Class Book , k SSPfc Copyright^ , i Oia, £ COPYRIGHT DEPOSIT; P-0=E=M=S BY EDWARD GRUSE BROADWAY PUBLISHING CO. 835 Broadway, New York Copyright, 1908, BY EDWARD GRUSE All rights reserved. LIBRARY of CONGRESS] J Two OoDies f?eceived | MAY 6 1909 Ljj Ccpynent Entry . •■■'■ ■■■-■■ 3 FOREWORD. In presenting this little volume of verse to the public, I am fully aware that it has many- imperfections. The majority of these poems were written between the ages of fifteen and eighteen. A few of the poems have already appeared in print. I did not change their form to speak of, ex- cept making a few minor corrections here and there, for, in order to bring some of the poems into a better shape, I would be obliged to treat the subject differently. Then, if I would be required to work the subject over again, I could just as well spend my time on some sub- ject more worthy and more inviting to my maturer powers. So I present them, in a large measure, as they were originally written. E. G. CONTENTS PAGE The Voice I On the Banks I To My Violin 3 To a Bird on a Lady's Hat 3 On Hearing a Familiar Melody 5 The Hall of Fame 5 The Spirit of Romance 6 Consolement 7 The Robin's First Chirp 7 On Parting with H. C. Greene 8 The Crocus 9 The Violet 9 The Ocean 9 The Aged 10 Lines to Beauty 12 The Wind Thru the Screen 14 Ode to a Bobolink 18 A Boat-ride at Sunset 20 The Indian Mound 22 Spring 25 December 2.J Lines to a Lady 28 The World's the World Wher'er We Go. . . 29 Spring and Poetry 30 Ode to an Ivy 37 Ode to the South Wind 39 it Contents PAGE Childhood. 43 All Things Were Born to Die 43 A Resemblance 44 Ode to a Meadowlark 44 SONNETS. On Finishing the Study of Homer 49 To Keats 50 In a Hay Field 50 May 51 Beneath the Open Sky 52 Dawn in a Strange Place 52 Midnight 53 Autumn 53 Genius and Expression 54 Evening 55 Solitude 55 To Shakespeare 56 November 57 December 57 To Shelley 58 To Florence 58 On Friendship 59 To Sleep 67 To Agatha 68 Imagination 69 To a Lady 69 On First Hearing Kubelik .., J J The Young Sailor 78 THE VOICE. A beckoning Voice sounds forth a burning note, And men unconsciously its call obey; The darkness of the night, the light of day, All doth alike its energies promote. They see bright visions in a halo float, And half forget that they are formed of clay, Lifting man upward from his narrow way And giving him new hopes on which to dote. Yet, what that voice may be and whence it comes. The one who is inspired scarcely knows; It speaks, and he a new apparel dons, And his whole being with the message glows. Cold, hunger, pain, he courts and luxury shuns That he may lift man from his sordid woes. ON THE BANKS. On the green banks, oh, -gentle stream, How often have I wandered, And watched the water as it gleamed Below from where I pondered. Poems How oft these dear familiar scenes My yearning soul entranced, Until it leaped within my frame And to the ripples danced. I loved to sit upon the bank When western skies were red, And see the glorious glimmer that The water overspread. Still far more grand and beautious To me the stream did seem When from the sky the lucid moon Cast forth its silvery beam. When 'bout the moon the twinkling stars Began to reappear, Refulgent shining, till each one Became more bright and clear; When from the water's glassy depths Sweet message did flow, Refreshening to such souls in which Superior visions glow; Ah, then, is when I loved to sit On thy green banks, Oh, Stream ; Then did my being give response To the alluring scene. Poems g TO MY VIOLIN. Thou singer of sweet melodies, Soul-searching instrument, Companion of my woeful heart, Thou makest grief relent, When, rightly touched from out thy breast, Half -human tones are sent. I see thee silent in thy case, A worthless wooden frame, But when some Paginini graps Thee with a soaring strain, How wondrous are thy penned-up powers, Thou charmer of the brain. Thou singer of sweet melodies, Upon my breast recline, And with my soul-tipped fingers, let Me touch a strain sublime, Until my soul leaps on thy strings, Melts to thy tones divine. TO A BIRD ON A LADY'S HAT. And thou wouldst sing for us no more, Sweet birdie blithe. Thy voice Is silent, which so long did fill POSMS The groves with music choice And pleased the listening ear, or made Some weary heart rejoice. Thy voice is silent; yea, thy wings No more in rapid flight Cut thru the air, for human heart Envied their plumage bright And thot to give it thee not man, Kind nature was not right. Thou cam'st to sing for us a song, Inspired with hope and love, To give us glimpses of the joy, The happiness above, To put a bit of cheerfulness In paths thru which we move. How cruel is man; he oft complains Of sorrow's venomed dart; Yet these sweet creatures will he slay With sly ensnaring art, Whose very mission is to soothe The pains and heal the heart. O Vanity, it is for thee These harbingers are slain; What gain is there to still the voice Which calms our earthly pain Posms 5 For plumage vain ? Yet man will do't, And wear the worthless frame. ON HEARING A FAMILIAR MELODY. Oh, songs, how dear to me you are I heard long, long ago; When now I hear your melody, Warm tears began to flow, For memory brings back past joys, Which I no more can know. Her voice me haunts who used to sing Those melodies for me, And with that voice there comes the dream Of love so pure and free, When we culled violets from the banks And roses from the lea. Oh, bygone days, could I again Your soothing pleasures share; Could I again be young and free, Relieved of all this care, And hear those precious melodies Whose notes now seem so rare. THE HALL OF FAME. Where is the Hall of Fame, The longed-for seat of immortality? 6 Poems Is it in marble's cold solidity, Or in a hall's domain, Encased or hung in frame? Where is the Hall of Fame? 'Tis in the human heart and there alone; The heart, which treasures up, the great deeds done, And give the doer a name; Here is the Hall of Fame. THE SPIRIT OF ROMANCE. As I gaze o'er the fields this winter day, When all the snow has melted and the sun Shines warmly on the scattered leaves and trees, The spirit of romance doth o'er me come And former pleasures, joys, excursions, all, Do thru my mind in panorama run. I fancy now myself upon the shore And listening to the water's gentle sound, Then in the verdant meadows fresh and green, Then in the woods with birds rejoicing round. I wander here, now there, where'r there's beauty, Scarce knowing whither my strange course is bound. POUMS % CONSOLEMENT. My soul thru these unfriendly winter hours, Unhappy, desolate, would be, If only on the dreary storms I'd ponder And would no distant comforts see. One doth most gladly realize the hand Which earthly beauty thus destroys, Doth also with a touch more quickening Bring back earth's sunshine and its joys. When life naught but a mass of troubles seem, And melancholy dulls the mind, Could we but dwell on happier distant scenes, And leave destructive thots behind. THE ROBIN'S FIRST CHIRP. Sweet harbinger of spring, thy chirp Is pleasing, when alone Amid the leafless boughs, thou singest, In thy soft plaintive tone. \ Amid the leafless boughs? Ah, yes. For then my heart doth burn When, in prophetic temperament, Some warbler doth return. 8 iPoems Chirp on, sweet bird ; I welcome bid To thee, and if thy strain Is not the sweetest, still a friend Thou ever shall remain. ON PARTING WITH HARVEY C. GREEN. We stood beside the opened gate With faces stern and sad; The gate which many times had made Our youthful bosoms glad. The moon was fair, and bright its rays Gleamed from the cloudless sky, Which made our hearts e'en closer cling, And more tear-stained our eye. We lingered long, yes, long it seemed, For long we were to part, Unwillingly from our mute lips The farewell seemed to start. Thus friendship has its sadness, too; For partings sometime come, When we think our acquaintance has Just fairly well begun. Poems THE CROCUS. Oh, emblem fair of balmy May, How sweet on plains you bloom, When grass yet sear and trees yet bear, But gone is winter's gloom. I often long for brighter flowers; Yet when you come in, Spring, My heart is glad; for other scenes Than barren fields you bring. THE VIOLET. Blue fragrant flower, thou springest up Beside this hidden stream; And oft thy beauty fades away Without e'er being seen. Some of these blossoms I will cull And pin them on my breast ; The others I will think about — - There dreaming in your nest. THE OCEAN. When to the wild and raging deep We turn our eyes and meditate Upon its mass, the life of man io Poems Seems but a mist, not long by winds Or tempests tossed; for many years Its mighty mass has sounded on The shore, and still it seems not old. It being waters, still by winds Are tossed, and man yet spreads his sails And floats away to lands beyond. Thou seem'st unchangeable, Oh, Sea. While day by day the sun beholds Some form, turn cold and laid to rest, E'en years effect thee not; thy roar The beach still echoes loud As in the ages long ago, But man is flesh; each thot and act Takes 'way some ne'er returning force, While drops which leave thy massive bed Again flow back into thy depths. Yon rocks turned gray by briny foam, 'Gainst which for years thy waters dashed, Are also old and long enduring, As adamant they are, but yet Thy gentler motion slowly wears The sullen rock. So teach, O Deep, That hearts with fierce desires filled Are easiest moved by gentle souls. THE AGED. I watched him walking with unsteady gait, For recreation, now his only toil, Or pastime, as it to his mind appealed. How slow his fimbs each other lead, which once With youthful strength and vigor overflowed, And climbed the dizzy heights and swam the stream With full and lusty stroke. His shrunken face, With wrinkles spread, from which gleams forth the change Of nearly eighty years, resembles not At least, not much, his beaming youthful face. He little thot, perhaps, when sticks he flung Into the waters, stirring up a splash, Or with them chased the squirrel in youthful sport, That years should lead so swiftly on and force His weakened limbs to lean on such a stick For self-support and help him move along. No more with morning's mellow sun he goes Unto his labor, mingling 'mong the throng, His days of toil are o'er; his deeds are wrought, And now he waits his final recompense. iz Poems UNES TO BEAUTY, i. Smile if you will At this unhandsome face; Your smiling but reflects Your crude, unpolished soul, And does not, nor does never, never, Condemn the one your smiles reprove. Your continence but tells to men Your ignorance; on it there is inscribed, "I meddle in the shallows of this world, Ne'er tasting of the vital things of life/' ii. 'Tis true she is not beautiful. She has not Cleopatra's brow, Nor have her eyes The lustre of some radiant star, Whose glance make mortal heart to leap And swim in ecstacy; Nor are her lips The likeness of two roses, which, By morning breeze, together pressed, Each other's overflowing glory kiss ; Nor are her hair a band of silken curls, The floss of maise full streaming in the breeze POSMS 13 And smiling in the sun; Nor is her form the sculptor's dream, A form like that of nymphs, Which haunt the shady springs. But why, then, call her beautiful? in. I must with you who smile agree, (All poets must), lest I were not a poet, That there's a pleasure in such beauty as Doth satiate the mind. There's pleasure in angelic eyes, In rosy lips and dimpled cheeks, Yet 'tis not always true, Such beauty is the revelation of The inmost soul, But oft 'tis but a mask Which hides a shallow heart. 'Tis not the flowers most beautiful, Which sweetest fragrance yield ; 'Tis not the birds in brightest plumage decked, Which sing the loveliest melody ; 'Tis not the harp with richest jewels trimmed, Which strikes up finest harmony. Ah, no ; and yet by such are men deceived. 'Tis not the brightest eyes Which see the deepest; 'Tis not the handsomest lips Which speak the sweetest; 14 Poems 'Tis not most perfect forms Which bear themselves the straightest. No, no. Yet this some cannot believe. One cannot beauty judge by eye alone; The heart its different hues and aspects first Must well assimilate, before is found Its true divinity. THE WIND THRU THE SCREEN. i. Sigh, wind; sigh thru the woven screen, Whose high-strung wires, like silvery strings Of some Aeolian harp, vibrate To thy enchanting touch, Creating music, dreamy, soft and sweet. Sigh on ! Thy harmony Is soothing to my soul. It wakes A slumbering chord, which wakening gives Immediate response to thy soft sighing, Which o'er my consciousness doth creep, Just as the memory of some pleasant dream, Which brought sweet visions in the night, But which the dawn dispersed, And melted into naught, by touching it With stern reality, Us knelling back to our real state Of pain and suffering again. And we the morning loathe, lPo^ms !IS Which scared such scenes away, In which we fainly would forever dwell, And brought us to our natural selves again To scenes we fainly these few hours forgot. 'Tis as a voice of happier bygone days Complaining to an overburdened breast. II. 'Tis sweet, pathetic, yet 'tis said and melan- choly, This sighing thru the screen; It bears me back to my familiar chamber — My youthful chamber, In which, when weary, roaming fields and woods, I passed the happy hours away, Communing with the souls of yesterday; Companions, tho not cased in mortal frames, Yet dearer far to me than such Whom I could with my fingers touch, Or with my eyes behold. Their earthly forms, tho long returned to dust, Their souls yet live and give us nourishment Far more than those who walk to-day on earth, Bound in their prison, struggling to be free. 'Tis, after all, the spirit; the soul that lives And speaks to men. As soon as earth's great intellects Abandon their material frames, 1 6 Poems Forgetting all their frailties, We understand what all their struggling meant. We Homer, Dante, Shakespeare, Milton know To-day much better than those who beheld Their mortal forms and heard their voice. Their souls float free, to us akin. in. Still sighs the breeze in changing harmony. Now almost 'tis inaudible, Like breaths of spirits slumbering by a stream, Then gradually increasing pitch or suddenly It murmurs like the oak in evening air, With cadences like some master's symphony. Methinks I sit now by My open chamber window, Where I so oft have sat and mused On scenes before me, or on life's philosophy, Or read some favorite poet. When satiated with some stroke of genius great, I turned my eyes away From these rich golden stores, And thru the open window gazing, Beholding yellow-waving harvest fields, Made lovely by the richness of the setting sun; And listening to the branches of the trees, Which, bending their green tops in playful dance, POUMS I/ And spreading out their mass now here, now there, Time keeping to the soft, unsteady breeze; And hearkening to the carol of some bird, Which hopped from branch to branch, Now hid, now visible ; And to this sighing thru the screen, I meditate on the verses read. Then could I feel the poet's sentiment, For poetry flowed about me everywhere, And, animating the dead page, My soul brought in relationship With what the poet in his inspiration felt. IV. Still, still there's music sighing thru the screen, Just as it thru my youthful chamber window sighed. How often when the radiant moon was full, And twinkling stars at one another smiled, Without a candle burning To light the chamber, I sat on the window sill And let the breeze my temples cool, While I beheld the splendor of the moon, Watched how as slowly moving clouds Within its lustre were beseiged, It polished them with silver bright And fitted them, For their celestial wanderings. 1 8 Poems I often wished I could some nectar drink Which would drive sleep away, That I till morn could watch the skies, And dream the night away in wakeful ecstacy. v. Sigh on, sigh on, sweet breeze; Sigh thru the screen. There is a consolation in thy harmony Which now I gladly drink. It brings before me happier days And gives a momentary joy Amid the grind and struggle of this life. ODE TO A BOBOLINK. Now will I pause; I've rambled in the mead This summer day to hear thee sing, And here thou sittest on the swaying stems, Easing from thy last caroling Thy little throat, which never seems to tire From flowing forth in endless song, No matter if it floats o'er plain unheard Or listened to by spell-bound throng, It is the same ; it is the best thy breast contains. What carest thou if human ears thee hear ! How many of thy sweetest strains Melt in the air, and fade away unheard, Poems 19 Re-echoed only by the plains. Thy song is not for man ; 'tis not for him Who oft thy happiness doth spurn, But 'tis to thy Creator thou doest pour The joys which in thy bosom burn, To whom thy spirit is akin more than to us. Now, frightened by my sud'n appearance, thou Layest on thy shoulders thy wee head, And with a sudden spring upstarting straight, Thou leavest behind the fragrant mead, Outpouring floods of charming melody, Such floods, as if thy heart would burst; As if some grief thou wert forgetting, which, Long in thy bosom thou hast nurst, Forgetting by one desperate struggle what thee grieves. I have alarmed thee and scared thee from Thy resting place, and yet in fleeing Thou singest for me such a melody Which seems doth nearly melt thy being; As if we playmates intimate long were, And thou didst with me slyly play, Me leaving far behind unwillingly; Me coaxing with the cheerful lay, Full knowing I thy rapid, easy flight would envy. I nearly turn to weep, dear, gentle bird, 20 Poems To think I, who have frightened thee, Should for this act unmannerly receive Such floods of sweet, rich harmony: As if there was no vengeance in thy breast; No frown for evils done to thee, No harshness, rudeness, to thy enemy, But all was love and sympathy. I listen as thou singest with a nobler heart. A BOAT RIDE AT SUNSET. Now is the loveliest season of the day, The sky is red and earth is beautiful. Among the oaks on yonder hill afar An intermittent murmuring is heard Which, growing fainter, fainter at each stir, Seems gradually to die and fade away, As if by its own music lulled asleep. The birds are not all silent; some yet sing One good-night carol more, before they bid Departing day farewell. The water: Ah, How calm it is; how in a trance it sleeps. Now come my little boat, companion sweet, On evenings such as these, bear me along With gentle motion o'er the water calm, That I may of this passing beauty breathe. With one light, steady stroke we break away From shore and glide into the bosom of The lake, where we upon the current will Be borne, and make our rowing easier. POSMS 21 Now move we smoothly, far enough from land We have receded as to duly meet The water motion, which, unnoticed, flows. How willingly the water's crest divides As glides the boat along; as if 'twas pleased To entertain some welcomed visitor. The oars dip with a gentle splash and leave A ripple, which expands o'er all the lake ; And from them drip the cool, fresh, sunlit drops, When from the water's surface they're up- raised. A little farther from the shore let's float That we may in a panorama see The windings of the valleys and the slope Of hills; the recognition of which will More sweet our rowing make, for 'twould not be Inviting if we on an ocean were, Where land nowhere around was visible; Earth, sky and water must commingle in This scene to give it real sublimity. Now glide we slowly in a little bay, Where from the woods surrounding comes the breath Of perfume floating o'er the water calm. Now would I could into the water cast The laboring oars and drift where'er the breeze And current of the water carry me, And with a swan-like motion onward move 2,2, Poems Thru rushes and thru water lilies till The water cradled me to slumber sweet. THE INDIAN MOUND. I come again to this observatory, Where I the woods and lake can view, While breezes cool and loaded with perfume O'er me their gathered sweetness strew The valley smiles, with many blossoms white, Which mingle with the green their hue. Amid what heap of relics, bones, I stand! These skeletons, which, years ago, In flesh and blood contained a living soul, Should they now be demolished so, And lie here, scattered o'er this sunny mound To worthless dust returning slow? Here lies a skull and there a stalworth limb, If they are mates we hardly know. In complete structure they can ne'er appear Again; if breaths of last days blow To wake them, it is but the soul they call Which long away from these did flow. A spectacle appalling, ghastly, grim To see the temple of the soul Thus torn asunder and spread o'er earth, As if some furious demon stole P0£MS 23 The airy substance and with temper wild Demolished this its earthly mold. Thus are our bones ; from them the spirit flees And they are naught but worthless dust, E'en more unseemly than the stones, which on The shore by water's motion thrust; E'en more repulsive than these iron tools Which lie here covered thick with rust. Then in what composition are we made If these dull bones are but as naught? We must be mainly spirit ; these intrigues In which its liberty is caught, Decay, while it becomes with life aflame And gains the goal it long has sought. When flesh yet filled the caverns of these bones In reverence were these forms laid Beneath the sod, with heathen rites; Each with his ashen bow and blade, And things, which might be needed by the dead While wandering in the silent shade. These forms were laid to rest forever here ; But man with his inquiring mind Could not in peace let him here rest; but must The sepulchre's rich contents find, And with a dirty shovel scrape the bones As if they ne'er a soul enshrined. 24 Poems A beautiful spot for a burial site! Below this elevated mound A valley stretches many furlongs wide And winds the grassy knoll around, In its rich depths, full many kinds of trees Arise and many berries wild abound. The valley widening, northward meets a lake, The lovely Big Stone the chief home Of these tribes formerly; this spot they chose Was to the lake around a dome Where eye could both its northward turning view And eastward until lost in gloom. They chose this as a respite for their dead, Thinking if they were still to roam Invisible o'er earth, they'd be 'mid scenes They loved, 'mid kindred spirits, known To them and could live 'mong the trees and drink As formerly from springs moss-grown. It seems the soul would love to hover 'bout Such an enchanting paradise, At least a while, to murmur 'mong the trees, Mixed with the breeze, or o'er hills rise, Or dance upon the waters playfully, Seen only by immortal eyes. POKMS 25 And with this thot in mind as here I stand, I feign I feel the spirits float Around me, issuing from the valley's depths As if they on the herbage dote, And playfully revisit these grim frames In which they first received their growth. How many souls from here their last flight took, Toward heaven wafted by the breeze Perfumed, and motion of the waters cool, And murmur of the swaying trees ; So near heaven were they on this spot, that they Departed with apparent ease. SPRING. Once more doth Nature from her slumber wake And timid Eurus strengthened by the sun Offers rebuke to hectorly Aeolis. It fans the hoary locks of winter till They move obedient to its mild command. Now to the touch of gentle-fingered Spring Dissolve the icy streams, which pour their flood, Increased by torrents (mountains' melted 1 snows) Down to the vast and never-resting sea; 26 Poems The dormant buds react and gradually Send forth their hidden blossoms, fragrant flowers Developing and verdant foliage; The meadows sprout and with their stretching green, Afford a background for heaven's canopy. Oh, Spring, how wondrous, beautiful, thy touch ! Amid these scenes now chirps the robin red, Sweet harbinger of blessed summer time ; The lark with more melodious voice and strong, Makes glad the vacant air, which in its vast Expanse resounds the thrilling melody, More room! more room! cries my expanding soul. These chambered walls restrained its soaring wings Within their boundary, besieged by snow and ice, But when the fields and trees and stream and birds In unison pour forth their eloquence Persuasive, then the tightening strings of my Freed soul turned to an elevated pitch Unconsciously vibrate and answering give Accompaniment to their sweet harmony. Poems zj DECEMBER. Still Eurus must transfigured earth endure Occasionally thy gentle wanderings When slumber ought to be imperative Upon thy restless brow ? For this to thee Is night and when I feel thy gentle touch It seems't thou rangest in uneasy dreams. Thy haunt is not the barren fields and crests Of snow, where beauty holds apart its charms, But 'tis the sylvan stream, the verdant woods Which smile at thy approach and welcome give. 'Tis thine to kiss the sunny meads and sip Perfume from flowers beautiful and waft It playfully to nerves who to such balm Give recognition and swiftly react. Away! Away! sweet-tempered intruder, Thy season's past! Thots sad to realize, Come thou, Aeolis, burst from out thy cave ; From northern regions drive perpetual cold And entertain deserted lonely earth With thy enchanting howl and whistle shrill. Thy blustering whirl doth remedy complaints, It seems my blood runs parallel to it Since nature tunes its flow. Thus harmony Pre-eminent predominates all things And checks unseeming inconsistencies By blending blood and wind and clime in one. December, yes December, wild it is 28 P03MS The month of gloom and dreary solitude, Yet without wind or cold or snow or ice, What would it seem else than a thing deceased Demanding some physician for its cure. LINES TO A LADY. How could'st thou be so cruel, fair maid, To give me all this pain? How can'st thou turn so cold away And make me thus complain? I've tried to win a smile of thee, But tried it all in vain. I once thot thy wild beaming eye Spoke messages to me, Spoke in a language most divine, Which made all sorrows flee, But now I know, I knew not then Their strange divinity. The birds sing of thy loveliness, Flowers bloom thee to adorn, The breezes cool thy dimpled cheek, And founts reflect thy form, Yet these because they speak of thee, But make me more forlorn. Oh, let me gaze no more, sweet maid, Into thy deep, dark eyes, POSMS 29 For then I may evade the spell. Which from their lids doth rise, Then may I for a time forget, That thou dost me despise. THE WORLD'S THE WORLD WHER- E'ER WE GO. The world's the world where'er we go, All men have heart and mind, And when we search for something new We but the old things find. ; Some leave the hut, some leave the court, In time but to return, Saying, "Here is the old, the new, I will no longer yearn." "I thot there was no struggle there, And sought a higher life, But now I know in hut and court There is the self-same strife." We make the world, the world makes us, The world would make us base, And yet we need its struggling groans To temper here our race. We make the world, the world makes us. We have an inner light, 30 Poems Which makes the world where'er we go Repulsive or abright. SPRING AND POETRY. There is a joy in living, when sweet Spring Doth pour about our beings, balmy air; When it has conquered winter with a smile And sent it melted to the ocean's depths. When it the chamber opens for the nymphs, Which ruthless winter held in strict restraint,' Which 'bout our beings swarm invisible, And fan them with such soft and gentle touch That we ourselves are in the motion lost And seem in heavenly atmosphere to float. We cannot strictly to our own selves cling, We wander carelessly about and let Unconsciously into our opened breast These harmless yet mischievous messengers, Which bletch from us our being e'er we are Aware and give it to the breeze and air To pour it into trees and flowers or waft It o'er the tranquil lake, across to hills Where in the caves it turns into an echo, And leaps about from place to place unseen, Resounding every motion then astir, Till we feel everything a part of us. We now forget the struggles of the past, The heart-aches and the pangs of sorrow cruel, Poems 31 The worry causing many sleepless nights, The consciousness of failure, which, desire, For high perfection e'er reminds us of. The fountain oozing from the troubled breast Is dry and clearer springs let forth their store. The breath of Spring, wafts 'bout us lovingly The dews of heaven, which renovate the soul, And takes away the old and wasted things, Them blowing to some newly opened port Where they yet can inferior function form. Just as a thresher, threshing with a flail Heaps up the golden grain and to the wind Lets fly the chaff and undesired seed, Or as one pressing from the juicy fruit The cool and sparkling wine, throws 'way the seeds And coverings, just so spring's balmy breath Takes 'way the waste and leaves the richest part. r It takes from us a sense of heaviness And makes us feel less of coporeal weight Escourting us to lighter spiritual realms. How many in this soothing atmosphere Find sweet repose. The lover gaunt and lorn, Despondent o'er some inconsistent breech, Breathes now a balm inspiring to his soul Which makes his suffering seem sadly sweet, As if the beauty of the earth; the flowers And woods and meads reflected in degree His love when she to him seemed fondly true. 32 Po£MS Those who departed ones lament and morn Feel sweet consolement enter in their breast As if the very face of Nature bright Sweetly reflects the immortality Of those whose parting made their bosoms droop. Some disappointed by the loss of fortune Or by hopes unfulfilled now somewhat lose Their hold on things terrestial and feel An impulse more divine by letting all Their actions take a freer, natural course. The poet comes not to thee, oh, Sweet Spring, Only when earthly scenes his soul depress (Altho' to him thou art far dearer then Than commonly, when all with him runs smooth. ) But always thou to him a close friend art. Unlike a man whose pathway cleaves the earth, Who walks perpetually on trodden ground And never takes a step imaginary Upon the floating clouds or by some stream, Whose breast becomes impenetrable, Who, when calamity o'erpowers him And hopes are lost and faith in men dissolved Knows not for comfort, whiter he should flee. Unlike him art thou poet, thou too well Knowest the balm, which nature holds in store And ever drawest nourishment from her. Poems 33 So much thou dotest on her that quite oft Her fragrant fumes intoxicate thy brain, That thou f orgetest the cold and grating world, Its grinding mechanism monotonous, And livest in a realm of ecstasy, Where things invented by the imagination Are as they should be, not as they now are. And yet these bright prophetic visions, which Spleened poets howl and dream of, what are they? What help they to humanity relieve? _ None ! says the ignorant, ah, how unjust Such judgment we our idols need to have Before we set, we need a spark of fire _ Mixed with our cold and practical affairs. The poet has three functions to perform, To teach men beauty to appreciate, Especially as found in Nature's realm; To help establish the brotherhood of men; And raise men's ideals to a higher plane. Thus comes the poet in his attitude, Full glorious 'gain to thee this opening year, Dear nature, not as one with sickened heart Disgusted at some act irreverent, Who would find for his bleeding wound a balm, But rather as one who for many years With thee was growing intimate and woed The beauty sparkling in thy genial face, 34 Poems And oft from thy sequestered fountains drank. He lives not in the realm of common men To routine bound, who live a toilsome life And know not in what continence to trust. His kingdom is not altogether here 'Mong bustling men, it is the handiwork Of God from which he inspiration draws. He dreams of realms beyond the grating world And has a friend in hill and mossy stream, In valleys beautiful and verdant woods And when he over these rich borders roams He's always greeted with a pleasing smile. When I behold Earth's beauty gradually Expand to scenes more and more beautiful, Charmed by a soft love-breathing atmosphere, I wish then that I had a hundred minds Or one sufficient in capacity That it could all the finer arts embrace. Would not that man was doomed to struggle hard A lifetime at one thing, one chosen art, Before he can succeed and waive all others, Altho' for them he cares and has for them A faculty; He in a channel moves, Which, to the ocean never finds its way; If e'er it to the roaring beach arrives It slacks and spreads and sinks into the sand. He wanders in a forest, bearing trees Of every sort, but only sees the oak As if no other vegetation grew. Poems 35 I would now be a painter that the scenes Which I behold could not escape my sight, But I could sketch them in their natural color, On canvass which for years its strength would hold. On which when Winter in his cold embrace Me holds and such scenes are by it despoiled, I could gaze and of lovely springtime dream. How with my easel tucked beneath my arm, I'd wander o'er the fields and valleys wide, Thru woods, by springs and spirit haunted streams, The loveliest bowers seeking for my brush. I would a sculptor be that I in rock Long-lasting could some startled roe-buck carve, Which frightened by my sud'n quiet approach, Leaps wildly forward thru the trembling leaves. I would be a musician that with harp Melodious, I, beneath some shady bower, Could lie, where e'en the breezes slumber mute, And strike up such enchanting melody That all the forests would the notes resound. Or in a boat a little way from shore I'd row and let the oars in water hang, And taking up my well-tuned instrument Would woo the breezes with music that afar To distant shores the harmony could float. The breezes floating down the valleys cool; $6 Posms The trees now here, now there to murmur stir- ring, The waters moving to a soft-toned roar, Would to my music be accompaniment. A poet also would I be that I Could sip the finer breath of all these scenes And taste the beauty which about me glows. These faculties with one another struggle, Each trying o'er the other predominate, But then the muse with her consuming fire The others shrivel and retains the throne. I will then be a poet, if one mind To these all cannot well administer. I'll wander in the cool and shady woods And breathe the mingled fragrance, which be- neath The boughs the violets and roses pour. The "cool and shady woods," there's magic in These words ; when one comes in their solitude He feels some spirit hovering over him, Which fills his bosom with a pleasing awe, The breezes murmuring among the boughs Shake poetry down, as if it dropped from heaven, And in the boughs became entangled that It could not on the blooming flowers droop, And needed to be loosened from its couch Before it could the trees and flowers baptize. I'll lie down 'mong these flowers, while the birds Posms Z7> About me sing in endless caroling; I'll give my mind to musings, idle, weird, Then stroll upon the shore and let the breath Of moving waters cool my feverish brows. ODE TO AN IVY. We plant thee now, oh ivy green, Beside the shady wall, That thou may'st ever upward climb, If naught thee doth befall, And in thy climbing keep afresh The memory of us all. , We plant thee now, oh ivy green; Thy life has just begun, While we now venture from these halls, A new, hard race to run, Thou'rt coming, we are going; Our work here has been done. Yet we are but beginning, too ; So far we've given naught; We've eagerly absorbed all which Our Alma Mater taught, And now we go into the world With eager missions fraught. 'Tis not for selfish gain we strive, Not for the gleam of gold, 38 PoSms The struggling of humanity From us such aims doth hold; For we would make less tears to flow And make more joys unfold. Sweet memories we leave behind, As we from these halls go. What lies before who can divine, The future we ne'er know, It may be full of countless joys, It may be full of woe. Yet let us not in paths of ease, Move o'er life's rugged fen; Let pain, affliction, sorrow ope New worlds unto our ken, That we may better sympathize With griefs of other men. When we grow weary, oppressed by ills We shall oft think of thee, Think how thou'rt upward climbing still, So calmly and so free, And we shall take new heart again And shall new visions see. So with a last but fond adieu We turn our steps away, Turn to the cold, ungrateful world Our fortunes to assay, Poems 39 May we not from our duties shrink Nor falter by the way. ODE TO THE SOUTH WIND. i. Oh, soft South wind, whose stir is never wild, In whose sweet folds sleep balmy Spring; Who thru the winter roved in distant climes Where joyous birds ne'er cease to sing; Thou who art sensitive to loveliness And only sound'st thy clarion when A message of rejoicing thou dost blow, Which comes most pleasing to our ken, < Blow on me thou, once more my drowsy being wake. ii. A victory is yours, a grateful one, South Wind, che fierce, unfriendly cold Thou hast dethroned and from grim Winter s head For Spring thou hast the sceptre stole, And hast caught Winter by his hoary locks, Not harshlv, yet hast made him weep, Till down his furrowed, gaunt, unseemly cheek Swift channels of blue waters creep, Till his whole features are for weeping altered quite. 40 Posms in. May this not be a dream ; may I not feign, I feel thy sweet, inspiring breath, Flow 'round my being, thus entrancing it Into a sort of lifelike death. For often as I'm by thy touch o'erpowered, Forgetting what I was and am, I for a moment think myself somewhere Beyond the mortal state of man, So drunken am I with the scenes surrounding me. IV. But why should I rejoice, oh, welcomed Wind, When thou dost but melt 'way the snow, Which covered up the ruinous heaps of earth And doth again the ruins show, The same as when the fierce autumnal winds Were bearing Spring's seeds to their tomb, And all was melancholy, woods and fields And meads, not long ago abloom And floating in sweet beauty unsurpassed. v. The ruins lie before me visible, And when upon the shrunken leaves, Thou breathest tenderly, 'tis as a sigh Posms 4 1 ' Of some new spirit mild who grieves For what has passed away, as if to life It would again these things restore. In just such mood thou comest, pensive, sad, Bewailing things which are no more, Altho' thy voice to joyful melody is tuned. VI. But were this all thy coming would betoken, There would be fruit for melancholy ; But 'tis not all ; 'tis not the vital part Of thy approach ; thy harmony, A hundred, sweeter, gentler sentiments Doth voice, which makes us welcome thee. Wrapt in thy folds are incantations of New birth, life, a divinity, Which even seems to generate mankind anew. VII. Thou floatest o'er the verdant valley wide And breathest on the sunny hills, And rangest playfully o'er the green plains With vital breathing, which instills In that with which it doth in contact come A living spirit ; flowers bloom, And meadows sprout, responding to thy touch, Broad fields appear in greenness soon And Beauty everywhere illuminates the Earth. 42 Poems viii. Then risest thou a little way from Earth And drivest from its resting place, Some cloud to give thy tender children drink. Each upward holds its pleading face Like birdies waiting what the mother brings; And as the drops come gently down, They open wide their purple, rosy, lily lips And never raise an envious frown, But each in its own satisfaction drinks. IX. Then comest thou some sultry day along, And visitest these fragrant flowers, Which now have from thy nourishment grown full, And beauteous, from warmth and showers, And sippest perfume from the different ones Till thou no more art travelling air, But nature's breath, forth drawing from her bosom, Sweet essences that man may share, The richness she possesses, if he only will. x. I know not if I am a part of thee; I feel a close companionship ; Poems 43 Would I could wander with thee o'er the Earth And could from hills to valleys skip ; Could woe the flowers with a gentle kiss; The water rippling lazily; The forest using for my stringless lyre, On which I could some lullaby Soft chant and could the poet's longing bosom soothe. — ■ m CHILDHOOD. I often dream of childhood days When e'er I sad and lonely, And think of happy childish wrys, Which now to me seem holy. My mind was filled with pleasant dreams, Which long from me have flown ; Stern manhood is not what it seems E'er it to man is known. Then sorrows were not sorrows real, Nor pain was not real pain, For coming morrow did reveal True happiness again. ALL THINGS WERE BORN TO DIE. The buds spread out in foliage, 44 Poems The grasses spring up green, To fill the place of others, which Now withered on earth lean. The fragrant flowers, sweetly bloom, The daisy, violet, the rose, To fill the place of others, which Once grew where now each blows. The birdies try their feeble wing And chant their new-born note, To fill the place of others, which Once had a sweeter throat. The children frolic, weep and play, The youth some phantom trust To fill the place of others, which Now sleep in common dust. A RESEMBLANCE. She passed me by, I caught her eye. Familiar was the beam Which from their lids did stream. ODE TO A MEADOW LARK. And yet once more I listen to thy voice, Sweet meadow lark, most welcomed bird; Po£Mg 45 When nipping frosts and autumn's winds de- stroyed All beauty which on earth then stirred, Unmercifully, turning all things sear, I knew not if 'twould be my lot To drink again these sweet sensations, which Accompany thee, the breezes soft, The gentle atmosphere, which stimulates the soul. But so with thee again I live and breathe The balmy life-instilling air, Of gentle Spring, when many, many, who Devotedly were wont to share Thy melody, no more will hear thee sing. Yet this affects thy spirit not, Thy voice e'en clearer, richer, sweeter rings O'er valley than before forgot, To men were those whose drooping hearts no more thou'lt cheer. The world moves on ; perpetually it moves, Not stopping for events, which come; Men die and leave these stormy scenes behind; Most leave when life is just begun, Mourned by few friends who closest to them lived, Yet moves the floods of things along The same as when they were participants; Still laughter stirs the motly throng, 46 Poems Still sighs are heard, still tears from lonely eyelids flow. Melodious bird, a friend to aching hearts, Thou lead'st me to another sphere, When thy clear notes float thru the balmy air, New hopes, new aspirations cheer. My troubled breast; for soon I know I'll have Companions, other than for months I've had. The joyous birds, the fields and flowers, Which I long longed to be amongst, Will soon again declare man's immortality. Kind nature wakes with thee, which ever draws, The soul from its corporeal frame, And makes it feel immortal, lifting it Aloft with budding hopes aflame. How soon we satiated are with scenes Conventional, we always long For something we ne'er fully can attain, As if we to some dwelling belong, Remote from where we now our time allotted fill. We long to be with Nature, with the world Outside, the universe, with thee Dear bird, to drink thy melody and feel Our souls leap from their bondage free, Poems 47 To realms of which we sometimes dimly dream ; To have them blown by balmy winds Into the grass and flowers surrounding us, And have a certain power, which binds These down, for our reception loose their tensity. Thy voice is not so sweet, so lively as Thy sister's, who doth upward run. Outpouring such a flood of harmony That it melts round the summer sun; Nor as the nightingale's, who to the moon And moonlit valleys doth complain In endless caroling and makes one wish To cease on midnight with no pain, Yet it has filled my heart with many visions new. Now soon all earth again will be astir; The flowers fragrant, grasses green Will blow and I will in the meadows stroll, The lily and the rose between, \ To watch thee sitting on the swaying stems, Or rising upward in the sky, O'erflooding all the air and fields around, The valleys deep and the hills high With joyous music, which is clearly heard afar. 48 [Poems How oft at haying time I've welcomed thee And listened to thy merry song, While stretched upon a heap of new-mown hay, A happy, joyous world among. This paradise, the fragrance of new hay, The flowers beautifully hued, The breezes creeping slowly thru the grass With many mixed perfumes bedewed, Made me my mortal state awhile forget for joy. Then when I heard thee carol, warble so, With thy o'erflowing heart content, Ah, how I wished this veil enshrouding me Could from my burning breast be rent And I like thee could be some blithsome spirit And could from out my bosom pour Like thee, some unpremeditated strain Which would my being onward spur To higher asperations, easing it from pain. For thee there is no fever or no fret, No sting of sorrow or no wail Of cruel injustice, which makes some to curse And some to falter and grow pale. With thy uplifting uncomplaining voice. Thou makest man somewhat forget The wretched conditions under which he strives, The heartaches and the pangs he's met While trying to secure the station he desires. Oh, bird where hides the joy, the happiness, That thou on earth doth ever show; At morn, at noon, at eve, in rain or shine, Thy soul unceasingly doth flow, In melody tuned to immortal love, While we poor pilgrims lonely, worn, Seem in our struggle for some unseen light, But as adventures forlorn, Compared to thee wrapt in thy joyful ecstacy. SONNETS. ON FINISHING THE STUDY OF HOMER. Now, must I leave thee, Homer, bard divine? Whose muse so oft my longing breast inspired, A muse with battle's raging tempests fired Composed of men devoted to Mars' shrine, Yet touched so sweetly with an air sublime Are those hot scenes of battle awfully horrid That one can ever drink and not be tired And see a glory thru the carnage shrine. Farewell, dear bard, now in thy native tongue, Which thou did'st tune to sweetest melody ; I've longed for thee in youth and now have wrung From thee an essence that to satisfy; 5o Poems I feel like one just from the forest come Refreshed and feeling its sublimity. TO KEATS. I lie beside this brook, among these flowers And meditate on thee immortal Keats ; I wonder how, as each perfume me greets, It would inspire thy breast, what dormant powers, Would rise up to thy ken, bathed in the show- ers Of thy rich genius, what unknown sweets Would rise, distilled by thy word-weaving feats. A paradise thou'd make of these cool bowers. Sweet bard while thus I muse in visions bright Thy earthly pilgrimage recurs to mind, And settles o'er the spirit like a blight. Thine was a brief yet intense light which shined, With such a lustre from its lonely height To lighten scenes to which the world was blind. IN THE HAY-FIELD. I'll lie here on this heap of new-mown hay And rest till from the barn the racks return. What blessedness! no matter where I turn Poems 51 There's beauty. How the gentle breezes stray Among the grasses as if on their way Intoxicated, sipping from the urn, In which the prairie's perfumes mingling burn, Until they rambled if 'twas holiday. Some meadow larks hop 'bout me in the grass, Some skyward rise and set the air to song; Now drowsily a bumblebee doth pass Me by, coaxing its laden joints along. A thousand insects in a consort mass Their chirps; a jubilant and merry throng. MAY. Sweet summer's childhood, cheerful, lovely May, When e'en the trees beside the haunted stream Seem in a childish ecstasy to dream, Robed in their new apparel, virent, gay, Too prouds in winds full lustily to sway ; When flowers thru the pearly dew drops gleam And in the breezes float, distilled, unseen, Once more refresh a lonely pilgrim's way. When earth thus makes her continence to smile, Then 'way all things, which irritate the soul. Let me now wander in the shady wood Or on the shore where murmuring waters roll, That I may more of my relationship With the mysterious universe unfold. 52 [Poems BENEATH THE OPEN SKY. What a relief to stand beneath the sky- Immeasurable and feel your soul expand Into infinitude in sky, on land ; To leave the city's temples towering high Which doth "the soul's immensity belie," For when one sees beyond his frail command The far-off clouds, the sea, the distant strand, He feels a smallness from his nature hie. This penned-up life deceives ; when everything Is in man's reach, when he doth walk between His own creation, which hide the sun and moon To the whole infinite a darkening screen; Go forth and learn thy true immensity, Catch from the heavens an immortal beam. DAWN IN A STRANGE PLACE. Come, friendly dawn ; around my being fold Thy brightening garments, while I linger here 'Mong strangers, steeped in foolish, needless fear. How visions flit at evening o'er the soul, 'Neath a strange roof, 'mid people harsh and cold, With none to speak a word the heart to cheer, Or help the people's enmity to bear Posms 53 Or help the spirit its high visions hold. Come, come, thou vanisher of petty doubts, Creator of sweet sympathy in man, Light my troubled, my chaotic breast And out of sight these weird fantasms fan. That I may not think evil of the good And all in pessimistic color scan. MIDNIGHT. 'Tis midnight; all the living world lies still, No motion stirs in east or south or west ; The wind, the trees, the lakes are all at rest, And deathlike silence doth the spirit thrill. The full moon floats above yon sleeping hill, Subduing Sirius with its silvery crest, The peaks and valleys show forth at their best, As heaven opes her mighty dome at will. Earth dreams! Would that she wake not from this trance, Would she in this consummate state could dream Forever and not groan and smile by chance, This is of immortality a gleam: Dissolve dull clay into the wide expanse And join the flood of this celestial stream. AUTUMN. A murmur of the gentle, western wind, 54 Poems A russel of few sear and yellow leaves, A twitter 'neath the cool wind-haunted eaves, And autumn dons his toga sable-lined. How can it be so forward, so unkind, As to so devastate the fields and trees, And drive the birds, which set our hearts at ease To leave us in these lonely wastes behind ? E'en if all earth is in dark saffron steeped, Yet as the mist clears from the hills away, There rises yet a glory from this heaped Brown mass, which with the wide expanse of gray Reflects a glory of the harvests reaped Of garners full, sweet fruits and rustics gay. GENIUS AND EXPRESSION. An artist mixing for effects his hues, A deft musician measuring off his time, A poet studying o'er some stubborn rhyme, Show forth the burning soul in different views. There may be much his efforts to confuse, E'er thru his work the artist's soul doth shine, And then 'tis but a spark of that divine Promethian fire, which inspired his muse. How scant is language for the soul's great range, Eor its emotions, feelings, sentiments; That genius grows despondent is not strange: Posms 55 A glance, a sigh, a tear, the heart's true vents, Soul-felt communications which ne'er change, Express more than all rhymes the poet in- vents. EVENING. A golden glory floods the reddening west, Whence beatific visions gorgeous flow ; A growing splendor ; richer beauties glow By shifting of the clouds. A sweet unrest Steals o'er the spirit as we gaze in quest Of hidden mysteries; the things we know Seem few, compared to this celestial show Of vast infinitudes we ne'er can test. The softening winds yet breathe and die away ; The silenced oaks have fallen fast asleep And now stand dreaming, 'mong whose boughs the jay Yet chirping his last note, doth gently leap ; All else is hushed, all turmoil of the day, As shadows slowly o'er the valleys creep. SOLITUDE. Come, gentle Dryad, take me by the hand And into forests dense my pathway lead, Where full I may, my longing spirit feed And more of nature's beauties understand. Or thou fair Naaid come my course command 56 Posms And to the green, secluded banks proceed, Where waters cool angelic visions breed As one drinks in their ceaseless murmur bland. Sweet solitude for thee I idly stray Beside the stream and in the forest shade ; For thee I make this special holy day. My soul needs thee ; it needs the hill and glade, To draw it from its dull incarnate clay, And made it undiscovered fields invade. TO SHAKESPEARE. Thou fount from which the thirsty scholars drink, From which the cultured sweet refreshment seek, In which for pearls the learned ever peep, Before whose brightness other fountains shrink, Whose course is nature and thus has no brink, Whose watering place men's hearts with bot- toms deep, Can these few words sufficient if they speak, When thousand could not utter what I think ? Yet rightly, Shakespeare men thee sacred hold, Thy complex harp against whose golden strings Vibrated sweetly thy far-reaching soul, Us closer and in true relation brings Poums 57 With human hearts ; its music doth unfold In strains divine, their secret laborings. NOVEMBER. November thru a troubled continence _ At times doth force a melancholy smile ; It would not us with wantonness beguile And cheerful looks, when in its lap immense It holds the loveliness of spring with sense Of guilt, now all in ruins, a dreary pile, Which once made earth a paradisial isle, With beauty for an easel too intense. It is a link, which Beauty sweet connects With desolation dire ; it moderates, ^ And into summer's seething veins injects A cold medicament, which warmth abates, And tempers climate to the climate next Before rough Winter ushers in its wastes. DECEMBER. December wild now ushers in its wastes, The month of gloom and dreary solitude; So wild, choatic, yet so ermine hued. Its desolation loveliness creates. No scene so barren but what promulgates Some beauty if by eye recipient viewed. Not banks alone by beauty are imbued, But also are the cliffs, which northwind grates. 58 OPosms How to December's icy touch congeal, The streams and cracks the frozen earth ; Earth ventures seldom from the sun to steal. A friendly beam, altho' at times, in mirth The sun makes her to laugh and laughing feel New comfort in her unaccustomed dirth. TO SHELLY. I ope mine ear and listen to the wind, And hear a charming, mystic harmony, The voice and breath of Nature. Calm, softly It now doth breathe and then to softness blind It fiercely thru the valley's depths doth wind. I flowers behold in colors flowing free, Yet faint in fragrance, pale to some degree, By moon now silvered now by sun's gold lined. So seems the world when I thy poetry read Dear Shelley, everything is beautiful, But floating like a cloud I cannot grasp. Thy fruits with heavy juices are ne'er full, But filled with some pale nectar angel-dyed, Which palates would for savor never cull. TO FLORENCE. Fair Florence, breeder of immortal souls, Thou second Athens, whose rich atmosphere Doth elevate the soul above this sphere "Where Dante grew and first began to mold Poems 59 His great sad life, where Angelo unrolled His genius, where Savanarola's career Begun, where Galileo oft did peer Into the heavens, where Boccaccio wrote his scrolls ; Oh, wonder not why I enraptured gaze Upon thy glorious beauty, at thy past. Thy walls seem sacred to this cultured age And shall not go to dark oblivion fast; Thy history is an interesting page And may its influence long to mankind last. ON FRIENDSHIP. 1. / V ^ We understand each other not. No one^ Can of another's soul the depths divine ; Deep in each heart there is a secret mine, Which none can penetrate. No earthly sun Can cast its rays beneath the shifting scum And see the cogs, the framework which com- bine The mechanism in a working fine, Which mechanism since motion begun, In pith, momentum, gradually increased Till it had reached its utmost vital force, Whereat it holds for several strenuous years. Its full capacity, then in a course, 60 Po^ms Of lesser movement it begins to fall. And doth the meditative trend endorse. ii. Humanity was thus since it begun ; Like then 'tis now, a soul is still a soul, Still it the same griefs tries away to roll, The same indulgences and vices shun, The same hard individual race to run, No matter if since then it did unfold Much of its mystery, before untold, Which only could by struggling centuries come. 'Tis human nature not, which changes thus, 'Tis but the changing garb in which 'tis dressed ; The raiment changes every several years, Perhaps 'tis always to the color best, For what would be the use of change at all, If we were not with something better blessed. in. Why does each age not walk with greater strides ? Why like a vessel on a stormy sea, Go onward wavering, hesitatingly? Why does it not as it the billows rides Move forward straight, before the water hides Poems 6i Its course ? Why not leap far unshocked, free, That sooner it may reach its destiny, Before it with calamity collides? It is because each generation must Its lessons learn, of what their fathers did They could start from, they would great progress make, But little heed they what their sires bid, And stumble on the same experiences From which their fathers lifted half the lid. IV. More civilized, more simple is our taste, While many things become much more com- plex. The savage had not such a large index As we to tamper with, yet much did waste In foolishness ; he wanted to be graced, In award show, by precious stones, bracelets ; All things be had went to his form deck, Which ornament to us would seem debased. The country lass with jewels in her ear, With ribbons floating in her ill-bound hair, All dressed discordant and ununiform, Thinks in her gorgeousness good will to share. The royal lady tho' more finely dressed, More simple looks, when we the two compare. 62 POSMS V. More civilized, more simple in all things ; We see a structure crude and standing long, Mirandad, gabled, paintings colored wrong, Its image to our curious memory clings ; What skill in labor seem these confusings. Then when we see a structure fine and strong The plans all by a master workman drawn It to our senses simpler meaning brings. The artist striking up a melody, With fingers automatic to the mind Seems simpler far than he who staggers thru The keys, uncertain where his tune to find ; By watching we think it would easier be To reach the artist's art, than his who's blind. VI. We still each other do not understand, What chasms lie between two friendly hearts, However warm, the sweet affection darts From one another's frame, apart they stand In mind, e'en if they feel a magic wand Knit them together, which affection starts, And friendly touch from soul to soul imparts, They feel there's something they cannot com- mand. There seems a vacant space between their hearts, Poems 63 A vacancy, which never can be filled. Affection and familiarity, Can thus far go, the soil no farther tilled Finding, they realize their seeds will not Take root and will in vain o'er it be spilled. VII. The child has friends in all, in everything, Whatever comes before him that he grasps, As in his little mind it wonder maps As some strange curiosity. A thing For satisfaction he must to him bring And handle, prove its realness with few taps. How suddenly he enters new compacts As strange desires to his mind do spring. He has not long been separated from The universal realm where all is one. He recognizes scarce man as a friend, More than gay kittens, sporting with him dumb, For to all these he's yet quite close akin, He's from their atmosphere not long since come. VIII. 'Tis not affection, which makes youth have friends, 'Tis more the sympathy of joyous sport. 64 Poems They frolic, play at games of every sort, Considering ne'er the meaning, which attends Each gay hilarity; each much time spends In seeing his intentions come to port E'en if by it some playmate is cut short, Who from his being more of friendship sends. They wrangle o'er the use of space or tool, One strikes the other with indignant slap, Scarce knowing why; then somewhat recon- ciled, They play again, forgetting the mishap. And each the other with more kindness treats, As if to grace the lately formed gap. IX. The man knows least how injuries to endure, A pain inflicted is not soon forgot ; It always strikes some all-absorbing spot And breeds there, till no medicine can cure. How many insults from a bosom pure Have thru some nervous disposition shot, Inflicting wounds, which time e'en cannot blot. Because their deeper meaning was obscure. How many mean what they in anger say? They speak and instantly seek to repent, When words already deep have taken root In breasts to whom their message rash was sent, Poems 65 Familiar they perhaps become again, Yet long it takes to patch the hateful rent. x. E'en those who long their tempered beings poured Into one channel of sweet flowing love, And seem in real relationship above The common lot; whose bark in heaven is moored, E'en these by some erroneous notion stirred, Become again as two, and rashly shove Aside their sweet connection as'f to prove Their vision enamored was but dim and blurred. The stream in which their beings blended moved Now suddenly has been by harshness damned, Perhaps their souls their forces join again. And walk together lovingly, but lamned; Or else they separate forever from Each other's sight, unwilling to be blamed. XI. Oh, could we but each other understand, We would not what men say, but what they ! mean (Digest, we'd no ill-sounding language screen, 66 Posms The closest friends to-day, to-morrow stand Far isolated on some separate strand, Because few words their beings passed be- tween, Which not directly on their souls did lean, Whose meaning did to enmity expand. They part, desiring ne'er their faces see And yet they feel at distance they are friends, And could into each other's favor grow If only they for past could make amends, They hesitate, not knowing who should start. The one offended or he who offends. XII. What deep complexities our friendships are, We vaguely on the surface of men date, And never in the stream full-streaming float. A little scratch will all our friendship mar, Which only heals with some enduring scar, Our beings seldom strike harmonious note As when they're melted into one, remote, From here, where naught their mingling doth debar. We envy what we lack and others have And would not be outstripped in anything We would be universal, broad, unmatched And to ourselves successes selfish bring; 'Tis lack of sympathy with fellow men Which gives so apt the individual sting. Poems fy TO SLEEP. i. Invisible enchanter of the mind, Embalmer and sweet sealer of the eyes, _ Who with thy drugged and fragrant wings doth use From groves and flowers endeavoring to find Some lid which thou canst gently fan and bind In sacred trance and scense thus hypnotize. Death's counterfeit, which breaks the weary Of toil and leaves the struggling world behind For peace and rest, oh, thou what would life be Without thy secret visitings? a chain Of endless toil? Thou spannest the dreary sea Of darkness with a bridge whose arches deign To west and eastern hills, bridge on which we In dreams rove and ourselves immortals feign. II. Then when thou thus doth hover on my brows And keepest them for thy blessed dwelling place, And holdest me in thy magic few hours space, Then let me lie beneath the waving boughs, 68 Poems On some green bank where murmuring brook- let flows And where the violets and myrtles grace My couch and zephyr wanders o'er my face And on me frankincense most sweetly blows ; Where I on thy approach can meditate And watch thee sport with my enchanted eyes And see how gradually thou dost translate My wandering thots to dreams and breaths to sighs ; How gently, mysteries thou dost relate To me of my surrounding paradise. TO AGATHA. Sweet lady whose angelic, azure eyes Doth search the caverns of my inner heart Than thee no other being do I prize With more sincerity; indeed thy part In this great farce is not to hypnotize Poor souls with beauty which e'en snares the wise, But 'tis a higher, nobler influence, Which upward lifts the melancholy soul. I could not offer thee the least offense, For fear my impedence away would roll From thy intelligence and strike the dense Of heaven, where angels it condemned would hold. Poems 69 Thus thou art as a mediator between, Man and his God and keepest his spirit clean. IMAGINATION. Imagination on whose fairy wings My fleeting thots are borne from place to place, Diffused and restless, both to concrete things And abstract images, I cannot trace Thy pathless wanderings, which leashless springs Like lightnings forked, o'er heavens unbound- ed space. Now by some meadow or some mossy stream, Thou lingerest, then upstarting suddenly, Thou fliest to some unfamiliar scene, To earth's remotest part, to mountains hoary Or to the clouds or moon and stars, the realm Of light, or to the ocean melancholy. Controller of my mind would I could thee Controll, thou letest my thots ne'er my own be. TO A LADY. 1. Oh leave me not in loneliness behind Sweet lady who so long me comfort gave; jo Poems Thou'st made me in this petty passion rave And hast upset the contents of my mind By holding it in gentle love entwined. And now thou must all these relations wave Making my bosom, more and more to crave E'en if thou seemest now somewhat unkind. I cannot follow thee to thy blessed clime, I'll stay behind and dream and think of thee; Think of the blissful joyous summer time When we strolled by the waters sparkling free, And rambled in the beautiful sunshine When birds about us sang in joyful glee. II. Is there no peaceful balm, is there no rest For those who are in Love's hot fever caught, Which fever comes to us ofttimes unsought And leads us in an atmosphere most blessed ? I would not think of love a dismal pest Which troubles men the more, already fraught With burdens numerous and with toil o'er- wrought Till trials his o'erburdened body test. I'd rather think of it as something good, Which doth our being ever upward lift, And tho it has its own peculiar mood And oft like clouds it here and there doth drift, ,Yet it has long against all evil stood, And always doth the good from evil sift. Poems 71 in. No matter where I turn my eyes to-day To woods or fields, to valley or to stream, In all I see thy features sweetly beam As'f everything to thee did homage pay. The joyous birds peal forth their anthems gay, The water sparkles with a pleasant gleam, The trees soft murmur with a gentle sheen, Yet all these show of thee a friendly ray. Thou must then of a complex nature be, To be a part of all, of everything, To murmur in the stream and in the tree, And in the bird's sweet melody to ring, For nothing can I this day hear or see, But what they continence doth to me bring. IV. When in the morn I waken from my sleep And thru my window streams the golden light, E'er earthly forms attract my waking sight, Thy image doth into my dull mind peep, Which image not so long ago did creep Into my slumbers as a vision bright, As a sweet phantom of the dewy night. And makes for joy my slumbering body leap. Then when so early thou dust come around Before the toil and turmoil of the day, I surely think thy image shall be bound *J2 Po£MS f To 'bout me all the dreary hours stay. Thou'll lead me from my lofty thots pro- found, Into the realm of dream and fairy play. v. Now when the sun doth redden all the west And all the world is growing calm and still, And the cold moon doth rise above the hill And I lie down to slumber and to rest, Thou comest slyly creeping in my breast And doth my mind with many cravings fill, And keeps my weary limbs awake until For weariness I fall to slumber blest. I would not mind thee coming in my dreams, But when thou comest in my waking hours, When first my head upon my pillow leans, And sheddest thy smiles in pleasant, heavenly showers, I fain would have you hold away your beams Until sweet slumber on my being lowers. VI. Last night I strolled by where she used to dwell, While upward climbing was the silvery moon And twinkling stars were crowding heaven for room, Posms 73 Whose light upon the haunted dwelling fell. What thots came to my mind I cannot tell ; Whether I lingered long or parted soon Or dreamed the night away in conscious swoon I know not, I was in a magic spell. The place was sacred for there dwelled the one Who now had fled to distant climes away. I thot I heard her light, light footsteps come To greet me often as I there did stay, And deemed I heard her call in plaintive tone As she about the fountain's cool did stray. VII. I picked her roses from the spacious field And culled her violets from the mossy banks For which she gave me many, many thanks, As if to me she did her whole heart yield. I brought her wreaths, her sparkling eyes to shield, Well braiding them in many styles and ranks, And thus indulged in many lover's pranks, Full thinking I the magic wand could wield. I know not what she of these tokens thot, I brought them her affectionate heart to please, And when I not these pretty tokens brought, She would me in a pleasing humor tease, 74 \ : Poems That next time I the banks and prairies sought For flowers to set her wily heart at ease. VIII. Can it be true that some can others love, Whose bosoms in a seething passion burn, And still receive no love for their return, But on expecting to descend a dove A harpy's wing gives them a backward shove? Which makes their continence grow pale and stern, Altho it makes their bleeding hearts more yearn, For they're moored in an anchorage above. Dear lady, long my bosom shall yet weep, Long shall it in a petty passion rave, Long shall it anxious, weary vigils keep, Long shall it pressing trials and hardships brave ; Long nights I'll spend in sighing with no sleep, If thou dost not me from these perils save. IX. Shy Cupid with his wee bewitching darts, Doth set good many burning hearts to rave And in a strange, peculiar manner crave Poejms 75 For something which our being upward starts. He shoots unconsciously into our hearts An airy substance, an electric wave, A thing, which no one fool, or lord or'knave Can analyze and set into its parts. Thus is love pictured, that of love we know, And further explanation simply leads To mystery, to what man cannot show, For it there's daily wrought heroic deeds, And many persons thru great perils go, Because it with a heavenly nectar feeds. x. Thou haunter of my thots when shall no more Thy flitting image in my breast find space To ruminate and run its daily race As if for it I had blessings in store ? ' Yet can thy image ne'er become a bore, E'en if I every moment see thy face, And feel thee meting out thy gentle grace Till I'm for gentleness and sighing sore. ' There always comes encouraging relief If we unto the world expression give Of our discouragement and of our grief. We afterwards can truly better live; E'en if our frail expression is but brief It makes our cheerful disposition active. 7§ (Poems » XI. Oh, would that I those fairy nymphs could Seize, Which from my being everlastingly Escape and draw it forward laughingly Into the boundless air and in the breeze. Then would I their thin shapeless beings squeeze Into their natural mold submissively And treat them not too altruisticly, That they would leave my yearning heart at ease. Would I could watch them as they those nymphs meet Which from thy beauteous body also fly, And watch them how they would each other greet And into one their airy beings sigh, Whether they sauntered slow, or pranced 'bout fleet, As they far off each other did descry. XII. Oh, would that I could see with natural eyes, Not spectacled by love's betraying lens, Which truth and untruth so together blends, And makes all things in false mirage arise, That one who by its straying focus tries Poems 77 Discriminate 'tween truth and untruth tends To weaken reason and by this condemns The powers, which exalt him to the skies. I wonder if thy beauty yet doth show With such a lustre where thou now dost stay, Or did my mind enamored make it glow With double glory, whilst thou here did'st stray ? And to cool minds whose fires burn more low It does not spark with so bright a ray. ON FIRST HEARING KUBELIK. Oft have I heard of rare enchantment sweet, Of Orpheus and his soul-beswitching lyre, Of nymphs who of enchanting never tire And by cool springs in many love songs meet. Yet never did this magic spell me greet Until weird Kubelik in majestic ire Intralled my soul with his celestial fire And oped new avenues by his strange feat. Then felt I like some prophet, who on high, Sees gorgeous visions in the clouds arise, Yet ne'er beheld that for which he did sigh ; When suddenly above him oped the skies And there appeared unto his longing eye, The longed for vision, the exultant prize. yS x Posms THE YOUNG SAILOR. (Written in youth after reading Colridge's "Ancient Mariner.") I. TH£ CAIvM SEA. A sail-boat drifted playfully Within the sunny bay; The smallest, yet the finest boat, It was around that day. The wind since morn was very calm And heaved not e'en a sigh ; The sun burned hot, so very hot, Burned forth from out the sky. No breeze, no boat now did disturb The calm and restful sea, Tranquil and smooth it always was As far as eye could see. Swift back and forth the sea-birds flew, Some soared up so high, While others sailed along the sea And some athwart the sky. Poems 79 The trees were seen reflected all, Which stood upon the beach, No leaf stirred in their towering tops Where breezes always reach. The birds sang not their usual song, They raised not e'en a note, Scarcely a sound of any kind Within the air did float. There was no roaring of the sea, No murmur of the trees, It seemed, e'en nature could afford, No cool refreshing breeze. Such solemn stillness doth precede A fierce and wrathful storm, Which generally comes suddenly, On days so fiercely warm. The sea-birds seemed predicting it, They flew towards the land, And water fowls came to the shore To bathe in the cool sand. The birds were flying 'round about, Now here they flew, now there, As if they knew not why they flew Thus in the sultry air. 80 Poems No boat or ship was on the sea Around the harbor near, As if some storm was brooding slow, Which made the people fear. Some to their cottages retreated, Some sat beneath the trees, Anticipating that the sea Would bring a gentler breeze. II. THE YOUNG SAILOR. A little lad stood on the beach, A fine, fine lad was he ; He came full many miles away, Came to enjoy the sea. He was so straight from head to toe, With curls of golden hair, Which hanging thickly 'bout his head, Shaded his face so fair. His hands were smooth and soft and white, His fingers they were long, His cheeks were flushed with glowing health, He looked real well and strong. His eyes were colored as the sea, PoSms Si Gray somewhat mixed with blue, It seemed all things they gazed upon Enjoyed their brilliant hue. He placed one foot upon a rock, With elbow on his knee, And in a happy childish way He gazed upon the sea. He gazed upon the water calm, Then looked toward the boat, And thot how pleasant it would be In it a ways to float. He looked so young, so beautiful ; Forth from his youthful face, There gleamed a strange commingling Of excellence and grace. He gazed some time upon the sea, Then stepped into the boat, And with a smile upon his face Pulled on the anchor rope. For him the anchor was too heavy, It would not give nor move, He pulled and pulled with all his might, And yet it would not move. "No one is near," said he aloud, 82 Poems I'll cut the rope in twain, Then I'll be free in joyous mood To sail out in the main. He stood a moment thotfully, Thinking what he should do, If really he should take the boat And sail the ocean blue. "Yes, yes, he thot this will I do, I never was from shore, No one I'm sure will use the boat, I'll be back long before." He found a knife, a rusty one There lying in the boat, And pressing hard against the blade He cut in two the rope. He lifted then his curly head To see if none were 'round, And watched him pushing out the boat With hardly a splash or sound. The sail was set, the rope was tied, But naught of this he knew Because he never sailed before Upon the water blue. He brushed aside a golden curl Poems 83 Which blurred his joyous eyes, That he could better see the sea As it mixed with the skies. But all things were so calm and still, He drifted not from shore, And in his childish eagerness He tried to ply the oar. in. the breezs. Now came a murmur from afar Among the distant trees, The youth knew when he heard the sound It was a coming breeze. The sailor stood up in the prow With beaming, smiling face, And welcomed it as it came on With easy, gentle pace. The sail spread softly out its folds, Gently the boat did start, And thus at last was satisfied, The lad's complaining heart. He took his cap from off his head, And waved it in the air, 84 Poems Tho no one saw it from the shore, For no one was near there. { His eyes cast forth such pleasant beams, His face was all aglow, As he looked down upon the sea And saw the boat moved slow. The surface of the gentle sea, With ripples now was stirred, Which softly lashed against the boat Just as the youth preferred. Now pushed the boat out in the sea Whither it scarcely knew, It all depended upon which Direction the wind blew. The mast stretched upward strong and full ; To him it looked so high, For he ne'er viewed such spreading wings ; That is, not very nigh. He proudly sat with folded hands Upon a cushioned seat, Nor yet he feared the gentle sea, Which not yet fiercely beat. He thot that was as all men do, Just step into the boat, POSMS S$ And without any other need, They could the water float. He knew naught of the rudder, which Holds straight the boat's course, Nor naught he knew about the sail, Of strength the boat's course. He did not fear the roughening sea; He thot the boat would turn, When he had gone out far enough, That's when the sea grew stern. He thot he'd be a sailor-boy And sail the water deep, No matter if his folks at home A restless watch would keep. "I'll go not far from shore," he said, I'll be right back again, I care not very far to sail Upon this boundless main." The raising wind upon him blew, Not very strong or fierce, Not as the cold autumnal winds, Which to the skin do pierce. It was not strong, yet strong enough For him to turn ashore, 86 Poems But he knew nothing of the waves, He never sailed before. The waves were not so very high ; No water on him splashed, Nor was there any danger yet That the boat would be smashed. He wished to lead a sailor's life, He wished to sail the blue, But nothing of the raging sea Or of a boat he knew. Quite slowly did he leave the land, The breeze it was not strong, He could yet easily detect The shore winding along. The wind then raising gradually Blew from the stormy north, And made the sailor restless grow, As swifter he sailed forth. Now onward faster moved the boat With rising wind and wave, And as increasing was its speed The lad's young face grew grave. At intervals a playful gale Would sweep the boat along Poems 87 And then again in playful mode It would not blow so strong. i s* The boat began to gently rock And spread the ocean foam As if it was a larger ship Destined the sea to roam. The sun was hot ; its scorching rays Burned down upon the brine, It seemed he never saw before It with such brightness shine. The wind blew 'bout the golden curls, Which hung about his head, And as he watched it push the waves A "gloom his face o'erspread. Yet quietly in the stern he sat, Looking upon the sail, As if he thot the boat would turn And go against the gale. Now broke the sun o'erwhelming forth ; On him its rays did burn; He thot he had gone far enough, And homeward wished to turn. He wanted now the boat to turn, But naught of it he knew; 88 [Poems He thot it surely would turn back Because he wished it to. "Good gracious," muttered he aloud, Will not the boat obey? It will turn when we want it to, I heard the sailors say." "Perhaps I'm not out far enough, A little will I wait, Then homeward surely will I turn At a good speedy rate." He glanced once more toward the land, Which now seemed far away, And wished himself on shore again, Safe in the sunny bay. So far he never sailed before Upon the deep blue sea; He vainly thot the boat would turn And he soon safe would be. "The boat will turn, I know," said he, "Because I want it to, I care no longer thus to sail And cut these strong waves through." Upon his face there was a smile Whene'er the sail would turn, Poems 89 But it would straighten out again And did his longings spurn. Now onward, onward moved the boat Amid the wind and spray, Most boldly leaving far behind The harbor in the bay. No one from shore could see it now, The boat was very small, It only was a little speck 'Mong others grim and tall. It only was a pleasure boat, Which goes not far from shore, Which seeks the bay, when raging winds Make rolling waves to roar. About the boat the sea-fish swam; They came up from below And on the surface would they skim Where'er the boat would go. At times such startling sights he saw, There was the huge, fierce shark, Swift dashing 'round with open mouth If on him he would dart. He glanced once more toward the land, It makes him look aghast, 90 Poems The land which looked so near before Was disappearing fast. i He looked about from east to west, With tearful, longing gaze, But only saw the land around Becoming blurred in haze. Ah, what a feeling stirred his breast, As disappeared the land, He wondered if he'd ne'er return And see again the sand. "They'll likely want the boat," he said, "And mother will want me, For no one knows I'm sailing here Upon this dreadful sea." "Am I now lost, ah, really lost, Here on this briny foam, Or will the boat yet turn around And bring me safely home?" "I wonder where the land has gone Which I could plainly see, I'm sure it sank not thus from sight Into the gasping sea." Alone upon the water danced, The boat most playfully; PoSms gt At times half stopping 'tween the waves Where winds blew not so free. And then again it swiftly dashed When right the fierce wind blew, Close clinging to the ocean's heart, As would a drowning crew. From time to time the fluttering sail Would nigh dip in the wave, While dashing spray would upward splash And try the canvass lave. Now wet and chilled the sailor flew, With wing and rising spray, Which dashed so fiercely 'bout the boat Yet in a playful way. Yes, cold he grew, but yet the sun Shone from the cloudless sky, — Cold — for the gradual rising winds Its warmness did defy. Now higher, higher rolled the waves, The boat went on the same, Most bravely struggling with the wind, Ah, struggling in the main. Upon the surface floated froth, White as the fallen snow, 92 CPosms Which splashed in masses 'gainst the boat, Splashed up against the prow. No cloud traversed the mighty sky, Tho cold to him it seemed, For he sat unprotected there, From the fierce wind unscreened. Now hunger stared him in the face, But its cruel stare was vain, For what appeasing nourishment Was on the watery plain. The reddening sun began to sink Down in the troubled sea, And yet the boat rocked on the waves Where no one it could see. Unwillingly he rode the waves In wondrous striking mode, For many boats as small as this Would have long spilled their load. "I wonder if all night," he said, "Upon this sea I'll stay ; I would that I was back again Safe in the sunny bay." His limbs were stiff and sore and cramped, From sitting on the seat, Posms 93 For fear and rocking of the boat Tied down his chilly feet. A little sail upon the blue, 'Twas all he went out for And now he sailed till evening, Far, far away from shore. How ghost-like seemed the night to him, When darkness swept the sea For human forms saw he not, Alone, alone was he. Alone, amid the rolling waves After the set of sun, He sailed still onward in the main, His strange, strange course to run. Now fiercer, fiercer grew the wind, The boat spun on the same, Now lost amid the foaming waves, Now pushing up again. Since noon the lad moved not around, But hugged his weary seat, And e'er he knew his eyelids closed, In slumber, doubly sweet. He lay on his f olorn couch Without a move or stir, 94 Poems While howling winds bore on the boat As if a mist it were. Ah, nothing could disturb his sleep, Not e'en the raging sea, Which splashed so fiercely on all sides, His only company. A dismal wreck it really was, When darkness o'er all fell, For whither he was going now, The sailor could not tell. He was not then tossed to and fro Upon the raging sea, But home among the little ones 'Mid love and jollity. He heard the busy hum of men, Who labored in the bay, And with his brothers merrily He spent his time in play. v He heard the birds among the trees In noisy gayness sing; And saw the birds which rove the sea Stretch forth their rapid wring. Ah, happy, happy was he now, Upon the distant shore, Posms 95 When suddenly there came a crasK As he ne'er heard before. The sailor woke, but only half, He knew 'twas thunder's roll, But memory of the angry sea Did not to him unfold. Now slowly then he oped his eyes. He was so sick, so weak, That scarcely nothing could awake Him from his restful sleep. But active 'gain his mind became ; His eyes began to see, He thot that he was dreaming now, Ah, dreaming of sea. The water looked so natural, He stood up in the stern, And from the water to the sky He did his blue eyes turn. "For heaven's sake," he cried aloud, "This surely is no dream, The sky and water look the same As those I've always seen. "I wonder where I really am, How came I way out here ? g6 Poems Can it be true that I am sailing Here where no land is near ?" Ah, now to mind came yesterday, He knew then what he'd done. A choking tear rushed to his eye, He wept and wept alone. IV. TEE SEA-BIRDS. The sun now slowly forward pushed From out the morning sea, Around its mass there was a mist Such as sailors often see. But yet it looked quite clear and bright, Its rays were warm, too ; It gave some strength and comfort to The sailor on the blue. The sea-birds now began to dart Quite thick about the boat, As if they, too, like him all night Did o'er the water float. Together thro' the morning air They flew both large and small; Poems 92 They darted sometimes heavenward, Then downward would they fall. They flew and flew about the boat, Real swiftly they flew, too, Some scattered here, some scattered there, Just as a jangling crew. Now then there came a saucy gull, And lit upon the mast, And with his sharp and piercing claws He to the sail held fast. His eyes were red, his body white, He looked nor wild, nor tame, But looked as if all night he sought A refuge on the main. And then there came an albatross And sat upon the side, As if he wished with the young lad, Upon the sea to ride. At first he noticed not the birds, He scarcely saw the sea, He felt so sick, so dizzy, that For naught, for naught cared he. At length he said, "What mean these birds, Which fly about so thick? 98 Poems And what does mean this dreadful one, Which on the boat has lit ?" Yet swiftly, swiftly flew the birds, Athwart the morning sky, From east and west, from north and south, All, all came floating by. Now black the storm clouds appeared, Which hung o'er the sea; Yea, black and every now and then The thunder rolled in glee. The sky was black and yet the sun, Shone warmly from the east, Whose warmth helped recuperate The lad a bit at least. The storm was moving to the north, And came not to the spot, Where sailed the wretched little boat In its peculiar lot. Now thicker, thicker, 'bout the boat, The angry sea-birds flew, Flew till the sea seemed moving slow, The sky seemed moving, too. From whence they came, or where they went, The sailor could not see, Poems 99 It seemed to him as if they rose From out the mighty sea. But now they followed with the storm, And flew toward the north, And left the sky full clear and bright, From which the sun shone forth. The sea was still, the air was warm, The boat now slowly crept, And e'er the sailor of it knew, He in the sunshine slept. v. THE RESCUE. For many hours there had been sailing, Upon the deep, blue sea, Men who were wondering where the lad, The sailor boy, could be. They sailed all day, they sailed all night, And yet they sailed in vain, For nothing of him could they see Out in the boundless main. They thot perhaps the boat had sunlc, And he lay deep below, ioo Poems Where rolling waves do never sweep, Nor fierce north winds do blow. They onward moved with hope and fear, They hoped to find him well, And yet they feared that long ago He to the bottom fell. They saw the birds, they saw the storm, All which made them to fear, For now they thot they would espy The boat upturned real near. "A sail, a sail, one sailor cried, I see far, far away, Can it be him whom we think lost, Who sailed forth yesterday?" "Yes, yes, a sail," another said, "The boat yet sets upright, And if it is the sailor's boat, He may yet be all right." They steered the ship, then for the boat, And as they nearer drew, They saw it was the selfsame boat With which the young lad flew. Thev found him lying fast asleep, And without waking him, Poems ioi They took him up into the ship And to the shore did spin. He woke clasped in his mother's arms, And many wept for joy, To think that they had found again, The little sailor boy. BOOKS YOU MVST READ SOONER, OR LATER New Book by the Author of A Girl and the Devil ! We beg to announce for autumn a new novel from the pen of Jeannette Llewellyn Edwards, entitled LOVE IN THE TROPICS The scene of Miss Edwards' new work is laid in strange lands, and a treat may be confidently prom- ised the wide reading public whose interest in her first book has caused it to run through over a dozen editions. •« LOVE IN THE TROPICS" built be ready about Jiot)ember /, and particular* built be duty announced. The New Womanhood By Winn i fred H. Cooley. $125- No more original, striking and brilliant treatise ^>n the subject indicated by the title has been given the vast public which is watching the widening o/ woman's sphere. Mrs. Cooley is a lecturer and writer of many years experience ; she is in the vanguard of the move- ment and no one is better qualified to s^jeak to the great heart of womankind, II M ill " I I .J B|W|ipM«WW»MWWMMIIW«WMWIMMWW» BOOKS YOU MUST READ SOONER OR. LATER Maxcelle A Tale of the Revolution A By_Wilubert Davis and Claudia Brannoh^ ,121110, cloth. Illustrated. $I.OO. A^fasdnating" story of the Revolutionary period, in dramatic form, in which the treachery of Benedict Arnold and the capture of Major Andre are the climaxesJ The loves of Andre and Marcelle (herself a spy) lend jy very charming touch of romance. The Burton Manor A NOVEL By Rev. M. V. Brown. r i2mo, cloth. $1.50. A~most "thoughtful, able and authoritative work in engaging narrative form, dealing with the existing evils of the liquor trade. The author has wisely embodied his conclusions in charming fiction — or fact? — and thus the booJc will appeal to a public as wide as the continent. w » mi^rw^«irr«i « ntfrtiVm)'hriTr1t-T i winniWTi > -inr i 1 m i n i i i i u 11 ' ' rnnw t Lost in the Mammoth Cave By D. Riley Guernsey. Decorated cloth, i2mo. Illustrated. Price, $1.50. A tale which a Jules Verne might envy from his own vantage ground. Imagine the possibili- ties for a story which are conjured up by the thought of a party of brainy men and women lost in the Mammoth Cave ! A prominent reviewer says : "This ought to be an immensely papular book. There are no idle moments from cover to cover, and it is one which the reader will not think of laying aside until he has read every word." Under the Darkness of the Night A Tale of West Indian Insurrection* By Ellen Chazal Chapeau. Cloth, i2mo. Attractively Produced. Price, $1.00. The scenes of this story are laid in Ste. Domingue from 1792-93. It is a most timely book, written by one whose life has been passed among West Indians, and who can read the African character with surprising skill and ac- curacy. A wonderful picture of tropical life, brilliantly depicted. Broadway Publishing Company, 835 Broadway, New York. BOOKS YOU MUST READ SOONER OR LATER Why ffot Order fiotv? i Evelyn ifcStorylof the West and the FarTEasta By_Mrs. Ansel Oppe>tbeim.] 4 Illus. $1.50. Limited edition in leather, $2.00: jltejiwi bis epofcen of tkis book wltb unqualified terms of pr»l*v The Last of the Cavaliers By N. J. Floyd. ^ Drawings and Author V Photo} J[*'N©~wiser or more brilliant pen has told the story of J$j& G*il War than Capt. Floyd's ; no work more thrilling ^ simply as a romance has recently been within fche_reach of bookrlovers.',' ■ ■^■.Wl — IjeHHM "!,. | l . ■! 1 IIW I J, 1 I U I ) . 1 > ■> ' ! ■ 1! 6 1903