THE COMEB Y-^BRAMiJ BY "VV^^^ILiIDOIE^in X3". / " THE NEW GODIVA " Is a Manuscript and as such this Copy (which ha>^ been put in this shape solely for convenience, and is Private Property and not for sale) is to be regarded. All persons are cautioned against representing or performing the piece or any part of It without permission, as Infringers will be prosecuted. COPYBIGHTED 1887. THE COMEJDY-DRAA IN FOUR ACTS, BY ^W_A.31jIDO]E\F U. / "THE NEW GODIVA " is a Manuscript and as such this Copy (which ha-i been put in this shape solely for convenience, and is Private Property and not for sale) is to be regarded. All pers'»ns are cautioned against representing or pe' forming the piece or any part of it without permission, as Infringers will be prosecuted. jAri 21 'oob /< Copyrighted 1887, 3^ PRESS OF WM. P. HICKOK, NEW YORK TMP96-007u6i CHARACTERS REPRESENTED. LADY DEVERELL, afterwards Mrs. Morley, MISS ANASTASIA ANTIQUE, a giddy maiden of uncertain age but certain purpose, BLANCHE SOMERS, a "Ward of Chancery," . SUSAN, one of a great City's "White Slaves," SIR ARTHUR DEVERELL, "the curse of pride was his." MR. BULFINCH, Solicitor, ..... VAL POINDESTRE, in love with Blanche, HENRY ALBERT, "old boy, " "the certain purpose" of Miss Antique, ..... SILAS HERBERT, the Artist of "The New Godiva," . SIR JOHN BOLT, Admiral in " Her Majesty's Navy " , DOCTOR HUME, learned and human, . TOM, Sir Arthur's Valet, privileged to say what he pleases. DETECTIVE. Time;— The Present Decade. Scene;— England. SYNOPSIS. Act I. — At " Norton Towers," the home of the Deverells. Ruined! ActTI. — Room in a London Lodging House. The Sacrifice. Act IIL— (Six months later.) Drawing Room at Miss Antique's. First Tableau. — The Picture of a Sacrifice ! Second Tableau. —The Reward of a Sacrifice ! (Special Notice,— The Curtain will be lowered upon the First Tab- leau for one minute only. The audience is earnestly requested to remain seated.) Act IV.— (One year later.) At Chiswick Villa, Lady Deverell's home. Forgiien. PROPERTIES. A.CT I.— Billiard Cues, etc, Music Portfolio on Piano, Fan for Miss Antique, Segars and Matches for Sir Arthur, Newspaper on Table, Hat for Bulfinch, Segars and Matches for Bulfinch, A Legal Docu- ment for Bulfinch, Whip for Lady Deverell. Act IL— Glasses and Dishes on Cupboard, Tray of dishes and food on it for Susan, A Purse for Mrs. Morley, Handsome Boquet in a tum- bler of water for Tom, Pen and Ink on Cupboard, Prescription Pad for Dr. Hume, Apron for Susan to wear, A Saucer and Egg for Susan, Duster on Cupboard. Act ILL— Painting of "The New Godiva " on large Easel, A News- paper on Lounge, Snuffbox for Bulfinch, Note Book for Bulfinch. Act IV.— Writing Materials on Table, A small bottle or Vial for Albert, A Legal Document for Val., Badge for Detective. THE NEW GODTVA. 03 CD rt © O ^ C 5U) T - ^ ■ is: ® M: X3 eg '^ ; H fa : ^ ^ ; c8 U ; ? : « '^^ 1 THE NEW GODIVA. Fire Place. Exit R. 6® o 'o kI (D O M« ^^ ® ^ "^ — AM a «ij c -s^ . tj 03 ^ o * s.^ ® ® c 3 « e8 O 9 ^ r; -- CO T cS . O ^O as 3 ^ a a =^ ,.; oaa 1-5 a© ,^ ^ o c8^ oo^ M .2 e30 THE N?:\V (JODIVA. Exit. Exit THE NEW GODIVA, Exit. ■iix'a THE NEW GODIYAI ACT I. RUINED ! Scene: The Library at "Norton Towers" opening into Billiard Room which is separated from it by a Portierre,the Curtains of which are drawn wide open — Large French folding Windows at back opening on a Porch. ThrougTi these windows is seen the Terrace and grounds of Norton Towers and Roadway leading to the house — The Library and Billiard Room are handsomely furnished — Piano L, half-way up Stage — Large Arm Chair C. by a Center Table — i.\ | Lounge down Stage R. — Bil- liard Table, etc., in Billiard Room — Pictures, Statuary, Chairs, etc. At the rise of Curtain Sir Arthur Deverell and Sir John Bolt discov- ered playing Billiards — Miss Antique (an " Old Maid" dressed like and aping the manners of "Sweet Sixteen,") sitting on Lounge. - Henry Albert, a middle-aged Bachelor, stands near her — Blanche Somers is at the Piano, Val Poindestre bending over her. They are turning over the leaves of a Music Portfolio— Miss Antique toys with a Fan. Music As Curtain Rises. Miss An. As my poor, dear Mamma used to sky, what tender thoughts such weather as this inspires. Come sit down here by my side, wont you, Mr. Albert? {He does so.) So your Sister is engaged? Albert. Yes, — to Lord Fitzgerald. Know Lord Fitzgerald? No? Well, you ought to. Gave her a dress, — beautiful White Satin trimmed down the front with rubies and with diamonds for buttons behind ! Fact! lO THE NEW GODIVA. Miss An. How beautiful ! How nice it must be to be engaged ! Albert. From my observation I should say it is frequently much better than being married, old girl. Miss An. Please dont call me old girl. Albert Cant help it — habit I have, — dont mean anything. Miss An. But I dont like it. Julia — you can call me Julia ! Albert. Eh? Miss An. I said you could call me Julia. Albert, {inoving away .) Oh, — can I ? Miss An. {drawing close /o him.) Yes, — Henry, dear! Albert, {aside — edging to end of lounge.) Henry dear! The old girl's coming it strong. What's she up to ? Miss An. {After moving so close as to almost tumble him off the lounge, than catching him as he is about to tumble, and draioing him back.) Did you ever have a tender attachment, Henry? It must be a terrible thing to break a tender attachment. Albert. I should say so, old girl, — often causes a Railway accident ! Miss An. [moving closer.) I dont mean that. I -I — I mean — love ! Albert, {trying to get away.) Gracious! Miss An. {drawing him back.) Why, why dont you get a sweet- heart for yourself? I'm sure some little girl loves you. Albert Ye— Oh, yes! All love me — cant help it, you know. Trouble is I love all of them ! Miss An. And I'm sure you are old enough to marry! {G'gglcs over Fan. ) Albert. Ye — yes; I've cut my eye teeth ! Miss An. {grasping his arm suddenly.) And so — so have I ! {Covers her face with Fan.) Albert, {aside.) She's coming it too heavy ! She's after me ! Sir Arthur {making a shot.) That's a bad miss. I deserve to lose the game for that. Sir John, {shooting and missing.) Ha, ha ! That isn't much better. Miss An. Think what it is to have a dear, dear wife ! Albert, {aside.) She might be too confounded dear ! Miss An. How pleasant it would be to come home and find a loving woman's heart waiting for you to smooth away your cares and — and kiss you ! Albert, {attempting to rise.) Excuse me, — we'll continue this some other time. Miss An. {pulling him back.) Dont go, Henry. — Henry dear ! {Leans her head on his shoulder.) J THE NEW GODIVA. I I Albert. {asi(/c\) Confound it! she's getting powder all over my coat. I'm perspiring from head to foot! Miss An. Ah what it is to possess such a love ! See how happy Sir Arthur and Lady Deverell are. My poor, dear Mamma used to de- scribe to me the kind of man she'd liked to have seen my husband. Albert, {asu/e.) Hem! this will let me out. {aloud,) Yes? What was he like ? Miss An. {hiding her face on his bosom.) Just 1 ke you ! Albert, {aside;.) Hang it ! she's getting worse and worse ! Blanche, (to Val.) Just see those two ! I shall certainly laugh out- right in a minute. Val. I must rescue the poor old chap. The giddy girl's making a dead break for him. Blnache. Dont interfere; you'll spoil the fan. Miss An. Oh, how happy I feel ! Albert, (a-iidi^.) I dont! 1 must change the subject somehow. {aloud.) Oh-ah, what a pretty dress you have on, old girl. {Feeling it.) Must be very expensive goods. Miss An. Would yoa really like to know what it cost? Albert, {aside.) What in thunder is she up to now? Miss An. {si'jnificantly .) You know there's a way to inspect my bills ! Albert, {starting.) Oh, -ah, -yes! (aside.) Put my foot in it again ! Miss An. {suddenly.) Henry ! dont you — dont you do it ! Albert, {desperately.) See here, old girl, I dont understand you! Miss An. You naughty man ! dont try to kiss me yet I Albert, {trying to get away.) I'm not doing; anything of the kind, old girl ! Miss An. Well, you may, —just one, though. I'll close my eyes ! {Closes her eyes and holds up her mouth.) Val. I must rescue him ! {Comes down to them while B]anche strik> s a chord loudly on Piano.) Oh, Mr. Albert,— I beg your pardon; I hope I'm not intruding. Albert, {jumping up and grasping his handiihile Miss Antique re- sumes a formal attitude,) Not at all, not at all, old boy ! We were just t liking about you ! Blanche. {comi)ig doivn--laughing.) And we were just talking about you ! Its ver. fu ny, — ha, ha, ha ! Miss An. \rising--indignantly.) Excu e me; 1 dont see anything funny in it! {Flounces out R. ; they laugh.) Albert, {to VaL) Awfully obliged to you, old boy ! Whomever yoa .12 THE NEW GODIVA. see the old girl and I alone, come to my rescue, will you ? If you dont or somebody dont, one of these days before I know it I'll be a goner ! Blanche. For shame, Mr. Albert, to run away from true love so. {Goes back to Pim%o and plays softly,) Val. I'll try to oblige you but I cant always be around. Albert. Hem ! that's a hmt I'm not wanted. [Nods significantly to rvards Blanche.) All right, old boy ; one good turn deserves another. I'll go smoke. {Strolls into Billiard Room., stops to look at game a minute, then exits through Porch.) Val. {going to. Blanche, turning Piano Stool around so that she faces audience, and standing by her, his back to Piano.) Blanche, do you know what is the difference between those two and ourselves ? Blanche. Well really, you are very flattering ! A'ou'll be comparing me to M?w Merriles next, I suppose. Val. Oh, a truce to your perpetual bantering. Can't you be serious a mo:nent ? Blanche. Idon'tknow,-Icantry. And, pray, what is the difference ? Val. {taking her hand.) She wants t > marry him and he woTlt con- sent; I want to marry you a.nd you wont consent. Blanche {rising, laughing and crossing to Lounge.) Oh, there wou'dn't be any use in my consenting. Val. {crossing to her.) And why not ? Blanche. Because you must ask the Lord Chancellor,— I'm a Ward of Chancery. Val. {sitting by her.) That makes no difference. Blanche. Oh dont it, though ! Let me tell you that the Lord Chancellor is very particular. And perhaps you may have painted a portrait— one of your retil bad portraits! — of him some time or other, and that - that would be fatal ! Val. Oh, thank you. I thought you said you'd try to be serious for a minute. Blanche. Well, lam. I like you very much indeed, — there ! I haven't said anything like that before and I'm blushing feaifully, I know ! But the Lord Chancellor isn't any joke ! {placing her liand on his knee and looking tip at him.) ' I've seen him ! Val. {placing arm around her waist. ) Indeed ! Were you greatly frightened ? Blanche. Scared to death when I first went in; but I wr.s so dis- appointed! {Leans her head on his shoulder.) I thought he always sat on a woolsack and wore a big ugly wig; but he was in a plain chair THE NEW GODIVA. 1 3 and his head was bald and he didn't look particularly different fiom any other man ! Val. That is very strange ! Did he bite? Blanche. No ; but he could have sent me to prison if he had liked. Val. [drawing her closer.) Oh, indeed ! Blanche. Yes indeed! You needn't make fun of him either. They tell me he has the ri :^ht if any one marries me without his consent, to transport him ! Val. I should certainly be transported if I married you; so 111 risk your terrible Lord Chancellor. Blanche. What pretty things you can say. Tfyou flntter the Loid Chancellor as you do me, he'll certainly consent. Val. May I try ? Blanche. Yes, —if you'll risk transportation. {He kisses h,r.) Sir x\tiTHUR. {making a carcvn.) Game! {A horse head approaching.) Ah ! here comes Lady Deverell ! Blanche, [disejigaging herself and Jumping tip.) Good gracious. Val ! let me go ! {Rushes over to Piano, he following, and pretends plaving.) Enter LaDY Dea^erell on horseback. SlR Arthur goes out on Porch and helps her dismount.. Groom leads off horse. She greets SiYi John and comes down front. They all surround her. Blanche. My dear Kate, where have you been all morning ? Lady D. I've been loo'ving over Mr. Nugent's stud which Sir Ar thur has just bought. They are a magnificent lot of animals. Sir John, {aside.) Another jiiece of extravagance. Where will it end ? [Scats himself on Piano Stool.) Sir Arthur. I am glad you are pleased with my purchase. Blanche. Was there ever a woman so fond of horses as you are ? i,.A.DY D. {loith a little laugh.) Re.illy, T am afraid not, — unless it is you. Val. There certainly never was one who sat a saddle with diviner grace. Lady. D. Flatterer ! Blanche. He's practicing for an at'.ack on the Loid Chance lor. But you leally are a Lady Gay Spanker in your love for horses and hunting. L\DV D. P^rhapv, I know I often feel like repea'ing what Ldy Gay says: "Give me the trumpet- neigh, the spotted pack just catching scent. What a chorus is their yelp ! The view — hallo blent with a pral of free and feirless mirth Time then appears as young as love and H THE NEW GODIVA. plumes as swift a wing. Away we go ! The earth flies back to aid our course ! Horse, man, hound, earth, heaven, — all — all— one piece of glowiug ecstacy ! Then I love the world, myself, and every living thing. My soul cries out for very glee as it could wish that all creation had but one mouth that I might kiss it !" Sir Arthur. Only I'm not Spanker, and I should object to your kissing all creation. But I've a proposition to make. What do you say to a ride to Deaham Chase and back ? The Autumn foliage is in its splendor now. Lady D. Do you mean to-day, Arthur ? Sir Arthur, Yes— at once, if ever, body will approve. Those who like to ride can have a mount, and (hose who prefer driving can take the wagonette. You'll join. Sir John ? Sir John. No, thank you. I prefer to stay here. But dont let me interfere— I'll amuse myself. Lady D. But we are forgetting we have other guests. Where aie they? Blanche. I'll answer for everybody. Come, Val, we'll hunt them up. Miss Antique doesn't ride so Mr. Albert will have to risk his neck on horse-back to escape her. What a funny sight that will be ! {Laughs.') Sir Arthur. I'll keep the Admiral company until you are ready- Call me, please. Lady D. We wont be but a few moments- Come along, you two. Exit Lady D. ^.followed by Blanche and Val. Sir John, (changing his seat to large Arm Chair C. by center table. Sir Arthur leans against Lounge. So you hive bought Nugent's stud ? Sir Arthur. Yes, every iron to her eyes.) T only did hit to 'elp you, Mum. 'E's a real gentleman hand you needn't be a bit afeerd hoi 'im. Forgive me. Mum ! Mrs. M. (pacuigup and dotim.) And yet to save him — to save hivi ! But the shame — the degradation! God help me ! What shall I do? ( Severe coughing heard, ) \ Susan. Listen to that ! I didn't mean to say no more, but 1 7nust. You haiiit goin' to let 'im lay there hand die! Mrs. M. (grasping back of chair.) Die ! Oh, God ! no ! no ! He must be saved if I sacnfice my soul. (A knock heard.) Susan. Shall I hopen the door, Mum? Mrs. M. YfS. (Susan opens door. Enter Mr. Herbert.) Susan. Mr. 'Krbert. ^Mrs. M, staggers . He rushes to and catclws her as she is about to fall. She recovers htrself. SuSAN crosses to back of her.) Mrs. M. Its nothing; I— I am a little faint. Her. Pardon my intrusion; I will call again. Mrs. M. No, no — stay, (aside.) To save /m//.' I must ! (aloud.) I — 1 have heard — that you- — Her. Dont distress yourself, Madam; I understand what you would say. You were the ideal I had \w my mind, and I would have liked — and though not wealthy I would have been wilhng to have paid — Mrs. M. {hoarsely.) How much? Her. Fifty pounds ! Mrs. M. [ande.) Fifty pounds — fifty pounds ! And twenty may save him ! {Slozv music, ve^y low, till Curtain.) THE NEW GODIVA. 33 Her. {about io leave). But since it distresses you so, Madame,— ( Severe coughing heard. ) Mrs. M. No, no! dont go ! I- (gasping.) I- will— do it ! Her. {extending his hand.) You will ! Mrs. M. [grasping his hand— after a pause.) Yes ! {Staggers and falls fainting to Stage.) QUICK CURTAIN. 34 THE NEW GODIVA. ACT III. (six months later.) Tableau One — The Picture of a Sacrifice, Tableau Two — The Reward of a Sacrifice, Scene : Drawing Room at Miss Antique's handsomely furnished — At back C. is a heavy Red Curtain in one piece on Rings so as to be easily and quickly drawn back — Behind this Curtain on a large Easel is the picture of " The New Godiva," the Curtain when drawn open dis- closing the outer Room — •Lounge R. — Small Table L. C, Arm Chairs on both sides of it — A newspaper on the Lounge. Blanche and Miss Antique discovered seated on Lounge, and Poin- destre by Table, Blanche. Yes, — Val and I called on Sir Arthur and Lady Deverell yesterday. She is just like her old self and he has entirely recovered and is more devoted than ever, Val. Well, he ought to be. A wife like that is a treasure one doesn't often find. Blanche. How often does a man want to find one, pray ? Aren't you satisfied ? Val. I ? Oh, my, yes — more than satisfied. Miss An. To think that they should have suffered so much when they had so many friends who would have been only too glad to have helped them. THE NEW GODIVA. 35 Val. Pride, my dear Miss Antique, — the Deverell pride. Sir Arthur carries it to an extreme ; I believe that man would starve before he'd accept assistance. Blanche. Well, thank Heaven, it is all over now. It was very kind of the Admiral, dear old Sir John, to leave her his tortune; tied it up by his will, too, so that her husband cant touch it. Val. It isn't very much, but enough to keep them comfortably. Poor old Sir John, he was always very tond cf her. If he hadn't been so far away on one of Her Majesty's ships so that he didn't knt)w any- thing about it, they never would have known a day's want. He'd have hunted them up and forced them to accept a loan. Miss An. 1 wonder they are not here. I want them to come and see the great picture. I dont know what it is myself, and I'm quite anxious and curious to see it. Blanche. What! you haven't seen your own picture ? Miss An. To tell the truth, while it is repoited to be mir.e, it isn't. It's only been brought here this morning, and its owner's been keep- ing watch that it shall not be seen until the frxcnds he's invited arrive. Val, Who is its fortunate ov/ner ? Miss An. My landlord ; and as he's a bachelor I've lent him my rooms tor the benefit of his lady friends. Blanche. Really, is there any mystery about its owner that you do not mention his name ? Miss An. Mr. Albert asked me not to. And you know I like to oblige him. But I dont mind telling you now because you'll learn soon, anyhow. Val. Well, who is this great art connoisseur ? Miss An. Its Mr. Bu' finch! Val. [rising quickl}'.) What! a man who knows as much about art as a Diplomat does about truth ! And my dear Miss Antique, you have really asked Sir Arthur and his wife to come here? Miss An. Why not ? Val. And did you tell them that //lat party owned the picture, and that that party would be here ? Miss An. Oh no ! I didn't say anything about the picture or Mr. Bulfinch. I was espeially requested not to Blanche. W^ho by ? Miss An. By Mr. Albert. Blanche. Oh, of course, -excuse me for asking; I didn't think. 36 THE NEW GODIVA. Miss An. Mr. Bulfinch asked him and he asked me. I hope he hasn't made any mistake. Val. My dear Miss Antique, he has a genius for mistakes. Miss An. I — I thought, perhaps, it wasn't exactly the thmg. There might be a little feeling. Val. Hem ! I should imagine so. Miss An. But Mr. Albert says Mr. Bulfinch is anxious to be friendly, and wants to make some arrangement to restore Norton Towers to them. Blanche, My ! how kind. I should never have expected it of him. Val. Nor I. But perhaps the devil isn't as black as he's painted. {Bulfinch' s voice heard outside: ^^ All right, — all right. Tell them T 711 here.''') Ah ! here he comes! Suppose you leave me with him; I may be the best mediator, and pave the way. Blanche, [rising.) Very well. I hope there will not be a scene and that it will be all right. Miss An. So do I, I'm sure. Shall we go? {rises.) Blanche. Dont get into a quarrel with him, Val. Val. Oh. no ! you needn't be afraid of that. Blanche. Very well; we'll leave you then. {Takes Miss Antique'' s Arfn and Exits R. U. E.) Val {after they have left.) I certainly dont understand this, and I dont half like it. But strange things do happen sometimes! Perhaps this is one of the times. Enter BULFINCH R. U. E. BuLF. {advancing to him.) Ah, my dear Mr. Poindestre, very glad to see you. Quite an honor. I'm sure as an artist you'll enjoy my picture. Val. {coldly.) I didn't know it was yours. BuLF. I'm quite aware of it. Very few do know it. Its a surprise I have for the public. {Enter SiR Arthur R. U. e. Starts back on seeing them.) Val. {seeitig him and rushing to him.) Arthur, old man, I'm awfully glad to see you. Sir Arthur. Thank you, old fellow. Excuse me for interrupting you. My wife has gone up-stairs with the ladies, and I was sent in here; but — Val. {aside to him.) Dont mind Bulfinch; sit down here and read the paper while I talk to him a few minutes; it may be to your in- terest. I THE NEW GODIVA. 37 Sir Arthur. Very well; it isn't agreeable and if I had expected he was to be here I wouM not have come; but to oblige you I'll remain. Val. Thank you. [Sir Arthur sits on lounge^ takes up paper and reads.) Val. {aside.) Now I wonder if I'm making a mess of it or rot? {Crosses to Bulf. who has ^one to table L C .) It's veiy kind of you to give the public a surprise; and I assure you it luill be a surprise to the public to find you a patron of art. B(JLF. Thank you —thank you very much. But "a thing of beauty is a joy forever," as Byron says. Val. Oh, does he ? I thought it was Keats. Bulf. Well, Keats or Byron, what's the difference so long as he said it who said it? But sit down, sit dow,i— I'll tell you all about my picture, {aside.) Now is my time Val. (seating himself L. of table. Aside.) I must let him bore me a little. I suppose, before I tnckle him on Deverell. Bulf. {seating himself in arju chair.') The moment I saw that pic- ture I said to myself, " Bulfiuch, my boy, that's what you want." I'm not much on art, but I know what I like, and I dont care what I pay for it. Val. {yawning.) One needn't care when one has the cash, Bulf, Quite so, — quite so. Val. But who's the painter ? Bulf. A rising man — a very rising man, — Silas Herbert. {Sir Arthur drops his paper.) Val. Comparatively unknown, I think, Bulf. Yes, —but wont be long. Lived in the forsaken district of Bedford Square. {Sir Arthur picks up his paper.) By the^vay, there's a romantic, very romantic, story connected with that picture. Val. {yawning.) Yes ? What is it ? Bulf. Well, for a picture of that kind, you know, — a Lady Godlva, — an uiexceptionible model combining a beautiful face with a perfect figure was necessary, Herbert hunted a long time before he found one to suit, but at last did so in a woman living in his house ; perfect face, perfect figure. ( Takts a pinch of Snuff. Sir Arthur moves un- easily.) She was the wife of a man in bad health lodging in a miser- able attic in the house, and she supported him. They were in a bad way very bad way, and she accepted Herbert's overtures and sat ouce or twice. Was paid liberally — most liberally. Odd part of it was she disappeared with her husband immediate!^ aflerwards, 38 THE NEW GODIVA. and Herbert hasn't been able to find her since. {Sir Arthur has pressed paper close to his face.') Val. I know most of the good models, — what was her name ? Bui.F. Let me see, - let me see. {Takes out a Note Book.) But you musn't let it go any further; it was lold me in confidence, quite ac- cidentally, as it were. Have I your promise ? Val. Why, of course. BuLF. {turning leaves of book.) I made a note of it somewhere's, — y.js, here it is, — name Mrs. Morley ; address— 15 Charlotte Street. Sir Arthur. {Rising quickly aud crushing paper in his hand.) You lie! BuLF. {he a7id Val. rising quickly.) What's that ? Sir Arthur, {crossing to him.) I say you lie ! Val. {cro:>sin\^ and taking his arm.) Deverell, let me entreat you to keep c^lm. Sir Arthur, {pushing him away.) Stand back! The lady this scoundrel has slandered is Lady Deverell, my wife ! Val. aside. ) What insanity to have forgotten this ! BuLF. {with bravado.) I know you and your infernal pride of old, Sir Arthur. But I did not know when I mentioned the name that Mrs Morley and Lady Deverell were identical. Still, I repeat it. Mrs. Morlev of Charlotte Street sat for Herbert's Lady Godiva as surely as I stand here. Sir ArthctR. {grasping him by the throat.) You cur ! You double liar ! You know I adopted the name of Morley for you wrote me under that name. Retract what you have said or I will break every bone in your miserable body! Val. {taMtng hold of him.) Deverell, —Arthur, for Heaven's sake dont let us have a scene ; all London will talk of it. Sir Arthur, {releasing Bulf.) Am I to stand here and listen to such a foul aspersion on the purest woman who ever lived? whose name in this fellow's mouth is pollution ? Great Heavens ! what do you taki me for? {To Bulf.) Once more, will you recall your words? En'er R. u. E., Blanche, Albert and Lady Deverell ; l u. e., Miss Antique and Herbert. Bulf. I will not ! They are the truth ! Sir Arthur. Then take the consequences! {Springs at him. Lady D. rushes down and between them and catches his arm as he is about to strike Rulf.\ Lady D. Stop, for Heaven's sake ! Arthur, what. does this mean ? THE NEW GODIVA. 39 Sir Arthur, It means that this villi.m hns slandered you ! that he says you have been an artist's model ! Lady D. (as/de.) Oh, God ! he has heard ! {aloud.) It is a lie ! Sir Arthur, {takmg her hand.) I know it. And he shall an wer for it ! {Positions on Stage: Bulf. by Table L. C; Sir Arthur on his R., Albert and Blanche up Stage near R, U. E.; Herbert and Miss An. !ULF. I have been forced to. Herbert. You are unfair to an unfortunate woman, — unfair to me. And a man who will batray confidance is a man who will lie ! Val. There, Arthur, be satisfied. Sir Arthur, {dropping Lady D's. hmd. I am not. {Lady D. turns back fully on Audience and sobs S) t want an explicit denial. Mr. Herbert, this man has cast a foul aspersion on my wife; he calls upon you to prove it, — I call upon you to deny it. Herbert I know nothing ot Lady DeverelL— I have never seen her. {Sir Arthur grasps his hand. Blanche has come down to Lady D. who is sobbing on her shoulder^') Bui f. But you have heard of Mrs Morley ! Herbert, {after a pause,-^dropping Sir Arthur's hand.) 1 — have never heard the name ! ( Turns to go up.) Sir Arthur {to Bulfnch.) You infernal scoundrel ! you shall hear from me! Come, Kate. {Turns as if to go.) Bulf. One moment ! {Sir Arthur turns to him.) This is a con- spiracy against me. But I have better proof than words, — I have the picture. It is behind that curtain. Look at it I (Moves to go up.) Val. {stopping him.) Siand where you are ! Lady D. [rushing to Sir Ar/hur and grasping his arm. J Arthur, you are killing me. Come home, for mercy's sake, for the sake of all 40 THE NEW GODIVA. you hold dear on earth or in heaven, come home,— come with me,— at once ! Dont look at it, I beg, T pray of you ! HuLF. You see, — she is afraid ! You dyre not look at it ! Sis Arthur. You hound! I dare ! Lady D. {dinging to. him.) Arthur, in the name of Heaven — Sir Arthur. Out of n!/ way ! I'll brand this man a liar out of his own mouth ! [Pushes her off, rushes up stage and draws Curtain back quickly, disclosing the Picture. Calcium light thrown upon it. N. B.. This nmst he done rapidly.) My God ! it is my wife ! [Lady D. rushes after him, falls on her knees with boured head and in attitude of in- tense shame at his feet, hands outstretched.^ Lady D. Mercy ! have mercy ! Quick Curtain on Tableau.* Curtain is raised almost iinmediately for Tableau Second. Scene is the Same. Lady D. is on her knees by Lounge on which her face is hid. Sir Ar- thur stands back of Lomige at the L. corner, one hand resting upon its back. Lady. D. See ! I am at your feet, humbled and broken inspirit. In. the name of common justice hear me, — let me — Sir Arthur, Silence ! Henceforth we must be strangers. If one so lost to shame needs consolation let it be in the fact that I do not curse you for the disgrace you have brought upon me ! {crosses.) Lady D. {rising and extending her hands appealingly. ) Oh, Arthur, be merciful! It was for your sake alone, — to save you, as Heaven is my witness ! Sir Arthur, {turning on her.) For my sake ! How dare you put it upon me when you know I would rather have died of starvat on in the streets then lived to learn your shame ! I wonier my bran has borne even the thought of it without driving me mad ! Lady D. {falling on her knees at his feet.) Spare me, for the love of Heaven ! I cannot endure this ! Sir Arthur, (standing over her.) Spare you? Did you spare me * The painting should be carefully done. Face should be portrait of Actress who plays the part. Ail of the figure sh uld be covered by the '"Godiva's flowing locks" except the bust and feet, and over all should be painted g mze drapery. Great care shcjld be taken to a\oid all suggcstiveness or indecency. To accomplish the effect intended the picture should, in fact, be a work of Art. THE NEW (lODIVA. 4I when you sold my race to shame? when you forgot that which is dea.e ,^ , Hfe-my honor > Do you thinU I cat ever looi:: \ the face of my fellow-mun again as I did before ? Even now I can s e hem po.ntmg the finger of scorn at me,-I can hear them saying See! there goes the m,,n whose w.fe sold her charms to a painL of niked heroines, worse than a common wompn of the town ' Ladv D (././„^ ^„,,^/, W>./«. /./,;,.) stop! I have suffered too much already, I have humbled myself in the dust, but this I will M:^Mthout which my own would have bee , worthless, I have sacri heed myself as no woman ever sacificed herself before. You cannot know, you cannot nnagme the bitter pang that sacrifice involved - he mghts of wdd agony, the shame, the horror-which will haunt me to the grave, that I suffered for you ! Let it pass. Hut for the honor of my sex, standing here alone and defensless, I repel your foul imputation with utter scorn and I challenge you to repeat it-if you dare! ^ Sir Arthur. Enough of this ! {Jams io ^o.) Lady D, Stay ! you sAa// hear me! Sir Arthur. Be quick then. The soDner this is over the better ^itszn arm-chair. She stands back of table.) Lady D. You have heard my shame-you have not heard my mis- erable story. You thought the wretched pittance we had saved was sufficient to mamtain us during your illness. It was not. Despite all I could do, despite semi-starvation on my part, it was gone before you were ill two months. ^ Sir Arthur. Why-why did you not tell me ? Lady D. Because worry would have killed you, and I wanted to save you. So I strove, as never before woman has striven, to wear a cheerful face while my heart -my heart was breaking. Often while you slept I walked the streets at night in search of any employment no matter what, that might enable me to provide you with some little luxury. Even then I respected your injunctions and never begoed from a living soul, though my heart was heavy and my broken spirit was sorely— God knows how sorely ! ^ tempted. Sir Arthur. I cannot listen to this. {Attempts to rise. She pushes him back into seat.) Lady D. You must ! The sorest tenjptation came upon me at a tin.e when I was almost mad. The Doctor told me that unless you were immediately removed from the smoke and fog of London you would die.-you, my life, my all ! And that man who has disclosed my secret 42 THE NEW GODIVA. to day, came to our wretched place, which he owned, and after insult- ing me with a vile proposal, threatened to turn us into the stieet if he was not paid at once ! Sir Arthur. Oh, but he shall pay for this ! Lady D. Then came the temptation. I fought with with it, I strug- gled with it till my blood , froze and my brain was on fire. Your life hung upon my resolve. Had there been one friend near to whom 1 could have appealed, in that extreme moment I would have disobeyed you and made the appeal. But there was not one — not one ! I was alone— utterly alone in the heart of a great, pitiless City ! Oh, the terror and the desolation of it ! I knew that the money my sacrifice would earn would s^ve you. I forgot myself, I forgot everything save that you were dying before my eyes, and it seemed as if Heaven had opened me an avenue of relief. And so — so, with a heart of lead and a bod/ of ice, I went, as Martyr never went before, to my terrible sacrifice. And I would have done it if the doing had periled my soul ! (Crosses and sinks on Loiitigc in a paroxysm of sobs.) Sir Arthur. Enough — enough ! {Rises.') The life you have saved is worthless with such a stain as you have put upon it. I would rather have died ten thousand deaths of torture, than that you should have made my name a thing of scorn ! {Enter Val. and Blanche fro7n be- hind Curtain qnietly and unseen by the}?i.) I can pity you— I cannot, — no never, — forgive you ! Lady D. (rising quickly.) I do not want your pity when your love has gone. And dear as you are to me stiil, I cannot again ask for mercy of one who sets the opinion of a cold, merciless world above the love that lives through all eternity! (Turns and sees Blanche.) Blanchel (Throws herself on Blanche's bosotn. Blanche embraces her.) Val. (Stopping Sir Arthur who is going up to exit R. U. E.) Arthur, dont make a fool of yourself. Sir Arthur. You mean well, but ycu do not know what you are doing. Let me pass. Blanche. Pardon me, but we will do no'hing of the kind, — not. at least, until yau hear what I have to say. We have been eavesdroppers, *- confess it. We have heard what has passed between you and your wife. Sir Arthur. You cannot defend her. Blanche. I can do more; I can give her a closer place in my af- fection than she ever had I can — Sir Arthur. Without intending to be rude, I must decline to listen THE NEW GODIVA. 43 to anythinn; further. I cannot argue with you. The only course I €an adopt is to take my leave. Blanche. Not until you have heard a woman's opinion of the cow- ardly course you are pursuing. It is hard forme to believe that any man could bs guilty of the base desertion of a wife who has made such a sacrifice for his sake. Lady D. Oh, Blanche, Blanche, do not upbraid him ! Blanche. Be quiet dear; I mean to have my say. Sir Arthur. As a woman, Mrs. Poindestre, you cannot appreciate what, under such circumstances, a man must feel. Val. One man, at least, indorses her opinion. I do ! Sir Arthur. Ah, it will be the same story, no doubt, every v^ here. But if you — Lady D. (releasing herself from Blajiche' s arms and facing hitn.\ Enough ! Go ! but remember this : much as I have loved you, dearly as I love you now and always will, I can never forget what has passed to-day,- I can never forgive you, I never w/// forgive you till, when you have lived to repent this day, you come to me on your knees asking for pardon for the cruel wrong ) ou have done me ! Mr. Poindtstre, let him pass ! ( Val. moves aside.) SiK AktiW]"^. [going fo R. U. E.) Farewell! {Exits.) Lady D. (as the door closes.) Gone ! Arthur, my love, my husband ! O God ! (Ealls into Chair by Table, burying her face in her hands, and sobbing. Blanche rushes to ajtd bends over her; Val. stands back of Table. Picture.) END OF ACl' in. 44 'I^HE NEW GODIVA.. ACT IV. (one year later.) FOKGIVEN I Scene: Drawing Room at Chiswick Villa tastefully furnished — Windows K- and L. at back, and large Bay Window C. back, through which the Garden is seen — A. Cradle with Infant in it near IJay Window— Sofa up Stage R, — Handsome Writing Table with two Chairs R. ar.d one L. of it, half-way up Stage L. Lady Deverell discovered by Cradle rocking it, I^'usair on the other side by Window. As Curtain rises Lady D. sings Lullaby "Rock-a' by, Baby." Afcer Song goes to Writmg Table and comnrences writing, while Susan goes to Cradle and bends over it. Susan. Pootsey wosey, you pretty little dear ! Was you sayin' Mamma "wouldn't come hand talk to 'oo ? Do stop writing, my lady; you're wearin' your heyes hand your 'art hout cryin'. What's the use thinkin' hand worryin' over what his past ? Lady D. I cannot help it, Susan. If I had not been guilty of an act which drove him from me — Susan. Now, please dont be 'arping on an old story 'E would go away to Haustralia hand 'e went hand got shipwrecked; hand as the hold Minister says, for you to be a foiever grievin' over 'is loss when you have this 'ere little hangel to think hot\ is a findin' fault with Providence. Vou saved 'is life once, but you couldn't go on doin' it forever. Lady D. {aside.) Oh, Arthur! Arthur! if I could only have seen you once more; if you could only have lived to have forgiven me ! ( ff ipes her eyes with handkerchief and resumes writing. ) Susan, {aside to baby.') There! you little darlin'! The honly thing THE NKW GODIVA. 45 nurse 'as against you his tliat you look so mucli like your father. [A knock hea^d.) Shall I hopen the door, my lady ? Lady D. {>:(oppiiig writing.) \(ts. [Susan goes to door R. and opcus it. Enter Blanche and Val. Lady D rises and greets them.) Ah. Blanche, — Mr. Poindestre, — I'm so glad to see you. liLANCHE. And how is baby ? Susan, [at cradle — excitedly) There! I knew hit ! There's a tooth comin' ! [Lady D. and Blanche rush to cradle.) Lady D. and Blanche, {together.) Wheie is it? Let me see ! Blanche. Oh, my, it's true ! The baby's cutting a tooth. Come, Val. and look. Val. [going to them.) I beg your pardon, my dear ; the tooth's cutting the baby I Blanche. Oh, you horrid man! you dont know anything about babies anyhow. Val. I'm waiting for you to teach me something, my dear. Blanche, [boxing his ears.) Val, I'm ashamed of you ! Val. That's nothing ; I'm ashamed of myself. Susan. There now ! 'e's goin' to cry ! I must take 'im hand put 'im to sleep. ( Takes baby in her arms and exits R. U. E.) Lady D. Wont you be seated ? {They seat themselves., Lady D. by table., Blanche next to her and Val on other side of table.) Blanche My dear Kate, Im going to ask you something that, per- haps, sounds very strange. Has it ever crossed your mind that some day there might be a chance of your boy recovering the Deverell estates ? Lady D. {rising ) I — I dont understand you. [Suddenly .) You — you have some news for me ! Val. (going to her.) My dear Lady Deverell, pray be seated ai.d dont get excited. Blanche has simply expressed au idea that somehow I have always entertained. Lady D. Pray do not trifle with me. Next to the loss of— of — my husband comes my sorrow for the future of my boy. Sometimes I dream I see him grown to manhood, living in the old home and adding lustre to an ancient name by a generous and noble use of his we.ilth ; and then - then I awake to the bitter reality that the inheritance which should have bcea his is lost to him .forever. Blanche, [putting her arms around her neck.) My dear Kate, do r.ot misjudge us. I had a motive in asking the question. Some circun- stances have come strangely to light that may yet bring for yoi r 1 oy the future you desire. 46 THE NEW CJODIVA. Lady D. Oh, Heaven ! is it possible ? Val. My wife soys so — and I am too wise a husband to contradict h'jr, LadyD. For pity's sake do not keep me in suspense. What is it you have heard ? Blanche. Come here. {Tak.s her to sofa R.) Now sit down by me -so. [Thty sit.) Now s-^iveme your h nd and promise to listen q lietly. ( Val sits by table. ) Lady D. Yes, yes — go on ! bLANCHE I hardly know how to commence. You see, Val has a great friend who went to Australia, and we've just received a letter fro .11 him in \\hich be snys he had a strange meeting with the man » ho Caused all your troubles — Percival Keith. Lady D. Percival Keith ! Is it possible ? Blanche. More than possible — its true. Val, suppose you tell the rest ? Val. Oh no ; I always let my wife finish when she starts— its good policy. Blanche, {smiling.) You see I've trained him well. Well, Val's friend was making an excursion into tlie bush M'hen he came to a house which had been robbed by thieves and its owner stabbed and left for dead He wasn't dead, but dying. He seea.ed to have something on his mind, and on being told his end was near, made a full confession of his crimes. That man was Keith. Lady D. {after a pause.) But my boy — how does this affect him ? Blanche. Because Keith confessed that he and Bulfinch had robbed an.l swindled Sir Arthur, Lady D. {rising.) At last ! I always suspected it ! Blanche, {rising and taking her hands.) Between them they had concocted a scheme to ruin Sir Arthur* Many fictitious deeds were drawn, s^.iie of which Sir Arthurs really signed, but the signatui-es to the most important were forged by Bulfinch himself ! Lady D. Yes, yes — what else ? Val. {risiitg.) Keith was involved and had to leave the country. Bulfinch knew it and used pressure, promising to send him five thous- and pounds after he, as supposed mortgagee, g;ot pos ession of the es- tates. vSo Keith fled and Bulfinch, from time to time, has been sending him barely enough to keep him alive Lady D. And now he is dead — dead ! And the truth cannot be proven. Blanche Oh, yes it can, or we wouldn't have said anything about THE NEW GOniVA. 47 It. Keith gave Val's trieiid papers and letters in Bulfinch's writing which would convict him a dozen times— wouldn't they, Val ? Val. a dozen ? There's no need to limit the number. And besides there's a dying confession attested by witnesses along A\ith the other papers in my friend's pocket. Lady D, [liirning /o him eagerly.) And your t'rif.nd— when will he be here ? Val. Be sea ed while I calculate it. You are weak. (Lady D. sits by table; Blanche sits on sofa,) You see, the letter somhow miscarried and has been a long time coming. He said he would leave on the loth and— let me see, — yes — he ought to be here now. Lady D. Justice— justice at last, thank God ! Oh, if he had only lived to know this. (Vol has gone to Blanche and is whispering some- thing to her. Lady D, rising suddenly,) You are keeping something back from me I Blanche, {rising and going to her.) Dear, I fear to tell you— you are not strong ; the shock — Lady D. [falling on her knees.) Tell me, ^ — for pity's sake tell me. Is it of — him ? Blanche. Yes ! Lady D. [rising — in a whisper.) Is — is he alive ? Val. [rising,) Yes — and coming here ! Lady 1). Thank God I Thank God ! (sin^s into chair.) BlanxHE. [bending over her.) Quick, Val, she has fainted! [Lie goes to her.) Lady D. [recoverign.) No, — no,— the shock— I was a little weak ; but I am strong now, [After a pause.) Then— then he was saved from the wreck } Val. He was cast upon a desert island,— the only soul of all who were on the doomed steamer to be saved. From there, after months of suffering, he was rescued by a vessel blown out of her course by a hurricane, and t.iken to Australia. Lady D. And your friend - your friend — Val. Is Sir Arthur himself ! Lady. D. [dropping her head on table.) Oh, Arthur! Arthur! Blanche There ! Im afraid we've been too abrupt. Please calm yourself, Val Yes, you must ; because I want a promise. Lady D. [looking up.) What is it ? Val. That you will not say a word ot this to a living soul until I 48 THE NEW GODIVA. give you permission. Dont ask me any questions, — I have tny reasons. Will you promise ? Lady D. [after a pause — extending her hamiiohich he takes S) Yes. Enter SusAN R. U. E. Susan. Miss Han tique hand Mr. Halbert. {They enter. Exit Susan.) Miss An, [coming doivn.) My dear Lady Deverell, good morning. And Mrs. Ponidestre ! [I'hey exchange greetings.) Albert, (luho has gone to Vat.; aside to him) My dear boy, look out forme, wont yovi? The old girl's going for me heavier than ever to- day, and I'm ah-aid every hour I'll be a goner! [Val laughs.) Miss An. We were just going by and I thought Id diop in and show you a new photograph Henry and I have had tt'ken to , ether. You have them in your pocket, Henry. ALBERT. Ye-s, ye-s. [To Val.) Its no use, its Fate — I'm a goner, old boy — let me go ! [Gong to her and feeling in his pockets.) Which — which pocket did I pui: th:iai in, old girl ! Did — [accidentally steps on her foot.) Miss An. (screauiing.) Oh ! oh ! You've killed me ! Albert, [confusedly.) 1 beg pardon. - beg pardon old girl. Here. — take this ! ( Takes a stnall bottle from his pocket.) Blanche. Why. what's that ? ^Lady D. has led Miss Antique to sofa li??iping, and seated her. Sits by her.) Albert. Cure for corns ! Excellent t'ling! My own invention. Lemon juice in there — pearl shirt buttons dissolved in it, — cures corns ill no time ! [Going to Miss Antique.) Here, old girl, [kneeling,) let rae try it on you ! ( They are all smothering laughter.) Miss An. [indignantly .) Henry ! Albert, {rising ) No, no, of course not ! I mean try it on yourself, —of course, — of course, [aside ) Hang me if I want to I [Blnnche and Val. are together by table. ) Enter Susan r. u. e- Susan. My lady, can I see you a moment, please, L.\DY D. [rising.) Excuse me. [Goes to her.) What is it? Susan. Mr. Hulfinch his 'ere ! Lady D. He! What does this mean? Mr. Poindestre — please. [Poinds stre goes to her. ) Mr. Bulfinch is here I Val. What ! The very man I've been hunting for all morning ! Lady D. What shall I do? Val. See him — see him by all means. I know it is painful, but THE NEW (iODIVA. ^g oblige me and see him,-do not breathe a word of what you knou, and keep him here as long as you can ! LadyD. If—if I must! Val. Blanche! Blanche Yes, dear. (Goes to him. Ih zohispers to her She comes down to sofa wh.re Miss Antique has been sitting resting he- head on Albert s shoulder and holding one of his hands while with the other he has been rubbing her forehead) Excuse me; but would you mind taking a stroll in the garden with me a few minutes? Albert. {JumJ^iMg up and almost falling back through Miss Antique's holding on to his hand.) Certainly not,— certainly not. MiSb An. (rising.) Henry, your arm. {Takes his arm.) Albert, {aside.) Its no use,— old girl's bound to have me and Em booked! Anyhow, she's got money-that's a consolation. Blanche. This way, please. {To the others ) We'll return in a few minutes {Exite R. folloived by them.) Val. Now. Lady Deverell, please follow my instructions. Be brave and all will be well. Can I depend upon you ? Lady D. {giving her hand.) Yes. Val. Then for the present, au revoir. Now Susan, show Mr. Bui - finch up, {Exits R.) Susan, Show 'im hup! 'e ought to 'ave been shown hup loner a^o' (Exits R. V\ E.) 1 *> s • Lady D. I feel like one in a delightful dream who fears to wake lest the airy visions of his sleep should vanish into nothingness ! Oh, can it be true that happiness is coming to me once again ! My heart is beating with mingled joy and fear, and my brain feels in a whirl. {exits R. ) Enter Susan, r, u. e. Susan. Well, well, hif I hever! The brass of that BuJfinch his honly hequalled by 'is wickedness. Hif Tom catches 'im 'ere, there'll be a row sure as my name's Susan, {Sitting on chair by table. ) Talking of Tom I wonder when 'e's ha agoin' to come to the point with me. 'E's slow - no mistake. {Enter Tom R.) Ah ! Tom his that you? Tom. (going to her.) It is, wootsey I Susan. I was just a thinkm' habout you, Tom, {sitting on arm of chair and putting h's arm around her. ^ Susan, you could not employ your time more profitably. What wos you thinking? Susan. I was a wonderin' whether you were hever goin' to finish 50 THE NEW GODIVA. what yoii st irted sayin' to me the hother day. I m willing to join hands hand travel with you. Tom. Your confidence touches me deeply — here. {Points to his hjart.) But we'd have to travel on our shape, and I'm afraid we wouldn't get far. Susan, (rising.) I've money hin the Bank hanl so 'ave you ! Tom. (holding her off at ar in'' s length.) Susan, I have heretofore remarked that you have a great head. If you had had a different father and mother you might have been Q)ueen of England — you actu- ally m ght. And the way you combine love with finance is truly touching. Susan. I know you're worth a 'undred pounds hat least, hand with what I've got we can live nice hand 'igh. What do you say ? Tom. Come to my arms ! {Pulls her suddenly to him so that she falls into his arms.) Since you are so anxious, Susan, its a go ! We can cer- tainly live high enough with our wealth; in fact, my dear, we can live away up in the at'Jc. Susan [nsstling on his breast.) Oh, Tom! Tom. You needn't hide your face. Susan, if it isn't the prettiest in the worll, there's none more honest. And that's better ! And if you want to be Mrs. Tom, yours truly is witn you. Susan. Oh, Tom, I ham so 'appy ! Tom. And, vSusan, we'll die as rich as anybody e'se Susan, [crossing.) Why, Tom, what do you mean ? Tom. We'll leave the entire world behind us, wont we ? And I guess that's about as much as anybody else can do ! But never mind, Susan, we'll do the best we can and take our chances on the rest. Come to my arms once more and seal the bargain ! {Opens his arms, she rushes to him, he embraces and kisses her.) Um ! that's good ! Enter Lady Deverell R. Lady D. Susan ! Tom. [aside.) Caught in the act, by jingo ! (Susan rushe.f to table and confusedly dusts it with her apron, ivhile Tom runs off R.) Lady D. Susan, where is Mr. Bulfinch ? Susan. Beg pardon, my lady ; I forgot hall habout 'im. I'll send 'im right hup ! . [Exits R. U. E ) Lady D. The old, old story — the same in the kitchen as in the par- lor. Ah, me ! [Goes to table and sits.) And now for Mr, Bulfinch. Enter BULFlNCH, R. u. E. BuLF. Lady Deverell ! THK NEW CODIVA. 5 1 Lady D. [withoid looking af JiiJ/n ) Be seated. BuLF. (sitting on lounge aside. ) How beauliful she is ! I have tried to keep away from her. I have struggled to crush the only passion I have ever known in my life, but it is too strong for me. {aloud.) You are no doubt surprised by my visit, Lady Deverell ? Lady D. lam. BuLF. It is a long time smce we last met and it has taken some courage for me to come here. I need not -I need not refer to painful subjects nor attempt to explain my past conduct which, no doubt— of •course, I know it has, — has prejudiced me in your eyes ; but what T have done wa|.not my fau.t, — it was forced upon me by ciicumstances ! Lady D. Indeed ! Bui.F. Yes, — one must defend himself. For one occasion I can make no excuse except — except that my love p.nd passion were too much for me. Lady D. [aside.) Love and passion ! He classes them together as if Vice and Virtue were the same thing. BuLF I need not specify that occa ion ? Lady D. {sharply.) No! I have not forgotten it. BuLF. I have not ventured to intrude my presence upon you siftce — since that d ly at Miss Antique's. I wanted to come when I heard of yoarloss, but I fear.-d that yoi still thought — rightly, rightly, of course, — too ha^ d of me. But now - now that you have had time to become — reconciled— in a measure, in a measure, I mean — I thought that per- haps in looking back you might have found some— some palliation for me, and- -and — Lady U. (aside.) How long must I endure his hateful presence ? {aloud — after a pause.) Well ? BuLF. And so I have <3ared at last to come and apologise, and ask if it is not possible for us to be friends. Lady D. Is that 'all ? BuLF, {rising.) No ; I thought, perhaps, the time had now come when I might refer to something touching the future welfare of your child . Lady D. (rising and leaning on table.) Ot'my child? And how — how can you influence his future V BuLF. (aside.) Hem ! I have scored a point. {Aloud). By a series of misfoitunes your son has been deprived of his ancestors" estates ; rnd it is hard that the — we'll say mi> takes — of others should be visited upon so young and innocent a head. I— I want to say that under certain (conditions be may yet inherit the patrimony which is justly his due. 52 THE. NEW GODIVA. Lady D. What do you mean ? BuLF. I surprise you. of course — quite natural. I know you dont give me credit for the possession of a single good feeling or impulse. All the same, my Lady, it is my honest wish that all ill-feeling between us should be cast aside and that your child should eveniually possess the estates I have referred to— under certain conditions. Lady D. {sitting — aside.) He has heard I He think I am ignorint and hopes to m.ake a compromise through me. Never ! {aloud.) Well — and the conditions are — BuLF. Did I say conditions ? I meant condition. Lady I). Be good enough to state it. • BuLF. {approaching her.) I will. I want to say, though that I dont ask you to accept it now or to give me any answer ; I only make it as a suggestion for you to- to think over at your leisure. I give you your own time. Lady D. {after a pause.) I am listening patiently. BULF. Hem ! The condition is that you will, — not now, of course, — evdn a year will do, — become my wife ! Lady D. [sprijtging tip.) How dare you insult me with such a vile proposition ! BuLF. {astonished.) Hem! I said my luife. What's wrong about that? Yoa seem to mistake me. Lady D. I did mistake you in imagining for an instant that you would make any restitution to my child of the estates of which you robbed his father. For the proposition you have dared to make no words can express my loathing ! BuLF. (crossing to behind her.) Very well. J intended to do you a great service ; but smce you prefer my enmity 1 will slow you that it is in my power to injure you still ! By Jove, Madame you ought to know thai I am not a man to be trifled with ! Lady D. Your threat only increases my contempt for you. Rather than listen to your proposal I would beg my bread fiom door to door ! BuLF. Fine words for one who drove her husband to exile and dejtth by- Enter Sir Arthur hurriedly r. u. e. He is followed by Val. and Detective in plain clothes. Sir Arthur. Liar! I am alive ! {Rushes to Lady D.) Lady D. Arthur ! \Falls into his arms.) rilK NKW (K)I)IVA. 53 Sir Arthur, {c/urr.ici/ii^ /wr.) Uarliug ! Do not speak. Val. [to Biilf.~7oho has tunu-d to ov.J Hold on, Mr. Bulfinch Dont be in a hurry. My friend here wants your company. He's what is called a detective. 1)111 F. I dont understand you. Let me pass ! Val. Not yet. I presume you know Percival Keith's signature. (SAow/'ng dociimejit ) Do you recognize it ? BULF. Damnation! What does this mean ? Detective, {throiving opm his coat mid showing badge and taking him by the arm.) It means that you're wanted for forgery and a few other things. BuLF. This is a viJe conspiracy ! Let me go ! Detective. Not a bit of it. And you may as well come quietly be- cause I h ive assistance below and a i air of nippers in my pocket. Come along ! BuLF. Curse you all ! [Detective exits with him R. U. E.) Val. [at door.) I say, Bulfinch. if ever you get out of jail, come to me and 111 see you're taken back again. [Exits R. U. E.) Lady D. And Lave you really come back to me ? Sir Arthur. Yes, darling ; come to ask your forgiveness for the cruel wrong I did you ; come, never to leave you in life agam ; come to protect you from evil tongues and evil men forevermore See ! on my knees I ask your pardon. (Jaieels.) Lady D. [raising him.) Rise, Arthur, —do not kneel to me. Sir Arthur, (embracing her.) I see now, clearer than I ever saw before, there is a Providence rules over us ; and even when Its decrees seem most cruel and hard to bear they are most wise. Had you not s It for that picture, I should never have recovered my possessions. The very act for which I condemned you most cruelly has been the m ans of detecting a villian and restoriiig us to tl.e dear old home ! Lady D. And am I quite forgiven ? Sir Arthur. Forgiven ! Ah, Kate, the pride of the Deverells dwindled to a very small thing when I was alone on that desert island of the Indian Sea. The scales fell from my eyes and I learned to con- trast your noble self-sacrifice with my own miserable selfishness. Enter Val and Blanche, r. Alherf mid Miss .Antique, l. Susan, r. u. e. Lady D. Oh, Arthur ! Let us forget the past, rcmembeving only the les:on it teach • That misnamed pride wh-H^ ^-"-c 'he sneers nnd 54 THE NEW GODTVA. scoffs of ail unthinking world, is false and foolish ; that is true pride which, conscious of its rectitude, dares brave criticism and is not de- terred by the dread of the multitude's censure. And that love is the only true love for which no sacrifice without dishonor is too great ! Positions at Fall of Curtain : Susan. Vai. and J^LANCHK. Albert ^w^/ Miss An. Sir Ar. and Lady D. R. C. L. CURTAIN. 2Sl°^ INGRESS 015"9i'g''™««