PR 4827 j*V c° ■ A * 9 M O ' «, V ^ c ° " c - o <*• V & A <>> ^O \,^ A ^ ^0 V X- V V v\ A <* . * o • * * A Vv ip^* ^0 4 o a , ^ O "oV l O ,^ o '-^ CA *5°, \*- X* 0° «* ^ ^ ^^ ^0 V ° y °.;. -' A V *9-o' ^ O *, & l / a •& > V o v o V t s • *, « A '0 « (V ^°^ V , c . T» . <• ' « <. ^ ^ ° " ° \? ** THE TEMPTER A TRAGEDY IN VERSE IN FOUR ACTS BY HENRY ARTHUR IONES PRODUCED FOR THE FIRST TIME AT THE HAYMARKET THEATRE, LONDON UNDER THE MANAGEMENT OF Mr. H . BEERBOHM TREE September 20, 1803 MACMILLAN AND CO AND LONDON 1893 THE TEMPTER A TRAGEDY IN VERSE IN FOUR ACTS BY HENRY ARTHUR JONES PRODUCED FOR THE FIRST TIME AT THE HAYMARKET THEATRE, LONDON UNDER THE MANAGEMENT OF Mr. H. BEERBOHM TREE September 20, 1893 Father Urban.] Is therewith you some ghostly father of more than common piety and zeal that can shrive me ? Father U. We have here in the abbey one Father Cyprian, who has lately come from Rome and Jerusa- lem. He is reputed to have great skill with afflicted souls. [Isobel is eagerly listening. Earl of R. Bring me to him after evensong. Father U. He hath kept his cell fasting these two days, and hath commanded that none disturb him. But I will ask him to give you an audience. [Exit Earl of Rougemont into chapel. All the other Pilgrims have gone in except Isobel. Iso. [To Father Urban.] My father [Urban turns round as he is going into chapel.] Would this same Father Cyprian give me an audience ? [ The Devil is listening and watching. Father U. Surely there is no great trouble upon thy young soul. Iso. [Hastily.] No ! no ! but I need counsel ! Oh, I sorely need counsel ! Father U. I'll bring Father Cyprian to thee by- and-by. [Exeunt Urban and Isobel into chapel. The Prince enters at outer door j stands there dejected, ashamed. The Devil is cosily seated in large chair. act ii THE TEMPTER 35 Devil. [Just raises his head.] Where have you been all day ? Prince. Hiding for shame And fear lest she should see me as I was. Devil. She? Who? Your bride? The Lady Avis ? Prince. Avis ? She's far too white aJlower for me to wear. No ! Th' other one, my fate, my mate, my love, My self ! The Lady Isobel ! Where is she ? [T/ie Devil pointing over his shoulder with his thumb. • Devil. Praying, in there, for grace to say you " No." \_The Prince going towards chapel-door. Prince. Well may she pray, for I shall fiercely tempt her. Devil. That's what she fears — and hopes ; and while she prays For strength to say you " No," means all the time To say you " Yes." I know this kind of cattle ! Prince. [Comes fiercely dowti to Devil.] Hear me ! I will not wrong her ! Devil. [Looks at him, smiles.] No, I wouldn't. Prince. [Passionately^] I love her! [The Devil grunts.] Truly, Heaven doth know ! Devil. [Drily.] Indeed ! Prince. I'm sick of all this treachery ! To-morrow I'll declare myself — make known my name to all. Devil. So you said yesterday. Prince. But I will do it. 36 THE TEMPTER act ii Devil. To-morrow. Yes, 1 think I would — to- morrow. It always was my favourite day — to-morrow. I'll join you and repent myself — to-morrow. You shall begin. You'll cut a sorry figure. How shall you tally all the lies you've told ? What reason give for your unknightly manners Towards your bride ? And will you marry her, And bid adieu to Lady Isobel ? How shall you cover up your drunken follies Night after night ? Pritice. 'Twas you that tempted me. Devil. I tempted you ? Prince. Last night you filled my cup. Plied me till I was sodden, laughing, crying, Hiccupping, shouting, like a crazy fool. She did not see me so ? Devil. What if she did ? \_Tke Prince flings himself in chair .] [Standing over him.] Get up, you ninny ! Come ! Get up, you fool ! What shall I do with you ? I give you up ! Prince. [Moodily.] Ay, give me up. I know no honest way, Or to retreat or to go on ! Devil. Retreat ? Just as you've won? She's yours. You need but ask, And you shall have. Prince. She loves me. I'll not wrong her : I'll go no further ! ACT it THE TEMPTER 37 Devil. [Pointing to the chapel?] She is there, just there, If you but show yourself, she will come out. [The Prince goes up towards chapel, stops reso- lutely, faces the Devil. Prince. Ere I will go to her, I will be Devil. [Politely^ That's As you may please. [Pointing to chapel door.] She's there ! Just there ! [The Prince goes up to door. The Devil smiles and exits at back. The Prince draws back from the chapel-door. Isobel comes out to him. ho. ' Tis y° u •' All day I've missed you ! Prince. I'm not fit to be In company so dear as yours. Farewell ! Keep free of me ! I would not do you harm ! Farewell ! [Rushing to outer door. Isobel looks at him reproachfully, turns her head to hide her tears ; after another struggle with himself he rushes back to her.] I cannot go ! Heaven bear me witness, However this wild love of ours shall end, What desperate straits and burning agonies, Tortures, and lies, and crooked faithlessness, Mad joys, and mad despairs, lie in its track, I did desire to shun it, did desire To spare thee ! [Looks at her ; then with fierce sudden abandonment?^ 38 THE TEMPTER act n No ! I will not spare thee ! Hear me ! [Dropping on his knees at her feet, kissing her hand.] If that this kiss I seal upon thy hand Should bring to thee and me eternal woe, I would not bate it ; I would take my fill. Say such a spirit moves in thee. Tell me Thou art my mate. Iso. You know what harm or grief Our love should bring to me, I'd bear it freely. To suffer is the woman's lot, but, oh ! May never the least pain or wrong or ill Come to thee, dear, from this deep love of mine. Prince. Nay, thee or me, 'tis all apiece ; what each Doth bear or do or feel, it is the other's. There's no division 'twixt thy soul and mine ; In present or to come, we are but one. Sweep from between us every obstacle ! Pass to me now across all boundaries ! Here ! Place thy hand in mine. Look full at me. Say this : " Wherever thou shalt beckon me, I'll come ! Whatever thou dost bid, I'll do ! Whatever thou dost ask, I'll give, be it My life, my soul ! Whate'er thou art, I'll be ! [Where'er thy fate shall trend, my steps lie there, To sunny isles and never-waning summer, Deep bays of bliss or heights of unknown joy ; Or over that dark verge precipitous Where the' lost grope and rage, thy path is mine."] [She shrinks back from him, half fascinated, half frigh tened. ] ACT II THE TEMPTER 39 Say it, oh, say it ! Compass me about ! Speak th' immitigable strength of our vast love ' Bolt up our future ! Seal it fast ! Outrun All joys, all woes, all wisdom, all remorse ! Snatch this one thing from heaven ! Sentence us To our ne'er-changing doom, ne'er-changing love, So that the hungry centuries may ne'er, With all their bite and wrack, once tear thee from me. Iso. Swear that thou wilt be constant. Bind thyself To me as I now bind myself to thee. Give me thy oath. Prince. A thousand oaths, and one Close kiss. Iso. Then take me ! All I am or have, Or e'er shall have, or be, is yours ! What's more To say? All words are naught, and less than naught. The nightingale ne'er sung it ! All is vain ! The very top of love is ache and silence ! \He holds her in his arms for some moments ; I so bel sighs deeply. Prince. What now ? Jso. All is so strange ! When shall we wake ? Pri?ice. Not yet ! Not yet ! Dream on ! [They stand entranced in one another s arms. The Devil creeps in at back, and looks at them. Devil, Why, what a store This precious human herd sets upon love, As if there were some value in't ; as if 'Twere any rarer sweetmeat than the sugar 4° THE TEMPTER act it That candies over lust. [The Prince looking at her with passionate ecstasy. Prince. Oh, I shall love thee Through all eternity, until Iso. Until ? Devil. Until to-morrow morning. [The Prince is bending over Isobel. Sir Gil- bert enters from chapel, and sees them ; shows jealousy and anger. Sir G. [To Prince.] You fellow, move away! Give place to me. Prince. [ With great anger.] What ? [The Devil quickly interposes. Devil. Hush ! No words ! Remember we are guests. [To Sir G.] I bade him wait upon the lady. Hush ! [Drawing him away from Isobel and Prince. Sir G. But he is always dangling at her heels ! [ The Devil quiets him, and gets him away. Lettice appears, comes from Lady Iso- bel's room, and comes and stands at top of stairs. Let. [To Isobel.] So please you, Lady Isobel, your room Is ready. Iso. Wait me there, I'll come. [Lettice with- draws into room.] [To the Prince.] Good-night. [Sir Gilbert is trying to watch them; the act ir THE TEMPTER 4* Devil is busy getting in his way, and dis- tracting him. Prince. [Aside to her.] No, not good-night. I so. [Going upstairs, looking at him fondly.] Good- night. Prince. [Looking up to her.] I will not say it. [Going a step upstairs. Exit Isobel into her room. Sir Gilbert sho7cs great anger. Devil. [Soothing him.] Hush ! take no heed of it ! My eyes are open, And I can spy a way through him to tame her, And bring her to your will. Sir G. Thou canst ? But when ? Devil. [ Very mysteriously.] To-morrow. Meantime shut your eyes. To-morrow ! Sir G. But Devil. Hush ! To-morrow, man ! [Finger on lip. Now get your supper. [The Devil gets him seated at supper -table. The Prince comes towards Sir Gilbert. Devil. [Calls the Prince away.] Here, sir! [Beckons him.] This beetlehead is watching you. Draw you away and be not seen again. There is a place outside where you may spy Her window, looking from a little turret At the south side. Go you and languish there. Come back when all's asleep. I'll wait you here. Meantime I'll pack him safe between the sheets. 42 THE TEMPTER act 11 Prince. [Going off at outer door.] What way is this I go? [Exit at outer door. The Pilgrims have been gradually coining from the chapel. The Hospitaller and Cellarer, and other atteitd- ants, come in and begin to serve the supper. Lettice re-enters from Isobel's room, and comes down to Attendant, who gives her a tray. Sir Gilbert has risen, and is creep- ing off after the Prince at outer door j the Devil intercepts him. Devil. How now, Sir Gilbert ? Where d'ye go ? Sir G. To give Your squire his chastisement. Devil. [Turning him right about face. ,] Go you to bed, And sleep as soundly as a top until The morning. Leave the rest to me. Sir G. [P rote sting ?[ But why Devil. No whys or wherefores. Bed's your portion. Come ! [ Walking up to dormitory door. Sir G. But Devil. Hush ! To-morrow, man ! To-morrow ! Hush! [Gets him off. The Pilgrims are now at supper. Drogo is at end of the side-table. Sarah is opposite to him. Drogo is eating a slice of dry bread and drinking cold water with very great discontent, looking round at the other Pilgrims, who are eating heartily of act n THE TEMPTER 43 meat and rich viands. Lettice is going up to Isobel's room with tray. The Devil meets her. Devil. About this William Gamel Let. [Startled.] Yes, sir. Devil. We'll talk it over — come to me here when your mistress is asleep. Let. Yes, sir. Devil. To make all safe, pocket the key of her room, and bring it with you, d'ye hear ? Let. Yes, sir. [Exit with tray into Isobel's room. Enter from chapel the Earl of Rougemont and Father Urban. Father U. Please you to sit at supper, my Lord of Rougemont ? Earl of R. I need none. I eat not one morsel more than suffices to keep this vile body alive. It is my soul that is hungry. Bring me to the Father Cyprian. Father U. I'll inquire of him if he will see you. Pray you to come this way. [Goes up to door. As the Earl of Rougemont is following him, the Devil comes in his way and bows 7>ery obsequiously. Earl of R. You, sir, I've not observed you in church ? Devil. Yet I am often there. Earl of R. Indeed ! [Exit the Earl of Rougemont, Father Urban following him. 44 THE TEMPTER act ii Devil. [To Father Urban.] That's a good man ! Father U. He has good intentions. Devil. Excellent. [Exit Father Urban after Earl of Rougemont.] I'm always meeting folks with good intentions. Strange that anybody should be damned in a world where everybody has such good intentions ! But the government of this planet is my perpetual riddle ! [Drogo has been sitting at end of lower guest- table, munching a crust of dry bread, looking very sourly round at all the Pilgrims. A meek little Pilgrim is. sitting opposite to hi/u, eating very contentedly. Drogo scowls at him. Sarah is sitting a little way up the table eating heartily. Drogo. My curse on all pilgrimages and penances ! Sarah. I thought a full-bodied man like you, Drogo, would never do penance ? Drogo. Full-bodied ! Full-bodied ! Full-bodied ! Sarah. Never mind, lovey ; we shall soon be at Canterbury now. Drogo. We should have been there ten days ago, but all's gone wrong since that plaguy stranger joined us. [The Devil is just behind Drogo, whispers into his ear. Devil. Look at that munching wife of yours ! How she stuffs and gobbles while her poor husband is starving ! [Saunters round to Sarah. Drogo scowls at ACT II THE TEMPTER 45 Sarah, then scowls at the meek little Pil- grim. Drogo. [Leaning over the table, savagely to the Pilgrim.] A plague on all guzzling, swilling knaves ! The Pit. [In a weak treble voice. ~\ I hope I am no guzzling, swilling knave. When my appetites grow unruly I strive earnestly to curb them and rein them in. Devil. [Has got round to Sarah, whispers in her ear.] Look at that greedy old gander, your husband ! He grudges you every drop and morsel. [Saunters back to Drogo. Sarah looks at Drogo ; Drogo scowls at her. Sarah. What's the matter, Drogo ? Drogo. You're a very foul eater, Sarah ! Sarah. Turn your head another way, you greedy old gander. [Eats coarsely. Devil. [Behind Drogo, ivhispers.'] How could you have married a woman like that, a superior man like you ? [Saunters back to Sarah. Drogo scowls. Drogo. I hope there's poison in that stew ! What a waste of good victuals ! Sarah. Hold your tongue, you old winebibber ! I'm ashamed of you ! Devil. [Whispering to Sarah.] How could you have lowered yourself to marry a man like that, a superior woman like you ? [Saunters away. Drogo. I'll talk to you by-and-by, Sarah ! I'll con- fabulate with you ! 46 THE TEMPTER act ii Sarah. I'll poultice you, Drogo ! I'll posset you ! I'll comfort you ! [ They have risen, mocking each other ana quar- relling. By this time the Pilgrims have risen from the tables, which are cleared by the Attendant Fathers ; some bottles of wine are, however, left. The Pilgrims gather in groups; the Devil is amongst them. The Pilgrims are chattering together. The Til. I only know the anthem that I sung Last night. Devil. [Discontentedly.'] Hum ! Anthems ! 2nd PH. Sing us that again. [ The Pilgrim raises his voice and begins to sing an anthem feebly. The Devil fidgets and has a fit of coughing. The Pilgrim gets out of tune and breaks down. The Til. [Embarrassed.] It does not seem so tune- ful as 'tis wont. Sometimes I sing it — you should hear me then ! I sing it sweetly, everybody weeps, And says, " Sing it again ! Sing it again ! " Devil. [Tushes in amongst them.] Good folks, I heard a song some time ago. I wonder if I could recall the tune [Humming an air; they all crowd round him, clamouring. All. Oh, try ! Please, try ! Fair sir, you can but try! Devil. [Clears his voice several limes.] I'll do my best, but you must help me through. ACT II THE TEMPTER 47 And if you find I'm breaking down, join in, And bawl your loudest. It's a merry tune ; You'll catch it like the plague. Make ready all. \The Devil sings.] The Castaways. A song of lost souls on their way to destruction. Pitapat ! Pitapat ! What legions tramp here ? Ho ! Hullabaloo ! Ho ! Hullabaloo » The rackety crew ! The noisy mad crew ! Sing ! Hullabaloo ! Jog-a-jog ! Trot-a-trot ! What stranger rides there ? Yell ! Hullabaloo ! The white, white horse ! The pale, pale stranger ! How they rush ! How they crush ! " Good sir, there is danger ! " " No ! no ! " " Yes ! yes ! " " Come hither ! " " Come whither ? " " Hark, hollo ! Come follow ! Come follow ! Come follow ! Come follow ! " 'Tis a noisy mad crew, A rackety crew, A rickety crew, With their limbs all askew, Their eyes squint untrue, Turk, Christian, and Jew, Their brows sweat the dew And their cheeks wear the hue 4$ THE TEMPTER ACT II Of the lost ! Of the lost ! Of the lost ! Hark, hollo ! Come follow ! Hark, hollo ! Come follow ! Rubadub ! Rubadub ! Come tipple and swill ! Ho ! Hullabaloo ! Ho ! Hullabaloo ! Come dance down the hill ! Come roll down the hill ! Sing! Hullabaloo! Yell! Hullabaloo! The mad, mad crowd ! The red, red stranger ! What a rout ! How they shout ! They laugh at their danger ! They laugh at their danger ! " Ha ! Ha ! Ha ! Ha ! " " Come hither ! " " Yes, whither ? " Hark, hollo ! Come follow ! We follow ! We follow ! We follow ! We follow ! We follow ! [All the Pilgrims join in the chorus riotously. At the height of the uproar the solemn tones of the " Miserere " are heard in the chapel. They all listen awestruck. The Devil shows anger, which grows more furious, and at last he bursts out to them.] Oh, you rackety crew ! You rickety crew J You crippledy crew ! All your limbs are askew, And your eyes squint untrue, act it THE TEMPTER 49 Turk, Christian, and Jew, You're the sport and the spew ' Of old Jove in the blue ; Your brows sweat the dew And your cheeks wear the hue Of the lost ! Of the lost ! Of the lost ! You were gotten in sin, And suckled therein ; Tis the breath of your kin ; 'Tis the blood of your kin ; No release shall you win, Nor find peace within, For your thoughts are all sin, And your deeds are all sin, So grin me the grin Of the lost ! Of the lost ! Of the lost ! For strive as you will, You are castaways still, You are lost ! You are lost ! You are lost ! Your souls are naught worth But to cumber the earth With the lost ! With the lost ! With the lost ! You were damned at your birth, So make mad with the mirth Of the lost ! Of the lost ! Of the lost ! Come follow ! Hark, hollo ! We follow ! We follow ! We follow ! We follow ! [ They all join gradually in the chorus, and at the 1 Revelation, chap, iii., verse 16, 50 THE TEMPTER act n end the whole scene is one of wild disorder and confusion. The Pilgrims continue sing- ing the chorus, clinking their glasses, shout- ing ; some of them begin to dance. The Devil slinks behind the canopy. In the midst of the wildest uproar Father Urban enters ; at first the rioters do not see him, but as they gradually catch sight of him, the noise subsides and ceases. Father U. Peace ! Peace, I say ! What riotous scene is this ? Keep peace ! What ails ye all ? Are ye possessed ? [ The noise gradually g rotas less.] Silence, I say ! What spirit of lewd noise Hath broken loose ? Who led this sinful mirth ? [They all look round for the Devil.] Are ye not shamed, to enter here, our guests, And thus defile our hospitality With foul unholy jests and evil songs ? How durst ye thus profane this sanctuary ? Who set afoot this riot ? [The Devil comes out very sedately from behind the canopy. Devil. Holy father, I grieve to say that I'm the innocent cause Of all this pother ! They asked me for a song. I gave them a sweet, simple lullaby, A gentle trill, that suited with my mood, But when they grew to insolent revelling And wild licentiousness I stepped aside. ACT II T^E TEMPTER 5 1 I had my character to keep. [To the Pilgrims reprovingly '.] You sang That song too loudly. There is moderation In everything. [Drawing the meek little Pilgrim aside, confiding to him.] Especially in sin ; He that sins moderately sins twice as long, And twice as much, and twice as pleasantly. [The little Pilgrim laughs a feeble, wicked little laugh. Father U. To bed, then, all of you, and find repose. To bed without more stir, and take good heed I hear no further riot or disorder. Devil. I'll keep an eye on them all through the night ; But they're a stubborn crew, and if you hear Ungodly practices and revellings I hope you'll hold me innocent. [ The Pilgrims are all trooping out. Father U. Take heed You keep a guard upon yourself. Devil. I'll try, Good father ; but it suits me best to keep A guard on other folks. [Exit after the Pilgrims. Enter Avis from chapel, deeply absorbed in letters which she is reading. Father U. Still sorrowful, My daughter ? Isobel enters from her room, comes downstairs. Avis. [Reading letters.] Very sorrowful. 52 THE TEMPTER act ji Iso. [Seeing Avis reading, shows some alar'm.] What tidings Have been brought thee ? Whose letters hast thou there ? Avis. Whose could they be but his ? The Prince enters from the outer door. All through the folloiuing scene he and I sob el listen, and show a growing remorse, which at the end becomes un- bearable. His last dear words, Writ by his own dear hand ! [Kissing the letters pas- sionately.] Was ever knight So gracious, true, and brave? [Going to Isobel, clasping her.] Pray, Isobel ! Pray that he may be yet alive ! [Isobel shows great remorse, just glances at Prince, then desperately cries out. Iso. God keep Prince Leon of Auvergne where'er he be ! [Disengages herself from Avis ; Avis goes to Father Urban.] [Aside.] God keep me too ! What do I say ? My heart Gives the swift lie to my tongue. These useless prayers ! All's mockery ! What is to come will come ! Father U. [To Avis.] Daughter, be comforted. act ii THE TEMPTER 53 Avis. [Shakes her head, puts him aside.] All the day long I whisper false hopes to myself, and say, II He may be yet alive. [Isobel and the Prince listen, and show groiving disquiet] He may have haply Breasted the waves and found some restful shore, Some passing ship has plucked him from the deep, And he'll return, all glad and hurrying, To lift me out this pit of grief, and make me His radiant fast-wed bride." Father U. So it may be, And any day may bring these blessed tidings. Avis. No, no ! For every day brings other news, The bodies of his followers cast ashore, Spars of his vessel, ribbons of his banners. No, no ! My Prince is dead, and I'm a widow Ere I have been a wife. Father U. Be not so sure, Still hope and pray. Go, get thee to thy rest. Avis. I cannot rest. When night-time comes, I toss, And toss, and toss ; the wind bemoans and wails, The casement shakes, the minutes crawl, a bell Dongs out and a dog barks, the long waste night Ekes out its agony ! I pray for sleep. At last I fall into a troubled doze, And I am struggling fiercely with the waves, Lab'ring to drag my Prince ashore, until, Battling and baffled, wearied, overwhelmed, 54 THE TEMPTER act ii I madly throw him overboard ; his face Pale and beseeching floats upon the sea, A dead face on the sea ; no hands, no body, No head, no substance, only a dead white face Staring and staring, moving o'er the deep, Mounting each wave, like a dead moon, that face ! Nothing but that dead face on the wide sea. I fight, hang over the ship's side, and try To reach it, call, pray, shriek, and tumble over, Sink, drown, fight, fight, and wake. And the wind howls. Prince. [Maddened with remorse, aside.] Oh, I am false ! A recreant ! A villain ! A traitor to this pure white soul that loves me ! Where can I hide myself ? [Seeing chapel-door open.] God pardon me ! [Rushes into the chapel. I sob el has listened all through with growing remorse. /so. [Aside.] And I have robbed her of her Prince ! [Father Urban speaks to Avis, who has burst into tears, and is sobbing at his hnees. Father U. Daughter, This is not well. Thy mind is much distempered ; Come, rise, and be more calm. This is but weakness. Avis. Does he yet live ? If I but knew ! My father, Tell me, where is Prince Leon ? Father U. In His hands Who holds the ocean as a water-drop, And bridles all its tempests with His nod ; Against whose strength the sea's strength is a gnat's, act ii THE TEMPTER 55 And less than whisp'ring all its noise and fury ; Who holds a count of every living thing ; No tiniest moth escapes His tenderness, Nor does one little nameless creature-speck In the wide stretch of sea, or land, or air, Creep out from infinite sleep to taste of life, And flicker for a moment in the sun. And guess the compass of an infinite love, And then return to infinite sleep again, Without His sure decree. Thy Prince is in His keeping. There, rest thou content to leave him, Avis. Father, I will. I am much comforted. [Father Urban blesses her. Exit Avis. Iso bel comes itnpetuously to Father Urban. Father U. You also, daughter ? Iso. I am sore distressed ! Did you not say there is within your walls A holy man from Carmel, who is skilled With soul-sick folk ? [Father Urban looks at her anxiously and inquiringly^ I pray you do not question ; Send him to me. Pray you, my father, pray you ! [Father Urban looks at her with grave tender- ness. Father U. He keeps his cell. I'll send him if he'll come. [Father Urban goes out, taking lamp. All the candles have gone out, and the hall is dark, except for the flickering firelight. Iso. [Alone.'] I will not do it ! I'll repent and turn. $6 THE TEMPTER act ii [Oh, every signpost that man's hand has raised To show his wayward kin the road to peace Urges me backward ; all the voices cry, " Turn, turn, and find the King's highway again." And this Dictator here admonishes, " That road you tread goes down to shame and death. Turn ! turn ! Seek her whose ways are pleasantness, And all her paths are peace."] Oh, I were mad, To dally for a moment ! I'll go back ! My woman's honour, whatsoe'er I cherish Of blameless past, and my soul's house kept pure, All that I hope of fair white days to come, All that I dread in that black unknown gulf That's fixed between my peace and my desires, Shouts out and warns, and will not be cried down, " Turn, turn ! the finger pauses on the dial ; Thy doom hath not yet struck ; 'tis life to turn, And death to hold thy course. Choose, choose, and turn ! " I'll hearken ! I'll have done with lies ! Avis ! Thy Prince doth live, and I'll restore him to thee. [Running up to door.] Avis, thy Prince doth live ! [She meets the Devil, who enters as a wliite friar, in robes of stainless zvhite, cowled. Isobel looks at him ; a long pause. The Devil keeps his cowl on. Devil. You sent for me. /so. Who art thou ? Father Cyprian ? Devil. The same. act ii THE TEMPTER 57 Iso. [Kneeling to him.] My father, help me, counsel me. I am Most sorely troubled and perplexed. Devil. With love. Iso. [Surprised.] Thou know'st ? Devil. Vast knowledge is vouchsafed to me. Go on. Iso. [After a pause.] I know not how to tell my tale. Devil. Thou hast no need. I know it well, al- ready. Iso. [Surprised, alarmed.] What dost thou know ? Devil. All that enfolded lies Within the secretest crannies of thy soul, More than thou durst when thou art most alone Whisper to thy own heart. So much I know. Iso. Thou know'st Devil. Thy thought this moment. Even so. Thou art disquieted because thy love Seems to make war upon thy faith and duty. Iso. Seems ? Devil. Ay, only seems. Love comes from Heav'n. Therefore It must be good. And whatsoever wars Against thy love must needs be evil. Therefore, Thy love is thy first duty, and thy duty Must bend to serve thy love. Iso. [Much pleased?^ Oh, if it were so ! Devil. Nay, but it is. Iso. Then I may go on loving ? 58 THE TEMPTER ACT II Devil. Thou must. Thou canst not choose. Let thy heart hearken How sweet thy life hath been since love hath come, How full of savour and delight and purpose. Can that which quickens all the sad dead earth, Which tunes the blackbird's song and gilds his beak, Which brings the dear fulfilment of its being To every living thing, can this be evil ? No, be thou sure it is heaven-sent, heaven-blest. Iso. These are sweet words. Devil. Cling therefore to thy love. It comes but once in all thy long life's journey, But once, no more. It is thy chiefest good. Miss it, there's nothing left beneath the sun, All else is dross and shadow, dust and ashes. Iso. Oh, I'll not miss it. Thou hast given me Great comfort. My own heart led me that way. Devil. [Aside.] These women ! How they listen to their hearts ! [Aloud, going.] Is there aught else that thou wouldst know of me? Iso. [With great hesitation.] Couldst thou — since thou hast knowledge so profound — Show me a little way into the future ? Devil. If it will minister to thy soul's good I could lift up a corner of the veil. Iso. Tell me — read now my thoughts — shall this befall That I desire ? Devil. Darkly I seem to see act ii THE TEMPTER 59 Some great imperial fate and wide renown Moving across thy sphere. Iso. [Elated.'] Ah ! Is it so ! Devil. What 'tis, I know not. Iso. [Impetuously^] Tell me, shall I reach it ? Devil. There is a way — why, sure I do not err, Some way that thou must pass to-night. Iso. [Breathlessly.] To-night ? Devil. Know'st thou of such a way that by good hap Would lead thee where thou fain wouldst be ? Iso. I do. Devil. Then take it quickly. Iso. If 'twere through sin ! Devil. Sin ? Iso. [Nods.] What then ? Devil. Then thou must reckon up the cost, And strike the balance. Do a little wrong If some great good may follow. [Nay, that sin, Which should be deadly by itself, is harmless, When a rich crop of blessings springs from it.] Say that this sin should give thee honour, rank, Power, opportunity to do much good, And riches to endow the Holy Church — How easily were such a sin atoned ! How readily the Church would pardon it ! • Iso. But this sin — dost thou know it ? Devil. To the pure, All things are pure. Besides, 'twould ne'er be known. Iso. What dost thou say ? 60 THE TEMPTER act it Devil. That's scarce a sin at all That never comes to light. The worst of sin Is that it sets a bad example. When It's strictly covered up and nothing known, There's not much harm in it. [Isobel looks up surprised.] Not so much harm ; Of course, 'tis wicked. Still not very wicked. There are degrees. Trust me, dear maid, in this. I would not lead you wrong. And when some day, [Putting his hand affectionately above her head.] This head lifts itself high above all heads And wears a diadem [Isobel shows great pride.] You'll thank me then For this good counsel that I gave to-night. I so. [Swelling with pride .] My father ? Devil. Well ? Iso. I'll ask thee one thing more. Oh, 'tis the corner-stone of all the rest ! If this is not, all else is barrenness. Will he keep faith with me until the end ? Devil. Until the very end, till thy last breath, What time and wheresoe'er thou draw it, this man Shall cleave to thee. Iso. Then all my days are locked In a jewell'd future with a golden key, And every moment of my glad to-come Blazes in ropes of pearls and diamonds, On my triumphant way. Thank thee, my father, ACT II THE TEMPTER 61 Thank thee, and thank thee yet again ! My heart's Too full. Good-night ! \_Exit with great pride and animation. The cowl drops from the Devil. He stands watching her. Devil. [Looking down at his dress.] [Here is a useful dress. Of all the shapes I take I like this best, For I can mouth and twist the Holy Writ, As well as any father of the Church. How is it such a stock of righteous maxims Slip from my tongue, melt on my lips like oil, To grease the slides of sin ? Here comes the Prior To lock me safely in.] [Coils himself in a large armchair whose back is towards audience. Enter Father Urban with keys and lamp, followed by the Cellarer. Father U. [Looking round.] She's gone to rest. Poor child, she seemed in great perplexity. I hope that she is comforted. [Locking the outer doors. The Cellarer. [At guest-table, taking up bottles, yawn- ing^ Our guests Were riotous, but see, [Holding up the bottle.] They spared our best. Father U. Leave all till morning. 'Twill be safe till then. [Exeunt Father Urban and Cellarer. [The Devil appears as they go out j now he is in the soldier s dress. 62 THE TEMPTER act ii Devil. It's time my other dickybird was here. I hope she won't be long. My time is precious. I wish my clients wouldn't waste it so, They are so inconsid'rate. And at night, When I'm so busy. Here she comes. Lettice enters very frightened from Isobel's room. Let. Oh, sir, I've come ! Devil. Good wench ! Let. My mistress is fast asleep. Devil. Good wench ! Let. And here's the key of her room. {Producing key. Devil. Good wench ! Let. She's safe locked in. Devil. Good wench ! \P lacing the key on table.] Now concerning this same William Gamel Let. [Bursts out weeping.] Oh, sir, it's more than three months since he left me. Devil. \_Sympathisingly.] Ah ! Let. And he promised to come back in a week. Devil. \_Sympat hi singly.] Ah ! Let. And I've not heard one word of him since. Devil. I never met a sadder case. Let. And such a sweet-spoken young man, too. Devil. Ah ! These sweet-spoken young men. How is it they never keep their promises ? Dear ! dear ! dear ! Well ! well ! well ! Oh, these sweet-spoken young men ! Well, we must try and charm the rascal back. You remember the oak-tree I showed you as we came by ? act ii THE TEMPTER 63 Let. Yes, sir. Devil. Go there ; walk twelve times round it, say- ing the charm I taught you. Can you say the charm ? Let. [Facing to the four quarters of the compass and then going round the Devil.] " East, west, north, south, wherever you may be, Turn back, false heart, turn and come to me, Turn and come again." Devil. Good wench ! And whistle ! Don't forget to whistle. When false young men leave trusting maids, whistling's The only lure to call them back. Now go. [Gets her off at outer door. Alone, watching her.] It's shameful ! On my soul, if I possessed one, Women are badly used. [It's a hard fate To be a woman. They are all born fools, Weak, trusting, doting fools ! That they should listen To me is natural, and I'll forgive them, For I've some tempting baits. But that they listen To man, mere man, the greasy animal, Is folly past belief! And yet they do.] [Listening at door.] Ah! Are you coming? The Prince enters from chapel, quiet, self-contained. So you've been at prayers? Prince. Good-night. [ Cold, curt, conte?nptuous. Goes up to door at back. Devil. What ! Off to roost so soon ? Good-night. [Watching him up; the Prince is about to make exit.] 64 THE TEMPTER act ii Guess who has been with me just now? Prince. [Arrested.] Well? Who? Devil. Did you not hear her talking to me? Prince. [ Comes down . ] Whom? Not Isobel? Devil. No. [The Prince turns back.~\ She's [coughs] asleep. Her maid. [The Prince again turns, comes down to the Devil. Prince. [After a struggle again turning away.] Well^ what of that? What's that to me ? Devil. [Goes to outer door.] Why, nothing. The maid's out here. [Locks the door, comes to table.] The mistress is alone. [The Prince again comes down to Devil, looks at him. The Devil, taking no heed of Prince, carelessly pours out the wine, drinks, watched by the Prince.] [Offering cup.] Taste that. I know their vintage here. Prince. [Again turns aivay.] Not I. Good-night. [Going off. Devil. Good-night. Did you find out her window? Prince. [Coming back, fiercely.] And if I did, 'twas but to swear and swear, By all the knighthood in me, I'd ne'er wrong her. Devil. [Looks at him.] Indeed! [Drinks.] Taste that. [Offering cup. Prince. [Pushing it aside.] Hear me ! I've taken counsel act ii THE TEMPTER 65 With my heart. I'm fixed. Oh, I despise myself, That ever I did listen to thee. Good-night. [Going, Devil. [Aside.] Now we have got a virtuous fit. [Goes to him.] I'm glad You are resolved to be so virtuous. I like you for it. Just as you had won her! You're right. Put her aside. Sit down and drink. [Sits down, takes up the key and plays with it. Prince. Why dost thou goad me so? What key is that? Devil. [Carelessly.] What's that to do with you? Prince. What key is that ? Devil. Her maid left it with me to keep. She locked Her mistress in her room while she went out. [Flings key 071 the table. The Prince looks at it, is about to take it. The Devil seizes it again. The Prince tries to get it.] [Keeping key.] Sit down, you fool! Be virtuous! Sit down, And drink with me, and talk philosophy. [The Devil flings the key again on table. The Prince sits down in ill-will, eyeing the key.] Taste that ! These holy fathers know good wine. [Offering cup. The Prince takes it, drinks deeply.] Now let us talk philosophy. Heigho ! [ Yawns.] I hope that silly maid will soon be back. I promised her I'd wait, and let her in. 66 THE TEMPTER ACT II I'm tired. Come, help yourself to wine. Don't spare. [The Prince pours out, drinks deeply?^ What were we talking? Oh, philosophy ! [Yawning, beginning to talk disjointedly as if falling asleep, and slightly in liquor. The Prince sits watch- ing him, and watching the key.] Plow is it women's souls are so dirt-cheap? That's rare good wine and potent too! What's this? [Rubbing his eyes, pretending to rouse himself. \ Come, come! I can't be drunk. I'm much too seasoned; I'm sleepy though! Some more philosophy! How is it virtue is so badly paid? Oh, I forgot! You're virtuous! At least Just now. What ails you? You're not drinking. [The Prince pours out and drinks deeply?^ Lend me a hand! I'll go to bed. Good-night. [The Devil rises a little in his chair, drops down in it again as if heazy with sleep. The Prince watches him keenly?^ [Maundering.'] Wine — women — virtue — bed — philo- ophy ; All useful things, but seldom found together. Plague on that wine ! [Drops off, snores. [The Prince gets up on tiptoe, stands over him. The Devil breathes heavily. The Prince takes up the key and creeps swiftly off on tiptoe up stage, going to Isobel's door. As he is going off the outer door is tapped. The Devil opens his eyes, looks alternately at the act it THE TEMPTER 67 retreating Prince, and at the outer door where Lettice is tapping, winks alternately at each. The Prince unlocks Isobel's door. Let. [ Without^ Good sir, please let me in. Good sir ! [The Devil, seated comfortably, looks from one to the other. The Prince enters Isobel's room and shuts door. Lettice knocks. Devil. And then they blame me ! Curtain. \A night passe s.\ ACT III Scene. A luxuriant glade outside the Abbey Walls. A large gaunt withered trunk, with dead gnarled branches, in middle of stage. The abbey walls in the distance. Early morning. Enter Prince Leon. Prince. She's wine, enrapturing wine ! I am a cup Brimming with richer vintage than did e'er An earthly summer bear to earthly sun. Drenched and surcharged I am, yet ache and thirst For draughts diviner and more secret still, Th' ayatar, nay, the very lees and dregs Of very love itself! She should be here ! The fainting air pants and is sick for her As I am ! Isobel ! When will she come ? Oh, she is life itself ! Now may I boast "I live!" Dead was I till her kindling lips Drew me from earth-cold clay and made me man. Thou art creative, Isobel, like God, Thy breath doth quicken like His word ! She's here. Enter Isobel, as if in great shame, her head bowed, her face covered with her hands; she goes to him, 68 ACT III THE TEMPTER 6 9 hides her head in his breast. Some moments' silence; he passes his hand very caressingly over her head. Prince. [Very softly.'] Speak to me! Look at me! /so. [Same soft tone, almost a whisper.] How shall I dare Ever to look upon thy face again? [He tries to take her hands from her face j she resists.] No ! no ! First tell me Prince.- Tell thee what? Iso. [ With great shame.] That ! Am not less dear— less sacred— than I was. Prince. A thousand times more dear, ten thousand times More sacred ! Iso. [ With great entreaty, half despair.] Say thou'lt never hold me cheap! Prince. Thou rarest of rare jewels, thy price was such That my most utmost worth could never buy thee ! Therefore, in mercy sweet and dear compassion Of my great need, thou lovely prodigal, Didst give me all thyself ! Iso. [Clinging to him, frightened, ashamed.] Oh, never say it! If but the wind should hear, the shame would kill me! Thou'rt sure there's nothing guessed ? Prince. Why, who could guess ? j SOm [I know not. Thou'lt ne'er whisper ? 70 THE TEMPTER act ni Prince. Am I a dog that I should do this thing? Be sure no breath of it shall e'er be known. Iso. What do you think of me ? I know you'll say Some pretty speech ; but in your heart of hearts Speak truth ! You pity me, perhaps despise me ? Prince. Now 'tis yourself that holds yourself so cheap. Iso. Oh, I am nothing worth except to thee ! Thou know'st how poor I am. I stand before thee Beggared ! I've given thee all. Prince. And dowered me With an immeasurable sway, empires And oceans of thy love, and the proud realm Of all thy boundless universal self.] Iso. You'll ne'er reproach me? Prince. Could I be so base? Iso. If you should ever cast one word against me, One single word of blame, or seem to hint That I was won too soon, or by a look Or glance, or whisper, signify that I Am less in your esteem henceforth for this Than the most honoured, virtuous, proudest dame That walks this earth, 'twould madden me, and I Should leap to some unknown and desperate act. Prince. What can I say to comfort thee ? What ails thee? Iso. [Bursting into tears.] Thou knowest not what these last hours have been, The agony of shame and fear and guilt That I've endured. act in THE TEMPTER 71 Prince. [Gathering her to him, sheltering her.] Hide all within my breast. [Comforting her.] Come, let me wrap thee in my love. Close ! Close ! [Folding her tenderly in his mantle.] Now thou art happy. Iso. Oh, most happy, if I Have made thee happy! There lies all my joy. I'm nothing in myself, but all in thee! Prince. Give me some yet more dear abandonment Of all thy gracious self. Iso. What can I give thee ? Oh, if I had a thousand selves, each one A perfect woman, yet each one more fair Than all the rest, that I might throw them down Like rags beneath thy feet, my conqueror ! What wouldst thou more of me than all? Prince. No more. Thou art enough. This kiss is all enough. Holiest is sweetest and most satisfying. Devil. [Through the leaves behind.] Here is a holy relish after sin ! Iso. [Entr eating ly.] Our love is sacred, is it not? Prince. Indeed It is, most sacred. Iso. [Very anxiously.] Holy Church shall bless it? Prince. Yes, yes. Iso. [Very anxiously.] Nay, promise me ! Thou'lt not forsake me. Prince. If I forsake thee, may I be forsaken! Oh, Isobel, I'm thine! 72 THE TEMPTER act hi What heaven, or earth, or hell, shall bind or loose, Or join or put asunder, shake or fix, This shall it never do, part thee from me, Ravish us of this immortal moment, Shut out my soul from access to thy soul, Eternal yoke-fellow, eternal bride, Desired companion, sister wayfarer, Sojourner with me, and beloved partaker Of whatsoever strange vicissitudes Life, death, and that great dark unknown beyond May hold in storage for us twain to endure. Iso. Wilt thou for ever love me so? Prince. For ever And for ever ! [ They are going off together. Iso. [Looking up into his face murmurs .] For ever and for ever. [He bends over her ; they go off entranced with each other. Devil. [Coming out of the tree, looking after them.] For ever and for ever ! What is this human love, this silly joy, This foolish strange delight each has in each? It needs must have some sweetness of its own. If I could taste it ! If I could but taste it ! Oh, if I could for one short passing hour Avoid this withered mockery, this mask Of painted dust, and wrap myself within The bosom of humanity, take on me Flesh's soft robe and veins of tingling blood, The sluice of tears, the sting and pant of life, act in THE TEMPTER 73 Labour and hunger, sweat and sleep, hopes, fears, Joys, sorrows, all their great Deliverer Took on Him when He came to overthrow My kingdom in this world of mine. If I Could taste this love ! If it were possible ! Vain ! Vain ! Shut out ! The everlasting clang Of Heaven's indomitable gates yet sounds Behind me, and along the bottomless Abyss rings my unchanging doom — shut out ! Shut out ! shut out ! [Pause.'] [Looks after them.] I cannot love like ye ! But I can hate, and I will hate, until My hate hath struck your love to its very roots, Riven it, blasted it, shrivelled all its blossoms, Scattered them down the whirlwinds of my wrath ! [Pause.] For ever and for ever, did ye say ? Ye fools ! This hour I'll turn your love to gall, Poison your thoughts, make lunatic your bloods, That now do dance with marriageable drops, Till they shall burn with anger, fur)', hate, Blind jealousy and murder, each 'gainst each. [Look- ing towards monastery.] Here comes one of my shuttlecocks ! Enter Sir Gilbert. The Devil looks him up and down, and then bursts into a loud fit of brutal, contemptuous laughter. Sir Gil. [Nonplussed.] I see no jest. [The Devil sits, arms akimbo, and laughs jeering ly at him.] 74 THE TEMPTER act hi Well ? Well ? Devil. Well, dogstail ? Sir Gil. Dogstail ? Devil. You are in a base position, all behind. Sir Gil. Behind ? Devil. Ay, behind my dog, for he has been before you. Behind the sport, for it's all done. Behind the market, for the trinket is sold ! Sir Gil. How so ? Devil. She has given you the go-by. She has played you false with my stripling. Sir Gil. When ? Devil. Last night. You snored and he stole the lady. Now do you see the jest ? [Laughing brutally at him. Sir Gil. How do you come to know ? Devil. They were here sugaring each other with love-treacle and blabbed out the whole matter. I chanced to overhear. Sir Gil. What can I do ? Devil. [Laughing at him.] Go back to bed and snore. Sir Gil. The jade ! I'll the minion — the cursed jade ! Devil. Use some stronger language ! Come, some good round oaths, saving my presence. Now curse away ! Sir Gil. Damn them ! Devil. Is that all? No more ? Sir Gil If I could kill her/ act m THE TEMPTER 75 Devil, [Encouragingly] Well — well — Sir Gil. Or him, or both together. Devil. [Encouragingly.] Well — well— Sir Gil. Curse them ! Devil. [Annoyed.] Oh, now we're back at mere cursing ! Hearken ! Mankind have two most foolish, fruitless habits, cursing and praying. Both are mere wind. Now to action ! Why, you poor gudgeon, why, you poor soft-roe, do you stay wriggling and wriggling on her hook for me to laugh at ? Sir Gil. I'll do something ! Devil. Ay, but what? Tis impossible you should win her to your pleasure now. Then why do you let her despise you ? Sir Gil. She shall not despise me ! What shall I do to show her she shall not despise me ? Devil. [With great intensity of suggestion] Tell her that my gentleman is boasting of her favours. [Sir Gilbert shows pleasure] Tell her that his tongue is so loose that all our company know of this, — and that, and— the other ! Sir Gil. This is good. I like this. Devil. Tell her that we are making merry over her to lighten our way to Canterbury. Tell her that all our blackguards and serving wenches are laughing because she hath suffered the common, everyday, feminine misfortune. Sir Gil. This will be a rare sweet revenge. Devil. Most sweet. About it quick ! Sir Gil. I will. Where is she ? 76 THE TEMPTER act ki Devil. [Looking off in the direction the Prince and Isobel have gone.] She went that way with him. [Looking off.] He hath left her. Look ! She is yonder — alone ! Sir Gil. I'll teach her to despise me ! [Going off. Devil. Treat her tenderly. She is but a woman ! [Exit Sir Gilbert swiftly. Watching him.] Will this not drive her to madness, and will she not then be well strung for me to play my tune on ? I'm thriving here ! My main business is done ! This marriage between the Prince and the Lady Avis hath vanished clean into limbo ! And when that is known, how these kings will fly at each other's throats and drown their lands in war ! These kings ! These kings ! How shall I breed my choicest mischief when kings go out of fashion ? I must instruct re- publics and democracies. [Looking off, shows great satisfaction.] Ah ! Do you swallow the bait ? Have we hooked you ? Does the barb stick ? Does it rankle ? Sir Gilbert enters eagerly. Sir Gil. I've schooled her! I've humbled her! I've taught my proud madam to despise me. Why, this is better sport than hawking. You should have seen her when I laughed at her. She made as though she would kill me ! Now I'll go and tell my grooms, and set them on to jibe her too. Devil. No, no. Sir Gil. Yes, yes. act in THE TEMPTER 77 Devil. No, no, that would be unkind ! Sir Gil. Tis no matter. I'll do it ! Devil. Oh, be gentle, be gentle with her, for though she does despise you Sir Gil. Despise me ? Hearkee, leave me alone. Despise me ! I'll not be despised ! [Exit eagerly. Devil. [Looks after him.] Hum ! Great Heaven, didst thou make these mannikins for thy own jest, or for mine ? Enter Isobel, haggard, pale, dazed ; she comes up to the Devil, as if seeking to read something in his face j he shows immense sympathy, heaves a deep sigh — turns away. /so. [Hard, cold, tearless voice.] Why dost thou look at me and sigh ? Devil. Did I ? Did I sigh ? Ah ! [Sighs deeply. Jso. Why dost thou look at me? [The Devil says nothing ; looks at her with great sympathy, sighs deeply, and then turns and gathers some flowers.] Wilt thou not tell me ? Devil. [Holding up the floivers above his head, draw- ing them across his nostrils, watchi?ig her from behind them.] Tell thee ? Tell thee what ? /so. What thou hast heard of me. Devil. What I have heard ! I hear the blab of men from morn till night ; One half they say is lies ; the other, scandal ; Whether 'tis true or no, I've ceased to care. 78 THE TEMPTER act hi Look at these flowers. How sweet ! Iso. Art thou my friend ? Thou saidst thou wast. Devil. Why ask ? Thou knowest I am. Iso. Then answer me ; on thy most steadfast oath, Hath any whisper of my name been made Within thy hearing ? Devil. No — that is — no — lady ; I pray you do not ask me. I would rather Keep out of this affair. Iso. Of what affair ? Devil. [Feigning great embarrassment?^ It is not right of you to drive me thus Into a corner. Let me go my way. If there is any slander in the air, Or lies, or calumny, or double-dealing, At least let me keep out of it. Iso. Face me, And tell me plainly what folks say of me. Devil. Folks say — folks say— what matters what they say ? If they say evil, take no heed of it. Treat them as I do when they slander me, Let their tongues wag and pity them. Iso. Nay, I'll know ! \Very piteously?\ Oh, pity me ! There is a lying tale Gnawing at my fair name and honour. Yes Or no? Devil. [ Very quickly and positively ?\ No. Iso. No ? act in THE TEMPTER 79 Devil. [Much less positively?^ No — o. [She looks full in his face ; he turns away.~\ Have I not said No ? Iso. And lied ! Devil. [ Very sweetly and tenderly .] It was to spare you pain. Beside, The Prince, like you, is a dear friend of mine. Iso. The Prince ! Then 'tis the Prince ! What hath he said ? Devil. Nothing. Iso. He would not. For his life he durst not ! I'll not believe it ; no, I'll not believe it. Devil. You're right. Distrust whate'er you've heard, and keep Your faith in him. Iso. He cannot be so base. Devil. That's what I say — that's what I often say, Men cannot be so base — and yet — they are. And if the Prince — but no, it cannot be — Forget it ; spare yourself. Why should you face The jeers and flouts of all our company ? Iso. Then they do jeer and flout at me ? Devil. No, no. Indeed, I cannot think he hath betrayed you, And to such dogs as these. Oh, it is monstrous. He may — he may have boasted of your favours Iso. Boasted ! Devil. Ay, carelessly ! How he hath won you ; But to reveal you to these common ears Iso. [Furious .] Ay ! ay ! 80 THE TEMPTER act hi Devil. To speak of ravishing hidden joys, The delicate endearments of your love, The moments veiled and hushed, the secret kiss, To brag of these Iso. Ay, ay. Devil. Why, if he hath, What then ? Iso. What then ? Where is he ? I will kill him ! Nay, I'll kill all of them that dared to listen. Devil. Be calm ! Be calm ! Hope for the best. I trust Your honour is not lost. Iso. No, 'tis not lost, 'Tis in his keeping. He shall restore it ! So he hath sworn, and he shall keep his word. Yes, he shall keep his word, or — I'll do something. Where be these underlings that dare to flout me ! Where be these dogs ! [Exit furiously. Devil. [Watching her off.] From heavenliest love to deadliest hate is just — [Measuring the dis- tance ivith his fingers just in front of his nose.] Just half an inch. [An impish Child runs on. The Devil shoots his forefingers above his cap so that they ap- pear like horns, bows and scrapes to the Child with great good-fellowship. The Child re- sponds and bows and scrapes to him.] My chuck ! My pretty chuck ! My pretty, pretty chuck ! [Making deep reverential bow. ACT III THE TEMPTER 81. Child. \_Same attitude .] Good day, good sir. Devil. Good daddy, you should say. I know my own Child. I have one daddy now. If I have you, 1 shall have two. Devil. My pretty rogue, you'll need A spiritual father by-and-by To tuck your nose into the honeypot. Child. I shall like that. Devil. You will. Child. Is it so sweet ? Devil. Ay, very sweet. You shall smear fingers, nose, Cheeks, mouth, bib, tucker, all. Child. Then you shall be My spiritual father by-and-by. [A laugh heard off. The Child looks off, shows great glee, clapping his hands .] They're laughing at the Lady Isobel. Look ! Look ! Devil. How doth she seem to relish it ? Child. Oh, she is growing mad. She's run away. They're running after her. What hath she done ? Devil. Dipped into that same honeypot. This is The after-taste. Child. And I shall dip there too — Smear fingers, nose, cheeks, mouth, bib, tucker, all ? Devil. Yes, fizgig, that you shall. Child. What sport ! Oh, look, Here comes her maid a-crying.] 82 THE TEMPTER ACT III Enter Lettice, sobbing, looking off. [Makes a mouth at Lettice.] Boo ! boo ! boo ! Daddy, good-bye ! [Kisses his hand to the Devil, makes him a deep bow, and runs off. Devil. Good-bye, my pretty chuck. [Bows to the Child, turns to Lettice. Lettice. [Sobbing.] Oh, sir ! Oh, sir ! Devil. Oh, sir ! Oh, sir ! What now ? Lettice. They're laughing at my lady. [A burst of scoffing laughter heard off ; Lettice shudders. Devil. [Unconcernedly, looking off.] So they are. It seems her pranks are known and [Turning suddenly on Lettice.] you're afraid That by-and-by they'll laugh at you. Lettice. [Sobbing.] Yes, sir. Devil. [Drily.] Ah ! So they will. Lettice. Oh, I shall kill myself ! Devil. Not you ; not you ! Hearkee, you little wretch, You're in a pretty pickle. Whistling, it seems, Is thrown away on William Gamel. Therefore Lettice. [Eagerly.] Yes, sir Devil. Since you must face the worst, make light Of it. When folks begin to laugh at you, Laugh back at them. Lettice. Oh, sir, I couldn't ! Devil. Nonsense ! You can. Come, try a little laugh. [Grins at her. ACT III THE TEMPTER 83 Lettice. 1 cannot. Devil. I say you can. Brazen it out. Be bold. Fly away shame and romp a roaring life ! Come, come, you merry piece of mischief. Laugh ! Laugh at what's done and can't be undone ! Laugh ! [She laughs a little hysteric laugh, and he en- courages her by laughing with her ; she grows more hysteric] That's right. I like to see you happy ! Laugh ! [She laughs again.] A jolly, bouncing sinner you shall be, I promise you. [They laugh in chorus] The Prince enters behind them. [Without looking round.] Ah ! You are there ! Then listen To this. [To Lettice.] Alas !— the Lady Isobel 'Tis very sad that she should play these pranks, And gull so many men. The baggage ! Oh, The baggage ! Well ! well ! well ! Say nought about it. Hush ! hush ! [Laughing.] You mustn't laugh at her. Fie ! Fie ! Lettice. I can't help laughing, sir, now I've begun. Devil. Well, 'tis a jest, and I must laugh myself. And so she's fooled my squire amongst the rest. Ho ! ho ! Ha ! ha ! Lettice. Ho ! ho ! Ha ! ha ! Devil. Ho ! ho ! Lettice. Ho ! ho ! Ha ! ha ! ha ! ha ! ha ! ha ! [Goes into a fit of laughter. The Devil laughs 84 THE TEMPTER act hi her off, then turns to Prince, stops suddenly, feigns surprise. Devil. [Feigning embarrassment.] You heard ? Prince. You spoke of Isobel. Devil. Not I. Prince. You did. Devil. Not I. Prince. [Fiercely.] I say you did ! Devil. Well then, I did. Prince. Whom hath she gulled, and what pranks hath she played ? Devil. It isn't fair to tell against a woman. You've had your frolic ; now be wise. Forget her. Prince. Tell me what thou didst say of her. Devil. She is An honourable, virtuous, high-born Maiden. That's all I said of her. Do you Say otherwise ? Prince. Take heed thou jest no further. Dost hear ? Devil. I hear. I have some news for you. [The Prince is going.] The King of France, thinking you safely drowned — [The Prince stops.] And dead — and glorified Prince. He thinks me dead ? Devil. Well, aren't you ? [If you are not dead, where are you ? Why have you not kept faith with your betrothed ? Why have you dared to disobey your king ? act in THE TEMPTER 85 Well, you being with the saints, there's nought remains Of interest to us surviving friends Save this — what hath he left behind, poor soul, And who is his heir ? Prince. My heir ? Devil. Your cousin Geoffrey Claims your estate, your goods, all your possessions And appurtenances. Prince. How know you this ? Devil. A herald hath arrived this morn from France. Prince. From France ? Devil. \Nods^\ He's closeted with Lady Avis, And now they're howling over your demise.] [ The Prince paces about in great perplexity, the Devil Jeers.] My dear young friend, you're in a plaguy mess. You have behaved abominably. What's worse, You're like to be found out. What's worse again, You're like to meet with punishment. Prince. How so ? Devil. When English Edward finds you have de- spised His favourite god-daughter, and slighted her For Isobel, the daughter of his foe, Broken your knightly word, refused the marriage Which he and France had solemnly decreed, I fear the world will not wag gaily with you. Prince. [Turning furiously on him.] 'Twas you that led me into this. 8d THE TEMPTER act hi Devil. I led you ? Prince. Ay, thou ! False guide ! False friend ! Insidious rogue ! Devil. Heyday ! Heyday ! Prince. [Pnragea 7 , going to him furiously. The Devil remains still, with a mocking smile.] Why hast thou fastened round me, Hung on me, played on me, spied me, and dodged me, Raked out my heart, niched its recessed secrets ? Who art thou ? As I look I seem to see Under that smile some carrion-mauling vulture, Or stealthy jackal smelling after evil In my infested blood. What is it makes me So weak, that hating thee as I do hate thee, With all my being's bent and force, I yet Allow thy presence, listen to thy counsel, Suck in the rancour of thy venomous breath, And all against my will do traffic with thee ! I'll end it ! Leave me ! By heaven, I'll end it ! Away with thee ! Begone from me ! [Fiercely, quite close to the Devil, who stands still, smiling. Devil. I'm going. [Going.] I wish you joy of Lady Isobel. Prince. Yes, yes, I will have joy of her. That word Restores me to myself. Perish my name, My hopes, my pride, all that I was and had ; Let me be dead. I live alone to her ; There is no other chance, no other grace, Wisdom or glory, prize of love or war, ACT III THE TEMPTER 87 Ambition high, or coveted renown, Save this, that she is mine, mine, mine ! Devil. [Pauses, looks at him contemptuously.} You fool ! She's yours, yours, yours— why, yes, I know she's yours, But whose she has been, I don't know. And whose She will or won't be— that— well, that— God knows. [Going. Prince. Stay, thou detested liar, make thy words good, Prove what thou say'st. Devil. I na d it from her maid, The simplest wench. You heard her laughing with me. She told me all her lady's tricks, and how She cunningly hath known you all the while To be the prince, and cunningly hath laid Her plans to trap you, and supplant her cousin Avis ! Prince. 'Tis false ! Thou liest ! I say 'tis lies, Tis hellish lies— [Pausing]— or yet more hellish truth ; 'Tis lies ! Prove it, I say. Devil. Prove it yourself. Here comes the lady. Take her without her guard ! Ask her this one plain question, if she knows That you are Leon of Auvergne. Ask her, And God be with you for a simple fool ! You are the greenest greenhorn I have met ! Ask her. [ With great contempt^ You fool ! you fool ! She's false, she's false ! 8S THE TEMPTER ACT m Isobel enters, infuriated; she comes up with furious anger to the Prince. They stand confronting each other for a moment. The Devil smiles and exit, /so. Ah, thou art here ! "lis well. Now answer me; If there is any spark of knighthood in thee, Let it now show itself ! Make revocation ' Of all thy dastard calumnies of me ! Then rid me of these gadflies here that sting me With poison from thy lips. They say— they say [Stops speech /ess.] Rid me of them, I say. If thou'rt a knight, Now do me justice. Dost thou hear me ? Prince. * /so. Then answer me. [Prince suddenly seizes her hands, looks close into her eyes. Prmce - Woman, thou knowest me. Thou knowest I am Leon of Auvergne. /so. [Taken by surprise, falters.} And if I do ? Prince. Ah ! then thou dost ! And thou Hast known me all the while, and cunningly Hast laid thy plans to trap me, and supplant Thy cousin. /so. I laid plans to trap thee ! Prince. Ay , Deny it ! /so. I'll not stoop to clear myself. Believe whate'er thou wilt. Devil. [Whispering through the leaves^ She's false ! She's false ! act nt THE TEMPTER 89 Prince. Thou'rt false ! Thou'rt false ! Thou hast deceived me ! Iso. And thou hast slandered me, given up my name To common rumour. Now do justice to me. Prince. Do justice to thyself. Thou hast deceived me ! Thou stand'st revealed ! Iso. [With a great cry.] Revealed ! Ay, so I am ! Revealed to shame, a common byword made By thee ! By thee ! Prince. What dost thou say ? Iso. {Frenzied.] My shame Is noised about ! The wenches and the grooms Are making sport with me, laughing, laughing That I have played away myself to thee. Dear Christ ! I make a merry spectacle ! Avenge me! Make amends! Thy word ! Thy word! Take off my shame ! Own me before the world ! Prince. [Is turning away on his heel.] I've done with thee. Devil. [ Whispering through the leave s.] Thy dagger's at thy belt. Iso. [Hand on dagger, following the Prince.] So thou hast done with me ? Prince. I've done with thee. Devil. [Behind her, whispering through the leaves^] Then kill him ! Kill him ! Iso. [Snatching the dagger from her belt.] Thou hast done with me ? 9© THE TEMPTER act hi No, thou hast not ! Not yet, nor yet, nor yet ! [Stabbing him again and again and again. The Prince falls. Isobel stands paralyzed, the dagger uplifted in her hand — pause — the dagger falls — she stands as if i?i a tranced] ' [Muttering.'] It is not true — it was not I — No ! No ! Prince. See ! Tfeou hast killed me ! Iso. Thou didst urge me to it. Why didst thou make my love a mockery, And give me o'er to laughter of this rabble ? Prince. I never did. As I'm a dying man, Heaven knows thy love hath been most sacred to me. Iso. [Frantic?^ Then what am I ? What have I done ? [Suddenly flings herself on him in a tempest of remorse and tenderness.] Help ! Help ! Ah ! Thou art bleeding ! [ Tears off her robes to stanch the wounds. The Pilgrims' song is heard coming nearer and nearer from the abbey.] Speak, my dear lord ! Help ! [Stanching the wounds.] Oh, those cruel wounds ! Will they not stop ? Help ! Help ! Thou dost not think 'twas I ! Never say that ! I that do love thee more than my own life ! 1 [On the stage this act may be ended immediately after Isobel has stabbed the Prince, by her standing over him exclaiming, "What have I done ? What have I done ?" the Devil looking out from behind the tree with a mocking laugh.] ACT "i THE TEMPTER 9 i Help! Help! Will no one come ? [The Pilgrims enter from abbey singing their song, headed by Father Urban.] My father, look ! [Father Urban hushes the Pilgrims ; the song ceases ; Father Urban bends over the Prince to examine the wounds; other Pilgrims, monas- tery Attendants, and country f oik gradually en- ter and crowd roimd the Prince.] {To Father Urban, as he examines the Prince.] Bring him to some physician ! Haste ! He'll live ! Say that he shall not die ! Why, 'tis not much ■ He'll live ! He'll live ! Say that he shall not die ! Enter Avis ; comes up to the wounded Prince. Father V. [Having examined the wounds.] These wounds are unto death. Bear him within Prince. No ! No ! Take me with ye to Canter- bury. I shall not die till ye have brought me there. At Canterbury 1 was to be wed, There let me make my peace and die. Dost hear ? To Canterbury ! I do command ye ! Father U. Thou dost command ! Nay, know thy place, my son. Prince. [Imperiously.] I do command. Father U. «« , Who art thou ? Prince. [His eyes rest on Avis ; he shows shame.] I am Leon Of Auvergne. 92 THE TEMPTER act hi Avis. My Prince ! My promised one ! My love ! My promised husband ! Father U. Daughter, give place to us ! [ To the bearers?^ Take him where we may dress his wounds, and then We'll bear him to the holy martyr's shrine. [ They take him up and bear him off. Avis. [To Isobel.] Who hath done this? /so. I did it with this hand. Avis. Thou ? 'Twas thou ? I so. Ay, I. [Goes off after Prince ; the Attendants and Pilgrims gradu- ally file off in procession.] [ Voice heard off.] My father, heal him ! He shall not die ! I say he shall not die ! Heal him ! He'll live ! He'll live ! [Her shrieks are heard off ; the Pilgrims and Attendants have filed off. Avis has sunk down o?i the ground, sobbing; Avis rises and staggers off after the procession, sobbing. As she goes off the Devil comes out of the tree a?id dances off at the end of the proces- sion, Avis's sobs and Isobel's shrieks being heard the while. Curtain. ACT IV Scene. Porch and tower of Canterbury Cathedral ; night — moonlight. The porch and tower occupy back and left of stage, and make all that side dark, giving a view of Canterbury by moonlight at back on the right and all along the right above the cloister wall. Statuary in the dark niches in the porch. Discover the Devil, hanging on the tower towards the top. Clambering down, he surveys the city. Devil. Canterbury ! Canterbury ! My city ! My ancient, guzzling, brawling, thieving, cursing, Lying, lousy, stenchy, bawdy city ! My grace and greeting to you. [Takes off cap, salutes the city. Jumps on a gurgoyle that stretches out from the toiver, sits astride it, his legs dangling, surveying the city.] Hail, old city ! Why, what's amiss ? Strike up that riot yonder ! Begin it ! quick ! quick ! quick ! [Beating the gurgoyle in impatience^ [Now, mademoiselle ! That toy French maidenhood of yours, so please you ! 93 94 THE TEMPTER act iv Deliver it ! No screams ! Then gag her, gag her !] My jolly cut-throat, wait your man — he comes ! That's a good stab ! Into the ditch with him ! There let him fester ! Ah ! [Laughing, hugging the gurgoyle J\ Now all good thieves, Drunkards and harlots, all night's chosen children, Bestir yourselves, dear cronies, life is short, And sin is sweet ! Be at it while ye may. [Now all you filthy breeding sinners, quicken And procreate moonstricken idiots, Thieves, sots, and liars ! In your own images Fashion your brutish progeny ! You sloths And swinish gluttons with bloat carcasses, Wallow and grunt in your own bellies' turmoil !] Trot out, my little rats, sting fleas and gnats, Libidinous cats creep all about the lanes, Flit skinny bats, howl mangy dogs, hoot owls, Fat toadstools push and spawn ! [Looking up at moon.] You're looking on ' Prim, rakelean, bloodless moon ! Ashamed of us ? Tuck your squint modesty behind a cloud ; Or hearkee, rank old virgin — [Beckoning the moon.] Stoop and wink At our obscenity. See all this city Stew, swarm, and sweat, and suffocate in sin, To cocker up big Belzebub and me ! [Laughing and squealing, hugging the gurgoyle ; suddenly stops, listens, jumps on the gurgoyle, stands upright on it, looks out — fiercely taunting.] act iv THE TEMPTER 95 You're coming then ! Jog up his parting soul ! Smuggle him into church before he dies ! I've earwigged all these monks and drugged them deep ; You'll find them hard to wake. Now come, sweet Prince, Find this last refuge barred against thy soul ! Dash her vain wing-beats at the ark's shut door, No hand shall open it to save thee, no Deliverer appear ! Beat, beat, and flutter ! Beat and drop Into th' unfathomable night below ! I wait for thee ! [Passes into shadow of buttresses. I so bel enters very hurriedly, panting, worn, desperate. Iso. [Calling off.] Speed ye ! In God's name, speed ! At last, assuaging sanctuary, we gain Thy sheltering doors. [Knocking at porch. The Prince is brought on by bearers on a litter, Father Urban and Avis following.] [Knocking.] Hear ye ! [Knocking.] Are ye asleep Or dead ! [Knocking.] Father U. 'Tis strange. They keep a strict night watch. The abbot's rooms are on the eastern side, I'll see if aught is stirring there. [Exit. Prince. [Groans y and feebly rouses himself.] I'm dying ! Pray them to let me in before my soul Has sped. 96 THE TEMPTER act iv Iso. [To attendants.] Go ye around the church, search out The other doors, get entrance where you can, And bring the holy fathers to us here ! [Exeunt the bearers. Avis, who has been stand- ing apart all the while, approaches the litter tenderly. Isobel places herself in front of Avis and stops her approach to the Prince. Avis. Wilt thou not let me come to him ? Iso. Not thou ! I've stolen him from thee ! Leave him to me ! He's mine, — Mine by the treachery wherewith I won him ! Mine by the woman's pearl I gave to him ! Mine by the murder that I did on him ! Mine by the undying love I bear to him ! He's mine ! Give him to me ! I'm greedy of him ! Avis. Thou lovest him ! But I have loved him too, Most dearly ! He is my promised bridegroom. Iso. But he hath made his nest with me, not like The halcyon on the summer calm. Our souls Were like two birds that should have homed apart, But caught with winds, the tempest mated us, And we are blown hither and thither, baffled, Together across outrageous oceans, And vexed, unvoyageable, ruining gulfs ; Here we have made our nest ; on these wild seas We rock and whirl to our despairing end. Leave him to me. [Avis makes a motion to the Prince. act iv THE TEMPTER 97 Prince. [To Isobel.] Nay, let her corr.e. [Ayis-ap- proaches the Prince.] I'd ask Forgiveness from her. I have deeply wronged Thy pure and faithful love. [Avis goes to him.\ Canst thou forgive me ? Avis. [Bending over him.] With my heart's truth ! Oh, I forgive you both ! And now I know thou lovest her, not me, I will not come between you. Yet since I Have forfeited therein all earthly hopes, And I shall never now be wife or mother, [To Isobel.] Let me once kiss him ! Then I'll give him up To thee. [She bends and kisses the Prince. To Isobel.] He's thine. [Goes off away from the church. Isobel goes to the Prince. Iso. How dost thou now, beloved ? Prince. Far-wasted, drained of life ! Iso. Look ! 'twas this hand That killed thee ! Prince. [Takes her hand and kisses it tenderly.] Hush ! Thou wast beside thyself. Thou knowest well that I did ne'er betray The wrapt inviolate secret of our love. Iso. Thou knowest, too, that I am clear of guile Towards thee, save this, I knew thee for the Prince ; I'm blameless else. 98 THE TEMPTER act iv Prince. How did I ever doubt thee ? /so. Oh ! we have gone astray in this dim world! [T/ic Prince shoius paini\ My love, thou art so young ! Thou shalt not die ! Hark thee, my dear ! Most wondrous miracles Are here accomplished, and death-bitten folk Redeemed to life, plucked from the very grave ! Devil. [Voice amongst the shadows^ Ever they ask for miracles and signs ; Ever their God denies to work them one. Prince. I shall not live. Bring me where I may kiss The murdered saint's most dear remains and thence Draw sacramental grace into my soul, That I may pass before my God in peace. /so. No ! I will pierce the Heaven with cries ! I'll drag Dear mercy down ! [Cries out in an agony of despair?^ Give me his life ! His life ! I will not be denied. [Stands with arms upraised, lifted to Heaven — long pause — silence. Devil, [/n the shadows.} There is none hears thee; None has regard to thee ! Thy God is dead ! [Long pause — silence. Her arms drop in despair. The Prince tosses and groans in agony, /so. Thou art in pain ! Prince. In deadly pain and thirst. Give me some drink. [Groaning.] Water, for mercy's sake ; Fetch me some drink. act iv THE TEMPTER 99 /so. I know not where to look. Wait thee a moment and I will be back. [Exit. Prince. [Stirs on his litter, sits up.] God's mother ! Hear ! My soul will not depart Till she is cleansed. [Jumps up delirious^] Ye shall not keep me out. [Getting off his litter, runs staggering against the church door, butts against it, drops, rolls on the steps. The Devil, in the likeness of one of the statues, bends over him from a niche just above where he has fallen. Devil. Drop there, like rotten apple, on the thresh- old ; Drop there, thou morsel for my stomaching. Pri?ice. Mercy, dear martyr ! Help ! Devil. [Bending over him.] He hath no power ! The virtue hath gone out of him. His bones Are playthings, and his church a roost for bats ! Prince. Forgive my trespasses ! Devil. Recall them all ! Let every wrong that thou hast done in life Against thy God, thy neighbour, and thyself, Now dance and riot in thy memory ! The brave men thou hast killed Prince. It was in battle. Devil. Their widows and their orphans shriek at thee ! Hark ! Hark ! Prince. [ Tossing in agony.] Take them away ! Take them away ! I-OFC. ioo THE TEMPTER act iv Devil. Remember these last weeks of sin, thy nights Of drunken folly, thy pure bride betrayed. Prince. No more ! No more ! Devil. Behold thy past ! Let all Its dark forgotten caverns flame like noon ; See all thy million little sins come skipping To ding thee to perdition ! Toss ! curse ! cry ! Prince. Mercy ! Sweet Heaven ! Devil. Louder. Prince. Save me ! Devil. Again ! [Pause.] Hast done ? Then die ! die ! die ! Die unabsolved, And kick and pommel at heaven's door till doom. [ Withdraws into the shade of the niche. Re-enter Isobel. Prince. [Shrieks.] Mercy ! [Stares round.] My love, 'tis thou ! [Clinging to her.] Thou wilt not leave me ! I have dreamed terrible things. 'Tis thou, my love ? [Looking at her very peacefully, clinging to her. I so. 'Tis I. [Helping him on to the litter. Prince. My soul is in calm water now ; The bitterness of death is past. 'Tis thou ! [smiles at her very peacefully ; drops back as if asleep ; she bends over him. The Devil stands behind her ; laughs mockingly, /so. What dost thou here ? [The Devil laughs.] act iv THE TEMPTEfc 101 Why dost thou laugh at me ? Thou seest we are desperate ! Thou hast Some strange and subtle power ; what 'tis I know not. I pray thee use it now for our sore need. [The Devil laughs. ] By our great misery, by sweet mercy's self, I do conjure thee, pity us and help us. [The Devil laughs.] Thou mockest me! [The Devil laughs. Springing dose to the Devil.] Why dost thou look at me So mockingly triumphant ; and dost glow Resplendent and majestic and enlarged, As though some evil spirit in thy breast Swelled thee to wear the diadem of darkness And sov'reignty of the dread Prince himself. Who art thou? [Quite close to him, she falls back shrieking.] Thou ! Devil. Ay, I. Thou measurest me ! /so. Then we are lost. We've diced away our souls To th' infernal trafficker. Lost ! Lost ! Lost ! Devil. Vain is remorse, as vain as love, as vain As truth or lies, as vain as life itself, As vain as all the rest. All's idle show. [Ye grope and agonize in this blind void, Like babes that perish in the womb. Ye never Visit the light or come to any knowledge. If one of you perchance doth stumble forth From your primeval caves where ye do clot io2 THE TEMPTER act iv With brutes in ignorance, he drifts alone, Without a compass, on night seas of doubt, Where Heaven hangs lying beacons and false lights To tempt his soul on havocking rocks. There I Do wait for him. There I do make my prey.] Iso. Fools ! Fools ! Blind fools ! Poor silly, hap- less fools ! Sold to the destroyer ! Cheated of all ! Cut down in blossoming time. Beggared in spring ! Devil. Shed seas of tears ; weep till thy heartstrings crack ! Pour forth thy blood and agony like water ! All is of no avail. Come, end these whines. [Ap- proaching the Prince.] His soul is passing. Give my hate its fill. Make way for me. His place is ready for him. Iso. [Placing herself in front of the Prince.] Thou shalt not part me from him. Devil. [Advancing, menacing.] Nay, I will. Iso. Thou shalt not part me from him. Devil. [Advancing, menacing.] Stand aside ! Give way to me ! His soul is mine ! Iso. I say Thou shalt not part me from him. [Spill on us twain Strange unimaginable vengeances : Sheet us in fire : plunge us in boiling pitch : Rain on us cold accursed rain : bind us In everlasting ice : goad us with hornets : Seal us in sepulchres : drown us in lakes Of blood : dash us on rocks :] do what thou wilt, ACT IV THE TEMPTER I0 3 Our love doth laugh at thee [Takes the dagger from her side, stabs herself with it j stands laughing at the Devil, then falls on the litter beside the Prince. Devil. [Bending over them.] So be it, then. Come both with me, and be for ever tossed, Frustrate and devious, on tormenting winds [With them whose deathless love, invincible, Bought them a place in hell for ever safe From Heaven's delights and malice. Mate ye like them] Inseparable, locked from doom to doom In one last timeless, measureless embrace. Iso. [ Very softly and wooingly to the Prince.] 'Tis I, my love. Dost thou not hear me ? Leon ! Prince. [Wandering, looking round very calm and happy.] What road is this ? j so I know not, dear. I think It is the road to nowhither. Prince. 'Tis bright And pleasant. Jso. Ay, in thy dear company. Thou'rt happy now ? [Softly caressing him. Prince. [Imploringly stretches out his arms to the church.] Will ye not let me in ? Iso. Hush thee ! I'm thine ! Let that content thee ! Rest thee ! Make calm thy unconquerable soul, my love, For here's no thing beyond our strength to bear ; It is a child that fears the dark. Hush ! Hush ! [Caressing him with the utmost tenderness. 104 THE TEMPTER act iV Prince. [Imploringly to the church.} Will ye not let me in ? [Sinks. [ The doors of the cathedral are opened. Father Urban appears with bearers and priests. Devil. What, Mother Church ! Good Mother Church ! Will you take in this pair ? Father U. Is the Prince yet alive ? Why, what is this ? Both slain ? Iso. I loved him and I killed him. So Have I served myself. Father U. Oh wretched lady ! What hast thou done ? Bear them within. [ The litter is taken up. Iso. My father, Canst thou yet pardon us ? Is there yet hope For us beyond ? Father U. Her bosom is so wide, Her heart so bountiful, her love so deep, That doth receive you now, that she, be sure, Will ne'er cast out one soul that doth but say " I've sinned, but I repent me." To all such Her answer is " Enter and make your peace." [ The litter is borne in within the church ; the church doors are left open. The Devil comes out of the shadows. Devil. [Shouts in at the church doors.} Why, take them in. You're welcome. Plaster their sins With holy oil. Physic them up for Heaven ! Mumble and drone them into paradise, act iv THE TEMPTER 105 And bury them. Build effigies and shrines Over the mouldering worms'- feast. Take them ! Take them ! [Comes away fro??i the doors.] And Thou ! Work out Thy cunning, aimless scheme ; Spin round Thy maddening maze of foolish worlds Eternally, like drunken dervishes, All to no end, save that it is Thy whim. Let restless matter dance round restless matter, Till long-eked impotent space and time rebel And sicken at their own sterility. Hide Thou Thy childish secret ! Make no sign ! Give Thou no hint wherefore Thou hast designed This deftly dovetailed chaos of creation To issues of stupendous nothingness ! Let darkened mankind grope in misery, And Thou be silent ! Keep them blind ! But give Full play and scope to my devouring hate Of all their race. For though my hate is vain And futile, as all else that Thou hast made, Yet do I hate, since 'tis Thy will or whim ! Now set ye kings to work and ply red war ! Famine and hunger inappeasable March over these fair lands and gnaw them bare Till frenzied mothers kill and eat their babes! Breathe thick on every wind black pestilence, And taint the universal earth ! I see A merry, busy harvest time, a crop Of death and ruin waving ruddy ripe For me to put my sickle in and garner ! [ Vanishes. [Pause, music. The first streaks of dawn appear 106 THE TEMPTER Act iv in the sky, and the Pilgrims creep in one by one i?i the twilight and enter the cathedral ; at length the full spring dawn spreads over the scene, and shows all the trees of the cloister garden in full blossom. Avis comes in right, Father Urban enters from cathedral. Avis. [Eagerly.] How doth my cousin now? Father U. At peace. Avis. The Prince ? Father U. At peace. [Avis bursts into tears.] Be thou at peace, my daughter, too. [Sheltering her in his arms.] For know, all evil and all wrong that men Endure or do, all misery, all despair, All pangs, all conflicts, all that hurts us here, Are but as pebbles thrown into a pond, That make a ripple, then are seen no more. So it is with the evil that men fling Upon th' unfathomed ocean of God's love. And the smooth water doth not sooner close Over a pebble with its returning calm Than Heaven's forgiveness drowns and hides man's sin. [A burst of music from the church. Curtain. act iv THE TEMPTER 107 The following song may be sung by the Devil in place of " The Castaways " in Act II. The Devil's Galop. Oh, ride a cock-horse! My jolly cock-horse! Woohoop ! Woohoop, and away ! All gallop and spatter! All rattle and clatter! At the end, there's the Devil to pay! Yes, the Devil to pay! Well, what of that, pray? Let us live while we may! For dogs have their day! So jump up and away! Down the primrosy slope, to the door without hope ! It's woohoop! Woohoop, and away! The merry broad road ! The easy broad road ! Woohoop ! Woohoop, and away ! Oh, look how they're rushing! They're jostling and crushing! Good folks, oh, whither away? Heyday, and heyday! Take us with you, pray ! All our friends go that way ! It's merry as May ! Jog along ! don't delay ! Oh, the junketing throng ! We go gadding along! It's woohoop ! Woohoop, and away ! 108 THE TEMPTER act iv There's a beggar astride ! We know where he'll ride ! Woohoop ! Woohoop, and away ! He'll ride to the Devil ! He'll ride to the Devil ! Why not, when we all go that way ? Yes, we all go that way ! Sad to say ! Sad to say ! All the wise go that way ! Alack and heyday ! And the fools go that way! All the world will be there ! Yet there's room and to spare ! So woohoop ! Woohoop, and away! Kings, beggars, and all! Wise fools, great and small! Woohoop ! Woohoop, and away ! They'll ride to the Devil ! They'll ride to the Devil ! Once there, he'll persuade them to stay! Yes, he'll ask them to stay ! They won't say him nay ! Lack-a-day ! Lack-a-day ! He'll beg them to stay! It's heyday, and heyday! They'll ne'er come away! Lack-a-day ! Lack-a-day ! No, never away ! Sad to say ! Sad to say ! The behindmost he'll snatch ! And the foremost he'll catch! So woohoop ! Woohoop, and away ! 7 7R o •*4 x ^ o ^ V c* -•'• y °o \ A \ v ^ o > ^ * ^ / G 0* A o ,J bv v 4 O <\» ,r o V 4 O o VV * A V ■ ^ S N> ^ o '% A «* ^ "V r. « O ^. * * ' ** ,4> : s A r\ o I* o o .0 Deacidified using the Bookkeeper process. Neutralizing agent: Magnesium Oxide Treatment Date: April 2009 PreservationTechnologies A WORLD LEADER IN COLLECTIONS PRESERVATION 111 Thomson Park Drive Cranberry Township, PA 16066 (724)779-2111 x ^ ^ o .<&.* °* * ' I* V \> ^ V ^ - • J JJL J. &fi^ N. MANCHESTER, INDIANA < c > V LIBRARY OF CONGRESS 014 525 238 6