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 AMES' SERIES OF 
 
 'ANDARD AND MINOR DRAMA, 
 
 No. 884. 
 
 -*■ OLIVET; -4- 
 
 OR. A RARE 
 
 Teutonic Specimen. 
 
 ( FARi. "E. ) 
 
 WITH CAST OF CHARACTERS, ENTRANCES AND EXITS, 
 
 RELATIVE POSITIONS OF THE PERFORMERS ON THE STAGE, 
 
 DESCRIPTION OF COSTUMES AND THE WHOLE OF THE 
 
 STAGE BUSINESS; CAREFULLY MARKRD FROM 
 
 THE MOST APPROVED ACTING COPY. 
 
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 DRAMAS. 
 
 Arthur Eustace, 2oc 10 4 
 
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 Dora 5 2 
 
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 Mow He Did It 3 2 
 
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 Lady Audley's Secret 6 4 
 
 Lost in London 6 4 
 
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 Maud's Peril 5 3 
 
 Midnight Mistake 6 2 
 
 Millie, the Quadroon 5 6 
 
 Miriam's Crime 5 2 
 
 Michael Eric 8 3 
 
 Miller of Derwent Water 5 2 
 
 Mistletoe Bough 7 3 
 
 Mountebanks (The) fl 2 
 
 New York Book Agept 
 
 Old Honesty 5 '■'. 
 
 Old Phi 1 'a Birthday I 3 
 
 Outcast's Wife 12 3 
 
 Out on the World 5 4 
 
 Oath Bound B 2 
 
 Painter of Ghent 5 3 
 
 Penn HapgoOd 1" 3 
 
 Pelegand Peter, 25c 4 2 
 
 P ■<achpr's Doom 8 3 
 
 P h ee I il ' B ook e s ' Curse S 8 
 
 NO. M. V. 
 
 5 Phyllis, the Beggar Girl 6 3 
 
 110 Reverses 12 6 
 
 45 Rock Allen 5 3 
 
 79 Spy of Atlanta, 25c 14 3 
 
 275 Hmple Silas H 3 
 
 266 Sweetbrier 11 5 
 
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 242 The Dutch Rocruit 2V- 14 3 
 
 67 The False Friend fi 1 
 
 97 The Fatal Blow 7 I 
 
 119 The Forty-Niners 10 4 
 
 304 The General Manager 5 p 
 
 93 The Gentleman in Black 9 4 
 
 314 The Haunt d ill 5 4 
 
 112 The New Magdalen 8 3 
 
 322 The Ibiw R • ruit 6 
 
 71 The Reward of Crime 5 3 
 
 306 The 1 hree -ats 4 >' 
 
 105 Through Snow and Sunshine 6 I 
 
 201 Ticket of Leave Man 9 3 
 
 2->3 - Tom Blossom 9 4 
 
 193 Toodles 7 2 
 
 277 The Musical aptain 15 2 
 
 200 Fuck- Tom's Cabin 15 7 
 
 2<0 Wild Ma!> 
 
 121 Will-o'-the-Wisp, 9 4 
 
 41 Won at Last 7 3 
 
 192 /ion 7 4 
 
 TEMPERANCE PLAYS. 
 
 73 At Last 7 • 1 
 
 75 Adrift 5 4 
 
 187 Aunt Dinah's Pledge H 3 
 
 254 Dor: the M ; <>or's Daughter... 9 5 
 
 202 Drunkard fThel 13 5 
 
 185 Drunknr *s Warning 6 3 
 
 189 Drunkard's Doom 15 5 
 
 181 Fifteen Years of a Drunk- 
 ard's Life 13 4 
 
 183 Fruits of the Wine Cup b' 3 
 
 104 Lost 2 
 
 140 Our Awful Aunt 4 4 
 
 53 Out in the Streets R 4 
 
 51 Rescued 5 3 
 
 59 Saved 2 3 
 
 102 Turn of the Tide 7 4 
 
 ' i Thre" G'n.sse« a Day 4 2 
 
 02 Ten Nights in a Bar- Room... 7 3 
 
 58 Wrecked 9 3 
 
 COMEDIES. 
 
 :"< A Dm In A D .('tor's Office., n I 
 
 Pleasure Trip 7 3 
 
 136 A Lr.:al Holiday /■ 3 
 
 124 An Afflicted Family 7 5 
 
 ■''" '"'aofrbt ;,, ,i„. \ _i 7 3 
 
 248 Captured '' 4 
 
 178 Caste 
 
 jE 
 
^ OLIVET;-^ 
 
 -OR- 
 
 A Rare Teutonic 
 Specimen. 
 
 A FARCE 
 
 IN ONE ACT, ' 
 J. E> Grarjr, 
 
 Author of "The Old Wi»sid* Inn," 'Ja*e Shloff's Mistake," "Alma y 
 or United at Last, 1 '' "Strategy," "The Irish Squire of Squash 
 Ridge" "A Noble Atonement.'''' 
 
 TO WHICH IS ADDED 
 
 A DESCRIPTION OF THE COSTUMES— CAST OF THE CHARACTERS- 
 ENTRANCES AND EXITS— RELATIVE POSITIONS OF THE 
 PERFORMERS ON THE STAGE, AND THE WHOLE 
 OF THE STAGE BUSINESS. 
 
 — °— \m 1 1894 
 
 Entered accnrJino to the act of Congress in the year 18^4, by 
 
 AMES' PUBLISHING CO., 
 in the office of the Librarian of Conores* at Washington, 
 
 ——CLYDE, OHIO :— — 
 
 AMES' PUBLISHING CO. 
 
 
* OLIVET; OP, A BABE TEUTONIC SPECIMEN. 
 CAST OF CHABACTEBS. 
 
 As played by Hillsboro Dramatic Club, at Hillsboro 
 Opera House, Sept. 22, 1893. 
 
 Gus Monson {A Bare Teutonic Sp ci.n n) J. E. Crary. 
 
 August Monson, (a bashful batchelor) G. H. Dunn. 
 
 Maxmillian Duncan, (who loves Olivet) D. De Forrest. 
 
 Madam Dear, {Prop, of Seminary for girls) . Hattie Myers. 
 
 Olivet, (young and romantic) , Edna Churchill. 
 
 TIME OF PEBFOBMANCE—25 MIS UTES. 
 
 PBOPEBTIES. 
 Book of engravings, eueher deck, Monson's card. 
 
 COSTUMES. 
 
 Gus Monson.— A burlesque dutch part, comic costume. 
 August Monson.— Old man with marked English brogue. Low 
 icut calico vest, old man collar, light coat, checked pants and gaiters. 
 Max. Duncan.— Romantic. Business suit. 
 Ladies. — Evening costumes. 
 
 SYNOPSIS. 
 
 Curtain rises on a room at Madam Dear's Seminary for girls. 
 Olivet conveys the sad news to her lover Maxmillian, that they must 
 part. Three years previous to this time, a wealthy batchelor saw 
 Olivet singing on the street, he sends her to school, providing she 
 will become his wife at the end of three years. The time has ex- 
 pired and August Monson, the wealthy batchelor, comes for his 
 affianced. By mistake, Gus Monson, the rare Teutonic Specimen, 
 comes into Madam Dear's house and is taken for Monson, the 
 batchelor. It is discovered that he i<? not the wealthy Mr. Monson, 
 the young people dress him up as Olivet, to fool Monson. Madam 
 schemes to get Monson to propose to her, which he does and forgives 
 all deceptions played on him. Happy ending. 
 
 STAGE DIBECTIONS. 
 
 R., means Right; l., Left; r. h., Right Hand; l. h., Left Hand 
 c, Center; s.e., [2d e.,] Second Entrance; u. e.. Upper Entrance 
 M. d., Middle Door; p., the Flat; d. f., Djor in Flat; r. c, Righ 
 of Center; l. c, Left of Center. 
 
 R. R. C. C. L. C. L. 
 
 *** The reader is supposed to be upon the stage facing the audience. 
 
 TMP92-008967 
 
OLIVET; 
 
 —OR,— 
 
 A Rare Teutonic Specimen. 
 
 SCENE. — A well furnished sitting room, at Madam 
 Dear's Seminary for girls — table and chairs R. c. — 
 sofa up l. At rise of cu tain — 
 
 Enter, hurriedly, Olivet and Max. Duncan, d. f., they 
 come down R. and l. c. 
 
 0'-v?L Alas Maxmillian, our dream of happiness must 
 end. Hold me ere I go cast myself in your briny deep, to 
 be food for hungry fishes. Maxmillian, we must part. 
 
 (goes r. , turns lack to Max. 
 
 Max. {comes c.) Olivet! my Olivet, what means these 
 strange actions? Why doest thou treat me so cruelly? 
 ivet, thou k no west that this heart beats alone for thee. 
 When first I saw thy angelic form sporting in the waves at 
 Long Branch, my heart went out to thee Daily I prayed 
 that destiny would throw me in thy way, and my prayer 
 was answered. One day while strolling on the beach, I 
 heard a cry for help, wlrch came from the waters. I rushed 
 to the rescue, and after a short struggle, I carried thy faint- 
 ing form in safety to the sands. When consciousness once 
 more came to thee, why did'st thou tell me, that the life I 
 had saved, was ever mine own ? Cruel, false hearted girl, 
 have I loved tire in vain? Speak, if it be true, I will 
 leave thy Bight forever. (goes L., turns back 
 
 Olivet (tu ns to c.) Maxmill : an, my heart is thine, 
 concience is mine, but my body belongs to a third party. 
 
\ OLIVET, OR A RARE TEUTONIC SPECIMEN. 
 
 Think me false and cruel, if you will, but destiny, which 
 threw me in thy way, now decrees that we must part. 
 
 (goes R. turns back 
 
 Max. (c mes c.) Come 01! wt. a joke is a joke, and I 
 ?njoy a good joke, but there is such a thing as getting too 
 much of a good thing. Don't be so deuced earnest in joking. 
 Why, the mere mention of our parting, sends the waves of 
 despondency coursing up and down my spinal column, like 
 amateur bicyclists racing up and down the dusty streets of 
 a country village. Olivet, tell me, 'tis but a joke. 
 
 Olivet, (comes c.) I would it were a joke, Maximilian, 
 but 'tis too true. You have never heard the story of my 
 life. Come, let us be seated and I will tell you why we 
 must part. (they sit R. and L. of table 
 
 Max. But I tell you we must never part. Why, 1 
 couldn't possibly stand it, "Don't cher know." 
 | Olivet. Max, when 1 promised to one day to be your 
 wife, I had forgotten that I was the property of another. 
 Three years ago I earned my living by singing on the 
 streets, depending on the generosity of others for my subsis- 
 tence. With no friends or relatives to care for me, I made 
 my home wherever night overtook me. One day a police- 
 man informed me that a wealthy old batchelor had offered 
 to send me to school, if at the end of three years I should 
 become his wife, and those three years are up. When Madam 
 Dear wrote to my guardian-angel of our engagement, he 
 was very angry and forbids it. I can not be your wife 
 without his consent. 
 
 Max. Then his consent we shall have, irises) Who is 
 my worthy old rival? 
 
 Olivet. His name is August Monson. 
 
 Max. You shall never be his wife. By the skies above 
 and the earth below, I swear it! 
 
 Olivet. What can we do ? 
 
 Max. We shall see who wins thee, my sweet Olivet, I 
 must away and coll ct my scattered thoughts. 
 
 (exit, D. F. 
 Enter, Madam, r. u. e. 
 
 Olivet. How will this end ? 
 
 Madam, (comes r. of table) Heed not the end my 
 dear, all will vet be well. I have never seen your kind 
 
OLIVET, OR A RARETEUTOXTC SPECIMEN. 5 
 
 benefactor, but if thisle:ter \ roves true to it's prophecy, we 
 will see him soon, (palls Utter from envelope, dripping 
 card) Tin's is what he writes : "Dear Madam, unlooked 
 for business calls me to your city, and a 5 * the ihree years 
 are up, I will call for my future wi r c • this evening. Tell 
 her to prepare to leave with me on the o'clock train, very 
 truly, August Monson." 
 
 Olivet, (rises, walks st tge) I will not go w'th him. 
 He is a villain to make a young girl link her life with one 
 old enough to be her father. 
 
 Madam. Pe calm my dear, wait until he comes. We 
 shall find some way out of this dilema. Do not give away, 
 for much may happen between now and 9 o'clock this even- 
 i g. Come with me. (exuent, R. E. 
 
 Aug. (ofv. ¥.) Veil dot vos all right, better ven you 
 do.i't make some foolishness mit me ! 
 
 Enter, August Monson, d. f. 
 
 Obod after-dinnertimes, ladies unt chentlemons. Oh yah ! 
 I forgot to knock me dot door on. (goes ra>\s on d. f.) 
 Come in ! (comesdou7b\ Veil, I'm here. Nobody at home? 
 Veil, den T can ketch mine breathe. You see my gal vot 
 vos cilled Katie, vos corned mit dose house in. I vonts to 
 see mine Katie, so I comes mit dose house in. I don't see 
 my Katie, mabe I vos corned mit dere wrong house in. (sits 
 p. of table) Veil I tikes it easy till Katie comes. Vot's 
 dot ? (picks up card 
 
 Enter, Madam, r. u. e. 
 
 Madam. Sir ! 
 
 Aug. (scared, goes l., conceilinu card in shoe) Oh no! 
 you vos mistooken in dere pnrtv ! I vos somebody else. 
 
 Madam Ts the man crazy ? 
 
 Aug. ! oxcuse me ! (aside) Vate till I ketch mine 
 breathe, (aloud) Madam, let me to oxblain. 
 
 Madam. Sir! your business here ? 
 
 Aug. Don't got oxcited, Madam. (asid<) Oh! vot I 
 vil : say now ? (goes R. 
 
 Madam,. What right had you to uncerimoniously enter 
 my house? This ; " * Seminary for girls, not a lunatic 
 asylum. 
 
6 OLIVET, OR A RA R E TEUTONIC SPECIMEN. 
 
 Aug. (asid) Dunder-un-blixen! I been getting scared. 
 {aloud) Madam, don't got oxcited. 
 
 Madam. Your name, sir ! What is your name ? 
 
 Aug. I don't got any. {aside) Oh! vate till I ketch 
 mine breathe ! 
 
 Madam. Perhaps you have your card about you. 
 
 Aug. Cards ! Oh! yah, I got some cards. 
 
 {draws eucher deck from pocket and holds out 
 
 Madam. How dare you insult me in my own house ! 
 
 Aug. {goes k., frightened — aside) Oh vot I hav' done 
 now ! {aloud) Don't got oxcited, Madam, {pulls card 
 from shoe) Vos dot vot you vants ? 
 
 Madam, {takes hard and reads) "Mr. August Monson, 
 New York City." Can it be possible? Are you August 
 Monson, of New York City ? 
 
 Aug. Yah, dot's me. August Monson, unt I lives me 
 by Ny York darty-dree years behind time, {aside) How 
 de difel she knows dot ? 
 
 Madam. You came sooner than you expected. 
 
 Aug. Oh ! yah, I comes sooner as I expected, {aside) 
 Oh ! shimony Christmas ! vot a change in dot voman. 
 
 Madam. I am glad to see you, Mr. Monson, please be 
 seated. 
 
 Aug. {aside) Mabey she vos got struck mit mine shape. 
 
 Madam. I did not think to see you so soon, but make 
 yourself at home, Mr. Monson. 
 
 Aug. {aside) Oh ! vot a picnic, {aloud) Yah, I vill 
 makes myself at home. {sits i, of table 
 
 Madam. I hope, Mr. Monson, that you will not be too 
 severe with the dear girl, for she loves the young man very 
 much, and besides you are so much her senior, that I am 
 sure your union with her would not be as happy as yuu 
 might wish. I implore you, re-consider the matter and 
 give your consent to their marriage. I love Olivet as I 
 would my own child, for she has been a daughter to me ever 
 since she came here. 
 
 {during this speech August rises, frightened, moves l. 
 
 Aug. {aside) Danter-unt-blixen, vots dere matter mit 
 dot vomans! 
 
 Madam, {rises, comet slowly towards him during 
 speech) Oh! sir, if you have not the heart of a monster, 
 give up your designs on that poor motherless girl and let 
 
OLIVET, OR A RARE TEUTONIC SPECIMEN. 7 
 
 her marry the man she love?. You might compel her to 
 marry you, but it would be an unholy alliance. She would 
 pine and wither away like the last rose of summer. Filled 
 with despair, she might go mad, stark st iving mad ! Some 
 night when you were sleeping peacefully in your little bed, 
 never dreaming of a danger nigh, sh », drove to desperation 
 by torturing confinement, might bury the family hatchet 
 deep, deep in your cruel heart. (turns, goes l. 
 
 Aug. Shimany Christmas, vate till I ketch mine breathe J 
 
 Enter, Olivet, r. e. 
 Madam. Olivet, this is Mr. Monson, your benefactor. 
 Olivet. Oh ! my dear sir, if you are Mr. Monson, I owe 
 you a debt of gratitute which I can never pay. 
 
 Aug. Anoter one ? Oh ! vate till I ketch mine breathe ! 
 During this speech, August moves to l., followed slowly 
 hj Olivet. 
 Olivet. Oh ! sir, I know your heart is not as hard as 
 you would have us believe. You could not be so cruel as 
 to condem me to a life of torture with you, when my heart 
 belongs to another. Oh! sir, have mercy and give your 
 consent to our marriage. I intreat you, I implore you, 
 remove your objections, give us your consent and your 
 bkssing. 
 
 Auj. Vate till I ketch mine breathe ! (aside) Oh ! vot 
 I vill say now ? (aloud) Ladies unt chentlemons, I don't 
 got any objections, I agrees mit every dem ting vot you says ! 
 Madam.) (each t iki him by hand) Then you give 
 Olivet. J your consent to the marriage? 
 Aug. Dot's vot I said. 
 Madam. \ Oh ! you dear good man ! 
 Oliyst. ) (throw arms about his neck 
 
 Aug. Oh ! vate till I ketch mine breathe. Break avay ! 
 Olivet. You have made me so happy. 
 Aug. Ish dot so? 
 
 Madam. You have made us so happy. 
 Aug. Ish dot so? (aside) Shimony Christmas, vot a 
 chang ; in dose vimins! Vate till I ketch mine breathe ! 
 Madam. May the hinges of our friendship never rust. 
 Aug. Unt dere buckle ts of our spenders never bust. 
 Madam. ) Qh , ^^ ^ ^^ m ^ 
 
8 OLIVET, OR A RARE TEUTONIC SPECIMEN. 
 
 Ang. Veil vot3 dere matter now? 
 
 Olivet. Mr. Monson, my everlasting gratitude is yours 
 and in the language of the poet, "My friendship everlasting 
 at your heart, now gladly knocks. 
 
 Aug. I got yon vot beats dot all to smash. Ven I keeps 
 you in good saur-krout, vill you always mend mine sox. 
 
 Madam. Such a rare Teutonic specimen. 
 
 {tickles him ander the chin 
 
 Olivet. So jolly. (tickles him under the chin 
 
 Aug. (aside) Ho ! vot a bicnic ! 
 
 Madam. A rose between two thorns. 
 
 Aug. Nein! A cabbage between dwo cauliflowers. 
 (puts arm about their waists, they lay heads on his shoulders) 
 Ho ! vot a bicnic. 
 
 Enter, Maxmillian, d. f. , walks stage very excitedly. 
 
 Max. Have I lost my wits? 
 
 Aug. Shimony Christmas, vots dot! 
 Madam awe? Olivet scream, go r. and l., August, r. 
 front, scai^ed. 
 
 Max. Some wits ! some wits ! My kingdom for some 
 wits ! 
 
 Aug. I don't got any wits ! Oh ! vate till I ketch mine 
 breathe! (Madam and Olivet rush to Maxmillian, c. 
 
 Madam. Calm yourself, Maxmillian. 
 
 Olivet. What is the matter, Maxmillian? 
 
 Max. Matter! matter enough! August Monson is in 
 town, and on the way here. 
 
 ^ . " [• August Monson is here ! 
 
 Aug. Yah ! I vos here, take her I don't got any objec- 
 tions. 
 
 Max. That August Monson? (points to August 
 
 Aug. Oh ! vate till I ketch mine breathe ! 
 
 Max. Bless my heart, if it ain't Gus Monson, but not 
 the man we have to fear. 
 
 Aug. Veil dunter unt blixen, Max. Duncan, how you 
 vas? (they shake hands r. c, Madam and Olivet go l. 
 
 Max. Gus, you are just the boy I want to see. 
 
 Olivd. Is that not August Monson, of New York City \ 
 
 Max. Yes, but not my worthy rival. I don't see ho\* 
 you made the mistake; hav'nt time for explanations. W« 
 
OLIVET, OR A RA R E TEUTONIC SPECIMEN. 9 
 
 must proceed with the next act. Gus, I want you to help 
 us. 
 
 Aug. You ust bet uie I vill helups you all vot I can. 
 
 Max. Listen. Another August Monson is on the way 
 here to take Olivet away with him. We must prevent it. 
 
 Aug. You v mts me to kick him out, ain't it? 
 
 Max. No ! when he comes, you must play you are 
 O'ivet. 
 
 Aug. Vot! Me play vomans ! Oh! no, no, no, no! 
 Vimin's don't vear pants. 
 
 Max. We will fix that, When he comes, Madam Dear 
 will introduce you as Olivet. You must play your part 
 .well. He will soon be here, we must hurry. (exit, R. 
 
 Aug. Oh! vant I make a shweet vomins ! 
 
 Enter, Maxmilltan, r. e., with dress, blond wig, puffs, 
 powders, etc. 
 
 Max. Pull your cat, Gus. Olivet, you powder, while 
 I dress him. 
 
 Aug. Shimony Christmas, vot a bicnic! 
 
 Bit iness of dressing him* This business can, be arried on 
 "ith such speeches as may be suggested to the players 
 by the business. The transformation of August into 
 Olivet, may be mad 1 vjith such stife of dress as may 
 suit players. When nearly made up, bell rings of 
 
 D. F. 
 
 Max. Great Heavens! here he comes. Madam do not 
 show him up until we have finished, (exit, Madam, d. f.) 
 Now put on the finishing touches and let's be oft'. 
 
 Aug. Say, vill he scot struck mit mine shape ? 
 
 Max. No doubt of it. 
 
 Ang. Oh ! chimonv Christmas, vot a bicnic ! 
 
 Mx. (strike* attitude) There ! Ne'er saw I a fairer 
 d msel, form devine. 
 
 Aug. You th ; nk he vill vant to married me on dere 
 spot? 
 
 Mux. I hope so. We will now retire to the next room 
 and let Mr. Monson, prepare to meet his future wife. 
 
 (exit, all three, L. u. E. 
 
10 OLIVET, OR A RARE TEUTONIC SPECIMEN. 
 Enter, Madam and Monson, d. f. 
 
 Madam. Make yourself at home, Mr. Monson, and I 
 will inform my charge of your presence. Prepare yourself 
 for a great surprise, for she is very bashful. 
 
 (exit, L. u. e. 
 
 Monson. (c.) For three long years hi 'ave looked for- 
 ward to this hocasion. When hi should meet my 'earts 
 hidle, when hi should gaze upon the bloomin' form of the one 
 who his to be my companion for the rest of my natural life. 
 How my hold 'eart pit-a-pats at the hanticipation of the 
 event. 
 
 Enter, August, l. u. e., hacks slowly and shyly up to 
 
 Monson. 
 
 Marry that bloomin' Duncan, when hi 'ave wa'ted three 
 years to marry her myself? The himpudent Yankee sucker ! 
 Hi can see er bin me minds hye now. A form like Venus, 
 and a face like — 
 
 Aug. Te-he-he-he-he ! 
 
 Mon. The devil ! 
 
 Aug. Nein ! you vos mistooken in dere party. I don't 
 vos any of your relations. 
 
 Mon. His this a bloomin' lunatic asylum ! 
 
 Aug. I vos your Olivet ! Vy don't you kiss me, you 
 olt succor? Vy don't you got smashed mit mine shape? 
 Vos you goin' back on me now, ven you makes me gif up 
 dere man" vot I loves? You better looks a little out you 
 olt skinflint, ober I halfs you pulled for breetches of bromise. 
 Spoke mit a quickness, marry me on dere spot or I vill 
 skallops you mit a cheese knife unt drinks your hearts blood 
 lik' she vos lager beer. Spoke ! 
 
 Mon. Th-th-th-the devil ! 
 
 Aug. Nein ! I toles you I vos none of your relations. 
 (tragicly) Hah ! Hamlet, I vos dy fadder's viskers. (Mon- 
 son retreats slowly around stage, scared, followed by 
 August) You vos false by dere vows vot you made by me. 
 Avay ! avay ! before I kasmash you mit a glance fun mine 
 eye ! I have you in dere apples of mine eye, you cannot 
 oxcape me, I vill followed you to dere ends of dere eart', 
 unt stabs you in dere liver pad mit a balogne sissage. Lay 
 on Macbeth unt shlock em on dere cope mit & brick stine, 
 
OLIVET, OB A RARE TEUTONIC SPECIMEN. 11 
 
 dere fairest feller vot says, let er go Galigher ketch er by 
 dere switch. Whoop ! 
 
 Enter, Madam, l. u. e., goes l. 
 
 Madam. My dear, calm yourself. This is no way to 
 act towards a gentleman of Mr. Monson's standing. 
 
 Aug. So-o ! Veil you ust better hold me ober I got his 
 head. You olt bait headed dudelets. 
 
 Mon. Send the bloomin' creature out of the room. 
 
 Aug. Vot's dot ? You olt duffer. 
 
 August makes a dive for Monson, who gets behind 
 
 Madam. 
 
 Madam. My dear, leave the room. I wish to have a 
 talk with the gentleman. 
 
 Aug. (aside) Oh ! vate till I ketch mine breathe ! 
 Veil, ust like you say, Madam, not like I care. 
 
 (exit, D. f. 
 
 Mon. Hi breathe again. Madam Dear, you spoke of 
 your charge being hingaged to a Mr. Duncan? 
 
 Madam. Yes sir ! 
 
 Mon. An' his that (points to D. r.) your charge? 
 
 Madam. At present. 
 
 Mon. Then tell the bloomin' sucker to take her. 
 
 Madam. Sir ! you are very kind. I am surprised that 
 so nice a man as you should remain single so long, (they 
 come doivn c. duri?ig this speech) I am sure most any 
 woman would be proud to become Mrs. August Monson. 
 
 Mon. The deuce you say. (aside) Hi believe the old 
 gal is trying to natter me, an' hif hi 'ad the cheek, hi'd 
 propose to her on the spot, don't cher know, (aloud) Hi 
 am sure others would 'ardly think it, Madam. 
 
 Madam, (aside) This is my chance, (aloud) Mr. 
 Monson, let us be seated. The mind works more smoothly 
 when the body is at rest. 
 
 Madam takes chair ivhich is r. of table and places it to the 
 l. of the table — Madam takes book and they sit. 
 
 Mon. (aside) How my old 'eart pit-a-pats. 
 Madam. Mr. Monson, (moves chair towards him) have 
 you ever experienced the feeling, that some great oppor* 
 
12 OLIVET, OR A RARE TEUTONIC SPECIMEN. 
 
 tunity was wiihin your grasp, but you had nardly 'the 
 presence of mind, the — the courage, as it were, to avail 
 you rsel f of i t ? (slides cha ir 
 
 Mon. Why — er — yes, Madam Dear, hi 'ave often 'ad a 
 kind of a feeling, as if hi ad been, sorter been sent for and 
 couldn't come, don't cher know. 
 
 Enter, August, d. e 
 
 Madam. (sighs, moves closer) Poor man. 
 Aug. Vop, vop, vop, don't got so close, you olt sardine. 
 Remember dose breetches of bromise. 
 
 Monson springs up, sliding chair to l., gets behind Madam 
 — business. 
 
 Man. Hi'm a goner! 
 
 Madam. Leave the room this instant. 
 
 Mon. (shakes fist from behind Madam) You hill man- 
 nered vixen. 
 
 Aug. Vot'sdot? (business 
 
 Mon. Save me Madam ! Save me ! 
 
 Madam Leave the room. 
 
 Aug. Veil, I don't got any objections. Tra-la-lu. 
 
 (exit, d. F. 
 
 Mon. Hi breathe again. (they sit 
 
 Madam. Commence right where we left off, Mr. Monson. 
 
 (moves chair up 
 
 Mon. Yes — h-hov course — hi — 
 
 Madam. As you were about to say, there are times 
 when it seems, to all of us, that we must speak what is in 
 our h^ar — a in our minds. {mores chair 
 
 Mon. Yes — yes of course hi — (aside) My hold 'eart. 
 
 Madam, (aside) Poor man. (aloud) While I am not 
 sure that I ought to listen to you, Mr. Monson, (moves chair) 
 when you spe ik to me in this personal manner, yet — 
 
 (moves chair up 
 
 Enter, August, d. f. 
 
 I am sure that — 
 
 Aug. Hamlit, I am di ladders bologne sassage! 
 
 Mon. Br -r-r-r. (they spring up, Monson slides chair 
 
OLIVET, OB A RAEE1EU2 ONTO SPECIMEN. IS 
 
 to L. T gets behind Madam — business*) Save me, Madam ! 
 save me ! 
 
 Aug. Better ven you don't got so close here. 
 
 Mon. You hinsulting Jazebel ! 
 
 Aug. Vot's dot ? {rushes at Monson 
 
 Mon. Save me, Madam ! {business 
 
 Madam. Leave the room, that's a good dear. I wish to 
 talk with Mr. Monson. 
 
 Aug. Veil, I don't got any objections. Tra-la-lu, you 
 olt duffer. (exit, d. f. 
 
 Mon. Hi breathe again. 
 
 Madam. Sit right down again, Mr. Monson, and com- 
 mence right where we left off. {they sit) 
 
 Mon. That bloomin' thing is dangerous, Madam. Why 
 don't you cage it? 
 
 Madam, It is not dangerous, just a little eccentrical. 
 A very Rare Teutonic Specimen. 
 
 Mon. Heceecdinglv rare, Madam. Hi might say be *s*ly 
 i Me. Hexcentrical 1 in leed, Madam. She is clear off 'ci 
 lia'pe, Madam, cle ir off '< r base. 
 
 Madam. She will bother us no more. By the way, I 
 b.ive just received a new book of engravings, I am sure you 
 would like to see. (rises, brings book. from table) It is a 
 large book and you will have to move your chair closer. 
 Why certainly, we can sit on the sofa. I never thought (A 
 tli.it — come ! 
 They put chairs bach and sit on sofa — bashful business. 
 
 Mon. {aside) Oh ! my hold 'art ! 
 
 Madam, Now, isn't this engraving of the courtship of 
 Florence Domby and Walter Gay just lovely? 
 
 Mon. Which is the bloomin' Gay, Madam ? 
 
 Madam. There, look closer, don't you see him ? 
 
 Mon. Is he courtin' ? 
 
 Madam. You'll have to come closer, Mr. Monson. (she 
 moms up) Why, Mr. Monson, you have your arm about 
 my waist. (he springs np 
 
 Mon. Hi was'nt aware of the fact, Madam. 
 
 Madam. Oh ! never mind, sit down. Perhaps I just 
 imagined it. (Monson sits 
 
 Mon. Him so bloomin' bashful. 
 
 Madam. I declare, I am almost afraid to let vou coma 
 
U OLIVET, OB A BARE TEUTONIC SPECIMEN. 
 
 any nearer, {moves up) You look just like Walter in the 
 picture. Your arm — (he starts to spring up, she holds 
 him) Sit down, Mr. Monson, don't get excited. 
 
 Mon. (aside) Hi feel my courage rise. I'm so bloomin 
 bashful. 
 
 Slowly and bashfully places arm, about her waist, she 
 moves closer at same time, puts arms about his neck 
 and head on his shoulder. 
 
 Enter, August, d. f. 
 
 Madam. This is so sudden ! 
 
 Aug. Dot's vot I think. Break avay ! (business 
 
 Mon. Save me, Madam ! save me ! {business 
 
 Madam. Leave this room, Olivet. 
 
 Mon. Call a policeman — 
 
 Aug. Vot's dot ? (business 
 
 Mon. Save me Madam ! 
 
 Madam. Leave the room this instant ! 
 
 Aug. Veil, I don't got any objections* Ot yah ! 
 
 Madam. Sit down, Mr. Monson. (exit, August ; d. f.) 
 Commence right where we left off. (they sit) You had 
 just asked me to be your wife, had you not ? 
 
 Mon. Well — ah — yes. (aside) I'm so bloomin' bash- 
 ful, don't cher know. 
 
 Madam, (lays head on his shoulder, he places arm about 
 her waist) August, you bold, bold man. How on earth 
 did you ever pluck up courage to ask me to be your wife. 
 You know 1 never gave you a particle of encouragement. 
 
 Mon. When I make up my mind to do anything, 
 Madam, no power on earth can stop me. 
 
 Enter, Olivet and Maxmillian, k. u. e. 
 (Rivet. | W} ia t means this ? (they spring up 
 
 Madam,. It means, my dears, that Mr. Monson has asked 
 me to be his wife, and gives his consent to your marriage. 
 
 Mon. That your charge ? That Olivet ? 
 
 Olivet. I am Olivet, and I hope you will forgive oui 
 little deception and give us your blessing. 
 
 Mon, Oh ! hell ! 
 
 Madam. My dear, you swore. 
 
OLIVET, OU A RARE TEUTONIC SPECIMEN, lb 
 
 Mon. I'm a sucker an' I'll swear again. Madam Dear 
 you promised to be my wife, an' blast my bloomin' picture, 
 if I don't swear to keep you to your promise. Young peo- 
 ple, except my blessing- But tell me, what's that bloomin' 
 thing in petticoats here. 
 
 Enter , August, d. f. 
 
 Max. 'Tis a joke. 
 
 Aug. Yah ! I vos a joke* 
 
 Mon. Save me, Madam. (business 
 
 Aug. Oh! don't got excited, I ust want to say you vos 
 purty much fooled, {pulls off wigf) Hos-do-ker-ze-zane. 
 (Monson stares) Now you see her. (puts on wig) Now 
 you don't see her. {pulls wig off) I vos a joke, ain't it? 
 Ho ! ho, ho, ho ! 
 
 Mon. A light dawns upon me. 
 
 They come d wn, Olivet and Maxmillian r., August c, 
 Madam and Monson l. e. 
 
 hie. 
 
 Aug. A cabbage between two coliflowers, one on each 
 If dey ain't one, dey soon vill be, for if he don't 
 'marry her on der spot, I vill sue him for breetches ol 
 b omise. 
 
 Mon. Hi forgive you all, an' Madam Dear, I am ready 
 to receive my wife any time. 
 
 Madam. Now children, all is well that ends well. We 
 nre happy and thanks ba to Gus Monson, "The Hare Teu- 
 tonic Specimen." 
 
 CURTAIN, 
 
 THE end. 
 
* LITTLE GOLDIE; 4> 
 
 OR, 
 
 The Child of the Ca mp. 
 
 Al Western Comedy Drama in Four (4) Acts for 11 male 
 and 3 female characters, by 
 
 MR, CHARLES 0, WILLARD, ~ 
 
 Little Goldie is a strong Western drama. It is replete 
 
 with startling situations, thrilling incidents and 
 
 interesting from the beginning to the 
 
 end. Dutch, Irish and Negro 
 
 characters for the 
 
 comedy parts. 
 
 SYNOPSIS OF EVENTS. 
 
 ACT I.— The picnic near the "Mack Hawk's" cave. The lawyers and Mike. Little 
 Goldie has fun with the Judge. Mike makes love to Matilda. The Judge is appealed 
 to. Matilda and the Judge. Joe arrived late. The Captain of the Mack Hawks 
 shows up. Tells the gang a story. Old Jones is rich. The plot. Peter's meets old 
 Jones. The struggle. Little Goldie to the rescue, backed by the Judge and his 
 "cannon." "It wouldn't do in this glorious climate of Colorado." 
 
 ACT II.— The Col. and the Maj. lament the escape of the Black Hawks. The 
 Judge gets drunk. Mike tells some new. The boys "lay" for the school teacher. 
 The school teacher arrives. A female. The Judge makes a speech. Joe drops in and 
 cuts them all out. Matilda and the Judge. Mike gets mad. # The Capt. of the Black 
 Hawks again. Little Go!die at her pranks — has trouble with Godfrey. Joe inter- 
 feres. The Col. and Maj. get in their work. Judge tries to escape from Matilda. 
 Mike helps him out. The recognition. The story. I will be there. The quarrel. 
 "Drop that knife, or I'll fill you full of holes." 
 
 ACT TIL— The home of Edith. Matilda tells a little gossip and departs. Joe calla 
 and tells Edith of his love. The Judge hears him refused. Joe departs. The Judge 
 tries his hand. Matilda unexpecetdly returns. The Judge in a fix. Little Goldie 
 again. A new baby. Godfrey calls on Edith. The promise. "So will I." The Col. 
 and Maj. Mike happens alon?. The Judge takes a hand. Little Goldie looking for 
 Joe. Handsome Harry. "I'll play this alone if I die for it." Near the Black Hawk's 
 retreat. The Black Hawks. Godfrey waiting Edith's arrival. Edith arrives. 
 "Never." "Then go where you belong." Handsome Harry to the rescue. "Defend 
 yourself." Harry is overpowered. The fate of a traitor. Goldie to the rescue. The 
 terrible fall of Godfrey. 
 
 ACT IV.— Bummer Jones' (George Winfred) home in Denver. Mike Flynn in 
 command. The reformed Bummer. The letters. The letter from the nephew. The 
 nephew arrives. Godfrey as a "Missionary." The uncle writes a letter dictated by 
 the nephew. The arrival of the Judge. The murder. The Col. and Joe. Godfrey's 
 claim. Mike tells what he heard. Godfrey accused of murder. "His child and 
 the heiress is dead." The heiress found is Little Goldie. Handsome Harry. Godfrey 
 cheats the liw. Edith and Joe. Unexpected arrival of Matilda. Happy finale. 
 
 Amateurs will find this piece just what they want, as it 
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 Goose with the Golden Eggs.. 
 
 Give Me My Wife 
 
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 Man 
 
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 Hans BrummePs Cafe 
 
 Hash 
 
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 How Stout. Your Getting 
 
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 Killing Time 
 
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 Lick SKillet Wedding 
 
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 Love in all Cor'-ers 
 
 Matrimonial Bliss !. 
 
 Match 'or a other-Min-Law.. 
 
 More Blunders than one 
 
 Mother'? Fool 
 
 My Heart's in Highlands 
 
 My Precious Betsey 
 
 My Turn Next 
 
 M Wife's Relations 
 
 My Day and Now-a-Days 
 
 My Neighbor's Wife 
 
 Nanka's Leap Year Venture.. 
 
 Nobody's Moke 
 
 Obedience 
 
 On the Sly """.'.'. 
 
 Paddv Miles' Boy !.! 
 
 Paten' Washing Machine..!!.! 
 
 Persecuted Dutchman 
 
 Poor Pilicody 2 
 
 Quiet Family , " 4 
 
 Rough Diamond 4 
 
 Ripples 
 
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 Sewing Circle of P< i riod.. " 
 
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 Slick and Skinner fi 
 
 Slasher and Crasher 5 
 
 Taking the Census 1 
 
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 That Rascal Pat ' " 3 
 
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