LIBRARY OF CONGRESS. ?S 3 BI0 (II|3p Qcptingy '^n. Shelf Ml\3 F^ UNITED STATES OF AMERICA. THE FLUTE-PLAYER AND OTHER POEMS BY FRANCIS HOWARD WILLIAMS ^ l?<^h-z^ / NEW YORK AND LONDON G. P. PUTNAM'S SONS The Knickerbocker Press \-=^ ^^x Copyright, 1894 BY FRANCIS HOWARD WILLIAMS Entered at Stationers' Hall, London By G. p. Putnam's Sons Printed and Bound by Ube Iknichcrbocher iprees, mew ISorh G. P. Putnam's Sons CONTENTS. PAGE The Flute-Player i To Beauty : An Ode . 9 The Inner Vision ■ 13 Rizzio .... 19 Woman o' the- Watch 24 Magdalene 37 The Wood Robin 41 Servus Servorum Dei 43 The Sea 46 An Answer . 47 Ars Loquitur 48 Winter Rain 49 Ph^dra 51 An Ionian Frieze 52 A Dreamer 53 Compensation 55 Ave America : An Ode 57 Sonnets. Uncrowned 67 Karma 68 Earth and Night 69 Sic Itur ad Astra 70 An Early-April Morning 71 Finis Coronat Opus 72 Electra 73 Bedtime 74 Decoration Day 75 A Sonnet of Silence 76 iii iv Contents. Victor Hugo (May 22, 1885) . Walt Whitman, (May 31, 1886) . Walt Whitman, (March 26, 1892) To John Keats .... To Herbert .Spencer . An Idle Day : A Sequence of Sonnets. I. Salve IT Heart of the Night III. Promise of Dawn IV. Daybreak in the Woods V. A Woodland Poet . VI. The Farmyard VII. Blended Voices VIII. Clover . IX. Whispers OF the Corn X. Mid-Morn XI. A Way-side Spring . XII. Half Way to Arcady XIII. A Wild Rose XIV. Roadway Dust XV. Wheat Billows XVI. Remembrance XVII. Aspiration XVIII. Cloud-Magic XIX. The Brook XX. The Twilights XXI. Perspective XXII. Fantasy . XXIII. Nocturne XXIV. Vale 77 78 79 80 81 85 86 87 90 91 92 93 94 95 96 97 98 99 100 lOI 102 103 104 105 106 107 108 A Primrose Path Between Cradle Song Caprice A Serenade . Songs and Trifles. Ill 112 114 "5 Contejits. A Primrose Path : Songs and Trifles. fCofi t.) Love Came TO Me ii6 Flower o' the Sea 117 Marguerite 119 The Way o' the World 120 Philosophy-in-Little 121 Cupid and Justice 122 A Rondeau of Vassar 123 Evolution of the Poet 124 Ballade to a Bookman 124 A Rondeau in Reply . 125 Ballade .... 126 Rondeau .... 127 Acknowledgments are due to the Publishers of J'he Atlantic Monthly, Harpet-' s Weekly, Lippincott^ s Magazine, The hidependent, and other periodicals, for permission to reprint in this volume certain pieces of verse which originally appeared in the pages under their control. THE FLUTE-PLAYER. 'T^HRICE a score of candles, flaring, ah bravely flare ^ Fashion shadows on the wall, fetafhaii''^ ""' While the loftier lights are glaring piay"s"be''gin Over all the festival ; the symphony. With a visage melancholy Meditates the dark Bassoon, Glows the 'Cello's face as jolly As a yellow harvest-moon. Lean the Oboe and eager. With a sharp, uplifted chin ; Bald and red, and seeming meagre In his brains, the first Violin ; And albeit each one thinketh but of his own part, yet the wholeness of the symphony suf- fereth no mar- ring thereby ; For, of a truth, it is here as with the music of humanity, to the which tho' all must contribute, many an one furnisheth a note that is but a discord to that of his fellow. But the Flute with shoulders bended And his scantly silvered head, — Ah ! what present joys are blended With the sorrows that are fled. And one player thinketh but of being done with as small pain as may be, and another reckon- eth how he shall expend the wage of his labor in rioting and wantonness. Why, tho' haply he remembers Vanished gleams of Paradise, The Flute-Player. But the Flute- Player, who sitteth well stricken in years, seemeth to have learned somewhat of the secret of life, even as a soul that hath found Truth in the sweet shows of Nature. So that no sooner hath the music begun, than he seeth, as it were by the inner eye of the spirit, himself a lad. Glow love's unextinguished embers Deeply in his faded eyes ? Strange that songs forever borrow From the past their sweetest lay ! Strange that every silver morrow Has a golden yesterday ! Strange ! the flutist, bowed and slender, Marks no more the baton's lead, As he breathes a message tender Thro' his mild and mellow reed. And the gay Allegro quickeneth his pulses. For the player in his dreaming Sees himself again a boy, Finding real all the seeming Of life's sudden cup of joy ; And full soon he groweth 'ware of the touch of man- hood. Hears the fretted music ringing Down the corridors of art, Hears love's voice eternal singing Thro' the chambers of his heart ; For his sweet-o'- heart cometh tripping adown a green country lane. Feels a touch of tenderest meaning Steal into his soul again. As a maid o'er April greening Saunters down a country lane ; TJic Flntc-Playcr. There is nothing to dissemble, Naught to fear in love's behest, Where the violets lie a-tremble In the heaven of her breast. And lo ! she is very fair to look on, and her gentle seeming IS as a balsam to his eyes. Is it but the morning's blessing That the maiden looks so fair ? Is it but the warm caressing Of the sunlight in her hair ? The Player dallyeth with the vision. (Suddenly a dulcet blending Of the strings and oboe Marks the gay allegro's ending In a flood of harmony. Then Cometh a change in the measure and he awakeneth all regretful thereof. Then in slow and solemn number ^"dy Ada^o The adagio begins, "'°°^'^' ^^MT' o o > again to dream. Fraught with harmonies that cumberA"'^ ''^^ ° svmDhor Gloriously the violins.) Haply some melodious motion, Born of music's eloquence, Lulls to slumber like a potion Ravishing the spirit's sense ; For again the old Flute-Player Dreams away o'er land and sea, Idle as a sunburnt strayer In the fields of Arcady. symphony goeth well, and forasmuch as all the players obey the wand of him who leadeth, the end thereof is Beauty ; for verily Obedience is the gate to Knowledge, and Knowledge is Truth, and Truth is Beauty, The Flute-Player. Yet the players are sordid, being but blind followers, wedded each to his own husks. There, within his vision standing, Smiles the love of all his life. Like a maiden bud expanding To the flower he calls his wife. And the stately, cadenced measure Of the rich adagio, Woven thro' remembered pleasure, Woofed of half-forgotten woe. And betimes the aged Flute-Player seeth his sweet-o'-heart ; Comes with wisdom of the ages Pulsing in its ebb and flow. Laden with the lore of sages From the land of Long-Ago. Now become his good-wife. And a cottage in the sunlight Sheds the glory of the sun, Wherein magic, from his one light. Many lights of love has won ; And he heareth the babble of children in the glow of the ingle. For the low voice of a woman, Children's laughter, merry cries. Come in tones divinely human From an earthly Paradise. And ere he well knoweth, the time hath pas't to the ripe o' the year, and middle-age hath come. " Well I love them ! " in a broken Whisper 'neath the murmurous trees; " Well I love them ! " partly spoken Thro' the sympathetic keys. The Flute-Playcr. 5 " Is it better pain and pleasure To remember or forget ? Is it—? Ah! they change the measure;""!'^ changeth -' ° 'to the stately And lo ! he starteth as the measure of the This is sure the minuet ! " Minuet. And the player all sedately Scans his notes with eyesight worn While the movement lapses stately As a breeze among the corn, Till the tones a subtler meaning Garner from the vanished years, O'er life's fields of harvest gleaning Aftermath of many tears. Fleet before him evanescent Seasons thro* their courses run, Light as dewdrops iridescent In the laughter of the sun ; Again the pageant of his dreams ariseth before him, and time, which ever hasteth apace, hath silvered o'er his hair, and corded his faded hands with great veins, and dulled the lustre of his eyes. And the robin of the ring-time Learns to pipe a lovelier tune ; And the bride of early springtime Is the aweeter wife of June. Comes the warm, sun-soaked Septem- ber, Life's wine red upon the lees ; Comes the rimy-lipped November, Children's children at his knees. And it pleaseth him well to fancy that 't is the laughter of his grandchildren The Flutc-Plnycr. and their right merry pother that come unto him from the bars of the lively Scherzo. Onward, ever onward speeding, What is this the old man sees ? 'T is the baton deftly leading Thro' the scherzo's harmonies. Suddenly in tones supernal, Earthward borne in lordlier rhyme, Mayhap his dream hath put of re'iity!'"""'' Comcs the boom of waves eternal, Breaking on the sands of time. For lo ! the lights fade, and from his ears the sound of the instruments dieth away. Whence the rapture in the gazing Of the aged flutist's eyes ? Whence the tenderness amazing In the wedded harmonies ? He seeth no more the wand of the leader. Why should he, thro' every turning Of the mellow symphony, Play his single part, then spurning All control, seem but to be The clouds roll asunder and there conieth a Divine beckon- ing from the firmament. Fluting fast and ever faster Thro' the music's crowded bars, Led by a celestial master Beating time among the stars ? The Flute- Player's ears are ravish't with vast harmonies ineffable. Ah ! he hears a cadence woven, As a thread of song might be, By a more divine Beethoven Thro' a mightier symphony. The Flute-Player. In his fading eyes the story Of a life is written fair ; O'er his brow a summer glory Warms the winter in his hair. And as down remembered valleys Love and youth together stroll, Thro' the flute's mellifluent alleys He is breathing out his soul. And he breath- eth a strange melody through his flute. The tones grow celestial, for lo ! the Flute-Player is uttering his soul, and it pass- eth out divinely. Struck with sudden admiration, And all the Falls the leader's nerveless hand ; dumb, being ^ . r J- • 1 ^- wrought upon Conscious of divine elation, by a deep awe ; All the men in wonder stand ; In their eyes strange fires are burning ; Each melodic voice is mute. Save the pure impassioned yearning Of the liquid-throated flute. Every movement has been rendered Sanctified from days of yore, All the instruments have tendered Reverence to the glorious score. All have mingled in the heaven Born of wedded tone and tone ; The finale must be given By the soulful flute alone. But the flute continueth. It is the Finale. And, of a truth, may we not say th.