jfORACE G.WlLLIAMS -ft a (■IassJiSJj_ii_ Book^liiSTS Cojpghl A' , 906 COPYRIGHT DEPOSIT. I am yours for the smiles that are finding a vent From a heart overflowing with Life's sweet content Things Worth While A VOLUME OF VERSE ILLUSTRATED By HORACE G. WILLIAMSON Author of " Old Hollyhocks and Other Poems and Recitations" PRESS OF JENNINGS & GRAHAM CINCINNATI, OHIO ft?'"'eived JUN 3 1906 A TOAST. Here 's to every human soul Upon this earth, from pole to pole ; To every race on land or sea, To young and old of each degree: Here 's to all that live, and may Some happiness be theirs to-day. 19 THE NEW TRAIL. The following poem was written as a tribute to Captain Jack Crawford, the Poet Scout, whom I liken to a bottle of carbonated sunshine, always on tap, and ready to burst forth and bubble over the hearts of all who hear him, with the sparkling soul-essence. (His reply to the author is also printed here.) Well, Captain Jack, I Ve heard you talk and tell in your own way Of how the things go on out West, and I just want to say Without a boast of flattery, that I think you 're about The best that I have ever heard, beyond a single doubt: I Ve had a taste of West myself, and know a little how It ought to be out there, although Ohio claims me now: But there is nothing I know of that I would rather do, Than turn my horse into the trail that follows after you. 20 There 's no road in the "Rocky Pass" I think could ever be Too rough to risk, if you were there to bear me company; There 's not a range of "Buffalo Grass" or "stretch of alkali" That ever would be hard to ride if you were just close by : With grub-bag and a saddle tied on an old "XV" brand, A pair of "chaps," a buckskin coat, a "pop- gun" close at hand, I think that I could loose the rein and for a year or two Out there in God's free country, shift 'round awhile with you: To have you at the big "round-up;" why I can almost see In my imagination how the whole thing ought to be. We 're down there by the Rio Grande upon a cold clear night, The stars are twinkling far above, the moon is shining bright, The camp-fire is a blazing and the boys are sitting 'round A-leaning on their saddles that they 've placed there on the ground. 21 The coffee-pot is boiling while each man has fallen to His "hunk" of meat or "flap jack" or per- haps he is most through And they are all a-listening to you telling them a tale In your own cheerful way about a new un- ridden trail That leads from Earth to Heaven by the way of yonder blue, And every man can ride it if he makes his mind up to. "Just drop the old bad habits, boys, leave off the drink, the swear, Stick firmly to the saddle, and you 're bound to get up there. And boys, ah! what a land it is, as you have never seen, Where scout and cowboy are as good as royal king or queen, Where every chap will get his dues for all the good he 's done, And life will be eternity of peace to every- one." You Ve told them of their Heaven, Jack, and if you could lean near To every face around that fire perhaps you 'd find a tear. 22 You Ve touched them on the tender spot be- neath the shirt of blue Where every heart beats an applause for such a friend as you. The silence followed by your speech continues quite a spell Unbroken, save the crackling flames and far- off coyotes' yell; Yes, Captain Jack, I Ve heard you talk and tell in your own way Of how the things go on out West, but closing this I say: There 's stories that you Ve never told of scouting you have done For souls turned off "The trail of God," — I know there 's more than one. But when the time comes for your ride into that camp above, There '11 be a lot to greet you there with friendship and with love, And as your old time "pals" you meet, they '11 slap you on the back And say, "Thank God, he 's come at last, wel- come our Captain Jack." 23 THE REPLY. Friend Horace: As your other name is Greeley, I will tell you frankly, freely, How your broncho verses snuggled in my breast For I Ve got a sort of notion That they stirred up more commotion Than the red-skins ever stirred out in the West. But a very different feeling Now comes softly o'er me stealing Till the briny starts a leakin' from my eyes, While my soul is irrigated And with yours amalgamated; You great big chump he-angel in disguise. Glory, but it 's satisfaction That my simple double action Broncho medley of song and story tells, For the gem your soul has spoken Is to me a God-sent token Of the genius and the pow'r that in you dwells. 24 Let 'er out, though wild and woolly Even slinging slang is bully If ye only hit the bull's eye, when you shoot. Do n't wet-blanket your emotion Hunting for some dainty notion Take a draught from Nature's bowl and let 'er toot. If there 's "critic cusses" standin' While yer shootin' — at the landin' Never swerve a little bit if you are fired With a bit of Nature's powder; Only yell and shout the louder; "Go way back," you "critic cusses" make me tired. Hallelujah for the feller Who can up and yell and beller Like a lion and not like a little calf. It 's the lazy lout that 's dudish And the simple fool that 's prudish If you 're honest with yourself, you '11 cry and laugh. And while thus I doggerel you With Pegasus I corral you I would also lay my tribute at your feet, For the heart your verse has brought me Is as Mother Nature taught me Wild and tender as a boy's and just as sweet. 25" Keep it thus forever. Never From your god of Nature sever, Use the language that expresses what you feel. List; a newsboy, just turned seven, Says: "Me mudder 's snook in Heben." There 's a classic bit of slang, because it 's real. — Captain Jack Crawford. Vr* t£r* ijr* MAKE GOOD. We all have a chance in this life to try And make good. We only live once and then we must die, So make good. Find out your own particular line For you have yours and I have mine, Study up every point, and then shine. Make good. Do n't faint if the critics begin to grunt, But make good. That 's only a part of their own little stunt To make good. You stand up straight, throw out your chest. Why, you 're as good as any of the rest. Just take your time, you do your best. Make good. 26 YOU NEVER KNOW WHO YOU RIDE WITH. I BOARDED a car the other day; You never know who you ride with : A sweet little girl sat 'cross the way; You never know who you ride with. Well, I looked over for quite a while, She caught my eye and began to smile, Then people came in and rilled the aisle; You never know who you ride with. I stood up and took hold on a strap ; You never know who you ride with: Placed my bundle in the young lady's lap, You never know who you ride with. O, we had such a nice little chat; We talked of this and we talked of that; Her neighbor got off, so down I sat; You never know who you ride with. Suddenly, I looked to my right, You never know who you ride with: What I saw there was a terrible sight, You never know who you ride with : 27 A face contorted in anger's strife, Two eyes that cut me like a knife, I recognized them as my wife's, You never know who you ride with. Q&* 9£r* ^r* IT'S MY WISH. If wishes can make a thing come true, And sometimes I really believe they do; I wish that at some time, some place Upon this world's old wrinkled face Each living friend I ever knew, (And I confess there 're quite a few,) Could drift into some place once more Like scattered ships to a haven shore And be as happy as once we 've been With laughter's rousing, ringing din Echoing to the clear blue sky As we lift up our voices high And give three cheers to memory Of good old times that used to be. 28 RELICS FROM BABYLAND. THERE is a land, I won't say where, But grown-up people can't go there; For only little babies dwell In this fair place of which I tell, And only babies understand The funny ways of babyland, All which to you and me are not Of anything more than a lot Of those deep mysteries which remain For one mone learned to explain. Their king, he wears no gilded crown, Nor dresses in a gaudy gown, And for a throne, naught suits him more Than just a seat upon the floor, Where, with a rattle or a ring Or any simple little thing That lies about among his toys To rule and make the loudest noise Which into meanings surely tell That all the kingdom goeth well; 29 For no land like this bright one could Be more of anything but good Where each and every member vents The freedom of his innocence. And when one of them grows to be Beyond the bounds of infancy, And lays aside his cap and dress And all his simple babyishness, He has to leave and go away To a far distant land to stay An exile there, in time to find A different thing to please his mind, And there must learn to feel content With what is dealt as the event. Although in time his heart may yearn For just a short while to return And hold once more some little hand Of his old friends in Babyland; Just as you and I to-day Stand quietly and look away Back o'er the years that all are gone; We too in fancy see the dawn As it shone out across the sand For us in our own Babyland. 30 LONGING. If I could have all I long for, My wish could realize, I know I would not ask for more Than to look in your eyes. If somewhere, some place, we could meet, And you, you would just smile, My happiness would be complete For such a short, sweet while. If I could find you where you are, Could once more see your face, I 'd travel, yes, I 'd travel far Nor heed the time or space. If I could once more look into The depths of your dark eyes, Could once more feel the thrill anew 'T would be my Paradise. If bound in irons they 'd fast me where I might feast sight on you, I would be e'en contented there With such a hope in view. 31 If just one hour I could live o'er Where dearest memories throng, I know I would not ask for more, I 'd have all that I long. ^^F' 1£r^ 1&^ A BOASTFUL MISS She was a vain and boastful miss As ever partook of earthly bliss: Very pretty, but knew it well, And of her charms she liked to tell ; Just bragged and boasted all the time, She said her lips were real sublime And no one's mouth had ever grown Quite to the equal of her own. She even mentioned this to me, Tried to excite my jealousy. But I told her then and there That any time or anywhere When she would be so kind to say, I 'd put my lips to her lips any day. 32 WHEN MY DREAM COMES TRUE. When my dream comes true and I really get to be An actor on the stage that the people pay to see; When the curtain will go up and the orchestra will play, And I '11 make my first entrance in a very graceful way, And strut about the stage in a gay bedecked attire For the gentlemen — to look upon and the ladies to admire, And I say a lot of things in a real sad way you know, While the fellows all play soft on their instru- ments below, And I hear a young girl sob 'way out in the parquet, And over in a box I hear another say: "O mamma, is n't he great? he 's an actor sure enough." (This gives me lots of nerve to carry out my bluff,) 3 33 And I strike an attitude like an ancient God of Greece, And there I stand and pose till their applaud- ings cease. Then I make a quick exit right after they are through To where my valet awaits, when my dream comes true. When my dream comes true and I actually will play The sentimental parts that take the audience away, And they 're brought back with a tear in either eye, And they sit there in their seats and in turn they laugh and cry, There will be a real snowstorm and an air- ship and a lake, We will have a six course dinner and the food will not be fake; The thunder will be the loudest brand of thunder ever made, And the rain storm in the third act will put real ones in the shade, And I will fight a duel; (of course it will not hurt The other fellow much as I poke him in the shirt,) 34 But I '11 make a grand rush for him and at him I will spring, And the orchestra will boom, boom, and the clashing steel will ring, And then with a sudden lurch his foil I will throw Clear across the stage, (as we arranged before the show,) And with my foot upon his neck I '11 pose as gladiators do; O, I certainly will be great when my dream comes true. When my dream comes true and I get a cur- tain call, And I have to come out and bow right before them all, And act as awkward like and bored all the while, And my face slips into a silly grinning smile, And the curtain goes down, but right up once more, And I have to come back and do as I 'd done before, But they keep on applauding till I 'm forced to make a speech And I thank them one and all and throw a kiss to each. 35 I tell them how in childhood it had been my keen desire To some day be an actor that would set the world afire ; I thank them for their attention and their at- tendance to the play, And bow and bow and grin and grin and back myself away While the bouquets keep a falling like snow flakes 'round my feet, And I '11 grasp them in my arms and beat a quick retreat And I '11 press them to my lips with their trailing ribbons of blue, Then I '11 interview the reporters, when my dream comes true. When my dream comes true, when my dream comes true, I will send a box pass to every one of you ; And I will build a castle, I do not know just where, But every one of you will be very welcome there To come and bring your baggage and stay as long as you please, And live with me in comfort with a silent sort of ease. 36 Everything that you wish for will be right at your hand, From a box of chocolate bonbons to a mili- tary band, And there I '11 build a little stage upon which I can play To amuse you if it 's raining and while the time away, And O, we '11 be so happy in this castle built of gold That we '11 just live on forever, and we never will grow old, But like a lot of children we will spend the pleasant hours Roaming through the palace gardens of sweetly scented flowers, And we '11 linger where the fountains sing, where summer skies are blue, Where we '11 eat, drink and be merry, when my dream comes true. 37 THE RAIN BARREL. At the cabin's end a barrel stands With weathered staves and rusted bands; Upon a leaning tilt, an inch or so, To course the stream of its overflow; As if bowed reconciled with fate, And willing to accumulate Within its bounds the drops which fall By heaven's justice, over all. Up to the side there 's a piece of tin Held fast and bent, so the rain runs in 38 When it leaves the clumsy old eaves-trough In its eagerness to plunge right off And fall with such a splash and smack Like music of a cataract, Which chants itself a doleful strain Of thankfulness for such a rain. Then as a break in the cloud appears, The sun looks out from behind her tears ; Quivering upon the brim there lies An echoed picture of summer skies ; And days which come when fields are dry, When streams run slow in creeks close by, The tongue may find a cooling sup From out this rustic loving-cup. $2r* t&* €^^ HOME. IT is just plain home that I Ve known for every day From my infancy till now; but for it I must say That no other spot on earth can lure me long away From this 'just plain home' where I find my- self to-day. 39 HOW IT FEELS TO BE ALIVE. Life 's the queerest thing after all For those who share in it, to call Much more than that the fickle sense Is getting pleased at their expense; Just one big jolly of the taste With flavored food, that makes you waste Your time in eating it, for when It 's gone you want some more again ; While old dry thirst bluffs you to think It's your treat coming to the drink; Sleep knocks you down and says, "lie there," You know he 's lied, but you do n't dare To contradict him, or he '11 take You down for keeping him awake, And so it usually is best To submit to such an arrest: Gets a sweet kiss upon the pride That makes him feel self-satisfied Only for a minute, and then Discontent slaps him once again And spoils it all by letting care Have a crack at his life somewhere, 40 And where it hurts and leaves a rent For a spell of discouragement, To settle in which may turn to A melancholy case of blue That now is liable to stick Until the fellow gets real sick: He '11 suffer along in this way For some time, when perhaps there may Occur to him a pleasant thought Which, fanned by hope, will like as not Put him upon his feet once more, Where a good laugh will soon restore His feelings to a normal state, And content will scratch his sore fate Until Soul's lonely sentinel Is heard to say, that all is well: Then something in him tempts his bad, And 'fore he knows it he has had His foot in it by letting go To his will-string, which soon will throw Things out of gear, and when thus freed Will let him fall into the greed That makes a man lose all his sense And fools him at his own expense. The devil takes him, you might say, Down home to spend a holiday, And (please excuse this slang in rhyme) Shows him what is "A hot old time :" 4i Perhaps he '11 wallow in this mire For quite a while, until desire Is surfeited and singed his wings, Then he '11 look different on things : Wisdom will clear his eyes until Honor takes hold, and conscience will Slap him upon the back and say, "See here, my boy, you Ve gone astray;" Ambition then gets strengthened by A good strong drink of distilled try; With failure slipping now and then Persistence makes him try again, Until constancy has at length Revived him to his old time strength, And in a short while he 's begun To feel as good as any one, Even will blow and bray and say: "Well, things are coming all my way." (But now look out if he is struck By a far different kind of luck, And on some day is roughly hit With something, and what causes it He does not know, gets all bedazed From the effects, loses his ways, And bashfully makes a pretense To say things which contain no sense. You can just bet he 's had a shove From Cupid's nimble fist of love 42 That 's pushed him right into the pool Where every man becomes a fool, And gets his mind all out of place Dreaming over a pretty face: Here comes the time for foolishness To trip him up, and make a mess Of the whole thing with that old trick Of branding him a benedict, While this addition of a wife Will give more romance to his life, For then is when he gets in bad, And pays for all the joy he 's had, While on the fence there sits old fun Laughing at him for what he 's done, As he wriggles in that tight noose — "Obedience," trying to loose Himself and once more get a taste Of a single life that 's going to waste : Though all in time he gets to be Quite pacified by harmony, As soundness shows to him his wealth Of wholeness in his share of health; He takes to pleasure like a child, Where peace and freedom have beguiled Him while in rapture, to confess The fullness of his completeness; He has a lot of dignity In pride for his large family, 43 Whose success has now gratified His faith to feel well satisfied; Grows old in this bright cheerfulness Of being humored to excess, And one day gets to thinking it All over, and is strangely hit By the absurdness of it all, That heretofore he 's had to call The part he played in this life, for It really has been nothing more Than sensation trying to serve A "skin-game" on his easy nerve ; The thing gets funnier as he Thinks what an easy mark to be Conned by all of these qualities ; Comes to the conclusion that he 's Been doped for fair by gambler Fate ; Was sadly hazed at any rate ; He gets to laughing at the sin Of what a great big chump he 's been, That his whole mental faculty Did not even have wits to see How the sense would first soothe, then thresh The feeling masked behind the flesh, And all the largeness of the joke Gives his funny bone a good poke, Until he really can not quit His laughing at the fun of it, 44 Giggle or snicker, grin or smile, Keeps nudging his face all the while, Laugh out real loud, and then stop short; Give a low chuckle, next a snort, And then goes at it with a note That sounds like it would split his throat; Just roars and holds his sides and falls Upon the floor, where now he lolls High in the mirth that takes his breath, And simply tickles him to death. 1£r* 1£r* t&t TAKEN BACK. "A PENNY for your thoughts," said he, When she became so quiet. But she replied, "Not worth the price You offer me to buy it." "Then tell it to me anyhow," Said he, "I beg you to." "Well, if you will have me confess, My thoughts were all of you." 45 CHECKERS. In a big department store Where they sell all things galore, Was a checkroom just for little babies small, So when mothers came to shop, At this checkroom they would stop, And leave their young ones in a padded stall. One bright day a Mrs. Brown Brought her baby into town, And wishing much to match a special lace Checked her babe on coupon three, Then went off at once to see Where the bargain counter was about the place. Well, no sooner had Mrs. Brown Set her precious darling down, Than a lady by the name of Mrs. Green 'Cross the checking counter slid Her fat squalling little kid, And took a check which number was fourteen. 4 6 The new check girl, all complexed, Had so muddled up the checks That on baby Brown she tied the tag fourteen, And in her hurried, flurried haste She unconsciously had placed The number three on little baby Green. When they went to close the store There were two kids uncalled for. It was getting dark and very, very late, When a voice said, "Give to me That baby number three," While another, "Give me fourteen, I can't wait." Neither mother had a doubt, As she hurriedly went out, But what she held her own sweet precious joy. Until reaching home that night Each beheld a startling sight, For what was once a girl was now a boy. Now each started out to find That check girl, and you mind They did not stop until they'd reached her place, And though neither of them knew That the other had come too, They met there with the babies, face to face. 47 The check girl lived in a flat, (Though blame her not for that), It was quite hard to wake her from a snore. But at last her blinking eyes Were wide opened by surprise, When she saw two ladies standing at the door. Now first one would have her say, Then the other would blaze away, Until you 'd thought they both had lost their minds. But when shy of breath and talk They did not slow down or balk, But with their hands and heads made know- ing signs. The poor check girl took it all As they sassed her in the hall, Nor even shed a tear or cracked a smile When suddenly the ladies made With the babes an even trade, And started off in rather informal style. The poor girl was of Irish birth, And she could n't restrain her mirth, So she shouted to them loudly from behind, "Sure, I turned yer kids aroun', And I made a Green one Brown, Because ye see I am so color-blind." 48 "OUT T' UNCLE BEN'S." Introductory to the following piece of child dialect, I shall try to assist the reader's imagination by stating that the two small boys mentioned therein have taken it upon themselves to enter- tain their big sister's gentleman friend, whom they have found, by accident, in the " bestest " chair in the parlor, with a descrip- tion of their annual visit to their farmer Uncle's. The eldest is supposed to be doing the talking, assisted by an occasional nod of assent from the younger, while in the meantime sister is very busily engaged, a few feet above, in testing the warmth of sterling silver curling-tongs and losing invisible hairpins in the intricate depths of large, black masses of "natural curls." "Out t' Uncle Ben's." Me an' brother Willie 's goin' out t' Uncle Ben's t' stay; Ain't we, Willie? Mother said so, didn't she, Willie, the other day? Just as soon as our vacation comes around, she said we could Go an' stay all this next summer, if we prom- ised we 'd be good An' not be bother to Aunt Mary, ner make her extra work to do, But we ain't goin' to, are we, Willie? We '11 help her when she wants us to. 4 49 Our Uncle Ben? Why, he 's a farmer, lives 'way out in the country where You can holler as loud as you want, an' do as you please out there; Ain't no bad boys to throw stones, ner call yo' names, ner throw yo' down. Why, some of them boys what live out there never been inside of town; Ner ain't got no nice clothes, ner nothin' nice as me an' Willie's got; An' some do n't even wear suspenders in sum- mer, when it 's awful hot, Ner no coats, ner shoes 'r stockin's, jest their pants an' shirt, 'an when They go swimmin' down in the river, they do n't jest wear nothin' then. Gee, them boys know how to fish, though, an' make 'em bite jest right at first, An' me an' Willie 's goin' with 'em some time, maybe, if we durst. Say, did y' ever hunt fer eggs 'way up high in a big barn lof , An' climb way up on a great big ladders, to the roof an' then jump off Inter the hay an' roll around an' dig down through to where it ends? We do it lots, do n't we, Willie? when we 're out t' Uncle Ben's. 50 Sister, she don't like the country; says she thinks it awful dry; Jes' because there aint no beaux out there to love her 's the reason why, Ner take her places an' buy her nice things like the other fellows who Come to see her an' give us pennies an' candy sometimes do. One time sister had a feller what give me an' Willie a dime, An' we bought lots of good things with it for ourselves, one time; Think his name was Mr. Merland, anyhow he 's all right; Aint he, Willie? Willie knows him, wish he was a-comin' to-night. Say, I wish it was vacation, do n't you, Wil- lie? Spec' we'd then Start real early in the mornin' out to stay with Uncle Ben, An' not come home 'til 'way next winter, not until our school 's begun. Um, I bet if you was with us, you would say we had more fun Goin' 'round with Billy Smithson, he 's the hired man, an' he tends To all the horses an' cows an' pigs an' every- thing at Uncle Ben's. 5i An' he takes us in the wagon nearly every place he goes, An' lets us drive sometimes too, do n't he, Willie ? Willie knows ; An' once he took us to the river an' let the old horse wade into The very middle of the river till the river leaked right through An' nearly got us wet, an' Willie he got scared an' had to bawl Jes' like a great big baby, didn't yo'? Gee, I was n't scared at all. Our Aunt Mary makes the nicest cookies fer us when she bakes, With great big raisins on the top, an' pies an' little ginger-cakes, An' then she lets us go pick berries 'long the orchard fence, an' there Are rattledsnakes an' big wild animals crawl- in' 'round most everywhere In the weeds an' great big buzzards what eat up chickens, an' eagles too, Flyin' 'round where we pick berries, Um, I bet that that 'd scare you. Gee, you ought to see the chickens what our Uncle Ben has got, 52 And horses, cows and rooster chickens, Um, he owns an awful lot; Willie, he 's afraid of turkeys, I aint though, 'ceptin' one What all swelled up when I poked him with a stick, whew, I run ! Fer I was scared and I cried, too, and Uncle Ben jest laughed and said "Spec' that gobler made me skee-daddle, 'cause he knew I 'm city-bred." I wish mother 'd let us take real guns with us when we go. Willie, he 's too little to shoot one, but I could shoot it fer him, though, An' we could kill some birds and eagles, an' catch rabbits with 'em too. Let's go ask her; you ask, Willie; maybe she '11 let us if yo' do. Gee, I hear our sister comin', so I guess we 'd better clear Or she won't give us none of that candy you got fer her if she catches us here. 53 AN OLD APPLE-TREE. The old apple-tree beneath whose broad shade Since infancy's hours I Ve rested and played. In the cool of the morning or noon's torrid heat I have found it fa offer a pleasant retreat. With its wide-spreading branches of summer hung green, So close interwoven that scarcely between The warm sun from above could find its way through To scatter the moisture of grass-hidden dew. At the will of the breeze, in my hammock hung low, 54 'Neath fruit-bedecked boughs I drift to and fro, While fancy builds castles in future's domain, And memory sips slowly of the sweet cup again, Unconscious of time or of passing event, My soul lulls itself into peaceful content, And I ask of no more in God's great un- known, Than the peace I enjoy with my friends or alone In these cool clustered shadows that scatter the earth Under the old tree near the home of my birth. For no hours of life are dearer to me, Than these dream-mellowed whiles 'neath the old apple-tree. IfiP IfiP ImP MOTHER. No SWEETER words in English tongue, Nor sounds of any other, Can echo from the soul's best thoughts, Than simply these, "My Mother." 55 THERE'S SO MUCH TO BE THANK- FUL FOR. There 's so much to be thankful for, Complain and grumble as we may; We never stop to realize The wealth that is our own to-day. Think of the blind who '11 never see The beautiful in everything; Think of the deaf who '11 never hear The sweetest songs the wild birds sing; Think of all those whose souls are bound To bodies frail and weak and sore; Think of all this suffering — There 's so much to be thankful for. Life's greatest gift is often lost Through constant greed for fortune's goal; Content is trampled at its cost; Sweet peace is shattered in the soul. Though lofty heights are never reached; Though golden dreams fade by the score ; Though despair darkens all our hopes, There 's so much to be thankful for. 56 So may the silent hour come When we will stop and think it o'er, Compare ourselves to those worse ofT In what we should be thankful for; Our God is just, His way 's the best; He gives no less, He gives no more ; We do the least when we confess There 's so much to be thankful for. <£ j& j> A ROSE whose bloom With sweet perfume, I longed some day to pluck; A worm that bit And withered it; A tear for such poor luck. The rose, a girl Pure as a pearl; The longing, Love's kind art: The worm, a man; Son of Satan; The tear, a broken heart. 57 BILL HARDY'S BARN. We discover our speaker seated upon the high end of an empty soap-box one hot summer's afternoon, leaning leisurely back against the railing which protects the veranda of a country cross- roads grocery store. He has been whittling a stick of wobd and keeping the dust of the road down with the essence of a plug of " Mountain Dew " as he patiently awaits his turn to do a little " tradin' " with the proprietor. As we engaged him in conversation he grows deeply inter- ested in telling us of a genius in the neighborhood known to all as Bill Hardy, and as we draw him out by patiently listening we re- ceive the following description of Bill Hardy and Bill Hardy's Barn: Bill Hardy's Barn. So y' do n't know Bill Hardy, eh? Well, my friend, I want to say A loafin' 'round Bill Hardy's barn With all the fellers, I '11 be darn, I Ve had more fun, now I jest bet, Than you can ever 'spect to get; For old Bill Hardy, why he is one Of the kind that goes in for fun, An' he jest lets the fellers do Most anything that they want to; 58 He 's the best hearted chap I ever knew ; Honest as can be, though jest as true To keep his word when he is right; As the chickens are sure to come home at night: But if you ever need a friend, Bill '11 stand by you to the end: Never grumbles 'bout what he got When he drew his humble lot Here on this airth, but is content With jest its simplest enjoyment, Always whistlin' or tryin' to sing When he's at work on anything; Never discouraged, ner never blue, But jest can see the sun shine through The darkest cloud, that ever copes To weaken down a feller's hopes: Bill lost his right arm long before He was thirty years old, in the war, And never has been able to Work at jest what he 'd like to do. He draws a little pension that Is 'nough to keep him middlin' fat An' this together with his trade Of mendin' things, I 'spect he 's made 'Nough to allow both ends to touch An' maybe lap over pretty much. 59 I recollect when he first showed Himself 'round these here parts; I 'lowed I did not think that he could be Of much use to the community, As there is little on a farm That you can work at with one arm ; But when I saw him one hot day- Over at Dixon's a-pitchin' hay, An' workin' hard as any man In the whole field with his one han', I says to myself, well sure enough That Hardy 's made of real good stuff. Then he hired the barn, and settled down To mendin' things that folks brought 'round, Which varied from a broken chair To a thrashing machine, an' I declare He had more work than he could do After he had started a week or two, He seemed to git the fellers' heart, Fur they took to him from the start. Socialest bein' I ever saw, Never tires of workin' his jaw With a good story, or some new jokes Jest to amuse us country folks. From the toll gate to the blacksmith shop I do n't know where I 'd rather stop, 60 To get the news or spin a yarn Than right down in Bill Hardy's barn, I had to laugh the other day. I happened to be down that a-way, An', havin' nothin' else to do, I called on Bill a minute or two. Well, he was busy, as he usually is, A tinkerin' 'round them things of his, But 'peared so glad to see me come, That I jest made myself to hum; We got to talkin' 'bout the ways That people travel now-a-days: 'Bout the bustle, the rip and tear That folks make to get anywhere, An' Bill jest squared himself an' said, Smoothin' his hand across his head : "Well ridin' on these 'lectric cars Through the country now'days far's My own honest opinion goes I can't see no pleasure 'bout those Blamed old contrivances that sail So swift along a slip'ry rail That you can't get a chance to see Jest where you 're goin' or where yo' be; You get on to the old fool thing, A chap grabs for an' pulls a string, An' then comes 'round and takes your fare, 61 An' 'fore you know it, why you 're there ; Not time to say Jack-rob-i-sin 'Fore you've got to git off ag'in. Fur me, when I go anywhere I '11 take the wagon and the mare." I never will fergit that night Down at Bill's barn, when me and White, An' Drury Stout, an' two 'r three more Of fellers from up 't the grocery store, Was sittin' 'round an' whittlin' sticks An' talkin' general politics, An' Bill looked up an' sniffed the air; As if a skunk was hid somewhere ; An' then says, "Boys, I smell some smoke." Of course we thought it jest a joke, 'Cause Bill 's always tryin' something To fool the fellers, but when by jing I took a whiff, I smelt it too, An' lookin' up, I saw come through The floor of the loft where Bill had kept His duds and where he always slept, A little cloud, puff after puff Of thin blue smoke fur sure enough ; Well, you should jest have seen us quit A laughin' an' git up and git ; 62 I grabbed a-hold a water pail A hangin' near me on a nail, An', dog me, 'fore I reached the door The blaze was comin' through the floor. I never did in my born days See sich a lot a timber blaze As that barn did, ner feel so bad 'Cause Bill was losin' all he had. I crossed the road in one big jump To git some water from the pump, But when I went to take a stroke The blamed old handle of that pump broke; An' all I said I will not tell. We had to use old Peter's well, An' when we 'd take a bucket full, "Old Daddy Peters" 'd take a pull At his whiskers, and say, "Go slow On the water, boy, fer the well 's gittin' low." But we kept on, an' my, O my, I thought we 'd surely dip her dry, 'Cause now a number had run down Who saw the blaze from up in town, Fur it made everything so bright That you could see all 'round that night, And sich a time we had to save The old barn an' tryin' to be brave 63 Throwin' the water in the air And gittin' it most everywhere But the right place, and runnin' about Trying to put the fool thing out, And gittin' in each other's way. I laugh about it to this day When I think of Bud a-dousin' Lee With a full pail. He could n't see Where he was goin', and got so flared 'Bout what he was doin', he jest squared Himself to get a real good swing, And let Lee Jones have the hull blamed thing. Gosh, but Lee was so mad that night I was afraid there 'd be a fight. They got to callin' each other liar, And almost fergot about the fire: I tell you things got hot for sure And all the air was a little bluer, Fur what they said won't bear re- peatin' At any kind of an old camp-meetin'. But Jones had cause the goodness knows, Fur he was dressed in real good clothes A goin' a sparkin', I have no doubt, On "Widder Brown," when the fire broke out. 6 4 When we got things under full control, I looked fur Bill, and, bless my soul, There he jest stood as unconcerned, A watchin' the old blamed barn burn, I walked over and says, "Well, Bill, I tell you it 's a nasty pill To see your stuff go up in smoke." 'T was quite a while before he spoke, Then turnin' slowly 'round to me He says, "Sech things has got to be, I 've lost my truck or nearly all The little store of things I call My own, but I aint grievin' it, Fur there is always more to git. But I feel so bad now when I jest Think of that little swaller's nest A right up there beneath the eave, Fur they 're got young ones, I believe. An' jest think of them little things Not old enough to use their wings All nestled there a-waitin' to burn With the rest of the old concern. Look at the mother bird flyin' there. If that aint what yer call despair, I like to know what is, the way She was singin' the other day Around that nest jest tellin' me how Happy she was, but look at her now." 5 65 Well, I never know jest what to say When Bill gets talkin' that a-way, So I jest took a good big chew, An' hunted up somethin' else to do. After a while when the fire was out, I seen him kind o' crawlin' 'bout Upon the roof, and I declare I could n't make out what he was doin' there, Until I seen him lean far down Near the burnt eave and feel aroun', Then I begin to understand, He lifted a nest up in his hand, And carefully a-climbin' down With it again back to the ground, He walked across to where I stood. And in the dark I thought I could See him brush off, as he drew near, Somethin' that might have been a tear. As he jest slowly shook his head, Sayin', "Well, Tom, the birds are dead." 66 A WOMAN'S THOUGHTS. WELL, what is the matter with Gertie, I wonder? She sits there so quiet with nothing to say: While we have been eating a nice little luncheon Her thoughts seem to have wandered far away. Thinking? yes; perhaps of the other young fellow, Or planning some pleasure to be, when I 'm gone: O, I would give much if I only was able To see what her thoughts are thus dwell- ing upon. Of what are you thinking? I dare now to question ; Startled she looks up, then replies without wait: "Why, I was just thinking of what you were thinking, By spilling so much of the food off your plate." 6 7 MEMORIES AND I. We two are sitting all alone, Memories and I ; While winds without breathe low a moan Through pine-trees close by. And as the hours pass away, I hear all that he has to say About a happy holiday Which has long gone by. So pleasing is the theme to-night, Unconscious I feel My unseen spirit leave in flight On a swift winged heel; And through the shadows and the sun Of all his tale I faster run, Until, abruptly, he is done; And then back I steal. I turn to find my guest is gone, Memories has fled; The cock is crowing for the dawn And I seek my bed. 68 In dreams again I plainly see The things of which he spoke to me : But wake to find reality, — The cold world instead. i&* iF^ i&^ VIOLETS. THE violets have withered and faded away, As violets are sure to do. There is nothing remains but a withered pile Of what was a fragrant blue. The flowers are gone, their mission was short. They grew and bloomed and died, As if to give to this earth one smile, And then to be laid aside. But in that smile I saw a face, Which never will fade away, 'Twas hers, who sent the violets Upon my last birthday. 6 9 THE FIDDLER'S OLD VIOLIN. Bevistown, Colerain Township, Hamilton County, Ohio, was the rendezvous in days gone by for all the fun-loving people of the surrounding country. Back as far as the fifties, when big snows and long spells of good sleighing prevailed, many even drove out from the city to en- joy a night of dancing to the music of old Matt Brown, Will Huston, and Billy Roll at one of the three roadside taverns. The following poem gives an accurate description of the opening of the Bevis House, which is shown in the illustration, and which still stands, a sentinel to time, on the old Colerain Pike, some eight miles north of the city limits. Those whose names are mentioned in the following verses were actual participants in the pleasures at this dedication, which took place on New Year's eve, 1855. There are still a few " old settlers " now living in the vicinity of Bevis- town who can recall most vividly the above occasion, having been there themselves or heard the story often told by some one who was. One of the old violins which contributed to the festivities on the above occasion, and to which this poem is dedicated, i9 now a keepsake in the possession of the author. The Fiddler's Old Violin. That violin that's laid away Back on the shelf, I dare would say If it could talk it would not fail To tell to you a cheerful tale Of a sweet past when it had sung For measured steps of old and young: 70 The "fiddler," he who wove the rhyme Upon its strings, has served his time On earth, and now enjoys the rest Of those who gave to life their best; So that old fiddle 's left behind, Somewhat a token to remind Us of the joy there used to be In plain rural festivity: The ballroom with its formal ways Was quite unknown in those old days When a barn served them just as well To give their dance in, with the smell Of new crop hay that would just seem To weigh itself on every beam ; The lantern swinging on the hook, The candles placed in every nook, Pumpkins lying as if asleep In the corner, and a large heap Of bright red apples smiling in From where they filled a bursting bin; The rough board floor that echoed back Each well placed heel with such a crack That with the rest now only went To lend more to the merriment; 7* Such laughter of the boys and girls As 'round they danced in dizzy whirls Such shouts of overglowing glee All mingled in the revelry, With good cheer ringing loud a note Of happiness from every throat, While far above the noisy din Rang out the fiddler's old violin: That violin ; why it could tell You of the night the big snow fell And people came for miles aroun' To have a dance at Bevistown, In a tavern that was waiting The usual form of a dedicating. They came in ev'ry different way From horseback to a three-seat sleigh, And laughed and danced the whole night through Until the barnyard roosters crew For day, before the last tired load Had turned their horse out in the road. It was upon a New- Year's eve, And clear and cold you may believe, For the ringing of the sleigh-bells Sounded far up as Franklin Wells', Jingling to the quick rhythmic beat Of the horses fast moving feet; 72 It did not take them long to fill The wagon shed, they came until The fence was gone, and by and by There scarcely was a place to tie. While in around the big fireplace Crowded ev'ry cold smiling face, Made now to take a reddened hue In the bright light the back-log threw 73 All the fine young bloods were there With their best girls, who looked quite fair As they stood shy as some young fawn With their best "bib and tucker" on. Aaron Stout brought two Venice girls All radiant in lace and curls, But, 'fore the evenin' was half though Will Martin had one of the two. While tricky little Maj. Huston Had nearly fetched the other one; That Abrams girl came with Dode Stout, Though Kitty Symmes was jist about The prettiest there, lest it might be That girl that came with Frank McGee ; Alex Doms let all know he was there, But putting on a fine city air, While Sarah Smith left ev'ry room Scented up with sweet perfume; Al Van Zandt came there all alone, But he had a girl to take home, Though Riley Seward drove away Without a partner in his sleigh; The fiddlers each had soon begun To get their old green bag undone, While the floor commenced to fill With many sets for the first quadrille, 74 And when Bill Roll and old Matt Brown Began to play, they beat it down Till you could hardly hear them call "Swing your partners" and "balance all," "All hands around," "grand right and left," And the floor waved with the great heft ; Just the singing of those few strings Had seemed to put new life in things, And goodness how those fiddlers played The "Wild Horse" and "The Little Maid," "Old Gray Eagle," and "Forked Deer," "Seven Mile," and you could n't hear Your ownself think after Bill Huston Got his big elbow joint undone On "Money Musk" and "Devil's Dream" The whole house shook from beam to beam. Thus the revelry grew and grew, Thus the hours so swiftly flew, While each heart now feasting there Unmindful of to-morrow's care, Owed all the pleasure it drank in All to a fiddler's old violin. A violin that 's laid away Back on the shelf, and I dare say 75 If it could talk it would not fail To tell to you a cheerful tale Of a dear past that is to be Sweetest to us in memory, Just for the pleasure that once has been Due to the fiddler's old violin. t&r* t&* tlr* ONE YEAR AGO. Just one short year ago to-day the sun seemed to shine out more bright, Just one short year ago to-day the stars in- creased their twinkling light; Each flower growing near my path waved sweeter fragrance from its bloom, Each bird that sang from leafy boughs made softer music of its tune; The earth, the sky, all that life holds trans- formed as in a magic way; If I remember I met you just one short year ago to-day. 7 6 "JONES." TALK about a fellow preachin' In a way that sort o' goes Through your system an' a-reachin' From your head down to your toes; Blame me if I Ve heard another That could rattle up your bones, And jest make you feel you 'd ruther Be some good, than that Sam Jones. Common kind o' talk he uses, Swears a little now and then, But a point he never loses Showin' up some so-called men; Do n't know where he got his schooling Do n't know how much earth he owns, But I do know 't aint no foolin' With back talk 'round this Sam Jones. Aint a fellow to be formal, Laughs and jokes at our expense ; But I 'low he 's just 'bout normal When it comes to common sense ; Always kicking at the devil Till you fairly hear his groans, An' for havin' a head that 's level On religion, it is Sam Jones. 77 WHEN THE DAWN IS IN THE SKY. When the dawn is in the sky and the heart awakes to find That all its sweet caressings were but fancies of the mind Which soon are lost to memory, as the light comes through the pane And the music of the morning calls us back to earth again; Which is now a dreamland flooded in the golden of the sun, With a birth of bursting blossoms to a new life just begun ; Where the birds are all a singing with a happy unrestrain As the dew drips from the grasses, like a gentle summer rain. 78 And when everything in common holds a greeting for the eye Upon its first awakening, when the dawn is in the sky. When the dawn is in the sky, and the little stars of night Grow dim and lose their twinkle in the early morning light Which peeps above the mountain and down along the stream, Where the whirling of the waters like echoes from a dream Are lost within the silence of a robin's plaint- ive song, Given from the soul of nature when the pulse of life beats strong; While the smoke above the cabin like a misty hallowed wreath ; Or like sweet comfort's blessings from a happy home beneath, Where day has kissed the darkness, causing fairy forms to fly Back to fairies' "Dreamland" when the dawn is in the sky. When the dawn is in the sky, when the dawn is in the sky, How the fancy loves to ramble through the happy days gone by, 79 When we drove the cows to pasture in the early of the day, And stopped to beat the thistles which grew along the way. Or waded in the silent, shallow waters of the brook, Or imitated heroes in some childish story- book; I wonder if in Heaven we can live this all again, With that wayward, youthful feeling un- marred by worldly stain, Can we find our boyhood's morning free from either sob or sigh, And with all its golden sweetness: with the dawn across its sky? <^* t£r* l2r* MY ROOM. Kings may claim their costly castles, Millionaires their mansions fine, But for myself I find a palace In this one room which I call mine. 80 PITY THEM. Pity them who can't say No When temptation lures too strong; Pity them who feebly go In the way they know is wrong; Pity and a kind word speak, Try their better self to seek Help them, for their will is weak: Pity them. Pity her who 's gone astray Mid the city's gauze and glare; Pity, for it was not the way She had dreamed that put her there; With painted cheeks and hollow eyes, She 's down to where she can not rise ; Death now is her best compromise: Pity her. Pity him a slave to drink, A greater curse he could not own; Pity the soul that will so sink To where it never can atone; 6 81 He once looked out of innocent eyes Upon a world of brilliant skies; But there in the gutter now he lies: Pity him. Pity the weak who e'er they be ; They tried perhaps, but failed the task; Pity them, for there 's good to see In every one beneath the mask: Their cradle-song was not in vain, Although they could not stand the strain, Their hearts may still echo its sweet re- frain : Pity them. * J> j* A JOKE. A JOKE'S a joke because the wit Is quick to see the point of it. But should the point appear too dim To any one, the joke 's on him. 82 A ROSE AND A SEA SHELL. A RO^t and a sea shell sent to me By a friend of mine who happened to be In the Southern summer-land, And perhaps, with her own hand She has plucked this rose for me From a garden near the sea, Where, at evening, as the rush Of the waves has stilled the blush On its cheeks, and where the dew Of the night has kissed it too ; And the morning sun has chased Away the drops and has replaced In their stead a light, which holds To each leaf as it unfolds Such a glory as is known To the bursting rose alone. While the shell with many more Has been gathered 'long the shore, Where a wave in trying to leap Across the sand, has from the deep Brought it up and laid it where My young friend had found it there. 83 So, into this my letter-file Awaiting some sweet afterwhile When I have more time to lend To the sweet thoughts of a friend, I place the rose and shell so frail Which were sent me through the mail By a friend, who chanced to be In a summer-land beside the sea. 84 I KNEW HE WOULD COME IF I WAITED. I KNEW he would come if I waited, Though waiting, it caused me despair; And I sat by the window and listened To hear his first step on the stair: For I knew he would come if I waited, But anxiously I paced 'round the floor. O, to see his own form on the threshold As I hastened to open the door. Would he come? But how dare I question His faithfulness to his own word; Would he dare not come at my calling? Or was that his dear step that I heard? O, I rush to the door for to meet him, For to welcome him here after all, For I knew he would come if I waited, He would come to answer my call. Yes, yes, it is he on the pavement, He 's coming, he 's ringing the bell, And my heart beats wild with rapture Of a joy which I never can tell, For I knew he would come if I waited, Yes, he M come at my call ; joy, O joy, What happiness it is to welcome Just to welcome: "the messenger boy." 8 5 PICTURES WE PAINT IN OUR MIND. There are times in our lives when we each stop to think Of just what the next world 's going to be ; We wonder and ponder if this life 's but a link In the great chain of eternity. We are born, live a while here on earth, then we die ; Well is that where the story all ends? Or is there such a place where we '11 meet face to face With those whom we have once called our friends? Will you be just the same? Will you have the same name? Will you look as you look when you die? Or will everything change to everything strange In the mere twinkling of an eye? 86 Where did we come from? Where are we going to? What is this called a soul hid inside? It 's a problem that no one 's been able to do, Though many philosophers have tried. I can look out on you, you can look out on me, Here 's a body with hands, feet, and head, But the spark of this life neither of us can see, Will we hold claim to it when we 're dead? When this flesh rots away and turns back into clay Does the soul soar to summits on high, And from there can look down on the little green mound In the church yard where our bodies lie? Does a bud that has drooped ere it burst into bloom, There continue its fragrance to keep? Will that dear sweet face smile in the great afterwhile, As it did when she fell fast asleep? 87 Will love linger to kiss in the life after this The near and the dear to our heart? Will memory's vine cling to every past thing That has once caused our pulse beat to start? O, mystery unsolved, we bow weak at thy will, Take us, make us into what you care, But give for the tear and all suffering here An equal in the smiles of UP THERE. We sit down and picture a heaven so fair; We make it as fancy best deems, And we build and we gild as our wishes have willed In the beautiful valley of dreams. There '11 be towers and walls and large marble halls Where the echoes of laughter will ring: There '11 be gardens in bloom breathing fra- grant perfume Where the sweet-throated warblers will sing. In the castle's cool shade where the tables are laid We will eat of the season's best yield : 88 While far down there below the lost river will flow Through the woodland and meadow and field. There the sky will be blue save the white clouds that strew Their broad billowy foam, to defy The sun's golden gleam, which will cause them to seem Like the sails of the ships floating by. There the earth w r ill be green with bright flowers, between Which will wave at their will in the breeze, There the murmuring brooks in Nature's cool nooks Will sing as they flow 'neath the trees. Nothing there is denied, every wish gratified, You 're to choose what the harpist should play. Thus each sense will be lulled 'till it 's drowsy and dulled, Then it sleeps joy's exhaustion away. There will be no more need of a sect, of a creed, In this place which we all hope to reach, 8 9 For at last we '11 be freed from all envy and greed, Content will come equal to each. Thus forever we '11 live in this land far away Like children unconscious of age, But whiling there away an endless holiday, As in pleasure's sweet pastime we engage. May it come to be true, yes for me, yes for you; When we leave this old planet behind; Be it then that we '11 see the sweet reality Of the pictures wx paint in our mind. Theme. Pictures, pictures we paint in our mind, Pictures of future, of things left behind; As down life's long lane to the end we will wind We will paint pictures, pictures in our mind. 90 MID THE DAISIES. SHE stood in a meadow of daisies Gathering a large bouquet Alone, all alone with the flowers That crowded about her way. The morning was fresh with the fragrance Of an incense the dew had distilled, As the sun dried the tears from the flowers Which the stars in their weeping had filled. No clouds were at play with the sunbeams, But the clearness that mellowed the sky Was as pure and serene as the sparkle To be found in the innocent eye. And O, how the birds were all singing, And the songs that they sang were the best, They could give as a hearty good welcome To the maiden, — their young honored guest. For she was to them like a fairy; As the daisies she stood there among With that blush which is joy to its owner, When the heart of its owner is young. 91 GEE, BUT IT'S GREAT TO BE CRAZY. I JUST have swallowed a quart of red ink Gee, but it 's great to be crazy. It 's so good for the blood, do n't you think Gee, but it 's great to be crazy. Before I used nothing but liquid glue, But got so stuck up in a week or two I hardly knew what I was going to do: Gee, but it's great to be crazy. I 've nailed a horn on the washing-machine Gee, but it's great to be crazy. I Ve filled the tub full of best gasoline : Gee, but it's great to be crazy. 92 Now when I turn the little round wheel In trying to make a clean record that 's real, It sounds just like an automobile: Gee, but it 's great to be crazy. I played the millionaire the other day: Gee, but it 's great to be crazy. By trying to give all my money away: Gee, but it 's great to be crazy. I threw most of it in the air, And watched it blow over everywhere, 'T was a jolly fine sport, I must declare: Gee, but it's great to be crazy. I made a snowball one day in July: Gee, but it's great to be crazy. I placed it out in the warm sun to dry: Gee, but it 's great to be crazy. But it was not the right brand of snow, For when I looked there in an hour or so, 93 All that I could find was the overflow: Gee, but it's great to be crazy. I sleep with my head out the window at night Gee, but it's great to be crazy. I find it gives me such a good appetite: Gee, but it's great to be crazy. The other morning a storm took place As I lay there in slumber's embrace. When I awoke I had "rain in the face:" Gee, but it 's great to be crazy. 94 O, I am a hero, a hero brave : Gee, but it's great to be crazy. Yes, a human life I once did save: Gee, but it 's great to be crazy. A little woman who was very frail Was being crushed at a bargain sale. I yelled rats! and cleared the trail: Gee, but it's great to be crazy. I once was arrested and put in jail: Gee, but it's great to be crazy. But I bought a bucket and got out on bail: Gee, but it's great to be crazy. When I took a notion in a notion-store To heed a sign, sayin' "take this door," I had to put it back in its place once more: Gee, but it's great to be crazy. I tried to steer an automobile: Gee, but it 's great to be crazy. Something went wrong with the turning wheel : Gee, but it 's great to be crazy. 95 We left the pike and took to the wood, Killed a flock of cows, so I 've understood, But just for a start I think I did good: Gee, but it's great to be crazy. I tried to live the simple life: Gee, but it 's great to be crazy. I put aside all worldly strife: Gee, but it 's great to be crazy. But after following these simple ways I became so simple in a few days That every one would stop and gaze. Gee, but it 's great to be crazy. 9 6 Now anybody who can talk like this : Gee, but it's great to be crazy, Must surely have something amiss: Gee, but it 's great to be crazy. Of course they can not do any harm, So do n't get scared or cause alarm. They're only delegates for the funny farm: Gee, but it's great to be crazy. 97 DRESSED IN BROWN. You will find her wherever you might care to go 'Round the town; She makes what would be called in slang terms, "A good show Worth a crown." On all the thoroughfares She puts on such great airs To attract the men's stares, Dressed in brown. She 's quite stylish in all you can't help but confess With a frown; For it shows much good taste to select such a dress Called a gown. She will hold her head high Till you 'd think that she 'd try To be sensibly shy Dressed in brown. 9 8 It 's a nice shade of cloth, yes, the latest of style, Not marked down; She has had it made up by a tailor worth while Of renown. So when now on the street This young lady you meet, You remark, "How petite Dressed in brown." 90 MY FLOWER. God's flowers are not all one kind, Our hearts must choose those we like best, And passing leave them grow behind Which in us wake no interest. He made one flower to grow so fair Beside the way which I came down That when I found it blooming there, My heart leaped to it with a bound. I longed to call it all my own; I asked for it with fond caress ; A gentle breeze from heaven blown, Waved its young head to answer, Yes. O, how its beauty cheered my heart, Its perfume lulled my every sense, Each hour I lived from it apart Was to me one long suspense. Then came the time when God saw right To take from me my precious gem, To turn my day into a night; To pull the flower from its stem. ioo Alone I sit as friends pass by, Each constant to his chosen love, And wonder if again shall I Find my fair flower up above. Will Heaven ever let me hold The fragrant beauty of my rose, To love and fondle as of old The little flower which I chose. IOI WHEN I WAS A KID. When I was a kid, what did I care About the proper clothes to wear; An old straw hat, a home-made shirt, Torn more or less, and worse for dirt; Shoes 'bout half gone around the toes, A knee hole worn in both my hose ; A pair of pants patched where I slid Down cellar doors, when I was a kid. When I was a kid, what did I care If a comb never passed through my hair, And taking time to wash my face, Why, such a thing was out of place. 'Cause goodness knows a little dirt A feller gets aint goin' to hurt. When company came I run and hid; I was n't missed, when I was a kid. When I was a kid, that 's some time back, A good appetite I never did lack, Jam and jelly, iced cake and pie, Roasted turkey, O me! O my! 102 I 'd eat and eat, just like a toad, Until I thought I would explode, But it was n't long 'fore it was rid, And I wanted more, when I was a kid. When I was a kid, yes, just a kid, Sometimes I did n't do as I was bid. My pa, he had a big strong knee That seemed to fit right under me. In this position it took not long To prove to me that I was wrong, For he was handy, and what he did To me was plenty, when I was a kid. 103 EVENING. AGED friend, the light of your long day Slowly, slowly fades away; And now like one who stands upon The hills and looks back to the dawn Across a broad and misty vale Of things forgotten, you can trail Those paths known best to you, for all The sweets of memory they recall. In childhood's rambles over there, With flowers blooming everywhere, You little knew the time you spent Was golden for its pure content; And through the valley where the day Seemed brightest as you went your way Unthoughtful of all left behind, But striving on to quench the mind Of thirsting for a sweeter bit Than Earth had cared to lend to it. Then into passion's anxious lane, With all to lose, with all to gain ; Where vice plays tempter to the good And wrecks the promise of manhood, 104 You hastened on and on and on Towards that future which withdrawn Allowed you not to reach or see More than the cold reality. Thus through the ever winding aisles With sorrow's sting or pleasure's smiles With love to soothe, with hope to cheer, With pain to bear, with sin to fear, On, on a-past the marble tiers Which mark the calendar of years, Until the shadows come to bless You with a peaceful quietness, As now you linger here and wait The opening of yon Heaven gate, Which holds for you a cup distilled Of perfect joy for all fulfilled Here on the earth where God knew best The lessons you should learn to test The strength of soul, which in the name Of Death he shortly will reclaim. 105 THE FACE THE FAIRIES FORMED. A BAND of fairies decided one day To model a new little baby that lay All bundled up, and ribbon tied, In a pretty white bed, at its mother's side. So getting their tools they started to work With here a soft pressure and there a slight jerk, A pinch of a finger, a pull at the nose, A rub on the backbone, a twist of the toes, For in every spot which showed a defect They lost not a minute to make it correct. While baby slept on as babies will do, Awakening at times to consent with a coo, As if there was aught in such a weak cooing To alter the task which the fairies were doing. So days went by and the noiseless band Of busy imps from fairyland Worked steadily on by day and night, But always keeping out of sight When curious people came and went To see the child and pass comment 1 06 Upon the work which they had done In shaping up this little one. To some were given all the care Of picking out a shade of hair, While others who, more apt and wise, Were busy with selecting eyes : An artist skilled with paint and brush Took on himself to make the flush Upon each cheek and red the tips Around the corners of both lips, While just below upon the chin Some scamp had pushed a dimple in And then this naughty little one Not content with mischief done, Shy and cautiously the sneak Gouged a dimple in each cheek. 'Twas not long before a change Had made the baby look quite strange, And as the years pass in a whirl This baby grew into a girl That everybody loved because She was so free from any flaws, And even birds would come and sit Beside her for the longest bit, While bees and bugs and beetles swarmed To see the face the fairies formed. 107 HIS MOTHER'S FACE. THE baby looked up from the cradle, And seeing her, he smiled; For she was his own dear mother, And he, her only child: They were happy, alone there together, The infant robed in lace, Contented to be just where he could see The smile of his mother's face. 5 T is noon ; school 's out and the children Shout it in wild alarms, As through the open door he springs once more Into his mother's arms: Here consoled, here advised, here protected In this loving embrace, A smile that is known to come from heaven alone Hallows his mother's face. Grown to manhood, with duty telling Him now that he must part; They stand together in the old doorway, Both with an aching heart. 1 08 She 's proud of her boy as into this world He goes to take his place, But he heaves a sigh, as he kisses good-bye His mother's tear-stained face. Back at home once again, but it is not the same Home that it was before, That sweet, kind voice, that dear old smile Can brighten it no more : All his hopes, all future, thoughts of else for- got As in grief he bows to trace A smile of that great eternal life On his mother's cold dead face. 109 AT MECHILE. The night was dark, the rain beat down, The tempest raged so high, The thunder rolled, the lightning flashed Across the clouded sky, The train was speeding swiftly on, Each minute meant a mile, When a woman raised the window And shouted, "Where's Mechile?" Where's Mechile? The conductor asked her As the train flew on so fast, "Why, good woman, that 's the station Which we just now have passed." "Back, back this train," she loudly cried, "Back, back this train, I say." The engineer reversed the lever, and went the other way. When they had gone some fourteen miles To where they reached the town, The woman gave a sigh of relief As she shut the window down, no And taking from a satchel near A sugar-coated pill, Between her lips she let it slip, And then sat very still: When the trainmen rushed to find her She met them with a smile, Saying, "O, I thank you kindly, gentlemen, I was to take one at Mechile." in MY MOTHER'S WEDDING-DAY. JUST forty years ago to-day A bride came down the broad hall stair, The sun that beamed across her way Seemed to smile in its golden glare, As it touched a curl and a crimson flush Upon her cheek, where purity Of womanhood burned forth a blush With happy heart throbs fast and free; No anger's frown nor wrinkled care Could find a depth to anchor in Or dim the light of two eyes fair Which held that seriousness within Of Love's own dream, which seemed to tell Of earth's desirings gratified; And though the lash which quickly fell Across the eye could never hide That consciousness of pure delight Which comforted when it had smiled Its surplus joy, then taking flight Drops soulward, fully reconciled; She was as fair a queen that day As ever graced the richest throne, Or caused her subject to make way As she advancing, walked alone, 112 For down into the whirling throng With laughter ringing everywhere Throughout the halls, its merry song, And jolly good cheer in the air; She came, so beautiful to see, To give for better or for worse That gift of Heaven's purity To mankind's bond of universe. And as the sacred knot was tied Which bound two souls in equal fate, A little song bird just outside Turned and whispered to his mate; Then flying to a tree top where Could best be heard his roundelay, He gave out to the silent air A sweet "God bless your wedding-day." Yes, that was many years ago ; But still to-night a man and wife Sit in the fire light's cheery glow And turn the pages of their life Backward to where their love began, With two united hearts which went A winding path that slowly ran Through shade and shine until content Has left them with an ebbing flame Beneath the locks of mingled gray, But where the smile comes just the same As on my mother's wedding-day. ii3 IT ALL COMES RIGHT IN THE END. THERE 's an old saying I have heard For many years, though not a word Sounds any worse off for the wear Which they have often had to bear In helping to console some one Who perhaps a wrong had done, And now repenting, finds a friend In saying, "It all comes right in the end." The mother, emblem of all good Who patiently has long withstood The thoughtlessness of younger years, Where wayward steps have caused the tears So oft to flow, now finds relief In reconciling all her grief By faith, in that all shadows blend Into the brightest, near the end. All weightiness of pain and care That each of us has had to bear 114 Within the little while we stay, Appears that it might overweigh Those hours when we felt the stress Of pure unconscious happiness, But life has yet to find the trend When everything comes right in the end. Yes, everything before it ends Must balance as our God intends, The hope which long withheld defeat Will gratify itself complete, And all the dreams that Fancy drew Will answer for not coming true; The tear will dry ; the heart will mend And everything come right in the end. 115 PARTING. COULD the heart but see the heart now before this word "Forever" Causes either lips to part, and the last frail strands we sever; Could the soul but see the soul as we say this last good-bye, And the hand the hand but hold, and the eye look to the eye. For the past has been a harp where the idle fingers laid, Until we woke the dream of the player, then he played Those low sweet strains of love while together we would smile; Only now to pay the tear to an endless after- while. For the harpist, he is gone and the strings lie broke in twain, While the music that he played will never sound again, The rose has faded brown as the roses oft will die, But it was all for the best, so "GOD BLESS You," and good-bye. 116 Deacidified using the Bookkeeper proc Neutralizing agent: Magnesium Oxide Treatment Date: Sept. 2009 PreservationTechnologi A WORLD LEADER IN COLLECTIONS PRESERVA 111 Thomson Park Drive Cranberry Township, PA 16066 (724)779-2111 LIBRARY OF CONGRESS 018 392 309 2