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CHARACTER, JUVENILE AND OTHER POEMS BY Levi Wilbur Pollard CHICAGO: LEVI WILBUR POLLARD THF LIBWAfiY OF CONOR ESS, T^i Cortce ReCSIvED NOV. fp 190? 5 ^ S- ^ / COPYRIGHTED 1902 LEVI WILBUR POLLARD Foster & Lidell, Sparta, Wis., Illustrators A. DoNOHUE & Co., Chicago, Printers Binders and Publishers ANNOUNCEMENT. M. A. DonoJttie"& Co. announce a new book of Poems by Levi Wilbur Pollard of Wisconsin. Pollard is as unique and in- teresting as are his poems. He is a lawyer by profession, a successful leader in politics. They elected him district attorney in Iowa County, expecting to have things done as they should direct; but Pollard proved to have ideas of his own and a sense of justice that would not brook interference. Then his political influence secured him an ap- pointment to the Indian Territory. The solitude and monotony of the life stirred the poet in him, and his best things were written there. "If I was Teachin' Skool," "I Like Her and Tommy, Too." "The Old Arkansaw," etc. He is a fellow with ideas of his own and says things, some funny, some serious, and some really poetic. Levi Pollard has many admirers and warm friends, especially in his own state. 4 ANNOUNCEMENT. As district attorney when they used to call on him for a speech, he fired original red hot dactylic pentameters at them that kept them in a roar of laughter. "If I was Teachin' Skool" is brim full of horse sense and sound philosophy. "I Like Her and Tommy, Too " is a gem, and many will buy the book to get that poem alone. "The Old Arkansaw" is a fine bit of verse, and there are others. He says, " You may call it what you like, poetry, blank verse or prose. It is what I thought and what I said, why doctor it up for the critics?" If literature should reveal the man, I guess he is right after all. When you have read Levi Pollard's poems you will know the man as his friends know him. No pains or expense have been spared by the publishers in the make-up of the book. The illustrations are very attract- ive and novel. F. E. DOTY. CONTENTS. PACE " If I was Teachin' Skool." ii " Old Arkansaw " 23 That's the Way to Do 31 Just Natural 35 Practice What You Preach 41 Jewelry Man 47 Love's Army 51 She is of Age To-day 59 I Like Her and Tommy, Too 67 That's Me 73 I Won 77 Let Me Do Right 89 Say, Old Glory — Say, Would You?. . 93 Little Owaissa, the Cherokee 97 In Our Day loi They Will All be Dead 105 Like Her 109 No Place Like Thi^. iii Vat Makes Dem Do Dot? 115 A Boy Again 117 What Do We Want? 127 5 6 CONTENTS. PAGE Something You Don't Count On. . . . 133 Mother's Best Society 137 The Dreamer's Awakening 141 Wooden Bridges 157 I Cried Myself to Sleep Last Night. . 159 Little Rosa Lee 165 Josiah's Excuse 167 Elocutionary Man 173 American Knight 179 Talking Out Loud . . 185 My Love 189 Youth 197 Time to Kill 203 Lovers on the Phone 205 The Priest 211 When Friends are Dead 209 Name the Baby After Me 213 ILLUSTRATIONS. PAGE Levi Wilbur Pollard 2 Levi Wilbur Pollard, in Character. . . 9 If I was Teachin' Skool 14 That's What I would Do? 20 She Was the Child of the Red Man. . 26 Two Graves on the Old Arkansaw. . . 29 Wasn't Up last night Parson 40 Will Ruin Many a Little One 43 Love's Army 50 Song of Love 54 Angel of Spring 58 I'll Always Love You Just the Same. 62 I Get in his Buggy 70 'Round that Old Cracked Stove. ... 79 Come Near Me, John 86 Say, Old Glory— Say, Would You? . . 91 Little Owaissa 99 Ah, My, at First I Couldn't Speak . . no Vat Makes Dem Do Dot ? 113 Ain't I Glad I'm Back Here Again . . 121 I'd Offer Them a Little More Pay. . . 129 7 8 ILLUSTRATIONS. PAGE Half Dreaming, Half Thinking of Life. 140 'Nd Drank in the Sunshine 146 Little Rosa Lee 163 Heard Some Boys Tellin' 173 The American Knight 177 In the Parlor they were Seated 182 In the Sunshine of Life. 190 You Who Fight Sin Hand to Hand. . 192 Woman of Beauty 194 Youth 199 Name the Baby After Me ....,.. = .. 215 Levi Wilbur Pollard, in character IF I WAS TEACHING SKOOL. Mr. Professor-teacher, I brought Bill in to-day : I suppose you're the one that runs things here, and the man who takes the pay? That feller out there sawin' wood showed me all around, 'Nd I was mightily taken up with him, and all the things I found ; 'Nd if you run the shebang inside, like he does out there, Then if Billy can 't get his lessons, he must be dull, I swear. Now ]\Ir. Professor -teacher, it's this here way, you know, Billy went down to Jimson's deestrick 'til 'bout three months ago, When that er superintendent lad cum down to the house one day, Give Billy them er papers, 'nd said we should send him away. 11 12 IF I WAS TEACHIN' SKOOL. Now I'm goin' to tell you, teacher, just what I would do If I was teachin' skool, w-e-1-1, say — just like you. Now Mr. Professor-teacher, I really don't pretend To say what book-larnin' you should give him, but his outside life attend. I've sorter kep an eye on these here chaps who go 'Way off ter skool, 'nd larn more things than they railly orter know. I s'pose you think it kinder queer, why I'm so keerful o' him, But I've larned a heap o'things sence I made a lawyer o' Jim. Jim is very bright 'nd kind — we heerd from him to-day; A letter from New York that cum: "Yes, mother, I'll mend my way." Don't understand me Jim is bad, I won't have that at all. But he keeps that kind o' company, if he don't let up, he'll fall. If I was teachin' skool. IF I WAS TEACHIN' SKOOL. 15 I understand Mr. Professor, that yer teachin' is all right By day, but I'd look aft'r 'em at night. That's what I'd do, if I was teachin' skool, w-e-1-1, say, just like you. You take a feller just like Billy, when he first gits into town, He's too apt to go upon the street, just to look around. Now if I wanted to ruin Billy and start him wrong at first, I'd mix him up with that street gang; of all crowds that's the worst. What do you hear upon the street? Jest common talk an' blow; Some feller tellin' 'bout a game they played ten years ago. 'Fore that feller finishes, another feller starts. An' tells 'bout some prize fight — he's got it down by heart. 'Nd now its gettin' little too warm — the}^ move jest with the sun; They're in time fer the street orator, his new lecture he's begun. i6 IF I WAS TEACHIN' SKOOL. You can go an' hear him free, he won't charge you I am sure. He's telhn' how the rich grows rich, an' how the poor grows poor. He's posted on all subjects, from a star down to a gnat, But how these fellows all do live, that's what I've wondered at. Their language is the choicest, an' of a brimstone hue, 'Nd if a lady pass that way, why, she's the subject, too. I got patience with a man who v/orks, when he commits some little crime. But fer them er street loafers, God knows I've got no time. Keep 'em away from that er gang; that's what I would do. If I wuz teachin' skool, w-e-1-1, say, jest like you. It kinder seems to me this way 'bout raisin' up a lad ; When he's a doin' somethin' good, there's no cliance to be bad. IF I WAS TEACHIN' SKOOL. 17 When I speak o' somethin' good, its not workin' him all day; Fer I should give a boy like him a lot o' wholesome play. 'Nd if he's time to play base-ball, er run er jump er race. Jest let him do any of 'em, if he can fill the place. But when it comes to kickin' ball, or ruther legs, you know, I'd ruther have him jest look on — fer that hurt Jimmy so. 'Nd I'd get up entertainments that'd make 'em laugh an' smile; Fer where you've got all kinds of fun, why, there you've got the child. I'd keep 'em laffin' an' feelin' good, fer then they can work their best, Fer after a hard day's work, I know no better rest. That's what I'd do, if I wuz teachin' skool, w-e-1-1, say, jest like you. 'Nd another thing I'd put into his little mind ; That the majority of people are honest 'nd are kind. i8 IF I WAS TEACHIN' SKOOL. 'Nd I'd pick out them er fellers, who'se been tried through 'nd through, 'Nd show no man has been great unless he has been true. 'Nd when some poor feller bein' had kinder slipped astray, Tell him to speak kindly to him, it may help him back some day. Tell him never to snub his parents, fer he'll find in no other place A voice jest like his mother's — a face jest like her face. 'Nd if he's gone from us three years, er even a longer while. No ma iter what his success has been, I wanter see that smile. Tell him them er fellers who git smarter than their dad. Never fill the best positions, and wind up with the bad. I know you'll tell him all this, but I'd inv press it too. If I wuz teachin' skool, w-e-1-1, say, jest like you. That's what I would do. IF I WAS TEACHIN' SKOOL. 21 When Billy goes out fer himself, I want fer him ter speak To every man that earns his bread, 'nd helps the poor 'nd weak. 'Nd if I see him doin' that,'nd see him fail to climb, I'll back him up fer all I'm worth, it's bound to win in time. 'Nd if he gets to flirtin', 'nd broke up with the fever, Jest tell him it's all right outside, but in skool he must leave her, 'Nd after I got 'em finished up, I'd be glad 'nd sad I know — I'd be glad to see 'em finish but I'd be sad to see em' go: Now, teacher, to be honest, aint yer felt the self same way When you see yer scholars leavin' skool, aint yer smiled a tear away ? Aint you felt that sadness growin' when you went back in the room? Aint yer heerd the silence quotin', "Billy's gone so soon?" Sounded kinder like a voice comin' from the tomb. 22 IF I WAS TEACHIN SKOOL. I'd put my arm around 'm, 'nd then I'd tell 'm, to Pick out the work you like the best; don't let 'em discourage you; Now, that's what I'd do if I waz teachin' skool, w-e-1-1, say, jest like you. "OLD ARKANSAW." I have read of beautiful rivers, How softly and sweetly they flow, Gathering each little streamlet, Laughingly onward they go; I have heard how silvery moonlight Kisses each ripple with glee, 'Till I dreamed that the Rhine and the Weser Were gentler than any we see . Ah, let the word-gilding artist Paint me the waters I saw Last night as the fairies were dancing On the banks of the old Arkansaw. So fresh and so sweet were the breezes Wafting their fragrance to me, Which had been silently stolen While passing wild flower and tree, The dreaming of my childhood Kept flowing through my brain, 23 24 "OLD ARKANSAW." Till I was a boy with rod in hand Fishing just as plain: Transcendant stood I watching The red man and his squaw Drifting down with the current Of the placid "Old Arkansaw.' Last night as I stood by the river It seemed that all I held dear Had drifted away and beyond me And I should soon disappear: Maybe 'tis life's early stages, A child — a boy and a man Mingling their beautiful memories With the clear and bright waters that ran, That likens it unto the homestead: In our eyes there's never a flaw, In the way that God has designed it. May be so with the "Old Arkansaw." On the same spot I was standing I stood there once before And told my love to a maiden Under the old svcamore. y "OLD ARKANSAW." 27 She was a child of the red man, Schooled by the white pioneer When the vanities of civilized life Were entirely wanting here. Her great dark eyes bespoke the heart Melted by love's thaw, Which comes but once in every life Like ours on the ' * Old Arkansaw. ' ' The ripples made by the fishes Darting here and there, Seem to move with the gentleness Of her waving raven hair; Her soul has floated far beyond Into a grander light, Our children, too, are far away. Like the waters I saw last night; And soon I must be moving. According to "biblical law. It will please us to see from Jordan's bank Two graves on the " Old Arkansaw." THAT»S THE WAY TO DO. I don't care — I think it's mean For my ma-ma to say I'se never meant to be a girl — Because of my rough way ; Pa said, "The Creator knew his biz When he sent me — never fear" — I always go with my pa-pa; Ma says I've got him by the ear, I like pa the best of the two, He just laughs and says — "That's the wav to do." When I'm at school I play with Will 'Nd all his chums as well, 'Nd when I hit the ball, You'd orter hear 'em yell — "Get there, Tom!" that's what they say; My sure enough name is Fan; I wonder when I'm bigger Will they take me for a man? 31 32 THAT'S THE WAY TO DO. Ma says, " Don't play fer it's naughty to:" Pa just laughs and says — "That's the way to do." Willie's just ten years old, I'll be twelve this here July — 'Nd the boys picked on our Will But you just bet I made 'em fly. Ma says, "It's awful wrong to fight And make her feel so bad" — I'd giv 'em worse than a bloody nose, But a bat was all I had ; Ma said, " That's the worst I've heard of you. Pa just laughed and said — "That's the wav to do." Our Nell has been to college. Wish she'd go — and stay; Always plaguin' me to wash 'Nd dress a different way. She makes me tell my prayers 'Fore I jump in bed; THAT'S THE WAY TO DO. 33 Guess the Lord can hear through clothes- My feet is cold — I said; Nell told ma and pa too, Pa just laughed and said — "That's the way to do." Can you tell what NelHe meant, When she came from Jones' tea? Wish all the folks were like our Fan, Free from all hy-poc-ri-sy ; With the lamp turned low last night, Softly smiling in her dreams. How nice it is to know She's exactly what she seems; I won't scold her any more — ma will you? Pa just laughed and kissed our Nell And said, "You oughtn't to." JUST NATURAL. I stood and watched the swarming crowd, Seemingly restless, and clamoring loud. For some one to open the great hall door, Which soon was packed — 'twould hold no more. The electrical spark spelled out the name Of some wonderful person of national fame. What is it that makes one person so great ? Some say they are lucky — attribute to fate. Others say it is work that makes them ex- cel; But I sometimes think it is "just natural. " I listened to a minister that all the world has heard. His discourse was simple — but true every word. He told us our duty in such a nice way — "That is correct" — each would mentally say. 35 36 JUST NATURAL. But let our own minister say it was so, We'd make it so warm, he'd soon have to go. Study and work may help him to tell. But with him I am sure it was "just natural. " At the Opera a young girl was making her debut, Her part was a minor, like every one that's new. The leading lady's cultured tones receive the usual hand — She was cast to favor, and, of course, it sounded grand. A thrill went through that audience — dreamland seemed so near. When the tender, young, sweet voice rang out so soft and clear. A factory girl was made a star, so I heard them tell, By that siren of her voice — that was "just natural. " Haven't you sat in awe while ponderous wheels have turned With the accuracy of time, that some great mind had learned. JUST NATURAL. 37 The touching of a button seems to start the world along, We can hear the Great discourse, the ar- tist's gladdening song. By one brain the world is brought into closest touch; We might apply ourselves for years and not accomplish much. Along that line we're not adept — but on the pinnacle, Edison works with such ease because its "natural. " Shakespeare never wrote his plays it has oft been said, He never graduated, he was wicked and unread. But great and grand that primer in his childish "hand, Only one was published — only one could understand. Reading in his pages — like looking in a well — The reflection of ourselves seems so "nat- ural. " 38 JUST NATURAL. My friends don't think, they pass their time dreaming vagrantly, They're so in love with what they do, it is a pleasantry. My boy and girl, the world can't know every one of you. Those who climb the heights are so very few. But in every walk of life the same rule holds good. We can climb much higher and faster, if we would Do the things we like to do, and do them well, Then success will come to us, "just as natural. " Wasn't up last night, Parson. PRACTICE WHAT YOU PREACH. Wasn't up last night, Parson, Ain't missed for many a year To listen to his mighty words, 'Nd them old hymns so dear. I've been going around of late To every church in town. Just a-listenin' — kinder listenin', To see what each has found 'Bout savin' of the human race That others overlooked By their short-sightedness in readin' The self same book. 'Nd I have been droppin' in To every Sunday School To see if people teachin' children, Follow the Golden Rule. I've found out successful preachers Put true thought in their speech, And after vSunday's over Practice what they preach, 41 42 PRACTICE WHAT YOU PREA.CH. Tell you what I found out Parson 'Bout a church that's strong, Don't neglect the little children And wait 'til they are wrong — Like we do with our children Just by pure carelessness. The teachers in our Sunday School, Why, I will confess, Are doin' the best they can, But they ain't made no study of a child And do not understand That everything they do and say Impress that little brain. Don't care 'bout your preachin' aftei- Might as well just pray fer rain. PeaJrs like to me we should start Right at the fountain head. And we can't be too careful, Parson, 'Bout what is done and said, Fer them little 'uns are sharp as tacks, And them 'er who teach Will ruin many a little one Les' they practice what they preach. Will luin many a little one. PRACTICE WHAT YOU PREACH. 45 I'v lieerd you tell your congregation, And I believe you would Rather talk to them 'er folks Where 3^ou can do most good. But ain't it kinder natural, Parson, Fer ter want to stay 'Nd think you can do most good AVhere you receive most pay? Don't them 'er fine-haired people W^ho have churches of their own, Don't w^ant ter mix up with common folks 'Nd rather be alone. Don't they give yer a little extra, Ain't particular with the price, When ye' ease up on your sermon 'Nd say things that are nice — Just to please 'em?— Ain't ye' afraid you'd offend 'em If you said just wdiat ye thought? You've got no power with 'em, Parson, Cause they re'lize 3^ou'r bought; Don't you know they'll respect you If you say just what ye mean? Don't you know the highest pay is When the heart's made pure and clean? Go after them rich fellers, Parson. 46 PRACTICE WHAT YOU PREACH. Tell 'em the Scriptures teach "The righteous should consider The cause of the poor, " And to practice what you preach. I have come to the conclusion 'Bout this whole church affair, We'r all doin' a little preachin' And we'r doin' it everywhere. Some don't even do no talkin', But their work is one grand song, Per their doin' as Christ has bid them, Jest a helpin' the weak along. That feller who treats your sister jest The same as his own — Don't you think he's jest repeatin' The Saviour's words in an undertone! Teachin' religion is a fel]ow feelin', Not fine sermons put in speech. We'd soon find the world converted, If we practiced what we preach. JEWELRY MAN. When only a boy, No whiskers and coy, When sister made my long pants. Me and pa went to town — "Take a dollar — go 'round," He wanted to give me a chance. "Be back here by three," He said unto me, As I left — a man in the street Just started to hollar, And we did all f oiler, 'Nd he shouted out from his seat. "Good neighbor come nigh, A dollar can buy, Gold watch and chain — diamond pin- Glass cutter — silver set — Lots more — I forget — And then he whacked all "of 'em in. 47 48 JEWELRY MAN. With dollar in hand, I purchased and ran To show pa what I had bought. He laughed and did say, "You've got lots — anyway, Whether they're lasting or not. " The watch stopped next day. The gold faded away, My pop-bottle diamond was glass "A Jay Gould!" said Nan, The great business man ! ' ' The boys all called me an ass. Of course I felt bad. But since I've been glad, For now when I see a great chance, In front of me stands That same Jewelry man, The first time I wore my long pants. Love's Army. LOVE'S ARMY. Fair one tell me if sweet nature, With your beauty, has combined To intensify all grandeur Just to keep your face in mind. Did the things that feed love's passion Congress secretly with you, All agreeing — all delighted To play a part — to help you through? Before that you had met me, Did you tell the golden dawn To brighten up all nature So that fate would coax me on, 'Till he brought me without thinking Where you bound me w^ith a glance ? Then on gentle smiles you fed me, 'Till I slumebred in love's trance. 51 52 LOVE'S ARMY. Did the rarest charms of Venus Give you extra grace, Did the God above add goodness, To brighten up your face? Then did you awake me, Let me wander from your sight, And when I would forget you. Did you whisper to Twilight To do your entertaining For just a little bit? Then hand me over to the stars, After they were lit? Did they shine so by agreement, With that luster that seemed new ? Did every one agree, sweet love. To make me think of you? Did you tell the twinkling canopy To take me by the hand, And give me to old Morpheus, Where I saw you in dreamland? Was Springtime at your meeting? Did she ask a leading part. And say she'd make more fragrant, Each flower to charm the heart? ■Songs of Love. LOVE'S ARMY. 55 Did she say that she would take me, Where the golden sun-god sank, And let me gaze on her sweet face, From yonder mossy bank? Did you plan the scene together. Then pick an April eve. To let my poor eyes feast a moment On charms — that will not leave? Did you deaden a few branches, That the rest might look the greener, And sink all nature in the brook, To make it look the cleaner? Did all the birds sing for you Their sweetest roundelay^ AVas it for you they washed their plumage For you they looked so gay? Did you send the roses after me When I ran from you ? And when they could not catch me Did vou tell the violets to? 56 LOVE'S ARMY. Call in your merry helpers, O! Cupid, they've been true; They found me, bound me with love's chains. And brought me here to you. Assemble all together. Flower, field and brook. The bird, the stars, the fairyland, All charming things that took Part in my captivity In this triumphant scene — . While I surrender to my love, Of beauty you are queen. Put me in love's prison, For there I fain would dwell With you — a whole life's term, Let your own heart be my cell. y^ Angel of Spring. SHE IS OF AGE TODAY I just got back from that 'ere town, AVhere th' darned old street car chased me down. Nell didn't know I'd gone, or why I went away — T'was to buy her a golden bracelet, Fer she is of age today. Nell — is my only daughter, 'Nd only child at home, When Sam and Bill become of age, I looked fer them to roam. But when I-wus ridin' home today, Thought after thought did pour, 'Bout young girls who come of age. Especially them that's poor. My heart went out fer them pore souls Who clerk from morn till night, Their pay's so small — their sex so weak, Temptations far from right. 59 6o SHE IS OF AGE TO-DAY. You who have a daughter, And her mother taken away, Have felt the love and pain I felt, As I rode along today. A casket covered with roses, Some earth that was dropped with a prayer. Poor Sam and Bill was kissen' — To still little Nellie's awful despair. Yes, Stranger, it's six years ago, Since she was laid to rest, Aint raised Nell same as dear wife would, But Lord knows I've done my best. She finished our deestrick school — at home, Went to college with Sam and Bill; 'Nd fer three straight years she took music. And her diligence paid all the bill. An' I tell you she worked with a will. Them letters and smiles and her lovin' caress, Have been my only sunshine. Since her dear mother's death. " I'll always love you just the same." SHE IS OF AGE TO-DAY. 63 But I hav'n't told ye all — my friends, That I have brought to her — What do ye think of that seal-skin That I paid a hundred fer? A week ago to-night she said — "Daddy — I have — a surprise" With her little arms around my n€;ck, And kisses to blind mv eves. "You are the dearest Daddy, In all this world I know, I've told you of my love for Will, But a father's blessing should go. Don't you know, dear Daddy, That next ^londay I'll be of age? I'll always love you just the same. Shall I — say, shall I engage? " There is your kiss, and I'm happy, Since you hugged me so. It's a lovin' way — you have to consent, When the lump in your throat seems to grow. 64 SHE IS OF AGE TO-DAY. We'll both come a week from to-night And take you by the hand. Sam and Will is coming too — Look up — say won't that be grand? "There, Daddy, please don't cry no more, I know it's hard to part. You know that a girl's life is love, Soft and mellow the music that first touches the heart. Daddy you've seen young lives failing, Some even reckless and bad. Don't censure — they 're objects of pity, They've been robbed of some grand love they had "Lean on my shoulder, dear Daddy, Put your face nearer to mine. Don't you know I've been talking to mama — Not dreaming but something divine — She said, 'Every girl with a life that is shattered, Has offered a prayer soft and low, For that wretch who has left broken hearted One soul to drift here below.' SHE IS OF AGE TO-DAY. 65 "She said, 'That man won't prosper, No matter how much he may own. His pleasures are only the seeming, And the true man is sad and alone.' Kiss me before I retire, With that love that's now all aglow. Then pray for us all, dear Daddy, With that love I have just come to know." I LIKE HER AND TOMMY, TOO. I'ln seven years old, you know, An' ril be older when I grow. An' be as big as Tommy White, Who wuz a rag- tag an' could fight ; Fer when Joe Suthers picked on me, Tommy said, "Look here, you let 'im be." Tommy said he didn't care If I licked Joe, but 'twasn't fair Fer him to lick and pull my hair; An' teacher licked him fer lickin' me, An' Iz uz glad uz I could be, 'Cause I like her an' Tommy, too, W-e-1-1, w-o-u-l-d-n-'-t y-o-u? Sum boys don't like their teacher, any 'tall, S'pose that's 'cause she makes 'em bawl. I wish she'd whip me, too, when I am bad, 'Stead a kissin' me, and make me sad. Other day she said, "Willie, you spell cow," 67 68 I LIKE HER AND TOMMY, TOO. All of 'em laffed when I said, "I don't know how. " And then I cried, an' teacher come an' smoothed my hair, And kissed me some, an' pointed to a cow picthir that wuz there ; She said, "you can spell this now?" And Tommy whispered " C-o-w, " "Cow," An' her an' Tommy helped me through, An' I like her an' Tommy, too, W-e-1-1, wo-u-l-d-n-'-t y-o-u? Teacher lives with us, you see ; Th' boys say it's why she's good to me. Pa said, "She's old 'nuff to scare, " An' ma said, " If she was young and pretty she couldn't live there;" An' I tell'm she's the bestest teacher every- where. Last supper time — "How old are you?" I said. An' pa looked an' said, " Shut up ! or go to bed." She looked at ma and said, "Please pass th' bread;" I LIKE HER AND TOMMY, TOO. 71 Ma looked at pa, and passed the cake in- stead ; An' then Tommy come fer me to go to the show, An' teacher give me ten cents, an' ma said, "Let him go. " An' I didn't go to bed, but we flew; An' I like her an' Tommy, too; W-e-1-1, w-o-u-l-d-n-'-t y-o-u? A feller here last Sunday what's her beau; He's got fast horses an' makes 'em go. Pa called him Tom, and I did, "Call him Mister White, little boy like you. ' ' I get in his buggy and take his whip and play. While pa helps him unhitch and take his team away. When he comes teacher takes her hair Down, an' puts it on her head where it's bare; An' I see her every week Take some flour an' put right on her cheek. 'Hm, but she didn't fool him, he could tell 'Twas her, for he knowed her dress so well ; 7 2 1 LIKE HER AND TOMMY, TOO. An' I went in the parlor, an' she Took me right up and kissed me : He said to her he wished he's small; I telled him I wished I uz tall, An' she telled me where 's some nuts to crack Out in the kitchen, an' he give me a quarter an' said, " Come back — Next — Sunday," and he'd give me two; An' I like her an' her Tommy, too, W-e-1-1, w-o-u-l-d-n-'-t y-o-u? \ THAT'S ME. You've all met homesick people, Somewhere in life's run, Who wanted to see their dear folks. You roast them— just for fun. One poor fellow — was so sick That he nearly died, Actually, it was a fact, That great big baby cried. Who was that awful booby? First you promise me. That you'll never, never tell- Thev say he looks like me. You all know young men Who haven't got a "sou". Now they take the other street, Because they're owing you. I know a trifling fellow, Who touched every one he met, 73 74 THAT'S ME. And when he saw them coming, You ought to see him get. Who was that striking fellow? First, you promise me, That you'll never, never tell — Why, he resembles me. Haven't you known softies Who do nothing else but spoon' Of all disgusting people I believe it is that "loon " . He spends all his time Like a little pup; He seems to think to win a girl He has to just gum up. Who is that brainless cur? Girls — you promise me. That you'll never, never tell — Then take a look at me. Haven't you known people As perfect as the day ? When anything is going wrong, It's your fault, they will say, I know just such a person; What he does is right, THAT'S ME. 7 5 Looking at the world, you know, According to his light. Now don't you ever, ever tell Whatever else you do, My Christian friend, don't you think That person may be you.f* I WON. Well, neighbors, since I've been called on To make a little speech, I'll show you I've always got one Right in the proper reach. Don't fret to think it's lengthy, Fer this here concern; Fer I want to tell you, kind people, We've all got lots to learn. You've heerd 'em lecture on success In a rented suit of clothes, But when I talk they must lay down, 'Tis the practical thing that goes. And a little sketch of my own life Will be just as good to you As some of them 'ere fellers Who've been dead a century or two. Fer every game that I have played Fer marbles or fer fun, Just ask the folks around our place 'Nd they'll tell you that I won. 77 78 I WON. When I was back there on the farm Where we work eight months, you know; There was four months for our schoolin' But we had our nights — to grow ; I can see the scholars standin' Round that old cracked stove so plain, Can see the rags stuck in the winders Fer to stop the snow and rain; • Can hear the teacher savin' yet, There's a prize to give away To him or her who speaks the best On Friday — the last day. *Twasn't a minute 'fore I said " I can beat any person there Unless it be that Sally Brown Who spoke at the County fair. " 'Twas Sal and I fer it And so we did agree We'd pick a judge apiece 'Nd the teacher — she'd be three. Now you can see the practical To show that I'm not slow. I picked Jennie Young — not fer her wit, But Sally took her beau; The next thing on the program It was plain fer me to do, Scholars standin' 'round that old cracked stove, I WON. 8i Was to honey up that teacher, 'Nd I did it — proper too. There was a dance and two big shows In town that week — and so, When I asked if I could take her Girl-Hke she didn't say no. That schoolma'am weighed just ninety pounds Countin' her glasses and false hair — I told her how I hate big girls, And her complexion was all there. She said, "I'm just seventeen," 'Nd I was too — plus one; Of course I didn't influence her, But on Friday — why, I won. Things got to movin' a little too slow Down on that farm for me, Thought I'd try town life awhile. That's why I'm here you see; Got a job down at Twister's mill, At the far end of the town. Fell in with some chaps 'Nd at night we went around, 'Nd like many other thoughtless boys With no particular place to go 82 I WON. Went into one of them 'ere places Where there's looking glasses — you know. One night some fellers said to me, Come on, Rube, and take a hand, Told them 'twould be very foolish too Fer first I'd have to understand The game — one sharp said, "Go on, ye guy. " Guess 3^ou are your mother's son. That feller stayed in several days They call me boss, cause I Won. That kind o' weighed on me awhile. Fer it was different than m.other taught. That is, I'm sorry 'bout goin' in. Didn't care — cause I fought. And after that when them boys Come fer me to go To them 'ere places I give 'em a talk 'nd told 'em " No. I've noticed that yer all kind boys, Like ye all — 'tis true— I do, 'Spose ye all got mothers, boys, If ye ain't — I pity you. Now if some person should come along And hurt her feelin's in any way, I WON. 83 Wouldn't you take the rashest means Fer that insult to repay? Don't you know, now boys — be square — 'Twould hurt your mother To know yer there? And another thing, we all do think We're not the ones that's going to the brink ; Ah, boys ! wiser heads than us have fell. " That's all I said, fer we all knew well And did agree that we could find Some better place to spend our time. "Now boys," I said, "last night, I found some people who Have rented some rooms 'Nd furnished 'em, too. With books and papers fer every one, Th' grave, th' gay, th' old, th' young. Some are serious, and some are fun. " It seemed but a little thing But that night we begun; Went down to them rooms, that changed three lives ; In after vears, I count I won. 84 I WON. But it wasn't all of readin' That attracted of me there, But who she was that sat across I inquired everywhere ; Can't say that she was proud But stately, if you will, For she had that kind of dignity That wouldn't give you a chill; I noticed her fer months, 'Nd sometimes I could see When I looked up quick, She kinder glanced at me; I thought it accidental, though. When she cast her eyes this way 'Nd let it go, 'nd only said "She's a character in some grand play. Got to goin' to church Dressin' better all the time, Right in amongst the Christian folks I saw that face, she looked divine, 'Nd then the congregation All 'rose up to sing. One voice was all that I could hear. Never '11 forget that ring. Ah, friend, don't smile, you've felt the same No matter where you've been; '■ Come near me, John.' I WON. 87 You've heard a voice like evening chimes 'Nd wished you didn't sin. Went into business fer myself, Made money on the raise of land, 'Nd thirty years ago today. There was a wedding — nothing grand ; We sailed down the stream of life, Our love asked Providence for his care, 'Nd fer nigh on twenty years. We were blessed with more'n our share. But one bright day ten years ago, Alas! that day, 'twas gentle Spring When the flowers begin to bud 'Nd the birds begin to sing; She took her bed — a little cold We thought — we said, "She'll be better in a little while. " But how strange ! she read The Bible nearly all the while; And one day in the queerest tones I heard her say "Come near me John, call daughters too, I'm going away;" She told us not to feel so bad, For him who made our home so glad Here on earth had called her 88 I WON. To that heavenly home Where we'd soon come No more to roam. She kissed us all, and bid farewell, Her life passed out like the golden sun We never speak of it as death. For in this life a heaven we won. \ LET ME DO RIGHT. Let me do right, e'en though I see The victors in the fight throwing stones at me. At sin's loud gun — my friends take fright; I must not run— let me do right. Let me do right, e'en though I know It sometimes grinds me to do so; When I see wrong with prospects bright, But 'twon't last long — let me do right. Let me do right, let me be strong When sin invites — to go along Where friends are gay and seem so bright; Help me to say, " Let me do right. " Let me do right, I know it's best; For short the night — to day of rest. Rest while we're here — where sin pays blight ; With conscience clear, let me do right. 89 Say, Old Glory— say. would you ? SAY, OLD GLORY— SAY, WOULD YOU? Old Glory — old Glory — see the great dense crowd, The bad is mixed up with the good — shouting just as loud. They are proclaiming in your sight, They all love you — just alike. Old Glory— old Glory — did I see you blush ? Old Glory — old Glory— did you tell them hush ? Old Glory — old Glory — can it reallv be That you are proud of some humanity? Do you ripple in the breeze For the miser who does squeeze From the widow her last cent, Till to the poor-house she is sent? Do you look so proud and grand For those who mock our law's command? If you could speak — would you say I wish you'd kindly stay away. You cause me grief — disgrace me, too. Say, old Glory — say, would you? 93 94 SAY, OLD GLORY. Old Glory — old Glory — high up in the city Floating higher than the rest, O, my — what a pity ; Floating o'er that massive store — Below you are but wretched poor; Working — slaving — all the day, Women — children, for such pay, With nought to live — much less to save, Their only hope is but the grave. Firms you're representing there. Ain't it more than you can bear. To see the wages that are paid ? Don't you think it does degrade Our brother, sister — ah, such price, Is mankind in a vice? If our forefathers only knew. You are floating for the few. Wouldn't they have cause to weep? If, old Glory, you could leap From the base, the untrue, Say, old Glory — Say, would you? Old Glory — old Glory — you seem so much at home. Waving proudly from the height of the great, white dome SAY, OLD GLORY. 95 Of our glorious capitol — where the laws are made; The place to be fearless, never be afraid. To vote their honest conscience, as we all should, Voting for all mankind, voting for the good. Old Glory — old Glory — what do you see From your pinnacle? ah, such bartery! The lawmaker in your sight Acting under — "might is right. " If you could would you come down, And like the Christ, when he found In the temple all about Money-changers — and drove them out; Old Glory — old Glory — Don't you want to say, "You curse me, curse me every way; You disgrace my Red — my White — my Blue, Say, old Glory — say, would you? LITTLE OWAISSA, THE CHEROKEE. She's a little Indian maid, But you need not be afraid. Once I met her on the prairie, And she seemed so like a fairy. She's as fair as you or me, Little Owaissa, the Cherokee. Her eyes are coal, and nature sweet — ]\Iay God guard her childish feet From all the snares in future day That she'll encounter on life's way. A childish face — such purity, Little Owaissa, the Cherokee. If she could only live and stay Brighter than the sun's gold ray, Witli a life that has no guile, She, who's but a living smile! Some day — say, will beaut}' flee From the little Cherokee? 97 98 LITTLE OWAISSA. Little Owaissa, say, if you Are always good, and kind and true To everybody — study — play— You will then be young alway, For youth is sweet simplicity Like Owaissa, my Cherokee. Little Owaissa, L.cfC. IN OUR DAY. Are you hopeless because you find The wheels of justice slowly grind? The little force that you exert Somewhere — sometime will wrong hurt ; Please don't give up and say, "It can never be, in our day." In days of yore think how they fought — A century of moulding seems but nought Each hero fought for you — for me In the common cause of libertv. Millions on the altar lay That right might reign "in our day." If we stop and only think That life is but a breath — a wink. Would you be as beasts that feed On human gore, while others bleed, But a moment to please the clay, Caring no further than our day? I02 IN OUR DAY. Learn, my friend, that in this life There's but one pleasure in the strife — It's adding to eternal light. Others are the dogs that fight; Like us, they eat — they sleep — they play- Like us they live "for our day." Great reformations were not begun. And by a generation won. How came our cherished liberty? Who set the great Republic free? Why — we are but a watery spray, That wears the rock — "in our dav. " What if we're the first to fall Unnoticed — the wearing seems so small ; Or might we be those little drops That sever the boulder, and see it drop ; Then to the first would we say, "See what we did, in our day." IN OUR DAY. 103 Let's learn a lesson from the rock and rain, And each wash away a tiny grain Of granite wrong in our time. It will make each life sublime; Don't give up, don't dismay. Let's play our part, "in our day." THEY WILL ALL BE DEAD. Mamma put them all away, 'Cause they aint a bit too many For there's lots more graves they say Keep every one, don't lose any. At school today teacher told 'Bout soldiers — how they fought and bled. They're thinning fast and growing old, 'Nd pretty soon "They'll all be dead. " When teacher was like us — so small 'Nd marched with flowers in her hand, Same soldiers didn't bend at all 'Nd marched up quick behind the band. They talked lots 'bout it then — Praised them that fought, 'nd them that bled. Maybe it makes 'em sadder now Just thinkin' soon "They'll all be dead. " 105 io6 THEY WILL ALL BE DEAD. Mamma — teacher felt so bad She talked to us — and cried, too. All of us felt so s-a-d, 'Cause her own papa's grave is new. For every soldier we've got lots 'Nd his we'll make a flower bed. For every grave Forget-me-nots, To brighten thoughts "When all are dead. " She said, the richest we could give Because they died — so much we owe, That the flowers of right might live. We pluck the richest buds that grow — Mamma put every one away. Kiss me now I am going to bed. We'll remember them Memorial Day — So will Jesus, "When all are dead." LIKE HER. I got an aunt, who's an old maid, She gives me lickin' — I ain't afraid; She teaches my Sunday School 'nd pray, She say I'll be an angel some day, I don't want to be an angel, not now, 'Nd she ask me "How?" 'Cause I want to grow big like you, 'Nd be an old maid angel, too. My ma's cousin, where we go Every summer is a widow. She was so sad 'nd put black on, I ask her what for — "Poor uncle John." "Uncle John can't see cause he's dead." Ma felt awful bad 'bout what I said, She wears" nice things now, red and blue ; I heard her say to my ma, "Would you Think people would talk if I wear Colors?" Ma said, "No, nor I wouldn't care, 'Cause John been dead for four months— then 107 lOJ LIKE HER. They whispered some 'bout other men. Guess they didn't want uncle to hear 'bout Mr. White, Who kissed her, last Sunday night. They don't think I know, cause I's told To go out, but I seen through the keyhole. I don't want to be like her when she's sad. But when Mr. White calls 'nd she's glad 'Nd laughs, 'nd wears red and blue Why I want to be a widow, part the time, too. '•Oh, my, at lirst I couldn't speak." NO PLACE LIKE THIS. No place like home, Ma always said, You'll find it out when you are wed, She just hated my best beau, And one day — just told him so. And I cried 'till I couldn't see But we met — er — clandestinely. And one nice night when the moon didn't shine— I held his hand— er — er — he held mine. I said, "My darling, ain't this bliss? Home ain't in it compared with this. " But love, you know, will find a way. And Billy said, "Let's run away," ' ' What ! leave my home ? O should I go ? " And yet I loved the poor boy so. Ah, my, at first I couldn't speak, "But, dearie, I get ten a week," I answered with a smacking kiss, "Let home flicker, ah, give me more of this. " 111 ■Vat makes dem do dot." VAT MAKES DEM DO DOT ? Mine friend, I vas in love mit a yankee gal, I come from Yermany yust six years, 'nd make money pretty veil. Dot gal yust come into mine store, 'nd yust smile so sweet, I feel yust like all over, I like dot gal to meet. She buys somedings, "and to-night bring them up," and told me ver to go. Vat makes her do like dot? it's so funny like, you know. In der parlor she go right avay, and play so nice and sing, J3en — she talked so sweet und say der nicest ding x\bout me, she said it would be lonely after I vould go. Vat makes you girls do like dot? its funny like, you know. 115 ii6 VAT MAKES DEM DO DOT? After vile me go and set on der sofa — her beside, She told me, " O you mustn't,' ' but move — she don't tried. Only she move off closer, and I yust take one kiss, so sweet. She told me, "How dare you, the second time ve meet?'' I feel yust like von big fool, und told her never mind, "If you do der like again, why yust pull down der blind.' ' Dot vas acting awful queer, say don't you dink so? Vat makes you girls do dot? its so funny awful — you know. I get me team und buggy, take her to der teater — every vere , Giver her fine lots of presents, but you know I don't care, Me dink she be my frau — some day, but der's von ding I don't see Von oder feller use to call her "dear cousin" — she tolds me. VAT MAKES DEM DO DOT? 117 She tolds me I look "Yust like no one, my own dear lovely Yake." Dot's me — me like not dot cousin, me dink I make von break. I say ' ' Mine dear, ve together dree years go. Vat makes you girls do like dot?" "It's so sudden, Yake you know." Der next time dot I called on her, vat you tink she say to me? She vas so sorry awful, but mine sister she vould be. How could dot be, now I don't see. Since I vas born, I said, "O you vant to adopt me?" I guess not — you yust go ahead. I get me von nice Yerman girl, und childrens yust a dozen. She gets married and divorced — from dot lovely cousin. Vat makes you girls do dot? I don't see, by Joel' You'd be happier mit twelve children den von divorce don't vou know. A BOY AGAIN. Here I am back in the school room again, Back with the boys who want to be men; 'Nd there's my seat, 'nd you needn't to think Tain't easy to prove, cause it's covered with ink. Even the scrap paper's lyin' there yet — When teacher comes 'round I'll be sweepin' — you bet! And there's Susan Jones who came into town," Look at me whisper, 'nd see her turn round, Then straight at the teacher, she never did fail With a smile and a laugh — the little tell- tale. 119 I20 A BOY AGAIN. Aint me 'n Bill glad when it freeze 'n jes blow, Fer then she can't come, cause she's sickly, you know Then we tell our folks "we beat Jane to-day, " Tain't our business to tell 'em that Jane staid away. Say you won't tell if I tell — but that girl they call Net, I've been her beau a whole year — 'nd I'll tell her so yet. Sam Frost said he liked her, but he better keep still. If I can't lick 'im, myself — why then I'll get Bill. Ain't I so glad I'm back here again. Back with you foolish kids, who want to be men. Now you boys 'nd you girls come out under this tree, After "Ring round rose," then listen to me. Ain't I so glad I'm back here again. ' 121 A BOY AGAIN. 123 I was a man very rich, it is told Lived in a mansion — had diamonds and gold, Had horses and servants, went to plays — everything, And four or five times, I dined with a king. They didn't prove pleasures, but burdens to me; I was weary and tired, till I met a kind Fairy Who said, "What'll you take for your wealth and your joy?'' "Here, mother, take all, and just make me a bov. " She looked in my eyes, and soon I could see A honey sweet sleep, jes tryin' to steal Me away — O everything ! Sweet scented flowers; then I saw A little gold chariot the butterflies draw, 'Nd I melted and melted so awfully small, If a lily dropped on me I would smash — that's all. 124 A BOY AGAIN. 'Nd kind Mother Fairy took a wee diamond pin From the hair of the driver, 'nd' put me right in 'Nd back in her hair. "Go back to the boy — tell the children take care." I've learned a few things — I'll tell them to you; I'd be jes as I am the whole of life through. I'd not change a bit, not even my clothes, Not even my shoes with them holes in the toes. Just take that old hat with no band on at all I'd rather have that than a silk one so tall, Which some people wear jest to make 'em look fair But when you deal with 'em — no honesty there 'Nd you girls better stay jes where you are With that bloom on your cheeks you can kiss 'nd not mar. Now when you cry, you think it does smart, But wait till you're bigger 'nd jes cry from the heart. A BOY AGAIN. 125 Now when you laugh, it makes you feel good, But then you must smile, and you'd cry if you could. I've told you enough of mother Fairy to- day, Let's just be contented to study and play. WHAT DO WE WANT? What do we want? — Want anything That you can say or do to bring Another smile upon the face — Another little resting-place For those who toil so hard each day. I'd offer them a little more pay. They want some fruits of labor, too; Are the millions for the few? Want business men that are not afraid When they speak — of losing trade. This matter lies with you and me, In what we want we must agree. What do we want in church and school ? Want independence — want no tool, Want you all — try and reach Our daily need; then preach and teach The school and congregation, too, To think themselves, to act with you, 127 128 WHAT DO WE WANT? They will do it only when You show them just what does depend On each ; for all have pride To do their best when satisfied They get credit for their share. We should notice each; it's onlv fair. What do we want? We want to know Each other — we want to grow Humbler, kinder, with less pride; To accomplish we must be allied. There's too much of rotten thought — We should be classified by "What we got." We want less talk about the past, We want less living a little too fast; We want folks know — at the best Life is but a fleeting breath. We want each to understand There's nothing real, nor good, nor grand In this life but doing right. All other deeds will be but blight In our life — when we know It's our time for us to go ■I'd offer them a little more pay." WHAT DO WE WANT? 131 To feed the worms; it matters not Beauty — grace, will mold and rot — Let's bid all wrong, "Avaunt! Avaunt!'' Let reason guide — that's what we want. SOMETHING YOU DON T COUNT ON. I want to talk to you, young folks, 'Nd tell you what you'll find Travelin' the rocky road of life, I want to jes take down the blind So you can peep in at experience Of an old feller jes like me. Perhaps it'll do ye good If ye could only see Somethin' that I didn't know 'Till after I'd gone A little too far to back out — Somethin' I didn't count on. Of course you want to Sow wild oats and to go the round, Everything will go all right Companions can be found. They will call you a good fellow, And drink your health, away Purty soon, and you'll awake, In time to hear 'em say: 133 134 SOMETHING YOU DON'T "There's a fellow that's a fool, Of wine and women fond,' ' And it's certain you will land, Yes, where you didn't count on. When you go into business Everything'll look clear. For makin' money awful fast. But ye better to prepare. For lots o' things'll soon happen. Ye didn't think of before. Experienced fellows'll come along And land ye on the floor. They will be sure to beat you bad. Them fellqrs they call a "Con"; 'Nd ye'll be signing somethin', Somethin' ye didn't count on. There's Sally Ann dressed so gay, All that girl did think Was to flirt around all day, 'Nd ter laugh and wink At Bill Hawkins' hired hand, 'Nd criticisin' other folks, 'Cause they have so many children, 'Nd jes sits round and pokes COUNT ON. 135 Lots of fun at ragged children, While they set upon the lawn, But she's found out since she's mar- ried, There's ragged children she didn't count on. MOTHER'S BEST SOCIETY. O mother, if I'd taken your advice, I'd have no need to cry In my room that's made so lonety, By each bitter sigh. When I left your own dear side "My daughter," you said to me, "Remember that plain and honest people Are the best societv. " I loved my mother — but I thought, After I was in school awhile, The better class were those with money, And knew how to fling on style. I attended reception — party — ball, Fashion was my world — you see Ignoring plain and honest people, "Mother's best societv." 137 138 MOTHER'S BEST SOCIETY. O, Mother, what you said so true — They did talk and act so sweet. And to-night must I go With those whose life is vain deceit. The party dress — the brooch — the ring, These poisoned dies, to look charmingly. How gladly I would trade them all For "Mother's best society." That handsome fellow — bewitching eyes, Whom we call the charming boy. Who never had a pure thought — He's the social star, that decoys Each budding flower, yes each dupe By his sweetened flattery. Curse them all and let me go With "Mother's best society." There's two girls coming now, One is rich and one is poor. They are studious — pure — simple-minded, Sunshine from their souls do pour. I'll invite them in each day And take them home with me, How proud will be my dear old mother In "Her best society." Half dreaming, half thinking, of life THE DREAMER'S AWAKENING. While quietly seated in my chamber alone, Half dreaming, half thmking, of life as a foam. And how we are bought and how we are sold, My only glad thought— I was nearing the goal; Nearing that time when old King Decay Would just come and claim me, and take me away — Away to that shore they call the Un- known — And all those who suffer, I'll leave them alone.' What can I do in that fight against wrong — A weakling like me against that great throng Is soon thrust aside or told I must hush. So I humbly subdue and go with the rush. 141 142 THE DREAMER'S Human nature at best is prone to lust, And cankerous deceit eats out the just; One in the crowd — Hke a drop in the seas. Let the banner of wrong unfurl in the breeze. I heard a loud laugh — took my hand from my head, Threw down my feet, and a volume half read, Went to the window — through the lattice could see Sweet little faces, just smiling with glee. Even the mother with a child tagging there. Hung out her clothes while she lullabyed care. Down through the long lane came some boys on the run, And with them old Carlow was enjoying the fun. Over the fence the newsboy just threw Fresh news of the morning, and was whistling too. One of those airs that makes life so gay, And we all try the chorus when the show goes away. AWAKENING. 143 I put on my hat — went out in the street, 'Nd I walked, 'nd I walked for I wanted to meet Some person, some face — didn't know who, As I sauntered along — "George, is that you?' ' And at the same time on my shoulder did feel The hand of some person, and as I half wheeled Round, and faced a man standing there; He was a stranger except his eyes and hair. We exchanged glances and words — as you all have done With your friend in the city — while half on the run. "Aint your name George Brown?'' — half doubting^ half sure. "That is my name,'' and "I've seen you before." "My name is Jim Sax, the son of old Joe, I came from New York just ten years ago." 144 THE DREAMER'S "Old Captain Joe.'' Of course I knew him, "And you are his son, my dear old chum Jim. Give me that hand again — God bless you old man. What are you doing — say how can I help kissing you — you grown up boy; Where shall we go — you treasure — you joy." We walked and we talked 'till luncheon time came About olden times — you've done the same. "I must get back to my business,'' said he. And we said in chorus, "You must come and see me.' ' After luncheon was over I hurried back home Thinking of old Jim, and how folks will roam And how we'd laugh — when we meet again 'Bout our old sweethearts who married old men. 'Nd drauk in the sunshine. AWAKENING. 147 Went up to the room — opened tlie shutte.rs up some, 'Nd drank in the sunshine just as fast as she'd come. What is the use of me feehng blue With smiles all around me and old Jimmy too? Everything in that room was filled with new life And all that was needed was a sweet little wife, And little curly-locks would be all right, I guess — But hold on old fellow or I'm afraid you'll confess. I guess the same power that steered Jim to me Gave me a boost and helped me to see That the sweet little girl — who borrows my books And who talks, and who talks, while I feed on her looks Don't throw out them smiles so killingly sweet — For some old dead author — she never did meet. 148 THE DREAMER'S Wasn't it strange? There was a note and her card — "Please come down, Mr. Brown, this book is so hard — 'Nd you know so much, 'nd you're so good I hated to ask you, but I just knew you would, I told my mamma all about you, 'Nd she thinks you're just lovely — honest, she do. You'll remember the number — six hun- dred and eight On Calumet Street, and I'll just wait For I'm dying to know All about Shakespeare — honest, 'tis so. You'll excuse me, I pray, for this long note — Say you won't be mad — just because that I wrote? I couldn't talk to you 'fraid I would blush. Good-bye, Mr. Brown, Yours truly, May Rush." May Rush, well I should just say. This is my chance and I'll rush the dear May. AAVAKEXING. 149 Where were my senses — why couldn't I see Those sparkhng eyes — illumed bright for me. I looked at the clock and saw it was three ; I won't do a thing, but fix up and see How fine and how nice I can make myself look; No m.ore "old bachelor'' too long on the hook. I took out ten shirts, but none would just do- Either torn a bit or a little spot or two. I looked at my hat and my shoes and my tie, And for the first time they looked shabby — in my one eye. One thing I had would certainly suit Was my best suit of clothes — they were handsome — yes cute. How lucky I was they were finished that day. Thought I got 'em for winter — guess I got 'em for "Mav.' ' I50 THE DREAMER'S Passing the window I noticed just then, Aboy,andI hollowed,"OJohnny— a— Ben— " He looked up at me, "Come here Httle man, I've got something for you,' ' and boy-like he ran. "You're a nice little fellow — how old are you? Do you go to school — and your teacher is who?" "Yes sir; I'm twelve; I'm younger than Bess; But I'm bigger 'n her^'cause I grow faster, I guess. "'Nd she just beat me in her classes, you know. Cause she's just little — when I started to go; I don't like my teacher — 'cause Bess is her pet Jes 'cause she can spell longer words than I can spell yet.' ' "Now you stay right there" — and I sat down and wrote The things that I wanted, and gave him the note, AWAKENING. 1=^1 And fifty cents, too, — very liberal that time — He can thank May — for forty — me for the dime. After tumbling and shuffling for three hours or more, A thousand times to mirror — to scan my- self o'er, I never looked so young and so fresh, so they say As when I had finished to see my dear May. Went down to the house and saw her dear ma. Although I looked good, I felt awfully raw ; In my new suit of clothes with my new mother in-law — Just like all the rest, she had plenty of jaw. May tumbled at last — in the parlor we went — She took down the album, which over we bent. She showed me all of her family tree, Or at least all that I wanted to see. 152 THE DREAMER'S "Please play something on the piano,'' said 1 — "Now you know I can't play, but I'll just try- Don't laugh — I'll try this new piece — for you anyway.' ' You girls say the same and practice all day. "Now Miss Rush, bring your book here, And turn to the page you want me make clear.' ' She took " Old Shak' ' down, but the print was so fine I intuitively drew her chair toward mine; She turned to the scene of Juliet fair, Weeping o'er the body of Romeo there. " 'Nd why did Mr. Shakespeare end his plays so Tragic — so awful for those that love so? Say, Mr. Brown, don't you think Mr. Shakespeare was mean That he didn't wake 'em up in the sleep scene ? I'm in love with a stranger whom mamma don't know, AWAKENING. 153 I don't want any Capulet and ]\Iontague show. Say, "Sir. Brown, read this,' ' she said, And at the same tnne leaned her soft silken head Nearer to me — she turned the page 'bout half way Her fingers touched mine and I just let 'em stay Right where they were — well I didn't care; They didn't feel heavy, but divine I de- clare. The verse that I read was on the page that she held — Our faces were as close as iron you weld. "Say, ]\Ir. — ^Ir. Brown, don't you think it was sad?' ' It had gone far enough, for we both had it bad. I suppose I acted nervous and shy for my age- After the first kiss o^ love — how romantic — engaged. 154 THE DREAMER'S Romantic, you'll say — when I told her of Jim 'Nd found her sister had divorced him — Curtain that scene from my sight O, I pray — Say! Father in Heaven, won't you veil it away? A fatherless child — sunken eyes — broken heart, The wrecks of true love, that slander did part. I'm wicked I know, but Christ heard that prayer, "Undeaden Jim's heart, and put the truth there. Show him that look that I saw in her face That sweet look of innocence, that no wrong can deface. Give me all power when I go to Jim — Sing from the Heavens that beautiful hymn — " * Lead kindly light amid the encircling gloom, Lead Thou me on ; The night is dark, and I am far from home; Lead Thou me on.' " AWAKENING. 155 How sweet the wedding chimes, upon the evening air; You've heard of two hearts that beat as one; But four as one beat there. Now in that same chamber where I was blue that day, The banner of right is waving — the wrong is far away. WOODEN BRIDGES. My boy and girl, when you were small Just a little tot, We have done things that we hadn't ought. Nothing bad, but reckless like. Such as walking o'er a stream Seeing who could come the nearest To the edge of some old beam. Or seeing how far we could climb Out on some small limb, Or may be in deep water Daring someone out to swim. Then we've been walking wooden bridges — But children I love you so I want to warn you cf some bridges Over which you must not go. You each day are building bridges Strong as steel or weak as wood; Wooden pillars are evil actions, Metal footing are the good. 157 158 WOODEN BRIDGES. Each of you through Ufe must travel The bridge you build to-day ; O ! be careful of its structure Else some day you'll fall away — Fall into the raging torTent Where fierce white-caps await you, And you'll be mangled on the ledges For little things to-day you do. How do you treat father — mother, That will often tell; Are you chiseling lines of sorrow On her face who loves you well? Are you "larger" than your father? Then my child you'll rue For some day without a warning Your bridge will fall and let you through. Nothing can be gained, my children, By turning from the right ; Look at people all about you Examples in your sight. I want to see each one of you Build your bridge of steel, All the world can stand upon it, And how safe you'll feel. I CRIED MYSELF TO SLEEP LAST NIGHT. I cried myself to sleep last night My heart felt bitter pain. He did not sting me with the words We must not meet again. I cried myself to sleep last night, For I loved him so; He never called me darling Or whispered words of love. I cried myself to sleep last night, For him I chanced to meet And with a smile I tried to win. And bring him to my feet. I cried myself to sleep last night For I loved him so; He never called me darling, Or whispered words of love. 159 i6o I CRIED MYSELF I cried myself to sleep last night With a broken heart; It seemed that when our eyes had met We ne'er again should part. I cried myself to sleep last night, For I loved him so; He never called me darling Or whispered wdrds of love. It was but a woman's maddening love, That brought pangs to my breast; My dearest friend stood in the way Of him I loved the best. I cried myself to sleep last night. Far I loved him so; He never called me darling, Or whispered words of love. I cried myself to sleep last night, As the wedding chime Told me that I'd lost my love, For a whole life time. The wedding march brought forth my smile As I stood bv his bride. TO SLEEP LAST NIGHT. i6i But in my heart a funeral dirge — For my own love had died. I cried myself to sleep last night, For I loved him so ; He never called me darling, Or whispered words of love. LiUle Rosa Lee. LITTLE ROSA LEE. So, boys, you think I'm homesick, Because I'm sad and still; W-e-1-1, I've been thinking of my trip, And one thing seems to fill My old heart with tenderness — And such a little thing — But it softens so my nature More 'en buds or birds that sing. Yes — boys — it was a girl, that captivated me, And I was thinking what I might have been If I had sweet Rosa Lee. She always used to smile so sweet Before I went away, And come into my office Almost eyery day. Our love was just as pure, as sacramental wine. 165 i66 LITTLE ROSA LEE. I gave her many presents, but she never wrote a hne. No new suitor had estranged us, For it was plain to see Those sparkling eyes flashed out the love Of little Rosa Lee. There was something in her life That spoke of love divine, What heart buds blossom brighter, Than a loving child just nine. O, mother — father with your child Don't you pity me — What is life without the care Of little Rosa Lee. JOSIAH'S EXCUSE. Why, howdy do, and how are you:* O my, I've been detained; I was so 'fraid I couldn't be here to shout in freedom's name! You see I'm kind er nervous hke— stage fright, vou may say, But I'd a hot time leavm' home, and hotter on the way. I s'pose you'd Hke to know how all this came about. And now I'll try to explain before I begm to spout. When your committee rote to me 'bout this speech of mine. My wife, Cleopatra, said she see I'd have a suit just tine. And often I'd rit and rote, and rit and rit and rote again. Then I'd rub some out, then I'd put some in, 167 i68 JOSIAH'S EXCUSE. Cleopatra said, "How fine! You rite like Jefferson! " Then I'd tell her to be still — you know you're makin' fun. Rite like Jeffdrson! yes, " I don't think;" Old "Jeff" he used a quill — me, a pen and ink. And after I got it all boiled down, and summed up all the fights, Cleopatra shouted, "That 's hot, you can bet your stars and stripes!" Now look-a-here, I shall not bet my stars and stripes away ; Fo»r when I get into town, you'll hear the people say, "There's the man who lost our flag — he gambled it away. " When I got up this mornin', I almost had a trance; My coat and vest was all O K — but you'd orter seen my pants:! Too big? Say, you've seen them er bloomer girls when their limbs had too much bloom ? JOSIAH'S EXCUSE. 169 You've seen the dear little dudelet when his legs had too much room? You've seen them er sick fellows who came back from the war, And noticed how their clothes would fit, when they'd been stout afore? You've seen the Mother Hubbard girl, whose dress filled up the room? And you've felt like telling her, "My girl, yer plucked too soon!" And now you've some idee of me a standin' there, And if I couldn't see my pants, I'd swear my limbs were bare! But when my wife and two big girls got at that pants— by gee ! 'Twasn't an hour before she'd fit like the paper — don't you see? And then they hustled 'round the room and got everything just so — You'd think I had two speeches — like a feller at I know, Them kars v/as bout three miles away that brought me to your town. And then a dress rehearsal — you orter seen me get around! I70 JOSIAH'S EXCUSE. I took across the pasture and struck a big oak tree, Threw down my speech and shouted, "Feller citizens! We are free!" I named over all the battles I could think of — and some more, And told them how we licked John Bull and spilt the British gore; I shouted to that audience — of cattle standin' there. And told 'em, "It's a corker how Johnny took the scare. " That remark gave offense to a feller, I could see; For he made one dive in m}^ direction — and I lit right up that tree ! Now you can tell why I am here without my speech — I guess, But if you'll go back after it — why — I'll finish my address! Heard some boys tellin' ELOCUTIONARY MAN. Heard some boys tellin' what they were goin' to do. They say that I am simple, and over- grown too. "I want to be a doctor,'' said little Will Brow^n ; "I want to be a lawyer,'' and so thev all go round. 1 am goin' to fool 'em all, you jest wait and see, Fer an elocutionary man is what I'm goin' to be. I want to be jest like him who came to our town, 'Nd let us boys in free, fer passin' bills around. 'Nd sellin' tickets to church folks, and say "Half is fer the poor.'' Pa said, "I judge all 'es by the ^Prince A' — the speaker wore." 173 174 ELECUTIONARY MAN. All us fellers set in front, and old women just come in Who wouldn't go to other shows, cause it is a sin. I'll try and make a face like him, so just look at me. Per an elocutionary man is what I'm goin' to be. He don't need no opera-house; he can show most anywhere Churches, schools, new barns, cheese fac- tories, open air. I'm goin' to try the ravin' act, a disap- pointed " Dad.' ' "Go — go — leave my sight, you've cursed me, made me mad! What have I done? What have I done? O! Nora, what have I said' Driven my only child from home; ah! ah! would that I were dead." Of course I'm only foolin', for a dead man's worse, by gee', Than an elocutionary man like I want to be. ELOCUTIONARY MAN. 175 We travel cheaper than the rest, fer one's the whole blame show, I'm goin' to play Uncle Tom's Cabin, fer that is bound to go. I will be Massa, Massa George, and Little Eva who does say "Come, Uncle Tom, come in the garden and play." Then I'd be old Mark, who sits down just so, "I got the law and the power, and power and law you know.' ' I'll be the quaker too, who helps Eliza in her flight, 'Til be tee-totally chawed up, if Idon't get that woman across to-night." I'll be the little kid with his poqr mamma. And tell the quaker, "No, sir; I don't chaw — " One feller I'd hate to be 'nd say " Blast your old black soul," Like that bad Si Legree, When I'm an elocutionary man, like I want to be. American Knigrht. AMERICAN KNIGHT. With rich and wilting plumes, And glittering array Of shining sword and buckles, In olden day, A gallant knight with warlike armour Prayed to wed his lady-love By daring bravery, and to her said: "Oh, lady fair, lend listening ear To me who kneel, While I, with defective language, My love for you reveal. What magic in thine eyes When first we met, pray tell. That made me feel to win you was my heaven ; To lose you was my hell. To court a single smile Have I not bocked a hundred dashing adversaries. That you may hear the common talk. 179 i8o AMERICAN KNIGHT. Oh, lady, how oft have I used my gold as dross. To please your finer senses — at any cost.' ' Our gladiator who pauses and strikes Like a polar bear, He, too, is " dead game " poor boy, For some lady fair; While on the field — how fierce He seemed to grow When some college girl waved her ker- chief, Screaming " Go.' ' With straining eyes and shout — so loud — She madly jumps ten steps at once — And rushing through the crowd Embracing him — bleeding, limping, lame — What care we for fractured heads since we won the game? A reception, Charlie, dearest, for your team to-night! In the parlor they were seated. AMERICAN KNIGHT. 183 Say, you're a peacherine, you kicked her out of sight. In the parlor they were seated Closer than I care to tell; Another maiden's heart was gladdened All because he kicked so well. TALKING OUT LOUD. Back in my school days There was a Sam Hill; He disturbed the school every way. It seemed that he wouldn't, or couldn't keep still; And one night the teacher did say "I have concluded that you are not right, And if you'd stayed home and plowed We'd never have known Your head was so light — but we do — Since you've been talking out loud.'' Teacher and scholars no more I'll see, But that saying I'll never forget — On the street — in the car — incessantly There's a lot of Hill's showing off yet. 185 i86 TALKING OUT LOUD. There's Mr. Adviser, who talks every- where, His voice can be heard in each crowd; You will find his trouble — right under his hair — He's a case of talking out loud. There's the young traveling-man — de- cidedly new, Who monopolize all the hotel. There's the chattering box in society, too, Great Gods! but don't they both yell? It's the old case of Burns and his louse And the woman in church so proud; They think it is wisdom entertaining the house. But it's an idiot talking out loud — . To preach or to teach — entertain — are you fit? If so, start up a school; You'd look real well in a pulpit, Join a show, and act out the fool. TALKING OUT LOUD. 187 But don't go around with a lot of cheap For the police should be allowed To put you right safely under the lock — You people, always talking out loud. MY LOVE. My love — of you I will write, Not Rosalind, Gertrude or Sue, Only one has my heart ? Ah no, each noble woman With passion of love — I love you — Each has a part. Let them upbraid you who may Because their own suit was denied I will not. Ah! man, with your selfish desires You look at this matter one side, And you thought Every woman designing Because little bright eyes Changed- her affections — And told you, as you would tell her And now — you all woman despise Because — your rejection. — No petty quarrel with mad fanc}^ Can change my great love for your name Nothing can mar 189 „^ ^r-„ In the sunshine ot hfe. MY LOVE. 191 They can tell me about your shortcoming But women — I love — just the same As vou are. If love begets love as was taught me Then to every woman a love debt I owe Regardless of sin. In the sunshine of life Sweet girlhood You thought men so noble, I know; Have they been? To - day in your wretchedness — poor woman — I see you with Christ at the well. What's He saying? Go where the shadows are falling To her in that vast prison cell Say I'm praying For some one whose days are all dark- ness And whose young life was gentler than dew. You're better to-day Than the woman that scorns And entertains the assassin of you, A cast away. You who fight sin hand to hand. MY LOVE. 193 God pity you — fair minglers of scandal, Stamping your own sex with shame You should love. Don't turn away, see how love changed her Not me, but his name Who's above. I love the strong-minded woman, They say you're out of your place; But I'm sure its time for youa: hearing Or they'll forget you belong to the race. Wait no more. Speak out — assert the rights of a woman You who are ladened with care I love you too Because you make sin very nervous When you act with your prayer Like you do. Oh, noble, kind-hearted good woman, You who fight sin hand to hand Your life consecrated to right In the recesses of my heart — So cowardly — Heaven knows of a love more than grand, Sister stand in the fight. ■ ^^^1 i f «{H||^H 1^^--, Ir J ^H^^H 1 i\A =&__.. ^^^jTjI \\ uman of beauty, MY LOVE 195 Woman of beauty, I stagger with love At your form, your figure, your grace. Your soft lillied arm And that rosy red fiusli, The sweet smile that dimples your face. Neck curved to charm Buoying your soft silken hair Displaying an exquisite taste. Call it vanity. I never grow weary — the rustle of skirts And the grace of your movement in haste. Ah, sweet humanity 1 Yes, the maiden with longings and dream- ings. Swelling bosom, hot kisses and sighs, Yes, voluptuously, I'm in love with your feverish passion; Your love song — your melting blue eyes — Feed my gallantry. Now, loved one, bring me the toast cup, When I say love — that means you — But stay — if it is filled with the rich racy Vv^ine — Bring nothing so false — so untrue — Fling it away. 196 MY LOVE Go where wild flowers are blooming At the base of some old oaken tree. There the goblet fill up With fresh sparkling water And loved one — bring it to me. Now let me sup To my love, who fills the world with ambition, Purity, sweetness and grace, Queen, may you reign O'er this great land Till you drive every sin from each place Leaving no stain. YOUTH. Ah! youth, how soundly do you sleep, Life's dream is o'er, you're at the feet Of all tenderness and all love, Looking? at vou from above. Friend do not say, gone too soon. Death, when it comes, is but a boon To them who go— and we who stay- Have no fear— he's shut away From all sin, and grief and care. No more sorrow — no more to bear — Words and books that men do write Take away — put out of sight. Men are erring and so weak. Come with m_e — let us seek And look upon His face once more Who died for all— Then I'm sure Surcease there we will find For that youth so good and kind. Hi * * * * 197 Youth. YOUTH. 20 Come, sister — brother — come away, Linger not — it's but clay you're gazing on. The loving brother — he has gone — Rejoicing, singing on his way "I would not live alway, I ask not to stay Where storm after storm rises Dark o'er the way." TIME TO KILL. Say my dear children Do you want to see, When you grow up What you're going to be? See that young man Who gets the best pay, Always industrious. Never idle a day. See that young girl Who don't feel above Helping her mother, We can't help but love. You with good standing Their places will fill, For in their school days No time did they kill. You who whisper And idly let Your time pass by — Say "Teacher got pets." 203 204 TIME TO KILL. Yes — they are pets, And will always be too; You'll take a back seat The whole of life through. You'll be as much like 'em As the seeds that you till Will be like its growth Because time did you kill. Take a glance at yourself When you grow old; High standing brings wealth Position and gold. Not one of you scholars Expects to be poor, And live upon charity Like xhe tramps at your door. They were once children. But they waited until Their chances were dead Because time did thev kill. LOVERS ON THE 'PHONE. Did 3^ou ever ring up "Central' '? When you wanted some one quick! But there was talking on the line, That almost made you sick? You wait a few minutes, You wonder who it is That's talking awful silly, And you forget your "biz'' — Hello — Centeral— Hello, You say in an undertone, '' H ello— hello— hello— " To the lover on the 'phone. You know it's not your party, When you hear a sweet " hello,' ' Then you sing out " It's me," Then she unwinds, you know. "Hello — hello — hello. Charley, Where were you last night ? Don't you think you fooled me? I was right there in sight.' ' 205 2o6 LOVERS ON THE PHONE. Why — now you want to know, And you lower your tone, Thinking you will fool The "lover on the 'phone." You can take that nice widow. It's all off — yes — to-day. You'll look fine together, Charley and his little May." Now you're more tickled And you have grown Interested in the story. Of the "lover on the 'phone." " Charley you had better not Come down on Monday night, Have made other arrangements With a drummer — 'out of sight. Say — did we have a hot old time ? Say — but ain't he swell? They took us to the opera — Wouldn't I catch — well, I don't want to say — But if it's ever known To Mr. Gates' ' — you recognize The "lover on the 'phone.'' LOVERS ON THE 'PHONE. 207 Say — you got lots of fun By sticking in your nose, Like all of curious listeners Not as funny — as you suppose. You didn't laugh so much, When she said "Tra-la-la-" You sighed a few little sighs, And breathed a long a-h. Why you are Gates that's listening. That sweet girl is your own. How many broken hearts there'd be, If w^e all loved on the 'phone. WHEN FRIENDS ARE DEAD. O ! Death ! O ! Death ! you startle me Injured — Death — Fatality. Gone, yes gone back to earth. Intelligence — you shroud all mirth! So suddenly my. heart is still At him lying there, so sad and still In his tomb, without a ray — Back again to wasting clay! To-night; to-night; a tear I shed — Who does not — when friends are dead? I knew he was a friend to me Befriending all humanity. O! tabernacle of vile earth More precious now, of greater worth For holding such a soul within As we know, his soul has been. A life as gentle as the babe With them, too, I see you laid In their soft and rosy bed — God is good when friends are dead. 209 2IOWHEN FRIENDS ARE DEAD. Your life was simple, and so true — That plainer life which we see through With no vanity would blend ; Constant — always could depend — No one great, no one small. By the right he measured all. A golden life, without alloy — Such as you, lends but joy To me, to all — to Heaven that said "Trust in me' ' when friends are dead, Farewell'. Farewell! my friend has gone But, as you journey on and on, Stay, — but a tick of God's all time — And, v/ell, step as perfect rhyme That grand march in Eternity Arm in arm — my friend and me — And you — and you — in that fair land Will join the earthly perfect man. Christ is saying — I'm ahead — Every time, when friends are dead. THE PRIEST. Father, I've been thinking Of your power and your care;. With such ease you did impart Nobleness to all there. Ah, no small prejudice is youis; You have the world at heart ; You place me near the living Christ; Would each exhorter play youi pari 211 NAME THE BABY AFTER ME. A President I want to be, For reasons of my own. Promise you will vote for me, And I will make them known. It's not that I want men to say "He couldn't tell a lie.'' Because I tell lies every day. Or that I made the chips to fly, Like our Father Abraham Just a puffin' in the wood, For I will admit For work — I am no good. Or like Old Andrew Johnson, With no schoolin' not a bit. Till his .young wife would say, "Come Andrew, and spell "it.' Have got no desire To point back to the time, And say, '^By Gosh, wasn't I poor, I didn't have a dime." 213 2i6 NAME THE BABY AFTER ME. But wouldn't I be tickled, If I could only see, All the little babys Named after me. It's not because I care about The dailies floatin' round, To have myself all pictured out In the cabin where they found Me with my sister's apron on While the chickens watched me churn. With a book upon my knee, I was so keen to learn. It's not because I want the people. Who never speak to me Always lookin' o'er the steeple When poor folks they see. Scrapin' up some relation My family creepin' in. Offering their congratulation If I happen just to win. I believe I'd think more Of the heathen Chinee, If I could be sure they'd name Their little pig-tails after me. It's not because I long to see All the people hail, NAME THE BABY AFTER ME. 217 And at the train the people cheer Me a speakin' from the tail; It's not reform in any way I have to offer you — Your women could dress any way, You man could smoke and chew. But when the papers tell about A ten pound girl or boy, Mother — baby doing well, That's when I'd have my joy. See " sweet girls' ' droppin' in— "O, my! just see his hair, See the dimples in his cheeks, Aint his skin so fair?" It's not because I want to go. To Washington, D. C, To try to be the whole blame show, In high society. I really haven't much desire To pass the plums around. Boosting some one higher. To put another down. Remember I'm no candidate For faction or for party. 2i8 NAME THE BABY AFTER ME. Put me down on every slate, Then support me hearty. I don't want no family fuss, Want all men to agree, That all the little babies Shall be named after me. 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