S 2179 K37 M3 opy 1 3?I2,IOE IS OETSTTS. DE WITT'S ACTING- PLAYS, (^fe (Number 163.) M ARGORKTTI ; OR, THE BRIGAND'S SACRIFICE. A ROMANTIC DRAMA, IN THREE ACTS. BY JOHX M. KIXGDOU, Author of " The Founlain nf Bnutti/," " The Three Princes," "Paris in 1792,' "■A Life's Vengeance," " The Old Ferry House,'" " The High Road of Lifif'.,''' " GiraMa," "■Tlie Magic Cup,'' '^ Which is my Husband," " Tancred," etc., etc. AS PERFORMED AT THE ROYAL GRECIAN THEATRE, LONDON, JAN. 7, 1863, AND AT THE SURREY THEATRE, LONDON, FEB. 7, 1863, AND AT THE SURREY THEATRES ROYAL LEEDS, SHEFFIELD, BIRMINGHAM, LIVERPOOL, AND MANCHESTER, ENG , AND AT THE THEA- TRES ROYAL DUBLIN AND CORK, IRELAND. AUTHOB'S EDITION. ALL BIGHTS RESERVED. TO WHICH ARE ADDED, A description of the Costumes— Synopsis of the Piece— Cast of the Characters — Entrances and Exits— Relative Positions of the Performers on the Stage, and the whole of the Stage Business. -•-v-iO^ -♦-♦- ROBERT M. DE WITT, PUBLISHER, JVo. 3 3 Rose Street. { WOMAN'S VOWS AND ITIASONS' OATHS. A Play. In Four NOW J Acts. By A. J. H. Duganne. Price 15 Cents. BEAI>Y. j UNCIiE'S 1¥IL.I>. A Comedietta. In One Act. Bjr S. Theyre Smith* L Price 15 Cents. £€wiMG wmmrs* ve®" These Plays will be sent to any address, postage paid, on receipt of price, Fifteen Cents each. , U ««SLSSlflR, No. 33 Rose Street. No. 1. Caste. Comedy. 3 Acts. By T. W. Robert- son. 5 Male, 3 Female Characters. 3. Nobody's Child. Dramatic Play. 3 Acta. By Watts Phillips, Esq. IS Male, 2 Female Characteia. 3. S100,000. By H. J. Byron, 8 Male., 4 Fe- male Characters. 4. Dandelion's Rodges. Farce. 1 Act. By T. J. Williams. 4 JUle, 2 Female Characters. 5. l^illiam Tell ! IVith a Vengeance. Burlesque. 2 Acts. By H. J. Byron. 8 Male, 2 Female Characters. 6. Six Months ilg^o. Farce. 1 Act. By Felix Dale. 2 Male, 1 Female Characters. 7. Maud's Peril. Drama. 4 Acts. By Watts Phillips. ,5 Male, 3 Female Characters. 8. Henry Dunbar. Diama. 4 Acts, liy Tom Tayloi. 10 Male, 3 Female Characters. 9. A Fearful Tragedy in the Seven Dials. A Farcical Interluile. 1 Act. By Charles Selhi'. 4 Male, 1 Female Characters. 10. The Snapping Turtles ; or, Matrimonial MasquerailiiiK. Uuolo^'iie. 1 Act. By John B. Buckstoue. 1 Male, 1 Female Characters. 11. Woodcock's L,ittle Oame. Comedy Farce. 2 .A.cls. By John Madilison Morton. 4 Male, 4 Fenii.' Characters. 12. A AVido-- Male, 5 Female Chaiaclers. 17. Kind to a Fault. Comedy. 2 Acts. By William Urousjli. 6 Male, 4 Female Characters. 15. If I had a Thousand a Year. Farce. 1 Act. By John Maddison Morton. 4 Male, 3 Female Characters. 19. He's a Lunatic. Farce. 1 Act. By Felix Dale. 3 Male. 2 Female Characters. 20. Daddy Gray. Serio-comic Drama. 3 Acts. By Andrew Halliday. 8 Male, 4 Fentale Characters. tl. Play. Comedy. 4 Acts. By T. W. Robei t- son. 7 Male, 3 Female Characters. 22. David Garrick. Comedy. 3 Acts. By T. W. Kobertson. 8 Male, 3 Female Charac- ters. 23. The Petticoat Parliannent. Extrava- ganza. 1 Ac:. By Mark Lemon. 15 Male, 24 Female Characters. ii , Cabman No. 93: or. Found in a Four Wheeler. Farce. 1 Act. By T. J. Williams. 5 Male, 2 Female Charactei-«. No. 25. The Droken-Hearted Club. Comedietta. By J. Stirling Coyne. 4 Male, 8 Female Char- acters. 26. Society. Comedy. 3 Acts. By T. W. Rob- ertson. 16 Male, 5 Female Characters. 27. Time and Tide. Drama. 3 Acts and a Pro- logue. By Henry Leslie. 7 Male, 5 Female Characters. 28. A Happy Pair. Comedietta. 1 Act. By S. They re Smith. 1 Male, 1 Female Charac- ters. 29. Turning the Tables. Farce. 1 Act. By John Poole, Ksq. 5 Male, 3 Female Characteis. 30. The Goose with the Golden Eggs. Farce. 1 Act. By Messrs. Jlayhew and Jid- wards. 5 Male. 3 Female Characters. 31. Taming a Tiger. Farce. 1 Act. 3 Male Characters. 32. The Little Rebel. Farce. 1 Act. By J. Stirling Coyne. 4 Male, 3 Female Charai*- ters. 33. One too Many for Hinn. Faroe. 1 Act. By T. J. Williams. 2 Male, 3 Female Char- act er.s. 34. Larkin's Love Letters. Farce. 1 Act. By T. J. Williams. 3 Male, 2 Female Charac- ters. 35. A Silent ^Voman. Farce. 1 Act. By Thos. Halles Lacey. 2 Male, 1 Female Charac- teis. 36. Dlack Sheep. Drama. 3 Acts. By J. Pal- grave Simpson and EiUmind Yates. 7 Male, .I Female Characteis. 37. A Silent I'rotector. Farce. 1 Act. By T. J. Williams. 3 Male, 2 Pemal* Characteis. 38. The Rightful Heir. Drama. 5 Acts. By Lord Lyttoii. 1(1 Male, 2 Female Characters. 39. Master Jones' Birthday, Farce. 1 Act. By J.ihii Maddison ft; Ion. 4 Male, 2 (omale Characlei s. 40. Atchi. Comedietta. 1 Act. By J. Maddison Moc tun. 3 Male, 2 Female Characters. 41. Ueautiful Forever. Farce. 1 Ace. By Frederick Hay. 2 Male, 2 Female Characters. 42. Time and the Hour. Drama, k Acts. By J. Palgiavt' Sliniison and Felix bale. 1 Male, 3 Female Characters. ' 43 Sisterly Service. Comedietta. 1 Act. By J. P. Woolei. 7 Male, 2 F'emale Characteis. 44. "War to the Knife. Comedy. 3 ACts. By Henry J. Byron. 5 Male, 4 Female Characters. 4.".. Our Domestics. Comedy-Farcrf. 2 Acta. By Frederick Hay. « Male, 6 Female Char- acters. 46. Miriam's Crime. Diama. it Acts. By H. T. Craven. ."> ilale, 2 f"emale Characters. 47. Easy Shaving. Farce. 1 Act. By F. C. Buiiiand and Montague Williams. 5 Male, 2 Female Cliaracl.':». 48. Little Annie's Rirthday. Farce. Bj W. E. Suter. 2 JIale, 4 Female Oliaractera. 1^" SPECIAL NOTICE.— The Drama of Makcobetti is duly protected by copy- right, and all Managers and Stars are warned against producing, or permitting the production of, the said Drama without the written permission of the Author, which may be obtained through the Publisher. MAECOEETTI; OR, THE BRIGAND'S SACRIFICE. % '§,ommxiit grama, m THREE ACTS. BY JOHN M. KINGDOM, Author of " The Fountain of Beaviy,'^ •' Tancred,^' " The Three Princes," '• Paris in 1792," -M Life's Vengeance," " Tfie Old Ferry House,'' " The High-Road of Life,'' " Giralda," " The Magic Cap," " Which is my Husband? " etc., etc. AS PERFORMED AT 'THE ROYAL GRECIAN THEATRE, LONDON, JAN. 7, 1863, AND AT THE SURREY THEATRE, LONDON, FEB. 7, 1863, AND THE THEATRES ROYAL LEEDS, SHEFFIELD, BIRMINGHAM, LIVERPOOL, AND MANCHESTER, ENGLAND, AND THE THEATRES ROYAL, DUBLIN AND CORK, IRELAND. AUTHOR'S EDITION. TO WHICH ABE ADDED, A DESCRIPTION OF THE COSTDMES CAST OF THE CHARACTERS — SYNOP- SIS OF THE PIECE ENTRANCES ANO EXITS — RELATIVE POSI- TION.S OF THE PEUFORMEKS ON THE STAGE, AND THE WHOLE OF THE STAGE BUSINESS. ' ■ ' ■ ALL SIGHTS RESERVED. 0^. g^ ^. NEW YORK: ^^^^'-^ " EGBERT M. DE WITT, PUBLISHER, No. 33 Rose Street. (BETWEEN DUANK AND FRANKFORT STREETS.) Entered according'. to Act of Congi-ess, in the year 1874, by John M. Kingdom, in the office of the Librarian of Congress, at Washington, D. C. U^/t/ 2 MAKCOllETTI. \ ^ vV *> \ CAST OF CHARACTERS. ' Royal Grecian Theatre, lioyal Surrey Theatre London, Jan 7, 1863. London, Feb. 7, 1863. Prince Orsino (Governor of Rome).. ..Mr. H. Grant. Mr. Bruce Nokton« Count Albert'(his Nephew) Mr. Eaton O'Donnell. Mr. Fkrnandez. The Baron de Toleda Mr. R Phillips. Mr. Cueswick. Father An8elmo(a Franciscan Monk). Mr. Basil Potter. Mr. T. Mead. Count Pippipoppy (Captain of the Musketeers) Mr. C. Rice. Mr. H. Widdicomb. Jerome (Lieutenant of Brigands) ....Mr. Couktlkt. Mr. Raymond. Nicolo, 1 ( Mr. PuwEK. Mr. Butler. Gianetti, j ,„ . , ,' Mr. Barto . Mr. Howell. T, } (Brigands.) { n, tt ^.r ,, Beppo, ° Mr. Hamilton. Mr. Morrison. Andre, J [^ Mr. Campbkll. Mr. Fitzroy. Angela (the Baron's Daughter) Miss Jane Coveney, M iss Thorne. The Marchioness Sampietri (Niece to the Governor of Rome) Mi.ss Harriet Coveney. Mrs. H. Vimng. Ladies and Nobles, Brigands (male and femils), Musketeers, Attendants, etc., etc. TIME OF PLAYING— TWO HOURS. SPECIAL NOTICE. -The Drama of Marcoretti is duly protected by copy- right, and all Managers and Stars are warned agaiu.st producing, or permitting the production of, the said Drama without the written permission of the Author, which may be obtained through the Publisher. SCENERY. ACT I.— A rich and elegant Saloon in the castle of the Baron de Toleda. Set Bcene; no change. Door. Folding Doors. Door. -4th groove. Chair.* * Chair. Door. Folding Doors. 4th groove. ..| | | |... B. 3 E. Sliding Panel. Table. O R. 2 E. * # Chair and Footstool. Window and Balcony, l. 3 e. Table. O Chair. L. 2 K. B. I B. Door, Door. L. 1 E. The flats represent the side of a richly decorated saloon. Doors l. h. and r. h. of flat. Folding-doors c. of F. The sides next the wings are closed in, both r. h. and L. H., so as to represent two other sides of the saloon — in keeping with the flat. In the side set l. h, a door between 1 and 2 e., and between 2 and 3 E., a window with balcony. In the side set r. h., a door between 1 and 2 k., and a sliding panel with gilt bell knob close by, between 2 and 3 e. Two rich-looking tables, l. c. and r. c, on them, books, music books, etc. Hand-bell and rich candelabra on table r. c Two chairs between the doors in flat, chair near table l. c, chair and footstool near table R. c— Everything of a costly kind, so as to produce a rich-looking saloon. MAKcomnTi. ;j -^C'2' 7/.— Ball-room in the palace of the Oovernor of Rome, bet seeuu; no change. Ith groove. liaised Terrace. B. 3 E. Two Steps, c. .. . 4th gi-oovc. L. 3 K. Arched Doorway. L. 2 k. R. 1 E. -I4. I K. The liats represent a continuation of the bail-room, with perspective figures painted on them, so as to produce the effect, when the dancing upon the stage is going on, ot a large company. The flats in the 3d grooves represent an arclied roof, spreading across, supported by four pillars, with an approach of two steps, c, to the next sa- loon. An arched doorway between 2 and 3 E., with curtains. The floor is lijirher between 3d and 4th grooves, so aa to represent a gallery running across, and is ap- proached by two steps, c. ACT 777.— The Mountainous Retreat of the Brigands. An extremely picturesque ucene, which can be improved upon and rendered according to the fancy of the scenic artist and the capacity of the stage. In substance it is as follows : Path over Mountains. Chapel Ruing. 4th groove. R. 3 E.- yiopes of . . Mountain. . Tatlu Grotto Kuins. Path. -4th groove. -L. 3 K. Cave Entrance. B. 2 B. -L. 2 E. U. 1 E.- -L. 1 K. From the; 4th groove backwards represents undulating mountain ridges, covered with heather. A winding path crossing the stage r, h., nearly to l. h., and turning back to c. Near the 2d entrance, r. h., ruins of a grotto, and a rising path back- ward toward the mountains. From near the 2d entrance l. h., a rising path leading up to the ruins of a chapel, l. h., beyond the 4th grooves. Between 1st and 2d grooves, l. h., entrance to cavern, near which is the fire. COSTUMES, [lialian— latter part 0/ the tSevenleenUi Century., Prince Orsiso.— Act I. : Dark hunting suit with leather waist bell, buff boots, and gloves, dark hat and feathers, sword. Act II. : Handsome court suit of the period ; short cloak. Act III. : Rich military dress ; hat and feathers, sword. 4 MAllCORETTI. Count Albert,— '/lei 1. i Plain colored doublet and trunks, boots, short cloak, hat and feathers. Act II. : Handsome court suit. Act III. : Military dress, but -with short velvet cloak thrown over— scarlet and white— hat aud feathers, sword. Bakon db Toleda.— Jc< J.; Green hunting suit; slouched hat, boots and gloves. Act II.: Rich ball dress ; short cloak, sword, pistol in breast, concealed. Act II I.: Handsome brigand's dress ; slouched hat and feathers. Father Anselmo.— Ordinary monk's dress ; cowl thrown back, silk cord girdle. Count PiPPiPOPPY.—^clcf /. ; Green velvet jacket, trimmed with gold lace, green riding-skirt, black beaver, low-crowned hat with feathers, hair in curls. Act II. : Rich ball dress. Act III. ; "White satin dress, j)earl ornaments, etc., blue mantle, trimmed with lace, rich jeweled hat and white feathers. Nobles and Ladies. — Various court dresses of the period. Musketeeks. — Dark cloth dresses and trunks, steel caps, breast and back plates, leather gauntlets, boots, belts, swords and carbines. Bkigands.— Male and female. Ordinary brigand costumes, Servants of Obsino.— Red and blue doublets and trunks, with open sleeves, trim- med with gold lace, stockings, shoes, buckles. PROPERTIES. ACT I.— Richly gilded ornamental books and music books placed on the tables ; rich gilt candelabra, lit ; striking signal bell ; hand bell on table ; guitar ; gun ; horn ; trumpet ; rich jewel casket and jewels ; swords for Orsino, Pippifoppy, and Albkrt ; swords and carbines for Soldiers ; two tables ; four antique arm- chairs, rich-looking ; footstool. ACT II.— Bouquet and smelling-bottle for Pippipoppy ; paper, folded as official letter; leather pouch for Father Anselmo to collect money in ; pistol for the Baron. ACT III. — Embers of fire ; drinking cups ; wine pitchers ; carbines and swords for Jeromb and Brigands; letter for Andrk ; bandage for blindfolding Pippipop- py ; letter for the Baron; organ behind scenes; drum and trumpets; dagger for Angela ; litter for the Baron, when wounded ; packet of letters for Andre. BILL FOR PROGRAMMES, Etc. ACT I. Gorgeotis Saloon in the Castle of the Baron de Toleda-^ THE MYSTERY ! ACT II Grand Ball Room in the Palace of the Prince Orsino. THE DISCOVERY! ACT III. Home of the Brigands in the Italian Mountains. THE DEATH ! MAKCORKTTI. 5 STORY OF THE DRAMA. Many years previous to the commencomont of the Drama tlic Mabqcis ig Vii,i,a- FLORK h;ul occupied a proud and wealthy position in tlie north of Italy, Jle owned large estates and revenues, and was happy in the possession of an accomplished and beautiful wife, and an only daughter. The tide of trouble, liowover, swtpt across him in the hour of his joy. lie became involved in the storm of political iiitriv;iu's then rapine:, and after a succession of conflicts, each surp ls;^iug the other in its dis- astrous effects, his adversary, backed up by the high political and armed support of the Governor, succeeded in accomplishing his ruin. His estates wore sacked -liis castle burned— his wife killed, and it was with the greatest difficulty tliat he man- aged to make his escape, accompanied by liis infant child «nd a low faithful follow- ora. He made good his retreat to an old chateau f^oine lAscuty miles from liome, and under the assumed name of the B iron de Toleda, lie soon aucci>edod in pur- chasing and beautifying the property ; and, when tliat was accomplished, lie vowed one lifelong revenge upon the government and nobility of Home. Accordingly, he organized a band of daring and faithful followers, and in a very short time the liamc of " M\ucouKTTi" was heard and feared far and wide ; but so well and skillfully were all their plans executed, and their places of concealment so well chosen, that no clue to the retreats of the brigand chief and his followers could be dist-over^'d, nor the slightest suspicion aroused tliat tlie Baro.n dk 'J'olkua and the thriving and liappy peasants scattered over his estates were identical with " M ucoretti aud his band." The only idol and source of happiness and .ioyto the B.Mtoxwas his daughter, Angkla. He caused her to b(i educated witli the utmost c m;— to receive instruc- tion in every grace and accomplishment, and skillfully concealed from her knowledge flip slightest thing likely to raise a susjjicioii of his occupation. Nor was this very difficult. The operations of the band never took place in the immediate vicinity of the castle— they were rarely accompanied by any heavy personal violeoce so as to create any extraordinary outcry— and the Baron's absence wjis easily accounted fur by his strong passion for hunting. The only thing likely to b.; objectionable to any one placed like Angela, was the absence of society ; but this she Jiad learned to subdue; and occasional visits to a neighboring nunnery, coupled with the extreme affection and solicitude of her father, were sufficient to render her contented. As for the Baron, his whole and sole desire and ambition was to amass a large fortune and then U) take his daughter into society, hitherto unknown to her, and thereby secure a noble and liappy alliance. It so occurred, however, that a few months pi-e- vious to the ojiening of the drama, the young Count Albkkt, nephew of the Gov- ernor of Rome, in the course of his excursions, encountered Angkla in one of her trips to the nunnery, and by degrees a mutual affection spr.mjf up; but, fearful of her father's anger, the lovers' iutt^rviews were carefully arranged. At the opening of the drama, the Governor of Home and a party of friends have been hunting in the neighborhood. Missing their e.scori and night approaching, circumstances lead them to the castle, where they seek temixirary rest and shelter. Their astonishment is great upon discovering such a princely abode, and more so at the charming and accomplished occupant. The lovers also have an interview; after whicii Angkla summons up courage to reveal the secret to her father. To her surprise, he is not angry ; and meeting the Count afterwards, is vastly pleased with him, and apparently approves of the choice. It so happens that a j,'iand ball is to take place at the Governor's palace in Rome. He gives an invitation to the Barox and Angela, who is so enchanted at the prospect of entering society in such bril- liant style, tliat, in spite of the danger attending such a course, the Babos consents to take her there; and thus enter the lion's den. The second act opens with the ball-room at the palace. AH is happiness and de- light — and for Angela the summit of enjoyment, seems to be attained ; but aveng- ing justice is on her father's track. A short time previous, two monks, Anselmo, the father of a wealthy monastery in the vicinity of Rome, and hi.s brother, hatl fallen into the hands of Marcobetti and hia band. Fatheb Ansklmo managed to escape, but the brother was detained until the payment of a heavy ransom, la Lopes of receiving a great reward, one of Marcobktti's band gives notice to the GovKRNOB that amongst his guests would probably be found the renowned brigand ; he was not awnre of the invitation, and could not therefore say that he would be there as the Baron, or in what costume ; consequently, the Govebnob arranges that Father Ansf.lmo should also be at the ball, and under the pretence of obtain- ing alms for the monastery, should wander through the rooms and closely scan the features of all. During the progi-ess of the festivities, the Govebnoi*, unsuspicious of the new-found Baron, tells him with pride of the intelligence he has received and of the skillful and, as he conceives, certain plans he has laid to secure the capture of the renowned brigand chief. The Babon perceives the imminent danger he is in, and determines to hasten his departure ; but Anokla, in the zenith of a delight and enjoyment to which she had all her life been a stranger, entreats him to remain a little longer. He cannot refuse his idol anything, and yields. Father Anselmo, with his leathern purse, traverses the crowded saloons without success ; he now ap- pears, but the Baron perceives, and skillfully avoids facing him, and, watching his O MAECORETTI. opportunity, passes, with some of the company, to the supper chamber. Upon his return he gives orders to his lieutenant, Jerome, and other members ot his band, who are present in disguise, to see to his carriage, and to be near at hand should he need assistance in securing his retreat. He finds Albert and Angela together. They appeal to him to sanction their union. He refuses to consent, but Albert leaves him to reflect, promising to re- turn, when he hopes to receive a more favorable reply. Angela implores an expla- nation ; the Babon begs for an immediate flight— she yields— they turn to go, when Father Anselmo re-enters; it is too late. He had despaired of success, and, re- turning, perceives the Baron in the gallery, and, inquiring of the captain of the guard, he finds him to be reputed one of the wealthiest nobles and a new-comer — witli which information the captain passes on to other duties. Ansklmo ap- proaches quietly and solicits alms, and, as tiie Baron turns, with a cry of delight he recognizes the features. The Baron seizes him— his signal is promptly answered by Jeromk and his comrades, who, throwing a cloak over Anselmo, bear him away through one ot the now deserted corridors. Thus all chance ot recognition is over- come. Angela swoons upon the discovery, and when the Count Albert returns for a reply, the love for her father rises paramount to that for Count Albert, and fihe firmly refuses his offer. Maddened at this conduct, he otters his hand and foi-- tune to the Marchioness de Sampietri, a beautiful coquette ; and with her accep- tance, the act terminates. 'J'he third act opens with the mountain home of the brigands. Angela, now knowing her father's true character, cannot forsake him. Nobly and boldly she has resolved to live and die with him, and has joined the band. The Baron has deter- mined, however, that the marriage between Albert and the Marchioness shall not take place, and has sent a portion of his band to waylay the intended bride and bridegroom with the other members of the bridal party ; he is convinced of the strong mutual love existing between Count Albert and Angela, and is deter- mined that the opportunity to secure for her a high position shall not, if possible, be lost. It has been discovered that it was NicoLO who informed the Governor of the probability of Marcoretti's attendance at the ball, and upon the detection of his treachery, his comrades insist upon the punishment of death being inflicted. Noti accustomed to such scenes, Angela appeals to her father for mercy, thinking that all danger has passed, and that if now forgiven, gratitude will secure new fidelity on the part of the culprit. The Baron can refuse her nothing — he tells his lieutenant, Jerome, to lead Nicolo away, but orders him privately to let the prisoner escape. This clemency afterwards proves fatal. The Bakon's plan of capture succeeds; he secures the Marchioness and also Count Pippipoppy, a soft-headed but warm-hearted captain of musketeers, who is madly in love with her, she having in turn coquetted strongly with him for a long time past, and he forces them to be married by his prisoner, Father Ansi'LMO. Scarcely, however, has this been accomplished, when intelligence is brought that li troop of soldiers are approaching, conducted by the escaped traitor, Nicolo. Upon hearing which, the Bauon hastens to the assistance of the band, and to guard the approach to his stronghold. He is shot in the encounter, and brought back, ac- companied by the Governor and his nephew, Count Albert. Learning ot the marriage of the Marchioness, all his love for Angela returns, in spite ot the change in her position. The Babon sees it— the sole desire of his life seems likely to be accomplished, but for the stain upon his daughter for being the child of a brig- and. He summons up all the remaining energy he possesses, and asserts that she is not Ins child, but the offspring of an Italian noble, the Duke of Modena, who, with his wife, was killed many years before, at the early period of the formation of the band, and that, although unable to prevent their death, he had preserved and adopted their child. In spite of Father Anselmo's threats of eternal punishment if the story be false, the Baron, with unflincliing zeal and fervor, adheres to it — the story is believed — the lovers' hands united— and with the realization of his dying sacrifice to ennoble his idolized child in the eyes of the world, Marcoretti, the brigand chief, expires. STAGE DIRECTIONS. R. means Right of Stage, facing the Audience ; L. Left ; C. Centre ; R. C. Right of Centre ; L. C Left of Centre. D. F. Door in the Flat, or Scene running across the back of the Stage; C. D. F. Centre Door in the Flat ; R. D. F. Right Door in the Flat ; L. D. F. Left Door in the Flat ; R. D. Right Door ; L. D. Left Door ; 1 E First Entrance; 2 E. Second Entrance • U. E. Upper Entrance ; 1, 2 or 3 G. First Second or Third Grooves, R. R. C. C. L. C. L. ' The reader is supposed to be upon the stage facing the audience. MARCORETTI. ACT I. SCENE. — A rich and elegant saloon in the castle of the Bauon pe Toleda. Three doors at the back. A door R. and l. A windoiv l., with halconij. Tables r. c. and L. c, xvith books and mtisic, and a candelabra on table R. c, etc. The furniture and apartment of the richest description. Orsino and the Marchioness enter c, in hunting suit; they walk round and gaze about in astonishment. Orsino. Really the occurrence of to-night is most unpleasant and disastrous. Benighted in the midst of a large and almost impenetrable forest — this elegant mansion at any rate forms an agreeable and pleas- ant retreat. Marvellous ! An hotel in the middle of a forest. Marchioness. An hotel ! say rather a palace, judging from the in- terior. Orsi. And considering the exterior a fortress. Mar. Which at first alarmed me — but my fears were dispelled when I beheld the flowers, statuary, and above all, the grand marble staircase leading to this elegant apartment. Yet strange to say not a living per- son to receive us. Orsi. Singular, most singular.* Mar. It is marvellous ! and only reminds one of the palaces and en- chanted dwellings read of in fairy tales. But here comes the little Cap- tain, the brave companion of our journey ; he perhaps can solve the mys- tery that surrounds us. PippiPOPPY enters, c. Orsi. Well, Captain. Pip. Well, not so well. The Arabian Nights are nothing to the present tale. Adorable Marchioness— delectable woman ! You alone are my guiding star in this path of darkness. Mar. Foolish Pippi ! What have you discovered? Pip. Discovered ! Yes, an immensity. Nothing, absolutely and posi- tively nothing. , Orsi. Our horses 1 Pip. Exactly. I led them to the stable! Such stables, indeed. Your Highness's are nothing to them! In the stalls, the handsomest horses I ever beheld ; but not a groom, not a living soul to be seen. Mar. What became of the porter at the door 1 Pip. Exactly, most adorable divinity ! I announced to him in fitting language the arrival of the Governor of Rome, of his niece, yourself, most delectable angel, and also of imjself— the great Pippipoppy— a real Count, and a Captain of gallant musketeers. Ousi. And his answer 1 O MARCOEKTTI. [act I. Pip. Not a word, not a gesture ; from which I logically, naturallv and positively concluded that the aforesaid porter was deaf and dumb Ursi. The only living person about the house to be deaf and dumb • strange fatality ! uuiuu , Mar. The sort of ill luck which invariably attends Captain Pippi- '^iv {advancing, c). Marchioness! Marchioness! my sweet Marchioness ' Star of my existence, beacon of my life— when the head is turned what can you expect 1 In the midst of our sport, your uncle announces the re- turn ot Count Albert, your cousin, who has been absent from Italy for ten years. What does he want ? Why does he come back ?— that's what I should like to know. Onsi. My dear Captain, I have already told you. Pip. Yes, too much. To unite the two branches of your family— to marry two persons who never saw each other, never loved each other never can love each other. Mar. Captain! cfo'^f ■ } ""T^^.^ ^^'^ ^''^^^' ^^^^ ^"^ ^' yo"^ faithful servant— your con- stant attendant. Mar. Rather too constant. i^^r' ^''■"^V^."^^'-, When the Marquis died my love coraraenced-for three years [ have loved you, and for three years to come I will still love you, and if you marry another I shall lose my senses foi-est.''* ''^' ^^^^ ^'^ """ ""^^^^ ^''"^- ^^^ ^^^ ^' ^«^^'^y i'^ the Orsi. In a pelting storm. Mar. Conducting us to a horrible inn would not'sTaV' ^'^''' ^''' ''''' '^'"^'"''^ ^''"' '^' ''^''™' '^""°^ >'^^ rln^^cf •/''^ '^- ^^^"*^ ^^.^'^"- ^" ^h« ™^^st Of the forest, surrounded bv daik and cunmng-looking men, and the night aj.proachin- ^ Ursi. {laughing). Already thinking of brigands Mar. {alarmed) A brigand ! horrible ! the very idea is friohtful mv Orsi. Foolish girl ! nearjou! Ihis Marcoretti has made He Roman States hi? naiivn him'tr esXe my Lire.'"™ """■"" '''^ ««™™°^ " ^"a.l go hard with Pip. Hush ! a step ! {advancing to d. r. p ) Orsi. {opening p. l.). On this side, no one. Wonderful' a concerf thp.eKrsa-'nitSl^StesrCSs ^ "•"" ^""'"^ «"«^ "'"' u^iusSr^^peTap-s fcli'drve';:!!'""^ •■^" ^-o--^-* "^ - Mar. Go. Pip. If I do I must leave you in the dark. Mar No h' ^'r-^/yWghtened with the darkness 7 p: (I! „■:).' wet'tlSt^-ii^ft^-K^' ™^ "^"'' ^'™- » •«"• Mar. {retreating, c). No— no. ACT I.] MAllCORKTTI. 9 Orsi. Litlle coward! I will rinj? it. {ci'ossing.) Mar. Take care, some one will come. Orsi. That is the reason for my ringing. Fulls bell handle in panel k.., and retreats to c, panel Jlles open and Angela advances to c, in the darkness meets Ousino. Angela. At last then you gave the signal! You are returned once more. How sweet and delicious are these moments! {caressing) But why are you so silent ? My letter told you everything, and if 1 have done wrong, oh, pardon ! pardon me! Orsi. {aside to Marchioness, l. c). How am I to undeceive her 1 Angela {loith renewed caresses). Wliy will you deprive me of the pleas- ure of gazing upon those features with which ray heart is so charmed 7 Let me embrace you, my fondest, dearest father. Orsi. {aside). Her father ! At this moment, Pippipoppy re-enters with candelabra. Angela (startled). Strangers ! An angel ! what enchantment ! Mar. ) Oksi. V Pip. ) Angela. Speak, I implore yon. Whence come j'ou 1 Orsi. Hunting in the forest, night overtook us, and we came to ask your hospitality. Angela. My father, dunng his absence, commands the door to be closed to all. Mar. Oood Heavens ! Angela. No matter, I will disobey him, and ^ am certain lie will not be angry with me upon seeing you. Tell me, how was it possible for you to find at night this castle, which even in the day time you might pass close to without perceiving? Pip. {adcancitig). Precisely so — allow me to explain. A storm over- took us, and we sought refuge in a diminutive inn, where several other travellers were also resting from the inclement weather. After some liours delay we determined to leave. It was dark, I went myself to sad- dle this sweet lady's horse, a beautiful milk-white creature. Mar. But finding it not take the direct road, I discovered the hor.se was not mine. Pip. Adorable divinity! why should my mistake surprise you— con- sider the news I had heard. Mar. {laughing). Of my cousin's return. Pip. Oh, woman ! cruel, woman ! {to Angela) But it is useless to ex- plain. Like my lady's horse, this was an equally gallant steed, with glowing main, snorting air, and such a whisking tail ! In fact a pure Arabian. Ang. Indeed ' Pip. Such mettle, such impetuosity, such rapidity of acticm, it was with difficulty we could follow. Away he went, up precipices, through labyrinths, down roads, which at first sight appeared impassable. Three or four miles like this— in thrice as many minutes — without speaking of the fear which makes it reckon double. Suddenly we burst into a vacant space — opposite to us the massive gates of this castle — the horse stops— ^neighs loudly — the bridge is lowered — our conductor advances, W© follow, and here we are. 10 MARCORETTI. [aCT I. AsG. (laughing^. And the horse on which you rode was my own Arab steed I lent my father. Orsi. Impossible ! Ang. Which proves to me it will not be long before he returns, and lie will then give back yo"^' horse. Mar. There is the mystery — an exchange. Orsi. Commend me earnestly to the Baron — I am surprised we have never seen him in Rome, nor his beautiful daughter. Ang. My father goes but little into company, I, never. Orsi. Is it possible ! Always alone? Ang. With my books, flowers, music, and a father, whose anxious ten- derness anticipates every wish. Mar. Would you not like to see balls, fetes 1 Ang. I never think of them. Mar. We Italian ladies think of nothing else. My uncle gives a grand fete on Tuesday to celebrate the airival of my cousin, Frederick. Pip. Angelic being ! Would it were vo celebrate his death ! Mar. Pippi ! Captain Pippi ! Orsi. On this occasion, the Signora will consent to quit this solitude, and honor my house with her presence. Mar. Yes, yes, you will come, I know you will. Ang. With my father's permission. Mar. Since he refuses you nothing our invitation will be granted. Ang. Before he returns perhaps you wouhl be pleased to take refre.sli- ment. {rings.) Beppo and Andre enter, d. l. h. f. Conduct our visitors to their apartments. Pip. And oh, most delightful of celestial beings, if I might dare but to offer you my unwortliy arm {the Marchioness accepts it tvith mock dignil-y ; as they turn to go a guitar is heard.) Ang. {aside). Good Heavens ! Mar. a guitar! Pip. Well, I declare ! Music in this horrid forest 1 Mar. What does it mean ? Ang. I do not know — that is — I cannot — {a gun Jired without — all start — the Marchioness screams — Pippipoppy is dreadfully and ludicrously al- armed — the guitar ceases, ) Pip. Oh ! Santa Maria ! An arquebus, I swear ! Orsi. Not an uncommon noise in this neighborhood I should think. Mar. Have you no fear of the brigands — of Marcoretti 1 Ang. Oh, no! these walls are too strong and lofty. But I trust you will banish fear and rest calmly. [Exeunt all except Angela, i>. l. h. f. {guitar sounds) Yes, it is him! Aoain — what imprudence. If the brig- ands have seen him — fired — wounded — killed perhaps — no, no, I hear the guitar still, {advances towards the ivitidow, it is thrown open, and Albert enters she utters a cry) You here — such audacity ! Albert. The leap intg your balcony preserved me from a friendly bullet. Ang. {alarmed). Wounded ! Albert. Unfortunately not, or I might have been permitted to remain in this mansion. Ang. Not in my father's absence. I have written to him, and told him how a young stranger had succored me in the midst of a dreadful storm which overtook me in the forest, and how he passes all his days under ray window. Albert. You have told him all this 7 ACT I.] MARCORKTTI. 11 AxG. Yes — your afifection — the airs that j'ou sinjr — the words of de- voted love, of inconceivable tenderness. I am the sole idol of his wishes, the dream of his existence. Tliere is no sacrifice he would not make to ^ive me pleasure. Alb. But should he be anj^ry and forbid us to meet 1 Ang. 1 should obey him. Alb. I ought to imitate you. I have been broui^ht up in France. Friends await me at Rome. I was journeying there when I met you, ten days since in this forest. In a woodman's hut I have passed my time— but to-morrow 1 must be gone. Ang. To-morrow ? Alb. Therefore, I determined at all hazzards to see you this even- ing — to be presented to your father ; when does he return ? Ang. To-night. Alb. Ah ! if I dared. No, my first visit must not be in this dress, nor must it be made by the window. Stay, on Tuesday next, there is to be a grand fete. Ang. Perhaps it is the one to which I have been invited. Alb. You are invited ! Joy, then you will come V {a horn sounds withot,..) Ang. Listen ! Alb. You promise me 1 Ang. Listen ! It is my father, {turning to leave.) Alb. a word. Ang. I long to embrace him. Do not hold me. Alb. You forget all for him. But you will come ? Ang. I did not promise. Alb. You will be there 1 Ang. With my father's permission. Leave me. Alb. Leave you ! Ang. To ask ray father. Alb. Ah, I am too happy — I go Ang. But the forest and this balcony. Alb. Are nothing ; favored by the darkness I shall easily escape with- out compromising you. Fear nothing. Ang. It is for myself I fear. Alb. {^kissing her hand). Dearest Angela, adieu ! [Exits by window, Angela watching him. Doors c. of F. thrown open and the Baron enters. Angela springs into his arms with Jog. Baron {cmhracing her). My sweet qhild — my treasure, absence from you chills and pains my heart. My bosom knows no rest, my heart no joy. M}'^ dreams are only of you and the pleasure I shall experience wlien I return, {throws off hat, gloves, etc., and sits in arm-cluiir, r. An- gela 5/^6' on the jfootstool, and rests with affection upon his knees) See, I have not forgotten my child — here are diamonds — [holding up casket) rich, costly, and sparkling — yet their lustre fades before my daughter's eyes — their richness is nothing to her smile of welcome, (kisses her affection- ately) Come, my Angela, we are now at home, in quiet conversation, and you can tell me everything about this handsome cavalier. Ang. My father. Bakon. If it does not interest you, it does me, for he protected and preserved my child. Is he handsome, amiable? Ang. {mo(estly). I have said too much. Baron. All ! I see, you have not paid any attention to it, but he, he finds you handsome — he is ri^ht. 12 MARCOEETTI. [aCT I. Ang. Indeed! Baron. He is a gentleman of taste. Ang. And I — who feared that you would be angry. Baron. Angry — for what 1 because he loves thee, it is my custom also ; and could you wish your father to love you to the exclusion of all others. lio, no, all in good time — you are young, pretty, rich, very rich. Choose a husband for yourself, but in choosing, choose well. Ang. I would leave it to you. Baron. I should be too difficult to please, perhaps. Ang. You would desire a prince, {they rise.) Baron. No — no prince — no great lord. But a man, whose heart is frank and noble, his reputation unstained and his hand ever stretched forth to help the poor and needy. One condition I impose ; he must not be an Italian. Ang. I believe he comes direct from France where he was brought up. Baron. I am pleased, and would now wish to see him. Ang. That is easily done. Baron. Indeed ! Ang. I will tell you how, my father ; I was coming to that, but you spoke of so many things. Baron. Of the unknown young man ! Ang. I thought so. Baron. We have spoken of him only. Ang. I had forgotten to tell you, that this evening, during your ab- sence, and against your orders, I had given shelter to a lady and two cavaliers lost in the forest. Baron. You did rightly as ever. Ang. I am glad. The lady and the youngest of the cavaliers had a fear of brigands ; have you ever seen any in the neighborhood ? Baron. Never ! Ang. They spoke also of Marco — Marcoretti. Yes, that was the name. Who is hel Baron. A poor devil — who for fifteen years has made the Roman leaders tremble. The last of a family, rich and noble, massacred in the civil wars, he was proscribed, hunted from place to place, and a price set upon his head. In despair, he threw himself amongst men who, like himself, had nothing to lose — his courage and boldness soon made him their leader. But leave him alone, we will speak no more of the unfortunate rascal. In a few days I shall take another journey. Ang. Another 1 Baron ( 9(tyly). But this time, not alone, I shall take with me you and your husband to France, where we will settle for life. Whilst here, speak, command all that you please, all you desire; anything that you wish shall be yours. Ang. Ah ! is it so 1 I have one favor. Baron. So much the better. Ang. Next week a grand fete is given at Rome. Baron. Yes, at the Governor's palace. Ang. You know it Baron. I am certain of it. Ang. Then — {aside) and he said my house. It is the Governor himself. Bakon. Well, proceed. Ang. Do not be angry at ray request, take me to this ball. Baron {starting). To this ball ! I take you 7 Ang. You! Baron. I ! — Impossible, {aside) I scarcely breathe. ACT I.] MAKCOKETTI. 13 Aya. I have never seen a ball— it must be brilliant, charming; my heart leaps with delight at the idea, and you, my father, my dear father, you will say, yes. Is it not so, you are so kind, so good 1 Barox {tvith effort). No, no, it is impossible ! Ang. No ! What have I done, what wron Her affianced husband ! Baron. ) Pip. {angrily). What the devil brought him here. To marry you and to murder me. Baron {aside). Henceforth a truce to clemency. They were in ray power and I spared them. Treacherous and faithless ! For him my daughter is betrayed. It is too little to take his life to appease my auiipr. Pip. {to Marchioness). My heart will burst with revenge. Aftoi* three years of constant love to leave me and become his wife. 1 am ACi II. J MAKCOUKTTI. 21 getting mad and furious. I shall dosonae one an injury, it may be him— it may be you, it may be myself. Ang. {aside). No more love — no more hope. In my confidence I be- lieved his constancy ; yet another is pledged to him. The tie is broken, and my heart's early dream of happiness destroyed. Alb {advancing). I am delighted once more to visit my native country. My absence has been a long one, but the recollections of my childhood have ever been strong in my mind, {turns and salutes Angela) Dare I ask the honor of your hand for the next dance 1 Ang. {coldly, and placing her hand in her father'' s, who looks angrily upon the Count). 1 am engaged, Monsieur. Alb. That is unfortunate — but for the nextl Ang. I must decline. I am fatigued, and intend leaving early. My father, let us begone. Baron. With pleasure, my child. Ang. While I stay here everything appears to me hateful and odious. {a general conversation folloivs — Baron and Angela cross to c, as Pippi- POPPY turns.) Baron. As a stranger here, Captain, may I ask you to do me the favor to order my coach and servants 1 Pip. So soon ! I fear that Marcoretti has escaped us again. Baron. It is possible. Pip. And thus all my hopes are destroyed. The Marchioness will marry Count Albert, which I by a bold and glorious action might have prevented. Baron. I understand. Listen — to-morrow, towards evening, be at the fountain on the northern side of the forest — there the misfortune of to- night may be amended. Pip. And you will answer for the success of the plan. You will an- swer for Marcoretti 1 Baron. As for myself. Pip. Without danger? BAiiON. Without danger. Pip. I had better take with me a detatchment of dragoons. Baron. By ail means. Bring also the Governor and Count Albert. Pip. {aside). I will, but mine shall be all the honor, {aloud) To-mor- row then, and in gratitude for this what can I do for you ? Baron. I have told you. Order quickly my carriage and servants. Pip. You will have to wait a little, perhaps — there is such an immense pile of coaches and a world — an army of servants. I will run immedi- ately for yours, the servants of the Baron de Toleda. Whilst waiting, step into this small apartment, where no one will see you, and from which you can quickly pass to your carriage by an opposite door with- out observation. [Exit, l h. Baron. Come, my child ; we can now leave unnoticed. Orsi. {advancing). Leave, my dear Baron 7 impossible ! Baron {bowing). I fear it must be so. Oiisi. At least you will delay your departure for a few minutes, {loivlg) I will tell you why — you know the terrible Marcoretti who kept us in such a state of alarm yesterday evening 7 Baron (laughing). You expect him to 3'our ball ; the Captain has made me his confidant. Orsi. It is true, but the difficulty is how are we to recognize him. Baron. I remember you told me that you had never seen him. Orsi. True, but I am expecting one who knows him well. Baron {laughing). Pooh ! Is he to be depended on 7 22 MARCORETTI. [aCT 1I» Oiisi. I think so. Marcoretti lately took prisoners two monks — one of them escaped, and he has sworn to release his brother. Baron. Indeed ! Orsi. Contrary to the rules of his order, he will come this evening and mix in this say and noble throns; — he will present his bag to every one, soliciting alms — he cannot fail Baron. 1 understand. Orsi. To recognize this brigand, Marcoretti. Baron. If he is here. Orsi. Exactly. That is my reason for wishing you to remain in order that you might see the magnificent dramatic hit — the startling effect, as you term it. Baron. I thank you, monsieur, but my daughter is anxious to depart. (Angela approaches them.) Oitsi. No, no, no, we must detain her as a hostage for another half hour. (Anselmo appears at the back) Ah ! here comes the holy father ! The Baron makes a gesture of terror, and approaches' Angela, Solemn music plays. Anselmo, holding a bag in his hands, with ihe Governor by his side, passes doivn the stage, l. , on which side is a line of the com- pany, another line on the right, and a group in the centre ; he solicits alms. Anselmo. Noble ladies and cavaliers, give alms to our convents and to the holy church, and Heaven will reward you. {aside to the Governor, who follows near him and tvatches closely) He is not here — I do not see him. {aloild) Listen to my prayers — give freely — Heaven will reward you. Ashe passes down the Baron skillfully avoids him. Anselmo, repeating his prayer and observation, passes across to r., and repeats the pro- cess — the Baron being in the c. The Monk passes up the stage and down the c. group ; just as he reaches the spot where the Baron is, the Marchioness, to whom a Servant has entered and spoken, steps for- ward. Mar. To supper, ladies ! Your hands, gentlemen ! The Baron, by a skillful movement, escapes the Monk's gaze, turns his back, and gay ly offering his hand to the Marchioness, passes off c, followed by the rest of the company. Orsi. Come, holy father, and after supper we will pass through the other saloons. [Exit with Anselmo. Angela, left behind, sunk tn a rererie, is aroused, following, tvhen Albert enters c, and stays her. Alb. You must not leave me thus, Angela. I seek an explanation. Ang. I have none. Go, or your affianced bride will justly complain of your absence. Alb. My affianced bride 1 Ang. The marchioness, your cousin, to whom all hearts pay respect. Alb Excepting mine. A year since my uncle arranged this mar- riage, but without consulting me. I have never in any way consented to it. On the contrary, immediately upon my arrival, I hastened to in- form him of my love for you. Ang. Is it possible 1 1 ACT II. J MARCOKETTI. 23 Alb. He was at first annoyed at my intimation, but only asked me to reflect for a few days ere I finally decided, and also that he might pre- pare the marchioness for the sudden change — for the wound to her self- love — rather a different feeling. Ang. And could I be capable of accusing you ? Alb. And would fly me ! But now • Ang. I will remain. Alb. And this dance that I asked you to join 7 Ang. With you, and you only. Alb. And I alone with you. Ang. My father ! The music strikes up in the distant orchestra as the Baron enters from vesti- bule, l., with Jerome — theij pause on the threshold. Jerome. The carriage is at the door. Baron. Good ! You and your companions wait here for my orders. (Jkrome retires into the vestibule) Come, my child, all is ready ; let us be gone. Ang. Not yet, my father, I beg of you. Baron. Not yet ! This moment you were most anxious to leave. Ang. I am so no longer. Baron. The ball appeared to you odious and distressing. Ang. Now it is joyous and enchanting. Oh, my father, you yield to all my wishes. Grant me this one. Baron. Impossible! Ang. And why 1 Baron {lowly). The presence of the count should be a sufficient rea- son. Come ! Ang. But you do not know what has passed ! you do not know what I do! Baron. I know that we should be gone. Ang. We must remain. He is not affianced to the marchioness. Alb. {who has kept aside, advances). Monsieur le Baron, you are now acquainted with my rank, my family, and my fortune. I have honor to ask of you the hand of the signora — of your beloved daughter. Ang. You hear! {low) I shall die of joy! Baron {aside). And I of despair and fear! {aloud) I cannot, sir, con- sent — I cannot ! Alb. 1 and > Why 1 — oh, speak ! Ang.) Baron. I will explain all to my daughter, and, for that purpose, de- sire to be alone. Alb. These reasons, whatever they may be, I am convinced, cannot withstand the prayers and entreaties of myself and the signora. Baron {impatiently). I would be alone, sir. Alb. I obey ; but I trust you will not quit the palace without permit- ting me to hope for a more favorable reply. [Exit, r. h. Ang. Good Heavens ! what means this ? Baron. That we must instantly depart. Ang. To leave thus, without a motive— without an excuse — never ! Baron. It does not matter. Come ! Ang. I ought to obey your orders, my father, without a murmur, and respect them ; but at least explain to me the cause. Baron. I cannot.' Ang. And why 1 24 MA.ECOKEiri. [act II. Baron. I tell you, my child, I cannot ; but, if you wait another in- stant, 1 am lost. Ang. {with a cry). Ah ! let us go then ! Baron {calmly). Remain ! It is too late Takes the stage, k., with Angela, as Anselmo and Pippipoppy appear at the back ; descend the steps and pause. Ans. Tlfanks to the noble generosity of the company, the purse is full. I have spoken to all. Pip. Why, then, not have rested for a short time 1 The marchioness reserves a place for you by her side. Ans. I thank you ; but my holy purpose beinsj ended at present, I must leave, {passing towards l. h. ) Who is this grand lord 1 Pip. The Baron de Toleda — the richest Noble in Italy. Ans. It seems to me I have not yet spoken to him. Pip. Make haste then — he is just leaving; his carriage waits below. Ans. 'Tis well, brother. Tell the marchioness that I thank her. Pippipoppy exits, c, and Anselmo, undoing his purse, advances towards the Barox. Ang. Speak ! oh, speak ! why are you thus troubled 1 Baron. Leave me ! ; Ang. You frighten me ! Baron. Go ! Ang. No, I will remain, it is my duty. Ans. Listen to my yjrayers. Give alms, give freely to our holy church. {the BARoy feels in his pocket) Heaven will reward you. {looks up) Great Heaven ! he is here ! 'Tis Maicoretti ! (Angela f creams aud swoons up- on a chair R., the Baron draws a pistol and points it at Anselmo.) Baron. A word — a cry — and you die. {making a step at each phrase, mid driving 1one will answer. ACT II. j MARCORETTI. 25 Alb. Is it possible ! Ang. {clasping her hands and immovaUe). Give me strength, oh I Heaven ! •Baron. I give up my rights to her, and I promise to confirm her de- cision. Ang. {aside, with anguish). Between my lover and my father how, alas, shall I choose 1 sooner, far sooner, would I die. Baron {aside). A noble lover and a guilty parent — she loves him — Death alone remains for me. Ang. {turning sloivhj to Albert). Before Heaven, I swear to you that my love, my undying love is yours, but that is all ; we must part, part for ever, i can never become your bride, {sinks into her father' s arms, who clasjjs her with pride and affection.) Alb. Not mine ! Am I dreaming — am I mad 1 Ang. Forget me ! Go, and with another seek for that happiness fate forbids to us. Far, far from me, give to another a love equal to the love I bore for you. Alb. Impossible! Speak, I implore you, why is this 1 Ang. Oh, what torture! I cannot, dare not tell you. Alb. {^fiercely). 1 must, I will know. Ang. For mercy's sake do not ask. Baron {aside). Noble, noble child, {kissing her.) The Governor, Pippipoppy, and several of the company enter^ c. Orsi. But where is the holy father ? We kept the table waiting for nothing ; where is he 1 Baron {coolly). After having piously and thankfully received m^^ hum- ble offering he left in great haste for his convent, Orsi. {astonished). Gone ! without discovering anything ? Baron Rowing coolly). Unfortunately, but too true. The Marchioness and rest of the company enter c. She advances, Albert perceives her and approaches with a gay air. Alb. Ah ! here at last is my sweet and amiable cousin. My dear un- cle, you told me just now of the intention you formed some time since of uniting us. Orsi. But you declined. Alb. I have since altered my determination, {crosses to Angela, aside) Explain, it is not too late. Ang. (aside). I cannot, dare not. Alb. Be it so — this marriage will please me. I am resolved, {crosses to Marchioness.) Baron {aside). Noble, devoted girl! Alb. My intentions are fixed. I agree to this marriage. Mar. My sweet cousin. Pip. Here's a change. Oh I good Heavens I All hope's gone — Pippi, Pippi, it's all over. 4lb Bear witness, my uncle, and you, noble ladies and cavaliers — I, Count Albert d'Orsino thus ratify the marriage compact, and promise to take for my future wife the Marchioness Sampietri. {takes her hand — An- gela swoons in the Baron's arms as the act closes.) 26 M\RCOEETTI. * [aCT III. ACT iir. SCENE. — The mountainous retreat of the Brigands, an extremely picturesque scene. On the right the ruiiis of a grotto and a xoinding path leading to the top of the mountain — on the left another winding j^ath leading to an old chapel — various paths also on either side, and at thehack ; an entrance to a cavern, l. The Brigands are discovei'ed grouped jiicturesquely all over the scene. The time is evening, and the Female Brigands are scat- tered about, some apparently preparing the repast at a fire near the cav- ern — others are filling the drinkitlg cups and handing to the Brigands. The Baron is seated on the edge of the ruins, R., in meditation — Jer- ome resting on his carbine, l. Short chorus as the scene appears. Jrr. Bs mirthful, comiado?; ; wliat life can afTord more pleasure, give more joy, that) the one we lead 7 True, it lias dangers attending it; so has_ every other station; but we are free, free from taxes, from the commands of tyrants, and know no laws except those made by our just leader for the benefit of the whole band. Drink, comrades, drink ! Suc- cess to our arms, and dentli to the Roman soldiers who attack us. All, Hurrah ! Hurrah ! (drink.) Jer. But when treachery steals into our cpmp ; when perfidy appears amongst us, there is but one fate for the villain when discovered. All. Death! All draw hack as Angela, habited as one of the Bkigakd Band, appears l. n., and softly descends, advances to the Baron and toucJies his shotdder. Baron {starting up, astonished). Can I believe ray eyes ! my daugh- ter ! In this dress ! What mad folly is this ? Why d'id yo« leave the castle 7 Ang. I could stay there no longer. The daughter of the bandit chief should follow in her father's footsteps, and await the same destiny. My resolution is taken, 1 am fiira. {advancing to Brigands) Sons of the mountain ! Women of our band ! Here is my country, and my home ; with you I swear to pass my life whilst Marcoretti lives. These are my com- panions, {snatching a goblet) Drink, my father, drink. Baron. What! Ang. To our adventurous life. Full of danger and uncertainty. I tnow it all, and am prepared, {snatching a carbfnd from one of the Bri- gands) Hark ! heard you not the ringing swords and clattering hoofs ? Down, down to the earth ! Now mark how carefully the enemy come near. Hold ! their horses fastened to the cypress trees, thoy steal up- on us. Night conceals them. Softly, comrades, look to thy carbines. Beady — they come, the soldiers are upon us — now, now, closer and closer, the time is come — a volley well aimed, fire ! {frcs gun) Success lo our arms, and death to the Roman soldiers! {throws away gun and flings herself into her fathef s arms, tvho presses her fondly and proudly.) All. Hurrah I Hurrah ! Life to the noble Signora ! Life to our queen ! Baron. Be it so. You accept her as such, and swear to obey her commands 1 All. We swear ! Andue {descending path l. h., u-ith letters). These letters have been taken from a courier passing near here, {hands them to the Baron.) Baron. Ah I it is our friend, Nicolo. {turning round) Let the women retire. (Angela and others retire) Comi)anions, draw near, {the Brigands ACT III.] MARCOEETTI. 27 form a half-circle, resting on their carbines, in the middle NicoLO, the Baron sits n.) Nicolo, you have betrayed us — disclosed our sccre* Nic. 'Tis false. Baron. Do not add perjury to your crimes. You sent secretly to the Governor of Rome. Nic. It is not true. Baron. The day before yesterday a letter, in which you told him of my intention to visit the ball. Nic. I swear that it is false ! Bauon. Perjurer! the proof is here! {produces letter, hands it to the Brigand next him, each examines it and passes it to his neighbor exclaiming, " Death " in a low tone.) Jer. There is but one fate for a villain who betrays us — look to your carbines I Our laws know but one punishment, '^ivhilst they are ex'amin- mg their arms — Nicolo standing pale and trembling — Angela advances co the Baron, supplicates for mercy, he rises and speaks lowly to Jerome.) Baron. Let him escape if he can. Jer. How ! it would be madness! Baron. My daughter wishes it. Jer. He would betray us to the troops. Baron. Go, her wish must be obeyed. [Jerome exits l. ii., ivith Nicolo, the Brigands? dratv hack murmuring. Baron. Peace, my brave companions, mercy is never ill rewarded. Let us drown our cares in the tankard and the dance ; let us drink once more our ancient toast, {all advance, cups are filled.) All. Death to the Roman soldiers ! They drink — tJie Baeon sits E. Angela rests upon him, dance of the Bri- gands foUoic, at the conclusion, the Baron rises, all salute him to lively music, he assigns to all va?'ious posts over the scene. Jerome re-enters. Baron. Father Anselmo, whom I had brought here yesterday, must be treated well — a good supper, a good bed ; has he had them ? Jer. Most certainly, Captain. Baron. We must keep him a prisoner until to-morrow, but treat him with respect and attention. Jer. {hewing). You know our principles. Baron. Leave us. (Jerome salutes, and exits, l. h.) Now that we are alone, my child, speak freely. Did you think that I could ever accept such an unequalled sacrifice ? Ang. You must. Baron. To pass your life in this place 1 You, whom I have reared in the midst of wealth and luxury ; you are the hope of my existence, and I would rather die than see you unhappy. There are tears. Ang. Not so. If there are tears you do not cause them. Baron. Who then ? Ang. Do not ask me ! Baron. I see, it is for him. Ang. Yes, my father, you are right. Baron. I was certain — you will always love him, and he will ever be present in your thoughts. Poor child ! I also think of him frequently. 1 am now resolved. In a few days I will renounce the life that i lead. May Heaven pardon me for the past, and for the reward of my repen- tance, grant you happinesf^. (gayly) And then 28 MARCOfiETTI. [aCT III. AnG. Theni Baron. The Baron de Toleda will be far away ;. far, no matter in what country ; there, my child, I will write to Monsieur Albert the Governor's nephew, that the obstacles which existed to my consent no longer remain. He will seek you. Ang. Ah ! what do you say 7 Baron. He will use all haste if he loves you. AsG. And if he loves me no more? Baron. Rest assured, my child, anger and jealousy never stifle love ; on the contrary, they fan the flame. He loves you twice as much.. Ang. And yet in this moment of indignation, this day even, he will marry his cousin, the Marchioness. Baron {coolly). Not yet. Ang. You heard, yesterday at the ball, the formal promise to her and to his uncle ! the contract that he made before every one. Baron. Well ! Ang. Count Albert is an honest man, and after making a solemn pro- mise will never break it. Baron {laughing). I will help him to break it. Ang. He will not consent under any pretence ! Baron. Except under the influence of reasons stronger than his own. Ang. Which are 1 Baron [laughing). That concerns me. This marriage is to be celebra- ted to-day at the Governor's villa, three leagues from Rome. Ang. You believe Baron. I have no reason to doubt, but if one should run off with the bride ] Ang. Oh, Heaven ! Baron. Using no more force than is absolutely necessary, {quickly) "Tiis is the order that I have given ; rest easy, this marriage will not take ace. Ang. To-day — too late — besides they would meet again. Baron {smiling). Never! Ang. What! Baron. Leave all to me. And since it is done for your happiness I am content, {hayiding letters given to him by Andre, and which he has com- menced to unseal) You can tell me of their contents. (Pippipoppy is heard without. ) Pip. But, gentlemen ! Bandits ! Brigands ! have the kindness — now really. Baron. I know that voice. Ang. The Captain of dragoons. Baron. Retire, I would not wish him to see you in this place, nor in this dress. Ang. But you Baron. AVith me it is different; I remain as I was. (Angela retires, l.) Pippipoppy, blindfolded, is led doivn the path r., by Jerome and Bandits ; he tears the bandage off. Pip. Well, what more? Here I am, Captain Pippipoppy of the Roman troops — kill me if you like. Baron. It would be a pity I hope it will not come to that. Pip. What! the Baron de Toleda — a prisoner like myself to these vil — gentlemen, (bowing.) Bakon. Unfortunately so. You have been this morning to the ap- pointed spot. ACT III.] MAllCORETTI. 29 Pip. Your directions were perfectly correct ; it appears to me Mavco- retti was there. Baron. At the same time as,myself. Pip. But in greater force, and instead of my taking him, the result is he's taken me. Bauon. So with me. Pip. Brought me here. Barox. Exactly the same. Pip. My eyes bandaged. Baron. Mine were open — a proof that lie fears your eyesight and un- derstanding more than mine. Pip. Just what I feared. Monsieur will be good enough to observe that peculiar looking gentleman with the raised carbine and savage corni- tenance Baron. Jerome, the lieutenant of Marcoretti. Pip. You don't say so ! You know him 1 Baron. But slightly. lam told so. Pip. Things are goiting worse. JFIe told me he had orders to shoot all the dragoons. Baron. Why, you are the principal one, the Captain. Pip. Unfortunately, I laiov^ it — I have cause to know it ; T offered to yield, and he promised I should receive favor. Baron. The same to me. Pip. On one condition. Baron. So with me. Pip. Foolish, strange, absurd! Baron. So was mine. Pip. It was, that I should be married this day. Baron. Mine — that I should agree this day to become a witness to a marriage. Pip. La ! how singular. Baron. Perhai)s to your own. Pip. Not unlikely. What did you say 1 Baron. Consented immediately. Pip. You did right. Baron. And you 1 Pip. Well, you see I was placed in rather a peculiar position. I want- ed to live, but T didn't want to throw myself away. I would rather die than do thai; T could not ascertain my bride's qualities, amiable, good- looking, rich, not a word. I mustered up ray courage and consented. Bahon, To be shot? Pip. No. Baron. To be married'? Pip. No. Baron. What then ? Pip. To throw myself away on some unworthy creature. I cannot call it marriage. But this woman — where does she come from 1 Who is she I Jer. She is here ! Pip. Oh, la! the Marchioness! Jerome wavrs his hand ; the Marchioness is led doivn the path l., hy ttco Brigands / she is in bridal costtime and is extremely violent. Mar. {shahing them off). Pray, gentlemen unhand me, leave me, I im- plore you, you brutes ! I shall faint! — die — expire. My nerves are too weak to bear this shock ; to find myself thus in this place in my bridal 30 MARCORETTI '[aCT III. costume, my hair disarranged, my bouquet gone, my joints stiff with the struggle ; oh ! it's frightful, outrageous, abominable, {looking on either side and perceiving the Baron and Pippipoppy) What! you here! you, Baron de Toleda and Captain Pippipoppy, my Pippipoppy, my own, my dear Pippipoppy. I thiow myself on your protection. Take me away, far, far from here, from this band of ^c^ftenm. How'? it is imi)OS- sible ! You also are prisoners. This is dreadful. AVhy am I brought here? Answer me. {stamping her feet) Speak! what is it you want with me ] I shall go mad, I know I shall, {the Baron makes signs to Pippi- poppy to goto her ; he hesitates) You are silent! I tremble with fear. S|)eaji ! answer me. {urged on hg the Bakon, Pippipoppy ap)proaclies her af- ter some hesitation and tvhispers in her ear ; she listens and then screams) I am suffocated. I shall die of this blow to my nervous system. To be married! In this state of disorder — compulsion — no escape, oh! fright- ful! Jer. {advancing). It is the orders of Marcoretti, and the slighest wish of his must be obeyed ; marriage or death ! {all raise their carbines) No answer 1 Prej)are ! present ! . Mar. Stay, for mercy's sake, one moment ! {to the Baron) It is ab- surd ! this is not my husband, {to Pippipoppy) Marry you, sir, when my cousin, Albert, is waiting at the altar ? Impossible ! Pip. [with mock humditg). Granted, sweet Signora. But it is not I who compel you to do this impossibility, {she tvalks to and fro in a great rage) I have no voice in the matter, {aside) Only to think, that which I have been seeking for three years with the most devoted ardor, I now gain through fear. Capital! {aloud) Were it in my power, most divine creatui'e, I would save you, but I can't. To refuse to marry you ! I do refuse; but Marcoretti snys it must be. Mau. {2)assionatclg). Where is he, this Mar-co-retti 1 Can't I speak to him ; is he invisible 1 the brute ! Bakon {coolly). No, 1 have been very close to him. MAk. You have V Baron. And I understand, {aside to her) indeed, I know it to be a fact, that he has obtained possession of certain letters written and sent by you to the Signor Frescolino. Mar. {alarmed). My dear Baron. Baron. lie has opened these letters, and read the delicious, soul stir- ring words they contain, {produces a letter which, the Marchioness seizes and tears in pieces) The others, twelve in number, are sealed carefully in a packet, and dispatched probably by this time to the Count Albert, con- sequently, your marriage with him will be broken off with a most dis- agreable eclat; scandal would beat work, as these letters breathe the ten- derest Avishes for your former admirer, Signor Frescolino. Mau. Good Heavens ! what shall I do? Baron. Why do you hesitate'? This marriage will give j'ou happi- ness — a Captain of dragoons, young and handsome, dying in love with you, and who, if you refuse, will be shot instantly. Jer. {to the Bandits). Attention ! Mar. Oh, mercy ! only think, my dear Baron, to be married thus. Jer. Make ready ! Mar. Without giving one time to decide. Jer. Carry arms ! Pip. {alarmed). Signora ! dearest Marchioness ! will you be so cruel 1 will you see murder committed when by a single word, aud a marriage of love Jrr. Present arms ! Mar. Here's my hand, brute ! ACT III.] MARCORKTTl. 31 Pip. And there's mine, angel ! But where are we to be married ? Jer. At the chapel on the mountain. Pip. Who is to marry usi Jer. Our Chaplain, Father Anselmo, whom you know. Pip. Well, I never. This Marcoretti knows every one. Brigands male and female, re-enter. Anselmo descends from the chapel — the Baron, during music, signifies to him his wish — Anselmo bends his head submissively. Ans. Come, faithful couple, come to the holy altar, where Hymen bids you to be present. Heaven will receive your vows, grant your prayers, and release you from this wicked band. \to the Baron as he pass- es) I do this to save them from your vengeance, impious man, but the puni^hment of Heaven will soon light upon your crime-stained sou! ; may repentance not come too late. All kneel reverentially as Anselmo ascends the patJi leading to the chapel, fol- lowed by PiPPiPOPPY and the Marchioness {loith a little comic busi- ness) and some others, and the organ of the distant chapel is lowly heard from the time of Anselmo finishing speaking, until the exit of the Baron. Baron {advancing with Jerome). When the ceremony is concluded conduct the newly-married couple to the post-chaise, and let them there finish the love match. Jer. Yes, Captain. But in running away with the Marchioness, the Governor and his nephew advanced in pursuit with a feeble escort. Baron. So much the better. Jer. But a strong detachment of dragoons are approaching on this side to i-elease them, {pointing off l ) Baron {carelessly). So much tlie worse! • Jer. And they are led hither by Nicole the traitor whom your foolish kindness spared. Baron. He shall die! Jrr. ( passionafely). It is too late. He knows the secret paths by which the soldiers can attack us with advantage. Baron. I go — do not quit these ruins : guard well my child, to whom, in ray absence, every one must render obedience, Angela re-enters. Ang. Where go you, my father 1 Baron {gayly). To receive my visitors with grace. Look! {pointing towards the chapel.) Ang. Father Anselmo. Baron Who gives his blessing to the marriage of the Captain of dragoons. Ang. With the Marchioness 1 Baron. Did I not promise it ? you have no longer a rival to fear. Ang. And to-morrow we shall set out. Baron. Yes, to lead a new life. Ang. More dangers for you. Baron. But happiness for my daughter. Adieu, my child, adieu ! {he embraces her and exits by the mountainous- path r. Jerome exits at the back. Music ceases.) Ang. The happiness of his daughter! What joy, what delight is in 32 MAKCORF/i'TI. [.vex III. those words 1 Perhaps I may yet see him, love him. bear his name ; em- brace him ; with joyous heart wipe out the recent sorrow. Can it be possible ? No, no, I dare nob yet rejoice in such a state of happiness. It is too, too much for nie. (^a drum sounds in the distance — clarions, soft at first, then louder) Tnose sounds, what new alarm is this 1 The noise of arms crossed, and the ring of clarions. I fear to move a step, and all my hopes give way to this new terror, {the noise increases, guns are heard, and cries ivithout) Cries of vengeance on whom '? Father ! father ! I must follow you. [Exits quickly, mountainous path r., the Governor and Albert, disarmed, are hurried tn at the back by a body of Brigands and Jerome. Jer. At last then, we are successful. We can now repay the Gover- nor of Rome for the murders he has committed, for the blood of our comrades shed by his orders. Yes, their blood calls aloud for ven- geance ; it is just, it is right. Let our cry too be the same. All. Vengeance ! Vengeance ! They point their carbines at the Governor a?iff Albert, tvho have retreated to E. H., when Angela appears on the mountain path and screams. An». Hold! for your lives ! (descends.) Orsl Is this a dream 1 Alb. {starting). Is it possible 1 In this strange costume! It is an angel stepped forward to preserve us. Ang. [to the Brigands). Sole arbiter of their fate, it is I who must judge thom. Back ! Jer. Impossible ! It is strange justice to preserve them thus from death. Our companions' deaths must be avenged by theirs ; we cry for bl ood ! ( adv ancing. ) Ang. {drawing a dagger). Back ! It is I who must determine ; over me must you pass ere your bullets reach them. Back, I say, back ! (the Brigands ivithdratv sloivly and murmnringly.) Alb. By what mysterious power have we been preserved ? Ang. {aside). He is saved — but I — I am lost ! Alb. By what charm, what talisman have you driven back these bri- gands ? Ang. Do not ask me, it is enough that I have preserved you from death. Oksi. {aside). It is strange — her voice, dress, manner, and so suddenly obeyed by these brigands, (aloud) Why these tears? What power have you employed to appease these furious bandits 1 Ang. Do not ask me. I have saved you — enough. Go, and far, far from here forget that I am living. Alb Not so. I will not leave you thus. To you I owe all. Your image can never be blotted from my memory — your love never be spurned by the heart beating in unison with your own. I care not for my oaths, nor for the marriage I am about to contract. The Marchioness and the Captain re-enter from the chapel, and descend, with cotnic business. Pip. (offering his arm). Impossible for the carriage to approach — the postilion refuses. Mar. He is right ; one may knock themselves to pieces on these mountains. Pip. What joy ! what pleasure! here's a wedding day! it's much too ACi' III.] MAKCOKEiTI. jolly, (whilst speaking, they descend to the middle of the stage — the Gov ekkou and Albert look on ivith astonishment.) Alb. ^ and > Good Heavens ! Oksi. ) Pip. (^0 Marchioness). Your uncle! Mak. {perceiving Albert). My intended! Orsi. What do I see ? Pip. a liapj)y, very happy, new-married couple. Mar. Not from choice, but from compulsion. Pip. Exactly — marriage or death. Not that there's much difference in the result of the two courses. Alb. You married ! what happiness ! Mar. How ! you feel Alb. {quickhj). Pardon, signora, I should rather say t)ow desolate. (the noise of fighting is heard without, the clashing of swords, guns, and shouts.) Orsi. Listen, listen ! they are cries of victory. Alb. But whicli side is the winner 1 The fighting ceases. Several Brigands struggle on, and entering, are struck down by the Soldiers. Angela, trembling and alarmed, is supported by Albert. Soldiers enter, and Marcoretti, wounded, ts brought in, at the back on a sort of litter ; Jerome by his side wounded ; they ad- vance to the centre ; Angela screams. Ang. My father! {rushes to him.) Orsi. ) ^^^- \ Her father ! Mar Pip. Barox. My poor child ! This is my last wisli — to have ra}' dying eyes closed by those cherished hands. Alb. What change is this ! Your father 1 No matter, our laws have proscribed and banished him, but you are free. Baron. A noble heart, (^o Angela) You will marry him 1 Ang. Never! rather let me die ! Orsi. She is right, such a marriage would be infamous. A noble of Italy to marry the daughter of a brigand. i''or shame. Count Alhert, scorn her — contemn her. (Anse i-mo ^tfscc«r?s and stands by Mkucok^ttiI) Baron (who has writhed under the Governor's words, aside). On me rests her destiny. I will protect and cherish her. (loudly, and summoning up strength) Before all let me make known the secret so long kept closed within my bosom. This child whom all believed to be mine Alb. (with joy). Is she not so ? Baron. To me she has ever been one Ans. (solemnly). Remember! You are dying! Baron. I know it. Ans. a falsehood at such a moment, and all hope of forgiveness is lost. Baron. I know it. Ans. a falsehood and your soul is lost. Baron (aside). My soul — my daughter, (aloud) Listen all — I swear before you, that a noble lord; — with all — his family — in these woods was attacked 'and murdered^ she, she alone excepted — Angela — was — his daughter—the child of the Duke of Capello. All. Ah ! (starting hack.) Jer. (leaning forward to him). It is not so. 34 MARCOBETTI. [act III. Baron {with energy). Be silent ! Orsi. ) and > You swear this ? Alb. ) Baron {raising his hand). I do. Orsi. Then let the hands of those whose hearts beat with mutual love be joined, {joins them.) Baron {ivith energy). They are united! Oh, joy! {aside) For her, what happine'ss. For me Ans. [leaning forward). Eternal misery ! Baron {aside to him, with fervor). No, Heaven who is just and pro- tects us all will pardon the father sinning for his child, {raises his hand devoutly, aloud) Farewell, sweet spirit! my Angela! my adopted daugh- ter, {with forced energy and proxid exidtation, and partly rising) No, fare- well. Duchess I I die. Duchess,! die! {dies.) All {murmuring reverently). Peace to him ! Peace to him ! ANGEI.A falls on his bosom — Albert near her. Jerome kneels on the other side — Anselmo with his arms crossed standing at the hack — the Gov- ernor, Marchioness and Pippipoppy standing r. c, and l. c., in an attitude of grief— in different groups on the stage, Brigands and Sol- diers — on the mountains, grovps of Soldiers. The organ is played softly -coloi'ed shade and an extrcjnely 2^ietU7'esque tableati formed re- sembling Vernet's celebrated picture of " The Bandit's Confession." CURTAIN EXPLANATION OF THE STAGE DIRECTIONS. The Actor is Bupposed to face the Audience. Z>. B. C. C. D. t>. L. O. B*U. B. SCENE. L. U.S. B.3E. B.3B. / / / \ \ Zi. 3 b. \ \ L. is. R. B. 0. c. t. e, I.. AtTDlENCE. r.. Left. L. o. Left Centre. I- 1 E. Left First Entrance. L. 2 E. Left Second Entrance. L. 3 E. Left Third Entrance. L. V. E. Left Upper Entrance (wherever this Scene may be.) D, L. c. Door Left Centre. c. Centre. B. Right. E. lE. Eight First Entrance. B. 2e. Right Second Entrance. B. 3 E. ^ght Third Entrance. B.TT. E. Right Upper Entrance. X>. B. C- Door Eight Centre. De V/itt's Acting Plays — Continued. «9l Tlk* Mldnl^t 'Wiktoli. Drrana. 1 Act. By Joliu M. Uorton. 8 tUla, t KMaaU Otuii-- actar». eo. The ■•orter'M Kaot. 8«iio-C«m1c Drama. S Acts, liy JoUd Uxeuford. 8 Male, 2 Female CUaiacteiB. 6L A Model for n Wife. Farce. 1 Act. By Allied Wi^aa. 3 iUale, 3 Ftsuialo Oluiract«i8. 6J. A Cup of Xea. Comettltstta. I Act. Hy Cliaiies N uitter aiul J. Umluy, 8 Male, 1 Pe- nialo Cliaiacteia. S3. Gertrudn'si llIoiaey>Box. Farce. 1 Act. B." Harry l^nioii. 4 Male, 3 Kemalx Charaoteil. M. The Younj; Collegian. F.Arce. I Act. By T. W. IZobertKuu. 3 Male, 3 Female Char- actera. U. Cathd'rlne Doward i or, The TbrtMie, tUe Tomb KUil the SchIToIiI Hjiitixic Flay. 3 Acta. ByW. D. butur. 12 iiale, 6 Female Character!. S«. T-wo Cay De<>eiverst oi , KJack, White aad OrsiV. Kn.oe. I Act. By T. W. Eobert- •on. 3 Male Cliaiacters. (T. Noemle. Drama. 2 Acti. By T. W. Robert- son. 4 Male, 4 Female Cliaraciu 11. •S. Deborah CT>eah) ; or. The JewUk Maiden's Wrong. Drama. 8 Acts. By Cha». bmlth Ctaeltnam. 7 Male, 6 Female Characters. 59. Tho rost-Boy. Drama. 3 Acts. By H. T. Craven. & Male, 3 Female Ciiaractera. 60. The Hidden KanO ; or, The Gray I^^tdy of Ferth Twiimn, D:amH. 4 Acts. By Tom Taylor. 6 MiUe, 6 Female Characters. tl. Plot and Passion. Drama. 3 Acts. By -^-. Turn Taylor. 7 Male, 3 FeiiKile Characters. 63. A Photographic Fix. Farce. 1 Act. By Frederick Hay. 3 Male, 3 Female Charac- ters. 63. Marriage at any Price. Farce. 1 Act. By J. V. Wooler. 6 Male, 3 Female Charao- tors. 64. A Bloiaschotd Patry. A DomesMc Sketch. 1 Act. Uy Fruucis ■lallounl. 1 Male, 1 Fe- male Cliariictc'i.s. 6fi. Cheekmate. Comedy Farce. 2 Acts. By Andrew Ualliday. 6 Male, 6 Female Charac- ters. 68. The Orange fSirl. Drama, In a r'roIoRue and 3 Acts. By ..eury Leslie, li Male, 4 Fe- male Characters. 67. The Birth-place of Podgers. Farce. I Act. By .loliii Uoliiu;;8liead. " Male, 3 Fe- male Cliaracteis. 6ii. The Chevalier de St. George. Drama. i Acts. By']'. W. Kubeilsuu. » Male, 3 Fe- male Characte ". 69. Conght b) t^e Cuflr. Farce. 1 Act. By Frederick lt\.y. 4 Male, 1 Female Characters. TO. The Bonnie Fish '%Vife. Farce. 1 Act. ■y Cliai lea fjolby. 3 .Uule, 1 Female Characters. 7-1. IBoing for tho Best. Domestic Drama. 9 Acts. By M. UapUino Lacy. 5 Male, 3 Female Ch«racteis. 72. A Liame Excuse. F.trce. I Act. By Fred- erick Uay. 4 Male, 3 Femalo Characters. 73. Fettered. Dania. 3 Acts. By WatU PhU- llps. I I .Mri'n. 4 I-Vmal'- Characters. T4. Tho Garrick Fover. Farce. 1 Act. By J. R. PUnche. 7 Male, i Female Characters. 76. Adrienae. Drama. 3 Acts. By Henry Leslie. 7 Male, :^ Fonjala Characters. T6. Chops of the Channel. Nautical Farce. I Act. By Frederick Hay. 3 Male, 3 Female Charactei s. T1. The Roll of the rtrnm. Drama. 3 Acts. By Thoinad Utixii luu Wliks. 6 Male, 4 Faaaale Characters. Tl. Special Performancetu Farce. 1 Act. By Wllmoi HaulAou. 7 U*la,a VmmI* Obai^ •cters. «" % Sheep In 'WelPn Clethias^ BoibmUs Drama. I AC. By Tom Tayt^. T Male, 6 Female Characters. K*. 80. A ChoroUng Pair. rare*. 1 Act. By Tboutas J. Williams. 4 lUle, 3 Female Char. actoi'B. 81. Vandyke Bro-c^n. Farce. 1 Act By Ju C Troughton. 3 Male, 3 Female Characters. 83. Peep o* Day ; or, RaToamecn Dfaeeliah. (New DiUiy I^ue Version.) Irish Drama. 4 Acts. By fe:dmuad Falconer. II Male, 4 Pe. main Ohaincters. 83. Thrice Married. Personation Piece. 1 Act. By Uoward Panl. 6 Mai«, I Femal* Oiarneti' ■». 84. Vtmt Guilty. Drama. 4 Acts. By Watts riiilllps. 10 Male. G Female Clioracters. 85. Locked in with n Lady. Sketch from Lire, liy 11. U. Addison. 1 U.'\le, 1 Female Characters. 86. The Lady of Lyons} or, Lore and Pr1 d In. Comedietta. 1 Act. By /. P. WooIcr :^ .,la/e,3FcmaleCbaraoterr PoppIetonV Predlcameit*. Fens. I Act. Lr Charlei M.Uae. 3 Slake, 6 F«aial*Oha»- aotera The Liar. Comedy. 2 Aeu. By SaaslFaete. Alterew .nr 106. 106 108. 108. 110. 111. LIBRARY OF CONGRESS De Witt's Acting Pxc./of^v!v.?!15.38^8 a No 112. Jfot a Bit Jealoii«. A Farce,iii 1 Act. By T. AV. laibt'iison. 3 Male, 3 Female characters 113. Cyril's SufCCias. Comedy, in 5 Acts. By K. J. Liyion. 9 iJule, 5 Female characters. 114. Anytliiiij^lbr n Change, Petite Comedy, in 1 Act. By Shirley Broolis. 3 Male, 3 Fe- male characters. 115. New Men and Old Acres. Comedy, i n ;. Acts. Vy Tom Taylor. 8 Male, 5 Female char- acters. 116. I'm net Mesilf at all. An Original /rlsh Stew. Ly C. A. Mallby. 3 Male, 2 Female characters 117. Not Such a Fool as he Lookg. Farcical Drama, in 3 Acts. Cy H.J.Byron, 5 Male, 4 Female characters. 118. Wanted, a Young Lady, Farce, in 1 Act. By W . E. Suter. 3 Malo characters. 119. A Life Chase. Drama, in 5 Acts. By John Oxenlord. 14 iMale, 5 Female characters 120. A Tempest in a '1 ea Pot, Petite Comedy, in 1 Act. By 1 honias Picton. 2 Male, 1 Fe- male cliaruclers 121. A Comical Counteos. Farce,in 1 Act. By William Biough. 3 Male, 1 Female characters 122. Isabella Orsinl. Romantic Drama, in 4 Acts- By S. II, Mosenthal. 1 1 Male, 4 Female charac- ters 123. The Two Poets. Farce. By John Court- nay. 4 Male, 4 Female characters 124. The Volunteer Review, A Farce. By Thomas J. Williams, Esq. G Male, b Female characters 105. Dcertbot, Farce, in 1 Act. By F. C. Bur- nand, Esq. r. Male, 1 Female characters 126. Twice Killed. Farce. By John Oxenford. — 6 Male, 3 Female characters 127. Peggy Green. Farce. By Charles Selby.— 3 Male, 10 Female characters 128. The Female I>etective, Original Dramai in 3 Acts. By C. H. Ilazlewood, 11 Male,4 Female charaters 129. In for o Holiday, Farce, in 1 Act. By F. C. Burnnnd, Esq. 2 Male, 3 Female characters 130. My Wife's l>iary, Farce, in 1 Act. By T. W. Robertson, 3 Male, 1 Female characters 131. Go to Putney. Original Farce, in 1 Act. By Harry Lemon. 3 Male, 4 Female characters 132. A Race for a Dinner. Farce By J. T. G. Rodwell. 10 Male characters 133. Timothy to the Rescue, Original Farce, in 1 Act. V.y Henry J. Byron, Esq, 4 Male, 2 Female characters 134. Tompkins the Troubadour, Farce, in 1 Act. By Messrs. Loc!:r ly and Marc Michel.— 3 Male, 2 Female characters 135. Everybody's Friend, Original Comedy,in 3 Acts. By J.Stirling Coyne, Esq. 6 Male, 5 Female characters 136 The Woman in Red. Drama.in 3 Actsand a Prologue. By J. Stirling Coyne, Esq. 6 Male 3 Female characters ' No 137. L'Art!ele4?; or, Breaking thf Ban. Drama in "Acts. By Ad.dphe iielot. 11 Male,5 Fe- male ch.aracters 138. Poll and Partner Joe ; or the Pride ot Put- ney, and the Frossing Pirate. New and Ori'^i- nal N.autical Burlesque. By F C. Burn.wd.— 7 Male, 6 Female characters 139. J..J is Dangerous. Comedy, in 2 Acts, By James Mortimer. 3 Male, 3 Female characters" 140. Never Reckon your Chickens. Farce, ii> 1 A. t. By Wybert Heeve. 3 Male, 4 Female characters 141. The Bells ; or. The Polish Jetv. Ko- nmntic Moral DraniH, in 3 Acts. By Ui-nry L. Williams, Jr. 9 Male, 3 Female cliaiacters. 142. Dollars and Cents. Original American Conieil.v, ill 3 Acts. Xy L. J. Holleuius, Ksq. 10 Male, 4 Female Chaiactere. 143. I-odgers and Dodg^ers. Farce, in 1 Art. By Frederick Hay. 4 Male, 2 Female cliar- a< teiH. 144. The I.,ancashire Lass; or. Tempt- ed, Tried and True. Dumeslic Melo- rtiamn, iii 4 ActM and a t'Kilogue. by Henry J. Byron. 12 Wale, 3 Female cliaiacters. 145. First Love. Comedy, in 1 Act. By I.. J- Holleuius, Ecq. 4 Mal<-, 1 Female rlmiaclers. 146. There's no Smoke '%Vithout Fire. Comediwtta, in 1 Act. Bv Tliouias Piciou. 1 Male, 2 Female ChaiMCleri. 147. The Overland Route. Comedy, in 3 Acts. By Tom Taylui. 11 Male, 5 Female cliaiacters. 148. Cut oir 'With a Shilling. Comedietta, ill 1 Act. By S. TUeyie Smith. 2 Male, 1 F«- niale characters. 149. Clouds. An Original American C«niedy, in 4 Acis. By Fred Marsdeu. 8 Male, 6 Female characters. 150. A Tell-Tale Heart. Comedietta, in 1 Act. By 'lliomas Fictoii. 1 M»le, 2 Female cliaraclers. 151. A Hard Case. Farce, in 1 Act. By Tho9. Picteii. 2 Male characters. 152. Cupid's Eye-Class. Comedy, in 1 Art. By I'liouias I'ictoii. 1 Male, 1 Female rliar- acteis. 153. 'Tis Better to Live Than to Die, Petite Ofimefiy, in 1 Act. By Thomas Piciou. j 2 Male. 1 Female characters. 164. Maria and niaj;dalena. Play, in 4 Acta. By 1,. J. Holleuius, Esq. 10 Male, 6 Ptmale characters. 155. Our Heroes. Military Play, in 6 Acta. By John B. Keuauld. 25 Male, 5 Female char- acteis. 156. Peace at Any Price. Farce, In 1 Act. By T. W. Kobercs*u. 1 Male, 1 Female char- acters. l.>7. Quite at Home. liy Ai thur Sketchley. actei's. 158. School. Comedy, in 4 Acts. By T. W. Rob- ertson. 6 Male, 3 Female Characters. 159. In the Wrong; House; or, IVo. Six Buke Street. Farce. By Martin Becher. 4 Male, 2 Female characters. 160. Blow for Blow. Drama, in a Prologue and 3 Actx. By Henry J. Byron. 5 Male, 4 Female characters. Comedietta, in 1 Act. 6 Male, 2 Female char-