"ni»/M/[/'? I in Jt!) iill If »']'. iill: m w-ii'm ^Hi-Mun m o'Mh Characters and Events of Roman History From Caesar to Nero XLbc %oxceU Xectures ot 1908 By Guglielmo Ferrero, Litt. D, Author of ** The Greatness and Decline of Rome," etc. Translated by Frances Lance Ferrero G. P. Putnam's Sons New York and London XLbc Unicfterbocftec ipress 1909 Copyright, 1909 G. P. PUTNAM'S SONS 'Sbe ftnteftetbocftet ^vcse, View ]|2ocIt LIBRARY of CONGRESS Two Codies RBCcivo.cl THE GREATNESS AND DECLINE OF ROME BY GUGLIELMO FERRERO Authorized Translation 5 vols. 8vo. Each $2.50 net Vol. I. — The Empire Builders Vol. II. — Julius Csesar Vol. III. — The Fall of an Aristocracy Vol. IV. — Rome and Egypt Vol. V. — The Republic of Augustus CHARACTERS AND EVENTS OF ROMAN HISTORY From Csesar to Nero (60 B.C.-70 A.D.) Authorized Translation by Frances Lance Ferrero 8vo. PREFACE IN the spring of 1906, the College de France in- * vited me to deliver, during November of that year, a course of lectures on Roman history. I accepted, giving a r6sum6, in eight lectures, of the history of the government of Augustus from the end of the civil wars to his death ; that is, a resume of the matter contained in the fourth and fifth volumes of the English edition of my work. The Greatness and Decline of Rome. Following these lectures came a request from M. Emilio Mitre, Editor of the chief newspaper of the Argentine Republic, the Nacion, and one from the Academia Brazileira de Lettras of Rio de Janeiro, to deliver a course of lectures in the Argentine and Brazilian capitals. I gave to the South American course a more general character than that delivered in Paris, introducing argu- ments which would interest a public having a less specialized knowledge of history than the public I had addressed in Paris. iv Preface When President Roosevelt did me the honour to invite me to visit the United States and Prof. Abbott Lawrence Lowell asked me to deliver a course at the Lowell Institute in Boston, I se- lected material from the two previous courses of lectures, moulding it into the group that was given in Boston in November-December, 1908. These lectures were later read at Columbia Uni- versity in New York, and at the University of Chicago in Chicago. Certain of them were de- livered elsewhere — before the American Philo- sophical Society and at the University of Penn- sylvania in Philadelphia, at Harvard University in Cambridge, and at Cornell University in Ithaca. Such is the record of the book now presented to the public at large. It is a work necessarily made up of detached studies, which, however, are bound together by a central, unifying thought ; so that the reading of them may prove useful and pleasant even to those who have already read my Greatness and Decline of Rome. The first lecture, "The Theory of Corruption in Roman History," sums up the fimdamental idea of my conception of the history of Rome. The essential phenomenon upon which all the political, social, and moral crises of Rome depend Preface v is the transformation of customs produced by the augmentation of wealth, of expenditure, and of needs, — a phenomenon, therefore, of psycho- logical order, and one common in contemporary life. This lecture should show that my work does not belong among those written after the / method of economic materialism, for I hold that i the fundamental force in history is psychologic and not economic. The three following lectures, "The History and Legend of Antony and Cleopatra," "The Development of Gaul," and "Nero," seem to concern themselves with very different subjects. On the contrary, they present three different aspects of the one, identical problem — the strug- gle between the Occident and the Orient — a problem that Rome succeeded in solving as no European civilisation has since been able to do, making the countries of the Mediterranean Basin y^ share a common life, in peace. How Rome suc- ceeded in accomplishing this union of Orient and Occident is one of the points of greatest interest in its history. The first of these three lectures, "Antony and Cleopatra," shows how Rome repulsed the last offensive move- ment of the Orient against the Occident; the second, "The Development of Gaul," shows VI Preface the establishing of equilibrium between the two parts of the Empire; the third, "Nero," shows how the Orient, beaten upon fields of battle and in diplomatic action, took its revenge in the do- main of Roman ideas, morals, and social life. The fifth lecture, "Julia and Tiberius," illus- trates, by one of the most tragic episodes of Roman history, the terrible struggle between Roman ideals and habits and those of the Graeco- Asiatic civilisation. The sixth lecture, "The Development of the Empire," summarises in a few pages views to be developed in detail in that part of my work yet to be written. I have said that not all history can be explained by economic forces and factors, but this does not prevent me from regarding economic phenomena as also of high importance. The seventh lecture, "Wine in Roman History," is an essay after the plan in accordance with which, it seems to me, economic phenomena should be treated. The last lecture deals with a subject that per- haps does not, properly speaking, belong to Roman history, but upon which an historian of Rome ought to touch sooner or later; I mean the r61e which Rome can still play in the education of the upper classes. It is a subject important not only to the historian of Rome, but to all Preface vii those who are interested in the future of cul- ture and civilisation. The more specialisa- tion in technical labour increases, the greater becomes the necessity of giving the superior classes a general education, which can prepare specialists to understand each other and to act together in all matters of common interest. To imagine a society composed exclusively of doctors, engineers, chemists, merchants, manu- facturers, is impossible. Every one must also be a citizen and a man in sympathy with the common conscience. I have, therefore, endeav- oured to show in this eighth lecture what ser- vices Rome and its great intellectual tradition can render to modem civilisation in the field of education. These lectures naturally cannot do more than make known ideas in general form ; it would be too much to expect in them the precision of detail, the regard for method, and the use of frequent notes, citations, and references to authorities or documents, that belong to my larger work on Rome; but they are published partly because I consider it useful to popularise Roman history, and partly because some of the pleasantest of memories attach to them. Their origin, the course on Augustus given at the College viii Preface de France, which proved one of the happiest occa- sions of my life, and their development, leading to my travels in the two Americas, have given me experiences of the greatest interest and pleasure. I am glad of the opportunity here to thank all those who have contributed to make the sojourn of my wife and myself in the United States de- lightful. I must thank all my friends at once- for to name each one separately, I should need, as a Latin poet says, "a hundred mouths and a hundred tongues. " GUGLIELMO FeRRERO. Turin, February 22, 1909. CONTENTS "Corruption" in Ancient Rome, and its Counterpart in Modern History The History and Legend of Antony and Cleopatra . The Development of Gaul Nero .... Julia and Tiberius Wine in Roman History 37 69 lOI 143 179 Social Development of the Roman Empire 207 Roman History in Modern Education . 239 Index ....... 265 ^'Corruption" in Ancient Rome And Its Counterpart in Modern History 'X'WO years ago in Paris, while giving a course •■' of lectures on Augustus at the College de France, I happened to say to an illustrious his- torian, a member of the French Academy, who was complimenting me : " But I have not re-made Roman history, as many admirers think. On the contrary, it might be said, in a certain sense, that I have only returned to the old way. I have retaken the point of view of Livy; like Livy, gathering the events of the story of Rome around that phenomenon which the ancients called the 'corruption' of customs — & novelty twenty centuries old!" Spoken with a smile and in jest, these words nevertheless were more serious than the tone in which they were uttered. All those who know Latin history and literature, even superficially, remember with what insistence and with how many diverse modulations of tone are reiterated the laments on the corruption of customs, on the luxury, the ambition, the avarice, that invaded Rome after the Second Punic War. Sallust, 3 4 4 " Corruption " in Ancient Rome Cicero, Livy, Horace, Virgil, are full of afHiction because Rome is destined to dissipate itself in an incurable corruption ; whence we see, then in Rome, as to-day in France, wealth, power, culture, glory, draw in their train — grim but inseparable comrade ! — a pessimism that times poorer, cruder, more troubled, had not known. In the very moment in which the empire was ordering itself, civil wars ended; in that solemn Pax Romana which was to have endured so many ages, in the very moment in which the heart should have opened itself to hope and to joy, Horace describes, in three fine, terrible verses, four successive genera- tions, each corrupting Rome, which grew ever the worse, ever the more perverse and evil-disposed: ^tas parentum, peior avis, tulit Nos requiores, mox laturos Progeniem vitiosiorem. "Our fathers were worse than our grandsires; we have deteriorated from our fathers; our sons will cause us to be lamented." This is the dark philosophy that a sovereign spirit like Horace derived from the incredible triumph of Rome in the world. At his side, Livy, the great writer who was to teach all future generations the story of the city, puts the same hopeless philosophy at the base of his wonderful work; ** Corruption " in Ancient Rome 5 Rome was originally, when it was poor and small, a unique example of austere virtue; then it corrupted, it spoiled, it rotted itself by all the vices; so, little by little, we have been brought into the present condition in which we are able neither to tolerate the evils from which we suffer, nor the remedies we need to cure them. The same dark thought, expressed in a thousand forms, is found in almost every one of the Latin writers. This theory has misled and impeded my pre- decessors in different ways: some, considering that the writers bewail the unavoidable disso- lution of Roman society at the very time when Rome was most powerful, most cultured, richest, have judged conventional, rhetorical, literary, these invectives against corruption, these praises of ancient simplicity, and therefore have held them of no value in the history of Rome. Such critics have not reflected that this conception is found, not only in the literature, but also in the politics and the legislation; that Roman history is full, not only of invectives in prose and verse, but of laws and administrative provisions against luxuria, ambitio, avaritia — a sign that these laments were not merely a foolishness of wi iters, or, as we say to-day, stuff for newspaper articles. Other critics, instead, taking account 6 ** Corruption" in Ancient Rome of these laws and administrative provisions, have accepted the ancient theory of Roman corruption without reckoning that they were describing as undone by an irreparable dissolution, a nation that not only had conquered, but was to govern for ages, an immense empire. In this conception of corruption there is a contradiction that conceals a great universal problem. Stimulated by this contradiction, and by the desire of solving it, to study more attentively the facts cited by the ancients as examples of corruption, I have looked about to see if in the contemporary world I could not find some things that resembled it, and so make myself understand it. The prospect seemed difficult, because modern men are persuaded that they are models of all the virtues. Who could think to find in them even traces of the famous Roman corruption? In the modern world to-day are the abominable orgies carried on for which the Rome of the Caesars was notorious? Are there to-day Neros and Elagabaluses ? He who studies the ancient sources , however, with but a little of the critical spirit, is easily convinced that we have made for ourselves out of the much-famed corruption and Roman luxury a notion highly romantic and exaggerated. We need not delude ourselves : Rome, even in the ** Corruption" in Ancient Rome 7 times of its greatest splendour, was poor in com- parison with the modern world ; even in the second century after Christ, when it stood as metropolis at the head of an immense empire, Rome was smaller, less wealthy, less imposing, than a great metropolis of Europe or of America. Some sump- tuous public edifices, beautiful private houses' — 'that is all the splendour of the metropolis of the empire. He who goes to the Palatine may to-day refigure for himself, from the so-called House of Livia, the house of a rich Roman family of the time of Augustus, and convince himself that a well-to-do middle-class family would hardly occupy such a house to-day. Moreover, the palaces of the Caesars on the Palatine are a grandiose ruin that stirs the artist and makes the philosopher think; but if one sets himself to measure them, to conjecture from the remains the proportions of the entire edifices, he does not conjure up buildings that rival large modern constructions. The palace of Ti- berius, for example, rose above a street only two metres wide- — ^less than seven feet, — an alley like those where to-day in Italian cities live only the most miserable inhabitants. We have pictured to ourselves the imperial banquets of ancient Rome as functions of unheard of splendour- if 8 "Corruption" in Ancient Rome Nero or Elagabalus could come to life and see the dining-room of a great hotel in Paris or New York — ^resplendent with light, with crystal, with silver, — ^he would admire it as far more beautiful than the halls in which he gave his imperial feasts. Think how poor were the ancients in artificial light! They had few wines; they knew neither tea nor coffee nor cocoa ; neither tobacco, nor the innumerable liqueurs of which we make use; in face of our habits, they were always Spartan, even when they wasted, because they lacked the means to squander. The ancient writers often lament the universal tendency to physical self-indulgence, but among the facts they cite to prove this dismal vice, many would seem to us innocent enough. It was judged by them a scandalous proof of gluttony and as insensate luxury, that at a certain period there should be fetched from as far as the Pontus, certain sausages and certain salted fish that were, it appears, very good ; and that there should be introduced into Italy from Greece the delicate art of fattening fowls. Even to drink Greek wines seemed for a long time at Rome the caprice of an almost crazy luxury. As late as i8 B.C., Augustus made a sumptuary law that forbade spending for banquets on work-days more than "Corruption" in Ancient Rome 9 two hundred sesterces (ten dollars) ; allowed three hundred sesterces (fifteen dollars) for the days of the Kalends, the Ides, and the Nones; and one thousand sesterces (fifty dollars) for nuptial banquets. It is clear, then, that the lords of the world banqueted in state at an expense that to us would seem modest indeed. And the women of ancient times, accused so sharply by the men of ruining them by their foolish extravagances, would cut a poor figure for elegant ostentation in comparison with modern dames of fashion. For example, silk, even in the most prosperous times, was considered a stuff, as we should say, for millionaires; only a few very rich women wore it ; and, moreover, moralists detested it, be- cause it revealed too clearly the form of the body. LoUia Paulina passed into history because she possessed jewels worth several million francs : there are to-day too many Lollia Paulinas for any one of them to hope to buy immortality at so cheap a rate. I should reach the same conclusions if I could show you what the Roman writers really meant by corruption in their accounts of the relations between the sexes. It is not possible here to make critical analyses of texts and facts concerning this material, for reasons that you readily divine; lo "Corruption" in Ancient Rome but it would be easy to prove that also in this respect posterity has seen the evil much larger than it was. Why, then, did the ancient writers bewail lux- ury, inclination to pleasure, prodigality^ — things all comprised in the notorious "corruption" — in so much the livelier fashion than do moderns, although they lived in a world which, being poorer and more simple, could amuse itself, make display, and indulge in dissipation so much less than we do? This is one of the chief questions of Roman history, and I flatter myself not to have entirely wasted work in writing my book ^ ; above all, because I hope to have contributed a little, if not actually to solve this question, at least to illuminate it ; because in so doing I believe I have found a kind of key that opens at the same time many mysteries in Roman history and in contemporary life. The ancient writers and moralists wrote so much of Roman corruption, because — ^nearer in this, as in so many other things, to the vivid actuality — they understood that wars, revolutions, the great spectacular events that are accomplished in sight of the world, do not form all the life of peoples; that these occurrences, on the contrary, are but the » The Greatness and Decline of Rome, s vols. New York and London. "Corruption" in Ancient Rome n ultimate, exterior explanation, the external irradi- ation, or the final explosion of an internal force that is acting constantly in the family, in private habit, in the moral and intellectual disposition of the individual. They understood that all the changes, internal and external, in a nation, are bound together and in part depend on one very common fact, which is everlasting and universal, and which everybody may observe if he will but look about him — on the increase of wants, the enlargement of ideas, the shifting of habits, the advance of luxury, the increase of expense that is caused by every generation. Look around you to-day: in every family you may easily observe the same phenomenon. A man has been born in a certain social condition and has succeeded during his youth and vigour in add- ing to his original fortune. Little by little as he was growing rich, his needs and his luxuries increased. When a certain point was reached, he stopped. The men are few who can indefinitely augment their particular wants, or keep changing their habits throughout their lives, even after the disappearance of vigour and virile elasticity. The increase of wants and of luxury, the change of habits, continues, instead, in the new genera- tion, in the children, who began to live in the 12 "Corruption" in Ancient Rome ease which their fathers won after long effort and fatigue, and in maturer age; who, in short, started where the previous generation left off, and therefore wish to gain yet new enjoyments, different from and greater than those that they ob- tained without trouble through the efforts of the preceding generation. It is this little common drama, which we see re-enacted in every family and in which every one of us has been and will be an actor — to-day as a young radical who inno- vates customs, to-morrow as an old conservative, out-of-date and malcontent in the eyes of the young ; a drama, petty and common, which no one longer regards, so frequent is it and so frivolous it seems, but which, instead, is one of the greatest motive forces in human history — in greater or less degree, under different forms, active in all times and operating everywhere. On account of it no generation can live quietly on the wealth gathered, with the ideas discovered by antecedent genera- tions, but is constrained to create new ideas, to make new and greater wealth by all the means at its disposal — by war and conquest, by agriculture and industry, by religion and science. On account of it, families, classes, nations, that do not succeed in adding to their possessions, are destined to be impoverished, because, wants increasing, it is neces- "Corruption" in Ancient Rome 13 sary, in order to satisfy them, to consume the accumulated capital, to make debts, and, little by little, to go to ruin. Because of this ambition, ever reborn, classes renew themselves in every nation. Opulent families after a few generations are gradually impoverished; they decay and dis- appear, and from the multitudinous poor arise new families, creating the new dite which con- tinues under differing forms the doings and tradi- tions of the old. Because of this unrest, the earth is always stirred up by a fervour for deeds of adventure — attempts that take shape according to the age : now peoples make war on each other, now they rend themselves in revolutions, now they seek new lands, explore, conquer, exploit | again they perfect arts and industries, enlarge commerce, cultivate the earth with greater assi- duity ; and yet again, in the ages more laborious, like ours, they do all these things at the same time — ^an activity immense and continuous. But its motive force is always the need of the new generations, that, starting from the point at which their predecessors had arrived, desire to advance yet farther — to enjoy, to know, to possess yet more. The ancient writers understood this thoroughly : what they called "corruption" was but the change 14 ** Corruption" in Ancient Rome in customs and wants, proceeding from generation to generation, and in its essence the same as that which takes place about us to-day. The avaritia of which they complained so much, was the greed and impatience to make money that we see to-day setting all classes beside them- selves, from noble to day-labourer; the ambitio that appeared to the ancients to animate so frantically even the classes that ought to have been most immune, was what we call get- ting there — the craze to rise at any cost to a condition higher than that in which one was born, which so many writers, moralists, statesmen, judge, rightly or wrongly, to be one of the most dangerous maladies of the modern world. Luxuria was the desire to augment personal conveniences, luxuries, pleasures — the same passion that stirs Europe and America to-day from top to bottom, in city and country. Without doubt, wealth grew in ancient Rome and grows to-day ; men were bent on making money in the last two centuries of the Republic, and to-day they rush headlong into the delirious struggle for gold; for reasons and motives, however, and with arms and accoutrements, far diverse. As I have already said, ancient civilisation was narrower, poorer, and more ignorant; it did not ''Corruption" in Ancient Rome 15 hold under its victorious foot the whole earth; it did not possess the formidable instruments with which we exploit the forces and the resources of nature: but the treasures of precious metals transported to Italy from conquered and sub- jugated countries ; the lands, the mines, the forests, belonging to such countries, confiscated by Rome and given or rented to Italians ; the tributes im- posed on the vanquished, and the collection of them; the abundance of slaves, — ^all these then offered to the Romans and to the Italians so many occasions to grow rich quickly ; just as the gigantic economic progress of the modern world offers similar opportunities to-day to all the peoples that, by geographical position, historical tradition, or vigorous culture and innate energy, know how to excel in industry, in agriculture, and in trade. Especially from the Second Punic War on, in all classes, there followed — anxious for a life more affluent and brilliant — generations the more incited to follow the examples that emanated from the great metropolises of the Orient, particu- larly Alexandria, which was for the Romans of the Republic what Paris is for us to-day. This movement, spontaneous, regular, natural, was every now and then violently accelerated by the conquest of a great Oriental state. One observes, i6 ** Corruption" in Ancient Rome after each one of the great annexations of Oriental lands, a more intense delirium of luxury and pleasure: the first time, after the acquisition of the kingdom of Pergamus, through a kind of contagion communicated by the sumptuous furni- ture of King Attalus, which was sold at auction and scattered among the wealthy houses of Italy to excite the still simple desires and the yet sluggish imaginations of the Italians; the second time, after the conquest of Pontus and of Syria, made by Lucullus and by Pompey; finally, the third time, after the conquest of Egypt made by Augustus, when the influence of that land — the France of the ancient world' — so actively invaded Haly that no social force could longer resist it. In this way, partly by natural, gradual, almost imperceptible diffusion, partly by violent crises, we see the mania for luxury and the appetite for pleasure beginning, growing, becoming ag- gravated from generation to generation in all Roman society, for two centuries, changing the mentality and morality of the people ; we see the institutions and public policy being altered; all Roman history a-making under the action of this force, formidable and immanent in the whole nation. It breaks down all obstacles confronting "Corruption" in Ancient Rome 17 it — the forces of traditions, laws, institutions, interests of classes, opposition of parties, the efforts of thinking men. The historical aristocracy becomes impoverished and weak; before it rise to power the millionaires, the parvenus, the great capitalists, enriched in the provinces. A part of the nobility, after having long despised them, sets itself to fraternise with them, to marry their wealthy daughters, cause them to share power; seeks to prop with their millions the pre- eminence of its ^wn rank, menaced by the dis- content, the spirit of revolt, the growing pride, of the middle class. Meanwhile, another part of the aristocracy, either too haughty and ambitious, or too poor, scorns this alliance, puts itsslf at the head of the democratic party, foments in the mid- dle classes the spirit of antagonism against the nobles and the rich, leads them to the assault on the citadels of aristocratic and democratic power. Hence the mad internal struggles that redden Rome with blood and complicate so tragically, especially after the Gracchi, the external polity. The increasing wants of the members of all classes, the debts that are their inevitable conse- quence, the universal longing, partly unsatisfied for lack of means, for the pleasures of the subtle Asiatic civilisations, infused into this whole i8 "Corruption" in Ancient Rome history a demoniac frenzy that to-day, after so many centuries, fascinates and appals us. To satisfy their wants, to pay their debts, the classes now set upon each other, each to rob in turn the goods of the other, in the crudest civil war that history records; now, tired of doing themselves evil, they unite and precipitate themselves on the world outside of Italy, to sack the wealth that its owners do not know how to defend. In the great revolutions of Marius and Sulla, the democratic party is the in- strument with which a part of the debt-burdened middle classes seek to rehabilitate themselves by robbing the plutocracy and the aristocracy yet opulent; but Sulla reverses the situation, makes a coalition of aristocrats and the miserable of the populace, and re-establishes the fortunes of the nobility, despoiling the wealthy knights and a part of the middle classes — a. terrible civil war that leaves in Italy a hate, a despondency, a distress, that seem at a certain moment as if they must weigh eternally on the spirit of the unhappy nation. When, lo! there appears the strongest man in the history of Rome, Lucullus, and drags Italy out of the despondency in which it crouched, leads it into the ways of the world, and persuades it that the best means of forgetting "Corruption " in Ancient Rome 19 the losses and ruin undergone in the civil wars, / y is to recuperate on the riches of the cowardly Orientals. As little by little the treasures of Mithridates, conquered by LucuUus in the Orient, arrive in Italy, Italy begins anew to divert itself, to construct palaces and villas, to squander in luxury. Pompey, envious of the glory of LucuUus, follows his example, conquers Syria, sends new treasures to Italy, carries from the East the jewels of Mithridates, and displaying them in the temple of Jove, rouses a passion for gems in the Roman women ; he also builds the first great stone theatre to rise in Rome. All the political men in Rome try to make money out of foreign countries : those who cannot, like the great, conquer an empire, confine themselves to blackmailing the countries and petty states that tremble before the shadow of Rome; the courts of the secondary kings of the Orient, the court of the Ptolemies at Alexandria, — ^all are invaded by a horde of insatiable senators and knights, who, menacing and promising, extort money to spend in Italy and foment the grow- ing extravagance. The debts pile up, the political corruption overflows, scandals follow, the parties in Rome rend each other madly, though hail- fellow-well-met in the provinces to plunder sub- jects and vassals. In the midst of this vast 20 "Corruption" in Ancient Rome disorder Caesar, the man of destiny, rises, and with varying fortune makes a way for himself until he beckons Italy to follow him, to find success and treasures in regions new — ^not in the rich and fabulous East, but beyond the Alps, in barbarous Gaul, bristling with fighters and forests. But this insane effort to prey on every part of the Empire finally tires Italy; quarrels over the division of spoils embitter friends; the im- mensity of the conquests, made in a few years of reckless enthusiasm, is alarming. Finally a new civil war breaks out, terrible and interminable, in which classes and families fall upon each other anew, to tear away in turn the spoils taken together abroad. Out of the tremendous dis- cord rises at last the pacifier, Augustus, who is able gradually, by cleverness and infinite patience, to re-establish peace and order in the troubled empire. How? — why? Because the combination of events of the times allows him to use to ends of peace the same forces with which the preceding generations had fomented so much disorder— desires for ease, pleasure, culture, wealth growing with the generations making it. Thereupon begins in the whole Em- pire universal progress in agriculture, industry, "Corruption" in Ancient Rome 21 trade, which, on a small scale, may be compared to what we to-day witness and share; a progress for which, then as now, the chief condition was peace. As soon as men realised that peace gives that greater wealth, those enjoyments more refined, that higher culture, which for a century they had sought by war, Italy became quiet ; revolutionists became guardians and guards of order; there gathered about Augustus a coalition of social forces that tended to impose on the Empire, alike on the parts that wished it and those that did not, the Pax Romana. Now all this immense story that fills three cen- turies, that gathers within itself so many revolu- tions, so many legislative reforms, so many great men, so many events, tragic and glorious, this vast history that for so many centuries holds the interest of all cultured nations, and that, considered as a whole, seems almost a prodigy, you can, on the track of the old idea of "corrup- tion," explain in its profoundest origins by one small fact, universal, common, of the very simplest ■ — something that every one may observe in the limited circle of his own personal experience, — by that automatic increase of ambitions and de- sires, with every new generation, which prevents the human world from crystallising in one form, 2 2 ** Corruption" in Ancient Rome constrains it to continual changes in material make-up as well as in ideals and moral appearance. In other words, every new generation must, in order to satisfy that part of its aspirations which is peculiarly and entirely its own, alter, whether little or much, in one way or another, the condition of the world it entered at birth. We can then, in our personal experiences every day, verify the universal law of history — a law that can act with greater or less intensity, more or less rapidity, according to times and places, but that ceases to authenticate itself at no time and in no place. The United States is subject to that law to-day, / as is old Europe, as will be future generations, and as past ages were. Moreover, to understand at bottom this phenomenon, which appears to me to be the soul of all history, it is well to add this consideration : It is evident that there is a capital difference between our judgment of this phenome- non and that of the ancients; to them it was a malevolent force of dissolution to which should be attributed all in Roman history that was sinister and dreadful, a sure sign of incurable decay; that is why they called it "corruption of customs," and so lamented it. To-day, on the contrary, it appears to us a universal beneficent process of transformation; so true is this that we "Corruption" in Ancient Rome 23 call "progress" many facts which the ancients J attributed to "corruption." It were useless to expand too much in examples; enough to cite a few. In the third ode of the first book, in which he so tenderly salutes the departing Virgil, Horace covers with invective, as an evil-doer and the corrupter of the human race, that im- pious being who invented the ship, which causes man, created for the land, to walk across waters. Who would to-day dare repeat those maledictions against the bold builders who construct the magnificent trans-Atlantic liners on which, in a dozen days from Genoa, one lands in Boston or New York? "Coelum ipsum petimus stultitia," exclaims Horace — ^that is to say, in anticipation he considered the Wright brothers crazy. Who, save some man of erudition, has know- ledge to-day of sumptuary laws ? We should laugh them all down with one Homeric guffaw, if to-day it entered somebody's head to propose a law that forbade fair ladies to spend more than a certain sum on their clothes, or numbered the hats they might wear ; or that regulated dinners of ceremony, fixing the number of courses, the variety of wines, and the total expense ; or that prohibited labouring men and women from wearing certain stuffs or certain objects that were wont to be found only 24 "Corruption" in Ancient Rome upon the persons of people of wealth and leisure. And yet laws of this tenor were compiled, pub- lished, observed, up to two centuries ago, without any one's finding it absurd. The historic force that, as riches increase, impels the new generations to desire new satisfactions, new pleasures, operated then as to-day; only then men were inclined to consider it as a new kind of ominous disease that needed checking. To-day men regard that con- stant transformation either as beneficent, or at least as such a matter of course that almost no one heeds it ; just as no one notices the alternations of day and night, or the change of seasons. On the contrary, we have little by little become so confident of the goodness of this force that drives the coming generation on into the unknown future, that society, European, American, among other liberties has won in the nineteenth century, full and entire, a liberty that the ancients did not know — freedom in vice. To the Romans it appeared most natural that the state should survey private habits, should spy out what a citizen, particularly a citizen be- longing to the ruling classes, did within domestic walls — should see whether he became intoxicated, whether he were a gourmand, whether he con- tracted debts, spending much or little, whether he "Corruption" in Ancient Rome 25 betrayed his wife. The age of Augustus was cul- tured, civilised, liberal, and in many things re- sembled our own; yet on this point the dominating ideas were so different from ours, that at one time Augustus was forced by public opinion to propose a law on adultery by which all Roman citizens of both sexes guilty of this crime were condemned to exile and the confiscation of half their substance, and there was given to any citizen the right to accuse the guilty. Could you imagine it possible to-day, even for a few weeks, to establish this regime of terror in the kingdom of Amor? But the ancients were always inclined to consider as exceedingly dangerous for the upper classes that relaxing of customs which always follows periods of rapid enrichment, of great gain in comforts; behind his own walls to-day, every one is free to indulge himself as he will, to the confines of crime. How can we explain this important difference in judging one of the essential phenomena of historic life? Has this phenomenon changed na- ture, and from bad, by some miracle, become good? Or are we wiser than our forefathers, judging with experience what they could hardly comprehend? There is no doubt that the Latin writers, particularly Horace and Livy, were so severe in condemning this progressive movement 26 ** Corruption" in Ancient Rome of wants because of unconscious political solici- tude, because intellectual men expressed the opinions, sentiments, and also the prejudices of historic aristocracy, and this detested the pro- gress of ambitio, avaritia, luxuria, because they undermined the dominance of its class. On the other hand, it is certain that in the modem world every increase of consumption, every waste, every vice, seems permissible, indeed almost meritorious, because men of industry and trade, the employees in industries — ^that is, all the people that gain by the diffusion of luxuries, by the spread of vices or new wants — ^have acquired, thanks above all to democratic institutions, and to the progress of cities, an immense political power that in times past they lacked. If, for example, in Europe the beer-makers and distillers of alcohol were not more powerful in the electoral field than the philosophers and academicians, governments would more easily recognise that the masses should not be allowed to poison themselves or future generations by chronic drunkenness. Between these two extremes of exaggeration, inspired by a self-interest easy to discover, is there not a true middle way that we can deduce from the study of Roman history and from the observation of contemporary life? "Corruption" in Ancient Rome 27 In the pessimism with which the ancients regarded progress as corruption, there was a basis of truth, just as there is a principle of error in the too serene optimism with which we con- sider corruption as progress. This force that pushes the new generations on to the future, at once creates and destroys ; its destructive energy is specially felt in ages like Caesar's in ancient Rome and ours in the modem world, in which facil- ity in the accumulation of wealth over-excites desires and ambitions in all classes. They are the times in which personal egoism — ^what to-day we call individualism — ^usurps a place above all that represents in society the interest of the species: national duty, the self-abnegation of each for the sake of the common good. Then these vices and defects become always more common : intellectual agitation, the weakening of the spirit of tradition, the general relaxation of discipline, the loss of authority, ethical confusion and disorder. At the same time that certain moral sentiments refine themselves, certain individualisms grow fiercer. The government may no longer represent the ideas, the aspirations, the energetic will of a small oligarchy ; it must make itself more yielding and gracious at the same time that it is becoming more contradictory and discordant. Family 2 8 "Corruption" in Ancient Rome discipline is relaxed ; the new generations shake off early the influence of the past; the sentiment of honour and the rigour of moral, religious, and po- litical principles are weakened by a spirit of utility and expediency by which, more or less openly, confessing it or dissimulating, men always seek to do, not that which is right and decorous, but that which is utilitarian. The civic spirit tends to die out; the number of persons capable of suffering, or even of working, disinterestedly for the common good, for the future, diminishes; children are not wanted; men prefer to live in accord with those in power, ignoring their vices, rather than. openly opposing them. Public events do not interest unless they include a personal advantage. This is the state of mind that is now diffusing itself throughout Europe ; the same state of mind that, with the documents at hand, I have found in the age of Caesar and Augustus, and seen progressively diffusing itself throughout ancient Italy. The likeness is so great that we re-find in those far-away times, especially in the upper classes, exactly that restless condition that we define by the word "nervousness." Horace speaks of this state of mind, which we consider peculiar to ourselves, and describes it, by felicitous "Corruption" in Ancient Rome 29 image, as strenua inertia — strenuous inertia, — agitation vain and ineffective, always wanting something new, but not really knowing what, desiring most ardently yet speedily tiring of a desire gratified. Now it is clear that if these vices spread too much, if they are not complemented by an increase of material resources, of know- ledge, of sufficient population, they can lead a nation rapidly to ruin. We do not feel very keenly the fear of this danger — the European- American civilisation is so rich, has at its disposal so much knowledge, so many men, so many instru- mentalities, has cut off for itself such a measureless part of the globe, that it can afford to look un- afraid into the future. The abyss is so far away that only a few philosophers barely descry it in the gray mist of distant years. But the ancient world — so much poorer, smaller, weaker — felt that it could not squander as we do, and saw the abyss near at hand. To-day men and women waste fabulous wealth in luxury ; that is, they spend not to satisfy some reasonable need, but to show to others of their kind how rich they are, or, further, to make others believe them richer than they are. If these resources were everywhere saved as they are in France, the progress of the world would be so "Corruption" in Ancient Rome quicker, and the new countries would more easily find in Europe and in themselves the capital necessary for their development. At all events, our age develops fast, and notwithstanding all this waste, abounds in a plenty that is enough to keep men from fearing the growth of this wanton luxury and from planning to restrain it by laws. In the ancient world, on the other hand, the wealthy classes and the state had only to abandon themselves a little too much to the prodigality that for us has become almost a regular thing, when suddenly means were wanting to meet the most essential needs of social life. Tacitus has summarised an interesting discourse of Tiberius, in which the famous emperor cen- sures the ladies of Rome in terms cold, incisive, and succinct, because they spend too much money on pearls and diamonds. "Our money," said Tiberius, "goes away to India and we are in want of the precious metals to carry on the mili- tary administration; we have to give up the defence of the frontiers." According to the opinion of an administrator so sagacious and a general so valiant as Tiberius, in the richest period of the Roman Empire, a lady of Rome could not buy pearls and diamonds without directly weakening the defence of the frontiers. ''Corruption" in Ancient Rome 31 Indulgence in the luxury of jewels looked almost like high treason. Similar observations might be made on another grave question — the increase of population. One of the most serious effects of individualism that accompanies the increase of civilisation and wealth, is the decrease of the birth-rate. France, which knows how to temper its luxury, which gives to other peoples an example of saving means for the future, has on the other hand given the example of egoism in the family, lowering the birth-rate. England, for a long time so fecund, seems to follow France. The more uniformly settled and Well-to-do parts of the North American Union, the Eastern States and New England, are even more sterile than France. However, no one of these nations suffers to-day from the small increase of population; there are yet so many poor and fecund peoples that they can easily fill the gaps. In the ancient world this was not the case; population was always and everywhere so scanty that if for some reason it diminished but slightly, the states could not get on, finding them- selves at the mercy of what they called a ' ' famine of men, " a malady more serious and troublesome than over-population. In the Roman Empire the Occidental provinces finally fell into the hands 32 "Corruption" in Ancient Rome of the barbarians, chiefly because the Graeco- Latin civilisation steriHsed the family, reducing the population incurably. No wonder that the aiicients applied the term "corruption" to a momentum of desires which, although increasing culture and the refinements of living, easily menaced the sources of the nation's physical existence. There is, then, a more general conclusion to draw from this experience. It is not by chance, nor the unaccountable caprice of a few ancient writers, that we possess so many small facts on the development of luxury and the transformation of customs in ancient Rome; that, for example* among the records of great wars, of diplomatic missions, of catastrophes political and economic, we find given the date when the art of fattening fowls was imported into Italy. The little facts are not so unworthy of the majesty of Roman history as one at first might think. Everything is bound together in the life of a nation, and nothing without importance; the humblest acts, most personal and deepest hidden in the penetralia of the home, that no one sees, none knows, have an effect, immediate or remote, on the common life of the nation. There is, between these small, insignificant facts and the wars, the revolutions, "Corruption" in Ancient Rome 33 the tremendous political and social events that bewilder men, a tie, often invisible to most peo- ple, yet nevertheless indestructible. Nothing in the world is without import: what women spend for their toilet, the resistance that men make from day to day to the temptations of the commonest pleasures, the new and petty needs that insinuate themselves unconsciously into the habits of all; the reading, the conversa- tions, the impressions, even the most fugacious that pass in our spirit — all these things, little and innumerable, that no historian registers, have contributed to produce this revolution, that war, this catastrophe, that political overturn, which men wonder at and study as a prodigy. The causes of how many apparently mysterious historical events would be more clearly and pro- foundly known, of how many periods would the spirit be better understood, did we only possess the private records of the families that make up the ruling classes! Every deed we do in the intimacy of the home reacts on the whole of our environment. With our every act we assume a responsibility toward the nation and posterity, the sanction for which, near or far away, is in events. This justifies, at least in part, the ancient concep- tion by which the state had the right to exercise 34 "Corruption" in Ancient Rome vigilance over its citizens, their private acts, customs, pleasures, vices, caprices. This vigi- lance, the laws that regulated it, the moral and political teachings that brought pressure to bear in the exercise of these laws, tended above all to charge upon the individual man the social re- sponsibility of his single acts; to remind him that in the things most personal, aside from the in- dividual pain or pleasure, there was an interest, a good or an evil, in common. Modern men — and it is a revolution greater than that finished in political form in the nine- teenth century — have been freed from these bonds, from these obligations. Indeed, modern civilisation has made it a duty for each one to spend, to enjoy, to waste as much as he can, with- out any disturbing thought as to the ultimate consequences of what he does. The world is so rich, population grows so rapidly, civilisation is armed with so much knowledge in its struggle against the barbarian and against nature, that to-day we are able to laugh at the timid pru- dence of our forefathers, who had, as it were, a fear of wealth, of pleasure, of love; we can boast in the pride of triumph that we are the first who dare in the midst of a conquered world, to enjoy — enjoy without scruple, with- ** Corruption" in Ancient Rome 35 out restriction — all the good things life offers to the strong. But who knows? Perhaps this felicitous mo- ment will not last forever; perhaps one day will see men, grown more numerous, feel the need of the ancient wisdom and prudence. It is at least permitted the philosopher and the historian to ask if this magnificent but unbridled freedom which we enjoy suits all times, and not only those in which nations coming into being can find a small dower in their cradle as you have done — three millions of square miles of land! The History and Legend of Antony and Cleopatra 37 TN the history of Rome figures of women are ■■• rare, because only men dominated there, im- posing everywhere the brute force, the roughness, and the egoism that lie at the base of their nature : they honoured the mater familias because she bore children and kept the slaves from steaHng the flour from the bin and drinking the wine from the amphore on the sly. They despised the woman who made of her beauty and vivacity an adorn- ment of social life, a prize sought after and dis- puted by the men. However, in this virile history there does appear, on a sudden, the figure of a woman, strange and wonderful, a kind of living Venus. Plutarch thus describes the arrival of Cleopatra at Tarsus and her first meeting with Antony : She was sailing tranquilly along the Cydnus, on a bark with a golden stem, with sails of purple and oars of silver, and the dip of the oars was rythmed to the sound of flutes, blending with music of lyres. She herself, the Queen, wondrously clad as Venus is pictured, was lying under an awning gold embroid- 39 40 Antony and Cleopatra ered. Boys dressed as Cupids stood at her side, gently waving fans to refresh her; her maidens, every one beautiful and clad as a Naiad or a Grace, directed the boat, some at the rudder, others at the ropes. Both banks of the stream were sweet with the per- fumes burning on the vessel. Posterity is yet dazzled by this ship, refulgent with purple and gold and melodious with flutes and lyres. If we are spellbound by Plutarch's description, it does not seem strange to us that Antony should be — ^he who could not only be- hold in person that wonderful Venus, but could dine with her tete-a-tete, in a splendour of torches indescribable. Surely this is a setting in no wise improbable for the beginning of the famous romance of the love of Antony and Cleopatra, and its development as probable as its beginning; the follies committed by Antony for the seduc- tive Queen of the Orient, the divorce of Octavia, the war for love of Cleopatra, kindled in the whole Empire, and the miserable catastrophe. Are there not to be seen in recent centuries many men of power putting their greatness to risk and sometimes to ruin for love of a woman? Are not the love letters of great statesmen — for instance, those of Mirabeau and of Gambetta — admitted to the semi-official part of modem history -writing? Antony and Cleopatra 41 And so also Antony could love a queen and, like so many modern statesmen, commit follies for her. A French critic of my book, burning his ships behind him, has said that Antony was a Roman Boulanger. The romance pleases: art takes it as subject and re-takes it; but that does not keep off the brutal hands of criticism. Before all, it should be observed that moderns feel and interpret the romance of Antony and Cleopatra in a way very different from that of the ancients. From Shake- speare to De Heredia and Henri Houssaye, artists and historians have described with sympathy, even almost idealised, this passion that throws away in a lightning flash every human greatness, to pursue the mantle of a fleeing woman; they find in the follies of Antony something profoundly human that moves them, fascinates them, and makes them indulgent. To the ancients, on the contrary, the amours of Antony and Cleopatra were but a dishonourable degeneration of the passion. They have no excuse for the man whom love for a woman impelled to desert in battle, to abandon soldiers, friends, relatives, to conspire against the greatness of Rome. This very same difference of interpretation recurs in the history of the amours of Ccesar. 42 Antony and Cleopatra Modem writers regard what the ancients tell us of the numerous loves — ^real or imaginary — of Caesar, as almost a new laurel with which to decorate his figure. On the contrary, the ancients recounted and spread abroad, and perhaps in part invented, these storiettes of gallantry for quite opposite reasons — as source of dishonour, to dis- credit him, to demonstrate that Caesar was ef- feminate, that he could not give guarantee of knowing how to lead the armies and to fulfil the virile and arduous duties that awaited every emi- nent Roman. There is in our way of thinking a vein of romanticism wanting in the ancient mind. We see in love a certain forgetfulness of ourselves, a certain blindness of egoism and the more material passions, a kind of power of self- abnegation, which, inasmuch as it is unconscious, confers a certain nobility and dignity; therefore we are indulgent to mistakes and follies committed for the sake of passion, while the ancients were very severe. We pardon with a certain compassion the man who for love of a woman has not hesitated to bury himself under the ruin of his own greatness; the ancients, on the contrary, con- sidered him the most dangerous and despicable of the insane. Criticism has not contented itself with re-giving Antony and Cleopatra 43 to the ancient romance the significance it had for those that made it and the pubhc that fiirst read it. Archaeologists have discovered upon coins portraits of Cleopatra, and now critics have con- fronted these portraits with the poetic descriptions given by Roman historians and have found the descriptions generously fanciful: in the portraits we do not see the countenance of a Venus, delicate, gracious, smiling, nor even the fine and sensuous beauty of a Marquise de Pompadour, but a face fleshy and, as the French would say, bouffie; the nose, a powerful aquiline; the face of a woman on in years, ambitious, imperious, one which re- calls that of Maria Theresa. It will be said that judgments as to beauty are personal ; that Antony, who saw her alive, could decide better than we who see her portraits half effaced by the centuries ; that the attractive power of a woman emanates not only from corporal beauty, but also — and yet more — from her spirit. The taste of Cleopatra, her vivacity, her cleverness, her exquisite art in conversation, is vaunted by all. Perhaps, however, Cleopatra, beautiful or ugly, is of little consequence; when one studies the history of her relations with Antony, there is small place, and that but toward the end, for the passion of love. It will be easy to persuade you 44 Antony and Cleopatra of this if you follow the simple chronological ex- position of facts I shall give you. Antony makes the acquaintance of Cleopatra at Tarsus toward the end of 41 B.C., passes the winter of 41-40 with her at Alexandria; leaves her in the spring of 40 and stays away from her more than three years, till the autumn of 37. There is no proof that during this time Antony sighed for the Queen of Egypt as a lover far away; on the contrary, he attends, with alacrity worthy of praise, to pre- paring the conquest of Persia, to putting into execution the great design conceived by Csesar, the plan of war that Antony had come upon among the papers of the Dictator the evening of the fifteenth of March, 44 b.c. All order social and political, the army, the state, public finance, wealth private and public, is going to pieces around him. The triumvirate power, built up on the uncertain foundation of these ruins, is totter- ing; Antony realises that only a great external success can give to him and his party the author- ity and the money necessary to establish a solid government, and resolves to enter into possession of the political legacy of his teacher and patron, x/ taking up its central idea, the conquest of Persia. The difficulties are grave. Soldiers are not wanting, but money. The revolution has ruined Antony and Cleopatra 45 the Empire and Italy; all the reserve funds have been dissipated; the finances of the state are in such straits that not even the soldiers can be paid punctually and the legions every now and then claim their dues by revolt. Antony is not dis- couraged. The historians, however antagonistic to him, describe him as exceedingly busy in those four years, extracting from all parts of the Em- pire that bit of money still in circulation. Then at one stroke, in the second half of 37, when, preparations finished, it is time to put hand to the execution, the ancient historians without in any way explaining to us this sudden act, most unforeseen, make him depart for Antioch to meet Cleopatra, who has been invited by him to join him. For what reason does Antony after three years, all of a sudden, re-join Cleopatra? The secret of the story of Antony and Cleopatra lies entirely in this question. Plutarch says that Antony went to Antioch borne by the fiery and untamed courser of his own spirit; in other words, because passion was already beginning to make him lose common sense. Not finding other explanations in the ancient writers, posterity has accepted this, which was simple enough; but about a century ago an erudite Frenchman, Letronne, studying certain 46 Antony and Cleopatra coins, and comparing with them certain pas- sages in ancient historians, until then remaining obscure, was able to demonstrate that in 36 B.C., at Antioch,, Antony married Cleopatra with all the dynastic ceremonies of Egypt, and that there- upon Antony became King of Egypt, although he did not dare assume the title. The explanation of Letronne, which is founded on official documents and coins, is without doubt more dependable than that of Plutarch, which is reducible to an imaginative metaphor; and the discovery of Letronne, concluding that con- catenation of facts that I have set forth, finally persuades me to affirm that not a passion of love, suddenly re-awakened, led Antony in the second half of 37 B.C. to Antioch to meet the Queen of Egypt, but a political scheme well thought out. Antony wanted Egypt and not the beautiful person of its queen; he meant by this dynastic marriage to establish the Roman protectorate in the valley of the Nile, and to be able to dispose, for the Persian campaign, of the treasures of the Kingdom of the Ptolemies. At that time, after the plunderings of other regions of the Orient by the politicians of Rome, there was but one state rich in reserves of precious metals, Egypt. Since, little by little, the economic crisis of the Roman Antony and Cleopatra 47 Empire was aggravating, the Roman polity had to gravitate perforce toward Egypt, as toward the country capable of providing Rome with the capital necessary to continue its policy in every part of the Empire. Cassar already understood this; his mysterious and obscure connection with Cleopatra had cer- tainly for ultimate motive and reason this political necessity; and Antony, in marrying Cleopatra, probably only applied more or less shrewdly the ideas that C^sar had originated in the refulgent crepuscle of his tempestuous career. You will ask me why Antony, if he had need of the valley of the Nile, recurred to this strange expedient of a marriage, instead of conquering the kingdom, and why Cleopatra bemeaned herself to marry the triumvir. The reply is not difficult to him who knows the history of Rome. There was a long-standing tradition in Roman policy to ex- ploit Egypt but to respect its independence; it may be, because the country was considered more difficult to govern than in truth it was, or because there existed for this most ancient land, the seat of all the most refined arts, the most learned schools, the choicest industries, exceed- ingly rich and highly civilised, a regard that somewhat resembles what France imposes on 48 Antony and Cleopatra the world to-day. Finally, it may be because it was held that if Egypt were annexed, its influ- ence on Italy would be too much in the ascend- ent, and the traditions of the old Roman life would be conclusively overwhelmed by the inva- sion of the customs, the ideas, the refinements — in a word, by the corruptions of Egypt. Antony, who was set in the idea of repeating in Persia the adventure of Alexander the Great, did not dare bring about an annexation which would have been severely judged in Italy and which he, like the others, thought more dangerous than in reality it was. On the other hand, with a dynastic mar- riage, he was able to secure for himself all the advantages of effective possession, without run- ning the risks of annexation ; so he resolved upon this artifice, which, I repeat, had probably been imagined by Csesat. As to Cleopatra, her gov- ernment was menaced by a strong internal op- position, the causes for which are ill known; marrying Antony, she gathered about her throne, to protect it, formidable guards, the Roman legions. To sum up, the romance of Antony and Cleo- patra covers, at least in its beginnings, a political treaty. With the marriage, Cleopatra seeks to steady her wavering power ; Antony, to place the Antony and Cleopatra 49 valley of the Nile under the Roman protectorate. How then was the famous romance bom? The actual history of Antony and Cleopatra is one of the most tragic episodes of a struggle that lace- rated the Roman Empire for four centuries, until it finally destroyed it, the struggle between Orient and Occident. During the age of Caesar, little by little, without any one's realising it at first, there arose and fulfilled itself a fact of the gravest importance; that is, the eastern part of the Em- pire had grown out of proportion: first, from the conquest of the Pontus, made by LucuUus, who had added immense territory in Asia Minor ; then by Pompey's conquest of Syria, and the protec- torate extended by him over all Palestine and a considerable part of Arabia. These new districts were not only enormous in extension; they were also populous, wealthy, fertile, celebrated for ancient culture; they held the busiest industrial cities, the best cultivated regions of the ancient world, the most famous seats of arts, letters, science, therefore their annexation, made rapidly in few years, could but trouble the already un- stable equilibrium of the Empire. Italy was then, compared with these provinces, a poor and bar- barous land; because southern Italy was ruined by the wars of preceding epochs, and northern 50 Antony and Cleopatra Italy, naturally the wealthier part, was still crude and in the beginning of its development. The other western provinces nearer Italy were poorer and less civilised than Italy, except GalHa Nar- bonensis and certain parts of southern Spain. So that Rome, the capital of the Empire, came to find itself far from the richest and most populous regions, among territories poor and despoiled, on the frontiers of barbarism — in such a situation as the Russian Empire might find itself to-day if it had its capital at Vladivostok or Kharbin. You know that during the last years of the life of Caesar it was rumoured several times that the Dictator wished to remove the capital of the Empire; it was said, to Alexandria in Egypt, to Ilium in the district where Troy arose. It is impossible to judge whether these reports were true or merely invented by enemies of Caesar to damage him; at any rate, true or false, they show that public opinion was beginning to concern itself with the "Eastern peril"; that is, with the danger that the seat of empire must be shifted toward the Orient and the too ample Asiatic and African territory, and that Italy be one day uncrowned of her metropolitan predominance, conquered by so many wars. Such hear-says must have seemed, even if not true, the more likely, because. Antony and Cleopatra 51 in his last two years, Cassar planned the conquest of Persia. Now the natural basis of operations for the conquest of Persia was to be found, not in Italy, but in Asia Minor, and if Persia had been conquered, it would not have been possible to govern in Rome an empire so immeasurably en- larged in the Orient. Everything therefore in- duces to the belief that this question was at least discussed in the coterie of the friends of Caesar; and it was a serious question, because in it the traditions, the aspirations, the interests of Italy were in irreconcilable conflict with a supreme necessity of state which one day or other would impose itself, if some unforeseen event did not intervene to solve it. In the light of these considerations, the con- duct of Antony becomes very clear. The marriage at Antioch, by which he places Egypt under the Roman protectorate, is the decisive act of a policy that looks to transporting the centre of his government toward the Orient, to be able to accomplish more securely the conquest of Persia. Antony, the heir of Caesar, the man who held the papers of the Dictator, who knew his hidden thoughts, who wished to complete the plans cut off by his death, proposes to conquer Persia; to conquer Persia, he must rely on the Oriental 52 Antony and Cleopatra provinces that were the natural basis of opera- tions for the great enterprise ; among these, Antony- must support himself above all on Egypt, the richest and most civilised and most able to supply him with the necessary funds, of which he was quite in want. Therefore he married the Cleopa- tra whom, it was said at Rome, Cassar himself had wished to marry — ^with whom, at any rate, Caesar had much dallied and intrigued. Does not this juxtaposition of facts seem luminous to you? In 36 B.C., Antony marries Cleopatra, as a few years before he had married Octavia, the sister of the future Augustus, for political reasons — ^in order to be able to dispose of the political subsidies and finances of Egypt, for the conquest of Persia. The conquest of Persia is the ultimate motive of all his policy, the supreme explanation of his every act. However, little by little, this move, made on both sides from considerations of political interest, altered its character under the action of events, of time, through the personal influence of Antony and Cleopatra upon each other, and above all, the power that Cleopatra acquired over Antony: here is truly the most important part of all this story. Those who have read my history know that I have recounted hardly any of the anecdotes, Antony and Cleopatra 53 more or less odd or entertaining, with which an- cient writers describe the intimate life of Antony and Cleopatra, because it is impossible to dis- criminate in them the part that is fact from that which was invented or exaggerated by political enmity. In history the difficulty of recognising the truth gradually increases as one passes from political to private life; because in politics the acts of men and of parties are always bound to- gether by either causes or effects of which a certain number is always exactly known ; private life, on the other hand, is, as it were, isolated and secret, almost invariably impenetrable. What a great man of state does in his own house, his valet knows better than the historians of later times. If for these reasons I have thought it prudent not to accept in my work the stories and anecdotes that the ancients recount of Antony and Cleo- patra, without indeed risking to declare them false, it is, on the contrary, not possible to deny that Cleopatra gradually acquired great ascen- dency over the mind of Antony, The circum- stance is of itself highly probable. That Cleo- patra was perhaps a Venus, as the ancients say, or that she was provided with but a mediocre beauty, as declare the portraits, matters little: it is, however, certain that she was a woman of 54 Antony and Cleopatra great cleverness and culture ; as woman and queen of the richest and most civilised realm of the ancient world, she was mistress of all those arts of pleasure, of luxury, of elegance, that are the most delicate and intoxicating fruit of all ma- ture civilisations. Cleopatra might refigure, in the ancient world, the wealthiest, most elegant, and cultured Parisian lady in the world of to-day. Antony, on the other hand, was the descendant of a family of that Roman nobility which still preserved much rustic roughness in tastes, ideas, habits ; he grew up in times in which the children were still given Spartan training; he came to Egypt from a nation which, notwithstanding its military and diplomatic triumphs, could be con- sidered, compared with Egypt, only poor, rude, and barbarous. Upon this intelligent man, eager for enjoyment, who had, like other noble Romans, already begun to taste the charms of intellectual civilisation, it was not Cleopatra alone that made the keenest of impressions, but all Egypt, the wonderful city of Alexandria, the sumptuous palace of the Ptolemies — ^all that refined, elegant splendour of which he found himself at one stroke the master. What was there at Rome to com- pare with Alexandria? — Rome, in spite of its Antony and Cleopatra 55 imperial power, abandoned to a fearful disorder by the disregard of factions, encumbered with ruin, its streets narrow and wretched, provided as yet with but a single forum, narrow and plain, the sole impressive monument of which was the theatre of Pompey ; Rome, where the life was yet crude, and objects of luxury so rare that they had to be brought from the distant Orient? At Alexandria, instead, the Paris of the ancient world, were to be found all the best and most beautiful things of the earth. There was a sumptuosity of public edifices that the ancients never tire of extolling — ^the quay seven stadia long, the light house famous all over the Mediterranean, the mar- vellous zoological garden, the Museum, the Gym- nasium, innumerable temples, the unending palace of the Ptolemies. There was an abundance, un- heard of for those times, of objects of luxury — rugs, glass, stuffs, papyruses, jewels, artistic pottery — because they made all these things at Alexandria. There was an abundance, greater than elsewhere, of silk, of perfumes, of gems, of all the things im- ported from the extreme East, because through Alexandria passed one of the most frequented routes of Indo-Chinese commerce. There, too, were innumerable artists, writers, philosophers, and savants; society life and intellectual life alike S6 Antony and Cleopatra fervid ; continuous movement to and fro of traffic, continual passing of rare and curious things; countless amusements ; life, more than elsewhere, safe — at least so it was believed — because at Alexandria were the great schools of medicine and the great scientific physicians. If other Italians who landed in Alexandria were dazzled by so many splendours, Antony ought to have been blinded; he entered Alexandria as King. He who was bom at Rome in the small and simple house of an impoverished noble family, who had been brought up with Latin parsimony to eat frugally, to drink wine only on festival occasions, to wear the same clothes a long time, to be served by a single slave — ^this man found himself lord of the immense palace of the Ptole- mies, where the kitchens alone were a hundred times larger than the house of his fathers at Rome ; where there were gathered for his pleasure the most precious treasures and the most, mar- vellous collections of works of art; where there were trains of servants at his command, and every wish could be immediately gratified. It is therefore not necessary to suppose that Antony was foolishly enamoured of the Queen of Egypt, to understand the change that took place in him after their marriage, as he tasted the inimitable Antony and Cleopatra 57 life of Alexandria, that elegance, that ease, that wealth, that pomp without equal. A man of action, grown in simplicity, tough- ened by a rude life, he was all at once carried into the midst of the subtlest and most highly developed civilisation of the ancient world and given the greatest facilities to enjoy and abuse it that ever man had: as might have been expected, he was intoxicated; he contracted an almost insane passion for such a life; he adored Egypt with such ardour as to forget for it the nation of his birth and the modest home of his boyhood. And then began the great tragedy of his life, a tragedy not love-inspired, but politi- cal. As the hold of Egypt strengthened on his mind, Cleopatra tried to persuade him not to conquer Persia, but to accept openly the kingdom of Egypt, to found with her and with their children a new dynasty, and to create a great new Egyptian Empire, adding to Egypt the better part of the provinces that Rome possessed in Africa and in Asia, abandoning Italy and the provinces of the West forever to their destiny. Cleopatra had thought to snatch from Rome its Oriental Empire by the arm of Antony, in that immense disorder of revolution; to recon- struct the great Empire of Egypt, placing at its 58 Antony and Cleopatra head the first general of the time, creating an army of Roman legionaries with the gold of the Ptolemies; to make Egypt and its dynasty the prime potentate of Africa and Asia, transferring to Alexandria the political and diplomatic control of the finest parts of the Mediterranean world. As the move failed, men have deemed it folly and stupidity; but he who knows how easy it is to be wise after events, will judge this confused policy of Cleopatra less curtly. At any rate, it is certain that her scheme failed more because of its own inconsistencies than through the vigour and ability with which Rome tried to thwart it| it is certain that in the execution of the plan, Antony felt first in himself the tragic discord between Orient and Occident that was so long to lacerate the Empire ; and of that tragic discord he was the first victim. An enthusiastic admirer of Egypt, an ardent Hellenist, he is lured by his great ambition to be king of Egypt, to renew the famous line of the Ptolemies, to continue in the East the glory and the traditions of Alexan- der the Great : but the far-away voice of his father- land still sounds in his ear ; he recalls the city of his birth, the Senate in which he rose so many times to speak, the Forum of his orations, the Comitia that elected him to magistracies ; Octavia, Antony and Cleopatra 59 the gentlewoman he had wedded with the sacred rites of Latin monogamy ; the friends and soldiers with whom he had fought through so many coun- tries in so many wars; the foundation principles at home that ruled the family, the state, morality, public and private. Cleopatra's scheme, viewed from Alexandria, was an heroic undertaking, almost divine, that might have lifted him and his scions to the delights of Olympus ; seen from Rome, by his childhood 's friends, by his comrades in arms, by that people of Italy who still so much admired him, it was the shocking crime of faithlessness to his country ; we call it high treason. Therefore he hesitates long, doubting most of all whether he can keep for the new Egyptian Empire the Roman legions, made up largely of Italians, all commanded by Italian officers. He does not know how to oppose a resolute No to the insistences of Cleopatra and loose himself from the fatal bond that keeps him near her ; he can not go back to live in Italy after having dwelt as king in Alexandria. Moreover, he does not dare declare his intentions to his Roman friends, fearing they will scatter; to the soldiers, fearing they will revolt; to Italy, fearing her judgment of him as a traitor; and so, little by little, he entangles himself in the crooked 6o Antony and Cleopatra policy, full of prevarications, of expedients, of subterfuges, of one mistake upon another, that leads him to Actium. I think I have shown that Antony succumbed in the famous war not because, mad with love, he abandoned the command in the midst of the battle, but because his armies revolted and aban- doned him when they understood what he had not dared declare to them openly : that he meant to dismember the Empire of Rome to create the new Empire of Alexandria. The future Augustus conquered at Actium without effort,! merely be- cause the national sentiment of the soldiery, outraged by the unforeseen revelation of Antony 's treason, turned against the man who wanted to aggrandise Cleopatra at the expense of his own country. And then the victorious party, the party of Augustus, created the story of Antony and Cleo- patra that has so entertained posterity ; this story- is but a popular explanation — ^in part imagina- tively exaggerated and fantastic — of the Eastern peril that menaced Rome, of both its political phase and its moral. According to the story that Horace has put into such charming verse, Cleo- patra wished to conquer Italy, to enslave Rome, to destroy the Capitol; but Cleopatra alone could Antony and Cleopatra 6i not have accomplished so difhcult a task ; she must have seduced Antony, made him forget his duty to his wife, to his legitimate children, to the Re- public, the soldiery, his native land, — ^all the duties that Latin morals inculcated into the minds of the great, and that a shameless Egyptian woman, rendered perverse by all the arts of the Orient, had blotted out in his soul; therefore Antony's tragic fate should serve as a solemn warning to distrust the voluptuous seductions, of which Cleopatra symbolised the elegant and fatal depravity. The story was magnified, coloured, dif- fused, not because it was beautiful and romantic, but because it served the interests of the political coterie that gained definite control of the govern- ment on the ruin of Antony. At Actium, the future Augustus did not fight a real war, he only passively watched the power of the adversary go to pieces, destroyed by its own internal con- tradictions. He did not decide to conquer Egypt until the public opinion of Italy, enraged against Antony and Cleopatra, required this vengeance with such insistence that he had to satisfy it. If Augustus was not a man too quick in action, he was, instead, keenly intelligent in comprehending the situation created by the catastrophe of Antony 62 Antony and Cleopatra in Italy, where already, for a decade of years, public spirit, frightened by revolution, was anx- ious to return to the ways of the past, to the historic sources of the national life. Augustus understood that he ought to stand before Italy, disgusted as it was with long-continued dissension and eager to retrace the way of national tradition, as the embodiment of all the virtues his contem- poraries set in opposition to eastern "corruption," • — simplicity, severity of private habits, rigid mono- gamy, the anti-feministic spirit, the purely virile idea of the state. Naturally, the exaltation of these virtues required the portrayal in his rival of Actium, as far as possible, the opposite defects ; therefore the efforts of his friends, like Horace, to colour the story of Antony and Cleopatra, which should magnify to the Italians the idea of the danger from which Augustus had saved them at Actium; which was meant to serve as a bar- rier against the invading Oriental "corruption," that "corruption" the essence of which I have already analysed. In a certain sense, the legend of Antony and Cleopatra is chiefly an anti-feminist legend, in- tended to reinforce in the state the power of the masculine principle, to demonstrate how dan- gerous it may be to leave to women the govern- Antony and Cleopatra 63 ment of public affairs, or follow their counsel in political business. The people believed the legend; posterity has believed it. Two years ago when I published in the Revue de Paris an article in which I demon- strated, by obvious arguments, the incongruities and absurdities of the legend, and tried to retrace through it the half-effaced lines of the truth, every- body was amazed. From one end of Europe to the other, the papers resumed the conclusions of my study as an astounding revelation. An illustrious French statesman, a man of the finest culture in historical study, Joseph Reinach, said to me : After your article I have re-read Dion and Plutarch. It is indeed singular that for twenty centuries men have read and reread those pages without any one's realising how confused and absurd their accounts are. It seems to be a law of human psychology that almost all historic personages, from Minos to Mazzini, from Judas to Charlotte Corday, from Xerxes to Napoleon, are imaginary personages 5 some transfigured into demigods, by admiration and success ; the others debased by hate and failure. In reality, the former were often uglier, the latter more attractive than tradition has pictured them, 64 Antony and Cleopatra because men in general are neither too good nor too bad, neither too inteUigent nor too stupid. In conclusion, historic tradition is full of deformed caricatures and ideal transfigurations; because, when they are dead, the impression of their politi- cal contemporaries still serves the ends of parties, states, nations, institutions. Can this man exalt in a, people the consciousness of its own power, of its own energy, of its own value? Lo, then they make a god of him, as of Napoleon or Bis- marck. Can this other serve to feed in the mass, odium and scorn of another party, of a government, of an order of things that it is desirable to injure ? Then they make a monster of him, as happened in Rome to Tiberius, in France to Napoleon III, in Italy to all who for one motive or another opposed the unification of Italy. It is true that after a time the interests that have coloured certain figures with certain hues and shades disappear; but then the reputation, good or bad, of a personage is already made ; his name is stamped on the memory of posterity with an adjective,' — ^the great, the wise, the wicked, the cruel, the rapacious, — and there is no human force that can dissever name from adjective. Some far-away historian, studying all the documents, examining the sequence of events, will confute Antony and Cleopatra 65 the tradition in learned books; but his work not only will not succeed in persuading the ignorant multitude, but must also contend against the multiplied objections offered by the instinctive incredulity of people of culture. You will say to me, "What is the use of writing history? Why spend so much effort to correct the errors in which people will persist just as if the histories were never written?" I reply that I do not believe that the office of history is to give to men who have guided the great human events a posthumous justice. It is already work serious enough for every generation to give a little justice to the living, rather than occupy itself rendering it to the dead, who indeed, in contra- distinction from the living, have no need of it. The study of history, the rectification of stories of the past, ought to serve another and practical end; that is, train the men who govern nations to discern more clearly than may be possible from their own environment the truth underlying the legends. As I have already said, passions, interests, present historic personages in a thousand forms when they are alive, transfiguring not only the persons themselves, but events the most di- verse, the character of institutions, the conditions of nations. 5 66 Antony and Cleopatra It is generally believed that legends are found only at the dawn of history, in the poetic period: that is a great mistake; the legend — ^the legend that deceives, that deforms, that misdirects' — is everywhere, in all ages, in the present as in the past — in the present even more than in the past, because it is the consequence of certain universal forms of thought and of sentiment. To-day, just as ten or twenty centuries ago, in- terests and passions dominate events, alter them and distort them, creating about them veritable romances, more or less probable. The present, which appears to all to be the same reahty, is instead, for most people, only a huge legend, traversed by contemporaries stirred by the most widely differing sentiments. However the mass may content itself with this legend, throbbing with hate and love, with hope and the fear of its own self -created phantoms, those who guide and govern the masses ought to try to divine the truth, as far as they can. A great man of state is distinguished from a me- diocre by his greater ability to divine the real in his world of action beneath its superfice of confused legends; by his greater ability to dis- criminate in everything what is true from what is merely apparently true, in the prestige of states Antony and Cleopatra 67 and institutions, in the forces of parties, in the energy attributed to certain men, in the purposes claimed by parties and men, often different from their real designs. To do that, some natural disposition is necessary, a liveliness of intuition that must come with birth; but this faculty can be refined and trained by a practical knowledge of men, by experience in things, and by the study of history. In the ages dead, when the interests that created their legends have disappeared, we can discover how those great popular delusions, which are one of the greatest forces of history, are made and how they work. We may thus fortify the spirit to withstand the cheating illu- sions that surround us, coming from every part of the vast modem world, in which so many in- terests dispute dominion over thoughts and will. In this sense alone, I believe that history may teach, not the multitude, which will never learn anything from it, but, impelled by the same passions, will always repeat the same errors and the same foolishnesses; but the chosen few, who, charged with directing the game of history, have concern in knowing as well as they can its inner law. Taken in this way, history may be a great teacher, in its every page, every line, and the study of the legend of Antony and Cleopatra may 68 Antony and Cleopatra itself even serve to prepare the spirit of a diplomat, who must treat between state and state the com- plicated economic and political affairs of the modem world. And so, in conclusion, history and life interchange mutual services; life teaches history, and history, life; observing the present, we help ourselves to know the past, and from the study of the past we can return to our present the better tempered and prepared to observe and comprehend it. In present and in past, history can form a kind of wisdom set apart, in a certain sense aristocratic, above what the masses know, at least as to the universal laws that govern the life of nations. The Development of Gaul 69 TN estimating distant historical events, one is * often the victim of an error of perspective ; that is, one is disposed to consider as the outcome of a pre-established plan of human wisdom what is the final result, quite unforeseen, of causes that acted beyond the foresight of contemporaries. At the distance of centuries, turning back to consider the past, we can easily find out that the efforts of one or two generations have produced certain effects on the actual condition of the world ; and then we conclude that those generations meant to reach that result. On the contrary, men almost always face the future proposing to themselves impossible ends; notwithstanding which, their efforts, ac- cumulating, destroying, interweaving, bring into being consequences that no one had foreseen or planned, the novelty or importance of which often only future generations realise. Columbus, who, fixed in the idea of reaching India by sailing west, finds America on his way and does not recognise it at once but is persuaded that he has landed in India, symbolises the lot of man in history. 71 72 The Development of Gaul Of this phenomenon, which is to me a funda- mental law of history, there is a classic example in the story of Rome : the conquest of Gaul. With- out doubt, one of the greatest works of Rome was the conquest and Romanisation of Gaul: indeed that conquest and Romanisation of Gaul is the beginning of European civilisation; for before the Graeco-Latin civilisation reached the Rhine over the ways opened by the Roman sword, the continent of Europe had centres of civilisation on the coast or in its projecting extremities, like Italy, B^tica, Narbonensis; but the interior was still entirely in the power of a turbulent and rest- less barbarism, like the African continent to-day. Moreover, what Rome created in Asia and Africa was almost entirely destroyed by ages following; on the contrary, Rome yet lives in France, to which it gave its language, its spirit, and the traditions of its thought. Exactly for this reason it is particularly important to explain how such an outcome was brought about, and by what historic forces. From the propensity to consider every great historical event as wholly a master- piece of human genius, many historians have attributed also this accomplishment to a prodi- gious, well-nigh divine wisdom on the part of the Romans, and Julius Cassar is regarded as a demi- The Development of Gaul 73 god who had fixed his gaze upon the far, far distant future. However, it is not difficult, studying the ancient documents with critical spirit, to persuade oneself that even if Caesar was a man of genius, he was not a god; that from beginning to end, the real story of the conquest of Gaul is very different from the commonly accepted version. I hope to demonstrate that Caesar threw himself into the midst of Gallic affairs, impelled by slight incidents of internal politics, not only without giving any thought whatever to the future destiny of Gaul, but without even knowing well the con- ditions existing there. Gaul was then for all Romans ja barbarous region, poor, gloomy, full of swamps and forests in which there would be much fighting and little booty : no one was think- ing then of having Roman territory cross the Alps; everyone was infatuated by the story of Alexander the Great, dreaming only of conquering like him all the rich and civilised Orient ; everyone, even C^sar. Only a sequence of political acci- dents pushed him in spite of himself into Gaul. In 62 B.C., Pompey had returned from the Orient, where he had finished the conquest of Pontus, begun by Lucullus, and annexed Syria. On his return, the conservative party, irritated 74 The Development of Gaul against him because he had gone over to the opposite side, and having been given something to think of by the prestige that the policy of expansion was winning for the popular party, had succeeded by many intrigues in keeping the Senate from ratifying what he had done in the East. This internal struggle closed the Orient for several years to the adventurous initiatives of the political imperialists; for as long as the adminstration of Pompey remained unapproved, it was impossible to think of undertaking new enterprises or conquests in Asia and Africa; and therefore, of necessity, Roman politics, burning for conquest and adventure, had to turn to another part of Europe. The letters of Cicero prove to us that Caesar was not the first to think that Rome, having its hands tied for the moment in the East, ought to interfere in the affairs of Gaul. The man who first had the idea of a Gallic policy was Quintus Metellus Celerus, husband of the famous Clodia, and consul the year before C^sar. Taking ad- vantage of certain disturbances arisen in Gaul from the constant wars between the differing parts, Metellus had persuaded the Senate to au- thorise him to make war on the Helvetians. At the beginning of the year 59, that is, the year in The Development of Gaul 75 which Caesaf was consul, Metellus was already preparing to depart for the war in Gaul, when suddenly he died; and then Caesar, profiting by the interest in Rome for Gallic affairs, had the mission previously entrusted to Metellus given to himself and took up both Metellus 's office and his plan. Here you see at the beginning of this story the first accident,' — the death of Metel- lus. An historian curious of nice and unanswer- able questions might ask himself what would have been the history of the world if Metellus had not died. Certainly Rome would have been occupied with Gallic concerns a year sooner and by a different man; Csesar would probably have had to seek elsewhere a brilliant proconsulship and things Gallic would have for ever escaped his energy. However it be, charged with the affairs of Gaul accidentally and unexpectedly, Csesar went there without well knowing the condition of it, and, in fact, as I think I proved in a long appendix pub- lished in the French and English editions of my work, he began his Gallic policy with a serious mistake; that is, attacking the Helvetians. A superior mind, C^sar was not long in finding his bearings in the midst of the tremendous confusion he found in Gaul; but for this, there is no need 76 The Development of Gaul to think that he earned out in the Gallic policy vast schemes, long meditated: he worked, in- stead, as the uncertain changes of Roman poli- tics imposed. I believe that there is but one way to understand and reasonably explain the policy pursued by Cassar in Gaul, his sudden moves, his zigzags, his audacities, his mistakes; that is, to study it from Rome, to keep always in mind the internal changes, the party struggle, in which he was involved at Rome. In short, Gaul was for Csesar only a means to operate on the internal politics of Rome, of which he made use from day to day, as the immediate interest of the passing hour seemed to require. I cite a single example, but the most signil&cant. Caesar declared Gaul a Roman province and annexed it to the Empire toward the end of 57 e.g. ; that is, at the end of his second year as proconsul, unexpectedly, with no warning act to intimate such vigorous intent, — a surprise; and why? Look to Rome and you will understand. In 57 B.C., the democratic party, demoralised by dis- cords, upset by the popular agitation to recall Cicero from unjust exile, discredited by scandals, especially the Egyptian scandals, seemed on the point of going to pieces. Caesar understood that there was but one way to stop this ruin: to The Development of Gaul 77 stun public opinion and all Italy with some highly audacious surprise. The surprise was the annex- ation of Gaul. Declaring Gaul a Roman province after the victory over the Belgi, he convinced Rome that he had in two years overcome all Gallic adversaries. And so, the conquest of Gaul — ^this event that was to open a new era, this event, the effects of which still endure — ^was, at the beginning in the mind that conceived and executed it, no- thing but a bold political expedient in behalf of a party, to solve a situation compromised by mani- fold errors. But you will ask me: how from so tiny a seed could ever grow so mighty a tree, covering with its branches so much of the earth ? You know that at the close of the proconsulship in Gaul, there breaks out a great civil war; this lasts, with brief inter- ruptions and pauses, until the battle of Actium. Only toward 30 B.C., is the tempest lulled, and during this time Gaul seems almost to disappear ; the ancient writers hardly mention it, except from time to time for a moment to let us know that some unimportant revolt broke out, now here, now there, in the vast territory; that this or that general was sent to repress it. The civil wars ended, the government of Rome turns its attention to the provinces anew, but for 78 The Development of Gaul another reason. Saint Jerome tells us that in 25 B.C., Augustus increased the tribute from the Gauls : we find no difficulty in getting at the reason of this fact. The thing most urgent after the re- establishment of peace was the re-arrangement of finance; that signified then, as always, an in- crease of imposts : but more could not be extorted from the Oriental provinces, already exhausted by so many wars and plunderings; therefore the idea to draw greater revenues from the European provinces of recent conquest, particularly from Gaul, which until then had paid so little. So you see a-forging one link after another in the chain: Csesar for a political interest conquers Gaulj thirty years afterward Augustus goes there to seek new revenues for his balance-sheet; thence- forward there are always immediate needs that urge Roman politics into Gallic affairs: and so it is that little by little Roman politics become permanently involved, by a kind of concatenation, not by deliberate plan. We can easily follow the process. Augustus had left in Gaul to exact the new tribute, a former slave of Csesar's, afterward liberated, — a Gaul or German whom Caesar had captured as a child in one of his expeditions and later freed, because of his consummate administrative ability. It The Development of Gaul 79 appears, however, that, for the Gauls at least, this ability was even too great. In a curious chap- ter Dion tells us that Licinius, this freedman, uniting the avarice of a barbarian to the pretences of a Roman, beat down everyone that seemed greater than he; oppressed all those who seemed to have more power; extorted enormous sums from all, were they to fill out the dues of his office, or to enrich himself and his family. His rascaHty was so stupendous that since the Gauls paid cer- tain taxes every month, he increased to fourteen the number of the months, declaring that Decem- ber, the last, was only the tenth; consequently it was necessary to count two more, one called Undecember and another, Duodecember. I would not guarantee this story true, since, when there is introduced into a nation a new and more burdensome system of taxes, there are always set in circulation tales of this kind about the rapacity of the persons charged with collecting them: but true or false, the tale shows that the Gauls were much irritated by the new tribute; indeed this irritation increased so much that in the winter from the year 15 till the year 14 b.c, Augustus, having to remain in Gaul on account of certain serious complications, arisen in Ger- many, was obliged to give his attention to it 8o The Development of Gaul during his stay. The prominent men of Gaul presented vigorous complaints to him against Licinius and his administration. Then there occurred an episode that, recounted three cent- uries later with a certain naivete by Dion Cassius, has been overlooked by the historians, but which seems to me to be of prime interest in the history of the Latin world. Dion writes : Augustus, not able to avoid blaming Licinius for the many denunciations and revelations of the Gallic chiefs, sought in other things to excuse him; he pre- tended not to know certain facts, made believe not to accept others, being ashamed to have placed such a procurator in Gaul. Licinius, however, extricated himself from the danger by a decidedly original expe- dient. When he realised that Augustus was displeased and that he was running great risk of being punished, he conducted that Prince to his house, and showing him his numerous treasuries full of gold and silver, enormous piles of objects made of precious metals, said: — "My lord, only for your good and that of the Romans have I amassed all these riches. I feared that the natives, fortified by such wealth, might revolt, if I left them to them: therefore I have placed them in safe-keeping for you and I give them to you. " So, by his pretext that he had thus broken the power of the barbarians for the sake of Augustus, Licinius saved himself from danger. The Development of Gaul 8i This incident has without doubt the smack of legend. Ought we therefore to conclude that it is wholly invented? No, because in history the dis- tortions of the truth are much more numerous than are inventions. This page of Dion is important. It preserves for us, presented in a dramatic scene between Augustus and Licinius, the record of a very serious dispute carried on between the notable men of Gaul and Licinius, in the presence of Au- gustus. The Gauls complain of paying too many imposts: Licinius replies that Gaul is very richf that it grows rich quickly and therefore it ought to pay as much as is demanded of it, and more. Not only did the freedman show rooms full of gold and silver to his lord; he showed him the great economic progress of Gaul, its marvellous future, the immense wealth concealed in its soil and in the genius of its inhabitants. In other words, this chapter of Dion makes us conclude that Rome — ^that is, the small oligarchy that was directing its politics — ^realised that the Gaul con- quered by Caesar, the Gaul that had always been considered as a country cold and sterile, was instead a magnificent province, naturally rich, from which they might get enormous treasure. This discovery was made in the winter of 15-14 B.C.; that is, forty -three years after Caesar had 82 The Development of Gaul added the province to the Empire; forty-three years after they had possessed without knowing what they possessed, hke some grand seigneur who unwittingly holds among the common things of his patrimony some priceless object, the value of which only an accident on a sudden reveals. This chapter of Dion allows us also to affirm that he who first realised the value of Gaul and opened the eyes of Augustus, was no great person- age of the Roman aristocracy whose names are written in such lofty characters on the pages of history, whose images are yet found in marble and bronze among the museums of Europe; no one of those who ruled the Empire and therefore according to reason and justice had the respon- sibility of governing it well: it was, instead, an obscure freedman, whose ability the masters of the Empire scorned to exploit except as to-day a peasant uses the forces of his ox, hardly deigning to look at him and yet deeming all his labour but the owner 's natural right. So stands the story. The Gallic freedman observed, and understood, and was forgotten; posterity, instead, has had to wonder over the profound wisdom of the Roman aristocrat, who understood nothing. Moreover, if in 14 B.C. Licinius had to make an effort to persuade the The Development of Gaul 83 surprised and diffident Augustus that Gaul was a province of great future, it is clear that Gaul must already have begun to grow rich by itself without the Roman government's having done anything to promote its progress. From what hidden sources sprang forth this new wealth of Gaul? All the documents that we possess authorise us to respond that Gaul — to begin from the time of Augustus — was able to grow rich quickly, because the events following the Roman conquest turned and disposed the general conditions of the Empire in its favour. Gaul then, as France now, was endowed with several requisites essential to its becoming a nation of great economic development: a land very fer- tile; a population dense for the times, intelligent, wide-awake, active; a climate that, even though it seemed to Greeks and Romans cold and foggy, was better suited to intense activity than the warm and sunny climate of the South ; and finally, ■ — SL supreme advantage in ancient civilisation,- — it was everywhere intersected, as by a network of canals, by navigable rivers. In ancient times transport by land was very expensive ; water was the natural and economic vehicle of commerce; therefore civilisation was able to enter with com- merce into the interior of continents only by way 84 The Development of Gaul of the rivers, which, as one might say, were to a certain extent the railroads of the ancient world. To these advantageous conditions, which, being physical, existed before the Roman conquest, the conquest added some others: it broke down the political barrier that previously cut off these convenient means of penetration, the rivers; it suppressed the wars between the Gallic tribes, the privileges, the tyrannies, the tolls, the mono- polies ; it saved the enormous resources that were previously wasted in these constant drains ; it put again the hoe, the spade, the tools of the artisan, into hands that had before been wielding the sword ; and finally, it consolidated (and this was perhaps the most important effect) the jurisdiction of property. When Caesar invaded Gaul, the great landowners still cultivated cereals and textile plants but little ; they put the greater part of their fortune into cattle, exactly because in that regime of continual war and revolution lands easily kept changing proprietors. Futhermore, the more fre- quent contact with Rome acquainted the Gauls with Roman agriculture and its abler methods, with Latin life and its studied order. By the combination of all these causes, popula- tion and production increased rapidly. The gain in population was so considerable that the ancients The Development of Gaul 85 themselves noticed it. Strabo (Bk. 4, ch. i, §2) observes that the GaUic women are fecund mothers and excellent nurses. With the popula- tion, wealth increased on all sides, in agriculture as in industry and in trade. The new and more stable jurisdiction of the landed proprietary generated another most im- portant effect ; it promoted rapidly the cultivation of cereals and textile plants, of wheat and flax. "All Gaul produces much wheat," says Strabo, and we read his notice without surprise, because we know that France is, even to-day, the region of Europe most fertile in cereals. There is no reason to suppose that it must have been barren of them twenty centuries ago. Other documen- tary evidence, particularly inscriptions, confirms Strabo, informing us that, especially in the second century, Rome bought the customary grain to feed the metropolis not only in Egypt, but also in Gaul. In short, Gaul seems to have been the sole region of Europe fertile enough to be able to export grain, to have been for Rome a kind of Canada or Middle West of the time, set not beyond oceans but beyond the Alps. The cultivation of flax, to the ancient world what cotton is to-day, progressed rapidly in Gaul along with that of wheat, so that Gaul was early 86 The Development of Gaul able to rival Egypt also in this respect. That Gaul and Egypt should have so much in common at the same time, was something so interesting and seemed so strange that Pliny himself wrote : Flax is sowed only in sandy places and after a single ploughing. Perhaps Egypt may be pardoned for sowing it, because with it she buys the merchan- dise of India and Arabia. But, look you! — even Gaul is famous for this plant. What matters it, if huge mountains shut away the sea; if on the ocean side it has for confines what is called emptiness? Not- withstanding that, Gaul cultivates flax like Egypt: the Cadurci, the Caleti, the Ruteni, the Biturigi, the Morini, who are considered tribes of the ends of the earth . . . but what am I saying? All Gaul makes sails, — till the enemies beyond the Rhine imitate them, and the linen is more beautiful to the eyes than are their women. These descriptions show Gaul to be one of the new countries, like the Argentine Republic or the United States, in which the land has still almost its natural pristine fecundity and brings forth a marvellous abundance of plants that clothe and nourish man. We know that in Gaul under the Empire there were immense fortunes in land in face of which the fortunes of wealthy Italian pro- prietors shrink Hke the fortunes of Europe when The Development of Gaul 87 compared with the great ranch fortunes of the Argentine Republic or the United States. Twenty- years ago they began to excavate in France the ruins of the great Gallo-Roman villas: these are constructed on the plan of the Italian villa, decor- ated in the same way, but are much larger, more sumptuous, more sightly; one feels in them the pride of a new people which has adopted the Latin civilisation, but has infused into that, derived from the wealth of their land, a spirit of grandeur and of luxury that poorer and older Latins did not know, exactly as to-day the Americans infuse a spirit of greater magnitude and boldness into so many things that they take from timid, old Europe. Perhaps there was also in this Gallic luxury, as in the American, a bit of ostentation, intended to humiliate the masters remaining poorer and more modest. But Gaul was a nation not only rich in fertilest agriculture; side by side with that, progressed its industry. This, according to my notion, is one of the vital points in ancient history. Under the Roman domination, Gaul was not restricted to the better cultivation of its productive soil; but alone among the peoples of the Occident, became, as we might now say, an industrial nation, that manufactured not only by and for itself, but like 88 The Development of Gaul Asia Minor, Egypt, Syria, sold also to other peoples of the Empire and outside of its own boundaries ; in a word, exported. The more frequent contact with the Orient better acquainted the Gauls with the beautiful objects made by the artisans of Lao- dicea, of Tyre, of Sidon; and the clever genius of the Celt, always apt in industry, drew from them incentive to create a Gallic industry, partly imitative, partly original, and to seek a large clienMe for these industries in Italy, in Spain, be- yond the Rhine, among the Germans, in the Dan- ube provinces. This is proved by a number of important passages in Pliny, confirmed by inscrip- tions and archaeological discoveries. Pliny has already told us that the Gauls manu- factured many linen sails ; we know also that they made not only rough sails, but also fine linen for clothing, which had a wide market. There have been found in the Orient numerous fragments of an inscription containing the famous edict of Diocletian on maximum sale prices allowed, an inscription of value to us for its nomenclature of ancient fabrics. In this nomenclature is mentioned the birrus of Laodicea, an imitation of the btrrus of the Nervii, which was a very fine linen cloth, worn by ladies of fashion. Laodicea was one of the most ancient centres of Oriental textile fabrics j The Development of Gaul 89 the Nervii were one of the most remote of the Gallic peoples, living — ^the coincidence is note- worthy' — about where Flanders is now. If at Laodicea they made at the end of the third cen- tury an imitation of Nervian linen, that means that the Nervii had succeeded in manufacturing and finding market for cloth so desirable as to rouse the Laodiceans, competing for trade, to imitate it. What proof more persuasive that dur- ing the early centuries of the Empire the Gauls greatly improved their industries and widened their markets ? They had mastered weaving, but they did not stop there ; they invented new methods of dyeing, using vegetable dyes instead of the customary animal colours of the Orient. Pliny says : The Gaul imitates with herbs all colours, including Tyrian purple; they do not seek the mollusk on the sea bottom; they run no risk of being devoured by sea monsters ; they do not exploit the anchorless deep to multiply the attractions of the courtesan, or to increase the powers of the seducer of another's wife. They gather the herbs like cereals, standing on the dry ground ; although the colour that they derive does not bear washing. Luxury could thus be gratified with greater show at the cost of fewer dangers. It is clear, then, according to PHny, at one time, go The Development of Gaul it was believed that the competition of Gallic dyers might have ruined the Oriental, and would have done so, had the tenacity of their vegetable colouring equalled its beauty. In another passage Pliny tells us that these Gallic stuffs were used especially by the slaves and the populace. The wool industry made no less progress in Gaul than weaving and dyeing. From numerous passages in Juvenal and Martial it appears that the woollen clothing worn by the populace of Rome in the second century was woven in Gaul, particularly in the districts to-day known as Arras, Langres, Saintonge. Pliny attributes to the Gauls the invention of a wool, that, soaked in acid, became incombustible, and was used to make mattresses. Glass-making was another art carried from the East across the Mediterranean into Gaul. Still another industry, metallurgy, after weaving, con- tributed greatly to enrich Gaul. Undoubtedly even before the Roman conquest, Gaul worked gold mines; it seems, however, that silver mines re- mained untouched until about the time of Augus- tus. At any rate, the discovery of some deposits of gold and silver then gave a spur to several flourishing industries ; jewelry -making, and — an original Gallic industry of much importance — The Development of Gaul 91 silver-plating and tinning. Here is another extract from Pliny, from which you will see that in those times they already made in France **Christofle" silver-plate: They cover [writes Pliny] the copper with tin in such a way that it is difficult to distinguish it from silver. It is a Gallic invention. Later they began to do the same thing with silver, silver-plating especially the ornaments of horses and carriages. The merit of the invention belongs to the Biturigi, and the industry was developed in the city of Alesia. After the same fashion there has been spread everywhere a foolish profusion of objects not only silver-, but gold-plated. All that is called cultus, elegance! We might almost say that Gallic industry did to the old industries of the ancient world what Ger- man wares have done compared with older and more aristocratic products of France, of England, popularising objects of luxury for the many and the merely well-to-do. Finally, if any one hesitated to trust fully these very important passages in Pliny, he would be quite convinced by reading the great work of Dechelette. This author, studying with Carthu- sian patience and the ablest critical acumen the Gallic ceramics to be found scattered among the 92 The Development of Gaul museums, has demonstrated most commendably that in the first century of the Empire many manu- factories of ceramics were opened and flourished in Gaul, especially in the valley of the AUier, and that they sold their vases in Spain, in the Danube regions, to the Germans, and in Italy. Dechelette has proved that many ceramics found among the ruins of Pompeii, now admired in the museums of Pompeii and Naples, were made in Gaul, — discoveries most noteworthy, which, in connection with the extracts from Pliny, disclose in essence that real Roman Gaul whose sump- tuous relics but half tell the tale of its wealth. This tremendous development of Gaul was without doubt an effect of the Roman conquest 5 but an effect that neither C^sar, nor any other man of his times had foreseen or willed, but which Augustus was first to recognise in the winter of 15-14 B.C., and to which, astute man that he was, he gave heed as he ought ; that is, not as due his own merit, but as an unexpected piece of good fortune. I have already said that one of the greatest cares of Augustus, as soon as the civil wars were finished, was to reorganise the finances of the Empire ; that to find new entries for the treasury, he had turned his attention in 27 B.C. to the province conquered A by his father, regarding it merely from the com- The Development of Gaul 93 mon point of view, as poor and of little worth like the other European territories. Then, at a stroke, he realised that that territory so lightly valued, was producing grain like Egypt, linen like Egypt; that the arts of civilisation for which Egypt was so rich and famous were beginning to prosper there! Augustus was not the man to let slip so tremendous a piece of good luck. Until then he had hesitated, like one who seeks his wayi in that winter from 15-14 B.C., he found finally the grand climax of his career, to make Gaul the Egypt of the West, the province of the greatest revenues in Europe. From that time on to the end of his life, he did not move from Europe ; he lived between Italy and Gaul. Like him, Tiberius, Drusus, all the men of his family, devoted all their efforts to Gaul, to consolidating Roman dominion there, to advancing its progress, to increasing the revenues, to making it actually the Occidental Egypt. From Velleius we learn that under Tiberius Gaul rendered to the Empire as much as did Egypt, and that Gaul and Egypt were considered alike the two richest imperial provinces. As a political interest had at first impelled Caesar to annex Gaul, an immediate financial interest urged Augustus to continue the work, 94 The Development of Gaul to take care of the new province. Then the his- toric law that I have already enunciated to you, the law by which the efforts of men result far differently from that which they had intended, was verified anew by Augustus also, and in a new form. He had created his Gallic policy to aug- ment the revenues of the Empire ; the consequences of this fiscal policy, necessity-inspired, were greater than he and his friends ever dreamed. The winter of 15-14 b.c. is a notable date in the story of Latin civilisation, for then the destiny of the Empire was irrevocably settled ; the Roman Empire will be made up of two parts, the Oriental and the Occidental, each part sufficiently strong to withstand being overcome by the other; it will be neither an Asiatic, nor a Celtic-Latin, but a mixed Empire: between both parts, Italy will rule for two centuries more, and Rome, an im- mense city, at once Oriental and Latin, will keep the metropolitan crown won from the enfeebled East, and dominate the immature barbarian West. Speaking of Cleopatra, I have shown you how great was the Oriental peril that threatened in the last century of the Republic to wipe out Rome. What miraculous force saved it? Gaul. Suppose that the army of Cassar had been exterminated at Alesia; suppose that Rome, discouraged, had The Development of Gaul 95 abandoned its Gallic enterprise as it had done with Persia, after the disaster of Crassus and the failure of Antony; or suppose that Gaul had been a poor province, sterile and unpopulous, like many a Danube district ; Rome could not have held out long as the seat of imperial government, just as to-day the capital of the Russian Empire could not maintain itself at Vladivostok or Harbin. It would have been necessary to move the metro- polis to a richer and more populous region. That Gaul grew rich and was Romanised, changed the state of things. When Rome possessed beyond the Alps in Europe a province as large and as full of resources as Egypt; when there was the same interest in defending it as in defending Egypt, Italy was well placed to govern both. The Egypt of the Occident counterbalanced the Egypt of the Orient, and Rome, half way between, was the natural and necessary metropolis of the wide- spread Empire. Gaul alone, revived, so to speak, the Empire in the West and prevented the Euro- pean provinces' — even Italy itself' — from becom- ing dead limbs safely amputable from the Oriental body. Gaul upheld Italy and Rome in Europe for three centuries longer; Gaul stopped it on the way to the Asiatic conquests run through by Alexander. Had it not been for Gaul, Asia Minor, 96 The Development of Gaul Syria, and Egypt would have formed the real Empire of Rome, and Italy would have been lost in it: without Gaul, the Orientalised Empire would have tried to conquer Persia and probably succeeded in doing so, abandoning the poor and unproductive lands of the untamed Occident. In short, Gaul created in the Roman Empire that duality between East and West which gives shape to all the history of our civilisation ; it kept the artificial form of the Empire, circular about an island sea; it inspired the Empire with that double self-contradictory spirit, Latin and Orien- tal, at once its strength and its weakness. Next time I will show you the continuation of this struggle of two minds, in a characteristic episode, the story of the Emperor Nero. Now, before closing, let me set before you briefly some general considerations drawn from the history of Roman Gaul which are applicable to universal history. From what I have told you, it follows that the fortunes of peoples and states depend in part on what might be called the historic situation of every age, the situation that is created by the general state of the world in every successive epoch and which no people or state can mould at its own pleasure. Without doubt, a nation will never The Development of Gaul 97 conquer a noteworthy greatness if the men that compose it fail of a certain culture, a certain energy, a social morale sufficiently vigorous; but though these qualities are necessary, they are not equally productive in all periods, but serve more or less, in different periods, according as general circum- stances are disposed about a people. Gaul was fertile, and its people possessed before the con- quest the qualities that they displayed later: and yet, as long as Gaul remained apart from the Empire, without continuous and numerous com- munications with the vast Mediterranean world; as long as it was split into so many petty rival states, occupied in serious wars against the Ger- manic tribes, its fertility remained hidden in the earth, and the ability of its inhabitants dissipated itself in devastating wars, instead of spending itself in fruitful effort. All that changed, and without any one's foresight or intent, when the Roman policy, urged by the internal forces that stirred the Republic, had destroyed that old order of things. The ancients understood that peoples, like in- dividual men, can regulate their destiny only in part; that about us, above us, are forces complex and obscure, which we can hardly comprehend, which invest us, seize us, impel us whither we 7 98 The Development of Gaul had not thought to go, now to shipwreck on the rocks of misadventure, now to the discovery of islands of happiness, or to find, Hke Columbus, an America on the way to India. The Greeks called this power ; the Latins, Fortuna, and deified it ; erected temples and made sacrifices to it ; dedi- cated to it a cult, of which Augustus was a devo- tee, and which contained more secret wisdom of life than all the superb theories on human des- tiny conceived by European genius in the delirium of this quarter-hour of measureless might in which we are living. No, man is not the voluntary artificer of his whole destiny ; fortune and misfor- tune, triumph and catastrophe, are never entirely proportioned to personal merit or blame; every generation finds the world organised in a certain order of interests, forces, traditions, relations, and as it enjoys the good that preceding genera- tions have accomplished, so in part it expiates the errors they have committed; as it draws ad- vantage from beneficent forces acting outside of it and independent of its merit, so it suffers from the sinister forces that it finds' — even though blameless itself' — acting through the great mass of the world, among men and their works. From this relation to the unseen follows a rule of wis- dom that modem men, full of unbounded pride, The Development of Gaul 99 and persuaded that they are the beginning and end of the universe, too often forget: we must indeed press on with all our powers to the accom- plishment of a great task, for although our destiny is never entirely made by our own hands, there is no destiny on the earth for the lazy ; but, since a part of what we are depends not on ourselves, but upon what the ancients called Fortune, we dare never be too much elated over success, nor abased by failure. The wheel of destiny turns by a mysterious law, alike for families and for peoples: those in high position may fall; those in low, may rise. Certainly C^sar never suspected when he was fighting the Gauls, that the great-grandsons of the vanquished would live in villas modelled on the Roman, but more sumptuous; that the great Gallic nobles would have the satisfaction of parad- ing before the people that conquered them a latin- ity more impressive and magnificent; and that some day the Gaul put by him to fire and sword would get the better, in empire, in wealth, in cul- ture, of even Italy. Nero 10 X /^N the 13th of October of 54 a.d., when Em- ^-^ peroi* Claudius died, the Senate chose as his successor his adopted son, Nero, a young man of seventeen, fat and short-sighted, who had until then studied only music, singing, and drawing. This choice of a child-emperor, who lacked im- perial qualities and suggested the child kings of Oriental monarchies, was a scandalous novelty in the constitutional history of Rome. The ancient historians, especially Tacitus, considered the event as the result of an intrigue, cleverly arranged by Nero 's mother, Agrippina, a daughter of German- icus and granddaughter of Agrippa, the builder of the Pantheon. According to these historians, Agrippina, a highly ambitious woman, induced Claudius to marry her after Messalina's death, although she was a widow and had a child, and as soon as she entered the emperor's mansion she began to open the way for the election of her son. In order to exclude Britannicus, the son of Messa- lina, from succession, she persuaded Claudius to adopt Nero ; then, with the help of the two tutors 103 I04 Nero of the young man, Seneca and Burrhus, created in the Senate and among the Praetorians, a party favourable to her son ; no sooner did she feel that she could rely on the Senate and the Pratorians, than she poisoned Claudius. Too many difficulties prevent our accepting this version. To cite one of them will suffice: if Agrippina wished' — as she surely did- — ^that her son should succeed Claudius, she must also have wished that Claudius would live at least eight or ten years longer. As a great-grandson of Drusus, a grandson of Germanicus and the last descendant of his line, the only line in the whole family en- joying a real popularity, Nero was sure of election if he were of age at the death of Claudius. After the terrible scandal in which his mother had dis- appeared, Britannicus was no longer a competitor to be feared. There was only one danger for Nero, if Claudius should die too soon, the Senate might ^refuse to trust the Empire to a child. I believe that Claudius died of disease, probably, if we can judge from Tacitus 's account, of gastro- enteritis, and that Agrippina 's coterie, surprised by this sudden death, which upset all their plans, decided to put through Nero's election in spite of his youth, in order to insure the power to the line of Drusus, which had so much sympathy Nero I OS among the masses. As a matter of fact, the ad- miration for Drusus and his family triumphed over all other considerations: Nero became em- peror at seventeen; but when the election was over, Rome — again according to the tales of the ancient historians — saw a still greater scandal than his election. The young man — and this is credible — chastened to engage as his master the first zither-player of Rome, Terpnos; continued his study of singing; and bought statues, pictures, bronzes, beautiful slaves, while his mother seized the actual control of the State. Agrippina insisted on being kept informed of all affairs; directed the home and foreign policy; and if she did not reach the point of partaking in the sessions of the Senate, which would have been the supreme scandal, she called it to meet in her palace and, concealed behind a black curtain, listened to its discussions. jEn short, the Empire fell into the hands of a woman; Rome saw the evolution of customs, through which woman had for four centuries been freeing herself from her ancient slavery, suddenly a fact accomplished by her visible intervention in politics — the inter- vention that the great keepers of tradition, first among them Cato, had always decried as the most frightful cataclysm that could menace the city. io6 Nero This story is also the exaggeration of a simpler truth. Even if Nero had been a very serious young man, at his age he could not by himself have governed the Empire; it would have been necessary for him to serve a long apprenticeship and to listen to experienced counsellors. Burrhus and Seneca, his two teachers, were naturally des- tined to be his counsellors; but why should not his mother also have helped him? Like all the women of her family, Agrippina was of superior mind, of high culture, and, as Tacitus himself admits, led a most respectable life, at least to the time of her marriage with Claudius. Brought up, as she was, in that family which for eighty years had been governing the Empire, she was well informed about affairs of State. Is it possible to suppose that such a woman would shut herself up in her home to weave wool, when, with her talent, her energy, her experience, she could be of so much service to her son and to the State ? We do not need to attribute to Agrippina a monstrous ambition, as does Tacitus, in order to explain how the Empire was ruled during the first two years, by Seneca, Burrhus, and Agrippina; it was a natural consequence of the situation created by the pre- mature death of Claudius. Tacitus himself is forced to recognise that the government was excellent. Nero 107 Helping her son in the apprenticeship of the Empire, Agrippina did her duty ; but during rest- less times when misunderstanding is almost a law of social life, it is often very dangerous to do one's duty. The period of Agrippina and Nero was full of confusion; though apparently quiet, Italy was deeply torn by the great struggle that gives the history of the Empire its marvellous character of actuality, the struggle between the old Roman military society and the intellectual civilisation of the Orient. _^^ The ancient aristocratic and military Roman society had had so great and world-wide a success, that the ideas, the institutions and the customs, that had made it a perfect model of State, con- sidered as an organ of political and military domi- nation, exercised a great prestige on the following generations. Even during the time of which we speak, every one was forced after eight years of peace, to admit that the Empire had been created by those ideas, those institutions and those cus- toms ; that for the sake of the Empire they must be maintained, and alike in family as in State, must be opposed all that forms the essence of intellectual civilisation; that is to say ,^11 that develops personal selfishness at the expense of collective interest — luxury, idleness, pleasure, celi- io8 Nero bacy, feminism, and at the same time, all that develops personality and intelligence at the expense of tradition — ^liberty of women, independence of children, variety of personal tendencies, and the critical spirit in all forms. In spite of the resistance offered by traditions, peace and wealth favoured everywhere the dif- fusion of the intellectual civilisation of the Hel- lenised Orient. The woman now become free, and the intellectual man now become powerful, were the springs to set in motion this revolution. Under Claudius, in vain had they exiled Seneca, the brilliant philosopher and the peace-advoca- ting humanitarian, who had diffused in high Roman society so many ideas and sentiments considered by the traditionalists pernicious to the force of the State ; he had come back far more powerful, and ruled the Empire. Husbands, burdened by the excessive expenses, by the too frequent infidelities, by the tyrannical caprices of their wives, in vain regretted the good old time when husbands were absolute masters ; the invad- ing feminism weakened everywhere the strength of the aristocratic and military traditions. So contradiction was everywhere. The Repub- lic had still its old aristocratic constitution, but the nobility was no longer spurred by that absorbing Nero 109 and exclusive passion for politics and war, which had been its power. Society life, pleasure, amateur philosophy and literature, mysticism, and, above all, sports, dissipated in a thousand directions its energy and activity. Too many young men were to be found in the nobility who, like Nero, preferred singing, dancing, and driving, to caring for their clients or enduring the troubles of public office. Augustus and Tiberius had done their utmost to strengthen the great Latin principle of par- simony in public and private life: in order to set a good example they had lived very simply ; they had caused new sumptuary laws to be passed and tried to enforce the old ones ; they had spent the State moneys, not for the keeping of artists and writers, nor for the building of monuments of useless size, but to build the great roads of the Empire, to strengthen the frontiers; they had made the public treasure into an aid fund for all suffering cities, stricken by earthquake, fire, or flood. And yet the Oriental influence, so favour- able to unproductive and luxurious expenditure, gained ground steadily. The merchant of Syrian and Egyptian objects de luxe, in spite of the sump- tuary laws, found a yearly increasing patronage in all the cities of Italy. The exactingness of the no Nero desire for public spectacles increased, even in secondary cities. The Italian people were losing their peasant's petty avarice and growing fond of things monumental and colossal, which was the great folly of the Orient. They found the monuments of Rome poor; everywhere, even in modest municipia, they demanded immense thea- tres, great temples, monumental basilicas, spacious forums, adorned with statues. In spite of the principles insisted upon with so much vigour by Augustus and Tiberius, public finances had, thanks to the weak Claudius and the extravagant Messa- lina, already gone through a period of great waste and disorder. These contradictions, and the psychological disorder that followed, explain the discords and struggles very soon raging around the young Em- peror. The public began to feel shocked by the attention that Agrippina gave to State affairs, as by a new and this time intolerable scandal of feminism. Agrippina was not a feminist, as a matter of fact, but a traditionalist, proud of the glory of her family, attached to the ancient Roman ideas, desirous only of seeing her son develop into a new Germanicus, a second Drusus. Solely the necessity of helping Nero had led her to meddle with politics. But not in vain had Cato declaimed Nero III so loudly in Rome against women who pretend to govern states ; not in vain had Augustus's domi- nation been at least partly founded on the great antifeminist legend of Antony and Cleopatra, which represented the fall of the great Triumvir as the consequence of a woman's influence. The public, although willing to give all possible free- dom to women in other things, still remained quite firm on this point : politics must remain the mono- poly of man. So to the popular imagination, Agrippina soon became a sort of Roman Cleo- patra. Many interests gathered quickly to rein- force this antifeminist reaction, which, although exaggerated, had its origin in sincere feeling. Agrippina, as a true descendant of Drusus, meant to prepare her son to rule the Empire ac- cording to the principles held by his great ances- tors. Among these principles was to be counted not only the defence of Romanism and the mainte- nance of the aristocratic constitution, but also a wise economy in the management of finances. Agrippina is a good instance of that well-known fact' — ^the British have noticed it more than once in India' — ^that in public administration discreet and capable women keep, as a rule, the spirit of economy with which they manage the home. This is why, especially in despotic states, they rule 112 Nero better than men. Even before Claudius's death, Agrippina had vigorously opposed waste and plunder; it also appears that the reorganisation of finances after Messalina 's death was due chiefly to her. The continuation under Nero of this severe regime displeased a great number of persons, who dreamed of seeing again the easy sway of Messa- lina. From the moment they were satisfied that Agrippina, like Augustus and Tiberius, would not allow the public money to be stolen, many people found her insistent interference in public affairs unbearable. In short, Agrippina became unpopular, and, as always happens, because of faults she did not have. A noble deed, which she was trying to accomplish in defence of tradi- tion, definitively compromised her situation. Her son resembled neither Agrippina nor the great men of her family. He had a most indocile temperament, rebellious to tradition, in no sense Roman. Little by little, Agrippina saw the young Emperor develop into a precocious debauche, fright- fully selfish, erratically vain, full of extravagant ideas, who, instead of setting the example of re- spect toward sumptuary laws, openly violated them all; and across whose mind from time to time flashed sinister Hghtnings of cruelty. Nero 's Nero 113 youth — ^the fact is not surprising — did not resist the mortal seductions of immense power and im- mense riches; but Agrippina, the proud grand- daughter of the conqueror of Germany, must have chafed at the idea of her son's preferring musical entertainments to the sessions of the Senate, singing lessons to the study of tactics and strategy. She applied herself, therefore, with all her en- ergy to the work of tearing her son from his pleas- ures, and bringing about his return to the great traditions of his family. Nero resisted : the strug- gle between mother and son grew complicated; it excited the passion of the public, which felt that this conflict had a greater importance than any other family quarrel, that it was actually a struggle between traditional Romanism and Ori- ental customs. Unfortunately, every one sided with Nero : the sincere friends of tradition, because they did not want the rule of a woman, whoever she might be; those that longed for Messalina's times, because they saw personified in Agrippina the austere and inflexible spirit of the gens Clau- dia. The situation was soon without an issue. The accord of Agrippina with Seneca and Bur- rhus was troubled, because the two teachers of the young Emperor, under the impression of public 114 Nero malcontent, had somewhat withdrawn from her. Nero, who was sullen, cynical, and lazy, feared his mother too much to have the courage to oppose her openly, but he did not fear her enough to mend his ways. The mother, on her side, was set to do her duty to the end. Like all situations without an issue, this one was suddenly solved by an unexpected event. Insisting on wanting to make a Roman of this young debauche, Agrippina made him into a mur- derer. Nero, progressing from one caprice to an- other, finally imagined a great folly: to divorce Octavia and to raise to her place a beautiful freed- woman called Acte. According to one of the fundamental laws of the State, the great law of Augustus on marriage, which forbade marriages between senators and freedwomen, the union of Nero and Acte could be only a concubinage. Agrippina wanted to avoid this scandal; and, as Nero persisted in his idea, it seems that she actu- ally thought of having him deposed and of securing the choice of Britannicus, a very serious young man, as his successor. A true Roman, Agrippina was ready to sacrifice her son for the sake of the Republic. The threat was, or appeared to be, so serious to Nero, that it made him step over the threshold Nero IIS of crime. One day during a great dinner to which he had been invited by Nero, Britannicus was suddenly seized with violent convulsions. "It is an attack of epilepsy," said Nero calmly, giving orders to his slaves to remove Britarmicus and care for him. The young man died in a few hours and every one believed that Nero had poisoned him. This dastardly crime aroused at first a sense of horror and fright among the people, but the im- pression did not last long. In spite of all his faults, Nero was liked. In Rome they had respected Augustus and hated Tiberius; they had killed Caligula and jeered at Claudius; Nero seemed to be the first of the Roman Emperors who stood a chance of becoming popular. Contrary to Agrip- pina's ideas, it was his frivolity that pleased the great masses, because this frivolity corresponded to the slow but progressive decay of the old Roman virtues in them. They expected from Nero a less hard, less severe, less parsimonious government — in a word, a government less Roman than the rule of his predecessors, a government which, instead of force, glory, and wisdom, meant pleas- ure and ease. So it happened that many soon forgot the un- fortunate Britannicus, and some even tried to ii6 Nero justify Nero by invoking State necessity. Agrip- pina alone remained the object of the universal hatred, as the sole cause of so many misfortunes. Implacable enemies, concealed in the shadow, were subtly at work against herj they organised a compaign of absurd calumnies in the Court itself^ and it is this campaign from which Tacitus drew his material. Some wretches finally dared even accuse her of conspiracy against the life of her son. Agrip- pina, refusing to plead for herself, still weathered the storm, because Nero was afraid of her, and though he tried to escape from her authority, did not dare to initiate any energetic move against her. To engage in a final struggle with so indomi- table a woman, another woman was necessary. This woman was Poppsea Sabina, a very hand- some and able dame of the great Roman nobility. Poppasa represented Oriental feminism in its most dangerous form: a woman completely de- moralised by luxury, elegance, society life, and voluptuousness, who eluded all her duties toward the species in order to enjoy and make others enjoy her beauty. Corrupted as that age was, Poppasa was more corrupt. As soon as she observed the strong im- pression she had made on Nero, she conceived Nero 117 the plan of becoming his wife ; her beauty would then be admired by the whole Empire, would be surrounded by a luxury for which the means of her husband were not sufHcient, and with which no other Roman dame could compete. There was one obstacle — ^Agrippina. Agrippina protected Octavia, a true Roman woman, simple and honest: Agrippina would never consent to this absolutely unjustifiable divorce. To force Nero to a decisive move against his mother, Poppaea had her husband sent on some mission to Lusitania and became the mistress of the Emperor. From that point the situation changed. Dominated by Poppasa's influence, Nero found the courage to force Agrippina to abandon his palace and seek refuge in Antony's house; he took from her the privilege of Praetorian guards, which he himself had granted her; he reduced to a minimum the number and time of his visits, and carefully avoided being left alone with her. Agrippina *s influence, to the general satisfaction, rapidly declined, while Nero gained every day in popularity. Agrippina, how- ever, was too energetic a woman peaceably to resign herself: she began a violent campaign against the two adulterers, which deeply troubled the public. In Rome, where Augustus had pro- ii8 Nero mulgated his stem law against adulteiy ; in Rome, where Augustus himself had been obliged to sub- mit to his own law, when he exiled his daughter and his grand-daughter and almost exterminated the whole family ; in Rome, a young man of twenty- two dared all but officially introduce adultery and polygamy into the Palatine ! In her struggle against Nero, Agrippina once more stood on tra- dition : and Nero was afraid. Poppaea was probably the one who suggested to Nero the idea of killing Agrippina. The idea had been, as it were, floating in the air for a long time, because Agrippina was embarrassing to many persons and interests. It was chiefly the party that wanted to sack the imperial budget, to introduce the finance of great expenditure, which could not tolerate this clever and energetic woman, who was so faithful to the great traditions of Augustus and Tiberius, who could neither be frightened nor corrupted. One should not con- sider the assassination of Agrippina as a simple personal crime of Nero, as the result of his and Poppaea 's quarrels with his mother. This crime, besides personal causes, had a political origin. Nero would never have dared commit such a mis- deed, in the eyes of the Roman almost a sacrilege, if he had not been encouraged by Agrippina 's Nero 119 unpopularity, by the violent hatred of so many against his mother. *? Nero hesitated long; he decided only when his freedman, Anicetus, the commander of the fleet, proposed a plan that seemed to guarantee secrecy for the crime : to have a ship built with a concealed trap. It was the spring of the year 59 a.d.; the Court had moved to Baiae, on the Gulf of Naples. If Nero succeeded in getting his mother on board the vessel, Anicetus would take upon himself the task of burying quickly below the waves the secret of her death; the people who hated Agrip- pina would easily be satisfied with the explanations to be given them. Nero executed his part of the plan in perfect cold-blood. He made believe he had repented and was anxious for a reconciliation with his mother; he invited her to Baiae and so pro- fusely lavished kindnesses and amiabilities upon her, that Agrippina finally believed in his sincerity. After spending a few days at Baiae, Agrippina decided to return to Antium; in a very happy frame of mind and full of hopes that her son would soon show himself to the world the man she had dreamed, the descendant of Drusus, she boarded one evening the fatal ship; Nero had escorted I20 Nero her thither and pressed her to his heart with the most demonstrative tenderness. A calm night diffused its starry shadows over the quiet sea, which with subdued murmur lulled in their sleep the great summer homes along the shore. The ship departed, carrying toward her sombre destiny Agrippina, absorbed in her smiling dreams. When the moment came and the wrecking machine was set to work, the vessel did not sink as fast as they had hoped: it listed, overturning people and things. Agrippina had time to understand the danger; with admirable presence of mind she jumped overboard and es- caped by swimming, while, during the confusion on the boat, the hired murderers killed one of Agrippina 's freedwomen, mistaking her for Agrip- pina herself. The ship finally sank ; the murderers also took to the water ; everything returned to its wonted calm; the starry night still diffused its silent shadows ; the sea still cradled with subdued murmur the homes along the coast — all men slept except one. Within this one, Anxiety watched: a son was awaiting the news that his mother was dead, and that he was free to celebrate a criminal marriage. The escaped murderers soon brought the news so impatiently expected — ^but Nero's joy was short. Nero 121 At dawn, a freedman of Agrippina arrived at the Emperor 's villa. Agrippina, picked up by a boat, had succeeded in reaching one of her villas near by; she sent the freedman to tell the Emperor about the accident and to assure him of her safety. Agrippina alive! It was like a thunderbolt to Nero, and he lost his head: he saw his mother hurrying on to Rome, denouncing the abominable attempt to Senate and people, rousing against him the Prstorian guard and the legions. Thor- oughly frightened, he summoned Seneca and Burrhus and laid before them the terrible situation. It is easy to imagine the shock of the old precep- tors. How could he risk such a grave imprudence ? And yet there was no time to lose in reproaches. Nero begged for advice : Seneca and Burrhus were silent, but they, also frightened, asked of them- selves what Agrippina would do. Would she not provoke a colossal scandal, which would ruin everything? An expedient, the same one, occurred to both of them : but so sinister was the idea that they dared not speak it. This time, however, both the philosopher and the general were deceived as well as Nero: Agrippina had guessed the truth and given up the struggle. What could she, a lone woman do against an Emperor who did not stop even at the plan of murdering his mother? 122 Nero She realised, during that awful night, that only- one chance of safety was left to her — ^to ignore what had taken place ; and she sent her freedman with the message that meant forgiveness. But fear kept Nero and his counsellors from under- standing ; and when they could easily have reme- died the preceding mistake, they compromised all by a supreme error. Finally Seneca, the paci- ficator and humanitarian philosopher, thought he had found the way of making half-openly the only suggestion which seemed wise to him: he turned to Burrhus and asked what might happen, if an order were given the Praetorians to kill Nero 's mother. Burrhus understood that his colleague, although the first to give the fatal advice, was trying to shift upon him the much more serious responsibility of carrying it Out; since, if they reached the decision of having Agrippina disposed of by the Praetorians, no one but he, the commander of the guard, could utter the order. He therefore protested with the greatest energy that the Prae- torians would never lay murderous hands on the daughter of Germanicus. Then he added cogita- tively that, if it were thought necessary, Anicetus and his sailors could finish the work already begun. Thus Burrhus gave the same advice as Seneca, but he, like his colleague, meant to pass on to Nero 123 some one else the task of execution. He chose better than Seneca: Anicetus, if Agrippina lived, ran a serious risk of becoming the scapegoat of all this affair. In fact, as soon as Nero gave his as- sent, Anicetus and a few sailors hastened to the villa of Agrippina and stabbed her. The crime was abominable. Nero and his circle were so awed by it that they attempted to make the people believe that Agrippina had committed suicide, when her conspiracy against her son's life had been discovered. This was the official version of Agrippina 's death, sent by Nero to the Senate. But this audacious mystification had no success. The public divined the truth, and roused by the voice of their age-long instincts, they cried out that the Emperor no less than any peasant of Italy must revere his father and his mother. Through a sudden turn of public feeling, Agrippina, who had been so much hated during her life, became the object of a kind of popular veneration ; Nero, on the other hand, and Popp^a inspired a sentiment of profound horror. If Nero had found the living Agrippina unbear- able, he soon realised that his dead mother was much more to be feared. In fact, scared as he was by the popular agitation, not only had he temporarily to give up the plan of divorcing 124 Nero Octavia and marrying Poppaea, but felt obliged to stay several months at Baise, not daring to return to Rome. He was, however, no longer a child: he was twenty -three years old and had some talent. Men of intelligence and energy were also not wanting in his entourage. The first shock once over, the Emperor and his coterie rallied. The first impression had indeed been disastrous, but had brought about no irreparable consequen- ces — ^the only consequences that count in politics. One could therefore hope that the public would gradually forget this murder as they had forgotten that of Britannicus. One only needed to help them forget. Nero resolved to give Italy and Rome the administrative revolution that had found in Agrippina so determined an opponent, the easy, splendid, generous government that seemed to suit the popular taste. He began by organising among the jeunesse doree of Rome the "festivals of youth. " In these true demonstrations against the old aristocratic education, now in the house of one and then in the garden of another, the young patricians met under the Emperor's directions. They sang, recited, and danced, displaying all the tendencies that tradition held unworthy of a Roman noble- man. Later, Nero built in the Vatican fields a Nero 125 private stadium, where he amused himself with driving, and invited his friends to join him. He surrounded himself with poets, musicians, singers ; enormously increased the budget of popular fes- tivals; planned and started immense construc- tions ; introduced into all parts of the administra- tion a new spirit of carelessness and ease. Not only the sumptuary laws, but all laws commanding the fulfilment of human duties toward the species, such as the great laws of Augustus on marriage and adultery, were no longer applied ; the surveil- lance of the Senate over the governors, that of the governors over the cities, slackened. In Rome, in all Italy, in the provinces, the treasuries of the Republic, the possessions and the funds of the cities, were robbed. In the midst of this un- bridled plundering, which appeared to make every man rich quickly, and without work, a delirium of luxury and pleasure reigned: in Rome especially, people lived in a continuous orgy; the nobility answered in crowds the invitations of Nero; the Senate, the great houses, where the conquerors of the world had been bom, swarmed with young athletes and drivers, who had no other ambition but that of adding the prize of a race to the war trophies of their ancestors; the imperial palace was invaded by a noisy horde of zitherists, actors, 126 Nero jockeys, athletes, among whom Burrhus and, still more, Seneca, were beginning to feel most ill at ease. Agrippina's death, even though it had yet de- ferred Nero's marrying Poppasa, had made pos- sible the change in the government that a part of the people wished. We owe to this new prin- ciple the immense ruins of ancient Rome; but this fact does not authorise us to consider it a Roman principle: it was, instead, a principle of Oriental civilisation which had forced itself upon the Roman traditions after a long and painful effort. The revolution, however, had been long preparing and corresponded to the popular as- pirations. It would, therefore, have redounded to the advantage of the Emperor, who had dared to break loose from a superannuated tradition, had not Agrippina's spectre still haunted Rome. To their honour be it said, the people of Rome and Italy had not yet become so corrupted by Oriental civilisation as to forget parricide in a few festivals. The party of tradition, though weakened, ex- isted. They began a brave fight against Nero, using the assassination of Agrippina as the adverse party had exploited the antifeminist prejudices of the masses against Agrippina herself. They de- Nero 127 nounced the parricide to the people, in order to attack the champion of Orientalism and irritate against him the indifferent mass, which, not under- standing the great struggle between the Orient and Rome, remained unstirred. Hoping the ex- citement of spirit had somewhat subsided, Nero had finally carried out his old plan of divorcing Octavia and marrying Poppasa; but the divorce caused great popular demonstrations in Rome in favour of the abused wife and against the intruder. Moreover, thanks to his extravagance, Nero made things very easy for his enemies, the defend- ers of tradition. His habits of dissipation exag- gerated all the faults of his character, chiefly his morbid need of showing himself off, of defying the public, their prejudices, their opinions. It is difficult to discern how much is true and how much is false in the hideous stories of debauchery handed down to us by the ancient writers, par- ticularly Suetonius. Although one might believe — ^and I believe it for my part — ^that there is a great deal of exag- geration in such tales, it is certain that Nero's personality played too conspicuous a part in his administrative revolution. Ready as the people were to admire a more generous and luxurious government than that of Augustus, Tiberius, and 128 Nero Claudius, they still liked to look to the chief of State as to a man of gravity and austerity, who let others amuse themselves, though he himself be bored. The vain and bizarre young man, who was always the guest of honour at his own f^tes, who never hesitated to satisfy his most extrava- gant caprices, who spent so much money to divert himself, shocked the last republican susceptibili- ties of Italy. The wise felt alarmed: with such expenses, would it not all end in bankruptcy? For all these causes, they soon began to reproach Nero for his prodigality, although the people enjoyed it, just as they had been malcontent with Tiberius for his parsimony. His caprices, ever stranger, little by little roused even that part of the public which was not fanatically attached to tradition. At that time Nero developed his foolish vanity of actor, his caprice for the theatre, which soon was to become an all-absorbing mania. The chief of the Empire, the heir of Julius Caesar, dreamed of nothing else than descending from the height of human grandeur to the scene of a theatre, to experience before the public the sensa- tions of those players whom the Roman nobility had always regarded as instruments of infamous pleasure ! Disgusted with Nero's mismanagement and Nero 129 follies, Seneca took the death of Burrhus as an opportunity to retire. Then Nero, freed from the last person who still retained any influence over him, gave himself up entirely to the insane swirl of his caprices. He ended one day by presenting himself in the theatre of Naples. Naples was yet then a Greek city. Nero had chosen it for this reason; he was applauded with frenzy. But the Italians of the other cities protested : the chief of the Empire appearing in a theatre, his hand on the zither and not on the sword! Imagine what would be the impression if some day a sovereign went on the stage of the jolies Berghes as a "number" for a sleight-of-hand performance! Public attention, however, was turned from this immense scandal by a frightful calamity — ^the famous conflagration of Rome, which began the nineteenth of July of the year 64 and devastated almost all quarters of the city for ten days. "What was the cause of the great disaster? This very obscure point has much interested historians, who have tried in vain to throw light on the sub- ject. As far as I am concerned, I by no means exclude the hypothesis that the fire might have been accidental. But when they are crushed under the weight of a great misfortune, men always feel sure that they are the victims of human 9 I30 Nero wickedness : a sad proof of their distrust in their fellow men. The plebs, reduced to utter misery by the disaster, began to murmur that mysterious people had been seen hurrying through the different quarters, kindling the fire and cum- bering the work of help; these incendiaries must have been sent by some one in power — by whom? A strange rumour circulated: Nero himself had ordered the city to be burned, in order to enjoy a unique sight, to get an idea of the fire of Troy, to have the glory of rebuilding Rome on a more magnificent scale. The accusation seems to me absurd. Nero was a criminal, but he was not a fool to the point of provoking the wrath of the whole people for so light a motive, especially after Agrippina 's death. Tacitus himself, in spite of his hatred of all Csesar 's family and his readi- ness to make them responsible for the most serious crimes, does not venture to express belief in this story — ^sufficient proof that he considers it absurd and unlikely. Nevertheless, the hatred that sur- rounded Nero and Poppaea made every one, not only among the ignorant populace, but also among the higher classes, accept it readily. It was soon the general opinion that Nero had accomplished what Brennus and Catiline's conspirators could Nero 131 not do. Was a more horrible monster ever seen? Parricide, actor, incendiary! The traditionalist party, the opposition, the unsatisfied, exploited without scruple this popu- lar attitude, and Nero, responsible for a sufficient number of actual crimes, found himself accused also of an imaginary one. He was so frightened that he decided to give the clamouring people a victim, some one on whom Rome could avenge its sorrow. An inquiry into the causes of the conflagration was ordered. The inquest came to a strange conclusion. The fire had been started by a small religious sect, recently imported from the Orient, a sect whose name most people then learned for the first time : the Christians. How did the Roman authorities come to such a conclusion? That is one of the greatest mys- teries of universal history, and no one will ever be able to clear it. If the explanation of the disaster as accepted by the people was absurd, the official explanation was still more so. The Christian community of Rome, the pretended volcano of civil hatred, which had poured forth the destructive fire over the great metropolis, was a small and peaceful congregation of pious idealists. A great and simple man, Paul of Tarsus, had 132 Nero taken up again among them the great work in which Augustus and Tiberius had failed : he aimed at the remaking of popular conscience, but used means until then unknown in the Grseco-Latin civilisation. Not in the name of the ancestors, of the traditions, of ideals of political power, did he seek to persuade men to work, to refrain from vice, to live honestly and simply ; but in the name of a single God, whom man had in the beginning offended through his pride, in the name of the Son of God, who had taken human form and volunteered to die as a criminal on the cross, to appease the Father's wrath against the rebellious creature. On the Grseco-Roman idea of duty, Paul grafted the Christian idea of sin. Doubtless the new theology must have seemed at first ob- scure to Greeks and Romans; but Paul put into it that new spirit, mutual love, which the dry Latin soul had hardly ever known, and he vivified it with the example of an obscure life of sacrifice. Paul was bom of a noble Hebrew family of Tarsus, and was a man of high culture. He had, to use a modem expression, simplified himself, renounced his position in a time when few could resist the passion for luxury, and taken up a trade for his living; with the scanty profit from Nero 133 his work as a tent-maker, alone and on foot he made measureless journeys through the Empire, everywhere preaching the redemption of man. Finally, after numberless adventures and perils, he had come to Rome and had, in the great city frenzied by the delirium of luxury and pleasure, repeated to the poor, who alone were willing to hear him: "Be chaste and pure, do not deceive each other, love one another, help one another, love God." If Nero had known the little society of pious idealists, he surely would have hated it, but for other motives than the imaginary accusations of his police. In this story St. Paul is exactly the antithesis of Nero. The latter represents the atrocious selfishness of rich, peaceful, highly civilised epochs; the former, the ardent moral idealism which tries to react against the cardinal vices of power and wealth through universal self- sacrifice and asceticism. Neither of these men is to be comprehended without the other, because the moral doctrine of Paul is partly a reaction against the violent folly for which Nero stood the symbol ; but it certainly was not philosophical considerations of this kind that led the Roman authorities to rage against the Christians. The problem, I repeat, is insoluble. However this 134 Nero may be, the Christians were declared responsible for the fire; a great number were taken into cus- tody, sentenced to death, executed in different ways, during the festivals that Nero offered to the people to appease them. Possibly Paul himself was one of the victims of this per- secution. This diversion, however, was of no use. The conflagration definitely ruined Nero. With the conflagration begins the third period of his life, which lasts four years. It is characterised by absurd exaggerations of all kinds, which hastened the inevitable catastrophe. One grandiose idea dominates it: the idea of building on the ruins a new Rome, immense and magnificent, a true metropolis for the Empire. In order to carry out this plan, Nero did not economise ; he began to spend in it the moneys laid aside to pay the legions. The people of Italy, however, and even of Rome, which grew rich on these public expen- ditures, did not show themselves thankful for this immense architectural effort. Every one was sure that the new city would be worse than the old one ! Nero himself, exasperated by this invincible hate, exhausted by his own excesses, lost what reason he had still left, and his government Nero 13 s degenerated into a complete tyranny, suspicious, violent, and cruel, Piso's conspiracy caused him to order a mas- sacre of patricians, which left terrible rancour in its wake ; in an access of fury, he killed Poppaea • he began to imagine accusations against the richest men of the Empire, in order to confiscate their estates. His prodigality and the general careless- ness had completely disorganised the finances of the Empire; he had to recur to all kinds of ex- pedients to find money. Finally he imdertook a great artistic tour in Greece — that province which had been the mother of arts — to play in its most celebrated theatres. This time indignation burst all bounds. The armies of Gaul and Spain, for a long time irregularly paid, led by their officers, revolted. This act of energy sufficed. On the 9th of Jime, 68 a.d., abandoned by all the world, Nero was compelled to commit suicide. So the family of Julius Cassar disappears from history. After so much greatness, genius, and wisdom, the fall may seem petty and almost laughable. It is absurd to lose the Empire for the pleasure of singing in a theatre. And yet, bizarre as the end may seem, it was not the re- sult of the vices, the follies, and the crimes of Nero alone. In his way, Nero himself was, like all 136 Nero members of his family, the victim of the contra- dictory situation of his times. It has been repeated for centuries, that the foundation of monarchy was the great mission of Caesar's family. I believe this to be a great mistake. The lot of the family would have been simple and easy, if it had been able to foimd a monarchy. The family of Ceesar had to solve another problem, much more difficult, — in fact insoluble ; a problem that may be compared, from a certain point of view, to that which confronted the Bonapartes in the nineteenth century. The Bonapartes fotmd old monarchical, legitimistic, theocratic Europe agitated by forces which, al- though making it impossible for the ancient regime to continue, were not yet able to establish a new society, entirely democratic, republican, and lay. The family of Caesar found the opposite situation : an old military and aristocratic republic, which was changing into an intellectual and monarchical civilisation, based on equality, but opposing form- idable resistance to the forces of transformation. In these situations the two families tried in all ways to reconcile things not to be conciliated, to realise the impossible: one, the popular mon- archy and imperial democracy; the other, the monarchical republic and Orientalised Latinity. Nero 137 The contradiction was for both families the law of life, the cause of greatness; this explains why neither was ever willing to extricate itself from it, in spite of the advice of philosophers, the mal- content of the masses, the pressure of parties, and the evident dangers. This contradiction was also the fatality of both families, the cause of their ruin ; it explains the shortness of their power, their restless existence, and the continuous catastrophes that opened the way to the final crash. Waterloo and Sedan, the exile of Julia and the tragic failure of Tiberius 's government, all the misfortunes great and small which struck the two families, were always consequences of the insoluble contradiction they tried to solve. You have had a perfectly characteristic example of it in the brief story I have been telling you. Agrippina becomes an object of tmiversal hatred and dies by assassination because she defends tradition; her son disregards tradition and, chiefly for this very reason, is finally forced to kill himself. Doubt- less the fate of the Bonapartes is less tragic, because they, at least, escaped the infamous legend created by contemporary hatred against Caesar's family, and artfully developed by the historians of successive generations. I hope to 138 Nero be able to prove in the continuation of my Great- ness and Decline of Rome, that the history of Caesar's family, as it has been told by Tacitus and Suetonius, is a sensational novel, a legend con- taining not much more truth than the legend of Atrides. The family of Caesar, placed in the centre of the great struggle going on in Rome between the old Roman militarism, and the in- tellectual civilisation of the Orient, between na- tionalism and cosmopolitism, between Asiatic mysticism and traditional religion, between egoism over-excited by culture and wealth, and the su- preme interests of the species, had to injure too many interests, to offend too many susceptibilities. The injured interests, the offended susceptibilities, revenged themselves through defaming legends. The case of Nero is particularly instructive. He was half insane and a veritable criminal: it would be absurd to attempt in his favour the historical rehabilitation to which other members of the family, Tiberius for instance, have a right. And yet it has not been enough for succeeding generations that he atoned for his follies and crimes by death and infamy. They have fallen upon his memory: they have overlooked that extenuating circumstance of considerable im- portance, his age when elected; they have gone Nero 139 so far as to make him into a unique monster, no longer human and even the Antichrist ! Surely he first shed Christian blood ; but if we consider the tendency he represented in Roman history, we can hardly classify him among the great enemies of Christianity. Unwittingly, Au- gustus and Tiberius were two great enemies of the Christian teachings, because they sought by all means to reinforce Roman tradition, and struggled against everything that would one day form the essence of Christianity — cosmopo- litism, mysticism, the domination of intellectual people, the influence of the philosophical and metaphysical spirit on life. Nero, on the contrary, with his repeated efforts to spread Orientalism in Rome, and chiefly with his taste for art, was unconsciously a powerful collaborator of future Christian propaganda. We must not forget this: the masses in the Empire became Christian only because they had first been imbued with the Oriental spirit. Nero and St. Paul, the man that wished to enjoy all, and the man that suffered all, are in their time two extreme antitheses: with the pas- sing of centuries, they become two collaborators. While one suffered hunger and persecution to preach the doctrine of redemption, the other called 1 40 Nero to Italy and to Rome, to amuse himself, the gold- smiths, weavers, sculptors, painters, architects, musicians, whom Rome had always rebuffed. Both disappeared, cut off by the violent current of their epoch; centuries went by: the name of the Emperor grew infamous, while that of the tent-maker radiated glory. In the midst of the immense disorder that accompanied the dissolu- tion of the Roman Empire, as the bonds among men relaxed, and the human mind seemed to be incapable of reasoning and understanding, the disciples of the saint realised that the goldsmiths, weavers, sculptors, painters, architects, and musi- cians of the Emperor could collect the masses around the churches and make them patiently listen to what they could still comprehend of Paul's sublime morality. When you regard St. Mark or Notre Dame or any other stupendous cathedral of the Middle Ages, like museums for the work of art they hold, you see the luminous symbol of this paradoxical alliance between victim and executioner. Only through the alliance of Paul and Nero could the Church dominate the disorder of the Middle Ages, and, from antiquity to the modem world, carry through that formidable storm the essential principles from which our civilisation Nero 141 developed: a decisive proof that, if history in its details is a continuous strife, as a whole it is the inevitable final reconciliation of antagonistic forces, obtained in spite of the resistance of individuals and by sacrificing them. Julia and Tiberius 143 " IJE walked with head bent and fixed, the face ^ * stem, a taciturn man exchanging no word with those about him. . . . Augustus realised these severe and haughty maimers, and more than once tried to excuse them in the Senate and to the people, saying that they were defects of tempera- ment, not signs of a sinister spirit." This is the picture that Suetonius gives us of Tiberius, the man who, in 9 B.C., after the deaBTbf Agrippa and Drusus, stood next to Au- gustus, his right hand and pre-established succes- sor. At that time Augustus was fifty-four years old ; not an old man, but he was ill and had pre- sided over the Republic for twenty-one years. Many people must have asked themselves what would happen if Augustus should die, or should definitely retire to private life. The answer was not uncertain: since Rome was engaged in the conquest of Germany, the chief of the Empire and of the army ought to be a valiant general and a man of expert acquaintance with Germanic affairs. Tiberius was the first general of his time 10 145 146 Julia and Tiberius and knew Germany and the Germans better than any other Roman. The passage from Suetonius, just quoted, in- dicates that Tiberius was not altogether popular, yet it was the accepted opinion that Rome and Italy might well be content to rely upon so capable a general and diplomat, if Augustus failed. This attitude, however, changed when the death of Drusus entirely removed the alternative of choice between himself and Tiberius, and the latter, up to that time universally admired, began to be met, even among the nobility, by a strong opposi- tion. How can this apparently inexplicable fact be made clear? The theory of corruption so dear to the ancients, which I have already explained, gives us the key to the mystery. Those who have been disposed to see in that theory merely a plaything of poets, orators, philosophers, will now realise that it had power enough to kill the person and destroy the family of the first citizen of the Empire. That kind of continuous fear of luxury, of amusements, of prodigality, on account of which the ancients called cor- ruption so many things that we define as progress, was not a sentiment always equally alive in the mind of the multitude. The Romans, like ourselves, loved to live and to enjoy ; Julia and Tiberius 147 this is so true that philosophers and legislators constantly took pains to remind them of the danger of allowing too much liberty to the appe- tites; ,but more effective than the counsels of philosophers and the threats of the law, great public calamities inspired in the masses, at least temporarily, a spirit of puritanism and austerity. Of this the consequences of the battle of Actium afforded noteworthy proof. Those who have read the fourth volume of The Greatness and Decline of Rome may perhaps remember how I have described the conservative and traditionalist movement of the first decade of the government of Augustus. Frightened by the revolution, men's minds had reverted precipi- tously to the past. A new party, which one might call the traditionalist, had sought to re-establish the old-time order, in the state, in customs, in ideas ; to combat the corruption of customs ; and of this party Augustus had been the right arm. Indeed, to so great an extent had this party stirred up public spirit and prevailed upon those in power that in 18 B.C. it succeeded in passing some great social laws on luxury, on matrimony, on dress. With these laws, Rome proposed to remake, by terrible measures, the old, prolific, austere nobility of the aristocratic era. The lex de maritandis 148 Julia and Tiberius ordinihus aimed with a thousand vexatious restric- tions to constrain the nobility to marry and have children; the lex sumptuaria studied to restrain extravagance; the lex de aduUeriis proclaimed martial law in the family, menacing an imfaith- ful wife and her accomplice with exile for life and the confiscation of half their substance ; legislation of the harshest, this, which should scourge Rome to blood, to keep her from falling anew into the inveterate vices from which the civil wars were bom. The impression of the civil wars could not last forever. In fact, in the decade that followed the promulgation of the social laws, the puritan fer- vour, which had up to that time heated all Italy, began to cool. Wealth increased ; the confidence that order and peace were actually re-established, spread everywhere ; the generation that had seen the civil wars, disappeared; peace and growing prosperity stirred in the next generation a desire for freedom and pleasure that would not endure the narrow traditionalism and the puritanism of the preceding generation ; consequently also the laws of 18 B.C. became intolerable. To imderstand this change in public spirit which had such serious consequences, there is no better way than by studying the most celebrated writer Julia and Tiberius 149 of this new generation, Ovid, who represents it most admirably both in life and works. Ovid was bom at Sulmona in 43 b.c. He was about the same age as Tiberius, — of a knight's family — that is, of the wealthy middle class. He was destined by his father to the study of oratory and jurisprudence, evidently to make a political man of him, a senator, a future consul or proconsul, and to contribute to the great national restoration that his generation proposed to itself and of which Augustus was architect, preparing a new family for the political aristocracy that was governing the Empire. Ovid's father had all the require- ments demanded by law and custom: a consider- able fortune, the half -nobility of the equestrian order, an intelligent son, the means to give him the necessary culture — a, favourable combination of circumstances which was wholly undone by a bit of imforeseen contrariety, the son's invincible inclination for what his father called, with little respect, a "useless study, " literature. The young man had indifferently studied oratory and law, gone to Rome, married, made friendships in the high society of the capital, been elected to the offices preceding the quasstorship ; but when the time arrived for presenting himself as candidate for the quasstorship itself' — that is, the time for i5o Julia and Tiberius beginning the true curriculum of the magistracies, he had declared that he would rather be a great poet than a consul, and there was no persuading him farther on the long road opened to political ambitions. With the episode of Julia and Tiberius in mind, I have stated that Ovid's life epitomises the new generation, because it shows us in action the first of the forces that dissolved the aristocratic government and the nobility artificially reconsti- tuted by Augustus at the close of the civil wars — intellectualism. The case of Ovid demonstrates that intellectual culture, literature, poetry, instead of being, for the Roman aristocracy, as in older times, a simple ornament, secondary to politics, had already a prime attraction for the man of genius ; that even among the. higher classes, de- voted by tradition only to military and political life, there appeared, by the side of the leaders in war and politics, the professional literary man. The study of Ovid 's work shows something even more noteworthy: that, profiting by the discords in the ruling class, these literary men feared no longer to express and to re-enforce the discontent, the bad feeling, the aversion, that the efforts of the State to re-establish a more vigorous social order was rousing in one part of the public. Julia and Tiberius 151 Ovid's first important work was the Amores, which was certainly out by the year 8 e.g., although in a different form from that in which we now have it. To understand what this book really was when it was published, one must re- member that it was written, read, and what is more, admired, ten years after the promulgation of the lex de maritandis ordinihus and of the lex de adulteriis; it should be read with what remains of the text of those laws in hand. We are astonished at the book, full of excite- ments to frivolity, to dissipation, to pleasure, to those very activities that appeared to the an- cients to form the most dangerous part of the ' * corruption. ' ' Extravagances of a libertine poet ? The single-handed revolt of a corrupt youth, which cannot be considered a sign of the times? No. If there had not been in the public at large, in the higher classes, in the new generation, a general sympathy with this poetry, subversive of the solemn Julian laws, Ovid would never have been recognised in the houses of the great, petted and admired by high society. The great social laws of Augustus, the publication of which had been celebrated by. Horace in the Carmen Seculare, wounded too many interests, tormented too many selfishnesses, intercepted too many liberties. 152 Julia and Tiberius His revolutionary elegies had made Ovid famous, because these interests and these selfishnesses finally rebelled with the new generation, which had not seen the civil wars. Other incidents before and after the publication of the Amores also show this reaction against the social laws. Therefore Augustus proposed about this time to abolish the provision of the lex de maritandis ordinibus that excluded celibates from public spectacles; and by his personal intervention sought to put a check upon the scandalous trials for adul- tery that his law had originated — ^two acts that were so much admired by a part of the public that statues were erected to him by popular subscription. In short, this new movement of public opinion explains the opposition exerted from this time on against Tiberius and makes us understand how there arose the conflict in which this mysteri- ous personage was to be entangled for the rest of his life, and to lose, by no fault of his own, so great a part of his reputation. I hope to prove that the Tiberius of Tacitus and Suetonius is a fantastic personality, the hero of a wretched and improbable romance, invented by party hatred; that Tiberius remained, as a German historian has defined it, an undecipherable enigma, simply Julia and Tiberius 153 because there has never been the will to recognise how much alive the aristocratic republican tra- ditions still were, and what force they still exerted in the State and in the family. Tiberius was but an authentic Claudius — that is, a true descendant of one of the oldest, the proudest, the most aristocratic families of the Roman nobility, a man with all the good qualities and all the defects of the old Roman aristocracy, a man who regarded things and men with the eyes of a senator of the times of Scipio Africanus — a livinganachronism, afossil, if you will, from a by-gone age, in a world that wished to tolerate no more either the vices or the virtues of the old aristocracy. He thought that the Empire ought to be governed by a limited aristocracy of diplo- mats and warriors, rigidly authoritative, exclu- sively Roman, which should know how to check the general corrupting of customs, the current extravagance and dissipation, beginning its task by imposing upon itself an inexorable self-disci- pline. Even though he belonged to the generation of Ovid — to the generation that had not seen the civil wars — ^Tiberius, by singular exception, kept aloof from the undisciplined frivolity of his con- temporaries. He desired the severe application of the social laws of the year 18, as of all the 154 Julia and Tiberius traditional norms of aristocratic discipline. His generation therefore soon found him an enemy, especially after Drusus's death seemed to leave neither doubt nor choice as to the successor of Augustus. From this contemporary attitude arises the tacit aversion in the midst of which, after the lapse of so many centuries, we still feel Tiberius living and working, an aversion which steadily grows even while he renders the most signal services to the Empire. There was between him and his generation irreconcilable discord. However, it is not likely that this blind and secret hatred alone could have seriously injured Tiberius, whose power and merits were so great, if it had not been considerably helped by incidents of various nature. The first and most important of these was the discord that had arisen, shortly after the death of Drusus, between Tiberius and his wife Julia, the daughter of Augustus and the widow of Agrippa. Tiberius had married her against his will in the year ii, after the death of Agrippa, by order of Augustus, and had at first tried to live in accord with her; the attempt was vain, and the spirits of the husband and wife were soon parted in fatal disagreement. "He lived at first," writes Suetonius, "in harmony with Julia ; but soon grew Julia and Tiberius 155 cool toward her, and finally the estrangement reached such a point after the death of their boy born at Aquilea, that Tiberius lived in a separate apartment" — a separation, as we would call it, in "bed and board." What was the reason of this discord? No ancient historian has revealed it; however, we can guess with sufficient proba- bility from what we know of the characters of the pair and the discord that divided Roman so- ciety. If Tiberius was not the monster of Capri, Julia was certainly not the miserable Bacchante of the scandalous Roman chronicle. Macrobius has pictured her in human lights and shadows, a probable image, describing her as a highly cultured woman, lavish in tastes and expenditure, fond of beautiful literature, of the fine arts, and of the company of handsome and elegant young men. She belonged to the new generation of which Ovid was spokesman and poet; while Tiberius represented archaic traditionalism, the spirit of a past generation. It is easy to understand how these two persons, incarnating the irreconcilable opposition of two epochs, two morales, two societies, of Roman militarism and of Oriental culture, could not live together. A man like Tiberius, severe, simple, who detested frivolous pleasures, caring more for 156 Julia and Tiberius war than for society life, could not live in peace with this beautiful and vivacious creature, who loved luxury, prodigality, brilliant company. It is not rash to suppose that the lex sumptuaria of the year i8 was the first grave cause of disagree- ment. Julia, given, as Macrobius describes her, to profuse expenditure and pretentious elegance, could not take this law seriously ; while it was the duty of Tiberius, who always protested by deed as by word against the barren pomp of the rich, to see that his wife serve as an example of simplicity to the other matrons of Rome. Very soon there occurred an accident, not un- common in unfortunate marriages, but which for special reasons was, in the family of Tiberius, far more than wontedly dangerous, Tacitus tells us that after Julia was out of flavour with Tiberius, she contracted a relation with an ele- gant young aristocrat, one Sempronius Gracchus, of the family of the famous tribunes. Accepting as true the affirmation of Tacitus, in itself likely, we can very well explain the behaviour and acts of Tiberius in these years. The misdoing of Julia offended not only the man and husband, but placed also the statesman, the representative of the traditionalist party, in the gravest perplexity. According to the lex de aduUeriis, made by Julia and Tiberius 157 Augustus in the year 18, the husband ought either to punish the unfaithful wife himself or denounce her to the praetor. Could he, Tiberius, provoke so frightful a scandal in the house of the "First Citizen of the Republic"; drive from Rome, defamed, the daughter of Augustus, the most noted lady of Rome, who had so many friends in all circles of its society? Suetonius speaks of the disgust of Tiberius for Julia, "quam neque criminari aut demittere auderet" — whom he dared neither incriminate nor repudiate. On the other hand, did not he, the intransigeant traditionalist, who kept continually reproving the nobility for their laxity in self-discipline, merit rebuke, for allowing this thing to go on, not applying the law? The difficulty was serious; the lex de adulteriis began to be a torment to its creators. Unable to separate from, unwilling to live with, this woman who had traduced him and whom he despised, Tiberius was reduced to maintaining a merely apparent union to avoid the scandal of a trial and divorce. This proceeding, however, was an expedient in that condition of things both insufficient and dangerous. The discord between Tiberius and Julia put into the hands of the young nobility, up to that time unarmed, a terrible weapon against 158 Julia and Tiberius the illustrious general, who was, meanwhile, fight- ing the Germans. The young nobility, inimical to the social laws and to Tiberius, rallied about Julia, and the effects of this alliance were not slow in appearing. Julia had had five sons by Agrippa, of whom the eldest two, Caius and Lucius, had been adopted by Augustus. In the year 6 B.C., the eldest, Caius, reached the age of fourteen. He was therefore but a lad; notwith- standing his youth, there was suddenly brought forward the strange, almost incredible, proposal to make a law by which he might at once be elected consul for the year 754 a.u.c, when he would be twenty years old. Who made this proposal.'' Augustus, if we believe Suetonius, out of excessive fondness for his adopted sons. Dion, on the contrary, tells these things differently. He says that from the beginning Augustus opposed the law, and so leads us to doubt that it was either proposed or desired by that Prince. The facts are that a party in Rome kept insisting till Augustus supported this law with his authority, and that from the first he was unwilling to be accessory to an election that overturned without reason every Roman constitutional right. Who then were these strange admirers of a Julia and Tiberius 159 child of fourteen, who to make him consul did not hesitate to do violence to tradition, to the laws, to good sense, and, finally, to the adoptive father? It was the opposition to Tiberius, the party of the young nobility and Julia, who were seeking a rule less severe, and, if not the abolition, at least the mitigated application of the great social laws. They aimed to put forward the young Caius, to set him early before public atten- tion, to hasten his political career, in order to oppose a rival to Tiberius; to prepare another collaborator and successor of Augustus, to make Tiberius less indispensable and therefore less powerful. In brief, here was the hope of using against Tiberius at once the maternal pride and affection of Julia, the tenderness of Augustus, and the popularity of the name of Caesar, which Caius carried. The people had never greatly loved the name of the Claudii, a haughty line of invin- cible aristocrats, always hard and overbearing with the poor, always opposed to the democratic party. The party against Tiberius hoped that when to a Claudius there should be opposed a Cassar, the public spirit would revert to the dazzling splendour of the name. Now we understand why Augustus had at i6o Julia and Tiberius first objected. The privileges that he had caused to be conceded to Marcellus, to Drusus, to Tibe- rius, were all of less consequence than those de- manded for Caius and had all been justified either by urgent needs of State, or services already rendered; but how could it be tolerated that without any reason, without the slightest neces- sity, there should be made consul a lad of four- teen, of whom it would be difficult to predict even whether he would become a man of common sense? Moreover Augustus could not so easily bring himself to ofifend Tiberius, who would not admit that the chief of the Republic should help his enemies offer him so great an affront. How could it be, that while he, amid fatigues and perils in cold and savage regions, was fighting the Ger- mans and holding in subjection the European provinces, that jeunesse doree of good-for-nothings, cynics, idlers, poets, which infested the new gen- eration, was conniving with his wife to set against him a child of fourteen? — to gain, as it were, sanction from a law that the State would not be safe till by the side of this Claudius should be placed a Caesar, beardless and inexpert, as if the name of the latter outweighed the genius and experience of the former? And Augustus, the head of the Republic, would he have tolerated Julia and Tiberius i6i such an outrage? Tiberius not only resisted the law but exacted the open disapproval of Augustus; in fact, at the beginning, Augustus stood out against it as Tiberius wished; but difficulties grew by the way and became grave. Julia and her friends knew how to dispose public opinion ably in their own favour, to intrigue in the Senate, to exploit the increasing unpopu- larity of the social laws, of the spreading aversion to Tiberius and the admiration for other mem- bers of Augustus's family. The proposal to make Caius consul became in a short time so popular for one or another of these reasons, and as the symbol of a future government less severe and traditionalistic, that Augustus felt less and less able to withstand the current. On the other hand, to yield meant mortally to offend Tiberius. Finally, as was his wont, this astute politician thought to extricate himself from the difficulty by a transaction and an expedient. Dion, shortly after having said that Augustus finally yielded to the popular will, adds that, to make Caius more modest, he gave Tiberius the tribunician power for five years and charged him with subduing the revolt in Armenia. Augustus's idea is clear: he was trying to please everybody — the partisans of Caius Caesar by not opposing the law, and 1 62 Julia and Tiberius Tiberius, by giving the most splendid compensa- tion, making him his colleague in place of Agrippa. Unfortunately, Tiberius was not the man to accept this compensation. No honour could make up for the insult Augustus had done him, though yielding but in part to his enemies, because by so doing even Augustus had seemed to think it necessary to set him beside a lad of fourteen; he would go away ; they might do as they pleased and charge Caius with directing the war in Ger- many. Indignant at the timid opportunism of Augustus, disgusted with the wife whom he could neither accuse nor repudiate, Tiberius demanded permission of Augustus to retire to Rodi to pri- vate life, saying that he was tired and in need of repose. Naturally Augustus was frightened, begged and pleaded with him to remain, sent his mother Livia to beseech him, but every effort was futile; Tiberius was obstinate, and finally, since Augustus did not permit his departure, he threatened to let himself die of hunger. Augustus still tried to stand firm; one day, two days, three days, he let him fast without giving the reqmred consent. At the end of the fourth day, Augustus had to recognise that Tiberius had serious intent to kill himself, and yielded. The Senate granted him permission to depart; and Tiberius at once Julia and Tiberius 163 started for Ostia, "without saying a word," writes Suetonius, "to those who accompanied him, and kissing but a few." It would be impossible to decide whether this retaliation of Tiberius's self-love was equal to the offence; and perhaps it is useless to discuss the point. It is certain, however, that the conse- quences of the departure of Tiberius were weighty. The first result was that the party of the young nobility, the party averse to the laws of the year 18, found itself master of the field; perhaps because the opposing party lost with Tiberius its most authoritative leader; perhaps because Augustus, irritated against Tiberius, inclined still more toward the contrary party ; perhaps because public opinion judged severely the departure of Tiberius, who, already little admired, became decidedly unpopular. Julia and her friends triumphed, and not content with having con- quered, wished to domineer; shortly afterward they obtained the concession of the same privi- leges as those granted to Caius for his yoxmger brother Lucius. At the same time, Augustus prepared to make Caius and Lucius his two future collaborators in place of Tiberius; Ovid set his hand to a book still more scandalous and sub- versive than the Amores, the Ars Amandi; public i64 Julia and Tiberius indulgence covered with its protection all those accused on grounds of the laws of the year i8 ; and finally, the two boys, Caius and Lucius, be- came popular, like great personages, all over Italy. There have been found in different cities of the peninsula inscriptions in their honour, one of which, very long and curious, is at Pisa ; it is full of absurd eulogies of the two lads, who had as yet done nothing, good or bad. Italy must have been tired enough of a too conservative government, which had lasted twenty-five years, of an Empire reconquered by traditional ideas, if, in order to protest, it lionised the two young sons of Agrippa in ways that contradicted every idea and sentiment of Roman tradition. In conclusion, the departure of Tiberius, and the severe judgment the public gave it, still fur- ther weakened the conservative party, already for some years in decline, by a natural transfor- mation of the public spirit. Perhaps the party of tradition would have been entirely spent, had not events soon reminded Rome that its spirit was the life of the military order. The departure of Tiberius, the man who represented this spirit, rapidly disorganised the army and the external policy of Rome. Up to that time Augustus had had beside him a powerful helper — Julia and Tiberius 165 first Agrippa, afterwards Tiberius; but then he found himself alone at the head of the Empire, a man already well on in years ; and for the first time it appeared that this zealous bureaucrat, this fastidious administrator, this intellectual idler, who could do an enormous amotint of work on condition that he be not forced to issue from his study and encounter currents of air too strong for him, was insufficient to direct alone the poli- tics of an immense empire, which required, in addition to the sagacity of the administrator and the ingenuity of the legislator, the resolute- ness of the warrior and the man of action. The State rapidly fell into a stupor. In Ger- many, where it was necessary to proceed to the ordering of the province, everything was sus- pended; the people, apparently subdued, were not bound to pay any tribute, and were left to govern themselves solely and entirely by their own laws — a strange anomaly in the history of the Roman conquests, which only the departure of Tiberius can explain. At such a distance, when he was no longer counselled by Tiberius who so well understood German affairs, Augustus trusted no other assistants, fearing lack of zeal and intelligence ; distrusting himself also, he dared initiate nothing in the conquered province. The 1 66 Julia and Tiberius Senate, inert as usual, gave it not a thought. So Germany remained an uncertainty, neither a province nor independent, for fifteen years, a fact wherein is perhaps to be found the real cause of the catastrophe of Varus, which ruined the whole German policy of Rome. Furthermore, in Pannonia and Dalmatia, when it was known that the most valiant general of Rome was in disgrace at Rodi, the malcontents took fresh courage, reopened an agitation that could but terminate in a revolt, much more dan- gerous than any preceding. In the Orient, Pales- tine arose in 4 B.C., on the death of Herod the Great, against his son, Archelaus, and against the Hellenised monarchy, demanding to be made a Roman province like Syria, and a frightful civil war illumined with its sinister glare the cradle of Jesus. The governor of Syria, Quintilius Varus, threw himself into Judea and succeeded in crush- ing the revolt; but Augustus, unable to bring himself either to give full satisfaction to the Hebrew people or to execute entirely the testa- ment of Herod, decided as usual on a compromise: he divided the ancient kingdom of Herod the Great among three of his sons, and changed Arche- laus's title of king to the more modest one of ethnarch. Then new difficulties arose with the Julia and Tiberius 167 Empire of the Parthians. In short, vaguely, in every part of the Empire and beyond its bor- ders, there began to grow the sense that Rome was again weakening; a sense of doubt due to the decadence of the spirit of tradition and of the party representing it; to the new spirit of the new generation; and finally, to the absence of Tiberius, the one capable general of the time, which gradually disorganised even the western armies, the best in the Empire. This dissolution of the State naturally fed in the traditionalist party the hope of reconquering. Tiberius had sincere friends and admirers, es- pecially among the nobility, less numerous than those of Julia, but more serious, because his merits were real. Many people among the higher classes — even though, like Augustus, they considered the obduracy of Tiberius excessive — ^thought that Rome no more possessed so many examples of illustrious men as to be able to retire its best general at thirty-seven. Very soon there arose in the circles about Augustus, in the Senate, in the comitia, a bitter contention between Tiberius 's friends and his enemies ; this was really a struggle between the traditionalist party, which busied itself conserving, together with the traditions of the old Romanism, the military and political 1 68 Julia and Tiberius power of Rome, and the party of the young nobil- ity, which, without heeding the external dangers, wished to impel habits, ideas, the public spirit, toward the freer, broader forms of the Oriental civilisation, even at the risk of dissolving the State and the army. Julia and Tiberius personify the two parties; between them stands Augustus, who ought to decide, and is more uncertain than ever. Theoretically Augustus always inclined more toward Tiberius, but from disgust at his departure, from solicitude for domestic peace, from his little sympathy with his step-son, he was driven to the opposite party. In this duel, what was the behaviour and the part of Li via, the mother of Tiberius ? The ancient historians tell us nothing; it is, at all events, hardly probable that Livia remained an inactive witness of the long struggle waged to secure the return of Tiberius and his reinstatement in the brilliant position once his. Moreover, Suetonius says that during his entire stay at Rodi, Tiberius communicated with Augustus by means of Livia. At any rate, the party of Tiberius was not long in understanding that he could not re-enter Rome, as long as Julia was popular and most powerful there ; that to reopen the gates of Rome to the husband, it was necessary to drive out the wife. Julia and Tiberius 169 This was a difficult enterprise, because JuKa was upheld by the party already dominant ; she had the affection of Augustus ; she was the mother of Caius and Lucius Caesar, the two hopes of the Republic, whose popularity covered her with a respect and a sympathy that made her almost invulner- able. Tiberius, instead, was unpopular. How- ever, there is no undertaking impossible to party hate. Exasperated by the growing disfavour of public opinion, the party of Tiberius decided on a desperate expedient to which Tiberius himself would not have dared set hand; that is, since Julia had a paramour, to adopt against her the weapon supplied by the lex Julia de adulteriis, made by her father, and so provoke the terrible scandal that tintil then every one had avoided in fear. Unfortunately, we possess too few documents to write in detail the history of this dreadful epi- sode; but everything becomes clear enough if one sees in the ruin of Julia a kind of terrible political and judicial blackmailing, tried by the friends of Tiberius to remove the chief obstacle to his return, and if one takes it that the friends of Tiberius succeeded in procuring proofs of the guilt of Julia and carried them to Augustus, not as to the head of the State, but to the father. 1 7° Julia and Tiberius Dion Cassius says that " Augustus finally, although tardily, came to recognise the misdeeds of his daughter," which signifies that at a given mo- ment, Augustus could no longer feign ignorance of her sins, because the proofs were in the power of irreconcilable enemies, who would have refused to smother the scandal. These mortal enemies of Julia could have been no other than the friends of Tiberius. Julia had violated the law on adul- tery made by himself; Augustus could doubt it no more. To understand well the tragic situation in which Augustus was placed by these revelations, one must remember various things: first that the lex de aduUeriis, proposed by Augustus himself, obliged the father — ^when the husband could not, or would not — to pimish the guilty daughter, or to denounce her to the praetor, if he had not the courage to punish her himself; second, that this law arranged that if the father and the husband failed to fulfil their proper duty, any one whoever, the first comer, might in the name of public morals make the denun- ciation to the praetor and stand to accuse the woman and her accomplice. Tiberius, the hus- band, being absent at Rodi, he, Augustus, the father, must become the Nemesis of his daugh- Julia and Tiberius 171 ter — must punish her or denounce her; if not, the friends of Tiberius could accuse her to the praetor, hale her before the quaestor, unveil to the public the shame of her private life. What should he do? Many a father had dis- dainfully refused to be the executioner of his own daughter, leaving to others the grim ofHce of applying the lex Julia. Could he imitate such an example? He was the head of the Republic, the most powerful man of the Empire, the founder of a new political order; he could decide peace and war, govern the Senate at his pleasure, exalt or abase the powerful of the earth with a nod; and exactly for this reason he dared not evade the bitter task. He feared the envy, the moral and levelling prejudices of the middle classes, which needed every now and then to slaughter in the courts some one belonging to the upper classes, in order to delude themselves that justice is equal for all. To him had been granted the greatest privileges; but precisely on this accoimt was it dangerous to try to cover his daughter with a privileged protection as prey too delicate for public attack. And then, if he himself gave the example of disobeying his law, who would observe it? The tremendous scandal would un- nerve all the moral force of his legislation, which 172 Julia and Tiberius was the base of his prestige. The moment was terrible. Imagine this old man of sixty-two wearied by forty-four years of public life, embit- tered by the difficulties that sprang up about him, disquieted by the dissolution of State of which he was the impotent witness, finding himself all at once facing these alternatives — ^either de-„ stroy his daughter, or undo all the political work ^over which he had laboured for thirty years ; and no temporising possible ! Augustus was not a naturally cruel man, but before these alternatives his mind seems to have been for a moment convulsed by an access of grief and rage, the distant echo of which has come down to us. One moment, as Suetonius says, he had the idea of killing Julia. Then reason, pity, affection, gentler habits, prevailed. He did not give the sentence of death, but he was too practised a politician not to understand that she could not be saved ; and as he had immolated Cicero, Lepidus, Antony, so he immolated her also to the necessity of preserving before Italy his prestige of severe legislator and impartial magistrate. To avoid the trial, he resolved to punish her himself with his power of pater familias according to the lex Julia, exiling her to Panda- laria and announcing the divorce to her in the Julia and Tiberius 173 name of Tiberius. He then despatched to the Senate a record of what he had done, and went away to the country, where he remained a long time, says Suetonius, seeing no one, the prey to profound grief. It seems that Julia's fall was a surprise to the public. In a day it learned that the highly popu- lar daughter of Augustus had been condemned to exile by her father. This imexpected revelation let a storm loose in the metropolis. Even though there were not then published in Rome those vile newspapers, the pests of modem civilisation, that hunt their soldi in the mud and slime of the basest human passions, the taste for scandalous revelations, the envy of genius and fortune, the pleasure of wreaking cruelty upon the unarmed, the low delight in pouring the basest feelings upon the honour of a woman abandoned by all — these passions animated minds then, as they do to-day ; nor were there then wanting, more than now, wretches that profited by them, to gather money or satisfy bad instincts, without being able to dispose of a single, miserable sheet of paper. On every side delators sprang up, and an epidemic of slanders embittered Rome; every man who had name or wealth or some relation with the family of Augustus, ran the risk of being 174 Julia and Tiberius accused as a lover of Julia. Several youths of high society, frightened by these charges, com- mitted suicide; others were condemned. About Julia were invented and spread the most atrocious calumnies, which formed thereafter the basis for the infamous legends that have remained in his- tory attached to her name. The traditionalist party naturally abetted this furor of accusations and inventions, made to persuade the public that a fearful corruption was hidden among the upper classes and that to cure it fire and sword must be used without pity. The friends of Julia, the party of the young nobility, disconcerted at first by the explosion, did not delay to collect themselves and react; the populace of Rome made some great demon- strations in favour of Julia and demanded her pardon of Augustus. Many indeed, recognising that her punishment was legal, protested against the ferocity of her enemies, who had not hesitated to embitter with so terrible a scandal the old age of Augustus; protested against the mad folly of incrimination with which every part of Rome was possessed. Most people turned, the more envenomed, against Tiberius, attacking him with renewed fury as the cause of all the evil. He it was, they insisted, who had conceived Julia and Tiberius 175 the abominable scandal, willed it, imposed it upon Rome and the Empire ! If Livia and the friends of Tiberius had thought to bring him in by the gate where Julia went out, they were not slow in recognising themselves deceived. The fall of Julia struck Tiberius on the reboimd in his distant island. His unpopularity, already great, grew by all the disgust that the scandal about Julia had provoked, and became so formidable that one day about this time the inhabitants of Nimes overturned his statues. It was the beginning of the Christian era, but a dark silence brooded over the Palatine; the defamed Julia was making her hard way to Pan- dalaria; Tiberius, discredited and detested, was wasting himself in inaction at Rodi; Augustus in his empty house, disgusted, distrustful, half paralysed by deep grief, would hear to no counsels of peace, of indulgence, of reconciliation. Tiberius and Julia were equally hateful to him, and as he did not allow himself to be moved by the friends of Julia, who did not cease to implore her pardon, so he resisted the friends of Tibe- rius, who tried to persuade him to reconciliation. What mattered it to him if the administration of the State fell to pieces on all sides; if Ger- mans threatened revolt; if Rome had need of 176 Julia and Tiberius the courage, of the valour, of the experience of Tiberius ? Tiberius from his retreat in Rodi kept every one in Rome afraid, beginning with Augustus. Too rich, too eager now for pleasures and comforts, Rome was almost disgusted with the virtues and the defects that had in fact created it, and which survived in Tiberius — ^aristocratic pride, the spirit of rigour in authority, military valour, simplicity. Peace had come, extending everywhere, with wealth, the desire for enjoyment, happiness, pleas- ure, freedom, loosening everywhere the firmest bonds of social discipline, persuading Rome to lay down the heavy armour it had worn for so many centuries. In this family quarrel, which comprises a strug- gle of everlasting tendencies, Julia represented the new spirit that will prevail, Tiberius, the old, destined to perish; but for the time being, both spirits, however opposed, were necessary; for peace did not expand its gifts in the Empire without the protection of the great armies that fought on the Rhine and on the Danube. If the spirit of peace refreshed Rome, Italy, the Pro- vinces, only the old aristocratic and military spirit could keep the Germans on the Rhine. As in all great social conflicts, the two opposing Julia and Tiberius 177 parties were both, in a certain measure and each from its own point of view, right. Just for that reason, the equilibrium could be found only by a continual struggle in which men on one side and on the other were destined in turn to triumph or fall according to the moment; a struggle in which Augustus, fated to act the part of judge — that is, to recognise, with a final formal sanction, a sentence already pronounced by facts — ^had against his will in turn to condemn some and reward others. Julia will remain at Pandalaria, and Tiberius will return to Rome when the danger on the Rhine becomes too threatening, yet without much lessening the conclusive vengeance of Julia. That will come in the long torment of the reign of Tiberius; in the infamy that will pursue him to posterity. After having been pitilessly hated and persecuted in life, this man and this woman, who had personified two social forces eternally at war with each other, will both fall in death into the same abyss of unmerited infamy: tragic specta- cle and warning lesson on the vanity of human judgments ! Wine in Roman History 179 IN history as it is generally written, there are to be seen only great personages and events, kings, emperors, generals, ministers, wars, re- volutions, treaties. When one closes a huge vol- ume of history, one knows why this state made a great war upon that; understands the politi- cal thinking, the strategic plans, the diplomatic agreements of the powerful, but would hardly be able to answer much more simple questions: how people ate and drank, how the warriors, politicians, diplomats, were clad, and in general how men lived at any particular time. History does not usually busy itself with little men and small facts, and is therefore often ob- scure, unprecise, vague, tiresome. I believe that if some day I deserve praise, it will be be- cause I have tried to show that everything has value and importance ; that all phenomena inter- weave, act, and react upon each other — eco- nomic changes and political revolutions, costumes, ideas, the family and the state, land -holding and cultivation. There are no insignificant i8i i82 Wine in Roman History events in history; for the great events, like re- volutions and wars, are inevitably and indis- solubly accompanied by an infinite number of slight changes, appearing in every part of a nation: if in life there are men without note, and if these make up the great majority of na- tions — ^that which is called the "mass" — ^there is no greater mistake than to believe they are extraneous to history, mere inert instruments in the hands of the oligarchies that govern. States and institutions rest on this nameless mass, as a building rests upon its foimdations. I mean to show you now by a typical case the possible importance of these little facts, so neglected in history. I shall speak to you neither of proconsuls nor of emperors, neither of great conquests nor of famous laws, but of wine-dealers and vine-tenders, of the fortuned and famous plant that from wooded moimtain- slopes, mirrored in the Black Sea, began its slow, triumphal spread around the globe to its twenti- eth century bivouac, California. I shall show you how the branches and tendrils of the plant of Bacchus are entwined about the history and the destiny of Rome. For many centuries the Romans were water- drinkers. Little wine was made in Italy, and Wine in Roman History 183 that of inferior quality: commonly not even the rich were wont to drink it daily; many used it only as medicine during illness; women were never to take it. For a long time, any woman in Rome who used wine inspired a sense of re- pulsion, like that excited in Europe up to a short time ago by any woman who smoked. At the time of Polybius, that is, toward the middle of the second century B.C., ladies were allowed to drink only a little passum, — a kind of sweet wine, or syrup, made of raisins. About the women too much given to the beverage of Dionysos, there were terrifying stories told. It was said, for instance, that Egnatius Mecenius beat his wife to death, because she secretly drank wine; and that Romulus absolved him. (Pliny, Nat. Hist., bk. 14, ch. 13). It was told, on the word of Fabius Pictor, who mentioned it in his annals, that a Roman lady was condemned by the family tribunal to die of hunger, because she had stolen from her husband the keys of the wine-cellar. It was said the Greek judge Diony- sius condemned to the loss of her dower a wife who, unknown to her husband, had drunk more than was good for her health: this story is one which shows that women began to be allowed the use of wine as a medicine. It was for a long 1 84 Wine in Roman History time the vaunt of a true Roman to despise fine wines. For example, ancient historians tell of Cato that, when he returned in triumph from his proconsulship in Spain, he boasted of having drunk on the voyage the same wine as his rowers ; which certainly was not, as we should say now, either Bordeaux or Champagne ! Cato, it is true, was a queer fellow, who pleased himself by throwing in the face of the young nobility's incipient luxury a piece of almost bru- tal rudeness; but he exaggerated, not falsified, the ideas and the sentiments of Romanism. At that time, it was a thing unworthy of a Roman to be a practised admirer of fine wines and to show too great a propensity for them. Then not only was the vine little and ill cultivated in Italy, but that country almost refused to admit its ability to make fine wines with its grapes. As wines of luxury, only the Greek were then accred- ited and esteemed — and paid for, like French wines to-day- but, though admiring and paying well for them, the Romans, still diffident and saving, made very spare use of them. LucuUus, the famous conqueror of the Pontus, told how in his father's house — in the house, therefore, of a noble family — Greek wine was never served more than once, even at the most elegant dinners. Wine in Roman History 185 Moreover, this must have been a common cus- tom, because Pliny says, speaking of the begin- ning of the last century of the Republic, "Tanta vero vino graeco gratia erat ut singulse potiones in convitu darentur " ; that is, translating literally, " Greek wine was so prized that only single potions ^day and Yesterday," etc. With ^2 full-page illustrations. Svo. 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