Glass Tfc.34 Rook .1^5?^ ■'i \ PARTICULAR ACCOU OF THE DREADFUL At Richmond, Virginia, December 26, 1811. Which destroyed the Theatre and the house uljoining, • and in which more than sixty persons were either % burnt to death, or destroyed in attempt- ing to make their escape. To which h added, I Some Observations on Theatrical Performances ; and, an Essay from the Virginia Argus, proving profaneness inconsistent with politeness. Believe, and shew the reason of a man ! Believe, and look with triumph on the Utn3n m *~Tamg> BALTIMORE: Printed for and sold by J. Kingston, and all the Bool; sellers Si the United. States. R. W? iwcr, & co.ffrintevs. 1812. . Gift 7 $ '« 0' ^r/ , r /"/ >Z^S Cj^^&£+^}0& TROM TIIE AMERICAN STANDARD. MOST DREADFUL CALAMITF. LAST night the play-house in this city was crowded with an unusual audience. There could not have been iess than six hundred persons in the house. Just before the conclusion of the play the scenery caught fire, ami in a few minutes the whole building was wrapt in flames. It is already ascertained that sixty-one persons were de- voured by that most terrific element. The editor of this paper was in the house when the ever to be remem- bered deplorable accident occurred. He is informed that the scenery took fire in the back part of the house, by the raising of a chandelier : that the boy, who was ordered by some of the players to raise it, stated that if he did so the scenery would take fire, when he was com- manded in a peremptory manner, to hoist it. The boy obeyed, and the fire was instantly communicated to the scenery. He gave the alarm in the rear of the stage, and requested some of the attendants to cut the cords by which these combustible materials were suspended.... The person, whose duty it was to perform this business, became panic-struck, and sought his own safety. This unfortunately happened at a time when one of the per- formers was playing near the orchestra, and the greatest part of the stage, with its horrid danger, was obscured from the audience by a curtain. The flames spread with almost the rapidity of lightning ; and the fire fall- ing from the ceiling upon the performer, was the first notice which the people had of their danger. Even then, many supposed it to be a part of the play, and were for a little while restrained from flight, by a cry from the stage that there was no danger. The performers and their attendants, in vain endeavoured to tear down the scenery. The fire flashed into every part of the house with a rapidity, horrible and astonishing; and, alas! Gushing tears and unspeakable anguish deprive me of utterance. No tongue can tell, no pen or pencil can de- scribe the woeful catastrophe: no person who was not present, can form any idea of this unexampled scene of human distress. The editor, having none of his family with him, and beii»g not far from the door, was among the first, who escaped. B 10 ]\o words can express his horror, when, on turning round, he discovered the whole building in flames There was but one door for the greatest part of the audience to pass through. Men, women, and children were pressing upon each other, while the flames were seizing upon those behind. The editor went to the dif- ferent windows, which were not very high, and implored, his fellow creatures to save their lives by jumping out of them. Those nearest to the windows, ignorant of their great danger, were afraid to leap down, while* these behind them were seen catching on tire, and writhing in the greatest agonies of pain and distress. At length, those behind, urged by the pressing flames, pushed those out who were nearest to the windows; and people of every description began to fall, one upon another, some with their clothes on lire; some half roasted. Oh wretched me! Oh afflicted people! Would to God I could have died a thousand deaths in any shape, could individual suffering have purchased the safety of my friends, my benefactors, and those whom I loved. #####:*.###,# The editor, with the assistance of others, caught several of those whom he had begged to leap from the windows. One lady jumped out when all her clothes were on fire: he tore them, burning, from her; stripped her of her last rags, and protecting her nakedness with his coat, carried her from the lire. Fathers and mothers were deploring the loss of their children ; children the loss of their pa- vents. — Husbands were heard to lament their lost com- panions ; wives were bemoaning their burnt husbands. The people were seen wringing their hands, beating their heads and breasts, and those who had secured themselves seemed to suffer greater torments than those who were enveloped in ilames. Oh distracting memory! Who that saw this, can think of it again and yet retain his senses. Do I dream? No. No. Oh that it were but a dream. My God ! who that saw his friends and dearest connexions devoured by fire, and laying in heaps at the doors, will not regret 11 chat he ever lived to see such a sight? Could savages have seen this memorable event, it would soften even their hearts. A sad gloom pervades this place, and every countenance is cast down to the earth. The loss of an hundred thousand friends in the field of battle could not toueh the heart like this. Enough. — Imagine what cannot be described. The most distant and im- placable enemy, and the most savage barbarians will condole our unhappy lot. All of those who were in the pit escaped, and had cleared themselves from the house before those who were in the boxes could get down; and the door was, for some time, empty. Those from above were pushing each other down the steps, when the hindmost might have got out by leaning into the pit. A gentleman and lady, who otherwise would have perished, had their lives saved by being providentially thrown from the second boxes. There would not have been the least difficulty in descending from the first boxes into the pit. ^RESOLUTIONS ADOPTED BY THE EXECUTIVE ON SATUR DAY, DECEMBER 28, 1811. Resolved unanimously, that in testimony of the pro- found sorrow which, as individuals and members of this body, we feel for the loss of our much lamented friend and fellow citizen, George William Smith, late go- vernor of this Commonwealth, and which in common with the afflicted people of this city, we feel for the loss of those other worthy and meritorious citizens who fell a sacrifice to the flames, in the late conflagration of the Theatre ; and that as a tribute of the very high respect which we entertain for his and tlu-ir memory, we will for the space of thirty days wear crape accurate which they have been enabled to discover. A LIST OF DEAD AND MISSING. Jefferson ward: — George W. Smith, Sophia Trouin, Cecilia Trouin, daughters of Mr. Trouin, Joseph Ja- cobs, Elizabeth Jacobs, his daughter, Cyprian Marks, wife of Mordecai Marks, Charlotte Raphael, daughter, of Solomon Raphael, Adeline Bausman, daughter of Mr. Bailsman, Ana Craig, daughter of Mrs. Adam Craig) 16 Thomas Nultal, a earpenter, Pleasant, a mulatto woman belonging to Mr. William Rose, Nancy Patterson, wo- man ol' colour supposed to have perished. Madison wan!: — Abraham 15. Vcnahlc, president of the hank, William Southgate. son of Wright, Benja- min Botts and wife, Arianna Hunter, Mary Whitlock, Juliana Harvey, Mrs. Heron, Mrs. Girardin and child, Mrs. Robert Greenhow, Mrs. Moss, Baraeh Judah's child, Mrs. Lesslie, Edward Wanton, a youth, George Dixon, a youth, William Brown, Mrs. Patterson, John Welsh, a stranger, nephew to sir A. Pigot late from England, Margaret Copland, Margaret Anderson, Sally Gatcwood, Mary Clay, Lucy Gawthmey, Louisa Mayo, Mrs. Gerard, Mrs. Gibson, Miss Green, Mary Davis, Thomas Frazier, a youth, Jane Wade, a young woman, Mrs. AVilliam Coak and daughter, Elizabeth Stevenson, of Spottsylvania, Mrs. Convert and child, Patsey Griffin, Fanny Golf, a woman of colour, Betsey Johnson, a wo- man of colour, free, Philadelphia, (missing). Monroe ward: — Mrs. Tayloc Braxton, Mrs. Eliza- beth Page, Mrs. Jerrod, James Waldon, Miss Elliot, from New Kent, Mrs. Gallego, Miss Conyers, Lieut. James Gibbon, Mrs. Thomas Wilson, Miss Maria Nel- son, Miss Mary Page, Mrs. Laforest. The committee of arrangement appointed by the Common Hall of this city, believing that no one place of worship will be found large enough to accommodate all those who may chusc to unite in devotion on Wednesday next, take the liberty to recommend that divine service be performed at all lhe places of public worship within the city, at 11 o'clock on the before mentioned day. The articles of jewellery found amongst the ruins of the Theatre have been deposited with Dr. John Adams, to be delivered to the relatives of the deceased when called for. December 30, 181.1. w A TREMENDOUS CONFLAGRATION. IT is impossible to describe our feelings on a perusal »f the following heart-rending intelligence from Rich- mond, Virginia. It seldom falls to the lot of any to wit- ness or hear of a calamity so terrible — so appalling! But, it is the will of an over-ruling Providence, whose ways are mysterious, thus to chastise a sinful people with the most terrific visitations. — Let the mourning city of Rich- mond prove a useful warning to the thoughtless ! — What a scene of distress is here presented — fathers and mothers, sisters and brothers, all buried in the ruins of a burning Theatre ! The governor of the state — the leading cha- racters of the place — the gayest and most fashionable— ^hose promised in marriage— all, all enveloped in one common heap of fired ruins ! The idea is insupport- able ! [JV. ¥. Pap. Extract of a Letter from Richmond, dated December 27. (i Last night, about 11 o'clock, the play-house of this city was burnt to the ground in half an hour : — It is said by a lamp in the upper scenery of the stage, and the flames spreading like lightning. Upwards of 600 people were in the house at the time, 70 or 80 of whom are al- ready ascertained to be burned to death, or killed in en- deavouring to get out of the house, and we fear many more are buried in the ruins. The cries of the dying mother, the screams of the frantie daughter, the frenzy of the expiring son, and the distraction of the husband, were more than enough to draw forth the sympathy of an adamantine heart. — ^Vlany burnt and wounded are now languishing between life and death. Another letter, says «* I will not attempt to describe to you one of the most distressing scenes that ever hap- pened in Richmond — further than to state, that, while acting the after piece of " Raymond and \ gnes," Iasf c is Slight, between the hours of 11 and 12 o'clock, the flames burst from above on the stage. Six or seven hundred people were in the house. Myself and family are all dafe. But how shall J tell you of the misery spread over the city. Let the names of some of the victims, witk whom you are acquainted, paint it to your imagination. ** Mrs. Picket is much burnt. Dr. M'Caw is violently hurt. Many are now occupied in digging among (he rains* for the remains of the unfortunate victims. What eights ! — not more than parts of two or three bodies will it be possible to identify, and that only by trinkets, &c. The bank is closed, every shop is shut, and every coun- tenance full of woe." Another letter states, that "at least 150 persons, of all descriptions, lost their lives. ,, Some suppose the number of 300, including the maimed; the latter may not be far from the truth. So suddenly was the house enveloped in flames, that two thirds of the number pre- sent, it is supposed, perished in them. — Mr. Richards, Mr. Page, and several others had a leg broken, by leap- ing from the windows, or by being trodden under foot. — Nearly all in the upper galleries perished. Sixty or eighty skeletons have been dug out of the ruins — not more than one or two have been recognized. " A meeting at the capitol has been held. — The bones, not recognized, will be interred together. &c. A. monument, by subscript ion, will be raised over them. — A day of humiliation and prayer recommended on Wed- nesday next. Long, long, will the citizens of Richmond bewail this melancholy event." Another letter observes, " The fire happened on Mr. Placide's benefit night — the house was crowded, and the burst of the flames was so instantaneous, that very few of the ladies in the upper boxes were saved. One gen- tleman in those boxes escaped almost miraculously : he was sitting with two small girls and a boy when the fire was discovered. The boy leaped from the window and (fseaped unhurt. Tke gentleman to»k the two girls, on* 19 under each arm, resolved on exertions, and flew with, them to the stair case, jamming them between his breast and the people before him, striving to keep himself straight, but in vain : the pressure from behind, and those leaping over head, overpowered him. — He was bent down with the children in his arms, and from that time he knew nothing of what passed 'till several hours after- wards he came to his senses and found himself in his own bed. — He must have been wedged up so as to be forced along unconsciously by the mass, as he was picked up at some distance from the play-house. — The children es- caped with but little hurt. — The wife of this gentleman,, who was in another part of the house, saved herself by leaping out of a window, in company with a young lady, who perished in the attempt. A case which excites sin- gular sympathy, is that of young Lieut. Gibbon of the navy. — He had got clear from the house, and saved hia mother's life with his own, but finding that Miss Con- yers was left behind, he rushed into the blazing building in search of her, and was never seen more : both perish- •d in the flames. Another letter says, " the burst of flames was instan- taneous, and required the immediate exercise of resolu- tion. A gentleman who had two helpless little girls ami a boy of 12 years of age under his protection, in the se- cond tier of boxes, seized the two least capable of exer- tion, with a view of saving them, happily with success. The little boy dropt from the window, and miraculously escaped unhurt. The gentleman reached the stair-case with his interesting charge, but the pressure behind, and those leaping over his head, overpowered him. He sunk with the children under his arms, and with them was providentially released from their perilous situation, by being carried with the current of the crowd out of the house in a state of insanity ; from which he reco- vered to be blessed with the sight of the objects of his tender care, in perfect safety. — One house adjoining the Theatre was burnt," so i'lie folUm-ing, from a gentleman in Hichmond to M. Clay. esq. a rejri'esentath'e from Virginia, give* an* impressive account of the dreadful catastrophe. " Sir, I have a talc of horror to tell ; prepare to hear of (he most awful calamity that ever plunged a whole city into affliction. — Yes, all Richmond is in tears : — children have lost their parents, parents have lost their children. Yesterday a beloved daughter glad- dened my heart with her innocent smiles ; to-day she is in heaven ! God gave her to me, and God yes, it has pleased Almighty God to take her from me. O! sir, feel for me, and not for me only; arm yourself with fortitude, whilst I discharge the mournful duty of tell- ing you that you have to feel also for yourself. Yes, foe it must be told, you also were the father of an amiable daughter, now, like my beloved child, gone to join her mother in heaven. How can words represent what one night, one hour of unutterable horror, has done to overwhelm a hundred families with grief and despair. — No, sir, impossible.... My eyes beheld last night what no tongue, no pen cau describe — horrors that language has no terms to re- present. Last night we were all at the Theatre ,• every family in Richmond, or, at least, a very large proportion of them, was" there — the house was uncommonly full — when, dreadful to relate, the scenery took fire, spread vapidly above, ascending in volumes of flame and smoke in\as perched among the. scenery, the carpenter had failed in his effort; that he then jerked it and jostled it; that \t was thus swerved from its perpendicular attitude, and brought into contact with the lower part of one of the front scenes. The scene took lire; the flame rose, and tapering about it to a point, must have reached the roof, which was elevated six or seven feet only above the top ef the scene. We are assured, that there was not a transparent scene hanging; that is, a scene coated with varnish and extremely combustible, that there was only one paper scene hanging, which Mr. Utt, the prompter, declares, was removed six or eight feet behind the lamp. Thirty- five scenes were at the moment hanging, exclusive of the flies or narrow borders which represent the skies, roofs, &c. — and of these thirty-four were canvas paintings; which though not extremely combustible on the painted side are on the other so well covered with the fibres of the hemp as to catch the flame. Efforts were made to extinguish the flame. Mr. Cook, the carpenter, ascended into the carpenter's gal- lery ; but in vain. lie did succeed in letting down some of the scenes upon the floor, under an idea that this was the surest means of extinguishing the flame ; but he eould not distinguish the cords of the scene that was then on fire. The roof soon caught, and the sense of danger compelled him to fly for his life. The committee must now be under the necessity of drawing the attention of our fellow citizens, to the events which took place in front of the curtain. Mr. West states, that immediately on his entering the stage to go on with his part, he heard some bustle behind 25 the sceaes which he conceived to be a mere fracas— the cry of *' fire" then saluted his ears, which gave him no serious apprehensions, as he knew that little accidents of this description had often taken place: that he heard some voices exclaim ** don't be alarmed," which exclamation he repeated through a solicitude to prevent hurry and confusion : that he had not at that moment seen any flakes of fire fall behind the scene : but seeing them at length falling from the roof, he retired behind the scene and found the whole stage enveloped in flames : that he attempted to pull down some of the hanging pieces, when, finding it unavailing, he attempted to make good his own retreat. Mr. Robertson, who was the only performer besides, that came before the audience, assured the committee, that at the moment when he first discovered the flame, it was no longer than his handkerchief; that he repaired immediately to the stage, as near the orchestra as he could come : " There he conveyed to the audience, not wishing to alarm them, by gesticulation, to leave the house; that in the act of doing that, he discovered the flames moving rapidly, and then he exclaimed, "The house (or the Theatre) is on fire ;" that he went directly to the stage box where some three or four ladies were sitting, entreating them to jump into his arms; that he could save them by conveying them through the private stage-door ; and that he still entreated, until he found it necessary to make his own escape ; that his own retreat by the private door was intercepted by the flames; that he found it necessary to leap into the stage-box, and join the general crowd in the lobby; that he gained one of the front windows; assisting in passing out some ten or twelve females, but at last found it necessary to throw himself out of the window. This narrative is due to the exertions of a gentleman who first sounded the alarm ; and to whom there are a few who have not done that justice which he deserves. — Let us now return to the transmission of the fire — where B 26 i he point of flame readied tlie roof. The roof was unfortunately not plastered and eeiled — there was a sheathing of plank, pine plank we are told, nailed over the rafters: and over these the shingles. The rosin of the pine had perhaps oozed out of the plank, through the heat of our summer's sun, stood in drops upon it. Yet, however this may have been, no sooner did the spire of flame reach the roof than it caught. The fire spread with a rapidity through this combustible material, un- paralleled, certainly never equalled by any of the too nu- merous fires whieh have desolated our eity. In four or five minutes at least, the whole roof was one sheet of ilauie — it burst through the bull's-eye in front — it sought tlie windows where the rarefied vapour sought its pas- sage; fed by the vast column of air in the hollows of a Theatre, fed by the inflammable pannels and pillars of the boxes, by the dome of the pit, by the canvas ceiling of the lower boxes, until its suffocated victims in the front were wrapt in its devouring flame, or pressed to death under the smoking ruins of the building. Here might we pause in our melancholy task. We have traced the conflagration to the fatal lamp, lifted as it was lit, then jirked and jostled out of its perpendicu- lar position, to the scenery — to the roof; until everj thing was enveloped in its fury. But there is one part of the subject which though it does not fall strictly within the letter of the resolution, or perhaps the line of our duty, is xvt too interesting to be passed over. Why this fatality? Why have so man}! victims perished on this melancholy occasion? It cannot be said that it was the combustibility of the building and the rapidity of the fire, great as they undoubtedly were, which altogether produced this mortality of the species — for we cannot believe, if large vomitories had been erected for the pas- sage of the crowd, if there had been doors enough to admit (hem, that more than one tenth of an audience .should have perished on the occasion. 2? AN ORDINANCE To amend the Ordinance, entitled "Jin Ordinance con- cerning the conjiagration of the Theatre, in the City of Richmond. 9 * (Passed the 28th Dec. 1811.) Whereas, it is represented to the President and Common Council of the city of Richmond, in Common. Hall assembled, that the remains of their unfortunate fellow citizens, who perished in* the conflagration of the Theatre, on the night of the twenty-sixth inst. cannot with convenience be removed from the spot on which they were found, and some of them were so far consumed as to fall to ashes — and that it would be more satisfac- tory to their relations that they should be inferred on the spot where they perished, and that the scite of the Theatre should be consecrated as the sacred deposit of their bones and ashes. Be it therefore ordained by the authority aforesaid, That the Committee appointed by the ORDINANCE, entitled an Ordinance concerning the conflagration of the " Theatre in the city of Richmond,'* instead of burying the remains of our fellow citizens in the public burying ground, shall cause them to be interred within the area formerly included in the Avails of the Theatre : And the said Committee is hereby authorised and empowered to purchase of the proprietors thereof as soon as may be possible, all the ground included within such walls. Jlnd he it further ordained, That in addition to the duty imposed upon that Committee by the before recited Ordinance, they be requested to enclose with suitable walls of brick, of the height of five feet at the least, the whole of the ground formerly covered by said Theatre; and that the Common Hall of the city of Richmond hold the funds of the city pledged to defray the expenses of purchasing the said area, and of the enclosure thereof, to be paid out of any money in the hands of the chamber- 28 lain, at the time the said enclosure shall be erected by the said Committee, and to be paid by him to their draft or drafts. This Ordinance shall take effect from the passing thereof. CCopy.J N. SIIEPPARD, e. c. h. INTERMENT OF THE DEAD. The arrangements for this melancholy occasion could not be completed before .Sunday, and as the place of interment had been changed from the church to the area where the Theatre stood — to that fatal and devoted spot, the funeral procession did not move, as was origi- nally contemplated by the Committee, from the Baptist meeting house, (near the Theatre, where the relics lay), to the church, where the interment was intended to be made. The mournful procession began at Mr. Ed. Trent's. on the main street, where the remains of the unfortunate Mrs. Patterson lay. In front, the corpse; then the clergy; ladies in carriages: the executive council: di- rectors of the bank: members of the legislature; the Court of Hustings: common hall; citizens on foot and on horseback. Why paint the length and solemnity of the line 2 They moved up the main street until they struck ihe cross street, leading to the bank: here they were joined by the corpse of poor Juliana Harvie, who expired at her brother-in-law's, the cashier of the bank; they moved up the capitol hill, and at the capitol were joined by the bearers of two large mahogany boxes, in which were enclosed the ashes and relies of the de- ceased. Tiie mournful procession then moved to ••the dei d - >l :" and in the centre of the area, where ae pit, these precious relies were buried in common grave. The service for the dead was read 29 by the Rev. Mv. Buchanan. The whole seene dotie*< description: — a whole city bathed in tear?! How awful the transition on this devoted spot ! a few days since, it was the theatre of joy and merriment, animated by the sound of music, and the hum of. a delighted multitude. It is now a funeral pyre! — the receptacle of the relies of our friends ! ! and in a short time a monument will stand upon it to point out where their ashes lay! REGISTER OF TEE DEAB. for addition to the sixty-three persons who were pub- lished in our la?t. from the report of the committee: we are pained to be compelled to subjoin the fallowing me- lancholy list : — Perished in the jiames ! — Miss Elvira Coutts: Mrs. Picket, [not wife of Mr. G. Picket] : Miss Lin' ; Jean Baptiste Roan: Thomas Leeruix: Robert Ferrill, a mulatto boy. Expired since On Saturday night, Mrs. John Bo- sher: and at 11 o'clock on Sunday Bight, Edw. James Harvie, esq. in consequence of the injury he received in his efforts to save an unfortunate sister from the flames ! ! fey Xot one life has been lest from Manchester.... Mrs. Hatcher has broken a limb. THE PLAYLE'' ADDRESS TO THE CITIZENS OE RICH- MOND. Is the sincerity of afflicted minds, and deeply wounded hearts, permit u* to express the anguish which we feel for the late dreadful calamity, of which we l,:i- not but considei Ives the . cause. From a liberal and enlightened community we fear no re- 50 proaehcs; but we are conscious that many have too much cause to wish they had never known us. To their mercy we appeal for forgiveness; not for a crime committed, hut for one which could not be prevented. Our own loss cannot he estimated but by ourselves : 'tis true (with one exception) we have not to lament the loss of life; but we have lost our friends, our patrons, our property, and in part, our homes. Nor' is this all our loss. — In this miserable calamity we find a sentence of banishment from your hospitable city. — No more do we expect to feel that glow of pleasure which pervades a grateful heart, while it receives favours liberally bestow- ed. Never again shall we behold that feminine humanity which so eagerly displayed itself to soothe the victim of disease; and view with exultation, the benevolent who foaiered the fatherless, and shed a ray of comfort to the departed soul of a dying mother. Here then we cease, the eloquence of grief is silence. James Rose. William Anderson. Hopkins Robertson. Thomas Burke. Charles Young. A. Placide. Charles Durang. J. W. Green. William Twaits. William Clark. THE Congress of the United States decreed that, all the members of their body should wear crape on the left arm, for one month, as a mark of commiseration and respect to their fellow citizens who so dreadfully suffered by the Jlre at Richmond. We understand a sermon was preached in the capitol, (at Washington) on Sunday, Dee. 29, to a crowded audience, and with great effect, by the Reverend Nicholas Snethcn, chaplain to the House of Representatives. — We sincerely wish that every minister of religion in the United States would, with pious zeal, embrace this opportunity, which the providence of the Almighty has put in his power, to call 31 upon the people to seek that temper ami practice of righteousness which exalteth a nation, and to forsake the crooked ways of sin, which are a dishonour to any people, especially to Americans who are so favoured with civil and religious blessings. " In the midst of Life we are in Death." Hardly ever was this solemn sentence more dread- fully realized, than in the never to he forgotten case of extreme distress, which hath spread mourning, lamen- tation and woe, through the once gay and thoughtless city of Richmond. — If we seriously consider death with the eternity of that state into which it immediately in- troduces the soul, even where the weary wheels of life stand still through age or sickness, and the Christian in his peaceful bed, surrounded by the tenderest and dear- est relations, quits the stage of life, realizing the truth and glory of Christianity, and with hopes blooming with immortality takes his last look, and bids his last farewel to those he truly loves, and with pious magnanimity cries out with good old Simeon, " Lord, now lettest thou thy servant depart in peace, for mine eyes have seen (by salvation," even then, with all these blessed soothing circumstances it is a solemn thing to die: then, what must it be to be torn away bleeding and burning, from the bleeding hearts of friends and relatives, left behind* O ! how can heart conceive, or tongue express the aw- ful anguish created by such a death, by such a parting 2 none, but God and those who have survived the shock of the fire at Richmond ! tremendous as the shock of an earthquake, and by far more fatal than all the recent shocks which have been felt in our country, from Maine to Georgia: truly the judgments of God are abroad in the earth ! Europe awfully visited with bloody and un- natural wars, and America with storms and tempest* 32 fires and earthquakes. " He thai being often reprov- od, hardcneth his heart, shall he suddenly destroyed and ili-.u without remedy." To die in a Playhouse! to die suddenly! to die by the force of fire ! O what a climax of melancholy misery is this! but 1 forbear, and sin- cerely join the (ens of thousands in America and Europe, who will long and deeply deplore the untimely fate of so many fellow creatures. From the governor of the stale, to the meanest African slave! all were precious, and all have left some one to mourn their woeful end — while we sympathize with our suffering fellow citizens, we cannot withhold our commendation of that prompt fel- low feeling displayed in saving the living and burying the dead — above all and in all, we rejoice at that Chris- tian feeling displayed in the purchase, which converts the Playhouse into a Church, and sets up the altar of God in the place where, in our judgment, Satan held his seat, and we would heartily say to magistrates, mini- sters and people, go on and prosper in the work of refor- mation and regeneration, until you have the suhstance of happiness in the room of the shadow — could our fellow creatures who suffered in the burning Theatre speak to us from their graves, how would they entreat us to flee the forbidden paths of vice and impiety. — O! how would they heseech us to prepare to meet our God, to he al- ways ready, hecause we know not what a day, what a moment, may bring forth — the weak and the wicked, who neither fear God nor regard man, may try to laugh to scorn such instructions as these ; hut, let them look well to their ways, let them return to the paths of wisdom and happiness, let them hear the voice of the Almighty, now consider this ye that forget God, least he tear yon in pieces, and there be none to deliver — let the wicked forsake his way, and the unrighteous man his thoughts. and let him turn to the Lord who will have mercy upon him> and to our God who will abundantly pardon. 33 OBSERVATIONS ON" THEATRICAL PERFORM ANCES, "To amuse, says Dr. Johnson, is to entertain with tranquillity : to fill with thoughts that entertain the mind without distracting it." Amusements in which any thing profane or obscene is introduced, must of course be unlawful. And on this account, among many others, the diversion of the theatre may be included. That the holy name of God is fre- quently profaned in plays cannot be denied; and that many filthy songs, indecent figures and wanton gestures are allowed in the theatre is equally certain. This will appear plain when it is considered how studious the ac- tors and actresses are to do justice, and even more than justice, to the luscious scenes of the piece; to give eifect to the equivoques by an arch emphasis, and to the oaths by a dauntless intonation ; — when to all this is added, how many painted strumpets are stuck about the theatre in the boxes, the galleries, and the avenues ; and how many challenges to prostitution are thrown out in every direction : it will, I think, be difficult to imagine places better adapted, than the theatres at this moment are, to teach the theory and practice of fashionable iniquity. Those amusements are unlawful, which, if not in themselves absolutely sinful, have a dangerous tendency to sin. This will particularly include the diversions of the Playhouse. Perhaps it would not be easy to prove that all dramatic representations are absolutely unlawful, and they were probably originally invented for good pur- poses ; yet as they are managed, and as perhaps they can- not but be managed to suit the general taste of the world, they tend to more evil than almost any other species of amusements. For consider 1. The Company — of whom composed ? Some virtu- ous characters, no doubt, are among them. But wba< V, 34 h vast number of the most vicious and profane ! Is not the Playhouse the very exchange for harlots ? I have been assured by persons acquainted with tlie methods of introducing the fashions in London and Paris, that, in order to recommend something new, a prostitute of at- tractive appearance is placed in the boxes, habited iu the dress intended to be adopted, that the charms of her person may recommend it to the gazing spectators. No doubt the present prevailing system of Nudism had its origin in the Playhouse, and in the person of a prostitute or a player: but who could have supposed that such a mode of dress, or rather undress, would ever have been adopted by virtuous women ? Thai my ideas of the evil tendency of the theatre, from the character of the people who frequent it, arc not singular, I add the following extract: " Of the increased prevalence of immoral and vici- " ous habits, the theatres exhibit an alarming proof. — " Twenty years ago, a prostitute did not dare to shew " her face in the lower parts of the house ; and, if in ** the upper boxes, to which this description of unfortu- ft nate women were confined, any tumult or noise was ** heard, the indignation of the audience, decisively ma- " nifested, either produced instantaneous quiet or the "expulsion of the offenders. Now alas! how different " is the scene! the front boxes of the theatre are almost. " exclusively devoted to women of the town. The lob- " hies swarm with them; they occupy every part of the " house, with the solitary exception of the side boxes, " and the iirst circle. The rooms intended for the pur- " poses of refreshment are like the shew-rooms of a bag- " nio, and it is next to impossible for a virtuous woman " to walk from her box to her carriage without having " her eyes offended, and her ears shocked, by the most " indecent gestures, and (he most obscene language. — " And in this most profligate exhibition, the young men " are as bad, if not worse than the women. At a sum- " mer theatre we have seen the performance absolutely 35 " stopped by the noise of these male and female prosti- " tutes, and the front boxes rendered the scene of actions " fit only for a brothel. When such gross violations of (( decency and decorum are publicly tolerated, woeful " indeed must be the depravity of public manners !" Is there a loose, debauched, depraved, ungodly man or woman, who, generally speaking, does not frequent the theatre? It is the resort of the most worthless cha- racters in existence ; it is properly the Flesh-Market* of the city ; it is the temple in which the world's trinity reside and are adored — " the lust of the flesh, the lust of the eye, and the pride of life." 2. The Players — generally speaking, who are they ? loose, debauched people. There are, doubtless, some ex- ceptions, and they excite an agreeable surprise when they are discovered. But surely players in general, are characters with whom it is a disgrace to associate. — Whoever goes to the Playhouse, helps to support and countenance a set of base people — to encourage the light, vain, and wicked branches of decent and worthy families to desert the honourable walks of life, for a profession that is generally ruinous to themselves and to many others. It is much to be regretted that in some fashi- onable boarding schools, dramatic representations form a part of juvenile — of female education ! Is this " train- ing up children in the way that they should go ?" Let religious, let moral parents determine. 3. The Plays. What is the substance of these com- positions ? Do they not generally consist of " love in- trigues, blasphemous passions, profane discourses, lewd descriptions, filthy jests, and of all the most extravagant rant of wanton, profligate persons of both sexes, heating and inflaming one another with all the wantonness of ad- dress, the immodesty of gesture, and lewdness of thought that art can invent." And can these form an amuse- * The publisher has) been informed, that this is the precise term by which the passage Behind the boxes h distinguished--" the Flesh-market." 36 incut lawful for Christians ? Or is it lawful to pay peo- ple for swearing and acting obscenely ? It is, indeed, pleaded by the advocates of the theatre, that dramatic performances abound with excellent sen- timents, line thoughts, beautiful poetry, affecting elo- quence ; that the cause of virtue is pleaded, folly is lashed, and vice discountenanced. That some good mo- pals are occasionally recommended, and some vicious practices reproved, must be admitted. But is this the general tendency of theatrical performances? Is it not far more common for the hero of the play, to be some gay, dissipated character, wallowing in all manner of sin, yet recommended to the audience by the noble frank- ness of his disposition, the generosity of his temper, or what they call, in the cant of the world, "the goodness of his heart;" — a pleasing rake, recommending himself to youthful minds by the charms of wit, and reconciling the female spectator to similar characters in common life, and perhaps to a permanent connexion with such an one, to the utter destruction of all domestic happiness. As to the good to he gotten at plays, hear what Dr. Watts says, "This is to plunge headlong into the sea, that I may wash off a little dirt from my coat ; or to venture on poison, in order to cure a pimple." i. The interludes, the dances, the scenery, and the music. What is the tendency of all these ? Supposing the tragedy or the comedy itself to be moral, a supposi- tion seldom, if ever, admissible, those gay accompani- ments are calculated to dissipate the mind, to endear to the heart the vanities of the world, to render the ordina- ry business of life insipid, and the rules of virtue and religion irksome and disgusting. It is a general rule at the theatre, that a serious play should be followed by a ludicrous farce, on purpose to efface any moral impres- sions that may happen to be made. These views of the dangerous tendency of theatrical iimusements are by no means new or singular; they ar# 37 &uch as wise and good men in different ages have enter- tained. In confirmation of this assertion, read a few passages extracted from various authors, and First, from heathen writers. I begin with Plato, who says, "Plays raise the passions, and pervert the use of them, and by consequence are dangerous to morality; for tills reason lie banishes them from his common- wealth." Xenophon, a man of letters, and a general, com- mending the Persians for the discipline of their educa- tion, says, "They will not so much as suffer their youth to hear any thing that is amorous or tawdry; they were afraid that want of ballast might make them miscarry, and that it was dangerous to add any thing to the bias of nature." Livy reports the origin of plays among the Romans. "They were introduced on the score of religion, to pa- cify the gods, and to remove a pestilence :" but he adds, "the motives are sometimes good, when the means are abominable : the remedy in this case was worse than the disease, and the atonement more infectious than the plague." Valerius Maximus confirms this account of them, and says, " they were the occasions of civil distraction; and that the state first blushed, and then bled for the entertainment." Seneca complains of the debauchery of the age in which he lived, and that few persons would apply them- selves to the study of morality, except when the Play- house was shut up : that there were none to teach phi- losophy, because there were none to learn it; but that the stage had company enough, and that by such means vice made an insensible approach, and stole on the peo- ple under the disguise of pleasure. Tacitus observes that " the German ladies were defended from danger, and preserved their honour, by having no Playhouse among them." The case is al- tered now, and the " seducing dramas of Germany" are 38 imported into Great Britain and the United States, for the improvement of the ladies. The looser poets were fully aware of the tendencies of theatrical amusements. Ovid directs his pupil to the Playhouse, as the most eligible place for his pur- pose ; and in his Remedy of Ijotc, forbids the Playhouse, as likely to feed the distemper and occasion a relapse. Admitting, as in candour we ought, that the theatri- cal exhibitions of pagans, were in some instances more immoral than ours ; yet, these strong testimonies of heathens against the stage, as dangerous to the cause of virtue, ought to have great weight with us who "pro- fess and call ourselves Christians." If their natural light discovered such danger in the Playhouse, surely the splendid beams of the holy gospel must discover in- finitely more, and oblige us to have no "fellowship with the unfruitful works of darkness." Secondly. Let us next consult the opinion of Legisla- tors, and see how plays have been discouraged or re- stained by the State. The Athenians deemed a comedy so disreputable a performance, that their law forbade any judge of the Areopagus to compose one. The Lacedemonians would not suffer the stage in any form, or under any regulations whatever. The Romans, in their better times, counted the stage, so disgraceful, that if a Roman became an actor, he was degraded and disfranchised by the censors. In England, an act of parliament was made in the reign of queen Elizabeth, denominating players — " rogues, vagabonds, and sturdy beggars;" and in the year 15S0, a petition was presented to her majesty to suppress all Playhouses in the city of London, which was accordingly effected; and, to the honour of the corpora- tion, theatres have never since beeri suffered within their jurisdiction. The first theatrical essays in London were made by the company of parish clerks at Skinner's Well, near 39 Glerkenwell-Green, who for eight successive days per- formed a play representing the creation of the world; these scripture plays were also imitated in other parts of the kingdom, and were intended for the instruction of the common people. The first Playhouse in London was situate between Whitecross-street and Golden-lane; the spot is still called Playhouse-yard. Another was after- wards erected in Graceehurch-street, and at length others in Goodman's-iields; Dorset-street, near Salis- bury-court; Drury-lane; Covent-garden ; Hay-market, and Little Lincoln's-inn-fields : but queen Elizabeth "thrust the players out of the city, and the Playhouses in Graeeehurch-street, &c. were quite put down and suppressed." About six years ago, the royalty theatre, near Well- close-square, was again permitted to be opened. Against this haunt of dissipation and debauchery, the Rev. John Thirlwall entered his solemn protest in a well written pamphlet, wherein he also reprobated some of the fa- vourite dramas of the other London theatres. The fol- lowing paragraph is worthy of particular notice. " They are calculated to corrupt the morals, and (i instil the most dangerous and criminal maxims. Did " we wish to root up every religious and moral princi- " pie from the heart; to tempt our daughters to barter " away the brightest jewel of their sex; to inflame the (i passions of our sons, and abandon them to their law- ** less empire : did we wish our children to become fa- " miliar with crime ; to blunt and deaden those delicate " sensibilities which shrink at the touch of vice : did we " wish to harden and inure them to scenes of blasphemy, " cruelty, revenge, and prostitution, we would invite " them to the sight of the most popular plays which are ** now performed on our stage ; we would send them for *' instruction to the German school, where, by the most (e subtle and malicious contrivance, vice is decked out in " the air of virtue, and the deluded youth is seduced to 6i the road of ruin, while he believes that he indulges in 40 '* the noblest feelings of his nature ; where a casual act '* of generosity is applauded, m liilst obvious and eom- « manded duties are trampled on, — and a lit of charity " is made the sponge of every sin., and the substitute of " every virtue. We would invite them to the plays of " Pizarro* the Stranger, and John Bully where the spu- " rious virtues are blazon out, and the genuine arc " thrown in the back ground and degraded. In the one u is a bold and sentimental strumpet, whom the passions " of lust and jealousy prompt to follow the adventures of '* her paramour. In the other an adulteress, who had. " forsaken her amiable husband, and lived in criminal '* commerce with her seducer. In the last is a daughter " of an humble tradesman; she suffers herself to be se- " duced by the son of a baronet, flies from the roof of " her fond and most affectionate father, and afterwards " is united in marriage to the despoiler of her virtue.... " And, to the shame and disgrace of the stage, and the i( age we live in, these three ladies are the prominent " characters of the respective pieces., and instead of " being held up as instructive warnings to others, are " contrived to be made the objects of our sympathy " esteem, and admiration." Thirdly. Let us now advert to the sentiments of Christian church in all ages. By the council of Collioure, in Spain, Ann. 305, it was declared unlawful for any woman, in full commu- nion, to marry a player on pain of excommunication. The first council of Arles, in 311, excommunicated all players. The third council of Carthage forbids the sons of clergymen to be present at plays — " such sort of 'pagan entertainments being forbidden all the laity: — It being always unlawful for Christians to come among blasphemers." The second council of Ciialox ordains — " that all clergymen ought to abstain from all over-engag^ag en- tertainments in music or show? and as for the smutty 41 Stud licentious insolence of players and buffoons let them not only decline the heading it themselves, but likewise co! chicle the laity obliged io the same conduct." Tkrtuxlian, the famous apologist for Christianity, who lived in the second century, wrote a book on purpose to dissuade the Christians from the public diversions of th heathen, of which the Playhouse was one: he re- mi them that ** the tenor of their faith, the reason of pr -5e, and the order of discipline had barred them frc Lhe entertainments of the town." We have nothing to do with the phrenzies of the ra -ground, the lewdness of the theatre, or the bar- barl of the bear-garden/' Will you not then avoid this seat of infection? The very air suffers by their impurities, and they almost' pronounce the plague. What though the performance may be in some measure pretty and entertaining? What though innocence, yea, and virtue too, shi through some part of it? It is not the custom to prepare poison unpalatably : No. To have the mischief spread, they must oblige the sense, and make the dose pleasant. Thus the devil throws in a cordial drop to snake the draught go down, and steals seme few ingredients from the dispensatory of heaven. In short look upon all the engaging sentences of the stage, their flights of fortitude and philosophy, the lof- tiness of their style, the music of the cadence, and the fineness of the conduct — as honey dropping from the bowels of a toad, or the bag of a spider. It is pretended by some persons that lessons may be learned at a Playhouse : a good writer makes the fol- lowing reply : " Granting your supposition, your inference is bad. Do people use to send their daughters to the brothels for discipline ? and yet probably they might find some there lamenting their debauchery. No man will breed his son among highwaymen to harden his courage. Nor will any one go on board a leaky vessel to learn the art of 42 shifting in a shipwreck. My conclusion is, let no one g« to the infamous Playhouse: a place of such direct con- tradiction to the strictness and sobriety of religion: a place hated by God, and haunted hy the devil. (" At the ••royalty theatre the play-bill exhibits in large capitals, "The Great Devil, and a principal character is " termed Sat ana. At the opera house they make the " place of torments a subject of scenic representation. &c. " Don Juan and the ballets on the vigil of the Sabbath.*') Let no man, I say, learn to relish any thing that is said there, for it is all but poison handsomely prepared." I shall now add the testimony only of a more modern divine, generally esteemed moderate and gentle, I mean archbishop Tillotson, who says — " I shall now speak a word concerning plays, which as they are now ordered amongst us, are a mighty re- proaclHo the age and nation. — As now the stage is, I hey are intolerable, and notMit to be permitted in a civilized^ much less a Christian nation. They do most notoriously minister to infidelity aud vice. And therefore 1 do not see how any person pretending to sobriety aud virtue, and especially to the pure and holy religion of our bles- sed Saviour, can, without great guilt and open contradic- tion so his holy profession, be present at such lewd and immodest plays, as too many are who would take it very ill to be shut out of the community of Christians, as they would most certainly have been in the first and purest ages of Christianity.** This same moderate churchman calls the Playhouse, " The Devil's chapel, and the school and nursery of lewdness and vice;" and speaking of parents who take their children there, he calls them, "Monsters — I had almost said Devils." Nor are these the sentiments of Divines only. Legis- lators, and magistrates, whose office has given them an opportunity to observe the origin and progress of vice, have held the theatre in the same abhorrence : Judge Bulstrode particularly, in his charge to the grand 43 jury of Middlesex, uses these strong and memorable words : — " One play-house ruins more souls than fifty churches can save." Such are the testimonies of wise and good men of different ages and countries concerning this species of amusement, all uniting to prove that their tendency is dangerous in the extreme. May we learn from their wisdom, and improve by the passing circumstances around us. FROM THE VIRGINIA ARGUS. Profaneness inconsistent with Politeness* The practice of common cursing and swearing has often been proved to be full of impiety. It is an insult to the majesty of God. the consequences of which will one day make the guilty tremble. This practice has also been represented as striking at the vital interests of society, by diminishing the ob- stacles in the way to perjury. I apprehend there is something in this far more serious than empty specu- lation. Why are oaths used at inductions into office ? Why are they imposed upon witnesses in the administra- tion of justice? Is it not to bind men to their duty by the solemnity of an appeal to God, the searcher, and the judge of all hearts? And has not the practice of com- mon cursing and swearing an inevitable tendency to ren- der the heart less sensible to the force of such an appeal. But I request the reader's particular attention to another view, and a view seldom taken of this practice. It is contrary to politeness ; directly and strongly con- trary to the principles and manners of a gentleman. The charge may appear strange at first sight ; but I un- dertake to make it good. u 1 take it for granted that every just account of the nature of politeness must include the standing rule never to give unnecessary offence to any individual of one's company. Now a company is rarely collected with- out including some to whom profane language is offensive. It is always possible, and a delicate mind will always remember it to be supposable, that there may he such, persons in company, until the contrary has been ascer- tained. To the pious man, whose heart glows with love and veneration towards God, it is inexpressibly shocking to hear the sacred name of his Creator and his father sported with as an idle expletive of discourse, and his curses invoked either in the heat of passion or the wan- tonness of levity. Such conduct cannot fail to give pain to every human being who retains any share of reverence for the sovereign of heaven and earth. Should the swearer assert that all this is mere fanaticism, which he is not bound to respect in his manner of speaking; J an- swer, he may as well pretend that his having the honour and happiness of being an atheist entitles him to spit in the face of every man who believes there is a God. lie may show that he is totally indifferent to our feelings, or that he even finds gratilieation iu giving us uain. From either of these sources he may think it no small amusement to wound us severely by spitting in our faces, or by profaning the name of our God. Bui in the mean lime, what becomes of his character as a gentleman ? I laid it down as the principle of a gentleman, to avoici giving unnecessary offence. Arc cursing and swearing in conversation necessary things? Whal good, end do they answer ? Will profane language increase she wealth of him who uses it? "Will it preserve his body from the assaults of disease? Will it supply the defi- ciency of his understanding or his knowledge? Is it re- quisite to confirm the word of a man of, veracity? Mill it make us believe the declarations of one whose veracity is doubtful? It is wasting time to dwell on this point, tore icar of Westham, 48 and domestic chaplain to (fee bishop of LandafF &c &»; Author of Essays, ]j • . of the Economy of Nature; Letters on Luc-alare, laste, and Composition, &o.