Alice: You're Humpty Dumpty! Just like an egg. [Page 24 J Jftitt, A 5ramattzation of Cttws Carroll's Alices Htotnluro m^DonJttlanfanJ a £hrough the Cooking <8ta$$" CVlice Vbjersteubety (fufliorof "She Conscience of Sarah Piatt", Unqutnchei TireTfl little WorUi^hc. (2hiccicfo &.e.Ac.Glur?& <&. 1C)1^ Copyright A. C. McCLURG & CO. 1915 Published December, 1915 Rights to produce this play in all countries of the world are reserved by Alice Gerstenberg w. f. HArfl PRINTING COMPANY, QEC -6 1915 &CI.A420088 This dramatic rendering of Alice in Wonderland, by Alice Gerstenberg of Chicago, was produced by The Players Producing Company of Chicago (Alme Barnsdall and Arthur Bissell), at the Fine Arts Theater, Chicago February n, 1915. After a successful run it opened at the Booth Theater' New York, March 23, 1915. The scenery and the costumes were designed by William Penhallow Hen- derson of Chicago. The music was written by Eric De Lamarter of Chicago. The advertising posters and cards were designed by Jerome Blum of Chicago. The illustrations of the characters of the play in this book were drawn by J. Allen St. John from photographs by Victor Georg of Chicago. W. H. Gilmore staged the play with the following cast: Lewis Carroll Alice Red Queen White Queen White Rabbit humpty dumpty Gryphon . Mock Turtle Mad Hatter March Hare Dormouse . Frog Footman Duchess Cheshire Cat King of Hearts . Queen of Hearts Knave of Hearts Caterpillar . Two of Spades . Five of Spades Seven of Spades Frank Stirling Vivian Tobin Florence LeClercq Mary Servoss . Donald Gallaher Alfred Donohoe Fred W. Permain Geoffrey Stein Geoffrey Stein Fred W. Permain . J. Gunnis Davis Walter Kingsford Kenyon Bishop Alfred Donohoe Frederick Annerly Winifred Hanley Foxhall Daingerfield Walter Kingsford Rule Pyott France Bendtsen John A. Rice Alice in Wonderland THE SCENES ACT I Scene I — Alice's Home. Scene II — The Room in the Looking Glass. Scene III — The Hall with Doors. Scene IV — The Sea Shore. ACT II Scene The March Hare's Garden. ACT III Scene I — The Garden of Flowers. Scene II — The Court of Hearts. Scene III — Alice's Home. Miss Gerstenberg's manuscript called for costumes after the illustrations of John Tenniel, and scenery of the simple imaginative type, the " new art " In the theater. ALICE IN WONDERLAND Alice in Wonderland ACT I SCENE ONE Alice's home. Lewis Carroll is discovered, playing chess. Golden-haired ALICE, in a little blue dress, a black kitten in her arms, stands watching him. Alice That's a funny game, uncle. What did you do then? Carroll A red pawn took a white pawn ; this way. You see, Alice, the chessboard is divided into sixty-four squares, red and white, and the white army tries to win and the red army tries to win. It's" like a battle! With soldiers? Alice Carroll Yes, here are the Kings and Queens they are righting for. That's the Red Queen and here's the White Queen. to %7/ar ', \S'y A IP ll I M M m H ll i i i pi F.- : : £3 1 Wif, How funny they look ffiw m\ Carroll Wo See the crowns on their heads, and look at their big feet. //i Alice It's a foot apiece, that's what it is! Do they hump along like this? Carroll WM Here! You're spoiling the game. I must keep {few their right squares. I IN m them all in I want to be a queen! Alice Carroll Here you are [he points to a small white pawn\ here you are in your little stiff skirt! I H N ow do you do, Alice! Alice Carroll And now you are going to move here. WaatSL ,-t: *>;'"'<•- Slice in faUonDcrlanO iDetianti ^4ra 9 ' Let me move myself. Alice Carroll When you have traveled all along the board this way and haven't been taken by the enemy you may be a queen. Alice Why do people always play with kings and queens? Mother has them in her playing cards too. Look! [ALICE goes to the mantel and takes a pack of playing cards \ from the ledge.~\ Here's the King of Hearts and here's his wife; she's the Queen of Hearts — isn't she cross-looking? wants to bite one's head J off. [CARROLL moves a pawn.~\ You're playing against yourself, aren't you? Carroll That's one way of keeping in practice, Alice; I have friends in the university who want to beat me. Alice But if you play against yourself I should think you'd want to cheat! Carroll Does a nice little girl like you cheat when she plays against herself? [3] f l! 111 Pi if— 1 1 I m m IN @ m P&W'fyfo&w^ffii&viw vi ' 1 ' ' ' i^Tr**r^*^" , *' f *T^ . !'''//*^ JLl»x i m m left M w i Si ill pi I ill p i! f-.-ll (r.v.Jj Alice Oh! I never do! I'd scold myself hard. I always pretend I'm /wo people too. It's lots of fun, isn't it? Sometimes when I'm all alone I walk up to the looking glass and talk to the other Alice. She's so silly, that Alice; she can't do anything by herself. She just mocks me all the time. When I laugh, she laughs, when I point my finger at her, she points her finger at me, and when I stick my tongue out at her she sticks her tongue out at me! Kitty has a twin too, haven't you darling? [ALICE goes to the mirror to show Kitty her twin.] Carroll I'll have to write a book some day about Alice — Alice in wonderland, " Child of the pure unclouded brow and dream- ing eyes of wonder! " or, Alice through the looking glass! fa V .'/■■ Alice Don't you wish sometimes you could go into looking-glass house? See! [ALICE stands on an armchair and looks into the mirror.] There's the room you can see through the glass; it's just the same as our living-room here, only the things go the other way. I can see all of it — all but the bit just behind the fireplace. Oh! I do wish I could see that bit! I want so much to know if they've a fire there. You never can tell, you know, unless our fire smokes. Then smoke comes up in that room too — but that may be just to make it look as if they had a fire — just to pretend they had. The books are something like our books, [4] aiice in mon&erlano '^W^^£^m only the words go the wrong way. Won't the 4 way of our getting through, uncle? re ever be any Carroll Do you think Kitty would find looking-glass milk digestible? Alice It doesn't sound awful good, does it; but I might leave her at home. She's been into an awful lot of mischief today. She found sister's knitting and chased the ball all over the garden where sister was playing croquet with the neighbors. And I ran and ran after the naughty little thing until I was all out of breath and so tired! I am tired. [She yawns and makes herself comfortable in the arm- chair.] Carroll [Replaces the playing cards on the mantel and consults his watch.] Take a nap. Yes, you have time before tea. Alice [Half asleep.] We're going to have mock turtle soup for supper! I heard mamma tell the cook not to pepper it too much. Carroll What a funny little rabbit it is, nibbling all the time! [He leans gently over the back of her chair, and seeing [5] 6> 1 r.-.VJ I II Pi li pi ill m iS! p it— ! 1 ■ iaiv ! i.t.' <:~j±l 1 ,'■' ■ ilJ-H.jxLltj-Ll. jj.-jl~*jJ /A. Slice in ©3ontietlanD jetlano §1 ;.'./.T.'.r?.s,,'.'.i!iA'.;j'.iiii.'? : wAhM\ ^ ia * s ^ c ' s 9 0ln 9 t° sleep puts out the lamp light and leaves $iffl^ f ^ ie room - d. red glow from the fireplace illumines ALICE.] W&; [Dream music. A bluish light reveals the RED CHESS 1. M i I i I II ill Queen «« 7iTr'r»T»wt~~vT ^"? f ; }"iT Alice Red Queen And yet I don't know, only think how convenient it would be if you could manage to go home without it! For instance, if the governess wanted to call you to your lessons, she would call out " come here," and there she would have to leave off, because there wouldn't be any name for her to call, and of course you wouldn't have to go, you know. [8] 3KTC= Alice That would never do, I'm sure; the governess would never think of excusing me from lessons for that. If she couldn't remember my name, she'd call me " Miss," as the servants do. Red Queen Well, if she said " Miss," and didn't say anything more, of course you'd miss your lessons. I dare say you can't even read this book. Alice It's all in some language I don't know. Why, it's a looking- glass book, of course! And if I hold it up to a glass, the words will all go the right way again. Jabberwocky 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. It seems very pretty, but it's rather hard to understand; somehow it seems to fill my head with ideas — only I don't exactly know what they are. I I M il-'.vi.i fei; I E3 I ■ m N h I Red Queen I daresay you don't know your geography either, the map! [9] Look at 1 i a M 1M? 6 1 ' '" "ii, \'J / (//•jf'"tJ J 7;"i?" mOm til K3 I [*S7z^ /^A'^j # right angle course to the portieres and points to them with her sceptre. .] Alice [* It's marked out just like a big chessboard. I wouldn't mind being a pawn, though of course I should like to be a Red Queen best. Red Queen That's easily managed. When you get to the eighth square you'll be a Queen. It's a huge game of chess that's being played — all over the world. Come on, we've got to run. Faster, don't try to talk. = I can't. Faster, faster. Are we nearly there? Alice Red Queen Alice Red Queen Nearly there! Why, we passed it ten minutes ago. Faster. You may rest a little now. Alice Why, I do believe we're in the same place. Everything's just as it was. M & tfev{ 1 JPf l 1 Mi Vr.v; 1 I 3 Red Queen Of course it is, what would you have it? [ii] s$SBB£&B 1 ;■ iv; ; i ' i '' . rr^ v ; ■ . • / ";'; "'V*^ ^ ; i" ; ;i i : ., ^.u^/^ mm Alice Well, in our country you'd generally get to somewhere else — if you ran very fast for a long time as we've been doing. Red Queen A slow sort of country. Now here you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that. Alice I'd rather not try, please! I'm quite content to stay here — only I am so hot and thirsty. Red Queen I know what you'd like. [She takes a little box out of her pocket.~\ Have a biscuit? [ALICE, not liking to refuse, curtseys as she takes the biscuit and chokes. 1 ^ Red Queen While you're refreshing yourself, I'll just take the measure- ments. [She takes a ribbon out of her pocket and measures the map with it.~\ At the end of two yards I shall give you your directions — have another biscuit? [12] itf' f 'W M i ::i\ Alice No thank you, one's quite enough. Red Queen Thirst quenched, I hope? At the end of three yards I shall repeat them — for fear of your forgetting them. At the end of four, I shall say good-bye. And at the end of five, I shall go! That Square belongs to Humpty Dumpty and that Square to the Gryphon and Mock Turtle and that Square to the Queen of Hearts. But you make no remark? Alice I didn't know I had to make one Red Queen just then. You should have said, " It's extremely kind of you to tell me all this," however, we'll suppose it said. Four! Good- bye! Five! [RED QUEEN vanishes in a gust of -wind behind the por- tieres. Rabbit music. WHITE RABBIT comes out of the fire- place and walks about the room hurriedly. He wears a checked coat, carries white kid gloves in one hand, a fan in the other and takes out his watch to look at it anxiouslyJ] White Rabbit Oh the Duchess! the Duchess! Oh! won't she be savage if I've kept her waiting! [13] h-sy ft m t left W'"' v I m m Mi fcr-'l • £••■•»! ip fcjl 1 I INI jm p- V T- ffi g in eflJonDerlanD {/ 9§m^^M W __„ j^.--L^£.., i ,',',i.j.:i».cli > ; *i Alice I've never seen a rabbit with a waistcoat and a watch! And a waistcoat pocket! If you please, sir — I I C /'J5 White Rabbit Oh! [He drops fan and gloves in fright and dashes out by way of the portieres in a gust of wind. ALICE picks up the fan and playfully puts on the gloves. The portieres flap in the breeze and a shawl flies in.] Alice [Catches the shawl and looks about for the owner; then meets the WHITE QUEEN.] I'm very glad I happened to be in the way. White Queen [Runs in wildly, both arms stretched out wide as if she were flying, and cries in a helpless frightened way.] Bread-and-butter, bread-and-butter. Alice Am I addressing the White Queen? White Queen Well, yes, if you call that a-dressing. It isn't my notion of the thing, at all. ■L [I4] I i \B ItXM m ^^^^^^^^^ ^JiSilii!!iJiai!ii2;^ f I Alice ^■■■■■■-!^-^'-'^M^ , ^? r " r '~"/~r' If your Majesty will only tell me the right way to begin, I'll do it as well as I can. White Queen But I don't want it done at all. I've been a-dressing myself for the last two hours. Alice Every single thing's crooked, and you're all over pins; may I put your shawl straight for you? White Queen I don't know what's the matter with it! It's out of temper. I've pinned it here, and I've pinned it there, but there's no pleasing it. Alice It can't go straight, you know, if you pin it all on one side, and dear me, what a state your hair is in! White Queen The brush has got entangled in it! And I lost the comb yesterday. Alice [Takes out the brush and arranges the QUEEN'S hair.] You look better now! But really you should have a lady's maid! [IS] I! White Queen I'm sure I'll take you with pleasure. Two pence a week and jam every other day. Alice [Who cannot help laughing.^ I don't want you to hire me — and I don't care for jam. White Queen It's very good jam. Alice Well, I don't want any today, at any rate. White Queen You couldn't have it if you did want it. The rule is, jam tomorrow and jam yesterday — but never jam today. Alice It must come sometimes to " jam today." White Queen No, it can't, it's jam every other day; today isn't any other day, you know. Alice I don't understand you, it's dreadfully confusing! [16] «t-'.v— - 4 •< ^wzfcoj .1.1- l^^'>r:;^S:- <^r r '"Tc^r White Queen That's the effect of living backwards, it always makes one a little giddy at first Alice h Living backwards! I never heard of such a thing! White Queen But there's one great advantage in it — that one's memory works both ways. Alice I'm sure mine only works one way. I can't remember things before they happen. White Queen It's a poor sort of memory that only works backwards. Alice What sort of things do you remember best? White Queen Oh, things that happened the week after next. For instance now 1 \ \7 .■/» I m W m ■ § I i? I 1 ■ pi if....'i I ;.v.' i [She sticks a large piece of plaster on her finger.'] There's the King's messenger — he's in prison being punished ; and the trial doesn't even begin till next Wednesday; and of course the crime comes last of all. [17] t'. 1 > • ^TTfrr " ■ •» /, ' , ■ » '^ , , 1 1 1 ' ■ , 1 1 ' n iiv jj m i ■ m |1 1 fa ifv.-l Alice Suppose he never commits the crime? White Queen [Binding the plaster with ribbon. .] That would be all the better, wouldn't it? Alice Of course it would be all the better, but it wouldn't be all the better his being punished. White Queen You're wrong there, at any rate; were you ever punished? Alice Only for faults. White Queen And you were all the better for it, I know! Alice Yes, but then I had done the things I was punished for; that makes all the difference. White Queen But if you hadn't done them that would have been better still; better and better and better! [18] J — vm. :,''.' ■ • Trrw*"! mmwm iff Alice There's a mistake somewhere — f White Queen [Screams like an engine whistle, and shakes her hand.~\ Oh, Oh, Oh! My finger's bleeding. Oh, Oh, Oh! Alice What is the matter? Have you pricked your finger? White Queen I haven't pricked it yet — but I soon shall — Oh, Oh, Oh! Alice When do you expect to do it? White Queen When I fasten my shawl again; the brooch will come undone directly. Oh, Oh! [Brooch flies open and she clutches it wildly.] Alice Take care! you're holding it all crooked! White Queen [Pricks her finger and smiles. ] That accounts for the bleeding, you see; now you understand the way things happen here. I [19] Tttrv » " ■ Vf f f ~ 7 M4 Hi I Hi E ii Kfel ! m £31 m I m Mi N m 1 1... j 1 Ml Ni m Alice '0M V But why don't you scream now 1 I I ■ si p 1 I I White Queen Why, I've done all the screaming already. What would be the good of having it all over again? Oh! it's time to run if you want to stay in the same place! Come on! [20] Alice No, no! Not so fast! I'm getting dizzy!! Faster, faster! White Queen Alice Everything's black before my eyes! [There is music, and the sound of rushing wind, and in the darkness the WHITE QUEEN cries: " Faster, faster " ; ALICE gasps: "I cant — please stop"; and the QUEEN replies: " Then you can't stay in the same place. I'll have to drop you behind. Faster — faster, good-bye." SCENE THREE When the curtain rises one sees nothing but odd black lanterns with orange lights, hanging, presumably, from the sky. The scene lights up slowly revealing ALICE seated on two large cushions. She has been " dropped behind" by the WHITE QUEEN and is dazed to find herself in a strange hall with many peculiar doors and knobs too high to reach. Alice Oh! my head! Where am I? Oh dear, Oh dear! [She staggers up and to her amazement finds herself smaller than the table.~\ [21] I ii f J i! I p m I ;■■ n Hi If fE3 I I I II I've never been smaller than any table before! I've always been able to reach the knobs! What a curious feeling. Oh! I'm shrinking. It's the fan — the gloves! [She throws them away, feels her head and measures herself against table and doors.] Oh! saved in time! But I never — never — White Rabbit Oh! my fan and gloves! Where are my — Alice Oh ! Mr. Rabbit — please help me out — I want to go home — I want to go home — White Rabbit Oh! the Duchess! Oh! my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets 1 Oh! you have them! Alice I'm sorry — you dropped them, you know — White Rabbit [Picks up fan and gloves and patters off.] She'll chop off your head! Alice If you please sir — where am I? — won't you please me how to get out — I want to get out — IL w tell White Rabbit [Looking at his watch.] Oh! my ears and whiskers, how late it's getting. [A trap door gives way and RABBIT disappears. ALICE dashes after only in time to have the trap door bang in her face.] Alice [Amazed.] It's a rabbit-hole — I'm small enough to fit it too! If I shrink any more it might end in my going out altogether like a candle. I wonder what I would be like then! What does the flame of a candle look like after the candle is blown out? I've never seen such a thing! HUMPTY DUMPTY [Sits on the avail.] Don't stand chattering to yourself like that, but tell me your name and your business. Alice My name is Alice, but — HUMPTY DUMPTY It's a stupid name enough, what does it mean? Alice Must a name mean something? [23] y/f" "w m Ij fe! iii ife: ill m y ! ,■■■■> ! HUMPTY DUMPTY Si \tfrii m 1 # II- f.V.5 ll [I w II •H if Ni Pi •#■ Of course it must; raj name means the shape I am — and a good, handsome shape it is, too. With a name like yours, you might be any shape, almost. Alice You're Humpty Dumpty! Just like an egg. Humpty Dumpty It's very provoking, to be called an egg — very. Alice I said you looked like an egg, Sir, and some eggs are very pretty, you know. Humpty Dumpty Some people have no more sense than a baby. Alice Why do you sit here all alone? Humpty Dumpty Why, because there's nobody with me. Did you think I didn't know the answer to that? Ask another. Alice Don't you think you'd be safer down on the ground? That wall's so very narrow. r.r*K?»r HUMPTY DUMPTY What tremendously easy riddles you ask! Of course I don't think so. Take a good look at me! I'm one that has spoken to a king, I am; to show you I'm not proud, you may shake hands with me! [He leans forward to offer ALICE his hand but she is too small to reach it.~\ However, this conversation is going on a little too fast; let's go back to the last remark but one. Alice I'm afraid I can't remember it. HUMPTY DUMPTY In that case we start fresh, and it's my turn to choose a subject. Alice You talk about it just as if it were a game. HUMPTY DUMPTY So here's a question for you. How old did you say you were? Alice Seven years and six months. HUMPTY DUMPTY Wrong! You never said a word about it. Now if you'd asked my advice, I'd have said, " Leave off at seven — but — " [25] I £v- V- ~~ *M P "X^, 1 ; t , ;'i' .i , y ';;*~ , ' ,, ' > r w ; ; l ,i, i»' ;jf ii' l^a »| m 1 m &3i m ■'■■ m [Hi \m N rt/>/ v \ -zzzZZZfcttftTV uJBf* SCENE FOUR /.y symbolic of a wet and rocky shore in a weird green light. The MOCK TURTLE is weeping dismally. Gryphon Hjckrrh. Hjckrrh. Hjckrrh. Mock Turtle [Answers with his weeping.] Gryphon [Drags ALICE in.] Drop your tears into the sea with his. \m ft 1 m m m m p! || i! N M \m\ • ■* He sighs as if his Alice He sobs as if he had a bone in his throat, heart would break. What is his sorrow? I Mock Turtle Oh, Gryphon, it's terrible! Gryphon i [■... It's all his fancy that. Mock Turtle hasn't got no sorrow. ! '■'■'■ This here young lady, she wants for to know your history, she do. [30] if i^'%v „ ■ k — Mock Turtle I'll tell it her. Sit down both of you, and don't speak a word till I've finished. Alice I don't see how you can ever finish, if you don't begin. Mock Turtle Once, I was a real Turtle. [A long silence is broken only by the exclamations, " Hjckrrh" of the GRYPHON and the heavy sobbing of the Mock Turtle.] Mock Turtle When we were little, we went to school in the sea. The master was an old Turtle — we used to call him tortoise — Alice Why did you call him Tortoise, if he wasn't one? Mock Turtle We called him Tortoise because he taught us; really you are very dull. Gryphon You ought to be ashamed of yourself for asking such a simple question. Drive on, old fellow! Don't be all day about it! [3i] Hi lf"->. p Pi m p in P f.V-J. /}/- --j j aiice in axaonOerlanO ja Mock Turtle Yes, we went to school in the sea, tho' you mayn't believe it Alice I never said I didn't. Mock Turtle You did. Hold your tongue Gryphon Mock Turtle We had the best of educations — in fact, we went to school every day. Alice I've been to a day school too; you needn't be so proud as all that. Mock Turtle With extras? Alice Yes, we learned French and music. Mock Turtle And washing? M . & Certainly not J aiice in C&onOerlanO M^& '..•.-•.•.;.'...-..'._ijjLi.j.L«j'; !f/r% -- b.U Alice I m m \\ ill 'fell il HI ife| 1 Mock Turtle lb;! Ah! Then yours wasn't a really good school. Now at own they had at the end of the bill, French, music, and washing — ! '"•'■ • -; ! extra. steal jvt> ») m m m pi 1—41 , ■-■"■I I 1^ $S\ fcOonOerlanO :j..-liL'y,.:::.LjJ.lu.L'jh'} fid Alice You couldn't have wanted it much; living at the bottom of the sea. Mock Turtle I couldn't afford to learn it, I only took the regular course. Alice What was that? Mock Turtle Reeling and writhing, of course, to begin with, and then the different branches of Arithmetic — Ambition, Distraction, Uglification, and Derision. Alice I never heard of Uglification. What is it? Gryphon Never heard of uglifying! You know what to beautify is, I suppose? Yes, it means — to Alice make — anything — prettier. Gryphon Well then, if you don't know what to uglify is, you are a simpleton. [34] Alice What else had you to learn? Mock Turtle Well, there was Mystery; Mystery, ancient and modern, with Seaography, then Drawling — the Drawling-master was an old conger eel, that used to come once a week; what he taught us was Drawling, Stretching, and Fainting in Coils. What was that like? Alice Mock Turtle Well, I can't show it you, myself. Gryphon never learned it. I'm too stiff. And the I I Mi m m I p m Ii ill! Gryphon Hadn't time; I went to the Classical master, though. He was an old crab, he was. I never went to him used to say. So he did, so he did. Mock Turtle he taught Laughing and Grief, they Gryphon [35] m ii m ii ii ih iM! Ims^^^^^^^l^^^^iSii ^:~J0i£ tffzssss&z Alice And how many hours a day did you do lessons? Mock Turtle Ten hours the first day, nine the next, and so on. Alice What a curious plan! Gryphon mm § ill i --ii ill 1 i i— 1 1 M :$: !m! ii in That's the reason they're called lessons, because they lessen from day to day. Alice Then the eleventh day must have been a holiday? Mock Turtle Of course it was. Alice And how did you manage on the twelfth? Gryphon That's enough about lessons, tell her something about the games now. [MOCK TURTLE sighs deeply, draws back of one flapper across his eyes. He looks at ALICE and tries to speak but sobs choke his voice.~\ [36] ,r;.l' i-»y j , '>. 4f Gryphon [Punching him in the back.] Same as if he had a bone in his throat. Mock Turtle [With tears running down his cheeks.] You may not have lived much under the sea I haven't. Alice Mock Turtle And perhaps you were never even introduced to lobster. Alice y .$* to m 1 m ill m m fflf I once tasted — no, never! Mock Turtle So you can have no idea what a delightful thing a Lobster Quadrille is. Alice No, indeed. What sort of a dance is it? Gryphon Why, you first form into a line along the seashore. [37] VvlIjAilim^jJ.V.'JljJA'.'.'.llj-U in Pi N aiice in aUonDerianO Mock Turtle Two lines; seals, turtles, salmon, and so on; then, when cleared all the jellyfish out of the way — if # Gryphon M '?//, That generally takes some time. A you ve Mock Turtle You advance twice Gryphon Each with a lobster as a partner. Mock Turtle Of course, advance twice, set to partners. Gryphon Change lobsters, and retire in same order. Mock Turtle Then you know, you throw the — Gryphon The lobsters! i p i i iii il3 Mock Turtle As far out to sea as you can p.ai I Swim after them! Mock Turtle Turn a somersault in the sea. i..ti *> Gryphon Change lobsters again Mock Turtle E3 ■Ik Back to land again, and — that's all the first figu m Alice 1 Bg It must be a very pretty dance. 1 Mock Turtle Hi Would you like to see a little of it? Alice re. Very much indeed. Mock Turtle Come, let's try the first figure. We can do it without lobsters, you know; which shall sing? P Gryphon Oh, you sing, I've forgotten the words. [39] § k MB <•# W 1 ;-•--■> pi III ^^feSn; - ; ■i'«-' , r $u fel^l'iJ^^S^^ Wtz in £0onDerlanD ^f|||fi [Creatures solemnly dance round and round ALICE, tread- 'yjLi ing on her toes, waving fore-paws to mark time while MOCK Turtle sings.] First Verse " Will you walk a little faster! " said a whiting to a snail, " There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle — will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance? MS Second Verse " You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea! " But the snail replied, "Too far, too far!" and gave a look askance — Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance. [40] 2! ^^ lss ^ ii ^^^^^^^^^^ m pPl^^^^B 1 ' aiice in £&ontierlanD my * "* "M [TV/*? creatures dance against ALICE, pushing her back and \ vffijft forth between them. She protests and finally escapes; they bump against each other.~\ Alice Thank you; it's a very interesting dance to watch, and I do so like that curious song about the whiting. Mock Turtle Oh, as to the whiting, they — you've seen them, of course? Alice Yes, I've often seen them at din — [Checks herself hastily. .] Mock Turtle I don't know where Din may be, but if you've seen them so often, of course you know what they're like. Alice I believe so, they have their tails in their mouths — and they're all over crumbs. Mock Turtle \W I Mi m 1 "■i ft •' c E3 ]'■■' I m I P ili I! »: — ■»* ■ I You're wrong about the crumbs, crumbs would all wash or! in the sea. But they have their tails in their mouths; and the reason is — i I [MOCK TURTLE yawns and shuts his eyes.'] Tell her about the reason and all that. Gryphon The reason is, that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all. Alice Thank you, it's very interesting. I never knew so much about a whiting before. Gryphon I can tell you more than that, if you like, why it's called a whiting? Do you know I never thought about it. Alice Why? Gryphon It does the boots and shoes. Alice Does the boots and shoes! Gryphon Why, what are your shoes done with? I mean, what makes them so shiny? r.-.-.i' W^ .^ ; J Alice They're done with blacking, I believe. Gryphon Boots and shoes under the sea, are done with whiting, you know. Alice Now And what are they made of? Gryphon Soles and eels, of course; any shrimp could have told you that. Alice If I'd been the whiting, I'd have said to the porpoise, " Keep back, please; we don't want you with us." Mock Turtle They were obliged to have him with them, no wise fish would go anywhere without a porpoise. Wouldn't it really? Alice Mock Turtle i I I 108 I m 1 y pi N la! Of course not; why if a fish came to me and told me he was going a journey, I should say, " With what porpoise? " [43] Mi Alice Don't you mean purpose? Mock Turtle I mean what I say. Gryphon Shall we try another figure of the Lobster Quadrille? would you like the Mock Turtle to sing you a song? [44] Or i ''■■ 'jjjiiliil! Alice Oh, a song please, if the Mock Turtle would be so kind. Gryphon Um! No accounting for tastes! Sing her "Turtle Soup/' will you, old fellow? Mock Turtle [Sighs deeply and sometimes choked with sobs, sings.] " Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau — ootiful Soo — op, Beau — ootiful Soo — oop, Soo — oop of the e-e-evening, Beautiful, beautiful Soup." White Rabbit [Enters, stretching out a red and white checked sash with which he separates ALICE from the creatures.] Check! Mock Turtle They won't let her stay in our square. [4;] mm m jffl m 11 :^ 1^ o-* -fit-yiy White Rabbit The Queen is coming this way. Gryphon She'll chop our heads off. Come on, come on, let's fly! [The Mock Turtle and Gryphon grab Alice and fly into the air.~\ CURTAIN [The Curtain rises to reveal small silhouettes of the Gryphon, Mock Turtle, and Alice in an orange-colored moon far away in the sky. Down below the WHITE RABBIT is shouting to them, " You'll be safe in the March Hare's garden."~\ CURTAIN 8& w I ml i 61 1l r^;-V" , .~''r.""'*****"~*~.T*" " m wA ,j!^L! n ACT II SCENE The March Hare's garden, showing part of the Duchess' house. On a small platform there is a tea table, set with many cups, continuing into wings to give impression of limitless length. The MARCH HARE, HATTER, and DOR- MOUSE are crowded at one end. ALICE sits on the ground where she has been dropped from the sky. Finding herself not bruised she rises and approaches the table. March Hare and Hatter No room! No room! 1 i 3 J Alice There's plenty of room! [She sits in a large armchair at one end of the table.] I don't know who you are. March Hare I am the March Hare, that's the Hatter, and this is the Dor- mouse. Have some wine? I don't see any wine. Alice [47] m l! • K3 !Rj M m m \m\ m mi 1 '■■'. 1 jm '.'^jj±:LijLL.jj.'.^>.'.'.tjj fa E3 March Hare There isn't any. Alice Then it wasn't very civil of you to offer it. March Hare It wasn't very civil of you to sit down without being invited. Alice L I didn't know it was your table; it's laid for a great many more than three. Hatter Your hair wants cutting. Alice You should learn not to make personal remarks; it's very rude. Hatter Why is a raven like a writing-desk? Alice Come, we shall have some fun now! I'm glad you've begun asking riddles — I believe I can guess that. March Hare So you mean that you think you can find out the answer to it? [48] JfiC'. i t . ' . ; '. ' .'.'• ' •'• i*m^^'^ ' . ''."'i 1 1 n ut Hatter: Your hair wants cutting. Alice iff %Mi v Exactly so. I'M'' W«i March Hare ISl jj^ Then you should say what you mean. Alice '/■'■■•' I do; at least — at least I mean what I say — that's the same ^J thing, you know. W\ Hatter $ Not the same thing a bit! Why, you might just as well say W§ that " I see what I eat " is the same thing as, " I eat what ■m I see!" i March Hare You might just as well say that " I like what I get," is the same thing as " I get what I like." m ill Dormouse You might just as well say that " I breathe when I sleep " is the same thing as " I sleep when I breathe." Hatter tea It is the same thing with you. [Takes out his watch, looks at it uneasily, shakes it, holds it to his ear.~\ [49] 1 if 1 K.-.-.7 IP ol m %&M What day of the month is it? Alice The fourth. Hatter Two days wrong. I told you butter wouldn't suit the works! It was the best butter. March Hare Hatter Yes, but some crumbs must have got in as well; you shouldn't have put it in with the bread-knife — March Hare [Takes the watch, looks at it gloomily, dips it into his cup of tea and looks at it again but doesn't know what else to say.~\ It was the best butter, you know. Alice What a funny watch! It tells the day of the month, and doesn't tell what o'clock it is. Hatter Why should it? Does your watch tell you what year it is?. [50] aiice in GftonOetlanO 0! Alice Of course not, but that's because it stays the same year for such '\f| m 1 a long time together. Hatter Which is just the case with mine. Alice I don't quite understand you. What you said had no sort of meaning in it and yet it was certainly English. Hatter [Pouring some hot tea on the DORMOUSE'S nose.~\ The Dormouse is asleep again. Dormouse Of course, of course, just what I was going to remark my- self. Hatter Have you guessed the riddle yet? Alice No, I give it up, what's the answer? Hatter I haven't the slightest idea. [5»] v.x m I pi 1 If |l m p i ill ymmsBEL. V Nor I. 3b March Hare Alice 1 think, you might do something better with the time, than wasting it in asking riddles that have no answers. Hatter If you knew Time as well as I do, you wouldn't talk about fe wasting it. It's him. jet! Alice I don't know what you mean. Hatter fej: pi Of course you don't. I dare say you never even spoke to Time. Alice m Perhaps not, but I know I have to beat time when I learn music. Pi Hatter Ah, that accounts for it. He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons. You'd only have to whisper a hint to Time, and round eoes the clock in a twinkling! Half past one, time for dinner. [52] j| G /':.-$ ! \~'.' " > Vi7T'r> p "'"';yr,T'»'7rrr I only wish it was. Ut in ©UonOerlanO March Hare Alice That would be grand, certainly, but then — I shouldn't be hungry for it, you know. Hatter Not at first, perhaps, but you could keep it to half past one as long as you liked. Alice Is that the way you manage? Hatter Not I, we quarreled last March — just before he went mad, you know. It was at the great concert given by the Queen of Hearts and I had to sing. " Twinkle, twinkle, little bat! How I wonder what you're at! " You know the song, perhaps. Alice I've heard something like it. Dormouse Twinkle, twinkle, twinkle — " K3 W2\ 31 Well, I'd hardly finished the first verse when the Queen bawled out, " He's murdering the time! Off with his head! " How dreadfully savage! Alice Hatter And ever since that, he won't do a thing I ask! six o'clock now. It's always Alice Is that the reason so many tea things are put out here? Hatter Yes, that's it; it's always tea time, and we've no time to wash the things between whiles. Alice Then you keep moving round, I suppose? Hatter Exactly so, as the things get used up. Alice But when you come to the beginning again? [54] IS, %.i> March Hare tk2\ it >i r >/' ,/fo m . Why with an M? II IP \m m March Hare Why not? [ALICE is silent and confused. HATTER pinches DORMOUSE to wake him up.~\ vE i< g^Bw-riT'' if t i i i' »'Hli' f '.it T Tr t T , i' i 1 m/'/^- ..J.^/i>;>.il:r, M met in C&unOerlanO ^^^&^0^k M M ^ ii Dormouse [Wakes with a little shriek and continues.] — that begins with an M, such as mousetraps and the moon and memory and muchness — you know you say things are " much of a muchness " — did you ever see such a thing as a drawing of a muchness? Hatter Did you? Alice Really now you ask me, I don't think — Hatter Then you shouldn't talk. No March Hare Alice m m [Rises and walks away.~\ You are very rude. It's the stupidest tea party I ever was at in all my life — [WHITE RABBIT enters carrying a huge envelope with a seal and crown on it.~\ ft i\ r:-.i '. Wr '•'■>• March Hare and Hatter No room! no room! [61] m i ' ■ vtJl -ffl m 1 J^llLijm'.'.'J.iiyij.'.'lillx/.'j. m but aoes to the house and \bL//M raps loudly. A footman in livery with a round face and large '"$$$ m eves like a March Hare She's at it again. Hatter It's perfectly disgusting. March Hare Let's move on. [ The platform moves off with table, chairs, MARCH HARE, [62] m ii [RABBIT pays no attention to the] . A footman in livery 11 frog and powdered hair opens the door.] White Rabbit For the Duchess. An invitation from the Queen to play cro- quet. \m\ Frog m From the Queen. An invitation for the Duchess to play cro- quet. [White Rabbit bows and goes out.] March Hare and Hatter [To White Rabbit.] No room! Noioom! No room! [The FROG disappears into the house but leaves the door open. There is a terrible din and many sauce pans fly out.] WmmE^^^^^^^^^m^^^m^ HATTER, and DORMOUSE. Meanwhile the FROG has come out &MT W$0 again and is sitting near the closed door, staring stupidly at **VM§ \\{'S!l the sky. ALICE goes to the door timidly and knocks.] m W m i ft p I W ill Frog There's no sort of use in knocking, and that for two reasons: hist, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you. Alice Please then, how am I to get in? Frog There might be some sense in your knocking if we had the door between us. For instance, if you were inside, you might knock, and I could let you out, you know. How am I to get in? Alice Frog I shall sit here, till tomorrow. [The door opens and a large plate skims out straight at the FROG'S head; it grazes his nose and breaks into pieces.] [FROG acts as if nothing had happened.] Or next day, maybe. [63] 'lag B! I . jffilonDerlanO 'f$ Alice m How am I to get in? Frog Are you to get in at all? That's the first question, you know. Alice It's really dreadful the way all you creatures argue. It's enough to drive one crazy. Frog I shall sit here, on and off, for days and days. Alice But what am I to do? Frog Anything you like. [He begins to whistle.] Alice Where's the servant whose business it is to answer the door? Frog % 'Hi IfeftJ Which door? This door, of course! Alice [64] I \m m m Hi \\ri\ w A lil V",i 1 . i^tffftt*t i—y t y?h r ! J « 1 W Frog: I shall sit here till tomorrow. [The FROG looks at the door, and rubs his thumb on it to 'fax ' wfo see if the paint will come off.~\ 1 i Frog To answer the door? What's it been asking for? Alice I don't know what you mean. m I m I! ,4 <■■■' V', i I E3j I... 1 1 J! ipi m 1 23 1 m .... ii Frog I speaks English, doesn't I? Or are you deaf? What did it ask you? Alice Nothing! I've been knocking at it. Frog Shouldn't do that — shouldn't do that, vexes it, you know. [He kicks the door.] You let it alone, and it'll let you alone, you know. Alice Oh, there's no use talking to you — [She starts to open the door just as the DUCHESS comes out carrying a pig in baby's clothes. She sneezes — FROG sneezes and ALICE sneezes.] Duchess If everybody minded her own business — [She sneezes.] Alice It's pepper. Duchess Of course, my cook puts it in the soup. [66] ^ jgj ?& s§Efi£?==; m Alice There's certainly too much pepper in the soup. Duchess Sneeze then and get rid of it! [DUCHESS begins to sing to the baby, giving it a violent shake at the end of every line of the lullaby.] " Speak roughly to your little boy, And beat him when he sneezes; [FROG and ALICE sneeze.] He only does it to annoy, Because he knows it teases. [DUCHESS sneezes, FROG sneezes, ALICE sneezes.] I speak severely to my boy, I beat him when he sneezes; [FROG sneezes, ALICE sneezes.] For he can thoroughly enjoy The pepper when he pleases! " [Duchess sneezes, Frog sneezes, Alice sneezes, Duchess gasps and gives a tremendous sneeze.] Alice Oh dear! [She jumps aside as kettles and pots come flying out of the door. The DUCHESS pays no attention.] What a cook to have! [She calls inside.] Oh! please mind what you're doing! [67] Is; m M Hi KSSi m I! m ill IN 1 l-.V.J 1 HI \-~'.i:j.:'.IZL'..j. m^^msM mm^t [Another pan comes out and almost hits the baby.] m$j&$ Oh! there goes his precious nose! Iff Duchess If everybody minded her own business, the world would go round a deal faster than it does. Alice Which would not be an advantage. Just think what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis — Duchess Talking of axes, chop off her head! [The head of a grinning Cheshire cat appears in a tree above a wall.] Oh, what's that? Cat, of course. Alice Duchess Alice Why does it grin like that? m Duchess ijp! It's a Cheshire cat! and that's why. [To baby.~\ Pig! Ill -. [68] _ * . _._^ Duchess: I speak severely to my boy, I beat him when he sneezes. y Alice I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats could grin. Duchess They all can and most of 'em do. Alice I don't know of any that do. Duchess You don't know much and that's a fact. Here, you may nurse it a bit, if you like! [Flings the baby at ALICE.] I must go and get ready to play croquet with the Queen. [She goes into the house. ,] Alice If I don't take this child away with me, they're sure to kill it in a day or two. Cheshire Puss, would you tell me please, which way I ought to walk from here? Cat That depends a good deal on where you want to get to. Alice I don't much care where — [69] ft* w :'■ '.'J I m few aral ill II Pi iN ip! J. '•>¥> m f—V p N m \m [l. % Cat 1^1 hefr-A Then it doesn't matter which way you walk. Alice So long as I get somewhere. CAT Oh, you're sure to do that, if you only walk long enough. Alice Please, will you tell me what sort of people live about here? Cat All mad people. ' Alice But I don't want to go among mad people. CAT Oh, you can't help that; we're all mad here. I'm mad. He's mad. He's dreaming now, and what do you think he's dream- ing about? Alice [Goes to the FROG to scrutinize his face.] Nobody could guess that. [70] te* wmmmm' * > $ _ 8fiSS8Sii Cat Why, about you! And if he left off dreaming about you, where do you suppose you'd be? Alice Where I am now, of course. Cat Not you. You'd be nowhere. Why, you're only a sort of thing Ng in his dream; and you're mad too. Alice |jlk How do you know I'm mad? CAT You must be, or you wouldn't have come here. Alice How do you know that you're mad? Cat To begin with, a dog's not mad. You grant that? Alice I suppose so. Cat Well then, you see a dog growls when it's angry, and wags its [7i] Sk~ i.'!.»i".'.l!j'jjV $mmmm m^mmmmmM st — '. !:L :,'. .ililuilLiUi!:'; )'M* m tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad. Alice I call it purring, not growling. Call it what you like, today? Cat Do you play croquet with the Queen [72] Alice I should like it very much, but I haven't been invited yet. You'll see me there. [Vanishes.] CAT Alice [To squirming baby.] Oh, dear, it's heavy and so ugly. Don't grunt — Oh — Oh — it's a — pig. Please Mr. Footman take it! Frog [Rises with dignity, whistles and disappears into the house; a kettle comes bounding out. ALICE puts pig down and it crawls off.] Cat [Appearing again.] By-the-bye, what became of the baby? It turned into a pig. I thought it would. [Vanishes.] Alice Cat [73] m\ m Hi Mi I »-•-! ! '■'■■' o p p N p m mi hV3J fey pi p I ii sy [FROG comes out of the house with hedgehogs and flamin- goes.] I m Cat [Reappearing.] Did you say pig, or fig? Alice I said pig; and I wish you wouldn't keep appearing and van- ishing so suddenly; you make one quite giddy. CAT All right. [7/ vanishes slowly.] [FROG puts flamingoes down and reenters house. While ALICE is examining the flamingoes curiously, TWEEDLEDUM and TWEEDLEDEE, each with an arm round the other's neck, sidestep in and stand looking at ALICE.] Alice [Turns, sees them, starts in surprise and involuntarily whispers.] Tweedle — dee. w Dum Contrariwise, if you think we're alive, you ought to speak. Dee The first thing in a visit is to say " How d'ye do? " and shake hands! [The brothers give each other a hug, then hold out the twa hands that are free, to shake hands with her. ALICE does not like shaking hands with either of them first, for fear of hurt- ing the other one's feelings; she takes hold of both hands at once and they all dance round in a ring, quite naturally to music, " Here we go round the mulberry bush." Alice Would you tell me which road leads out of — DEE What shall I repeat to her? DUM The " Walrus and the Carpenter " is the longest. [Gives his brother an affectionate hug.] Dee The sun was shining — Alice If it's very long, would you please tell me first which road — [75] pi P Iff Hi § m 1 1 .... 1 \m I m m\ i! m Dee The moon was shining sulkily. Dum The sea was wet as wet could be — DEE O Oysters, come and walk with us The Walrus did beseech — DUM [Looks at Dee.] A pleasant walk, a pleasant talk, Along the briny beach — Dee [Looks at DUM.] The eldest Oyster winked his eye And shook his heavy head — Dum [Looks at Dee.] Meaning to say he did not choose To leave the oyster bed. Dee But four young Oysters hurried up And yet another four — [76] I ■ And thick and fast they came at last, And more, and more, and more — Dee The Walrus and the Carpenter Walked on a mile or so, Dum And then they rested on a rock Conveniently low, Dee And all the little Oysters stood And waited in a row. Dim " A loaf of bread," the Walrus said, " Is what we chiefly need. Dee Now if you're ready, Oysters dear, We can begin to feed." Dum " But not on us! " the Oysters cried, Turning a little blue. [77] % iff; ','■■■■>', I M* i pi ill m^^mm^mm mmms0 " The night is fine," the Walrus said, " Do you admire the view? " DUM The Carpenter said nothing but " Cut us another slice. I wish you were not quite so deaf — I've had to ask you twice 1 " Dee " It seems a shame," the Walrus said, " To play them such a tricky After we've brought them out so far, And made them trot so quick! " Dum " O, Oysters," said the Carpenter, " You've had a pleasant run! Dee Shall we be trotting home again? " Dum But answer came there none — Dee And this was scarcely odd, because [78] V m u m '%#> fe Dum They'd eaten every — Dee [Interrupts in a passion, pointing to a white rattle on the ground.] Do you see that? It's only a rattle Alice Dum [Stamps wildly and tears his hair.] I knew it was! It's spoilt of course. My nice new rattle I [To Dee.] You agree to have a battle? [He collects sauce pans and pots.] Dee [Picks up a sauce pan.] I suppose so. Let's fight till dinner. [They go out hand in hand.] Alice [Hears music] I wonder what is going to happen next. [She backs down stage respectfully as the KING and QUEEN OF HEARTS enter, followed by the KNAVE OF HEARTS carrying the KING'S crown on a crimson velvet cushion, and the WHITE RABBIT and others. When they come opposite to ALICE they stop and look at her.] [The DUCHESS comes out of her house.] [79] vf"\ V-'.' 1 m m 1 m iij 11 fctfSr —*;;'.•?••• —• •*.- Queen [To the Knave.] Who is this? m H\ Knave [Bows three times, smiles and giggles.~\ [80] Queen Idiot! What's your name, child? Alice My name is Alice, so please your Majesty. Queen Off with her head! Off — Alice Nonsense! King Consider, my dear, she is only a child. Queen Can you play croquet? Alice Yes. Queen Come on then. Get to your places. Where are the mallets? Duchess Here. m 1 I m lt"-.!l 1! id! m H Mi ps ibj Ms y m m m r-:?. ) [The FROG appears with the flamingoes and hedgehogs.] m Queen Off with his head! [No one pays any attention.^ m What fun! What is the fun? Knave Alice Knave Why she; it's all her fancy, that. They never execute anyone. What does one do? Alice Queen Get to your places! [She takes a flamingo, uses its neck as a mallet and a hedge- i CC3j hoq as a ball. The FROG doubles himself into an arch. The KING does the same with the followers and the KNAVE offers himself as an arch for ALICE. Even though ALICE does not notice him he holds the arch position. The QUEEN shouts at intervals, " Off with his head, off with her head." fcvjl fea N a N Alice ifcai jsa jtv.ij Jr"" Where are the Chess Queens? Ill . [82] , 11 .-i- , j^^«iiiuiL.ajy? ffijM k i k Rabbit Under sentence of execution. Alice What for? Rabbit Did you say, " what a pity " ? Alice I don't think it's at all a pity. I said, " What No, I didn't, for?" Rabbit They boxed the Queen's ears. [ALICE gives a little scream of laughter.] Rabbit Oh, hush! The Queen will hear you! You see they came rather late and the Queen said — Oh dear, the Queen hears me — [He hurries away.] Alice [Noticing the KNAVE who still pretends to be an arch.} How can you go on thinking so quietly, with your head down- wards? [83] if p! i if....; 1 m - v i 1 i \m\ M Pi: m I ' im\ ^^^^^^ m^mmm^ f;s.7~ r ,.- f AY t v£t Knave What does it matter where my body happens to be? My mind goes on working just the same. The fact of it is, the more head downwards I am, the more I keep on inventing new things. King Did you happen to meet any soldiers, my dear, as you came through the wood? Alice Yes, I did; several thousand I should think. King Four thousand, two hundred and seven, that's the exact num- ber. They couldn't send all the horses, you know, because two of them are wanted in the game. And I haven't sent the two messengers, either. What's the war about? Alice King The red Chess King has the whole army against us but he can't kill a man who has thirteen hearts. [The Duchess, Queen, Frog, and followers go out. The Knave and the Five-Spot, Seven-Spot, and Nine-Spot of HEARTS stand behind the KING.] [8 4 ] King: I only wish I had such eyes; to be able to see Nobody! King Just look along the road and tell me if you can see either of my messengers. I see nobody on the road. Alice King I only wish I had such eyes; to be able to see Nobody! And at that distance too! Why, it's as much as I can do to see real people, by this light. Alice I see somebody now! But he's coming very slowly — and what curious attitudes he goes into — skipping up and down, and wriggling like an eel. King Not at all, those are Anglo-Saxon attitudes. He only does them when he's happy. I must have two messengers, you know — to come and go. One to come and one to go. I beg your pardon? It isn't respectable to beg r.v.-J J^'LZi.'j.'.'.'.^Ljj.'.'-.Hjj.: Alice King •M 1 m m P ji PI m f i! II I m m m m m m\ i .11 a si I only meant that I didn't understand. Why one to come and one to go? King Don't I tell you? I must have two — to fetch and carry. One to fetch, and one to carry. March Hare [Enters, pants for breath — waves his hands about and makes fearful faces at the KING.] Js KING v i You alarm me ! I feel faint — give me a ham sandwich. Another sandwich! $V JE March Hare There's nothing but hay left now. KING Hay, then. There's nothing like eating hay when you're faint. Alice !p] 1 1?: I should think throwing cold water over you would be better. \m p >'rV, !-■••- KING ill! . Ip I didn't say there was nothing better; I said there was nothing like it. [86] MMFM King Who did you pass on the road? March Hare Nobody. King Quite right; this young lady saw him too. So of course No- body walks slower than you. March Hare I do my best; I'm sure nobody walks much faster than I do. King He can't do that; or else he'd have been here first. However, now you've got your breath, you may tell us what's happened in the town. March Hare I'll whisper it. [Much to ALICE'S surprise, he shouts into the KING'S ear.] They're at it again! King Do you call that a whisper? If you do such a thing again, I'll have you buttered. It went through and through my head like an earthquake. Give me details, quick! [8 7 ] \',-m m *;;•£--■ pi III I Jr...' m *N?? m'SMmF' ' : '• •\fi f vmk/ i; aVTr>\ ■ [The KING and MARCH HARE go out, followed by FIVE, fep Seven, and Nine Spots.] w hiff/iL Duchess [Runs in and tucks her arm affectionately into ALICE'S.] You can't think how glad I am to see you again, you dear old thing! ft w Oh Alice Duchess You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit. i II! Perhaps it hasn't one. Alice Duchess Tut, tut, child! Everything's got a moral, if only you can find it. [Squeezes closely, digs her chin into ALICE'S shoulder, and roughly drags ALICE along for a walk.^ Alice The game's going on rather better now. [88] il ^ M Duchess and the moral of that is — " Oh, 'tis love, 'tis love, that makes the world go round ! " Alice Somebody said, that it's done by everybody minding their own business. Duchess Ah, well! It means much the same thing, and the moral of that is — " Take care of the sense, and the sounds will take care of themselves." Alice How fond you are of finding morals in things. Duchess I daresay you're wondering why I don't put my arm round your waist. The reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment? Alice I pi 1 if., ir \m P V .5 ill m Mi i IE*! i w ' v.'.., i He might bite. 8fc,~ Duchess Very true; flamingoes and mustard both bite. And the moral of that is — " Birds of a feather flock together." [89] jjX'-~ '-'-'■'-'--'-'.■'■'■'"><■'■'■'' 'l'"''-''l>'"J^r., r Ml Alice Only mustard isn't a bird. Duchess Right, as usual; what a clear way you have of putting things. Alice It's a mineral, I think. Duchess Of course it is; there's a large mustard mine near here. And the moral of that is — " The more there is of mine, the less there is of yours." Alice Oh! I know, it's a vegetable. It doesn't look like one, but it is. Duchess I quite agree with you, and the moral of that is — " Be what you would seem to be; " or, if you'd like it put more simply, " Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have ap- peared to them to be otherwise." Alice I think I should understand that better if I had it written down, but I can't quite follow it as you say it [90] 1 m. m4 Duchess That's nothing to what I could say if I chose. Alice Pray don't trouble yourself to say it any longer than that. Duchess Oh, don't talk about trouble; I make you a present of every- thing I've said as yet. i d i y i p p Pi pfc> Uhm Thinking again? I've got a right to think. Alice Duchess Alice Duchess m IN Just about as much right as pigs have to fly, and the moral — [The arm of the DUCHESS begins to tremble and her voice dies down. The QUEEN OF HEARTS stands before them with folded arms and frowning like a thunderstorm.] Duchess 1' 1 A fine day, your Majesty Queen Now, I give you fair warning, either you or your head must be off, and that in about half no time. Take your choice! [The DUCHESS goes meekly into the house.~\ Queen Let's go on with the game. [She goes off and shouts at intervals, " Off with his head; off with her head."^\ [92 l —- xHfc== j- A How are you getting on? CAT Alice It's no use speaking to you till your ears have come. I don't think they play at all fairly and they all quarrel so and they don't seem to have any rules in particular. And you've no idea how confusing it is with all th-e things alive; there's the arch I've got to go through next walking about at the other end of the ground — and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming. [Music begins. ] Cat How do you like the Queen? Alice Not at all ; she's so extremely — [The KING, QUEEN and entire court enter. The QUEEN is near to ALICE. The music stops and all look at ALICE ques- tioningly.~\ [ALICE tries to propitiate the QUEEN.] — likely to win, [Music continues.] that it's hardly worth while finishing the game. [QUEEN smiles and passes on.~\ [93] ft. m 1 m ml I«"»L I y-'x i N i si % „■■.■.<.-"•—»" — ■■ » g 2ft'~>J±l'.'.~'.'^jj.:'JMltj.:".'. ! 1 ■,■ ' Ijixilv H IN ji! ^ King Who are you talking to? It's a friend of mine duce it. Alice Cheshire Cat — allow me to intro- KlNG I don't like the look of it at all ; however, it may kiss my hand if it likes. $& I'd rather not. Cat King Don't be impertinent and don't look at me like that. A cat may look at a king, don't remember where. Well, it must be removed, this cat removed. Off with his head! Alice I've read that in some book, but I King My dear! Queen [94] I wish you would have mmmmm^Mmmt ■id i \&i\ <••'/) N 1! Knave But you can't cut off a head unless there's a body to cut it off from. King Anything that has a head can be beheaded. Queen If something isn't done about it in less than no time, I'll have everybody executed, all round. Alice It belongs to the Duchess; you'd better ask her about it. Duchess It's a lie! Cat You'd better ask me. Do it if you can. [It grins away. The DUCHESS and FROG escape into the house.] Cut it off! Queen King 1 MS.! m \m M Everybody It's gone! It's gone! Where, where, where — Queen Cut it off. Cut them all off! Everybody No, no, no! Save me, save me Alice Knave [Shouts to ALICE and gives her a tart for safety.] Take a tart! Queen [Seeing ALICE stand out a moment from the others.] Cut hers off! Cut hers off! IP- Others [Glad to distract QUEEN'S attention from themselves.] Cut hers off, cut hers off, cut — Alice [Cries in fear and takes a quick bite at the tart. If there is a trap door on the stage ALICE disappears down it, leaving the [96] Jlj wm crowd circling around the hole screaming and amazed. If the stage has no trap door, a bridge is built across the footlights with stairs leading down into the orchestra pit. When the crowd is chasing ALICE she jumps over the footlights onto the bridge and as the curtain is falling dividing her from the crowd she appeals to the audience, " Save me, save me, who will save me? " and runs down the stairs and disappears.^ CURTAIN % mi. m I m m m m m m ill i mi ACT III SCENE ONE Is a garden of high, very conventional and artificial looking flowers. On a large mushroom sits the CATERPILLAR smok- ing a hookah. ALICE is whirling about trying to get her equilibrium after her fall. She goes to the mushroom tim- idly and, conscious of her size, for her chin reaches the top of the mushroom, she gazes at the CATERPILLAR wonder- ingly. He looks at her lazily and speaks in a languid voice.~\ ill Who are you? Caterpillar Alice I — I hardly know, sir, just at present. The Queen frightened me so and I've had an awfully funny fall down a tunnel or a sort of well. At least I know who I was when I got up this morning, but I think I must have been changed several times since then. Caterpillar What do you mean by that? Explain yourself. [98] ^mi^ s^s^^^^^^^^^^^^ ^^SM!^E§i0 Alice I can't explain myself, I'm afraid, Sir, because I'm not you see. Being so many different sizes in a day is ve fusing. myself, ry con- You! Who are you? Caterpillar Alice I think you ought to tell me who you are, first. Caterpillar Why? [As ALICE turns away.] Come back. I've something important to say. [ALICE comes back.] Keep your temper. m \m m HI P 1 m N S Is that all? No. Alice Caterpillar m 1 m 1 P [He puffs at the hookah in silence; finally takes it out of his mouth and unfolds his arms.] So you think you're changed, do you? Alice I'm afraid I am, Sir; I don't keep the same size. Caterpillar What size do you want to be? Alice At least I've never been so small as a cater- I don't know, pillar. [ioo] Caterpillar [Rears angrily.] It is a very good height indeed. M •Mi, But I'm not used to it; I wish you wouldn't all be so easily offended. Caterpillar You'll get used to it in time. # Alice Are you too big or am I too small? [She compares her height wonderingly with the tall jfcj; flowers.] II Caterpillar [Looks at her sleepily, yawns, shakes himself, slides down from the mushroom and crawls slowly away.~\ One side will make you grow taller, and the other side will make you grow shorter. Alice One side of what? The other side of what? Of the mushroom. Caterpillar [ioi] m Hi 1 M I II i I m ii •'-■■■ji | i Jr. ., • ii Ami ,t. WWMmiML J* wb/'w r ALICE hesitates, then embraces mushroom and picks bit Wr,'M$ S$$ from each side.] Wi, [Three gardeners representing spades enter carrying \M\ brushes and red paint cans.] Two- Spot Look out now, Five. Don't go splashing paint over me like that. Five-Spot I couldn't help it. Seven jogged my elbow. Seven-Spot That's right, Five, always lay the blame on others. Five-Spot You'd better not talk. I heard the Queen say only yesterday you deserved to be beheaded. Two- Spot What for? Seven-Spot That's none of your business, Two. Five- Spot Yes, it is his business, and I'll tell him. It was for bringing the cook tulip roots instead of onions. [102] %§^Mn ^J^^^ ^^^^^^^^gjSili^^ 3 1! I, A' Seven- Spot Well, of all the unjust things — [Sees ALICE; others look around, all bow.~\ Alice Could you please tell me what side to eat? [Five and Seven look at Two.] Two- Spot I don't know anything about it. [He paints a white rose, red.~\ You ought to have been red, we put you in by mistake, and if the Queen was to find it out we should all have our heads cut off. [A thumping is heard off stage and the music grows louder and louder.~\ Alice What's that? Five- Spot The White Chess Queen. Seven-Spot Don't let her see what we are doing. Two- Spot She'll tell on us. \7.¥» 9. if ill [ J 03] mi m 1 i N m Mi m m\ m if.. J I m \k\ (T.V-J m&^mmM ^mst mm Seven- Spot Run out and stop her from coming here. Five- Spot [To ALICE as she runs to the right.] No, no, the other way. Alice But she's off there! Two- Spot You can only meet her by walking the other way. Alice Oh ! what nonsense. All the Gardeners Go the other way! Alice [Re-enters in dismay and dashes out to the left.] She's running away from me. [The WHITE QUEEN backs in from right and ALICE backs in from left. They meet. The gardeners cry " The Queen " and throw themselves flat upon the ground; their backs are like the backs of the rest of the pack. Music stops. ALICE looks at the QUEEN curiously.'] [104] jf-v/.v^N M ^ j£. ^SmA Slice in G&onDerlanD ^^^^$^1^ Alice Oh, there you are! Why, I'm just the size I was when I saw you last. White Queen Of course you are, and who are these? I can't tell them by their backs. [She turns them over with her foot.] Turn over. Ah ! I thought so ! Get up ! What have you been doing here? Two- Spot May it please your Majesty, we were trying — White Queen [Examines rose.] I see! Begone, or I'll send the horses after you, and tell the Queen of Hearts. [Gardeners rush off. The Red Queen enters. Alice has gone to the mushroom again to look at its sides and there to her amazement finds a gold crown and scepter, which she im- mediately appropriates. Music. The QUEENS watch ALICE superciliously. ALICE puts on her crown, proudly exclaim- ing in great elation, " Queen Alice," and walks down stage bowing right and left to the homage of imaginary subjects. She repeats as if scarcely daring to believe it true, " Queen Alice." Music stops.] i. [I0 5 ] I m m 1 i i p i m m HI i I m m jl pi Red Queen Ridiculous! Alice Isn't this the Eighth Square? Red Queen You can't be a Queen, you know, till you've passed the proper examination. White Queen The sooner we begin it, the better. Alice Please, would you tell me — Red Queen Speak when you're spoken to. Alice But if everybody obeyed that rule, and if you only spoke when you were spoken to, and the other person always waited for you to begin, you see nobody would ever say anything, so that — E3 Preposterous. Red Queen [ro6] H m I I 1 I Alice I only said " if." Red Queen She says she only said " if." White Queen [Moans and wrings her hands. ] But she said a great deal more than that, more than that. Ah, yes, so much i N \,:.J Red Queen So you did, you know; always speak the truth — think before you speak— and write it down afterwards. Alice I'm sure I didn't mean — Red Queen That's just what I complained of. You should have meant! What do you suppose is the use of a child without any mean- ing? Even a joke should have some meaning — and a child's more important than a joke, I hope. You couldn't deny that, even if you tried with both hands. Alice I don't deny things with my hands. [107] m g pi m IES0 it—if •Ni M m 1 m ^Imzm^^M^^^^^^^^^ aflfteSf nnetlanD "^^KS% ■}}i aiice in ftBonDerlanD Red Queen Nobody said you did. I said you couldn't if you tried. White Queen She's in that state of mind, that she wants to deny something — only she doesn't know what to deny! Red Queen A nasty, vicious temper. I invite you to Alice's dinner party this afternoon. White Queen And I invite you. Alice I didn't know I was to have a party at all; but if there is to be one, I think I ought to invite the guests. Red Queen We gave you the opportunity of doing it, but I dare say you've not had many lessons in manners yet. Alice Manners are not taught in lessons; lessons teach you to do sums, and things of that sort. White Queen Can you do addition? What's one and one and one and one and one and one and one and one and one and one? [io81 m Alice I don't know. I lost count. Red Queen She can't do addition; can you do subtraction? Take nine from eight. Alice Nine from eight I can't, you know, but — White Queen She can't do subtraction. Can you do division? Divide a loaf by a knife — what's the answer to that? 1 f/'.v.-j Mi I suppose — Alice Red Queen [Answers for her.~\ Bread and butter, of course. Try another subtraction sum. Take a bone from a dog; what remains? Alice - and the and I'm M m Hi m m '.<■■■'', &\ m m M Mi !".r> The bone wouldn't remain, of course, if I took it dog wouldn't remain; it would come to bite me sure I shouldn't remain. [109] Red Queen remain? W$t, Then you think nothing would m\ Alice I think that's the answer. Red Queen Wrong as usual ; the dog's temper would remain. Alice But I don't see how — Red Queen Why, look here; the dog would lose its temper, wouldn't it? Alice Perhaps it would. Red Queen Then if the dog went away, its temper would remain! Alice They might go different ways! What dreadful nonsense we are talking. Both Queens She can't do sums a bit! [no] ^jj^^^^^^ ^^^feiiiiiiiliaai ^SJj^ m fl~3 m White Queen I can do addition, if you give me time — but I can't do sub- traction under any circumstances. Red Queen Of course you know your A, B, C? Alice To be sure I do. White Queen So do I; we'll often say it over together, dear. And I'll tell you a secret — I can read words of one letter. Isn't that grand? However, don't be discouraged. You'll come to it in time. Red Queen Can you answer useful questions? How is bread made? Alice I know that! You take some flour — White Queen Where do you pick the flower? In a garden or in the hedges? Cm] 1 P :::} I li I! III pi • - V m in GUonDerlanD Alice Well, it isn't picked at all. It's ground — White Queen How many acres of ground? You mustn't leave out so many things. Red Queen Fan her head! She'll be feverish after so much thinking. [They fan her with bunches of leaves which blow her hair wildly.] Alice Please — please — Red Queen She's all right again now. Do you know languages? What's the French for fiddle-de-dee? Alice Fiddle-de-dee's not English. Red Queen P Who ever said it was? IS Alice If you tell me what language fiddle-de-dee is, I'll tell you the French for it! [112] i>v.-.-/^.>. Jjjk 1 *"'- '■'■ ■ '■ ' '•'^•"X. ' . ' —.'-nJ.' 3$ v^ k Red Queen Queens never make bargains! Alice I wish Queens never asked questions! White Queen Don't let us quarrel; what is the cause of lightning? Alice The cause of lightning is the thunder — no, no! 1 meant the other way. Red Queen It's too late to correct it; when you've once said a thing, that fixes it, and you must take the consequences. «» 1 1 ■ tea I ill ■{...it .Ml White Queen We had such a thunderstorm next Tuesday, you can't think. Red Queen She never could, you know. White Queen Part of the roof came off, and ever so much thunder got in — and it went rolling round the room in great lumps — and knocking over the tables and things — till I was so frightened, I couldn't remember my own name! [»3] •'! sSsF m I Alice RM m m H life P m > r-'t' • V..i ' m 1 What trial is it? Who stole the tarts. ate a tart White Rabbit Alice [115] ^ggii^l »5sg3^^ aiicc in OIonDerlanD I ill \ \:::i ft I I White Rabbit You've got to be tried. Alice I don't want to be tried. White Rabbit You've got to be tried. Alice I won't be tried — I won't — I won't! Ss SCENE TWO Is a court room suggesting playing cards. The jurymen are all kinds of creatures. The KING and QUEEN OF HEARTS are seated on the throne. The KNAVE is before them in chains. The WHITE RABBIT has a trumpet in one hand, and a scroll of parchment in the other. In the middle of the court stands a table with a large dish of tarts upon it. White Rabbit [Blows three blasts on his trumpet.] Silence in the court! Alice [Watches jurymen writing busily on their slates.] What are they doing? They can't have anything to put down yet, before the trial's begun. [116] I! li y N toss! N \r:..i\ I fe; T w Knave They're putting down their names for fear they should forget \'{$ them before the end of the trial. \>M> 1 I Stupid things Silence in the court! Alice White Rabbit Jurors [IF rite in chorus.] Stupid things! One Juror How do you spell stupid? Alice A nice muddle their slates will be in before the trial's over. Queen There's a pencil squeaking. Cut it down! Jurors [In chorus as they write.] Squeaking — [»7i m it— {J 1 ill I k ilj I! II! ill aiice in C&onDetlanD s m m m •I I 1 m 1 & I I King [Wears a crown over his wig; puts on his spectacles as says.~\ Herald, read the accusation! he White Rabbit [Blows three blasts on his trumpet, unrolls parchm scroll and reads to music] ["8] ent IN I it The Queen of Hearts, she made some tarts, All on a summer day; The Knave of Hearts, he stole those tarts, And took them quite away! King Consider your verdict! White Rabbit Not yet, not yet; there's a great deal to come before that. King Call the first witness. White Rabbit First witness! Hatter {Comes in with a teacup in one hand and a piece of bread and butter in the other.] I beg your pardon, your Majesty, for bringing these in, but I hadn't quite finished my tea when I was sent for. King You ought to have finished; when did you begin? Hatter [Looks at the MARCH HARE, who follows him arm-in-arm with the Dormouse.] [119] . sa&^fe3g2ffc%2*^^ 1 1 •ii'J'-'t B M',\ m 1 /. • -i • m m m w 1 wr.: 1 Pi 1 pi II If.-.!! ''.V.i' i 6i aiite in MJonDctlaiiD ^""SiME w i 1 I =51 •Hi ■ Fourteenth of March, I think it was. March Hare Fifteenth. Sixteenth. Write that down. Dormouse King Jury \M$ Fourteen, fifteen, sixteen — forty-five. Reduce that to shil lings — Take off your hat. It isn't mine. Stolen/ King Hatter King Jury Stolen! Hatter I keep them to sell. I've none of my own. I'm a hatter [120] k § /fa !S »t«H"'Uif . , it «iii Uta^/A Queen of Hearts [Puts on her spectacles and stares at HATTER, who fidgets uncomfortably.^ King Give your evidence and don't be nervous, or I'll have you exe- cuted on the spot. [The HATTER continues to shift nervously from one foot to the other, looks uneasily at the QUEEN, trembles so that he shakes off both of his shoes, and in his confusion bites a large piece out of his teacup instead of the bread and butter. ^ Hatter I'm a poor man, your Majesty, and I hadn't but just begun my tea — not above a week or so — and what with the bread and butter getting so thin — and the twinkling of the tea — m m 1 m\ m M Ml W The twinkling of what? It began with the tea. King Hatter King m Of course twinkling begins with a T dunce? Go on! [121] Do you take me for a m p HI N I m i *.'■! ' ,''1~/ , '^' ;%;, T f » ;;, , , ' n T;* ,)i 'i • "Hi WW w % m a poor man and most things twinkled after that — only the March Hare said — I didn't! You did. I deny it. March Hare Hatter March Hare King I 11 q| He denies it; leave out that part. Queen But what did the Dormouse say? Hatter That I can't remember. King You must remember or I'll have you executed. Hatter I if '!••••- m ip Ml [Drops teacup, and bread and butter and goes down on one knee.~\ [122] I'm a poor man, your Majesty King If that's all you know about it you may stand down. Hatter I can't go no lower; I'm on the floor as it is. Then you may sit down. I'd rather finish my tea. King Hatter King You may go. [The HATTER goes out hurriedly, leaving one of his shoes behind J] Queen [Nonchalantly to an officer.] And just take his head off outside. [But the HATTER was out of sight before the officer could get to the door.] King Call the next witness! I fV-N fe m m P pi m y Ni 1 Pi V.: :'■""' White Rabbit W I I {.•.vJ 1 p I |fc3 M • 4 'f'V m Next witness! [TV/^ DUCHESS enters with a pepper pot, which she shakes about. Everybody begins to sneeze. MARCH HARE sneezes and rushes ow/.] King Give your evidence! Duchess Shan't! White Rabbit Your Majesty must cross-examine this witness. King Well, if I must, I must. What does your cook say tarts are made of? Duchess Pepper. [The DUCHESS shakes the pot and the court sneezes.~\ Dormouse Treacle! [ The DUCHESS shakes the pot at him. He sneezes for the first time.] [124] Queen Collar the Dormouse! Behead the Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers! [The whole court is in confusion, turning the DORMOUSE out, and while it is settling down again the DUCHESS disap- pears:] White Rabbit The Duchess! Court She's gone — she's gone. P i •r-v m M King Never mind! [In a low tone to the QUEEN.] Really, my dear, you must cross-examine the next witness, quite makes my forehead ache! Call the next witness! It i'-'V I r-v.i; White Rabbit [Fumbles with the parchment, then cries in a shrill little voice.] Alice! Here! Alice [125] I a>-~™ t IHI i— i King What do you know about this business? Alice Nothing whatever. King [To the jury.] That's very important. White Rabbit t/rcimportant, your Majesty means, of course. King £/«important, of course I meant. Important — unimportant — unimportant — important. Consider your verdict! [Some of the jury write " important " and some write " unimportant."] White Rabbit There's more evidence to come yet, please your Majesty; this paper has just been picked up. Queen i i What's in it? White Rabbit pi [Fumbles with a huge envelope.] [126] ill Si DerlanD ^^^^^i|p^ aven't opened it yet, but it seems to be a letter, written by \)L/m the prisoner to — to somebody. King It must have been that unless it was written to nobody, which isn't usual, you know. Who is it directed to? Alice White Rabbit It isn't directed at all; in fact, there's nothing written on the outside. [Takes out a tiny piece of paper.] It isn't a letter at all; it's a set of verses. Queen Are they in the prisoner's handwriting? [The jury brightens up.] White Rabbit [Looks at the KNAVE'S hand. KNAVE hides his hand ; the chains rattle.] No, they're not, and that's the queerest thing about it. [The jury looks puzzled.] King He must have imitated somebody else's hand! [127] B WW M\ pi P Mi 1 1 [•••Si i m fei it— ]■ N pi • ;■.".. j < i! 31 yg% ^•■^-l ii^.: UI!ll)j.'.'- : Li .t/. i ":!i" : '.'i4??...j.'. Ml Eglli^ ^ Knave Please, your Majesty, I didn't write it and they can't prove I %m<, W m § ■I a I II ill li li ii ill did; there's no name signed at the end. King If you didn't sign it that only makes the matter worse. You must have meant some mischief, or else you'd have signed your name like an honest man. [At this there is a general clapping of hands.] That proves his guilt. Queen Alice It proves nothing of the sort! Why, you don't even know what they're about. Read them! King White Rabbit [Puts on his monocle.] Where shall I begin, please your Majesty? King Begin at the beginning and go on till you come to the end, then stop. [128] M J^s Tli.''! ! ! ri~ v 'VT" , "~~'" r .'T'~*'*! '< i* ' ' T ^^^^^^limm^m^^ onDerlanD W$$ in COonDetlanD White Rabbit " They told me you had been to her, And mentioned me to him; She gave me a good character, But said I could not swim. ym i " I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. " My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. m\ " Don't let him know she liked him best, For this must ever be A secret, kept from all the rest, Between yourself and me." King That's the most important piece of evidence we've heard yet; so now let the jury — Alice If anyone of them can explain it, I'll give him sixpence. I don't believe there's an atom of meaning in it. [129] ""'~" r ""~" i "'Trn T i' ... Jj.'.'-lilj Jj.'.'.'-l. L ' . ' . ' . lfl l M ^Mi§^^^MM^MMli^ 4 m m ig if I, — fa :l I If- 1 1 ; J! IV. -J I lii ■v.l £3 She doesn't believe there's an atom of meaning in it. King If there's no meaning in it, that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know. [Spreads out the verses on his knee and studies them.~\ I seem to see some meaning after all. " Said I could not swim." You can't swim, can you? Knave [Shakes his head sadly and points to his suitJ\ Do I look like it? King All right, so far; "We know it to be true," that's the jury, of course; " I gave her one, they gave him two " why that must be what he did with the tarts, you know — Alice But it goes on " they all returned from him to you." King [Triumphantly pointing to the tarts.^ Why, there they are! Nothing can be clearer than that. Then again, " before she had this fit," you never had fits, my dear, I think? [130] / 6.j:."J,'.i.'.'.\-::.'.~:-'.~~i.i r Never King Then the words don't /Ff you. [TT^r^ is dead silence, while the KING looks around at the court with a smile.] King It's a pun! [Everybody laughs. Music] King Let the jury consider their verdict. No, no! Sentence first Stuff and nonsense! [Furiously.] Hold your tongue! Queen -verdict afterwards. Alice Queen I won't! Alice [131] tea! i m m tei pi i i! P ipi if-...*i ili In p ,''>•' ''~f" r ""Z777 fTrr ',7^'"''. • 1 •"' ' ^jag^^te^i^ 5s i# wm W Off with her head! m II m I Who cares for you? Cut it off! Queen Alice Queen m m 1 It 1' I I N m m p Alice You're nothing but a pack of cards! [^ lights go out and curtain falls all the characters hold their positions as if petrified.^ CURTAIN SCENE THREE [The curtain rises to show ALICE still asleep in the arm- chair, the fire in the grate suffusing her with its glow.~\ Carroll Wake up, Alice, it is time for tea. [Off stage the characters repeat their most characteristic lines, " Off with her head," " Consider your verdict," " Oh! my fur and whiskers" ; the DUCHESS sneezes, the cat cries, [132] ■m& 'MM met inJMonmiml} ^'^^^§|P^% as if the characters were fading away into the pack of real 'm,^§' fflv playing cards which shower through the mirror all over ALICE. ^\M§ There is music] M$ Alice \}Vakes, rises, and looks about in surprise and wonder- ment.] Why it was a dream ! CURTAIN % i i i I! 1! :::3 70 8 '> - Deacidified using the Bookkeeper process. Neutralizing agent: Magnesium Oxide Treatment Date: April 2009 PreservationTechnologies A WORLD LEADER IN COLLECTIONS PRESERVATION 1 1 1 Thomson Park Drive Cranberry Township, PA 16066 (724)779-2111