LIBRARY OF CONGRESS DaDD3im7ba o «» o <«<^ vv c\a\ 55R //n n i/^ ^^ c ' " j l || nBr'"7? ^^* vv 'o» ♦ * -ftp '^ ♦^^^ >' ^^^^ ,6^ '^^ ♦T^* A ^ oo--..'^o. ** .^«> ..^'•♦ '^^ ■^ 'o • * * ^ -^^0^ ^^°^ • 'ft bv * «^. 4 ^^^ '• %/ •' 0* '^'•'T'.i' ^^-n^ ^^^^' ' " a" <^ * !• M o " ^ V v^^ POEMS OF JOHN R. THOMPSON JOHN R. THOMPSON From an ambrotype made at the beginning of his editorship of The Southern Literary Messenger POEMS OF JOHN R. THOMPSON EDITED, WITH A BIOGRAPHICAL INTRODUCTION By JOHN S. PATTON . >\ . . . Librarian of the University of Virginia UNIVERSITY OF VIRGINIA EDITION [ALFRED HENRY BYRD GIFt] NEW YORK CHARLES SCRIBNER'S SONS 1920 ,■?>' ^ COPTBIGHT, 1920, BT JOHN S. PATTON AH; i3 \m 'CI.A565532 PREFACE In the present volume the poems of John R. Thompson have their first publication in book form. Though vagrant for more than a half century they have not been forgotten; and no collection of the work of Southern poets will ever fail to include some of his verses. This vitality of the known part of his productions is a proof of worth and supports Thompson's right to assignment to a station of dignity among Southerners who have won distraction with the pen. He deserved the reward of recognition for his service — the great- est rendered by any one of his particular section — in creating a literary spirit and a literary class in. the South. Thompson twice assembled his poems for publication: in 1863, when he and Henry Timrod put their verses together for joiat publication; and again, a short time before his death. The poems of this last collection were committed to the keep- ing of his literary executor, who never accounted for them and some prose manuscripts that he received at the same time. The war-time collection was entrusted to a blockade- runner tp be printed in London, and was never heard of agara. Because of these vicissitudes there was no nucleus, and with the flight of years the task of brrngiag the pieces together became difficult. The Southern Literary Messenger published the most of his work, but usually the poems were unsigned or over noms de plume not remembered as his. The perplexi- ties created by anonymity were gradually cleared up with the assistance of "persons and papers." Miss LUy Quarles, the poet's niece, put at the editor's service all of the letters and manuscripts in the possession of the family that in any way bear upon Thompson's life and work. There are letters from William Gilmore Simms, Henry Timrod, Paid Hamil- ton Hayne, John Esten Cooke, James Barron Hope, Mar- vi PREFACE garet J. Preston, John Pendleton Kennedy, Rufus W. Gris- wold, Donald G. Mitchell, and many others, rich in per- sonal and critical information which has been freely used ra the biographical part of this volume. A valuable supple- ment to the letters to Thompson is a large number of his own letters, found in the unpublished Griswold Manuscripts in the Athenaeum Library in Boston and in the inedited Kennedy Papers in the Library of the Peabody Institute, Bal- timore. They throw a flood of light on the writer's life and the literary interests of the period just before the Civil War. This book owes much to an abiding faith in the value of Thompson's services to literature, to a persistent and wide- spread interest in his better known poems, and to friend- ships due to his personal worth and attraction. To more persons than can well be named here thanks are offered for assiduous and sympathetic assistance. Miss Carrie Hill Davis searched the libraries and other archives of New York and left no Thompsoniana imdiscovered. Colonel W. Gor- don McCabe of Richmond, Thompson's friend, commimicated his memories of the poet and his work, as did also Mr. Armi- stead C. Gordon and Mr. R. T. W. Duke, Jr. Mr. J. H. Whitty lent letters and manuscripts from his large collec- tion, and Mrs. Thomas H. Ellis an interesting packet of Thompson's intimate letters to her father, the late B. John- son Barbour of BarboursvUle, Va. These are but a few of those who lent biographical and other material used in the preparation of this volume. Three others whose contribu- tion was in the form of needed advice and assistance are Professor William M. Thornton, Dr. John C. Metcalf, and Dr. Philip A. Bruce, who have followed the work from the beginning until its delivery to the publishers. J. S. P. The Libraet, Univeesitt op Virginia, August, 1919. CONTENTS FAQE Preface v Biography xi Lee to the Rear. {Crescent Monthly, New Orleans) ... 1 The Burial of Latane. (Southern Literary Messenger, 1862) . 4 AsHBY. (Richmond Whig, June 13, 1862) 6 General J. E. B. Stuart. (Richmond Examiner, May, 1864) 8 The Battle Rainbow. (Southern Literary Messenger, 1862) . 11 Music in Camp 13 On to Richmond. (Richmond Whig) 16 Old Abe's Message (July 4, 1861) 21 England's Neutrality. (Southern Illustrated News, Rich- mond) 24 The Devil's Delight. (The Land We Love, 1867) 30 A Word with the West, (Southern Illustrated News, 1862) . 33 Coercion. (Charleston Mercury, 1861)* 36 United States District Court, District No. 1, Underwood, J. (The Land We Love, 1867) 39 William H. Seward 40 A Farewell to Pope. (Southern Illustrated News) .... 43 Richmond's a Hard Road to Travel. (Southern Illustrated News) 45 Virginia Fuit. (The Old Guard, New York, 1867) 49 The Greek Slave, of Powers. (Southern Literary Messenger, 1847) 51 Dedication Hymn. (Southern Literary Messenger, 1848) . . 54 La Morgue. (Southern Literary Messenger, 1848) 55 To Miss Amelie Louise Rives. (New York Home Journal, 1849) 59 Philip Pendleton Cooke. (Southern Literary Messenger, 1856) 60 * Appeared also in The Southern Literary Messenger. vii viii CONTENTS PAGE Proposed Sale of the Natural Bridge. (Southern Literary Messenger, 1849) 61 To Intemperance. (Southern Literary Messenger, 1850) . . 63 To Mrs. S. P. Q...., on Her Marriage. (Knickerbocker Magazine, 1850) 65 A Dirge [for the Funeral Solemnities for Zachart Tatlor]. (Southern Literary Messenger, 1850) 67 Invocation. (Southern Literary Messenger, 1850) 68 To Jenny Herself. (Southern Literary Messenger, 1850) . . 70 Jenny Lind. (Southern Literary Messenger, 1851) 71 A Retrospect of 1849. (The Literary World, 1850)* ... 73 Sonnets to Winter. (Southern Literary Messenger, 1851) . 76 I. Old Wine to Drink II. Old Wood to Burn III. Old Books to Read IV. Old Friends to Love The Window-Panes at Brandon. (Southern Literary Mes- senger, 1851) 79 To Bulwer. (The Literary World, 1851)* 81 To One in Affliction. (Southern Literary Messenger, 1851) 82 Violante. (Southern Literary Messenger, 1852) 84 To (Southern Literary Messenger, 1852) 86 Benedicite. (Southern Literary Messenger, 1852) 87 Unwritten Music. (Southern Literary Messenger, 1852) . . 88 Webster. October 24, 1852. (Southern Literary Messenger, 1852) 90 A Letter. (Manuscript) . 92 "Brightly, with the Elfin Train Attended." (Southern Literary Messenger, 1853) 96 L'Envoi. (Southern Literary Messenger, 1851) 98 The Brave. (Southern Literary Messenger, 1853) 99 Autumn Lines. (Southern Literary Messenger, 1853) .... 100 * Appeared also in The Southern Literary Messenger. CONTENTS ix PAGE The Exile's Sunset Song. (Southern Literary Messenger, 1853) 103 "Ah! Futile the Hope." (Southern Literary Messenger, 1853) 106 Mt Mubkay. (Southern Literary Messenger, 1857) 108 The Rhine. (Southern Literary Messenger, 1854) 110 A Souvenir of Zubich. ("Across the Atlantic," 1855) . . 112 The Postilion of Linz. (Southern Literary Messenger, 1855) 114 Linden. (Southern Literary Messenger, 1855) 116 A Picture. (Duyckinck's Cycloposdia of American Literature, 1855) ; 118 A Legend of Barber-y. (Undated Manuscript) 119 In Forma Pauperis. (Southern Literary Messenger, 1855) . 122 Patriotism. (Southern Literary Messenger, 1855) 124 Virginia. (Southern Literary Messenger, 1856) 136 To Paul H. Hayne. (Southern Literary Messenger, 1857) . . 145 The Jamestown Celebration, 1857. (Southern Literary Messenger, 1857) 146 Lou. (Southern Literary Messenger, 1858) 153 Washington. (Southern Literary Messenger, 1858) 155 Song. (Southern Literary Messenger, 1858) 165 The Old Dominion Julep Bowl. (Southern Literary Mes- senger, 1858) 166 " May-Day." (Southern Literary Messenger, 1858) 169 Robert Burns. (Baltimore American, January 25, 1859) . . 172 Hexameters at Jamestown. (Harper's Magazine, 1859) . 175 The Motto. (Undated Manuscript) 179 To E. V. v., 1859 180 "Virginia, in Our Flowing Bowls." (Southern Literary r, 1860) 181 Poesy: An Essay in Rhyme. (Southern Literary Messenger, 1859) 185 " Sing, Tennyson, Sing ! " (Southern Literary Messenger, 1859) 196 X . CONTENTS PAGE "Once More the Alumni." (Written in 1860) 197 MiSEREiMUS. {Harper s WeeUy, 1868) 202 George Wythe Randolph. {The Southern Amaranth, 1869) 206 University of Virginia. (Written in 1869) 209 The Barber Boy. (Manuscript, dated November, 1844) . . 218 Translations: Carcassonne — Nadaud. {Lipjyincott's Magazine, 1872) . 219 The Garret — Biranger 221 Where?— //erne. {The Galaxy, 1872) 223 The King of Tipsy-Land — Beranger. {Southern Literary Messenger, 1849) 224 College Verses: Autumn 227 Verses of a Collegiate Historian 228 The Inebriate . 228 Despondency 229 Retrospection 230 Lines on the Death of William Henry Harrison . 230 The Hour of Separation 231 Fugitive Thompsoniana: The Stowe Epigram 232 pomponnette 233 Roger Bontemps 233 Beranger and Lamartine 234 To Fanny 235 The Southern Lyre 235 Notes 237 Index of Poems 245 Index (General) 247 BIOGRAPHY GETTING KEADY John R. Thompson, poet, editor and critic, was born Oc- tober 23, 1823, the son of John Thompson, a native of New Hampshire. His mother was Sarah Dyckman of New York, a descendant of Jan Dyckman who came to New Amster- dam from Benheim, Westphalia, about 1660, settled in Harlem, and established the ancestral home of the family on a site overlooking the old Bloomingdale Road. What remained of the large estate after frequent divisions — the house built about 1783 to take the place of the original structure which the British had burned, and four lots — at what is now Broadway and 204th Street, was presented to the city of New York in 1916, and is known as the Dyck- man House, Park and Museum. The house is in a class all its own, being the only farm-house on, Manhattan Island. With its broad gambrel roof, solid stone walls, large Dutch ovens in the kitchen, and narrow porch, it exemplifies the architectural modes of early New York. Thompson was born probably at the corner of Fourteenth and Main Streets in Richmond, Va., in the modest home over his father's store, where the family lived in the twen- ties. If not there, then in a house on Franklin, between Fourteenth and Fifteenth. The next home of the Thomp- sons was in Mayo Street, where John Thompson acquired a lot in 1839 and built two houses, one of which (No. 108) he occupied, while Mrs. Quarles, the poet's sister, lived in the xii BIOGRAPHY other (No. 106). Thence the family went to a house in Franklin between Eighth and Ninth in 1858, and soon after, to 802 East Leigh Street, where the poet, in a third- story front room, wrote nearly all the war poems on which his fame is securely based. His first experience of educational discipline was at a school in Richmond — on Broad Street between Ninth and Tenth — of which Hawkesworth and Wright were masters. No echo of "the sensitive, reserved boy" has come from school-room or play-ground. In 1836, in his thirteenth year, he was sent to Roger's preparatory school at East Haven, Conn., and remained eleven months. One of his sisters, Sarah M. Thompson (afterwards Mrs. R. S. Massie), was at a girls' school at East Haven at the same time; the other, Susan P. Thompson (Mrs. H. W. Quarles), being in fraU health, was kept in Richmond at Miss McKenzie's school, in which Rosalie Poe, sister of the poet, was a teacher. His parents, being of Northern birth, had, no doubt, con- nections which strongly inclined them to the East Haven schools. There the future poet wrote his first poem {To Fanny), a tribute to Mrs. William Munford. In 1840 he left his Mayo Street home and travelled by the James River and Kanawha Canal to Columbia, in Fluvanna County, and thence by carriage to Charlottesville, where he entered the University of Virginia at the beginning of his eighteenth year and the University's seventeenth session. He was "free to attend the schools of his choice, and no other" than he chose, the simple condition being that he should "at- tend at least three professors." Thompson "took" ancient languages, under Gessner Harrison, natural philosophy under William Barton Rogers, and mathematics under J. J. Sylvester, during the session of 1840-41; the following session, modern languages imder Charles Kraitsir, chemistry under John P. Emmet, and BIOGRAPHY xiii mathematics under Pike Powers. The names of all his professors are written large in the history of education. Dr. Harrison, at the age of twenty-one, was strongly recom- mended by George Long, the first professor of ancient lan- guages in the University of Virginia, as his successor, when he resigned and returned to England. Praise from Long was praise indeed, for this graduate of Cambridge who, at the summons of Thomas Jeflferson, came to Virginia to inaugurate the University, lived to become the recognized nestor of classical scholarship in England. The young Virginian abundantly justified Long's faith in him. Pro- fessor Rogers made the first geological survey of Virginia and afterwards founded the Massachusetts Listitute of Technology. Professor Sylvester was the first incumbent of the chair of mathematics in Johns Hopkins University, and was afterwards SavUean Professor of Geometry at Ox- ford. The selection of his "tickets" (as subjects or studies were called in that day) seems to point to designs on the degree of master of arts, the only non-professional degree then conferred by the University. Li the University were two societies organized for "de- bate and literary improvement." They exist today: The Jefferson, founded in the first session (1825), and the Wash- ington, dating from the eleventh (1835-36). Thompson joined the former. It is not known whether the fact that Poe had been a member of it influenced him, or why he was not on its roll the following session. The coveted honors of the society were the anniversary and the "final," or commencement, oratorships, and the final presidency. Thompson won none of these. Probably amateur debate and oratory did not win his liking or interest, and likely he had little skill in either at that time. In after years he oc- casionally appeared as a lecturer, "and always with sue- BIOGRAPHY cess," according to the testimony of a competent contem- porary critic. The pen, and not the platform, was his means of expression. An opportunity was at hand. The students pubhshed a magazine — The Collegian — to which he con- tributed verse, and perhaps prose. The editors diu'ing his first year at the University were Lewis M. Ayer of South Carolina, John S. Caskie of Richmond, later a member of Congress, John L. Marye of Fredericksburg, lieutenant governor of Virginia, Francis R. Rives of Albemarle, secre- tary of legation, London, and Robert E. Withers of Camp- bell, United States Senator and long time leader in Vir- ginia. The poems in The Collegian identified as his are: Autumn, The Inebriate, The Hour of Separation, Despon- dency, Retrospection, and Lines on the Death of General Harri- son. The Hour of Separation was a vale to his class-mates. There were many students to whom it was not necessary to say farewell ia a serious way, as they were from his home town, Richmond, and from coimties nearby. They main- tained contact with him after college days. Li Richmond were Judge John S. Caskie, Richard M. Heath, Dr. William P. Palmer, whose kindred tastes led to a very intimate friend- ship, H. Coalter Cabell, and Colonel William P. Mimford; in Carolina, Captain Sam Schooler and Judge Richard H. Coleman, of whom he used to tell innumerable contes assez droles; in Charlotte, Judge Hxmter Marshall; in Goochland, Colonel Julian Harrison; in Essex, Muscoe R. H. Garnett, who represented his district in the Congress of the United States and later in that of the Confederate States; in Peters- burg, Roscoe B. Heath, an adjutant in the Confederate service; in Albemarle, William C, Rives, Jr.; in Charlottes- ville, James C. Southall, afterwards of Richmond, where he edited The Examiner and The Enquirer; at the University of Virginia, Henry St. George Tucker, known as "Saint"; in Fredericksburg, John L. Marye; and in Norfolk, Pow- BIOGRAPHY XV hatan Starke, the witty physician. These and other friends of his college years became men of mark, and to many of them the State owed much. When Thompson returned to Richmond at the end of his second and last academic session, he seems to have decided on law as his profession. At any rate, he entered the law office of James A. Seddon, who, although not yet thirty, was a leader of the Richmond bar, and continued with him two years. In 1844, he returned to the University and at the following commencement, in June, 1845, received, as he wrote to Duyckinck, "the degree of Bachelor of Laws at the hands of the late Honorable Henry St. George Tucker, then professor of law in that institution." By this time Mr. Seddon had entered politics, and was soon elected to Con- gress. If Thompson had intended re-entering his office as a partner or in any other capacity, Mr. Seddon's absence from Richmond would probably have interfered. In after years Thompson occasionally visited the Uni- versity. Two pictures, in "flowing numbers," preserve some of his memories and disclose something of the serene dignity combined with persevering solicitude with which Ahna Mater follows the career of her children. The first of these — achieving in poetry a genial counterfeit of pro- fessors and students of his day somewhat in the spirit of the "Charles Dickens and His Friends" group from the brush of Maclise — ^was made for the alumni dinner, July 4, 1860. The ode* was composed in Augusta, Ga., whither Thomp- son went in May, 1860, to edit The Sovthem Field and Fire- side. The other, and later. University poem was for an event which the president of the Alumni Association, the Honor- able A. H. H. Stuart of Staunton described as of more than * Page 197. xvi BIOGRAPHY ordinary interest. In his invitation to the poet he said: "Mr. Connor of New York has consented to deliver the ad- dress to the literary societies, and Mr. W. C. Rives of Bos- ton will speak to the alumni. To complete the circle of intellectual entertainment a strong desire has been expressed that you should recite a poem appropriate to the occasion — such a poem as we know you can prepare when your heart is engaged in the service." In compliance with the wish thus expressed Mr. Thompson, at the meeting of the alumni on July 1, 1869, read the noble ode beginning — Here at the well-remembered gates Through which we entered Learning's fane.* Of the poets educated at the University of Virginia Poe is ranked first, as in some respects he outranks any poet edu- cated in America. By general consent Thompson was given the second place at the time of his death. He prob- ably holds that position still, although closely pressed by later singers of true inspiration and lyric power, among them Lucas and the Gordons. His portrait by Mrs. An- drews is among those of "the mighty ones" at his alma mater, where, — as he wrote reminiscently of his student days, — it seemed to him: Then life was but a reeling sense Of something like omnipotence. * Page 209. BIOGRAPHY xvii n GETTING STABTED Obedient to the wish of others rather than to his own in- clination, he fitted up an office over his father's store at the corner of Fourteenth and Main Streets and offered his services to any who needed a lawyer. After two years in the profession, for which he seems never to have cared, he turned to literature, his real vocation, and remained its dev- otee to the end. Eighteen years measure with reasonable exactness his adult life in his native city; stretching, with but two inter- ruptions, from 1845 to 1864, from the Richmond of prosper- ous enterprises, of old-fashioned methods and ideals, of social institutions which had evolved under the influence of a society mindful of dignity and reserve as well as of more democratic virtues, to the Richmond become the Confeder- ate capital, familiar with the destructive hardships of war. In 1845 only astute students of popular currents predicted that "a storm was coming though the winds were still." There were many such prophets, but the yoimg law gradu- ate was not one of them. He looked forward to nothing more tragic than occasional encounters in legal forums. That dreams of Uterature and society were with him more persistently than thoughts of plaintiff and defendant will not excite the wonder of those who are well enough informed to disregard the ignorance almost amounting to sectional arrogance which was blind to anything like intellectual com- petency in the South and denied to Virginia any but a negligible dignity as a contributor to the literature then making in the United States. There were writers who richly merited esteem. The romancer was diligently cast- ing his spell. The pages of The Southern Literary Messenger xviii BIOGRAPHY bear witness to the fact, and the novels of John Esten Cooke prove it, for Cooke was the Sir Walter Scott of Virginia, re- producing the elder society of the ancient commonwealth in pictures full of charm. Contemporary anthologies neglected the Virginia poets, though there were singers indubitably, and good ones; and overlooked the achievements of our dramatists, essayists, humorists, historians, because, un- willing to look at all, they were ignorant of what the men and women of genius had done imder the Southern Cross. To this ignorance there is more than one incidental refer- ence in the important Cambridge History of American. Literature, in which Southern writers of that period are treated with insight and fairness. There was one thing which was not ignored. The pres- ence in Richmond of a society of unsurpassed worth and fascination has been always and everywhere conceded. No salon was there, as no need existed in the South for the kind of leadership and opportunity for social expression that the salon alone provided for intellectual France. Social clans existed in an unconscious unity and cooperation which made up a social order of the fit and qualified, the members of which were well defined by their servants as "the qual- ity." A list of "those present" at one of the ante-bellum receptions or drawing-rooms republished from the society columns of the day would contaui the names of men and women whose families had won and honored a permanent place in the annals of the State. Society, with all its real and imagined sins upon it, added lustre to the Common- wealth, and in the dark days of 1864-65, when hope had waned, saved the people from despair. Its spirit and ser- vice should never be forgotten and cannot be over-lauded. The atmosphere of society was necessary to Thompson, and was familiar to him in Richmond, as it became years afterwards in London and Paris. His special friends were BIOGRAPHY xix the Pegrams, Stanards, Cabells, Rutherfords, Munfords, Andersons, Morsons, and others of that type. He was well-fitted for it by his ingratiating good nature and charm of manner, and was recommended by his wit, humor, and indeed by his literary achievements, for he had returned from the University a humanist of some mark and a poet famous on its campus. He quickly became the poet lau- reate of his city and its minstrel in every hall of mirth and banqueting where the acclaimed and the great sat with "knife in meat and wine in horn." He was the poet chosen to voice their emotions when Webster came, when G. P. R. James departed, the Prince of Wales visited, and the Wash- ington Monument was unveiled. Thomi>son benefited much intellectually by this side of Richmond life, but he gave as much, perhaps, as he received, if the effective friendship of Mrs. Stanard does not pull the balance down against him. She admired his literary ac- complishments, and in a measure was his Egeria, as she herself was a woman of brilliant intellect whose keen yet sympathetic criticism he constantly sought. Her home — now the Westmoreland Club — ^was a social and intellectual centre, and during the Civil War it was perhaps the near- est approach to the French salon on this side the water. The President and Mrs. Davis, cabinet officers and their wives, senators and representatives, judges, famous gen- erals — the Slite of the whole South — constantly thronged her drawing-rooms. Her manners were gracious and cor- dial and her tact the exquisite tact of a generous, loving heart. During her beneficent reign Richmond changed greatly. In the beginning it was placid and unconsciously happy, except when a political convention or a partisan campaign stirred the politicians, or a duel due to a caustic editorial or a vitriolic philippic ended in the mortal wound- ing of^a Pleasants, and set the streets agog before breakfast; XX BIOGRAPHY but finally it was grimly facing war, heariag the tumult of battle, or, in quieter moments of hunger and suffering, greeting Confederate officers and soldiers in the streets with brave, unbetrayiag faces or entertarning them with im- diminished esprit at starvation parties where they could dance even if there was nothiug to eat. It was in the beginning of this momentous decade and a half that Thompson bought The Southern Literary Mes- senger. Specifically, it was in October, 1847, and the No- vember number was the first issued under his editorship. The Messenger was then thirteen years old. It was the literary chUd of Thomas W. White, and was born in August, 1834, in his job printing office over Anchor's shoe store, opposite the old BeU Tavern, at the corner of Fifteenth and Main Streets. Fenimore Cooper, Washington Irving, John Pendleton Kennedy, John Quincy Adams and others on the literary crest of the time augured a distinguished and use- ful future for The Messenger. Five editors preceded Thompson: James E. Heath, 1834-35, who followed literature as an intellectual interest and not as a calling; E. V. Sparhawk, 1835-36, with whom editing, for which he seems to have been well-equipped, was something of a "side line"; Poe, 1836-37; Matthew Fon- taine Maury, "pathfinder of the seas," and some unrecorded iacmnbents, 1837-43, and Benjamin B. Minor, 1843-47, from whom Thompson acquired the magazine. In the meantime The Messenger had moved twice. It was probably the year before he died that Mjr. White transferred it from its birth-place to the Museum BuUding on the south- east corner of Capitol Square, where Franklin Street runs up to it. The Museum was a large structure of two stories, with two long rectangular rooms and smaller ones in front on each floor. The first floor and a large upper room were the home of The Richmond Whig, edited by John Hampden BIOGRAPHY xxi Pleasants and Alexander H. Moseley, and the remainder of the second floor that of The Messenger. The legislature de- creed the demolition of the Museum Building, and Mr. Minor purchased a lot nearby, in Capitol Square, facing on Franklin Street, and erected there the future home of his magazine, and named it the Law Building. Here, on the second floor, with an eastern outlook, was the editor's sanc- tum, and on the third and fourth, the printing, binding, and mailing rooms. William Macfarlane and John W. Fergusson were in in- timate contact with The Messenger from its birth to its demise, in 1864. Macfarlane was White's foreman when the first number was printed and bound in August, 1834, and Fergusson was an apprentice in his service. They were with the founder when he died, and continued with Pro- fessor Minor as employees, until they bought his printing outfit and became his publishers and one of his tenants. To Mr. Thompson they bore the relation of publishers until January, 1853, when he made an arrangement by which, his publishers became the proprietors of The Messenger, and he their editor.* Thompson was twenty-four when he purchased The Mes- senger under the delusion that he could be both lawyer and editor of an important magazine at the same time. "It is not my intention," he promised the public, "to abandon my profession, but to continue as heretofore a practitioner of the law." It could not be done, certainly it was not done, for Thompson probably never again entered a coiu-t-room as an attorney. The Messenger was closing its thirteenth year. It seemed to Thompson that it had been the representative of South- ern taste and the medium of Southern feeling and opinion, * Minor, The Southern Literary Messenger, 176. xxii BIOGRAPHY calling into use gifts which otherwise, in the easy-going hfe of the people that insured its existence, would have made no contribution whatever. Silent lotus-eaters became vocal. The Southern reading world was aroused, amused, instructed. The young editor planned to keep it so. Intensely South- ern, the magazine should, however, never be partisan in the sense of "arraying one portion of the Union against the other" — ^already there were just two sections! — it was North and South in the United States, as around the world in history. "Its province shall be," he announced, "to re- gard the Republic of Letters as an indissoluble confederacy, recognizing no landmarks or barriers of division, but united together as a literary brotherhood by sympathies of a kin- dred nature and a community of taste, sentiments and pursuits." Thompson was the kind of man to knit close and strong attachments. He made friends wherever he went, and kept them. His manners were easy and ingratiating, his dress in good taste, his blue eyes steady, engaging and of "friendly" expression. His qualities of mind and heart enabled him to add materially to the previous record of The Messenger in discovering and encouraging yoimg writers. It was in his magazine that Philip Pendleton Cooke's name became famous and linked forever with that of Florence Vane; that his young brother, John Esten Cooke, displayed his genius for story-telling; that Susan Archer Talley, Poe's girl friend, was permitted to find her public and sing to it in a voice worthy to be heard with Cooke's; that James Barron Hope had the apprenticeship to the lyre that ended in something very like the title of laureate of Virginia; that Margaret Preston, born in Pennsylvania but made in Vir- ginia, if poets are ever made, won fame with both prose and poetry; and that George W. Bagby, who afterwards raised his pseudonym Mozis Addums to the power of a synonym BIOGRAPHY xxiii for spontaneous humor racy of the soil of Virginia, was first given recognition. Hayne the exquisite sonneteer and Tim- rod the maker of beautiful lyrics found their way into liter- ature, and the verses of the younger Legare went forth to the Southern world, by way of the pages of The Messenger, as did romance and poem from the pen of the veteran Wil- liam Gilmore Simms. It was Thompson who first gave a hearing to Donald G. Mitchell (Ik Marvel), whose Reveries of a Bachelor had been the rounds of the editors and elicited only rejection slips until the Richmonder welcomed the classic; and it was he who was the first to discern the genius of the whimsical Frank R. Stockton.* To the list of those who at one time or another were glad to be iQcluded among The Messenger's contributors can be added the names of G. P. R. James, Thomas Dimn English, Park Benjamin, Henry T. Tuckerman, Thomas Bailey Al- drich, John Pendleton Kennedy, Henry A. Washington, Monciwe D. Conway, Judge Joseph G. Baldwin, Dr. F. O. Ticknor, and many others scattered throughout the coun- try; but after all it was the Southern writers who made The Messenger what it was characteristically. They were not great masters, but they were true to their ideals, fate- fully human; and their admirers were content to do without organ tones as long as they gave them sincere, tender lyrics. With these voices Thompson's mingled, often with a beauty, always with a fervor, that commanded his contemporaries, that arrest us to-day, and will enlist posterity. Few writers of his day made as popular an appeal as Thompson did with less than a dozen poems known as his war pieces — *Mr. Thompson was the first editor of a magazine to accept a story by me. He it was who, on my entrance into the field of lit- erature, took me by the hand and bade me welcome. — Frank R. Stockton, in the University of Virginia Alumni Bulletin, August, 1899. xxiv BIOGRAPHY The Burial of Lataniy General J. E. B. Stuart, Ashhy, Lee to the Rear, Music in Camp, The Battle Rainbow, and two or three others. Even these fine things would have been neglected after the passing of the generation in which they were written had it not been for Southern anthologies that appeared at the end of the war, those deliberately sectional collections like Simms's The War Poetry of the South, Miss Brock's Southern Amaranth, and Miss Mason's Southern Poems of the War. These bring to us the tumult of battle and the lights and the shadows of life in the tense days of 1861-65 more vividly than any other thing ever does except the strains of Dixie or the sudden sight of a sword or a stained uniform piously kept for its memories of one who joined the Glittering lines of steel and gray Moving down the battle's way and never came back. Thompson and his feUow singers were the voice of that tragic period; they expressed as no other voice has done, the pride, aspiration, fear, love, sacrifice, and the social consciousness and sensitiveness of their generation. The Messenger was their medium, and because of its faithful recording of these emotions it had a more devoted con- stituency than any other literary publication of their time. The Atlantic Monthly and Harper's Magazine were arriv- ing* — the ywere not yet in their teens when he left The Messenger — but in their poetry they were farther away from the popular feeling in their area than the Richmond monthly *When Thompson took over The Messenger (1847), the only lit- erary magazines published in America that could be thought of as competitors were the American Whig Review, which died in 1852, aged seven, the KnicJcerbocker, and Godey's Lady's Book. At the close of his work (1860), Harper's Magazine was ten and the At- lantic four. BIOGRAPHY XXV was from the emotions of its constituents. In other re- spects Harper's was more representative of the national than of a sectional aspect of life, and thereby lost intensive power while gaining extensive vogue. There was nothing national about The Messenger. Its poems had about them the odor of the jasmin and the magnolia of the groves that embowered Southern mansions and cottages. But it would not be a pleasant task to read all of them at this day. Not all of them were written by Thompson, Hope, Hayne, Simms, Ticknor, Ryan, and lyrists of like genius, and the singers of that time were not of the fashion demanded in ours. Griswold's Poets of America — the large majority of his poets sang far from the palm — is a charnel house of the forgotten, but it was counted representative sixty years ago. Changing conditions of life resulting from the flight of time promote disputes over literary judgments, which concern life; but about some things there is agreement. The accord in one respect is formulated by a native of New England: The literature of the Southern school, although scant in amount, is, at its best, of fine quality; and the writers have more in common than those of New York. The cavalier blood, the aristocratic structure of society, the semi-tropical climate, all tell in the literattu*e, which has more local pride, more passion and color, more love of beauty for its own sake.* in NOT GETTING ON Thompson did not confine his energies to The Messenger, but oflFered some of his literary wares to other publications — The Literary World, edited by the Duyckincks, The Inter- national, edited by Griswold, and The Knickerbocker, edited by Clark. The Duyckincks included him among the au- * Bronson, A Short History of American Literature, p, 152. xxvi BIOGRAPHY thors admitted to their Cydopoedia of American Literature, and Dr. Griswold, unjustly critical of Poe, was appreciative of the younger poet's character and endowments. Editors and authors were not well paid in those days, when they were paid at all. Longfellow alone of American poets received "reason for his rhymes." Cooper and Irving were able to live by their pens, but they were exceptional. Hawthorne was wretchedly paid for his work imtil after The Scarlet Letter. Other Northern and Eastern writers fared worse. In the South the field offered a very poor harvest indeed, for reasons that need not be rehearsed here. There no genius, however transcendent, could live by song alone, and Simms, in industry and versatility as in culture and poetic gifts the superior of Cooper, was alone in his ability to win a comfortable income from his productions. Poe could not sell his poetry, and for his stories received at best, four dollars "a Graham page" — about three dollars a thousand words — and he was perhaps the best paid creator of short fiction in the forties. A writer in the New York Literary World, comparing American with English com- pensation for manuscripts, found the Englishman's guinea shrank to a dollar in New York. In a letter to Griswold, December 2, 1851, Thompson pic- tured the beginning of a phase of his life which persisted through two decades: . . . The Messenger is almost "gone." I look into the future to see nothing but disaster; my affairs are really so much embarrassed that the sale of my library hangs over me like some impending doom, and with no coryphaeus of the red-flag fraternity like Keese to "knock down" my darlings. Four years of hard labor find me in debt, my small patrimony exhausted and myself utterly unfitted for any sort of employment. I have followed the wiU-o'-the- wisp, literary fame, into the morass, and it has gone out, leaving me up to the arm-pits in the mud. Eh, bien ! I snap my fingers and whistle care down the winds ! BIOGRAPHY xxvii In the Spring of 1859, a year before his resignation of the editorship of The Messenger, Mr. Kennedy had suggested the possibility of Thompson's appointment to the headship of the Library of the Peabody Institute, in Baltimore. He was strongly endorsed. Edward Everett and Longfellow were among those who sent letters in his behalf, and there was commendation from many eminent Virginians. The matter was still open when, in March, 1860, he was offered the editorship of The Southern Field and Fireside, at a salary of $2,000. He wrote Kennedy, March 15, 1860: I accepted the Georgia overture under a strong compulsion of debt and the res aregusta — not Augusta. My life has not been a fortunate one. My father — the most indulgent of fathers — who at one time was independent, worth his hun- dred thousand dollars, has been impoverished. The Mes- senger which I took in better days, has proved a dead loss to me — ever so much money sunk and twelve years of early manhood spent unprofitably in maintaining it. At thirty- six I must commence life anew. Here comes a gentleman of means, who has successfully (as he thinks) established a Southern Literary weekly — which he hopes to remove after awhile to Richmond as a more desirable point of publica- tion — and offers me a salary to conduct it, greater in amount than any year's earnings I have ever made by miscellaneous scribble for this, that and the other newspaper and maga- zine. The amount of work I am to do is actually less than I have had to perform for a single journal with which I have , been connected. There is at least a doubt whether I shall obtain the honorable and comfortable position which you so generously wish me to fill. Now, between duns and drudgery what could I do but accept the certain offer? I have not failed to weigh the dSsagrimens — the instability of Southern enterprises — the provincial life — the comparative obscurity of the situation — the remoteness of Georgia from my dear friends here and elsewhere — the more glowing sun, — and other unpleasant etcetera. But I leave the whole matter with you, my dear friend, begging that you will par- don so much inevitable egotism, and most gratefully ac- knowledging your kind intentions in my behalf. xxviii BIOGRAPHY What he received for editing The Messenger is not dis- closed. Dr. Bagby, who succeeded him, in 1860, said in his vale (January, 1864): "It may excite surprise, and may no doubt sound laughable, when we state that, in times of peace, the editor's salary was but $300 — a pitiful sum, truly, which was increased during the past year to $400, or, allow- ing for present depreciation, just $20 in coin, for editing the leading, and, in fact, the only Southern Magazine, for a year." Poor pay in depreciated currency was the order of the day ia the capital of the Confederacy ia 1864. Thompson's connection with The Messenger ceased with the May number of 1860. On the evening of the 15th of that month a complimentary dinner was given him. The tender was signed by William H. Macfarland, Arthur Mor- son, Thomas H. Ellis, R. W. Haxall, R. W. Gary, P. T. Moore, G. W. Randolph, Thomas H. Wynne, J. Thomp- son Brown, William H. 'Lyons, Jbhn Howard, Archer An- derson, S. T. Bayley, J. Addis Pleasants, Samuel J. Harri- son, W. W. Grump, Gharles Bell Gibson, Thomas P. August, James Lyons, Andrew Johnson, William H. Haxall, D. N. Walker, James A. Jones, John Pegram, R. T. Daniel, G. R. Barney, R. B. Haxall, R. B. Heath, William Munford. Among the invited guests were John Esten Gooke, Esq., Dr. H. G. Lathan of Lynchburg, and Dr. Bagby. It was very hard to leave Richmond, for he had mingled in its life intimately and formed ties that were very dear to him. Whatever life in Augusta might profit him he could not believe it would offer a group of friends of the fine type of those who sat around the table at Zetelle's that notable eve- ning in May. He reached Augusta three days after the Richmond dinner in his honor, and eight days later he reported his surround- ings to Kennedy. The climate gave him some anxiety. The heat was overpowering, but with his "uniformly tern- BIOGRAPHY xxix perate habits and daily use of the cold bath" he hoped to maiataia his health. He did not like Augusta, and would not have chosen it as a residence, "even for a sweetheart's sake." "You," he told his correspondent, "could not exist here four weeks. Think of Rome without its ruins, Rome without Coliseum or Baths of Caracalla or Borghese Villa, Rome St. Peter's-less, Rome, as General Jackson said, 'in Georgy,' and fancy yourself a resident of the town for the summer months!" He arranged with Mr. Gardner, owner of The Southern Field and Fireside, to release him, if the li- brarianship should be offered to him. "I would acquaint you at the earliest moment with the fact that my inclina- tion tends more strongly than ever toward Baltimore." By the middle of August he was in Richmond, under a physician, but hoping to be strong enough soon to proceed to Newport, where he believed Mrs. Stanard to be sojourn- ing. Two weeks later he was still there, still an invalid, but still determined to go North. In October he was in Au- gusta, early in the following January in Richmond, his con- nection with The Southern Field and Fireside evidently sev- ered, a few days later in New York, and by the end of the month Kennedy's guest in Baltimore. It is probable that his visit to New York was in search of employment, and that he conferred with Kennedy on that subject, for in his letter of February 9, sent from Richmond, he shows his anxiety to have something to do. "Did you address a note, as you so kindly proposed to do, to the proprietors of the American ? I am here entirely without occupation and feel a miserable loss of self-respect in idleness. If they would consent to receive letters from Richmond during the convention it would at least give me some employment for the time being." Kennedy's efforts in his behalf brought him an oflPer of a position on the Baltimore American in May. The war was XXX BIOGRAPHY at hand. Lincoln had issued his call upon Virginia for troops. Under other circumstances the offer made him by Mr. Ful- ton of the American would have given him great pleasure. He regarded his life as a failure and had eagerly sought an opportunity to "start over." The lure of assured com- petence and comfort was strong, but it was subordinate to other motives. He announced his decision to Mr. Kennedy: I write to offer you my sincere thanks for your interfer- ence with Mr. Fulton in my behalf. I wrote to him yester- day stating the reasons why I could not entertain his proposition to become connected with the American. Our town is threatened with invasion by Lincoln's armies — my parents, my widowed sister, my home is here, every con- sideration, of filial and patriotic duty would oblige me to remain and share in the fate of my native Virginia, apart from any convictions I might entertain of the original folly of secession.* Thompson's physical condition was so low he could not enter the military service of the Confederacy. He became Assistant Secretary of the Commonwealth and as such had a share in the administration of the State Library, under the librarian, George W. Munford. He has been credited with aiding Governor Letcher in the preparation of his state papers; and he was known as the contributor of the letters to the Memphis Appeal under the nom-de plume of "Dixie.'' Since returning from Augusta in the early winter of 1860 he had embraced every opportunity to earn an income with his pen. He was connected with the Richmond Record in 1863, but it had only a brief existence. The Index, the Confeder- ate organ in London, took a weekly letter from him. He contributed poems to the Richmond Southern Illustrated News, and was for a time its editor, as we learn from an * Letter to Kennedy, May 16. '. BIOGRAPHY xxxi unpublished letter of William Gilmore Simms, written in July, 1863. After his retirement from The Messenger he published some of his best poems — among them The Battle Rainbow, A Word with the West (sometimes under the title Joe Johnston), The Burial of LatanS, Ashhy, and General J. E. B. Stuart — but it is certain that the income from his verse was exceed- ingly small. The first half of the year 1864 was a period of deep dis- tress. Events were moving steadily toward Union success in the war. Northern troops, slowly, it is true, but surely, were nearing Richmond even then, a year before the sur- render. Butler was advancing up the Peninsula. The alarm at times was so acute that bells were rung to arouse and assemble the utmost of available force to oppose the conquerors. Local troops were hurried to the defense of the beleaguered capital until there were no men left to con- duct the most necessary business for the support of the population. No trains were arriving or departing. Mails that reached the postoffice remained there and none was sent out of the city, for all the clerks and other employees were in the trenches. The boom of cannon spoke daily of battle and the smoke of it — visible from the city — told them that the invader was at the threshold of the capital city. Worry over the tragic situation of the South, and his own condition, were rapidly reducing Thompson's never- abundant vitality. In June, 1864, the disease that ended his life nine years later seemed sure of its victim within a few months if its progress was not checked. His friends forced him to go away from the immediate presence of the awful struggle in the hope that his physical condition would improve. On the 20th of that month he went to the capital and drew his last allowance as Assistant Secretary of the Commonwealth. He wrote in his diary that day — "The \ xxxii BIOGRAPHY hour of parting from family and friends for an indefinite period of time comes rapidly, and feeble health conspires with the moral emotion to make me exceedingly wretched." Two days later he began his journey to the seaboard, in a Richmond & Danville train, via Raleigh and Goldsbor- ough, accompanied by his nephew Charles H. Quarles. The trip required several days, and it was two weeks after his departure from his native city that he sailed in the steamer Cape Fear, transferring to the Edith at Fort Fisher. By eight o'clock that evening the Edith was at sea, having passed safely the inner blockading squadron off the bar. Thompson slept that night on deck, on a bale of cotton. At daybreak they were chased by a steamer, supposed to be the Connecticut, the pvirsuit continuing nine hours. Later two other steamers tried to overhaul the Edith, but night came on and she escaped in the darkness. On July 8, three days after the departure from Wilming- ton, the traveller was in the harbor of St. Thomas, Ber- muda, where he transferred to the British mail steamer Alpha which sailed in the evening for Halifax. Thence the Asia bore him across the Atlantic. IV THE day's work THUS FAB Thompson had previously visited Europe, and had writ- ten a volume of sketches of travel entitled Across the At- lantic, or European Episodes, which was in process of pubUcation by Derby & Jackson when the publishers' estab- lishment was destroyed in the great New York fire of 1856. In 1863, while he was editing the Richmond Record, which soon passed away, he collected his own and Timrod's poems and sent them through the blockade for publication in Lon- BIOGRAPHY xxxiii don. As his first venture witli a book was brought to naught by fire, so his second one was probably frustrated by water- At any rate, the manuscript was never heard of again. When Thompson left the United States in 1864 he had al- ready done nearly aU the work upon which his claims upon the attention of posterity must rest. Of the poems known to have been written after May, 1864, Miserrimus (1868), and the poem read at the meeting of the Alumni at the University of Virginia in the summer of 1869, alone add anything to his fame. Lee to the Rear was mailed from London to Blackwood's in January, 1866, and was prob- ably written that winter, although it may have been com- posed before he left Richmond. There is no poem that can be called the product of his London environment. His fame was enhanced by his three known translations — Heine's Where ? Beranger's The Garret, and Nadaud's Carcassonne* Thompson was a poet in journalism and something of a journalist in poetry. Nearly all of his verse had, when pro- duced, the quality of timeliness, and to a large extent he found his motifs in notable current events. His inclination to timely annalism is well illustrated in Miserrimus, which was first published under the caption A Local Item — a very familiar title in that day when newspaper men were far advanced if they looked upon foreign news as competing at all with the records of local happenings. All of his Civil War pieces were of the timely type. More than a third of his lines were written to be recited on public occasions. * A friend in an article in The Evening Post, signed E. D., credits him with translating Victor Hugo's L'Homme Qui Rit, and with softening and suppressing with infinite tact and grace its grossness and absurdities, and making it actually readable by persons who would have been shocked by the naked indecencies of the original. Hayne wrote from "Copse Hill" near Augusta, Ga., October 4, 1869, to iuquire if it was true that he had done this work for Put- nam's and hoped he had, "because the translation is wonderful." xxxiv BIOGRAPHY "The occasionals that he has thus written," it has been said, "could have been done as well by not more than two other men in the South, and better by none." No Southern poet — indeed no American contemporary — surpassed these no- ble lines which occur in the opening ode read at the unveil- ing of Crawford's Washington in Richmond: Not queenly Athens from the breezy height Where ivory Pallas stood. As flowed along her streets in vesture white The choral multitude; Not regal Rome when wide her bugles rolled From Tagus to Cathay, As the long triumph rich with Orient gold Went up the Sacred Way; Not proud basilica or minster dim. Filled with War's glittering files. As battle fugue or coronation hymn Swept through the bannered aisles, Saw pageant, solemn, grand, or gay to view In moral so sublime. As this, which seeks to crown with homage due The foremost man of time. The lyric touch was not lacking. The Picture — beginning Across the narrow, dusty street, I see, at early dawn, A little girl, with glancing feet. As agUe as a fawn. An hour or so, and forth she goes The school she brightly seeks; She carries in her hand a rose. And two upon her cheeks — won from a competent critic the verdict that it was "as piquant as Praed, as natural and unaffected as Mrs. Welby, as tender as Mrs. Osgood, and as true as Wordsworth." It is not a just cause of reproach that Thompson was not BIOGRAPHY XXXV national — that this Virginia-born son of Northern parents was simply Southern in his emotions and most of his themes. He was quite as American as Bryant, who was a little more so than Poe; or Longfellow, much of whose best work is a reflex of his studies in Scandinavian literature and of old- world ballad methods, or Lowell, or Whittier, who often represent narrow corners instead of great spaces in Amer- ican life, and will also remain to the end of their vogue provincial poets of intellectual biases. Thompson did good work in other fields, but his war lyrics have proved the true warrants of his fame. It is not too much to claim for him the first place among those that made the minstrelsy of the Confederacy their mission. Nothing that he wrote creates the passion for war; nothing of his — unless Coercion does — incites to martial ardor, to the march, the attack, as Timrod's Carolina: — The despot treads thy sacred sands ! — • but nothing in Timrod's war poems surpasses the tender beauty of Thompson's Ashhy, or the solemn, moving power of his Burial of LatanS. His poems of the war fill few pages, but many hearts. Compared with the war time poets of the North, Trent* finds with reluctance that "perhaps there is a slight and a nattiral preponderance of intensity in the lyrics of defiance and regret in which such Southern poets as John Randolph [sic!] Thompson, Dr. Francis O. Tick- nor, 'Father Ryan' and Mrs. Margaret J. Preston poured out their souls." He balances against these hopefully Henry Howard Brownell, Mrs. Ethelinda Beers, whose fame rests on All Quiet Along the Potomac, Julia Ward Howe, and Byron Forceythe Willson, any and all of whom Thompson easily outmeasures in lyric values. Nor is there * American Literature, 473. xxxvi BIOGRAPHY one for that matter among the Northern singers who ap- proaches the charm and worth displayed by the work of Ticknor, Ryan or Mrs. Preston; not one, indeed, who will be remembered at all except Mrs. Beers and Mrs. Howe, each for a single effort. Thompson's name is not held sus- pended out of engulfing oblivion by any chance association with a great name or a merely fortuitous incident, but by the circumstance of his being the interpreter, the voice, of a tense period and of the souls of some great men. He knew these men of might, the knightly kind. He spoke the South's thought of Ashby and Latane, and in his "ringing ballad" sent "Bold Stuart riding down the years." A part of their fame is his, a part of his is theirs: each without the other was immortal. While the hope that Thompson will live in the future must be based upon his poetry, his greatest service to letters and his times was performed in his capacity of editor. Nearly aU of the twenty-eight years of his life after leaving the University were spent in editorial tasks. Thirteen years were given in more senses than one to The Southern Literary Messenger, and five were spent in the employ of The New York Evening Post. He made occasional declarations of his ideals, as in his introductory discussion in his first num- ber of The Messenger, already quoted, and as in his "Edi- tor's Table" ten years later when he said: It is getting to be thought that a man may perhaps ac- complish as much for the South by writing a good book as by making a successful stump-speech; that he who con- tributes to the enjoyment of his fellow citizens by a lofty poem, or shapes their convictions by a powerful essay, is not an idle dreamer merely; and that the pen devoted to the treatment of subjects out of the range of politics and com- mercial activities is as usefully employed as the tongue which is exercised in the wearisome declamation of legislative halls.* * Southern Literary Messenger, XXV, 471. BIOGRAPHY xxxvii He stuck to his text to the end of his life's discourse, and by doing so succeeded to an extent in arousing the Southern muse to some consciousness of her opportunity and her power. His successor on The Messenger* in estimating his services, said, in 1860 :t When he took charge of it [The Messenger} he was but a boy just out of the University, his talents, his acquirements, his skill, at composition, were known only to a few intimate acquaintances. What guarantee was there that the maga- zine, then, as now, one of the first in the Union, would be conducted properly? What assurance had the readers of The Messenger that he upon whose youthful shoulders had fallen the weight which Edgar A. Poe, with all his genius and supreme critical ability, foimd no easy burthen, would prove strong enough to bear it? Let the pages of The Mes- senger during the past thirteen years be the answer. It is but the simple statement of fact to say that the arduous task of conducting a leading magazine has been accom- plished by Mr. Thompson with signal success. The un- known aspirant for literary honours in 1847 leaves The Messenger in 1860 a man distinguished in every part of the Confederacy, in the North scarcely less than in the South, as a poet, a scholar, a lecturer, an editor. There is no certain record of what he did while editing The Southern Field and Fireside in Augusta, or while con- ducting The Record in Richmond in 1863; and what he ac- complished with the London Index cannot be valued, even if it influenced American life in more than a temporary way, which is very doubtful, but there is no uncertainty when we come to his contribution in the five years of his association with William Cullen Bryant and Mr. Bryant's son-in-law, Parke Godwin, on The New York Evening Post. Stedman, who helped to advance him to this connection, and Godwin, who saw him daily and was necessarily fa- miliar with his performance, are witnesses who establish his * Dr. George W. Bagby. f Messenger, XXX, 467. xxxviii BIOGRAPHY title to high distinction. A quarter of a century after Thompson's passing, Godwin* wrote this appreciation of his editorial associate: Mr. Thompson was for some years a companion of mine in the office of The New York Evening Po5f— where he served as literary editor — and I am free to say that, in the course of a long and varied experience, I never met a per- son whom I admired more for his accomplishments as a scholar and his courtesy as a gentleman. Mr. Thompson was commended to us (though of this I am not entirely certain) by the late William Gilmore Simms, who was an intimate friend of IVfr. William CuUen Bryant, our editor-in-chief, and with whom he was in the habit of passiag a part of his summer vacations at Great Barring- ton, in Massachusetts. We were glad to receive the services of Mr. Thompson. His long experience as editor of The Southern Literary Mes- senger, his wide and varied cultivation, and his past in- timacy with Southern authors, such as Edgar A. Poe, John P. Kennedy, and J. Esten Cooke, rendered his assistance particularly valuable. The Evening Post devoted a large part of its space to literary criticism, and the diligence of Mr. Thompson was equal to every demand. His critiques were always intelli- gent, adequate and instructive. He was not one of those critics who suppose that their function consists in discour- aging literature by the severity of their judgments, but, on the contrary, he thought it consisted in favoring and fos- tering every sign of real nascent talent. There are many authors, now eminent, who in their youth got a helping hand from Mr. Thompson's kindly and discerning ap- preciation. He thus put into practice the philosophy of sympathy and support enunciated by Swinburne in his saying that he had "never been able to see what should attract man to the profession of criticism but the noble pleasure of prais- * Alumni Bulletin, VII, o. s., 62-63. BIOGRAPHY xxxix ing." In this respect he was unlike Poe, whose caustic justice "continued to attach to himself animosity of the most enduring kind." The fact that " he was versed in a more profound learning and skilled in a more lofty min- strelsy, scholar by virtue of a larger erudition, and poet by the transmission of a diviner spark," did not protect him from the envious obscure. There is not a trace of Poe's methods or performance in Thompson's work. His themes were outside the real or dreamed experience of a man of Thompson's type of mind and emotions, and his artistic performance, at its best, was far beyond him. Thompson met Poe first in the Spring of 1848. The latter had just emerged from a two-weeks' sojourn in Rich- mond riverside resorts of a low order, described with evi- dent disgust in Thompson's letter to E. H. N. Patterson.* In that condition he was not attractive to his younger brother in the muses. His testimony against Poe was the most respected of that adduced to justify the Griswold- Lowell-Willis biography. But while he disapproved of Poe's conduct, and did not become his imitator as a poet, he recognized and admired his great genius. No other critic who appraised his work in the year of his death mea- sured Poe's merits so accurately. This young editor of twenty-six wrote for his magazine by far the best con- temporary estimate; and it is by no means certain that any later literary demonstrator has seen more of the psychal force enveloped in this much dissected personality, or more keenly appreciated his mastery of the art by which it was expressed. * Edgar Allan Poe's Works, Virginia ed., XVII, 403. xl BIOGRAPHY V HIS LIFE IN LONDON In 1854, confiding the editorial direction of The Mes- senger to his friend, John Esten Cooke, the "Surry of Eagle's Nest" in later achievements, Thompson had gone abroad for a year of travel and recuperation. His wanderings took him to many parts of England, and thence to Bel- gium, Holland, the Rhine country, Austria and France. More prose than poetry came of his wanderjahr. In verse he did some parodies and skits of no great importance, but in prose he produced a series of "editorial letters" of much merit. Carefully revised, these composed the luckless volume, Across the Atlantic. Probably Thackeray decided Thompson to carry out his long cherished purpose to cross the Atlantic when that genial novelist had been his guest in the Spring of 1853, and at the office of The Messenger, then in the "Richmond Athe- naeum," or at his father's house in Mayo Street had met everybody worth knowing. On his arrival ia London the Virginian was warmly welcomed at the Thackeray home, in Onslow Square. Between him and gifted Anne Thack- eray, then a girl of sixteen, there grew up a friendship which was one of the happiest of his many attachments. To her, on the day of his death, two decades afterwards, he sent one of his last messages. On this first visit to England he had met many of the literati and other notable persons, and was now not with- out acquaintances. In the ten years between his visits (1854-1864) his pen had won for him an enviable reputation in London, where his war lyrics were known and appreci- ated; and this good will was enlarged when it became known that he was the Virginia correspondent of The Index who \ BIOGRAPHY xli had presented the cause of the Confederacy so persuasively as to win for it sympathy and respect. The years had, of course, taken away some things he desired: the greeting from Thackeray who was gone it would be a year the com- ing Christmas; the ambrosial nights with him at Evans's, the "Cave of Harmony" of The Newcomes, and intellec- tual hours with Macaulay, whom death had found at Holly Lodge reading Thackeray's Adventures of Philip. Almost from the beginning of the War Between the States there was a considerable Confederate colony in Eng- land, and a smaller one in Paris. Of the first James M. Mason, special Commissioner of the Confederate States of America to Great Britain and Ireland, was a conspicuous member until the Confederate Commission came to an end in 1863, and he was forced to withdraw, going to Paris, after which he was designated "Commissioner to the Con- tinent at Large." Official England was studiedly cool to the representative of the Confederacy, in support of its policy of strict non-interference, which Thompson satirized in his poem, England's Neutrality. Unofficial England was not neutral, but warmly sympathetic. Tennyson, Carlyle, and their entourage spoke their sentiments freely; society declared itself in its usual way by invitations, bazaars, and the like, and democracy by acclamation. There were many, and some notable, exhibitions of popular sympathy.* When Mr. Mason retired to Paris at the end of his Eng- lish mission, he found living there, at 16 Rue de Marignan, * " I was at the Mansion House last night," Mr. Mackay, of the great shipping firm of T. M. Mackay & Co., of Leadenhall Street, wrote to James Spence, the Liverpool banker, "and heard the Lord Mayor virtually recognize the South in the quietest and most in- offensive way that could be imagined." The Times report fre- quently indicates "cheering," "prolonged cheering," "great cheer- ing." xlii BIOGRAPHY good Virginia friends, Mr. and Mrs. Soutter and their two daughters, who installed him perforce in their home, from which thereafter Commissioner Mason's official dispatches to the Confederate State Department were dated. He frequently visited England because, as he explained, so- cieties were forming throughout the kingdom, headed by noblemen and eminent public men, who were endeavor- ing to bring about a recognition of the independence of the Confederate States, and he believed he ought to maintain contact and take advantage of every opportunity to serve his government. He was at 24 Upper Seymour Street, Portman Square, when Thompson reached London. The Virginian called without delay, and found old acquain- tances with Mr. Mason, and made new ones. He was par- ticularly pleased to see Captain James D. Bulloch of Georgia, a man of many adventures who had cruised in the seven seas as midshipman and then lieutenant in the old navy, who was commissioned Commander C. S. N., and was now in London as naval agent;* and also gallant Walker Fearn of Mobile, who had been sent to Europe by the Confederate State Department, first to Spain as Secretary to Commis- sioner Pierre A. Rost of Louisiana, and then to Russia as Secretary to Commissioner Lucius Q. C. Lamar of Georgia; and now, on his return to the South, he was seeing some- thing of London. Mr. Mason and his secretary, James Edward Macfarland of Petersburg, Va., who had been secretary of the Amer- ican legation at London before the war, were about to visit Scotland and Ireland, and Thompson gladly accepted their invitation to go with them. Their tour lasted a month. * Captain Bulloch furnished to the Confederacy the cruisers Florida, Alabama and Shenandoah, and the ram Stonewall. He vrrote the very valuable The Secret Service of the Confederate States in Europe. This staunch Confederate was the uncle of Theodore Roosevelt. BIOGRAPHY xHii Then for some weeks Thompson was exceedingly busy at the office of The Index in Bouverie Street, "getting the run of things," and writing editorials and American notes. The Index was a weekly paper of sixteen folio pages, about the size of Harper's Weekly, and not unlike it in appear- ance. Three of its pages were given to editorials. Presi- dent Davis was possessed by the belief— to the serious disadvantage of the military enterprise of his government, many believed— that England would abandon neutrality and recognize the seceding states as a confederated nation with a stable government. The Index was to promote this result, in the manner described by the following declaration of purpose repeated in each issue: The Index was established in May, 1861, m the darkest hour of Confederate fortunes, by earnest friends of South- ern Independence, with the distinctly expressed object of being the representative in English journalism, of a gal- lant and struggling people appealing to the world not only for political, but still more for moral recognition. Since accepting this great trust The Index has unceasingly labored, by the combined aid of English and of Southern writers, to enlarge and extend the common ground upon which two nations could cordially meet, which need only to under- stand each other in order to cherish the warmest mutual appreciation and lasting friendship. The chief, and almost the sole, difficulty has been, and is still, the callous indif- ference of the British Government on the one hand, and, on the other, the perplexity, to the European mind, of the unsolved and unprecedented problems involved in the management and education of four millions of the African race, intermingled with a population of the highest Cau- casian type. This difficulty could be met only by a liberal fairness to every shade of honest opinion, by an inflexible adherence to truth under all circumstances, and by a bold avowal of convictions, even though ill-received. The In- dex does not claim to be neutral, but it claims to be inde- pendent in the highest sense of the word. It is because it xliv BIOGRAPHY must reflect and appeal to, at one and the same time, the public opinion of two countries as yet only imperfectly ac- quainted that this somewhat unusual self-description is called for. The Index, through correspondents, and newspapers re- ceived in exchange, got news from all parts of the Con- federate States, and was the vade mecum of Southerners in Europe and their sympathizers. Until a day or two before Christmas, Thompson's leisure was given to social diversions. He dined at Harrington House, "the company being Lady Harrington, Lady Geral- dine Evelyn Stanhope, Miss Soutter, Mr. and Mrs. and Miss Eustis, Mr. Corbin, Colonel Fitzhugh and Mr. King- lake, author of the History of the Crimean War and Eothen"; attended a dinner party at Mr. Mason's; spent an evening with Carlyle at No. 5 Cheyne Row, and talked of General Lee, whom the author of Heroes and Hero Worship admired greatly; visited WooLner, the sculptor, in Cavendish Square, with Tennyson, "a quiet and simple mannered man who smoked a pipe and drank hot punch," and often met there Tyndall and Palgrave, and occasionally Robert Browning; took long strolls in Hyde Park with Fearn and Fauntleroy; was a day and night the guest of the Wortleys, at Wortley Lodge, Mortlake, and, returning in an open carriage with Mr. and Mrs. Wortley, experienced a London fog so dense that steamers could not make their usual trips on the Thames; dined with General and Mrs. George W. Randolph at their apartments in the Burlington, along with Mr. Corcoran, Commissioner Mason, Captain Fitzhugh Carter (son of Hill Carter of "Shirley" in Virginia), Captain Bul- loch and Allan Young, R. N., afterwards Sir Allan Young, the arctic explorer; — and with all this and more wrote probably all of the articles and paragraphs that filled the three editorial pages of The Index each week. Then, on BIOGRAPHY xlv December 23, with General and Mrs, Randolph, he took packet at Dover and crossed the Channel, which was in a stormy mood, to Calais, and proceeded to Paris, where he was welcomed cordially by Charles Walsh at his home in Avenue Gabriel. There, for him, the old year ended and the new began; in what manner these entries in his Diary tell: Dec. 27 — ^Dined at Eustis's, No. 45 Rue de la Ville I'Eveque — small but elegant dinner — Fitzhugh and myself the only guests. Eustis's mother, wife, and sister at the table. Jan. 1, 1865— Drove to Mr. F. P. Corbin's in the Fau- bourg St. Germain, where he lives in magnificent style. We had a delightful dinner. The guests were Mr. Slidell, Gen- eral and Mrs. Randolph, Commodore Barron, Mr. Josephs, Mr. Charles Stewart (son of the late Admiral Stewart of the Old United States Navy), and myself. The chiUy, dark day was in accordance with the feelings of all Confederates in Paris. It was impossible to disconnect the aspect of nature, so cheerless and forbidding, with the unhappy con- dition of our coimtry, nor to fail to wonder at the utter in- difiFerence manifested by the giddy, pleasure-loving Parisian with regard to the desolating war in America. The New Year opens for us in sorrow. God grant it may close in joy. He was soon back in London, busy again with his work and in quiet enjoyment of its social life. His circle of friends was growiQg, and intimate friendships becoming more in- timate. One of the dearest of his London friends — he al- ways referred to him as "My friend Lawley" — ^was Francis Charles Lawley, fom-th son of Lord Wenlock, at one time private secretary to Mr. Gladstone, whose wife was his cousin. As the Southern correspondent of The Times, he was a familiar figure at Confederate military headquarters, and enjoyed the confidence of Lee, Hampton and Long- street, and other Southern leaders. Thompson was frequently summoned to 39 Berkeley xlvi BIOGRAPHY Square, the home of Lawley's mother, the dowager Lady Wenlock. In the circle in which Thompson moved in his busy two and a half years in London were many other well known persons whose friendship he valued; among them Edward Bulwer, whom Lord Derby made a peer two years later; Owen Meredith, whose Lucile, published three or four years before, was to be seen everywhere; Moncton Milnes, recently created Baron Houghton; Millais, just then in the midst of his most notable achievements with the brush; the Thackerays, whose home in Onslow Square was a loved retreat, into which he introduced many of his Virginia friends; Macmillan, the publisher; Admiral Schenley of Prince's Gate, Byron's friend, who assured Thompson that his lordship was "a coarse, lubberly man," and that the Countess of Guiccioli was never pretty, even in her premiere jeunesse; the Archbishop of Canterbury; Hep worth Dixon, editor of the Athenceum; Shirley Brooks of Punch, destined to succeed Mark Lemon as editor of the famous weekly; Frederick Locker-Lampson, author of London Lyrics; Mow- bray Morris, editor-in-chief of The London Times; and Robert Chambers, who told anecdotes of Sir Walter Scott; — • and others of a hst too long to be fully set down here. Among men of letters his most intimate acquaintance was the old philosopher of Chelsea, who was nearing the end of his Life of Frederick the Great when Thompson g,r- rived in England. It was his custom to spend two or three evenings at 5 Cheyne Row each month, and at other times they met in the streets, or in Hyde Park, for quiet strolls. Occasionally he was the guest of the poet laureate. His Diary contains an interesting account of one of his visits to Farringford, an inviting picture of the manor and its surroundings, and a glimpse of the home-life of the Tenny- sons. The news from home was growing worse all the time. BIOGRAPHY xlvii Wilmington was captured; then Richmond fell. The en- tries in the Diary at this time reflect his distress: April 23 — The Observer of this morning contains the startling and dreadful intelligence of the surrender of Gen- eral Lee and his entire army. . . . Received a letter from my sister, dated April third, describing the terrible scenes attending the evacuation of Richmond. My books are burned as I had supposed, and my father has lost his all by the fire. This news, and the surrender at Appomattox, have wholly unfitted me for work. April 26 — Went to the Strand and remained all day writ- ing on The Index. About two o'clock the editor of The Standard [Captain Hamber] came in, bringing the startling news of Lincoln's assassination on the night of the four- teenth in the theatre at Washington by J. Wilkes Booth. Was greatly shocked and distressed to hear it, because I do not think a shameful murder can advance any good cause, and I fear the mind of Europe will be easily persuaded that Booth was prompted to commit the horrible crime by Con- federates. I was especially pained to learn that he pro- faned the motto of Virginia, "Sic Semper Tyrannis," by shouting it from the stage just before making his escape. When I returned to the West End I foimd the whole mighty metropolis in a state of the most intense excitement at the news. I have never before witnessed such a sensation in London. Thompson was disconcerted when Henry Hotze, the Con- federate commercial agent in London, informed him that the Confederate funds in Europe were in a state of bank- ruptcy and that The Index would probably be discontinued, for then, of course, his salary would be suspended. The paper did not long survive the war, but other employment was at hand, and he lingered in London. In spite of the wreck of his hopes as a Southern patriot he found life in the great city constantly yielding solace. His social accep- tance was just as cordial as when the Confederacy was be- lieved to be approaching its goal of independence. He was xlviii BIOGRAPHY still a welcome guest; weU-informed, cultivated, a gifted raconteur, a good cue at billiards, and a desirable partner at whist. But he was longing to return to Virginia. A friend wrote of him, with clear insight: "Virginian he is, Virginian he must remaia. Be his home where it may, let his taste and talents find fitting reward in what state they may, he shall not forget the beautiful city that gave him birth and the noble old commonwealth, which he has already hon- ored, and whom he will honor yet more in years to come." "I envy everyone going home," he wrote in his Diary. "I long to see dear old Virginia. I love her deeper for her im- poverishment. Her wasted fields seem more beautiful than this richly cultured England." When he could resist no longer he sailed from Liverpool on September 16, 1866, in the Cunard steamship Cuba, and after ten days of rough seas safely reached Halifax, and the end of the third phase of his life. THE LAST PHASE In many respects the years Thompson spent in London were the happiest of his life, and yet, when The Index sus- pended, he would have gladly returned to Virginia. He remained at No. 3 Clifford Street, Bond, to prepare Von Borcke's Memoirs of the Confederate War for Independence for publication in Blackwood's Magazine. He began on the Memoirs in June, 1865, and had the manuscript far enough advanced for the appearance of the first instalment in September. The serial publication was concluded in June, 1866. In October of that year the work appeared in book form, in two handsome volumes. But this was not all that his pen was put to. Captain Hamber, editor of The Standard, engaged him to write a BIOGRAPHY xlix leader each. week. He became the London correspondent of the Louisville Journal and the New Orleans Picayune, writing a weekly letter to each. The Cosmopolitan was using his "leaders." He was writing for The Crescent Maga- zine, published in New Orleans by WiUiam Evelyn and edited by an Englishman named Flash. His large ac- quaintance with English and Irish editors held a door open, which it would have been profitable to enter — in a word, he was well started on his career as a writer, in London. Perhaps it would have been better if he had remained there. But there was the longing for Virginia, and the impulse to return probably led to self-deceiving. It was easy, and inspiring too, to think that the South was recovering from the paralysis induced by the war; that in Virginia atrophy was giving place to vigor, and that in Richmond, his home — to him still the capital of God's country — there was a demand for services such as he could render. He arrived in Richmond late in the autumn of 1866, and faced imexpected conditions. There was no place for him — ^no employment — among such of his old friends as remained. The Southern Literary Messenger was only a cherished memory, the last number was dated June, 1864, two years before his return. The Examiner was no more, and Hughes and Southall and Bagby were filling other editorial assignments, of which there were fewer than in earlier days. Thompson tiu-ned to the platform in his search for an in- come, and delivered lectures in Louisville, New Orleans and other large cities, on "English Jom-nalism" and "The Life and Genius of Edgar A. Poe," but with no intention, it seems, of abandoning journalism. Richmond had failed him, and the South, where his friends were, was not a promising field. He must have hesitated before tiu-ning his thought seriously to the North, and yet he did so in two or three months after his return from Europe. His friend 1 BIOGRAPHY John Pendleton Kennedy was in Europe trying to recover his lost health, and Thompson had to make his way as best he could, unsupported by the Marylander or any other in- fluential person. In April, 1867, he wrote from Richmond to B. Johnson Barbour of Barboiu-sville, Va.: Having satisfied myself beyond all question that there is no career for me here, no hope of employment even, I am just on the eve of departure for New York, where I shall remain en 'permanence if the fates are propitious. I have nothing certain before me, and only go to "breast the blows of circumstance, and grapple with my evil star." The Bohemian life is dreary enough in the prospect of it, and my heart is sad almost unto breaking in sundering the tie that binds me to Virginia, but I must get to work and the sooner the better. He reached New York in April, 1867. What he did in the ensuing twelve months seems to be a lost story. It may be true, as some one has conjectm-ed, that he was for a part of that time employed on The Albion. He was lonely and unhappy, and probably scantily supplied with money. Money would have been very well, of course, but it could not have made another Richmond of the great city to which he was exiled. He missed the charm of drawing-rooms like Mrs. Stanard's, the cheer of wits like August and Gibson, the comradeship of men of genius like Bagby, McCabe, and Cooke, and the sweet intercourse and sympathy of the pa- ternal home in Leigh Street. Richmond, seven years be- fore, had seduced him into resigning the editorship of The Southern Field and Fireside, the most lucrative position he had ever held. The New York nostalgia must have been even more distressing, and with it went a lack of money acutely painful to a man of Thompson's tastes and pride. At the end of that year of discontent (April, 1868) he was in the employ of William Young, Thackeray's friend. BIOGRAPHY li and translator of Beranger, tlien publishing Every After- noon, successor of his Albion, a high class publication on the model of The St. James Gazette, and similar English jour- nals. Every Afternoon suspended after four weeks of un- profitable existence. William Gilmore Simms or Edmund Clarence Stedman and some other friend of the Virginian took some of his reviews to William Cullen Bryant of the New York Evening Post. Their excellence recommended him and he was given work, and after a short probation he was assigned to the important position of literary editor. The Evening Post took what Mr. Godwin himself described as a "supposed" "extreme position in the political controversies of the time" — by which he meant that The Post was firmly anti-South- ern — but Thompson did not compromise in order to be al- lowed to earn his bread. He frankly avowed his unchanged convictions, and was met with equal manliness on the part of his employers who assured him that nothing but the quality of his service would be scrutinized. His old, untiring enemy — consumption — began to dog his footsteps almost as soon as he was comfortably seated at the editor's desk, but he was unafraid, and did his work with a cheery good will. What was probably the last of his poetical moods to be expressed foimd a medium in Heine's beautiful Wo? — known, in English, as The Grave Song and The Wanderer: Where shall yet the wanderer jaded In the grave at last recline ? In the South, by palm trees shaded ? Under lindens by the Rhine ? Shall I in some desert sterile Be entombed by foreign hands ? Shall I sleep, beyond life's peril. By some seacoast in the sands ? Hi BIOGRAPHY Well ! God's heaven will shine as brightly There as here, around my bed, And the stars for death-lamps nightly Shall be hmig above my head. This translation was made in August, 1872. In the early months of that year Thompson had accompanied William CuUen Bryant to Nassau and Cuba, and written notes of travel to The Evening Post. They returned by way of New Orleans at Easter. The Picayune said, a year later, "It was but too painfully apparent that the shadow on the dial had already fallen for him." His friends in The Eve- ning Post office saw, as the year wore on, that he was los- ing ground, and in February, 1873, they sent him to Colo- rado. He remained until April 17. On that day he wrote from Denver to Mrs. Daniel Henderson, wife of one of the owners of The Evening Post: My dear, dear friend: I have been losing ground steadily beyond a doubt in the dreadful weather of high winds, chilling frosts and drift- ing snow storms of the past two or three weeks, and the doctors order me to leave Colorado. I shall go tonight in the train to Kansas City, Pullman sleeping cars, making many stops on the way to husband the little strength I have. I am in doubt whether to go first to New York or Virginia, but shall determine on the way and inform you. If I go to New York I shall come directly to 54th street [the Henderson home], trusting that you will make me a bed somewhere down stairs, for I cannot go up a single flight. I am wasted to a skeleton and am hardly able to dress myself. On the homeward joittney Thompson reached Kansas City in a condition that obliged him to call in a physician. He hoped that a short rest there would add to his strength and enable him to resume his progress eastward; but he grew feebler. Virginia was out of the question. He pru- dently telegraphed his friends of The Evening Post to send BIOGRAPHY liii some one to bear him company. James Wood Davidson, who was filling his position on The Post in his absence, joined him in Kansas City and took him to New York. In a letter to Mrs. Quarles, the poet's sister, Mr. Davidson told of the warm-hearted welcome at the close of his last journey: Arrived at New York, and at Mr. Henderson's — you know the rest. I had never met Mrs. Henderson before our arrival, but my heart was at once drawn to her by the womanly tenderness with which she received your brother — by the many things I saw she had prepared in advance for om* coming — by those gentle ministrations which woman only knows how to give — by tender touches of the hand — by soothing and hopeful words — -by a thousand nameless sweet offices that flow from woman's heart to those they love. Ah, my dear madam, had she been his mother she could not have been more attentive, more tender, more lovingly attentive than she was, and was uninterruptedly from the moment of our arrival until the end. My heart has thanked and blessed her a thousand times since for it all. Nothing — absolutely nothing — could have been done for his comfort that was not done, and done sweetly, lovingly. At Mr. Henderson's the excitement incident to reunion with his friends revived him, and he even sat up for a while. Retiring early in the evening of Tuesday, April 29, he slept fitfully. He was without any illusion as to his condition, and on Wednesday morning he sent for Mr. Stoddard and committed his literary interests to his care, confiding to him, The Home Journal relates, "his wishes in relation to the disposal of his manuscripts." His friend Davidson was with him the most of the day. He became unconscious at about four o'clock and remained so until he died. At half past four o'clock his friend, Mr. Coffin (Barry Gray), who had been among the first to welcome him when, shortly after the close of the war, he came to this city from England, stood beside his dying couch, where he remained liv BIOGRAPHY until he passed away. At that hour he was dymg and his respirations were slow and faint, and his pulse flickering with his ebbing life. Five minutes before his death the pulsation ceased, the breath grew shorter and shorter, and without a struggle or a tremor he entered that "bourne from whence no traveller retiu-ns," like one who "wraps the drapery of his couch about him and lies down to pleas- ant dreams." At exactly twenty-five minutes past five o'clock, on Wednesday afternoon, April 30, Mr. Co£Bn closed the eyes of one of the loveliest characters that earth has known.* j, Fvmeral services were held at Mr. Henderson's Friday afternoon (May 2). Among the friends and associates in literary employments who drew near the casket for a last look were Edmund Clarence Stedman, Richard H. Stoddard of The Aldine, William Cullen Bryant, Parke Godwin and family, Whitelaw Reid of The Tribune, Roger A. Pryor, Mrs. Mary B. Dodge of Hearth and Home, R. B. Coffin, better known as "Barry Gray," Judge Daly, James Wood Davidson of The Evening Post, Augustus Maverick of The Commercial Advertiser, formerly of The Post, Blair Scribner, Roswell C. Smith, and Richard Watson Gilder, all of Scrihner's Monthly, Mr. Durand, the art critic, and Professor Chase of The New York Herald. The Reverend Doctor Morgan, rector of St. Thomas's Episcopal Chiu'ch in New York, read appropriate selections, and the Reverend Doctor Noah H. Schenck, of St. Ann's, Brooklyn, spoke touchingly of the departed writer. "Mr. Thompson had been a familiar visitor of his family — almost an inmate of his house. He felt his death as a personal grief. He could think of no other individual whose char- acter, gem-like, possessed so many brilliant facets. There was a personal magnetism about him that made him win without wooing. He was not soullessly, intellectually, or politically ambitious. In fact he lived rather cloistered; * New York Home Journal, May 7, 1873. BIOGRAPHY Iv and the periphery of his life was the circumference of his affections." There was a little group from Richmond, made up of the poet's widowed sister, Mrs. Susan P. Quarles, his nephew, Charles H. Quarles, who had accompanied him to Wilming- ton on his departiu-e for Exirope in 1864, his brother-in-law, Mr. Massie, and his niece, Miss Massie. Immediately after the funeral the journey to Virginia began. The wanderer was now returned to his native city, Rich- mond. The day previous to the funeral there, the bar, the press, alumni of the University of Virginia, and many others met in the hall of the House of Delegates to prepare to re- ceive the returning Virginian with becoming ceremony. Governor Walker presided, and George W. Bagby, James Pleasants, James McDonald, Thomas H. Wynne and P. T. Moore reported resolutions fitly characterizing his genius and appraising his character and achievements.* As Dante from Ravenna came, Our poet came from exile — dead. On the day of his coming — ^the third day of May — ^from St. Paul's Church, where he had worshipped with his heroes, Robert E. Lee and Jefferson Davis, he was borne to Holly- * The Committee which met the returning poet at the Byrd Street Station was composed of leading citizens of Richmond: Judge B. R. Wellford, Col. William D. Coleman, Peachy R. Grattan, Gen. P. T. Moore, James Pleasants, Col. J. C. Shields, W. H. Haxall, Lewis Ginter, Dr. George W. Bagby, Col. James McDonald, Col. Thomas H. Wynne. Col. H. C. Cabell, Hon. A. M. Keiley, Major Baker P. Lee, James A. Cowardin, Judge Hunter Marshall, Judge W. W. Crump, Hon. James A. Seddon, Dr. Moses D. Hoge, Dr. W. P. Palmer, Hon. James Lyons, Hugh M. Stanard, Major W. B. Myers, Dr. R. Barksdale, Hon. R. T. Daniel, Col. W. P. Burwell, and M. B. Stanard. The services at St. Paul's were conducted by the Rev. Dr. Joshua Peterkin of St. James Church, assisted by the Rev. Dr. Moses D. Hoge of the Second Presbyterian Church. Ivi BIOGRAPHY wood and entombed in sight of the last home of another of his heroes, General J. E. B. Stuart. The granite shaft above him was the tribute of Northern and Southern friends, and bears the just estimate: — "The graceful poet, the bril- liant writer, the steadfast friend, the loyal Virginian, the earnest and consistent Christian." The day following his death there appeared in The Eve- ning Post an editorial appreciation of Mr. Thompson, at- tributed to William Cullen Bryant, which only a good man could deserve: It has rarely been our lot to be associated with a person who combined more completely the best characteristics of the Christian gentleman and scholar than John R. Thomp- son. Endowed with the warmth and quick sensibilities of a native of the South, a keen sense of personal honor, and a chivahous devotion to his friends and his cause, whatever it might be, he was yet so amiable in his disposition and so courteous in his conduct, that he made no enemies and won hosts of friends. No one, indeed, ever approached him without being impressed alike by his geniality, his integ- rity and his modesty. . . . He had read so variously, ob- served so minutely, and retained so tenaciously the re- sults of his reading and his observation that he was never at a loss for a topic and never failed to invest what he was speaking of with a rare and original interest. His fund of anecdote was almost inexhaustible, and his ability to il- lustrate any subject by apt quotation no less remarkable. The English poets and essayists seemed to be always at his fingers' ends, and, what is not usual with men of wide mis- cellaneous studies, he was as accvu-ate as he was various. . . . Not unaware of the certainty of his fate he yet sel- dom gave way to despondency or lost his interest in the great movements of life. It was because his character and tastes had rendered life agreeable to him in so many ways (despite the dark clouds that war and disease had gathered over it) that he desired to live; and no less because he had properly estimated its ends and issues that he did not fear to die. He went away reluctantly, for he left behind him some that were dependent upon him and many that loved BIOGRAPHY Ivii him well; but he went away peacefully, knowing where he had placed his trust for the future, and that the pas- sage which we who gaze upon it from this side call Death is to those who gaze upon it from the other side the Dawn of a larger and nobler activity. The poet was forty-six when, in 1869, Mr. Davidson made this pen pictvire: In person Mr. Thompson is a small and slender man of easy manner; dresses with marked taste; has an engaging and steady blue eye, and a voice low, earnest, and brisk, with a well defined emphasis in talkiag; converses well; wears American whiskers, of neutral, yellowish color; has hair darker, and thia, with an approach towards baldness. Benjamia B. Minor, Thompson's predecessor in the editorship of The Messenger, knew him best in the years of his active career in Richmond, years of the fourth of the five decades of his life. He was then, as later, indeed as always, "neat and prim and attentive to his dress and per- sonal appearance. His address was good, but rather studied; his conversation was pleasant, and he had some humor; his manner was respectful and unassuming, but painstaking and ingratiating. He was a man of cidture and aesthetic taste."* "He was fastidious ia his dress," writes t the daughter of V. C. P., in whose honor Benedicife was com- posed; "daiaty as a woman might be. I remember his pretty, big silk handkerchiefs in the days when such things were rare; and always there was cologne on them." In the Autumn foUowiug his death John Esten Cooke lovingly recalled his friend: He was small in stature and of delicate appearance. His eyes were dark and had a peculiar softness and brightness * Mr. Minor's letter quoted by Link, Pioneers of Southern Litera- ture, II, 389. t Private letter, January 10, 1919. Iviii BIOGRAPHY — ^the expression varying and reflecting every emotion. He had chestnut hair, curling naturally, wore a very heavy brown beard and mustache, and was extremely nice in his dress and careful of his personal appearance. Everything about him, indeed, was nice, graceful and finished, down to his handwritiog, which was a model of legibility and ele- gance. He was even criticised occasionally as exhibiting a tendency to foppery; but all about him was in the very best taste, and his manners only seemed peculiar perhaps from that instinctive refinement and courtesy which spring from association with ladies and cultivated persons generally, and the pursuits of the beUes lettres student. In his ap- pearance, bearing, and habits, he was essentially a gentle- man of the most refined tastes; and certainly his manner — ^with the exception of a slight reserve and ceremony at times — was delightful. He was the charm and delight of the circles — and they were the best — ^in which he moved; a fascinating raconteur — indeed, I may say that he was one of the very best "story-tellers," or relators of anec- dotes, literary or humorous, that I have ever known. For this he certainly had a distinct gift, and I have listened to him with silent delight. His anecdotes were chiefly humor- ous — of the character called "good stories" — and there seemed to be no end to them. In private, at suppers, at dinner parties, and everywhere with friends he aboimded in them, putting everybody in a good humor with his spar- kling witticisms and the point and finish of his discourse. I saw little of him during these sad latter days, and this chance memorial refers to him as he appeared in his earlier years, when fuU of health, impulse, ambition, and in the youthful flush of his faculties. I think of him always as he appeared then, and my outline belongs to this period. What delightful company he was in those remote years ! How his smiles, his laughter, his unfailing flow of pleasant chitchat drove away "the blues" if his friends were op- pressed by them! Leaning back in his comfortable chair in his office in the Law Building — it was a leather-covered arm-chair, and he wrote upon an elegant walnut table with a covering of green cloth — how his eyes sparkled, his ready laugh rang, his soft bright eyes lit up! Reading aloud in his rich sonorous voice — ^he was, after Thackeray, the most delightful reader I ever listened to — or standing and talk- BIOGRAPHY lix ing, cigar in mouth with a little of the petit maitre air, for he was young and petted by society, he interested you, made you laugh; you forgot the passage of time as you listened, and went away ia a good humor with yourself and all the world. . , . What impressed you most in him was this charming 'personality, the easy and graceful commin- gling of the litterateur and the man of society. In Paris he would have taken his place, as of right, among the attrac- tions of the literary salons and become famous among the wits of the wittiest city of Europe.* From these witnesses we learn that John R. Thompson was not a son of Mars. No hilt hung near to his hand, and he could not have had any standing with those who blus- tered and swore like the British Uncle Toby knew in Flan- ders. The laws of good taste were canons of concern to him, and he was in hearty accord only with those who respected them. He was "a good mixer," as we say now, in his own set, but he remained within its fellowship — and thereby hangs the tale that he was "sensitive and reserved." The tale has its moral, which must not be given too wide an ap- plication, for Thompson did not shrink from contact nor was the measure of his social self-revelations ungenerous, but the contrary. In the diversions of his circle he was an adept. He could make good conversation and play a good hand at whist while the ladies lingered, and was a genial convive when they had withdrawn and the time had come to "blow a cloud," to use Carlyle's imagery, and fill a final glass. In more intellectual moments, when the theme called for knowledge and practiced winnowing he was ac- cepted unreservedly as a companion con scienza, by great minds in Europe and America. There are no persisting anecdotes of mental defeats or gaucherie on his part — ^noth- ing that Du Maurier could have put into a cartoon illus- * Hearth and Home, December 20, 1873, k BIOGRAPHY trating an act or a saying that one would rather not have done or said. At the time of his death, Thompson was a recognized master of prose style, the literary editor of the foremost journal of his day, and, as a poet, as well known as his friends Hayne and Timrod. But Hayne's poems and Timrod's, collected and put forth in book form, made a better bid for recognition than Thompson's in the ephemeral garb of news- paper and magazine. lU-luck attended his efforts to pub- lish his poems. His last effort to have his work put in en- during form was made as his life was closing, in the Spring of 1873. "I know, of my personal knowledge," Colonel McCabe avers in a letter to the writer, "that he left com- plete copies, exquisitely done, of his poems, looking to their eventual publication. I saw them, carefully done up, in numerous packages, four years before Thompson died, all endorsed in his beautiful handwriting." And Mrs. Eliza- beth Stoddard relates — confirmiag the statement of The Home Journal — that on the day of his death he sent for her husband, R. H. Stoddard, "whom he made his executor, with full liberty to act according to his judgment in regard to the disposition of his effects." * It is known that Mr. Stoddard delivered Thompson's library to Bangs, Merwen & Co., 656 Broadway, New York, who printed a catalogue of the books and autographs, and offered these effects for sale on July 19 and 20, 1873. The Thompson manuscripts were not included. These the fam- ily directly, and others acting for it later, sought to recover, but Stoddard did not remember having received any. The testimony of The Journal and of Mrs. Stoddard seems to indicate that his memory was not good. Whatever the precise truth of this scrap. of literary his- tory may be, John R. Thompson's work has never been * Lippincott's Magazine, November, 1888. BIOGRAPHY ki fully or fairly presented for the judgment of the world. Only his war poems have come under review. These sin- cere students of Southern literature have regarded with increasing respect.* Thompson began his literary career consciously in the service of Southern literature, and never wearied of dis- covering and acclaiming promising writers. Our last glimpse of him at his congenial task is aflforded by The New York Evening Post: The late literary editor of The Evening Post, when he left this city about the middle of February, on a tour to the West, took with him for review at his leisure the then re- cently issued volume of The Poems of Henry Timrod, edited, with a sketch of the poet's life, by Paul H. Hayne (E. J. Hale & Son). The task of reviewing that volume he wished to reserve to himself. He wished to give utterance in his own language to his own high estimate of his departed poet-brother. This generous wish lived in his heart to the last; but his feeble hand could not put into literary form the tribute his heart had called for and his brain had al- ready fashioned. His last literary work was to begin the review. It was left unfinished. Only the following few lines were written: Poems of Henry Timrod. — One of the truest and tenderest poets of America was Henry Timrod of South Carolina. Yet he was so little known in the brief season of his song- * Among the group of Virginia poets who wrote of the early battles on Virginia soil John R. Thompson and Mrs. Preston stand out as the most conspicuous. Of distinctly higher quality than the crude rhymes already referred to were Thompson's humorous poems on some of the earlier Southern victories. His On to Richmond, modelled on Southey's March to Moscow, is an exceedingly clever poem. His mastery of double and triple rhymes, his unfailing sense of the value of words, and his happy use of the refrain ("the pleasant ex- cursion to Richmond"), make this poem one of the marked achieve- ments of the period. Scarcely less successful in their brilliant satire are his Farewell to Pope, England's Neutrality, and The Devil's De- light. — Cambridge History of American Literature, U, 305 (1918). kii BIOGRAPHY burst, and his exquisite poems have heretofore been eon- fined to so narrow a range of sympathy and admiration, that we doubt not that many a reader of this notice of his works will see his name for the first time, and think it a literary pseudonym. The rest of the page is blank. Silence holds the con- clusion. Here the pen fell from the failing hand. The heart had more to say, but the hand could not. What beauty in that devotion to a friend ! What pathos in the silence that fell upon the poet while his hand was lifted to place a sprig of laurel upon the grave of his brother ! John S. Patton. POEMS OF JOHN R. THOMPSON LEE TO THE REAR AN INCIDENT IN THE BATTLE OF THE WILDERNESS Dawn of a pleasant morning in May Broke through the wilderness cool and grey. While, perched in the tallest tree-tops, the birds Were carolling Mendelssohn's "Songs Without Words." Far 'from the haunts of men remote. The brook brawled on with a liquid note. And Nature, all tranquil and lovely, wore The smUe of the spring, as in Eden of yore. Little by little as daylight increased, And deepened the roseate flush in the east — Little by little did morning reveal Two long, glittering lines of steel; Where two hundred thousand bayonets gleam. Tipped with the light of the earliest beam, And the faces are sullen and grim to see, In. the hostile armies of Grant and Lee. All of a sudden, ere rose the sun, Pealed on the silence the opening gim — A little white puff of smoke there came. And anon the valley was wreathed in flame. Down on the left of the rebel lines. Where a breastwork stands in a copse of pines. Before the rebels their ranks can form, The Yankees have carried the place by storm. 1 2 LEE TO THE REAR Stars and Stripes on the salient wave, Where many a hero has found a grave, And the gallant Confederates strive in vain The ground they have drenched with their blood to regain ! Yet louder the thunder of battle roared — Yet a deadlier fire on the columns poured — ■ Slaughter infernal rode with despair. Furies twain, through the murky air. Not far off in the saddle there sat A grey-bearded man in a black slouched hat; Not much moved by the fire was he. Calm and resolute Robert Lee. Quick and watchful he kept his eye On the bold rebel brigades close by, — Reserves, that were standing (and dying) at ease, WhUe the tempest of wrath toppled over the trees. For still with their loud, deep, bull-dog bay, The Yankee batteries blazed away, And with every murderous second that sped A dozen brave fellows, alas ! fell dead. The grand old grey-beard rode to the space Where death and his victims stood face to face, And silently waved his old slouched hat — A world of meaning there was in that ! "Follow me! Steady! We'll save the day!" This was what he seemed to say; And to the light of his glorious eye The bold brigades thus made reply — /^ LEE TO THE REAR 3 \ "We'll go forward, but you must go back" — Aaid the^ moved not an inch in the perilous track: "Go to me rear, and we'll send them to h — !" ,- And the s^und of the battle was lost in their yell. ■ ■> jf ■ Turning his bridle, Robert Lee y Rode to the rear. Like the waves of the sea, .i: ' . ... '^ Bursting the dikes in their overflow, / . 'jr ^ Madly his veterans dashed on the foe. And backward in terror that foe was driven. Their banners rent and tbelr columns riven. Wherever the tide of battle rolled ■. Over the Wilderness, wood and wold. Sunset out of a crimson sky Streamed o'er a field of ruddier dye. And the brook ran on with a purple stain. From the blood of ten thousand foemen slain. ♦ ! Seasons have passed since that day and year — Again o'er its pebbles the brook runs clear. And the field in a richer green is drest Whiere the dead of a terrible conflict rest. Hushed is the roll of the rebel drum. The sabres are sheathed, and the cannon are dumb. And Fate, with his pitiless hand, has furled The flag that once challenged the gaze of the world; But the fame of the Wilderness fight abides; And down into history grandly rides. Calm and immoved as in battle he sat, The grey-bearded man in the black slouched hat. THE BURIAL OF LATANE ' The combat raged not long, but ours the day; And through the hosts that compassed us around Our little band rode proudly on its way. Leaving one gallant comrade, glory-crowned, Unburied on the field he died to gain, Single of all his men amid the hostile slain. One moment on the battle's edge he stood, Hope's halo like a helmet round bis hair. The next beheld him, dabbled in his blood. Prostrate in death, and yet in death how fair! Even thus he passed through the red gate of strife. From earthly crowns and palms to an immortal life. A brother bore his body from the field And gave it unto stranger hands that closed The calm, blue eyes on earth forever sealed. And tenderly the slender limbs composed: Strangers, yet sisters, who with Mary's love, Sat by the open tomb and weeping looked above. A little child strewed roses on his bier. Pale roses not more stainless than his isoul, Nor yet more fragrant than his life sincere That blossomed with good actions, brief but whole; The aged matron and the faithful slave Approached with reverent feet the hero's lowly grave. * The superior figure here, and those occurring hereafter, refer to NoteB, pages 237-244. 4 THE BURIAL OF LATANE £ No man of God might say the burial rite Above the "rebel" — thus declared the foe That blanched before him in the deadly fight. But woman's voice, in accents soft and low, Trembling with pity, touched with pathos, read Over his hallowed dust the ritual for the dead. " 'Tis sown in weakness, it is raised in power," Softly the promise floated on the air. And the sweet breathings of the sunset hour Came back responsive to the mourner's prayer: Gently they laid bim underneath the sod, And left him with his fame, his country, and his God. Let us not weep for him whose deeds endm-e, So young, so brave, so beautiful, he died. As he had wished to die; the past is sure, Whatever yet of sorrow may betide Those who still linger on the stormy shore. Change cannot harm him now nor fortune touch him more. And when Virginia, leaning on her spear, Victrix et vidua,* the conflict done. Shall raise her mailed hand to wipe the tear That starts as she recalls each martyred son. No prouder memory her breast shall sway Than thine, our early-lost, lamented Latane. ASHBY To the brave all homage render, Weep, ye skies of June! With a radiance pure and tender. Shine, oh saddened moon! Dead upon the field of glory. Hero fit for song and story. Lies our bold dragoon. Well they learned, whose hands have slain him. Braver, knightlier foe Never fought with Moor nor Paynim— Rode at Templestowe; With a mien how high and joyous, 'Gainst the hordes that would destroy us Went he forth, we know. Nevermore, alas ! shall sabre Gleam around his crest; Fought his fight, fulfilled his labour; Stilled his manly breast: All unheard sweet natm-e's cadence. Trump of fame and voice of maidens: Now he takes his rest. Earth, that aU too soon hath bound him. Gently wrap his clay. Linger lovingly around him. Light of dying day, 6 ASHBY Softly fall the summer showers, Birds and bees among the flowers Make the gloom seem gay. There, throughout the coming ages. When his sword is rust And his deeds in classic pages. Mindful of her trust. Shall Virginia, bending lowly. Still a ceaseless vigil holy Keep above his dust! GENERAL J. E. B. STUART ^ We could not pause, while yet the noontide air Shook with the cannonade's incessant pealing. The funeral pageant fitly to prepare, A nation's grief revealing. The smoke, above the glimmering woodland wide That skirts our southward border with its beauty Marked where our heroes stood and fought and died For love and faith and duty. And stiU, what time the doubtful strife went on. We might not find expression for our sorrow, We could but lay our dear, dumb warrior down. And gird us for the morrow. One weary year ago, when came a lull. With victory, in the conflict's stormy closes. When the glad spring, all flushed and beautiful. First mocked us with her roses. With dirge and minute-gim and bell we paid Some few poor rites, an inexpressive token Of a great people's pain, to Jackson's shade. In agony unspoken. No wailing trumpet and no tolling bell. No cannon, save the battle's boom receding. When Stuart to the grave we bore, might tell Of hearts all crushed and bleeding. 8 GENERAL J. E. B. STUART 9 The crisis suited not with pomp, and she Whose anguish bears the seal of consecration. Had wished his Christian obsequies should be Thus void of ostentation. Only the maidens came sweet flow'rs to twine Above his form so still and cold and painless. Whose deeds upon oxu- brightest records shine. Whose life and sword were stainless. They weU remembered how he loved to dash Into the fight, festooned from summer bowers. How like a fountain's spray his sabre's flash Leaped from a mass of flowers. And so we carried to his place of rest All that of our great Paladin was mortal, The cross, and not the sabre, on his breast. That opes the heavenly portal. No more of tribute might to us remain — But there will come a time when Freedom's martyrs A richer guerdon of renown shall gain Than gleams in stars and garters. I claim no prophet's vision, but I see Through coming years, now near at hand, now distant. My rescued country, glorious and free. And strong and self-existent. I hear from out that simlit land which lies Beyond these clouds that gather darkly o'er us The happy sounds of industry arise In swelling, peaceful chorus. 10 GENERAL J. E. B. STUART And mingling with these sounds, the glad acclaim Of millions, undistm-bed by war's afflictions, Crowning each martyr's never-dying name With grateful benedictions. In some fair future garden of delights. Where flowers shall bloom and song-birds sweetly warble, Art shall erect the statues of our knights In living bronze and marble. And none of all that bright, heroic throng Shall wear to far-off time a semblance grander. Shall still be decked with fresher wreaths of song, Than the beloved commander. The Spanish legend tells us of the Cid That after death he rode erect, sedately Along his lines, even as in life he did. In presence yet more stately; And thus our Stuart at this moment seems To ride out of our dark and troubled story Into the region of romance and dreams, A realm of light and glory. And sometimes, when the silver bugles blow. That radiant form, in battle re-appearing. Shall lead his horsemen headlong on the foe. In victory careering ! THE BATTLE RAINBOW On the evening before the battles before Richmond, a magnificent rainbow, following a thunder-storm, overspread the eastern sky, exactly defining the position of the Confederate Army, as seen from the Capitol. The warm, weary day was departing, the smile Of the sunset gave token the tempest had ceased, And the lightning yet fitfully gleamed for awhile On the cloud that sank sullen and dark in the east. There our army, awaiting the terrible fight Of the morrow, lay hopefvd and watchful and still; Where their tents all the region had sprinkled with white From river to river, o'er meadow and hill. While above them the fierce cannonade of the sky Blazed and burst from the vapours that muffled the sun, Their "counterfeit clamours" gave forth no reply. And slept till the battle, the charge in each gim. When lo ! on the cloud a miraculous thing ! Broke in beauty the rainbow oiu- hosts to enfold; The centre o'erspread by its arch and each wing Suffused with its azure and crimson and gold. Blest omen of victory, symbol divine Of peace after tumult, repose after pam. How sweet and how glowing with promise the sign To eyes that should never behold it again ! 11 12 THE BATTLE RAINBOW For the fierce flame of war on the morrow flashed out. And its thunder peals filled all the tremulous air; Over slippery entrenchment and reddened redoubt Rang the wild cheer of triumph, the cry of despair. Then a long week of glory and agony came. Of mute supplication and yearniug and dread; When day imto day gave the record of fame, And night unto night gave the list of its dead. We had triumphed ! — the foe had fled back to his ships. His standards in rags and his legions a wreck, But alas ! the stark faces, and colourless lips Of our loved ones gave triumph's rejoicing a check. Not yet, oh, not yet, as a sign of release, Had the Lord set in mercy his bow in the cloud. Not yet had the Comforter whispered of peace To the hearts that around us lay bleeding and bowed. But the promise was given . . . the beautiful arc. With its brilliant confusion of coloj-s, that spanned The sky on that exquisite eve, was the mark Of the Infinite Love overarching the land ... And that Love, shining richly and full as the day, Through the tear-drops that moisten each martyr's proud pall. On the gloom of the past the bright bow shall display Of Freedom, Peace, Victory, bent over all. MUSIC IN CAMP Two armies covered hill and plain, Where Rappahannock's waters Ran deeply crimsoned with the stain Of battle's recent slaughters. The summer clouds lay pitched like tents In meads of heavenly azure; And each dread gun of the elements Slept in its hid embrasure. The breeze so softly blew it made No forest leaf to quiver, And the smoke of the random cannonade Rolled slowly from the river. And now where circliug hUls looked down With cannon grimly planted, O'er listless camp and silent town, The golden sunset slanted. When on the fervid air there came A strain, now rich, now tender. The music seemed itself aflame. With day's departing splendor. A Federal band, which eve and morn Played measures brave and nimble, .Had just struck up with flute and horn And lively clash of cymbal. IS 14 MUSIC IN CAMP Down flocked the soldiers to the banks Till, margined by its pebbles, One wooded shore was blue with "Yanks," And one was gray with "Rebels." Then all was still, and then the band With movements light and tricksy. Made stream and forest, hUl and strand. Reverberate with "Dixie." The conscious stream, with burnished glow, Went proudly o'er its pebbles. But thrilled throughout its deepest flow With yelling of the Rebels. Again a pause, and then again The trumpet pealed sonorous. And "Yankee Doodle" was the strain To which the shore gave chorus. The laughing ripple shoreward flew To kiss the shining pebbles, Loud shrieked the crowding Boys in Blue Defiance to the Rebels. And yet once more the bugle sang Above the stormy riot; No shout upon the evening rang. There reigned a holy quiet. The sad slow stream its noiseless flood Poured o'er the glistening pebbles; All silent now the Yankee stood. And silent stood the Rebels. MUSIC IN CAMP 15 No unresponsive soul had heard That plaintive note's appealing. So deeply "Home, Sweet Home," had stirred The hidden founts of feeling. Or Blue or Gray the soldier sees. As by the wand of fairy, The cottage 'neath the live-oak trees. The cabin by the prairie. Or cold or warm his native skies Bend in their beauty o'er him; Seen through the tear-mist ia his eyes. His loved ones stand before him. As fades the iris after raiu In April's tearful weather. The vision vanished as the straia And daylight died together. But Memory, waked by Music's art, Exprest in simplest numbers. Subdued the sternest Yankee's heart. Made light the Rebel's slumbers. And fair the form of Music shines. That bright, celestial creature. Who stUl 'mid War's embattled lines Gave this one touch of Nature. ON TO RICHMOND [after southet's "march to Moscow"] Majob-General Scott An order had got To push on the column to Richmond; For loudly went forth From all parts of the North The cry that an end of the war must be made In time for the regular yearly Fall Trade: Mr. Greeley spoke freely about the delay. The Yanks "to hum" were all hot for the fray; The chivalrous Grow Declared they were slow— And therefore the order To march from the border And to make an excursion to Richmond. Major-General Scott Most likely was not Very loth to obey this instruction, I wot; / In his private opinion The Ancient Dominion Deserved to be pillaged, her sons to be shot, And the reason is easily noted; Though this part of the earth Had given him birth And medals and swords Inscribed in fine words, It never for Winfield had voted. Besides, you must know, that our First of Commanders Had sworn quite as hard as the Army in Flanders, 16 ON TO RICHMOND 17 With his finest of armies and proudest of navies, To wrack his old grudge against Jefferson Davis. Then, "Forward the column," he said to McDowell; And the Zouaves, with a shout, Most fiercely cried out, "To Richmond or h — 11!" (I omit here the vowel). And Winfield he ordered his carriage and four, A dashing turn-out, to be brought to the door. For a pleasant exciu'sion to Richmond. Major-General Scott Had there on the spot A splendid array To plunder and slay; In the camp he might boast Such a numerous host As he never had yet In the battle-field set; Every class and condition of Northern society Were in for the trip, a most varied variety: In the camp he might hear every lingo in vogue, "The sweet German accent, the rich Irish brogue." The buthiful boy From the banks of the Shannon Was there to employ His excellent cannon; And besides the long files of dragoons and artillery. The Zouaves and Hussars, AH the children of Mars — There were barbers and cooks. And writers of books — The chef de cuisine with his French bUl of fare. And the artists to dress the yoimg oflScers' hair. And the scribblers were ready at once to prepare 18 ON TO RICHMOND An eloquent story Of conquest and glory; And servants with numberless baskets of Sillery, Though Wilson the Senator followed the train, At a distance quite safe, to "conduct the champagne;" While the fields were so green and the sky was so blue There was certainly nothing more pleasant to do. On this pleasant excursion to Richmond. In Congress the talk, as I said, was of action. To crush out instanter the traitorous faction. In the press, and the mess. They would hear nothing less Than to make the advance, spite of rhyme or of reason. And at once put an end to the insolent treason. There was Greeley And Ely, And bloodthirtsy Grow, And Hickman (the rowdy, not Hickman the beau). And that terrible Baker Who would seize on the South every acre. And Webb, who would drive us all into the Gulf, or Some nameless locality smelling of sulphur; And with all this bold crew Nothing would do. While the fields were so green, and the sky was so blue. But to march on directly to Richmond. Then the gallant McDowell Drove madly the rowel Of spur that had never been "won" by him In the flank of his steed To accomplish a deed Such as never before had been done by him; ON TO RICHMOND 19 And the battery called Sherman's Was wheeled into line, While the beer-drinking Germans From Neckar and Rhine, With minie and yager Came on with a swagger. Full of fury and lager, (The day and the pageant were equally fine). Oh, the fields were so green, and the sky was so blue, Indeed 'twas a spectacle pleasant to view. As the column pushed onward to Richmond. Ere the march was begun. In a spirit of fun. General Scott in a speech Said the army would teach The Southrons the lesson the laws to obey. And just before dusk of the third or fourth day. Should joyfully march into Richmond. He spoke of their drill And their courage and skill. And declared that the ladies of Richmond would rave O'er such matchless perfection, and gracefully wave In rapture their delicate kerchiefs in air At their morning parades on the Capitol Square. But alack ! and alas ! Mark what soon came to pass. When this army, in spite of his flatteries. Amid war's loudest thunder. Must stupidly blunder Upon those accursed "masked batteries." 20 ON TO RICHMOND Then Beauregard came Like a tempest of flame To consimie them in wrath In their perilous path; And Johnston bore down in a whirlwind, to sweep Their ranks from the field Where their doom had been sealed. And the storm rushes over the face of the deep; While swift on the centre our President pressed. And the foe might descry In the glance of his eye The light that once blazed upon Diomed's crest. McDowell ! McDowell ! weep, weep for the day When the Southrons you met in their battle array; To your confident hosts with its bullets and steel 'Twas worse than CuUoden to luckless Lochiel. Oh, the generals were green, and old Scott is now blue, And a terrible business, McDowell, to you Was that pleasant excursion to Richmond. OLD ABE'S MESSAGE, JULY 4, 1861 Once more. Representatives, Senators, — all — You come to my capital swift at my call, 'Tis well, for you've something important to do, In this most disagreeable national stew; For since I came hither to run the machine. Disguised in a Scotch cap and full Lincoln green. There's the devil to pay in the whole blame concern, As from Cameron and Seward and Chase you will learn. And while everything here of a bust-up gives warning I'm certain you'll put it all right in the morning; So to do as I tell you be on the alert. For the panic's fictitious and nobody's hurt. I've started no war of invasion, you know. Let who will pretend to deny it — ^that's so; But I saw from the White House an impudent rag. Which they told me was known as Jeff Davis's flag, Waving above my Alexandria high, Insulting my government, flouting the sky. Above my Alexandria, isn't it, Bates, Retrocession's a humbug — ^what rights have the States? So I ordered young Ellsworth to take the rag down, Mrs. Lincoln she wanted it to make a new gown; But young Ellsworth he "kinder" got shot in the race. And came back in a galvanized-burial case. But, then, Jackson, the scoundrel, he got his desert. For the panic's fictitious and nobody's hurt. 'Tis true, I sent steamers which tried for a week To silence the Rebels down here at the creek; 21 22 OLD ABE'S MESSAGE, JULY 4, 1861 But tbey had at Game Point about fifty or more Rifled cannon set up in a line on the shore. And six thousand Confederates practised to fire 'em; Confound these Virginians, you never can tire 'em. For they made game of our shooting and crippled our fleet, So we prudently ordered a hasty retreat; With decks full of passengers, — dead-heads indeed, For whom of fresh coflfins there straightway was need; And still later at Mathias's they killed Captain Ward In command of the Freeborn — ah! 'tis mighty hard; But in spite of all this the rebellion's a spurt, For the panic's fictitious, and nobody's hurt. Herewith 1 beg leave to submit the report Of Butler, the general, concerning the sport They had at "Great Bethel," near Fortress Monroe, With Hill and Magruder some four weeks ago; And here, let me say, a more reckless intruder I never have known than this General Magruder; For he's taken the "Comfort" away from Old Point, And thrown our peninsula plans out of joint; While, in matters of warfare, to him General Butler Would scarcely be thought worthy to act as a sutler, And that insolent Rebel will call to our faces The flight at "Great Bethel" the "Newmarket Races;" Then supersede Butler at once with whoever Can drive this Magruder clean into the river; And I shall be confident still to assert. That the panic's fictitious and nobody's hurt. 'Tis my province herein — briefly to state. The state of my pr'ovinces surely of late, Missouri and Maryland — one has the paw Of my Lion upon her, ^nd one has the law OLD ABE'S MESSAGE, JULY 4, 1861 23 Called martial proclaimed thro' her borders and cities, Both are crushed, a big thing, I make bold to say it is; St. Louis is silent and Baltimore dumb. They hear but the monotone roll of my drum. In the latter vile seaport I ordered Cadwallader To manacle freedom and through the crowd follow her. Locked up in McHenry, she's safe it is plain. With Merryman, habeas corpus, and Kane; And as for that crabbed old dotard. Judge Taney, For much I would put him on board the Pawnee, And make his decisions a little more curt; For the panic's fictitious and nobody's hurt. And now I'll just tell you what I'll have you to do, In order to put your new President through; First, three hundred millions wanted by Chase, He cannot run longer the government's face. And Cameron wants for the use of Old Scott About five hundred thousand more men than he's got. And sixty new iron-plate ships to stand shells Are loudly demanded, must have 'em, by Welles; For England, the bully, can't stand our blockade. And insists that we shall not embarrass her trade; But who fears the British? I'll speedily tune 'em. As sure as my name is Epluribus Unum; For I am myself the whole United States, Constitution and laws; if you doubt it, ask Bates; The Star Spangled banner's my holiday shirt; Hurrah for Abe Lincoln, there's nobody hurt. ENGLAND'S NEUTRALITY A PARLIAMENTARY DEBATE All ye who with credulity the whispers hear of fancy, Or yet pursue with eagerness Hope's wild extravagancy, Who dream that England soon will drop her long miscalled Neutrality And give us, with a hearty shake, the hand of Nationality, Read, as we give, with little fault of statement or omis- sion. The next debate in Parliament on Southern Recognition; They're all so much alike, indeed, that one can write it off, I see. As truly as the Times report without the gift of prophecy. Not yet, not yet to interfere does England see occasion. But treats our good commissioner with coldness and eva- sion; Such coldness in the premises that really 'tis refrigerant To think that two long years ago she called us a belliger- ent. But further Downing Street is dumb, the Premier deaf to reason, As deaf as is the Morning Post, both in and out of season: The working men of Lancashire are all reduced to beggary. And yet they will not listen unto Roebuck or to Gregory, "Or any other man," today, who counsels interfering. While all who speak on t'other side obtain a ready hearing — As per example Mr. Bright, that pink of all propriety. That meek and mild disciple of the blessed Peace Society. 24 ENGLAND'S NEUTRALITY 25 "Why, let 'em fight," says Mr. Bright, "those Southerners I hate 'em, I hope the Black Republicans will soon exterminate 'em; If Freedom can't Rebellion crush, pray tell me what's the use of her?" And so he chuckles o'er the fray as gleefully as Lucifer. Enough of him; an abler man demands our close attention — The Maximus Apollo of strict Non Intervention. With pitiless severity, though decorus and calm his tone. Thus speaks the "old man eloquent," the puissant Earl of Palmerston: "What though the land run red with blood: what though the Im^id flashes Of cannon light at dead of night a mournful heap of ashes Where many an ancient mansion stood? what though the robber pillages The sacred home, the house of God, in twice a hundred vil- I? "What though a fiendish, nameless wrong, that makes re- venge a duty Is daily done" (O Lord, how long?) "to tenderness and beauty?" — (And who shall tell this deed of hell, how deadlier far a curse it is Than even pulling temples down and burning imiversities ?) "Let arts decay, let millions fall, for aye let Freedom per- ish. With all that in the Western World men fain would love and cherish; 26 ENGLAND'S NEUTRALITY Let Universal Ruin there become a sad reality: We cannot swerve, we must preserve our rigorous Neutral- ity." Oh, Pam ! Oh, Pam ! hast ever read what's writ in holy pages, How blessed the Peacemakers are, God's children of the Ages ? Perhaps you think the promise sweet was nothing but a platitude; 'Tis clear that you have no concern in that divine beati- tude. But "hear! hear! hear!" another peer, that mighty man of muscle. Is on his legs, what slender pegs! ye noble Earl of Rus- sell; Thus might he speak did not of speech his shrewd reserve the folly see. And thus xmfold the subtle plan of England's secret policy: "John Bright was right! Yes, let 'em fight, these fools across the water, 'Tis no aflfair at all of ours, their carnival of slaughter ! The Christian world indeed may say we ought not to al- low it, sirs. But stiU 'tis music in our ears, this roar of Yankee how- itzers. "A word or two of sympathy that costs us not a penny We give the gallant Southerners, the few against the many; We say their noble fortitude of final triumph presages, And praise in Blackwood's Magazine, Jefif Davis and his messages — ENGLAND'S NEUTRALITY 27 "Of course we claim the shining fame of glorious Stonewall Jackson, Who typifies the English race, a sterling Anglo-Saxon; To bravest song his deeds belong, to Clio and Melpo- mene" . . . (And why not for a British stream demand the Chicka- hominy ?) "But for the cause in which he fell we cannot lift a finger. 'Tis idle on the question any longer here to linger; 'Tis true the South has freely bled, her sorrows are Ho- meric, oh! Her case is like to his of old who journeyed imto Jericho — "The thieves have stripped and bruised, although as yet they have not bound her; We'd like to see her slay 'em all to right and left around her; We shouldn't cry in Parliament if Lee should cross the Raritan, But England never yet was known to play the Good Sa- maritan. "And so we pass to t'other side and leave them to their glory To give new proofs of manliness, new scenes for song and story; These honeyed words of compliment may possibly bam- boozle 'em, But ere we intervene, you know, we'll see 'em in— Jerusalem. "Yes, let 'em fight, till both are brought to hopeless deso- lation. Till wolves troop round the cottage door, in one and t'other nation. 28 ENGLAND'S NEUTRALITY Till, worn and broken down, the South shall prove no more refractory, And rust eats up the silent looms of every Yankee factory — "Till bursts no more the cotton boll o'er fields of Carolina, And fills with snowy flosses the dusky hands of Dinah; Till war has dealt its final blow, and Mr. Seward's knav- ery Has put an end in all the land to freedom and to slavery. "The grim bastile, the rack, the wheel, without remorse or pity, May flourish with the guillotine in every Yankee city, No matter should old Abe revive the brazen bull of Phal- aris, 'Tis no concern at all of ours" — (sensation in the galleries). "So shall our 'merrie England' thrive on trans- Atlantic troubles, While India on her distant plains her crop of cotton dou- bles; And just so long as North or South shall show the least vitality We cannot swerve, we must preserve our rigorous Neu- trality.*' Your speech, my lord, might well become a Saxon legis- lator, When the "fine old English gentleman" lived in a state of natur'. When vikings quaffed from human skulls their fiery draughts of honey mead. Long, long before the barons bold met tyrant John at Run- nymede — ENGLAND'S NEUTRALITY 29 But 'tis a speech so plain, my lord, that all may under- stand it. And so we quickly turn again to fight the Yankee bandit. Convinced that we shall fairly win at last our Nationality Without the help of Britain's arm — in spite of her Neu- trality. THE DEVIL'S DELIGHT To breakfast one morning the Devil came down, By demons and vassals attended; A headache had darkened his brow with a frown, From his orgie last night, or the weight of his crown, But his presence infernal was splendid. In a robe of red flame was Diavolo dressed. Without smutch of a cinder to soil it; Blue blazes enveloped his throat and his chest. While the tail, tied with ribbons as blue as the vest. Completed his Majesty's toUet. No masquerade devU of earth could begin. With his coimterfeit horns and his mock tail. To look like this model Original Sin, As of lava and lightning and bitters and gin He sat and compoimded a cocktail. But to give, in all conscience, the Devil his due, He seemed sorrowful rather than irate; And his Majesty moped all the dejeimer through. With a twitch, now and then, of the ribbons of blue. And the look of a penitent pirate; Then a smUe, such as follows some capital joke Of a Dickens, a Hood, or a Jerrold, Sweet, playful, and tender, aU suddenly broke O'er the face of Sathanas, as turning he spoke, "Go, imp! bring the file of the Herald!" THE DEVIL'S DELIGHT 31 The paper was brought, and Old Nick ran his eye (In default of debates in the Senate) Over crimes, there were plenty, of terrible dye. Over letter and telegram, slander and lie. And the blatherskite leaders of Bennett. There were frauds in high places, official deceit; There were sms, we'll not name them, of ladies; There were Mexican murders and murders in Crete, By the thousand, all manner of villainies sweet To the Herald's subscribers in Hades. But the numberless horrors of every degree Did not wholly dispel his dejection; "The Herald's a bore, I'm aweary," says he; Then uprising, he added, "What's this.? 'Tennessee!' By jingo ! here's Brownlow's election ! "Ho, varlet! fill up till the beaker runs o'er!" Cried the DeO, growing joyous and frisky; A white-hot ferruginous goblet he bore. And the liquor was vitriol "straight," which he swore Was less hurtful than tanglefoot whiskey. "Fill up ! let us drink," said the Father of Lies, "To the mortal whose claims are most weighty!" And a light diabolic shone out of his eyes That made the thermometer instantly rise To fully five thousand and eighty. "I have knights of the garter and knights of the lance Who shall surely hereafter for sin burn; I have writers of history, ethics, romance. In England, America, Germany, France, And a gay little poet in Swinburne; 32 THE DEVIL'S DELIGHT "Reformers who go in for infinite smash, The widows' and orphans' oppressor; D. Ds. by the dozen, whose titles are trash. To be written with two httle d's and a dash; And many a Father Confessor: "And besides all the hypocrites," chuckled the Deil, "Who serve me with Ave and Credo, I have tyrants that murder, commanders that steal, Dahomey, Mouravieff, Butler, McNeil, Thad Stevens, Joe Holt, Escobedo: "But the man of all others the most to my mind. The dearest terrestrial creature. Is the blaspheming priest and the tyrant combined. Who mocks at his Maker and curses his kind. In the garb of a Methodist preacher. "And so long as of Darkness I'm absolute Prince, From his praise there shall be no deduction. Whose acts a most exquisite malice eviuce. And whose government furnishes excellent hints. Opportunely for Hell's Reconstruction." Then the Fiend, with a laughter no language may tell. Drained his cup, and abasing his crown low, Cried "Hip, hip, hm-rah!" and a boisterous yell Went round till the nethermost confines of Hell Reechoed "Three cheers for old Brownlow!" A WORD WITH THE WEST [on the departure of general JOSEPH E. JOHNSTON FOR HIS WESTERN COMMAND] Once more to the breach for the Land of the West ! And a leader we give of our bravest and best. Of his State and his army the pride: Hope shines like the plume of Navarre on his crest. And gleams in the glaive at his side. For his courage is keen and his honor is bright As the trusty Toledo he wears to the fight, Newly wrought in the forges of Spain, And this weapon^ like aU he has brandished for Right Will never be dimmed by a stain. He leaves the loved soil of Virginia behind, Where the dust of his fathers is fitly enshrined, Where lie the fresh fields of his fame; Where the murmurous pines as they sway in the wind Seem ever to whisper his name. The Johnstons have always borne wings on their spurs. And their motto a noble distinction confers: "Ever Ready" for friend or for foe — With a patriot's fervor the sentiment stirs The large, manly heart, of our Joe. 1 General Johnston carries with him a beautiful sword recently pre- sented to him, bearing the mark of the Royal Manufactory of Tole- do, 1862.— J. R. T. 33 I A WORD WITH THE WEST We recall that a former bold chief of the clan Fell, bravely defending the West, in the van. On Shiloh's illustrious day; And with reason we reckon our Johnston the man The dark bloody debt to repay. There is much to be done; if not glory to seek, There's a just and a terrible vengeance to wreak For crimes of a terrible dye. While the plaint of the helpless, the wail of the weak. In a chorus rise up to tjie sky. For the Wolf of the North we once drove to his den, That quailed in affright 'neath the stern glance of men. With his pack has turned to the spoil; Then come from the hamlet, the moimtain and glen. And drive him again from the soil. Brave-born Tennesseans so loyal, so true, Who have hrmted the beast in your highlands, of you Our leader had never a doubt; You will troop by the thousand the chase to renew The day that his bugles ring out. But ye "Hunters" so famed "of Kentucky" of yore. Where, where are the rifles that kept from your door The wolf and the robber as well? Of a truth you have never been laggard before To deal with a savage so fell. Has the love you once bore to your country grown cold ? Has the fire on the altar died out? Do you hold Your lives than your freedom more dear? Can you shamefully barter your birthright for gold, Or basely take coimsel of fear? A WORD WITH THE WEST 35 We will not believe it — ^Kentucky, the land Of a Clay will not tamely submit to the brand That disgraces the dastard, the slave; The hour of redemption draws nigh — is at hand — Her own sons her own honor shall save ! Mighty men of Missouri, come forth to the call. With the rush of yotu- rivers when the tempests appal And the torrents their sources imseal. And this be the watchword of one and of all — "Remember the butcher, McNeil!" Then once more to the breach for the Land of the West ! Strike home for yovir hearths — for the lips you love best — Follow on where your leader you see; One flash of his sword, when the foe is hard prest. And the Land of the West shall be Free ! COERCION: A POEM FOB THE TIMES Who talks of coercion? Who dares to deny A resolute people the right to be free? Let him blot out forever one star from the sky Or curb with his fetter one wave of the sea. Who prates of coercion? Can love be restored To bosoms where only resentment may dwell — Can peace upon earth be proclaimed by the sword. Or good will among men be established by shell? Shame ! shame that the statesman and trickster forsooth Should have for a crisis no other recoiu'se, Beneath the fair day-spring of Light and of Truth, Than the old hrutem fulmen of Tyranny — Force. From the holes where Fraud, Falsehood and Hate slink away: From the crypt in which Error lies buried in chains — This foul apparition stalks forth to the day. And would ravage the land which his presence profanes. Could you conquer us. Men of the North, could you bring Desolation and death on our homes as a flood — Can you hope the pure lily. Affection, will spring From ashes all reeking and sodden with blood? Could you brand us as viUains, and serfs, know ye not What fierce, sullen hatred lurks under the scar? How loyal to Hapsburg is Venice, I wot. How dearly the Pole loves his Father, the Czar ! COERCION 37 But 'twere well to remember this land of the sun Is a nutrix leonum and suckles a race Strong-armed, lion-hearted and banded as one Who brook not oppression and know not disgrace. And well may the schemers in office beware The swift retribution that waits upon crime, When the lion, Resistance, shall leap from his lair With a fury that renders his vengeance sublime. Once, Men of the North, we were brothers, and still. Though brothers no more, we would gladly be friends; Nor join in a conflict accurst that must fill With ruin the country on which it descends. But if smitten with blindness and mad with the rage The gods gave to all whom they wished to destroy, You would not act a new Iliad to darken the age With horrors beyond what is told us of Troy — If, deaf as the adder itself to the cries. When Wisdom, Humanity, Justice implore. You would have our proud eagle to feed on the eyes Of those who have taught him so grandly to soar — If there be to yovu* malice no limit imposed, And you purpose hereafter to rule with the rod The men upon whom you have already closed Our goodly domain and the temples of God — To the breeze then yotu- banner dishonoured unfold. And at once let the tocsin be sounded afar; We greet you, as greeted the Swiss Charles the Bold, With a farewell to peace and a welcome to war ! S8 COERCION For the courage that clmgs to our soil, ever bright, Shall catch inspirations from turf and from tide; Our sons unappalled shall go forth to the fight With the smUe of the fair, the pure kiss of the bride; And the bugles its echoes shall send through the past. In the trenches of Yorktown to waken the slain; While the sods of King's Mountain shall heave at the blast. And give up its heroes to glory again. UNITED STATES DISTRICT COURT, DISTRICT NO. 1, UNDERWOOD, J.* Virginia ! how sad is thy case. How degraded thy judgments impartial. When Underwood sits in the place That once was adorned by a Marshall, We say it with reason that Fate Was cruel, if not undiscerning. To give Knavery, Pedantry, Hate, For Goodness and Wisdom and Learning. They tell us that Justice is blind. And thus we may safely determine How Underwood e'er was assigned To wear her immaculate ermine; His peer you'll not find in your track Though you travel from Maine to Missouri Whose vUlainous heart is as black As the faces of five of his jury. Foul spectre of Jeffreys, avaunt ! Apparition of Impey, be quiet ! When Underwood comes with his cant To investigate murder and riot; Yet if you will not be denied. But insist you are birds of a feather. Take your places at once by his side And all three sit in banco together. 39 WILLIAM H. SEWARD [on his RETUEN from EUROPE, JANUARY, I860] Sic te diva potens Cypri, Sic fratres Helenae, lucida sidera, Ventorumque regat pater, Obstrictis aliis praeter lapyga, Navis quae tibi creditum Debes Virgilium, finibus Atticis Eeddas incolumen, precor, Et serves animae dimidium meae. — ^HoEATius, Liber 1, carmen 3 Blest be the ship that brought you safe to shore. Long fated with the winds and waves to wrestle. As that of old which Virgil proudly bore; (My motto's not, you must yourself confess, ill). You never have been so much missed before, They want you now upon another vessel — The ship of state is drifting fast to leeward, And needs yoiu* master hand, O matchless Seward ! I cannot tell, indeed, but we shall go To Davy Jones with such a Palinurus, There's been of late a "dreffle" heavy blow From bustling Auster and destructive Eurus; And able seamanship alone, I know 'Gainst ever-threatening peril can secure us — And sure am I we should have soon been undone Had you not happily come back from London. But I forget — you came direct from France, You've been a guest at Compiegne of the Emperor- Methinks I see you lightest in the dance. Like youthful innocence (0 si sic semperl) or 40 WILLIAM H. SEWARD 41 Ogling with the looks of tenderness askance The fair Eugenie in the sweetest temper, or Apart with Louis, with a cool effront'ry Plotting the speedy downfall of the country. You've made a pilgrimage, another "ChUde," To Greece where stood the ancient Athenaeum And roamed through "antres vast and desarts" wild And heard in minsters dim the loved Te Deum; In galleries strolled where Raphael's Mary smiled. And seen the ruins of the Coliseum; — And now retm-n to an admiring nation To see the ruins of your reputation. Enough— you're wanted in this country now, For since you lingered by the fane of Isis, They've gone and made Oh, such a precious row In Congress over the "Impending Crisis": By Huiton Helper, not by Dr. Howe, Of which but fifty cents the present price is — They print it cheap to make it more accessible. The text-book of your "Conflict Irrepressible." They've hung John Brown, the martyr and the saint. To whom New England sings extravaganzas — The Devil himself would Wendell Phillips paint Sky-blue, and Lowell write him tuneful stanzas; But, spite of Black Republican complaint. You'll hear no more, I think, of "bleediag Kansas" — Virginia stopped that terrible phlebotomy Last month, you know, in hanging Ossawattomie. "O bloodiest picture in the Book of Time!" Perhaps you'll say. 'Twas a stern sentence, very; 42 WILLIAM H. SEWARD But old Brown's rifle slew (confound the rhyme!) Some worthy citizens at Harper's Ferry; Think of the tool and victim of your crime, And o'er his righteous fate at home make merry, Or quickly seek North Elba where they've laid him And there confess how vilely you've betrayed him. We've heard about yoiu" knowledge of his scheme, And how you said they never should have told you But kept the guilty secret; did you deem The Black Republicans had only "sold" you? Oh, no; you know 'twas not a hideous dream. No doubts, no conscience twinges e'er controlled you; For this, and other pleasing stories, Vide the brilliant speech of Mr. Voorhees. "Sweet Auburn! Loveliest village of the plain," Well may thy sons ia happy groups assemble. To welcome to his long-lost home again The man whose voice makes list'ning senates tremble. As fashionable people thrill with pain At Lady Macbeth read by Fanny Kemble — And who atones at once for all his knavery By eloquently pitching into slavery. There is a prison* in that pleasant town That should have offered you its hospitalities. On landscapes peaceful its grim walls look down. Quite near the Central Railway and Canal it is — There you might write the life of Captain Brown, The quietest of undisturbed localities. And there I trust you may yet be resident Until the "colored gem'men" make you President. * Western Penitentiary of New York. A FAREWELL TO POPE "Hats oflF" in the crowd, "Present arms" in the line! Let the standards all bow, and the sabres incline — Roll, drums, the Rogue's March, while the conqueror goes. Whose eyes have seen only "the backs of his foes" — Through a thicket of laurel, a whirlwind of cheers, His vanishing form from our gaze disappears; Henceforth with the savage Dacotahs to cope, Abiit, evasit, erwpit — ^John Pope. He came out of the West, like the young Lochinvar, Compeller of fate and controller of war, Videre et vincere, simply to see. And straightway to conquer HiU, Jackson and Lee; And old Abe at the White House, like Kilmansegg pere, "Seemed washing his hands with invisible soap," As with eager attention he listened to Pope. He came — and the poultry was swept by his sword. Spoons, liquors, and furniture went by the board; And "rode to the front," which was strangely the rear; He conquered — truth, decency, pretender, poltroon; And was fain from the scene of his triumphs to slope, Sure there never was fortimate hero like Pope. He has left us his shining example to note. And Stuart has captured his uniform coat; But 'tis puzzling enough, as his deeds we recall. To tell on whose shoulders his mantle should fall; 43 A FAREWELL TO POPE While many may claim to deserve it, at least. From Hunter, the Homid, down to Butler, the Beast, None else, we can say, without risking the trope. But himself can be parallel ever to Pope. ^ Like his namesake the poet of genius and fire, He gives new expression and force to the lyre; But in one little matter they differ, the two. And differ, indeed, very widely, 'tis true- While his verses gave great Alexander his fame, 'Tis our hero's reverses accomplish the same. And fate may decree that the end of a rope Shall award yet his highest position to Pope. RICHMOND'S A HARD ROAD TO TRAVEL; . Ok the New Jokdan, as Sung with Enthusiastic Applause in All the Northern Theatres [respectfully dedicated to general AMBROSE E. burnside] Would you lite to hear the song, I'm afraid it's rather long, Of the famous "On to Richmond" double trouble — Of the half a dozen slips on a half a dozen trips And the very latest bursting of the bubble? Then list while I relate this most unhappy fate; 'Tis a dreadful knotty puzzle to unravel, Though all the papers swore, when we touched Virginia's shore. That Richmond was an easy road to travel. Then pull oflf your coat and roU up your sleeve, For Richmond's a hard road to travel. Then pull off your coat and roll up your sleeve, For Richmond's a hard road to travel, I believe. First McDowell, bold and gay, set forth the shortest way, By Manassas in the pleasant summer weather, But he quickly went and ran on a Stonewall, foolish man. And had a "rocky" journey altogether; For he found it rather hard to ride over Beauregard, And Johnston proved a deuce of a bother. And 'twas clear beyond a doubt that he didn't like the rout, And a second time would have to try another. Then pull off your coat and roll up your sleeve, For Richmond's a hard road to travel; Manassas gave us fits, and Bull Run it made us grieve — Oh! Richmond's a hard road to travel, I believe. 45 46 RICHMOND'S A HARD ROAD TO TRAVEL Next came the Woolly Horse, with an overwhelming force, To march down to Richmond by the Valley, But he couldn't find the road, and his "onward movement" showed His campaigning was a mere shilly-shally. And Commissary Banks, with his motley foreign ranks. The Dutchman and the Celt, not the Saxon, Lost the whole of his supplies, and, with tears in his eyes. Ran away from that dunder-headed Jackson. Then pull oflf your coat and roll up your sleeve. For Richmond's a hard road to travel; The Valley wouldn't do, as everybody knows, And Richmond's a hard road to travel, I suppose. Then the great Galena came, with her port-holes all aflame, And the Monitor, that famous naval wonder. But the guns at Drewry's bluff gave them speedily enough Of the loudest sort of real Rebel thunder: The Galena was astonished, and the Monitor admonished. And their efforts to ascend the stream were mocked at. While the dreadful Naugatuck, by the hardest kind of luck, Was very nearly knocked into a cocked hat. Then pull off your coat and roll up your sleeve. For Richmond's a hard road to travel; The gunboats gave it up in a stupefied despair, And Richmond is a hard road to travel, I declare. Then McClellan followed soon, with spade and with bal- loon. To try the Peninsula approaches, But one and all agreed that his best rate of speed Wasn't faster than the slowest of "slow coaches;" Instead of easy ground, at WUliamsburg he found A Longstreet, indeed, and nothing shorter. RICHMOND'S A HARD ROAD TO TRAVEL 47 And it put him in the dumps that spades wasn't trumps And the Hills he couldn't level as he "orter." Then pull off your coat and roll up your sleeve, For Richmond's a hard road to travel; Lay down the shovel and fling away the spade. For Richmond's a hard road to travel, I'm afraid. He tried the Rebel lines, on the field of Seven Pines, Where his troops did such awful heavy chargin' — But he floundered in the mud, and he saw 'a stream of blood Overflow the Chickahominy's sweet margin; Though the fact seems rather strange, when he left his gunboats' range. On land he drifted overmuch to Lee- ward. So he quickly "changed his base," in a sort of steeplechase. And hurried back to Stanton, Abe and Seward. Then pull off your coat and roll up your sleeve, For Richmond's a hard road to travel; We shouldn't be surprised that McClellan took to drink- ing, For Richmond's a hard road to travel, I'm a-thinking. Then said Lincoln unto Pope, "You can make the trip, I hope." Quoth the bragging Major-general, "Yes, that I can," And began to issue orders to his terrible marauders, Just like another Leo of the Vatican; But that same demented Jackson this fellow laid his whacks on. And made him by compulsion a Seceder, And Pope took a rapid flight from Manassas' second fight — 'Twas his very last appearance as a leader. Then pull off your coat and roll up your sleeve. For Richmond's a hard road to travel; 48 RICHMOND'S A HARD ROAD TO TRAVEL Pope tried his very best, and was evidently sold. And Richmond's a hard road to travel, I am told. Last of all the brave Burnside, with his pontoon bridges, tried A road no one had thought of before him. With two hundred thousand men for the Rebel "slaughter pen," And the blessed Union flag a-flying o'er him; But he met "a fire of hell," of canister and shell. Enough to make the knees of any man knock; 'Twas a shocking sight to view, that second Waterloo, On the banks of the pleasant Rappahannock. Then pull off your coat and roll up your sleeve. For Richmond's a hard road to travel; 'Twas a shocking sight to view, that second Waterloo, And Richmond's a bloody road to travel, it is true. We are very much perplexed to know who'll try it next. And to guess by what new highroad he may go, But the capital must blaze, and that ia ninety days, For 'tis written, Delenda est Carthago — We'll take the cursed town, and then we'll burn it down, And plunder and hang up every rebel — Yet the contraband was right when he told us they would fight— "Oh, yis, marsa, they'll fight like the debble." Then pull off your coat and roll up your sleeve. For Richmond's a hard road to travel; We've played our strongest card, and 'tis plain that we are slammed. And if Richmond ain't a hard road to travel, I'll be — blamed ! VIRGINIA FUIT5 " The name of the commonwealth is past and gone." — Btbon, Ode to Venice. Consummatum — the work of destruction is done. The race of the first of the States has been run. The guile of her foes finds her triumph at last. And Virginia, like Poland, belongs to the past. How her story the heart's deepest reverence stirs, What a stature, antique and heroic, was hers. What a grace, what a glory, her presence adorning. In the fresh, dewy light of Liberty's morning. In that day of her early espousals she came With her dowry of empire, her birthright of fame. To enrich and ennoble on land and on sea The Republic her Washington's valor made free. And what greatness resplendent it won, through her love. Let the eloquent page of the annalist prove, W^herein, though the page is now blotted with tears, Virginia but ever as Empress appears. The nation's decrees did her counsellors mould,^ And her orators' words were as apples of gold; Her captains triumphant, afloat and ashore. Gave the banner of Union the brightness it bore. And for this, that her children disgraced not their sires. That they strove to keep lighted their liberty fires. That they hailed her as rightfully wearing the crown. For this have her enemies trampled her down. 49 50 VIRGINIA FUIT How low she lies now, stript of half her domaiB, Bewailing her sons who in battle were slain, With the shade of an infinite sadness upon her, And all she loved dearest, all lost but her honor! Thank heaven ! that is safe : with a madness accurst, Let the tyrants that rule for the hoiu- do their worst; She may bleed 'neath the heel of the hireling invader. They may spoil, they may rend, but they cannot de- grade her. Let them subjugate nature — enraged, let them seek To drain the broad waste of the blue Chesapeake, Let them seal up the sources whence rushes Bull Run, And shut out from the Valley the face of the sun: Let them falsify fact, without conscience or ruth. Let them paralyze justice and manacle Truth; (Fair Truth, we accept of their poet the line. That the years of the Godhead eternal are thine). Yet the record remains: in the garment of song The legend of Jackson her praise shall prolong. And Veritas Virens, crushed down though it be. Shall spring to the light in the story of Lee! From the anguish abysmal where prostrate she lies Virginia the Desolate never may rise; For already the iron has entered her s6ul. And behold, at the foimtain, aU broken the bowl. But of just retribution there cometh the day; The Master has promised it — I will bepay — And wo to the people he smites with His rod In that terrible day of the vengeance of God ! THE GREEK SLAVE, OF POWERS It is not that the sculptor's patient toil Gives sweet expression to the poet's dream — It is not that the cold and rigid stone Is taught to mock the human face diviae, That silently we stand before her form And feel in a holy presence there. But in those fair, calm lineaments of hers, All pure and passionless, we catch the glow. The bright intelligence of soul infused. And tender memories of gentle things And sorrowing innocence and hopeful trust, The perfect utt'rance of ideal grace. Life-like as Hermione, there she stands As if her bosom throbbed with high designs And those celestial lips would part in speech To tell the brief sad story of her wrongs ! In some secluded vale of Arcady, In playful gambols o'er its siuiny slopes, Had nature led her childish feet to stray. Or she had watched the blue Egean wave Dash on the sands of "sea-born Salamis." Or, in her infant sports, had simk to sleep. Beneath the wasting shadow of that porch Whose sculptured gods, upon its crumbling front. Reveal the glories of a by-gone age. There, watered by affection's richest dews And the warm teardrops of maternal love. This lovely flow'ret, day by day, grew up In beauty and in fragrance. Such the line, 51 52 THE GREEK SLAVE, OF POWERS That marked the short and simple chronicle, Of life's clear morning. Soon the spoiler came, The mercenary Turk with horse and spear, And this meek blossom rudely tore away To deck the harem of some brutal lord. A long and toilsome road they took, and oft In the warm twilight of a summer's eve. This lovely girl had fallen in the path. Weary and sick at heart. And then a tide Of gushing recollections quickly came From the feeling's fount "to ope the source of tears," And her young spirit bowed in anguish there; Like Israel's captives when, by Babel's stream. Remembering Sion, they sat down and wept! Her ear perchance had caught a passing strain. Some well-known melody of youthful days. And she had feebly lisped a prayer to God That she might live to see her childhood's hills And look again into her mother's face. As when in foreign climes the Switzer hears That wild eflFusion of his native Alps, The thrilling Ranz des Vaches, he longs to climb In freedom once again the chamois track Of his remembered home. And now a slave. Fettered and friendless in the market-place Of that imperial city of the East, Whose thousand minarets at eve resound With the muezzin's sunset call to prayer. She stands exposed to the unhallowed gaze And the rude jests of ev'ry passer by. There in her loveliness, disrobed for sale. Girt with no vesture save her purity. THE GREEK SLAVE, OF POWERS 53 A ray of placid resignation beams In ev'ry line of her sweet countenance, And on the lip a half disdainful ciu*l Proclaims the helpless victim in her chains Victorious in a woman's modesty ! There does the poor dejected slave display A mien the fabled goddess could not wear, A look and gesture that might well beseem Some seraph from that bright meridian shore Where walk the angels of the Christian creed ! Sweet visions cheered the sculptor's lonely hours, And glorious images of heavenly mould Came trooping at his call, as blow by blow, The marble yielded to his constant toil. And when he gave his last informing touch And raised the chisel from that radiant brow, And gazed upon the work of his own hands So cimningly struck out from shapeless stone, His eyes dilated with a conscious joy That patient effort with enduring life Had clothed his beauteous and majestic child! Such are thy triumphs, genius, such rewards As far outweigh all perishable gifts. Ingots of silver and barbaric gold And all the trophies of tiaraed pride ! New York City, September, 1847. DEDICATION HYMN^ LoED ! Thou hast said when two or three Together come to worship Thee, Thy presence, fraught with richest grace. Shall ever fill and bless the place. Then let us feel, as here we raise A temple to Thy matchless praise. The blest assurance of Thy love As it is felt in realms above. Lord ! here upon Tby sacred day Teach us devoutly how to pray. Our weakness let Thy strength supply, Nor to our darkness light deny. Here teach our flattering tongues to sing The glories of the Heavenly King, And let our aspirations rise To seek the Saviour in the skies. And when at last in life's decline This earthly temple we resign. May we, O Lord ! enjoy with Thee The Sabbaths of eternity. 54 LA MORGUES In the great and noisy city. By the waters of the Seine, Where across her hundred bridges Paris pours a living train; Far beneath the gloomy shadow Of high arches overhead, Humid, dark, repulsive, sombre. Stands the mansion of the dead ! Onward rolls the sparkling water Gaily as if Father Time Ne'er had seen it red with slaughter In the carnival of crime; Onward by a stately palace And by gardens fair and green Where of old the jewelled chalice Met the kisses of a queen; When the bright though transient moments. Bubbles bursting as they rise. Still went by, a magic circle Of recurring fantasies: And o'er all there sat in splendor She whose beauty from afar Flashed above the faint horizon Like the joyous morning star! But there is a massive prison, BuUt upon the river-side. From whose vaults have vainly risen Lamentations to the tide: 55 56 LA MORGUE And within its dusky portals Passed this yet heroic queen To retrace her footsteps never Till she seeks the guillotine ! Seine! in all thy tortuous courses, From the piu-ple vine-clad steep, Down by Rouen's grim cathedral To the billows of the deep, Never has thy face reflected Aught so terrible to see As the sullen architecture Of the Conciergerie ! Dark La Morgue hath had its tenants, When in panoply arrayed. Death unfurled his horrid pennants O'er each bloody barricade: There today a corse is carried * Slowly through the moving crowd, By the world all unregarded. Wrapped in neither sheet nor shroud ! As the light reveals the features To some idler of the throng. Soft he says a pater noster. Moves with rapid step along While above the wasted body Bends a weeping child to trace But the perishing resemblance To an aged father's face- When Apollo's steeds are driven Frantic through the eastern sky LA MORGUE 57 Her affection's tears are given O'er a form too fair to die. Fondly still the mourner lingers When the sun at even calm Falls aslant upon the turrets Of majestic Notre Dame ! 'Tis perhaps some youthful maiden From thy sunny banks, Garonne, With a thousand graces laden Who no thought of care has known, And her life's brief, gentle morning — Ever from its earliest ray Home's sequestered paths adorning — Kindled into perfect day. Oft when rung the solemn vesper Out upon the drowsy air She had walked in meek devotion To repeat her simple prayer; And with tearful sadness kneeling In the chapel hushed and dim Upward had her glance ascended To the radiant seraphim ! Now she lies in stony silence. Stretched upon the brazen bier; Of her kindred, none to offer E'en the tribute of a tear. With no semblance of expression On the cold and pallid lips. And those eyes that beamed so brightly Quenched in lustreless eclipse. 58 LA MORGUE Such as this the daily lessons That to man La Morgue would teach. Yet they pass as little pondered As the eloquence of speech: Loud the din of worldly pleasure While around us flashing flies Life, with its delusive phantoms And its empty pageantries! TO MISS AMELIE LOUISE RIVES [on her departure for France] Lady! that bark will be more richly freighted That bears thee proudly on to foreign shores Than argosies of which old poets prated. With Colchian fleece or with Peruvian ores; And should the prayers of friendship prove availing That trusting hearts now offer up for thee 'Twill ride the crested wave with braver sailing Than ever pinnace on the Pontic sea. The sunny land thou seekest o'er the billow May boast indeed the honors of thy birth. And they may keep a vigil round thy pillow Whom thou dost love most dearly upon earth. Yet shall there not remain with thee a vision, Some lingering thought of happy faces here. Fonder and fairer than the dreams elysian Wherein thy future's radiant hues appear? The high and great shall render thee obeisance In halls bedecked with tapestries of gold. And mansions shall be brighter for thy presence Where swept the stately Medicis of old — Still 'mid the pomp of all this courtly lustre I cannot think that thou wilt all forget The pleasing fantasies that thickly cluster Around the walls of the old homestead yet! 59 PHILIP PENDLETON COOKE » One gifted child thou hadst who reached in vain The vast propylon of the gleaming fane. 'Twas his to see the columns pure and white Of marble and of ranged chrysolite — The lines of jasper through the golden gates — Alas ! no more was suffered by the Fates — Like Baldur, fairest of the sons of morning, The halls of Odin lustrously adorning, He early caught the pale, blue, fearful glance Of shadowy Hela's awful countenance. Lamented Cooke ! if all that love could lend To the chaste scholar and the faithful friend. If all the spoiler forced us to resign In the calm virtues of a life like thine Could bid him turn his fatal dart aside From our young Lycidas, thou hadst not died. Peace to the Poet's shade ! His ashes rest Near the sweet spot he loved on earth the best — The modest daisies from the siirface peeping As from the sod where Florence Vane lies sleeping. While his own river murmurs as it flows Perpetual requiem o'er his soft repose. 60 PROPOSED SALE OF THE NATURAL BRIDGE lo A SALE ! A sale ! Earth's proudest things are daily bought and sold, And art and nature coincide in bowing down to gold. Alas ! at such a sale as this sad thoughts within us rise Until the Bridge becomes to us a very Bridge of Sighs. Ho ! citizens of Lexington, ho ! keepers of the springs, To whom the Bridge a revenue in transient travel brings. Rebuke the cruel auctioneer with your severest frown Before in his destructiveness he seeks to knock it down! At least, ere he proceeds to such extremity as that. Be good enough to bid him first remember what he's at. Let even-handed justice, too, cry loudly in his ears That he should give this ancient Bridge a trial by its piers. Now, by the bones of Captain Smith, how shall he dare to cry (For crying's his "vocation, Hal," though with unmois- tened eye) ? That this great span which hath endured for centuries un- known, At bidding of a purchaser is going, going, gone! Oh, for a Wordsworth's flowing lines to sonnetize the Bridge And paint in Tiutern Abbey tints the Valley and the Ridge, But what's words worth in such a task as lies before us here, As little as to give the face of placid Windermere. 61 62 PROPOSED SALE OF THE NATURAL BRIDGE The only ode, O noble Bridge, that should be sung to thee Is heard among the mountain pines and heard upon the lea, A Miserere lofty as that anthem of the siu-ge When on the sunset strand it chants the day's departing dirge. The earth is full of stately works of monumental pride — The famed Rialto thrown above the dark Venetian tide — And pyramids and obelisks of ages passed away — And friezes of Pentelicus majestic in decay: — But arches, domes, colossal piles that human skill has wrought, All, all, when in comparison with thy proportions brought. Are fleeting as the palaces fantastically vaui That Russian monarchs rear in ice on Neva's frozen plain ! A Saxon priest once stood beneath the Coliseum's wall And augured that the globe itself should topple with its fall! Oh, when this mighty arch of stone shall from its base be hurled An elemental war shall work the ruin of the world! TO INTEMPERANCE Disastrous Power, that with gigantic stride Hast stalked so long in triumph through the land, Crushing to earth alike her strength and pride And reckoning victims by the grains of sand That whiten on Sahara's arid strand, With joy I see thy kingdom's latter days Writ on the wall by more than earthly hand, Such joy as moved the shepherd when the blaze Of Bethlehem's holy star first burst upon his gaze. Thou "scourge of God" more dire than he of old," Thou "Mighty Murderer!" mightier than the Greek ^^ Were the dim record of thy reign vmroUed, That simple volume would a language speak Stern as the thunder upon Sinai's peak; For stand engraved upon its bloody page, 'Mid countless millions of the obscure and weak. Names that have cast a halo rovmd the age That gave them birth; the bard, the hero, and the sage. Even as the worst dark tyrant ^^ that old Rome Brought forth, to curse the earth, in her decay. When tired of vulgar murder, from its home Dragged imoffending genius into day. Not to reward its owner, but to slay. So thy imdying appetite for blood. Gorged to repletion on ignobler prey. Seeks a fresh stimulant in daintier food And feasts upon the wise, the valiant, and the good. 64 TO INTEMPERANCE The Juggernaut of India's palmy days, The fiery Moloch of the olden time Breathed, 'mid their brute adorers' stupid gaze An atmosphere replete with blood and crime. Each in his separate sphere; but neither clime Nor era limits thy immense domain. O'er the wide earth thy sceptre waves sublime, Its countless nations wear thy clanking chain — With the great flood itself began thy deadly reign." TO MRS. S. P. Q .. . ., ON HER MARRIAGE Deak lady ! pardon me the crime If haply my too careless rhjane Disturb, at this auspicious time, A mother's soft caressings; While yet thine eyes are moist and dim With recent tears, and round the rim Of Joy's bright cup, now filled to him, There dance a thousand blessings. I have not known thee well, nor long; Our meeting was amid the throng; The cadence of the passing song Was scarce more quickly ended: But with thine xmobtrusive grace. The fond remembrance of thy face. Which time nor change may e'er erase, What kindly thoughts are blended. Henceforth thy childhood's life shall be A habitation shut to thee. And lost for aye the golden key To all its wayward fancies: And girlhood's giddy time shall seem The sweet illusion of a dream Or as some half forgotten theme From out the old romances. But grieve not, lady ! on the past, 'T was all too beautiful to last; Thy future's lines may yet be cast In "places" quite as "pleasant": 65 66 TO MRS. S. P. Q ON HER MARRIAGE And others seek with friendship's wile, Thy gentle sorrows to beguile, As tenderly as they whose smUe Makes glad the fleeting present. 'T is sad to leave the haunted glade. The homestead where thy presence made A mellow sunshine in the shade. Like Wordsworth's highland beauty; But he whose arms thy footsteps stays Shall lead thee through the coming days Along the green and quiet ways Of holy faith and duty. And thus with all that love endears. With him to share thy hopes and fears, May'st thou live on, till added years Of age give timely warning: Then be it thine on joys to muse That still around thy path diflfuse A radiance softer than the hues Of life's unclouded morning. A DIRGE [for the funeral solemnities of zachary taylor] Again the cold, insatiate grave Has newly closed above the brave; Again in solemn form we meet A chieftain's virtue to repeat — Bedew with tears the laurel leaf. And sing the low, sad dirge of grief. The cord is loosed, but lives he yet. His star in glory's azure set, His name embalmed in freedom's songs. His fame upon ten thousand tongues, And his a triumph in the skies Beyond all earthly victories ! Lord ! give us strength, as he was strong. To serve our country well and long — And when the summons comes to go. May we the blest assurance know That lighted up his glazing eye. That we are still "prepared to die!" 67 INVOCATION THE VOICE OF RICHMOND TO PHINEAS T. BARNUM Wer liebt nicht Wein, Weib und Gesang, Der bleibt ein Narr sein Lebenlang. LUTHEE. The poet in- viteth the Manager to visit Virginia with Jenny Lind. Babntjm ! heed the fond petitions We would whisper in your ear, Bonaparte of exhibitions, Brmg the Swedish songstress here, We would catch the strain of Circe, But without her fatal glance — Barnum! for the love of mercy, Let us have a single chance ! The poet sug- gests that, for want of a great room, the nightingale shall sing in the open air. Do not yet that heart so harden That within your waistcoat beats, If no Spacious Castle Garden Offers here 10,000 seats; For much greater than Tedesco, This new prodigy of yours Here can simply sing al fresco, And yet fill "all out of doors." And offers to write for him a prize song at half price. And since Bayard Taylor's verses Did not meet with much success, But provoked the heavy curses Of eight hundred bards, or less, I will write some vastly better To the tune of "Dearest Mae," And you shall remain my debtor Only for one-half his pay.^^ INVOCATION 69 The hospitali- ties of the town are freely tendered. Come then, noble Corypheus Of the wonders of the world, Bring the nightingale to see us, Here be Sweden's flag unfurled. In the town of Richmond, I know, You can gather — for a song — Loud applauses and the rhino. "Say, why don't you come along?' The Manager is invoked to consent by all the memories of his past renown. By the Fame of the Museum, (Type of Yankee enterprise, Let it be yom* mausoleum). By the light of Jenny's eyes — By the wonders of the former — By the shade of aged Joyce, — ^^ By the pruning-hook of Norma, Let us hear the charmer's voice ! TO JENNY HERSELF Having pleaded with Barnum, and pleaded in vain, To bring you among us, fair Empress of Song, A voice more persuasive our muse would attain The gentle petition with you to prolong: Then whilst the town wits are discussing your style And the papers assail you with censure and praise. Bid Tribune and Tripler adieu for awhile And sing for us some of your exquisite lays ! Our critics who've heard you in Gotham declare That frigid and feigned your soprano appears. And, while it ascends to the uppermost air. It never unseals the soft fountain of tears — That, like some huge iceberg in boreal seas. With pinnacles bathed in the sunlight above. Is sparkles to chUl us and glitters to freeze. Thus challenging wonderment rather than love. It may be, indeed, that no passion combines With the skill you employ among people so cold. As the bird for a sunnier atmosphere pines When he sings in a cage, though the bars are of gold; Then turn to a region less socially bleak Where your welcome shall spring from the depths of the heart. Where the glad ray of soul shall illumine your cheek And feeling give warmth to the eflForts of Art! 70 JENNY LIND " NUNC EST BIBENDUM Come fill the cup of jubilee, And raise a gaudeamus. For venting thus our Christmas glee No cynic sure can blame us: We echo but the daily press — The joy of Mr. Ritchie— Our own delight is none the less We've heard the cantatrice! Oh, sweet are Jenny's winning ways. And pure is her soprano. And excellently well she plays Upon the grand piano: And like an angel's is the smile That o'er her features bright'ning Still flashes round her, all the while. Its vivid summer-lightning. How shall we speak of that brief dream That passed so quickly o'er us. Wherein we caught the radiant gleam And heard the heavenly chorus Awhile we walked adown the lawn Of early, beauteous Eden, Or strayed at rosy break of dawn Along the hills of Sweden. 71 72 JENNY LIND And when, next day, her coach and pair . Were to the depot driven, We stood like PUgrim at the Fair When Faithful flew to heaven. Alas ! the bird, indeed, had flown On lightest, swiftest pinions, To seek a yet more sunny zone Among the Carolinians. A RETROSPECT OF 1849 Thebe is a solemn peal of midniglit bells, ' Heard from the distant horologe of Time, That marks the closing year, and sadly tells, "With sullen roar," its darkened deeds of crime. In what a mournful, though expressive chime, Drearier than monotone, shall it bewail , The twelve-month newly gone — what "Runic rhyme' Shall it employ, to give the tragic tale Of all its scenes of blood and terror to the gale? How shall it toll of India's thousands slain? "India is quiet," says the Morning Post, "The last despatches tell of order's reign." "Order" that Selkirk found upon the coast Of the lone island where his bark was tost — "Order," such as the sacred record saith Reigned in the tents of the Assyrian host. When, touched by the dread angel's blighting breath. The proud, exulting foe lay hushed in stony death. O mother country ! home of all the arts, Seat of all wisdom, learning, justice, grace, A bright example your career imparts The trans-Atlantic oflF-shoot of your race; For when the triumphs of your arms we trace From proud Benares to Moultan, we may know How Christian nations can despoil, deface The fairest cities of a Heathen foe, If costly gems and gold reward them as they go ! 73 74 A RETROSPECT OF 1849 Sweet Lady — thou that wear'st the coronet Of England's sovereignty — we call thy name In kindness: let no pillaged pearls be set Among thy jewels; let thy gentle fame Be all unmixed with memories of shame; Lift up the Irish people: make it known A Queen can answer Nature's last acclaim. And the bright emerald on thy brow that shone, Shall flash as never flashed the Ko-hi-noor's rich stone. But in the hurried retrospective glance Which we would take of the departing year, How shall we blush for the Republic, France, That she among the spoilers should appear? Who has not shed the sympathising tear For freedom stifled in Rienzi's home, That men who boast their liberty should rear Their frowning guns to shatter arch and dome Upon the sacred hills of everlasting Rome ! And Kossuth, valiant leader of the brave, How have we read the story of thy fall ! What though the Austrian ensign yet may wave Its crimsoned folds o'er Brescia's prostrate wall, — The Grecian maids that decked the coronal With laurels fresh and fragrant for the free, Who rushed to victory at their country's call, Where classic "Marathon looks on the sea," No brighter garland wove than we would twine for thee ! Yet are there others that deserve the wreath, Venice, thy sons, who in the hour of dread, Drew forth the blade and threw away the sheath, While starving women cried aloud for bread — A RETROSPECT OF 1849 75 Could Harrow render back its noble dead. The Poet-hero whose resounding line Once mourned thy fallen state, thy grandeur fled, Inspired by this new "tale of Troy devalue," Should lift, to hj^mn thy praise, a statelier ode than mine. And what of young Columbia, Freedom's child, What crime of hers is borne upon the breeze? The Western "Pallas armed and un defiled," Is she yet stainless upon land and seas? Yes ! she obeys the Almighty's high decrees, And grows abundantly beneath His care. Like the great monarch of the Indian trees Which spreads its props abroad, its weight to share. And sends its branches high into the topmost air. Still a fell spirit is abroad to-day, A blind fanaticism, which would wage A war upon her rule, and cast away The glorious promise of maturer age — Forbear, rash zealots, your ignoble rage. For he whose folly brings Disunion's train. Shall stand upon a future Gibbon's page The Erostratus of a loftier fane Than earth, throughout all time, shall ever see again. SONNETS TO WINTER It was a remark of one of the Spanish kings that the four great- est blessings in life were Old Wine to Drink, Old Wood to Burn, Old Books to Read, and Old Friends to Love. OLD WINE TO DRINK Yes ! fill the goblet high with generous wine. As sparkling as the draughts of ancient Massie Or old Falernian made by Horace classic. Brought from the sunny valleys of the Rhine And throwing off their daughter's brilliant glances- Just as the diamond, long obscured from sight, With all the rays it last absorbed is bright. This wine, as o'er the festal board it dances. Gives back the flashes from the beaming eye Of the brown vineyard beauty, on our meeting: Fill up ! to friends a kind, a cordial greeting. And though December's winds may rustle by And lead the bowlings of the furious storm, Our faces kindle and our hearts are warm. II OLD WOOD TO BUBN Old wood to burn ! — hew down the highest trunk On Alleghanean ridges, seen afar — A monarch crowned with his imperial star — Against the crimson where the sun has sunk. The sharp axe, glittering in his kingly heart, Sends echo ringing through the golden woods — And then a crashing fall ! — like bursting floods 76 SONNETS TO WINTER 77 When roar the surges and great mountains part! The dim year wanes — ^I see an indoor sight — Bright faces gathered roimd a blazing fire At Yule or Pentecost when rising higher. The frolic-mirth draws gladness from the light — Of that old oak that towering once so vast. Laughed at the storm, and whistled at the blast ! Ill OLD BOOKS TO READ Reach from their dusty places of repose A Virgil's lay or "Livy's pictured page," The varied lore of an Augustan age — What visions panoramic they disclose ! With o'er attentive faculties we hear The wandering minstrelsy of Scio's bard — Poor houseless tenant of a life ill-starred — Or catch the minster music of the seer Chanting of Paradise "and all our wo." Then, with the Christian Pilgrim for our guide, We safely pass the dark and bridgeless tide To Beulah's land where flow'rets ever blow: Of Shakespeare's heroes trace the storied line. Or weigh the mercies of the Book divine ! IV OLD FRIENDS TO LOVE Old friends to love ! — true soul bound to true soul With olden memories, and traces dear Of the dead past, claiming the happy tear That still at sight of each will fondly roll ! Old friends 1 No sycophants of yesterday, 78 SONNETS TO WINTER With smiles and protestations never done. Bright summer-flies, true "lovers of the sun" And all who bask beneath the golden ray. Old friends I who, on the battle-field of life, When closed the serried hosts in stormy fight, Have raised the buckler Friendship strong and bright And borne us bleeding from the mortal strife, Who heart-whole, pure in faith, once written friend. In life and death are true unto the end ! THE WINDOW-PANES AT BRANDON Upon the window-panes at Brandon, on James River, are inscribed the names, cut with a diamond ring, of many of those who composed the Christmas and May parties of that hospitable mansion in years gone by. As within the old mansion the holiday throng Reassembles in beauty and grace. And some eye looking out of the window by chance. These memorial records may trace — How the past, like a swift-coming haze from the sea, In an instant surrounds us once more. While the shadowy figures of those we have loved, All distinctly are seen on the shore ! Through the vista of years, stretching dimly away. We but look, and a vision behold — Like some magical picture the sunset reveals With its colors of crimson and gold, — All suffused with the glow of the hearth's ruddy blaze. From beneath the gay "mistletoe bough," There are faces that break into smiles as divinely As any that beam on us now. While the old year departing strides ghost-like along O'er the hUls that are dark with the storm. To the New the brave beaker is filled to the brim, And the play of affection is warm: Look once more — as the garlanded Spring reappears. In her footsteps we welcome a train Of fair women, whose eyes are as bright as the gem That has cut their dear names on the pane. 79 80 THE WINDOW-PANES AT BRANDON From the canvas of Vandyke or Kneller that hang On the old-fashioned wainscoted wall. Stately ladies, the favored of poets, look down On the guests and the revel and all; But their beauty, though wedded to eloquent verse. And though rendered immortal by Art, Yet outshines not the beauty that, breathing below. In a moment takes captive the heart. Many winters have since frosted over these panes With the tracery work of the rime; Many Aprils have brought back the birds to the lawn From some far-away tropical clime: But the guests of the season, alas! where aie they? Some the shores of the stranger have trod, And some names have been long ago carved on the stone. Where they sweetly rest under the sod. How uncertain the record ! the hand of a child In its innocent sport, unawares. May, at any time, lucklessly shatter the pane. And thus cancel the story it bears; Still a portion, at least, shall uninjured remain Unto trustier tablets consigned. The fond names that survive in the memory of friends Who yet linger a season behind. Recollect, young soul, with ambition inspired ! Let the moral be read as we pass; Recollect, the illusory tablets of fame Have been ever as brittle as glass; Oh, then be not content with the name there inscribed. For as well may you trace it in dust; But resolve to record it, where long it shall stand. In the hearts of the good and the just. TO BULWER [on a second beading of "the caxtons"] BuLWER, with brimming eyes I've read again That fireside fiction of thy riper years — And I could blend thanksgiving with my tears, If 'twould but please thee, but the thought is vain — And often, when my Blackwood domes, I find At "Sisty's" story my eyelids fill. As the rich thoughts and sentiments distil From the alembic of thy glowing mind: The spell of genius and the stamp of art In all thy former works the reader sees. But thou hast niched the "household gods" in these; They give a deep assm-ance of a heart Whose pulses beat in sympathy with man. And in harmonious chord with the Eternal Plan ! 81 TO ONE IN AFFLICTION Deab friend ! if word of mine could seal The bitter fount of all thy tears. And through the future's cloudy years Some glimpse of sunshine yet reveal — That word I might not dare to speak: A father's sorrow o'er his child So sacred seems and undefiled, To bid it cease we may not seek. Thy little boy has passed away From mortal sight and mortal love. To join the shining choir above And dwell amid the perfect day; All robed in spotless innocence. And fittest for celestial things, O'ershadowed by her rustling wings The angel softly led him hence: As pure as if the gentle rain Of his baptismal morn had sought His bosom's depths, and ev'ry thought Has sweetly cleansed from earthly stain. Such blest assurance brings, I know. To bleeding hearts but sad relief — The dark and troubled tide of grief Mtist have its painful ebb and flow — 82 TO ONE IN AFFLICTION 83 And most of all when thou dost plod Alone, upon these wintry days, Along the old familiar ways Wherein his little feet have trod. And thou dost treasure up his words, The fragments of his earnest talk On some remembered morning walk, When, at the song of earliest birds. He'd ask of thee, with charmed look. And smile upon his features spread, Whose careful hand the birds had fed. And filled the ever-rxmning brook? Or viewing, from the distant glade. The dim horizon round his home. With simplest speech and air would come And ask why were the moimtains made? Be strong, my friend, these days of doom Are but the threads of darkest hue That daily enter to renew The warp of the Eternal Loom. And when to us it shall be given In joy to see the other side. These threads the brightest shall abide In the fair tapestries of Heaven! VIOLANTE [sketched from "my novel" by bulwer] Alack! for Violante — We've sought for her in vain, Beneath the lime-tree's pleasant shade In every walk and lane: The proud old house is desolate, Its inmates sad to see — That bright Italian maiden, Alas ! where can she be ? The beauteous Violante, Alone, was latest seen Just where the marble fountain Tossed up its sunset sheen — But when the darkness gathered fast The lofty halls along. She came no more to gladden them With love and grace and song. The cruel Violante ! Her father's face is pale And ever faithful Giacomo Can only "weep and wail," Now, Holy Mother, guard us ! It was a grievous wo The darling child should blindly trust The father's deadliest foe. - 84 VIOLANTE 85 The hapless Violante ! Could she avoid the snare. Which wily, wicked hands had set For innocence so rare? Alas for gentle girlishness ! When first it shall begin To hear, but too confidingly. The charmed voice of sin. The saint-like Violante Yet walks from harm secure, The demon Count can work no ill Unto a thing so pure; For all her soft humanities, Which kept us in control. Are but celestial messengers That wait upon her soul. The queenly Violante Shall come to us again. With troops of gallant gentlemen And nobles in her train; And we will twine a bridal wreath And deck the festal hall. For she shall wed in honor there The noblest of them all! TO [on being asked by her to write verses for her singing] From jewelled goblets we demand The choicest wme alone — And statues from the master's hand Should be of whitest stone. Then wherefore ask for words of mine? The thought itself were wrong; Thy glorious voice should but enshrine The purest pearls of song ! 86 BENEDICITE I SAW her move along the aisle — The chancel lustres burned the while — With bridal roses in her hair; Oh ! never seemed she half so fair. A manly form stood by her side. We knew him worthy such a bride: And prayers went up to God above To bless them with immortal love. The vow was said. I know not yet But some were filled with fond regret: So much a part of us she seemed To lose her quite we had not dreamed. Like the "fair Ines," loved, caressed. She went into the shining West, And though one heart with joy flowed o'er. Like her, she saddened many more. Lady ! though far from childhood's things Thy gentle spirit folds its wings. We offer now for him and thee A tearful Benedicite ! 87 UNWRITTEN MUSIC Could I but all the glorious sounds combine That sometimes fill the chambers of my soul, Songs of this earth and melodies divine. In one majestic whole — A brave composer I might be confest. And roimd the world my humble name might ring. With richest honors and ascriptions drest For what I then should sing. AU jocund, jubilant, rejoiceful airs — The elfin mirth of fair Titania's train — The laugh of L' Allegro, dispelling cares, Should sweetly swell the strain. The tinkling bells of cattle homeward bent. Wafted o'er fragrant meadows, should unite With childhood's loud, capricious merriment. In many-toned delight. The lull of falling waters, and the store Of feathered music, from the Asian trees, Should meet and mingle with the distant roar Of everlasting seas. The silvery voice of woman, such as oft In mystic dreamland round about us swims. Should join with tones descending full and soft From saintly choral hymns. 88 UNWRITTEN MUSIC 89 The clang of trumpets, ere the combat cease. War's proudest note, to sweet accord should come With that dear anthem of abundant Peace — The laborer's Harvest-Home. Alas ! I never shall these sounds combine. This new "Creation" is not yet for me. These richest honors I can but resign: Another's may they be! Still shall I praise the Giver of all Good That, in my waking and my nightly dreams. Upon my raptured sense this glorious flood Of wondrous music streams. WEBSTER OCTOBEB 24, 1852 The boom of sad artillery is heard Through mightiest commonwealths, from shore to shore, Webster now sleeps, "life's fitful fever" o'er. The man of intellect, whose single word The depths of human sentiment has stirred, — These refluent tides shall own his sway no more: — The Eloquent of speech, who dared to soar With tireless wing of Appalachian bird, Right upward to serene, unclouded skies: Let thunder then from funeral grnis resound, And banners droop in sorrow to the ground, And tears start freshly from "a nation's eyes" Yet dim with weeping o'er the heroic dust Of his two stately peers, the gifted and the just ! II If he had foibles, let us kindly fling Oblivion's mantle here above them all, And in this hour of grief alone recall Those nobler virtues that can ever spring From littleness of soul; and let us bring Some flowers as fadeless to bedeck his pall As those on which his fancy's sunbeams fall, — • And let our future poets learn to sing How in the Senate house he stood erect, 90 WEBSTER 91 And battled always for his Country's cause, — Her shrines, her Constitution and her laws, — And how, when treason rose from Faction's sect. He turned Columbia's aegis on the crime And froze it into silence for all time ! ni My country, mother of the mighty ! thou That sitt'st in stony anguish at the grave Where cypress branches, twined with laurel, wave. Dispel the shadow from thy luminous brow ! The God thou worshippest did ne'er allow The good, the great, the gifted or the brave To live or die for naught; and brightly now. Above the spots where fond affection gave Calhoun and Clay, the giant dead, to earth, A guiding star is blazing in the sky; So shall a beacon have its radiant birth From Webster's ashes, and so fixed on high. Its steady and immortal fires shall burn Wide over land and sea, whUe seasons yet return! A LETTER Richmond, 23 August, 1852. Deab Cooke: In Richmond still, against your shrewd surmise, I write your recent letters to acknowledge. And to narrate such gossip of the town As may to your amusement most conduce. The town itself is dull and hot, ye gods ! That Virgil placed in Tartarus — how hot ! And therefore little shall I have to tell Of gossip, or of other kind of news. Where naught is stirring save the mercury Along the vitreous tube of Fahrenheit. The streets present a kind of "aching void" Where, now and then, an omnibus appears Looking "like furnace," in the boUing sun. In which a single salamander sits. All trade is stopped; the carts of melons The Hanoverian vendors used to sell Have also disappeared; eleventh street Is left to Goddin and his crew alone Wrapped in the awful solitude Of their rapacious, grasping usury. 'Tis well, my friend, you should affect to doubt My state of durance in the damned town. You perched high up upon a mountain range Where breezily and brightly comes the day In sunrise gorgeous (which you never see) 92 A LETTER And goes in pomp of crimson drapery, Curtained with clouds, which you spin out in verse- (The clouds, I mean, which make the verse obscure. Even while they give it their most radiant hue), 'Tis well, I say, you should pretend to think I have escaped my prison, and away From bars of all sorts, taste the precious sweets Of liberty, that Lovelace praised so well. Alas ! I find that bars do make a cage, Not the dread Hustings' Bar nor yet our William's, Who waits so well at the American — Nor yet the bar below our wharves, where ships Do constitutionally stick i' the mud — But bars of duty, in the form of notes Due at the Farmer's Bank, and direful proofs — Proof never is but always to be read — For which Macfarlane waits: so 'twixt the two. The Printer and the President, Macs both, Deacon and devil, yet arcades amho? (Save the great diff'rence between "d" and "e") I stand as surely prisoner to the town As Althea's lover was to parliament. Yet like him "linnet-like confined, I" Can sing as gaily unto thee, my Cooke, Though not, perhaps, as sweetly, "cos, d'ye see.'^" You're not a nice yoimg woman like Althea. Then let me tell you once for all, again. That not for me the country breezes blow, That not for me the mountain lifts its head, That not for me the ocean crests its waves. But "cabined, cribbed," upon the land I stay, A hopeless cockney, with the bricks around And mortar, mortar everywhere in view. 94 A LETTER We've had some politics since you went oflP; — Torchlight processions and transparencies — And speeches at the African; and one Was of the better sort of such affairs, I mean one speech, from Mr. Winter Davis Who though called Winter warmed us very much And used the Locos in a summary way. (The pun is Horace Smith's, or James's, Or Hook's, or Hood's — at least it is not mine; But it came up so pat to my steel pen I thought I'd hook it whUe I did not steel it)*. This Mr. Davis is a brick, I tell ye, "One in a thousand," and comes down as heavy. He is an orator as Brutus was. Though Mr. William Ritchie says his speech Was no great shakes, and so perhaps I'm wrong. John Daniel has been up to Charlottesville To take a challenge to one Dr. Carr. Paululus Powell was the challenger. Against this Carr he waxed exceeding wroth. And fully thought to run him off the track. But Carr, it seems, was piously inclined. And liked not such collisions as a duel. However much he might be prone to rail; And therefore John M. quietly brought back The little missive he so fiercely carried — But not before the Albemarle police Had taken him before a magistrate And had him held to bail. You've seen, no doubt. The powescondence in the Richmond Whig — So majora canamus paulo, let us speak Of greater things than Mr. Paulus Powell. A LETTER 95 The country letters you must surely write, And I shall look for them before you come — Reserving them an honorable place In my October number, for the next Is more than full already, and, without An accident, will be delivered here And sent abroad about the first proximo. "Bachelor Smith" is sent herewith to guard This letter in the mail-bag, and I think Will prove a capital companion for it. Pray let me hear from you without delay. And with assurances of high regard Believe me ever Very truly yours, J. R. T. John Esten Cooke, Esq. 'BRIGHTLY, WITH THE ELFIN TRAIN ATTENDED" Brightly, with the elfin train attended, Comes the happy daisy-sandalled May: Never walked on earth a queen so splendid, Nor in such magnificent array. Beauteous as the Florentine Aurora, Joevmd over misty mountain tops. Luminously on she moves, while Flora Blessings newly-blossomed round her drops. Gay the robe that Natiu-e, her costumer. In a gleeful moment, lightly cast On this first and fairest Mrs. Bloomer, As from out her tiring-room she passed. Now the birds, from southern tom-s arriving. Give their well-attended matinees; Feathers thus are everywhere reviving. While some furze the morning still displays. Let us hear these exquisite performers — Nature's Philharmonic on the hills — Better far than half-a-dozen Normas Is the store of music in their bills. Fashion likes not "singing for the million" — Yet forbear, fair reader, all remarks: Neither Lady Dash nor Lord Trevilian Moves in higher circles than the larks. 96 "BRIGHTLY, WITH THE ELFIN TRAIN" 97 Each new poet with his latest fancies May's soft praises deftly interweaves; While each grove brings out her new romances In a multiplicity of leaves. Authors now most winningly invite us With the mental stimulus they bring, Hawthorne ne'er so freshly can delight us Nor "Holm(e)s" seem so "bonny" as in Spring. Tityrus, sub tegmine reclining, Finds in Punch a pleasant morning dram. And, when comes the proper hour for dining, Relishes a little taste of Lamb. Requiescat, genial Lamb, in pace I Rest forever quietly in peas. With such Attic salt, so very racy. As in Saxe one uniformly sees. Stately be thy step among the pansies Winsome, wondrous, ever-smiling May, June with garish letinue advances To usurp thy gentle, queenly sway. L'ENVOI [to volume XIX OF THE "SOUTHEBN LITERARY MESSENGER"] The Volume closes as the year departs — And as the showman when the play is done. Puts up the puppets that our praise have won, So we, with not the gladsomest of hearts, Shut up our box and bid our friends adieu A little while, for when the Old Year's fled And bravely down the highway comes the New, We'll open it again, by purpose led To please you, gentle reader, as we trust — And some new comers to our varied show. Meanwhile, right graciously accept you must A "Merry Christmas" from us as we go. With mirth and music may the happy time Glide with you softly as the poet's rhyme ! 98 THE BRAVE [to the HOWARD ASSOCIATION OF NEW ORLEANS] We call him brave who, when the trumpet's blare Rang o'er the field of glory and of blood. Went where the fight was deadliest, and stood Where duty placed him, with unaltered air: For him the golden guerdon waits — the fame Which blows his deeds the extending fields along; The poet weaves in tuneful verse his name. And woman sweetly utters it in song. No recompense like this for ye remains. Men of a loftier courage yet than War Could boast upon her drenched and crimsoned plains, But ye have won a garland better far Than fading laurel, and a fame above What earth can ever give. Heaven's Messengers of Love ! 99 AUTUMN LINES Gone is the golden October Down the swift current of time, Month by the poets called sober, Just for the sake of the rhyme. Tints of vermilion and yellow Margined the forest and stream; Poets then told us 'twas mellow. How inconsistent they seem ! Now, while the mountain in shadow Dappled and hazy appears, While the late corn in the meadow, Culprit-like, loses its ears. Get some choice spirits together, Bring out the dogs and the guns, Follow the birds o'er the heather, Where the "cold rivulet" runs. Look for them under the cover. Just as the pole-star at sea Always is sought by the rover. Near where the pointers may be. Yet if your field-tramping brothers Should not be fellows of mark, Leave the young partridge for others. Only make sure of a lark. 100 AUTUMN LINES 101 Thus shall the charms of the season Gently throw round you their spell. Thus enjoy nature in reason If in the country you dwell. But if condemned as a denizen In a great town to reside, Take down a volume of Tennyson, Make him do service as guide. Borne upon poesy's pinion. Rise to the heights that he gains. Range over Fancy's dominion. Walk hypothetical plains. Soon shall the wintry December Darken above us the sky — Winds their old custom remember All, in a spree, to get high: And, as they waU through the copses, Dirge-like and solemn to hear. Nature's own grand Thanatopsis Sadly shall strike the ear. But all impressions so murky Instantly banish like care. Turn to the ham and the turkey Christmas shall shortly prepare. None than yourself can be richer. Seated at night by the hearth. With an old friend and a pitcher Lending a share of the mirth. 102 AUTUMN LINES Then to the needy be given Aid from the generous boards. And to a bountiful Heaven Thanks for the wealth it affords. THE EXILE'S SUNSET SONG When from thy side, love, In silence and gloom, Half broken-hearted. Fate tore me away, All humbled in pride, love, I thought, in my doom. That Hope had departed Forev^er and aye! But Fate may not banish From memory's store That blissful communion Of years that are flown. Nor make yet to vanish The lustre which o'er Our fond thoughts of union So tenderly shone. And stiU o'er the ocean My fancy takes flight Where oft I see gleaming Thy figure afar; And I think with emotion That sometimes at night We watch the same beaming And tremulous star. The sunsets so golden That stream round me here 103 104 THE EXILE'S SUNSET SONG But call up thy shadow The landscape between; And when m the olden Dim season so dear It tripped o'er the meadow With step of a queen. As the light of the moon, love, Like snow softly falls. And rests on the mountain And silvers the sea. That midnight in June, love. My mem'ry recalls When up to the fountain I clambered with thee. How sweetly the river Reflected the ray Of moon through the willows Or sun o'er the lull; Does the moonbeam there quiver. The simset there play, Upon its gay billows As splendidly still? My spirit is weary — An exile I grieve, TMien morn's early voices A glad song proclaim, And the faint Miserere Of nature at eve To me but rejoices To murmur thy name. THE EXILE'S SUNSET SONG 105 Yet Hope, reappearing, A vision unfolds Of rapture together In joy's happy reign. When love all endearing The full eye beholds, We'U walk o'er the heather At sunset again. "AH! FUTILE THE HOPE" Ah ! futile the hope once so sweetly expressed, Tom Moore ! in thy verse with a pathos so true That when in the grave they shoxild lay thee to rest. Thy faults and thy follies might slumber there, too; Or, if they were ever remembered, 'twere only That o'er them a tear might in silence be shed, To moisten the turf, in the valley so lonely. Where Clio her vigils keeps o'er the dead ! For long ere the daisies have tufted the spot. There comes a cold critic,^^ and, after his kind. Recalls all those follies, by others forgot, And plants them like nettles to grow there entwined: Thus, Envy, in triumph at last thou rejoicest; — When Death breaks the bowl at the fountain for aye. What once shown so brightly as gold of the choicest. As valueless lies as the vilest of clay. We crave not that wonderful sharpness of sight That faults microscopic to mark cannot fail. While virtues, like luminous orbs of the night, Unseen through its ken may in majesty sail: Still less do we wish that close logic to borrow. Which strives to enwrap in a shadow abhorred The fondest remembrance that woman in sorrow Can cling to — the faith and the love of her lord. 106 "AH! FUTILE THE HOPE" 107 When Quarterlies long shall have mouldered, and deep O'er the fossils of critics time's strata shall lie, Moore's verse amaranthine its freshness shall keep, As fairly as when it first bloomed to the eye; And though other minstrels to rapture may waken With genius as cunning the strings of the lyre, The world that his Melodies captive have taken. Will never "let song so enchanting expire!" MY MURRAY At Antwerp, when I lost my way. And far through crooked paths did stray, Who taught me where my lodgings lay? My Murray. Who hinted at the best of wine. And told me always where to dine Along the "wide and wiading Rhine?" My Mmray. Who spoke of every saintly bone That lined the churches of Cologne, And Herr Farina's shop make known? My Miuray. At Baden, when the gay roulette Attracted all the faster set. Who kindly warned me not to bet? My Murray. Else had my very modest purse Become a "ruin" greatly worse Than any in Lord Byron's verse. My Murray. Who pointed out, on every wall. The Rafaelles, Rosas, Guidos, all The famous pictures, great and small? My Murray. 108 MY MURRAY 109 So hast thou proved the trustiest book That ever rambling tourist took For Church, for Castle, and for Cook, My Murray. Munich, August, 1854. THE RHINE* Beneath these castles and in these hotels We walk amidst the English: in proud state Each high Milor beholds the Drachenfels, "Doing" the classic site, nor less elate Than smaller heroes just from Cripplegate. What want these wandering Britons here should know But poesy their travels to relate — A Harold's Pilgrimage their deeds to show And what they fancied wild and what they voted "slow." In their baronial trips the country round What checks and gaiters on the Rhine appear ! And Murray, in red muslin weakly bound. With maps provided, serves their course to steer. (A new edition comes out every year). But still their forte is sketching; they draw on As each old "castled crag" the boat gets near. And many a tower in sketch-book badly done Sees the discolored Rhine beneath its ruins run. But thou, poetic and much crowded river, Making thy waves a highway as they pass Through banks whose grapes, I trust, will last forever, Could man but let thee rest awhile, alas. Nor blacken every tree and blade of grass With the vile smoke of steamers — we might see The valley with some comfort; now the mass Of travel makes thy waters seem to me As they a super-terrene sort of Styx might be. *A parody of stanzas 48, 49, 50 and 59 of canto III of Byron's Childe Harold's Pilgrimage. 110 THE RHINE 111 Adieu to thee, fair Rhine ! How long the rhymer Would linger by thee on his careless way. To quench his daily thirst in Rudeshheimer And sing its praises in his grateful lay ! And could the ceaseless viiltm-es cease to prey On self-exhausting pockets, it were here Where Bacchus, nor too sombre nor too gay. Fine but not strong, joUy yet not too dear. Pours forth his generous wine as England pours her beer ! A SOUVENIR OF ZURICH" Faie Zurich ! how well I remember the hour. When taking my coflfee and rolls in the Baur, There beamed on my vision enraptured — my eye ! A Lady that must have dropped down from the sky; Whose voice, sweeter far than the sweetest of chimes, (How unlike an angel !) first asked for the Times, Then softly petitioned for toast and green tea — The dear English cr^achaw — ah ! who could she be ? Just out of the window — the heavens were clear — The sunbeam was wooing the beautiful mere, And a shimmer crept over the surface to prove How fondly the water requited its love; Away in the distance, the Alps in the glow Of morning, lay shiningly crested with snow; But the lake how insipid, the landscape how flat. Compared with the object which vis-a-vis sat! When this charming young person would enter the room, It seemed like a ray breaking in through a gloom; Such sudden delight did her presence impart, 'Twas like hearing some exquisite strain of Mozart; And I fancied the moment her figure retired. That the ray was extinguished, the strain had expired: A rainbow, a star, a fountain, a flow'r. She sparkled, and blossomed, and shone in the Baur ! I knew not, indeed, if this delicate girl Was daughter of baronet, viscoimt, or earl; Or whether, the realms of Cockaigne to command, A new Aphrodite she rose from the Strand; 112 A SOUVENIR OF ZURICH 113 But nobility's patent, I felt, had been given To such a fair being directly from heaven; For round her unceasingly glittered a glory, a Light that did never belong to Victoria! But the pleasures of life, as the poet gives warning, Tho' as bright are as transient as tints of the morning; And so cruel fortune, the very next day. Made this beautiful vision get in the coupe: A Saxony shawl the dear vision was wrapt in, And by her there sat a magniiScent captain. And Hope, on the wings of an eagle, took flight As the diligence bore her away from my sight ! Et moi — after such an unfortunate "go," I found la belle Zurich exceedingly slow. As Christian, most likely, found Vanity Fair, When Faithful was carried off into the air: Though a light o'er the village her beauty had thrown, "Like the fragrance of summer when summer is gone," And stUl shall I cherish, whUe memory has pow'r. That sweet souvenir of my stay at the Baur. THE POSTILION OF LINZ What a brave looking fellow comes walking this way — Who is he, what is he? can any one say? With his coat so refulgent, his breeches so gay — As fine as an African prince: See, the boys all retire when his brightness appears, (As the populace do in the streets of Algiers, Backing out, like the stars, when the Dey interferes). 'Tis the splendid Postilion of Linz ! With his pipe in his mouth, and his whip in his hand. And the air of a gentleman born to command All the horses that ever were seen in the land — How the leaders, beholding him, wince ! — He jumps to the saddle, "a good 'un to go," Like the gallant Postilion of Lonjumeau, Whom we saw at the Opera Comique, you know. Is this funny Postilion of Linz. His coat is of scarlet — his breeches of blue- Alas ! both a little bit faded in hue. And a hole in the arm where the elbow peeps through At time's awful ravages hints; But philosophy quietly laughs in its sleeve At trifles like this, and you'd better believe A philosopher scorning at trifles to grieve Is the careless Postilion of Linz. While his hat and his boots show of leather a sight — Like the ^'leathery postilion" that "comes from the height," Yet no traces of leather, as true as I write. Does the old-fashioned harness evince — 114 THE POSTILION OF LINZ 115 'Tis a rope, d'ye see, that attaches the team To a (c) cord with the coach, which would certainly seem Like some tawdry but broken down coach in a dream, With its gaudy Postilion of Linz. Yet let us not wickedly seek to deride Our pleasant companion, philosopher, guide — Though such a Postilion I never espied Before I first saw him or since. Let us hope that his beery existence may tend. Like his song, to a happy and peaceable end, And Time all the ruts in Life's highway may mend For the jolly Postilion of Linz. LINDEN On Linden when the sun was low — The coach was very, very slow. The lazy horses would not "go" To Munich with the passengers. But Linden yet shall see a sight. The weary pilgrim to delight. When locomotives shall affright The field from its propriety. By coachman's trumpet loudly played The horses were not "fast arrayed," And not a single charger neighed To join our little company. But far less speed we yet shall know Before we see the Iser's flow. And slower yet the coach shall go To Munich with the passengers. The team was changed by Linden's mob. But scarcely had they done the job When furious John and fiery Bob Cried "go ahead" most lustUy. The highway lengthens. On we crawl To town before the night shall fall — Take, Munich ! take the party all And charge with all thy hostelry ! 116 LINDEN 117 Ah ! when at last we there shall meet, A jolly dinner we shall eat, And every bottle 'neath our feet Shall tell of vanished Burgundy ! A PICTURE Across the narrow dusty street I see at early dawn, A little girl with glancing feet As agUe as the fawn. An hour or so and forth she goes. The school she brightly seeks, She carries in her hand a rose And two upon her cheeks.^" The sun moimts up the torrid sky — The bell for dinner rings — My little friend, with laughing eye. Comes gaily back and sings. The week wears off and Saturday, A welcome day, I ween. Gives time for girlish romp and play; How glad my pet is seen ! But Sunday — in what satins great Does she not then appear! King Solomon in all his state Wore no such pretty gear. I fling her every day a kiss. And one she flings to me; I know not truly when it is She prettiest may be. 118 A LEGEND OF BARBER-Y Thebe was a little dandy man that lived — no matter where— Who thought it vastly comme il faut to cultivate bis hair, And so he kept in constant pay a hair (and whisker) dresser — Who called himself in pompous phrase "tonsorial professor" — Beneath whose kindly curling-tongs our hero's ringlets twined, Not Absalom's so beauteous grew, nor hung so low behind; And soon upon his upper lip, right wondrous to behold. There sprouts an immense moustache with sunny hue of gold. Along the street this dandy man would walk at set of sun, And as the ladies passed him by he'd throw at every one Such melting looks from underneath his hyacinth ine curls That fixed forever was the fate of all those happy girls; In vain they tried to think no more of such ambrosial tresses. Night, with its hours of dreamy rest, but deepened their distresses. For in their visions soft and light Don Whiskerandos came, A halo round his shining hair and his moustache in flame ! But soon our little dandy man became involved in ruin By spending such enormous sums in real grease of Bruin. The famed Macassar oil he found a most expensive item. Alas for those Hyperion locks ! he was compelled to slight 'em, Until one dark and fatal day, completely out of cash. He vowed to cut the ringlets off and couper the moustache; And having at the barber's hands sustained this cruel blow. That little balance yet unpaid, he bade the barber go ! 119 120 A LEGEND OF BARBER-Y But when our little dandy man arose quite late next day He saw — O sight to fill the soul with terror and dismav ! — Upon his lip moustache more fierce than ever brigand knew — Like young Augustus Tomlinson's, his hair more fiercely grew; 'Twas not confined by art within "its proper share of space." Nor yet about the forehead thrown with Apollonian grace. But like "the fretful porcupine" quite fearful 'twas to view, sir, As with its horrid snakes appears the head of the Medusa ! Outspake that little dandy man: "Come hither once again, My trusty knight of razor strops; your work was done in vain. Bring forth your sharpest scissors now, your keenest Shef- field blade. And let your bravest handicraft be quickly here displayed." Then sat he down; fast flew the shears his tangled curls among. Like maize before the scythe fast fell his beard so dense and strong. The floor beneath was thickly strewn with tufts of golden hair. A gayer and a cleaner man he left the barber's chair. Still for our little dandy man what horrors were in store ! Next morn the crop upon his head was thicker than before. The huge moustache depended low upon his throbbing breast — He seemed like one by "frightful fiends" and demons sore oppressed. Before his mirror thus he stood, the scaredest man of any, As, when the marble horseman spoke, stood luckless Don Giovanni. A LEGEND OF BARBER-Y 121 And from that hour all human skill did unavailing prove Thait superhuman growth of hair and whiskers to remove. With speed our little dandy man "went flying all abroad" — By steamer sailed to Liverpool, by rail to Paris rode — And still no remedy he found, in England or in France, The fruitless effort only served his sorrows to enhance. Day after day his health declined, he grew at heart more sick; His "matted and combined locks" not even Hobbs could pick. And, more than that, as if to make his anguish but the deeper. That beard so indestructible defied McCormick's Reaper. At length our little dandy man, when every means had failed — For at the worst experiments his spirit never quailed — Besought a learned African of widest fame, who said The only way to cure the ill was — to cut off the head; And so our hero built himself a private guillotine. And very soon, beneath its axe, beheaded he was seen. And now the locks, moustache and beard, translated to the sky. Are hung, like Berenice's hair, among the stars on high ! IN FORMA PAUPERIS I WALKED out of Paris at evening — While the sun's declining rays Gilded the tops of the crosses Of beautiful Pere Lachaise. And as I passed through the portal 'Mid the idle Sunday throng, A little procession of mourners Bore a rude coffin along. They seemed very humble people. And no one tm-ned aside To look on such homely sorrow, Or ask who it was had died. I followed the bier to the corner. Where just beneath the sod In a trench — not a grave — they would bury This lowly child of God. When they came to lower the coffin, A priez pour elle was said — And they sprinkled the holy water Over the dust of the dead. But a holier rain descended From the depths of a bursting heart — The tears of the little orphan Who in agony stood apart. 122 IN FORMA PAUPERIS 123 Poor girl ! We can ofifer no solace To soothe the anguish you feel — But strength from on high will be given As here you shall oftentimes kneel. No shrine of the sculptured marble Shall rise aboye the spot, No flattering false inscription Shall tell what thy mother was not. But here the lilies and pansies From the dewy earth shall spring — Here the blossoming Rose of Sharon Its fragrance around shall fling. And the eye of our Heavenly Father Shall watch o'er the grave of Ma Mere, Since it looks on the peer and the peasant With ever an equal care. Such was the train of my musings — In the twilight's purpling haze — As I walked back to Paris that evening From beautiful Pere Lachaise. PATRIOTISM 21 You ask a Poem — it must be eonfest That this is no extravagant request, In our poetic and trochaic time When "mobs of gentlemen" indulge in rhyme — And every critic writing to review His neighbor's verses is a poet too — Has climbed himself the steep Lj'^corean mount. And done an epic on his own account. A Poem! why it has indeed been made, Of latter days, the merest thing of trade. Yet may we marvel at the easy air With which the customers their wants declare — Write by the post a simple business note And order poems as they would a coat — Say to the Schneider of the stately song "On Thursday fortnight send the thing along." And, they might add, be sure that it display The very latest fashion of the day. For there are reigning modes in verse to choose — Each has its hour and an old-fashioned muse Like Goldsmith's, seeking simply to impart The dear pathetic lessons of the heart, Would be regarded, in the present rage For "stunning" novelties, behind the age. In poetry, as well as dress, we seek For something, as the French would say, flus chic. Receive not, gentle hearer, with a yawn This long sartorian simile I've drawn, There's much resemblance, if you did but know it, 124 PATRIOTISM 125 Between the crafts of tailor and of poet — Both cut and patch, both do their work by measure. And both, alas ! both cabbage at their pleasure ! But now the parallel at last to drop And once for all, indeed, to "sink the shop," Just let me ask for this afiPair of mine To judge it harshly you will not inclme — If you should find it somewhat badly wrought. And rather threadbare as respects the thought. The style of fustian, and the scanty wit Beyond all question not a handsome fit — If of the pims you cannot see the force Nor follow up the threads of the discourse — In short, if when you've read the poem through. You cannot say "Rem tetigit acu," Pray be indulgent: — neither snips nor bards Win aU at once their coveted rewards, Stultz's first garment did not gain renown. Nor Tennyson's first song the laureate's crown: — Call it a failure freely, if you will. But have compassion for the poet still. And this small favor Pity's self demands — Don't throw the poem back upon his hands ! I come, in sooth, with no desire to claim Poetic honors or the poet's name. But with affection, warm and true, for all Who join in this, your yearly festival. My little wreath of wintry flowers I bring; You'U not reject the humble offering Which makes no effort at distinguished meed And scarce a poem can be called, indeed. Unless, with Jourdain's master, we suppose That all is poetry which is not prose.^^ 126 PATRIOTISM My theme is Patriotism — lofty theme ! Long held by moralists in high esteem, And much discussed by those who writ and spoke In former ages — vide Bolingbroke — But voted now an antiquated thing By such as haply either speak or sing. Perhaps in kindness you may ask me why I take a topic so extremely dry, 'Tis not that I can hope to say a word That's new about it — I'm not so absurd: Or make the glorious light of genius shine Through every page and brighten every line. And, subtler alchemy than that of old ! Transmute my leaden fancies into gold. As soft October sunsets, slanting o'er The length'ning levels of a barren moor. Convert the poorest ferns and meanest brooms Into the semblance of a prince's plumes; But that our "primal duties," though aloft They "shine like stars," are yet forgotten oft. Because on lower things we fix the eye And wiU not look into the spangled sky. For this, I would some homely truths recite. Not the less excellent that they are trite. For this repeat some humdrum ancient saws Touching "the beauty of the good old cause." And what is Patriotism? — shall we go To Samuel Johnson, first of aU, to know; Since now, in Public Virtue's sad decay? Its true significance has passed away. 'Tis "love of country," you will answer pat. Admitted, sir, but tell me, what is that? Time was, 'tis long since, when to love the earth PATRIOTISM 127 With generous loyalty, which gave one birth, Involved a wide affinity of love For all that rose the natal soil above: Not for the dear old mansion-house alone. Where, like a dream, his boyish days had flown. The breezy hills, the tall ancestral trees. The drowsy garden mm-murous with the bees. Nor yet the path where oft he followed after The rippling music of his sweetheart's laughter: But for the school where erst he felt the rod — The church where he was taught to worship God: Then did he treat with a becoming awe Religion's temples and the shrines of law — An antique honour make his constant guide, And ever cherish with an honest pride The language, rich in eloquence and song. Which once to magic Shakespeare did belong, Learned in perfection only as it trips In airiest movement from a mother's lips. Then widening out his sympathies would reach To all who used that noble form of speech, And more and more the circle still expand Beyond the limits of his native land. Till Patriotism in its largest sense. Embraced mankind in its benevolence. How well we prospered in the simple ways Of those long-vanished, scarce-remembered days. Then legislators little understood The tricks of craft, and sought the public good. Unread in Machiavel, they merely aimed At truth and justice in the laws they framed: Each recognized his duties to the State And strove, as best he might, to make her great, And even the humblest with that glow was fired 128 PATRIOTISM Which Burns "in glory and in joy" inspired. Who only wished "some usefu' plan" to make Not for his own, but for old Scotia's sake. Ah happy age, ah long exploded creed ! What novel ethics to thy sway succeed ! How changed the scene ia legislative halls Where through the livelong day hoarse folly bawls. And mad ambition or the love of pelf Bids every member labour for himself. Our Solons now too often, it would seem, Drink deep, but not of the Pierian stream. And nightly gather in well-ordered ranks To study Finance in unchartered banks. Place and Preferment still make slaves of some Who war with Slavery, while others come From plotting treason round a Webster's grave To break the compact they are sworn to save: Discord in Congress rules and "wild uproar" Throughout the session daUy claims the floor, So great the strife that, striking to relate. Pacific railways lead to fierce debate. While hungry cormorants flocking from the hills Deplete the Treasury with their Private Bills: And when some luckier plunderer than the rest Pilfers his millions from the public chest For some gigantic scheme of wholesale fraud There are not wanting hundreds to applaud; — The service calls for silver service fine — "Honors are easy" in the silver line — And each new Judas to the state is paid His thirty pieces for some trust betrayed. From public shall we turn to private life.'' Alas ! what social maladies are rife. PATRIOTISM 129 Where Fashion, decked m costliest Brussels laces. Ignores our homebred modes and "native graces," And, most unpatriotic jade ! impairs Oiir love of country with her "foreign airs:" Look to the circles of our largest city Aping the swells of Europe, more's the pity. And showing in their dinners, routs and mobs, A vulgar aristocracy of snobs — In vain our simple fathers swept away All vestige of the ancient feudal sway. In vain they flouted all the useless knowledge That England teaches in the Herald's College, When each new humbug, swelling with pretence. But sadly destitute of common sense. Grown rich in selling buttons, pills or flannel. Sports flaring red upon his coach's panel A fine escutcheon stolen out of Burke, O stars and garters! this is awful work: Thus they obtain their coats-of-arms; the dance And cooks and sauces they procure from France, And, worse than all, as candor must declare. Import their morals with their bills of fare — So character is served, the truth to tell. In every style except au naturel. And so "our best society" assumes This shape — a filet garnished with mushrooms. See next how Fashion dares to set aside Our language — ^source of patriotic pride. And makes the good old mother tongue appear Like English oak o'erlaid with French veneer. Our pensive maidens rarely now employ A Saxon term for sorrow or for joy: The dear one little versed in Mr. Trench, 130 PATRIOTISM Translates her tender feelings into French; She's enchanUe, if told some pleasant news. And desolie, if troubled with the blues. The heavenly smile that lights her beaming face A beau sourire becomes in Fashion's phrase, And Mariana in the grange would say Not "I'm aweary," but "I'm ennuyie." Yet the dear creature who on earth can blame When tenderly she murmurs — "Que je faime?" That soft confession on the poet's ire Falls like wet blankets on a raging fire. And, as Belinda's face, with beauties set, Belinda's errors caused you to forget. Atones in whatsoever language given For every female foible under heaven. Still honour be to woman ! She has shown The loftiest patriotism earth has known — Not on the hustings claiming equal rights With sterner man, ah hatefullest of sights ! But when some noble pm-pose fires the heart Or bids the sympathetic feelings start; When War holds carnival, 'mid heaps of slain. With Death on Glory's drenched and crimsoned plain. Or Pestilence in darkness walks abroad And renders desolate each doomed abode. See with what joy her holy presence fills A Norfolk's streets or Balaklava's hills ! Oh; if no strain of minstrel can avail To hymn the praise of Florence Nightingale, My rugged verse how miserably weak That nobler heroine's renown to speak. Who with the Fever waged th' unequal strife And bore, in danger's paths, a charmed life ! PATRIOTISM 131 A brighter page her record shall display, And every tear that she has wiped away Shall crystallize into a brilliant gem To glitter in her heavenly diadem ! ^ Yes, honom' be to woman ! Hers the praise. When strife and tumult loud their voices raise. That piously she turns her moistened eye To where our greatest chieftain's ashes lie Beneath Mount Vernon's ever sacred sward, And seeks from insult and decay to guard The holiest spot the sun e'er shone upon — The long-neglected grave of Washington ! This is True Patriotism — this the spirit Which all earth's real Patriotic inherit: And so the laborer whose humble toil Enriches day by day his native soil — The merchant prince, whose vision still extends Beyond his semi-annual dividends — The poet seeking fitly to rehearse His country's honour, and whose lofty verse Undying lustre on that country sheds, And classic makes the ground whereon he treads, — The statesman gaziag yet with doubts and fears Up the dim vista of the coming years-r The man of science looking out afar Into the welkin for an unknown star — These are our patriots — and no work they wrought Has ever yet been perfected for naught: And if some name shall flash with light sublime Across the awful gulf of futm-e time, 'TwUl be no politician's — feeble ray ! 132 PATRIOTISM Quenched always with his own brief, noisy day. But that of Maury whose bright, equal fame Burns in Orion's belt with steady flame. And everywhere resoimds in Ocean's roar From "Tampa's desert strand" to Iceland's stormy shore! What though the humbler patriot's name obscure No fragrant immortality secure? He lives A Man, and, when he sinks to sleep, Freedom's fair Goddess shall forever keep A watch and ward around his lonely tomb Where violets with recurring Aprils bloom ! For there's a Goddess whose majestic form StUl towers above the wreck of every storm, Columbia's genius ! let us bend the knee, (Not Freedom's self but Freedom's daughter she) ^^ Whom to adore is not idolatry. With what a dignity she moves along Among the nations, fairest of the throng. Not Hera, with the large and queenly eyes. So walked the golden pavements of the skies. Nor silver-ankled Thetis e'er displayed The nameless beauty of our western maid. But oh ! how more than doubly dear she seems Enthroned and sceptred, in the poet's dreams, Regina Pacis, Empress now of Peace, Whose realm shall widen as the years increase. Her lips o'erflowing with immortal love And touched with light descending from above, While round her every Muse and every Grace Makes gay and luminous the courtly place: Or as in reverie alone she strays Adown the Dryads' pleasant moonlit ways. PATRIOTISM 133 To twine the dewy field flow'rs, fresh and wild, Into a garland for Urania's child ! Not so when throbs the war drum thro' the land. And foreign foes set foot upon the strand. She leaves the myrtle shade and flowery dell And flies the proud invader to repel — One holy vigil first beneath the light Of friendly stars she keeps throughout the night, Then strips the laurel from her auburn hair And firmly sets the gleaming helmet there ! Doffs the white tunic and the purple vest To bind the corslet on her beauteous breast: The distaff now is flung aside, and mute Hangs the neglected, once rejoiceful lute — Or if she touches it, 'tis but to fling The notes of battle from the trembling string. O how magnificently she appears. Thus casting from her aU a woman's fears. Resistless valoiu- in her fiery glance. Her soft white fingers closing round the lance. And scarlet cheek, thin lip and lustrous eye All eloquently speaking Liberty ! Were this Divinity, so passing fair. No mere ideal creature of the air. Did she but live in fleshly guise indeed. And could she go, the country's cause to plead. Within yon capitol, what noble rage Would all her glorious faculties engage. As she should teU her more than mortal griefs In shame before the country's gathered chiefs; With what grand sorrow would she there lament Divided counsels, angry discontent. 134 PATRIOTISM And what majestic energy reveal As thus she spoke in passionate appeal — "0 by the mighty shades that wander still Where Glory consecrated Bunker Hill, By those who sleep 'neath Buena Vista's slopes, By the past's greatness and the future's hopes — By every honoured, unforgotten name. Linked with your dearest Capitolian fame — By the proud memories and traditions all That live forever in the classic hall Where priceless pearls fell fast from Pinkney's tongue And wit's bright diamonds Randolph round him flung; Where listening Senates owned the magic sway And thrilled to hear the clarion voice of Clay; WTiere Webster, through all seasons, grandly strove 'Gainst Fraud and Faction with the might of Jove; And Reason gave you her divinest boon In the pure logic of the great Calhoun; — By this august Triumvirate of mind. By all the lessons they have left behind. By your loved hearthstones and your altar fires And by the sacred ashes of your sires. Your angry strifes and fierce dissensions cease. And bless the country with domestic peace; Guard Well the Union — Freedom's last defence And only hope of Freedom's permanence — Maintain the Constitution — let it stand And shine the Pallas of this Western Land. So shall Columbia act her destined part As patroness of Learning, Labor, Art, So shall she usher in the Golden Age When War no more shall stain th' historic page, When down the glacis childish feet shall stray PATRIOTISM 135 And little urchins on the bastions play, When ivy o'er each battlement shall run And cobwebs line the chamber of the gun,^^ While Love's warm beams shall gild the placid isles And the blue seas forever sleep in smiles!" Thus might the Goddess speak — and it were well If upon willing ears such counsel fell, Then should the prophecy that Berkeley cast Be yet fulfilled, and every danger past, Time's noblest offspring truly be its last ! Whoe'er has stood upon the Rigi's height And watched the sunset fading into night, WhUe every moment some new star was born From the bald Eigar to the Wetterhorn, Has seen as steadUy the airy tide Of darkness deepened up the mountain side The glowing summits, slowly, one by one. Lose the soft crimson splendour of the sun, (Like altar lights in some cathedral dim Extinguished singly with the dying hymn) Till the last flush would lovingly repose Upon the Jungfrau's purple waste of snows; Thus, O my country ! when primeval gloom Shall over earth its ancient reign resume. When Night Eternal shall its march begin O'er the round world and all that is therein. As dark Oblivion's rising waves absorb All human trophies, thus shall Glory's orb Thy lone sublimity the latest see And pour its parting radiance on thee ! VIRGINIA 26 Hail ! blue-eyed Sister of the Sacred Well, Whose smile illumines every bosky dell, And on each storied lake or landscape streams Like moonlight thro' the ivory gate of dreams, — A fond admirer here invokes your aid, Altho' a poet neither "born" nor "made," He wants, what worthier bards have wanted too, A fine exordium — and he tiu-ns to you ! If his unlicensed brow no wreathes of bays. In token of the poet's rank, displays — If his prosaic shoulders do not bear The singing-robe your favorites always wear — Yet let him in your radiant realm remain A little season and inspire his strain; Then should he, haply, prove unworthy still. Some modest post, Euterpe, let him fill; He asks not fame — contented to revise Apollo's proof-sheets, and forego the prize. Meantime, most gracious and respected Muse, What theme this morning shall your vot'ry choose? I catch a gush of melody, and clear This tuneful answer breaks upon the ear — "Set restless Fancy free, and where her wing Conducts the eye, of that bright region sing!" 'Tis done; unloosed the jeses, Fancy sails Buoyant aloft upon the friendly gales. Awhile she moves in arrowy flight along The sunny ether of the land of Song, 186 VIRGINIA 137 Ranges from coast to crag nor leaves unseen The purple meadows that repose between, Then fondly bends, with poising wing, above The dear Virginia of our hopes and love; As the swift eagle, circling proudly o'er Our boundless continent from shore to shore, Sees rock and river, prairie, waste and wood, The shining city and the solitude. The snowy sail by Huron's breezes fanned. And the light ripple on the bayou's strand. And stoops at last to fold his sombre pinion On some blue mountain of the Old Dominion ! Imperial land ! could ever song of mine With fairer glories make thy borders shine — Could my rude minstrelsy with charm invest Each spot in beauty or in grandeur drest — And to thy Oread-haunted valleys give A grace, united with their own to live — How should thy rivers to the ocean glide. Like Arno's stream or Teviot's "silver tide," Reflecting each upon its mirror'd face The light which genius lends its dwelling place; How should Boccaccio's mellow atmosphere Hang round each hill and kiss each dimpled mere, How should thy ramparts echo with the blast Of lordly music flowing out the past; From the cool beach where, white with rage and frantic. Dash the wild billows of the chafed Atlantic, Along the Ridge, whose azure peaks on high Toss their soft summits 'gainst an amber sky. To where Ohio sends, through darkling woods, Its tribute to the mighty Sire of Floods; TUl the whole space thy distant lines surround. 138 VIRGINIA Our goodly heritage, were classic ground, And all thy pleasant places, noble State, Thenceforth forever should be consecrate ! Virginia ! thou hast had in plenteous store The gifts men chiefly honour and adore; Thy story burns with Valour's dazzling blaze Or calmly glows with Wisdom's milder rays. While Eloquence, that melts the coldest hearts. To the bright record all its fire imparts: The Warrior, resting on his stainless sword. The Orator, whose lips persuasion poured, The Statesman, he who wrought from chaos warm The elements of empire into form. The jurist, who has "shaped the State's decrees," All, like the figures on a marble frieze, Stand grandly forth thy greatness to proclaim Upon the tablets of thy ancient fame. One stately image yet is wanting there, The Bard with fillets twined around his hair. No favored son, created for all time, For thee has ever "buUt the lofty rhyme," And joined the radiant, rose-encircled throng. Within the Temple dedicate to Song: One gifted child thou hadst, who reached in vain, The vast propylon of the gleaming fane, 'Twas his to see the columns, pure and white. Of marble and of ranged chrysolite — The lines of jasper through the golden gates — Alas ! no more was suffered by the Fates. Like Baldur, fairest of the sons of morning. The halls of Odin lustrously adornmg. He early caught the pale blue, fearful glance Of shadowy Hela's awful countenance. VIRGINIA 139 Lamented Cooke ! if all that love could lend To the chaste scholar and the faitixful friend. If all the spoiler forced us to resign In the calm virtues of a life like thine. Could bid him turn his fatal dart aside From our young Lycidas, thou hadst not died: Peace to the Poet's shade ! His ashes rest Near the sweet spot he loved on earth the best. The modest daisies from the surface peeping, As from the sod where Florence Vane lies sleeping. While his own river murmurs, as it flows. Perpetual requiem o'er his soft repose. And stUl another child Virginia nursed. Who had her glories loftily rehearsed. But that his genius sought "a wild, weird, clime," Beyond the bounds of either space or time. From whose dim circuit, with unearthly swell, A burst of lyric rapture often fell. Which swept at last into a strain as dreary As a lost spirit's plaintive Miserere; Unhappy Poe, what destiny adverse StUl hung around thee both to bless and curse ! The Fairies' gifts, who on thy birth attended, Seemed all with bitter maledictions blended; The golden crown that on thy brow was seen. Like that Medea sent to Jason's queen. In cruel splendor shone but to consume, And decked its victim proudly for the tomb. Yet shall the Poet make in coming time His bright avatar in our sunny clime; And where shall inspiration urge the soul Thro' dithyrambic harmonies to roll 140 VIRGINIA More fittingly than in this calm retreat Of studious Science — ^Learning's earliest seat? Where does Romance more lavishly diffuse Upon our soil its ever brilliant hues Than here, where Patriotism's sacred glow Kindled the wrath that laid the tyrant low? I walk these ancient haxmts with reverent tread. And seem to gaze upon the mighty dead: Imagination calls a noble train From gloom and darkness back to life again. Whose air majestic lends a statelier grace, A soft enchantment to the honoured place. So have I strolled at twilight's rosy hour Along the quiet street, where Merton's tower Lifts its rich tracery thro' the nodding trees That rise o'er Oxford's halls of lettered ease. And felt the 'presence of the tranquil scene. Till forms long-buried flitted o'er the green; There graceful Raleigh moved, immortal name ! And Addison from cloistered musings came; There stalked portentous Johnson's burly shade, And pensive Collins down the vista strayed; And as they vanished into common air. Their clustering memories, ever fresh and fair. Like ivy round each turret seemed to twine And every chapter-house became a shrine ! 'Tis thus that Art is long, tho' Time is fleeting — The wise old maxim that we keep repeating — And Wisdom, with endurance not of earth. Outlives for aye the age that gave it birth; So shall our Academus planted here Survive, in its results, from year to year. Though ruin settles on its antique walls VIRGINIA 141 And from our lonely courts the bittern calls; So shall the writer, who with skill portrays Virginia's history in coming daj^s, Mark how it enters in the general plan And with delighted eye its progress scan, A thread of gold still running brightly through The wondrous tapestry from Old to New. Thus tracing here the honors interwove Of State and College, Capitol and Grove, I leave unsung those grand, heroic men Who walked the heights, so dizzy to our ken, Where first our starry banner was unfurled. And seem yet visible to half the world — And follows Memory, as she fondly turns To yet more precious if less stately urns. But twice the roses of the Spring have blown, Since rambling far in other lands, alone, I sought the hillock where the cypress bends O'er Dew, lamented still by "troops of friends," The sage, whose active and well-ordered mind Books had enriched and social life refined. And pondering there on wisdom, learning, worth. Buried with him beneath that foreign earth, I thought of Tucker's high and varied powers. His fame, of all indeed that made him ours; The sweet benignity, the careless grace. With earnest thought commingled in his face: — You watched his genius — saw its steady shine. Its full meridian, its undimmed decline; How bright the noonday, how serene and clear The solemn evening of that calm career, And mark how pure a lustre lingers yet Where from our loving gaze that full-orbed genius set ! 142 VIRGINIA Where shall the poet find, tho' wandering long A spot so fragrant of unuttered song As this old city, whose colonial glory Fades into Jamestown's legendary story? One mouldering tower, o'ergrown with ivy, shows Where first Virginia's capital arose. And to the tourist's vision far withdrawn Stands like a sentry at the gates of dawn. The chxu-ch has perished — faint the lines and dim Of those whose voices raised the choral hymn. Go read the record on the mossy stone, 'Tis brief and sad — oblivion claims its own: Yet Fancy, musing by the placid wave, With gentle Wirt above some nameless grave. May animate the sleeping dust once more. And all the past in vivid tints restore. Nor should the picture lack for livelier strokes, (As this my poem sadly wants its jokes,) When came the epic muse to later times: (I trust the change will brighten up my rhymes.) Oh ! those were jolly, good old days, in sooth, Consule Planco — in the Raleigh's youth, When to the town at Christmas would repair The gallant lords and ladies debonair; When balls and races, dinners, routs, the play. In quick succession make the season gay; When ennui was unknown — delightful age ! French modes and phrases were not then the rage; When courtly lovers and their chosen flames In sweet simplicity took pastoral names; Thus Damon fair Celinda's graces set To smoothest verses in the old Gazette, And Strephon, both to please and to adorn her. Courted his Chloe in the "Poet's Corner," \ VIRGINIA 143 While all — Celinda, Damon, Strephon, Chloe — O manly forms, O bosoms soft and snowy ! — Danced stiff old minuets throughout the night. Visions of satin, spare my aching sight! With grandest music floating round the whole — Ye powdered bigwigs, crowd not on my soul ! Fiction at last has turned its gaze, we know. Upon those golden days of long ago; And as, obedient to the prompter's call. Time's misty curtain rises over all. Before us now the quaint comedians pass — - And see ! the modern footlights blaze with gas. In robes resplendent, freshened every hue. The faded scarlet and the watery blue. The beaux and belles of long forgotten years Have "sly flirtations" 'neath the chandeliers; Yet in the brilliant crowd the form I see With greatest pleasure is the F. F. V. — Aristocratic type of lofty sires. Of whom 'tis said "Virgmia never tires," When this great actor comes upon the stage, His graceful movements aU my thoughts engage. As in the Bowery pit, Moses strains his eye When Billy Kirby rushes on to die ! Time changes all. When in the morning gray The smoke from Yorktown slowly rolled away. And there revealed our flag flung proudly out O'er slippery mound and perilous redoubt. Another age Virginia ushered in — End pompous Court and Commonwealth begin ! Colonial grandeur soon aside was laid With sword and periwig and gold brocade. And of the prim old courtiers soon the last 144 VIRGINIA Walked grandly down into the dusky past. And now behold Virginia's active life Of varied labour and industrial strife — Where Spotswood followed on the Indian trail. They're busy putting down the heavy rail; And iron coursers thunder o'er the land Where pressed the "golden horse-shoe" in the sand; The constant roar of ponderous machines Drowns the blithe music of remote ravines; In our Parnassus there's a recent hole In which the workmen dig for cannel coal; And Cato, Liberty's devout admirer, Who wrote those essays in the old Enquirer, For such pursuits has no more time to spare, But fattens Durhams for the Annual Fair ! What though they say Virginia lags behind Her rival sisters in the march of mind; What though so frequently 'tis ours to hear The pointless jest, the miserable sneer. From men, whose freedom 'twas her joy to save, Or States, whose every inch of soU she gave? If some sweet lethargy has sealed her lips And quenched her vision in a brief eclipse; And on the pedestal of former fame — Whose proud inscription is her simple name — She long has stood in statuesque repose. Pure as if hewn from everlasting snows^ 'Tis as Hermione, the peerless Queen, The glorious image, stood in Shakespeare's scene; Soon shall the form descend, no more be stone, With flowing drapery and flashing zone. Walk forth in majesty, Miaerva-like, And all who look on her with marvel strike ! TO PAUL H. HAYNE [est recognition of a volume of his sonnets] Sweet sonnetteer of Southern hills and streams, Petrarca of the bright Palmetto shore, My thanks ! that from thy richly- varied store Of glorious fancies and divinest dreams A sunshine, vs^arm and golden, broadly beams Upon our genial land in brilliance splendid ! Thine is the poet's glance; thou art attended By a right queenly Muse, whose sandal gleams In every walk beneath primeval woods. Or by the sea-side's level solitudes. Wherever Nature wakens thee to love. Still heed thy Muse, interpret her replies Through all the converse whispered as ye rove. And men shall write thee with the great and wise. 145 THE JAMESTOWN CELEBRATION, 1857 27 MoKN broke over Jamestown Island, Slowly purpling all the landscape. Shelving beach and crumbling turret. Till at last the May-day sun Streamed across the spreading wheat-fields In a flood of golden splendor; And upon the slumberous silence Pealed the heavy signal gun. Five times fifty years had glided Over earthly states and kingdoms Since the keels of Smith and Gosnold There had grated on the sand; When the sons of Old Virginia Came with pomp and martial music To commemorate the virtues Of that little pilgrim band. Out upon the tawny river — For the tide that day had borrowed, As in token of the Red man. Just the Indian's copper hue — Lay a fleet of yachts and steamers. Gay with flags from staff and topmast — Stars and stripes, and proud Sic Semper Shining on a field of blue. 146 THE JAMESTOWN CELEBRATION, 1857 147 Soon the passengers were landed. And into the silent graveyard Passed the throng to muse and ponder On the graves amid its gloom; WhUe the daily press reporter Copied all the pompous Latin Of the dim and quaint inscriptions Carved upon each shattered tomb. Some in sacrilegious fury Hammered on the hallowed marble To obtain a precious relic Of the spot whereon they sat: Others, for a fond memento. Took a brick from oflf the tower; But the brick, in many an instance. Got into the pilgrim's hat! Then the throng moved slowly onward To the place of celebration. Two miles distant from the landing — Oh, that long and dusty tramp ! Who did not, with Mariana, Cry, oh dear, "I am a-weary!" Ere he saw far-off the whitely Gleaming canvass of the camp? There the gallant Richmond soldiers. Marshalled under Colonel Cary, Marched about to lively music Played on silver instruments; All around was their encampment, Pitched in military order. And their war-like satisfaction Seemed to all to be in tents [intense]. 148 THE JAMESTOWN CELEBRATION, 1857 Soon, as grew the day more fervid, On there came a small procession. Arm in arm, some five and twenty Gentlemen in suits of black; And among them one whose boyhood Had been spent beneath Mount Vernon's Sacred roof, a reverend seignior,^* Walking down the dusty track. All behind them poured the thousands Covered with the white 'piepoudre. Looking very vexed and heated — Men and maidens, youth and years; And with rare "sonorous metal Blowing martial sounds" like fury, Strong in numbers, fuss and feathers, Came the Portsmouth Volunteers ! Presently drove up a carriage Filled with grace and wit and beauty — Ladies fair, and tall civilian. This the orator, they said; And indeed 'twas Mr. Tyler, Straight and dignified and stately. With the speech in his portfolio. And his hat upon his head. Then they gathered round the platform All the soldiers and the people While the band played HaU Columbia With a patriotic din; And, the moment this was ended, 'Twas announced to all that straightway. With a solemn invocation. The proceedings would begin. THE JAMESTOWN CELEBRATION, 1857 149 Then arose from earth to heaven Accents of shicere thanksgiving And an humble plea for mercy To the King of Kings on high — He who watched above our fathers With a tendea" loving kindness In those fearful forest vigils Which they kept in days gone hy. Now a hum of expectation Ran throughout the large assembly. As before them Mr. Tyler Forward stepped upon the stage; And the daily press reporters Spread their sheets of yellow paper And caught up their trusty pencils In a stenographic rage. 'Twas a very long oration, read — Why did he not declaim it.^* — And, the noontide being sultry, Its effect was somewhat tame,^' But at times the voice, unshaken. Rising with the theme majestic. Reached the melody and measure Of his senatorial fame; And when all the fire and feeling Of his nature energetic In a more commanding diction Found at last a fittuig vent Some who heard him were reminded Of the brilliant early triumphs. At the bar and on the hustings, Of the "old man eloquent." 150 THE JAMESTOWN CELEBRATION, 1857 When the orator concluded, There was very loud applauding And another burst of bugles From the soul-inspiring band: Then with hair in wild disorder And his eyes ('neath goid-rimmed glasses) In poetic frenzy rolling. Our young poet took the stand. As the tuneful Chiabolos Sang of war and gentle woman To the dusky braves around him With the music of the reed — As the pleasant minnesinger Sang of love and knightly daring In the long and pensive twilight Of the Nibelungen Lied — So our gifted Jamestown minstrel Sang of Smith the stalwart Captain, Sang the strange and sad adventures Of the beauteous Indian bride, Mingling thus the feudal story With our own romantic legends In the song of Pocahontas Early lost and sanctified: Sang our much loved Old Dominion, Sang its past and faded glory. And in bard-like strain prophetic Cast its shining horoscope, Till the listening crowd enraptured Burst into a general plaudit, THE JAMESTOWN CELEBRATION, 1857 151 And declared our Hampton poet Had not proved a barren hope* There the speaking programme ended. But the people, much excited. With at least five hundred voices. Frantically called for "Wise!" And the governor came forward 'Mid the furious acclamations, Thunder seated on his forehead. Lightning gleaming from his eyes. 'Twas a little speech he made us. But the words were fitly spoken. Golden apples, silver pictures, Only they were very few; And our chieftain left the platform. Went among his standing army Drawn upon the field of clover. Waiting for the grand review. Arma — had we Virgil's stylus We might say — virumque cano. And describe the sight imposing There upon the field displayed; Fine and feathery Portsmouth soldiers, Petersburg and Norfolk soldiers, Regiments of Richmond soldiers, Very showy dress parade. In the van rides Colonel Gary, Sitting straight up in the saddle * The poet was James Barron Hope. 152 THE JAMESTOWN CELEBRATION. 1857 With the Portsmouth colonel near him. On he rides amid his peers; And although the road is dusty. His no steed of Conestoga But one fit for the commander Of the Richmond Volunteers. Well, at last the show was over, And the weary crowd, departing. To the head of Jamestown Island Took their melancholy way; There was neither dance nor dinner. And in hunger lords and ladies Sullenly rejoined the steamers, Distant steamers, toilsome day. But when night upon the Island Settled down and all the camp-fires Redly gleamed out on the darkness Through the tall and spectral trees, Rockets rose from shore and river. Bursting into starry brightness. Flags of flame which, streaming o'er us, "Braved the battle and the Breeze." ^° Such the Jamestown celebration, As perhaps we yet may see it In Porte Crayon's pleasant sketches Done for Harper's Magazine: 'Twas a highly patriotic. Picturesque, auspicious, happy. Hot and dusty celebration As was ever sketched or seen. LOU There's a little joyous-hearted girl, to see whom is a bless- ing, That lives a square or two from us, upon our quiet street; Her merry face is bright beyond the painter's sweet ex- pressing, And trippingly as dactyls move her tiny, twinkling feet. She seems as if she never yet had known a childish care. And the soft October sunshine is tangled in her hair. Above the din of noisy girls I catch her radiant laughter. Beneath the dusky lindens on the long, long summer days, And see her foremost in the romp, with dozens running after — The first beam dancing through a cloud chased by a troop of rays. 'Tis but a poor similitude — the bravest would not do — For music, perfume, starlight, all seem commonplace for Lou ! At morning, when, with many books, I meet her on the way to Her school, I often wonder what they teach my little friend; The lessons she herself might teach are wiser far than Plato — Simplicity and truth, the means to compass wisest ends; But much I wish the privilege as tutor I might claim To ask her softly aimez-vousF and hear her answer j'aime. 153 154 LOU And sometimes when at church I see her happy, trustful features, A tender, wayward thought will come between me and the psalm. That like to such a little child must all we erring creatures In simple-minded faith appear, with passions hushed and calm. Before the Eternal Truth shall break upon our sight so dim — For such an one the Saviour saw, and bade come unto Him ! WASHINGTON 31 Non incisa notis marmora publicis. Per quae spiritus et vita redit bonis Post mortem ducibus; .... . . . . clarius indicant Laudes, quam . . . Pierides; neque Si chartae sileant quod bene feceris, Mercedem tuleris. — HoBATius, Lib. IV, carmen 8. Virginians ! here, with cannon's deafening roar. And joyous tlirob of drum. From mountain gorge and from Atlantic shore. This hallowed day we come. 'Tis one of Freedom's Sabbaths; and we give The time to Freedom's praise. As here, in bronze that almost seems to live. Our hero's form we raise. O ! it is well that glorious form should grace Our own Capitoline— Henceforth to all a consecrated place That holds a sacred shrine. The pomp of pennons, scarfs and tossing plumes Is fitly here displayed. Scattering the tints of summer's richest blooms Upon the bright parade. 155 156 WASHINGTON And worthy is it that with noble speech Which glows with vital pow'r. The laurel-crowned orator should teach The grandeur of the hour. While yet in reverent mood the poet brings, Amid the brilliant throng, What he would never give to flatter Kings, His modest meed of song. Not queenly Athens, from the breezy height Where ivory Pallas stood. As flowed along her streets in vestures white The choral multitude — Not regal Rome, when wide her bugles roU'd From Tagus to Cathay, As the long triumph rich with Orient gold Went up the Sacred Way — Not proud basilica or minster dim. Filled with War's glittering files, As battle fugue or Coronation Hymn Swept through the bannered aisles — Saw pageant, solemn, grand or gay to view. In moral so sublime. As this which seeks to crown with homage due The foremost man of Time ! Then let the gun from out its peaceful smoke Its thunder speak aloud. As when the rainbow of ovu* flag first broke Through battle's rifted cloud. WASHINGTON 157 Peal, trumpets, peal ! your strain triumphant lend To stir the wintry air, And upward to the throne of God ascend The frankincense of prayer — Not ours but His the glory ever be. While yet the ages run. Who, that His favored people might be free. Gave earth a Washington! II Yes ! the sculptor's work is finished, and to life the metal starts. Token of a people's love and crowning tribute of the Arts. True, no need of molten image or of column skyward reared Had this Christian sage and soldier, to the world's great heart endeared; Yet Virginia's deep affection she would to the world pro- claim In this bronze and granite only less enduring than his fame: And the Sisters — they who wander by the old melodious River — Honour still the few whose virtues live forever and forever. Long in vain the Arts debated 'neath the amaranthine shade. How the fit apotheosis of our hero should be made: When a Muse said "O my sisters, there are two of mortal bu-th. Who are worthy to interpret all his greatness unto earth; 158 WASHINGTON "Regally have we endowed them with the 'faculty divine,' Let us for this loftier service richer gifts to them assign." Then came Eloquence, attended by the stately rhythmic choir. And from her unfailing altar touched an Everett's lips with fire, WhUe the voiceless Muse of Sculpture, white and shining, raised her wand, ' And a yet more wondrous cunning straightway thrilled through Crawford's hand, And he let his nymphs and Hebes in their sleep of snowy stone. With the grand old dreamy beauty of the Greek around them thrown, Catching from his theme majestic, in his thought's enkindled glow. Something of the forceful purpose marble-wrought of An- gelo. In his quiet Roman workshop months the sculptor toiled: at length All completed rose the model in its glory and its strength. Then beyond the Alps they bore it, statue of the deathless name, To the distant German city there to be baptised in flame. 'Twas a glorious thing to witness, as the swarthy artisan Set the fiery torrent free and seething in the mould it ran: WASHINGTON 159 But great joy there was in Mtinich, when the metal, furnace- tried, Came to sight a radiant image, perfect then and purified. Thus through trials yet intenser and a more refining blaze Passed our hero, pure and scatheless, in the Revolution's days. Horse and rider, decked with garlands, now in lengthened jubilee Journey through the pleasant Rhineland onward to the Zuy- der Zee. Under quaint and leaning gables stops at last the ponderous wain. Where the dykes of Holland's seaport backward hurl the angry main. Everywhere the youths and maidens thronged to see it mov- ing by. Grey-haired sires and matrons cheered it, on its joyous way— and why.?* 'Twas that men of every nation, in our Washington's career. See their own commanding hero yet more gloriously appear. WUliam's calm and silent courage, Tell's imperious hate of wrong Dwelt within and fired his nature large and resolute and strong. Yes, and there Rienzi's passion grander-statured owned con- trol Unto Hampden's lofty virtues regnant firmly in his soul. 160 WASHINGTON Therefore 'twas, the fair-haired children of the ancient Father Rhine Gratefully aroimd his statue freshest roses would entwine: Therefore 'twas the honest Flemings deemed the bark that bore it blest. Fading o'er the watery azure, sailing down the crimson west. Now for us who claim to love him with a fonder, dearer love. Upon whom he yet may scatter benedictions from above; Us, who tread the soil his footsteps made forever holy ground. Where his sacred ashes slumber, where his fame sheds light around; 'Tis to deck this noble figure, raised in airy grace on high. With its final wreaths of homage, fragrant as his memory. Ah ! the hand is cold that wrought it — ^fondly would the poet crave Just to place a simple flow'ret on the sculptor's early grave. Say not the sombre angel stilled in death his manly heart. All too soon for life's ambition, all too soon for Christian Art. Well he laboured whatsoever here his hands had found to do. And submissive to his Master passed away from mortal view. Thus amid the wailing music of the Requiem, mournful, grand. As with joyous hallelujahs sought Mozart the Spirit Land; — WASHINGTON 161 Thus from faint celestial glimpses and from well assured re- nown Called to gaze on fairer visions, Raphael laid his pencil down. Though for him the tearful Muses sorrow in their moonlit home — Though a tranquil light has faded from the deep blue sky of Rome — Gone before us he has given unto earth immortal grace, And in Art's bright hemicycle found among his peers a place; Gladly they accord our brother lasting, monumental fame. Blended in the bronze above us with earth's proudest, grandest name. Ill O ! 'tis a noble sight. The fiery steed, just checked, that paws the ground, As if impatient for the clarion's sound That calls to deadly fight. The war-horse says ha ! ha ! And snuffs, in very insolence of pride With high arch'd neck and furious nostril wide, The battle from afar. But sits our matchless one Serene, as erst in war's intensest wrath. And points forever to the golden path Of empire and the sim. 162 WASHINGTON The high and holy calm That crowns his brow, there cast its aureole. When dangers dire be met with equal soul Or bore the victor's palm. So 'mid the whirling snow Where freeziug Delaware rolled darkly by, Beyond the shore he turned his eagle eye Where duty bade him go. So after sad defeat, From hushed Long Island's camp he sent his hosts At midnight o'er the tide like sheeted ghosts. And glorified retreat. And such his tranquil mien. When over drenched redoubt and shattered wall He saw the Briton's lion banner fall. At Yorktown's final scene. O ! for that self-command. That sweet serenity, that grace refined. That wisdom throned within a lofty mind. To save the freeman's land. Here, venerated shade! As proudly we thy mighty deeds review And what, as well, thou didst forbear to do — No trust by thee betrayed — Impart thy love of truth — Teach us the good and ill alike to bear. So shall the State with Freedom's Goddess share Her bright perpetual youth. WASHINGTON 163 IV And now, my brothers, what to us remains Of solemn duty which the day ordains, WhUe yet Virginia's gifted sons prolong, In thoughtful eloquence and lyric song. The fond ascriptions of a nation's praise. Which my too feeble voice attempts to raise? 'Tis that we here in gratitude renew The patriot-vows to country ever due. And on this holy altar firmly swear The blessed compact never to impair Which the Republic's fathers gave, to prove The boundless wealth of their undying love. As when a planet, first in motion wheeled. In placid circles sweeps creation's field, Nor tumult causes there, nor haply fears The angry jarring of its sister spheres, But moves forever on its destined way. In liquid music with benignant ray; So may each added star, that makes in turn Our constellated glories brighter burn. Drop silently into its ordered place To run its radiant and unpausing race; Blessing and blest, 'gainst every shock secure. Through time's revolving cycles to endure. Till, like Orion's belt, oiu- ensign's bars Shall blaze with countless multitudes of stars. Their mingled light into one halo thrown, But each a planet dazzling when alone ! But Time, alas ! stiU crumbles into dust The brazen column and the marble bust; 164 WASHINGTON Dashes the image from its pedestal And weaves for mighty States the funeral pall; Thus the proud statue, which we rear in bronze And wreathe today with Freedom's gonfalons. May moulder into ruin, when the State Which gave it birth is waste and desolate. But truth iminjured shall forever stand. And deathless mind can mock the spoiler's hand: And so, wherever Law shall build its fane And Learning push its humanizing reign — Wherever o'er the futm-e's misty seas Men shall revere the name of Socrates, And generous youth with rapture dwell upon The shining page which tells of Marathon — Into what climes remote the sacred ark Shall yet be safely borne in Freedom's bark Freighted with legacies of worth unpriced. The truths of Luther and the creed of Christ, — There Washington shall live, and there, enshrined Within the vast heart-temple of mankind. Our honoured Commonwealth shall stUl receive The purest worship grateful love can give — Her praise according millions shall proclaim And earth's remotest age shall bless Virginia's name ! SONG, TO ONE WHO WILL UNDERSTAND IT Come, lady, step into the boat. Our pennon flutters free. And with the sunset we shall float Upon the swelling sea. Before the light of day grows dim Our love-vows shall be told. Where yon small speck on ocean's rim Peeps o'er the crests of gold. Thy sweet discourse my ear shall fill. Thy voice my soul subdue, As, like the unprisoned bird, at will We shoot across the blue. And when upon that distant strand Our loves shall be confest 'Twill be to me the "Happy Land," "The Island of the Blest." 165 THE OLD DOMINION JULEP BOWL32 [to g. p. r. james] Goodbye ! they say the time is up — The "solitary horseman" leaves us. We'd like to take a "stirrup cup," Though much indeed the parting grieves us; We'd like to hear the glasses clink Around a board where none were tipsy And with a hearty greeting drink This toast — ^The Author of the Gipsy ! The maidens fair of many a clime Have blubbered o'er his tearful pages. The Ariosto of his time, Romancist of the Middle Ages: In fiction's realm a shining star, (We own ourselves his grateful debtors) Who would not call our G. P. R.— "H. B. M. C."— a Man of Letters? But not with us his pen avails To win our hearts — this English scion. Though there are not so many tales To every roaring British Lion — For he has yet a prouder claim To praise than dukes and lords inherit, Or wealth can give or lettered fame — His honest heart and modest merit. 166 THE OLD DOMINION JULEP BOWL 167 An Englishman whose sense of right Comes down from glorious Magna Charta, He loves, and loves with all his might, His home, his Queen, Pale Ale, the Garter: This last embraces much, 'tis best To comprehend just what is stated — For Honi Soit — you know the rest And need not have the French translated. O empty bauble of renown, So quickly lost and won so dearly. Our Consul wears the Muses' crown. We love him for his virtues merely: A Prince, he's ours as much as Fame's, And reigns in friendship kindly o'er us. Then call him George Prince Regent James, And let his country swell the chorus. His country ! we would gladly pledge Its living greatness and its glory — In Peace admired, and "on the edge Of battle" terrible in story: A little isle, its cliffs it rears 'Gainst winds and waves in wrath united. And nobly for a thousand years Has kept the fire of freedom lighted. A glowing spark in time there came. Like sunrise o'er the angry water. And here is fed, an altar flame. By Britain's democratic daughter — From land to land a kindred fire Beneath the billow now is burning, O may it thrill the magic wire With only love, and love returning ! 168 THE OLD DOMINION JULEP BOWL But since we cannot meet again Where wine and wit are freely flowing, Old friend ! this measure take and drain A brimming health to us in going: And far beneath Italia's sky. Where sunsets glow with hues prismatic, Bring out the bowl ^' when you are dry, And pledge us by the Adriatic ! Richmond, Va., September 20, 1858, "MAY-DAY" What have we here? A pretty scene — Where, sporting on a sylvan green, Before a flowery-kirtled queen, In Youth's delicious hej^-day. The dear old souls we love so well In Watteau's paintings— beau and belle- Have met in happy groups to cel- ebrate their ancient May-day. Just opposite the stately throne (The queen, observe, sits not alone, The king is there to claim his own) We see the youthful dancers; There, right and left, around the pole. They move in music's soft control, And mark the figiu-e, bless my soul ! It is — it is "the Lancers." And yonder near the beechen grove. Whose twilight depths invite to rove. The very place to whisper love. So dark and cool the shade is — Are dames in hoops; although 'tis true Their skirts are not so amplitu- dinous and wonderful to view. As those of modern ladies. 169 170 "MAY-DAY" See close at hand a cavalier. My eye ! but how uncommon queer Does Coim.t Fitzbattleaxe appear With tights and ruff and rapier! Thus, moving through the brilliant hall. Displaying lower limbs as small At Mrs. Gwin's late fancy ball You might have seen Lord Napier. The gallant to his charmer bows — 'Tis clear she is not yet his spouse — You almost seem to hear his vows. As kindly she receives him; He swears that she is brighter far Than regal night's most radiant star, And she, the beauteous Lady Char- lotte, little fool ! believes him. And as he bows we know that soon. When May has lost itself in June, They'll walk to church some pleasant noon, (There soars the lofty steeple) ! — And, at the lucky Count's commands. The good old vicar in his bands Shall join in one their wUling hands. And make two happy people. Thus nms for aye the world away. And though "it is not always May," Yet all abloom once more today Returns the genial season; And as the yearly roses blow Fond loVers' honeyed words still flow, And maidens wed, as long ago. Without or rhyme or reason. "MAY-DAY" 171 There's notMiig either new or strange In natiu-e's still recurring range. Men are the same— they simply change Or modify the fashion; But spring, in robe of brilliant dyes. Shall come while time yet onward flies. And ever woman's dove-like eyes Shall light the tender passion. ROBERT BURNS 34 [JANUAEY 25, I869] One hundred years ago to-day, Poor Burns was born, — the master Who lived and wrote and passed away In triumph and disaster. A little life of work and wrong And painful incompleteness, Yet mellowed and made glad with song Of most surpassing sweetness. His birth was humble — not for him The benefits of station, Rude nature, 'mid her mountains grim. Supplied his education; No costly culture might allow The boy's resources narrow. And so they sent him to the plough Who could not go to Harrow. But lofty lineage, reaching far To earth's fresh, early morning. Had he, whose brow Wit's diamond star Shone brightest when adorning. Above his cradle Clio smiled And bards of ages hoary. The Skalds themselves owned Burns their child, A proud ancestral glory. 172 ROBERT BURNS 173 His fondest wish, his constant prayer Was for his native Highlands, No spot so dear to him as Ayr, In all the British Islands; He sang of Scotia's dusky heath. Her lochs and valleys hazy, And wove a lasting laurel- wreath Of one wee bonny daisy. And yet all lands and men were held Within his love's wide ocean. Whose waves beat music, as they swelled, To his own lyric motion; The genial simshine of his soul. From its celestial azure, Warmed human hearts from pole to pole With sympathetic pleasure. Whate'er was human that he knew (As once was said in Latin) To be akin, and loved it, too. In calico or satin; And so his pathos and his mirth The sportive and the tender. Reign round the Cotter's homely hearth, And in the halls of splendour. He sinned, but who his guilt shall weigh In earthly balance rightly? What man among us all can say A word of censure lightly.'* Or with his wildest freaks divine "\Vhat agonies were mingled. That turned to lees the golden wine Which through his tissues tingled? 174 ROBERT BURNS O manliest bard by poets praised, O gentlest, truest nature ! Wbo your own fellow mortal raised To manhood's proper stature. We honor in your life the most, Not gifts of mind resplendent, But the proud claim you dared to boast, Of being independent. Another hundred years shall sweep To Lethe's sullen waters All- things whereat men laugh or weep. Earth's conquests, sorrows, slaughters; But rescued from the silent shore Of that oblivious river. His fame shall brighten more and more And Burns shall live forever. HEXAMETERS AT JAMESTOWN Sixteen ladies and gentlemen made up a party at Brandon Ivy to plant on the old churcli tower, fallen to ruin, at James- town: So quite early one pleasant and peaceful morning of April, Mounting the deck of a high-pressure, swift-sure, trig little steamboat, Down stream bravely they sailed, while gaily the ladies their 'kerchiefs Fluttered by way of Farewell to such as behind on the wharf stood. Surely the sunlit James ne'er bore on its tremulous bosom Vessel so freighted with loveliness, innocence, flowers, and fruit-cake. Musical laughter, like silvery bells or the falling of waters. Rose on the grateful breeze which rippled the awning above us; While 'neath the cloud of the canvas the star-like eyes of the maidens Brilliantly lighted both sides of the steamer till each was a starboard. So that a bachelor captain had lost both his heart and his bearings; Eyes that with pleasure at times still marked where rested the baskets. Since the villegiatura must always be hampered with luncheon. After a while, in the distance, Jamestown's mouldering brick- work, Softened and saddened by sunshine, greeted the sight of the pilgrims — 175 176 HEXAMETERS AT JAMESTOWN Image of mournful decay in the midst of the beautiful land- scape. River before and forest behind, and the blue of the welkin Bending in tenderness over the delicate green of the wheat- fields — Green that gives promise of gold in the regal abundance of harvest. Just as the well-filled baskets give an assurance of good things. Reaching the Island in safety at last, and dropping the anchor. Swiftly to shore we glide in the four-oared cut-away row boat — So in the old time Christopher Newport himself may have landed Just at this bloom of the year when Spring had unfolded her banners Over the woods and streams of her own Ancient Dominion. Holy the calm that reigns in the moss-grown, desolate churchyard; And as a party of tourists, walking across the Piazza, Murray under their arms, and filling the court with their chit-chat. All of a sudden are hushed as they enter the nave of St. Peter's, So when the Brandon pilgrims came to the crumbling en- closure Guarding the dust of the good and the brave that slumber at Jamestown, Pensive and silent were they, and the awe of the place was unbroken. Reverent, musing, we linger to trace the inscriptions in Latin, HEXAMETERS AT JAMESTOWN 177 Almost illegible now, and fading away from the marble; Then to the time-eaten turret, walking with decorous foot- steps. Slowly as walked to the temple the worshippiog settlers aforetime. Careful we set in the consecrate soil the shoots of the ivy Where the colonial pilgrims had planted the germs of an empire. Then spoke Everett, Edward (first-rate dactyl and spondee. Deftly the orator's name runs into hexameter measure). Eloquent words of response to the simple greeting of welcome Offered in modest phrase by one of the sons of Virginia. Soft, as his accents arose on the air, from the ages de- parted Quaint apparitions and shadows majestical gathered around us: John Smith, valorous captain, Powhatan friendly in coun- cil, Pocahontas, beloved as "his dearest iewell and daughter," Gazing in timid delight on the shinuig plane of the river, Where was a steamer that bore the legended name of the maiden. Gladly we would have communed with the knight and his comely companion, Gladly have shaken the hand of the brave old Indian chief- tain; But as the voice of the speaker again relapsed into silence. Suddenly vanished the shapes, and vacancy stood in their places — Just as the music had ceased whose magical spell had evoked them. 178 HEXAMETERS AT JAMESTOWN After the speaking was luncheon, then we returned to the steamboat. Ladies and gentlemen pleased with the task they had fitly performed; Thus was the pilgrimage ended, thus was replanted the creeper. Over the mouldering tower to hang its rich curtain again — And as the ivy shall cling, with its graceful and delicate ten- drils. Close to the ruin it wraps in the evergreen mantle of love. Closer and closer for aye when, breaking in fury, the tempest. Pitiless, wrathful, descends from the darkened and ominous sky; So may our dearest aflPections inwreathe the magnificent fabric Reared on the solid foundations of Jamestown and Plym- outh of old — Fabric that never shall fall, upheld by the prayers of a people. Till the last sand of the ages shall ebb through the perish- ing glass! THE MOTTO Somebody sent me a dear little note. The paper was Moinier's, the writing was fair; Shall I here tell you what somebody wrote? No — let the muse keep the secret from air. But this was the motto the seal had to show. This — "C'est le coeur qui fait valoir les mots." Somebody walked with me. Light was her tread Over the beautifvJ sunshiny wold; Shall I here tell you what somebody said.'' The simlight has faded, the words have grown cold. Do you believe in the motto or no.^" C'est — -"C'est le coeur qui fait valoir les mots." Somebody sang me a sweet little song Full of all tender imspeakable things. Shall I repeat them.P No, ever so long They have flown oflP on the swiftest of wings, And the nest they deserted is white with the snow — Ah, "C'est le cceur qui fait valoir les mots." Shall I with censiu'e link somebody's name For the note, and the walk, and the fly-away birds.'' No, the dear creature was never to blame — She had no heart to give value to words; Sweetly as Hybla her accents may flow, Mais "C'est le coeur qui fait valoir les mots." 179 TO j:. V. v.* 1859 Smooth seas, fair breezes and bright skies attend Your rapid flight to Europe's distant climes; This wish I offer in these farewell rhymes, With a sincere "God bless you" to my friend; And may the aspirations high which blend With the deep sadness of the parting hour Rise into shapes of beauty and of power Beneath your patient chisel, and the end Bring the sure guerdon of a lasting fame. But, oh, remember well that art is long And life is short, be resolute and strong; So may Virginia yet be proud to claim One whom the world of Art itself shall know A new Thorwaldsen or an Angelo. * Edward V. Valentine, the scxilptor. 180 VIRGINIA, IN OUR FLOWING BOWLS" ^^ Vieginia! In our flowing bowls Thy name we would remember. Dear as is Plymouth to the souls Of Pilgrims in December — They hold their banquet as the gloom Of winter round them closes; Our festive board is all abloom With spring's retm-ning roses. The poet sings our father's deeds, Their forms and phrase outlandish. And yet how far our age exceeds The age of Smith and Standish! The modern Pilgrims journey all By steam o'er land and ferry, And we the "Starving Time" recall In turtle soup and sherry. Still somethirig noble we may learn In yearly thus reviving The virtues of those settlers stern — Their suffering and striving. Oiu- fathers wore a knightly grace Above their fiery passion. Which, like their doublets and their lace. Is sadly out of fashion. 181 182 "VIRGINIA, IN OUR FLOWING BOWLS" Tlie Spaniard traces in the Cid The Campeador's glory; The stirring Niebelungen Lied Tells many a hero's story — Oh, more than any German myth The highest praise deserving. When shall you have, brave Captain Smith, Your Halleck or your Irving? What though, indeed, you left behind No chivalrous descendants In other days a sword to find And fight for Independence — Bear witness to your lofty traits. Our proud historic pages — The ancient Mother of the States Shall cherish them for ages. Yom* valor, proved in Paynim fights, And tried by wUd disorder. With Spottswood's "Golden Horseshoe" Knights Went trooping o'er the border; It stood on York's embattled lines With yet a presence grander, And still its undimmed lustre shines In Scott, the great commander. Loved Commonwealth of boyhood's rule ! What recollections cluster Around the whitewashed old field school. The county coiu't-house muster; From all the city toils and gains Our hearts are turning now, sirs. To dwell in those sweet Argive plains Where first we donned the trousers. 'VIRGINIA, IN OUR FLOWING BOWLS" 183 Still does the wavy Ridge extend Its outlines soft before us — Still does Virginia's blue areb bend In tender beauty o'er us; The oldest exUe breathes her air With all the latest comers. And here tonight we gladly share The fervor of her Summers ! "A land of just and old renown" To native or to resident — "Where Freedom broadens slowly down From President to President" — We change the laureate's line — too bad ! But think, in all her crises, How many Presidents she's had. How very few of Vices! Then, brothers of the good old State, Permit an absent rhymer To pledge the day you celebrate. But not in Rudesheimer. He likes, whatever others think, Virginia's own libation, A whiskey julep is the drink That typifies the nation ! The ice we take of liquid blue From Wenham's crystal fountains, The whiskey sparkles with the dew Of old Virginia's moimtains — The sugar borrow without stint From sunny Opelousas, By every stream springs up the mint, From Kennebec's to Coosa's. 184 "VIRGINIA, IN OUR FLOWING BOWL" Que voulez vous? 'Tis this — we wait A wheatstraw from the prairie, (The Hoosier or the Sucker State, Their practice does not vary). Here North and South and East and West Are met in sweet communion — Now drain the cup — this toast is best, — ViBGINIA AND THE UnION ! POESY: AN ESSAY IN RHYME ^s In ancient Greece where Art, we know, was born In the fresh gladness of her early morn; When Learning, laurelled goddess, sweetly smiled Above the cradle of her fairest child — They kept in Athens sacred festival Of eloquence, and song, and wit, and all That made of Attica a classic land From lofty Piudus to the shining strand; With music's lordly swell, the stately train Moved onward to Minerva's glittering fane, Where from the fervid lips of genius flowed The measured chorus and sparkling ode Pure as Ilissus, where its waters run A stream of flashing silver in the sun; And thousand voices, mingling in the paean, Stirred the light wave upon the blue ^Egean. Two thousand changeful years have passed away Of cruel havoc and of fell decay — The polished temples, 'neath the brilliant sky Of old Athena, now in ruin lie; And a deep pathos, a most tender pity. Subdues the soul within the ancient city: The Erectheum — how each fragment shines! What desolate beauty in the broken lines ! The Parthenon — alas, the summer breeze Kisses no more at morn the perfect frieze Which once revealed the glory and the joy Panathenaic to the Grecian boy. 185 186 POESY: AN ESSAY IN RHYME But the great poems of the bards sublime Remain unwasted by the wreck of Time; Graceful and calm, in symmetry severe. These wondrous temples of the mind appear; And light, in richer flood than that which fills The smiling circuit of the Athenian hills. Streams upon shaft and portico and floor, "The light that never was on sea or shore!" Well may we then the lyric mode combine With glowing eloquence at Learning's shrine. When our Panathensea's rites we hold. Not with the gorgeous pomp and pride of old. Not yielding homage to the gods that reigned On high Olympus, as the mythos feigned. But with ascriptions of perennial praise To the brave singers of immortal lays; And all who robe the beauteous form of Truth In the bright colors of unfading youth. From -lEschylus to Shakespeare, from the trees Where Wisdom early strayed with Socrates, To the lone tower where Newton's tireless eye Read the strange riddle of the midnight sky. Such rites we celebrate when Science calls Her favored children to a hundred halls. To bless the guerdons, nobly won, which prove An alma mater's all-abiding love ! You ask for rhymes, you bid me idly seek To throw the soft enchantment of the Greek O'er the rapt sense in a beguiling dream — Vain task! but still be Poesy my theme: Turn with me then awhile, and learn the spell Its ministers have left on "flood and fell" — POESY: AN ESSAY IN RHYME 187 Summon tiie Past, and bid its voice rehearse Man's checkered story since the primal curse; Or take Imagination's widest range O'er ivied battlement and moated grange, And mark what renders most a people great. And still survives the ruin of the State; How the long, joyous, pensive, tender strain Of the world's music cheats the world of pain — How Fancy brightens with her magic rays The shadowy vista of departed days. And casts along the Ages' downward slope The blended hues of Memory and of Hope ! Soft you, my modest muse, nor rashly dare A flight so lofty through the realms of air; With a vague sense of littleness opprest I walk around the Theban eagle's nest, Conscious that could I steal his mighty wings To me such very unfamiliar things Would be as useless as were Roman sandals To one of Attila's large-footed Vandals — And here the horrid old Horatian maxim. Which the poor rhymer's had so long to tax him. The bard remembers and may fitly quote (Though doubtless many have the line by rote) That neither gods nor men, m their distress. Nor yet the columns of the weekly press. Can view as other than a dreadful wrong The lowlier oflFerings of tuneful song — A line which means, as certain critics think. That smaller poets should not deal in ink. And that imtil the mighty prophets come The part of Poesy is to be dumb. Dishonored ever be the narrow rule 188 POESY: AN ESSAY IN RHYME Which claims no reverence in kind Nature's school. Which neither Summer's birds nor blooms obey In the glad minstrelsy of rising day. Your MUtons, Goethes, are an age apart: Meanwhile shall no one touch the world's sad heart? The stately aloe's snowy bloom appears But once, we know, within a himdred years; Because, forsooth, the aloe is the glory Of Chatsworth's notable conservatory, Shall not the modest daisy from the sod Turn its meek eyes in beauty up to God? In Nature's daily prayer, when comes the dawn To tell its beads upon the dewy lawn. Shall the sweet matins of the rosy hours Miss the pure incense of the little flowers? O gentle spirits, wheresoe'er you dwell. On breezy upland or in quiet dell. Whether you sing in solitude and shade, Or in the silllen, crowded haunts of trade — Whose simple rhyming, in its artless grace. Has touched some hidden sorrow of the race. Or taught the world one humble lesson more Of subtle beauty all unknown before. Or soothed one heart just when its need was sorest With harmonies of ocean and of forest — To you be ever honorable meed. In spite of captious Horace and his creed. While the great poets soar beyond the ken Of the world's toUing, heaving mass of men. Like the proud falcon, quickly lost to view. In the wide field of heaven's o'erarchiug blue — You linger round the dwellings of our love. As birds that carol in the eaves above, And fill forever, as the days increase, Our homes with music and our hearts with peace. POESY: AN ESSAY IN RHYME 189 The world has changed — there are who gravely doubt If the great epics have not long died out — No more in grandeur the Homeric line Repeats the story of a Troy divine — No more the pealing medieval hymn Rolls down the shadowy canto, vast and dim, A minster, noblest of cathedral piles, Where Spenser rambles through the woodland aisles — No more the high Miltonic verse reveals The glooms and glories of the awful seals — In blaze supernal or in dread eclipse — Of some new uninspired Apocalypse: If these are with th' imperishable Past The epic surely had not sung its last; For never swept across Time's ample stage An unimpassioned, unheroic age — And countless generations yet to be. In later eras of the world, shall see A life as worthy of the epic strain As that which fired the age of Charlemagne, And future masters of the lyre shall raise The swelling epos of our modern days. But while the amaranth waits for kingly brows. Some laurel wreaths our grateful love allows To him whose sunny genius lifts to light The meanest objects of our daily sight: Who seeks to brighten still the links that bind In blest commimion all of human kind; Or passion's tempest in the breast would calm With some sweet, lowly, penitential psalm: Such poets sow the seeds of truth and beauty To blossom into holy faith and duty— And though the tares of selfishness and pride Spring up to choke them upon every side. And many a tender shoot the world erases 190 POESY: AN ESSAY IN RHYME From the hard pavements of its market places, Some fall on friendly soil, warm hearts and true. Where watered by affection's kindliest dew They stretch their boughs into the upper air And in due season richer fruitage bear Than fabled branches hung with globes of gold, Some thirty, fifty, some an hundred fold ! WoiJdst know the value of a simple rhyme Sent down the widening, deepening stream of time? Let Memory seek, amidst the august scenes So recent — scarce a lustrum intervenes, — The chamber where the dying Webster lay And heard the elegiac melodies of Gray Mingling with ocean's everlasting roar Borne through the casement from the neighb'ring shore, The deathless music of th' immortal mind With Nature's grandest symphonies combined. Or note the contrast well afforded here And let the triumph of the bard appear. Two monumental tributes to the brave Mark one a famous, one a lonely grave — Earth's proudest city, gay with gilded spires And domes which kindle in the sunset's fires. Guards one, with marble muses looking down Where sleeps the dust that wore the Caesar's crown: The universal Earth, the common air Contain the other — it is everywhere. As far as mighty England's form of speech. Blown wide upon the winds of fame, can reach. Before the mental eye its shape it rears Above a turf bedewed with grateful tears; And when Napoleon's obsequies, with all Their gorgeous pageantry of plumes and pall. POESY: AN ESSAY IN RHYME 191 Have faded quite away from man's esteem. Like the swift splendors of a passing dream; When the proud chapel shall itseK display A shattered monument of sad decay — And queenly Paris shall have shared the fate Of Tadmor overthrown and desolate; That plaintive Monody, whose numbers tell Of him that bravely at Corxinna fell — His silent bvirial near the midnight camp, By the pale moonbeam and the glimmering lamp. Shall stUl the cruel waste of years defy, Endiu-ing cenotaph of Poesy ! Wouldst learn the fire and frenzy that belong To the hot verses of the battle-song? Hark ! to the soimd that the exulting breeze Brings to our land across the rolling seas From distant Gallia's proud ancestral shores. Where to the fight the glittering column pours. The active Zouave, the gallant, gay Chasseur, Feel a new life and impvilse in the stir — With ribbons decked, with faces bronzed and scarred. Move on the serried legions of the Guard, Whose steady look of fierce resolve befits The veteran chivalry of Austerlitz. Listen! what thrilling words are these that greet The excited thousands of that crowded street? Not freedom's flag the imperial line displays, But yet they sing, they shout the Marseillaise! In vain the cautious monarch would repress That song's impassioned and resistless stress. Unchained as lightning, with electric start Its sudden thriU is sent from heart to heart; And if, O Italy, devoted land. 192 POESY: AN ESSAY IN RHYME Once more begirt with beauty, thou shalt stand Erect among the nations of the earth, ' In all the strength of Freedom's second birth. The force that still must drive the avenging steel Lives in the lyric of Rouget de Lisle ! And yet not long, O Poesy, not long, May War, earth's oldest and its direst Wrong, Demand thy paeans — Mercy waits and pleads With thee to celebrate her glorious deeds. While many a golden-roofed cathedral rings With the Te Deums of victorious kings, And from the crimsoned field, by combat riven. The blood of hecatombs appeals to Heaven, Thine is a higher, holier evangel. And thine the rustling pinions of the angel That comes, with softest sunshine in its face. To soothe and bless and elevate the race — Celestial visitant that walked with Burns "Following the plough," or when the poet turns To catch the Cotter's evening hymn of praise Simg by the ingle's ever cheerful blaze; — That dwelt with Rydal's bard all rotmd the year By the sweet margin of Winandermere; And flying wide across the dusky downs In the heart of England's fevered towns. Unseen of other men, serenely stood Beside the form of gentle Thomas Hood, With drooping plumage and dejected eyes By the dark river of the Bridge of Sighs ! The world has changed; there are who much deplore That the bright rein of Poesy is o'er — Who tell us that as man each year recedes POESY: AN ESSAY IN RHYME 193 From the sweet trustfulness of childhood's creeds. And sees these cherished blossoms die within The baleful glare of worldliness and sin — So, as the planet on its course is rolled. As age of iron follows age of gold. The dear illusion we would not resist Fades, like a curtain of dissolviag mist, Before the glare of science, reaching far From wave to mountain, and from star to star. And still dethroning, disenchanting fast The idols and the idylls of the Past. We'll not believe it. Shall the windy ocean Stop the careering of its rhythmic motion, Or 'neath the moonlight, when the whirlwinds cease. No longer woo us to a dream of peace Because a Maury, standing at the helm. Drives the proud bark of Science o'er its realm. Detects its viewless cm-rents in their coxirses And brings to measurement its mighty forces? Shall not the sun still seek the Jungfrau's side To deck with diamonds his majestic bride — Shall not the glacier's beryl-tinted caves. Beneath the glittering waste of icy waves. Still shake with hallelujahs, peal on peal. And all Chamouni's templed valley reel. From brawling Arve to pinnacled Aiguille, Because a learned botanist imcloses The scarlet petals of the Alpine roses. And some pale student asks the frozen arch The secret of the glacier's onward march? Ah, "star-eyed Science!" Fancy claims in thee A loving sister of the World To Be — Admits each worthy, reverent son of thine As priest to worship at her radiant shrine. I V 194 POESY: AN ESSAY IN RHYME And comes with tenderest sorrow, in her turn, To place a garland upon Humboldt's um. AU, aU are poets on whom God confers The gift of Nature's true interpreters; While the eternal hills their anthems raise And sweUiag oceans vocalize his praise. But not alone from woods, and rocks, and streams, Niagaras and Alps, and starry gleams. Must the true poet catch his iaspirations To chant the De Profxmdis of the nations — 'Tis his to tvu-n from Nature's outward thiugs And trace, with prophet-glance, the hidden springs Of human life and action ia the soul. Whence the unceasiag torrents rage and roll With headlong fiu"y to the shoreless main. In thunder worthy of his loftiest strain. And not from cloud and raiabow must he draw The subtle principle of Beauty's law. 'Tis his to wander from piirpureal skies And loveliest landscapes, with a glad surprise. And gaze delighted into Woman's eyes — And, as the languor-loving Cingalese, Whose look is bent on India's opal seas. Are ever miadful of the pearls that glow With lambent lustre in the deeps below — To mark therein the priceless gems that shine Of Truth and Purity and Faith Divine: And more than all 'tis his ia joy to preach The glorious gospel of unfettered speech. And siag the high divinity of man By Freedom far removed from kingly ban; Well may the noble theme inspire his rhyme In this our richly-favored western clime, POESY: AN ESSAY IN RHYME 195 Whose banner streams against the sunset's bars And blends its baldric with the dripping stars, "Where Peace has left her name upon the tide. And through the Golden Gates the world's great navies ride! "SING, TENNYSON, SING!"" There is a sound of thunder afar, Where is the laureate true to his pay? Let him come forward and sing of the war. Well, if it does not shut up his lay. Sing, sing, Tennyson, sing ! Ready, be ready, with ting-a-ling ! Tennyson, Tennyson, Tennyson, sing ! Be not deaf to the shrill French horns. Be not gulled by Napoleon petit. Are figs of thistles or grapes of thorns? What says the laureate? Fiddle-de-dee. Sing, sing, Tennyson, sing ! Ready, be ready, with ting-a-ling ! Tennyson, Tennyson, Tennyson, sing! Let your Idylls a moment go. Look to your butt of sack and your fame. Better a silly lyric or so Than a silly book or an epic to blame. Sing, sing, Tennyson, sing ! Ready, be ready, with ting-a-ling ! Tennyson, Tennyson, Tennyson, sing! Sing, we are all on hand to applaud ! Sing in Mars's name and the Queen's; True, you have recently given us Maud, But only the devU knows what that means. Sing, sing, Tennyson, sing! Ready, be ready, with ting-a-ling! Tennyson, Tennyson, Tennyson, sing! 196 "ONCE MOKE THE ALUMNI" ^^ I Once more the Alumni assemble ! Alas ! That their ranks are not full, that they come not en masse. How gladly I'd greet my old comrades^* again With the grasp of affection, the glass of champagne. II What a joyous symposium of soul there would be Could we all meet around the "Mahogany tree," And talk of the sessions of ages ago. When old Gess was the chairman, "Consule Planco." Ill That kiad ex-professor, long, long may he wave ! Would tell me quite likely with countenance grave As that of the sad apparition of Banquo, That my accent was wrong, and it should be called "Planco" IV But the pleasantest thing of these annual dinners Is this — that false quantities vex not us sinners, No bothersome "Final" the old ones harasses On crabbed constructions, or cosines, or gases. V We think not of Niebuhr — we care not a flam What may be the distinction 'twixt ita and tarn; Logarithms and their tables we gladly dismiss For just such a rhythm and a table as this. 197 198 "ONCE MORE THE ALUMNI" VI Sooth the verse might be smoother, the wit be more keen. Better suited at once to the guests and cuisine, But the feeling which prompts and the love which inspires Come direct from the heart, all aglow with its fires. vn For I think, as I scribble these fugitive lines, Of the anni fugaces and round me there shines The fair laughing sunlight aforetime that fell On the haunts and the friends I remember so well. vin I see the bright faces, the voices I hear Ring out from the past silver chiming and clear; But they mingle anon with a fxmeral hymn. And the laughter is ghastly, the sunlight is dim. IX Is it laughter from Lethe — that stream, does it roll In sidlen forgetfulness over the soul. As in silence we gaze across graves that are green Back on life's early morning so fresh and serene ? X Oh no: in our innocent revel we turn To recall our companions — departed — to learn From their lives the one paramoimt lesson of life : Time is short, duty presses, be strong for the strife ! "ONCE MORE THE ALUMNI" 199 XI One there was, something wayward, impulsive and wUd; A Hylas in beauty, in freshness a child; First among us in gifts, we who loved him lang syne This poor immortelle for his tomb may entwine. xn And there was another, whose soul held seciu-e "Whatsoever was honest and lovely and pure, In meekness he walked by the light of the Word, And laid down his robes at the feet of the Lord ! XIII 'Tis enough: — every new celebration gives birth By turns to emotions of sadness and mirth, With a smile on the lip and a tear in the eye Our hearts have their April this fourth of July. XIV And so for a gayer remembrance, — ^but where Are the boys who ought all in your banquet to share.? Why come they not yearly as pilgrims to find Near the sweet ville of Charlotte their Mecca of mind? XV There's the late Mr. Speaker, he luigers at home. There are Congressmen xmder the capitol's dome. There are soldiers and merchants, divines and M. D.'s And lawyers a legion, pray where are all these? 200 "ONCE MORE THE ALUMNI" XVI There are Judges — I know of a learned one, too — If the Court know itself and the Court think it do — Who had rather his thirst at your festival quench Than be off on his circuit, the pride of the bench. XVII There's a Bishop, whose name would illumine my Lay, He has now little time to indtdge him ia play. What a pattern he was in his piety's dawn Even then, like a Bishop, he honoured "the Lawn." xvni There are lots of Professors, not distant to seek. Full of law and of gospel, good humor and Greek, Some are with you — take care of them — such are the crown Of our loved Alma Mater's most brilliant renown. XIX We have Editors also — there's one at your board. His mind with all eloquent memories stored. As his pocket with proof-sheets; he's ready to spout In a speech or a paragraph — just call him out. XX Nor will you forget, in the honours you pay To Genius, the eulogist lately of Clay — Methinks I can see you all shaking your sides At the fun, fast and flashing, he always provides. "ONCE MORE THE ALUMNI" 201 XXI Who a name that's held high ever higher would raise, Whose culture, both Menti — and Agri — ^we praise; Arator and Orator, twice is he great Who makes the best speeches and crops in the state. XXII I must close. Let me give you a toast — here's the U- niversity, bless her and prosper her too, *Tl11 she shine in the blue arc of Science from far The reigning, the bright and particular star ! XXIII May the range of the learning she freely imparts Encircle the whole wide domain of the Arts, 'Till a Raphael shall group aU her scholars, and lo ! With the "School of Virginia" the canvas shall glow: — XXIV May her walls and her domes in their beauty stUl rise From the sweetest of fields to the softest of skies. And her name, ever proud, greater homage command While the sentinel Ridge on her border shall stand. MISERRIMUS On the last night but one of the year '67, When a snow cloud hung darkly 'twixt Broadway and heaven, And the wind blew chill down the frozen street Where the warm-gloved watchman walked his beat. And Blanche o'er her bare white beautiful shoulder Pulled her furs and remarked "'Tis decidedly colder," As lightly she stepped from the door of the play To the soft cushioned seat of her shining coupe; On that last night but one of the year '67, As the clocks in the steeple were striking eleven, An everyday tragedy, old as the hills, A tragedy never set down in the bills, Acted itself with a sad iteration For its thousand and fiftieth representation: Nobody there when the curtain rose. Nobody present to witness the close, Only the All-Seeing Eye to behold it. Say, reader mine, would you like to be told it? Very well, I will tell How the matter befell. Place, the Fifth avenue; time, just recited: Background, a mansion all brilliantly lighted. One little scena, how long I'm not sure; Possibly 'twas but a mauvais quart d'heure. Dramatis persona, one little Italian, A tatterdemalion. 202 MISERRIMUS 20S As ragged — ^I give the report of a friend Who arrived opportunely just after the end. And who widely has wandered from country and home — As ragged as ever he Saw in TrasteverS, Over the tawny-tinged Tiber at Rome. Ragged and friendless and dirty and brown, Good-for-naught, vagabond boy of the town, Who lived in the streets, and who slept m a shanty. And spoke, in his way, the rich language of Dante; Not the lingua Toscana In bocca Romana, But a sort of patois of the Tuscan so flowery. With scraps of the sterner discourse of the bowery. Well, these, you will say. For a tragical play. Are materials scant as the skirts of the ballet. Yet I boldly aver, with the sombre finale. They would serve for a very fine painting by Gallait. Now this little scamp Was accustomed to tramp From Jefferson Market to Madison Square, Through the highways and lanes of our Vanity Fair; And as Christian in weariness carried his pack. So he bent 'neath the weight of a harp on his back; Which he often unslimg. And vindictively stnmg. In a manner distressing, as possibly you know. To wreak on the public the music of Gounod. All the Christmas — blest season of innocent mirth When a Glory Ineffable rests on the earth, Since Bethlehem witnessed Immanuel's birth — AH the Christmas did little Miserrimus trudge. 204 MISERRIMUS A wandering minstrel, through snow and through sludge, ('Twas a holiday cheerless for such as he. For he plucked the fruit of no Christmas tree. Nor did Santa Claus during his stillest repose Stuff bonbons and lollipops into his hose: And the reason's quite shocking — He hadn't a stocking !) Till that night when the stars in the snow-cloud were lost, And fiercely as fire came the terrible frost. When, like many who drag through this world of care, He at last foimd his burden too heavy to bear. And sank on the steps of a brown-stone palace. Where glittered the lustres and sparkled the chalice. For the gorgeous rooms were ablaze with light That streamed through the windows out into the night; And there, to the soft muffled sound of the viol. Forgetting his hunger, and fever and trial. The boy, who had no other wrapping to keep. Was very soon wrapped in the mantle of sleep. It so chanced that two gentlemen, passing that way. From the Nickleby Reading, the Theatre Frangais — Smike's wrongs and the queenly despair of Ristori — On a sudden encountered our young Trovatore: 'Twas just as the watchman, to know what the knave meant. Had rolled him in tenderness down on the pavement. Had asked in a kindly, constabular tone. What he wanted, and bade him get up and be gone. But Miserrimus answered him never a word. Nor waked from bis slumber nor whispered nor stirred. The harp-strings were mute as the harp-strings of Tara, And dumb in the bundle of rags was the wearer. Alack ! what he wanted just now was — a coffin, For the poor little beggar was dead as the Dauphin, MISERRIMUS 205 And the soul of the outcast, escaping its bars, Away through the snow-cloud that shut out the stars. Away from the sorrows and sins of the city. Had taken its flight to the Infinite Pity ! Voild tout I Nothing new. Very true — But with you, The moral, O people ! I leave it with you — The poor ye have always; oh, think of the poor Who perish of hunger and cold at your door; Remember the words of the Master, who came A world to redeem— what is done in My Name (Oh, blessed assm-ance ! oh, benison free !) To the least of these little ones is as to me; Think of the homeless sons of labor. And know that each man of them all is your neighbor; Think of the thousands that famish and die In the sorrowful South, of the children that cry For food unto mothers, who writhe with the pain That the "cry of the children," O God ! is in vain. Soothe in your mercy this bitter woe That the tears of this agony cease to flow; Lift ye the desolate out of the dust, And then, with a higher, a holier trust. May your morning petition, brothers ! be said. Give US this day our daily bread! GEORGE WYTHE RANDOLPH And is he dead whom we have loved so well — The sailor, soldier, scholar, statesman, dead ! And it remains that we shall rightly tell His virtues, and the crowning grace that shed A tender radiance over all his story — A radiance deepening at the end to glory. And traUing light along the darksome way By which he passed to everlasting day. And he is gone, we shall not see him more. Nor hear him yet in that familiar strain Wherewith he held us captive heart and brain. Of gentler fancies and of wisest lore: We still sit listening, though the voice is hushed. Nor ignorantly hold oiu" loss less great That his is a translation to the skies From all the thickening sorrows of the state — A land impoverished and a people crushed — That having borne the cross, he gains the prize ! Of little faith we are that we should weep When God the Father caUs His children hence With love imanswered by our mortal sense — For so He giveth His beloved sleep. n Our friend was of a lofty house and line, And owned as heritage an honored name; And with it, goodlier legacy than this, The love of all things lovely, noble, true: 206 GEORGE WYTHE RANDOLPH 207 Wisdom with goodness did ia him combiae. Yet such a modesty, most rare, was his; And so apart he lived from noisy fame, And held so cheaply, he to duty vowed, As ever only may the wise and few The plauditory clamor of the crowd; Content to do the task, to bear the burden, Careless to win the empty, earthly guerdon. His greatness might have blossomed all unseen, Unrecognized, save in the narrow view Of home, had not the tumult of the time, And sore calamity of common weal. Called him to action on a stage sublime. And to his life affixed the endiu-ing seal: But centered in the full, iatensest light. That fiercest blaze of war across the land. Wherein your little nature looked so mean — Your party hero but a paltry thing. He rose fxill statured to that kingly height That we, who had not known him for a king. But deemed him great, and worthy of command. Rejoiced nor marvelled at his renown; Till wasted with his work he laid it down. Worn out with petty rivalries and strife. And, bending mostly 'neath the country's care, Within the inner temple of his life Withdrew himself as to a house of prayer. And walked therein serenely to the close. Through ever-present suffering, yet beguiled By tenderest sympathy and fondest looks — By sweet idolatry of art and books. And natm-e in far lands beyond the sea. And by the love of hers who loved him best; Thus gently solaced, chastened, reconciled. 208 GEORGE WYTHE RANDOLPH In meek submission to the chastening rod. But ever yearning for diviner rest, Nearer he drew unto the peace of God Which passeth understanding, richly blest With earnest of an infinite repose. When death at last should kindly set him free. m Virginia mourns him, and with happier fates. Warriors and statesmen might have borne his pall; And had his been a public funeral. Lamented by a league of sorrowing States, With eulogy and anthem, trmnpet's wail. And pealing guns upon the evening breeze. And flags had drooped half mast in distant seas. Where he, the sailor boy, had braved the gale; And we, when time all jealousies had stilled, Had placed his marble image in a niche Of that majestic fane, with sculptures rich, And soaring dome, that we shall never build ; But now his image in our hearts is shrined. And what is mortal of the man consigned. In all the sanctity of private grief. To mother earth, amid ancestral tombs. Within those hallowed precincts which contain The dust of Monticello's mighty dead; There would I stray alone with reverent tread As, o'er the mountain, spring her joyous reign Reviews with aU her beauteous tints and blooms, And April's whisper stirs the tender leaf — There, softly stray as ia some minster dim Where saints and martyrs slept beneath the nave. To call up gentlest memories of him. And lay the earliest violets on his grave. UNIVERSITY OF VIRGINIA « Here at the well-remembered gates Through which we entered Learning's fane Led, brothers, by the kindly fates, In joy we meet again; And all the troubled Past rolls by Like storm-clouds from the summer sky, Till, lo ! Youth's sudden reappearing grace, A golden simlight, bathes and beautifies the place. To-day om* Mother greets her sons, With tender meaning in her eyes. The lofty and the lowly ones. The wayward and the wise; Alike, who, to enrich her fame. Come laurelled with an honored name. For virtue, knowledge, proud achievement known. And those who haply yet can offer love alone. And this in wealth I freely bring. As mindful of this careless rhyme. When only high imagining Befits the thoughtful time. When memories round us thickly throng Had moved the mightiest lords of song To epic majesty or lyric rage. Such as still lives and burns on the Miltonic page. But well I know that love sincere Our Mother will not cast aside, Nor yet with solemn brows severe Our little failings chide; 209 210 UNIVERSITY OF VIRGINIA Today no crabbed tasks she sets Of cosines or of sulphurets: The Sybil's awful tome she shuts awhile. And bids us all once more be happy in her smile. Since last these friendly walks I trod. My rambling feet have chanced to stray Where rise o'er England's verdant sod The "antique towers" of Gray; And where all softly Isis glides To mirror in her tranquil tides The stately domes, the immemorial trees, That give a nameless charm to Oxford's lettered ease. But Eton lacked the magic spell. With Oriel's ivy-clambered walls. That works its wondrous miracle In these familiar halls; That leads our footsteps swiftly back In fancy, o'er life's devious track. Till on, by path with plenteous roses strewn. In glad surprise again we reach our twentieth June. O Alma Mater! brighter far To us thy whitewashed brick arcades Than Europe's Gothic minsters are. Or classic colonnades: More dear these hills of oak and pine Than all the purple Apennine, Since here from boy to man we grew in turn. And lessons daily caught we never can unlearn. Here Nature year by year revealed The truths that Science would impress. UNIVERSITY OF VIRGINIA 211 As spring threw over copse and field Her newly woven dress; And Autumn, walking in her pride The maple-belted mountain-side, Flung out her scarlet banners to the day, Till the whole Blue Ridge owned her coming and her sway. The Present was a rhythmic ode That beat to pulses of the heart. And music from the future flowed Diviner than Mozart: That music swells for us no more, That strain is hushed on sea and shore; But those who come our places here to fill Can catch its joyous burst, its glorious strophe, still. How quick from premise unto proof Our yet undimmed perceptions ran ! How far we built from base to roof Our chateaux en Espagne! Then life was but a reeling sense Of something like omnipotence: The lips we loved, the sweetest earthly flowers. Bloomed, smUed for us, and all the giddy world was ours ! De Juventute, threadbare theme In every age of pen and tongue — How gladly we dream o'er the dream We dreamt when we were young ! Nor futile yet this backward view. Could we ovir early faith renew. And with the joy and freshness of owe youth, Revive in all its strength our boyish trust in Truth. 212 UNIVERSITY OF VIRGINIA For soon amid the worldly din Of man's incessant strife for gold — What time our hair grew gray or thin — ■ That early faith grew cold: Illusions that we dearest held Were sadly, one by one, dispelled: The pageant faded, and that boyish trust. Ere life's meridian hour, lay trodden in the dust. One self -same fortune all have known Of human life's unvaried round, VHio wandered to earth's farthest zone Or tUled their native ground: On for off oceans rudely tost. Or deep in roaring cities lost, AU, all have grieved, whatever else was gained, Some precious chance ill used, some guerdon unattained. In vain, as boys or men, we seek The mind's ideal; still it flies Our eager grasp, from peak to peak, Beyond the distant skies; Or from some lofty pathless cliff Forever mocks us with an If, Until we weary of the idle quest And, baffled oftentimes, sit down and long for rest. And thus, in ceaseless care and strife, Man walks the plain or toils the steep, And then at last "our little life Is rounded with a sleep": Thrice happy they who leave behind Some deathless work of heart or mind. UNIVERSITY OP VIRGINIA £1S Some gem discovered in the mines of Thought To tell that they have lived, and have not lived for naught. "But why not," some one seems to say, "O Poet! with your verse infuse The humor of a livelier lay. Or woo a merrier Muse? Why turn ia this dejected mood From platitude to platitude. Content on trite moralities, to dwell. So often drUy taught and only learned too well? "Need poet by what themes be told The passing hour is best beguiled? The Graces never yet grew old. And Love remains a child ; * And woman's neck is still as white As Helen's, and her eyes as bright: And 'neath her smile the Future's shadowy scope In sudden glow assumes the radiant hues of Hope." The timely hint I fain would heed. That sadness is not Wisdom's plan. And scatter from the sportive reed The jocund notes of Pan; And yet I do but strive in vaia Some mirth to mingle with my strain: The lighter fancies bring not their relief. The pensive humor holds and deepens into grief. For, brothers, while your ranks I view. Another throng, methinks, I see, * Les Amours sont toujoura enfans, Et les Graces sont de tout S.ge. 214 UNIVERSITY OF VIRGINIA And read the Psalmist's line anew The Dead alone are free ! Some who departed ere the flame Of conquest and of ruin came. And some who passed through battle's fiercest fire Beyond all earthly wrong, and struggle, and desire. And death hath to their presence lent A grace the living cannot reach. Their silence is more eloquent Than our imperfect speech — The calm of an eternal rest Is in each countenance exprest; I mark the halo round each shining head. And feel we are less great, less noble, than the Dead. Their praise demands a loftier verse: Ah, what avails the feeble line Thy merit, Thornton! to rehearse; Or, gifted Coleman ! thine ? The orator whose deeds eclipse The memory of his fluent lips — The gentle scholar and the faithful friend. Who Falkland's knighthood seemed with Arnold's lore to blend. While here om- sorrowing Mother keeps His loss as her peculiar pain, For yet another child she weeps Who came not back again — Whose brief career on earth would seem A tender but unfinished theme — ■ Maupin, translated to the silent shore, Robed with immortal youth, and fair forevermore. UNIVERSITY OF VIRGINIA 215 What helps it now that I should seek Of Newton's cherished worth to tell; Of Fairfax, peerless name ! to speak, Among the first who fell; Of Brown to sing, whose diamond star Of death in battle shines afar; To call up Latane's benignant shade. Upon whose early grave some few poor wreaths I laid ? The fame how shall my rhyme declare Of him, with every virtue sealed, Who glorious made the name I bear, On Shiloh's crimson field; Of Terrell, Paxton, Rives, who died Upborne on triumph's transient tide; Of Cunningham, bewaUed with costliest tears. And Harrison, cut down in manhood's opening years? What pen, though dipped iu morning skies. What sweetest song of living praise. The unavailing sacrifice Shall mark to coming days. Of gallant Pegram, loved, deplored, A saintly life, a stainless sword — The young Marcellus of the falling state, A Virgil's lay alone might fitly celebrate. Nor yet less dearly mourned are they. Faithful in council and in camp, Who perished in the slow decay Of life's expiring lamp: I think of Tucker's features lit With music, tenderness, and wit; 216 UNIVERSITY OF VIRGINIA Of Heath's fine head with learning's laurel decked. And Randolph's brow where sat ancestral intellect. Rest, heroes, rest from toil and care, By mountain slope or ocean's tides. Or deep m that rich Valley where Old Stonewall's ghost still rides: Albeit no memorial stone May make your names and valor known. There fairest maidens scatter blooms around. And with perennial love your quiet graves are crowned. Guard well, ye mountains, their repose; Chaunt, ocean, chaunt their requiem; From you whate'er of greatness flows Was imaged forth in them; And all on earth that's fair and bright. Of dearer charm or larger light. Shall still keep fresh the memory of the brave, W^hile Alleghany stands, or rolls th' Atlantic wave. . Their varied lives agree in one The sacred mandate to renew — What still your hands find to be done With all your might to do: They teach that not till we have striven With aU the strength that God has given Can we relinquish the appointed task. And on our feeble work His blessing dare to ask. An exile from my place of birth, I bear, in antique urn enshrined. No handful of my native earth To keep the spot in mind: UNIVERSITY OF VIRGINIA 217 All that thou wast, that now thou art, I shrine, Virginia ! in my heart; Thy hills, thy plains, thy rushing streams I see Upon whatever soil my feet may chance to be. Her future what though clouds enfold, — Brave hands the waste may renovate. And make her greater than of old. Aye, something more than great. In labor, not in listlessness. Lies hid the secret of success; And now, as ever, empire's fruitfxil seeds. Bearing an hundredfold, are homely, toilsome deeds. Wise Natvu"e reconstructs her realm In beauty from her primal springs: The bluebird twitters in the elm. The corn still laughs and sings; Heaven showers upon the thirsty plain The early and the latter rain, And Plenty waits with ever liberal hand Her unexhausted gifts to pour upon the land. And, casting off unwise regrets. We yet may hope that time shall prove Kind hearts are more than bayonets. And force less strong than love: We hnow that order shall appear When God has made his purpose clear; The darkest riddles shall be understood. And all the perfect world shall in His sight be good ! THE BARBER BOY" Now see the quickly closing year Brings joyous days of festive cheer, When fatter dinners crown the board, And larders are with turkeys stored. The fire burns brighter on the hearth. The sagest are inclined to mirth, And every open house can show \ The holly and the mistletoe. \ Oh, happy time for boys and girls, (Their mothers' dearest, fairest pearls) Who dream of dolls and candy too. And only wake to find it true, For Santa Claus, their patron saint, With whom ye are full well acquaint. Is now upon his yearly track And down the chimney brings his pack. At such a time assistance lend To one who proves a constant friend And every generous purse employ To recollect the barber boy. A handsome head — a whisker trim, A well-brushed coat you owe to him. By razor keen with ease and grace He smoothes your rough and hairy face. And shaves you still with your consent — No monthly rate of three per cent! For patience, industry and thrift, He humbly asks a "Christmas gift," That he may join in all the fun. Which may in holidays be done, To mingle with the happy crowd. And pop his Chinese crackers loud. Such sportive scenes you know are rare. As "Christmas comes but once a year." 218 TRANSLATIONS "CARCASSONNE" [nadaud] I'm growing old, I've sixty years, I've labored all my life ia vain; In all that time of hopes and fears I've failed my dearest wish to gain. I see full well that here below Bliss imalloyed there is for none. My prayer will ne'er fulfillment know, I never have seen Carcassonne ! I never have seen Carcassonne ! You see the city from the hill, It lies beyond the mountains blue. And yet to reach it one must still Five long and weary leagues pursue. And to return as many more. Ah! had the vintage plenteous grown. The grape withheld its yellow store, I shall not look on Carcassonne ! I shall not look on Carcassonne ! They tell me every day is there Not more nor less than Sunday gay. In shining robes and garments fair. The people walk upon their way; One gazes there on castle walls As grand as those of Babylon, 219 "CARCASSONNE" A bishop and two generals — I do not know fair Carcassonne ! I do not know fair Carcassonne ! The vicar's right; he says that we Are ever wayward, weak and blind; He tells us in his homily Ambition ruins all mankind; Yet could I there two days have spent. While still the autumn sweetly shone, Ah, me ! I might have died content When I had looked on Carcassonne, When I had looked on Carcassonne ! Thy pardon, Father, I beseech, In this, my prayer, if I offend. One something sees beyond his reach From childhood to his journey's end; My wife, our little boy, Aignan, Have traveled even to Narbonne; My grandchild has seen Perpignan, And I have not seen Carcassonne! And I have not seen Carcassonne ! So crooned one day, close by Limoux, A peasant, double bent with age; "Rise up, my friend!" cried I; "with you I'll go upon this pilgrimage." We left next morning his abode. But (heaven forgive him) half way on The old man died upon the road; He never gazed on Carcassonne — Each mortal has his Carcassonne ! THE GARRET [beranger] The Asylum once more I behold, where my youth Learned the lessons to Poverty's self that belong — I was twenty ! I had a fond mistress, forsooth, A few trusty friends, and a liking for song. The world then I braved, both its wits and wights, With no thought of my future — but strong in my May, Light, joyous I climbed up the stairway six flights, Oh ! Life in a garret at twenty is gay ! 'Tis a garret ! that fact I wish none to forget ! There once stood my bed — hard and shabby withal; My table stood there ! and I find there are yet In charcoal some fragments of verse on the wall. Come back ! O ye joys of Life's beautiful dawn ! Which Time with a flap of his wing drove away ! How often for you has my watch been in pawn ! Oh ! Life in a garret at twenty is gay ! Lisette above all should appear to our view. Light, joyous, with freshly trimmed hat as of yore. At the window her hand has already, in lieu Of a curtain, suspended the shawl that she wore; My bed, too, is prettily decked with her dress, Its folds loose and flowing. Love, spare them, I pray. Who paid for it all I have heard, I confess, Oh! Life in a garret at twenty is gay! 221 822 THE GARRET At table one day, when abundant the cheer, And the voices of my comrades in chorus rang high, A shout of rejoicing mounts up even here, "At Marengo Napoleon is victor," they cry ! Hark, the thunder of guns! a new stave loudly rings; As to deeds so resplendent our homage we pay; Never ! never ! shall France be invaded by Kings ! Oh ! Life in a garret at twenty is gay ! Let us go ! for my reason is drunk, as with wine ! How distant those days so regretted appear. What is Life me to live I would gladly resign For one month such as Heaven allotted me here; Of Glory, Love, Pleasure and Folly to dream — The whole of existence to spend in a day. With hope to illumine that day with her beam — Oh ! Life in a garret at twenty is gay ! WHERE? [heine] Where shall yet the wanderer jaded In the grave at last recline? In the South, by palm trees shaded ? Under lindens by the Rhine? Shall I in some desert sterile Be entombed by foreign hands? Shall I sleep beyond life's peril. By some seacoast in the sands? Well ! God's heaven will shine as brightly There as here, around my bed. And the stars, for death-lamps, nightly Shall be hung above my head. 223 THE KING OF TIPSY-LAND ^2 [BfeRANGEB] Thebe was a king of Tipsy-land, Whom history doth not name; At noon he rose, at night he slept. Nor cared a fig for fame. With Joan, at sunset, he lay down, A cotton night-cap for his crown, Hey ! ding a ding ! ho ! drag a ding ! Ah ! what a jolly little king Was he! His palace it was buUt of straw. Four meals a day he ate: And, on a donkey, through his realm He rode in royal state. His jovial heart ne'er felt alarm. With Tray behind he feared no harm— Hey ! ding a ding ! ho ! ding a ding I Ah ! what a jolly little king Was he! He had no costly appetite. Except the love of wine; But, while he makes his subjects blest, A monarch still must dine. 224 THE KING OF TIPSY-LAND He levied toll on every cask. Nor wanted help to drain his flask — Hey ! ding a ding ! ho ! ding a ding ! Ah ! what a jolly little king Was he ! Both maid and matron welcomed him Where'er he chanced to call: The children learned to bless his name — The father of them all. No war filled parents' hearts with grief, The conscripts met to shoot for beef — Hey ! ding a ding ! ho ! ding a ding ! Ah ! what a jolly little king Was he! He ne'er was known o'er neighbors' lands To stretch his royal paw: A pattern he for potentates. For pleasure was his law. Till with his sires he went to sleep His people had no cause to weep — Hey ! ding a ding ! ho ! ding a ding ! Ah ! what a jolly little king Was he! The portraits of this worthy prince Are kept with pious care; *' And country taverns prosper still Where he swings in the air. 226 THE KING OF TIPSY-LAND On holydays, the tippling crowd Will often chorus long and loud» Hey ! ding a ding ! ho ! ding a ding ! Ah ! what a jolly little kiag Was he ! APPENDIX I. THOMPSON'S COLLEGE VERSES All of the following poems except Verses of a Collegiate Historian appeared in The Collegian, a magazine conducted by a committee elected by the students of the University of Virginia and published from October, 1839, until June, 1842. AU but two of the pieces were published in 1841. The authorship of The Hour of Separation is attested by the poet's initials, and the poem is accepted as his. Fotu* poems in the group are signed T., and one "Straws." There are reasons for accepting them but the evidence is not quite conclusive. AUTUMN Autumn again is here. Its nodding fields Of grain — the "yellow leaf" which now assumes Its loveliest hue, and leaves reluctantly The parent tree — the sportive rustling wind Breathing its soft and melancholy tune Through the decaying foliage — are each and all Its attributes. And truly they attest. With magic eloquence, the varied change Of things below. Man's destiny is writ In the huge tome of nature — ^he may go Abroad, and read it with attentive soul Until, with inspiration deeply fraught. He feels his heart is purified anew. Yet Autumn wakens many mournful thoughts. And frequently, when musing on the theme. My spirit all subdued by sad restraints — I've wished, with some fine poet I have read, "I with green summer like a leaf might die." 227 228 APPENDIX VERSES OF A COLLEGIATE HISTORIAN A few days since, in looking over an old Note Book, that contained many scraps from the wayward fancy of its owner, I came across the following verses — a record of the poetic talent of some former student. There is much spirit and humor in them, and I hope the compliments they are destined to receive will reconcile the author to their publication, if perchance they ever meet his eye. End at last! Gloria in Excelsis! ! Eight minutes of eleven o'clock, Jan. 30th, 1841. Farewell ! farewell to thee, old Latin History ! (Thus warbled a student, who once read it through.) Thou art so profoundly enveloped in mystery That with feelings of pleasure I bid you adieu. Old Niebuhr no longer shall act as my teacher. Researches like his are too boring for me, For though he has tales of "poetical nature," Yet poetry in them I never could see. "The Library for the diffusion of knowledge" — To give my opinion — a humbug I'll call. I hope that it soon will be kicked out of College "Etruscans," "Pelasgi," "Venetians" and all. Old Rome's institutions, religious and civil, I leave with emotion unmixed with regret. And now Latin History may go to the d — 1 But the troubles it cost me I'll never forget. THE INEBRIATE Go look upon the drunkard, with his wUd unmeaning eye Which flashed of yore with brilliancy and manly ardom* high. The Upas tree of sorrow on his brow has cast a blight. His virtues are but "embers of a flame which once was bright." APPENDIX 229 Oh, think of peace and virtue lost forever to his soul. And curses springing every one from out the "festive bowl," Oh, thmk of happiness and pride, from which his spirit fell To revel in the splendours of a deep, and lurid hell. In infancy when that fair face was yet luitouched of pain, A mother's prayer had lifted up to God a fervent strain. Amid the changeful scenes of life to guide his steps aright. Till Death's command should call him to "the land of pure delight." The willows o'er that mother's tomb in solemn stillness wave. The father's silvery locks have gone in sorrow to the grave. What made their son this loathsome thing.? this thing so much abhorred.'' I answer — 'twas the "glasses" bright, which "sparkle on the board." Reader, I would conjure you now, by all you hold most dear. Your hopes of future happiness, and glory's bright career. To pause — when you the goblet lift — its horrors there re- view. Then dash the burning draught away, and live your life anew. DESPONDENCY Oh ! there are times when sorrows tinge the tablet of the soul. And o'er it naught but blasted hopes and gloomy visions roll. When all that passes 'round us and life's brightest prospects seem The relic of a thing that's gone ! the shadow of a dream ! The smiling face of nature — the city's bustling mart. Nor Fashion's glittering pageantry can then engage the heart. Our destiny seems guided by some overruling fate. And no "fair spirit" hovers near our woes to mitigate. 230 APPENDIX Ambition then no longer seeks our bosoms to inflame With ardent aspirations and with thrilling thirst for fame. We only wish our troubles o'er in this ovu* earthly lot, To sink into Oblivion's stream, forgetting and forgot. Yet even then if thoughts of home, that dearest place on earth. Remind us of our boyish days, our childhood's gladsome mirth, The memory of a sister's smile, a mother's holy love, Will point us to a purer and a brighter sphere above. RETROSPECTION When looking back on life's career. Alternately, with smUe and tear, "Fond memory" discloses things Which, flown on Time's swift mystic wings. Are long forgotten now — Which either serve to glad our breast. And lull our anxious cares to rest, Or darken up our brow. But when its great and magic power Gives us a "self-approving hour," How sweet the joy it brings; For o'er those acts we now approve Which savour of the life above — It ever gently flings A purer and a lovelier cast. Whose lustre cannot be surpassed. LINES ON THE DEATH OF GENERAL WILLIAM HENRT HARBISON, PRESIDENT OF THE UNITED STATES A great one is gone ! Lo, the loud lamentation ! Which heralds the loss of the noble and brave, Rings long o'er the darkened and desolate nation. Aid millions of freemen weep over his grave. APPENDIX 231 A few weeks ago, and his praises resounded From the tall Rocky Mount to the high rolling surge. But now his existence on earth has been bounded. And lo ! the whole country is chanting his dirge ! Ye mortals ! behold what a lesson it teaches — "What shadows we are, and what shadows pursue" — Death's arrow, with imerring certainty, reaches The weak and the mighty, the false and the true. Although the cold tomb his frail body encloses, His spirit has burst from beneath the dark sod; And, in the abode of the blest now reposes In peace with his Maker — his Father — ^his God. THE HOUR OF SEPARATION Oh! this is a time of rejoicing and sadness. Our bosoms are rife with delight and regret; One moment our faces are beaming with gladness. Another with tears fast and gushing are wet. When we think of the homes we are shortly to visit, Rejoicing fast chases our sorrow away, But to part with our classmates is tortiu-e exquisite Then Gaiety even forgets to be gay. Farewell to thee, Horace ! Farewell to thee. Homer ! With your spirits we now can no longer commune. To those who have failed to obtain a diploma To see you next session wUl surely be soon. Farewell to the room, where so often we've listened To eloquence breathing of angles and cubes. Of acids, and gases, and simbeams that glistened. And liquids eccentric that rise up in tubes. Adieu to the Doctor, remembered in story. Who woke us from happy oblivion of care. Though vacation wiU see him "alone in his glory," He'll visit the rooms every mom as they are. 232 APPENDIX And finding no victims in slumber reposing. As he peeps in his head thro' the opening door A tear fills his eye as, it hurriedly closing, He walks on as quick and as grave as before. The clock, too, then in his exclusive dominion. His watch so erratic will have to obey, And it is my imbiased and candid opinion He'll alter it every half-hour in the day. For the hands run a race (and the small one's the winner) To get up early for breakfast you know. But when comes the time set apart for our dinner, I never saw things so infernally slow. And now all is over; reluctantly leaving, With rubicund faces, and optics all wet. We part with each other, all fondly receiving The grasp of affection, the tear of regret. May our course in life's desert be far from the wrong In joy or affliction, in sunshine or rain, And "may Providence bear us uninjured along Nor scatter our paths with repentance and pain." II. FUGITIVE THOMPSONIANA 1. THE STOWE EPIGRAM The following was a part of Thompson's contribution to the Editor's Table of The Southern Literary Messenger for January, 1853: The following epigram we think has 'point — ^the most im- portant feature in such compositions from the time of Mar- tial down to our own day. But let the reader, by all means, judge for himself: When Latin I studied, my Arnsworth in hand, I answered my teacher that Sto meant to stand. But if asked I should now give another reply. For Stowe means, beyond any cavil, to lie. APPENDIX 233 2. POMPONNETTE These lines, French and English, were written, in Thomp- son's hand, on an envelope in the possession of his niece, Miss Lily Quarles, of Petersburg, Va.: II a conduit Pomponnette Chez Vachette, Dans le cabmet vingt-deux, Et, la, meme avant le bisque, ^ II se risque A lui declarer ses feux. He escorted Pomponnette To the cafe of Vachette, In number twenty-two; And before the soup he there Ventured boldly to declare His passion warm and true. 3. ROGER BONTEMPS He wrote in the Editor's Table for August, 1857: The nearest approach to a religious sentiment which we can recall in Beranger occurs in the well known song of Roger Bontemps, and this is as French as possible — Dieu au ciel: je me fie, Mon Pere, a ta bonte; De ma philosophic Pardonne la gaite: Que ma saison derniere Soit encore ma printemps; Eh gai ! c'est la priere Du gros Roger Bontemps — which we venture to translate, a little less freely than Thackeray, and a little less faithfully than Mr. Young, as follows — APPENDIX I trust to thy goodness, my Father in Heaven. Let my philosophy's mirth be forgiven: Let my last season as springtime be gay — Fat Roger Bontemps forever will pray. 4. BERANGER AND LAMARTINE In the same department of The Messenger for September, 1857, Thompson inserted these jeux d' esprit : Among the many reminiscences of Beranger which have been called up by his recent death is a very graceful little epigram written imderneath a stanza of Lamartine ia the album of a lady of Marseilles. The poet of sentiment had inscribed his name therein with these lines: Dans ce cimitiere de gloire Vous voulez ma cendre; a quoi bon.'' Pendant que j'inscris ma memoire Le temps pulverise mon nom — of which this must stand for an English equivalent, as well as we can give it: In this burial place of glory You wish my ashes; empty fame! While I write therein my story Time shall pulverize my name. The poet of humor having been requested to adorn the album with his autograph, seized the pen and threw oflf these happy and ingenious supplementary rhymes (what would not the leaf which contains the two memorials sell for, at an auction of autographs !) : Si le temps, pour marquer jusqu' ou va son empire. Pulverise en eflFet le beau nom que voila, Qu'U daigne sur les vers que j'ose encore ecrire Jeter un peu de cette poudre la — APPENDIX 235 for which the following paraphrase of our own is, we fear, but an awkward substitute: Should Time, just to show us the range of his might, Crush, indeed, to a powder that glorious name. Let him deign, on the verses I too dare to write, Of that powder to sprinkle a bit of the same. 5. TO FANNY Thompson's fibst poem, written at is (in isse) Dear lady, O, the task is mine To write in your album a line Or two, if that would please you more; And if I could, I'd write a score. Dear Fanny, such a heavy task Of you I'm sure I'd never ask. For I declare it's rather hard To wake my sleepy, slumbering bard. But as I've written a line or two I think I'll try to make it do. Pray do not treat it with contempt — Remember 'tis my first attempt. 6. THE SOUTHERN LYRE "In another part of the present issue of the Illustrated News," says an editorial note in the number for July 4, 1863, "the reader will find a finely-wrought poem entitled The Southern Lyre, in which one of the most graceful and imagina- tive of the poets of om* sunny land sings the praises of his brother minstrels." In this poetic album of Southern poets — which is the work of Paul H. Hayne — the editor of the Illustrated News is included: 236 APPENDIX There, Thompson ! with his scholar's mien. His front so graceful and serene. Walks calmly o'er the fairy scene; His own — what e'er his Muse's part — Ease, learning, tenderness and art — Bright fusion of the mind and heart. Thompson paid in kind. Quoting further from his editorial : "There is one figure wanting surely [in the portraits in The Southern Lyre], as all will concede — that of the gifted young bard himself, and we beg to supply it, if a hand so unskilful as our own may be permitted to strike the strings of his harp in the same measure that he has chosen: "And Hayne, the Petrarch of the land, Joins modestly the radiant band. The golden lyre held in his hand — "The lyre from whose divinest strings With wondrous melody he flings The tenderest imaginings — **0r strikes a lofty war-like strain, A lyric of the battle-plain: All honor to the poet Hayne!" III. NOTES The Btjbial of Latanb, P. 4 ^ The following prefaced the poem as printed in The Messenger : "The next squadron moved to the front under the lamented Cap- tain Latane, making a most brilliant and successful charge with drawn sabres upon the enemy's picked ground, and after a hotly- contested hand-to-hand conflict, put him to flight, but not until the gallant captain had sealed his devotion to his native soil with his blood." — Official report of the Pamunkey expedition by General J. E. B. Stuart, C.S.A. "Lieutenant Latane carried his brother's dead body to Mrs. Brockenbrough's plantation, an hour or two after his death. On this sad and lonely errand he met a party of Yankees, who followed him to Mrs. Brockenbrough's gate, and stopping there, told him that as soon as he had placed his brother's body in friendly hands, he must surrender himseK prisoner. . . . Mrs. Brockenbrough sent for an Episcopal clergyman to perform the funeral ceremonies, but the enemy would not permit him to pass. . . . Then, with a few other ladies, a fair-haired little girl, her apron filled with white flowers, and a few faithful slaves who stood reverently near, a pious Virginia matron read the solemn and beautiful burial service over the cold, still form of one of the noblest gentlemen and most intrepid officers in the Confederate Army. She watched the clods, heaped upon the coffin-lid, then s inkin g on her knees, in sight and hearing of the foe, she committed his soul's welfare, and the stricken hearts he had left behind him, to the mercy of the All-Father." — Extract from private letter. ^ By J. R. T.* The beautiful image in the concluding stanza is borrowed (and some of the language versified) from the eloquent remarks of Hon. R. M. T. Hunter on the death of ex-President Tyler. * These initials identify notes made by Thompson. 237 238 NOTES Genebal J. E. B. Stuart, P. 8 ' This poem was said to have been written on the day of Stuart's funeral, at St. James Episcopal church, Richmond, Va., May 13, 1864. It was published by May 25, 1864. In an expense account for a part of that year Thompson wrote: "Sent in a note to Con- stance Gary [afterwards Mrs. Burton Harrison] on the 25th May, for the benefit of wounded soldiers at Camp Winder, proceeds of a poem on the 'Obsequies of Stuart,' which note was never received; dona- tion therefore lost, but amount to be entered, $50." The next item is an interesting commentary on the price paid for the poem : " 3 June. Bottle of Brandy $50." U. S. District Court, District No. 1, Underwood, J., P. 39 * John Curtis Underwood, Federal Judge of the district of Virginia, was detested for requiring mixed juries and for other oflBcial acts during the reconstruction period following the Civil War. Virginia Fuit, P. 49 ^ Virginia Fuit was printed in the Old Guard, New York, in May, 1867, unsigned. As Thompson's work it was included in The South- ern Amaranth, a collection of poems made that year by Miss Sally A. Brock, of Richmond. In 1913, a new edition of Daniel Bedinger Lucas's The Land Where We Were Dreaming was published, and Virginia Fuit was included among the poems then first admitted to Judge Lucas's volume. It was inserted on the authority of an un- signed proof-sheet found among his papers and also because the editors were not aware that it had ever appeared as Mr. Thomp- son's. Recently, among the latter's papers, I found the poem in his handwriting in the form (including capital and italic letters) in which it wasjprinted in The Souihem Amaranth. This and the added fact that it was published over his name in The Southern Amaranth by one of Thompson's Richmond acquaintances then in New York and doubtless in contact with the poet, who was there, too, go far to authenticate the verses as Thompson's production. 6ByJ.R.T. To mould a mighty State's decree, and shape the whisper of the throne. — Tenntson, In Memoriam. NOTES 239 Dedication Hymn, P. 54 ' This hymn was written to be sung at the dedication, in 1848, of the First Presbyterian Church, Richmond, Va., of which Dr. Moses D. Hoge was minister. It was included among the hymns which composed the hymn book of the Presbyterian Church. La Morgue, P. 55 ^ By J. R. T. : Burke's description of the Dauphiness. Philip Pendleton Cooke, P. 60 * These lines were written in 1850, the year PhiUp Pendleton Cooke died. They were incorporated in Virginia six years later. Proposed Sale op the Natural Bridge, P. 61 ^^ By J. R. T. : See Gibbon's Decline and Fall of the Roman Empire. While stands the Coliseum Rome shall stand; When falls the Coliseum Rome shall fall. And when Rome falls, the world ! — Childe Harold. To Intemperance, P. 63 ^^ By J. R. T. : Attila, our readers are well aware, was thus desig- nated by the nations whose vineyards he uprooted and whose blood he poured out like water. "The grass never grew where the horse of Attila once set his foot." ^^ Alexander the Great. He is said to be designated by some of the oriental nations, who retain a tradition of his bloody victories, by a passage, which, literally translated, answers that in the text. 13 Nero. " We have the authority of Holy Writ for saying that Noah was a confirmed sot. The Voice op Richmond to Phineas T. Barnum, P. 68 "ByJ. R. T.: Song, says this deserving poet,* With the free delights to dwell: 'Twere an easy thing to show it. Yet abides with slaves as well: * " For song has a home in the hearts of the free." — Prise Sotiff. 240 NOTES Where are heard the "Songs of Labor" Lightest on the evening air. With the banjo, pipe and tabor. Gentle Chirsty, tell us where? ^® By J. R. T.: Joyce Heth, the nurse of Washington. Jenny Lind, P. 71 ^^ The following was the preface to this poem: The old year has gone out amid the usual festivities of Christmas, and, with such of our readers as reside in Richmond and Charleston, amid the yet lingering cadences of Jenny Lind. The visit of the nightingale to Richmond was a great triumph for us. We claim it all as our own work. It is a fact about which there can be no dis- pute, that our fervent invocations to the enchantress brought her to our region of the Union. Otherwise she would have been wafted to Havana by steamer, and our immediate fellow-citizens would not have heard her. Think of that and thank us. Jenny's visit and concert have already been suflBciently touched upon by our newspaper friends, but we cannot resist the temptation to say something of it ourselves. We shall be brief, and, like the editor of the Bunkum Flag Staff, we "ain't goin' to give way to our feelings," but for a different reason — because we cannot find words to adequately express them. So much by way of preface to our song of rejoicing. "Ah, Futile the Hope," P. 106 ^* The reference is to a caustic criticism, in the London Quarterly Review, July, 1853, of the Memoirs, Journals and Correspondence of Thomas Moore, edited by Lord John Russell. Souvenir of Zurich, P. 112 ^^ This poem and The Postilion of Linz, Linden, The Rhine, and My Murray grew out of his European travels in 1854, in company with Henry Winter Davis of Maryland and Robert E. Randall of Penn- sylvania, to whom he dedicated his book Across the Atlantic. A Picture, P. 118 ^^ Three years later, Oliver Wendell Holmes, in an instalment of The Autocrat of the Breakfast Table, published in The Atlantic Monthly for August, 1858, used the same similitude: NOTES 241 "The schoolmistress came down with a rose in her hair — a fresh June rose. She has been walking early; she has brought back two others — one on each cheek. "I told her so, in some such pretty phrase as I could muster for the occasion. Those two blush roses I just spoke of turned into a couple of damasks." Patriotism, P. 124 ^^ This poem was read to the convention of the Delta Kappa Epsilon fraternity, at Carusi's saloon. Washington, D. C, 1856. ^^ By J. R. T. : A slight liberty has been taken with the exposition of the Maitre de Philosophic in MoHere's Bourgeois Oentilhomme, who divides written composition into verse and prose, not into poetry and prose, as I have assumed. "Tout ce qui nest point prose," says he, "est vers, et tout ce qui n'est point vers est prose;" a proposition to which I can hardly accede, in the terms wherein it is stated, since many modern writers have given us examples of composition which is neither the one nor the other. ^^ By J. R. T. : The voluntary errand of mercy on which Miss Annie M. Andrews of Syracuse, N. Y., came to Norfolk and Ports- mouth during the prevalence of the awful pestilence of 1854 in those cities should long be held in grateful remembrance by the people of Virginia, and well entitles her to be enrolled upon that honorable list of self-sacrificing women which includes the names of Elizabeth Fry and Florence Nightingale. England has done much in recognition of the services of the latter — does not Virginia owe some testimonial for the yet higher, because more perilous, labors of Miss Andrews ? 24 By J. R. T.: Mr. Bryant, in one of the loftiest efforts of his genius, has finely impersonated Freedom in these magnificent lines — O Freedom ! thou art not, as poets dream, A fair young girl, with light and delicate limbs. And wavy tresses gushing from the cap With which the Roman master crown'd his slave When he took off the gyves. A bearded man, Arm'd to the teeth, art thou : one mailed hand Grasps the broad shield, and one the sword; thy brow. Glorious in beauty though it be, is scarr'd With tokens of old wars. — The Antiquity of Freedom. It is in accordance with the striking image here presented that I have chosen to consider the goddess of our liberty as the daughter, rather than the person herself, of Freedom. 242 NOTES ^^ By J. R. T. : To such as have read Mr. Tennyson's Maud this will be recognized as but another form of The cobwebs woven across the cannon's throat Shall shake its threaded tears in the wind no more. But the conceit is, indeed, the common property of poets, since it may be traced back as far as Simonides, in whose Lines on Peace occurs the following passage: Iv Ss atSapoSsTotat icopica^tv alOav dtpotxvdtv laot xeXovTat — literally. And in the iron-boimd handles of shields, of black spiders The web exists. Virginia, P. 136 ^^ This poem was delivered before the Virginia Alpha Beta Kappa Society, in the chapel of William and Mary College, Williamsburg, July 3, 1856. The Jamestown Celebration, 1857, P. 146 " By J. R. T.: It is due to Lieut. Col. R. Milton Cary, the officer in command of the 1st Regiment of Virginia Volunteers, encamped on Jamestown Island, to state that as soon as he heard of the desecra- tions the visitors were committing in the old graveyard he des- patched a file of soldiers to protect the tombs from further injury. The credit should also be awarded this excellent officer of having promptly suppressed the gaming which had been commenced by the "fraternity " as soon as the company arrived upon the groimd. 28 By J. R. T.: The Jamestown Society of Washington, D. C, under the lead of their president, P. R. Fendall, Esq., was accom- panied by the venerable George Washington Parke Custis, who was the object of curious yet most respectful attention throughout the day. 2^ By J. R. T. : The editor desires to be understood as referring here only to the manner of Mr. Tyler's oration. All who read it in the foregoing pages of the present number of The Messenger will be im- pressed with its appropriateness and value as a fine historic com- position. ^^ By J. R. T. : A very beautiful display of fire-works was made from the deck of Mr. Allen's yacht, the "Breeze," during the evening, which was followed up by a handsome pyrotechnic performance in the camp. NOTES 243 Washington, P, 155 ^^ This ode was read at the inauguration of the equestrian statue of Washington in Richmond, Va., February 22, 1858. The Old Dominion Jtilep Bowl, P. 166 ^^ These verses were read at an informal social meeting in Rich- mond in compliment to Mr. James just before his departure for Ven- ice, in 1858. ^' By J. R. T. : The testimonial presented to Mr. James on this occasion. It was of silver incribed "Old Dominion Julep Bowl" on one side, and on the other: To G. P. R. James, From a few of his friends in Virginia. May their names, Familiar to his ear as household words. Be in this flowing cup freshly remembered. Robert Burns, P. 172 ^* By J. R. T. : The following lines on Bums were written for a centennial dinner, given in New York. Virginia, P. 181 ^^This tribute to Virginia was read, by N. H. Campbell, at the first anniversary of the Old Dominion Society of New York, at the dinner at the Metropolitan Hotel, May 13, 1860. The author was about to leave Richmond for Augusta, Ga., and could not be present at the banquet. Pobbt: An Essay in Rhtme, P, 185 '* This rhymed essay was delivered before the literary societies of Columbian College, Washington, D. C, June 28, 1859. "Sing, Tennyson, Sing," P. 196 ^^ In May, 1859, after the beginning of war between France, Pied- mont, and Austria, and when England feared French invasion, Tenny- son sent to the London Times the poem which appears in his collected works under the title Riflemen, Form! It soon made the rounds in 244 NOTES American newspapers. Thompson printed it in The Southern Literary Messenger, and along with it this skit. "Once More the Alumni," P. 197 ^* This ode, for the alumni dinner at the University of Virginia on July 4, 1860, was composed in Augusta, Ga., whither Thompson had gone to edit The Southern Field and Fireside. ^^ It has not been possible to identify all of the "old comrades" to whom Thompson referred in these lines. "Old Gess," in II, was Dr. Gessner Harrison, who was Chairman of the Faculty and professor of ancient languages when Thompson entered the University. "The late Mr. Speaker," in XV, was James L. Orr, afterwards governor of South CaroUna and minister to Russia. "There's a Bishop," in XVII, was Henry C. Lay, then of Maryland. "We have Editors also," in XIX, refers to James C. Southall of the Richmond Enquirer. "The eulogist lately of Clay," in XX, was B. Johnson Barbour of Virginia who had recently (on April 12, 1860) delivered the address at the unveiling of the Clay statue in Capital Square, Richmond, Va. University of Virginia, P. 209 *^ This poem was read before the Society of the Alumni of the University of Virginia July 1, 1869. The Barber Boy, P. 218 *^ The Barber Boy was written as a Christmas address to be offered by the subject of the verses in his pursuit of tips from the patrons of the "dressing-room" of the Exchange Hotel, Richmond, Va., long notable as the headquarters of Virginia political leaders. The King of Tipsy-Land, P. 224 *2 This translation of Beranger's poem, which Thompson published in The Southern Literary Messenger in May, 1849, has been attributed to him, but with no certain proof that it was his work. A diligent search has brought to light many renderings of Le Roi d' Yvetot, but this one has been found only in The Messenger. INDEX OF POEMS "Ah, Futile the Hope," 106. Amelie Louise Rives, 59. Ashby, 6. Autumn, 227. Autumn Lines, 100. Barber Boy, The, 218. Battle Rainbow, The, 11. Benedicite, 87. Brave, The, 99. "Brightly, with the Elfin Train Attended," 96. Burial of Latane, The, 4. Carcassonne, 219. Coercion, 36. Dedication Hymn, 54. Despondency, 229. Devil's Delight, The, 30. Dirge for the Funeral Solemnities of Zachary Taylor, 67. England's Neutrality, 24. E. V. v., 1859, 180. Exile's Sunset Song, The, 103. Farewell to Pope, A, 43. Garret, The, 221. General J. E. B. Stuart, 8. George Wythe Randolph, 206. Greek Slave, of Powers, The, 5l. Hexameters at Jamestown, 175. Hour of Separation, The, 231. Inebriate, The, 228. In Forma Pauperis, 122. Invocation, 68. Jamestown Celebration, The, 146. Jenny Lind, 71. Joe Johnston. See A Word with the West, 33. King of Tipsy-Land, The, 224. La Morgue, 55. Lee to the Rear, 1. Legend of Barber-y, A, 119. L'Envoi, 98. Letter, A, 92. Linden, 116. Lines on the Death of William Henry Harrison, 230. Local Item, A. See Miserrimus, 202. Lou, 153. May Day, 169. Miserrimus, 202. Motto, The, 179, Music in Camp, 13. My Murray, 108. Old Abe's Message, 21. Old Books to Read, 75. Old Dominion Julep Bowl, The, 166. Old Friends to Love, 77. Old Wine to Drmk, 76. Old Wood to Bum, 76. "Once More the Alumni," 197. On to Richmond, 16. Patriotism, 124. Paul H. Hayne, 145. Philip Pendleton Cooke, 60. 245 S46 INDEX Picture, A, 118. Poesy: An Essay in Rhyme, 185. Postilion of Linz, The, 114. Proposed Sale of the Natural Bridge, 61. Retrospect of 1849, A, 73. Retrospection, 230. Rhine, The, 110. Richmond's a Hard Road to Travel, 45. Robert Burns, 172. "Sing, Tennyson, Sing," 196. Song, 165. Sonnets to Winter, 76. Souvenir of Zurich, A, 112. To , 86. To Bulwer, 81. To Fanny, 233. To Intemperance, 63. To Jenny Herself, 70. To Mrs. S. P. Q Marriage, 65. To One in Affliction, 82, on Her United States District Court, 39. University of Virginia, 209. Unwritten Music, 88. Verses of a Collegiate Historian, 228. Violante, 84. Virginia, 136. Virginia Fuit, 49. "Virginia, in Our Flowing Bowls," 181. Washington, 155. Webster, 90. Where? 223. William H. Seward, 40. Window-Panes at Brandon, The, 79. Word with the West, A, 33. GENERAL INDEX Across the Atlantic, xxx. Addums, Mozis, xx. Aldrich, Thomas Bailey, xxi. Anthologies, Southern, xxii. Bagby, George W., xx. Baldwin, Joseph G., xxi. Barbour, B. Johnson, 244. Benjamin, Park, xxi. Beranger, Pierre Jean de, 232. Bryant, William Cullen, xxxvi, xlLx, 1, liv. Bulloch, James D., xi. Carlyle, Thomas, xlii, xliv. Carter, Fitzhugh, xlii. Confederate colony in London, xxxix. Cooke, John Esten, xvi, xx, xxxvi, xlviii. Cooke, Philip Pendleton, xx. Cooper, James Fenimore, xxiv. Davidson, James Wood, li, Iv. Emmet, John Patten, x. English, Thomas Dmm, xxi. Eustis, Mr. and Mrs., xlii. Feam, Walker, xl. Godwin, Parke, xxxvi. Griswold, Rufus W., xxiii, xxiv, xxxvii. Harrison, Gessner, xi, 244. Hayne, Paul Hamilton, xxi, lix. Henderson, Mrs. Daniel, 1, li. Hope, James Barron, xx. Hotze, Henry, xlv. Index, The (London), xxviii, XXXV, xxxviii, xl, xlii, xlv, xlvi. James, G. P. R., xxi, 243. Kennedy, John Pendleton, xviii, xxi, xxv-xxvii, xxxvi, xlviii. Kraitsir, Charles, x. Lamartine, Alphonse, 232. Latane, Captain, 237. Lawley, Francis Charles, xliii. Lay, Henry C, 244. Literature in the South, xvi, xix, XX, xxii, xxxiii. Long, George, xi. Lowell, James Russell, xxxvii. Lucas, Daniel Bedinger, 238. Macaulay, Thomas Babrngton, xxxix. Macfarland, James Edward, xl. Marvel, Ik, xxi. Mason, James M., xxxix, xlii. Maury, Matthew Fontaine, xviii. McCabe, W. Gordon, Iviii. Minor, Benjamin B., xviii, Iv. Mitchell, Donald G., xxi. Old Dominion Society of New York, 243. Orr, James L., 244. Poe, Edgar Allan, xi, xiv, xviii, xxiv, xxxiii, xxxvii. Pomponnette, 233. Post, New York Evening, xxxv, xlix, 1, liv. Powers, Pike, xi. Preston, Margaret J., xx. Randolph, George W., xliii, 206. Richmond, Va., social life in the '50s and '60s; beleaguered, xvi, xxix. Richmond Record, xxviii, xxx, xxxv. Roger Bontemps, 231. Seddon, James A., xiii. Simms, W. Gilmore, xxi, xxiv, xxix, xxxvi. Southern Amaranth, xxii. Southern Field and Fireside, xxv, xxvii, xxxv, xlviii. 247 248 INDEX Southern Illustrated News, xxviii. Southern Literary Messenger, ac- quired by Thompson; its edi- tors, xviii; its publishers; a medium of Southern senti- ment, xix; its competitors, xxii; in distress, xxiv, xxv; Thompson resigns editorship, xxvii, xxxiv. Southern Lyre, 233. Southern Poems of the War, xxii. Southern writers, xv, xix, xx-xxii. Stanard, Mrs., xvii, xlviii. Stedman, Edmund Clarence, XXXV. Stockton, Frank R., xxi. Stoddard, Richard H., Iviii. Stowe epigram, 230. Stuart, J. E. B., 238. Sylvester, J. J., xi. Talley, Susan Archer, xx. Tennyson, Alfred, xlii, xliv, 243. Thompson, John R., ancestry and birth; boyhood homes, ix; enters University of Virginia; his professors, x; his college verse, xii, 225; graduates in law. University odes, xiii; opens law office, xv; poet of occasion, xvii; acquires South- ern Literary Messenger, xviii; encouragement of new writers, xxi; as a magazinist, xxiii; letters to Kennedy, xxv- xxvii; candidate for librarian of Peabody Institute, xxv; re- signs editorship of the South- ern Literary Messenger ; com- plimentary dinner; Richmond friends; leaves Richmond; in Augusta, xxvi; editor of the Southern Field and Fireside, xxv; ill-health, xxvii-xxix; invited to join the staflf of the Baltimore American ; Assis- tant Secretary of the Common- wealth; • editor of the Rich- mond Record; editor of the Southern Illustrated News, xxviii; correspondent of the London Index, xxvii; war poems, xxix; leaves for Em-ope; runs blockade; attempts to publish his and Timrod's poems, XXX ; his translations, xxxi; as an editor, xxxiv- xxxvii; as a critic, xxxvi; his relations with Poe, xxxvii; in London, xxxviii, xlvi; visits Scotland and Ireland, xl; his London friends, xlii, xliii; in Paris, xliii; his Diary, xlv; writes von Borcke's Memoirs of the Confederate War; re- turns to Virginia, xlvi; no em- ployment; lectures; in New York, xlvii, xlviii; on the Al- bion, xlviii; literary editor of the Evening Post, xlix; in Nassau and Cuba; in Colo- rado; back in New York, 1; Mrs. Henderson's kindness; his death; funeral, in New York, li; distinguished persons present; funeral, in Richmond, liii; estimates and tributes, xxxi, liv-lix; his literary re- mains; his literary executor, Iviii. Thompsoniana, fugitive, 230. Ticknor, F. O., xxi. Timrod, Henry, xxx, xxxiii, lix. Tucker, Henry St. George, xiii. Tuckerman, Henry T., xxi. University of Virginia, x, xi, xiii, xiv. War Poetry of the South, xxii. Whig, the Richmond, xviii. White, Thomas W., xviii. Willis, Nathaniel P., xxxvii. "'" %.^^ /Jfe^ \/ .^;s».\ %.^" : > o * ® , 4% » * • * 'T' '^•k 4>^ Deacidified using the Bookkeeper process. •N /I * Neutralizing agent: IVlagnesium Oxide ''o "^ V^ o*j Treatment Date: Oct. 2009 ^« X\s o| PreservationTechnologies * 3^ '^^ **« A WORLD LEADEH IN COLLECTIONS PRESEHVATION • >.^ 'r*. 111 Thomson Park Drive >U\ » « o. i^cei/f?;^'' O J^ *^, "■' aT , "V **^' aO ^^ - > " 8 . <>^ -^0^ i^°^ o_ ^^ c'^JL"^ '>*. iP*?!, 5^ ^^ '^o\P' aP ^ •'■' .V^ <=^ '•- >.^ ' • • iVV