-in-the-face of Waller's. She had been so accustomed to think him her slave, so used to tramp- ling on him, forgetful of his squandered love and praise, that in the most natural manner she was nfinitely astonished and horrified to find the worm was ungrateful enough to turn. By and by, in 1685, the naughty Nell Gwynnes and painted ladies are all crying bitterly, with more or less sincerity, and more or less selfishness, for the Merry Monarch is asleep with his fathers, and James, Duke of York, is to reign in his stead. In this Monarch's first and only Parliament, the aged Waller sat, for no less a place, in no less a THE MAKER OF HARMONIOUS VERSE. 165 shire, than the distinguished borough of Saltash, in Cornwall. But Parliament is soon to lose him now. A long life, that has embraced the most stirring events in English history, is drawing to its timely close. The great reformer of English verse is to abdicate the throne of Poetry. Who shall succeed him \ A year after his death there will be born, in wealthy Lombard Street, a little cripple, called Alex- ander Pope. I think he is to succeed Waller. About the time, too, when our Poet closes his eyes, a studious classical scholar, and amiable youth, one Joe Addison, has entered at Queen's College, Oxford. A certain tender-hearted lad of twelve, y-clept Dick Steele, is a high-spirited, much-liked, idle schoolboy at Charterhouse. A young man, Matthew, son of a joiner called Prior, is parodying old Dry den's "Hind and Panther/* at St. John's College, Cambridge. A cynical young Irishman, Jonathan Swift, is snarling over a satire, called a " Tale of a Tub," at Trinity, Dublin. And Daniel, the son of Foe, a butcher, in Cripplegate. having been exiled for participation in the Monmouth disturbances, is wandering in foreign lands, whence he is to return as Daniel De Foe, with a prefix to his name, and a store of knowledge, touch- ing the manners and customs of strange countries, that are to figure in the adventures of one Eobinson Crusoe, with whom we are all so well acquainted now. The old Poet is dying just as a host of writers are 166 QUIPS AND CKANKS. beginning to shine. It was quite time for the aged man to fall asleep, at eighty-two years of age, after having lost a large fortune, and outliving three kings, one rebellion all his friends, two wives, and a lady-love ! And now we will see how our poor old friend leaves this world and us, turning his eyes to the study of another. Towards the end of his life he has taken to writing religious poems, and gives his time to holy reflections. If he has sinned ever so much, he is sad and sorry, and repentance is never too late. In 1687, in his eighty-third year, his final ill- ness seizes him. He explains his symptoms to his friend, the king's physician, who tells him his blood is ceasing to flow. And then his mind flies to Beaconsfield, and he goes there to die, as he says, " like a stag in the place where he was roused." " How did he die ? " That is a question we Christians are very prone to ask about our brethren, as Newgate-birds do about executed criminals. Well ! he " began to fumble with the sheets, and to play with flowers, and to smile upon his finger- ends. And then they knew there was but one way, for his nose was as sharp as a pen, and a' babbled of green fields !" I cannot better describe his departure than in words in which a master spirit has chron- icled the death of a greater sinner than our poor Edmund, but one, for whom, fictitious character though he be, I am always catching myself hoping — THE MAKEE OF HAEMOXIOUS VEESE. 167 and believing — there is some mercy reserved here- after. .So, calmly Waller expires ! Close his eyes — cover the face of the poor man, who has been conquered, but who is now a victor — cover his face and pass on; while for his dirge can be nothing more fitting, or touching, than his own latest poem, the last lines in his volume of religious verse — the closing page of his life and love, his woe and want, his sin, his sor- row, his repentance. Eead the old man's farewell, and ponder the moral of his story, with a tender, charitable recollection of a weak mortal, who once lived and breathed, struggled and fell, as we do. Think of him with a tender, charitable recollection — with that at least, if not with humble self-knowledge (which is self-abasement) as being no worthier than he. LINES AT THE CLOSE OF WALLER'S " DIVINE POEMS." When we, for age, could neither read nor write, The subject made us able to indite : The soul with nobler resolution deckt, (The body stooping) does herself erect : — No mortal parts are requisite to raise Her, who unbodied, can her Maker praise. The seas are quiet, when the winds give o'er ; So, calm are we, when passions are no more, For then we know how vain it was to boast Of fleeting things, too certain to be lost : Clouds of affection from our younger eyes Conceal that emptiness which Age descries : The soul's dark cottage, battered and decayed, Lets in new light through chinks that Time has made. 168 QUIPS AND CBANKS. Stronger by weakness — wiser— men become As they draw near to their eternal home : Leaving the old, both worlds at once they view, Who stand upon the threshold of the new. RAREY-FACTION. Jones has been shut up in the stable with his colt for two hours. On the expiration of that period, the door is opened — and one of the animals is found completely subdued. 169 A BBASENOSE BALLAD. "Ales Canoras." H&r. A pot of beer. If the Newdigate subject I took for my theme, I should feel it my duty to scribble a dream ; For a wonderful vision, Sublime or Elysian (Or some epithet else which that poor composition Finds it easy to link to the word apparition), Is as surely the theme of the NTewcligate — nearly, As the Poem is weakly, the prize itself yearly. Not such is the subject I "hold in my hand" (The phrase by M.P.'s used as I understand jln a figurative sense, for the fact can be barely meant} When a statement they make in the Houses of Parlia- ment [These brackets are getting too crowded I feel — However, the saying of "wheel within wheel," You perhaps are acquainted with, Eeader, well then this is But a parenthesis in a parenthesis]). This long interruption appears to demand That I should repeat " What I hold in my hand" Is no jSTewdigate subject, but something far better, In short, that diluter Of clay called a pewter, In which my sweet Muse Can. whene'er she may choose, 170 QUIPS AND CRANKS. Most royally wet her Old nose and so set her- Self free from all fetter. Though now that I think of it The more I drink of it — To speak it out plainly and flat — the more screwed I get, The more I am likely to cut out the Newdigate. For after much drinking the "vision gets double" As you'll easily prove if you just take the trouble, And by way of experiment Give way to merriment And get " drunk as a fish " — for a fish, we know, swills Without ceasing, and takes in his liquor by gills — " As drunk as a hound " — and this I'd define As meaning the animal's given to lohine — " As drunk as a Lord " — and how often 'tis stated To a peerage how some one has got " elevated " — "As drunk as a fiddler," who knows there's no doing A tune on the fiddle without lots of " screwing " — Of these similes simply to be no long spinner, As drunk as the toasts at a Freemasons' dinner. Has the reader e'er been To that classical scene Alma Mater and her city Old Oxford 'versity? If he has, in that case he knows The College of Brasenose A BKASENOSE BALLAD. 171 Which sometimes much better's Described by these letters One — two — three, B. K C. Well, whoever goes there on Shrove Tuesday crams full Of a liquid delicious entitled " Lamb's wool." How the " Quo derivatur " Has posed Alma mater ! Of this point I propose to become a debater, And having brought forward the following solutions, Will leave my good readers to draw their conclusions. Some say it is Balaam's wool, who, as we hear From the ancient historians, was offspring of Beor, And we know that at least He got thoroughly fleeced, Abused by the king, and rebuked by his beast, (In the last case some Jews say he got the best of it And the beast was an ass for " refusing the prophet "). Some say 'twas a cup wherein noses were dipped At the season when rams And lambs And their dams By the rustics are clipped ; But I think these are crams For I never could find to the best of my knowledge The slightest connexion 'twixt sheepfold and College. 172 QUIPS AND CEANKS. At the latter the flocks, as perchance you have heard, Are more fit to be plucked by their pastors, than sheared. So I fancy that theory's not worth a fig, In fact it's sheer nonsense, like shaving a pig. I have now but one theory more to suggest, But it is, in my humble opinion, the best. Concerning " lamb's wool," by some writers, of credit For wisdom and wit, it has sometimes been said it Derived from the following story its name. But before I begin to relate you that same, I'll pull Pegasus up — take a draught from the flagon, Wipe my lips on my sleeve, and then urge the old nag on. Well, in days long ago the great Jupiter Amnion, — Or Stator or Victor or any such gammon — Just a spondee to tack to the end of the dactyl And make it for versification more tractile. And epithets really Are often used merely To make up the line, though none notice the fact till They've had to fret, fume, puzzle, fidget, and d — metres In writing those horrible Latin hexameters. Well, Jupiter founded a new constellation In honour of one of the fairer creation, Who — unlike uncle Ned of whom it was said That no hair was observed on the top of his head, A BRASENOSE BALLAD. 173 (Which, they add, is the cause of his having " gone dead")— Had locks which, like Chubb' s, (if we may place reliance On Antiquity) set all the world at defiance. Nay even the science, Of the man of Macassar Could never surpass her ; Nor with balm of Columbia Could any one come by a Profusion of curls such as hers. Nor I ween Could Emily Dean Or Madame Coupelle (And all others as well Who advertise daily, " Bo you icant luxuriant Hair, whiskers, etcetera f ") Send in a letter a Eeceipt that of ringlets would be so parturient. Now this damsel, (and she was king Ptolemy's daughter,) Though she lived by the Nile, did not drink of its water. For that stream, though it renders all Egypt prolific, Carries down in its course too much matter morbific For mortals to think Of its liquor to drink. For what they did drink, vide old hieroglyphic. Now one fact you will ever observe to occur amid The facts that are painted on every pyramid : 174 QUIPS AND CRANKS. And what that hieroglyphic would plainly denote is There were plenty of biers on the Lake Marceotis. Now she had grown tired Of plain beer, and inspired By a violent fancy to find something newer, I Think that she started a Spiced Liquor Brewery. Well, Jupiter lighted in honour of that lass A cluster of stars, the celestial Atlas Will give you I'll wager Hard by Ursa Major. And the name of the sign is The " coma " or " crinis " " Berenices." — For all with no reason that / see Will persist in pronouncing her name Berenice. But just take my advice and pronounce it Beernice, Which transposed in a trice Has a meaning quite clear Which is — simply — Nice Beer. Why the whole thing's as plain as a box on the ear ! So I hope you'll agree Instanter with me, And believe this solution the right one to be — Viz. when Death closed the eyes Of Beernice : in the skies A new constellation was seen to arise Being " Beernice's hair " — by which any fool Would understand " wool " — (Especially, if he has heard, or has read, word Of him I have mentioned before — " Uncle Edward.") A BRASENOSE BALLAD. 175 So the whole of the tale Is a type of spiced ale, And we possibly drink that sublimest elixir In honour of her — its original mixer. This is my explanation of that constellation, And the mixture that meets with such warm approba- tion. So just give one, two, three, For the old B. K C. May its genial tankard By rust ne'er be canker' d. — No, long may the glittering flagon be full Of the Brasenose Brewage of steaming lamb's wool, While its men, one and all, wave their caps and cheer thrice For the lamb's wool — the lamb's wool that's made of Beer nice A DIVORCE ACT. CLAUSE NO. 10 176 SAUCY ADELE. Q>AUCY Adele AJJ Has a jimp little waist And a pair of blue eyes that look kindly and tender — But you'll find all your confidence mighty misplaced If you build up your hopes on a basis so slender, For your sighing and pleading will nothing avail ; Her heart's hard as adamant. — Saucy Adele ! Saucy Adele, In her bridesmaid-attire She looked so bewitchingly lovely and killing, Her mischievous eyes set my poor heart on fire, And burnt a great hole there as big as a shilling. Though I fancied my bosom was cased in strong mail! — She'd convert a philosopher ; — Saucy Adele ! SAUCY ADELE. 177 Saucy Adele Like a fairy can waltz ; Her partner's the envy of every beholder ; But her smile, and her eyes, and her lips are all false, And false is the touch of her hand on your shoulder. Yet the next time I dance with her ;— sure I'll go bail I believe all she says to me. — Saucy Adele ! Saucy Adele, When she goes to the Meet, She looks so bewitching each Mmrod's a lover, And ready to fling himself down at her feet. And then, when the hounds drive old Eeynard from cover, The sighing young farmers with envy grow pale To see how she rides to them : — Saucy Adele ! Saucy Adele ! With a prudence intense I shun all her witchery, smother emotion, And fly from her charms o'er a distance immense — Long miles of the land and long leagues of the ocean, And then ! All my good resolutions they fail, And I long to be back with her — Saucy Adele ! N QUIPS AND CRANKS. THE POACHER. He was lying among the faded fern, And the rotting leaves, in the grassy ride ; While the life-blood was ebbing slowly away From the great red wound in his side. He had left his wife and his children three Crouching a-cold by the darkened hearth, And they cried for food, so he sought the wood To chase the wild things of the earth. He knew full well how the woods were kept For the Squire, who dwelt in the grey old Court, But he thought that his children's lives were worth As much as another's sport ! With careful tread to the wood he sped, And he laid the wire in the hedge with care, Then he drove the field by the cover-side, And a rabbit ran into the snare. But the night was still, and the keeper heard The short sharp scream of a creature noosed, And he met with the poacher under the trees Where the pheasants wont to roost. THE POACHER. 179 But few, I ween, were the words they spoke, But they set their teeth, and they held their breath, And they closed and wrestled among the trees — A struggle of life or death ! So they struggled long, and they struggled hard, Till they came to an ant-hill's mossy mound, And the keeper caught his foot, and he fell, With a fair back-fall, to the ground. Then the poacher broke from his prostrate foe, And swiftly away through the woods he flew ; But then came a shout — and a shot flashed out ! And the aim was all too true ! He hid himself down in an oozy ditch, And he held his breath as the keeper passed : But the keeper's search it was long and close, Though he gave it up at last. Then the poacher crawled from the oozy ditch And staggered into the grassy ride : But the life-blood had ebbed too surely away From the great red wound in his side. So he sank adown on the faded fern, And the rotting leaves, by the side of the wood ; And the spirit floated softly away On the ghastly river of blood. n2 180 QUIPS AND CKANKS. The blood crawled down through the rotting leaves, Aye, down to the roots of the grass it ran ; And only the moon and the midnight heard The curse of the murdered man. And the wild things fed round the poacher dead, And frisked in the grass by the cover-side. The timid hares through the fern-brake ran, And the rabbits played in the ride. ***** The Squire's son rode through the faded fern, And the rotting leaves, in the grassy ride : And he saw the corpse in the morning light With the great red wound in its side. And he looked at the long lean limbs of the dead, At his hollow cheeks and his sunken eyes ; And he saw the prey in his hand, and knew He had given his life for the prize. " It was sadly needed, and dearly bought ! Heaven pardon the hand that has done the deed ! " And the cursed game-laws came into his mind, And their riddle was hard to read. " And I would," said he, as he turned him home, " The wise would define on a better plan Our right to these wild things of the wood, And the right of the starving man ! " 181 THE HOLY GEAIL. Sir Sapphiraun rose up at dawn, And forth from his castle-gate is gone. He dight him as if for the battle field, With sword and lance, and with helm and shield, With aventail, and shirt of mail, And rode in search of the Holy Grail. Oh many a knight of King Arthur's train, And many a baron bold, O'er hill and plain, they sought in vain For the sacred chalice of gold. Oh vainly the baron and vainly the knight Have wandered o'er hill and dale, For never again to their eager sight Was revealed the Holy Grail. PEACE AND LOVE. A REVERIE. An autumn day, and a fishing village on the South coast of our Western promontory ! If there be anything to drown a man more thoroughly in day dreams, the man who will name it to me may con- sider his fortune made. 182 QUIPS AND CRANKS. Grand as the sea is everywhere, here is its most sublime revelation. I use the word sublime ad- visedly. A stormy sea and a dark tempestuous night are great — but a blue sky and calm sea are greater, for the eye runs over immense spaces and into far deeps, and yet cannot grasp them. Darkness and uproar are terrible and impressing, but im- measurableness and latent strength are in their incomprehensibility more comprehensible. . Sweet and fair as is our English land, here in this remotest county (and here only perhaps) are gathered specimens of all its varied beauties within one small space — the jewel-casket of the island. And surely though, the Spring with its child-like tenderness, and the passionate glow of June, like the love which the young call the Summer of existence, must yield to the Autumn's holy calm, and its matronal loveliness — like that which you and I, old friends (in whose dark hair I see the silver threads already), find in our dear partners, and know to be twin-growth, and matured fruit of that domestic love, so sacred and peaceful, which blesses the Autumn of our lives. The air is perfectly calm. The breeze is so slight that yonder vessel gliding over the smooth sea seems moved by magic, or as if " Under the keel nine fathoms deep ***** The spirit slid : and it was he That made the ship to go." PEACE AND LOVE. 183 What spirit ? Perchance the spirit of Love — draw- ing it in safety, across leagues of ocean, freighted with what hopes and fears, and fond imaginings ! The sea murmurs in its charmed sleep. The very tide seems drowsy, and in its slow advance steals on the shore by a ribbon's breadth at a time, and only creates there a slender broidery of fairy pearls that vanish with a crisp whisper almost as soon as created. The bronzed and scarlet-hued oak-copses on the shore, are hardly more still than the forests of sea- growths (not weeds — I cannot call them so), that can be seen so clearly through the pellucid water. Oh that pellucid water ! Truly those grim, grey old lapidaries, as they toiled in the dark laboratories, amid smoky furnaces and glaring crucibles, were haunted, like the Count Arnaldos, and like the old helmsman, with visions of the sea ! How else came they to give the title of aquamarine to that dreamy crystal with the ghostly green tint in it ? Down through the faint tinge of the water, you can see far into the forests of tangle. The white shells shine out through the soft, subdued deep, like fairy lamps, and silvery fish dart, gleam, poise, and vanish amoug the floating foliage. This ledge of ocean-groves extends far out, strangely peopled, to that little green island sleeping on the bosom of the sea. Its prolonged inverted image stretches, waver- ing, almost down to our feet, as if striving and yearning to grasp the land. Out at sea, a few fishing boats are vainly spread- 184 QUIPS AND CRANKS. ing their brown canvas in the sunlight, and the lazy gulls are slowly napping their great grey wings. Their reflection lies unbroken on the water — the wave scarcely turns white under the bows of the boats. There is hardly a line of effervescent foam to the wave that curls over to break on the wet sand, which for a moment mirrors its form so vividly. Before all green lanes, and fields, and flowers, give me a sandy stretch of shore, ribbed here and there with rock, and the glorious sea beyond ! Look at the miniature heavens in the tiny tide, pools, peopled with fish that hang on quivering fins, and with ghostlike, darting prawns, and sidelong crabs like shying horses. Look at the plants of all shapes and colours. Eed, green, purple, bronzed and metallic — broad, branched, feathery, filiform. And amid them grow those strange creations, the living flowers, that bud and bloom with glowing painted petals, like the flowers of the field, and yet know hunger, and love, the passions and sufferings of the animal. How drowsy is everything ! The little fleet of boats, lying at their moorings opposite the village, are rocking with a slow, scarcely perceptible rise and fall, like flowers on the breast of a sleeping child. The sea-birds slide over the water on expanded wings as though floating on the air in dreams, like the fabled albatross. The sun is sinking to rest, gleaming dull, red, and PEACE AND LOVE. 185 round, through the tremulous haze hanging over the surface of the sea, and dashing with purple and gold the slow clouds of evening. On shore the same solemn calm prevails. The woods that seem here and there to have stolen the tint of the still clouds, are silent as the sea. No song of bird or token of life in them. But the low voices of the leaves mingle with the whisper of the wave, and all around you feel, rather than hear, the stir which tells of the universal presence of insect life in the quiet air. Yet this only makes the silence more audible and intense. Is not this Love and Peace? Do they not exist, typified by this lavish loveliness? There must be Love and Peace in that calm sky, with its cliffs of purple-stained vapour. The woods whisper them. They draw that vessel toward the land. They are mini- atured in those still tide-pools and in the quiet sea. Oh no ! Not in the sky, in the bosom of whose bright clouds lurk the thunder and the blue levin. Not in that wood where the wild creatures are, even now, preying on each other — nor in those quiet pools where war is waging so continuously. Not in that great smooth ocean smiling above cruel rocks and treacherous sands. Not in that white-winged bark, freighted with human hearts full of sin and sorrow. Alas, only attainable — though shed at times from the over-full chalices above to brighten briefly this earth — only attainable in perfection, and for ever, by " wings of silver and feathers of gold." 186 QUIPS AND CKANKS. DEATH AND THE LITTLE CHILD * And singing as she ran. WAS in the merry Spring, when first The building birds be- gan Their tiny nests, a lit- tle maid, Of scarce seven sum- mers' span, Went bounding to- ward the church- yard gate, But where the weather-beaten porch Both time and tempest braves, Her song was hushed. With careful tread She stept among the graves, And wondering why above the dead The grass so rankly waves. — Her song was hushed. With careful tread Among the graves she stept, As she had feared to rouse the dead See Memorials of Thomas Hood, Vol II. page 10, note. DEATH AND THE LITTLE CHILD. 187 So quietly they slept. " They would awake again," she said, " If silence were not kept." A little child, who childish tears Had shed — but ne'er had sighed, — She knew not Death. To her it seemed But slumber leaden-eyed. She wondered why her mother mourned When little baby died. And while she pondered, as she went, Upon that brother's doom Of early death, she saw beneath The spreading yew-tree's gloom A man, who leant upon a scythe Beside an open tomb. She ran to him and " Adam " cried " Good Adam, tell me, pray, Who is the man, for whom a grave Is open here to-day ? And when he comes here, Adam Spade, Will he for ever stay ? " — And then she saw a stranger there, The little timid lass — " I thought you were " she said, and made As she would onward pass, " Old Adam, sir, the sexton, who Had come to mow the grass." 188 QUIPS AND CEANKS. The stranger laughed a hollow laugh And turned to look at her. She felt within her tingling veins The startled current stir. " I am a sexton, little maid, And many folks inter ! " My parish though is wider far Than that of Adam Spade ; And in my graveyard trenches vast Whole nations I have laid. The grass I mow bears human life In every single blade. " So Adam is your sexton's name ! I knew one of his kin. He was called Adam too ; and did The sexton's trade begin. He was the first who dug a grave — He laid his son therein." The little child with wondering awe That grisly stranger eyed : He was so tall and gaunt and dark ; And where, the yew beside, His shadow fell, the very ground Seemed withered up and dried. He sate him down upon a stone, The tablet of a tomb, DEATH AND THE LITTLE CHILD. 189 Worn with the dripping of the rain, And green with moisture bloom, " Come sit," said he, " upon my knee Within the yew-tree's gloom, " And I will tell yon stories strange Of all that I have seen In foreign countries far away Wherein my steps have been, The legends fair, and wonders rare That curious travellers glean." With timid eyes, in half-surprise The little child drew near, But as she sat upon his knee So kind did he appear, She looked up boldly in his face, And prattled without fear. "And pray where do you live?" she said, " Is it a cottage small, Covered with scented eglantine, — Or is it like the Hall, The great stone house, that you can see Beyond the poplars tall?" " My dwelling-place is far away, A castle old and hoar, Where noble knight and lady bright Have dwelt in days of yore. 190 QUIPS AND CKANKS. Now 'tis a silent, solemn place : Its glory is no more ! " Within its walls from year to year Man's footstep cometh not. Of those, who dwelt within it last, The very name 's forgot. — In solitude profound all things From floor to roof-tree rot ! " It is a silent, solemn place, A solemn place and lone ; Yet dear to me — because therein, 'Full many years agone, "Mid battle's roar, mid smoke and gore, Full well my work was done !" The tiny maid with wonder heard, Nor half his meaning read. " And where live you, my little child ? " The stranger smiling said. " I live, sir, at the little house Beyond the Blacksmith's shed. " It's close beside the little bridge, Next to the water-mill ; A pretty cottage : and we lived So happily — until That last, cold, winter weather, when My father grew so ill. DEATH AND THE LITTLE CHILD. 191 " And now through all the weary day He lies in bitter pain." — The stranger laughed a hollow laugh, " He shall not long complain. I have a cure so strong, that he Shall ne'er fall ill again ! " Come, let us go, my little maid ! And you shall lead the way, And pick the flowers as you pass And listen to the lay Of thrush, and finch, and blackbird sweet On every bending spray ! " She took his hand, and led him on ; — Strange si^ht it was, I ween. As hand in hand the little child, And stranger tall and lean, Passed slowly from the yew-tree's shade Across the churchyard green. But song of bird they never heard. One universal hush All Nature kept, as if she slept. The blackbird, finch, and thrush, Fled from that stranger tall and lean, And hid them in the bush. In vain to pluck the flowers bright With frequent pause she stooped. All in that presence strange and dark 192 QUIPS AND CEANKS. Hung down their heads and drooped. They withered ere her nimble hands The wished-for wreath had looped. She heeded not, that little child, She was so gay and blithe ; Around the stranger's hat she wove The garland long and lithe, And twined another chain about The handle of his scythe. A strange, strange sight it was, I ween To see her all so gay Go singing merrily beside That stranger grim and grey All prankt with flowers and trailing plants, Quick dropping to decay. And now they reach the cottage gate The water-mill beside. The evening sky dropt tears of dew, The evening breezes sighed, — And the stranger reached his bony hand And flung the wicket wide. But, when that grisly stranger came The lowly roof beneath, The father gave a heavy groan And drew his parting breath ! Alas ! for all unwittingly The child had brought home Death ! 193 AN IDLE TALE. An idle tale — an idle tale : Only the old old tale of love, How from a withered shoot and pale The rosy blossom burst above. I was a sickly boy — the sport Of all my passions good or ill ; No love my weakness to support, No better hope my heart to filL An idle tale ! I was alone, And none but she my state did mark. — Then morning came — then sunlight shone ! My heart up-mounted like a lark. Her gentleness my footsteps led Along the same sweet path she trod, I raised my eyes with awe, and read In everything the grace of God. An idle tale ! She is not mine, I never breathed my love to her. Her kind frank eyes did ne'er divine My yearning bosom's secret stir. t o 191 QUIPS AND CRANKS. She wedded one, who is my friend ; His children cling about her knee, And in her hand their love they send From distant India here to me. An idle tale ! My life is such — Yet calm and pure, without demur — It never had seen half as much Of good, if I had ne'er loved her. An idle tale ! And yet I know Of teaching not all destitute, — The weakly plant bore flower, and tho' The blossom died— yet lives the fruit ! IN AN ALBUM. For me no page of blushing tint, Or splendidly embossed : They are for happier mariners On Love's wild ocean tossed. Friendship my heart for castle holds Determined ne'er to yield, And snow-clad Honour fences well My bosom with her shield. IN AN ALBUM. 195 And yet ! so fair, so fairy-like, So exquisite is she, If he who loves were not my friend Enslaved my heart would be. In Friendship's proof I stand aloof That Honour may approve ; I cannot choose but sing her praise But must not, dare not love. And so, with lips and heart, say I, From Cupid's fetters free — " A Blessing on her bonnie face Wherever she may be !" A HANDY LITTLE MAN. o 2 196 QUIPS AND CRANKS, THE VOLUNTEER. eace be with us, A oh my brothers, — But an honest peace and fair, When we have shown the threat'ning foe What we can do and dare, Like the lion who has awed the curs That yelped around his lair. By the spirit of our armies, By our ocean's wooden towers, By their deeds of gallant daring In the face of hostile powers, The world has learnt the worth of peace With such stout hearts as ours ! But swords will rust ! The olive wreath In time becomes a chain ; And we may lose our strength on shore, Our empire on the main. THE VOLUNTEER. 197 Oh ! let us save our history's page From such a hideous stain ! "Defence and not Defiance !" Be the motto of our band, An army of determined hearts To guard our English land. " God shield the Eight " We trust our lives And fortunes in His hand I A FABLE. AFTER HUDIBRAS. There is an evil catches writers, Poetic scribes, or prose inditers, Scribendi Cacoethes — which Old writers call the scribbling itch. Not mine the task to settle whether There be a link that knits together The Muse's lyre and Gaelic fiddle — Let other folk decide the riddle. "Whate'er decision they allot it One thing I know — which is — I've got it. Here I, on edge of sable inkstand, That Black Castaly's very brink, stand — Mine eye one glance around it throws. One last long breath — and now, here goes ! Yawn not, kind listener, — yet, if sleep 198 QUIPS AND CKANKS. From eyelids weary will not keep, Then slumber on — but do not snore, That is a habit I abhor ; A fault in noses as displeasing, Though not so startling quite, as sneezing. Howe'er I hope I shall not be sop- orific. Well — in Gay — or iEsop — Or Phaedrus — or perhaps Fontaine — Or, maybe, only in my brain, To say just where I am not able — But somewhere there exists this fable. Once on a time, a sapient pig, With ignorance and importance big, Grunting and groping in his stye Cast up his " meditative eye," And saw before him (says the fable) The open portal of a stable. With curiosity our " swine " Began most seriously t' incline His little eye unto a cranny (Of which in stable-door were many), And, through schismatic boards' division (Boards will breed rot, as men sedition), Saw in the stable's stall of course The thing that should be there — a Horse I A stately Horse of noble race Perfect in breeding and in pace Who ere the pig of whom we talk A FABLE. 199 Was dreamt of e'en as sucking pork Could pace, prance, canter, gallop, trot, Curvet, and amble, and what not. Well Hog no sooner spies the Horse Than he must squeak and yell perforce Until a long-eared solemn Ass, That cropped the neighb'ring paddock's grass, Thrust his staid visage o'er the paling And asked the Hog what he is ailing. " Oh ! " says the Pig, " It's murder, treason, Enough to drive one from one's reason." And so with many a dolorous squeak He tells the Ass how he would seek Some remedy against the source Of all his ills — that horrid Horse. The Ass incontinently sends To two or three particular friends, And, " with intentions the most pure," he Eequested them to form a jury. The Goose was one, with hoary plumage — A staid old gander, past his bloom. Age Had dimmed his goggle eyes — wherefore A pair of spectacles he wore. With him a Puppy mongrel-bred, And stubborn Earn with woolly head. 200 QUIPS AND CEANKS. In grave and solemn convocation Each creatnre made its declaration. The Pig avowed that " liquid mud Pleased not this minion of the stud. He'd marked the beast — and really thought he Had got ideas too grand and haughty." The Ass alleged that all his fears Eose wholly from the Horse's ears. From ears so short he must dissent, " They're neither use nor ornament." The Gander's verdict came to this, " He had no wings and couldn't hiss." The Earn said Horse's guilt was proven Most clearly — for his hoofs weren't cloven. And last of all the Mongrel rose, And tossed his puggy puppy nose, Vowing the Horse a felon dark — For why ? " Because he could not bark." And thus, to cut the matter short, They drew up their combined report — " In matter Horse — on whom Committee Was specially ordained to sit. He Is guilty of this crime at least That he is not a perfect beast. — A FABLE. 201 So not to add another sin to it We hope the Donkey will look into it." After this sage determination The Council thought of separation. But it so happened that a Bull Had heard them state their case in full, For he, while in a neighb'ring meadow, Each single word the Council said, o- verheard, and laughed to see that they Had given the Horse such foul " fair-play." So leaning o'er a five-barred gate His notions he began to state, And rubbed the raw of every sitter In council with a sarcasm bitter. At last when on the foolish pack He turned his broad indignant back, The Bam and Puppy to their places Beturned with somewhat downcast faces Looking less sapient and less bold, This sought his kennel, that his fold ; The Goose his grass, with mud to follow, The Ass his thistles, Hog his wallow. MORAL. Might not some folks of " best designs " Extract a lesson from these lines, And learn to give another day To every living man fair-play, Nor how one errs — or where one fails — 202 QUIPS AND CKANKS. Weigh by their own delusive scales, Measure by their own private plumbs, And mete by their own rule-of-thunibs, — But, judging not their friends who err, choose Sweet Charity the best of virtues. So shall they 'scape our scorn and pity As members of the Pig's Committee. UN-natural history. — the black cat. (Felis flagellina vd flagitiasa. — Link. ) A TALE OF THE HOESE-SHOE FALL. I was staying in the autumn of 18 — at one of those palatial hotels then only to be found in America close by the falls of Niagara. My visit was made at the promptings of Science, an imperious mistress who has frequently sent her votary much further than Lake Superior in pursuit o. the elucidations of some of her mysteries. On the present occasion a problem in Phonics was the knot I was to unravel. My readers may smile when I tell them that it was but an application of a trick (as it is called) that they have often witnessed as children. I allude to the fact that, by drawing a bow across a violin string in contact with a sheet of THE HOBSE-SHOE FALL. -03 paper sprinkled with steel-filings, you can produce symmetrical figures and combinations of a surprising character. When we remember that a section of orange peel gave the first model for a life boat,, that a tea--: he mother of the steam engine, that the fall of an apple revealed the law of gravity, we shall not smile when we contemplate this simple experiment. For my own pan this phenomenon had always haunted me with strange persi- When I was on a visit in Cornwall I took a trip to the quarries overlooked by that gigantic fusus nature?, the Cheese- wring. While there I heard the quarrynien " ring a peal " as they call it. This is done by four, five, or six men, with borers of, I suspect, different producing a sound something like the Us by striking the iron against the granite. I observed that the powder and little fragments formed themselves into figures rudely approaching the geometric outlines of my favourite experiment. However, friends, to whom I pointed it out, declared that the phenomenon was owing to my imagination. But I was used to rel During my career at Cambridge my "hobby," as How undergrads ealL a for ever a subject of amusement. Indeed I went by the name of '• Harmony Jones " or u the Harmonious Blacksmith " from my being frequently d 1 fiddling to steel- . -. I have no doubt I was rather troublesome to •jllege. I had established a huge JEolian harp 204 QUIPS AND CKANKS. in my window to prosecute my experiments. From this I found that the kind and intensity of the figures depended to some extent upon certain circumstances connected with the currents of air which caused the sound. I must be excused from speaking more plainly on a matter, where I would fain not have the reward of my research snatched from me by an outsider. The iEolian harp of course was hardly amenable to the rule that "no piano should be played in College after twelve." On the contrary the wind at night used to perform astounding obligates on the instrument, such as were never heard by day. By a delicate apparatus (which also I must decline to describe, although from an announcement I have seen of " photographic portraits taken by night " I fear the secret is no longer mine) I managed to register with tolerable accuracy all the forms taken by the filings during the hours of darkness — and most remarkable they were. Many were the complaints that were laid against me, but I persisted in my harmony in spite of discord. Of course, always having my apparatus about me I had accidental figures caused by ordinary sounds such as slamming of doors, etc. From these I formed a theory as to the particular notes, which formed the links as it were between Dynamics and Acoustics, and established an apparent connexion between the causes, means, and effects producing and produced upon the organs of sight and hearing. THE HOESE-SHOE FALL. 205 But my career at Cambridge came to an abrupt close. One night a shrill whistle, which (being engaged in making up my fire) I did not clearly hear, caused a most extraordinary arrangement of the metallic dust. I rushed out on my dark staircase, and found some one groping up-stairs. In answer to my enquiry a husky voice betraying signs of in- toxication acknowledged that its owner had whistled. I entreated him to repeat the sound. He declined. I insisted. He refused " to be made a fool of because he was a little elevated." The dispute waxed hot and at last reached a climax. " What key did you whistle in ? " I asked at last, wrought to the highest pitch of excitement. « Why the key of my oak, you fool " was the answer. In a moment of ungovernable rage I struck him, swaying as he was on the stairs below me. The moment my hand had left my shoulder, I was horrified. I leapt forward to save him. Almost simultaneously we arrived at the bottom of the flight and bursting open a door that stood opposite we rolled together into a fully lighted room where from forty to fifty of our men were indulging in whist, " Van John," and a newly introduced American game. Imagine my horror, on picking myself up, to see that the incarnadined party beneath me was the Eev. Kneagus OTorthwine, the Irish Bursar, who, picking himself up also, disappeared in a gentle cyclone of anathemas up the corkscrew stair with a bleeding nose. 206 QUIPS AND CEANKS. His unpopularity was nry saving. I was unpopular as a rule, though not violently so. He was universally unpopular, and the fact that I had given him a rough lesson in manners made me the hero of the night. A council was held as to what I should do. The general opinion was that nothing under expulsion could wash out the stain on the Bursar's white neck- cloth. Hearing this, I determined to leave the college before the washing day, which I imagined would be identical with the first Common Eoom meeting. By and by the commotion subsided, and the party, having left their cards on my sudden arrival, fell to pipes and conversation. I lounged about the room until I happened to have my attention (sharpened by my experimental habits to an extraordinary degree) drawn to the conversation going on in a different corner. The party, I gathered, had been convened for the purpose of a lecture on the American game of " Poker," to be delivered by a gentleman not long returned from the States. He it was whom I now overheard describing America to a knot of eager listeners. He was describing Niagara, and that part in particular where you can pass under the falls for some distance. "The noise was something tremendous," said he. "You were in an atmosphere of sound — you could hardly trust your senses. And yet, I don't know whether it was imagination or a singing in my head, but I certainly did hear, when, as I said, I was THE HORSE-SHOE FALL. 207 under the Horse-shoe Tall, a peculiar ringing sus- tained sound, over-riding all others, just as the acute squeak of a violin makes itself heard in a concert." This was enough. A sudden thought struck — nay rather possessed me. In five minutes I had collected my few valuables, had written a note to a friend in town asking him to run down to Cambridge and settle my affairs, and was standing in the street under my bedroom window, from which a rope, consisting of two blankets, a sheet, and a railway wrapper, was languidly waving its incongruous folds in the night breeze. A fly soon carried me out of Cambridge. For some weeks I took up my quarters at Cowley a little village near Oxford, where I had a few friends, whose aid I required. While there I prosecuted certain experiments (preli- minary to my Niagara attempt) of which I need not give a lengthened account. Of course for the perfect development of the phenomenon the filings must be quite dry — but how was this to be managed where the atmosphere was so charged with moisture? I made all the pre- parations I could, and at length made a final trial of my precautions. Seated under an umbrella which was tolerably thick in texture I sat for an hour under a stream of water directed from a tank about 10 or 15 feet above me. My filings were scattered on a piece of oiled silk stretched on a wire frame and covered with a very light glass globe. 208 QUIPS AND CRANKS. As the hour came to an end I drew the bow with trembling fingers across the strings of the violin to which the wire frame was attached. To my delight at the first vibration the particles arranged them- selves in various symmetrical figures. In the centre were three circles, the first incomplete — and after the last a combination of right lines. To my excited imagination this fortuitous circumstance had the ap- pearance of an omen." In those figures I discerned the words " GO ON." This experiment, however, went near to costing me my life. I started for Liverpool next day — secured my berth, and almost immediately became prostrated by sickness. For nearly the whole voyage I was confined to my bed with brain fever produced by the excitement and the cold water. I found afterwards it was lucky that I had left Cowley suddenly, for my landlady was so alarmed at the eccentricity of my conduct in the water-tank business that she had sent for two or three keepers from the Lunatic Asylum near Headington, and intended to have me confined. After this digression I find myself once more at the point from which I started at the beginning of this story. Namely — that in the autumn of 18 — , I was staying at an immense hotel about two or three miles from Niagara. I had arrived in the afternoon, but the weak state I was in did not allow of my proceeding further, for although the distance was not great the driving further THE HORSE-SHOE FALL. 209 would have been torture. Yankee whips seem to drive as if their passengers had never had a moment's illness in their lives — as if the end of the dominion of sickness had been identical with that of the British rule. It was a very calm night — to the eye. The ear was not able to decide, for there was the per- petual roar of the great cataract, never-ceasing, never- changing. The effect was very strange. Overhead the moon and stars were shining as clearly as they do on a frosty night in England. Clouds weTe loitering across the sky very lazily, and the tree- tops barely made obeisance to the Queen of Night. And still that tremendous voice of nature smote the darkness and made the human heart tremble. One prolonged monotonous roar, it was at first obtrusive and wearying, but by degrees it so identified itself with the peculiarities of the scene, the dense forests, the jewel-like variety of the autumnal foliage, and the vast building glittering with a hundred lighted casements, that I felt it to be as necessary to the place as the throbbing of the heart to the human frame. This idea seized me. I remembered how in the delicate organization of my body some slight — very slight — obstruction hindering the movements of a valve of the heart, would produce instant death. And then my mind became lost in wild imaginings, comparisons of the stoppage of life's tide, and the damming of this mighty torrent, moralisings on the gradual attrition of the rocky lips from which the P 210 QUIPS AND CRANKS. water leaps, and speculations on the duration of the falls — nay of the world itself. Impressed, wonderfully- stirred and softened by these meditations, I turned back from the balcony where I had been standing, into the room. I found there a stranger of a very peculiar aspect. He was tall, pale, and thin. His high cheek bones lent additional power to his great dark eyes rolling restlessly in their deep sockets. His hair very straight and dark was brushed back from his pallid forehead and fell on his collar. His neck was bare, a simple white handkerchief, loosely knotted, taking the place of a cravat. His dress was all black, giving to his lean figure a still more attenuated appearance. Without removing his eyes from the window the stranger said in a low voice, seeming half as if it was only intended for himself — "You must pardon my intrusion ; the reason of my coming will, with one impressed as you are by that mystic sound, be ample excuse for my apparently strange conduct." He ceased. I observed that his voice had in it a pe- culiar monotonous and sustained melody, that flowed on in harmony with the falls. Indeed I might almost say it seemed as if the falls ware accompany- ing him in a chant. As his voice rose, so it ap- peared (whether the wind was stronger for the time I know not) that the sound of the cataract grew louder. As his voice sank and fell, so the roar of the waters died away and seemed about to drop into silence. THE HOKSE-SHOE FALL. 211 This mysterious man alarmed me. His face seemed to grow, and grow, larger, and larger, and come closer to me. I sank into a chair, smiling at my own weakness and faintly apologising to him by an allusion to my recent illness. And then seating himself opposite to me, he began the following story in that strange sepulchral voice of his. "In me you see, sir, a most unhappy victim of those great falls, whose voice rings for ever in my ears, and haunts me wherever I go. I have fled from them thousands of miles, but day and night their ghostly murmur has hovered about me, calling me back. " And I have come ! From the Steppes of Eussia, from the wilds of Australia, from the long winter of the Arctic Regions — they have called me back times upon times. And I have come ! " For the best part of my life— my heart, my soul, my whole being was lost in their stupendous waters. " Listen ! "In the autumn of the year a happy party, con- sisting of myself— my brother— and my intended wife, with her father, mother and two sisters, paid a visit to the falls. "As you can judge for yourself, that season is one of the loveliest features of nature. The variegated maple leaves reflected the sun in a thousand brilliant hues. The birds sang, and the insects sported, and P z 212 QUIPS AND CRANKS. the whole country seemed to have put on her bridal attire. But as we drew nearer to the end of our journey, like a vague foreboding of ill, the murmur of the mighty waters grew more and more distinct. Alas, the day, begun with joy and beauty, was to end iu desolation and misery. " In our glee and thoughtlessness we had forgotten h'alf the things necessary for the meal we intended to make by the side of the falls. " After some little consultation it was agreed that I should drive to the nearest hotel (which at that time was a considerable distance) and return with what was wanted as quickly as could be. "I was appointed, they told me, because I was sure to be the quickest messenger, I should be in such a hurry to rejoin May Walters. My brother Charlie was a regular idler, and besides, had an eye for a pretty face, and the barmaid at the hotel was notably buxom and fair. "As soon as the gig was ready I jumped up — waved my hat to the company and was about to start. May held out her hand to me. I gave it a warm pressure. By some sudden impulse she leapt up on the step. Our lips met, and then blushing red as a rose (for we had never kissed each other in company before) she sprang down and I drove off. That was the last kiss I ever gave her ! ' Charlie,' I shouted to my brother as I passed him, c I leave my May in your care. As you are a jpreux chevalier, do your devoir, and never leave her side till I return. Do THE HORSE-SHOE FALL. 213 her slightest bidding, and go through fire and water for her ! Farewell ! ' " That was the last time I saw him alive. " Eapidly I drove through the fairy forests. But the horse had been far already and was showing signs of fatigue. "It was late in the day before I returned. "I sprang down the rocky pathway to the level sward beside the Horse-shoe fall, where our rendez- vous had been appointed. " Good heavens ! As I turned the corner what a sight met my eye ! Mrs. Walters lying half-dead on the grass, and her husband sitting crushed and speechless, gazing into the horrid chasm below.