PS 3519 .0245 S6 1916 Copy 1 Class / < J <5^/ Book C/'^:^ ^'^ c3. » Copyright 1^"_Z.?Z^ COPYRIGHT DEPOSIT. Songs of the Soil By Fenton Johnson Author of ^ 'Visions of the Dusk" and ")\ Little Dreaming' F. J. 35 West 131st Street New York. We beg to acknowledge permission from the Editor of The Citizen for the republication of certain selections that originally appeared in that magazine. Copyright, 1916 By FENTON JOHNSON MAR -3 1916 -8? Press of TRACHTENBERG CO., NEW YORK CITY. CI,A427114 To E. J. B. For the Gift of Enduring Faitk CO NTE NTS Page 1. Introduction I — I V 2. Dreamin' Lan' 1 3. Step Right In 1 4. The Miracle 2 5. In Lonely Lan' ?> 6. Protest 3 7. A Plantation Christmas 4 8. Plantation Revery 5 9. Harlem: The Black City 6 10. De Music Call 7 1 1. Your Soul and Mine 8 12. The Lonely Mother 9 13. The Woman of My Dreams 10 14. Eulogy 11 15. De Po' 01' Man 12 16. God Be With You 1 12 17. De or Sojer 13 18. Voices of the Dusk 16 19. Loyalty 17 20. Ah's Gwine Away 18 21. Injun Summah 19 22. John Crossed The' Island 20 23. Lif ' Up De Spade 20 24. Last Days 21 25. Uncle Rufus 22 26. Shuffle 'Long 23 27. Plantation Prayer 24 28. His Song 25 29. Wait Fu' Me , 26 30. De Windin' Road..,.. 26 31. The Parted 27 32. De Elduh 28 33. De Witch 'Ooman 29 34. Wintah On De Plantashun 30 35. A Plantation Santa Claus 31 36. The Song of the Fish Market 32 37. Shout, My Brother, Shout 33 38. De Dyin' Ca'line Lou 34 39. or Louisville 36 40. Spinning 37 41. The Golden City 38 42. Close De Book 39 INTRODUCTION The reader may notice that this third sheaf of verse, slight as it is, purports to represent Negro life; — the Negro life in the rural districts of the South. In my previous volumes I devoted myself to attempts at vers- ification in the language of the academies and colleges; now I cast aside the English of the Victorians and as- sume the language of the plantation and levee. The Georgian poets and writers arjg seeking romance out of their environment. I feel that a true artist can go no further than the American Negro for romantic inspiration. If romance is the element of strangeness then it is predominant in the race that claims my allegi- ance. Behind the Negro there is a wealth of buried tradi- tion. He is the most misunderstood creature in our lat- ter day civilization. Builder of empires that have crum- bled, and enslaved during the age of pirates and adven- turers, lie has taken his place in the greatest of republics as a peasant and menial. He has preserved none of his traditions, but has added to wliat we call Americanism his droll racial instincts. Oriental and primitive, he is richly endowed with emotion. He is more keenly attuned to the chords of human feeling. A Negro can feel sorrow to a greater extent than his Anglo-Saxon neighbor; likewise he can display greater sensitiveness to humour. Flis humour is the humour of a vivid imagin?