655 ZaYT' LIBRARY OF CONGRESS. P 6 b 3 " Chap.____.._ Copyright No... .Z SK7 7 Shelf. UNITED STATES OF AMERICA. «' «■ [»r •* ATALEOFTHE 3*/ IN FOUR ACTS. ■BY- Bi. ■'^ W% ^©WM^t NOTE, This work is printed solely for the author's private use. Under the legal decisions which establish that such print- ing does not constitute publication, all rights are strictly reserved, and any infringment upon title, dialogue, or sit- uations will be prosecuted to the extent of the law. iSiiff^' XENIA, OHIO. PLTBLISIIED BY THE NONPAREIL PRINTING CO. 1877. Entered according to Act of Congress, in the Office of the Li))ravian of Congress, in the year 1877, by W. W.Young. ^b';^\<\ SCENE: Paris and Vicinage. A TIME: The First Empire. CHARACTERS : Tristan, -So}i and Heir of the Marquh de Gros CaiUon- T[ie Baron Gerome, Beaujolais, CiNQEOIL, Narcisse, Anatole, Mercure, Cheron, Joseph, Maitre De Ballet, Helene, Margot, Celeste, Madelon, Coralie. TMP92-007599 THE JUDGMENT OF PARIS. ACT I. The Foyer of the Dance. Scene. — The dancers foyer of the Opera, undertime first Empire. For plan and details see accompanying drawing. Makgot, a coryphee, discovered, completing a ''pas", in the centre of a group of figurantes. Madelon, Coralie, Celeste, and other cory- phees and figurayites, r. and l., in conversation with Cinqfoh^, Nar- cisse, Anatole, and other gentlemen. Cinqfoil a,nd Narcisse at table R. F., Anatole, l. The ladies all in the costume of the ballet, garbed to represent Bacchantes. The gentlemen in the fashionable even- ing dress of the period. At curtain, all eyes are fixed upon Margot. The fig urantei^ form picture of which she is the centre. The gentlemen applaud vigorously. All. Brava ! Brava ! Encore ! Margot. \_Imposing silen^e.^ My children ! St! Do you wish to "call out" the Director? \_JDrapps herself iu cloak which has been thrown across back of cJmir, R.] Cinqfoil. Terpsichore in person, newly descended from t'.ie blue empyrean ! Poetry in motion ! Margot. Ah, Monsieur Cinqfoil, so you are good euouLdi to THE JUDGMENT OF PARIS. 4 say ! But wait till Mademoiselle begins her step. For me a com- pliment, behind the scenes — for her, an ovation, yonder! For me a line in to-morrow's Feuilleton — for her a column ! And what says the critic— Cinqfoil I hate her! CiNQFOiL. That I can well believe. Margot. And you ? Cinqfoil. Oh — I — Mademoiselle— But would that I were critic of the Feuilleton ! Then you should see. For instead of filling my columns with silly comments on her dancing, I should publish heV biography ! And I should come to you for my information. Margot. [Clapping her hands.'] You shall have it now ! Cinqfoil. Ag^reed ! Anatole. Brava, again ! Cinqfoil. The full and only true account of her rise and pro- gress. Margot. True ! on the honor of — . Cinqfoil. Her rival ! Margot. Umph ! Her rival ! Karcisse, fill the glasses. [SeaU herself — folds her arms.'] We shall just have time. Anatole. A treat ! A treat ! A chapter of memoirs ! \_All gather about to IMen.] Cinqfoil. Now, gentlemen Nrcisse. And if Mademoiselle is as clever with her tongue as with her — heels. Cinqfoil. But upon such a topic ! Order ! Margot, It was thus. One day in the course of his after din- ner promenade — how long ago, ask Mademoiselle -Monsieur the Paron, who was always of a mousing turn of mind, discovered in the Place du Chatelet, an imp — a creature ot the streets — spare, sallow, sullen — who pirouetted on the slack-rope whilst her master, the c( njuror, rested after swallowing his sword. Something about the cl iid — what was it ? — who can account for the fancies of these men ? — her great round eyes — her meagre limbs — her glare like that ot a famished wuld beast — something engaged his eye. He said to her, "Follow me ! You shall be greater than Camargo !" Cinqfoil. And she followed ! Margot Trust her for that ! She followed ! Cinqfoil. Lucky fellow ! >.] ARGOT. Who? The Baron? Cinqfoil. Oh, no. Mademoiselle — but I ! THE JUDGMENT OF PARIS. O Margot. That it was not you she followed ! That, you may say, my poor Cinqfoil ! For reflect upon the cost ! The music teacher^ and the dancing miuster ! the professor of etiquette, and the professor of languages ! the milliner ! the dress-maker ! the jew- eller ! the maker of stays ! and the painter of faces ! Yes— and a himdred yet to mention ! ISiuce all these go to the making of a greater than Camargo ! And iinally, when these have done their 'f^est— and worst— when she can sing, when she can pound the keys, when she can curtsy, when she can converse with a Minister of State, when she can repeat the creed in Latin, when she can even (lance — after a fashion — Monsieur announces to the world : ''Be- hold, a prodigy!" Narcisse. And what does the world reply ? Margot. Stupid ! What should the world reply ? Cinqfoil. Yes, stupid ! What should the world reply ? Margot. As though that little matter were not all arranged ! Cinqfoil. Why certainly ! Monsieur Narcisse, your innocence astounds me. Listen ! The world replies ! [Long continued applause heard without Margot rises angerihj.'] Enter Beaujolais, door "A." He claps his hands. Beau. Encore ! Encore ! Come, ladies, where are your hands ? I have observed this— when the boxes are most noisy, the foyer is most silent— and vice verse How remarkable! Who can explain it? Mademoiselle. [Bows to Margot ] Margot, Well, blagueur, it is you again. Beau. Like the inevitable pewter franc ! As you observe. But to-night I have a good excuse ; since, though my name is not Diogenes^ and I have loaned my lantern to the driver of the fiacre, I positively seek an honest man. Margot. What ! In the foyer of the dance ! Beau. Mademoiselle is severe. If now I had said woman — Cinqfoil. [Bising.~\ Well, Monsieur? Margot, Cinqfoil, my friend, respect the cap and bells! I present to you Monsieur Beaujolais, court-fool, and captain of horse, who having failed as a soldier, fancies that he may now do execution with his"^ wit— which, alas, is even rustier than his sword. [Cinqfoil and Beau.tolais exchange bows,'] Beau, You do me too much honor. Well just so ! .-\nd now that the formalities, have been complied with, let the sport proceed ! For I take it th;\t your occupation is to criticise the favorite. Now THE JUDGMENT OF PARIS. 6 I should be most happy to take part. Pray don't let the conversa- tion flag on my account. If I can contribute anything, in the way of personal anecdotes, or slanderous reminiscences, command me. And I think I can. Indeed, did modesty permit I should feel tempted to assert that you will find me quite an acquisition. For see! I have come provided. [_Takes volume from his 2^ocket,~\ Should the present phase of the subject be exhausted, I have here an ac- count of her first appearance — Maegot. No ? Beau. Nearly three thousand years ago ! - Margot. Save us ! She is even older than I thought. Beau. A pocket edition, bound in calf; from samples furnished by her admirers. Margot. \_Embracing him,'] Jacques, I forgive you. Beau. Shall we read a line ? Margot. A line ! The entire volume if you like. All, Hear ! hear ! Beau. I regret that time will not permit. But you shall have a taste of its quality ; and would that I could do the subject justice. Margot. [^Seating herself.'] Silence! You, therQ ! Narcisse, hold your tongue ! Beau. With your very kind permission. Hem ! You will no- tice that compared with modern journalism, the style is somewhat overdone. [Beads.] It so befell that once upon a time, Before the shepherd Paris, as he roved— Margot. Stuflf! It is poetry ! Beau. Madamoiselle it was the fashion in that day. [Beads.] It so befell that once upon a time, Before the shepherd Paris, as he roved, Guarding his flocks, upon aslope of Ida, There came three Queens from Heaven, to contest The palm of man's approval, and they spake: "Which of us three is fairest—which best worth The winning ? Choose— and as thy choice shall fall Bestow the prize." Then in his hand they placed The apple of red gold, which Eris cast Upon the banquet table of the Gods. And fi-st, the roj^al Hera, spouse of Jove, Preferred her suit : "O, Paris, hear me well ! Lo this fair apple is thy golden youth, Which, so thou barter wisely, wins for thee A seat upon Olympus — but he warned— Once, and once only, shalt thou name thy choice, And then keep silence. I am Hera— I— JUDGMENT OF PARIS. .\nd, with this gift of gifts, I make thee mine !" She ceased, and flashed before his dazzled siglit, A naked sword, and on the blade was writ "Power!"— But Paris mused a little space, And turned aside, and answered, "Let me hear.'' Then spake the second, hollow eyed, and pale. With sad, stern voice : "I am Athena— I ! And these my attributes among the Gods — Knowledge, self- wisdom, virtue, self-control ! Short is my wooing. Wilt thou reign with me? Take up tliy scepter !" At his feet she cast A reed, in fashion like a poet's pen. And on the shaft, graven in lines of fire, A word of rapture, "Fame." But Paris mused. And turned aside, and answered : "Let me hear !" Then third, the last, and fairest yet of all. The subtle Aphrodite, ocean-born, Arose, and stood, a flower amid the flowers. No word she spake, but waved her hand, and, lo ! Half-clad, at some fair vintage festival, And leered upon by satyrs of the wood. Through the mad measures of the Bacchic dance. The Grecian Helen floated like a dream- Fairer th5,n sin— her hair unbound— her eyes Sultry with lightnings, and her lips apart. As one who murmurs: "Follow ! follow ! follow !" And ever onward— "Follow !" fainter still, Still farther, lainter, till the vision paled. And left him straining after, hands and eyes. Margot. Beau. - • Then, through the silence, throbbed a tender voice 'Behold my gift !" And Paris said "i choose !" Bravo Paris ! And Paris said I choose- Yea, with a mighty, passionate, strong cry— "Sweet are the dreams of power — sweet is fame- But sweeter yet, than all sweet things that be, Whether on earth, in heaven, sea, or air, O, Love, take thou my youth !"— And thereupon— Margot. \_Snatching the volume,'] O, Love ! take thou my youth ! And thereupon— Beau. But I have not yet finished. Margot. Bah ! What need to finish ! Who could not guess the rest ? Forever the stale old story — slander ! abuse of woman ! Come ! It is a fable, as musty as a skull from the catacombs, but what does it teach ? And he that cannot furnish a moral, shall pay for the supper after the ballet. CiNQFOiL. It is a contract! Margot. Cinqfoil, you have the preference. JUDGMENT OF PARIS. 8 CiNQFOiL. Crystal could not be clearer ! This fable is simply intended to remind us that since time began, whenever the devil particularly wishes to tempt man, he takes the form of — \_Rising.^ Margot. What? Coxcomb! CiNQFOiL. \_Pirouetting with lifted arms.'] A lovely woman floating through the dance ! Margot. Let the undertaker be notified. Cinqfoil has per- petrated a bon-mot. Beau. [To Cinqfoil.'] Be encouraged. It is a sign of conva- lescence. Margot, Next ! Come, Sir Oracle ! Beau. But really. Mademoiselle — Margot. Then you will pay the forfeit. Beau. Not while philosophy is cheaper than champagne. Let us say then : — this fable is intended to remind us, that whereas Lu- cifer tempted Eve, with the apple of knowledge, it has become nec- essary to offer to her daughters, apples of gold ! Margot. Slanderers all ! Now will you hear the truth ! This fable is simply intended to remind us that as it is, and as it has been, so it shall ever be ! let sages frown, and poets sneer and slander, love is yet stronger than the sword, and greater than the pen ! Beau, Alas! Cinqfoil, Narcisse, and Anatole. [^Together.] Hear! Hear! Margot. O warrior ! O poet ! Go, fight your battles — write your .sonnets — struggle, and toil, and hope ! — and burn and freeze, and starve ! — and, at last, when the victory is won, come ! lay your laurels at my feet ; and I will — love you ! Beau. For thirty days ! Cinqfoil. Without grace. Hear ! Hear ! Hear ! Enter Baron Gerome, door "a." Margot. As behold ! by way of illustration ! \_Points to Ge- rome.] Beau. What an admirable illustration ! Margot. Here is Monsieur, the Baron. The ribbons of a doz- en orders decorate his breast , the twinge of age is in his bones — and a nosegay in his button-hole. Gerome. ]Bow{ng.] Yes, yes, yes ! Ladies, your most obedi- ent ! Gentlemen, I trust I don't intrude. Margot. This way, please. You are wanted. Gerome. Ah ? In what capacity ? JUDGMENT OF PARIS. 9 Beau. By way of illustration, Gerome, Charmed, I'm sure. \_Advanees c. f. to Margot.] Margot. Monsieur, do you wish to know the future ? Give me your hand. I am the seventh daughter of a seventh son. Gerome. Pardon ! Will not the heart do as well ? Margot. But if I were a dealer in preserved meats — Gerome, Yes ! Oh, yes ! Margot. \_In§2)ecting his pahn.'] Oh, fie ! Monsieur ! so old, and yet so gallant ! Gerome. Old ! — Mordieu ! Margot. But the artist who painted your face, forgot your palm. Heaven preserve us ! Can you bear the worst ? Gerome. The very worst. Margot, Prepare yourself. Alas, I spy a fatal influence cross •ing your line of love. Gerome. Dear ! dear ! You quite alarm me. Margot. Have a care Monsieur ! Gerome. In plainer terms. Margot. [J?i stage whisper,'] A rival ! Gerome. Ah ! I breathe again, Margot, You smile ! Gerome. But when you tell me something so amusing — \_Snuf- box in hand. Margot, Oh yes, smile ! No doubt ! You think youself in- vulnerable, but beware ! Youth, and a pretty face ! These are ad- vantages not to be despised. Do you wish to know the rest? [J?i- climng her month to his ear. She will meet him here, to-night, at the close of the dance. It is a rendezvous. Prove if my words be not true, A hint to the w^ise — Beau. [Crossing, and taking snuff-box from Gerome.'] Stay ! I too have a li'ttle skill in divination. Piirdon the impertinence ! Gerome. Monsieur ! Beau. Croesus of Athens ! Let no one boast of luxury, till he has taken snuff from a golden box ! See, ladies ! a crest in bril- liants ! [^S/m/^.] Yes, I too have a little skill in divination, and I say to you : Though your palm be wrinkled, and your back be bowed, and your teeth as false as your smile — fear nothing ! Your snuff-box lid is a ticket to Mahonet's paradise. \_Retimis box, which Gerome takes angrily.] Gerome. Bah ! [General laughter.] JUDGMENT OF PARIS, 10 Enter, Maitre de Ballet, door *'A." Maitre DE Ballet. Ladies — the finale! [Exit.'] CiNQFOiL. \_Rising.'\ Forward all ! [^A general confusioyi ensues. The ladies wearing wrajjs, remove them and entrust them to their gentle- men attendants.^ Margot, La ! la ! la ! — la ! la ! Cinq foil ! My ftiu ! my wrap ! my vinaigrette ! CiNQFOiL. Gentlemen of the baggage train ! Attention ! [Tak- ing the articles she hands him.^ Margot. And don't forget — [Giving bouquet.'] when the proper time arrives — CiNQFOiL. And the proper person — [Margot strikes his cheek] Trust me ! Where is Monsieur, the Director ? I demand my sal- ary. La! la! la! — la! la! [Dancing, hk arm about Margot' sivaist.'] Margot. Bye, bye, Baron ! This, to sweeten my prophecy ! [Kisses her hand to Gerome ] CiNQFOiL. [Catching her hand.] Excuse me ! After me. Mon- sieur. [Attempts to kiss Margot ivho strikes him and runs out. door "A."] CiNQFOiL. [Eolloiving.] La! la! la! — la! la! Exeunt all but Gerome a7id Beaujolais — Cinqfoil being the last to Beau. [Approaching Gerome.] Monsieur, even those who know each other best, and therefore — as it sometimes happens — love each other least, can afford to be polite. Shall we too, be spectators from the wings ? Gerome. Thanks ! I prefer not. . Beau. Please yourself. Gerome. I will. Exit Beaujolais, door "a." Gerome, Jackanapes ! Time was when clowns who jested with their betters had their wits tickled at the tail of a cart. But we have changed all that ! Oh, yes, Mordieu ! And in an- other generation, if we are lucky, a man shall be accounted as good as his tradesman — provided he have the money — and brains ! I shall live to see it. Bnt be consoled, Gerome. Though the King go a-begging, and the Queen a-borrowing, once a gentleman is al- ways a gentleman ! Yes, yes, Mordieu ! they cannot rob us of that. So ! It is true then — my lady has been making eyes. I half sus- pected it. She begins to appreciate her worth ; her greatness weighs upju her ! She wishes to test the practical value of her JUDGMENT OF PARIS. 11 charms. What a marvellous elixir is success ! — "She will meet him — here — to-night — at the close of the dance !" Exactly so ! Yes, yes ; so blows the wind ! I guessed as much. For it is sure that I have observed of late, a something new — a certain sparkle of the eye — a carriage of the body — a double significance of speech, which — Well, well, well ! So much the better. Yes, so much the better, on my proper life ! The prize that is too willing is but half a prize ! To possess an article which no one else desires — that is becoming a stale sensation. "She will meet him !" — Whom? — But what does it matter? She is a woman of good taste.— A happy thought, by all the gods ! She shall have leave to try her glances, and let him that is hit, cry '_peccam!" Should the sport become too serious, it is but to whisper the charm that she understands, and at the worst I shall have the excitement of a second conquest. Yes, a happy thought ! But first — to fathom her exact designs ! To ascertain the name, and quality of this particular unknown who does me the honor to indorse my taste. And how to begin? — Yes! Happy thought the second ! Coaxing ties a woman tongue — anger loosens it. I will touch her with a hint — a gentle reminder of her obliga- tions, and if there be a secret, it will out. \_Loud and long applause henrd without.^ Hark ! This is the sound that feeds her vanity ! She bids them good night, and how the rascals respond ! Will she come this way ? But it is not her custom. The route to the dress- ing-room does not lie through the foyer. Happy thought the third ! If she come, my suspicions are confirmed. [^Ajyplause ivithoiit re- sumed and continned till the entrance of Helene. Gerome goes up stage and pjlaf^es himself R. of door "A. "J Mordieu.! Like Jove, she rides upon the thunder ! [Helene, in the garb of a Bacchante, her hair streaming, comes flying through door "A," to c. F^ She pauses, and drops her face between her extended arms. Gerome. *[^Aj)plauding.^ Brava ! Bravissima ! The vixen spoke the truth. \_Bowing with mock obsequiousness.'] Upon my life, an unexpected pleasure! — to meet you, Mademoiselle, at this hour? — in the foyer ? [Helene turns her head and regards kim,, remaining motionless.] Ah, but doubtless the fatigue has been so great, and the atmosphere of the dressing room so stifling — Helene. Please do not waken me. Gerome. You sleep, then ? Helene. I have had a dream, Monsieur. JUDGMENT OF PARIS. 12 Gerome. \_Ruhhmg his ha7ids,'] A dream ! Come ! That is good. And was I the hero ? Helene, Yes. Gerome. Come ! That is very good ! Helene, For I dreamed, Monsieur, that I danced again, in the Place du Chatelet. Gerome. [J.si(ie.] Upon my life, she leads the way. Helene. It Avas a wintry day ; the air was cold ; I shivered ; but I danced — because I knew no other happiness. I starved, and I forgot my hunger. I had wings. I thought to myself "I am free ! I shall never return to earth !" — And then I looked below me on the crowd — and there — Gerome. Behold — your future benefactor ! [^Pointing to hwiself.'] Helene. [^After pause — regarding /im.] What should a soul be worth Monsieur ? Gerome. A soul ! Helene. Or do they quote that article upon the market? Come — for I understand ! You think you have surprised me — in an offense against your authority ! — that I have expected some one, who has not arrived ! and have met wdth some one — who was not expected ! You hold yourself my creditor ; and you do not pro- pose that I should forget your claims.— Well ! let us make up our accounts ! Gerome. [^Recoiling.'] Mordieu ! Helene. [Turns quickly, goes up stage, catches up a wrap of strip- ed satm, from table l. , and returning, folds her arms, and stands before Gerome.] Present to me the bill of my indebtedness! Item by item, let us reckon up the ledger and declare the balance. Gerome, Shades of my honorable ancestors I Helene. You are a learned man, Monsieur. All that I know is but a feather's weight in the scales, against your wisdom and experience. Yet you have taught me something ; and I wish to prove to you that your pains have not been wasted — that, at last, I have learned to estimate your bounty, at its proper value. You shall speak first — and I jjromise to be patient. Use your time. We shall have no better opportunity. Gerome. Well, well, well, well! But, upon my life, aflfairs begin to take a novel turn This disarranges my programme. Artful devil ! she has stolen my powder. Helene. ^Impatiently.'] Please do not keep me waiting. Sure- THE JUDGMENT OF PARIS. 13 ly you have preserved a record of your charities. Or if not, can you not, at least, remind me of the rags in which you found me — the tattered skirt — the tarnished spangles — the cast-off finery of some more fortunate waif, with its shreds and fringes fluttering in the wiad ! You see, I have not forgotten. Can you not speak of the wretched booth of the mountebank, with its swaying, weather- beaten curtains — of the cart, with its cushion of straw — the pony, with his harness of thongs — the dinner of crusts, and herbs ! Ah, Saints of Grace ! the happy, happy days ! Gerome. [Quickly.'] Mordieu! Perhaps you would like them to return. Helene. [Quickly in reply.'] And if I should, would you pro- vide the way ? — Then, can you not call to my remembrance the spell, which hai^ Allien on this poverty- a transformation, like a wonder of enchcintment — which has made of the conjuror's cart, a Cinderella's coach ; which has exchanged the beads, for brilliants ; and the clatter of the sabots and the brutal laughter of the streets, for the thunders of the Opera ! And for all this, thanks to you. Gerome. Yes, yes — Helene. Well, shouhj I not be grateful ? Should I not be satisfied ? Even, if this were all ! The list is long ; the items are many ; the sum is great. And yet the balance is against you ! Yes, Monsieur, to complete an equal barter, there is something lacking! something, without which I am still your creditor! You lift your brows. You profess to wonder. Have you nothing more to urge. But the student in the song, who sold direct to the Evil One, received wealth praise — and honor ! Now either he was over- paid, or I am robbed ! Will you make your title perfect ? Give me a name! , Gerome, Ho ! ho-o ! IIelene. J. 7i.a?/ie, Monsieur ! — You will not! Then you con- fess the cheat. And this, which you withhold, is. of all the list, the only bribe of real value. You have duped me ! You have played upon my ignorance ! You have imposed upon me, with a worthless bargain — and I owe you nothing! [Tm-ns, and calls, stamping ivith her foot.] Mercure ! Are you there ? Gerome. [Quickly,] But one more word / I comprehend you — yes, my dear Mademoiselle — I comprehend— but upon my life — Give me one little moment, pray, to recover breath — to recall my ?cattered faculties, that I may express to you the admiration — yes. JUDGMENT OF PARIS, 14 the awe — with which your genius overwhehns me. So, t7diom I have heard ! — I do not like him. — And why do you admit him to such familiarties, when you know that already — But to be sure, it is no affair of mine. [Helene smiles.^ Oh laugh, then, since you find it so amusing ! Helene. Savage ! And if I choose to laugh ? Am I an- swerable to you ? But perhaps you prefer that I should be sad when you are near. Well, if that will please you — Tristan. ''Please me !" But that Avhich pleases me is of little consequence ; since you prefer the honeyed lies of flattery, to the truth from the lips of a friend. And when did you ever listen to a sober word ? If I were to tell you that you wrong yourself — that you justify the worst reports of malice when you but lend an ear to the whispers of such parasites — why you would answer with a smile : Do you know his age ? Do you know his reputation among men ? Do you know the list of his villanies ? Oh, I couhl tell you — JUDGMENT OF PARIS. 1 5 Helene. But you need not. Tristan. No, since tliat might rob you of your last excuse — the excuse of ignorance. Helene. I know that you are jealous — very jealous — and with- out a reason. I know that you are angry — very angry — and with- out a cause. And let us reflect, Monsieur. You reproach me that I listen to the "honeyed lies of flattery," and close my ears to the "truth from the lips of a friend." But who is to teach me to dis- tinguish, which is flatterer, and which is friend? Am I to know them by their pretty speeches? But this one says : "You are beautiful, Mademoiselle." Is this a "lie ?" AnothtT says : "My dear Mademoiselle, you dance divinely!" — Well, is this a "lie ?" But the third one says: "These otliers are but parasites ; you must not believe them !" He warns me to distrust their praises. He tells me that the air I breathe is foul, and reeking with poison ; that this very rapture of applause, without which I have yiothing, is an empty sound. He asks me to surrender all my joys, all my triumphs — in return for what ? Tristan. Well, in return for what ? Helene. But you should know. Tristan. Since I am the third ! Helene. Yes— if you recognize the portrait. Tristan. Let me hear. Helene. In return. Monsieur, for that tvhicJi is not his to give, Now whose offence is greatest ? Tristan. Then I can give you but one more pledge. For I guess your thoughts. I can give you but one more guaranty. ]^Tahes miniature from his locket.'] See! In his name — yes in the name of the ogre whom you dread, and whose consent assures our happiness, I here renew my solemn obligation. I renew it, and I claim you — yes, I cla/im. you. Mademoiselle — from this life, which like a burning fever consumes your blood — from the glare of these hateful lamps, which expose you to the eyes of lust, and insult ; I claim you, for the love, the honor, the protection of a home ! And now should you yet refuse to believe, it is because you will not.be convinced. Helene. [^TaJdng m.inidtnir.'] Your father? Tristan. [Looking assent.~\ Others preserve the image of a mother ; but to me there is no such being even in rememl^raj.ce — for tlie date of my biith, is the date upon her tomb. Ami not well JUDGMENT OF PARIS. 16 named "Tristan ?" — "sorrowful year !" And yet, my loss has doubt less been my gain, since it has given me, instead, this friend, the first, the best of mortals! Helene. \_Gla}ir,mg aside from the portrait, which she inspects cu- riomly.'] Ah, Monsieur ! Tristan. \_Kissing her hand.'] Save one ! — From the first dawn of memory, I can recall but this one face, above my cradle. The guardian of my infancy, it became the playmate of my childhood ; in later years, my confidant, my brother. — In all our lives, we have known but a single cause of difference, I was a pupil at St. Cyr. I had my plans ; they were wild perhaps ; when was it other- wise with the plans of youth ? But he, a simple hermit, buried in the contemplation of a grief which he perpetually renews, and shunning the society of men, how could he sympathize with my ambition ? His love took fi»ight. He feared a separation. It was not that his arguments were so convincing, but how could I resist the pleadings of this pale, sad face? At length it is all arranged. For a year I am free — if I choose. Then I am to return to Gros Caillou. I am to live as my fathers lived, I am to read in the hall of the old Chateau ; I am to hunt in its forests. I am to hold my petty courts. I am to collect my rents. I am to die, as my fathers died — and be buried. Helene. You need not tell me more. Tristan, [Co}itinuing, quickly.] And can you doubt that when I retui-n to him for whom I have made this sacrifice — when I say to him :"See, I do not even claim my year, lam content. I have come — never again to leave you. But as you loved her, whose loss you still deplore, so I, too, love ! — one who * is as pure — as beautiful — who will wear her honors, just as worthily — whose smile will again bring sunshine to these gloomy walls" — when I tell him this, and more — when I say to him; "Refuse me this, and you lose at once a daughter, and a son !" — do you not see that he will not, can- not, dare not refuse ! Helene. I see that he is a rival too dangerous for Helene ] And an-wer me this — Why, do you not warn me with every word, that your plans are desperate — are hopeless ! You ask me to be- lieve that he loves you with a love so true, that it will conquer even his jealousy — that he will consent to resign you to another — is not this your plea ? — with a love so tender, so devoted, that, for your sake, he will forgive me even my humble birth — is not this your THE JUDGMENT OF PARIS. 17 plea? Well, if I grant all this ! And heaven knows — how should I judge of the strength of a father's love ! But if this be true — confess — is it not also true, that something remains untold ? Is it not true, that hermit though he be, the voice of slander has already found him out? — that in his letters, which you guard from me, he charges me with a crime for which there is 7io forgiveness ? You cannot deny it ! It is true ! And why then do you mock me with a })romise which can never be fulfilled ? Consider well ! Do you know to whom you speak ? To one wdiose name is a bubble to be blown about, by every drunken breath ! And who will be my surety ? Who will go upon my bond ? Tristan, I, Mademoiselle — liELENE. Ah, you, indeed ! Tristan. Yes, I will become your surety — I, who know your purity, your innocence- Helene. \_Placing her hand upon his mouth.^ I warn you do not tempt me ! Here I am secure. At least I feel the eartH beneath my feet. But yonder all is shadowy, uncertain. I do not under- stand tlie weapons, with which great folks war ; and should I listen — should I permit myself to be deceived — I should but involve you in the ruin which must overtake me. You see, I can be just. If half the evil, that they speak of me were true, I might break your heart. But I will not. It is for his sake that I say to you, go — forget me ! \_Returmng portrait.^ Tristan. Then Mudemoiselle, you reject me ? Helene. Ah, just heaven, hear him ! Tristan. Give me my answer ! [Helene lifts her brows arid surveys him ivith a look half-astonished, half-indignant. 'I^istan re- sumes moodily. ~\ I know that I am a savage — that I bring to your grand salons, the air, the manners of the woods. I speak of my- self and my affairs, and that is not polite. But at least I offer you that w^hich the proudest lady in France, need not disdain to accept ; and do not think to keep me, like a puppet, dangling, for the amuse- ment of your fashionable friends. To-night — this very night I will know' tlie best, or worst. Helene. M^^dman ! What evil fate provokes you ? And you m^r^oi be refused? You tempt me ? You defy me? — If r.ov*- I were to take you at your woi-d ! Wiiat will you do for me ? Come ! You promise me your father's blessing. Well I do not trust you. Give me leave to win it. JUDGMENT OF PARIS. . 18 Tristan. You Mademoiselle .' Helene And why not, pray ? Am I not the one accused ? And who shall plead my cause if not myself? Remember it is but a possibility — a chance — but if there could be found a way — Tristan. But I shall know — Helene. Silly boy ! And you fimcy that I will confide our only remaining hope, to your chunsy wits? You shall know noth- ing ! And this shall be the proof of your love — you shall promise to trust me blindly, and without a question — to asli me nothing — to suspect nothing ! To the next message which arrives from Gros Caillou, you shall return no answer ; no, nor yet to the next. To sum up all, you shall be sileiit, till I give you leave to speak — Tristan. And then? Helene. And then. Monsieur, we' will speak of what comes after. — But you refuse ! Tristan. No — I consent! Enter Beaujolais, door "a." Helene, Ah, Saints of Grace ! But you must swear it ! Tristan. Hear me then — Beau. Swear not at all ! Triltan, Jacques ! Beau. Faith, you may well cry "Jacques!" But he that ar- rives in time, is n