'■ ;^/^ THE PRINCESS ALFRED TENNYSON RE-CAST AS A DRAMA , ^ ' "Our Agi e is largely trying the experiment of the Princess." Tainsh's Study of Tennyson. ><^^«1 OF Cl^^^ JUN 6 lasi . BOSTON ^"^^^O'^" WaSHINC*;^,^ LEE AND SHEPARD, PUBLISHERS NEW YORK CHARLES T. DILLINGHAM 1881 Copyright, i88i, By lee and SHEPARD. Ail rights reserved. Applications for perviission to perform this Drama should he addressed to the Publishers. BctiicatetJ TO THE LADIES AND GENTLEMEN WHO APPEARED IN A PRIVATE DRAMATIC PERFORMANCE FOR WHICH VL^is Vtx&ion of " E\)t princess ' WAS WRITTEN'. PREFACE. "The Princess" is entitled "A Medley," being in form neither an epic nor a drama, though largely containing the elements of both. That its rich materials admit of more strictly dramatic treatment is suggested by the poet him- self, in terms which might justify the attempt, if made in an appreciative spirit, with no purpose of disturbing the original, legitimate impression of the poem. In this re-composition of the work, the aim has been to retain the language and style of Tennyson as far as pos- sible, and only to take such liberties with the plot as have been experimentally found requisite in a private repre- sentation. It is believed that a dramatic rendering of "The Prin- cess," though it must necessarily sacrifice some of its literary beauties, can only enhance its charms as a won- derful creation of fancy, and may deepen its philosophical interest, as it bears upon many questions of modern social life and culture. DRAMATIS PERSONS. GAMA, Father of the Princess. ARAC, , Sons of Gama. TWIN BROTHERS, THE KING, Father of the Prince. THE PRINCE, Lover of the Princess. FLORIAN, . Friends of the Prince, CYRIL, IDA, the Princess, and head of the College of Maidens. BLANCHE, ) > Ladies of the Court and Tutors in the College. PSYCHE, ) ^ MELISS.\, Daughter of Lady Blanche. GiRL-STUDENTS. COLLEGE PORTRESS. WOMAN-POST. WOMAN- GUARDS. Heralds. ACT I. Scene I. — A Presence-room in the King's Palace. Scene II. — Before Gauk's Palace. Scene III. — A College-hall in the Palace of the Princess. I. Interlude. — " Sweet and low." ACT II. Scene I. — A Coierf of the VRlKC^Ss'i, Palace. Scene II. — A Park adjoining the Palace. Scene III. — On a Terrace before the Palace. II. Interlude. — "The splendor falls on castle walls." ACT III. Scene I. — A Pavilion in the Park. Scene II. — On a Terrace before the Palace. Scene III. — A Council-Chamber in the Palace. III. Interlude. — "Thy voice is heard through rolling drums. ACT IV. Scene I. — A Camp of the King's Army. Scene II. — Open Field between the Camps. IV. Interlude. — " Home they brought her warrior dead." ACT V. Scene I, — A Hall of State in the Princess's Palace. Finale. — "Ask me no more." NOTE. Some of the longer passages, though well adapted for the closet, and even essential to the drama as read, may be omitted or curtailed in representation. — See Buhver's Note to ^^ Richelieu'' THE PRINCESS. ACT I. SCENE I. — A Presence-Room in the King's Palace. The YilfiV, seated, reading a letter, tvith aii angry fro'coit. A rich robe on the table before kim> The Prince standing with Cyril and Florian. King {tearing up the letter). An answer vague as wind ! He takes our gifts : Sends this return {holding tip the robe) : grants that there did a kind Of compact pass, a show of baby troth, Betwixt his daughter and our son : he would It might be kept to ; but she has a will And maiden fancies ; loves to live alone Among her women ; certain, will not wed. Not wed ! I'll send a hundred thousand men And bring her in a whirlwind. {Rends the robe in twain.) Prince. Let me go, My father : some gross error surely lies In this report, this answer of a king, Whom all men rate as kind and hospitable. Florian. I have a sister at the foreign court, Who moves about the Princess ; she, you know, Who wedded with a nobleman from thence ; He, dying lately, left her, as I hear, 9 lO THE PRINCESS. The lady of three castles in that land : Through her this matter might be sifted clean. Cyril. And take me with you too : in those strange lands, Trust me, I'll serve you better in a strait. I grate on rusty hinges here. King. No ! no ! You shall not ; 'tis our quarrel : we ourself Will crush her pretty maiden fancies dead In iron gauntlets : break the council up. \_Exit KiXG. Florian. One of her pretty fancies is, I hear, A university for maidens ; she The college head ; the tutors. Lady Blanche And Lady Psyche, widows who had charge Of her. I've heard her sire, old Gama, say They fed her theories, in and out of place, Maintaining that with equal husbandry The woman were an equal of the man, And only knowledge makes the difference. They harped on this, and praised her lofty odes About the coming woman ; till at last She begged of the good easy king to grant To her a summer palace he had built Hard by your father's frontier ; where she went All wild to found a college like a man's. Cyril. 'Tis said, they see no men ; but make it death For any male thing but to peep at them. They send a woman-post for all their news. The land, I understand, for miles about Is tilled by women, daughters of the plough ; There is a plump-armed ostleress at the gate ; The stable-boys are wenches — Prince. Hist ! a thought Has flashed, and must be clothed at once in act. THE PRINCESS. II Remember how we three presented maid Or nymph or goddess, at high tide of feast, In masque or pageant at my father's court. Send out and purchase female gear. Escaped By night to Gama's palace ; there empowered With letters which he cannot well refuse, We pass approved the border sentries ; don Our girl's attire betimes ; admitted, crave The proper academic garb, whate'er It be ; and so seek audience with the head, The Princess, as arriving neophytes. Once in that paradise, we test our fate. Better such stratagem of love than war. Cyril. Ha ! ha ! to see ourselves in such disguise Would shake the midriff of despair itself With laughter. Florian. Who shall be our tutor there ? Cyril. Who but the prettiest, the Lady Psyche ? \_Exeunf. SCENE II. — Before Gama's Palace. The towers of the imperial cily in tneiv. Enter King Gama and Prince A rag walking together and earnestly conversing. Gama. She will not see us ; not even you. Nor me, nor her twin brothers, though we loved And doted on her as a paragon. 'Twas all the fault of those two widows : they Exiled our darling Ida from her home. With talk of ladies' rights and woman's wrongs ; Nothing but this : my very ears were hot To hear them. Women, so they taught her, were 12 THE PRINCESS. As children ; they must lose the child, assume The woman : then, sir, awful odes she wrote About this losing of the child, and rhymes And dismal lyrics, prophesying change Beyond all reason : these the women sang, And called them masterpieces : — they mastered me. Arac. She flies too high, she flies too high ! And yet She asked but space and fair play for her scheme : She pressed and pressed it on me. I myself, What know I of these things? but, life and soul ! I tliought her half right talking of her wrongs. I say she flies too high ; 'sdeath, what of that? If she but loved, — and, Sire, she can be sweet To those she loves — I would the Prince might have her. Gama. With all my heart : so said I to our guest Himself, when yestermorn, with his two friends. He parted from me, urging at the last Her plighted word and mine : what could I else But own the claim, and give him letters to her? Though, truth to tell, I rate his chance almost At naked nothing. \_Exeiint. SCENE III. — A Coli.ege-Hall of the Princess. Statues, busts, scientific apparatus. Forms for students. A conspicuous inscription. Let no man enter here on pain of death. TIu- Princess is discovered seated in state, with two leopards couched beside her throne, and tomes and papers at her feet ; the Lady Blanche at the desk. Enter Portress, ivith paper, zvhich Lady Blanche receives and reads. " Three ladies of the Northern empire pray Your Highness would enroll them with your own And Lady Psyche's pupils." THE PRINCESS. I 3 Prixcess (Jo Portress). Go and bid Them hither. So begins the day to dawn \^Exit Portress. Where last to look and least to hope for it. Three converts from the scornful enemy ! Lady Blanche. But why enrolled as Lady Psyche's pupils ? Must every novice, with crude choice, go sit At her feet, learning only what before Was taught in other rooms, half vacant now? Princess. Be not so quick, dear Lady Blanche, to judge These girlish preferences ; but give them play, And in due time, teacher or pupil, each Shall find her like, and all a fitting meed Of praise attain, as the good work moves on. But here they come : receive them with due state. (j^itc7- Melissa hi terror, exclaitning.) Melissa. Fly ! fly ! while yet you may ! My mother knows. Prince. How? Why? Melissa {weeping). My fault, my fault ! and yet not mine : Yet mine in part. O hear me, pardon me ! My mother, 'tis her wont from night to night To rail at Lady Psyche and her side. She says the Princess should have been the Head, Herself and Lady Psyche the two arms : And so it was agreed when first they came ; But Lady Psyche was the right hand now, And she the left, or not, or seldom, used ; Her's more than half the students, all the love. And so last night she fell to canvass you. Florian. The countrywomen of the Lady Psyche ? Melissa. " Her countrywomen ! she did not envy her. Who ever saw such wild barbarians? " Cyril. Why, we are very modest, proper girls. Melissa. " Girls? more like men ! " and at these words the snake. My secret, seemed to stir within my breast ; And O sirs ! could I help it ? but my cheek THE PRINCESS. 2/ Began to burn and burn, and her lynx eye To fix and make me hotter, till she laughed : " O marvellously modest maiden, you ! Men ! girls, like men ! why, if they had been men You need not set your thoughts in rubric thus For wholesale comment ! " Prince. You poor child ! and all For our mad prank. Melissa. Pardon ! I am shamed That I must needs repeat for my excuse What looks so little graceful. CvRiL. Rather blame Our tell-tale shamelessness. Melissa. " Men, men " (for still My mother went revolving on the word), " And so they are — very like men indeed — And with that woman closeted for hours ! " Then came these dreadful words out one by one, "Why — these — are — men:" I shuddered: "and you know it ' " O ask me nothing, I said. " And she knows too. And she conceals it ! " Prince. All is known, I fear. And whelmed in failure. Melissa. So my mother clutched Tlie truth at once, but with no word from me ; And now thus early risen she goes to inform The Princess : Lady Psyche will be crushed ; But you may yet be saved, and therefore fly : But heal me with your pardon ere you go. Cyril. Wliat pardon, sweet Melissa, for a blush ? Pale one, blush again : than wear those lilies, It were better to blush our lives away. 28 THE PRINCESS. Yet let us breathe for one hour more in heaven, Lest, hereafter, some classic angel speak In scorn of us, " They mounted, Ganymedes, To tumble, Vulcans, on the second morn." But I will melt this marble into wax To yield us further furlough. (Melissa shakes her head donbtingly. ^x// Cyril.) Floman. But, tell us, How grew this feud betwixt the right and left ? Melissa. O it was long ago : betwixt these two Division smoulders hidden : 'tis my mother, Too jealous, often fretful as the wind Pent in a crevice ; much I bear with her. I never knew my father, but she says (God help her !) she was wedded to a fool. V And still she railed against the state of things. She had the care of Lady Ida's youth. And from the Queen's decease she brought her up. But when your sister came she won the heart Of Ida ; they were still together, grew (For so they said themselves) inosculated; Consonant chords that shiver to one note : One mind in all things : yet my mother still Affirms your Psyche thieved her theories. And angled with them for her pupils' love ; She calls her plagiarist ; I know not what : But I must go ; I dare not tarry here. {^Exit Melissa. Florian {gazing after her). An open-hearted maiden, true and pure. If I could love, why, this were she. How pretty Her blushing was, and how she blushed again, THE PRINCESS. 29 As if to close with Cyril's random wish : Not like your Princess, crammed with erring pride, Nor like poor Psyche whom she drags in tow. \_Exit Florian. Prince (^soliloquizing). Ah well ! the crane may chatter of the crane, The dove may murmur of the dove, but I, An eagle, clang an eagle to the sphere. My Princess, O my Princess ! true she errs. But in her own grand way. For her, and her, Hebes are they to hand ambrosia, mix The nectar; but — ah, she — whene'er she moves The Samian Here rises, and she speaks, A Memnon smitten with the morning sun. , \_Exit. SCENE II. — A Park adjoining the Palace. Enter Vri^cess, /cnsnr/j' rcaJiiig. Princess. Only aovoman could have written thus. {Clasping the book to her h'east.) Sweet songstress ! warbling from my native vale, And from the distant, dear remembered past. {Reads.) " Come down, O maid, from yonder mountain height: What pleasure lives in height, in height and cold ? What pleasure in the splendor of the hills ? But cease to move so near the heavens, and cease To glide a sunbeam by the blasted pine, To sit, a star, upon the sparkling sj^ire : And come, for Love is of the valley, come, For Love is of the valley, come thou down And find him." A dream that once was mine ! Too late ! too late ! {Closes the z'olumi sadly, and lualks on. Returning, 7neets the Prince entering, and they walk together.) 30 THE PRINCESS. Princess. O friend ! we trust that you esteemed us not Too harsh to your companion yestermorn ; Unwillingly we spake. Prince. No — not to her, But to another, one of whom we spake, Your Highness might have seemed the thing you say. Princess. Again? are you ambassadresses sent From him to me? We give you, being strange, A license : speak, and let the topic die. Prince {at first stammerin^ly). Our king expects — was there no pre-contract ? — There is no truer-hearted — ah, you seem All he prefigured, and he could not see The bird of passage flying south but longed To follow : surely, if your Highness keep Your purport, you will shock him even to death, Or baser courses, children of despair. Princess. Poor boy, can he not read — no books ? Quoits, tennis, ball — no games ? nor deals in that Which men delight in, martial exercise? To nurse a blind ideal like a girl, Methinks he seems no better than a girl ; As girls were once, as we ourself have been. We had our dreams ; perhaps he mixt witli them : We touch on our dead self, nor shun to do it, Being other — since we learnt our meaning here. To lift the woman's fallen divinity, Upon an even pedestal witli man. [After a pause, 7iiore Iiatiq'/itily.) And as to pre-contracts, we move, my friend, At no man's beck, but know ourself and him. Prince. Alas, your Highness, I could wish you knew THE PRINCESS. 3 I Him better ! — and then think liow vast a work To assail this gray pre-eminence of man ! Ere half be done perchance your life may fail ; Then comes the feebler heiress of your plan, And takes and ruins all the work : and thus With only Fame for spouse and your great deeds For issue, you might live in vain, and miss, Meanwhile, what every woman counts her due, Love, home, and happiness. Princess. Peace, you young savage of the Northern wild ! What ! though your Prince's love were like a god's, Have we not made ourself the sacrifice? You are bold indeed : we are not talked to thus. Yet will we say for children, would they grew Like field-flowers everywhere ! we like them well : But children die ; and let me tell you, girl, Howe'er you babble, great deeds cannot die ; They with the sun and moon renew their light Forever, blessing those that look on them. Prince {aside). Can this strange poet-princess with her grand Liiaginations e'er be w^on ? I fear 'Tis but the wooing of a goddess, who Will dazzle while she charms the hapless gaze. Princess. No doubt we seem a kind of monster to you ; We are used to that : for women up to this. Cramped under worse than South-sea-isle taboo, Have failed so far, they know not, cannot guess How much their welfare is a passion to us. O if our end were less achievable By slow approaches, than by single act Of immolation, any phase of death. We were as prompt to spring against the pikes, 32 THE PRINCESS. Or down the fiery gulf as talk of it, To compass our dear sisters' liberties. {Feeling/y.') (Tkey pause before a craggy bank, containing a mammoth fossil.] As these rude bones to us, are we to her That will be. Prince. Dare we dream of that dread Power Which wrought us, as the workman and his work That only practice betters? Princess. So we dream, Who are but phantoms of succession, while Creation is one act. But how you love The metaphysics ! read, and earn our prize, A golden brooch : beneath an emerald plane Sits Diotima, teaching him that died Of hemlock ; our device ; wrought to the life ; She rapt upon her subject, he on her : For there are schools for all. Prince. And yet, methinks I have not found one anatomic. Princess. Nay, We thought of that ; it pleased us not : in truth We shudder but to dream our maids should ape Those monstrous males that carve the living hound, Or human frame ; and yet we know Knowledge is knowledge, and this matter hangs. Howbeit ourself, foreseeing casualty. Unwilling men should come among us, learnt, For many weary moons, before we came. This craft of healing. Were you sick, Ourself would tend upon you. So we work Amid the fleeing shadows of the dawn, And mould the woman of the fuller day. THE PRINCESS. 33 ( They approach a flowery dell, zntfh a lovely prospect beyond.) Prince. How sweet to linger here with one that loved us ! Princess. Yea : rather say, with fair philosophies That lift the foncy ; for indeed these fields {Moving toward the distant landscape.) Are lovely, — lovelier not the Elysian lawns Where paced the demigods of old, and saw The soft, white vapor streak the crowned towers Built to the sun. \^Exit Princess. {The Prince stands gazitig after the Princess.) Voice. Follow ! Prince. That voice — {listening). Voice. Follow, thou shalt win. Prince. The same that rang through the wild woods at home, Whither I went and looked for a still place, And plucked her hidden likeness from my breast, Laid it on flowers, and watched it lying bathed In the green gleam of dewy-tasselled trees, What time the whisp'ring south wind rose and swept the forest. Voice. Follow ! Follow ! Follow ! {The Prince disappears, the voice dying away.) SCENE III. — On a Terrace before the Palace. Re-enter Prince, looking abstracted and bezuildered. Cyril, having entered, approaches yaiuning. Cyril. O hard task ! no fighting shadows here ! Better to clear prime forests, heave and thump 34 THE PRINCESS. A league of street in summer solstice down, Than hammer at this reverend gentlewoman. Prince. And like a warrior you laid siege to her? Cyril. I knocked, and, bidden, entered, found her there At point to move, and settled in her eyes The green malignant light of coming storm. Prince. I trust she did not seem to take offence. Cyril. Sir, I was courteous, every phrase well-oiled k's man's could be ; yet maiden-meek I prayed Concealment : she demanded who we were, And why we came. I fabled nothing fair, But, your example pilot, told her all. Up went the hushed amaze of hand and eye. Prince. And when you dwelt upon our old affiance ? Cyril. She answered sharply, that I talked astray. Prince. Showed she no pity, fear, or policy ? Cyril. I urged the fierce inscription on the gate. And our three lives. True — we had limed ourselves With open eyes, and we must take the chance. But such extremes, I told her, well might harm The woman's cause. " Not more than now," she said, " So puddled as it is with favoritism." Prince. And fair Melissa, said you naught of her? Cyril. I tried the mother's heart. Shame might befall Melissa, knowing, saying not she knew. Her answer was, " Leave me to deal with that." Prince. What of the wrath of kings and public feuds? Cyril. I spoke of war to come and many deaths. And she replied, her duty was to speak, And duty, duty, clear of consequences. Prince. You had indeed no easy argument. Cyril. I grew discouraged, sir ; but since I knew No rock so hard but that a little wave THE PRINCESS. 35 May beat admission in a thousand years, I recommenced : " Decide not ere you pause. I find you here but in the second place, Some say the third — the authentic foundress you. I offer boldly ; we will seat you highest : Wink at our advent : help my Prince to gain His rightful bride, and here I promise you Some palace in our own land, where you shall reign The head and heart of all our fair she-world, And your great name flow on with broadening time Forever." Prince. Ha ! the citadel must then Have yielded. Cyril. Well, she balanced this a little, And told me she would answer us to-day. Meantime be mute ; thus much, no more, I gained. {Enter Messenger.) Messenger. This afternoon the Princess rides to take The dip of certain strata to the North. You will go with her. You shall find the land Worth seeing ; and the river makes a fall Out yonder. There upon the sward She bids her maids pitch her pavilion. \_Exeunt. INTERLUDE II. The splendor falls on castle walls And snowy summits old in story : The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying. Blow, bugle ; answer echoes, dying, dying, dying. O hark, O hear ! how thin and clear, And thinner, clearer, farther going ! O sweet and far from cliff and scar The horns of Elfland faintly blowing ! Blow, let us hear the purple glens replying : Blow, bugle ; answer, echoes, dying, dying, dying. O love ! they die in yon rich sky. They faint on hill or field or river: Our echoes roll from soul to soul. And grow forever and forever. Blow, bugle, blow, set the wild echoes flying ; And answer, echoes, answer, dying, dying, dying. 36 ACT III. SCENE I. — A Pavilion in the Park. Sunset Tripod bearing flowers, fruit, and incense. Enter PRINCESS and her train of students, with the Prince, Cyril, and Florl\n. Princess. There sinks the nebulous star men call the sun, If that hypothesis of theirs be sound. Let us down and rest. ( They all sit down.) Princess. Let some one sing to us ; Lightlier move the minutes fledged with music. Maid {sings). SONG. Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy autumn fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld. Sad as the last which redd«ns over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more. Ah ! sad and strange as in dark summer dawns The earliest pipe of half-awakened birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square ; So sad, so strange, the days that are no more. i7 38 THE PRINCESS. Dear as remembered kisses after death, And sweet as those by hopeless fancy feigned On lips that are for others : deep as love, Deep as first love, and wild with all regret ; O Death in Life ! the days that are no more. Princess (/ x>'**^N ^^ ^^^ ^^^^^ ^^^ ^^^ ^ ^^^^^^ ^^^ ^^^ ^^^^^^ ^^^^ s ■ N ^H "»^ » V ■ * » „»■