PS 
 
 I'bOt) 
 
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LIBRARY OF CONGRESS. 
 
 Wiai). Copyright No. 
 
 /f^^ 
 
 UNITED STATES OF AMERICA. 
 
Olde Love and Lavender 
 
 Other Verfes 
 
Olde Love and Lavender 
 
 Other Verses 
 
 By Roy L. McCardell 
 
 New York 
 
 Godfrey A. S. Wieners 
 1900 
 
Copyright, 1900, by Godfrey A. S. Wieners 
 All rights reserved 
 
 77609 
 
 I ibrary of Congress 
 
 U'o Copies Received 
 NOV 19 1900 
 
 V Copyright sntry 
 
 SECOND COPY 
 
 Oelivored to 
 
 ^ 
 
 K^^ 
 
 D. B. Updike^ The Merrymount Press, Boston 
 
To 
 
 H. N. Marvin 
 
Contents 
 
 /. Suppofedly Sentimental 
 
 Olde Love and Lavender i 
 
 June Songs 2 
 
 The Mermaid's Garden 3 
 
 In Darkest Eden 4 
 
 The Old Farm at the Mill S 
 
 The Organ Man 7 
 
 The Captain's Daughter 8 
 
 Song to the Rose 10 
 
 The Naughty Echo 1 1 
 
 The Jolly Drover 1 3 
 
 At Ellis Island 15 
 
 Down Bedford Street 16 
 
 The Proud Rose 18 
 
 The Old Spite Lane 20 
 
 The Little Old Store 21 
 
 Summer-time 22 
 
 How it Developed 23 
 
 //. About Girls Moftly 
 
 When Phyllis Drives 27 
 
 How it Happened 28 
 
 The Sailor Girl 29 
 
 While I Toil in the Torrid Town 30 
 
 The Legend of the Katydid 32 
 
 "Sally in our Alley" 34 
 
 A Plaint 
 
 35 
 
 Love's Logic 36 
 
 Her Vacation 37 
 
 [ vil ] 
 
The High Art Tea 38 
 
 All Changed Save She 39 
 
 Mary Jane ! 40 
 
 Her Pifture 42 
 
 The Passing of Tennis 43 
 
 To an American Beauty 44 
 
 The Young Widow 45 
 
 She Stoops to Conquer 46 
 
 The Substitute Caddie 47 
 
 To a Fay re Ladye 48 
 
 The Cruel Toinette 4(j 
 
 The Averted Sacrifice 50 
 
 ///. A Bunch of Bowery Ballads 
 
 "Mame" 53 
 
 The Lilac Ball, Walhalla Hall 55 
 
 The Belle of the Beanery 56 
 
 Before the Ball 57 
 
 Two Clowns 58 
 
 The Passing of the Wild West 60 
 
 Ground Hog Day 62 
 
 Ballade of the Goats 63 
 
 IV. Various Verfes 
 
 Aunt Hetty at the County Fair 67 
 
 The Time of the Ramadan 69 
 
 Aunt Ann's Plum Pudding 70 
 
 The Kid ^ 71 
 
 Anent the Fourteenth of February 72 
 
 Song of the Old Sky Blue 74 
 
 The Place called "Easy Street" 76 
 
 " Settled Down " 78 
 [ viii ] 
 
His Heroes 80 
 
 A Marsh Symphony 82 
 
 Ballade of Old Songs 83 
 
 When Mary Climbed the Tree , 84. 
 
 The Guileless Chinaman 86 
 
 Ye Foolish Old Bard and ye Wise Young Troubadour 87 
 
 Ye Artifice of Dame Allyce 90 
 
 Note. "0/^<? Lo've and Lavender^'' ^^The Passifig of Tetmis^'' '■'■Mary 
 Jane," « The Old Spite Lane,"" " Donvn Bedford Street," " T/ie Naughty 
 Echo,"" " Ye Artifice of Dame Allyce,"" ^'■Mame,"" " The Captai?i"s Daughter,"" 
 " The Lilac Ball, Walhalla Hall,"" ''Song of the Old Sky Blue,"" " A Marsh 
 Symphony,"" " Te Foolish Old Bard atid ye Wise Young Troubadour^" and 
 7nost of the shorter verses in this ^volume are reprinted by permission of 
 Puck. ''The Belle of the Beanery,"" "June Songs,"" "The Passing of the 
 Wild West,"" and afe-iv others are reprinted by permission of Truth. 
 
 [ Ix ] 
 
/. Suppofedly Sentimental 
 
 Olde Love and Lavender 
 
 OLD love is like old lavender that scents this oaken press 
 And hides its fragrance in the folds of lace and silken dress, 
 The dress she wore with regal air at many a stately ball, 
 When dandies of the time declared she held the hearts of all. 
 She held my heart, she held it long 5 ah, me ! she holds it yet j 
 Though that was in the long ago — and sometimes I forget. 
 Old Love is like old lavender, forgotten clear, complete, 
 Till we disturb some memory fond and raise its fragrance sweet. 
 
 Old Love is like old lavender, it keeps its sweetness ever, 
 
 'Though days glide into weeks and years, though hearts that love must sever. 
 
 And fate forbade. We parted, too ; our fond farewells were spoken j 
 
 And I forget, I said ? Ah, no ! Why, I have every token 
 
 That, san61ified by love, she gave — with each one a caress. 
 
 I laid them all in lavender, as is this silken dress ; 
 
 The dress I loved to see her wear — oh, quaint, old rich brocade ! 
 No dress like you was ever worn, and by so sweet a maid ! 
 " You '11 wear it on our wedding day ? " I often used exclaim ; 
 For such a fate 'twas put apart — and then our parting came. 
 Old Love is like old lavender, fragrant still the while 5 — 
 Yes, Love is old, like lavender, old-fashioned, out of style ! 
 
 [ I ] 
 
June Songs 
 
 WHY do I always sing of June ? 
 'T is the month when I was born j 
 It hath days of sun and nights of moon, 
 And merry insefts all in tune, 
 Fiddling in the corn. 
 
 The corn is young, the corn is green, 
 
 Its height is but a span j 
 Last year 't was just as high, I ween, 
 But they play as if there ne'er had been 
 
 Such corn since time began. 
 
 For them in June the world is new. 
 
 For me 'tis just the same ; 
 " As now so fair no flowers e'er grew, 
 The grass waves green a deeper hue," 
 
 They sing with one acclaim. 
 
 In June the birds all sing by day. 
 
 The insefts sing by night ; 
 They chirrup high a roundelay. 
 And sing and fiddle ever gay 
 
 And with new-found delight. 
 
 " No grass like this ! Nor e'er such corn ! 
 
 No nights like these ! " they swear. 
 So merry inse6fs sing till morn, 
 Praising the month when I was born, 
 
 June ever new and fair ! 
 
 [ 2 ] 
 
The Mermaid's Garden 
 
 THE mermaid''s garden is always cool, 
 There shadows always keep ; 
 For the mermaid's garden is a pool, 
 On which pond-lilies sleep. 
 
 There is never the song of a tuneful throat 
 
 And never the buzz of a bee j 
 Instead, in the mermaid's garden float 
 
 The fish all silently. 
 
 And if the mermaid would see the bloom 
 
 Of the lilies she plants to grow, 
 She must grasp the stalks in the watery gloom 
 
 And pull down the flower below. 
 
 Watch some day from the lily-pond bank j 
 
 A lily will disappear — 
 Be sure a mermaid is where it sank, 
 
 A mermaid's garden 's here ! 
 
 C 3 ] 
 
In Darkest Eden 
 
 OOD-NIGHT," she said, and softly closed the door 
 Behind us to the drawing-room. The hall was dark. 
 The lamp upon the balustrade burned low. Upon the floor 
 Deep shadows fell ; yet in the dimness I could mark 
 The smile upon her face. 
 
 We were alone, I fear we liked our loneliness ; 
 
 And it was dark — I know we liked that, too. 
 "Good-night" she said again, but I could guess 
 
 She did not really mean it as adieu, 
 And so I kept my place. 
 
 For, in this whole wide world, I loved her best of all, 
 Her little hand in mine a trembling prisoner lay — 
 
 And did I kiss her then ? Ah, like the hall, 
 We '11 keep it dark. How would you say 
 " Good-night " in such a case ? 
 
 [4] 
 
The Old Farm at the Mill 
 
 A Ballad of the Field 
 
 THE moist brown soil in furrows lay. 
 Where the field sloped up the hill j 
 Below, the meadows stretched away 
 To the farm-house at the mill. 
 
 A city lad, whose heart is glad, 
 
 A lassie country born ; 
 How the old hills ring to the song they sing ! 
 
 They sing and drop the corn : 
 
 Three in a hill^ three in a hill-. 
 
 Should the cut-'worm and the cronxj 
 
 Each claim his share, a kernel there. 
 Yet one is left to gro^w. 
 
 O Polly, Polly ! 't was thus we sang that day, 
 That the echoes soft repeated oft 
 So far, so far away ! 
 
 The years have passed. — Ah, time goes fast! 
 
 Yet my heart is constant still j 
 And thoughts go forth to the distant North, 
 
 To the farm-house at the mill. 
 
 I see the old field slope away. 
 
 And feel the breeze of mom ; 
 The old refrain comes back again. 
 
 We sing and drop the corn : 
 [ 5 ] 
 
Constant still, constant stilly 
 
 'To the lo<ve of long ago. 
 TM grief and care may claim their share. 
 
 Yet lo've is left, I kno-iv. 
 
 O Polly, Polly ! tho' youth may pass away, 
 
 And latter years bring Trouble's tears, 
 
 Yet Love will last for Ay! 
 
 [ 6 ] 
 
The Organ Man 
 
 HE often comes when I 'm lone and sad — 
 The organ man, with his tunes so old ; 
 And his presence always makes me glad, 
 Although other surly folk may scold. 
 
 I ""m very fond of "popular airs," 
 
 But best I like when the children troop 
 
 Out from alleys and tenement stairs, 
 And gather round him, a noisy group. 
 
 He makes them sing to the tunes he plays. 
 And these old, old children dance with glee j 
 
 Why, I know they'd forget their childish ways 
 Were it not for the organ man and me ! 
 
 For a penny tossed brings a bow profound. 
 And a sunny smile to his sallow face j 
 
 Then he turns the handle faster round. 
 
 While the music quivers through the place. 
 
 For here down town, where the faftories 
 Wall in the tenements dark and grim. 
 
 And shut out the light, the air, the breeze. 
 There would be no children but for him. 
 
 So he comes to see me every day, 
 
 Starting his tunes at my welcoming glance ; 
 And I 'm but too glad to be able to pay 
 
 The httle it costs, while the children dance ! 
 
 [ 7 ] 
 
H 
 
 The Captain's Daughter 
 
 A Ballad of the Canal 
 
 OW slow the Summer days go by, at old Lock Number One, — 
 The slow canal, the woods and sky, in the bright glare of the sun ! 
 Then, oh ! what use to live, to live. 
 
 If this through life 's my lot — 
 A human clod, through life to plod, 
 And then to die forgot ? 
 
 A lazy lounge in the lock-house shade, for few boats pass to-day ; 
 Then the eyes half close in a dreamy doze, and the fancies idly stray 
 To her, the one I love, I love ; 
 
 And the soft June breezes blow. 
 While the bitter strife with work-day life 
 I seem no more to know. 
 
 So I dreamily lie asleep-awake, cool though the heat motes quiver, 
 Happy, though the sound the riffles make seem a moan from the distant river. 
 Then, oh ! if life were all Summer-time, 
 
 And Summer-time all June, 
 Would the wandering breeze, through the old oak trees, 
 Still hum with the same sweet tune ? 
 
 Hark ! the sound of bells, so low, so sweet, though their clear sound sadly 
 
 tells 
 That weary feet, through dust and heat, plod on to the sound of the bells. 
 And, oh ! I know their sound, their sound ; 
 
 And mule bells though they be, 
 Sweetly they ring, for I know they bring 
 The one I love to me. 
 
 [8J 
 
Now, there Is the boat itself in sight — I knew it was the Fairy — 
 And my heart beats Hght, all life seems bright, for there on the deck is 
 Mary 5 
 For her sweet voice I '11 hear, I '11 hear. 
 
 And her sweet face I '11 see 5 
 And eyes so bright with a soft love-light 
 Will lovingly gaze on me. 
 Will lovingly gaze on me. 
 
 [ 9 ] 
 
Song to the Rose 
 
 IN summer a song to the rose, 
 Queen of the Flowers all j 
 Fragrant she blooms and blows, 
 This is her festival. 
 
 Fit for the bride in her bower, 
 
 And meet for my true love's hair j 
 
 A song to the regent flower. 
 Where is there one so fair ? 
 
 Wooed by the wind at mom. 
 
 Gilt by the sun at noon ; 
 Jewelled with dew when born, 
 
 Silvered at night by the moon. 
 
 Here with a lover's vow. 
 
 Sweet with your fragrant musk j 
 You shall deck my lady's brow 
 
 When our tryst is kept in the dusk. 
 
 Passionate love that is true, 
 Symbol you are and the sign ; 
 
 Red rose it is you, it is you. 
 
 That I send as a message of mine. 
 
 Go, thou queenliest flower, 
 To the fairest of all the fair, 
 
 Thou art fit for the bride in her bower 
 And meet for my true love's hair ! 
 
 [ lo ] 
 
The Naughty Echo 
 
 A Ballad of the Brook 
 
 DOWN by the brook where the sweet mint grew, 
 By the meadow's edge of clover 5 
 Deep in the shade that the beeches threw 
 
 From their branches bending over, 
 A broad path wandered toward the mill, 
 
 Ever by the brook-side winding 5 
 And an Echo dwelt across by the hill. 
 
 Always an answer finding. 
 Answering the murmur of the brook alway. 
 
 Answering the bee and cricket, 
 Repeating the notes that rang out gay, 
 
 As the birds sang in the thicket. 
 
 'i 
 
 Adown the path one Summer day 
 
 Came blue-eyed Bessie, singing j 
 Singing an old, old love song gay 
 
 That set the wildwood ringing : 
 
 My lowers heart is nvholly mine^ 
 
 Although he is a ro<ver ,• 
 / 7/ love him e'ver^ and believe them never 
 
 Who say " He ^s false, your lover.'''' 
 
 Young Robin stood in the beech tree's shade, 
 
 'Mid the sweet mint and the clover j 
 And he heard the song of the blithesome maid. 
 
 And the Echo's answer over. 
 [ II ] 
 
His voice took up the olden air, 
 With its quaint old time and tune ; 
 
 And he sung it as oft he M sung it there, 
 In the rays of the harvest moon : 
 
 Tour lover s heart is iv holly yours ^ 
 
 Although he be a ro'ver-, 
 He ^11 love you ever^ and naught can sever 
 
 Our hearts^ for he^s true ^ your lover I 
 
 And the Echo listened to each word, 
 
 That came to the hillside over ; 
 And the listening lovers plainly heard 
 
 His answer : He V true ^ your lover I 
 
 And long they sat in the beechen shade, 
 
 Till the dew 'neath the night star glistened ; 
 
 But what they said was ne'er betrayed. 
 For the Echo, silent, listened. 
 
 [ 12 ] 
 
The Jolly Drover 
 
 A Ballad of 1850 
 
 IN olden times before the war, 
 There came a Jolly Drover 
 Through the little, sleepy country town. 
 His cattle fording over. 
 
 For the river runs on the southern side 
 
 Of the little town of Dover, 
 And the children flock to watch the sight 
 
 When there 's cattle fording over. 
 
 The Black Horse Tavern, gabled, gray, 
 
 Is kept by old Tom Stover, 
 And the Tavern yard is big enough 
 
 For the herd of the Jolly Drover. 
 
 Oh, the Bound-Out-Girl was seventeen. 
 
 Sweet, rosy, dimpled Nancy ! 
 She served the table modestly. 
 
 She took the Drover's fancy. 
 
 He said, " I Ve travelled far and wide 
 This whole great country over. 
 
 But none like you I yet have seen — 
 You suit the Jolly Drover. 
 
 " Oh, the Drover he has goodly lands 
 With feeding flocks of cattle. 
 
 And money, too, besides the coins 
 That in his pockets rattle. 
 [ X3 ] 
 
"Now, will you go with me, my dear ? 
 
 Just think the matter over j 
 Join your heart and hand in mine 
 
 And go with the Jolly Drover. 
 
 "I '11 build a home in the far Southwest, 
 Where my herds eat prairie clover 5 
 
 You shall have all your heart may wish 
 And the love of the Jolly Drover." 
 
 The Bound-Out-Girl gazed shyly down, 
 
 She thought the matter over j 
 She cared not a whit for all his gold, 
 
 But she loved the Jolly Drover. 
 
 " Oh, yes, I '11 go ! " said the Bound-Out-Girl j 
 " I '11 believe you, though a rover. 
 
 For what is love, that hath not trust ? " 
 " Hurrah ! " cried the Jolly Drover. 
 
 So the Drover wed the Tavern girl j 
 
 The wedding soon was over. 
 When morning dawned away she rode 
 
 By the side of the Jolly Drover. 
 
 And gone forever is the Bound-Out-Girl, 
 
 And gone is the Jolly Drover ; 
 But still they Ve maids who '11 love and trust. 
 
 In other towns than Dover. 
 
 [ 14] 
 
At Ellis Island 
 
 SHE 'S left ould Ireland, ashtore, 
 She's sailed across the sea — 
 This day I '11 see her step ashore, 
 
 Oh, happy day for me ! 
 Small wonder, then, this Irish boy- 
 Is thrimbling through his skin. 
 An' in a fever heat wid joy 
 To see his ship come in. 
 
 Heart of my heart, it 's far apart 
 For two long years we 've been. 
 
 But the time is past, and now at last 
 You 've come to me, Eileen. 
 
 Long have I toiled and striven 
 
 To see this blessed day. 
 When she to me 'd be given. 
 
 Cruel was the long delay 5 
 I made a home and sent for her, — 
 
 My prayers 'tween her and harm — 
 And, see ! she stands to greet me, sir, 
 
 Her bundle on her arm. 
 
 Life of my life, my darling wife. 
 Long has the parting been ; 
 
 But 'cross the sea you 've come to me, 
 Mavoumeen, my Eileen. 
 
 [IS] 
 
Down Bedford Street 
 
 DOWN Bedford Street, so quiet, staid, 
 Time seems to hardly lay his hand j 
 The maple trees 'neath which I played 
 
 Still flourish as they sturdy stand. 
 ""T is true, at intervals between 
 
 The quaint, old dormer-windowed bricks, 
 Some ugly, modern house is seen 
 
 Whose builder 's played fantastic tricks 
 With iron and stone j but these are few. 
 
 The most is old, the old I love j 
 Old homes ^ old doorways leading through, 
 
 Dim lit with fan-lights high above. 
 
 Here, in the olden Summer-times, 
 
 Upon the pavements in the ring. 
 We children chanted out our rhymes — 
 
 I wonder now if children sing 
 "King William was King James's Son," 
 
 Or, "London Bridge is Breaking down" ? 
 Years gone such songs when day was done 
 
 Made echoes in this part of town. 
 But here at noon the place is still, 
 
 Mayhap a pigeon circles round. 
 Or some canary's silvery trill 
 
 Breaks on the silence with its sound. 
 
 Down Bedford Street the years roll on, 
 But still its dwellers seem to hold 
 
 Tenacious to a time that 's gone. 
 And antique beauties of the old. 
 [ i6 ] 
 
Yet I, as one that seeks to find 
 
 A face he knew in other years, 
 Peer at each closed Venetian bhnd, 
 
 And grieve that none I know appears. 
 Old, old ! The very breath of June 
 
 Is lavender, so faint and sweet. 
 Abroad upon the languid noon, 
 
 Down Bedford Street, down Bedford Street. 
 
 [ 17 ] 
 
The Proud Rose 
 
 IT was morning and the Rose awoke. 
 The dew begirt her in shimmering jewels. 
 Her hair was gold, her cheeks were pink. 
 Her gown was green, beautiful to behold. 
 And she was conscious of her youth and loveliness. 
 But she thought her Pride was Modesty. 
 A Traveller passed. 
 
 " Rose," he said, " Oh, fair young Rose, 
 I will wear you on my heart ! " 
 But the Rose shrank from him. 
 " Am I to be had for the asking ? " she said, 
 "The Wind wooes me tenderly, the Bee hums 
 To me, the sky is blue for me 
 And the birds sing for me. 
 Seek elsewhere for Rosebuds, Sir Traveller ! " 
 And the Traveller went his way. 
 
 The long summer day went by. 
 The Rose sighed when the shadows came. 
 The Wind had tired of her and had tossed her hair, 
 And went whistling o'er the hill. 
 The sky was gray, the Birds and Bees were gone. 
 She still wore the jewels of dew, 
 
 But in the dull tones of eventide they gleamed no more. 
 Again the Traveller passed. 
 She thought her Modesty was Pride 
 And she called to him : 
 
 " You forget you were to wear me on your Heart ! " 
 But the Traveller shook his head. 
 " Not now," he said, " it is to© late." 
 [ ^8 ] 
 
" To-morrow ? " 
 
 « To-morrow I go where other fair buds bloom, 
 
 Good-night, Proud Rose ! " 
 
 And the Traveller went his way. 
 
 [ 19 ] 
 
The Old Spite Lane 
 
 THE Spite Lane runs along the line 'twixt Slocum's farm and ours, 
 A narrow space between each fence where nothing grows but flowers. 
 The relic of a silly feud that smouldered many years, 
 That caused harsh words between the men and roused our mothers' fears j 
 A country quarrel long ago, a quarrel firm and set, 
 Here where lives are narrow and people ^wont forget. 
 We children keep the quarrel not although its mark is plain. 
 For there between our meadows green still runs the old Spite Lane. 
 
 Sometimes when father sits about at peace with all the world. 
 
 The country paper on his knee, the smoke wreaths 'bout him curled, 
 
 I drop a hint on foolish spites that run to cruel ends. 
 
 And how much nicer it would be if neighbors all were friends. 
 
 He'll snap out "No ! I '11 fight it out ! Them Slocums can't beat meT'' 
 
 But he ain't as hearty in it now as what he used to be ; 
 
 When 'cross the line he 'd shake his fist and fairly almost swear. 
 
 While ol' man Slocum with his men would holler "Jest you dare !" 
 
 But then those times I think are gone j they'll never come again — 
 
 And some bright day we '11 tear away the silly old Spite Lane. 
 
 For often in the eventide when at the pasture bars 
 
 The cow-bells tinkle in the dusk beneath the summer stars, 
 
 Sweet Laura Slocum steals away to meet me once again — 
 
 No angry word can then be heard across the old Spite Lane. 
 
 Old feuds, old hates, old quarrels harsh, young hearts can end them thus, 
 
 The fences mark a lover's lane just wide enough for us. 
 
 The Spite Lane runs along the line 'twixt Slocum 's farm and ours ; 
 
 It marks a path of sullen wrath — but naught grows there save flowers ! 
 
 [ 20 ] 
 
The Little Old Store 
 
 OH, the little old store with the bell on the door, 
 That rang, as you went out or In, 
 With a ting-a-ling-ling, as it swung on the spring 
 
 And deafened your ears with a din ! 
 Oh, the little old store gave measure and more, 
 
 And everything smelled sweet of spice j 
 Though 't was dark, to say true, and nothing was new. 
 Yet everything sold there was nice. 
 
 For a quaint little maid, in muslin arrayed, 
 
 Would answer each ring from the door. 
 And smiles sweet and simple played tag with the dimple 
 
 In the cheeks of the maid of the store. 
 I used often to stop in the little old shop, 
 
 And sometimes for nothing at all. 
 But to just shake the spring and to hear the bell ring 
 
 For Nelly to answer its call. 
 
 Ah ! those times are all o'er, the little old store 
 
 Has vanished with old-fashioned ways ; 
 Till sometimes it seems as but one of the dreams. 
 
 That we have of our boyhood days. 
 Though a faint, vague regret comes over me yet 
 
 As I think of those days now no more. 
 In my heart I would fain be a glad lad again 
 
 And with Nell in the little old store. 
 
 [2^ ] 
 
Summer-time 
 
 THEN, oh, to lie through drowsy noons, 
 On greenswards daisy garnished j 
 To dream down time through endless Junes, 
 By ne'er a sorrow tarnished. 
 
 By brinks of brooks where sweet mint grows. 
 
 And meadows gay with clover j 
 Where the silver beech its shadow throws 
 
 The mirrored surface over. 
 
 With ever the cooling bower of shade. 
 Where come the breezes straying, 
 
 Bringing the scent from glen and glade 
 Of blossoms and the haying. 
 
 Far off the furrowed fields of brown 
 
 That tell of rural toiling, 
 And farther yet the pent-in town 
 
 Where immured men are moiling. 
 
 Not here a breath of carking care 
 
 To spoil the golden weather. 
 But only fancies light and fair 
 
 As clouds of fleecy feather. 
 
 Where woodland songsters pipe their tunes, 
 
 Where summer airs caress. 
 We dream down time through endless Junes 
 
 And Love-in-Idleness. 
 
 [ " ] 
 
How it Developed 
 
 I PROPOSED when Dolly posed 
 To be photographed j 
 Earnestly my love disclosed, 
 Dolly only laughed. 
 
 Dolly mocked my love and art 
 
 With coquetry malicious, 
 Spoiled my plates and spurned my heart 
 
 With baffling smiles capricious. 
 
 Still attempting, I essayed. 
 
 Still she posed, unheeding, 
 "Give an answer, cruel maid, 
 
 To my earnest pleading." 
 
 Then she did — and while I live, 
 
 To make me melancholy, 
 I cherish one sharp negative 
 
 That I got of Dolly. 
 
 [ 23 ] 
 
//. About Girls Moftly 
 
 When Phyllis Drives 
 
 WHEN Phylhs in her dog-cart drives 
 She sets the people staring, 
 For 't is for swagger style she strives 
 That borders on the daring. 
 
 Her groom behind sits straight, ereft, 
 
 And on the little fellow 
 Is London livVy — great effeft 
 
 Of startling black and yellow ! 
 
 For Phyllis drives where fashion goes, 
 
 No other place would suit her 5 
 And all the howling swells she knows 
 
 Bow low down and salute her. 
 
 And vow that never yet, between 
 
 The Hudson and the Niger, 
 Was there so fine an instance seen 
 
 Of Lady or the Tiger. 
 
 [ 27 ] 
 
How it Happened 
 
 HE tempted me. What could I do ? 
 We talked of this and that j 
 But I could see his purpose through 
 As he held out his hat. 
 
 Not e'en a chaperon was by, 
 
 Or gossip idling round ; 
 No living soul save he and I 
 
 Was there in sight or sound. 
 
 It was not in the good-night said 
 What challenged me to that, 
 
 But 't was his daring glance I read - 
 And he held out his hat. 
 
 So, with the skill he wondered at, 
 
 I deftly made the kick, 
 And then — he just put on his hat, 
 
 And said, " Bess, you Ve a brick ! 
 
 [ 28 ] 
 
The Sailor Girl 
 
 AH, since this latter craze has come 
 „ Of yachting on the briny deep, 
 My saddened heart is pained and numb 
 And I can neither rest nor sleep. 
 
 For her I love, queen of my soul ! 
 
 Has caught the fever at its height j 
 She loves the waves that toss and roll j 
 
 And yachting is her heart's delight. 
 
 And I, alas, and woe is me ! 
 
 If left to take my choice and pick. 
 Would never choose the tossing sea, 
 
 The slightest roll will make me sick. 
 
 But she, her eyes will brighten up 
 
 When e'er you speak of sails or breeze j 
 
 She knows the hist'ry of the cup 
 
 That we have held for years with ease. 
 
 I turn the talk, \ is all in vain, 
 I speak of golf, football or tennis. 
 
 She veers it round to yachts again — 
 And much I fear my name is Dennis. 
 
 [ 29 ] 
 
While I Toil in the Torrid Town 
 
 WHILE I toil in this torrid town, 
 You, whom I love, are far away, 
 And on your pretty face a frown 
 
 Because still from your side I stay. 
 As if 't were choice that keeps me here 
 
 So far from you I love the best ! 
 'Tis duty, and it costs me dear — 
 
 To be with you ! Ah, that were blest ! 
 But we must keep such fond hopes down 
 
 While I toil in this torrid town. 
 
 While I toll in this torrid town. 
 
 You pass the day in shady nooks ; 
 And vainly strive your thoughts to drown 
 
 -In shallow depths of Summer books. 
 Sometimes across the fields you stray 
 
 Where sweet wild flowers at you smile. 
 Their beauty tempting you to stay ... 
 
 Sometimes you pause upon the stile — 
 No one is there to help you down, 
 
 While I toil in this torrid town. 
 
 While I toil in this torrid town 
 
 The Summer long, and you are free 
 
 To stray till Autumn's fields are brown 
 Through country lanes, and without tne -^ 
 
 Take care ! 'Mid flowers that you pull 
 There lurks the poison oak and such 5 
 
 [ 30 ] 
 
Forget not that the farmer's bull 
 Objefts to red umbrellas much 5 
 
 And other men ! Oh, at them frown 
 While I toil in this torrid town ! 
 
 [ 31 ] 
 
The Legend of the Katydid 
 
 As told by a Summer Girl 
 
 THERE was a girl named Katy once ('t is thus the story goes), 
 A Summer Girl so passing fair she captured all the beaux. 
 The other girls, in jealous rage, consulted an old witch, 
 And crossed her palm with silver coins enough to make her rich. 
 "Oh ! cast some spell on Katy — by that we mean a charm — 
 To end her taking all our beaux, and yet do her no harm." 
 
 For Katy takes our snveethearts^ she V mean as she can be. 
 
 She ixiill not spare a single one for either you or me. 
 
 She V got them all beneath her thumb — they ''lido just as she ""11 bid-. 
 
 She turned her nose up at us, too j — yes, that V ivhat Katy did. 
 
 " My children," said the old dame then, " I Ml conjure up a spell, 
 That chirping insefts in the trees shall on Miss Katy tell. 
 Her different beaux will soon perceive she 's but a sly coquette, 
 And you will get your sweethearts back and laugh at Katy yet. 
 Go back contented in your minds, and leave it all to me j 
 Soon she '11 be dreadful talked about from eveiy bush and tree." 
 
 Then Katy njoont hanje all the beaux she took from you and me. 
 And she ''II be sorry that she nvas as mean as mean could be ; 
 For e'verynvhere, on moonlight nights, the little inseSls, hid. 
 Will chatter to each other and tell nvhat Katy did. 
 
 When Katy sought the old witch out she brought her silver, too. 
 The old dame said : " Alas ! my dear, that charm I can't undo." 
 "Then can't you fix it," Katy said, "that they can only call 
 That Katy did ! she did ! she did ! on nights more in the Fall ? 
 [ 32 ] 
 
And ne^er in the Summer-time ; and I won't hear it then j 
 For I '11 be gone in August — and so will all the men ! " 
 
 And Katy takes our snveethearts stilly she V mean as she can be j 
 She 1X3111 not share a single one njuith either you or me. 
 Does Katy flirt? Ah I those that knoiv fore'ver are forbid 
 "To tell a soul till Summer V gone that Katy did, she did! 
 
 [ 33 ] 
 
"Sally in our Alley" 
 
 A Late Version 
 
 OF all the girls that are so smart, 
 There 's none can equal Sally, 
 When in the game she takes a frame, 
 And bowls down in our alley. 
 
 Of all the days that I have seen, 
 There 's none to me like one day. 
 
 And that 's the day that comes between 
 Each Friday and each Sunday. 
 
 For Saturdays are "ladies' nights," 
 And then you hear the rally j 
 
 She makes ten-strikes whene'er she likes, 
 Our lady-champion, Sally. 
 
 Oh, some day when with courage stout 
 
 I shall propose to Sally, 
 Oh, pray she shall not bowl me out 
 
 As she does down in our alley ! 
 
 [ 34 J 
 
A Plaint 
 
 THE End of the Century Maid ! The End of the Century Maid ! 
 She 's tall and she 's slim, she belongs to a " gym," 
 And she 's learning to box, I 'm afraid. 
 
 The End of the Century Maid ! The people of nothing else prate j 
 
 How she reads and she talks, how she rides and she walks, 
 Oft in bloomers, I 'm sorry to state. 
 
 The End of the Century Maid ! The gush of the weird "Woman's Page,' 
 
 The twaddle of "teas," talks on chalk and on cheese. 
 Her importance in art, on the stage. 
 
 The End of the Century Maid ! She has put all the men in the shade. 
 
 Till sometimes, I fear, we wish we could hear 
 The end of the Century Maid ! 
 
 [ 35 ] 
 
Love's Logic 
 
 He 
 
 WHEN we were boy and girl we played 
 At happy games, and to their rhymes 
 I kissed you often, dearest maid. 
 
 And that 's not counting other times. 
 
 She 
 
 You silly boy ! That 's long ago, 
 
 We were but children, and you '11 own 
 
 A precedent established so 
 
 Does not now hold — for you have grown. 
 
 He 
 Dear one, the words you say are true ; 
 
 That I have grown I '11 not deny, 
 Which evens things between us two, 
 
 For you have grown as well as I ! 
 
 L' Envoi 
 Love has a logic all its own j 
 
 It may not stand analysis. 
 But then, you see, they were alone — 
 
 And she, she let him have the kiss. 
 
 [ 36] 
 
Her Vacation 
 
 THE breeze comes scented with the pinks 
 That blossom in the garden fair } 
 But at her casement still she prinks 
 O'er lawn and lace and ribbons there. 
 
 " Come out ! " " Come out ! " the chorus goes, 
 From trees and sky and birds a-wing ; 
 
 Yet still she sits and sews and sews, 
 Nor hears nor heeds the song they sing. 
 
 But after lamplight comes the maid. 
 
 In dainty organdies bedight j 
 In all her panoply arrayed. 
 
 Tricked up by day to shine at night. 
 
 And then a smile upon her face. 
 She '11 say with girlish artlessness : 
 
 "It's so nice here, you know, — a place 
 Where one need not fix up and dress ! " 
 
 [ 37 ] 
 
The High Art Tea 
 
 THEY sip their tea. 'T is black, 
 Real Russian Caravan, with just a squeeze 
 
 Of lemon. All real Russian teas 
 Are served up thus, and do not lack 
 
 A dash of rum ; while, as for cream — 
 " They 'd laugh at you in Russia," says the host, 
 
 An Artist — (his atelier \ a dream. 
 With raw silk drapery hung with much eclat). 
 
 He never paints, 't is true ; but that 's a part 
 
 That only stands for what 's mechanical in Art. 
 Real Art is tea that comes in small bricks from Herat, 
 
 And pretty girls — to worship as their Tsar 
 
 The Studio-tea Artist with his Samovar ! 
 
 [ 38 ] 
 
All Changed Save She 
 
 A Rondeau of 1780 
 
 WHEN Mistress Peggy shopping goes, 
 No bower e'er held so fair a rose, 
 Much less a sedan chair j 
 She smiles and bows to all she knows, 
 And breaks the hearts of all the beaux. 
 Who hold there 's none so fair. 
 
 And though the damsel is no weight, 
 By both her bearers, sad to state, 
 I fear she 's not admired. 
 For oft she bids them mend their gait 
 To ask them is her hat on straight — 
 And that 's what makes them tired. 
 
 [ 39 ] 
 
Mary J 
 
 ane 
 
 MARY JANE ! 
 I knew a little girl by that name long ago, 
 And I used to be her beau, ain't that so — 
 Mary Jane ? 
 
 It ""s a faft that many know 
 Mary Jane ! 
 
 Mary Jane ! 
 
 We parted then for years, you and I, 
 
 Yet I often sit and sigh as I think of days gone by — 
 
 Mary Jane ! 
 
 Indeed, I sometimes cry — 
 
 Mary Jane ! 
 
 Mary Jane ! 
 
 Oh, the quaint, old-fashioned sweetness 'bout that name, 
 
 I like it just the same, and I think you are to blame, 
 
 Mary Jane ! 
 
 For you changed it — what a shame, 
 
 Mary Jane ! 
 
 Mary Jane ! 
 
 Perhaps you thought the whole thing old and plain, 
 
 But when you dropped the "Jane" I can't say 't was a gain, 
 
 Mary Jane ! 
 
 Oh, you marred it all in vain, 
 
 Mary Jane ! 
 
 Mary Jane ! 
 
 You may stylish sign your letters now " Marie," 
 
 [ 40 ] 
 
But, your own heart will agree, you would rather always be 
 
 Mary Jane ! 
 
 Just the same old girl to me, 
 
 Mary Jane I 
 
 [ 41 ] 
 
Her Pidlure 
 
 YOUR pi6lure is winsome and stately, 
 Your pifture is pretty, ah, me ! 
 Shall I call you "My Lady," sedately, 
 Or write to you hearty and free ? 
 
 Shall I hint of our first blissful meeting. 
 
 How I held your small hand, quite dismayed ? 
 
 Shall I send you gay verses in greeting. 
 Like Dobson or Locker or Praed ? 
 
 Shall I tell of our troth that is plighted ? 
 
 Shall I call you " my own dainty maid " ? 
 Or shall I confess I Ve been slighted. 
 
 And speak of you as " a jade " ? 
 
 You Ve sent it and lines you Ve requested, 
 And the writer knows not what to do — 
 
 For I Ve married that girl you "detested" 
 Since we last met — and you never knew. 
 
 [ 42 ] 
 
The Passing of Tennis 
 
 No more the cry of "Thirty, All ! '^ 
 Reechoes from the lawn j 
 WeVe laid aside the tennis ball, 
 The net and court are gone. 
 
 Across the links we whack the earth 
 With clubs of gruesome shape j 
 
 No sound of joyousness or mirth 
 From us we let escape. 
 
 In Scottish hose and Scottish breeks 
 
 We dawdle o'er the green ; 
 We talk of "brassies" and of "cleeks" 
 
 And know not what we mean. 
 
 We " put " and " drive," it seems an age 
 
 Since last we played at tennis ; 
 Whose name, in sooth, since golf's the rage, 
 
 Seems rather to be Dennis. 
 
 But, still I like the good old sport, 
 
 By far all golf above ; 
 For, oft we courted in the court. 
 
 When we were " Twenty, Love ! " 
 
 [ 43 1 
 
To an American Beauty 
 
 THE lass I love 's fair as a rose, 
 One of this season's debutantes j 
 She wins all hearts where'er she goes ; 
 Impartially her smiles she grants, 
 She is a bud. 
 
 She 's everything that 's fair and good. 
 Her presence lightens up the room j 
 
 She 's blos'ming into womanhood, 
 I think she 's just about to bloom j 
 She is a bud. 
 
 What will she answer when I pray 
 That she will deign to smile on me? 
 
 What will she do, what will she say ? 
 
 Will all my dearest hopes then be 
 
 Nipped in the bud ? 
 
 C 44] 
 
The Young Widow 
 
 AH, me ! What can a widow do ? 
 Jx. I cry just fit to kill, 
 And keep my crepe all black and new, 
 
 And don't think of the will. 
 
 The heartless world is cruel and bad. 
 Which ever way you take it j 
 
 I can't be glad, I can't be sad 
 But what it must mistake it. 
 
 For if I let ten minutes pass 
 In which I have not sighed. 
 
 Or steal a glance toward my glass, 
 They say " She 's glad he died." 
 
 Or, if by chance I mope all day. 
 And sigh with grief unending ; 
 
 I have some dearest friends that say 
 That I am but pretending. 
 
 And all around are gay, save me j 
 
 Why should n't it be right 
 If t'ward the general gayety 
 
 I 'd add a widow's mite ? 
 
 [ 45 ] 
 
she Stoops to Conquer 
 
 THE do61:or said, "She must go out 
 And take some exercise ; 
 You must not let her mope about 
 As she does in this wise." 
 
 In vain I coaxed and begged and plead, 
 
 Cajoled her and abused ; 
 " I feel too tired," was all she said j 
 
 And still she sat and mused. 
 
 And then I had a brilliant thought, 
 And seized at once upon it ; 
 
 That day a stunning dress I bought. 
 Also a cunning bonnet. 
 
 And now she goeth forth arrayed 
 
 In all her panoply 
 To see if there is wife or maid 
 
 Who is well-dressed as she. 
 
 Her health and color have returned — 
 
 Her interest in life 5 
 But, to this day, I Ve not discerned 
 
 fF/io 'i fooled — /, or my ivife ! 
 
 [ 46 ] 
 
The Substitute Caddie 
 
 OH, I hardly know the game yet, tho' I Ve often seen them play It, 
 But Winnie likes to play it, and that 's enough for me ; 
 "For goff is such a nice game" thus I often hear her say it. 
 And she 's the lady champion and plays it to a tee. 
 
 It lets her wear bright plaiding, and cute Tam O'Shanter caps, 
 And she makes a stunning figure as she moves across the links j 
 
 And I like to see her play it — so do the other chaps — 
 Tho' she really does n't play it quite as finely as she thinks. 
 
 And when this dainty lassie uses "lofter," "cleek" or "brassie," 
 (Here I 'm doubling up in metre, which is simply waste of rhyme,) 
 
 I oft say to her, " Dear Winnie, we used to call it shinny, 
 
 Except the way you play it takes from dawn till supper-time." 
 
 She answers back my scoffing, "I 'm sure it's different — goffing 
 Is a very old Scotch pastime 5 not what you say at all ! " 
 
 And I acquiesce quite weakly and follow after meekly 
 As her caddie, toting golf sticks and hunting for the ball. 
 
 [ 47 ] 
 
To a Fay re Ladye 
 
 OH, love, gaze not in your looking-glass, 
 You make my heart despair j 
 Your mirror is truthful, and, alas ! 
 It tells you you are fair. 
 
 Turn from your mirror, for in mine eyes 
 Is your semblance fair reflefted. 
 
 Framed with the love that behind it lies — 
 Far more than you suspe6led. 
 
 And I Ml have no fear of your glass again, 
 
 Impassive, shining there. 
 For the love in my eyes will show you plain 
 
 Your beauty doubly fair ! 
 
 [48 ] 
 
The Cruel Toinette 
 
 FAIR Toinette with Alphonse met, 
 Alphonse loved her dearly j 
 Fair Toinette had eyes of jet, 
 She could see it clearly. 
 
 "Take, adored one, this small flower," 
 Alphonse said with trembling, 
 
 "That I plucked within this bower" — 
 In this he was dissembling. 
 
 Then said Toinette, the sad coquette, 
 
 " See, it 's frosty autumn — 
 You could not get such flowers yet 
 
 'Less it was that you bought 'em ! " 
 
 " What matters it from whence it came ? ' 
 Said Alphonse, nearly crazy 5 
 
 " Bought or found, 't is all the same. 
 Like you, it is a daisy." 
 
 And then Toinette, cruel coquette, 
 
 Proceeded on the spot 
 To make each leaf add to his grief 
 
 By spelling, " Love him not ! " 
 
 [49 ] 
 
The Averted Sacrifice 
 
 " /'^OME back with my heart ! " the maiden cried, 
 V^ " For you have no right to take it ! " 
 
 "It is safer with me," young Love repHed, 
 "You were only trying to break it ? 
 
 What is another's weahh to you ? 
 
 When a heart 's broke who can splice it ? 
 
 " Go back to the lover who loves you true. 
 
 You shall not sacrifice it ! 
 Go greet your lover and give him a kiss 
 
 And a truce to your tears and sighing ; 
 Your heart's in pawn until you do this" — 
 
 And the maiden ceased her crying. 
 
 [ 50 ] 
 
///. ^ Bunch of Bowery Ballads 
 
 '^Mame" 
 
 A Ballad of Cherry Hill 
 
 AT dark, at dark on Cherry Hill, 
 With der gas jets flarin' bright, 
 ^ An' der singin' sailors never still. 
 An' de dancin' all the night — 
 But I ain't got nuthin' a' tall ter say, 
 
 An' nuthin' a' tall I see 5 
 Thinkin' o' Mame, as I do all day. 
 An' de gang is on ter me. 
 
 Alone, alone, dey 've shook me dead. 
 
 Though dey 're all afeard to chaff; 
 An' never a guy one word has said, 
 
 But I know I gits der laugh. 
 O Mame ! O Mame ! it 's all fer you 
 
 I 'm t'rown down like dis, — see ? 
 But all der same I loves yer true 
 
 An' de gang is on ter me. 
 
 A mont', a mont', since we first met 
 
 On a 'scursion down the bay. 
 Of der Michael Feeny Social Set 5 
 
 Oh, der fun we had dat day ! 
 An' comin' back der big bright moon 
 
 Shone silver on de sea ; 
 [ 53 ] 
 
We spieled at ev'ry chowder tune, 
 Till de gang got on ter me. 
 
 All day, all day, I 'm workin' hard 
 
 As I never worked before, 
 A-jugglin' stone in Clancy's Yard 
 
 Till both me hands is sore. 
 So have me fer yer steady feP, 
 
 An"" say you 're stuck on me. 
 As fer de rest — aw, wot t' 'ell. 
 
 If de gang is on ter me ! 
 
 [ 54] 
 
The Lilac Ball, Walhalla Hall 
 
 A Ballad of the Bowery 
 
 WALHALLA HALL, Walhalla Hall, jest ofF der Bowery, 
 Night of der Mask and Civic Ball of der Lilac Coterie. 
 An' I wuz dere an' she wuz dere, wit' ninety couples more ; 
 But, say ! No one was anywhere when Gertie took der floor 
 Wit' me, wit' me ter repersent a jockey from der track. 
 An' her as "Night," wit' big gilt stars all spangled on her black. 
 We did der pivot out o' sight, der chain waltz — dot wuz grand ! 
 While keepin' perfec' time an' step to Ikey Goldstein's Band. 
 
 Walhalla Hall, Walhalla Hall, jest off der Bowery, 
 
 Wit' swell mugs standin' 'gainst der wall an' lookin' on ter see 
 
 Wot down-town social life wuz like, an' holler out "oncore ! " 
 
 We copped 'em all, dat 's right, sure, Mike ! When Gertie took der floor 
 
 Wit' me, wit' me wot 's won four times der prize at Jones's Wood, 
 
 An' her, me loidy fren', each time, wot waltzes jest as good \ 
 
 The cal'sum light jest follered us j we made de odders stand 
 
 An' watch us do der Boston Dip to Ikey Goldstein's Band. 
 
 Walhalla Hall, Walhalla Hall, some fresh mugs gettin' gay. 
 
 One geezer givin' Gert a stall an' me not far away ; 
 
 Sez he, "Come, kiss yer honey boy ! " I waited fer no more. 
 
 But give me coat to Mickey Foy — an' Gertie took der floor 
 
 Wit' me, wit' me ter back her up ; an' can I scrap ? Well, some I 
 
 One gent I hit went troo' der band and busted in der drum. 
 
 Fer Gertie is a loidy, respec' she must command, 
 
 D'ough it busts up a Lilac Ball and Ikey Goldstein's Band. 
 
 [ 55 ] 
 
The Belle of the Beanery 
 
 OH, Kitty ! I am poor indeed,. 
 Yet while your smiles you grant 
 I 'd rather come here fer my feed 
 Den der Jim Fisk resterant. 
 
 Fer when a feller 's lost his heart, 
 
 Wot matter where he eats ? 
 So ev'ry day I dine la cart 
 
 Where you call " Brown th' Wheats ! " 
 
 An' so I alius come to dine 
 
 Here at this drum of Kinney's ; 
 
 Ton ''re here^ that 's better than the wine 
 And tabhle dotes of Ginney's. 
 
 I wish I was a millionaire. 
 
 An"" not a workin' porter ; 
 I M make a play fer you fer fair 
 
 An' speak up as I orter. 
 
 But as I ain't, I just come here 
 
 Most ev'ry day an' eats, 
 Just satisfied to have you near 
 
 An' calling " Brown th' Wheats ! " 
 
 [ 56 ] 
 
Before the Ball 
 
 WE 'VE orginized a social club, we 're goin' ter give a ball 
 T'anksgivin' night, a maslcerade in old Pythogras Hall. 
 Der orchester ? Why, Foley's— you ought ter hear 'em play. 
 A crowd Ml come ter make der place about four times too small 5 
 De odder balls dere Ml be dat night dey won't be near at all. 
 Say! 
 
 Kitty will be dere ! She Ml twirl wit' none but me ; 
 De odder dufFs dat try to win her won't be in it. See ? 
 I 'm on der floor committee, but I '11 shake dat graft fer Kitty, 
 I 'm goin' to wear a dress suit dat '11 cost me t'ree ! 
 Gee! 
 
 Dere '11 be a prize awarded fer de best-dressed lady dere, • 
 A fourteen carat super dat ticks de time fer fair j 
 I 'm on der prize committee, also a little bit, — 
 De goils are crazy fer dat watch, and so what they kin spare 
 Goes fer a fancy costoom — der award is on de square. 
 Nit! 
 
 Fer Kitty will be dere, she kin depend on me, 
 De odder fellers' lady fren's dey won't be in it. See ? 
 I 'm on der prize committee, so der super goes ter Kitty, 
 Or dere 's trouble fer de odders if my way dey don't agree. 
 Whee ! 
 
 [ 57 ] 
 
Two Clowns 
 
 The One 
 
 HIS motley garb was red and yellow, 
 Gay as the merry jests he told j 
 Such a very funny fellow, 
 But his jokes were very old. 
 
 Danced he round the stern nng-master 
 Cracking many a quirk and quip 5 
 
 Ran and laughed and tumbled faster. 
 Dodging nimbly from the whip. 
 
 Paid he court, and that most knightly. 
 
 To the fair equestrienne, 
 Bowed and scraped he most politely ; 
 
 Ne'er such homage giv'n of men ! 
 
 Hoop-la ! 'mid the sawdust flying 
 Still he jests in boisterous mirth. 
 
 Thousands laugh until they're crying — 
 'T is the greatest show on earth ! 
 
 The Other 
 
 Though I wear no red and yellow. 
 Still most every day I 'm told 
 
 I 'm an awfully funny fellow. 
 But I fear my jests are old. 
 
 [ 58 ] 
 
Fate, stern Fate, is my ring-master, 
 Cracks he sternly with the whip j 
 
 Still must I grind faster, faster. 
 Merry jests and quirk and quip. 
 
 Pay I court, and that most knightly, 
 
 To the Editor so cold. 
 Bow and scrape I most politely, 
 
 (Does he think my jokes are old ?) 
 
 Hoop-la ! mummer-like, contriving 
 Living scant to earn by mirth. 
 
 Day by day, still vainly striving. 
 But I have no show on earth ! 
 
 [ 59 1 
 
The Passing of the Wild West 
 
 A Recitation 
 
 No more the wild fire fiercely leaps 
 Across the trackless plains, 
 The Eastern Pie Belt wider creeps 
 And holds its sodden gains. 
 
 Through wilds, where once in salted mines 
 
 Delved tenderfeet elate. 
 The hobo waits by two-track lines 
 
 To catch the east-bound freight. 
 
 The unshod mustang, lithe and thin, 
 
 That bore the savage chief, 
 Is corralled, slaughtered, put in tin 
 
 And sold as canned corn-beef. 
 
 Now in the haunts of bulfalo 
 
 The tra6lion engine raves j 
 All kinds of garden sass they grow 
 
 Above old Injun graves. 
 
 The horse thief of another day. 
 
 Who, unhung, plied his trade, 
 Now swipes, and scorches swift away. 
 
 The bikes of highest grade. 
 
 The rough saloons, where not to drink 
 
 Invoked the bullet's whizz, 
 Are marbled drug stores where the wink 
 
 Precedes the soda's fizz. 
 [ 60 ] 
 
No more the " prairie schooners " drift 
 
 Across the alkali, 
 For now the horseless carriage swift 
 
 Goes whishing, swishing by ; 
 
 No old tar bucket at its stern, 
 
 Or yaller dorg is seen. 
 Instead, a motor's cog-wheels turn. 
 
 Mid smells of gasoline. 
 
 Where once the redskin, to the death, 
 
 Fought pioneer and scout. 
 The Swede, with alcoholic breath, 
 
 Sets rows of cabbage out. 
 
 And now the " Norther's " icy squall 
 Howls loud but vainly storms 5 
 
 The blanket mortgage over all 
 With treble thickness warms. 
 
 Ah, brave, wild West, that we in youth 
 
 Used with romance to link, 
 Alas, 't is truth, you 're now, in sooth. 
 
 Completely on the dink ! 
 
 [ 61 ] 
 
Ground Hog Day 
 
 GRANTAP arglfies he did. He 's shore as shore can be j 
 I never seed so obstinit oF feller such as he. 
 An' Maw an' me we watched out sharp, an' we say thut he didnt^ 
 Fer all day long the sun behind a cloudy sicy was hiddent. 
 But Gran'pap argifies his way an' keeps on gitten madder, 
 An' says fer once the sun kem out, the groun' hawg saw his shadder. 
 
 " An airly Spring," sez Maw an' me, but Gran'pap 's obstinit ; 
 " The groun' hawg saw his shadder, we '11 git more Winter yit." 
 An' there he sets so confident, an' says " he did, he did," 
 Though all the while njoe know the sun behind the clouds was hid. 
 But, like as not, no signs '11 count, we '11 get more storm an' snow, 
 While Gran'pap by the chimbley sits an' says, " I told yer so ! " 
 
 [ 6z ] 
 
Ballade of the Goats 
 
 Imitation of Villon 
 
 TELL me where, in what land of shade, 
 Bides fair Nanny of Harlem j where 
 Is Buckbilly, who lightly played 
 
 From the vacant lots to his rocky lair. 
 And Gilligan's goat that was scalded bare ? 
 
 The pride of the squatter no more we know, 
 And the Rosedale Flats tower high in air — 
 But the goats ? Oh ! ask me of last year's snow. 
 
 For the tarriers long have drilled the rock. 
 
 Have drilled and blasted and fired away } 
 And the flats have risen, block on block. 
 
 Where the gentle goat has leaped in play. 
 No more doth the Celt in his shanty stay. 
 
 Or in Kerry Patch his cabbages grow. 
 Or sport his regalia on Patrick's Day — 
 
 And the goat ? Oh ! ask me of last year's snow. 
 
 Oh ! where is the goat of the A. O. H., 
 
 Ridden by Casey and Kelly and Dwyer ? 
 Where is the billy who thought he could tache 
 
 Some sinse to the goat of the Widow Maguire ? - 
 The goat that foolishly dared to aspire 
 
 To lay the champion of Shantytown low j 
 And where are the goats of Mike Mclntyre ? 
 
 Ask me 5 oh ! ask me of last year's snow. 
 
 [ 63 ] . 
 
L'Envoi 
 
 Prince, you may question where the goats are, 
 
 While northward, still northward, the city doth grow 
 
 For the rocks and the shanties no longer are there. 
 And the goats ? Oh ! ask me of last year's snow. 
 
 [ 64] 
 
//^. Various Verfes 
 
 Aunt Hetty at the County Fair 
 
 « T| >ZRA likes the cattle best, 
 
 i-H Wants to spend the hull time there j 
 
 J ^ Sees the prize stock and the rest, 
 Sez, * That makes a County Fair ! * 
 
 "Likes the trotters, and he'll shout, 
 * Bet yer Perkins's colt '11 beat ! ' 
 Makes me stand and watch it out. 
 Till they trot the final heat. 
 
 " And me jest dying fer to see 
 
 The temp'rence stand the wimmen built j 
 Where Mis' Ann Beasley 's waitin' me, 
 To show me her prize crazy quilt. 
 
 "Five thousand pieces, and it took 
 
 Two years to make it. Mis' Ann said 5 
 I got no chance to have a look, 
 Fer Ez takes me elsewhere instead. 
 
 " He 's sick of fancy work, is Ez, 
 
 Fer cakes and jellies does n't care ; 
 * Let 's see some novelties,' he sez, 
 
 ' They 've got 'em this year at the Fair.' 
 
 [ 67 ] 
 
" And so we saw a Cairo Street, 
 
 The man said 't was a moral show 5 
 It may have bin, but I ""m clean beat 
 If I could ever think it so. 
 
 "According to the man's remarks, 
 
 In Bible days they danced as there ; 
 If so — of them old patriarchs 
 
 I 'm dubious since the County Fair ! 
 
 [ 68 ] 
 
The Time of the Ramadan 
 
 And its Difference Here and There 
 
 BY Bagdad's shrines of fretted gold, by the Tigris's yellow flow, 
 Where the palace-lights on Ramadan nights gleam with a mellow 
 glow. 
 Then the days are times of solemn fasts and prayers toward the East, 
 But at set of sun the fast is done and the Mussulman can feast. 
 
 Oh ! it must be grand to live in that land, a Caliph or a Cadi, 
 With no worry in life and to have as a wife some dark-eyed Persian lady. 
 One could have more — say three or four — and be a full-fledged Turk^ 
 And take one's measure of languid leisure and ne^ver have to work. 
 
 Where attared fountains cast their spray in showers of gleaming pearls 
 To soft recline while slaves serve wine, till the time of the dancing girls ; 
 Who come when the jewelled hookahs burn and the scented smoke-clouds 
 
 rise. 
 And whose motions tell what Houris dwell in Mahomed's paradise. 
 
 Oh ! a Ramadan night is out of sight (I could stand the fasting day) ; 
 For after dark it 's a regular lark in a high old Turkish way. 
 But here it's Lent -^ I haven't a cent, and my chances to get to Turkey 
 For a Ramadan feast, to say the least, are somewhat dark and murky. 
 
 [ 69 ] 
 
Aunt Ann's Plum Puddi 
 
 NOWADAYS your plum puddin' 
 Comes out of a can j 
 Nuthin' like the real old thing 
 Made by our Aunt Ann. 
 
 Full of raisins and sech things, 
 
 Boiled it in a bag j 
 Tell you what, Aunt Ann's plum puddin' 
 
 'Nuff to make you brag. 
 
 Alius had ""em fer dessert 
 
 Christmus an' Thanksgivin' j 
 
 The very sauce that went with 'em 
 Made life worth the livin'. 
 
 No vaniller there, I guess. 
 
 But the real old brandy ; 
 Case if any one got sick 
 
 Aunt Ann kep' it handy. 
 
 An' though the folks 'at eat it were 
 
 All ardent prohibition, 
 They ust' take plenty of the sauce 
 
 Without the least suspicion. 
 
 And many a bitter family fuss 
 Aunt Ann was cause of healin', 
 
 Fer after sauce and puddin' came 
 An ery of good feelin'. 
 
 [ 70] 
 
 ng 
 
The Kid 
 
 OUR kid has jest begun to walk, 
 He toddles round the floor j 
 He 's sorter backward yet to talk, 
 But hokey ! he kin roar. 
 
 He wants a thing, he wants it quick, 
 
 Yer got to git it, too. 
 Or he 'II lay down and yell an' kick, 
 
 'T would split yer head in two. 
 
 He breaks his plate, he breaks his cup. 
 He scratches up the walls ; 
 
 He tears the books and pictures up. 
 He 's allers gettin' falls. 
 
 He 's got poor Towser almost mad. 
 The old cat dreads his clutch j 
 
 I guess it 's jest because he 's bad 
 We love that kid so much ! 
 
 [ 71 ] 
 
Anent the Fourteenth of February 
 
 WHEN my short summers numbered nine, 
 My heart still aching yet because 
 I 'd learned there was no Santa Claus, 
 I turned then to that saint benign, 
 Love's patron, good Saint Valentine, 
 
 And on the Fourteenth of February 
 I bought a Valentine for Mary. 
 
 Smith was her other name. It had 
 
 Some verses written " To My Love ! " 
 Borne by a pretty snow-white dove. 
 'T was lace and gilt, such was the fad 
 In Valentines when I, a lad, 
 
 Bought one and thought to send it with 
 A three-cent stamp to Maiy Smith. 
 
 I 'd picked her out of all the crowd 
 When first we met ; ""t was at a party ; 
 But she, she sniffed and called me " smarty," 
 Turned up her nose, in fa.6i was proud, 
 Nor in the kiss games once allowed 
 
 My near approach j in faft, did spurn 
 All forfeits when it came my turn. 
 
 Her father kept a butcher store ; 
 
 I longed to be a butcher man 
 
 In jacket knit of cardigan, 
 For this he in all seasons wore, 
 And weighed three hundred pounds or more. 
 
 [ 72 ] 
 
Her brother in his teens was callow ; 
 
 He greased his boots with mutton tallow. 
 
 Ah, me ! by some mischance I sent 
 
 That Valentine, with fond love freighted, 
 Unto the schoolma'am, whom I hated. 
 The " comic " for the teacher meant 
 Unto the lass I well loved went. 
 
 Both knew from whom their missives came. 
 The teacher smiled j but, just the same. 
 
 That brother big caught me and whopped 
 Me black and blue, straightway, forthwith j 
 While cruel, scoffing Mary Smith 
 Stood by and laughed, nor stayed nor stopped 
 Her brother, till his tired arm dropped. 
 He ate beefsteak three times a day, 
 And whopping me for him was play. 
 
 Old Smith these many years is dead. 
 
 His son, who harshly used me so, 
 
 Now runs the beefsteak studio. 
 
 And Mary ? she long since has wed 
 
 Her brother's Dutch assistant, Fred. 
 
 Thus dainty cards by Tuck and Prang 
 Rouse up old memVies with a pang. 
 
 [ 73 ] 
 
Song of the Old Sky Blue 
 
 THE old Sky Blue, the old Sky Blue, 
 She 's now but a battered hulk j 
 But years ago, when she was new 
 
 An' carried coal in bulk. 
 No boat along the whole canal 
 Had such a team or crew — 
 Singing " Hi ! I love a yaller gal ! " 
 The old Sky Blue, Sky Blue. 
 
 The old Sky Blue, the old Sky Blue, 
 
 Oh, she only ran by day; 
 We used to dance the whole night through 
 
 And on the banjo play. 
 Tied to the berm, to laugh and shout 
 
 At night-boats passing through — 
 Singing "Hi ! does yer mother know yer out ?" 
 
 The old Sky Blue, Sky Blue. 
 
 The old Sky Blue, the old Sky Blue, 
 
 She was my pride and joy \ 
 One time I worked my passage through 
 
 On her as a driver boy. 
 If I tried to ride, the mules 'd balk. 
 
 Then up comes the chaffin' crew 
 Singing " Hi ! don't you think you M better walk 
 
 The old Sky Blue, Sky Blue. 
 
 The old Sky Blue, the old Sky Blue, 
 I 'm glad your days are done ; 
 
 [ 74] 
 
For mules were good enough for you 
 
 In them old times 'at 's gone. 
 They 'd put a motor in you now, 
 
 You 'd be a night-boat, too — 
 Singing " Hi ! for the trolley on your bow ! 
 
 The olcf Sky Blue, Sky Blue. 
 
 [ 75 ] 
 
The Place called "Easy Street" 
 
 OH ! what is the way to Easy Street — which turning shall I go ? 
 For many a day I Ve sought the way that no one seems to know. 
 How do you turn ? — do you keep straight on, and get there just by pluck, 
 Or is it the case that you find the place by chance and happy luck ? 
 Some say this and some say that, for every one I meet, 
 Going it blind or searching to find, is looking for Easy Street. 
 
 Easy Street I Easy Street ! The street so hard to find! 
 No sign-boards shoiv the route to go sa've the 'ways that lie behind. 
 But Fortune'' s smile is ivorth the ivhiky so nenjer knoiv defeat , 
 When the 'very next turn for you may earn the nvay to Easy Street. 
 
 From little Queer Street through Hard Times Court to the Highway of 
 
 Success, 
 Is the nearest way, I Ve heard some say, and it is true, I guess. 
 So through Poverty Place my way I trace (with Queer Street left behind). 
 But in Hard Times Court the way ""s cut short — it ends in an alley blind. 
 In the Lane of Chance I sometimes glance, but the risk seems all too great. 
 To turn and stray down its winding way and blindly follow fate. 
 So, with courage high, I strive and try, seeking with weary feet. 
 My way to grope, nerved still with hope, the way to Easy Street ! 
 
 Easy Street! Easy Street! Where happy mortals duoell, 
 Out of the strife of nxjork-day life and the battles of buy and sell. 
 Wearing good clothes y halving no foes, ivith life''s good things replete , 
 Oh, happy fate ! to dnjoell in state, at last, on Easy Street! 
 
 We will all of us live on Easy Street when things have gone our way. 
 When fortune and fame shall attend our name and leisure comes to stay, 
 
 [ 76 ] 
 
Through the deed achieved we Ve had in our minds the long last year or 
 two ; 
 
 Giving us zest to finish the rest of the things-we-are-going-to-do. 
 
 With the toil of these struggling days forgot, and our happiness all com- 
 plete, 
 
 No trouble or care will bother us there when we live on Easy Street ! 
 
 Easy Street I Easy Street I Where the skies are ahways blue^ 
 And all of the schemes of our ivell-lo'ved dreams are enjer coming true. 
 We ''II li<ve at our ease and do as njoe please and find that life is siveet 
 When through toil and pain at last <we gain our ^way to Easy Street ! 
 
 [ 77 ] 
 
"Settled Down" 
 
 A rude and simple Lay, concerning one Brown, 
 which concealeth a Moral 
 
 EB. BROWN he was a steady lad 
 Who worked from dawn till dark j 
 He never knew of boyish fun, 
 
 Or had a boyish lark. 
 And all the neighbors praised him up — 
 
 " That son of Farmer Brown, 
 Who seems so kind of sensible, 
 So old and settled down." 
 
 And as he grew in size and age 
 
 His habits were the same ; 
 He worked and worked, and still he held 
 
 For steadiness his name. 
 He never went out with the boys. 
 
 Or painted red the town 5 
 He married a good and quiet girl, 
 
 " And went and settled down." 
 
 The other boys whom he had known. 
 
 Ambitious, sought for fame j 
 One died the Gov'nor of the State, 
 
 One gained a hero's name. 
 But still Eb.'s course had steady been. 
 
 He sought no praise, renown — 
 "Let others roam, I Ml stay at home," 
 
 Said he, "and settle down." 
 
 [ 78 ] 
 
A few days since I passed the place 
 
 Where he is laid to rest j 
 (For long the church-yard grass has grown 
 
 Above that tired breast.) 
 And even here it is the same 
 
 For Ebenezer Brown — 
 The very grave wherein he lies, 
 
 Like him, has settled down. 
 
 [ 79 ] 
 
His Heroes 
 
 Aubrey, loquitur 
 
 GOLLY ! My mother does n't know 
 What good thnes I have, you bet ! 
 Or where o"" Saturdays I go, 
 'N' I ain't goin' tell her yet. 
 
 For, what does mothers know 'bout boys ? 
 
 Think they ought to look like girls. 
 An' fix 'em up like Fauntleroys — 
 
 Want to see 'em wearin' curls. 
 
 The "Injun Killers" — that\ my crowd ! — 
 Hang out round the tan-yard shed — 
 
 Buck Brown an' Double-jointed Dowd, 
 Wot kin kick things off his head. 
 
 An' Chalkey White, a nigger boy. 
 Yet he 's a member, just the same. 
 
 Like Scotty Smith an' Mickey Foy, 
 Or crippled Dick Malone, 'at 's lame. 
 
 An' Buck Brown 's got a pistol — Phew ! 
 
 He 's 'le61ed capt'in jest fer that j 
 It 's seven-shooter, twenty-two — 
 
 One time I seen him shoot a cat ! 
 
 Buck Brown 's a feller awful nice. 
 You ought to see him a-doin' stunts j 
 
 He licked Yeller Hammer Rice 
 Fer givin' me Injun turnip once. 
 [ 80 ] 
 
Gee-whizz ! He 's smart ; he 's got a stack 
 Of Nickel Liberies he 's read through, 
 
 'Bout Denver Dan an' Pinto Jack ; 
 He 's goin' to let me read 'em, too. 
 
 An' once I tumbled in the vat 5 
 
 But he, he would n't let me drown — 
 
 Say, if my mother knew of that, 
 
 Would she be kind to poor Buck Brown ? 
 
 [ 81 ] 
 
A Marsh Symphony 
 
 THE little frog sits on the bank by the pool 
 When the stars are beginning to peep j 
 The night wind comes sighing by softly and cool, 
 And he's plaintively singing "Knee Deep!'''' 
 
 Knee Deep I Knee Deep! And 'it ''s far to the log 
 Where nvaits the frog maiden he lo-ves in the bog ,• 
 
 And his clothes are all ne^w, so njjhat can he do P 
 " Knee Deep! " nvails the poor little frog. 
 
 Far o'er by the innermost depths of the marsh, 
 
 From his lair by the calamus roots, 
 The big bull-frog's voice rings dismal and harsh 
 
 As he answers him back, "Rubber Boots !" 
 
 Rubber Boots ! Rubber Boots ! tonjoade to the log 
 Where nvaits the frog maiden you lo^e in the bog — 
 
 If your clothes are all nenxj that 'j the best thing to do. 
 "Rubber Boots ! " says the big bull-frog. 
 
 But such foot gear is scarce, or he finds none that suits, 
 
 For still will that little frog weep ; 
 And all night the bull-frog cries back "Rubber Boots ! 
 
 When he hears him calling "Knee Deep!'''' 
 
 "Knee Deep!'''' "Rubber Boots ! " a duet 'in the bog-, 
 
 'The frog maid forlorn is alone on her log. 
 What can her lo^ue do ^when his clothes are all neuo? 
 
 "Rubber Boots ! " cries the big bull-frog. 
 
 [ 82 ] 
 
Ballade of Old Songs 
 
 TELL me where, in what land of shade. 
 Echo the strains of the songs once sung 
 By young and old, by man and maid. 
 In childish treble, by lisping tongue, 
 By singers great, where spellbound hung 
 The throng. The tunes that once were played 
 By organ men both far and near. 
 
 Nor stayed nor stopped till coin they'd wrung - 
 Where are the songs of yester year ? 
 
 Where is "Emma" we sung with '-'Whoa ! " 
 
 That stirring tune, " The Golden Stairs," 
 Or " Annie Rooney," loved by Joe, 
 
 "Sweet Violets" and kindred airs ? 
 
 No one remembers now nor cares ; 
 "Marguerite" they no longer know, 
 "Peek-a-Boo" is forgot, I fear, 
 
 "White Wings," too. It is better so — 
 Where are the songs of yester year ? 
 
 L' Envoi 
 Prince, they are gone. Yet still allow 
 
 One hope is left us full of cheer : 
 Songs as bad we are singing now 
 
 Will soon be the songs of yester year. 
 
 [ 83 ] 
 
when Mary Climbed the Tree 
 
 o 
 
 N ev'ry bough ripe cherries hung, 
 At ev'ry breeze they swayed and swung, 
 And 
 Mary 
 Climbed 
 The 
 Tree. 
 
 The feeding robins flew away 
 
 As Mary cHmbed that summer day 
 
 And 
 
 Zeb 
 
 He 
 
 Stopt 
 
 To 
 
 See. 
 
 Watching her feat in wild surprise, 
 Watching her feet with open eyes 
 
 As 
 
 Mary 
 
 Climbed 
 
 The 
 
 Tree. 
 
 [ 84] 
 
" Go 'way ! " she shrieked, and held her gown, 
 But he said, "I '11 stay till you come down, 
 
 I'll 
 
 Nev- 
 
 Er 
 
 Leave, 
 
 You 
 
 Bet ! " 
 
 Sing hey ! for the yokel who laughed in glee 
 At the weeping maid in the cherry tree — 
 
 She's 
 
 Sit- 
 
 Ting 
 
 Up 
 
 There 
 
 Yet. 
 
 [ 85 ] 
 
The Guileless Chinaman 
 
 IT is the guileless Chinaman, 
 Upon his way he goes, 
 With merry smile and cheek of tan 
 And basketful of clothes. 
 
 Of mocking jibes and taunting cries 
 
 He neither heeds nor cares 5 
 But still upon his way he hies 
 
 And minds his own affairs. 
 
 He never swears, he never fights. 
 
 He never loafs nor drinks. 
 He never "stands up for his rights," 
 
 Nor tells you what he thinks. 
 
 His terms are striftly C. O. D., 
 
 He asks but what 's his due j 
 Don't bother him at all and he 
 
 Will never bother you. 
 
 And oft beneath his hat you 'll see 
 
 His plaited hair close rolled : 
 He goes his way — but yet could he 
 
 A curious tail unfold. 
 
 [ 86 ] 
 
Ye Foolish Old Bard and Ye Wise 
 
 Young Troubadour 
 
 YE mightie King sat in his halle, his nobles at his syde, 
 But bored, in sooth, to say the truth, for all his haughtie pride. 
 He would not to ye green woode goe, nor hunting of ye hart or doe, 
 
 What once he much admired. 
 And when Sir Bertram Bevis spake of hawking heron by ye lake. 
 Ye King with glance did make him quake. 
 Saith he : " You make me tired ! " 
 
 Then up and stood his seneschal and craved his liege's grace ; 
 
 He saith : " There stands without ye halle two wandVing minstrels at 
 your call. 
 And strangers to ye place. 
 
 A Harper one, a man of eld, a bard such as in Scotia dwelled 
 In other times gone by. 
 
 He wakes his wild harp's martial strains with sturdy, strong, and bold 
 refrains 
 Which make men fight and die. 
 
 Ye other 's but a Troubadour, such as without ye postern door 
 At midnight serenades. 
 
 And tho' ye archers at him shoot, yet still ye maundering galoot, 
 Will yowl his ballads to his lute to please ye love-sicke maides." 
 
 "We '11 see him later," said ye King j " but first we '11 have ye Harper sing. 
 
 These lutists give me pains ! 
 But wand'ring minstrels bowed with age are taught by time to be more 
 sage. 
 
 And come in when it rains." 
 
Ye Harper 's seated in ye halle, across ye strings his fingers falle, 
 
 And he could play, I wis ; 
 He bowed with reverence to ye King, and with crack 'd voice essayed to sing, 
 
 A strain that ran like this : 
 
 " O King ! ye sit within your halle, with knights and nobles at your call. 
 
 And never one has got the gall to ever say ye nay ! 
 But all these vanities of thine, thy costly fare and raiment fine. 
 
 Some day must pass away. 
 Beware ! Beware ! your doleful doom, when you shall moulder in ye 
 tomb — " 
 
 He got no further, for ye King his sceptre then did at him fling. 
 
 Which, hap'ly, was not sharp. 
 The dogs were at ye croaker sicM — then one and all ye good knights kicked 
 
 Ye stuffing from his harp. 
 
 "Bring now ye other minstrel in !" then cried ye King, as mad as sin, 
 
 " And if he sings such doleful lays 
 As hath this mug we Ve lately heard, upon me royal oath and word 
 
 I '11 give him sixty days !" 
 
 Ye other minstrel, young was he, he touched his lute most daintilee 
 
 And said, " I '11 do me best ; 
 For I have played in many lands with Georgia Minstrels — one-night 
 stands — 
 
 But out in Camelot we strands, an' I hoofs it from de West ! " 
 
 Then he touched his lute to a merry air, and did his best turn for them 
 there 
 In a way that caught ye gang. 
 He had no doleful tale to tell, but he gave them ye lay of " Daisie Belle," 
 And this, likewise, he sang : 
 
 [ 88 ] 
 
"Oh, never was there a king Hlce you, or ever one half as great j 
 I tell ye truth as a regular thhig and I give this to you straight ! 
 
 You 've got a record out of sight, you always treat your people white, 
 And they to honor you delight, O King ! most wise and great ! " 
 
 At this ye monarch beamed with glee ; " I will not hear you more," 
 saith he, 
 "For my great holt is modesty and you have sung enough ! " 
 But, by request, " After ye Balle," and " Ye Bowerie," too, he sang for 
 all, 
 Until the nobles in the halle cried, whooping, "That 's ye stuff! " 
 
 L' Envoi 
 Ye moral of this ancient lay still holdeth good until this day. 
 
 The which is simply this : 
 That he who for a guerdon sings must ne'er harp on unpleasant things 
 
 To peasants, nobles, knaves, or kings j and this is true, I wis. 
 
 [ 89 ] 
 
Ye Artifice of Dame Allyce 
 
 A Goodlie Ballade of ye Olden Times 
 
 Wherein is Sette Forth Howe the Ingenuity of Hys Goode Ladye, 
 
 in an Adverse Hour, Didde Rouse ye Slothful Sir Bertram Bevis, 
 
 of the Lake, to Industrie and A6lion 
 
 Listen, Lordlings, nvhile ye may. 
 Unto ye Bard 'xvho sings a lay 
 Of happ'nings in an elder daye. 
 
 The ixihich, in sooth, is this : 
 Honv, long ago, a sturdy knyghte 
 Who didde in reckless nvays delyghte 
 Bye hys goode dame ^was sette aryghte. 
 
 And it is true, I <wis. 
 
 SIR Bertram Bevis, of ye Lake, 
 Unto hymselfe to wife didde take 
 Ye goode Sir Cauline's daughter. 
 And Dame Allyce was fair to see ; 
 Shee could embroider daintilee 
 And sampler work so fyne didde shee — 
 For thus her mother taught her. 
 
 But, Bertram, tho' a stark goode knyghte, 
 I-faith, he was a reckless wight 
 Who onlie joyed in joust or fyghte, 
 Or onne adventures sallied. 
 
 [ 90 ] 
 
Heedless he passed hys tyme away 
 
 Att cardes and dicing all ye daye 
 
 Or singing catches droll and gaye, 
 
 And o'er ye wine-cup dallied. 
 
 Tette think net in ye olden tymes^ 
 
 When minstrels sang and made their rhymes. 
 
 It avas all beere and skittles. 
 Beshreiv me ! Times to some H,vere tight 
 And, eftsoons, many a goodlie knyghte 
 
 Must hustle for his ^iBuals I 
 
 Now all ye joustings they were done — 
 Ye tournaments where fyghte and funne 
 
 Had raged both fast and furious. 
 And Winter fell in Camelot, 
 A Winter cold and drear, I wot. 
 
 No more yt ballad curious, 
 " Hot Tyme in ye Towne To-Nighte ! " 
 Was sung — 'twas deemed injurious. 
 And still yt brave and parlous knyghte. 
 Sir Bertram Bevis, of ye Lake, 
 Had found it harde, indeed, to make 
 
 Bothe endes to meete, if we hear right. 
 He had laid bye a meagre store 
 Of sundries for ye Winter sore. 
 And of white monle he 'd no more 
 
 Than e'en ye poorest churl. 
 And thenne ye merchants didde hym dunne 
 For debts he owed, from sunne to sunne. 
 
 And hym a belted Earl ! 
 
 [ 91 ] 
 
Ye while hys gentil ladye fair — 
 May fate send us her kind to share 
 Our days of joy and days of care — 
 
 Kept up hys spirits daily. 
 " Soon will ye Winter cold pass bye," 
 Quoth shee, " and Spiynge will glad your eye ; 
 We ""II all be happy yette, you bette ! 
 
 So, keep in bounds of reason," 
 She saith with other words of cheer 
 Yt pleased hym muche, indeed, to hear. 
 So passed the tyme till it grew near 
 
 Ye joyous Christmasse season. 
 But, ah ! they were far in arrear 
 In payments on their household gear 
 Until, withe many a threat and jeer. 
 
 That they myghte notte mistake them. 
 This word was sent : "No more delay — 
 Your household goodes instalments paye 
 
 Or else we '11 come and take them." 
 
 In vain ye goode Sir Bertram strove, 
 
 They tooke both pannes and pottes and stove, 
 
 Until ye knyghte cried out, " By Jove 1 
 
 As I 'm a living sinner. 
 How will we now have ought to eat. 
 How shalle we roast or frye our meat, 
 
 How shalle we cooke our dinner ?" 
 
 But still Dame Allyce gave hym cheer : 
 " What do we care for kitchen gear ? 
 We '11 make out well, so do notte fear 
 And do notte be repining. 
 [ 92 ] 
 
Take oflF ye corselet yt you wear, 
 Your goode steel hawberk yt 's suche care 
 To keep all bryghte and shining." 
 
 Hys corselet 's set upon ye grounde, 
 Ye steel yt saved from scar and wounde 
 Sir Bertram oft 5 and it was founde 
 
 A splendid stove to make. 
 Ye iron sleeve, at ye elbow bend. 
 Ye dame turned uppe, yt it myghte send 
 Ye smoak aloft, he saw her trend — 
 
 Saith he : " You take ye cake ! " 
 Then, in hys helmet, as a disshe, 
 Shee boyled for hym a goode salt fissche, 
 
 And colewort, too, beside. 
 Hys broad shield with its rounding curve 
 Shee made it as a platter serve — 
 
 Sir Bertram gazed with pryde. 
 " Come weal or woe ! " he cryed amain, 
 "Thou art a dame worth while to gain, 
 And sore would be my grief and pain 
 
 To lose thee from my syde ! " 
 
 All is notte told : yt afternoon 
 
 Shee heated uppe hys spur-decked shoon, 
 
 And with it and its mate she soon 
 
 Had all her ironing donne. 
 " Then save you fair, my gracious dame ! ' 
 Sir Bertram cryed 5 "you putte to shame 
 
 Ye joustyngs I have wonne ! 
 I, in yt suit of nickel-plate. 
 Have in ye tourneys tempted fate, 
 
 [ 93 ] 
 
While here, in suche a goodlle state, 
 
 You cook ye dinner in it ! 
 A better use for armor bryghte 
 Than to be worn by slothful knyghte, 
 Who onlie thought hym of ye fyghte, 
 
 And how to wage and win it. 
 
 "Belike, your ready wit Is suche 
 
 Yt it, in sooth, doth shame me muche 
 
 To watch you stir and bustle. 
 Forthwith I '11 sette no more and pine 
 That better fortune is notte mine, 
 
 But I '11 gette out and hustle ! " 
 
 He didde. And, Gentles, would you know ? 
 Ere Spiyngtyme's flowers didde bloom and blow. 
 Or yette had fell ye last light snowe — 
 
 So well and goode he strove — 
 Hys spryghtly ladye hadde her meed j 
 No longer used shee in her need 
 
 His corselet for a stove. 
 For, by his efforts goode and bolde 
 He brought hym in a store of golde — 
 They left their castle, damp and olde j 
 
 And, bye next Yuletide's comyng, 
 He reared a stately edifice. 
 All furnished uppe with gear of price 
 
 And sanitarie plumbyng ! 
 
 The End 
 
D. B. Updike 
 
 The Merrymount Press 
 
 Boston 
 
NOV 19 1900 
 
LIBRARY OF CONGRESS 
 
 llllllllllilllllllillilililllllilli 
 
 015 909 184 3 -0 
 
 i