il^sls# hands on us!" — Hamilton tries to maintain his authority — "Who'; Old Joe!" ACT II — Doomsday's Hotel, Dare-devil's Gulch, California The landlord secures a guest — Hans disappointed — "Dot is a mis- dake" — A ghost story — The "Kid and his sister" — "Did I hurt your highness?"— Hans and Doomsday have another talk — Kate Laurel meets the young miner — "Yah, dot vas vot 1 t'inks" — Madge's dis- guise penetrated — She recognizes an old enemy — "Now, George Smith, take your choice" — Joe Ruggles as a tramp — "Ef yer think yer can pick on me because I'm han'some ye'll find me ter hum" — ■ Hamilton appears — "Those two youngsters are mine" — The tramp takes a hand. ACT III — Wood Scene A lively ghost — Hamilton and Smith plan more villainy — Old Joe thinks of turning Detective — Kate Laurel again — "There is a secret connected with my life" — Kate's confession — "What do you mean, cir?" — Tom Howarth once more — "Vos you looking for a hotel?"— Planning an abduciion — Old Joe as an Irishman — "Phat does yez want wid me?" — Undertakes to be a detective — Takes a hand in the abduction — "Do it at your peril," ACT IV Hans hears, and tells, the latest news — "I nefer pelieved dot spook peesness" — Kate Laurel astonished — Hamilton attempts flight — "De poys haf got Mr. Hamilton, und dey vill gif him a necktie barty" — Arrest of Smith — "Get out mit my vay, I vas de United States Mail" — Tom meets his old friend under new circum- stances — "Do you want me, Tom?" — Old Joe gives consent — ^A happy ending. Address Orders to THE DRAMATIC PUBLISHING COMPANY CHICAGO, ILLINOIS Hageman^s Make-Up Book By MAURICE HAGEMAN Price, 25 cents The importance of an effective make-up is becoming more appar- ent to the professional actor every year, but hitherto there lias been no book on the subject describing the modern methods and at the same time covering all branches of the art. This want has now been filled. Mr. Hageman has had an experience of twenty years as actor and stage-manager, and his well-known literary ability has enabled him to put the knowledge so gained into shape to be of use to others. The book is an encyclopedia of the art of making up. Every branch of the subject is exhaustively treated, and few ques- tions can be asked by professional or amateur that cannot be an- swered by this admirable hand-book. It is not only the best make- UD book ever published, but it is not likely to be superseded by any other. It is absolutely indispensable to every ambitious actor. CONTENTS Chapter I. General Remarks. Chauter II Grease-Paints, their origin, components and use. Chapter III. The Make-up Box. ^Crease-Paints. Mirrors Face Powder and Puff, Exora Cream, Rouge. Liquid Color Grenadine. Blue for the Eyelids, Brilliantine for the Hair. Nose Putty, Wig Paste Mascaro, Crape Hair, Spirit Gum. Scissors. Artists Stomps, Cold Cream, Cocoa Butter, Recipes for Cold Cream. Chapter IV. Preliminaries before Making up; the Straight Make- UD and how to remove it. ^ -r, t • ^ Chapter V. Remarks to Ladies. Liquid Creams, Rouge. Lips. Eyebrows, Evelashes, Character Roles, Jewelry, Removing Make-up. Chapter VL Juveniles. Straight Juvenile Make-up Society Men. Young Men in 111 Health, with Red Wigs, Rococo Make-up, ^Oiapt^'viL A^d^ul^l; Mfddle Aged and Old Men Ordinary Type of Manhood, Lining Colors, Wrinkles, Rouge, Sickly and Healthy Old Age. Ruddy Complexions. ^ -c.* Chapter VIIL Comedy and Character Make-ups. Comedy Ef- fects, Wigs, Beards, Eyebrows. Noses. Lips, Pallor of Death. Chapter IX. The Human Features. The Mouth and Lips, the Eves and Eyelids, the Nose, the Chin, the Ear, the Teeth. Chapter X. Other Exposed Parts of the Human Anatoniy. Chapter XL Wigs, Beards, Moustaches, and Eyebrows. Choosing a Wig Powdering the Hair, Dimensions for WMgs, Wig Bands, Bald Wigs Ladies' Wigs, Beards on W^ire, on Gauze, Crape Hair, Wool, Beards for Tramps, Moustaches, Eyebrows. ^ • ^. -Kr^^ti. Chapter XIL Distinctive and Traditional Characteristics. North American Indians, New England Farmers, Hoosiers Southerners. Politicians Cowboys, Minors, Quakers, Tramps, Creoles. Mulattoes, Quadroons, Octoroons. Negroes, Soldiers during W ar. Soldiers dur- ing Peace Scouts, Pathfinders, Puritans, Early , Dutch Settleis, Englishmen, Scotchmen, Irishmen, Frenchmen, Italians, Spaniards, Portuguese. South Americans, Scandinavians, Germans, Hollanders. Hungarians, Gipsies. Russians, Turks, Arabs, Moors, Cafflrs Abys «inians Hindoos, Malays, Chinese, Japanese. Clowns and Statuary Hebrews, Drunkards, Lunatics, Idiots, Misers, Rogues. Address Orders to rHE DRAMATIC PUBLISHING COMPANY CHICAGO. ILLINOIS PLA\ 015 910 156 3 And Entertainment l5ooks. ^SJEING the largest theatrical booksellers in >^ the United States, we keep in stock the most complete and best assorted lines of plays and en- tertainment books to be found anywhere. We can supply any play or book pub- lished. We have issued a catalogue of the best plays and entertainment books published in America and England. It contains a full description of each play, giving number of char- acters, time of plajang, scenery, costumes, etc. This catalogue will be sent free on application. The plays described are suitable for ama- teurs and professionals, and nearly all of them may be played free of royalty. Persons inter- ested in dramatic books should examine our cat- alogue before ordering elsewhere. We also carry a full line of grease paints, face powders, hair goods, and other ''make-up" materials. The Dramatic Publishing Company CHICAGO