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ARTHUR CARRYL 
 
 ETC. 
 
ARTHUR CARRYL 
 
 A NOVEL 
 
 THE AUTHOR OF THE VISION OF RUBETA 
 
 CANTOS FIRST AND SECOND 
 
 ODES 3 EPISTLES TO MILTON, POPE, JUVENAL, 
 
 AND THE DEVIL ; EPIGRAMS 5 PARODIES OF HORACE j 
 
 ENGLAND AS SHE IS 5 AND OTHER 
 
 MINOR POEMS 
 
 BY THE SAME 
 
 NEW YORK 
 
 D. APPLETON AND COMPANY 
 
 MDCCCXLI. 
 

 Entered according to Act of Congress in the year 1841, by 
 
 D. Appleton and Company, 
 
 in the Clerk's Office of the District Court of the Southern District of 
 
 New York. 
 
 
EPIGRAM SALUTATORY. 
 
 On learning from my publishers, that the editor of the New 
 World had come out with a string of amusing falsehoods, in re- 
 lation to the present work. 
 
 Why, let him. 'T is a proper youth ; 
 And each of us his business plies ; 
 I satirize by telling truth ; 
 And B — J N, by telling lies. 
 
CONTENTS 
 
 THE INDUCTION. 
 
 A Summer Evening, page xi. The Backsides of an American City, xii. 
 Present State of Polite Literature, xiii. Criticism of the Day, xiv. 
 Cant, xiv. Moral and Religious Sentiment, xv. Hypocrisy in Public 
 Speakers, xvi. The Price of Public Favor, xvii. The Fate of a Re- 
 former, xviii. England vs. other Nations, xix. Rash Criticism, xx. 
 Campbell, as a Poet, xxi. Campbell, as a Prose Writer, xxii. 
 American Critics, xxiv. Germanized English, xxv. British Critics, 
 XXV. Consequences of the Neglect of Verbal Criticism, xxvi. Art 
 and Nature, xxvii. Powers of the Imagination^ xxviii. The Imagina- 
 tion, in the Composition of Poetry, xxix. T7ie Poet is born, not made, 
 XXX. Puerile or Commonplace Poetry, xxxi. The Author's Juvenile 
 Poetry, xxxii : The Farewell. The Ride, xxxiii. 5 The Camp by Moon- 
 light, xxxiv. 5 Death in a Dungeon, xxxv. ; Death in the Wave. Death 
 in Battle, xxxvi. ; Battle. The Night March, xxxvii. 5 The Conflagra- 
 tion, xxxviii. The Poetry of a Man, xxxix. The Danger of opposing 
 Popular Taste, xli. Moliere's Misanthrope, xlii. Tassoni's Fig, 
 xliii. The Amend, xliii. The Present Volume, xliv. : Epistle to Satan, 
 xiv. 5 Arthur Carryl, xlvi. Revenge not always Malice, xlvii. Double 
 Rhymes, xlviii. Inexactness of Rhyme in English Poets, 1. The Pres- 
 ent Volume : Epigram XV., lii. Independence of Thought in the 
 United States, liii. Fame, Ivi. Immortality, Ivii. 
 
 ARTHUR CARRYL. CANTO I. 
 
 Descriptive Poets, 6. Proem, 7. The Dover Packet, 8. The Hunch- 
 back, 9. The Aldus, 10. The Struggle, 11. The wounded Eye, 12. 
 The Defiance, 13. Felix, 14. Grenville Sutton, 15. The 
 Cousins, 16. Epicurus, 17, Diogenes, 18. The Passengers, 19. 
 
vi CONTENTS. 
 
 The Princesses, 20. Bianca Gaiocore, 21. The English Party, 25. 
 Cicero Pebble, 26. Mrs. Pebble, 27. Constance Vere, 28. 
 The Tourists, 35. The Savoyard, 36. The Herb of Virtue, 37. 
 Dessanti, 38. EsTELLE, 41. The Air of Distinction, 42. Estelle, 
 43. Madonnas, 46. The Woodland Lake, 48. Estelle, 50. The 
 Hall of Introduction, 51. 
 
 ARTHUR CARRYL. CANTO II. 
 
 Sympathy, 56. Carryl in bad Odor, 58. A Change of Feeling, 59. 
 The Prejudice wearing off, 60. Cupid in Prospect, 61. Cupid comes 
 nigher, 62. Carryl's Foible, 63. Carryl's Nature, poetical, 65. 
 Cupid sounds to Arms, and the Engagement commences, 66. Physi- 
 ognomy, 68. Distrust, 69. A Journey, in Imagination, homeward, 70. 
 The Conversation, 72. Professed Travellers, 73. Cupid contempla- 
 tive, 74. The Conversation resumed, 76. Felix, 77. Bianca's 
 Plan for Carryl's Tour, 78. Maids and Wives in Europe, 80. Phi- 
 losophy and Folly, 81. Carryl again in bad Odor, 83. Lovers and 
 Landscapes, 84. The Pier, 86. Caprice, 87. Ster7ies Room, 89. 
 The Siege of Calais, 90. Eustace superseded, 102. The Rencoun- 
 ter, 103. Carryl offers his Services, 106. The Promenade, 107. 
 Gallantry, 108. The Exchange, 109. An unpleasant Interruption, 
 110. One too many. 111. The Bore, 112. Pebble's Perseverance, 
 113. The History of Cicero Pebble, 114. The Rambler, 116. The 
 Appointment, 118. The Happiness of Amiability, 119. Some Good 
 in every Thing, 121. Wantonness of Fortune, 122. Carryl com- 
 mences the Story, 123. The Stonj of the Htmchback, 124. The 
 Story interrupted, 134. 
 
 ******** , — TH, 18— ." page 137. 
 
 ODES. 
 
 Preface. — Division of the Ode, p. 151. General Character of Lyric Po- 
 etry, 152. Gray, 152. Abuse of Figurative Language, 152. Camp- 
 bell, 154. Present State of English Versification, 156. Rythm 5 at 
 Times apparently violated, with Advantage, 157. Examination of 
 Southey's Versification, 159. 
 
 Ode I. Death of General Pike p. 165 
 
 II. Battle of Lake Champlain 167 
 
 III. Defence of Nev^/ Orleans 170 
 
 Lafayette in America 174 
 
 Ode IV. Prelude 177 
 
 V. The Vision . . . . • 178 
 
 VI. The Wish 180 
 
CONTENTS. vii 
 
 VII. The Roses • p. 181 
 
 VIII. Regret 183 
 
 IX. La ('onsolazione . . . . • 186 
 
 X. (Canzonet) 190 
 
 XI. (Canzonet) 191 
 
 EPISTLES. 
 
 Preface. — Dactylic Hexameter, not suitable to English Verse; why? 
 p. 195. Its Melody, 197. Csesural Pause, 197. Quantity and Accent 
 essentially the Same, both in Ancient and Modern Verse, 198. Struc- 
 ture of the English Heroic Measure, 200. Superiority of the Versifi- 
 cation of Pope and of Dryden, to what owing ? 201. Heroic Verse as 
 now usually constructed, 201. 
 
 Epistle I. To Milton p. 203 
 
 II. To Pope • 213 
 
 III. To Juvenal 221 
 
 IV. To Satan . • 227 
 
 SONNETS. 
 
 I. The Reproach of Venus 265 
 
 II. The Pilgrims for Love 266 
 
 III. Allegoria 267 
 
 IV. The Prayer 268 
 
 V. The Ringlet 269 
 
 VI. The Lover's Heaven 270 
 
 EPIGRAMS. 
 
 I. The Preference 273 
 
 II. Euthanasia 273 
 
 III. The Prude 274 
 
 IV. A Virgin 274 
 
 V. To H Y W TH L GF w 275 
 
 VI. To Robert Southey 275 
 
 VII. To William Wordsworth ........ 276 
 
 VIII. To Messrs. Southey and Wordsworth .... 276 
 
 IX. Philanthropy 277 
 
 X. The Demagogue 278 
 
 XI. The Panegyrist . 278 
 
 XII. To a Flirt 279 
 
 XIIT. To a Coquette 279 
 
 XIV. To a Mannikin 280 
 
 XV. To J s W N W— BE 280 
 
viii CONTENTS. 
 
 XVI. Prudence . p. 282 
 
 XVII. La meme en Francais 282 
 
 XVIII. To the " Poets of America, edited by J— N K— E " . 283 
 
 XIX. Consolation to one who was not noticed in the Vision 284 
 
 XX. On a Zealous Hypocrite 285 
 
 XXI. On the Name given to the Hero of the Vision ... 285 
 
 XXII. Inscription for a Newsman's Watercloset .... 286 
 
 XXlIt. Epitaph 286 
 
 XXIV. To a fair Neighbour, retiring for the Night .... 287 
 
 XXV. (Madrigale) 288 
 
 XXIV. (Madrigal) 288 
 
 PARODIES OF HORACE. 
 
 Advertisement 291 
 
 Ode I. To the Lute 295 
 
 II. To Sybil 297 
 
 III. To Thomas Noon Talfourd 299 
 
 IV. To the Public 301 
 
 V. To Anybody 303 
 
 VI. To Ch s A N 305 
 
 VII. On Sybil 307 
 
 VIIL To E. C. R 309 
 
 IX. To RUBETA 311 
 
 X. To Wordsworth 313 
 
 ENGLAND, — AS SHE IS. A SATIRE, page 321. 
 
 TRIFLES. 
 
 I. Triolet 335 
 
 11. Rondeau 335 
 
 III. The Loan 336 
 
 IV. Stances 337 
 
 V. The Children in the Road ; a Touching Story ... 338 
 
 VI. A donna dona 343 
 
 VII. Paraphrase 343 
 
 VIIL Serenade . . . . " 344 
 
 IX. Table Song 345 
 
 X. Song 347 
 
 XT. Woman j an Apologue 348 
 
 FRAGMENT IN CONTINUATION OF THE VISION OF 
 RUBETA. PAGE 351. 
 
THE INDUCTION 
 
THE INDUCTION, 
 
 You will not have forgotten, my r, the request you 
 
 lately made, that I would detail to you the conversation, which, 
 a few weeks previously, I had had with our mutual friend, 
 
 W , and of which he had related to you part, I have 
 
 thought, that, besides ministering to your gratification and in- 
 struction, the scene if written out would form for my new 
 volume of rhymes no unfitting preface. W was, as per- 
 haps you know, my agent with the publishei-s of the Vision^ 
 and overlooked that poem in its progress through the press. 
 Hence, during its brief career he watched it with parental 
 solicitude, and even aided with his pen, as you have seen in 
 the Critique of the Vision, in making ridiculous its unprincipled 
 defamers. In a wo';d, he was my other self 
 
 It was then a beautiful afternoon, of the month preceding 
 
 this in which I write. W had come to see me, and was 
 
 seated with me in the little library, whose double window 
 faces, as you are aware, the west. The casement was open ; 
 and the blinds, thrown half way back, shielded us from the 
 slant rays of the summer sun, which was now slowly wester- 
 ing, and would ere long be lost behind the houses' tops. Be- 
 tween us on a table, where stood a bottle of his favorite 
 claret, ice clearer than crystal, and some foreign fruits, was a 
 vase filled to the brim with newly gathered roses. In the 
 balcony, the plants had never looked more lovely. The pur- 
 ple gilia was in bloom, the delicate schizanthus with its jagged 
 flowers, the copper-colored streptanthera, the irritable mimu- 
 
xii THE BACKSIDES OF AN AMERICAN CITY. 
 
 lus, with its blushing petals and its musky perfume, and the 
 
 rosy calandrinia, which gave me ; while your favorite 
 
 calochortus, just in bud, the showy lichidnea with its crown of 
 blossoms, nearly opened, the painted ipomopsis, the camellia 
 (once my sister's), which had long ago shed its scentless beau- 
 ties, and the tall green- Ethiopian calla, looked, if not so 
 gay, yet flourishing, and varied pleasantly the vegetable group. 
 Without, in the neighbouring yards, every thing was in cor- 
 respondence. The grapevines, clambering up to the windows, 
 covered the piazzas ; and here and there, between the dense 
 broad leaves, a cluster could be seen, green as the leaves them- 
 selves; while flowers of various hues bordered the little grass- 
 plots, or stood in pots, or in open beds, against the whited 
 walls. Above, the sky was blue as indigo ; and sundry fleecy 
 clouds gave promise of no little beauty when the sun should 
 have descended lower. The wrens were singing round their 
 tiny house between the willows, interrupting at intervals their 
 delightful song with a twitter scarcely less agreeable ; and, to 
 add to all, a gentle breeze was blowing capriciously from the 
 westward, and, as it breathed over the flowers in the balcony, 
 wafted perfume with its coolness into the apartment. It was 
 altogether a scene such as few large cities can present, and an 
 hour and weather that to those who are in health, and are of 
 happy temper, give a positive enjoyment, such as is suflicient 
 to atone for months of past gloom and solicitude, and to make 
 them forget that there is such a thing for the heart as care, or 
 for the senses as fatigue, that skies are ever blackened, and that 
 flowers ever fade. 
 
 Accordingly W sat awhile in silence ; and the first 
 
 remark that opened our dialogue was suggested by the scene 
 before him. 
 
 TV. What an evening, Ernest ! 
 
 A. Beautiful ! Few cities, W , are so favored in their 
 
 climate as this unromantic, busy New York. 
 
 JV. Still fewer are there, I imagine, where the people take 
 
PRESENT STATE OF POLITE LITERATURE. XUl 
 
 such pains to surround themselves with the wholesome beauty 
 of the country. Do you know, I am much inclined at this mo- 
 ment to believe in all the influence you ascribe to the climate, 
 in shaping our yet unfinished physical and intellectual charac- 
 ter as a people. 
 
 A. In connexion with the free government, remember. Yes, 
 America, with her clear skies, her republican institutions, and 
 her system of universal education, must one day excel in all 
 that has made Greece famous. 
 
 W. Excepting, I hope, her intestine dissensions. 
 
 A. Of course. In all that has made her justly famous. But 
 then, we must not be misled by false teachers. 
 
 TV. And these abound ; at least in politics and in letters. In 
 morals we have few, if any : it is not the character of the age. 
 
 A. To teach corruption openly, certainly not. But if you 
 have false teachers in politics and in letters, how shall morahty 
 escape contamination? But, to confine ourselves to letters; 
 (they are not nearly of such moment to the happiness of a 
 people, as politics ; yet, for the immediate time, they interest 
 me more ;) look at the rapid declension of taste, in England 
 as well as in this country. To what, think you, is it owing? 
 
 W. To false teachers, undoubtedly. But whether do you 
 mean, to authors or to critics ? 
 
 A, To both. They act, each upon the other, as both cause 
 and efiect. Yet it would be in the power of criticism to stay 
 the decline, certainly in a degree. Therefore it is owing chief- 
 ly to false critics: false, not merely as erroneous, but as being 
 unfaithful to the duties they assume. But I will not spoil your 
 afternoon, by argumentation. That would be a bad requital of 
 your visit, W . 
 
 W. Do not think so. You could oblige me in nothing more. 
 Indeed, have I not come for the very purpose of talking about 
 your new poems ? 
 
 A. Which you consider an illustration of the subject, — false 
 
Xiv CRITICISM OF THE DAY. CANT. 
 
 teaching by authors. But let us open this claret. I think it 
 will suit you, — quite as well, at least, as my rhymes. 
 
 W, It would serve you right to say, Heaven forbid ! But, 
 in truth, Ernest, if it were as easy to satisfy the world with 
 your opinions in letters as . . . 
 
 w3. It is to suit your taste in wine, my task would be a light 
 one. (Ice ?) Well, — I have said that the decline of taste in 
 English and American writers is owing chiefly to false criti- 
 cism. Now, what is the criticism of the day ? I mean, in what 
 manner is it conducted ? Reviewers now, if they do not take 
 the title of a book merely to introduce an essay of their own, 
 which is usually the case, yet content themselves with exam- 
 ining the sentiments. 
 
 W. What, do you not consider the sentiments as the most 
 important part ? 
 
 A. I do indeed ; but, being a part, they are not the whole. 
 I would observe, that I consider that very little criticism will 
 do for the sentiments of any poem, for example ; for what is 
 there new in that respect? it is the manner that distinguishes 
 the poet chiefly ; for that which he shall detail to us of thought 
 has been done time out of mind before him. Besides, I am 
 utterly disgusted with that cant, which is confirming authors 
 in hypocrisy. If a man now make a display of patriotism, if 
 he prate of his country, and affect to despise his own interest, 
 what do we hear ? JVoble sentiments ; high-toned sentiment ; 
 and the like. If he tell us of the delights of virtue and the 
 misery of vice, we have, a tone of high morality, and so on. If 
 of religion and the undying worm, and other common-places, 
 all New York resounds with praises of his piety. To me, tliis 
 is inexpressibly disgusting ; and I never have doubted, from 
 my own feelings, that Lord Byron was driven to his defiance 
 of decency, by his hatred of hypocrisy. 
 
 TF. But would you have one, then, neglect such sentiments, 
 or confine them to his breast ? for I do you justice to believe, 
 that you do not approve of that more odious affectation, which 
 would teach us libertinism. 
 
MORAL AND RELIGIOUS SENTIMENT. XV 
 
 A. No, not exactly ; but I would have them taken for just 
 what they are worth. Do we not know, that it is not by 
 words we are to judge of virtue ? that, on the contrary, it 
 is a safe rule to suppose that the man who has piety, jus- 
 tice, and temperance for ever on his lips, knows little in his 
 heart of any of these virtues? An author, therefore, should 
 not have credit for what is nothing of his own ; I say, abso- 
 lutely, nothing of his own, but the common property of every 
 rogue and hypocrite in the country. Let his moral, his lofty 
 sentiments be respected ; but there, if he can give us nothing 
 further, let his commendation stop ; for we do not, I conceive, 
 open a book of poetry to find what is readier to our hands, 
 and more explicit, in the proverbs of Solomon. 
 
 W. But, permit me to observe, that one sentiment thus in- 
 troduced, by accident as it were, will have more effect than 
 where it is found amid a mass of others, as in the book you 
 have mentioned. 
 
 A. I do not deny it. But you might have added, that the 
 example which should illustrate the sentiment will have more 
 weight still. A poet, unless he be purely a didactic poet, may 
 make his morality appear by his characters, and not in his 
 proper person as an author. It is thus that Homer teaches. 
 
 W. Ah ! I fear that in this world your proposed reform will 
 never be adopted. Hypocrisy has too much weight, that it 
 should not be thrown into the scale whenever a character is 
 brought to market. As long, for instance, as a man is counted 
 modest, who tells his readers, in the preface of a volume, that 
 he has no opinion of his own merits, but trusts to their conde- 
 scending goodness, what can you expect but that he should 
 thus sin against his conscience ? 
 
 A. That he should starve. Better a thousand times to rot 
 in destitution, than to owe one's fortune to the prostitution of 
 one's self-respect! I am incensed, when I . . . But, go on ; 
 for I am getting warm. 
 
 }F. You surprise me, Ernest. Though I think with you 
 
xvi HYPOCRISY IN PUBLIC SPEAKERS. 
 
 that all this is hypocrisy, it awakes my laughter ; it amuses me, 
 not irritates. What ! my dear fellow, can any thing be more 
 farcical, than to read in the papers that Mr. So and So got 
 up and said, that for his own part he set self entirely aside, 
 he was for his country, and for his country only, that when a 
 sacrifice of one's own interest was to be made, what honest man 
 would hesitate'? whereupon all the people shouted, like great 
 asses as they were ? This is sport to me, and should be so to 
 you, who are not the sourest of cynics, 
 
 *3. And so it would be, if it had no weight with the people. 
 But when I see that all this cant, which no man who has a 
 proper pride would condescend to adopt, when I see that this 
 is trusted in, rewarded ! . . . 
 JV. You should still laugh. 
 
 A. And so I would as a satirist, but I do not as a man. 
 TV. But what would you have the people do ? 
 A. Do ? pull the speaker from his stage, that durst insult 
 their ears by language that offends nature and bids defiance to 
 common sense. 
 
 TK Very good ; but you should then have the people more 
 virtuous than their harauguer; for you may depend upon it, 
 that those will shout the loudest, that have least of sympathy 
 with what the orator affects to be his feelings. 
 
 A. I am afraid that you are right. I remember that when I 
 was graduated, a very great fool was applauded, in his decla- 
 mation, at every sentence. Need I say why ? Because he 
 affected an ardent love of all that is excellent, and a scorn for 
 what is base. Yet he was the merest puppy in the class. 
 
 JF. And so I should have thought him. Yet does not this 
 evince an innate love of virtue, in humanity ? Though frail 
 themselves, the crowd applaud the appearance of excellence 
 in others, or respect the abstract principle. 
 
 A. Respect a fiddlestick ! It is their vanity which applauds. 
 Each man thinks he sees, in his own little soul, the reflected 
 
THE PRICE OF PUBLIC FAVOR. xvii 
 
 image of every virtue which is described, and praising it he 
 does homage to himself. Why, what is it but the same vanity 
 which makes a multitude the fools of their own assumed 
 greatness ? 
 
 JK As how ? 
 
 A. Look at the next news from England, You will find 
 there, in the reported speeches of parliament, the notes of ad- 
 miration, applause, and attention, which are given at certain 
 passages in the orator's address. They will answer for the 
 same scenes with us : though the habit of applauding is not the 
 same, yet the feeling which generates it you may believe to 
 belong to both countries. Well, what do you find these pas- 
 sages to be ? My lord So and So, or Mr. Such a One, tells 
 his honorable or his noble colleague, that England is the 
 greatest of all nations ; " Hear, hear I " resounds from all sides ; 
 that she is the justest; " loud cheering" greets the falsehood ; 
 that ten Frenchmen have not the solidity of character, twenty 
 Dutchmen not the generosity of spirit, fifty Russians not the 
 liberality of sentiment, and that no American has the political 
 freedom, that one Englishman possesses and enjoys ; and the 
 member, or the peer, sits down, amid "loud and continued 
 cheering." 
 
 W. And is not all this amusing ? 
 
 A. No, I burn as I read it. 
 
 W. You must excuse me, Ernest ; you burn, because you 
 feel indignant that hypocrisy should gain what is denied to 
 honesty. But you should reflect . . . 
 
 A. What ? 
 
 W. That honesty is its own reward ; that, if you are not 
 content to pay for public favor what A., B., and C, are ready 
 to do, you must rest content to do without it. As an author, 
 you defy public sentiment ; you speak as you think ; . . . 
 
 A. And am I not right ? 
 
 W. Be patient. Right in holding such opinions. But, to 
 give them uncalled for . . . 
 
XVIU 
 
 THE FATE OF A REFORMER. 
 
 Ji. There I am right too. If no one else will lead, let me. 
 
 W. And perish in the breach. — It is honorable. But there 
 lies all your reward ; nor must you expect to be crowned, 
 while living, with laurels that are to be gained by your death 
 alone. 
 
 A. To drop figures . . . 
 
 W. If you will oppose the majority, you must expect the 
 majority will turn upon you, and annihilation is the conse- 
 quence. But . . . 
 
 A. Well ; this but. 
 
 W. But, Ernest, — if the respect of your o%vn conscience, 
 and the love of those who know you, and justice done to your 
 ashes, will requite you for the sacrifice of worldly good, go on. 
 
 A. And so I will. Have I, for the best part of my life, con- 
 tinued in the straight path, though surrounded by privation, 
 and having disappointment for ever in prospect, that I should 
 now turn aside ? However, you mistake me somewhat ; nor, 
 in assenting to your observation, have I done myself strict 
 justice. It may be, I allow, that a personal feeling might give 
 edge to my opposition to one or two popular authors, because 
 I stand as a knight in the lists, and cannot conquer but by the 
 overthrow of my antagonists. It is a conflict of opinion, and to 
 the utterance. But my hatred of political hypocrisy, as of cant 
 of all kinds, can have nothing selfish in its nature. Words- 
 worth might offend my spleen, because I see him daily com- 
 mended for what I despise, and my philosophy might {mighty 
 I say, for I do not believe it, though I may allow the case for 
 argument,) and my philosophy might not, perhaps, be proof 
 against the consequences of my own pride and honesty, in 
 pursuing what I think is proper, in defiance of that fashion, 
 which I well know must be followed to arrive at popularity ; 
 but what to me is the Emperor of Russia ? 
 ^ I do not understand you. 
 
 A. No ? Yet yesterday, when inveighing against the inso- 
 lence of the press in England towai'ds foreign nations, I men- 
 
ENGLAND VS. OTHER NATIONS. xix 
 
 tioned to you that so respectable a man as***^** ******** 
 had at a public dhiner, some years since, degraded himself so 
 far, and befooled himself, as to call the Czar a " wmcrean^' ; 
 for what? for retaining his inheritance, for endeavouring to 
 keep Poland secured to him ! This is not ignorance on the 
 part of Mr. ****»*»*; it is a disregard of truth. He is en- 
 listed in the Polish cause, because one of the finest passages in 
 
 his happens to turn upon Polish misfortune, and, 
 
 in his enthusiasm, he forgets decency and common sense, or, 
 what is as mean if not as bad, but echoes public outcry. Yet, 
 while England is indulging, on all occasions, in this outcry, 
 against one of the best men, as well as most able, that wear a 
 crown, India, won by treachery, is maintained by a despotism 
 greater, because not native to the soil, than that of Russia. 
 Enthroned upon her double isle, the tyrant of the ocean points 
 with the middle finger of one hand to Muscovitish vassalage, 
 and with that of the other would mark with scorn the slavery 
 which she herself introduced into America, while her yoke 
 upon India is more distressing and more hated than can pos- 
 sibly be the sceptre of a monarch over a people that love him, 
 and that look upon him as their legitimate ruler delegated by 
 Heaven, and the bondage of the ryots ten times more abject 
 and a hundred times more cruel than that of the negroes in 
 these United States. All this offends me. I am enraged to 
 see people either afraid to speak the truth, or unwilling to hear 
 it. And it is this resentment of cant, that has made me what I 
 am as an author, and that will so retain me. — But let us pass 
 to the more immediate subject of discussion. We were speak- 
 ing ... I have strayed so far from the right topic, that I have 
 lost sight of it altogether. 
 
 W. The present corruption of taste in literature. 
 
 A. True, that was the general subject. But I mean ... I 
 have it ; false criticism. I said, that the sentiments of an au- 
 thor, or his general matter was all that was now considered by 
 the critic. Consequently his language is entirely neglected ; 
 
XX RASH CRITICISM. 
 
 or, what is worse, we have his manner regarded as an absolute 
 consequence of his matter; and, if the latter suit the critic, the 
 manner in which it is conveyed is boldly eulogized, with all 
 the cant additions of graphic, elegant, polished, pure, and the 
 like. As these epithets are applied indiscriminately to every 
 sort of writing, provided it come from the pen of a popular 
 author, even though he be, to the last degree, weak and ob- 
 scure in description, and quite uncouth in style, though he 
 possess none of the many requisites that go to make up the 
 character of elegance, and finally may use a language that, like 
 Mr. Carltle's, shall in phraseology and in construction be 
 absolutely hybrid, we are to conclude that the terms have no 
 other meaning than that the writer under examination is one 
 whom the worshipful booksellers, or the no less worshipful 
 public, or both these parties together, expect to see commended. 
 Here, under my feet, I see there is a fragment of a newspaper 
 with the name of Campbell on it. Let us examine it : ten to 
 one, it will form an illustration of what I have just been say- 
 ing. CamphelVs Life of Petrarch ; an extract. Very good. It 
 is without a beginning; but it will answer, I '11 be bound to 
 say. You know how tliat book has been bepraised on all sides. 
 
 W. As far as the small reviews, the minnows of criticism, 
 are concerned. The larger fry I have not met v/ilh. 
 
 A. It is of no consequence. It is more than probable that 
 in the present case you would have found them gudgeons. 
 The mere prefix of Mr. Campbell's name to a book is suf- 
 ficient to ensure the latter eulogy with half the world ; yet is 
 Campbell any thing but a fauldess writer. 
 
 JV. Indeed ? I thought that you were one of the poet's 
 warmest admirers. 
 
 ^. Ojie of his steadiest admirers, if you please, and if you 
 must have an epithet ; for ivarmih, a})plied to literary taste or 
 judgment, always implies, with me, some degree of extrava- 
 gance or of exaggeration. I do admire Campbell, or, I would 
 rather say, esteem him, as a poet. I call him, as you know, an 
 
CAMPBELL, AS A POET. xxi 
 
 elegant poet. But in so speaking I allude to the general effect 
 of his verses, to their polish, their sweetness, their harmonious 
 arrangement, to the general good taste and the general grace of 
 their embellishments. I have never called him correct. At 
 some future day, I will run over with you the Pleasures of 
 Hope, and I will show you, that, besides other occasional 
 faults, such as confused or inapplicable imagery, strained, or 
 common-place, or obscure epithets, and turgidness, there are 
 few pages where the writer has not somewhere sinned against 
 propriety of language. Therefore it is that I am confident, 
 that we shall find his prose not more uncensurable. 
 
 W. May not a writer be incorrect in the mere language of 
 his poems, who shall yet display the most exact propriety in 
 his prose compositions ? 
 
 A. Certainly, in a degree. Not to speak of the heat of fancy, 
 the emergencies of his rhyme and rythm, and sometimes, as 
 in blank verse, of his rythm only, will cause him to commit 
 errors that would be without excuse in prose. But Mr. Camp- 
 bell in his verse is so filled with merely verbal inaccuracies, 
 that, taking the age into consideration, I am compelled to think 
 he will not be found the most correct of writers in his prose. 
 Let us see. 
 
 ..." been a grammar-school master at Pontremoli, arrived at Parma, 
 in order to pay his devotions to the laureate, The poor man had already 
 walked to Naples, guided in his blindness by his only son, for the pur- 
 pose of finding Petrarch. The poet had left that city ; but King Ptobert, 
 pleased with this enthusiasm, made him a present of some money. The 
 aged pilgrim returned to Pontremoli, where, being informed that Pe- 
 trarch was at Parma, he crossed the Appenines, in spite of the severity 
 of the weather, and travelled thither, having sent before him a tolerable 
 copy of verses. He was presented to Petrarch, whose hand he kissed 
 with devotion and exclamations of joy. One day, before many specta- 
 tors, the blind man said to Petrarch, ' Sir, I have come far to see you.' 
 The bystanders laughed. On which the old man replied, ' I appeal to 
 you, Petrarch, whether I do not see you more clearly and distinctly 
 than these men who have their eyesight.' Petrarch gave him a kind 
 reception, and dismissed him with a considerable present." 
 
 The fragment is worse than I could have supposed it. It has 
 
Xxii CAMPBELL, 
 
 neither propriety, nor pei*spiciiity, nor precision. If you will 
 look over my shoulder, I will point you out its defects of style 
 and of language. — In the first line, we have, for master of a 
 grammar-school, the phrase, " grammar-school master," a mode 
 of expression fit only for conversation or for hurried compo- 
 sition, and even there not elegant. Look at the first complete 
 sentence : " The poor man," etc. The poet meant to say, that, 
 guided in his blindness by his only son, the poor man had already 
 walked to .Naples, for the purpose of finding Petrarch. The 
 next sentence is: "The poet had left," etc. The poet is Pe- 
 trarch, and the king therefore made the present to him! 
 The writer meant : The poet had left that city ; but King Rob- 
 ert, pleased with the enthusiasm of the blind man, made him, or 
 more precisely, made the latter, a present of some money. But 
 even yet the sentence wants precision. Do you see why ? 
 
 W. The second memher is, in reality, totally independent of 
 the first. 
 
 A. Just so. Well : " The aged pilgrim," etc. Though the 
 phrase, " a tolerable copy of verses," does not please me, I 
 ehall not quarrel with it, because I think that it is sanctioned 
 by custom. The sentence, however, is liable to the same ob- 
 jection with the one before it : it wants precision. And fur- 
 ther, these three sentences, altogether, have no business where 
 they are. They refer to a time prior to that which is men- 
 tioned in the sentences that immediately precede and follow 
 them. Consequently, they destroy the unity of the passage. 
 
 TV. But what would you have done with them ; for the cir 
 cumstances they relate are too interesting to be omitted ? 
 
 A. I would have endeavoured to introduce them previously. 
 Failing there, I should probably have given them another form 
 and placed them in a note. — But we have not yet done with 
 the paragraph. " He was presented to Petrarch, whose hand 
 he kissed with devotion and exclamations of joy," [and with ex- 
 clamations of joy.) « One day," etc. « The bystanders laughed. 
 On which the old man replied " (better, said,) " I appeal to 
 
AS A PROSE WRITER. xxiii 
 
 you," etc. Clearly and distinctly, in this sentence, is a distinc- 
 tion witiiout a difference. The poet would have better ex- 
 pressed his meaning thus : " I appeal to you, O Petrarch, 
 whether I do not see you more clearly, and distinguish you 
 better, than these men who have their eyesight." The con- 
 cluding sentence is deficient in unity, and of course in perspi- 
 cuity. The kind reception, mentioned in the first clause, was 
 evidently previous to the circumstance recorded in the two 
 preceding sentences ; while the dismissal followed last of all. 
 He might have said, (though it is very difficult to give clear- 
 ness to a paragraph so involved ; the amendment should begin 
 with the thoughts of the author:) Petrarch, who had given the 
 enthusiast a kind reception, dismissed him, etc. ; or, Petrarch 
 had given the enthusiast a kind reception. He dismissed him 
 with a considerable present. 
 
 W. What a world of inaccuracies, indeed ! 
 
 A. And what inelegance! Now, do you think that Mr. 
 Campbell would have fallen into this rusticity and puerility, 
 that he would have thus violated grammar, and obscured his 
 sense, and given his sentences the turn and lightness of a 
 school-boy's, had critics done their duty ? 
 
 W. I believe that you are right. Yet Campbell may have 
 been incapable . . . 
 
 A. Of what ? Of seeing these faults? Do not think it. He 
 could never indeed become a great writer ; for it is not in him. 
 Neither is he a great poet. But he is a polished and an elegant 
 poet, and he certainly could have applied the file to his prose. 
 
 W. But you have just said, that the amendment should be- 
 gin with the thoughts of the writer. Might not the poet have 
 been confused in his ideas, while writing this passage .? 
 
 A. Very possibly. Indeed, had he thought clearly, he would 
 have expressed himself with clearness. But do you not know 
 that by studying exactness and perspicuity in expression, one 
 learns to think with exactness and without confusion ? And is 
 it to be supposed, that this scrap of newspaper, found by acci- 
 
xxiv AMERICAN CRITICS. 
 
 dent at our feet, should contain the only passage that is faulty 
 in the whole biography ? I have mentioned, casually, Carlyle. 
 Here, in my private copy of the Vision, I have laid up some 
 proofs of what I have asserted with regard to his admirer, the 
 J^ew-York Review. {\) Let us take one. This is an excerpt 
 from a newspaper, reviewing the Review. " The writings of 
 Carlyle," says the wise man, "have inspired worthily some en- 
 thusiastic writer, who has here given to the public an analysis 
 of the works and of the mind of Carlyle, that will be felt and 
 acknowledged for its power and its eloquence, by many, many 
 minds." Enough for the newsman. The following, he says, 
 "is from the notice of Carlyle's Essay upon Voltaire." 
 
 " We open this essay, and upon every page is something which most, 
 of even thinking men, may well ponder over; the immortality of every 
 act and thought, — the small beginnings of the greatest things, the in- 
 finite connexions of every event, causing the product which comes from 
 ' the loom of Time,' to be a web, not a line, — the silence of the deep- 
 est forces, — the more than conqueror's power of noiseless thought, — 
 these and countless other truths, which, simple as they seem, carry 
 wrapped in them whole systems, we meet with every where in this 
 paper on Voltaire." 
 
 Will you have the goodness to tell me the meaning of that 
 passage ? 
 
 W. Excuse me. As the essayist is said to be enthusiastic, I 
 have enough of your sentiment not to meddle with him, how- 
 ever ivorthily he may have been inspired. 
 
 A. Very well. I could give you a dozen such scraps of 
 nonsense, selected from the Review, by the same judicious 
 hand. Let us pass to this extract, furnished also by the jour- 
 nalist, from a magazine. '• L — gf w's translations from 
 
 Jean Paul." German. Very good. — ^' Evening and Death. — 
 The day is dying amid blosso7n-clouds, and with its own swan- 
 song." 
 
 (1) It is proper, in order to give its full weight to my opinion, that I 
 should state, that the N- Y. Revieiv has never crossed my path in any the most 
 trifling matter. I do not so much as know a single one of its contributors, 
 even by sight. — I shall one day be able to show, that I was equally unbiased 
 by any personal feeling, when I commenced my attack upon the newspapers. 
 
GERMANIZED ENGLISH. BRITISH CRITICS. XXV 
 
 ff. Stop ; that is quite enough. 
 
 A. No, no. " The alleys and gardens speak in low tones, 
 like men when deeply moved "... 
 
 W. For Heaven's sake, my dear Ernest ! . . . 
 
 A. "And around the leaves fly the gentle winds, and around 
 the blossoms the bees, with a tender whisper.''^ 
 
 W. Ha, ha ! No more, I beseech you. 
 
 A. Yes; let me finish the paragraph. " Only the larks, like 
 man, rise warbling into the sky, and then, like Mm, drop down 
 again into the furrow ; while the great soul and the sea lift 
 themselves unheard and unseen to heaven, and rushing, sub- 
 lime and fruit-giving ; and waterfalls and thunder-showers 
 dash down into the valleys." Stay, I must give you the be- 
 ginning of the next paragraph : it will raise you to the seventh 
 heaven. " In a countryhouse on the declivity of the Bergstrasse, 
 an unspeakably siocet tone rises from a luoman's breast, like a 
 trembling lai'k.'^ 
 
 W, By the Lord ! is L — gf w crazed ? 
 
 A. I know not; but we will shut him up, and his friend Jean 
 Paid, with the guardian spirit of the journalist. There you 
 are, on the shelf again, with Rubeta. Dodo, mes enfants* 
 
 W. What is that has dropped ? 
 
 A. Where? O! Will you have it? It is a notice of Mr. 
 Sergeant Talfourd's very ingenuous and sincere praise of 
 Velasco, in a private letter to the author. 
 
 W. Thank you : I am quite contented with the specimens 
 of Mr. Talfourd's criticism (on Elia, I think,) which you 
 gave in the Vision. 
 
 A. True. They should be enough to satisfy any man of or- 
 dinary stomach. But, now I am at the shelves, I will take down 
 a volume of Murray's Byron, and open it at hazard, to show 
 you how other distinguished critics write. Volume viii., page 
 139. Sir Egerton Brydges on the third canto of Childe 
 Harold. " In the first sixteen stanzas there is yet a mighty but 
 groaning burst of dark and appalling strength." That will do, 
 
XXVi NEGLECT OF VERBAL CRITICISM. 
 
 I think. I will not trouble you with Professor Wilson, and 
 others, who, thanks to Mr. Murray, have bordered poor By- 
 ron with their fustian patches. They are all of a piece, eulo- 
 gizing or condemning in bad and turgid language the matter 
 of the poems, which speaks for itself, and totally neglecting the 
 manner, on which a just criticism would be of service to the 
 general reader. In fact, the criticism of the day would seem 
 to be based upon the supposition, that every reader is a judge 
 of language, but that few are capable of appreciating a senti- 
 ment, or of distinguishing good matter from bad ; while the 
 very reverse is the fact. 
 
 W. But do you mean me to infer that in their examination 
 of the sentiments, or of the descriptive passages, or of the nar- 
 rative of a poem, modern critics are usually correct ? 
 
 A. Eh ! God forbid ! for then I should ascribe to them the 
 very highest merit in their assumed profession ; whereas I have 
 called them false critics ; which implies, that even in the part 
 they undertake, they betray insufRcience, and are guilty of 
 frequent, if not constant, misrepresentation. If the setting sun 
 did not warn me of the hour, I could, in any volume of the 
 work I took up last, show you page after page of such gross 
 absurdities as would make you smile, and would give you 
 quite as much surprise as amusement. 
 
 W. It would not be necessary ; for I have noticed them 
 myself; and 1 know not whether with amusement most, or 
 indignation. 
 
 A. Well said ; for falsehood in the criticism of sentiment 
 may lead to serious mischief in morals. But, passing this par- 
 ticular topic, there is one consequence of the neglect of verbal 
 criticism, — a consequence at once, and cause, — that has had 
 a most pernicious effect on the poetry of the day, and has given 
 rise to what we may distinguish as two schools, the prosaic 
 and the Jiorid. Nor is it one of the least singular characteris- 
 tics of the present era of letters, that two kinds of poetry so 
 diametrically opposed to each other should flourish at one 
 
ART AND NATURE. XXvii 
 
 time, and have equally ardent supporters, and, what is more, 
 supporters who uphold both sides at once ! 
 
 W. Is not this one of the direct consequences of the neglect 
 you speak of? 
 
 A. You are right. For the criticism, that would trample the 
 prose of one class in its native dust, would be exerted equally 
 in pruning the scentless and unproductive luxuriance, and in 
 exscinding the excrescences, of the poetry of the other. Here, 
 therefore, extremes, according to the vulgar saying, meet. And 
 first, let us take a glance at the pretensions of what I have 
 called the prosaic school, which arrogates to itself alone the 
 knowledge and the representation of nature, and which depre- 
 ciates every thing like art, as unworthy of true genius, and 
 inconsistent with true poetry. Let me ask, then, v/hat is all 
 nature but the result of art ? of art divine ; for none of us will 
 suppose that its Author acted without rule, where order is uni- 
 versally to be perceived. Now, art among men is but the imi- 
 tation of this nature, whether as it comes directly from the 
 hands of the Deity, or as modified by secondary causes ; and 
 we select, as the object of imitation, what in it is pleasing, or 
 rather, what is attractive. If we paint horrors, we but imitate 
 them, to produce that effect by representation, which they have 
 upon the mind when really perceived ; and our pleasure . . . 
 
 W. Pleasure ? 
 
 A. Yes, pleasure of a painful kind; our satisfaction, perhaps 
 I should have said, arises from the truth of the delineation ; for 
 let it but be false, and we perceive something ridiculous where 
 before we admired. Now, how is this effect produced ? We 
 observe the lights, and shades, the shapes and proportions, 
 and lay on our colors after the prescription, so to speak, of our 
 model. What is this but art ? Yet you say, when the effect is 
 produced. How natural it. is ! I approve of this artist, or this 
 author, because he is so natural I Does this mean that the 
 poet, painter, or sculptor acted without rule ? Quite the con- 
 trary, I conceive. It is his observation, his careful study, his 
 
XXviii POWERS OF THE IMAGINATION 
 
 knowledge of the principles of his art as taught by sound criti- 
 cism, which criticism is founded upon the analysis of the 
 works of others, which works are the improvements of con- 
 secutive ages, one upon another, the remotest being the rough 
 copy of nature itself, without skill or judgment, like the ver- 
 milion ornaments of an Indian tent, or the ancient ballad of 
 Chevy-Chase. Do you see this? 
 
 W. Perfectly. And thus it would not be difficult to show 
 nature in Pope, and art in Shakspeare. 
 
 A. Certainly not. Who that is competent to judge of both 
 would doubt it? Equally easy would it be to show a compar- 
 ative want of them in Wordsworth. But we will pass hini, 
 merely saying in the language of Dryden, Let him ivalk on 
 foot ivith his pad in his hand, but let not those be considered no 
 poets, who mount and show their horsemanship. 
 
 W. " Glorious John ! " (i) Why there is more imagination 
 in one line of his prose than in a dozen lines of his defamer's 
 verse. 
 
 A. True ; and what is quite as valuable, more sense. But 
 your speaking of imagination leads me to notice another mis- 
 take into which people have fallen through the misguidance of 
 false critics. — The world in general has very little idea of the 
 real merit of a poet as tested by the intrinsic difficulty of his 
 composition, of the facility of composition where the imagina- 
 tion is excited, and of the labor which attends it in proportion 
 as the imagination is kept subordinate to other rarer faculties, 
 I would say, to judgment and reason. If it had. Pope would 
 readily reascend to his proper elevation, and the horde of rhy- 
 mers that, unlike him, are content to always wander in the 
 maze of fancy, would be very little estimated. 
 
 W. But you do not mean to undervalue the powers of the 
 imagination ? 
 
 A. Not when I assign them their due place. I think it could 
 be easily proved, that of all the faculties that which Words- 
 worth claims to be the first, and which, curiously enough, 
 
 (1) Claud Halcro, in the Pirate. 
 
IN THE COMPOSITION OF POETRY. xxix 
 
 he least possesses, is in reality the most common. We find it 
 strong in women, and more fervid in our youth than when the 
 mind is matured. However, without wasting time upon this 
 point, if you practise yourself, endeavour to versify while rea- 
 soning, try to make a philosophic poem, and afterwards give 
 the fancy full play, and you shall see. The labor of the latter 
 is one of love, the former needs all your art, all the stores of wit 
 you have gathered in all your life, to keep it from languishing. 
 It is this which makes the composition of occasional pieces no 
 test of ability ; for they are written in the heat of fancy, and 
 words and rhymes flow readily with the images ; they come of 
 themselves and are not to be sought for. But in a long compo- 
 sition, where connection is to be studied, characters are to be 
 distinguished, and maintained in their distinctness, where vari- 
 ety is to relieve from weariness without distracting the mind 
 from the subject, where, in short, imagination is directed by 
 art, and is subservient to reason, here will you see of what stuff 
 the poet is indeed made. And hence your inferior writers, with 
 few exceptions, confine themselves to small effusions, which 
 are poured out as some incident may tickle the dormant fancy, 
 and enthusiasm may supply the inspiration which the true poet 
 can derive from any subject, be it, as has before been said, a 
 broomstick. And this brings me to what we agreed to call the 
 florid style. — We see it frequently asserted, that such and such 
 a one's prose is full of poetry^ sparJdes with poetry, glows with 
 the most poetical conceptions^ and such other phrases ; and what 
 kind of writing do we usually find it to be ? JMerely fustian, 
 some such stuff as Philips' eulogy of Washington, and, like it, 
 fit for the declamation of school-boys. And this is another of the 
 ideas of poetry which prevail at the present day : it can be writ- 
 ten by any one who has imagination which he cultivates at the 
 expense of his reason ! that is to say, by fifty-nine young women 
 out of sixty, of whom the sixtieth shall be only half-educated. 
 Is then the talent to produce poetry so common a gift of na- 
 ture ? Can all indeed write it that can dash together stars and 
 
XXX THE POET IS BORN, NOT MADE. 
 
 spars, make dove accord with love, and jingle kiss with bliss ? 
 The question may be answered by another; Can all make 
 music ? can everybody even sing? As there are hundreds that 
 have the composition, they have heard performed by others, 
 vibrating in their brains distinctly and without fault, but when 
 they endeavour to give it utterance find that they cannot turn 
 a note, so shall many have the conception of what poetry is, 
 the feeling of what poetry is said to be, yet shall not be able 
 to construct a verse. But most men will attempt to sing, and 
 all men will vi^rite verses. Hence we have the many ludicrous 
 exhibitions that are made even by men of genius, from Cicero 
 down to Mr. IRVI^^Gr. — But you appear to be recalling some- 
 thing that you wish to utter. I beg your pardon. 
 
 W. By no means. I was listening with any thing but 
 impatience. It merely occurred to me, in the course of your 
 remarks, to ask you whether there were not, beside the two 
 kinds of modern verse which you have named, a third that 
 might be placed between the two extremes ? 
 
 A, And yet should not be excellent ? Very likely. What 
 would you make it ? 
 
 W, That which is neither purely prosaic, nor yet altogether 
 florid ; neither Wordsworth nor Hemans : a verse that has 
 music, that displays imagination, and that is not without sense ; 
 but a sense that instructs not, an imagination that awakes no 
 ecstasy, a music that but puts to sleep. 
 
 A. Very good. Go on. 
 
 TV. Though all three kinds are to a certain extent puerile, 
 yet this I should call the puerile^ by way of eminence. 
 
 A. And you have described, in fact, the commonplace ; a 
 class of poetry that is very prolific. I can furnish you with a 
 specimen, in a romance of three cantos, which I wrote myself, 
 
 " In sul rnio primo giovenile errore, 
 Quand' era in parte allr' uom da quel ch' i' sono." (i) 
 
 Did you ever see it ? 
 
 (1) In my first youthful error, when in part 
 
 I was another man from what I am. Petr. Son. 1. 
 
COMMONPLACE POETRY. XXXI 
 
 W. Surely. 1 can, for a wager, repeat to you the opening. 
 'Twas . . . 
 A. Aground already. 
 W. Stop a minute. 
 
 'T was sunset, and the changing sky 
 
 With many a purple cloud was glowing, 
 
 Floating about promiscuously 
 
 Upon their sea of gold, and throwing, 
 
 Along the dark clear wave below. 
 
 Their trembling images of light, 
 
 So soft, yet whimsically bright. 
 
 That seem'd the very glassing tide 
 
 To feel, with somewhat frolic pride, 
 
 The beauty that it gave to sight. 
 
 And glide with merrier flow. 
 
 While, circling o'er its placid breast, . . . 
 
 There, I can go no further. 
 
 A. Further! you have done wonders. I could not have 
 ridden such a nag, pony I should say, so long, although of my 
 own training, to win the smiles, — the smiles? the kiss of 
 , who is the fairest woman in America. 
 
 W. Come, you are jesting; or you are exaggerating, through 
 modesty. 
 
 A. And that would be affectation, falsehood. Did you ever 
 know me to do such a thing ? If I thought well of the piece, 
 I would praise it without scruple, as you know, or you ought 
 to know, W . 
 
 fV. Pardon me, dear Ernest; I do know : and if I did not, 
 a moment's reflection would have told me, that you would 
 never have kept the manuscript for fourteen years in your 
 pigeon-holes, if you had thought very highly of it. But how is 
 it possible that you should rate so low what is surely neither 
 fustian nor frigidity ? 
 
 A. Nor unmusical, but what is commonplace. There you 
 are answered. It has not nerve enough for the pen of a man, 
 nothing to distinguish it from a mass of poems that employ the 
 paper-makers every year. It is, as I said, a specimen of the 
 school you called the puerile. 
 
xxxii THE AUTHOR'S JUVENILE POETRY. 
 
 W. I deny it. 
 
 A. And I will prove it. The poem is in my desk, in this 
 very room. By the time you have helped yourself to another 
 glass of claret, I shall have it out for you, to your conviction. 
 But suppose you throw the blinds completely back ; for the sun 
 is now down. You will not find the flowers in your way. 
 
 W. Eh ! look there, Ernest. There are your verses paint- 
 ed before you. 
 
 'T was sunset, and the changing sky 
 With many a purple cloud was glowing, 
 Floating about promiscuously 
 Upon their sea of gold, and throwing, . . . 
 
 A. Ha, ha ! you have no clear wave below, except it be in the 
 tub under the pump there ; and the clouds you see are not 
 purple, but of the very color of these roses. 
 
 W. And that is what you meant ; for you poets, in all lan- 
 guages, use purple for any kind of red. Come, that is not fair. 
 But undo your parcel, and let us have the proof. Here is to 
 your safe delivery. 
 
 A. And the birth would overwhelm you, should I bring 
 
 forth all at one travail. — Why the poem, W , is ten 
 
 times worse than I have thought it ; for I find fustian, — plenty 
 of it, and if not absolute frigidity, yet what is very near it, flat- 
 ness. 
 
 W, But read it, and let us see if after fourteen years my 
 memory is not better than the poet's. Read, read, read. 
 
 A. What ? the frigidity, or the fustian ? 
 
 W. No, no ; what you think the best parts. 
 
 A. Well then, here, from Canto First, is a bit of sentiment. 
 
 The respite brief flew fast ; 't is fled : 
 
 The farewell still is to be said 3 
 
 That little word, which, ere 't is spoken, 
 
 Brings such a world of things to mind, — 
 
 A half-brealh'd charge, a tear-stain'd token, 
 
 Some trifling keepsake left behind, 
 
 Which calls us back, when once we 've started, 
 
 Again to meet, again be parted. 
 
THE FAREWELL. THE RIDE. xxxiii 
 
 The last embrace yet ever first, 
 The gaze to be still once more taken, 
 The sigh as if the heart would burst, 
 The lips that fear to be forsaken, 
 Are but so many tongues, which say, 
 We should not, must not, dare not stay. 
 One kiss, one lingering gaze, etc. 
 
 Now, what is there new in this ? 
 
 W. Nothing perhaps ; but what is there bad ? 
 
 A. Nothing ; but it is a boy's excellence. And now for de- 
 scription. 
 
 Like the unbidden soothing power 
 
 Of music, heard in happier hour. 
 
 Recalled years after it has fled, 
 
 And conjuring up a lovely train 
 
 Of thoughts then stirring, words then said, 
 
 And deeds we fain would do again, 
 
 Thus thrill'd the earnest notes, yet sweet. 
 
 Of him who kneel'd at Juan's feet. 
 
 Pale was the face to his upturn'd, — 
 
 So pale, 't would scarce have living seem'd. 
 
 Had not the eyes, which darkly gleam'd 
 
 Beneath their lashes long and light, 
 
 With almost frenzy's brightness burn'd. 
 
 The hair too, with its ringlets bright. 
 
 That wanton in their richness streamed 
 
 Adown those features finely moulded, 
 
 And thickly o'er the shoulders folded. 
 
 Gave the slight form, on which it fell, 
 
 A wildness inexpressible. 
 
 And here is another, close by it. 
 
 Just at the entrance of a wood, 
 Whose giant trees, for ages, rearing 
 Their weather-beaten forms, had stood, 
 Unalter'd but in leaves, nor fearing 
 The changes wrought in all things round. 
 When swept by Time's sirocco wings, 
 From nations and their sceptred kings 
 
 E'en to the lowly ground. 
 Had Juan stopp'd when first the sound 
 Forc'd by the hoofs of the Page's steed 
 Had rush'd on the ear. 
 
 W. There ; I do not think you have so good an instance of 
 onomatopcEla m all your poems, as that: 
 
xxxiv THE CAMP BY MOONLIGHT. 
 
 Forc'd by the hoofs of the Page's steed 
 Had rush'd on the ear. 
 
 A. Be it so ; but that is but a grace ; and, besides, it is fairly 
 
 balanced by the deformity of Time's sirocco wings, which, you 
 
 will allow, is an extravagance worthy of the best follower of 
 
 Mrs. Hemans. However, 
 
 From hindrance freed, 
 They now continue their darksome way ; 
 For the forest excluded the light of day, 
 Save where a tint of purple, trac'd 
 By evening on the yellow sky. 
 Was seen through the lattice interlac'd 
 By the boughs of the trees which met on high : 
 And not a sound broke the stillness round, 
 Save the horses' tread on the hardened ground. 
 Falling with measur'd energy. 
 
 But see ! a silvery light is dancing 
 
 Amid the leaves ; and now, 't is glancing 
 
 Its mellow lustre on branch and bough ; 
 
 Now shown still wider ; and wider ; and now 
 
 The forest is pass'd, and the camp is seen, 
 
 Glowing in sudden and brilliant sheen ; 
 
 Sheen; bah! 
 
 For the moon is up, and on every tent 
 Her beautiful light is ungrudgingly sent, 
 Half throwing in brightness, and half in shade. 
 How grand on their sheeted forms it play'd ! 
 So pale, so cold ! but it blaz'd, where it fell 
 On the polish'd arms of the sentinel. 
 
 W. Well, what fault have you to find with these ? 
 
 A. None, other than I have found already : they rather 
 please me. But, without affectation, they are still puerile, — 
 merely pretty. 
 
 W. Go on. If I remember right, the first canto is not the 
 best of the three, and you are now through it. 
 
 A. With your leave, I will jump the whole of the second. 
 You will thus have the two ends. Here is some more pretti- 
 ness. 
 
 Thus felt the bold, as onward they trod 
 The lessening length of their darksome road. 
 
DEATH IN A DUNGEON. XXXV 
 
 The feathery-footed Hour flew 
 
 With hurricane speed 5 for now in view 
 
 She caught the top of the goal at last, 
 
 Which promis'd her toiling should soon be past; 
 
 Three quarters were finish'd, and O, how fast ! 
 
 Fast ? Yes, to the careless 3 but not to those, etc. 
 
 And again, on the opposite page. 
 
 Slumber her velvet fingers laid 
 On thb' twinkling lids of Moorish eyes, 
 One moment with angel smile surveyed 
 Her beautiful deed, then upward fled 
 To tell her Maker beyond the skies 
 His will of mercy had been obey'd. 
 Then came on tiptoe the fairy Dreams, 
 So seldom known when sunshine gleams, 
 And having hid in their bosom's fold 
 The souls of the sleepers, — and so on. 
 
 What girl could not write like this? 
 
 W. Why, not every one ; for it is pretty, as you yourself al- 
 low ; and prettiness is something. 
 
 A. True, for a woman, but not for a man ; and I am en- 
 deavouring, you know, to prove to you that the poem \s pue- 
 rile, and commonplace, — otherwise, of the same class with 
 much of the popular poetry of the day. 
 
 W. But you have not done it yet : there is other stuff in 
 that canto, — or I am growing old. Where is the part about 
 death ? 
 
 A. 
 
 To die, as men before have dy'd 
 By men condemn'd, in darksome cell, 
 Nought by, in which life e'er did dwell, 
 Save the cold slimy things that play 
 About that shuddering mass of pride. 
 Ere long, for many a festal day. 
 To be their unresisting prey. 
 And nothing that hatli life beside ; 
 To feel the strength fast ebb away ; 
 To have no human being near 
 To raise the cold, damp, drooping head, 
 No fond, regretting friend to shed 
 That sweetest balm, a tear ; 
 Nought but those echoing walls to hear 
 d 
 
XXXVI DEATH IN THE WAVE. DEATH IN BATTLE. 
 
 Nature's last, feeble, rattling cry ; 
 And, worst of all, to know when dead 
 No tongue shall whisper of his fame, 
 But there his bones shall whitening lie, 
 When from them worms have banqueted, 
 Unknown e'en by a human name : 
 O God, 't is horrid thus to die ! 
 Such death indeed is agony. 
 
 Or, mid the depth of lonely night, 
 Upon a dark, and desart sea. 
 Seen by the cursed smiling light 
 Of stars that mock your misery, 
 With nothing but an oar to keep 
 The frame still buoyed on the deep ; 
 Aloud for human help to cry. 
 And know such help may never be j 
 To feel the mouth and throat grow dry 
 With passion's fierce intensity. 
 The fingers gradually lose 
 What little strength they may have left, 
 Then suddenly, of all bereft 
 In one, wild, desperate grasp, refuse 
 Their stiffen'd, horridly firm hold ; 
 And then, to feel the glad sea fold 
 Its cold pall over you ; to hear 
 The bubbling wave as down you sink, 
 The last of sounds your ear shall drink ; 
 To feel poor Nature struggling yet, 
 Struggling for air she cannot get, — 
 The pang, the gasp, when death is met, — 
 Horrid, to fancy life thus quit '. 
 Lone deaths like these the bravest even fear. 
 
 But, mid the battle's madd'ning strife, 
 With thousands round to see us die, 
 To hear with echoing swell on high. 
 As drops the last sand of our life. 
 The shouts which tell of victory, 
 That victory we fondly feel 
 Is owing to our own brave deed ; 
 To have brave men around us kneel 
 With look of pale anxiety, 
 And moist'ning eye to see us bleed ; 
 To know when pulse no more may beat 
 That fame shall blossom o'er our graves, 
 That many a comrade's faltering breath 
 Shall sigh remembrance of our worth ; 
 
BATTLE. THE NIGHT MARCH. XXXvii 
 
 Who would not rather die such death 
 Than linger on, amid the dearth 
 Of every generous sense, replete 
 With all our meaner nature craves ? 
 To die such death is surely sweet ; 
 The moment when our glory shows 
 In brightest colors, as the Sun, 
 Most beauteous when his course is done, 
 At parting o'er the horizon throws 
 The richest, loveliest of his hues. 
 
 fT. What say you to that ? 
 
 A. One swallow does not make a spring. 
 
 W. No, but I think I see the tip of the wings of one or two 
 
 more. 
 
 A. You must let the nest then fly, yourself. 
 
 W. With all my heart. Give me the manuscript. 
 
 'T is glorious, when the loud drums rattle, 
 
 When trumpets echo trumpets' bray. 
 
 When champing steeds impatient neigh, 
 
 When air-woo'd banners gaily stream, 
 
 And arms flash back the sun's fierce gleam, 
 
 To deck us for the feast of battle. 
 
 Then boils the maddening pulse, beats high 
 
 The pulse in frenzy's ecstasy. 
 
 A. Frenzy* s ecstasy! Hum ! rather extravagant for the oc- 
 casion. 
 
 W. Tais-toi. 
 
 We join. Whose thought is then upon life, 
 As he presses forward on dead and dying. 
 Nor cares for the friends beneath him lying, 
 Glutted and drunk with the fury of strife ? 
 Who at such moment e'er pauses to think. 
 Till limbs exhausted beneath him sink, 
 Or rampart is taken, or foeman shrink, 
 Till victors are weary'd, and vanquish'd fly, 
 And the shout of the battle gives place to the cry 
 Of the wounded wretches, that pray but to die ? 
 It is only then, yes, only then, 
 That Reason flits back to her nest again. 
 
 But when no rivalling trumpets bray, 
 No loud drums rattle, no banners play, 
 Nor armor glistens, nor war-steeds neigh, 
 
XXXviii THE CONFLAGRATION. 
 
 When silent the shouting, and soft is the tread, 
 
 And the few words needed are whispered, 
 
 When we scarce may distinguish the face of friend 
 
 By the sickly light on our pathway shed, 
 
 As slily in darkling route we wend. 
 
 Gazing for sign, and list'ning for sound 
 
 Of foeman's foot on the treacherous ground, 
 
 As the tiger skulks till his prey be found, — 
 
 Then the heart indeed throbs, and the pulse runs high, 
 
 But not with a similar ecstasy ; 
 
 And the breath, and so on. 
 
 A. There ; are you contented ? 
 
 W. Not yet. There is the fire, which you know must i)ar- 
 ticularly please a citizen of New York. 
 
 But, with that quick yet active glance 
 
 Which fear may oft alone supply, 
 
 He saw, — he turn'd him from such sight. — 
 
 The outer tents one mass of light 
 Far flashing to the sky 5 
 
 And by the blaze, so fiercely bright, — 
 
 Save where, as fast the flames advance, 
 
 The smouldering ruin, closely pent, 
 
 With sullen roaring suddenly broke, 
 Hurling up cinders and reddening smoke, 
 From the shrinking walls of receding tent, — 
 He saw some desperate wretches stand. 
 Half-naked, against their armed foes, 
 Others, not even with weapon in hand, 
 Struggling madly 'midst merciless blows ; 
 He saw the sever'd fingers unclose 
 Their bloody grasp from the foeman's brand. 
 While loudly their dying yells arose, 
 Mix'd with the groaning of those who writhe 
 Mid the torturing flames into which they are sent. 
 As they fall like grass by the mower's scythe. 
 They seem'd most like a demoniac band 
 Rioting in their own element. 
 
 Now, after the fire. 
 
 A. By the Lord, no ! Put your engine up. — Now, are you 
 convinced ? 
 
 W. Of what? 
 
 A. Of what I told you ; that I myself, "in my youth's sum- 
 mer," had written in the commonplace style .^ 
 
THE POETRY OF A MAN. xxxix 
 
 W. Hardly, by what has been read. 
 
 ^. But they were positively the best parts. You would have 
 it so. Contrast them with any passage of the romance I wrote 
 the thh'd year afterward ; what a difference ! 
 
 /f. Do you mean the composition you endeavoured to have 
 published in London ? 
 
 *:Z. Yes. To show what I call, even of my own writing, 
 verses that befit a man, I must be indulged with reading you 
 some stanzas. 
 
 fV. You will delight me ; it is ten years since I saw the 
 poem, and I do not recollect it near so well as the other. 
 
 Jl. Let us take the first stanzas. You will find something 
 different from the trivial picture that opens the other. 
 
 Not to the crowd; (that animated clay! 
 Whose span of life is measur'd but by time,) 
 Which, plodding onward in one beaten way, 
 Deems musing folly, and romance a crime ; 
 Not lo the cold, whose wishes never climb, 
 Chain'd to the limits of their little sphere, — 
 Who, mean in boyhood, crafty in their prime, 
 Measure their man by what he makes a year 3 
 O not to these I sing! their wisdom speaks not here. 
 
 Nor yet to those, who, rear'd with careful hand, 
 Watch'd while they woke, and cradled in repose. 
 Their infant virtues foster'd to expand. 
 And vices check'd the moment they arose, 
 Proud of their strength, proclaim themselves stern foes 
 To all whose hearts seem less devoutly given, 
 Careless what waves the drowning wretch oppose. 
 By what doubts toss'd, what circumstances driven j — 
 /am a man of sin, no spotless child of Heaven ! 
 
 No, not to these. But 't is to thee I sing, 
 
 Lov'd of my youth ! companion of my age ! 
 
 What though no crimes their blighting shadows fling 
 
 Across thy brow, no storms of passion rage. 
 
 Nor cares, ally'd with disappointment, wage 
 
 Their slow but fatal battle, in thy heart, 
 
 Yet thou, alas, art in life's early stage. 
 
 And soon must youth's romantic visions part, 
 
 Like mists, before thine eyes, I once was what thou art. 
 
 d* 
 
xl THE POETRY OF A MAN, 
 
 Scarce twenty summers yet for thee have smil'd, 
 Thee, whom, a babe, I dandled on this knee j 
 And who, to look upon thy light step wild. 
 Thy cheek's soft bloom, and smile of sunny glee, 
 Would deem the eye one spot within might see, 
 Dark seed of future ill ! Say, is unknown 
 All anguish to thy breast ? does Sorrow flee 
 The sunshine of thy soul, and thine alone ? 
 Then listen to my tale, and make its scenes thine own. 
 
 O, ever is their envied lot unblest, 
 Unblest though envy'd, (such may soon be thine,) 
 Whom partial Genius singles from the rest. 
 To pine while pleasing, shiver while they shine ! 
 Though not its state, its misery has been mine ; — 
 To have my actions watch'd by prying eyes, 
 My thoughts all wrong'd, to brook the taunt malign, 
 The shrug, the start, the sneer that never dies, 
 Deep rankling in the soul, from creatures I despise. 
 
 I tell thee (mark me !) not the loathliest ills, 
 That in this prison-house of life 1 've borne, 
 E'er wrought such pain, no venom'd drop distils 
 From Memory's fount, where man but drinks to mourn, 
 So fell to peace, as one curse, which has worn, 
 And wears e'en now, my blighted heart around : 
 God keep thee from its fang ! thy spirit torn 
 No more shall fly, — Time cannot heal such wound,— 
 But drag its useless wings, low fluttering on the ground. 
 
 Such is the curse o^ misconstruction ! such 
 The pangs in life obscure its stroke may bring. 
 Yet feel the proud its bitterness as much : — 
 See on the bard yon bastard critic fling 
 His venom'd rheum ! lo, where he thrusts his sting, 
 Pointed wdth ignorance, and dipp'd in spleen ! — 
 Ah me, my muse ! turn back thy wandering wing. 
 Nor crow-like hover o'er a prey so mean, 
 My tale yet unbegun, unpictur'd yet one scene. 
 
 There, whatever else may be said of these stanzas, no one can 
 
 call them commonplace. 
 
 JV. Nor am I sure they would the other verses. You are 
 too hard upon them. 
 
 J}, On my own offspring ? That would be indeed a mira- 
 
DANGER OF OPPOSING POPULAR TASTE. xli 
 
 cle. No, I insist upon it, that if a few faults should not con- 
 demn a poem, neither may a few excellencies reprieve it. The 
 Romance, I still say, is puerile. The very length, to which 
 even its best passages are spun out, should convince you of 
 that. But I say likewise, to bring us back to our subject, that 
 it is in the fashion of the da}', and would suit it. 
 
 TV. Perhaps better than your later poems. 
 
 A. It shall never come out, for all that. The necessity of 
 shaving every morning would else be a constant reproach to 
 me. 
 
 JK How so ? 
 
 Jl. Dunce ! By reminding me of my manhood. What do 
 you suppose the hah* grows on a man's cheek for, except to 
 warn him to cast away childish things ? Why, one such epi- 
 gram as that on W — bb(i) is worth fifty such poems. They 
 
 would, no doubt, do credit to , make the fortune 
 
 of , immortalize , and throw into a 
 
 life-long ecstasy ; but for a poet not emas- 
 culated they are poor stuff, the commonplaces, and the lullaby 
 melody of a puerile or feminine fancy, and of a muse yet prac- 
 tising her gamut. But you shake the head. 
 
 W. I should not, if it were only to me that you talked in 
 this fashion ; for with me it cannot harm you. But it is just so 
 you discourse to the public ; and you may depend upon it, 
 Ernest, that the way to win their favor is not to ridicule their 
 
 (1) The present occasion is as good as any other to mention, that the substi- 
 tution of dashes and isolated letters for certain names in this volume is entirely 
 owing to the publishers. On my reading to them the epigram above men- 
 tioned, they remonstrated earnestly upon the insertion of the full style of the 
 subject it handles, and finally, though they had already accepted the work, de- 
 clined positively its publication, unless the objectionable appellation should be 
 put into a state more in keeping with its owner's understanding. Of course, 
 I thereupon declared that the names of editors of less prominent " combative- 
 ness" should undergo a similar eviration; and eventually I extended the ex- 
 cision to the nomina, prmiomina, and cngnomina, of every other person ac- 
 tually resident in this country. The reader will think of this mutilation what 
 he pleases : it is a nicety, which, however I have been the operator, I do not 
 understand. 
 
xlii MOLlfiRE'S MISANTHROPE, 
 
 tastes. Do you remember what is said to have befallen the 
 Misanthrope of MoliIre, one of the masterpieces of French 
 comedy ? You have on your shelves a copy of that poet. 
 Will you permit me to take it down ? 
 
 ^. Certainly. That is Bret's edition. 
 
 ?r. The very one I want. And here is the passage. " La 
 tradition nous apprend," . . . But you must let me translate it 
 to you ; for I have no desire that you should rrjark my accent. 
 Moreover, says M. Bret, tradition teaches us thai the Sonnet of 
 Orontes, uritten in the style of the petty verses which at that 
 time ivere making reputations for the J\linages, the Cotins, the 
 Montreitils, ^-c, S^-c, ^*c., had unluckily pleased the pit, and that 
 the shame of having hestoioed its approbation on such follies, in- 
 disposed a against the work of Moliere. There is your les- 
 son. You may count, for your certain enemies, all the ad- 
 mirers of , and of , of , 
 
 and of ; and they will be nine out of ten of 
 
 your readers. 
 
 A. But this ill-judged fashion, to which they have enslaved 
 themselves, cannot last for ever. 
 
 '• Che la fortuna che tanto s'aspetta 
 Le poppe volgera u' son le prore^ 
 Si che la classe correra diretta 5 
 
 E vero frutto verra dopo '1 fiore." (1) 
 
 JV. Yes, and in the mean time you remain — with Dante to 
 console you. What has been the result of the publication of 
 the Vision ? 
 
 A. Well questioned. You hare asked the publishers for 
 their account of it, and those " worthy men " (as a bird of their 
 feather called them,) have never deigned to answer you (2): 
 
 (1) For Fortune, in her galley, long expected, 
 
 The poop will turn where now the prow is leading, 
 So that the fleet will run the course directed ; 
 And a true fruit the flower will be succeeding. 
 
 Dante. Par. xxvii., at the close. 
 (2) It is with a sense of degradation, that I make this complaint public ; but 
 I threatened my dishonest publishers to expose them 3 and I keep my promises 
 to pay of whatever sort. 
 
TASSONI'S FIG. THE AMEND. xliii 
 
 you do well to call for mine, which no one should know better 
 than yourself. Result ? For all the advantage I have received 
 
 from my poem, my dear W , I might prefix my picture 
 
 to it, with a fig in my hand, like the author of the Rape of the 
 Bucket, {i) 
 
 W, Yet you will continue it ? 
 
 A. Certainly. Have you known me so long, and do you 
 ask ? What have I to repent of, I, in a poem where there is 
 but one place in which I can accuse myself of having said too 
 much ? 
 
 W. And which is that? 
 
 A. Where I have spoken of the Rector of St. . A 
 
 mere defect of pronimciation, however displeasing, and how- 
 ever justly censurable in a pulpit orator, should not have been 
 noticed so publicly, and with such contemptuous sarcasm. 
 This one particular has been to me a cause of frequent self- 
 reproach. Yet even here, though I have sinned against pro- 
 priety, I have not offended justice. How many satirists can 
 boast as much? What then should make me desist? Not 
 the clamor of my enemies ? 
 
 W. No, but the neglect of your friends ; I mean of the pub- 
 lic at large. 
 
 A. You say well ; for frieiids I have few, or none. And of 
 the public at large, that is, of the reading public, can you say 
 how many of them are not inimical ? 
 
 *' Cum sibi quisque timet, quanquam est intactus, et odit." (2) 
 No, neither neglect nor clamor can make me drop my pur- 
 pose ; though the first has been able to suspend it, as is seen 
 in the fiagmenl appended to my new essay in rhymes, 
 
 (1) In the Modenese edition of 1744, a copy of which I have the good fortune 
 to possess, there is a portrait of Tassoni, fronting his Life by Muratori. 
 The poet holds a fig in his right hand j and an inscription under the medallion 
 tells us, with a melancholy Hicetiousness, that it was the reward of a long 
 labor : " Dextera cur ficum, quaeris, meagestet inanem ? Longi operis merces 
 haec fuil. Aula dedit." 
 (s) Since for himself each one fears, though untouch'd by the lash, and detests 
 you. 
 
 JIOR. Serm. ii. S. 23. 
 
xliv THE PRESENT VOLUME. 
 
 TF. And was it there appended for that purpose ? 
 
 Jl. Yes ; and to show that the Vision was not a mere lam- 
 poon, as falsely represented, but what it was advertised to be, 
 a regular mock-heroic poem, having a prescribed plot, and 
 proceeding, by regular steps, to a prescribed conclusion. After 
 the publication of Arthur Carryl, I shall continue the satire, 
 and the Fifth Canto, when completed, shall publish with my 
 name, and thus assume, in my proper person, a responsibility 
 which I had hoped that better success would have enabled me 
 to take at once. 
 
 JK But, excuse me, Ernest, why should you prefer to run 
 tilt against the public, when, without truckling in the least, you 
 could abandon satire for awhile, and appeal to its favor in some 
 gentler way. 
 
 Ji. Because, 
 
 " Vo' uscir di giorno, e sol per forza d' arrae ; 
 Che per ogni altro modo obbrobrio parme." (i) 
 
 Besides, have I not appealed as you say ? What are the rhymes 
 I am about to issue but such an appeal ? But, by the by, you 
 have not yet told me: what do you think of them ? 
 
 W. It is a hard question to answer, and, I think, an unfair 
 one to put. If I praise them you will think I flatter ; and to 
 censure them, supposing I were prepared to do so, would be 
 rude. 
 
 A. But do you think they will be successful ? 
 
 W. That, though not so nice a question, is nearly as diffi- 
 cult. If variety will give them reputation, yes. But . . . 
 
 Ji. Well ; out with it : I am no Archbishop of Grenada, as 
 you know. 
 
 W. O, neidier am I Gil Bias. I am not going to find fault 
 with your Eminence's compositions, as falling off from previ- 
 ous efforts ; I see no touch of apoplexy. In plain words, you 
 
 (i) By my own strength, and in the light of day, 
 I would succeed, nor take a meaner way. 
 
 on. Fur. XX. 77. 
 
EPISTLE TO SATAN. xlv 
 
 have told, in part of them, such unpleasant truths, — in that 
 Epistle to Satan, for instance . . . 
 A. 
 
 " Poiche la carita del natio loco 
 Mi strinse." (i) 
 
 W. Very fine. But did you ever know affection to afford a 
 sufficient plea for frankness, — with anybody ? Well then, 
 how do you suppose it will answer any better with a commu- 
 nity of persons? 
 
 A. But what if I am willing to abide the consequences ? 
 
 W. I have nothing further to say. Contra audentior. 'T is 
 the motto on your seal. 
 
 A. But was first engraven on my heart, I thank Heaven and 
 the conjunction of my parents. Yes, contra audentior {2). "The 
 gods forbid," said Socrates, "that I should be silent, when 
 my fellow-citizens prove so clearly how much they still need 
 that I should speak." 
 
 ff. Ha, ha ! if you be turning sage already, without a 
 wrinkle, I have done. And Socrates too ! with roses on your 
 table, and your feet in velvet slippers ! Look on that standish : 
 a little bronze Cupid, holding an inkstand in one hand, and 
 pointing with the other over his shoulder, to a quiver filled 
 with — pens ! Had pens and inkstands been in fashion in old 
 Athens, would Socrates have used such an implement ? 
 Bah ! you only want a gray beard, or a bald pate, like the 
 Ahbe Chaulieu (3), and you would make a better Anacreon. 
 Socrates ! One will hear next of his grandmother's turning 
 Sappho ! 
 
 (1) For that affection for my native place 
 Constrain'd me. 
 
 Dant. Inf. xiv. 1. 
 
 (2) Part of a passage in the sixth ^neid : 
 
 " Tu ne cede malis ; sed contra audentior ito 
 Quam tua te fortuna sinet." 
 Yield not to evils thou ; but strive to breast them, 
 Even in the face of Fortune. 
 
 (3) A poet, and contemporary of Voltaire's, called, by an equivocal paDe- 
 gyriC; the Anacreon of the Temple. 
 
xlvi ARTHUR CARRY L. 
 
 A. M ! mauvais plaisant que tu es ! I 'H brain thee with 
 this pineapple. 
 
 W. Thank you, that would not be so pleasant as a lady^s 
 fan ; and my pineal gland has no occasion of being reminded 
 of its godparent. 
 
 A. O, the devil ! If you take to quibbling, I am vanquished ; 
 for I can punish you for one bad pun only by giving you a 
 worse one ; and that I fear would set you to repining. There! 
 let that choke you : or, wash it down with this retnaining glass 
 of claret. But, pitching my Epistle to — its destination, tell 
 me what you think of my JVovel. 
 
 TV. Of Arthur f Hum! 
 
 A. What, not like it ? 
 
 TV. I did not say that. Why, there too, you must be strew- 
 ing, every now and then, your satire, though indeed more spar- 
 ingly. That poor nightingale of Arcadia, your " ass of asses," 
 you must give him more than one sly blow in passing. 
 
 A. Where 's the harm ? his back will bear ray packstaff. 
 Do you think he will get nearer the crown of the highway for 
 all that ? 
 
 W. No; for " though thou shouldst bray a fool in a mortar, 
 yet will not his foolishness depart from him ; " or, what is more 
 to the point, A laverla tele dhm arte on y perd sa lessive{i). 
 But are you not afraid that people will think you have an ac- 
 tual fit of the Stone ? 
 
 A. Not at all ; for it is very easy to distinguish between the 
 pleasantry of easy contempt and the execration forced by suf- 
 fering ; and there is no one of common judgment who will not 
 perceive that it is my own amusement that calls forth my sar- 
 casms, and not the twinges of any particular disorder. Stone! 
 I am afraid you are gravel-blind that you cannot see the dif- 
 ference. 
 
 JV. Allowing this, you will suffer the imputation of malice ; 
 for, though sport to you, your sarcasms are death to the hearts 
 
 (1) French proverb. To wash the head of an ass is to lose one^s lye. 
 
REVENGE NOT ALWAYS MALICE. xlvii 
 
 of your victims. The world, Ernest, will say you are re- 
 vengeful. 
 
 ►4. Let them. They will one day find the contrary. Did 
 the world ever do justice to a living man's character. But for 
 
 you, W , you who know what I have endured, and what 
 
 I do endure at this moment, without complaining, though I 
 need but raise my hand to crush at a single blow my ungrate- 
 ful and most treacherous assailant, for you, my friend, to be- 
 lieve me revengeful ! . . . 
 
 JF. I do not, I do not, Ernest. I spoke but to warn you 
 of what the world, — the world, for whose good opinion you 
 are toiling, — what it would think. 
 
 t^. And I say again ; let it. You know the circumstances 
 which made and make me notice what at any other time I 
 should despise. In a man of established reputation, to pay 
 regard to ignorant censure or to mendacious malice, w^ould be 
 mere frenzy, or the spleen of a woman ; but I am and have 
 been differently situated, as the world will one day know as 
 surely as yourself, and for me to disregard it, or to wait till it 
 evaporated, would be cowardice. 
 
 " E saria la matura tarditate, 
 Che in altri e providenza, in noi viltate." (i) 
 
 But come, let alone Balaam's teacher, and his congeners. 
 What say you to my verse ? 
 
 IF. I have noticed a peculiarity in certain of the rhymes. 
 
 A. What? why, I pique myself upon precision there! Any 
 thing but that, and I '11 forgive you. 
 
 TF, But I do not say that you are wrong in the peculiarity ; 
 which is this. It is the custom of all other poets, that rhyme in 
 English, to make such words as end in a unaccented accord 
 with gray, way, play, and the like ; but you, by a bold innova- 
 tion, make a rhyme with er, as in the following examples, 
 which 1 can recall : 
 
 (1) And the deliberation, which would be 
 
 In others foresight, were foul shame in me. 
 
 Tasso. G. L. v. 6. 
 e 
 
xlviii DOUBLE RHYMES. 
 
 "Hence travell'd swains would whisper; gazing on her, 
 In graphic rapture, ' Crista ! a Ma.clo7ina ! ' " 
 
 " He was a chevalier, hatch'd in Colonna, 
 And wore the riband of the cross onwnor." 
 
 And where you use the Italian word principessa, in the same 
 canto ; 
 
 "Such lot BiANCA found. Heaven seem'd to bless her, 
 That serv'd an angel like the principessa." 
 
 So in that madrigal, which is such a favorite of mine : 
 
 " ' Come, little image of Calista ! ' 
 
 And, leaning o'er the babe, I kiss'd her." 
 
 A. And who is right ? With which sound has the final a, 
 when short and unaccented, most affinity ; with long and ac- 
 cented a ; or with er, with or (sounded as ur), and the like ? 
 Madonna, for example, cannot, without the grossest impropri- 
 ety be sounded Madonnay, still less Madonndy ; its sound, in 
 English, is almost perfectly that which I make it. Why, the 
 very placards which you noticed in the street, sometime ago, 
 might tell you that. You there saw announced the opera of 
 JVorma burlesqued with the title of Mrs. JVormer, and La Gaz- 
 za Ladra converted into Cat ^s in the Larder, How was tljis 
 buffoonery managed, if the English pronunciation of words 
 ending in a unaccented, whether vernacular or foreign, did 
 not assimilate the sounds ? 
 
 W, True. I remember, also, seeing on the railings of the 
 Park in Broadway, about the same time, a long board where- 
 on the proprietor of a cosmorama had announced his show 
 with its name spelled cosmoramer. But are not these vulgar 
 sounds ? 
 
 A. Ask yourself. Pronounce cosmorama, if you can, cor- 
 rectly, without giving such a sound to the final a, that it would 
 require good ears for a foreigner to distinguish it from er. You 
 certainly would not sound it as a final in papa^ nor as a in 
 huzza. Why, your very language, my dear W , in stat- 
 ing the question, is proof against you ; for how can " a unac- 
 cented," rhyme with a accented, idea with ^^ gray, way, play ^^9 
 
DOUBLE RHYMES. xlix 
 
 fV. I believe that you are right. But you have all the world 
 of versifiers against you. 
 
 A. That will not make me less right. I remember too that 
 the rhyme of Ruheta with Peter you demurred at. You said, 
 the r in Peter was heard ; and I answered, do you recollect 
 what ? 
 
 W, That it certainly was, but very slightly ; without the 
 roughness which is heard in r initial, as in rose, or in r mediate, 
 as in arrow ; and that the a in Ruheta would receive in Eng- 
 lish pronunciation a corresponding sound of ?•, as though it 
 were spelled Ruheter. 
 
 A. Just. And I raiglit have told you, that though misled by 
 fashion you criticized that rhyme, you would never have hesi- 
 tated to accord Peter with beat her, or neater with treat her; 
 yet there an aspirate would intervene. Now I have, in Arthur 
 Carryl, used, for the sake of the innovation, the rhymes whose 
 novelty surprised you. Colonna, for example, was sought out 
 to rhyme with honor, not honor found for Colonna. But it is 
 not wonderful that you should find such a barbarism in Eng- 
 lish verse, as this supposed accord of the short a final with 
 gray, and the like, when there is scarcely a poet that makes 
 any of his double rhymes more accurate. The whole object 
 seems to be to rhyme in the penultima, which is the accented 
 syllable ; and the other is made to be of no consequence. I 
 could give you a volume of examples, but let us take some few 
 at random. Here is Byron. In Beppo, we have jealous rhym- 
 ing with Othello^s and felloivs : and, what is particularly in 
 point, polacca rhyming with tobacco, {tobacco being always 
 pronounced tobacker by the vulgar.) Then, in Don Juan, we 
 have children rhyming with bewildering, new one with Juan, 
 problem with ennoble 'em, nothing with doting and both in. 
 But to multiply more instances from the vagabond, but healthy 
 and vigorous, and witty muse of Eyron would be superfluous. 
 Let us turn to Swift. Here, in two successive couplets, are 
 picking with chicken, and tell us with fellows ; here, bubbling 
 
1 INEXACTNESS OF RHYME 
 
 with Dublin. But what will you say to this instance from a 
 living poet, no less than gentle Campbell himself: Erin with 
 repairing ? which, you see, is rather worse than that of robin 
 with sobbing in the nursery chant of Cock Robin. 
 
 W. This licentious kind of rhyme is, if I mistake not, in 
 some degree sanctioned by the orthoepist Walker, who, in 
 tlie preface to his Pronouncing Dictionary, would make it ap- 
 pear, that the final consonant in many of the participles end- 
 ing in ing is suppressed by the politest speakers. 
 
 A. I know not how that may be in England, but with us it 
 is considered, and justly, a mark of vulgarity. However, here 
 is Pope himself. You see he brings Hellen and compelling 
 into unison. 
 
 JV. That is an unfortunate instance, Ernest ; for you your- 
 self have made divelling rhyme with Ellen, in one of your odes. 
 
 ..'3. Yes, to my regret. I had the couplet thus : 
 
 "And o'er the dewy heather 
 We took our way together ; " 
 
 but actually being ignorant whether heather could possibly 
 suit the locality of the poem, I was compelled to admit a bar- 
 barism that is sanctioned by usage; it being better to offend in 
 rhyme than in reason. 
 
 W. But there is a bolder innovation still, which you have 
 made in rhymes. 
 
 ^. Eh? What? Mirtenbaum? 
 
 JV. Yes, you put that name in consonance with storm. I 
 recollect the lines : 
 
 " And her large eyes grew black with threaten'd storm 
 To Baron Maximilian Mirtenbaum." 
 
 Ji. I do so, because I suppose that Mirtenbaum will be pro- 
 nounced by every reader as if the last syllable were written 
 haivm; just, in fact, as you have done it this very moment. 
 Now will you please to sound sfoi-ni for me by itself? not as 
 an Irishman, nor as an Italian, but as a well-bred inhabitant 
 of London, or as an American would give it. There! Can 
 
IN ENGLISH POETS. li 
 
 you tell me what difference there is between this orm and 
 awm ? You cannot ; for you cannot, without effort, make the 
 difference perceptible, in a moderately quick enunciation. It 
 is a difference rather for the eye than for the ear ; and I defy 
 a foreigner to detect any want of unison between aw and or, 
 except they be pronounced with an effort that is intended to 
 mark the distinction, or except an Irishman, or a Scotchman, 
 or a native of the north of England be the speaker. That I 
 have not used such a rhyme from necessity is evident from 
 the fact tliat the name is one of mere fancy, and that I could 
 have accommodated the gallant Baron with any other title 
 than that significative of the plant of Venus. 
 
 fF. But now I think of it, you have also made Chaucer 
 rhyme with coarser. 
 
 A. That is true. And the very fact that I was not aware 
 of having done so, shows you how very nearly perfect must 
 be the accord. But suppose, for argument, that the rhyme 
 be really defective ; how its deformity will shrink before the 
 greater unshapeliness of such as these which I will show you 
 from eminent poets. Btron has any ill in unison with spaniel, 
 (making the latter a trisyllable,) ideal and real with s^eaZ (making 
 steal a dissyllable, or converting the two former words into 
 monosyllables.) 
 
 Jf^. But Byron, one of the most irregular and incorrect 
 of poets, can hardly be expected to deviate into order and rule 
 in his rhymes, especially in his comic poems. 
 
 A. No ; but. in his version of Dante's Francesca, which is 
 nowise comic, exce})t in its rudeness, we have, in the very 
 first tercet, seas rhyming with peace, as though this were pro- 
 nounced like pease, the vegetable. Let us then take up the 
 most correct of all English poets, and the most classical. This, 
 I need not say, is Pope. You will find that his serious as 
 well as his lighter compositions are not free from such defects. 
 Here, in the Essay on Criticism, is delight in consonance with 
 loit, and again, light with the same. Then in the Essay on 
 
lii THE PRESENT VOLUME : EPIGRAM XV. 
 
 Man, we have sincere with ivhere, coivl with fool, and succeeds 
 with spreads. Gray too, in the Long Story, would have clothing 
 rhyme with nothing, between which words there is clearly no 
 accord whatever. But it were idle to pursue this subject. 
 Have you no further consolation to extend to me ? 
 
 fV. On what? your poems? None. You know with yoit, 
 "I am nothing if not critical." Therefore I must ask you, 
 what necessity impels you to the publication of that fifteenth 
 Epigram, and that other, which you call an Ej)itaph ? 
 
 A. For the first, I will answer you as I did my publishers, 
 (that are to be,) when on three several occasions they remon- 
 strated with me upon the insertion of that piece. I see a per- 
 son in the community who, from his quarrelsome disposition, 
 has obtained an authority through the timidity or the prudence 
 of the many, which it were a libel on humanity to say he could 
 ever have gained by the solidity of his character or by the 
 weight of his judgment. This man I had not only spared in 
 the Vision of Rubeta, where so many of his betters, less de- 
 serving of a notice, were put upon the moral rack, but had 
 even slightly commended (however injudiciously, as I soon dis- 
 covered,) being induced thereto by a motive of fancied obliga- 
 tion which is known to you, and which at no distant day, will 
 be explained to the public. How this forbearance, or direct 
 kindness, has been requited, through mere bravade, I need not 
 repeat to you, and the foot of my intended volume will testify 
 to others. Now, besides the duty which I feel it to be mine 
 to expose to contempt this person, if I can, I owe it to myself, 
 that I should not be thought to make any distinction between 
 those who do not openly bear weapons and those who thrust 
 them occasionally in the very face of the community. 
 
 W. But that you have done in other places. 
 
 ^. Mere by-blows. This is levelled full at him, and with 
 all my force. Besides, would you have a poet's reason ? I 
 
 would not omit that epigram, as I told the Messrs. Appl n, 
 
 alle lor concezioni mei'cantesche it mio ragionamento adattando, 
 
INDEPENDENCE OF THOUGHT IN THE U. STATES. Jill 
 
 if you would count me out a hundred dollars for every letter 
 in it, and a thousand to boot for every line. It is ray darling. 
 Do you understand me ? 
 
 ir. And for this vanity . . . Excuse me. 
 
 A. Go on. Think you I am ashamed to hear my trade 
 called by its name ? What does a poet ever publish for, but 
 vanity ? for what is ambition ? 
 
 JV. Well, and for this ambition, you would . . . 
 
 A. Bah ! no more. Poco duri, purche m'innahi. But, to 
 sum up all that you and my publishers have to say on this, 
 and other pieces like it in the volume, I tell you, that it is time 
 that some one should assert, in this republic, the independence 
 of opinion. Where is it to be found as yet ? Where? Are 
 there ten persons in this large city of New York that dare to 
 say their right hand is their right, if the public press shall 
 swear it is their left — as it is very likely to do ? We are 
 
 retrograding, W— ; and the liberty of the press, which 
 
 should be the bulwark of freedom, has confined that freedom 
 to a single set, which makes a tyranny as oppressive to the 
 mind, as the despotism of monarchs is to the body. We flour- 
 ish indeed in wealth and in strength ; we have bread to eat and 
 clothes to put upon our back ; but we dare not think : the pub- 
 lic press proclaims its rash and ignorant opinions, and the peo- 
 ple tamely echo them ; and the great republic stands still, or 
 totters to its centre, according as a plentiful meal or a political 
 disappointment may satisfy the stomach or discompose the 
 temper of its thousand tyrants. But I am getting warm. Let 
 me read to you what a foreigner says of us. I copied it for 
 the very purpose of one day citing the passage. " In Ameri- 
 ca, the majority "... But first, you will please to bear in 
 mind, that " the majority " receives its opinions ready-manu- 
 factured. It is therefore to the public press that you are to ap- 
 ply the language of Mr. De Tocqueville. 
 
 '' In America, the majority raises very formidable barriers to the 
 liberty of opinion. Within these barriers, an author may write what- 
 ever he pleases 3 but he will repent it, if he ever step beyond them. Not 
 
liv INDEPENDENCE OF THOUGHT 
 
 that he is exposed to the terrors of an auto-da-fe ; but he is tormented 
 by the slights and persecutions of daily obloquy. His political career is 
 closed for ever, since he has offended the only authority which is able 
 to promote his success. Every sort of compensation, even that of 
 celebrity, is refused to him. Before he published his opinions, he imag- 
 ined that he held them in common with many others ; hut no sooner has he 
 declared them openly, than he is loudly censured by his overbearing oppo- 
 nents, lohilst those who think, without liaving the courage to speak, like 
 him, abandon him in silence." 
 
 W. One would think, that the writer were describing your 
 very case, Ernest. 
 
 A. True : the words fit none so well. But, so far, the pic- 
 ture they present is that of the fortune which attends on truth 
 in all ages, and under all forms of government ; for what says 
 the moral poet .? 
 
 " Truths would you teach, or save a sinking land ? 
 All fear, none aid you, and few understand." (i) 
 
 But to continue : 
 
 " He yields at length, oppressed by the daily efforts he has been mak- 
 ing, and he subsides into silence, as if he was tormented by remorse 
 for having spoken the truth." 
 
 W. That, at least, is not you. 
 
 A. Nor ever will be, till the grave shall cover me. 
 
 " Monarchical institutions have thrown an odium upon despotism : 
 let us beware lest democratic republics should restore oppression, and 
 shotdd render it less odious and less degrading in the eyes of the many, by 
 making it still more onerous to the few. 
 
 " Works have been published in the proudest nations of the Old 
 World, expressly intended to censure the vices and deride the follies of 
 the times. Labruyere inhabited the palace of Louis XIV. when he 
 composed his chapter upon the Great, and Molikre criticized the 
 courtiers in the very pieces which were acted before the court. But 
 the ruling power in the United States is not to be made game of; 
 the smallest reproach irritates its sensibility, and the slightest joke 
 which has any foundation in truth renders it indignant 3 from the style 
 of its language to the more solid virtues of its character, every thing 
 must be made the subject of encomium. No writer, whatever his em- 
 inence can escape from this tribute of adulation to his fellow-citizens. 
 The majority lives in the perpetual practice of self-applause 3 and there 
 are certain truths which the Americans can only learn from strangers, 
 or from experience. 
 
 (1) Essay on Man, iv. 265, 
 
IN THE UNITED STATES. Iv 
 
 '' If great writers have not at present existed in America, the reason 
 is very simply given in these facts ; there can be no literary genius loith- 
 out freedom of opinion, and freedom of opinion does not exist in 
 America." 
 There, what think you of that ? 
 
 W. Truth, every word, hi the application you have made of 
 it. But did you mark the consequences predicted for the man 
 who dares to oppose this worst of tyrannies? 
 
 A. Yes ; and I have told you a thousand times, that I am 
 prepared to meet them. I live for no other purpose. 
 
 W. And you may die for it. 
 
 A. Amen, so I shall die free. Liberty can never write upon 
 my grave. Recreant^ as she could on that of many a poet, nor 
 Truth that little word which might be the pithy epitaph of 
 nine hundred and ninety-nine tombstones out of every thou- 
 sand. 
 
 W. Dear Ernest, pardon me. I was but jesting. 
 
 A. And I was pharisaical. But, to finish at once this ego- 
 tism : — Did you ever hear of the chigre ? It is a species of 
 sand-flea in the West Indies, The minute insect inserts 
 itself beneath the skin of the thumbs, or of the toes, and there 
 deposites its innumerable eggs. If the cyst thus formed be not 
 at once extirpated, the part swells, and ulcerates, and the suf- 
 ferer may be crippled for life. Such is the commencement 
 and the growth of every evil. Already has a prolific source 
 of mischief burrowed deeply into the literary, moral, and po- 
 litical systems of our republic. I stand ready to perform the 
 needful operation. 
 
 W. And you will receive for recompence only the kicks and 
 cries of your patient. 
 
 A. And the scurrilous abuse of his mercenary attendants, 
 whose interest it is to keep him groaning. However, do not 
 be alarmed, my most prudent friend ; there will be no actual 
 cutting for the present. The satirical parts of my new volume 
 will not amount, as you must have seen, to more than a third, 
 
Ivi FAME. 
 
 I should think, of the whole ; and even of that much is occa- 
 sional, and it occurs at considerable intervals. 
 
 W. And it is on that account, as well as from the variety of 
 the work, that I anticipate for it a greater popularity than has 
 attended the Vision. 
 
 A. Amen ! 
 
 " Se mai continga che poeme quesii 
 
 * * * * 
 
 Vincon la niquila che fuor mi serra 
 Del bello ovile ov' io dormii agnello, 
 Nimico a' lupi che li danno guerra, 
 Con altra voce omai, con altro vello 
 Ritornero poeta." . . . (i) 
 
 W, And amen to that ! for I know to what you allude. — 
 But I have sat out the day, Ernest, and have finished your 
 claret. 
 
 A. And what then ? If that be all that drives you off, we 
 can have lights, and there in the hearth is the other bottle, — 
 which, by the by, you have made me quite forget. 
 
 W. O thank you. Do you know that I have been here two 
 good hours ? 
 
 A. Yet, how short the time has seemed ! at least to me. — 
 And even so brief — will appear the fame for which I labor, 
 supposing that I shoukl obtain it. See, my friend, the clouds 
 have lost their lovely colors, and the whole horizon is mix- 
 ing into one, the birds have long since ceased their song, the 
 very breeze has died away, and the flowers are no longer dis- 
 tinguishable in shape or in tint from the commonest weeds 
 that grow. 
 
 W. Yes, but far west, Ernest, in the world far west, the 
 sun is yet high in heaven, perhaps has but begun his course, 
 
 (I) Daxte. Far. xxv., with a few verbal alterations : — 
 
 If it should ever chance, that these my poems 
 
 * * * * 
 O'ercorae the iniquity, that doth me bar 
 From the fair fold where I a lamb did lie, 
 Foe to the wolves that make upon it war, 
 With other voice, and other fleece will I 
 A bard return . . . 
 
IMMORTALITY. Ivii 
 
 birds are carolling as sweetly as your wrens, the selfsame 
 breeze, or one as soft, may be wafting over other plants a 
 similar coolness and as rich a fragrance, and other flowers, of 
 hues as brilliant, be expanding their varied petals in the light 
 they love. And then, dear Ernest, has not the night its 
 recompense, with its awful stillness, its solemn infinitude, and 
 its stars that shine with a cool and steady splendor that we love 
 to contemplate, a splendor that scorches not, nor makes us 
 turn aside the gaze, but that satisfies without pain the admi- 
 ration it invites, and that fills the heart with tenderness and 
 with devotion ? 
 
 A. True, true. And that night, my friend, that night is the 
 immortality of the bard. Your poetry and your philosophy 
 are better than my own. 
 
 W. With which reflection to encourage you, and to reward 
 and flatter me, I leave you to your meditations. Think of the 
 night, Ernest, and lift up your gaze to the stars. 
 
 A. I must ; I will ; I do. 
 
ARTHUR CARRYL 
 
 A NOVEL. 
 
 Far mi convien come fa il buono 
 
 Senator sopra il suo strumento arguto, 
 Che spesso muta corda, e varia suono, 
 Ricercando ora il grave, ora I'acuto. 
 
 Ar. Orl. vin. 29. 
 
 CANTOS 
 FIRST AND SECOND. 
 
CANTO FIRST. 
 
 D'andar subito in Francia si dispone, 
 
 £ cosl torna al porto 
 
 Onde uscendo fuora, 
 
 Verso Calessio fe' drizzar la prora. 
 
 Ar. Orl, XXII. 8. 
 
ARTHUR CARRYL 
 
 A NOVEL. 
 
 CANTO FIRST. 
 
 Were I to rig my skifTlike Wordsworth's " boat," (i) 
 And Blackwood's medley make my chart in sailing, (2) 
 With pleasure would the people see me float, 
 And the rocks echo to their jocund hailing ; 
 
 H Y himself, (3) no doubt, my keel would note. 
 
 And swear I row'd when I was only bailing ! 
 
 (i) Allusion to the childish story of Peter Bell, which Mr. 
 Wordsworth's fanatical disciples would have to contain so much 
 mysterious beauty, and a moral that none but themselves can 
 discover. The rhymes particularly alluded to, in the text, are 
 those which have already been cited in the Jipjjcndix to the Vision 
 of Ruhcta : 
 
 " There 's something in a flying horse, 
 
 And something in a huge balloon ; 
 
 But through the clouds I '11 never float, 
 
 Until 1 have a Utile boat, 
 
 Whose shape is like the crescent moon." 
 
 (2) Blackwood's Magazine is well known to its readers to be of 
 the most enthusiastic of the fakirs, who perform pirouettes, with a 
 rag on their shoulders, in honor of Wordsworth's poetic heresy 
 and impostures. 
 
 (3) The editor (or was, when this was written,) of the J\xw- 
 York Review, a monstrous quarterly compilation, where the mon- 
 
 1* 
 
DESCRIPTIVE POETS. 
 
 While ev'ry fool, from Fundy to Cape Sable, 
 Would find a magic in my poorest cable, (i) 
 
 II. 
 
 But, as the dullest miss, with pleasant skill, 
 May trace on velvet all the tribes of flow'rs, 
 Or color rainboivs, kittens, babes, (2) at v/ill, 
 Yet finds the passions quite beyond her pow'rs, 
 To chronicle the teeth of Harry Gill (3) 
 Is but the pothooks in this art of ours ; 
 And man's py'd soul more curious tints discloses, 
 Than ever beautify 'd a bed of roses. (4) 
 
 grel English of Mr. Carlyle, after the approved model of the 
 Edinburgh Magazine, is the fit vehicle for such an opinion as 
 sets Mr. Wordsworth in the higher class of poets, and denies 
 to Alexander Pope aught but mellifluous versification. The 
 ignorance, dogmatism, and Tom-of- Bedlam fervor, which give such 
 zest to the otherwise vapid contents of this American miscellany, 
 are endeavoured to be marked in the succeeding line. The efforts 
 to prevent a leaky craft from sinking would be easily mistaken, by 
 such an observer, for the regular labor which maintains a proper 
 vessel in progression. 
 
 (,) " There 's magic in the web of it." Othello, iii. 4. 
 
 (2) See for these things the admired Lyrical Ballads of Mr. 
 Wordsworth. They are, in the opinion of his followers, the an- 
 gels, men, and devils of their poetic Bonarroti. 
 
 (3) " In March, December, and in July, 
 
 'T is all the same with Harry Gill; 
 The neighbours tell, and tell you truly, 
 His teeth they chatter, chatter still," &c. 
 
 Wordsworth. Goody Blake. 
 
 (4) The insignificance of descriptive when compared with epic 
 or with moral poetry, and of course with all those kinds which 
 
PROEM. 
 
 III. 
 
 Besides, I do not choose, where t sings, 
 
 To try a note that would be sure to blunder ; 
 
 And 's lyre has music in its strings 
 
 To rival which would snap my chords asunder ; 
 My muse is feather'd with a vulture's wings, — 
 Rough-plum'd, but dreading neither rain nor thunder 
 If not such strains as make the life-blood quicken, 
 She chants no threnodies upon a chicken. 
 
 IV. 
 
 I am not, it is true, what N — h would make me. 
 Yet not the worst since Barlow's stilts were broken ; 
 And, if my spirit should not all forsake me, 
 I '11 prove it, ere we part, by many a token. 
 
 partake more or less of the nature of these two, is readily illus* 
 trated by the image above given, taken from a sister art. How- 
 few well-educated men or women are there, at the present day, 
 who cannot versify, where the subject of their muse is found in 
 inanimate, or even in the mei-e external forms of animated nature. 
 How very, very few, who can make us poetry on man, — man, I 
 mean, in the various circumstances and relations, which arise from 
 his implex character. The followers of Pausias, of Antiphilus, 
 and of LuDius, are as the stars in multitude, all sparkling, though 
 with different degrees of brilliancy ; they who have ventured to 
 assume the pencil of Apelles and Parrhasius are rare indeed 
 in the comparison ; and of this number how many can we count, 
 whose efforts have sufficed to render them other than ridiculous ? 
 It is even so in poetry. A thousand such poets as Wordsworth 
 spring up in every age, the denizens of every clime. Has the 
 whole world, since the date of Orpheus, given birth to ten like 
 Pope ? 
 
8 THE DOVER PACKET. 
 
 I left the Devil in Hell (pray don't mistake me !) (i) 
 On purpose to relate what here is spoken, — 
 The theme of this my mirthful, tearful poem, 
 And rythmic novel. But enough of proem. 
 
 V. 
 
 'T was ten o'clock, one sunny morn in May. 
 The packet was prepar'd to start from Dover. 
 Restless, her hulk lay fast beside the quay. 
 Round as a bowl, and black as any rover ; 
 Not like our vapor-barges, I would say, 
 Where one may live, do all but sleep, in clover ; 
 But fitted for the frith whose name is written 
 A different way in France from that in Britain. 
 
 VI. 
 
 The passengers, save one, were all aboard, 
 The baggage stow'd, the engine slowly heaving ; 
 The hands but waited for the master's word 
 To slip the fasts ; and every one was grieving 
 Those minutes should be wasted few afford 
 To lose from their existence when they 're leaving 
 A wife or husband ; for, in moral rating, 
 A minute is an age to him that 's waiting. 
 
 (i) See the specimen of the Fifth Canto of the Vision, which, 
 at the close of this volume, is given for reasons mentioned in the 
 Preface. 
 
THE HUNCHBACK. 
 
 VII. 
 
 Hence many idlers, who consume whole days 
 In gaping 'twixt their morning's meal and dinner, 
 Grow economic, when a hoise, or chaise, 
 Or mistress is behindhand. One lean sinner, 
 Who stood beneath the ladder, divers ways 
 Venting vexation, and seem'd wearing thinner 
 With spite, exclaim'd : " A valet ! so deliberate ! 
 Why, damn him, this is more than inconsiderate ! " 
 
 VIII. 
 
 He said, as, coming at a lame dog's speed, 
 
 Appear'd the unconscious theme of observation ; 
 
 His best exertion at his utmost need. 
 
 Poor wretch deform'd ! he knew too well his station. 
 
 To keep his betters waiting ; and, indeed. 
 
 The big round drops that cours'd, without cessation, 
 
 Adown his pallid features, show'd him striving 
 
 To make up for lost minutes in arriving. 
 
 IX. 
 
 He saw, as he approach'd, the looks unkind. 
 
 Which all men, save his master, on him threw, 
 
 And thereat losing quite his cooler mind, 
 
 With fear of being left so troubled grew. 
 
 His feet became unsure, his eyes sandblind ; 
 
 He stumbled, fell, and in his fall o'erthrew 
 
 The man whose brow presag'd such stormy weather. 
 
 And both came prostrate on the deck together. 
 
10 THE ALDUS. 
 
 It happen'd that the hunchback in his hand 
 Held the small cause of this unblest delay, — 
 A book ; which left upon his bedroom-stand, 
 He 'd begg'd permission to retrace his way, 
 (The inn being no great distance from the strand ;) 
 Nor could the gentle Arthur say him nay. 
 But Felix found (no very rare vexation) 
 The minutes far outstrip all calculation. 
 
 XI. 
 
 No common valet, as you soon shall know, 
 
 Was Felix ; and his book was worth the minding ; 
 
 One of the rarest of that goodly row, 
 
 Which have the fish and anchor next the binding ; (i) 
 
 (See Dibdin, — page three-fifty-two, or so, (2) — 
 
 Who tells you that the tract is hard of finding ;) 
 
 Senecce Qiiestionum Libri Septem. 
 
 He 'd bought 'em in Pall Mall, where Evans (3) kept 'em. 
 
 XII. 
 
 In perfect order, gilt, and bound in calf. 
 Without a stain, or flaw, within or out it : 
 
 (1) The well known mark of Aldus. 
 
 (2) Of the second edition, 
 
 (3) An auctioneer, whose catalogues of books often comprise 
 the rarest, as well as the most magnificent works to be found in 
 London. 
 
THE STRUGGLE. H 
 
 'T was knock'd down to him at a pound and half; 
 
 Nor let the purchasers of Keepsakes (i) flout it ; 
 
 The proverb says, that he ivho ivins may laugh, 
 
 And Felix thought his whistle cheap, (who 'd doubt it ?) 
 
 The night our modern ^sop got to Dover, 
 
 He took it to his bed, and ran it over. 
 
 XIII. 
 
 To lose this gem it would have broke his heart. 
 (Your bookworm's grief is as a lover grieves. 
 In rapture too he plays no sager part.) 
 He finds his rose, and scarce his eye believes, 
 Just where he 'd left it in his haste to start ; 
 And lo ! his pencil still between the leaves, — 
 To mark his place, the last book of the treatise, 
 Where Lucius tells us something De Cometis. 
 
 XIV. 
 
 I said this volume, when the hunchback fell, 
 
 Was in his hand. Its palm the leaves held tight. 
 
 The pencil, still between them, sad to tell ! 
 
 Its sharpen'd point drove through one orb of sight, 
 
 Of him who gasp'd beneath him. With a yell. 
 
 The victim own'd the partial loss of light, — 
 
 One minute, roll'd in anguish on the deck, 
 
 The next, sprang up, and grasp'd the valet's neck. 
 
 (i) Where the pictures for the page atone, 
 
 And fools are sav'd by merits not their own. 
 
 Pope (modified). 
 
12 THE WOUNDED EYE. 
 
 XV. 
 
 Then, had the struggle been between the foes, 
 
 Where nought but Heaven could see, or Hell might 
 
 hear, 
 Poor Felix' day had found a sudden close ; 
 But many interfer'd there standing near. 
 Before the rest did Carryl interpose. 
 And with an effort set the hunchback clear, — 
 Then calmly said, to him who 'd lost an eye, 
 ''No man shall touch my servant while I 'm by, 
 
 XVI. 
 
 " To say I 'm shock'd at what has taken place 
 
 Would but insult your grief, nor suit with me ; 
 
 But I must tell you plainly, to your face. 
 
 You suffer punishment by just decree, 
 
 Who chose your birth and breeding to debase. 
 
 To gratify a mean malignity. 
 
 Had not your malice plac'd you where you stood, 
 
 You had not lost an eye, nor sham'd your blood." 
 
 XVII. 
 
 Full on his censurer the censur'd cast 
 The fury of his widow'd eye, which gleam'd 
 Like to a coal that 's stirr'd by sudden blast, 
 While from the mangled orb a humor stream'd 
 Bedropp'd with gore ; and women stood aghast 
 To look on him, and little children scream'd. 
 Then from his lips these angry accents broke, 
 So loud, two men shrunk from him as he spoke : — 
 
THE DEFIANCE. 13 
 
 XVIIL 
 
 *' A second time, sir, you have cross'd my path, 
 
 To put shame on me. Let it be no more ! 
 
 For, by high Heaven ! which knows my cause of wrath, 
 
 You 'd better be" and here he darkly swore. 
 
 No word in any language power hath 
 
 To express the smile which Carryl's features wore, 
 
 As quietly he answer'd, " If you care to 
 
 There 's France, you know I mean, sir. If you 
 
 dare to.^' 
 
 XIX. 
 
 He that hath touch'd a snail upon the horn, 
 And seen the creature shrink within its shell. 
 May image how the pale man's wrath and scorn 
 Sunk o' the sudden, and his features fell. 
 He seem'd to be the meekest creature born, 
 And turn'd with head deject, and mutter'd "Well !" 
 But none knew why ; for Arthur, in compassion, 
 Dropt in his ear the oil that smooth'd his passion. 
 
 XX. 
 
 Then aid was, such as might be, freely given. 
 Though they that felt the most approach'd him not t 
 Young Arthur and his man. The latter, driven 
 With fury back, when venturing near the spot, 
 Affected sullenness ; yet even Heaven 
 Saw not his mind more clearly than, I wot, 
 Did most that mark'd him, troubled and confounded, 
 Turn stealthily his eyes on whom he 'd wounded, — ' 
 2 
 
14 FELIX. 
 
 XXI. 
 
 As, sitting pensive down, the mast beside, 
 The face, disease had render'd wan, more pale, 
 His better nature struggling with the pride 
 Philosophy had taught without avail, 
 He watch'd, from time to time, the means apply'd 
 Refrigerant, and pray'd they might not fail. 
 He long'd to say, and told indeed his master, 
 That blindness need not follow the disaster. 
 
 XXII. 
 
 Carryl, who knew that Felix was well read 
 In more than one great branch of human learning, 
 Felt much reliev'd by what the hunchback said. 
 And wasted on this score no more heart-burning ; 
 And Felix fond, who would have given his head 
 To do him pleasure, did not venture turning 
 His thoughts to one more point of observation. 
 That gave his own try'd heart no small vexation. 
 
 XXIIl. 
 
 But Arthur had observ'd, nor would accord 
 A care his haughty spirit bade him smother 
 To threaten'd ill. There chanc'd to be aboard 
 A man, the son of Carryl's mother's brother. 
 This person (Grenville Sutton nam'd) was lord 
 Of a rich heritage, to which the other 
 (So all men thought, at least) should have succeeded. 
 Though, when their uncle's will was open'd, he did. 
 
GRENVILLE SUTTON, 15 
 
 XXIV. 
 
 Yet of this uncle Arthur still had been 
 The favorite even to his dying hour ; 
 While Grenville, striving more, could never win 
 The old man's heart. Attraction not the dow'r 
 Which Nature gave him, in his visage thin 
 There was a something that defy'd your pow'r 
 To say what made you shun it, when all there 
 Was smooth as summer lake, and seem'd as fair. 
 
 XXV. 
 
 Perhaps for that it was too like in look 
 A summer lake, in which you ne'er confide. 
 Men view without distrust the noisy brook ; 
 And when the torrent from the mountain's side 
 Comes tumbling down, who ever hath mistook 
 Its headlong power, and in mistake defy'd ? 
 But in the glassy lake are unknown deeps, 
 And storms brood o'er the surface while it sleeps. 
 
 XXVI. 
 
 This ere the aged uncle sunk to rest. 
 But when the cousin came to his estate, 
 And Arthur Carryl to his small bequest, 
 The lake grew ruffled ; on its surface sate 
 Perpetual shade ; and Carryl, once carest, 
 Was strangely shunn'd ; and then a sudden hate 
 Seem'd to spring up in Grenville Sutton's brain ; 
 For even to mention Arthur gave him pain. 
 
16 THE COUSINS. 
 
 XXVII. 
 
 Little carM Arthur, frank and ardent-hearted, 
 For loss of friendship he had never priz'd. 
 He felt reliev'd the unequal yoke had parted, 
 But at this enmity was sore surpris'd. 
 Soon after, though at different dates, both started 
 For Europe, and, as evil Fate advis'd, 
 Each chose this day, to gratify her malice, 
 To cross the narrow Straits and visit Calais. 
 
 XXVIII. 
 
 Felix, who knew whate'er had pass'd between 
 His master and dark SuttOxV, saw this latter. 
 Just at the close of that unpleasant scene, 
 Grov/ strangely interested in the matter. 
 Sit by the wounded man, and, then, this lean 
 On Sutton's arm, and their familiar chatter. 
 He knew him not, but judg'd the recent quarrel 
 Had broke no love 'twixt him and Arthur Carryl. 
 
 XXIX. 
 
 He saw, and fear'd some dear despite was brewing 
 
 Against his honor'd master and protector : 
 
 But Carryl, young, conceiv'd no risk accruing. 
 
 Or scorn 'd it ; for, although as his corrector 
 
 He had the man's old grudge been just renewing, 
 
 He knew his enemy to be no Hector, — 
 
 (A strange phrase by the by ! for Homer's will is 
 
 To make a bully only of Achilles.) 
 
EPICURUS. 17 
 
 XXX. 
 
 And here I would remark, (a brief digression,) 
 Wliat I have elsewhere briefly said in prose, — 
 That many names convey a false impression, 
 Whence once forgot the source from which they rose. 
 We make a paragon (l) by some expression, 
 That more from fantasy than reason flows. 
 Which may have point or sound, but little verity. 
 And fools convey the falsehood to posterity. 
 
 XXXI. 
 
 Thus Epicure, the best, save one, by odds 
 Of all the sages(2), has his name ty'd fast to 
 A human hog ! and one that should by rods 
 Have been taught decency, a knave, and ass too, 
 
 (1) Parallel ; comparison, {jmragone, Ital.). The proper derivate 
 sense of the word, though I know no English authority for its use 
 in this acceptance. Tlie received meaning of the verb, to 'paragon, 
 is to compare, to parallel. There is no reason why the signification 
 of the noun should not be accordant. 
 
 (2) I beg it may not be understood, from what is here said, that 
 I am an admirer of the doctrines of Epicurus, as a system of 
 morals, or even of philosophy. Very far from it. I consider 
 the philosophy of Epicurus as dangerous, if on no other grounds 
 than that it necessarily tended to make good men bad citizens, by 
 withdrawing them from active life, and merging their duties, as 
 members of society, in the selfish consideration of virtue studied 
 and practised for the sole delight which it afforded to the possessor. 
 But a philosopher, as a man, is no more to be judged of by the na- 
 ture of his doctrines, than a poet by the subject of his muse, though 
 the world is constantly doing so, with both the one and the other, 
 
 2* 
 
18 DIOGENES. 
 
 Is rank'd by Epictetus with the gods ! (i) 
 Both lies as gross, as 't were to praise Velasco, 
 Where tragic verse is at its lowest ebb, 
 Or make a man of sense of son W-bb. 
 
 XXXII. 
 
 However, leaving Hector, Epicurus, 
 
 And him, the lousy sire of moral cant, 
 
 Whose great success with emperors (2) should assure us 
 
 We need of virtue but a godly rant, 
 
 despite of experience, which derides the fallacy of such decisions. 
 The philosopher of the Garden was every whit as virtuous a 
 man as the leader of the Academy, while his tenets (abstractly 
 considered) are much more conspicuous for good sense than those 
 mystical speculations, which, very little to the credit of mental 
 independence, have divided, with the more reasonable dreams of 
 the stronger-minded Stagyrite, the dominion of the world in 
 metaphysics, for over two thousand years. 
 
 (1) Namely, Diogenes the Cynic. 
 
 (2) Allusion to the well known story of this surly hypocrite. 
 The son of Philip asked him, what he should do to pleasure him. 
 Stand out of my sunshine, growled the dog of Sinope ; and Alex- 
 ander, like a greater fool and greater hypocrite, made this com- 
 ment for the benefit of his courtiers : — Were I not Alexander, / 
 could wish to he Diogenes. No doubt, both thought that they were 
 making fine speeches; yet Alexander knew that Diogenes was 
 driven from his native place for. uttering false coin, and that he but 
 affected a disdain of what he could not acquire, and Diogenes was 
 conscious that Alexander would have thought a month passed 
 in the Granicus scarcely sufficient, to wash himself clean of even 
 the imagination of inhabiting the pen of the pediculose vagabond, 
 who, for a piece of buffoonery acted by means of a lantern, has, 
 like too many other knaves and fools, come down to posterity a 
 
THE PASSENGERS. 19 
 
 Or skill to sneer with unction, to secure us 
 A fame more odorous than that of Brant, 
 Who dying chief of certain Indian bravos, 
 A fool has made him stink in two octavos, — 
 
 XXXIII. 
 
 • 
 
 Leaving all these, who now are dead and rotten, 
 Until the Archangel's awful trump shall blow, 
 To renovate them and their deeds forgotten, 
 To soar sublime, or flutter down below, — 
 We turn to him, who, being our last begotten. 
 Like Joseph, 's doom'd a favor'd child to grow. 
 Arthur, quite sicken'd with the wounded eye, 
 Turn'd round to mark what other sights were by. 
 
 XXXIV. 
 
 There was a mother, whom three skinny girls 
 
 Pinch'd not in belly like the two in Chaucer (i) ; 
 
 A coxcomb, with fair hair that fell in curls. 
 
 That loung'd and languish'd on a coil'd-up hawser ; 
 
 A half-pay officer, whom pipes and purls 
 
 Had blown up like a sack, or something coarser ; 
 
 A courier in siesta from his labor, 
 
 His cloak around him, and beside his sabre ; 
 
 man of wit and a philosopher. God send, to all such, tubs to liv( 
 in, and water to lap with the hounds ! 
 
 (I) In the Tale of the A'un's Priest. The familiar expression, 
 " And pinch'd her belly with her daughters two," 
 is however not Chaucer's, but Dkyden's. 
 
20 THE PRINCESSES. 
 
 XXXV. 
 
 Four waiting-maids, part English and part French, 
 Of whom the English two were rather pretty, 
 The third a fright, the last a sprightly wench, 
 With saucy eyes, and mouth that stamp 'd her witty ; 
 Five straight-limb 'd lackeys on a distant bench, 
 Who smil'd at Felix' back, and talk'd of pity ; 
 And last, not least, three special groups, with which 
 I now proceed my stanzas to enrich. 
 
 XXXVI. 
 
 First come two princesses, from ancient Rome ; 
 
 Of person plain ; a mother and her daughter. 
 
 This, sad and very gentle ; for, at home, 
 
 Affliction and a pious heart had taught her 
 
 Lessons but seldom learn'd near Peter's dome : 
 
 So mournful and so meek, you would have thought her 
 
 The spirit of the Christian faith exil'd. 
 
 And grieving for the shrines she 'd left defil'd. 
 
 XXXVII. 
 
 The mother, much more cheerful, yet not gay, 
 Was even more mild and humble in her bearing. 
 Ceaseless good-humor seem'd, benign, to play 
 About her rivell'd lips, yet not less wearing 
 The seal of sense, — that, at a later day. 
 When better known, was Arthur heard declaring, 
 With warmth, how he should like to call her Mother, 
 Or be in any way her daughter's brother. 
 
BIANCA GAIOCORE. 21. 
 
 XXXVIII. 
 
 For them had ceas'd to bloom the rosy hours, 
 That festive summer of the yet green heart, 
 When Love bids blossom his enchanted bow'rs. 
 To charm the sense, and his oft fatal dart. 
 Its venom'd barb conceal'd, enwreaths with flow'rs ; 
 Yet in their train had Youth and Beauty part : 
 O, breathe thy wit and spirit o'er my story. 
 And live again, Bianca Gaiocore ! 
 
 XXXIX. 
 
 Gentle in birth, but of a house decay'd, 
 
 Bianca was their dame de compagnie ; 
 
 Which not exactly means a lady's maid, 
 
 But something more refin'd, though much less free ; 
 
 One by whom ev'ry freak must be obey'd. 
 
 And humble as an humble friend should be. 
 
 The ExVGLisH call such toady and load-eater {\). 
 
 Lady-companion is a term much neater. 
 
 XL. 
 
 Ah ! wretched and unstaid, that state indeed 
 Which rests on man's mere justice and humanity ! 
 
 (i) A word, which, though in reality mere cant, has become by 
 frequent usage in the poHte world somewhat established. We find 
 it used by I^ady M. W. Montagu, in her Epistle from Pope to 
 Bolinghroke : 
 
 " Your poor toad-eater, I around me scatter 
 My scurril jests, and gaping crowds bespatter." 
 Whether it have any earlier authority, I am as yet ignorant. 
 
22 BIANCA. 
 
 (This make your public, as your private creed.) 
 
 To brook caprice, to minister to vanity, 
 
 To flatter foibles, and the passions feed. 
 
 To fill the dull void of the mind's inanity, 
 
 The spirit's will subdu'd to serve the body's, — 
 
 Behold the courtier's fate, and simple toady's ! 
 
 XLI. 
 
 Hence learns the poor companion all that's mean, — 
 Her life a lie, herself the worst of slaves. 
 But there be some exceptions, far between. 
 Where the high dame no sycophancy craves. 
 Here conscience rules and gratitude is seen, 
 And mutual love from all debasement saves. 
 Such lot BiANCA found ; Heav'n seem'd to bless her, 
 That serv'd an angel like the principessa. 
 
 XLII. 
 
 Just seventeen, but yet more fully grown 
 Than maids that blossom under Northern skies, 
 BiANCA was the merriest creature known. 
 And all her soul stood sparkling in her eyes ; 
 Vivacious, with a frankness quite her own, 
 And ready wit that took you by surprise ; 
 Yet rich withal in reason, — rarest dower 
 Of woman, when her beauty is in flower. 
 
 XLIU. 
 
 Not hers the form a poet dreams or feigns, — 
 Too much the Juno for the height of Venus ; 
 
BIANCA. 23 
 
 I mean, she was too fat about the reins : 
 A sort of figure much more like to wean us 
 From poetry, than prompt poetic strains : 
 And yet it is not such a shape can screen us 
 From eyes like hers, that would not let you spare 
 A thought on features which she had elsewhere. 
 
 XLIV, 
 
 Fringing a forehead that was all divine, 
 
 Perfect in breadth and height, well-form 'd, and fair, 
 
 Of sense and soul the unmistaken shrine, 
 
 Two brows were sweetly set, of beauty rare. 
 
 So gently sloping their divergent line. 
 
 So smooth, so fine, so close, their dark-brown hair, 
 
 You long'd to let your fingers o'er them creep. 
 
 And could have kiss'd them, — would the eyes but sleep. 
 
 XLV. 
 
 Such brows the Greeks their chisell'd gods have given, 
 So straight, so long, with just such space between. 
 But what shall parallel the orbs of Heaven 
 That flashing 'neath their pencill'd lines were seen } 
 More brilliant than the golden star that 's driven 
 Down the slant sky before the crescent-queen. 
 Yes, like indeed that star's, their tender light 
 If bright was soft, yet not more soft than bright. 
 
 XLVI. 
 
 Distant, their hue seem'd black ; when near appearing. 
 You found them blue, or gray, or both combin'd ; 
 
24 BIANCA. 
 
 And, thus beheld, they were far more endearing, -^ 
 So large ! so full of soul ! so shrewd, yet kind ! 
 Her mouth was small, and beautiful, and wearing, 
 Like her fine brow, the impress of much mind. 
 Its only fault, it made her look too knowing. 
 Too much experienc'd for a girl that 's growing. 
 
 XLVII. 
 
 I pass her nose and teeth, which were not good ; 
 The first too short and thick, the latter common. 
 Her hair was nearly black, and shone as should, 
 When clean, that chiefest ornament of woman. 
 Her cheek not fair, but through it the rich blood 
 Ran visible, nor stay'd for aught to summon 
 Its current for a moment there, then vanish. 
 But glow'd in one bright spot, which nought could banish. 
 
 XLVIII. 
 
 So looks, when ripe, the sun-dy'd apricot, 
 So glows the twilight of a southern clime. 
 Bianca's moral traits I pass them not. 
 But only keep them for a happier time. 
 Yet must I name one vice the maid had got, 
 jNot very rare for beauties in their prime ; 
 Her voice, though polish'd as became her station. 
 Was spoil'd, in some degree, by affectation. 
 
 XLIX. 
 
 The princesses, besides this merry lady, 
 Had with them too their travelling physician. 
 
THE ENGLISH PARTY. 25 
 
 Three seasons of whose Hfe had pass'd already, 
 Yet left him ruddy, and in good condition ; 
 Courteous, urbane, and of a mien most steady, 
 A novel-reader, and a good musician. 
 A chevalier he was, hatch'd in Colonna (i), 
 And wore the riband of the cross of honor. 
 
 L. 
 
 The second group in persons number'd seven : 
 An English couple, out upon their tour ; 
 Three little boys, — the eldest, say eleven ; 
 A lovely girl, of sixteen years or more, 
 With eyes far bluer than her native heaven, — 
 Blue as our own when ether is most pure ; 
 And last, that with this group unites, yet clashes, 
 A Prussian nobleman with white mustashes. 
 
 LL 
 
 The marry'd pair, and parents of the boys. 
 Were such as you may meet in every crowd ; 
 The father gross, and loving jokes and noise. 
 Vulgar in soul and body, coarse, and loud. 
 Affecting wisdom, yet engross'd by toys, 
 Unletter'd, dull, but of his parts so proud, 
 You could not start a theme but started too 
 His tongue to teach you all its master knew. 
 
 (i) In the Campagna, near Rome, and therefore a subject of the 
 Pope's. 
 
26 CICERO PEBBLE. 
 
 LII. 
 
 His vanity so little, yet so vast, 
 
 It grasp'd at all things, and found nothing vile. 
 
 Hence rogues their hackney made of him, and cast 
 
 Such burdens on him as made others smile.' 
 
 The record of his offices would last 
 
 Too long by far, and not be worth my while. 
 
 He was, besides being preacher of sobriety, 
 
 Historian to a Sabbath School Society. 
 
 LIII. 
 
 He gather'd, too, subscriptions for the oppress'd 
 Black people in the land that once was Britain's, 
 And sundry knicknacks for poor women bless'd 
 With frequent calls for socks and children's mittens ; 
 He taught a cure for bites of dogs, and guess'd 
 The same would heal old scratches made by kittens ; 
 He wrote a Wordsworth-ballad too, a wonder. 
 To show that Herod was afraid of thunder. 
 
 LIV. 
 
 In the last Exhibition of Design (i) 
 
 One ass's head, 'mong others, caught my eye, — 
 
 So like in visage to this man of mine, 
 
 I could have sworn that Pebble's self was by : 
 
 (i) The yearly Exhibition of the jYational Academy of Design, in 
 ■New York. The stanza was written in the summer of 1839. 
 
MRS. PEBBLE. 27 
 
 A brow which I should rail to call divine, 
 Blue eyes stark-mad, and staring at the sky : 
 An old Narcissus, in poetic rage, 
 It seem'd, and was well-color'd, done by P — e. 
 
 LV. 
 
 It had too Pebble's nose, turn'd up in scorn, 
 
 And Pebble's mouth, and Pebble's snuff-brown suit, 
 
 A broach in breast, as Pebble might have worn, 
 
 A pen in hand, as Dante holds a lute. 
 
 But this was comely, and, though gentle-born, 
 
 Pebble in mien was something of a brute. 
 
 But P — E can flatter ; and the fool that paid him 
 
 May be a dirtier fellow than he 's made him. 
 
 LVI. 
 
 Howe'er, my copy of this bard in brown 
 Was quite an ass, and took much pains to show it. 
 No wonder then his lady, bred in town, 
 Appear'd, by certain overt acts, to know it. 
 She had been lovely ; but, when youth is flown, 
 Love drops his blind, as needs to sing no poet ; 
 And Mrs. Pebble, being no more green, 
 Made up in flesh and blood for grace of mien. 
 
 LVII. 
 
 Yet was she handsome. Few at thirty-four 
 Had features that could easier wake desire. 
 
28 CONSTANCE VERE. 
 
 Her large blue sleepy eyes at will could pour 
 A flood of light that set your brain on fire ; 
 Her small red pouting lip for ever wore 
 A look that said, Come, press me till you tire. 
 She might have sat to sculptors for Jove's sister, 
 As when Ixion kiss'd, or would have kiss'd her. 
 
 LVIII. 
 
 And yet it would have puzzled all their hive 
 
 To give her cheek's soft skin and pure carnation ; 
 
 Beauties which in an English dame survive 
 
 Longer than with the women of our nation. 
 
 He might have done it, he (i), who keeps alive 
 
 Cupid's mama in such a situation, — 
 
 I mean in Florence, where she 's seen, quite shocking, 
 
 Without a shawl, or shift, or drawers, or stocking ! 
 
 LIX. 
 
 The power of Virtue governs even the vile, 
 At distance reverenc'd, if approach 'd not near. 
 E'en rakes would turn from Mrs. Pebble's smile 
 And Juno eyes, to gaze upon the clear 
 Pure forehead, and the orbs where shone no guile. 
 And lips, of her young sister, Constance Vere ; 
 Who was the maid, " of sixteen years or more," 
 I 've mention'd in a stanza sung before. 
 
 (t) Titian. The allusion is to the two paintings in the Tribune. 
 
CONSTANCE VERE. 29 
 
 LX, 
 
 Sweet Constance Verb ! when thou wast seated by, 
 
 Vain were th/ sister's ripe and practis'd charms : 
 
 No libertine the Prussian, and his eye 
 
 Was faithful to its trust, though Reason's arms 
 
 Had oft been shiver'd by the matron's sigh. 
 
 Now Jealousy her haughty breast alarms, 
 
 And her large eyes grow dark with threaten'd storm 
 
 To Baron Maximilian Mirtenbaum. 
 
 LXI. 
 
 Sweet Constance Vere ! Cold were indeed the heart 
 
 That could unmov'd her loveliness behold ! 
 
 A creature yet unstain'd by guile or art. 
 
 And pure as is the thrice refined gold ; 
 
 So seraph-like it seem'd earth had no part 
 
 In her, but all was of a brighter mould ; 
 
 As pure as Eve, while yet she lay alone. 
 
 And Adam, sin, and sorrow, were unknown. 
 
 LXII. 
 
 Her eyes, as I have sung, were deeply blue, — 
 Shap'd like an almond, and of clearness rare. 
 The lashes long curl'd upward, and in hue 
 Were darker than her brows and clustering hair. 
 But not the orbs' mere beauty chain'd your view ; 
 It was the spirit that was radiant there ; 
 A spirit sweet yet sad, resolv'd but shy, 
 That aw'd yet touch'd you, though you knew not why. 
 3* 
 
30 CONSTANCE VERfi. 
 
 LXIII. 
 
 Than her white brow was lovelier never seen, — 
 
 Bianca's own not fuller of expression. 
 
 Her nose not large, yet high ; by which I mean 
 
 It was not of the order known as Grecian. 
 
 More fine than beautiful, it gave her mien 
 
 A dignity that was its just completion. 
 
 In short, it was uncommon, but not queer. 
 
 And look'd quite handsome upon Constance Vere. 
 
 LXIV. 
 
 Not the sun's dying rays on Alpine snow, 
 
 Nor petals of the rose ere fully blown, 
 
 Are loveher, in their evanescent glow. 
 
 Than the rich hue in Coxnstance' lips that shone ; 
 
 The upper curv'd like Cupid's fabled bow ; 
 
 The under might have seern'd his mother's own. 
 
 But that it had a virginal simplicity 
 
 That would not suit the queen of impudicity. 
 
 LXV. 
 
 Within this rosy heaven, where sat Persuasion, 
 And Love, grown modest, with the Graces play'd, 
 
 A double row of pearls (which suit the occasion 
 
 Of hackney bards for every sunburnt maid) 
 
 I will not add ; I rather make invasion 
 
 Into the Muses' fields, and call in aid 
 
 Some simile, whose yet untarnish'd brightness 
 
 May evidence her teeth's transcendent whiteness. 
 
CONSTANCE VERE. 31 
 
 LXVl. 
 
 What say you to the grains of Indian corn, 
 (I mean that kind whose fruit is silver-white,) 
 Before the stock has long its honors worn ? 
 So close like them, so milk-like, yet so bright. 
 You could have kiss'd them every one in turn, 
 And saw the lips disclose them with delight. 
 (A trope which must, I think, procure me praise 
 With lovers of the esculent, green maize.) 
 
 LXVII. 
 
 Two rows like these, well set, and all in place, 
 (So fitted to the mouth, and it to them, 
 That, when a smile the rosy lips would grace, 
 It show'd them all, each perfect as a gem,) 
 Gave such bewitching beauty to her face. 
 It would have charm'd away a stoic's phlegm. 
 But, even there, 't was that you saw no guile, 
 Enchain'd you more than lips, or teeth, or smile. 
 
 LXVIII. 
 
 White as the milk from Juno's breast that flow'd, 
 And, fallen to earth, new-dy'd the yellow flower, (l) 
 
 (i) The lily ; which, according to the fable, was of the color of the 
 crocus, till some of the milk of Juno (when the infant Hercules 
 was, by his father, put to his stepdame's breast, while she slept) 
 fell upon it, as another portion took its course through the heavens, 
 and formed the Milky Way. 
 
 I should ask pardon of scholars for venturing to recount this fa- 
 ble, were not my book intended for all classes of readers. 
 
32 CONSTANCE VERE. 
 
 What time, translated to his sire's abode, 
 The semi-mortal babe, in Jove's bright bower, 
 Drew from the sleeping queen immortal food. 
 The soft young cheek of Constance had no power 
 To kindle passion, but it woke a feeling 
 Far better, by its sweet yet sad revealing. 
 
 LXIX. 
 
 For there at times a momentary flush. 
 Faint as, at early dawn, the rosy streak 
 That ushers in a summer's sun, would rush 
 All suddenly, and dye one single cheek. 
 Without a mental cause for such a blush 
 In flatter'd pride or irritated pique ; 
 Then gradually the vermil glow, thus spread, 
 Would settle in one spot intensely red. 
 
 LXX. 
 
 This too, by slow degrees, would pass away. 
 As fade the colors of a setting sun : 
 And as you mark'd these symptoms of decay, 
 And saw her pensive and subdu'd, like one 
 That mourn'd her early doom, yet seem'd to say, 
 JVot mine, O Father, but thij will be done ! 
 You felt a pity mix'd with admiration. 
 That rais'd you in your proper estimation. 
 
 LXXI. 
 
 For Pity is God's daughter ; and who feels 
 For human sorrow shares the soul divine. 
 
CONSTANCE VERE. 33 
 
 When o'er the mind the holy influence steals, 
 And the thoughts all to gentleness incline, 
 The festering wound of disappointment heals, 
 And grosser feelings, for the time, refine ; 
 And, loving those to whom the heart thus leans. 
 We love ourselves, made purer by their means. 
 
 LXXII. 
 
 As, when the Archangel shot the trackless space, 
 The clouds dispers'd, and heaven became serene. 
 What time he sought for Discord, and her place 
 Found where he deem'd the fiend had never been, (l) 
 (Which shows that Michael, wise in realms of grace. 
 Was in this sublunary world but green,) 
 Wherever Constance turn'd her heavenly features, 
 She calm'd men's hearts and purify'd their natures. 
 
 LXXIII. 
 
 "O days of innocence, long since departed ! 
 When I was happy, for I knew content ; 
 When pious, docile, chaste, and gentle-hearted, 
 I never dreamt what sin or passion meant ; 
 And every night my lips with pray'r were parted, 
 As low beside my little couch I bent, 
 
 (i) See in the Orlando, (Canto xiv. st. 77, and following,) the 
 expedition of Michael in search of Discord and Silence: — 
 " Dovunque drizza Michel angel 1' ale, 
 Fuggon le nubi, e torna il del sereno, ec." 
 The innocent seraph found Discord, where he looked for Silence, 
 — in a Monastery. 
 
34 CONSTANCE VERE. 
 
 Not then I sorrow 'd, though the eyes might weep, 
 Nor came the devil near me save in sleep, 
 
 LXXIV. 
 
 " Then was the pillow rarely press'd in vain ; 
 Then sprang the heart to meet returning light ; 
 Conscience had never rack'd the throbbing brain, 
 Nor weary'd spirits made the sun less bright ; 
 Duties were easy, brief was every pain. 
 Disgust unknown where all things brought delight. 
 What would I give, to be as she is now, 
 That fair young creature with the spotless brow ! " 
 
 LXXV. 
 
 Thus Carryl thought, (as we in turn might do,) 
 And many a smother'd sigh convuls'd his breast, 
 While linger'd on the maid his raptur'd view, 
 And drank in all that lovely face exprest. 
 But, leaving him awhile, we must pursue 
 Our rudely pencill'd sketches of the rest, — 
 And first, that Constance Vere may stand complete, 
 Delineate her form from throat to feet. 
 
 LXXVI. 
 
 Her stature was below the middle height, — 
 And delicately slender, but not thin. 
 Her figure ; for her bust was full, though slight, 
 And full her graceful throat and rounded chin. 
 
THE TOURISTS. 35 
 
 Her taper hands were on the outside white, 
 But tinted Hke the ocean shell within ; 
 And the small foot beneath her garment's fold 
 Look'd perfect as if just come from a mould. 
 
 LXXVII. 
 
 But, more than all, she had that rare attraction, 
 
 Better than beauty, to our hero's mind. 
 
 An air that show'd her breeding and extraction 
 
 Were nothing of the ordinary kind. 
 
 From all her person, — in its very action, — • 
 
 Or rather, its repose, — this lustre shin'd. 
 
 And with the soul that hallow'd her blue eyes, 
 
 Made reverent even the old, and charrn'd the wise. 
 
 LXXVIII. 
 
 Here leave we for the present Constance Vere. 
 The Baron Maximilian, who is reading 
 A song of Pebble's with grimaces queer, 
 While hums the poet, with his native breeding. 
 The tune {Bold Thompson) in his wondering ear, 
 We leave him to this intellectual feeding. 
 Till more at ease (for now we must move faster) 
 We bring him in with Felix and his master. 
 
 LXXIX. 
 
 Save the three boys, each member of this set 
 A different motive led upon their tour : 
 Constance to meet whatever might be met 
 Of good unknown ; alas ! how very sure 
 
36 THE SAVOYARD. 
 
 To find that sin and sorrow, toil and fret, 
 Are everywhere the lot of rich and poor ; 
 Her sister to make conquests, I suppose. 
 The Baron's motive Heaven only knows ! 
 
 LXXX. 
 
 Pebble himself, like half the people there, 
 The same wise motive that has lately driven 
 So many thousands heat and dust to bear. 
 To watch a British steamer leave the haven ; 
 The same which makes their kindred fools repair 
 To NiBLo's alleys every summer even, 
 To see a foreign mountebank aspire 
 To tread a hawser with her tail on fire. 
 
 Lxxxr. 
 
 The third group, and the last I have to mention, 
 Consists of two, a maiden and her sire. 
 In the Fourth Canto it is my intention 
 To give their history, which will not tire. 
 At present I shall show that no invention 
 Of poet or of painter could aspire 
 To gift a pair, in picture or in song, 
 With such rare graces as to these belong. 
 
 LXXXII. 
 
 For no wild fiction is thy worth, Estelle ! 
 Nor yet thy loveliness beyond compare ; 
 And he of whose kind soul I have to tell. 
 That aged man who sits beside thee there, 
 
THE HERB OF VIRTUE. 37 
 
 His image too is mirror'd in that well 
 Whose waters seldom reach this upper air. 
 The good Dessanti was her sire by option ; 
 EsTELLE was but the child of his adoption. 
 
 LXXXIli. 
 
 Her origin involves a brief romance, — ' 
 A tale of strange disaster, tears, and blood. 
 Suffice it for the present, that in France 
 She drew her earliest breath ; but he who stood 
 Her friend and saviour in her worst mischance, 
 And since the best of fathers, he, the good 
 Dessanti, was by birth a Savoyard, 
 And liv'd at Chambery with this his ward. 
 
 LXXXIV. 
 
 Not always in this wintry world of ours 
 Is virtue blighted by incessant frost. 
 Upon its delicate stem ofttimes sweet flow'rs 
 Grow clustering ; and who plants it finds his cost 
 More than repaid, when, after years, it tow'rs 
 High as a palm, and, weary, worn, and tost, 
 On the world's scene, he finds beneath its shade 
 The sweetest shelter his own hands have made. 
 
 LXXXV. 
 
 When, one by one, the good man's children pin'd 
 With slow disease, and to their triple grave 
 4 
 
38 DESSANTI. 
 
 The care-worn mother in her turn consign 'd 
 
 Slept the long sleep, it seem'd as Heaven to save 
 
 The lone survivor to his love assign'd 
 
 That sweet Estelle. Now on life's ebbing wave 
 
 His bark swam buoyant, and his age declining 
 
 Was even more bright than when its noon was shining. 
 
 LXXXVL 
 
 We hear sometimes of apostolic faces, 
 Such as poetic dreams the saints have given 
 Who taught, in other times and other places, 
 Gentile and Jew the surest route to Heaven, 
 But such as (in this world so little grace is) 
 You now will hardly find one time in seven, 
 Nay, in the modern gallery of teachers. 
 Seven times in seventy hundred thousand preachers. 
 
 LXXXVII. 
 
 What wonder ? since not any where we see 
 The meekness, charity, and self-denial 
 Taught by the Lamb who bled upon the tree. 
 And practis'd by the Saints when put to trial ; 
 But now the reverend race in nought agree 
 Save vanity, and pouring, from the vial 
 St. John dreamt of, the hailstones of damnation (i) 
 On all who take their own road to salvation. 
 
 (i) " And the seventh angel poured out his vial into the air," etc* 
 " And there fell upon men a great hail out of heaven ; every stone 
 about the weight of a talent. And men blasphemed God because 
 of the plague of the hail ; for the plague thereof was exceeding 
 great." Revelations, xvi. 17 and 21. 
 
DESSANTI. 39 
 
 LXXXVIII. 
 
 But on his reverend brow Dessanti bore 
 The impress of a large and generous mind. 
 Its high bald top the sign celestial wore 
 Of the strong love that knits man to his kind, (l) 
 Down to his shoulders hung his tresses hoar ; 
 And his large open blue eye sweetly shin'd 
 With the pure spirit, serious yet benign, 
 Taught by the Virgin's blessed son divine. 
 
 LXXXIX. 
 
 Most happily the mouth match'd with these features ; 
 For its unfaded fullness plainly told, 
 Dessanti had not liv'd, as baser natures, 
 In sensual idleness, and now when old 
 Enjoy'd those gifts, (of all, that to his creatures 
 The All-Good hath given, the best, — before fine gold 
 Or smiles of kings,) sound health and conscience clean, 
 That color like the rose life's dreariest scene. 
 
 XC. 
 
 Travel you might from one pole to the other. 
 From the sun's setting even to his rise, 
 
 (i) What phrenology has termed the Organ of Benevolence. 
 Whether it be the sign of the presence of such an organ, or there 
 be of the brain no such portion devoted to this particular senti- 
 ment, it is certain that usually in persons of a benevolent turn of 
 mind, the middle of the highest part of the forehead is elevated and 
 finely rounded. 
 
40 DESSANTI. 
 
 Without perhaps once meeting such another 
 Nose as the one between Dessanti's eyes ; 
 Except in Florence, Rome, or in the mother 
 Of ancient art, or near where Virgil lies ; 
 Such noses being often cut in stone, 
 But rarely met of merely flesh and bone. 
 
 XCI. 
 
 The rare perfection of its outer line 
 (Which straight and even from the brow descended) 
 Gave to the face a beauty quite divine, 
 And even a grandeur that superbly blended 
 With the magnificent brow, and with the fine 
 Large eyes and silver hair ; a whole so splendid, 
 It wanted but the beard that suits a saint 
 To make look dim the best e'er done in paint. 
 
 XCII. 
 
 His height six feet, his fine form still unbent, 
 His motion firm, and dignify 'd, and slow, 
 The majesty that with his sweet smile blent, — 
 He look'd a king, or one who should be so ; 
 For not to kings has Nature always lent 
 Regality of make or mien I trow, 
 And one fine fellow, trimly set and jointed, 
 Is worth a dozen of the Lord's anointed. 
 
 XCIII. 
 
 EsTELLE . . . Thou sweetest flower that ever grew 
 In the world's waste, man's desolate heart to cheer ! 
 
ESTELLE. 41 
 
 Ah, could I sing thy worth with rapture due, 
 That all good men the unflatter'd truth might hear ! 
 For thou, sweet spirit, wert of the immortal few 
 Without whose loveliness this life were drear ; 
 Since, with thy sex's virtues, in thee shone 
 Whate'er exalts and dignifies our own ! 
 
 XCIV. 
 
 EsTELLE, who did in moral growth surpass 
 All of her sex that Carryl yet had seen. 
 Was taller too in person than the mass 
 Of women, and in looks a very queen. 
 'T was strange indeed how very like she was 
 The Savoyard in majesty of mien ; 
 By breeding or example taught, or both ; 
 But more, I think, it was of native growth. 
 
 XCV. 
 
 Authority, the habit of command, 
 The meeting everywhere with veneration, 
 The conscience that no cradle in the land 
 Is loftier than our own, this pride of station 
 Gives to the mien an awe that few withstand, (l) 
 There is besides a grandeur education. 
 When large, and acting on a liberal nature. 
 Stamps ineffaceably on eyery feature. 
 
 (i) It is partly this circumstance, perhaps, which, in a less de- 
 gree, gives the gentility of air that characterizes the women of the 
 United States above all others in the worldi The freedom of the 
 government, the want of acknowledged social distinctions, aid the 
 
 4* 
 
42 THE AIR OF DISTmCTIOW. 
 
 XCVI. 
 
 But there is yet a pride of mien, the dower 
 
 Of nature. Not confin'd to gentle birth, 
 
 It is not always found with rank or power, 
 
 But dignifies at times the sons of earth. 
 
 Then is the well-turn'd figure seen to tower, 
 
 And the high head looks godlike. But when worth 
 
 Of soul is added, and the grace of breeding. 
 
 You have a majesty of port exceeding 
 
 influence of the brilliant climate, and are fast producing such Iqyeli' 
 ness as will one day rival, if it do not even now, the boasted models 
 of Greece.* The women of the United States are already uni- 
 versally allowed to be the prettiest in the world. They are more. 
 Foreigners see but the surface of society, in the little time they are 
 with us, and generally it is with the wealthier, more fashionable, 
 and politer class they are familiar; but it is in the inferior and mid- 
 dle grades of life that the great superiority in feminine beauty of 
 America over all other countries is to be found. Distinguished by 
 an exceeding gracefulness of person, by a rare perfection of feature, 
 by fine and lustrous hair, dressed with peculiar taste, and by a step 
 that almost rivals the gait of the women of Spain, the American 
 grisette is born the lady ; it is only her conversation and her man- 
 ners that would tell you she is not so bred. The most beautiful face I 
 have ever seen belonged to a market girl of Perugia in Italy, the 
 finest form was that of a servant-maid at Pau in France (the birth- 
 place, by the by, of that connaisseur in women, the fourth and great 
 Henry) ; but for the greatest number of merely personal charms 
 united, figure, feature, grace, expression, and in the greatest num- 
 ber of persons, commend me to the matchless maids of America. 
 
 * It is remarkable that the female children born in America of Irish emi- 
 grants (who are almost invariably, in respect of features, person, mien, and 
 carriage, grossly vulgar and ill favored, to an extent that to the native popula- 
 tion has something in it ludicrous and extravagant) grow up handsome, well- 
 formed, and graceful, and conspicuous, frequently in no little degree, for that 
 very air of which we speak above. 
 
ESTELLE. 
 
 XCVII. 
 
 All that the ermin'd robe or crown of gold 
 Confers on monarchs or their titled train. 
 And such did Carryl in Estelle behold : 
 A dignity of one not proud or vain, 
 (Though spirited, the maid was never bold, 
 And Reason more than Fancy sway'd her brain,) 
 But one whose soul, undimm'd by guilt or shame, 
 Made even more bright the vase where burn'd its flame. 
 
 XCVIII. 
 
 Straight as the nut-tree which our forests bear, 
 And rounded as its trunk her delicate waist. 
 Her form, in symmetry, might well compare 
 With any model of Hellenic taste. 
 Not that sweet figure, of expression rare. 
 Wrought by Canova, and in Forli plac'd. 
 That sportive rests amid the dance's whirl, (i) 
 In gracefulness might match my orphan girl. 
 
 XCIX. 
 
 Her taper limbs, the shoulders' matchless fall, 
 The hollow back, and high expanded chest, 
 
 (i) That one of the three famous dancing girls which was made 
 for Manzoni, who removed it to Forli. The reader may see an 
 elegant engraving of it, in the first volume of a work published in 
 London in 1832, entitled Illustrations of Modern Sculpture. 
 
44 ESTELLE. 
 
 Her feet and hands, so narrow, smooth, and small, 
 The space 'twixt either round, just-budding breast, 
 The throat, the swelling loins, — 't was perfect all ! 
 Nor could the modest gown or shawl divest 
 Those limbs of grace, or make one beauty dim, 
 Where all was faultless, body, motion, limb. 
 
 C. 
 
 Lovely her face, as ever poet dream'd, 
 With even brow, and large black eyes whose fire 
 Was temper'd with a seriousness that seem'd 
 Beyond her years, — well fitted to inspire 
 Deep veneration ; yet such beauty gleam'd 
 Therewith as made your heart beat thick : Desire, 
 Unhooded, shook his pinions, to sink check'd, 
 Aw'd by a mien that angels might affect. 
 
 CI. 
 
 The heavy lids that canopy'd those eyes 
 
 Were like the waning moon, and, when they fell, 
 
 You scarcely wish'd to see their broad arch rise 
 
 From orbs they curtain'd, yet display'd so well. 
 
 Around their edge the jetty fringe that lies. 
 
 Seems even to shade the cheeks that 'neath them swell. 
 
 Her brows a crescent form, that highest bends 
 
 Just where the forehead in the temple ends. 
 
ESTELLE. 45 
 
 CII. 
 
 Why need I mention that her comely nose 
 Was not of classic, or Dessanti's mould ? 
 That in her cheek the lily and the rose 
 Mix'd not, but hues more fadeless and less cold ? 
 That her full chin you had from thousands chose, 
 Though these the loveliest human eyes behold ? 
 Since nought in any face, from North to South, 
 Could match her eyes, save her own matchless mouth. 
 
 cm. 
 
 Hers was the face which every Christian nation 
 
 Has seen its Zeuxes, by a nice accord, 
 
 (I will not say, by servile imitation,) 
 
 Give to the Virgin Mother of the Lord, 
 
 And found befit, in general estimation, 
 
 The uno-ather'd Rose before all saints ador'd. 
 
 Hence travell'd swains would whisper, gazing on her, 
 
 In graphic rapture, " Cristo ! a Madonna ! " 
 
 CIV. 
 
 Because, when looking down, the smooth clear line 
 Of her arch'd eyebrows, and her lid's broad curve, 
 Her cheek's not fair carnation, and the fine 
 Pure oval of her visage, were what serve 
 To assimilate all heads of the divine 
 And worshipp'd seed of Jesse ; though deserve 
 None I have seen, save one, a mention near 
 This flower of maids, and beauty without peer. 
 
46 MADONNAS. 
 
 cv. 
 
 For, one excepted, they are wanting all 
 (Even Raphael's (i) ) in that virginal expression 
 About the mouth, which, ever since the fall, 
 Has been the rarest and most frail possession 
 Of those who wear the petticoat and shawl, 
 Whate'er their nation, age, rank, or profession. 
 The exception stands at Rome, and swells that oglio 
 Of carv'd and painted things, the Campidoglio. 
 
 (i) It may for a moment excite surprise, that any one should 
 venture to deny this quahty to the Madonnas of Raphael, whose 
 women are always modest; but I am not now speaking of an ex- 
 pression of ordinary feminine purity. His faces of the favored 
 Mary are chaste and saintlike enough ; but they have a character, 
 or a want of character, in the mouth, that is totally incompatible 
 with the idea of perfect virginity, — virginity as I mean it here, 
 — a virginity of mind as well as of body. With Raphael the 
 mouth of the Madonna always corresponds with the regular and 
 delicate arch of her brows, and their great elevation from the eye- 
 lids, and, like these peculiarities, it gives the face an insipidity of 
 expression that is characteristic of a silly though amiable woman, 
 and that certainly is any thing but divine, or worthy of the mother 
 of the Redeemer*; whereas the expression that I mean approaches 
 more nearly to my idea of what may be angelic, than any other 
 character that I know of, as really belonging, or as attributed by 
 painters and sculptors, to the human countenance. It is rarely, 
 
 * Even an unbeliever, who, with Rousseau, should consider the Author of 
 our sacred religion a man of more than ordinary character, would endeavour, 
 we should think, to represent his Mother as a more than ordinary woman ; 
 for general principles would so require. How strange then that Christians of 
 the Romish church should have gone no further than to give to Mary merely 
 beauty and amiability ! 
 
 If you but change the worship of Jupiter and the subordinate deities to that 
 of the triune Godhead and a legion of saints, Rome is the same in religion now 
 that she was before the dawn of Christianity ; yet the symbols of her mysteries, 
 how very inferior ! The ancient sculptors of her city gave to the aspect of 
 their gods something of divinity, while the best among the painters of modern 
 Italy have made the Virgin and her Infant merely mortal, 
 
MADONNAS. 47 
 
 CVI. 
 
 But of the five and thirty Virgins there, (i) 
 By Sacchi, SchiavonIj Scarsellino, 
 Bassa'n, Albano, Campi, and the pair 
 That made Bologna famous (2), Perugino, 
 Paul Veronese, and many more as rare. 
 Which is the true Madonna col bambino (3) 
 I have forgot ; but mount the stair, or scala, 
 You '11 find her somewhere in the Prima Sala (4). 
 
 — very, very rarely, — lo be seen in woman after puberty; but just 
 before the period of the developement of the passions you may find 
 it in perfection, in the lovely and ingenuous of the sex ; though 
 even with these (owing perhaps to the congenital transmission of 
 those peculiarities of feature, which are indicative of the habit of 
 certain passions or sentiments) it is not by any means common, 
 
 (1) The gallery of paintings in the Capitol at Rome was designed 
 by Benedict XIV. (1794) for the instruction of youth, and, in 
 Italy, is to be considered merely a very respectable collection of 
 specimens of the more distinguished artists of nearly three centu- 
 ries. Of about 200 pieces, which it comprises, thirty-Jive have the 
 Madonna and Infant, by themselves, or as the centre of a group. 
 
 The collection, however, contains some much admired pictures 
 by eminent hands, such as the celebrated Persian Sybil of Guerci- 
 NO, the Cumcean Sybil of Domenichino, the Defeat of Darius by 
 Peter of Cortona, and the famous masterpiece of Guercino, 
 which he executed for the Vatican, the Sta. Petronilla. 
 
 (2) Lewis and his cousin Annibal, Caracci. — Ludovico Ca- 
 BACci was the founder of the school of Bologna, which did so 
 much for the arts. He associated with himself Annibal and 
 Augustin, the sons of his uncle. Agostino Caracci did, com- 
 paratively, but little in painting. 
 
 (3) Col bambino, with the infant. The Italian mode of cata- 
 loguing such pictures, as in English we say, the Virgin and Child. 
 
 {i) The collection is divided into two rooms or halls, — the Prima 
 and Seconda Sala. 
 
48 THE WOODLAND LAKE. 
 
 cvn. 
 
 There, as you enter, turning on your heel, 
 You have before you, sidelong by the door, 
 The very face whose lineaments reveal 
 Much of the charm Estelle's sweet visage wore ; 
 So like, that Carryl almost long'd to steal 
 The shape divine ; and, leaving Rome, he bore 
 A copy with him, without saint or glory (i); 
 (But this is to anticipate my story.) 
 
 CVIIL 
 
 Near the lov'd city in whose walls I write, 
 
 There is, embosom'd in a sweet wild wood, 
 
 Which lust of gain has lately made a site 
 
 For sepulture, (and meet it is and good, 
 
 That there, where peace and solitude invite 
 
 To meditation and the solemn mood, 
 
 The dead should sleep their hour, not where the eye 
 
 Accustom'd marks them not, or carelessly,) 
 
 CIX. 
 
 A little lake ; its waters, crystal-clear ; 
 In form, an oval regular. Around, 
 From its extremest edge, the forests rear 
 Their sloping summits, and the horizon bound. 
 
 (i) I forget whether, in this picture, the Virgin has a glory; but 
 it is reasonable to suppose so, it being a prescriptive absurdity 
 which painters seldom if ever omit. If it be the one I am inclined 
 to believe it, there are several saints about the Madonna. 
 
THE WOODLAND LAKE. 49 
 
 No rock ; no chasm ; the wave, the woods appear, 
 And one scarce-visible belt of yellow ground. 
 The eye an amphitheatre thus sees ; 
 The flood the arena, and its seats the trees. 
 
 ex. 
 
 No sound the sweetly solemn silence breaks, 
 
 Save when the night-wind in the leaves is sighing, 
 
 Or lonely bittern suddenly forsakes 
 
 His reedy covert, o'er the blue mere flying. 
 
 Mirror 'd upon its waste, or ospray takes 
 
 Her perch on some dead bough, intently eyeing 
 
 The dimpled surface, where, from side to side. 
 
 The tiny waterflies capricious glide. 
 
 CXI. 
 
 There, it is said, the flood is never seen 
 
 To sink below its level, or to rise, 
 
 In vernal time or harvest, yet, I ween, 
 
 Hid are both source and drain from human eyes. 
 
 Shelter'd and circled by her ramparts green. 
 
 Lovely and lone, the sylvan beauty lies ; 
 
 Bright with the sun, soft when his glories fade, 
 
 Majestic in the dark wood's awful shade. 
 
 CXII. 
 
 And such, so like in charms this virgin water, 
 So grand, so soft, so tranquil, so retir'd, 
 Appear'd the beauty of Dessanti's daughter. 
 Sorrow might dim the features you admir'd, 
 
50 ESTELLE. 
 
 A chance emotion ruffle ; but you thought her 
 Still wonderful, and fain would have inquir'd 
 By what philosophy a maid so tender 
 Prov'd equable despite of age and gender. 
 
 CXIII. 
 
 Ask of the mole, that stems the rushing tide, 
 Of what slight straws its substance is compacted. 
 Philosophy ! frail boast of sightless pride ! 
 Part study 'd oft, but seldom yet enacted ! 
 It was the soul, the native spirit, ally'd 
 To firm-bas'd principle, which aye exacted 
 And put restraint on all suggested ill, 
 That kept Estelle's clear temper equal still. 
 
 CXIV. 
 
 Not lovelier, when to Earth translated first, 
 Sped by the Thunderer, came the mythic Eve, 
 With all those heaven-born graces blest yet curst, 
 Which taught the Titan (i) how to love and grieve ; 
 
 (i) Epimetheus, 
 
 TI^coTOi ya.^ ^st, /\io; wX^o-r^jv vcti.'Sixto yuvaiUdC 
 
 (Hes. r/tcoo-. 510, juxtaed. Phil. Junt^, Flor. impr. 1515.) 
 Juvenal gives the name to his brother, Prometheus, as being the 
 offspring of the Titan, Japetus : 
 
 E meliore luto finxit proecordia Titan, (xiv. 35.) 
 So Ovid calls the Sun Titan, as sprung of Hvperion : 
 
 Nullus adhuc mundo preebebat lumina Titan, (Met. i. 10.) 
 The fable of Pandora is too -well known to need to be recounted, 
 even to the ordinary reader. 
 
THE HALL OF INTRODUCTION. 51 
 
 When sorrow and sin on man devoted burst, 
 Hope only left, to solace yet deceive ; 
 Not lovelier, and less gifted ; for Estelle 
 To woman's best virtues added man's as well. 
 
 CXV. 
 
 Magnanimous, in whom no thought of guile. 
 
 No meanness, even for a moment, sway'd. 
 
 No selfish pride .... But let me pause awhile, 
 
 My thumb now weary'd, and my harpstrings fray'd ; 
 
 Haply not dreading less my hearer's smile, 
 
 So long upon this symphony delay'd. 
 
 But in the sequent portion he shall hear 
 
 Strains which, I trust, will less fatigue the ear. 
 
 CXVI. 
 
 This Canto may be call'd, — to change the trope, — 
 
 My hall of introduction, where one makes 
 
 A general acquaintance (which I hope 
 
 Time will convert to friendship, for all sakes ; ) 
 
 A form whose stiffness little suits my scope. 
 
 But now 'tis over, and the assembly breaks. 
 
 Spread through the various rooms, where due exertion 
 
 Is making to diversify diversion. 
 
CANTO SECOND 
 
 ^Ij&itlj t|)at, iljt san |)er ijcn on \)Un caft 
 
 Chau. rr. ^ Cr. in. 
 
ARTHUR CARRYL 
 
 A NOVEL. 
 
 CANTO SE COND. 
 I. 
 
 Fair ladies ! and particularly you, 
 My gentle countrywomen ! I entreat 
 You will not deem the portraits given to view 
 Of Constance and Estelle a pleasant cheat, 
 Or think their virtues, which I sketch'd, not drew, 
 But yet shall draw, are such as never meet 
 Together in one woman, miss or madam, 
 But savor of the good old days of Adam. 
 
 II. 
 
 I do assure you, as I fain would see 
 You all aspire to be like them, nor less ; 
 Making resistless charms which specially 
 Ye, Beauties of this hemisphere, possess ; 
 As I do love you all, to that degree 
 Which, though a poet, I can ne'er express ; 
 Both liv'd, though bearing in unfinish'd youth 
 To stars more bless'd their innocence and truth, 
 
56 SYMPATHY. 
 
 III. 
 
 Both liv'd (I would I might say, live!) and were 
 As pure, high-soul'd, and amiable as I 
 Have painted, and shall paint them, or I err. 
 And you, my rougher readers, be not by 
 Your own experience blinded to aver 
 Such graces and such virtues ne'er ally 
 Their lovely forces ; for this gentle pair 
 Were not in goodness more than beauty rare. 
 
 IV. 
 
 As for EsTELLE, I would you could have seen her I 
 So beauteous, so accomplish'd, and so true ! 
 High-soul'd, yet humble, and of mild demeanour, 
 With gentle courage, given but to the {ew. . . . 
 But ah, my heedless spirit ! I must wean her 
 From this way-loitering while the fault is new. 
 Forget we then thy charms, Estelle ! till over 
 The strait 'tvvixt Calais and the cliiTs of Dover, 
 
 V. 
 
 There is a sympathy that quickly wakes 
 For those who unresisting suffer wrong. 
 When in our hearts no selfish interest takes 
 The part of the oppressor and the strong ; 
 Whether it be that ready fancy makes 
 The woes which properly to them belong 
 Our own, and in their sufferings we see 
 Types of what ours may one day come to be ; 
 
SYMPATHY. 57 
 
 VI. 
 
 Or that the jealousy and envy given, 
 
 By Nature, to restrain the growth of Pow'r, 
 
 Which otherwise, unless o'erthrown by Heaven, 
 
 Would pierce the clouds, a second Babel's tow'r, 
 
 Makes us to hate its very semblance even, 
 
 (As men behold some beast that may devour. 
 
 Though cag'd and barr'd, with shrinking and distrust,) 
 
 And view its exercise with strong disgust ; 
 
 VII. 
 
 Or that we feel, at sight of human wo, 
 Superior to the sufferers, and, thus made 
 Contented with ourselves, at once v/e grow 
 Indulgent, and dispos'd to soothe and aid 
 The authors of that pleasantness we know ; 
 Whether this be the principle obey'd, 
 Or that (hypothesis perhaps the best) 
 There really dwells in man's corrupted breast 
 
 VIII. 
 
 A natural goodness, which, when there opposes 
 
 No selfish bias against the fine emotion. 
 
 To sudden sympathy the heart uncloses. 
 
 And tow'rd the injur'd wakes a brief devotion : 
 
 Be it as 'tmay, or as the reader chooses. 
 
 Our passengers were mov'd with strong commotion, 
 
 Shock'd by the scene we 've given and sequent quarrel, 
 
 And look'd with no kind eyes on Arthur Carryl. 
 
58 CARRYL IN BAD ODOR. 
 
 IX. 
 
 Especially the women ; for the men, 
 Indifferent more by nature, were restrain'd. 
 Haply, besides by common prudence. Then 
 You might perceive the difference which obtain'd 
 Among the three whose beauties grace my pen : 
 Not but that all their placidness regain'd 
 Full soon, and for the two we've lately nam'd, 
 Even Carryl their brief umbrage had not blam'd. 
 
 Considering him ill-bred, unfeeling, proud, 
 BiANCA glanc'd a lively indignation. 
 That seem'd as 't would emit itself aloud 
 Upon the unweeting youth. No irritation 
 In Constance* lovely features was avow'd, 
 But a sweet sorrow and commiseration, 
 As if she griev'd for nature brought so low, 
 To triumph o'er a bruis'd and prostrate foe. 
 
 XL 
 
 With a grave dignity and fix'd regard, 
 Where mingled some surprise and some severity, 
 The high-soul 'd daughter of the Savoyard 
 Ey'd the offender. But its slight austerity 
 Would not have seem'd to Carryl passing hard, 
 Had he her notice heeded ; for, in verity, 
 He would have been content at more vexation 
 To win so fair a creature's observation. 
 
A CHANGE OF FEELING. 59 
 
 XII. 
 
 But he, as you have read, in great anxiety 
 
 Was watching the result of Felix' fall. 
 
 And when he turn'd, in quest of some variety, 
 
 EsTELLE was not regarding him at all. 
 
 And Constance, with a marvellous sobriety, 
 
 Was hearing Pebble lecture upon Gaul, 
 
 {" A term," he said, "for Cock, by classic showing ; 
 
 Because your Frenchman was for ever crowing.") 
 
 XIII. 
 
 But the bright daughter of the immortal city 
 Which whilom suckled Portias and Cornelias, 
 Found soon her indignation melt to pity, — 
 A pity admirative, like Ophelia's (l); 
 And then, as happens with the gay and witty, 
 Whose metamorphoses are like aurelias'. 
 Strange and entire, she judg'd ere very long. 
 Her haste had done the gentleman much wrong. 
 
 XIV. 
 
 The master's and the man's exceeding sadness, 
 The sullen aspect which the wounded bore, 
 His rage, transporting him well nigh to madness, 
 After the scuffle, and his taunts before, 
 And in his countenance that settled badness, 
 So different from the look our hero's wore, 
 Nor less the deep abasement he 'd betray 'd 
 At Carryl's whisper, loathing, yet afraid ; 
 
 (i) For Hamlet. 
 
60 THE PREJUDICE WEARING OFF. 
 
 XV. 
 
 And finally the singular veneration 
 
 In which the hunchback seem'd to hold his master, 
 
 So mix'd of love, respect, and admiration, 
 
 His own behavior since that sad disaster, 
 
 His look which spoke no vulgar education, 
 
 All this united made Bianca cast her 
 
 Harsh thoughts aside, and straight our lucky hero 
 
 Rose on her scale to blood-heat up from zero. 
 
 XVI. 
 
 Some others of the passengers beside. 
 Who look'd from time to time upon the scene, 
 And now the sufferer, now the inflicter ey'd, 
 And now the latter 's master, though between 
 All three the intervals were rather wide. 
 For Massinger (the wounded man, I mean) 
 A-midships sate, (he would not go below,) 
 Carryl more aft, the valet near the bow, — 
 
 XVII. 
 
 Some others like Bianca judg'd, I say. 
 Betwixt this double party, or this treble. 
 Among the rest (when done, or put away. 
 Were song and lecture) they who came with Pebble ; 
 Himself exempt ; for learning, some sly way, 
 Whence Arthur came, he damn'd him for a rebel, — 
 But modestly ; for, know, the good soul's phrases 
 Were " darn ! " for damn, and for Hell's brimstone 
 "blazes ! " 
 
CUPlD IN PROSPECT. 61 
 
 XVIII. 
 
 BiANCA having dropp'd her yellow glasses, 
 And Fancy now a rosy lens supplying, 
 The lively maid with satisfaction passes 
 Her view o'er Carryl's form, and, in it eyeing 
 The requisite proportions, straightway classes 
 The swain among her pattern men ; then, plying 
 Her quick bright glances to explore each feature, 
 Pronounces him a quite engaging creature. 
 
 XIX. 
 
 Carryl, whose eyes had been upon a tour 
 Of observation on the people round him, 
 Where there was aught of beautiful most sure 
 To sojourn longest, and at last had bound him 
 To gentle Constance, to awaken pure 
 Thoughts of pure days to sadden and confound him, 
 As you have read, (though what has met your view 
 He saw not at one sight, nor even at two,) — 
 
 XX, 
 
 Carryl, just then, towards Bianca rais'd 
 His long gray eyes, and caught hers fix'd upon him. 
 Their steady pupils more intensely blaz'd, 
 Trembled, perhaps, but did not seek to shun him. 
 It seem'd as if she meant, so full she gaz'd, 
 To petrify him, or at least to stun him. 
 But only Carryl's eyes were turn'd to stone ; 
 They mov'd not ; and Bianca dropp'd her own, 
 G 
 
CUPID COMES NIGHER. 
 
 XXI. 
 
 And a deep blush o'erspread her cheek and brow, 
 And dy'd her neek the purple of the rose. 
 Discomfited, but careful not to show 
 What might too warm an interest disclose, 
 She drew, with motion negligent and slow, 
 Her veil upon the prospect, and arose. 
 And presently was seen to pace the deck. 
 Quite at her ease, and arm'd for fresh attack. 
 
 XXII. 
 
 Now be it known that Arthur had one fault, — 
 His only one perhaps, like Milton's Adam, — 
 A proneness to be taken by the salt 
 Thrown on his tail by damosel or madam ; 
 Weakness most sore ! which made him often halt 
 In his best path ; and then, though it would mad him 
 To find the night o'ertake his amorous dallying, 
 The loiterer rarely could succeed in rallying. 
 
 XXIII. 
 
 Not on the forest oak with surer aim. 
 And stroke more fatal, falls the forked fire. 
 From heaven down-rushing, than the subtile flame. 
 Shot from the sky of love and warm desire 
 In Beauty's eyes, on Arthur's spirit came, 
 (Drawn by the loveliest feelings that inspire 
 The heart's sweet passion,) shivering ere its time 
 His peace, and blasting virtues yet in prime. 
 
CARRYL'S FOIBLE. 63 
 
 XXIV. 
 
 As with the heroes of the olden song, 
 
 Whom Fable clothes with superhuman pow'rs, 
 
 The faculties which lift them from the throng 
 
 One point impairs, and levels quite with ours ; 
 
 Or to the charter of their fates belong 
 
 Some hard conditions, which curtail their hours ; — 
 
 Anglante's lord was tender in the sole. 
 
 And took especial care to keep it whole : (l) 
 
 XXV. 
 
 Orrilo's fate a single hair suspended (2) ; 
 Bold Ferrau, with sevenfold temper'd steel, 
 
 (1) Orlando is described as invulnerable m every part of his 
 body, except the soles of his feet, the which, his poet tells us, and 
 we readily believe, he guarded con ogni studio ed arte, studiously 
 and with art. The knight of Spain (second line of the next stan- 
 za) bore an equally charmed life, being mortal only in the part 
 whereat, in the language of the bard, the infant receives its first 
 nourishment, nel ventre ancor serrato. This spot, accordingly, he 
 took care to cover as mentioned in the text, sempre, Di sette pias- 
 tre fatte a huone tempre. See the Orl. Fur. xii. 47, 48. 
 
 (2) Orrilo ; — a necromancer and robber, in the Orlando, who 
 enjoyed the enviable faculty of replacing any of his members, as 
 well as his head, as fast as they were lopped from the body. 
 AsTOLFO, discovering that his power of vitality lay in a single hair 
 of his head, snatches up the latter, after striking it from the owner's 
 shoulders, runs away with it on horseback, and, to make sure work, 
 shaves the entire scalp, using his sicord as a razor, and holding the 
 
64 CARRYL'S FOIBLE. 
 
 The mother's mark between his flanks defended ; 
 
 Nor less familiar than Achilles' heel, 
 
 That fatal brand on which the life depended 
 
 Of CExEus' heir, when she, whose heart could feel 
 
 Joy for his valor, curs'd the prize it won, 
 
 And in the nephew ceas'd to know the son ; — (i) 
 
 XXVI. 
 
 So Arthur's frailty was the mortal spot 
 That marr'd an otherwise immortal nature : 
 
 head per lo naso, by the nose ; whereupon the face grows livid, the 
 eyes roll back in their sockets, and the decapitated trunk, which 
 was following, at full speed on horseback, the English knight, falls 
 from the saddle a corpse. See Orl. Fur, Cto. xv. 64-87. This 
 amusing fable was probably suggested by the ancient superstition 
 of Proserpina and the fated lock, of which we have so beautiful 
 an illustration at the close of the fourth JEneid. 
 
 (i) At the birth of Meleager, son of CEneus, king of Calydon, 
 the Destinies were present, and declared that his life should last 
 while a brand, which they threw upon the fire, should be unconsum- 
 ed. Immediately his mother, Althea, snatched the billet from the 
 hearth, extinguished it, and treasured it. Meleager, having slain 
 the Calydonian boar, gave the spoils to Atalanta, who had been 
 the first to wound the monster. His uncles, in their jealousy, took 
 them from her, using at the time injurious expressions ; and the 
 hero slew them. Althea, on her way to the temples, to render 
 thanks for her son's good fortune, met the escort with the bodies 
 of her brothers, and, in a transport of mingled grief and anger, 
 hurrying back to the palace, restored the billet to the flames. As 
 the last cinder crumbled into ashes, Meleager expired. See the 
 Metam. of Ovid, lib. viii. fab. 4. 
 
CARRYL'S NATURE, POETICAL. 65 
 
 Where sordid thought and low deshe were not, 
 But qualities of high, celestial feature. 
 His weakness was what fell to Adam's lot. 
 And foul'd with sin Jehovah's brightest creature ; 
 And worshipping the stars of woman's eyes 
 Expeil'd him from the Eden of the wise. 
 
 XXVII. 
 
 "Why should a man, whose blood is warm within. 
 
 Sit like his grandsire cut in alabaster ? " (l) 
 
 I mean not to apologize for sin 
 
 In quoting which from human-nature's master ; 
 
 But this I say, — where pleasure is to win. 
 
 The warm of blood will run the race much faster, 
 
 Than he, whose chilly spirits tempt him never 
 
 To heat, in any way, his sluggish liver. (2) 
 
 XXVIII. 
 
 Yet deem not Arthur sensual ; though warm, 
 His nature was essentially poetical. 
 Enamour'd of the excellence of form, 
 (Pray pardon me these stanzas exegetical,) 
 He sought therewith combin'd a higher charm, — 
 Though finding it most often antithetical, — 
 The charm of moral worth : as I shall prove, 
 His love was passion, but his passion love. 
 
 (1) Merchant of Venice, Act i. Sc. 1. 
 
 (2) " And let thy liver rather heat with wine," etc. Same; same 
 passage. 
 
 6^ 
 
G6 curiD sou^^DS to arms, akd 
 
 XXIX. 
 
 Essentially poetical, to him 
 All beauty was divinity, and Heaven 
 Shone in the stars not more than in the dim 
 And shadowy forest, and a voice was given 
 To the minutest insect life, to hymn 
 Sweet adoration like the birds, and even 
 Attraction in the homehest things that crawl, — 
 For God was in them, and the soul of all. 
 
 XXX. 
 
 But most in woman's beauty Arthur saw 
 
 The image of Creative Love complete. 
 
 'T was there he worshipp'd, and if not with awe, 
 
 (For this, sensation's thrill was all too sweet,) 
 
 Yet with an ecstasy that seem'd to draw 
 
 All feelings to its vortex ; and the beat 
 
 Of his strong pulse, if caus'd by passion then, 
 
 Was not the kind that stirs the mass of men. 
 
 XXXI. 
 
 Bianca's charms could not the observation 
 Escape of so experienc'd an eye ; 
 And when our hero saw her perturbation, 
 Cupid, in common phrase, a bolt let fly. 
 That caus'd, of course, the usual titillation, 
 Precursor of the thrills that make us sigh ; 
 And Arthur for a while look'd red and stupid : 
 He makes one feel so foolish, that vile Cupid ! 
 
THE ENGAGEMENT COMMENCES. 67 
 
 XXXII. 
 
 Then he too rose (not Cupid, but our hero,) 
 
 And took his seat where Blanche had just been seated, 
 
 And looking o'er the poop as blank as zero, 
 
 He made the lady fear she had been cheated ; 
 
 But soon she found he was not quite a jSero, 
 
 For presently her little heart he treated 
 
 With sidelong glances, neither harsh nor haughty : 
 
 And Blanche return'd them ; which was very naughty. 
 
 XXXIII. 
 
 Now all this time the packet was in motion, 
 
 As I suppos'd the reader might suppose, 
 
 And, though the day was fine, a slight commotion 
 
 Was ruffling up the ugly sea that flows 
 
 'Twixt France and England, worse than open ocean. 
 
 As every one that 's try'd them both well knows, 
 
 And spite of gayety, and even flirtation, 
 
 Poor Blanche began to feel an odd sensation. 
 
 XXXIV. 
 
 And soon the color of her lovely cheek. 
 
 That had a tone voluptuous and mellow. 
 
 Was seen to leave the picture, streak by streak, 
 
 Which turn'd first pale, and presently pale yellow. 
 
 But still, perhaps in pride to seem less weak 
 
 Than many a maid and more than one stout fellow. 
 
 She resolutely pac'd the deck along. 
 
 But with a step less equal and less strong. 
 
68 PHYSIOGNOMY. 
 
 XXXV. 
 
 At length (by accident, I deem) she dropp'd 
 One of her gloves before young Carryl's feet, 
 And as, when Ufting it he rose, she stopp'd, 
 Thank'd him in French, with smile and gesture sweet, 
 Then turn'd, o' th' sudden, like a green bough lopp'd, 
 Which droops, not falls, she sunk into a seat, 
 Close by our hero, who, in consternation, 
 Began to proffer his commiseration. 
 
 XXXVI. 
 
 This took BiANCA as her proper right ; 
 
 And then she took — a glass of simple water, 
 
 Apologizing first with all her might, 
 
 In the set phrases which her breeding taught her, 
 
 For the vast trouble her unlucky plight 
 
 Was giving his politeness, which besought her 
 
 Not to suppose that what in any measure 
 
 Could give her ease was aught to him but pleasure. 
 
 XXXVIl. 
 
 This mutual and polite exaggeration 
 Being finish'd to their mutual content, 
 The fair one, with a languid inclination, 
 Against the rails her person backward leant, 
 Her blue eyes clos'd, and in this situation 
 Rested a little space, which Arthur spent 
 In following up his amorous prolusions, 
 By drawing physiognomical conclusions. 
 
DISTRUST. 39 
 
 XXXVIII. 
 
 He mark'd her perfect forehead, and thence drew 
 The flattering portrait of a finished mind ; 
 Then on the brows he fix'd his raptur'd view 
 That never yet were match 'd, that I can find, 
 And JLidg'd her gentle-temper'd, which was true, 
 But lively, and capricious, although kind ; 
 Then glancing at her downcast lids, he goes 
 Straight to the lips, — not liking much her nose. 
 
 XXXIX. 
 
 What beauty there, what wit, what soul display'd 
 But there was something else he scarce expected. 
 Already had he notic'd that the maid 
 Was somewhat, in her tone of voice, affected ; 
 And now about her lips he thought there play'd 
 A consciousness of triumph, and detected. 
 Or fancy'd he detected, in her smile. 
 Not more of amiability than guile. 
 
 XL. 
 
 He, who knows much of women, knows mistrust. 
 Though he were open as the very day. 
 Less prone to doubt than infancy, yet must 
 Suspicion work at last her secret way, 
 By Disappointment guided and Disgust, 
 Into his heart, to make no transient stay. 
 Arthur, by curs'd experience taught in vain. 
 Would doubt and trust, to doubt and trust again. 
 
70 A JOURNEY, IN 
 
 XLI. 
 
 And now the demon of distrust awoke, 
 
 And stirring in his breast with motion sore, 
 
 Poor Blanche's chain of fascination broke. 
 
 And Carryl's pulse beat freely as before ; 
 
 And presently when Blanche arose, and took 
 
 Her way unsteady to the cabin door. 
 
 He ofFer'd her his hand with such ill grace, 
 
 She begg'd he would by no means leave his place. 
 
 XLII. 
 
 Bianca's figure was not made for motion. 
 At least before a scrutinizing eye ; 
 And Arthur, having now his amorous notion 
 Shook off, was more dispos'd to laugh than sigh. 
 *' By Jove ! " he said, " her flesh rolls like an ocean 
 On those huge hips, which are a mile too high ! . . 
 I wonder that she does not dress more snugly . . . 
 And then, that nose of hers is so damn'd ugly ! " 
 
 XLIII. 
 
 All this was what the playbooks call aside^ 
 Or in the sanctum of the speaker's mind. 
 And then his fancy took a sudden stride 
 To his far home, and friends there left behind. 
 Delicious travel ! to the dull earth ty'd 
 While creeps the body, crippled or confin'd. 
 To mount a steed whose hoofs outrun the Day, 
 And scour o'er hills and ocean far away ! 
 
IMAGINATION; HOMEWARD. 71 
 
 XLIV 
 
 'T is to have two existences in one. 
 
 And be enfranchis'd in the soul, ere dead : 
 
 High privilege ! of poets not alone, 
 
 But shar'd by brains of feathers and of lead : 
 
 (Thus, in our time, that ass of asses, S e, 
 
 By his long ears his sister spirit led, 
 In sympathetic converse through the air. 
 From Narragansett to the Lord knows where.) 
 
 XLV. 
 
 Yet sad it is, though sweet, while far from home, 
 To wander in imagination back. 
 When he, whose feet in foreign climates roam, 
 Travels all lonesome in a crowded track, 
 And finds unshar'd his pleasures even become 
 Dispiriting and vapid ; for the pack 
 Of mutual wo is borne with less annoy 
 Than lonely, if there can be lonely joy. 
 
 XLVI. 
 
 So Carryl found it ; for his heart was warm, 
 
 And look'd for sympathy, roam where he would. 
 
 Before his vision rose the stately form 
 
 Of his young sister, gentle, fair, and good ; 
 
 He seem'd to feel her kisses ; and a swarm 
 
 Of other thoughts, that wake "the melting mood," 
 
 Gather'd about his heart, and strove to rise. 
 
 He turn'd to Constance, not to shame his eyes. 
 
72 THE CONVERSATION. 
 
 XLVII. 
 
 He turn'd, and from the sea his vacant gaze 
 Withdrew, to contemplate not Constance Verb, 
 But meet Bianca, who, to his amaze, 
 Was coming tow'rds him with a look as clear 
 And kind, as she had known him all her days, 
 Or had not found him formal and severe. 
 Pale she was still, but languid now no more ; 
 And her large eyes look'd softer than before. 
 
 XL VIII. 
 
 Without a single moment's hesitation, 
 She took again the seat which she had quitted. 
 And, with great swiftness of enunciation, 
 From her most delicate mouth of rose emitted 
 Fresh compliments, upon an obligation 
 Whereof she would have been ten times acquitted 
 For only one of those sweet looks, with which 
 She made the copy of her thanks so rich. 
 
 XLIX. 
 
 '^ Monsieur has been so very, very kind ! 
 I know not what I should have done," quoth she, 
 " Without his help. A trifle ? Never mind : 
 Though such to you, it has not been to me. 
 Better ? O, thank you, sir ! I really find 
 Myself quite well : my spirits, as you see, 
 Are light enough : indeed, they never sag." 
 And here she drew a book out from her bag. 
 
PROFESSED TRAVELLERS. 73 
 
 L. 
 
 " D' you read Italian ? Yes ? Ah ! that is well ! 
 Perhaps you speak it ? Bene ! I 'm delighted. 
 I French ? O, no ! I fancy you might tell 
 By my false accent . . . Nay ! you 're not invited 
 To coin me compliments : if I excel 
 In your kind eyes, you surely are near-sighted : 
 I am of Rome. And Monsieur, whence is he ? 
 America .^ That world beyond the sea ? 
 
 LI. 
 
 " I thought you English : but, 't is all the same. 
 No ? Well then, nearly. Do you much admire 
 Our poets ? Here are some of modern name ; 
 A sort of album of the Tuscan quire : 
 Parini, Pindemonte, more of fame ; 
 Ode, song, and sonnet, all you can desire." 
 And, opening the book about midway, 
 She read aloud Manzoni's Fifth of May. 
 
 LII. 
 
 Aloud ; that is, to Carryl ; who express'd 
 No way surprise, and had none to dissemble. 
 Unlike that fry of travellers profess'd, 
 From Captain Basil down to F y K 
 
 Who find all strange that feather'd not the nest 
 Of their own littleness, and make us tremble 
 
74 CUPID CONTEMPLATIVE. 
 
 Lest, in their zeal to show us somewhere tainted, 
 They prove our mother one of Hell's own sainted (i) ; 
 
 LIII. 
 
 Unlike these " learned Thebans " (2), Arthur paid 
 
 No human thing the deference of wonder, 
 
 But, like the facile Greek (3) whose shield display'd 
 
 Wing'd Eros brandishing his grandsire's thunder, 
 
 All manners suited him, and he was made 
 
 To suit all manners, nor so gross a blunder 
 
 Committed, as to think that all mankind 
 
 In breaking eggs should have the self-same mind. (4) 
 
 (1) They, who are very violent in charging particular vices or 
 faults on others, may, in ahnost every case, be suspected of pos- 
 sessing them to a greater degree themselves. True virtue is es- 
 sentially charitable. And as this is true of individuals, so it is of 
 states. 
 
 (2) " I '11 talk a word with this same learned Theban." Lear 
 of Tom o' Bedlam. K. Lear, Act iii. Sc. 4. 
 
 (3) Alcibiades ; whose vain but pertinent device, Cupid armed 
 with a thunderbolt, is well known. 
 
 (4) See Gulliver's account of the war between the Big and 
 Little Endians, chap. iv. of the Voyage to Lilliput. 
 
 Captain Marryat, or Major Hamilton, or some other, or all of 
 these philosophic tourists, found their refinement excessively out- 
 raged by a habit, which tlie greater part of the Americans have 
 presumed to adopt without asking permission of the English, 
 namely, that of emptying eggs, at breakfast, into a wineglass, in- 
 stead of eating them from the shell. There is a class of men, 
 whose notions of good-breeding never go beyond external forms, 
 and even in these are confined to such as they have seen practised 
 
CUPID CONTEMPLATIVE. 75 
 
 LIV. 
 
 He listeii'd gravely, while Bianca read 
 
 From Ei fu even down to lui poso (i), 
 
 But never knew one word of all she said, 
 
 His thoughts being where his eyes were fix'd, I trow ; 
 
 And who, when just in reach two lips so red 
 
 Were playing fast and loose, would care to know, 
 
 Unless his heart were hoary grown, or stony, 
 
 What mischief they were doing to Manzoni ? 
 
 LV. 
 
 Carryl forgot his doubts, forgot no less 
 
 The hips which he had found " a mile too high," 
 
 Forgot the ill adjustment of her dress. 
 
 Forgot her nose, — no, that was in his eye ; 
 
 But even in this he could not but confess 
 
 His sudden spleen had all but made him lie : 
 
 The nose, no doubt, was plain, — being thick, yet 
 
 small, — 
 But was not " so damn'd ugly," after all. 
 
 in their own country. Such persons should not travel. How shall 
 they bear to use chopsticks in China, make a spoon of their fingers 
 in Turkey, or brandish an iron fork of two prongs in the wilds of 
 western America ? It is a misery before which all others shrink 
 in comparison; and its record justly takes the place of questions of 
 social order, public morals, and civil polity. 
 
 (i) The Alpha and Omega of // Cinque Maggio, the Ode in 
 question. 
 
76 THE CONVERSATION RESUMED. 
 
 LVI. 
 
 The recitation o'er, Blanche clos'd the book, 
 And raising her bright eyes to Carryl's face, 
 Seem'd no wise disconcerted by his look, 
 But smiling with a most bewitching grace. 
 The converse she had suddenly forsook 
 As suddenly resum'd, nor gave him space 
 Upon the ode his sentiments to tell. 
 Perhaps she felt he had not listen'd well. 
 
 LVII. 
 
 " So far from home ! from friends and kin so far ! 
 Do you not fear to travel thus alone .'' 
 Ah, true ! your man. Most fortunate you are, 
 Or most unfortunate, of all I 've known. 
 You ask me, why. Civility should bar 
 Perhaps my answer ; but I '11 venture on : 
 His face speaks merit rare, which if not his. 
 That shape says little for his services." 
 
 LVIII. 
 
 With a most natural action, as she spake, 
 BiANCA, looking where the hunchback sate. 
 Saw an expression she could not mistake 
 In his sad eyes, which seem'd to indicate 
 A sort of trouble for his master's sake ; 
 Or thus, perhaps, her conscience might translate 
 His earnest gaze ; and shame and indignation 
 To her pale cheeks call'd back their lost carnation. 
 
FELIX. 77 
 
 LIX. 
 
 As instantly she turn'd away her eyes, 
 Felix withdrew not his, and Carryl's own, 
 Which naturally, and likewise from surprise 
 At the maid's blushes, after hers had flown, 
 Saw Felix' look ; whence he too felt arise 
 (The expression being only too well known) 
 The scarlet of his cheek, which quick disdain 
 To be so mov'd but dy'd a deeper grain. 
 
 LX. 
 
 However, to Bianca's observation 
 
 He thus reply'd : — "You have not judg'd him ill 
 
 His understanding is above his station. 
 
 Which 't is no choice of mine that he should fill : 
 
 I feel the ridicule his malformation 
 
 Attaches to my taste, but much more still 
 
 A self-reproach that one of so much mind 
 
 Should rank, through me, with men of servile kind. 
 
 LXI. 
 
 " True, 't is no fault of mine, as I have said, 
 But springs from his perverseness, or, more truly, 
 From a too grateful heart, by which misled, 
 He estimates small kindnesses unduly. 
 In this one point, despite his sober head 
 And docile temper, Felix proves unruly : 
 Excess, which very few will have the sin 
 To answer for of oft indulging in. 
 
78 BIANCA'S PLAN 
 
 LXII. 
 
 " But, should we meet again, as I will hope," 
 
 (Here Carryl sunk his voice unconsciously ; 
 
 While Blanche affected not to mark his scope,) 
 
 " I will relate to you his history. 
 
 'T is a sad tale ; for he has had to cope 
 
 With cares that ceas'd not till he foUow'd me, — 
 
 Oppression, want, all griefs that men befall. 
 
 And love, (though strange it seem,) the worst of all.' 
 
 LXIII. 
 
 One moment Blanche was silent. When again 
 
 Her sweet lips open'd, in a softer tone 
 
 The round full Tuscan pour'd its honey'd strain. 
 
 As if it imitated Carryl's own. 
 
 Were their hearts bound by sympathetic chain, 
 
 Or link magnetic ? which, veridic S e ? 
 
 /know not ; but the sound to Carryl comes 
 Soft as to thee the touch of Lora's thumbs. 
 
 LXIV. 
 
 " You visit Italy, I dare to say ? " 
 
 (Carryl assented ; but he thought her curious ;) 
 
 "But, doubtless, first awhile in Paris stay. 
 
 Particularly if you be luxurious : 
 
 And much is there, in truth, that will repay 
 
 A long sojourn, with interest usurious. 
 
 The rest of France is speedily gone through ; 
 
 For Paris seen leaves little else to view. 
 
FOR CARRYL'S TOUR. 79 
 
 LXV. 
 
 " The valleys of the Alps will then receive you. 
 No .'* Are not sure ? Well, let us so suppose : 
 And surely in the dog-days 't will not grieve you 
 To have the Jungfrau's (i) sempiternal snows, 
 Or the White Mountain's icy peaks, relieve you 
 Of waste caloric. When your winter clothes 
 You next put on, the plains of Italy 
 Will be around you, and a world to see. 
 
 LXVl. 
 
 " To visit all, betwixt the Po and Tiber, 
 
 That is of note, would take you until Lent, 
 
 Though in the effort straining every fibre. 
 
 Your Carnoval will thus in Rome be spent ; 
 
 Unless to view St. Mark's (2), as men describe her, 
 
 In vice and folly steep'd, be your intent. 
 
 If so, be sure to be in time at Rome 
 
 To see the lighting of St. Peter's dome (3). 
 
 (i) The Jungfrau ; a lofty mountain, of most imposing aspect, in 
 the Bernese Oberland. The White Mountain, in the next line, is 
 " Mont Blanc," (Le Mont Blanc.) 
 
 (2) Venice ; where the mummery of the Carnoval, bad as it is 
 everywhere, is carried, they say, to an extreme of absurdity and 
 licentiousness seen nowhere else. 
 
 (3) Which takes place at Easter, when, at the instant of night- 
 fall, the grand cupola, the front of the basilica, and the porticos are 
 illuminated by C83 torches, lighted in a moment by 254 men, and 
 sometimes by 891 torches lighted by 365 men, over and above 4400 
 great lanterns^ " che si accendono prima, e formano un grazioso 
 
80 MAIDS AND WIVES IN EUROPE. 
 
 LXVII. 
 
 " Naples But I am chalking out your route ! 
 
 I 'd better gallop back with you to Calais." 
 (Smil'd Carryl ; but this did not put her out ; 
 His lip curl'd not in scorn, far less in malice.) 
 "Like us, you put up at Dessin^s, no doubt. 
 The best inn there. You '11 find it quite a palace. 
 Ah ! there 's the yellow shore of France in view. 
 The Princess beckons. Pardon. Sir, adieu." 
 
 LXVIIL 
 
 " The princess beckons ? Who the deuse is she .'' 
 Eh ! what ! The devil ! have I been so caught ? " 
 (Thus Arthur to himself, but inwardly, 
 As Blanche retired from him.) " Faith, I thought 
 Those two old women, ugly though they be. 
 Were of her kin at least. I might have taught 
 Myself much better, had I been less blind ; 
 For 'mas and maiden aunts are not so kind ; 
 
 LXIX. 
 
 " Especially on this side of the water, 
 Where they are more of dragons than with us, 
 For reasons privy, nor permit a daughter, 
 Or niece, a freedom deem'd indecorous 
 
 lume quasi di un ricamo." See Fea : Descriz. di Roma; ed. 6**. 
 Tom. i. pp. 54, 55. Thousands of people crowd to Rome about 
 this time, and thousands protract their stay in the pontifical city, 
 for the sole purpose of beholding the illumination. 
 
PHILOSOPHY AND FOLLY. 81 
 
 For virgins only, till some man hath bought her, 
 When the tir'd monsters cease to watch her thus, 
 And the freed wife may ogle whom she will, 
 Nor aunt or mother ever dream of ill. 
 
 LXX. 
 
 " But surely from her mien, her conversation. 
 This merry wench, though doubtless of their train. 
 Can never tend them in a servile station ; 
 And this her present attitude makes plain." 
 And as these thoughts, with some slight variation, 
 Meander'd through the folds of Carryl's brain, 
 His eyes, which naturally, as she retreated, 
 Had foUow'd Blanche until he saw her seated 
 
 LXXI. 
 
 Beside the elder princess, mark'd her telling 
 Something that seem'd of interest to each, 
 While the old lady caught the accents, welling 
 From the rose-border'd and fresh fount of speech, 
 With smiles and glances at the youth, compelling 
 Him, spite of passion to suppose a breach 
 Of trust in Blanche, which, though it woke no rancor, 
 Yet made him for an instant long to spank her. 
 
 LXXII. 
 
 But Carryl, notwithstanding his warm blood, 
 Was far too philosophical, or gay, 
 ('T is much the same,) to keep an angry mood, 
 Especially tow'rds woman, knowing they 
 
82 PHILOSOPHY AND FOLLY. 
 
 Have been permitted, ever since the Flood, 
 To break through canons tamer men obey, 
 (And doubtless wisely, — since enjoyment 's seated 
 Not more in cheating than in being cheated (i).) 
 
 Lxxm. 
 
 Besides, at present, he had little reason 
 
 To feel displeasure, Blanche being not to blame. 
 
 But his own heedlessness, since, out of season, 
 
 Reckless of ridicule and dead to shame. 
 
 And out of place (which is to Love flat treason,) 
 
 He needs must trifle with a casual flame. 
 
 And make himself an object of surprise 
 
 And theme of jest to all that us'd their eyes. 
 
 LXXIV. 
 
 Arthur felt vexM ; but how had throbb'd his heart 
 
 With grief and self-conviction ! had he known, 
 
 Not that his cousin and his foe took part 
 
 In scoffing at the weakness he had shown ; 
 
 Not that the sapient Pebble did impart, 
 
 In what he meant should seem an under-tone, 
 
 To his fair spouse, his charitable fear. 
 
 That Carryl's wiles would cost yon maiden dear ; 
 
 0) " Doubtless the pleasure is as great 
 
 Of being cheated as to cheat." 
 
 So says Butler, with more wit and shrewdness than grammar, 
 {Hudib. Ft. ii. Cto iii. 1.) Were there fewer dupes in the world, 
 the number of the knaves would be sensibly less. A self-evident 
 proposition. To apply it to the explication of the couplet in my 
 text will not be difficult. 
 
CARRYL AGAIN IN BAD ODOR. 83 
 
 LXXV. 
 
 Nor that the dame, with supercilious smile, 
 Made answer, that his vision must be dim ; 
 For if on either side were thought of guile, 
 The maid, more likely, was seducing him, 
 (Even as she spoke, admiring all the while 
 Arthur's broad shoulders and his length of limb, 
 And thinking, were he bent to go astray. 
 What pity a mere girl should teach the way.) 
 
 LXXVI. 
 
 But that the gentle Constance show'd surprise, 
 And felt (her innocent nature knew not why) 
 Once more her former prejudice arise 
 Against our hero, while Estelle's large eye 
 Plainly evinc'd she deem'd him little wise. 
 She had, before, not rated him too high. 
 A trifler now, as then a heart of stone, 
 Seem'd he whose soul was likest to her own ! 
 
 LXXVII. 
 
 Arthur felt vex'd, — being somewhat disappointed, — 
 But then, as I have writ, was not so long ; 
 His mind being, like his body, too well jointed 
 To feel regrets, which never shake the strong, 
 Much less the supple, when at least anointed 
 With that rare oil, whose use the vulgar throng 
 Know not, though making at all times pretence 
 To its possession, — simply, common sense. 
 
84 LOVERS AND LANDSCAPES. 
 
 LXXVIII. 
 
 So, from his fellow-passengers he turn'd 
 To contemplate the fast-expanding shore ; 
 But in its barren reach could be discern'd 
 No charm his love-sick fancy to restore : 
 Cupid, who will not easily be spurn'd, 
 No doubt his purple fillet wav'd before 
 His vision, that nor sea, nor land, nor skies. 
 He saw, but only Blanche's star-bright eyes. 
 
 LXXIX. 
 
 O Love ! (I mean now to be sentimental.) 
 O Love ! we call thee pleasure, — and thou art ; 
 But to that portion of us term'd the mental. 
 Which is, as it may happen, head or heart, 
 (And where to most thy task is incidental,) 
 'T is aught but liveliness thou dost impart. 
 Laugh lovers may, but never by thy choosing ; 
 Thou mak'st them take so damnably to musing. 
 
 LXXX. 
 
 All senses then are consecrate to thee : 
 Vainly the eye is summon'd to admire 
 The site of cities ; and fine scenery 
 May stir the poet's, not the lover's fire. 
 Constantinople, fair Parthenope (i), 
 Genoa the Superb would only tire, 
 
 (i) The first name of the city afterwards called JVeapolis 
 
LOVERS AND LANDSCAPES. 85 
 
 Could they at all detain love-stricken eyes ; 
 Nor would the Bay of Islands much surprise, — 
 
 LXXXL 
 
 (That bay which one in panorama sees. 
 The bills describe it as a wondrous place ; 
 And therefore I ; for which I hope the fees 
 Will be remitted in my special case.) 
 I say, the Bay of Islands would not please. 
 How then should Calais' harbour, with a face 
 The ugliest perhaps e'er fam'd in story (i), 
 Drive out the image of Blanche Gaiocore ? 
 
 LXXXII. 
 
 But lo ! the Pier is reach 'd. Heav'ns ! what a bustle 
 On board the packet, and upon the quay ! 
 Clatter men's boots, and women's dresses rustle. 
 And tongues shout orders which few hands obey ; 
 And grooms and waiting-men their betters justle, 
 Or, struggling to make room, obstruct the way ; 
 And Frenchmen's voices, clamoring on the pier, 
 Sound like a Babel to the English ear. 
 
 whence in Italian, JVapoU, and, in French and English, .Ya- 
 ples. 
 
 (i) Calais is famous for the siege it sustained, for a twelve- 
 month, (to wit, from August, 1346, to the end of the same month 
 in 1347,) against the forces of Edward 111. of England. 
 
 8 
 
86 THE PIER. 
 
 LXXXIII. 
 
 And now beware you guard your luggage well ; 
 For every porter claims it as his prize, 
 Seizes it, though your breast with choler swell, 
 And bears it piecemeal off before your eyes. 
 In vain your valet gives the man to hell, 
 Or threatens blows ; the Calaisan (l) replies 
 With double zeal and fresh asseverations. 
 And serves you in despite of protestations. 
 
 LXXXIV. 
 
 Meantime a dozen dirty hands extend 
 
 A dozen cards ; a dozen tongues declare 
 
 The names of inns they 're taught to recommend : — 
 
 "The Royal, sir ? A card. Speak English there." — 
 
 (Idly you shake the head, in vain expend 
 
 Your breath :) '* The Crown, monsieur. Rue de la Mer. — 
 
 Q,uillac's ? " The vagabonds will not hear JVo. 
 
 Take all their pasteboard, if you 'd have them go. 
 
 LXXXV. 
 
 Amid this hubbub, which the steam escaping 
 Now from the waste-pipe, with a sullen roar, 
 Confounded worse, our herd landed, shaping 
 His course by three French porters gone before, 
 
 (i) The French write Calcsien, which Johnes, in his translation 
 of Froissard, metaphrases by Calesian ; but the true Enghsh word 
 for a citizen of Calais would be Calaisan, directly formed from 
 Calais. 
 
CAPRICE. 87 
 
 Jarring incessantly, and Felix keeping 
 A watchful eye upon the trunks they bore ; 
 But first his pass demanded at the key, 
 Awoke a thought of home and liberty. 
 
 LXXXVI. 
 
 " To what hotel, sir, shall these things be taken ? " 
 The porters ask'd : and Felix said, " Dessin's." 
 But Felix was, for once at least, mistaken ; 
 For Carryl silently had chang'd his plans. 
 Bianca's hint had all to pieces shaken 
 His first intention ; nor will one, who scans 
 The motive narrowly, consider strange. 
 Though started by caprice, this sudden change. 
 
 LXXXVII. 
 
 Though frank, and liberal as the air of heaven, 
 Which yields to all things and pervadeth all, 
 Our hero was but man ; and love that 's given 
 Too freely in a little time will pall : 
 We rate most highly that for which we 've striven, 
 And watch'd, and waited, though it prove but small. 
 Bianca's frankness, and desire to please, 
 Alternately thaw Carryl's heart and freeze. 
 
 LXXXVIII. 
 
 'T is the same feelings in this matter move 
 Now Eve, now Adam. Had Bianca been 
 Coy, and reluctant, and reserv'd, the love 
 Of Arthur would have lack'd no spur, I ween, 
 
88 CAPRICE. 
 
 And she, in turn, had hardly prov'd above 
 Inconstant passion and caprice of mien ; 
 Except she were impatient to surrender, 
 As widows be, and maids no longer tender. 
 
 LXXXIX. 
 
 Thought Arthur then : " I would that little brain 
 Had been less busy ! I must change my mind, — 
 Or seem too anxious. This would make her vain. 
 The hook is not yet swallow'd, she shall find ! " 
 Cupid, who since they 'd left the bark, had lain 
 Quite still in Arthur's fob, but not quite blind, 
 At this resolve laugh'd gaily in his sleeve. 
 Foreseeing future sport we may believe. 
 
 XC. 
 
 But he, within whose waistcoat-fold was laid. 
 Though not without suspect, ^Ineas' brother, 
 His destination having alter'd, bade 
 The varlets take his luggage to some other : 
 " The Royal, in the Star, will do," he said ; 
 And on they mov'd. But Felix could not smother 
 Some slight surprise, suggesting, " He forgot 
 Dessin^s was famous". . . Cries the youth, " For 
 what ? " 
 
 XCI. 
 
 '' It is the place where Sterne, that ribald wit, 
 Sojourn'd upon his way to Paris ; where 
 Some portion of his merry tour was writ ". . . 
 "The truth of which I think you would not swear," 
 
STERNE'S ROOM. 89 
 
 Quoth Carryl : '' and moreover, where he met 
 The lowly Monk, and that most gentle fair, 
 Whose small soft fingers, throbbing through her glove. 
 Made Yorick spite his ' breeches ' guess at love.(i) 
 
 XCII. 
 
 " No, I have not forgot ; but you, my friend. 
 
 Have you to learn that such things I despise ? 
 
 No pilgrim devotee am I, to wend 
 
 Long journeys to the sepulchre where lies 
 
 The slough of some great poet, or to bend 
 
 In awe o'er musty relics of the wise. 
 
 Urns, tombs, to me, are simply tombs and urns, 
 
 A room no marvel, though you name it Sterne's (2). 
 
 XCIII. 
 
 " No, Felix ; such realities for me 
 
 Are clogs to fancy, and not aids. And here 
 
 The spot's sole interest comes from history." 
 
 "King Edward's leaguer, and the brave Saint- 
 Pierre ? " 
 
 " The same. You have the story fresh, I see. 
 
 It is a brief one, if the inn is near : 
 
 Pray tell it me ; for well I know you can." 
 
 Bow'd Felix, blush'd, and, modest, thus began : — 
 
 (1) See, in the Sentimental Journey^ the chapters headed The 
 Monk, The Remise, etc. S-pite his " breeches," — spite of his sacer- 
 dotal character. See the Journey. 
 
 (2) At Dessins, say the guide-books, is shown a room where 
 Sterne is said to have written part of his Sentimental Journey. 
 The door is inscribed, " This is Sterne's room." 
 
 8* 
 
90 THE SIEGE 
 
 XCIV. 
 
 '' *K tOaS after Creci's day of great renown, 
 When folly wrought the lilies fell mischance (i), 
 The victor on the fifth day sat him down 
 Before the ramparts of this key of France (2). 
 John of Vienne then govern'd in the town ; 
 Than whom a bolder knight ne'er shiver'd lance. 
 So, hopeless to achieve the place by storm, 
 The British king laid siege to it in form. 
 
 XCV. 
 
 '^ He cast intrenchments on each landward side, 
 And built a town of huts to hold his men, 
 Where winter's sleet and rain might be defy'd ; 
 For autumn weather was commencing then. 
 The Calaisans with food were well supply'd 
 By sea ; but when this came to Edward's ken, 
 He rais'd a wooden castle 'twixt the shore 
 And town, and intercepted every store. 
 
 (1) The English owed their success in the battle of Creci, not 
 more to the prudence and valor of their sovereign, and the skilful 
 disposition of his slender forces, than to the impetuosity, over- 
 confidence, and want of discipline of the enemy, whose very num- 
 bers, under their mismanagement, were a material cause of their 
 defeat, and certainly, when once the fortune of the day had turned 
 against them, rendered it irretrievable. Hume has therefore said, 
 that " the whole " affair was '' rather a rout than a battle." 
 
 (2) The battle of Creci was fought on a Saturday, and, on 
 Thursday of the next week, Edward, whose promptness in action 
 (that great requisite in a commander) was never anywhere more 
 conspicuous than in France, appeared before the walls of Calais. 
 
OF CALAIS. 91 
 
 XCVI. 
 
 '' And now began the leagur'd to despair. 
 No succor from king Philip seem'd at hand. 
 In little time, so scanty grew their fare, 
 The famine would be more than they could stand. 
 Yet all the useless mouths they number'd there 
 Had been expell'd, by De Vienne's command ; 
 (All whom the royal Briton fed, men say, 
 And pitying sent, with money, on their way.) 
 
 XCVII. 
 
 " Nor when at length the citizens descry 'd, 
 
 From their beleagur'd walls, the white tents spread. 
 
 Upon the hill of Sangate, far and wide, 
 
 Which told them of an army thither led 
 
 To raise the siege and combat on their side. 
 
 Did Hope long flatter them ; for Edward sped 
 
 A force to guard the approaches to the town 
 
 And keep the hostile French from coming down. 
 
 XCVIII. 
 
 *' The passes of approach were only two ; 
 One by the downs ; the other o'er a swamp 
 Spann'd by a single bridge, the which a few, 
 But chosen spirits, of right valiant stamp, 
 Maintain'd with ease. So after much ado 
 Of parley, and some fight, the French decamp, 
 Retire to Amiens, are disbanded there, 
 And leave the Calaisans to their despair. 
 
92 THE SIEGE 
 
 XCIX. 
 
 " Upon the ramparts, for his townsmen's sake, 
 And at their prayer, stood then the bold Vienne, 
 And made a sign for parley. Thus he spake, 
 To the deputed Britoxs : * Gentlemen, 
 Our lord and sovereign set us here to take 
 Good care of this his town and castle. Then, 
 Being strong, we did so, and should do so still, 
 But that the means are wanting to our will. 
 
 C. 
 
 " ' Go tell your king, whose gallantry we know. 
 We have done our best, but now can do no more, 
 Yet feel a hope his clemency will show 
 Compassion, and that, seeing we give o'er 
 Into his hands the town, he will forego 
 All vengeance meditated on the score 
 Of past resistance, and dismiss us free, 
 To seek a new home where'er that shall be. 
 
 CI. 
 
 '' ' His loss, our town will quit it, and our treasure.' 
 To which Sir Walter Ma.nny (of the two (i) 
 Sent to Yienne) reply 'd : * Our master's pleasure 
 Is known to us ; and thus it is in few : — 
 The king is wroth with you beyond all measure. 
 And will not hear of terms. Without ado, 
 You must submit ; and, as may be his will, 
 Some he will put to ransom, others kill.' 
 
 (i) Sir Walter Manny and the lord Basset. Froissard. 
 
OF CALAIS. 
 
 CII. 
 
 " Then answer'd De Vienne. Thus answer'd he : 
 ' Too hard are these conditions. We be here 
 Not many knights and squires, who 've done as ye 
 In a like case had done, and though severe 
 Have been our sufferings, yet prepar'd are we 
 To brave the extremest ills that men can bear, 
 Before the merest hind that mans our wall 
 Shall fare worse than the best among us all. 
 
 cm. 
 
 • ' I therefore beg you would return and crave 
 Compassion for us, which, for that I know 
 Your king is great of mind as well as brave, 
 I trust he will, through God's dear mercy, show.' 
 Return'd the knights, and pray'd the king to wave 
 His purpose ; but the monarch answer'd, no. 
 Then said Sir Walter, full of grief and shame, 
 ' My lord, you may in this be much to blame. 
 
 CIV. 
 
 " ' Hereafter, if you send us to maintain 
 
 A town or castle, we shall have less heart. 
 
 Seeing that if this people's prayer be vain. 
 
 And you should slay them for the valiant part 
 
 And loyal they have acted, it is plain 
 
 The French will do the like, should chance impart 
 
 A like occasion 'gainst us.' Gave accord 
 
 The barons round the throne. Then thus their lord 
 
94 THE SIEGE 
 
 CV. 
 
 *' ' I am not, gentlemen, so obstinate 
 Against the general will to set my face. 
 Return, Sir Walter, to the town, and state 
 This to the governor : the only grace 
 He may expect is, if, to avert the fate 
 Which hangs o'er all, six persons of the place, 
 From among those the townsmen count their best, 
 Shall give themselves, atonement for the rest. 
 
 CVI. 
 
 '^ ' The six, bare-headed, and with naked feet, 
 With halters round their necks, the city's keys 
 Borne in their hands, shall come before my seat, 
 And yield themselves, to suffer what I please. 
 The rest shall, thereupon, forgiveness meet.' 
 Back to the town Sir^^WALXER carry 'd these 
 Conditions, where Vienne was waiting still, 
 Upon the battlements, the victor's will. 
 
 CVII. 
 
 " Straight to the market-place went De VienxNE. 
 The bell was rung, and at the alarum came 
 All classes of the people, women, men. 
 The young, the old, all but the infirm and lame, 
 To learn the fate that waited them ; and when 
 The cruel news was told, so sad the exclaim 
 Which rose from the despairing crowd, that more 
 Than one then wept who 'd shed no tear before. 
 
OF CALAIS. 95 
 
 cviir. 
 
 " Even down Viexne's bold cheek the heart's warm rain 
 
 Shower'd fast and big." — Here paus'd that valet rare ; 
 
 For now our couple with the porters gain 
 
 The inn they seek, and Felix must have care 
 
 To expedite those matters which detain 
 
 Your new-come traveller, and then repair 
 
 To Carryl's chamber, where the youth 's preparing 
 
 Before his soup to take a little airing. 
 
 CIX. 
 
 Not for the air, (he 'd had enough at sea,) 
 
 But to kill time, which even Carryls feel, 
 
 When in some dull strange town they chance to be, 
 
 Condemn'd to wait, and v/aiting for their meal, 
 
 An enemy that will not lightly flee, 
 
 Nor let them either from the combat steal. 
 
 Besides, our hero really had in view 
 
 To stretch his limbs, and something else to do. 
 
 ex. 
 
 Accordingly, with Felix, from the hotel 
 He sally 'd out, directed by a plan 
 They had of Calais, and I know not well 
 Why on the street, wherein Hotel Dessin 
 Was printed on the chart, his eyes first fell ; 
 But thitherward he turn'd. Meanwhile, his man 
 Resum'd, as on they move with paces slow. 
 His story of five hundred years ago. 
 
96 THE SIEGE 
 
 CXI. 
 
 " The city, I have said, was in despair ; 
 When rose the wealthiest of the town, and said, 
 (His name is written Euslache de Saint-Pierre :) 
 ' It were a pity that for lack of bread 
 This crowd should perish^ if a few may bear 
 The grief of all, and suffer in their stead. 
 Believing I shall find God's grace, I name 
 Myself the first, of those the English claim.' 
 
 CXII. 
 
 " Eustace was all but worshipp'd ; many fell 
 
 Down at his feet, and bath'd them with their tears. 
 
 All that men want, not less in good than ill. 
 
 Is but example ; many an act appears 
 
 Too lofty even to attempt, until 
 
 Some valiant spirit achieves it, when the fears 
 
 Of thousands Emulation scatters fast. 
 
 He that first dumb the Alps was"not the last. 
 
 CXIII. 
 
 " Five others, one by one, of equal station, 
 OfFer'd themselves, to share the good man's fate. 
 The number thus complete, mid lamentation 
 From the vast crowd that on the martyrs wait. 
 And bless them, yet bewail their situation. 
 The lord Vienne conducts them to the gate. 
 Thence to the barriers, where Sir Walter stands, 
 And there consigns them to the Briton's hands. 
 
OF CALAIS. 97 
 
 CXIV. 
 
 '' ' As governor of Calais,' (such his speech,) 
 * And with the inhabitants' consent, to you 
 These six I do deUver, who are each 
 Of the most wealthy, and respected too, 
 Among us. I most earnestly beseech 
 You, sir, of your great gentleness, to sue 
 The king for mercy, that they may not die.' 
 To which Sir Walter Manny made reply : 
 
 cxv. 
 
 " 'My sovereign's will I know not, tow'rds these men 
 
 But in their aid my service shall be lent 
 
 Rest sure.' The barriers were open'd then. 
 
 The six advance unto the royal tent ; 
 
 And back unto the town rides De Vienne. 
 
 And now into the royal presence went 
 
 Sir Walter, follow 'd by the six, who kneeling, 
 
 With hands uplifted, and with eyes appealing, 
 
 CXVI. 
 
 " Thus said : ' Most gallant king, lo, at your feet, 
 Six citizens of Calais, with the keys 
 Of town and castle, who have come to meet 
 Whatever penalty your grace shall please. 
 Atonement for the city, yet entreat, 
 With humble hearts, and on their bended knees. 
 You will in your great nobleness extend 
 Compassion, and your heart to mercy lend.' 
 9 
 
98 THE SIEGE 
 
 CXVII. 
 
 "The barons, knights, and squires, assembled there. 
 
 Were mov'd with pity at so sad a sight ; 
 
 But the king ey'd the men with sullen air. 
 
 And order 'd them to be dispatch 'd outright. 
 
 In vain his servants pray'd him to forbear ; 
 
 He heeded not. Then spake that valiant knight, 
 
 Sir Walter Manny, and said : ' My liege and king, 
 
 Let me beseech you not to do this thing ! 
 
 CXVIII. 
 
 •' * Wide are you known for nobleness of heart, 
 
 O stain not by this act your just renown ! 
 
 If, for the lofty and intrepid part 
 
 These men have volunteer'd to save their town. 
 
 You slay them, 't will be bruited you depart 
 
 From rectitude, and are remorseless grown.' 
 
 ' So be it,' was the monarch's cold reply ; 
 
 * Give orders that the headsman come : they die ! ' 
 
 CXIX. 
 
 " At this dread moment, when suspense seem'd o'er. 
 The queen, then greatly gone in pregnancy. 
 Fell on her knees, and said, ' With peril sore. 
 Ah, gentle sir, since I have cross'd the sea. 
 No favor have I ask'd. I now implore, 
 For Christ's sweet sake, and for your love to me, 
 Your grace to have compassion on these men.' 
 She wept. The king look'd on, long silent ; then, 
 
OF CALAIS. 99 
 
 cxx. 
 
 " ' Ah me, fair lady ! ' (thus the monarch spake ;) 
 ' I would that anywhere you 'd been but here ! 
 I may not slight your dear entreaty. Take 
 These men, and as shall best to you appear 
 So use them ; they are pardon'd for your sake.' 
 To her pavilion with right gladsome cheer 
 Philippa led the six, their generous deed 
 Extoll'd as it deserv'd, then had them freed 
 
 CXXI. 
 
 " From the degrading halter, saw them fed. 
 
 New cloth'd them, and to each (a mark of grace) 
 
 Six nobles gave, and caus'd them to be led 
 
 Safe from the camp, (i) And here 's the market-place," 
 
 (i) Able historians, including Hume, have doubted the absolute 
 truth of this adventure of the six citizens; and why ? Simply, be- 
 cause it rests upon the sole authority of Froissard. M. Levesque 
 assures us, with some heat, that an incident so remarkable would 
 not have been omitted in the Chronicle of St. Denis, and other con- 
 temporary histories, had it been generally known; and, if known at 
 all, it must have been known widely. Yet the great pestilence 
 which ravaged all Europe, shortly after this very siege of Calais, 
 is scarcely alluded to by Froissard, and not at all, if we be to take 
 the Chronicles as printed in the French editions*; whereas all 
 the other chroniclers describe it with some particularity. Now, if 
 Froissard thought of little or no historical importance what in 
 their eyes was matter of great moment, why should not they have 
 slighted what appeared to him to be worthy of a record ? The taste 
 
 * Froissard's brief allusion to the plague is found in the Additions, from 
 3ISS. in the Hafod Library, which appear in the translation of Mr. Johnes. 
 
100 THE SIEGE 
 
 Quoth FeliXj " where this Eustace' bust, 't is said, 
 Adorns the town-hall's front, beside the face 
 
 of the latter would be naturally and irresistibly directed to this ro- 
 mantic incident of the siege, while the unvaried and depressing 
 horrors of a pestilence would present nothing to interest an imagi- 
 nation, that delighted to revel in the more brilliant and exciting 
 scenes of battle which the age was constantly furnishing. Besides, 
 not to predicate any thing upon the tastes, however well ascer- 
 tained, of an individual so many ages dead,* it may be asserted 
 generally, that the omission of any single incident by any one or 
 more obscure chroniclers is no proof that it did not occur, or that 
 its details have been falsified by another contemporary writer in 
 whose memoirs it does occur. As for the Englishman, Robert of 
 AvESBURY, might he not have omitted such a story as being little 
 to the credit of his sovereign ? t 
 
 Again, we are told that the severity of Edward in the case of 
 
 * From the accounts he has given of himself in various places, we learn that 
 he was all his life a lover of the chase, of music , festivals, dress, of the pleas- 
 ures of the table, of wine, and of women: (See the memoir by Sainte Palaye, 
 or any good biographical dictionary.) This would be the very character to 
 pass over so lightly an account of a pestilence. Besides, the canon of Chimay 
 sat down to his task with the very purpose, as his opening words assure us, of 
 describing exclusively deeds of arms, the gallant enterprises of heroes and of 
 their companions, all things connected with the wars of that age of chivalry, — 
 in short, what may in general be termed the romantic part of the history of his 
 time. A pestilence, however fearful, could have no place in such a i)lan. 
 When Boccaccio, with his eye upon Thucydides, gives r.s a minute detail of 
 this same calamity as it visited the plains of Italy, it is because it forms the 
 very ground work of his story, the cause which is supposed to bring together 
 the gay relators of the hundred novels. 
 
 t "This story of the six burgesses of Calais, like all other extraordinary 
 stories, is somewhat to be suspected ; and so much the more, as Avesbury, 
 p. 167, who is particular in his narration of the surrender of Calais, says 
 nothing of it, and, on the contrary, extols in general the kirig^s generosity 
 and lenity to the inhabitants.'''' Hume. Note. 
 
 The last clause of this passage may help one to form an answer to my ques- 
 tion.— By the by, it is odd that Hume should attempt to draw a moral conclu- 
 sion from an incident wliich he considers problematical. See Hist, of England, 
 chap. XV., concluding paragraph. His inference is not quite philosophical it is 
 true ; but even if it were, it must fall to pieces unless based upon established 
 fact. 
 
OF CALAIS. 101 
 
 Of Guise's Hem ! " He gave his throat a clearing; 
 
 For Carryl was no longer within hearing. 
 
 the six burgesses is altogether inconsistent with the acknowledged 
 generosity of his character.* Yet it was by order of this same Ed- 
 ward, only a twelvemonth previously, that quarter was refused on 
 the day of Creci, and on the morning which succeeded that battle. 
 Nay, we are told that on this latter day, which was foggy, artifice 
 was resorted to in order to decoy the straggling French to the 
 English stations, where they were massacred in what may well be 
 called cold blood, since quarter was refused alike to those who sur- 
 rendered and to those who fought. To argue upon the truth of au 
 isolated fact fiom a man's general character is to make no allow- 
 ance for human inconstancy. Moreover, the mixture of great bar- 
 barity with great generosity, not unknown in the heroes of every 
 time, may be said to have been a particular feature of the times of 
 which we are speaking ; and the same conqueror, who displayed 
 himself to those who were expelled from Calais so truly generous, 
 (truly, because their expulsion from the place was made for the 
 very purpose of enabling the governor to prolong the defence,) 
 might well be so exasperated by the duration of the siege, and by 
 his loss of time, and m.en, and money, as to wish to visit on the 
 heads of some few the punishment he had reserved perhaps for all.t 
 His inhumanity was but part of his humanity ; to have been more 
 humane had been (taking the age into consideration) almost super- 
 human, and would certainly have entitled the royal victor to be 
 ranked in nobleness of heart above the conquerors of all ages, 
 modern as well as remote. Let me add that this seeming incon- 
 sistency of Ed-ward's, which is considered as making questionable 
 
 * See, on this page, note t- 
 
 t In 1370, when Chakles, then king of France, was rapidly regaining 
 his conquered provinces, Edward was so irritated that he threatened to put 
 to death all the French hostages that remained in his hands. He did not in- 
 deed put this savage threat into execution : neither did he maintain his purpose 
 against the Calaisans ; but the mere conception of such a deed was still more 
 ungenerous and cruel in the former case than in the latter. 
 
 9* 
 
102 EUSTACE SUPERSEDED. 
 
 CXXII. 
 
 Just as the hunchback's story found an ending, 
 They reach'd the market-place, as we have seen ; 
 
 the entire story, is, to me, no httle argument of its verity. It is 
 representing man as he is, as he has been, as he ever will be. 
 
 Well, Edward will not listen to the remonstrances of his servants. 
 This too is natural, and for two reasons : the first, that when a man 
 is both angry and in the wrong, advice and remonstrance only ex- 
 asperate him and render him more obstinate ; the second, that no 
 one loves dictation, certainly no king, and that pride alone is suf- 
 ficient to deter one from listening to those whose very advice shows 
 them to be conscious at once of his unreasonableness and of their 
 own superiority in judgment. What now if we should say, that 
 the monarch was not angry after all, but only affected severity, in 
 order to punish by the terror of impending execution those, whom, 
 because of the town they represented, he thought, with the reason- 
 ing of a man, and a conqueror, and above all a king, it was not 
 right to pardon absolutely ? The supposition implies nothing im- 
 probable ; though myself I do not think it reasonable.* 
 
 Next the Queen is brought before us, and the censor pronounces 
 it unworthy of the monarch, and therefore unlikely, that he should 
 liave granted to her entreaties what he denied to the merits of the 
 burgesses, and to the remonstrances of his nobles. It were a suf- 
 ficient answer to say, that when a man is beginning to be beaten, 
 even in an argument, the last person that assails him will have the 
 credit of the victory. But the tears of the queen, her imploring 
 posture, her artful yet gentle appeal to his favor, her touching ad- 
 juration, the delicate condition in v.'hich he saw her, these surely 
 
 * Edward was always more generous than just ; and, as a king, he was cer- 
 tainly arbitrary. This is fully jirovecl in the summary which Hume has given 
 of the principal events of his reign. 
 
 P. S. VoLTAir.E, I perceive, was of the opinion that Edward did not mean 
 to put the men to death. But in founding this supposition on the known gen- 
 erosity of the king's character, he forgot, I think, his philosophy in that very 
 skepticism which in other cases gave it birth. 
 
THE RENCOUNTER. 103 
 
 When suddenly our hero sees, descending 
 
 The town-hall steps,— not Eustace,— nor the Q,ueen,— 
 
 would be more powerful over the mind of Edward, especially if at 
 the moment wavering, than the counsel of bearded and warlike 
 men, which in itself, because they were his subjects and vassals, 
 could not but be offensive. Besides it was of a piece with the 
 chivalry of the day,* as it belongs to the gallantry of all ages, to 
 give to women what is refused to justice and to mercy. And if it 
 were not, did not Caics Marcius do as much, and more ? and was 
 Edward more resolute, a better soldier, or a loftier spirit, than the 
 conqueror of Corioli ? I think it is not anywhere so written. 
 
 To finish the arguments of M. Levksquk, he sees too an incon- 
 sistency in the queen's conduct, because she afterwards obtained 
 the confiscation of the house of John Daire, one of the six, and a 
 further inconsistency in the acts of Edward, because he loads with 
 gifts the same Eustace de Saint-Pierre whom he was so near 
 beheading; and he convicts Saint-Pierre of treachery to his 
 country, "because he accepted the presents of the conqueror, and 
 deigned to live in the city whence his fellow-townsmen had been 
 almost all expelled. The queen, it is to be presumed, was a woman; 
 her availing herself of an unavoidable calamity, and taking for her 
 own use the property which must have been confiscated, if not to 
 herself to others, was no reason why she should consent to see the 
 owner's head struck off, if prayers and tears would keep it on 
 his shoulders. The very generosity of Edward must have made 
 him love the nobleness of Saint-Pierre, when once forgiven ; and 
 to wish to secure to himself a soul of such a stamp was as natural 
 
 * Hume says, "This age was tlie reign of chivalry and gallantry." I need 
 not remind the reader that it was Edward III. wlio instituted the order of the 
 Garter the origin of which badge of chivalry, though it rests upon less authority 
 than the story of the six burgesses of Calais, (beiug, 1 believe, a mere tradition,) 
 yet like the latter bears with it its own evidence of authenticity. Edward 
 was in fact a true knight, as distinguished for gallantry as for courage ; and 
 there is not on record a hero of the time, including the very best that fall under 
 that name, as Du Guesclin, Chandos, and even the prince of Wales himself, 
 that would not have deemed it a disgrace to refuse to a kneeling and weepnig 
 princess a favor much more inconsistent with justice and humanity than that 
 for which PuiLirrA supplicated. 
 
104 THE REJNCOUJMTER. 
 
 But living Blanche. He could not think of lending 
 Attention now to Felix' prose, I ween. 
 
 as for Saint-Pierre lo feel grateful to the hand which had spared 
 him when in its power, and proud of the attention shown him by 
 a monarch, and of the trust reposed in him by a victorious enemy. 
 That this trust was to the prejudice of his own countrymen, and 
 that the benefits received from Edward were to recompense him 
 for a breach of natural faith, is nowhere shown, nor will a sneer be 
 allowed to be an argument to prove it. 
 
 Finally, the minuteness with which Froissard has detailed the 
 whole incident in question, the simplicity of his language and its 
 adherence to nature, the very conduct of the characters in that little 
 drama, (and which, as we have seen, has been objected to as in- 
 consistent !) all these particulars are internal evidences of the truth 
 of the story. Indeed, if it be an invention of the chronicler, or 
 an enlargement and embellishment of some more meagre and less 
 brilliant circumstances, we shall be obliged to allow, that from 
 the sacred hand which penned the tale of Joseph, down to the 
 elegant biographer of Ferdinand and Isabella, there has never 
 lived the historian that could match him in the counterfeit of na- 
 ture, and that even the dramatist Siiakspeare himself, in adapting 
 the discourse of his real characters to the fictitious scenes in which 
 they figure, was but a fool to this same simple John Froissard. 
 
 P. S. Since J have carried this note to such an unintended length, 
 it will but little more fatigue the reader if I add the following re- 
 marks. Froissard is very generally, though perhaps unjustly, ac- 
 cused by the French of partiality to the English. If indeed the 
 historian were in the interests of the latter nation more than in those 
 of any of the various others with which he had in turn to do, he 
 could never have been more so than when he presented the first 
 part of his chronicles to Philippa. It is in this part that the siege 
 of Calais is recounted. How comes it that he should have told a 
 circumstance so injurious to the character of Edward ; a story 
 which M. Levesque would have to be of his invention or of his 
 embellishment ? There would have been little wisdom in carrying 
 his performance to a court where there were so many persons who 
 
THE RENCOUxNTER. 105 
 
 To con the poetry of Blanche's eyes 
 
 Is sweeter task. So o'er the square he flies. 
 
 could not fail to know at once, from their own experience, the truth 
 or falsehood of every particular therein recounted. Now the siege 
 of Calais happened when Froissard was but ten years old. The 
 first part of the Chronicle, he tells us at its very outset, he copied 
 from the writings left by John le Bel (which have not come down 
 to us). Can there be any doubt that this romantic incident, among 
 others, had a place in the narrative of his predecessor.'' Froissard, 
 therefore, would not at any rate be the inventor of this story ; and 
 his contemporaries would only have omitted it, simply because it 
 fell not into their hands. Upon all that part of his history which 
 he borrowed from another, he professes, and is known, to have be- 
 stowed unusual pains, revising and correcting it several times, in 
 his great regard for accuracy. (See p. xxx, note, of the 1st Vol. of 
 JoHNEs's Froissard, ed. of 1839.) 
 
 In truth, the same praise may be bestowed upon Froissard that 
 is given to the historian whom in some particulars he much resem- 
 bles, Herodotus ; a sincere wish, and a firm intention to do jus- 
 tice, subject to the infirmity perhaps of occasional prejudice, which 
 will influence all men at times, and of a credulity to which the age 
 wherein he lived was prone. No historian perhaps ever existed 
 that shows so little partiality of any kind, or whose narratives, how- 
 ever romantic, have less of the coloring of exaggeration. " Le bon 
 Froissard," says one who was well calculated to appreciate, at its 
 proper value, the simplicity and ingenuousness of the Herodotus of 
 chivalry," le bon Froissard a marche en son entreprise d'une si 
 franche naifvete, qu'ayant faict une faute, il ne craint aucunement 
 de la recognoistre et corriufer, en I'endroit ou il en a este adverty, 
 et nous represente la diversite mesme des bruits qui couroyent, et 
 les difFerens rapports qu'on luy faisoit. C'est la matiere de 1 His- 
 toire nu6 et informer chacun en peut faire son profit autant qu'il a 
 d'entendement." This is a character of no little candor. See Essais 
 de Montaigne, Liv. ii. chap. 10. Tom. iii. p. 81, ed. de Coste, or (at 
 p. xli. Vol. i. of JoHNEs's Froissard f ed. of 1839) the observations of 
 Sainte-Palaye, who has cited the same passage. 
 
106 CARRYL OFFERS HIS SERVICES. 
 
 cxxiir. 
 
 I mean to say, he quicken'd his slow pace, 
 
 As far as pride, or Cupid, would allow. 
 
 He saw the blood run riot in the face 
 
 Of Blanche, as soon as near enough to bow. 
 
 But she, who was all ease, if not all grace, 
 
 Took care her lips should not as much avow, — 
 
 So straight assail'd him in her usual fashion, 
 
 To show her nerves were nowise shook by passion. 
 
 CXXIV. 
 
 " She 'd rambled out," she said, " to see the city ; 
 Suppos'd that the signor had done the same ; 
 But fear'd that there was nothing very pretty ; 
 And fancy'd that the town look'd mean and tame ; 
 That on the whole 't was rather out of pity 
 She 'd sufFer'd one they cicerone name 
 In her own land, and whom he 'd found beside her, 
 About so prison-like a place to guide her. 
 
 cxxv. 
 
 "But then, the valet (i) serv'd as a protection, 
 
 An escort which she could not do without ; 
 
 And, where there was no room to make selection, 
 
 One priz'd the service of the dullest lout." 
 
 Therewith, our hero begg'd to take direction 
 
 Of her perambulations round about. 
 
 " He knew no more of Calais than did she ; 
 
 But that was nought, where there was nought to see. 
 
 (i) Valets de place is the name of these persons. 
 
THE PROMENADE. 107 
 
 CXXVI. 
 
 " He would advise her therefore to dismiss 
 Her servant, and take up with him instead." 
 Archly the little Roman smil'd at this ; 
 " His counsel was not scriptural," she said ; 
 "They might perchance their way together miss ; 
 The blind should never by the blind be led. 
 Would he join forces ^ she was nothing loath ; 
 The man could go before, and serve for both." 
 
 CXXVII. 
 
 So Carryl and Bianca, side by side, 
 
 Walk'd on together, and the guide before. 
 
 Felix, who 'd linger'd, for a moment ey'd 
 
 The group so sadly that his eyes ran o'er : 
 
 " More love ^ " he mutter'd to himself, and sigh'd ; 
 
 " More time misspent, more heart-ache, and O ! more . . 
 
 Alas I and yet so good ! ' 'T was all his say : 
 
 He turn'd him round, and walk'd another way. 
 
 CXXVIII. 
 
 Ere many minutes, Arthur had succeeded 
 
 In laughing his companion into reason. 
 
 In sober truth the valet was not needed ; 
 
 He did a something he might charge his fees on, — 
 
 Show'd the few lions, but they were not heeded ; 
 
 And all his histories were out of season. 
 
 The streets were straight ; then Carryl had his chart 
 
 To follow one's own nose was no great art. 
 
108 GALLANTRY. 
 
 CXXIX. 
 
 So by themselves the gentle couple bent 
 
 Their footsteps to the ramparts. Strange to say, 
 
 Their lighter spirits for a time seem spent, 
 
 Now nothing interferes to balk their play. 
 
 With eyes cast down, they on in silence went, 
 
 As they were measuring the public way. 
 
 At length Bianca ask'd, with accents low, 
 
 "How came they first acquainted ? did he know ? " 
 
 cxxx. 
 
 Carryl, albeit he felt a slight surprise, 
 Thinking perhaps she knew as well as he. 
 Yet answer'd gallantly, "To analyse 
 Our pleasures is to set their essence free, 
 To get at nothing ; which is sure not wise. 
 I am too happy now, that I should be 
 At all tormented by a wish of knowing 
 To what blest accident my joy is owing. 
 
 CXXXI. 
 
 "Moreover," — playfully the swain declares, — 
 The while his lip a smile half-mocking wore, — 
 " My heart, dear lady, just at present swears 
 That it has known you thirty years or more. 
 Pardon my memory, that no*trace it bears 
 Of what must thus have happen'd long before 
 Or you or I was born. But let me blame 
 The faithless creature, that she dropp'd your name. 
 
THE EXCHANGE. 109 
 
 CXXXII. 
 
 *' In future, not to trust to faith so light 
 
 A charge so precious, suffer me to pray 
 
 That you would condescend your name to write 
 
 Upon this leaf, or any other way 
 
 Enable me in Memory's despite 
 
 To keep the recollection of this day 
 
 Secure, by knowing to whose grace I owe 
 
 A pleasure Fortune does not oft bestow." 
 
 CXXXIII. 
 
 So saying, smiling, with a sportive air, 
 
 Yet gallantly withal, and with much grace. 
 
 The little chart, which in his hand he bare, 
 
 Carryl transferr'd to Blanche, whose lovely face 
 
 Blush'd faintly like a budding rose, and ware 
 
 A look of hesitation, for a space. 
 
 Then, in a hand not coarse, though bold and steady. 
 
 She wrote for Arthur what we know already. 
 
 CXXXIV. 
 
 " Thanks," said the youth ; " and there ; a fair exchange," 
 And handed her a card of his address. 
 Blanche seem'd to think the whole proceeding strange, 
 (And, sooth to say, she could not deem it less,) 
 But, being dispos'd to give his humor range. 
 With a sweet laugh that did her thoughts express 
 The billet took. Just then a voice, quite near, 
 Exclaim'd in English, " Taking notes, too ! Queer ! " 
 10 
 
110 AN UNPLEASANT INTERRUPTION. 
 
 CXXXV. 
 
 The voice was neither pleasant, nor refin'd, — 
 
 Not bass, nor tenor, bariton, nor treble. 
 
 But a strange medley of all four combin'd, 
 
 That proved the owner was a desperate rebel 
 
 Against all harmony of every kind. 
 
 Our gallant turn'd, and lo, where Mr. Pebble ! 
 
 The master of the bagpipe stood alone. 
 
 And must have meant for Carryl's ear its drone. 
 
 CXXXVJ. 
 
 " Sir ! " cry'd our hero. — Not so huge a leap 
 
 Made Doralice's pony, when the art 
 
 Of Malagigi caus'd the devil to creep 
 
 Into its bowels ; (i) not, at least, a start 
 
 So sudden, (for my Muse prefers to keep 
 
 To truth ;) as Pebble, when, on Carryl's part 
 
 Anticipating a more rude attack. 
 
 He leapt, not forward like the nag, but back. 
 
 (i) Nel mansueto ubino, che sul dosso 
 Avea la figlia del re Stordilano, 
 Fece entrare un degli angel di Minosso 
 Sol con parole il Irate di Viviano : 
 E quel, che dianzi niai non s'era mosso, 
 Se non quanto ubbidilo avea alia mano, 
 Or d' improvviso spicco in aria un salto, 
 Che trenla pie fu lungo, e sedici alto. 
 
 Orl. Furioso, xxvi. 129. 
 
ONE TOO MANY. Ill 
 
 cxxxvn. 
 
 At length recovering from the sound and stroke 
 
 Of Arthur's voice and Arthur's flashing eyes, 
 
 This other pibrach from the cornmuse (l) broke 
 
 In tones of mingled terror and surprise : 
 
 "Why what 's the matter now ? " ('t v/as thus he spoke ;) 
 
 " I hope I have offended in no wise ? 
 
 But if I have, when peaceful my intent is, 
 
 I must, as Ovid says, be comjjos mentis (2)." 
 
 (1) Cornmuse {corncmusc, Fr., cornamiisa, Ital.). This name for 
 that very ancient and classical instrument, the haginpe,'' was long 
 ago made English by Chaucer. See the House of Fame, Bk. iii. 
 128. The word coalesces well and elegantly with the language, 
 and forms a useful synonym for the purposes of poetry. 
 
 (2) The proficient on Nero's instrument must have meant to use 
 the law-phrase, non compos mentis. 
 
 * The precise antiquity of this rude instrument is not ascertained, though for 
 several reasons it may be supposed to be considerable- It was known to the 
 Greeks under the name oi doros (saccus e corio /actus, a bag made of hide.) 
 See Bartholinus, De Tib. Vet. iii. 7, who cites an epistle attributed to St. 
 Jerome, where the latter describes the instrument under the term choros 
 (which Saumaise thought should be written doros). Suetonius, in his Life 
 of Nero (c. Ixiv), mentions that emperor as having vowed to act the part of 
 an utricularius, (which Martial calls, from the Greek, ascaules, (Ep. x. 3,) 
 and Seneca, perhaps, pithaules (Epist. x. 77,)) that is, of a bagpiper ; and the 
 poet Virgil is generally thought to allude to this instrument in a descriptive 
 periphrasis, in his Copa. These, it will be perceived, are comparatively mod- 
 ern authorities. 
 
 In the Santa-Croce palace at Rome, there is a low-relief of an ancient bag- 
 pipe, with a single pipe and two reeds. It is mentioned by Montfaucon, 
 BiANCHiNi, and other antiquaries. There is a representation of it likewise in 
 Ferrario : Cost. Ant. e iliod. — Europa. iii. Tav. 121. On page 82 (note) of 
 the same volume (ed. 2a.) we are told, that the most ancient and perhaps the 
 only monument in ivhich is seen a species of cornmuse properly so called is 
 a camme.o published by Ficoroni; Masch. Seen. Tav. 83. 
 
112 THE BORE. 
 
 CXXXVllI. 
 
 "Matter ? " quoth Arthur, but with much ado, 
 
 For now he felt most strongly mov'd to laughter ; 
 
 *' Offended ? Pray, what interest have you 
 
 In this young lady, that you dare, and after 
 
 So very impudent a fashion too, 
 
 To interfere between us ? " Had a rafter 
 
 By some rare chance then fallen, and Pebble wounded. 
 
 He had felt worse, but not much worse confounded. 
 
 CXXXIX. 
 
 " Lord ! " he exclaim'd, and " Goodness gracious me ! " 
 
 When seeing a smile on Carryl's handsome face, 
 
 He fell a laughing, and so heartily, 
 
 It actually convuls'd him for a space. 
 
 '' I only thought, sir, that you seem'd to be. 
 
 As I, collecting notes about this place." . . . 
 
 " Comparing them," said Arthur, " I suppose." 
 
 Then Pebble laid a finger on his nose : 
 
 CXL. 
 
 " Good ! Bravo ! Very good !— Well, as I say " . . . 
 (Carryl turn'd round.) " Do hear my explanation ! " . . . 
 '' I 'm satisfy'd," said Arthur ; " sir, good day. — 
 What would you have ? " he added, in vexation, 
 And some disgust, as Pebble stopp'd the way. 
 And seiz'd a button to maintain his station : 
 " The devil, sir ! if you must speak, be quick. 
 And speak in French, if we 're to hear you speak. 
 
PEBBLE'S PERSEVERANCE. 113 
 
 CXLI. 
 
 " Was ever such an ass ! " he said aside, 
 
 In her own tongue, to Blanche, who look'd amaz'd, 
 
 And now her escort, now the cockney ey'd, 
 
 Nor doubted that the latter must be craz'd. 
 
 But, when she saw him walking by their side, 
 
 And Carryl's bidding him speak French had rais'd 
 
 Her curiosity, with secret mirth 
 
 She waited for the laboring mountain's birth. 
 
 CXLil. 
 
 It heav'd ; it strain'd ; and lo ! the mouse came out : 
 
 " Je veux vous . . . je vous 'T is no use to try ! 
 
 I never really know what I 'm about 
 Whenever, where there 's no necessity, 
 I travel from my long-accustom'd route. 
 And put a je for ijou, and vous for I. 
 I beg, young gentleman, you '11 not withstand 
 My speaking in a tongue I understand. 
 
 CXLIU. 
 
 " That is, I mean, I manage with facility. 
 And if that lady be the bar indeed, 
 And your request was made in mere civility, 
 You can interpret me in case of need ; 
 For which, no doubt, you have the due ability." 
 " In Heaven's name," cry'd Arthur, ''then proceed ! 
 We want to be alone, as you should know. 
 In few words then, and quick ; and let us go." 
 10* 
 
114 THE HISTORY OF 
 
 CXLIV. 
 
 As fly the sparkles from the whirling stone 
 Of the knife-grinder, him whom Canning sung, 
 Whose hat had in 't a hole, nor that alone, 
 But eke his breeches : (i) so, so many, sprung. 
 So fast, the tones from Pebble's bagpipe-drone, 
 When Carryl's word let loose his flying tongue. 
 But first, in such strange French as made her smile. 
 He ask'd Bianca's patience for a while. 
 
 CXLV. 
 
 He told, how when he cross'd the narrow sea 
 
 To visit France, although he had in view 
 
 To make the Tour, and see what others see. 
 
 And gratify his wife and children too. 
 
 He with the dulce mix'd the utile, 
 
 And made for two small birds one Pebble do ; 
 
 For he was troubled with the cacoethes (2) 
 
 And held in hate the dark flood known as Lethe's. 
 
 CXLVI. 
 
 He said his mother, just before his birth. 
 Had dream'd she was deliver'd of a book, 
 
 (i) " Needy knife-grinder ! whither are you going ? 
 Rough is the road, your wheel is out of order; 
 Bleak blows the blast ; your hat has got a hole in 't, 
 So have your breeches 1 " 
 
 Poetry of the Anti-jacohin. 10. 
 (2) Sc. scribendi. Literally, the ^' evil habit of writing." A 
 
CICERO PEBBLE. 115 
 
 Wherein were writ the strangest things on earth, 
 Which everyhody else for nonsense took : 
 But merry jests were there that woke her mirth, 
 And tales of blood her soul with terror shook ; 
 The title, Memoirs, Essaj/s, Ballads, Sketches ; 
 The frontispiece, a woman in man's breeches. 
 
 CXLVII. 
 
 That as she gaz'd, behold it came to pass, 
 
 The woman's face with hair was overgrown, 
 
 The ears shot up, and, tapering off like grass. 
 
 Became too lono- for human head to own. 
 
 The neighbours said, the child would prove an ass, — 
 
 Her better half, an author widely known. 
 
 Who should delight in things that women use, 
 
 And have his ears prick'd always up for news. 
 
 CXLVIII. 
 
 The foal was dropp'd. From ages long ago 
 
 The sire selected it a mighty name ; 
 
 And the young Marcus Tullius Cicero 
 
 Became in later days for letter'd fame 
 
 A stubborn candidate ; nor only so. 
 
 But for all notoriety that came 
 
 Convenient. Now, he was upon the tour, 
 
 To make a book, like Sappho's (l) should endure. 
 
 phrase of Juvenal's. Pebble, who had met the expression 
 somewhere, mistakes it for encomium, 
 (i) Strabo's ? 
 
116 THE RAMBLER. 
 
 CXLIX. 
 
 Therefore, no sooner had he reach'd the inn 
 Than out he sally'd with his notes in hand, 
 Determin'd at the entrance to begin, 
 And spy out every nuisance in the land, 
 And bring it to account for all its sin. 
 That, under the impression Arthur plann'd 
 The like from what he saw, he thought it " queer,' 
 And utter'd his surprise somewhat too near. 
 
 CL. 
 
 "And now," said Arthur, "you have done your story, 
 Once more, good day," and, bowing, onward pass'd. 
 But, just then, Pebble was in all his glory ; 
 " Stay ! " he cry'd, following ; " Pray, why so fast ? " 
 Arthur grew angry ; for Blanche Gaiocore 
 Look'd anxious and displeas'd. This must not last. 
 Yet how on such a man to fix a quarrel ^ 
 'T were too absurd. " What would you now ^ " said 
 Carryl, 
 
 CLI. 
 
 And very gravely : " Sir, this is imposing 
 
 Too much on my forbearance. Have you done .'^ " 
 
 " Done ? " cry'd the genius, not a blush disclosing 
 
 On his coarse face ; " why, sir, I 've scarce begun ! 
 
 Know that, young gentleman, I am reposing 
 
 A trust in you not given to every one. 
 
 Saving the Baron, and some fifty more. 
 
 My Rambles have been nam'd to none before. 
 
THE RAMBLER. 117 
 
 CLII. 
 
 " I call them Rambles in Midsummer, though 
 
 The spring is not yet over. . . . But I see 
 
 You are impatient, and as Cicero, 
 
 My namesake writes, Feslina Unite (i). 
 
 But tell me where you lodge, before you go ; 
 
 For, sir, in truth, as I hate flattery. 
 
 Your looks delight me ; though, I must confess, 
 
 When first I saw your face, it pleas'd me less. 
 
 CLIII. 
 
 " Your name I know ; perhaps that lady's too ; 
 And more of both of you than you suppose." 
 Cry'd Arthur to himself, "The deuse you do ! 
 This fellow means that I should wring his nose," — 
 Yet let the droll his monologue go through ; 
 Albeit in reason's spite his color rose. 
 " Now don't be angry ! Tell me where you stay ; 
 I 've much to ask, and somewhat too to say. 
 
 CLIV. 
 
 " Royale ? You don't ? That 's lucky ! So do I ! 
 
 I always go where Englishmen resort. 
 
 I hate your foreigners : they are so sly. 
 
 And keep such nasty kitchens ; and, in short, 
 
 Are so unlike ourselves : and that is why 
 
 I hated you at first ; though men report 
 
 You Yankees are improving ; and no wonder, — 
 
 You are our bastards ; and we made a blunder 
 
 (i) Lente. Make haste slowly; a well-known apophthegm. 
 
118 THE APPOINTMENT. 
 
 CLV. 
 
 " In not legitimating you, instead 
 
 Of flogging you as long we were able," 
 
 (Carryl bow'd low.) " I dine, where with ray bread 
 
 I swallow knowledge, at the public table. 
 
 You '11 meet me there .'' The Baron in my stead 
 
 Eats with my wife : he 's proud and hates a Babel, — 
 
 (Yet is a whig, like you ! while I 'm all tory !) 
 
 Carryl, adieu ; addio, Miss Magory." 
 
 CLVI. 
 
 Much Arthur laugh'd, when Pebble's vulgar feature, 
 
 And awkward person, were no longer near 
 
 To bar his merriment. " A meddling creature ! " 
 
 (He said to Blanche,) •' and impudent, 't is clear. 
 
 Yet no doubt harmless. But I must beseech your 
 
 Forgiveness that I seem'd to lend an ear 
 
 So patient to his chattering. In truth, 
 
 I could not treat him harshly," said the youth. 
 
 CLVII. 
 
 Then, much to her amusement, he translated 
 All he had heard from Pebble ; who, that hour. 
 In Constance' presence, to his wife related 
 How Blanche had fallen into Carryl's pow'r : 
 " He 'd try'd to save her, but was glad," he stated, 
 "To hurry from the abuse both chose to sliow'r. 
 For him," he added, sighing, — " Such a sinner ! " 
 And went to dress, to meet the youth at dinner. 
 
THE HAPPINESS OF AMIABILITY. 119 
 
 CLVIIl. 
 
 If ever man, since first the unborn was driven 
 From Eden's bovvers, and Eve conceiv'd in sin, 
 Was happy, it was Arthur : not that given 
 To him in plenty had the world's goods been ; 
 For he had heir'd but little, nor had thriven 
 By means which others use that mammon win : 
 Not that he was in aspiration blest ; 
 For Hope had mock'd him, as she mocks the rest : 
 
 CLIX. 
 
 Nor that he was more virtuous, better bred. 
 
 More wise, or better made, than most men are ; 
 
 For all these qualities have never led 
 
 Alone to happiness ; they rather bar 
 
 From its access, — high expectations spread 
 
 Before us, which we chase to find too far, 
 
 And purify the heart, and senses fine. 
 
 That these may agonize, and that may pine : 
 
 CLX. 
 
 But that he was not envious : that to see 
 
 Delight in others woke delight in him : 
 
 Their happiness was his felicity ; 
 
 Their good success made not his prospects dim ; 
 
 To solace Grief, and bid Affliction flee, 
 
 Fill'd up his large heart, even to the brim, 
 
 With that sweet sense of universal love, 
 
 Which souls benignant share with Heaven above. 
 
120 THE HAPPINESS OF AMIABILITY. 
 
 CLXI. 
 
 This feeling Arthur carry'd to excess ; 
 And all excess is weakness. Thus the fear 
 Of doing aught that might the heart distress, 
 Or chafe the interest, or make appear 
 The blush of shame or of uneasiness 
 Over the face of others, though not dear. 
 Nor even esteem'd, with whom in life he mix'd. 
 Made him at times seem wavering and unfix'd. 
 
 CLXII. 
 
 Hence men less noble, and of harsher mind, 
 
 And women of small heart, as many be. 
 
 Upon a soul so facile and so kind, 
 
 And trustful even to credulity, 
 
 Irapos'd with ease ; though when the youth would find, 
 
 As never fail'd, their little honesty. 
 
 His wrath was hot, and, if it burn'd not long. 
 
 He learn'd to know the wronger by the wrong. 
 
 CLXIII. 
 
 He seem'd to join two natures in his own. 
 But not in like degree : one, — oftenest seen, 
 And which conspicuous in his visage shown, — 
 Soft, warm, confiding, loving, and serene ; 
 The other, fierce and haughty, which had grown 
 Perhaps to have ascendant, but between 
 The two Philosophy had thrust her hand. 
 To favor that, and this to keep at stand. 
 
SOME GOOD IN EVERY THING, 121 
 
 CLXIV. 
 
 However, — to return from my digression, — 
 'T was thus, to do a pleasure, if he could, 
 Carryl had made to Pebble his concession, 
 Though, certainly, he was not in the mood. 
 Now of his pineal gland had got possession 
 A darling passion, to permit a rude. 
 And vulgar ass, with self-invited bray. 
 To frighten Cupid almost clean away. 
 
 CLXV. 
 
 Yet, had he known, that by the phrase, In truth 
 I could not treat him harshly j he had made 
 A great stroke with Bianca, who, in sooth, 
 Herself good-natur'd, was at heart afraid 
 Carryl was not, remembering the youth 
 That very morn had some hot blood betray 'd. 
 Had he known this, he would have own'd, I trow, 
 An ass's bray comes sometimes apropos. 
 
 CLXVI. 
 
 Long laugh'd the youth and maid, as I have sung. 
 At the poor beast's expense, (i) Said Arthur then : 
 
 (i) I hope that nobody will act towards me, in this place, the 
 part historians have done to old Froissard in the matter of the 
 siege of Calais, and accuse me of inconsistency. I have writ- 
 ten this stanza, and the one which follows, with my eyes wide 
 open, not in the least forgetting the character I had drawn of Car- 
 ryl and of Bianca. Carryl would not have laughed in Pebble's 
 11 
 
123 WANTONNESS OF FORTUNE. 
 
 '' How wantonly indeed hath Fortune flung, 
 Blind that she is, her favors among men ! 
 Look at this very Englishman. Among 
 His equals in degree, not one in ten, 
 I might say in ten thousand, would you find 
 Meaner in spirit, or more dull of mind. 
 
 CLXVII. 
 
 " Heartless, pedantic, ignorant, ill-bred^ 
 Coarse-featur'd, rude in person, and of speech 
 Plebeian as his manners. Fate has shed 
 Around him many blessings, made him rich, 
 (At least 't would seem so,) given him to wed 
 A lovely woman, far above his pitch, 
 Bless'd him with offspring, — more, it well may be. 
 Now look at Felix ; what on earth has he ? 
 
 face, nor would Bianca ; they were both too amiable, and too 
 urbane. Neither would they have amused themselves by portray- 
 ing him in caricature to a third party. They laughed at the 
 buffoonery which had been exhibited before them, without a refer- 
 ence to the pantaloon who had enacted it, and without a possibility 
 of doing him an injury. And when, directly afterwards, Carryl 
 grows warm in comparing Pebble's lot with that of Felix, and 
 talks with an energy that has something in it of asperity, it is be- 
 cause of this comparison. It is not malice which prompts him, but 
 a moral indignation, such as at. times inspires the most amiable and 
 the most gentle, when their sense of justice is nice and easily out- 
 raged. 
 
 And thus it is, that the bitterest satirists have, not unfrequently, 
 been in society the most amiable of men, while on the contrary the 
 mildest and meekest writers have often been found, when mixing 
 with the world, to be cynical, petulant, unaccommodating, and 
 malignant. The head and heart are very usually at variance. 
 
CARBYL COMMENCES THE STORY. 123 
 
 CLXVIII. 
 
 " Felix, my servant, — what has Fortune given 
 
 To him ? And yet is he, in mind and soul, 
 
 Voice, manners, feature, — I was almost driven 
 
 To say, in form, — worth fifty like this fool ! ". . . 
 
 ",You are unjust to Fortune, or to Heaven," 
 
 Quoth Blanche with sweetness ; " for, upon the whole, 
 
 Such as you make him, Felix must be fully 
 
 As blest, his way, and more than this Marc Tully." 
 
 CLXIX. 
 
 " Yes, if that wisdom were a compensation, 
 
 Or virtue, or both qualities combin'd. 
 
 For so entire and sad a deprivation 
 
 As Felix bears of all those gifts we find 
 
 Are needed to extort the admiration. 
 
 The love, or even sufferance of mankind. 
 
 Ah ! did you know, poor wretch how sore oppress'd 
 
 His life was once, you would not deem him bless'd ! " 
 
 CLXX. 
 
 " Perhaps," reply'd Bianca, " the Signorc 
 
 Will, — nay I have his promise so to do, — 
 
 Recount some portion of his servant's story ? " 
 
 " With pleasure," Carryl said. " The tale, though true, 
 
 (But would the Signorina Gaiocore 
 
 Be seated ? No ?) is such, that there are few 
 
 Of fiction have its pathos ; surely none 
 
 In bitter moral can o'ertop this one. 
 
124 THE STORY OF 
 
 CLXXI. 
 
 " Were I an Englishman, of lofty station, 
 
 High birth, great fortune, none could feel surprise, 
 
 That I should have a man of education. 
 
 Like Felix, of good manners, moral, wise, 
 
 To travel with me in a situation," 
 
 (Bianca's color mounted to her eyes, 
 
 Unseen of Carryl,) "humble certainly, 
 
 And servile, as it would appear to be ; 
 
 CLXXII. 
 
 " But coming, as we both do, from a land 
 
 Where all men, civilly, are equals born, 
 
 And often socially may take their stand 
 
 According to the talents which adorn 
 
 Their several natures, that I should command 
 
 The services of one like Felix Lorn, 
 
 Poor though he be, is strange ; but what is quite 
 
 As strange, I do it in my own despite. 
 
 CLXXIII. 
 
 " There is a mystery which even I 
 
 Have never solv'd, about this ill-starr'd creature. 
 
 He loves me dearly ; with a love so high. 
 
 So constant, and so tender," (every feature 
 
 In Carryl's face here quiver'd, and his eye 
 
 Grew moist, his voice too falter 'd,) — "that — the nature 
 
 Of woman seldom with the like has blest her. 
 
 I know one instance only ; in — my sister. 
 
THE HUNCHBACK. 125 
 
 CLXXIV. 
 
 " His birth he tells not, save that it is mean ; 
 Mean even with us, and shameful everywhere : 
 The curse of Custom, which has dar'd to screen 
 The sire from forfeits that the child must bear. 
 Hence, when I sought with earnestness to wean 
 Poor Felix from his purpose ; and his pray'r . . . 
 But, pardon me ; against all rule I 'm sinning ; 
 Beginning by the end is not beginning. 
 
 CLXXV. 
 
 ** In a small State, dear lady, of the score 
 And six great sovereignties, whose stars compose 
 The galaxy of Freedom, — by the shore 
 Where the blue Western Ocean ebbs and flows, 
 There lies an island, call'd in days of yore. 
 Ere the Strip'd Banner o'er the Red Cross rose, 
 The jNew World's Eden, but now chiefly known 
 For fish, fine harbors, pretty girls, and stone. 
 
 CLXXVI. 
 
 " Its soil is still the same, its air as pure ; 
 Its people, — better 't would be hard to find ; 
 But motion onward cannot aye endure. 
 And Newport and the isle have gone behind. 
 Yet its fine beaches are attractions sure, 
 Which draw in crowds the gay and roving kind ; 
 For there is yet the glorious surf to swim in, 
 And the sea fog still beautifies the women. 
 11* 
 
126 THE STORY OF 
 
 CLXXVII. 
 
 " Scarcely nine moons have glisten'd on that wave, 
 Since I went thither ; not to use its waters, — 
 Though 't is a joy in their strong foam to lave, — 
 Nor to eat fish, — nor ogle wives and daughters 
 That come to get complexions, or to save, — 
 But see alive what every rhyme-book slaughters, 
 And bathe my senses in the cooling airs 
 In which the sonnet-making men drown theirs. 
 
 CLXXVIII. 
 
 " My chief enjoyment was, at middle day, 
 
 Or in the early morn, to mount a horse, 
 
 (No man then stirring,) and, full speed, away 
 
 Over the sounding beach the creature force, 
 
 Chas'd by the mist, which seem'd to wet like spray. 
 
 And got before, as if to bar my course : 
 
 A taste perhaps my mother gave to me ; 
 
 She being born, like Venus, on the sea. 
 
 CLXXIX. 
 
 " (A beauty, too, she was. Poor Mother !) . . . Well, 
 
 One morning, ere the sun had left the sea, 
 
 I 'd gallop'd o'er one beach as you 've heard tell, 
 
 And, reining up, was passing leisurely „ 
 
 The sandy road and grass-grown soil which swell 
 
 Between it and the third, (for there are three, — 
 
 And 't was the midmost which began my route,) 
 
 When, starting suddenly, my horse flew out. 
 
THE HUNCHBACK. 127 
 
 CLXXX. 
 
 " I look'd involuntarily. Alone, 
 
 Before me on the road, and yet aside. 
 
 Seated, or rather crouch'd, upon a stone, 
 
 What might be either man or boy I spy'd, 
 
 The shape was such. Unmov'd as if 't had grown 
 
 Out of the soil, or to the spot were ty'd, 
 
 It sat, the face hid in its hands, and these 
 
 In turn supported on their owner's knees. 
 
 CLXXXI. 
 
 " Dress'd was the form in black, of decent trim, 
 Though soil'd with dust ; a hat before him lay, 
 Out of his reach, and resting on the brim, 
 As if 't had fallen, and had roll'd avv^ay ; 
 Beside him, on a staff, the unrinded limb 
 Of some green sapling, fasten'd to its spray, 
 Was a small bundle, whose proportions show'd 
 A book or two ek'd out its scanty load. 
 
 CLXXXII. 
 
 " My horse still restive, as we came abreast 
 I rais'd my voice to soothe him. At the sound, 
 The figure started from his state of rest. 
 And, gazing with a wilder'd stare around, 
 Disclos'd a face, — so haggard ! so distrest 
 In look ! so wild, as of a mind unsound ! — 
 And pallid cheeks, which more unsightly seem'd 
 From tears, quite visible, that down them stream'd. 
 
128 THE STORY OF 
 
 CLXXXIII. 
 
 " 'T was but a moment's glance ; for, quick as thought, 
 
 Recovering he turn'd his eyes on me, — 
 
 Asham'd, displeas'd, as fancying I sought 
 
 To watch him, seeing what I should not see. 
 
 Then darted forward, seiz'd his hat, and caught 
 
 His bundle from the ground so hurriedly, 
 
 The beast I rode, now scar'd anew, sprang out, 
 
 And bore me at a run along the route. 
 
 CLXXXIV. 
 
 *' This occupy 'd me for a little space. 
 But having rein'd him in, I look'd around. 
 The wretched being had resum'd his place. 
 In the same posture, as when first there found ; 
 Only, his head was cover'd, and his face 
 More rais'd, though still inclining to the ground. 
 'T was strange ! I long'd to pity him, to aid. 
 But dreaded giving pain, and felt afraid 
 
 CLXXXV. 
 
 " Of being deem'd intrusive. On I rode. 
 
 But aye that figure was before my mind. 
 
 The face, which, seen but for a moment, show'd, 
 
 Through all its anguish, something quite refin'd, 
 
 The books I had observ'd, or thought were stow'd 
 
 In his small bundle, inspir'd an undefin'd 
 
 Yet eager wish to know his situation, 
 
 That cross'd to strengthen my commiseration. 
 
THE HUNCHBACK. 129 
 
 CLXXXVI. 
 
 "Again .... But I must weary you, I fear.". . . 
 ''O no, indeed," said Blanche; "how could that be?' 
 " The road was straight, the morning air was clear, 
 Not yet the mist had risen from the sea. 
 I turn'd me in the saddle, and though near 
 No longer now, the man could plainly see, 
 Quiet no more, but acting in a mode 
 Which madness, or a mortal anguish show'd. 
 
 CLXXXVII. 
 
 " The wretched creature was upon his feet. 
 
 He wrung his hands, then seem'd to rend his hair 
 
 (His head again uncover'd), and then beat 
 
 His breast and brow with gestures of despair ; 
 
 Anon he kneel'd down by the rocky seat, 
 
 And rais'd his clasp'd hands as in act of pray'r ; 
 
 Then, of a sudden, as if shot dead, fell 
 
 Prone on the dewy grass, and lay quite still. 
 
 CLXXXVIII. 
 
 " Already, I had turn'd my horse's head. 
 A moment, and I reach'd the sufferer's side. 
 But, starting up when heard the heavy tread, 
 And facing me with mingled shame and pride, 
 ' What is it brings you back to me ? ' he said ; 
 ' I have not sought to interrupt your ride ; 
 Leave me, too, to my morning's pleasure ' ; and, 
 This said, he turn'd, and took his hat in hand. 
 
130 THE STORY OF 
 
 CLXXXIX. 
 
 "And bundle, and was making for the shore. 
 But these his words, so different from the speech 
 Of vulgar tongues, confirmed me but the more 
 In my resolve. ' One moment ! I beseech ' . . . 
 I cry'd, and put myself his way before. 
 And, leaping from the saddle, try'd to reach 
 His arm to stop him. But the man drew back, 
 And, heaving o'er his neck his scanty pack, 
 
 cxc. 
 
 " ' Why do you, — what right have you,' he exclaim'd, 
 
 ' To interrupt me ? is the road not free .'* ' 
 
 He 'd fac'd me, and, with look not now asham'd, ' 
 
 But angry, spoke, and with asperity. 
 
 ' Stay ! ' I rejoin 'd : ' How am I to be blam'd, 
 
 If seeing you suffering, as you seem'd to be, 
 
 I yielded to the wish to .? . . . . and .... indeed ' . . . 
 
 He ey'd me coldly : I could not proceed. 
 
 CXCl. 
 
 " My hesitation, my embarrass'd mien, 
 
 Seem'd to surprise, to move him ; but he cry'd, 
 
 A moment after, in a tone of spleen, 
 
 And even of rudeness, ' Go ! resume your ride. 
 
 And keep your pity for the rich and mean, 
 
 Who ask and pay for it.' I stepp'd aside, 
 
 Without a word, — I had no word to say, — 
 
 And watch'd him sadly as he walk'd away, <■ 
 
THE HUNCHBACK. 131 
 
 CXCII. 
 
 "He seem'd to feel my manner; for again 
 
 He turn'd on me his red and haggard eyes. 
 
 ' Can it be possible another's pain,' 
 
 He said, in tones of doubt and of surprise, 
 
 ' Should move compassion ? No, no, — no ! 't is vain, 
 
 And worse than vain in me, who should be wise 
 
 In human sympathy, to look to find 
 
 Kindness in men because their words are kind.' 
 
 CXCIII. 
 
 " 'T was useless to persist ; he would not stay^ 
 Nor listen more, — yet after I had got 
 Remounted, and was fairly on my way, 
 Sought quietly again the self-same spot 
 Whence haply I had driven him away. 
 And, when I turn'd (forget him I could not) 
 From time to time, was seated, seeming calm, 
 With head deject, and cheek upon his palm. 
 
 CXCIV. 
 
 "And now I was the road about descending 
 Towards the third beach, when, on looking round 
 For the last time, behold the stranger wending, 
 With rapid footsteps, o'er the travell'd ground ! 
 But in a contrary direction tending 
 From that wherein for pleasure I was bound. 
 His head was bare ; nor hand, nor shoulder bore 
 The slender staff and burden, as before. 
 
132 THE STORY OF 
 
 CXCV. 
 
 " My mind misgave me. Why, I need not mention ; 
 
 The man's strange passion, and the neighbouring sea 
 
 Will lead you to suspect his fell intention, 
 
 As they at once suggested it to me. 
 
 But while, with throbbing heart, for its prevention 
 
 I drew my bridle short, and rapidly 
 
 Spurr'd o'er the sand, I dreaded I should come 
 
 In time to witness, not prevent his doom. 
 
 * 
 
 CXCVI. 
 
 " My hope was that the unhappy man would take 
 Not to the surf, but, in his desperation, 
 For the high bank and steepy crags would make 
 That form the smooth shore's southern termination. 
 Deep there the flood, and there the billows break 
 Against the rocks, in constant agitation, 
 Sending at times, when seas be rough, their spray 
 With roar and fury up the cliffs mid-way. 
 
 CXCVII. 
 
 " Thus, without giving him alarm, I might 
 Keep nigh enough to intercept him, ere 
 He should be able to ascend the height ; 
 For all unapt to climb he did appear. 
 So much he was misshap'd, that hapless wight. 
 But still there was no little cause to fear. 
 That, should he turn and see me, my intent 
 Might only hasten what I would prevent. 
 
THE HUNCHBACK. 133 
 
 CXCVIII. 
 
 '' The chance was small. But Heaven came in aid. 
 The man had kept straight onward, even as I 
 Had hop'd and look'd for ; and now, much afraid 
 I should alarm him if I came too nigh, 
 I 'd drawn my rein, as soon as I had made 
 The space betwixt us less by half, and high 
 Upon the sands was riding, where the ground 
 Being loose, my horse's hoofs gave little sound. 
 
 CXCIX. 
 
 " The tide was coming in, and with its roar 
 Favor'd my object ; and the mist, already 
 Spread like a cloud of smoke the horizon o'er, 
 Was driving onward with a motion steady 
 And rapid, and had soon attain'd the shore. 
 And now, thus shrouded, at a rate more speedy 
 Over the sand I flew, my horse's head 
 Scarce seeing for the mist, scarce heard his tread. 
 
 CC. 
 
 " The fog is gone. Ten paces from me, lo. 
 The man I seek ! He hears ; he sees ; he flies ; 
 Up, up the cliff' with certain step ; nor slow ; 
 No, no ! so swift, I scarce believe my eyes. 
 Calling, adjuring, after him I go. 
 Touch, have him ; but upon the slippery rise 
 Stumbles my horse. I could no more hold on, 
 A spring, — a leap, — a plash ; the man was gone." 
 12 
 
134 THE STORY INTERRUPTED. 
 
 CCI. 
 
 Here, in the very middle of his tale, 
 
 Just as his speech was growing animated, 
 
 And Blanche was listening with a cheek quite pale, 
 
 Her warm heart beating, and her eyes dilated, 
 
 Carryl was cut short by a sound of wail. 
 
 From one in strange misventure implicated. 
 
 What sound this was, what scene, and who the man too, 
 
 Shall be recounted in another Canto. 
 
 END OF THE FIRST AND 
 SECOND CANTOS OF ARTHUR CARRYL. 
 
., — TH, 18—. 
 
 La mia sorella, che tra bella e buona 
 Non so qual fosse piu. 
 
 DA.NTE. Purg. XXIV. 5. 
 
-TH, 18—. 
 
 On this, the day, my sister, when thou gav'st 
 
 Thy spirit back to Him who lent it thee, 
 
 And the young soul, yet virgin of all stain, 
 
 Beneath its new-fledg'd wings receiv'd the gale 
 
 That bore it to the valleys of the bless'd. 
 
 Far from a world for which it was too good, — 
 
 On this the day that still for me revives 
 
 Thy final agony, that last dim hour 
 
 It was deny'd thy brother to make bright. 
 
 Yet, with a tearful but delicious sense. 
 
 Brings thy immaculate virtue to my view, 
 
 It will methinks be well, with the mind's eye. 
 
 To gaze the vista of thy blameless life. 
 
 'T will soothe my grief, and not dishonor thee. 
 
 Is 't not thy spirit hovers o'er me now, 
 
 Touching my lips ? My sister ! O, my sister ! 
 
 In the fourth quarter of the year's small round. 
 Four score and sixteen hours from the day 
 When Mary's Son was given to the world, 
 'T is five and twenty winters past, I read, 
 12* 
 
13S 
 
 That then, what time the wakeful bird proclaims 
 
 To the cold stars the second hour of morn, 
 
 A lovely flower, upon the natal stem 
 
 Where my own bud of life its germ put forth, 
 
 Expos 'd its downy surface to the air. 
 
 Never was bloom more favor'd of the skies. 
 
 For God beheld its beauty, and the flower 
 
 Designing to transplant, when fully blown, 
 
 To where its loveliness should never fade. 
 
 And its rich scent breathe ever unconsum'd, 
 
 Set over it his angels. On its top 
 
 Glisten'd each morn the honey-dew of heaven, 
 
 And the bright sun its grain dy'd vermil-red. 
 
 Increas'd the flower, admir'd of Heaven and men, 
 
 And, when its cup was fully op'd, diff'us'd 
 
 Such ravishing fragrance as enslav'd the sense. 
 
 'T was then the Almighty, from the height of Heaven, 
 
 Stretch 'd forth his arm, and took it to himself 
 
 Such was my sister. Of her earlier years 
 I not remember ; for, too near of age, 
 I was unheedful of her dawning worth. 
 Nor, as with thee, my other, later loss ! 
 Over her infancy and blushing prime 
 Kept an unchanging and a fond regard. 
 But they who knew her best have still describ'd her 
 Gentle and docile, yet of fearless heart. 
 Loving, and lovely, and belov'd of all, 
 In nothing selfish, and, in speech and thought, 
 From the great vice and weakness of her sex. 
 That stain of little minds, from falsehood free. 
 Since thought and speech were hers ; which I believe 
 
139 
 
 For not from out the sorb the sweet peach blushes, (i) 
 
 Nor turns the prickly thistle to a rose. 
 
 And beautiful she grew, how very beautiful ! 
 
 With eyes so large, and dark, so full of soul ! 
 
 And brows that look'd like purity itself. 
 
 And were the very index of her mind, 
 
 Telling of harmony, and holy thought, 
 
 And high resolve with resignation mix'd, 
 
 And contemplation sad yet not severe, — 
 
 And a sweet smile, which round the innocent mouth. 
 
 Whose hue was of the newly-budding rose, 
 
 Play'd with a heaven-born grace that witch'd the heart ; 
 
 Not always there, but, o'er the summer sky 
 
 Of her serene and starry visage, flashing 
 
 A light which pass'd away, — yet not so pass'd 
 
 As passes the electric fire of storms. 
 
 But leaving a soft radiance in its track. 
 
 As 't were reflected from the efflilgence gone ; 
 
 Whether 't were so indeed, or fancied so, 
 
 By those on whose delighted eyes, thrice bless'd. 
 
 The ineffable beauty of its lustre fell. 
 
 Well might they be delighted, fortunate they ! 
 
 For the light quiver'd from the virgin's heart. 
 
 As she grew up, and my eyes open'd more 
 To her most manifest and expanding worth. 
 We grew more fond ; we had been aye attach'd, 
 (Indeed, she was the favorite of us all. 
 Loving and lovely, could it well be else ?) 
 
 (i) Che tra li lazzi sorbi 
 
 Si disconvien fruttare al dolce fico. 
 
 Dante. Inf, xv. 65. 
 
140 
 
 We grew more fond : and what a world of love 
 
 Was hers for me ! ungrateful that I was ! 
 
 Who could but ill repay with my whole heart 
 
 Affection measureless and strong as hers. 
 
 For hers was twined likewise with her mind : 
 
 Her thoughts, her speech, her looks were full of me 
 
 All that she did was modell'd to my taste, 
 
 If modelling were needed, when, itself, 
 
 Aught that she did was almost sure to please, 
 
 Who was, in each thing, excellent and good, 
 
 And cast in such a mould, that grace to her 
 
 Seem'd natural as motion. Yet being such, 
 
 So good, so beautiful, so fine of form, 
 
 Such the devotion, I might even say 
 
 The fond idolatry of her regard, 
 
 That Flattery had no compliment so dear 
 
 As that which told her she resembled me, 
 
 Who (Heaven doth know it, and, alas, myself 
 
 Only too well !) was even so like to her 
 
 As brass is to the gold it most resembles ; 
 
 A metal of like color, but soon tarnish 'd, 
 
 Mix'd of two others, both of baser sort, 
 
 Weightless, intractile, and of odor vile. 
 
 How happy were our days ! how jocund too ! 
 For though contemplative, as I have said, 
 She was of cheerful mood, my most fair sister, 
 Taking delight in all things, all things good, 
 And gifted with a deal of playful wit, 
 And a rich humor that was ever prompt 
 For jest, or repartee, or frolic gay. 
 When jest and repartee and frolic gay 
 
141 
 
 Did harm to no one and found willing butt. 
 For she had too much heart, too much of that 
 Sweet spirit of amiability, that quick 
 Benevolence, which wanting, social rank 
 And mental culture never can confer 
 The manner that is truly styl'd well-bred, 
 To earn abroad the perilous name of wit : 
 The ball was toss'd at home, and 'twixt ourselves 
 And never one or other took offence. 
 Whichever side the merry game might win. 
 Then did my wit, which has been drooping since, 
 Spring up perennial, and bear daily fruit, 
 Prolific by proximity with hers. 
 Then did the house reecho with my laugh 
 (Since heard so seldom,) and the very walls 
 Bore witness to my spirit's happy vein, 
 Scrawl'd o'er with epigram, and sprightly song, 
 And tender madrigal of mocking verse, 
 Half satire and half praise, and both sincere, 
 Pour'd forth in unpremeditated strain 
 Upon my many loves, whom well she knew, 
 Pour'd in a foreign tongue, that lawful eyes 
 Alone might con their sense or note their rhyme. 
 All which in after days (when 'neath the sod 
 The heart lay still that once had beat for me 
 As never, never woman's will beat more) 
 I found transcrib'd, the poorest, as the best, 
 In her dear hand, and heedfully laid by. 
 As they were oracles, or things of price ; 
 Laid by, as never jewels yet were laid. 
 Never by her ; and one, which I had writ 
 Some day with idle finger, when the walls 
 
142 
 
 Were coated, from the dampness of the air, 
 With gray humidity, and sweated dew, 
 Transferr'd (though Uttle worth it) to the leaves 
 Of her portfolio, mid the copied wealth 
 Of genuine bards and sages. As I look'd 
 With a dim eye upon this mark of love, 
 And admiration surely ill bestow'd, 
 Lo, on another page, where I myself 
 Had written with my pencil a brief note 
 Upon as brief a maxim of Bruyere's, 
 (Whence got I know not ; for, by me directed, 
 She never conn'd a lore that wounds the heart,) 
 And which, as I had pencill'd it unseen. 
 Was mark'd with the initials of my name, 
 My eye fell on this couplet (from, I think, 
 Some popular poet) 'neath my cypher writ. 
 So writ as to apply to me alone : 
 He is the sunshine of my life ; and like 
 A flower I Uv^d and flourished in his sight. 
 Written 't had been when I was far away. 
 Far from the heart I never should have left. 
 Judge of my feelings when I found it there ! 
 
 Studious she was, my fair and gentle sister ; 
 But all her studies were advis'd by me. 
 Hence never was her heavenly mind defil'd 
 By lessons other maidens use to con. 
 No noxious novels, no licentious plays. 
 However sanction'd by a Shakspeare's name. 
 Came undiluted to her mental lips. 
 She drank their waters purify'd ; their fruit 
 She gather'd from the double-bearing tree, 
 
143 
 
 When its pernicious apples had been pluck'd 
 And rank excrescences all lopp'd away. 
 A service for the which how well repaid 
 Had been the gardener by her frequent thanks. 
 If his own sense of duty well perform'd, 
 If the angelic beauty of her eyes, 
 Which look'd not as the eyes of others look, 
 And the expression of her innocent mouth. 
 That index of a heart which knew no guile 
 And never had indulg'd a thought impure, 
 If these had not repaid him o'er and o'er. 
 And yet how few, how very few, indeed. 
 Of women have a mind so stor'd as hers ! 
 How few whose natural gifts are so complete ! 
 
 In time she was betroth 'd. And soon a change 
 Took place in that fair being which all remark'd. 
 She was no longer cheerful, but grew dull ; 
 So that I oft would banter her, averring 
 That Cupid's bird-bolts had shot dead her wit. 
 Alas, poor girl ! she was too fond of me 
 (As I have learn'd too late,) to give her thoughts 
 So fully to a lover as that imply 'd ; 
 And I was jesting all the while at Death. 
 But as her fair cheek sunk not, and her form 
 Lost not its beautiful symmetry, none dream'd 
 Of health impair'd whereof she not complain'd. 
 Thus pass'd a year, another. Strange to say ! 
 Her flesh had wasted not, had even increas'd ! 
 But when the third set in, it brought a cough, 
 A troublesome cough, which nothing could abate. 
 Yet, as it was the icy season now, 
 
J^^ ^ ^ * * * i, * 
 
 And the physicians (men they were of note) 
 Pronounc'd it nothing, and she not complain'd, 
 (Poor thing ! she was too saint-Uke to complain, 
 Too great of heart to have a thought of fear, 
 Too wrapt in others to regard herself) 
 Her mother was not much alarm'd ; and I, 
 Whose temper never knew despondence, I, 
 Still mocking (wo is me !) her spirits deject. 
 Shrunk not to leave her for a distant tour, 
 (Cause of regret which cannot wholly die,) 
 And parted, never to behold her more. 
 
 me, my sister ! my best, my first lov'd ! 
 Hadst thou no word, no warning to oppose ? 
 No doubt that would have given me alarm ; 
 For many such must have occurr'd to thee ? 
 Alas ! alas ! thy life was self-denying ; 
 
 Thou would 'st not speak, because it was thy wish 
 To keep me near thee, and mine was to go. 
 But well, well, well, do I remember now 
 Thy mournful smile and melancholy eyes, 
 When for the third, last time I kiss'd farewell. 
 And thou hadst no voice left to say. Good bye. 
 O, that I had not been too blind to see ! 
 O, that my heart had been as true as thine ! 
 
 I cross'd the sea. My sister's bridal-day 
 Was fix'd to follow close on my return. 
 
 1 was not absent long ; for I grew sick. 
 
 And sigh'd for home ; since all the time away 
 I had not had one letter from my friends, 
 Though I had written many as my wont, 
 And most to her who more than all the rest. 
 
145 
 
 More than all things created, fill'd my soul. 
 This time she would have known it had she liv'd, 
 This time my letters would have told her so ; 
 For hitherto, deterr'd by what I deem'd 
 Justice to others, I had ne'er evinc'd 
 In outward act the preference I felt. 
 But now I was determin'd to be free, 
 And make her sure of what she but believ'd. 
 
 Such were my calculations, such the plans 
 Of perfect happiness I had laid out, 
 For her and for myself when we should meet, 
 That when the ship drew nigh the wish'd-for shore. 
 And on my cheek I felt again the breeze 
 That blew from my lov'd home, where she then slept. 
 (Alas, I little thought what dreamless sleep !) 
 Strange horrible forebodings seiz'd my mind. 
 For disappointment had throughout my life 
 Follow'd so constantly each ardent wish, 
 That now my hopes and longings seem'd too bright, 
 And Fancy shifted the enchanting scene 
 For darker colors and a landscape drear. 
 Dire visions now disturb'd my nightly rest ; 
 Thrice did I see my sister in her shroud, 
 Thrice started from my sleep, I knew not why, 
 And found the pillow wet with recent tears. 
 
 We landed ; and, as never yet before 
 When I had been from home, my heart so quick 
 Beat in that hour I scarce had breath to breathe. 
 Behold by accident the very first 
 Known person that I meet, not seeking me, 
 13 
 
J^g ^ ^ ^ it ^ ^ ii 
 
 Nor knowing I was come, who was not look'd for, 
 
 Is he to whom my sister's hand was pledg'd ! 
 
 But oh ! the very shadow of himself ; 
 
 So wan, so thin, so broken-down he seem'd. 
 
 He too had been away, and had return'd 
 
 One hour too late to see her in her grave. 
 
 That day, four months before, - * * - * * * lay 
 Breathing her last, and thinking not on him, 
 On him the lover, but on me, on me. 
 It was the afternoon, and round the bed 
 Her brothers were all gather'd ; all but one. 
 Her mother held the sufferer in her arms, 
 And her two sisters, one on either side, 
 Gaz'd on her angel face and silent wept. 
 She never in her loveliest hour had look'd 
 More beautiful, poor girl ! than she did then. 
 When suddenly a loud and rapid ring 
 Was heard at the hall-door. A letter came, 
 A packet for ******* . 'T was from me. 
 My name was mention'd in a whisper'd tone 
 Among the group, who ask'd if it were well 
 To tell her I had cross'd the ocean safe. 
 But she had heard the sound she held most dear. 
 Just then, one of the brothers, who had stepp'd 
 A moment from the room, came softly back. 
 The blessed creature open'd her dim eyes. 
 On which the sleep of death was fast descending, 
 And caught the figure, and she faintly cry'd, 
 "Oh me! I thought 't was ******* *^ that had come! 
 Is it you, *******?" It was all she said. 
 
147 
 
 After this moment, the fast-faihng breath 
 Was heard in inarticulate sounds alone. 
 And when the hand of her that gave her life 
 Press'd on the beautiful lids, that never more 
 Should ope to shed their light, oh God ! on me, 
 The spirit that ascended to the stars 
 Bore on its subtile, and invisible essence. 
 One image Death could dim, but not efface. 
 
ODES 
 
 13' 
 
PRELUDE. 177 
 
 ODE IV. 
 
 PRELUDE. 
 
 Not in the highway, 
 Trod by the vulgar, 
 Muse, let us wander ! 
 Take me where flowing 
 Murmurs Permessus ; 
 Where Aganippe 
 Sparkles celestial, 
 Haunt of thy sisters. 
 There on thy mountain, 
 Lull'd by the breezes, 
 Gather we flowers 
 Never yet woven. 
 Never in chaplets 
 Seen by the starr'd West. 
 There shall the spirits. 
 Hovering round us, 
 That in the old time. 
 Under thy guidance. 
 Chanted enraptur'd, 
 View with complacence 
 Efforts so daring. 
 While, o'er the sweet harp 
 Touch'd by the Teian 
 Bard as he warbled, 
 Or on the vary'd 
 
178 ODES. 
 
 Chords of ALCiEus, 
 Glisten my fingers ; 
 Dulcetly warbling 
 Ivycrown'd Bacchus, 
 Bacchus and Venus ; 
 Rose-wreath 'd my tresses, 
 Flashing my eyeballs 
 Passion and rapture, 
 Rapture inebriate ; 
 While at my shoulder 
 Love, like a cherub, 
 Folding his pinions 
 Dy'd in the rainbow. 
 Nods to the measure. 
 
 * * * U/ 
 
 ODE V. 
 
 Though absent from his Mistress, the Poet sees her still 
 WITH the Eyes of Fancy. 
 
 I HAVE withdrawn me, Sybil, from thy sight ; 
 Yet still thy image floats these eyes before ; 
 
 (i) The above poem, written at a sitting, here terminated, and 
 when a long time afterwards I came across it, and I would resume 
 it, I found that I had neglected to make a memorandum of the de- 
 sign as it was to have been completed ; and my memory could not 
 supply the omission. To continue it I have not now time. Consider- 
 ing it however as a successful application of an ancient measure to 
 English poetry, and that it will make a very fair introduction to the 
 amatory portion of the odes, I have inserted it accordingly. 
 
THE VISION. 179 
 
 Deck'd in the very garb it lately wore, 
 It comes before me, and thus doubly bright. 
 I count the well-known graces o'er and o'er, 
 And all my pulses tingle with delight. 
 
 There are the brows my lips were wont to press ! 
 The glossy hair my fingers joy'd to twine ! 
 The large gray eyes, that on my own would shine 
 Till the soul sicken'd with excess of bliss ! 
 The burning cheek, so often touch'd to mine. 
 And the full lip that quiver'd to my kiss I 
 
 Thy throat, thy swelling breasts ! I see thee all ! 
 
 Thou smilest ; and I cannot bid thee hence. 
 
 Again I list, with ecstasy intense, 
 
 Thy voice whose whisper'd accents wont to fall 
 
 Sweeter than music on my raptur'd sense. 
 
 I name thee, and thou comest to my call. 
 
 Come to my arms, thou beauteous vision ! come I 
 Come, since thou wilt, and let my brain have rest. 
 O, ease thy head upon my throbbing breast. 
 And nestle in the heart that is thy home ! 
 Sigh not, my Sybil ! while we are thus blest, 
 Think'st thou thy poet ever more will roam ? 
 
 No ! by those lips whose inner edge I press ; 
 By the sweet breath that mixes now with mine ; 
 By those twin stars whose rays upon me shine. 
 And the white lids whose fringes tempt my kiss ; 
 By that soft voice, that step I deem divine, 
 And all that makes my peril and my bliss ! 
 
180 ODES. 
 
 Ah me ! I have withdrawn me from thy sight ; 
 But still thy image floats these eyes before. 
 Avails it not I see thy charms no more, 
 For Fancy brings them to the mind as bright. 
 I come, enchantress ! fling thy fetters o'er 
 My soul again, and give back my delight ! 
 
 ODE VI. 
 THE WISH. 
 
 I WOULD I were a little bird. 
 With wings to wander at my will ! 
 I 'd wend my way, unseen, unheard, 
 And light upon thy window-sill. 
 Then should I be perhaps preferr'd 
 To be thy pet, and love thee still. 
 
 Then wouldst thou take me in thy hand, 
 And smooth the plumage of my crest, 
 And speak to me with accents bland, 
 And fold me gently to thy breast ; 
 And not the happiest in the land, 
 Of happy men, would be so blest. 
 
 And thou perhaps wouldst praise my song, 
 Unknowing it was love I sung. 
 And I the amorous lay prolong. 
 To be commended of thy tongue. 
 Nor heed the transport of the throng 
 That, far less happy, round thee hung. 
 
THE ROSES. 181 
 
 And then, I know, thy lips would press 
 
 Their joy on my half-open bill, 
 
 And smile to mark my voice grow less, 
 
 My dim eye close, and body thrill, 
 
 And give me quick a new caress. 
 
 And cry, " There, wanton, take thy fill ! " 
 
 And then, — but then, O shouldst thou take 
 And hide me in that breast of snow, 
 My little heart, o'erfill'd, would break, 
 With ecstasy thou couldst not know. 
 Ah ! let me first the thought forsake ! 
 I would not be thy bird ; no, no ! 
 
 ODE VII. 
 
 The Poet addresses the Lips of his Mistress. 
 
 Delicate, half-open'd roses. 
 
 Which discloses 
 Loveliest mouth the gods have given. 
 Why so coyly be denying 
 
 When I 'm dying 
 To inhale your sweets of Heaven } 
 
 Could my kisses of desire, 
 By their fire, 
 16 
 
182 ODES. 
 
 Wither up your virgin beauty ? 
 Goods we have enough for sparing 
 
 To be sharing 
 Is it not a solemn duty ? 
 
 Lips my lady makes so smiling 
 
 For beguiling, 
 Where the profit to deceive me ? 
 If the smile that round you glances 
 
 So entrances, 
 Kisses would do more, believe me. 
 
 Think, your bloom and shape together 
 
 Soon must wither. 
 Odor gone, and dry the flower, 
 Who the rivell'd leaves will gather ? 
 
 Let us rather 
 Taste their sweets the present hour. 
 
 Roses, is it ye replying ? 
 
 "Better dying. 
 Than be gather'd and rejected ! 
 Were our sweets upon you lavish'd, 
 
 Others ravish'd 
 Soon would be, and more expected. 
 
 " She, who yields her lover kisses. 
 
 Greater blisses 
 But prepares for his enjoying ; 
 To the old, his passion feeding, 
 
 New succeeding ; 
 None enough where all are cloying." 
 
REGRET. 183 
 
 Roses, true. No more I press me 
 
 To possess ye, — 
 Better pleas'd your sweets to treasure 
 Where they grow, than, rudely hasting 
 
 To be tasting, 
 Bruise your stem for selfish pleasure. 
 
 Delicate, half-open'd roses, 
 
 Which discloses 
 Loveliest mouth the gods have given, 
 Still your virgin newness cherish, 
 
 Though I perish. 
 Panting for your sweets of Heaven ! 
 
 ODE VIII. 
 
 REGRET. 
 
 O LOVELIEST of bowors ! 
 
 The stream beside thee flowing, 
 
 The many-scented flowers 
 
 About thy trellis growing. 
 
 Bring back, with how much sadness ! 
 
 My hours of vanish 'd gladness. 
 
 Was 't not when in the heaven 
 Day's parting fires were glowing. 
 And cattle, homeward driven, 
 Along the fields were lowing, 
 
184 ODES. 
 
 When sombre grew the mountain. 
 And light forsook the fountain, 
 
 Upon thy seat I plac'd me, 
 Thy leafy shadows round me, 
 And Ellen's beauty grae'd thee ; 
 To whom with vows I bound me. 
 To love, and love her ever. 
 While flow'd that gentle river ? 
 
 She listen'd to my story, 
 Believ'd the love I taught her. 
 Till shone in all her glory 
 The moon upon the water. 
 And for the hues of even 
 There glow'd a brighter heaven. 
 
 Then long we seem'd attending 
 The crickets' lazy chorus, 
 (Its murmurs softly blending 
 The rivulet before us, 
 The polish 'd pebbles laving,) 
 Nor less the willows waving. 
 
 Her hand my own encloses. 
 
 The while my arms enfold her. 
 
 And timidly reposes 
 
 Her head upon my shoulder, 
 
 The dark hair o'er it streaming. 
 
 Through which her eyes were gleaming. 
 
 But tears rain'd down in sorrow. 
 Her breast heav'd with emotion. 
 
REGRET. 185 
 
 For I should be, the morrow, 
 Afloat upon the ocean, 
 And anxious thoughts beset her, 
 Through fear I should forget her. 
 
 But love soon dry'd the shower, 
 RestorM the peace between us. 
 We left the shady bower 
 That never more should screen us ; 
 And tow'rd her father's dwelling 
 I took my way with Ellen. 
 
 Then to my breast I drew her, 
 And kiss'd her lips of Heaven, 
 With kisses — never truer. 
 More fond by man were given : 
 They were the first, and only ; 
 For I, — I now am lonely. 
 
 And must the truest pleasure 
 Be always thus the briefest .'* 
 Each good we fain would treasure 
 Soon waste ; most soon the chiefest ? 
 Where, Ellen, are thy graces ? 
 Thy worth } I see their places. 
 
 O loveliest of bowers ! 
 The stream beside thee flowing, 
 The many-scented flowers 
 About thy trellis growing, 
 Bring back, with too much sadness ! 
 My hours of vanish'd gladness. 
 16* 
 
186 ODES. 
 
 ODE IX. 
 LA CONSOLAZIONE. 
 
 Su la riva giacendo 
 D' un vago fiumicello, 
 Che, limpido correndo 
 Per mezzo un praticello 
 Di be' fioretti ornato, 
 Faceva un canto grato, 
 
 Pensava de' miei mali, 
 Dal suon del rio attristato. 
 Di Memoria suU' ali 
 Le mie lutte col Fato 
 Passaro in mente, e a rea 
 Sorte quest' io dicea : 
 
 " Perche mia culla ornaro 
 Le dolci Nove a fiori, 
 E in bocca mi baciaro 
 Gli scherzevoli Amori, 
 Facendomi assonnare 
 Con lor soave aliare ? 
 
 ** Ecco che senza frutto 
 E il mio lungo labore, 
 Ed ho trovato lutto, 
 Lasso ! tutto mio amore : 
 
LA CONSOLAZIOJNE. 187 
 
 E non ancor fugate 
 Son le vision! amate. 
 
 " Fatto com' altri spirti, 
 Non sarei si desioso 
 Del lauro, ne tra i mirti 
 Vaneggierei amoroso ; 
 Spinto da due passioni, 
 Freno alia volta e sproni. 
 
 " Dispietata Fortuna ! 
 Ecco del tuo partito : 
 Air anima comuna 
 Pasto senz' appetito, 
 All' altre dai ad avere 
 Disio, non il godere." 
 
 A pena i' detto avea, 
 Ch' un piccolin fringuello, 
 Che un vermicel tenea, 
 In sur un ramicello 
 D' un albero vicino, 
 Nel becco suo piccino, 
 
 Fu subito ferilo 
 Da un moscardo rapace. 
 Levaselo 1' ardito 
 Neir artiglio tenace, 
 Dispiega 1' ali, e via 
 Ei su per 1' aer sen gia ; 
 
188 ODES. 
 
 Quando ecco che si cala 
 Una aquila dell' alto. 
 Ella, movendo V ala 
 Con larghe ruote, assalto 
 Fa incontra e, senza pugna, 
 II rapitore adugna. 
 
 Lascia cadere in giuso 
 La preda morta il fello ; 
 Ed a vicenda suso 
 Poggia ver ciel lo snello 
 Re d' augei, col guadagno 
 Del artiglio grifagno. 
 
 Mentr' io miro la possa 
 E prestezza di sue ale, 
 Rimbomba 1' aria, e, scossa 
 Ed impiagata male, 
 Delia sommita altera 
 Cade la aquila fera. 
 
 " Ed egli chi ha tirata 
 La canna, dond' e uscito 
 Quel suono ed e mandata 
 La palla, onde ferito 
 E il volator si forte, 
 Anch' ei si dee alia Morte. 
 
 " Cotale e la Natura. 
 Chi sorge a penne stese 
 Impara di sua altura, 
 
LA CONSOLAZIONE. 189 
 
 Alle non altrui spese, 
 Non ha da ascender solo 
 Chi sen va in aria a volo. 
 
 " Che non ? pero, calcato, 
 Chi striscia per la sabbia 
 Un non men duro fato, 
 Ed un pill vil, par ch' abbia, 
 Se non che faccia, guasto, 
 A altra creatura pasto. 
 
 " Giacche il forte si sotto 
 Caccia 1' umile e '1 frale, 
 Da essere ei stesso rotto 
 Di alcun altro cotale, 
 Che al fin getta il Destino 
 A terra a capo chino ; 
 
 *' Ne virtu, ne innocenza, 
 Ne fe, ne veritade, 
 Quaggiu con frodolenza, 
 Malizia, e falsitade 
 Non si possono, e niente 
 In terra e permanente ; 
 
 " Ingiusto pur son io, 
 Non che alia sorte ingrato, 
 Ch' io vo piangendo il mio 
 Tristo e solingo stato, 
 Perche mi fugge Onore, 
 E seguitami Amore. 
 
190 ODES. 
 
 *' S' io soffrisco pel vero, 
 La Verita mi paga. 
 Benche in abito nero 
 Gia sia Fortuna, e vaga, 
 Vivra, quando sia stanca, 
 Con me, ed in veste bianca.' 
 
 Spariscon, que^to detto, 
 Le nubi di mio core. 
 Non piu del ruscelletto 
 II suon m' attrista ; e 1' ore 
 Rallegrano e gli augei 
 I lassi spirti miei. 
 
 X. 
 
 CANZONET. 
 
 Eyes, that are my adoration. 
 Eyes I love to desperation, — 
 Since, when madden'd by your glances 
 Every pulse within me dances. 
 Much, O very much I fear me, 
 I would give my soul's salvation 
 To retain ye ever near me, — 
 'Neath what cloud of coyness hiding, 
 Stars whose light my spirit misses, 
 
CANZONET. 191 
 
 Is your beauty now abiding ? 
 
 O, by all the burning kisses 
 
 On your rosy lids I 've given, 
 
 Eyes whose blue is that of heaven, 
 
 Let your splendor once more reach me ! 
 
 Darling eyes, I do beseech ye ; 
 
 Though, when madden'd by your glances 
 
 Every pulse within me dances, 
 
 Much, ah, very much I fear me, 
 
 I would give my soul's salvation 
 
 To retain ye ever near me, 
 
 Eyes that are my adoration, 
 
 Eyes I love to desperation ! 
 
 XL 
 
 CANZONET. 
 
 O THAT I might do over, over, 
 
 All I have done since first I met thee ! 
 
 Then should I soon my peace recover. 
 
 My study only to forget thee. 
 
 If so I might do over, over. 
 
 All I have done since first I met thee. 
 
 That voice, unheard, no longer thrilling, 
 
 That step, unseen, no more delighting, 
 
 The hand I press'd, when thou wert willing, 
 
 My raptur'd pulse no more exciting. 
 
192 ODES. 
 
 Those eyes . . . Alas ! I but discover 
 The self-same perils still beset me ! 
 I should, I should, do over, over, 
 All I have done since first I met thee ! 
 
EPISTLES 
 
 17 
 
PHEFACE 
 
 The Epistle to Juvenal is written in hexameter. The following 
 remarks were intended as a note to one of the lines ; but, on ac- 
 count of their length, they are inserted here. 
 
 Many of the ancient measures, however pedants have affected to 
 deride them when applied to modern poetry, are perfectly suscep- 
 tible of adaptation to our language, and felicitously so, when used 
 with judgment, and by a correct ear. Of these I do not consider 
 the Hexameter to be one. In every language, I believe, of mod- 
 ern Europe attempts have been made to imitate it; but with small 
 success. In English, it was sought to be introduced so long ago 
 as the time of Sir Philip Sidney. Hence Pope has said, (/m. of 
 Hor.B. ii. Ep. 1.) ; 
 
 " And Sidney's verse halts ill on Roman feet." 
 My own objection to the rythm is not that it haltSf but that it 
 gallops. The number of small words which, from the genius of 
 modern languages, and especially of the English and French, enter 
 so necessarily into composition, and which in English receive but 
 rarely any stress of the voice, render it almost impossible to make 
 this measure in our language otherwise than of pure dactyls ; that is, 
 if it be indeed made, not as Mr. Southey's hexameters, which halt 
 witii Sidney's, and are not capable of scansion, but correctly and 
 musically. Of this I was aware before I tried the measure in the 
 present instance, having attempted it for a metaphrase of the sixth 
 JEneid, and found, that while the translation could thus be given 
 literally, line for line, the verse had a wearisome monotony, such 
 
196 PREFACE 
 
 as in fact would prevail in Latin verse, did all the hexameters can- 
 ter, like the famous 
 
 Quadrupeddnte putrim sonitu quatit ungula cdmpum^ 
 or in Greek, if all were made to hound, like 
 
 Autis epeita pedonde kulindeto Idas anaides. 
 Thus the Epistle to Juvenal will be found, not to halt indeed, but 
 to move with a gait so little varied, that the poem, were it longer 
 than it is, would inevitably put the reader to sleep. Why, having 
 known beforehand from experiment this perilous monotony, I 
 should have persisted in using the measure, will appear when the 
 reader shall have come to the poem and its fellow epistles. He will 
 find that the conceit, which prompted such a choice of metre, is 
 though sportive, not improper ; while I flatter myself that the mat- 
 ter, as well as the brevity of the poem, will ensure him from 
 nodding. 
 
 In the Epistle occurs this line^ 
 Whirl my brisk thoughts o'er the leafj on the wheels of thy spondees 
 
 and dactyls. 
 In the word spondee, if we have regard merely to the vowel sounds, 
 the last syllable is as evidently long in English, as the first is short. 
 Both are long in Latin. In dactyl, the first syllable, according to 
 the sound of the vowel, is short, while it is long in Latin ; the 
 last syllable is short, both in Latin and in English. Yet where 
 does the stress of the voice fall in these words, however placed in 
 English.'' Evidently on the first syllable of each; and consequently 
 the other is heard with less force and is articulated with a quicker 
 breathing ; in a word, the latter is to all intents and purposes short 
 from its position, and the former is to all intents and purposes long 
 by the same position. Therefore in the verse just quoted, if the 
 words . . spondees and \ dactyls, instead of having the stress on the 
 syllables thus indicated by a sharp accent, were to be printed thus, 
 — . . spondees and ) dactyls, — we should have marked perfectly 
 the musical times of the feet, which is all that is required, — and, 
 be it observed, all that is understood, in Greek or Latin, even by 
 the best prosodians. To assert that ee cannot represent a short 
 syllable, in other words, that it is not actually abbreviated by the 
 force of the preceding accent, simply because it has, when standing 
 by itself, the sound of the diphthong, or what is known as long e, is 
 
TO THE EPISTLES. 197 
 
 quite as absurd as it would be to scan the verse by classic rules, and 
 say, the o is long by its position before two consonants, etc., etc. 
 And yet, both these absurdities have actually been committed 
 through pedantry or through malice, and most probably in either 
 case ignorantly and with a want of ear, by those who have aflfected 
 to ridicule similar attempts by others, whether made, as now, in 
 sport, or, as in Ode IV., with seriousness, to nationalize any of the 
 poetic metres of the ancients. The reader will easily perceive, that 
 by making spondees the last word, I could have met the chief ob- 
 jection of these cavillers ; but I have consulted common sense and 
 a tolerable ear, and having from my outset as an author set my 
 face against all cant and against all unreasonable dictation, I do not 
 care to succumb to them even in this trifle ; for any such submis- 
 sion is a dereliction of principle. 
 
 Let me add, without being thought to dictate in my turn, that 
 no one who has gone through the first elements of music, or whom 
 nature has taught to feel a lively pleasure in what is called in 
 music time, when duly observed, even in the rise and fall of a black- 
 smith's hammer, (the thesis and arsis of prosodians,) and without 
 which he may despair of ever writing verse, that no one, so in- 
 structed or so constituted, will fail to perceive the melody of this 
 measure by beating the time mentally, according to the feet, or bars, 
 thus: 
 (i)Lord of the [ iron \ harp ! H thou \ master of ) diction sajtiric, 
 
 Who, with the ] scourge of | song, 1| lash'd ) vices in \ monarch and 
 1 people, 
 
 And, to the ) scoff of the 1 age, \\ and the ) scorn of all 1 ages suc- 
 I ceeding, 
 
 Bar'd the rank ] ulcers of ] sin 1 j in the | loins of the | Mistress of 
 1 Nations ! etc. 
 
 Here of the second of these verses I would observe, that the same 
 license (if such may be called what is in fact a result of rythmic 
 harmony, or the dictate simply of common sense,) that the same 
 
 (1) The double mark, the mere English reader will permit me to remind him, 
 denotes what is called the caesural pause, the metrical rest or repose, which, 
 in all languages, occurs somewhere in all verses of any length, and is where 
 the voice rests a brief instant ; a practice in reading essential to harmony, but 
 which is most frequently neglected. 
 
 17 •* 
 
198 PREFACE 
 
 liberty which, as is known to prosodians, prevails in ancient verse, 
 of making on certain occasions a short syllable long by the mere 
 stress of the voice (i), obtains likewise in our own. But in the 
 present case the mere force with which the word scourge is neces- 
 sarily uttered requires so great a time, that though the particle of, 
 which immediately follows, receives no accent whatever, yet 
 scourge o/" stands actually and correctly for a spondee. That I have 
 not been compelled to this apparent license by the demands of my 
 verse, it is advisable that I should show the reader, by letting him 
 see that it might have been written, 
 
 Who, with the ] scourges of 1 song, etc., 
 or, Who, with the ] scourge of thy j song, etc. 
 
 In the hexameter which in the body of the Epistle is cited from 
 
 Juvenal, 
 
 " Speluncis. Adeo senuerunt Jupiter et Mars," 
 
 et, as the reader will perceive, is long ; it is the arsis, the movi- 
 mento in battere or motion of the hand doicnward, (2) of the conclud- 
 ing spondee, or bar. How is this produced? We say, by position ; 
 yet it is the metre which compels us to let the stress of the voice 
 fall upon this simple et. It is an accented, or rather an enforced 
 note. (3) Now, as we have intimated above, the stress alone would 
 be sufficient under certain circumstances to lengthen the time of 
 the particle, although the next word began with a vowel. This 
 being the case, the emphatic emission of the voice being allowed 
 to lengthen a syllable, and a change in time being invariably at- 
 tended by a corresponding change in the metrical accentuation, 
 how does quantity differ from accent? In English we should say, 
 with no greater violation of propriety than the Roman poet is 
 guilty of in Latin, Jupiter dnd Mars; and, though indeed we 
 should plead the metre, and not literal position, for the rythmic 
 
 (1) In like manner, in musiCj the unaccented part of a measure is often made 
 emphatic. 
 
 (2) Dr. Callcott uses the term arsis for the weak part of a measure, ap- 
 plying thesis to the depression of the hand. But surely this is following the 
 letter and not the sense of words. 
 
 (3) And without this musical accentuation or emphasis, though et Mars 
 would be still a spondee, the verse might just as well terminate by an iambus. 
 In fact, no hexameter verse, that ever was written, can be verse, except the 
 penultimate syllable have the arsis, or musical accentuation. 
 
TO THE EPISTLES. 199 
 
 length of the syllable, yet the time of and would still be long, the 
 change of accent producing unavoidably a change of quantity. 
 And why ? Because accent and quantity are, in metrical compo- 
 sition, one and the same thing. What delicious verse would 
 Homer's be, if read according to the printed or grammatical ac- 
 cents ! But we give Aristophanes the Byzantine to the devil, 
 and are guided by the quantity, and, behold, the accentuation 
 thence arising makes us music. Latin verse, though composed by 
 quantity, is invariably read according to accent, or to accent and 
 quantity, never in accordance with quantity alone (except by those 
 whose learning has destroyed their ear). Who for example, in this 
 line of Horace's, 
 
 " Pindarum quisquis studet eemulari," 
 would think of reading, according to quantity, Peindaroom quels- 
 quels, or, with the better and Italian sound, Peendaroom quees- 
 quees. (i) The open vowels are made close, and we read Pindarum 
 quisquis. How then does it happen that the music of the measure 
 is not lost ? Because, the time we make the same, by dwelling 
 upon the syllables accented : 
 
 Pindarum quisquis \\ studet (B'muldrl. 
 What then do we lose in poetry by our ignorance of ancient pro- 
 nunciation ? Absolutely nothing, as far as rythm is concerned. 
 The mere position of the vowel sound before two consonants in 
 quisquis necessarily makes the time long, whether you say quis, as 
 the English, or quees with the Italians ; and so of the first and 
 last syllables of Pindarum : and it could have been nothing more in 
 Latin. Let the reader drop one of the consonants, and he will find 
 that Pldarum, pronounce the I open or close, cannot occupy the 
 time of Pindarum, unless indeed he dicell upon the vowel, which 
 is in fact to elongate it, as we have already said. Does anybody 
 suppose that the e of et, in the verse from Juvenal, was pronounced 
 in any other manner by the Romans, or by the poet himself, than it 
 
 (1) Though in the time of Horace, the politer Romans made the sound of 
 the final s invariable, which an age or two before had been suppressed or pro- 
 nounced at pleasure, I never will blaspheme that sweet lyric by believing that 
 it should be heard in the above line, but I must think he would have read the 
 metre thus : 
 
 Pindarum quisquV studet cemulari. 
 
200 PREFACE 
 
 would have been in prose? Yet it is long! long by its position. 
 It is therefore probable, however some prosodians may dispute it, 
 that little if any real difference existed between ancient quantity 
 and modern accent, as regards rythmical construction, (i) This 
 opinion will be found further illustrated in the Parodies of Horace. 
 
 I find that by changing my note into a preface, I have insensibly 
 carried it beyond the bounds intended ; yet I cannot leave this sub- 
 ject without going back to Epistle II., and making a few remarks 
 upon the heroic measure in English. 
 
 We too have our quantity, or something very like it in English 
 verse, which is subject to similar laws, and is varied by similar li- 
 censes, with that of the ancients. An heroic verse we say con- 
 sists of five iambuses ; thus : 
 
 " Awa'ke | my St."' ] John ! jl lea've \ all rae'alner thi'ngs," 
 Now, the same number of iambuses may be counted in an heroic 
 verse, and yet the verse be not poetical. Its rythm may be defec- 
 tive; thus : 
 
 My St.~' I John, wa'ke ! \\ and lea've \ all me'a\ner thl'ngs. 
 Does the reader see how the difference is produced ? It is partly 
 by the collocation of the words, partly by that of the casura, or 
 middle rest of the voice, which is made to fall afler the fourth half- 
 foot, instead of after the fifth, which in the heroic measure is the 
 exact middle of Ihe verse. This latter is the most musical of all 
 the pauses: (and therefore the French, in their longest measure, 
 have, to the complete sacrifice of variety, made it invariable.) 
 
 Though I have not now the time to pursue this subject at the 
 length I should delight to do, yet let me instance some verses from 
 the second Epistle. Thus it opens : 
 
 How surely, H in this life's still-changing state, 
 The brightest names 1| must share the common fate, 
 Doom'd in a day, || whose splendors soon are past, 
 To rise, 1| to culminate, |1 and set at last, etc. 
 
 (0 Wken I say natu, the voice is elevated, and there is arsis in tu ; when 
 however ra, the voice is depressed, and there is thesis. [Natura as our word 
 insiirer.'l — Priscian on accents, as cited by Hermann, De Metr. Poet. Grcec. 
 et Rom. i. 5. 
 
TO THE EPISTLES. 201 
 
 It will be perceived that the time of the first is too quick, and is 
 inexact. Let us measure it : 
 
 How sure 1 ly in | this life's | still chan ] ging stdte. 
 The verse we see is defective ; its second foot is a pyrrhic. To 
 give the verse its due quantity, the caesura would have to fall after 
 in. The next verse is correct in measure ; but the pause is un- 
 graceful. The third and fourth are both musical. Now, that the 
 inferiority in the second verse is not owing solely to the caesura's 
 falling after the fourth syllable is proved by the fact that the third 
 is in this respect its very counterpart. Let us therefore test the 
 composition of this latter and see where the difference lies : 
 
 Ddom'd in ] a day 1 whose splen ] dors soon | are past. 
 It will be seen that a trochee occupies the first place. We thus 
 discover, that when the pause is after the second foot, the verse is 
 better if commenced with an accented syllable. The fourth verse 
 is the best of all : it has the grace of an additional caesura, which 
 here falls after the first foot. And, by the by, culminate receives a 
 secondary accent upon its final syllable, by reason of the repose : 
 
 To rise \ to cul | mindte 1 1 and set ] at last. 
 Thus it will be seen that we really have quantity in our measures, 
 and that these are subject, as I have said, to similar rules, and are 
 varied by similar licenses with the measures of the ancients. 
 
 It is the due regard to these particulars of rythm, and especial- 
 ly the due adjustment of the caesural pause, which form the ex- 
 cellence of Pope's measure ; and it is to the neglect or ignorance 
 of these several points, that we are to ascribe the fault of most 
 others who have attempted it. The caesura is the stumbling block 
 of the heroic verse ; and therefore poets have abandoned the coup- 
 let of Pope and Dryden, and run their verses into one another, as 
 we see in the Veiled Prophet of Mr. Moore. This practice, which 
 the French call enjambement, destroys the music of the heroic 
 measure, though it confers an infinitely greater ease in composi- 
 tion, (i) 
 
 (1) The reader will find that I have exemplified this error in a considerable 
 part of the continuation of the Vision, appended to this volume. It was 
 owing to the nature of the subject. In that particular instance I should have 
 had to sacrifice a higher merit than versification. I therefore abandoned it ; 
 
302 PREFACE TO THE EPISTLES. 
 
 Of the Epistle to Satan I have only to say, tliat it was com- 
 menced in jest, but continued in earnest. I had thought merely to 
 trifle ; but the peril of my country, no\y threatened indirectly by a 
 blow at one of the institutions of one of the States, as well as 
 directly by other acts of wantonness or folly in her servants, has 
 made me, in one or two places of the poem, severe, if not serious. 
 I conjure every lover of his country, every one who would wish 
 his children and his children's children to live with the same se- 
 curity, enjoying the same liberty, under the same laws that he him- 
 self does, I conjure him with my whole heart, to read it carefully 
 both text and comment. But if he must neglect one or other, 
 let it be the text. 
 
 but not without a regret that is in no wise yet abated — I must add, that the 
 occasional running of one verse into another is a positive grace. It is only the 
 uniformity of the practice, or its being carried through too many consecutive 
 lines that is displeasing. Further, I have no reference to blank verse. 
 
EPISTLES 
 
 I. 
 
 TO MILTON. 
 
 From this small planet, whose effulgent round 
 
 Great Satan saw, what time, 'twixt Chaos' reign 
 
 And the far-shooting light of Heaven's walls, 
 
 He hung, suspended on his sail-broad vans, 
 
 Over the abysm of nothing, ere yet, lit 
 
 Upon the backside of the confus'd world. 
 
 He trod the Paradise uncouth of Fools, — 
 
 Saw glimmering, fasten'd by a golden chain 
 
 To the celestial vault ; from this dull lamp. 
 
 Upon whose rim I with some millions more 
 
 Find breathing-space, and light, and heat, — to thee. 
 
 Who haply long have pass'd the sea of pearl, 
 
 (But whether wafted in crystallin barge 
 
 By seraphs mann'd, or whirl'd along the flood 
 
 In the light chariot of the fiery steeds. 
 
 Is to thyself best known,) I humbly write, 
 
 Mov'd to the effort by an honest zeal. 
 
 With veneration mix'd, and love sincere. 
 
204 EPISTLE 
 
 Yet with no shade of awe do I approach, 
 As he of Rydal-Mount, who, with ostent 
 Of fear and genuflexion of the mind, 
 Works profanation to thy ensky'd muse, 
 Aiming, with wildfire made for children's sport, 
 To counterfeit thy thunder ;(i) not with awe ; 
 
 (i) " Awe-stricken as I am by contemplating the operations of the 
 mind of this truly divine Poet, I scarcely dare venture to add, that 
 * An Address to an Infant ' exhibits something of this communion 
 and interchange," etc. Wordsworth's Preface. (See Vis. of Ru- 
 beta, p. 392.) 
 
 Yet this very man, who professes to be awed by contemplation 
 of the labors of a human mind, has dared to say : 
 
 " Jehovah — with his thunder, and the choir 
 Of shouting Angels, and the empyreal thrones — 
 / pass THEM unalarmed " ! 
 
 It is true, this is merely bombast ; (and Mr. Wordsworth's 
 attempts at sublimity will, by the genuine critic, be almost always, 
 if not always, found to be nothing more ;) yet is it not the less pro- 
 fane ; " For," as I have elsewhere remarked upon the same passage, 
 " For fools rush in, where Angels fear to tread." 
 
 And, in citing this line from the great moral poet, be it observed 
 that the very words, which enable me to correct with so much 
 emphasis this fustian metre-monger, are the brightest refutation of 
 his slanders of a mighty name ; for this very line, whose brilliant 
 antithesis is matched by its exquisite truth, is by the maligned Pope, 
 by Pope the versifier, by Alexander Pope, that factitious bard 
 whose arts have poisoned the fountain-head of English poetry. 
 What force in the expression I how every word is made to bear its 
 exact tint ! each divided and distinct from the other, yet all united 
 by such imperceptible shades that the coloring is but one. For 
 fools RUSH IN, where Angels fear to tread. Is not the whole pic- 
 ture painted visibly before us, on the canvass which never fades, 
 on the canvass whose fabric no moth can injure, and whose bright- 
 ness no dust can obscure ? Yet this line was from the pen, this 
 
TO MILTON. 205 
 
 For such, immortal spirit, to none I yield 
 
 That is, or has been, of the earth as I. 
 
 Respect, and admiration, these, thy due 
 
 Give I with all my heart ; even more at times 
 
 Than I am wont to pay the Chian old. 
 
 Who sang the implacable Thessalian's wrath 
 
 And the lone wanderer of the rocky isle. 
 
 In proof whereof, behold, to please thy sense, 
 
 I slight the unison of tuneful rhyme. 
 
 Albeit I judge its modulations sweet 
 
 Only to suit thine ends thou didst reject, 
 
 Lauding the strain, that left from fetters free 
 
 Thy thoughts sublime, and made thy labors less, — 
 
 An ease, dear Milton, ofttimes sore abus'd ; 
 
 As, now thou art where all is harmony, 
 
 And hast the music of the spheres heard play, 
 
 Pursuing, without pause, the resonant fugue 
 
 Through the void infinite of heavenly space. 
 
 Harmonious thunder ! thou must needs confess. 
 
 I write thy measure, and assume thy tone. 
 As children, on a summer holyday. 
 Launch on the bosom of some standing pool 
 Their tiny craft, to simulate the course 
 Of some huge ammiral. They, stooping by, 
 View with delight the fairy frigate glide 
 
 picture from the pencil, of a youth of nineteen ! this brilliant piece, 
 of fancy and truth combined, found its place in the cabinet of a 
 didactic poem ! I am no enthusiast, especially in admiration, yet I 
 say without scruple that this single verse is worth any consecutive 
 thousand of those of the author of the Excursion; and I confidently 
 leave the question, for decision, io posterity. 
 18 
 
206 EPISTLE 
 
 Upright and steady on the noiseless stream, 
 Or urge with cautious breath the loitering keel ; 
 While, on the open main, their model, tost 
 From side to side betwixt the mountain waves, 
 Or plunging through the surge her roaring stem, 
 Masts, cordage, beams, all quivering as the gale 
 Weighs on the lessen'd canvass, — then becalm'd. 
 The gather'd sails loose-flapping, and her sides 
 Lazily heaving to the ocean swell. 
 Bears like proportion, in her varied state 
 And motions, to the mimic vessel's course. 
 As her vast hulk does to its scarce-seen form. 
 Even so my bark, upon a scantier stream 
 Manoeuvres, with the trim and build of thine ;_ 
 Its course more smooth and uniform, as needs 
 For so diminutive and slight a mould ; 
 Its service, but the pastime of an hour. 
 
 Thus much for compliment ; thus much for gloss 
 Upon my strain. I now reclimb the steep 
 Wheredown I slid to visit earth awhile, 
 And scale again the golden stairs (i) to thee. 
 Thou art, great Father, (let me call thee so,) 
 Now seated, may I deem, in some sweet bower 
 Of Heaven's sure paradise, its roof o'erhung 
 With arching amaranth, and the tufted sod 
 Thick-grown with asphodel, and other flowers, 
 If such there be, that, to the Elysian haunts, 
 
 (i) I suppose, in this poem, the reader to be acquainted with the 
 Paradise Lost. However, for the allusion here, and that to the sea 
 of pearl in the first part, see the Third Book, 500 - 540. Both the 
 pictures were borrowed by Milton from the Divina Commedia. 
 
TO MILTON. 207 
 
 From the forbidden garden of Man's sin, 
 Remov'd, with never-fading beauty spring 
 And never-wasting fragrance. By thee flow, 
 O'er sands of gold, 'twixt banks for ever green. 
 The murmurant waters of the fount of life, 
 Making soft music for thy raptur'd ear. 
 In him who sits beside thee do I see 
 The Tuscan bard, whose song was set to grief 
 Sharper perhaps than thine ? for he was curs'd 
 With sight as well as sense. Thy teacher, he ; 
 Thy teacher, but surpass'd. In converse now 
 With his congenial spirit art thou wrapt. 
 Before ye both two shapes of loftier mien 
 Stand arm in arm, and listen to the sounds 
 With smiles angelic-sweet. From time to time 
 They mingle in the drama ; briefly though. 
 As 't were in approbation, or reproof 
 From the deep reverence of thy regard 
 Bent on the figure of more grave aspect. 
 It should be he, the master-hand of Greece, 
 That struck the heroic shell, and made it yield 
 'Neath his precipitate fingers, as instinct. 
 Sounds never heard before, not listen'd since. 
 The other, by the looks submiss yet fond. 
 Wherewith thy fellow greets his Hghtest word. 
 Should be the noblest singer of old Rome, 
 His guide and safeguard through the pits of Hell, 
 And nam'd his master ;(i) surely with small cause ; 
 For never two were more unhke than they. 
 
 (i) Dante represents the poet Virgil as guiding him through 
 the temporal and eternal fires (Purgatory and Hell). He addresses 
 him as his Master, his Father j and Virgil calls him Son. 
 
208 EPISTLE 
 
 Thrice-blest communion ! intercourse of mind 
 I well might envy, ty'd to this frail flesh, 
 Did I believe it real, and not write 
 Rather according to the vulgar thought 
 Than from my mind ; for I am apt to think, 
 (Not fix'd ; since who on such a point can be ?) 
 That thou no more art Milton, nor the three, 
 Thy peers, still Dante, Virgil, and the old 
 Heroic bard of Asia, but that all 
 Have lost all token of this lower world. 
 And in a new existence, brighter still, 
 If such ye merited (as well I deem,) 
 Pursue, or have pursu'd new trains of thought. 
 To be from other fetters like the flesh 
 Again releas'd, for stages brighter still ; 
 Till thus, from stage to stage, perhaps (who knoweth ?) 
 From star to star of the endless chain of worlds. 
 Passing, and purify 'd, ye reach at length 
 The goal of being, the perfectness complete 
 Of your immortal essences, or be 
 Absorb 'd into the bosom of your God, 
 Whence first ye emanated, brilliant rays 
 Of the great Sun of Suns, who is all Light, 
 There never more to know cloud or eclipse. 
 
 Yet, let me fancy that blest intercourse 
 Of spirit with spirit ; for it soothes the heart 
 Of weak humanity : and who would wish 
 From those, alas ! who 've bury'd half their souls 
 And love to dream the sever'd parts again 
 Will meet where shall be never, never more. 
 Division, who would wish to break the charm 
 
TO MILTON. 209 
 
 With cold philosophy, or dreams as vain ? 
 
 Yes, let me fancy it ! How happy thou ! 
 
 For I conceive the theme of thy discourse, — 
 
 Akin to that which prompts me now to write. 
 
 Yet doom'd by what I write to be disturb 'd. 
 
 For when these lines shall reach that happy bower 
 
 (By what wing'd messenger I not inquire. 
 
 Perhaps thyself now hoverest o'er the page, 
 
 To catch their essence, and translate it there. 
 
 Or haply am I destin'd, I, ere long 
 
 To bear its import to thy wondering ear,) 
 
 Their news, but little look'd for, will amaze. 
 
 If not amaze, disturb the congress blest 
 
 Of poets who look back upon the World 
 
 And love the reminiscence of their fame. 
 
 Behold of the great twain the empire fallen, 
 And Dante's throne and thine alike unfix'd ! 
 Fools mount the steps, and men of feeble mind 
 Grasp at the sceptre, and affect the crown. 
 Whose weight they cannot lift, nor circle fill. 
 The prize beyond their reach, they rear instead 
 A parchment bonnet, dight with little bells. 
 And wield a leaden truncheon carv'd and trimm'd 
 With the like tinkling substitute for gems. 
 The usurpers have their parasites ; and these. 
 When the dull symbol 's rear'd and cap put on. 
 Lift up their mouths agape, and volumes roll 
 Of unintelligible sounds of laud. 
 Which the mere vulgar crowd that wait without 
 Take for brave sense, and echo, jubilant. 
 With imitative bray, and plaudits bold. 
 18* 
 
210 EPISTLE 
 
 Then, when the tinsel'd mummer stirs abroad, 
 And the fool's pageant struts before their eyes, 
 And in the gaudy sun the small bells sparkle 
 And their shook sides ring out a slender sound. 
 Blinded, inebriate with the coarse delight, 
 They clap their ready hands amain, and shout, 
 '' 'T is Milton's self! Lo, Dante come again ! 
 O happy day ! O age most fortunate ! 
 The Muse once more revisits the glad earth : 
 The people hear, renew'd and tenfold strong. 
 The very strains that thrill'd their fathers' ears. 
 O happy day ! O age of ages, this ! " 
 
 O lamentable day ! Thus have I seen, 
 Thus do I see, and see with huge disdain, 
 Illustrious Parent, thy great art bely'd. 
 And a mean bard, of most ignoble skill. 
 Presumptuous strain, thy dulcet and grand tones, 
 That never yet were match'd by mortal reed, 
 To pipe with his shrill instrument, and term 
 (Just Heaven ! hast thou no wrath for poets' frauds ?) 
 An Infant's lullaby a song like thine ! 
 And what is more, a base and stolid crowd 
 Welcome with joy uncouth the monstrous claim. 
 'T is as if men, who 'd watch'd an eagle soar 
 Until they lost him in the azure void, 
 Should straightway follow with their gaze some kite 
 That chanc'd to sail along the self-same track, 
 But nigher earth, and shout with stupid joy, 
 " Lo you, another of the eyrie flown ! 
 Ah, royal bird, thou too wilt seek the sun ! " 
 
TO MILTON. 211 
 
 Alas, great Parent ! and again, alas ! 
 It is, I fear, in part thy proper fault ; 
 The fatal negligence wherein thou fellest, 
 When, from thy heavenward soar descending, thou 
 Didst fold upon the earth thy weary wings. 
 'T was then thou shouldst have been most wary, then 
 Thou shouldst have measur'd well thy laboring steps, 
 When in the ken and cognizance of those 
 Whose eyes were dazzled by thine upward flight 
 And lost thee sometimes when most nigh the sun. 
 For these observ'd thee falter, mark'd thy tread, 
 Where broken, where irregular, and where weak. 
 And found thy march on earth was nothing proud, 
 But dull as others', and forgot thy wings, — 
 Hence deem'd it easy to pursue thy path, 
 Tread with thy pace, and call their lounge a march. 
 
 Perhaps 't is well ; perfection rouses Hate, 
 And Envy loves not brightness never dimm'd. 
 Haply thou therefore art, for this alone. 
 Still grac'd with adoration, and^inhalest 
 The incense of a throng that love thee not. 
 Nor sufFerest so foul and large a wrong 
 As the great poet of the moral lay. 
 Who came behind thee, in a sequent age, 
 Whose wit, and melody, and wisdom rare 
 Gives Imperfection umbrage. 
 
 But this said 
 Reminds me that I have to write to him. 
 Unwillingly I leave thee. Yet, farewell ! 
 More would I say but that there lacketh space, 
 
212 EPISTLE 
 
 And rarely has the full heart room to act. 
 Commend me to thy comates of the bower ; 
 Read them my words, and offer what I send : 
 The Florentine, to him my deep respect ; 
 The Patriarch of Song, my filial kiss ; 
 And Virgil, O to him, give all my love ! 
 
^o POPE. 213 
 
 EPISTLE II. 
 
 TO POPE. 
 
 How surely, in this life's still-changing state, 
 The brightest names must share the common fate, 
 Doom'd in a day, whose splendors soon are past. 
 To rise, to culminate, and set at last, 
 Thy great example, Pope, may well attest. 
 Once, who like thee applauded, lov'd, carest ? 
 But now thy muse, by knave and fool o'erthrown, 
 Wakes rapture in the good and wise alone. 
 
 " Unhappy wit, like most mistaken things. 
 Atones not for that envy which it brings." 
 Such was the strain that swell 'd thy tuneful throat, 
 When Europe, with amazement (i), saw thee float, 
 Adown the perilous tide of moral song. 
 Bold but majestic, graceful and yet strong. 
 Thy scarce-fledg'd plumes, refulgent on the wave, 
 Receiv'd not more of lustre than they gave. (2) 
 
 (1) The Essay on Criticism was written when Pope was in his 
 twentieth year. It does not display the exquisite grace and finish 
 of his later poems, and is certainly wanting in method ; but it is 
 distinguished throughout by the same good sense, and, to a certain 
 extent, by the same wit and knowledge of mankind, which have 
 made their author the delight or the envy of succeeding poets. 
 
 (2) Pope may be considered to have opened a new field in didac- 
 tic poetry. Though his model, in some respects, was Horace, yet 
 no one before him had written precisely like him ; and I know not 
 that any one has since. 
 
214 EPISTLE 
 
 May we not deem, that later, when thy name 
 
 Had toilsome climb'd the summit of its fame. 
 
 When, seated on the throne thy mind had rear'd, 
 
 Thou sawest thy sceptre dreaded though rever'd, 
 
 And while applauding millions shouted round. 
 
 The hiss of Envy mingled with the sound, 
 
 This very strain, the lesson of the youth. 
 
 Then smote the man in all its moral truth ? 
 
 Yet Hope still whisper'd thee, A time will come. 
 
 When Fear shall sleep, and Envy's self be dumb, 
 
 When, foe and flatterer alike no more. 
 
 Sages will love, and tuneful wits adore, 
 
 And all men laud, with unmalignant eyes. 
 
 The verse whose charm, with rapture, makes them wise. 
 
 Alas ! how wilt thou wonder, in thy sphere, 
 
 To learn that Envy still survives thee here. 
 
 O'er thy cold ashes crouch'd, the demon waits. 
 
 And, writhing, syllables the name she hates, 
 
 Draws on the dusty stone thy mortal shape. 
 
 Nor spares thy morals, though thy song escape, (l) 
 
 (i) In the Prologue to the Satires, Pope had said : 
 
 " The tale reviv'd, the lie so oft o'erthrown ; 
 ***** 
 The morals blacken'd when the writings 'scape, 
 The libell'd person, and the pictur'd shape." 
 Wise as he was in the human heart, little could the bard have 
 dreamed that these atrocities would be repeated a hundred years 
 after his death, and with all the passion of a fresh attack. His 
 poetic fancy and his faultless ear, his pathos even, his occasional 
 sublimity, might have been forgiven him ; but that he should unite 
 sense, and wit, and wisdom, to the sweetest and most vigorous of 
 muses, was an injury and an aggravation intolerable. 
 
TO POPE. 215 
 
 Lo ! where, a fustian nightcap o'er his brow, 
 Stretch'd on some mead, or shelter'd in a mow, 
 His jacket doff'd, one rusty shoe unlac'd, 
 His stockings garterless, and hose unbrac'd. 
 The scribe of ballads and false sonnets (l) sits. 
 Jack Ketch and Rhadamanth of bards and wits ! 
 A roll of candle-wrapper serves his need, 
 A pewter standish, and a sharpen'd reed. 
 First, to inspire him with the proper mood. 
 He chants, twice o'er, the Children in the Wood, 
 With gesture fierce, then cons, with sweating face, 
 Thy mean friend's rhapsody on Chevy Chase (2). 
 
 (1) Perhaps one of the most remarkable instances of Mr. Words- 
 worth's deficiency of taste, and not the least Gothic of innova- 
 tions in the art of versification, is the substitution of a bastard 
 stanza of fourteen lines for the legitimate Italian sonnet* The 
 labors of poetasters are, it is true, greatly facilitated by this change, 
 as in that which has taken place in the construction of the heroic 
 couplet; but the music, of even their trivial compositions, how 
 much of richness has it lost! For the rest, Mr. Wordsworth's 
 sonnets, so lauded by the fellow-feeling of his admirers, are, Hke 
 the loose verse of his Excursion, little else than prose, and prose of 
 a very tiresome description. 
 
 (2) See in the Spectator (70, 74) the papers where Addison, a 
 most incompetent critic, however agreeable as a writer, endeavours 
 to run a parallel between Chevy Chase t and the Mneid ! A folly 
 which will cause no wonder now, when Mr. Wordsworth and 
 his admirers, and Mr. Carlyle and his, have made us familiar 
 with greater aberrances from reason. 
 
 * The innovation, however, is not originally his. Shakspeare made_it 
 before him, and was his model, in a series of these anomalous stanzas, less 
 prosaic, but more rugged, and very nearly as dull as his own. 
 
 t Chevy Chase is undoubtedly an excellent old ballad ; but it is made to 
 appear ridiculous by thus placing its low proportions and rude structure side 
 by side with the towering mass and finished architecture of the ^neid. 
 
216 EPISTLE 
 
 This done, he calls on Cowper with a sigh, 
 And thrice names Cotton with a moisten'd eye. 
 Then dips the reed, shuts either lid to see, 
 And, at a stroke, damns Dryden, Gray, and thee. 
 
 Who swings before him, on a fence or beam, 
 The sire of Madoc, Prince of Wales, I deem ; 
 Rhyme's Thalaba, who, worst of British foes, 
 Smother 'd Jeanne d'Arc in pyre of smouldering prose 
 Wisest of men ! by whose recondite skill 
 Great Maro fell, whom M^vius could not kill. 
 Not long upon his wooden steed astride. 
 The book-learn'd harlequin affects to ride : 
 Unfix'd as water, lo ! where swinging round, 
 His right leg crook'd, its fellow seeks the ground. 
 So women canter. Upright next he stands, 
 Atiptoe, balancing, with outspread hands. 
 Anon upon his croup he falls again, 
 Seesaws awhile, then bounding, with a strain, 
 Throws a brisk somersault, and on his head 
 Lights, — his limbs folded, and his arms wide-spread. 
 His pale face reddens, purples, blackens fast ; 
 But still the brave brooks torture to the last, 
 Till near to death he finds, with backward bound, 
 His feet once more, but this time on the ground. 
 There, his true element, the mummer sits 
 Less giddy, and collects his scatter'd wits. 
 
 From time to time, his fellow with a smile 
 Has watch'd his antics, musing all the while. 
 These bounds and vaults re-fire the rustic's brain, 
 Imp his maim'd wing, and swell his shrunken vein. 
 
TO POPE. 217 
 
 With double zeal, he flutters o'er the page, 
 Froths at the mouth, and apes poetic rage, 
 Spurns Earth itself when Zany's heels arise, 
 And beards Jehovah thundering in his skies. 
 
 Now, what his weary spirits and hands resign. 
 The reed poetic, and the vast design. 
 The droll assumes, and lo ! the great in song 
 Damn'd o'er again ! but with a will less strong. 
 With his friend's cap he crowns in turn his skull. 
 And prays the gods to make him doubly dull. 
 The prayer is heard : in zigzag current flows. 
 Thick, turbid, small, the dull, slow, laboring prose. 
 He calls it verse, and, bookish, leaves the rhyme 
 Unknown to poets of the olden time, 
 But leaves the measure too. Before him, see ! 
 The ungarter'd clown, to wake the ecstasy. 
 Acts in his turn an old familiar round 
 Of antics o'er, — but acts them on the ground, — 
 Creeps on all fours, or totters with a staff. 
 Apes Goody's gossip and sweet Baby's laugh. 
 Now cracks a whip, now bears a beggar's bag. 
 Plays Puss-in-corner, Bhnd-man's-buff, and Tag, 
 Scotch-hoppers, Leap-frog, Hustle-cap, and Tor, — 
 Or gives the Moon one hare-brain'd Idiot more. 
 The poet marks the scene, and from his reed 
 Grandame, maid, infant, boy combin'd, proceed, — 
 Teacher before, now acts a scholar's part 
 And from his proselyte new learns his art, 
 Notes his undress, and, bent to out-fool the fool, 
 Makes bare his hinder parts, to keep him cool. 
 19 
 
218 EPISTLE 
 
 Then Eclogues creep, and boneless Ballads crawl ; 
 These hair'd with rhyme, but blind grub insects all. 
 To inspire, the rustic gapes, thrice clamors Curr ! 
 Calls it a hoot, and tags it with a burr ! (i) 
 But soon the facile spirit shakes its wings, 
 Heaves from the earth, and upward proudly springs, 
 Awhile near heaven, on vigorous pennon, bold, 
 Meets the sun's rays, and dips its plumes in gold, 
 Then, hidden in some cloud, more lowly flies, — 
 To soar again, and dazzle vulgar eyes. 
 (But, first of all, I beg thee to suppose, 
 He button'd up his breeches, ere he rose.) 
 Kehama, Thalaba then saw the light. 
 Fantastic shapes, in motley vesture dight ; 
 Now like their sire, as when he sail'd in air ; 
 Now, as he cower'd, and left his blind side bare. 
 
 Kehama ? Thalaba ? Their fame, I see, 
 Not yet hath reach'd the sphere of wit and thee. 
 But ask, their history will Byron tell, 
 Who mock'd them here, on earth, perhaps too well. 
 Byron ! bright name ! Behold, poetic sage, 
 Thy warmest advocate in this cold age. 
 Britain's best poet, since thy muse expired, 
 Rich in thy wit, with all thy rapture fired, 
 Grand, tender, oftentimes almost divine, 
 But rough with dross as ore when in the mine, — 
 Or like the mass, when fus'd its metals run, 
 Mix'd with the floating scurf, distinct yet one, — 
 
 (i) " The owlets hoot, the owlets curr, 
 
 And Johnny's lips tbey hurr, burr, burr.'' 
 
 The Idiot Boy. (See Vis. of R. p. 396.) 
 
TO POPE. 219 
 
 He had the taste to feel thy better art, 
 
 The candor to confess it, and the heart. 
 
 Not strong enough his genius for the rein 
 
 Thine brook'd with ease, more vigorous from the strain(]), 
 
 Not weak enough to keep the ambling pace 
 
 Of minds less mettled, and of meaner race, 
 
 He left behind thy dull maligners' sect. 
 
 And reach'd all merit, save to be correct. 
 
 Persuaded of his own deficience, still 
 
 No envy stung him for thy better skill ; 
 
 His mind too large, his spirit was too high. 
 
 Cant he despis'd, and loath'd the bigot's lie, 
 
 And, braving the despite to Truth still shown, 
 
 Drew on himself thy foes, to back his own. (2) 
 
 One voice like his a thousand wrongs requites. 
 
 The zealot's slanders, and the dunce's slights ; 
 
 One voice like this hereafter will outweigh 
 
 All that a thousand meaner tongues may say. 
 
 When Time, the vulgar muse that seldom spares, 
 
 Graves deep his record, and effaces theirs. 
 
 (1) Pope has himself said, with his usual truth, though not with 
 his usual grace : 
 
 " The winged courser, hke a generous horse, 
 
 Shows most true mettle when you check his course." 
 
 Essay on Crit. 86. 
 He is not, however, imitated in the text. 
 
 (2) Byron, however, carried his admiration for Pope a little too 
 far. I have read that he set his favorite above Milton and above 
 Shakspeare. This was extravagance, if not infatuation. The 
 poet's ardent spirit marred his judgment as a critic, which other- 
 wise appears to have been sound. As in censure he degraded the 
 object of his animadversion below its real level, so in praise he 
 carried his eulogy beyond due bounds^ — the very error of the age. 
 Witness his admiration of Sheridan. 
 
220 EPISTLE 
 
 O, could I hope, that I too might pretend 
 To name myself thy advocate, thy friend ! 
 That when thy sun shall mount, as mount ere long 
 It will again, the heaven of wit and song. 
 My little star before its path may gleam. 
 And indicate to men the coming beam ! 
 Not without honor then the truthful tongue ; 
 Nor will my song have all in vain been sung. 
 That hour of joy and triumph will repair 
 Years of neglect, and sufferings still to bear. 
 For then, when Poesy shall live again, 
 And the true INymphs replace a harlot train, 
 When Sense and Sound once more shall be ally'd, 
 And Art and Nature flourish side by side, 
 Shall men, uplifting their bedazzled eyes 
 From the long sleep, to mark thy brilliant rise, 
 Shout, in their rapture at the vanish 'd night, 
 He, he too, saw, and durst announce the light ! 
 
TO JUVENAL. 221 
 
 EPISTLE III. 
 
 TO JUVENAL. 
 
 Lord of the iron harp ! thou master of diction satiric, 
 Who, with the scourge of song, lash'd vices in monarch 
 
 and people, 
 And to the scoff of the age, and the scorn of all ages 
 
 succeeding, 
 Bar'd the rank ulcers of sin in the loins of the Mistress 
 
 of Nations ! 
 I, who have touch 'd the same chords, but with an indif- 
 ferent finger. 
 Claim to belong to the quire, at whose head thou art 
 
 seated supernal. 
 More, I have read thee all through, from the first to the 
 
 ultimate spondee, — 
 Therefore am somewhat acquaint with thy spirit and 
 
 manner of thinking. 
 Knowing thee, then, I presume to address without more 
 
 introduction 
 Part of this packet to thee, and, out of respect to thy 
 
 manes, — 
 Owing not less unto thine than I render'd to Pope's and 
 
 to Milton's, — 
 Whirl my brisk thoughts o'er the leaf, on the wheels of 
 
 thy spondees and dactyls. 
 Doubtless, by this time at least, thou art fully conver- 
 sant with English ; 
 But, shouldst thou stumble at all, lo ! Pope close at 
 
 hand to assist thee. 
 19* 
 
222 EPISTLE 
 
 Last of the poets of Rome ! thou never wouldst dream 
 
 from what region 
 Cometh this greeting to thee ; no bard of thy kind hath 
 
 yet mounted 
 Up to the stars of the wise, from the bounds of the 
 
 Ocean Atlantic. 
 Green yet the world of the West, how should it yield 
 
 matter for satire ? 
 Hither no doubt, from thy Latium, the stone-eating 
 
 husband of Rhea 
 Fled from the vices of men, as thou in thy turn, rather 
 
 later. 
 Went to Pentapolis (l). Here, the Saturnian age is 
 
 restored : 
 Witness Astr^a's own form on the dome of the palace 
 
 of justice ! 
 Here, in his snug little cot, lives each one content with 
 
 his neighbour, 
 Envy, nor Hatred, nor Lust, nor any bad passion, tri- 
 umphant ; 
 Avarice known not in name, — for devil a soul hath a 
 
 stiver. 
 How then, you ask, do we live ^ O, nothing on earth is 
 
 more simple ! 
 
 (i) Juvenal, in his old age, was sent in honorable banishment 
 to the African Pentapolis.* He was a native of Ac^uinum t in 
 Latium, whither Saturn fled for refuge from Jupiter. The 
 allegory of Saturn (Time)'s devouring his own children ; Rhea's 
 deception ; the Silver Jge ; are familiar to the commonest readers. 
 
 * Or Cyrenaica ; a province on the Mediterranean, between the modern 
 kingdoms of Tripoli and Egypt. 
 
 t Now Aquino ; between Rome and Naples, and northeast of Tekracina. 
 Latium is the modern States of the Church. 
 
TO JUVENAL. 223 
 
 A. has no coat to his back ; or, B. is deficient in 
 
 breeches : 
 C. makes them both without charge, and comes upon A. 
 
 for his slippers, 
 While for his shelterless head B. gratefully shapes him 
 
 a beaver. 
 'T is the perfection of peace ! social union most fully 
 
 accomplish'd ! 
 Man is a brother to man, not a rival, or slave, or op- 
 pressor. 
 Nay, in the compact of love, all creatures are joyful 
 
 partakers. 
 Thus have I seen the new mother, whose fountains were 
 
 over replenish'd. 
 When from the rose-tinted tube her cherub, with sigh of 
 
 contentment, 
 Closing its innocent eyes, had withdrawn its soft lips in 
 
 repletion. 
 Yield, with a smile, the rich fount, to be press'd by the 
 
 gums of a kitten ; 
 Then, in her absence, the babe, on its back in the 
 
 couch of Grimalkin, 
 Play with the visionless young, and the dam, with a 
 
 civiliz'd pleasure. 
 Purring, and swinging her tail, lick, pat with her paws, 
 
 and caress it. 
 Beautiful world ! What more } Priests, lawyers, and 
 
 doctors are useless ; 
 Sin being not, and a bond 'twixt the flesh and the Devil 
 
 unheard of. 
 Women, too, lie not at all ; and the maidens, albeit 
 
 bewitching. 
 
224 EPISTLE 
 
 Cold are as Juno, and chaste as Diana and Pallas to- 
 gether. 
 
 Soft ! I have written too fast. Is 't not thou, in a 
 
 satire the keenest, 
 Sure, of the dozen and four, that have made thee im- 
 mortal, exclaimest : 
 Quis tamen affirmat, nil achim in montibus, aut in 
 Speluncis ? Jideo senuerunt Jupiter et Mars ? (l) 
 Vain to impose upon thee ! Dreams, visions of fantasy 
 
 vanish. 
 Gone the Saturnian age. Up, up from the land of 
 
 Columbus 
 Rises the mist of corruption ; not thick yet as that, 
 
 which the Old World 
 Wraps in a shade as of night, where-through the rare 
 
 stars of the virtues 
 Glimmer with ray scarce seen, and at moments are lost 
 
 altogether ; 
 1*^0, not as yet, — but spreading, at noonday, the dusk- 
 
 ness of twilight. 
 Solar eclipse, as it were, on the cities and fields of the 
 
 nation. 
 Temperance staggers unsham'd, and Chastity needs not 
 
 her blushes ; 
 Avarice, plodding on foot, goes free of the jeers of his 
 
 neighbours ; 
 
 (i) Sat. vi. ; on women. The poet has allowed that he had 
 heard of one chaste woman, — who lived in the country. He then 
 corrects himself: 
 
 Who yet so bold to affirm, that nothing is done in the mountains, 
 Or in the caverns? Have Jovz, then, and Mars fallen into senes- 
 cence ? 
 
TO JUVENAL. 225 
 
 Nor, in his glittering car, is the prodigal shunn'd for 
 excesses. 
 
 Over the bold and the timid the pestilent haze is ex- 
 panded. 
 
 Fear not, my Juvenal, then, that thy art will be lost 
 to the New World. 
 
 Bards, of thy sort will arise ; though never shall one 
 have thy power. 
 
 I, even I, had prepar'd, with the thunder of moral in- 
 vective, 
 
 Hurl'd at this mist of miasm, this visible fume of cor- 
 ruption, 
 
 Hurl'd long ago, in my nonage, to lessen the mass of 
 the vapor. 
 
 More who so vain to attempt .? Who so sanguine to 
 dream to disperse it ? 
 
 Forg'd were my bolts, but not temper 'd. As thine was 
 their number ; but other, 
 
 Other their strength ; not, as thine, being wrought on 
 Cyclopean stithy. 
 
 These laid aside, while with fire, half-sportive, I shot at 
 
 RUBETA, 
 
 Pupa, and one or two more, of such petulant, brazen- 
 fac'd dunces, 
 
 Shall be forthcoming ere long, if the strength, that 
 should wield them, not fail me. 
 
 Think you their noise will be heard, in the regions of 
 brightness supernal ? 
 
 Proud should I be, could I deem, that thyself, Pope, 
 Persius, and Dryden, 
 
 Others of similar note, would exult in the tuneful explo- 
 sion. 
 
226 EPISTLE 
 
 Meanwhile, my Junius, farewell ; I must finish this 
 
 letter abruptly : 
 Time on the earth, as thou know'st, is not cheap, though 
 
 with yon in abundance : 
 Then I 've a missive to write, of some length, to his 
 
 sulphurous Highness. 
 Start not ; though penn'd at one time, with thy own, 
 
 and with Pope's, and with Milton's, 
 Not the same post will convey 't to the confines of utter- 
 most darkness. 
 W — BB will himself be the messenger, should he depart 
 
 in due season. 
 Else of the spirits that tend, at his desk, to subserve his 
 
 occasions. 
 Some one it may be will take it ; or, should a mere wish 
 
 be sufficient, 
 Doubt not his very good will to despatch it express to 
 
 the Devil.* 
 Therefore, dear Decius, adieu. Pray commend me to 
 
 Flaccus ; and tell him, 
 Merely from love to his strain I have mimick'd a few of 
 
 his measures, 
 Giving the whilst, out of mischief, his sense in a parody'd 
 
 version. 
 
 * Mem. As to wits, like thyself, no name of a dunce ever reaches, 
 Save when he crosses their path, — which cannot be easy in Heav- 
 en, — 
 He who is going to Hell, post-haste, with my missive to Satan, 
 Edits a news-sheet on earth, (ask Pope for the meaning,) where 
 
 flourish 
 Principles always at top, but never i' th' midst or at bottom. 
 
TO SATAN. 227 
 
 EPISTLE IV. 
 
 TO SATAN. 
 
 Before your Highness's attention 
 Invoking to my sheet's narration, 
 I take the liberty to mention 
 A source of doubt and some vexation. 
 I wrote to Milton in his measure, 
 To Pope and Juvenal in theirs, 
 But know not just what rythmus bears 
 The seal of your high approbation, 
 Or to the infernal Nine gives pleasure. 
 To write in Dante's grave terzeiti, 
 Who made your back a stairs in Hell (i), 
 Though it would suit me quite as well, 
 Would weary and perhaps might fret ye. 
 The strain wherein the Laureate raises 
 To Heaven the soul of George the Third, 
 From the great justice of its praises, 
 Would be, I have no doubt, preferr'd. (2) 
 
 (1) The reader of the Inferno will remember the descent of the 
 poets, in the last canto, down the spine of Beelzebub, in order 
 to get to the other side of the world ; one of those grotesque absurd- 
 ities by which the sublimity of Alighieri is as much disfigured as 
 that of his follower and imitator, Milton, though more amusingly. 
 
 (2) The Vision of Judgment ; the poetry of which, if I may judge 
 from the passages so liberally quoted in the twelfth volume of 
 Murray's edition of Byron, has been too much censured. I mean 
 the mere poetry of the language ; the rythm, like most other of 
 Mr. Southey's versification; is reducible to no known law ; and 
 
228 EPISTLE 
 
 But that is Juvenal's hexameter ; 
 
 At least its author calls it so ; 
 
 Though whether such, or mix'd pentameter, 
 
 Derventionian heptameter, 
 
 Octameter, or enneameter. 
 
 The mists of Skiddaw only know, (i) 
 
 But that, I say, is, or should be. 
 
 The verse I wrote to Decius in ; 
 
 And very far the thought from me, 
 
 To put on an equality 
 
 You, the dread Majesty of Sin, 
 
 often it is difficult to say whether it be any rythm at all. The 
 equity of the Judgment is a perfect farce. The following lines will 
 be particularly admired by Americans, who will have the pleasure 
 of beholding the Father of their Country treated, for the first time, 
 as a tool : 
 
 " ' Here then at the Gate of Heaven we are met ! ' said the spirit ; 
 * King of England ! albeit in life opposed to each other, 
 Here we meet at last. Not unprepared for the meeting 
 Ween I ; for we had both outlived all enmity, rendering 
 Each to each that justice which each from each had withholden. 
 In the course of events, to thee I seem'd as a Rebel, 
 Thou a Tyrant to me ; — so strongly doth circumstance rule men 
 During evil days, when right and wrong are confounded ! ' 
 ' Washington ! ' said the monarch, ' well hast thou spoken, and 
 
 truly. 
 Just to thyself and to me. On them is the guilt of the contest 
 Who, for wicked ends, with foul acts of faction and falsehood, 
 Kindled and fed the flame : but verily they have their guerdon. 
 Thou and I are free from offence.' " 
 
 (i) Greta Hall, the seat of Mr. Southey, is close to the little 
 town of Keswick in Cumberland, at the northern extremity of 
 Derwent-ioater. Skiddaw is a mountain at the same end of the 
 lake. Derwent is in Latin, Derventio. 
 
TO SATAN. 229 
 
 And a mere subject such as he ; 
 You, of celestial porcelain, 
 Albeit not free of flaw and stain, 
 With him, whate'er his contents' worth, 
 A vase, now potsherd, of the earth. 
 Again, if it be Southey's own, — 
 And surely no one else could make it, — 
 And if the Devil approve the tone 
 In which his mystery 's made known, 
 'T is much above my pitch I own, 
 And (pardon, that I fling this stone !) 
 The devil, for aught I care, may take it ! 
 Perhaps you are yourself a poet, 
 Being king of fiction, as they say, 
 And (Milton and Rubeta (i) show it) 
 Have had some practice in your day, 
 When, first of all the angelic fires (2), 
 You swept sublime the golden wires. 
 And set, for superhuman ears, 
 The diapason of the spheres. 
 But having in Rubeta's Vision (3) 
 Rais'd high the structure of your glory, 
 Wherein, without your supervision. 
 From basement-floor to attic-story, 
 I 've carv'd the wonders of your reign, 
 And done in stucco your connexion 
 With the great hero of my strain, 
 That personage whose sage direction 
 Of your afl?airs should make you vain, 
 
 (1) See note 2, page 252. (2) Seraphim. 
 
 (3) The Fifth Canto, whose completion I here anticipate. 
 20 
 
230 EPISTLE 
 
 Since a wise stewardship, 't is plain, 
 
 Does honor to the lord's selection, 
 
 Nor proves a source alone of gain ; 
 
 Having, I say, by this erection, 
 
 Obtain'd a right to your indulgence, 
 
 I will, undazzled by the effulgence 
 
 Of your high birth and present rule. 
 
 Address you in an off-hand way. 
 
 As though we both were made of clay, 
 
 And had been chums at Harvard school. 
 
 Your Highness will not be offended : 
 
 The Prussian Caesar (i) condescended 
 
 To correspond with men of wit ; 
 
 Nor all that he himself hath writ, 
 
 Nor yet his triple glory blended. 
 
 Of legislator, warrior, sage, 
 
 His realm extended and defended. 
 
 Have done so much to make him known. 
 
 To readers of the present age, 
 
 As that one circumstance alone. 
 
 You are a king too, not the worst 
 
 Of all the sceptred tribe accurst 
 
 That have from Nimrod down been reckon 'd, 
 
 And will permit me, I dare swear, 
 
 To assume to you a freer air 
 
 Than Rollin, Fontinelle, Voltaire, 
 
 CONDORCET, d'ArGENS, d'AlEMBERT, 
 
 Assum'd tow'rd Frederic the Second. 
 
 (i) Frederic the Great. The term is used, merely in allusion 
 to his having combined, like Julius, the qualities of the scholar 
 and soldier. Otherwise, I see no particular resemblance in their 
 characters, and none whatever in their fortunes. 
 
TO SATAN, 231 
 
 Besides, a freeman born, I am 
 
 No awe-struck worshipper of crowns ; 
 
 And should my levity displease you, 
 
 Though may I die if I would tease you, 
 
 I beg to say that for your frowns 
 
 I really shall not care a damn. 
 
 Who are you, what may be your form. 
 Is more than I pretend to know. 
 I think you dwell in regions warm ; 
 My grandame always told me so. 
 But then she said, you had a tail, 
 And hoof divided, like a bull ; 
 And there, I think, her mind did fail ; 
 For that would be too wonderful. 
 One thing I hold beyond dispute ; 
 Which is, that to this upper ray 
 Your influence does sometimes shoot, 
 And in a most surprising way. 
 For, devil take me ! (this in jest,) 
 If I not feel you in my breast, 
 I mean your fire, ofttimes so stirring, 
 That though I were to get by heart 
 My Common Prayer book, part by part, 
 I could not keep this flesh from erring. 
 I feel you now ; for lo ! where rise. 
 Before my fancy, Sybil's eyes ! 
 But tell me, are you really he 
 Who, Milton wills us to believe, 
 Lay coil'd beneath the fatal tree. 
 And made too wise our mother Eve .'' 
 Or did you take another shape ; 
 
232 EPISTLE 
 
 An oran-outang, or an ape ? 
 
 If doctors are to be believM, 
 
 The tongue whose eloquence deceived, 
 
 Was one that neither hiss'd nor chatter'd, 
 
 But quiver'd in a finer head, 
 
 Though of what feature is not said, 
 
 Nor do I think it could have matter'd. 
 
 They say, you came equipp'd and mounted 
 
 Upon a camel of great size ; 
 
 And truly, if 't were in that wise, 
 
 Eve's frailty cannot be accounted 
 
 So very strange in one who 'd eyes ; 
 
 For doubtless you appear'd in state, 
 
 Like a fieldofficer at least, 
 
 And must have shown upon your beast 
 
 As something more than second rate ; 
 
 Especially, if, as I read, 
 
 The camel was the very snake, 
 
 Which, serving you in that your need. 
 
 Lost hind and fore legs for your sake, (l) 
 
 (i) " At nee hoc praetereundum, etc. But neither is this to be 
 omitted, which our sages adduce in Medrasch; that the Serpent was 
 ridden upon, and that his bulk was that of a camel, and that his 
 rider icas he icho deceived Eve, and that this rider teas Sammael ; 
 which name they use absolutely of Satan. [The admirers of Der 
 Freischutz will recognise an old acquaintance.] For you will find, 
 that in many places they say ; that Satan loished to hinder Abraham 
 from binding Isaac ; in the same way, that he wished to kinder Isaac 
 from obeying theuyill of his father. But, elsewhere, in this same 
 matter they say ; Samma&l came to our father Abraham,, and said to 
 him ; Old man, hast thou lost thy wits ? Art thou crazed, etc. Thus 
 therefore it appears, that Sammael is Satan himself, and that in 
 that name there is some certain and hidden meaning, as in the 
 
TO SATAN. 233 
 
 Though, in the Apocalypse, St. John 
 Has got again his trotters on, (i) 
 Making the same mistake, indeed, 
 His namesake more subhme committed, 
 Where in his verse he puts the steed 
 For him by whom the steed was bitted. 
 
 And, by the by, that John, — I mean 
 Not him by whom the candles seven. 
 With other curious things, were seen, 
 Types fitter far for Earth than Heaven, 
 But John, the greatest of the name, — 
 Has made your Highness to appear 
 A hero such as men hold dear : 
 A picture, though, more bright than clear ; 
 Where you are seldom seen the same ; 
 Great, but yet little ; kind, severe ; 
 Not made to scorn, nor yet revere ; 
 Where admiration with our fear 
 And pity mingles with our blame. (2) 
 
 name Nachasch, that is, Serpent. They say too : JVhen he came 
 (the Serpent) to deceive Eve^ Sammael was riding upon him, and 
 God laughed to scorn the camel and his rider." More JVevochim. 
 Pars ii. Cap. xxx. pp. 280, 281, ed. Bust. fil. 4to. Basil. 1629. 
 
 (1) " And the great dragon was cast out, that old serpent, called 
 the Devil, and Satan, which deceiveth the whole world.". . Rev. 
 xii. 9. 
 
 (2) .... " Darken'd so, yet shone 
 Above them all th' Archangel. But his face 
 Deep scars of thunder had entrenched, and care 
 Sat on his faded cheek, but under brows 
 
 Of dauntless courage, and considerate pride 
 20* 
 
234 EPISTLE 
 
 Ah, Lucifer ! hadst thou remam'd 
 But such as thou wast painted first, 
 Thy glory thou wouldst not have stain'd, 
 But been respected, though accurst ! 
 It was a shabby trick at best, 
 A simple woman to deceive. 
 Or didst thou not, at ear of Eve 
 Squat like a toad, disturb her rest ? 
 Perhaps 't is but the infirmity 
 Of human art hath made thee vile, 
 And thou didst never stoop to be 
 Both insignificant and mean, 
 Merely on purpose to beguile 
 A creature so extremely green. 
 
 But to my promis'd information 
 Respecting matters in this world, 
 Whereof you 've had the gubernation 
 Since, greatly to our delectation. 
 From your own planet you were hurl'd. 
 It will delight you then, to hear 
 
 Waiting revenge. Cruel his eye, but cast 
 Signs of remorse and passion," etc. Par. L i. 599. 
 What a pity that he should have spoiled this picture (which, 
 superb as it is, is not without its pendent in other parts of the poem) 
 by afterwards making the form of Lucifer utterly incapable of 
 disfiguration ! But spirit and corporeal substance are constantly 
 jumbled and opposed in this confused and contradictory manner 
 throughout the Paradise Lost, so as almost to give one the impres- 
 sion that the poet scarcely knew, himself, what he would be at, 
 and that he had not properly digested the plan of his composition. 
 In genius the peer of Shakspeare, Milton is not less his parallel 
 in faults. 
 
TO SATAN. 235 
 
 That your affairs are not declining, 
 
 But that we still provide you here 
 
 The fuel wherewith to keep Hell shining. 
 
 Kings are as temperate as ever, 
 
 And human rights as much respected. 
 
 But subjects not so well-affected, 
 
 Alas ! to their well-meant endeavour, — 
 
 Which, in the end, must cost you dear. 
 
 England, as usual, is just, 
 
 Nor ever profits by her might : 
 
 Champion of universal right. 
 
 She treads but tyrants in the dust. 
 
 What though she drenches with the gore 
 
 Of India's sons their native soil .'' 
 
 Their land shall fructify the more, 
 
 Nor common crops repay their toil : 
 
 For, where that gore in rivers flows, 
 
 Behold, the plant of mercy grows ; 
 
 And peace shall flower on every turf 
 
 Where rots the carcase of a serf. 
 
 Justice heeds not their dying groan ; 
 
 Freedom stops not, to count their graves : 
 
 What ! shall they cavil at her slaves, 
 
 Who frees the slaves that others own ? 
 
 The States' weak vessels search'd for chains, (i) 
 
 (i) The same aggressions which brought on the last war, are 
 again practised on our commerce, under a new pretext. It is time 
 they should be stopped. Will our government never learn that 
 with a people like the English nothing is to be gained by for- 
 bearance ? Not that the slave trade should not be broken up ; I do 
 not wish to be so misinterpreted : but what right has a foreign na- 
 tion to search any vessel sailing under our flag where there is no 
 treaty that allows the search ? If every American vessel on the 
 
236 EPISTLE 
 
 O'Connel's conscientious brogue, (i) 
 Wipe from her shield such petty stains, 
 And stamp elsewhere Oppressor, Rogue. 
 What though on iron ball and shell 
 A thousand souls seek you in Hell ; 
 What though a thousand mount the sky ; 
 At John of Acre and Beyroot ? 
 For Europe's cause those missiles fly, 
 For Europe's cause the cannon shoot. 
 And though the walls no shot return, 
 Has Britain not her laurels won ? 
 
 coast of Africa is to be subjected to examination, let it be done by 
 our own cruisers. Would the expense of an additional squadron be 
 any thing in comparison with the cost of a war, which must come 
 soon or late, unless prevented by immediate measures of vigor ? * 
 
 (i) Mr. O'CoNNEL, as it is known to every reader, relieves his 
 spleen at the oppression of his own country by gratuitous insults 
 of a land more favored. To taunt, however ignorantly,t and to 
 calumniate, however grossly, the people that shook off the yoke of 
 English tyranny, would seem to be a lenient to the shoulders that 
 are still galled by its pressure. This is natural to minds of the 
 vulgar cast of Mr. Daniel O'Connel's. 
 
 * There are three other causes, besides the one alluded to, either of which 
 may one day bring about a war with England. One of them is in actual oper- 
 ation. Yet how are we providing for the probable result .' By expending 
 dimes where are needed dollars, and by patching fortresses instead of building 
 fleets. Three quarters of a million for a " home squadron," for the entire sea- 
 board ! Why, twice the sum would not defend the Lakes. 
 
 t A trifling acquaintance with the nature of our mixed government, which 
 decency requires that every one should possess who pretends to talk about it, 
 would have shown the Irish demagogue that though England, carried away 
 by a temporary enthusiasm, could purchase the freedom of the slaves in Ja- 
 maica, and might have set them free, had she chosen it, without indemnity to 
 the owners, the American government has no such power. The property of 
 the States is their own, and none but themselves can touch it. A feature in 
 our system of polity which, perhaps after all, Mr. O'Connel well understands ; 
 but to avow it would have been to deny himself an opportunity of ranting on 
 universal emancipation. 
 
TO SATAN. 237 
 
 Go where the partridge falls, and learn 
 
 The glory of a well-aim'd gun ! 
 
 Art thou the Devil, and not admire 
 
 The mortal that dares handle fire ? 
 
 In fine, what though her foot is planted 
 
 In China, never to recede ? 
 
 Not for herself the foothold 's wanted ; 
 
 All men shall profit by the deed, (i) 
 
 And though a single heavy shot 
 
 Would sink the best Cathayan junk. 
 
 If broadsides pour it matters not ; 
 
 Sufficient, that the craft is sunk ; 
 
 And every Chinaman, that gory 
 
 Drops through the water to damnation, 
 
 Sends up a bubble to her glory, 
 
 And fills her soul with exultation. 
 
 Do I not tell you, that to kill 
 
 Is proof of valor and of skill. 
 
 Though that the slain were fast asleep, (2) 
 
 Or ty'd like bulls, or held like sheep ? 
 
 (1) It was easy to foresee what would be the amount of British 
 disinterestedness in the course of the abominable attack upon 
 China ; and the event has justified every suspicion. But it is 
 amusing to find that while demanding possession of an island in 
 the China seas, the English still protest that they have no view to 
 the peculiar interest of British commerce. With India before our 
 eyes, and the entire history of Great Britain, we take the liberty 
 to form our own opinion. A war begun in utter violation of all 
 right (we may add, diviiie and human) can have no other than an 
 iniquitous termination. 
 
 (2) As in the case of the Caroline, which, apart from all question 
 of right, strikes us as one of the most cowardly affairs on record. 
 Yet the British government talk of pensioning one of those who suf- 
 
238 EPISTLE 
 
 But when I tell you, that the end, 
 
 (Next to possession of the soil) 
 
 Of all this waste of ammunition. 
 
 Is that the conquerors may send. 
 
 Upon the Dragon's forc'd submission, 
 
 The poison sown by Indian toil 
 
 In India's blood, to get them pelf. 
 
 And bring on millions Hell's perdition. 
 
 You '11 laugh, I think, like — your own self. 
 
 For France, your Highness will not frown 
 To hear the people have consented 
 To arm against themselves their town. 
 But brief your joy, if, this repented, 
 The townsmen shall begin to feel 
 Paris is made one great Bastille ; 
 For then, 't is like, they '11 pull it down. 
 
 Of other countries might I tell 
 Something of new, though not of strange ; 
 But 't would be taking too much range. 
 Suffice it, all are doing well, 
 And strive your royal grace to earn. 
 Pass we to matters less extern. 
 
 fered in the dirty act ! (An insult, by the by, in itself, and which 
 alone, did we think proper, might be held a sufficient cause for 
 war.) John Bull's avarice of military glory is a perfect whirlpool ; 
 the smallest straw, the vilest filth, go down with tlie hugest and 
 most precious masses that may come within the vortex. 
 
 The affair of the Caroline was not, however, in mind when I 
 wrote the couplet. The allusion in the text is solely to Commodore 
 Elliot's wanton destruction of the Chinese war junks. 
 
TO SATAN. 239 
 
 Doubtless, your Majesty is viewing, 
 With grief, what Father Matthew 's doing ; 
 Who (if I may pronounce), of all 
 The Apostles since the great St. Paul, (i) 
 Has labor'd most to your undoing. 
 But be not anxious on that head ; 
 For, this side of the ocean-water, 
 A nation's arms to all are spread 
 Whom taxes, or the want of bread. 
 Or baffled villany have brought her : (2) 
 
 (1) Father Matthew has been termed, in Ireland, the Apostle 
 of Temperance. 
 
 (2) " We hold out," says Mr. Tyler in his Message to Congress, 
 " We hold out to the people of other countries an invitation to 
 come and settle among us as members of our rapidly growing 
 family ; and, for the blessings which we offer them, we require 
 of them to look upon our country as their country, and to unite 
 with us in the great task of preserving our institutions, and there- 
 by perpetuating our liberties." One would think that we were 
 quite sufficient by ourselves to -preserve the institutions our fathers 
 transmitted to us and to perpetuate the liberties for which they 
 fought : to ask it of foreigners is to ask the crow to change his 
 feathers and the vulture to become the dove. And how can we 
 require of these men to look upon our country as their country f Is 
 it to be believed that those who have been reared abroad, who have 
 some of them even grown gray in another land, who have been all 
 their past life the subjects of a government totally diverse from 
 ours, is it to be believed that these, ignorant moreover as they 
 chiefly are of the very first elements of knowledge, let alone of the 
 abstruse and complicated nature of political doctrines, is it to be 
 believed that these men are to change their entire nature in five 
 years, undo all the prejudices they have been imbibing from their 
 infancy, mix thoroughly with a people whose language they can 
 hardly speak, adopt their habits, their opinions, and finally merge 
 all affection for the land they have left in a new love for a land of 
 
240 EPISTLE 
 
 And here, with what is found less dear in 
 Our shops than in the huts of Erin, 
 
 strangers ? Yes, all this our laws of naturalization sagaciously pre- 
 sume. And how does the result answer to this supposition. Wit- 
 ness the Germans in this city, who herd together, cherish their 
 own language, even form a separate company of militia ! com- 
 manded by their own officers ! ! and are in fact a people within a 
 people, among us but not of us, voting for their own representa- 
 tives, &c. &c., as if they were the children of the soil. America 
 is indeed the asylum of nations ; but it is a new thing for a house 
 of refuge and of charity to surrender to its inmates the manage- 
 ment of the household. 
 
 And this evil, (which will one day be the death of our liberties, 
 already, in New York, half-stifled by its oppression,) this growing 
 evil is encouraged by the personal and petty ambition of men in 
 office, who in fact should scorn the suffrages of foreigners, yet who 
 openly solicit them as if they were the test of American virtue. 
 Take the single instance of the present governor of this State, who 
 actually proposed to have foreign teachers, using a foreign lan- 
 guage, in the public schools, for the benefit of instructing the children 
 of the refugees, in — the wisdom of their fathers, and the blessed 
 and refining prejudices of their father-land, and of keeping them 
 distinct from the children of Americans. Hear his language : " I do 
 not hesitate, therefore, to recommend the establishment of schools 
 in which they may be instructed by teachers speaking in the same 
 language with themselves, and professing the same faith." This, 
 having probably found it unpalatable to the good sense of his con- 
 stituents, he directly contradicts in his last message. *' I have not 
 recommended," he there says, '' nor do I seek the education of any 
 class in foreign languages, or in particular creeds of faith ... I 
 desire the education of the entire rising generation . . . and in that 
 tongue which is the universal language of our countrymen." 
 
 The nature of this book will not permit me to enter, so fully as I 
 could desire, into a subject that causes me more uneasiness than 
 any other matter public or private that I know of, or that ever I 
 have known. But I shall add certain facts which I trust will make 
 
TO SATAN. 241 
 
 And with the laudable admission 
 
 a serious impression upon every reader, every reader who truly 
 loves his country, and reveres her institutions. 
 
 "Of one thousand and fifty-eight children in the Alms-house of the 
 city of New York, one-sixth part is of American parentage, one sixth 
 was born abroad, and the remainder are the children of foreigners 5 and 
 of two hundred and fifty children in the House of Refuge, more than one 
 half were either born abroad, or 0/ foreign parents." Gov.'s Mess. Jan. 
 1841. 
 
 "The number of emigrants arriving at the port of New York, in 
 1828, was about twenty thousand. The number in 1840 was sixtzj one 
 thousand " Same. 
 
 The last importation was of sixty or seventy Maltese beggars in 
 a British vessel commanded by a British subject. The captain (or 
 a Friend of the Captain, as he calls himself,) states in the JV. Y. 
 American that " ^ G70 was paid into the City Treasury to indem- 
 nify the city from any charge." For how many weeks does our 
 munificent Corporation undertake to maintain sixty persons at $11 
 a head ? 
 
 "Not only paupers, but criminals, are transported from the interior of 
 this country [Germany,] in order to be embarked for the U. States ! 
 
 "A Mr. De Stein, formerly an officer in the service of the Duke of 
 Saxe-Gotha, has lately made propositions to the smaller states of 
 Saxony, for transporting their criminals to the port of Bremen, and em- 
 barking them there for the Unit EB States at seventy-five dollars per 
 head ! which ofl^er has been accepted by several of ihem. The first trans- 
 port of criminals, who for the greater part have been condemned to hard 
 labor for life, (among them two notorious robbers, Pfeifer and Al- 
 BRECHT,) will leave Goth a on the 15th of this month 3 and it is intend- 
 ed, by and by to empty all the loorkhouses and jails of that country in this 
 manner. There is little doubt that several other states will imitate the 
 nefarious practice. * * * It has of late, also, become a general prac- 
 tice in the towns and boroughs of Germany, to get rid of xheh paupers 
 and vicious members, by collecting the means for eff'ectuating their pas- 
 sage to the United States [where Governor S 1) will provide for 
 
 them,] among the inhabitants, and by supplying them from the public 
 funds." Letter from Mr. List, Consul for the U. S. at Leipsic, dated 
 21 
 
242 EPISTLE 
 
 To all the best of us may claim, 
 
 March, 1837, and addressed to the Secretary of the Treasury. {Beacon- 
 Light.) 
 
 "In a letter to the President, Aug. 12th, 1837, the Mayor of 
 Baltimore states, that ' Fourteen convicts from Bremen had been 
 landed there. They were shipped in irons, which were not taken off 
 till they were near Fort McHenry.' " (Same.) 
 
 Thus our taxes are increased for the support of people with 
 whom we have no connexion, and who are a positive injury to the 
 morals, character, and safety of our country. Many of them go 
 directly to the almshouses, from the vessels in which they arrive ; 
 others are permitted to infest our streets in the manner which is 
 seen daily, yet which would appear to be in no wise regarded by 
 those whose duty it is to look into such serious evils. Is there a 
 single man or woman among my readers who has ever, within a 
 year or two, passed through Broadway, after nightfall, without 
 being assailed by the importunate cries of begging children ? Is 
 there a single person who knows this country, and this people, that 
 believes that these are the children of native Americans ? Again, 
 the criminals who we see, from the letter of Mr. List, are, in 
 their known character, shipped to this country, and others who un- 
 doubtedly must mix in considerable numbers with the poorer class 
 of voluntary emigrants, all obtain that right of suffrage which 
 equal, or probably minor offences against society, render unattaina- 
 ble by our own citizens ; a right, moreover, which the native 
 blacks, superior in all respects, in education, morals, good conduct, 
 to the mass of emigrant Irish, attached moreover to the soil where 
 their fathers and their children were born, and where they them- 
 selves derive from their industry a support for which no man is 
 taxed, but from which many men profit, a political right, I say, 
 which the native blackman has to purchase by the possession of a 
 certain amount of property ! and which for this reason he cannot 
 always assume, which, from unjust prejudices, he probably never 
 dares assume. 
 
 Lastly, take these words of Jefferson's, as quoted with appro- 
 bation by Mr. S d : — " The Constitution has wisely provided 
 
TO SATAN. 243 
 
 Before they 've learn'd even one iota 
 
 that for admission to certain offices of important trust, a residence 
 should be required sufficient to develope character and design. 
 But might not the general character and capabilities of a citizen be 
 safely communicated to every one manifesting a bona fide purpose 
 of embarking his life and fortunes permanently loith usf 
 
 Merely desiring the reader to note a remark which, to say the 
 least of it, is repugnant to common sense, I recommend the follow- 
 ing anecdote to Mr. S d. Lately, in an interview with two 
 
 foreigners, one an Englishman, the other a Scotchman, the latter 
 person took occasion to insult this country (a common occurrence 
 with British subjects.) Among other things, he protested that 
 there never was such another race of rogues as the merchants of 
 New York. As well as my blood would allow me, I demonstrated 
 to him that the characters of men were, under similar circum- 
 stances, much the same everywhere, and that, if there were any 
 difference between the American merchants and the British as a 
 mass, the balance was rather in favor of the former. The English- 
 man, the juster of the two, partly sided with me, and perfectly 
 agreed with me as to the general injustice and the ignorance of the 
 Scotchman's observations; and the party broke up, as may be 
 supposed, in much heat, and with no change of opinion on either 
 side. One hour afterwards I learned that this same Scotchman 
 was a naturalized citizen of the United States. The Englishman 
 (as no one, who knows human nature, will be surprised to hear, 
 after the ingenuous part he had taken) had never forsworn his al- 
 legiance to his country, though he has lived with us five times as 
 long as the other. The Scotchman, equally with the English- 
 man, was a gentlem.an, a man of good education and of some sub- 
 stance. — This fact I mention that it may be seen therefrom (for it 
 is but one of many cases) how truly foreigners identify their in- 
 terests and feelings with those of Americans. But such a fact 
 should not be needed to prove what must be evident to the plainest 
 understanding ; namely ; that the adopted citizens of this country 
 
 never, or, if ever, in very rare instances^ become what Mr. S D 
 
 would probably call, after Jefferson, bona fide Americans, In- 
 
244 EPISTLE 
 
 Of what befits their new condition, (l) 
 
 deed, when a man, under any circumstances whatever, is ready to 
 forswear his native land, it should be taken, on the first face of it, 
 05 evidence that he is ^infit for the privileges of any other. 
 
 It was Thomas Jeffkrson, to whom we owe the curse of an 
 alteration of the laws of naturalization, which, before his adminis- 
 tration, exacted of the foreigner a residence of fourteen years pre- 
 viously to adoption. Yet I see that Jefferson is quoted as using 
 this language : " I hope we may find some means, in future, of 
 shielding ourselves from foreign influence, political, commercial, 
 or in whatever form it may be attempted. 1 can scarcely withhold 
 myself from joining in the wish of Silas Deane, — that there locre 
 an ocean of fire between this and the old icorld : " (a wish / have 
 actually made, in another form, more than once.) 
 
 Mr. Van Buren too is cited as saying, " Foreigners will make 
 our elections a curse instead of a blessing.'' 
 
 (i) One of the most ridiculous features of the law of naturaliza- 
 tion, or that would be so, could we laugh at what we seriously be- 
 lieve is destined to be the ruin of our country, is that it supposes 
 foreigners, though they be totally unacquainted with English, to 
 attain in five years what the native citizen is twenty-one, or, if you 
 will count from his puberty, nine years in learning. 
 
 What does it avail me, whose family for five generations have 
 paid taxes in the country, me, who am by blood and by hereditary 
 right, and, what is still more to the purpose, by reason and in prin- 
 ciple an American, what does it avail me to go to the polls to 
 
 vote against Mr. M s, because he has disgraced the bench and 
 
 trampled on the rights of the citizen, and against Mr, S d, be- 
 cause he is sacrificing to his ambition the interests of his country, 
 what does it avail, when the Dutchman who clears my neigh- 
 bour's sink of ordure, the German who, with a hand-cart and a 
 wire, gathers up the filthy rags in the road between us, the Irish- 
 man who sweeps the kennels, can by their numbers carry the elec- 
 tion in favor of one and the other, and are certain to do so, because 
 
 Mr. M s is a leader of the party that pays them, and Mr. S d 
 
 is endeavouring to favor their respective nations at the expense 
 
TO SATAN. 245 
 
 Or have contributed one quota 
 Of the town-dues the natives pay ;(i) 
 Before they even can spell one name 
 Of those their voices bid command 
 And tax the owners of the land ; (2) 
 
 of his own, and because neither Dutchman, nor German-, nor 
 Irishman, can read one letter of the names of those they vote for, 
 and would not understand their merits or demerits if they could, 
 and because, finally, though they did both read and understand, it 
 would matter nothing to them, who have no stake in the land, and 
 the entire associations of whose life are with other countries, and 
 who feel themselves to be foreigners, and who know that all their 
 political privileges cannot put them on a parity with the wealthier 
 and more enlightened natives, it could matter nothing to them what 
 form of government they were under, saving that under the worst 
 their chances of profit would perhaps be greater, and that anarchy 
 might bring about that change in their favor which no settled rule 
 ever could. 
 
 (1) It cannot be supposed that the nightman, rag-gatherer, and 
 scavenger aforesaid, pay taxes, when they possess no property. 
 But this would be nothing ; for the law does not insist upon it 
 {except for black people) as a qualification for the right of suffrage ; 
 nor do I know that were it in my power to make it one, I would 
 do so : but it is a point on which I have no doubt, nor can any 
 other right-thinking man, that the inmates of almshouses and hos- 
 pitals, the dependents of the public bounty, should not be admitted 
 to this privilege. What then will the reader say, when I tell him 
 that a physician of character, sometime attached to the city poor- 
 house, informed me that the paupers were regularly turned out on 
 the days of the elections, provided with the proper tickets (and no 
 doubt with something more) to vote — for those who rule and tax 
 the people that support them ! If this be not like standing on one's 
 head, and using one's hands to walk on, I know not what is natural 
 order, nor have any idea of propriety, of moral fitness, or of good 
 government. 
 
 (2) It will be perceived, that with the suggestion of Governor 
 
 21* 
 
246 EPISTLE 
 
 With these two moral aids, I say, 
 They 're nicely broken to your hand. 
 
 S d's carried into effect, the very children who are born to 
 
 the privileges of citizens would be in the same favorable state as 
 their fathers for learning the qualifications of the candidates, unless 
 they learned them exclusively through foreign organs of instruc- 
 tion, which certainly must be admirable guides in all things that 
 concern our intricate policy. 
 
 A plan has been brought before the Legislature of this State for 
 altering the present system of the Public Schools. It is backed by 
 all the influence (much too large) of the Governor and of his min- 
 ister the Secretary of State. As fortunately its discussion has been 
 postponed till the next session, I shall take this opportunity to 
 prove the utter fallacy of the Secretary's argument. I shall do 
 this by merely taking up those points of his Report which have not 
 been fully examined and overthrown by some of the journalists and 
 their correspondents, — among others, particularly by the editor of 
 the JV. Y. American, who has proved himself, on this occasion, 
 more the friend of his country than the supporter of a party ; * (for 
 a journalist, a rare commendation, which almost wipes out all that 
 I have been compelled to say of him in the Vision.) 
 
 Taking up the Secretary's Report in the order of its parts, let 
 me first observe one sentence which has rather connexion with 
 what has gone before than with the present note. Quoting, out of 
 compliment, his principal, the Secretary says : " No system is per- 
 fect, nor can liberty be safe, until all icho are destined to exercise 
 the rights of citizenship are brought within the schools.^' Yet we 
 permit thousands, who have never seen the inside of any school, to 
 exercise these rights at their discretion ! thousands too who have 
 been reared under despotism, and whose souls have been trampled 
 
 * It has given me pleasure to observe the course which the N. Y. American 
 has taken in this matter, (O si sic omnia !) It is, as far as I know, the only 
 paper which has ventured to ascribe this plan to the mean ambition which 
 would truckle to the religious bigotry, and insolent presumption of a for- 
 eign rabblement, solely for their suffrages ; to a bigotry which is at variance 
 with our political theory, and to a presumption which betrays the contempt 
 naturally felt by usurpers for those who tamely and stupidly surrender their 
 dear-bought privileges. 
 
TO SATAN. 247 
 
 So that upon the whole, if some 
 
 Few thousands elsewhere are made better, 
 
 into mud by the heel of oppression ! This moreover is a glorious 
 inconsistence for the Governor, who thinks with Jefferson, and 
 who would extend the right of suffrage ! We now proceed with 
 Mr. Sp r's own language. 
 
 ''Let not error and prejudice be perpetuated, by being shut up 
 and excluded from the light of science." Does the Secretary sup- 
 pose that Error and Prejudice will find the doors and windows more 
 open in the sectarian schools which he proposes, especially in those 
 of the Roman Catholic denomination ? 
 
 "Even the moderate degree of religious instruction which the 
 Public School Society imparts must be sectarian ; that is, it must 
 favor one set of opinions in opposition to another, or others ; and 
 it is believed that this will always be the result, in any course of 
 education that the wit of man can devise." This is an unqualified 
 misstatement, founded in ignorance, or made without reflection ; 
 and every man's private experience will show it to be so. I was 
 brought up in three diflTerent schools : the first, where the teacher 
 was a Presbyterian clergyman; the second, an Episcopalian lay- 
 man, under the direct supervision of one of the Episcopal churches 
 of this city ; the third, a Baptist clergyman. The Bible was read, 
 and prayers were said, in all of them ; but never was a single arti- 
 cle of faith, so called, taught in any. Indeed, had there been, how 
 would one of us, boys under fifteen years of age, have comprehended 
 it? Does Columbia College make Episcopalians of all its students? 
 or do those who are graduated by the New York University be- 
 come therefore Presbyterians ? No; the schools as now established, 
 public as well as private, teach nothing hut natural religion and 
 simple Christianity. This does not content the Catholics; they 
 would teach doctrines, impress upon the tender minds of children 
 a hatred of all heresy, and a belief that eternal fire will be the pun- 
 ishment of those who dare to think for themselves, that is, (for it is 
 nothing else, nor can Mr. Sp r or Mr. S d make it other- 
 wise,) of those who dare to be in fact, as well as name, American 
 citizens. 
 
 ..." The example of a sister city, Boston, where the managers 
 
248 EPISTLE 
 
 Your Grace may gather from my letter 
 That here twice ten times o'er that sum 
 
 of the public schools are, and for years have been, elective by the 
 people in their respective wards, — whose schools are equal, if not 
 superior to any others in our country, — furnishes the most effec- 
 tual answer to any apprehensions that might be indulged, from 
 trusting the people with the selecting of the agents to administer a 
 system that so nearly concerns them." Is Boston indeed to be, in 
 this case, paralleled with New York? Has she too her thousands 
 upon thousands of emigrant paupers ? 
 
 " In that city [New York] less than one tenth of the population 
 are receiving the benefit of any instruction, while in the interior 
 more than one fourth of the whole population are returned as being 
 in the common schools, without any enumeration of those placed in 
 select schools.* The like proportion must exist in the city and in 
 the interior of those who have already received all the education 
 they or their parents desire, or who are engaged as apprentices, or 
 in other employments preventing them from attendance at any 
 place of instruction." This is talking at random. When the 
 Secretary of State shall prove that the proportion of vagabond 
 people is the same in the country that it is in a large city, and 
 that city a seaport where thousands of pauper emigrants arrive 
 every month from foreign parts, when he shall show that even 
 the simple poor are the same in proportion in the interior of the 
 State, — where few indeed are without their little home and home- 
 stead, scarcely any (if any, who are Americans) that are subjects 
 of public charity, — the same in proportion there as in the great 
 city of New York, where whole streets are perfect dens of misery, 
 and where dozens of families are piled together in one small house, 
 filthy, ragged, ill-fed, utterly regardless of any thing but the beastly 
 
 * How true this statement, may be gathered from a single fact which, since 
 the above note was written, has appeared in the hostile columns of the State 
 journal. Brooklyn, where the Common Schools are under the very system 
 whose benefits the Governor would extend to New York, has less than one 
 third of all the children taught, while New York (with all her ragamuffins) 
 has one half > Buffalo, Schenectady, Utica, Troy, Hudson, and Albany, 
 are quoted with nearly similar proportions ! So much for the Secretary's 
 interior places. 
 
TO SATAN. 249 
 
 Are worse, or soon will so become. 
 Even now is seen in fermentation 
 
 enjoyment of the present moment, — if he shall show this, we will 
 believe his statement; but if he can show this, he will show more 
 than we can yet discover, namely, that his Report is disinterested, 
 and that himself, and the State Printer, in echoing the opinions of 
 the Governor, are not doing the work of hired servants who flatter 
 the vanity and pander the passions of their patron. 
 
 " If after all that has been urged," says, finally, the Secretary, in 
 full confidence that he has been talking good sense, "If after all, 
 the apprehension should be indulged that any schools would be 
 perverted to the purposes of a narrow and exclusive sectarianism 
 [seclarism] during the hours allotted to instruction, instead of the 
 proper subjects of a common school education, a remedy may be 
 found by giving authority to the board of commissioners to investi- 
 gate complaints of such an abuse ; and, upon satisfactory evidence, 
 dissolve the offensive school, or withhold from it any share in the 
 public school moneys." But, if the commissioners be appointed by 
 the votes of the wards, they will be, of course, fautors of Catholi- 
 cism, wherever, as in the sixth ward, the Irish are predominant. 
 How then are we to get a reliable statement? In fine, to give the 
 last brush to this web of sophistry, certainly the thinnest that was 
 ever spun from the bowels or brains of a statesman, — If the Irish 
 want Catholic schools, let them pay for them, not insist upon tax- 
 ing Americans and Protestants for the propagation of a mode of 
 faith that is the very antipodes of rational liberty. 
 
 P. S. Since these remarks were written, the admirable Remon- 
 strance of Mr. H M K UM has been published in the JV. Y. 
 
 American, and I find that the matter is even worse than I had sup- 
 posed it, and that there is actually misrepresentation and direct 
 evasion in the Report of the Secretary. I gather also, from the 
 same paper, that the Governor, in addition to the wish of securing 
 the votes of his Irish constituents, had an eye to the extension of 
 his official patronage. This patronage furthers his ambition and 
 enlarges his power ; (and we have seen that notwithstanding the 
 efforts made by enlightened individuals to do away with the Laics 
 
250 EPISTLE 
 
 The leaven of the land of Grattan, 
 Mix'd with the mass of population 
 Of this our island of Manhattan : 
 And no one dares, save me alone, 
 To wish your Highness joy thereon, (i) 
 But I am in no pleasant station 
 
 of Inspection, laws which are at once a tax upon the people, a vio- 
 lation of our political principles, and a disgrace to common sense, 
 we have as yet had no recommendation to repeal thein from the 
 Executive branch of the government.) 
 
 Mr. K UM concludes his able argument by an eloquent tribute 
 
 to the excellence of the present system of Public Education, and 
 says, that should it be overturned the Secretary of State will have 
 a renown which will last through ages, but a ren,own to which he, 
 for his part, would prefer that of the destroyer of the temple of 
 Ephesus. I shall lend my feeble aid to prevent the Secretary from 
 enjoying this consummation of glory; but if, after all, power and 
 official "patronage should prevail over right, I promise the Secretary 
 such a reputation as shall last for a few generations at least ; and 
 the Governor shall share it with him. My country shall not, while 
 I live, see any of her lovely edifices fired, without the world's 
 knowing who applied the torch, and who they were durst light it. 
 
 (i) The manner in which the press notices the insolence and in- 
 subordination, and even the crimes of our adopted citizens, may be 
 gathered from the following paragraph, which, one of a hundred, I 
 take because it is the newest : 
 
 "More rioting at Harlem. — We regret to learn, that a new 
 manifestation of the old Fardown and Corkonian feud has been made by 
 the Emerald Island laborers on the Croton water works, in the neigh- 
 bourhood of Harlem ; and it is said that some of the contractors have 
 come in for a share of trouble, in consequence of having discharged 
 divers of ihe rioters. On Saturday night, the house of one, named 
 M'Ginnis, was threatened, and indeed attacked, and would have been 
 destroyed, but for the timely arrival of the police. It is said too, that 
 the house of another contractor was set fire to, a few days since, and 
 had a narrow escape from burning. We fear that Father Matthew has 
 
TO SATAN, 251 
 
 I wish to keep, like W m S d, 
 
 Nor dread my bark should fall to leeward, 
 Like your viceroys the Corporation ; 
 Nor do I, like heroic W — bb. 
 Fear to be stranded by the ebb 
 Of an Hibernian approbation, (i) 
 My windows and my fences too. 
 Though fragile, shall no wise prevent 
 The compliments which, as your due, 
 I take upon me to present. 
 On this, which I suppose to be, 
 The solemn anniversary 
 Number'd by 5, 8, 45, 
 Of your ascension, or descent. 
 To the bright throne you occupy 
 Much to the learned trades' content, — 
 Who would, I think, not see laid by 
 The sceptre by whose rule they thrive ; 
 The seven-thousandth of your great 
 Departure from the realms of grace 
 To found a more convenient state 
 
 but few converts and followers among these turbulent knights of the 
 shovel and pickaxe." 
 
 And it is in this tone of pleasantry that a serious infraction of 
 good order, and an offence considered by our laws highly criminal, 
 are spoken of when committed by foreigners. I would that I were 
 Mayor for a day or two ! I would do more than send a purse of 
 sequins home to my mother. 
 
 (i) No one will be surprised that the editor of the Courier should 
 be among the most ardent abettors of the threatened ruin of the 
 Common Schools. Who needs be told which way the bitted hack- 
 ney will turn ? It is the way the rein is jerked that guides him. 
 
252 EPISTLE 
 
 In a less eligible place ; 
 And the ten-millionth, since the day 
 Your Majesty was singing psalms 
 In the blue concert-room, where Peter 
 Takes the Pope's tickets, Romans say. 
 But ne'er admits for ready pay, 
 That lyre betwixt your royal palms 
 Which the great connaisseur Rubeta 
 (Who, being himself of royal birth (i), 
 By instinct knows all royal things. 
 As well in Heaven as here on earth) 
 Declares to be the lyre of kings. (2) 
 
 All other things which, heretofore, 
 Have wak'd such ecstasy in Hell, 
 Are much the same ; and on that score 
 I therefore have scant news to tell : 
 The selfsame perjury in courts ; (3) 
 
 (i) See the account of his origin, as given in the Fourth Canto 
 of the Vision. 
 
 (•2) *' Another lyre is broken. The hand that played it with ex- 
 ceeding cunning will sweep its strings no more. It may, indeed, 
 even now be playing upon a more royal instrument, in a brighter 
 sphere, — but its music is no more heard on earth." Biogr. JVotice 
 of HiLLHousE. Comm. Mv. Jan. 15, 1841. 
 
 (3) I would I could foresee when that worse than mockery, which 
 goes by the name of swearing, will be abolished in courts of 
 justice. Men are daily made to blaspheme their Maker for the 
 value of sixpence. A written affirmation, with the signature or 
 mark of the affirmer, which affirmation, if false, should subject 
 the party making it to the penalties that are now pretended to be 
 exacted for perjury, would be a more deliberate act, and therefore 
 an act more directed by the conscience, than the present sacrile- 
 
TO SATAN. 253 
 
 The same success to bronze and gold ; 
 
 And still the jurymen report 
 
 Precisely in the terms they 're told ; 
 
 The judges giving them direction, 
 
 That, if they dare to disobey, 
 
 Their consciences will need correction, 
 
 And you, the Devil, will be to pay ; 
 
 The which, I think, must make you smile, 
 
 If you take cognizance the while. 
 
 And still your coadjutor, St — e, 
 
 Finds justice made for men alone, — (i) 
 
 gious mummery, which, in not one case out of a thousand, conveys 
 a single thought of responsibihty or the least idea of solemnity to 
 him who is made to perform it. I speak what is known to every 
 lawyer, and to all judges ; I may say, to any observer. 
 
 (i) It is now a common case for jurymen to violate their oaths, 
 because they are opposed to capital punishment. Yet their business 
 is not with the sentence of the court, but is simply to determine 
 the guilt or innocence of the party criminated. But can we won- 
 der at this perjury, this mockery of law and justice, when we find 
 the guides ofpuilic opinion setting the example, through ignorance, 
 dulness, hypocrisy, and self-interest ? In the Commercial Advertiser 
 of May 20, 1841, we have these editorial paragraphs: 
 
 "A WOMAN SENTENCED TO DEATH. — Mrs. Sarah Ann Davis, coH- 
 victed at Philadelphia of the murder of Juliana Jordan, was brought 
 into Court yesterday morning for sentence. Etc. etc. 
 
 " It is not supposed that she will be executed, and most fervently do 
 we hope that she may not. Opposed as we are getting to be to all 
 judicial taking of life, we cannot without shuddering contemplate the 
 idea of a woman perishing upon the gallows," Etc. 
 
 " Opposed " as we actually are " to all judicial taking of life," 
 we trust " that she may " be hung ; and if there be any choice in 
 gallowses, that she may have the highest. Law is law. Have none 
 but merciful laws, if you can; and, above all, abolish the barbarous 
 
 22 
 
254 EPISTLE 
 
 Yet for their sake the law divides, 
 
 And thinks it right to plead both sides, (i) 
 
 and inefficient punishment of death ; but whatever laws you do 
 have, execute them always, or they will be brought into contempt. 
 While the punishment for murder is hanging, let the convicted be 
 hung in all cases. As for this wretched cant, of the horror of hang- 
 ing a woman, simply because she is a woman, — did this sentimental 
 hypocrite ever think of " shuddering " at " the idea of a woman " 's 
 committing murder ? If, of homicides, we hang the male, who is 
 more violent by nature, and by custom, and whose whole life tends 
 to harden the heart and to make him indifferent to bloodshed, why 
 should we spare the female, whose nature and habits, the entire 
 associations of whose existence should make her revolt from mur- 
 der as from an act too horrible to be even imagined ? Could the 
 law allow of degrees of punishment for the same offence, a woman 
 should suffer doubly ; and, were there none else to execute the law 
 upon her, I would, rather than it should be neglected, fasten the 
 rope myself. But / have not made myself dependent on the pat- 
 ronage of families, where females have a voice and vote ; nor do I 
 think it exactly necessary to secure the favor of the sex by pamper- 
 ing its exclusive vanity, and by pretending for it a reverence which 
 it does not deserve, and which Mr. S — e feels still less than I do, 
 — because by his nature he cannot love it half so well. We have 
 seen other editors use the same fulsome adulation of women, and 
 for the same reason ; and I presume that for public lecturers, news- 
 men, and small poets, it is not without its fruits. 
 
 ..." Pour vous corriger en tout, 
 
 Mes enfans, consultez les dames ; 
 
 Voila le tribunal du goAt," (Vade. Le Rien, iv.) 
 (i) In attempting to justify a lawyer of this city, who, after hav- 
 ing been appointed U. S. Attorney for the Northern District of 
 New York, had continued to act as counsel for the Canadian 
 M'Leod, accused of the assassination of an American citizen, the 
 Commercial Advertiser holds this flippant, indecent, immoral, and 
 most silly language, which the reader will perceive is the exact 
 
TO SATAN. 255 
 
 But should it vex you, that child-murder 
 Is not so public as before, 
 Though Lohman's gentle call is o'er, 
 Yet have not all our virgins heard her, 
 With others, for two years and more ? (l) 
 
 pendant of the paragraph about Senators and Bank-stocks quoted 
 on p. 292 of the Vision : 
 
 " The Government is the client of the attorney or counsellor, nothing 
 more or less, and it stands upon the footing of every other client, who 
 gives a general retainer for the management of all his business. Now 
 suppose Mr. J-N J-b A— R [S-e hopes to be remembered in Mr. 
 
 j__N J— b's will] to give Mr. S R a general retainer to manage all 
 
 his legal business. Would this preclude Mr. S R from conducting 
 
 to their final termination all cases in which he had been previously 
 employed against Mr. A— R ? Certainly not [Uj ; he had engaged to 
 perform a duty to one client, before the other retained him, and that 
 client's cause he is bound in honor and in law to conduct to its final 
 termination, and retainers subsequently received are taken subject to 
 this acknowledged duty." C. A. May 22, 1841 . 
 
 Did it occur to the Commercial Mvertiser to ask itself the ques- 
 tion, what right a man who is engaged already on one side has, 
 ''in'honor and in law," to receive a fee to undertake the cause of 
 the opposite party.? or, how the lawyer is to find so convenient a 
 conscience, as to do his utmost to pull down a man on one side, and 
 then build him up again on the other, being paid for both offices ? 
 Or does the Commercial Mvertiser find the ready answer for all 
 such questions in its own conscience and its own pockets ? 
 
 Such, my fellow-citizens, are the men you permit to teach you 
 principles of public and private conduct ! Such the ignorance 
 which pretends to instruct you, and the morality which is your 
 
 guide ! 
 
 (1) After this woman, with several other persons of both sexes 
 had been regularly advertising in more than one of the city papers, 
 for the time above stated, she was brought to the bar of justice to 
 answer for the consequences of her crime. Was it necessary to 
 wait till murder had been actually committed, in order to indict 
 
256 EPISTLE 
 
 Thanks to your children of the Press, 
 She and the clerks of Fracastor (l) 
 Will never make your realm the less, 
 If thither goes .... I 'II not write *****; 
 For that is now a word unfit 
 For polish'd tongue and ears refin'd, 
 In naked satire only writ. 
 And in delivery confin'd 
 To one black-liver'd Moorish fellow 
 Who chokes his lady with a pillow. 
 (As St — E declares you tread the scene, 
 Your Majesty knows whom I mean.) 
 
 I say, assisted by the journals, 
 So many now pursue the game, (2) 
 
 her ? Is there no law that will reach those who advertise to do the 
 act ? and those who publish such advertisements, which, with cer- 
 tain others (still suffered to remain) have been poisoning the souls 
 of the poorer classes of women in this city, so long and so effec- 
 tually ? 
 
 (1) GiROLAMO Fracastoro, a noble Veronese of the sixteenth 
 century, is the author, among other works, of a didactic poem en- 
 titled Syphilis, which the Italian critics hesitate not to compare 
 with the most perfected work of Virgil's, to wit, the Georgics, 
 finding in it the severity of Lucretius united with the delicacy 
 of Maro. From my own knowledge I cannot speak of it, though 
 I possess a copy in the famous Italian version of Benini. 
 
 (2) It is impossible not to observe the rapid increase of vice in 
 the female portion of this metropolis. The cheapness with which 
 luxurious articles of dress may be purchased, and the false notion 
 that our political equality has levelled all social distinctions, which 
 induces the grisette and the servingmaid to ape the outward show 
 of the rich and the idle, these circumstances, in addition to the 
 absolute freedom which is permitted them by their parents, have 
 
TO SATAN. 257 
 
 Avoiding only public shame, 
 
 That I should think that the Infernals 
 
 Would be at length compell'd to pass them. 
 
 Or else with better women class them. 
 
 This do their fathers and their brothers, 
 
 Their uncles, aunts, perhaps their mothers ; 
 
 And the poor spouse, whose mantle covers 
 
 The fingerings of a hundred lovers. 
 
 Believes himself a happy fellow. 
 
 And is, if rightly thinks Othello (i). 
 
 Lo ! when the twilight's rosy heaven 
 
 To all things round Love's hue has given, 
 
 The seamstress with enticing mien. 
 
 The bloom and graces of sixteen. 
 
 Minces along the crowded streets. 
 
 And leers on every fop she meets. 
 
 And now, one, readier than the rest. 
 
 Has follow'd, join'd her and addrest. 
 
 At first she listens with disdain. 
 
 Or answers in the heroic vein, 
 
 But soon assumes a tone more bland 
 
 And cares not to withdraw her hand. 
 
 Then her young lip receives his kiss. 
 
 And every thing she has is his. 
 
 no doubt some share in producing this corruption, but it is chiefly 
 owing to the dissemination of newspapers, where on one side the 
 description and record of vice entices to the evil, which the other 
 side disarms of all its terrors by the promise of a perfect and an 
 easy impunity. 
 
 (i) " He that is robb'd, not knowing what is stolen, 
 
 Let him not know it, and he 's not robb'd at all," etc. 
 
 Othello^ iii. 3. 
 22* 
 
258 EPISTLE 
 
 Home goes the maid, with look demure, 
 As though she nurs'd no thoughts impure, — 
 Sees on her sire her lover's head, 
 And hears his voice while prayers are said. 
 No fears her modest breast alarm ; 
 The Press her guarantee from harm. 
 There against one mishap she 's mail'd ; 
 And for the rest, kind Lohman 's baii'd. 
 
 But soft ! we are too young by far 
 To be what ***** protests we are. 
 When last your Grace was in a pew. 
 You heard what was not strictly true, (l) 
 
 (i) One of cur clergymen, of much repute for eloquence, chose 
 in his sermon on the Death of the President, to brand us, the peo- 
 ple of this country, as the most immoral people in the icorld. 
 
 What did the Reverend Doctor mean by this superlative ? Are 
 there more murders committed in this country than in Ireland ? 
 Is there more adultery than in England ? more " simple fornica- 
 tion" than in Scotland ? Are Frenchmen less given to gaming 
 and to wenching ? Spaniards to highway robbery ? Italians to 
 sodomy ? Germans to gluttony and winebibbing ? Are there fewer 
 bastards in Denmark? Is there more sobriety in Sweden and in 
 Lapland ? greater chastity in Russia and in Holland ? less politi- 
 cal convulsion in Switzerland ? less treachery, filth, and supersti- 
 tion in Portugal ? better Sabbath-keeping in Belgium ? Do tru- 
 ant children have their bottoms flagellated with greater edification to 
 their cerebral faculties in the public schools of Prussia than in ours? 
 In a word, is there less of vice, of folly, and of ignorance in any 
 part of Christian Europe than with us ? Nay, to confine ourselves 
 to a single kingdom: — The Doctor spoke of our papers as filled 
 with accounts of murders, ete., etc. Did he ever read the English 
 journals while he was in England ? Are there not in their columns 
 more horrors, more bestialities, — crimes that we dare not even 
 
TO SATAN. 259 
 
 For, on my soul, which shall not fall 
 To you as long as it is mine, 
 
 name here, and which I verily believe have never been thought of 
 in this less sophisticated region, — than offend the eye in those of 
 ours ? Perhaps they are made up by the accident-makers ? per- 
 haps they are exaggeration ? Indeed ! Have we no accident- 
 makers ? Is lying, as a trade, the monopoly of English newsmen ? 
 Besides, did the Reverend gentleman ever take notice, that of the 
 murders, riots, housebreaking, pilfering, and the like, recorded 
 here, nine tenths of the cases are decorated with the euphoni- 
 ous patronymics of the land of bogs, or are distinguished by the 
 moral national designations of Englishman, German, and so on? 
 And if he talks of people in high place, as I understand he did, 
 was the collector of New York a person of higher station, or in 
 better estimation than the Lord Chancellor of England ? Mr. 
 S S , a man of more refinement than the Right Hon- 
 orable Francis Bacon, Baron Verulam, and Viscount St. Albans? 
 Put it in the power of men to do wrong, and they will do wrong 
 everywhere.* It was the administrations of General Jackson and 
 Mr. Van Buren that made defaulters ; and it was the venality of 
 the English Court of Chancery that made a rogue of The wisest, 
 greatest, meanest of mankind: and as there are fewer chances given 
 to fraud, and less temptation held out to villany of every kind, in 
 this world than in the old, we are necessarily better. Why, one 
 beast like George IV"., one fool and bigot like his father, will, at 
 the head of a government, breed more evil than five hundred from 
 among its subordinates. Let us hear no more of this cant from the 
 pulpit ; but, if we must talk of our people there, say what is a 
 
 * In a degree proportional to that of the laxity of their principles, or of the 
 strength of their passions. Lord Bacon M'ould have been a cringing courtier, 
 
 and an ungrateful sycophant in any court ; and Collector S must have 
 
 always been unscrupulous : but they would neither have plunged into such 
 a depth of degradation, had they not been impelled by circumstances which 
 favored and tempted dishonesty. We are told too that we do not punish 
 public offences in this country. After a brief imprisonment in the Tower, the 
 Chancellor had the rest of his sentence remitted, and was pensioned with 
 
 XI8OO. Mr. S will not be rewarded if he come within the grasp of the 
 
 U. S. Courts. 
 
260 EPISTLE 
 
 We are as yet, despite of all 
 
 The cant of tourist and divine, 
 
 As stainless as the driven snows, 
 
 Compai'd with what the Old World shows. 
 
 But, with the tide of emigration 
 
 That every honest man deplores. 
 
 Which floods us with a population 
 
 The washings of the Old World's shores ; 
 
 And with the law once pass'd, to free 
 
 Misconduct, fraud, and villany. 
 
 From the few bars that yet restrain them ;(l) 
 
 God's truth ; that we are destined one day, by the blessing of 
 newspapers and steampackets, to become as rotten at the core as 
 Great Britain, France, and Ireland, but that at present we 
 are only specked and wormeaten at the blossom-end, and have the 
 mortification to know ourselves otherwise sound and fragrant. 
 
 I do not object to a clergyman's stigmatizing us as -wicked. We 
 are so ; and it is his vocation to let us know it, and to try to effect 
 by the terror of " penal fire " what the satirist endeavours to bring 
 about by the dread of ridicule and public odium. But let him keep 
 to the windward of Truth, nor forget that there is a positive and a 
 comparative state known to grammar, as well as a superlative. 
 
 (i) The Bankrupt Act now in contemplation, and called for by 
 all the voices of the Press. Surely no greater encouragement 
 could be extended to fraud or to misconduct than an act which en- 
 titles a man, by throwing up the small remains of property which 
 his rashness or dishonesty have left, to be clear of all responsibility 
 and to begin a new score ; that is, if he can find any one to trust 
 him ; but the effect of such a law will be to destroy credit almost 
 altogether for persons of character not established, and to render it 
 difficult to be obtained even by better men. And this is the only 
 reparation which I see for a manifest injustice, and the only cure 
 for a rank evil. With credit as easy as it has been, the wildest 
 speculations would be entered into, and no check put upon a spirit 
 
TO SATAN. 261 
 
 And with the rights we call our own 
 
 To all mankind so freely thrown, 
 
 That Europe's gallows-birds may gain them ; 
 
 With all these precious aids together, 
 
 I put it to your Highness whether 
 
 We shall one day discredit Hell ? 
 
 And with such hope of our damnation 
 To glad you, and the observation 
 That to my long epistle I 
 By no means look for your reply, 
 I leave your Grace. And so, farewell. 
 
 Postscript. The bearer of this letter 
 Perhaps will be, for want of better, 
 The captain of a public journal, 
 And hence will merit your regard. 
 I, therefore, pray your Grace Infernal 
 That, for my sake, you will reward 
 The fellow to his heart's desire 
 With plenty of your bluest fire. 
 He always in this life affected 
 A love of brimstone and saltpetre : 
 A double quantity directed 
 May gratify and keep him sweeter. 
 And, to encourage all such souls. 
 Add a peck more or two of coals. 
 
 which has already done so much mischief, a spirit in itself im- 
 proper and fraught with danger to the morals of the people. 
 
SONNETS. 
 
SONNETS 
 
 THE REPROACH OF VENUS. 
 
 The Queen of Rapture hover'd o'er my bed, 
 Borne on the wings of Silence and the Night : 
 She touch'd with hers my glowing lips and said, 
 While my blood tingled with the keen delight, 
 
 " And is the spirit of thy youth then fled. 
 That made thee joy in other themes more bright ? 
 For satire only must thine ink be shed, 
 And none but boys and fools my praises write ? " 
 
 *'0, by these swimming eyes," I said, and sigh'd, 
 ''And by this pulse, which feels and fears thine art, 
 Thou knowest, enchantress, and thou seest with pride. 
 
 Thou of my being art the dearest part ! 
 Let those sing love to whom love is deny'd ; 
 But I, O queen, I chant thee in my heart." 
 
 23 
 
266 SONNETS. 
 
 II. 
 THE PILGRIMS FOR LOVE. 
 
 "O perjur'd man," said Iris, loudly weeping, 
 " Where is the ring I put upon that hand ? 
 Thou said'st the Sun himself and Moon should stand 
 Heels uppermost, ere it should leave thy keeping. 
 
 Didst think, false wretch, that Iris' eyes were sleeping ? 
 Begone ! I '11 take me to some foreign land ; 
 There hide my neck, and with the vestal band 
 Conceal these locks which now my tears are steeping." 
 
 " Stay ! let us wend together, pilgrims both : 
 I '11 be thy friar, and gird me with a cable ; 
 For, weeks ago, I saw my pledge of troth, 
 
 To Iris given, upon my cousin's table : 
 And what is more, the rascal took his oath, 
 That seven more men had found thee quite as stable ! " 
 
SONNETS. 267 
 
 III 
 
 Allegoria. Colle difficoltI se ne va la maggior dolcezza 
 d' amore. 
 
 A PAssi lenti, con amara pena, 
 Salsi un aspro monte di grande altura ; 
 Non m' irnpedi ne balzo, ne fessura, 
 Ne '1 sol' ardente, ne affannata lena : 
 
 Del bel vedere anticipato plena 
 L' alma era, e '1 disio vinse la paura ; 
 E quando al fin, compita la via dura, 
 Miro abbasso, il mio gaudio non si frena. 
 
 Come il lampo e ogni diletto mortale : 
 Sparisce, e poi la nebbia par piu Spessa. 
 Giunto al sommo la fatica m' assale, 
 
 E il pensier del calo 1' alma mi oppressa ; 
 Che, fatta 1' opra, aperse speme 1' ale ; 
 E sempre fugge Volutta con essa. 
 
268 SONNETS. 
 
 IV. 
 THE PRAYER. 
 
 O, THAT some spirit, mov'd by my entreating, 
 Would give my Laura power to discover 
 The rapture of this heart, when near her beating, 
 And how in every pulse I am her lover ! 
 
 Then would kind thoughts of me be never fleeting, 
 But present still, before, around, above her ; 
 And when the night's lone hour forbade our meeting. 
 In vivid dreams of joy about her hover. 
 
 Ah fool ! that thou shouldst pray for thy undoing, 
 And thy own liberty thyself surrender ! 
 For 't is alone that they may keep us wooing. 
 
 When women's pride permits them to be tender. 
 From knowing that thou canst not help thy cooing, 
 Whatever her disdain, pray Heaven defend her ! 
 
SONNETS. 269 
 
 V. 
 
 THE RINGLET. 
 
 Not for itself this little lock I prize, 
 Though its bright threads thy own soft fingers plaited ; 
 Once seen and own'd, my longing is abated ; 
 Albeit the color well contents my eyes : 
 
 I am no Corydon, that hugs with sighs 
 Some bauble of his Phyllis' gift, unsated. 
 And overjoy 'd ; with me this ringlet 's rated 
 Precisely by the worth that in it lies. 
 
 Thou, Sybil, conscious that this little part 
 Of thy sweet self is with me, wilt believe 
 Thy image more than ever fills my heart ; 
 
 And thus imprest, thy vanity must weave 
 A web around thee, subtle though thou art ; 
 And I, in turn, shall have thee at my sleeve. 
 
 23* 
 
270 SONNETS. 
 
 VI. 
 
 THE LOVER'S HEAVEN. 
 
 Soft was the night, no sound the stillness breaking 
 Like man, the lake, the woods appear'd to sleep ; 
 The watchdog's distant bay, prolong'd and deep, 
 No more the echo of the hills was waking : 
 
 Then Alice and myself, our homes forsaking. 
 Stole out beneath the moon. Love's watch to keep ; 
 Nor fail'd the influence of the hour to creep 
 On both, both taciturn and pensive making. 
 
 But, turning down her lucid orbs from heaven. 
 My soul's sweet life gaz'd on me with surprise : 
 " And canst thou hope," she ask'd, " to be forgiven, 
 
 That hast no admiration for these skies ? " 
 " To plead," I said, " neglect, I am not driven. 
 The moon and heaven adoring in those eyes." 
 
EPIGRAMS 
 
EPIGRAMS. 
 
 I. 
 
 THE PREFERENCE. 
 
 Of two fair daughters, both her boast, 
 
 Canidia loves the elder most. 
 
 Yet every one, except the mother, 
 
 Esteems as best by far the other. 
 
 Abroad no beauty with her vies, 
 
 ' The Cynosure of neighbouring eyes '; 
 
 All rival banners near her furl'd, 
 
 She gathers round her all the world. 
 
 Ah, there it is ! The minx ! confound her ! 
 
 She gathers all the world around her. 
 
 II. 
 EUTHANASIA. 
 
 Expiring, Euthanasia lies, — 
 
 Yet while the breath of life still lingers. 
 
274 EPIGRAMS. 
 
 On sleek MachAon turns her eyes, 
 
 Who holds her wrist between his fingers : 
 
 " Doctor ". . the dying lady sighs. 
 
 '' Dear madam ! say what your command is ! 
 
 With her last breath, she low replies, 
 
 " O dear ! how very white your hand is ! " 
 
 III. 
 
 THE PRUDE. 
 
 Grown old, pure Melindrosa prays, 
 And fain would keep her friends from sliding. 
 Experience qualifies for guiding ; 
 She knows the evil of her ways. 
 
 IV. 
 
 A VIRGIN. 
 
 Ruth boasts her virtue unassail'd : 
 She 's kept the path where most have fail'd. 
 Who 'd said she 'd not, had sore bely'd her ; 
 For, God knows, no man ever try'd her. 
 
EPIGRAMS. 275 
 
 V. 
 
 TO H Y W H L-GF W, 
 
 On reading in the JY. Y. American a Panegyric of his Poems. 
 
 O L — GF w, thy Voices of the JVight 
 
 Shall long, true Philomels, in Harvard sing ; 
 For K — G has heard their murmurs with delight ; 
 And everybody knows the taste of K — g. 
 
 VI. 
 
 TO ROBERT SOUTHEY. 
 
 Go on ! in face of all thy peers 
 
 Who 've writ for twice nine-hundred years, 
 
 Damn Virgil, and, with painful sneers, 
 
 Revile the shade of Pope : 
 ^sop the dirty cause shall teach ; — 
 The fox the grapes he could not reach 
 Despis'd, and thou dost wit impeach 
 
 Wherewith thou canst not cope. 
 
276 EPIGRAMS. 
 
 VII. 
 
 TO WILLIAM WORDSWORTH, 
 
 On his wilful Misrepresentation of certain great Poets. 
 
 I. 
 
 If to the punishment for lies 
 
 Each conscious slanderer, when he dies, 
 
 Must go without exemption, 
 I fear, though of a loftier sort, 
 With S — E, and other rogues in short, 
 
 Thou 'rt damn'd beyond redemption. 
 
 II. 
 
 Thou 'rt aged, William. O repent ! 
 Give to thy struggling conscience vent, 
 
 To soothe, when dead, the Omniscient. 
 Here, among men, thou need'st no curse ; 
 Pope's self would swear thy own bad verse 
 
 Is punishment sufficient. 
 
 VIII. 
 
 TO MESSRS. SOUTHEY AND WORDSWORTH, 
 On their Defamation of certain great Names jn Poetry. 
 
 When Zoilus the mighty bard revil'd 
 Whose fame he hated, he was ston'd or burn'd : 
 
EPIGRAMS.^ 277 
 
 But that was all ; the sheets his spleen defil'd 
 
 Live not to prove how well the doom was earn'd. 
 
 You, Zoiluses both, a harder fate 
 
 Must undergo ; for, printed on your page, 
 
 Your envy will survive its proper date, 
 
 And crucify (i) you in a future age. 
 
 IX. 
 
 PHILANTHROPY. 
 
 Pretty Sally 's wondrous fair, — 
 To all mankind a charming creature ; 
 So soft her voice, so free her air. 
 Gentle in manners, speech, and feature ; 
 Her humor and her dimples tally. 
 No special smiles, no graces rare ; 
 Alike to all she graceful bends her, 
 And, should none better claim her care. 
 Leers on the footboy that attends her. 
 And spreads her charms to catch a valet. 
 A common case ; why should you stare ? 
 A man 's a man to pretty Sally. 
 
 (i) Some say that the unfortunate grammarian was nailed to 
 cross, by order of Ptolemy. 
 
 24 
 
278 EPIGRAMS. 
 
 X. 
 
 THE DEMAGOGUE. 
 
 Cleon magnanimously fights 
 
 For what he calls the people's rights, 
 
 Ready in any mud to dabble, 
 
 To help across the sovereign rabble. 
 
 Cleon is right ; for Cleon 's of them. 
 
 Cleon is made a man of note ; 
 
 And Cleon sings another note. 
 
 Talks of the honor of the Crown, 
 
 And damns the people up and down. 
 
 Lord Cleon 's right : he ranks above them. 
 
 XL 
 
 THE PANEGYRIST. 
 
 Soft Vappa sings of birds and bees. 
 
 And bubbling brooks, and flowers, and trees ; 
 
 And Ka proclaims him greater even 
 
 Than Homer and the Bard of Heaven. 
 
 Wouldst know the reason ? Seek it here : 
 
 Ka publishes, himself, next year. 
 
EPIGRAMS. 279 
 
 XII. 
 
 TO A FLIRT. 
 
 Weak, silly creature ! worthless jade ! 
 In vain are all thy charms display'd, 
 Thou needlessly thy wits art tasking ; 
 Since all is equal game to thee, 
 Enough, — fling not thyself at me ; 
 I would not have thee for the asking. 
 
 XIII. 
 
 TO A COQUETTE. 
 
 Think'st thou, because one fool admires, 
 The world an equal passion fires ? 
 I would not for the world deny it. 
 But if thou wouldst the truth discover. 
 Treat all just as thou treat'st thy lover. 
 If they, the world, all put together. 
 Will bear to be thus toss'd and shaken 
 By all thy fits of changeful weather. 
 Why then — I 'm damnably mistaken. 
 I would to God thou 'dst only try it ! 
 
280 EPIGRAMS. 
 
 XIV. (i) 
 TO A MANNIKIN. 
 
 Thou four-foot fool ! short thing of lath ! 
 Begone. Crawl safely from my path. 
 'T were right to strip thee of thy breeches 
 But then the proverb tells what pitch is. 
 
 XV. 
 
 TO J S W N W— BB. 
 
 Fool ! that durst let thy hireling cross my path ! (2) 
 Was 't not enough I spar'd thee on my page ? 
 
 (1) This epigram, written many years since, was printed in the 
 additions to the Vision of Rubeta. It is here republished because 
 of an absurd mistake which was there committed ; the substitution 
 o^ swiftly for safely in the second hne of the copy. 
 
 (2) One of the pubhshers of the Vision, Mr. J n, who claims 
 
 to be a cousin of Mr. W — bb's, informed my agent that the editor 
 of the Courier was not in town when that miserable specimen of 
 mendacity and ignorance (see the last page of this volume) was 
 suffered to make its appearance in his paper. But he allowed it to 
 remain uncontradicted ; and thus endorsed the falsehood. To me 
 the injury this has done can be but transient; the exposition I have 
 made of the iniquity will be eternal. I do such men too much 
 honor, I am well aware, to notice them in any way} but it must 
 
EPIGRAMS. 281 
 
 Hadst thou no fears my full-avenging wrath 
 Would send thee down the scorn of every age ? 
 
 be remembered, that it is their power over the people which com- 
 pels me to the degradation, not themselves. The subjects of 
 Pharaoh bowed the knee to a puppy ; but it was the religion rep- 
 resented by the quadruped, not the bestial symbol itself that they 
 
 worshipped. Were ten such creatures as W — bb, S e, and 
 
 S T, to be kneaded into one mass, the mass were still too in- 
 significant for notice ; but seated in the tribunal of the Press, with 
 power of life and death upon an author's reputation, I must needs 
 regard it, though it were ten times more beastly than all the besti- 
 alities of Egypt. 
 
 P. S. Since this epigram and note were written, I have had 
 reason, in the ungrateful and disgustingly dishonest conduct of 
 
 Messrs. W — ks, J n, and Co., to believe that the second person 
 
 of that firm was guilty of a falsehood as little as himself, and that 
 Mr. W — BB alone was probably the author of that disgraceful para- 
 graph, not Mr. S t. Should my suspicion prove correct, and 
 
 I will find means to bring the truth to light, I shall owe to Mr. 
 
 S T a reparation the highest I can offer him : I will ask his 
 
 pardon as publicly as I have given the offence. My countrymen 
 may rest contented, if they please, with the reproach under which 
 they labor with all foreigners, that of not daring to speak their indi- 
 vidual opinions when they may happen to conflict with those of the 
 majority, or of their masters, the conductors of the public press ; 
 but while there shall be left to me a limb of this body, and the soul 
 that now animates it, there shall be at least one man in America 
 whom no consideration, either personal or moral, shall prevent from 
 speaking the truth of all persons and on all occasions, where pro- 
 priety shall demand it. Should it cost me my life, I will lay this 
 down too, as I have already sacrificed my temporal prosperity, an 
 unreluctant offering at the altar of that divinity whose majesty I 
 have worshipped from my childhood, and who has hitherto reward- 
 ed my devotion, as the celestial powers are said to visit those whose 
 actions please them, with worldly castigation and abasement. 
 
 24'^ 
 
282 EPIGRAMS. 
 
 Look back upon thy life. How well !. . . But no ! 
 Vent thy foul spleen on Cooper ; let thy tool 
 Still work thy dirty ends ; I let thee go, 
 Content, contemptuous, thus, to brand thee. Fool ! 
 
 XVI. 
 
 PRUDENCE. 
 
 At forty, Iris, crook'd and pale. 
 Would have her pretty niece more sage. 
 Her conduct puts her in a rage ! 
 She looks as though she were for sale ! 
 
 "Make me your pattern ; I '11 engage," 
 Quoth she, " the fellows shall turn tail ; 
 No man dares ever lift my veil ; 
 And I have more than twice your age," 
 
 XVII. 
 
 LA MEME EN FRANCAIS.(i) 
 
 A ftUARANTE ans jaune et difforme. Iris 
 
 Reprend sa niece de 1' hommage 
 Qu'attirent le beau teint de son visage, 
 Ses yeux fripons, et son joyeux devis. 
 
 (i) Perhaps it will be permitted me to remind the general reader, 
 that in French the final e which is mute in prose is sounded in 
 
EPIGRAMS. 283 
 
 *'Quoi ! veux-tu done," dit-elle, " mettre a prix 
 La rose, le bouton de ton vert pucelage ? 
 Tous ces discours flatteurs, ces doux souris 
 
 Devraient te donner de I'ombrage. 
 Imite-moi, ma fiUe, je te dis ; 
 Tu peux te bien garder de cet outrage. 
 Nul homme ne m' appelle une ange, ou sa Cypris, 
 Et j'ai le double de ton age." 
 
 XVIII. 
 
 TO THE ''POETS OF AMERICA, EDITED BY J— N K— E."(i) 
 
 I. 
 
 Bards, some two dozen. Folly's latest seed ! 
 That I have not conferr'd on you your due. 
 Forgive me. If it is too much indeed 
 To spell ten lines, how should I read you through ? 
 
 verse when the next word begins with a consonant. Thus in the 
 second line of the epigram above, ni^ce is of two syllables, not of 
 one as in prose. The e is also counted in the termination ent; and 
 in the next line attirent is of three syllables. Devraient, however, 
 in the eighth line, is by a peculiarity of the language but of two. 
 — I should not have thought of giving this lesson, had I not heard 
 in France persons of tolerable education read their native poets 
 without the least attention to these rules, and had not my own 
 French teacher in this city permitted them to be disregarded by 
 all his pupils. I therefore have a right to suppose that many per- 
 sons may be conversant with the French language who are not ac- 
 quainted with the laws that regulate the structure of French verses, 
 (i) I need not say that there are some exceptions in this book to 
 the character I give of it. The name of B— t, for example, is to be 
 
284 EPIGRAMS. 
 
 II. 
 
 Enough (and no small merit 't is, I trust,) 
 That I have pass'd through St — e and yet survive 
 J — N K — E may tickle all your St — es, and thrive 
 I would not die outright of mere disgust. 
 
 XIX. 
 
 Consolation to one who was not noticed in the Vision. 
 
 Rouse not, dear Ollapod, thy spite, 
 
 Nor think to move my brain to battle ; 
 
 For, know, I should be puzzled quite 
 
 To cross my rapier on thy rattle. 
 
 If then I have not given to light 
 
 Thy ragged verse and tittle-tattle, 
 
 With W — bb's cheap cant (i), and " soaps of Camus "(2), 
 
 'T is that I would not make thee famous. (3) 
 
 found in the catalogue of its Poets ; and wherever that occurs, we 
 may be sure there is reason, though it were surrounded by folly, 
 and that poetry may be gathered from the heap of rhyme. 
 
 (1) In the additional matter to Canto IV., which appeared in the 
 
 second issue (4th edition, as Col. S and brotherhood would 
 
 call it) of the Vision. 
 
 (2) " And sees his privy ills, like verse, made famous, 
 
 With Saponaceous Cream, and Soaps of Camus.'^ 
 
 Vis. of R. i. 
 
 (3) The subject of this epigram is now dead. But as there is 
 nothing in the piece which could have been answered in any other 
 way than by the pen, I do not see that I am called upon to sup- 
 press it. — Mr. C. {Ollapod) was one of the persons to whom the 
 
EPIGRAMS. 285 
 
 XX. 
 
 ON A ZEALOUS HYPOCRITE. 
 
 Wonder not should pray 
 
 With zeal as hot as if Hell drave him : 
 He mocks not God, nor means to brave him, 
 But, being modest in his way. 
 Trusts at the fire-and-brimstone day 
 His insignificance will save him. 
 
 XXI. 
 
 On the Name given to the Hero of the Vision. 
 
 RuBETA means, you say, a toad 
 That makes in hedges his abode. 
 But here a creature is exprest 
 That lodges in the human breast ; 
 The man's own evil soul ; in short 
 A moral toad : but of what sort ^ 
 Sort .'* None ; the reptile stands alone. 
 It is the toad that lives in Stone. 
 
 publishers of the Vision had the effrontery to send a copy with the 
 respects of the author. 
 
286 EPIGRAMS, 
 
 XXII. 
 
 INSCRIPTION FOR A NEWSMAN'S WATERCLOSET. 
 
 I. 
 
 In the bank of this closet 
 Lies the soul of an editor. 
 
 It lies in deposite ; 
 For the Devil is creditor. 
 
 II. 
 
 Here safely to hold it, 
 Lest the owner should job it. 
 
 The bond when he sold it 
 Made the payment post-obit. 
 
 XXIII. 
 
 EPITAPH. 
 
 Under this marble, safe, not sound. 
 Sixty inches beneath the ground, 
 Rotteth what, to most men's thinking, 
 Rotten was in life and stinking. 
 There the type, but here the essence ; 
 Body both and soul's putrescence. 
 If the spirit, once departed. 
 Ere look back to whence it started. 
 Much indeed 't must be delighted. 
 Seeing things, which, when united. 
 
EPIGRAMS. 287 
 
 Had no sympathy betwixt them, 
 Now, that Nature has unmixt them, 
 In their essences harmonious ; 
 That which made the eye, erroneous. 
 Often doubt the soul's putridity, 
 Now in physical corruption, 
 Better'd by this late disruption, 
 Floating in a black humidity. 
 
 " What its name ? by whom begotten, — 
 If of man a thing so rotten ? " 
 Ask the Devil, who may know it ; 
 Men the ordure have forgotten, 
 And this marble may not show it. 
 He (thus much) whose soul eternal 
 Revels now in filth infernal. 
 While the corpse, in shape most suiting. 
 Fats the soil it is polluting. 
 Edited in life a journal. 
 
 XXIV. 
 
 To A FAIR Neighbour, retiring for the Night. 
 
 Close not the shutters ; prithee stay ! 
 
 But one more charm, one more uncover ! 
 
 Each bit of dress aside you lay 
 
 Falls a new chain on me, your lover. 
 
 They ope. Sweet saint ! Ah, see ! they close. 
 
 What ails the prude this coyness keeping .? 
 
 Hush, fool ; the little vixen knows 
 
 Your fancy 's kinder than your peeping. 
 
288 EPIGRAMS. 
 
 XXV. 
 MADRIGALE. 
 
 Lo STESSO ARGOMENTO DEL SoNETTO III. 
 
 I' piANsi la mia sorte, il rio tormento 
 Che mi soffrir facea la bella Clori. 
 Ma sempre aumentavan i miei amori, 
 Come i flutti dal impeto del vento. 
 Clori e donna ; si vinta arrese jeri. 
 Lasso me, ch' io, sperando esser contento, 
 Ho persi, in un momento, 
 Con quella pena tutti i miei piaceri ! 
 
 XXVI. 
 
 MADRIGAL. 
 
 "Sweet innocent, thy dark-blue eyes 
 Are like the maid's I dearest prize. 
 Come, little image of Calista ! " 
 And leaning o'er the babe, I kiss'd her. 
 
 She stretch'd her arms to me, and smil'd. 
 Pouting her lips for more, the child ! 
 "Ah, jade, you '11 be just like your sister ! " 
 And then, — and then ! ten times I kiss'd her. 
 
PARODIES OF HORACE. 
 
 25 
 
ADVERTISEMENT. 
 
 I INTENDED that thesG Parodies should embrace at least one ex- 
 ample of every lyric measure in Horace ; but the unexpected bulk 
 of the volume obliges me to confine my specimens to the present 
 number, while the rate at which the work is now going through 
 the press, and the quantity of matter I have yet to write, deprive 
 me of the chance of substituting for some of the Sapphic odes other 
 odes that would more vary the selection. 
 
 The ridicule with which the imitation of ancient metres has been 
 visited would have fallen to the ground, had the imitation been 
 properly conducted. It is the absurdity of the poet that is ridicu- 
 lous, the ill success of his effort, not the effort itself. Thus, when 
 Mr. SouTHEY wrote, 
 
 " Cold was the night wind, drifling fast the snow fell, 
 Wide were the downs and shelterless and naked. 
 When a poor wanderer struggled on her journey, 
 Weary and way-sore," 
 he wrote well ; nor could twice the wit of Canning make ns look 
 upon this single stanza with contempt. On the contrary the meas- 
 ure (i), it appears to me, is exquisitely sweet, and the absence of 
 
 (1) The substitution, in the third place, of an amphibrach (-'-) for a dactyl 
 ('- ^), thus : wind, drifting, — is a necessity in English for all who write the 
 Sapphic measure. It in no wise injures the rythm ; and for the quantity of the 
 syllable, it is in fact the same. Every prosodian knows that, if you except 
 perhaps the hexameter, there is scarcely an ancient measure which is not 
 varied by similar licenses. 
 
292 ADVERTISEMENT 
 
 rhyme is fairly supplied by the music of the numbers : but when 
 the poet goes on to tell us, 
 
 "Then on the snow she laid her down to rest her; 
 She heard a horseman ; Pity we, she groaned out. 
 Loud was the wind, unheard was her complaining; 
 On went the horseman," 
 it is impossible to refrain from laughter ; for the second line is only 
 verse by an arbitrary and unnatural disposition of the emphasis ; 
 nor, had the poet designed to burlesque the very measure he was 
 writing in, could he have done it more effectually than by either 
 hemistich of that line : She heard a horseman — Pitij me, she groan' d 
 out. 
 
 Again, in Mr. Southey's " Dactylics ", we have, 
 
 " Cold is the baby, that hangs at thy bending hack " ; 
 where the stress of the voice is, in the last foot, forced by the 
 rythm upon the participle, on which it would not fall by any other 
 disposition of the clause, and makes the line ludicrous at once. 
 
 For these Parodies, I would observe to the prosodian, that the 
 music of the original measure has been of course more regarded 
 than the prescribed feet. Hence, besides applying to an imitation 
 of Horace the metrical varieties found in other ancient poets who 
 have used similar measures, I have occasionally in a metre as- 
 sumed a license of my own ; but it is always, I trust, such as in a 
 like case the classic poet might himself have sanctioned. That 
 is to say, the metrical time is invariably the same, and if the mu- 
 sical accentuation be not always strictly in correspondence with 
 that of the parent bar or measure, yet the key of the metre, so to 
 speak, is never forgotten. He who studies attentively the prosody 
 of the ancients will find no real difference therein, as I have before 
 asserted, from the laws which regulate the versification of the 
 moderns. Verse, like music, is a single science, belonging to all 
 nations ; and like music, it might well have notes which should 
 express the same relations everywhere, however one people might 
 read them by alphabetic characters and another by monosyllabic 
 sounds. The same varieties and the same licenses, in verse, were 
 of old adopted that prevail now; for they then arose, as they now 
 
OF THE PARODIES. 293 
 
 arise, from the dictates of taste and harmony, or had their oritrin, 
 as they have it still, in the exigences of the composer. 
 
 I may add, that in my parodies I have usually mimicked the 
 peculiarities of style in the Roman lyric ; and these are not always 
 excellences. Further, that the parodies were composed for the 
 sake of exhibiting the metres, not the metres adopted to accommo- 
 date the parodies. 
 
 25* 
 
HORATII CARMINA 
 
 LIB. I. 32 
 AD LYRAM. 
 
 PosciMUR. Si quid vacui sub umbra 
 Lusimts tecum, quod et hunc in annum 
 Vivat, et plures, age die Latinum, 
 Barbite, carmen, 
 
 Lesbio primum modulate civi ; 
 Qui, ferox bello, tamen inter arma, 
 Sive jactatam religarat udo 
 Littore navim, 
 
 Liberum et Musas, Veneramque et illi 
 Semper hserentem Puerum, canebat, 
 Et Lycum nigris oculis nigroque 
 Crine decorum. 
 
 O decus Phcebi, et dapibus supremi 
 Grata testudo Jovis, o laborum 
 Dulce lenimen, mihi cumque salve 
 Rite vocanti. 
 
PARODIES OF HORACE, 
 
 ODE I. 
 TO THE LUTE. 
 
 Spite of false tongues, if in Manhattan's Babel 
 We have taught thy chords aught that may a twelvemonth 
 Live in gentle hearts, come, and now to English 
 Lend thy soft music, 
 
 Lute whose Lesbian tone perfected the Roman, 
 Who, though graver notes could his hand awaken. 
 Yet, when forgot his satire's bland derision, 
 Laughing malignly, 
 
 Sung the light joys that sparkle in the winecup, 
 And the keen bliss that makes earth all but Heaven, 
 And the veil'd fires of Glycera's quick glances, 
 Wantonly scornful. 
 
 Glory of Moore, O lute that polish'd Campbell 
 Made (though too rarely) resonant of rapture. 
 Pride of the lonely spirit, while I touch thee 
 Sweet be the descant ! 
 
296 HORACE 
 
 LIB. I. 1. 
 
 AD MiECENATEM. 
 
 MAECENAS, atavis edite regibus, 
 O et prsesidium, et dulce decus meum, — 
 Sunt quos curriculo pulverem Olympicum 
 CoUegisse juvat, metaque fe vi lis 
 Evitata rotis, palmaque nobilis 
 Terrarum dominos evehit ad Deos. 
 Hunc, si mobilium turba Quiritium 
 Certat tergeminis toUere honoribus ; 
 Ilium, si proprio condidit horreo 
 Q,uidquid de Libycis verritur areis. 
 Gaudentem patrios findere sarculo 
 Agros Attalicis conditionibus 
 Nunquam dimoveas, ut trabe Cypria 
 Myrtoum pavidus nauta secet mare. 
 Luctantem Icariis fluctibus Africum 
 Mercator metuens otium et oppidi 
 Laudat rura sui : mox reficit rates 
 Quassas, indocilis pauperiem pati. 
 Est qui nee veteris pocula Massici, 
 Nee partem solido demere de die 
 Spernit, nunc viridi membra sub arbuto 
 Stratus, nunc ad aquae lene caput sacrse. 
 Multos castra juvant, et lituo tubae 
 Permistus sonitus, bellaque matribus 
 
PARODIED. 297 
 
 ODE II. 
 
 TO SYBIL. 
 
 Sybil, sweet scion of lowly progenitors, 
 Source of my shame, my delight, and disquietude, — 
 There are who the dust of Broadway in midsummer 
 Joy to have stirr'd with the orbs of a curricle, 
 Rais'd in their thoughts to the glory of Phaeton, 
 When, graz'd without clashing the hub of some tilbury, 
 Cheer'd with huzzas by the round-caps at Tattersall's (l). 
 This, when the voice of the fickle-brain'd rabblement 
 Sends him, for cringing, to fool them at Albany ; 
 That, has he stor'd in the lofts of his granary 
 All that is fann'd on the floors of green Michigan. 
 Whose pride is the hoe, and field of his heritage. 
 Ne'er would you move him, by wealth like J — n J — b's, to 
 Double the Cape in the tallest East-Indiaman. 
 Merchants, while dreaming the jaws of the hurricane 
 Howl for their prey off the shoals of Cape Hatteras, 
 Sigh as they think of a farm at Manhattanville : 
 Soon they recruit, and, secure in their policies, 
 Give to the devil content and a competence. 
 There are who despise not draughts of bright Burgundy, 
 Nor scorn to spend idly some portion of sunshine, 
 Stretch'd now at ease 'neath the shade of a sycamore. 
 Now by the marge of some pebble-pav'd rivulet. 
 Many the war-trump, and the cannon's red thunder 
 
 (i) Broadicaij has its place of this name ; set up, I suppose, by 
 some Englishman. 
 
298 HORACE 
 
 Detestata, Manet sub Jove frigido 
 Venator, tenerse conjugis immemor, 
 Seu visa est catulis cerva fidelibus, 
 Seu rupit teretes Marsus aper plagas. 
 Me doctarum hederae prsemia frontium 
 Dis miscent superis ; me gelidum nemus, 
 Nympharumque leves cum Satyris chori 
 Secernunt populo ; si neque tibias 
 Euterpe cohibet, nee Polyhymnia 
 Lesboum refugit tendere barbiton : 
 Quod si me lyricis vatibus inseres, 
 Sublimi feriam sidera vertice. 
 
 LIB. I. 38. 
 
 AD MINISTRUM. 
 
 Persicos odi, puer, apparatus ; 
 Displicent nexse philyra coronae : 
 Mitte sectari rosa quo locorum 
 Sera moretur. 
 
 Simplici myrto nihil adlabores 
 Sedulus cura ; neque te ministrum 
 Dedecet myrtus, neque me sub arcta 
 Vite bibentem. 
 
PARODIED. 299 
 
 Delight, and the widowing slaughter of battle. 
 The hunter remains 'neath the chili sky of autumn, 
 Nor thinks on the kiss of the wife of his bosom, 
 His hounds having scented the slot of the red-deer, 
 Or frighted the bear from her young in the forest. 
 Me the green leaves which I hope to see garlanded 
 Part from the populace ; me beauty's witchery. 
 Shadowy groves, and the stars of the firmament, 
 Lift to the skies in the joy of my fantasy ; 
 Blest above men should I flourish in poesy, 
 Blest even now in Love's visions angelical : 
 But if thou 'It yield me thy heart as thy kisses, I 'II 
 Envy not Moore, nor his houries to Mahomet. 
 
 ODE in. 
 
 TO THOMAS NOON TALFOURD, ESQ., 
 
 OR TO 
 
 Any One of some fifty Poets, English and American, male 
 and female. 
 
 Prithee, forsake this oriental bombast ; 
 Tropes, child, disgust one, twin'd in such profusion : 
 Nor for true splendor rummage in the twinkling 
 Tail of a glowworm. 
 
 Wreathe, if thou wilt, thy harp ; but though of roses. 
 Be the wreath simple ; not as that of Wordsworth ; 
 Shun such extreme, and fly with equal horror 
 Epics like Southey's. 
 
300 HORACE 
 
 LIB. I. 5. 
 
 AD PYRRHAM. 
 
 Quis multa gracilis te puer in rosa 
 Perfusus liquidis urget odoribus 
 
 Grato, Pyrrha, sub antro ? 
 Cui flavam religas comam, 
 
 Simplex munditiis ? Heu, quoties fidem 
 Mutatosque deos flebit, et aspera 
 Nigris aequora ventis 
 Emirabitur insolens, 
 
 Qui nunc te fruitur credulus aurea, 
 Qui semper vacuam, semper amabilem 
 Sperat, nescius aurae 
 Fallacis ! Miseri quibus 
 
 Intentata nites. Me tabula sacer 
 Votiva paries indicat uvida 
 Suspendisse potenti 
 Vestimenta maris deo. 
 
 (i) Mr. Wordsworth in Peter Bell. As Mr. Wordsworth is 
 at the head of the prosaic school, and is the fittest example of the 
 pedestris sermo, of English verse, so may Shelley's wilderjness of 
 flowers be considered to represent the other extreme ; the would-be 
 judges of modern poetry being enamoured of the vulgarity, child- 
 ishness, and insipidity of the former style, whether spread over the 
 barren common of Mr. Wordsworth's verses, or elsewhere, while 
 the people, and their directors, the magazines and newspapers_, 
 
PARODIED. 301 
 
 ODE IV. 
 TO THE PUBLIC. 
 
 What shallow youth, at the bottom of Helicon, 
 Larded with metaphors, hid beneath epithets. 
 Courts now, rhyming, thy favor ? 
 Which way does thy fancy waver, 
 
 Barren in judgment ? How often thy fickleness 
 Will he deplore, and his stars, and, poor innocent ' 
 Stare at thy coldness, meeting 
 Nothing of warmth in thy greeting. 
 
 Who with thy blandishments feeds his credulity. 
 Hoping one day to grow fat on thy graciousness. 
 Unconscious thy tongue's election 
 Had never a brain's direction. 
 
 Wo, where it falls overvalu'd ! My verses, which 
 Waltz not like Shelley's, nor trudge with the Wagoner{\). 
 Show thee what estimation 
 I put on thy approbation. 
 
 equally love to lose themselves in the mazes of the latter. Yet wzs 
 Shelley, be it observed, the author of the Cenci, which, if you ex- 
 cept the blemish of the Song in Act V., has, as an English tragedy, 
 no modern rival in dramatic diction, and I know not whether in 
 any other of the dramatic requisites ; and the same gave to the 
 world the drama of Prometheus Unbound, which, less faultless in 
 style, especially towards the close, is as a whole a work of extra- 
 26 
 
802 HORACE 
 
 LIB. I. 22. 
 
 AD ARISTIUM FUSCUM. 
 
 Integer vitae, scelerisque purus, 
 Non eget Mauri jaculis, neque arcu. 
 Nee venenatis gravida sagittis, 
 FuscE, pharetra ; 
 
 Sive per Syrtes iter aestuosas, 
 Sive facturus per inhospitalem 
 Caucasum, vel quae loca fabulosus 
 Lambit Hydaspes. 
 
 Namque me silva lupus in Sabina, 
 Dum meam canto Lalagen, et ultra 
 Terminum curis vagor expeditus, 
 Fugit inermem : 
 
 Quale portentum neque militaris 
 Daunia in latis alit aesculetis, 
 Nee JuB^ tellus generat, leonum 
 Arida nutrix, 
 
 ordinary genius and of exceeding beauty, opening with a sub- 
 limity that almost makes us think we are reading ^schylus. Mr. 
 Wordsworth has not the faults of Shelley, proceeding from an 
 over-luxuriance of imagination, disdaining rule ; and he may be 
 read throughout with more patience, as, though not unfrequently 
 far from perspicuous, his tame prosaic language does not bewilder 
 the brain, or cloy with profusion of sweets the intellectual palate ; 
 but he has never written any thing that may be compared for ex- 
 
PARODIED. 303 
 
 ODE V. 
 
 TO ANYBODY. 
 
 He that acts wisely, wronging nothing living, 
 Needs not the pistol of W — bb, nor the rifle, 
 Nor the broad-bladed dagger of the Southron, 
 Nam'd after Bowie ; 
 
 Though through the wilds of Florida he journey, 
 Or on the desert billows of the Prairies, 
 Or where his deep tide rolls the Mississippi, 
 Father of waters. 
 
 For in the groves of S ns at Hoboken, 
 
 While on a rock I meditate my Chloris, 
 A dog H — LE himself had driven from his house-door, 
 Fled me, though caneless : 
 
 Such a huge beast as never yet Newfoundland 
 Litter'd in fogs, nor yet the Great St. Bernard, 
 Where unceasing winter heaps round the Hospice 
 Snows never melted. 
 
 cellence with either the Cenci or Prometheus, while the former of 
 these dramas is singly worth the whole of Mr. Wordsworth's 
 works, all put together. " Of the two extremes,'' says Pope, " one 
 would rather pardon phrenzy than frigidity." Shakspeare and 
 Dryden both abound in extravagancies, and have quite as mucFi, 
 in quantity, of bombast as of sublimity ; but who would look in 
 either of those immortal poets for examples of the frigid in writing ? 
 Swift drew his from one Sir Richard Blackmore. 
 
304 HORACE 
 
 Pone me pigris ubi nulla campis 
 Arbor sestiva recreatur aura, 
 Quod latus mundi nebulae, malusque 
 Jupiter urguet ; 
 
 Pone sub curru nimium propinqui 
 Solis, in terra domibus negata, 
 Dulce ridentem Lalagen amabo, 
 Dulce loquentem. 
 
 LIB. I. 26. 
 
 AD iELIUM LAMIAM. 
 
 Musis amicus, tristitiam et metus 
 Tradam protervis in mare Creticum 
 Portare ventis, queis sub Arcto 
 Rex gelidge metuatur orse, 
 
 Quid Tiridatem terreat, unice 
 Securus. O quse fontibus integris 
 Gaudes, apricos necte flores, 
 Necte meo Lamise coronam, 
 
 (i) An ode from Horace is dedicated with peculiar propriety tu 
 Professor A n, who has lately given his labors as a commen- 
 tator to the illustration of this favorite classic. His edition of 
 the great lyrical and moral poet I have not seen ; but I can easily 
 'conjecture what must be its value, coming, as it does, from the 
 
PARODIED. 305 
 
 Place me in the Alpine barrens of the reindeer, 
 Where the swart carl sleeps naked 'neath his sheepskin, 
 vShines not the sun for weeks, and Heaven's thunder 
 Rolls in midwinter ; 
 
 Place me in sands where pants the long-breath'd camel, 
 Where for whole days no shrub is seen nor fountain, 
 Still will I love my Chloris' spoken music. 
 And her laugh's dimples. 
 
 ODE VI. 
 
 TO CH S A N.(i) 
 
 To song now wedded, doubt and disquietude 
 I give to brood o'er commerce and politics, 
 At ease though fall the southern staple, 
 Careless what favorite of the people 
 
 The White House shelters, so that the Eagle still 
 His pennons droop not. Muse that delightest in 
 Founts undefil'd, twine sunny flowers, 
 Twine me for A n a fadeless garland. 
 
 desk of one whose solid yet elegant, talents and varied erudition 
 are equalled by his unremitting industry. To no American are 
 the schools and colleges of our country so much indebted in polite 
 learning as to Dr. A n. 
 
 £6* 
 
306 HORACE 
 
 Pimplea dulcis : nil sine te mei 
 Prosunt honores : hunc fidibus novis, 
 Hunc Lesbio sacrare plectro 
 Teque tuasque decet sorores. 
 
 LIB. I. 19. 
 IN GLYCERAM. 
 
 Mater saeva Cupidinum, 
 Thebanseque jubet me Semeles puer, 
 
 Et lasciva licentia, 
 Finitis animum reddere amoribus. 
 
 Urit me Glycer^ nitor 
 Splendentis Pario marmore purius, 
 
 Urit grata protervitas, 
 Et vultus nimium lubricus aspici. 
 
 In me tota ruens Venus 
 Cyprum deseruit ; nee patitur Scythas, 
 
 Et versis animosum equis 
 Parthum dicere, nee quae nihil attinent. 
 
 Hie vivum mihi cespitem, hie 
 Verbenas, pueri, ponite, turaque 
 
 Bimi cum patera meri i 
 Mactata veniet lenior hostia. 
 
PARODIED. 307 
 
 To him a poet's praise is superfluous ; 
 Yet well it fitteth thee and thy sisterhood, 
 
 His name to sound with chords unfray'd yet, 
 Stretch'd on the shell where thy Horace warbled. 
 
 ODE VII. 
 ON SYBIL. 
 
 The passionate love of beauty. 
 Burning, an ^tna, in natures poetical, 
 
 And blood whose clear current yet flows 
 Ic'd not by age, steep me newly in foolishness. 
 
 Sybil's large eyes, which, half-closing, 
 Dart their quick bolts through the cloud of their lashes , 
 
 Sybil's low voice, and her coyness 
 Wantonly study 'd, inflame me and madden me. 
 
 Desire all hearts has relinquish'd 
 To centre in mine, nor permits me young Carryl 
 
 To sing, nor him of the Vision, 
 Grac'd with the ears he shall wear spite his modesty. 
 
 Here place me my writing-desk, here 
 Reach me my pen, boy, and lay smooth my paper, and 
 
 See that no person intrudes ; I '11 
 Write her a note, and appoint a new interview. 
 
308 HORACE 
 
 LIB. I. 9. 
 
 AD THALIARCHUM. 
 
 ViDEs ut alta stet nive candidum 
 Soracte, nee jam sustineant onus 
 Silvas laborantes, geluque 
 Flumina constiterint acuto. 
 
 Dissolve frigus, ligna super foco 
 Large reponens, atque benignius 
 Deprome quadrimum Sabina, 
 O Thaliarche, merum diota. 
 
 Permitte divis csetera, qui simul 
 Stravere ventos sequore fervido 
 Deproeliantes, nee cupressi, 
 Nee veteres agitantur orni. 
 
 Quid sit futurum eras, fuge quserere ; et 
 Quern sors dierum cunque dabit, lucro 
 Appone ; nee dulces amores 
 Sperne puer, neque tu choreas, 
 
 Donee virenti canities abest 
 Morosa. Nunc et campus, et areae, 
 Lenesque sub noctem susurri 
 Composita repetantur hora : 
 
PARODIED. 309 
 
 ODE VIII. 
 
 TO E. C. R. 
 
 LOj where the streets the deep snow has crusted o'er ; 
 Thick is the air with flakes that are falling yet ; 
 The wind blows frore, and on the casement 
 Stiffens the warm breath in shapes fantastic. 
 
 Heap on more coals, to lessen the chilliness, 
 Heap with bold hand, and, prompt to enliven us, 
 While sings the kettle on the footman. 
 
 Bring out, my B r, thy best Glenlivet. 
 
 Care leave to Heaven, whose fiat dispersing the 
 Wild-warring clouds that ride on the thunder-gust, 
 Peers out the sun, and, singing blithely. 
 Sparkle the rivers, in light exulting. 
 
 What brings the morrow, shun to anticipate ; 
 Enough that Fortune kindly has given thee 
 This one day more ; and while thy pulses 
 Throb with the vigor that age shall lessen, 
 
 Disdain not mirth, nor passion's deliciousness. 
 Let now the dance delight thee, and horsemanship. 
 And gentle whispers, when the nightfall 
 Bringeth the moment of assignation : 
 
310 HORACE 
 
 Nunc et latentis proditor intimo 
 Gratus puellse risus ab angulo, 
 Pignusque dereptum lacertis 
 Aut digito male pertinaci. 
 
 LIB. I. 4. 
 
 AD L. SEXTIUM. 
 
 SoLViTUR acris hiems grata vice 
 Veris et Favoni, 
 Trahuntque siccas machinse carinas. 
 
 Ac neque jam stabulis gaudet pecus, 
 Aut arator igni ; 
 Nee prata canis albicant pruinis. 
 
 Jam Cytherea choros ducit Venus, 
 Imminente Luna ; 
 Junctaeque Nymphis Gratise decentes 
 
 Alterno terram quatiunt pede, 
 
 Dum graves Cyclopum 
 VuLCANUs ardens urit officinas. 
 
 Nunc decet aut viridi nitidum caput 
 Impedire myrto, 
 Aut flore, terrse quern ferunt solutae. 
 
PARODIED. 311 
 
 Now too the silvery laugh, that delightfully 
 Tells where the dear girl hideth impatient, and 
 The token from her round arm ravish'd, 
 Or from the finger but ill resisting. 
 
 ODE IX. 
 
 TO RUBETA. 
 
 Pierc'd by the sun, winter's breast is relaxing ; 
 Zephyrs, lightly blowing, 
 Waft down the stream the sloops, no longer ice-bound. 
 
 Sharp-shod no more, stands the steed unblanketed ; 
 Useless are the sledges ; 
 Glisten soft dews, where sparkled late the hoarfrost. 
 
 Now, 'neath the light that favors love and beauty, 
 Lovers' vows are whisper'd, 
 And village maids, by shepherd swains encircled. 
 
 Twine in the dance their ancles quick-glancing. 
 While their prudent fathers, 
 The field late till'd, assort the grain for sowing. 
 
 Now the coquette may encircle her forehead fair 
 With the virid myrtle. 
 Or early flow'rs, recover'd Nature's bounty. 
 
312 HORACE 
 
 Nunc et in umbrosis Fauno decet 
 Immolare lucis, 
 Sen poscat, agna, sive malit, hsedo. 
 
 Pallida mors aequo pulsat pede 
 Pauperum tabernas, 
 Regumque turres. O beate Sexti, 
 
 Vitge summa brevis spem nos vetat 
 Inchoare longam. 
 Jam te premet nox, fabuleeque manes, 
 
 Et domus exilis Plutonia. 
 
 Quo simul mearis, 
 Nee regna vini sortiere talis, 
 
 Nee tenerum Lycidan mirabere, 
 Quo calet juventus 
 Nunc omnis, et mox virgines tepebunt. 
 
 LIB. I. 10. 
 
 AD MERCURIUM. 
 
 Mercuri, facunde nepos Atlantis, 
 Qui feros cultus hominum recentum 
 
 (i) At the time this parody was written, a course of lectures was 
 advertised by the JV. Y. Historical SocieUj, one of which, by the 
 author of the DieffendorfF Sketches, had this characteristic title (we 
 give it precisely as it was printed) : " A counterblast against Tobac- 
 
PARODIED. 313 
 
 Now may the belle too stir out in cities, 
 Fearless of consumption, 
 In chariot whirl'd, or, would she rather, walking. 
 
 Levelling Death wears by turns, impartial, 
 Royalty's furr'd mantle 
 And rags of lazars. O divine Rubeta, 
 
 To thee seasons revolving are Mentors, 
 Bidding thee write faster. 
 Already now Hell's horny-crested devils 
 
 Ramp to replace thy own grim servitors. 
 
 When they once shall butt thee. 
 Thou wilt not care to lecture on Tobacco, (i) 
 
 Neither will thy fancy paint fair Dieffendorffs 
 Stirring up young Dutchmen, — 
 Which, ev'n to read, makes 's mouth to water. 
 
 ODE X. 
 TO WORDSWORTH. 
 
 Wordsworth, somniferous son of the Muses, 
 Who the rude tastes of the new bards of Britain 
 
 CO — NOT in the manner of King James's." I suppose that some- 
 body, concerned for the reputation of the Society, dissuaded the 
 erudite wag from his intention, or that the Society itself, coming to 
 its senses, obliged him to drop it ; for the counterblastj though ad- 
 vertised for weeks, was never sounded. 
 27 
 
314 HORACE 
 
 Voce formasti catus, et decorae 
 More palaestrse ! 
 
 Te canam, magni Jovis et deorum 
 Nuntium, curvseque lyrse parentem, 
 Callidum quicquid placuit jocoso _ 
 Condere furto ! 
 
 Te, boves olim nisi reddidisses 
 Per dolum amotas, puerum minaci 
 Voce dum terret, viduus pharetra 
 Risit Apollo. 
 
 Quin et Atridas, duce te, superbos, 
 Ilio dives Priamus relicto, 
 Thessalosque ignes et iniqua Troj.e 
 Castra fefellit. 
 
 Tu pias Isetis animas reponis 
 Sedibus, virgaque levem coerces 
 Aurea turbam, superis deorum 
 GratuSj et imis. 
 
PARODIED. 315 
 
 Leadest to babies, idiots, and graceful 
 Odes on a jachass / 
 
 Thee will I sing, meek advocate of dulness, 
 Vain of inaneness, parent of the jewsharp, 
 Ev'r of all, who in wit and song excel thee, 
 Subtle maligner ! 
 
 Thee, while a lad and perpetrating ballads. 
 Pitying, said, ^T is the biggest fool created ! 
 But, when of late Jove show'd him thy Excursion, 
 Loud laugh'd Apollo. 
 
 Under thy guidance, common sense abandon'd, 
 Hundreds of bastard sonnetteers and songsters 
 Beggar the booktrade, and, in long succession, 
 Task the reviewers. 
 
 Thou in green meadows, by the marge of streamlets, 
 Placest the souls of little lads and lasses. 
 And with thy kittens lullest infants teething, 
 Grateful to nurses. 
 
ENGLAND,— AS SHE IS 
 
 A SATIRE. 
 
 Think'st thou there is no tyranny but that 
 Of blood and chains ? 
 
 Sabdanapalus. 
 
 S7 
 
ADVERTISEMENT. 
 
 The following fragment was written in London, in the winter 
 of 1833. After a lapse of nearly nine years, its satire is still appli- 
 cable. Monarchies do not rectify abuses so speedily as republics. 
 
 It was written, it will be seen, in the character of an English- 
 man. My feelings, at the time, were those of an Englishman. I 
 was residing in England, to continue there for I knew not how 
 long a time : an American, claiming a purely British origin, it was 
 no difficult matter for me to identify myself with her people. I did 
 so almost unconsciously. I loved their greatness, took pleasure in 
 their prosperity, felt for their calamities, and resented their op- 
 pression. They are feelings which, in part, can never be again 
 awakened. 
 
 In the commencement of the piece, I find an unintentional re- 
 semblance to a passage in Byron's Bards and Reviewers. Like the 
 weaker portions of the poem, it must remain unaltered. I cannot 
 now spare either the time or the labor necessary for correction. 
 
 Almost three years since (December 19, 1838), I was startled by 
 seeing the following lines in a newspaper : • • • " A whip should be 
 put 
 
 ' In every honest hand, 
 To lash the rascal naked through the land,' 
 who thus ventures to assail one," etc. The verse and half, it will 
 be seen, is my own application, and alteration into rhyme, of a 
 distich from Shakspeare. How it came in the Buffalo Commer- 
 cial Advertiser is more than I can conjecture. 
 
320 ADVERTISEMENT OF THE SATIRE. 
 
 But a more curious coincidence is that which occurs further on 
 in the poem, where are found these lines : 
 
 So when a wife, or mistress 's to be got, 
 
 We are her humble servant, slave, what not ? 
 
 When once the will 's obtain'd, no more we say, 
 
 " Command me, love ? " but, " Madam, please obey ! " 
 
 Opposite to this passage, I had occasion to make the following 
 
 note in the manuscript : " On page 4, I had converted into rhyme 
 
 two blank verses of Shakspeare's. Five years afterwards, I 
 
 found them, to my surprise, in a newspaper paragraph. To-day, 
 
 March 4th, 1841, eight years since the poem was written, copied, 
 
 passed through the hands of several London booksellers, cfc, behold 
 
 a member of Congress using this very simile, and with a similar 
 
 application ! * * * It is barely possible that the orator may have 
 
 seen my piece, so many hands has it passed through ; but it is to 
 
 the last degree improbable. The coincidence is striking, and, but 
 
 for one reason, would be as amusing to me as it is instructive. 
 
 ' Mr. P addressed the Committee, &c., &c. As to war there 
 
 certainly was a change of tone in certain gentlemen. Certain of 
 going out, they were warm for war, while those who were coming 
 ia felt something of its responsibility. It was like a young man 
 courting a young lady, promising every thing : but after man-iage 
 t^ie tone teas greatly changed. There was a vast difference between 
 in and out.' Report of the Proceedings of the House of Representa- 
 tives, March Ist, 1841." 
 
 At the present date, it may perhaps be well to remind the reader 
 that the time of the subject of the piece is that of the ascendancy of 
 what was called the Reformed Parliament, and of the union of the 
 British and French fleets for compelling a weaker power, as usual, 
 to submit to their dictation, for the benefit of a third party. This 
 weaker power was Holland, and the party benefited was the 
 fortunate Prince Leopold. 
 
ENGLAND,— AS SHE IS, 
 
 A SATIRE. 
 
 When Virtue hangs the head, and Vice prevails, 
 
 And Justice, drunk, sits nodding o'er the scales, 
 
 Or, blind but to the humble, drops her fold. 
 
 To mark whose plea weighs strongest, poiz'd with gold ; 
 
 When fools in power and knaves make common cause, 
 
 To yoke dependence with unrighteous laws, 
 
 And bid the poor man bless the king and state, 
 
 Though Famine clamor at his house's gate ; 
 
 When Reason, ever weakest with the strong. 
 
 Finds the voice mock'd that would dissuade from wrong; 
 
 What shall avail ? Let Satire then advance. 
 
 Firm truth her buckler, ridicule her lance, 
 
 Rout the vile herd, that trample in the dust 
 
 Man's natal rights, though Heaven confirms them just, 
 
 And put a scourge in every honest hand, 
 
 To lash the rascals naked through the land.(i) 
 
 (i) *« And put in every honest hand a whip 
 
 To lash the rascal naked through the world." 
 
 Othello. 
 
322 ENGLAND, 
 
 O Liberty ! dear goddess ! at whose shrine 
 I offer up each act, resource, that 's mine ! 
 Whose favor'd seat once bless'd my native isle, 
 Cheer'd the low cot, and made each furrow smile, — 
 Since fled to other brighter climes, deny'd 
 That homage here, which then was Britain's pride ! 
 Alas ! although thy name may seem still dear, 
 Profan'd by slaves, who echo what they hear, 
 Thy slighted worship greets no more the day, 
 Thy temples moulder, and thy shrines decay. 
 And the pure fires, that quiver'd in thy fane, 
 Quench'd, trodden out, their ashes but remain, 
 Gather'd and urn'd, like relics of the dead, — 
 Like these, alas ! to mark the spirit fled ! 
 Yet, if the few, of soul still nobly free. 
 Staunch to what honor dictates, and to thee. 
 Deserve success (" and Heaven defend the right ! ") 
 Should crown their struggles in the glorious fight, 
 Leave young America awhile, and driven 
 Swift through the air that wraps thy birthplace, Heaven, 
 Creep to my heart, my eager soul inspire, 
 Fill every thought with thee ! each verse with fire ! 
 That, wing'd by truth, my voice may reach its aim, 
 Sting the exacting ruler's breast with shame. 
 Raise from the dust the weary hind oppress'd, 
 And wake the soul in every Briton's breast ! 
 
 ''The times are out of joint! ". . . Who knows it not ? 
 The mischief 's old. . . And simple. Yet, God wot, 
 They 've bungled so the cure, the fool that 's blind 
 May snufl* its presence on the passing wind ! 
 
AS SHE IS. 323 
 
 Shame on their hearts, who, remedy in hand, 
 
 Thus trifle with the anguish of the land ! 
 
 *•' Reform ! " O, ay, Reform ! their joint exclaim. 
 
 What ! shall they cheat us with an empty name ! 
 
 As squalling brats by cherries are beguil'd. 
 
 Shown by the nurse to soothe, not feed the child ! 
 
 Where be the principles these men avow'd, 
 
 When their meek voices thus harang'd the crowd ? 
 
 '* Sweet fellow-citizens ! Your votes we crave ! 
 
 We are not, ive, like this fool, or that knave. 
 
 They come to serve themselves ; nor will they swear. 
 Except it like them, to support your prayer : 
 
 We have no selfish views ; without conditions 
 
 We '11 carry, by wholesale, all your petitions ! 
 
 Besides, you see they 're gentlemen ! and then 
 
 They are but striplings, — we the people's men! " 
 
 And so, to stroke the mob, in vulgar cant 
 
 On their own merits modestly they rant, — 
 
 Protest they have no will, the public's slave 
 
 Should up and down just as its hand may wave, — 
 
 "We pledge ourselves to all! no wish but yours. 
 
 Retrenchment ? tithes abolished, — sinecures ? 
 
 Taxes repeaVd? — Ay ! — Peace with Holland 1 — All ! 
 
 Just pack them in one budget, — great with small ! " 
 
 Once in the house, they use indeed their tongues. 
 
 Since all 's forgotten, save their power of lungs. 
 
 So, when a wife or mistress 's to be got, 
 
 We are her humble servant, slave, what not .'' 
 
 When once the will 's obtain 'd, no more we say, 
 
 " Command me, love ! " but, " Madam, please obey." 
 
 Yet, thanks to Heaven ! there are a loftier few, — 
 
 Of spirit more sapient, and of heart more true. 
 
324 ENGLAND, 
 
 But what, O ****** , may thy voice avail 
 'Gainst the loud fry, that, thick as summer hail, 
 Beat down the hopes that promis'd soon to yield. 
 And strew the ripening harvest on the field ? 
 Retrenchment! Ay ! on that we 're all agreed ! 
 The body must be bled. But where to bleed ? 
 ''They shall not lop off sinecures,^' says B., 
 " For, if they lop off them, they lop off me ! 
 I 'mfor ' retrenchment ' ; but retrench not there ; 
 Some other parts have much more blood to spare." 
 " Cut off the Pension list ? " cries Captain Feather, 
 " Pray, let me ask the Learned Member, whether 
 He 'd have the gallant men, who 've fought and bled 
 For king and country, houseless and unfed ? 
 'T would strike our name, sir, from the roll of nations, 
 To make men live upon their pay and rations ! 
 Cut off.' — I 'd sooner you 'd cut off my ears ! " 
 And down he sat. JYote [laughter, and — loud cheers.] 
 
 And thus Corruption runs from sire to son ! 
 Still nourish'd thus, 't was thus its growth begun. 
 All see there are abuses to amend ; 
 All say the nation squanders, does not spend ; 
 All prate of country ; " self? " O no ! in need 
 Each private stream the public fount should feed. 
 But when the fountain threats to drain the stream. 
 Self sinks the scale, and country kicks the beam. 
 
 O monstrous blot upon the British shield ! 
 The hard-earn'd mite the peasant scrapes afield, 
 Wrung from his dripping brow, is forc'd away, — 
 To help the land's expenditure defray ? 
 
AS SHE IS. 325 
 
 No ! but to swell yon scoundrel minion's purse, 
 Already bloated by a people's curse ; 
 Or fatten some fool's spawn, some belted thing, 
 That fought an unjust battle for its king. 
 Though heroes rant of Gloiy as their meed, 
 A solid pension makes it sweet to bleed. 
 
 Yet, — Does the devil laugh ? — as if this drain, 
 Upon the nation's vital sap, were vain. 
 New sinecures are made, vamp'd in an hour, 
 Reward of secret service done to power, — 
 Or bribe to win some sturdy patriot o'er. 
 Whose conscience, eas'd, shall trouble place no more, — 
 Or, worse than all, a favorite to please. 
 Who keeps a — friend, that ought to live at ease. 
 In Hell, if feasting be in fashion there. 
 They revel long o'er this. Well may they spare 
 Some hours of jubilee, in joy that man 
 Should work himself more wo than demons can ! 
 
 Yet are we happy ; prosperous. Why not. 
 They tell us so ? Good people bless your lot : 
 For hark ! what says the Member rising now, 
 With some important matter on his brow ? 
 Kind, feeling, soul ! he 's standing up to move 
 (What shall attest our gratitude ! our love !) 
 His tender sympathies, which, choking, share 
 The people's sufferings, for want of air ! 
 " Penn'd up all day in adding to their wealth. 
 The Crown should multiply their means of health. 
 Provide large public squares in every town, 
 Where cits may stretch themselves, stroll up and down, 
 28 
 
326 ENGLAND, 
 
 And gain an appetite, in parks and malls, 
 
 For " — dinner with Duke Humphrey of St. Paul's, (l) 
 
 Thrice fortunate are we ! with rulers bless'd 
 
 That see our wants before they be express'd ; 
 
 And pour from coffers, that are running o'er, 
 
 The means to make us great, (2) as well as poor ! 
 
 What ! shall we blame them, that consult our pride, 
 
 Insure our vanity, though nought beside. 
 
 Build Public Galleries, (3) and works of taste, — 
 
 On which alone a nation's fame is bas'd,(4) — 
 
 (1) That is, nowhere, according to a proverb with the cockneys. 
 
 '• The Parhamentary Committee which has been appointed to 
 provide public walks for the people in cities and towns, and their 
 environs, ought to have followed instead of preceding another com- 
 mittee, — namely, one to provide them with employment. A great 
 portion of the population of England have at the present day too 
 much walking, and too little work. The additional promenading 
 which the Committee of Public Walks may induce the poorer por- 
 tion of our fellow-subjects to take, by placing in their way the 
 temptations of esplanades, green alleys, and ornamental pathways, 
 may improve their appetites, but will not procure them a dinner, 
 — the prospect of which at the end of a long ramble would be very 
 encouraging. We imagine that the latter object could be better 
 ascertained by a Committee of Public Works, to give employment 
 to the poor, than a Committee of Public Walks, to teach them to 
 feed on air." Morning Herald, February 25th, 1833. 
 
 (2), (3), (4), In the MS. these three places are marked for annota- 
 tion. But I find no other memorandum than a parliamentary grant 
 of £ 16,000 to the British Museum, and a remark, that science is 
 confined to the few, and that, with all the utility of a museum, it is 
 a greater object and a higher duty in a government to make the 
 people happy, as in America, than to provide them with collections 
 of rarities in art and nature, as in England ; collections which 
 they never visit. (3) Refers, if I rightly recollect, to a projected 
 National Gallery in Pall Mall East ; and (i) alludes to a speech in 
 Parliament, the tenor of which may be gathered from the context. 
 
AS SHE IS. 327 
 
 Because a tax-crush'd population cries, 
 
 Or starving beggar dins their ears with lies ? 
 
 What matters it that Tom and Dick complain ? 
 
 'T is grand to suffer for a nation's gain. 
 
 Or, shall the rich be summon'd to relieve 
 
 Woes of whose pang they never can conceive ? 
 
 We look at others through ourselves, and they 
 
 Have bread to eat, and time to throw away ; 
 
 Why should such ruffle, once, their downy ease, 
 
 By thought of wretches, suffering like these .'* 
 
 " O, damn them ! let them starve ; the lazy brood 
 
 Want flogging ten times more than they want food." 
 
 . . . But if you let them starve, my lord, they die. 
 
 *' That 's Adabi's fault, not mine. John, call my fly." 
 
 And have we, then, no charity ? Good God ! . . 
 Swear not ! Enough, for objects . . . Well ?. . Abroad. 
 What sad emotions agitate the soul. 
 When clank the chains that bind the patriot Pole ! 
 Greece too can speak our pity for the brave. 
 Now hark ! that shout, — Emancipate the slave ! 
 Slave ? Said I right ? Must then Compassion roam 
 To find such objects ? Are there none at home ? 
 See the poor child, whose tender years demand 
 No common nursing from no careless hand, 
 Torn from its home, by poverty constrain'd, 
 And sold to slavery, O, worse than chain'd ! 
 No wholesome air of Heaven its breath inspires ; 
 No childish sport its drooping spirit fires ; 
 Nor rest at will, nor frequent food, repairs 
 The shatter'd frame which forc'd exertion wears : 
 Penn'd up with hundreds like it, every breath 
 It draws is pregnant with disease and death : 
 
328 ENGLAJND, 
 
 Confin'd to one exertion of one power, 
 The same unchanging toil from hour to hour, 
 Poor growing Nature, thwarted and restrain'd, 
 Here rankly spreading, there her efforts chain'd. 
 The victim shuffles life and death between, 
 Till the last, kindly, drops the closing scene ! 
 Distorted, crippled, palsied, ere mature, — 
 Say ! what like this does slavery endure ? (i) 
 
 Burns not each forehead at the shameful tale ? 
 Turns not the cheek of smitten Conscience pale r 
 Droops not the head to find itself deceiv'd, — 
 That fancij warm'd, although the heart believed r 
 No charity, nor true compassion. No ! 
 You cannot pity but ideal wo. 
 Rous'd by some flimsy orator's quail-pipe. 
 The Passions wake : — " See, where the frequent stripe 
 Seams his bare shoulders ! Yet, — the lash once more ! 
 Ere the raw, festering wounds be scarred o'er ! 
 Mark you his agony } He faints ! he bleeds ! 
 O, Britons ! will ye countenance such deeds ? 
 
 (i) '' In Warrington Ihere is a pin manufactory, in which there 
 are fifteen frames for heading. At eacli frame, four persons, chiefly 
 children, are employed, in a sitting posture, the right hand used 
 in placing the pin under the hammer, and the left in taking it 
 away, while the foot works the treddle which lifts the weight, — 
 about fourteen pounds. In this occupation the poor creatures are 
 kept from six in the morning to half past eight or nine at night; 
 they are not alloiccd to sjicak to each other, or to withdraw their 
 eyes from their work. Some of these young slaves are under eight, 
 and others under seven years of age." Afanchestcr Advertiser (of 
 the date of the MS.). 
 
AS SHE IS. 329 
 
 Men ! will ye shame with stripes your fellow's back ? 
 
 He is a brother, were he ten times black ! " 
 
 At once, the paper 's drawn ; a thousand sign. 
 
 What man of feeling will refuse to join .'* 
 
 The rage, the fashion, spreads ; it seizes all, — 
 
 Old, doubtful, young, great, middle-siz'd, and small, 
 
 From Lizard's Point to distant John o' Groats, — 
 
 Young Master's breeches, Miss's petticoats. 
 
 The very turnspit pauses ere he turn, 
 
 The red-hot cook forgets the roast will burn, 
 
 While, spelling hard, she reads the great Petition, 
 
 And gaping menials echo, " Abolition ! " 
 
 And even Poodle, stretch'd upon the floor, 
 
 Pricks up his ears to see their eyes run o'er, 
 
 Thrusts out the hind leg, wags his tail with glee, 
 
 And scratches at his collar, as if free. 
 
 O dew-ey'd Pity ! eldest born of Heaven ! 
 Who sins for thee, shall surely be forgiven ! 
 For love of thee, whose beauty stands between 
 Man's nature and the self that makes him mean ! 
 What leech like thee .'' who mak'st another's groan 
 So move our bowels we forget our own. 
 Bathe with our tears the sorrows of the black, 
 Nor mark the blood upon a Briton's back, 
 When the poor soldier, by a curs'd decree, 
 Receives the lash that brands him only free, (i) 
 
 (i) " Private Carter, of the second battalion of the rifle brigade, 
 stationed at Windsor, who had been found guilty, by a regimental 
 court-martial, of having induced two ignorant recruits to dispose of 
 part of their regimental necessaries, and afterwards participating in 
 the proceeds, underwent a portion of his sentence in the centre of 
 28* 
 
330 ENGLAND, 
 
 But we are Freedom's sons, still fond of change : 
 So Athens was of yore : the new, the strange, 
 Catches each eager sense ; we hug our foes ! 
 And love exotics, even in our woes. 
 
 When SoDOM fell by God's avenging fire, 
 Not all her sons she saw with her expire ; 
 One holy man, and his, pass'd free ; then down 
 Rush'd the red flood, and whelm'd the accursed town. 
 Well is 't for us, that 'mid the general ill, 
 There be some few whose Conscience serves them still, 
 Else, seeing by Grace of God on most things written, 
 The Devil might run away with all Great Britain. 
 
 For thee, thou generous soul ! whom no disdain 
 Drove from the roofs where want and misery reign ; 
 
 the barrack-yard in Sheet-street, at six o'clock on Monday even- 
 ing, where the whole of the battalion was drawn up to witness the 
 punishment. He was sentenced to receive a hundred lashes. Upon 
 being tied up, he manifested the greatest terror, uttering the most 
 dreadful shrieks. He continued, up to the seventy-fifth lash, to 
 send forth cries which were piteous and heart-rending in the ex- 
 treme. The inhabitants of the houses in Yorkshire-place (which 
 overlooked the scene.) and of those opposite to the barracks, retired 
 to the rear of their premises, and many left their residences, to 
 avoid witnessing the painful exhibition, and to escape beyond the 
 hearing of his horrid cries. At the end of the seventy-fifth round 
 he was ordered to be taken down, and the remainder of his sen- 
 tence was not enforced. His back at the time was one mass of 
 livid flesh, the blood running from him in streams. He was imme- 
 diately marched off to the hospital, which is about a mile distant 
 from the barracks, to undergo the necessary cure." London Cour- 
 ier (N. Y. Comm. Adv., Aug. 29th, 1840). 
 
AS SHE IS. 331 
 
 Who saw, and pitying saw, the ills endur'd 
 
 By hapless childhood, in those dens imrnur'd, 
 
 Where Avarice drives the power by men design'd 
 
 To lighten labor — and distress their kind ; 
 
 For thee, whose efforts aided by The Press, 
 
 Freedom's true citadel (i), shall bring success, 
 
 Though flinty-hearted Interest oppose, 
 
 And number dupes like ««--*:* with thy foes ; 
 
 For thee — what praise shall sound ? if such there need. 
 
 When thine own heart repays thee for the deed ? 
 
 Such shall be thine, as crowns a Howard's name, — 
 
 Thy hearts congenial, and thy cause the same ! 
 
 The peasant's child its little hands shall raise, 
 
 To bless thee for the rest that soothes its days, 
 
 And the glad mother, that beholds the streak 
 
 Of health once more relume its pallid cheek, 
 
 (i) But, like other citadels, it is often given up to the enemy. 
 My opinion of newspapers has undergone no change since the 
 verse was written. There can be no liberty where there is not a 
 free public press. But, as in other things, so here, that which is 
 our safeguard may easily be turned to our destruction. As the 
 public press is now generally conducted where it is most free, the 
 political evil it teaches nearly equals the political good, while in 
 morals its mischief is almost unmitigated. This the journalists 
 themselves admit. What indeed can we expect, while ignorant and 
 mercenary men are the guides of public opinion, but the spread of 
 political error ? and while the trade of these men is, to use the 
 
 language of Mr. Wm. L. S e respecting it, the manufacture of 
 
 facts, and their disposition, as with the Commercial Advertiser and 
 with the Courier, to admit to their columns any filth, nay, rather, 
 to give it a preference, provided it come in the shape of story 
 or anecdote, what, but that the morals of the young should be con- 
 taminated ? 
 
332 ENGLAND, AS SHE IS. 
 
 The eye grow bright that languor render 'd dim, 
 
 And vigor springing in each wasted limb, 
 
 Shall know the poor man's friend that smooth'd her 
 
 cares. 
 And Sadler's name be murmur 'd in her prayers ! (i) 
 
 (UNFINISHED.) 
 
 (i) Mr. Sadler was a Member of Parliament, who undertook to 
 plead before his country the cause of the victims of Avarice. The 
 name preceding, for which I have substituted asterisks, belonged 
 to another Member, who was generally thought, at the time, to 
 have been duped by the manufacturers into a favorable representa- 
 tion of their interests. 
 
TRIFLES. 
 
 . . . Tenues ignavo pollice chordas 
 
 Pulso 
 
 Stat. Sijlv. iv. 
 
 Quanto rectius hoc, quam tristi laedere versu 
 Pantolabum scurram, Nomentanumque nepolem 
 Hob. Serm. ii. 1. 
 
TRIFLES, 
 
 I. 
 
 TRIOLET. 
 
 Sybil plays the prude with me. 
 'T is because she loves me well. 
 Hence it is well-pleas'd I see 
 Sybil plays the prude with me. 
 Who would have the maid more free. 
 Would not have the same to tell. 
 Sybil plays the prude with me. 
 'T is because she loves me well. 
 
 II. 
 
 RONDEAU. 
 
 Thy soft pure breast, my Sybil, is the seat 
 Of gentle wishes and affections sweet : 
 Gentle and sweet as angels', though not fed 
 With aught so dainty as celestial bread, 
 
336 TRIFLES. 
 
 For thou art warm, and something of a cheat. 
 Fragrant and fresh, an ornament most meet 
 For thee the rose whose beauty makes complete 
 Thy modest robe, and decks with petals red 
 
 Thy soft pure breast. 
 Ah, that thou wouldst thy humble servant treat 
 E'en like that flower, so envied in its seat ! 
 Then where it lies I too might lay my head, 
 Thy delicate arms all fondly round me spread, 
 And feel against my cheek with rapture beat 
 
 Thy soft pure breast. 
 
 III. 
 
 THE LOAN. 
 
 ''Yet awhile, ah, prithee stay ; 
 One more kiss to those thou 'st given : 
 Who shall promise us we may 
 Meet again this side of Heaven ? 
 
 '' Rapture ! Since thou art so kind, 
 Grudge not what thou hast in plenty. 
 Five : yet there are more behind. 
 Ten : come, make the number twenty." 
 
 Given they were, and one by one, 
 Given with gust ; and then we parted. 
 But, ere twice ten steps she 'd gone, 
 Back she turn'd to whence she 'd started ; 
 
STANCES. 337 
 
 Back she turn'd to where I stood, 
 Watching her lov'd form receding ; 
 Then the jade in frolic mood, 
 With her grace of native breeding, 
 
 Closing half her eyes' broad lid, 
 Which and night but ill were screening 
 Smile and blush that rose unbid. 
 Curtsying, thus express'd her meaning : 
 
 "Ere we part, my loan repay ; 
 Give me back what I have given : 
 Who shall promise us we may 
 Meet again this side of Heaven ? " 
 
 IV. 
 STANCES. 
 
 VouLANT dissimuler I'ardeur 
 
 De sa tendresse, 
 Iris montre de la hauteur. 
 
 Quelle faiblesse ! 
 
 Get effort pour se degager 
 De dessous I'onde 
 
 Dit qu' Iris ne sait pas nager 
 Dans I'eau profonde. 
 29 
 
338 TRIFLES, 
 
 Mais ce qui me semble plus sot, 
 
 Iris est sure, 
 Non qu'elle paye un juste impot 
 
 De la Nature, 
 
 En donnant a sa cruaute 
 
 Pleine carriere, 
 Mais que c'est a sa volonte 
 
 Elle est altiere. 
 
 Ecoute, Iris : Ce faux semblant, 
 
 De votre sexe, 
 Tandis qu'il dompte, en I'agacant, 
 
 Le cceur qu'il vexe, 
 
 Le vainqueur meme attache a nous. 
 
 Ainsi la chatte 
 Pousse, en miaulant, les matous 
 
 A coups de patte. 
 
 V. 
 
 THE CHILDREN IN THE ROAD. 
 A TOUCHING Story. 
 
 DEDICATED TO THE AUTHOR OF "lYRICAL BALLADS." 
 
 It was the hour that follows the first dawn. 
 I at my window, which did overlook 
 The dusty street, and not a shadowy lawn, 
 Did sit reclin'd. Before me was no book. 
 
THE CHILDREN IN THE ROAD. 339 
 
 Nor pen, nor paper ; for I had not quit 
 
 My single bed that morning in a fit 
 
 Of studious musing, being not inclin'd 
 
 To such a painful moiling of the wit, 
 
 Nor caring, for the tillage of the mind, 
 
 To yoke my body to fatigue and pain ; 
 
 But simply for that I had found it vain 
 
 To keep my perch much longer than the cocks, 
 
 The bugs did bite so, and had restless lain 
 
 Since midnight, and had counted all the clocks, . 
 
 One, two, three, four, five, six, — a weary chime 
 
 To him who 'd hasten or would keep back Time. 
 
 And then the sultry heat ('t was August now,) 
 
 And the moschetoes' querulous, drowsy drone, 
 
 Were quite sufficient, in themselves alone. 
 
 To chase all slumber from my aching brow. 
 
 The neighbours were not stirring, — happy hearts ! 
 
 I envy'd them their fasten'd shutters, — and 
 
 The streets scarce echoed to the passing carts, 
 
 So few between, nor yet the shopman's stand 
 
 Display'd its stockfish, herrings, eggs, and plums, 
 
 Nor rose from frequent throngs their busy hums. 
 
 Dust too was on the unbesom'd flags, and here 
 
 A dead segar, which boys " old so'dier " call, 
 
 Lay cooly by an orange-rind, and near. 
 
 Shut in betwixt a housedoor and a wall. 
 
 Were still less seemly signs of vulgar cheer 
 
 And riot, which the sons of Belial leave. 
 
 When, reeling clamorous through the streets by night, 
 
 Their watching mothers' hearts they sorely grieve, 
 
 And give to waken'd sleepers small delight. 
 
340 TRIFLES. 
 
 As I did loll, with nightcap on my poll, 
 And felt much wrath awaken in my soul. 
 That people should not be compell'd to rise 
 And make their doors more fit for neighbours' eyes, 
 Loud shouts and laughter suddenly did ring 
 Full pleasantly on my vibrating ear. 
 " Ah ha I " I said, " there be some few, 't is clear. 
 That properly their children up do bring 
 To rise betimes ; for sure this jocund noise 
 Is childhood's laughter and the shout of boys." 
 
 I forward lean'd, and straightway did espy 
 What made these little men so gayly cry. 
 Around the corner of a street in view. 
 There came a little negro, a male child ; 
 And after him three other boys defil'd 
 That seem'd that sooty urchin to pursue. 
 Much larger they than he, yet children too. 
 And as they ran behind him, — it did seem, 
 Not for to catch him, but to keep in sight, — 
 They laugh 'd so hard, that I did really deem 
 Their little bellies all would burst outright. 
 Not so the hunted one : his cheeks v/ere wet 
 With his eyes' rain, that down was pouring yet, 
 And shone like some black bottle, ere its jet 
 Is with the dust of generations coated, 
 Or closely netted over by some bloated 
 Industrious spinner of the vault. His voice 
 Too rung not out as those that do rejoice, 
 But with pure grief, and terror, and despite. 
 Behind him 'neath his jacket something white 
 
THE CHILDREN IN THE ROAD. 341 
 
 Hung midway down his legs, and as before 
 He grasp 'd his httle waistband in his hand, 
 I saw at once, and seeing did deplore 
 What caus'd to laugh that merry-making band. 
 
 "Alas ! " I cry'd, " can children take delight 
 I'o see a brother's breeches at his heels ? 
 Perhaps, who knows ^ they slipp'd them down ! O sight 
 Deplorable, to one who truly feels 
 The sin of his humanity ! " And then, 
 I would have cry'd unto those little men. 
 In tones that must have mov'd them, were they stone, 
 " Fy, naughty boys ! do let the child alone. 
 If you did catch him in that doubtful case. 
 You should not thus have follow 'd him in chase. 
 But given him time his muslin to replace. 
 But if you did undo him, as I fear 
 You did, say, children, did you never hear 
 Your fathers tell you of the Bad Place, where 
 They roast up little children that obey 
 The Wicked One that tells them for to play 
 Such tricks as these ? Ah, simple ones, forbear 
 Your cruel sport, nor thus the child pursue. 
 Or, help him button up his trowsers, do ! " 
 
 Thus, or in some such tones, I would have cry'd, 
 And no doubt should have sham'd them. But I spy'd 
 A buxom girl of eighteen years or more, 
 Who had a basket on her arm, and wore 
 A frock with rosebuds stamp'd, and on her head 
 Had a straw bonnet, which was simply ty'd 
 With a new riband, which I think was red, 
 29^ 
 
342 TRIFLES. 
 
 But may have been peagreen. What else she had, 
 Or if a silken shawl her shoulders clad, 
 I now forget ; or else I never knew ; 
 Only, one toe was peeping from her shoe. 
 
 The maid, — for maid she surely seem'd to be, — 
 Was of the color of those naughty boys. 
 Yet suddenly repress'd their clamorous glee. 
 " Why, Goodness' mercy ! what means all this noise ? '' 
 Quoth she. " O, I will tell your mothers ! See ! 
 See if I don't, that 's all ! You little wretches ! 
 Come here, my child ! / '11 button up your breeches." 
 
 Then the good negress, as these words she said, 
 Laid down her basket on a flight of steps, 
 Whither the hunted sufferer had fled. 
 And wip'd his eyes, and nose, and cheeks, and lips. 
 And bade him not to cry, and have no dread. 
 Then, seizing his small trowsers with one hand. 
 Without a single blush, (I mark'd her well. 
 And must have seen it, had her face turn'd red,) 
 Thrust in the other arm, and, strange to tell ! 
 Tuck'd down his tail, and button 'd up his band. 
 
 When this I saw, delighted I exclaim 'd. 
 Within my heart, "Man is not wholly bad ! 
 While girls like this in cities may be had. 
 There is some hope the world may be reclaim 'd. 
 Joy with thy soul, dear ebon maiden, go ! 
 More dearly I thy memory will prize 
 Than if thy cheeks were of the driven snow, 
 And bluer than the sky thy raven eyes ! 
 
A DO]>fNA DONA. 343 
 
 For, setting virgin modesty aside, 
 
 Thou didst not look if men were coming near, 
 
 But in thy duty buried'st shame and pride, 
 
 And heldest charity than time more dear. 
 
 O may I find, if ever should betide 
 
 A like mishap to my maturer rear, 
 
 As little of repugnance in my bride ! " 
 
 VI. 
 A DONJNA DONA. 
 
 Bel discorso ed occhi bei, 
 Sospir tronchi e finti pianti, 
 Baci, son d' Amore fanti, 
 Ma d' ogni altro piu vale or. 
 Chi ha questo, benche di quel 
 Non si serva, ma sia altero, 
 Sciocco, aspro, brutto e severo, 
 Va cogliendo i fior d' amor. 
 
 VII. 
 PARAPHRASE. 
 
 Words soft-spoken, subtle glances. 
 Broken sighs, and feigned weeping, 
 Kisses, have of Love the keeping. 
 But 't is gold that 's worth them all. 
 
344 TRIFLES. 
 
 Who this holds, yet never chances 
 On the rest, but even is haughty, 
 Silly, rough, ill-favor'd, naughty, 
 Makes Love come and go at call. 
 
 VIII. 
 SERENADE. 
 
 Ope the window, Rosaline ; 
 Listen, listen, lady mine. 
 Hush the night, no dawn is breaking. 
 Nothing but thy lover waking, 
 'Neath the lattice of thy dwelling 
 Passionate his sorrows telling. 
 Lift the window, Rosaline ; 
 Listen, listen, lady mine. 
 
 Lady cruel, still thou sleepest, 
 Still unop'd thy window keepest. 
 Doth no dream around thee hover, 
 No kind vision of thy lover } 
 Him who quits his rest, and waking 
 Singeth thus, with bosom aching : 
 Ope the window, Rosaline ; 
 List, O listen, lady mine ! 
 
 Is it thou ? Now Heaven bless thee ! 
 'T was not in thee to distress me, 
 Thee of gentle heart, to render 
 Rude disdain for passion tender, 
 
TABLE SONG. 345 
 
 Sadness o'er his spirit flinging 
 Who for thee thus waketh, singing : 
 From thy window, Rosaline, 
 Lean, and listen, lady mine ! 
 
 Hist ! for other eyes than thine 
 
 Now are watching, Rosaline. 
 
 Ah, withdraw ! while home I take me, 
 
 With the thoughts that ne'er forsake me, 
 
 Happy should my self-denial 
 
 Spare that gentle spirit trial. 
 
 Shut the window, Rosaline ; 
 
 Sleep, nor listen, lady mine. 
 
 IX. 
 
 TABLE SONG. 
 
 Drink ! drink ! whilst we may. 
 
 Lads and lasses, 
 
 Crown your glasses : 
 Soon must come the joyless day. 
 
 Now her curtain Night hangs o'er us. 
 Love 's beside, and Mirth before us, 
 Cup in hand, and lips in chorus, 
 Let us drink, and sing, and play : 
 Fal la lah, and — fal la lay ; 
 And be gay. 
 Drink ! drink ! whilst we may. 
 Etc. 
 
346 TRIFLES. 
 
 Think, how soon the morning shining 
 Bringeth trouble and repining. 
 To enjoyment, then, inclining. 
 Let us drink, and sing, and play : 
 Fal la lah, and — fal la lay ; 
 And be gay. 
 Drink ! drink ! whilst we may. 
 Etc. 
 
 Who shall say our hearts to-morrow 
 Are not doom'd to some new sorrow ? 
 From the night then let us borrow 
 Hours of joy, to sing and play : 
 Fal la lah, and — fal la lay ; 
 And be gay. 
 Drink ! drink ! whilst we may. 
 Etc. 
 
 See the fire in Clara's glances ! 
 Frolic's self in Flora's dances ; 
 Ellen's . . . Pour ! each cup enhances 
 Love's true joys ; and sing, and play ; 
 Fal la lah, and — fal la lay ; 
 And be gay. 
 Drink ! drink ! whilst we may. 
 Etc. 
 
 With the light those eyes, less daring, 
 Of their joy will be more sparing ; 
 Friendship's brow too shall be wearing 
 More reserve. Then sing, and play : 
 
SONG. 347 
 
 Fal la lah, and — fal la lay ; 
 
 And be gay. 
 Drink ! drink ! whilst you may. 
 
 Lads and lasses, 
 
 Crown your glasses. 
 Quick ! ere come the joyless day. 
 
 X. 
 
 SONG. 
 
 Leave, sweet bird, my pensive bow'r, 
 Music ill accords with pain ; 
 Fly me till some happier hour. 
 Fly me now, but come again ; 
 Come when comes the leaf and flow'r ; 
 Late thy song, sweet bird, and vain ; 
 Fly me then till happier hour. 
 Songstress sweet, but come again ; 
 Come again ! 
 
 Careless bird, thou warblest still ! 
 Seest thou not my brow is sad ? 
 Tremble on that little bill 
 Strains which suit the free and glad. 
 Sere the leaf and gone the flow'r ; 
 Silly bird, then why remain } 
 Fly away till happier hour. 
 Songstress sweet, but come again ; 
 Come again ! 
 
348 TRIFLES. 
 
 Yet, sing on ; why grudge thy pleasure ? 
 What to me thy notes are glad ? 
 Joy and Sorrow move in measure, — 
 Others gay when we are sad. 
 What though wither'd leaf and flow'r, 
 Songstress sweet, resume thy strain ; 
 Wait not till a happier hour, — 
 Warble now, and come again ; 
 Come again ! 
 
 XI. 
 WOMAN. AN APOLOGUE. 
 
 When from the ever-blooming bowers were driven 
 Our great first parents, thus, by Heaven's command, 
 The expelling angel spake to weeping Eve : 
 
 "On thee, unhappy Eve, has God bestow'd, 
 Above all else that moves beneath the skies, 
 Beauty, for Man's attraction. Nor does God 
 Recall what he hath given. But, seeing that thou 
 For Adam's ruin hast misus'd the gift. 
 To counteract it, lo ! the O^inific adds 
 What shall make Man despise its power, — Caprice. " 
 
 Then, when without the Garden gate mov'd Eve, 
 With step irresolute and head deject, 
 In the broad shadow of her husband's form, ^ 
 Who walk'd a pace before, in solemn thought, 
 
WOMAN. 349 
 
 Sad, but submissive to his Maker's will, — 
 
 The Devil, in likeness of a sparrow, lit 
 
 Upon her roseate shoulder's comely slope, 
 
 Which, here and there, between the glistering waves 
 
 Of her down-floating and dishevel'd hair. 
 
 Shone like the almond's blossoms 'mid its boughs. 
 
 And said : 
 
 " Though God hath given thee caprice, 
 And it shall weary Man, and make him yearn 
 To break from his inthralment, fear not thou ; 
 For I will cause that it shall bind him more. 
 Lo, I will put into thine eyes desire, 
 And hesitation on thy lips. Thou shalt 
 Affect deep passion, and shalt feel it not, 
 Feel it and shalt deny it ; thy life shall be 
 A daily lie ; thine eyes shall lie ; thy smile 
 Shall be deceitful, and thy frown deceitful ; 
 And Man, though struggling, shall be still thy slave." 
 
 Then through her tears, and through her clustering 
 locks, 
 Smil'd Eve, well-pleas'd, and, parting from her lips, 
 And from her blushing cheek, with gesture sweet, 
 The natural veil of shadowing tresses bright 
 That o'er the roses of her bosom hung 
 Down to her swelling loins, the sparrow kiss'd. 
 
 And, from that time, Man's wedded days were days 
 As those of April, sunshine half, half shower. 
 
 30 
 
FRAGMENT IN CONTINUATION 
 
 VISION OF RUBETA. 
 
 . . . . Coscienza fusca, 
 O della propria o delP altrui vergogna, 
 Pur sentira la tua parola bruscaj 
 
 Ma, nondimen, rimossa ogni menzogna, 
 Tutta tua Vision fa manifesla, 
 E lasciar pur grattar dov' 6 la rogna : 
 
 Che, se la voce tua sara molesta 
 
 Nel prime gusto, vital nutrimento 
 
 Lascera poi quando sara digesta. 
 
 Dante. 
 
 Conscience v^rill intrude, 
 Or of their own, or of their fellows' shame, 
 To make thy wholesome words seem harsh and rude : 
 
 Yet, not the less, of falsehood scorn the name 5 
 Give all thy Vision to the public light, 
 And where the sin is, there let rest the blame : 
 
 For, though thy speech shall savor no delight 
 On the first taste, its substance then shall prove 
 Vital nutrition, when digested quite. 
 
THE 
 
 VISION OF RUBETA 
 
 CANTO FIFTH. 
 
 HELL AND THE DEVIL. 
 
 * * # * . * 
 
 ***** 
 
 In a vast hall, which greater space o'erspread 35 
 
 Than Auburn's fields and villas of the dead, 
 Or those near Isis' city, where grief showers 
 A public flood, and wo 's express'd by flowers, 
 
 Ver. 37. Or those^ etc.] The cemetery of Mont Louis, better known 
 as pare Lachaise ; the largest in the vicinity of Paris ; containing 
 from eighty to a hundred acres. — On the first and second of No- 
 vember, (All Saints' Day and the Festival of the Dead,) it is a 
 general fashion for the Parisians to decorate the tombs of their 
 relatives with flowers and garlands. The scene may be imagined, 
 and its propriety. * * 
 
 37. — Isis' city—] One of the conjectural derivations of the 
 name of the French metropolis, is that a temple of Isis anciently 
 stood near the city, whence the people were termed Parisii (as 
 living near Isis,) and the city itself, Paris. This is not so proba- 
 ble as another, but it is sufficient for the pencil of the poet, whose 
 art it is to paint by periphrasis. * * 
 30* 
 
354 VISION OF RUBETA. 
 
 Were throng'd the infernal senate. Not yet come 
 
 Their sceptred head, all silent was the dome, 40 
 
 Save where a whisper, or the shifting feet 
 
 Of some archangel passing to his seat, 
 
 Broke on their ears, who waited from Hell's borders 
 
 The source of death on Earth and feminine disorders. 
 
 Was darkness o'er that area ; not entire : 45 
 
 Through the dun air broad tongues of lambent fire 
 Play'd intermittent. Such they went and came 
 As round the billet curls the growing flame 
 Ere the green bark 's ignited, or as gas 
 Jets from a seacoal fire, whose glowing mass 50 
 
 Is freshly fuel'd ; rapid as the glare 
 Of summer lightning in the midnight air. 
 Yet as in cities, on a misty night. 
 The lamps around them spread but scanty light. 
 Which, distant view'd, seem large and burning bright; 5a 
 About the glass a circular vapor 's seen. 
 Like the red halo round the silver queen ; 
 So serv'd those tongues of fire, each other minute, 
 Only to show the dark to Hell's dark senate. 
 
 Like the white tops of surges, seen to gleam 60 
 
 Beneath a crescent moon's imperfect beam. 
 While every billow else is heaving black. 
 And the pale stars shine few amid the rack, 
 Sparkled at intervals, as went and came 
 Over the gloom those floating cressets' flame, 65 
 
 The gemm'd tiaras of the infernal Powers ; 
 And their hair glisten'd, like grass after showers. 
 
CANTO FIFTH, 355 
 
 Now, from the brazen ordinance, a peal 
 Thunder'd terrific through the gulfs of Hell, 
 Signal the king was coming. At the blast, 70 
 
 The smit air, struggling for escape, upcast 
 The Earth's foundations ; bellowing, gave a groan 
 From all his caves old Sangai, and the cone 
 Of Cahtopahhi, heaving, upward threw, 
 From his wide fissures, flames of sanguine hue, 75 
 
 Follow 'd by boiling water. Downward fell 
 The enormous torrent, over plain and dell, 
 Village and pasture : stall nor cottage stood ; 
 Men, cattle, flocks sunk whelm'd beneath the abundant 
 flood. 
 
 Ver. 68. — ordinance — ] Shakspeare so writes it. 
 
 72. 73. — bellowing, gave a groan From all his caves old Sangai — ] 
 Sangai is the most southerly mountain of the eastern ridge of the 
 Andes, and is particularly remarkable for its frightful noises, which, 
 according to Don Antony de Ulloa, might sometimes be heard 
 at the distance of forty leagues. A report in some degree corrob- 
 orated by the testimony of more recent writers. 
 
 73. 74. — the cone of Cahtopahhi — ] The shape of this moun- 
 tain (Catopaxi) is that of a truncated cone. Its height La Conda- 
 MiNE estimates at 2950 toises. 
 
 75, 76. — flames of sangxdne hue Followed by boiling water. 1 A 
 peculiarity of the volcanoes of the Andes, where, I believe, lava 
 has never been found. Of the eruption of 1743 the appearance 
 and consequences were precisely such as are described in the text ; 
 the flames which issued from the various apertures near the sum- 
 mit of Catopaxi, were instantly followed by a vast torrent of water, 
 which deluged all the plain. The river which runs by Latacunga, 
 sv;ollen by the flood, rushed over its banks ; and the people of the 
 town were obliged to fly to the hills to avoid being involved in a 
 like ruin with their habitations. 
 
356 VISION OF RUBETA. 
 
 And the glad fiends, that, rocking to and fro, so 
 
 Sat on the crater's verge, the shrieks of wo 
 Caught as they rose, and bade more water flow ; 
 That the swoll'n rivers o'er their borders ran, 
 And Havoc mock'd the agony of man. 
 
 But, in Hell's Westminster, the infernal peers S5 
 Caught the dread signal with delighted ears. 
 Rustled their folded pinions, like the roar 
 Of winds in forest, or of waves on shore. 
 And from the dome's four quarters all the fires, 
 That floated, rush'd together, and in spires oo 
 
 Tapering each one end, the others run, 
 Like globes of living-silver, into one ; 
 That in the centre of the hall, suspended, 
 Motionless hung the orb of flame, extendejd 
 On every side its points a thousand ways ; 95 
 
 So paints in gold some limner Psean's rays ; 
 And light, as of noonday (a day of ours,) 
 Blaz'd sudden on the thrones where sat the Stygian 
 
 Pow'rs. 
 Not otherwise De Joinville saw the glare 
 Of Syrian fires, shot 'thwart the midnight air, lOO 
 
 (What time by ^Rchmoun's flood St. Louis lay,) 
 Light the Frank tents, and counterfeit the day. 
 
 Ver. 97. — as of noonday (a day of ours,) ] As bright as is the 
 light of noonday on earth. * * 
 
 99-102. JVbf oihenoise De Joinville, etc.] In the crusade which 
 that chivalrous but mistaking monarch, Louis IX., made against 
 
CANTO FIFTH. 357 
 
 an unoffending country, and for which he was sainted, when he 
 should more properly have been damned, the French forces, hav- 
 ing encamped by the canal of Jlchmoun in Lower Egypt, were 
 annoyed, and defeated in their purpose of building a dyke from the 
 canal to the Nile, by the wildfire, which, with other missiles, the 
 Mohammedans hurled against the workmen, and which the Sire de 
 JoiNviLLE, who acted so gallant a part in the crusade, thus de- 
 scribes : (I cite from Savary ; Letters on Egypt; Transl. Vol i. 
 Lett. xsv. p. 302) : " Joinville, who was one night on guard at the 
 head of the dyke, gives us a terrible description of this wildfire. 
 * This fire,' says he, ' that they launched at us, was as large as a 
 barrel, and had a long flaming tail. It made a noise like thunder 
 in passing through the air, and appeared like a flying dragon.' The 
 light it diffused was so great that one could see throughout the 
 whole camp, as if it were broad day." 
 
 END. 
 
NOTICE 
 
 THE AUTHOR OF THIS VOLUME 
 
 INFORMS THE READING PUBLIC, 
 
 THAT HE WILL SHORTLY HAVE READY FOR THE PRESS 
 
 AN 
 
 ENTIRELY NEW EDITION 
 
 OF 
 
 THE VISION OF RUBETA, 
 
 TO BE PUBLISHED BY SINGLE CANTOS, 
 
 WITHOUT OTHER NOTES THAN SUCH AS SHALL BE ABSOLUTELY 
 
 NECESSARY FOR THE ELUCIDATION OF THE TEXT. 
 
 RECOMMENDATIONS OF THE WORK. 
 
 " This is a remarkable volume — remarkable for the exquisite 
 neatness and elegance of its typography, and the unredeemed 
 STUPIDITY AND COARSENESS of its Contents. It is evidently from 
 the pen of a BLOCKHEAD who has money to waste, for no sane 
 bookseller would ever have embarked in such an enterprise, in the 
 expectation of reimbursing himself by the sale of the work. Its 
 object as tve gather from a very cursory examination, is gross 
 abuse of the Commercial Advertiser and American; induced, proba- 
 bly, hy some severe castigation received by the author at the hands 
 of these journals. If there were any danger that the book would 
 sell, we should advise all respectable publishers to dismiss it from 
 THEIR counters — for it is MISERABLY OBSCENE. Its UN- 
 MITIGATED STUPIDITY, however, so dulls the edge of libel, 
 that no one will suffer from the book but its author, and no one 
 profit by it but the trunk makers. We will do the justice, how- 
 ever, both to publishers and author, to confess that they have 
 issued their work in a style superior to any thing that we have re- 
 cently seen. In this respect it cannot be too highly commended. 
 Though the writer is a very poor satirist, we infer from the luxury 
 and display of type and paper in which he indulges, that he is not 
 of the class of 'poor authors.' " 
 
 Courier and Enquirer, Oct. 18th, 1838. 
 
 " We have some reason to^^complain of the author or publishers 
 of this large and superbly printed octavo, for not sending us a 
 copy ; which he or they should have done in courtesy, as the 
 greater portion of its contents is what the Star is pleased to call a 
 severe and galling satire upon our journal and ourselves. Having 
 a tolerably keen relish for satire, however, and no objection in the 
 world to being made the subject of it, we have borrowed a copy, and 
 bestowed a couple of hours upon its perusal. We cannot agree 
 with our editorial neighbor in pronouncing it ' a work that evinces 
 talents of the highest order ' ; nor do toe find ourselves particularly 
 
2 NOTICE. 
 
 galled by its severitij. It certainly is scurrilous and abusive 
 ENOUGH ; and mucii more than enough FILTHY AND IN- 
 DECENT. But there is a wide difference between satire and 
 BILLINGSGATE ; and WITH PERFECT SINCERITY we 
 
 DECLARE THAT OUR FEELINGS HAVE NOT BEEN RUFFLED EVEN 
 
 FOR ONE MOMENT, in the reading of all the COARSE EPI- 
 THETS and scandalous charges heaped upon us by the laborious 
 ' satirist,' nor would they be if just such a volume were to be pub- 
 lished every fortnight." Etc. 
 
 Commercial Advertiser. Oct. 19th, 1838. 
 
 " Our own feelings would prompt us to take no farther notice of 
 the STUPID but elaborately scurrilous performance men- 
 tioned in the annexed communication. We yields however, to the 
 urgent solicitations of the writer, and the more readily because the 
 CATCHPENNY TRICK he exposes is really a very prominejit 
 feature of the volume, in which many names are introduced, and 
 only introduced with the evident purpose of helping the sale by 
 stimulating a jjvurient curiosity. 
 
 "■ To the Editors of the Commercial Advertiser. 
 
 " Gentlemen — I had just finished the reading of Rubeta,' the 
 satirical poem of which you speak in last evening's paper, and / 
 honor your judgment in relation to the booh and its author. It is 
 throughout a VULGAR, OBSCEjYE, and PROFANE exhibition of 
 MALIGNITY, 2ohich can inspire no other sentiment than LOATHING 
 AND DISGUST in the minds of all men of any pretensions to 
 character or decency. As you and your paper constitute the theme 
 of the venom of this NAMELESS ' TOAD,' I am glad that you 
 exhibit the contempt 'which self-respect inspires, by promptly treating 
 the author with merited scorn. 
 
 " But apart from the outrage upon decency and public mor- 
 als, m/?irfei by such a COMPOUND OF FILTHY AND BLAS- 
 PHEMOUS LANGUAGE, being issued by respectable publishers 
 in Boston, and sold by a bookseller of this city, the public should 
 be put upon their guard against the MERCENARY ARTIFICES 
 by which both author and publishers expect to make it sell. 
 
 " In the advertisement a long catalogue is given of gentlemen 
 and ladies whose ' names are mentioned in the book.' This is a 
 TRICK to induce the friends of these individuals, as well as their 
 enemies, to suppose that each is made the theme of the satirist. — 
 So far from this being the fact, when they shall be gulled by this 
 IMPOSITION into the payment of two dollars for this ponderous oc- 
 tavo, they will find that a single page icill contain all that is said of 
 fifty of the persons ichose names are gazetted as though they were 
 
 prominent characters in the poem. With the exception of , 
 
 and , upon whom this 'TOAD' spits his ribaldry 
 
 through several hundred jjages, scarcely a line of the book is be- 
 stowed on any one of the parties named, and in rnost cases the 
 mere introduction of the surname is all the notice taken of some 
 of the most prominent in the list, three of these names being insert- 
 ed in a single line, obviously for the jjurpose of selling the book to 
 those who have a penchant for scandal. Only expose THESE 
 FACTS, Pro Bono Publico." 
 
 Commercial Advertiser, Oct. 20Lh, 1838. 
 
 RD-201 
 
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