THE AMERICAN DRAMA No. I. THE SPANI8H WIFE IN PrVE ACTS BY SAMUEL M.'^SMITOKEB (op the new YORK BAB.) WITH A MEMOIR AND PORTRAIT OP EDWIN EOREEST, Esq. NEW- YORK : WM. TAYLOR & CO., 18 Ann- Street. BALTIMORE, MD. : WM. & HENRY TAYLOR, Sun Iron Buildings. 1854. PRICE 25 CENTS. J". J. Reed, Printer. 1G Spruce- Street. PROSPECTUS OF THE AMEEICAN DRAMA: A Series of Plays by American Authors. The Subscribers, publishers of the "Modern Standard Drama," aware of the great difficulty experienced by Ameri- can dramatic authors, in bringing their productions before the public, either on the Stage, or through the Press, propose to aid them by the publication of a serial work, with the above title. This publication is to consist solely of plays written by American authors, which have either been performed or not, as the case may be. The publishers therefore invite American authors to send them their Plays, which will be submitted to a committee of literary gentlemen, consisting of three ; a major- ity of whom are to decide upon each manuscript which is sub- mitted to them. If they approve the Play, it will be printed in the series at the publishers' expense. If a majority reject it, yet if one of the committee approve the play, such play will be published in the series, at the author's expense. The nett proceeds of each play are to belong to the person at whose expense the play may be published. Each Number of ^* The American Drama" will be accompa- nied by a Memoir and Portrait of some distinguished Ameri- can actor, or dramatic author; pubhshed in a style precisely similar to the present Number. The uniform price of each Number, including the Portrait, is 25 cents ; with the regular discount to the trade. WILLIAM TAYLOR & CO No. 18 Ann-street. .Miulfni Slaiuliu-J l)r,i!„u ERRATA 'B''6'h'T'"'-««''otto:„,for„,o«tr . ■55, 6th « ;; " afteTtftT^"'"^^- l,Z 'r «:- top, t\rel-fc..«. W, 5th « „ ; for^otn^o,'"?- ^ THE AMERICAN DRAMA. No. I. 1 THE SPANISH WIFE IN FIVE ACTS. BY >^ SAMUEL M. SMUCKER. (of the >fEW YOnK BAR.) WITH A MEMOIR AND PORTRAIT OF EDWIN FORREST, Esq. NEW- YORK: WM. TAYLOR & CO., 18 Ann-Street. BALTIMORE, MD. : WM. & HENRY TAYLOR, Sun Iroa Buildings. 1854. ^^H OF C0/V5^^^ ea^ Entered, according to Act of Congress, in the year 1853, by WILLIAM TAYLOR & CO In the Clerk's Office of the District Court of the United States for the Southern District of New York. TMP96-u07i75 MEMOIE OP EDWIN FORREST ESQ. WRITTENFOR NO. I. OF "THE AMERICAN DRAM A."* BY SAMUEL M. SMUCKER. Several generations had passed away after the first settlement of America, before a Theatre existed on the new continent. It was as late as 1752 that, at Williamsburg, Va., the Drama obtained a feeble birth in the land of Columbus. The first American play- ever performed upon our shores was a Comedy, styled " The Con- trast,^^ which was produced in April, 1786, at the "Board Alley Theatre," in New York. From that period until the present, the * The publishers of ''The American Drama," deeming that a Memoir of Edwin Forrest would be an appropriate introduction to such a work, invited the present writer to prepare it. Though a stranger, personally, to the distinguished Tragedian, yet he undertook the task, relying upon the materials to be obtained from various published sources, and such other assistance as might be derived from gentlemen who were more intimately acquainted with the subject, H^ lias, therefore, devoted his leisure to the work ; has examined, with some minuteness, the public journals ; and has also received very impor- tant and valuable assistance from several of Mr. Forrest's most inti- mate friends : so that we believe we may confidently assure the reader that all the leading and most interesting events of Mr. F.'s life and 'areer, are here correctly and accurately stated, and may be implicit])^ relied upon as authentic. For the opinions expressed in this memoir of Mr. Forrest, as an artist and as a man, the writer is alone responsi- ble. He has herein exercised the privilege of a freeman,— the same which is respectfully accorded to tho reader. 6 Mr.?.K!in OF accomplished votaries of Thcsbi^. have been grarlually increasing in numbers and in ability ; while her gorgeous temples have arisen all over the land, glittering with splendor, and rivalling in magnifi- cence the noblest theatrical structures of the old world. The amount and excellence of dramatic ability, in our land, have aug- mented in an equal proportion, until in this high and difficult walk of genius, America now proudly maintains her wonted excellence and dignity among the cultivated nations of the earth. In the Drama, as in everything else, the " manifest destiny" of America seems to be upward to the highest Empyrean. It is not alone among her statesmen, her divines, her philosophers, her jurists, or her soldiers, that she now boasts her proudest names. In the more unusual and difficult departments of the Fine Arts, in painting, in sculpture, and in dramatic representation, America has already produced artists, whose excellence is acknowledged by all the world, unhesitatingly and freely. Among the time-hallowed productions of ancient sculpture, which are now treasured up at Rome, the achievements of the chisel of a Powers, are admired with equal rapture. In the company of the great masters of paint- ing in Europe, a West hides no diminished head. And thus too, beside the colosal names of Garrick, Kemble, andKean, our youth- ful Republic proudly places that of her Forrest, and boldly chal- lenges for him a niche in the temple of histrionic fame, not lower or less distinguished. This claim is not one urged and forced upon the reluctant acquiesence of the world, by national partiality or preference. It is one, based upon indisputable merit, — upon merit so clear, so obvious, and so supreme, that it finds a ready acknow- ledgment among all intelligent and cultivated people. Edwin Forrest was born at Philadelphia, March 9th, 1806. His father was a native of Scotland, and a man of sterling integrity. He w^as an importer of Scottish goods j but becoming embarrassed in business, he obtained a situation in the U. S. Bank, in which he continued until its close. Afterward his friend, Stephen Girard, appreciating his personal merit, invited him to a place in the Gi- rard Bank, which position he retained until his death. The father of the great Tragedian first intended him for the church. He and his wife were devout persons, and tlieir son fre- quently accompanied them to their religions services. On their EDWIN FORREST. return, he occasionally edified, or amused his seniors by declaiming accurately from memory, long passages from the sermon they had just heard, precisely in the tone and manner of the clergyman.— This happy pulpit aptitude in their son, confirmed his parents in their pious purpose ; but the early death of his father, who left a large family in dependant circumstances, put an end at once, and apparently forever, to his prospects of advancement in any of the liberal professions. His father died deeply in debt. These obliga- tions, his son, in after years, when fortune had smiled upon him, entirely liquidated, with the proud feeling, that no one might say, his father owed aught to any man. The distinguished ornithologist, Wilson, was among the first to discover the remarkable talents of young Forrest for recitation. He selected appropriate passages for that purpose ; and as he was in the constant habit of visiting his father's family, he would on those occasions, listen to his recitations, and then reward him for their excellence, by presenting him with the plates of his great work, then passing through the press. Immediately after his father's death, young Forrest was placed in a ship chandler's shop in Philadelphia. His attendance at the elementary school, to which he had belonged, was thus at once sus- pended, and an end put not only to his literary advantages, but also apparently to all ambitious hopes. About this period a stroll- ing company of Thesbians opened an amateur theatre in Front-st, Philadelphia. The admission to the performances was gratis. The terms admirably suited the finances of young Forrest, who soon found himself, for the first time, within the precincts of a theatre. Here a new and sudden impulse was given to his thoughts and aspirations. He there first conceived the idea of becoming an actor. Fortunately nature had imbedded in his soul a precious gem of the purest and brightest water, which required only to be placed beneath the rays of a theatrical sun in order to send forth scintillations of unequalled brilliancy and splendor; a gem which was destined, in future years, to shed transcendant lustre on the American Stage. „ , , . ,r It was not long before young Forrest enrolled himself among this very troupe of youthful Roscii, and gave first vent to the growing impulses of his soul, for something nobler and better than 8 MEMOIR OF the drudgery of a ship chandler's shop. His '• first appearance on any stage" was under very remarkable circumstances ; under cir- cumstances which may even be termed peculiar. The part as- signed him in this first cast, was that of a female ! It was Rosalia, in •' Rudolph, or the Robbers of Calabria." His own wardrobe furnished nothing appropriate to the part, and he was compelled to plunder that of his sister. Unhappily, the dress in question was too short for him, and the absurdity of his appearance on the stage may be readily imagined. The laughter of the audience compelled him immediately to retreat. It was thought that the unfortunate debutant had hid himself away in concealed mortifica- tion. The fact, however, was very different. As soon as the play was over, before the audience had deserted the theatre, he himself rang the bell — up went the curtain — and young Forrest rushed upon the stage, his dress bedaubed and striped with paint, so as to represent a harlequin, and he declaimed Goldsmith's Epilogue with such extraordinary appropriateness and eftect, that he was greeted with the most rapturous applause. His first appearance thus eventuated in a signal triumph, and confirmed his prediliction for the histrionic art. He retired that night, from his first perform- ance, the proud hero of the hour and of the occasion. His next performance was achieved under more dignified cir- cumstances. The interval of time he had improved by laborious study. Nature was his great teacher; for he had none beside to guide him. She had bestowed upon him, however, a vigorous constitution, a sweet and sonorous voice, and a powerful mind. — These advantages he carefully improved by self-culture, and was able, on the next occasion which offered, to undertake a much more elaborate task. Shortly after the preceding adventure, he was introduced by Co]. Swifc to the Walnut Street Theatre, Philadelphia, where he played in the characters of Young Norval. and Oct avian, Zaphora in Mahomet, and Frederic in " Lover's Vows." In each of these performances he was regarded as a youthful prodigy, and his eflbrts were hailed with great applause. At this period, it may be said, that his intention to become an actor was irrevocably fixed. In Sept., 1822, Messrs. Jones & Collins, who had just establish- ed Theatres at Cincinnati, Pittsburgh, and Lexington, arrived in EDWIN FORREST. V Philatklphia for the purpose of engaging actors for their western theatres. Mr. Foircst justly thought, that travel combined with study, would greatly improve him. He presented himself for a situation in the new company. He informed the managers frank- ly of his plans and wishes, gave them his reference, and stated his terms. He was desired to call the next day. As soon as he had left Mr. Jones remarked that there was something about the man- ners of young Forrest, so independent, so dignified, and yet withal so decorous, that he should be instantly engaged, and without even conferring with the persons to whom he had referred. He was accordingly engaged by them, at a small salary. This was his first engagement as a regular actor. His first manager was never forgotten ;— in Forrest's house, when in the zenith of wealth and fame, Jones found a home, and there he died. In health he was cherished, and in sickness he was nursed, with all the tenderness due to a father, and an esteemed benefactor. In pursuance of this, his first engagement, Mr. Forrest traveled westward. The company to which he belonged played three months at Pittsburg on their route. There he performed in Tragedy, Comedy, Farce and Ballet. His exertions in that city were rewarded with increasing applause. H-e then proceeded to Cincinnati, thence to Lexington ; and after leaving his first manager, he was engaged by Caldwell, to play at his theatre in New Or- leans. It need scarcely be said, that during this time his talents and his industry combined, enabled him to rise higher and higher in professional excellence. It was at New Orleans that his growing merit made him a universal favorite. After some time he was engaged by Gilfert, then manager of the Charlestown and Albany Theatres, to perform in these several cities. It was here that he was first thrown, professionally, in contact with the illustrious actor, Edmund Kean, and was cast as second to that " Star" in all his great parts. It is asserted, on good authority, that Mr. Kean frequently remarked, that during his travels through this country, he had met but one young man who promised to become, in future time, a great actor ; and that young man was Edwin Forrest. It was during the first visit of Mr. Forrest to the West, that he endured all the wants and vicissitudes incident to the career of the poor but aspiring actor. Though often reduced to poverty. 10 MEMOIR OF it is narrated of him that he never run in debt. Yet it might be said of him : '• AYant, worldly want, that hungry, meagre fiend, Was at his heels, and chased him full in view." In illustration of this remark, it may be well to record an anec- dote which appertains to his Western experiences at this early period of his career. At one time he was so pressed by actual hun- ger, that he plucked and eat the raw corn of a wealthy Kentucky gentleman, who would doubtless have severely punished his free- dom had he detected him in this innocent,because necessary,depreda- tion. That same gentleman — when years had rolled away, and Mr. Forrest returned to the West again, an illustrious tragedian, with a world-wide reputation, honored and courted by all — that same gentleman then gave him a magnificent dinner, to which he invited, and obtained the presence of the most distinguished persons in the land. Under Gilfert, he played the leading business, except when " stars" appeared. With a quick and discriminating eye, Gilfert detected and appreciated the great value of Forrest ; but for his own profit wisely kept his own counsel. About this time the New York, now the Bowery Theatre, was projected; Gilfert was to become the manager, and his best card was Forrest. Gilfert knew well, that no stock actor in a minor theatre, however great a favorite he might become, could ever rise to fame without a metropolitan reputation. He possessed the native gold which only wanted the stamp of such an approval to make it current over the whole country. In July, 1826, in the interval between the closing of the Albany and the opening of the Bowery Theatre, Mr. Forrest appeared for the first time in New York, at the Park Theatre, for the benefit of Mr. Woodhull, a favorite stock actor of the day. The play select- ed was Othello. He came unheralded and unknown, and though the audience were delighted with the performance, yet it made no visible impression on the public. On Oct. 23, 182G, the Bowery Theatre opened, under the manage- ment of Gilfert. On the first Monday of Nov. following, Mr. Forrest made his first appearance there in Othello. In the first EDWIN FORREST. 11 act he is described as having been excessively nervous. In the ceoond act that defect was less obvious, and his self-command more apparent. In the succeeding acts, so marked, so original and so powerful was his execution of this difficult part, that the au- dience were most enthusiastic in their applause. His fame and success in New York were at once established. A distinguished literary gentleman, himself, at that time, editor of one of the leading journals of the day, and who was present on this occasion, informs us that the indications of high ability then displayed by Mr. Forrest were unmistakable. That he committed errors, even gross errors, could not be denied ; but that even his errors' were so peculiar and so original that they convinced every intelligent beholder that no ordinary man could have committed them ; in truth, that none but a most extraordinary man could or would have ventured them. It was during this engagement that an incident occurred, which served to illustrate the personal character of the man. In conse- quence of the rapid growth of his fame, and the crowded audiences that nightly attended to witness his performances, a rival manager approached Mr. F. with more advantageous offers. Mr. F. replied that he had engaged with Mr. Gilfertfor the season, and could not listen to his proposition. The manager replied, that as there was no written contract, he was not bound. " Sir," answered Mr. Forrest, " my word is as strong as any written contract !" It should be added, in justification of the manager's proposition, as well as to illustrate the great strength of Mr. F.'s sense of honor, that the former had heard the latter complain, that he had been cast in parts which he could not be justly called on to perform. Such was his popularity during this engagement, that he drew immense audiences ; and Gilfert actually lent him during this his first season, on frequent occasions, to other theatres, both in New York and Boston, at two hundred dollars per night ; he still paying Mr. F. twenty- eight dollars per week 1 This sort of specu- lation becoming known, and severely animadverted upon, the nvAUSiger generously increased his salary to fifty dollars per week! His professional position at that time, may be inferred from the remark made by the Boston Traveller, in reference to his per- 12 MEMOIR or formanccs in tliiit city : " Mr. Forrest certainly improved on Mc- Cveadyy When this engagement closed, in the summer of 1827, Gilfert said to Forrest: ''I shall want 3^ou for the next season; but I suppose our terms must be a little different." '' Yes, sir." " What do you expect '?" ^I expect nothing, sir ; you have yourself fixed my value. You have found me to be worth $200 per night !" Gilfert, who had engaged him the first season for $28 per week, found it his interest to pay him for the season $200 per night, and engaged him for eighty nights. His receipts this season at the Bowery alone amounted $8,800. Thus, in one short year, the young artist who came to New York unheialded, unknown, and poor, by the irresistible force of his genius, had risen to high fame, wealth, and distinction. We believe that no parallel to success as sudden and great as this can be produced in the history of the American or any other Stage. After this period Mr. Forrest performed engagements in various cities throughout the Union. He was everywhere eagerly sought for; everywhere highly appreciated and applauded. He returned the following season to New York, and commenced a third engage- ment at the Bowery. Arriving at New York, he met a valued friend in the lobby of that theatre, upon whom he suddenly opened with the following startling declaration : — " Thank heaven, I am not worth a ducat?'' His friend eagerly inquired the meaning of an assertion so singular and so ambiguous ; for he knew Mr. F. had netted a large amount of money by his preceding engagements. Said Mr. F. : '' My mother and sisters were poor, and I have just purchased for them a house in Philadelphia; and all the balance of my funds I have invested there for their support. Thank hea- ven, I am not worth a ducat." And well might the noble, aspir- ing, and triumphant adventurer, whose honorable ambition had been already rewarded as it merited, — '' thank heaven" that he had been enabled to obtain the means of benefaction ; and that he possessed the exalted magnanimity to apply them in a way so pleasing and grateful to the noblest instincts of humanity. About 1830, his next offer of engagement in New York, was at the Park. The manager proposed to give him one-half of the hov.se, after expenses v.'ere paid, and a free benefit. During this EDWrx FORREST. . IJJ enjrasrcment, the Park Theatre held more money than it ever did belbie or since. During the two weeks of its continuance, Mr. F, received $5,500 independently of liis benefit; — a sum unequalled either by Kean, Cooke, or any of the great dramatic meteors of the age, who have successively glittered upon the boards of that theatre. In 1834, Mr. Forrest determined to visit Europe. He did not go abroad for the purpose of making a professional tour. lie went simply as a private gentleman, to enjoy the usual advantages of foreign travel ; to visit the celebrated cities and the historical lo- calities of the old w^orld ; and thus to enlarge his fund of general knowledge and information. He wished, by the careful study of the celebrated Works of art, which the treasures of Europe alone possessed, to improve himself in The younger of the sister arts, Where all their beauties blend. He addressed the audience at the Park Theatre immediately be- fore he sailed. He then declared that he was not going to Europe profess ion all 5^ ; that the applause of his own countrymen was suf- ficient for him ; that it ought to be enough for any man ; and that as for himself he desired nothing higher or better. Some of the most distinguished of his fellow-citizens honored him with a public dinner immediately previous to his departure, on July 25. 1834, at which Chancellor McGoun presided. On this occasion, which was graced with the presence of the first citizens of the land, Mr. F. was presented with a gold medal, as a tribute of their admiration. On the obverse was a bust of Mr. Forrest in profile, surrounded by the words, H'lstrioni Optimo, Edwino Forrest, Viro Praes- tanii ; and on the reverse, a figure of the Genius of Traged}', with the following appropriate quotation from the great bard of Avon : " Great in mouths oftcisest censure.''^ With these honorable indications of the respect and admiration of his countrymen, Mi'. Forrest sailed for Europe. He was absent nearly two years. He traveled over the length and breadth of the continent ; — from Edinburg to Rome, from St. Petersburg to Odessa. He saw and contemplated with the mature observation of enlightened and cultivated minds, all that was interesting, in- lA Mt::\ioii; i-f struclive. and memoraLle in the renowned scenes and associations of the old world. In the Fall of 1836 he returned to his ovvncoimtrj, though only for a short time. He had crossed the ocean \Yaste merely to fulfil the promise he had made previous to his departure for Europe to play at the Bowery. He soon returned again to England, Dur- ing his first visit, he had made the acquaintance of a lady, whose name has since become so widely associated with his own. To her he was married in June, 1837. During his second visit to England, which continued throughout one 3'ear, Mr. Forrest filled various engagements in the different leading theatres of the United Kingdom. He was everj^where le- ceived with the greatest applause. He rose at once to the highest pinnacle of professional fame, in the very home and favorite haunts of Garrick, Kemble, Kean, Cooke, and others. Scarcely one dis- senting voice among all the intelligent critics of that land, jarred discordantly upon the universal and harmonious chorus of piaise which greeted his performances. It was acknowledged hy the English press, and by the English public, that their greatest bard had at length received from America, an illustrator of his genius, as accomplished and as consummate as any ever produced among their own gifted countrymen. Thus loaded with the highest professional honors from the old world, he returned to his own country j and was immediately greeted, on his arrival, with a splendjd banquet, which was offered him by man}' of the most distinguished of his fellow-citizens at Philadelphia. This appears to be a proper place to notice the peculiarity of Mr. Forrest's professional career, which is worthy of special at- tention. At the early period of that career, he was impressed with the importance of fostering as much as was in his power, the growth of dramatic genius among his countrymen. He carried his nation- ality of feeling even further. He determined to offer a premium for the best American play, whose subject should be the American Indian. The result of this offer was the production of Metamora, by John A. Stone. The merits of this play, through the vivid and powerful represpntatioo of it by Mr. Forrest, have become familiar K.nvVIN rOHREST. ' 15 to the world. Indeed, so remarkable and so exLraordinar}' is this part, in the hands of Mr. F., that we may safely predict that as the great original of Metamora, expired with King Philip, without his transmitting to any of his successors, either the grandeur or the sublimity of his nature ; so his imposing scenic existence will also perish with the mighty actor who personates him so admira- bly on the mimic stage.* * " Metamora" was the first of Mr. Forrest's prize plays. It was selected from among fourteen dramatic productions, by a committee, consisting of the following gentlemen, who were selected by Mr. P. for that purpose : — W. C. Bryant, Fitz Green Halleck, James Lawson, P. M. Wetmore, J. G. Brooks, and William Leggett, As no portion of this celebrated play, or of its appendages, has ever appeared in print, the reader will doubtless be interested by the j)erusal of the Prologue and Epilogue, the former from the pen of P. M. Wetmore, the latter from that of James Lawson, Esq. PROLOGUE TO METAMORA. Not from the records of Imperial Rome, Or classic Greece, the muses' chosen home, From no rich legends of the olden day. Our bard hath drawn the story of his play. Led by the guiding hand of genius on. He here hath painted nature on her throne ; His eye hath pierced the forest's shadowy gloom. And read strange lessons from a nation's tomb : Brief are the annals of that blighted race — These halls usurp a monarch's resting place ! Tradition's mist-enshrouded page alone Tells that an empire was— we know 'tis gone ! From foreign climes full oft the muse hath brought Her glorious treasures of gigantic thought ; And here beneath the witchery of her power, The eye hath poured its tributary shower. When modern pens have sought the historic page To picture forth the deeds of former age, O'er soft Virginia's sorrows ye have sighed, /Lnd dropt a tear when spotless beauty died. 16 Memoir op In pursuance of his purpose to foster native genius, Mr. Forrest has offered premiums, at different times, for American plays ; and When Brutus cast his cloud aside to stand The guardian of the tyrant-trampled land ; When patriot Tell, his soil from thraldom freed, And bade the avenging arrow do its deed, Your bosoms answered with responsive swell, For freedom triumphed as the oppressor fell ! These were the melodies of humbler lyres, The lights of genius, yet withered his fires ; But when the master-spirit struck the chords, And inspiration breathed her burning words., When passion's self-stalked living o'er the stage, To melt with love, or rouse the soul to rage, TVhen Shakspeare led his bright creations forth. Waked the pale dead, or gave new beings birth — Breathless, entranced, ye heard the spell fraught line And felt the minstrel's power — almost divine ! While thus your plaudits cheer the stranger lay, Shall native bards in vain the field essay 1 To-night we test the strength of native powers, Subject, and bard, and actor, all are ours. 'Tis yours to judge if worthy of a name, And bid them live within the halls of fame ! EPILOGUE TO METAMORA. Before the bar of beauty, taste, and wit. This host of critics too, who throng the pit, A trembling bard, has been this night arraigned, And I am counsel in the cause retained. Here come I, then, to plead with guileless art. And speak less to the law, than to the heart. A native bard, a native actor too. Have drawn a native picture to your view ; In fancy that, bade Indian wrongs revive, "While this, embodied all as if alive. Rich plants are they of our own favored land. Your smiles, the sun, 'neath which their leaves expand. BDWIN FORREST. ' 17 the result has been, that he has evoked into existence some drama- tic productions which do honor to the literature of thecountr3^ — Tfiese plays are Pelopidas, The Gladiator, and the Broker of Bogota, by Dr. Bird ; Caius Marius, by R. Penn Smith ; Jack Cade, by R. F. Conrad, and Mahomet, by Mr. Jliles. We doubt whether a similar array of dramatic productions can be pointed at which owed their existence to the liberality and nationality of feeling, of any other actor, either in England or America. In accordance with his purpose of building up an American Yet not that they are native do I plead, 'Tis for their worth alone, I ask your mead. How shall I ask ye 1 Singly ? Then, I will ; But if I fail 1 Fail ! Let me try my skill. Sir, I know you ; I've often seen your face, And always seated in that selfsame place ; Now in your ear : — What think ye of the play ? " It hath some m^erit truly" — did you say 1 " The tawny chief upborne on eagle wing, The Indxain forest scoured, like Indian king." See yon fair maid, the tear still dims her eye — And hearken, hear ye not her gentle 'sigh ? Ah ! these speak more than language can relat(-, The woe-fraught heart o'er Nameoke's fate : She tries us not by rigid rules of art. Her proof is feeling, and her judge, the heart. What dost thou say, thou bushy- whiskered beau 1 He nods approval ;— whiskers are the go ! Who's he that sits the fourth bench from the stage There, in the pit ; why, he looks wondrous sage. He seems displeased, his lip denotes a sneer, Oh ! he's a critic, who looks so severe. Why, in his face I see the attic salt — A critic's merit is, to find a fault. What fault find you, sir 1 Eh 1 Or you, sir 1 None ! Then if the critic's mute, my cause is won. Yea by this burst of loud heart-felt applause, I know that I have gained my client's cause. Thanks that our great demerits you forgive, And bid our bard and Metamora live. 18 MEMOlil OF Drama, Mr. Forrest publicly offered, last of ail, a premium of three thousand dollars for a play written by an American citizen, which would be well adapted to representation ; and promising one thousand dollars for that play among the number, (provided none realized his Jirsi intention,) which should possess the highest literary merit. In answer to this invitation, Mr F. received up- ward of seventy plays ! Each one of these he carefully read. — None of them answered his original design. He however awarded to Mr. G. H. Miles $1,000 for his play of Mahomet, already men- tioned; deeming it to be the best literary production in the col- lection.* The reader will not be surprised at the above statement if he is at all conversant with the nature of the subject. The produc- tion of a successful play,not only requires ample leisure and freedom from all care in reference to subsistence, during the process of composition; but also a more rare and difHcult combination of in- tellectual qualities than belong to most other species of composi- tion. First, there must be genius — the poet's heaven-born fire ; the grace and beauty of dramatic versification ; a familiarity with classical, historical, and mythological learning; the well trained powers of the practiced thinker and writer ; and a deep insight into the hidden springs of human action, feeling and passion; while other attainments less lofty or imposing are equally indis- pensable — a knowledge of stage effect; a constructive ability whereby to avoid impossible or absurd situations, which would violate the known relations of time and space ; the resources of inventive genius, which furnish constant novelties and striking surprises on the stage ; and an ability to intersperse the grave and gay, the solemn, the ludicrous, the pathetic, and the sublime, in judicious variety. To possess all these qualifications, falls only to the lot of the highest, and therefore the rarest, dramatic genius. If these and many other qualities are essential to the successful dramatist, need we wonder that so few succeed ? Need we be sur- prised that Mr. Forrest sought, in vain, among the seventy origi- nal plaj'S before him, for one in which he felt he could do himself, or his design justice ? * Mr. W. Gilniore Simmshas lately rewritten Shakspeare's Timon, for Mr. F., which, we are informed on good authority, will be pro- duced by him in New York, during the coming Spring, 1854. EDWIN FORREST. 19 During Mr. Forrest's first season, after his return from England, of one hundred nights, his receipts were $33,500, His receipts from his engagements during the second season were $33,700. During the course of his pubhc career, Mr. Forrest has been in- vited, on several occasions, to become a candidate for political honors, and for a seat in Congress ; and that too under such cir- cumstances, as rendered his success not in the least degree pro- blematical. These honorable proposals, Mr. Forrest has invaria- bly declined, preferring to be known in no other public capacity or position than that which was strictly professional. But we know of no other member of his profession, however distinguish- ed, to whom similar offers of political promotion have ever been made. In the year 1838, Mr. Forrest was invited by the '' Democratic Republican Committee," of New York, to deliver an oration at the " Democratic Republican Celebration," of the sixtj^-second anni- versary of the independence of our country. He complied with this invitation, and delivered on July 4th an oration, remarkable for the purity of its diction, the originality and excellence of its sentiments, and the patriotic tone which pervades it. No one can peruse this oration without being impressed with the conviction that it is the production of the mind of a statesman ; and that if its author had not devoted himself to the stage, his " natural gifts" would have enabled him to become illustrious in the Senate Cham- ber. The complexion of Mr. F.'s political opinions may be infer- red from the following extract from this oration : " To Jefi'erson belongs, exclusively and forever, the high renown of having framed the glorious charter of American liberty. To his memory the benedictions of this and all succeeding times are due for reducing the theory of freedom to its simplest elements, and in a few lucid and unanswerable propositions, establishing a groundwork on which men may securely raise a lasting super- structure of national greatness and prosperity. But our fathers, in the august assemblage of 76, were prompt to acknowledge and adopt the solemn and momentous principles he asserted. With scarce an alteration — with none that affected the spirit and charac- ter of the instrument, and with but few that changed in the slight- est degree its verbal construction — they published that exposition 20 MEMOIR OF of human rights to the world, as their Declaration of American Independence ; pledging to each other their lives, their fortunes, and their sacred honor, in support of the tenets it proclaimed. — This was the grandest, the most impoitant experiment ever under- taken in the histor}' of man. But they that entered upon it were not afraid of new experiments, if founded on the immutable prin- ciples of right, and approved by the sober convictions of reason. — There were not wanting then, indeed, as there are not wanting now, pale counsellors to fear, who would have withheld them from the course they were pursuing, because it tended in a direction hitherto untrod. But they were not to be deterred by the sha- dowy doubts and timid suggestions of craven spirits, content to be lashed forever round the saiiie circle of miserable expedients, per- petually trying anew the exploded shifts which had always proved lamentably inadequate before. To such men, the very name of experiment is a sound of horror. It is a spell which conjures up gorgons, hydras, and chimeras dire. They seem to know that all that is valuable in life — that the acquisitions of learning, the dis- coveries of science, and the refinements of art — are the result of experiment. It was experiment that bestowed on Cadmus those keys of knowledge with which we unlock the treasure-houses of immortal mind. It was experiment that taught Bacon the futility of the Grecian philosophy, and led him to that heaven-scaling me- thod of investigation and analysis, on which science has safely climbed to the proud eminence where now she sits, dispensing her blessings on mankind. It was experiment that lifted Newton above the clouds and darkness of this visible diurnal sphere, ena- bling him to explode the sublime mechanism of the stars, and weigh the planets in their eternal rounds. It was experiment that nerved the hand of Franklin to snatch the thunder from the ar- mory of heaven. It was experiment that gave this hemisphere to the world. It was experiment that gave this continent free- dom.''' We have now arrived at the period of BIr. McCready's second visit to the United States. On his arrival, Mr. Forrest waited on him ; invited him to his house ; and extended to him the most liberal hospitality. He neglected nothing to render the visit of the English tragedian agreeable, so far as lay in his power. In every EDWIN FOUKKST. 21 way he sought to advance Mr. McCready's fame and interest. — How very cordial INIr. Forrest's tieatment of the latter gentleman was ; and how highly his kindness and courtesy were then appre- ciated, may be inferred from the following brief extract from a let- ter from Mrs. Catherine Francis McCready to Mr. Forrest dated London, Nov. 3, 1844, immediately after her husband's return to England : " Nothing has given me greater pleasure from America than that which the relation of the hospitality and kindness Mr. McCready has received from you, during his sojourn in New York, has com- municated. I only wish I had any means here of testifying my gratitude to you, for your great attention to him ; which has gmtified him very much, and which is one of the delightful things among the many, he will have to reflect upon, in remembering his visit to your great country." In 1845 Mr. Forrest made his second professional tour to Eng- land. He of course naturally expected that Mr. McCready would return, at least to some extent, the courtesies he had been willing to receive from him in this countr3^ Unhappily a very different feeling was at once manifest, on the part of that gentleman. Not the least mark of respect or civility did Mr. F. receive from his late friend and guest. Suddenly a mysterious opposition burst forth in the public prints against Mr. Forrest's performances. It was found that this opposition, at first, was confined to those pa- pers which were connected with Mr. McCready. The ^^ Exami- ?zer". was especially bitter against Mr. Forrest j yet it was edited by John Forster, a particular and confessed friend of Mr. Mc- Cready, and one ever willing to obey his commands. Is it not a fair inference that if the feelings of Mr. McCready toward Mr. F. were those of ordinary courtesy, to sa}- nothing of consistent friendship, he would have forbidden his literary friend to belabor and abuse, in the most brutal manner, his professional brother? Yet instead of doing this, increasing rancor was exhibited by that journal during the whole of this visit of Mr. F. to England. And being thus led on, many other members of the English press fol- lowed in the ignoble race in accordance with the old maxim: — Latrante uno, latrat statim et alter canis* * One dog burking, another immediately joiu3 him. 22 MEMOIR OF That paper did not rely on facts alone for its defamation, but with a laudable zeal to serve its friend and master, invented new readings for Mr. F. ; and even went so far as to condemn him for his manner of delivering certain passages which were not to be found in the parts which he performed, and which, consequently, he never uttered ! Thus Mr. Forrest soon had nearl}- the whole pack of the English press at his heels, with the exception of some few really independent journals. We may illustrate the just spirit and the literary sagacity of the latter, by quoting a single remark of one of them : — " It is refreshing now-a-days to see one of Shakspeare's plays (Lear), so brought before us; and we feel exceedingly obliged to Mr. Forrest for having reminded us of the palmy days of Kemble and Kean ; and when we add, that his Lear is equal in every re- spect to that of the two mighty tragedians, whose names are hal- lowed by the admirers of genius, we think we can scarcely bestow higher praise.' * During this visit Mr. F. unfortunately detected too many evi- dences of the professional jealousy which actuated his cidevant friend. He might have excused or disregarded the want of re- ciprocal courtesy. He could not but become deeply incensed at secret and groundless hostility. His own feelings became embit- tered, and he felt released from all further forbearance. In Edin- burg, McCready played Hamlet, and during the performance fa- vored the audience with a "pas de mouchoir,^^ which so outraged Mr. Forrest's sense of propriety, that he, happening to be present, expressed his repugnance by hissing. It was his 'protest against such outrageous desecration of the immortal bard f This one single sibilation (itself merely an authorized mode of expressing a professional judgment or opinion,) was the only, and quite excusable, retaliation inflicted by Mr, Forrest, in return for all the bitter hostility which he had suffered in England; — from Mr. jMcCready. solely because he was a hated rival ; — and from the English press, solely because he was an American Artist ! On this side of the water, Mr. Forrest's outrageous treatment was condemned by the universal censure of the community. The * Vide London Km, March dih, 1845. •{•This fact Mr. F. himself avowed in the London Times EDWIN FORREST. 25 cause of it was too palpable to be unknown. Had he not been so loudly and generall}' applauded in England, during his previous tisit, a doubt might have hovered over and obscured the motive, and therefore the injustice of the brawling flood of censure which now overwhelmed him. America had expected better things of England. She had not so treated and repulsed her Kean and her Kemble, when, with shattered fame and fortune, they had swarmed hither as to a land of golden promise and fruition. Even McCready himself had fared far otherwise. Eight on the heels of these events, and as if to provoke an offen- sive contrast, or a just retaliation, Mr. McCready in 1849, traveled back again to the United States. His first appearance, we believe, was at Boston. He there made an uncalled for attack on Mr. Forrest, in a speech which he delivered before the curtain, in al- lusions so plain that none could fail to understand their import. Previous to this he had made an engagement to open at the Broad- way Theatre, in N. Y. He unscrupulously broke the engagement, fearing, as it was alleged, that that was Mr. Forrest's favorite do- main, and he should labor under disadvantages there. He had also been informed that Mr. F. had just concluded a very brilliant en- gagement in that theatre, and to play the same round of characters so soon again, in the same place, would prove less attractive to the public. He then entered into an engagement with Mr. Hackett, to play at the Astor Place Opera House, in New York. At Philadelphia, Mr. McCready, for the third time, made a very offensive and unprovoked allusion to Mr. Forrest, from before the curtain of the Arch-st. Theatre. Until this time the latter had said nothing — not a single word in public — in reference to these difficulties. He then published a card, briefly reviewing the merits of the case, and showing most conclusively, how offensive, injur- ious, and unjust, the whole career of Mr. McC. had been, in refer- ence to himself; and that so far from using his influence to or- ganize the same opposition against Mr. McC. here, which the lat- ter had arrayed against him in England — he had expressly forbid- den everything of the kind. Our limits will prevent us from pursuing the details of this controversy any further. It is sufficient to say, that the difficul- ties increased ; the feelings of the community unhappily became 24 MEMOIR OP intensely excited — too much indeed for the preservation of public peace, however great the individual injuries inflicted might have been. The whole contest ended disastrously and fatally in the memorable riot which occurred on the 10th of May, 1849, at the Astor Place Opera House, on the occasion of Mr. McCready's performance there. He had appeared at that theatre a few evenings previous, on which occasion he had acted to dumb show and noise. A nume- rous audience had been aroused to retaliation by the unjust speeches which he had several times delivered against their distinguished and unoifending countryman. McCready thought he could never venture again before an American audience — but a card was got up, inviting him to play again, and offering him another hearing. This invitation brought him out once more. Much feeling of a national character — between Englishmen and Americans — had now crept into the contest ; and even much local social rancour between what were termed the " Silkstocking Gen- try" and the "Bowery Boys." These were somewhat new issues in this contest ; but they served powerfully to add intensity to the existing hostility, and to magnify its deplorable results. But whatever were the consequences of this private dispute, no one ever ventured to charge Mr. Forrest with having, in any way approved or excited the indignation of the public against Mr. McCready. — But so far as he could influence public events, he endeavored to dissuade from all acts of violence, how great soever the affronts he himself, and the nation, through him might have received. And on the public trials which followed this unhappy night, not a voice testified one word to connect Mr. F. in any way with the results. His character was untouched, and to this the journals of the day bear ample testimony. The next event which brought Mr. Forrest prominently before the public, was his divorce. The trial ended in January, 1852. For two years previous, he had not pursued his profession. His mind was distressed, and he confined himself to the society of his most intimate friends. In reference to his course in this matter, it may be truly said : "Naught he did in hate; but all in honor." It does not comport with the purpose of this memoir to enter into the details of this celebrated case. But it is a fact universally con- EDWIN FORREST. 25 ceded, that the verdict rendered in reference to it excited at once the astonishment and the surprise of the whole community. — Every one is familiar with the advantage which a lady invariably possesses before a jurj^, in cases of this description ; but we believe that rarely, in the whole career of justice, or rather of injustice, has an instance occurred in which the clearest force of evidence and the universal conclusion of intelligent and impartial minds, were so completely trampled under foot, as in this instance. And we may venture the assertion, that so settled has now become the public sentiment against the verdict which stands recorded in that case, that if it were again to be made the subject of investigation, even by a jury, the result would be precisely the reverse of that produced in the first instance. We herein state the unbiassed con- clusion to which we have been brought respecting this vexata quoBSiio by a more thorough examination of facts than most per- sons have the opportunity of devoting to the subject. On the 9th of February, Mr. Forrest appeared at the Broadway Theatre immediately after the verdict. Never had a public au- dience given such a reception to a public favorite. The applause was immense ; through the parquette and boxes were exhibited elegant banners, with expressive mottos, such as : " This is the verdict of the People." At the end of the performance Mr. F. was called before the curtain. The whole stage was immediately covered with wreaths and bouquets of various graceful devices. At length, when the applause had subsided, he spoke, and among other appropriate remarks, said : " I thought my path was covered with thorns ; but I find you have strewed it with roses." He re- ceived every possible evidence of the public sympathy and appro- bation. This engagement was the longest as well as the most memorable ever recorded in the history of the stage. It continued till the 15th of April, being sixty- nine successive nights. The house — one of the largest and most magnificent in America — was crowded nightly to the utmost of its capacity, and with audiences whose enthusiasm remained unabated. On the fiftieth night of this engagement, there was a jubilee. The theatre was illuminated in front ; an appropriate transparency was exhibited ; many persons in the neighborhood, sympathizing with 26 MEMOIR Of the general feeling, illuminated their dwellings. Inside there was one continued triumph for the great actor, while the street was crowded by admiring thousands who could not gain admittance. After playing at Philadelphia and elsewhere, Mr. Forrest re- turned to New York, and commenced another engagement at the Broadway, on the 20th of Sept. following, where he played for thirty successive nights, in consequence of the previous arrange- ments of the manager. On the 21st of Feb., 1853, he began an- other engagement at this theatre, which lasted seventy-three nights, though with an interval, after the first five nights, of one week, which Mr. F. devoted to witnessing the inauguration of President Pierce. Thus from Nov., 1826, to Oct., 1853, during a period of twenty- seven years, he has pursued his professional career; and has successfully maintained his first and indisputable position as the greatest living high priest of Thesbis. As the representative of Shakspeare, Mr. F. stands unrivalled in the poet's four greatest productions : Hamlet, Lear, Othello, and Macbeth. But his range of characters are very various, compris- ing whatever is really great, in the wide sphere of the tragedian. As Richard III., Brutus, and Anthony in " Julius Cgesar," Shj- lock, lago, Damon, Richelieu, Virginius, Pizarro, Tell, Jafiier, Ber- tram, and in many other of the best plays in the language, he is unsurpassed. It is scarcely necessary to dwell upon his qualities as an actor, for nearly all, whom such an exposition might interest, have seen and enjoyed his performances. Nature bestowed on him in per- fection, every requisite mental and physical qualification. His ■figure is one of dignified and manly proportions. His eye is full of fire and expression. His voice is the most remarkable for com- pass, for melody, and for power, of any on the stage. This may be illustrated by reference to his nuciation of the most celebrated passages of Shakspeare. We may cite an example : Duncan is in his grave: After life's fitful fever, he sleeps well ; Treason has done his worst, nor steel, nor poison. Malice domestic, foreign levy, nothing Can touch him further !* * Macbeth, Act. III., Scene II. EDWIN FORREST. 27 Whoever has heard Mr. Forrest utter these lines, will never for- get it, while memory remains the warder of his brain ! Mr. For- rest's style is his own. Like every other great original, he has countless imitators, of various grades of excellence, who have pro- fited, in different degrees, by the careful study of their distinguish- ed model. Every lover of the Drama will hope that the day may be far distant when his professional displays will terminate; and the plaudits of his admiring countrymen ring upon his ears for the la^t time. Whenever that event occurs, and he ceases to be a hero of the actual present, his memory will become enshrined in the hearts of myriads, as being connected with the most inspiring and exalted moments of their lives ; and they will look back at this great star of scenic splendor, and recall with delight those varied and intense emotions, which, with magic power, he had often produced within them, when portraying so impressively, the joys and sorrows, the hopes and fears, the grandeurs and the vicissitudes of humanity.. Thus, by the mighty actor wrought Illusion's perfect triumphs come ; Verse ceases to be airy thought, And sculpture to be dumb ! TO MADAME JULIE DE MARGUERITTES. Madame : — Not less as a tribute of admiration for one of the most successful Dramatists of this country, than as a token of personal friendship and esteem, I heg leave to dedicate to you the following play. With sentiments of profound regard, I remain your obd't. serv't., SAMUEL M. SMCJCKER. New-York, Nov. 2, 1853. DEAMATI8 PERSONS James /., {King of England.) Prince Charles, (his son.) Duke of Buckingliam, '\ Sir William Sidriey. | Lord Rochester. )■ English Courtiers., Sir Richard Graham. | Lord Cecil. J Do7i Alfonso, {Laura^s father.) Don Pedro, {Laura's brother.) Don Lorenzo, } c^ • i ^^ jf Marquis Toledo, \ ^P^""''^ Grandees. Philip II. {King of Spain.) Valesquez, {artist.) Leon, {Servant of Alfonso.) Courtiers and Officers. A Page. Donna Laura Donna Teresa, {her mother.) Donna Constanza. 8TAGIE MEMORANDA. R. means Right; L. Ijeft ; R. D. Right Door; L. D. Left Door ,• S, E. Second Entrance; U. E. Upper E/itrajice ; M. D. Middle Door; C. E. Centre Entrance. PEEFACE The following play is founded upon some incidents of the well- known Tisit of Prince Charles and the Duke of Buckingham to Madrid, in A. D. 1623, for the purpose of negotiating a matrimo- nial alliance between that Prince, the son of James L, the reigning sovereign of England, and the Infanta, daughter of Philip II. The young noblemen who accompanied the Duke to JVIadrid. on that occasion, were the flower and pride of the English noliility. They were selected by that haughty and splendid courtier, in consequence of their superior external qualities. All of them were remarkable for their personal beauty, their accomplishments, and their air de cour. Among even these, Sir William Sidney was unrivalled and supreme. A very few of the incidents of this play may be found in the authentic or romantic records, of that singular expedition ; though so many and such great additions have been interwoven into the plot, as to render it, in a great measure, entirely original and ima- ginative; and whether the work be worthy of the impartial critic's praise or blame, one thing is not disguised, — that the piece has been the fruit of considerable, though very agreeable, exertion. The labor limae has been as laborious as were the original conception and execution. The author has introduced one slight anachronism m the play, though it does not affect the continuity of the plot, which may be regarded as excusable under the circumstances. — Reference is made to the song put in the mouth of Sir Sidney, in Third Act. Of the personages referred to in the succeeding pages, the most important, in an historical point of view, and the only one whose personal career it may be interesting to recount, was the celebrated George Villicrs, Duck of Buckingham. lie was the unworthy fa- vorite of both James I. and Charles I. His chief claims to their admiration, and the principal merits which secured him their re- gard, were the unusual elegance of his manners, and the remarka- ble beauty of his person. 2Q PREFACt:. King James first elevated this man through all the gradations of the peerage, until he conferred upon him almost regal power. His licentious and unprincipled conduct, in his high station, soon rendered him odious to the whole nation. His dishonorable be- haviour in Paris, whither he had been sent to celebrate the mar- riage of King Charles I. with the daughter of Louis XIIT.. so dis- gusted that monarch, that he afterward refused to receive Buck- ingham as the English Ambassador at his court. It was in re- venge for this deserved repulse, that he incited the Protestants of Rochelle to an useless and disastrous war against that monarch. His own conduct during this conflict, disgraced both himself, his king, and the nation ; so that immediately on his return, the Par- liament solemnly petitioned the king to dismiss him from the court. The only reply which the king condescended to give them, was an angry order for their immediate dissolution. Shortly af- terward, the handsome and aspiring Duke was placed in command, of another army, intended for the assistance of the Protestants of Rochelle ; but he was assassinated on the instant of his embarka- tion, by Pel ton, an inferior officer among his own troops. All Europe, excepting the king alone, exulted at this sudden and ig- nominious termination of his career. The part assigned to him in this play, is in complete harmony with these details of his history. The most obvious objection which could be urged against the plot of the following play, is that Prince Charles, after having been introduced somewhat prominently in the First Act, afterward al- most disappears from the subsequent scenes. The answer to this objection is this : that as the Prince is only intended to be a secondary character, and is introduced merely so far, as he is neces- sary to prepare the way for others, when he is afterward dropped, as soon as the more important personages become seriously en- gaged in the incidents of the drama, — he is but treated with criti- cal consistency and justice. To have given him any further pro- minence would have diverted the attention from the real heroes of the play, and would have weakened the effect intended to be pro- duced by the events of their more important history. The transactions connected with the personal history of Prince Charles while in Spain, were trivial and unimportant, to the last degree; and it would have been impossible to invest anything PREFACE. 27 which he there either said or did, with the least dramatic interest or historical consequence. What was wanting in connection with himself, was furnished, to some extent, by his subordinate asso- ciates,— the heroes of the following pla3^ The adventures of these men, in Spain, were indeed, memorable and striking ; and few events, in the whole history of courtiers, furnish more romantic and interesting incidents, than those of the accomplished, elegant, though most dissolute suite of Prince Charles in Spain. Neio York, Nov., 1853. S. M. S. NOTES TO TEXT. [1.] The subsequent experience of Charles I., after he had espoused the princess Henrietta of France, proved to be precisely such as that referred to in the text. The suite of the French princess wiio accom- panied her to England, formed the hot-bed of endless jealousies, bickerings, and domestic factions, amid the eternal and treacherous janglings of which, the unhappy king enjoyed as little domestic fell city, as ever fell to the lot of a less illustrious husband. The despe- rate prince was compelled at last to dismiss and expel every person connected with his Queen, from his court and capital. Then, but not till then, did he enjoy a cessation of their endless disturbances. [2.] Philip II. was the son of Charles V., Emperor of Germany, King of Spain and the Netherlands, and King of Austria. He was a man of remarkable haughtiness of temper ; and the language ascribed to him in the text, may be regarded as neither inappropriate or over- strained, however absurd it is in reality. In this monarch Spanish pride reached an amazing and unparalleled intensity. [3.] It is a matter familiar to the historical reader, that the ancient worshippers of the Assyrian deity, Molock, erected hollow iron altars to his worship ; which were surmounted by huge statues of the god, made of the same material, with extended arras, in which naked in- fants were deposited. Large fires were then built within the altars, and the innocent sufferers roasted to death, in the embrace of the god, amid the noisy revelry of the surrounding multitude. Vide CALMET*a Encyc. sub voce, Molock. THE SPANISH WIFE, ACT I. Scene I. — Private Cabhiet of James I., %n the Palace at Windsor. King James discovered standing at a writing table, covered ivith j^o^pers, scrolls, Sj'C. K. James, (solus.) Already have the ripening merits of my son, The youthful heir to England's throne, secured The praises of my subjects, and the admiration Of all Europe. Their congratulations now flow In upon me daily. Bat while my blooming hopes All centre in him, their fulfillment hangs, But by a single hair, o'er a profound and Hazardous abyss. If he should perish, Where is the succession ? Where then would be The noble house of Stuart, and its hereditary Glories ? Where the peace and concord of the realm ? Thus the most trivial accident, that E'er befel a feeble mortal, might, in a Single instant, change the fortunes of a world. He must marry ; and that, too, quickly. His Youthful blood must flow in other veins. And an increasing brood of fair descendants, Must crowd around his feet. I may yet see 32 THE SPANISH WIFE. That happy hour, ere these decrepid limbs Eepose in kindred clay. The good work is begun. My messenger to the King of Saxony, must Soon return ; and should that proposition fail, I must devise some other, surer aUiance. Enter Buckingham and Lord Cecil, l. Ah, welcome, my lords; my noble privy Councillors are late to-day. Buck. We crave your pardon. K. James, What news have you Received from the King of Saxony ? Cicil. None, my liege. K. James. Those sleepy G-ermans are so Slow in their diplomacy ! My patience Is exhausted by them. Buck. A short delay will Doubtless bring hia answer. Enter Page, who hands letter to the King, l. K. James, (reads.) 'Tis e'en as you Predict. My royal brother, King of Saxony, Informs me in this last epistle, that His fair daughter, Ann, is now betrothed To a Danish prince ; and much regrets my kind Proposal is beyond the power of his fulfillment. 'Tis unfortunate. What shall be done ? Cec. My liege, amid the Brilliant catalogue of Christian princesses, There can yet surely one be found, deserving Of this high and great alliance. K. James. Name me but one. Buck. There is the French princess, Henrietta, blooming with unequalled loveliness. K. James. 1 will permit no Bourbon Princess in my court. Her suite would be the Cause of endless jealousies and broils. They Would but act as spies upon my government And kingdom. 1 should enjoy no peace, or comfort More, with those eternal intriguers within THE SPANISH WIFE. 33 The precincts of my palace. Cec. I confess, that Those are grave objections to a French alliance. Buck. We must inquire, then, Elsewhere. I will confer at once with all the Foreign ministers at our court ; I will Inform my liege of the result of my researches. Depend upon me ; I will yet succeed, And find a princess worthy of your son. K. James. Then haste you in the work. There are most serious dangers in delay. The whole succession of my throne, now Centres in that boy, and we must, quickly, ere an Accident prevents so great a purpose. Provide for the continuance of our royal House. So, commence your inquiries. [Exit, Buck, and Cecil, l. Scene II. — Another Apartment in the Palace of Windsor Prince Charles and Buckingham discovered. Buck. I own ^tis true, my noble prince. The News from Saxony is not propitious. But that affects me little. There are other Princesses, as charming as the heavy Dame of Dresden, and I hope most more so. Charles. I wish my father Did not hasten on my nuptials thus. I do not wish to wed. A thousand beauties Daily sigh around me, all whose tender charms Delight my soul, and surfeit me with love. More than these I do not want. Buck. But your noble father is most anxious Respecting the succession. You must then Marry and that quickly. I have lately seen A Spanish gentleman, who speaks in the Most glowing terms of the fair Infanta, Daughter of the Spanish monarch. What think You now of such a match ? Charles. The ardent dames of Spain, are not without their charms, As all the world can testify. 34 THE SPANISH WIFE. What does he say of her ? Buck, fehe is, indeed, not the Most beauteous of her sex. Yet she is pretty, Tender, graceful ; and the vast dominions, Which would become her dower, would add Stupendous bulk to th' wealth and resources Of our English realms. Charles. How would she best Be won ? The etiquette of the Spanish court Is endless and interminable. Years would Elapse before a proposition of alliance Between our houses, would attain a final issue. Buck. There is much truth in that remark. We must devise some quicker method, {pauses.) I have it ! Let us sail at once for Spain, There woo the princess in your proper person. Observe her charms yourself If you desire it, I w^arrant, she will most easily be won. And if need be ; if you are trammelled by the Endless meshes of their courtly forms. Elope with her from Spain ! Yes, elope on board our ships. We will assist you. 'Twill all be afterward Arranged. What think you of the adventure ? Charles. 'Tis a brilliant thought. 'Tis worthy of the noble Buckingham ! I am Delighted with it. What a romantic Novelty would it be ! All Europe would Be tilled with wonder and applause. Such An event has never happened yet, in all The history of European princes. Indeed, I like it vastly ! Spain is the land of love. I should delight to roam amid the cool And leafy shades of Vallambrosa, with an Andalusian maid upon my arm ; and Gaze On the mosaic splendors of the Alhanibra, where Moorish genius still Beams forth, immortal. Yes, I approve the Proposition. I will go ! Buck. But your sire, his high consent Is needful. You must, of course, obtain that first. Charles. I'll see him instantly. 'Tis Spain, and its rare beauties, far more THE SPANISH WIFE. 35 Than the Infanta, and her dower, which Speed me on so ardently. We will meet Again after my private converse with my father. Buck, I will expect you then. Scene III. — Private Cabinet of King James, as in first sce)ie. King James a7td Prince Charles discovered. Charles. My honored liege, I crave to know : — Do your desire that I, your son and heir, Should wed ? IC James. That is the greatest hope and Aim for which I live. Charles. Then I am willing to Obey you, as well as to assist your purpose, K. James. But I am yet unable To discover where to look for an appropriate And a worthy alliance. Charles. Then let me mention To you, one that is most suitable. K. Jajncs. Proceed. Whom Would you recommend ? Charles. The Duke of Buckingham And I, have just conferred on this important Theme. He has proposed the daughter of The King of Spain, the Infanta. /i. James. It is a seemly alliance. 'Tis one whereby great benefit might be Obtained for England, and her interests, On the continent. Let me see. [pauses.) Upon reflection, I approve the proposition. I will dispatch at once a messenger to Th^ Spanish court, to open conferences On the subject. Charles. Send a messenger ! Never ! sire. I have still something better to propose. I will go forth myself to Spain, and woo the Princess there in person. IL James. Impossible ! What an Outrageous purpose! What ! Shall I thus risk the lone Successor to my throne, amid the countless Perils, both of land and sea ; and that too, in f^ 36 THE SPANISH WIFE. Foreign clime ? Never ! Perchance, when the Perfidious Spaniard had you in his grasp, he might Retain you as a hostaf^e, and extort from me most liuinous terms of resntution. Charles. But, my lord Buckingham Both proposes and approves this visit. K. James. He does ? That alters, Then, the case. What the noble Duke proposes, Must be right and safe. He is a far-sighted Statesman. Does he indeed regard this Proposition as both wise and prudent ? Charles. Perfectly. If you Confer with him, you will find it so. K. James. I do' not doubt your truth. I will at once consent. You shall go. With the Duke as your companion, and Protector, my fears will be allayed. But let me caution you, in time, against The many perils which will there surround you. Know, my son, the secret dagger of the Assassin, in that land, is ever on the Alert, to deal a deadly blow, when lust, Or avarice, or revenge would spur it on. Treat the Spanish court with deference. And to the princess give due courtesy. And do not be misled, e'en by the gallant Courtiers, whom I will send with you, — By Buckingham, and the impetuous Sydney. In all affairs of love, I grieve to say. They are unthinking and unscrupulous ; And trifle but too lightly with the female Heart and its most pure affections. Be you honorable, prudent, faithful. Profess nothing which you do not feel Promise nothing which you will not Execute. And should you wish, at length, To wed the Spanish princess, my consent Shall not be wanting. Meanwhile, I will Command all needful preparations to be made For this strange expedition, — such as Will be worthy of yourself and me, Charles. IVIy liege and father, THE SPANISH WIFE. 37 Accept rny hearty thanks. I will most deeply Charge my mind and memory with your Prudent councils ; and will then obey them. Amid the various scenes and incidents Of this adventurous journey, I will Ne'er forget the thoughtful lessons you this Day impart to me. Scene IV. — Palace of Duke of Buckingham, London, Enter Buckingham, Sir William Sydney, Lord Eoches- TER, Graham, and Cecil, l. Buck. My noble lords, I have this moment Come from the presence of the king, and my Dispatches are in my possession. All other needful preparations for this Eomantic embassy to Spain, are finished. Our gallant ships already ride at Anchor in the channel. Our youthful and Adventurous prince is eager to embrace His blooming Spanish bride. He bids us Hasten our departure. What say you ? Syd. I see no reason for delay. All our equipments are complete ; and all The splendor, which British pride, and Wealth, and skill, could lavish on our embassy, Have been bestowed upon us, by our Liberal sovereign. I burn to see The sunny hills of Spain ; to view the Splendors of its haughty court ; and more than All, to woo the dark-eyed beauties of That loving clime, whose charms have Been renowned throughout the world. Roch. My chief objection to this Sudden haste, will be, that so many soft Attachments bind me here already, that, to Dissolve them rudely all at once, will be A desperate attempt ! A great many Loving and devoted hearts, will surely break, If you insist upon my leaving England, In such eager haste ! 38 THE SPANISH WIFE. Grah. I give my voice In favor of our quick departure. I am in haste to grasp those broad and ghttering Ducats, which now shine so brightly, in the Iron coffers of the Spanish courtiers. The members of this royal embassy will be O'erwhelmed with floods of golden treasure, If they accompHsh this desired match, Between our gallant prince and the fair Joanna, Heiress of the Spanish realms. Buck. It is enough. We will delay no longer. At to-morrow's Noon, let each one be in readiness, to Meet the prince, and to embark upon the Journey. Three changing moons shall not Kevolve around this teeming earth, ere we Set foot on Spanish soil, and hail its mighty Court and King. Success to English wooing For Spanish brides ! This expedition shall Be memorable, I w^arrant me, to many A sighing Andalusian maid, who Will remember long the journey of the English Courtiers to her shores, to woo and win a Beauteous partner for their noble prince. To-morrow then, at noon, we bid adieu To England, and set sail for Spain. Cec. At noon. To-morrow, we shall meet your lordship. [Exeunt, l. Buck, (solus.) And thus my scheme moves on most famously ! This expedition will attract more glory to my name, Than all the by-gone triumphs of my prowess. Or my craft. Indeed, my fame would soon have Sunk in deep oblivion ; for those who are But statesmen of the common stamp, are soon Forgotten by ungrateful men ! But now my Fertile brain has hit upon a scheme, rash. Dangerous, foohsh though it be ; yet one. Which will be spoken of with wonder, to the End of time, and rescue the proud name of Buckingham, from dark forgetfulness. And even THE SPANISH WIFE 39 Though the expedition fail ! What of that ? It matters nothing. I will have had the Glory of the plan. What though it fail, and a Destructive war in turn should devastate The land. That matters nothing ; for I have Had the glory of the plan ! And that great End attained, all other purposes are but Of trivial consequence. Yet I predict. The expedition will not fail ; for Buckingham But seldom fails. And then our private pleasures In the Spanish capital, — these surely will be New and piquant. 'Twill be a famous expedition ! END OF ACT I. ACT II. Scene I. — Palace of the Escurial in Spain. — Philip II. a7id his courtiers discovered. Enter Marquis of Toledo and Don Alfonso, l. Tole. Sire, we come to apprise your majesty, Of the arrival of the embassy of your Illustrious brother, King of England ; concerning which, Your trusty servants at that Court, Have sent your majesty, already,, due and Timely notice. They have been escorted To my palace, and are now my guests. They crave a public audience of our King, that they may then present their Koyal master's greeting, and with all due forms Of courtly etiquette, may woo and win The fair Infanta for their prince. K. Phil. We hear of the arrival 40 THE SPANISH WIFE. Of this train of noble Britons, and their Blooming prince, with hearty welcome. It is our pleasure, that they be received With fullest honor, and that, as soon As may be, you conduct them to our presence. Exit J Toledo, r. Alf. Already have I seen your visitors, — These noble and illustrious strangers. They are Worthy of your sovereign courtesy K, Phil. Where saw you them ? Alf. In the Marquis of Toledo's palace. K- Fhil. Well, what think you Of their rank and greatness ? I presume They must be worthy, in magnificence and Splendor, of the important mission Which conducts them hither ? Alf. All Madrid already echoes With loud applauses of their courtly grace, Their lofty chivalry, their lavish waste of gold ; And what is not less grateful, to the peerless Beauties of your court, their adoration Of our noble Spanish dames. Their youthful Prince appears, himself, a model of most manly Beauty ; while his attendants all reflect High honor on themselves and him. K. Phil. I must admit, that from your Own description, from the renowned greatness Of their nation, and from the strange and Striking novelty of this rare expedition, I am in haste to see these visitors. So When their public presentation to us Is announced, let all our court attend. In full array, that in this great, imposing Presence, the ancient chivalry of Spain May not appear, unworthy of itself. Exeunt^ Courtiers, r. and l. (Sohis.) The times have been, (now past indeed,) Where these aspiring dwellers on that distant, Petty, foggy island of the Northern seas, Were httle better than barbarians ; Unknown in th' glorious annals both of arts and THE SPANISH WIFE. 41 Arms. The onward march of empires is Astounding ! Once the ancient crown of Spain shone Brightest in the glorious firmament of kings. Then, for an English prince to have presumed, Upon an alliance with our house would Have been laughable impertinence. Yet, Since a fitful fate has now exalted England, And made her equal to our ancient glory, We must pretend, cajole, deceive ; Involve them in the endless mazes of our Courtly etiquette, and then, at length, dismiss Them, doubtful if they shall prevail or Not. Yes ! that shall be my policy. It is the wisest, safest, best ! 2.) Scene II. — Palace of Don Alfonzo at Madrid. Enter Laura, Constanza, and Lorenzo, l. Laura. How I do long to hear some news to-day ! I do declare that all the gossip Of the court, has grown to me intolerably Stale and flat. For once, I should delight to hear Something wonderful and startling. Lor. Then, for once, you shall admit That you are gratified. I now have something Truly wonderful to tell you. Con. Indeed, what can it be ? Something wonderful to us here in Madrid, Must indeed possess a nature almost Miraculous, Lor. Well, then, a most mysterious Embassy, consisting of twelve noblemen, has Arrived, this very day, at our court. Lau, Whence do they come ? Lor. They come from England. Con. For what purpose ? Lor. For a very curious purpose, and withal, For a very interesting one. Lau. What can it be, Lorenzo ? Lor. What is most interesting Of all things to a woman ? 42 THE SPANISH WIFE. Laii,, Nothing in all the world Does interest me at this moment. Not even You, Lorenzo, fascinating as you are ! But there are some who say, that love is Most agreeable of all things. If 'tis so, I wish that I might feel it once, if for no other Eeason than for the novelty of the thing. Lor. Strange to say, the English prince desires To have a wife ! Con. That is certainly very Strange. Who ever heard before, that a Prince desired a wife ! This is indeed a novelty ! Lor. These twelve noblemen have come, Commissioned by the king of England, To negotiate a marriage with the Infanta. Loit. I hope they may not meet Success. Those Englishmen, from all that I have Ever heard, are such stern, such cold, such Selfish creatures ! Con. There is a much greater Eault than that among them. They are The most obstinate heretics in the world ! Lou. Santa Maria! protect us. Lor. But these cavaliers Are said to be the most Accomphshed, fascinating men. You must both beware of them. Lau. You need not caution me. If all the female hearts in Spain, were as Invulnerable to their darts as I, These gentlemen would have their labor for Their pains, and would return again to their Distant, foggy island, precisely as They came, without one single heart to triumph o er Lor. My fairest Laura, Do not be too confidant, I do conjure you. Cupid is a most capricious, wilful creature. He wounds, you know not how, or when, or where ; And he must be a skilful surgeon who can Extract his festering dart, when once 'tis fairly lodged, Do not exult untill these gallants are all Safely gone again. Let me repeat THE SPANISH WIFE 48 My caution to you both. Beware ! Con. Absurd, I fear no danger ! Lau. Nor I. I give them leave to Wound me if they can ! They will deserve The highest praises they receive, if they Succeed in doing it ! I will even lure ihem On, to try their utmost skill. And when their Arts are all exhausted, and have failed, I'll jest upon my British lords, and all Their silly thoughts of Spanish love and women ! Scene III. — Audience Chamber of Philip II., in the Escu- rial. The King and full array of Courtiers discovered. King on the Throne. JEnter Marquis Toledo, Buckingham, Sidney, Rochester, Graham, Cecil, and Don Alfonzo, l. Tol. If it please your majesty, I here Present to you, his Grace, the Duke of Buckingham, And these most noble lords, ambassadors From the king of England. K Phil, (to Buck^j My lord Duke, Accept our cordial greeting. You are welcome To our Spanish realm and capital. Buck. I thank your majesty ! "We come as the ambassadors of our English Monarch ; to present to you, in all good faith, His own fraternal greeting, and then, to open Conference with your court on a more Tender theme. K. Phil. I pray you, what is it ? Buck. It is to crave a lasting alliance Between the crowns of England and of Spain, By the marriage of our monarch's son, Now in your realm, with your fair daughter, The Infanta. K. Phil. This is, indeed, my lord, A grave proposal, and one that touches Nearly, our own ^ sart and sceptre. Buck. And so in truth it does. But yet, 'tis one which our great nation 44 THE SPANISH WIFE. Doth approve, and one to which we trust your Majesty will yet affix your solemn sanction. 'Tis a most noble, princely purpose, Thus to bind vast empires in close unity And concord, by the strong and tender ties Of love. Ten thousand evils, thus, are Warded off, of war, of bloodshed, and of general 111, which might have devastated kingdoms, And laid low, in hopeless ruin, their Growing greatness. Our prince is 37^oung and Chivalrous. The Infanta is most beautiful And tender. We pray kind heaven, that this Proposed alliance may be accomplished, And bind in harmony and peace two distant Healms, two great and mighty nations. K. Phil. It may be so. A proposition of such grave import. Should not be entertained by us in haste. We and our supreme council will gravely Consider of it. Meanwhile, you are our Honored guests. The brilliant spectacles, The gay delights, the sights and wonders of all Spain Are open to your free fruition. Let it not be a sad time with you here In Spain ; but let your exile be a joyous one. All the honors of our court, and the pleasures Of our capital, are at your welcome feet. Buck. We pray your majesty To accept our thanks. And now we say Farewell, until such time, as we may learn Your final purpose and decree, concerning the Infanta. And here are the dispatches. Touching the great purpose of our mission, With which our sovereign master hath entrusted Us, to be delivered to your royal hands. [Delivers dispatches to the king. Scene IV. — Private Apartment of the Duke of Buckino* HAM. Enter Buckingham and Sir William Sidney. Buck. My lord Sidney, this is most certainly THE SPANISH WIFE. 45 A gay and cheerful land, for all the men are Full of chivalry, and all the women Are desperate in their loves. Already Have I met an amorous adventure, Pull of terrible excitement. These Spanish Women, — if they once adopt you as their Bosom's lord, will love you with an ardor Of devotion, which is truly fearful to the Frigid dwellers of a colder chme. I doubt not, should their sweets of love Be turned to jealous hate, 'twould mingle With it all the bitterness of hell. Let me Warn you, ray impetuous friend. Stilettos are in fashion here, in fairest hands, As much as in the ruder grasp of ruffians. Sid. I grant you that, most willingly, my lord, And yet these Spanish beauties are so lovely, So bewitching, that their smiles are cheaply Bought, e'en at the risk of life or limb. Buc7<:. Oh, what a glorious spectacle Was that we saw last eve ? These Spanish Bull-fights are most worthy of their high renown. Have you seen them ? Sid. Yes, I have seen them. Buck. Who can behold the splendid Bright array of beauty, heightened the Intense excitement of the scene ; the neighing Horses, the dauntless toros^ the heroic Metodores^ the echoing bravos^ the Acclamations far and wide resounding. The well-fought battles, and the bloody Victories, — without delight ? But Sidney, {approaching him. Why so serious ? What has now occurred to Cast so sad a shade upon your cheerful Countenance ? Something has given you The aspect of a gloomy, whining priest. Sid. Had you beheld what I Have seen, you had been gloomy too. Already Has my sturdy heart been vanquished, and led Captive, by Spain's fairest, and most beauteous Daughter. And unrequited love, you know, 46 THE SPANISH WIFE. Perhaps from past experience, is saddening. Buck. Can it be possible ? Come, tell me all about it. Sid. It occurred last evening. At the amphitheatre. All Madrid was present In its pomp, its pride, its beauty. Just after The first victim had stained the earth with His reeking blood, and was dragged forth, Dead, from the arena; I turned to view The mighty circle of that teeming. Multitudinous sea of life ; when near Me, I caught the most enchanting vision Hum^n eyes have e'er beheld ; a creature, Whose matchless loveliness at once enchained My soul. I looked, and looked again. Each glance of love absorbed new draughts of Amorous fire, until I burned with an Admiring rapture, to which I had ever Been a stranger. Buck. Wonderful ! Well, what then ? Sid. The lady, I assure you, is indeed, Immaculate perfection ! I approached her. Her mother alone attended her. With an Uncovered head, and with such courteous Deference, as peerless beauty e'er Inspires true chivalry, I spoke to her ; (The freedom of this loving land permitting It, to those of equal rank ;) begged pardon For my freedom, and ventured some indifferent Questionings. I have her gracious leave To visit her. My heart is full of rapture At the thought that I shall soon again Behold her peerless charms, and pour into Her listening ear a burning tale of love. Buck. Pray, tell me, who can this rare Model of perfection be ? Sid. She is the Countess Laura, Daughter of a noble Spanish Grandee, Duke Alfonzo, one of the magnates of Madrid. Buck. Well, enough of this rhapsodic love At present, I wish you full success in THE SPANISH WIFE. 47 This your first adventure. Ours is an Embassy of love, you know. Venus and Cupid Are our tutelary gods, beneath whose Auspices this expedition has been Begun. We should account our tender triumph Neither few nor insignificant. So fare you well, and when we next shall meet Let me then hear the happy progress, And the final triumph of your suit, Methinks the interest of your own adventure. Henceforth take precedence of th' royal match Between the prince and the Infanta. Scene V. — Garden of Don Alfonso's Palace. Sir Wil- liam Sidney, and Donna Laura discovered in the midst of shrubbery. A bower in the rear. Lau. If what you say be true, — my lord, Nor do I doubt it ; — your's must be a noble Land, — the home of mighty heroes, Statesmen, artists ; and were I not a Spaniard, I might choose to be a Briton. Sid. It is indeed, my fair one ! I am proud that I was born its citizen. But Spain can also boast of many Immortal names, in arts and arms, in beauty And in song. Lau. Your nation has at least one Glaring fault ; — a serious one to us, the tender Sex ! You are too cold and formal ; you know Not how to love ; and without love, life here, with us In Spain, becomes indeed a cheerless waste, A heavy burden ! Sid. How strangely you Mistake us ! We Britons may indeed not be As wild, impassioned, fervent as the Lovely denizens of this fair sunny clime ; But, believe me, we can love as deeply, As truly, and as well as they. That love Is not the strongest, which sends forth The loudest clamor. We have an ancient Adage in our land, which says that 48 THE SPANISH WIFE. Deepest waters run the stillest. And so it is with love ; although indeed, Whene'er its onward course is stopped by Stern and rugged obstacles, its stream will Boil, and fret, and burst in fury o'er them. [ Laura surveys him admiringly. Lau. Pray, Sir William, have you Ever loved ? 'Tis a strange question, truly, But 'tis one I crave to know. It is my Present humor. Sid. Let me answer it. Pair questioner, by asking, in reply, Have you e'er felt the strange emotion ? Lau. My heart is free ; free as the air of heaven ! I have beheld the noblest gallants of the Land. I have admired their grace ; and Praised their manly beauty. I have oft Been wooed. But I have never yet been won. My heart has not been touched by all their Arts of tender witchery, and amorous Craftiness. And now, that you are freely Answered, answer me as freely ! Sid. Were I to answer falsely, I should injustice do to all your charms. Were I to answer truly, it would cover O'er my brow, with crimson blushes. What is true love ? I long to know Your thought upon it. Lau. If I have never felt it, How can I then describe it ? And yet, from Books, and legends, and from the daily incidents Of men, I think I may have learned to Picture forth its nature. I suppose it is a curious passion ; Half joy, half grief, half sweet, half bitter. Its heavenly sweetness, not an angel's tongue Can tell. Its demon bitterness, no winged Thought can fathom. 'Tis sometimes based On graceful charms of outward form. But that love is the noblest, which springs up In the admiring soul of woman, when She views, and comprehends the high supremacy THE SPANISH WIFE. 49 Of mind in him she loves; the grandeur Of that intellectual power, which ranges forth A facile conqueror o'er all the high And fair domains of knowledge, and which proves The man she loves, coequal with a god. The bard's undying verse, the statesman's craft, The soldier's heroism, the orator's fervent Tongue, — these feed the flame of woman's highest Love, with noblest and immortal fuel. This love will fill the soul with heavenly Forms of light ; and make it pregnant with Rich fancy's varied loveliness. It comes, indeed, Unbidden ; but it ne'er departs again. If it be requited, it will cast auroral Radiance round the soul ; and turn this earth, With all its woes, into a paradise Of bliss. Time then becomes too short, for its Fruition ; and life itself, too transient, to exhaust Its deep, unfathomable joys. All human Good and ill become indifferent in their Nature ; since all are thus transmuted to Delight. But if this love be scorned, and Trod upon, it then becomes an agony. So terrible and distracting, that all The tortures of the lost are trifles to it. Is it not so ? Sid. Thy thoughts and words Are beautiful, as is the angelic form From which they emanate, {kneels.) My fairest Laura, let this heavenly Bliss of which thou speakest, be mine. A stranger from a distant clime, I Am thy suppliant lover. 1 would live And die for thee ! One word of hope from Those sweet hps, as fragrant as the rosy Breath of morn, will give me life and joy. One frown on that fair brow, as smooth and pure As Dian's heaving breast, will overshadow Me with gloom. Oh ! thou most eloquent Expounder of man's inmost nature, Words cannot tell how deep is that Devotion, with which thy charms have filled 50 THE SrANISII WIFE. My soul. Accept a heart that would Be thy eternal slave ! Lau. Ivise, my lord, I'm not indifferent to your merit. My heart is not incapable of love. But this proposal, though 'tis honorable. Is too hasty ; and maiden modesty forbids That I should thus so soon be wooed, Or so easily be won. Yonder I see My honored father's form, amid the hanging foliage. [Alfonso ajjpcars in the rear. Let us now bid adieu to these sweet themes Until we meet again. Then, my lord, I Will permit my heart to dictate the true Language of my lips. Let me go to meet him ! [^Retires toward Alfonso. END OF ACT II. ACT IIL 3 joNE I. — Apartment of the Duke op Buckingham. Enter Buckingham, Sidney, and Sir Richard G-raham. BkcJx. Well, Sidney, how comes on your tender suit with that personified perfection of yours. The v. >ana^ — what is her name ? Sid. I suppose, my lord, j^ou mean the Countess Laura ? Buck. I suppose I do ; but I confess, that in this in- stance, you know my " supposition" better than I do my- self. Is she very difficult to win ? If she be, one thing is certain, and that is, that she is a rare anomaly in the his- tory of Spanish women, — the only instance throughout all Spain, of a Troman ^V !f» ihnrj :f ler t^T^ors-and wiio m^ nothe had bj any ^cr *:-:(.♦ inj: ittilcw^ ika !nya«£ jTir die ample reftpectfulafttt'-ncr. I.ll:^r^:. ro iir lave diesse «lark- ^ed- impaft^iotied dcnnji^» in:'r^i^: vitt :oii2:!ii^ xnngAA- cen. ' ! me. uiat ^ney la-- er-^^ T-^r^red tio reSewft me -i^ie 0*0 able : in.' J. i:i~i :ifer^i roeir a&cdott grazjs, 'jz :2iis, the abiiiiott't jest on snch a 3eri<>ns subject. Ruck, A serious subject ? Eidiculous ! r>o you pre- tend to speak of the love of woman as a serious thing ? SieL The love of some women I regard as a s«ioa8 J, my Ior»l 3mck. Do you indeeii ! TeU me the tiijKrence between tiiem. To me. the love of oue woman is exactly the same as that of another. They are aK the trivial plaything of SB faoor. To me they aS grow stale aGke. SitL 'PabsLgs they do : such ^ those whose love so greal a tr^er as you, may be able to win. BmdL Wfaai mean yon ? You are quite ambiguous. SmL Wbat I meaK isy Hiat if you once secure tiie ajfec* *3oae of a aoiile, aecoa^ifiriied. and cooliding womac^e de- flcrves jomr taaetamej'y and your unchanging tenderness. Tow p r o femu d imtrigmstes whose love is but the gratin- oc a trinnirnt wium ; wfao expect te :a6C yoa o^ />2 THE SPANISH WIPE. themselves, as soon as their greedy appetite is sated, and a newer or more fascinating lover attracts them, — such women you may serve accordingly. But all women are not of this character ; and last of all, the best and most excellent of women to whom you now refer. Buck. I suppose, of course, that you now allude to this wonderful charmer of yours, the Donna Laura ? Sid. Most certainly I do. Buck. Let me assure you, that you soon will get over all that nonsense. If your inamorata is fairer, and more tender than all other women, she may inspire you at first with a deeper and intenser passion ; but this new flame will soon grow cold, hke hundreds before" it; and ere we take our final leave of Spain, and Spanish women, you will almost have forgotten that the divine Laura had ever ex- isted. Take my word for it; I am no novice in these mysterious and delicate matters. Sid. My lord, I am something of a gallant, I acknow- ledge. But I have never learned to trifle with woman's afi'ections, to the same cold, heartless, and utterly unfeel- ing extent which you do. Buck. Absurd ! let me tell you, and if you do not know it, 'tis high time that you should learn it, — that all women, without exception, are extremely selfish. Even their love is nothing but absolute selfishness. What does a woman love you for, in case she love at all ; w^hich has, indeed, become a rare event ; unless it be because she finds, or imagines that she finds, in your superior charms of mind or person, the more potent and efi'ective instruments wherewith to gratify her own passion ? Why, for instance, does a woman admire the graceful form, the handsome features, the fair proportions, and the vigorous limbs of such a graceful gallant as I am, {surveying himself^ un- less it be because she knows that such superior advantages as I possess, render me the more exquisite and fascinating in all the sports of love ? Sid. I own, there is some truth in that. Buck. If women, therefore, in their supreme selfishness, are willing to make use of you, to gratify their own pur- poses, you should also do the same in regard to them ; that is, merely use them as the instruments of your own convenience, and when the occasion ends, which made THE SPANISH WIFE. ^ them useful or agreeable to you, cast them off, as you would an old, ill-fashioned, worn-out garment ! Sid. Doubtless there is much truth in what you say. — You are a profound philosopher, my lord, in matters of this kind. Your argument half convinces me. The idea of disinterested love in woman, must be an outright ab- surdity. I will act upon your counsel ; and when we sail from Spain, there will be no freer heart or more desperate gallant in all our company than myself. Buck. Another thing, do you remember, and that is, when they talk to you pathetically of dying at your depar- ture, of their breaking hearts ; of the dreary desolation of your absence, and so on, and so on ; — that all these poeti- cal, romantic declamations, are common stock in trade with them, and though they sound very meltingly indeed, the fair lips which utter them, mean, in reahty, just no- thing at all ; and laugh at your parting tenderness, just as soon as your back i's turned, and with watery eyes, you have said your last adieu. But I must hasten hence to the amphitheatre. My favorite metadorey to-day, will fight the most furious of the Valencian bulls ; and I have promised to throw him a purse of gold if he is victorious in the con- flict. Adieu ! [Exeunt, r. and l. Scene II. — Palace of Don Alfonso, at Madrid. E?iter Sidney, preceded hy a Servant, who offers him a seat., amd then retires. Time., evening. Sid. (c.) [sohis.^ This is the fatal and decisive hour Unless I am deceived, which shall decide the Destiny of this fair child of Spain. I am Resolved to ply my arguments with more than Usual skill. I'll utter all the sweetest Eloquence of words, of looks, of sighs ; and E'en if need be, I will fall into the melting Mood, but will win her to my purpose. I have so planed it, that e'er I leave her Here, my trusty servant will request Admittance to Alfonso's palace, with Letters informing me, that my sudden Absence and hasty trip to England, will 54 THE SPANISH wife. Not be required. But I will then, already, Have won the blooming prize, and I will stay- To revel leisurely in all her matchless Charms. Ah ! here she comes ! Now let My crafty powers be all awake ! Entei- Laura, l. Sid. Fair Laura, how have I Longed to see this happy hour ! How has that Envious sluggard Time dragged slowly on, To vex me with his crippled, halting gait ! Lau. You are welcome to-day. Sir William. Love, that love of which we spoke, when last we Met, is a most restless spirit, and eager to attain The end of its adventurous journey. Sid. And have you thought upon My humble suit, since then, fair Laura ? Lau. I have, my Lord. Sid. Oh, then, promise the happy word, That thou art mine, and I will cherish thy Sweet love, while life endures. Lau. [pausing and looking seriously at him^ Are you sure, my lord, that no alloy of self Mingles with that pure love ? Oh, should I take Thee at thy word, and give thee this fond, trusting Heart, in lieu of thine ; and should thine own Be false, — a hollow counterfeit of that. Which I thee truly give ; oh, how would I Execrate the hour, when first I saw thee, Or listened to the melting melody of That alluring tongue. Sid. Believe me, Laura, that I am true. I swear by yonder moon, which Sheds her mellow beauty o'er the sleeping world, That I will aye be constant. I swear by All those twinkling stars, vvhich ghtter brightly In yon azure vault, far, far beyond the Reach of all earth's woes and tears, that I will Love thee truly. Lau. I take thy solemn oath, {impressively.) Sid. !^nd thou '''^H then be mine? THE SPANISH V/IFL'. 55 Lau. Yes. Thine, for ever tbine ! [ejnbracing.) Sid. Oh, rich delight ! Oh, rapture ! More than faltering words can speak. From this Propitious day I live anew ; anew, my love, to thee. And I shall ever bless the hour when first I thought To visit this far land. How strangely is The chequered tissue of our destiny. Woven by th' mysterious hand of Providence And Fate ! Now may I taste those joys, of which Thou speak'st, when thou didst tell of love, — Its wondrous power and sv/eetness. Thou dost posses*. In me, a true heart, Laura i Lau, Were it not so, then Should I be, indeed, a wretched bankrupt. Sid. Dream not, for a moment, dearest, Of future sorrow or distress. True love, thou said'st, made all things sweet. To us, the future now will be one endless Song. My eager fancy travels o'er life's Coming journey, on the rainbow wings of Hope, and sees naught there, through its wide circuit, Save love and bliss. We have a poet in our land, Who sings so sweetly of true love, that I Will speak his flowing numbers. Will you listen ? Lau. I would not lose a syllable For half the world! S'id. These then are his sw^eet words : (recites or sings.) When time who steals our years away, Shall steal our pleasures too, The memory of the past will stay, And half our joys renew. Then, Laura, when thy beauty's flower. Shall feel the wintry air ; * Rememhrance shall recall the hom, When thou alone wert there. Then talk no more of future gloom, Our joys shall always last ; For hope shall brighten days to come, And memory gild the past. Lau. They are sweet words indeed. 56 TnE SPANISH WIFE. Sid. When shall I say my joy is fall ? When shall I clasp thee to my heart, and call Thee mine, by holy, sacred ties ? Lau. Although I dearly prize thy love, Why this great eagerness to hasten on our union ? Sid. I have a secret now to tell thee ! Lau. How ? a secret ? What can it be ? Sid. I have delayed the mournful word Till we had plighted each our sacred faith. Now, that is done, I can the better utter it. Lau. Pray delay it not ; what is it ? Sid. The Duke of Buckingham, in whose control Is placed this treaty for the marriage of the Infanta, Has just informed me that it is most needful That I should start, at once, for England, As special messenger to our king. Lau. It cannot be ! Sid. It is, alas ! too true. And I cannot leave thy sight, nor bear the thought That thou art not yet wholly mine ; that thou Mayest, by some horrid chance, be yet another's. For thou art wooed by all the noblest chivalry Of Spain. Thy beauty is too rich a boon, Not to attract their amorous craving. In my sad, unwilling absence, thy tender heart, Open to the potent witcheries of love, May yield itself at length a captive ere I return ; and place a death-seal on my bliss ! Lau. {solemnly.) Canst thou Distrust my faith, my plighted love ? Ah ! little Dost thou know the heart which thou hast won. Sid. Can I distrust thee^ dearest ? Never ! No unworthy fear of thy devotion Crossed my mind. But here, in Spain, you have Strange laws. Your gloomy convert walls Enclose too many a beauteous living gem. Of radiance almost divine, placed there, In durance stern, by their offended sires. Thou art A Catholic. Thy father, family, and church. May all oppose our union ; and thus when I return From my far distant, native isle, I then may find Thee a buried tenant of some convert cell, THE RPANIbi-r WIFE. 57 Lost to me for ever. Not all the prayers and tears In Spain could free thee then. But if thy church Hath made thee mine, I will then feel secure in The possession of thy inestimable love. Lau. I do not fear such peril to our joy. What would avail their prohibition of our love ? Nothing with me. True love regards no church, Nor kindred, nor relationship, in all the world, Save that of one alone — the beloved ! There is my Temple, that my priest, and he my deity ! Sid. But they have power greater Far than thine. If thou refusest, I will forfeit Home, and friends, and all, for thee ! I will forsake The embassy. I will endure the miseries Of the homeless exile, rather than desert thee ! I will not leave thee till thou art mine ; till Thou art mine by sanction of thy holy church. Lau. I love thee ; and I yield to thy desire. I h«ier. ' 14 A C>ire (or ihe n«ari arh.-^. 15 Tl... li.jnchl.ark 1(5. f)oD CtPMir f>«' nazjsr iVith a rortraii cvd Me- moir of Mr. CHARLES KEAJS. vol.. in. .7. The Poor Gentleman. 18. Hamlet. 19. CharleelL 20. Venice Preserved. 21. Pizarro, 22. The Love-Chase. 23. Othello. 24. Lend Me Five Shil- lings. With a Portrait and Memoir cf Mr. tV. E. BURTON. L. IV. 25. Virflnius. 26. The King of the Com- mons. 27. London Assurance. 28. The Rent-Day. 29. Two Gentlemen of Verona. 30. The Jealoua Wife. 31. The Rivals. 32. Perfection. JVitk a Portrait and Memoir of Mr. J. H. IjAGKETT. 33 vol,. A New \V 016 Old Dobte. 34. Look Before You Leap. 15. Kins Jfihn. I.). Tlip iWirvous Man. 37. Danjon and Pythias. 38. The Clandostinp Mar- >•:» William Tfll. ,'0 Tlifi Day After the VVf dding. With a Fortran avd Memoir of U COL MAIS the FJihr. VOL VI. 41. Speed the Plough. 42. Romeo and Juliet. 43. Feudal Times. M. Chnrl.'s rh-iTwclflh -is. The Briilal. 46. Th»^FolliesofalVight. 47. The Iron ClieM. 48 Fuiut Heart xNcvpr •> 'in Fait Lady. With a Portrait and Me- moir of Sir E. B UL tVER LkTTOH. VOL. VII. 49. iload to Ruin. 50. Wacbech. 51. Temper. 52. Evaiino. 53. Bertram. 54. The Duenna. 55. Much Ado AboutNoth- iug. 56. The Critic. With a Portrait and Memoir of R. B, SHERI- DAN. VOL. VIIL 57. The Apostate. 58. Twelfth Night. 59. Brutus. 60. Simpson & Co. 61. Merchant of Venice. 6i. Old Heads and Young Hearts. 63. Mountaineers. 64. Three Weeks After Marriage. With a Portrait and Memoir of Mr. GEO. U. BARRETT. 66. As You Like It. 67. The Elder Brether. 68. Werner. 69. Gisippup. 70. Town and Country 71. Kins Lear. 72 FUje Devils. With a Portrait and Memoir oj Mrs. SUA W. VOL. X. 73 H.MiryVlII. 74. Married aiid Single. 75. Henry IV. 76. Paul Pry. 77. Guy Mannering. 78. Sweethearts &. Wives 79 The Serious Family. 80. She Stoops to Con <;«rr. With a Portrait and Memoir of Mi«a Off All' LOTTK CUSUMAN. VOL XT. 81. Julius Ccpsar. 82. Vicar of Wakefield. 83. Leap Year. 81. The Catspaw. 85. The Passing Cloud S3. The Drunkard. 87. Rob Roy. 83. George Bamwell. With a Portrait arid Memoir of Mrs. JOUii SEFTON. VOL. SH. 89. In!»omar. 90. Sketches in India. 91. The Two Friendu. 92 Jane Snore. 93. Corsican Brothers. 94. Mind your own Busi- ncss. 9.*). Writing on tho Wall, 96. Heir at Law. With a Portrait and Memoir of TUGS. S. UAMBLtN. VOL. rill. 97. Soldier's Daughter. 98. Iiouglas. 99. Marco Spada. 100. Nature's Noble m'n 102. Sardanapalus. 103. Civilization. H^'On a remittance of One Dollar, free of postage, Tencopins of any of the plajs will be sent by mail. * WM TAYLOR f CO.. 18 Ann-Street.