FRANCIS BEAUMONT, \ Elizabethan Dramatists MARLOWE'S "DR. FAUSTUS " JONSON'S "EVERY MAN IN HIS HUMOURS' BEAUMONT AND FLETCHER'S " PHILASTER " WITH AN INTRODUCTION AND NOTES BY GEORGE ANSEL WATROUS, A.M. ) > > » » 1 <> > > > ) 1 ■> ) NEW YORK THOMAS Y. CROWELL & CO. PUBLISHERS <^^<}>^^ THE LIBRARY OF CONGRESS. Twc Copies Received SEP 9 1903 Copyneht Entry cuss Cu XXc. No COPY B. • ■ 1 • .c « • ■ « ^ c .- ( <* c c • • ' « e • a • • ■ • » • • > • • • Copyright, 1903, By THOMAS Y. CROWELL & CO. ir TO €♦ 2r>* i^> CONTENTS. PAGE Introduction vii Keats's " Lines on the Mermaid Tavern " . xvi The Tragical History of Dr. Faustus . . i Every Man in his Humour .... 65 Philaster . . . ... , . . 187 INTRODUCTION. It is not the purpose of this introduction to trace the history of English drama from its origin, but rather to present as briefly as may be the conditions in which that marvellous production of Elizabethan days came forth. We must pass by the old liturgical plays, the mysteries, miracles, interludes, and masks that served as forerunners of the perfected form. The lines between tragedy and comedy had been fixed, and the struggle between classic and romantic types was well on when Marlowe " of the mighty line " went to London " to find his fortune, not to make it." The causes of that tremendous burst of lyrical and dramatic splendor are in part conjectural. Literature is an expression of life, national and individual ; and whenever there comes to the individual or to soci- ety a realization and recognition of self, there comes also the expression of that idea. Neither conception nor expression can be dragged or driven, cajoled or coaxed. Conditions and men are equally essential. In the days of Elizabeth, England awoke to a new consciousness of her greatness and power. The per- son was reborn and became an individual, confident of his own and of his country's strength. The world was large, but Drake had sailed around it and brought safely back his treasure-laden vessel. What hmit could be placed to man's effort ? Mighty issues were at stake ; the days were full of adventure ; ambition was almost boundless. New lands were discovered. vii viii INTR on UCTION. A bold commerce brought not only the merchandise but the bewildering legends from the people of the East. The sway of one religion had passed and men governed themselves by new beliefs. The courtier, the poet, the statesman, the philosopher, the soldier, — lived in one man. The versatiHty of Sidney, Bacon, Raleigh and a host of others bears amazing testimony. Men were stirred as they had never been before nor since. Romance seemed reality, and life romantic. The spirit thus engendered demanded a free course and full expression. The accomplishment of the reformation, the repulse of Spain, and the enlighten- ment of the renaissance made its power resistless. The new learning took quick root, sprang up, and flourished. Classical study was adapted to modern thought ; translations of the Bible were developing a perfection of English speech ; and English travellers and students seized eagerly the lore and legends of Italy, France, and Germany. Every source was laid under contribution. Materials were thus collected for a splendid art of some sort : what that art should be, the national conditions and native genius of the English people soon determined. The stage for the display of the new-found knowledge was found in the romantic drama which from the first was close to the hearts of the people and soon displaced other forms of art, — painting, sculpture, architecture. The drama in England was the main outlet for the energy acquired from the renaissance of the South and the reformation of the North. In answer to this call, a host of playwrights made their way to London. Kyd, Nash, Peele, Greene, Marlowe, Munday, Lodge, Chettle, Jonson, Beaumont, Fletcher, Shakspere — where shall such a catalogue INTR OD UCTION. IX end? They were authors and actors alike, bound in good fellowship and genial feeling ; hale fellows, all of them, rich while a shilling remained in pocket, careless alike of poverty or wealth, and never anxious beyond the moment. They drank too much, lived lives all too fast, and their short years were quickly run.i Liberty still meant ugly license, and life was careless, exuberant, unrestrained, lawless. Many a tavern reechoed to rollicking songs through many a merry night. Most famous is the " Mermaid, " where the literary clique gathered for the common carousal of wine and wit. " What things have we seen — ... Done at the Mermaid ! heard words that have been So nimble and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit into a jest, And had resolved to live a fool the rest Of his dull life." The business of playwright was the only lucrative literary occupation of the day. The demand for plays exceeded the supply so that a ready market awaited every product. Prices were not high, it is true, but money was worth more then than now. In the early days, four pounds, from twenty-five to thirty now, was an average price. Later ten pounds were given, and this according to one of Ben Jonson''s char- acters^ became the customary price. The author was closely connected with some one theatre and company of actors. All that he wrote belonged to the theatre and formed a part of its library — its most valuable property. 1 Xyd died at thirty-eight, Nash at thirty-four, Peele at thirty-nine, Greene at thirty-two, Marlowe at twenty-nine, 2 Chrisoganus, in Histriomastix. X INTR OD UCTION. Piracy was of course exceedingly common ; indeed, the theft of his work by some rival company or unprin- cipled publisher was one of the chief vexations of the Elizabethan dramatist. He had but little security against the theft and no redress if the crime were com- mitted. Of the early group, those commonly called Shakspere's predecessors all, with the exception pos- sibly of Peele, were actors. Their business had the cordial approval and support of queen and court, and they were no less popular with the varied classes of people who made up an Elizabethan audience. A motley crowd assembled in "the fields." These were London's suburbs, where stood the Globe, the Curtain, the Rose, and Blackfriars, forced beyond the immediate rule of the Lord Mayor by Puritan dissatis- faction. But the distance and discomfort mattered nothing. 'Prentices, journeymen, fops, courtiers, and noblemen came to see and hear. For the play was the thing, rich in fervid eloquence and beautiful de- scription. A penny gained admission and twopence would buy a place among the groundlings or " stink- ards," as the poorer frequenters of public theatres were called. Among them, apples, nuts, and beer circulated freely. The wealthier and more fastidious might for sixpence sit in a box above, or perchance might give a shilling and have a three-legged stool or "tripod "upon the stage — a custom annoying to both actors and spectators, for the gallants who followed this plan had consideration for no one. Performances began about three in the afternoon and continued until five or thereabouts. On days when plays were to be presented a flag was floated from the theatre roof. As the hour approached drums were beaten, and as a final signal INTR OD UCTION. XI there was a flourish of trumpets. Playbills were used to announce the show, those in red letters indicating tragedy. The Prologue, in a black mantle, with a flowing wig and crowned with bays, ambled on the stage and begged attention, even then grudgingly given. There were many interruptions in the nature of fights between the tripod fops and the stinkards. Curses were exchanged and apples hurled back and forth. Card-playing whiled away time until the play itself began. The stage and the theatre were themselves poor affairs, hardly conceivable in these later days of ele- gant mountings and wonderful settings. Even court performances, upon which vast sums of money were expended, rested largely for effect upon dance-group- ings, tableaux, and processions. There was barely any scenery and only the simplest sort of setting was known. The stage was narrow, and projected out into the yard, so that the actors were surrounded by the spectators. There was no perspective, no illu- sion ; the event presented became a reahty shared equally by audience and actor. The action was adorned by no art of stage-craft. Under such unfavorable conditions was created a dramatic literature, equalled but once and never sur- passed. The old traditions of dramatic construction would not answer. The defenders of Aristotle, Seneca, Plautus, and Terence fought valiantly, but their cause in England was hopeless from the beginning. The earliest dramas, and indeed all the critics including Sidney, favored the form which obeyed the classic laws. Stage limitations likewise defended the same structure ; but the people preferred romance, and the people always win. In France the struggle was pro- xii INTRODUCTION. tracted longer, and classicism ruled until Victor Hugo's Hernani, 1830. The new spirit would not tolerate the old rigor. A new muse was invoked. She had never heard of Parnassus, nor dreamed of the heights of Olympus. She had not even a name. Marlowe was still playing truant at the Canterbury School, and, with Avon's fields and forests and larks, Shakspere was learning his " native wood-notes wild." All nature and all forms of life were her domain. She was found in all the haunts of men — palace, market, church, shop, tavern, and street. Good and evil, hearts and minds, action and passion, all were in her province. Thus she was a sovereign all potent and swayed the destiny of a perfect art. The muse of romantic drama was no niggard. She scattered her favors lavishly among her worshippers. Ill-tempered, misanthropic Greene, courtly Lyly, and complacent, scholarly Jonson were charmed alike. With Fletcher she tripped daintily through flowery- kirtled meads along his "primrose path "; she shud- dered with Webster among his yew trees, ghouls, and charnel-houses ; laughed at Shirley's sparkling wit ; and wept with Ford o'er sweet Calantha's broken heart. Her faults were those of youth and ignorance, and the mere fact that she was unlearned in the maze of classic art made her worthy to become the " muse of modern drama." In defence of the new spirit and in reverence for its muse the work of Marlowe, Jonson, Beaumont and Fletcher was done. It was Marlowe who, in the twenty-nine years that spanned his life, crystallized the amorphous efforts of his predecessors. He knew what he wanted to do and lost no time in setting INTRODUCTION. xm about his task. It is no uncertain note that rings in the prologue of his first play ; it is the definite, deter- mined purpose of the conscious artist. " From jigging veins of rhyming mother wits, And such conceits as clownage keeps in pay, We '11 lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms. And scourging kingdoms with his conquering sword. View but his picture in this tragic glass, And then applaud his fortune as you please." Marlowe did what he here promised. He gave the drama a new form of verse, he put popular material in classic form and carried both to a high level of perfec- tion. Lacking Marlowe, there had been no explainable Shakspere. Life that was huge, tense, and quivering went into the " jigging veins " of his verse. Herein is the shadow of Marlowe's most patent characteristic, — what Dr. Symonds calls his " love of the impossi- ble." Tamburlaine would conquer the world : Faus- tus craved all knowledge for his domain : Mortimer would have no less than Edward's queen and Eng- land's crown : Barabas is a type of superhuman lust and greed. His characters are all Titans who aim at supreme power and covet the impossible. Jonson's work was contemporary with Shakspere's. In acquired ability he surpassed all his fellows and among our poets is second only to Milton. His range of reading was far wider than the Greek and Latin classics usually read in his day. He knew at first hand the philosophers, historians, poets, and a later field of literature including Agrippa, Paracelsus. Eras- mus, Rabelais ; and had a fair knowledge of German. His tragedies, comedies, and masks are rich in exam- XIV INTR OD UC TION. pies of the learning prized in the universities. He is proud of his learning, excusably so perhaps, and boasts that he but seldom " condescends to imitate a modern author." And he knew life full well. Before he became an actor and author he had been a student, a trades- man, and a soldier. He had travelled far. Flanders, France, and England were familiar. Nobles, scholars, bookmen were his associates, and he was " lord of misrule " at the Mermaid and in the Apollo room at the "Devil." The technicalities of theology, law, science, alchemy, and the cant of all trades, casts, and Bohemianism were the common tools of his work. Critics have cavilled at his learning, but it was \ neither learning nor knowledge of life that made him a great dramatist. It was rather the application of these powers under the direction of a lofty purpose and great genius. He had a noble conception of his work — the applause of the moment was never the end of his aspiration. "To maintain the dignity of tragedy on the level of what he recognizes as its highest models ; and in comedy to hold the mirror up to the ridiculous foibles and vices of human nature by realistically reproducing its most striking types of this description; — these are the ends which he con- sciously pursues." ^ In him were united the scholar, and the man of action — such an one as must have made warm the heart of the Concord seer. Shakspere's work was nearly if not wholly done when Beaumont and Fletcher began to write. They belong distinctly to the group of later Elizabethans. Both were well born and educated and " must have moved with ease, and as equals, among the gently 1 Ward : English Dramatic Literature, Vol. II., p. 400. INTR OD UCTION. XV born and bred." Their productive power is amazing. Themes, tragic and comic, seemed equally welcome and each was treated with a power rarely surpassed even in that marvellous age. They had, of course, the advantage of their prede- cessors' experience. The work of Shakspere must have been known to them, and at the outset of their careers we know that both were admirers and esteemed friends of the learned Jonson. They therefore had the chance and, still better were able, to profit by the failures, and shortcomings of the older generation. The best specimens of dramatic composition were before their eyes ; they had wide range in choice of subjects and freely availed themselves of every oppor- tunity. And now, as these pages go to press, comes the welcome news that Elizabethan drama is to be re- vived. May Marlowe, Jonson, Beaumont and Fletcher, and a host of others give light and pleasure to multi- tudes who to-day know them not. Utica, N.Y., February, 1903. KEATS'S LINES ON THE MERMAID TAVERN. SOULS of Poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern ? Have ye tippled drink more fine Than mine host's Canary wine? Or are fruits of Paradise Sweeter than those dainty pies Of venison ? O generous food ! Drest as though bold Robin Hood Would, with his maid Marian, Sup and bowse from horn and can. I have heard that on a day Mine host's sign-board flew away, Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story, Said he saw you in your glory, Underneath a new old-sign Sipping beverage divine, And pledging with contented smack The Mermaid in the Zodiac. Souls of Poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? xvi ^ THE TRAGICAL HISTORY OF DOCTOR FAUSTUS. By Christopher Marlowe. CHRISTOPHER MARLOWE. " Of all that he hath written to the stage his ' Dr. Faustus ' hath made the greatest noise with its Devils, and such like tragical sport." So wrote Edward Phil- lips, 1675, '^^ h^s Theatriun Poetaru7n Anglicaiioruni. Contemporary opinion has the same trend ; and critics of a later day — Lamb, Hazlitt, Lewes, Cunningham, Ellis, Courthope, Saintsbury — agree in giving Dr. Faustus high rank, not only in Marlowe's dramas, but in all Elizabethan productions. The date of the play is uncertain. It may, however, with a fair degree of accuracy, be put in 1 588-1589 (before November, 1589), and was probably written for the Lord Admiral's Company. Thus Faustus followed Tamburlaine, — inordinate greed for knowledge fol- lowed inordinate greed for power. The success of the play as well as its date are well authenticated by Robert Greene's Friar Bacon ( 1 589), evidently written in rivalry with Marlowe's work. The references to Alex- ander of Parma, persecutor of the Netherlands, fixes the play before 1590, while the episode of the bridge brings it after 1585. In Samuel Rowland's Knave of Clubs (1600), we have a reference to the original actor of Fatcstus : — " The gull gets on a surplis, With a cross upon his breast, Like Allyn playing Faustus, In that manner was he drest." 4 MARLOWE. Of Marlowe himself we know but little, despite a multitude of conjectures. He was baptized at Canter- bury, February 26, 1564. He received his early edu- cation at King's School of the same place, and later entered Corpus Christi, Cambridge, whence he had B.A. in 1583, and M.A. in 1587. Soon afterward he settled in London and began his writing. "By guiving too large a swinge to his owne wit and suf- fering his lust to haue the full reives," ^ he incurred a charge of heresy and was arrested May 18, 1593. Whether he was punished or allowed to go free, Thomas does not tell. At Deptford, on the first of June, 1593, in a tavern brawl over a courtesan, he was stabbed in the eye and killed by Francis Archer, a serving-man. Marlowe's untimely end was a sweet morsel to the Puritans. They held up his fate as an awful example of God's swift and terrible judgment upon a free- thinker, a blasphemer, and an atheist. The catalogue of crimes was almost too short to supply their busy pens and doubtless busier tongues. The devil him- self could scarcely have committed all the crimes laid at Marlowe's charge. Among his friends were some of the finest-fibred men of the time. His patron was Walsingham, a high-minded gentleman ; Shakspere in As Vo7i Like It alludes to the " dead shepperd " with tenderness ; Blount, his publisher and friend, tells of "the impression of the man that hath been dear unto us, living an after-life in our memory " ; and even sharp-tongued, jealous Nash penned an elegy on " Marlowe's untimely end." The only definite and specific charge was made by a rascally knave called Bame, who later was hanged at Tyburn. Mr. Saints- 1 Theater of God's Judgments, Thomas Beard (1597). MARLOWE. 5 bury's judgment is doubtless correct : " That Marlowe was a Bohemian in the fullest sense is certain : that he was anything worse there is no evidence whatever." Marlowe, renown'd for his rare art and wit, Could ne'er attain beyond the name of Kit — Hierarchic of the Blessed Angels, Thomas Heywood. Neat Marlowe, bathed in the Thespian springs, Had in him those brave translunary things That the first poets had ; his raptures were All air, and fire, which made his verses clear ; For that fine madness still he did retain, Which rightly should possess a poet's brain. — Of Poets and Poesie, Michael Drayton. DRAMATIS PERSONS. The Pope. Cardinal of Lorrain. Emperor of Germany., Duke of Vanholt. Faustus. Valdes. I p^jg^jg tQ Faustus. Cornelius, j Wagner, Servant to Faustus. Clown. Robin. Ralph. Vintner, Horse-Courser, Knight, Old Man, Scholars, Friars, and Attendants. Duchess of Vanholt. Lucifer. Belzebub. Mephistophilis. Good Angel. Evil Angel. The Seven Deadly Sins. Devils. Spirits in the shape of ALEXANDER THE GREAT, of his paramour, and of Helen of Troy. Chorus. \ THE TRAGICAL HISTORY OF DOCTOR FAUSTUS. Enter Chorus. Chorus. Not marching now in fields of Trasymene,^ Where Mars did mate the Carthaginians ; Nor sporting in the dalliance of love, In com-ts of kings where state is overturned ; ,Nor in the pomp of proud audacious deeds, I Intends our Muse to vaunt his heavenly verse: Only this, gentlemen, — we must perform The form of Faustus' fortunes, good or bad ; To patient judgments we appeal our plaud, And speak for Faustus in his infancy. Now is he born, his parents base of stock, In Germany, within a town called Rhodes ; ^ Of riper years to Wertenberg he went. Whereas his kinsmen chiefly brought him up. So soon he profits in divinity. The fruitful plot of scholarism graced. That shortly he was graced with doctor's name, Excelling all whose sweet delight disputes In heavenly matters of theology ; Till swollen with cunning ^ of a self-conceit, 1 In the battle at Lake Trasumenus, 217 B.C., Hannibal overwhelmed the Romans and killed more than fifteen thou- sand, including the leader Flaminius. 2 Presumably, Roda in Saxe-Altenburg. 8 This word is used throughout the play in the sense of skill or knowledge. 7 8 THE TRAGICAL HISTORY His waxen wings did mount above his reach, And, melting, Heavens conspired his overthrow; For, falling to a devilish exercise. And glutted now with learning's golden gifts, He surfeits upon cursed necromancy. Nothing so sweet as magic is to him. Which he prefers before his chiefest bliss. And this the man that in his study sits ! {Exit?- Scene I. Faustus discovered in his Sticdy. Faust. Settle thy studies, Faustus, and begin To sound the depth of that thou wilt profess ; Having commenced, be a divine in show. Yet level at the end of every art. And live and die in Aristotle's works. Sweet Analytics, 't is thou hast ravished me, {Reads. Bene disserere est finis logices? Is to dispute well logic's chiefest end? Affords this art no greater miracle ? Then read no more, thou hast attained the end ; A greater subject fitteth Faustus' wit : Bid ov KOL fXY) ov ^ farewell ; Galen ^ come. Seeing [/^i desinit Philosophiis ibi incipit Mediais ; 1 It is possible, as Dyce suggests, that before going out, the Chorus, by drawing a curtain, discover Faustus. 2 The sense of this and the other Latin phrases is given in succeeding lines. 8 The edition of 1604 has " Oncaymaeon," by which Mar- lowe meant Aristotle's " being and not being." * A celebrated Greek physician and philosopher of about 130 A.D. He composed some 500 treatises, of which 83 (genuine) have been preserved. OF DOCTOR FAUST US. 9 Be a physician, Faustus, heap up gold, And be eternised for some wondrous cure. [^Reads. Suvi)}iu})i bonuni jnedicincB sanitas, The end of physic is our body's health. Why, Faustus, hast thou not attained that end? Is not thy common talk found Aphorisms?^ Are not thy bills '^ hung up as monuments, Whereby whole cities have escaped the plague, And thousand desperate maladies been eased? Yet art thou still but Faustus and a man. Couldst thou make men to live eternally, Or, being dead, raise them to life again, Then this profession were to be esteemed. Physic, farewell. — Where is Justinian ?3 \^Reads. Si 2tna eadeuique res legatiir duobus, alter rejn, alter valorem rei, etc. A pretty case of paltry legacies! \Reads. Ex hcereditare filiiiin noii potest pater nisi, etc. Such is the subject of the Institute And universal Body of the Law. This study fits a mercenary drudge, Who aims at nothing but external trash ; Too servile and illiberal for me. When all is done divinity is best ; Jerome's Bible,* Faustus, view it well. \_Reads. Stipendiiwt peccati 7nors est. Ha! Slip endiuin, etc. 1 Medical maxims. 2 Prescriptions, or advertisements, which he used as a travel- ling physician. 3 Byzantine emperor, under whose direction the body of Roman law was composed and annotated. 4 The Latin version of the Scriptures and the authorized version for the Roman Catholic church. It was prepared by Jerome about the close of the fourth century. lO THE TRAGICAL HISTORY The reward of sin is death. That 's hard. {Reads. Si peccasse negarnus fallimur et nulla est in nobis Veritas. If we say that we have no sin we deceive ourselves, and there 's no truth in us. Why then, behke we must sin and so consequently die. Ay, we must die an everlasting death. What doctrine call you this, Che sera sera, What will be shall be? Divinity, adieu! These metaphysics of magicians And necromantic books are heavenly : Lines, circles, scenes, letters, and characters ; Ay, these are those that Faustus most desires. O what a world of profit and delight, Of power, of honour, of omnipotence Is promised to the studious artisan! All things that move between the quiet poles Shall be at my command : emperors and kings Are but obeyed in their several provinces. Nor can they raise the wind or rend the clouds ; But his dominion that exceeds in this Stretcheth as far as doth the mind of man, A sound magician is a mighty god : Here, Faustus, tire thy brains to gain a deity. Wagner! Enter Wagner. Commend me to my dearest friends, The German Valdes and Cornelius ; Request them earnestly to visit me. Wag. I will, sir. {Exit. Faust. Their conference will be a greater help to me Than all my labours, plod I ne'er so fast. OF DOCTOR FAUSTUS. II Enter Good Angel and Evil Angel. G. Ang. O Faustus ! lay that damned book aside, And gaze not on it lest it tempt thy soul, And heap God's heavy wrath upon thy head. Read, read the Scriptures : that is blasphemy. E. Ang. Go forward, Faustus, in that famous art. Wherein all Nature's treasure is contained : Be thou on earth as Jove is in the sky, Lord and commander of these elements. \Exeunt Angels. Faust. How am I glutted with conceit of this ! Shall I make spirits fetch me what I please, Resolve me of all ambiguities. Perform what desperate enterprise I will? I '11 have them fly to India for gold. Ransack the ocean for orient pearl. And search all corners of the new-found world For pleasant fruits and princely delicates ; I '11 have them read me strange philosophy And tell the secrets of all foreign kings ; I '11 have them wall all Germany with brass, And make swift Rhine circle fair Wertenberg, I '11 have them fill the public schools with silk, Wherewith the students shall be bravely clad ; I '11 levy soldiers with the coin they bring, And chase the Prince of Parma from our land,i 1 This refers to the famous blockade of Antwerp by Alexander of Parma, 1585. The following interesting account is from Creighton's Age of Elizabeth, p. 170 f. "... But Antwerp was too well fortified to be taken by storm, and it was impossible to blockade it so long as the river re- mained open. The flat-bottomed boats of the Hollanders could take advantage of any condition of the tide and bring 12 THE TRAGICAL HISTORY And reign sole king of all the provinces ; Yea, stranger engines for the brunt of war supplies to the beleaguered city. Parma, however, made him- self master of the banks of the Scheldt and built forts at such places as secured him the command of the navigation of the river. He then proceeded, during the winter of 1584, to build a bridge across the stream. The Scheldt was here sixty feet deep and eight hundred yards broad ; to bridge such a channel seemed to the besieged an impossible folly. But the Spaniards, beginning from either bank, slowly drove in their piles so firmly that their work withstood the huge blocks of ice that in the winter months rolled down the stream. When the piers had been built as far as was possible, the middle part was made sure by a permanent bridge of boats. In February, 1585, the Scheldt was closed. " In Antwerp, however, lived an Italian engineer, Giambelli, who proposed a means of breaking through this barrier. He took two ships, in each of which he built a marble chamber, filled with gunpowder, over which was placed a pile of every kind of heavy missile. These ships were floated down the Scheldt, but their meaning was disguised by some small fire- ships which sailed in front of them. The Spaniards spent their energies in warding off the fire-ships, and the other two struck against the bridge; in one the match burnt out without reach- ing the powder, but the other took fire with a terrific explosion. A thousand Spanish soldiers were hurled into the air, and a breach of two hundred feet was made in the bridge. Confusion and panic terror struck the hearts of the Spaniards. But the men of Antw-erp could not use their success ; the signal was not given to the Zealand fleet which was waiting out at sea. No relief came, and Alexander of Parma, recovering at once his presence of mind, set to work with desperate energy to re- pair the breach. In three days the blockade was again estab- lished, and Parma awaited the end. Another desperate sally was made by the Netherlanders, who succeeded in carrying one of the Spanish forts ; but they could not maintain themselves there against the valor of the Spanish troops when they were under their heroic leader's eye. The Netherlanders were driven back, and with their failure Antwerp's last hope was OF DOCTOR FAUSTUS. 13 Than was the fiery keel at Antwerp's bridge, I '11 make my servile spirits to invent. Enter Valdes and Cornelius.^ Come, German Valdes and Cornelius, And make me blest with your sage conference. Valdes, sweet Valdes, and Cornelius, Know that your words have won me at the last To practise magic and concealed arts : Yet not your words only, but mine own fantasy That will receive no object, for my head But ruminates on necromantic skill. Philosophy is odious and obscure, Both law and physic are for petty wits ; Divinity is basest of the three. Unpleasant, harsh, contemptible, and vile : 'T is magic, magic that hath ravished me. Then, gentle friends, aid me in this attempt ; And I that have with concise syllogisms Gravelled the pastors of the German church, And made the flowering pride of Wertenberg Swarm to my problems, as the infernal spirits On sweet Musceus,^ when he came to hell. Will be as cunning as Agrippa was, gone. The city capitulated on August 17, 1585; there was to be a general amnesty, but only the Catholic religion was to be tolerated ; those who refused to conform were allowed two years to wind up their affairs and quit the city." 1 Cornehus Agrippa (1486-1535) , a German philosopher and student of alchemy and astrology. Valdes is unknown. Mr. Havelock Ellis suggests Paracelsus. See Browning's poem. 2 A legendary Greek poet, supposed to have been a disciple of Orpheus and to have lived about 1400 B.C. See Virgil's ^neid, VI., 667; Dryden's translation, VI., 867-911. H THE TRAGICAL HISTORY Whose shadow 1 made all Europe honour him. Vald. Faustus, these books, thy wit, and our expe- rience Shall make all nations to canonise us. As Indian Moors obey their Spanish lords, So shall the spirits of every element Be always serviceable to us three ; Like lions shall they guard us when we please ; Like Almain rutters with their horsemen's staves Or Lapland giants,^ trotting by our sides ; Sometimes like women or unwedded maids. Shadowing more beauty in their airy brows Than have the white breasts of the queen of love : From Venice shall they drag huge argosies. And from America the golden fleece That yearly stuffs old Philip's treasury ; If learned Faustus will be resolute. Faiist. Valdes, as resolute am I in this As thou to live ; therefore object it not. Corn. The miracles that magic will perform Will make thee vow to study nothing else. He that is grounded in astrology, Enriched with tongues, well seen in minerals, Hath all the principles magic doth require. Then doubt not, Faustus, but to be renowned, And more frequented for this mystery Than heretofore the Delphian Oracle. The spirits tell me they can dry the sea, And fetch the treasure of all foreign wrecks, 1 In his De Occulta Phllosophia, Agrippa gives directions for divination by means of shades of the dead. 2 The Laplanders, of course, are nearer dwarfs than giants. Marlowe makes the same error in Taniburlaine, Act L, Scene i. OF DOCTOR FAUST US. 1 5 Ay, all the wealth that our forefathers hid Within the massy entrails of the earth ; Then tell me, Faustus, what shall we three want? Faust. Nothing, Cornelius ! O this cheers my soul ! Come show me some demonstrations magical, That I may conjure in some bushy grove, And have these joys in full possession. Vald. Then haste thee to some solitary grove, And bear wise Bacon's and Albanus'^ works, The Hebrew Psalter and New Testament ; And whatsoever else is requisite We will inform thee ere our conference cease. Corn. Valdes, first let him know the words of art ; And then, all other ceremonies learned, Faustus may try his cunning by himself. Vald. First I '11 instruct thee in the rudiments, And then wilt thou be perfecter than I. Faust. Then come and dine with me, and after meat. We'll canvas every quiddity thereof; For ere I sleep I '11 try what I can do : This night I '11 conjure tho' I die therefore. [Exeimt. Scene II. 2 Enter Two Scholars. 1st Schol. I wonder what 's become of Faustus that was wont to make our schools ring with sic probo ? 2d Schol. That shall we know, for see here comes his boy. 1 This Albanus may be Pietro d' Albano, about 1250-1316. He was an Italian physician whose skill brought him under suspicion of the Inquisition. 2 This is probably before Faustus' house, since Wagner speaks of his master inside at dinner. 1 6 THE TRAGICAL HISTORY Enter Wagner. 1st Schol. How now, sirrah! Where 's thy master? Wag. God in heaven knows ! id Schol. Why, dost not thou know ? Wag. Yes, I know. But that follows not. 1st Schol. Go to, sirrah ! leave your jesting, and tell us where he is. Wag. That follows not necessary by force of argu- ment, that you, being licentiates, should stand upon : therefore acknowledge your error and be attentive. id Schol. Why, didst thou not say thou knewest? Wag. Have you any witness on 't 1 1st Schol. Yes, sirrah, I heard you. Wag. Ask my fellows if I be a thief. id Schol. Well, you will not tell us ? Wag. Yes, sir, I will tell you ; yet if you were not dunces, you would never ask me such a question ; for is not he corpus naturale? and is not that ?nobilef then wherefore should you ask me such a question? But that I am by nature phlegmatic, slow to wrath, and prone to lechery (to love, I would say), it were not for you to come within forty feet of the place of execution, although I do not doubt to see you both hanged the next sessions. Thus having triumphed over you, I will set my countenance like a pre- cisian, and begin to speak thus : — Truly, my dear brethren, my master is within at dinner, with Valdes and Cornelius, as this wine, if it could speak, would inform your worships ; and so the Lord bless you, preserve you, and keep you, my dear brethren, my dear brethren. \_Exit. 1st Schol. Nay, then, I fear he has fallen into that OF DOCTOR FAUSTUS. 1 7 damned Art, for which they two are infamous through the world. id Schol. Were he a stranger, and not allied to me, yet should I grieve for him. But come, let us go and inform the Rector, and see if he by his grave counsel can reclaim him. 1st Schol. O, but I fear me nothing can reclaim him. id Schol. Yet let us try what we can do. \_ExeM7it. Scene III.i Enter Faustus to conjure. Faust. Now that the gloomy shadow of the earth Longing to view Orion's drizzling look. Leaps from the antarctic world unto the sky, And dims the welkin with her pitchy breath, Faustus, begin thine incantations, And try if devils will obey thy hest, Seeing thou hast prayed and sacrificed to them. Within this circle is Jehovah's name, Forward and backward anagram matised. The breviated names of holy saints. Figures of every adjunct to the Heavens, And characters of signs and erring stars, By which the spirits are enforced to rise : Then fear not, Faustus, but be resolute. And try the uttermost magic can perform. Sint 7nihi Dei Acherontis propitiil Valeat numen triplex JehovcB ! /gnei, czrii, aqucE, terrce spiritus, salvete I Orientis prijiceps Belzebub, inferni ardentis 1 This scene is in a grove. See the speech of Valdes near the end of Scene i. 1 8 THE TRAGICAL HISTORY jnonarcha, et De?nogorg07t, propitiainns vos, iit appa- reat et surgat Mephistophilis. Quid tu tnoraris f per Jehovam, Gehennam, et consecratain aquain qiiain nunc spar go, signumque cruets quod nu?tc facto, et per vota nostra, ipse nunc surgat nobis dicatus Mephisto- philis 1 1 E7iter Mephistophilis. I charge thee to return and change thy shape ; Thou art too ugly to attend on me. Go, and return an old Franciscan friar ; That holy shape becomes a devil best. {Exit Meph. I see there 's virtue in my heavenly words ; Who would not be proficient in this art? How pliant is this Mephistophilis, Full of obedience and humihty ! Such is the force of magic and my spells : Now Faustus, thou art conjuror laureat, That canst command great Mephistophilis : Quin regis Mephistophilis fratr is imagine.'^ Reenter Mephistophilis like a Frajtciscan friar. Meph. Now, Faustus, what would'st thou have me to do? 1 " May the gods of the lower world be propitious ! Let the threefold power of Jehovah prevail ! Spirits of fire, air, water, earth, all hail 1 Beelzebub, Prince of the East, ruler of infer- nal fires, and Demogorgon, we propitiate you, that Mephis- tophilis may appear and rise. Why do you delay ? By Jehovah, Gehenna, and the consecrated water which now I sprinkle, by the sign of the cross which now I make, and by our vows, (I command) the mighty Mephistophilis himself to rise before us now ! " 2 " But that you rule in the person of Mephistophilis, your brother." OF DOCTOR FAUSTUS. 19 Fatist. I charge thee wait upon me whilst I live, To do whatever Faustus shall command, Be it to make the moon drop from her sphere, Or the ocean to overwhelm the world. Meph. I am a servant to great Lucifer, And may not follow thee without his leave ; No more than he commands must we perform. Faust. Did not he charge thee to appear to me? Meph. No, I came hither of mine own accord. Faust. Did not my conjuring speeches raise thee ? Speak. Meph. That was the cause, but yet per accidens ; ^ For when we hear one rack the name of God, Abjure the Scriptures and his Saviour Christ, We fly in hope to get his glorious soul ; Nor will we come, unless he use such means Whereby he is in danger to be damned : Therefore the shortest cut for conjuring Is stoutly to abjure the Trinity, And pray devoutly to the Prince of Hell. Faust. So Faustus hath Already done ; and holds this principle, There is no chief but only Belzebub, To whom Faustus doth dedicate himself. This word " damnation " terrifies not him, For he confounds hell in Elysium ; His ghost be with the old philosophers! But, leaving these vain trifles of men's souls, Tell me what is that Lucifer thy lord ? Meph. Arch-regent and commander of all spirits. Faust. Was not that Lucifer an angel once? Meph. Yes, Faustus, and most dearly loved of God. 1 Incidentally. 20 THE TRAGICAL HISTORY Faust. How comes it then that he is Prince of devils ? Meph. O, by aspiring pride and insolence ; For which God threw him from the face of Heaven. Faust. And what are you that live with Lucifer ? Meph. Unhappy spirits that fell with Lucifer, Conspired against our God with Lucifer, And are for ever damned with Lucifer. Faust. Where are you damned ? Meph. In hell. Faust. How comes it then that thou art out of hell ? Meph. Why this is hell, nor am I out of it : Think^st thou that I who saw the face of God, And tasted the eternal joys of Heaven, Am not tormented with ten thousand hells. In being deprived of everlasting bliss ? O Faustus! leave these frivolous demands, Which strike a terror to my fainting soul. Faust. What, is great Mephistophilis so passionate For being deprived of the joys of Heaven ? Learn thou of Faustus manly fortitude, And scorn those joys thou never shalt possess. Go bear these tidings to great Lucifer : Seeing Faustus hath incurred eternal death By desperate thoughts against Jove's deity. Say he surrenders up to him his soul, So he will spare him four and twenty years. Letting him live in all voluptuousness ; Having thee ever to attend on me ; To give me whatsoever I shall ask. To tell me whatsoever I demand, To slay mine enemies, and aid my friends, And always be obedient to my will. Go and return to mighty Lucifer, OF DOCTOR FAUSTUS. 21 And meet me in my study at midnight, And then resolve me of thy master's mind. Meph. I will, Faustus. \_Exit. Faust. Had I as many souls as there be stars, I M give them all for Mephistophilis. By him I '11 be great Emperor of the world. And make a bridge through the moving air, To pass the ocean with a band of men : I '11 join the hills that bind the Afric shore, And make that country continent to Spain, And both contributory to my crown. The Emperor shall not live but by my leave, Nor any potentate of Germany. Now that I have obtained what I desire, I '11 live in speculation of this art Till Mephistophilis return again. \Exit. Scene IV. Enter Wagner and Clown. ^ Wag. Sirrah, boy, come hither. Clown. How, boy! Swowns, boy! I hope you have seen many boys with such pickadevaunts as I have ; boy, quotha ! Wag. Tell me, sirrah, hast thou any comings in? Clown. Ay, and goings out, too. You may see else. Wag, Alas, poor slave! see how poverty jesteth in his nakedness ! the villain is bare and out of service, and so hungry that I know he would give his soul to the devil for a shoulder of mutton, though 't were blood- raw. 1 The scene is supposed to be a street. 22 THE TRAGICAL HISTORY Clown. How? My soul to the Devil for a shoulder of mutton, though 'twere blood-raw! Not so, good friend. By 'r Lady, I had need have it well roasted and good sauce to it, if I pay so dear. Wag. Well, wilt thou serve us, and I '11 make thee go like Qui mihi discipulus?^ Clown. How, in verse? Wag. No, sirrah ; in beaten silk and stavesacre.^ Clown. How, how. Knave's acre!^ I, I thought that was all the land his father left him. Do you hear? I would be sorry to rob you of your living. Wag. Sirrah, I say in stavesacre. Clown. Oho! Oho! Stavesacre! Why then be- like if I were your man I should be full of vermin. Wag. So thou shalt, whether thou beest with me or no. But, sirrah, leave your jesting, and bind your- self presently unto me for seven years, or I '11 turn all the lice about thee into familiars, and they shall tear thee in pieces. Clown. Do you hear, sir? You may save that labour : they are too femiliar with me already : swowns ! they are as bold with my flesh as if they had paid for their meat and drink. Wag. Well, do you hear, sirrah ? Hold ! take these guilders.'^ \Gives money. Clown. Gridirons! what be they? Wag. Why, French crowns. Clown. Mass, but in the name of French crowns, 1 The first words of W. Lily's " Ad discipulos carmen de moribus." (Dyce.) 2 A plant used for killing vermin. 3 Poultrey Street, inhabited chiefly by dealers in old bottles and other second-hand rubbish. 4 Guilders are Dutch florins. OF DOCTOR FAUSTUS. 23 a man were as good have as many English counters. And what should I do with these? Wag. Why, now, sirrah, thou art at an hour's warn- ing, whensoever and wheresoever the Devil shall fetch thee. Clowfi. No, no. Here, take your gridirons again. Wag. Truly I'll none of them. Clown. Truly but you shall. Wag. Bear witness I gave them him. Clow7i. Bear witness I gave them you again. Wag. Well, I will cause two devils presently to fetch thee away — Baliol and Belcher. Clown. Let your Baliol and your Belcher come here, and I '\\ knock them, they were never so knocked since they were devils ! Say I should kill one of them, what would folks say ? '' Do you see yonder tall fellow in the round slop — he has killed the devil." So I should be called Kill-devil all the parish over. Enter two Devils : the Clown runs up and down crying. Wag. BaHol and Belcher! Spirits, away! \_Exetmt Devils. Clown. What, are they gone? A vengeance on them, they have vile long nails! There was a he- devil, and a she-devil! I'll tell you how you shall know them ; all he-devils has horns, and all she- devils has clifts and cloven feet. Wag. Well, sirrah, follow me. Clown. But, do you hear — if I should sen^e you, would you teach me to raise up Banios and Belcheos? Wag. I will teach thee to turn thyself to anything ; to a dog, or a cat, or a mouse, or a rat, or anything. 24 THE TRAGICAL HISTORY Clown. How! a Christian fellow to a dog or a cat, a mouse or a rat! No, no, sir. If you turn me into anything, let it be in the likeness of a little pretty frisking flea, that I may be here and there and every- where. Oh, Pll tickle the pretty wenches' plackets; ril be amongst them, i' faith. IVag. Well, sirrah, come. Clown. But, do you hear, Wagner? Wag. How! Baliol and Belcher! Clowjt. O Lord! I pray, sir, let Banio and Belcher go sleep. Wag. Villain — call me Master Wagner, and let thy left eye be diametarily fixed upon my right heel, with quasi vestigiis nostris insistere.^ \Exit. Clown. God forgive me, he speaks Dutch fustian. Well, 1 11 follow him : I '11 serve him, that 's flat. {Exit. Scene V. Faustus discovered in his Study. Faust. Now, Faustus, must Thou needs be damned, and canst thou not be saved : What boots it then to think of God or Heaven? Away with such vain fancies, and despair : Despair in God, and trust in Belzebub ; Now go not backward : no, Faustus, be resolute : Why waver'st thou? O, something soundeth in mine ears " Abjure this magic, turn to God again ! " Ay, and Faustus will turn to God again. To God? — He loves thee not — The God thou serv'st is thine own appetite, 1 " As it were, to stand in our footsteps," OF DOCTOR FAUSTUS. 25 Wherein is fixed the love of Belzebub ; To him I '11 build an altar and a church, And offer lukewarm blood of new-born babes. Enter Good Angel and Evil Angel. G. Ang. Sweet Faustus, leave that execrable art. Faust. Contrition, prayer, repentance! What of them? G. Aug. O, they are means to bring thee unto Heaven. E. Ang. Rather, illusions — fruits of lunacy, That makes men foolish that do trust them most. G. Ang. Sweet Faustus, think of Heaven, and heavenly things. E. Ang. No, Faustus, think of honour and of wealth. [Exejint Angels. Faust. Of v/ealth ! Why the signiory of Embden ^ shall be mine. When Mephistophihs shall stand by me. What God can hurt thee? Faustus, thou art safe : Cast no more doubts. Come, Mephistophihs, And bring glad tidings from great Lucifer ; — Is 't not midnight? Come, Mephistophilis; Veni, vetii^ Mephistophile ! Enter Mephistophilis. Now tell me, what says Lucifer thy lord ? Meph. That I shall wait on Faustus whilst he lives, So he will buy my service with his soul. Faust. Already Faustus hath hazarded that for thee. 1 A city on the Ems, and ^t one time important for its commerce, 26 THE TRAGICAL HISTORY Meph. But, Faustus, thou must bequeath it solemnly, And write a deed of gift with thine own blood, For that security craves great Lucifer. If thou deny it, I will back to hell. Faust. Stay, Mephistophilis! and tell me what good Will my soul do thy lord. Meph. Enlarge his kingdom. Faust. Is that the reason why he tempts us thus ? Meph. Solamen miseris socios habuisse doloris.^ Faust. Why, have you any pain that tortures others ? Meph. As great as have the human souls of men. But tell me, Faustus, shall I have thy soul ? And I will be thy slave, and wait on thee, And give thee more than thou hast wit to ask. Faust. Ay, Mephistophilis, I give it thee. Meph. Then, Faustus, stab thine arm courageously, And bind thy soul that at some certain day Great Lucifer may claim it as his own ; And then be thou as great as Lucifer. Faust, {stabbing his arm). Lo, Mephistophilis, for love of thee, I cut mine arm, and with my proper blood Assure my soul to be great Lucifer's, Chief lord and regent of perpetual night! View here the blood that trickles from mine arm. And let it be propitious for my wish. Meph. But, Faustus, thou must Write it in manner of a deed of gift. Faust. Ay, so I will. {Writes.) But, Mephis- tophilis, My blood congeals, and I can write no more. 1 Best rendered, perhaps, by the familiar proverb, " Misery loves company." OF DOCTOR FAUSTUS. 27 MepJi. I '11 fetch thee fire to dissolve it straight. \_EXLt. Faust. What might the staying of my blood por- tend? Is it unwilling I should write this bill ? Why streams it not that I may write afresh ? Faustiis gives to thee his soul. Ah, there it stayed. Why should'st thou not ? Is not thy soul thine own.-* Then write again, F^aust^cs gives to thee his soul. Reenter Mephistophilis with a chafer of coals. Meph. Here 's fire. Come, Faustus, set it on. Faust. So now the blood begins to clear again ; Now will I make an end immediately. \Writes. Meph. O what will not I do to obtain his soul! \_Aside. Faust. Consiumnatum est:'^ this bill is ended, And Faustus hath bequeathed his soul to Lucifer. But what is this inscription on mine arm? Homo.fugel Whither should I fly? If unto God, he '11 throw me down to hell. My senses are deceived ; here 's nothing writ : — I see it plain ; here in this place is writ Homo., fugel Yet shall not Faustus fly. Meph. I '11 fetch him somewhat to delight his mind. [Exit. Reenter Mephistophilis with Devils, who give crowns and rich apparel to Faustus, dance, and depart. Faust. Speak, Mephistophilis, what means this show? Meph. Nothing, Faustus, but to delight thy mind withal, And to show thee what magic can perform. 1 " It is done." 28 THE TRAGICAL HISTORY Faust. But may I raise up spirits when I please? Meph. Ay, Faustus, and do greater things than these. Faust. Then there 's enough for a thousand souls. Here, Mephistophilis, receive this scroll, A deed of gift of body and of soul : But yet conditionally that thou perform All articles prescribed between us both. Meph. Faustus, I swear by hell and Lucifer To effect all promises between us made. Faust. Then hear me read them : On these condi- tions following. First, that Faustus may be a spirit in form and substance. Secondly, that Mephistophilis shall be his servant, and at his cotnmand. Thirdly, shall do for him and bring him whatsoever he desires. Fourthly, that he shall be in his chamber or house in- visible. Lastly, that he shall appear to the said John Faustus, at all times, and in what form or shape soever he pleases. I, John Faustus, of Wertemberg, Doctor, by these presents do give both body and soul to Lucifer, Prince of the East, and his mitiister, Mephistophilis : and furthermore gra?it unto them, that twenty-four years being expired, the articles above written invio- late, fidl power to fetch or carry the said John Fausttis, body a?td soid, flesh, blood, or goods, into their habita- tion wheresoever. By me, John Faustus. Meph. Speak, Faustus, do you deliver this as your deed? Faust. Ay, take it, and the Devil give thee good on 't. Meph. Now, Faustus, ask what thou wilt. Faust. First will I question with thee about hell. Tell me where is the place that men call hell? Meph. Under the Heavens. OF DOCTOR FAUST US. 29 Faiist. Ay, but whereabout? Meph. Within the bowels of these elements, Where we are tortured and remain forever ; Hell hath no limits, nor is circumscribed In one self place ; for where we are is hell, And where hell is there must we ever be : And, to conclude, when all the world dissolves, And every creature shall be purified, All places shall be hell that is not Heaven. Faust. Come, I think hell 's a fable. Meph. Ay, think so still, till experience change thy mind. Faust. Why, think'st thou then that Faustus shall be damned? Meph. Ay, of necessity, for here 's the scroll Wherein thou hast given thy soul to Lucifer. Faust. Ay, and body too ; but what of that? Think'st thou that Faustus is so fond to imagine That, after this life, there is any pain ? Tush ; these are trifles, and mere old wives' tales. Meph. But, Faustus, I am an instance to prove the contrary, For I am damned, and am now in hell. Faust. How! now in hell? Nay, an this be hell, I Ul willingly be damned here ; What ? walking, disputing, etc. ? But, leaving off this, let me have a wife. The fairest maid in Germany ; For I am wanton and lascivious. And cannot live without a wife. Meph . How — a wife ? I prithee, Faustus, talk not of a wife. Faust. Nay, sweet Mephistophilis, fetch me one, for I will have one. 30 THE TRAGICAL HISTORY Meph. Well — thou wilt have one. Sit there till I come: I'll fetch thee a wife in the Devil's name. \Exit. Reenter Mephistophilis with a devil dressed like a wofJian, with fireworks. Meph. Tell me, Faustus, how dost thou like thy wife? Faust. A plague on her for a hot whore! Meph. Tut, Faustus, Marriage is but a ceremonial toy ; And if thou lovest me, think no more of it. I '11 cull thee out the fairest courtesans. And bring them every morning to thy bed ; She whom thine eye shall like, thy heart shall have, Be she as chaste as was Penelope,^ As wise as Saba,^ or as beautiful As was bright Lucifer before his fall. Here, take this book, peruse it thoroughly : \^Gives a book. The iterating of these lines brings gold ; The framing of this circle on the ground Brings whirlwinds, tempests, thunder and lightning; Pronounce this thrice devoutly to thyself, And men in armour shall appear to thee. Ready to execute what thou desir'st. Faiist. Thanks, Mephistophilis ; yet fain would I have a book wherein I might behold all spells and incantations, that I might raise up spirits when I please. Meph. Here they are, in this book. \Turns to them. 1 The faithful wife of Ulysses. See Stephen Phillips's drama. 2 The Queen ofSheba. OF DOCTOR FAUSTUS. 31 Faust. Now would I have a book where I might see all characters and planets of the heavens, that I might know their motions and dispositions. Meph. Here they are too. \_T21rns to them. Faust. Nay, let me have one book more, — and then I have done, — wherein I might see all plants, herbs, and trees that grow upon the earth. Meph. Here they be. Faust. O, thou art deceived. Meph. Tut, I warrant thee. {Turns to them. Exeunt. Scene VI. ^ Enter Faustus and Mephistophilis. Faust. When I behold the heavens, then I repent, And curse thee, wicked Mephistophilis, Because thou hast deprived me of those joys. Meph. Why, Faustus, Thinkest thou Heaven is such a glorious thing ? I tell thee 't is not half so fair as thou, Or any man that breathes on earth. Faust. How prov'st thou that ? Meph. 'T was made for man, therefore is man more excellent. Faust. If it were made for man, 't was made for me; I will renounce this magic and repent. Enter Good Angel and Evil Angel. G. Ang. Faustus, repent ; yet God will pity thee. E. Ang. Thou art a spirit ; God can not pity thee. 1 The scene is a room in the house of Faustus. 32 THE TRAGICAL HISTORY Faust. Who buzzeth in mine ears I am a spirit ? Be I a devil, yet God may pity me ; Ay, God will pity me if I repent. E. Ang. Ay, but Faustus never shall repent. \Exeunt Angels. Faust. My heart 's so hardened I cannot repent. Scarce can I name salvation, faith, or heaven, But fearful echoes thunder in mine ears " Faustus, thou art damned ! " Then swords and knives, Poison, gun, halters, and envenomed steel Are laid before me to despatch myself, And long ere this I should have slain myself, Had not sweet pleasure conquered deep despair. Have not I made blind Homer sing to me Of Alexander's ^ love and CEnon's ^ death ? And hath not he that built the walls of Thebes^ With ravishing sound of his melodious harp, Made music with my Mephistophilis ? Why should I die then, or basely despair ? I am resolved : Faustus shall ne'er repent — Come, Mephistophilis, let us dispute again, And argue of divine astrology. Tell me, are there many heavens above the moon ? Are all celestial bodies but one globe, As is the substance of this centric earth ? Meph. As are the elements, such are the spheres Mutually folded in each other's orb, And, P^austus, All jointly move upon one axletree Whose terminine is termed the world's wide pole ; 1 Paris, son of Priam, King of Troy. 2 CEnon, i.e. CEnone, whom Paris loved. 8 Amphion. OF DOCTOR FAUSTUS. t,2, Nor are the names of Saturn, Mars, or Jupiter Feigned, but are erring stars. Faust. But tell me, have they all one motion both, sitji et tempore.^ Meph. All jointly move from east to west in twenty- four hours upon the poles of the world ; but differ in their motion upon the poles of the zodiac. Faust. Tush ! These slender trifles Wagner can decide ; Hath Mephistophilis no greater skill .? Who knows not the double motion of the planets ? The first is finished in a natural day ; The second thus : as Saturn in thirty years ; Jupiter in twelve ; Mars in four ; the Sun, Venus, and Mer- cury in a year; the moon in twenty-eight days. Tush, these are freshmen's suppositions. But tell me, hath every sphere a dominion or intelligentia f Meph. Ay. Faust. How many heavens, or spheres, are there .'* Meph. Nine : the seven planets, the firmament, and the empyreal heaven. Faust. Well, resolve me in this question : Why have we not conjunctions, oppositions, aspects, eclipses, all at one time, but in some years we have more, in some less ? Meph. Per inceqicalem motum respectu totius.^ Faust. Well, I am answered. Tell me who made the world. Meph. I will not. Fatist. Sweet Mephistophilis, tell me. Meph. Move me not, for I will not tell thee. 1 " In direction and time." 2 "Through unequal movements, in respect of the whole." D 34 THE TRAGICAL HISTORY Fmist. Villain, have I not bound thee to tell me anything? Meph. Ay, that is not against our kingdom ; but this is. Think thou on hell, Faustus, for thou art damned. Faust. Think, Faustus, upon God that made the world. Meph. Remember this. \Exit. Faust. Ay, go, accursed spirit, to ugly hell. 'T is thou hast damned distressed Faustus' soul. Is't not too late? Reenter Good Angel and Evil Angel. E. Ang. Too late. G. Ang. Never too late, if Faustus can repent. E. Ang. If thou repent, devils shall tear thee in pieces. G. Ajig. Repent, and they shall never raze thy skin. \Exeunt Angels. Faust. Ah, Christ my Saviour, Seek to save distressed Faustus' soul! E7iter Lucifer, Belzebub, and Mephistophilis. Luc. Christ cannot save thy soul, for he is just ; There 's none but I have interest in the same. Faust. O, who art thou that look'st so terrible? Luc. I am Lucifer, And this is my companion-prince in hell. Faust. O Faustus! they are come to fetch away thy soul! Luc. We come to tell thee thou dost injure us ; Thou talk'st of Christ contrary to thy promise ; Thou should'st not think of God : think of the Devil. Faust. Nor will I henceforth : pardon me in this, ' OF DOCTOR FAUSTUS. 35 And Faustus vows never to look to Heaven, Never to name God, or to pray to him, To burn his Scriptures, slay his ministers. And make my spirits pull his churches down. Luc. Do so, and we will highly gratify thee. Faustus, we are come from hell to show thee some pastime : sit down, and thou shalt see all the Seven Deadly Sins appear in their proper shapes. FaJist. That sight will be as pleasing unto me, As Paradise was to Adam the first day Of his creation. Liic. Talk not of Paradise nor creation, but mark this show : talk of the Devil, and nothing else : come away! Enter the Seven Deadly Sins.^ Now, Faustus, examine them of their several names and dispositions. Fatist. What art thou — the first? Pride. I am Pride. I disdain to have any parents. I am like to Ovid's flea : ^ I can creep into every corner of a wench ; sometimes, like a periwig, I sit upon her brow ; or like a fan of feathers, I kiss her lips ; indeed I do — what do I not? But, fie, what a scent is here! I'll not speak another word, except the ground were perfumed, and covered with cloth of arras. Faust. What art thou — the second? Covet. I am Covetousness, begotten of an old churl in an old leathern bag ; and might I have my wish I would desire that this house and all the people in it 1 See Spenser's description of the deadly sins, Faerie Queene, I., 4, 17-36. 2 A reference to De Pulice, attributed, without much ground, to Ovid. 36 THE TRAGICAL HISTORY were turned to gold, that I might lock you up in my good chest. O, my sweet gold! Fatist. What art thou — the third ? Wrath. I am Wrath. I had neither father nor mother : I leapt out of a lion's mouth when I was scarce half an hour old;- and ever sisce I have run up and down the world with this case ^ of rapiers, wound- ing myself when I had nobody to fight withal. I was born in hell ; and look to it, for some of you shall be my father. Faust. What art thou — the fourth? Envy. I am Envy, begotten of a chimney-sweeper and an oyster-wife. I cannot read, and therefore wish all books were burnt. I am lean with seeing others eat. O that there would come a famine through all the world, that all might die, and I live alone! then thou should'st see how fat I would be. But must thou sit and I stand! Come down with a vengeance! Fatist. Away, envious rascal ! What art thou — the fifth? Glut. Who, I, sir? I am Gluttony. My parents are all dead, and the devil a penny they have left me, but a bare pension, and that is thirty meals a day and ten bevers ^ — a small trifle to suffice nature. O, I come of a royal parentage! My grandfather was a Gammon of Bacon, my grandmother was a Hogshead of Claret-wine ; my godfathers were these, Peter Pickleherring and Martin Martlemas-beef ; ^ O, but my 1 A pair of rapiers carried in one sheath, and used one in each hand. 2 Bevers are lunches between meals. 3 It was usual to hang up meats (which were already salted) on St. Martin's day, Nov. ii. OF DOCTOR FAUST US. 37 godmother, she was a jolly gentlewoman, and well beloved in every good town and city ; her name was Mistress Margery March-beer.^ Now, Faustus, thou hast heard all my progeny, wilt thou bid me to supper? Faust. No, 1 11 see thee hanged : thou wilt eat up all my victuals. Glut. Then the Devil choke thee! Fmist. Choke thyself, glutton! Who art thou — the sixth ? Sloth. I am Sloth. I was begotten on a sunny bank, where I have lain ever since ; and you have done me great injury to bring me from thence : let me be carried thither again by Gluttony and Lechery. I "11 not speak another word for a king's ransom. Faust. What are you, Mistress Minx, the seventh, and last? Lech. Who, I, sir? I am one that loves an inch of raw mutton better than an ell of fried stockfish ; and the first letter of my name begins with L.^ Luc. Away to hell, to hell! Now, Faustus, how dost thou like this? [Exeunt the Sins. Faust. O, this feeds my soul! Luc. Tut, Faustus, in hell is all manner of delight. F'aust. O might I see hell, and return again, How happy were I then ! Luc. Thou shalt ; I will send you there at midnight. In meantime take this book ; peruse it throughly, And thou shalt turn thyself into what shape thou wilt. 1 March beer was best liked. 2 The quartos have "Lechery." Collier suggested the change, now generally followed. 38 THE TRAGICAL HISTORY Faust. Great thanks, mighty Lucifer ! This I will keep as chary as my life. Luc. Farewell, Faustus, and think on the Devil. Faust. Farewell, great Lucifer! \Exeimt Lucifer a7td Belzebub. Come, MephistophiHs. Exeimt. Enter Chorus. Chorus. Learned Faustus, To know the secrets of astronomy, Graven in the book of Jove's high firmament, Did mount himself to scale Olympus' top. Being seated in a chariot burning bright. Drawn by the strength of yoky dragon's necks. He now is gone to prove cosmography. And, as I guess, will first arrive at Rome, To see the Pope and manner of his court. And take some part of holy Peter's feast, That to this day is highly solemnised. \Exit. Scene VH.i Enter Faustus and Mephistophilis. Faust. Having now, my good Mephistophilis, Passed with delight the stately town of Trier,^ Environed round with airy mountain tops. With walls of flint, and deep entrenched lakes, Not to be won by any conquering prince ; From Paris next, coasting the realm of France, We saw the river Maine fall into Rhine, Whose banks are set with groves of fruitful vines ; 1 In the Pope's privy chamber. 2 Trier is the German form of Treves. OF DOCTOR FAUSTUS. 39 Then up to Naples, rich Campania, Whose buildings fair and gorgeous to the eye. The streets straight forth, and paved with finest brick, Quarter the town in four equivalents : There saw we learned Maro's ^ golden tomb, The way he cut, an English mile in length, Thorough a rock of stone in one night's space ; From thence to Venice, Padua, and the rest, In one of which a sumptuous temple ^ stands, That threats the stars with her aspiring top. Thus hitherto has Faustus spent his time : But tell me, now, what resting-place is this ? Hast thou, as erst I did command, Conducted me within the walls of Rome ? Meph. Faustus, I have ; and because we will not be unprovided, I have taken up his Holiness' privy chamber for our use. Faust. I hope his Holiness will bid us welcome. Meph. Tut, 't is no matter, man, we '11 be bold with his good cheer. And now, my Faustus, that thou may'st perceive What Rome containeth to delight thee with, Know that this city stands upon seven hills That underprop the groundwork of the same : Just through the midst runs flowing Tiber's stream. With winding banks that cut it in two parts : Over the which four stately bridges lean. That make safe passage to each part of Rome : Upon the bridge called Ponte Angelo Erected is a castle passing strong, 1 Virgil. The allusion is to the great tunnel built by him near Naples. In mediaeval times he was considered a magician. 2 Probably St. Mark's at Venice. 40 THE TRAGICAL HISTORY Within whose walls such store of ordnance are, And double cannons ^ formed of carved brass, As match the days within one complete year ; Besides the gates and high pyramides,^ Which Julius Caesar brought from Africa. Faust. Now by the kingdoms of infernal rule, Of Styx, of Acheron, and the fiery lake Of ever-burning Phlegethon, I swear That I do long to see the monuments And situation of bright-splendent Rome : Come therefore, let 's away. Meph. Nay, Faustus, stay ; I know you M see the Pope, And take some part of holy Peter's feast. Where thou shalt see a troop of bald-pate friars, Whose stunmiun bonuin is in belly-cheer. Faiist. Well, I 'm content to compass them some sport, And by their folly make us merriment. Then charm me, Mephistophilis, that I May be invisible, to do what I please Unseen of any whilst I stay in Rome, [Mephistophilis charms him. Meph. So, Faustus, now Do what thou wilt, thou shalt not be discerned. Sound a somiet.^ Enter the Pope and the Cardinal OF LoRRAiN to the banquet., with Friars attending. Pope. My Lord of Lorrain, wilt please you draw near ? 1 Either cannons double-bored, or simply large cannons. 2 Pyramides once referred to church spires, but obelisks are here meant. 8" A peculiar set of notes on cornet or trumpet." — Nares., OF DOCTOR FAUST US. 41 Faust. Fall to, and the Devil choke you an you spare ! Pope. How now! Who's that which spake? — Friars, look about. \st Friar. Here 's nobody, if it like your Holiness. Pope. My lord, here is a dainty dish was sent me from the Bishop of Milan. Faust. I thank you, sir. \Snatches the dish. Pope. How now! Who's that which snatched the meat from me? Will no man look? My Lord, this dish was sent me from the Cardinal of Florence. Faust. You say true; I '11 ha"t. [Snatches the dish. Pope. What, again ! My lord, I Ul drink to your grace. Faust. I 'll pledge your grace. [Snatches the cup. C. of Lor. My lord, it may be some ghost newly crept out of purgatory, come to beg a pardon of your Holiness. Pope. It may be so. Friars, prepare a dirge to lay the fury of this ghost. Once again, my lord, fall to. [The Pope crosses himself. Faiist. What, are you crossing of yourself ? Well, use that trick no more, I would advise you. [The Pope crosses himself again. Well, there 'S the second time. Aware the third, 1 give you fair warning. [The Pope crosses himself again ^ and Faustus hits hi;n a box of the ear ; and they all run away. Come on, Mephistophilis, what shall we do? Meph. Nay, I know not. We shall be cursed with bell, book, and candle. Faust. How! bell, book, and candle, — candle, book, and bell, Forward and backward to curse Faustus to hell ! 42 THE TRAGICAL HISTORY Anon you shall hear a hog grunt, a calf bleat, an ass bray, Because it is St. Peter's holiday. Reenter the Friars to sing the Dirge. 1st Friar. Come, brethren, let 's about our business with good devotion. They sing : Cursed be he that stole away his Holiness' meat from the table! Maledicat Doininiis ! Cursed be he that struck his Holiness a blow on the face ! Maledicat Dominus ! Cursed be he that took Friar Sandelo a blow on the pate ! Maledicat Dotnimcs ! Cursed be he that disturbeth our holy dirge ! Maledi- cat Dominus ! Cursed be he that took away his Holiness' wine! Maledicat Domimis ! Et omnes sancti I A?ne7i ! [Mephistophilis and Faustxjs deal the Friars, a^id fling fireworks among theni: and so exeunt. Enter Chorus. Chorus. When Faustus had with pleasure ta'en the view Of rarest things, and royal courts of kings. He stayed his course, and so returned home ; Where such as bear his absence but with grief, I mean his friends, and nearest companions, Did gratulate his safety with kind words, And in their conference of what befell, Touching his journey through the world and air, They put forth questions of Astrology, Which Faustus answered with such learned skill, As they admired and wondered at his wit. Now is his fame spread forth in every land ; OF DOCTOR FAUST US. 43 Amongst the rest the Emperor is one, Carolus the Fifth, at whose palace now Faustus is feasted 'mongst his noblemen. What there he did in trial of his art, I leave untold — your eyes shall see performed. \_Exii. Scene VIII. i Enter Robin the Ostler with a Book in his Hand. Robin. O, this is admirable! here I ha' stolen one of Dr. Faustus's conjuring books, and i' faith I mean to search some circles for my own use. Now will I make all the maidens in our parish dance at my pleas- ure, stark naked before me ; and so by that means I shall see more than e'er I felt or saw yet. Enter Ralph calling Robin. Ralph. Robin, prithee come away ; there 's a gentle- man tarries to have his horse, and he would have his things rubbed and made clean : he keeps such a chaf- ing with my mistress about it ; and she has sent me to look thee out ; prithee come away. Robijt. Keep out, keep out, or else you are blown up ; you are dismembered, Ralph : keep out, for I am about a roaring piece of work. Ralph. Come, what dost thou with that same book? Thou canst not read. Robin. Yes, my master and mistress shall find that I can read, he for his forehead, she for her private study ; she 's born to bear with me, or else my art fails. Ralph. Why, Robin, what book is that ? Robin. What book ! why the most intolerable book for conjuring that e'er was invented by any brimstone devil. 1 The scene is an inn-yard. 44 THE TRAGICAL HISTORY Ralph. Canst thou conjure with it ? Robin. 1 can do all these things easily with it ; first, I can make thee drunk with ippocras ^ at any tabern in Europe for nothing ; that 's one of my conjuring works. Ralph. Our Master Parson says that 's nothing. Robin. True, Ralph ; and more, Ralph, if thou hast any mind to Nan Spit, our kitchenmaid, then turn her and wind her to thy own use as often as thou wilt, and at midnight. Ralph. O brave Robin, shall I have Nan Spit, and to mine own use ? On that condition I 'd feed thy devil with horsebread ^ as long as he lives, of free cost. Robin. No more, sweet Ralph : let 's go and make clean our boots, which lie foul upon our hands, and then to our conjuring in the DeviFs name. {Exeunt. Scene IX. Enter Robin and Ralph with a Silver Goblet. Robin. Come, Ralph, did not I tell thee we were for ever made by this Doctor Faustus's book ? ecce signuni, here 's a simple purchase for horsekeepers ; our horses shall eat no hay as long as this lasts. Ralph. But, Robin, here comes the vintner. Robin. Hush! I '11 gull him supernaturally. Enter Vintner. Drawer, I hope all is paid : God be with you ; come, Ralph. 1 Ippocras (hippocras) is a drink made of red wine, sugar, and various spices. 2 It was a common practice among our ancestors to feed horses on bread. Nares quotes from Gervase Markham a recipe for making horse-loaves. — Bullen. OF DOCTOR FAUST US. 45 Vint. Soft, sir ; a word with you. I must yet have a goblet paid from you, ere you go. Robhi. I, a goblet, Ralph ; I, a goblet ! I scorn you, and you are but a, etc.^ I, a goblet ! search me. Vint. I mean so, sir, with your favour. Robin. How say you now ? \Searches him. Vint. I must say somewhat to your fellow. You, sir ! Ralph. Me, sir! me, sir! search your fill. (^Vititner searches him.) Now, sir, you may be ashamed to burden honest men with a matter of truth. Vint. Well, t' one of you hath this goblet about you. Robin. You lie, drawer, 'tis afore me. {Aside.) Sirrah you, 1 11 teach you to impeach honest men ; — stand by ; — I "11 scour you for a goblet! — stand aside you had best, I charge you in the name of Belzebub. Look to the goblet, Ralph. \_Aside to Ralph. Vint. What mean you, sirrah ? Robin. I '11 tell you what I mean. {Reads frofu a book.) Sanctobnlontm Periphrasticon — Nay, I '11 tickle you, vintner. Look to the goblet, Ralph. \_Aside to Ralph. {Reads.) Polypragmos Belseborams f^-amanto pacos- tiphos tostii., Mephistophilis.^ etc. Enter Mephistopiilis, sets squibs at their backs, and then exit. They run about. Vifit. O nomine Domini! What meanest thou, Robin? thou hast no goblet. Ralph. Peccatum peccatoruml Here 's thy goblet, good vintner. ( Gives the goblet to Vintner, who exit. 1 The actor here supplies any abusive terms. Mr. Butler mentions an old play ( Tryall of Chivalry') with the stage direc- tion, '• Exit clown, speaking anything.'' 46 THE TRAGICAL HISTORY Robift. Misericordia pro nobis! What shall I do? Good Devil, forgive me now, and I '11 never rob thy library more. Reenter Mephistophilis. Meph. Monarch of hell, under whose black survey Great potentates do kneel with awful fear, Upon whose altars thousand souls do lie. How am I vexed with these villains' charms? From Constantinople am I hither come Only for pleasure of these damned slaves. Robin. How from Constantinople? You have had a great journey : will you take sixpence in your purse to pay for your supper, and begone ? Meph. Well, villains, for your presumption, I transform thee into an ape, and thee into a dog ; and so begone. \Exit. Robin. How, into an ape ; that's brave! I '11 have fine sport with the boys. I'll get nuts and apples enow. Ralph. And I must be a dog. Robin. V faith thy head will never be out of the pottage pot. \_Exeunt. Scene X.i Enter Emperor, Faustus, and a Knight with Attendants. Emp. Master Doctor Faustus, I have heard strange report of thy knowledge in the black art, how that none in my empire nor in the whole world can com- pare with thee for the rare effects of magic : they say thou hast a familiar spirit, by whom thou canst accom- plish what thou list. This therefore is my request, iThe scene is a room in the Emperor's palace. OF DOCTOR FAUST US. 47 that thou let me see some proof of thy skill, that mine eyes may be witnesses to confirm what mine ears have heard reported : and here I swear to thee by the honour of mine imperial crown, that, whatever thou doest, thou shalt be no ways be prejudiced or en- damaged. Knight, r faith he looks much like a conjuror. {Aside. Faiist. My gracious sovereign, though I must con- fess myself far inferior to the report men have pub- lished, and nothing answerable to the honour of your imperial majesty, yet for that love and duty binds me thereunto, I am content to do whatsoever your maj- esty shall command me. Einp. Then, Doctor Faustus, mark what I shall say. As I was sometime solitary set Within my closet, sundry thoughts arose About the honour of mine ancestors, How they had won by prowess such exploits, Got such riches, subdued so many kingdoms As we that do succeed, or they that shall Hereafter possess our throne, shall (I fear me) ne'er attain to that degree Of high renown and great authority ; Amongst which kings is Alexander the Great, Chief spectacle of the world's preeminence. The bright shining of whose glorious acts Lightens the world with his reflecting beams, As when I hear but mention made of him It grieves my soul I never saw the man. If therefore thou by cunning of thine art Canst raise this man from hollow vaults below, Where lies entombed this famous conqueror, 48 THE TRAGICAL HISTORY And bring with him his beauteous paramour, Both in their right shapes, gesture, and attire They used to wear during their time of life, Thou shalt both satisfy my just desire, And give me cause to praise thee whilst I live. Faust. My gracious lord, I am ready to accomplish your request so far forth as by art, and power of my Spirit, I am able to perform. Knight. V faith that 's just nothing at all. {Aside. Faust. But, if it like your grace, it is not in my ability to present before your eyes the true sub- stantial bodies of those two deceased princes, which long since are consumed to dust. Knight. Ay, marry. Master Doctor, now there 's a sign of grace in you, when you will confess the truth. {Aside. Faust. But such spirits as can lively "esemble Alexander and his paramour shall appear before your grace in that manner that they both lived in, in their most flourishing estate ; which I doubt not shall suffi- ciently content your imperial majesty. Emp. Go to, Master Doctor, let me see them presently. Knight. Do you hear. Master Doctor ? You bring j Alexander and his paramour before the Emperor ! Faust. How then, sir ? Knight. V faith that 's as true as Diana turned me to a stag ! Faust. No, sir, but when Actaeon died,^ he left the horns for you. Mephistophilis, begone. {Exit Mephisto. 1 Diana, angered because Actason surprised her bathing, changed the young hunter into a stag and he was torn in pieces by his own dogs. OF DOCTOR FAUST US. 49 Knight. Nay, an you go to conjuring, I '11 begone. \^Exit. Faust. I '11 meet you anon for interrupting me so. Here they are, my gracious lord. Reenter Mephistophilis with Spirits in the shape of Alexander a?id his Paramour. Emp. Master Doctor, I heard this lady while she lived had a wart or mole in her neck : how shall I know whether it be so or no ? Faust. Your highness may boldly go and see. Evip. Sure these are no spirits, but the true sub- stantial bodies of those two deceased princes. {Exeunt Spirits. Faust. Will 't please your highness now to send for the knight that was so pleasant with me here of late ? E7np. One of you call him forth ! \Exit Attendant. Reenter the Knight with a pair of horns on his head. How now, sir knight ! why I had thought thou hadst been a bachelor, but now I see thou hast a wife, that not only gives thee horns, but makes thee wear them. Feel on thy head. Knight. Thou damned wretch and execrable dog. Bred in the concave of some monstrous rock, Hovi^ darest thou thus abuse a gentleman ? Villain, I say, undo what thou hast done ! Faust. O, not so fast, sir ; there 's no haste ; but, good, are you remembered how you crossed me in my conference with the Emperor ? I think I have met with you for it. E 50 THE TRAGICAL HISTORY Emp. Good Master Doctor, at my entreaty release him : he hath done penance sufficient. Fatist. My gracious lord, not so much for the injury he offered me here in your presence, as to delight you with some mirth, hath Faustus worthily requited this injurious knight : which, being all I de- sire, I am content to release him of his horns : and, sir knight, hereafter speak well of scholars. Mephis- tophilis, transform him straight. (Mephistophilis removes the horns.) Now, my good lord, having done my duty I humbly take my leave. Efnp. Farewell, Master Doctor ; yet, ere you go. Expect from me a bounteous reward. \_Exeunt. Scene XI.i Enter Faustus a7id Mephistophilis. Faust. Now, Mephistophilis, the restless course That Time doth run with calm and silent foot, Shortening my days and thread of vital life, Calls for the payment of my latest years : Therefore, sweet Mephistophilis, let us Make haste to Wertenberg. Meph. What, will you go on horseback or on foot? Faust. Nay, till I 'm past this fair and pleasant green, Pll walk on foot. Enter a Horse-Courser. Horse-C. I have been all this day seeking one Master Fustian : mass, see where he is ! God save you, Master Doctor! Faust. What, horse-courser! You are well met. 1 The third speech tells us that this scene is a "fair and pleasant green," which changes to a room in Faustus's house when he " sleeps in his chair." OF DOCTOR FAUST US. 5 1 Horse-C. Do you hear, sir? I have brought you forty dollars for your horse. Faust. I cannot sell him so : if thou likest him for fifty, take him. Horse-C. Alas, sir, I have no more. — I pray you speak for me. Meph. I pray you let him have him : he is an lionest fellow, and he has a great charge, neither wife nor child. Faiist. Well, come, give me your money. (Horse- Courser gives Faustus the money.) My boy will de- liver him to you. But I must tell you one thing before you have him ; ride him not into the water at any hand. Horse-C. Why, sir, will he not drink of all waters? Faiist. O yes, he w'ill drink of all waters, but ride him not into the water : ride him over hedge or ditch, or where thou wilt, but not into the water. Florse-C. Well, sir. — Now am I made man for- ever : I '11 not leave my horse for twice forty : if he had but the quality of hey-ding-ding, hey-ding-ding, I 'd make a brave living on him : he has a buttock as slick as an eel. {Aside.) Well, God b' wi' ye, sir, your boy will deliver him me : but hark you, sir ; if my horse be sick or ill at ease, if I bring his water to you, you 11 tell me what it is. Faust. Away, you villain ; what, dost think I am a horse-doctor? \_Exit Horse-Courser. What art thou, Faustus, but a man condemned to die? Thy fatal time doth draw to final end ; Despair doth drive distrust unto my thoughts : Confound these passions with a quiet sleep : Tush, Christ did call the thief upon the cross ; Then rest thee, Faustus, quiet in conceit, [Sleeps if I his chair. 52 THE TRAGICAL HISTORY Enter Horse-Courser, all wet, crying. Horse-C. Alas, alas! Doctor Fustian quotha? mass, Doctor Lopus^ was never such a doctor : has given me a purgation has purged me of forty dollars ; I shall never see them more. But yet, like an ass as I was, I would not be ruled by him, for he bade me I should ride him into no water : now I, thinking my horse had had some rare quality that he would not have had me known of, I, like a venturous youth, rid him into the deep pond at the town's end. I was no sooner in the middle of the pond, but my horse vanished away, and I sat upon a bottle of hay, never so near drowning in my life. But I '11 seek out my Doctor, and have my forty dollars again, or I '11 make it the dearest horse! — O, yonder is his snipper- snapper. — Do you hear? you hey-pass, ^ where 's your master ? Meph. Why, sir, what would you? You cannot speak with him. Horse-C. But I will speak with him. Meph. Why, he's fast asleep. Come some other time. Horse-C. I'll speak with him now, or I'll break his glass windows about his ears. Meph. I tell thee he has not slept this eight nights. Horse-C. An he have not slept this eight weeks, I '11 speak with him. 1 Dr. Lopez, a Spaniard, physician to Queen Elizabeth. In 1594 he was hanged for accepting from the court of Spain a bribe to poison the queen. This probably was not written by Marlowe, since he was dead before the doctor became notorious. 2 A juggler's term, applied naturally to the juggler himself. OF DOCTOR FAUSTUS. 53 Meph. See where he is, fast asleep. Horse-C. Ay, this is he. God save you, Master Doctor, Master Doctor, Master Doctor Fustian! — Forty dollars, forty dollars for a bottle of hay ! Meph. Why, thou seest he hears thee not. Horse-C. So ho, ho! — so ho, ho! (^Hollas in his ear.) No, will you not wake? I '11 make you wake ere I go. \^Pulls Faustus by the leg., and pulls it away.) Alas, I am undone! What shall I do? Faust. O my leg, my leg! Help, Mephistophilis! call the officers. My leg, my leg! Meph. Come, villain, to the constable. Horse-C. O lord, sir, let me go, and I Ml give you forty dollars more. Meph. Where be they? Horse-C. I have none about me. Come to my ostry and I Ul give them you. Meph. Begone quickly. [Horse-Courser ru7is away. Faust. What, is he gone? Farewell he! Faustus has his leg again, and the horse-courser, I take it, a bottle of hay for his labour. Well, this trick shall cost him forty dollars more. Enter Wagner. How now, Wagner, what's the news with thee? Wag. Sir, the Duke of Vanholt doth earnestly entreat your company. Faust. The Duke of Vanholt! an honourable gen- tleman, to whom I must be no niggard of my cunning. Come, Mephistophilis, let 's away to him. {Exeunt. 54 THE TRAGICAL HISTORY Scene XII.i Enter the Duke of Vanholt, the Duchess, Faustus, arid Mephistophilis. Duke. Believe me, Master Doctor, this merriment hath much pleased me. Faust. My gracious lord, I am glad it contents you so well. — But it may be, madam, you take no delight in this. I have heard that great-bellied women do long for some dainties or other : what is it, madam ? tell me, and you shall have it. Duchess. Thanks, good Master Doctor; and for I see your courteous intent to pleasure me, I will not hide from you the thing my heart desires ; and were it now summer, as it is January and the dead time of the winter, I would desire no better meat than a dish of ripe grapes. Faust. Alas, madam, that 's nothing! Mephistoph- ilis, begone. {Exit Mephistophilis.) Were it a greater thing than this, so it would content you, you should have it. Reenter Mephistophilis with grapes. Here they be, madam ; wilt please you taste on them? Duke. Believe me, Master Doctor, this makes me wonder above the rest, that being in the dead time of winter, and in the month of January, how you should come by these grapes. Faust. If it like your grace, the year is divided into two circles over the whole world, that, when it is here winter with us, in the contrary circle it is summer with them, as in India, Saba, and farther countries in the East ; and by means of a swift spirit that I have I had 1 In the court of the Duke of Anhalt. OF DOCTOR FAUSTUS. 55 them brought hither, as you see. — How do you like them, madam ; be they good? Duchess. BeHeve me, Master Doctor, they be the best grapes that e'er I tasted in my life before. Faust. I am glad they content you so, madam. Duke. Come, madam, let us in, where you must well reward this learned man for the great kindness he hath showed to you. Duchess. And so I will, my lord ; and, whilst I live, rest beholding for this courtesy. F'aust. I humbly thank your grace. Duke. Come, Master Doctor, follow us and receive your reward. {Exeunt. Scene XIII.i Enter Wagner. Wag. I think my master shortly means to die, For he hath given to me all his goods : And yet, methinks, if that death were so near, He would not banquet, and carouse and swill Amongst the students, as even now he doth, Who are at supper with such belly-cheer As Wagner ne'er beheld in all his life. See where they come! belike the feast is ended. \_Exit. Scene XIV. Enter Faustus, with two or three Scholars and Mephistophilis. \st Schol. Master Doctor Faustus, since our con- ference about fair ladies, which was the beautifullest in 1 Scenes XIII. and XIV. are within Faustus' house. 5 6 THE TRAGICAL HISTORY all the world, we have determined with ourselves that Helen of Greece was the admirablest lady that ever lived : therefore, Master Doctor, if you will do us that favour, as to let us see that peerless dame of Greece, whom all the world admires for majesty, we should think ourselves much beholding unto you. Faust. Gentlemen, For that I know your friendship is unfeigned. And Faustus' custom is not to deny The just requests of those that wish him well. You shall behold that peerless dame of Greece, No otherways for pomp and majesty Than when Sir Paris crossed the seas with her, And brought the spoils to rich Dardania. Be silent, then, for danger is in words. \_Miisic sounds, and Helen passeth over the stage. 2nd Schol. Too simple is my wit to tell her praise, Whom all the world admires for majesty. yd Schol. No marvel though the angry Greeks pursued With ten years' war the rape of such a queen, Whose heavenly beauty passeth all compare. \st Schol. Since we have seen the pride of Nature's works, And only paragon of excellence. Let us depart ; and for this glorious deed Happy and blest be Faustus evermore. Faust. Gentlemen, farewell — the same I wish to you. Exeunt Scholars. Enter an Old Man. Old Majt. Ah, Doctor Faustus, that I might prevail To guide thy steps unto the way of life. By which sweet path thou may'st attain the goal OF DOCTOR FAUSTUS. 57 That shall conduct thee to celestial rest! Break heart, drop blood, and mingle it with tears, Tears falling from repentant heaviness Of thy most vile and loathsome filthiness, The stench whereof corrupts the inward soul With such flagitious crimes of heinous sins As no commiseration may expel, But mercy, Faustus, of thy Saviour sweet, Whose blood alone must wash away thy guilt. Faust. Where art thou, Faustus? wretch, what hast thou done ? Damned art thou, Faustus, damned ; despair and die! Hell calls for right, and with a roaring voice Says " Faustus ! come ! thine hour is almost come ! " And Faustus now will come to do the right. [Mephistophilis gives him a dagger. Old Man. Ah stay, good Faustus, stay thy desper- ate steps ! I see an angel hovers o'er thy head, And, with a vial full of precious grace. Offers to pour the same into thy soul : Then call for mercy, and avoid despair. Faust. Ah, my sweet friend, I feel Thy words do comfort my distressed soul. Leave me a while to ponder on my sins. OldMafi. I go, sweet Faustus, but with heavy cheer, Fearing the ruin of thy hopeless soul. \_Exit. Faust. Accursed Faustus, where is mercy now ? I do repent ; and yet I do despair ; Hell strives with grace for conquest in my breast : What shall I do to shun the snares of death ? Meph. Thou traitor, Faustus, I arrest thy soul For disobedience to my sovereign lord ; Revolt, or I '11 in piecemeal tear thy flesh. 5 8 THE TRAGICAL HISTORY Faust. Sweet Mephistophilis, entreat thy lord To pardon my unjust presumption. And with my blood again I will confirm My former vow I made to Lucifer. Meph. Do it then quickly, with unfeigned heart, Lest greater danger do attend thy drift. [Faustus stabs his ann and writes on a paper with his bloods- Faust. Torment, sweet friend, that base and crooked age. That durst dissuade me from thy Lucifer, With greatest torments that our hell aiTords. Meph. His faith is great : I cannot touch his soui ; But what I may afflict his body with I will attempt, which is but little worth. Faust. One thing, good servant, let me crave of thee, To glut the longing of my heart's desire, — That I might have unto my paramour That heavenly Helen, which I saw of late, Whose sweet embracings may extinguish clean These thoughts that do dissuade me from my vow, And keep mine oath I made to Lucifer. Meph. Faustus, this or what else thou shalt desire Shall be performed in twinkling of an eye. Reenter Helen. Faust. Was this the face that launched a thousand ships ^ And burnt the topless towers of IHum? 1 This stage direction was suggested by Dyce. 2 In Tamburlaine the Great, II., Act II., Scene 4, Marlowe has : — " Helen (whose beauty summoned Greece to arms, And drew a thousand ships to Tenedos) ." OF DOCTOR FAUSTUS. 59 Sweet Helen, make me immortal with akiss. \^Kissesher. Her lips suck forth my soul ; see where it flies ! — Come, Helen, come, give me my soul again. Here will I dwell, for Heaven is in these lips, And all is dross that is not Helena. I will be Paris, and for love of thee, Instead of Troy, shall Wertenberg be sacked : And I will combat with weak Menelaus, And wear thy colours on my plumed crest : Yea, I will wound Achilles in the heel, And then return to Helen for a kiss. Oh, thou art fairer than the evening air Clad in the beauty of a thousand stars ; Brighter art thou than flaming Jupiter When he appeared to hapless Semele : ^ More lovely than the monarch of the sky In wanton Arethusa's '■^ azured arms : And none but thou shall be my paramour. \Exeunt. Scene XV.^ Enter the Old Man. Accursed Faustus, miserable man. That from thy soul exclud'st the grace of Heaven, And fly'st the throne of his tribunal seat ! And Shakspere, Troilus and Cressida, II., 2: — " Why, she is a pearl Whose price hath launched above a thousand ships." 1 In answer to Semele's prayer Jupiter appeared to her, but she perished in the fire of his splendor. 2Arethusa, a water-nymph, was pursued by the river-god Alpheos. She was changed into a fountain with which Alpheos mingled his stream. 3 Scenes XV. and XVI. are in Faustus' house. 6o THE TRAGICAL HISTORY Enter Devils. Satan begins to sift me with his pride : As in this furnace God shall try my faith, My faith, vile hell, shall triumph over thee. Ambitious fiends ! see how the heavens smile At your repulse, and laugh your state to scorn ! Hence, hell! for hence I fly unto my God. {Exeunt on one side Devils — 07t the other ^ Old Man. Scene XVI. Enter Faustus with Scholars. Faust. Ah, gentlemen! 1st Schol. What ails Faustus ? Faust. Ah, my sweet chamber-fellow, had I lived with thee, then had I lived still ! but now I die eter- nally. Look, comes he not, comes he not ? 2nd Schol. What means Faustus ? ■})rd Schol. Belike he is grown into some sickness by being over solitary. \st Schol. If it be so, we Ul have physicians to cure him. ■'T is but a surfeit. Never fear, man. Faust. A surfeit of deadly sin that hath damned both body and soul. ind Schol. Yet, Faustus, look up to Heaven : re- member God's mercies are infinite. Faust. But Faustus' offences can never be par- doned : the serpent that tempted Eve may be saved, but not Faustus. Ah, gentlemen, hear me with pa- tience, and tremble not at my speeches ! Though my heart pants and quivers to remember that I have been a student here these thirty years, oh, would I had never seen Wertenberg, never read book ! and what wonders I have done, all Germany can witness, yea, OF DOCTOR FAUST US. 6i all the world : for which Faustus hath lost both Ger- many and the world, yea Heaven itself, Heaven, the seat of God, the throne of the blessed, the kingdom of joy ; and must remain in hell for ever, hell, ah, hell, for ever ! Sweet friends ! what shall become of Faustus being in hell for ever ? yd Schol. Yet, Faustus, call on God. Faust. On God, whom Faustus hath abjured ! on God, whom Faustus hath blasphemed ! Ah, my God, I would weep, but the Devil draws in my tears. Gush forth biood instead of tears ! Yea, life and soul ! Oh, he stays my tongue ! I would lift up my hands, but see, they hold them, they hold them ! All. Who, Faustus .? Faust. Lucifer and Mephistophilis. Ah, gentle- men, I gave them my soul for my cunning ! All. God forbid ! Faust. God forbade it indeed ; but Faustus hath done it : for vain pleasure of twenty-four years hath Faustus lost eternal joy and felicity. I writ them a bill with mine own blood : the date is expired ; the time will come, and he will fetch me. 1st Schol. Why did not Faustus tell us of this be- fore, that divines might have prayed for thee ? Faust. Oft have I thought to have done so : but the Devil threatened to tear me in pieces if I named God ; to fetch both body and soul if I once gave ear to divinity : and now 't is too late. Gentlemen, away ! lest you perish with me. 2nd Schol. Oh, what shall we do to save Faustus ? Faust. Talk not of me, but save yourselves, and depart. yd Schol. God will strengthen me. I will stay with Faustus. 62 THE TRAGICAL HISTORY \st Schol. Tempt not God, sweet friend; but let us into the next room, and there pray for him. Faust. Ay, pray for me, pray for me ! and what noise soever ye hear, come not unto me, for nothing can rescue me. ind Schol. Pray thou, and we will pray that God may have mercy upon thee. Faust. Gentlemen, farewell : if I live till morning I '11 visit you : if not — Faustus is gone to hell. All. Faustus, farewell. \_Exeu7it Scholars. The clock strikes eleven. Faust. Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damned perpetually ! Stand still, you ever-moving spheres of Heaven, That time may cease, and midnight never come ; Fair Nature's eye, rise, rise again and make Perpetual day ; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul ! O lente, le?tte, cur rite noctis equi ! ^ The stars move still, time runs, the clock will strike, The Devil will come, and Faustus must be damned. O, I '11 leap up to my God ! Who pulls me down ? See, see where Christ's blood streams in the firma- ment ! One drop would save my soul — half a drop : ah, my Christ ! Ah, rend not my heart for naming of my Christ ! Yet will I call on him : O spare me, Lucifer ! — Where is it now ? 't is gone ; and see where God Stretcheth out his arm, and bends his ireful brows! 1 " O, slowly, slowly, run, ye horses of the night." The line is from Ovid's Amores, I., 13, 40. OF DOCTOR FAUST US. 6^ Mountain and hills come, come and fall on me, And hide me from the heavy wrath of God! No ; no ! Then will I headlong run into the earth ; Earth gape ! O no, it will not harbour me ! You stars that reigned at my nativity, Whose influence hath allotted death and hell, Now draw up Faustus like a foggy mist Into the entrails of yon labouring clouds, That when they vomit forth into the air, My limbs may issue from their smoky mouths. So that my soul may but ascend to heaven. \_The clock strikes the half hour. Ah, half the hour is past ! 't will all be past anon ! OGod! If thou wilt not have mercy on my soul. Yet for Christ's sake whose blood hath ransomed me. Impose some end to my incessant pain ; Let Faustus live in hell a thousand years — A hundred thousand, and — at last — be saved ! O, no end is limited to damned souls ! Why wert thou not a creature wanting soul? Or why is this immortal that thou hast? Ah, Pythagoras' metempsychosis ! were that true. This soul should fly from me, and I be changed Unto some brutish beast ! all beasts are happy, For, when they die, Their souls are soon dissolved in elements ; But mine must live, still to be plagued in hell. Curst be the parents that engendered me ! No, Faustus: curse thyself: curse Lucifer That hath deprived thee of the joys of Heaven. {The clock strikes twelve. O, it strikes, it strikes ! Now, body, turn to air, 64 HISTORY OF DOCTOR FAUST US. Or Lucifer will bear thee quick to hell. [Thunder and lightning. soul, be changed into little water-drops, And fall into the ocean — ne'er be found. [Enter Devils. My God ! my God ! look not so fierce on me ! Adders and serpents, let me breathe awhile! Ugly hell, gape not! come not, Lucifer! 1 '11 burn my books ! — Ah Mephistophilis! [Exeunt Devils with Faustus. Enter Chorus. Cho. Cut is the branch that might have grown full straight, And burned is Apollo's laurel bough, That sometime grew within this learned man. Faustus is gone ; regard his hellish fall, Whose fiendful fortune may exhort the wise Only to wonder at unlawful things, Whose deepness doth entice such forward wits To practise more than heavenly power permits. [Exit. BEN JONSON. EVERY MAN IN HIS HUMOUR. By Ben Jonson. ( BEN JONSON. Every Man in His Humour was first presented by the Lord Chamberlain's Servants in 1598. From the entries in Henslowe's diary, it is evident that the play enjoyed great popularity. It was revived by the Duke of York's Company when the theatres opened after the Restoration. In still later days Garrick in the role of Kitely produced it with a powerful cast at Drury Lane, in 1800. Cooke appeared in the usurer's part, as, subsequently, did Edmund Kean and Charles Young. This was the first play chosen by that famous company of amateurs headed by Charles Dickens, who handled the character of Bobadill with splendid effect. Since then — 1845 — ^'^'^ earliest and one of the best of Jonson's comedies has been left to the quiet hour in the study. Tradition says that the play was first accepted on Shakspere's advice, and that in this way began the acquaintance which matured in the firm friendship of later years. In the prologue Jonson sets forth the scheme of the play : — ". . . deeds, and language, such as men do use, And persons, such as comedy would choose, When she would shew an image of the times. And sport with human follies, not with crimes." There is no great complexity of plot ; interest is cen- tred in character and people, not in incident. The classic Jonson follows Aristotle, and claims both comedy and tragedy as the poet's right. Jonson there- 67 68 BEN J ON SON. fore presents a far more faithful picture of Elizabethan times than Shakspere does. He sees the vices, fol- lies, fashions, foibles, — in short, the " humours '' of his day, and reveals them in the action of his play. Jonson, born in 1573, was the posthumous son of a London clergyman. He went to Westminster School at the expense of "^ Master Camden," to whom the present play is dedicated, and later entered St. John's College, Cambridge. It is not, however, prob- able that he was ever in attendance, though " by their favors "he was subsequently made Master of Arts by both universities. He became a tradesman, then sol- dier in the Low Countries, next a London actor, and finally, by accident, a playwright. This profession once assumed, he followed assiduously until his death in 1635. In his lifetime he was highly honored and became the literary dictator of the greatest age our literature has known. To-day he is ranked next to Shakspere as a dramatic genius. And famous Jonson, though his learned pen Be dipt in Castaly, is still but Ben. — Hiej- archie of the Blessed Angels, Thomas Heywood. Ah Ben ! Say how, or when Shall we thy guests Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun? Where we such clusters had As made us wholly wild, not mad ; And yet each verse of thine Outdid the meat, outdid the frolic wine. BEN JONSON. 69 My Ben ! Or come again Or send to us, Thy wit's great overplus ; But teach us yet Wisely to husband it, Lest we that talent spend ; And having once brought to an end That precious stock, the store Of such a wit the world should have no more. An Ode for Him, Robert Herrick. To THE Most Learned and my Honoured Friend, Master Camden, Clarencieux. Sir, — There are, no doubt, a supercilious race in the world, who will esteem all ofifice, done you in this kind, an injury ; so solemn a vice it is with them to use the authority of their ignorance, to the crying down of Poetry, or the professors : but my gratitude must not leave to correct their error ; since I am none of those that can suffer the benefits conferred upon my youth to perish with my age. It is a frail mem- ory that remembers but present things : and, had the favour of the times so conspired with my disposition, as it could have brought forth other, or better, you had had the same proportion, and number of the fruits, the first. Now I pray you to accept this ; such wherein neither the confession of my manners shall make you blush ; nor of my studies, repent you to have been the instructor : and for the profession of my thankfulness, I am sure it will, with good men, find either praise or excuse. Your true lover, Ben Jonson. The dedication was first printed in the 1616 edition of Jonson's works, Camden, a scholar of no mean attainments, was second master at Westminster when Jonson was at school. 70 DRAMATIS PERSONS. Knowell, an old Gentleman. Edward Knowell, his Son. Brainworm, the Father's Man. George Downright, a plain Squire. Wellbred, his Half-Brother. KiTELY, a Merchant. Captain Bobadill, a Paul's Man.i Master Stephen, a Country Gull. Master Mathew, the Town Gull. Thomas Cash, Kitely's Cashier. Oliver Cob, a Water-bearer. Justice Clement, an old merry Magistrate. Roger Formal, his Clerk. Wellbred's servant. Dame Kitely, Kitely's Wife. Mrs. Bridget, his Sister. Tib, Cob's Wife. Servants, etc. Scene: LONDON. The 1616 edition mentions the following actors in the first presentation : Will Shakespeare, Ric. Burbadge, Aug. Philips, Joh. Hemings, Hen. Coudel, Tho. Pope, Will. Kempe, Will. Slye, Chr. Beeston, Joh. Duke. ^ i.e. frequenter of the aisle of St. Paul's. 71 PROLOGUE. Though need make many poets, and some such As art and nature have not bettered much ; Yet ours for want hath not so loved the stage, As he dare serve the ill customs of the age. Or purchase your delight at such a rate, As, for it, he himself must justly hate : To make a child now swaddled, to proceed Man, and then shoot up, in one beard and weed, Past threescore years ; or, with three rusty swords, And help of some few foot ?nd half- foot words, Fight over York and Lancaster's long jars. And in the tyring-house bring wounds to scars. He rather prays you will be pleas'd to see One such to-day, as other plays should be ; Where neither chorus wafts you o'er the seas, Nor creaking throne comes down the boys to please ; Nor nimble squib is seen to make afeard The gentlewomen ; nor rolPd bullet heard To say, it thunders ; nor tempestuous drum Rumbles, to tell you when the storm doth come ; But deeds, and language, such as men do use. And persons, such as comedy would choose, When she would shew an image of the times, And sport with human follies, not with crimes. Except we make them such, by loving still Our popular errors, when we know they 're ill. I mean such errors as you '11 all confess. By laughing at them, they deserve no less : Which when you heartily do, there 's hope left then. You, that have so grac'd monsters, may like men. 72 EVERY MAN IN HIS HUMOUR. ACT I. Scene I. A Street. Enter Knowell, at the door of his house. Know. A goodly day toward, and a fresh morning. — Brainworm ! Enter Brainworm. Call up your young master : bid him rise, sir. Tell him, I have some business to employ him. Brai. I will, sir, presently. Know. But hear you, sirrah, If he be at his book, disturb him not. Brai. Very good, sir. \_Exit. Know. How happy yet should I esteem myself, Could I, by any practice, wean the boy From one vain course of study he affects. He is a scholar, if a man may trust The liberal voice of fame in her report, Of good account in both our Universities,^ Either of which hath favoured him with graces : But their indulgence must not spring in me A fond opinion that he cannot err. 1 Jonson was M. A. of both. 73 74 EVERY MAN IN HIS HUMOUR. Myself 1 was once a student, and indeed, Fed with tlie self-same humour he is now, Dreaming on nought but idle poetry, That fruitless and unprofitable art, Good unto none, but least to the professors ; Which then I thought the mistress of all knowledge : But since, time and the truth have waked my judgment, And reason taught me better to distinguish The vain from the useful learnings. Enter Master Stephen. Cousin Stephen, What news with you, that you are here so early ? Step. Nothing, but e'en come to see how you do, uncle. iCfiow. That 's kindly done ; you are welcome, coz. Step. Ay, I thow that, sir ; I would not have come else. How does my cousin Edward, uncle ? Know. O, well, coz ; go in and see ; I doubt he be scarce stirring yet. Step. Uncle, afore I go in, can you tell me, an he have e'er a book of the science of hawking and hunt- ing ; I would fain borrow it. Know. Why, I hope you will not a hawking now, will you ? Step. No, wusse ; but I '11 practise against next year, uncle. I have bought me a hawk, and a hood, and bells, and all ; I lack nothing but a book to keep it by. Know. Oh, most ridiculous ! Step. Nay, look you now, you are angry, uncle : — 1 Probably a thrust at Kyd's Spanish tragedy, particularly the character Jeronimo, a part once played by Jonson. EVERY MAN IN HIS HUMOUR. 75 Why, you know an a man have not skill ^ in the hawk- ing and hunting languages now-a-days, 1 '11 not give a rush for him : they are more studied than the Greek, or the Latin. He is for no gallant's company without them ; and by gadslid I scorn it, I, so I do, to be a consort for every humdrum : hang them, scroyles ! there's nothing in them i' the world. What do you talk on it .'* Because I dwell at Hogsden, I shall keep company with none but the archers of Finsbury,^ or the citizens that come a ducking ^ to Islington ponds ! A fine jest, i' faith ! 'Slid, a gentleman mun show himself like a gentleman. Uncle, I pray you be not angry ; I know what I have to do, I trow, I am no novice. Kfioiv. You are a prodigal, absurd coxcomb, go to ! Nay, never look at me, 't is I that speak ; Take't as you will, sir, I '11 not flatter you. Have you not yet found means enow to waste That which your friends have left you, but you must Go cast away your money on a buzzard. And know not how to keep it, when you have done ? Oh, it is comely ! that will make you a gentleman ! Well, cousin, well, I see you are e'en past hope Of all reclaim : — ay, so ; now you are told on 't, You look another way. Step. What would you ha' me do ? Know. What would I have you do ? I '11 tell you, kinsman ; 1 Knowledge of such terms was part of a polite education. See glossary, 2 About 1500, Finsbury Manor was made a practice ground for archery. 3 Duck hunting with dogs. 76 EVERY MAN IN HIS HUMOUR. Learn ^ to be wise, and practise how to thrive ; That would I have you do : and not to spend Your coin on every bauble that you fancy, Or every foolish brain that humours you. I would not have you to invade each place. Nor thrust yourself on all societies, Till men's affections, or your own desert. Should worthily invite you to your rank. He that is so respectless in his courses. Oft sells his reputation at cheap market. Nor would I, you should melt away yourself In flashing bravery, lest, while you affect To make a blaze of gentry to the world, A little puff of scorn extinguish it ; And you be left like an unsavoury snuff. Whose property is only to offend. I 'd have you sober, and contain yourself, Not that j'our sail be bigger than your boat ; But moderate your expenses now, at first. As you may keep the same proportion still : Nor stand so much on your gentility. Which is an airy and mere borrowM thing. From dead men's dust and bones ; and none of yours, Except you make, or hold it. Enter a Servant.^ Who comes here ? Serv. Save you, gentlemen ! Step. Nay, we do not stand much on our gentility, friend ; yet you are welcome : and I assure you mine 1 Shakspere played the part of Knowell. Cf. Hamlet, I., 3.78. '■^ In earliest editions, Scene 2. EVERY MAN IN HIS HUMOUR. 77 uncle here is a man of a thousand a year, Middlesex land. He has but one son in all the world, I am his next heir, at the common law, Master Stephen, as simple as I stand here, if my cousin die, as there 's hope he will : I have a pretty living o' mine own too, beside, hard by here. Serv. In good time, sir. Step. " In good time, sir ? " ^ why, and in very good time, sir ! You do not flout, friend, do you ? Serv. Not I, sir. Step. Not you, sir ! You were best not, sir ; an you should, here be them can perceive it, and that quickly, too ; go to : and they can give it again soundly too, an need be. Serv. Why, sir, let this satisfy you; good faith, I had no such intent. Step. Sir, an I thought you had, I would talk ^ with you, and that presently. Serv. Good Master Stephen, so you may, sir, at your pleasure. Step. And so I would, sir, good my saucy compan- ion ! an you were out o"' mine uncle's ground, I can tell you ; though I do not stand upon my gentility neither, in 't. Know. Cousin, cousin, will this ne'er be left? Step. Whoreson, base fellow ! a mechanical serv- ing-man ! By this cudgel, an 't were not for shame, 1 would — Know. What would you do, you peremptory gull ? If you cannot be quiet, get you hence. You see the honest man demeans himself Modestly tow'rds you, giving no reply 1 Stephen, of course, thinks he is " flouting" the servant. 2 That is, he would do more than talk. 78 EVERY MAN IN HIS HUMOUR. To your UnseasonM, quarrelling, rude fashion ; And still you huff it, with a kind of carriage As void of wit, as of humanity. Go, get you in ; 'fore heaven, I am ashamed Thou hast a kinsman's interest in me. \^Exit Master Stephen. Serv. I pray, sir, is this Master Knowell's house 1 Know. Yes, marry is it, sir. Serv. I should inquire for a gentleman here, one Master Edward Knowell ; do you know any such, sir, I pray you ? Know. I should forget myself else, sir. Serv. Are you the gentleman ? Cry you mercy, sir : I was required by a gentleman in the city, as I rode out at this end o' the town, to deliver you this letter, sir. Know. To me, sir ! What do you mean ? pray you remember your court'sy. \Readsr[ To his ?nost selected friend., Master Edward Knowell. What might the gentleman's name be, sir, that sent it ? Nay, pray you be covered. Serv. One Master Wellbred, sir. Know. Master Wellbred! a young gentleman, is he not? Serv. The same, sir ; Master Kitely married his sister ; the rich merchant in the Old Jewry. Know. You say very true. — Brainworm ! Enter Brainworm. Brai. Sir. Know. Make this honest friend drink here : pray you, go in. \Exe2int Brainworm and Servant. This letter is directed to my son ; Yet I am Edward Knowell too, and may, With the safe conscience of good manners, use EVERY MAN IN HIS HUMOUR. 79 The fellow's error to my satisfaction. Well, 1 will break it ope (old men are curious), Be it but for the style's sake and the phrase ; To see if both do answer my son's praises, Who is almost grown the idolater Of this young Wellbred. What have we here ? What's this? \^Reads^ Why, Ned, I beseech thee, hast thou for- sworn all thy friends in the Old Jewry ? or dost thou think us all Jews that inhabit there ? Yet, if thou dost, come over, and but see our frippery ; change an old shirt for a whole smock with us : do not conceive that antipathy between us and Hogsden, as was between Jews and hogs-flesh. Leave thy vigilant father alone, to number over his green apricots, even- ing and morning, on the north-west wall : an I had been his son, I had saved him the labour long since, if taking in all the young wenches that pass by at the back-door, and codling every kernel of the fruit for them, would have served. But, pr'ythee come over to me quickly this morning ; I have such a present for thee ! — our Turkey company never sent the like to the Grand Signior. One is a rhymer, sir, of your own batch, your own leaven ; but doth think himself poet-major of the town, willing to be shown, and worthy to be seen. The other — I will not venture his description with you, till you come, because I would have you make hither with an appetite. If the worst of 'em be not worth your journey, draw your bill of charges, as unconscionable as any Guildhall verdict will give it you, and you shall be allowed your viaticum. From the Windmill.^ 1 Name of a tavern. 8o EVERY MAN IN HIS HUMOUR. From the Bordello ^ it might come as well, The Spittle,! or Pict-hatch.^ Is this the man My son hath sung so, for the happiest wit, The choicest brain, the times have sent us forth ! I know not what he may be in the arts. Nor what in schools ; but, surely, for his manners, I judge him a profane and dissolute wretch ; Worse by possession of such great good gifts, Being the master of so loose a spirit. Why, what unhallowed ruffian would have writ In such a scurrilous manner to a friend ! Why should he think I tell my apricots, Or play the Hesperian dragon with my fruit. To watch it ? Well, my son, I had thought you Had had more judgment to have made election Of your companions, than t' have ta'en on trust Such petulant, jeering gamesters, that can spare No argument or subject from their jest. But I perceive affection makes a fool On any man too much the father. — Brainworm ! Enter Brainworm. Brai. Sir. Know. Is the fellow gone that brought this letter ? Brai. Yes, sir, a pretty while since. Know. And where is your young master ? Brai. In his chamber, sir. Know. He spake not with the fellow, did he ? Brai. No, sir, he saw him not. Know. Take you this letter, and deliver it my son ; but with no notice that I have opened it, on your life. Brai. O Lord, sir ! that were a jest indeed. \_Exit. 1 Names of taverns and brothels. EVERY MAN IN HIS HUMOUR. 8i Know. I am resolved I will not stop his journey, Nor practise any violent means to stay The unbridled course of youth in him ; for that Restrained, grows more impatient ; and in kind Like to the eager, but the generous greyhound, Who ne'er so little from his game withheld, Turns head, and leaps up at his holder's throat. There is a way of winning more by love, And urging of the modesty, than fear: Force works on servile natures, not the free. He that 's compelled to goodness, may be good. But 't is but for that fit ; where others, drawn By softness and example, get a habit. Then, if they stray, but warn them, and the same They should for virtue have done, they 'II do for shame. \Exit. Scene II. A Room in Knowell's House. Enter E. Knowell, with a letter i?t his hand, fol- lowed by Brainworm. E. Know. Did he open it, say'st thou ? Brai. Yes, o' my word, sir, and read the contents. E. Kiow. That scarce contents me. What coun- tenance, prithee, made he in the reading of it ? was he angry, or pleased ? Brai. Nay, sir, I saw him not read it, nor open it, I assure your worship. E. Know. No ! how know'st thou then that he did either ? Brai. Marry, sir, because he charged me, on my life, to tell nobody that he open'd it ; which, unless he had done, he would never fear to have it revealed. G 82 EVERY MAN IN HIS HUMOUR. E. Know. That 's true : well, I thank thee, Brain- worm. Enter Stephen. Step. O, Brainworm, didst thou not see a fellow here in what-sha-call-him doublet ? He brought mine uncle a letter e'en now. B^'ai. Yes, master Stephen ; what of him ? Step. O, I have such a mind to beat him — where is he, canst thou tell ? Brai. Faith, he is not of that mind : he is gone, master Stephen. Step. Gone! which way? when went he? how long since? Brai. He is rid hence ; he took horse at the street- door. Step. And I staid in the fields ! Whoreson scan- derbag ^ rogue ! O that I had but a horse to fetch him back again ! Brai. Why, you may have my master's gelding, to save your longing, sir. Step. But I have no boots, that 's the spite on 't. Brai. Why, a fine wisp of hay, roll'd hard,^ master Stephen. Step. No, faith, it 's no boot to follow him now : let him e'en go and hang. Prithee, help to truss me a little : he does so vex me — Brai. You '11 be worse vexed when you are trussed, master Stephen. Best keep unbraced, and walk your- self till you be cold ; your choler may founder you else. 1 A name given by the Turks to Castriot the Albanian. A translation of his life (1596) made the allusion familiar to Elizabethans. 2 A common rustic practice. EVERY MAN IN HIS HUMOUR, 83 Step. By my faith, and so I will, now thou tell'st me on't : how dost thou like my leg, Brainworm? Brai. A very good leg, master Stephen ; but the woolen stocking does not commend it so well. Step. Foh ! the stockings be good enough, now summer is coming on, for the dust : I ^11 have a pair of silk against winter, that I go to dwell in the town. I think my leg would shew in a silk hose ^ — Brai. Believe me, master Stephen, rarely well. Step. In sadness, I think it would : I have a reason- able good leg. Brai. You have an excellent good leg, master Stephen ; but I cannot stay to praise it longer now, and I am very sorry for it. {Exit. Step. Another time will serve, Brainworm. Gra- mercy for this. E. Know. Ha, ha, ha ! Step. 'Slid, I hope he laughs not at me; and he do — E. Know. Here was a letter indeed, to be inter- cepted by a man's father, and do him good with him ! He cannot but think most virtuousl}', both of me, and the sender, sure, that make the careful costermonger of him in our familiar epistles. Well, if he read this with patience I Ml be gelt, and troll ballads for Master John Trundle ^ yonder, the rest of my mortality. It is true, and likely, my father may have as much patience as another man, for he takes much physic ; and oft taking physic makes a man very patient. But would your packet. Master Wellbred, had arrived at him in such a minute of his patience ! then we had known the end of it, which now is doubtful, and 1 Cf. Twelfth Night, I. 3. 2 A publisher of popular ballads. 84 EVERY MAN IN HIS HUMOUR. threatens — {Sees Master Stephen.) What, my wise cousin ! nay, then I '11 furnish our feast with one gull more toward the mess.^ He writes to me of a brace, and here 's one, that 's three : oh, for a fourth. Fortune, if ever thou 'It use thine eyes, I entreat thee — Step. Oh, now I see who he laughed at : he laughed at somebody in that letter. By this good light, an he had laughed at me — E. Know. How now, cousin Stephen, melancholy? Step. Yes, a little: I thought you had laughed at me, cousin. E. Know. Why, what an I had, coz.'* What would you have done? Step. By this light, I would have told mine uncle. E. Know. Nay, if you would have told your uncle, I did laugh at you, coz. Step. Did you, indeed? E. K710W. Yes, indeed. Step. Why then — E. Know. What then? Step. I am satisfied; it is sufficient. E. Know. Why, be so, gentle coz : and, I pray you, let me entreat a courtesy of you. I am sent foir this morning by a friend in the Old Jewry, to come to him ; it is but crossing over the fields to Moor- gate. Will you bear me company? I protest it is not to draw you into bond or any plot against the state, coz. Step. Sir, that 's all one an it were ; you shall com- mand me twice so far as Moorgate, to do you good in such a matter. Do you think I would leave you? I protest — E. Know. No, no, you shall not protest, coz. 1 Elizabethan slang for four at dinner. EVERY MAN IN HIS HUMOUR. 85 Step. By my fackings, but I will, by your leave : — I '11 protest more to my friend, than I '11 speak of at this time. E. Ktiow. You speak very well, coz. Step. Nay, not so neither, you shall pardon me : but I speak to serve my turn. E. Know. Your turn, coz ! do you know what you say? A gentleman of your sorts, parts, carriage, and estimation, to talk of your turn in this company, and to me alone, like a tankard-bearer at a conduit ! ^ fie ! A wight that, hitherto, his every step hath left the stamp of a great foot behind him, as every word the savour of a strong spirit, and he ! this man ! so graced, gilded, or, to use a more fit metaphor, so tin- foiled by nature, as not ten housewives' pewter, again a good time,2 shows more bright to the world than he ! and he ! (as I said last, so I say again, and still shall say it) this man ! to conceal such real ornaments as these, and shadow their glory, as a milliner's wife does her wrought stomacher, with a smoaky lawn, or a black Cyprus ! ^ O, coz ! it cannot be answered ; go not about it : Drake's old ship at Deptford may sooner circle the world again. Come, wrong not the qual- ity of your desert, with looking downward, coz ; but hold up your head, so : and let the idea of what you are be portrayed in your face, that men may read in your physnomy, here within this place is to be seen the true, rare, and accomplished monster, or miracle of nature, which is all one. What think you of this, coz? Step. Why, I do think of it : and I will be more 1 Water-carriers supplied private houses from conduits. 2 i.e. preparation for grand display. 8 Linen crape. S6 EVERY MAN IN HIS HUMOUR. proud, and melancholy, and gentlemanlike, than I have been, I ''11 insure you. E. Know. Why, that 's resolute, master Stephen ! — Now, if I can but hold him up to his height, as it is happily begun, it will do well for a superb humour : we may hap have a match with the city, and play him for forty pound. — Come, coz. Step. I '11 follow you. E. Know. Follow me ! you must go before. Step. Nay, an I must, I will. Pray you shew me, good cousin. \Exeunt. Scene III. The Lane before Cob's House. Enter Master Mathew. Mat. I think this be the house : what, ho ! Enter Cob. Cob. Who's there ? O, master Mathew! give your worship good morrow. Mat. What, Cob ! how dost thou, good Cob? Dost thou inhabit here. Cob? Cob. Ay, sir, I and my lineage have kept a poor house here, in our days. Mat. Thy lineage, monsieur Cobb ! what lineage, what lineage ? Cob. Why, sir, an ancient lineage, and a princely. Mine ance'try came from a king's belly, no worse man ; and yet no man either, by your worship's leave, I did lie in that, but herring, the king of fish (from his belly I proceed), one of the monarchs of the EVERY MAN IN HIS HUMOUR. 87 world, I assure you. The first red herring that was broiled in Adam and Eve's kitchen, do I fetch my pedigree from, by the harrot's ^ book. His cob ^ was my great, great, mighty great grandfather. Mat. Why mighty, why mighty, I pray thee ? Cob. O, it was a mighty while ago, sir, and a mighty great cob. Mat. How know'st thou that ? Cob. How know I ! why, I smell his ghost ever and anon. Mat. Smell a ghost ! O unsavoury jest ! and the ghost of a herring cob ? Cob. Ay, sir : With favour of your worship's nose, master Mathew, why not the ghost of a herring cob, as well as the ghost of Rasher Bacon ? Mat. Roger Bacon, thou would'st say. Cob. I say Rasher Bacon. They were both broiled on the coals ; and a man may smell broiled meat, I hope ! you are a scholar, upsolve me that now. Mat. O raw ignorance ! — Cob, canst thou shew me of a gentleman, one captain Bobadill, where his lodging is ? Cob. O, my guest, sir, you mean. Mat. Thy guest ! alas, ha, ha, ha ! Cob. Why do you laugh, sir ? Do you not mean captain Bobadill ? Mat. Cob, pray thee advise thyself well ; do not wrong the gentleman, and thyself too. I dare be sworn, he scorns thy house ; he ! he lodge in such a base obscure place as thy house ! Tut, I know his disposition so well, he would not lie in thy bed if thou'dst give it him. Cob. I will not give it him though, sir. Mass, I 1 Slang terms meaning " herald " and " son." 88 EVERY MAN IN HIS HUMOUR. thought somewhat was in it, we could not get him to bed all night : Well, sir, though he lie not on my bed, he lies on my bench : an 't please you to go up, sir, you shall find him with two cushions under his head, and his cloak wrapped about him, as though he had neither won nor lost, and yet, I warrant, he ne''er cast better in his life, than he has done to-night. Mat. Why, was he drunk ? Cob. Drunk, sir ! you hear not me say so : perhaps he swallowed a tavern-token, or some such device, sir, I have nothing to do withal. I deal with water and not with wine — Give me my tankard there, ho ! — God be wi' you, sir. It 's six o'clock : I should have carried two turns by this. What ho ! my stopple ! come. Enter Tib with a water-tankard. Mat. Lie in a water-bearer's house ! a gentleman of his havings ! Well, I '11 tell him my mind. Cob. What, Tib ; shew this gentleman up to the captain. {Exit Tib with Master Mathew.) Oh, an my house were the Brazen-head now ! faith it would e'en speak Moe fools yet.^ You should have some now would take this Master Mathew to be a gentle- man, at the least. His father 's an honest man, a wor- shipful fishmonger, and so forth ; and now does he creep and wriggle into acquaintance with all the brave gallants about the town, such as my guest is (O, my guest is a fine man !), and they flout him invincibly. He useth every day to a merchant's house where I serve water, one master Kitely's, in the Old Jewry ; and here 's the jest, he is in love with my master's 1 A reference to Greene's " Friar Bacon and Friar Bungay.' EVERY MAN IN HIS HUMOUR. 89 sister, Mrs. Bridget, and calls her mistress ; and there he will sit you a whole afternoon sometimes, reading of these same abominable, vile (a pox on 'em ! I can- not abide them), rascally verses, poetrie, poetrie, and speaking of interludes ; 't will make a man burst to hear him. And the wenches, they do so jeer, and ti-he at him — Well, should they do so much to me, I 'd for- swear them all, by the foot of Pharaoh ! There 's an oath ! How many water-bearers shall you hear swear such an oath ! O, I have a guest — he teaches me — he does swear the legiblest of any man christened : By St. George ! the foot of Pharaoh I the body of 7ne I as I am a gentlenia7i and a soldier I such dainty oaths ! and withal he does take this same filthy ro- guish tobacco, the finest and cleanliest ! it would do a man good to see the fumes come for that 's tonnels. — Well, he owes me forty shillings, my wife lent him out of her purse, by sixpence at a time, besides his lodging : I would I had it ! I shall have it, he says, the next action. Helter skelter, hang sorrow, care '11 kill a cat, up-tails all,^ and a louse for the hangman. {Exit. Scene IV. A Room in ecu's House. Bobadill discovered lying on a bench. Bob. Hostess, hostess ! Enter Tib. Tib. What say you, sir ? Bob. A cup of thy small beer, sweet hostess. 1 Slang for inverted, hence empty, glasses, 90 EVERY MAN IN HIS HUMOUR. Tib. Sir, there's a gentleman below would speak with you. Bob. A gentleman ! 'odso, I am not within. Tib. My husband told him you were, sir. Bob. What a plague — what meant he ? Mat. {below) Captain Bobadill ! Bob. Who 's there ! — Take away the bason, good hostess ; — Come up, sir. Tib. He would desire you to come up, sir. You come into a cleanly house, here ! Enter Mathew. Mat. Save you, sir ; save you, captain ! Bob. Gentle master Mathew ! Is it you, sir? please you to sit down. Mat. Thank you, good captain ; you may see I am somewhat audacious. Bob. Not so, sir. I was requested to supper last night by a sort of gallants, where you were wished for, and drunk to, I assure you. Mat. Vouchsafe me, by whom, good captain ? Bob. Marry, by young Wellbred, and others. — Why, hostess, a stool here for this gentleman. Mat. No haste, sir, 'tis very well. Bob. Body o' me ! it was so late ere we parted last night, I can scarce open my eyes yet ; I was but new risen, as you came; how passes the day abroad, sir? you can tell. Mat. Faith, some half hour to seven ; Now, trust me, you have an exceeding fine lodging here, very neat, and private. Bob. Ay, sir: sit down, I pray you. Master Mathew, in any case possess no gentlemen of our acquaintance with notice of my lodging. EVERY MAN IN HIS HUMOUR. 91 Mat. Who ? I, sir; no. Bob. Not that I need to care who know it, for the cabin is convenient ; but in regard I would not be too popular, and generally visited, as some are. Mat. True, captain, I conceive you. Bob. For, do you see, sir, by the heart of valour in me, except it be to some peculiar and choice spirits, to whom I am extraordinarily engaged, as yourself, or so, I could not extend thus far. Mat. O Lord, sir ! I resolve so. Bob. I confess I love a cleanly and quiet privacy, above all the tumult and roar of fortune. What new book have you there? What! Go by, Hieronymo.'' ^ Mat. Ay : did you ever see it acted "i Is 't not well penned ? Bob. Well penned ! I would fain see all the poets of these times pen such another play as that was : they '11 prate and swagger, and keep a stir of art and devices, when, as I am a gentleman, read 'em, they are the most shallow, pitiful, barren fellows, that live j upon the face of the earth again. 1 {While Master Mathew reads^ Bobadill ?nakes j hhnself ready. Mat. Indeed here are a number of fine speeches in this book. O eyes., no eyes., but fountains fratight with tears I there 's a conceit ! fountains fraught with • tears ! O life, no life., but lively form of death I an- i other. O world., 710 world, but mass of public \ wrongs ! a third. Confused a7id filVd with murder and 7msdeeds I a fourth. O, the muses! Is 't not 1 A phrase in the Spanish Tragedy — " the trade joke of the dramatists" — a source of much slang of the day. Jonson never wearies of satirizing Kyd. The italics following are from the same play, Act III. 92 EVERY MAN IN HIS HUMOUR. excellent. Is 't not simply the best that ever you heard, captain ? Ha ! how do you like it ? Bob. 'T is good. Mat. To thee, the purest object to 7ny settse, The 7nost refined essence heaven covers., Send I these lines, wherein I do conwietice The hapPy state of turtle-billing lovers. If they prove rough, unpolish''d, harsh, and rude, Haste made the waste : thus mildly I conclude. Bob. Nay, proceed, proceed. Where 's this ? Mat. This, sir ! a toy of mine own, in my non- age; the infancy of my muses. But when will you come and see my study ? good faith, I can shew you some very good things I have done of late. — That boot becomes your leg passing well, captain, me- thinks. Bob. So, so ; it 's the fashion gentlemen now use. Mat. Troth, captain, and now you speak of the fashion. Master Wellbred^s elder brother and I are fallen out exceedingly : This other day, I happened to enter into some discourse of a hanger, which, I assure you, both for fashion and workmanship, was most peremptory beautiful and gentlemanlike : yet he condemned, and cried it down for the most pied and ridiculous that ever he saw. Bob. Squire Downright, the half-brother, was 't not? Mat. Ay, sir, he. Bob. Hang him, rook ! he ! why he has no more judgment than a malt-horse : By St. George, I won- der you 'd lose a thought upon such an animal ; the most peremptory absurd clown of Christendom, this day, he is holden. I protest to you, as I am a gentle- man and a soldier, I ne'er changed with his like. By EVERY MAN IN HIS HUMOUR. 93 his discourse, he should eat nothing but hay ; he was born for the manger, pannier, or pack-saddle. He has not so much as a good phrase in his belly, but all old iron and rusty proverbs : a good commodity for some smith to make hob-nails of. Mat. Ay, and he thinks to carry it away with his manhood still, where he comes : he brags he will give me the bastinado, as I hear. Bob. How ! he the bastinado ! how came he by that word, trow ? Mat. Nay, indeed, he said cudgel me ; I termed it so, for my more grace. Bob. That may be : for I was sure it was none of his word ; but when, when said he so ? Mat. Faith, yesterday, they say; a young gallant, a friend of mine, told me so. Bob. By the foot of Pharaoh, and Hwere my case now, I should send him a chartel presently. The bastinado ! a most proper and sufficient dependence, warranted by the great Caranza.^ Come hither, you shall chartel him ; 1 11 show you a trick or two you shall kill him with at pleasure ; the first stoccata, if you will, by this air. Mat. Indeed, you have absolute knowledge in the mystery, I have heard, sir. Bob. Of whom, of whom, have you heard it, I be- seech you ? Mat. Troth, I have heard it spoken of divers, that you have very rare, and un-in-one-breath-utterable skill, sir. Bob. By heaven, no, not I ; no skill in the earth ; some small rudiments in the science, as to know my 1 Jerome Caranza, author of the Philosophy of Arms, a book on the etiquette of duels. 94 EVERY MAN IN HIS HUMOUR. time, distance, or so. I have professed it more for noblemen and gentlemen's use, than mine own prac- tice, I assure you. — Hostess, accommodate us with another bed-staff here quickly. Lend us another bed-staff — the woman does not understand the words of action. — Look you, sir : exalt not your point above this state, at any hand, and let your poniard maintain your defence, thus : — give it the gentleman, and leave us. {Exit Tib.) So, sir. Come on : O, twine your body more about, that you may fall to a more sweet, comely, gentlemanlike guard ; so ! indifferent : hollow your body more, sir, thus : now, stand fast o' your left leg, note your dis- tance, keep your due proportion of time — oh, you disorder your point most irregularly. Mat. How is the bearing of it now, sir ? Bob. Oh, out of measure ill : a well-experienced hand would pass upon you at pleasure. Mat. How mean you, sir, pass upon me ? Bob. Why, thus, sir, — make a thrust at me — (Master Mathew pushes at Bobadill) come in upon the answer, control your point, and make a full career at the body : The best-practised gallants of the time name it the passado ; a most desperate thrust, believe it. Mat. Well, come, sir. Bob. Why, you do not manage your weapon with any facility or grace to invite me. I have no spirit to play with you ; your dearth of judgment renders you tedious. Mat. But one venue, sir. Bob. Venue ! fie ; the most gross denomination as ever I heard : O, the stoccata, while you live, sir ; note that. — Come, put on your cloke, and we '11 go to EVERY MAN IN HIS HUMOUR. 95 some private place where you are acquainted ; some tavern, or so — and have a bit. I Ml send for one of these fencers, and he shall breathe you, by my direc- tion ; and then I will teach you your trick : you shall kill him with it at the first, if you please. Why, I will learn you, by the true judgment of the eye, hand, and foot, to control any enemy's point in the world. Should your adversary confront you with a pistol, 't were nothing, by this hand ! you should, by the same rule, control his bullet, in a line, except it were hail shot, and spread. What money have you about you, master Mathew ? Mat. Faith, I have not past a shilling or so. Bob. 'T is somewhat with the least ; but come ; we will have a bunch of radish and salt to taste our wine, and a pipe of tobacco to close the orifice of the stomach : and then we '11 call upon young Wellbred : perhaps we shall meet the Corydon^ his brother there, and put him to the question. ACT II. Scene I. The Old Jewry. A Hall in Kitely's House. E7iter KiTELY, Cash, a7td Downright. Kit. Thomas, come hither. There lies a note within upon my desk ; Here take my key : it is no matter neither. — Where is the boy ? 1 A country bumpkin — a name taken from pastoral poetry. The reference is to Downright, brother of Wellbred. 96 EVERY MAN IN HIS HUMOUR. Cash. Within, sir, in the warehouse. Kit. Let him tell over straight that Spanish gold, And weigh it, with the pieces of eight.^ Do you See the delivery of those silver stuffs To Master Lucar : tell him, if he will, He shall have the grograns, at the rate I told him, And I will meet him on the Exchange anon. Cash. Good, sir. \Exit. Kit. Do you see that fellow, brother Downright ? Dow. Ay, what of him ? Kit. He is a jewel, brother. I took him of a child up at my door. And christened him, gave him mine own name, Thomas : Since bred him at the Hospital ; ^ where proving A toward imp, I call'd him home, and taught him So much, as I have made him my cashier. And giv'n him, who had none, a surname, Cash : And find him in his place so full of faith. That I durst trust my life into his hands. Dow. So would not I in any bastard's, brother. As it is like he is, although I knew Myself his father. But you said you had somewhat To tell me, gentle brother : what is 't, what is 't ? Kit. Faith, I am very loath to utter it, As fearing it may hurt your patience : But that I know your judgment is of strength, Against the nearness of affection — Dow. What need this circumstance ? ^ pray you, be direct. Kit. I will not say how much I do ascribe 1 Value of Zs. ed. 2 Christ's Hospital, the " Blue Coat School." 2 Beating about the bush. EVERY MAN IN HIS HUMOUR. 97 Unto your friendship, nor in what regard I hold your love ; but let my past behaviour, And usage of your sister, [both] confirm How well I have been affected to your — Dow. You are too tedious ; come to the matter, the matter. Kit. Then, without further ceremony, thus. My brother Wellbred, sir, I know not how. Of late is much declined in what he was, And greatly altered in his disposition. When he came first to lodge here in my house, Ne'er trust me if I were not proud of him : Methought he bare himself in such a fashion, So full of man, and sweetness in his carriage. And what was chief, it show'd not borrowed in him. But all he did became him as his own. And seemM as perfect, proper, and possest, As breath with life, or colour with the blood. But now, his course is so irregular, So loose, affected, and deprived of grace. And he himself withal so far fallen off From that first place, as scarce no note remains, To tell men's judgments where he lately stood. He 's grown a stranger to all due respect, Forgetful of his friends ; and not content To stale himself in all societies. He makes my house here common as a mart, A theatre, a public receptacle For giddy humour, and deceased riot ; And here, as in a tavern or a stews, He and his wild associates spend their hours, In repetition of lascivious jests. Swear, leap, drink, dance, and revel night by night, Control my servants ; and, indeed, what not .'* H 98 EVERY MAN IN HIS HUMOUR. Dow. 'Sdeins, I know not what I should say to him, in the whole world! He values me at a crack'd three-farthings, for aught I see. It will never out of the flesh that 's bred in the bone. I have told him enough, one would think, if that would serve ; but counsel to him is as good as a shoulder of mutton to a sick horse. Well! he knows what to trust to, for George : let him spend, and spend, and domineer, till his heart ake ; an he think to be relieved by me, when he is got into one o' your city pounds, the counters,! he has the wrong sow by the ear, i' faith ; and claps his dish at the wrong man's door : I '11 lay my hand on my halfpenny, ere I part with it to fetch him out, I '11 assure him. Kit. Nay, good brother, let it not trouble you thus. Dow. 'Sdeath ! he mads me ; I could eat my very spur-leathers for anger ! But, why are you so tame ? why do you not speak to him, and tell him how he dis- quiets your house ? Kit. O, there are divers reasons to dissuade me. But, would yourself vouchsafe to travail in it (Though but with plain and easy circumstance), It would both come much better to his sense, And savour less of stomach, or of passion. You are his elder brother, and that title Both gives and warrants your authority, Which, by your presence seconded, must breed A kind of duty in him, and regard : Whereas, if I should intimate the least. It would but add contempt to his neglect. Heap worse on ill, make up a pile of hatred. That in the rearing would come tottering down. And in the ruin bury all our love. 1 The London prisons. J EVERY MAN IN HIS HUMOUR. 99 Nay, more than this, brother ; if I should speak, He would be ready, from his heat of humour, And overflowing of the vapour in him, To blow the ears of his familiars With the false breath of telling what disgraces, And low disparagements, I had put upon him. Whilst they, sir, to relieve him in the fable. Make their loose comments upon every word, Gesture, or look, I use ; mock me all over, From my flat cap unto my shining shoes ; ^ And, out of their impetuous rioting phanfsies. Beget some slander that shall dwell with me. And what would that be, think you ? marry, this : They would give out, because my wife is fair. Myself but lately married, and my sister Here sojourning a virgin in my house. That I were jealous ! — nay, as sure as death. That they would say : and, how that I had quarrelPd My brother purposely, thereby to find An apt pretext to banish them my house. Dcnu. Mass, perhaps so ; they 're like enough to do it. Kit. Brother, they would, believe it ; so should I, Like one of these penurious quack-salvers. But set the bills up to mine own disgrace, And try experiments upon myself; Lend scorn and envy opportunity To stab my reputation and good name — Enter Master Mathew struggling with Bobadill. Mat. I will speak to him. Bob. Speak to him ! away ! By the foot of Pha- raoh, you shall not ! you shall not do him that grace. 1 Signs of the merchant in contrast to the gallant. lOO EVERY MAN IN HIS HUMOUR. — The time of day to you, gentleman o' the house. Is Master Wellbred stirring ? Dow. How then ? what should he do ? Bob. Gentleman of the house, it is to you : is he within, sir ? Kit. He came not to his lodging to-night, sir, I assure you. Dow. Why, do you hear ? you ! Bob. The gentleman citizen hath satisfied me ; I '11 talk to no scavenger. [Exeunt Bobadill and Mathew. Dow. How ! scavenger ! stay, sir, stay ! Kit. Nay, Brother Downright. Dow. 'Heart ! stand you away, an you love me. Kit. You shall not follow him now, I pray you, brother, good faith you shall not ; I will overrule you. Dow. Ha ! scavenger ! well, go to, I say Httle : but, by this good day (God forgive me I should swear), if I put it up so, say I am the rankest cow that ever pist. 'Sdeins, an I swallow this, I '11 ne'er draw my sword in the sight of Fleet-street again while I live ; I '11 sit in a barn with madge-howlet, and catch mice first. Scavenger! heart! — and I '11 go near to fill that huge tumbrel-slop ^ of yours with somewhat, an I have good luck: your Garagantua breech ^ cannot carry it away so. Kit. Oh, do not fret yourself thus : never think on 't. Dow. These are my brother's consorts, these ! these are his camerades, his walking mates ! he 's a gallant, a cavaliero too, right hangman cut ! Let me not live, an I could not find in my heart to swinge the whole gang of 'em, one after another, and begin 1 Puffed breeches were fashionable, and of course Bobadill wore them. EVERY MAN IN HIS HUMOUR. lOi with him first. I am grieved it should be said he is my brother, and take these courses : Well, as he brews, so shall he drink, for George, again. Yet he shall hear on 't, and that tightly too, an I live, i' faith. Kit. But, brother, let your reprehension, then, Run in an easy current, not o'er high Carried with rashness, or devouring choler; But rather use the soft persuading way. Whose powers will work more gently, and compose The imperfect thoughts you labour to reclaim; More winning, than enforcing the consent. Dow. Ay, ay, let me alone for that, I warrant you. Kit. How now ! (^Bell riiigs^ Oh, the bell rings to breakfast. Brother, I pray you go in, and bear my wife company till I come ; I '11 but give order for some despatch of business to my servants. {Exit Downright. Enter Cob, with his tankard. Kit. What, Cob ! our maids will have you by the back, i' faith, for coming so late this morning. Cob. Perhaps so, sir ; take heed somebody have not them by the belly, for walking so late in the evening. \Exit. Kit. Well ; yet my troubled spirit 's somewhat eased, Though not reposed in that security As I could wish : but I must be content, Howe'er I set a face on 't to the world. Would I had lost this finger at a venture, So Wellbred had ne'er lodged within my house. Why 't cannot be, where there is such resort Of wanton gallants, and young revellers, That any woman should be honest long. I02 EVERY MAN IN HIS HUMOUR. Is 't like, that factious beauty will preserve The public weal of chastity unshaken, When such strong motives muster, and make head Against her single peace ? No, no : beware. When mutual appetite doth meet to treat. And spirits of one kind and quality Come once to parley in the pride of blood, It is no slow conspiracy that follows. Well, to be plain, if I but thought the time Had answer'd their affections, all the world Should not persuade me but I were a cuckold. Marry, I hope they have not got that start ; For opportunity hath balk'd them yet, And shall do still, while I have eyes and ears To attend the impositions of my heart. My presence shall be as an iron bar, 'Twixt the conspiring motions of desire : Yea, every look or glance mine eye ejects Shall check occasion, as one doth his slave, When he forgets the limits of prescription. Enter Dame Kitely and Bridget. Dame K. Sister Bridget, pray you fetch down the rose-water, above in the closet. \Exit Bridget. — Sweet-heart, will you come in to breakfast ? Kit. An she have overheard me now ! — Dame K. I pray thee, good muss, we stay for you. Kit. By heaven, I would not for a thousand angels.^ Daine K. What ails you, sweet-heart ? are you not well ? speak, good muss. Kit. Troth my head akes extremely on a sudden. Daine K. {putting her hand to his forehead.^ O, the Lord ! 1 Coins of about \os. value. EVERY MAN IN HIS HUMOUR. 1 03 Kit. How now! What? Dame K. Alas, how it burns ! Muss, keep you warm ; good truth it is this new disease,^ there 's a number are troubled withal. For love's sake, sweet- heart, come in, out of the air. Kit. How simple, and how subtle are her answers ! A new disease, and many troubled with it ? Why true ; she heard me, all the world to nothing. Dame K. I pray thee, good sweet-heart, come in ; the air will do you harm, in troth. Kit. The air! she has me in the wind. — Sweet- heart, I '11 come to you presently ; 't will away, I hope. Dame K. Pray Heaven it do. {Exit. Kit. A new disease ! I know not, new or old, But it may well be calPd poor mortals' plague ; For, like a pestilence, it doth infect The houses of the brain. First it begins Solely to work upon the phantasy. Filling her seat with such pestiferous air, As soon corrupts the judgment ; and from thence, Sends like contagion to the memory : Still each to other giving the infection. Which as a subtle vapour spreads itself Confusedly through every sensive part. Till not a thought or motion in the mind Be free from the black poison of suspect. Ah ! but what misery is it to know this ? Or, knowing it, to want the mind's erection In such extremes? Well, I will once more strive. In spite of this black cloud, myself to be. And shake the fever off that thus shakes me. \Exit. 1 A febrile epidemic, so called for a long time. It was the cause of Prince Henry's death. 104 EVERY MAN IN HIS HUMOUR. Scene II. Moorfields ?■ Enter Brainworm, disguised like a maimed Soldier. Brai. 'Slid, I cannot choose but laugh to see my- self translated thus, from a poor creature to a creator ; for now must I create an intolerable sort of lies, or my present profession loses the grace : and yet the lie, to a man of my coat, is as ominous a fruit as the fico. O, sir, it holds for good polity ever, to have that out- wardly in vilest estimation, that inwardly is most dear to us : so much for my borrowed shape. Well, the troth is, my old master intends to follow my young master, dry-foot, over Moorfields ^ to London, this morning; now, I knowing of this hunting-match, or rather conspiracy, and to insinuate with my young master (for so must we that are blue waiters,^ and men of hope and service do, or perhaps we may wear motley at the year's end, and who wears motley, you know), have got me afore in this disguise, determin- ing here to lie in ambuscado, and intercept him in the mid-way. If I can but get his cloke, his purse, and his hat, nay, anything to cut him off, that is to stay his journey, Veni^ vidi, vici, I may say with captain Caesar, I am made for ever, i' faith. Well, now I must practise to get the true garb of one of these lance-knights,^ my arm here, and my — Odso! my young master, and his cousin, master Stephen, as I am true counterfeit man of war, and no soldier ! 1 Moorfields was then a general resort for vagrants of all sorts. 2 Servants' liveries were blue. 3 An inferior officer in command of ten foot-soldiers, EVERY MAN IN HIS HUMOUR. 105 Enter E. Knowell and Stephen. E. Know. So, sir! and how then, coz? Step. 'Sfoot ! I have lost my purse, I think. E. Ktiow. How! lost your purse? where? when had you it ? Step. I cannot tell ; stay. Brai. 'Slid, I am afraid they will know me : would I could get by them ! E. Know. What, have you it? Step. No ; I think I was bewitched, I — \Cries. E. Kfiow. Nay, do not weep the loss : hang it, let it go. Step. Oh, it 's here : No, an it had been lost, I had not cared, but for a jet ring mistress Mary sent me. E. Know. A jet ring! O the poesie, the poesie? Step. Fine, i' faith : — Though Fancy sleep. My love is deep. Meaning, that though I did not fancy her, yet she loved me dearly. E. Know. Most excellent ! Step. And then I sent her another, and my poesie was : — The deeper the sweeter, I 'W be judgM by St. Peter. E. Know. How, by St. Peter? I do not conceive that. Step. Marry, St. Peter, to make up the metre. E. Know. Well, there the saint was your good patron, he help'd you at your need ; thank him, thank him. I06 EVERY MAN IN HIS HUMOUR. Brai. I cannot take leave on 'em so ; I will ven- ture, come what will. (^Comes forward.) Gentle- men, please you change a few crowns for a very excellent blade here? I am a poor gentleman, a sol- dier, one that, in the better state of my fortunes, scorned so mean a refuge ; but now it is the humour of necessity to have it so. You seem to be gentlemen well affected to martial men, else I should rather die with silence, than live with shame : however, vouch- safe to remember it is my want speaks, not myself; this condition agrees not with my spirit — E. Know. Where hast thou served? Brai. May it please you, sir, in all the late wars of Bohemia, Hungary, Dalmatia, Poland, where not, sir? I have been a poor servitor by sea and land any time this fourteen years, and followed the fortunes of the best commanders in Christendom. I was twice shot at the taking of Aleppo, once at the relief of Vienna ; I have been at Marseilles, Naples, and the Adriatic gulf, a gentleman-slave in the gallies, thrice ; where I was most dangerously shot in the head, through both the thighs ; and yet, being thus maimed, I am void of maintenance, nothing left me but my scars, the noted marks of my resolution. Step. How will you sell this rapier, friend? Brai. Generous sir, I refer it to your own judg- ment ; you are a gentleman, give me what you please. Step. True, I am a gentleman, I know that, friend ; but what though! I pray you say, what would you ask? Brai. I assure you, the blade may become the side or thigh of the best prince in Europe. E. Know. Ay, with a velvet scabbard, I think. Step. Nay, an 't be mine, it shall have a velvet scab- EVERY MAN IN HIS HUMOUR. 107 bard, coz, that 's flat ; I 'd not wear it, as it is, an you would give me an angel. Brai. At your worship's pleasure, sir ; nay, 't is a most pure Toledo. Step. I had rather it were a Spaniard. But tell me, what shall I give you for it? An it had a silver hilt — E. Know. Come, come, you shall not buy it : hold, there's a shilling, fellow ; take thy rapier. Step. Why, but I will buy it now, because you say so ; and there 's another shilling, fellow ; 1 scorn to be out-bidden. What, shall I walk with a cudgel, like Higginbottom,^ and may have a rapier for money! E. Know. You may buy one in the city. Step. Tut ! I '11 buy this i' the field, so I will : I have a mind to 't, because 't is a field rapier. Tell me your lowest price. E. Know. You shall not buy it, I say. Step. By this money, but I will, though I give more than 't is worth. E. Know. Come away, you are a fool. Step. Friend, I am a fool, that 's granted ; but I '11 have it, for that word's sake. Follow me for your money. Brai. At your service, sir. \Exeunt. Scene III. Another Part of Moorfields. Enter Knowell. Know. I cannot lose the thought yet of this letter, Sent to my son ; nor leave t' admire the change 1 Nicholson says :—" Probably the seditious disturber on the Earl of Shrewsbury's estates." io8 EVERY MAN IN HIS HUMOUR. Of manners, and the breeding of our youth Within the kingdom, since myself was one. — When I was young, he Hved not in the stews Durst have conceived a scorn, and utter'd it, On a gray head ; age was authority Against a buffoon, and a man had then A certain reverence paid unto his years. That had none due unto his Hfe : so much The sanctity of some prevaiPd for others. But now we all are fallen ; youth, from their fear, And age, from that which bred it, good example. Nay, would ourselves were not the first, even parents, That did destroy the hopes in our own children ; Or they not learn'd our vices in their cradles. And suck'd in our ill customs with their milk ; Ere all their teeth be born, or they can speak. We make their palates cunning ; the first words We form their tongues with, are licentious jests : Can it call whore ? cry bastard ? O, then, kiss it ! A witty child ! can 't swear ? the father's darling ! Give it two plums. Nay, rather than 't shall learn No bawdy song, the mother herself will teach it ! — But this is in the infancy, the days Of the long coat ; when it puts on the breeches, It will put off all this : Ay, it is like. When it is gone into the bone already ! No, no ; this dye goes deeper than the coat. Or shirt, or skin ; it stains into the liver,^ And heart, in some : and, rather than it should not. Note what we fathers do ! look how we live ! What mistresses we keep ! at what expense. In our sons' eyes ! where they may handle our gifts, 1 The liver was supposed to be the seat of lust ; the heart, of knowledge. EVERY MAN IN HIS HUMOUR. 109 Hear our lascivious courtships, see our dalliance, Taste of the same provoking meats with us, To ruin of our states ! Nay, when our own Portion is fled, to prey on the remainder, We call them into fellowship of vice ; Bait 'em with the young chamber-maid, to seal, And teach 'em all bad ways to buy affliction. This is one path : but there are millions more. In which we spoil our own, with leading them. Well, I thank heaven, I never yet was he That traveird with my son, before sixteen. To shew him the Venetian courtezans ; Nor read the grammar of cheating I had made, To my sharp boy, at twelve ; repeating still The rule, Get money ; still., get money., boy ; No matter by what means ; money will do More., boy, than 7ny lord'^s letter. Neither have I Drest snails or mushrooms curiously before him. Perfumed my sauces, and taught him how to make them ; Preceding still, with my gray gluttony, At all the ord'naries, and only fear'd His palate should degenerate, not his manners. These are the trade of fathers now ; however. My son, I hope, hath met within my threshold None of these household precedents, which are strong, And swift, to rape youth to their precipice. But let the house at home be ne'er so clean Swept, or kept sweet from filth, nay dust and cobwebs, If he will live abroad with his companions, In dung and leystals, it is worth a fear; Nor is the danger of conversing less Than all that I have mention'd of example. no EVERY MAN IN HIS HUMOUR. Enter Brainworm, disguised as before. Brat. My master ! nay, faith, have at you ; I am flesh'd now, I have sped so well (aside^ . Worship- ful sir, I beseech you, respect the estate of a poor soldier ; I am ashamed of this base course of life, — God 's my comfort — but extremity provokes me to 't : what remedy ? Know. I have not for you, now. Br at. By the faith I bear unto truth, gentleman, it is no ordinary custom in me, but only to preserve manhood. I protest to you, a man I have been : a man I may be, by your sweet bounty. Know. Pray thee, good friend, be satisfied. Brai. Good sir, by that hand, you may do the part of a kind gentleman, in lending a poor soldier the price of two cans of beer, a matter of small value : the king of heaven shall pay you, and I shall rest thankful: Sweet worship — Know. Nay, an you be so importunate — Brai. Oh, tender sir ! need will have its course : I was not made to this vile use. Well, the edge of the enemy could not have abated me so much : it 's hard when a man hath served in his prince's cause, and be thus (weeps). Honourable worship, let me derive a small piece of silver from you, it shall not be given in the course of time. By this good ground, I was fain to pawn my rapier last night for a poor supper ; I had suck'd the hilts long before, I am a pagan else : Sweet honour — Know. Believe me, I am taken with some wonder. To think a fellow of thy outward presence. Should, in the frame and fashion of his mind, i E VER V MAN IN HIS HUMO UR. 1 1 1 Be so degenerate, and sordid-base. Art thou a man? and sham'st thou not to beg, To practise such a servile kind of life? Why, were thy education ne'er so mean, Having thy limbs, a thousand fairer courses Offer themselves to thy election. Either the wars might still supply thy wants, Or service of some virtuous gentleman, Or honest labour ; nay, what can I name, But would become thee better than to beg : But men of thy condition feed on sloth. As doth the beetle on the dung she breeds in ; Nor caring how the metal of your minds Is eaten with the rust of idleness. Now, afore me, whatever he be, that should Relieve a person of thy quality. While thou insist'st in this loose desperate course, I would esteem the sin not thine, but his. Brai. Faith, sir, I would gladly find some other course, if so — Know. Ay, You 'd gladly find it, but you will not seek it. Brai. Alas, sir, where should a man seek? in the wars, there 's no ascent by desert in these days ; but — and for service, would it were as soon purchased, as wished for! the air's my comfort. — {Sighs) I .know what I would say. \ Know. What 's thy name ? Brai. Please you, Fitz-Sword, sir. j Know. Fitz-Sword! Say that a man should entertain thee now, Wouldst thou be honest, humble, just, and true ? Brai. Sir, by the place and honour of a sol- dier — 112 EVERY MAN IN HIS HUMOUR. Know. Nay, nay, I like not these affected oaths ; speak plainly, man, what think'st thou of my words ? Brai. Nothing, sir, but wish my fortunes were as happy as my service should be honest. Know. Well, follow me ; I '11 prove thee, if thy deeds Will carry a proportion to thy words. \Exit. Brat. Yes, sir, straight ; I '11 but garter my hose. Oh that my belly were hoop'd now, for I am ready to burst with laughing ! never was bottle or bagpipe fuller. 'Slid, was there ever seen a fox in years to betray him- self thus ! now shall I be possest of all his counsels ; and, by that conduit, my young master. Well, he is resolved to prove my honesty ; faith, and I 'm resolved to prove his patience : Oh, I shall abuse him intolera- bly. This small piece of service will bring him clean out of love with the soldier for ever. He will never come within the sign of it, the sight of a cassock, or a musket-rest again. He will hate the musters at Mile-end ^ for it, to his dying day. It 's no matter, let the world think me a bad counterfeit, if I cannot give him the slip at an instant : why, this is better than to have staid his journey : well, I '11 follow him. Oh, how I long to be employed ! \^Exit. 1 Mile-end was the training ground of the city bands. I EVERY MAN IN HIS HUMOUR. 113 ACT III. Scene I. The Old Jewry. A Room in the Windmill Tavern. Enter Master Mathew, Wellbred, and BOBADILL. Mat. Yes, faith, sir, we were at your lodging to seek you too. Wei. Oh, I came not there to-night. Bob. Your brother delivered us as much. Wei. Who, my brother Downright? Bob. He. Mr. Wellbred, I know not in what kind you hold me ; but let me say to you this : as sure as honour, I esteem it so much out of the sunshine of reputation, to throw the least beam of regard upon such a — Wei. Sir, I must hear no ill words of my brother. Bob. I protest to you, as I have a thing to be saved about me, I never saw any gentleman-like part — Wei. Good captain, '' faces about " ^ to some other discourse. Bob. With your leave, sir, an there were no more men living upon the face of the earth, I should not fancy him, by St. George! Mat. Troth, nor I ; he is of a rustical cut, I know not how : he doth not carry himself like a gentleman of fashion. Wei. Oh, master Mathew, that's a grace peculiar but to a few, quos cBquus amavit Jtipiter^^ 1 A direction in military drill. 2 " Whom impartial Jove has loved." I 114 EVERY MAN IN HIS HUMOUR. Mat. I understand you, sir. Wei. No question, you do, — or do you not, sir. Enter E. Knowell and Master Stephen. Ned Knowell ! by my soul, welcome : how dost thou, sweet spirit, my genius? 'Slid, I shall love Apollo and the mad Thespian girls ^ the better, while I live, for this, my dear Fury ; now, I see there 's some love in thee. Sirrah, these be the two I writ to thee of: nay, what a drowsy humour is this now! why dost thou not speak? E. Kjww. Oh, you are a fine gallant ; you sent me a rare letter. Wei. Why, was 't not rare ? E. Know. Yes, I '11 be sworn, I was ne'er guilty of reading the like ; match it in all Pliny, or Symma- chus's epistles, and I '11 have my judgment burn'd in the ear for a rogue : make much of thy vein, for it is inimitable. But I marie what camel it was, that had the carriage of it ; for, doubtless, he was no ordinary beast that brought it. Wei. Why? E. Know. Why, say'st thou ! why, dost thou think that any reasonable creature, especially in the morn- ing, the sober time of the day too, could have mis- taken my father for me? Wei. 'Slid, you jest, I hope. E. Know. Indeed, the best use we can turn it to, is to make a jest on 't, now : but I '11 assure you, my father had the full view of your flourishing style some hour before I saw it. Wei. What a dull slave was this ! but, sirrah, what said he to it, i' faith ? 1 The muses. EVERY MAN IN HIS HUMOUR. 1 15 E. K710W. Nay, I know not what he said ; but I have a shrewd guess what he thought. Wei What, what ? E. Know. Marry, that thou art some strange, dis- sohite young fellow, and I — a grain or two better, for keeping thee company. Wei. Tut! that thought is like the moon in her last quarter, 't will change shortly : but, sirrah, I pray thee be acquainted with my two hang-by^s here ; thou wilt take exceeding pleasure in them if thou hear'st 'em once go ; my wind-instruments ; I '11 wind them up — But what strange piece of silence is this, the sign of the Dumb Man ? E. Know. Oh, sir, a kinsman of mine, one that may make your music the fuller, an he please ; he has his humour, sir. Wei. Oh, what is 't, what is 't? E. Know. Nay, I '11 neither do your judgment nor his folly that wrong, as to prepare your apprehension : I 'II leave him to the mercy of your search ; if you can take him, so! Wei. Well, captain Bobadill, master Mathew, pray you know this gentleman here ; he is a friend of mine, and one that will deserve your affection. I know not your name, sir {to Stephen), but I shall be glad of any occasion to render me more familiar to you. Step. My name is Master Stephen, sir ; I am this gentleman's own cousin, sir ; his father is mine uncle, sir : I am somewhat melancholy, but you shall com- mand me, sir, in whatsoever is incident to a gentle- man. Bob. Sir, I must tell you this, I am no general man ; but for Master Wellbred's sake (you may embrace it at what height of favour you please), I do communi- Ii6 EVERY MAN IN HIS HUMOUR. cate with you, and conceive you to be a gentleman of some parts ; I love few words. E. K710W. And I fewer, sir ; I have scarce enough to thank you. Mat. But are you, indeed, sir, so given to it? Step. Ay, truly, sir, I am mightily given to melan- choly. Mat. Oh, it's your only fine humour, sir: your true melancholy breeds your perfect fine wit, sir. I am melancholy myself, diver times, sir, and then do I no more but take pen and paper, presently, and over- flow you half a score, or a dozen of sonnets at a sitting. E. Know. Sure he utters them then by the gross. {Aside.) Step. Truly, sir, and I love such things out of measure. E. Ktiow. V faith, better than in measure, I '11 undertake. Mat. Why, I pray you, sir, make use of my study, it 's at your service. Step. I thank you, sir, I shall be bold I warrant you ; have you a stool there to be melancholy upon? Mat. That I have, sir, and some papers there of mine own doing, at idle hours, that you '11 say there's some sparks of wit in 'em, when you see them. Wei. Would the sparks would kindle once, and become a fire amongst them! I might see self-love burnt for her heresy. (As/de.) Step. Cousin, is it well? am I melancholy enough? E. Ktiow. Oh ay, excellent. Wei. Captain Bobadill, why muse you so? E. Know. He is melancholy, too. Bob. Faith, sir, I was thinking of a most honoura- I EVERY MAN IN HIS HUMOUR. II 7 ble piece of service, was performed to-morrow, being St. Mark's day, shall be some ten years now. E. Kfiow. In what place, captain? Bob. Why, at the beleaguering of Strigonium,i where, in less than two hours, seven hundred resolute gentlemen, as any were in Europe, lost their lives upon the breach. I '11 tell you, gentlemen, it was the first, but the best leaguer that ever I beheld with these eyes, except the taking in of — what do you call it?'^ last year, by the Genoways ; ^ but that, of all other, was the most fatal and dangerous exploit that ever I was ranged in, since I first bore arms before the face of the enemy, as I am a gentleman and a soldier! Step. So! I had as lief as an angel I could swear as well as that gentleman. E. Know. Then, you were a servitor at both, it seems ; at Strigonium, and what do you call't? Bob. O lord, sir! By St. George, I was the first man that entered the breach ; and had I not effected it with resolution, I had been slain if I had had a million of lives. E. Know. 'T was pity you had not ten ; a cat's and your own, i' faith. But, was it possible? Mat. Pray you mark this discourse, sir. Step. So I do. Bob. O assure you, upon my reputation, 't is true, and yourself shall confess. E. Know. You must bring me to the rack, first. (Aside.) Bob. Observe me judicially, sweet sir; they had 1 Gran, in Hungary, taken from the Turks, 1596. 2 In quarto, Tartosa. As a preposterous piece of affecta- tion, Jonson makes Bobadill pretend to forget. 3 Genoese. Ii8 EVERY MAN IN HIS HUMOUR. planted me three demi-culverins just in the mouth of the breach ; now, sir, as we were to give on, their master-gunner (a man of no mean skill and mark, you must think), confronts me with his linstock, ready to give fire ; I, spying his intendment, discharged my petronel in his bosom, and with these shigle arms, my poor rapier, ran violently upon the Moors that guarded the ordnance, and put them pell-mell to the sword. Wei. To the sword! To the rapier, captain. E. Know. Oh, it was a good figure observed, sir : but did you all this, captain, without hurting your blade? Bob. Without any impeach o' the earth : you shall perceive, sir. {Shews his rapier.^ It is the most fortunate weapon that ever rid on poor gentleman's thigh. Shall I tell you, sir? You talk of Morglay,i Excalibur,! Durindana,^ or so ; tut ! I lend no credit to that is fabled of 'em : I know the virtue of mine own, and therefore I dare the boldlier maintain it. Step. I marie whether it be a Toledo or no. Bob. A most perfect Toledo, I assure you, sir. Step. I have a countryman of his here. Mat. Pray you, let's see, sir ; yes, faith, it is. Bob. This a Toledo ! Pish ! Step. Why do you pish, captain ? Bob. A Fleming, by heaven ! I '11 buy them for a guilder a-piece, an I would have a thousand of them. E. Know. How say you, cousin ? I told you thus much. Wei. Where bought you it, master Stephen ? Step. Of a scurvy rogue soldier : a hundred of lice go with him ! He swore it was a Toledo. 1 The swords of Sir Bevis of Southampton, King Arthur, and Orlando. EVERY MAN IN HIS HUMOUR. 119 Bob. A poor provant ^ rapier, no better. Mat. Mass, I think it be indeed, now I look on 't better. E. Know. Nay, the longer you look on 't, the worse. Put it up, put it up. Step. Well, I will put it up ; but by — I have for- got the captain's oath, I thought to have sworn by it — an e'er I meet him — Wei. O, it is past help now, sir ; you must have patience. Step. Whoreson, coney-catching rascal ! I could eat the very hilts for anger. E. Knoiu. A sign of good digestion ; you have an ostrich stomach, cousin. Step. A stomach ! would I had him here, you should see an I had a stomach. ^ Wei. It 's better as it is. — Come, gentlemen, shall we go ? Enter Brainworm, disguised as before. E. Know. A miracle, cousin; look here, look here ! Step. Oh — 'Od's lid. By your leave, do you know me, sir ? Brai. Ay, sir, I know you by sight. Step. You sold me a rapier, did you not ? Brai. Yes, marry did I, sir. Step. You said it was a Toledo, ha ? Brai. True, I did so. Step. But it is none. Brai. No, sir, I confess it ; it is none. 1 Obtained from a sutler. 2 i.e, to thrash him. I20 EVERY MAN IN HIS HUMOUR. Step. Do you confess it ? Gentlemen, bear wit- ness, he has confest it : — 'Od's will, an you had not confest it — E. Know. Oh, cousin, forbear, forbear ! Step. Nay, I have done, cousin. Wei. Why, you have done like a gentleman ; he has confest it, what would you more ? Step. Yet, by his leave, he is a rascal, under his favour, do you see. E. Know. Ay, by his leave, he is, and under favour : a pretty piece of civility ! Sirrah, how dost thou like him ? Wei. Oh, it's a most precious fool, make much on him : I can compare him to nothing more happily than a drum ; for every one may play upon him. E. Know. No, no, a child's whistle were far the fitter. Brai. Shall I intreat a word with you ? E. Know. With me, sir ? you have not another Toledo to sell, have you ? Brai. You are conceited, sir : Your name is Mas- ter Knowell, as I take it ? E. Know. You are in the right ; you mean not to proceed in the catechism, do you ? Brai. No, sir ; I am none of that coat. E. Know. Of as bare a coat, though : well, say sir. Brai. {taking E. Knowell aside). Faith, sir, I am but servant to the drum extraordinary,^ and in- deed, this smoky varnish being washed off, and three or four patches removed, I appear your worship's in reversion, after the decease of your good father. Brain worm. 1 Presumably a reference to the old interlude, yack Drum's Entertainment. Jack is a rascally servant. EVERY MAN IN HIS HUMOUR. I2i E. Know. Brain worm ! 'Slight, what breath of a conjurer hath blown thee hither in this shape ? Brai. The breath of your letter, sir, this morning ; the same that blew you to the Windmill, and your father after you. E. Know. My father ! Brai. Nay, never start, 't is true ; he has followed you over the fields by the foot, as you would do a hare in the snow. E. Know. Sirrah Wellbred, what shall we do, sirrah ? my father is come over after me. Wei. Thy father ! Where is he ? Brai. At justice Clement's house, in Coleman- street, where he but stays my return ; and then — WeL Who 's this ? Brainworm ! Brai. The same, sir. Well. Why how, in the name of wit, com'st thou transmuted thus ? Brai. Faith, a device, a device ; nay, for the love of reason, gentlemen, and avoiding danger, stand not here ; withdraw, and I '11 tell you all. Wei. But thou art sure he will stay thy return ? Brai. Do I live, sir ? what a question is that ! Wei. We 'II prorogue his expectation, then, a little : Brainworm, thou shalt go with us. — Come on, gentle- men. — Nay, I pray thee, sweet Ned, droop not ; 'heart, an our wits be so wretchedly dull, that one old plodding brain can outstrip us all, would we were e'en prest to make porters of, and serve out the rem- nant of our days in Thames-street, or at Custom- house key, in a civil war against the carmen ! Brai. Amen, amen, amen, say I. \Exeunt. 122 EVERY MAN IN HIS HUMOUR. Scene II. The Old Jewry. Kitely''s Warehouse, Enter Kitely and Cash. Kit. What says he, Thomas ? did you speak with him ? Cash. He will expect you, sir, within this half hour. Kit. Has he the money ready, can you tell ? Cash. Yes, sir, the money was brought in last night. Kit. O, that is well ; fetch me my cloak, my cloak ! — \_Exit Cash. Stay, let me see, an hour to go and come ; Ay, that will be the least ; and then 't will be An hour before I can dispatch with him. Or very near; well, I will say two hours. Two hours ! ha ! things never dreamt of yet, May be contrived, ay, and effected too, In two hours' absence ; well, I will not go. Two hours ! No, fleering Opportunity, I will not give your subtilty that scope. Who will not judge him worthy to be robbM, That sets his doors wide open to a thief, And shews the felon where his treasure lies ? Again, what earthly spirit but will attempt To taste the fruit of beauty's golden tree. When leaden sleep seals up the dragon's eyes ? I will not go. Business, ^<9 by for once. No, beauty, no ; you are of too good caract, To be left so, without a guard, or open. Your lustre, too, '11 inflame at any distance. Draw courtship to you, as a jet doth straws ; Put motion in a stone, strike fire from ice, EVERY MAN IN HIS HUMOUR. 123 Nay, make a porter leap you with his burden. You must be then kept up, close, and well watchM, For, give you opportunity, no quick-sand Devours or swallows swifter ! He that lends His wife, if she be fair, or time or place. Compels her to be false. I will not go ! The dangers are too many : — and then the dressing Is a most main attractive ! Our great heads Within this city never were in safety Since our wives wore these little caps : ^ I '11 change 'em ; I '11 change em straight in mine : mine shall no more Wear three-piled acorns, to make my horns ake. Nor will I go ; I am resolved for that. Reenter Cash with a cloak. Carry in my cloak again. Yet stay. Yet do, too : I will defer going, on all occasions. Cash. Sir, Snare, your scrivener, will be there with the bonds. Kit. That 's true : fool on me ! I had clean forgot it ; I must go. What 's a clock ? Cash. Exchange-time,^ sir. Kit. 'Heart, then will Wellbred presently be here too. With one or other of his loose consorts. I am a knave, if I know what to say, What course to take, or which way to resolve. My brain, methinks, is like an hour-glass, Wherein my imaginations run like sands, Filling up time ; but then are turn'd and turn'd : So that I know not what to stay upon, 1 Fashionable women wore small velvet caps. 2 That is, ten o'clock. 124 EVERY MAN IN HIS HUMOUR. And less, to put in act. — It shall be so. Nay, I dare build upon his secrecy, He knows not to deceive me. — Thomas ! Cash. Sir. Kit. Yet now I have bethought me too, I will not. — Thomas, is Cob within ? Cash. I think he be, sir. Kit. But he Ul prate too, there is no speech of him. No, there were no man on the earth to Thomas, If I durst trust him ; there is all the doubt. But should he have a clink in him, I were gone. Lost in my fame for ever, talk for th' Exchange ! The manner he hath stood with, till this present, Doth promise no such change : what should I fear then? Well, come what will, I '11 tempt my fortune once. Thomas — you may deceive me, but, I hope — Your love to me is more — Cash. Sir, if a servant's Duty, with faith, may be call'd love, you are More than in hope, you are possess'd of it. Kit. I thank you heartily, Thomas : give me your hand: With all my heart, good Thomas. I have, Thomas, A secret to impart unto you — but. When once you have it, I must seal your lips up ; So far I tell you, Thomas. Cash. Sir, for that — Kit. Nay, hear me out. Think I esteem you, Thomas, When I will let you in thus to my private. It is a thing sits nearer to my crest, Than thou art 'ware of, Thomas ; if thou should'st Reveal it, but — EVERY MAN IN HIS HUMOUR. 125 Cash. How, I reveal it ? Kit. Nay, I do not think thou would'st ; but if thou should'st, 'T were a great weakness. Cash. A great treachery : Give it no other name. Kit. Thou wilt not do ^t, then ? Cash. Sir, if I do, mankind disclaim me ever ! Kit. He will not swear, he has some reservation. Some concealed purpose, and close meaning sure ; Else, being urg'd so much, how should he choose But lend an oath to all this protestation ? He 's no precisian, that I 'm certain of. Nor rigid Roman Catholic : he '11 play At fayles, and tick-tack ; I have heard him swear. What should I think of it ? urge him again. And by some other way ! I will do so. Well, Thomas, thou hast sworn not to disclose : — Yes, you did swear ? Cash. Not yet, sir, but I will, Please you — Kit. No, Thomas, I dare take thy word, But, if thou wilt swear, do as thou think'st good ; I am resolv'd without it ; at thy pleasure. Cash. By my souPs safety then, sir, I protest, My tongue shall ne'er take knowledge of a word Delivered me in nature of your trust. Kit. It is too much ; these ceremonies need not : I know thy faith to be as firm as rock. Thomas, come hither, near ; we cannot be Too private in this business. So it is, — Now he has sworn, I dare the safelier venture. {Aside.^ I have of late, by divers observations — But whether his oath can bind him, yea, or no. 126 EVERY MAN IN HIS HUMOUR. Being not taken lawfully ? ha ! say you ? I will ask council ere I do proceed : — {aside). Thomas, it will be now too long to stay, I '11 spy some fitter time soon, or to-morrow. Cash. Sir, at your pleasure. Kit. I will think : — and, Thomas, I pray you search the books 'gainst my return, For the receipts 'twixt me and Traps. Cash. I will, sir. Kit. And hear you, if your mistress's brother, Wellbred, Chance to bring hither any gentleman, Ere I come back, let one straight bring me word. Cash. Very well, sir. Kit. To the Exchange, do you hear ? Or here in Coleman-street, to justice Clement's. Forget it not, nor be not out of the way. Cash. I will not, sir. Kit. I pray you have a care on 't. Or, whether he come or no, if any other, Stranger, or else ; fail not to send me word. Cash. I shall not, sir. Kit. Be it your special business Now to remember it. Cash. Sir, I warrant you. Kit. But Thomas, this is not the secret, Thomas, I told you of. Cash. No, sir ; I do suppose it. Kit. Believe me, it is not. Cash. Sir, I do believe you. Kit. By heaven it is not, that 's enough : but, Thomas, I would not you should utter it, do you see, To any creature living ; yet I care not. EVERY MAN IN HIS HUMOUR. 127 Well, I must hence. Thomas, conceive thus much ; It was a trial of you, when I meant So deep a secret to you, I mean not this. But that I have to tell you ; this is nothing, this. But, Thomas, keep this from my wife, I charge you, Locked up in silence, midnight, buried here. — No greater hell than to be slave to fear. [^Exii. Cash. Lock'd up in silence, midnight, buried here I Whence should this flood of passion, trow, take head ? ha ! Best dream no longer of this running humour, For fear I sink ; the violence of the stream Already hath transported me so far, That I can feel no ground at all : but soft — Oh, 't is our water-bearer : somewhat has crost him now. Enter Cob, hastily. Cob. Fasting-days! what tell you me of fasting- days? 'Slid, would they were all on a light fire for me! they say the whole world shall be consumed with fire one day, but would I had these Ember-weeks and villanous Fridays burnt in the mean time, and then — Cash. Why, how now, Cob? what moves thee to this choler, ha? Cob. Collar, master Thomas ! I scorn your collar, I, sir ; I am none o' your cart-horse, though I carry and draw water. An you offer to ride me with your collar or halter either, I may hap shew you a jade's trick, sir. Cash. O, you '11 slip your head out of the collar? why, goodman Cob, you mistake me. Cob. Nay, I have my rheum, and I can be angry as well as another, sir. 128 EVERY MAN IN HIS HUMOUR. Cash. Thy rheum, Cob! thy humour, thy humour — thou mistak''st. Cob. Humour! mack, I think it be so indeed ; what is that humour? some rare thing, I warrant. Cash. Marry I '11 tell thee, Cob : it is a gentleman- like monster, bred in the special gallantry of our time, by affectation ; and fed by folly. Cob. How! must it be fed? Cash. Oh ay, humour is nothing if it be not fed : didst thou never hear that ? it 's a common phrase, /^