COPYRIGHT, 1893, BY WALTER H. BAKER & CO. 
 
BAKER'S DARKEY PLAYS 
 
 Edited and arranged for publication from the ivell-lrnown repertoire of 
 
 ** SCHOOLCRAFT AND COES " loith all their original 
 
 "gag*" and " stage business." 
 
 BY GEO. H. COES. 
 
 Price ..... 15 cents each. 
 
 "Luke Schoolcraft" and "George Coes " are too well known to admirers of 
 Kegro Minstrelsy to require comment, and the following selections from their 
 admirable repertory of pieces have no need of other recommendation. No one 
 who has seen these artists in any of the following list of sketches needs assur- 
 ance of their humor and good acting quality. Twelve are now ready, and other9 
 will follow as the demaud arises. 
 
 Mrs. Didymus* Party. In One Scene. Two male characters. 
 
 Scene, a plain room. , An immensely humorous trifle. Plays 
 
 twenty minutes. 
 Music VS. Elocution.- In One Scene. Two male characters. 
 
 Scene, a plain room. Always very popular. Plays fifteen minutes. 
 Mistaken Identity. In One Scene. Eight male and one female 
 
 characters. Can be played in "white face" if desired. Plays 
 
 fifteen minutes. 
 Oh, Well, It's No Use. In One Scene. Three male characters. 
 
 A very funny sketch, full of genuine darkey humor. Plays 
 
 twenty minutes. 
 
 Here She Goes, and There She Goes. In One Act. Eight 
 male and one female characters. An uproariously funny piece 
 of great popularity. Plays twenty-five minutes. 
 
 A Finished Education. A Finale for the "First Part" of a 
 Minstrel Entertainment. Three speaking characters. No change 
 of scene 
 
 Black Blunders. In Two Scenes. Nine males and three females. 
 Scenery simple; costumes eccentric. Very lively and amusing. 
 Plays twenty-five minutes. 
 
 The Old Parson. A "First Part Finish" for a Minstrel Enter- 
 tainment. Six speaking characters. No change of scene. 
 
 Sublime and Ridiculous. In One Scene. Three male characters. 
 Scenery and costumes very simple. A sure hit for a good burlesque 
 comedian. Plays twenty minutes. 
 
 Everyday Occurrences. A " First Part Finish " for a Minstrel 
 Entertainment. ThreS .speaking characters. No change of scene. 
 
 Badly Sold. In Two Scenes. Four male characters and supers. 
 A very funny piece. Can be played " white face " with equally 
 good effect. Plays twenty minutes. 
 
 Our Colored Conductors- In Two Scenes. Three male char- 
 acters and ten supers. This is an uproariously funny " skit " and a 
 sure hit. Plays twenty minutes. 
 
 Catalogues describing the above and other popular entertainments 
 sent free on application to 
 
 WALTER H. BAKER & CO., 
 
 THEATRICAL PUBLISHERS, 
 No. 23 Winter Street - BOSTON, MASS. 
 
Tricks Upon Travellers 
 
 a Negro &ct in ©ne Scene 
 
 ARRANGED BY 
 
 GEORGE H. COES 
 
 As played by Schoolcraft and Coes 
 
 ■ 
 
 BOSTON 
 
 ^^^/4^^^^^ 
 
 1894 
 

 CHARACTERS. 
 
 TOM ) 
 
 > TW Servants. 
 JERRY) 
 
 TRAVELLER, 
 
 PROPERTIES. 
 
 Two dust-brushes. Carpet bag. A bundle of spoons. Dummy baby. Two 
 cigars. Two glasses containing milk. Two newspapers. Candles and candle- 
 sticks r. and L. A dummy man dressed like traveller. 
 
 Copyright, 1894, by Walter H. Baker & Co. 
 
 TMP92-Q08S94 
 
TRICKS UPON TRAVELLERS. 
 
 Scene. — Plain Interior. Table, c. ; two chairs. 
 
 Tom {enters). Ah, nobody here ? Then I'll wait until the land- 
 lord comes. In the meantime, Til dust up the furniture. {Com- 
 mences to dnst.) Strange the landlord don't come. 1 got a letter 
 this morning to come here to work, and — 
 
 Jerry {enters). Hello! Are you the landlord of this place? 
 
 Tom. Yes ; I got your letter this morning. 
 
 Jerry. Yes ; I got your letter this morning to go to work here. 
 
 Tom. I got your letter at nine o'clock, G. N., and lve come to 
 work here. Are you the landlord ? 
 
 Jerry. No. Are you the landlord? 
 
 Tom. No ; didn't you send for me to come to work here? 
 
 Jerry. Why, no. I've come for the situation myself, so you'd 
 better get out of here. 
 
 Tom. I won't do it. The landlord sent me a letter, and I'm 
 going to work here. So you get out. 
 
 Jerry. Well, /'/// here, and am going to work. {Both com- 
 mence to dust furiously.) 
 
 { Enter Traveller.) 
 
 Traveller {looks around. He has a coat on to strip, and an 
 overcoat with the spoons in one pocket, and dummy baby in the 
 other). This must be the hotel. Ah, there are the servants. 
 
 Tom {pulls Traveller /<? l. h.). Ah, landlord, here I am. I 
 got your letter — 
 
 Jerry {pulls Traveller to r. h.). I received your letter for 
 the situation. {Both pull him r. audL., and keep talking to him.) 
 
 Traveller. You are mistaken in the man. I sent you no 
 letters. 
 
 Both. Ain't you the landlord? 
 
 Traveller. No. I'm a traveller, and I want to stop here 
 to-night. 
 
 Both {get a chair). Here, take a seat. {Put both chairs to- 
 gether. ) 
 
 Traveller. Yes ; but I can't sit in two chairs at once. 
 
 ^OTH. Set on half of mine. {Pushes him down.) 
 
 3 
 
4 TRICKS UPON TRAVELLERS. 
 
 Traveller. This is very curious ; very accommodating wait- 
 ers surely. 
 
 Both. Have you travelled far to-day? Where did you come 
 from? Let me take your carpet-bag. {Both grab it and look 
 through it ; then throw it back out of the way.) 
 
 Traveller. 1 never saw such actions in my life. Very curious 
 servants. 
 
 Both. Take off your overcoat ? {Both pull it off, and quarrel 
 to see which shall have it. They both feel i?i the pockets ; ferry 
 pulls out baby ; both look and laugh.) 
 
 Jerry. He's from Utah, — one of Brigham Young's disciples. 
 
 Tom (pulls out spoons from the other pockets). No, it ain't; it's 
 Ben Butler in disguise. ( Throw coat up back.) 
 
 (Traveller all this time is looking on in amazeme?it.) 
 
 Both. Let me take your hat. {Both grab it and quarrel; 
 fi 71 ally destroy it.) 
 
 Traveller. Say, be careful of my clothes. Don't tear me all 
 to pieces. 
 
 (Both place chair behind the table and try to push Traveller 
 into it.) 
 
 Traveller. You are not aware who I am. I wish to stop here 
 to-night, and would like to see the landlord. 
 
 Both. He's gone out. That's all right; we'll take good care 
 of you. 
 
 Traveller {to Tom). What's your name? 
 
 Tom. My name is Tom, sir. 
 
 Traveller {to Jerry). And yours. 
 
 Jerry. My name is Jerry. 
 
 Traveller. Well, that's very funny. Your name is Tom {to 
 Tom), and yours, Jerry. {All laugh.) Tom and Jerry. 
 
 (Both go r. and l. and bring milk ; then quarrel to see if Trav- 
 eller will drink either one.) 
 
 Traveller. I didn't send you for those drinks. 
 
 Both. Yes, you did. You said Tom and Jerry, and you must 
 drink mine, and pay for it too. 
 
 Traveller. But I can't drink both glasses at once. 
 
 Both. You must drink some of mine : you ordered it. 
 
 Traveller. This is the most singular place I ever got into. 
 {Drink some out of both glasses.) Now I will smoke, if you have 
 a good cigar. 
 
 Both. Yes, sir. {Both rush r. and L. and bring cigar.) 
 
 Traveller. I don't want two cigars. 
 
 Both. You must smoke mine. {Call them any name ; quarrel 
 as before.) 
 
TRICKS UPON TRAVELLERS. 5 
 
 Traveller. Bring me a candle. 
 
 Both. Yes, sir. (The same business.*) 
 
 Traveller. Now, have you the evening paper? 
 
 Both. Yes, sir. (Both get paper ; call them what name they 
 like, with the same business as before.) 
 
 Tom. This is the . Tells you all what happened to-day. 
 
 Jerry. This is the . Tells you all the news what hap- 
 pened to-morrow. 
 
 Traveller. Yes. I'll take them to my room and read them 
 before going to bed. 
 
 Both. You want to go to your room ? This way. (Jerry 
 takes Traveller r. and explains what a nice room his is; then 
 Tom comes and catcJies his coat-tail and pulls it off, goes to L., 
 looks around, and sees he has got nothing but his coat-tail ; then 
 goes and takes him by the arm and pulls him L., and explains 
 what a nice room he lias got for him. Then Jerry grabs the other 
 coat-tail ; same business as Tom ; then both grab him by the arm 
 and pull him all over stage to R. 2 e. ; then push him off and grab 
 dummy and pull it around lively ; then they both pull i?t opposite 
 directions, when dummy parts in the centre; both fall and getter al 
 confusion. Scene closes.) 
 
 REMARKS. 
 
 This must be worked up very lively, both talking all the time ; 
 only recollect the points written. 
 
A NE W BORDER D RAMA. 
 
 T'RISS; 
 
 OR, BEYOND THE ROCKIES. 
 
 ' A DRAMA OF WESTERN LIFE IN FOUR ACTS. 
 ^ ; • By JUSTIN ADAMS, 
 
 'AUTHOR OF "AT THE PICKET LINE," "THE INFERNAL MACHINE," "DAWN," 
 THE SUICIDE CLUB," "THE ENGINEKR," "THE RAG-PICKER'S 
 CHILD," "THE LIMIT OF THE LAW," "DOWN EAST," ETC. 
 
 'As first performed at Hayes Opera House, Rochester, N. H., Sept. 3, 1892. 
 
 Eight male and four female characters. Scenery, three interiors and one ex- 
 terior, not difficult. Costumes, rough ; in last act elegant and characteristic. 
 Plays a full evening. This is a breezy Western piece, full of " snap " and " go." 
 The story is full of interest, the incidents exciting, the dialogue crisp and 
 pointed. The humor is abundant and original, the cast containing four low 
 comedy and character parts. "T'riss " is a rough soubrette part, fuJl of oppor- 
 tunities for a bright girl, and Hank Jordan, Nat Webber and Jack Hamlin three 
 strong parts. This was a strong piece on the road with Iola Pomeroy for two 
 seasons. 
 
 Price .... 25 Cents. 
 
 SYNOPSIS: 
 
 ACT I. "The Roost." A quiet game. T'riss' story. Nat's return. "Pay 
 dirt." Enemies. "Jack Hamlin, you're a thief." Jumping a claim. A 
 quarrel. " Nat, for my sake, come home." No trust. The barrel. The 
 hidden papers. An apparition, "/have." T'riss to the Rescue. 
 
 ACT II. Nat's cabin. Jealousy. The Salvation Harmy. " It's Hinglish, you 
 know." Hank and Hamlin. " I'll light on you so deuced heavy, you'll think 
 you were hugged by a grizzly." Love and temperance. "I'll never drink 
 again." The pipe of peace. The Murder. T'riss again. "Twas that 
 gambler, Jack Hamlin." 
 
 ACT III. The trial. The judge and the lawyer. Hallelujah Billy. « Sine 
 
 quinine." Nat's knife. The gambler. T'riss on the stand. The tell-tale 
 
 j buttons. Innocent. "Hold on, gambler, this is a game where you can't 
 
 \ y pass." A run for life. The Escape. 
 
 ACT IV. The Female Seminary. Hallelujah William. In a horn. Love is 
 deaf instead of blind. T'riss again. Suspicious. "Me and Hank." "A 
 female cemetery." Miss Prim. " Throw up your hands, Hank, she's got the 
 drop on you." In society. The old T'riss and the new. A French quota- 
 tion. " Shuffle again — I hain't got a trump." The recognition. " I knowed 
 you all the time." Nat and T'riss. " Partners for life." Jack Hamlin 
 again. T'riss to the fore. " The hempen neck-tie." Winners. High, Low, 
 I Jack and the Game. 
 
 FOR FE MALE CHAR ACTERS. 
 
 A DAUGHTER-IN-LAW. 
 
 A. COMEDY IN ONE ACT. 
 
 By MARY SEYMOUR. 
 
 Four female characters. Costumes modern ; scenery unimportant. A very 
 touching little piece, full of pathos. An admirable foil for a light, humorous 
 piec«. _ 
 
 Price . . . . 1 15 Cents. J 
 
7TRTHUR W. PINERO'S 
 
 r ^ PLAYS. 
 
 By arrangement with Mr. A. W. Pinero, the eminent 
 English playwright, we are enabled to offer to amateurs eight 
 of his popular plays as follows : 
 
 THE TIMES. 
 
 Four Acts. Six males, seven females. 
 
 DANDY DICK. 
 
 Three Acts. Seven males, four females. 
 
 THE PROFLIGATE. 
 
 Four Acts. Seven males, five females. 
 
 THE MAGISTRATE. 
 
 Three Acts. Twelve males, four females. 
 
 LADY BOUNTIFUL. 
 
 Four Acts. Nine males, eight females. 
 
 SWEET LAVENDER. 
 
 Three Acts. Six males, four females. 
 
 THE HOBBY HORSE. 
 
 Three Acts. Ten males ; five females. 
 
 THE CABINET MINISTER. 
 
 Four Acts. Ten males, nine females. 
 
 \ 
 These plays are not for sale, but can be obtained f or j 
 
 amateur production on payment of an Author's Royalty of $30.00 a 
 performance, in each case, in advance. Sample copies 
 cannot be sent under any circumstances save to peo- 
 ple personally known to US. Copies will, however, be de-l 
 posited in the hands of our correspondents at different principal points' 
 for examination by those to whom the plays are not already known. 
 All business relating to these plays can be concluded only by direct 
 correspondence with us, which is accordingly invited. 
 
 WALTER H. BAKER & CO. 
 
 THEATRICAL BOOKSELLERS AND PUBLISHERS, 
 
 No. 23 Winter Street, BOSTON, MASS. 
 
By the Author of " A RICE PUDDING.' 
 
 A MODEL LOVER. 
 
 A COMEDY IN TWO ACTS. 
 
 By ESTHER B. TIFFANY, 
 
 AUTHOR OF " A BORROWED UMBRELLA," " THAT PATRICK," " YOUNG 
 
 MR. PRITCHARD," "A RICE PUDDING," "THE WAY TO HIS 
 
 POCKET," " ANITA'S TRIAL," " AN AUTOGRAPH 
 
 LETTER," ETC. 
 
 Three male and three female characters. Costumes modern, save the dress 
 of the " model " for which any picturesque costume will do. Scene, an artist's 
 studio, very easily improvised. This is a clever and graceful little play in Miss 
 Tiffany's characteristic manner. The story is interesting, the dialogue delicately 
 humorous, the characterization strong and humanly quaint. Can be strongly 
 recommended to the best taste in such matters. 
 
 Price 15 Cents. 
 
 A NEW PARLOR FARCE. 
 
 PER TELEPHONE 
 
 A FARCE IN ONE ACT, 
 
 BY 
 
 MARGARET MONTGOMERY. 
 
 Two male and three female characters. Scene, a drawing-room ; costumes, 
 modern and elegant. A very bright and amusing little play developing in its 
 action some of the perils of making love by telephone. Mr. Guy Harliug, by 
 making use of this mode of communication, proposes to Nan's cousin instead of 
 Nan Cuzzin, to his great consternation. A very bright little piece for parlor 
 performance. 
 
 Price .... 15 Cents. 
 
B 
 
 AKER'S SELECTED LIST 
 OF JUVENILE OPERETT/V5 
 
 Designed especially for Church, School, and other Amateur Organ- 
 izations. Complete, with all the music and full directions for 
 performance. 
 
 Grandpa's Birthday. In One Act. Words by Dexter Smith; 
 music by C. A. White. For one adult (male or female) and three 
 children; chorus, if desired. Price, 25 Cents. 
 
 Jimmy, The Newsboy. In One Act. Written and composed by 
 W. C. Parker. For one adult (male), and one boy. No chorus. 
 Very easy and tuneful. Price, 25 Cents. 
 
 The Four-leafed Clover. In Three Acts. By Mary B. Horne. 
 For children of from six to fifteen years. Seven boys, seven girls, 
 and chorus. Very picturesque. Price, 50 Cents. 
 
 Beans and Buttons. In One Act. Words by Wm. H. Lepere; 
 music by Alfred G. IIobyn. Two male and two female characters; 
 no chorus. Very comical and easy. Price, 50 Cents. 
 
 Hunt the Thimble. In One Act. Words by A. G. Lewis ; music by 
 Leo R. Lewis. Two male, two female characters and small chorus. 
 Simple and pretty. - Price, 50 Cents. 
 
 Red Riding Hood's Rescue. In Four Scenes. Words by J. E. 
 Estabrook; music by J. Astor Broad. Three male, four female 
 characters and chorus. Price, 50 Cents. 
 
 Golden Hair and the Three Bears. In Five Scenes. By J. Astor 
 Broad. Three adults (2 m., 1 f.), eight children and chorus. Music 
 is easy, graceful, and pleasing. Price, 75 Cents. 
 
 R. B. Porter ; or, The Interviewer and the Fairies. In Three 
 Acts. Words by A. G. Lewis; music by Leo K. Lewis. Six male, 
 six female characters, and chorus. Very picturesque and pretty. 
 
 Price, 75 Cents. 
 
 Gyp, Junior. In Two Acts. Words by Earl Marble; music by 
 D. F. Hodges. Two males, one female (adult), three children and 
 chorus. Very successful and easily produced. Price, 75 Cents. 
 
 Alvin Gray ; or, The Sailor's Return. In Three Acts. Written 
 and composed by C. A. White. Ten characters, including chorus; 
 can be made more effective by employing a larger number. 
 
 Price, 75 Cents. 
 
 Catalogues describing the above and other popular entertain- 
 ments sent free on application to 
 
 WALTER H. BAKER & CO., 
 
 THEATRICAL PUBLISHERS, 
 
 No. 23 Winter Street, - Boston, Mass. 
 
LIBRARY OF CONGRESS 
 
 !lll III llll I III I 
 
 NEW OPER ETTAS FOR CH.^1^ 6 102 719 4 * 
 
 Odd Operas for Eventide. 
 
 A Collection of Short and Simple Musical Entertainments for Children. 
 
 By Mrs. C. N. BORDMAN, 
 
 Author of "The Kingdom ok Mother Goose," "Motion Songs for the School- 
 room," " The Temperance Clarion," etc. 
 
 Complete with all the music and full instructions for performance. This collection is 
 strongly recommended for its simplicity, originality of idea, tunefuuiess and perfect prac- 
 ticability. 
 
 Price 50 cents. 
 
 COITTEITTS. 
 A GLIMPSE OF THE BROWNIES. A Musical Sketch for Chil- 
 dren. For any number of boys. 
 
 JIMMY CROW. A Recitation for a Little Girl. 
 
 MARKET DAY. An Operetta for Young People. Seven speaking parts 
 and chorus. 
 
 QUEEN FLORA'S DAY DREAM. An Operetta for Children. Six 
 speaking parts and chorus. 
 
 THE BOATING PARTY. A Musical Sketch for Little Children. Thirty 
 boys and girls. 
 
 SIX LITTLE GRANDMAS. A Musical Pantomime for very Little 
 Children. Six very little girls. 
 
 A HOUSE IN THE MOON, A Recitation for a Little Girl. 
 
 ROBIN'S SPECIFIC; 
 
 OR, THE CHANGES OF A NIGHT. 
 A. Christmas Operetta in One Act. 
 
 Words by Music by 
 
 AMELIA SANFORD. 1 ADAM CIEBEL. 
 
 For one adult and nine children from eight to sixteen years old, with eight very little boys 
 and twelve little girls for Chorus. Three changes of scene, very easily arranged, costumes 
 varied but simple and readily procured. Very effective and easily gotten up. 
 
 Price 25 cents. 
 
 Catalogues describing the above and other popular entertainments sent free on application to 
 
 WALTER H. BAKER & CO., 
 
 THEATRICAL PUBLISHERS, 
 
 No. 23 Winter Street, - - BOSTON, MASS. 
 
LIBRARY OF CONGRESS 
 
 016 102 719 4 *