J 
 
 *f 
 
Jlfi/s Daniel. 
 
 T.Wco?noth.fc\ 
 
 I„©o3LIWE 
 
2 E L I N D A, 
 
 A POEM; 
 
 AND 
 
 <£ar*iff Castle, 
 
 A DRAMATIC HISTORICAL SKETCH 
 
 V 
 
 DEDICATED 
 
 (BY PERMISSION) 
 TO THE MOST NOBLE 
 
 THE MARQUIS OF BUTE. 
 
 WZ SI. (B. BIBWIIOb 
 
 AUTHOR OF GWENLLEAN, A TALE IN THREE YQJL&MES. 
 
 PUBLISHED BY SIMPKIN AND MARSHALL, STATIONERS' COURT; 
 
 AND SOLD BY SHERWOOD, NEELY, AND JONES, PATERNOSTER ROW ; 
 
 E. LLOYD AND SON, HARLEY STREET ; 
 
 J. TAYLOR, 116, HIGH HOLBORN, AND 87, OLD STREET ; 
 
 CREW, GRENVILLE STREET, BRUNSWICK SQUARE; 
 
 T. AND G.FLINT, BOOKSELLERS AND STATIONERS, 28, BURLINGTON ARCADE, 
 
 LONDON, AND ROYAL LIBRARY, WEYMOUTH; 
 
 AND ALL DTHER BOOKSELLERS. 
 
 1823. 
 

 JUST PUBLISHED, 
 
 GWENLLEAN, A TALE, 
 
 IN THREE VOLS. 
 
 BY M.G. LEWIS. 
 
 PREPARING FOR PUBLICATION, 
 
 GWYNNE-ARTHUR, 
 
 A WELCH NATIONAL TALE, 
 
 IN THREE VOLS. 
 
 BY M.G. LEWIS. 
 

 TO THE MOST NOBLE THE 
 
 MARQUIS OF BUTE, 
 
 fyc. 8$c. S$c. 
 
 My Lord, 
 
 To you, as the head of a Noble House, and 
 the Representative of a Family, whose name, 
 since the earliest years of my childhood, has 
 been connected in my imagination with every 
 idea of present worth and ancient greatness, I 
 venture to inscribe my very humble work. For 
 the honour conferred on me allow me to return 
 my most grateful acknowledgments ; I know 
 not what the world may think of my pro- 
 duction, but, if it meet your Lordship's appro- 
 bation, and that of my other Noble and generous 
 supporters, much more cannot be desired. 
 
 Although it is the fruit of a very young and 
 inexperienced pen, I feel no apprehension in 
 laying it before your Lordship, for, though your 
 critical judgment will easily discover its nu- 
 
 A 2 
 

 DEDICATION. 
 
 merous imperfections, your known and acknow- 
 ledged generosity of sentiment will erase them 
 from memory as soon as they shall have passed 
 from the eye. Presumption and vanity have no 
 share in this action, for though I dedicate an in- 
 trinsically insignificant work to your Lordship, it 
 is offered with a feeling of the deepest respect and 
 veneration for the Noble House of Stuart, with 
 such a feeling, My Lord, as, rooted in infancy, 
 will, I am assured, strengthen in maturer years. 
 To yourself, and to your amiable and Noble 
 Consort, permit me to express my gratitude for 
 the distinction so flatteringly conferred ; and 
 allow me to add, that, prouder of the Name 
 which graces the Dedication-page, than of the 
 work which it ushers into public notice, I can 
 receive no higher gratification from this little 
 book than to be considered your Lordship's, and 
 the Marchioness of Bute's, 
 
 Most obedient, humble, 
 
 and devoted Servant, 
 
 Mary G. Lewis. 
 
SUBSCRIBERS. 
 
 The Most Noble The Marquis of Bute, 5 Copies. 
 The Most Noble The Marchioness of Bute. 
 
 His Grace the Duke of Argyle 
 Her Grace the Duchess of 
 
 Argyle 
 The Right Hon. the Earl of 
 
 Aberdeen 
 Mrs. Levi Ames, Clifton 
 Mrs. Abrahams 3 Copies 
 
 Miss Allen 
 
 John Arthur, Esq. 2 Copies 
 Colonel Hugh Baillie 
 Mrs. Colonel Hugh Baillie 
 Mr. William Bethell 
 Mrs. Bevan 
 Miss Bevan 
 Mr. Robert Bruce 
 The Rt. Hon. the Earl of Carlisle 
 Mr. Alexander Cameron 2 
 
 Mrs. Alexander Cameron 2 
 Mr. Cox 2 
 
 Henry Clarke, Esq. 
 Mrs. H. Clarke 
 Miss Fanny Clarktr 
 
 His Grace the Duke of Devon- 
 shire 
 
 Richard Hart Davies, Esq. MP, 
 
 Mrs. Richard Hart Davies 
 
 Mr. Thomas Davies 
 
 His Serene Highness the Prince 
 Esterhazy 
 
 William Thomas Edwards, Esq . 
 
 Mrs. W. T. Edwards 
 
 Miss Edwards 
 
 The Right Hon. the Earl of 
 Fife 
 
 Archibald Frankland, Esq. 
 
 William Forrester, Esq. 
 
 3 Copies 
 
 The Right Hon. the Countess 
 of Guilford 
 
 Thomas Gordon, Esq. 2 Copies 
 
 Howell G wynne, Esq. 
 
 Mr. William Gardiner 
 
 Mrs. Hay, Hopes, Haddington, 
 East Lothian 
 
SUBSCRIBERS. 
 
 Mrs. Philip Hughes, Upper 
 
 Montague Street, Russell 
 
 Square 
 William Harford, Esq. 
 Mrs. Harford 
 
 Mr. Isaacs 4 Copies 
 
 Robert Jones, Esq. 
 Edmund Kean, Esq. Clarges 
 
 Street 
 Patrick Kelly, Esq. 
 The Right Hon. the Earl of 
 
 Lonsdale 2 Copies 
 
 The Right Hon. Lady Caroline 
 
 Lamb 
 Lady Leigh, Montague Square 
 Wyndham Lewis, Esq. M. P. 
 
 Glamorganshire 3 Copies 
 Mrs. Wyndham Lewis 
 David Lewis, Esq. 
 Mrs. Philip John Miles, Leigh 
 
 Court, Clifton 
 Barry E. O'Meara, Esq. 
 William Macready, Esq. 
 Levi Moses, Esq. 
 Henry Neele, Esq. 
 Mr. Nixon 3 Copies 
 
 William Owen, Esq. 
 
 Miss Owen 
 
 B.Waller Proctor, Esq. 
 
 I. B. Pearce, Esq. 
 
 Henry Percival, Esq. 
 
 Miss Percival 
 
 Miss Mary Percival 
 
 Samuel Rogers, Esq. St. James's 
 
 Place 
 John Rigby, Esq. 3 Copies 
 
 Miss Rigby 
 Miss Anna Stephens 
 Edward Stephens, Esq. 
 Alfred Stephen, Esq. Lincoln's 
 
 Inn 
 Mr. Sherwin, T. R. D. L. 
 Mr. Smart 
 John Taylor, Esq. 
 Charles Templeton,Esq. 2 copies 
 Mr. Thomas 
 Julian St. Vincent 
 James Woodhouse, Esq.2Copies 
 Thomas Wilson, Esq. 
 Robert Willoughby. Esq. 
 Mr. Watson. 
 
ZELINDA, 
 A VENETIAN STORY. 
 
 BY M. G. LEWIS. 
 
 She walks in beauty, like the night 
 Of cloudless climes and starry skies ; 
 * # - # * * * * 
 ******* 
 Thus, mellowed to that tender light, 
 
 Which Heaven to gaudy day denies, 
 She walks in beauty, like the night 
 
 Of cloudless climes and starry skies. 
 One shade the more — one ray the less — 
 Had half impaired the nameless grace 
 Which waves in every raven tress, 
 Or softly lightens o'er her face, — 
 
 Lord Byron. 
 
ERRATA. 
 
 Page 8, line 9, for rag'd read raged. 
 
 — 16, — 5, for con lined read combined. 
 
 — 41, — 23, for crept read creep. 
 
 — 87, — 6, for owe read own. 
 
ZELINDA. 
 
 LOUD rings the air with joy's resounding peals, 
 Through every breast unwonted pleasure steals, 
 Dry'd is the eye where many a day hath stood 
 The tear of sorrow, swelling to a flood 
 Of bitter anguish, forced, by maddening pain, 
 From hearts that deem'd they ne'er could feel again 
 The thrill of pleasure ; — hushed is ev'ry sigh, 
 Or turned to notes of sweetest harmony : 
 This smiling morn gives Isabel the fair 
 To Prince Lorenzo's son and only heir. 
 Equal in goodness, beawty, rank, were they, 
 And happiest on this widely-happy day. 
 
2 ZELINDA, 
 
 Futurity was hidden from their sight, 
 
 And all was one rich scene of vast delight ; 
 
 They dream'd not of a pang, a cross, a care, 
 
 Guiltless themselves, they thought that others were 
 
 As innocent, nor knew (till after-years 
 
 Had taught them, 'mid affliction's fruitless tears,) 
 
 That man, the child of circumstance and fate, 
 
 Might be urged on to deeds of direst hate, 
 
 To madness and to death ! — With swelling joy 
 
 The Prince Lorenzo gazed upon his boy— 
 
 His darling, and his hope, (of all beside 
 
 Had Heaven deprived him) — gazed with secret pride 
 
 Then turned to view the blushing, timid bride. 
 
 Array'd in Nature's living charms, she shone 
 
 A being deck'd with graces all her own, 
 
 And as the sun's bright rays upon her gleam'd, 
 
 And tinged her beauteous form with gold, she seem'd 
 
 A thing too pure for earth, — a vision rare, 
 
 A seraph, or a sylph,'— yet one was there 
 
 Who dared to claim her for his own, — that one 
 
 Alfonzo was, Lorenzo's only son. 
 
 They seal'd the promise which their souls approved, 
 
 And they were happy — loving, and beloved. 
 
 } 
 
A VENETIAN STORY. 
 
 Yes, they were blest ! — for they had but one heart, 
 Their souls seem'd knit too firmly e'er to part ; 
 Each was adored by each, they had no thought, 
 No wish beyond the present, which was fraught 
 With happiness few mortals e'er can taste, 
 With bliss too great — too perfect long to last. 
 
 Amongst the nymphs, who formed the splendid train 
 Of lovely Isabel, one damsel came, 
 Her long dark tresses, and her darker skin, 
 Betray'd the mixture of her origin; 
 A Spanish mother, and a Moorish sire, 
 Had lent united witchery and fire 
 To all she said and did ; for, though not fair, 
 There was a lofty grandeur in her air, 
 A sportive, playful mockery in her wiles, 
 And all a woman's softness in her smiles. 
 Her mother was an Andalusian born, 
 But, from her friends, her country, kindred, torn, 
 Borne by a Moorish pirate to the shore 
 Of Africa, — the young and noble Moor 
 Alcanzor, saw her — woo'd her to his arms, 
 And soon possessed the lovely Spaniard's charms. 
 b2 
 
I BELINDA, 
 
 But what was Inez now? — oh what was she? 
 
 The wife of Andalusia's enemy ! 
 
 Her country she had forfeited and lost, 
 
 And clung more fondly to Alcanzor's coast, 
 
 For that was heaven to her, there she had seen 
 
 A step as noble, and as proud a mien 
 
 As those which graced her native halls and bowers, 
 
 When revelry had chased the fleeting hours. 
 
 Heaven on their chaste and sacred union smiled, 
 And blessed them with one loved and lovely child ; 
 Zelinda named. The maiden grew apace, 
 And emulated soon her mother's grace ; 
 Her father's soul gleamed from her flashing eyes, 
 But her rich smile, like summer's morning-skies, 
 Shone more resplendant through the dusky hue 
 It graced, and thence a brighter radiance drew. 
 And she was beautiful ! — her face display'd 
 The lovely features of a Spanish maid, 
 Whilst her complexion's darker hue retain'd 
 The Moorish tincture, and her birth proclaim'd ; 
 She had a soul as daring as her sire's, 
 But woman's weakness damp'd its ardent fires> 
 
A VENETIAN STORY. 
 
 Mixing rude strength with graceful cowardice, 
 She seem'd, of Nature's works, the master-piece. 
 
 Not long Alcanzor lived — in battle slain — 
 Inez was left to wretchedness again ; 
 No hope for her beam'd now on Afric's coast, 
 Her husband, friend, protector, lover, lost ! 
 That Avhich had seem'd a paradise before 
 Was now a desart, and a home no more ; 
 She had but one wish left — to cross the main, 
 And seek her father's palaces again. 
 
 Slaves, bribed by gratitude and gold, consent 
 To bear her o'er the fickle element, 
 To guide her safely to her native shore, 
 To much-loved Andalusia's halls once more. 
 
 And now their little vessel stems the tide, 
 And, wrapped in sweet security, they glide 
 (Favor'd by night's dark shadow) silently, 
 O'er the calm surface of the azure sea. 
 What blissful, visionary raptures swell 
 The breast of Inez ! Fancy loved to dwell 
 On scenes the tastes of childhood had esteem'd, 
 And later years had prized; the vision gleam'd 
 
6 
 
 Brightly, but too bright long to last — and then 
 She sunk into her misery again. 
 
 But now the vessel cuts the sparkling wave, 
 
 And leaves a bright track, where the moon-beams lave, 
 
 And Inez' gaze is fixed on those pure skies 
 
 Whose stars had deck'd her earthly paradise, 
 
 And shed a genial, happy influence o'er 
 
 That sacred spot, which she can view no more ; 
 
 Whilst dark, and tranquil is the tideless main, 
 
 0"er which they wing their flight to fertile Spain. 
 
 The morning breaks, — a richer tint is spread 
 
 O'er sea and sky, — one deep, enlivening red ; 
 
 And as they swim before the gentle gale, 
 
 Alarmed, pursuing, they observe a sail ! 
 
 Suspense they were not doom'd to suffer, — fleet 
 
 As arrow from a bow, or vision sweet, 
 
 A Turkish Corsair hail'd them, and then bore 
 
 Down on the tiny vessel of the moor, 
 
 Pounced like the hungry vulture on his prey, 
 
 And dragged the unresisting prize away ! 
 
 Inez was now a captive ! — for her child 
 Alone, she pray'd, and as Zelinda smiled, 
 
A VENETIAN STORY. 
 
 Hoping her parent from her griefs to steal, 
 That smile distracted where it meant to heal ; 
 For well the trembling, anxious, mother knew 
 The lawless riots of a pirate crew, 
 And well she judged that youth, and innocence, 
 'Gainst tyranny and fraud were no defence ; 
 Herself she heeded not, for, in that hour, 
 She knew she could escape the tyrant's power, 
 Death was an easy opening, but she feared 
 Her daughter's courage was not so prepared 
 To meet the blow, and, in th' ignoble strife, 
 To rid herself or him of hated life. 
 
 But Inez' fears were short and vain — Death wound 
 His icy arms her own sweet form around, 
 Chill'd her heart's blood, and, whilst her breath he sips, 
 'Printed his own cold kiss upon her lips; 
 One moment saw the mute Zelinda stand 
 Beside the couch, where Death's benumbing hand 
 Had blighted every joy, — confused her gaze, 
 And dimmed awhile her bright eye's quenchless rays ; 
 The next beheld her madness — heard her rave 
 At fate, which destined to an early grave 
 b 4 
 
8 ZELINDA, 
 
 The only one who lov'd her, or was dear 
 
 To her, heaven's first and richest blessing here. 
 
 But time was not allow'd for grief; the shout 
 
 Of war — the clang of arms — the hasty rout 
 
 Of numbers to their posts — the horrid din 
 
 Of strife without, and mutiny within, 
 
 Rous'd every apprehensive nerve, and she 
 
 Stood, listening, in dread expectancy. 
 
 The contest rag'd till one loud crash proclaim'd 
 
 The struggle over, and the victVy gain'd ; 
 
 And then were heard the shrieks of those who fell 
 
 Into the deep, with one wild, horrid yell, 
 
 Christians and Turks were mingled in the flood, 
 
 Whose butcher'd bodies bathed the sea in blood, 
 
 And, as their dark, untimely fate they met, 
 
 Some call'd on God, and some on Mahomet ; 
 
 Whilst the succeeding silence told that death 
 
 Had claim'd the struggling victim's parting breath. 
 
 And all was horror to the shuddering sense 
 
 Of the bewildered maiden : woe intense 
 
 Sat on her heart, throbbed in her burning brain, 
 
 And froze the life-stream in each curdling vein. 
 
A VENETIAN STORY. 9 
 
 Now the quick rush of footsteps nearer came, 
 The door flew open, and the sacred name 
 Of " Freedom /" told Zelinda she was free 
 From Turkish yoke, and sensual slavery ; 
 Amazed ! Zelinda hastes to quit her chains, 
 One tear dropped o'er her mother's cold remains, 
 The rest were those of gratitude to heaven, 
 For aid so quickly, wonderfully given. 
 
 A stout Venetian, sent to scour the seas 
 
 From foreign foes and daring piracies, 
 
 Had mark'd this Turkish corsair as she bore 
 
 Gallantly, near the Adriatic shore, 
 
 Pursued and conquered, boarded her, and slew 
 
 The rebel leaders of the lawless crew. 
 
 When days and weeks had slowly linger'd o'er, 
 
 The vessel anchor'd on the smiling shore 
 
 Of Venice, and the liberated slaves 
 
 Danced gladly as they touched their native waves. 
 
 Amongst the herd of captive-strangers, sent 
 As suppliants to the chief, Zelinda went ; 
 She had no country now, no home, no breast 
 Whereon her own pierced heart might seek its rest ; 
 
10 ZELINDA, 
 
 She told her simple sorrow, was believed, 
 And under Prince Lorenzo's dome received. 
 Within the noble palace of the Prince, 
 (Where pomp and wealth display'd his eminence 
 In power) a silent prey to filial grief, 
 Dwelt Isabella, daughter to a chief 
 Of famed Almanza's ancient race, but sent, 
 For some state crime, to endless banishment. 
 In youth the Prince had been her father's friend, 
 And though, in human life, most friendships end 
 When sorrows are beginning, he was still 
 Friend to them both ; affliction's cup might fill 
 E'en to o'erflowing, but Lorenzo ne'er 
 Turned from the object of his soothing care. 
 
 Earnestly Isabel had pray'd to share 
 Her father's cheerless exile, but to bear 
 This blooming flower into desart wilds, 
 And unknown lands, perhaps to catch his child's 
 Last fainting breath, when misery had bent 
 Her angel form,, and driven sweet content 
 From that fair brow, whose purity express'd 
 The heaven-like calmness of her purer breast, 
 Were madness ! — No, Lorenzo's word was given, 
 Which pledged her safety, to himself and heaven. 
 
A VENETIAN STORY. 11 
 
 But time had pass'd, and years had travell'd o'er, 
 Since that which drove Almanza from the shore 
 Of his lov'd country to a foreign strand, 
 When, as his light bark moved, his native land 
 Seem'd doubly dear to him, because he ne'er 
 Could touch its shores again. — The deep despair, 
 The unresisted anguish, which had preyed 
 Upon the heart of Isabel, and made 
 Its havoc on her frame, had dimmed her eye, 
 Stolen from her cheek the rose's brilliancy, 
 All, and much more, time's efficacious balm 
 Had almost heal'd ; and now, resigned and calm, 
 Obedient to heaven's just decree. 
 She bore her sorrows nobly, patiently. 
 
 Fame said, indeed, that frequent letters, news, 
 
 And messages, and secret interviews, 
 
 Now pass'd between Almanza and his child ; 
 
 But these reports, improbable and wild, 
 
 Were credited bj' few, for none could think 
 
 That he would rush upon destruction's brink, 
 
 Thus openly invite his enemies 
 
 To wreak their vengeance upon him and his: 
 
 For the stern mandate, which had bade him flee 
 
 From all he loved and prized in Italy, 
 
12 ZELINDA, 
 
 Also enjoined that lie should ne'er again 
 Dare to approach his native shore, on pain 
 Of forfeiting that life which now was spared. 
 (For his past services a meet reward !) 
 
 There was another cause (more wisely guessed) 
 To calm the deep affliction of her breast, 
 It was the fond, the unremitted care, 
 The kind solicitude, the ardent pray'r 
 Breathed for her comfort, — the soft look which told 
 More than his language had yet dared unfold, 
 The cheering smile, the sympathy of soul, 
 The true devotedness of heart, which stole 
 Over her mind in secret reverie, 
 And placed Alfonzo at her feet. — That he 
 Should love her was a thing unlooked-for, — ne'er 
 Had she presumed to think Lorenzo's heir 
 Would wed a being linked to foul disgrace, 
 But then his words with such a tender grace, 
 And such respectful fondness, were express'd, 
 She could not doubt the tale his looks confess'd. 
 Thus were their pure hearts woven into one, 
 Whilst, to complete the happiness begun, 
 The prince Lorenzo did not disapprove, 
 But rather smiled upon their growing love. 
 
A VENETIAN STORY. 13 
 
 He knew A lfonzo's manliness of mind, 
 
 He knew the many virtues which combined 
 
 To deck the soul and form of Isabel, 
 
 He also knew 'twere vain to break the spell 
 
 Which bound his son's young hopes to her for ever, 
 
 And did not try their faithful hearts to sever. 
 
 About the person of this beauteous maid 
 
 The Moorish girl was placed. Her eye betrayed, 
 
 As darkly gleamed its flashing rays, that she 
 
 Felt deeply this degrading slavery ; 
 
 Wait on another's pleasure ! humbly bow 
 
 Before another's shrine ! she — who, till now, 
 
 Had reigned a princess in her native lands, 
 
 Must serve a soft Italian girl's commands ! 
 
 Humiliating state ! — Zelinda's soul, 
 
 Haughty and fierce, had spurn'd the just controul 
 
 Of those who should have tamed her youth, and bent 
 
 Her temper to a milder temperament, 
 
 And ill could brook the name of servitude, 
 
 But then her soul, though lofty, was endued 
 
 With genuine principles of gratitude. 
 
 } 
 
 She felt that to Lorenzo she owed all 
 
 The comfort she enjoy'd ; the portion small 
 
14 ZELINDAj 
 
 Made not the gift less precious, he had done 
 
 For her, all that his power could do for one 
 
 Whom fate had rendered friendless, and alone, 
 
 Upon the world's wide space ; a being known 
 
 To suffering and trial. He could not 
 
 Restore her to that bright and happy lot, 
 
 Which seemed in youth the promise of her age, 
 
 And taught her venturous spirit to engage 
 
 In all that was most great and dignified, 
 
 That raised her emulation or her pride. 
 
 He had protected, succoured her, and soothed 
 
 The bitterness of grief, he too had smoothed 
 
 Her future path through life, if that could be 
 
 Cheer'd by the voice of human kindness. He 
 
 Had no power o'er the dead, he could not bring 
 
 Those spirits back to earth, whose Ariel-wing 
 
 Had borne them to a higher, happier home, 
 
 And would not, if he could, have changed their doom. 
 
 Yet he had done all that a generous mind 
 
 Could prompt, when power and willingness combined i 
 
 Of all that she possessed he was the giver, 
 
 r 
 
 And therefore claimed her services for ever. 
 
 Thus was her haughty spirit reconciled 
 
 To Fate's unchangeable decree. Though wild 
 
A VENETIAN STORY. lo 
 
 And stormy were her passions, she was yet 
 A woman in her heart, and when she met 
 The soft look, and the gentle, kindly tone, 
 Which spoke of comfort, told her that, alone, 
 She was not singled by adversity, 
 And, being a sister in misfortune, she 
 Had fellow-feeling for another's pain, 
 She felt their balm relieve her aching brain, 
 And still more aching heart ; for she had ne'er 
 Vented her grief, but locked in proud despair, 
 Had haughtily resolved that her pent heart 
 Should break, before its sorrows she'd impart 
 To seek for comfort, ask for sympathy, 
 From the cold breast of chill'd humanity. 
 She could not condescend to make it known 
 That human ills had vexed her, or to own 
 That she was subject to the common tide 
 Of human feelings ; she was one whose pride 
 Refused that solace, which the gentle heart 
 Can best receive as well as best impart. 
 
 Such was she in her hour of gloom, — that o'er, 
 Anger, and scorn, and pride, were hers no more, 
 And she, who lately seemed a being steel'd, 
 In all her sex's softness stood revealed : 
 
16 ZELINDA, 
 
 Then might you mould her to the gentlest form 
 That ever woman wore. The young, and warm, 
 And tender heart of Isabel, obey'd 
 Nature's sweet impulse, and the cheering aid 
 Of Friendship's, and Affection's powers conbined, 
 To ease the sorrows of the stranger's mind. 
 
 It seemed young Isabel's peculiar power 
 
 To soothe the rancour of affliction's hour, 
 
 To still the tumult of intruding woes, 
 
 And lull all sorrows to a sweet repose. 
 
 Oh ! few possessed, like her, the heavenly art 
 
 Of easing anguish in another's heart, 
 
 For whilst her own breast nursed its secret grief, 
 
 She still spoke consolation and relief: 
 
 Not unsuccessful was her kind endeavour, 
 
 It won Zelinda's gratitude for ever, 
 
 And, though her situation was not cured, 
 
 She found 'twas not so hard to be endured. 
 
 Thus was the haughty to the mild allied, 
 And both in bonds of generous friendship tied, 
 The proud Zelinda's sorrows lighter grew, 
 Whilst Isabel's assumed a softer hue, 
 
A VENETIAN STORY. 17 
 
 And mingling hearts, souls, sentiments, and grief, 
 They find the union yield a sweet relief, 
 Such might the ministry of saints bestow 
 On the afflicted, saddened child of woe. 
 
 Now two short years had rolled themselves away, 
 Full of life's usual changes, since the day 
 Which gave Zelinda to the prince's care, 
 Who chased her sorrows, calmed her wild despair, 
 And bright-eyed Hope had stationed in their breasts 
 Friendship and Peace, the bosom's wandering guests, 
 When came a cloud surpassing former woes, 
 Which tinctured life with anguish to its close. 
 
 That warm affection, — ripened into love, 
 Which makes two hearts by one fond impulse move, 
 And long had held, in undisputed chains, 
 The souls of these young lovers, — now remains 
 But to be ratified by holier ties 
 Than Love alone can lend his votaries. 
 And now the shout of revelry, — the song 
 Of cheerful mirth, the gay and happy throng, 
 Whom Prince Lorenzo's courtesy invites, 
 To witness young Alfonzo's nuptial rites, 
 c 
 
18 ZELINDA, 
 
 The strains of native minstrelsy which rise 
 Through the domed edifice, — the beaming eye* 
 Of lovely ladies, — the Cavaliers' dress, 
 In all its proud Venetian costliness : 
 The blaze of beauty — and the sparkling glare 
 Of the high company, — the gallant air 
 Of all the young nobility — the great, 
 And princely splendour of Lorenzo's state ; 
 The mazy dance — the ornamented hall, 
 With other brilliance of the festival — 
 Mingling, and floating on the ear and eye, 
 Seem neither more nor less, beneath the sky, 
 Than the enchantment of some fairy sprite, 
 Who, in a freak of fondness, spreads delight, 
 Conjured by all the spells of fairy-power, 
 Before the minion of her lavish hour. 
 
 But 'twas no fairy-influence that sway'd 
 
 The breasts of the young pair, — their hearts were made 
 
 In Nature's finest mould and they were blest 
 
 For mid the happy they were happiest. 
 
 It is not magic spell that binds the soul 
 In love's soft, irresistible controul, 
 
} 
 
 A VENETIAN STORY. 19 
 
 That melts the stern heart — smooths the sullen brow — 
 
 And bids the high and lofty spirit bow 
 
 Before its idol's shrine, — it is a flame 
 
 Kindled at Heaven's own altar, and the same 
 
 Which God ordained to form our happiness, 
 
 In this dark world of woe, but not the less 
 
 It often makes our deepest, dire distress. 
 
 Amongst these cheerful hearts — these careless smiles, 
 
 Enjoyment's wreathed steps — and Pleasure's wiles, 
 
 These sparkling orbs — these lovely brows, serene — 
 
 And all the courtly splendour of the scene, 
 
 You would not think that passions, base as hell, 
 
 And vile as those we may conceive to dwell 
 
 Within a demon's breast, had entrance found, 
 
 To taint with vice this spot of sacred ground. 
 
 There was an eye that watch'd — a soul that grieved — 
 A breast which love and disappointment heaved — 
 A heart where trembling agitation hung, 
 And where the Darkness of Despair had flung 
 Its sable curtain, shutting out the light 
 Of hope and heaven, and expelling quite 
 All rays of goodness, all remains of truth, 
 Which form the chief attraction of our youth, 
 c 2 
 
20 ZEL1NDA, 
 
 It was Zelinda — miserable maid ! 
 
 By love to grief — by grief to crime betrayed, 
 
 Who nursed within her young, and once pure breast, 
 
 A demon to destroy her future rest. 
 
 She long had loved Alfonzo — long had striven. 
 
 To sever from her heart his form of heaven, 
 
 For well she knew the high Venetian's pride 
 
 Would never woo a slave to be his bride ; 
 
 But passion deep and warm, and violent 
 
 As that which in Zelinda's heart was pent, 
 
 Which mars her peace, and dims her sleepless orbsj 
 
 Or in short dreams of bliss her soul absorbs, 
 
 Is not to be restrained by earthly laws 
 
 Of station or of birth. She knew no cause 
 
 Why the devoted heart, which fondly hung 
 
 On the sweet accents that it loved, and clung 
 
 Faithfully to its idol, should be deem'd 
 
 Unworthy the regard it most esteem'd. 
 
 She felt her passion to be chaste and pure, 
 
 Ambitionless though fervent ; — she was sure 
 
 That none could love him better, yet she tried, 
 
 With all the dignity of maiden pride, 
 
 To tear that passion from her breast, and fling 
 
 The thought from memory ; but love would bring 
 
A VENETIAN STORY. 21 
 
 His image back array'd in every grace, 
 And every wonted charm, then fondly trace 
 Each rare perfection of his god-like form, 
 Each manly virtue of that heart, whose warm 
 And generous feelings ever prompted him 
 To deeds of excellence : — no selfish whim, 
 No sordid passion held him in controul, 
 Nor soiled the native candour of his soul ; 
 He was as Nature made him, open, free, 
 Suspicionless of harm or treachery, 
 But, being unskilled to cheat, he wrongly deem'd 
 That other hearts were also what they seem'd. 
 To be exalted, noble, young, and brave, 
 Was not sufficient ; Nature also gave 
 A form, whose dazzling beauty shone above 
 All other earthly forms, inspiring love, 
 And passion, and esteem, and confidence, 
 In those around him ; then the manly sense 
 Which guided every action, the refined, 
 But natural, graces of his polished mind, 
 The ready smile which courtesy bestows, 
 The kind attention paid to others' woes, 
 And all the little nameless arts which bind 
 Another as your slave, in him combined 
 c 3 
 
22 ZEL1NDA, 
 
 To win the soul of woman, to delight 
 
 Her senses, and to charm her raptured sight. 
 
 Such was the being formed to be the bane 
 Of poor Zelinda's peace — her endless pain. 
 With such an object to contemplate, how 
 Could she remember that a sacred vow 
 Would shortl v bind him to another ? He 
 Was all that earth could bribe her with, and she 
 Adored him e'en to madness. When the heat 
 Of summer lured him to some cool retreat, 
 And his exhausted limbs were idly laid, 
 To taste the balmy freshness of the shade, 
 Within a grot, a bower, or lonely cell, 
 Where solitude and contemplation dwell, 
 And o'er his wearied eye-lids gentle sleep 
 Had shed its soothing influence, she would creep 
 To watch his slumbering form, as it reposed, 
 Gracefully, on its couch of earth composed, 
 And there, with all a woman's fondness, gaze 
 Upon the Evil Star of future days. 
 
 Whilst tranquilly he lay, and still as death, 
 
 Oh ! she would hang upon his scarce-drawn breath, 
 
A VENETIAN STORY. 23 
 
 And catch his sighs, as softly they arose, 
 
 Without awakening that calm repose 
 
 His tired frame enjoyed ; but if he chanced 
 
 To move the least, whilst thus she stood entranced, 
 
 Gently, but instantaneous, she withdrew 
 
 From recognition, and he never knew 
 
 The tears which o'er his slumbers had been poured, 
 
 How fondly, nor by whom, he was adored. 
 
 But even this indulgence, innocent 
 
 And harmless as she thought it, was not meant 
 
 To gratify her long — passions will creep 
 
 Into the very bosom of our sleep, 
 
 Which drive all kindlier feelings from the breast, 
 
 And riot, and make hell instead of rest. 
 
 At first, indeed, Zelinda only sought 
 The pleasure to be near him, to add aught 
 That could increase his comforts, to attend 
 In all things to his wishes, and to bend 
 In silent adoration o'er his form, 
 When every look and action, traced by warm 
 Though chaste affection, graven on her heart, 
 Was treasured as if never more to part 
 c 4 
 
24 
 
 From that fair station; but, too oft allowed, 
 
 This innocent indulgence raised a crowd 
 
 Of frightful passions in her breast.— To know 
 
 That she was nursing seeds of endless woe, 
 
 To feel that he, who claimed her every sigh, 
 
 Knelt at another's shrine, — was agony 
 
 Too great for human patience ; she would bear 
 
 These pangs no longer, — all that wild despair, 
 
 And jealousy, and madness can inspire, 
 
 Raged in her bosom with consuming fire, 
 
 And roused her to a desperate deed, (for oft 
 
 Will disappointed passion change the soft, 
 
 The gentle, nature of our sex to fierce, 
 
 Insatiable fury.) She would pierce 
 
 His senseless heart, and wring his very soul, 
 
 Would tell him that a power beyond controul 
 
 Had linked her fate with his, she would disclose 
 
 The love, the hopes, the agonies, the throes 
 
 She long had cherished for him ; she would tear 
 
 The being from his breast who flourished there, 
 
 Would dive into futurity, to know 
 
 All it contained for her of weal or woe ; 
 
 Oh ! she would meet Death's dart in any shape, 
 
 Or any hour, so she could but escape 
 
A VENETIAN STORY. 25 
 
 The anguish which now settled on her brain, 
 And filled her breast with everlasting pain. 
 Such was her mad resolve, and such had been 
 Her madder act, but prudence stepp'd between 
 The thought and deed, and stayed that rash intent, 
 Which urged the crime to its own punishment. 
 
 The gay and smiling morn that rose to bless 
 Alfonzo and his bride with happiness, 
 Dawned but to curse Zelinda ; to erase 
 All seeds of virtue, rectitude, and grace, 
 From her deluded bosom ; — to inspire 
 Such dreadful thoughts as set the brain on fire, 
 And rend the bursting heart, — to seal the whole, 
 Wide, heart-appalling, ruin of her soul. 
 
 She saw their hands united, — she beheld 
 
 The mutual pleasure which their bosoms swell'd, 
 
 The love-directed glance, that quickly flew 
 
 From each to other, open to the view 
 
 Of nought but jealousy or love ; she heard 
 
 The prayers to bounteous heaven that were preferred, 
 
 For their unending, mutual happiness; 
 
 And whilst all other lips were oped to bless 
 
26 ZELINDA, 
 
 This noble pair with all that virtue sheds, 
 
 Hers breathed a curse upon their guiltless heads. 
 
 She saw and heard no more — her soul could not 
 Support the pangs — the agony of thought 
 That now assailed her ; — from this scene of bliss 
 She fled, to plunge into the dark abyss 
 Of woe, and guilt, and ruin. Near the beach 
 Of the wide gulf, and far from human reach, 
 There was a cave, she knew the mazes well 
 Which led to this sequestered, lonely cell ; 
 For oft, in happier times, when the red sun 
 Had sunk, and Luna's course was just begun, 
 Had she and Isabella wandered o'er 
 Jts secret paths, and gained the silent shore, 
 And this cool hermitage, or grotto, where, 
 Gazing on heaven's pale, nightly messenger, 
 Had hours of sweet tranquillity been spent, 
 When love was young, and she was innocent. 
 
 The shore — the cave — the path — none other knew, 
 And hither the distracted maiden flew, 
 To brood in secret sorrow o'er her fate, 
 And curse her destiny, and nurse her hate. 
 
A VENETIAN STORY. 27 
 
 Oh ! where was friendship now ? and gratitude ? 
 And woman's love? and human fortitude? 
 And all the better feelings of the heart ? 
 Which in our wildest grief should ne'er depart 
 And leave us desolate, without a hope 
 Of peace or consolation, giving scope 
 To all the baleful passions, to destroy 
 Our life's short bliss and every future joy. 
 Oh ! they were gone for ever ! all that e'er 
 Adorned her breast was now no longer there ; 
 Gone, " like the baseless fabric of a dream," 
 Whilst dark revenge and passion reigned supreme. 
 Yes, heaven itself, and immortality, 
 With every dignified and precious quality, 
 All happiness below — all hope above, 
 Were sacrificed to hate — to guilty love. 
 
 Stretched on the cold damp earth, the cavern'd floor 
 
 Became her bed ; — the struggle now was o'er 
 
 Which late had raged within her bosom, there 
 
 She lay, a victim to the blank despair 
 
 Which fastened on her, chilling ev'ry vein 
 
 With death's cold stupor ; whilst the inward pain, 
 
 That shot through heart and nerve, subdued her strength, 
 
 And gave the wearied soul reprieve, at length, 
 
28 ZELINDA, 
 
 From its own violence ; but no relief 
 
 Could minister to that corroding grief 
 
 Which prey'd upon her heart, and settled there, 
 
 Turning all future hope to dark despair. 
 
 On the bare rock she lay, her hands outspread, 
 
 Inanimate, and quiet, but not dead, 
 
 Nor senseless, recollection still had power 
 
 To torture in that calm but dreadful hour. 
 
 And thus passed moments fraught with bitterness, 
 
 But heeded not by one whose hopelessness 
 
 Had made her dead to all that fate could bring 
 
 Again to overwhelm her, or to wring 
 
 Her soul with agony. The burning heat 
 
 Of the noon hour had passed : this dark retreat, 
 
 Which she had chosen as a resting-place, 
 
 {Or, rather, as a spot where she could trace 
 
 Her sorrows unmolested, for no rest 
 
 Can place or scene afford, if not the breast ;) 
 
 Secure from observation's prying eye, 
 
 Was shaded over with a rock so high, 
 
 A grove so thick in front, that not one ray 
 
 Of the warm sun could ever find its way 
 
 Within the cave ; yet safely you might sit 
 
 Where the projecting shadows darkly meet. 
 
A VENETIAN STORY. 29 
 
 And view the wide expanse of land and sea, 
 That, clad in Nature's mildest dignity, 
 Lay stretched before you ; but this lonely spot, 
 Sacred to solitary grief, could not 
 Have calmed the fury of her rage, and still'd 
 The mighty tempest which her bosom fill'd. 
 What then created that effulgence bright, 
 Which shot across her features, giving light- 
 To every part of her expressive face, 
 And lending it a more than mortal grace? 
 Was it her usual smile ? Oh ! no, that ne'er,. 
 Seducing as it was, possessed the air 
 Of true sublimity, but this disclosed 
 An inward beam, a something which composed 
 Her tired spirits into rest, and threw 
 Its brilliance o'er her face and bosom too. 
 
 She raised her pale cheek from the earth, which now 
 
 Assumed the animated, vivid glow 
 
 Of strong emotion ; was it deep revenge, 
 
 Or resignation wrought this wond'rous change? 
 
 It was a sudden thought, for you might see 
 
 'Twas not the bosom's own tranquillity, 
 
 But some high passion spreading through her frame* 
 
 (And kindling in her eyes a lightning flame, 
 
30 ZELINDA, 
 
 Which scorch where'er they turn) they now possessed 
 Usurped dominion o'er her panting breast ; 
 It was an essence, — drawn from heaven or hell, 
 Futurity's dark page alone can tell. 
 
 The shades of evening had encircled round, 
 And, in their dubious veil of twilight, bound 
 The rich tints of the warm Italian sky, 
 Far as horizon's furthest boundary ; 
 When, waked to fresh existence by the thought 
 Which now impelled her course, Zelinda sought 
 The scene of revelry — the palace. Here 
 Nought but delight and gaiety appear, 
 Smiles are on every lip, in every eye 
 An emblem of the heart's festivity ; 
 And gazing on that joyous, happy scene, 
 You'd think that sorrow ne'er could intervene 
 To blight the buds of promised happiness, 
 And tinge their future days with wretchedness. 
 
 Zelinda mingled in the lively throng, 
 Joined the light dance, or raised the choral song, 
 In concert with sweet maiden voices, which 
 Came o'er the ear in a full stream of rich 
 
A VENETIAN STORY. 31 
 
 And melting melody ; smoothed was her brow, 
 And every stormy passion silenced now, 
 Yet you might trace, in this exuberance 
 Of wild delight, a strange extravagance 
 Of look and manner, an unreal joy, 
 Which lit a flame that sparkled in her eye 
 With a strange fearful meaning, could it be 
 That hers was all assumed festivity ? 
 And this thin guise of pleasure meant to hide 
 Her disappointed love, her wounded pride ? 
 Or had it a worse source ? Had malice dire, 
 Kindled within a fierce and quenchless fire, 
 Which through her eyes emits its burning blaze, 
 And adds fresh lightning to their scorching rays? 
 Zelinda's love, like all her passions, strong, 
 Had borne her judgment, and her pride, along 
 The stream of error, whose o'erwhelming tide 
 Destroys the fragile bark which dares to ride 
 On its polluted wave : her love was not 
 A passion pure, with truth and mildness fraught ; 
 It was a whirlwind, hurricane, a flame 
 Of conflagration, which, where'er it came, 
 Spread devastation round, o'erpowering all 
 That dared oppose its progress, in its fall 
 
32 
 
 Plunging the soul in sin, blasting for ever 
 
 All hope in earth and heaven, restoring never 
 
 To the lone breast its lost tranquillity, 
 
 But giving up to foul iniquity 
 
 AH the pure graces of the mind, which shed 
 
 A living light when other charms are dead. 
 
 Yet there's a flame whose purity shall bless 
 The soul it animates, whose loveliness 
 Shall add a grace to virtue, whose refined 
 And noble nature elevates the mind 
 Above all selfish feelings ; planting there 
 Passion, and truth, and courage ; which can dare 
 All for its idol, risk each earthly good 
 That wealth might offer, or ambition could 
 Produce to tempt withal : a love like this r . 
 Fervent, and pure as the unfading bliss 
 Of angels, forms a Paradise for those 
 Who feel its influence ; the common woes 
 Of human life are nothing, so they possess 
 This light of life, this all of happiness. 
 
 'Twas such a love — as fervent, and as chaste, 
 The hapless pair were doomed awhile to taste : 
 
A VENETIAN STORY. 33 
 
 Virtue had blessed their sacred union, and 
 
 Their nuptial torch was lit by Love's young hand ; 
 
 Innocence smiled upon their vows, yet fate 
 
 (Which sometimes marks the guiltless for its hate, 
 
 And, when two hearts by mutual faith are plighted, 
 
 And in love's fondest, firmest bands united, 
 
 Parts them for ever, at one cruel blow 
 
 Lays fancy's blissful, brilliant visions low, 
 
 Never to smile again), now darkly loured. 
 
 And o'er their heads a stream of vengeance poured. 
 
 Time passed away. Amid the busy scene 
 Of pleasure, seldom was Zelinda seen ; 
 It had no charms for her, the world might fling 
 Its riches at her feet, they could not bring 
 Back to her heart the comfort which had flown 
 For ever from its seat : she was alone 
 E'en at the festal board, in all the state 
 And crowd of pomp she still was desolate. 
 None knew her wanderings, and none dared inquire 
 The subject of her grief, a restless fire 
 Which sometimes kindled in her eyes, and threw 
 Into her countenance the vivid hue 
 d 
 
34 ZELINDA, 
 
 Of feeling unsubdued, was all that e'er 
 Betrayed the sorrow which she cherished there. 
 
 'Twas one of those seducing summer eves 
 Common in Italy, when fallen leaves 
 Are scarcely rustled by the zephyr's wing, 
 Just when the sun's last rays are lingering 
 On some high tower, or aspiring steep, 
 And o'er the surface of the silent deep, 
 A golden image, the reflection bright 
 Of night's fair goddess, circles into sight ; 
 Whilst the voiceless breeze creeps silently along, 
 As though it feared its low and mournful song 
 Might waken sleeping nature ; — that the scene, 
 So soul-inspiring, lovely, and serene, 
 Tempted Alfonzo, when day's glare was o'er, 
 To tread the lonely and deserted shore. 
 
 The moon had half revealed her silvery light, 
 And o'er the trembling waters cast a bright 
 And liquid radiance ; whilst the gentle splash 
 Of undulating waves, that softly dash 
 
A VENETIAN STORY. 35 
 
 O'er the resplendant sands, is all that here 
 
 Breaks on the silence of the listening ear , 
 
 " Oh ! what can match the melancholy sound 
 
 Of plaintive billows' gush on pebbly ground, 
 
 When thus at eve yon love-star lights the air, 
 
 And tells her god once reigned, and brightly, there!"* 
 
 When thus is shed that soft and witching light, 
 
 Which gilds the bright Italian summer-night. 
 
 Wrapped in sweet reveries, Alfonzo stray'd 
 
 Along the moonlight shore, where softly play'd 
 
 The light sea breeze. On fancy's dreams intent, 
 
 And heedless how, or where, his course was bent; 
 
 He wander'd on, regardless of the hour 
 
 Which should have led him to his lady's bower; 
 
 And locked in that serenity of mind 
 
 Which gilds with joy the days left far behind, 
 
 And paints the future in the brightest dye, 
 
 To man's expecting, visionary eye, 
 
 He gazed upon the scene, so bright, so fair, 
 
 And felt Elysium created there. 
 
 Still he moved on, he could not break the spell 
 Which hung upon his senses, nor dispel 
 
 * Angus. 
 D 2 
 
36 ZELINDA, 
 
 The charm which bound his soul; of all that here 
 Rose to the eye, or stole upon the ear, 
 He was the only witness, none beside 
 Enjoy'd the soothing scene. The rippling tide 
 Now broke upon a rougher ground, the strand 
 Became less level, and the trackless sand 
 Was far less smooth ; surprised, he gazed around, 
 And, waking from his dreams of fancy, found 
 That he was on a strange and distant shore, 
 Which he had neither seep nor known before ! 
 
 Lured by the evening's beauty, he had strayed 
 Far from his princely halls' paternal shade, 
 And lulled by the scene around him, he had not 
 Remarked the foreign aspect of the spot ; 
 Yet 'twas but to retrace his steps, to gain 
 The distant bound'ry of his own domain. 
 
 He turned, then paused awhile, to gaze once more 
 
 On the bright wave and star-illumin'd shore ; 
 
 The scene, though new and strange, was beautiful, 
 
 And perfectly Italian ; it was full 
 
 Of rich variety : wild rocks that flung 
 
 Their heads into the clouds, the trees which hung 
 
A VENETIAN STORY. 37 
 
 Over the waters, and their branches lave 
 
 In the wide Adriatic's glittering wave ; 
 
 The sacred solitude which reigned around, 
 
 Broken but by the low and distant sound 
 
 Of the gondolier's song, that softly crept 
 
 O'er the enchanted ear whilst Nature slept, 
 
 And the faint splash of oars which cut their way, 
 
 Till song, and oar, and wavelet, died away 
 
 Into unbroken silence ; threw a charm 
 
 Over the scene, so sacred, and so warm, 
 
 More like to heaven than earth, that human power 
 
 To shine, had sunk in this seducing hour. 
 
 Alfonzo felt this scene, and lingered o'er 
 Its charms with fondness, loath to leave the shore ; 
 His arms were crossed upon his breast, his eye 
 Fixed on the irradiated canopy, 
 Of heaven above him, where a thousand springs 
 Of light, like sparkling gems on Angels' wings, 
 Spangled the azure vault ; whilst here, and there, 
 A thin and silvery vapour crossed the fair 
 And cold face of the moon : — Oh ! such a night 
 Is seldom given to bless a mortal's sight, 
 d 3 
 
38 ZELINDA, 
 
 And he who viewed it prized it not the less, 
 But, feeling, he confessed its loveliness, 
 
 And still he lingered on that silent shore, 
 
 Enraptured as he stood ; when slowly o'er 
 
 His waking sense rose a deep strain of sweet, 
 
 Unearthly sounds, whose harmony complete, 
 
 And grace, and richness, as it softly stole, 
 
 In a bright vision wrapt the listening soul. 
 
 At first it seemed the gondolieri's song, 
 
 Which, on a night like this, will float along 
 
 The calm sea-shore, making the silent air 
 
 Appear more silent still, by breathing there 
 
 Such strains as sweetest seem when all, beside, 
 
 Is hushed to catch the soft notes as they glide, 
 
 Alfonzo hung upon that melody, 
 
 (His eye cast o'er the broad and glittering sea, 
 
 Where sparkling dolphins play, and moon-beams quiver,) 
 
 And felt he could have listened thus for ever. 
 
 But as it louder swelled, distinct, and plain, 
 
 It seemed to him to be a foreign strain 
 
 Which he had heard before, though when, or where, 
 
 He could not now remember, yet the air 
 

 A VENETIAN STORY. 39 
 
 Was sweet, and wild, and plaintive, and it bore 
 A mystery which he would fain explore, 
 Whence could the voice proceed ? it was too near 
 To be the soft chaunt of the gondolier, 
 Besides, 'twas in a strange and foreign tongue, 
 (Whilst Tasso's native airs alone they sung) 
 And had in it a sadness which expressed 
 The anguish of a lacerated breast. 
 
 He had deemed himself alone on that wild strand, 
 But now his eye glanced o'er the yellow sand, 
 To catch the form of this mysterious guest, 
 Who broke upon the evening's sacred rest, 
 With such sweet harmony ; but not a shade, 
 A human step, or living form betray'd : 
 All was so still and calm, the gentle air 
 The only thing that seemed in motion there — 
 And thus was he perplexed. Alfonzo stood 
 Beneath a rock, which towered o'er the flood 
 In frowning greatness, as he gazed around, 
 Hoping to catch again the magic sound 
 Which chained him to the spot, above his head, 
 On the cliff's pinnacle, the sweet notes play'd. 
 
 d 4 
 
40 ZELINDA, 
 
 A steep and narrow path, half overgrown 
 By moss and briars, perceptible alone 
 To the keen .glance of search or scrutiny, 
 Now met his anxious and inquiring eye. 
 He darted up the rock, (no step more fleet) 
 And penetrates the thickly-fenced retreat 
 Of the invisible musician, where 
 A grove of palms formed the first barrier ; 
 But this he quickly cleared, and crept along, 
 Still guided onward by the stranger's song, 
 To where an opening vista led the way 
 To a dark cavern, which the light of day 
 Had never entered. Further, to the right, 
 And now illumined by the moon's pale light, 
 Rose a small rocky summit bending o'er 
 The ocean's bosom, and the " sea-girt" shore. 
 And here Alfonzo paused, fatigued, amazed, 
 Yet still in doubt, and admiration, gazed 
 On something which, astonished, he beheld 
 By the moon's cloudless brilliance half revealed* 
 
 Upon the precipice's verge reclined — 
 Her sable tresses waving in the wind, 
 
A VENETIAN STORY. 41 
 
 Her dark eye melted to a softer hue, 
 
 And fixed upon the plain of heavenly blue — 
 
 Appeared Zelinda ! at her feet was laid, 
 
 Upon the flowery carpet Nature made, 
 
 A small Italian lute, the use of which 
 
 Fair Isabel had taught. The dark and rich 
 
 Effulgence of her dazzling eye was gone, 
 
 And there she seem'd a thing so pale and wan, 
 
 And yet so beauteous, that to view, unmoved, 
 
 A form by heaven created to be loved, 
 
 Was not Alfonzo's gift. — She saw him not, 
 
 But, wrapped in deep and interesting thought, 
 
 Plaintively warbled o'er the deep-blue sea, 
 
 The fragment of a Moorish melody ; 
 
 A sad and mournful air, yet having power 
 
 To calm the sorrows of her heart, and pour 
 
 A healing balm into her wounded breast, 
 
 And sooth her troubled bosom into rest. 
 
 Alfonzo gazed— Oh ! who has never felt, — 
 As the first time he hath with rapture dwelt 
 On some angelic being, formed to grace 
 His own dark world, — the beauties of that face 
 Crept slowly — warmly — surely, o'er his heart, 
 And fix a deep and everlasting smart 
 
42 ZELINDA, 
 
 In his own breast? 'twas so Aifonzo viewed 
 The goddess of this sacred solitude. 
 
 He felt the poison working in his veins, 
 
 His heart again enslaved in Beauty's chains, 
 
 But striving to shake off the witching spell, 
 
 Called up the lovely form of Isabel, 
 
 Counted her bright attractions o'er and o'er ; 
 
 Then wondered he had never felt before, 
 
 Though oft beheld, Zelinda's loveliness, 
 
 Then grew his virtuous repugnance less 
 
 To own her charms, but quickly glanced aside, 
 
 And to dispel the passion, vainly tried, 
 
 Which now was kindling in his heart. — He turned 
 
 Towards the secret path, but passion burned 
 
 Fierce in his bosom, and again he took, 
 
 As he believed, a last and lingering look 
 
 Of the rare graces of that brilliant form, 
 
 Which bound his senses in a firm, and warm, 
 
 And sudden thraldom, — whose deep influence 
 
 Cast a resistless charm o'er every sense ; 
 
 That look was fatal — he could not withdraw, 
 
 A spell hung o'er him, and a secret awe 
 
 Mixed with his love, which makes him deeper feel 
 
 Its pangs and pleasures, as they quickly steal 
 
A VENETIAN STORY. 43 
 
 Across his beating heart ; Oh ! had he ne'er 
 Returned to view a form so foul, so fair, 
 He had indeed been blest ! — that glance dissolves 
 His heart's pure virtue, and its best resolves. 
 
 Zelinda turn'd, unconscious, but her eye 
 Caught his fine form, the true nobility 
 Of air, which he possessed, no plebian wore, 
 And could not be mistaken. As the roar 
 Of surges beating 'gainst the ruffled sand, 
 Or the loud tempest, sweeping o'er a land 
 Of smiling beauty, blighting every flower, 
 Whirling away, at one destructive shower, 
 AH the fair blossoms of the opening spring, 
 And, by its blasting influence, withering 
 A golden harvest ; — so appeared the flame 
 Of wild emotion which disturbed her frame, 
 A shriek escaped her, an expression strange 
 Came o'er her countenance, a sudden change 
 Convulsed her feelings, and her eye was bent 
 Upon the moving vision, most intent. 
 
 Light as the breezes which around her play'd, 
 From her reclined position sprang the maid, 
 
44 ZELINDA, 
 
 In strong dismay, " Alfonzo here !" she cried, 
 
 " What ! is he come my sorrows to deride ? 
 
 " To plant a deeper anguish in my breast 
 
 " Than that which now disturbs my bosom's rest 1 
 
 " Go — since thy heart can offer no relief, 
 
 " 'Tis cowardly to mock a woman 1 s grief; 
 
 " Go — and for ever! let me ne'er again 
 
 " Behold that form, the source of all my pain ! 
 
 " It is not well, unbidden, thus to pry 
 
 " Into a sorrow, veiled from every eye, 
 
 " For ever shrouded in a breast which ne'er 
 
 " Reveals its agony, its deep despair, 
 
 " To man's unpitying, apathetic view — 
 
 " Yet pause awhile ! — oh ! ere you go — to you, 
 
 " And you alone, will I reveal the pangs 
 
 " My bosom feels ; the misery which hangs 
 
 " O'er my seared heart. — Oh ! could you know the deep, 
 
 " The silent woe, which robs my eyes of sleep, 
 
 " And bathes my couch with tears of bitterness, 
 
 " E'en you would pity, and condemn me less 
 
 " For this confession ; — then let pity move 
 
 " The heart so inaccessible to love ! 
 
 " Hear me, Alfonzo ! for my brain is wrung 
 
 " To agony, — neglected love has stung 
 
A VENETIAN STORY. 45 
 
 " Deep in this heart ! — and, whilst I tell my grief, 
 
 " Know 'tis an anguish dead to all relief, 
 
 " Which prompts me to this wild and dreadful deed, 
 
 " Whence maiden modesty should fain recede. 
 
 " Know 'tis a passion time can ne'er divide, 
 
 " Which hopes not — knows not — ^feels not — aught beside 
 
 " The bliss or pain of loving ; — 'tis a beam 
 
 " Which cheers me in my solitude, — a dream 
 
 " That winds my fancy to a dangerous height, 
 
 " And paints those scenes most exquisitely bright 
 
 " Which I can ne'er enjoy ; Oh ! 'tis a fire 
 
 " That preys upon my heart, whose flames inspire 
 
 " This last rash act : — will not its madness prove 
 
 " How great my sufferings and how deep my love ? 
 
 " 1 love thee! — yes, the scorching words inflame 
 " Thy soul with anger, and thy noble frame 
 " Shakes with disdain ; I see it in thine eye, 
 " Oh ! frown not thus, — in pity let me die 
 " Blest with the thought that you at least forgave 
 " My sinful love, nor followed to the grave, 
 " With scorn or ire, the weak and simple heart, 
 " Which loved to its destruction. Let me part 
 " From you, at least, in peace, for thou art stilt 
 " My guiding-star, let good betide or ill, 
 
46 ZELINDA, 
 
 " But oh ! I rave distractedly, — my brain 
 
 " Burns with the deep intensity of pain; 
 
 " My senses fleet — this heaving heart will burst, 
 
 " You love another / — and 1 — I — am cursed !" 
 
 Stretched at his feet she sunk, and motionless, 
 
 And pale, yet lovelier in her helplessness 
 
 Than when the glow of health adorned her cheek : 
 
 Whilst o'er her prostrate form the moon-beams break 
 
 Through the thick foliage, and shed around 
 
 A light which makes the sadness more profound. 
 
 Astonished — petrified — confused —amazed , 
 And stirless as the form on which he gazed, 
 Stood Prince Alfonzo — had he heard aright ? 
 Had hearing done its office? or had sight 
 Deceived him with a short, delusive dream ? 
 Was it reality? or did it seem 
 Such, to abuse him ? Bending o'er her charms, 
 He raised the lifeless form within his arms. 
 
 Her head was pillowed on his breast — her hair 
 Gracefully floating on the sportive air, 
 His arm sustained her waist, — her eyes were closed, 
 Wrapped in insensibility reposed 
 
A VENETIAN STORY. 47 
 
 Her agitated soul ; — oh ! fatal hour, 
 
 Which gave his pure heart to the ruthless power 
 
 Of a destroying flame, that fiercely glows 
 
 In his impassioned breast, — of future woes 
 
 Laying foundation : had they never met, 
 
 Or never loved, he had been guiltless yet. 
 
 And now a long and dangerous pause ensued, 
 Whilst, in mute extacy, Alfonzo viewed 
 The being who adored him ; passion thrilled 
 Quick through his bosom, and emotion filled 
 His pent and bursting heart. — He was beloved ! 
 Her tears — her agony — her madness — proved 
 The strength of her affection, — could he view 
 Her pangs — her passion and not feel them too ? 
 She had adored him long and fervently ; 
 Though he had loved another, yet had she 
 Cherished his image still ; the faithful heart — • 
 Which could endure such pangs, and ne'er impart 
 Its passion to its idol, till its pain 
 Burst forth in anguish it could not restrain, 
 Must suffer deeply ! Her distress — her truth — ■ 
 Her loveliness — her unprotected youth, 
 Her wild confession — and the senseless state 
 In which she lay, seeming more desolate 
 
48 ZELINDA, 
 
 Than otherwise she would, — all, all combined 
 To blind his reason, to distract his mind, 
 T' inflict a cureless wound within his breast, 
 And lull his guardian-angel into rest. 
 
 He kneels upon the earth, — one arm is thrown 
 
 Around her lifeless form ; the tender tone, 
 
 With which he strives to break the death-like spell 
 
 That fastens on her senses, and dispel 
 
 The icy coldness of her frame, is such 
 
 Would pierce the sleep of death. The gentle touch 
 
 With which he holds her to his heart, — the air 
 
 Of horrified amaze, and wild despair, 
 
 Which marks his countenance, as, bending o'er 
 
 Her lovely form, his fiery orbs explore 
 
 The depths of that deep trance, wfcose stillness seems 
 
 A dark, eternal sleep ; — whilst passion gleams 
 
 Vividly in his eyes, — betray th' intense, 
 
 The poisonous malady whose influence, 
 
 Fatal to youth and virtue, steeps for ever 
 
 The soul in crime, to be forgiven never. 
 
 " Zelinda ! dearest ! loveliest ! most adored ! 
 
 ** Wake from this dreadful trance ! one gentle word 
 
A VENETIAN STORYi 49 
 
 " Vouchsafe to save me from despair, can I 
 
 " Behold thee thus on my own bosom die, 
 
 " And yet survive ? look up — oh quickly speak, 
 
 " Lest my devoted heart with anguish break, 
 
 " Lest — by my madness — by distraction driven 
 
 " To acts abhorrent in the sight of Heaven, — 
 
 '* I leap from that high precipice, and close 
 
 " My life's short course,— its pleasures and its woes 1*1 
 
 He laid her gently on the rock, then flew 
 
 To a clear rivulet* which struck his view 
 
 For the first time, near to the caverned glade, 
 
 Where its small form in tortuous courses stray'd* 
 
 Returning recollection now resumed 
 
 Its former functions, a faint colour bloomed 
 
 O'er her cold cheek ; her eyes, so darkly bright* 
 
 Again beheld the fair and cloudless light 
 
 Of a Venetian sky, but quickly sought 
 
 An object with a deeper interest fraught : 
 
 Alfonzo's half-receding form. Her gaze 
 
 Followed him through the short but devious maze 
 
 Which led him to the spring ; the quick surmise 
 
 That he was gone for ever, that her sighs, 
 
 Her love, her agony, had only raised 
 
 A vengance in his breast, whose fury blazed 
 
 E 
 
50 ZEL1NDA, 
 
 O'er her devoted head, now madly rushed 
 Through her bewildered brain ; all hope was crushed 
 In that tornTenting thought, with one wild shriek, 
 She darted up the rock whose topmost peak 
 O'erhangs the dreadful gulf. — No hand was near 
 To save her from destruction, in her ear 
 Rang the loud curse, the offspring of a mind 
 Which love — hate — jealousy — conspired to wind 
 Into delirium, — what then restrained 
 The meditated plunge, and firmly chained 
 Her foot upon the rock ? what mighty power 
 Withheld her fate till a more guilty hour. 
 And gave her to the world again, to blight 
 The springing blossoms of its chaste delight? 
 Returning from the small and shallow well, 
 With the pure medicine, (his cup — a shell) 
 Flying with love's impatience to the spot 
 Where he had left his charge, what horror shot 
 Quick through Alfonzo's heart, — a vision new, 
 Sudden, and horrible, appalled his view. 
 
 On the remotest verge of that high steep, 
 Awfully bending o'er the trackless deep, 
 A figure stood, whose mad, disordered air 
 Displayed the frenzied wildness of despair : 
 
A VENETIAN STORY. 51 
 
 It gazed upon the flood, and did not shrink, 
 Though it was on the smooth and fenceless brink 
 Of a most dreadful fate ; no start betrayed 
 Fear of the graveless death it coveted. 
 It was a dark but lovely female form, 
 And not unlike the Goddess of the Storm 
 Evoking all her ministers, who dwell 
 In the wild wind — the wave — the boundless cell 
 Of the rude Tempest-Deity, to aid 
 The, magic spells her potent art had laid. 
 Once she looked round — Alfonzo recognised 
 The face he saw, but stunned, and agonised 
 Almost to frenzy, dared not look on that 
 To him so dreadful ; chilling horror sat 
 On his cold limbs, he neither moved nor spoke* 
 And for a moment nought the silence broke ; 
 But breath suspended, dumb, and motionless, 
 With all the real signs of deep distress, 
 Film on his sight, and horror in his air, 
 He stood, — a living image of despair. 
 
 A short, wild laugh of scorn preceded words 
 That pierced Alfonzo's ear like flaming swords, 
 e 2 
 
52 ZELINDA, 
 
 Displaying all the human feelings wound 
 
 Up to one climax ; and the dreadful sound 
 
 Fell on it like a knell. " Still," she exclaimed, 
 
 " Dost thou pursue me 1 is not vengeance tamed 
 
 " In thy unfeeling breast ? can'st thou not spare 
 
 " A being driven to error and despair, 
 
 " By thy perverse insensibility ? 
 
 " Great Prince, 'tis worthy of thy dignity 
 
 " Thus to engulf a wretched maid in sin, 
 
 " And blight her hopes when others' joys begin. 
 
 " Oh ! blind, infatuated fool to own 
 
 " The love my bosom felt ! I might have known 
 
 * That man unjustly scorns the proffered heart 
 
 " That's his unasked^ no gratitude has part 
 
 " In his stern composition, he can view 
 
 " Our sex's sufferings and deride them too ! 
 
 " For thee I banished maiden modesty, 
 
 " And passed the bounds of female dignity, 
 
 " To thee disclosed the pangs my bosom swell, 
 
 " But not unblushingly, oh ! if I fell 
 
 " It was with greatness, e'en must you confess 
 
 " I fell becomingly, and seemed not less 
 
 " A woman in my maddest grief, than ere 
 
 " Urged by rejected passion to despair. 
 

 A VENETIAN STORY. 53 
 
 " But ah ! you bend before another's shrine 
 " Who cannot love you with a love like mine, 
 " She is too mild, too spiritless, and tame, 
 " To feel so lasting, or so fierce a flame 
 " As that which burns within my breast ; could she 
 " Follow through perils, famine, slavery, 
 " Sustain your drooping spirit, cheer your soul 
 " When woes pressed heavily ; eould she controul 
 " The tempest of affliction, meliorate 
 " The pangs of misery, the frowns of fate ? 
 " Perhaps her paler cheek, her fairer form, 
 " May for awhile thy fickle bosom warm, 
 " But these insipid charms will soon decay, 
 " And then Alfonzo's love will fade away 
 " Like to a passing dream. Could she inspire 
 " True love's unquenchable and brilliant fire, 
 " Then might you see, in vast futurity, 
 " Approaching years of fond security ; 
 " But 'tis a futile dream, she does not claim 
 " That energy which gives to love's pure flame 
 " The spring of action ; where, in her, appears 
 " Strength to endure, through long and distant years, 
 " Each change that love — life — destiny, may bring, 
 " And yet adore with fervour ? but 1 wring 
 e 3 
 
54 ZELINDA, 
 
 " My own sad heart with anguish, your's I ne'er 
 " Expect to penetrate ; yet calmly bear 
 " A moment with my weakness, longer, I 
 " Will vex thee not, nor any 'neath the sky. 
 
 " Thy vengance shall be gratified, great Prince, 
 " My death will please thee. From this eminence 
 " (My foot is on the brink) a single leap 
 " Will plunge me in the bosom of the deep, 
 " There will the being you refused to save 
 " Obtain a hearseless, but a peaceful grave. 
 
 " Now, by my sainted mother's God, I swear 
 
 " If thou, Aifonzo, dost reject my pray'r, 
 
 " If you refuse in this decisive hour, 
 
 " When o'er me reason has no further power, 
 
 " I will not live to be thy scorn, but seek 
 
 " Relief from this high cliff's impending peak. 
 
 " I love thee, and without thee life would be 
 
 " To me a scene of changeless misery ; 
 
 " Can'st thou return that love, and pledge thy troth, 
 
 " With thy most binding, sacred, solemn oath ? 
 
 " Or dost thou wish my instant death to see ? 
 
 " One word from you can fix my destiny?" 
 
A VENETIAN STORY. 55 
 
 Zelinda stood as stands the mountain oak, 
 
 Which scarcely bends beneath the thunder-stroke ; 
 
 Or as a rock which lightenings vainly sear, 
 
 And cannot pierce the thing they're forced to spare : 
 
 She stood as one who felt her remedy 
 
 (The only one allowed her) was — to die. 
 
 Yet hers was not the strength of fortitude, 
 Her mind was not with that bright gift endued ; 
 It was the calmness of despair, which stole 
 All consolation from her drooping soul, 
 And, being reckless of her future fate, 
 She only felt that she was desolate. 
 
 But had you marked the conflict which possessed 
 Alfonzo's horrified, half-yielding breast, 
 It ne'er had been forgotten, nor the air 
 Of anguish unsuppressed which triumphed there ; 
 A mist o'ergrew his sight, he dared not look 
 Towards the fatal spot, emotion shook 
 His frame almost to bursting, and his eye 
 Turned from the frightful scene instinctively. 
 A moment — and the victory was complete, 
 He sunk upon his knee, his bosom beat 
 e 4 
 
56 ZELINDA, 
 
 High with a feeling new and strange, — yet he 
 
 Pledged the required oath most sacredly ; 
 
 If that be sacred which can free the soul 
 
 From Virtue's, Honour's, Truth's, and Heaven's controul, 
 
 i( Live !" he exclaimed, " Zelinda, loveliest, live ! 
 
 ** And take all that this heart hath power to give, 
 
 ** Honour, and truth, and constancy" — (but where 
 
 Had truth and honour flown ? they were not there, 
 
 Nor any of the purer attributes 
 
 Of man, which form the line 'tween him and brutes ; 
 
 E'en (with an awfully foreboding frown) 
 
 His Guardian Spirit from the scene had flown !) 
 
 '* Live for Alfonzo ! hear him breathe the vow 
 
 *' Which binds his fate with thine for ever, now, 
 
 *'■ The wave that buries thee beneath the deep 
 
 *' Consigns him also to eternal sleep !" 
 
 'Twas not with those pure sentiments that dwell 
 
 Only in virtuous hearts, and form a spell 
 
 Against temptation, that Alfonzo pressed 
 
 A guilty mistress to his guilty breast ; 
 
 'Twas with the rapture of unholy love, 
 
 Which neither God, nor heaven, nor men approve 5 
 
 And every evening, at the twilight hour, 
 
 The lovers met within their secret bower j 
 
A VENETIAN STORY. 51 
 
 For such they were, if the consuming flame 
 Which burned them merited that sacred name, 
 Their love was lightning, and the scorching flame 
 Destroyed heart — innocence — repose— and fame ; 
 
 Oh ! early lost ! Oh ! early steeped in sin ! 
 Cursed when your life's sweet joys should but begin ! 
 By a misgoverned, guilty passion driven 
 From bliss on earth — from future hope in heaven J 
 
 And still the meteor blazed, — no coolness grew 
 
 Between these loving and devoted two, 
 
 Alfonzo's heart was changed — by magic spells 
 
 Bound to Zelinda's charms, e'en Isabel's 
 
 Pure graces vanished ; her sweet smiles, — her sense, 
 
 Were viewed by him with calm indifference, 
 
 Yet still he loved — or, rather, he esteemed 
 
 Her gentle virtues, and by this he deemed 
 
 He paid sufficient homage at that shrine 
 
 Which wanted little to become divine. 
 
 One eve when hastening to the distant grove, 
 
 With all the impetuosity of love, 
 
 Eager to meet his guilty paramour, 
 
 He passed with caution near the open door 
 
58 ZELINDA, 
 
 Of Isabel's apartment, stopped and gazed 
 
 A moment there. The evening sun-beams blazed 
 
 Through the vast chamber, (for it faced the west) 
 
 And, shrouded in the calm and peaceful rest 
 
 Of virtue, on a couch of richest hue 
 
 The princess lay ; her eyes' soft, melting blue, 
 
 Involved in sleep's dark labyrinth, was hid 
 
 Beneath the snowy whiteness of the lid. 
 
 Hers was that deep and gentle slumber which 
 
 No evil thoughts disturb ; her soul was rich 
 
 In the best gifts of heaven, and you might trace, 
 
 Through the sweet lines of that expressive face, 
 
 Where youth's pure charms harmoniously combined, 
 
 The striking emblem of a purer mind. 
 
 Her tresses played upon her neck, the air 
 Blew the soft ringlets o'er her forehead fair, 
 Her cheek lay on her hand, whose paleness vied 
 E'en with the unpolluted lily's pride ; 
 Her lovely form, more lovely as it shone 
 In grace unborrowed, and the gentle tone 
 Of languor that oppressed her, gave the whole 
 The radiance of a bright and guiltless soul ; 
 Yet he could leave so fair a thing as this, 
 To meet pollution's foul and tainted kiss. 
 
A VENETIAN STORY. 59 
 
 He passed on quickly and soon reached the cave, 
 
 The fatal, guilty spot, to both the grave 
 
 Of innocence and peace ; beneath its shade, 
 
 Near the small spring, appeared the dark-eyed maid 
 
 Zelinda, with a lover's haste he sprung 
 
 From the thick grove whose twining branches hung 
 
 In gay luxuriance o'er the path, and met 
 
 Her smiles with rapture. When the sun had set, 
 
 Seated upon the cliff's high point, a sigh 
 
 Stole from Zelinda's bosom, and her eye 
 
 First glanced beneath upon the lovely shore, 
 
 And then returning slowly wandered o'er 
 
 Alfonzo's features, with that marked expression 
 
 Which never fails to leave the strong impression 
 
 That something's to be asked, or feared, or known, 
 
 A feeling understood by fear alone. 
 
 " Alfonzo !" she at length exclaimed, " do you 
 
 " Believe me faithful to your interests ? true 
 
 " In all things to the love so freely given ? 
 
 " Frown not, — I know you do — by yon bright heaven 
 
 " I'd rather sacrifice my life for thee, 
 
 " Than cause one pang of fruitless misery ; 
 
 " Yet am I bound, by every tie of love, 
 
 " To wring thy bosom and, perhaps, to move 
 
60 ZELINDA, 
 
 " Thy nobler feelings to a dreadful deed ; 
 " But oh ! let youth and pity intercede, 
 " Decide not rashly — she may yet be free 
 " From guilt's defacing stain, and I may be 
 " Mistaken—" " Who?" Alfonzo cried, amazed, 
 Whilst his dark orbs in strict enquiry gazed 
 Upon Zelinda's countenance, to trace 
 Her bosom's secret in her glowing face ; 
 1 Pity ? — and love ? — and guilt's defacing stain ! 
 1 What mean those mad expressions ? — quick, explain 
 ' To whom— by whom — and why they are applied !" 
 ' Be calm, my lord, — 'tis to thine own fair bride." 
 
 * Ungrateful woman ! not the powers of hell 
 
 * Can taint the spotless fame of Isabel ! 
 
 ' She is so pure, in native worth enshrined/ 
 ' That Vice dares not approach her, and her mind 
 1 Is purer still ; 'tis guilt's own forgery, 
 ' A falsehood of the deepest, blackest dye, 
 
 * And thou'rt its victim ! Oh ! can you believe 
 ' Aught of my Isabel, that does not leave 
 
 ' A bright reflection of her virtues ? She 
 f Is goodness all ! and truth, and purity ! 
 
 * Not the bright silver which adorns that sky 
 ' Is whiter than her soul ; oh ! not the high 
 
A VENETIAN STORY. 61 
 
 " And happy spirits, ere from Heaven they fell, 
 
 " More guiltless in intent than Isabel !" * 
 
 'Twas with the air of one who deeply felt 
 
 Some secret, poignant woe (for sorrow dwelt 
 
 Visibly on her brow, and, as she turned, 
 
 Through a bright liquid gem her dark eyes burned 
 
 With shaded lustre,) that Zelinda rose 
 
 From the bare rock, and gazed, awhile, on those 
 
 Pure regions of eternal, boundless space 
 
 Which heaven had spread before her ; yet to trace, 
 
 Or think to trace, in the tale-telling eye, 
 
 The workings of her soul, — was vanity ; 
 
 Grief, calm, and dignified, and woe suppressed, 
 
 Was all that seemed to agitate her breast. 
 
 At length she turned, and ere he was aware 
 
 Fell at his feet ; her mild and placid air 
 
 Betrayed no madness in the act, and cried 
 
 " To save thy name and honour I have tried ! 
 
 " To ope thy eyes to crimes of darkest hue, 
 
 " But thou'rt incredulous; and now adieu 
 
 " Great prince for ever !, Oh ! it breaks my heart 
 
 " To leave thee thus, yet it is time to part 
 
 " Since you distrust me. — Where is now the fond, 
 
 " The heart-felt confidence, which knits the bond 
 
62 ZELINDA, 
 
 " 'Tween lovers ? Can you think that I would frame 
 
 " A lie so dreadful ? brand the noble name 
 
 " Of Isabel with infamy, if she 
 
 " From the imputed crime were wholly free ? 
 
 " No ! had a thousand tongues conspired to fix 
 
 " A stain upon her honour, and to mix 
 
 " Her name with slander, I had ne'er believed 
 
 " Their treacherous lies; but my own heart received, 
 
 " Last night, a proof incontrovertible 
 
 " Of falsehood and deception ; — yet I dwell 
 
 " Tediously on a thing you will not hear, 
 
 " But treat contemptuously, — oh ! may you ne'er 
 
 " Wake from this dream of bliss to know that she, 
 
 " Who would have warned you of the infamy 
 
 " Which hung upon your line, but knew too well 
 
 " The source from which it sprung !— And now farewell ! 
 
 " I've done what duty prompted me to do, 
 
 " Thou hast contemned my friendly aid ; — on you 
 
 " Alone will rest the stain of that foul shame 
 
 " Which blends with guilt your house's noble name." 
 
 She spoke — and fled ere he had power to stay 
 
 Her agile movement, but the restless prey 
 
 Of horror and suspicion, he could find 
 
 No consolation for his tortured mind 
 
A VENETIAN STORY. 63 
 
 Until they met again ; for the vile tale, 
 Used by the artful sorceress to prevail 
 O'er his ingenuous nature, had too well 
 Enthralled him in its dark and poisonous spell. 
 
 He followed and soon traced her to the spot 
 
 Where they were used to meet, the ocean-grot ; 
 
 And cried, whilst agitation shook his frame, 
 
 " Tell me Zelinda, by the sacred name 
 
 " Of that you most revere, if you know aught 
 
 " Against the princess ; ease my maddening thought, 
 
 " Disclose her baseness, guilt, and treachery, 
 
 " Let not compassion plead ! the crimson dye 
 
 " Of crimes like hers shall not escape the eye 
 
 " Of injured honour, her hypocrisy 
 
 " Shall meet its just reward — Oh ! to possess 
 
 " Such bliss and lose it, passes all distress !" 
 
 " Alfonzo, no ! once doubted, e'en to thee 
 
 " I will not stoop again; behold in me 
 
 " A mind too proud to bend to thy caprice, 
 
 *' And humour all thy way-ward fantasies, 
 
 " Is this the recompense of so much love ? 
 
 " Such true affection \ dost thou seek to prove 
 
 " Thy gratitude by doubting and distrust? 
 
 " Ah poor Zelinda e'en thy candour must 
 
64 ZELINDA, 
 
 " Submit to base suspicion !' ? — " Oh, forgive ! 
 
 " The hasty words/' Alfonzo cried, "receive 
 
 " My true contrition, I could ne'er suspect 
 
 " Thy nature of deceit, yet to reject, 
 
 " A moment, the dark truth which sealed my pain 
 
 " Was a relief to my distracted brain. 
 
 " Pardon the rash expression in the heat 
 
 " Of wounded feeling used, and now repeat 
 
 " All that you know to curse me ; let me hear 
 
 " My mighty wrongs at once. Let timid fear 
 
 " Restrain the tongues of cowards, — -yours should speak 
 
 " Boldly, and like yourself, — but do not seek 
 
 " To find excuses for the matchless vice 
 
 " Of this deep hypocrite !" — " Let it suffice, 
 
 " Alfonzo, that I tell thee all I've seen, 
 
 " Suspect no further yet. This lovely scene, — 
 
 " Endeared to me by all that's dear on earth 
 
 " To one so desolate as I, and worth 
 
 " More to my heart than all that pomp can shower 
 
 " Is oft my station, in this peaceful bower 
 
 " I love to muse; last night I lingered here 
 
 " Longer than usual, and the bright and clear 
 
 " Expanse of sea and sky, with mingled light* 
 
 " Threw a refulgence o'er the gloom of night 
 
A VENETIAN STORY. 65 
 
 " So heavenly, so like the hour we met, 
 
 " I could have lingered to enjoy it yet. 
 
 " Locked in the restrospection of past days 
 
 " I marked not time, and, till the moon's cold rays 
 
 a Had sunk within its orbit, and withdrawn 
 
 " Their splendour by degrees, knew not that dawn 
 
 " Was so near breaking; then, amazed, but quick, 
 
 " I hastened from the spot, when through the thick 
 
 " And opaque shadows which precede the light 
 
 " Of day, a dusky figure struck my sight 
 
 " Gliding amongst the trees ; it hastened on, 
 
 " Noiseless but fleet, to yonder bed of stone, 
 
 " And having gained the border of the rill, 
 
 " It paused awhile to mark that all was still ; 
 
 " Then slid within the cave, as though, with ease, 
 
 " It recognized its wild intricacies. 
 
 " Alarm had sent me from the cavern, — there, 
 " Where the tall cedar tree spreads high in air, 
 " I watched its movements ; the high port displayed, 
 " Though wrapped in the impenetrable shade 
 " Of its long garments, the commanding mien 
 " Of one of noble blood, but dimly seen, 
 
 F 
 
66 ZELINDA, 
 
 " Through intervening vapours which the birth 
 
 " Of a new day spread o'er the face of earth, 
 
 " Was soon invisible to sight, and I 
 
 " Lost in a Iab'rinth of perplexity, 
 
 " Was hasting from my perilous station, when 
 
 " A small light figure, winding through the glen 
 
 " That lies below the path, appeared in view, 
 
 " Which with a quick, but silent, movement flew 
 
 " Up the ascent, and passed so very near 
 
 " My hiding-place, that, quite distinct and clear, 
 
 " The features I discovered ; they were those 
 
 " Which oft have lulled you into calm repose, 
 
 " And shed such sweetness o'er your slumbering sense, 
 
 " That you have deemed love, truth, and innocence 
 
 " Lay in that glance : — need I add more, to tell 
 
 " The lineaments were those of Isabel V 
 
 " Oh ! God, I knew it ! — say, what followed next ? 
 " Did she behold you ? was there no pretext, 
 " No lie — no hell-born falsehood to invent 
 ( " A covering for her infamous intent ?" 
 
 " None — for she saw me not, but gliding by 
 
 " Rushed tow'rd the cave; — the light'ning of her eye 
 
A VENETIAN STORY. 67 
 
 " Flashed fearful as she passed me, for it gleamed 
 " More brilliantly than usual, and she seemed 
 " Bent on a nameless deed. Without the wood, 
 " Near the cave's mouth, the tall dark stranger stood ; 
 " A circling zephyr blew his cloak aside, 
 " And shewed his form arrayed in all the pride 
 " Of a Venetian Lord ; his arms were crossed 
 " Thoughtfully o'er his breast, his plumage tossed 
 " In majesty above him, and his gait 
 " Was all you could conceive of princely state. 
 " Soon as his watchful, penetrating eye 
 " Beheld the long-expected object nigh, 
 " To see was to embrace — with one quick bound 
 " He sprang — and clasped her slender form around, 
 " She sunk upon his bosom. — But I dare 
 " Not tell thee more, that ghastly look, — that air 
 " Of settled anguish terrify, that smile, 
 " So dark and bitter in its scornful wile, 
 " Fills me with horror, if you would indeed 
 " Detect her in her crimes, you must proceed 
 " By other measures ; a harsh word, a frown, 
 " Would only serve to draw more caution down 
 " Upon her actions, she would then contrive 
 " A thousand schemes to blind you, but connive 
 F 2 
 
68 ZELINDA, 
 
 " Awhile, at least, in seeming, 'tis a task 
 
 " Too great I own for friendship's voice to ask, 
 
 " Yet 'twill as surely bring those deeds to light 
 
 " Which treachery veils at present from your sight." 
 
 " Torture me not with this suspense," he cried, 
 
 " But quickly tell me, saw you aught beside ? 
 
 "Where went they? did they look, or speak, or move, 
 
 " Like those who meet in fear, in secret love ? 
 
 " Quick ! quick unfold the dreadful tale, — the shame, 
 
 " Which soils the lustre of Lorenzo's fame, 
 
 " Must be wiped out by blood ; no time, nor place, 
 
 " Can shield the author of this vile disgrace 
 
 " From my just vengeance ; by this steel I swear, 
 
 " Here in the front of heaven itself, to spare 
 
 " Age, sex, nor station, for its point shall sever 
 
 " Our ancient name, and infamy, for ever !" 
 
 " Warm greetings o'er, they hastened to the cave 
 
 " Linked fondly arm-in-arm. Eager to save 
 
 " Your trusting honour from abuse, I sought 
 
 " A private path, whose lengthened windings brought 
 
 " My steps so near the grotto, I could view 
 
 " All that might pass within; their last adieu 
 
A VENETIAN STORY. 69 
 
 " Alone, I caught : whatever, else, had been 
 
 ** The object which allured them to this scene 
 
 " Is undiscovered, for I only heard 
 
 " Their farewell promise and the parting word. 
 
 " They parted as in sorrow, no warm sighs, 
 
 " No flames which speak a lover's extacies, 
 
 " Expressed their ardent feelings, and the whole 
 
 " Seem'd but the sacred union of soul; 
 
 " Yet quite impassioned, just as though their hearts, 
 
 " Linked to each other by a thousand arts 
 
 " Which love alone can guess, had spread around them 
 
 " A life whose warmth in Virtue's cestus bound them. 
 
 " The stranger pressed her to his heart, and bent 
 
 " A moment o'er her, whilst the Princess leant 
 
 " In silence on his bosom, then he caught 
 
 " Her hand once more, and, with emotion fraught, 
 
 " Exclaimed ' Forget not, love, thy pledge to meet 
 
 " ' Thy dearest friend in this obscure retreat 
 
 " ' At the appointed time; until again 
 
 " ' That form shall bless my senses, nought but pain 
 
 " * Will fill my aching breast, oh ! then be true 
 
 '< * To this our sweet, but stolen interview.' , 
 
 f 3 
 
70 ZELINDA, 
 
 " i Doubt me not,' Isabella said, * the hour, 
 
 " * Which leads my steps to this sequestered bower, 
 
 " ' Will be to me an age of happiness ; 
 
 " ' My purpose, fixed in its own stedfastness, 
 
 " ' Nought can prevent ; oh ! sooner than forget 
 
 " ' To meet thee thus as we to-night have met, 
 
 " * I could forget to live, love, hope, or fear, 
 
 " « For thou to this lorn bosom art more dear 
 
 " * Than all the world can offer me beside, 
 
 " * To swell my vanity, or soothe my pride.' 
 
 " ' Angel of comfort !' he replied, ' farewell, 
 
 " * My life's sole treasure ! gentle Isabel ! 
 
 " ' The envious day divides us, but the noon 
 
 " ' Of night will bring thee here again, a boon 
 
 " ' Which heaven in mercy grants to cheer this breast, 
 
 " ' So long by Sorrow's bitter sway oppressed,' 
 
 " And then she named the hour, and fixed the night, 
 " Which should restore her to the longing sight 
 " Of her expecting guest ; it was the deep 
 " And silent time of midnight, locked by sleep 
 " In dull forgetfulness, no eyes should wake 
 " But theirs, and no rude interruption break 
 
A VENETIAN STORY. 7i 
 
 " Upon their secret conference ; the night 
 
 " Resolved on was to-morrow's, but the light 
 
 " Of spreading day now warned them to depart, 
 
 " Again the stranger clasped her to his heart, 
 
 " And hung upon her parting words as though 
 
 " His spirit went with her, and he could know 
 
 " Joy, hope, existence, only whilst she stayed, 
 
 " And soothed the anguish which her charms had made. 
 
 " Emerging from the cave a fond adieu 
 
 " Again they took, and then the Princess flew 
 
 " Along the secret avenue, and o'er 
 
 " The rock's steep mazes and the twilight shore. 
 
 " Enveloped in her mantle, no rude eye 
 
 " Could pierce its foldings ; even calumny 
 
 " Itself dared not attack her spotless fame, 
 
 " Nor profanate the Princess* sacred name. 
 
 " Alfonzo, hear me ! 'tis thy sullied line, 
 " Thine injured honour, the polluted shrine 
 " Of Hymen, and thy trusting confidence 
 " Abused, should rouse thee to the quick defence 
 " Of such unequalled wrongs; oh ! if this pair 
 " Are guilty 'twould be cowardice to spare 
 f 4 
 
72 ZELINDA, 
 
 " Their crimes a moment ; but let prudence sway 
 
 " Your actions, it is possible that they 
 
 " May yet be innocent, some humble friend, 
 
 " Perhaps, has claimed her services to lend 
 
 " Assistance in distress." — " Ah ! do not plant 
 
 " A scorpion in my breast, whose sting will haunt 
 
 " My couch for ever !" cried the wretched Prince, 
 
 " What did that midnight mystery evince 
 
 " But a disgraceful passion ? Gods ! I loved 
 
 " Beyond all human thought, — but she has proved,— 
 
 " She — my best love — my heart's sole joy — my bliss, 
 
 " Whose smiles I deemed it heaven to possess — 
 
 " Has proved my curse ! Oh ! not my bitterest foe 
 
 " In hour malign could wish increase of woe, 
 
 " Would heap more anguish on this suffering heart, 
 
 " From happiness for ever torn apart ! 
 
 " Unsullied must Lorenzo's name proceed 
 
 " From age to age, no diabolic deed, 
 
 " No shame shall stain the honour of our line, 
 
 " Nor withering weed of infamy entwine 
 
 " With the green laurels of our house, to blast 
 
 " The fame it hath enjoyed for ages past. 
 
 J ' To-morrow's eve will bring the guilty pair 
 
 " To yon dark grotto, — I will meet them, — there 
 
 I 
 
A VENETIAN STORY. 73 
 
 " Avenge my wrongs, no latent spark of love 
 
 " Shall change my purpose, nor have power to move 
 
 " My stern but just resolve; oh ! thus to feel 
 
 " The maddening sense of degradation steal 
 
 " In strong conviction o'er me, and to know 
 
 " That peace has fled for ever, that, below 
 
 " There is no comfort left, that nought can smooth 
 
 " The roughness of my destiny, nor soothe 
 
 " My fevered brain a moment, is to feel 
 
 " The soul's deep curse, — a pang which nought can heal !" 
 
 His forehead sunk upon his hand, a tear, 
 
 (The dew of agony) which seemed to sear 
 
 His heart in its descent, (for, when the eye 
 
 Of Man weeps, 'tis increase of misery, 
 
 And not relief of it, such as we find 
 
 In tears, for the oppressed and anguished mind), 
 
 Rolled down his cheek ; and then he paced the ground 
 
 With a quick step, and drew his cloak around 
 
 His fine form with an air of majesty, 
 
 That seemed to speak disdain ; whilst his dark eye 
 
 Flashed fire, and a half smile of scorn passed o'er 
 
 His lips, then left them livid as before, 
 
 With mental anguish ; and the strife within 
 
 Spoke through those eyes ; whilst his indignant mien, 
 
 
 
74 ZELINDA, 
 
 Displaying all his pride of soul, expressed 
 
 The conflict which disturbed his writhing breast. 
 
 " Alfonzo," said the arch fiend at his side, 
 
 In a soft voice, whose 'witching tones might glide 
 
 Into the bosom of a saint, and raise 
 
 All dormant feelings to the quenchless blaze 
 
 Of human passion ; whilst the speaking smile, 
 
 So full of tenderness, might well beguile 
 
 All virtue from his breast; " thy purpose just 
 
 " I will not seek to turn, but firmly trust 
 
 " That no rash thought, no vein infuriate, 
 
 " Will prompt thee to a deed of blood and hate ; 
 
 " For oh ! remember 'tis thy blooming bride 
 
 " Thou would'st destroy, then let your rage subside, 
 
 " And calm, collected, blinded not by wrath, 
 
 " Observe and follow them. The secret path, 
 
 " Which stretches from the shore to this dark grot, 
 
 " The Princess will pursue, so, take it not, 
 
 " Or thou may'st be perceived ; but at the hour 
 
 " Of midnight, thou shalt see a small flag lower 
 
 " Beneath the palace-gardens, 'tis the mark 
 
 " Of one who will assist thee ; a light bark 
 
 " Will be in waiting on the adjacent shore 
 
 '* To serve thy pleasure, and will waft thee, o'er 
 
 
A VENETIAN STORY. 75 
 
 " The waters of the gulf; upon the sand, 
 
 " Below this rock, I'll wait to see thee land, 
 
 " Then lead thee to the spot, and if I crave 
 
 " Aught in this mediation but to save 
 
 " The honour of your house, may Heaven reserve 
 
 " For crimes so dark the Hell which they deserve !" 
 
 " Oh ! sweet adviser, — guardian angel! — say, 
 " How shall I e'er reward thee ? how repay 
 " The vast debt which I owe? to thee alone 
 " The shame which rests upon our line is known, 
 " With thee will sleep for ever ; oh ! thou art 
 " My sole remaining bliss, — my better part ; 
 " Counsel like thine 'twere madness to reject, 
 " To live — die — strike — forbear — as you direct 
 " Alone is left for me, my truth — my love, — 
 " My gratitude — let after-actions prove !" 
 
 He spoke, and clasped her to his heart, but round 
 His brows there seemed a fiery circle bound, 
 Whilst coldness ran through all his veins, and chill'd 
 The stream within them, and his bosom thrilled 
 With something like to horror ! Why should such 
 Unusual awe assail him at the touch 
 
76 ZELINDA, 
 
 Of one so pure? dispersing his alarms, 
 He pressed the demon closer in his arms ! 
 
 The evening came — long ere the moon could reach 
 Her highest point, Alfonzo sought the beach, 
 And watched the progress of the waves which lashed 
 The smooth Italian shore ; and slowly dashed 
 Their lazy forms upon the sand, or curled 
 Them into hills, and o'er the white rocks hurled 
 The sparkling foam ; whilst the reflected sky 
 Shone in the depths of ocean, and the eye, 
 Glancing from sea to heaven, might view one bright 
 And cloudless hemisphere of moving light. 
 
 Now on the ocean a dark speck appears, 
 
 Increasing in dimension as it nears 
 
 The destined strand, and gliding swiftly o'er 
 
 The waves which play upon the royal shore, 
 
 Whereon the palace rears its haughty crest, 
 
 The rower sinks upon his oar to rest ; 
 
 A small white flag, the only sail the boat 
 
 Can boast of, is allowed awhile to float 
 
 High on the passing breeze, then slowly lowered, 
 
 Whilst o'er the deep the young gondolier poured 
 
A VENETIAN STORY. 77 
 
 His strain of harmony ; Alfonzo knew 
 The well constructed sign, and quickly drew 
 Near to the vessel ; on its stern appeared 
 A strangers figure, yet Alfonzo veered 
 Not from his purpose, stepping from the shore, 
 The bark its burthen o'er the light waves bore. 
 
 And then the stranger turned, and the dark eyes, 
 The smile he could not fail to recognise, 
 Gleamed on him like the radiance of the stars, 
 Whose brilliance shines 'mid elemental wars ; 
 For in her face strange feelings were expressed, 
 And now amaze — and now affright possessed 
 Her changing countenance, yet still she'd smile, 
 As though she deemed that effort could beguile 
 The conflict of her agitated mind. 
 Her cheek upon Alfonzo's breast reclined, 
 Her hand fast locked in his, her flashing eye 
 Rivetted on the pure and stainless sky, 
 They moved along; the swift gondola flew 
 Through waves of gold, and jet, and azure-blue ; 
 And as they floated on the glittering main, 
 O'er the deep waters rose the pleasing strain 
 Of those who plied the oars, whilst Tasso's soul 
 Spoke in their songs, and harmonized the whole, w 
 
78 ZELINDA, 
 
 Their theme was love, they hung upon the name 
 
 As though their hearts confessed the piercing flame, 
 
 Or thought, perchance, 'twould light the speaking eye 
 
 Of their sad guest, and soothe his misery ; 
 
 But vain attempt, no human skill had power 
 
 To cheer his soul in this distressing hour, 
 
 Not all that Tasso ever wrote or sung 
 
 Had art to soothe him, a strange sadness hung 
 
 O'er all his faculties, his soul was pent 
 
 Up in its misery, and nothing lent 
 
 Relief or consolation to that mind, 
 
 By jealousy, to deeds of hate resigned. 
 
 As they approached the shore a horrid sound 
 Rang o'er the waves, and filled the air around, 
 And shrieked into their ears ; it seemed to be 
 The scream of one in mortal agony, 
 Dying by suffocation, — drowning, — hurled, 
 Lep'rous and guilty, to a future world ; 
 'Twas nothing human, and the gurgling throat 
 Like one in Fate's strong hold, — the wild death-note, 
 Were most horrific ; the affrighted pair 
 Looked round, aghast, though they could hardly dare 
 To glance upon the sea, lest they should meet 
 Some soul-appalling object ; their hearts beat 
 
A VENETIAN STORY. 79 
 
 In terror, but the vessel touched the strand, 
 
 And, springing on the smooth and shining sand, 
 
 They trod the rock's steep maze. The prince's breast, 
 
 Now by a thousand boding fears oppressed, 
 
 Felt all that inward agony of heart 
 
 Which, when compelled to act a bitter part 
 
 Tow'rd those we fondly love, is ever felt 
 
 By the warm soul where passion once hath dwelt. 
 
 In silence, deep and awful as the grave, 
 
 They climbed the dark ascent, and reached the cave, 
 
 And sought a private spot, but scarce revealed 
 
 In the broad light of day, and now concealed . 
 
 Fired by imaginary wrongs — and bent 
 
 On a most dreadful deed, Alfonzo meant 
 
 To count the moments, till the guilty pair 
 
 Should keep their criminal appointment there ; 
 
 He had not waited long ere, through the trees, 
 
 Whose waving branches played with every breeze 
 
 That danced around them, an advancing form 
 
 Was sometimes visible ; Alfonzo, warm 
 
 With his revengeful ire, could scarce restrain 
 
 His actions, or have patience to remain 
 
 Within his dark abode ; for the bare sight 
 
 Of the vile wretch, who basely sought to blight 
 
80 ZELINDA, 
 
 The honour of his lineage, and defame 
 His house's future nobleness of name, 
 Wound him almost to frenzy, yet he quelled 
 The rising tempest, and awhile repelled 
 The mighty storm, expecting the next hour 
 Would give the spoiler fully to his power. 
 And so it proved — for, with a step as hushed 
 As the south wind, a noble person rushed 
 Into the cavern, where he paused ; the light 
 Of the moon's rays reflected on his bright 
 Habiliments, a dagger's gleaming blade, 
 A soldier's sash and sword were all displayed ; 
 But still his features were concealed, the hue 
 Of Luna shone not on them, and he drew 
 His dark cloak o'er him cautiously, to hide 
 His glaring costume and his figure's pride. 
 A light step now approached, the stranger sprung 
 To meet it, — the succeeding moment hung 
 On the fond breast of him she loved so well, 
 With equal joy — the Princess Isabel ! 
 
 Caressed, and clasped within the stranger's arms, 
 " Oh !" she exclaimed, " what horrors — what alarms 
 " Have chased me to this spot ! and much I dread 
 " My steps have been observed ; the way I fled 
 
A VENETIAN STORY. 81 
 
 " May easily be traced, — should it be known 
 " That I have ventured hither, that, alone, 
 " I braved the dangers of the night, and sought 
 " This private meeting, will it not be thought 
 " My confidence and love were both too small, 
 " Or I had trusted to affection all?" 
 
 " Silence these apprehensions, let no fear 
 
 " Disturb our blissful meeting, it is here 
 
 " Alone I know what joy is ; — thus to hold, 
 
 " A form more precious than a mine of gold, 
 
 " To a fond anxious breast, to be assured 
 
 " That time has not effaced thy love, nor lured 
 
 " Thy heart from duty, yields the brightest blaze 
 
 " Of hope, and cheers the gloom of future days, 
 
 " Which long has compassed me ; then why should you 
 
 '• Allow the shade of sorrow to imbue 
 
 " Our sacred meeting thus ?" " Oh ! I am ill 
 
 " At heart, and terrifying visions fill 
 
 " My agitated brain ; — my eyes grow dull, 
 
 " My senses fail, — my wretched breast is full 
 
 " Of strange presentiments,— I faint, — the air 
 
 " Will soon revive me, — lead — oh ! lead me there." 
 
 G 
 
82 ZELINDA, 
 
 She sunk upon his arm, he clasped her round, 
 And bore her quickly to the stream which bound 
 The cave without. Alfonzo followed — fired, 
 To deeds of frenzy by revenge inspired, 
 He drew his poniard — sprung upon his foe — 
 By instinct tutored to avoid the blow, 
 The stranger turned, and fiercely strove to gain 
 The treach'rous blade, but ere he could restrain 
 Its high-raised point, the murdering weapon fell, 
 And pierced the guiltless breast of Isabel ! 
 
 " Foiled in my purpose?" shrieked Alfonzo, " no ! 
 " Dastard, and villain, know me for thy foe ! 
 " I am Alfonzo— Oh ! I blush to tell 
 " The tie which binds me to that devil ! — Hell 
 " Had her reward in store, 'twas not my aim 
 " To send her there so soon, — but thou shalt claim 
 " Small mercy from an injured husband's arm!" 
 He drew the reeking steel from its yet warm 
 And pure abode, when a strong grasp withheld 
 His hand, and, turning, he at once beheld 
 The stranger's face ; oh, God ! he recognized 
 Those features, and amazed, and paralysed, 
 
A VENETIAN STORY. 83 
 
 He deemed some fiend had conjured up the light 
 Which gave Almanza to his tortured sight ! 
 
 The crimson tide gushed forth — the father sprung 
 Close to his bleeding child, and wildly hung 
 Over her form ; her dying orbs unclosed, 
 And full of angel-sweetness were reposed 
 Awhile upon her sire, and then she tried 
 To speak his name, but utt'rance was denied ; 
 A deep low groan, foretelling speedy death, 
 Convulsed at intervals her quivering breath. 
 
 Whilst with a supernatural grasp she held 
 
 Her father's hand, her wandering eye beheld 
 
 The prince's figure ; crimsoned with the blood 
 
 Of innocence, aghast Alfonzo stood, 
 
 And gazed upon the havoc he had wrought, 
 
 But scarce believed his sight ; whilst madd'ning thought, 
 
 And dreadful doubts, and strong conviction, tore 
 
 His anguished breast till reason was no more. 
 
 His piercing eye-balls strained — his brows half raised 
 In horror, and the hue of death which glazed 
 g 2 
 
84 ZEL1NDA, 
 
 Those orbs of flame, the severed lips bereft 
 
 Of colour, and an ashy whiteness left, 
 
 His form contracted, whilst his hand still clasped 
 
 The instrument of death, and firmly grasped 
 
 Its weltering blade ; — all struck upon her sight 
 
 At one quick glance, and horror and affright 
 
 Loosed the chill bonds of death, the princess spoke, 
 
 But first a piercing scream of anguish broke 
 
 From her pale lips, " Oh heaven, that form ! 'tis he,— 
 
 " My husband ! — plunged in sin and misery, 
 
 " What fiend impelled his hand, to add a curse 
 
 " To his ill-fated destiny 1 Oh ! worse 
 
 " To fall thus by the hand which we adore, 
 
 " Than for a thousand enemies to pour 
 
 " Their wrath at once upon the suffering soul ! 
 
 " Could no kind friend, no guardian power controul 
 
 " That hand, ere 'twas so deeply stained with gore ? 
 
 " But I forgive thee, prince ! not one word more, 
 
 " Reproachful, shall escape me. Oh ! draw near, 
 
 " Receive my dying breath, thou art most dear 
 
 " Still to this bleeding bosom. — I confess 
 
 " 'Twas not a generous act — but — once more press 
 
 * This form in those loved arms. To clear my fame, 
 
 " From the foul stigma of abandoned shame, 
 
A VENETIAN STORY. 85 
 
 **■ Is not allowed me, yet there's one can tell 
 " My perfect innocence ; — I loved her well, 
 " She shared my joy and sorrow, — it is she 
 " Who oft hath charmed you with her minstrelsy, 
 " Zelinda — she well knows the mighty power — 
 " The cause — which led me to this fatal bower; 
 " My monitress in all things, and my friend, 
 " Her fealty only with her life can end ! — 
 " I can no more — Alfonzo — husband — speak — 
 " My eyes grow dim — but if thou would'st not break 
 " This heart before its time, oh ! only say 
 " That you still love me — and this fragile clay 
 " Will rest in quiet. — Father ! where art thou ? — 
 " Thou hast not left me? — Ah \ I feel thee now, 
 " But see thee not — yet are my eyes unclosed — 
 " Is this to die ? — is this to be reposed 
 " In the cold arms of death? — a fond embrace, 
 " On the last scion of thy withered race, 
 " Again bestow! — May Heaven thine age defend, 
 " My sole — my earliest — my latest friend ! 
 " Farewell Alfonzo ! we shall meet above, 
 " No jealous fears can mar our perfect love 
 " In that bless'd realm — but oh ! I faint — I die — 
 " Father — receive your child's last breath !" — her eye 
 G 3 
 
86 ZELINDA, 
 
 Glazed as he viewed it — on Almanza's breast, 
 Her gentle -spirit found eternal rest ! 
 
 The arm which had sustained her now sunk down, 
 Stiffened and cold,— the springs of life o'erthrown ;- 
 No hand had slain him, no rude steel had sought 
 The fate this burden of affliction brought, 
 Yet there he lay, heart-broken, not one sigh 
 Told of his bosom's bitter agony ; 
 Death brought a quick relief for all his woes, 
 But sent him, — lorn, — without a friend to close 
 His eyes, or watch the flickering flame expire, 
 Into a timeless grave. — Daughter and Sire, 
 At the same moment, winged their brilliant flight 
 To cloudless regions of Eternal light. 
 
 Aghast the murderer stood, and the strained eye 
 Glared wildly round, or fixed on vacancy 
 Its thrilling gaze, but, as it travelled, caught 
 The shadow of a distant form, which wrought 
 His tortured soul to madness ; a shrill scream 
 (Whilst memory flashed on him like a dream) 
 Burst from his lips, " Oh ! human fiend" he cried, 
 " Even in death she is my promised bride ! 
 
A VENETIAN STORY. 87 
 
 " Oh ! artful sorceress — devil — led by thee 
 " Into a maze of guilt and misery, 
 " And cursed by my own deed ; — what fiendish power 
 " Seduced my heart, and in an evil hour 
 " Resigned me to thy counsels? — Hell had blushed 
 " To owe so vile a being,— thou hast crushed 
 " All peace for ever, all my hopes of bliss, 
 " All comfort in the next world, and in this !" 
 His trembling hand more firmly grasped the blade, 
 Which the bright hue of guiltless blood displayed, 
 And raising it in air, unshrinking, pressed 
 Th' empurpled weapon deep within his breast. 
 A frightful laugh distorted every trait 
 Of that fine countenance, and tore away 
 All vestiges of former grace, and set 
 The seal of madness on his forehead ; — yet 
 Speech was allowed him, — with imperfect breath, 
 Quivering and struggling in the grasp of Death, 
 " How I escape thy malice, fiend I 1 ' he cried 
 " Thou canst not tear me from the grave, — nor pride 
 " Thyself upon thy triumph,— cursed, — disgraced, — 
 " Exiled from human friendships may you waste 
 " Your days in unavailing bitterness 
 " Of heart,-~but oh ! this lagging pulse grows less ; 
 G 4 
 
88 ZELINDA, 
 
 " Hell yawns around me, — Isabella, stay ! — 
 
 " But kindred Angels bear her soul away, 
 
 " She does not hear my pray'r — Oh ! smile again — 
 
 11 Proclaim my pardon — ease this scorching pain — 
 
 " She's gone for ever ! — Oh ! I sink — the light 
 
 " Of Heaven is changed to dark — dark — endless — night !" 
 
 There stood a figure on the rock's steep height, 
 
 One scarcely human, and the steady light 
 
 Shewed the pale features like a haggard corse ; 
 
 The cheek was tinged with horror and remorse, 
 
 The eye flashed frenzy, and the dark hair stream'd 
 
 Around its face ; this dubious figure seemed 
 
 The Demon of Destruction, or the fiend 
 
 Who breathes in pestilence and rides the wind. 
 
 She spoke, " Oh ! wretch," she cried, " oh most accursed ! 
 
 " Of human acts the blackest and the worst ! 
 
 " Tortured — and Hell my well-earned recompence 
 
 " For deeds so dark, — and murdered innocence 
 
 " My crime, what hope is left for one so foul, 
 
 " So stained — to save this deeply-guilty soul ? 
 
 " Life is a curse, and death the speedy path 
 
 " To Sin's reward, and Heaven's unceasing wrath '" 
 
A VENETIAN STORY. 89 
 
 There was a heavy splash — the waters broke 
 
 Over a form of guilt, a sound which spoke 
 
 Horror to living hearts — the death-shriek rose 
 
 Over the deep, and, murmuring to its close, 
 
 Gurgled, and swelled again upon the air ; 
 
 Then sunk — and death's chill gloom alone reigned there. 
 
 A blackened corse — without a bier — a grave — 
 Zelinda's body floated down the wave. 
 
LINES 
 
 ON THE DEATH OF THE PRINCESS CHARLOTTE, 
 
 (Written when the Author was Twelve Years old.) 
 
 MOURN for our hopes destroyed ! Britannia weep ! 
 The Princess sinks to everlasting sleep, 
 For death, with stern and unrelenting hand, 
 Hath snatched away the pride of British land ! 
 Thousands — nay millions — will her death deplore, 
 The generous benefactress of the poor, 
 Oh ! we have lost our country's hope and heir, 
 Our country's treasure, and our country's care. 
 But hapless Coburg ! who can paint thy grief? 
 Thy woes, alas ! admit of no relief, 
 Thy peerless wife and infant son are gone, 
 And low'ring clouds o'erspread thy rising Sun ! 
 Heaven gives and takes away, shall we repine? 
 Heaven lent a flower then snatched it in its prime. 
 But, though a corse in the cold grave she lies, 
 She is not dead, she lives beyond the skies ; 
 Resigned and patient she renounced this throne, 
 But Heaven designed for her a better crown. 
 
£1 
 
 Who will not mourn ? who will not heave the sigh ? 
 Who will not thus in tender accents cry ? 
 Oh ! peerless Princess, thy pure spirit's fled, 
 And thou art numbered now amongst the dead ; 
 Those beauteous eyes shall never open more, 
 Until they open on that happy shore 
 Where sorrows never come, nor pains intrude, 
 Nor anguish shall thy tender heart corrode ; 
 Where, with thy golden harp, thy gentle voice 
 Shall in sweet strains of melody rejoice, 
 Where, clad in robes of pure and dazzling light, 
 Whose brightness serves to render thee more bright, 
 Where free from Sin, and all her wicked ways, 
 There thou shalt sing the great Eternal's praise ! 
 Nov. 1817. 
 
 ON THE SAME SUBJECT. 
 
 ( Written at the same Age.) 
 
 A BLOOMING rose, with " blushing honours" crowned, 
 
 Sent forth unrivalled sweetness on the air, 
 The gentle zephyr scatter'd it around, 
 The unequalled fragrance soon became renowned, 
 The rose's fame resounded far and near. 
 
92 
 
 A modest blush o'erspread the tender flower, 
 
 It blossom'd in the morn, and flourished fair, 
 But scarcely yet had seen the noon-tide hour, 
 When ah ! a plundering thief, with potent power, 
 Snatched up the rose and left us to despair. 
 
 Torn from its parent-stem, and native soil, 
 The lovely flower withered and decay 'd ; 
 The root transplanted to a better soil, 
 Its tender growth no plunderer now can spoil, 
 It blooms and flourishes no more to fade. 
 
 So Charlotte lived, but oh, relentless fate 
 Blighted our hopes, and tore in haste away 
 What was our country's boast and pride so late, 
 For, like the rose, though beautiful and great, 
 She budded — bloomed — and withered — in a day ! 
 
 TO THE EVENING STAR. 
 
 (Written at Fourteen.) 
 
 HAIL ! to thy clear and glorious ray, 
 Fair Queen of a Celestial band, 
 
 Though evening half obscures the day 
 
 Thy beams throw brightness o'er the land. 
 
93 
 
 Terrestrial objects fainter grow, 
 Enveloped in a deeper shade, 
 
 But thou in Majesty dost glow, 
 In light and purity array'd. 
 
 Thine holy influence spreads a calm 
 Upon the darkened face of night, 
 
 And sheds o'er riven hearts a balm, 
 A peace approaching to delight. 
 
 Cloud after cloud now slowly sweeps, 
 And wraps in deep'ning gloom the day, 
 
 And the damp vapour onward creeps, 
 But nought obscures thy cloudless ray ! 
 
 TO A GENTLEMAN, 
 
 In Answer to some Verses on Black and Blue Eyes. 
 
 HAVING read your opinion of black eyes and blue, 
 (Excuse my presumption in answering you) 
 And seen what you say on both sides of the case, 
 That one has most brilliance, the other most grace 
 
94 
 
 I take up my pen with true-woman intention, 
 
 To lengthen the cause by a little contention. 
 
 That black orbs are charming I've ever confessed, 
 
 Nor quit an opinion so often expressed, 
 
 For dear are the glances from dark rolling eyes, 
 
 And their eloquence tells us what language denies ; 
 
 But have you not marked the spirit which gleams 
 
 In an eye of pure azure, where innocence beams ? 
 
 Oh ! a blue orb will lull the soul to its rest, 
 
 But black ones drive quiet away from the breast, 
 
 Yet I love a dark eye, its brilliant expression 
 
 Will fix in the bosom a lasting impression, 
 
 The spirit that darts in those glances of fire 
 
 Will light up a flame that can never expire; 
 
 'Tis a soul in itself, and the joy it imparts 
 
 Gives rapture to bliss and makes Heav'n in our hearts. 
 
 But a thousand mild beauties will peep to the view 
 
 In the tremulous glance of a languishing blue, 
 
 Which charms as it timidly shrinks from the gaze, 
 
 Whilst a black one confounds by the fire of its rays ; 
 
 Yet to each hath the heart oft in extacy bounded, 
 
 And a blue eye has heal'd where a black one has wounded. 
 
 April, 1821. 
 
TO A FRIEND IN AMERICA. 
 
 Why did you cross the briny wave ? 
 Why did you leave these happy bowers ? 
 The broad Atlantic does not lave 
 So bright — so blest a land as]ours ! 
 Oh ! you may search the wide world round, 
 But there is ne'er a spot of ground 
 More capable of yielding bliss, 
 More fair — more beautiful than this ! 
 
 Did not one sigh — one little sigh 
 
 Escape your bosom, as you passed 
 
 Upon the mirror of the sky, 
 
 And caught one look, — (perhaps the last 
 
 That you may catch of England's shore) ? 
 
 And did you fondly linger o'er 
 
 Some loved remembrance, — image, — shade,- 
 
 By memory faithfully pourtrayed ? 
 
 Oh, yes, you did, for well I know 
 Your breast, — angelic though it be, 
 And pure, — is not exempt from woe, 
 But nurses fruitless misery ; 
 There is a secret, hidden grief, 
 Which can't, or will not, find relief, 
 And the cypress chaplet, even now, 
 Hangs o'er thy fair and heavenly brow. 
 
96 
 
 But why forsake this lovely land ? 
 (More lovely that it is our own) 
 Thinkest thou that a foreign strand 
 Can banish sorrow from her throne? 
 Oh ! no, it is thine own pure breast 
 Which cherisheth the foe to rest, 
 And Melancholy's poisoned dart, 
 Has fixed the venom in thy heart. 
 
 Believe me, there is not an isle, 
 In the vast universal space, 
 Where Virtue may more safely smile, 
 And sorrow find a resting-place. 
 Then why desert these happy shores 
 Where Heaven its choicest blessing pours ? 
 Oh ! blest are they whose envied lot 
 Has fixed them on this favoured spot ! 
 
 Why did you cross the briny wave? 
 Why did you leave these happy bowers ? 
 The broad Atlantic does not lave 
 So bright — so blest a land as ours. 
 Oh you may search the wide world round, 
 But there is ne'er a spot of ground, 
 More capable of yielding bliss, 
 More fair — more beautiful than this ! 
 
 January 1822. 
 
CARDIFF CASTLE. 
 
 Jl DRAMATIC, HISTORICAL SKETCH. 
 
 By M. G. LEWIS. 
 
INTRODUCTION. 
 
 In attempting to dramatize events which occur- 
 red in so distant a period as that of the reign of 
 Henry the First, an era (in comparison with 
 later reigns) involved in so much obscurity, 
 many difficulties are to be overcome and many 
 deficiencies to be supplied ; even in the subject 
 which the Author has chosen there is no inci- 
 dent, imagination must do all, for though history 
 expresses that Robert Duke of Normandy, and 
 William, Earl of Mortaign, were condemned to 
 perpetual imprisonment in the Castle of Cardiff, 
 it leave us in ignorance as to what further might 
 have occurred : that Robert ended his days there 
 is certain, and from the expression "perpetual 
 
 H2 
 
100 INTRODUCTION. 
 
 imprisonment" it is natural to cod elude that 
 William of Mortaign died there also.^ 
 
 * History certainly does mention the report that, during 
 the imprisonment of the Duke in the Castle of Cardiff, his eyes 
 were burnt out by brazen balls, at the command of his most un- 
 natural brother ; but, being given as a report only, and not evi- 
 denced by substantial authority, it is more gratifying to human 
 nature to believe the contrary. The tower in which the Duke was 
 confined, at the right of the outer gate, is still standing, but in a 
 state of complete decay ; it is roofless and shattered, whilst the 
 thick and ponderous walls alone give an idea of its former strength 
 and magnitude ; the very dungeon, in which the wretched mo- 
 narch ended a life of vicissitude and misery, is still pointed out to 
 the observant traveller, the door is exceedingly low, and the whole 
 apartment, even allowing for the delapidation and disparagement 
 which the neglect of centuries must have occasioned, still bears 
 the appearance of having been a cheerless and melancholy abode. 
 This tower, and the remains of a fine magazine, form prominent 
 features in the antiquities of Cardiff Castle, whilst they display a 
 striking contrast to the more modern elegance and beauty of its 
 other buildings. There is, or was, a subterranean passage leading 
 from the Castle to the open country, which, in the time of the 
 Welch wars, must have been of great service to the inhabitants of 
 
INTRODUCTION. 101 
 
 In a subject so barren, it was necessary to 
 introduce characters and events that may never 
 have existed, and to give to those persons, with 
 whom history furnishes us, dispositions and qua- 
 lities, perhaps, very different from those which 
 they really possessed; the daughter of Mor- 
 taign, and the keepers, Fitzmaurice and Fitz- 
 james, are the only fictitious persons in the piece, 
 the others are real ; but, if I have brought them 
 forward under a new aspect, it must be remem- 
 bered that I was necessitated to do so for the 
 convenience of Dramatic business. The circum- 
 
 Cardiff; it ran beneath the town, under the river, and at length 
 terminated at the top of Llechwydd hill, about three miles distant ; 
 this passage has since been destroyed, owing to the river having 
 broken into it; it is choked up with rubbish, and is now impas- 
 sable, or considered so, for no one will risk exploring it. The 
 Castle and the town are equally worthy of observation, the one 
 for its beauties and antiquities, the other for its neatness and re- 
 gularity. The pleasure-grounds of the former are laid out with 
 an elegance and liberality which do credit to the taste of the noble 
 owner : altogether, Cardiff is one of the prettiest places in Wales. 
 
 h 3 
 
102 INTRODUCTION. 
 
 stances, too, may appear crowded, I own that 
 they are so, for, to bring the occurrences of years 
 into the compass of a night and day, and yet to 
 make them appear smooth, connected, and na- 
 tural, must be the talent of an older head anji a 
 more experienced hand ; and, if I have changed 
 the position of events, and brought my charac- 
 ters into new and unauthenticated situations, it 
 is but using the privilege of established writers, 
 therefore 
 
 " I only sin in common with my betters," 
 
 I will not say that I am regardless of the 
 public approbation, for who, if that were the 
 case, would write at all? It is true I cannot 
 expect strangers to pass over the errors of my 
 little work with the same lenity that my friends 
 will, but, though I am anxious for the good-will 
 and esteem of the Public, and grateful for the 
 encouragement given to a former production, I 
 will say, boldly and candidly, that the approba- 
 
 
INTRODUCTION. 10$ 
 
 tion of my Patron, should I be so fortunate as to 
 obtain it, and of the few kind and noble friends 
 who have condescended to patronize a very 
 young Author, will be to me a source of higher 
 gratification than any other circumstances my 
 humble work can possibly produce, 
 
 M. G. L. 
 
 H 4 
 
CHARACTERS IN THE DRAMA. 
 
 Henry the First, King of England. 
 
 Robert, Duke of Normandy, elder brother to^i Prisoners in 
 
 the King, and William, Earl of Mortaign, J Cardiff Castle. 
 
 Robert, Earl of Gloucester, natural son to King Henry the First. 
 
 Robert Fitzhamon, Lord of Glamorgan, and Governor of the 
 
 Castle. 
 
 Fitzmaurice,-v 
 
 >Keepers of the Cells. 
 Fitzjames, J 
 
 Adelaide de Mortaign, daughter to the Earl. 
 Maud, daughter to Robert Fitzhamon* 
 
 Guards, Soldiers, Attendants^ $c. 
 
CARDIFF CASTLE.* 
 
 SCENE I. —Time, Night: 
 
 A dark court-yard without the building in which the Duke 
 of Normandy and the Earl of Mortaign are confined; 
 a few fir trees growing before the prison; the rays of 
 the moon softening the landscape and falling indistinctly 
 upon the ivied walls. Centinels pacing at a distance. 
 
 Enter Fitzmaurice and Fitzjames, from different doors. 
 
 Fitzmaurice. 
 HOW fares the royal prisoner ? 
 
 * The ancient name of which was Y Ty Gwyn ar Daf, or, The 
 White House upon the River Taf. 
 
106 CARDIFF CASTLE. 
 
 FlTZJAMES. 
 
 Why well, 
 Well as in such .calamity man can fare ; 
 He sleeps and looks well, yet he sometimes sighs, 
 And, gazing on his narrow prison-house, 
 His searching eye would seem to ask the cause 
 Why, in this land of luxury and ease, 
 So mean provision should be found for royalty. 
 
 FlTZMAURICE. 
 
 Unhappy prince ! in all things powerful, 
 Save that in which he should indeed be great, 
 His kingdom and his rights : his dignities, 
 His crown, his people's faith, almost his life, 
 Torn from his grasp— -with fiendish malice torn — 
 And by a brother's hand i — 
 
 FlTZJAMES. 
 
 Oh ! hush, your zeal, 
 Well-meant and noble in itself, may yet 
 But lead you into danger, and, perhaps, 
 Cause fresh injustice to the hapless duke : 
 Fitzhamon is th' adherent of the king, 
 Let him but guess you've not a marble heart, — 
 Shew but the smallest feeling for his sorrows, — 
 
CARDIFF CASTLE. 107 
 
 And punishment on both must surely follow. 
 
 Remember, when the duke was first brought hither, 
 
 The governor appointed you his guard, 
 
 You bowed, and looked upon the prince, and sighed, 
 
 Fitzhamon marked that sigh, and, turning, bade 
 
 Me take the place he deemed you so unfit for. 
 
 That raised suspicion, should he now behold 
 
 Your lamentations for his fate, or hear 
 
 Your tree speech of the king, would he not guess 
 
 Your power would second your commiseration ? 
 
 Fitzmaurice. 
 I thank you for your caution, it was needful. 
 
 Fitzjames. 
 Think not that I can view his sorrows without pity, 
 So much I feel for him that I have promised, 
 At his most eloquent entreaty, (o procure 
 (Though without your aid I cannot) for one hour 
 The interdicted presence of his friend, 
 The Earl of Mortaign, and your charge : to-night, 
 When all shall sleep besides, will you permit 
 Your prisoner to receive him ? 
 
 Fitzmaurice. 
 
 Willingly ! 
 
108 CARDIFF CASTLE. 
 
 And blest that any act of mine hath power 
 To cheer his lorn and melancholy fate. 
 Fitzjames. 
 It is not far from midnight now. — (Looking out.) — What 
 form, 
 What moving figure glides amongst the trees 
 And flies with such impatience to this spot ? 
 Is it a woman ? No, no female step 
 Has ever dared to enter these stern regions, 
 Fear would repel it ; dungeons, tortures, chains, 
 Have small temptations for the gentler sex. 
 
 Enter Adelaide De Mortaign. 
 
 Adelaide. 
 Oh ! frown not — do not drive me back — nor say 
 " You pass not further." I've a talisman 
 Will ope your hearts to mercy ; did you know 
 The pangs I have endured, the agonies 
 This heart hath felt, — the miles I've walked on foot, 
 How I have fed on charity, and slept 
 At night upon the stones, till my poor frame, 
 Worn by the mighty pressure of my woes 
 
CARDIFF CASTLE, 109 
 
 And poverty, had almost found its grave, 
 
 And all to seek my father, you would not 
 
 Expel me from his presence. — Let me pass, 
 
 I know he's here — the king — (Oh heaven forgive 
 
 The malediction rising on my lips I) 
 
 The king has willed it so, — the king — whose word 
 
 None disobey who value life and fortune ! 
 
 Fitzjames. 
 Poor thing ! her senses wander. 
 
 Adelaide. 
 
 Oh ! no, no, 
 Would that they did so ! I might then forget 
 Such scenes as wind my brain to agony- 
 Even in recollection ! Look at me ! 
 Do you not know me ? but — alas ! how should you ? 
 I scarcely know myself — there was a time 
 When they did call me Adelaide De Mortaign, 
 Now I am nothing, save a proper mark 
 For the barbed arrows of misfortune ! 
 Fitzmaurice. 
 
 in 
 
 As you say, you are Adelaide De Mortaign, 
 
 How came you hither ? by what wondrous chance 
 
110 CARDIFF CASTLE. 
 
 Were these gates opened for you ? none are here 
 Admitted, save the few who ne'er return. 
 Adelaide. 
 Oh ! do not say so, lest the piercing words 
 Should kill me in your presence ; I am one 
 Who cannot smile at woe as formerly, 
 My heart's so full of sorrow — I could die 
 But that there's one on earth I must not quit, 
 My father. — Oh ! that name has been my 9tay 
 Through hardships manifold and dire,— that name 
 The charm which drew me hither ; should you now 
 Prevent my purpose, and refuse t'admit me 
 To an unhappy parent's cell of woe, 
 How will you answer for that deed to him 
 Who one day will require the great account 
 Of actions done on earth ? — Here on my knee — {Kneeling,) 
 Let me entreat compassion, — let me prevail 
 O'er hearts long used to scenes of cruelty, 
 For as you deal with others in this world, 
 So will your judges deal with you hereafter. 
 Give me admission. (Rising.) 
 
 Fitzmaurice. (To Fitzjames.) 
 
 How would you advise ? 
 
CARDIFF CASTLE. 11 1 
 
 There's something awful in her look and voice, 
 I dare not disobey her. 
 
 Fitzjames. 
 Let her pass 
 But see no jealous eye observes your conduct. 
 Fitzmaurice. {To Adelaide.) 
 Sweet maid, you wrong me if you think my heart 
 Inured to acts of cruelty ; not one, 
 Of many I have served within these walls, 
 Has e'er accused me of barbarity 
 In principle or action, nor shall you : 
 Your father's cell is opened at your bidding. 
 
 [Exit into the tower. 
 Adelaide. (Following.) 
 A thousand blessings wait on all thy steps. 
 
 SCENE II. 
 A dark and gloomy apartment in which the Duke of Nor- 
 mandy is imprisoned, the moon-beams entering through 
 the high, grated windows, a solitary lamp burning on a 
 rudely-formed table, and a couch of straw in one corner. 
 
 The Duke. (After a pause.) 
 Oh ! vain, delusive world ! formed to create 
 
112 CARDIFF CASTLE. 
 
 Sorrows more deep and lasting than thy joys, 
 
 I now detest thee ; — for thou hast torn from me 
 
 All in this life worth living for, — my crown, 
 
 My birth-right, children, wife, my brother's love, 
 
 My subjects' confidence, my name, and all 
 
 That men do value highly ; e'en my life 
 
 May soon be called for, — well ! the fiends shall have 
 
 'Tis useless now and may be so for ever ; 
 
 Yet it is hard to sink into the tomb 
 
 Unpitied, unremembered ; to depart 
 
 Like one who ne'er had made a friend on earth, — 
 
 Like a base dog to die and be forgotten, 
 
 No eye to weep for me, no heart to mourn, 
 
 And not a tongue to tell where I am laid ! 
 
 Oh mad ambition ! these are all thy works, 
 
 Ambition raised my brother's hand against me, 
 
 Ambition poured that poison o'er his heart 
 
 Which turned fraternal love to deadliest hate, 
 
 And nipped each springing bud of latent virtue. 
 
 Oh Henry ! brother, — king — whate'er thou art, 
 
 (Cursed in thy exaltation) may you yet 
 
 Repent ere' tis too late ; the time must come 
 
 When royalty no longer will avail you, 
 
 When, stripped of outward splendour, the stern eye 
 
CARDIFF CASTLE. 113 
 
 Of an Almighty Judge will search thy soul, 
 Pierce the most dark recesses of thy thought, 
 And view thee as thou art. — Oh ! may that eye 
 Never behold in thee a fratricide ! — 
 
 (Rising and coming forward.) 
 'Tis near the hour when my humane guard 
 Has promised to conduct me to the cell 
 Of my unhappy friend, William of Mortaign. 
 Oh cruel king, was't not enough that thou 
 Shouldst sacrifice a brother to thy malice, 
 But thou must also take this nobleman, 
 Brave, hospitable, generous, and aged, 
 Whose stainless life might serve thee for a model, 
 To be another victim to thy hate ? 
 Shame on the act which could condemn a man, 
 So gallant as the earl, to a long life 
 Of slavery and ignominious chains ! 
 
 Enter Fitzjames. 
 
 Fitzjames. 
 Your Royal Highness is at liberty, 
 
114 CARDIFF CASTLE. 
 
 Now that my Lord Fitzhamon is at rest, 
 To follow to the* apartment of the earl. 
 The Duke, 
 A prisoner's thanks are all I have to offer. [Exit together. 
 
 SCENE III. 
 The cell of the Earl of Mortaign, the same in appearance 
 as that of the Duke of Normandy ; the Earl asleep 
 upon a miserable -pallet in the corner. 
 
 Enter Fitzmaurice and Adelaide. 
 
 FlTZMAURICE. 
 
 Your father now is sleeping, there he lies, 
 'Twere pity to disturb him yet, for sleep 
 Has seldom deigned to visit his sad couch 
 Since this dark cell has held him. 
 Adelaide. 
 
 Heavenly powers 
 Prolong his slumbers, they are sweet ; to wake 
 From blissful visions to a cheerless life 
 Must be indeed to taste excess of woe ! 
 Yet I will feast my eyes with gazing on him, 
 
CARDIFF CASTLE. 115 
 
 Will watch each movement of his lips, and think 
 It forms a prayer for his hapless child ! 
 
 {Takes the lamp, approaches the pallet, and kneels 
 beside it,) 
 Great God ! is this my father ? Oh how changed ! 
 How wan and lifeless is his aspect now 
 Which late appeared so full of health and vigour ! 
 His eye is sunk, his forehead silvered o'er 
 With the white hairs of sorrow, and his cheek 
 Is lustreless and pale ; all hue is gone 
 Save that of gnawing anguish, and no sign 
 But the faint heaving of his breast, affords 
 The slightest indication of existence ! 
 
 (Places the lamp on the Jloor and bends oner him in 
 silence ; the Earl moves, and Adelaide retreats into 
 the shade. 
 
 Adelaide. (To Fitzmaurice.) 
 Oh ! my kind friend, apprize him of my presence, 
 But do it gently, lest the welcome news 
 Incautiously delivered, should destroy 
 The pleasure 'tis intended to convey. 
 Mortaign. (Rising and supporting himself on his arm.) 
 Alas ! 'twas but a dream which now Has vanished, 
 i 2 
 
116 CARDIFF CASTLE, 
 
 So vanish all my schemes of earthly bliss, 
 All hope of liberation ! Oh ! I thought 
 A smiling cherub ope'd my prison- doors, 
 And pointing to the sky, bade me prepare 
 For a long union with departed friends ; 
 When, suddenly, a form supremely bright 
 Appeared in heaven, which, by degrees, assumed 
 My daughter's countenance, and, smiling, said, 
 " Father, we part no more !" I sprung to clasp 
 The lovely shadow in my arms — and woke ! 
 Omnipotence ! to thy decrees I bow 
 In all things, for thou dost most rightly judge - r 
 Yet, should it be thy will to take me hence, 
 From a long life of misery and woe, 
 To snatch me from my sorrows and disgrace, 
 Oh ! how my heart shall bless the gracious deed ! 
 My child ! my child ! — never to meet again, 
 Never to view that sweet angelic face 
 Till death shall seal the awful union, — 
 Heaven, 'tis too much ! — 
 
 Fitzmaurice. 
 My Lord Mortaign be calm, 
 No sorrows but a.dmit amelioration : 
 
CARDIFF CASTLE. 117 
 
 A stranger now without would fain approach, 
 He says he bears intelligence, but what 
 I know not. 
 
 Mortaign. 
 
 Oh ! admit him, my kind guard, 
 Let me behold him — let me know the worst — 
 Those speaking looks assure me that some change — 
 Some unexpected ill — 
 
 FlTZMAURICB. 
 
 Oh ! no, your fears 
 Are groundless, joyful are the news he brings ; 
 Not from the king, — not hopes of liberation, 
 But your child — 
 
 Mortaign. 
 Where is she ? 
 Adel ai he. {Springing forward.) 
 
 Father, at your feet ! 
 
 (Fitzmaurice retires.) 
 Mortaign. (Sinking on the neck of his daughter.) 
 Oh God, thy ways are wonderful ! thy will 
 Never to be arraigned ; my Adelaide, 
 My only joy that's left, what, art thou come 
 To cheer the last sad moments of existence ? 
 
 i 3 
 
118 CARDIFF CASTLE. 
 
 To soothe thy father's dying hour, and shed 
 A balm upon his miserable couch ? 
 Unhappy child, .what trials are reserved, 
 What mighty sorrows still remain for you ! 
 How will thy gentleness support the task 
 Of following thy parent to the grave, 
 (The only one that's left to follow him) 
 Then linger out a life of misery 
 Exiled from home and comfort ? 
 
 Adelaide. 
 
 Oh ! forbear 
 To paint a scene so harrowing to my soul, 
 Nor conjure up those phantoms to distress 
 This moment of re-union. Father, our griefs, 
 Like vapours in an April sky, will soon 
 Dissolve and pass away ; they are not meant 
 To last us through eternity, to die 
 In peace with God and Man, is to escape 
 All that has ever tinged our days with sorrow, 
 To fly the malice of cur foes, and find 
 A heavenly balm for e\ery earthly care. 
 
 Mortaign. 
 Sweet monitress, thy words impart new joy, 
 
CARDIFF CASTLE. 119 
 
 New life they cannot, for the hand of death 
 Already is upon me. — Adelaide, 
 Receive thy father's blessing, it is all 
 William of Mortaign can bequeath to thee : 
 Even his name dies with him, and his child, 
 Friendless and destitute, must now depend 
 On strangers' pity for those benefits 
 Her sire has oft bestowed on others ! 
 Adelaide. 
 
 Never ! 
 Oh ! I can not outlive thee — for my heart, 
 Already broken, was not made to bear 
 Its mighty woes with calmness. No, my sire I 
 There is but one tie binds me to this earth, 
 That severed, nought can bribe me to remain 
 In a vile world of treachery and sorrow, 
 To be the sport of cruelty, the mark 
 Of every one's contempt ! — But should my life, 
 Against my inclination be preserved, 
 The God who has sustained us hitherto 
 Will not desert me in my hour of peril ! 
 
120 CARDIFF CASTLE. 
 
 Enter Fitzmaurice. 
 
 My Lord, the Duke of Normandy is here, 
 (Permitted through the kindness of his keeper) 
 And earnestly entreats an interview ; 
 I pray you see him quickly, and detain 
 His Royal Highness but a little while, 
 For, should my Lord Fitzhamon be informed 
 Of the indulgence we have granted you, 
 Not we alone should be the sufferers, 
 But you would also feel the mighty wrath 
 Of the offended favourite. 
 
 Mortaign. 
 
 Thanks! thanks! 
 A thousand thanks and more ! — Oh lead him hither — 
 My master ! — Once more at his feet I'll kiss 
 The hand which raised me when it had the power, 
 And did not quit its servant in adversity. 
 
 [Exit Fitzmaurice, 
 
 Enter the Duke of Normandy — Mortaign springs for- 
 ward, and falls at the feet of the Duke — Robert raises 
 him. 
 
CARDIFF CASTLE. 121 
 
 The Dcjkk. 
 Kneel not to me, my old, my faithful friend, 
 I am not now a King, nor aught that you 
 Or any nobleman should bend the knee to ; 
 Alas ! I'm but a cruel brother's football 
 Which moves but as he moves it. — I am come, 
 Not to receive that homage which to me 
 Must seem as mockery, but to behold 
 My youth's companion, my valued friend, 
 My partner in misfortunes, and the same 
 Whom my distresses have conspired to plunge 
 Deep in affliction — oh ! my Lord Mortaign 
 I almost blush to look at you, to think 
 That friendship and fidelity to me 
 Have been the ground- work of your miseries, 
 Is still more harrowing to my soul than aught 
 My brother can invent to torture me ! 
 Mortaign. 
 Dear Prince ! talk not of that, could I preserve 
 Your liberty by sacrificing mine, 
 This cell would seem to me a Paradise ; 
 But to look round and know that the same walls 
 Which hold me here, fettered in slavish chains, 
 
122 CARDIFF CASTLE. 
 
 Confine my master, and the rightful heir 
 Of this vast kingdom, yields a pang more sharp 
 Than aught that slav'ry can inflict besides ; 
 For oh ! these hoary locks — this shackled arm, 
 These dungeons, bars, and cautious fastenings, 
 Prevent the ardent purpose of my soul, 
 To loose thy fetters, Prince, and set thee free ! 
 To lead thee to thy birth-right, England's crown, 
 And trace thy claim to it with my sword's point ! 
 The Duke. 
 There spoke Earl William's soul ! Oh ! that you ne'er 
 Had exercised that energy of mind 
 To serve a wretched Prince, it has involved 
 Both you and yours in misfortune ; / 
 Am only one to suffer, you are many, 
 For many feel in your sufferings 
 And groan beneath your sorrows ; children, friends, 
 Lament your fate, but Jam 'reft of all 
 That could give poignancy to human woe, 
 Or zest to human pleasure ! — Oh, Mortaign, 
 The world has little left in it for me 
 Of either joy or sorrow, Fate has done 
 Its best and worst for me, for one short hour 
 
CARDIFF CASTLE. 123 
 
 It gave a dream of happiness, but, ere 
 
 That dream could grow into reality, 
 
 The vision fled from my deluded sight. 
 
 But the disease hath also brought its cure, 
 
 If it hath shocked the basis of my joys, 
 
 And rudely snatched the olive from ray breast ; 
 
 If it hath dulled my life-star, torn away 
 
 All hope of future peace, clouded for ever 
 
 My once bright prospects, it hath also stunned 
 
 My sense of anguish so that I shall feel 
 
 The pangs of grief no more ; the heart, once full 
 
 Of bitter sorrow, has not room for more, 
 
 It can but feel to its extremity 
 
 And so doth mine; all woes that now may come 
 
 Pass lightly, for no human power can bring 
 
 Sorrows to equal those which I have felt ; 
 
 And as for happiness — it is a star 
 
 That ne'er again will throw its beams on me ! 
 
 (Mortaign sinks upon a chair, the Duke and Adelaide 
 rush towards him,) 
 
 The Duke. 
 My Lord you're ill — your changing cheek — your eye 
 Full of unusual fire, — your trembling frame 
 Betray indisposition ! 
 
124 CARDIFF CASTLE. 
 
 MORTAIGN. 
 
 Oh ! my liege, 
 Thy servant soon must leave thee here alone, 
 I feel the hour of separation nigh, 
 My child — my Adelaide— oh ! gracious Prince— 
 By my long-tried and faithful services 
 I do implore thee, — should'st thou e'er become 
 Invested with thy rights and royalty, — 
 I do entreat thee by thy generous nature, 
 By the firm friendship that hath grown between us, 
 Sometimes to recollect that Mortaign's child, 
 No longer has a single friend on earth ; 
 Her only guardians innocence and heaven, 
 Her only stay th' Almighty Power above us ! 
 Adelaide. 
 And are not these sufficient ? Oh ! there's an eye, 
 All-seeing though unseen, that ne'er deserts 
 The meanest living object. 
 
 The Duke. 
 
 Hear my vow 
 Sworn on the sacred Altar of my God, 
 My oath pledged by that God's high Sanctuary, 
 My faith — my honour — all that men can swear by, 
 I give to thee as a sincere assurance, 
 
CARDIFF CASTLE. 125 
 
 That, should these 'prisoned limbs e'er bear the weight 
 
 Of regal splendour, I will not forget 
 
 The unprotected daughter of my friend ! 
 Mortaign. 
 Thanks ! — but my breath grows weak, — my lips refuse 
 
 To speak the grateful feelings of my heart ; 
 
 One short, one last adieu, — my Adelaide 
 
 Draw near, and thou, oh Prince, approach me also ; 
 
 Oh thus to view my child, — my King, — at once, 
 
 To look upon them both, and yet to know 
 
 That 1 am still on earth, is scarcely credible. 
 
 Oh ! 'twas too much, — my feeble frame could not 
 
 Support the wond'rous change, — yet to be blest, 
 
 In my last moments, with the blissful sight 
 
 Of the two dearest objects on this earth, 
 
 Is what I had not dared to hope. — Receive 
 
 An old man's blessing — now — I go for ever. 
 
 (His head sinks upon the shoulder of Adelaide, one 
 hand clasps hersj the other retains that of the Duke 
 of Normandy ; after a faint struggle he expires, 
 whilst his daughter gazes in speechless agony upon 
 the body. The Duke endeavours to lead her from 
 the corpse.) 
 
126 CARDIFF CASTLE. 
 
 The Duke. ( Taking her h an d. ) 
 
 Lady, forgive the seeming unkind wish 
 That would remove thee from a form so dear, 
 Thy father's blest, and it would ill become 
 His daughter to repine at that kind fate 
 Which wafts him to a world of happiness. 
 
 Adelaide. (Disengaging herself.) 
 
 And can you bid me leave him, him who ne'er 
 Deserted me whilst life and strength were left ? 
 Oh! no, he is my sire, and the same grave 
 W hich holds his dear remains shall cover me ! 
 Nay do not thwart me, thus will I cling to him, 
 Thus hang upon his neck, and call his name. 
 Until his spirit shall descend for mine ! 
 The Duke. 
 
 Now by the oath which I so lately pledged 
 Before the front of Heaven and to your sire, 
 I will not leave you to your sorrows thus ; 
 Adelaide, hear me ! on my bended knee (Kneeling.) 
 
 I do entreat you will return to reason ; 
 Those wild looks terrify, oh say what thoughts, 
 What direful thoughts arc passing in your mind, 
 What strange imaginings hath thy heart formed, 
 

 CARDIFF CASTLE. 127 
 
 That thou should'st gaze so franticly around ? 
 
 ( Whilst the Duke is speaking, Robert Fitzhamon and 
 guards rush in and seize him.) 
 
 Robert Fitzhamon. 
 It grieves me much, my Lord, to interrupt 
 Your pleasing conference with this fair dame. 
 What ! on your knees too ! I had hardly thought 
 That close confinement and hard dieting 
 Had taught your Royal Highness how to woo, 
 Or that the cell of Mortaign's ancient Earl 
 Would e'er become the midnight rendezvous 
 Of his fair daughter and her royal lover. 
 
 The Duke, {rising and gazing on him with disdain.) 
 You may insult me, for 'tis in your power, 
 Yet insults such as thine will make me feel 
 My consequence the more ; but if you think 
 To add to insult mortifying taunts, 
 Know that thy generous purpose will be foiled : 
 It is not you, Fitzhamon, can implant 
 The sting of self-contempt within this breast, 
 And teach me what it is to feel reproach ; 
 1 must forget who, what, and whence you are, 
 Ere I can shrink, abashed, and mortified, 
 Into my own unworthiness. 
 
128 CARDIFF CASTLE. 
 
 FlTZHAMON, 
 
 'Tiswell 
 To brave it out so nobly, gallant prince, 
 Your heroism much becomes the cause. 
 Oh ! I have trusty servants, thus to form 
 A base conspiracy beneath my roof, 
 And lead my prisoners to the very gates 
 Of freedom ; (but they soon will be rewarded) 
 Yet, lest my entrance should appear too rude, 
 I fain would make my peace with this sweet maid, 
 And ask the hospitable host's forgiveness. 
 
 {Approaching Adelaide and the body of Mortaign, 
 Adelaide springs between him and her father's 
 corpse.) 
 
 Adelaide. 
 Stand off ye ruffian bands ! ye shall not touch 
 A single grey hair of this old man's head ! 
 Ye shall not thus, with deeply tinctured hands, 
 Pollute the holy dead — Oh look at him, 
 
 (Laying her hand on Fitzhamori's arm, who starts on 
 seeing that his prisoner is a corpse.) 
 Look where he lies, murdered by your own act ! 
 Look on those features — on those hoary locks, 
 Where sorrows deeply graven still disclose 
 
' 
 
 CARDIFF CASTLE, 129 
 
 A tale of suffering, and if thy heart 
 Be pierced not by the thought of thy dark deeds, 
 Oh ! I will say thou'rt not of human mould ! 
 Fitzhamon. 
 Woman ! I will not hear thy furious madness ! — 
 Guards, seize the body of the traitor Earl, 
 And bear it to the vaults beneath the castle. 
 
 {Guards approach, Adelaide throws herself upon the 
 body of her father.) 
 
 Adelaide. 
 Never ! Oh never ! or you take me with him, 
 They shall not part us — tigers ! would you tear 
 The very life-strings from a breaking heart ? 
 What ! part us even in death ? — for oh I feel 
 That many moments here are not allowed me. 
 
 (Fitzhamon endeavours to drag her from the corpse, 
 she shrieks, the Duke rushes to her assistance, 
 Fitzhamon sounds a bugle, guards rush in.) 
 Fitzhamon. 
 Secure the royal prisoner ; — bear him hence ; 
 Back to his dungeon let him be conveyed, 
 Where, left to solitary contemplation, 
 His haughty spirit may repent the haste 
 Which urged his fate's encreasing bitterness. 
 
130 CARDIFF CASTLE. 
 
 The Duke. (As guards force him off.) 
 Robert Fitzhamon, hear me ere I go, 
 Take — not my curse, though thou hast well deserved it, 
 I would not so far lose my views of Heaven 
 As breathe a curse against a fellow creature, — 
 But take my bitter hate,— my keen contempt, 
 My hopes of earthly care — the only harm 
 I wish thee is a long and deep repentance ! 
 
 (Soldiers force him off. — Fitzhamon seizes Adelaide.) 
 
 FlTZHAMON. 
 
 Guards, do your duty, bear the old man's corse 
 Whither I ordered you, myself will vouch 
 For the protection of his lovely daughter. 
 
 (Soldiers take the body of Mortaign, and bear it off.) 
 Adelaide. (Struggling with Fitzhamon.) 
 
 Release me, cruel monster, what art thou ? 
 The minion of a fiend, and yet presume 
 To lay thy blood-stained hands on Mortaign's child ! 
 Hence thou detestable — thou impious wretch, 
 The generous earth will furnish me a bed 
 Far from the guilty steps of wicked men, 
 And there will this weak body find repose, 
 Ay, such repose as thou can'st ne'er enjoy ! 
 
 (Breaks from Fitzhamon and rushes out. — Scene closes.) 
 
CARDIFF CASTLE. 131 
 
 SCENE IV. 
 
 The outside of the Castle, an extensive lawn in front, a 
 thick grove on each side, and high walls surrounding. 
 Time, the break of day, the light just peeping through 
 the opening clouds, but the principal part of the scene in- 
 volved in the shade of twilight. The form of Adelaide 
 extended, apparently insensible, upon the grass near the 
 edge of the grove. 
 
 Enter Robert Earl of Gloucester, and Maud, 
 daughter of Fitzhamon, meeting, 
 
 Robert. 
 Sweet Maud, this is an unexpected bliss ! 
 What brings thee here so early, gentle dame? 
 Has the lark rivalled me in thy affections, 
 Or were thy slumbers comfortless ? but yet 
 'Twere hard to think that innocence and beauty 
 Should e'er be driven from a restless couch, 
 To seek, in young Aurora's smiles, that peace 
 Which the dull god of sleep could not bestow. 
 
 Maud. 
 And I would ask thee, free and courteous prince, 
 k 2 
 
132 CARDIFF CASTLE. 
 
 What mighty charm has lured thy steps abroad 
 At this unusual houj ? 'tis quite as strange 
 Methinks, to meet thy Lordship here as me. 
 Robert. 
 
 If I should tell you, what would you suppose, 
 That I distrusted you, or wished to pry 
 Into the purpose of your morning ramble ? 
 
 Maud. 
 
 My Lord, I would not think you could distrust me, 
 Knowing no reason why you should do so, 
 Robert. 
 
 Well then, sweet Maud, as, from my chamber-window, 
 I took a short view of the twilight scenery, 
 I suddenly beheld a female form 
 Glide o'er the sward below ; on the quick sense 
 Of love and lovers recognition strikes 
 With force incredible, I knew that form 
 And followed to protect its course from danger. 
 
 Maud. 
 
 And now, my Lord, let me be quite as candid ; 
 Oh ! I have had such dreams — such frightful dreams— 
 And yet I know not what they were., but all 
 Tended to lure my footsteps to this spot ; 
 
CARDIFF CASTLE. 133 
 
 I could not rest, — this scene was still before me, 
 And hither am I come, though by what power 
 Attracted, still remains to be disclosed. 
 
 (A low moan proceeds from Adelaide, they look 
 round in apprehension.) 
 Maud. 
 Oh Heaven, whence came that sound ? it surely was 
 A female voice, and now I can perceive, 
 Beneath the shadow of those myrtle boughs, 
 A woman's lifeless form ! Oh haste with me 
 To the assistance of the hapless stranger ! 
 
 {They approach Adelaide and raise her from the 
 ground, she gazes on them for some time in silence.) 
 Robert. 
 Lady, we wish to serve you, will you deign 
 To tell us how that wish may be effected ? 
 
 Adelaide. (Shaking her head mournfully,) 
 Why did you interrupt me ? why prevent 
 My blissful passage to Eternity ? 
 You cannot serve me if ye are human beings, 
 For none on earth can do so ; yet I think 
 
 (Looking at them alternately,) 
 You are not such, for, oh ! ye are kinder far, 
 
 k 3 
 
— — m 
 
 134 CARDIFF CASTLE. 
 
 And gentler, and more angel-like than any 
 This sinful world can possibly contain. 
 Say, are you spirits ? for you smile so sweetly — 
 'Tis long since human forms have smiled on me, 
 Yet there was one who smiled — but he is gone 
 Into a life of happiness — and I 
 Cannot remain in this bad world without him. 
 
 Maud. 
 
 Sweet stranger, do not think that all are bad, 
 Though many are so ; you may yet possess 
 The treasures of affection, and enjoy 
 The soothing balm of friendship ; I will try 
 To ease thy sorrows, you shall live with me 
 And know what 'tis to have one constant friend, 
 I will not let the sting of grief approach you, 
 Only assure me that you will endeavour 
 To be as free from care as I could wish you ! 
 
 (Adelaide gazes on her for a moment, then sinks to- 
 wards the earth but is supported by the Earl.) 
 Maud. 
 
 Unhappy girl ! how deep must be her sorrows, 
 How great the load of anguish which oppresses her ! 
 Who can she be ? her face and form disclose 
 
CARDIFF CASTLE. 135 
 
 High birth and breeding, but her noble air 
 Is strongly tinctured with insanity. 
 Robert. 
 Oh ! mark her care-worn brow, it plainly shews 
 That grief has overturned the power of Reason, 
 And dimmed the lamp of that once brilliant mind ; 
 Her pallid cheek, — her sunken eye, — her garb 
 Disordered, — all betray the soul's delirium. — 
 Maud shall I bear her hence ? 
 
 Maud. 
 
 Ay, to the Castle, 
 Where I will tend her with a sister's care, 
 And, for the task so generously assumed, 
 1 give thee prayers, — thanks, — gratitude, — and love. 
 
 Robert. 
 Such a reward might bribe me to a miracle ! 
 
 [Exeunt, Robert bearing Adelaide in his arms, 
 
 SCENE V. 
 
 A spacious and splendid apartment within the Castle. The 
 
 King of England, in his robes, seated upon a chair of 
 
 state. Robert, Earl of Gloucester, superbly attired, 
 
 placed at his left hand. Nobles and attendants arranged 
 
 k 4 
 
136 CARDIFF CASTLE. 
 
 according to their quality. Minstrels in the back 
 ground. Music. 
 
 Enter Robert Fitzhamon, brilliantly decorated, leading 
 Maud arrayed in bridal splendour. Henry quits his 
 seat, approaches Maud, takes her hand, and leads her 
 towards his chair. 
 
 Henry. 
 
 Welcome ! sweet maid, thy sire's fidelity 
 And truth to trusts reposed in him, have earned 
 His lovely daughter an illustrious mate, 
 Whose youth and nobleness might recommend 
 Their owner to the fairest lady's favour ; 
 One who, if looks and sighs may be believed, 
 Has long since found an easy path to thine. 
 Fitzhamon, and my noble courtiers, 
 I pray you hear the solemn declaration 
 By which I give this young and blooming maid 
 In marriage to my son. 
 (Joining the hands of Maud and the Earl of Gloucester.) 
 First Noble. 
 
 Hail ! happy pair, 
 
CARDIFF CASTLE. 137 
 
 May every rising dawn behold you blessed, 
 And each succeeding evening leave you so ! 
 Robert Fitzhamon. (Advancing and laying his hand on 
 his heart.) 
 'Tis mine to speak of gratitude, but that 
 Words are too faint to image what I feel ; 
 I would say much, but when the heart is full 
 The tongue will oft refuse to tell its feelings ; 
 Yet here oh ! king, receive my firm allegiance, — 
 My thanks that thou should'st honour my poor dwelling 
 With thy most gracious presence, and believe 
 My life — my Castle— all I have are yours. 
 
 Henry. 
 Enough— I know thy worth — let that suffice. 
 Minstrels proceed, this long-expected day 
 We must devote to joy and happiness. 
 
 (Reseats himself, and places Maud at his right hand. 
 Minstrels advance. — Song. — At the conclusion a so ft 
 hut melancholy voice is heard without, repeating the 
 last stanza. The King looks towards the door,) 
 
 Enter Adelaide De Mortaign, still singing, she gazes 
 stedfastly on the assembled company, and then advances 
 towards Maud. 
 
138 CARDIFF CASTLE. 
 
 Adelaide. 
 How soon you left me, why did you run away ? 
 Why did you quit me ? there were none to smile, 
 Though many watched me, there were none to speak 
 So tenderly as you ; oh come again 
 Sweet lady, did I frighten you away ? 
 Nay then I will not weep, — I will not grieve, 
 I will do nothing that shall drive you from me. 
 
 Maud. ( Taking her hand and attempting to lead her 
 
 away.) 
 'Twas far from my intention to desert you, 
 I soon will come again ; in the mean time 
 Receive my firm assurance that no power 
 Shall e'er deprive you of my free protection. 
 Henry. ( To Fitzhamon.) 
 Who is the gentle maid ? her noble form 
 Betrays a noble birth and parentage, 
 And yet she seems unhappy, who could e'er 
 Implant a pang within that lovely breast ? 
 Fitzhamon. 
 My liege, she is the Earl of Mortaign's daughter. 
 
 Henry. (Starting.) 
 Mortaign ? my prisoner ! 
 
CARDIFF CASTLE. 139 
 
 FlTZHAMON. 
 
 He who once was so, 
 But now is not ; last night the Earl expired. 
 Henry. 
 Good heavens ! tell me how and by what means ? 
 
 FlTZHAMON. 
 
 My liege, I've long had reason to suspect 
 The keepers of the cells not strictly true 
 To the trust lodged in them ; and many a night 
 I've watched about the prison, to discern 
 If there was treachery in aught they did. 
 Last night the cautious movements of Fitzmaurice 
 Roused apprehension of some deep-laid plot, 
 And rushing with an armed and faithful band 
 Into the dungeon of the Lord Mortaign, 
 I there beheld the Duke and this fair damsel ; 
 Th' unhappy prisoner was already dead, 
 His daughter hanging o'er his lifeless form 
 Aghast, — the Duke upon his knees before her. 
 How she came hither I cannot divine* 
 Henry. 
 
 What said you ? Was the Duke upon his knees ? 
 
 FlTZHAMON. 
 
 He was, but now is under close confinement. 
 
140 CARDIFF CASTLE. 
 
 Henry. 
 Leave me, I fain would think on what you've said. 
 
 (Muses.) 
 Maud. (As if endeavouring to restrain Adelaide, who 
 
 seems anxious -to come forward.) 
 Nay, come with me, I will not leave you more, 
 I will attend you night and day, nor quit 
 Your couch unless you wish it. 
 
 Adelaide. ( Still proceeding.) 
 Let me pass, 
 Some one is calling me, do you not hear 
 A voice which bids me hasten from this scene ? 
 But first I must salute the company, 
 And bid them farewell in a courteous manner. 
 
 (Coming opposite Fitzhamon, she recognizes him and 
 shrieks.) 
 Oh ! bear him hence — oh take him from my sight, 
 He will devour me — 'tis the raging wolf 
 That met me on the plain — I saw him tear 
 An old man's locks between his giant- teeth — 
 Beware — beware ! — the monster's not yet tamed. 
 
 (The Earl of Gloucester steps between her and Fitz- 
 hamon, who is beckoned out by an attendant.) 
 
CARDIFF CASTLE. 141 
 
 Robert. 
 And is it me you honour with these titles ? 
 
 Adelaide. 
 What ! are you come to save me from the beast, 
 The cruel beast of prey ? there he is now ; 
 See, how he glares at me ! 
 
 Robert. 
 No, that's the king. 
 Adelaide. 
 The king ! oh horrid sound ! oh name accursed ! 
 'Twas he that killed my sire, (ah ! hide me from him) 
 And made me what I am, deprived my youth 
 Of every joy the human heart can feel. — 
 Support this feeble frame a little while. — 
 
 (Sinks upon the arm of the Earl.) 
 
 Re-enter Fitzhamon, with a countenance much disturbed. 
 
 Henry. 
 My trusty friend, what heavy news hast thou ? 
 
 Fitzhamon. 
 Oh ! ask me not, my liege, I must not tell 
 The tidings I have heard. 
 
142 CARDIFF CASTLE. 
 
 Henry. 
 Is't of the Prince. 
 
 {Fitzhamon is silent,) 
 Oh I quickly speak, or I shall die with anguish. 
 Fitzhamon. 
 Alas ! alas ! 
 
 Henry. 
 Oh God, my son is drowned ! 
 Fitzhamon. 
 Sailing from Barfleur, the intemperate crew, 
 Neglectful of the precious freight on board, 
 Had yielded to intoxication's power, 
 The ship was wrecked. — 
 
 Henry. 
 
 Did not the villains try 
 To save the prince's life ? — 
 
 Fitzhamon. 
 
 They did— they did ! 
 A small boat was put forth, but the young prince, 
 Hearing his sister's cries on board the wreck, 
 Returned to save her; eager to embrace 
 This prospect of redemption from their fate, 
 Numbers leaped in the boat ; — too weak to bear 
 The thronging crowd, — it sunk — and all — were drowned. 
 
 
CARDIFF CASTLE. 143 
 
 Henry. 
 Oh God, then both are gone, and I am left 
 Alone upon the earth ! 
 
 Adelaide. {Creeping towards him.) 
 Are you unhappy ? 
 / have long been so, and therefore pity you ; 
 My father's gone, — they say you murdered him, 
 But I can scarcely think it ;— if you did 
 This sudden woe might seem a judgment on you ; 
 I'll not believe it, — for you look so troubled : 
 I seldom see a guilty man unhappy. 
 
 Henry. {Much disturbed.) 
 Oh take her hence, but see you use her well, 
 If she hath stabbed me 'twas with words of truth ! 
 
 {Faints , is borne off by his attendants. — Fitzhamon at- 
 tempts to lead Adelaide away.) 
 
 Adelaide. {Rushing towards Maud.) 
 Oh lady, save me from that cruel man, 
 He comes to lead this feeble frame to tortures ! 
 
 {Sinks at her feet, Maud and the Earl of Gloucester 
 support her between them.) 
 Adelaide. 
 Thank you, — you're very good, — I feel it all — 
 
144 CARDIFF CASTLE. 
 
 But shall not long survive to tell you so, 
 
 Oh ! I'm collected now, — you need not fear me — 
 
 Hush ! — there's soft music — and my father's voice 
 
 Calling his child away — Is the king dead ? 
 
 Oh! no, no. — See you that smiling form, 
 
 Those beckoning hands, those wide-extended wings, 
 
 Ready to bear me to my sire's abode ? 
 
 Farewell ! I hope you will not long delay 
 
 The hour of meeting. — Oh ! sweet friends, — farewell I 
 
 (Dies in the arms of the Earl of Gloucester. 
 
 SCENE CLOSES. 
 
 ■ ' 
 
 W. OXBERRY, PRINTER, WHITE HART YARD, DRURY LANE. 
 
Deacidified using the Bookkeeper process. 
 Neutralizing agent: Magnesium Oxide 
 Treatment Date: April 2009 
 
 PreservationTechnologies 
 
 A WORLD LEADER IN COLLECTIONS PRESERVATION 
 
 111 Thomson Park Drive 
 Cranberry Township, PA 16066 
 (724)779-2111