LIBRARY OF CONGRESS. 
 
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 UNITED STATES OF AMERICA. 
 
 
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tDalt tol)itman'0 tUork©. 
 
 LEAVES OF GRASS. 
 
 Poems— including Sands at Seventy (Is* Annex), Good-Bye 
 My Fancy (.2d Annex), A Backward Glance o'er Travel'd 
 Roads, and Portrait from Life. Price $3.00. 
 
 Pocket edition, including A Backward Glance— Poriraziis— 
 morocco. Price $5.00. 
 
 SPECIMEN DAYS AND COLLECT. 
 
 Prose— a Biography— Memoranda of the Secession War and 
 Army Hospital Labors at the time and on the spot—ioith many 
 Essays {including Democratic Vistas), etc., etc. Price $2.00. 
 
 NOVEMBER BOUGHS. 
 
 Including A Backward Glance o'er Travel'd Roads, Sands 
 AT Seventy {Annex to Leaves of Grass) and Notes on Elias 
 Hicks, etc., etc. Price $1.25. 
 
 WALT WHITMAN COMPLETE. 
 
 A large volume of 900 pages, containing the three books men- 
 tioned above— being all W. TF.'s xoorks, poems and prose com- 
 plete, except Good-Bye My Fancy; portraits from life, and 
 autograph. Price $6.00. 
 
 GOOD-BYE MY FANCY. 
 
 Containing all the latest poems and a number of the Essays 
 in Prose. America's National Literature, etc. Price $1,00. 
 
 WALT WHITMAN. 
 
 A Biography and Essay. By Dr. R. M. Bucke. Price $2.00. 
 
 CAMDEN'S COMPLIMENT TO, ON HIS SEVENTIETH 
 BIRTHDAY. 
 
 Containing the Addresses, Letters, Notes, and Telegrams. 
 Edited by Horace L. Traubel. With frontispiece from bust by 
 Sidney H. Morse. Price 50 cents. 
 
 Any of the above volumes may be ordered of 
 
 OHAELES L. WEBSTEE & OOMPA]!TY, NEW YOEK, 
 
 —or op— 
 DAVID MoKAY, P^iablishLer. 
 
 23 South 9tli Street, Philadelphia, Penu. 
 
iTiction, fatU anb fam^ 0ciic5 
 
 Edited ey Arthur Stedman 
 
 SELECTED POEMS 
 
JTittion, lati, antr Jancg Series. 
 
 MERRY TALES. 
 
 By Mark Twain. 
 
 THE GERMAN EMPEROR AND HIS EASTERN 
 NEIGHBORS. 
 
 By Poultney Bigelow. 
 
 SELECTED POEMS. 
 
 By Walt Whitman. 
 
 DON FINIMONDONE : CALABRIAN 
 SKETCHES. 
 
 By Elisabeth Cavazza. 
 
 Other Volumes to be Announced. 
 
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 Bound in Illuminated Cloth, each, 75 Cents. 
 
 ^*:jj For Sale by all Booksellers, or sent postpaid, on re- 
 ceipt of price, by the PiMishers, 
 
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*«^ 
 
Selected Poems 
 
 7 
 
 WALT WHITMAN 
 
 ^^92^ y 
 
 5feu) gork 
 
 CHARLES L. WEBSTER & CO. 
 1892 
 

 Copyright, 1855, 1856, i860, 1867, 1871, 1876, 1881, 
 1888, 1891, and 1892, 
 
 WALT WHITMAN. 
 
 {All rights reserved.^ 
 
 PRESS OF 
 
 Jenkins & McCowan, 
 
 NEW YORK. 
 
EDITOR'S NOTE 
 
 This edition of Mr. Whitman's poems is, on his part, 
 a concession to friendship. He has not abandoned his 
 position, but has yielded to urgent request. Several 
 eclectic editions of "Leaves of Grass" have been is- 
 sued in England and Scotland, most of them with his 
 half-willing consent. Here, where he can assert his 
 rights, he never has permitted one such to appear. 
 
 With regard to the editor, the volume is partially a 
 concession to the spirit which banished "Leaves of 
 Grass " from Massachusetts. It cannot, however, be 
 styled a concession to the New England critics who 
 begrudge any good thing which comes out of Manhat- 
 tan. It is intended rather as a justification of New 
 England's leaders of thought, who have consistently 
 appreciated Mr. Whitman's genius from the first. 
 
 My intention has been to offer, in a conventional 
 form, those of his poems which are held to be most 
 nearly in harmony with the poetic era (though really 
 they have a character quite apart from it), and to add 
 selections from his more distinctive chantings. With 
 the choice and arrangement of the poems Mr. Whit- 
 man has had nothing to do, save in the most general 
 way of approval. 
 
Vlll EDITORS NOTE 
 
 I sincerely believe this little collection will be a reve- 
 lation even to those who know their Whitman. It 
 seems to me that a defective lyrical sense can be the 
 only excuse for those who do not find him wonderfully 
 rhythmic. Some may declare that I have tried to 
 chisel a statuette out of a particularly rugged boulder, 
 but if they will admit that the carving has been neatly 
 done, they are welcome to call the book a paradox. 
 
CONTENTS 
 
 PAGE 
 
 Nature, Man, and Self. 
 
 To the Man-of-War Bird 13 
 
 A Paumanok Picture 14 
 
 Patroling Barnegat 15 
 
 With Husky-Haughty Lips, O Sea! 16 
 
 Old Salt Kossabone 17 
 
 To the Sun-set Breeze 18 
 
 From Far Dakota's Canons 19 
 
 Death of General Grant ........ 21 
 
 The Dead Tenor 22 
 
 Prayer of Columbus 23 
 
 Old Ireland 26 
 
 O Star of France 27 
 
 The Justified Mother of Men 29 
 
 Spirit that Form'd this Scene 30 
 
 When I Heard the Learn'd Astronomer ... 31 
 
 Out from Behind this Mask 32 
 
 Recorders Ages Hence 34 
 
 By Broad Potomac's Shore 35 
 
 Interludes. 
 
 The Mystic Trumpeter 39 
 
 From " Out of the Cradle " 43 
 
 Song of the Universal 48 
 
 Pioneers! O Pioneers! 51 
 
 Drum-Taps. 
 
 First O Songs for a Prelude 59 
 
 Beat! Beat! Drums! 62 
 
 Cavalry Crossing a Ford 64 
 
 By the Bivouac's Fitful Flame 65 
 
 Come up from the Fields Father ..... 66 
 
 The Wound-Dresser 68 
 
 Ethiopia Saluting the Colors 72 
 
 To a Certain Civilian 73 
 
 Spirit whose Work is Done 74 
 
CONTENTS 
 
 Memories of President Lincoln. 
 
 When Lilacs Last 79 
 
 O Captain! My Captain! go 
 
 Hush'd be the Camps To-day gi 
 
 Old Age, Death, and Immortality. 
 
 Of that Blithe Throat of Thine 95 
 
 Thanks in Old Age 96 
 
 On, On the Same, Ye Jocund Twain! .... 97 
 
 Old Age's Lambent Peaks 98 
 
 To Get the Final Lilt of Songs 99 
 
 Halcyon Days 100 
 
 Old Age's Ship & Crafty Death's loi 
 
 After the Supper and Talk 102 
 
 Whispers of Heavenly Death 103 
 
 Joy, Shipmate, Joy! 104 
 
 Leaves of Grass. 
 
 Inscriptions io7 
 
 Starting from Paumanok 109 
 
 Song of Myself no 
 
 At Auction 131 
 
 Calamus 133 
 
 Salut au Monde! 137 
 
 Crossing Brooklyn Ferry 140 
 
 From " Song of the Exposition " 148 
 
 A Broadway Pageant 150 
 
 Give Me the Splendid Silent Sun 155 
 
 The Ox-Tamer 158 
 
 Proud Music of the Storm 160 
 
 O Vast Rondure 168 
 
 The Red Squaw 170 
 
 An Old Stage-driver 171 
 
 Mannahatta 173 
 
 After an Interval c .... 175 
 
 So Long! 176 
 
 Good-Bye My Fancy! 
 
 Good-Bye My Fancy! 179 
 
NATURE, MAN, AND SELF 
 
TO THE MAN-OF-WAR-BIRD 
 
 Thou who hast slept all night upon the storm, 
 Waking renew'd on thy prodigious pinions, 
 (Burst the wild storm ? above it thou ascended' st, 
 And rested on the sky, thy slave that cradled thee,) 
 Now a blue point, far, far in heaven floating, 
 As to the light emerging here on deck I watch thee, 
 (Myself a speck, a point on the world's floating vast.) 
 
 Far, far at sea. 
 
 After the night's fierce drifts have strewn the shore with 
 
 wrecks, 
 With re-appearing day as now so happy and serene, 
 The rosy and elastic dawn, the flashing sun, 
 The limpid spread of air cerulean. 
 Thou also re-appearest. 
 
 Thou born to match the gale, (thou art all wings,) 
 
 To cope with heaven and earth and sea and hurricane. 
 
 Thou ship of air that never furl'st thy sails, 
 
 Days, even weeks untired and onward, through spaces, 
 
 realms gyrating. 
 At dusk that look'st on Senegal, at morn America, 
 That sport'st amid the lightning-flash and thunder-cloud. 
 In them, in thy experiences, had'st thou my soul, 
 What joys ! what joys were thine ! 
 13 
 
14 NATURE, MAN, AND SELF 
 
 A PAUMANOK PICTURE 
 
 Two boats with nets lying off the sea-beach, quite still. 
 Ten fishermen waiting — they discover a thick school of 
 
 mossbonkers — they drop the join'd seine-ends in the 
 
 water, 
 The boats separate and row off, each on its rounding course 
 
 to the beach, enclosing the mossbonkers. 
 The net is drawn in by a windlass by those who stop ashore, 
 Some of the fishermen lounge in 'their boats, others stand 
 
 ankle-deep in the water, pois'd on strong legs, 
 The boats partly drawn up, the water slapping against 
 
 them, 
 Strew'd on the sand in heaps and windrows, well out from 
 
 the water, the green-back'd spotted mossbonkers. 
 
PATROLING BARNEGAT 1 5 
 
 PATROLING BARNEGAT 
 
 Wild, wild the storm, and the sea high running, 
 Steady the roar of the gale, with incessant undertone mut- 
 tering. 
 Shouts of demoniac laughter fitfully piercing and pealing, 
 Waves, air, midnight, their savagest trinity lashing, 
 Out in the shadows there milk-white combs careering, 
 On beachy slush and sand spirts of snow fierce slanting, 
 Where through the murk the easterly death-wind breasting, 
 Through cutting swirl and spray watchful and firm advan- 
 cing, 
 (That in the distance ! is that a wreck ? is the red signal 
 flaring ?) 
 
 Slush and sand of the beach tireless till daylight wending, 
 Steadily, slowly, through hoarse roar never remitting, 
 Along the midnight edge by those milk-white combs career- 
 ing, 
 A group of dim, weird forms, struggling, the night con- 
 fronting. 
 That savage trinity warily watching. 
 
1 6 NATURE. MAN, AND SELF 
 
 WITH HUSKY-HAUGHTY LIPS, O SEA ' 
 
 With husky-haughty lips, O sea ! 
 Where day and night I wend thy surf-beat shore, 
 Imaging to my sense thy varied strange suggestions, 
 (I see and plainly list thy talk and conference here,) 
 Thy troops of white-maned racers racing to the goal, 
 Thy ample, smiling face, dash'd with the sparkling dimples 
 
 of the sun, 
 Thy brooding scowl and murk — thy unloos'd hurricanes, 
 Thy unsubduedness, caprices, wilfulness; 
 Great as thou art above the rest, thy many tears — a lack 
 
 from all eternity in thy content, 
 (Naught but the greatest struggles, wrongs, defeats, could 
 
 make thee greatest — no less could make thee,) 
 Thy lonely state — something thou ever seek'st and seek'st, 
 
 yet never gain'st, 
 Surely some right withheld — some voice, in huge monoto- 
 nous rage, of freedom-lover pent, 
 Some vast heart, like a planet's, chain'd and chafing in those 
 
 breakers, 
 By lengthen'd swell, and spasm, and panting breath. 
 And rhythmic rasping of thy sands and waves. 
 And serpent hiss, and savage peals of laughter. 
 And undertones of distant lion roar, 
 (Sounding, appealing to the sky's deaf ear — but now, rapport 
 
 for once, 
 A phantom in the night thy confidant for once,) 
 The first and last confession of the globe, 
 Outsurging, muttering from thy soul's abysms, 
 The tale of cosmic elemental passion, 
 Thou tellest to a kindred soul. 
 
OLD SALT KOSSABONE 17 
 
 OLD SALT KOSSABONE 
 
 Far back, related on my mother's side, 
 
 Old Salt Kossabone, FlI tell you how he died: 
 
 (Had been a sailor all his life — was nearly go — lived with 
 
 his married grandchild, Jenny; 
 House on a hill, with view of bay at hand, and distant 
 
 cape, and stretch to open sea;) 
 The last of afternoons, the evening hours, for many a year 
 
 his regular custom, 
 In his great arm chair by the window seated, 
 (Sometimes, indeed, through half the day,) 
 Watching the coming, going of the vessels, he mutters to 
 
 himself 
 
 — And now the close of all: 
 One struggling outbound brig, one day, baffled for long — 
 
 cross-tides and much wrong going. 
 At last at nightfall strikes the breeze aright, her whole luck 
 
 veering. 
 And swiftly bending round the cape, the darkness proudly 
 
 entering, cleaving, as he watches, 
 "She's free — she's on her destination" — these the last 
 
 words — when Jenny came, he sat there dead, 
 Dutch Kossabone, Old Salt, related on my mother's side, 
 
 far back. 
 
1 8 NATURE, MAN, AND SELF 
 
 TO THE SUN-SET BREEZE 
 
 Ah, whispering, something again, unseen. 
 
 Where late this heated day thou enterest at my window, 
 door, 
 
 Thou, laving, tempering all, cool-freshing, gently vitaliz- 
 ing 
 
 Me, old, alone, sick, weak-down, melted-worn with sweat; 
 
 Thou, nestling, folding close and firm yet soft, companion 
 better than talk, book, art, 
 
 (Thou hast, O Nature ! elements ! utterance to my heart 
 beyond the rest — and this is of them,) 
 
 So sweet thy primitive taste to breathe within — thy sooth- 
 ing fingers on my face and hands. 
 
 Thou, messenger-magical strange bringer to body and 
 spirit of me, 
 
 (Distances balk'd — occult medicines penetrating me from 
 head to foot,) 
 
 I feel the sky, the prairies vast — I feel the mighty northern 
 lakes, 
 
 I feel the ocean and the forest — somehow I feel the globe 
 itself swift-swimming in space; 
 
 Thou blown from lips so loved, now gone — haply from end- 
 less store, God-sent, 
 
 (For thou art spiritual, Godly, most "of all known to my 
 sense,) 
 
 Minister to speak to me, here and now, what word has 
 never told, and cannot tell. 
 
 Art thou not universal concrete's distillation? Law's all 
 Astronomy's last refinement? 
 
 Hast thou no soul? Can I not know, identity thee? 
 
FROM FAR DAKOTA'S CANTONS I9 
 
 FROM FAR DAKOTA'S CAf^ONS 
 
 {June 25, 1876) 
 
 From far Dakota's canons, 
 
 Lands of the wild ravine, the dusky Sioux, the lonesome 
 
 stretch, the silence, 
 Haply to-day a mournful wail, haply a trumpet-note for 
 
 heroes. 
 
 The battle-bulletin, 
 
 The Indian ambuscade, the craft, the fatal environment, 
 
 The cavalry companies fighting to the last in sternest 
 
 heroism. 
 In the midst of their little circle, with their slaughter'd 
 
 horses for breastworks. 
 The fall of Custer and all his officers and men. 
 
 Continues yet the old, old legend of our race, 
 The loftiest of life upheld by death. 
 The ancient banner perfectly maintain'd, 
 O lesson opportune, O how I welcome thee ! 
 
 As sitting in dark days, 
 
 Lone, sulky, through the time's thick murk looking in 
 
 vain for light, for hope, 
 From unsuspected parts a fierce and momentary proof, 
 (The sun there at the centre though conceal'd, 
 Electric life forever at the centre,) 
 Breaks forth a lightning flash. 
 
20 NATURE, MAN, AND SELF 
 
 Thou of the tawny flowing hair in battle, 
 
 I erewhile saw, with erect head, pressing ever in front, 
 
 bearing a bright sword in thy hand, 
 Now ending well in death the splendid fever of thy deeds, 
 (I bring no dirge for it or thee, I bring a glad triumphal 
 
 sonnet,) 
 Desperate and glorious, aye in defeat most desperate, 
 
 most glorious, 
 After thy many battles in which never yielding up a gun 
 
 or a color, 
 Leaving behind thee a memory sweet to soldiers, 
 Thou yieldest up thyself. 
 
DEATH OF GENERAL GRANT 
 
 DEATH OF GENERAL GRANT 
 
 As one by one withdraw the lofty actors, 
 
 From that great play on history's stage eterne, 
 
 That lurid, partial act of war and peace — of old and new 
 contending. 
 
 Fought out through wrath, fears, dark dismays, and many 
 a long suspense; 
 
 All past — and since, in countless graves receding, mellow- 
 ing, 
 
 Victor's and vanquish'd — Lincoln's and Lee's — now thou 
 with them, 
 
 Man of the mighty days — and equal to the days! 
 
 Thou from the prairies! — tangled and many-vein'd and 
 hard has been thy part. 
 
 To admiration has it been enacted! 
 
22 NATURE, MAN, AND SELF 
 
 THE DEAD TENOR 
 
 As down the stage again, 
 
 With Spanish hat and plumes, and gait inimitable, 
 
 Back from the fading lessons of the past. I'd call, I'd tell 
 
 and own, 
 How much from thee! the revelation of the singing voice 
 
 from thee I 
 (So firm — so liquid-soft — again that tremulous, manly 
 
 timbre! 
 The perfect singing voice — deepest of all to me the lesson 
 
 — trial and test of all:) 
 How through those strains distill'd — how the rapt ears, the 
 
 soul of me, absorbing 
 Fernando' s heart, J/(T:wrzV^'j- passionate call, Ernani's, sweet 
 
 Gennard s, 
 I fold thenceforth, or seek to fold, within my chants trans- 
 muting, 
 Freedom's and Love's and Faith's unloos'd cantabile, 
 (As perfume's, color's, sunlight's correlation:) 
 From these, for these, with these, a hurried line, dead 
 
 tenor, 
 A wafted autumn leaf, dropt in the closing grave, the 
 
 shovel'd earth, 
 To memory of thee. 
 
PRAYER OF COLUMBUS 23 
 
 PRAYER OF COLUMBUS 
 
 A batter'd, wreck'd old man, 
 Thrown on this savage shore, far, far from home, 
 Pent by the sea and dark rebellious brows, twelve dreary- 
 months, 
 Sore, stiff with many toils, sicken'd and nigh to death, 
 I take my way along the island's edge, 
 Venting a heavy heart. 
 
 I am too full of woe ! 
 
 Haply I may not live another day ; 
 
 I cannot rest O God, I cannot eat or drink or sleep, 
 
 Till I put forth myself, my prayer, once more to Thee, 
 
 Breathe, bathe myself once more in Thee, commune with 
 
 Thee, 
 Report myself once more to Thee. 
 
 Thou knowest my years entire, my life. 
 
 My long and crowded life of active work, not adoration 
 merely; 
 
 Thou knowest the prayers and vigils of my youth. 
 
 Thou knowest my manhood's solemn and visionary med- 
 itations, 
 
 Thou knowest how before I commenced I devoted all to 
 come to Thee, 
 
 Thou knowest I have in age ratified all those vows and 
 strictly kept them, 
 
 Thou knowest I have not once lost nor faith nor ecstasy in 
 Thee, 
 
24 NATURE, MAN, AND SELF 
 
 In shackles, prison'd, in disgrace, repining not, 
 Accepting all from Thee, as duly come from Thee. 
 
 Ail my emprises have been fill'd with Thee, 
 
 My speculations, plans, begun and carried on in thoughts 
 
 of Thee, 
 Sailing the deep or journeying the land for Thee; 
 Intentions, purports, aspirations mine, leaving results to 
 
 Thee. 
 
 O I am sure they really came from Thee, 
 
 The urge, the ardor, the unconquerable will. 
 
 The potent, felt, interior command, stronger than words, 
 
 A message from the Heavens whispering to me even in sleep, 
 
 These sped me on. 
 
 By me and these the work so far accomplish'd, 
 
 By me earth's elder cloy'd and stifled lands uncloy'd, un- 
 
 loos'd. 
 By me the hemispheres rounded and tied, the unknown to 
 
 the known. 
 
 The end I know not, it is all in Thee, 
 
 Or small or great I know not — haply what broad fields, what 
 
 lands, 
 Haply the brutish measureless human undergrowth I know. 
 Transplanted there may rise to stature, knowledge worthy 
 
 Thee, 
 Haply the swords I know may there be turn'd to reaping- 
 
 tools, 
 Haply the lifeless cross I know, Europe's dead cross, may 
 
 bud and blossom there. 
 
PRAYER OF COLUMBUS 2$ 
 
 One effort more, my altar this bleak sand; 
 
 That Thou O God my life hast lighted, 
 
 With ray of light, steady, ineffable, vouchsafed of Thee, 
 
 Light rare untellable, lighting the very light, 
 
 Beyond all signs, descriptions, languages; 
 
 For that O God, be it my latest word, here on my knees. 
 
 Old, poor, and paralyzed, I thank Thee. 
 
 My terminus near, 
 
 The clouds already closing in upon me, 
 
 The voyage balk'd, the course disputed, lost, 
 
 I yield my ships to Thee. 
 
 My hands, my limbs grow nerveless. 
 
 My brain feels rack'd, bewilder'd. 
 
 Let the old timbers part, I will not part, 
 
 I will cling fast to Thee, O God, though the waves buffet me. 
 
 Thee, Thee at least I know. 
 
 Is it the prophet's thought I speak, or am I raving? 
 What do I know of life? what of myself? 
 I know not even my own work past or present, 
 Dim ever-shifting guesses of it spread before me, 
 Of newer better worlds, their mighty parturition, 
 Mocking, perplexing me. 
 
 And these things I see suddenly, what mean they? 
 As if some miracle, some hand divine unseal'd my eyes. 
 Shadowy vast shapes smile through the air and sky, 
 And on the distant waves sail countless ships. 
 And anthems in new tongues I hear saluting me. 
 
26 NATURE, MAN, AND SELF 
 
 OLD IRELAND 
 
 Far hence amid an isle of wondrous beauty, 
 
 Crouching over a grave an ancient sorrowful mother, 
 
 Once a queen, now lean and tatter'd seated on the ground, 
 
 Her old white hair drooping dishevel'd round her shoulders. 
 
 At her feet fallen an unused royal harp. 
 
 Long silent, she too long silent, mourning her shrouded 
 
 hope and heir, 
 Of all the earth her heart most full of sorrow because most 
 
 full of love. 
 
 Yet a word ancient mother, 
 
 You need crouch there no longer on the cold ground with 
 
 forehead between your knees, 
 O you need not sit there veil'd in your old white hair so 
 
 dishevel'd, 
 For know you the one you mourn is not in that grave, 
 It was an illusion, the son you love was not really dead, 
 The Lord is not dead, he is risen again young and strong in 
 
 another country. 
 Even while you wept there by your fallen harp by the grave, 
 What you wept for was translated, pass'd from the grave, 
 The winds favor'd and the sea sail'd it, 
 And now with rosy and new blood. 
 Moves to-day in a new country. 
 
O STAR OF FRANCE 27 
 
 O STAR OF FRANCE 
 
 (1870-71) 
 O STAR of France, 
 
 The brightness of thy hope and strength and fame, 
 Like some proud ship that led the fleet so long. 
 Beseems to-day a wreck driven by the gale, a mastless 
 
 hulk. 
 And 'mid its teeming madden'd half-drown'd crowds. 
 Nor helm nor helmsman. 
 
 Dim smitten star. 
 
 Orb not of France alone, pale symbol of my soul, its dear- 
 est hopes, 
 The struggle and the daring, rage divine for liberty. 
 Of aspirations toward the far ideal, enthusiast's dreams of 
 
 brotherhood. 
 Of terror to the tyrant and the priest. 
 
 « 
 Star crucified — by traitors sold, 
 Star panting o'er a land of death, heroic land, 
 Strange, passionate, mocking, frivolous land. 
 
 Miserable ! yet for thy errors, vanities, sins, I will not 
 
 now rebuke thee, 
 Thy unexampled woes and pangs have quell'd them all, 
 And left thee sacred. 
 
 In that amid thy many faults thou ever aimedst highly, 
 In that thou wouldst not really sell thyself however great 
 the price, 
 
28 NATURE, MAN, AND SELF 
 
 In that thou surely wakedst weeping from thy drugg'd 
 
 sleep, 
 In that alone among thy sisters thou, giantess, didst rend 
 
 the ones that shamed thee, 
 In that thou couldst not, wouldst not, wear the usual 
 
 chains, 
 This cross, thy livid face, thy pierced hands and feet, 
 The spear thrust in thy side. 
 
 O star! O ship of France, beat back and baffled long .' 
 Bear up O smitten orb! O ship continue on! 
 
 Sure as the ship of all, the Earth itself, 
 Product of deathly fire and turbulent chaos. 
 Forth from its spasms of fury and its poisons, 
 Issuing at last in perfect power and beauty, 
 Onward beneath the sun following its course, 
 So thee O ship of France! 
 
 Finish'd the days, the clouds dispel'd. 
 The travail o'er, the long-sought extrication, 
 When lo! reborn, high o'er the European world, 
 (In gladness answering thence, as face afar to face, reflect- 
 ing ours Columbia,) 
 Again thy star O France, fair lustrous star. 
 In heavenly peace, clearer, more bright than ever. 
 Shall beam immortal. 
 
THE JUSTIFIED MOTHER OF MEN 29 
 
 THE JUSTIFIED MOTHER OF MEN 
 
 The old face of the mother of many children, 
 Whist! I am fully content. 
 
 LuU'd-and late is the smoke of the First-day morning, 
 
 It hangs low over the rows of trees by the fences, 
 
 It hangs thin by the sassafras and wild-cherry and cat-brier 
 
 under them. 
 I saw the rich ladies in full dress at the soiree, 
 I heard what the singers were singing so long. 
 Heard who sprang in crimson youth from the white froth 
 
 and the water-blue. 
 
 Behold a woman! 
 
 She looks out from her quaker cap, her face is clearer and 
 more beautiful than the sky. 
 
 She sits in an armchair under the shaded porch of the farm- 
 house, 
 The sun just shines on her old white head. 
 
 Her ample gown is of cream-hued linen, 
 Her grandsons raised the flax, and her grand-daughters 
 spun it with the distaff and the wheel. 
 
 The melodious character of the earth, 
 
 The finish beyond which philosophy cannot go and does 
 
 not wish to go. 
 The justified mother of men. 
 
30 NATURE, MAN, AND SELF 
 
 SPIRIT THAT FORM'D THIS SCENE 
 
 ( Written in Platte Canon, Colorado) 
 
 Spirit that form'd this scene, 
 
 These tumbled rock-piles grim and red, 
 
 These reckless heaven-ambitious peaks, 
 
 These gorges, turbulent-clear streams, this naked fresh- 
 ness, 
 
 These formless wild arrays, for reasons of their own, 
 
 I know thee, savage spirit — we have communed together, 
 
 Mine too such wild arrays, for reasons of their own; 
 
 Was't charged against my chants they had forgotten art? 
 
 To fuse within themselves its rules precise and delicatesse? 
 
 The lyrist's measur'd beat, the wrought-out temple's 
 grace — column and polish'd arch forgot? 
 
 But thou that revelest here — spirit that form'd this scene, 
 
 They have remember'd thee. 
 
WHEN I HEARD THE LEARN'D ASTRONOMER 3 1 
 
 WHEN I HEARD THE LEARN'D ASTRONOMER 
 
 When I heard the learn'd astronomer, 
 
 When the proofs, the figures, were ranged in columns be- 
 fore me, 
 
 When I was shown the charts and diagrams, to add, divide, 
 and measure them, 
 
 When I sitting heard the astronomer where he lectured 
 with much applause in the lecture-room. 
 
 How soon unaccountable I became tired and sick. 
 
 Till rising and gliding out I wander'd off by myself, 
 
 In the mystical moist night-air, and from time to time, 
 
 Look'd up in perfect silence at the stars. 
 
32 NATURE, MAN, AND SELF 
 
 OUT FROM BEHIND THIS MASK 
 ( To Confront a Portrait) 
 
 Out from behind this bending rough-cut mask, 
 
 These lights and shades, this drama of the whole, 
 
 This common curtain of the face contain'd in me for me, in 
 you for you, in each for each, 
 
 (Tragedies, sorrows, laughter, tears — O heaven! 
 
 The passionate teeming plays this curtain hid!) 
 
 This glaze of God's serenest purest sky, 
 
 This film of Satan's seething pit. 
 
 This heart's geography's map, this limitless small conti- 
 nent, this soundless sea; 
 
 Out from the convolutions of this globe, 
 
 This subtler astronomic orb than sun or moon, than Jupi- 
 ter, Venus, Mars, 
 
 This condensation of the universe, (nay here the only uni- 
 verse. 
 
 Here the idea, all in this mystic handful wrapt;) 
 
 These burin'd eyes, flashing to you to pass to future time, 
 
 To launch and spin through space revolving sideling, from 
 these to emanate. 
 
 To you whoe'er you are — a look. 
 
 A traveler of thoughts and years, of peace and war, 
 Of youth long sped and middle age declining. 
 
OUT FROM BEHIND THIS MASK 33 
 
 (As the first volume of a tale perused and laid away, and 
 
 this the second, 
 Songs, ventures, speculations, presently to close,) 
 Lingering a moment here and now, to you I opposite turn, 
 As on the road or at some crevice door by chance, or 
 
 open'd window, 
 Pausing, inclining, baring my head, you specially I greet, 
 To draw and clinch your soul for once inseparably with 
 
 mine. 
 Then travel travel on. 
 
34 NATURE, MAN, AND SELF 
 
 RECORDERS AGES HENCE 
 
 Recorders ages hence, 
 
 Come, I will take you down underneath this impassive ex- 
 terior, I will tell you what to say of me, 
 Publish my name and hang up my picture as that of the 
 
 tenderest lover. 
 The friend the lover's portrait, of whom his friend his lover 
 
 was fondest. 
 Who was not proud of his songs, but of the measureless 
 
 ocean of love within him, and freely pour'd it forth, 
 Who often walk'd lonesome walks thinking of his dear 
 
 friends, his lovers, 
 Who pensive away from one he lov'd often lay sleepless 
 
 and dissatisfied at night, 
 Who knew too well the sick, sick dread lest the one he 
 
 lov'd might secretly be indifferent to him. 
 Whose happiest days were far away through fields, in 
 
 woods, on hills, he and another wandering hand in 
 
 hand, they twain apart from other men, 
 Who oft as he saunter'd the streets curv'd with his arm the 
 
 shoulder of his friend , while the arm of his friend rested 
 
 upon him also. 
 
BY BROAD POTOMAC'S SHORE , 35 
 
 BY BROAD POTOMAC'S SHORE 
 
 By broad Potomac's shore, again old tongue, 
 
 (Still uttering, still ejaculating, canst never cease this bab- 
 ble ? ) 
 
 Again old heart so gay, again to you, your sense, the full 
 flush spring returning, 
 
 Again the freshness and the odors, again Virginia's sum- 
 mer sky, pellucid blue and silver. 
 
 Again the forenoon purple of the hills. 
 
 Again the deathless grass, so noiseless soft and green, 
 
 Again the blood-red roses blooming. 
 
 Perfume this book of mine O blood-red roses! 
 
 Lave subtly w^ith your waters every line Potomac! 
 
 Give me of you O spring, before I close, to put between its 
 
 pages! 
 O forenoon purple of the hills, before I close, of you! 
 O deathless grass, of you! 
 
INTERLUDES 
 
THE MYSTIC TRUMPETER 39 
 
 THE MYSTIC TRUMPETER 
 
 Hark, some wild trumpeter, some strange musician, 
 Hovering unseen in air, vibrates capricious tunes to-night. 
 
 I hear thee trumpeter, listening alert I catch thy notes. 
 Now pouring, whirling like a tempest round me, 
 Now low, subdued, now in the distance lost. 
 
 Come nearer bodiless one, haply in thee resounds 
 
 Some dead composer, haply thy pensive life * 
 
 Was fill'd with aspirations high, unform'd ideals, 
 
 Waves, oceans musical, chaotically surging. 
 
 That now ecstatic ghost, close to me bending, thy cornet 
 
 echoing, pealing, 
 Gives out to no one's ears but mine, but freely gives to 
 
 mine, 
 That I may thee translate. 
 
 Blow trumpeter free and clear, I follow thee, 
 
 While at thy liquid prelude, glad, serene, 
 
 The fretting world, the streets, the noisy hours of day 
 
 withdraw, 
 A holy calm descends like dew upon me, 
 I walk in cool refreshing night the walks of Paradise, 
 I scent the grass, the moist air and the roses; 
 
40 INTERLUDES 
 
 Thy song expands my numb'dlmbonded spirit, thou freest, 
 
 launchest me, 
 Floating and basking upon heaven's lake. 
 
 Blow again trumpeter! and for my sensuous eyes, 
 Bring the old pageants, show the feudal world. 
 
 What charm thy music works! thou makest pass before me, 
 Ladies and cavaliers long dead, barons are in their castle 
 
 halls, the troubadours are singing, 
 Arm'd knights go forth to redress wrongs, some in quest 
 
 of the holy Graal; 
 I see the tournament, I see the contestants incased in 
 
 heavy armor seated on stately champing horses, 
 I hear the shouts, the sounds of blows and smiting steel; 
 I see the Crusaders' tumultuous armies — hark, how the 
 
 cymbals clang, 
 Lo, where the monks walk in advance, bearing the cross on 
 
 high. 
 
 5 
 
 Blow again trumpeter! and for thy theme, 
 
 Take now the enclosing theme of all, the solvent and the 
 
 setting. 
 Love, that is pulse of all, the sustenance and the pang, 
 The heart of man and woman all for love, 
 No other theme but love — knitting, enclosing, all-diffusing 
 
 love. 
 
 how the immortal phantoms crowd around me! 
 
 1 see the vast alembic ever working, I see and know the 
 
 flames that heat the world. 
 The glow, the blush, the beating hearts of lovers, 
 
THE MYSTIC TRUMPETER 41 
 
 So blissful happy some, and some so silent, dark, and nigh 
 
 to death; 
 Love, that is all the earth to lovers — love, that mocks time 
 
 and space, 
 Love, that is day and night — love, that is sun and moon 
 
 and stars, 
 Love, that is crimson, sumptuous, sick with perfume. 
 No other words but words of love, no other thought but 
 
 love. 
 
 6 
 
 Blow again trumpeter — conjure war's alarums. 
 
 Swift to thy spell a shuddering hum like distant thunder 
 
 rolls, 
 Lo, where the arm'd men hasten — lo, mid the clouds of 
 
 dust the glint of bayonets, 
 I see the grime-faced cannoneers, I mark the rosy flash 
 
 amid the smoke, I hear the cracking of the guns; 
 Nor war alone — thy fearful music-song, wild player, brings 
 
 every sight of fear. 
 The deeds of ruthless brigands, rapine, murder — I hear the 
 
 cries for help! 
 I see ships foundering at sea, I behold on deck and below 
 
 deck the terrible tableaus. 
 
 O trumpeter, methinks I am myself the instrument thou 
 
 playest. 
 Thou melt'st my heart, my brain — thou movest, drawest, 
 
 changest them at will; 
 And now thy sullen notes send darkness through me. 
 Thou takest away all cheering light, all hope, 
 
42 INTERLUDES 
 
 I see the enslaved, the overthrown, the hurt, the opprest of 
 
 the whole earth, 
 I feel the measureless shame and humiliation of my race, it 
 
 becomes all mine, 
 Mine too the revenges of humanity, the wrongs of ages, 
 
 baffled feuds and hatreds, 
 Utter defeat upon me weighs — all lost — the foe victorious, 
 (Yet 'mid the ruins Pride colossal stands unshaken to the 
 
 last, 
 Endurance, resolution to the last.) 
 
 8 
 
 Now trumpeter for thy close, 
 
 Vouchsafe a higher strain than any yet. 
 
 Sing to my soul, renew its languishing faith and hope. 
 
 Rouse up my slow belief, give me some vision of the future. 
 
 Give me for once its prophecy and joy. 
 
 O glad, exulting, culminating song! 
 
 A vigor more than earth's is in thy notes, 
 
 Marches of victory — man disenthral'd — the conqueror at 
 last. 
 
 Hymns to the universal God from universal man — all joy! 
 
 A reborn race appears — a perfect world, all joy! 
 
 Women and men in wisdom innocence and health — all joy! 
 
 Riotous laughing bacchanals fill'd with joy! 
 
 War, sorrow, suffering gone — the rank earth pfurged — noth- 
 ing but joy left! 
 
 The ocean fill'd with joy — the atmosphere all joy! 
 
 Joy! joy! in freedom, worship, love! joy in the ecstasy of 
 life! 
 
 Enough to merely be! enough to breathe! 
 
 Joy! joy! all over joy! 
 
FROM "OUT OF THE CRADLE " 43 
 
 FROM "OUT OF THE CRADLE ENDLESSLY 
 ROCKING" 
 
 Once Paumanok, 
 
 When the lilac-scent was in the air and Fifth-month grass 
 was growing, 
 
 Up this seashore in some briers, 
 
 Two feather'd guests from Alabama, two together, 
 
 And their nest, and four light-green eggs spotted with 
 brown. 
 
 And every day the he-bird to and fro near at hand. 
 
 And every day the she-bird crouch'd on her nest, silent, 
 with bright eyes, 
 
 And every day I, a curious boy, never too close, never dis- 
 turbing them, 
 
 Cautiously peering, absorbing, translating. 
 
 Shine ! shine ! shine ! 
 Pour down your warmth, great sun ! 
 While we bask, we two together. 
 
 Two together ! 
 
 Winds blow south, or winds blow north. 
 Day come white, or night come black, 
 Home, or rivers and mountains from ho?ne, 
 Singing all time, minding no tivie. 
 While we two keep together. 
 
 Till of a sudden. 
 
 May-be killed, unknown to her mate, 
 
44 INTERLUDES 
 
 One forenoon the she-bird crouch'd not on the nest, 
 Nor return'd that afternoon, nor the next 
 Nor ever appear'd again. 
 
 And thenceforward all summer in the sound of the sea. 
 
 And at night under the full of the moon in calmer weather, 
 
 Over the hoarse surging of the sea, 
 
 Or flitting from brier to brier by day, 
 
 I saw, I heard at intervals the remaining one, the he-bird, 
 
 The solitary guest from Alabama. 
 
 Blow ! Blow I Blow I 
 
 Blow up sea-winds along Pau?nanok^ s shore ; 
 
 I wait and I wait till you blozv ??iy mate to 7ne. 
 
 Yes, when the stars glisten'd, 
 
 All night long on the prong of a moss-scallop'd stake, 
 
 Down almost amid the slapping waves. 
 
 Sat the lone singer wonderful causing tears. 
 
 He call'd on his mate, 
 
 He pour'd forth the meanings which I of all men know. 
 
 Yes my brother I know, 
 
 The rest might not, but I have treasur'd every note. 
 For more than once dimly down to the beach gliding. 
 Silent, avoiding the moonbeams, blending myself with the 
 
 shadows. 
 Recalling now the obscure shapes, the echoes, the sounds 
 
 and sights after their sorts, 
 The white arms out in the breakers tirelessly tossing, 
 I, with bare feet, a child, the wind wafting my hair, 
 Listen'd long and long. 
 
FROM "OUT OF THE CRADLE ' 45 
 
 Listen'd to keep, to sing, now translating the notes, 
 Following you my brother. 
 
 Soothe ! soothe ! soothe ! 
 
 Close on its wave soothes the wave behind. 
 
 And again another behind embracing and lapping, every one 
 
 close. 
 But my love soothes not m.e, not 7ne, 
 
 Low hangs the moon, it rose late. 
 
 It is lagging — O I think it is heavy with love, with love. 
 
 madly the sea ptishes upon the land. 
 With love, with love. 
 
 O night ! do I not see my love fluttering out among the breakers? 
 What is that little black thing I see there in the white ? 
 
 Loud ! Loud ! Loud ! 
 
 Loud I call to you, my love ! 
 
 High and clear I shoot my voice over the ivaves, 
 
 Surely you must know who is here, is here. 
 
 You must know who I ant, my love. 
 
 Low-hanging moon ! 
 
 What is that dusky spot in your brown yellow ?. 
 
 O it is the shape, the shape of m.y m.ate I 4 
 
 O moon do not keep her froju me any longer. 
 
 Land I land! O land ! 
 
 Whichever way I turn, O I think you could give me my mate 
 
 back again if you only would, 
 For I am almost sure I see her dimly whichever way I look. 
 
46 INTERLUDES 
 
 rising stars ! 
 
 Perhaps the one 1 want so much will rise, will rise with some 
 of you. 
 
 throat I O trembling throat ! 
 
 Sound clearer through the atmosphere ! 
 
 Pierce the woods, the earth. 
 
 Somewhere listening to catch you must be the one I want. 
 
 Shake out carols ! 
 
 Solitary here, the night's carols ! 
 
 Carols of lonesome love ! death ' j carols ! 
 
 Carols under that lagging, yellow, waning moon ! 
 
 under that moon where she droops almost dozvn into the sea ! 
 
 reckless despairing carols. 
 
 But soft I sink low I 
 Soft ! let me just murmur. 
 
 And do you wait a mo7?ient you husky-nois' d sea. 
 For somewhere I believe I heard my tnate responding to me. 
 So faint, I must be still, be still to listen, 
 
 Btit not altogether still, for then she might not come immedi- 
 ately to me. 
 
 Hither f?iy love I 
 
 Here I am I here I 
 
 With this just-sustain' d note I aji7tounce myself to you. 
 
 This gentle call is for you my love, for you. 
 
 Do not be decoy d elsewhere. 
 
 That is the whistle of the wind, it is not my voice. 
 That is the fluttering, the fluttering of the spray. 
 Those are the shadows of leaves. 
 
FROM "OUT OF THE CRADLE 47 
 
 O darkness ! O in vain ! 
 
 O I am very sick and sorrowful. 
 
 brown halo in the sky near the moon, drooping upon the sea ! 
 
 O troubled reflection in the sea ! 
 
 O throat ! O throbbing heart ! 
 
 And I singing uselessly, uselessly all the night. 
 
 O past ! happy life I O songs of joy ! 
 In the air, in the woods, over fields, 
 Loved I loved! loved! loved! loved! 
 But my tnate no 77iore, no more with me ! 
 We two together no more. 
 
 The aria sinking, 
 
 All else continuing, the stars shining. 
 
 The winds blowing, the notes of the bird continuous echoing, 
 
 With angry moans the fierce old mother incessantly moaning, 
 
 On the sands of Paumanok's shore gray and rustling. 
 
 The yellow half-moon enlarged, sagging down, drooping, 
 
 the face of the sea almost touching, 
 The boy ecstatic, with his bare feet the waves, with his hair 
 
 the atmosphere dallying. 
 The love in the heart long pent, now loose, now at last 
 
 tumultuously bursting, 
 The aria's meaning, the ears, the soul, swiftly depositing, 
 The strange tears down the cheeks coursing, 
 The colloquy there, the trio, each uttering, 
 The undertone, the savage old mother incessantly crying. 
 To the boy's soul's questions sullenly timing, some drown'd 
 
 secret hissing, 
 To the outsetting bard. 
 
48 INTERLUDES 
 
 SONG OF THE UNIVERSAL 
 
 Come said the Muse, 
 
 Sing me a song no poet yet has chanted, 
 
 Sing me the universal. 
 
 In this broad earth of ours, 
 Amid the measureless grossness and the slag. 
 Enclosed and safe within its central heart, 
 Nestles the seed perfection. 
 
 By every life a share or more or less, 
 
 None born but it is born, conceal'd or unconceal'd the seed 
 is waiting. 
 
 Lo ! keen-eyed towering science. 
 
 As from tall peaks the modern overlooking. 
 
 Successive absolute fiats issuing. 
 
 Yet again, lo ! the soul, above all science, 
 
 For it has history gather'd lilie husks around the globe, 
 
 For it the entire star-myriads roll through the sky. 
 
 In spiral routes by long detours, 
 (As a much-tacking ship upon the sea,) 
 For it the partial to the permanent flowing, 
 For it the real to the ideal tends. 
 
SONG OF THE UNIVERSAL 49 
 
 For it the mystic evolution, 
 
 Not the right only justified, what we call evil also justified. 
 
 Forth from their masks, no matter what, 
 
 From the huge festering trunk, from craft and guile and 
 
 tears, 
 Health to emerge and joy, joy universal. 
 
 Out of the bulk, the morbid and the shallow. 
 
 Out of the bad majority, the varied countless frauds of men 
 
 and states, 
 Electric, antiseptic yet, cleaving, suffusing all. 
 Only the good is universal. 
 
 Over the mountain-growths, disease and sorrow, 
 An uncaught bird is ever hovering, hovering, 
 High in the purer, happier air. 
 
 From imperfection's murkiest cloud. 
 Darts always forth one ray of perfect light, 
 One flash of heaven's glory. 
 
 To fashion's, custom's discord, 
 To the mad Babel-din, the deafening orgies. 
 Soothing each lull a strain is heard, just heard. 
 From some far shore the final chorus sounding. 
 
 O the blest eyes, the happy hearts. 
 
 That see, that know the guiding thread so fine, 
 
 Along the mighty labyrinth. 
 
50 
 
 INTERLUDES 
 
 And thou America, 
 
 For the scheme's culmination, its thought and its reality, 
 
 For these (not for thyself) thou hast arrived. 
 
 Thou too surroundest all, 
 
 Embracing carrying welcoming all, thou too by pathways 
 
 broad and new, 
 To the ideal tendest. 
 
 The measur'd faiths of other lands, the grandeurs of the past, 
 Are not for thee, but grandeurs of thine own, 
 Deific faiths and amplitudes, absorbing, comprehending all. 
 All eligible to all. 
 
 All, all for immortality. 
 Love like the light silently wrapping all. 
 Nature's amelioration blessing all, 
 
 The blossoms, fruits of ages, orchards divine and certain. 
 Forms, objects, growths, humanities, to spiritual images 
 ripening. 
 
 Give me O God to sing that thought. 
 
 Give me, give him or her I love this quenchless faith, 
 
 In Thy ensemble, whatever else withheld withhold not 
 
 from us. 
 Belief in plan of Thee enclosed in Time and Space, 
 Health, peace, salvation universal. 
 
 Is it a dream ? 
 
 Nay but the lack of it the dream, 
 
 And failing it life's lore and wealth a dream, 
 
 And all the world a dream. 
 
PIONEERS ! O PIONEERS ! 5 1 
 
 PIONEERS ! O PIONEERS ! 
 
 Come my tan-faced children, 
 Follow well in order, get your weapons ready, 
 Have you your pistols ? have you your sharp-edged axes ? 
 
 Pioneers ! O pioneers ! 
 
 For we cannot tarry here, 
 We must march my darlings, we must bear the brunt of 
 
 danger. 
 We the youthful sinewy races, all the rest on us depend, 
 
 Pioneers ! O pioneers ! 
 
 O you youths, Western youths, 
 So impatient, full of action, full of manly pride and friend- 
 ship. 
 Plain I see you Western youths, see you tramping with the 
 foremost, 
 Pioneers ! O pioneers ! 
 
 Have the elder races halted ? 
 Do they droop and end their lesson, wearied over there 
 
 beyond the seas ? 
 We take up the task eternal, and the burden and the lesson, 
 
 Pioneers ! O pioneers ! 
 
52 INTERLUDES 
 
 All the past we leave behind, 
 We debouch upon a newer mightier world, varied world, 
 Fresh and strong the world we seize, world of labor and the 
 march, 
 
 Pioneers ! O pioneers ! 
 
 We detachments steady throwing, 
 Down the edges, through the passes, up the mountains steep. 
 Conquering, holding, daring, venturing as we go the un- 
 known ways. 
 
 Pioneers ! O pioneers ! 
 
 We pri'meval forests felling, 
 We the rivers stemming, vexing we and piercing deep the 
 
 mines within, 
 We the surface broad surveying, we the virgin soil up- 
 heaving, 
 Pioneers ! O pioneers ! 
 
 Colorado men are we. 
 From the peaks gigantic, from the great sierras and the 
 
 high plateaus, 
 From the mine and from the gully, from the hunting trail 
 we come. 
 
 Pioneers ! O pioneers ! 
 
 From Nebraska, from Arkansas, 
 Central inland race are we, from Missouri, with the con- 
 tinental blood intervein'd. 
 All the hand of comrades clasping, all the Southern, all the 
 Northern, 
 Pioneers ! O pioneers ! 
 
PIONEERS ! O PIONEERS ! 53 
 
 O resistless restless race ! 
 O beloved race in all ! O my breast aches with tender love 
 
 for all ! 
 O I mourn and yet exult, I am rapt with love for all. 
 
 Pioneers ! O pioneers ! 
 
 Raise the mighty mother mistress, 
 Waving high the delicate mistress, over all the starry mis- 
 tress, (bend your heads all,) 
 Raise the fang'd and warlike mistress, stern, impassive, 
 weapon'd mistress. 
 Pioneers ! O pioneers ! 
 
 See my children, resolute children, 
 By those swarms upon our rear we must never yield or 
 
 falter. 
 Ages back in ghostly millions frowning there behind us 
 urging. 
 Pioneers ! O pioneers ! 
 
 On and on the compact ranks, 
 With accessions' ever waiting, with the places of the dead 
 
 quickly fiU'd, 
 Through the battle, through defeat, moving yet and never 
 stopping, 
 Pioneers ! O pioneers ! 
 
 O to die advancing on ! 
 Are there some of us to droop and die ? has the hour come ? 
 Then upon the march we fittest die, soon and sure the gap 
 is fill'd, 
 
 Pioneers ! O pioneers ! 
 
54 INTERLUDES 
 
 All the pulses of the Avorld, 
 Falling in they beat for us, with the Western movement beat, 
 Holding single or together, steady moving to the front, all 
 for us. 
 
 Pioneers ! O pioneers ! 
 
 Life's involv'd and varied pageants. 
 All the forms and shows, all the workmen at their work. 
 All the seamen and the landsmen, all the masters with their 
 slaves, 
 
 Pioneers ! O pioneers 1 
 
 AH the hapless silent lovers, 
 All the prisoners in the prisons, all the righteous and the 
 
 wicked. 
 All the joyous, all the sorrowing, all the living, all the 
 dying. 
 Pioneers ! O pioneers ! 
 
 I too with my soul and body. 
 We, a curious trio, picking, wandering on our way. 
 Through these shores amid the shadows, with the appari- 
 tions pressing. 
 
 Pioneers ! O pioneers ! 
 
 Lo, the darting bowling orb ! 
 Lo, the brother orbs around, all the clustering sons and 
 
 planets, 
 All the dazzling days, all the mystic nights with dreams, 
 
 Pioneers ! O pioneers ! 
 
PIONEERS ! O PIONEERS ! 55 
 
 These are of us, they are with us, 
 All for primal needed work, while the followers there in 
 
 embryo wait behind. 
 We to-day's procession heading, we the route for travel 
 clearing, 
 Pioneers ! O pioneers ! 
 
 O you daughters of the West ! 
 O you young and elder daughters ! O you mothers and you 
 
 wives ! 
 Never must you be divided, in our ranks you move united, 
 
 Pioneers ! O pioneers ! 
 
 Minstrels latent on the prairies ! 
 (Shrouded bards of other lands, you may rest, you have 
 
 done your work,) 
 Soon I hear you coming warbling, soon you rise and tramp 
 amid us, 
 Pioneers ! O pioneers ! 
 
 Not for delectations sweet, 
 Not the cushion and the slipper, not the peaceful and the 
 
 studious. 
 Not the riches safe and palling, not for us the tame enjoy- 
 ment, 
 Pioneers ! O pioneers ! 
 
 Do the feasters gluttonous feast ? 
 Do the corpulent sleepers sleep ? have they lock'd and 
 
 bolted doors ? 
 Still be ours the diet hard, and the blanket on the ground, 
 
 Pioneers ! O pioneers ! 
 
56 INTERLUDES 
 
 Has the night descended ? 
 Was the road of late so toilsome ? did we stop discouraged 
 
 nodding on our way ? 
 Yet a passing hour I yield you in your track to pause 
 oblivious, 
 Pioneers ! O pioneers .' 
 
 Till with sound of trumpet, 
 Far, far off the daybreak call — hark ! how loud and clear I 
 
 hear it wind. 
 Swift ! to the head of the army ! — swift ! spring to your 
 places, 
 Pioneers ! O pioneers ! 
 
DRUM-TAPS 
 
FIRST O SONGS FOR A PRELUDE 59 
 
 FIRST O SONGS FOR A PRELUDE 
 
 First O songs for a prelude, 
 
 Lightly strike on the stretch'd tympanum pride and joy in 
 
 my city, 
 How she led the rest to arms, how she gave the cue, 
 How at once with lithe limbs unwaiting a moment she 
 
 sprang, 
 (O superb ! O Manhattan, my own, my peerless ! 
 O strongest you in the hour of danger, in crisis ! O truer 
 
 than steel !) 
 How you sprang — how you threw off the costumes of peace 
 
 with indifferent hand, 
 How your soft opera-music changed, and the drum and fife 
 
 were heard in their stead. 
 How you led to the war, (that shall serve for our prelude, 
 
 songs of soldiers,) 
 How Manhattan drum-taps led. 
 
 Forty years had I in my city seen soldiers parading. 
 Forty years as a pageant, till unawares the lady of this 
 
 teeming and turbulent city. 
 Sleepless amid her ships, her houses, her incalculable 
 
 wealth, 
 With her million children around her, suddenly, 
 At dead of night, at news from the south, 
 Incens'd struck with clinch'd hand the pavement. 
 
 A shock electric, the night sustain'd it, 
 
 Till with ominous hum our hive at daybreak pour'd out its 
 myriads. 
 
6o DRUM-TAPS 
 
 From the houses then and the workshops, and through all 
 
 the doorways, 
 Leapt they tumultuous, and lo ! Manhattan arming. 
 
 To the drum-taps prompt, 
 
 The young men falling in and arming, 
 
 The mechanics arming, (the trowel, the jack-plane, the 
 
 blacksmith's hammer, tost aside with precipitation,) 
 The lawyer leaving his office and arming, the judge leaving 
 
 the court. 
 The driver deserting his wagon in the street, jumping down, 
 
 throwing the reins abruptly down on the horses' backs. 
 The salesman leaving the store, the boss, book-keeper, 
 
 porter, all leaving ; 
 Squads gather everywhere by common consent and arm, 
 The new recruits, even boys, the old men show them how 
 
 to wear their accoutrements, they buckle the straps 
 
 carefully. 
 Outdoors arming, indoors arming, the flash of the musket- 
 barrels. 
 The white tents cluster in camps, the arm'd sentries around, 
 
 the sunrise cannon and again at sunset, 
 Arm'd regiments arrive every day, pass through the city, 
 
 and embark from the wharves, 
 (How good they look as they tramp down to the river, 
 
 sweaty, with their guns on their shoulders ! 
 How I love them ! how I could hug them, with their brown 
 
 faces and their clothes and knapsacks cover'd with dust !) 
 The blood of the city up — arm'd ! arm'd ! the cry every- 
 where, 
 The flags flung out from the steeples of churches and from 
 
 all the public buildings and stores, 
 The tearful parting, the mother kisses her son, the son 
 
 kisses his mother, 
 
FIRST O SONGS FOR A PRELUDE 6l 
 
 (Loth is the mother to part, yet not a word does she speak 
 
 to detain him,) 
 The tumultuous escort, the ranks of policemen preceding, 
 
 clearing the way. 
 The unpent enthusiasm, the wild cheers of the crowd for 
 
 their favorites, 
 The artillery, the silent cannons bright as gold, drawn 
 
 along, rumble lightly over the stones, 
 (Silent cannons, soon to cease your silence, 
 Soon unlimber'd to begin the red business;) 
 All the mutter of preparation, all the determin'd arming, 
 The hospital service, the lint, bandages and medicines, 
 The women volunteering for nurses, the work begun for in 
 
 earnest, no mere parade now ; 
 War ! an arm'd race is advancing ! the welcome for battle, 
 
 no turning away ; 
 War ! be it weeks, months, or years, an arm'd race is ad- 
 vancing to welcome it. 
 
 Mannahatta a-march — and it's O to sing it well ! 
 It's O for a manly life in the camp. 
 
 And the sturdy artillery, 
 
 The guns bright as gold, the work for giants, to serve well 
 
 the guns, 
 Unlimber them ! (no more as the past forty years for salutes 
 
 for courtesies merely. 
 Put in something now besides powder and wadding. 
 
 And you lady of ships, you Mannahatta, 
 
 Old matron of this proud, friendly, turbulent city. 
 
 Often in peace and wealth you were pensive or covertly 
 
 frown'd amid all your children, 
 But now you smile Avith joy exulting old Mannahatta. 
 
62 DRUM-TAPS 
 
 BEAT ! BEAT ! DRUMS ! 
 
 Beat ! beat ! drums ! — blow ! bugles ! blow ! 
 
 Through the windows— through doors — burst like a ruth- 
 less force, 
 
 Into the solemn church, and scatter the congregation, 
 
 Into the school where the scholar is studying ; 
 
 Leave not the bridegroom quiet — no happiness must he 
 have now with his bride, 
 
 Nor the peaceful farmer any peace, ploughing his field or 
 gathering his grain, 
 
 So fierce you whirr and pound you drums — so shrill you 
 bugles blow. 
 
 Beat ! beat ! drums ! — blow ! bugles ! blow ! 
 
 Over the traffic of cities — over the rumble of wheels in the 
 
 streets ; 
 Are beds prepared for sleepers at night in the houses ? no 
 
 sleepers must sleep in those beds, 
 No bargainers' bargains by day — no brokers or speculators 
 
 — would they continue ? 
 Would the talkers be talking ? would the singer attempt to 
 
 sing ? 
 Would the lawyer rise in the court to state his case before 
 
 the judge? 
 Then rattle quicker, heavier drums — you bugles wilder 
 
 blow. 
 
BEAT ! BEAT ! DRUMS ! 63 
 
 Beat ! beat ! drums ! — blow ! bugles ! blow ! 
 Make no parley — stop for no expostulation, 
 Mind not the timid — mind not the weeper or prayer, 
 Mind not the old man beseeching the young man, 
 Let not the child's voice be heard, nor the mother's en- 
 treaties, 
 Make even the trestles to shake the dead where they lie 
 
 awaiting the hearses, 
 So strong you thump O terrible drums— so loud you bugles 
 blow. 
 
64 DRUM-TAPS 
 
 CAVALRY CROSSING A FORD 
 
 A LINE in long array where they wind betwixt green islands, 
 
 They take a serpentine course, their arms flash in the sun 
 — hark to the musical clank. 
 
 Behold the silvery river, in it the splashing horses loiter- 
 ing stop to drink. 
 
 Behold the brown-faced men, each group, each person, a 
 picture, the negligent rest on the saddles. 
 
 Some emerge on the opposite bank, others are just enter- 
 ing the ford — while. 
 
 Scarlet and blue and snowy white. 
 
 The guidon flags flutter gayly in the wind. 
 
BY THE BIVOUAC'S FITFUL FLAME 65 
 
 BY THE BIVOUAC'S FITFUL FLAME 
 
 By the bivouac's fitful flame, 
 
 A procession winding around me, solemn and sweet and 
 
 slow — but first I note, 
 The tents of the sleeping army, the fields' and woods' dim 
 
 outline, 
 The darkness lit by spots of kindled fire, the silence, 
 Like a phantom far or near an occasional figure moving, 
 The shrubs and trees, (as I lift my eyes they seem to be 
 
 stealthily watching me,) 
 While wind in procession thoughts, O tender and wondrous 
 
 thoughts. 
 Of life and death, of home and the past and loved, and of 
 
 those that are far away ; 
 A solemn and slow procession there as I sit on the ground, 
 By the bivouac's fitful flame. 
 
66 DRUM-TAPS 
 
 COME UP FROM THE FIELDS FATHER 
 
 Come up from the fields father, here's a letter from our 
 
 Pete, 
 And come to the front door mother, here's a letter from 
 
 thy dear son. 
 
 Lo, 'tis autumn, 
 
 Lo, where the trees, deeper green, yellower and redder, " 
 
 Cool and sweeten Ohio's villages with leaves fluttering in 
 the moderate wind. 
 
 Where apples ripe in the orchards hang and grapes on the 
 trellis'd vines, 
 
 (Smell you the smell of the grapes on the vines ? 
 
 Smell you the buckweat where the bees were lately buzz- 
 ing ?) 
 
 Above all, lo, the sky so calm, so transparent after the 
 
 rain, and with wondrous clouds. 
 Below too, all calm, all vital and beautiful, and the farm 
 
 prospers well. 
 
 Down in the fields all prospers well, 
 
 But now from the fields come father, come at the daugh- 
 ter's call, 
 
 And come to the entry mother, to the front door come 
 right away. 
 
 Fast as she can she hurries, something ominous, her steps 
 
 trembling. 
 She does not tarry to smooth her hair nor adjust her cap. 
 
COME UP FROM THE FIELDS FATHER 67 
 
 Open the envelope quickly, 
 
 O this is not our son's writing, yet his name is sign'd, 
 
 O a strange hand writes for our dear son, O stricken 
 
 nnother's soul ! 
 All swims before her eyes, flashes with black, she catches 
 
 the main words only, 
 Sentences broken, gunshot zuound in the breast, cavalry 
 
 skirmish, taken to hospital. 
 At present low, but will soon be better. 
 
 Ah now the single figure to me, 
 
 Amid all teemingand wealthy Ohio with all its cities and farms. 
 Sickly white in the face and dull in the head, very faint, 
 By the jamb of a door leans. 
 
 Grieve not so, dear mother, (the just-grown daughter speaks 
 
 through her sobs, 
 The little sisters huddle around speechless and dismay'd,) 
 See, dearest mother, the letter says Pete tvill soon be better. 
 
 Alas poor boy, he will never be better, (nor may-be needs 
 
 to be better, that brave and simple soul,) 
 While they stand at home at the door he is dead already, 
 The only son is dead. 
 
 But the mother needs to be better, 
 
 She with thin form presently drest in black. 
 
 By day her meals untouch'd, then at night fitfully sleeping, 
 
 often waking. 
 In the midnight waking, weeping, longing with one deep 
 
 longing, 
 O that she might withdraw unnoticed, silent from life 
 
 escape and withdraw, 
 To follow, to seek, to be with her dear dead son. 
 
DRUM-TAPS 
 
 THE WOUND-DRESSER 
 
 An old man bending I come among new faces, 
 
 Years looking backward resuming in answer to children, 
 
 Come tell us old man, as from young men and maidens 
 
 that love me, 
 (Arous'd and angry, I'd thought to beat the alarum, and 
 
 urge relentless war, 
 But soon my fingers fail'd me, my face droop'd and I re- 
 
 sign'd myself. 
 To sit by the wounded and soothe them, or silently watch 
 
 the dead;) 
 Years hence of these scenes, of these furious passions, 
 
 these chances. 
 Of unsurpass'd heroes, (was one side so brave? the other 
 
 was equally brave;) 
 Now be witness again, paint the mightiest armies of earth, 
 Of those armies so rapid so wondrous what saw you to 
 
 tell us? 
 What stays with you latest and deepest? of curious panics, 
 Of hard-fought engagements or sieges tremendous what 
 
 deepest remains ? 
 
 2 
 
 O maidens and young men I love and that love me. 
 What you ask of my days those the strangest and sudden 
 your talking recalls. 
 
THE WOUND-DRESSER 69 
 
 Soldier alert I arrive after a long march cover'd with sweat 
 
 and dust, 
 In the nick of time I come, plunge in the fight, loudly 
 
 shout in the rush of successful charge, 
 Enter the captur'd works — yet lo, like a swift-running 
 
 river they fade, 
 Pass and are gone they fade — I dwell not on soldiers' 
 
 perils or soldiers' joys, 
 (Both I remember well — many the hardships, few the joys, 
 
 yet I was content.) 
 
 But in silence, in dreams' projections. 
 
 While the world of gain and appearance and mirth goes on, 
 
 So soon what is over forgotten, and waves wash the im- 
 prints off the sand, 
 
 With hinged knees returning I enter the doors, (while for 
 you up there, 
 
 Whoever you are, follow without noise and be of strong 
 heart.) 
 
 Bearing the bandages, water and sponge, 
 
 Straight and swift to my wounded 1 go. 
 
 Where they lie on the ground after the battle brought in. 
 
 Where their priceless blood reddens the grass the ground, 
 
 Or to the rows of the hospital tent, or under the roof'd 
 
 hospital, 
 To the long rows of cots up and down each side I return, 
 To each and all one after another I draw near, not one do 
 
 I miss, 
 An attendant follows holding a tray, he carries a refuse 
 
 pail. 
 Soon to be fill'd with clotted rags and blood, emptied, and 
 
 fill'd again. 
 
70 DRUM-TAPS 
 
 I onward go, I stop, 
 
 With hinged knees and steady hand to dress wounds, 
 
 I am firm with each, the pangs are sharp yet unavoidable, 
 
 One turns to me his appealing eyes — poor boy ! I never 
 
 knew you, 
 Yet I think I could not refuse this moment to die for you, 
 
 if that would save you. 
 
 On, on I go, (open doors of time, open hospital doors!) 
 The crush'd head I dress, (poor crazed hand tear not the 
 
 bandage away,) 
 The neck of the cavalry-man with the bullet through and 
 
 through I examine, 
 Hard the breathing rattles, quite glazed already the eye, 
 
 yet life struggles hard, 
 (Come sweet death! be persuaded O beautiful death! 
 In mercy come quickly.) 
 
 From the stump of the arm, the amputated hand, 
 
 I undo the clotted lint, remove the slough, wash off the 
 
 matter and blood, 
 Back on his pillow the soldier bends with curv'd neck and 
 
 side-falling head, 
 His eyes are closed, his face is pale, he dares not look on 
 
 the bloody stump. 
 And has not yet look'd on it. 
 
 I dress a wound in the side, deep, deep, 
 
 But a day or two more, for see the frame all wasted and 
 
 sinking. 
 And the yellow-blue countenance see. 
 
THE WOUND-DRESSER 7 1 
 
 I dress the perforated shoulder, the foot with the bullet- 
 wound, 
 
 Cleanse the one with a gnawing and putrid gangrene, so 
 sickening, so offensive. 
 
 While the attendant stands behind aside me holding the 
 tray and pail. 
 
 I am faithful, I do not give out, 
 
 The fractur'd thigh, the knee, the wound in the abdomen, 
 These and more I dress with impassive hand, (yet deep in 
 my breast a fire, a burning flame.) 
 
 Thus in silence in dreams' projections. 
 
 Returning, resuming, I tread my way through the hos- 
 pitals. 
 The hurt and wounded I pacify with soothing hand, 
 I sit by the restless all the dark night, some are so young, 
 Some suffer so much, I recall the experience sweet and sad, 
 (Many a soldier's loving arms about this neck have cross'd 
 
 and rested. 
 Many a soldier's kiss dwells on these bearded lips.) 
 
72 DRUM-TAPS 
 
 ETHIOPIA SALUTING THE COLORS 
 
 Who are you dusky woman, so ancient hardly human, 
 With your woolly-white and turban'd head, and bare bony 
 
 feet ? 
 Why rising by the roadside here, do you the colors greet? 
 
 ('Tis while our army lines Carolina's sand and pines. 
 Forth from thy hovel door thou Ethiopia com'st to me, 
 As under doughty Sherman I march toward the sea.) 
 
 Me tuaster years a hiindred since from ??iy parents sunder d^ 
 A little child, they caught ?ne as the savage beast is caught. 
 Then hither me across the sea the cruel slaver brought. 
 
 No further does she say, but lingering all the day, 
 
 Her high-borne turban'd head she wags, and rolls her 
 
 darkling eye. 
 And courtesies to the regiments, the guidons moving by. 
 
 What is it fateful woman, so blear, hardly human? 
 
 Why wag your head with turban bound, yellow, red and 
 
 green ? 
 Are the things so strange and marvelous you see or ^ave 
 
 seen? 
 
TO A CERTAIN CIVILIAN 73 
 
 TO A CERTAIN CIVILIAN 
 
 Did you ask dulcet rhymes from me ? 
 
 Did you seek the civilian's peaceful and languishing 
 
 rhymes ? 
 Did you find what I sang erewhile so hard to follow ? 
 Why I was not singing erewhile for you to follow, to 
 
 understand — nor am I now; 
 (I have been born of the same as the war was born, 
 The drum-corps' rattle is ever to me sweet music, I love 
 
 well the martial dirge, 
 With slow wail and convulsive throb leading the officer's 
 
 funeral;) 
 What to such as you anyhow such a poet as I ? therefore 
 
 leave my works, 
 And go lull yourself with what you can understand, and 
 
 with piano-tunes. 
 For I lull nobody, and you will never understand me. 
 
74 DRUM-TAPS 
 
 SPIRIT WHOSE WORK IS DONE 
 
 {Washington City, i^ts) 
 
 Spirit whose work is done — spirit of dreadful hours! 
 
 Ere departing fade from my eyes your forests of bayonets; 
 
 Spirit of gloomiest fears and doubts, (yet onward ever un- 
 faltering pressing,) 
 
 Spirit of many a solemn day and many a savage scene — 
 electric spirit. 
 
 That with muttering voice through the war now closed, 
 like a tireless phantom flitted, 
 
 Rousing the land with breath of flame, while you beat and 
 beat the drum, 
 
 Now as the sound of the drum, hollow and harsh to the 
 last, reverberates round me, 
 
 As your ranks, your immortal ranks, return, return from 
 the battles. 
 
 As the muskets of the young men yet lean over their 
 shoulders. 
 
 As I look on the bayonets bristling over their shoulders, 
 
 As those slanted bayonets, whole forests of them appearing 
 in the distance, approach and pass on, returning home- 
 ward. 
 
 Moving with steady motion, swaying to and fro to the right 
 and left. 
 
 Evenly lightly rising and falling while the steps keep time; 
 
 Spirit of hours I knew, all hectic red one day, but pale as 
 death next day, 
 
SPIRIT WHOSE WORK IS DONE 75 
 
 Touch my mouth ere you depart, press my lips close, 
 Leave me your pulses of rage — bequeath them to me — fill 
 
 me with currents convulsive. 
 Let them scorch and blister out of my chants when you are 
 
 gone. 
 Let them identify you to the future in these songs. 
 
MEMORIES OF PRESIDENT LINCOLN 
 
WHEN LILACS LAST 79 
 
 WHEN LILACS LAST IN THE DOORYARD 
 BLOOM'D 
 
 When lilacs last in the dooryard bloom'd, 
 
 And the great star early droop'd in the western sky in the 
 
 night, 
 I mourn'd, and yet shall mourn with ever-returning spring. 
 
 Ever-returning spring, trinity sure to me you bring, 
 Lilac blooming perennial and drooping star in the west. 
 And thought of him I love. 
 
 O powerful western fallen star! 
 
 O shades of night— O moody, tearful night! 
 
 O great star disappear'd— O the black murk that hides the 
 
 star! 
 O cruel hands that hold me powerless — O helpless soul of 
 
 me! 
 O harsh surrounding cloud that will not free my soul. 
 
 In the dooryard fronting an old farm-house near the white- 
 
 wash'd palings, 
 Stands the lilac-bush tall-growing with heart-shaped leaves 
 
 of rich green, 
 
8o MEMORIES OF LINCOLN 
 
 With many a pointed blossom rising delicate, with the per 
 fume strong I love, 
 
 With every leaf a miracle — and from this bush in the door- 
 yard, 
 
 With delicate-color'd blossoms and heart-shaped leaves of 
 rich green, 
 
 A sprig w^ith its flower I break. 
 
 In the swamp in secluded recesses, 
 
 A shy and hidden bird is warbling a song. 
 
 Solitary the thrush, 
 
 The hermJt withdrawn to himself, avoiding the settlements, 
 
 Sings by himself a song. 
 
 Song of the bleeding throat, 
 
 Death's outlet song of life, (for well dear brother I know. 
 
 If thou wast not granted to sing thou would'st surely die.) 
 
 Over the breast of the spring, the land, amid cities. 
 
 Amid lanes and through old woods, where lately the vio- 
 lets peep'd from the ground, spotting the gray debris. 
 
 Amid the grass in the fields each side of the lanes, passing 
 the endless grass. 
 
 Passing the yellow-spear'd wheat, every grain from its 
 shroud in the dark-brown fields uprisen, 
 
 Passing the apple-tree blows of white and pink in the or- 
 chards, 
 .Carrying a corpse to where it shall rest in the grave. 
 
 Night and day journeys a coffin. 
 
WHEN LILACS LAST 
 
 Coffin that passes through lanes and streets 
 
 Through day and night with the great cloud darkening the 
 
 land, 
 With the pomp of the inloop'd flags with the cities draped 
 
 in black, 
 With the show of the States themselves as of crape-veil'd 
 
 women standing, 
 With processions long and winding and the flambeaus of 
 
 the night, 
 With the countless torches lit, with the silent sea of faces 
 
 and the unbared heads, 
 With the waiting depot, the arriving coffin, and the sombre 
 
 faces. 
 With dirges through the night, with the thousand voices 
 
 rising strong and solemn. 
 With all the mournful voices of the dirges pour'd around 
 
 the coffin. 
 The dim-lit churches and the shuddering organs — where 
 
 amid these you journey. 
 With the tolling tolling bells' perpetual clang, 
 Here, coffin that slowly passes, 
 f give you my sprig of lilac. 
 
 (Nor for you, for one alone. 
 
 Blossoms and branches green to coffins all I bring, 
 For fresh as the morning, thus would I chant a song for 
 you O sane and sacred death. 
 
 All over bouquets of roses, 
 
 O death, I cover you over v^rith roses and early lilics» 
 
 % 
 
82 MEMORIES OF LINCOLN 
 
 But mostly and now the lilac that blooms the first, 
 Copious I break, I break the sprigs from the bushes, 
 With loaded arms I come, pouring for you, 
 For you and the coflans all of you O death.) 
 
 8 
 
 O western orb sailing the heaven. 
 
 Now I know what you must have meant as a month since I 
 
 walk'd. 
 As I walk'd in silence the transparent shadowy night. 
 As I saw you had something to tell as you bent to me 
 
 night after night. 
 As you droop'd from the sky low down as if to my side, 
 
 (while the other stars all look'd on,) 
 As we wander'd together the solemn night, (for something 
 
 I know not what kept me from sleep,) 
 As the night advanced, and I saw on the rim of the west 
 
 how full you were of woe. 
 As I stood on the rising ground in the breeze in the cool 
 
 transparent night, 
 As I watch'd where you pass'd and was lost in the nether- 
 ward black of the night. 
 As my soul in its trouble dissatisfied sank, as where you 
 
 sad orb. 
 Concluded, dropt in the night, and was gone. 
 
 Sing on there in the swamp, 
 
 O singer bashful and tender, I hear your notes, I hear your 
 call, 
 
WHEN LILACS LAST 83 
 
 I hear, I come presently, I understand you, 
 
 But a moment I linger, for the lustrous star has detain'd 
 
 me, 
 The star my departing comrade holds and detains me. 
 
 O how shall I warble myself for the dead one there I loved ? 
 And how shall I deck my song for the large sweet soul that 
 
 has gone ? 
 And what shall my perfume be for the grave of him I love ? 
 
 Sea-winds blow, from east and west 
 
 Blown from the Eastern sea and blown from the Western 
 
 sea, till there on the prairies meeting. 
 These and with these and the breath of my chant, 
 I'll perfume the grave of him I love. 
 
 O what shall I hang on the chamber walls ? 
 
 And what shall the pictures be that I hang on the walls, 
 
 To adorn the burial-house of him I love ? 
 
 Pictures of growing spring and farms and homes. 
 
 With the Fourth-month eve at sundown, and the gray smoke 
 
 lucid and bright. 
 With floods of the yellow gold of the gorgeous, indolent, 
 
 sinking sun, burning, expanding the air, 
 With the fresh sweet herbage under foot, and the pale 
 
 green leaves of the trees prolific, 
 In the distance the flowing glaze, the breast of the river, 
 
 with a wind-dapple here and there, 
 With ranging hills on the banks, and many a line against 
 
 the sky, and shadows, 
 
84 MEMORIES OF LINCOLN 
 
 And the city at hand with dwellings so dense, and stacks of 
 chimneys, 
 
 And all the scenes of life and the workshops, and the work- 
 men homeward returning. 
 
 Lo, body and soul — this land, 
 
 IVTy own Manhattan with spires, and the sparkling and 
 
 hurrying tides, and the ships, 
 The varied and ample land, the South and the North in the 
 
 light, Ohio's shores and flashing Missouri, 
 And ever the far-spreading prairies cover'd with grass and 
 
 corn. 
 
 Lo, the most excellent sun so calm and haughty, 
 
 The violet and purple morn with just-felt breezes, 
 
 The gentle soft-born measureless light. 
 
 The miracle spreading bathing all, the fulfill'd noon. 
 
 The coming eve delicious, the welcome night and the stars. 
 
 Over my cities shining all, enveloping man and land. 
 
 13 
 
 Sing on, sing on you gray-brown bird. 
 
 Sing from the swamps, the recesses, pour your chant from 
 
 the bushes. 
 Limitless out of the dusk, out of the cedars and pines. 
 
 Sing on dearest brother, warble your reedy song, 
 Loud human song, with voice of uttermost woe. 
 
 O liquid and free and tender! 
 
 O wild and loose to my soul — O wondrous singer! 
 
WHEN LILACS LAST 85 
 
 You only I hear — yet the star holds trie, (but will soon de- 
 part,) 
 Yet the lilac with mastering odor holds me. 
 
 14 
 
 Now while I sat in the day and look'd forth, 
 
 In the close of the day with its light and the fields of spring, 
 
 and the farmers preparing their crops, 
 In the large unconscious scenery of my land with its lakes 
 
 and forests, 
 In the heavenly aerial beauty, (after the perturb'd winds 
 
 and the storms,) 
 Under the arching heavens of the afternoon swift passing, 
 
 and the voices of children and women, 
 The many-moving sea-tides, and I saw the ships how they 
 
 sail'd. 
 And the summer approaching with richness, and the fields 
 
 all busy with labor. 
 And the infinite separate houses, how they all went on, each 
 
 with its meals and minutia of daily usages, 
 And the streets how their throbbings throbb'd, and the 
 
 cities pent — lo, then and there, 
 Falling upon them all and among them all, enveloping me 
 
 with the.rest, 
 Appear'd the cloud, appear'd the long black trail, 
 And I knew death, its thought, and the sacred knowledge of 
 
 death. 
 
 Then with the knowledge of death as walking one side of 
 
 me, 
 And the thought of death close-walking the other side of me, 
 And I in the middle as with companions, and as holding the 
 
 hands of companions, 
 
86 MEMORIES OF LINCOLN 
 
 I fled forth to the hiding receiving night that talks not, 
 Down to the shores of the water, the path by the swamp in 
 
 the dimness, 
 To the solemn shadowy cedars and ghostly pines so still. 
 
 And the singer so shy to the rest receiv'd me, 
 
 The gray-brown bird I know receiv'd us comrades three, 
 
 And he sang the carol of death, and a verse for him I love. 
 
 From deep secluded recesses, 
 
 From the fragrant cedars and the ghostly pines so still. 
 
 Came the carol of the bird. 
 
 And the charm of the carol rapt me, 
 
 As I held as if by their hands my comrades in the night. 
 
 And the voice of my spirit tallied the song of the bird. 
 
 Come lovely and soothing death. 
 
 Undulate round the zvorld, seretiely arriving, arriving. 
 
 In the day, in the night, to all, to each. 
 
 Sooner or later delicate death. 
 
 Prais'd be the fathomless universe. 
 
 For life and joy, and for objects and hiowledge curious, 
 And for love, sweet love — but praise! praise! praise! 
 For the sure-emuinding arms of cool-enfolding death. 
 
 Dark mother always gliding near with soft feet. 
 Have none cha?tted for thee a chant of fullest welcome ? 
 Then I chant it for thee, I glorify thee above all, 
 I bring thee a song that when thou must indeed come, come U7i- 
 falteringly. 
 
WHEN LILACS LAS'I Sy 
 
 Approach strong deliver ess, 
 
 When it is so, when thou hast taken them I joyously sin^ the 
 
 dead, 
 Lost in the loving Jloating ocean of thee, 
 Laved in the flood of thy bliss O death. 
 
 FrofH me to thee glad serenades , 
 
 Dances for thee I propose saluting thee, adornments and feast' 
 
 ings for thee. 
 And the sights of the open landscape and the high-spread sky 
 
 are fitting. 
 And life and the fields, and the huge and thoughtful night. 
 
 The night in silence under many a star. 
 
 The ocean shore and the husky luhispering wave 7vhose voice I 
 
 know. 
 And the soul turning to thee vast and well-veiV d death, 
 A nd the body gratefully nestling close to thee. 
 
 Over the tree-tops [ fioat thee a song. 
 
 Over the rising and sinking waves, over the myriad fields and 
 
 the prairies wide. 
 Over the dense-pack' d cities all and the teeming wharves and 
 
 ways, 
 I float this carol with joy, with joy to thee O death. 
 
 15 
 
 To the tally of my soul, 
 
 Loud and strong kept up the gray-brown bird, 
 
 With pure deliberate notes spreading filling the night. 
 
 Loud in the pines and cedars dim, 
 
 Clear in the freshness moist and the swamp-perfume, 
 
 And I with my comrades there in the night. 
 
88 MEMORIES OF LINCOLN 
 
 While my sight that was bound in my eyes unclosed, 
 As to long panoramas of visions. 
 
 And I saw askant the armies, 
 
 I saw as in noiseless dreams hundreds of battle-flags, 
 
 Borne through the smoke of the battles and pierc'd with 
 
 missiles I saw them, 
 And carried hither and yon through the smoke, and torn 
 
 and bloody, 
 And at last but a few shreds left on the staffs, (and all in 
 
 silence,) 
 And the staffs all splinter' d and broken. 
 
 I saw battle-corpses, myriads of them, 
 
 And the white skeletons of young men, I saw them, 
 
 I saw the debris and debris of all the slain soldiers of the 
 
 war. 
 But I saw they were not as was thought. 
 They themselves were fully at rest, they suffer'd not. 
 The living remain'd and suffer'd, the mother suffer'd. 
 And the wife and the child and the musing comrade suffer'd. 
 And the armies that remain'd suffer'd. 
 
 i6 
 
 Passing the visions, passing the night. 
 
 Passing, unloosing the hold of my comrades' hands, 
 
 Passing the song of the hermit bird and the tallying song 
 
 of my soul, 
 Victorious song, death's outlet song, yet varying ever- 
 altering song. 
 As low and wailing, yet clear the notes, rising and falling, 
 flooding the night. 
 
WHEN LILACS LAST 89 
 
 Sadly sinking and fainting, as warning and warning, and 
 
 yet again bursting with joy, 
 Covering the earth and filling the spread of heaven. 
 As that powerful psalm in the night I heard from recesses, 
 Passing, I leave thee lilac with heart-shaped leaves, 
 I leave thee there in the door-yard, blooming, returning 
 
 with spring. 
 
 I cease from my song for thee. 
 
 From my gaze on thee in the west, fronting the west, com- 
 muning with thee, 
 O comrade lustrous with silver face in the night. 
 
 Yet each to keep and all, retrievements out of the night, 
 The song, the wondrous chant of the gray-brown bird, 
 And the tallying chant, the echo arous'd in m.y soul. 
 With the lustrous and drooping star with the countenance 
 
 full of woe, 
 With the holders holding my hand nearing the call of the 
 
 bird. 
 Comrades mine and I in the midst, and their memory ever 
 
 to keep, for the dead I loved so well, 
 For*he sweetest, wisest soul of all my days and lands — and 
 
 this for his dear sake, 
 Lilac and star and bird twined with the chant of my soul, 
 There in the fragrant pines and the cedars dusk and dim. 
 
90 MEMORIES OF LINCOLN 
 
 O CAPTAIN ! MY CAPTAIN ! 
 
 O Captain ! my Captain ! our fearful trip is done, 
 
 The ship has weather'd every rack, the prize we sought is 
 
 won, 
 The port is near, the bells I hear, the people all exulting, 
 While follow eyes the steady keel,thevessel grim and daring; 
 But O heart ! heart ! heart ! 
 O the bleeding drops of red, 
 Where on the deck my Captain lies. 
 Fallen cold and dead. 
 
 O Captain ! my Captain ! rise up and hear the bells; 
 
 Rise up — for you the flag is flung — for you the bugle trills, 
 
 For you bouquets and ribbon'd wreaths — for you the shores 
 
 a-crowding, 
 For you they call, the swaying mass, their eager faces 
 turning; 
 
 Here Captain ! dear father ! 
 This arm beneath your head ! 
 
 It is some dream that on the deck, 
 You've fallen cold and dead. 
 
 My Captain does not answer, his lips are pale and still, 
 My father does not feel my arm, he has no pulse nor will, 
 The ship is anchor'd safe and sound, its voyage closed and 
 
 done, 
 From fearful trip the victor ship comes in with object won; 
 Exult O shores, and ring O bells ! 
 But I with mournful tread. 
 
 Walk the deck my Captain lies, 
 Fallen cold and dead. 
 
hush'd be the camps to-day 91 
 
 HUSH'D BE THE CAMPS TO-DAY 
 
 {May 4, i86s) 
 
 Hush'd be the camps to-day, 
 
 And soldiers let us drape our war-worn weapons, 
 And each with musing soul retire to celebrate, 
 Our dear commander's death. 
 
 No more for him life's stormy conflicts, 
 
 Nor victory, nor defeat — no more time's dark events, 
 
 Charging like ceaseless clouds across the sky. 
 
 But sing poet in our name, 
 
 Sing of the love we bore him — because you, dweller in 
 camps, know it truly. 
 
 As they invault the coffin there, 
 
 Sing — as they close the doors of earth upon him — one verse. 
 
 For the heavy hearts of soldiers. 
 
OLD AGE, DEATH, AND IMMORTALITY 
 
OF THAT BLITHE THROAT OF THINE 95 
 
 OF THAT BLITHE THROAT OF THINE* 
 
 Of that blithe throat of thine from arctic bleak and blank, 
 I'll mind the lesson, solitary bird — let me too welcome 
 
 chilling drifts, 
 E'en the profoundest chill, as now — a torpid pulse, a brain 
 
 unnerv'd, 
 Old age land-lock'd within its winter bay — (cold, cold, O 
 
 cold!) 
 These snowy hairs, my feeble arm, my frozen feet, 
 For them thy faith, thy rule I take, and grave it to the last; 
 Not summer's zones alone — not chants of youth, or south's 
 
 v^rarm tides alone, 
 But held by sluggish floes, pack'd in the northern ice, the 
 
 cumulus of years. 
 These with gay heart I also sing. 
 
 *More than eighty-three degrees north — about a good day's steaming dis- 
 tance to the Pole by one of our fast oceaners in clear water — Greely the ex- 
 plorer heard the song of a single snow-bird merrily sounding over the deso- 
 lation. 
 
g6 OLD AGE — IMMORTALITY 
 
 THANKS IN OLD AGE 
 
 Thanks in old age — thanks ere I go, 
 
 For health, the midday sun, the impalpable air — for life, 
 
 mere life, 
 For precious ever-lingering memories, (of you my mother 
 
 dear — you, father — you, brothers, sisters, friends,) 
 For all my days — not those of peace alone — the days of war 
 
 the same. 
 For gentle words, caresses, gifts from foreign lands, 
 For shelter, wine and meat — for sweet appreciation, 
 (You distant, dim unknown — or young or old — countless, 
 
 unspecified, readers belov'd. 
 We never met, and ne'er shall meet — and yet our souls em- 
 brace, long, close and long;) 
 For beings, groups, love, deeds, words, books — for colors, 
 
 forms. 
 For all the brave strongmen — devoted, hardy men — who've 
 
 forward sprung in freedom's help, all years, all lands, 
 For braver, stronger, more devoted men — (a special laurel 
 
 ere I go, to life's war's chosen ones, 
 The cannoneers of song and thought — the great artillerists 
 
 — the foremost leaders, captains of the soul:) 
 As soldier from an ended war return' d — As traveler out of 
 
 myriads, to the long procession retrospective, 
 Thanks — joyful thanks! — a soldier's, traveler's thanks. 
 
ON, ON THE SAME, YE JOCUND TWAIN ! 97 
 
 ON, ON THE SAME, YE- JOCUND TWAIN! 
 
 On, on the same, ye jocund twain! 
 
 My life and recitative, containing birth, youth, mid-age 
 
 years, 
 Fitful as motley-tongues of flame, inseparably twined and 
 
 merged in one — combining all, 
 M}?- single soul — aims, confirmations, failures, joys — Nor 
 
 single soul alone, 
 I chant my nation's crucial stage, (America's, haply hu- 
 manity's) — the trial great, the victory great, 
 A strange eclaircisse?nent of all the masses past, the eastern 
 
 world, the ancient, medieval. 
 Here, here from w^anderings, strayings, lessons, wars, de- 
 feats — here at the west a voice triumphant — justifying 
 
 all, 
 A gladsome pealing cry — a song for once of utmost pride 
 
 and satisfaction; 
 I chant from it the common bulk, the general average horde, 
 
 (the best no sooner than the worst) — And now I chant 
 
 old age, 
 (My verses, written first for forenoon life, and for the 
 
 summer's, autumn's spread, 
 I pass to snow-white hairs the same, and give to pulses 
 
 winter-cool' d the same;) 
 As here in careless trill, I and my recitatives, with faith 
 
 and love, 
 Wafting to other work, to unknown songs, conditions. 
 On, on, ye jocund twain! continue on the same! 
 
98 OLD AGE — IMMORTALITY 
 
 OLD AGE'S LAMBENT PEAKS 
 
 The touch of flame — the illuminating fire — the loftiest look 
 at last, 
 
 O'er city, passion, sea — o'er prairie, mountain, wood — the 
 earth itself; 
 
 The airy, different, changing hues of all, in falling twi- 
 light. 
 
 Objects and groups, bearings, faces, reminiscences; 
 
 The calmer sight — the golden setting, clear and broad: 
 
 So much i' the atmosphere, the points of view, the situ- 
 ations whence we scan, 
 
 Bro't out by them alone — so much (perhaps the best) un- 
 reck'd before; 
 
 The lights indeed from them — old age's lambent peaks. 
 
TO GET THE FINAL LILT OF SONGS 99 
 
 TO GET THE FINAL LILT OF SONGS 
 
 To get the final lilt of songs, 
 
 To penetrate the inmost lore of poets — to know the mighty 
 ones, 
 
 Job, Homer, Eschylus, Dante, Shakspere, Tennyson, Em- 
 erson; 
 
 To diagnose the shifting-delicate tints of love and pride and 
 doubt — to truly understand, 
 
 To encompass these, the last keen faculty and entrance- 
 price. 
 
 Old age, and what it brings from all its past experiences. 
 
lOO OLD AGE — IMMORTALITY 
 
 HALCYON DAYS 
 
 Not from successful love alone, 
 
 Not wealth, nor honor'd middle age, nor victories of pol- 
 itics or war; 
 
 But as life wanes, and all the turbulent passions calm, 
 
 As gorgeous, vapory, silent hues cover the evening sky, 
 
 As softness, fulness, rest, suffuse the frame, like fresher, 
 balmier air. 
 
 As the days take on a mellower light, and the apple at last 
 hangs really finish'd and indolent-ripe on the tree, 
 
 Then for the teeming quietest, happiest days of all ! 
 
 The brooding and blissful halcyon days ! 
 
OLD AGE S SHIP & CRAFTY DEATH S 
 
 OLD AGE'S SHIP & CRAFTY DEATH'S 
 
 From east and west across the horizon's edge, 
 
 Two mighty masterful vessels sailers steal upon us: 
 
 But we'll make race a-time upon the seas — a battle-contest 
 
 yet ! bear lively there ! 
 (Our joys of strife and derring-do to the last !) 
 Put on the old ship all her power to-day ! 
 Crowd top-sail, top-gallant and royal studding-sails. 
 Out challenge and defiance — flags and flaunting pennants 
 
 added, 
 As we take to the open — take to the deepest, freest waters. 
 
I02 OLD AGE — IMMORTALITY 
 
 AFTER THE SUPPER AND TALK 
 
 After the supper and talk — after the day is done, 
 As a friend from friends his final withdrawal prolonging, 
 Good-bye and Good-bye with emotional lips repeating, 
 (So hard for his hand to release those hands — no more 
 
 will they meet, 
 No more for communion of sorrow and joy, of old and 
 
 young, 
 A far-stretching journey awaits him, to return no more,) 
 Shunning, postponing severance — seeking to ward off the 
 
 last word ever so little. 
 E'en at the exit-door turning — charges superfluous calling 
 
 back — e'en as he descends the steps. 
 Something to eke out a minute additional — shadows of 
 
 nightfall deepening. 
 Farewells, messages lessening — dimmer the forthgoer's 
 
 visage and form. 
 Soon to be lost for aye in the darkness — loth, O so loth to 
 
 depart ! 
 Garrulous to the very last. 
 
WHISPERS OF HEAVENLY DEATH lO' 
 
 WHISPERS OF HEAVENLY DEATH 
 
 Whispers of heavenly death inurmur'd I hear, 
 
 Labial gossip of night, sibilant chorals, 
 
 Footsteps gently ascending, mystical breezes wafted soft 
 
 and low. 
 Ripples of unseen rivers, tides of a current flowing, forever 
 
 flowing, 
 (Or is it the plashing of tears ? the measureless waters of 
 
 human tears ?) 
 
 I see, just see skyward, great cloud-masses, 
 Mournfully slowly they roll, silently swelling and mixing. 
 With at times a half-dimm'd sadden'd far-off star, 
 Appearing and disappearing. 
 
 (Some parturition rather, some solemn immortal birth; 
 On the frontiers to eyes impenetrable, 
 Some soul is passing over.) 
 
I04 OLD AGE — IMMORTALITY 
 
 JOY, SHIPMATE, JOY 
 
 Joy, shipmate, joy ! 
 (Pleas'd to my soul at death I cry,) 
 Our life is closed, our life begins. 
 The long, long anchorage we leave, 
 The ship is clear at last, she leaps ! 
 She swiftly courses from the shore, 
 Joy, shipmate, joy. 
 
LEAVES OF GRASS 
 
Come, saidjuy Sotil, 
 
 Such verses for ffiy Body let tis write, {for we are one,) 
 
 That should I after death invisibly return. 
 
 Or, long, long hence, in other spheres. 
 
 There to some group of mates the chants restiming, 
 
 {Tallying Earth's soil, trees, winds, tittnultuoiis waves,) 
 
 Ever with pleased smile I may keep on. 
 
 Ever and ever yet the verses owning — as, first, I here andnoxu. 
 
 Signing for Soul and Body, set to them my name. 
 
INSCRIPTIONS 107 
 
 INSCRIPTIONS 
 
 ONE S-SELF r SING 
 
 One's-Self I sing, a simple separate person, 
 
 Yet utter the word Democratic, the word En-Masse. 
 
 Of physiology from top to toe I sing, 
 
 Not physiognomy alone nor brain alone is worthy for the 
 
 Muse, I say the Form complete is worthier far, 
 The Female equally with the Male I sing. 
 
 Of Life immense in passion, pulse, and power. 
 Cheerful, for freest action form'd under the laws divine. 
 The Modern Man I sing. 
 
 TO FOREIGN LANDS 
 
 I HEARD that you ask'd for something to prove this puzzle 
 
 the New World, 
 And to define America, her athletic Democracy, 
 Therefore I send you my poems that you behold in them 
 
 what you wanted. 
 
 I HEAR AMERICA SINGING 
 
 I HEAR America singing, the varied carols I hear. 
 
 Those of mechanics, each one singing his as it should be 
 
 blithe and strong, 
 The carpenter singing his as he measures his plank or 
 
 beam. 
 The mason singing as he makes ready for work, or leaves 
 
 off work, 
 
Io8 LEAVES OF GRASS 
 
 I'he boatman singing what belongs to him in his boat, the 
 
 deck-hand singing on the steamboat deck, 
 Ihe shoemaker singing as he sits on his bench, the liatter 
 
 singing as he stands, 
 The wood-cutter's song, the ploughboy's on his way in the 
 
 morning, or at noon intermission or at sundown. 
 The delicious singing of the mother, or of the young wife 
 
 at work, or of the girl sewing or washing. 
 Each singing what belongs to him or her and to none else, 
 The day what belongs to the day — at night the party of 
 
 young fellows, robust, friendly. 
 Singing with open mouths their strong melodious songs, 
 
 SllUl' NO r YOliR DOOKS 
 
 Shut not your doors to me proud libraries. 
 
 For that which was lacking on all your wcll-liU'd shelves, 
 
 yet needed most, I bring. 
 Forth from the war emerging, a book I have made, 
 The words of my book nothing, the drift of it every thing, 
 A book separate, not link'd with the rest nor felt by the 
 
 intellect. 
 But you ye untold latencies will thrill to every page. 
 
STARTING FROM PAUMANOK I09 
 
 STARTING FROM PAUMANOK 
 
 Starting from fish-shape Paumanok where I was born, 
 Well-begotten, and rais'd by a perfect mother, 
 After roaming many lands, lover of populous pavements, 
 Dweller in Mannahatta my city, or on southern savannas. 
 Or a soldier camp'd or carrying my knapsack and gun, or a 
 
 miner in California, 
 Or rude in my home in Dakota's woods, my diet meat, my 
 
 drink from the spring. 
 Or withdrawn to muse and meditate in some deep recess, 
 Far from the clank of crowds intervals passing rapt and 
 
 happy, 
 Aware of the fresh free giver the flowing Missouri, aware 
 
 of mighty Niagara, 
 Aware of the buffalo herds grazing the plains, the hirsute 
 
 and strong-breasted bull. 
 Of earth, rocks. Fifth-month flowers experienced, stars, 
 
 rain, snow, my amaze. 
 Having studied the mocking-bird's tones and the flight of 
 
 the mountain-hawk. 
 And heard at dusk the unrivall'd one, the hermit thrush 
 
 from the swamp-cedars. 
 Solitary, singing in the West, I strike up for a New World. 
 
no LEAVES OF GRASS 
 
 SONG OF MYSELF 
 
 I CELEBRATE myself, and sing myself, 
 
 And what I assume you shall assume, 
 
 For every atom belonging to me as good belongs to you. 
 
 I loafe and invite my soul, 
 
 I lean and loafe at my ease observing a spear of summer 
 grass. 
 
 My tongue, every atom of my blood, form'd from this soil, 
 
 this air. 
 Born here of parents born here from parents the same, and 
 
 their parents the same, 
 I. now thirty-seven years old in perfect health begin. 
 Hoping to cease not till death. 
 
 Creeds and schools in abeyance. 
 
 Retiring back a while sufficed at what they are, but never 
 
 forgotten, 
 I harbor for good or bad, I permit to speak at every hazard. 
 Nature without check with original energy. 
 
 Have you reckon'd a thousand acres much ? have you reck- 
 
 on'd the earth much ? 
 Have you practis'd so long to learn to read ? 
 Have you felt so proud to get at the meaning of poems ? 
 
SONG OF MYSELF 
 
 Stop this day and night with me and you shall possess the 
 
 origin of all poems, 
 You shall possess the good of the earth and sun, (there are 
 
 millions of suns left,) 
 You shall no longer take things at second or third hand, nor 
 
 look through the eyes of the dead, nor feed on the 
 
 spectres in books, 
 You shall not look through my eyes either, nor take things 
 
 from me. 
 You shall listen to all sides and filter them from your self. 
 
 A child said What is the grass ? fetching it to me with full 
 
 hands; 
 How could I answer the child ? I do not know what it is 
 
 any more than he. 
 
 I guess it must be the flag of my disposition, out of hope- 
 ful green stuff woven. 
 
 Or I guess it is the handkerchief of the Lord, 
 A scented gift and remembrancer designedly dropt. 
 Bearing the owner's name someway in the corners, that 
 we may see and remark, and say Whose? 
 
 Or I guess the grass is itself a child, the produced babe of 
 the vegetation. 
 
 Or I guess it is a uniform hieroglyphic, 
 And it means. Sprouting alike in broad zones and narrow 
 zones, 
 
112 LEAVES OF GRASS 
 
 Growing among black folks as among white, 
 Kanuck, Tuckahoe, Congressman, Cuff, I give them the 
 same, I receive them the same. 
 
 And now it seems to me the beautiful uncut hair of graves. 
 
 Tenderly will I use you curling grass, 
 It may be you transpire from the breasts of young men, 
 It may be if I had known them I would have loved them, 
 It may be you are from old people, or from offspring taken 
 
 soon out of their mothers' laps, 
 And here you are the mothers' laps. 
 
 This grass is very dark to be from the white heads of old 
 
 mothers. 
 Darker than the colorless beards of old men, 
 Dark to come from under the faint red roofs of mouths. 
 
 I perceive after all so many uttering tongues. 
 
 And I perceive they do not come from the roofs of mouths 
 for nothing. 
 
 1 wish I could translate the hints about the dead young men 
 
 and women. 
 And the hints about old men and mothers, and the offspring 
 taken soon out of their laps. 
 
 What do you think has become of the young and old men ? 
 And what do you think has become of the women and chil- 
 dren ? 
 
 They are alive and well somewhere. 
 
 The smallest sprout shows there is really no death, 
 
 And if ever there was it led forward life, and does not wait 
 
 at the end to arrest it, 
 And ceas'd the moment life appear'd. 
 
SONG OF MYSELF II3 
 
 AH goes onward and outward, nothing collapses, 
 And to die is different from what any one supposed, and 
 luckier. 
 
 Alone far in the wilds and mountains I hunt, 
 Wandering amazed at my own lightness and glee. 
 In the late afternoon choosing a safe spot to pass the night, 
 Kindling a fire and broiling the fresh-kill'd game, 
 Falling asleep on the gather'd leaves with my dog and gun 
 by my side. 
 
 The Yankee clipper is under her sky-sails, she cuts the 
 sparkle and scud, 
 
 My eyes settle the land, I bend at her prow or shout joy- 
 ously from the deck. 
 
 The boatmen and clam-diggers arose early and stopt for me, 
 I tuck'd my trowser-ends in my boots and went and had a 
 
 good time; 
 You should have been with us that day round the chowder- 
 kettle. 
 
 I saw the marriage of the trapper in the open air in the far 
 
 west, the bride was a red girl. 
 Her father and his friends sat near cross-legged and dumbly 
 
 smoking, they had moccasins to their feet and large 
 
 thick blankets hanging from their shoulders, 
 On a bank lounged the trapper, he was drest mostly in 
 
 skins, his luxuriant beard and curls protected his neck, 
 
 he held his bride by the hand. 
 She had long eyelashes, her head was bare, her coarse 
 
 straight locks descended upon her voluptuous limbs 
 
 and reach'd to her feet. 
 
114 LEAVES OF GRASS 
 
 The runaway slave came to my house and stopt outside, 
 I heard his motions crackling the twigs of the woodpile, 
 Through the swung half-door of the kitchen I saw him 
 
 limpsy and weak, 
 And went where he sat on a log and led him in and assured 
 
 him, 
 And brought water and fill'd a tub for his sweated body 
 
 and bruis'd feet. 
 And gave him a room that enter'd from my own, and gave 
 
 him some coarse clean clothes, 
 And remember perfectly well his revolving eyes and his 
 
 awkwardness, 
 And remember putting plasters on the galls of his neck and 
 
 ankles; 
 He staid with me a week before he was recuperated and 
 
 pass'd north, 
 I had him sit next me at table, my fire-lock lean'd in the 
 
 corner. 
 
 13 
 
 The negro holds firmly the reins of his four horses, the 
 
 block swags underneath on its tied-over chain, 
 The negro that drives the long dray of the stone-yard, 
 
 steady and tall he stands pois'd on one leg on the 
 
 string-piece, 
 His blue shirt exposes his ample neck and breast and 
 
 loosens over his hip-band, 
 His glance is calm and commanding, he tosses the slouch 
 
 of his hat away from his forehead, 
 The sun falls on his crispy hair and mustache, falls on the 
 
 black of his polish'd and perfect limbs. 
 
SONG OF MYSELF II5 
 
 I behold the picturesque giant and love him, and I do not 
 
 stop there, 
 I go with the team also. 
 
 In me the caresser of life wherever moving, backward as 
 
 well as forward sluing, 
 To niches aside and junior bending, not a person or object 
 
 missing, 
 Absorbing all to myself and for this song. 
 
 Oxen that rattle the yoke and chain or halt in the leafy 
 shade, what is that you express in your eyes ? 
 
 It seems to me more than all the print I have read in my 
 life. 
 
 My tread scares the wood-drake and wood-duck on my dis- 
 tant and day-long ramble. 
 They rise together, they slowly circle around. 
 
 I believe in those wing'd purposes. 
 
 And acknowledge red, yellow, white, playing within me, 
 
 And consider green and violet and the tufted crown inten- 
 tional. 
 
 And do not call the tortoise unworthy because she is not 
 something else. 
 
 And the jay in the woods never studied the gamut, yet 
 trills pretty well to me. 
 
 And the look of the bay mare shames silliness out of me. 
 
 16 
 
 I am of old and young, of the foolish as much as the wise, 
 Regardless of others, ever regardful of others, 
 Maternal as well as paternal, a child as well as a man, 
 
;i6 LEAVES OF GRASS 
 
 Stuff'd with the stuff that is coarse and stuff'd with the 
 
 stuff that is fine, 
 One of the Nation of many nations, the smallest the same 
 
 and the largest the same, 
 A Southerner soon as a Northerner, a planter nonchalant 
 
 and hospitable down by the Oconee I live, 
 A Yankee bound my own way ready for trade, my joints 
 
 the limberest joints on earth and the sternest joints 
 
 on earth, 
 A Kentuckian walking the vale of the Elkhorn in my deer- 
 skin leggings, a Louisianian or Georgian, 
 A boatman over lakes or bays or along coasts, a Hoosier, 
 
 Badger, Buckeye; 
 At home on Kanadian snow-shoes or up in the bush, or 
 
 with fishermen off Newfoundland, 
 At home in the fleet of ice-boats, sailing with the rest and 
 
 tacking. 
 At home on the hills of Vermont or in the woods of Maine, 
 
 or the Texan ranch. 
 Comrade of Californians, comrade of free North-Western- 
 ers, (loving their big proportions,) 
 Comrade of raftsmen and coalmen, comrade of all who 
 
 shake hands and welcome to drink and meat, 
 A learner with the simplest, a teacher of the thoughtfull- 
 
 est, 
 A novice beginning yet experient of myriads of seasons, 
 Of every hue and caste am I, of every rank and religion, 
 A farmer, mechanic, artist, gentleman, sailor, quaker, 
 Prisoner, fancy-man, rowdy, lawyer, physician, priest. 
 
 I resist any thing better than my own diversity, 
 Breathe the air but leave plenty after me. 
 And am not stuck up, and am in my place. 
 
SONG OF MYSELF II7 
 
 (The moth and the fish-eggs are in their place, 
 
 The bright suns I see and the dark suns I cannot see are in 
 
 their place, 
 The palpable is in its place and the impalpable is in its 
 
 place.) 
 
 17 
 
 These are really the thoughts of all men in all ages and 
 
 lands, they are not original with me, 
 If they are not yours as much as mine they are nothing, or 
 
 next to nothing. 
 If they are not the riddle and the untying of the riddle they 
 
 are nothing, 
 If they are not just as close as they are distant they are 
 
 nothing. 
 
 This is the grass that grows wherever the land is and the 
 
 water is, 
 This the common air that bathes the globe. 
 
 I am the poet of the Body and I am the poet of the Soul, 
 The pleasures of heaven are with me and the pains of hell 
 
 are with me. 
 The first I graft and increase upon myself, the latter I trans- 
 late into a new tongue. 
 
 I am the poet of the woman the same as the man, 
 And I say it is as great to be a woman as to be a man, 
 And I say there is nothing greater than the mother of men. 
 
 I chant the chant of dilation or pride. 
 
 We have had ducking and deprecating about enough, 
 
 I show that size is only development. 
 
Il8 LEAVES OF GRASS 
 
 Have you outstript the rest? are you the President? 
 It is a trifle, they will more than arrive there every one, 
 and still pass on. 
 
 I am he that walks with the tender and growing night 
 I call to the earth and sea half-held by the night. 
 
 Press close bare-bosom'd night — press close magnetic nour- 
 ishing night ! 
 Night of south winds — night of the large few stars ! 
 Still nodding night — mad naked summer night. 
 
 Smile O voluptuous cool-breath'd earth ! 
 Earth of the slumbering and liquid trees ! 
 Earth of departed sunset — earth of the mountains misty- 
 
 topt ! 
 Earth of the vitreous pour of the full moon just tinged with 
 
 blue ! 
 Earth of shine and dark mottling the tide of the river ! 
 Earth of the limpid gray of clouds brighter and clearer for 
 
 my sake ! 
 Far-swooping elbow'd earth — rich apple-blossom'd earth ! 
 Smile, for your lover comes. 
 
 Prodigal, you have given me love — therefore I to you give 
 
 love ! 
 O unspeakable passionate love. 
 
 23 
 
 Endless unfolding of words of ages ! 
 
 And mine a word of the modern, the word En-Masse. 
 
SONG OF MYSELF 119 
 
 A word of the faith that never balks, 
 
 Here or henceforward it is all the same to me, I accept Time 
 
 absolutely. 
 
 It alone is without flaw, it alone rounds and completes all, 
 That mystic baffling wonder alone completes all. 
 
 I accept Reality and dare not question it, 
 Materialism first and last imbuing. 
 
 Hurrah for positive science ! long live exact demonstration ! 
 Fetch stonecrop mixt with cedar and branches of lilac, 
 This is the lexicographer, this the chemist, this made a 
 
 grammar of the old cartouches, 
 These mariners put the ship through dangerous unknown 
 
 seas. 
 This is the geologist, this works with the scalpel, and this 
 
 is a mathematician. 
 
 Gentlemen, to you the first honors always ! 
 
 Your facts are useful, and yet they are not my dwelling, 
 
 I but enter by them to an area of my dwelling. 
 
 Less the reminders of properties told my words. 
 And more the reminders they of life untold, and of freedom 
 and extrication. 
 
 32 
 
 I think I could turn and live with animals, they are so placid 
 
 and self-contain'd, 
 I stand and look at them long and long. 
 
 They do not sweat and whine about their condition. 
 
 They do not lie awake in the dark and weep for their sins. 
 
120 LEAVES OF GRASS 
 
 They do not make me sick discussing their duty to God, 
 
 Not one is dissatisfied, not one is demented with the mania 
 of owning things. 
 
 Not one kneels to another, nor to his kind that lived thou- 
 sands of years ago, 
 
 Not one is respectable or unhappy over the whole earth. 
 
 So they show their relations to me and I accept them, 
 They bring me tokens of myself, they evince them plainly 
 in their possession. 
 
 I wonder where they get those tokens, 
 
 Did I pass that way huge times ago and negligently drop them? 
 Myself moving forward then and now and forever, 
 Gathering and showing more always and with velocity, 
 Infinite and omnigenous, and the like of these among them, 
 Not too exclusive toward the reachers of my remembrancers, 
 Picking out here one that I love, and now go with him on 
 brotherly terms. 
 
 A gigantic beauty of a stallion, fresh and responsive to my 
 
 caresses, 
 Head high in the forehead, wide between the ears, 
 Limbs glossy and supple, tail dusting the ground, 
 Eyes full of sparkling wickedness, ears finely cut, flexibly 
 
 moving. 
 
 His nostrils dilate as my heels embrace him, 
 His well-built limbs tremble with pleasure as we race around 
 and return. 
 
 I but use you a minute, then I resign you, stallion, 
 
 Why do I need your paces when I myself out-gallop them ? 
 
 Even as I stand or sit passing faster than you. 
 
SONG OF MYSELF 12] 
 
 33 
 
 I understand the large hearts of heroes, 
 
 The courage of present times and all times, 
 
 How the skipper saw the crowded and rudderless wreck of 
 
 the steam-ship, and Death chasing it up and down the 
 
 storm, 
 How he knuckled tight and gave not back an inch, and was 
 
 faithful of days and faithful of nights, 
 And chalk' d in large letters on a board. Be of good cheer, zve 
 
 tvill not desert yoti; 
 How he follow'd with them and tack'd with them three 
 
 days and would not give it up, 
 Hov/ he saved the drifting company at last. 
 How the lank loose-gown'd women look'd when boated 
 
 from the side of their prepared graves. 
 How the silent old-faced infants and the lifted sick, and the 
 
 sharp-lipp'd unshaved men; 
 All this I swallow, it tastes good, I like it well, it becomes 
 
 mine, 
 I am the man, I suffer'd, I was there. 
 
 The disdain and calmness of martyrs, 
 
 The mother of old, condemn'd for a witch, burnt with dry 
 
 wood, her children gazing on. 
 The hounded slave that flags in the race, leans by the fence, 
 
 blowing, cover'd with sweat, 
 The twinges that sting like needles his legs and neck, the 
 
 murderous buckshot and the bullets, 
 All these I feel or am. 
 
 I am the hounded slave, I wince at the bite of the dogs, 
 Hell and despair are upon me, crack and again crack the 
 marksmen, 
 
122 LEAVES OP' GRASS 
 
 I clutch the rails of the fence, my gore dribs, thinn'd with 
 
 the ooze of my skin, 
 I fall on the weeds and stones, 
 
 The riders spur their unwilling horses, haul close. 
 Taunt my dizzy ears and beat me violently over the heatJ 
 
 with whip-stocks. 
 
 Agonies are one of my changes of garments, 
 I do not ask the wounded person how he feels, I myself be- 
 come the wounded person, 
 My hurts turn livid upon me as I lean on a cane and observe. 
 
 I am the mash'd fireman with breast-bone broken, 
 
 Tumbling walls buried me in their debris. 
 
 Heat and smoke I inspired, I heard the yelling shouts of 
 
 my comrades, 
 I heard the distant click of their picks and shovels. 
 They have clear'd the beams away, they tenderly lift me 
 
 forth. 
 
 I lie in the night air in my red shirt, the pervading hush is 
 
 for my sake. 
 Painless after all I lie exhausted but not so unhappy, 
 White and beautiful are the faces around me, the heads are 
 
 bared of their fire-caps, 
 The kneeling crowd fades with the light of the torches. 
 
 Distant and dead resuscitate, 
 
 They show as the dial or move as the hands of me, I am 
 the clock myself. 
 
 I am an old artillerist, I tell of my fort's bombardment, 
 I am there again. 
 
SONG OF MYSELF I23 
 
 Again the long roll of the drummers, 
 Again the attacking cannon, mortars, 
 Again to my listening ears the cannon responsive. 
 
 I take part, I see and hear the whole. 
 
 The cries, curses, roar, the plaudits for well-aim'd shots, 
 The ambulanza slowly passing trailing its red drip. 
 Workmen searching after damages, making indispensable 
 
 repairs. 
 The fall of grenades through the rent roof, the fan-shaped 
 
 explosion. 
 The whizz of limbs, heads, stone, wood, iron, high in the air. 
 
 Again gurgles the mouth of my dying general, he furiously 
 waves with his hand. 
 
 He gasps through the clot Mind not vie — mind — the en- 
 trenchments. 
 
 35 
 
 Would you hear of an old-time sea-fight? 
 
 Would you learn who won by the light of the moon and 
 
 stars ? 
 List to the yarn, as my grandmother's father the sailor told 
 
 it to me. 
 
 Our foe was no skulk in his ship I tell you, (said he,) 
 
 His was the surly English pluck, and there is no tougher 
 
 or truer, and never was, and never will be; 
 Along the lower'd eve he came horribly raking us. 
 
 We closed with him, the yards entangled, the cannon 
 
 touch'd. 
 My captain lash'd fast with his own hands. 
 
124 LEAVES OF GRASS 
 
 We had receiv'd some eighteen pound shots under the water, 
 On our lower-gun-deck two large pieces had burst at the first 
 fire, killing all around and blowing up overhead. 
 
 Fighting at sun-down, fighting at dark. 
 
 Ten o'clock at night, the full moon well up, our leaks on 
 
 the gain, and five feet of water reported, 
 The master-at-arms loosing the prisoners confined in the 
 
 after-hold to give them a chance for themselves. 
 
 The transit to and from the magazine is now stopt by the 
 
 sentinels, 
 They see so many strange faces they do not know whom to 
 
 trust. 
 
 Our frigate takes fire, 
 
 The other asks if we demand quarter? 
 
 If our colors are struck and the fighting done ? 
 
 Now I laugh content, for I hear the voice of my little 
 
 captain. 
 We have not struck, he composedly cries, we have just begun 
 
 our part of the fighting. 
 
 Only three guns are in use, 
 
 One is directed by the captain himself against the enemy's 
 mainmast, 
 
 Two well serv'd with grape and canister silence his mus- 
 ketry and clear his decks. 
 
 The tops alone second the fire of this little battery, espe- 
 cially the main-top, 
 They hold out bravely during the whole of the action. 
 
SONG OF MYSELF 1 25 
 
 Not a moment's cease, 
 
 The leaks gain fast on the pumps, the fire eats toward the 
 powder-magazine. 
 
 One of the pumps has been shot away, it is generally 
 thought we are sinking. 
 
 Serene stands the little captain, 
 
 He is not hurried, his voice is neither high nor low. 
 
 His eyes give more light to us than our battle-lanterns; 
 
 Toward twelve there in the beams of the moon they sur- 
 render to us. 
 
 40 
 
 To any one dying, thither I speed and twist the knob of 
 
 the door, 
 Turn the bed-clothes toward the foot of the bed, 
 Let the physician and the priest go home. 
 
 I seize the descending man and raise him with resistless 
 will, 
 
 despairer, here is my neck. 
 
 By God, you shall not go down ! hang your whole weight 
 upon me. 
 
 1 dilate you with tremendous breath, I buoy you up. 
 Every room of the house do I fill with an arm'd force, 
 Lovers of me, bafflers of graves. 
 
 Sleep — I and they keep guard all night, 
 
 Not doubt, not decease shall dare to lay finger upon you, 
 
126 LEAVES OF GRASS 
 
 I have embraced you, and henceforth possess you to my- 
 self, 
 
 And when you rise in the morning you will find what I tell 
 you is so. 
 
 44 
 Long I was hugg'd close — long and long. 
 
 Immense have been the preparations for me, 
 Faithful and friendly the arms that have help'd me. 
 
 Cycles ferried my cradle, rowing and rowing like cheerful 
 
 boatmen. 
 For room to me stars kept aside in their own rings, 
 They sent influences to look after w^hat was to hold me. 
 
 Before I was born out of my mother generations guided 
 
 me, 
 My embryo has never been torpid, nothing could overlay it. 
 
 For it the nebula cohered to an orb, 
 The long slow strata piled to rest it on, 
 Vast vegetables gave it sustenance, 
 
 Monstrous sauroids transported it in their mouths and de- 
 posited it with care. 
 
 All forces have been steadily employ'd to complete and de- 
 light me. 
 Now on this spot I stand with my robust soul. 
 
SONG OF MYSELF 127 
 
 45 
 
 Old age superbly rising! O welcome, ineffable grace of dy- 
 ing days! 
 
 Every condition promulges not only itself, it promulges 
 
 what grows after and out of itself, 
 And the dark hush promulges as much as any. 
 
 I open my scuttle at night and see the far-sprinkled sys- 
 tems, 
 
 And all I see multiplied as high as I can cipher edge but 
 the rim of the farther systems. 
 
 Wider and wider they spread, expanding, always expanding. 
 Outward and outward and forever outward. 
 
 My sun has his sun and round him obediently wheels, 
 He joins with his partners a group of superior circuit. 
 And greater sets follow, making specks of the greatest in- 
 side them. 
 
 There is no stoppage and never can be stoppage, 
 
 If I, you, and the worlds, and all beneath or upon their 
 
 surfaces, were this moment reduced back to a pallid 
 
 float, it would not avail in the long run. 
 We should surely bring up again where we now stand, 
 And surely go as much farther, and then farther and 
 
 farther. 
 
 A few quadrillions of eras, a few octillions of cubic leagues, 
 
 do not hazard the span or make it impatient, 
 They are but parts, any thing is but a part. 
 
128 LEAVES OF GRASS 
 
 See ever so far, there is limitless space outside of that, 
 Count ever so much, there is limitless time around that. 
 
 My rendezvous is appointed, it is certain, 
 
 The Lord will be there and wait till I come on perfect 
 
 terms, 
 The great Camerado, the lover true for whom I pine will 
 
 be there. 
 
 48 
 
 I have said that the soul is not more than the body, 
 And I have said that the body is not more than the soul. 
 And nothing, not God, is greater to one than one's self is. 
 And whoever walks a furlong without sympathy walks to 
 
 his own funeral drest in his shroud, 
 And I or you pocketless of a dime may purchase the pick 
 
 of the earth. 
 And to glance with an eye or show a bean in its pod con- 
 founds the learning of all times. 
 And there is no trade or employment but the young man 
 
 following it may become a hero. 
 And there is no object so soft but it makes a hub for the 
 
 wheel'd universe. 
 And I say to any man or woman, Let your soul stand cool 
 and composed before a million universes. 
 
 And I say to mankind, Be not curious about God, 
 For I who am curious about each am not curious about God, 
 (No array of terms can say how much I am at peace about 
 God and about death.) 
 
SONG OF MYSELF 1 29 
 
 I hear and behold God in every object, yet understand God 
 
 not in the least, 
 Nor do I understand who there can be more wonderful than 
 
 myself. 
 
 Why should I wish to see God better than this day? 
 
 I see something of God each hour of the twenty-four, and 
 
 each moment then, 
 In the faces of men and women I see God, and in my own 
 
 face in the glass, 
 I find letters from God dropt in the street, and every one is 
 
 sign'd by God's name. 
 And I leave them where they are, for I know that where- 
 
 soe'er I go. 
 Others will punctually come for ever and ever. 
 
 51 
 
 The past and present wilt — I have fill'd them, emptied them. 
 And proceed to fill my next fold of the future. 
 
 Listener up there ! what have you to confide to me ? 
 Look in my face while I snufT the sidle of evening, 
 (Talk honestly, no one else hears you, and I stay only a 
 minute longer.) 
 
 Do I contradict myself? 
 
 Very well then I contradict myself, 
 
 (I am large, I contain multitudes.) 
 
 I concentrate toward them that are nigh, I wait on the door- 
 slab. 
 
I30 LEAVES OF GRASS 
 
 Who has done his day's work ? who will soonest be through 
 
 with his supper? 
 Who wishes to walk with me ? 
 
 Will you speak before I am gone? will you prove already 
 too late ? 
 
 52 
 
 The spotted hawk swoops by and accuses me, he complains 
 of my gab and my loitering. 
 
 I too am not a bit tamed, I too am untranslatable, 
 
 I sound my barbaric yawp over the roofs of the world. 
 
 The last scud of day holds back for me, 
 
 It flings my likeness after the rest and true as any on the 
 
 shadow'd wilds, 
 It coaxes me to the vapor and the dusk. 
 
 I depart as air, I shake my white locks at the runaway sun, 
 I effuse my flesh in eddies, and drift it in lacy jags. 
 
 I bequeath myself to the dirt to grow from the grass I love, 
 If you want me again look for me under your boot-soles. 
 
 You will hardly know who I am or what I mean. 
 But I shall be good health to you nevertheless, 
 And filter and fibre your blood. 
 
 Failing to fetch me at first keep encouraged, 
 Missing me one place search another, 
 I stop somewhere waiting for you. 
 
AT AUCTION 131 
 
 AT AUCTION 
 
 A man's body at auction, 
 
 (For before the war I often go to the slave-mart and watch 
 
 the sale,) 
 I help the auctioneer, the sloven does not half know his 
 
 business. 
 
 Gentlemen look on this wonder, 
 
 Whatever the bids of the bidders they cannot be high 
 
 enough for it, 
 For it the globe lay preparing quintillions of years without 
 
 one animal or plant. 
 For it the revolving cycles truly and steadily roll'd. 
 
 In this head the all-baffling brain, 
 
 In it and below it the makings of heroes. 
 
 Examine these limbs, red, black, or white, they are cun- 
 ning in tendon and nerve. 
 They shall be stript that you may see them. 
 
 Exquisite senses, life-lit eyes, pluck, volition, 
 
 Flakes of breast-muscle, pliant backbone and neck, flesh 
 
 not flabby, good-sized arms and legs, 
 And wonders within there yet. 
 
 Within there runs blood, 
 
 The same old blood! the same red-running blood! 
 
 There swells and jets a heart, there all passions, desires, 
 
 reachings, aspirations, 
 (Do you think they are not there because they are not ex- 
 
 press'd in parlors and lecture-rooms ?) 
 
132 LEAVES OF GRASS 
 
 This is not only one man, this the father of those who 
 
 shall be fathers in their turns, 
 In hira the start of populous states and rich republics, 
 Of him countless immortal lives with countless embodi- 
 ments and enjoyments. 
 
 How do you know who shall come from the offspring of 
 
 his offspring through the centuries ? 
 (Who might you find you have come from yourself, if you 
 
 could trace back through the centuries ?) 
 
 A woman's body at auction. 
 
 She too is not only herself, she is the teeming mother of 
 
 mothers. 
 She is the bearer of them that shall grow and be mates to 
 
 the mothers. 
 
 Have you ever loved the body of a woman? 
 Have you ever loved the body of a man ? 
 Do you not see that these are exactly the same to all in all 
 nations and times all over the earth ? 
 
 If any thing is sacred the human body is sacred, 
 
 And the glory and sweet of a man is the token of manhood 
 
 untainted, 
 And in man or woman a clean, strong, firm-fibred body, is 
 
 more beautiful than the most beautiful face. 
 
 Have you seen the fool that corrupted his own live body ? 
 
 or the fool that corrupted her own live body? 
 For they do not conceal themselves, and cannot conceal 
 
 themselves. 
 
CALAMUS 133 
 
 CALAMUS 
 
 WHOEVER YOU ARE HOLDING ME NOW IN HAND 
 
 Whoever you are holding me now in hand, 
 Without one thing all will be useless, 
 I give you fair warning before you attempt me further, 
 I am not what you supposed, but far different. 
 
 Who is he that would become my follower ? 
 
 Who would sign himself a candidate for my affections? 
 
 The way is suspicious, the result uncertain, perhaps de- 
 structive. 
 
 You would have to give up all else, I alone would expect 
 to be your sole and exclusive standard. 
 
 Your novitiate would even then be long and exhausting. 
 
 The whole past theory of your life and all conformity to 
 the lives around you would have to be abandon'd, 
 
 Therefore release me now before troubling yourself any 
 further, let go your hand from my shoulders, 
 
 Put me down and depart on your way. 
 
 Or else by stealth in some wood for trial, 
 
 Or back of a rock in the open air, 
 
 (For in any roof'd room of a house" I ^emerge not, nor in 
 
 company, 
 And in libraries I lie as one dumb, a gawk, or unborn, or 
 
 dead,) 
 But just possibly with you on a high hill, first watching 
 
 lest any person for miles around approach unawares, 
 
134 LEAVES OF GRASS 
 
 Or possibly with you sailing at sea, or on the beach of the 
 
 sea or some quiet island, 
 Here to put your lips upon mine I permit you, 
 With the comrade's long-dwelling kiss or the new husband's 
 
 kiss, 
 For I am the new husband and I am the comrade. 
 
 Or if you will, thrusting me beneath your clothing, 
 Where I may feel the throbs of your heart or rest upon 
 
 your hip. 
 Carry me when you go forth over land or sea; 
 For thus merely touching you is enough, is best, 
 And thus touching you would I silently sleep and be car- 
 ried eternally. 
 
 But these leaves conning you con at peril. 
 
 For these leaves and me you will not understand, 
 
 They will elude you at first and still more afterward, I will 
 
 certainly elude you. 
 Even while you should think you had unquestionably 
 
 caught me, behold ! 
 Already you see I have escaped from you. 
 
 For it is not for what I have put into it that I have written 
 
 this book. 
 Nor is it by reading it you will acquire it, 
 Nor do those know me best who admire me and vauntingly 
 
 praise me. 
 Nor will the candidates for my love (unless at most a very 
 
 few) prove victorious, 
 Nor will my poems do good only, they will do just as much 
 
 evil, perhaps more. 
 For all is useless without that which you may guess at 
 
 many times and not hit, that which I hinted at; 
 Therefore release me and depart on your way. 
 
CALAMUS 135 
 
 THE BASE OF ALL METAPHYSICS 
 
 And now gentlemen, 
 
 A word I give to remain in your memories and minds, 
 
 As base and finale too for all metaphysics. 
 
 (So to the students the old professor, 
 At the close of his crowded course.) 
 
 Having studied the new and antique, the Greek and Ger- 
 manic systems, 
 
 Kant having studied and stated, Fichte and Schelling and 
 Hegel, 
 
 Stated the lore of Plato, and Socrates greater than Plato, 
 
 And greater than Socrates sought and stated, Christ divine 
 having studied long, 
 
 I see reminiscent to-day those Greek and Germanic systems, 
 
 See the philosophies all, Christian churches and tenets see, 
 
 Yet underneath Socrates clearly see, and underneath Christ 
 the divine I see. 
 
 The dear love of man for his comrade, the attraction of 
 friend to friend, 
 
 Of the well-married husband and wife, of children and par- 
 ents, 
 
 Of city for city and land for land. 
 
 WHEN I HEARD AT THE CLOSE OF THE DAY 
 
 When I heard at the close of the day how my name had been 
 receiv'd with plaudits in the capitol, still it was not a 
 happy night for me that follow'd, 
 
 And else when I carous'd, or when my plans were accom- 
 plished, still I was not happy, 
 
136 LEAVES OF GRASS 
 
 But the day when I rose at dawn from the bed of perfect 
 health, refresh'd, singing, inhaling the ripe breath of 
 autumn, 
 
 When I saw the full moon in the west grow pale and disap- 
 pear in the morning light, 
 
 When I wander'd alone over the beach, and undressing 
 bathed, laughing with the cool waters, and saw the sun 
 rise, 
 
 And when I thought how my dear friend my lover was on 
 his way coming, O then I was happy, 
 
 then each breath tasted sweeter, and all that day my food 
 
 nourish'd me more, and the beautiful day pass'd well, 
 And the next came with equal joy, and with the next at even- 
 ing came my friend, 
 And that night while all was still I heard the waters roll 
 slowly continually up the shores, 
 
 1 heard the hissing rustle of the liquid and sands as directed 
 
 to me whispering to congratulate me, 
 
 For the one I love most lay sleeping by me under the same 
 cover in the cool night, 
 
 In the stillness in the autumn moonbeams his face was in- 
 clined toward me, 
 
 And his arm lay lightly around my breast — and that night I 
 was happy. 
 
SALUT AU MONDE! 1 37 
 
 SALUT AU MONDE! 
 
 O TAKE my hand Walt Whitman ! 
 Such gliding wonders 1 such sights and sounds ! 
 Such join'd unended links, each hook'd to the next, 
 Each answering all, each sharing the earth with all. 
 
 What widens within you Walt Whitman ? 
 
 What waves and soils exuding ? 
 
 What climes ? what persons and cities are here ? 
 
 Who are the infants, some playing, some slumbering? 
 
 Who are the girls ? who are the married women ? 
 
 Who are the groups of old men going slowly with their 
 
 arms about each other's necks ? 
 What rivers are these ? what forests and fruits are these ? 
 What are the mountains call'd that rise so high in the 
 
 mists ? 
 What myriads of dwellings are they fill'd with dwellers ? 
 
 Within me latitude widens, longitude lengthens, 
 
 Asia, Africa, Europe, are to the east — America is provided 
 
 for in the west, 
 Banding the bulge of the earth winds the hot equator. 
 Curiously north and south turn the axis-ends. 
 Within me is the longest day, the sun wheels in slanting 
 
 rings, it does not set for months, 
 Stretch'd- in due time within me the midnight sun just rises 
 
 above the horizon and sinks again. 
 
138 LEAVES OF GRASS 
 
 Within me zones, seas, cataracts, forests, volcanoes, 
 
 groups, 
 Malaysia, Polynesia, and the great West Indian islands. 
 
 What do you hear Walt Whitman ? 
 
 I hear the workman singing and the farmer's wife singing, 
 I hear in the distance the sounds of children and of animals 
 
 early in the day, 
 I hear emulous shouts of Australians pursuing the wild 
 
 horse, 
 I hear the Spanish dance with castanets in the chestnut 
 
 shade, to the rebeck and guitar, 
 I hear continual echoes from the Thames, 
 I hear fierce French liberty songs, 
 I hear of the Italian boat-sculler the musical recitative of 
 
 old poems, 
 I hear the locusts in Syria as thej'^ strike the grain and 
 
 grass with the showers of their terrible clouds, 
 I hear the Coptic refrain toward sundown, pensively fall- 
 ing on the breast of the black venerable vast mother 
 
 the Nile, 
 I hear the chirp of the Mexican muleteer, and the bells of 
 
 the mule, 
 I hear the Arab muezzin calling from the top of the mosque, 
 I hear the Christian priests at the altars of their churches, 
 
 I hear the responsive base and soprano, 
 I hear the cry of the Cossack, and the sailor's voice putting 
 
 to sea at Okotsk, 
 I hear the wheeze of the slave-coffle as the slaves march 
 
 on, as the husky gangs pass on by two and threes, 
 
 fasten'd together with wrist-chains and ankle-chains, 
 
SALUT AU MONDE ! 1 39 
 
 I hear the Hebrew reading his records and psalms, 
 
 I hear the rhythmic myths of the Greeks, and the strong 
 
 legends of the Romans, 
 I hear the tale of the divine life and bloody death of the 
 
 beautiful God the Christ, 
 I hear the Hindoo teaching his favorite pupil the loves, 
 
 wars, adages, transmitted safely to this day from poets 
 
 who wrote three thousand years ago. 
 
 My spirit has pass'd in compassion and determination 
 
 around the whole earth, 
 I have look'd for equals and lovers and found them ready 
 
 for me in ail lands, 
 I think some divine rapport has equalized me with them. 
 
 You vapors, I think I have risen with you, moved away to 
 distant continents, and fallen down there, for reasons, 
 
 I think I have blown with you you winds; 
 
 You waters I have finger'd every shore with you, 
 
 I have run through what any river or strait of the globe 
 has run through, 
 
 I have taken my stand on the bases of peninsulas and on 
 the high embedded rocks, to cry thence: 
 
 Saint au nionde! 
 
 What cities the light or warmth penetrates I penetrate 
 
 those cities myself. 
 All islands to which birds wing their way I wing my way 
 
 myself. 
 
 Toward you all, in America's name, 
 
 I raise high the perpendicular hand, I make the signal, 
 
 To remain after me in sight forever, 
 
 For all the haunts and homes of men. 
 
I40 LEAVES OF GRASS 
 
 CROSSING BROOKLYN FERRY 
 
 Flood-tide below me! I see you face to face! 
 Clouds of the west — sun there half an hour high — I see 
 you also face to face. 
 
 Crowds of men and women attired in the usual costumes, 
 
 how curious you are to me! 
 On the ferry-boats the hundreds and hundreds that cross, 
 
 returning home, are more curious to me than you 
 
 suppose, 
 And you that shall cross from shore to shore years hence 
 
 are more to me, and more in my meditations, than 
 
 you might suppose. 
 
 The impalpable sustenance of me from all things at all 
 
 hours o/ the day, 
 The simple, compact, well-join'd scheme, myself disinte- 
 grated, every one disintegrated yet part of the scheme. 
 The similitudes of the past and those of the future. 
 The glories strung like beads on my smallest sights and 
 
 hearings, on the walk in the street and the passage 
 
 over the river, 
 The current rushing so swiftly and swimming with me far 
 
 away, 
 The others that are to follow me, the ties between me and 
 
 them. 
 The certainty of others, the life, love, sight, hearing of 
 
 others. 
 
CROSSING BROOKLYN FERRY 14I 
 
 Others will enter the gates of the ferry and cross from 
 
 shore to shore, 
 Others will watch the run of the flood-tide, 
 Others will see the shipping of Manhattan north and west, 
 
 and the heights of Brooklyn to the south and east, 
 Others will see the islands large and small; 
 Fifty years hence, others will see them as they cross, the 
 
 sun half an hour high, 
 A hundred years hence, or ever so many hundred years 
 
 hence, others will see them, 
 Will enjoy the sunset, the pouring-in of the flood-tide, the 
 
 falling-back to the sea of the ebb-tide. 
 
 3 
 
 It avails not, time nor place — distance avails not, 
 
 I am with you, you men and women of a generation, or 
 
 ever so many generations hence. 
 Just as you feel when you look on the river and sky, so I 
 
 felt, 
 Just as any of you is one of a living crowd, I was one of a 
 
 crowd. 
 Just as you are refresh'd by the gladness of the river and 
 
 the bright flow, I was refresh'd, 
 Just as you stand and lean on the rail, yet hurry with the 
 
 swift current, I stood yet was hurried, 
 Just as you look on the numberless masts of ships and the 
 
 thick-stemm'd pipes of steamboats, I look'd. 
 
 I too many and many a time cross'd the river of old, 
 Watched the Twelfth-month sea-gulls, saw them high in 
 
 the air floating with motionless wings, oscillating their 
 
 bodies. 
 Saw how the glistening yellow lit up parts of their bodies 
 
 and left the rest in strong shadow, 
 
142 LEAVES OF GRASS 
 
 Saw the slow-wheeling circles and the gradual edging tow- 
 ard the south, 
 Saw the reflection of the summer sky in the water, 
 Had my eyes dazzled by the shimmering track of beams, 
 Look'd at the fine centrifugal spokes of light round the 
 
 shape of my head in the sunlit water, 
 Look'd on the haze on the hills southward and south-west- 
 ward, 
 Look'd on the vapor as it flew in fleeces tinged with violet, 
 Look'd toward the lower bay to notice the vessels arriving. 
 Saw their approach, saw aboard those that were near me, 
 Saw the white sails of schooners and sloops, saw the ships 
 
 at anchor. 
 The sailors at work in the rigging or out astride the spars, 
 The round masts, the swinging motion of the hulls, the 
 
 slender serpentine pennants, 
 The large and small steamers in motion, the pilots in their 
 
 pilot-houses. 
 The white wake left by the passage, the quick tremulous 
 
 whirl of the wheels, 
 The flags of all nations, the falling of them at sunset, 
 The scallop-edged waves in the twilight, the ladled cups, 
 
 the frolicsome crests and glistening. 
 The stretch afar growing dimmer and dimmer, the gray 
 
 walls of the granite storehouses by the docks, 
 On the river the shadowy group, the big steam-tug closely 
 flank'd on each side by the barges, the hay-boat, the 
 belated lighter. 
 On the neighboring shore the fires from the foundry chim- 
 neys burning high and glaringly into the night, 
 Casting their flicker of black contrasted with wild red and 
 yellow light over the tops of houses, and down into 
 the clefts of streets. 
 
CROSSING BROOKLYN FERRY 143 
 
 These and all else were to me the same as they are to you, 
 I loved well those cities, loved well the stately and rapid 
 
 river, 
 The men and women I saw were all near to me, 
 Others the same — others who look back on me because I 
 
 look'd forward to them, 
 (The time will come , though I stop here to-day and to-night. ) 
 
 5 
 
 What is it then between us ? 
 
 What is the count of the scores or hundreds of years be- 
 tween us ? 
 
 Whatever it is, it avails not — distance avails not, and place 
 
 avails not, 
 I too lived, Brooklyn of ample hills was mine, 
 I too walk'd the streets of Manhattan island, and bathed in 
 
 the waters around it, 
 I too felt the curious abrupt questionings stir within me, 
 In the day among crowds of people sometimes they came 
 
 upon me. 
 In my walks home late at night or as I lay in my bed they 
 
 came upon me, 
 I too had been struck from the float forever held in solution, 
 I too had receiv'd identity by my body, 
 That I was I knew was of my body, and what I should be I 
 
 knew I should be of my body. 
 
 It is not upon you alone the dark patches fall, 
 The dark threw its patches down upon me also, 
 
144 LEAVES OF GRASS 
 
 The best I had done seem'd to me blank and suspicious, 
 My great thoughts as I supposed them, were they not in 
 
 reality meagre ? 
 Nor is it you alone who know what it is to be evil, 
 I am he who knew what it was to be evil, 
 I too knitted the old knot of contrariety, 
 Blabb'd, blush'd, resented, lied, stole, grudg'd, 
 Had guile, anger, lust, hot wishes I dared not speak, 
 Was wayward, vain, greedy, shallow, sly, cowardly, malig- 
 nant. 
 The wolf, the snake, the hog, not wanting in me, 
 The cheating look, the frivolous word, the adulterous wish, 
 
 not wanting, 
 Refusals, hates, postponements, meanness, laziness, none 
 
 of these wanting. 
 Was one with the rest, the days and haps of the rest. 
 Was call'd by my nighest name [by clear loud voices of 
 
 young men as they saw me approaching or passing, 
 Felt their arms on my neck as I stood, or the negligent 
 
 leaning of their flesh against me as I sat. 
 Saw many I loved in the street or ferry-boat or public as- 
 sembly, yet never told them a word, 
 Lived the same life with the rest, the same old laughing, 
 
 gnawing, sleeping, 
 Play'd the part that still looks back on the actor or actress. 
 The same old role, the role that is what we make it, as 
 
 great as we like. 
 Or as small as we like, or both great and small. 
 
 7 
 Closer yet I approach you. 
 What thought you have of me now, I had as much of you — 
 
 I laid in my stores in advance, 
 I consider'd long and seriously of you before you were born. 
 
CROSSING BROOKLYN FERRY 145 
 
 Who was to know what should come home to me ? 
 Who knows but I am enjoying this ? 
 
 Who knows, for all the distance, but I am as good as look- 
 ing at you now, for all you cannot see me ? 
 
 Ah, what can ever be more stately and admirable to me than 
 
 mast-hemm'd Manhattan ? 
 River and sunset and scallop-edg'd waves of flood-tide ? 
 The sea-gulls oscillating their bodies, the hay-boat in the 
 
 twilight, and the belated lighter ? 
 What gods can exceed these that clasp me by the hand, and 
 
 with voices I love call me promptly and loudly by my 
 
 Highest name as I approach ? 
 What is more subtle than this which ties me to the woman 
 
 or man that looks in my face ? 
 Which fuses me into you now, and pours my meaning into 
 
 you? 
 
 We understand then do we not? 
 
 What I promis'd without mentioning it, have you not ac- 
 cepted ? 
 
 What the study could not teach — what the preaching could 
 not accomplish is accomplish'd, is it not? 
 
 Flow on, river! flow with the flood-tide, and ebb with the 
 
 ebb-tide! 
 Frolic on, crested and scallop-edg'd waves! 
 Gorgeous clouds of the sunset! drench with your splendor 
 
 me, or the men and women generations after me! 
 Cross from shore to shore, countless crowds of passengers! 
 
146 LEAVES OF GRASS 
 
 Stand up, tall masts of Mannahatta! stand up, beautiful 
 
 hills of Brooklyn I 
 Throb, baffled and curious brain! throw out questions and 
 
 answers! 
 Suspend here and everywhere, eternal float of solution! 
 Gaze, loving and thirsting eyes, in the house or street or 
 
 public assembly! 
 Sound out, voices of young men! loudly and musically call 
 
 me by my nighest name! 
 Live, old life! play the part that looks back on the actor or 
 
 actress! 
 Play the old role, the role that is great or small according 
 
 as one makes it! 
 Consider, you who peruse me, whether I may not in un- 
 known ways be looking upon you; 
 Be firm, rail over the river, to support those who lean idly, 
 
 yet haste with the hasting current; 
 Fly on, sea-birds! fly sideways, or wheel in large circles 
 
 high in the air; 
 Receive the summer sky, you water, and faithfully hold it 
 
 till all downcast eyes have time to take it from you! 
 Diverge, fine spokes of light, from the shape of my head, 
 
 or any one's head, in the sunlit water! 
 Come on, ships from the lower bay! pass up or down, 
 
 white-sail'd schooners, sloops, lighters! 
 Flaunt away, flags of all nations! be duly lower'd at sunset! 
 Burn high your fires, foundry chimneys! cast black shadows 
 
 at nightfall! cast red and yellow light over the tops of 
 
 the houses! 
 Appearances, now or henceforth, indicate what you are. 
 You necessary film, continue to envelop the soul. 
 About my body for me, and your body for you, be hung 
 
 our divinest aromas. 
 
CROSSING BROOKLYN FERRY I47 
 
 Thrive, cities — bring your freight, bring your shows, ample 
 
 and sufficient rivers, 
 Expand, being than which none else is perhaps more 
 
 spiritual, 
 Keep your places, objects than which none else is more 
 
 lasting. 
 
 You have waited, you always wait, you dumb, beautiful 
 ministers. 
 
 We receive you with free sense at last, and are insatiate 
 henceforward. 
 
 Not you any more shall be able to foil us, or withhold 
 yourself from us. 
 
 We use you, and do not cast you aside — we plant you per- 
 manently within us. 
 
 We fathom you not — we love you — there is perfection in 
 you also. 
 
 You furnish your parts toward eternity, 
 
 Great or small you furnish your parts toward the soul. 
 
148 LEAVES OF GRASS 
 
 FROM "SONG OF THE EXPOSITION" 
 
 Away with themes of war ! away with war itself ! 
 
 Hence from my shuddering sight to never more return that 
 
 show of blacken'd, mutilated corpses ! 
 That hell unpent and raid of blood, fit for wild tigers or for 
 
 lop-tongued wolves, not reasoning men, 
 And in its stead speed industry's campaigns, 
 With thy undaunted armies, engineering, 
 Thy pennants labor, loosen'd to the breeze, 
 Thy bugles sounding loud and clear. 
 
 Away with old romance ! 
 
 Away with novels, plots and plays of foreign courts. 
 
 Away with love-verses sugar'd in rhyme, the intrigues, 
 amours of idlers, 
 
 Fitted for only banquets of the night where dancers to late 
 music slide, 
 
 The unhealthy pleasures, extravagant dissipations of the 
 few, 
 
 With perfumes, heat and wine, beneath the dazzling chan- 
 deliers. 
 
 To you ye reverent sane sisters, 
 
 I raise a voice for far superber themes for poets and for art, 
 
 To exalt the present and the real, 
 
 To teach the average man the glory of his daily walk and 
 
 trade. 
 To sing in songs how exercise and chemical life are never 
 
 to be baffled, 
 To manual work for each and all, to plough, hoe, dig, 
 
FROM "SONG OF THE EXPOSITION" 149 
 
 To plant and tend the tree, the berry, vegetables, flowers, 
 For every man to see to it that he really do something, for 
 
 every woman too; 
 To use the hammer and the saw, (rip, or cross-cut,) 
 To cultivate a turn for carpentering, plastering, painting, 
 To work as tailor, tailoress, nurse, hostler, porter. 
 To invent a little, something ingenious, to aid the washing, 
 
 cooking, cleaning, 
 And hold it no disgrace to take a hand at them themselves. 
 
 I say I bring thee Muse to-day and here, 
 All occupations, <luties broad and close. 
 Toil, healthy toil and sweat, endless, without cessation, 
 The old, old practical burdens, interests, joys. 
 The family, parentage, childhood, husband and wife. 
 The house-comforts, the house itself and all its belongings. 
 Food and its preservation, chemistry applied to it, 
 Whatever forms the average, strong, complete, sweet- 
 blooded man or woman, the perfect longeve personality, 
 And helps its present life to health and happiness, and shapes 
 
 its soul. 
 For the eternal real life to come. 
 
 With latest connections, works, the inter-transportation of 
 
 the world. 
 Steam-power, the great express lines, gas, petroleum, 
 These triumphs of our time, the Atlantic's delicate cable. 
 The Pacific railroad, the Suez canal, the Mont Cenis and 
 
 Gothard and Hoosac tunnels, the Brooklyn bridge. 
 This earth all spann'd with iron rails, with lines of steam- 
 ships threading every sea, 
 Our own rondure, the current globe I bring. 
 
150 LEAVES OF GRASS 
 
 A BROADWAY PAGEANT 
 
 Over the Western sea hither from Niphon come, 
 Courteous, the swart-cheek'd two-sworded envoys, 
 Leaning back in their open barouches, bare-headed, im- 
 passive, 
 Ride to-day through Manhattan. 
 
 LibertadI I do not know whether others behold what I be- 
 hold. 
 
 In the procession along with the nobles of Niphon, the er- 
 rand-bearers. 
 
 Bringing up the rear, hovering above, around, or in the 
 ranks marching. 
 
 But I will sing you a song of what I behold Libertad. 
 
 When million-footed Manhattan unpent descends to her 
 
 pavements. 
 When the thunder-cracking guns arouse me with the proud 
 
 roar I love, 
 When the round-mouth'd guns out of the smoke and smell 
 
 I love spit their salutes. 
 When the fire-flashing guns have fully alerted me, and 
 
 heaven-clouds canopy my city with a delicate thin haze, 
 When gorgeous the countless straight stems, the forests at 
 
 the wharves, thicken with colors, 
 When every ship richly drest carries her flag at the peak. 
 
A BROADWAY PAGEANT I5I 
 
 When pennants trail and street-festoons hang from the 
 windows, 
 
 When Broadway is entirely given up to foot-passengers and 
 foot-standers, when the mass is densest,] 
 
 When the facades of the houses are alive with people, when 
 eyes gaze riveted tens of thousands at a time, 
 
 When the guests from the islands advance, when the pa- 
 geant moves forward visible, 
 
 "When the summons is made, when the answer that waited 
 thousands of years answers, 
 
 I too arising, answering, descend to the pavements, merge 
 with the crowd, and gaze with them. 
 
 2 
 
 Superb-faced Manhattan! 
 
 Comrade Americanos! to us, then at last the Orient comes. 
 
 To us, my city. 
 
 Where our tall-topt marble and iron beauties range on op- 
 posite sides, to walk in the space between, 
 To-day oilir Antipodes comes. 
 
 The Originatress comes, 
 
 The nest of languages, the bequeather of poems, the race 
 
 of eld. 
 Florid with blood, pensive, rapt with musings, hot with 
 
 passion, 
 Sultry with perfume, with ample and flowing garments, 
 With sunburnt visage, with intense soul and glittering eyes. 
 The race of Brahma comes. 
 
 See my cantabile! these and more are flashing to us from 
 
 the procession. 
 As it moves changing, a kaleidoscope divine it moves 
 
 changing before us. 
 
152 LEAVES OF GRASS 
 
 For not the envoys nor the tann'd Japanee from his island 
 
 only, 
 Lithe and silent the Hindoo appears, the Asiatic continent 
 
 itself appears, the past, the dead, 
 The murky night-morning of wonder and fable inscrutable, 
 The envelop'd mysteries, the old and unknown hive-bees, 
 The north, the sweltering south, eastern Assyria, the He- 
 brews, the ancient of ancients. 
 Vast desolated cities, the gliding present, all of these and 
 more are in the pageant procession. 
 
 Geography, the world, is in it, 
 
 The Great Sea, the brood of islands, Polynesia, the coast 
 
 beyond. 
 The coast you henceforth are facing — you Libertad! from 
 
 your Western golden shores. 
 The countries there with their populations, the millions 
 
 en-masse are curiously here. 
 The swarming market-places, the temples with idols ranged 
 
 along the sides or at the end, bonze, brahmin, and 
 
 llama. 
 Mandarin, farmer, merchant, mechanic, and fisherman, 
 The singing-girl and the dancing-girl, the ecstatic persons, 
 
 the secluded emperors, 
 Confucius himself, the great poets and heroes, the war- 
 riors, the castes, all. 
 Trooping up, crowding from all directions, from the Altay 
 
 mountains. 
 From Thibet, from the four winding and far-flowing rivers 
 
 of China, 
 From the southern peninsulas and the demi-continental 
 
 islands, from Malaysia, 
 These and whatever belongs to them palpable show forth 
 
 to me, and are seiz'd by me, 
 
A BROADWAY PAGEANT 1 53 
 
 And I am seiz'd by them, and friendlily held by them, 
 Till as here them all I chant, Libertad ! for themselves 
 and for you. 
 
 For I too raising my voice join the ranks of this pageant, 
 
 I am the chanter, I chant aloud over the pageant, 
 
 I chant the world on my Western sea, 
 
 I chant copious the islands beyond, thick as stars in the 
 
 sky, 
 I chant the new empire grander than any before, as in a 
 
 vision it comes to me, 
 I chant America the mistress, I chant a greater supremacy, 
 I chant projected a thousand blooming cities yet in time on 
 
 those groups of sea-islands. 
 My sail-ships and steam-ships threading the archipelagoes. 
 My stars and stripes fluttering in the wind, 
 Commerce opening, the sleep of ages having done its work, 
 
 races reborn, refresh'd. 
 Lives, works resumed — the object I know not — but the old, 
 
 the Asiatic renew'd as it must be, 
 Commencing from this day surrounded by the world. 
 
 And you Libertad of the world ! 
 
 You shall sit in the middle well-pois'd thousands and thou- 
 sands of years. 
 
 As to-day from one side the nobles of Asia come to you. 
 
 As to-morrow from the other side the queen of England 
 sends her eldest son to you. 
 
 The sign is reversing, the orb is enclosed, 
 
 The ring is circled, the journey is done. 
 
 The box-lid is but perceptibly open'd, nevertheless the 
 perfume pours copiously out of the whole box. 
 
154 LEAVES OF GRASS 
 
 Young Libertad ! with the venerable Asia, the all-mother, 
 Be considerate with her now and ever hot Libertad, for 
 
 you are all, 
 Bend your proud neck to the long-off mother now sending 
 
 messages over the archipelagoes to you, 
 Bend your proud neck low for once, young Libertad. 
 
 Were the children straying westward so long? so wide the 
 
 tramping ? 
 Were the precedent dim ages debouching westward from 
 
 Paradise so long ? 
 Were the centuries steadily footing it that way, all the 
 
 while unknown, for you, for reasons? 
 
 They are justified, they are accomplish'd, they shall now 
 be turn'd the other way also, to travel toward you 
 thence. 
 
 They shall now also march obediently eastward for your 
 sake Libertad. 
 
GIVE ME THE SPLENDID SILENT SUN 1 55 
 
 GIVE ME THE SPLENDID SILENT SUN 
 
 Give me the splendid silent sun with all his beams full- 
 dazzling, 
 
 Give me juicy autumnal fruit ripe and red from the orchard, 
 
 Give me a field where the unmow'd grass grows, 
 
 Give me an arbor, give me the trellis'd grape, 
 
 Give me fresh corn and wheat, give me serene-moving ani- 
 mals teaching content. 
 
 Give me nights perfectly quiet as on high plateaus west of 
 the Mississippi, and I looking up at the stars, 
 
 Give me odorous at sunrise a garden of beautiful flowers 
 where I can walk undisturb'd. 
 
 Give me for marriage a sweet-breath'd woman of whom I 
 should never tire. 
 
 Give me a perfect child, give me away aside from the noise 
 of the world a rural domestic life. 
 
 Give me to warble spontaneous songs recluse by myself, 
 for my own ears only, 
 
 Give me solitude, give me Nature, give me again O Nature 
 your primal sanities! 
 
 These demanding to have them, (tired with ceaseless ex- 
 citement, and rack'd by the war-strife,) 
 
 These to procure incessantly asking, rising in cries from 
 my heart, 
 
 While yet incessantly asking still I adhere to my city, 
 
 Day upon day and year upon year O city, walking your 
 streets. 
 
156 LEAVES OF GRASS 
 
 Where you hold me enchain'd a certain time refusing to 
 
 give me up, 
 Yet giving to make me glutted, enrich'd of soul, you give 
 
 me forever faces; 
 (O I see what I sought to escape, confronting, reversing 
 
 my cries, 
 I see my own soul trampling down what it ask'd for.) 
 
 Keep your splendid silent sun, 
 
 Keep your woods O Nature, and the quiet places by the 
 woods, 
 
 Keep your fields of clover and timothy, and your corn-fields 
 and orchards. 
 
 Keep the blossoming buckwheat fields where the Ninth- 
 month bees hum; 
 
 Give me faces and streets — give me these phantoms inces- 
 sant and endless along the trottoirs! 
 
 Give me interminable eyes — give me women — give me 
 comrades and lovers by the thousand! 
 
 Let me see new ones every day — let me hold new ones by 
 the hand every day! 
 
 Give me such shows — give me the streets of Manhattan! 
 
 Give me Broadway, with the soldiers marching — give me 
 the sound of the trumpets and drums! 
 
 (The soldiers in companies or regiments — some starting 
 away, flush'd and reckless, 
 
 Some, their time up, returning with thinn'd ranks, young, 
 yet very old, worn, marching, noticing nothing;) 
 
 Give me the shores and wharves heavy-fringed with black 
 ships! 
 
 O such for me! O an intense life, full to repletion and 
 varied! 
 
GIVE ME THE SPLENDID SILENT SUN 1 57 
 
 The life of the theatre, bar-room, huge hotel, for me! 
 
 The saloon of the steamer! the crowded excursion for me! 
 the torchlight procession! 
 
 The dense brigade bound for the war, with high piled mili- 
 tary wagons following; 
 
 People, endless, streaming, with strong voices, passions, 
 pageants, 
 
 Manhattan streets with their powerful throbs, with beating 
 drums as now. 
 
 The endless and noisy chorus, the rustle and clank of mus- 
 kets, (even the sight of the wounded,) 
 
 Manhattan crowds, with their turbulent musical chorus! 
 
 Manhattan faces and eyes forever for me. 
 
158 LEAVES OF GRASS 
 
 THE OX-TAMER 
 
 In a far-away northern county in the placid pastoral region, 
 Lives my farmer friend, the theme of my recitative, a 
 
 famous tamer of oxen, 
 There they bring him the three-year-olds and the four-year- 
 olds to break them. 
 He will take the wildest steer in the world and break him 
 
 and tame him, 
 He will go fearless without any whip where the young 
 
 bullock chafes up and down the yard, 
 The bullock's head tosses restless high in the air with raging 
 
 eyes. 
 Yet see you ! how soon his rage subsides — how soon this 
 
 tamer tames him; 
 See you ! on the farms hereabout a hundred oxen young. 
 
 and old, and he is the man who has tamed them. 
 They all know him, all are affectionate to him; 
 See you ! some are such beautiful animals, so lofty looking; 
 Some are buff-color'd, some mottled, one has a white line 
 
 running along his back, some are brindled. 
 Some have wide flaring horns (a good sign) — see you ! the 
 
 bright hides. 
 See, the two with stars on their foreheads — see, the round 
 
 bodies and broad backs, 
 How straight and square they stand on their legs — what 
 
 fine sagacious eyes ! 
 How they watch their tamer — they wish him near them — 
 
 how they turn to look after him ! 
 What yearning expression ! how uneasy they are when he 
 
 moves away from them; 
 
THE OX-TAMER 1 59 
 
 Now I marvel what it can be he appears to them, (books, 
 politics, poems, depart — all else departs,) 
 
 I confess I envy only his fascination — my silent, illiterate 
 friend. 
 
 Whom a hundred oxen love there in his life on farms, 
 
 In the northern county far, in the placid pastoral region. 
 
[6o LEAVES OF GRASS 
 
 PROUD MUSIC OF THE STORM 
 
 I 
 Proud music of the storm, 
 
 Blast that careers so free, whistling across the prairies, 
 Strong hum of forest tree-tops — wind of the mountains, 
 Personified dim shapes — you hidden orchestras, 
 You serenades of phantoms with instruments alert, 
 Blending with Nature's rhythmus all the tongues of nations; 
 You chords left as by vast composers — you choruses, 
 You formless, free, religious dances — you from the Orient, 
 You undertone of rivers, roar of pouring cataracts, 
 You sounds from distant guns with galloping cavalry, 
 Echoes of camps with all the different bugle-calls. 
 Trooping tumultuous, filling the midnight late, bending me 
 
 powerless, 
 Entering my lonesome slumber-chamber, why have you 
 
 seiz'd me ? 
 
 2 
 
 Gome forward O my soul, and let the rest retire, 
 
 Listen, lose not, it is toward thee they tend. 
 
 Parting the midnight, entering my slumber-chamber, 
 
 For thee they sing and dance O soul. 
 
 A festival song, 
 
 The duet of the bridegroom and the bride, a marriage- 
 march, 
 
 With lips of love, and hearts of lovers fiU'd to the brim with 
 love. 
 
 The red-flush'd cheeks and perfumes, the cortege swarm- 
 ing full of friendly faces young and old, 
 
 To flutes' clear notes and sounding harps' cantabile. 
 
PROUD MUSIC OF THE STORM l6l 
 
 Now loud approaching drums, 
 
 Victoria ! see'st thou in powder-smoke the banners torn 
 
 but flying ? the rout of the baffled ? 
 Hearest those shouts of a conquering army ? 
 
 (Ah soul, the sobs of women, the wounded groaning in 
 
 agony, 
 The hiss and crackle of flames, the blacken'd ruins, the 
 
 embers of cities, 
 The dirge and desolation of mankind.) 
 
 Now airs antique and mediaeval fill me, 
 
 I see and hear old harpers with their warps at Welsh festi- 
 vals, 
 
 I hear the minnesingers singing their lays of love, 
 
 I hear the minstrels, gleemen, troubadours, of the middle 
 ages. 
 
 Now the great organ sounds, 
 
 Tremulous, while underneath, (as the hid footholds of the 
 
 earth. 
 On which arising rest, and leaping forth depend, 
 All shapes of beauty, grace and strength, all hues we 
 
 know. 
 Green blades of grass and warbling birds, children that 
 
 gambol and play, the clouds of heaven above,) 
 The strong base stands, and its pulsations intermits not, 
 Bathing, supporting, merging all the rest, maternity of all 
 
 the rest, 
 And with it every instrument in multitudes. 
 The players playing, all the world's musicians, 
 The solemn hymns and masses rousing adoration. 
 All passionate heart-chants, sorrowful appeals, 
 The measureless sweet vocalists of ages, 
 
1 62 LEAVES OF GRASS 
 
 And for their solvent setting earth's own tiiapason, 
 Of winds and woods and mighty ocean waves, 
 A new composite orchestra, binder of years and climes, ten- 
 fold renewer, 
 As of the far-back days the poets tell, the Paradiso, 
 The straying thence, the separation long, but now the wan- 
 dering done, 
 The journey done, the journeyman come home, 
 And man and art with Nature fused again. 
 
 Tutti ! for earth and heaven; 
 
 (The Almighty leader now for once has signal'd with his 
 wand.) 
 
 The manly strophe of the husbands of the world, 
 And all the wives responding. 
 
 The tongues of violins, 
 
 (I think O tongues ye tell this heart, that cannot tell itself, 
 
 This brooding, yearning heart, that cannot tell itself.) 
 
 3 
 
 Ah from a little child, 
 
 Thou knowest soul how to me all sounds became music. 
 
 My mother's voice in lullaby or hymn, 
 
 (The voice, O tender voices, memory's loving voices. 
 
 Last miracle of all, O dearest mother's, sister's, voices;) 
 
 The rain, the growing corn, the breeze among the long- 
 
 ieav'd corn, 
 The measur'd sea-surf beating on the sand, 
 The twittering bird, the hawk's sharp scream, 
 The wild-fowl's notes at night as flying low migrating north 
 
 or south. 
 
PROUD MUSIC OF THE STORM 1 63 
 
 The psalm in the country church or mid.the clustering trees, 
 the open air camp-meeting, 
 
 The fiddler in the tavern, the glee, the long-strung sailor- 
 song, 
 
 The lowing cattle, bleating sheep, the crowing cock at 
 dawn. 
 
 All songs of current lands come sounding round me, 
 The German airs of friendship, wine and love, 
 Irish ballads, merry jigs and dances, English warbles, 
 Chansons of France, Scotch tunes, and o'er the rest, 
 Italia' s peerless compositions. 
 
 Across the stage with pallor on her face, yet lurid passion. 
 Stalks Norma brandishing the dagger in her hand. 
 
 I see poor crazed Lucia's eyes' unnatural gleam, 
 Her hair down her back falls loose and dishevel'd. 
 
 I see where Ernani walking the bridal garden. 
 
 Amid the scent of night-roses, radiant, holding his bride by 
 
 the hand. 
 Hears the infernal call, the death-pledge of the horn. 
 
 To crossing swords and gray hairs bared to heaven. 
 The clear electric base and baritone of the world. 
 The trombone duo, Libertad forever ! 
 
 From Spanish chestnut trees' dense shade. 
 
 By old and heavy convent walls a wailing song, 
 
 Song of lost love, the torch of youth and life quench'd in 
 
 despair. 
 Song of the dying swan, Fernando's heart is breaking. 
 
1 64 LEAVES OF GRASS 
 
 Awaking from her woes at last retriev'd Arnina sings, 
 Copious as stars and glad as morning light the torrents of 
 her joy. 
 
 (The teeming lady comes, 
 
 The lustrious orb, Venus contralto, the blooming mother, 
 
 Sister of loftiest gods, Alboni's self I hear.) 
 
 I hear those odes, symphonies, operas, 
 
 I hear in the William Tell the music of an arous'd and angry 
 
 people, 
 I hear Meyerbeer's Huguenots, the Prophet, or Robert, 
 Gounod's Faust, or Mozart's Don Juan. 
 
 I hear the dance-music of all nations. 
 
 The waltz, some delicious measure, lapsing, bathing me in 
 
 bliss. 
 The bolero to tinkling guitars and clattering castanets. 
 
 I see religious dances old and new, 
 
 I hear the sound of the Hebrew lyre, 
 
 I see the crusaders marching bearing the cross on high, to 
 
 the martial clang of cymbals, 
 I hear dervishes monotonously chanting, interspers'd with 
 
 frantic shouts, as they spin around turning always 
 
 towards Mecca, 
 I see the rapt religious dances of the Persians and the Arabs, 
 Again, at Eleusis, home of Ceres, I see the modern Greeks 
 
 dancing, 
 I hear them clapping their hands as they bend their bodies, 
 I hear the metrical shufifiing of their feet. 
 
PROUD MUSIC OF THE STORM 1 65 
 
 I see again the wild old Corybantian dance, the performers 
 
 wounding each other, 
 I see the Roman youth to the shrill sound of flageolets 
 
 throwing and catching their weapons, 
 As they fall on their knees and rise again. 
 
 I hear from the Mussulman mosque the muezzin calling, 
 
 I see the worshippers within, nor form nor sermon, argu- 
 ment nor word. 
 
 But silent, strange, devout, rais'd, glowing heads, ecstatic 
 faces. 
 
 I hear the Egyptian harp of many strings, 
 
 The primitive chants of the Nile boatmen, 
 
 The sacred imperial hymns of China, 
 
 To the delicate sounds of the king, (the stricken wood and 
 stone,) 
 
 Or to Hindu flutes and the fretting twang of the vina, 
 
 A band of bayaderes. 
 
 Now Asia, Africa leave me, Europe seizing inflates me. 
 To organs huge and bands I hear as from vast concourses 
 
 of voices, 
 Luther's strong hymn Erne feste Btirg ist tmser Gott, 
 Rossini's Stabat Mater dolorosa, 
 Or floating in some high cathedral dim with gorgeous col- 
 
 or'd windows. 
 The passionate Agnus Dei or Gloria in Excelsis. 
 
 Composers ! mighty maestros ! 
 
 And you, sweet singers of old lands, soprani, tenori, bassi ! 
 
 To you a new bard caroling in the West, 
 
 Obeisant sends his love. 
 
1 66 LEAVES OF GRASS 
 
 (Such led to thee O soul, 
 
 All senses, shows and objects, lead to thee, 
 
 But now it seems to me sound leads o'er all the rest.) 
 
 I hear the annual singing of the children in St. Paul's cathe- 
 dral, 
 
 Or, under the high roof of some colossal hall, the sympho- 
 nies, oratorios of Beethoven, Handel, or Haydn, 
 
 The Creation in billows of Godhood laves me. 
 
 Give me to hold all sounds, (I madly struggling cry,) 
 
 Fill me with all the voices of the universe, 
 
 Endow me with their throbbings, Nature's also. 
 
 The tempests, waters, winds, operas and chants, marches 
 
 and dances, 
 Utter, pour in, for I would take them all ! 
 
 Then I woke softly, 
 
 And pausing, questioning awhile the music of my dream, 
 
 And questioning all those reminiscences, the tempest in its 
 
 fury. 
 And all the songs of sopranos and tenors, 
 And those rapt oriental dances of religious fervor. 
 And the sweet varied instruments, and the diapason of 
 
 organs, 
 And all the artless plaints of love and grief and death, 
 I said to my silent curious soul out of the bed of the slum- 
 ber-chamber. 
 Come, for I have found the clew I sought so long, 
 Let us go forth refresh'd amid the day. 
 Cheerfully tallying life, walking the world, the real, 
 Nourish'd henceforth bv our celestial dream. 
 
PROUD MUSIC OF THE STORM 167 
 
 And I said, moreover, 
 
 Haply what thou hast heard O soul was not the sound of 
 winds, 
 
 Nor dream of raging storm, nor sea-hawk's flapping wings 
 nor harsh scream, 
 
 Nor vocalism of sun-bright Italy, 
 
 Nor German organ majestic, nor vast concourse of voices, 
 nor layers of harmonies, 
 
 Nor strophes of husbands and wives, nor sound of march- 
 ing soldiers. 
 
 Nor flutes, nor harps, nor the bugle-calls of camps, 
 
 But to a new rhythmus fitted for thee. 
 
 Poems bridging the way from Life to Death, vaguely 
 wafted in night air, uncaught, unwritten. 
 
 Which let us go forth in the bold day and write. 
 
1 68 LEAVES OF GRASS 
 
 O VAST RONDURE 
 
 O VAST Rondure, swimming in space, 
 Cover'd all over with visible power and beauty, 
 Alternate light and day and the teeming spiritual darkness. 
 Unspeakable high processions of sun and moon and count- 
 less stars above, 
 Below, the manifold grass and waters, animals, mountains, 
 
 trees, 
 With inscrutable purpose, some hidden prophetic intention, 
 Now first it seems my thought begins to span thee. 
 
 Down from the gardens of Asia descending radiating, 
 Adam and Eve appear, then their myriad progeny after 
 
 them. 
 Wandering, yearning, curious, with restless explorations. 
 With questionings, baffled, formless, feverish, with never- 
 happy hearts. 
 With that sad incessant refrain. Wherefore unsatisfied soul ? 
 and Whither O mocking life ? 
 
 Ah who shall soothe these feverish children? 
 
 Who justify these restless explorations? 
 
 Who speak the secret of impassive earth? 
 
 Who bind it to us ? what is this separate Nature so unnat- 
 ural ? 
 
 What is this earth to our affections ? (unloving earth, with- 
 out a throb to answer ours, 
 
 Cold earth, the place of graves.) 
 
O VAST RONDURE 1 69 
 
 Yet soul be sure the first intent remains, and shall be car- 
 ried out, 
 Perhaps even now the time has arrived. 
 
 After the seas are all cross'd, (as they seem already 
 
 cross'd,) 
 After the great captains and engineers have accomplish'd 
 
 their work, 
 After the noble inventors, after the scientists, the chemist, 
 
 the geologist, ethnologist, 
 Finally shall come the poet worthy that name, 
 The true son of God shall come singing his songs. 
 
I70 LEAVES OF GRASS 
 
 THE RED SQUAW 
 
 Now what my mother told me one day as we sat at dinner 
 
 together, 
 Of when she was a nearly grown girl living home with her 
 
 parents on the old homestead. 
 
 A red squaw came one breakfast-time to the old homestead, 
 
 On her back she carried a bundle of rushes for rush-bottom- 
 ing chairs, 
 
 Her hair, straight, shiny, coarse, black, profuse, half-en 
 velop'd her face, 
 
 Her step was free and elastic, and her voice sounded ex- 
 quisitely as she spoke. 
 
 My mother look'd in delight and amazement at the stranger. 
 She look'd at the freshness of her tall-borne face and full 
 
 and pliant limbs, 
 The more she look'd upon her she loved her, 
 Never before had she seen such wonderful beauty and 
 
 purity. 
 She made her sit on a bench by the jamb of the fireplace, 
 
 she cook'd food for her, 
 She had no work to give her, but she gave her remem- 
 brance and fondness. 
 
 The red squaw staid all the forenoon, and toward the mid- 
 dle of the afternoon she went away, 
 O my mother was loth to have her go away, 
 All the week she thought of her, she watch'd for her many 
 
 a month, 
 She remember'd her many a winter and many a summer. 
 But the red squaw never came nor was heard of there 
 again. 
 
AN OLD STAGE-DRIVER I71 
 
 AN OLD STAGE-DRIVER 
 
 A REMINISCENCE of the vulgar fate, 
 
 A frequent sample of the life and death of workmen, 
 
 Each after his kind. 
 
 Cold dash of waves at the ferry-wharf, posh and ice in the 
 river, half-frozen mud in the streets, 
 
 A gray discouraged sky overhead, the short last daylight 
 of December, 
 
 A hearse and stages, the funeral of an old Broadway stage- 
 driver, the cortege mostly dri<vers. 
 
 Steady the trot to the cemetery, duly rattles the death-bell. 
 The gate is pass'd, the new-dug grave is halted at, the 
 
 living alight, the hearse uncloses, 
 The coffin is pass'd out, lower'd and settled, the whip is 
 
 laid on the coffin, the earth is swiftly shovel'd in, 
 The mound above is flatted with the spades — silence, 
 A minute — no one moves or speaks — it is done. 
 He is decently put away — is there any thing more ? 
 
 He viSLS a good fellow, free-mouth'd, quick-temper'd, not 
 bad-looking. 
 
 Ready with life or death for a friend, fond of women, 
 gambled, ate hearty, drank hearty. 
 
 Had known what it was to be flush, grew low-spirited tow- 
 ard the last, sicken'd, was help'd by a contribution. 
 
 Died, aged forty-one years — and that was his funeral. 
 
172 LEAVES OF GRASS 
 
 Thumb extended, finger uplifted, apron, cape, gloves, strap, 
 
 wet-weather clothes, whip carefully chosen, 
 Boss, spotter, starter, hostler, somebody loafing on you, 
 
 you loafing on somebody, headway, man before and 
 
 man behind, 
 Good day's work, bad day's work, pet stock, mean stock, 
 
 first out, last out, turning-in at night. 
 To think that these are so much and so nigh to other 
 
 drivers, and he there takes no interest in them. 
 
MANNAHATTA 173 
 
 MANNAHATTA 
 
 I WAS asking for something specific and perfect for my city, 
 Whereupon lo! upsprang the aboriginal name. 
 
 Now I see what there is in a name, a word, liquid, sane, 
 unruly, musical, self-sufficient, 
 
 I see that the word of my city is that word from of old. 
 
 Because I see that word nested in nests of water-bays, 
 superb, 
 
 Rich, hemm'd thick all around with sailships and steam- 
 ships, an island sixteen miles long, solid-founded, 
 
 Numberless crowded streets, high growths of iron, slender, 
 strong, light, splendidly uprising toward clear skies, 
 
 Tides swift and ample, well-loved by me, toward sundown. 
 
 The flowing sea-currents, the little islands, larger adjoining 
 islands, the heights, the villas, 
 
 The countless masts, the white shore-steamers, the lighters, 
 the ferry-boats, the black sea-steamers well-model'd, 
 
 The down-town streets, the jobbers' houses of business, 
 the houses of business of the ship-merchants and money- 
 brokers, the river-streets. 
 
 Immigrants arriving, fifteen or twenty thousand in a week, 
 
 The carts hauling goods, the manly race of drivers of 
 horses, the brown-faced sailors. 
 
 The summer air, the bright sun shining, and the sailing 
 clouds aloft. 
 
 The winter snows, the sleigh-bells, the broken ice in the 
 river, passing along up or down with the flood- tide or 
 ebb-tide, 
 
174 LEAVES OF GRASS 
 
 The mechanics of the city, the masters, well-form'd, beau- 
 tiful-faced, looking you straight in the eyes, 
 
 Trottoirs throng'd, vehicles, Broadway, the women, the 
 shops and shows, 
 
 A million people — manners free and superb — open voices — 
 hospitality — the most courageous and friendly young 
 men, 
 
 City of hurried and sparkling waters! city of spires and 
 masts! 
 
 City nested in bays! my city! 
 
AFTER AN INTERVAL 1 75 
 
 AFTER AN INTERVAL 
 
 {Nov. 22, 1875, Midnight — Saturn and Mars in conjunction) 
 
 After an interval, reading, here in the midnight, 
 
 With the great stars looking on — all the stars of Orion 
 
 looking, 
 And the silent Pleiades — and the duo looking of Saturn and 
 
 ruddy Mars; 
 Pondering, reading my own songs, after a long interval, 
 
 (sorrow and death familiar now,) 
 Ere closing the book, what pride ! what joy ! to find them, 
 Standing so well the test of death and night ! 
 And the duo of Saturn and Mars ! 
 
176 LEAVES OF GRASS 
 
 SO LONG ! 
 
 Camerado, this is no book, 
 Who touches this touches a man, 
 (Is it night ? are we here together alone ?) 
 It is I you hold and who holds you, 
 
 I spring from the pages into your arms — decease calls me 
 forth. 
 
 how your fingers drowse me. 
 
 Your breath falls around me like dew, your pulse lulls the 
 tympans of my ears, 
 
 1 feel immerged from head to foot, 
 Delicious, enough. 
 
 Enough O deed impromptu and secret, 
 
 Enough O gliding present — enough O summ'd-up past. 
 
 Dear friend whoever you are take this kiss, 
 
 I give it especially to you, do not forget me, 
 
 I feel like one who has done work for the day to retire 
 
 awhile, 
 I receive now again of my many translations, from my ava- 
 
 taras ascending, while others doubtless await me, 
 An unknown sphere more real than I dream'd, more direct, 
 
 darts awakening rays about me, So long ! 
 Remember my words, I may again return, 
 I love you, I depart from materials, 
 I am as one disembodied, triumphant, dead. 
 
GOOD-BYE MY FANCY 
 
GOOD-BYE MY FANCY ! 1 79 
 
 GOOD-BYE MY FANCY! 
 
 Good-bye my Fancy! 
 
 Farewell dear mate, dear love! 
 
 I'm going away, I know not where. 
 
 Or to what fortune, or whether I may ever see you again, 
 
 So Good-bye my Fancy. 
 
 Now for my last — let me look back a moment; 
 The slower fainter ticking of the clock is in me, 
 Exit, nightfall, and soon the heart-thud stopping. 
 
 Long have we lived, joy'd, caress'd together; 
 Delightful! — now separation — Good-bye my Fancy. 
 
 Yet let me not be too hasty, 
 
 Long indeed have we lived, slept, filter'd, become really 
 
 blended into one; 
 Then if we die we die together, (yes, we'll remain one,) 
 If we go anywhere we'll go together to meet what happens, 
 May-be we'll be better off and blither, and learn something, 
 May-be it is yourself now really ushering me to the true 
 
 songs, (who knows ?) 
 May-be it is you the mortal knob really undoing, turning — 
 
 so now finally. 
 Good-bye — and hail! my Fancy. ♦ 
 
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