'RICE, 25 CENTS /^j^^^^-^r olutionary Writings BY JAMES Kelly cole amam^UM T 'muf!' )4- *4rr;«' POEMS AND PROSE WRITINGS OF JAMES KELLY COLE MEMBER OF THE INDUSTRIAL WORKERS OF THE WORLD WHO WAS ACCIDENTLY KILLED NOVEMBER 17. 1909, WHILE ON THE ROAD TO SPOKANE. TO TAKE PART IN THE FIGHT FOR FREEDOM OF SPEECH, AS AN ORGANIZER IN THE INTEREST OF HIS COMRADES PUBLISHED BY The Industrial Workers of the World 518-56 Fifth Avenue, CHICAGO, ILL. »80 HB20l92!> ^ '4 CONTENTS Page. Biography 7 Brothers and Sisters - - - - 13 The Shadow of the Bars - - - 17 "Taps'' 26 What's the Use? 27 Dream Time 28 The Prisoner 29 Patriotism 31 Reform 33 To AN Old Pal 34 Broke at Christmas Time - - - 36 An Old Friend 39 My Mother's God 43 "To THE Rose" 49 Woman the Reformer - - - - 51 Only a Tout - ' - 55 James Kelly Cole 1885-1909 Seldom does Nature endow anyone with brilliancy, eloquence and promise, more richly than she did James Kelly Cole. Not often, perhaps, have the signs of the invisible future been more pro- pitious to anyone than they were to him. He possessed many of the attributes of a genius. Just as the waters of the land find a home in the ocean, so did all fine, human qualities find a place in him. He felt in his heart the feverish throbs of the world, and keenly sympathized with the poor, the oppressed and the hope- less. He knew mankind well and wished it well. He hoped for the ^'parliament of man, in the federation of the world.'' In the land of perpetual sunshine, down in old New Orleans, February 8 JAMES KELLY COLE'S 6th, 1885, James Kelly Cole was born. His father was a brave defender of Lin- coln's cause and his mother was the gen- tlest of true womanhood. From his hon- orable parents, who still live to mourn their son, he inherited wealth, not in gold, but in character, mentality and sympathy. And of this fine inheritance he made good use for his fellow men. Cole was educated in the North Divi- sion High School, Chicago, where his record as a student was unexcelled. He particularly was unrivalled in English, and as an orator he was brilliant. But his education was far broader than that afforded by the high school. The library almost became his home. He schooled himself so well and became so learned that he could discuss with unusual facil- ity and intelligence any subject in eco- nomics, philosophy, history and litera- ture. While in high school, he established a flourishing school paper, **The Yellow WRITINGS 9 and Blue/' of which he was the editor- in-chief. The ability he showed in this work presaged for him great success in the newspaper world. He had the power of administration, was inventive and able to execute his plans. After his high school course, he engaged in the ad- vertising business and was very success- ful. The temperament of Cole was always sunny and hoDefnl. In him were mixed the elements of June. His humor and wit made him a much-sought companion and famous among all who knew him. Once in high school, a girl began hope- fully to recite that poem, "Spring is coming, I know it, I know it." She got no further, but paused and stammered. Like a flash Cole cried out, "You don't know^ it.'' And then the stern teacher had to rap hard for order. As an orator, he was brilliant, force- ful and ready. When only a small boy he was known as the "boy orator," and 10 JAMES KELLY COLE'S was much in demand as a speaker, espe- cially in Grand Army circles. This gift of oratory grew with him, so that when he had become a man, he had already made an enviable record. When he spoke he said something interesting and of value, for his beautiful voice and art of oratory were only the agents for ex- pressing the thoughts of his clear, trained mind. Music was part of his life. The violin never refused to yield up its sweetest tones to him. And any song, however simple, when he sang it, became beauti- ful. Often he would come out of the theater and sing some song he had just heard better than the hired singer had done. And poetry, which is only a part of music, he loved intensely. The poets of all times he knew well, and much of their works he was ever ready to recite in a manner that they themselves would have been proud to hear. When something happened to strike his fancy, WRITINGS 11 he would lapse into appropriate verse. However, his modest nature never laid claim to the title of poet or author. He wrote poetry and essays, much of which has been lost, but fortunately a few re- main to honor his memory. H he had given himself to literature, success for him would not have been uncertain. James Kelly Cole, however, tried to help mankind in a more practical way. To that irrepressible class, which is struggling against oppression and the system of ages, he belonged. He be- lieved in the rights of man and that man should meet man face to face. His whole being felt the injustice of present economic conditions and his sympathies were ever with the workingman, that toiler of the seas. He did all he could to remove the evils of capitalism and to supplant those evils with the rights that belong to men. His was never the part to make jest of the needy, but his was the part to help them. He believed 12 JAMES KELLY COLE in socialism, hoped for it, worked for it and died for it. He saw in it the solu- tion of unsolved problems, the realiza- tion of justice and the victory of men. And it was on a pilgrimage to help others who believed in the rights of men that James Kelly Cole was halted sud- denly by death. A railroad accident at Tomah, Wis., November 17th, 1909, ended only too untimely his brief, young, hopeful life. He lived well and bravely and thus did he die. He was sincere, just and upright. He left many friends and sweet memories. " His life was gentle, '^and the elements So mixed in him that Nature might stand up And say to all the world, ' This is a man ! ' '' James Kelly Cole often recited these lines. They were true of him. Poems BROTHERS AND SISTERS Is he draped in ragged clothing, Are his hardened features vile; Do you look on him with loathing, Or a thoughtless, sneering smile; Does he leer at you in envy ; Evil gleaming in his eye? In the darkness of the twilight, Would you fear to pass him by? Is his life an allegory, Made of hatred and despair? Doesn't some one know his story? Doesn't anybody care? Will he trudge the city's highway. Friendless, doomed to ever roam; Is his bed a sheltered byway; Has he pawned the joy of home? 14 JAMES KELLY COLE'S For a body racked and broken, Don't you think he'd understand, Just a kind word softly spoken, Or the pressure of a hand? Will at last the highway lead him To the river's brink at night, . Where upon the restless ripples Shine the moonbeam's ghostly light ? Will he hesitate a moment 'Till the latest hope has fled; Has another soul been added To the kingdom of the dead? He's your brother. Did you meet her in the glamor Of a city's gilded hell; In a mercenary amour. Did you drink and wish her well? WRITINGS 15 Do you really think her laughter ' Rang out truly, rang out free ; The deep sigh that followed after I am sure you did not see. And I wonder if you noticed The sad longing in her eye When that mother with a baby, All unconscious, passed you by. Did you know she got a letter From a country 'cross the sea, That a mother, who had loved her. Passed to all eternity? Did you know the tears went coursing Thru the paint upon her cheek, As she gazed upon a picture; Did you hear that fearful shriek? Did you stand among the curious. Looking through the open door, Where beside a lifeless body, Lay a pistol on the floor? 16 JAMES KELLY COLE'S Did you note the worried visage Of the "Madame" by her side; Did you read upon the first page, Of another suicide? She's your sister. * * * * * * ^ They are falling, brother, falling, Almost daily in the land. Won't you heed their silent calling? Won't you stretch a kindly hand? WRITINGS 17 THE SHADOW OF THE BARS The raven croaks her lone, prophetic flight Across the dismal waste, and sable Night Hath clothed the prison wall in garb of gloom. Unseen the orbs which thru eternal time Are Wisdom's fount, and source of Hope, sublime : The fearful shadows shroud a living tomb. The vagrant wind taps constant on the pane, A dreary chant of woe, without refrain. It beats with careless count the pulse of strife: And restless, fevered thought of bitter things, 18 JAMES KELLY COLE'S Discordant with the wind intensely rings The tuneless canto of a wasted life. The convict brooding in his narrow cell, Awaits the ringing of the signal bell, Which bids the weary soul to sleep and rest : Ah, if that brazen thing but had the power To lull in slumber sweet one little hour, Those tireless phantoms of the mind arrest. Unknown, upon that hard and narrow cot, The peaceful sleep of boyhood's happy lot: . Here dreams grotesque the fevered brain abuse : Dreams conjured in the glaring pit of hell, Wove red with threads of pain in Mab's weird spell, WRITINGS 19 With terror glint the eye, the brow suffuse. Upon a meager shelf a picture stands, A pile of faded letters, slender strands. Which hold the heavy heart in Love's embrace : 'Tis all that's left him of the golden hours, When life was sweet with song and scent of flowers. And Hope revealed her glory in his face. He reads again the missives, one by one. From her who e'er was proud to call him son : With words of hope and gentle love they teem. His many boyhood graces well she knew, In her fond eyes he ne'er to manhood grew — Remained the idol of her virgin dream. 20 JAMES KELLY COLES How ardently he hoped if wanton fate, Should e'er unbar the cruel prison gate, To rear a home and prove his love with deeds: And testify that many useless years Could not resist a mother's loving tears ; That seeds of love do not grow thankless weeds. That though the harvest may be long deferred. The tree well pruned by gentle deed and word, Will bear a harvest worth it's weight in gold: That storms of vice and ugly drouth of sin. But serve to purge the latent sap within. And yield a richer flavor than of old. Another year has made its dreary round : The village sexton tends a vernal mound. WRITINGS 21 Wherein the convict's hopes lie with the dead. The brief oasis in his desert heart Became as burning sand, the better part Is sere and dry — nought lives but hate and dread. Dread of the god who turned away his face, Hate of the cruel, blind, indifferent race» Who treat their kind far worse than beast treats beast. What jungle despot ever kept his prey Confined in sunless vaults, to pine away. For seeking higher place in life's rich feast. Hath not the earth brought forth abun- dantly, In field of grain and heavy laden tree. Enough for all: then why, in jus- tice, should Some bear the curse of poverty and crime, 22 JAMES KELLY COLE'S Some live in sunny places, sweet with thyme, When all belong to Man's great brotherhood ? The felon feels within his heavy heart That fate, perverse, has played a wan- ton part In his mere life, that some dread pow'r unknown, Has cast its spell, and with a ruthless hand Has scattered Father Time's uncon- scious sand And left him bitter hours to brood alone. Days, weeks, months, years, in dull pro- cession plow Their tiny furrows on the smoothest brow. And scatter silver threads thru gold- en hair: No other tokens mark the flight of years, WRITINGS 23 The days of fruitless toil and bitter tears, Nights spent in fearful thought, in faithless prayer. Beneath the callous guard's malignant eye. In silence he must toil, nor satisfy The yearning in his heart for fellow- ship, By word or sign to those who share his fate: All sympathy is crushed or turned to hate. And Self and He hold grim compan- ionship. Hate grows and feeds upon its mon- strous growth. Vile brooding lust becomes his mate, and both Rule jointly in the heart where Vir- tue's throne Was burnt to ashes in the flames of fear, 24 JAMES KELLY COLE'S Where Hope was drowned in memory's acrid tear, And Faith mocked God and died un- wept, unknown. How can such fearful cost annihilate Sin's crimson stain? How can we com- pensate By starving in the prison's iron hole? Tis true this felon killed a fellow man, And now society with pedant plan Will straightway right the wrong and kill a soul. If, interfused in earth and sky and sea. Pervading all that breathe and all that be, A law of Compensation turns the scale. And weighs and pays the penalty of pain. What ponderous weight of woe shall men sustain, WRITINGS 25 To meet the cruel prison's mighty tale. And now the brazen bell its warning rings : The lights go out — the night wind gently brings The solemn tone of taps; nerve- racking jars Of bolts and keys disturb the stifling air, Beside his bunk the convict kneels in prayer, And o'er him steals the shadow of the bars. JAMES KELLY COLE'S " TAPS " When lights go out and darkness reigns alone ; Borne on the whispering wind, a plain- tive tone, The sacred chamber of my soul invades, And thrills, and flits with sorrow's soft- ened shades. bugler ! well we know, without thy art. That lights are out in every human heart ! Hear the sad, the solemn call, Wafted o'er the prison wall — NEV — ER — M-O-R-E ! NEV — ER — M-O-R-E ! Nevermore — Nevermore — Nevermore! NEV — ER — M-O-R-E ! NEV — ER — M-O-R-E ! NEV — ER — M-O-R-E ! NEV — ER — M-O-R-E ! WRITINGS 27 WHAT'S THE USE? This world is full of pain and gloom; What's the use? We fight through life from crib to tomb ; What's the use? We work and sweat both night and day, For that wee bit that men call pay, And then we prod the same old way, What's the use? We rise at dawn to start at work ; What's the use? We cannot rest or labor shirk ; What's the use? We come home worn at night to sleep. But when the sunbeams light the steep. We hustle out our job to keep ; What's the use? 28 JAMES KELLY COLE'S DREAM TIME. It's not in the glory of sunrise, It's not in the heat of the day, The Dream Fairy opens our eyelids To visions of Far-off-away. She comes in the cool of the twilight, Astride of the North Star's beam, Attended by many an elf-sprite Each bearing a beautiful dream. WRITINGS 29 THE PRISONER When pacing my cell in the gloaming, I dream of the years yet to be, Of wonderful lands I'll go roaming. Of wonderful sights I shall see. No country too distant to foil me, No ocean too rough for my boat, I ride on the mist of a dream cloud, On the sure ship Hope I'm afloat. The Niger's jungles I'll conquer, Her denizens weird to behold; In south seas my good ship I'll anchor, To load with Australian gold. Then, Ho ! for the land of the Indus, The call of the east comes so plain. In "Mandalay" lines I have heard it, The temple bell's ringing again. 30 JAMES KELLY COLE'S I'm tired; I've sailed tlie world over, Fm longing the home land to see, But the *^^ screw" turned the lights on this evening And brought back the present to me. A "screw" is a prison guard. WRITINGS 31 PATRIOTISM Behold the child his toy sword wave in glee, As phantom-thousands fall or turn and flee; For Conquest, Glory, Blood, his sours ^fire; Tis Patriotism feeds the mad desire. When Croesus needs a cut-throat to de- fend His blood-bought pow'r, a simple child he'll send A man in strength and years, yet still the prey Of platitudes, gay flags and roundelay. For fools and knaves severe the patriot shrine ; But wise men, underneath the gilded shine, 32 JAMES KELLY COLE'S The tawdry brass of Self can well di- fine. For Love's not bounded by geography, By color, language, wealth nor heraldry, Her bourn is Heaven and Humanity! WRITINGS 33 REFORM I saw him come — his face was fair To look upon, though Penitence Her chastening tears had gathered there ; Though pale his cheek and worn with care, And grief -disheveled the brown hair That crowned a boyish countenance. The hopeful eye e'er prophecies Success and joy; Five years — his star may yet arise — He's but a boy! I saw him go — a cunning leer Beamed from the sullen eye ; Where love had ruled, now hate and fear Reigned in the heart, a desert sere, Long thirsting for contrition's tear. Its fountains choked and dry. Five years ! With how much evil fraught Their burning scroll ; Man's penal plan no good had wrought. But damned a soul ! 34 JAMES KELLY COLES TO AN OLD PAL Our ships have different courses, Our aims have changed, 'tis true; At the call of Nature's forces, Our paths have branched. in two. But when our ships are ready For the long, long journey home; When our sails are trim and steady. And the tide becks toward the foam ; When the port at last is entered; When the sails are reefed and dry; And our thoughts are ever centered On the wherefore and the why; When our barks begin to waver, And the cable parts in twain ; When we feel the last light quaver, As we drift upon the main; WRITINGS 35 When we note the sails about us, Drifting slowly, drifting far, And we scan with eager eyes, To find some ship upon the bar ; Then, perhaps, at that last mooring Our barks may anchor fast To Friendship's rock, enduring Hulk to hulk and mast to mast. 36 JAMES KELLY COLE'S BROKE AT CHRISTMAS TIME Wen a feller's flat agin th' wall an' hezent got a sou, An' things jes sort o' go contrary- wise; He mopes along without a home, a feel- in' hungry, too, Th' tears er jest wellin' to 'hiz eyesj He empties out his pockets in a listless sort o' way. An' can't rake up a solitary dime; It's a queerish kin' o' shiver as he looks into th' river, We'n a feller's broke 'long 'bout Chris'mus time. Ye feel yerself a outcast, ez thru th' streets ye roam. Ye really don' no wa t' say er do ; An' thoughts jes keep a risin' uv th' luvin' ones at home, WRITINGS ^ 37 A watchin' an' a waitin' there for you. Wen th' copper roughly shoves ye, an' sez "now move on, jay. An' don't 'che dish me eny uv yer whine" ; W'y ye jes can't help wishin' in a brok- en-hearted way, Thet you wuz dead, 'long 'bout Chris'mus time. Peepul pass by heedless uv a dirty wretch like you, Th' wind, it almost takes away yer breath ; Yer nose iz sorely frosted, yer lips er thin an' blue; It's times like these a feller thinks uv death, Th' crowds all bump an' push ye, th' ' sleet drips down yer neck ; Th' 'lectric lights jes seem t' lose ther shine. 38 JAMES KELLY COLE'S Th' snow iz ten times colder an' ye feel jes ten times older, Wen a feller's broke 'long 'bout Chris'mus time. We look into a winda all ablaze with light, See children rompin' round' a Chris'- mus tree, A suckin' '^all day suckers," their faces shinin' bright; Th' ole folks joinin' in th' jamboree. Then ye think of yer own mother, an' th' story thet she told, 'Bout a babe who came to banish sin an' crime; An' ye wonder if He'd care, if He wuz here, fer sich az you, Wen a feller's broke 'long 'bout Chris'mus time. WRITINGS 39 AN OLD FRIEND When searching through the attic, To while away the time ; Through trunks and rusty boxes, Inch deep in must and grime. In an ancient, battered hat box. Almost buried out of sight I found a friend, forgotten. An old, neglected pipe. Where are the dreams I conjured From your care-dispelling bowl; Fragrant breaths of inspiration To my sorely-troubled soul? Where are the castles, airy. You and I together raised? They have crumbled with the ashes. Like the joys of other days. 40 JAMES KELLY COLE'S But I'll take you down this evening, And when lights are dim and low, We'll drift on mem'ry's dream-cloud . Toward the mists of Long Ago. And, old friend, if you can summon Flemish pictures of the past. You shall have a fitter guerdon, Than an attic's airy fast. For the breath of mild Havanna Will your longing satisfy; Old loves, old times, old pleasures, We'll review, pal, you and I. Yovlv glowing eye will lighten Care's heavy-laden yoke. And regret for present blunders Will vanish with the smoke. We'll go back to the cottage That stood upon the hill, Where breath of homely flowers The peaceful twilights fill. WRITINGS 41 Trudging up the dusty highway, Free from school's confining grind; Whistling airs that wise old masters Have searched in vain to find. 'Mid the classic lore of music ; A wild, free melody, That combined the happy heart-throb With the song of bird in tree. And there upon the green-sward Stands one whose love is true, As the dear, warm-hearted friendship, Old friend, I feel for you. Again we'll taste the cookies From the sacred pantry store. Such as make the hungry barefoot Eat his fill and yearn for more. Again we'll con the lessons. Grim, knotty tasks for school — Would that Life's entangled problems Could be solved by rote and rule. 42 JAMES KELLY COLE'S Once more we'll climb the stairway To the tempting, billowy bed, And listen to the music Of the pattering rain o'er head. WRITINGS 43 MY MOTHER'S GOD Oh, Deity! Who hears my mother's prayer, When silent Night clothes gloomy Earth In sable mantle, decked with gems; I would to Thee a supplication make. Nor come I, heavy with great sacrifice; Incense, forms and favors shunning, Loved by all other gods. Full well I know Thy judgment rests on love; Full well Thy tender justice have I proved, When earthly sin, the vestige of my birth. Hath borne me down to sinful earth. Thou sit'st enthroned in loving hearts ; No jeweled, gilded heaven Thy delight, Like unto other gods. Who dote on pearly gates 44 JAMES KELLY COLE'S And streets of massive gold, And shining vestments, and Whose being rests on naught but praise, And the applause of men ! i am of earth. I have smelled the sweat on toiling men. At end of labor's gloom and grime. The broken bodies of humble women; Eyes sore with slaving in the night, I've seen; And children aged at suckling time ; Not as to body, health and mind ; Mature for labor's killing grind ! Sad earth is full of these. And dread disease, that hydra-headed monster. Waits at the door of man ! And crime, a gaunt and grizzled growth. Is but reactive of the Master's sloth! Enough ! — To him who toils for bread — Enough is said! Such know the staleness of the social life. Whose element is strife! WRITINGS ■ 45 My mother's God, Thou'rt not omnipo- tent, And be it to Thy glory, Or else, like thundering Jove, from out the sky Would come the flashing of Thine eager eye! And with one sweep of august might, Earth's sin and gloom would vanish — as the night, When morning's glory puts her shade to flight! Thou wouldst not e'er disgrade Thy god-like power. In feats of clownish jugglery, a little hour. With giant deeds of mercy yet undone, When dank disease and death insult the sun! No trifling miracles would Thou per- form To astonish and astound a few ; 46 JAMES KELLY COLE'S Thy wondrous grace would not be prop- erty of Jew, Or Christian. But all men Would be encompassed by Thy mercy's ken! And earth would blossom into golden age; And crabb'd history's bloody page, Would pale into the hue Of Heaven's blue! The Eden time, through atavism's law, Would come again. And normal life would banish pain ; When men would live and walk in quie- tude. Their only thought — their only law, Their brother's good! My mother's God, what power stays The lives of men from goodly ways? What fiendish, fickle sprite Dims reason's light? Useless the question — ^well we know. That cursed exploitation stops the flow WRITINGS 47 Of human kindness, and conjures woe! Men feed on men as beast on beast And human life is but a bloody feast ! Where kings sit down to banquet on their kind! Where Matter rules and Lucre con- quers mind ! Men curse and women die ! Yet not a weeping eye, save 'mongst those Who wear the proletarian's rough clothes. And little children feed the golden pile. While bloody barons look and smile, Or curse the Master of the show. Who fails to keep the fires aglow! H: H: H: H: Hi * My mother's God, what can weak man Attempt? To lift this frightful ban! Where shall men find relief, For slavery's grief? Thou art the true God of Love, But Love, but follows where. 48 JAMES KELLY COLE'S Keen Knowledge leads. Pray lead us there ! And — ^knowing — then the proletarian Will shake the shackles from his aching limbs, And breathe again; And know that Socialism's plan Is the enfranchisement of man. WRITINGS 49 "TO THE ROSE'' Once this rose bloomed full and sweet ; Soft zephyrs bore her rare perfume, A stranger found her at his feet ; Could flower wish a nobler tomb? Perhaps in perfumed litany, She sought her soul-mate — Poetry! When desultory reader opes, This book, to strengthen feeble hopes. While on this barren desert cast, She conjures memories of the past. Her life, though short, with beauty rife ; Knew naught of care ; knew naught of strife ; To-morrow's, never changed the gay, The tender tints of yesterday. So men shall learn to live, I vow. As free from care. Oh, Rose! as thou! Oh, Rose; soon will my journey cease. My spirit seek an earthy peace. Among the stones, the clods, the clay. 50 JAMES KELLY COLE That gave to thee thy colors gay. Only a fool would fear to go, Where tints like thine are taught to grow And bloom, to meet the shining sun — The climax this: Then duty done! I pray my soul, in grand attune, With natural things, may greet the noon Of manly deeds and in the light, Of duty done — then seek the night Of rest and peace, that other men. The law of love and life, may ken. Now to thy soul I make this prayer. That when I go; no matter where; I shall have left a few good deeds ; That I may not be cast with weeds, To die forgotten; but like thee. Find rest in glorious history. Woman the Reformer The greatest deed of woman was per- suading Adam to eat the apple and be- come wise. Since then her power as a reformer has been on the slump. From the time of her first intellectual awak- ening, not long since, up to the present she has stood individually and collec- tively for petty reform. Women are impressionistic. They see an evil but do not look for the cause. Blindly they endeavor to remove the un- sightly thing without reasoning out a process. It could not be otherwise, for they have been and ever will be un- reasonable creatures. Thank God for it. It makes them beautiful. An old farmer down in Maine built a 52 JAMES KELLY COLE'S new house. The roof leaked slightly, not enough to be unpleasant or to make things damp, but just enough to cause the walls of one room to become some- what streaky. On this account the old farmer had to whitewash the room once a month. It never occurred to him to fix the roof, or if it did, the job appeared too strenuous, and the whitewashing re- moved the evil for a time at least. WOMAN IS A WHITEWASHER. With brush in hand she roams about the world daubing an ugly spot here and there. By the time she has gone the rounds the spots are out again more numerous than before, an unpleasant way ugly things have of multiplying. This whitewashing has a purpose, how- ever. It proves the inefficacy of reform measures in this system. Disease, crime and evil of every sort is but the macu- lar evidence of a diseased condition of the social organism. Evil in society is WRITINGS 53 a constitutional disease. If a man were like Job, covered with boils, he would be hooted should he attempt to cure him- self by treating each boil individually. He would find himself on a continual round "reforming" boils. The out- growth of social evil can rarely be re- moved by reform and never can be cured by it. The constitutional remedy, eco- nomic revolution, must be applied. The evils attending the liquor and tobacco habits, about which the W. C. T. U.'s, the Y. M. C. A.'s, the I. 0. G. T.^s and other alphabetical combinations are con- tinually howling, will never be removed until the intensity of machine labor is mitigated, the hours shortened and la- bor receives its full product. The prob- lem of the unemployed will stand sphinx-like, let demagogues rant how they may about tariff and immigration, until the great financial barons are forced, through economic revolution, to desist from changing the life-blood, en- 54 JAMES KELLY COLE ergy, joy and freedom of innocent child- hood into piles of yellow gold reeking with the sweat and stink of human bod- ies. The divorce and marriage prob- lems ; the problem of the fallen woman, will be ever with us until womankind are placed in an economic position where they will not be dependant upon man for a subsistance, a position in which they may bud and blossom into beautiful, normal womanhood and not become, as under the present regime, in- tellectual and physical dwarfs — unsight- ly and useful only to the Capitalist. Meanwhile let the whitewashing con- tinue. It is valueless as a remedy but an excellent illustration. Only a Tout It was Getaway day at Harlem. A crowd made up of all sorts and condi- tions filled the spacious grand stand and lined the fence along the "stretch." The dapper, easy-going young "sport," dressed in the latest fashion, a field- glass slung over his shoulder, reading an official "dope" book ; the seedy look- ing old-timer, a cigar jabbed in his red countenance, intently studying the newspaper tips; the clerk with a Sat- urday afternoon off; the broken-down gambler; the vagrant; all these and many other types were in evidence. The brazen young woman, with a line of racing talk that would humble a sporting editor, was telling the frail lit- tle woman in the blue goggles that "Alle- gro" was a "pipe," and would "cop" the 56 JAMES KELLY COLE'S "stake.'' "Why look," said she, "his last time out he was only sixth in a field of eight. Let's see; oh, yes, 'Judge Himes' won that race, and you can bet your last shekel 'Himes' is no 'dog' in the mud. Harris is up on her, he's a nigger, but he's great on the finish." At this stage of the conversation a col- ored enthusiast of the feminine gender "butted in." "Yo' is shore right there, leddy. Dat boy Harris ain't no kin' uv a fool on no kin' uv a horse, dat boy ain't. He may be black but de goods am dar." Femin- ing satellites of the racing game put great confidence in the colored fratern- ity, having the absurd idea that these colored women are bulging with inside information from the stables. For this reason the little woman with the blue goggles was convinced beyond all doubt that "Allegro" was a good horse and she "'lowed he had a chance." WRITINGS 57 "Chance," sniffed the brazen young woman, ''chance? Oh fudge"! "Chance?" echoed the colored lady. "Oh my." "What's his odds?" piped the little lady, in a mincing voice. "Forty t'one, madam," volunteered a gentleman, rather large in the abdomen and small in head, who "sported" a pasty looking pin on a dirty red neck- tie. "Forty t'one, madam, and he's got about as much chance as a f av'rit in the Derby. Why, he couldn't win," contin- ued the fat gentleman, in short, impres- sive gasps, "if the rest of them horses was tied to that sprinklin' cart." This voluntary information rather startled the little woman and she waited for support from her late friends. The colored lady looked sheepish. The braz- en young woman sniffed contemptuously and "guessed that some people didn't know Washington was dead" ; and that "she had her opinion of some pikers." 68 JAMES KELLY COLES The portly gentleman smiled uneasily and looked for consolation to his news- paper. It was an ideal day. The sun was shining bright and the beautiful hats of the women bedecked with ribbons, birds and flowers shimmered in the sun. The band was playing "Bill Bailey/* and all hearts seemed light and gay, for old Sol has a way of chasing gloomy looks from careworn faces, of coaxing tardy smiles to sour lips. "Favorites" had won the first two races, and this fact alone would prove to the initiated that the crowd was in good spirits, for Saturday crowds have a weakness for favorites. When looking over the vast sea of faces in the stand, some youthful and denoting inexperience, others bold and bearing the telling lines of vice and de- pravity, the onlooker saw pictured by Time's unsparing hand, in the varied and diversified physiognomies, every human frailty, vice, folly and imbecility. WRITINGS 69 For whom but a mental degenerate is found at a race course? As one's eyes roamed over these upturned faces the attention was fixed upon one face. It impressed the onlooker with a sem- blance of occult power or magnetism. The features were lined and drawn with care; the inflamed eyes, red through loss of sleep and nightly debauch, were starting from their sockets; the lips were compressed with mental agony. The cheeks had the pale flush of the consumptive. But aside from these marked features there was something depicted which kept the onlooker hyp- notized. It was the wrestling of a soul. The whole visage bore such a look of ab- ject misery, wildness, forlorn hopeless- ness, and yet the owner was so young, not above twenty, that the onlookers' heart is touched with sympathy. The whole aspect of the man portrayed such woe and despair that many eyes are rooted on the spot. He looks listlessly 60 JAMES KELLY COLE'S at the happy faces about him and moves slowly toward an exit to the ring. His bearing is that of a gentleman, not the swaggering poltroonery of a gambler. He reaches the stairway and looks down upon the seething mass of humanity in the betting ring. The ring is about fifty yards long and nearly as wide. Along two sides of it stand the booths of the bookmakers. A motley crowd is madly surging and swaying around these stalls, holding money above their heads and trying frantically to place their bets before the "odds" are shortened. Here we see thousands of individuals, day by day, idling their time away in tlje vain hope of getting something for nothing. In these sloughs of idleness and degen- eracy the youth gets the first brand of the criminal. He receives here the im- petus which ultimately makes him a social outcast, a physical and mental de- generate. Here under the eyes of the jurist, theologian and politician is a can- WRITINGS 61 cerous growth which preys upon the manhood of the rising generations. You judges sitting in ease upon the bench; you eminent divines preaching mildewed orthodoxy to your flocks; you corrupt politicians basking in your power ; you are responsible. At your door we lay the fruit of the gambling evil. After watching the gamblers a few moments the young man descended the stairway toward the ring. The fierce light of gambling which once lighted his eyes is gone. It is changed to the dull glow of fevered despair. He reaches the bottom step and leans against the bal- ustrade. Other eyes are watching our hero. An individual in plaid trousers and orange jersey, coatless, and wearing a little blue cap is gazing intently at him. He is a small man, wiry, with a weather-beaten visage. The face, though cunning, bears traces of good humor. This is the type often seen at 62 JAMES KELLY COLE'S race tracks, a typical tout and hanger- on, one who gains a livelihood by "rop- ing in suckers/' This, in the vernacular of the ring, means the selling of racing information to the unwary. After scrutinizing our hero for a few moments, evidently for the purpose of ascertaining whether he had found a prospective "sucker," he crossed the ring and accosted the young man in a friendly way. "Played this race yet, pal? There goes th' horn; they'll be at th' post in a minute." Our hero looked steadily at the tout for a moment as if debating whether to answer this seeming familiarity, but finally answered surlily: "I'm not betting on this race." "Got bumped in the first two, huh?" questioned the tout. "Yes, I lost a little my God." With a low moan he reeled and would have WRITINGS 63 fallen headlong had not the tout sup- ported him. "What's th' matter, pal, yer ez white's a sheet?" "Oh, it's nothing. Just a little pain in my side. I guess it's the excitement." He steadied himself against the balus- trade. "Come an' have a drink. A little "three-star" 'ill fix y' right. Y' musn't take th' game s' hard." The tout grasped him by the arm and led him hastily to the bar, although he made a slight re- sistance. "Here, Jack, a couple out o' the' brown bottle." As the bartender responded, a smile of recognition passed between him and the tout. "Up to th' brim, pal, that's th' medi- cin ; here's 'how.' " With one gulp the tout took his "medicin" and eyed his new acquaintance. The stranger swal- lowed the burning liquor and coughed violently. He seemed about to faint and 64 JAMES KELLY COLE'S staggered against the bar, passing his hand over his face like one bewildered. ''Whatche coughin' fer, pal; y' can't be ust to that stuff?'' said the bartender. "I never drank before I played the races. This is my first season and my last, I hope." "Well, pal, horse racin' an' drinkin' kin' o' pull together, that's a fact," said the tout. ''Have another?" "No, thanks; this has braced me up v^onderfully." At this moment the bell in the paddock rang for the jockeys to mount. "There's the secon' bell, pal," ex- claimed the tout. "Th' jocks er gettin' up. Look, they're comin' out now. Say, pal, I've got somethin' right in this one. I'm from th' Cummin's stable an' they're ears ain't muffled any. Ther's goin' t'be a hot one put over in this race. Wan'a get next?" The stranger looked up sud- denly and eyed the tout for a few sec- onds and then said: WRITINGS 65 "How do you know this horse will win"? The tout took him by the arm, walked toward the ring and said in a confidential way : ''Didn't I jes tell ye I got this frum the right people, an' b'sides this filly breezed a mile yisterday in one-f ort'-two an' this gang uv sellin' platers she's hooked up with can't do it in one-f ort'- four in this goin'. She's perpared fer this race an' th' owners an' wise ones er goin' t'make a killin'. It'll be th' biggest s'prise uv th' meetin'. 0' course we fellers ain't s'posed t' give this in- formation out, but y' looked kind a lippy and I thought ye'd 'predate it if I butted in. Seein's yer out on the day here's a boss chance t'git ahead uv um. O'course if she wins, an' there ain't nothin' that kin go her route, I'll expect a little fer lettin' y'in. It's a lead pipe, what-a-y'say?" While the tout was speaking the stranger listened eagerly. 66 JAMES KELLY COLE'S His face lost its look of ennui and be- came flushed with hope. "If I thought this horse could win I would bet ten dollars," said he. "Ten, why, pal, that boss is worth th' biggest bet y'ever made." "What horse is it?" the stranger asked eagerly. "Lucy M., pal, an' a real boss." Our hero scanned the boards on which the "bookies" write the odds. His face bore a look of keen surprise. "Why, she's twelve to one," said he. "Juicy odds, huh, fer a big bet," ex- claimed the tout; "she opened at twen- ty, but wise money has cut her t'twelve. 1 'better git yer money up quick. She'lJ be th' favrit near, before th' race." By this time the pair had reached the out- skirts of the motley crowd jamming the ring. "Do you think she can beat Hayward the First; he's four to five?" The WRITINGS 67 stranger looked anxiously into the tout's face. "Ah, them favrits. Say, pal, eny duf- fer what follys favrits 'ill go to the bad in a hurry. Some guys come out here, full o' dope, with a 'scope hangin' 'round ther' neck; they go to th' paddock en squint knowin' like at the hosses bein' exercised, look at th' condition uv th' track, an' then they got a idee they kin call um one, two, three. They're piker- dopes, pal, piker-dopes. They ain't nothin' a layer likes better than a dope fiend, especially if he's got his pockets full o' paper dope. W'y, say, the guys what write them newspaper tips couldn't tell a cheap sellin' race from the Amer- ican Derby. Their nut's full o' bug juice. If a guy folly them tips he'll walk home from Ran'olf street nine days out uv th' week. Pal, I'm on the inside t'day en 'y kin bet all yer worth Lucy M 'ill deliver th' goods." 68 JAMES KELL Y COLE'S "If I thought she could win"— the stranger broke in. "Win, pal? WV, it'll be a shame t' take th' money. Harris, that's her own- er, bet on her outside th' track, so's not t' spoil th' odds. Look, she's down t' ten now. Ye better hurry if y* wan's get a good price." The young man's face was a study. He seemed to be undergoing a great mental strain. He hesitated a moment, passed his hand tremblingly over his brow, and said: "I think I'll bet fifty to win and fifty to show." The tout grasped him by the arm and whispered in hoarse, eager accents : "Pal, if yuv got big money in yer pants don't pass this one up. Bet a hun- erd each way if it's in yer jeans, en ye won't be sorry. Go ahead, pal, it's the easiest thing I seen this summer." "Is it true that you have inside in- formation on this race? Be honest with me; is it true?" WRITINGS 69 "Sure's shootin', pal. Cassidy give it to me this mornin*, en he's from the Cummin's stable. It's dead sure. There's only two ways to stop Lucy M, her er th' jock must drop dead. She's th' real dope." The young man leaned against a booth and placed his hand to his throbbing head. He was silent a few moments and then mur- mured almost inaudibly: "Shall I risk it— shall I risk it?" "Go ahead, pal, an' ye'll thank me for tellin' ye. They must be at th' post. Don't hesitate. Some guy wrote some- where's — He what hesitates is — is — well, he ain't in it. Hurry, pal, er ye'll be too late." A look of desperate de- termination came over the young man's countenance. He reached in his pocket and counted out two hundred dollars. He had but three dollars left. He turned to the tout and said fiercely: "Well, I will risk it" 70 JAMES KELLY COLE'S "Said like a true sport. Ye'll be on th' block some day." *'God, I hope not," answered the stranger. **If I could only get even I would quit gambling forever." ''Well, yer right fer once, ole sport. Git that money up before it's too late." They pushed their way through the| surging crowd. After a short struggle around a booth the stranger exchanged two hundred dollars for the coveted tick- et. He hurried through the crowd toward the back of the ring closely fol- lowed by the tout. They made for the stairway and went up on the run, for but a few seconds would elapse before the horses would be off. They found two seats near the top of the stand. Every eye in the crowd was rooted on a line of bobbing color and caps across the infield of the course. It was a six- furlong race and much depended on the start. The stranger's face was white and drav^Ti. He groaned. WRITINGS n "Say, sport, you mustn't take th' game so hard," said the tout. "It'll kill ye." The stranger turned upon him fiercely. "Do you know," he said, "that my fu- ture depends on the issue of this race?" A desperate light came into his eyes. "I am playing with stolen money." The tout moved uneasily, but said nothing. "My God, why don't he let them go. This suspense is awful — her colors are green and white." "Two-year-oles er a hard bunch to start, pal," volunteered the tout. The stranger paid no attention. His whole soul was in his eyes and they were riv- eted on the quivering mass of horseflesh that could hardly be distinguished across the course. He was muttering inaudi- bly; his fists were tightly clenched. "Lucy M must win," he said, "if I " "They're off!" roared the crowd. As the white barrier shot up a cloud of dust rose and the race was on. As the view cleared it was seen one horse was left 72 JAMES KELLY COLE'S at the post. The stranger jumped upon his seat. He was wild with excitement. All his pent-up feeling was released on the rising of the barrier. "Lucy's in front," he shrieked, "they're crowding her but she's got the rail. A good length ahead and running easy. Go on, Lucy M." The tout's face was clouded. "Yer wrong, pal ; that's Hayward the First. Lucy was left at th' post." The distress of the stranger was pitiful. "Lucy M left at the post; my God, I'm ruined." He sank upon his seat and buried his head in his hands. The crowd about him gave no heed. Their attention was fixed upon their several choices. What cared they whether a human life was staked upon the out- come. Perhaps several lives at stake, what difference as long as their horse won. Meanwhile the tout was watching the race with great interest. Suddenly he said, "By God, she's got a cnance." He touched the stranger on the shoulder. WRITINGS 73 "Don't give up yet, pal, Lucy is still in it; she's runnin' great." The stranger jumped quickly to his seat, a wild look of hope upon his face. "You say she has a chance," he said, "is that her fifth?" "Yes, an' she's catchin' Allegro," ex- claimed the tout. The stranger resem- bled a maniac. "Come on, Lucy M," he shrieked, "come on." "At the half now, pal," said the tout, his voice trembling with suppressed ex- citement. "She's passing that red one. She's fourth now," exclaimed the stranger. Our hero was now almost insane with excitement. His face was flushed; his eyes dilated ; he was wildly waving his hat. As the horses made the far turn he lost what little remained of self-con- trol. "Goon, Lucy M! Goon! The jockey is whipping her ! She is responding no-. 74 JAMES KELLY COLE'S bly! She's catching the leaders! Go on, Lucy M ! Go on !'' 'The back stretch will tell, pal," said the tout. The stranger paid no atten- tion. He was in another world. "Look at her go. Why, the others are standing still." He was laughing hysterically. "She's second now. Go on, Lucy M !" The tout was beginning to get excited. He had thought Lucy M would "blow up," as he put it, in the stretch, but as she seemed to be holding on and gaining slightly, his face became flushed. At last he jerked off his cap and became as frantic as the stranger. "They're in the stretch," he yelled. "She's a length behind Hayward, but gaining." Both the stranger and tout acted like madmen. But now on all sides were madmen. The race was evi- dently between Hayward the First and Lucy M. Hayward was leading, but un- der punishment. Could he hold thel lead ? Pandemonium reigned. The sup- WRITINGS 75 porters of Hayward were howling, bawl- ing, yelling and cursing. Were these creatures civilized men? It seemed hardly possible. The horses had now reached the front of the stand, Hayward still leading by a half a length. The stranger's voice could be heard above the awful din. "Come on, Lucy M! Come on! Oh, that jockey's noble." "That coon kin ride, pal," shrieked the tout. "They're heads apart. By God, pal, she'll win." Head and head they ran. They passed beneath the wire like a team. Bodies extended; necks stretched; eyes glaring; jockeys using whip and spur with might and main. The race was over. A mighty silence reigned. Breathlessly the crowd await- ed the decision. Every eye was riveted upon the number board. The tout crossed the fingers of both hands and groaned. At last the marker raised the number. The stranger was the first to see it. "Hurrah for Lucy M, Vm sev- 76 JAMES KELLY COLE'S enteen hundred to the good." The tout and the stranger fell into each other's arms and hugged themselves for joy. At last the tout extricated himself and said: "Let's git in line, pal, and spot the cash before it spoils. Pal, that wuz certainly a killin'. Seventeen hunerd bones. Holy swipes. Ain't I th' candy kid, pal? Stick it here." He extended a hand. The stranger grasped and said fervently: "You have saved my life." They hurried to the ring and got in line. Both the stranger and the tout were jubilant. "Stick to me, pal, en I'll make ye a millionaire. Gee, they're takin' a long time to cash. There's a crowd aroun' the judge's stand. Wait here 'till I see what's up." The tout ran from the ring. The stranger looked anxiously toward the judge's stand. Suddenly a cheer broke from the crowd and they started toward the ring. "What's it about?" he asked the first man to line up. WRITINGS ' 77 *'Lucy M was disqaulified ; they gave the race to Hayward the First." The stranger groaned, staggered and fell senseless upon the ground. Three men carried him to the stairway. One man put a flask to his lips. After a few moments he came to. He was bewild- ered a moment, and then all came back to him. He buried his head in his hands and groaned. The crowd about him be- gan to disperse with the exception of a few of the more curious. The tout came running up : 'Tve been lookin' fer ye everywhere, pal,'' he said. ''That wuz a hard ole knock ye got. Lucy M ran a great race and won right enough, but Murphy claimed a foul. Plain case a' stealing but us fellers git used to that; a part uv of th' game ye know. W'y» y^ look all in, ole sport, what's th' row? Some, cheer up. There's three more on th',, card en maybe th' bookies 'ill treat us 78 JAMES KELLY COLE'S better. I got a good one in this race and we'll git it all back/' "I put up my last," moaned the stranger without looking up. ^'Yer dead broke, eh? Well, that is bad. But ye'll be out t'morra an* ye kin fin' me here at th' Cumberlan'. I'll have somethin' good." "I won't be here again." The strang- er looked up. His face was white and drawn, his eyes cold and lusterless. He was the picture of despair. ** Ye won't be here no more? Oh, yes, ye will. They all say that, but they gen- erally turn up again." "Tomorrow I will be in jail," said the stranger in harsh tones. "Today I wa- gered stolen money to recuperate past losses. If Lucy M had won that race I should have quit for good. I am a crim- inal." He bowed his head in his hands. The tout looked thunderstruck. ^ "Well, this game does get a lot uv you high-toned guys, don't it. Well, I'm WRITINGS 79 sorry for ye, pal; but it ain't my fault Lucy M was disqualified; damn th* judges/' "Don't feel sorry for me," said the stranger; "even I don't care what be- comes of my miserable self. I've been a fool, and I realize it now when it is too late. I deserve all I'll get, but my poor mother will suffer more than I. How will she stand the disgrace, her son a common thief and gambler. It will kill her; my God, it will kill her." Tears began to trickle through the stranger's fingers. The tout stepped about uneasily, then sat down by the stranger, a look of sympathy upon his face. "Brace up, my boy, it may not turn out so bad. Can't ye borrow from yer frien's er hock some uv yer duds. Majf- be ye kin raise five hunerd that way?" "My case is hopeless. I've borrowed and borrowed from every one that would trust me, until now my credit is worth- less. My watch, stud and everything I 80 JAMES KELLY COLE'S own that is of any account is in pawn. This cursed fiend of gambling has led me on and on to — hell. I've squandered all my mother's savings and at last stooped so low as to commit robbery, thinking all the time my luck would change and I could put it all back. I don't know why I tell you all my trou- bles, but I must tell some one. My God, I cannot bear them alone. But I de- serve it, I deserve it." The stranger bowed his head and continued: "Oh, what a cowardly cur I am. My old mother away down in Maine, dear old Maine, has denied herself to furnish money which I have squandered. I'm the most miserable man on earth." "In Maine, pal ; did you live in Maine? What town in Maine?" "Bangor," whispered the stranger. The tout started up. "Bangor, Maine !" he exclaimed. The stranger looked up. The inflection of the tout's voice was peculiar. WRITINGS 81 "Did you know any one in Bangor, Maine?" the stranger asked. The tout did not answer the question. He stood for a few moments looking toward the betting ring. "How much did you borrow, pal?" the tout asked. "Borrow?" question the stranger. "I mean, from your boss," said the tout apologetically. "Five hundred," the stranger an- swered in a low, fierce whisper. The tout seemed engaged in a great mental struggle. The stranger's head was bowed, his hands covered his face. At last the tout broke the silence. "Well, I tell ye, pal, I feel ashamed an' sorry. I'm part th' cause o' yer condi- tion. I'm only a tout, a hanger-on. I lied w'en I said as how I wuz on th' in- side. I ain't, ner neither is nobody as fer as I know. I didn't bet a cent on Lucy M in that race. I jes give her a outside chanst. I touted ye on Lucy M, 82 JAMES KELLY COLE'S pal." The stranger looked up in angry- surprise, his fists clenched. The tout continued: "I thought ye wuz a big gun. That's th' kin' us fellers look fer, th' big guns, that are green to th* game. I thought all th* time ye had a roll an' could afford to lose. If I'd known ye wuz up agin it like this, I wouldn't a touted ye, honest I wouldn't. Pal, I been on th' tracks since I wuz a yearlin*. My ole man wuz a stable boy. I wuz a jock, an' a good one, too, if I do say it, 'til I got thrun in the Brooklyn handi- cap an' put this leg out o' gear. Now, I'll tell ye a funny story, pal. Ye wouldn't think a guy like me ud have a mother, would ye? But I did an' through my sickness she nussed an' watched over me. It was brain fever, pal, an' a broken leg. Time an' again I rode that race in my delirium, an' I'd a rode it to my finish, if my mother hadn't stuck to me. I ain't dippy, pal, er noth- in' like that, but I know what a frien' WRITINGS 83 is — I had one. She wuz a good woman, she wuz^one o' them bible-kin', ye know ; not one o' them kin' that spiels a lot, but one that does a lot. Th' jocks ust to call her The' Angel of Sheeps- head.' Pal, if ever ther' wuz an angel, she wuz one; married th' ole man to make him better — didn't succeed though. Well, pal, she left us one day an' then's w'en I lost th' only frien' I ever had. Pal, she's buried in Bangor, Maine ; dear ole Bangor, where I wuz a yearlin'. W'en ye said ye hailed frum Bangor, it put a different color on yer story. An w'en ye mentioned yer mother, ye kin' a touched a tender spot, I guess th' only one in this ole carcass. Durn me, if I didn't nearly bawl. Pal, I'm sorry fer you, an' I'm as much to blame almost as you are, but I'm sorrier fer yer mother. She mustn't know about this, pal. I've got jes' about five hundred left in my wad an' yer welcome to it, if ye'll prom- ise me one thing — never play th' races 84 JAMES KELLY COLE'S again. Y' ain't built fer it, pal. Yer too excitable, an', b'sides, horse-racin's a game fer such fellers as I, that don't know nothin' else. It's a game fer gam- blers an' thieves, not fer a feller like you. Take th' advice of an' old timer, keep away from th' ponies. Th' game ruins more than it makes. I've seen th' effects uv it. Here, Pal, take it. Me name's Bud Mayer, an' if ye happen to get ahead that much some day, w'y jes' drop in on me, maybe it'll come u4 handy." The stranger rose and took the tout's hand, tears coursing down his cheecks, his voice shaking with sobs. He tried to mumble an expression of gratitude, but failed. He broke down and wept like a child. "Don't thank me, pal, it's nothin' much. Pal, I know if she wuz here she'd say: ^That's right. Bud,' an* that's all the reward I want." He squeezed the stranger's hand and with some trouble broke away. "Well, if I haven't clean missed th' fourth race. WRITINGS 85 The bunch 'ill think this tout's a dead one. Good-bye, pal ; remember yer prom- ise." He entered the ring. The stranger sat upon the stairway clutching the tout's money, a prey to many emotions. A moment later a merry voice was heard above the babble of the ring. It came from a little man in plaid trousers and orange jersey, coatless, and wearing a little blue cap. "Hey, Charlie, what a'ye know in the fifth?" ^> -u