PRICE, 15 CENTS. 
 
 AMES' SERIES OF 
 
 ^NDARD AND MINOR DRAMA, 
 
 NO. 145. 
 
 CUFF'S LUCK. 
 
 2 S 
 
 WITH CAST OK CHARACTERS, ENTRANCES, AND EXITS, RELATIYE POSITIONS 
 OF THE PERFORMERS ON THE STAGE, DESCRIPTION OF COS- 
 TUMES, AND THE WHOLE OK THE STAGE BUSINESS, 
 AS PERFORMED AT THE PRINCIPAL 
 AMERICAN AND ENGLISH 
 THEATRES. 
 
 ©OR 
 
 
 Or cr 
 
 CLYDE" OHIO; 
 A. D. AMES, PUBLISHER 
 
 •"0 • 
 
 2.Q 
 
AMES' SERIES OF ACTING PLAYS. 
 
 NO. 
 
 PRICE FIFTEEN CENTS EACH-C VTALOGUES FREE. 
 -*••- 
 
 M. 
 
 12 A Capital Match, farce, 1 act, by J. M. Morton 3 2 
 
 30 A Day Well Spent, farce, 1 ac , by John Oxenford 7 5 
 
 2 A Desperatt; Game, comic drama, 1 act, by Morton 3 2 
 
 ;:> Adrift, temperance drama, 3 act?, by C VV. Babcock, M. D (3 4 
 
 sO Alarmingly auspicious, comedieaa, 1 act, J. P. Simpson... 4 3 
 
 39 A Lite's Revenge, drama, 3 acts, by W. E. Suter 7 5 
 
 78 ah Awiul Criminal, farce. 1 act, by J. Palgrave Simpson 3 3 
 
 15 An Unhappy Pair, ethiopian farce, 1 act, by G. W. 11. Griffin 1 1 
 
 155 An Unwelc .me Ketum. com. iutfd, 1 act, by George A Munson 3 1 
 
 31 A Pet of the Public, farce, 1 act, by Edward Sterling 4 2 
 
 21 A Romantic Attachment, comedietta, 1 ac;, by Arthur Wood 3 3 
 
 43 Arrah DeBaugli. drama, ."i act.-, by F. G. Kinnamau 7 5 
 
 12:', A Thrilling Item, farce. 1 act, by Newton Chisnel . 3 1 
 
 73 \t List temperance drama, 3 acts, by G. C. Vautrot 7 1 
 
 2n A Ticket of Leave, farce, 1 act. by Walls Phillips 3 2 
 
 12.j -Viild Robin Gray, emo. drama, 5 acts, Malcolm Stuart Taylor, 25 cents 13 3 
 
 100 Aurora. Floyd, drama. 2. act*, by W. E. Suter... 1 3 
 
 80 Beautv of Lyons, dom. drama, 3 acts, by W T. Moncrieff 11 2 
 
 S Licit v Half.' coiivdietta. ' act, by T. J. Williams 5 2 
 
 '.is Black Statue, ethiop .-an farce, 1 act, by < .White 3 2 
 
 113 Bill Detrick, melodrama, 3 acts, by A. Newton Field 6 4 
 
 8b Black vs. While, farce, 1 act, by George S. Vautrot 4 2 
 
 14 Brigands of Calabria, rom drama, Tact, W. E. Suter. 6 1 
 
 22 Captain Smith, farce, 1 act, by E. Berrie 3 3 
 
 84 Cheek will Win, farce, 1 act, by W. E. Suter 3 
 
 4:1 Der two Surprises, -Dutch farce, 1 act, by M. A., D Clifton 1 1 
 
 72 Deuce is In Him, farce. 1 act, by R J. Raymond - 5 1 
 
 M( Lid I Dream it! farce, l act, by J. P. Wooler 4 3 
 
 42 Domestic Felicity, farce, 1 act, by Hattie L. Lambla - ■ 1 1 
 
 CO Driven to the Wall, play, 4 acts, by A. 1). Ames 1) 3 
 
 27 Fetter Lane to Gravesend, ethiopean farce 2 u 
 
 13 Give me my Wife, farce, 1 act, by W. E. Suter 3 3 
 
 117 Hal Hazard, military drama, 4 acts, by Fred. G. Andrews 8 3 
 
 50 How She Has Her Own Way, sketch m 1 act, by Ida M. Buxton — 1 3 
 
 24 Handy Andy, ethiopean farce, 1 act ,------ T 7 ~ 9 
 
 (•>■> Hans.' the Dutch J. P., Dutch farce. 1 act, by F. L. Cutler. 3 1 
 
 110 Hash, faicvl act. by-W Henri Wilkin s 4 2 
 
 52 Henry Granden. drama, 3 acts, by Frank L. Bingham 11 8 
 
 17 Hints on Elocution and how 10 necome an Actor.. 
 
 103 Ho/, Sister P. got Child Baptized, ethiopean farce, 1 act 2 1 
 
 Pi How He Did lr. comic drama, 1 act by John Parry 3 2 
 
 74 How to Tame Your Mother-in-law, farce. 1 act. by II. 3. Byron 4 2 
 
 :r. How Stout You're Go ting, farce, 1 act, by J. M. Morton 5 2 
 
 2»j Hunter of the Alps, drama, 1 act, by Wru. Dimond 9 4 
 
 47 In the Wrong Box,' ethiopian farce, 1 act, by M A. D. Chiton 3 
 
 !ir> lntbeWr mr Clothes, farce, 1 ace r^v '] * 
 
 '■ doe's Visit, Ethiopian farce, 1 act. by A. Leavitt and H. Eagan 2 1 
 
 John Smith, farce., 1 act, by W. Hancock 5 3 
 
 Jumbo .1 um. farce, 1 act 
 
 4 3 
 
 . Killing Time, farce, 1 act - }, ] 
 
 11 Lady Audley\s Secret, drama, 2 acts, by W. E. Suter (1 4 
 
 3 Lady of Lyons, drama, 5 acts, by Buhver... --- 1- o 
 
 lOi Lost, temperance drama, 3 acts, by F. L. Cutler b ~ 
 
 lflti Lodgings for Two, comic sketch, 1 act, by ¥ L. Cutler 3 
 
 4li .Man and Wife, drama. 5 acts, b.V II. A. Webber 12 7 
 
 01 Michael Erie, drami, 2 acts by Egerton Wilks-.--.—. 8 3 
 
 3d Miller of Derwen-t Water, drama, 3acts-, by E. FitzbalJ 
 
 ss Mischievous Nigger, Ethiopian farce. 1 act, by C. While 
 
 :,! Mistletoe Bough, melodrama, 2 acts, by C. Somerset 
 
 7 
 
 %W* Catalogue continued on next page of cover, ^jgj 
 
CUFF'S LUCK. 
 
 ETHJOPEAN SKETCH, 
 
 IN ONE SCENE, 
 
 F. 1. CITLEB, 
 
 AUTHOR OF 
 
 Bans, the Dutch J. P.; Lost, or the Fruits of the Glass; Lodg- 
 
 iny for Tico; That Boy Sam; The Sham t Professor, 
 
 Old Pwnpey; Wauled a Husband; Happy 
 
 Frank's Sony and Joke Book; &c. 
 
 Entered according to the act of Congress, in the year 1883, by 
 
 A. D. AMES, 
 
 xn the office of the Librarian of Congress, in Washington. 
 
 883 
 
 -CLYDE, OHIO, 
 
 A. D, AMES, PUBLISHER. 
 
. c ^ 
 
 CUFF'S LUCK, 
 
 — CHARACTERS — • 
 
 Harry, -.--■-« Young Sport, 
 
 Maria, - his Sweetheart, 
 
 Cuff, - - ' - - ; a Servant* 
 
 COSTUMES,.— Modern for Harry and Maria, extravagant 
 nesrro for (jail. 
 
 I 
 
 ___ 
 
 PKQPERTIES- -Colored eurfcain, mask, crayon for Harry, 
 our tain or shawl for ELaria, 
 
 Tlaie— 25 minutes. 
 
 TMP92-009009 
 
CUFF'S LUCK. 
 
 SCENE, — A Street, with dry goods box c. bach. 
 
 Enter Harry, r. 
 
 Harry, Here's a go, all the boys are off on a lark, having 
 lots of fun, and I'm left all forlorn to pass my time the best 
 way I can; but what I'll do is more than I can imagine. Let 
 me see, can't I stir up some kind of excitement among some of 
 these shop-keepers. ( looks l.) Ha! there comes an Ameri- 
 can gentleman of African descent down the street, putting on 
 more style than a millionaire. Let me see, can't I manage to 
 astonish him in some way. ( looks around) Ah ! I have it. 
 {laughs, takes curtain from under coat ) Its lucky I promised 
 to fix up that ante room for the masquerade to-night, this cur- 
 tain will come handy, {gets on box, pats curtain over his 
 shoulders, holds it with left hand so as to leave right hand free ) 
 Now we are ready for business. 
 
 Cuff heard off?,., singing or whistling 
 
 Enter Cuff, R., discoveres Harry, 
 
 Cuff. Good ebenin'. ( stops) I said good ebe. {mad) Go 
 to de dickens, you good fur nuffin' low down white trash. 
 ( looks closer, walks around him, looks him all over from head to 
 foot, comes front grinning) Sold again, by the Jumpin' Ju- 
 piter, {looks at Harry) Dat beats dis chile all holler. Good 
 ling dar wasn't anybody in sight. Just link ob me, Julius 
 Snoozer Augustus Snowball, a sayin' good ebenin' to a piaster 
 ob Paris cigar sign. Oh! dat's to excrutiatin' ; and den to 
 get mad jes' because he wouldn't speak ! Hold me, somebody, 
 afore I colapse. ( looks again) But, by Guinea, dey has got 
 to makin' dem fellers so dey look jes' as natral as life; but I 
 nebber seed one afore rigged up in dem kind of togs, 'spects 
 dat's de latest fashion, (examines Harry, then steps front of 
 him, standing within two feet of him) Well, its all right, ob 
 course, under de suckemstances, but if dat feller had been a 
 Uyq feller you'd hab seen some fun hyar in about a minute ; 
 
12 CUFF'S LUCK. 
 
 cause why, I'd hab jes'» took off my broadcloth overcoat. 
 
 (takes off coat while talking, as he takes it off Harry takes it and 
 puts it under curtain ) An' says I, gemblemum, stand back, 
 
 an Whar's dat coat? {rims around excitedly) Well, it 
 
 dat don't beat me. Some chaps done gobbled dat 'ere coat. 
 Jes' let me get a hold ob him. (takes off second coat, two or 
 three vests; Harry takes them as he takes them off and puts them 
 under curtain) Hyar, somebody, hold my hat ! ( holds out hat, 
 Harry takes it ) Jes' let me get at him. ( spars around) Come 
 out hyar an' let me mash yon, yer good fur nuffln' — By 
 golly, sieh doin's is enough to rile de President. ( comes for- 
 ward, Harry runs of L.) "Well, dar's one ling suah, a feller 
 wot will steal won't light. Now dar was old Pompey Skin- 
 ner, he was de biggest thief— but what be I talkin' 'bout, hyar 
 
 I is cotchin' my def ob cold, (goes back after clothes, looks 
 around astonished,' comes forward slowly, scared, tries to speak) 
 Wha — wha — clem clothes, (studies) Mus' be I'm a little off. 
 No, tain't me clats off, its de clothes. What beats me, dar 
 wasn't anybody in sight, and I layecl my clothes right down 
 dar. (points, raises eyes, misses Harry, rubs his eyes, trembles) 
 Wha — wha — de dickens am dat statue, (looks all around) 
 Bat's a mighty circular circumstances. Dat gits away wid dia 
 chile; yes, an' wid my clothes, too, dats wat hurts. (studies ) 
 But say. (runs to box, looks at top carefully, grins, looks again, 
 comes forward grinning) I jes' got to finkin' dat dem cigar 
 signs ain't in de habit ob goin' down de street promiscuously 
 dat way wheneber dey takes a notion, an' widout any provo- 
 cation or et cetrea &c, and den when I looked <m de top ob de 
 box I seed de marks ob de boot heels, an' dat splains de whole 
 business. Dat ere statue was some low lived pocket-pick,„ 
 wat was a standin' dar a seekin' whom he might dewour, an' 
 
 II happened to be jes' de chap he was lookin' fur. He's got 
 away wid me; no, not, wid me, wid my clothes. Jes' dis- 
 robed myself an' handed 'em to him, an' he went off widout 
 eber savin' tank ye, leabin' me heah, wid nuffln' on butdis yei 
 pair ob low necked trousertoons. But what's to be did? Can't 
 go down to see Susie w id dis rig. (studies) Les' see, two 
 times two am six, an' four times free am 'leven. Dat odder 
 feller played de statue an' got away wid my clothes, wat's de 
 reason I can't play de statue an' git away wid somebody else's 
 clothes. Ob course I can. Got to do it; got to hab some 
 more apparel. (gets on box, justness trying to get a good posi- 
 Xion) Now den, I'se ready for business. (looks down 
 street, r.) By golly, dar comes my missus, won't neber do to 
 let her see me in dis rig. (jumps off box and runs around) If I 
 run down de street she'll see me suah, guess I'd better stick to 
 de box an' take my chances, (gets on box, takes comical posi- 
 tion, shuts both eyes ) Maybe she won't notice me. 
 
CUFF'S LUCK. 13 
 
 Enter Maria, r., discovers Cuff, looks closely, stops, comes k. 
 
 . front. 
 
 Maria, (aside) Unless I'm very much mistaken that is 
 our Caff. But what is he standing on that box with his eyes 
 shut for? He's up to some of his pranks. This wiil be a good 
 chance to try my masquerade costume on him, if he don't 
 know me there will be no chance of Harry finding me out to- 
 night at the ball, (looks l.) As I live, there comas Harry 
 down the street now. I must not let him see me whMe I have 
 this costume with me, I'll just step kito a store until he passes, 
 and then I'll try the effect of my costume on Cuff. (exit, l. 
 
 Cuff, (opens his eyes) Colly, but I was scared mos' to def. 
 But she went by widout eber lookin' at me. I wish somebody 
 weuld come along, so as I could borry some clothes, I'se get- 
 ting chilly, (looks l.) Hi, G-olly, hyar comes a whitewash- 
 ed feller down de street, he's my chicken. ( takes position 
 
 Enter Harry, l., eyes Cuff as he passes by, stops r. 
 
 Harry, (aside) What in the name of common sense is my 
 colored friend up to. (studies) Oh ! I see, he has discovered 
 ray game and is endeavoring to play it on somebody else. He 
 does not seem to recognize me, so there's a chance for more 
 fun; so here goes, (walks sloioly back to statue, stops) What 
 an odd tobacco sigh, the oddest I ever saw, there is not the 
 least expression to the face whatever. What a pity when a 
 tew strokes of the pencil would have made a fine statue of 
 this — (takes crayon from pocket) —for instance, something like 
 this, (proceeds to paint Cuff's face in a most ridiculous manner) 
 lNow that looks better, (laughs, goes r.) He looks like a Sioux 
 on the war path. I'll just get myself out ol sight, and when he 
 vacates that box I'll give him a scare. (exit, r. 
 
 Cuff. (l. ) Don't believe dis yer statue business is gwan to suit 
 me; dat ere last feller didn't play fair, he forgot to .took oil 
 any ob his clothes.- Wonder what he was scratchin' 'round 
 my face dat way fur, maybe he wanted to see if I was de same 
 color clar frough. What de dickens does he know 'bout spres- 
 sion, I reckon I'se got about as much spression as de mos' ob 
 dem. (business with face) But dis ain't tendin' to business. 
 (vjhile he has been talking 
 
 Enter Harry, r», 
 
 wrapped in same curtain as at first, takes position on box, Cuff is 
 stepping on box discovers him, yells, falls on floor, business; 
 Harry runs off, r., Cuff gets up slowly, looks around) Is he 
 gone? (looks) Dat was a little de worst lookin' chicken dis 
 rooster eber saw, all wrapped up in dat ere- say — why— say, 
 
14 CUFF'S LUCK. 
 
 flat was de same kind ob a fing what dat ere statue had ob 
 when I fust come down de street, dat's what's de matter: 
 an' I'll bet dat was de same chap come back arter de rest ob 
 my clothes. If I gets my hands on him he'll git clothes. 
 
 (spars around — 
 
 Enter Maria, L., with mask on, and shawl or curtain similar to 
 Harry's, thrown over shoulders, walks up close to Caff, who 
 discovers her.-— 
 
 — By de Jumpin' Jupiter, I'se got you dis time, white man. 
 Took off clem clothes afore I smash ye. (spars around) Oh! 
 I knows yer. Took off dat — rashes at Maria,, tears mash from 
 her face, staggers back astonished) De Lawd Jimmy, its de 
 missus. Well, dat get's me. [goes k. 
 
 Maria. Cuff, come here ! What in the world's the matter 
 with you? What ails your face? 
 
 Cuff, {coming forward) I guess if you'd hab passed frongh 
 de circumstances wot I hab your face would look dat way too. 
 
 (starts offn. 
 
 Maria. Cuff, where are you going? j 
 
 Cuff. I'se gwan home, I is ! 
 
 Maria. Cuff, you your duty should never slight. 
 
 Cuff, (comes c.) But, missy, I look's like a fright. 
 
 Maria. Do your duty, right is right. 
 
 Cuff» Well i\en, kind friends, good night. 
 
 CURTAIN. 
 
NEW MILITARY ALLEGORY. 
 
 The Spy ef Atlanta. 
 
 A grand military allegory in 6 acts, by A. D Ames fend C. 9. 
 Bartley, 14 male, 3 female characters, with as many supernumary 
 ladies and gents as the stage may afford room for. This great play 
 is founded on incidents which actually occured during the war of 
 the Rebellion — it introduces Ohio's brave and gallant McPherson*— 
 the actual manner of his capture and death is shown. It abounds 
 with the most beautiful tableaux, drill, marshes, scenes upon the 
 battle field, in Andersonville, etc., and is pronounced by the press 
 and public, the most successful military play ever produced. G. A. 
 R. Posts, Military Companies and other organizations, who may 
 wish something which will draw, should produce it. It may not be 
 out of place to add that this play with the incidents of the death of 
 the gallant McPherson, was written with the full consent of the 
 General's brother, R. B. McPherson, siiace dead, who fully approved 
 of it. Below will be found a synopsis of incidents, etc. 
 
 8YNOPSIS OF INCIDENTS. 
 
 Act 1st. Home of Farmer Dalton. "don't talk politics/* The dinner hour. 
 News from Fort Sumpter, and call for 75,008 men. Quarrel of old friends. 
 "They hung traitors in former times." Oath of vengeance. The patriotic 
 Dutchman. His wonderful Btory. Husband and wife. "Go, and may God 
 bless you." Little Willie. "Dot dog." The Dutchman organizes a compa- 
 ny. Parting of lovers, and "parting for ever." "Country first and love 
 afterwards." Schneider, the Dutchman, and his new company. He means 
 business and shows his "poys" that he understands military business. En- 
 listing. Schneider and his company sign the rolls. The Daltons. "Hus- 
 band, must you go ?" Dutjt Little Willie. "Please, mother, may I got" 
 Presentation of the flag. Parting of loved ones. 
 
 Act 2nd. Camp by night. The letter from home. Army duties. Songs 
 and merriment. "Tenting on the old camp ground." Inspection of the 
 regiment. Generals McPherson and Sherman. News from Atlanta. A 
 brave man required. The dangerous mission. Promise of promotion given 
 by McPherson. Departure of the spy. The Confederate camp. Cspt. St. 
 Clair's soliloquy. Plotting. Pete. The old Negro is used rather roughly. 
 Father and son. The man who stutters so badly. The discovery. "A spy." 
 "Do your worst, you cowardly traitor." Pete makes himself useful. "No 
 chance of life." Thrilling tableau and capture of St. Clair. Escape of St., 
 Clair. The pursuit. Generals McPherson and Sherman. News from the 
 front, McPherson preparing for battle. Firing on the left. "I must at once 
 ascertain the cause." The rebel squad. McPherson's danger. "Halt and 
 surrender." The fatal shot. "It is General McPherson ; you have killed 
 the best man in the Union Army." 
 
 Act 3d. Return of the spy. Shermau hears of the death of his friend. The 
 enemy's lines in motion. The long roll and general engagement. 
 
 ACT 4th. Battlefield by night. "Water! I am dying for the want of water." 
 Little Willie. The traitor forgiven. Edwin and Willie are made prisoners. 
 The discovery, and renewal of theoath of vengeance. 
 
 Act 5th. Andersonville with all its horrors. Hope of being exchanged. The 
 last crust of bread. St. Clair informs Edwin of the arrival of his wife. 
 Fears of insanity, and prayers to God for reason to know her. The maniac. 
 "Oh, brother, don't you know me? I am your brother Willie." Maud ar- 
 rives. Terror on beholding her husband. "He must know me." The pic- 
 ture. The recognition of the picture, and "you are — no I can not be wrong, 
 you are Maud, my wife, thank God." Villainy of St. Clair. The cry for 
 bread. Bravery of Willie. The fatal shot, and death of the brave boy. 
 Madness. The curse. "Boys, let us pray that this may soon end." The 
 rescue. 
 
 Act 6th. News of the surrender of Lee. The new love. The vacant chair. 
 Happiness of Pete. Return of the boys, and joyful meeting of loved ones. 
 Bummer's march, and beautiful tableau. 
 
 Price, 25 cents per copy. 
 
ames 5 catalogue of books, music, etc. ' 
 -^&%3 Wilkins' Amateur Dramas. £&&>_ - 
 
 Designed expressly for the use of Schools, Amateur Dramatic and Cburck 
 entertainments. This volume contains the following plays: Rock Allen 
 the Orphan, or Lost and Found ; Three Glas3e3 a Day, or The Broken 
 Home; Mother's Fool, The Reward of Crime, or The Love of Gold; The 
 Coming Man ; The Turn of the Tide, or Wrecked in Port; Hash. Neatly 
 bound in cloth, price 75 cents. 
 
 Gems from my Repertoire.— A choice selection or Recitations, 
 embracing the best and most popular in the language. Sixty pages. Sent 
 post-paid on receipt of 15 cents. 
 
 Ames 9 Guide to the Theatres and Halls in Ohio.— The most 
 complete guide ever published. It gives population of cities and towns, 
 seating capacity of hall, size of stage, rent, and in fact every question is 
 answered fcliat advance agents or managers wish to know. Price 75 cents 
 fey mail. 
 
 — !— SHEET MUSIC. — !— 
 
 That Eittle Black Mustache.— Comic Song and chorus, by Jameg 
 M. Dow. Very taking and a great success. Price 30 cents. 
 
 Fayette Waltz. — For piano or organ, by Will R. Reynolds. Easy 
 »nd very pretty. Price 25 cents. 
 
 Wait for the Turn ot the Tide.— As sung in Wilkins' Drama 
 "The Turn of the Tide." Arranged as a quartette by Will R.Reynolds. 
 Very suitable for exhibitions, as it is easy and at the same time very pleas- 
 ing. Price 30 cents. 
 
 — els — 
 
 "Magnesium Tableau Eights — Are first-class for the following 
 reasons: They do not smoke ; are always ready ; they will not explode; 
 Uiey are easily ignited; are wonderfully brilliant, bu/ning with an in- 
 tensity of 74 stearine candles ; are perfectly safe under all circumstances. 
 They can easily and safely be sent to any part of the United States. One 
 of these magnesium lights will be amply sufficient for two tableaux, unless 
 thev are unusually long. We will send them by mail for twenty-five 
 cents each, and prepay all charges. 
 
 Eightning for Private Theatricals.— Very many dramas con- 
 tain etorm3, which unless given in an artistic manner are more laughable 
 than otherwise. To make them successful good lightning is essential. 
 We will send a package of material for this purpose, with full printed 
 directions lor its use, to any address, for 50 cents. The effect produced by 
 it will be found all that can be desired. 
 
 India Inh. — For blackening the eyebrows, whiskers, mustache, or for 
 any use where black is needed. Per stick 15 cents. 
 
 Prepared Brown. — For causing a sun-burned appearance. Price 
 per box 25 cents. 
 
 Spirit Powder. — For fastening whiskers or mustache to the face. 
 Will adhere very strongly in the hottest weather. Price per package 
 25 cents. 
 
 Carmine. — For the face. Very brilliant. Per package 25 cents. 
 
 Prepared Versnilion.— For the face. A beautiful color. Per box 
 25 cents. 
 Eining Brushes. — The best quality. Price, each 15 cents. 
 
 The above arc all of the best quality, and put up expressly for our own 
 irado. They can be sent by mail to any one on receipt of the price. 
 Address, 
 
 A. ». AMES, Publisher, 
 Clyde, Ohio* 
 
JjS 
 
 AMES' PLAYS-Continued. 
 
 NO. M. F. 
 
 09 Mother's Fool, farce, 5 act, by W. Henri Wilkins 6 1 
 
 1 Mr. & Mrs. Pringle. farce, 1 act, by Doi T. Do Treuba Cosio 7 2 
 
 23 My Heart's in the Highlands, farce, 1 act .( 3 
 
 32 My Wife's Relations, comedietta, 1 act, by Walter Gordon 4 4 
 
 90 No Cure. No Pay, Ethiopian farce, 1 act, by G. W. H Gr.ffin. [ 3 1 
 
 61 Not as Deaf as He Seems, Ethiopian farce. 1 act 2 
 
 37 Not so Had After AM, comedy, 3 acts, by Wybert Reeve 1; 5 
 
 44 Obedience, Cumedietta, 1 act, by Hattie L. Lambla i 2 
 
 81 Oid Phil's Birthdav, drama, 2 acts, by J. l\ Wooler. 
 
 disc 
 
 j] 33 On the Sly, farce, 1 act, by John Madison Morton 
 
 jj 109 Other People's Children, Ethiopian faree, 1 ct, by A. N. Field 3 2 
 
 }i 1 -J ; i Our Dang iters, society comedy, 4 acts, by Fred L. Greenwood 8 (> 
 
 85 Outcast's Wife, drama, 3 acts, oy Colin H. Hazelwood 12 3 
 
 ! 83 Out on the World, drama, 3 acts ; j 4 
 
 jj 53 .Out in the Streets, temperance drama, 3 acts, by S. N. Cook (J 4 
 
 ! 5T Paddy Miles' Boy, Irish farce, 1 act, by James Pilgrim 5 2 
 
 * 29 Painter of Ghei't, play, 1 act, by Douglass Jerrold 5 2 
 
 ; 114 Passions, comedy, 4 acts, by F. Marmaduke Dey S 4 
 
 l«j 18 Poacher's Doom, domestic dram i, 3. acts, by. A. D. -vines s 3 
 
 ) 51 Rescued, temperance drama, 2 acts, by C..H. Gilbert 5 3 
 
 ! 110 Reverses, domestic drama,- 5 acts, by A. Newton Field 12 
 
 ! 45 Kock Allen the orphan, drama, 1 act,- by W. Henri Wilkins 5 3 
 
 |i (Hi Rooms to Let -without Board, Ethiopian farce, 1 act 2 1 
 
 I 50 Saved, temperance sketch, 1 act, by Edwin Tardy 2 3 
 
 ' 4S Schnaps, imtch farce. 1 act, by M. A. D. Cliflton 1 1 
 
 »j 1(17 chool, Ethiopian farce. 1 act, by A, Newton Field 5 
 
 ;| 115 S. H. a. M. Pinafore, burlesque, 1 act. by W. Henri Wilkins 5 3 
 
 « f5 Somebody's Nobody, farce, 1 act, by C. A. Maltby 3 2 
 
 [{I 94 Sixteen Thousand Years *go, Ethiopian farce, 1 act 3 
 
 [J -25 Sport, with a Sportsman, Ethiopian farce, 1 act 2 
 
 ! 7!) Spy of All nta, military allegory, (i acts, by A. D. Ames, 25 cents. .. 14 3 
 
 |!i 92 Stage Struck Darkey, Ethiopian farce, 1 act 2 1 
 
 10 Stocks Up, Stocks Down, Ethiopian farce, 1 act 2 
 
 j 62 Ten Nights in a Bar Room, temperance drama, 5 acts 7 3 
 
 64 That Boy Sam, Ethiopian farce, 1 act, by h 1 . L. Cutler ._ 3 1 
 
 j 40 That Mvst rious Bundle, farce, 1 act. by 11. L. Lambla 2 2 
 
 38 The Bewitched Closet, sketch, 1 act, by H. L. Lambla 5 2 
 
 ! 87 The Biter Bit, comedy, 2 acts, by Barham Livius 5 2 
 
 \, 1)1 The Coming Man, farce, 1 act. by W. Henri Wilkins 3 1 
 
 : Ii7 The False Friend, drama, 2 acts, by George S. Vantrot r> 1 
 
 ' 97 'L he Fatal nlow, meiodrama, 2 acts, by Edward Fitzball 7 I 
 
 i 119 The Forty-Niners, or The Pioneer's Daughter, border drama, 5 acts, 
 
 '!' fly T. W. Hanshew 10 •' 
 
 1 93 The Gentleman in Black, drama, 2 acts, by W. H. Murray 9 4 
 
 'j 112 The New Magdalen, drama, pro. 3 acts, by A. Newton Field 8 3 
 
 j 118 The Popcorn Man, Ethiopian farce, 1 act, by A. Newton Field 3 1 
 
 71 The Reward of Crime, drama, 2 acts, by W. Henri v\ ilkins 5 3 
 
 10 The Serf, tragedy, 5 acts, by li. Talbot ... (, 3 
 
 68 The Sham Professor, farce, 1 act, by F. L. Cutler.. . _.*_ 4-0 
 
 The Studio, Ethiopian farce, 1 act 3 
 
 || 102 Turn of the Tide, temperance drama, 3 acts, by W. Henri Wilkins.. 7 4 
 
 54 The Two T. J's, farce, 1 act, by Martin Beecher 4 2 
 
 7 The Vow of the Omani. drama, 3 acts, by J. N. Gotthold 8 1 
 
 i,V 23 Thirty-three next Birthday, farce, 1 act, by M. Morton 4 2 
 
 j 108 Those Awful Boys, Ethiopian farce, 1 act, by A. Newton Field 5 
 
 03 Three Glasses a Day, temperance drama, 2 acts, W. Henri Wilkins. . 4 2 
 
 jj 105 Through Snow and Sunshine, drama, 5 acts 6 4 
 
 4 Twain's Dodging, Ethiopian farce, 1 act, by A. Newton Field 3 1 
 
 5 When Women Weep, comedietta, 1 act, by J. N. Got! hold 3 2 
 
 56 Wooing Under Difficulties, farce, 1 act, by J. T. Douglass 4 3 
 
 41 Won at Last, comedy drama, 3 acts, by Wybert Reeve 7 3 
 
 70 Whicn will he Marry, farce, 1 act, by Thomas E. Wilks 2 8 
 
 58 Wrecked, temperance drama. 2 acts, by A. D. Ames 9 3 
 
 111 Yankee Duelist, farce, 1 act, by A. Newton Field 2 2 
 
LIBRARY OF CONGRESS 
 
 016 102 892 7 
 
 New Music ! Latest and best i 
 
 T8iat Utile lSEa<-k HEiestac he. — Comic Song and chorus, by James 
 M. Dow. Very taking, an I a gieat success. Price 30 cents. 
 
 Fayette Waltz.- -For piano or organ, by Will R. Reynolds. Easy 
 and very pretty. Price 20 cents. 
 
 Wait for the Turn of the Tide. — As sung in Wilkins' Drama, 
 "Tiie Turn < f the Tide." Arranged as a quartette by Will R.Reynolds. 
 Very suitable for exhibitions, as it is easy, and at the same time very pleas- 
 ing. Price 30 cents. 
 
 Uly Name Vas £Iciur£;*h Mans.. — A roaring Dutch Song, words by 
 W. H. Spaifgler, Jr., muse by F. (>. Wilson. This song has made a great 
 hit, and is pronounced by both Press and Public the greatest hit of many 
 years. Of moderate difficulty. No Dutch Comedian can afford to be 
 without it. Price 30 cents. 
 
 — w*? — 
 
 ^ New Plays Just Issued. $*> 
 
 Pa** iota*. An original comedy, in 4 acts, by F. Marmaduke Dey, 8 
 male and 4 female characters. This comedy is a great success, and will be 
 a favorite with both dramatic companies and the public. An American 
 piay, the scene being laid in Biooklin, N. Y. Scenery easily arranged. 
 Time of playing about one hour and 45 minutes. Order a copy, it will 
 please you. 
 
 Tlae Forty-Miners, or the Pioneer** Daughter. A pictur- 
 esque American drama, in 5 acts, by T. W. Hans'aew, 10 male and 4 fe- 
 males. A thrilling border play. Tima 2 hours. 
 
 S. H. A. M. Pinafore. A burlesque on H. M. S. Pinafore, by W. 
 Henri Wilkins, 5 male and 3 females. It is uproarously funny. Easily 
 produced, and the same airs are used as in the original Pinafore. It con- 
 tains Dutch, Irish, and Negro characters, and will please all. Time of 
 performance 30 minutes. 
 
 Auld Robin Gray. A Grand Emotional drama in 5 acts, by Mal- 
 colm Stuart Taylor, dramatized from the famous Scotch ballad of the same 
 name, by Lady Anne Barnard. It has 13 male and 8 female characters. 
 Not a poor character in the Play, Time 2 1-2 hours — now published for 
 the first time. Price 25 cents. 
 
 Wanted a Huskaaad. A Dutch Sketch in 1 scene, by F. L. Cutler. 
 2 male, J female. Very funny. Time 20 minutes. 
 
 CHIT'S Luck. A*n Ethiopian Sketch, by F. L. Cutler, 2 males, 1 fe- 
 male. Another of Mr. Cutler's best. Time 15 minutes. 
 
 Old Pompey. An Ethiopian Sketch in 1 scene, by F. L. Cutler, I 
 male, I female. Good character fur an aged darkey impersonator. Will 
 always please. Time 20 minutes. 
 
 Happy Frank's Comic Song- and Joke Book. Contains a choic* 
 collection of original Songs, Jokes, Conumdrums, Stump Speaches etc. 
 In addition to the above, it also contains one complete Dutch Sketch, one 
 Ethiopian Farce, ami a Negro Sketch, all of which have never before been 
 published. Price 15 cents per copy. 
 
 All the above Plnys lj cents each, unless marked otherwise. 
 Address, A. D. AMES, Publisher, 
 
 Clvde, Ohio