PS 
 
Class 
 
 BookoZsDgafn 
 
 COPffilGRT DEPOSIT. 
 
Price] No. 114, 
 
 [15 Cents. 
 
 IDE WITT'S 
 
 ETHIOPIAN AXD COMIO DEAMA. * 
 
 OWE NIGHT 
 
 MEDICAL COLLEGE. 
 
 M ETHIOPIAN SKETCH, L\ ONE SCENE. 
 
 By FRANK DUMONT, 
 
 Author of "My Wife's Visitors" " The Midnight Intruder," "-Painter's 
 Apprentice," " The Noble Savage," " The Polar Bear," ** Who's 
 the Actor?" "Absent- Minded," "Who's Baby is It?" 
 "Election Day," " The Lunatic," " Vinegar Bit- 
 ters," « An Awful Plot," " Rival Barber 
 Shops," "Making a Hit," "What 
 Shall I Take?" etc., etc. 
 
 ORICINALLY PERFORMED AT GLOUCESTER, MASS., APRIL 5, 1876, BY 
 DUPREZ AND BENEDICT'S MINSTRELS. 
 
 TO WHICH ARE ADDED, ffl 
 
 A Description of the Costumes -Cast of the Characters— Entrances Jjf 
 
 and Exits— Relative Positions of the Performers on the \a 
 
 Stage and the whole of the Stage Business. \ 
 
 New York, 
 ROBERT M. DE WITT, PUBLISHER, 
 
 No. 33 Bose Strepf. SSS H 
 
 Monograph 
 
 jVVV, X, , 
 
DE WITT'S ACTING PLAYS. 
 
 Please notice that nearly all the Comedies, Farces and Comediettas in the following 
 hst {/"De "Witt's Acting Plays" are very suitable for representation in small Amateur Thea- 
 tres and on Parlor Stages, as they need but little extrinsic aid from complicated scenery or 
 expensive costumes. They have attained their deserved popularity by their droll situations 
 excellent plots, great humor and brilliant dialogues, no less than by the fact that they are the 
 most perfect in every respect of any edition of plays ever published either in the United States 
 or Europe, whether as regards purity of the text, accuracy and fulness of stage directions and 
 scenery, or elegance of typography and clearness of printing. 
 
 *** In ordering please copy the figures at the commencement of each piece, which indicate 
 the number of the piece in "De Witt's List of Acting Plats. " 
 
 $W* Any of the following Plays sent, postage free % receipt of price — 15 
 cents each. 
 
 Address, ROBERT M. i E WITT, 
 
 JVo. 33 nu e Street, JVen> York. 
 
 jg^~ The figure following the name of the Play denotes the number of 
 Acts. The figures in the columns indicate the number of characters — ILmale; 
 F. female. 
 
 No. 
 
 75. 
 114. 
 167. 
 
 93. 
 
 40. 
 
 89. 
 192. 
 166. 
 
 41. 
 141. 
 
 160. 
 
 70. 
 179. 
 
 25. 
 
 24. 
 1. 
 
 55. 
 
 65. 
 
 68. 
 
 76. 
 149. 
 121. 
 107. 
 152. 
 
 52. 
 148. 
 
 113. 
 199. 
 
 20. 
 4. 
 
 22. 
 
 96. 
 
 16. 
 
 58. 
 125. 
 
 71. 
 142. 
 
 M. 
 
 Adrienne, drama, 3 acts 7 
 
 Anything for a Change, comedy, 1 3 
 Apple Blossoms, comedy, 3 acts. . . 7 
 
 Area Belle (The), farce, 1 act 3 
 
 Atchi, comedietta, 1 act 3 
 
 Aunt Charlotte's Maid, farce. 1 act. . 3 
 Game of Cards (A), c< medietta, 1 3 
 Bardell vs. Pickwick, sketch, 1 act. 6 
 
 Beautiful Forever, farce, 1 act 2 
 
 Bells (The), drama, 3 acts 9 
 
 Birthplace of Podgers, farce, 1 act . . 7 
 
 Black Sheep, drama, 3 acts 7 
 
 Blow for Blow, drama, 4 acts 11 
 
 Bonnie Fish Wife, farce, 1 act 3 
 
 Breach of Promise., drama, 2 acts.. 5 
 Broken-Hearted Club, comedietta. 1 4 
 
 Cabman, No. 93, farce, 1 act 2 
 
 Caste, comedy, 3 acts 5 
 
 Caught by the Cuff, farce, 1 act 4 
 
 Cast" upon the World, drama. Sacts.10 
 Catharine Howard, historical play, 
 
 3 acts 12 
 
 Charming pair, farce, 1 act 4 
 
 Checkmate, comedy, 2 acts 6 
 
 Chevalier de St. George, drama, 3 9 
 Chops of the Channel, farce, 1 act. 3 
 
 Clouds, comedy, 4 acts 8 
 
 Comical Countess, farce, 1 act 3 
 
 Cupboard Love, farce, 1 act 2 
 
 Cupid's Eye-Glass, comedy. 1 act... 1 
 
 Cup of Tea, comedietta, 1 act 3 
 
 Cut off with a Shilling, comedietta, 
 
 1 act 2 
 
 Cyrill's Success, comedy, 5 acts 10 
 
 Captain of the Watch (The), come- 
 dietta. 1 act 4 
 
 Daddy Gray, drama, 3 acts 8 
 
 Dandelion's Dodges, farre, 1 act 4 
 
 David ^arrick, comedy, 3 acts 8 
 
 Dearest Mamma, comedietta, 1 act, 4 
 
 Dearer than Life, drama, 3 acts 6 
 
 Deborah (Leah) drama, 3 acts 7 
 
 Deerfoot, farce. 1 act 5 
 
 Doing for the Best, drama, 2 acts. . 5 
 Dollars and Cents, comedy, 3 acts. . 9 
 
 Dreams, drama, 5 acts 6 
 
 Duchess de la Valliere, play, 5 acts. '. 6 
 
 Easy Shaving, farce, 1 act 5 
 
 Everybody's Friend, comedy, 3 acts'. 6 
 
 Estranged, an operetta, 1 act 2 
 
 Faus, and Marguerite, drama, 3 acts, 9 
 Fearful Tragedy in the Seven Dials, 
 
 interlude, 1 act 4 
 
 Female Detective, drama, 3 acts.... 11 
 
 Fernande, drama, 3 acts 11 
 
 Fifth Wheel, comedy, 3 acts .10 
 
 First Love, comedy, 1 act 4 
 
 Foiled, drama. 4 acts 9 
 
 Founded on Facts, farce, 1 act' '. " '. 4 
 
 Garrick Fever, farce, 1 act 7 
 
 Gertrude's Money Box, farce, 1 act. 4 
 Golden Fetter (Fettered), drama, 3 11 
 Goose with the Golden Eggs, farce, 
 
 1 act 5 
 
 Go to Putney, farce, 1 act \ 4 
 
 Happy Pair, comedietta, 1 act. . . '. '. '. 1 
 
 Hard Case (A), farce, 1 act 2 
 
 Henry Dunbar, drama, 4 acts 10 
 
 Heniy the Fifth, historical play, 5 38 
 
 He's a Lunatic, farce, 1 act 3 
 
 Hidden Hand, drama, 4 acts 5 
 
 His Own Enemy, farce, 1 act 4 
 
 Home, comedy, 3 acts 4 
 
 Household Fairy, sketch, 1 act! .... 1 
 
 Hunting the Slipper, farce, 1 act 4 
 
 High C, comedietta, 1 act 4 
 
 Hunchback (The), play, 5 acts 14 
 
 If I Had a Thousand a Year, farce, 
 
 1 act 4 
 
 I'm Not Mesilf at All, original Irish 
 
 stew, 1 act 3 
 
 In for a Holiday, farce, 1 act ...... . 2 
 
 In the Wrong House, farce, 1 act. . . 4 
 
 Isabella Orsini, drama, 4 acts 11 
 
 I Sha'l Invite the Major, comedy, 1 4 
 
 Jack Long, drama, 2 acts 9 
 
 Joy is Dangerous, comedy, 2 acts. . . 3 
 
 Kind to a Fault, comedy, 2 acts 6 
 
 Lady of Lyons, play, 5 acts. 12 
 
 Lame Excuse, farce, 1 act 4 
 
ONE NIGHT "n a 
 
 ULiLi 
 
 u 
 
 §m #thi0piaw ^fcettft in <®m gam. 
 
 / 
 
 By FRANK D U M O N T , 
 
 AUTHOR OF 
 
 My Wife's Visitors," " The Midnight Intruder," "Painter's Apprentice" " The 
 
 Noble Savage" " The Polar Bear," " Who 's the Actor?" " Absent Minded," 
 
 " Whose Baby is it ?" " Election Day," " The Lunatic," " Vinegar 
 
 Bitters," "An Awful Plot," "Rival Barber Shops," 
 
 "Making a Hit," " What shaU I Take?" etc. 
 
 Originally Performed at Gloucester, Mass., April 5th, 1876, by Duprez and Benedict's Minstrels. 
 
 TO WHICH ARE ADDED 
 
 A DESCRIPTION OP THE COSTUMES — CAST OF THE CHARACTERS — ENTRANCES 
 
 AND EXITS — RELATIVE POSITIONS OF THE PERFORMERS 
 
 ON THE STAGE, AND THE WHOLE OF 
 
 THE STAGE BUSINESS. 
 
 s 
 
 |Uew §Jc*t?t 
 ROBERT M. DE WITT, PUBLISHER, 
 No. 33 Rose Street. 
 
 Copyright, 1877, by Robert M. De Witt. 
 
 
 n-^_ 
 
 A . u . . "J 
 

 xW 
 
 <o 
 
 11 
 
 ONE" XI GUT IX A MEDICAL COLLEGE. 
 
 CAST OF CHARACTERS. 
 
 Esculapius Scalpel, a Medical Student Mr. J. T. Gulick 
 
 George Arrowroot, ) ^^ Trave]lerS) S Mr. Geo H Edwards 
 
 Peleg Venture, ) ' ( Mr. Sam Price 
 
 Slabside, engaged in questionable affairs Mr. D. H. Smith 
 
 The " Subject " in the Bag. .- Mr. Frank Dumont 
 
 The " Subject " on the Plank Master Lino 
 
 Midnight Visitors Messrs. Pox and Ward 
 
 Lucy, the Housekeeper Mr. Frank Kent 
 
 TIME OF PLAYING-TWENTY MINUTES. 
 
 Dark Cham ber. 
 
 4 U. E. ~ Window. Door. 4 U. E. 
 
 r. 3 e. n i 7 n l. 3 e. 
 
 / Table and Chairs. \ 
 
 R. 2 E. jSjr' Box * L. 2 E - 
 
 E. 1 E. \ \ C/ String with Hook. i,. L E. 
 
 / Subject on the Plank. \ 
 
 R. R. C C L. C. L. 
 
 V. Orchestra. ^^ 
 
 COSTUMES. 
 
 Scalpel. — Dressing Gown and Cap; White Vest and Pants; Eye- 
 glasses. 
 
 Arrowroot. — "White Hat; long Linen Duster, burned in the back; 
 rough Pants, Vest, etc. ; Fright Wig. 
 
 Venture. — Short White Ragged Jacket; Colored Vest; dilapidated 
 Hat and Pants ; Fright Wig. 
 
 Slabside. — Long Black Coat; Slouched Hat. 
 
 The Subject in the Bag. — Skeleton Mask ; colored Shirt. 
 
 The Subject on the Plank. — Chalk Marks on Face ; White Shirt ; 
 Black Pants ; long Black Hair. 
 
 Midnight Visitors. — Long White Gowns ; Masks with Red Foil glued 
 upon them. 
 
 Lucy. — Modern Chambermaid's Dress. 
 
 PROPERTIES. 
 
 One Table vjith Knives, Saws, Skull, Lighted Candle; two Chairs; a 
 Box ; Plank resting upon two Stools or Boxes ; one Sheet to cover Subject 
 on the Plank ; long Bag to envelope the other Subject ; a String with Fish 
 Hook attached; a small Pilloio, Handkerchief and piece of Bread placed in 
 small black Carpet Bag for Venture; small Bundle for Arrowroot; a 
 dilapidated Umbrella for Venture; Dish of Water and Hour to use as 
 Smear kase ; Loaf of Bread; Knife and Stone Bottle ; two Flash Boxes filled 
 vjith Lacapodium; large Head upon a Pole with White Gown to reach to the 
 floor; White Goivns for Midnight Visitors; Green Fire. 
 
 TW P96-007227 
 
ONE NIGHT IN A MEDICAL COLLEGE. 
 
 Scene. — Dark Chamber with Boor in fiat, and a Window papered and 
 painted to represent Panes of Glass. {Lights down.) Set a Table with 
 Skull, Knives, Saws, etc. ; lighted Candle upon Table. The Table, also two 
 Chairs, R. and L. of it, to occupy centre of Stage. Small wooden Box on 
 L. h. near wing ; a String with Hook attached leads out of wing, l. u. 2 
 e., to centre of Stage ; a Plank resting upon two Stools, r. h. 3 e. ; upon 
 it lies a "Subject," with Chalk marks upon Face ; Skeletons, Bones, etc., 
 placed at random about the apartment. At opening of fiats thunder and 
 lightning at entrances, as if a terrific storm was raging. 
 
 Esculapius Scalpel (discovered at table a). What an awful night ! the 
 rain is pouring in torrents and the lightning is almost continual. I never 
 saw such a storm ; it is a lit night for a medical student to pursue his 
 studies. 
 
 Enter Lucy, r. h. 1 e. 
 
 Lucy. Oh I what a stormy night it is ! 
 
 Scalpel. Haven't you gone home yet? 
 
 Lucy. It was so stormy I did not dare even look out of the door. 
 
 Scalpel. Well, it is quite late, and you had better go home at once. 
 Take my umbrella, you'll find it in the next room, and go home. 
 
 Lucy. I'm afraid of the lightning, sir. 
 
 Scalpel (aside). Confound it. I don't wish to be interrupted in my 
 studies to-night. (Aloud). It is not very stormy now and you need not be 
 afraid. Leave some lunch in the pantry for me. Let me see ; what did 
 I have last night ? 
 
 Lucy. Some crackers and smoked beef. 
 
 Scalpel. Well, get me some claret and some smearkase and bread. I 
 must sit up to-night, as I have a fine subject on that plank. 
 
 Lucy. Oh ! I wouldn't .be a doctor's wife for the world ! 
 
 Scalpel. Come, run home now, and don't forget my midnight lunch. 
 
 Lucy. All right, sir; I'll attend to it. Good night, doctor. 
 
 [She exits r. h. 1 e. 
 
 Scalpel. Good night. Now I am alone and every door is locked, I can 
 pursue my studies without fear of interruption. Gracious ! what a hor- 
 rible night it is. (Crash of thunder and a loud knock at door.) Hello! 
 who's there at this late hour! Who's there ? 
 
 Slabside (without). It's mo. Let me in. 
 
 Scalpel. I wonder who it is ? ( Opens door. Slabside enters mysteri- 
 ously.) Well, is this you, Slabside ? 
 
i ONE NIGHT IN A MEDICAL COLLEGE. 
 
 Slabside. Yes, I've got another one for you. I've got him outside. 
 Lucky it's so stormy (shakes rain from clothes). 
 
 Scalpel. Another one I well, bring him in. (Bus. Slabside brings in a 
 "subject" enveloped in a bag ; they seat him upon the box, L. H.) 
 
 Slabside. That's a heavy one, I tell you. 
 
 Scalpel. How much do I owe you ? 
 
 Slabside. Same as the rest — ten dollars. 
 
 Scalpel. Here's your money (gives money). If you get any more don't 
 forget me. 
 
 Slabside. I'll get you another to-morrow night. Good night, doctor. I 
 dread going out into that storm again (buttons up coat and exits through door). 
 
 Scalpel. "Well, I'm in luck. Two bodies. I can now try my electri- 
 cal battery to see if it is possible to resuscitate life (locks door). No one 
 to bother me, and the house deserted. Gay is the life of a medical stu- 
 dent. (Bus. Terrific peal of thunder and crash. George Arrowroot falls 
 into the room through the papered window, while several flashes of lightning 
 appear to strike him ; he rolls down to C. of stage, grasping his bundle. 
 Scalpel starts back and George rises ; goes to r. h.) 
 
 George. I've just got in. 
 
 Scalpel. "What's the matter with you ? 
 
 George. Just as I turned that corner the wind struck me and the light- 
 ning took all the starch out of my duster. I believe the lightning came 
 pretty close to me (turns back and shows duster burned in the back). 
 
 Scalpel. Yes, I believe it did scorch you I 
 
 George. I feel kinder singed ! 
 
 Scalpel. Now that you're in here, what do you want? 
 
 George. I want to stop here to-night ! 
 
 Scalpel. I don't keep a hotel, sir. 
 
 George. What do you keep ? 
 
 Scalpel. I keep these rooms for my own use. You'll find a hotel 
 several blocks from here. 
 
 George. Well, I don't go out into that storm again. I'm no hog ; I 
 know when I've got enough. 
 
 Scalpel. But you can't remain here, sir. Perhaps you don't know 
 where you are ? 
 
 George. Well, I didn't a few minutes ago when the lightning hit me. 
 
 Scalpel. I'm a medical student ; in the course of my studies of anatomy 
 I cut up people. You don't want to stay where I'm cutting up people, 
 do you? 
 
 George. I don't care as long as you don't cut into me. 
 
 Scalpel (aside). Confound it; this fellow is not a bit frightened. 
 (Aloud). See here, sir, you must leave this house. The ghosts of the 
 people I've cut up come in here every night at twelve o'clock. 
 
 George. Don't you get tired of seeing the same people every night? 
 
 Scalpel. They seize me by the hair of the head and drag me all over 
 the floor. Oh ! I've seen horrible sights in this house. 
 
 George. Well, why don't you move ? 
 
 Scalpel. The house is haunted. I can't sleep at night. 
 
 George. Well, sit up and enjoy yourself. Go out there and get struck 
 by lightning once and I'll bet you'll sleep. I feel a little bit sleepy 
 m}*seff. 
 
 Scalpel (aside). I never saw such a fellow in all my life ; he won't 
 scare the least bit. (Aloud). See here, let me warn you in time. These 
 ghosts come in here, and should they find you here they'll seize you by 
 
ONE NIOHT IN A MEDICAL COLLEGE. 5 
 
 the hair of the head, drag you all over the floor, spit flame and smoke 
 into your eyes, yell into your ears until their unearthly screams freezes the 
 blood in your veins and chills the marrow in your bones, making every 
 hair upon your head stand like quills upon the fretful porcupine. Go, sir ; 
 go ! Leave this house while you have a chance. 
 
 (Bus. Scalpel walks over to r. h., after having step by step forced George 
 to L. h. of stage). Now he'll be only too glad lo get out. 
 
 George (removing coat). "Well, I'll risk it to-night, any way. 
 
 Scalpel (astonished). What ! Will you remain here ? 
 
 George. Yes, I'll stay here to-night, and if I like it I'll come around 
 and board here for good. You look pretty well for a man that's went all 
 through them troubles. Bring in your ghosts; I'll wrestle with them just 
 once (prepares to fight). Where are they ? 
 
 Scalpel. You'll have a chance to display your courage very soon ; it is 
 near twelve o'clock, and you'll see that I have spoken the truth. Your 
 bed will be the hard floor. 
 
 George. Oh ! I've been there before. 
 
 Scalpel. To show you that I'm not deceiving you, come here, sir, and 
 look upon this (takes George to subject upon the plank). Do you see this ? 
 
 George (laughs). What ails him ? Was he out in the storm ? 
 
 Scalpel. That man is dead ! 
 
 George. Drunk ? 
 
 Scalpel. No, sir ; stone dead. (Points to subject in bag) ; there's another 
 one in that bag. 
 
 George. Is he dead, too? 
 
 Scalpel. Yes, sir. 
 
 rv~~o~ rE (jaughsy Golly I that fellow died sitting up, didn't he ? 
 
 Scalpel. You seem to think light of these things, but you will pay dear 
 for your stupidness. I'll leave you to your fate. If I hear your cries for 
 help I will not come to your assistance. Good night. Sleep if you can 
 (going). 
 
 George. Oh ! I'll sleep — you bet I will. 
 
 Scalpel. Well, I hope you will ; you'll have the house to yourself. 
 Good night, sir. 
 
 George. Au revoir. Say! what time did you say they'd come in 
 here? 
 
 Scalpel. At twelve o'clock. 
 
 George. Shall I give them your regards? 
 
 Scalpel. You'll have enough to do to take care of yourself. (Aside.) 
 I'll bet he will never want to sleep another night in a medical college. 
 I'll put up a job upon him that he will remember as long as he lives. 
 Good night ! [Exits r. ii. 1 e. 
 
 George (laughs). He thought he was going to scare me, but he didn't 
 (laughs loud, a,nd the laugh is reechoed outside in sepidchral tones. The sub- 
 ject in the bag laughs and moves head. George herns, slightly frightened, and 
 observes the bag moving.) That feller in the bag ain't dead yet. Well, old 
 feller, if you fool with mo I'll finish you. I don't feel so well now as I 
 did a while ago. Suppose the ghosts were to come in here, how would I 
 get out? I'd have to get out the same way I came in. Well! I've got 
 tlie house all to myself. 
 
 Peal of thunder ; loud crash and flash of lightning at window, Peleg 
 Venture tumbles in through tlie open window while flashes of lightning en- 
 
6 ONE NIGHT IN A. MEDICAL COLLEGE. 
 
 velope him; he falls upon the floor, grasping an umbrella ripped and torn to 
 shreds, no stick or handle to it. George runs to corner, l. h. Peleg rises 
 and stands trembling' near footlights, r. h. ; hair on head is standing erect from 
 fright ; he finally picks up carpet bag and hat, which he slung through window 
 as he fell through ; perceives George. 
 
 Peleg (aside). Hello ! there's the landlord ; he'll be mad because I came 
 in so sudden. 
 
 George (coming toiuards Peleg). Say ! what do you want here ? 
 
 Peleg. Do you want to buy an umbrella? (Holds out the torn umbrella.) 
 I'm agent for lightning rods. Do you want to buy one ? 
 
 George. If I'd seen you a while ago I'd bought one, because I got 
 struck by lightning. How did you get in here? 
 
 Peleg. I came in through the window. 
 
 George. That's the same way I came in. 
 
 Peleg. Ain't you afraid of lightning? 
 
 George. No; I'm used to it. "What do you want here, any way? 
 
 Peleg. I was standing under an awning over on the corner, and the 
 wind blew it down, so I saw a light over in this window, and I thought 
 I'd come over and see who lived here. 
 
 George. You'd better get out of this house. Haven't you heard any- 
 thing about this place ? 
 
 Peleg. No; I just come over here. 
 
 George. This house is haunted ! I'm a medical stewjum, and I cut up 
 people. If you stay here I'll have to cut you up I 
 
 Peleg. I don't want anybody to cut me. 
 
 George. Well, if you stay here, I must cut you up. (Gets knife from 
 table and sharpens it upon his shoe.) You'd better get out before I chop 
 into you. 
 
 Peleg. You stop fooling ; let me alone. 
 
 George. This place is full of ghosts. They come in here every night 
 and grab you by the hair, drag you all around the floor, spit smoke into 
 your eyes and fire all over you ; makes your quills stand like hair on a 
 porcupine. (Kicks Peleg.) You'd better get out. Oh ! I must cut you 
 up. I've got to cut you up any way I 
 
 Peleg. Have you got any proof that the house is haunted ? Did you 
 see anything ? 
 
 George. Come here. ( Grabs Peleg and takes him over to subject on 
 jylank.) Do you see that ? That's one of them (shows Peleg the bag), and 
 there's another one over there. (They go to centre of stage.) 
 
 Peleg. What's the matter with them ? Are they asleep ? 
 
 George. No ; they're dead. 
 
 (Pistol shot in wings. Peleg and George fall to the floor and lie per- 
 fectly still, having thrown carpet bag, etc., upwards. George lies with legs 
 upwards. Peleg raises head and finally arises, trembling, and stoops to pick 
 up his carpet bag. A loud rap is heard in wing as he does so. He starts, 
 trembling, with hair erect. As he picks up his hat another rap is heard — bus. 
 ad lib. As he picks up his umbrella a loud crash is heard, and Peleg 
 bolts for the door. George rises.) 
 
 George. Stop ! Where are you going ? 
 
 Peleg. I'm going back under that awning. (Goes toward r. h.) 
 George. Look out; don't go in that room; that's where I cut up 
 people. (Peleg starts back.) 
 
ONE NIGHT IN A MEDICAL COLLEGE. 7 
 
 Peleg. I don't want to stay in this house. There's too much noise 
 in here, and I'm awful nervous. 
 
 George. That's the reason you want to lay down and rest. Take a 
 sleep and you'll feel better ; let's go to bed. There's nothing wrong with 
 the house ; I was only fooling you. 
 
 Peleg (looking around). Where's the bed ? I don't see any. 
 
 George. Why, right down here. (Points to floor.) It's a nice feather 
 bed! 
 
 Peleg ( feeling the floor). I guess they took the feathers out and let the 
 chickens get in. 
 
 George. There's nice slats in this bed. 
 
 Peleg. If we roll out of bed it won't hurt us much. But I always go 
 fixed when I'm out among strangers. ( Opens carpet lag and takes out a 
 very small pillow.) 
 
 George. What do you call that ? 
 
 Peleg. That's my pillow. (Places it on floor.) 
 
 George (picking it up). It looks like a pin cushion. I'm afraid that 
 pillow will get into my ear. ( While speaking he fastens the fish hook into 
 the pilloio and places pillow on floor ; it is then ready to be drawn off into 
 ■wing. George is about to lie down upon it.) 
 
 Peleg. Hold on! don't aret into bed yet. Wait until I fix the blanket. 
 (He takes out a handkerchief from carpet bag and spreads it upon the floor.) 
 
 George. That's the thinnest blanket I ever saw. Come, get into bed. 
 (As he is about to place his head upon the pillow it is slowly drawn off to- 
 wards l. h. George raises head and observes it.) There goes the pillow ! 
 Quick, get the candle ! get the candle ! (Bus. Peleg takes candle from 
 the table, while George follows after the pillow — he is about to grab it, when 
 it is suddenly pulled into wing, L. h^ 2 e. George turns to look for Peleg, 
 going to c. of stage, as Peleg comes behind him and approaches wing l. h. 
 2 e. A form is seen to dart out of this wing and blow out Peleg's candle, 
 then dart back again.) 
 
 Peleg. Somebody blew out my candle. 
 
 George. I never see such a feller as you are. Where are you ? Bring 
 the candle over here (groping in the dark). 
 
 Peleg. Whistle, so I'll know where you are. (They run into each other, 
 and George takes the candle from Peleg.) 
 
 George. Go over to the table and get a match. 
 
 Peleg. Where's the table? (Finds table, and feeling around finds skull.) 
 Here's the match box ! 
 
 George (feeling in pockets). Well, bring it over here. You're too 
 slow, I've found a match. (Strikes a light as Peleg comes over with the 
 skull; as he comes towards the light he sees the skull he is holding and hastily 
 replaces it upon the table, trembling.) 
 
 Peleg. That's a funny match box! 
 
 George. If you don't stop your fooling I'll have to cut you up! Lay 
 down now and see if you can't sleep. (They lie down upon the floor, George 
 using his bundle for a pillow.) Look out there, no yamping the blankets ! 
 (^4. deep groan is heard. Peleg raises his head as the subject on the plank 
 raises his left leg and lowers it. Peleg jumps up, and as he comes towards 
 the subject in the bag an arm is seen to issue from the bag and clutch at 
 Peleg, who, trembling in every limb, runs 10 George, ivho is sound asleep, 
 and repeatedly kicks him.) 
 
 Peleg. George! George! George! Oh! how sound he sleeps. 
 George, that other boarder over on the mantlepiece wants a drink of 
 
8 ONE NIGHT IN A MEDICAL COLLEGE. 
 
 water. George ! (George snores.) Oh ! hear him draw his breath. 
 Well, I can't sleep; I'm too nervous. So I'll sit up on the edge of the 
 bed and tell stories all night. (Sits down in front of George and opens 
 carpet bag.) I think I'll eat a piece of ginger cake. (Bus. As he takes 
 the cake from carpet bag and is about to eat it a dark ghostly form comes 
 from l. h. 1 e. and snatches the cake from him and exits with it R. h. 1 E. 
 Peleg starts up and again kicks George until he wakes him.) 
 
 George. What did you wake me for? 
 
 Peleg. I had my table all set, and the landlord came up just now and 
 cleaned away all the provisions. 
 
 George. So you've been eating while I was asleep, and wouldn't wake 
 me to give me some. Oh ! I've got to cut you up. 
 
 Peleg. Well, L didn't have enough to go around. 
 
 George. You've got me in the humor of eating. Let us search and see 
 if we can't find something to eat. You look over there and I'll look over 
 this wajr. ( Peleg goes over to the bag.) 
 
 Peleg. Here's a bag of mock oranges. (Puts his hand into it, but has- 
 tily draivs it out, trembling.) There's nothing in that good to eat. (George 
 finds lunch in wing, r. h. 2 e. and returns with dish of smear kase and 
 spoon, loaf of bread, knife and bottle.) 
 
 George. Oh! see what I've found. Oh! supper. Supper for one. 
 
 Peleg. Oh ! supper. Supper for two ! 
 
 (They place it upon table and seat themselves R. and L. of table. The sub- 
 ject in the bag moves over and stands directly behind the table. George, as 
 he is about to cut the bread, turns and sees the bag.) 
 
 George. Hello ! how did that bag get over there ? 
 
 Peleg. I'm blamed if 1 know ! Let's eat ; I'm awful hungry. 
 
 (The subject in the bag pokes his head out of bag — the head covered with 
 a skeleton mask. Peleg turns and sees the hideous face; he arises and runs, 
 trembling, to R. H. 
 
 George. Come over and get some bread and smear kase. (Cuts slice of 
 bread.) 
 
 Peleg. No, I ain't a bit hungry; it makes me nervous to eat at 
 night. I imagine I see things. 
 
 George. Come over. ( With spoon he places large amount of smear kase 
 on the slice of bread.) Oh ! look at this nice smear kase, and watch me 
 eat it. (As he is about to eat it the subject in the bag reaches out his hand 
 and pushes the bread against George's face, smearing his face with the stuff 
 that is on the bread. George rises and comes front.) 
 
 Peleg (laughs). Oh ! look at your face. You're too greedy. (He goes 
 over to George.) 
 
 George. You pushed that into my face. I'll fix you as socn as I get it 
 out of my eye. (The subject in the bag comes down between them, exposes 
 his head and yells at Peleg, who rushes toward 1 e., r. h., to escape. There 
 he is met by a flash of fire. George turns and sees the skeleton head of the 
 subject in the bag. George, rushes over to 1 e., l. h., and there he is also 
 met by a flash of fire. Two figures', robed in whit', with flash boxes, come 
 from 1 e., r. and l., and follow Peleg and George, who are staggering and 
 falling, to centre of stage. These figures use the flash boxes in throwing 
 flames at the two travellers. The subject in the bag seizes George by the 
 throat, holding him down. Tlie subject upon the plank leaps from it and 
 seizes Peleg in the same way. Large head, with long white robe, appears at 
 
ONE NIGHT 
 
 A MEDICAL COLLEGE. 
 
 lack from 3 e m r. h., and stands roith arms outstretched in the background. 
 Terrific crashes, blowing of horns and ringing of bells, etc. Light green fire 
 in wings at first appearance of the phantoms with the flash boxes. Picture 
 of horror ! 
 
 Cuetain. 
 
 EXPLANATION OF THE STAGE DIRECTIONS 
 The Actor is supposed to face the Audience 
 
 / 
 
 SCENE. 
 
 R. 2K. 
 
 / 
 
 B. 1 E. 
 
 / 
 
 / 
 
 O. 
 
 AUDIENCE. 
 
 \ 
 
 \ 
 
 l.2e. 
 
 \ 
 
 L. 1 E. 
 
 \ 
 
 l. Left. 
 
 i,. c. Left Centre. 
 
 L. 1 b. Left First Entrance. 
 
 L. 2 E. Left Second Entrance. 
 
 l. 3 E. Left Third Entrance. 
 
 L. u. e. Left Upper Entrance 
 
 (wherever this Scene may he). 
 
 d. l. c. Door Left Centre. 
 
 c. Centre. 
 k. Right. 
 
 k. 1 e. Right First Entrance. 
 
 r. 2 e. Right Second Entrance. 
 
 r. 3 e. Right Third Entrance. 
 
 b. v. e. Right Upper Entrance- 
 
 d. r. c. Door Right Centre. 
 
]5e WITT'S ACTING PLAYS (Continued). 
 
 No. 
 144. 
 
 34. 
 137. 
 111. 
 119. 
 165. 
 
 48. 
 ■ 32. 
 164. 
 109. 
 
 85. 
 
 87. 
 143. 
 189. 
 163. 
 154. 
 
 63. 
 
 39. 
 7. 
 
 49. 
 
 15. 
 
 46. 
 
 51. 
 184. 
 108. 
 188. 
 169. 
 130. 
 
 92. 
 
 140. 
 
 115. 
 2. 
 
 57. 
 104. 
 112. 
 185. 
 
 84. 
 117. 
 
 171. 
 14. 
 
 173. 
 176. 
 
 90. 
 170. 
 
 33. 
 3. 
 
 97. 
 
 66. 
 
 172. 
 
 94. 
 
 45. 
 155. 
 
 178. 
 
 147. 
 156. 
 82. 
 127. 
 
 M. F. 
 
 Lancashire Lass, melodrama, 5 acts.12 
 Larkins' Love Letters, farce, 1 act . . 3 
 
 L'Article 47, drama, 3 acts .11 
 
 Liar (The), comedy, 2 acts 7 
 
 Life Chase, drama, 5 acts 14 
 
 Living Statue (The), farce, 1 act. . . . 3 
 Little Annie's Birthday, farce, 1 act. 2 
 
 Little Rebel, farce, 1 act 4 
 
 Little Ruby, drama, 3 acts 6 
 
 Locked In, comedietta, 1 act 2 
 
 Locked In with a Lady, sketch, 1 act. 1 
 
 Locked Out, comic scene 1 
 
 Lodgers and Dodgers, farce, 1 act. . 4 
 Leap Year, musical duality, 1 act. . . 1 
 
 Marcoretti, drama, 3 acts 10 
 
 Maria and Magdalena, play, 4 acts . 8 
 Marriage at Any Price, farce, 1 act. 5 
 Master Jones 1 Birthday, farce, 1 act 4 
 
 Maud's Peril, drama, 4 acts 5 
 
 Midnight Watch, drama, 1 act 8 
 
 Milky White, drama, 2 acts 4 
 
 Miriam's Crime, drama, 3 acts '5 
 
 Model of a Wife, farce, 1 act 3 
 
 Money, comedy, 5 acts 17 
 
 Mr. Scroggins, farce, 1 act 3 
 
 Mr. X., farce, 1 act 3 
 
 My Uncle's Suit, farce, 1 act 4 
 
 My Wife's Diarv, farce, 1 act 3 
 
 My Wife's Out, farce, 1 act 2 
 
 My Walking Photograph, musical 
 
 duality, 1 act 
 
 Never Reckon Your Chickens, etc., 
 
 farce, 1 act 3 
 
 New Men and Old Acres, comedy, 3 8 
 
 Nobody's child, drama, 3 acts 8 
 
 Noemie, drama, 2 acts 4 
 
 No Name, drama, 5 acts 7 
 
 Not a Bit Jealous, farce, 1 act ..... . 3 
 
 Not So Bad as We Seem, play, 5 acts. 14 3 
 
 Not Guilty, drama, 4 acts 10 6 
 
 Not Such a Fool as He Looks, drama, 
 
 3 acts 5 4 
 
 Nothing Like Paste, farce, 1 act 3 1 
 
 No Thoroughfare, drama, 5 acts and 
 
 prologue 13 6 
 
 Off the Stage, comedietta, 1 act 3 3 
 
 On Bread and Water, farce, 1 act. . . 1 2 
 
 Only a 1 1 alf penny, farce, 1 act 2 2 
 
 Only Somebody, farce, 1 act 4 2 
 
 One too Many for Him, farce, 1 act. 2 3 
 
 £100,000, comedy, 3 acts 8 4 
 
 Orange Bio- soms, comedietta, 1 act. 3 3 
 Orange Girl, drama, in prologue 
 
 and 3 acts 18 4 
 
 Ours, comedy, 3 acts 6 3 
 
 Our Clerks, farce, 1 act 7 5 
 
 Our Domestics, comedy farce, 2 acts 6 6 
 Our Heroes, military play. 5 acts. . .24 5 
 Out at Sea, drama in prologue and 
 
 4 acts 16 5 
 
 Overland Route, comedy, 3 acts 11 5 
 
 Peace at Any Price, farce, 1 act 1 1 
 
 Peep o' Day, drama, 4 acts 12 4 
 
 Peggy Green, fane, 1 act 3 10 
 
 Petticoat Parliament, extravaganza, 
 
 in one act 15 24 
 
 Photographic Fix, farce, 1 act 3 2 
 
 A COMPLETE 
 
 1 1 
 
 3 4 
 5 
 
 3 
 4 
 
 5 
 3 
 
 35. 
 
 7 5 
 
 No. M. J\ 
 
 61. Plot and Passion, drama, 3 acts 7 2 
 
 138. Poll and Partner Jce, burlesque, 1 
 
 act 10 3 
 
 110. Poppleton's Predicaments, farce, 13 6 
 
 50. Porter's Knot, drama, 2 acts 8 2 
 
 59. Post Boy, drama, 2 acts 5 3 
 
 95. Pretty Horse-Breaker, farce, 1 act.. 3 10 
 
 181 and 182. Queen Mary, drama, 4 acts.38 8 
 
 157. Quite at Home, comedietta, 1 act. . . 5 2 
 196. Queerest Courtship (The), comic op 
 
 eretta, 1 act 1 1 
 
 132. Race for a Dinner, farce, 1 act 10 
 
 183. Richelieu, play, 5 acts. ..16 2 
 
 38. Rightful Heir, drama, 5 acts 10 2 
 
 77. Roll of the Drum, drama, 3 acts 8 4 
 
 13. Ruy Bias, drama, 4 acts 12 4 
 
 194. Rum, drama, 3 acts 7 4 
 
 195. Rosemi Shell, travesty, 1 act, 4 
 
 scenes 6 3 
 
 158. School, comedy, 4 acts 6 6 
 
 79. Sheep in Wolf's Clothing, drama, 1 
 
 Silent Protector, farce, 1 act 
 
 Silent Woman, farce, 1 act 
 
 43. Sisterly Service, comedietta, 1 act. 
 6. Six Months Ago, comedietta, 1 act 
 10. Snapping Turtles, duologue, 1 act. 
 
 26. Society, comedy, 3 acts 
 
 78. Special Performances, farce, 1 act. 
 31. Taming a Tiger, farce, 1 act 3 
 
 150. Tell-Tale Heart, comedietta, 1 act . . 1 
 120. Tempest in a Teapot, comedy, 1 act. 2 
 146. There's no Smoke Without Fire, 
 
 comedietta, 1 act 
 
 83. Thrice Married, personation piece, 
 
 1 act 
 
 42. Time and the Hour, drama, 3 acts. . 
 
 27. Time and Tide, drama, 3 acts and 
 
 prologue 7 
 
 133. Timothy to the Rescue, farce, 1 act. 4 
 153. 'Tis Better to Live than to Die, 
 
 farce, 1 act 2 
 
 134. Tompkins the Troubadour, farce, 1 3 
 29. Turning the Tables, farce, 1 act 5 
 
 168. Tweedie's Rights, comedy, 2 acts.. 4 
 
 126. Twice Killed, farce, 1 act 6 
 
 56. Two Gay Deceivers, farce, 1 act 3 
 
 123. Two Polts, farce, 1 act 4 
 
 198. Twin Sisters (The), comic operetta, 
 
 lact 3 
 
 162. Uncle's Will, comedietta, 1 act 2 
 
 106. Up for the Cattle Show, farce, 1 act. 6 
 81. Vandyke Brown, farce, lact 3 
 
 124. Volunteer Review, farce, 1 act 6 
 
 91. Walpole, comedy, 3 acts 7 
 
 118. Wanted, a Young Lady, farce, 1 act. 
 
 1 2 
 
 7 3 
 
 War to the Knife, comedy, 3 acts. . . 5 
 05. Which of the Two? comedietta, lact 2 
 
 98. Who is Who? farce, 1 act 3 
 
 12. Widow Hunt, comedy, 3 acts 4 
 
 5. William Tell with a Vengeance, 
 
 burlesque 
 
 36. Woman in Red, drama, 3 acts and 
 
 prologue 6 
 
 61. Woman's Vows and Mason's Oaths, 
 
 4 acts 10 
 
 11. Woodcock's Little Game, farce, 2 4 
 54. Young Collegian (Cantab.), farce, 1 3 
 
 8 2 
 
 DESCRIPTIVE CATALOGUE 
 
 of DE WITT'S ACTING PLAYS AND PE WITT'S 
 
 ETHIOPIAN AND COMIC DRAMAS , containing Plot, Costume, Scenery, 
 Time of Representation and every other information, mailed free and post paid. Address, 
 ROBERT M. DE WITT, 33 Rose Street, New York. 
 
DE WITT'S STHIQHAH & COMIC DEAMAS, 
 
 Nothing so thorough and complete in the way of Ethiopian and Comic Dramas has ever 
 been printed as those tJiat appear in the folloiving list. Not only are the plots excellent, the 
 characters droll, the incidents funny, the language humorous, but all the situations, by-play, 
 positions, pantomimic business, scenery and tricks are so plainly set down, and clearly ex- 
 plained, that the merest novice could put any of them on the stage. Included in this catalogue 
 are all the most laughable and effective pieces of their class ever produced. 
 
 *** In ordering, please copy the figures at the commencement of each play, xvhich indicate 
 the number of the piece in " De Witt's Ethiopian and Comic Drama." . 
 
 Any of the following Plays sent, postage free, on receipt of price— 15 Cents Each. 
 
 Address, ROBERT M. DE WITT, 
 
 JVo. 33 ffose Street, JVew York, 
 
 JSP™ The figure following the name of the Play denotes the number of Scenes, 
 figures in the columns indicate the number of characters. — M. male; F. female. 
 *** Female characters are generally assumed by males in these plays. 
 
 The 
 
 No. 
 73. 
 
 6. 
 10. 
 11. 
 24. 
 40. 
 42. 
 43. 
 78. 
 79. 
 
 89: 
 
 35. 
 41. 
 12. 
 50. 
 53. 
 63. 
 64. 
 95. 
 
 4. 
 52. 
 67. 
 93. 
 25. 
 51. 
 88. 
 17. 
 31. 
 23. 
 58. 
 70. 
 77. 
 82. 
 i 83. 
 86. 
 
 3. 
 23. 
 48. 
 61. 
 68. 
 71. 
 33. 
 91. 
 
 1. 
 IS. 
 
 African Bos, burlesque, 2 scenes. . . 5 
 Black Chap from Whitechapel, 1 s. 4 
 
 Black Chemist, sketch, 1 scene 3 
 
 Black Ey'd William, 2 scenes 4 1 
 
 Bruised and Cured, sketch, 1 scene. 2 
 
 Big Mistake, sketch, 1 scene 4 
 
 Bad Whiskey, sketch, 1 scene 2 1 
 
 Baby Elephant, sketch, 2 scenes. . . 7 1 
 
 Bogus Indian, sketch, 4 scenes 5 2 
 
 Barney's Courtship, Irish, 1 scene. 1 1 
 Bogus Talking Machine, Dutch 4 
 Coal Heavers' Revenge, 1 scene.. 6 
 
 Cremation, sketch, 2 scenes 8 1 
 
 Daguerreotypes, sketch, 1 scene 3 
 
 Draft (The), sketch, 1 act, 2 scenes. 6 
 
 Damon and Pythias, 2 scenes 5 1 
 
 Darkey's Stratagem, sketch, 1 act. . 3 1 
 Dutchman's Ghost, sketch, 1 scene. 4 1 
 
 Dutch Justice, sketch, 1 scene 11 
 
 Eh ? What is it ? sketch, 1 scene. . . 4 1 
 
 Excise Trials, sketch, 1 scene 10 1 
 
 Editor's Troubles, farce, in 1 scene. . 6 
 Elopement (The), farce, 2 scenes. . . 4 1 
 Fellow That Looks Like Me, 1 s.. . . 2 1 
 Fisherman's Luck, sketch, 1 scene. 2 
 First Night, Dutch sketch, 4 scenes 4 2 
 
 Ghost (The), sketch, 1 scene 2 
 
 Glycerine Oil, sketch, 2 scenes 3 
 
 Going for the Cup, interlude, 1 scene 4 
 
 Ghost in a Pawnshop, 1 scene 4 
 
 Guide to the Stage, sketch, 1 scene. 3 
 Getting Square on Call Boy, 1 scene 3 
 Good Night's Rest, sketch, 1 scene 3 
 German Emigrant, sketch, 1 scene. 3 1 
 
 3 1 
 
 2 1 
 
 Gripsack, sketch, 1 scene 
 
 Hemmed In, sketch, 1 scene 
 
 Hard Times, extravaganza, 1 scene. 5 1 
 
 High Jack, the Heeler, 1 scene 
 
 Happy Couple, sketch, 1 scene.. . 
 
 Hippotheatron, sketch, 1 scene 9 
 
 In and Out, sketch, 1 scene 2 
 
 Jealous Husband, sketch, 1 scene 2 
 
 Julius the Snoozer, 3 scenes 7 
 
 Last of the Mohicms, 1 scene 3 
 
 Live Injun, sketch, 4 scenes 4 
 
 Laughing Gas, sketch, 1 scene 6 
 
 Lucky Job, farce, 2 scenes 3 
 
 Lost Will, sketch, 1 scene 4 
 
 Lunatic (The), sketch, 1 scene 3 
 
 Mutton Trial, sketch, 2 scenes 4 
 
 Malicious Trespass, sketch, 1 scene. 3 
 
 No. 
 44. 
 96. 
 
 101. 
 49. 
 22. 
 27. 
 30. 
 76. 
 
 9. 
 57. 
 65. 
 66. 
 87. 
 91. 
 9-2. 
 14. 
 26. 
 45. 
 55. 
 81. 
 
 7. 
 13. 
 15. 
 80. 
 64. 
 21. 
 1G. 
 
 56. 
 
 72. 
 
 74. 
 
 inn. 
 
 102. 
 
 5. 
 
 2. 
 
 34. 
 
 47. 
 
 54. 
 
 38. 
 
 32. 
 
 85. 
 
 Musical Servant, sketch, 1 scene... 3 
 Midnight Intruder (The), 1 scene. . 6 
 
 Molly *Moriarty, Irish, 1 scene 1 
 
 Night in a Strange Hotel, 1 scene. ... 2 
 Obeying Orders, sketch, 1 scene... 2 
 
 100th Night of Hamlet, 1 scene 7 
 
 One Night in a Bar Room, 1 scene 7 
 One, Two, Three, sketch, 1 scene.. V 
 
 Policy Players, sketch, 1 scene 7 
 
 Pompey's Patients, 2 scenes- (i 
 
 Porter's Troubles, sketch, 1 scene.. 6 
 Port Wine vs. Jealousy, 1 scene. . 2 
 Pete the Peddlar, sketch, 1 scene.. 2 
 Painter's Apprentice (The), 1 S';ene 5 
 
 Polar Bear (The,) farce, 1 scene 5 
 
 Recruiting Office, sketch, 2 scenes. 5 
 
 Rival Tenants, sketch, 1 scene 4 
 
 Remittance from Home, 1 scene . . . (i 
 
 Rigging a Purchase, 1 scene 2 
 
 Rival Artists, sketch, 1 scene 3 
 
 Stupid Servant, sketch, 1 scene 2 
 
 Streets of New York, sketch, 1 scene (J 
 
 Sam's Courtship, farce, 1 scene 2 
 
 Scenes on the Mississippi, 2 scenes. 6 
 Serenade (The), sketch, 2 scenes. . . 7 
 
 Scampini, pantomime, 2 scenes 6 
 
 Storming the Fort, sketch, 1 scene. 5 
 Siamese Twins, sketch, 2 scenes... 5 
 
 Slippery Day, sketch, 1 scene 6 
 
 Stage Struck Couple (The), 1 scene. 2 
 Sausage Makers (The), sketch, 2 s.. 5 
 Squire for a Day, sketch, 1 scene. . . 5 
 
 Stranger (The), sketch, 1 scene 1 
 
 SleepWalker (The), sketch, 2 scenes 3 
 Three Chiefs (The), sketch, 2 scenes 6 
 
 Three, A. M., sketch, 1 scene 3 
 
 Two Black Roses (The), sketch. ... 4 
 
 Tricks, sketch, 2 scenes 5 
 
 Three Strings to One Bow, 1 scene. 4 
 Take It, Don't Take It, sketch, 1 s. 2 
 
 Them Papers, sketch, 1 scene 3 
 
 Uncle Eph's Dream, sketch, 2 s ... 3 
 Vinegar Bitters, sketch, one scene. 6 
 Who Died First, sketch, 1 scene. . . 3 
 Wake up, William Henry, 1 scene. . 3 
 Wanted, a Nurse, sketch, 1 scene.. 5 
 Weston the Walkist, Dutch 1 scene 7 
 What Shall I Take '? sketch, 2 scenes 8 
 Who's the Actor ? farce, 1 scene. . . 4 
 Wrong Woman in the Right Place 3 
 Young Scamp (The), sketch, 1 scene 3 
 

 
 
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