-!!!!!!! :) ȧ§ſae aer: -·-----§§****Ģ- ¿№ ·§§§§§¿-§§§§×××-|- §Ë№ §§§§§§§ &ae§§ -¿aerº)}§§§§ ******* 4.¿ſae§§ ---- ∞،§§§:####Ģ;ſaeĒģ -¿№.--·ſae; ¿E--,•- $$$$$$$-* …………·ş, :::::::-·-· ¿,-§§,*----· Ëſ、&&¿ -§;!\,+',*'; §ğģĚ §:ſsae §§§§§§§§§ ſaeſ? ¿ &***** §§ x:\>§§§-šķ !-£ ſae--¿¿- ·- ſae· |--)******· ·§§ |-iſ:·· ·---- №§§· -$§§§§-ſae ſaevae §§§*******§§ §§§·(** x=r(ſr$ŘËËĚĚĒĒĖĖĘĘ №=================|- |}}}||||IIIIIIIII.iilliſiiliſHITLE||№, Î ñāī àſſimiſmiſſiſſ ĒĒĒĒī ĪĪĪĪĪĪĪĪĪ THE THEORY OF EDUCATION IN PLATO'S “REPUBLIC” .# i BY 3. * ** JOHN E. ADAMSON, M.A. (LoND.) PRINCIPAL OF THE NORMAL SCHOOL, PRETORIA AUTHOR OF “THE TEACHER's Logic” LONDON r SWAN SONNENSCHEIN & CO., LIMITED NEW YORK : THE MACMILLAN CO. 1903 PREFA CE. iTHE chief value of the theory of education which is ; developed in the “Republic” lies, I think, in the i closeness with which it is bound up with social and i philosophical problems. Education is therein never : divorced from life. But this is also its difficulty. The details are so interwoven with matters social, matters psychological, and matters philosophical, that the young student finds them hard to appreciate. These notes are the outcome of an intimate acquaint- ance with these difficulties, and they will have justified their existence if they help the thoughtful teacher to lay hold of the high educational ideals which Plato sets forth. I have followed the translation of Davis and Vaughan in the “Golden Treasury” series. The figures at the foot of a page refer to sections, and the small letters to subdivisions of these sections. My plan throughout has been to first give a summary of Plato's ideas, and then to add such expository and critical notes as seem likely to be of help. I have iv. ARAEFA CE. been especially, some may think unduly, anxious to show how Platonic ideas may illuminate modern educational problems. The works of Bosanquet and Jowett have been of very great service, but my greatest debt is to the delightful essay of the late R. L. Nettleship in “Hellenica.” I have also to express my sincere thanks to my friend and former principal, the Rev. C. G. Brown, of the South Wales Training College, Carmarthen, for his kindness in reading through the proof-sheets. J. E. ADAMSON. October, 1902. AN ALY SIS. Chap. Page I. INTRODUCTORY . g * ſº * © 1 Greek Philosophy before Plato's Time. His Thought-ancestry. Plato's Theory of Ideas. The Theory of Ideas and the Educational Scheme. - The Making of a Citizen. . The Scheme of Primary Education. How the Subject of Education is Introduced º TI. THE SUBSTANCE OF LITERATURE : STORIES OF DIVINE BEINGS © & e . 27 1. Analysis. 2. General Remarks. 3. The Beginnings of Moral and Religious Edu- cation. • 4. False Stories must be Logically True. 5. The Earliest Stories must reflect the Virtues of Family Life. 6. Two Essentials of God’s Nature. 7. The “Genuine” and the “Spoken.” Lie. A 8. Should there be a Censorship over the Litera- S ture for the Young'ſ 9. The Treatment of Stories from the Bible. 10. Adaptation of Truth considered Generally. V vi A/VALYS/S. Chap. III. THE SUBSTANCE OF LITERATURE : CONCERNING : 5 10. COURAGE, TRUTH, AND TEMPERANCE . Analysis. . First Steps in Moral Training. . Plato's Account of Courage. . The Fusion of Material and Spiritual Aims explains Peculiarities. . We should accept this Account of the Essen- tials of Courage and its Nurture. . Manliness not to be found in Isolation. (a) Mere Superiority to Physical Pain Un- desirable. (b) Fortitude dependent on a Rational Balance of Interests. . Plato's Account of Truth. Only a Part of Plato's Treatment of Truth. . Two Senses of Truth. (a) Lying springs from very Different Motives. (b) Which require Different Treatment. . How can a Love of Truthfulness for its own Sake be Cultivated? (a) The Cultivation of a Love for Intel- lectual Truth. (b) The Difficulty of removing Prejudice. (c) The Teacher's Example: his Devotion to Truth. Plato's Treatment of Temperance. (a) Aesthetic Considerations are Prominent. (b) An Account of Virtue Generally. (c) Is allied to Courage and Truth. (d) No Complete Antagonism between Reason and Desire. Obedience to External Law and Obedience to Reason as Stages in the Development of Temperance. Extent of the Teacher's Influence over this Development. . Why Literature is a Powerful Factor in Moral Training. Page 44 ANALYSIS. vii Chap. IV. THE FORM OF LITERATURE : THE DANGERS OF IMITATION * ſº is e iº 1. Analysis. -- 2. Statement of the Question. 3. First Objection to Imitation, mainly Economic and Political. * 2^ 4. Is Political Efficiency the End of Education. Evils of Over-concentration. 5. Second Objection to Imitation, mainly Ethical. , 6. Self-reliant Thinking is to be Encouraged. 7. And Genuine Feeling. * 8. Self-originated and Self-guided Conduct. 9. Imitation in Higher Education. 10. Imitation and the Professional Training of the Teacher. 11. The Third Objection to Imitation, mainly Philosophical. It nurtures the Emotional at the 'y Expense of the Rational Side of Character. 12. This is in Keeping with the General Principles of his Philosophy. . 13. Summary of the Uses and Dangers of Imita- Page 68 tion. W. MELODY AND RFIYTHM 1. Analysis. 2. Special Harmonies for Special Virtues seem to us Strange. (a) It is, in part, “Applied "Psychology. (b) We must bear in Mind the Kind of Music in Question. 3. The Prescriptions about Music are Explainable from Plato's Philosophy. 4. The Treatment of Rhythm. Why the Question is Important. 5. The Dependence of Outward Beauty on Inner Worth. • 6. We may accept this Principle in its Fulness. 7. And carry it into Practice. Suggestions for Practice. 91 viii AAVAZ VS/S. Chap. VI. THE T & º 10. ENVIIRONMENT AND THE ENDS OF A MUSICAL EDUCATION . Analysis. - 1. . The Relation between Outer Beauty and Inner Worth. mony. . Does Aesthetic Culture imply Moral Culture ? (a) Appreciation of the Seemliness of Good Conduct is One End of Moral Cul- ture. (b) Aesthetic Culture must quicken this. Appreciation. (c) Experience supports this View. . Control of Environment by the Teacher. . Plato's Method of Aesthetical and Moral Culture. . The Same Method can be employed in Logical. or Intellectual Training. (a) Empirical and Rational Stages in Logical Training. . . . (b) The Rational Stage usually comes too SOOI). (c) Examples from (1) Meanings of Words; (2) Arithmetic ; (3) English. . Direct Aesthetical Training. (a) Through Nature-lessons. (b) Through Literature. . The End of a “Musical” Education is a Good Character. Page, . 105. . The Wide Application of Rhythm and Har- The Effect is felt on the Intellectual, Emotional, and the Active Sides of Mind. The Parallel from learning to Read. (a) Brings out the Importance of Ability to discriminate between Right and Wrong. - (b) Shows the Need of attending to Things. thought Trivial. AMAZ PSYS. ix Chap. - Page VII. AND VIII, GYMNASTIC OR PBYSICAL CULTURE 130, 145 1. Analysis. 2. The Questions included under “Gymnastic” are Wide and General. Education a Factor in the Welfare of the Republic. 3. The Relation of Bodily Training to the Train- ing of the Whole Soul or Character. 4. Music is to discipline the Philosophic, and Gymnastic the Spirited Element of Char- acter. The Great End of Education is Har- monious Development. 5. The Bad Effect of too much Music. And of too much Gymnastic. 6. The Joint Effect of Music and Gymnastic. * 7. Plato's Idea of the Place of Gymnastic should lead to Reflection on our own Efforts. A Warming. 8. Physical Culture is, with us, Largely Un- organised. Possible Reasons for this. 9. Are there Psychological Grounds which justify Physical Culture? (a) The Connection of Bodily Condition with Temperament. (b) And with the Consciousness of Self. (c) And with the Stream of Consciousness. generally. (d) Is “Sense”-training also Character- training (e) The Unity of Mind enables us to give an Affirmative Reply. (f) “Sense”-training and the Cognitive Powers. (g) Second Comparison. (h) These are Essential to Morality. () The Best Result is the Objective Atti- tude which “Sense”-training brings. IX A/VALYSIS. Chap. (j) “Sense”-training and the Affective Side of Mind. (k) “Sense”-training and the Active, Wolitional Side of Mind. (!) It cultivates Special Virtues. (m) It nurtures the Power of Continuous Effort. 10. Instances of too much Gymnastic. Other Cases of this Abuse of Gym- mastic. 11. The Effects of too much Music. 12. The Teacher and the Qualifications of the Doctor. v13. The Teacher and the Qualifications of the Juror. IX. EDUCATION A FIRST CONDITION OF THE WELFARE OF THE STATE º º e 1. Analysis. • 2. The End of Education is the Welfare of the State. 3. It must develop the Idea of the State as the Supreme End. 4. It must develop the Spirit of Loyalty. 5. Some Particulars of what a Good System of Education can do. - 6. Some of the Effects of an Evil System. 7. Our Standpoint is Utilitarian and Indi- vidualistic. - 8. No Real Opposition between Individualistic and Social Aims. 9. Dangers of the Social Ideal. 10. An Indirect Way of developing the “Civic’ Sentiment. 11. The Direct Way of History. Page 166 AWALYSIS. xi. Chap. Page, 12. Voluntary Abandonment of Opinion. (a) In Science. (b) In Morals. 13. Involuntary Abandonment. Artificial Trials of the Power to hold fast to an Opinion. X. THE CARDINAL VIRTUES IN A SOCIETY . . 190 1. Analysis. 2. This Section is Ethical in Character. It seeks to set out the Cardinal Virtues. 3. Classification of Virtues is Unsatisfactory. But Helpful. . Wisdom. . Courage. . Temperance. . Justice. - . Method of the “Discovery” of Justice, . Separation of the Virtues Artificial. i XI. THE CARDINAL VIRTUES IN THE INDIVIDUAL . 206 T . Analysis. . The Principle of Contradiction. . The Psychological Question. . Account of Three Distinct “Faculties” in the Soul. 5. Are the “Rational" and “Concupiscent " Principles Distinct 7 (a) The Control of Impulse. (b) If the Threefold Nature of the Mind be taken as an Analogy merely, it is Helpful. % 6. Are the “Concupiscent” and the “Spirited " Elements Distinct '' . The Complexity of the Contents of . Consciousness. i 7. Are the “Spirited ” and the “Rational’’ Ele- ments Distinct'. 8. The Virtues in the Individual. f : xii ANALYSIS. Chap. - - Page XII. PRIMARY AND HIGHER EDUCATION - , 223 1. The Scheme is Rational. • 2. The End of Education is the Welfare of the º 3. 10. 11. 12. 13. 14. 15. • 16. 17. Republic. - That Welfare to be secured through the Per- fecting of the Character. . The Means seem Narrow and Limited. * . Additions to the First Outline of the Primary Scheme. . How Music and Gymnastic are to be Regarded. . The Warriors only reached an Empirical and Unreflective Stage. . The Classification of Objects and Mental States. . The First Division. The Second Division. The Third Division. The Fourth Division. The Idea of Good. The Allegory of the Cave. The Training of the Philosopher. The Demarcation of Educational Spheres. (a) Function of the Primary School. (b) Function of the Secondary School and University. Education as a Lifelong Progress. EDUCATION IN PLATO'S REPUBLIC. CHAPTER I. INTRODUCTORY, SYSTEM of education may arise in different ways. Its parts may grow together bit by bit. according to felt need ; much as a house, at first a mere protection against wind and tempest, may come by a slow process of accretion to be at last an im- posing, if somewhat irregular, structure. Or, its main features, at least, may be the outcome of design, of preconceived plan. Our own national system is, speaking broadly, an instance of the first or piecemeal mode of origin ; Plato's, the one we are to examine, is emphatically an instance of the second ; and hence, as it is hoped will appear, a peculiar value in the study of it. Or, again, an educational system may show signs of both modes of origin. A design regards two things : first, the end to be attained ; next, the means or material to hand ; and this is clearly a rational or enlightened as against an empirical or blind mode of procedure. Educational material consists of minds and the influences— subjects, exercises, etc.—which are to be brought to bear on the minds. The mature of these latter and - 1 2 A.DUCATION VAW P/LATO'S REPUBLIC. the way they are to be used for the development of the former will appear gradually as we watch the system grow. But we must at the outset know something of the end, of the constructor's purpose, if we are to appreciate his manipulation of the material. This purpose will not be fully apparent until the system can be viewed in its entirety, no more than one can with completeness fill out the plans of an architect. Yet even if our idea of the end be at first vague, it will give us, as psychologists say, something to attend with. It will illuminate the details of the system as they appear. An educational end is never an independent con- ception ; it is always secondary or derived. Like the branch of a tree, it is an offshoot from some parent stem ; and we must know something of the nature of the stem, if we are to appreciate the characteristics of the branch. Now, the parent stem from which the designer derives his educational scheme consists of his views about life and man’s place and part in life. He may start from the deepest and most fundamental views. He may ask what is the highest and most vital part of the life of the lº universe and how man participates in it ; and an educational scheme may be designed to fit him for # the most effectual participation. Or he may start ", from the narrower point of view of man's life in a ; particular society, and seek by education to fit him i for this. Plato's scheme is an outgrowth of both points of view. Sometimes it would seem that man’s place in the universe is what he has in mind ; some- times his place in a Greek state. Hence to under- stand his scheme we must first get a general idea of his views on both these questions. g INTRODUCTORY. 3 GREEK PHILOSOPHY BEFORE PLATO's TIME. HIS THOUGHT-ANCESTRY. We cannot appreciate the philosophic ideas—ideas about the innermost nature of man and the universe —which Plato held, unless we know something of the way in which they grew out of the ideas of preceding thinkers. For the notion of growth is a key to the interpretation of the world of thought as of the world of nature. To understand the present structure of a mountain-range, we should look to the slowly-working forces which have been operative through the long ages of the past. We must approach the ideas of a philosopher in the same way. They do not suddenly obtrude themselves without roots of inspiration ; and these are to be found in the thoughts of those who have gone before. The Greek philosophers who preceded Plato, his ancestors in the world of thought, may be divided into two great groups. These two groups are to be distinguished by the subject-matter of their enquiry. I. First Group. The first systematic enquiries of Greek thinkers were directed, just as are a child's first questionings, towards the external world. They wanted to know how the stone was made, how the tree grew, how the river flowed. Their enquiry was a truly scientific one, inasmuch as they sought some common element and some principle of its working which would explain the natural phenomena on which their eyes were for ever set. They sought to solve the riddle of the innermost construction and wheelwork of the universe. It was a riddle impossible of solution in this the infancy of scientific knowledge ; but the answers they 4. EDUCATION IN PLATO'S REPUBLIC. gave are a testimony to the keenness of their insight and the fertility of their imagination—the only weapons of enquiry they possessed. We may just indicate the nature of some of these answers. (i.) The earliest or Nature-Philosophers found the essence of the world in something material. They believed that the whole “furniture of earth '' was made up of a single material substance worked up into various forms. One believed it to be water, another air, another fire ; while a fourth described it as the “eternal, infinite, indefinite ground, from which, in order of time, all arises, and into which all returns.” All conceived it as something material. (ii.) Another group, consisting of Pythagoras and his disciples, found the essence of the universe in something formal or abstract. What really mattered for the existence of things was not the material sub- stance of which they were composed, but rather what we might call their mathematical framework—the ordering of things in space according to size, bulk, and position. “Number is the essence of all things ’’ —this was their root-idea. They abstracted from the concrete world of sense, and believed its quantitative aspect to be the essence of it. (iii.) Farther yet from the world as we see and feel it the Eleatics went to discover the secret of its being. What we see and feel, they indeed declared to be non-existent. There was in reality no multitude of things. The manifold forms of nature changing with time were illusory. There was but one real existence, changeless and eternal. This idea first arose in opposition to the idea of a plurality of gods with changing forms. Afterwards it was opposed to the idea of a plurality of things. In supposing these INTRODUCTORY. 5 to exist, the Pythagoreans were as far from the truth as the nature-philosophers. One single sphere filling all space was the only reality ; all else was mere semblance. The formal and abstract principle of the Pythagoreans, and the singleness and changelessness of the world as the Eleatics conceived it, are both readily traceable in Plato's thought. (iv.) Men could not rest satisfied with this. They sought for a theory which did not deny the reality of the changing phenomena of nature ; the evidence of the senses was too strong for that to be accepted. They desired, indeed, to account for the permanence of the world ; but change called for explanation no less loudly. They sought for a theory of unity with variety. The answers which the latest philosophers of the first great group gave were very much the same. They conceived the essence of the world to lie in, first, the existence of certain primitive elements, or atoms, sometimes thought of as all alike, and Sometimes as possessing different qualities ; and, second, the existence of some force arranging these atoms so as to produce the various objects of the universe, sometimes thought of as mechanical and Sometimes as a spiritual agency. II. Second Group. These contradictory views about the nature of the world could only have one result. This was the birth of doubt and scepticism. It had its origin in the sceptical questions of the Sophists—a name given to the professional teachers of grammar, rhetoric, and allied subjects, of that period—who turned inward the current of enquiry which had so long flowed out- wards ; so that the pressing question now became, not : what is the essence of the world P but : what is 6 AED UCATIO/W WW P/LATO'S REPUB/./C. man's qualification for the discovery of that essence 2 It was a natural and a necessary question. The point to be noted is that it entirely changed the object of speculative thought. Instead of the world and its workings, this now became man and his power to know that world. The result of this critical enquiry was that the Sophists denied man’s power to know ; at least they denied his power to reach knowledge universally valid—that is, true for all men alike. This sceptical result was reached through an examination of the source of all knowledge of the external world. This source they declared to be sensation. But sensations differ ; no two sensations arising from the same object are alike. What I experience is different from what you experience when we both look at the same object —so they argued. Hence the impossibility of raising a permanent structure of knowledge, valid for all alike, on such a basis. If “man is the measure of all things”—the text which summarises the teaching of one of the most prominent of the Sophists—one man may as confidently and as rightly affirm that a thing is round as another that it is oval. In their destructive march they did not stop at the facts of knowledge ; they assailed the facts of morality also. If it can be maintained with equal rigour that a thing is both round and oval, since everything depends on the individual point of view, it can equally well be maintained that an act is, say, both just and unjust. And so they taught. In practical morals as in theoretical knowledge every man is a law unto himself. As there is no such thing as absolute truth and error, so there is no such thing as absolute right and wrong. Thrasymachus, one of the char- AA/TRODUCTORY. 7 acters who carry on the dialogue in the “Republic,” is an instance of a Sophist. To rest in the conclusions of the Sophists was as impossible as it was natural to ask the questions they asked. They left men, like ships which have dragged their anchors, helplessly adrift. No certainty of knowledge, no fixity of morals—this was a nihilist revolution, destroying everything and building up nothing. It was no wonder that in their day the Sophists were charged with being corruptors of youth, and that their name has come to stand for what is subtle but unreliable in thought and argument. Yet the thinker—Socrates—who showed the way out of the darkness they had created was put to death on the charge of being a Sophist, dangerous to religion and morals. He was classed with them because he enquired, with them, what is the worth of man’s claim to knowledge ; and because, like them, he disclosed the uncertainty and worthlessness of much that passes for knowledge. In reality, however, there was this vital difference between them and him : they stopped at scepticism, he showed the way to construction ; they pulled down, he pulled down that he might the better build ; their conclusion was his point of departure. He agreed with them that in sensation and in mere individual opinion there is no safe foundation for knowledge. He never tired of laying bare the in- consistencies which lurk in the judgments of those who accept their impressions passively, without reflection. But he was equally strenuous in main- taining that man is not confined to sensation and opinion. To him belongs the supreme power of thought, of intellect. Through this power he can escape the 8 A DUCATIO/W IAV PLA 7 O'S REPUBL/C. limits within which sensation confines him ; through it he can compare particulars, abstract from them, and advance to the general motion. And this is universal ; it appeals to all men alike. In a word, through thought men can get to knowledge—i.e. truth valid for all. This is what Aristotle means when he tells us that Socrates introduced the method of induction and definition. Induction is the movement of thought from the particular to the general ; definition is but the completion of induction, the explicit state- ment of the content of a general notion reached inductively. A good instance of this Socratic method may be found in the way in which he reaches the conclusion that goodness implies changelessness." It is to be noted that Socrates did not talk about induction and definition ; he practised it. He did not discuss the details of logical method ; he showed the possibility of proceeding logically. He gave the world no far-reaching theory; he merely showed, in his practice, the road that all must follow who would attain to truth. A word may here be said of him as a teacher. He adopted a conversational method, a dialogue. He sought to quicken ideas in the minds of his hearers, and bring them to the birth. Plato describes his art as “intellectual midwifery.” In the “Republic,” it is true, there is very much of Socrates and very little of his hearers ; but this is because we have here Socrates in Platonic guise. Frequently he is ironical. He assumes a deference to the opinions of others only to show the inconsistencies of these when they are | II, 380 d-381 b, The substance of the thought is probably Plato's ; the method is that of Socrates. AAV7'RO/DUCTORY. 9 laid bare. A passage with Thrasymachus will supply a good illustration." We have to note that Socrates confined his method of inductive enquiry almost entirely to moral questions. In this he was like the Sophists. Like them he turned impatiently from that investigation of the wheelwork of nature which the first philo- sophers of Greece had so strenuously prosecuted. He declared that there was nothing to be learnt from trees and meadows. It was the acts of men, not the workings of nature, which he loved to discuss. What is the essence of justice, of fortitude, and so on ?—these were the questions he was for ever asking. It has just been remarked that he gave the world no theory ; his character and methods, rather than definite results, constitute his claim to a first position in the sphere of philosophy. This is, in the main, true. There was, however, one truth about morals which is ascribed to him, and which his disciple Plato accepted. It is this, that virtue is knowledge. We think of virtue in connection with action ; he con- nected it with insight. Vice meant ignorance ; if a man sinned it was because he did not know the right. Traces of this theory will frequently be found in the discussion concerning education. For example, it will throw light on the startling statement that the spoken lie is preferable to ignorance.” And, again, it will help us to understand his definition of courage as the preserving a right opinion concerning what is to be feared.” He held that if the opinion, the insight, were right, action in accordance with it must necessarily follow—a truth, it may be remarked, much less paradoxical than at first sight appears, ! I. 349-350. * II. 382, 8 IV. 430. IO AºA)UCATION WAV PMA 7'O'S REAE UB/./C. and of first-rate importance as a guide to moral training. PLATO’s THEORY OF IDEAs. Such, in briefest outline, was Plato's thought- ancestry. There were, as we have seen, two tendencies. One was to discover the constitution of the universe ; and here the difficulty was to reconcile the ever-changing phenomena of nature with the natural demand for permanence. The second was to enquire into man’s power to attain certain know- ledge ; and respecting this second and later enquiry we have seen how Socrates showed that man as a thinking being had that power, though the philosopher confined it to the solution of moral problems. We have now to see how Plato in his famous Theory of Ideas wove these separate threads into a single web. Reference can, of necessity, only be made to its central and most essential features. First of all, there is a startling advance in respect of those general notions which Socrates had found man capable, of constructing. These, the theory asserts, exist not only in the mind of man, but have an actual independent existence outside him. Thus there is a second world behind the world perceived by way of the senses which originates and corresponds to the general notions attainable by way of thought. To the obvious fact that there is something actually existing, the rose itself, which gives rise to the percept of a rose as a particular thing of a certain shape, colour, and smell, there was added the startling assertion that there is also something somewhere actually existing which gives rise to the general notion of a rose, not limited by any particular shape, colour, or smell. AAV7'RODUCTORY. I I This Plato called the “idea, " of the rose. Observe that this term in Plato's philosophy carries the very opposite meaning to that which we assign to it. It implies, not something mental at all, but something independently existing, and the most real of all existing things. Thus behind and beyond the world of sense there is the world of “ideas.” One main characteristic of this latter world is its changelessness and permanence. In this it is in striking contrast to the changing world known to perception, which is in all respects less real, less stable, more illusory ; indeed, it depends upon the world of ideas for its existence. This latter point—the relation of the two worlds— Plato never made clear. He speaks of individual objects as “imitations” and “images” of the ideas, and as “participating ” in them. And again, although the ideas enjoy an independent existence, he declares them to be in some way “present * in individual objects. To illustrate the relation in which these two objective worlds stand to each other he employs, in the “Republic,” 4 the relation of the sun to the earth. As the earth owes its light to the sun, so the world of sense owes its existence to the world of ideas. But how more exactly, and to what extent, the analogy holds he does not say. This was the theory on its logical side. It showed, or sought to show, how the universal was related to the particular, the permanent to the changing ; and not in the mind but in the objective world or worlds. We must observe, too, that Plato was a compound of poet and philosopher. When the poetic impulse was strong in him, he sought to picture the place - 1 WI. 508. I 2 EDUCATION IN PLATO'S REPUBLIC of this realm of ideas. He described them as sitting enthroned beyond the vault of heaven, and the process of knowing them as an “upward journey of the soul to the supercelestial region.” " Not less, but even more, important than the logical side is the aesthetical and moral aspect of the theory. The ideas were not only logically perfect, but aesthetically and morally perfect also. They were not only types of the changeless and true, but also of the beautiful and the good. Indeed, the controlling influence in the world of ideas, the source of all its life and power, was what Plato called the Idea of the Good. It was to the world of ideas what the sun is to the world of visible objects. It was, he conceived, the origin of all thought and of all existence ; of the known world and of the power to know it. “Now, this power, which supplies the objects of real knowledge [i.e. the ideas] with the truth that is in them, and which renders to him who knows them the faculty of knowing them, you must consider to be the essential Form of Good, and you must regard it as the origin of science and of truth, so far as the latter comes within the range of knowledge ; and though truth and knowledge are both very beautiful things, you will be right in looking upon good as something distinct from them, and even more beautiful.”” We seem to be justified in identifying this Idea or Form of Good with the divine mature ; and thus we have from an early pagan philosopher such an ideal conception of the constitution and control of the universe as no thinker, pagan or Christian, has been able to surpass. 1 Quoted from Ueberweg, “History of Philosophy,” Vol. I., p. 119. 2 WI. 508 e. INTRODUCTORY. I3 Two worlds, then, the world of ideas and the world of sense—the former in all respects perfect, the latter in all respects inferior, and somehow deriving sus- tenance from the former—this is the central idea of Plato's philosophy. To which of these worlds does man belong P According to Plato he is a mixture of elements drawn from both. His psychology will be gradually revealed, but so far as it is part of his theory of the two worlds, reference may be made to it here. The soul of man is, through reason, allied to the ideas. His reason is a part of that perfect world, is derived from it. Through its affinity reason can contemplate that world. But the vision is never clear. It is confused and contaminated with sensuous knowledge and desire, in which respects man is at “, one with the changing and imperfect world of per- ception, the world of “birth and death.” In him the two worlds meet ; and he progresses towards perfection according as the illusions of sense and the sway of the baser emotions give place to the vision of truth and the joy in its contemplation which take their rise in the divine element of reason. Our business is not to criticise this theory. We may just note its suggestiveness and worth. Both for a science of nature and for a science of morals it has something of value to offer. In respect of the former we may take it to be an anticipation of the uniformity of nature. It is to be remembered that we postulate the existence of immutable laws of nature behind the particulars of sense. We see the unchangeable work- ing of gravity, for example, in the revolving planet and in the breaking wave. We do not think of it as an easistence apart from these and its other in- numerable manifestations ; but there is the closest I4. A.DUCATIO/V ZAV PLA TO'S REAE UAE LIC. * d % ', likeness between the immutability of Plato’s “ideas” and the immutability of nature's laws. In the sphere of morals it is still more important to believe in the existence of eternal, changeless principles of right and wrong. The puzzling, concrete cases of virtue and vice exist in infinite variety ; but we are bound to believe that the moral principles “themselves are fixed and enduring ; and it is just this fixity and permanence which Plato’s “ideas" of justice, of courage, of temperance, etc., most strongly suggest THE THEORY OF IDEAS AND THE EDUCATIONAL SCHEME. How, now, will our knowledge of the theory of ideas help us to a better understanding of the system of education which Plato proposes P. Well, we see what view he took of the most vital part of the life of the universe and of man’s share in it. We know one end which education would have for him, namely, to fit a man for that life. It was not the only end. There was another, more immediate, more material, narrower: the welfare of the imaginary state of which the “Republic * gives an account. The effect of this end on the educational scheme we, shall consider immediately. Meanwhile we may note that the theory of ideas exercises an influence on the system which is all-pervading. We may anticipate one or two details to show this. He tells us when he is describing the effects of a musical education ; that “music ought to end in the love of the beautiful,” X t? and we must remember that with him the beautiful ; meant the good. Why, then, should this be the | end? Surely because, when it is gained, a man will have been brought, in character, into close relation IAWTRODUCTORY. 15 with that world of ideas where all is beautiful and | go d. The highest elements in his complex nature iwill have been developed. He will have grown to ; a condition of harmony with that better world. *.*. Take another example. In selecting the literature best fitted for the training of his soldier-citizens, Plato rejects the dramatic form mainly on account of the number of emotional transitions which it involves. But what harm is there in passing from grief to : joy, and so on, as we follow an author or an actor P : Oile danger which he saw was that it would make the unstable Athenian still more unstable. Apart fism this political reason, however, there is the deeper objection to which his philosophical principles point. For in respect of these changing and unstable emotions a man is a member of the lower world ; and dramatic poetry would cultivate and nurture just those qualities to which the permanence and immutability of the world of ideas stand in such striking contrast. ~ A knowledge of his philosophic theory thus puts us in possession of a code without which many messages remain in unintelligible cipher. We may represent this dependence of a system of education on philosophy in this way: The vision of the world of “ideas.” A system of education which shall bring a man into as close a relation as possible with that world. THE MAKING OF A CITIZEN. We have now to take note of that more immediate fend to which Plato's system of education is directed. f <- Y * |- w º: -* i I6 AEDUCATIO/V /AW AN/ATO'S REA UB/./C. He regarded it first-of-all-as-a-means; and the mº effective means, of preserving and promoting the welfare of his ideal republic. It was, indeed, related , to the world of ideas, as we have just seen ; his youth was to reflect some of the perfect truth, beauty, and goodness of that world. Its first aim, however, was §the creation, or, as it is more in keeping with the jspirit of his theory to say, the nurture and develdp- ment of a good citizen ; it made first for the pre- servation of all that he thought best in the life of a society. This is its main characteristic ; and if ; we bear it in mind, it will help us to appreciate more fully many details which would otherwise seem strange. For this is a design we are unfamiliar s }; M M 3. * t + ; with ; or, at any rate, we rarely set it prominently ; before us as an end. We think of the individual more—of his interests, his possibilities, his future. Plato's first thought is for the interests of his state ; the citizen, not the individual, as such, is what he is concerned about. Sometimes, then, he seems to be thinking of that far-off world of ideas in arranging his scheme, but far oftener of the republic. There was, however, for him, no opposition between these ends, no clashing of rival interests; for his state was to be organised in the spirit of that wider world. Those who were to direct affairs in the republic and control its destiny were to draw their inspiration from a contemplation of the world of ideas. Their fitness for their high office was to depend upon their power to assimilate the principles of that world and their skill in trans- lating them into the sphere of practical affairs. So that a citizen of such a state would, as an individual, attain to perfection of character. We may set out IAWTRODUCTORY. 17 the relation of the system of education to both ends, . and these to each other, graphically. : The vision of the world of ideas. `s NS. The vision of an ideal republic. V 2 A scheme of education taking its form from both “visions.” This emphasises : first, the fact that the “Republic” is an offshoot from Plato's cardinal philosophic thought : next, the fact that the scheme of education is a factor in the construction of the republic, and in immediate relation to this latter ; lastly, that it is both directly and indirectly related to the world of ideas. We must get an idea of the plan of the “Republic” that we may understand the place education occupies within it. There is a second title of the work: “Concerning Justice.” We should thus infer it to be partly political and partly ethical in character ; as a matter of fact it is both at once. The dialogue opens with an enquiry into the essential nature of justice. The unsatisfactory nature both of the common and of the sophistical notions of this quality is first shown by Socrates. Then he proposes to reach a solution by constructing an ideal state in | 2 I8 EDUCATIO/V ZAV PZLA 7 O'S A BAE UB/./C. which, he assumes, justice will exist and will be discernible. So that in reality the construction of the state and the discovery of the essence of justice come to be one and the same thing. At least the ideal state will be the actual and concrete embodiment of the conception of justice. This last ultimately turns out to be realised in the harmonious co-operation of all classes of the society in the promotion of its highest interests. This solution is reached at the end of the fourth book. The next three books are occupied with the discussion of what Plato believed to be the more ideal conditions of a republic—e.g. community of goods and of wives and children ; of the qualifications and training of the rulers of the republic ; and of the naturé, of that ideal world into communication with which they are by education to be brought, and a knowledge of which is to fit them for their task. In the remaining books the dangers and perversions to which states are subject are considered. It is as a preparation of each class, so that all may work harmoniously together and produce that condition of moral well-being—i.e. justice in the state—that education is introduced. There were three classes, for each of which there was an appropriate system of training. They were : / (i) The artisans. These constituted the lowest class, whose condition was largely servile. For them Plato prescribed no system of education. The learning of their trade was all he thought necessary to fit them to play their part in the corporate life of the republic. (ii.) The soldier-citizens, or auxiliary-guardians, sometimes referred to simply as “guardians.” . For them a complete system of training was constructed. | | A WTRODUCTORY. I9 It is to be found in that portion of the work extending from about the middle of the second to the end of . the fourth book. It makes up what we should call “primary '' education ; though it is to be observed that this lasted till the age of twenty. It is what we shall be mainly concerned with. Its aim, summarily stated, was to nurture in these warriors a spirit of loyalty to the best interests of the state and to develop a body capable of guarding them. … sº- (iii.) The magistrates or “perfect guardians.” In the seventh book a higher education is sketched for this class. It was to be continuous throughout life after the age of twenty ; though the years from twenty to thirty-five were to be a time of special concentration. Its aim was to develop to the utmost degree the power of philosophic insight so that this might be brought to bear upon the practical problems of statesmanship. Perhaps, however, we shall set out with the most satisfactory idea of the parts of Plato's educational scheme if we look upon them in this way: ~~~ (i.) The primary education was for all members : of the two classes, soldiers and future magistrates. & (ii.) The higher education was designed for those ſ only who were to be magistrates. * s Now, this view of education as a preparation of classes so that they may most effectively fulfil their function in a social organism, and of individuals only as members of these classes, carries with it the evils of narrowness. It is specialisation on a large scale ; and specialisation, however valuable it may be for promoting the common good, means some loss for he individual. On the artisan, shut off from all nowledge and all interests outside his trade, the i .: 2O FDUCATION IV P/ATO'S REPUB/./C. effect would be pitiable; though we must, of course, remember the age and its conditions: to judge from our modern standpoint is absurd. The warrior, too, would suffer some amount of intellectual atrophy. Plato considered that his best training would be, in the main, physical, moral, and aesthetical. Of course the two latter involve some quickening of insight; but, on the whole, the soldier would remain at a low level of knowledge. Habit rather than insight, wimmovable convictions rather than the power of justi- fying them—these were to be, for him, the goal of education. The magistrate escaped ; but just because * he got outside the state. In the contemplation of the world of ideas he became, what Plato said of himself, the “spectator of all time and all existence.” Still, even if we conclude in the end that Plato in his political system, and in his theory of education as a factor in that system, does seem to sacrifice individual for general welfare too ruthlessly, we must remember that, as Aristotle said, man is a political animal. He derives much, most, of both his physical and his mental sustenance from his membership of (a society; and with a privilege there always comes a duty. His duty is to further the material and ºf moral welfare of the state to which he belongs to the best of his ability, and one of the first ends of education is to fit him for that duty. We are apt, as has already been said, to lose sight of this end. The magnitude of modern states accounts for this. The throb of national life is hardly felt in their remote ramifications. The difference betwee then and now appears strikingly in the fact that Plato's primary system was designed for about one thousand warriors. JAWTRODUCTORY. 2 I Plato's system is, then, a valuable one to study, because it constantly brings us face to face with the fact that the individual cannot be considered, educationally, in his isolation. It has another suggestive feature. It is an instance of the way in which ideal and material ends may be combined and harmonised. For the interests of the state are, it is to be remembered, largely material. Such questions as its industrial efficiency and its power of defence must not be overlooked ; though they should not, as is too often the case, occupy attention to such an extent that the spiritual welfare of a people is lost sight of Nor do they in Plato's educational system. The world of ideas is ever with him, even when he is arranging for such a simple, present fact as the defence of his republic. He seeks to make the actual approximate to the ideal. *—- A detail we have already referred to illustrates this union of ends in his mind. We saw that he objected to dramatic poetry mainly because it developed a side of the character—the emotions— which his theory of ideas led him to depreciate. This was a philosophical objection. He had, how- ever, an equally strong political one. Imitation, which dramatic poetry brought in its train, was opposed to his “one man, one work,” principle. Material and ideal ends meet here. s However, criticism and even reflection are out of place in an introduction. The business of this is to help to the understanding of the system. This ; help will be ours if we bear in mind the fact that i both civic and ideal ends are sought to be realised * in it, 22 AºA) UCA TYO/V /AW P/ATO'S REPUB/C/C. THE SCHEME OF PRIMARY EDUCATION. As a further help to the understanding of Plato's system of primary education, it will be well to set out with a general idea of its main divisions and of the relation of these to one another. It is doubtful whether Plato decided beforehand on a fixed order in which the parts should be developed. Whether that be so or not, they are jointed in an Orderly manner, and knowledge of the plan will be helpful. \ Perhaps we shall appreciate his method better , if we first consider how a modern theory of education Y, might be developed. It might proceed on the following lines : (i.) First there would be a statement of educational ends. These would be both material and ideal. For the latter the sciences which deal with ideals would be drawn upon. Thus, logic would suggest the ideal of thought ; ethics (under which aesthetics might, for this purpose, be included) the ideals of taste and conduct; hygiene the ideal of health. (ii.) Then there would follow a consideration of subjects and educational im/uences in relation to these ends. (iii.) Lastly would appear a consideration of the methods by which these subjects and influences might- best be treated so as to secure these ends. Here the sciences named above, with the important addition of psychology, would be drawn upon. i il Thus the order would be : ends, means, methods of #l adapting means to ends. This would seem, as thus stated formally and in the abstract, to be the most rational method of ^ e º 23 developing a theory of education. As a matter of fact, it is both impracticable and undesirable to treat each part exhaustively before proceeding to the next. It is impracticable because ends have to be shown in continuous relation to means and methods, and means and methods have to be continuously con- sidered in relation to ends ; the ideal and the actual have to be brought into constant juxtaposition. It is undesirable because a gradual unfolding of ideals, through critical consideration of the actual, fixes and deepens the idea of their importance in, as experience shows, the most effective way. It is this commingling of means, methods, and . ends, and the gradual unfolding of the last, which . are the essential characteristics of Plato's theory. It could not well have been otherwise, for there were no established sciences—no logic, ethics, psychology, or hygiene—to which he could appeal. He has to expound, as need arises, such principles of these as his theory requires. And this is, in the main, a great advantage. At any rate, it brings the theory and the practice of education very closely together. We may divide the scheme into two main sections, with subdivisions, as follows : I. The first section sets forth the subjects, or rather in/uences, to be employed. The particular end of each is stated. The section ends with the considera- tion of the combined effect of the two great in- struments of primary training—music and gymnastic —on the soul or character. Thus we can distinguish in order : (i.) The contents of a musical education, concluding | 24 EDUCATIO/W IMJPZA 7 OS REPUBL/C. J. (ii) A-statement of the ends of a musical education. (iii.) The general principles of a system of gymnastic, and the relation of this to mental training. (iv.) The combined effect of music and gymnastic on the soul, considered psychologically. Here we have, then, what we should call the º up of a curriculum, together with a justifi- cation of it on ethical and psychological grounds. II. The second section deals more explicitly and fully with the ends, both political and ethical, of education. It includes : — (i.) The view of education as a prime factor in the welfare of the republic. This is its political end. (ii) An analysis of this highest welfare or perfect goodness which the ideal republic would show. This analysis reveals the four cardinal virtues— wisdom, courage, temperance, and justice—as the qualities which make up perfect goodness. Hence these become the ethical end of education, so far as Zie classes of the state are concerned. (iii.) A discussion to show that goodness in the individual man discloses itself through the same four qualities. This makes it necessary to establish, psychologically, the fact that the “parts,” “elements,” or “principles’ in the individual soul correspond with the three classes in the state. These cardinal virtues thus become the ethical end of education as it concerns the individual. - This section, then, examines the ends of education in a broader and more general way. It carries us beyond the details of the system to their ultimate political and ethical purpose. INTRODUCTORY. 25 HOW THE SUBJECT OF EDUCATION IS INTRODUCED. It will be helpful to briefly summarise the argument which is preliminary to the section of the “Republic * which deals with education. We shall thus get some idea of the relation of the part to the whole. Book I. opens with a discussion between Socrates and others concerning justice. The enquiry is started in an easy and natural way, very typical of Socrates’ custom of finding in common opinion a point of departure for a profoundly important ethical enquiry. During a conversation which takes place at the house of a wealthy old man named Cephalus, talk turns on the pleasures and trials of old age. Cephalus emphasises the value for peace of mind of the consciousness of standing rightly with all, both gods and men. From this questions about justice easily emerge. What is it 2 What definition of it is to be accepted P The answer of tradition, of common-sense morality, is first given. Justice consists in restoring to each man what is his due. But Socraxes has no difficulty in showing that this is unsatisfactory. If the enquiry is pressed farther and it be asked : what is meant by “due * P the superficial character of the definition at once becomes evident. The ethics of the plain man embodied in common sayings and proverbs is but a very rough sort of guide. Then a Sophist, Thrasymachus, intrudes the startlingly subversive idea that justice is the interest of the stronger. It is shown in obedience to the laws, and these are always made in the interests of the stronger governing classes. To this cynical and sceptical assertion he adds that, as a fact, 26 FDUCATION IV PLATO'S REPUBLIC. injustice is infinitely more profitable than justice. Socrates endeavours with much subtlety to show the inconsistencies of this position and to establish the connection of justice and happiness. He admits, however, that he is not satisfied. In Book II. the discussion is resumed. It is pointed out that they still are in the dark about . what justice is in itself. The advantages which the just man possibly enjoys do not indicate how the just life is to be lived. Socrates suggests that since a state may be said to be just as well as an individual, they may more easily discover the essentials of justice in the former. Here they will have “larger letters” to read. Thereupon they proceed to sketch the rise of a society. The growth of different trades, the rise of foreign commerce, of merchants, sailors, and so on, are described. The multiplication of its members will mean that a larger territory will be necessary, and hence the possibility of wars of conquest and defence. Thus will arise the need of a class of warriors or guardians, carefully selected and carefully trained for their task. “But,” asks Socrates, “in what way shall we rear and educate them P’’ - Thus the subject of education is connected more remotely with the essentials of justice, and more immediately with the stability and permanence of , the state in which justice is to be revealed. CHAPTER II. THE SUBSTANCE OF LITERATURE : STORIES OF DIVINE BEINGS. (Book II., 376 e—End.) 1. Analysis. The subject of education is entered upon ; because it bears on the wider question of justice ; # # § § and the way this originates in a state. The traditional education consisted of music for the mind and gymnastic for the body. Under music is included stories, both false and true. Education begins with fables which are either wholly false or contain but a core of truth. Since, however, the minds of the young are highly im- pressionable, it is necessary to exercise Supervision over the authors of fables, lest children should learn what as men they may have to unlearn. Their minds must be moulded through the medium of good literature. This will necessitate the removal of many bad representations of the characters of gods and heroes which appear in the works of Hesiod and Homer, if these are to be referred to in the presence of the young. - For instance, the stories of Uranus and Cronos, and of Cronos and Zeus, are not good for them to hear ; for they must not come to think that the inhuman treatment of a father by his son or of 27 28 A.DUCATIO/V /AW PLATO'S REAE UP/L/C. sons by a father is justified by the examples of the gods. Nor are stories of strife, especially among kinsfolk, fit for their ears. They should rather hear of affection and good fellowship. The accounts of the quarrels of Hera, Hephaestus, and Zeus will have to go, notwithstanding any deeper meaning which they may contain. Children cannot discrimi- nate between what is allegorical and what is not, and the bad is as likely to be retained as the good. Only the general principles of a selection can be laid down. Concerning the literature which relates to the gods, the following canons should be observed: First of all, God must be represented as he really is, as the author of good only. That which is good in itself cannot originate evil. Good is to be ascribed to God, but the author of evil is to be sought elsewhere. Hence, stories which relate of God that he is the author of good and evil alike, that he incites to the breaking of treaties, that he promotes strife, that he makes men sin in order to destroy them, that he is the cause of suffering—all such are to be suppressed. Such acts may have been punitive, the outcome of God’s sense of justice ; but that he origi- nates evil is a fiction which no writer shall be allowed to assert, seeing that it is at once irreverent, harmful, and self-contradictory. God is the author of good only—this is the first regulative principle of theology. Secondly, God does not change. Whatever changes does so either through some other thing or through itself. But that which is best in nature and in art is least liable to be changed by another thing, so that God, the most excellent, cannot be changed by anything external to himself. Nor will he change himself, since a change from perfection 7 HE SUBSTAAVCE OF LITERATURE. 29 must be to something worse. God, then, being perfect in beauty and goodness, ever abides in his own form. The stories telling of the gods going about in divers disguises, wherewith irreverent and foolish mothers are wont to terrify their children, must consequently be suppressed. Further, it cannot be admitted that the gods would be guilty of such deception as would be involved in making men believe they assume different shapes, though in reality they remain unchanged. For this would be to originate the genuine lie, which exists whenever men harbour such ideas concerning the highest truths as are not in agreement with reality. Nor can there arise for God occasions when the verbal lie seems justifiable, as when an enemy is to be circumvented or a friend succoured thereby, or when a poet seeks to represent times and events of which he cannot have certain knowledge. God is, always and in every way, a Being of perfect sim- plicity, truth, and steadfastness. And no stories which represent Him as changing must find a place among the writings which are to mould the characters of the young. 2. General Remarks. Before we turn to the details of this opening section, there are one or two remarks of a general character to be made. Observe, first, that the subordinate position of education within a wider ethical and political enquiry is stated clearly in the first lines. The subject is to be discussed because it is likely to further the prosecution of the main object ; which is to discover “the manner in which justice and injustice grow up in a state.” " Observe, next, that Plato is no hasty revolutionist, 1 II, 376 d. 30 EDUCATION IN PLATO'S REPUBLIC. ready to throw aside the teaching of experience. He is going to follow what is best in Greek education, He puts these words into the mouth of Socrates : “We could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic for the body, and music for the mind.” Thirdly, we may note that he accepts the traditional view of the ends of the two branches of education, that they are for body and mind respectively ; but only to go beyond it. He accepts common opinion only, after a true Socratic manner, to systematise it, to improve upon it ; and we may antici- pate his exposition so far as to observe that he gradually develops the theory that gymnastic and music are, both alike, for the training of the mind, soul, or character. 3. The Beginnings of Moral and Religious Education, Education is to begin with music. The term covers several branches,” of which the first to be employed is literature; and the literature which tells of “gods and heroes” is to be the earliest educational food of the young citizen. He is to be first introduced to divine beings and to what is most divine in man. The reason is clear. At an age when the impulse to imitation is strongest, characters of a noble type are to be presented to him in order that his own may be fashioned after their mould. We may say, then, that Plato lays what we should call a religious foundation for his educational structure. As we begin the school day with the scripture lesson, so he begins the statement of his educational theory with ! II. 376 e. * “For Plato, as an educational instrument, it is almost equivalent to our ‘art, including fiction and poetry, music, painting, and plastic art" (Bosanquet). THE SUBSTA/VCE OF Z/7ZZRATURE. 3 I an account of the principles in accordance with which the stories of divine beings which children are to hear should be selected. We must, however, be quite clear in what sense and to what extent we can consider this a religious foundation. It must be remembered that the Greeks had not, as we have, an authentic narrative of a revealed religion. The stories of their greater poets, and especially Homer, contained a crude sort of theology to which a traditional reverence was paid. But they were essentially mythical, the imaginative outcome of a natural desire of man to account for the supernatural. Plato's apparent deference to the authority of these poets is usually ironical. More- over, we have no real ground for believing that he conceived of the supernatural and divine in any distinctly personal form. His Idea of Good—the highest element in his world of ideas—is a very abstract conception. For these reasons he describes the fabulous and legendary accounts of the gods as false. They are creations of the imagination. There is, as it were, no original by comparison with which their truth or falsity might be tested. “They are like pictures of which we are no longer able to test the accuracy.” " Moreover, we are perhaps justified in adding that the more these gods resembled men, the less likely was it, in Plato's view, that the claim of the stories to be true could be upheld. 4. False Stories must be Logically True. Yet these false accounts are the material which education must begin with, and this for a simple, yet sufficient, reason. They are the only form of narrative which children * Nettleship in “Hellenica,” See pp. 82-86 on the whole question, \ 32 A. DUCATIO/V WAV P/LA 7TO'S REAE UP/L/C. can appreciate ; they fit with their mental capacity. This we can readily understand ; but it is, at first, difficult to reconcile the advice to begin with the false with what follows. We gather from several passages that the false stories, if they are to be presented to the young, must be true. Thus he says : “In the legendary tales of which we were talking just now, is it not our ignorance of the true history of ancient times which renders falsehood useful to us, as the closest attainable copy of the truth P”* How can fables, admittedly false, be at the same time “the closest attainable copy of the truth"? Only because we may look at truth in two ways. We may distinguish between truth of fact, in this case historical fact ; and truth of idea or logical truth. This distinction may be made clear by means of an example. Suppose any one were to relate an incident in the life of Christ of which we had never previously heard, and the question of its truth arose. There would be two tests open to us. First the historical test, which would consist in seeing whether the incident fitted in with the other accredited details of the sacred narrative ; then the logical test, which would consist in applying ethical principles in order to see whether the act related exhibited those perfect moral qualities which alone would make it consistent with the life and character of Christ. This logical test is the one by which the stories of the gods are to be tried. They are to be con- demned “whenever an author gives a bad represen- tation of the characters of gods and heroes, like a painter whose picture should bear no resemblance to the objects he wishes to imitate.” We see now 1 II, 382d, 2 II. 377 e, THE SUBSTANCE OF LITERATURE. 33 what a “bad representation ” means. It will be “bad” if false ; and it will be false if it ascribes to the gods acts or qualities which are not truly virtuous. Plato assumes that those who have to make this literary selection will be able to discriminate between what is seemly and good, and hence con- sistent with the character and conduct of divine beings, and what is not. The stories which the young are to hear must be, then, but partial and imperfect representations of truth, being mythical and allegorical, and in this sense false. Yet they will, if logically true, be a satisfactory starting-point. They will not afterwards need to be rejected, only extended and refined. They will supply a fit groundwork out of which more adequate knowledge may be developed gradually as mental capacity improves. And this is just the reason why a censorship is needful. The minds of the young are so impressionable ; yet “a child cannot discriminate between what is allegory and what is not ” ; and “whatever at that age is adopted as a matter of belief has a tendency to become fixed and indelible.” And so the greatest care is necessary lest they should “receive into their minds opinions generally the reverse of those which, when they are grown to manhood, we shall think they ought to entertain.” ” 5. The Earliest Stories must reflect the Wirtues of Family Life. Such, then, is the first and general principle of selection. It is put negatively; it states what the stories should not be. Nevertheless we can gather from the examples of Cronos and Uranus, Hera and Hephaestus, what positive virtues Plato 1 II. 378 e. ? II. 378 e. 8 II. 377 b. 3 34 A.DUCATIO/W WAV P/LATO'S REAEUBLIC. has in mind. He seems to be specially emphasis- ing the duties of parental affection and filial love. Stories “in which gods and heroes fight against their own kith and kin’ come in for special con- demnation. It is, indeed, quite clear that his first care is that the young soldier-citizen should be in- troduced in literature to examples of reverence and filial obedience. The virtues of family life are the source whence the virtues of the citizen are to Spring. 6. Two Essentials of God's Nature. But besides giving an account of such qualities as the young may reflect in their own lives and characters, Plato is anxious that these stories should convey true ideas concerning God’s nature. They are to describe him “as he really is.” He lays down two essentials of this nature, two “moulds in which the poets are to cast their fictions.” The first is that God is good and the author of good only. The evil that is in the world is not of his doing. If it should appear that he makes men suffer, this is to be regarded as “needed chastisement,” really intended as ultimate good. This principle, it need hardly be said, is one applicable to all time. All teachers would make God’s goodness a central feature of their religious instruction. Moreover, the idea that suffering is of the nature of just retribution is one which it is obviously morally advantageous for any age to hold. The second characteristic of God is that he is changeless and true. Plato reaches this conclusion by two steps. First of all, by means of a truly Socratic induction (of which it forms an excellent example) he establishes the principle that “every- thing which is good either by nature or by art, or 7 HAE SU/3STAAVCE OF //TERATURE. 35 by both, is least liable to be changed by another thing.” We at once recognise here the fixity and immutability of his “ideas.” ” This principle he then applies syllogistically to God, whose goodness or perfection is thus seen to imply indifference to external influences. Nor would God be willing to change himself, seeing that such a change must be from perfection to imperfection. “Therefore it would seem that every god, inasmuch as he is perfect to the utmost in beauty and goodness, abides ever simply and without variation in his own form.” “ The second characteristic is much less familiar than the first. It is, indeed, essentially Platonic, being a root-conception of his theory of “ideas.” We may note Mr. Bosanquet's remark that it is “primarily aimed at savage ideas of the metamor- phoses of the gods rooted, as we now suppose, in the most primitive superstition.” “ But there is more here than the overthrowing of an idol of the tribe, as the same writer goes on to point out. God’s changelessness is as essential to Plato as his good- ness. And, indeed, it is full of suggestion for us. For stability is an important feature of moral perfection ; and we could hardly do better than present to children the ideal of a character completely proof against such influences, whether external or internal, as tend to shake its moral equilibrium. 7. The “Genuine" and the “Spoken" Lie. In this connection we find the peculiar and somewhat difficult conception of the “genuine lie.” Plato defines it as “ignorance residing in the mind of the deluded person " — ignorance concerning, especially, the 1 II, 381 b, * See chap. i., p. 11. * II. 38.1 c. t * “Companion to Plato's Republic,” p. 91. *. 36 FDUCATION IN A2ZATO'S REAE UB/./C. “highest subjects,” the “absolute realities.” To fully appreciate this we must bear in mind the nature and conditions of knowledge. Knowledge implies a knower and a known ; an individual consciousness and the system of the universe with which it is confronted. It implies, further, a harmony between them. If the world exists as I perceive and conceive it, then I am the possessor of true knowledge. Again, my eyes and ears may give knowledge, so also may my intellect ; but it is to this last, the “highest part " of me, that the all-pervading laws and inner meaning of the universe—its divine control and direction—are revealed. If, then, in respect of these vital truths there is want of conformity between ideas and fact, we have the darkest ignorance, the genuine lie. And were God to bring it about that men believed him to be where and what he was not, he would originate false knowledge concerning himself, the highest of all absolute realities; he would be the author of a genuine lie of the most vital consequence. Such an act would be impossible for God, the absolute good. Such, then, is the genuine lie, the lie in the soul. “It is a true lie, the corruption of the highest truth, the deception of the highest part of the soul from which he who is deceived has no power of extricating himself.” It is this latter point which we must bear in mind if we would understand the sense in which Plato declares the spoken lie to be preferable to the genuine lie. For ever seeking to penetrate the mysteries of life and attain true knowledge him- self, he sees the greatest evil in its absence. He is not thinking of the spoken lie in its moral aspect. | Jowett, “The Republic of Plato,” p. xxxix. THE SUBSTANCE OF 7./TERA 7TURE. 37 His point is that the man who utters it may possess . true knowledge, though he may deem it expedient in certain circumstances to hide it. The attitude of a man towards his fellows, which makes the spoken lie, in any but extraordinary circumstances, at the very least a mean transgression of social duty, is not what he has in mind; it is his attitude towards knowledge. The genuine lie means that he has no hold on this latter; he is in helpless ignorance. The spoken lie does not imply this ignorance ; he can dispel the fabrication at will. This will help us to understand the perplexing laxity with which the spoken lie seems to be regarded. Moreover, “in part at least he is alluding to fiction in which there is no question of intent to deceive.”" Again, in the other cases in which he appears to justify intentional deception—to circumvent a foe or save a friend who is beside himself—the ethical judg- ment of the majority would be with him, at least to the extent of taking the motive of the lie into account; though there are no doubt many who hold the absolute view that the spoken lie can never be justified. 8. Should there be a Censorship over the Literature / for the Young Such, then, were the beginnings º the moral and religious education of the citizen. Plato's views rested on a philosophical basis; they were justifiable on the grounds of principle. What the young citizen was to hear—accounts of the good- ness and truth of God, stories logically and ethically true—would bring him into touch with the world of ideas. The manner in which he was to hear it— through legend and fable—had psychological warrant. Both matter and method were rational. And we * Bosanquet, “Companion to Plato's Republic,” p. 93. 38 FDUCATIO/W WAV P/LATO'S REAE UBL/C. have now briefly to consider whether the principles will bear transplanting to our own times and cir- cumstances. Are they helpful to us in our efforts at moral and religious education ? Among the instruments of moral training literature still occupies a foremost place. There is something peculiarly dominating and pervasive about the char- acters which live in books, both historical and fictitious. They pervade our thoughts, sway our feelings, and shape our ideals more completely and permanently than living examples. Of course, in- dividuals differ. There are some for whom pure romance has no attraction, nor even such romance as time can add to the details of history. The present and the practical exhaust their interest. But they are a minority. For most children, at all events, with that power of vivid imagination so strangely disproportionate to the measure of their years, the story, be it spoken or written, is all-absorbing. Since this power of realising details so far outruns the power of discrimination of the bad and the good, ought we to follow Plato in establishing a censorship over literature ? Put thus generally, the question must be answered unhesitatingly in the affirmative. We may not be always able to select stories which are “adapted in the most perfect manner to the promotion of virtue.” But we should certainly con- demn those which, by nurturing the lower feelings and stirring to undue and unhealthy emotional excite- ment, may be said to be adapted to the promotion of vice. We need not be over-scrupulous. In the artificial moral atmosphere of “goody-goody” stories, habits of sturdy virtue are not nurtured. Still, all would admit the need for some supervision. 7 HE SUBSTANCE OF LITERATURE. 39 It is, however, even more important that the moral judgment should be trained than that its material should be carefully selected. Children sometimes draw curious moral conclusions from the best material. Here is an instance. A class of boys had learnt Kipling’s “Ballad of East and West” by heart, as we say. The teacher, trying to make the poem a medium of ethical training, was startled to find that the daring capture of the colonel’s horse by the robber-chief had aroused much more enthusiasm than his subsequent magnanimity. A more or less sub- ordinate incident had arrested attention and aroused their strongest sentiments. We are apt to forget that the power to view one incident in relation to the whole, to keep the parts in proper perspective, is beyond the power of a child's mind. One vivid, picturesque detail will be for him a centre for which the rest forms but a dim back- ground. It will certainly not be selected on account of its ethical worth. Rousseau felt this danger of presenting complex ideas to an immature mind to be so great as to justify withholding all books until the age of intellectual discrimination is reached. This is to lose sight of the real value of literature for the young and to over-estimate difficulties. Still, it points to the need of working stories over so as to ensure the formation of a moral perspective which will afterwards need only finer detail, not complete read- justment. This is in the spirit of Plato's teaching. 9. The Treatment of Stories from the Bible. So far no reference has been made to sacred literature. Is there any need of a censorship in respect of stories from the Bible P And, if so, will Plato's principle of selection help us here 2 j ! 4O EDUCATIO/W //V P/LATO'S REPUBLIC. Our position is very different from that of a Greek of Plato's time. We find ourselves in possession of the Biblical narrative of a revealed religion. For us, as teachers, the question of the historical truth of any part of that narrative cannot arise, still less of its logical and ethical truth. No conscientious school- master would care to sow the seeds of scepticism or even doubt. Yet Plato's ideas can help us even in the matter of specifically religious teaching, and that in two ways. First of all, we may omit all reference to an incident or detail if there is any danger of its being misunderstood. We may refrain, to take two ex- amples, from mentioning, or at any rate emphasising, the treachery of Rebecca or the readiness of Abraham to sacrifice Isaac. Concerning the former instance Mr. Adler, writing on this question of the treatment of Bible stories, says: “All reference to the duplicity of Rebecca should be omitted, for the same reason that malicious step-mothers and cruel fathers have been excluded from fairy tales.” Concerning the latter, it is sufficient to mention the incapability of young children to appreciate the willingness to sacrifice Isaac in its proper relation to other sentiments and duties. They might form a judgment upon the character of Abraham of that false kind—ethically and logically false—which Plato so strongly condemned. In the second place, we may, in giving Bible lessons, make the moral teaching of the facts most prominent. Dr. Jowett says: “We should agree with him [Plato] in placing the moral before the historical truth of religion.”’’ This remark is here “Moral Instruction of Children,” p. 126. * “The Republic of Plato,” p. xxxviii. THE SUBSTA/VCE OF LITERA 7 URE. 4I to be interpreted as a teaching principle. Of course we must utilise to the full the authority of the Bible. We shall not fail to take advantage of the feelings of obedience, reverence, and affection which attach them- selves to Biblical characters, and give to the morals they convey a living force such as belongs to no profane story. At the same time we shall bring the morality which the Bible teaches into prominence rather than the authority of its prescriptions. As the late Headmaster of Harrow says, in an essay in which much stress is laid on the necessity of giving boys an insight into the facts of the Bible and their authority, “Boys’ difficulties and needs are chiefly moral.” " 10. Adaptation of Truth considered Generally. We may now express Plato's principle of method in the moral and religious education of the young through literature in this summary way : The truth must be adapted to their capacity for assimilation ; but the foundation thus laid must be one which will support the superstructure which maturer knowledge will erect. We have seen that this is a principle which teachers will be wise in adopting. But both the principle that “all communication of ideas must be adapted to the mind of the recipient,” and the warn- ing which it involves, that in such adaptation there is danger lest the truth should be irretrievably distorted, seem to be applicable to all subjects of instruction. We shall appreciate the particular application of it better if we consider it in its more general aspects. This adaptation of truth most commonly takes the form of presenting what can only be fully realised by an effort of the intellect in such a way that * “Thirteen Essays in Education,” p. 60. * Bosanquet’s “Companion to Plato's Republic,” p. 88. 42 A.DUCATION IN PLATO'S REPUBLIC. an appeal is made to the senses and the imagination. We try to present pictorially what can only be adequately known conceptually. A few instances will make the distinction clear. The astronomer must represent infinite space by a closed circle ; mental process is a stream of consciousness; the intimate mutual relations of the clauses of a complex sentence are illustrated by means of a tree and its branches; the conception of force is made clear by means of a line ; courage is presented in the not too satisfactory example of Sir Richard Grenville; and so on. This is what Plato is driven to, of course, when he employs fables as the medium through which to convey ideas of virtue. Let us examine these two ways of knowing a little more closely. Pictorial knowledge is sensuous or imaginative. It is in this way that I know the shape and colour of a rose, whether it is present or absent. Conceptual knowledge is the function of the intellect. In this way I know an abstract truth such as the law of universal gravitation. But there is no absolute, hard-and-fast line between these two forms of know- ledge. For instance, I bring to the particular rose a general idea of roses ; and if universal gravitation is more than a phrase to me, the conception attaches itself to a pictorial image of lines running from one member of the universe of worlds to another. “Per- ception without conception is blind ; conception with- out perception is empty.” Still it is true that at one time our knowledge is largely perceptual, at another mainly conceptual. At one time we are all eyes, as it were ; at another the general relations between things are in the forefront of consciousness. Both forms of knowledge are desirable, though Plato thought THE SUBSTANCE OF LITERATURE. 43 little of the pictorial form. He for ever sought to get away from what was for him the slavery of sense. There is both loss and gain in presenting con- ceptual knowledge in a pictorial way. The loss is obvious from the examples just quoted. The image of a stream, useful as it is, is inadequate when we think of mental activity. And there is danger lurking in all these whittlings-down of truth.* Still there is great and compensatory gain. What we can picture in definite concrete form is the most vivid, real, and “stinging ”—to borrow a term from Professor James—of all knowledge. And this belief- arousing quality more than counter-balances any imperfection in the images we figure out. Moreover, pictorial knowledge is the only knowledge for the young. For them, in particular, “conceptual systems which neither began nor left off in sensations would be like bridges without piers. Systems about fact must plunge themselves into sensation as bridges plunge their piers into the rock,” if they are to be understood and believed. We may return, in conclusion, to the particular case of moral training. The example, imaginary or real, from literature or from life, presents the ideals of virtue in this impressive, concrete, and pictorial way. It will embody these ideals but imperfectly, unless it be the perfect example of Christ. It will be but an approximation to moral truth. Yet the mind will be able to find a resting-place upon it, as does the bridge upon its piers. * For instance, the “stream ” of consciousness always carries almost irrestible spatial implications, as students’ answers to questions in psychology show. * James, “Principles of Psychology,” Vol. II., p. 7. CHAPTER III. THE SUBSTANCE OF LITERATURE : CONCERNING COURAGE, TRUTH, AND TEMPERANCE. (Book III., 386 a-392 c.) 1. Analysis. The stories of the gods, then, are to teach the lessons of reverence, respect of parents, and good- fellowship. The next question is the way Courage. may be cultivated. Clearly the fear of death must be removed, and this is fostered by descriptions which paint the place of abode after death and the life therein in the darkest colours. Stories of a future empty of joy and intelligence are to be condemned, as also are the single terms which, as it were, epitomise the horrors of Hades, for they render the soldier spiritless in battle. Nor must accounts of lamenta- tions be permitted, seeing that a good man will fear neither death nor loss, for himself or for another. Especially must care be taken lest such weeping and wailing be attributed to the gods; for this would lead young men to think such behaviour commend- able. Nor must they be led to believe that the gods indulge in excess of laughter, which is usually followed by excess of grief. A high value must also be set on Truth. False- hood, needing to be used with discrimination, must 44 THE SUBSTAAWCAE OF LITERATURAE. 45 be confined to rulers. The subject should feel it to be as foolish for him to lie to a ruler as for a patient to his doctor, a pupil to his training-master, or a sailor to his pilot. Temperance, involving obedience to governors in the State and to reason in the soul, must be cultivated in our young men. Hence passages recounting sub- mission to authority will be retained, while those which tell of insolence will be discarded. Accounts of gluttony, drunkenness, and lust must go, while stories of fortitude will remain. That the gods may be bribed, that they are mean, insolent, cruel, arrogant, and covetous—these are statements which are at once irreverent and untrue ; and since they exert a permicious influence on those who hear them, they must be suppressed. wº 2. First Steps in Moral Training. This section opens with a statement of the first moral lessons which literature should teach. These are reverence of God, filial affection and duty, and good will towards men. Thus is the moral outcome of the first section sum- marised. It is to be noted that these three moral excellences possess a common feature : they are, each of them, what we should call other-regarding virtues, if we may extend the term so as to include the first, reverence towards God. It would seem, then, that Plato believed that the first step in the establishment of his republic on a sound basis, and so the first aim of Education, must be to cultivate in the citizen a seemly attitude towards God and his fellowmen. A striking fact this, that a pagan writer should so anticipate the essentials of the Christian code of commandments, with its prescriptions as to duty 46 A. D OVCA 7TWO/V //V A/LA 7 O’S REAUB/C/C. towards God and duty towards men. And it becomes more remarkable when we reflect how history has again and again shown that such a moral foundation is the surest safeguard of national permanence. It is just those nations among whom religious senti- ment, family affection, and a feeling of brotherhood have been strongest, which have longest withstood the forces of disruption. Of even more immediate interest to us is the thought that modern educationists would be in complete agreement with Plato as to how the basis of a sound training of character should be laid. Reverence and obedience, love and sympathy —these are the root-sentiments from which all moral development springs. Having shown how the youth is first to be brought to what we might describe as a fitting upward and outward orientation, Plato goes on to consider the other qualities necessary if he is to be true to himself. These are courage, truth, and temperance. We may conveniently group them as self-regarding virtues. We proceed to examine his account of each of these. 3. Plato's Account of Courage. First in order comes Courage, or Manliness. Let us see what account he gives of it, and how he proposes to regulate literature so that it may further the realisation of his ideal. We can distinguish three essentials. First of all, no man can be brave or manly (i.e. true to himself) who is “haunted by the fear of death.” To root out this emotion, or rather to prevent its growth, it is necessary that all the terrifying descriptions of Hades, the abode of men after death, should be cut out of literature. Accounts of its coldness and dankness, of the emptiness and imanity of the life therein, are not true, nor do they serve any useful THE SUBSTANCE OF LITERATURE. 47 purpose. The same thing may be said of the single terms which focus and perpetuate men’s fears of the future. In the second place, Plato's guardian must be superior to the feeling of sorrow for the death of another, however near and dear. No loss is to be of avail to move him, as he should be “distinguished from the rest of the world by his peculiar independence of external resources.” There- fore the poets are not to be permitted to ascribe weeping and wailing to the gods and famous men ; such dirges and laments are to be associated in literature with women and men of a baser sort. Thirdly, a like control over joy and its too violent expression is to be characteristic of the manly man. Violent laughter brings a reaction towards violent grief, and such oscillation between emotional extremes is a sign of a want of manliness. Homer's description of unquenchable laughter among the blessed gods cannot, then, be sanctioned. * The development of thought is easy to follow. Starting from what we should call physical courage, it passes readily to that higher form which we describe as fortitude under affliction. The manly man must not only look calmly on the prospect of his own death, but he must face unmoved the idea of the death of a friend or a brother ; from which there is an easy logical step to superiority to loss generally. The transition from excess of grief to excess of joy is also easy. And thus this latter comes to be a sign of a lack of manliness. We may observe, too, how readily the conception of courage passes over into that of temperance. Superiority to the sway of the emotions is seen to ! III, 387 e. 48 FDUCATION /W P/ATO'S REAE UB/./C. be the common and fundamental element of both virtues. The attempt to classify virtues always leads to this over-lapping, as is very apparent in Plato's more detailed and exhaustive examination of them." “In order to be temperate a man must be courageous : in order to be able to resist the allurements of pleasure he must be willing to endure the pain which resistance involves. Similarly, in order to be courageous he must be temperate—at least in his desire for those kinds of pleasure which he is called upon to forego in facing danger, e.g. the desire for life.” 2 4. The Fusion of Material and Spiritual Aims explains Peculiarities. This account of courage is somewhat peculiar in two respects. First, it is strange to read that courage appears more in a readiness to face the terrors of a life after death than, as we should say, in a readiness to sacrifice this life and forego its pleasures. This is due to Greek ideas. “Death, as the inevitable end of youth and strength and beauty, as the entrance to a joyless and ineffectual phantom world, seemed to the Greek imagination of all terrible things the most terrible, and the man who could face it without flinching the most worthy to be called a man.” " Religion brings it about that, for us, the thought of the after-life may give an impetus to courage. And in the second place, a stoical superiority to emotion and its expression hardly strikes us as an exhaustive account of the virtue. Here, however, a practical and immediate end is to be borne in mind. “To the Greek of Plato's time, as to some Southern ! IV. 427 d –436 b. * Muirhead, “Elements of Ethics,” p. 199. * Nettleship in “Hellenica,” p. 89. THE SUBSTAAVCAE OF Z/TERATURAE. 49 peoples now, the tendency to sudden and violent revulsions of feeling was a real cause and symptom of weakness of character.” Plato seems to have had this weakness in mind in many of his educational prescriptions. - There is, however, deeper ground for this view of courage to be sought in the central idea of his philosophy. We have seen * how he found the reality of the world in those fixed and changeless types which shine through their particular and evanescent embodi- ment ; and what was most real was of highest worth. We have seen also how man through reason was one with the highest world and through passion one with the lowest. Naturally, then, he seeks to develop in the character of man those elements which in their permanence and fixity seem to him to stand opposed to the unstable and enervating play of the emotions. This harmonising of the material and the ideal is an essential characteristic of the “Republic.” 5. We should accept this Account of the Essentials of Courage and its Nurture. We should agree with Plato in refusing to ascribe true manliness to one in whom the floods of emotion are wont to sweep away the landmarks of conduct. Character may be described as a relatively stable and organised system of tendencies ; and we broadly refer to a character as virtuous when the conduct which is the outcome of these tendencies makes for good, even though it issues after a struggle. But we reserve our highest praise for the character in which the good tendencies have become so strong that they issue in action without any antecedent emotional unrest. Virtuous * Nettleship, op cit., p. 90. * See p. 11. 5O FDUCATIO/V /AW P/LA 7TO'S REAE UB/./C. conduct has, for such a one, become almost as automatic as easy walking. And in the particular case of fortitude, what we look for is just this un- questioning, unhesitating pursuit of duty which neither seducing pleasures nor distressing pains have power to affect. Even more readily would Plato's condemnation of extravagant emotional “expression * be accepted. The more so, since emotion and its “expression * are connected, in the opinion of eminent psychologists, not as, respectively, cause and effect but as effect and cause. If the heartbeats and the tears, the reddened cheek and clenched fist, feed the emotion rather than discharge it, as we have been accustomed to think, then any general objection which may be brought against emotional tendencies is, ipso facto, brought against these bodily phenomena. And, theory apart, extravagant bodily manifestations are usually characteristic of those individuals and races who lack fortitude ; and we should follow Plato in using whatever means we could command to repress them. Mr. Nettleship thought that English youths as a whole needed contrary treatment. “Perhaps few Englishmen,” he says,” “will feel themselves or their children to be much in need of such precepts. Many of us would be only too glad sometimes if our sense of the pathetic or the ludicrous could find more relief in expression. . . . To us, taught as we are by example and temperament to be neutral and moderate in our language and gesture, an analogous danger may perhaps be found in the tendency to nurse suppressed emotion until it becomes a drain * “Hellenica,” p. 90. THE SUBSTAAWCE OF //TERATURE. 51 upon the mental forces or breaks out in extravagant action.” This is no doubt true. But the general position that an undue tendency to emotion is opposed to fortitude remains unaffected, and so to cultivate the latter we must restrain the former. The manly man, then, is to stand like a bluff head- land unshaken by the waves of emotion ; and, as an educational inference, the heroes of his literature must not be given to emotional display. In its broad outlines we should accept Plato's teaching and act upon it in our endeavours to foster the virtue of true manliness. It needs modification, however, in one important particular. 6. Manliness not to be found in Isolation. This will become clear if we ask: Whence does the manly man derive his strength and stability ? What is the motive which will keep him from flinching at the thought of death or sinking under calamity ? Plato would seem to find such strength in his isolation. He “is distin- guished from the rest of the world by his peculiar independence of external resources.” He is to be self- centred, self-contained, after the manner of the later Stoic sage. This is what a too rigorous suppression of emotion leads to. It is true that in a later and fuller account of courage the interests of the state are set out as a reason for the self-sacrifice which fortitude demands; and here there is a hint that a man should be ready to endure death for the sake of freedom. But the fact that it is only a hint, that mere superiority to pain and loss is set down as the ground of fortitude, makes the account of the virtue, so far as it is to be a source of inspiration for the teacher, incomplete. ! See IV. 429 b–430 c, 52 EDUCATION IN PLATO'S REPUBLIC. Consider the case of what we call physical courage first. A fine scorn of suffering and the power to meet death calmly do not, of themselves, make up that true moral quality which gives to courage such a high place among the virtues. The power to face bodily pain may arise in several ways, indicating very different degrees of moral worth. It may arise from a mental or even a physical incapacity to realise consequences : a short-sighted man is “bold’’ on the edge of a precipice, and a man of sluggish sensibility and slow imagination will lead a forlorn hope. Or it may arise when emotion, or rather excitement, has deadened sensibility and paralysed the power of thought ; so, Surely, arises much of the courage of the soldier in battle. Or, again, it may arise not through intellectual eclipse, but through intellectual exaltation, whereby some great end is brought into such bold relief that the joy of helping forward its realisation far outweighs the pain which the effort must bring ; and this is the courage of the martyr. We shall scarcely hesitate in forming an ethical judgment. Only in the latter case should we give the meed of praise ; for the virtuous quality of an act is to be found in the motive whence it springs and in the end at which it aims. We may go even farther and assert that mere dis- regard of physical pain, with no end beyond itself, Mere is not desirable in the young. It is not ;*merely that sensibility becomes dulled and Jndesirable, the sympathies consequently stunted: these are real evils ; but there is the further conse- quence that the true value of physical strength is lost sight of. It is frittered away in aimless asceticism or in brute display. For these reasons THE SUBSTANCE OF LITERATURE. 53 the parent or teacher should hesitate before putting stories of bravery into the hands of the young without careful scrutiny. The ballad of Horatius, to take an instance, seems preferable to the ballad of “The Revenge” as a concrete representation of the ideal of courage. For in the former case “the ashes of his fathers and the temples of his gods” appear as prominently as the mere fearlessness of the “dauntless three º’; while in the latter Sir Richard’s sheer pertinacity and insensibility to suffer- ing and loss seem to stand out in such strong relief as to overshadow the motives of his action, even if these were entirely commendable. If we consider next what we call moral courage or fortitude, it seems both impossible and undesirable to find its source in isolation and self-containedness. It is impossible because a man is linked to his fellows by means of such a net-work of common interests that a wholesale snapping of the threads would leave him resourceless. It is undesirable because a man has his duty to the social life whence he draws sustenance. Where a man takes there should he give. If, then, the strength of fortitude is not to be got by tearing asunder the threads which bind the Fortitude individual to his environment, where is ...al it to be found P In the right weaving galance of of the web. For the weaving is, in a interests, measure, within his own power, and even more within the power of those who have charge of his development. His interests must form an organised system within which no one has power to destroy or even unduly disturb the rest. The love of parent and child, of wife and friend, of home 54 FDUCATION //V PZATO'S REAUBLIC. and fatherland, must each have its due place, each a help rather than a hindrance to the other ; and all must converge on, or be submerged in, a great final purpose. The well-spring of fortitude under affliction is a rational balance of interests ; and this balance will not be obtained by making firmer the purely personal standpoint, but rather by letting it go. - The problem then, so far as the development of true courage is concerned, is not how to repress emotion, but how to extend and refine it. It must be directed towards the remote and ideal as against the merely personal ends. To suppose that the virtue of fortitude can be obtained through the mere annihilation of the emotions is, to employ a metaphor of Dr. Stout's, like supposing that the mere setting of sails will make a ship move in the absence of wind. It is when the feelings have been linked to high ends that the pains of personal loss can be withstood. And literature will best subserve the cultivation of fortitude, not by presenting heroes who are “in- dependent of all external resources,” but rather by bringing out strongly the number and strength of the interests which are their support in times of affliction. 7. Plato's Account of Truth. Truthfulness is a quality of character and expression on which Plato declares that he sets a high value, and one which he will look for in his guardians. This value will, however, be dependent on its usefulness to the state as a whole. Those in authority may deceive those in subjection at their discretion, provided the welfare of the state seems to call for deception. Thus, the misrepresentation by a leader of the fighting strength THE SUBSTANCE OF LITERATURE. 55 of an enemy would, if it prevented panic, meet with Plato's approval. But no such justification of deception would be possible for the simple warrior. A lie to his superiors—his relations to his equals are not in question—could bring no possible good to the whole community; for they who steer the ship of state need the fullest knowledge of the real intentions of its subordinate members, just as ' the pilot must know the real capabilities and exact intentions of the sailors under him. The value of truth, then, varies with its utility. As to the obligation to truth : what is to compel the warriors to truthfulness 2 Either what we should call their common sense, which shows them that their own good is wrapt up in the common good, and that truth furthers this latter ; or their feeling of respect for their superiors. Since, however, the warriors will not always have sufficient discrimination to see how their own welfare is linked with that of all, the obligation to truth will mainly arise from respect for leaders. And if this motive should be lacking, as well it might, punishment must compel to truth, which thus ultimately rests on obedience Springing from fear. This account of the virtue strikes us at first as most unsatisfactory; we get a sort of moral This is only shock. We must, however, remember #...at here, as in the case of courage, the mentofºruth, limitations under which Plato is writing. He is thinking primarily of the character of the warrior, and he refers to that particular form of the virtue which it is possible to cultivate in him—i.e., truthfulness as an offshoot of respect and obedience. If we read what he says here in the light of what 56 EDUCATION IAW PLATO'S REPUBLIC. he says elsewhere, we shall see that he is only considering a stage in the development of a love of truth. He says earlier in the book that “a real lie is hated not only by gods, but likewise by men’’’; and the greater part of the latter portion of the work is devoted to a consideration of the way in which men may endeavour to learn the whole truth and to rest satisfied with nothing short of it. Indeed, Plato sets as high a value upon truth as any philosopher before or since. But here truth is something different from truthfulness, and this distinction must be cleared up. 8. Two Senses of Truth. Truth implies a relation between two things, and the relation is one of agreement ; Plato says it is “akin to proportion.” ” The two things which are in agreement are, however, not always the same, and this gives rise to two senses of the word truth which it is necessary to distinguish Thus : (i.) Sometimes we mean by truth a relation of agreement between thought or intention and its outward expression in word or act. What we think or intend is in harmony with what we say or do. This is what we mean when we speak of truthful- ness or being true. If we think of it as a habit or tendency we call it moral truth. Its contrary is falsehood. (ii.) Again, we sometimes mean by truth a relation of agreement between thought and reality. What we think is in harmony with what actually is ; we do not harbour a distorted view of things. This is commonly referred to as philosophical or intellectual truth. Its contrary is falsity. ! II. 382 a. * WI. 486e. THE SUBSTAAVCE OF Z/TERA 7TURE. 57 Clearly Plato is referring to truth in the former sense when he is considering it in relation to his guardians. The teacher must, however, pay atten- tion to the motives to, and ways of cultivating, both moral and intellectual truth. These we proceed to discuss. Starting with moral truth, we may first seek Lying springs to discover what lies behind falsehood. ;...' Three kinds of lie seem distinguish- Motives. able : (i.) Ordinarily, a lie is a cloak for some act or intention which is morally bad, and is known to be so. It is born of the natural shrinking from the shame or actual physical suffering which exposure would bring. It is an outcome of the cowardice which usually accompanies moral weakness. (ii) Sometimes, with young children whose physical characteristics foster timidity, the lie may hide no fault, but may arise from a desire to please. Timid children will frequently lie in order to appear to be or to do what they believe a parent or teacher desires. (iii.) Then there is the lie which springs from strength, as when a child seeks by lying to shelter another at the risk of pain to himself. The mere enumeration of forms so different as these leads to the conclusion that the cultivation Which of moral truthfulness is no such simple i., matter as Plato's summary treatment Treatment suggests. One point stands out clear. Before we can deal with the lie, we must get at its cause, the motive or emotional tendency which lies behind it. In the case of a lie of the first type, we must get at the selfishness or depravity which it cloaks; but when we have discovered it, the know- 58 A. DUCATIO/V ZN AZA 7TO'S REAEPUB/./C. ledge that the lie is the offspring of cowardice will keep us from any attempt to cure it by mere terrorising. We must try and remove the vicious tendencies first, and then by our practice bring children to feel that, given right motives, their acts will meet the respect they deserve. Justice is the best antidote to the lie which springs from cowardice. The treatment of the second type is similar to that of the first. This form of untruth arises out of dread of the unknown effect of disappointing a teacher. If he be hasty, impatient, or unable to look behind an answer, or, worst of all, if he be prone to punishment for inability as for fault, then he is likely to train liars. The child must feel that if he lays bare his soul it will be to a sympathetic eye, and that for his declared mental incapacity he will receive encouragement rather than senseless rebuke. The third type brings us to an ethical problem. We want truthfulness, and we want the courage and sympathy which cause a boy to screen his fellow at the risk of punishment. Shall we praise the courage and kindly feeling or blame the lie P Probably both ; but in cases like these tact and insight will stand the teacher in better stead than all the ethical formulas in the world. 9. How can a Love of Truthfulness for its own Sake be Cultivated? What has been said has reference only to the removal of falsehood. Moral education can- not, however, be considered complete until virtue is practised for its own sake. How are we to get children to love truthfulness for itself, apart from any pleasant results which its practice may bring P We have to remember that the love of truth is a late-acquired and abstract sentiment, and that the THE SUBSTANCE OF LITERATURE. 59 way to it lies through the more instinctive emotions. We must start from the emotion of love. Truthful- ness will spring from affection and the desire to please the object of affection; and this is the spirit of Plato's teaching. When he says that truth- speaking must spring from the respect which rulers should inspire in subjects, and from the impulse to obedience which is but reverence run into action, he is stating a principle applicable to all time and all circumstances. It is here that the teacher must begin, but only to get a firm foothold for a progress towards a higher level of morality. He may make, or rather help his pupil to make, the next step by presenting the ideal of truth in the concrete garb of “grown-upness,” as Mr. Barnett suggests." The virtue has now left the womb of affection which bore it, and begins an existence of its own as an ideal or end to be gained; grafted, it is true, on to a concreter and baser aim, but still in the way of budding forth on its own account. At what moment it will succeed in arousing admiration and desire of attainment through its own perfect beauty is im- possible to say. Perhaps not within the school life; but boys vary. Anyhow, its separation from the earlier emotions and ideals which gave it sustenance is a question of its own inner vitality ; the teacher can only control its environment. It will come to the birth when a measure of self-consciousness, of self-worth and the courage to support and advance these, have been developed. What has just been said has reference to moral truth, to being true ; it is also most desirable that a child should come to desire to know the truth in “Common Sense in Education and Teaching,” p. 53. 6O A. ZDUCA TYO/V ZAV AZA 7TO'S ACA2A7 UB/C/C. | the second sense of the word indicated above. He will be a lover of truth when he cannot rest satisfied The with anything short of a relation of perfect jº. agreement between his thought and reality, Intellectual so far as the latter is presented to him Truth. and so far as he is capable of penetrating it. He cannot be the “spectator of all time and all existence,” but he should seek the whole truth within the limitations which the area of knowledge and his own mental capacity must fix. Training for this end Plato reserves for the philosopher, the lover of truth ; he does not think it necessary for the warrior as such. This is one of the evils which attend all systems of training for a specific purpose ; some side of a man, frequently, unfortunately, the potentially larger and the ethically better part, becomes dwarfed and atrophied in the process; the philosophic “element” of the soul of one of Plato's warriors would have suffered a grievous starvation. Any system of education stands con- demned if it does not develop philosophers in the literal sense of the word. But here again, as in the case of moral truth, the more impersonal abstract sentiment has to win its The plmouty way in conflict with emotions which are of removing more deeply rooted in our nature. The * truth, especially in respect of our social environment, is frequently unpalatable ; the wish is father to the thought, and fact is overborne by pre- judice. We cannot remove the personal equation in our judgments about others and about ourselves in relation to others. To a less degree, but no less truly, we distort the physical environment ! WI. 486 a. 7 HE SUBSTA/VCE OF //TERATURE. 6I where it touches our interests. The Sunset is red, if we would have it so ; and our flowers do bloom, though all the world should see the blight of frost. How, then, may we train a child so that he may come near, even if he cannot attain, such a measure The reacher of philosophic truth as is possible for must set the him P. We can follow Plato in this, and #. * work from the sentiment of reverence jº which in the young finds its expression in imitation. We can work on it by showing an absolute devotion to truth in the searches after it which we undertake with our pupils in the class- room. It is so easy to make an experiment illustrate Our point, and we may even think it economical to bring, say, an incident referred to in the history lesson under one of our favourite generalisations by hiding or glossing over some disturbing elements. But we do not so train seekers after truth; and that this is an infinitely higher educational end than the suc- cessful driving home of an experiment or the satis- factory classification of an incident is so obvious that a formal statement of the fact seems to issue almost apologetically. - 10. Plato's Treatment of Temperance. Plato finds the basis of temperance or sobriety, as of truth, in obedience—first in obedience to external authority, of men to their governors ; then in obedience to internal authority, of the passions to reason. The pages of literature must be scrutinised if it is to aid the growth of this virtue. They are to be freed from all accounts which, by being attached to those whose examples stimulate to imitation, tend to set the individual against the powers that be or to 62 FZ) UCATIO/W WAV PZA TO'S REAE UB/./C. justify the victory of desire over reason ; they are to tell forth the story of reverence and self-control. It is the spirit of reverence for law which is to be nurtured that it may bring sobriety in conduct; for “it is this law-loving spirit, whether the law be the external law of the state or the voice of reason within us, which is the enemy alike of forwardness and insolence, of gluttony, drunkenness, and lust, of meanness and avarice.”" There are striking and instructive features in this account of what constitutes the essence of temperance. Aesthetic First, we may notice how Plato's main !... idea seems to be to prevent the undue Prominent. prominence of one part in the whole, either of state or individual. What he wants is balance, symmetry, among the parts. He says later : * “Temperance has more the appearance of a concord or harmony, than the former qualities had.” It is as though he regarded a state or an individual where sobriety is, as one would look at a beautifully- proportioned and symmetrical object. The moral aspect is mingled with the aesthetical ; the good is the beautiful This is understandable when we re- member the extraordinary artistic development of the Greeks, and the absence of any definite religion, which helps to set ethics on its own basis, apart from aesthetics. Secondly, we may note how this account of It seems to be temperance is an account of virtue in .." general, at least of moral virtue as Generally, against intellectual, if the distinction is warrantable. A man in whom the desires were ! Nettleship in “Hellenica,” p. 91. 2 IV. 430 e, 7THE SUBSTANCE OF Z/TERATURE. 63 completely subordinated to reason would have attained to perfect moral excellence, perfect virtue. We have noted before how each single virtue tends to stand for the whole in Plato’s account. Thirdly, we may note how closely the idea And is anied of temperance approximates to the idea to Courage of courage ; and again how it is linked *** with truth in its dependence on reverence and obedience. A further point which merits special notice is the fact that Plato's account does not involve No complete the doctrine of the absolute opposition ºrm between reason and desire, which some reason and great moral philosophers have held, but Desire. which makes the very beginning of morality impossible for human beings. We find Kant laying it down that a man “should promote his happiness not from inclination but from duty, and by this would his conduct first acquire moral worth.”.” But if to act from inclination or desire means that the act has no virtue, then morality cannot begin. Plato has the sounder doctrine when he lays it down that virtue (in this case temperance) consists in controlling the desires. In themselves they are not evil, only when we become “possessed” of them. They become evil when the perfect equilibrium of character, to which they must contribute, is destroyed by them. Obedience to External Law and Obedience to Reason as Stages in the Development of Temperance. The two elements which Plato finds in sobriety—obedience to external authority and obedience to reason—are the * Understanding this to imply direction, not negation, of desire. * “Metaphysic of Morals,” p 15 (Abbott's translation). The italics are mine. ; \ 64 FDUCATIO/W WAV A/LA 7 O’S AºEAE UEZ/C. outcome of that parallelism between the individual and the state on which he was so frequently insisting. The teacher will perhaps find it more profitable to view them as stages in the progress of the individual towards true temperance. The child feels the re- straining force of his physical and social environment from the first dawn of consciousness. At first it is the material world exercising a blind and relentless tyranny against which he is powerless. Then it is the authority of parent and nurse, clothed in affection, but none the less a force in conformity with which his activities have to be modified. The family, the school, and the world, the formal commandments of a religion and the unwritten laws of social life, each in their due time and order make him feel the weight of an authority from which he cannot escape. Nor will these powers and their prescriptions be always illuminated with the spirit of morality and religion. The social environment is unfortunately informed more completely by economic than by moral con- siderations, and there are homes and schools of course whose controlling influence makes for evil. But even where these encircling systems are fitted to meet the youth’s highest needs, and their authority so wielded as to call forth his love and reverent obedience, moral progress can hardly be said to have properly begun until the note of command from without is swelled by an imperative from within. It is when his passions come to obey the dictates of reason, when he comes to be a law unto himself, that he is fairly on the road to true temperance. For morality means free acceptance of duty. Though his passions must be enslaved, his own reason must bind the cords ; and this slavery THE SUBSTAAWCAE OF Z/7′ERA 7TURE. 65 means the absolute freedom of the moral law within him. “What else then can freedom of the will be but autonomy, that is, the property of the will to be a law to itself P” " The power of the teacher to help on the progress of his pupils towards that true moral freedom which Extent of the is the crown of temperance, and indeed Teacher's of virtue, is very great. He has con- Influence tº e over nig siderable power to modify one great Development, environmental force—i.e. the school. He can make it a breeding-ground for temperance or sobriety. Moreover, he has a large share in the choice of literature, and can put into practice Platonic principles. He has command over the needful weapons of punishment and praise where- with to check the victory of passion and enhance the victory of reason. Most important of all is it for him to remember that he is the ever-present concrete example, perhaps more powerful than all which literature can bring to bear ; and if his life is lived openly under the imperative of reason there need be little doubt that the spirit of true moral freedom will live in his pupils. 11. Why Literature is a Powerful Factor in Moral Training. This is a fitting place to briefly consider literature as a factor in moral training. We have seen what importance Plato attached to it. Placing the question of its selection in the forefront of his treatment of education, he seems to have regarded it as the most direct means of fostering reverence, piety, and goodwill in his guardians, and of making them brave, true, and temperate men. Subsequent experience has not tended to lower this high estimate i Kant, “Metaphysic of Morals” (Abbott's translation), p. 65. 5 66 EDUCATION IN PLATO'S REPUBL/C. of its value. Perhaps its direct moral effect has been to some extent lost sight of in the exaggerated importance which has been assigned to literature as a medium of general mental culture ; but although modern educational theory has not explicitly affirmed its powerful formative influence over character, it is safe to say that it has been implicitly assumed. And the secret of its power is easy to discern. Abstract moral principles are for the guidance of men of mature age and of an advanced stage of development ; but the heroes of history and fiction, of poetry and prose, present the ideals of virtue and duty in living concrete forms which powerfully move the young to emulation. In some respects, indeed, they surpass in moving power the present personality of parent, teacher, or friend. Their remoteness saves them from the reducing influence which actual familiarity seems to exercise over the noblest of living companions. No man is a hero to his valet, and it is the after-years which bring reverence for the schoolmaster of our youth. But we can construct the ideal of the perfection of knightly virtue about the figure of Prince Arthur or the knight of Ivanhoe, and it will not shrink under the reduction of felt imperfection—at least, it will not for the young. It is with the favourites of literature as with an old castle seen through the mists of an autumn evening which we do not hesitate to people with the knights and ladies of romance : they escape the sense of incongruity. , And their remoteness does not mean unreality. They have not that “unyielding remoteness” which Schwegler finely predicated of Plato's “ideas.” * See “History of Philosophy,” p. 103. THE SUBSTAAVCE OF Z/TERATURE. 67 Of course there are individual differences to be taken into account : practical interests are so absorb- ing to some—both men and boys—that the characters which live in the pages of literature are powerless to touch them. It is not so with the majority of children, with their early developed tendency to imagi- native play. Their emotional and active impulses are largely fed from literary sources, much in the same way as the general trend of a man's sympathies owes much to the characters of the author whom he loves. Remote and ideal characters they may be, but the responsive thrills they arouse are very real and present factors in the development of character." * See MacCumn, “The Making of Character,” chap. x., on “Example.” CHAPTER IV. THE FORM OF LITERATURE : THE DANGERS OF IMITATION. (Book III., 392 c-398 b.) 1. Analysis. After the consideration of the subject- matter of literature comes the question of its form. All compositions are either (i.) in the form of mere narration, or (ii.) those in which the characters speak for themselves, or (iii.) those in which both the pre- ceding forms are combined. This may be made clear by “detaching” the method which Homer adopts in the account of the interview between Chryses and Agamemnon with which the “Iliad” opens. At one time the poet “speaks in his own person,” at another “he speaks in the person of Chryses.” This differ- ence implies a difference in the extent to which the poet loses himself in the narrative. At one moment he is Homer, at another Homer is lost in Chryses ; and this latter absorption of the personality of the poet in his characters is brought about “through the medium of imitation.” All narrative might be thrown into the form where no imitation is necessary. Now, the poetry in existence falls into three “forms”: in the first, as in comedy and tragedy, all is dialogue involving imitation ; in the second there is no imitation, all is description ; while the the third employs both description and dialogue. 68 THE FORM OF LITERATURE. 69 Which form would an educator of the guardians choose for them P To answer this a deeper question must be considered. Is the power or practice of imitation desirable in a guardian P. Success in the real business of life demands, as has been seen, devotion to a calling ; it is also found that to imitate successfully, a man had better not play too many parts; therefore we may conclude that a man’s capability to carry on the business of his life success- fully will be lessened by any tendencies towards imitation. The guardians, then, who are to safe- guard their country’s freedom must know nothing of imitation—at least they must imitate only the good ; for imitation, be it of gesture, tone, or mode of thought, breeds “habits and a second nature”: not a woman overborne either by felicity or misery, nor a slave, nor cowards, fools, ribalds, or madmen—these shall not be imitated ; nor yet craftsmen, brutes, or the phenomena of nature. In telling a story a man of well-regulated life will throw himself into the characters so far as they are good, but he will scorn to impersonate what is bad ; and simple narration will be much more frequent than the form which involves imitation. Contrariwise, the man of ill-regulated character will unsparingly employ imitation, even to the wildest excess. Such, then, are the two styles or forms: one de- manding simplicity, with few transitions from one character to another ; the other marked by the in- finite number and variety of its transitions. The latter is the more attractive, but it is opposed to the “one man, one work” principle of the state. Hence the former will be adopted, and the expert at imitation will be politely bowed out. 7o EDUCATIO/W WAV P/LATO'S REPUBL/C. 2. Statement of the Question. That Plato should have thought it necessary to supervise the subject- ºnatter of literature on account of its bearing upon the making of character is not surprising ; but that its form should be regulated for the same reason seems, at first, the outcome rather of the theorist's desire to construct a complete system than of the experience of the practical educator. We soon see, however, that the question of literary form is but the outward aspect of a deeper question which touches immediately and directly upon the formation of character. The way in which the subject develops had better be made clear at once. It appears at first that the question is purely a literary one : In what manner or form must poetry be written ? “By the form of poetry Plato understands merely the mode in which the poet represents the personages in his poem, that is, whether he speaks in his own person and simply describes what they say and do, or whether he puts himself in their place and makes them speak and act for themselves.” In this way three “forms ” arise: one dramatic, another narrative, and a third which is a mixture of these. But these distinctions, interesting as they are from the point of view of literary criticism, do not at first seem of vital importance to the educator. To put the question in a particular and modern form, we should be surprised if we were asked whether it would be better for a youth to follow the fortunes of Lear in Shakspere's tragedy, or of Arthur in Tennyson's epic, or of Gulliver in Defoe's descriptive narrative. We should say that the “form * mattered very little, ! Nettleship in “Hellenica,” p. 98 THE FORM OF LITERATURE. 71 so long as the story was healthy and the reader of age to appreciate it. - It soon becomes evident, however, that there is something deeper and more vital than literary fitness in the balance. The dramatic form of poetry demands from the author a power and a readiness to project himself into the thoughts and sentiments of his dramatis personae. He must “imitate’’ or im- personate—i.e. he must be prepared to lose his personality, or at least to let it be temporarily absorbed in the characters of his play. And this same imitation will be called for both in the actor who interprets him and in the audience which responds like a sounding-board to the vibrations of strings. Here, then, is a matter of first-rate educational importance. For “imitations, whether of bodily gestures, tones of voice, or modes of thought, if they be persevered in from an early age, are apt to grow into habits and a second nature.” The formation of character is the first end of training, and imitation is one of the chief factors in the production of character. It is not mere literary propriety, then, which Plato discusses under “form,” but this fundamental question : “Ought our guardians to be apt imitators or not ?” His answer is a guarded negative. He appears to object to imitation on three grounds, which we may distinguish conveniently as : first, economic or political ; second, ethical ; and third, philosophic. It is true that they overlap and merge into each other ; they are, indeed, but different aspects of each other or of one general objection. We shall, however, get a firm grip of his view by considering them separately. 72 EDUCATION IN PLATO'S REPUBLIC. 3. First Objection to Imitation, mainly Economic and Political. And, first of all, we must notice that the most fundamental of his economic ideas was the principle of the division of labour. He believed it to be essential to the smooth and easy running of his social machine that each man should devote himself to the task for which he was by nature equipped, “With us there is no twofold or manifold man, since every one has one single occupation.”” In his interesting sketch of the rise of a state he lays special stress on differences of natural endowment and the need of taking advantage of these for the furtherance of the social welfare. “All things will be produced in superior quantity and quality and with greater ease, when each man works at a single occupation, in accordance with his natural gifts, and at the right moment, without meddling with anything else.”” With this principle, that in the real business of life a man cannot successfully play many parts, he combines another, that his powers of imitation are equally limited. From these two premises he draws the conclusion that a man cannot do his work if he is given to imitation. And hence it becomes a matter of economic and therefore of educational importance that the forms of literature which foster and develop the tendency to imitation should be ruled out. On economic grounds, then, Plato objects to dramatic poetry. This projection of the self into other personalities which it begets means a dissipation of energy, and is thus prejudicial to the successful prosecution of the single business of a guardian’s life. He will best serve the state by being a guardian and nothing more. Let him concentrate his whole 1 III, 397 e. * II. 3700. THE FORM OF LITERA 7'URAE, 73 life on his calling, and let the educator see to it that there are no distracting influences. 4. Is Political Efficiency the End of Education ? This does not appeal to us. It is too ruthless a sacrifice of the individual to the body politic. It means one- sided development, and the educationist deplores all atrophy, mental or physical. We think : so many powers as a man has, so many claims are there for nurture and development. The civic standard is an unsatisfactory educational criterion in so far as it narrows down the sphere of a man’s sympathies and interests. We want to broaden life. The charge is, indeed, brought against our systems of education, both primary and higher, that they do not meet the national need. Technical skill and commercial aptitude are, it is said, the weapons of offence and defence in the future. It is the business of education to see that they do not rust. - It is true that one of the main ends of education is to equip men for the “affairs" of life. It is also true that division of labour has invaded modern life to an extent which Plato never dreamed of. The man who makes the soles of our boots knows nothing of the “uppers.” Hence if he is kept within the narrow grove, of his calling, if he is to be literally “one man and not many,” if in his education there is nothing which carries him out of himself and his task, what a pitiful lot will be his l Equipment for the business of life can never be the sole end of education. Besides, we may well wonder whether a man Evils of does best for the social organism by Over-COIl- e & e centration. Such concentration upon his special func- tion within it as Plato seems to demand. Mere 74 EDUCATION IN P/LATO'S RFPUBLIC. reflection would not lead us to think so. It would seem that an intelligent out-look over the tasks and interests of others would help a man in his own work. He would see it in relation to that of others, his co-workers. He would realise the degree of mutual dependence which obtains between the members of a society. He would feel that every act is like the dropping of a stone in an illimitable expanse of Ocean, which ripples away to infinity. And since the end is the motive in conduct, then the more clearly the far-reaching effects of actions are realised the more energetic and conscientious will be their performance. Nor does experience fail to support this reflection. We do not find that the philosophic cobbler makes worse shoes than his less speculative fellows; and, to take an illustration from our own profession, the best schoolmaster is the man who often looks up from his own furrow, who is a diligent student of life and things. The truth is that though we may distinguish between social interests and individual interests, and hold them apart by an effort of abstraction, they are inseparably interwoven in the concrete fact of life. And we cannot increase the one at the expense of the other. So much as the state gains in material prosperity by complete concentration of the individual on his special task within it, so much and im- measurably more does it lose in enlightenment and spiritual force. For the individual must suffer though this specialisa- tion. One-sided development is synonymous with abnormality, and no perfect or even stable structure can be erected out of abnormal elements. It may be 7 HE FORM OF LITERATURE. 75 that the exigencies of life demand that the hand should show a finer discriminative sensibility than the ear, but loss of capacity or under-development is for the educationist always a matter of regret. For him it is a pathetic sight to see the artisan taking his literary food from the columns of an evening paper. We find even a Darwin regretting that the con- secration of his life to a great purpose left him unappreciative of much that it is a pity to lose. And so we are surprised that Plato's warriors are not to be allowed “to imitate smiths or any other craftsmen working at their trade.” Since we have come so completely to accept the idea of mind as a unity, not as a bundle of separate faculties ; since we have come to realise that perception without conception is blind, and conception without perception is empty ; we cannot escape the inference that by improving any one form of conscious process we are increasing the general efficiency of the mind. The most ardent supporters of all forms of “manual "training are not inspired by the idea of training a boy for any special work in the world. They believe that in training the hand and the eye they are developing habits of precision and accuracy which will make for good work, whatever may be the department of the social life to which a pupil may be called. It seems a far cry from the discrimination which enables a boy to see that one of the sides of a right angle is “out of the true " to the discrimination which guides a barrister in his cross-examination, but general “manual ‘’ training has such a connection for its fundamental postulate. Emerson puts the evils of division of labour and the over-concentration which it entails very clearly 76 EDUCATION IN PLATO'S REPUB/./C. in a passage which is worth quoting in this connection. He says: “A man must keep an eye on his servants, if he would not have them rule him. Man is a shrewd inventor, and is ever taking the hint of a new machine from his own structure, adapting some Secret of his own anatomy in iron, wood, and leather, to some required function in the work of the world. But it is found that the machine unmans the user. What he gains in making cloth, he loses in general power. There should be temperance in making cloth, as well as in eating. A man should not be a silkworm, nor a nation a tent of caterpillars. The robust rural Saxon degenerates in the mills to the Leicester stockinger, to the imbecile Manchester spinner—far on the way to be spiders and needles. The incessant repetition of the same hand-work dwarfs the man, robs him of his strength, wit, and Versatility, to make a pin-polisher, a buckle-maker, or any other speciality ; and presently, in a change of industry, whole towns are sacrificed like ant-hills, when the fashion of shoestrings supersedes buckles, when cotton takes the place of linen, or railways of turnpikes, or when commons are enclosed by landlords. Then society is admonished of the mischief of the division of labour, and that the best political economy is care and culture of men.” " 5. Second Objection to Imitation, Mainly Ethical. Interwoven with the objection to imitation which we have called “political" is another more pro- minently ethical. The man of well-regulated character will “ disdain to mould and cast himself after the models of baser men.”’’ The warriors will “imitate from very childhood whatever is proper * “English Traits,” pp. 97, 98 (Unit Library). 2 III, 396 e. 7A/E FORM OF LITERATURE. 77 to their profession—brave, sober, religious, honourable men, and the like—but meanness, and every other kind of baseness, let them neither practise nor be skilled to imitate, lest from the imitation they be infected with the reality.” You cannot play with dirt and keep clean. The danger here concerns morals rather than political efficiency, though the two are not separated in Plato's thought. It will be well for us to widen the subject of enquiry and briefly consider the effects, and especially the dangers, of imitation on the mental life generally—on thought and feeling as well as on action. This more extended reference is implicated in what Plato says. He remarks how “bodily gestures, tones of voice, or modes of thought" which are imitations “are apt to grow into habits and a second nature.” ” Let us note one or two characteristics of this imitation which are quite independent of what it is that is imitated, whether this be good or bad. First of all, it is the putting on of another's mental attitude, and so far is a loss of independence. It is comparable with wearing another man's coat. Again, like the coat, it may not fit ; our minds are at least not less dissimilar than our bodies. Thirdly, imitation is opposed to initiation. The idea, the sentiment, the impulse is another’s ; we had no part in its origin. And if we too often play this part of an echo, origination becomes difficult. The man to whom borrowing is easy soon learns to dislike the idea of earning his own living. We are disagreeably conscious of all this when our attitude is one of imitation, using the term in the 1 III. 395 d. 2 III 395 dº. 78 A37) UCA 7TWOAV ZAV P/LATO'S REAEPUB/./C. wide sense. Passivity, receptivity, mere responsiveness are not in themselves pleasant. The influence of the great orator is too masterful ; there is an un- pleasant sense of helplessness at the close of a brilliant lecture ; we do not enjoy conversation when it reaches the limiting case of a monologue, however brilliant, unless, indeed, the monologue is our own. One cannot sometimes help feeling for the inter- locutors in the dialogue of the “Republic.” After too strong a dose of Socrates they must have felt like springs which have lost their elasticity, if these can be said to feel. This feeling of dissatisfaction which accompanies the even temporary annihilation of the self by a commanding personality is one which is to be fostered. We can “follow nature * here with the utmost con- fidence, and in so doing we shall catch the spirit of Plato's teaching. Suppression of the self was the great danger which he saw in imitation. Indeed, that it is the business of education to nurture and develop something given, the germ of a personality, rather than suppress it from without, is the very keynote and spirit of Plato's system. “There is a faculty residing in the soul of each person,” he tells us—“an organ whose preservation is of more importance than a thousand eyes.” And as too dazzling a light injures the eyes, so does this “organ” grow weary and useless if it is compelled to activity in an oppressive intellectual atmosphere. There is a form of imitation which is the root- principle of the highest educational procedure, an imitation which develops instead of suppressing, which expands rather than contracts, which strengthens 1 WII. 518 G. * VII. 527 e. 7 HE PORM OF Z/7ZZRATURE. 79 rather than weakens the personality. That is an imitation of ideals, or “ideas,” as Plato would have called them. What we should aim at is appreciation of the thought, not of the thinker or the exponent ; of art, not of the artist ; of goodness, not of the good man. 6. Self-reliant thinking is to be encouraged. This demand for independence of character which is behind Plato's attack on dramatic poetry is the central idea of educational reform to-day. It has led to an out- cry against the lecture and the text-book with its dark and light type. Exposition is to give place to discovery as the fundamental principle of method. Imitation of the “modes of thought ° of another is what our pupils, young and old, have, until recently, been engaged in, with the result that they have neither laid a firm hand on truth nor even developed the power to reach out towards it unaided. This is especially true of primary education. Two main reasons may be found. The first is the tendency to set attainments before habits which the controlling authorities, and consequently the teachers, have shown. The second is the vicious tradition, which has survived so long, and is even now dying but slowly, that teaching is continuous exposition ; that the best teacher is the teacher who is most in evidence, expounding, illustrating, interesting, and thereby sapping the power of independent effort | Plato would have had his warrior “one man, not many ”; our methods bring it about that the many are but the echo of the one. - That excessive oral teaching does destroy the power of self-reliant thought is easy to show, if proof were needed. Children who have been subjected to A 8O FDUCATIOAV ZAV P/LATO'S REAE UAE L/C. it are dumb before the questions of strangers. To the teacher to whom they are accustomed they seem responsive enough, but this is because they are schooled to “chime in ’’ at the end of a thought- process which is largely the teacher’s own. They have become shrewd at catching his suggestions, and to the same degree helpless when independent, self- originated effort is called for. Absence of the power of continuous speech is another effect of such “imitation.” They are ready enough with the “Yes!” and the “No l’ and jerky, disconnected scraps of speech. But the weaving, the synthesis, of the parts into a whole is the work of the teacher. Still less rarely do they ask a question. That is the teacher’s prerogative, although the formu- lation of a question is the first step and frequently the longest in the acquirement of knowledge. No weapon of teaching has been abused so much. Yet the skill of the cross-examining counsel has been set up as an ideal after which the teacher should strive He had much better play the part of the tardy witness. The truth is that what Plato has to say of the dangers of imitation is as valuable (especially as a general criticism of modern educational procedure) as any part of his theory. And when his injunction to preserve and strengthen individuality and self- reliance is accepted as a general principle of method, all unnecessary exposition and dogmatism stand condemned. The teacher must be content to efface himself, to stand aside. His business is to superintend the presentation of material and to guide his pupils to an orderly assimilation of it. But it is emphati- cally not his - to impress his “modes of THE APOA&M OF Z/TERATURE. " 8I thought ° so that they become “a second nature * in his pupils. Every bit of knowledge worth they name bears the private mark of the individual who has acquired it. . - And after all it is not the bit of knowledge that matters so much as the confidence and strength that is gained through independent acquisition. These are desirable qualities of character, the first and final end of all education, but especially of primary education, which entirely fails unless it leaves a boy or girl with the power and the inclination to go forward when the guiding hand of the teacher is removed. 7. And Genuine Feeling. It might be agued that the dangers of imitation, however real they may be in the life of thought, do not threaten the life of feeling. Our feelings are subjective, our very own. In no sense are they copies of the feelings of others; if they exist at all they are original. And this is strictly true. At the same time, we do as teachers sometimes strive to awaken the reality, and fail to see that what we arouse is the semblance, a spurious imitation, a sort of after-glow of the warmth of our own appreciation. The treatment of literature will supply a good instance. We want our pupils to share some of the warm, aesthetic feeling which a great poem kindles in ourselves. It is a high ambition, but a dangerous one. They cannot catch a spark from our feelings in the same way as they can reproduce our modes of thought. They must burn with their own fire, if at all. But they will deceive the enthusiast with the appearance of warmth, and from the not unworthy motive of pleasing him. Such an imita- 6- 82 EDUCATIO/V IN P/LATO'S REAUB/L/C. tion is deplorable to the degree that cant is worse than coldness. Hence, here, as in thought-exercise, the teacher must in a measure efface himself. What he can do is, first, to see that the art they are brought face to face with—whether it expresses itself in picture or poem or what not—is of the best ; and, next, to see that it is realised and understood in the measure of which his pupils are capable. Then he must let appreciation come to the birth in its own good time." 8. Self-originated and Self-guided Conduct. In con- duct too, as in thought and feeling, we should not remain satisfied with a “second nature" modelled after the type of another. And this is true even if that other be good and noble. We ought not to consider the moral education of an individual to have even approached completeness until he has become a “law unto himself”: not in any arbitrary, antagon- istic, or even unusual sense, for the moral law is universal, laying its obligations impartially upon all ; but in the sense which implies the highest moral freedom, the imposition of duty's task on the self, by the self, for the sake of the self. Of course, such a high degree of moral development will not be reached early. It is the ideal which we may set before ourselves and our pupils, knowing that few will even approximate to it. Nevertheless, it is the end in which all other moral influences terminate. * A common practice in recitation lessons illustrates how teachers frequently attempt to force appreciation. The teacher will fervidly recite the passage, phrase by phrase, and the pupils (often simul- taneously T) attempt to reproduce the tones and inflections of his voice. THE FORM OF LITERATURE. 83 Examples from literature or from life, custom, the controlling influence of authority, are all influences, most powerful influences, in moral education. But so long as they are merely external and alien, so long does the child obey or follow them as an imitator ; and his moral condition is inferior because it is secondary and derivative. In supremely good conduct the categorical imperative comes from within. 9, Imitation in Higher Education. We have gone a step farther than Plato, and pointed out the danger of imitation of any kind to that strength of character which is sought in education. And we have made particular reference to the education of the young. But the evils attendant on a passive acceptance of truth without any personal outward movement to— wards it are not confined to primary education, though here they are most dangerous, for here are laid the foundations of habit, and the first and most important steps in the making of character are taken. Professor Watson tells us how “the teacher of philosophy soon finds that a very powerful irritant is needed to awaken his pupils out of their “dogmatic slumber.’” Speaking of a didactic method in this subject, he says: “My experience is that it is almost impossible, by this method, to prevent the average student from accepting what he is told without mastering it and making it his own. Thus he passes from one form of dogmatism to another, and with the new dogmatism comes the conceit of knowledge with- out its reality. The study of philosophy is of little value if it does not teach a man to think for himself. The process of self-education is necessarily a severe one, and, therefore, distasteful to the natural man. Yet any attempts to evade it by some “short and easy 84 EDUCATION IN PLATO'S REAE UB/./C. method’ defeats itself. What is required is a process by which the student who is really in earnest may pass, gradually and slowly, from a lower to a higher plane of thought. . . . But the struggle upwards Żmust be made by the student himself.” " - 10. Imitation and the Professional Training of the Teacher. In connection with the professional training of the teacher the question of the use and abuse of imitation is of vital importance. There are some who deny that such training is of any value ; they assert the contrary, that it is positively harmful. For them, culture, sympathy, and “tact in the concrete situation * which experience brings, are the sole factors of successful teaching; and any attempt to discover the scientific and philosophical bases of method is disastrous in the result, for it destroys that resource and power of adaptability which every teacher is most of all in need of. That this is a shortsighted view would appear to be the opinion of the majority, for everywhere we hear a demand for further and more systematic training. But the objection from which it starts is one which every teacher would do well to keep clearly in view. So far as a system of training establishes a cast-iron scheme of methods within which there is no room for individual “play,” so far is it open to all the objections which may be brought against imitation. If the teacher gets from his experience during training the idea of a rigid method which is to become “a second nature,” then he were better untrained. Every one who is engaged in the work of training 1 Prefatory Note to “Selections from Kant.” The italics are mine. 7A/E APORM OF LITERATURE. 85 | teachers must feel this danger. It seems impossible to lay down any single rule of method with any ap- proach to universality of application, and the impera- tive mood ought to be ruled out whenever method is under discussion. The teacher should certainly feel that there are logical channels within which it is well that the stream of his pupil’s consciousness, as of his own, should run. He should certainly realise that there are characteristics of the stream common to all minds which he would do well to ascertain, that he may work with them rather than against them. But he should as powerfully feel that there are many ways to the Sea of knowledge and many differences among individuals which make it dangerous to reckon too confidently on what the stream will do. With these convictions he will never be a lifeless imitator of method. 11. The Third Objection to Imitation, Mainly Philo- sophical. We have now considered two reasons for Plato's objection to imitation. First of all, he saw in it a danger to the state, since its welfare was based on the full realisation of the principle : one man, one work. Secondly, it meant danger to the individual who might “mould and cast himself after the models of baser men.” Respecting the first of these objections, the disadvantages of over-con- centration were indicated ; in connection with the second, we have gone farther than Plato and seen danger in all imitation, even of the good. We now come to a third, and, for Plato, the strongest reason for limiting imitation, or—to put it from the literary point of view from which he starts and to which he reverts at the close of the discussion —for choosing 1 III, 397 b, 86 EDUCATION WAV PZATO'S REAE UEZ/C. description rather than dialogue, a narrative rather than a dramatic “style.” He prefers the former because it is “pure and simple”; he objects to the latter because it employs an “infinite number of transitions.” We can gather what it is that he objects to in these transitions. They are emotional. The poet Itnutures the may describe, the actor personify, and *...* the guardian imitate the man whose con- Expense of duct is “steady and sensible.” The 3.” danger arises when those aspects of char- Character, acter which all three must in a measure take on are “not those where it is simple, quiet, consistent, and rational, but rather its emotional aspects, with their shifting lights and shadows, where the contrasts are strong and the transitions rapid ; and the element in his audience to which he [the poet] appeals, and upon which he reckons for his success, is not the sober judgment which sees life in its true proportions, but the illusory feelings of the moment which care only for their immediate satisfaction.” " & That this is his real objection to dramatic poetry and to the imitation which it needs must bring in its train appears from passages in the later books of the “Republic.” He says:* “In the case of love, and anger, and all the sensations of desire, grief, and pleasure, which, as we hold, accompany all our actions, is it not true that poetic imitation works upon us similar effects P For it waters and cherishes these emotions, which ought to wither with drought, and constitutes them our rulers, when they ought to * Nettleship in “Hellenica,” pp. 100, 101. ? X. 6066 THE FORM OF LITERA 7 URE. 87 be our subjects, if we wish to become better and happier instead of worse and more miserable.” And again," speaking of the “imitative poet,” he says: “We shall henceforth be justified in refusing to admit him into a state that would fain enjoy a good constitu- tion, because he excites and feeds and strengthens this worthless part of the soul, and thus destroys the rational part, like a person who should strengthen the hands of the dissolute members of a state and raise them to supreme power, and at the same time bring the educated class to destruction.” 12. This is in Keeping with the General Principles of his Philosophy. We reach here the bed-rock of all Plato's objections to dramatic poetry and the imitation which it entails. As he saw in the world of material things which “change and pass " a world which was worthless in comparison with the fixed, eternal, and changeless types or “ideas" which shine through . it, so within the human mind he sets the rational element far above the changing passions which mark a man as merely human. In respect of his rational soul he approximates to the fixity and immutability of the divine being, and this it is which should be nurtured even at the extreme cost of removing dramatic poetry, “which waters and cherishes these emotions, which ought to wither with drought.” Here we have the philosopher carrying the cardinal principle of his system with vigorous logic to its results. The stable, essential forms stand in contrast with the mere particulars of sense. The former alone are of worth. In like manner does the rational element in man stand opposed in its stability and worth to the changing passions. Such a conclusion 1 X. 605 !). 88 A DUCATIO/V ZAV A/LA 7TO'S REAE UB/C/C. was the only possible one for the creator of the “ideal” philosophy. It was a philosophy which was the outcome of a particular time and a particular people, and yet has elements of which all ages have felt the force and truth. For we see in the universal laws fulfilled in every breaking wave and whispering breeze the stability of the universe, even while we do not fall into the error of giving them a remote and independent existence. Also we are at one with Plato in seeing in reason the guiding, controlling principle to which the desires must be subservient ; we see in it the source of that stability of character which is essential to moral perfection. At the same time we do not acquiesce in his condemnation of the emotions. The emotions in themselves are neither good nor bad ; moral judgment must be upon the objects to which the emotions are attached. The problem for the teacher is not the suppression of the emotions, but their refinement. We want them to be grappled on to noble ends and worthy ideals, but the end of moral progress would come when the emotions were allowed to “wither with drought.” " 13. Summary of the Uses and Dangers of Imitation. We may here gather up summarily the conclusions on the educational bearing of imitation which we have reached. We have seen that all imitation, if it be the mere putting on of the mental attitude of another, is fraught with danger. Through it the independent personality “withers with drought °; and neither truth, nor beauty, nor goodness have a real meaning, a living force, where such independence is wanting. The danger is perhaps greatest on the "Cf. p. 54, THE FORM OF Z/7 ERATO/A&E. 89 intellectual side. But there is a sense in which imitation is completely necessary—not the conscious imitation of an individual, but the unconscious repre- duction of a logical ideal in thought. And here is found the teacher's function. He must see that the child’s tentative movements along the path of discovery are, so to speak, logically guided. He must stimulate the young discoverer to be satisfied with nothing short of the truth with respect to the data of knowledge. The child must observe for himself; the teacher must be the guide to observation. And so with the formation of general notions, the applying of them, the use of the imagination in the formation of hypotheses, and so on, through all the activities which logic has set out for us. In all these the pupil’s business is to make the effort, and the teacher's to “stand by,” only directing the forward progress of his pupil with a sort of logical rudder. In respect of aesthetical culture, Plato prescribed this method exactly.” “The fair and graceful” is to act upon the young imperceptibly, in the same way as healthful breezes bring physical vigour. Beauty will be borne in upon him, but not so as to “ oppress him. It will silently become interwoven with his impulses, which have not been deadened, but have grown strong under its attraction. This is the imitation which nurtures character so that it neither withers from drought nor lacks strength within itself to expand. The same thing applies to moral training. Here, at least, it might be said, it is well to take on the spirit of another individual ; and imitation is good * See III. 401. 90 EDUCATION IN PLATO's REPUBLIC. without qualification, provided the other is of noble quality. Of course there is no doubt that much, most, moral training must be through the concrete living form of example. Still, there must be some- thing more than the transitory echo and glow which arise within us when we are brought face to face with noble deeds. The life of the individual himself must be the apocalypse of moral ideals; and though it would be absurd to fail to take advantage of the impulse to such a life which concrete examples can arouse, yet we should not consider moral education complete until the individual comes to love truth, courage, wisdom, justice, not only in the concrete form of individual example, but for themselves in, as Plato would say, their essential forms. CHAPTER. W. MELODY AMD RHYTHM. (Book III., 398 c-401 a.) 1. Analysis. A song is made up of words, harmony, and rhythm ; and the two last elements express the spirit of the first. What, then, we said of the words applies also to the harmony. We want none which express lamentation and none which suggest excess or effeminacy. One reflecting the courage which faces wounds or death or adversity unflinchingly, a “music of war”; one befitting a man reverently seeking or imparting truth, or again acquiescing in it when revealed to him, a “music of peace”—these are the only harmonies we shall need. Away, then, with the many-stringed instruments and the flute of many harmonies. The lyre and the guitar for the townsman and the pipe for the countryman are sufficient for us. Our regulation of rhythms will follow the same lines. We do not want a great variety, but only “the rhythms of a well-regulated and manly life.” What these are perhaps Damon can tell us, for he has dis- criminated between different rhythms and different rates, praising some and blaming others. What we can say with full assurance is that some rhythms, as also 9I 92 EDUCATION WAV PLATO'S REAEPUBLIC. Some harmonies, are graceful, while others are ugly; and that rhythm and harmony follow the words; while the words, both in form and in substance, are determined by the “moral disposition of the soul.” Hence, where the character is well and nobly con- stituted, there we shall find grace in all these its external expressions. Our young men, then, must come to love grace and beauty in all these external characteristics, if noble characters eager to play their due part in life are to be nurtured. 2. Special Harmonies for Special Wirtues seem to us Strange. That Plato should have thought it necessary to control both the substance and the form of litera- ture because of their effect on the characters of his guardians is not surprising. So far as the substance is concerned, we are all accustomed to look upon literature as a powerful factor in moral training ; and “form,” involving imitation, is, as we have seen, of great educational importance. The prominence given to music, however, seems at first unjustified. We of course realise the power of music over the emotions. We know that, for most men, there are strains of sadness and strains of joy ; and we know that, for some, the intricate works of great masters admit of a refined and subtle emotional interpreta- tion as real if not as definite as the under-current of changing emotions which accompanies, for many, the reading of a play of Shakspere or a Wordsworthian sonnet. But, while this is admitted, there is a felt difficulty to accept the postulate that certain “harmonies” have certain definite effects on character and express certain tendencies of character in the same definite way as a poem, a story, or a play. To MELO/DY A/VD R//YTHM. 93 say that there is to be one harmony for courage and another for reverence, much as a modern writer, Constructing a system of education, might prescribe drawing to train the power of observation, and mathe- matics to train the intellect, sounds unconvincing. It may be admitted that there is here, in part at least, the voice of the theorist, of the con- It is, in eart, structive thinker following out a line of “Applied" thought “as a vessel runs before the * wind.” He starts from the idea of three “principles’’ or “faculties” of the mind—the philosophic, the spirited, and the concupiscent—as we shall later see." These correspond roughly to reason, courage, and desire ; and as he deems the two first to be alone worthy of nurture, we have herein at least a partial explanation of the “music of peace” and the “music of war.” The practical man is, perhaps unduly, sceptical of such bold application :eory to practice. Psychology is, for him, a is * of education in some far-off way. It is, ſer, no small part of the value of a study of ion as it is presented in the “Republic,” that upels the reader to look behind the details of iculum for their justification. One is driven sider the bases and the ends of education. is no doubt that, for teachers who are pin their faith only on what their ex- is taught them, it is good to be brought Be with a thinker who dares to let the f first principles carry him to conclusions S prepared to put into practice. sideration of other facts leads us to see dea of the effect of music on character, * See pp. 137–139. 94 EDUCATION IN PLATO'S REPUBLIC. and that in specific ways, is not so extravagant as at first sight it appears. In the first place, we must also the music of which Plato speaks was in bearin Mind most cases wedded to words or to the the Kind of Music in movements of a dance, and thus served Question to accentuate the spirit of these. What- ever of definite effect on the feelings the words exercised would be heightened by means of a melody which caught their spirit. This is common experi- ence. Most of us, for example, have felt how much the moving power of certain verses in the Bible is due to their having been wedded to the sublime melodies of Handel’s Messiah. Secondly, the very simplicity of the music of that day made it a medium which could convey a specific meaning. “The whole subject of harmony, in its modern sense. is absent from his consideration. The truth seems to be, paradoxical as it may sound, that it was, the very simplicity of Greek music which led G \eek writers to assign to it such a direct and imp educational influence. As in the early da sculpture or painting, the crudeness and Sym makes the meaning of the artist more clear, compared with the subtle design and colour great masters, so when music was chiefly to an accompaniment giving emphasis 0 to a recitation or a dance, its effect wou strongly recognised in proportion as it simple. Even now there are dancing an melodies which exercise a direct and almo influence on a susceptible hearer, just be is nothing but the simple act of dancing o which they suggest." Nettleship in “Hellenica,” pp. 107, 108 Page Missing in Original Volume Page Missing in Original Volume MEZODY AND RAYTHM. 97 or two undisputed facts in mind. In the first place, rhythm is a form or framework into which movement of any kind may be fitted. The essentials of rhythmic movement are, first, that it shall consist of a group of series of single movements of fixed duration or magnitude; and next, that within each group there shall be changes of intensity or duration. The rhythm of a verse of poetry, of a bar of music, or of a dance, will supply a familiar instance. It follows from this that “rhythm has a very wide range of application, from Swinging in a hammock to the march of a hexameter.” Secondly, we have to remember that rhythm produces a powerful mental effect. This usually appears as an intensification of the effect of that of which it is the form. Thus the rhythm of skating enhances the mere pleasure of movement, as does the rhythm of the dance. The effect of rhythm in a verse of poetry is to give it a living power over the emotions which the less marked rhythm of prose lacks. The young are in some cases particularly susceptible to rhythmical effect, as was proved in a recent experience of my own in reading Tennyson’s “Ode on the Death of the Duke of Wellington’’ with a class of boys. And, thirdly, it is important to remember that we do frequently feel that certain rhythms are marked by fitness or seemliness. We find certain aesthetic and quasi-moral characteristics in different dances. We talk of the “stately ’’ minuet, the “seductive” waltz, the “rollicking ” polka. The march of a Handelian chorus is “noble * and “majestic.” Even where we do not give our feelings articulate * Stout, “Analytic Psychology,” Vol. II., p. 285. 7 98 A DUCATIO/W WAV P/LA TO'S REAE UB/./C. expression, we are frequently conscious of seemliness or its opposite in the rhythm of speech. The rush of words from the impassioned Orator sometimes seems to us as “akin to madness”; and, per contra, the balanced periods of the reasoned speech seem to express the “natural rhythm of a well-regulated and manly life.” Whether we think, then, of the wide extent of matter to which rhythmic form may be applied, or of the powerfully-moving influence which it exercises over the mind, we are constrained to recognise that there is something more in Plato's regulation of it than the interesting but, so far as we are concerned, unpractical schemes of a theorist, and that, as Mr. Bosanquet says, “it matters intensely to our life what kind of music, poetry, and dancing we accustom ourselves to like.” " 5. The Dependence of Outward Beauty on Inner Worth. We come to see why Plato thought the selection of harmonies and rhythms of such extreme practical importance for the right nurture of his guardians, when, leaving the consideration of par- ticular modes and movements, he lays down a general principle applicable to them all. He tells us that the grace and beauty of a song—of the words and of the melody and rhythm which must fit them—are the necessary outcome and reflection of the grace and beauty of the character whence it springs. “Good language and good harmony and grace and good rhythm all depend upon a good nature.” In a word, external beauty means internal worth. This principle is at the root of all Plato's regulations concerning art. It lies behind everything that he * “Education of the Young in Plato's Republic,” p. 93 MEA_O/DY AAV/D RAIPTH M. 99 says of the form of literature, of music, of rhythm, and, as we shall see in the succeeding chapter, of other forms of art. Though few would deny the truth that “there is some real connection between character and artistic form,” when put thus generally, it is not easy to find a satisfactory concrete illustration. For a work of art may be too complex to express in any immediate and direct way the character of the artist ; or, again, it may be so simple that the form cannot be separated from the conception, and hence from the character whence it sprang. Still, it will be well for the reader to try and keep form and substance apart in a simple example. Consider Stevenson’s “Requiem ’’: Under the wide and starry sky Dig the grave and let me lie : Glad did I live and gladly die, And I laid me down with a will. This be the verse you grave for me : Here he lies where he long'd to be ; Home is the sailor, home from sea, And the hunter home from the hill. The thought and the style, the man and the words, are indeed one. But it is possible to abstract for a moment from the first so as to realise the second. Then one may catch a sense of its exquisite sim- plicity ; of the rising and falling cadence of each successive pair of lines; of the joyous ring of its opening and the soft music of its close. It is true that our thought swings back to the substance. “We cannot make music speak in words without its ceasing to be music, any more than we can resolve a poem into sound and rhythm without its ceasing to be * Nettleship in “Hellenica,” p. 109. IOO AºA) UCA 7TWOAV ZAV A/LA 7TO'S REAE UP/LAC. poetry.” But we can feel that this is the “music of peace ’’ which Plato would have had his young warriors hear, and this is the rhythm of a manly life which he would have had them feel. 6. We may accept this Principle in its Fulness. We can scarcely hesitate to accept the truth of this principle, that outward beauty stands in a relation of dependence to inner worth, and so may be a sign of its presence, in all its fulness—at least we cannot so long as language and its form, and the tunes and rhythms to which it is fitted, are the externals in question. That the substance of what a man says is indicative of what he thinks, feels, and is, is almost too obvious to need mention. It is indeed doubtful whether those permanent tendencies of thought, feeling, and action which make up character or personality would be developed apart from language. That is to say, not only does language depend on character, but character depends on language for its development. “No thought without language ’’ might well be expanded into “No personality (worth the name) without language.” Clearly, then, if what a man says is fitting and seemly, we may infer inward fitness and seemliness. Of course, the words may be fair and the man foul ; but this only means that the words are alien. So long as a man’s words are his own in the strictest sense they are a guide to his character, being indeed the medium in which his character most readily expresses itself when it has passed the earliest stages of development. Nor is the style * in which a man writes or speaks Nettleship, op. cit., p. 109. * The word is used here in the modern sense, rather than in the narrower sense which Plato attaches to it. ME/LO/D V AAWD RHY? H.M. IOI much less closely related to the “moral disposition of the soul.” This follows first from the fact that form and substance are so subtly intertwined in lan- guage that form almost defies separation by analysis. As a man’s coat reflects his physical attitude, so does an author's style fit on to his mental bent as this is exhibited in the substance of what he writes. You read a passage of Stevenson, and you do not know whether it is the substance of what he says or the sheer beauty in the manner of saying it which takes such hold upon you. It is both with the man behind them. The point is that you do feel the man in part by way of the style. To take another instance, one seems to feel the vigour and resoluteness of Professor James in the ringing march of his periods. Again, in itself and apart from substance, style is an index to character. Slovenliness and undue verbosity are like slippers down at heel and a coat that is too large. They point to a personality which either has not the sense of what is seemly or is careless of it ; and neither characteristic, even if only displayed in trifles, is a sign of a well-balanced character. Rhythm is, of course, a factor of literary style. But if we extend it so that it covers all forms of move- ment, it still appears to be no undue exaggeration to trace beauty of rhythm back to a certain symmetry among the elements of character. We know the swinging walk which bespeaks a harmony between noble impulse and the power to act ; and, physical disabilities apart, we know the hesitating, uneven step which tells of a will that limps behind impulse, good or bad. Bodily movement can certainly indicate, in some degree, “the well-regulated and manly life,” as also its opposite. Seemliness of gesture, again, is IO2 AºA) UCATIO/V /AW P.Z. A 7TO'S REAE UBZ/C. rooted deep down in a well-balanced mind, just as the irregular, spasmodic movements of those whom passion or mental disease has seized have their ex- planation in a mind in which the elements are pitifully out of gear. Music, too, may in a real sense be said to be the expression of character. Like rhythm, it may be linked with words. It also forms an independent medium of expression which is, perhaps, impossible for mere rhythm. But whether it be linked to words or no, there is no doubt of its intimate relation with those emotional tendencies which are a large part of character. Both in respect of nations and of indi- viduals we get an insight into their inner life through the music which they produce and approve. 7. And carry it into Practice. In all these externals, then, in the substance and form of words, in rhythm and in tune, we have the expression, more or less articulate, of what is within. They are not like surface ripples, which hide the stillness of the deep. They are outward signs full of inner significance. Is this a truth which will bear translation to the schoolroom and playground as a principle of practice P Or will it evaporate before the pressing needs of the hour, like a soft cloud at the approach of day ? Assuredly it need not. If it was necessary for Plato's “young men on all occasions [to] pursue these qualities " if they were “to perform their proper work,” it is not less necessary now. The value of a harmonious nature has not diminished through the lapse of time, and if it can be developed through the cultivation of grace and beauty in its external expressions, the fact carries with it an imperative. And we need not doubt the fact. That outward beauty MEDO/DY AAVD RHYTHM. IO3 means inner worth we have seen reason to accept ; nor, in the face of the close intimate relation between them that we have seen to obtain, need we hesitate to think that when we are taking care for the externals we are doing something for the elements of character themselves. The teacher who has grasped the spirit of this suggestions truth will be at no loss for opportunity to for Practice effectuate it. A few suggestions may, however, be helpful. He may nurture in himself and in his pupils a habit of decorous speech. There is no more effective way of elevating and ennobling character than through the cultivation of a liking for what is seemly in language. It is not merely that coarseness, irreverence, and blasphemy should be felt to be ugly and repugnant ; that is too obvious to need insistence. Nor need the necessity for grammatical accuracy be mentioned, save for a warning to the few who would seem to take a strange pride in inaccuracy, as also in provincialisms and a rough local accent. Most men would see that these blemishes were not harboured about them. But in slang, in harshness of expression, in ugly abbreviations, and in the hundred and one instances which every schoolmaster knows, there is danger to the full perfection of “the well-regulated and manly life”; and these are apt to go unnoticed or unrebuked. The instruments of nurture are literature, good in quality and copious in quantity, with as much as possible committed to memory ; and, most potent of all, the example of the teacher himself. Without approaching pedantry or priggishness, he can every hour renew the influence of pure and dignified speech. IO4 F/DOCA 7TWOW WAV PZLA 7TO'S AºEAE UAE/./C. Then in the direction of movement, carriage, deportment, there is an opportunity for the silent Solidification of character. A slouching gait and lounging attitude seem small things, and they may mean nothing more than some physical weakness. Yet they may be the index of inner lop-sidedness ; and there may be, nay, there is, a way to the inner through the outer poise. It is more than a mere fancy that the character of the young recruit grows more stable as his first ungainly movements give place to the rhythmical swing of the trained soldier. Some may see here the way to an unnatural attitude. If the coarse jest, the loud, harsh laugh, the life “without grace or rhythm,” can be made unnatural, the aesthetic gain will be a moral gain. Plato thought them largely identical ; at any rate, the assumption that aesthetic culture is moral culture underlies all his training in music. And experience supports this view. Every one who has had to deal with bodies of men or boys will admit that whenever, through some cause or other, there is an absence of the sense of what is seemly ; whenever it has come about that coarseness in speech and roughness and ungainliness of manner are thought manly, and all refinement of bearing is thought effeminate ; then it is that there arise those graver disturbances which point to moral depravity. “The absence of grace, and rhythm, and harmony, is closely allied to an evil style and an evil character.” CEIAPTER WI. THE ENVIRONMENT AND THE ENDS OF A MUSICAL EDUCATION. (Book III. 401 a-403 d.) 1. Analysis. In all the products of men's hands and in the phenomena of nature either gracefulness or ungracefulness finds place. Here, too, what is outward is a sign of what is inward. All, then, who contribute through their labours to the environment must come under supervision, for our young warriors are to grow up among images of beauty, that these may sink into their souls and make their inner lives a reflection and reproduction of the grace and symmetry that is without them. As the bodies of men thrive in a healthful region, so will their souls in an en- vironment of beauty. This is the whole end of an education in music. The harmony and rhythm that is without leave their mark upon character. The man comes to detect. ugliness, and to hate it, and to turn instinctively to what is beautiful, even when he is young; and reason, when it comes, only shows him the beauty which he knew before. He who has been nurtured through music is like one who has learned to read. The letters he can IO5 Ioé EDUCATION IN PLATO'S REPUBLIC. recognise are the forms of virtue ; the literature in which he finds them is the life around him. No form is too insignificant for beauty, as no letter is too small to be an index of meaning. - For such a man the fairest spectacle must be one in which inward grace shines forth through outward beauty. But a bodily defect can be borne with where there is beauty of soul. The love that a man feels for such a one must itself be a thing of beauty; no mad, disorderly passion, but of a sober and harmonious temper. So the end of music is the love of the beautiful. 2. The Relation between Outer Beauty and Inner Worth holds with Respect to Artificial and Natural Objects. In the preceding chapter we saw that behind all Plato's prescriptions concerning harmony and rhythm there lay the assumption that grace and beauty in these outer respects meant that they had their origin in a good nature. We saw no reason to doubt this, for harmony and rhythm, whether understood in the limited sense in which Plato employs these terms or in the wider sense which we attach to them, do seem to stand in a very close relation to character. They are the expression of thought and, especially, of emotion and temperament. Here we have to observe how Plato extends this idea of the relation between outer and inner grace. He tells us that gracefulness or ungracefulness is to be predicated of many things besides the style, rhythm, and harmony of a song. “Such qualities, I presume, enter largely into painting and all similar workman- ship, into weaving and embroidery, into architecture, as well as the whole manufacture of utensils in general; nay, into the constitution of living bodies, and of Z}/E EAWV/ROWMENT Io'7 all plants; for in these things gracefulness or un- gracefulness finds place.” Here, too, these externals have their inner explanation. “The absence of grace and rhythm and harmony is closely allied to an evil style, and an evil character : whereas their presence is allied to, and expressive of, the opposite character, which is brave and sober minded.”” 3. The Wide Application of Rhythm and Harmony. A word or two of explanation is perhaps necessary here. Note, first, the extension of the application of “harmony” and “rhythm.” These belong primarily to sound and movement respectively, but they are applied, through a fitting analogy, to things which make their appeal through the eye and which belong to still life. “Symmetry” would be commoner in this context. It is, however, interesting to note that what we call symmetry in, say, the lines of a cathedral is perhaps based on rhythm in the literal sense—a rhythm, namely, in the movement of attention which symmetry of form facilitates. Note, secondly, the assertion that not only do the products of formative art express character (which we readily accept, for the artist must be in his work); but that the phenomena of nature—“the constitution of living bodies, and of all plants *—have an inner meaning. We are reminded of Wordsworth’s “Ode to Duty,” where, as in many other poems, the idea of a person- ality behind natural phenomena is prominent. This idea is particularly noticeable in the following stanza: Stern Lawgiver ! yet thou dost wear The Godhead's most benignant grace; Nor know we anything so fair As is the Smile upon thy face : * III. 401 a. * III. 401 a. IOS FDUCATION: YM PLATO'S REAUBLIC. Flowers laugh before thee on their beds And fragrance in thy footing treads; Thou dost preserve the stars from wrong; And the most ancient Heavens, through thee, are fresh and strong." We can see, then, how others besides poets will fall under supervision. All who through the formative arts contribute to the environment in which the young guardian is to grow up, whether their works be original or imitative of the forms of nature, are to be compelled “to impress on their productions the likeness of a good moral character.”” Slowly and imperceptibly, but none the less surely, these “like- nesses' will do their work. As healthy breezes from salubrious lands bring the body to strength and perfection, so will the presentation of the forms of the beautiful mould the character. The child will catch something of their perfect harmony, and will come, in due time, to rest content only with such things as fit with and satisfy the criterion of perfec- tion and beauty which is at once without him and within him. 4. Does Aesthetic Culture imply Moral Culture? There are two or three questions arising out of this remarkable passage which it will be profitable to consider. The first has reference to an assumption which underlies the whole treatment of the training in music. It may be stated in this way : Does it follow that if simplicity, order, symmetry, and beauty are characteristic of the sights which a youth sees and the sounds which he hears, they will become qualities of his character P More briefly and simply : 1 See his Poems in the Golden Treasury Series, p. 200. * III. 401 b. 7 HE AEAVV/A&O/W//EAV7. IO9 wº [. Does he become good by learning to know and love the beautiful ? Does aesthetic culture imply or involve moral culture ? Plato evidently considered `that it did. “He was very far from identifying or confusing artistic beauty with moral goodness ; but, believing, as he did, that the whole physical world is “the image of its Maker, God made manifest to sense, he could not but believe that in all things sensible, and therefore in the relations of figure, time, and tone, there is a right and a wrong, a good and a bad, according as they do or do not express and obey intelligence. And since bodily movement and sight and hearing are among the most prominent and important of our vital activities, especially in early life, he drew the natural conclusion that it must make a difference to the growth of the human soul and character, how, and upon what occasions, those activities are exercised, and that it is the function of the arts to provide for their exercise in the best way and upon the best objects.” " We may approach this question in two ways : we may ask what it is that we aim at in moral culture, and consider whether such aesthetic training as Plato would have provided for his guardians makes for this end ; or we may ask whether, in our experience of ourselves and of others, an environment graceful and refined in the aesthetic sense does seem to produce moral refinement. - * To begin from the former point of view, it would seem that all moral philosophers are agreed upon the necessity of a certain insight into what con- stitutes the goodness or badness, rightness or wrongness of conduct. This is a necessary and - * Nettleship in “Hellenica,” pp. 110, 111. I IO F/DUCATVOAV ZAV AZA 7TO'S REAEUB/AC. important factor in moral perfection. Socrates con- sidered that it was the whole ; that virtue was Appreciation knowledge. While we see that this is an 2.95.4 over-statement, that action as well as neSS Of Good e e & conduct is knowledge is an essential of virtue, we jº"* must recognise that it emphasises a side Culture of morality which is frequently overlooked. The evil that men do is more often than not the result of incapability of unwillingness to see clearly the results of their action. Insight, through fault or misfortune, is wanting. Whether such insight is intuitive or rational, whether it is the function of moral sense or moral reason, whether it is innate or developed through the educative influence of experience—these are controversial questions. But no school of moral philosophers would minimise its importance, or raise a doubt about the possibility and desirability of a training which would make it a more reliable guide to conduct. {Nor can it be doubted that some part of the approval we give to good conduct is the outcome of our appreciation of its propriety, its seemliness, its beauty. We do not look upon it coldly, as the mere performance of duty. Our sense that it fits with some end or ideal which seems to us of worth, or, if it be the act of another, that it squares with what we should feel and do—this is the origin of the warmth of approbation. This sense of the seemliness of conduct may be unanalysable. It may be with a child a dim consciousness that such-and- such an act is seemly because it is what a father or mother would do; it may be with a man a vague idea that it is in harmony with some high and abstract ideal. In any case, it is felt in the fringe or margin THE ENVIRONMENT I I I of consciousness. But none the less is it a factor of approval, and hence an impulse to the good. ' If these points be granted—that moral perfection involves insight, and that this insight, when it And Aesthetic becomes approval, attaches itself to the ... harmony between an act and an ideal Appreciation, deemed worthy—then it would seem that aesthetic culture is a part, and an important part, of moral culture. To surround a boy or girl with things which are graceful and beautiful is to provide a source of experience which will enable him or her the better to discern beauty and seemli- ness in conduct. The sensibility to the ugliness of vice will be even greater ; much as a boy brought up amid the freshness of the country will be keenly alive to the dirt and squalor of the town. The same answer is forthcoming if we appeal to experience. Wild and disorderly fancies, ugly ::ii. thoughts, the petty upheavals which dis- View. turb the even course of all men’s lives, fall away into their proper insignificance before a fresh and breezy country scene. It is not only that the too subjective attitude is displaced by a healthy outward look, but that the beauty without seems to light up the ugliness within, so that it dies away of sheer shamefacedness. And, to come to smaller things, a beautiful garden, a well-lit, tastefully-decorated room, even a well-fitting suit of clothes, each and all do something to ostracise immoral thoughts. They are a sort of moral scaffold- ing. It may be an exaggeration to go so far as Ruskin and say : “Taste is not only a part and an index of morality; it is the only morality. The II 2 A DUCATIO/W ZAV P/LATO'S REA2 UB/./C. first and last and closest trial question to any living creature is, ‘What do you like P Tell me what you like, and I will tell you what you are ‘’” (“Sesame and Lilies ''); ' for we are not without instances of the combination of refined artistic taste and moral depravity. At the same time, we shall not hesitate to accept the full truth of Plato's words that “rhythm and harmony sink most deeply into the recesses of the soul, and take most powerful hold of it, bringing gracefulness in their train and making a man graceful if he be rightly nurtured, but if not, the reverse.”” 5. Control of Environment by the Teacher. It is pertinent to the conclusion we have reached to consider some of the ways in which the environment, as a means of aesthetic and moral culture, comes within the power of the teacher to modify or extend. For the fact that “sweetness and light” without can produce their counterpart within, brings with it an obvious obligation. The material environment of the young is within the control of those who are responsible for his development to a greater extent than is commonly realised. A considerable portion of the day is spent within the walls of the schoolroom. It does not seem much to ask that rooms shall be clean, orderly, and well lit. The need for plenty of light is paramount. It is of course a physical necessity ; but the need may also be pressed on aesthetical and moral grounds. Sunlight is a strong antidote to the smaller meannesses of both teacher and pupils as well as to Weightier offences. In the teacher it breeds magnanimity, sympathy, cheerfulness; in the pupil the responsiveness and | Quoted by Mackenzie, “Manual of Ethics,” p. 178. * III. 401 &. 7 HE AEAVV/ROWMENT. II3 trustfulness which are complementary to these. Orderliness in arrangement has numerous ramifications. It extends to furniture, wall decorations, blackboard demonstrations, written work, the movements of a class from place to place, posture, drill, dress, etc., in addition to speech and gesture, to which reference has already been made. In all these respects there is discernible the “likeness of a good moral character,” or its opposite. More powerful still, and still more within the teacher's power to control, is the social environment or “tone * of a school. Here there is (or is not) the spirit of order and seemliness which a boy can no more escape than he can escape the atmosphere which he breathes. And this is almost entirely the teacher's own creation. It takes life from his cheeri- ness, his optimism, his transparent honesty, his large- mindedness. Where these are ever present, and where they have, as they must, bred their like in the members of a school, their aesthetic and moral action on an individual may well be compared with that of “a gale wafting health from salubrious lands.” 6. Plato's Method of Aesthetical and Moral Culture. An important question, and one full of suggestion for us, is the method of training in aesthetics, and hence in morals, which Plato approves for his young warriors until they reach the age of reason. Their tastes and characters are to be “insensibly ’’ and “imperceptibly ’’ affected. The graceful forms among which they are to be reared will, little by little, work their effect, until ultimately the soul will have be- come unconsciously grooved and lined, as it were, after the pattern of those images of the fair and 8 I I4 EDUCATIO/V /AW PZLA 7TO'S REA) UARZAC. graceful. This means, in psychological language, that [he common tendency to imitate whatsoever the environment provides is to be turned to good moral and aesthetical purpose, and that the fixing power of habit is also to be enlisted in the same gööd cause. The training which is effected in a young teacher who has the good fortune to spend the first years of his professional life in a school which bears the impress, and is what Plato would call the “image,” of sound principle, is of an exactly similar nature. He unconsciously imitates what is going on around him, and comes imperceptibly to work in harmony with the laws which lie behind teaching methods. The analogy may be pursued farther. When, at the completion of his training, he comes to set his methods out before him to justify or condemn on rational grounds, he finds, if his early training has been so satisfactory as we have supposed, that what he has been un- consciously doing is in no wise different from what reason would have him do. So would it be with the aesthetical culture of Plato's warriors. It would be such that when their likes and dislikes, their permanent habits and ten- dencies, came to be critically examined, they would be found to be in “harmony with the true beauty of reason.” The analogy from the training of the teacher supplies us with a warning. The age of reason or of critical examination of acquired tendencies, which should be reached by him while he is yet within the training college, rarely comes to the great majority of men. Now and then a man will put the things he likes at arm’s length, as it were, and test them by means of such criteria of ethical value as his THE EAWVIROWMEAVT. II 5 reason and his education enable him to supply. But this speculative and critical attitude is confined to the few. Nor would this be altogether occasion for regret if one could be sure that the early training of the many had left upon them the mark of the true beauty of reason, even while they knew it not. The very reverse is too emphatically the truth. To the early training of a large number of the population Plato's description may be literally applied. They are “reared among images of vice, as upon unwhole- Some pastures, culling much every day by little and little from many places, and feeding upon it, until they insensibly accumulate a large mass of evil in their inmost souls.” " - Seeing, then, that such is the nature of the early experience of so many, and seeing that there is no further training for them, no time “when reason comes * with power to critically examine permanent tendencies, it behoves the teacher to see that no effort on his part is spared to make the school a place where some of the evils of such an environ- ment may be counteracted. If he realises that this silent, imperceptible, unconscious nurture is the only training in morals which most of his pupils will receive, he will be careful to fashion their environment while they are with him, so that it shall bear the impress “of a good moral character.” For “in every work the beginning is the most important part, especially in dealing with anything young and tender’”; and even if the age of reflection is never reached, it will not matter so long as the things which are blindly striven for are in harmony with the true beauty of reason. The principles of ethics and aesthetics, even ! III. 401 a. 116 FDUCATION WAV P/CA TO'S REPUB/./C. if they were better established than they are, are of little avail against permanent tendencies acquired and fixed in youth. 7. The Same Method can be employed in Logical or Intellectual Training. We may now go on to consider whether the method of aesthetical and moral training approved by Plato for his warriors, is a method which can be adopted in respect of logical training. The essentials of beauty and goodness can be developed within the soul through the silent influence of familiarity. Can the tendency to logical truth be developed in a similar manner P Unquestionably. The characteristics of accurate observation, of valid inference, of a logically-satisfactory explanation do not need labels to be realised. They can be in the environment equally with the forms of beauty. A child will come through mere imitation and habit to record exactly what he sees, to conclude no more than his premises warrant, to be satisfied only with such an explanation of a fact as really brings it within the area of established knowledge. Un- fortunately, the logical ideals which find concrete realisation about him are not always of the highest. It is commoner to find the mental atmosphere of a school unhealthy in a logical than in an aesthetical or moral respect ; though, of course, in the mind perhaps even more than in the body disease spreads. There is, however, one important difference between logical and aesthetical or moral training. Respecting Empirical the former there is a time when reasons and Rational and grounds are to be sought for ; when Stages in tº º f s tº g ſº Logical imitation is no longer desirable ; when Training statements and conclusions are to be examined in the light of established principles. THE EAVVIRONMEAVT. I 17 Many would deny that there has been any logical training before this stage is reached. There is, at any rate, an empirical stage which is essential and which, in a good system of training, ought to lead up to the rational stage. For example, a young child playing with a ball-frame may, under the guidance of a skilled teacher, be unconsciously “imbibing,” to use a metaphor, the relations between single things and groups which lie behind the system of notation. Here may be the beginnings of a logical training ; and beginnings, as Plato saw, are perhaps most important of all stages. After this empirical stage there must come a rationalising stage, if logical training is to be worth the name. This late stage does not seem necessary, at any rate to anything like the same extent, in aesthetical and ethical training. The greater part of what is possible in these latter respects will have been done if pupils carry away a vivid impression of concrete examples of virtue and a lively sense of what is beautiful, even though they can give no abstract justification of these. It is different with logical training, and herein the difficult question is to keep a fitting proportion and relation between the empirical and the rational stages. The tendency in the primary schools is towards premature generalisation and rationalisation. This The Rational is due to a healthy reaction against .* methods which tended to develop the SOOn. more mechanical side of mind and left the intellect without any field for its activity. But the pendulum has swung too far ; and now the danger is that the pupil is called upon to generalise almost before he can appreciate data. He II.8 Jº DUCATIO/V /AW A/LA 7TO'S A&AEAE URL/C. is examining his steps before he has learnt to walk. This is a worse state of things than the other. The intellect had better lie fallow than exhaust itself prematurely by beating the air. Nothing makes the gaining of knowledge more distasteful than an abstract treatment of it which is alien to the bent and stage of development of the pupil. A few illustrations will perhaps be helpful. The way in which an unreflective teacher will try to reach the meaning of a word illustrates the Examples point very well. It is an established ºnme. principle of logic that denotation should of Words, precede connotation in the development of exact thought ; that there should be an examination of individuals before the concept of a class is fixed. Some vague idea of resemblance will be present, of course, or individuals would not be grouped at all. But the point is that there should be no attempt to clearly separate out the elements of a concept until considerable experience of the members which may be held under it has been gained. The history of the individual mind, as psychology gives it to us, sounds the same note of warning. The concrete precedes the abstract, or at least the abstract is away in the margin of consciousness, and there is danger in attempting to drag it to the front too soon. Yet in arriving, or seeking to arrive, at the meaning of a word—i.e. in attempting to develop a concept— these obvious principles are frequently violated. The commonest question to be heard during a reading- lesson is : “What does so-and-so mean P” and this in cases where the teacher has no means of knowing whether or no the term is for the first time introduced to the reader. A man will ask “What is a seaport P.” THE EAVVIPOAWMEAWT II9 before London and Liverpool have been even noted on a map. Children will use words correctly enough long before they are capable of the abstract attitude of mind which the formulation of a definition demands. There must be familiarity with correct usage before justification is possible. In the treatment of arithmetic, again, common practice is in many respects vicious. To revert to (b) Arith. Platonic language, there should be much metic. “insensible accumulation * of processes before they are brought into “harmony with reason.” Instead of this, we find even very young children treated to an exhaustive discussion of the principles of notation before they are allowed to attempt such manipulation of numbers as they are capable of. With older boys the same thing applies. Is complete rationalisation of a process, for example of division of decimals, to precede practice P Of course, some idea of the principle underlying a rule may be given ; but it does not seem desirable to attempt to make this clear and adequate before some experience of its working has been gained. Arithmetic would, perhaps, best fulfil its function as an instrument of logical training if in the higher classes of a school there was a working-over of rules of which previous ex- perience had been gained, with a view to the explicit treatment of the principles underlying them. The Platonic method of thoroughly familiarising his warriors with what is seemly before any reflection upon the grounds of seemliness takes place may be applied, mutatis mutandis, with the best results to the teaching of English. Of all subjects of the primary school, this is handled worst. And the fault which is commonest is the attempt (c) English. I2O EDUCATIO/V /AV A/LA 7TO'S ACEA) UAE LIC. to force children into an abstract and generalising attitude prematurely, with the result that there is the form of knowledge without, frequently, even a shadow of the substance. There is not enough of that unconscious accumulation of the forms of speech which should go before any attempt to arrive at their function analytically. Take as an instance the logical division of the sentence or proposition into two parts, the subject and predicate. Many men would seek to make children realise this division, and even the separate functions of the parts, in three or four lessons, or even less ; whereas such an analysis of the sentence would properly come after, say, a quarter of a year, during which an empirical knowledge of the parts might have been built up without any formal analysis ever having been attempted. This can be done through composition. For example, in directing observation during object-lessons, nothing is easier that to bring, first, some object, and secondly, some one of its qualities, under attention. The subject is first held apart, a sort of centre for thought to start from, and then a predicate is linked on to it, and there is the complete judgment or proposition with the two movements of consciousness—the finding of a focus or centre, the subject, and attaching of an idea, the predicate, to this—made evident in the making. The children are, of course, not explicitly conscious of the wheelwork ; in fact, no reference is made to it. But when the time is ripe for an analysis of the sentence, its parts will be familiar through use, and there will be some chance that they will flash across the understanding, like old friends with new faces. So with formal grammar generally. It should THE EAWV/ROAVMAEAV7. I2 I follow upon much practice (informal so far as the pupils are concerned, though systematically arranged) in using various constructions. Particular care should be taken to avoid all premature reference to those parts of grammar which involve relations— e.g. case, transitive and intransitive verbs, pre- positions, and conjunctions. Further instances are unnecessary. One general Warning appropriate to this discussion may be given. It is this : every lesson cannot reach a “generalisa- tion stage.” It would be ludicrous, if it were not serious, to recall the triumphant manner in which teachers call upon their pupils to parade a scientific law or the definition of some geographical term which has come to them, if it has ever reached them, through the flimsy experience of two or three rough experiments or a clay model. 8. Direct Aesthetical Training. Returning now to the question of method in aesthetical training, we have to note that though the secret and unnoticed working of beauty and order in the environment must always be the main factor in the development of taste, yet it is possible to make use of a more direct method. We may stimulate the aesthetic sentiment in a youth by pointing the finger to the beauty that is about him. . We may pointedly call his attention to it. There is, however, a certain risk here. We have seen the danger of imitation, how the habit of it completely saps the independent, self-reliant attitude which ought to be the outcome of any system of training. It is peculiarly detrimental to aesthetic culture. A merely spurious and reflected appreciation is cant, which is only a degree less repellent than moral hypocrisy. Unless the pupil is ripe, unless the teacher is confident I 22 EDUCATION JAV PLA 7TO'S REAE UBLIC. that he can arouse the warmth, the thrill, which means that the beauty of the object has linked itself on to the very bodily organism, no explicit reference to its aesthetic quality should be made. (i.) If this danger is kept in view (and perhaps it has been over-estimated), there will be no lack of Through opportunity to thus directly stimulate the Nature- aesthetic sentiment and refine taste. lessons. Chances arise in connection with object- lessons, and particularly nature-lessons, wherein a light is shed upon the great world-forces which in so Wonderful a way control all things both great and Small. It is not enough that the child should come to know ; he should be stimulated to appreciate. And thus we can escape the danger which Words- worth saw lurking in an attitude towards nature which is but coldly inquisitive : Sweet is the love which Nature brings; Our meddling intellect Misshapes the beauteous form of things: We murder to dissect." There is no reason why the structure of a flower, the colours of the sunset, the daily march of the sun across the heavens, should not gain in impressiveness from being understood. - (ii.) A great opportunity comes in the literature- lesson. A carefully-selected poem can be made the Through medium of valuable aesthetical and moral Literature training. An account of a recent experi- ment” of my own will illustrate in the shortest ! “The Tables Turned.” * This formed one of the “technical exercises” which are a feature of the practical training of elementary-school teachers in training-Colleges. 7 HE EAVW/RONMENT. I23 way one method of procedure which was effectual. The ballad of “The Revenge” was the medium. A class was selected which was engaged in the study of the Elizabethan period of English history. The exercise consisted of three formal lessons given at intervals of one week, and during the intervals the boys were encouraged to make themselves as familiar as possible with the poem and its circum- stances by their own reading. The first lesson had for its aim the making vivid and clear the circumstances with which the poem dealt. It created an atmosphere within which appreciation might be expected to thrive. All aids to a realistic effect were enlisted : pictures of the ships of the time, sketches showing the arrangement of the Spanish fleet and the audacity of the little Revenge, all the powers of graphic description. The children's knowledge of the circumstances of the period was of course drawn upon. The lesson ended with a spirited, declamatory recital of the poem. The second lesson of the series consisted of a reading of the poem aloud by the children themselves. They only remembered the spirit of the previous rendering, so that the interpretation of the separate stanzas was their own. Before the third lesson they were encouraged to learn as much of it as they could, and especially parts which they liked, “by heart.” The aim of the last lesson was to bring them to realise, to such an extent as was possible for them, the grounds of the appreciation and liking which they expressed. Of course their enjoyment sprang from fierce partisanship ; but the majority of them I24. EDUCATIO/V I/V P/LATO'S REAE UB/./C. could quote the lines, or give them in substance, which told of the Spaniards’ courtesy and of the way they honoured the dead hero. Anyhow, they had got some inkling of the seemliness of a brave deed done in a noble cause. They felt that there was a justification for their admiration, though their statement of it was crude. Further, they found for themselves the meaning and fitness of such changes of rhythm as the following: & (i.) Whence the thunderbolt will fall Long and loud. (ii). And a dozen times we shook 'em off as a dog that shakes his ears When he leaps from the water to the land. They felt the force of this contrast, which they discovered themselves under my direction : And the sun went down, and the stars came out far over the Summer Sea, But never a moment ceased the fight of the one and the fifty- three. And they saw the pictorial and impressive power of the repetition of the opening of each of the following lines : - Ship after ship, the whole might long, their high-built galleons Came, - Ship after ship, the whole night long, with her battle-thunder and flame, Ship after ship, the whole night long, drew back with her dead and her shame. In some such way as this the teacher may do something more than lay the seeds of a refined taste and provide favourable conditions for its growth. He can bring it some way towards maturity. The AAWD OF EDUCATIO/W WAV MUSIC. 125 only danger is, as has been seen, that he may produce a hot-house flower. 9. The End of a “Musical” Education is a Good Character. In the latter part of the section we are considering there is a summary statement of the aim and purpose of a “musical" education. We are by this time familiar with what should be said of gods and heroes, and we know what should be the manner of its saying ; we know the characteristics of those harmonies and rhythms which are approved; and we have seen how these characteristics are to be sought in the whole artificial and natural environ- ment. The treatment of this side of education fittingly ends with a statement of the general purpose and end which lies behind each of the details which have come under consideration. Here is the unifying principle which links together the details by showing them to be one and all subservient to one great final purpose. This purpose is the making of a noble and beautiful character. This is the end of “music” for the mind. It is to make a man inwardly graceful. His life is to move with the harmony and rhythm of moral perfection. All the details of his “musical * training are to converge on this one end : that his character be stamped through and through with the pattern and impress of the beautiful and the good. This general effect will make itself felt in three different ways which we may distinguish. First of all, such a perfection of character will show itself in a power to discriminate between grace- fulness or ungracefulness, between attractiveness or repulsiveness, wherever these qualities appear. There * III. 401 e—403 b. I26 EDUCATION //V PLATO'S REAEUB/AC. will be a knowledge of good and evil. “He that has been duly nurtured therein [i.e. amid what is The Effect is beautiful and good] will have the keenest :... eye for defects, whether in the failures Emotional, of art or the misgrowths of nature.” hºlas. For he will carry with him the safe ormina criterion of beauty and ugliness which the symmetry of his own life provides. In the second place, there is /involved an effect on the emotions. He “will commend beautiful objects and gladly ºreceive them into his soul and feed upon them, and grow to be noble and good ; whereas he will rightly censure and hate all repulsive objects.” Thirdly, in the action which springs from emotion the qualities of rhythm, symmetry, and grace, which make up perfection, will be discernible. The man of graceful character will not be the victim of disorderly out- bursts of passion ; his affections will display them- selves “in a sober and harmonious temper.” Thus the effect of such a nurture as Plato would provide will show itself on all three sides of mind. 10. The Parallel from learning to Read. The training on the intellectual side which the education in music was to provide is well illustrated by the almost complete parallel which the process of learning to read affords. This art is mastered when the several letters of the alphabet can be recognised in the changing com- binations which words provide. Each has its part to play in the concrete system of language, and no one can interpret the system until each element is unerringly discriminated.” So it is with the inter- * This appears to me to be literally true of the young. The mistakes they make are most frequently errors in sense-discrimina- tion. Of course, understanding implies much more than this, but it A.ND OF EDUCATIO/V AAW MUSIC. 127 pretation of life. The thoughts, emotions, and actions of men are the elements of the system. They are ever recurring, each time in a different context, never quite the same, yet always with moral values which are readable if we have but insight enough. Such insight is difficult to acquire and is never perfect. We can never interpret the ways of men as we can interpret the words of a book. But in some measure it must be developed, if we would have a knowledge of good and evil, and the details of Plato's musical education are suggestions which indicate to us ways in which we can set about developing it. It is very instructive to observe just where the parallel from learning to read fails. So far as reading itself is concerned, we have acquired the art when we can fill in the meaning of the written symbols ; but the ethical interpretation of conduct involves a critical attitude, a comparison with criteria, even if these be never distinctly formulated, which is over and above anything to be found in the interpretation of words." (i.) This illustration from learning to read is suggestive in several ways. To begin with, it brings out prominently the importance for moral training of developing the power to discriminate between good and evil. We are so impressed with the need for good and rightful action as the sine qué non of must start from this. The wealth of meaning amassed through association is only set free when a word is clearly discriminated. Galton has told us that the most profound thinkers are slow readers. The logical reader will be reminded of the value of the negative instance, the “just-not” position which, as Mr. Bosanquet points out, is so essential to logical thought. See “Essentials of Logic.” ve I 28 EDUCATION /W PZATO'S REA) UAE//C. moral perfection that we are apt to lose sight of the fact, of assured psychological warrant, that Brings out action follows insight. We seem to take the Import- the insight very much for granted. Of ...:” course there is too often insight which *...* results neither in the performance of what Right and is seen to be good nor in the inhibition of Wrong. what is seen to be evil. At the same time, the importance of what might be called a keen sensibility to the moral quality of conduct needs keeping continually in view ; and it is just this that the illustration brings out. (ii.) Then, again, the bad effect of slurring over letters which seem unimportant has an obvious shows the counterpart in morals. The “forms of Need of temperance and courage and liberality i., and munificence and all that are akin :ºat to these ’ are not confined to what we e might call the literature of conduct. The book of life is made up, for the most part, of what we blindly look upon as the meaningless and trivial activities of the passing hour. These have their beauty or their ugliness, and these are the moments which matter more than all the parade-days when we are on show to the “distinguished foreigner.” And until the sense of this has filled the mind, until the spirit of it has informed the daily round of duties and pleasures, the first aims of a “musical ’’ education have not been realised. The contrast between the images of letters and the letters themselves will appear somewhat meaning- less until the different orders of knowledge have been made clear." The application of it is, however, * See pp. 236-247. E/VD OF A MUSICAL EDUCATION. I29 clear enough as soon as we pass from the “illustration to the things illustrated.” The letters themselves have their analogue in the virtues and vices them- selves, as qualities of character ; the images of letters correspond to all the externalities which we take to be in any way symbolical of character. Thus books, Songs, pictures, buildings, to name but a few things, are among the “reflections” or “images” which one musically nurtured should be able to “read” by the light of ethical standards. And among these, as among the “forms” of virtue which they in some sort reflect, what he chooses to attach himself to, and what he rejects, will mark the success or failure of his education in music. He is to be able to in- terpret the language of life not only in the more direct medium of action, thought, and feeling, but also in the more remote and less articulate expression which it finds in such productions as we have referred to. CELAPTER VII. GYMNASTIC OR PEIYSICAL CULTURE. (Book III., 403 b–412 c.) 1. Analysis. Care for the body and care for the mind are equally necessary, but it does not follow that the two are, as it were, on the same plane. The perfecting of the mind is the more fundamental, for if this is seen to, proper care for the body will be thereby secured. Of the general principles of such a mode of life as a properly balanced mind would approve, the first, that drunkenness is undesirable in a guardian, will be accepted without comment. As to eating and training, the habits of the professional fighter will suggest what is to be avoided ; for, instead of sharpening the senses and making the body in- different" to changes of food and climate, they do the very reverse. A simple, moderate system, wherein no room for pampering or excess is to be found, will be the best gymnastic. In this respect it will. resemble the music which was approved, and will bring health to the body as did the latter to the mind. A signal proof that the systems both of bodily and of mental training are bad is to be had when physicians and lawyers flourish ; for the presence of 3o GYMNASTIC OR PAYSICAL CULTURE. , 131 these latter points to the fact that men lack the sense of justice, and it is worse when they take a delight in being skilled in unfair dealing. So, too, the physician thrives, not on the diseases which the natural course of things brings, but on those which are due to an unnatural mode of life. The multiplica- tion of diseases and the continual bolstering up of a weak body which occupied Herodicus were not approved by Asclepius, who recognised that it inter- fered with the due performance of a man's work. The carpenter sees this, and wants a quick cure, not a long course of treatment, for his complaint ; his work ill not permit of such devotion to his malady, and he would prefer to die rather than that such a state of things should be If we ask whether the rich man has any such pressing task as would make excessive attention to the boly impossible, we reach the same conclusion. His civic duties, and, above all, that part of virtue which lies in study, suffer from that “excessive care of the body which extends beyond gymnastic.” We agree, then, that Asclepius was right in confining the benefits of the healing art to those who, being naturally sound, caught the diseases incident to the ordinary course of things, and in refusing them to those whose constitutions were diseased. And we shall believe that his sons carried his principles into practice and refused to be seduced from them by bribes, in spite of what some writers assert to the contrary. r, We must have the best physicians in the city, but it is a mistake to suppose that a good physician and a good juror are produced by analogous and parallel courses of training. The former must have had I 32 A DUCATWOW ZAV AZA 7TO'S REAEPOB/L/C. experience of diseases in his own body in addition to “a large practice both among the healthy and among the diseased,” for the mind which directs his efforts is not affected. Not so, however, is it with the juror. His mind, which guides him to decisions, must not have been depraved “by a round of crimes,” or through an evil environment. Moreover, young people, although they may have been well nurtured in respect of their character, are not fitted to be jurors, for they are easily imposed upon, seeing that neither through experience nor through mature thought have they any knowledge of evil. Hence an old man, free from experience of evil, but capable of recognising it a estimating it, makes the noblest kind of juror. Th! man who has himself gone the round of the vices will be capable of estimating the characters of others like himself, but will not know how to deal with one essentially noble. We shall not, then, choose the juror from this class, but from the former, “for vice | can never know both itself and virtue ; but virtue, in a well-instructed nature, will in time acquire a know- ledge at once of itself and of vice.” The duty of the physician will be towards those whose bodily constitution is good, and that of the lawyer towards those who are mentally sound. A good system of education will ensure through music that the law is made proper use of, as, through gymnastic, it will ensure that the art of medicine is not abused. The true end of gymnastic will also be seen to be not the body in itself, but the soul through the body. It is an error to say that education consists of A gymnastic for the body and music for the soul, for i both are for the good of the soul. Music is for the GYMNASTIC OR AEA/VS/CA/L CU/CTURE. I33 improvement of the philosophic element of the soul, and through it the soul may become gentle, orderly, temperate. Exclusive devotion to music brings softness and feebleness of spirit, or else irascibility, for the spirited element languishes from lack of exercise. Gymnastic is for the improvement of the spirited element, and will make the soul brave and confident. If, however, it be indulged to excess to the neglect of music, then, instead of courage, it will bring harshness, violence, and a soul to which reason vainly makes appeal : for without exercise, reason dies away, and the taste for learning becomes weak and deaf and blind from the want of stimulus and nourishment. The best education is one which employs music and gymnastic in such a proportion that all the elements of the soul are nurtured and duly blended in the harmonious whole of a perfect character. 2. The Questions included under “Gymnastic * are Wide and General. The reader who comes to this section of Plato's theory of education treating of “gymnastic * with such ideas about physical culture as arise from the modern conception and treatment of the subject, will be surprised both at the number and nature of the questions which he touches upon. Prefacing his remarks with the statement that his intention is to indicate “no more than the general principles,” he first points out the general character of the training and mode of life which would harden the body and quicken its sensibility. Derisively brushing aside the bodily excesses to which men are prone, and which tradition seems almost to sanction, he is satisfied to refer in general terms to the desirability of following a simple and moderate I34. EDUCATIO/W WAV P/LA 7TO'S REAUBI./C. mode of life, since “simplicity in gymnastic is as productive of health as in music it was productive of temperance.” Nothing in the way of a scheme of physical exercises is to be looked for. By far the greater portion of this section is devoted to such questions as the proper place of medicine and the physician’s art ; the evil of exalting the body until its health becomes an object of morbid care ; the need, both for the workman and the rich man, of putting work and the practice of virtue before con- cern for health ; the futility of patching up a diseased constitution, and the danger, in so doing, of facilitating the transmission of disease ; the train- ing of the physician ; and the aim of education through gymnastic to secure that men should, except in extreme cases, stand in no need of medicine. Most of these questions are matters of serious ethical and social importance, but they are rarely This is included in an educational discussion. because Plato Their introduction here and the absence jon of much, indeed most, of what we take *::::::, to be the subject-matter which would welfare of fall within a review of the plan and the Republic purpose of physical culture are explained when it is remembered, first, that Plato has the training of a particular class, the warriors, in view ; and secondly, that, with him, the welfare of the state is always the end to which all that he has to say on the subject of education is directed. His theory of education, it is to be remembered, is, first and last, a factor in the production of a per- fectly ordered community. All that he says has an immediate and direct bearing upon the weal or woe of the ideal republic he is constructing. It cannot Griſwaszyc or PHYSICAL CULTURE 135 but follow that his treatment of any branch of educational theory will be very different from that which modern writers will adopt, confined, as they necessarily must be, within much narrower limits, and with the claims of the individual calling for recognition. And it is just in this that the value of a study of such a system lies. It constrains us to look outside details for the general aim and purpose of educational schemes and methods. Problems of education are problems of life, and even if Plato seems to us to have sacrificed the individual life somewhat too ruthlessly to the health and vitality of the life of the republic as a whole, it is a most valuable result to have one's eyes opened to the claims of this wider life, and, generally, to have looked upon problems of education in their more remote relations and bearings. 3. The Relation of Bodily Training to the Training of the Whole Soul or Character. From the opening paragraphs of this section we are considering, we get a clear statement of the relation in which bodily training ought to stand to the training of the whole soul or character. “My belief is,” he says, “not that a good body will by its own excellence make the soul good; but, on the contrary, that a good soul will by its excellence render the body as perfect as it can be.” It is important to understand this clearly. It does not mean that care for the body will have no effect on the character ; indeed, the latter part of the section consists of a clear statement of the way in which gymnastic does affect character for good or for evil. It is to be understood as a simple statement of the fact that if the character be made perfect, the legitimate claims of the body, I36 AºA) UCA 7TWOAV ZAV A/LATO'S REAE UB/./C. in the way both of exercise and of nourishment, will be recognised and satisfied. It indicates that the body and the soul or character are not on the same plane, and that the claims of each to training and nurture stand in such a relation as this prescription indicates: make the soul perfect, and in so doing you will secure proper attention to the body. The training of the character is a wider end within which a lesser, the training of the body, will be secured. This may be made clear by means of a diagram : As the greater circle includes the less, so the complete training of the character includes within it the making of the body excellent. We may look at this relation between bodily and mental or character training from two points of view, from each of which a conclusion of practical importance for education is visible. First of all, the perfecting of character may be taken to mean that the indi- vidual takes a right view of his duty in life, both to himself and to others, and that the impulse towards the fulfilment of duty is strong enough to pass over into dutiful action, whatever may be the force of seducing influences. He finds that for such activity he needs a body sound of constitution, with the organs of sense responsive to stimuli, and hardened to the extent of being superior to, at any rate, the smaller disturbing influences. He will, then, be careful of G VMAWASTIC OR PATVS/CAL CULTURE. I 37 it, husbanding and developing its strength, and avoiding the excesses which sap its vitality and lessen its efficiency. In this sense “a good soul [that is, a character which distinguishes the lines of duty and is strong enough to follow them] will by its excellence render the body as perfect as it can be.” But, in the second place, he will not fail to see that, after all, the body is only an instrument, a means to an end. It will never become, with him, an object of morbid care. He will realise that “that excessive care of the body which extends beyond gymnastic” is as foolish and unjustifiable as the miser's hoarding of his gold. He will see the truth of Plato's remark that a good body cannot “by its own excellence make the soul good.” 4. Music is to discipline the Philosophic, and Gym- nastic the Spirited Element of Character. It will be well to consider at this point Plato's account of the precise manner in which music and gymnastic produce their effect upon character, an account which occupies the last part of the section we are considering. From what he says here and from a more exact and detailed account which he gives in a later portion of the book, it appears that he distinguished three “elements’ within the human mind, each of which needed the attention of any one who would make the whole man perfect. We need not stop to consider what he understood by “element,” nor to give such an account of the three elements as psychology would demand.” The general meaning of his remarks is * 435 a-441 b. * The gradual approach to greater precision with respect to these “elements” is a good example of the way in which a teacher's (or any other's) psychology ought to develop. I38 EDUCATION IV P/CATO'S REPUBZ/C. clear enough. He names two sides of mind which it should be the business of the educator to nurture; and we may include the third, which, though not actually named here, is yet assumed. These three elements or aspects of the mind or character are as follows: (i.) There is, first, the philosophic element. This corresponds in the main to what we should call the intellect, though it is something more. It includes appreciation, which obviously touches the emotional side. It is to this element of mind that music appeals—music both in the literal sense and in the wider sense in which it includes literature and art of all kinds. It is that element in virtue of which the mind discerns and appreciates order and beauty in the natural and artificial environment. It is what distinguishes man from the brutes and makes him likest God. (ii.) There is, secondly, the spirited element. This is somewhat difficult to describe. It is the source of courage and self-confidence, but it may also breed violence and obstinacy. It is a power which allies itself either with the first or with the third element, the choice depending largely on education. It is an ally of good or of evil. Plato speaks of it as the “sinews of the soul,” and this is an instructive metaphor. The sinews are not in themselves the originators of bodily movement and effort, but they are the means by which these are sustained. The spirited element occupies an analogous position within the soul. It does not guide activity but sustains it, whether it be for good or for evil. (iii.) Thirdly, there is the concupiscent element. It is the source of all the “bodily ’ desires. It is the G VMAVAS 7/C OR AEA VS/CA/L CULTURE. I39 lowest in order of worth of the three parts in man's complex nature, and is to be kept in subjection to the other two. Of the desires to which it gives birth, some are Mecessary, and their satisfaction is for the good of the whole man ; others are “unnecessary,” and may work evil in him. Thus the desire for food is necessary, but the craving for luxury is un- necessary. Some desires, again, are tameable, others “wild,” “bestial,” and “lawless.” But ſº this element is to be held in subjection, and discipline) directed towards this end is the only training which it will receive. * The union of these diverse elements in the whole man is illustrated by means of an allegory to be found in the ninth book.” There a composite creature is imagined which is part man, part lion, and part a “multitudinous, many-headed monster, having a ring of heads of all manner of beasts, tame and wild, which he is able to generate and metamorphose at will.” “ This creature has the outward semblance of a man ; and the curious trinity which this apparent unity hides is intended to supply an analogy to the three elements of man's complex mature. Towards the two first-named of these elements the two branches of education are directed : music The great for the philosophic and gymnastic for the End of. spirited element. The great end of any Education is • Harmonious educational system has not, however, Pevelopment been provided for, when means for the discipline of each separate element of character b * See VIII. 55S°d. * See IX. 571 b, and Nettleship, op. cit., p * See IX. 588. * Jowett's translation, p. 588. I4O A. DUCATIO/V /AV A/LA TO'S REA) UAE/./C. been found. The great thing is harmonious develop- ment. “Some god as I for my part shall maintain has given to men two arts, music and gymnastic, not for soul and body distinctively, except in a secondary way, but expressly for those two temperaments [the philosophic and the spirited], in order that by the iucrease or relaxation of the tension to the due pitch they may be brought into mutual accord.” It is in the latter sentence that the ultimate object and, it may be added, the chief difficulty of education is set forth. 5. The Bad Effect of too much Music. The dangers of over-development of either of the two worthy sides of character are impressively stated. Plato saw com- plementary effects of too much music and too much gymnastic which a good system would avoid. In describing the evil effects of too absorbed a pursuit of music, he seems to have had music in the literal sense primarily in view, though we may take the general drift of what he says and apply it directly to a too exclusive devotion to literature, the arts generally, and the whole subject-matter of philosophic or scientific enquiry. He takes as typical the example of a man who “surrenders himself to music and flute- playing, and suffers his soul to be flooded through the funnel of his ears with those sweet and soft and plain- tive harmonies of which we just spoke, and spends his whole life in warbling and delighting himself with ong, . . . [and who] relaxes not in his devotion, but ds to the enchantment.” The effect of such ion is that the “spirit is melted out of him, ews of his soul are extirpated.” The fibres Rength to the web of character lose &T. The whole man becomes (to G VMAWAS 7/C OR PA VS/CA/C CU/LTURE. I4 I change the figure) like a highly sensitive balance easily thrown out of equilibrium, incapable of standing the wear and tear of life, perpetually oscillating between extremes of exaltation and depression. A proper admixture of gymnastic would prevent this. It would give the strength and stability now lacking, and would make the character more consistent and less likely to be “quickly kindled and quickly slaked by trifling causes.” In an excess of gymnastic he saw a danger of an opposite kind. The philosophic element becomes And Of t00 “weak and deaf and blind from the want much of stimulus and nourishment.” There is * no sensitiveness, no responsiveness, to all that is beautiful and good in the world of art or of nature. But this negative effect, this atrophy of faculty, is not the only result or even the worst. When the power to recognise what is true, what is right, and what is seemly, has been lost, the strengthening of the body, and through it of the spirited element, becomes a source of danger. Usurp- ing the place and functions of reason, its sole criterion and court of appeal is brute force. “Abandoning the use of rational persuasion, he settles all his business, like a wild beast, by violence and roughness, and lives in ignorance and awkwardness, with no symmetry and no grace.” Symmetry and grace of character come largely from the education through music, using this latter term in its widest sense. But if a man cannot see and appreciate the beauty which is about him, his own life will be one “with no symmetry and no grace.” 6. The Joint Effect of Music and Gymnastic. We are now able to get a clear view of the end of that primary I42 EDUCATION IV PLATO'S REPUBZ/C. education which was the only education for the majority of the members of the republic. This end, the means which were to be employed to secure it, and the psychological foundations of these, may be set forth in the following manner : Education should make a man capable and desirous of fulfilling his function in the state Satisfactorily. This ..". in the case of the guardian, a well- balanced, harmonious Soul, or, better, character. | | | The philosophic The spirited ele- The concupiscent element is to be ment is to be nur- element is to be nurtured through tured through “tamed ”—i.e. kept music. gymnastic. subordinate to the | other elements. The training through music and gymnastic is to be so proportioned that undue develop- ment of either element, with its attendant evils, is to be avoided. We can also see clearly from this arrangement the place of bodily training in a complete system of education. We can realise how the “good soul will by its excellence render the body as perfect as can be.” The idea of a perfect character and its duties will direct, control, and illuminate gymnastic, ex- hibiting it in its proper subordinate relation within the whole system of training, which is to aim at the accomplishment of this final purpose. So viewed (and in this way alone it ought to be viewed), physical training has only a relative, not an absolute, value. Bodily perfection is no end in itself, but is only of worth in so far as it promotes the great end, the formation of a perfect character. If, now, we keep two conclusions prominently before \, GY///VAST/C OR AA/VS/CAM, CUL 2 URAE. I43 the mind, Plato's, at first sight, somewhat peculiar treatment of “gymnastic * will be understood. The , first is that gymnastic has only a relative value, and the second that all training, through music or through gymnastic or #. media, is to fit a man to do his special Work in...the republic to the very) best purpose, and should make him feel that the welfare of the republic should be his highest care, to which all personal claims and desires are to be sacrificed. Remembering these two principles, we shall see that the regimen prescribed—a simple, moderate system—is directed towards the cultivation of quickness of eye and ear and indifference to climatic changes, and these are just the physical qualities desirable in a guardian. We shall under- stand the condemnation of those excesses which are the first causes of physical degeneration. Further, we shall see why within this condemnation the existence of a large number of physicians (and jurors in the analogous case of mental disease) is included ; for it is a standing testimony to an undue exaltation of the claims of the body. The condemnation of that “excessive care of the body which extends beyond gymnastic,” alike in the case of the carpenter and the rich man, will also appear to us as a necessary outcome of Plato's view of education, for it is likely to turn them from the efficient performance of their civic or philosophic duties. $ 7. Plato's Idea of the Place of Gymnastic should lead to Reflection on our own Efforts in this Respect. Now that we have some idea of what Plato included under “gymnastic,” of the important position it occupied within his system of education, of its use in the development of character, and of the effects of its | I44 EDUCATIO/V /AW PLA 7TO'S REAE UEZ/C. abuse, we are in a position to consider our own educational systems in the light of the knowledge we have gained. And this ought always to be the method in which any part of the history of education, or any other branch of history, is studied. We ought to find warnings as to both what principles to adopt and what to avoid in the efforts of educational, as of other, reformers. In the study of history it is most especially true that comparison should follow close on the heels of presentation. - It is necessary, however, to bear two things in mind when making this comparison. First of all, and most important of all, it ought to be remem- bered that, if we find anything in a system of education remote in time or place from our own which we think it would be well to adopt, it is the principle, the spirit, rather than the details, which will bear transplanting. The details will be the outcome of a particular time and particular conditions, as well as of human idiosyncrasy ; the principle will transcend the limits of time and place. We must beware of the dangers of imitation. In nothing more A Warning. than in education is there a greater danger of trying to fit a square peg into a round hole. If we adopt a principle, we must be careful in applying it to | allow plenty of “play” for peculiar circumstances. And, secondly, we must keep differences of aim in view. Plato sought, first and foremost, the good of the state. We also want a good citizen, but we aim at an end, at once wider and narrower—a good man : wider, because we hold that the duties of a man come before those of a citizen ; marrower, because the individual, whose claims we recognise, is something less than the citizen. A/E/LO/DY AAVZ) RAF VTHM. The reader must particularly note that the translated “harmony” implied something v different from what we understand by the wo The idea of a complexity of parts is misleadin “Key" or “mode,” as in “minor’’ or “maj mode,” gives some sort of equivalent." Jowett says, speaking of the exaggerated effect which seems to be ascribed to music : “The power of a simple and characteristic melody on the impressionable mind of the Greek is more than we can appreciate. The effect of national airs may bear some comparison with it.” It is not, of course, suggested that a simple melody would be more moving than an orchestral Symphony ; but that its very simplicity suggests the possibility of its being directed to some definite effect on the mind. 3. The Prescriptions about Music are Explainable from Plato's Philosophy. Returning now to the question as to what modes were to be adopted and what condemned, it is easy for us to see the whole ground of his choice. The music of peace and the music of war were intended, as we have seen, to develop two sides of the character, the philosophic and the spirited. An equally obvious psychological and philosophical reason is to be found for the con- demnation of certain harmonies. The third element of character, the concupiscent, needed to be suppressed rather than nurtured. It consisted of the whole com- plex group of passions and desires which in their turbulence and disorderliness stood opposed to the law-directed reason and its ally the spirit. The * See Bosanquet, “Education of the Young in Plato's Republic,” p. 92. • , * “The Republic of Plato,” p, liv. FDUCATION /AW ANZATO'S REAEP UBZ/C. thesis between the one and the many, the stable the unstable, appears again. And those modes harmonies, like the Lydian and the Ionian, which the flame of the passions and weakened the sway reason, we are by this time prepared to see con- emned. “The instrument that has many strings and serves for many harmonies’ we also expect to be discarded, for we are reminded of the objection to the infinite number of transitions which dramatic poetry employs. A philosophic principle that only the permanent things are of worth, and the particular case of this to which psychology leads, that stable reason is to be cultivated and the unstable passions suppressed—these are behind all Plato's prescriptions. 4. The Treatment of Rhythm. What is said of rhythm is essentially the same as what is said of harmony. It is assumed that there are “natural rhythms of a well-regulated and manly life,” and these are to be sought and adopted. It is laid down that “we must not aim at a variety of them or study all movements indiscriminately.” There is more hesitation, however, in prescribing specific rhythms for specific purposes than was noticeable in the case of harmony. Still, in the reference to Damon it is taken for granted that different rhythms can be classed as right and wrong, or desirable and undesirable, in a distinct moral sense, though the whole account is in a more tentative strain than the discussion on the various harmonies. We shall perhaps come nearer to an appreciation Why the of the importance which Plato attached Question is to this question of rhythm—an import- * ance which astonishes us at first even re than that ascribed to harmony—if we bear one CHAPTER VIII. GYMNASTIC OR PHYSICAL CULTURE-(continued) (Book III. 4036–412 c.) 1. Physical Culture is, with us, Largely Unorganised. Being thus forewarned, we may take advantage of the luminous point of view which we now occupy, and from it look upon our own efforts, or rather absence of organ- ised effort, at physical culture. And one of the first conclusions from such a survey will be the very much lower degree of importance which we, as compared with Plato, appear to attach to bodily training. Of his scheme we might say, if a quantitative estimate is possible, that it occupies one-half; at any rate, it stands on an equal footing with music as an instru- ment in the development of character. It receives at his hands an equally formal and systematic treat- ment. - With us, until latterly, any form of bodily training was thought to lie outside education proper. It was, and is still to a very large extent, regarded as entirely recreative. That it is a condition of health, and this latter a condition of mental progress, is, of course, recognised. Further, games are encouraged, as some would say to an abnormal and even demoralising extent, because they do seem to nurture and develop those qualities of character which go to make up I45 10 I46 EDUCATION VAW P/ATO'S REPUBLIC. true manliness. Still, gymnastic, to use the term in Plato's wide sense, has, until very recently, received no official recognition. It has not been directly controlled and introduced among prescribed curricula. Though it would be generally recognised that physical excellence is a part of, or is conducive to, that general all-round excellence which all would accept as the main end of education ; though it would be generally granted to Plato that “the behaviour of each in his [bodily] exercises is one of the tests of character, and a very important one too”; yet no care has been taken to elaborate a system of such exercises, or even to insist on their inclusion within a scheme of training. Take our national system of elementary education as an example. It is only latterly that some attention to physical development, either of the body as a whole through drill or of the special senses through fitting occupations, has been demanded; and even now it occupies but a very small part of the daily routine. The teaching of the greatest educationists on this matter has not met with much more than a passive acquiescence with us. Setting Plato aside, the enthusiasm of Froebel, the eloquence of Rousseau, and the logic of Spencer, are but very slowly in- fluencing practice. Two reasons may be suggested for this. The first is a wrong view of the end of education. It has Possible been thought more important that children Reasons for should gain a smattering of knowledge This. than that there should be built up within them the elements of a wholesome character. The second is a certain inertia in the English temperament which makes it sceptical of, and even averse from, GVMNASTIC OR PAVSICAL CULTURE. 147 anything which has not the sanction of tradition. Contented to paddle in the shallows of experience, we have rarely ventured to plunge into the deep of first principles. 2. Are there Psychological Grounds which justify Physical Culture as a Part of the Training of Character 2 It might, however, be objected that there are no well-established first principles from which the effect of physical training on character could be rigidly inferred. Plato's psychology, with its three elements which are to be kept in due relation in the perfect man, might be declared fanciful, and his application of it the dream of a theorist. Nor, it might be said, have the results of modern psychological enquiry shown conclusively that by hardening the frame and making the sense-organs responsive and exact, you are refining or in any way improving the character. The character of a red Indian is scarcely an ideal type, yet he has developed the physical excellences to an extraordinary extent. Unless it can be shown that these do affect the character for good, the plea for general physical training is un- justifiable. For, with Plato, the end justified the means. It is easy to see why he thought so much of a gymnastic which was to make the guardian capable of subsisting on the barest of necessaries, superior to extremes of heat and cold, and acutely sensitive of eye and ear. But why adopt such a system generally, not only for those who need this physical development for their business in life, but for all P Of what advantage, apart from health, is it to, say, the clerk or the barrister P | Such objections as these are raised and must be met, if the claims of “gymnastic” to an influence over 148 A. DUCA TVOAV ZAV A/LA 7'O'S REAE UPAL/C. character are to be substantiated. In our brief en- deavour to meet them it will be convenient to consider, first, the bearing of a healthy mode of living—of simplicity of diet and wholesome exercise—upon the inner life ; and, secondly, the effect on that life of “sense *-training as it is commonly and, as we shall see, erroneously, or at least imperfectly, named. The first point need not detain us long. The direct connection of bodily condition with tempera- The connec. ment is a truth of such wide acceptance ;..." and of such general remark that it has With been given a safe keeping in the store- .* house of our vocabulary. It has been Established, perpetuated in the terms which imply differences of temperament : melancholic, sanguine, choleric, phlegmatic. Science gives its support to the general principle underlying these, perhaps, over-bold assumptions. Sudden changes of temperament, which in their more striking and abnormal forms involve a complete alteration of personality, and fall within the pathetically-interesting cases of insanity, are ascribed by medical men, in part at least, to changes of physical condition. They range from hourly changes of mood, through the more striking developments of character incident to critical periods of life such as the approach of adolescence, to those complete alterations of temperament, when deep moroseness is followed by wild gaiety, or when kindliness and sympathy give place to homicidal mania, and which are the signs of grave mental disease. But whatever their degree, they are said to be in causal relation with bodily derangement. A slightly different aspect of the same truth is G VMAVASTIC OR PATVSYCA/C CULTURE. I49 afforded us in the conclusion, in which all psycho- logists concur, that the complexus of bodily sensation And with the "" we call the vital, feeling is the conscious stable basis of the consciousness of self. *** It is on this that the permanent interests, the hopes and ideals, which make up our individuality, are built. It is analogous to the quality of im- penetrability in material things. It gives “body’ to the character. This consciousness of embodied exist- ence gives reality to all the more ideal elements of character—the virtues and ideals we strive for—just as solidity makes the size and form of objects possible. Again, this vital feeling exercises a powerful influence over the general trend of our thoughts and And with the feelings. It is to the predominant feeling- i.: tone of the complex of sensations having 116SS their origin in the organs of the body that *Y. our prevalent moods are to be ascribed. We are exalted or depressed according as vital processes are free or restricted. And it is a matter of common knowledge that the ideas which cross the threshold of consciousness are such as fit with and feed its predominant tone. Every one knows how in our fits of gloominess the door is closed to light- bringing ideas, while more sombre subjects will pass and repass through the chambers of the mind. So in our times of elation, when we are full of the joy of living, we can trace stage after stage of an imagined progress towards the goal of our desire. The pre- valent mood is a powerful rival of association of ideas in directing the current of consciousness, and it is largely, most psychologists would say entirely, the resultant feeling-tone of the organic sensations. These theoretical conclusions point in no uncertain I 50 EDUCATION IN PLATO'S REPUBLIC manner to the practical need for a simple, moderate system of living which will keep the body in health and for a course of training which will husband and develop its powers. And not for health and vigour alone, or even primarily. If mood and temperament, the contents of consciousness, the very sense of personality, owe so much to the body, we can see that “a simple and moderate system of gymnastic * is a demand of the higher inward life which the conscientious educator cannot overlook. A clean tongue, tense muscles, and full vitality are more than symptoms of animal vigour; they are the strong allies of high endeavour. We have now to go on to consider whether the sharpening of the organs of sense, as well as Is “sense". the promoting of general healthfulness, jº" can be justified on grounds of principle training? in a system which aims first at the perfecting of character. There was an obvious practical reason for making Plato's warriors quick of eye and ear; but the question for us is whether, practical pursuits apart, the development of the senses is so necessary to the development of the whole mental life and character as to make its omission from any scheme of education a grave error. It is necessary to see clearly what is included in this question. To think of it as “manual” training or as “hand-and-eye’ training is to unduly and undesirably narrow the issue. Thomas Hardy speaks somewhere of the countryman’s power to recognise trees in the dark by the characteristic sounds which they give out when their leaves are shaken by the breeze. It is this attitude of alertness to all sensational stimuli, to the multitudinous variety of sights, sounds, touches, GPMWASTIC OR PHYSICAL CULTURE. I51 smells, and even tastes, which is in question, as well as the manual and visual dexterities. General reasons for an affirmative reply are readily forthcoming. The unity of mind is a commonplace The Unity of of modern psychology. It is one and the Mind enables same power, which now knows through .." the medium of sense and now through Reply of a the relations which conception can grasp ; General Kind. ge º now experiences a thrill from the beauty of a flower, and now clings with warmth to the thought of some high ideal; now turns impulsively to a single task, and now resolutely embarks on a long-drawn-out effort which is to bring many con- Verging means to the focus of a distant end. And the unity of mind means, further, that there is no line of separation between its “higher ” and “lower” activities. Kant has taught us that there is no per- ception without conception, and no conception without perception ; and the same connectedness is discernible in the life of feeling and in the activity of will. In the sense-feeling there is the germ of the “subtler” emotions, and resolution, choice, and control are all present in the earliest voluntary movements. So it comes about that in training the eye to distinguish the colours of the sunset you are bracing the intellect which may afterwards hold apart the great world-forces; that in awakening the ear to the beauty of Sound you are preparing the mind for the apprecia- tion of Seemliness in conduct; that in encouraging accuracy in the drawing of an angle you are fostering respect for the weightier matters of the law. It will be well, however, not to let our vindication of “sense ’’-training stop short at a general statement of the unity of mind. We may profitably go a step I 52 EDUCATIO/W IAV PZATO'S REAE UB/./C. farther and show how each of the three sides of mind —the cognitive, the affective, and the volitional—is affected. Taking them in the order named, we may consider what is involved in the accurate observation of the “sense”- shape of a leaf, accompanied possibly ::::::::. by the reproduction of it in drawing POWers. or model. A moment's reflection will convince us that there is much more here than control over a well-trained organ of sense. In the discrimination of form there is, first of all, abstraction from everything else which is irrelevant and concentration upon this quality alone. From amongst all the sensations which are arising by way of the eye, this one must be selected and held apart ; and from amongst all the movements which the practised hand can make, that one must be selected and approved which reproduces in accurate outline the original. But note that it is the mind on its cognitive side which is the master in these operations; the hand and eye are but obedient, though expert, servants. And it is in the precision and concentration of the cognitive powers that these opera- tions demand that their first great educative value lies. In this respect training of the mind through perception is very similar to the discipline which mathematics affords. The solving of a mathematical problem starts from the isolation of, and concentra- tion upon, what is relevant, and demands the same mental capabilities as are a first condition of accurate perception. But accurate perception is not merely complete isolation of the quality or object under observation. It involves at least implicit comparison. To note G. VMAWAS 7/C OR PAYS/CA/L CULTURE. I 53 a colour accurately there must be a colour-scheme in the background of consciousness within which the one Second in the focus could be placed. And, in close Comparison, observation, the near or remote members, or both, are apt to be brought into the forefront of consciousness to aid the identification ; implicit comparison becomes explicit. The enthusiastic botanist, after calling your attention to the colour or form of a flower, rarely fails to tell you of others which it is like or with which it is in contrast. In the trained observer isolation is followed by relation ; analysis by synthesis. In “sense "-training, then, a wholesome discipline of the functions which subserve cognition in all its These are forms is provided. While you are training Essential to the eye to take in all the details of a scene, * you are bracing the intellect for the problems which life and things will bring to it for solution. And this is clearly a perfecting of character, for it is a development of that side and of those powers on the efficiency of which all activity will depend. It is a mistake to think of character as exclusively the expression of the volitional side. Of course a man is what he is largely through the acts of his choice ; but these follow, it is to be remembered, frequently upon deliberation, especially when they are critical ; and deliberation is largely an intellectual affair. The first great ethical writers of Greece grasped much of the whole truth when they saw that virtue is knowledge. If we could clearly discern the motives and consequences of acts ; if we were accustomed to look at these in the light of ethical criteria, the first, and perhaps the most difficult, steps on the road to virtue would have been taken. I54 EDUCATION IN PLATO'S REPUB/./C. After all, however, it is not in the perfecting of particular powers that the greatest value of careful The Best training in perception lies. This is to be Result is the found in the outward, objective attitude Objective * , sº & & Attitude of mind which it brings and makes *...". habitual. The keen observer, be it of training men or of things, forgets the self which, Brings. when brooded over with an eye ever turned inward, bears a perennial crop of petty hopes and groundless fears. It does not much matter what we look at or what we listen to—setting evil aside, of course—so long as it is not ourselves. It is not by chance that the geologist and the farmer, the engineer and the amateur gardener, are usually such good fellows to live with. If we turn to the affective side of mind we can see equally strong reasons for developing that “sense”. “utmost quickness of eye and ear” which j Plato demanded of his warriors. With a Side of Mind. view to the refinement of taste, we want to impregnate our pupils with some of that warm aesthetic feeling which characterises the attitude of the artist and the poet towards the world of nature. The point of attachment of that feeling, the centre round which it forms a halo, is usually a sensational process in consciousness which for the artist has kept some of its first freshness. We can most of us re- member the intensity of the sensations of childhood : how yellow was the buttercup, how full the tone of the clock in the tower ; and we also know how, for most of us, the years bring it about that our perceptions become so completely a matter of the accumulated effects of past mental process, that the sensational element from which they start is com- G. VMAVAS 77C OR PA/VS/CA/L CULTURAE. I 55 pletely swamped. Where the painter sees ten colours, we see one, and that probably wrong ; where he sees wondrous symmetry in the lines of a wayside leaf, we look but do not see. The cadence in the sounds of the sea, the notes in the songs of birds, the modulations of the human voice—these are for the trained ear only, and they make up a grievous total of aesthetic loss for the untrained. The melody of diction, again, which is a considerable part of the charm of good literature, is not for the unsensitive ear; while music itself furnishes an obvious case. Now, we cannot afford to diminish the stock of material which is of aesthetic value by a sort of atrophy of our sensational selves. We ought not to quietly submit to the loss of so much of the fulness of life. Our aesthetic side has its needs, and if these are not satisfied, in part at any rate, from the sources on which the artist and the poet of nature draw, then they will be fed from some of lesser worth. Hence the justification for drawing (if associated with observation of objects), colour-work, music, and such like in the school. Not only in special subjects, but from moment to moment the same end is to be sought. For example, it is curious and not very satisfactory to note how many teachers fail to notice the harsh, unnatural tone in which their pupils speak and read, and to realise that this is but a faithful reproduction of their own carelessness in this respect." It is a great pity that the limits to the range of effective attention make it almost impossible for us to at once talk and listen to ourselves. * Cf. Burrell in “Clear Speaking and Good Reading.” 156 A. WDUCATION WAV P/LA 7TO'S REPUB//C, When we come to consider, thirdly, the effect of “sense”-training on the volitional side of mind, sense”. We have to notice, first, that the bracing * of the cognitive powers and the enrich- voitionai' ment and refinement of the life of side of Mind feeling, both of which results such a training can bring about, are, indirectly, effects on volition. For the will may be regarded as the whole mind on its active side ; and while to cognition it owes the direction of its activity, from the feelings it gets motive power. If we compare the mind in action to a ship in motion we may, to our enlighten- ment, think of cognition as setting the sails and holding the rudder, and of feeling as the force of the wind. And the metaphor will help us the more fully to realise how both cognition and feeling will play their part in bringing the ship of character to the port of virtue. We have already referred to the work of cognition in accepting the truth of the principle that virtue is, in part, knowledge. Respecting feeling we have noted how Plato iden- tified aesthetical and moral training, since it was a central idea of his philosophy that beauty in nature or art is but the outward and visible sign of good- mess. Wordsworth has expressed a similar thought in the passage : Nature never did betray The heart that loved her." Such ideas a prosaic age sweeps aside as mythological, though the truth may more probably be that they convey a meaning too dazzling for our dull vision. But even those who cry aloud for what they call “Tintern Abbey.” G VM/VASTIC OR PATVS/CA/L CULTURE. I 57 facts will admit that the moral sentiment is complex enough to include the aesthetic sentiment as an aspect of it. In the training of the perceptive powers and Organs there is that more direct effect on the It cultivates character through which its permanent Special tendencies, of virtue or of vice, are nurtured. Virtues. Of course, other, in fact all, forms of activity, beside the activity of sense, may discipline the character to perseverance, resolution, courage, and all those moral excellences which make up what are called the self-regarding virtues. The arithmetic- lesson can do this as well as the drawing-lesson. But there are desirable qualities of character which those lessons aiming at co-ordination of hand and eye— not very happily referred to as providing “manual ‘’ training—are peculiarly fitted to develop. There is truthfulness, for example. The habit of accuracy which these lessons demand is a part, and an im- portant part, of truthfulness, for truth-speaking is as much an unconscious habit as the conscious realisation of an ideal. Roger Ascham tells us that “it was one of the three excellent praises amongst the noble gentlemen of the old Persians always to say truth, to ride fair, and shoot well.” He might have gone on to assert that the third of these “praises” was somewhat of a guarantee for the first. Perhaps the highest educational value of manual work lies in this, that it calls for adaptation of means to end and for inhibition of impulse away from the end ; and this with a persuasive power over the majority of children which no other exercise seems to exert. And it is just in this adaptation * “The Schoolmaster,” p. 36 (Cassell's Edition). I 58 EDUCATIO/W WAV PLATO'S READ UAE LIC. and inhibition that will consists. The germs of resolution and control over impulse, which are the It nurtures signs of mature will, or rather which are i..." the will, are to be found here. Mr. Effort, of Felix Adler has strongly urged the ...,n, claims of manual work as a medium for to one End, strengthening the will-power of criminal and delinquent children. As every delinquency, petty or extreme, is the victory of impulse over reason, the disappearance of will in wilfulness, we may, con- veniently with our present aim, conclude this dis- cussion of “manual" training with a quotation from this writer. Taking the making of a box as an example, he says: “The variety of Occupations which enter into the making of the box constantly refreshes the interest after it has once been started. The wood must be sawed into line. The boards must be care- fully planed and smoothed. The joints must be accurately worked out and fitted. The lid must be attached with hinges. The box must be painted or varnished. Here is a sequence of means leading to an end, a series of operations all pointing to a final object to be gained, to be created. Again, each of these means becomes in turn and for the time being a secondary end ; and the pupil thus learns in an elementary way the lesson of Subordinating minor ends to a major end. . . . The child that has once acquired, in connection with the making of a box, the habits just described, has begun to master the secret of a strong will, and will be able to apply the same habits in other directions and 2n other occasions.” " 4. Instances of too much Gymnastic. We are thus “Moral Instruction of Children,” pp. 263, 264. G. VMAWASTIC OR /2H/VS/CAM, CULTURE. I 59 compelled to admit that there are fundamental reasons, of both a psychological and an ethical nature, which may be urged in favour both of a general discipline of the body through diet and exercise, and of special training aimed at increasing its sensitivity ; and we must regret, on grounds of principle, that the value of a regulated and organised system of physical culture as a part of the training of character is being so slowly recognised. At the same time, there is every reason to think that, outside the limits of overseered education, so to call it, there is to be found “that excessive care of the body which extends beyond gymnastic,” the evil effects of which on the character Plato so clearly foresaw. To quote the late Mr. Nettleship : “Our public schools and universities have no lack of the sleepy and brutalised athlete who has not an idea of doing anything except by force, whose preceptions are cloyed and dull, whose life moves without grace or rhythm, and who prob- ably could not serve on a campaign or geographical expedition. Nor is the well-to-do Valetudinarian an unfamiliar creature among us, the man who suffers torments if he depart at all from his accustomed diet and is always in labour about his body.” It is very instructive to observe how in these two cases we have the positive and negative effects on character which flow from the exaltation of the body into an end in itself. In the “brutalised athlete ’’ we see the spirited element as the active ally of the con- cupiscent element ; while the valetudinarian is a pitiful exemplification of the way in which the higher interests which take their rise in the philosophic principle can “wither with drought.” To this latter point the irony of Charles Lamb is I6o A2ZD UCA 7TWOAV ZAV AZA 7TO'S ACA2A2 OAPAC. very pertinent. “How sickness enlarges the dimen- sions of a man’s self to himself he is his own exclusive object. Supreme selfishness is inculcated upon him as his only duty. 'Tis the Two Tables of the law to him. . . . He has put on the strong armour of sickness, he is wrapped in the callous hide of suffering ; he keeps his sympathy, like some curious vintage under trusty lock and key, for his own use only. He lies pitying himself, honing and moaning to himself; he yearneth over himself; his bowels are even melted within him, to think what he suffers ; he is not ashamed to weep over himself. He is for ever plotting how to do some good to himself.”” To return to athleticism, every one has some experi- ence of the temporary atrophy of the philosophic spirit, owing to a too exclusive regard :*. . the claims of the body. The effect * of being an animal, as we say, during a long holiday is well known. Literary pursuits seem distasteful and impossible at first.” The field-labourer, too, supplies a good instance. His face, while it is a curious complex reflex of the freshness of the morning and the stolidity of the cow, gives no indication of the vitality of reason within him. How different is a healthy, vigorous frame when the spirit of a lofty purpose shines through it ! A keen, active intellect in an enfeebled frame commands our admira- tion as a triumph against odds, but body without mind is offensively incongruous. And so, on the ground of a necessity for con- “Essays of Elia’’: The Convalescent, pp. 247, 248 (Mac- millan's Edition). * Cf. Spencer's “Education,” p. 163. `- º- G VM/VASTIC OR PAYSICA/L CULTURE. 16I tinuously harmonious development, for continuous attention to what might be roughly described as the physical and mental factors in character, we should hesitate to follow Plato in devoting two and a half years," or even a small fraction of this period, en- tirely to physical training. “Weariness and sleep are enemies to study,” so much so, indeed, that if through continuous physical exertion they held the dominion for so long a period, it is doubtful whether the power to study would survive. The effect on the labourer of the grinding round of physical toil is pathetically corroborative of this conclusion. Dull of sense, given to violence, finding the only literary food he can assimilate in the scraps from the columns of an evening paper, he affords a pitiful proof of the evils of that one-sided education which the modern conditions of life so mercilessly prescribe for the majority. All this does not, of course, tell against the value of games and athletics generally when they are not allowed to go beyond due limits. The qualities of character which they can bring out need no enumera- tion. We might, however, do well to consider whether the consequences of their neglect through too close a pursuit of what Plato calls “music” are noticeable among us. 2 5. The Effects of too much “Music.” We have seen what these consequences are, according to Plato. An enfeebled spirit, “quickly kindled and quickly slaked by trifling causes,” a choleric, irrit- able, and morose temper—in a word, a character of altogether too subjective a turn. We should agree that this is an accurate description of the weaknesses ! See VII, 537 b. 11 I62 AºA) UCA 7TWOAV ZAV AZA 7 O'S REAE UB LIC. of the sensitive, artistic temperament, and, as we have noticed, Plato takes the example of one who “suffers his soul to be flooded through the funnel of his ears with those soft and plaintive harmonies” to illustrate this form of one-sided development. But we may go farther and say that absorption in any subject of study, be it art or science, has its danger. It may bring intolerance of others’ pursuits ; it may induce “a certain blindness in human beings ’’ which makes them impatient as well as unappreciative of another's point of view." Of course, for the good of humanity and for the progress of knowledge (which is the same thing in the end) the genius must use his peculiar power for all it is worth. We can put up with intolerance, when it occurs, in a Newton or a Rant, a Darwin or a Spencer. But for the average man, and especially for the average schoolmaster, the sphere of his intellectual activity should not be, so to say, a water-tight compartment. The schoolmaster, at any rate, must be a student, but he must always be something more. 6. The Teacher and the Qualifications of the Doctor. As a last suggestive thought, of which this division of Plato's system has so many, we may take the qualifications of the doctor and the juror. Concerning the former it might be said that surely there is little to be gathered which can guide the teacher. Of details, this is true. The idea, for example, that the doctor should have “had personal experience of every kind of malady” is remote enough from the question of the training of the teacher, except, perhaps, that it suggests the need for sympathy * See a fine essay on “A certain blindness in human beings" in James's “Talks with Teachers.” GKMAVASTIC OR PHYSICAL CULTURE. 163 with ailment or deformity. Yet from the principle of this training of the doctor the teacher may gather something, for he must come to be alert not only to the symptoms of disease, but to the bodily signs through which mental activity and brain activity, normal and abnormal, are indicated. For example, it is a necessary part of the equipment of one who is to have the care of children that he should be able to distinguish between the free, spontaneous movements which are the sign of healthy activity, and the irregular, uncontrolled movements which tell of defective brain-action, whether due to per- manent defect or temporary fatigue; he must be able to interpret posture of all or part of the body in general brain-terms ; he must be able to follow the bodily signs which constitute emotional “ex- pression,” or else, as is more probable, are themselves the cause of emotion. 7. The Teacher and the Qualifications of the Juror. . The attitude of a juror is one which the teacher is called upon even more frequently to adopt ; and the qualifications which Plato looked for in the good juror are qualifications which he will need. Plato's juror was “from his early youth to have been free from all experience and taint of evil habits.” Yet a knowledge of evil was necessary for him. It was to be gained, however, from observation of it in others, not from experience gained through personal participation in evil practices ; and this, because, vicious habits make a man incapable of recognising good in another. The debased mind is always suspicious of others, and cannot understand a healthy character. But the healthy character, when mature, can discriminate between good and evil through the I64 FDUCATION IN P/ATO'S REAE UBZIC. standard of rightness and goodness which the purity of its own life has not debased, and which has become clearer with the development of intellect and the extension of experience. In the striking words of Plato, “Vice can never know both itself and virtue ; but virtue, in a well-instructed nature, will in time acquire a knowledge at once of itself and of vice.” The pertinence of this to the making of the teacher is very obvious. Two points stand out clear. First, the need of a mind not only free from the taint of vice but rich in virtuous quality. The more pressing danger of a miscarriage of justice within the school- room arises rather from the dwarfed and stunted character than from one positively vicious, for the former is a commoner type and would be less seriously regarded. “Your smart and suspicious journeyman’ who “fancies himself knowing and clever,” and yet who frequently “shows himself to be no better than a fool, with his mistimed suspicions,” is a description which, unfortunately, fits many of our teachers. The judgments of suchlike are usually wrong, for the impulses of the average boy are generally sound enough. But the mischief does not end here. Like breeds like ; suspicion breeds deception. Dr. Arnold’s influence is an instance of the same law working for good. One of his pupils said it was impossible to lie to him because he believed you so thoroughly. But, secondly, purity of character is not of itself a sufficient guarantee that justice will prevail in the miniature state of the school. There are some whom even the strong influence of a noble nature cannot reach. The schoolmaster must be the quick detective of evil “from long practice in discerning its baneful nature.” His own life of virtuous en- GVMAVASTIC OR PATVS/CA/C CULTURE. I65 deavour must not blind him to the fact many have to learn to live it through the stern discipline of punishment. But this instrument must be in the hands of a “well-instructed nature,” instructed through the fulness of years and experience ; it should never be wielded by a young and immature teacher. CHAPTER IX. EDUCATION A FIRST CONI)ITION OF THE WELFARE OF THE STATE. (Book III., 412 b–IV., 427 c.) 1. Analysis. Now that the outlines of the system of education have been decided upon, the next question is the selection of the rulers. These must be of mature age, capable, and notoriously zealous for the interests of the state. Moreover, they must have proved, through the failure of all seducing forces, that these interests are all-powerful with them. The good of the state is an end which they must never have made subordinate to one less worthy, even inadvertently and against their will, for only thus involuntarily will a man be deprived of an idea which he knows to be good. Time or persuasion may rob him of the ideal when he is unwary ; pain may constrain him to abandon it in spite of his better } self; pleasure may allure him from it with enchant- ments he cannot resist. But with him who is to be a ruler the interest of the state must be an idea with a constraining power which is stronger than them all, so that he must be tried by the severest of tests. Time and deception, pleasure and pain— j This implies that the impulse to drink is prevented * It is not, of course, suggested that Plato sought to destroy the unity of the soul. The aim is to prevent the reader who is limited to a translation, and perhaps, unfortunately, to but a small portion of that, from starting with a faulty hypothesis of mind which seems in danger of revival in common educational theory after its death in pure psychology. (See Ward in “Journal of Education.”) CARDIMAZ VIRTUES IN THE INDIVIDUAZ, 213 from passing over into action by a sort of direct heave of the rational principle in the opposite direction. To the positive pull of desire there is directly opposed the negative pull of reason. This is a misleading account of what takes place The control in the control of impulse. This process of impulse of inhibition may be made clearer by means of a diagram : j Suppose the large circle on the left to represent a section of the stream of consciousness at the moment when an impulse is felt. The small circle stands for the object of the impulse, in this case drink ; the shaded portion for the strongly marked feeling- tone which attaches itself to the object of the impulse ; and the arrows may conveniently represent the strong tendency to action directed towards the satisfaction of the impulse. How, now, may this impulse be checked P. How may the connection between impulse and action be broken P Not by what has been called a negative pull on the part of the reason. Just as we never make a purely negative judgment for practical purposes, so there is no such thing as a mere “I will not ” amongst the edicts of the reason. Control of impulse consists in substituting for the object of the impulse (the small circle of the diagram) some other object, which shall prevail in the sense of ousting the original object from the focus of attention. It is 214 A.DUCATION IN PLATO'S REPUBLIC. this substitution, not blind negation, which is the essence of control. And herein lies the whole difficulty, for the idea which is to accomplish this, is probably, almost necessarily, more ideal and abstract, and has the additional disadvantage of a rival in full possession of the field of attention." We can now see how the rational principle or reason works in this business of control. The desire for drink is ousted by some higher and more ideal desire ; but the recognition of this ideal desire as higher, the approval, in part,” of it as of greater ethical worth, are to be ascribed to reason. It may thus oppose desire indirectly through desire ; but such metaphors as that of the bowman tend to con- fuse rather than illuminate. -- This distinction between the direct and the indirect action of reason in control may seem fine-drawn and academic ; but consider how it bears upon practical training in morality. Following the clue given by the account of control here adopted, we infer that the cultivation of this power will take two directions : first, the mind must be filled with ideals made attractive enough to become motives ; and secondly, the power of attending to these in preference to present and pressing desires must be cultivated. No such practical suggestions flow from the conception of reason and desire as opposing, or at least distinct, principles or faculties. * These remarks on control of impulse and the diagram by which they are illustrated appeared in the Jou?”val of Education for March, 1901, being included in an article entitled “Teachers and Psychology.” I am indebted to the courtesy of the editor for permission to reproduce them. * Some part of approval, which almost defies analysis, may safely be set down to the feelings. It is aesthetical as well as intellectual. CARDINAZ VIRTUES IN THE INDIVIDUAL. 215 It may be remarked that little practical danger will be involved in this pictorial way of thinking of the different mental forces, provided we ; recognise that it is pictorial. It may 9f the Mind even be advantageous, helping towards be taken as & e * & g * & * ... I 5 an anio; a vivid imaginative picture of the mind’s ;" is working. The same thing may be said of the use of a diagram, as here, to make a distinction clear. There is, of course, especial danger lest the diagram should be thought of as anything more than an analogous help. There is danger that it should help to carry spatial conceptions over into the immaterial phenomena of mental life; but if precautions are taken against this, it is a great help towards a clearer realisation of these phenomena. In a similar manner, the distinction of separate faculties within the mind is a help, if we keep it on the plane of illustration, and do not fall into the error of looking upon it as scientific explanation. It would seem, then, if the account of control here given be accepted, that the opposites, desire and aversion, do not occur at the same moment in the same mind. The more pressing concrete desire alternates with the more ideal and abstract motive in regard to possession of the central portion of the field of consciousness. A safer parallel than that of the bowman is supplied by the idea of impressions of a moving scene taken in consecutive moments on sensitive plates. Although, then, we should be careful how we in- terpret the distinctness of the rational and concupiscent * The vivid account given by James in his “Principles of Psy- chology,” should be read. 216 AEAE) UCATION IV PLATO'S REPUBLIC. principles, and although we need to be especially careful when we are trying to realise the way in which the former exercises control over the latter, it is still an easy matter to see the part they play in the mental life. The latter stands for the lower, and especially the bodily, appetites—that part of Our nature through which we come closest to the brute creation ; the former stands for our power of discernment, the source of wisdom and knowledge —that part of our mature which brings us nearest what is superhuman and divine. It is not so easy to mark off the function of the third part or principle, which Plato names the “spirit.” 6. Are the “Concupiscent" and the “Spirited" Elements Distinct It is the source of the anger and in- dignation which we feel whenever reason is mastered by desire, as in the story of Leontius. It gives rise to no resentment against punishment if this is just, but it makes a man “boil and chafe” under punishment that is unjust. It is naturally the ally of reason. Yet it may degenerate under a faulty system of nurture and education so that it becomes the source of brutality and lawlessness. What is there in the mind which can give rise to results so diverse P We shall perhaps find the nearest equivalent for Plato's spirited principle in what we call the emotional element of our nature. If we distinguish this from the lower bodily feelings, so as to keep quite clear of his concupiscent principle, we seem to get an idea of what he means. For it is the warm wave of emotion which carries an idea approved by reason onward to fruition in act ; and it is the same wave which carries us back from an act suggested by base desire. It is the motive force in the mental CARDINAE VIRTUES IN THE MAWD/VIDUAE, 247 life, ready to direct the current along lines which reason approves. It may be the ally of reason. But it may be debased. In unfavourable circumstances it will turn the current against reason in the directions where sordid desires lead. It is a force which needs careful nurture, or it will spend itself in the service of the brute part of man, aiding in the supplanting and subversion of what is divine in him. While we can thus find an intelligible meaning for what Plato calls the “spirit” or the “spirited principle,” we must be on our guard against the error of conceiving it as existing separately. The diagram used above will help us to realise how we ought to think of it. The small circle may be taken to represent the object at which, at any moment of life, we are aiming ; or, to be strictly accurate, it stands for the object as we imagine it or conceive of it. This object may be noble, high up in the scale of worth, and hence approved by reason or the rational principle ; or it may be base, the outcome of the concupiscent principle. Its presence will be accompanied by an emotional glow which the shaded ring is intended to represent. This state of feeling will move us towards the act which is the desired consummation, be this noble or base. In this sense it is the spirit, the ally either of the rational or of the concupiscent principle. But it has no separate existence. It disappears when the object of desire disappears, just as a shadow disappears with the removal of the object which throws it. The latter illustration is in one respect mis- leading ; like all analogies it must fail somewhere. A shadow disappears instantaneously on the removal of the object which throws it ; an emotional glow 218 AEDUCATION IN PLATO'S REPUAEL/C. dies down more slowly. Moreover, at any moment The of consciousness there may be more Complexity than one object. One may predominate, *or occupy the focus of attention, as it is ºlour called; while others faintly affect the margin. This may be represented in diagram : The central circle with the shaded ring is meant to represent the most prominent object before the mind and the emotion it arouses at any moment of consciousness. The large outer circle stands for the whole of consciousness at any moment, a section of the “stream ” of consciousness, so to speak. The two smaller circles with their shaded rings represent other objects of consciousness with their emotional tone which are present simultaneously with the central object, but which are less prominent. The story of Leontius will supply a case. In that instance the central object, pressing and imperious, was the dead bodies. Existing along with this were ideas of seemliness, faint and with an emotional stress which was powerless to prevent the central object from dominating consciousness, but strong enough CARDANAF VIRTUES IN THE INDIVIDUAL. 219 and lingering long enough to give rise to a feeling of disgust, even while the eyes were satisfying the base desire. This distinction between what is focal and what is marginal in consciousness enables us to understand how a higher emotion may be present simultaneously with a base desire. What we are clearly aware of, what occupies the main current of consciousness, does not exhaust what is present. There may be, generally is, much in the margin of which we are dimly aware. In this sense the concupiscent principle, in the shape of a base desire, may occupy the clear foreground, while the spirited principle, in the shape of a higher emotion, may be stirring in the remoter confines of consciousness. 7. Are the “Spirited " and the “Rational" Elements Distinct ' To show the distinctness of the spirited and the rational principles, Plato does not rely upon the law of contradiction. This seems to him to be proved by the fact that the former appears before the latter. He speaks of brutes and young children showing “spirit” before they have reached the age of reason. Interpreting “spirit” as higher emotion, we can readily see what he means. A child may act benevolently, bravely, or justly, even in a blind sort of way, through an impluse born of imitation. Perhaps such acts, being scarcely enlightened, do not deserve the name virtuous. We have a parallel to this gradual process of development on the in- tellectual side of mind. A child will often show skill in working examples in mathematics with but the faintest idea of the principles involved. So in morals, his acts may outwardly, show the quality of virtue long before he is able to appreciate its essentials. 220 AE}}{VCATION IN PLATO'S REP&BZIC. 8. The Virtues in the Individual. When Plato has shown the existence of three principles in the human soul corresponding to the three classes in the state, he feels no need to supplement his first account ? . . . , , , , -j-...-2 s.r.º.º.ºxfº'ºrºsº; iswº-ºº-ºººººº-º-º: *** * * * of the virties. Those of the individual will clearly correspond to those of the society. Nevertheless, ********:::::-1: …sº in the brief summary of individual virtues which he .A.” gives a tendency to go beyond the first account is noticeable. He is not concerned so much about the differentiae of virtues as with their related- ºness, their unity. We gather the impression that their artificial separation, possible only through the power of abstraction, is being superseded by the idea of their combination...and...union. To borrow ex- pressions from the science of mechanics, the resolu- tion of goodness into distinct elements is to be crowned by their recomposition. We are reminded of the way in which he arrives at the idea of the true end of music and gymnastic. After temporarily accepting the common opinion that they are for mind and body respectively, he ultimately shows that both are for the mind or soul. So here we are carried beyond the idea of separate faculties and virtues to the idea of their unity. This synthetic movement is noticeable in several details. Thus We are.9nge more reminded that music and gymnastic are for the blending of reason and spirit. *...*.*.*.*.*.*.*.*.*.*.*.*.*.*. Through these éducational influences they are to stºrs, ****ºf nºr.”*** "in end": sº tºº *** ***** * * * *** * * * * **** -, -, -e-... x s - --~~...~--~~~~ ecome one in end and aim, though we may by analysis resolve them into guiding and fiótive forces zººxºtrº-º-º-º-º- ºr ºf respectively. Their union is as closé as is the “set" of a sail with the wind that fills it. And with these two the concupiscent principle must merge itself. In the just man it is no longer a separately.9xistent *******wrºteº-a--~" -> * * , , , , --,+, r , ºilº à rºtºt}^*, *, *.*, *, * : * ~ *, * r *-*. ~ *.*.*.* tºxycºtºxfºrewºrrºyºnºree...- CARD/MAZ V/RTUES WAV THE WAV/D/V/ID UAZ. 22I and antagonistic principle ; its individuality is lost in a generºr harmony of character. TWith unify among the elements of character there goes unity in virtue. The four seem to disappear in ong, justice. This appears”&ſearly where Plato is anticipating questions about his perfect individual. If it be asked whether he will break a treaty, steal, be false to friend or country, commit adultery, or neglect parents and the worship of the gods, a single reason is sufficient warrant for a negative reply to all these questions. He will do none of these things, not because he is wise or brave or temperate, but because, being just, he is all of these at once. All are secured in that single and harmonious life which characterises the just man. Again, Plato here openly declares that the distinct- ness of classes within the state, each devoted to its own particular work, supplies but a “rude outline * for the conception of justice. It is imperfect, just as the fables, concerning divine beings are imperfect. Helpful, of course, as these, but not to be accepted as a complete parallel. It is almost on the same level as the fable of the separate existence of three animals—a many-headed monster, a lion, and a man—in a human being." These were to represent “in rude outline” the union of concupiscent, spirited, and rational elements in the one character. They give a clue, as it were, but by no means a complete account. Such “outlines” fall short of the truth especially in this, that they suggest a real external division of parts, whereas the essence of justice, and hence of true virtue or goodness, is internal union. This is ...~ **** * > x --> .* .* x_t.*.*.*. ..ax ºn A& ſº * actºiáhººd the essential: internal harmony among the elements * See p. 136. 3. * 222 Az/DUCATION IV AZA 7TO'S REAUB/./C. of character. The just man is he who, “having gained the mastery over himself, will so regulate his own character as to be on good terms with himself, and to set those three principles in tune together, as if they were verily thrééchörds of harmony, a higher , , , ; ca. i - - -2 \'ºſ----, …, z -, -º-º: in a middle, and whatever may lie and a lower and a middle * , “r- - between these; and after he has bound all these three together, and reduced the mafiyêléñénts of his nature to a real unity as a temperate and duly harmonised man, he will then at length proceed to do whatever ***…*&tº .**** - : * * * * * * * * , ” – - he may have to do.” 9. We should call Plato an idealist or perfectionist - in ethics. What he seeks in his perfect man is a harmonious and evenly balanced character—a balance which is the result of the equilibrium of higher and lower elements in the soul. Reason is to rule, while <> --> * > • ,-,--~~~...~~~wr-------. IV. 443e. s ſ º* t - ** CEIAPTER XII. PRIMARY AND HIGHER EDUCATION. WE are in this chapter briefly to review some of the most characteristic features of Plato's educational theory. Previously we have been more or less absorbed in the details ; here we propose a more comprehensive survey with the whole system held, as it were, at , arm’s length. We shall consider especially the relation of the primary scheme for warriors to the higher training for philosophers. 1. The Scheme is Rational; has a Philosophic Basis. First of all our general impressions will be that of the rational nature of the system. Perhaps it could scarcely have been otherwise. A. system which is the outcome of the imagination of a constructive thinker must necessarily be directed towards the achievement of a certain purpose. At any rate, Plato's A theory shows at every turn evidence of design, of $ teleological : it treats for the most part of educationak aims with but little reference to educational methods. It is rational, again, not only because it looks to ends, but because it employs the formative influences —music and gymnastic—with an enlightened view of the specific effect of each on the mind. The psychology is necessarily somewhat crude and scanty, 223 the adoption of means to an end. It is, indeed, º {, 224 FAD UCA 7TWON IN A2ZA 7TO'S REPUB/./C. but it gives a scientific basis to the system ; and the lack of more elaborate and precise detail is not by any means altogether a disadvantage. The three elements are, at any rate, simple ; and the combination of them into one harmonious whole of character by suitable and proportionate discipline supplies a useful, if somewhat rough-and-ready, conception of the way in which educational procedure should regard mental capacity. The result is a certain simplicity, directness, and unity about the whole scheme, which is in striking contrast with the more elaborate but more disjointed, tentative, and empirical character of our own educa- tional systems. Of course the cases are very different, especially in respect of ends. In the one there is an | imaginary scheme constructed to meet the educational needs of the minority of a small community ; in & the other the systems have grown and become modified and differentiated to meet the changing requirements of a vast number of people, every section of whom rightly claims to have its wants attended to. But though such simplicity and direct- ness of purpose would be impossible in these latter days, it is in the suggestion of it that the great value of the study of this remote system lies. Of immediate /ends we have enough and to spare : the examination to be passed, the scholarship to be won, the language which for commercial purposes it is necessary to acquire, and so forth. But of the ultimate why and wherefore of it all we should be puzzled to give account. There seems to be no point of convergence for the details of our curricula or for the many and varied activities which our educational forces call into play. PRIMARY AND HIGHER EDUCATION. 225 2. The End of Education is the Welfare of the Republic. In Plato's system the point of convergence is easily found. It is the welfare of the republic. He viewed education as “an integral and vital part of the wider subject of the welfare of human society.” ". It was, as we have seen in a preceding chapter,” to fix the foundations and carve the corner-stone of the political edifice. Its sole and essential business was to fit the warrior-citizen and the rºl - for the performance of their respective functions in the social organism. We have already criticised somewhat adversely the civic standard as an educational criterion ; but only because, in the concrete and actual, it introduces so many limitations to man’s complete development. In the abstract, however, it is a perfect ideal. The X perfect citizen of the perfect city would be a perfect) man ; and the simple converse of the proposition' is also true. The civic standard is related to the , character standard as the outside of a curve is related to the inside. It is but another side of it, the objec- tive side, indicating how the perfect character fulfils itself. Moreover, it is an extremely valuable result of the study of Plato's theory that it does so compel us to reflection upon the close relation of education ...) the national life. This aspect of it makes it perhaps more valuable as a source of inspiration than the writings, say, of Rousseau or Locke, with their pronounced individualistic standpoint. At any rate, it is complementary to these and their like. For “ultimately, no doubt, it is as true now as it was in the times of Plato and Aristotle, that the character * Nettleship, op. cit., p. 61. * See Chap. IX. 15 226 A.DUCATWOW WAV P/ATO'S REAE UAE//C. of a people is reponsible for its social and political life, and that education is mainly important because it produces or modifies that character, and thus affects the public interests.”" The way in which it does So is perhaps less direct now than then. Our class- rooms are farther from the stream of national life than were the gardens where Plato walked and talked. Yet through the characters that are there being formed that life will be affected. Here it is that much may be done to raise the civic standard until it satisfies the demands of perfect manhood. Through the interaction of these two ideals there may be set going that move- ment towards the perfection of society which Plato described as a “kind of circular process in its growth.” 3. That Welfare to be secured through the Perfecting of Character. How, now, did Plato seek through education to secure the stability and welfare of his republic P What sort of preparation was the in- dividual to undergo that he might become a perfect citizen P. Not certainly the preparation which the accumulation of a store of the facts of knowledge might possibly provide. What seems at first so strange is the almost complete absence of any reference to the things which it is good for the young to learn. These were not entirely to be neglected, as we shall presently see : but the question of importance for |. young warrior was not what he was to know but what he was to be. The branches of music were not different fields of enquiry, but different influences which were to mould the personality after a seemly pattern. Not instruction, but nurture, is the keynot of the system. z * This “flashes out,” as Plato would say, from a ! Nettleship, op. cit., p. 98, * IV. 424 a. AR///ARY A/VD HIGHER EDUCA 7TWO/V. 227 comparison of its different parts. Whether we think of what he looked for from literature, melody, rhythm, and the environment—i.e. from the elements of “music ’’; whether we think of what he looked for from diet, exercise, and mode of life—i.e. from the elements of “gymnastic *; or whether we think of their combined effect convergent, as he conceived it, on a single purpose, we see that it was an ideal of character which he sought. Setting habits before attainments, relying on \ discipline rather than instruction, the education º his warriors was, in the main, moral and aesthetical. This involved, of course, some training of the mind on what we call its cognitive side. The young soldier was to have “the keenest eye for defects, whether in the failures of art or the misgrowths of nature.”" He was to know the “essential forms of temperance and courage and liberality and muni- ficence,” “ recognising them as recurrent letters in the book of life. But only that he might shun the evil and cleave to the good. Knowledge was valuable if it affected his tastes and bent. He was to be beauti- ful and good without and within. “There can be no fairer spectacle than that of a man who combines the possession of moral beauty in his soul with outward beauty of form * *; and it was towards the production of such a spectacle that the nurture through music and gymnastic was directed. Again we may note the striking contrast which our Qwn systems present. If we can get our whole educational procedure for a moment at arm’s length, we find that the question of habits and tastes, which was all-important for Plato, is quite in the back- ! See p. 126, * III, 402 a. * III, 402 d. 228 A DUCA TVOAV ZAV A/LA 7TO'S A&EPUB/./C. ground. Think of the body of studies, of the time- table which regulates their succession, or of the manner in which lessons proceed, and the one thing of paramount importance seems to be the addition of something to our pupils’ store of knowledge. Our care would seem to be for the intellect rather than the feelings and the will ; we have substituted the] acquisition of knowledge for the making of character. There is, it need hardly be said, no opposition between the gaining of knowledge and the formation of character. All mental effort is discipline, and as such is character-training. The important thing is to decide which shall be the primary aim. And the most valuable lesson we learn from Plato is this : tha | what ultimately matters is what a man is, not what{\ he knows. What he knows, and especially the way . he has come to know it, will certainly account in a measure for what he is ; for in the former his emotions and desires will find points of attachment, while from the latter spring those habits of mind which are so much of character. But the point to realise is that the highest test of a subject, or of the way in which it is treated, is applied when we ask : Is the character the better for it P This external beauty and internal worth, this symmetry. in the whole man, seems a high ideal of a young warrior of the republic. But the truth is that Plato is often looking through and beyond that merely human society, to a more perfect sphere where only truth and beauty and goodness are. Com- mingled with the vision of the ideal republic is the ' -- vision of the world of ideas. We can now more fully- appreciate what was said in the introductory chapter concerning the way in which these two visions unite PRIMARY AND HIGHER EDUCATION. 229 in Plato's thought," and how his educational ideals are the natural offspring of their marriage. The warrior he sought to create would be a fit member of either society. 4. The Means seem Narrow and Limited. When we pass from the consideration of ends to that of the means by which they were to be attained, our first . Yºmpression is of their narrow and limited character. With our views of what constitutes a liberal education, even of an elementary kind, so far as this can be said to be liberal, music and gymnastic seem to make up but scanty fare, even when the former is seen to cover literature, melody, rhythm, and the environment. This impression becomes stronger when we recall the fact that, through the application of the criterion of simplicity as a principle of selection among these subjects, if we may so speak of them, the scope in each would be strictly limited. We miss our long $ list of subjects, our well-filled time-tables. We may, however, easily account for the difference now before us. For a clearly conceived end—the - development of a manly character—Plato prescribed what seemed to him the most simple and direct means ; and when we remember that it was the aesthetic and moral side of character with which he was most concerned, we can see the appropriateness of the means he selected. Our educational ends are naturally much more complex, and, as a consequence, |: relation of the variety of subjects to these ends is not so clearly conceived. Hence the subjects them- ~ selves come to be looked upon as ends, and multiply with the extension of knowledge. We do, however, seek through the co-ordination and correlation of these * See pp. 17, 18. 23O EDUCATIO/W /AW PLA 7TO'S REAE UB/./C. an objective one, the unifying of knowledge, sometimes a subjective one, the development of some particular power of mind or tendency of character. The need for this is an outcome of the various causes which have multiplied subjects; with Plato his “subjects” were never unrelated. - 5. Additions to the First Outline of the Primary Scheme. This is a convenient point at which to note that Plato did expand his curriculum, to adopt modern phraseology, so that it might include some of the fundamental elements of instruction. In later parts of the “Republic ’’ he mentions some omissions from his scheme of primary education which would have to be supplied, if the primary education was to be a satisfactory preparation for the higher education necessary for the philosopher ; and he implies, further, that they would be included in the early course for all, destined to become philosophers or not. Thus, . we learn that “arithmetic and geometry and all the branches of that preliminary education which i to prepare the way for dialectic, must be taught our pupils in their childhood.”" And again, referring to those who showed promise of being capable of directing the affairs of the republic, he says: “The detached sciences in which they were educated as children must be brought within the compass of a single survey, to show the correlation which exists between them.”” e We recognise here the counterpart of the reading ) subjects to bring them to a common focus, º y writing, arithmetic, and nature-knowledge, which make up, for us, the large proportion of elementary instruction. We note, too, that these additional ! VII, 536 6. 2 VII. 537 6. ARIMARY AAWD HIGHER EDUCATIO/V 23 I subjects would train the cognitive side>6f mind, for \º the music prescribed would have provided insufficient exercise. Nevertheless, the very fact that they are introduced as a sort of appendix, and without discussion, in that later portion of the work where the higher education necessary for the philosopher is mainly in question, indicates that they occupied a subordinate position in the primary edu- ſº to which the majority of the citizens would be limited. Observe, once more, how we have ~/exactly reversed the relative importance of training on the cognitive side and training on the moral and aesthetic side of mind. We devote the largest part of our time, energy, and subjects to the former end. Of course every intellectual exercise is a moral ſº discipline, but so far as direct moral training is concerned, the amount of time devoted to it is small. * This is a weakness in our system, not to be explained away by the comfortable reflection that we may safely leave this side of training to the influence of example and the silent working of a healthy material and spiritual environment. 6. How Music and Gymnastic are to be Regarded. Returning now to that first impression of a narrow and limited curriculum, we find, on closer acquaint- ance with, and deeper reflection upon, the spirit and character of Plato's system, that it rests upon a misapprehension. We have fallen into the error of making our modern conceptions the starting-point for a criticism of an ancient theory. We have been looking at it from the point of view of school-hours, time-tables, and subjects—the machinery of modern educational procedure. But literature, melody, and rhythm were not for him subjects to be apportioned 232 A. ZO UCA 7TWOAV ZAV A/LA 7TO'S REAE UAE Z/C. to the hours of a school day; they were rather formative influences always at work upon a highly intellectual and artistic people. The working of an environment embodying in stone “the fair and grace- ful,” whence the Athenian youth, “ dwelling as it were in a healthy region,” might “drink in good from every quarter,” supplies us with the sort of conception from which these “subjects * are to be viewed. They were not so much parts of a curriculum, as constituents of an atmosphere. So, too, with gymnastic. The details of this branch of education are not to be regarded as suggestions for drill and physical exercise ; they lay down the permanent conditions of a healthy and vigorous life. The charge of narrowness, then, rests on a mis- conception. Viewed as subjects, the means which Plato prescribed for the attainment of his end do convey that impression, though they exhibit a connectedness, a singleness of purpose, which would satisfy the most enthusiastic Herbartian. Viewed as formative influences, they are wider and extend == further than all the forces which modern educationists seek to directly control. The most thorough-going among these would hesitate before demanding that all poetry must be tried by the test of its educational value, or before requiring that the practice of medicine should be limited by the consideration of its effect on the development of character. There was, however, a direction in which the primary education of the citizens of the republic was limited. 7. The Warriors only reached an Empirical and Unreflective Stage. The early education only carried ! III. 401 c. PRIMARY AND HIGHER EDUCATION. 233 / a youth to a certain stage on the road to knowledge. Reference is not here made to the matter of know- lº. The imperfection in question was not that the youth acquired a few facts and should have acquired more ; it was the character of the Iknowledge he did possess which was unsatisfactory. And if we look at the same point from the side of mental development, the imperfection lay in this, that it left the pupil at a low degree of intellectual efficiency. What that stage of knowledge was, and what the corresponding degree of intellectual efficiency was, we may gather by examining Plato's own account of the method of training in music. He says: “It trained our guardians by the influence of habit, and imparted to them, not science, but a kind of har- moniousness by means of harmony and a kind of measuredness by means of measure.”" That is to say, through familiarity with the poems, songs, rhythms, sculpture, and paintings approved, the guardians unconsciously grew to be like them. In habits and character they reflected the noble simplicity of these elements of their material and social environment. But they stopped short at this familiarity, this power to recognise grace and beauty and to imitate it. They made no further enquiry concerning these objects, which were, we might almost |say, passively accepted and approved. We may put it in this way: that they had habits without insight ; they had made no advance beyond the empirical owards the rational stage of knowledge. Their position may be made clear by means of examples. Children of ten will readily recognise the VII. 522 a. 234 EDUCATION IN PLATO'S REPUBLIC. similarity between, say, a candle-flame, a lamp-flame, a gas-jet, and the blaze of a fire. They will apply the term “fuel ” accurately in the different cases ; but they have no rational conception of the nature of the unity hidden away in these various particulars. They are at the “object-lesson’’ stage rather than the science stage. Similarly they will recognise the common element of courage in the character of Horatius and Ivanhoe, of Franklin and Sir Richard Grenville ; but they would be puzzled to separate out the essence of the quality. Their ethics is the empirical ethics of the “plain man.” That the stage of intellectual development reached through the primary education may be quite clearly realised, we venture to quote the following passage from Nettleship's essay in which he is describing it. Speaking of the means—poetry and the arts—which the first education employs for the development of the “philosophic” side of mind, he says: “These last are the appropriate nurture of the ‘philosophic ’ nature, not in its entirety, but in that phase of its growth when it is mainly imaginative and emotional, not logical and reflective. By presenting to the soul the true principles of life in the sensuous material which it is able to assimilate, they prepare it un- consciously for assimilating them when presented at a later stage in a more rational form. They teach it to live by telling how divine beings and great men live and have lived ; they teach it what to love by surrounding it with what is really lovable ; they foster its acquisitive instincts by encouraging the quick and accurate use of the senses ; they develop its tendency to order and law by accustoming it to recognise severe symmetries of Sound and form ; and, ARVMAA’Y A/V/D AIGAZEAE A2Z) UCATWOAV. 235 finally, they introduce it to manhood endowed with an instinctive capacity of doing and saying the right thing at the right time, and with an instinctive per- ception of what is right and wrong in the deeds and words of others. In calling the capacity and perception thus acquired ‘instinctive, it is not intended that Plato conceived them to be received at birth or got by natural selection. . . . By ‘instinctive ’ is meant that the substance of the education in ‘music” is appropriated and held by the soul without real reflection ; that, in Greek phraseology, it feels neither the need nor the capacity to give an account of it ; that it is conscious of it only as a part and parcel of itself, not as an object which it can hold apart, look at, and criticise.”" Empirical knowledge, here called “instinctive,” is the kind of knowledge which the majority of men have to rely on, and are content to rely on, in the majority of circumstances which affect both their thought and their actions. They are familiar with disease, but they do not enquire into the essential conditions of health ; they recognise the beauty of a scene, but they do not reflect upon it ; they admire virtue and hate vice, but they would be puzzled to account for them. Yet it is the characteristic of such knowledge that it is always leading men astray. In the face of what is unusual it is unreliable. For those who have to direct the activities of others it is altogether inadequate. It is a poor outfit for the captain of a ship or the master of a school. And we can readily see that for the training of those who were to direct the fortunes of the republic, an edu- cation which left a man with empirical knowledge * Op. cit., pp. 122, 12 236 FDUCATIO/W /AV AZATO'S REAEPUB/./C. only would need to be supplemented by one which | carried him on to rational insight. 8. The Classification of Objects and Mental States. To understand how this advance from the empirical to the rational was to be made, to realise what a halt at the empirical stage meant and what the advance to a rational stage involved, we must try to under- stand a division among the objects which the mind can know and among the mental states by which the different objects are known which Plato made. Here is the division, arranged in tabular form : MENTAL STATES. OBJECTS KNOWN. N r H 5- GD - H CD .# 4. Real existences, or, the | #59 , Q 4. Pure Reason. essential “forms ” of £5'5 > existence. § 3 & O : gº * }. 3 * # O oq → dº S. | 3. 3 - e ă ş-; $ º 3. Hypothetical objects— 3 S ºf CO 3. Understanding. e.g., the circles of Ø g mathematicians. 3. \ J f \ º § 2. The world of nature 43.2 ‘E 2. Belief. and of art (“the world #33 'F', of birth and death *). £5. ; 9 ºff.; ‘5 33 (a 3 § 1.3 --> ſº e * d S d * cº- > # 1. Conjecture. 1 shºw and Reflec ă ş # GD H \ w J Under the figure of a line divided into four unequal segments—the dark central vertical line of the diagram –Plato represented four kinds of objects and four kinds of corresponding mental states. The line was ARIMARY A/VD HIGHER EDUCA 7/O/V. 237 first divided into two unequal segments. The dark horizontal line in the diagram represents this division. Then each segment was unequally divided as by the light horizontal lines above. The lengths of the segments had meaning. The smaller segment of the first or lower main division meant as regards the objects less reality, and as regards the mental states less certainty. The unequal segments resulting from the second or upper subdivision carry the same implication. Hence we have on the right of the table an arrangement of the objects of knowledge increasing in reality as we pass from lowest to highest ; and on the left an arrangement of mental states increasing in certainty as we pass from lowest to highest. We may now proceed to fill in for ourselves the abstractions named in this table, so that through concrete embodiment they may be clearly realised. The illustrations which Plato himself used will help us, and others may be added. 9. The First Division. Beginning with the first and lowest group of objects, we find that it covers shadows and reflections and “everything of the kind.” The last phrase warrants us in including everything which is a copy or representation of something else. A picture, a photograph, or, to take an example from the schoolroom, a clay-model would, we may well assume, be included in this group. The essential characteristic of members of this group of objects is that they only enjoy a derived sort of existence. Their reality is a derived reality. A shadow dis- appears if the object which throws it disappears; and in an analogous way the reality of a portrait or model depends upon that which it represents. Corresponding with this lowest stage of reality 238 EDUCATION IN PLATO'S REPUBLIC. there is the lowest degree of certainty, described as “conjecture.” This mental condition is familiar enough, though it is difficult to describe. It is less vivid, less “stinging,” to use a word of Professor James's, than the mental condition produced by the presentation of the original object. There are, of course, degrees in the closeness with which the “image * approximates to the original. Thus a verbal description—an “image * in the sense implied —an outline sketch, a relief map, a model, and a picture would, perhaps, supply an instance of an ascending scale of degrees of closeness, the original being, say, a mountain. Corresponding to this would be an ascending scale of mental conditions arranged according to vividness. The highest of them, however, would be far short of that condition which the presentation of the real object produces. It would even be different in nature—a sobering reflection for those teachers who are accustomed to rely too exclusively on such representations. 10. The Second Division. Ascending the ladder of reality, the second group consists of “the real objects corresponding to these images—namely, the animals about us, and the whole world of nature and of art.”" That these should be put low in the scale of real existences is, at first, inconceivable. What we can see and handle (the birds and the trees), what resists our free movement (the earth and the air), have no touch of unreality. The material world is, so we exclaim, of all worlds the most real. If, however, we consider that this is the world of con- VI. 510 a. By the “world of art” is here to be understood artificial additions to the material environment, such as buildings, dribges, etc. ARZMAAEY AAVZD HIGHER EZO UCA 7TWO/W. 239 tinuous change, the “world of birth and death,” as Plato called it ; and if, further, we remember that changelessness and permanence were for him the first condition of reality; then we begin to understand the low degree of reality which he assigned to it. Consider, too, how much the material world about us owes to our consciousness. We give it its light and its shade, its colour and its sound, its coldness and its warmth, possibly even its arrangement in space. And what a proportion, striking in respect both of quantity and quality, we thus add to the . sum-total of the material world as we know it ! Though so startling a truth reveals itself to re- flective thought, it does not cause us to lose our firm grip of the world that is about us. Ordinarily we are conscious of nothing illusory in its appearance. Nor could we be ; for though it owes so much to consciousness, we cannot strip it of the gorgeous raiment in which our sensory experience clothes it. Imagination may enable us in a measure to figure out the chaos of vibrating atoms, and thought may supply us with a working theory of their mutual interaction and their effect on us ; but the world of our stable belief is the world we see and hear and touch. Knowledge of its innermost constitution cannot make us shake off the constraining influence of sense. “Conceived molecular vibrations are by the physicist judged more real than felt warmth, because so intimately related to all those other facts of motion in the world which he has made his special study.” Yet “let the physicist himself but nod, like Homer, and the world of sense becomes his absolute reality again.” " James, “Principles of Psychology,” Vol. II, pp. 300, 301, 302, 24O FDUCATIO/V /AW PLATO'S REPUBLIC. Why, then, is belief in this physical world, joined with conjecture to make up that ideal of mental states called “opinion,” not worthy the name of knowledge P Because for the ordering of his scale of certainty and reality Plato is not employing a psychological criterion, but a logical one. The vividness of sense-impressions was for him no guarantee of the truth or certainty of the knowledge which they convey. On the contrary, he distrusted all knowledge of merely sensuous origin. For if it had the psychological characteristics of vividness and constraining power, it had the logical characteristic of particularity ; and general or universal knowledge, independent of time, place, and the individual con- sciousness, is the logical ideal. Thus the contrast between visible and intellectual objects coincides with the contrast between particular and universal know- ledge. In this sense, then, “opinion ” was low down in the scale of worth. It was knowledge of this or that object as an individual thing, without the power to penetrate its individuality and reach the universal truth which lay behind and beyond it. 11. The Third Division. The first subdivision of the kinds of “knowledge” and of “intellectual objects,” and the third in the complete scale, is distinguished by the fact that it is in a large measure set free from the slavery of sense, and that it does transcend the particular in order to lay hold on the universal. Mathematics is the science from which Plato chooses illustrations of the kind of objects and the kind of knowledge he refers to. Speaking of the students of this subject, he says: “They summon to their aid visible forms, and discourse. about them, though their thoughts are busy not with these forms, but AAEAA/AA’Y A/VD HAGAZZZZe AE/O UCA 7TWO/V. 24. I with their originals, and though they discourse not with a view to the particular square and diameter which they draw, but with a view to the absolute square and the absolute diameter, and so on. For while they employ by way of images those figures and diagrams aforesaid, which again have their shadows and images in water, they are really en- deavouring to behold those abstractions which a person can only see with the eye of thought.” Here we have the advance from the concrete to the abstract with which every teacher is more or less familiar. It is, of course, not confined to mathe- matical questions, being indeed that necessary step towards a scientific knowledge of all subjects which the logic of induction seeks to explain and make perfect. It is a movement of thought which is being attempted during every hour of the school day. From concrete to abstract quantity, from experiment to law, from instance to rule—we are for ever helping our pupils to climb from the second to the third rung of Plato's ladder. It is true that the march is often too hurried. It is true that the utmost we get in very many cases is but a faint, inarticulate refer- ence to the universal felt somewhere in the fringe of consciousness. Still, until the step is made, however falteringly, until the reference is felt, however faintly, we have not left the uncertain path of “opinion ” to tread on the firm ground of “knowledge.” 12. The Fourth Division. Even the abstract and universal truths so reached do not satisfy Plato's ideal of knowledge. They are, in the first place, tainted with the concrete particulars from which they start. The basis of the structure is sensuous. | VI. 510 e. 1 (3 242 FDUCATION IN PLATO'S REPUBLIC. Moreover, these truths suffer from another imperfec- tion—they remain as hypotheses. Investigators, “having adopted them as hypotheses, decline to give any account of them, either to themselves or to others, on the assumption that they are self-evident.”" To take an illustration from mathematics to which he is particularly referring, what are these perfect circles, triangles, etc., which mathematicians assume 2 The question is not raised. Having assumed them and their properties, and having derived from them con- sequences which fit with concrete experience, no further investigation is made. The limit of explana- tion has been reached. That the most far-reaching of physical generalisa- tions also remain at this level of hypotheses cannot be doubted. Such, for instance, is the position of the law of universal gravitation, the atomic theory of the constitution of matter, and the vibration theory of radiation. They go far towards a complete ex- planation of natural phenomena, but remain them- selves unexplained. The impulse to get behind them is not wanting. It is felt by the scientist and philo- sopher, who desires to see these laws and hypotheses welded together into one complete and consistent theory of the universe. It is characteristic, too, of the unbridled curiosity of the young. The following instance of it, quoted by Professor Morgan, is in- structive : “A good many years ago, when I was a young student, a clever lad in Cornwall asked me the old question, ‘Why does a stone fall to the ground?” Not wishing to put him off with the long- sounding words, “Universal gravitation,' I replied, * Because it is heavy.” “But a feather is not heavy, * VI, 510 d. AAC/MARY A/VD HIGHER EDUCATIO/W. 243 and yet it falls to the ground,’ was the prompt answer. I replied that the feather was relatively heavier than the air. The lad was silent for a moment, and then said, ‘That's just one of the things I want to know : does the air fall to the ground and collect there like water in a pond, only we cannot see it because we are in it, and it is invisible P’ I saw this lad's powers of comprehension were fully equal to the occasion, and explained the whole matter as best I could. I told him he was quite right in supposing that the air, like the stone and the feather, was attracted by the earth ; I pointed out the universality of gravitation as a law of nature ; and then, reverting to his first question, I said, ‘You see that we explain the fall of the stone as a particular case of the action of a law universal in its generality.’ He was again silent for a moment, and then asked, “But what makes the earth attract it, after all P’ I laughed, and said, ‘You’re a philosopher l Nobody can answer that question. Perhaps you may like to find it out, or at any rate to understand the solution when it comes, as come it may.’”* It has not come yet. Nor has there yet been achieved that combining of the results of the separate sciences which Plato regarded as but a prelude to the highest of all studies. “If the study of all these sciences which we have enumerated should ever bring us to their mutual association and relationship, and teach us the nature of the ties which bind them together, . . . all this is but the prelude to the actual hymn.” What this hymn was, what was the nature of that highest group of the objects of knowledge, * “Psychology for Teachers,” pp. 12°, 129. * VII. 531 (7. 244 ACDUCATIO/V /AW ANZATO'S REPUB//C. we cannot clearly discern. Reference has already been made to it." It was a world of changeless objects, transcending in beauty and reality the world of sense, known only through the activity of pure intelligence or pure reason. He who wishes to pene- trate this world, to solve its mysteries, relying upon “a simple process of reason, independent of all sensuous information—never flinching, until by an act of the pure intelligence he has grasped the real nature of good—arrives—arrives at the very end of the intellectual world.”” 13. The Idea of Good. What was the “real nature of good,” which is the most real of all existences, and a knowledge of which is the “very end of the intellectual world,” and hence the Supreme goal of education, we cannot definitely say. “He has nowhere given an explanation of his meaning, not because he was ‘regardless whether we understood him or not,’ but rather, perhaps, because he was himself unable to state in precise terms the ideal which floated before his mind.” ” But ideals are of this nebulous and indeterminate nature, and they do not therefrom lose any of their constraining and inspiring power. They are at once elusive and pervasive : elusive of analysis, yet pervasive of our being. They flee before the coldness of critical examination to take refuge in the warmer confines of feeling. We shall, however, better appreciate the Idea of Good if we try to understand what the term “good" implied to a Greek. “That sense is perhaps most simply and clearly illustrated in the familiar expres- * See chap i., p. 12. * VII. 532 a. * Jowett, “The Republic of Plato,” Index, p. 356. AA’/MARY A/VZD HIGHER AE/DOCA 7TWO/W. 245 sion, ‘What is the good of a thing P’ and ‘What is a thing good for P’ The answer to both these questions will give us the use, purpose, or end which the thing in question serves, and when we say a given thing is ‘good’ in this sense, we can generally para- phrase the expression into ‘it does its work or serves its purpose well.” . . . We shall understand not only Plato, but the whole of Greek moral philosophy, better if we accustom ourselves to think of man as having a specific work to do, of morality as his doing that work well, of virtue or “goodness” as the quality which makes him do it well, and of the ‘good’ as that which the work serves or realises, and in serving and realising which it is itself ‘good.”" If we think now of a point of convergence for all that is highest and best in life, a final purpose to which all that is noble in thought and deed is directed, an end which throws light backward and makes all virtue clear and intelligible, we may form some conception of the Idea of Good in its ethical aspect. Men may be but dimly conscious of this ideal, the revelation of its “real nature” may be complete we know not when, yet it is here and now operative as the fount of inspiration of every virtuous act. Besides being the source of the idealisation of life, it is the origin of knowledge. “Plato sees in it the condition not only of conduct but of knowledge also. What the sum is in the world of visible objects, that he conceived ‘the good to be in the sphere of intelligence. To the complete fact of sight there are, in Plato's view, four factors mecessary—an eye capable of seeing, an object capable of being seen, * Nettleship in “Hellenica,” pp. 158, 159. 246 EDUCATION /AW PZA 7 O'S REAUB//C. light in the eye and the object, and the sun, of which light is an “effluence.’ The fact of knowledge may be analogously analysed : there must be a subject capable of knowing and an object capable of being known, there must be an intelligence present in both making the one intelligent and the other intelligible, and there must be a source of intelligence from which it is diffused through the twin world of sub- ject and object, soul and being. Such a source is ‘the good,” which ‘supplies truth to the object of knowledge and gives to the subject the power of knowing.’” This is what the Idea of Good means on its logical side. Finally, the Idea of Good may be thought of, consistently with Plato's suggestion, as the “creative cause of the universe.” And thus we may say that Plato's theory of education ends where it began, with a revelation of the divine being. * Perhaps, however, the thought of this highest department of enquiry as moral and aesthetical is the one which is fullest of suggestion for us. When the co-ordination of the sciences shall have been completed, when their results shall have been dove- tailed into a perfect structure of knowledge, if ever these things come to pass, there will still remain a further and, in the scale of worth, a higher field of enquiry. Room will remain for speculation upon the meaning and reflection upon the beauty of the universe. And the highest group of “real exist- ences * revealed to the “pure reason '' need not remain the mere dream of a philosopher. We need not look upon them as a separate group of objects, but as aspects under which all objects may be * Nettleship, op. cit., p. 161, ARIMARY A/VD HIGHER EDUCATIO/V. 24? viewed—i.e. their moral and aesthetical significance. In this sense we may say that the child drinking in the beauty of a rainbow and the philosopher reflecting on the majesty of some all-pervading law of nature are, each in his degree, penetrating the mysterious world of “real existences.” Each may be realising, dimly or clearly, that “the world is not an unmeaning chaos, but a something of which, however slowly and with however many mistakes, we are discovering, and not merely inventing, the significance.” " 14. The Allegory of the Cave. To the majority of men, however, these moments and this power of penetration is not given. They remain for ever in the misty plains of opinion, never reaching the clear heights of knowledge. This truth Plato illus- strates by means of his famous allegory of the cave.” The life of most men is passed, as it were, in a cave. There, chained in one position, they see but the shadows of objects cast upon a wall, and hear but the echoes of voices whose sounds are reflected there- from. Their knowledge is of shadows and reflections only ; the realities are for ever hidden from them. On a par with their low degree of knowledge is the base condition of their desires. They “cling to the pleasures of eating and gluttonous enjoyments of a similar nature,” and know nothing of higher enjoyment. Yet they possess the capacity for better things ; only care must be taken, if they are to be lifted out of the darkness of the cave, that the process is gradual. They must not, by a too sudden intrusion into the light of reality, let the “eye of the soul” * Nettleship, op. cit., p. 159. * Book VII. to 521 b. The whole passage should be carefully read. 248 EDUCATIO/W //V P/ATO'S REPUBLIC. ; ! t i be dazzled so that it can discriminate nothing therein, and prefers the gloom of the cave; nor yet must a too speedy and sudden refinement of their pleasures be attempted. “Habit will be necessary to enable him to perceive objects in that upper world,” I and “from earliest childhood” he must be gradually divorced from the lusts of the flesh. 15. The Training of the Philosopher. Such, then, were the stages of knowledge ; such were the evils, moral and intellectual, of a halt at the lower stages; and such was the ideal at which a complete scheme of education was to aim. The course for philosophers was mapped out in the light of this ideal. For twenty music and gymnastic, so that they might be “dyed ‘’ with worthy habits and sentiments; but they would not then have advanced beyond the stage of “opinion,” !, |º they were to be subject to the discipline of sound though it might be. Between the ages of t } A twenty and thirty a study of the sciences—arithmetic, plane geometry, solid geometry, astronomy, and harmonics, in crder—was to exercise the “under- ; standing,” training them in the power of abstraction so that they might “see” with the intellect with . . . ; * the least aid from sense. From thirty to thirty-five was to be given up to the exercise of “pure reason,” in contemplation of the objects of that world of ideas & } ſ - º, * * void of all suggestion of sense, change, or particularity. Then they were to bring the results of their training to bear upon the everyday affairs of the republic until they reached the age of fifty, for the new #. vision which the perfecting of their intellectual powers brought, and the new life which the refining of their emotions had made possible, were to be used now " ! VII. 516 a. PR/MARY A/VD A/GA/EAE EDOCA 7/OM. 249 # for the common good. The vision of truth and the idealisation of life were not to bring cleavage between them and their less favoured fellows. They were to mix with ignorance and baseness for the betterment of these. Then, having played their part in the uplifting and ennobling of ordinary citizen life, they It is not difficult now to see the relation in which the earlier primary education fitted for all citizens stood to the higher education necessary for those who were to rise to the highest offices. The early leducation was at once complete and preparatory. It was capable of supplying a complete outfit of sound opinion which would guide the ordinary citizen to a healthy and beautiful life ; and if he passed to the high office of philosopher, the development of reason would disclose nothing in that body of opinion which should be discarded. Reason would but show im old friends under mew faces." We may say of the primary education generally what Plato said of the fables to be presented to the young, that it will have fulfilled its function if it has not intro- duced into the mind “opinions generally the reverse of those which, when they are grown to manhood, we shall think they ought to entertain.”” 16. The Demarcation of Educational Spheres. The problem of the relation of early to higher educa- tion, which Plato solved in the manner just described, is one which is ever recurring. It stands in the very forefront of the educational questions which at present press for settlement. One of the few prin- ciples upon which specialists are in unanimous agree- ment is the desirability of continuity between our ! III. 402 a. * II. 377 g. might return in old age to a º contemplation. --~~~~ Z 250 EDUCATIOAV ZAV P/CATO'S REPUBLIC. * various educational systems. The capable pupil, it is agreed, should be able to pass without undue loss of time or energy, and without undue interference with the orderly progress of his development, from one educational sphere to another ; from, say, the elementary school through the secondary school to the technical institute or the university, or from the preparatory school through the public school to the same termini. The need for smoothness and economy in these transitions and for the making of them possible for all who are in a position to take ad- vantage of them is recognised by all. Disagreement arises when an attempt is made to map out and limit the different spheres. The problem of boundaries is a most difficult one in educational as in more purely material affairs. It savours of irony to suggest that we might hark back some two thousand odd years for a clue to a satisfactory solution, yet we shall find no better guiding principle than that on which Plato seems to have relied in dealing with the same question. / He did not, as we have seen, make the º: A º º º tº e e o - 4, of subjects the basis of his division of education into primary and higher. Of necessity the question of difficulty was a factor affecting the division, but it was not the principle, the fundamentum divisionis. That principle was a stage of knowledge or a degree) of development. It was an internal rather than an external criterion. If we adopted it, there would be no need for a lawyer to fix the lines of demarcation between the elementary and the secondary or advanced stages. The “whole choir of heaven and furniture of earth’’ would supply material from which the primary teacher could make a selection. Of course, . PRIMARY AWD AIGHER EDUCATION. 25 I many considerations would influence his selection ; but independently of the nature of the material, his peculiar function would be determined by the way àn which he dealt with it. Thus, following Plato's cue, he would be concerned primarily, not absolutely, as we shall see, with the Function of empirical stage of º knowledge. / Looking the Primary at this from the side of mind, he would School. seek to develop good moral and intel- | lectual habits and to refine the tastes. He would seek to cultivate a tendency to follow the true, the beautiful, and the good; so that if his pupils were to proceed to a higher course, the ground would be duly prepared, and if their formal education was then to end, they might have at least the capability for nobility and fulness of life, and perhaps, too, an impulse to themselves discover more of its meaning. Looking at it from the side of objects known, he would be satisfied with their recognition and apprecia- tion ; his pupils would remain, for the most part, at the object-lesson stage. The task of the master in the second-grade school could be readily defined on the same lines. His The would be the important task of conducting jº his pupils to the third stage in Plato's University, table of the orders of knowledge. A He would have to see that a rational standpoint was estab- lished. The power of abstraction would need to be developed. He would require a knowledge of the facts of nature in their general and systematic aspect, an appreciation of the beauty of, say, a poem on justifi- able grounds, and some insight into the grammar of morality/ /Finally, to the universities would be left the task of carrying the work of education a fair way 252 A.DUCA 7TWOAV ZAV A/LA 7TO'S REAE UBZ/C. towards completion, so that even the world of “real existences” might not be too dazzling to look upon. ' Of course, these spheres could not be rigidly separated; it would be extremely undesirable that they should, for the progress of mental development does not keep an even pace alongside the steady march of the years. Many a child of the elementary School can grasp a far-reaching generalisation of science, and even peer into deeper mysteries. And all should be carried some way out of the region of empirical knowledge. The way out of the cave should at least be indicated to all. Any system of education which does not make every one a philosopher, So far as his abilities go, stands condemned. At the same time, the general principle of the division is suggestive; and if it were sufficiently realised, it might lead to the removal of one chief defect of our elementary education—viz. the tendency to pre- mature rationalisation. and invaluable lesson to be drawn from Plato's con: ception of a complete education is this, that it is a matter of a lifetime. In our thought the idea of finality is too often present. We start from the economic fact that for most men but a short span of years can be devoted to direct education, and we readily fall into the error of seeking to compress too much into that short period, and the even more . fatal mistake of endeavouring to give it a veneer of completeness. The result is a forced and premature growth, and an artificial and stifling educational atmosphere from which our pupils are only too glad to escape. The leaving of school or the ºx 17. Education as a Lifelong Progress. One º of a “final * is, too often, a great emancipation-day. AAEM/MAA’Y AAVZ) A/GATE/e. EZOUCA 7TWOAV. 253 The spirit of Plato's thought is the idea of a slow maturing of worthy habits and refined tastes in a healthy environment, to be followed by a close communion with what is highest and best, lasting through life. And it is an abiding consolation to think that he considered the fuller and deeper life f contemplation possible, in a measure, for all. No one need dwell for ever in the cave ; all can climb some way upwards towards the light, even though he highest pinnacles in the full glare of the sun are |for those only in whom the philosophic spirit is strong. “There is a faculty residing in the soul of each person and an instrument enabling each of us to learn ; and just as we might suppose it to be impossible to turn the eye round from darkness to light without turning the whole body, so must this faculty, or this instrument, be wheeled round, in company with the entire Soul, from the perishing world, until it be enabled to endure the contemplation of the real world, and the brightest part thereof, which, according to us, is the Form of Good.”" But though we may draw inspiration from the idea of education as a lifelong progress, and though it is a legitimate inference from Plato's theory that one chief end of primary education should be to develop, as far as may be, the power and the inclination to go forward, we must be careful how we conceive of the nature of this progress. If it is to be possible in a measure for all, it must not be the ascent of rung after rung of a ladder of abstractions. There need be no “wheeling round ’’ from a “perishing ” world to find the “real' world. Higher education need not proceed by means of a divorce of the ! VII. 518 (7. 254 FDUCATIO/W ZAV PZA 7 O'S REAEPUB/./C. truth revealed to the senses from the truth revealed | to the reason. It is through the marriage of these that educational progress will appear as a healthy offspring. - What a man can do is to take some area from the field of concrete enquiry and come to regard it con- templatively and reflectively. He can choose a branch of science, history, or literature ; or he can confine himself to his own garden. Only he must try to appreciate the beauty and the significance of it all. The ideal world is not far off. A man may be the “spectator of all time and all existence * if he will but look closely enough at the simplest flower at his feet. IND EX. A. Adaptation of truth, 41-43 Adler, 40, 158 Aesthetic and moral culture, 108- 112 Arnold, 164 Artificial trials of character, 187- 189 Artisans, 18 Ascham, Roger, 157 Auxiliary-guardians, or soldier- citizens, and their training, 18-20 IB Barnett, 59 Bible stories, treatment of, 39-41 Bodily condition and tempera- ment, 148 — — and consciousness of self, 148, 149 — — and the stream of con- sciousness, 149 Bodily training and character- training, 135-143 Bosanquet, 85, 41, 95, 98, 127 Burrell, 155 C Cardinal virtues in a society, 190- 205 255 Cardinal virtues in the indi- vidual, 206-222 Cave, allegory of the, 247, 248 Censorship of literature, 37-39 Cephalus, 25 Certainty, degrees of, 236-244 Citizen, the making of, 15-21 Civic sentiment, indirect develop- ment of, 181-182 — — direct development of, 183 — standard and narrowness, 19-20, 179-181 Classes in the state and their education, 18-20 Concupiscent element, 138-139 Conduct, self-originated, 82-83 Consciousness, its complexity, 217-218 Control of impulse, 218-216 , Courage, 46-54, 196-199 D Doctor and teacher, 162-163 Dramatic poetry, objections to, 15, 72, 87-88 Dyeing, metaphor from, 198 E Education and loyalty, 174-175 — — legislation, 175-177 256 IVDEX. Education as a lifelong progress, 252-254 Educational spheres, 249-252 Eleatics, 4-5 Emerson, 76 Emotion and imitation, 86-87 suppression of, 51-52 Emotional expression, 50-52 Empirical stages in teaching, 116-121, 232-236 End of education derived from philosophy, 2 -— — — as welfare of state, 171-175 — ethical, of primary scheme, 24 Ends, union of material and spiritual, 21 Environment, 105-125 --—- control of by teacher, 112- 113 F Fables. See Literature Faculties of the soul, 211-212 — rational and concu- piscent, 212-216 — — concup is cent and spirited, 216-219 — —- Spirited and rational, 219 Feeling, genuine, 81, 82 Form of Good. See Idea of Good Form of literature, 68-90 Fortitude, 53, 54 G Generalisation. See Rationalisa- tion Genuine lie, 35 God's mature, essentials of, 34, 35 Good. See Idea of Good Greek philosophy before Plato, 3-10 Guardians. dians — perfect. See Magistrates Gymnastic, 130-165 — wide treatment of, 133-135 — effect of too much, 141, 158- 161 See Auxiliary-guar- FI Harmonies, special for special virtues, 92, 93 Harmonious development, 139- 140 Harmony, 93-96, 107-108 I Idea of Good, 12, 31, 244-247 Ideas, the theory of, 10-14 — — and the educational scheme, 14-15, 17 — the world of, and the world of perception, 11 Imitation, political objection to, 72–76 — ethical objection to, 76–85 — philosophical objection to, 85-88 — summary of dangers and uses, 88–90 in higher education, 83-84 — and the professional train- ing of the teacher, 84, 85 Individualistic and social aims, 178, 179 Insight as a factor in moral culture, 109-110, 127-128, 153, 197 Introduction of subject of edu- cation, 25-26 Involuntary abandonment of opinion, 185-187 J James, 43, 101, 162, 189, 197,239 AWDAX. 257 Jowett, 36, 40, 95, 136, 171, 204, 210, 244 Juror and teacher, 163-165 Justice, definition of, 25, 26 — account of, 201-204 — discovery of, 203-204 — “Concerning Justice,” a second title of the “Republic,” 17 K Kant, 63, 65 L Lamb, Charles, 159-160 Learning to read, the parallel from, 126-129 Literature, as a factor in moral training, 65-67 — false before true, 27 — substance of, 27-67 — form of, 68-90 — principles of selection of, 28, 29 — a lesson in, 122-125 Locke, 225 Lying and its treatment, 57-58 M MacCunn, 67 Magistrates and their education, 19-20, 248, 249 Material and spiritual aims, 48-49 Melody and rhythm, 92-104 Method of aesthetical and moral culture, 113-116 — in logical training, 116-121 — direct, of aesthetical culture, 121-125 Moral and religious education, beginnings of, 30, 31, 45, 46 Morgan, Professor Lloyd, 242-243 Muirhead, 48 Music, its great educational in- fluence, 94-95 — effect of too much, 140-141, 161-162 — and gymnastic, joint effect of, 141-143 Musical education, end of, 125- 129 N Nature-philosophers, 4 Nettleship, 48, 49, 50, 62, 70, 94, 99, 109, 136, 159, 225, 226, 234, 235, 244, 245, 246, 247 O Orders of knowledge, 236-247 Outward beauty and inner worth, 98-101, 106-107 Over-concentration, evils of,73-76 P Philosopher, training of the, 248, 249 * Philosophic element in soul, 138 Physical culture and character, 147-158 Political efficiency and education, 73 * Primary education, outlines of scheme of, 22-24 — scheme, apparent narrow- ness of, 229-230 — — additions to, 230-231 — — limitations of, 232-236 — school, function of, 250-251 Principle of contradiction, 208- 210 Psychology of Plato, 13, 137-139, 210-219 Pythagoras, 4 Q Questions and imitation, 80 17 258 JAVZ).E.X. R Rational basis of educational scheme, 223-224 Rationalisation, 116-121 Reality, degrees of, 236-244 Reason, the divine element in man, 13 Religious foundation of educa- tional scheme, 30, 31 “Republic,” the plan of the, 17, 18 Rhythm, 96-98, 101, 107-108 — importance of, 96-98 Rousseau, 39, 225 Ruskin, 111-112 S Sadler, 180, 181 Schwegler, 66 Secondary school, function of, 251, 252 Self-reliant thinking, 79-81 Sense-training and character- training, 150-151 — — cognitive powers, 152- 153 — — emotions, 154-156 ––– — volitional side of mind, 156-158 - Social welfare, education and, 166-189, 225 —— — the ideal character and, 226, 227 Socrates, 7-10, 25, 26, 30 --— his method as a teacher, 7 Sophists, 5-7 Speech, decorous, 103 Spencer, 160 Spirited element in soul, 138, 216-127 Spoken lie, 35 Stevenson, 99, 101 Stout, 54, 97 Style, 100, 101 T Temperance, 61-65, 199-201 Tennyson, 123 Theory of education, develop- ment of a, 22-23 Thought, as source of know- ledge, 7, 8 Thrasymachus, 6, 9, 25 Truth, two senses of, 56, 57 historical and logical, 32 — Plato's account of, 54-56 Truthfulness, love of, 58-61 V Virtue, its unity, 220-222 — and knowledge, 9 Virtues, classification of, 194-195, 204-205 Voluntary and involuntary aban- donment of opinion, 183-189 W Warrior, training of, 223-236 Watson, 83 Wisdom, account of, 195-196 Wordsworth, 107-108, 122, 156 Printed by Hazell, Watson & Viney, Ld., London and Aylesbury, *** 3-, ... 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