MILLIS -7 1:910 HALL, FISYUNIVERSITY NASHVILLE TENN C en uw 1817 ARTES SCIENTIA VERITAS UBRARY OF THE UNIVERSITY OF MICHIGAN Lin 9th TCEBOR SHQUARIS.PENINSULAMAMONAM CIRCUMSPICE bil! 411 SI USI WWU MII HITHIRI MIUIG Han Muntanum RECETTEI) IV EXCIANGE TROVI זין : : : : : ה ין : ומטה IMITTŪTU MITETO with HILOLUMN ON NOM ONI OF THE STORY OF THE JUBILEE SINGERS BY J. B. T. MARSH, WITH SUPPLEMENT. CONTAINING AN ACCOUNT OF THEIR SIX YEARS' TOUR AROUND THE WORLD, AND MANY NEW SONGS, BY F. J. LOUDIN. NEW EDITION, COMPLETING ONE HUNDRED AND THIRTIETH THOUSAND. CLEVELAND, O.: THE CLEVELAND PRINTING & PUBLISHING CO... 27-29-31 VINCENT STREET. MDCCCXCII. . MUSIC ML 3556 .M36 1892 transfer to Murie Skerbero credere intrare; । 12.25-38 12-21-65 1-3-39 VA CONTENTS. CHAPTER I. PAGR THE YEAR OF JUBILEE . I CHAPTER II. 1 THE FORLORN HOPE 8 CHAPTER III. ADRIFT ON STORMY SEAS 16 CHAPTER IV. LIGHT IN THE EAST 24 CHAPTER V. SUCCESS AT LAST 33 CHAPTER VI. THE SECOND CAMPAIGN 40 CHAPTER VII. THE FIRST VISIT TO LONDON 48 CONTENTS. CHAPTER VIII, PAGE 62 A BUSY WINTER IN GREAT BRITAIN CHAPTER IX. OVER THE OCEAN AGAIN 75 CHAPTER X. EIGHT MONTHS IN GERMANY 90 CHAPTER XI. PERSONAL HISTORIES OF THE SINGERS IOI SUPPLEMENT. CHAPTER I. THE NEW MANAGEMENT . 123 CHAPTER II. BOUND FOR THE ANTIPODES 134 CHAPTER III. IN AUSTRALASIA 138 CHAPTER IV. FROM AUSTRALASIA TO THE ORIENT 143 CHAPTER V. IN JAPAN 150 THE JUBILEE SONGS 159 NOTE. TSus volume is in part an abridgment of the two Jubilee Histories which were written by the Rev. G. D. Pike, and which have had a wide circulation, one giving an account of the first campaign in America, and the other of the first visit to Great Britain. But the interval between these two narra- tives is here bridged over, and the story is brought down to the return of the Jubilee Singers from Germany. The personal histories have been more fully writ- ten out, and a large number of new songs have been added, including several of the most popular pieces ever given in the Jubilee concerts. J. B. T. M. 18 92. Fisk University disbanded the company on its return from Europe in 1878, and since then has had no connection with it. The note by J. B. T. M. was written in 1879, when the Singers organized themselves into a joint stock company. They continued as such for nearly two years. In the Autumn of 1882, a reorganization was effected; an account of which, and their subsequent six years' tour around the world, is given in the Supplement There has also been added many new and beau- F. J. L. RAVENNA, OHIO. tiful songs. FISK UNIVERSITY'S GREAT NECESSITY. FISK UNIVERSITY is emphatically a Missionary Institution. The people in whose interest it has been founded were, six- teen years ago, slaves. The most of the students are depend- ent upon themselves, and must earn their own support while securing their education. The colleges of no section of our country rely upon their students, even though wealthy, for the salaries of professors. Colleges and Theological Semi- naries must be endowed, or raise the larger part of their annual expenses by constant appeals to the liberality of their friends. The current expenses of Fisk University have, thus far, been principally met by the American Missionary Associa- tion, but with the hope that the success of its work would create for it friends who would gladly endow it. The insti- tution is most favorably located with respect to healthfulness of climate, accessibility, and surrounding influences. Nash- ville is very properly called the Athens of the South, because of the number and importance of its educational establish- ments. Fisk University has a successful history of fifteen years of work and growth. It has its beautiful site of twenty-five acres and Jubilee Hall; Livingstone Missionary Hall is being erected, and now it needs adequate endowment. We present, to all who have money and wish to use it in the interest of humanity, this opportunity of investing money in a perma- nent form, to do a noble work in behalf of Christian educa- tion for the centuries to come. We invite all who desire to help Fisk University, to come, if possible, and see its work for themselves. The magnitude of the interests centred in such an institu- tion cannot be overestimated in their relations to the wel- fare of our own country. To the millions of recently emanci- pated colored people of the South must be given a Christian education, or the nation must suffer far more in the future than in the past from the curse of slavery. E. M. CRAVATH, NASHVILLE, Tenn., October, 1880. President. CHAPTER 1. THE YEAR OF JUBILEE. THE story of the Jubilee Singers seems almost as little like a chapter from real life as the legend of the daring Argonauts who sailed with Jason on that famous voyage after the Golden Fleece. It is the story of a little company of emancipated slaves who set out to secure, by their singing, the fabulous sum of $20,000 for the impoverished and unknown school in which they were students. The world was as un- familiar to these untravelled freed people as were the countries through which the Argonauts had to pass; the social prejudices that confronted them were as terrible to meet as fire-breathing bulls or the war- riors that sprang from the land sown with dragons' teeth; and no seas were ever more tempestuous than the stormy experiences that for a time tested their faith and courage. They were at times without the money to buy needed clothing. Yet in less than three years they 1 2 THE JUBILEE SINGERS. returned, bringing back with them nearly one hun- dred thousand dollars. They had been turned away from hotels, and driven out of railway waiting-rooms, because of their color. But they had been received with honor by the President of the United States, they had sung their slave-songs before the Queen of Great Britain, and they had gathered as invited guests about the breakfast-table of her Prime Min- ister. Their success was as remarkable as their mis- sion was unique. The civil war which broke out in the United States, 1861, was avowedly waged, on one side to overthrow the Union of the States, and on the other to preserve it. But back of this object it was really a war, on one side to perpetuate slavery, and on the other to abolish it. The South understood this from the start. So did those at the North who were wise to read the signs of the times, and especially those who had the spiritual instinct to interpret the mean- ing of God's providences. The anti-slavery reformers, who had sought, through the peaceful agencies of the press, the pul- pit, and the platform, to secure the abolition of slavery, went into the war with an ardor they never could have felt in the struggle of a slave-holding nation for mere political existence. No young men responded to the call for troops more heartily than those whose boyhood homes had been stations on the Underground Railway—that unique line whose stock was never offered in market; whose trains ran only by night; whose tracks were country by-roads; whose coaches were plain farm wagons; whose pas- THE CONTRABANDS. 3 sengers were fugitive slaves; whose terminus was the free soil of Canada. The first detachment of Union troops that passed through Baltimore on its way to Washington made the streets of that sullen city ring with a song in honor of old John Brown, the abolitionist of Harper's Ferry. And regiment after regiment of volunteers, the pride and flower of half a million Northern homes, “rallied round the flag, shouting the battle-cry of freedom.” The slaves, too, utterly ignorant as they were of common political issues and the proportions of the struggle, almost everywhere and at once read the significance of the great conflict. Tidings of every turn in the fortunes of war passed from cabin to cabin by some mysterious telegraphy, and every Union victory was the signal for secret thanksgiving services. It was the natural result that the camps of the Union army should at once become cities of refuge for fugitive slaves. A New England general, who had been in close political alliance with the slave power until it raised its hand to strike down the Union, gave them a name and a recognized standing in the military lines as “contraband of war." And by and by there came from the good President who had so patiently bided the time, the proclamation that made the army, in the aim as well as the inci- dent of its work, an army of emancipation. Its advance was the signal for a rally of slaves from all the country round to follow it, they knew not whither, save that it was to freedom. They flocked in upon the line of march by bridle-paths and across the fields; old men on crutches, babies 4 THE JUBILEE SINGERS. on their mothers' backs; women wearing the cast off blue jackets of Yankee cavalry-men, boys in abbre- viated trousers of rebel gray; sometimes lugging a bundle of household goods snatched from their cabins as they fled, sometimes riding an old mule "borrowed" from "mas'r," but oftener altogether empty-handed, with nothing whatever to show for their life-time of unrewarded toil. But they were free; and with what swinging of ragged hats, and tumult of rejoicing hearts and fervent “God bless you's,” they greeted their deliverers ! “ The year of jubilee," of which they had sung and for which they had prayed and waited so many years, had come at last! By this violent emancipation of war—so different in its process from the peaceful abolition for which the friends of the slave had been so long looking and laboring—over four millions of bondmen were suddenly made free. They were homeless, penni- less, ignorant, improvident-unprepared in every way for the dangers as well as the duties of free- dom. Self-reliance they had never had the oppor- tunity to learn, and, suddenly left to shift for them- selves, they were at the mercy of the knaves who were everywhere so ready to cheat them out of their honest earnings. They had been kept all their lives in a school of immorality, and even church member- ship was no evidence that one was not a thief, a liar, or a libertine. Their former masters were so im- poverished by their emancipation, along with the other costs of the war, that they had little ability- and were so exasperated by it that they had usually still less disposition—to help them. HUNGER FOR THE SPELLING BOOK. 5 The task of giving these freed slaves a Christian education was laid mainly, therefore, upon the Christian people of the North. It was a missionary work of such magnitude and character as no people was ever called to take up before. Schools were started even before the close of the first six months of the war—in little cabins, in army tents, in unfloored log chapels, in abandoned slave marts, under the open sky. Hundreds of Northern ladies, many of them from homes of luxury and culture, came to teach these degraded people the A B C's of the spelling-book and of Christian citizenship. The work was full of discomforts, difficulties, and danger. By the varying fortunes of war the schools were often broken up, and the teachers forced to seek safety for their lives in fight. Overworked, unable sometimes to obtain suitable food, shelter, or medical attendance, many of these brave women laid down their lives in the cause, as truly as a soldier wlu is buried on the field of battle. Even after the war they were shunned as lepers in Southern so- ciety, and more than one teacher was assassinated by the Ku Klux banditti for refusing to obey their anonymous warnings to give up the work and leave the State. But their mission was not without its brighter side. God's Spirit was often present with convert- ing power in the schools, and in the prayer-meetings that always went hand-in-hand with the schools. All their lives, the lash or the auction-block had been the swift penalty for slaves who were caught learning to read. Now that the fetters had fallen from mind as well as body there came an eagerness 6 THE JUBILEE SINGERS. to learn that was like a consuming fire. The world never saw such a sight before as these schools pre- sented. Families pinched with hunger asked more eagerly for schools than for bread. Women of threescore and ten sometimes mastered the alphabet in a week. Old men bent over the same spelling-books with their grandchildren. Fathers would work all day to support their families, and walk every night to an evening school miles away. Girls suspended from school privileges for a few days, for some wrong- doing, would plead instead for the penalty of a whipping. Their gratitude for instruction was as fervent as their desire for it was ravenous, and their attachment to their teachers was most devoted. The first school for the freedmen was started by teachers sent out for that purpose by the American Missionary Association. This society was formed in 1846, because of the acquiescent attitude towards slavery of most of the older missionary organiza- tions. It had sustained missions among the negroes of Jamaica and West Africa. Its home missionaries in the slave-holding States, while striving to reach both white and black with schools and the preach- ing of the gospel, had always faithfully borne testi- mony against the great sin of slavery. It had the confidence and support of the friends of freedom. And when this great task of giving more than four millions of freedmen a Christian education was sud- denly laid upon the nation, its origin, its associa- tions, and its past labors, all pointed to it as provi- dentially trained up for the occasion. And to it a large part of the work has fallen. THE SCHOOLS FOR THE FREEDMEN. 7 In 1863 it had 83 ministers and teachers in this field; in 1864, 250; in 1868, 532. Since the work began it has expended about $3,000,000 in it. As public schools came to be opened, to some extent, for the colored people, and as the importance of permanent institutions for the training of teachers and ministers from among the freedmen themselves became more apparent, and the necessity for them more imperative, the Association withdrew for the most part from this temporary primary work, and concentrated its efforts upon a system of training- schools. Besides the seventeen academies and normal schools which it has planted at central points throughout the South, and which require the ser- vices of nearly a hundred skilled teachers, it has under its fostering care seven chartered institutions for collegiate and theological education. These are located in as many different States, and no two of them are within three hundred miles of each other. They are Berea College, at Berea, Kentucky; Hamp- ton Institute, at Hampton, Virginia ; Fisk Univer- sity, at Nashville, Tennessee; Atlanta University, at Atlanta, Georgia; Talladega College, at Talla dega, Alabama ; Tougaloo University, at Tougaloo, Mississippi; and Straight University, at New Or- leans, Louisiana. 1 CHAPTER II. THE FORLORN HOPE. THE first steps towards the establishment of Fisk University were taken in the autumn of 1865. Rev. E. P. Smith, after rendering invaluable service to the Union army during the war as the Field Agent of the United States Christian Commission, had just taken up the work of Secretary of the American Missionary Association at Cincinnati. Rev. E. M. Cravath, early in the war, had exchanged the min- istrations of an Ohio parish for those of an army chaplaincy. The son of a pioneer Abolitionist, whose home was a busy station on the “Underground Rail- way,” and whose children were thus inoculated from their earliest days with anti-slavery convictions and a special interest in the colored race, his army expe. rience had brought him into such acquaintance with the needs of the Freedmen, that, at the close of the war, he was commissioned by the Association for special service in organizing its schools in the same department to which Mr. Smith had been assigned. These two met at Nashville. Carefully surveying the field, they were convinced that this was a cen- tral point where a permanent university ought to be planted for the higher education of the freed people, to equip their ministers and teachers, and to give AN IDEA TAKES SHAPE. 9 their leaders in all departments of the life now open- ing before them a Christian training for their work. As the capital city of Tennessee, and as the base of some of the most extensive and decisive military operations of the war, Nashville was not only a point of great business, social, and political importance, but the centre of a large colored population. Eight of the thirteen formerly slave-holding States sur- round and actually border upon Tennessee, and in it and them four fifths of the freed people have their homes. To aid in starting such an important enterprise, there were, providentially, two other efficient friends of the freed people at hand, -General Clinton B. Fisk, the distinguished Christian soldier then in charge of the Freedmen's Bureau in the District of Kentucky and Tennessee; and Professor John Og- den, formerly Principal of the Minnesota State Nor- mal School, and afterwards an officer in the Union army, but at that time resident in Nashville as the agent of the Western Freedmen's Aid Commission, —a society which was afterwards merged into the American Missionary Association. These four took hold of the work, but were met at the outset by two formidable difficulties. A site and buildings of its own were absolutely essential to the success of the undertaking. The Association at that time had no funds that it felt at liberty to in- vest in real estate for such an enterprise. More than that, the dominant element in the coummunity was so hostile to any effort to elevate the colored people, that it was next to impossible to purchase land for such uses. But a favorable site was found IO THE JUBILEE SINGERS. and secured without the purpose for which it was wanted being made known to the seller; three of these friends of the work becoming individually re- sponsible for the entire purchase-money of $16,000. One of the chief advantages of the location was the fact that it was already occupied by a group of one-story frame buildings, which had been erected and used for hospital barracks by the Union army. It was known that these could be obtained from the government, and be easily and cheaply adapted to the present necessities of the enterprise. And so, in January, 1866, the new school was opened. The occasion was the most notable event of the sort in the history of the colored people of Tennessee. Gov- ernor Brownlow made a short address, and other distinguished gentlemen in civil and military life were present. There was inspiration for the freed people in the very thought of thus founding a uni- versity for the emancipated slaves, who had all their life long been forbidden the slightest knowledge of letters. The officers' quarters became the home of an earn- est band of teachers; the sick-wards were fitted up as school-rooms, and filled with hundreds of eager children; the dead-house was turned into a store- room of supplies for the naked and hungry. And there was an almost pathetic romance in the work when a pile of rusty handcuffs and fetters from the abandoned slave-pen of the city came into the pos- session of the school, and were sold as old iron, and the money invested in the purchase of Testaments and spelling-books! The number of pupils in daily attendance the first A BUSY HIVE. IL course, year averaged over one thousand. Some who began the first term never ceased attendance until they had graduated, ten years afterwards, from a full collegiate At first the instruction was, of necessity, of an elementary sort. But the idea upon which the school was avowedly founded, of providing the high- est collegiate advantages, was kept prominently in view. In 1867 the action of the city of Nashville, in making some provision for public schools at which colored people could be educated, relieved the school of many of its primary pupils and opened the way for more perfectly carrying out the original pur- pose. A university charter was. obtained. Some of the buildings which had been used as school- rooms were refitted as dormitories, into which stu- dents from abroad, eager for a higher education, at once began to gather. It was not long before the number applying for admission was greater than could be accommodated. There never was a hive of busier workers. As they became qualified for the work, the students went out to teach,—missionaries to lift up their less- favored fellows. Many of them in this way earned the money that enabled them to return again and go on farther with their own studies. In a single year as many as 10,000 children have been enrolled in the schools taught by teachers sent out from Fisk, -teachers, some of whom a little while before did not themselves know one letter from another! The school was pervaded, too, by a religious earnestness that was contagious. The conversion of new stu- dents was confidently looked for, and more earnestly sought than their progress in letters. I 2 THE JUBILEE SINGEPS. But along with all this success there had been a steadily increasing occasion of anxiety. The build- ings, cheaply and hastily constructed, as they were, for temporary uses, were falling into decay. The site, which had been admirably adapted for the carlier work of the Institution, was found unsuited to its permanent uses. Year by year the problem of obtaining funds for a new site and new buildings grew more and more perplexing. The necessity for its solution at last became imperative, and the Uni- versity treasurer, Mr. George L. White, undertook to work it out. Mr. White was a native of Cadiz, New York, born in 1838. A village blacksmith's boy, his school privileges were limited to what he learned in the public school before the age of fourteen. Like so many other Yankee boys while waiting for their work,—-or while getting ready for it, he became a school-teacher. He had inherited from his father a special love for music, and though he had never had any musical instruction himself, and made no pretensions as a vocalist, his schools were famous for the good singing which he had the knack of get- ting out of his pupils. Leaving the school-room for the camp, he fought for the Union in the bloody battles of Gettysburg and Chancellorsville; and the close of the war found him in the employ of the Freedmen's Bureau at Nashville He had been actively interested in Sun- day-school work among the freedmen, and at the opening of Fisk School was invited by Professor Ogden, its principal, to devote his leisure hours to the instruction of the pupils in vocal music. When THE STUDENT CHOIR. 13 Fisk University was chartered he became its treas- urer-in other words, its man-of-all-work in business matters. The progress made by his large singing classes was a surprise and delight to him. With a presenti- ment, seemingly, of what was coming, he began to pick out the most promising voices and give them that special training for which his own remarkable range of voice, instinct for musical effect, and mag- netism as a drill-master so well fitted him. In the spring of 1867 he gave a public concert with his school chorus, which was a great success financially, and a greater one in opening the eyes of the white people to the possibilities that lay hidden in the education of the blacks. A leading daily interpreted the concert as evidence that the negro was susceptible of education, and raised the question whether it was not the duty of the Southern people to take hold of the work, instead of leaving it to Northern people with so many radical bees in their bonnets! In 1868 he gave another and better concert; and in 1870 his now well-drilled classes rendered the beautiful cantata of “Esther” before a large and delighted assembly. Taking a part of his choir to Memphis, he gave a concert to an audience that filled the opera-house; and another trip southward to Chattanooga met with equal success. About this time the National Teachers' Associa- tion of the United States held its annual convention in Nashville, and arrangements were made for the Fisk choir to sing in the opening exercises, to the great disgust of some who were profanely indignant 14 THE JUBILEE SINGERS. that “the niggers could not be kept in their own places.” Other musicians were to favor the convention with their services at the subsequent meetings; but the singing of the "niggers” proved to be so popular that they were in demand for every session until the close of the convention. All this while the thought had been taking firmer hold of Mr. White's mind that a student choir might be organized, which could travel through the North and sing out of the people's pocket the money that must soon be obtained in some way for the Univer- sity. The plan was talked over and prayed over for a year or two. But, turn it to the light in any way they could, the risks seemed too great. It was one thing to give a paying concert at home, or to make flying trips to points not far away ; it was quite another to start out on a campaign that would certainly involve large expenses, while its returns might be quite inadequate to meet them. Large expenditures would be unavoidable at the start-for the outfit that would be absolutely nec- essary for these poorly clad students, and for the purchase of their railway tickets to Ohio. The University treasury was almost empty ; the Associa- tion did not feel at liberty to risk funds contributed for missionary work in such a speculative venture. And it was not easy to persuade the untravelled parents of some of the students to risk their children in it. But a few clear-headed friends had faith in the plan, and, after much prayer and perplexity of purpose, Mr. White felt the command laid on him from the Lord to go forward. Taking the little money that was left in the Unj. THE FORLORN HOPE STARTS. 15 versity treasury after buying provisions to last the school for a few days, putting with it all his own, and borrowing on his own notes an amount whose payment, if the venture was a failure, would strip him of every penny of his property, he started out with barely enough money to set his party in work- ing order on the north side of the Ohio River. CHAPTER III. ADRIFT ON STORMY SEAS. THE company as it left Nashville, October 6, 1871, followed by the good wishes, prayers, misgiv- ings, and anxieties of the whole University, num- bered thirteen persons. These were Mr. White, who was at the same time the captain, supercargo, pilot, steward, and crew of the ship; Miss Wells, the Prin- cipal of an American Missionary Association school at Athens, Alabama, who took the oversight of the girls of the party; and eleven students — Ella Sheppard, Maggie L. Porter, Jennie Jackson, Minnie Tate, Eliza Walker, Phæbe J. Anderson, Thomas Rutling, Benjamin M. Holmes, Greene Evans, Isaac P. Dickerson, and George Wells. The day after reaching Cincinnati the Singers met with the Rev. Messrs. Halley and Moore, the pastors of the two leading Congregational churches of the city, who were so delighted with their songs that they immediately arranged to hold praise meet- ings in their churches on Sunday, the next day, that their people might have the pleasure of hearing them. Full audiences greeted them in both ser- vices. On Monday a free concert was given and a collection taken at the close. The audience was large but the contribution small. THE FIRST CONCERT. 17 It was on this Sunday and Monday, so well re- membered all over the world, that the great Chicago fire swept away the houses of one hundred thousand people and property to the value of $200,000,000. In Ohio, as everywhere else, people could scarcely think or talk about anything else, much less give money to any other object. There had not been for ten years a week that would have been, to all appearances, such an un- favorable time for the Singers to commence their work. Out of money and in debt as they were, they donated the entire proceeds of their first paid concert, which amounted to something less than $50, to the Chicago relief fund. This was given in Chillicothe, and called out a card from the Mayor and leading citizens cordially commending to public patronage the two concerts that followed. Here at Chillicothe they met with an indignity which was often repeated in the next year's expe- rience. Applying at one of the principal hotels for entertainment, they were refused admittance because of their color. Treated in the same way at a second, they only secured shelter at a third by the landlord's giving up his own bed-room to them to use as a parlor, and furnishing them their meals before the usual hour, that his other guests might not leave the house. This odious and cruel caste- spirit it was to be a part of their mission-little as it was in their plans and painful as it was in expe- rience—to break down. It was owing not a little to tlieir triumphant success as singers, and to the story of the distinguished attentions they received from the people of highest rank and culture both 2 18 THE JUBILEE SINGERS. in America and Great Britain, that the prejudice against color, the hateful heritage of slavery, which was so prevalent and powerful as to make those insults common in their first year's work, was so broken down that they were quite unfrequent in their travels three years afterwards. People who would not sit in the same church-pew with a negro, under the magic of their song were able to get new light on questions of social equality. Returning to Cincinnati to fill engagements for the Sabbath they found a dense audience gathered at Mr. Moore's church, in spite of rainy and un- pleasant weather. It was hoped that the increas- ing enthusiasm manifested in connection with these praise-services would insure a good audience at the paid concert which had been appointed at Mozart Hall for Tuesday evening; for hotel and travelling bills were already assuming serious proportions. But the receipts were barely sufficient to defray the local expenses of the concert. However, it was not altogether lost labor. was,” said one of the dailies, "probably the first con- cert ever given by a colored troupe in this temple, which has resounded with the notes of the best vocalists of the land. The sweetness of the voices, , the accuracy of the execution, and the precision of the time, carried the mind back to the early con- certs of the Hutchinsons, the Gibsons, and other famous families, who years ago delighted audiences and taught them with sentiment while they pleased them with melody." Jennie Jackson's rendering of the “Old Folks at Home," as an encore, was ceived with rapturous applause. Mr. Dickerson sang 66 It rea UPS AND DOWNS. . 19 the “Temperance Medley" here for the first time, and the class trembled for him, as he stood there with his knees beating a tattoo against each other, in a rusty coat that was as much too long for the fashion as his trousers were too short for neighborly acquaintance with his low shoes. But confidence came with the sound of his own voice, and the au- dience forgot the appearance of the singer in their enjoyment of his song. Journeying next to Springfield, to fill an appoint- ment for a concert at Black's Opera-house, they found less than twenty people gathered to hear them, and with heavy hearts they announced that they would postpone the entertainment. A Synod of Presbyterian ministers was in session here, and Mr. White obtained permission for the Singers to appear before them. Assigned a half- hour in which to sing, and state their cause, it was a full hour before the Synod would release them. And not only did they testify their delight “in a vociferous, heartfelt, and decidedly unclerical man- ner, with hands, feet, and voice,” but they passed a resolution “heartily commending them to the favor of the Christian community," and emphasized it by taking up a collection for their benefit of $105. Working their way in a zig-zag path northward, they gave a concert at Yellow Springs, where the colored Baptist church was kindly placed at their disposal. At Xenia two concerts yielded them $84, and afforded the colored students of Wilberforce University a stimulus that was worth, in another way, quite as much more. For those were days in which anything well done by a colored man was 20 THE JUBILEE SINGERS. an inspiration to all the rest of his race to whose knowledge it came. At London, their singing in Springfield before the Synod bore fruit in the active efforts of the Presby- terian pastor in their behalf. The Sabbath was spent in Columbus, the Singers taking the place of the choir at one of the churches, and singing at a Sun- day-school concert which is remembered as an occa- sion of special interest. At Worthington they met a hearty welcome from Professor Ogden and his wife, their old instructors at Fisk, who had done work of lasting value in lying its foundation, but were now in charge of the Ohio State Normal School at that place. There they remained several days for much-needed rest, giving a concert meanwhile which, thanks specially to the active efforts of these two old friends, yielded $60. At Delaware their concert paid still better, and, for the first time on their trip, they were permitted to sit in the same parlors and at the same tables in the hotel as white people. Three concerts at Welling- ton netted them little more than enough money to take them on to Cleveland; where they sang on Sun- day at the First Presbyterian and Plymouth Con- gregational churches, with the satisfaction that their unique praise-services invariably gave. All this time they were living, as the old phrase has it, from hand to mouth,-depending on the pro- ceeds of one concert to pay the next morning's hotel charges and buy their railway-tickets to the next appointment. Any special collapse in an evening's receipts left them helpless till some friend stepped forward-as there was almost always some friend in FRIENDS LOOK ASKANCE. 21 such an emergency who did—and paid hall and hotel bills. But the great trial was that no light had dawned on their mission. They would have done better to stay at home if they were to make nothing above ex- penses. So scantily clad were they that Miss Shep- pard was obliged to travel one rainy day with no protection for her feet but cloth slippers. It was not until some time after the biting weather of the North- ern winter, to whose severity they were quite unused, had fully set in that Mr. White was able, by borrow- ing $5 that had been given to Minnie Tate, and pick- ing up $19 in other ways, to purchase overcoats for two of the young men, who had really been suffering for want of them. In one way and another a comfortable outfit had been secured for the young women; but such were the varieties of style represented that it was not un- common for Ella Sheppard to be asked if Minnie Tate was her daughter,--the former being twenty and the latter fourteen. And Jennie Jackson, who was nineteen, was sometimes taken to be the mother of Eliza Walker, who was fourteen. The coolness, amounting often to indifference and sometimes to suspicion, with which even many of the warmest friends and supporters of the American Missionary Association looked upon this new agency for raising funds for its work, was one of the specially discouraging and trying features of the enterprise. Ministers were often loth, and not unnaturally, to let the Singers into their choirs; and if they gave them the use of their churches for a praise-meeting, they sometimes showed a strong inclination to take 22 THE JUBILEE SINGERS. their own seats among the audience and near the door! But Mr. White's grip upon his purpose was not easily loosened, and he learned to let none of those things move him, knowing that the enthusiasm of these doubting friends after the service was almost sure to be in about an inverse ratio to their expecta- tions before it. During these days of experiment and trial Mr. White was loaded down with the work of at least four men. . In other enterprises of this sort--and the same plan was afterwards found to be essential to the largest success of the Jubilee Singers--it is considered necessary to have a business manager, who lays out the route, visits or corresponds with editors and public men, and arranges the general plan of the campaign. Then an advance agent goes forward and puts these plans in operation, while his alternate accompanies the troupe to take up the tickets, pay the bills, and look after the details of the evening's management. A musical director arranges the pro- gramme, drills the singers, and answers the rattling volley of questions from curious and admiring friends. And where school-girls are in the company, and es- pecially those hitherto unused to self-care and the demands of cultivated society, a governess is needed to look after their health and deportment. In those early days the duties of general manager, advance agent, musical director, ticket-seller, and porter all fell to Mr. White. When the Singers halted somewhere for rest, he pushed ahead to lay out a new route; sometimes, when but a few appoint- ments remained, he left Miss Wells and Miss Shep- DARK DAYS. 23 pard, the pianist, to attend to them while he went off to make new ones. The Singers he kept in drill the best he could. A rehearsal of some piece on their evening's programme was often the first course when they gathered about the dinner-table. With all this work on his hands, there lay on his heart the burden of increasing debt and the con- sciousness that, while the business affairs of the University were needing his presence, the fact that he was earning no money and sending them no en- couragement was adding to the uneasiness and anx- iety of his associates at home. Many a time their last dollar was paid out for provisions; and he and they found frequent occasions to adopt the prayer of the old slave-song,- "O Lord, O my Lord, O my good Lord! Keep me from sinking down. But with a steadfast Christian faith, that seemed little less than obstinacy to those who could not read the Divine leadings, he held on. CHAPTER IV. LIGHT IN THE EAST. WR. WHITE had laid out the plan of his trip with special reference to reaching Oberlin in time to sing before the National Council of the Congregational churches, which was to assemble there on the 15th of November. Consisting, as it would, of leading Congregational ministers and laymen from all parts of the land, and specially representing the constitu- ency of the American Missionary Association, he argued that to get a hearing before it would give him leverage of great advantage for his work. And his reasoning was not at fault. The Council consented to hear a few pieces dur- ing a recess in their deliberations. Everybody was delighted. A collection of over $130 was taken upon the spot; and the seed sowi) was destined to bear much richer fruit after many days. Two of the sec- retaries of the Association were present, and they agreed that it was advisable for Mr. White to push on eastward. To relieve him of some of his over- load of care, Mr. G. S. Pope, formerly in the service of the Association in its work among the freedmen, but now a theological student at Oberlin, was en- gaged to attend to the duties of advance agent. From Oberlin the company went to Cleveland to FRIENDS IN NEED. 25 give two concerts in Case Hall. The churches had been filled the Sunday before to listen to the Sing- ers, but at neither concert were the receipts suffi- cient to meet expenses. Before the close of the second evening's entertainment, on Saturday night, Mr. White made a few remarks explaining their mission, declaring his faith that God had called them to the work, and would somehow open the way; but frankly admitting that he had barely money enough to pay for the hall, and nothing with which to meet their hotel bills over Sunday and their expenses to Columbus, where they were ad- vertised for a concert. Before leaving the hall one gentleman sent up a check for $100, written on the back of a programme, and three others handed him $40 more. This gave encouragement at a time when en- couragement was never more needed. For it is to be remembered that the movements of the Singers involved great expense. Case Hall rents for $75 a night; to advertise a concert in such a city costs from $25 to $50; and the hotel bills of the company were usually from $20 to $25 a day. There was abundant use, it will be seen, for the $140. At Columbus came two concerts, again, which did not pay expenses. Rev. H. S. Bennett, the pastor of the church at Nashville to which some of the Singers belonged, and also a trustee of the Univer- sity, was present, and a prayer-meeting was held to seek the Divine guidance in deciding what hould be done with the enterprise. No light was found on any other course but to go forward. Hitherto the company had had no distinctive name 26 THE JUBILEE SINGERS. own. They had been mentioned in a Cincinnati paper as “a band of negro minstrels who call themselves Colored Christian Singers." It was at Columbus, after an anxious and almost sleepless night, that Mr. White decided to name them “THE JUBILEE SINGERS." The Old Testament "year of jubilee" had always been the favorite figure of speech into which the slaves put their prayers and hopes for emancipation. Their year of jubilee had come- this little band of singers was a witness to it, an out. growth of it. There was thus a suggestiveness and obvious fitness in the name-it had a flavor of its There was a musical euphony in it, too, and it “took” at once. Only those who have made a study of catering for the public taste can realize how much there is in a A novelist knows that the sale of a new story depends almost as much upon its title as its plot. Those who have been most closely associated with the Singers have come to believe that Mr. White's christening of his company was the best night's work he ever did. At Zanesville, also, their concert did not meet ex- penses. But a friend paid their hotel bill, which amounted to $27. What figure it would have reached had not the six girls been put into a single room over a shed, where the bedclothing was so of- fensive that they were constrained to roll the most of it in a bundle and lay it on the porch while they slept wrapped in their waterproofs, is not known. Mount Vernon was their next point, where Rev. T. E. Monroe, who had met them at Columbus, wel- comed them heartily to his church on Sunday, and name. A LITTLE LIGHT. 27. aided to make their concert on Monday evening a decided success. Here Ella Sheppard, who had been for some time in poor health, became so ill that the physician advised that she return at once to Nashville. But Mr. White could not be made to believe that the Lord wanted the company to go East without their pianist, and declined to follow this advice. And in a few days she recovered suffi- ciently to resume her work. Feeling their way to the best method of raising money, the experiment was tried again, at Mans- field, of a free concert with a collection at its close. But the result was the same as almost invariably at- tended this expedient before and since the house was full, the contribution boxes nearly empty. On the next night an admission fee was charged, but the audience was small. Some thoughtful friend was moved, however, to propose a collection and it enabled Mr. White to pay all bills and buy tickets to Akron, where they had an appointment for a con- cert on the evening of Thanksgiving Day. This yielded only $20, but the consideration with which they were treated at the hotel, and the fine Thanks- giving dinner which was set before them, made their memories of Akron very pleasant ones. At Mead- ville, Pa., their Sabbath services in the Methodist Church were well attended, and their concert on Monday evening moderately successful. Still moving eastward, they came next to James- town, N. Y., where the Congregational pastor, Rev. Col. Anderson, who was familiar from personal in- spection with the good work that was being done at Fisk, had made ready for them. A praise-meeting 28 THE JUBILEE SINGERS. at his church was followed, on the next two nights, by concerts. In spite of a severe snow-storm, which interfered greatly with street travel, the net receipts were sufficient for the purchase of tickets to New York City. Stopping at Elmira, they held a praise-meeting on Sunday afternoon in the First Presbyterian Church, to the disgust of a few of its supporters who spelled negro with two g's, and stayed away from the ser- vice, and to the great delight of all who attended. In the evening they sang a few selections at the Rev. T. K. Beecher's regular service in the opera- house; and the next night gave a concert at his church, which was the greatest success, so far, of their trip. The leading hotels of the city had, it is true, one after another refused the party entertain- ment when they arrived on the midnight train. But the papers were lavish in praise of their services of song, and Mr. Beecher wrote a letter to his distin- guished Brooklyn brother, Henry Ward Beecher, warmly commending them to his attention. The night had been long and dark, but it really seemed as if these flashes of light in their Eastern sky meant that the sunrise was at hand. At New York they were at the headquarters of the American Missionary Association, and so in a special sense among their friends. As no good hotel accommoda- tions could be secured at reasonable rates, three of the officers of the Association, who lived in adjoin- ing houses in Brooklyn, took the party into their own families. And there they found a home for the next six weeks. Prior to their arrival at New York, Rev. George BEECHER'S NEGRO MINSTRELS." 29 Whipple, the senior secretary of the American Mis- sionary Association, had arranged with Rev. Henry Ward Beecher that they should attend his Friday evening prayer-meeting and sing a few slave-hymns at the close of the service. Mr. Beecher and his people were delighted. After singing about twenty minutes, the party started to retire from the plat- form. Mr. Beecher, jumping up, requested them to return. Standing in front of them, with pocket-book in hand, he indicated, with characteristic drollery and enthusiasm, that a collection would be taken up, after which they would have a few more songs. Be- fore the meeting closed he announced that this was but a foretaste of what was to come: the Singers were to give a concert in the church the next week, and the congregation were to give them a benefit. As Mr. Beecher's lecture-room talks were widely circulated through the papers, this resulted in a very favorable introduction to the public. The concert at Plymouth Church was well attended, and the en- thusiam unbounded. Mr. Beecher had urged his people from the pulpit the preceding Sabbath to give the Singers a hearty welcome, and they seemed bent on gratifying him to the utmost. The New York Herald headed the column containing its report the next morning “ Beecher's Negro Min- strels.” This helped to advertise their work, while it did not prejudice it in the minds of the Christian people whose opinion was worth most to it. The experience of the next few weeks was as uni- formly encouraging as that of the last two months had been depressing. A few songs in a prayer- meeting or Sunday-school, with a brief explanation 30 THE JUBILEE SINGERS. of their mission, generally secured at once the offer of the church for a concert, and a hearty commenda- tion of their work from the pulpit that rarely failed to bring out an audience. From Dr. Talmage's and Dr. Cuyler's prayer- meetings they went away richer by generous contri- butions on the spot. Dr. Storrs gave up his Sunday evening service for their praise-meeting. Dr. Scud- der invited them into his church. A concert in Dr. Burchard's church, the Thirteenth Street Presbyte- rian of New York, was thronged by a delighted au- dience of the highest culture and social position. Dr. Budington interested himself in promoting the success of a concert in his church in Brooklyn. At the Tabernacle Church, Jersey City, of which Rev. G. B. Willcox, a member of the Executive Committee of the American Missionary Association, was pastor, they were greeted by the largest audience that had ever yet attended one of their paid concerts—the receipts amounting to nearly $740. Preliminary to a flying trip to Boston to give a concert in the Music Hall, in connection with the annual Methodist Reunion, Mr. Beecher wrote to a Boston friend: “They will charm any audience, sure; they make their mark by giving the spirituals and plantation hymns as only they can sing them who know how to keep time to a master's whip. Our people have been delighted.” And in a lecture which he delivered in Boston just before their con- ing Mr. Beecher took occasion to advise everybody to attend. Dr. Cuyler wrote to the New York Tribune of their concert in his church, the Lafayette Avenue GOOD PROSPECTS. 31 Presbyterian of Brooklyn: "I never saw a cultivated Brooklyn assemblage so moved and melted under the magnetism of music before. The wild melodies of these emancipated slaves touched the fount of tears, and gray-haired men wept like little children. Their wonderful skill was put to the severest test when they attempted 'Home, Sweet Home,' before auditors who had heard those same household words from the lips of Jenny Lind and Parepa. Yet these emancipated bond-women -- now that they know what the word 'home' signifies-rendered that dear old song with a power and pathos never surpassed. Allow me to bespeak a universal welcome through the North for these living representatives of the only true native school of American music. We have long enough had its coarse caricatures in corked faces; our people can now listen to the genuine soul-music of the slave cabins, before the Lord led his children out of the land of Egypt, out of the house of bondage!'" The news of their successes at this metropolitan centre of business enterprise, social culture, and Christian work, rayed out, of course, in every direc- tion. Thenceforward a part of the heavy load that they had previously carried steadily grew lighter,— the labor of creating a demand for their entertain- ments wherever they offered them. Their enterprise was nearly out of debt, and the company were in that excellent working order which such an inspirit- ing change in their prospects might be expected to promote. A campaign through the principal towns of Connecticut was planned. Rev. G. D. Pike, one of the district secretaries of the American Missionary 32 THE JUBILEE SINGERS. Association, as well as its other officers, had been actively interested in the work in and about New York. As Connecticut was in his district, he offered the Singers his services on this trip, which his spe- cial acquaintance with the field, as well as his busi- ness tact and energy, made most welcome. High hopes were cherished that they might be able to raise $500 a week above their expenses. CHAPTER V. SUCCESS AT LAST. This campaign was a succession of triumphs. The Singers, with their experiences of the last three months so vividly in remembrance, seemed to them- selves to be walking in a dream. Mr. White had expected success, but even he had not dared to hope for such a success as this. Ministers everywhere- and especially those who had cheered the Singers at Oberlin with their applause and contributions, and so felt a sort of proprietary interest in the work-- gave themselves enthusiastically to promote arrange- ments for their concerts. And the audiences that crowded the churches and halls where they sang did not seem to be content merely with contributing an admission fee to their funds. Almost a furore for making them presents broke out, and spread from town to town as they went. At Bristol, famous for its manufacture of clocks, a gentleman pledged a supply of that useful article for the new Hall on its completion. At Winsted, another manufacturing centre, a few friends prom- ised a bell. The Douglass Manufacturing Co., at Middletown, asked the party to take from its cata- logue whatever goods the University might need. The Meriden Britannia Co. gave them a full outfit 3 34 THE JUBILEE SINGERS. of silver ware for the dining-hall; another Meriden firm contributed gas fixtures; and a president of one of the Meriden banks sent word that while he could not invite them to take us much as they might need from the bank, yet if they would call he would make them a present of $100. Several gentlemen in Birmingham contributed $50 each to fit up a “Birmingham Recitation Room” in the new building. At the concert in Waterbury, two gentlemen sent up $200; and the contributions, in cash and valuables, at the concert in New Haven amounted to $500. Here at New Haven the enthusiasm seemed to touch high-water mark. Two of the principal hotels had declined to entertain the Singers on account of their color. The fact became public through the papers, and some of the families of highest social position in the city at once opened their doors to receive them. Their concert was announced for Thursday evening. By Tuesday morning all the de- sirable seats were sold. Rev. Henry Ward Beecher was advertised for a lecture on the same night. But there was so little demand for the tickets that Thurs- day's papers announced that the lecture would be deferred on account of the concert! Mr. Beecher attended the concert and made one of his felicitous speeches. No one was apparently more delighted than he that a day had come in that university city when a company of freed slave singers could draw an audience away from the greatest preacher and lecturer in the land. The admission receipts at this concert were over $1200. The collection taken for them the next INSULTS AND HONORS. 35 :: Sunday evening, in the Second Congregational Church in Norwich, was the largest contribution they had ever received at a Sunday service, and the gross income of the last seven days of this Connect- icut campaign exceeded $3900. At the Sterling House, in Bridgeport, the party were assigned to some of the best rooms in that first- class hotel, and admitted to the same privileges in the dining-room as the most aristocratic guests. The answer of the proprietor, when asked if his boarders complained of such attentions to colored people, was pithy and to the point, “I keep this hotel, sir ! At Norwich they were the guests of Connecticut's distinguished War Governor and Senator, the late Hon. William A. Buckingham. But the very next day they were turned out of a hotel in Newark, New Jersey, by a publican who would have felt honored by even a bow from Governor Buckingham on the street. This tavern-keeper had inferred, it seems, when accommodations were engaged for them in ad- vance, that they were a company of “nigger min- strels." Although they had already retired to the rooms assigned to them before he discovered that their faces were colored by their Creator, and not with burnt cork, he promptly drove them into the street. The outrage was the harder to bear because they were in special need of rest; for they had been riding all night, and their nervous energies were well-nigh exhausted after the draught which the un- usual excitement and success of the last few weeks had made upon them. The best citizens of Newark 36 THE JUBILEE SINGERS. no visited their indignation without stint on the land- lord. Some of his most valuable patrons immedi- ately left the house; and it is said that the city council took advantage of the favorable feeling toward colored people thus stimulated to pass an ordinance opening to them all the privileges of the public schools. A visit to Washington followed, which was exception to the success which had of late so stead- ily attended them. The Vice-President, with his family, and many members of Congress, came to their concertso The President turned aside from pressing public duties to give them audience at the White House, assure them of his interest in their work, and hear them sing, “Go down, Moses." “ Parson Brownlow," the famous Unionist Senator from their own State, was so ill as to be unable to sit up, but received them in his sick-room, and cried like a child as these emancipated slaves sang that pleading, pathetic song of sorrow,-- "O Lord, O my Lord, O my good Lord! Keep me from sinking down." Returning again to New York, a series of concerts culminated in two memorable gatherings at Stein- way Hall. The platform each evening was occupied by some of the most eminent divines of the metrop- olis, and the great hall was filled with a delighted audience in which the elite of the city was largely represented. Many went away unable to obtain seats. By this time the business methods and machinery of concert work had been thoroughly perfected. Mr. Pike was relieved from the duties of his secretary. SECRET OF THE Success. 37 ship to continue in this enterprise, for which he had shown such aptitude, and which was to owe so much of its subsequent success to his energy and sagacity. There was need that Miss Wells should return to her school in Alabama; and Miss Susan Gilbert, who had been for some years in the service of the Association in North Carolina, and afterwards at its home office, took her place. The Singers at last had the tide in their favor. They were now so well known that they did not need to sing to half-filled halls until they could make a reputation. Their songs were unique, and people did not tire of hearing them over and over again. Thanks to Mr. White's unusual skill, both in choosing voices and drilling them, their singing, as all the critics agreed, was something wonderful in its harmony, power, and bell-like sweetness. Their history as emancipated slaves touched the interest and sympathy of the public, particularly that part of it which had been interested in the great anti-slavery struggle. And last, but by no means least, in accounting for their success, they furnished a refined and wholesome entertainment, which Christian people who did not care to visit the theatre and kindred places of amusement could attend and enjoy. There was need of, and a wide demand for, just such healthful and elevating diver- sion as these concerts afforded. Beginning with several concerts in Boston, they now visited successively the more prominent points in Massachusetts and Rhode Island, and a number of places in Maine, New Hampshire, and Vermont, meeting everywhere an enthusiasm and a helpful- 38 THE JUBILEE SINGERS. а. ers. ness from friends not unlike that by which they were borne through Connecticut the month pre- vious. Among the presents received in Boston was $1000 organ for the University, from Smith Broth- Hon. A. C. Barstow of Providence had heard them at Oberlin, and tendered them the use of his beautiful music-hall at that city, where their con- certs were one repeated ovation. Returning to the same city some days subsequently, after singing at Worcester, Lawrence, Lowell, Lynn, Wakefield, An- dover, Cambridgeport, Taunton, and other points, another concert yielded them about $1000. At Andover and Taunton the good-will of the people. took the shape of contributions for the pur- chase of books for the University library. Reach- ing Boston again, $1235 was taken in at a matinée on Saturday afternoon, the largest sum ever realized up to that time from the admission receipts alone of any one entertainment. Their songs, which had been written out for the first time by Prof. Theodore F. Seward, the distin- guished teacher and composer, and published in book form, were sold by hundreds at their concerts, and hills and valleys, parlors and halls, wherever they went, were vocal with the Jubilee melodies. After a week spent in Cambridge, Chelsea, Salem, and Newburyport, they visited Portland, Maine, where the Council tendered them the free use of the city hall. Remunerative concerts followed at Con- cord and Hanover, New Hampshire ; St. Johnsbury, Vermont; and Springfield, Massachusetts, the latter yielding $1050. With a night at Troy, New York. HOME AGAIN. 39 and another at Poughkeepsie, the first season's singing campaign closed. The fruit of these three months' work was $20,000, more than three times as much as their enthusiasm had dared hope for when starting out from New York on the Connecti- cut campaign. It was a tired but light-hearted party that now started homeward. They had bought first-class tickets from New York to Nashville, and on arriving at the station in Louisville early in the morning, entered the unoccupied sittingroom assigned to first-class passengers. A railway employé, coming along soon afterwards, gave notice that “niggers" were not allowed in that room, and ordered the party out. Mr. White claimed the right to keep his company there by virtue of their tickets, and declined to leave until turned out by some responsi- ble authority. Thereupon a policeman was brought, who, with angry profanity, ejected them from the room, amid the applause of a cursing mob of one or two thousand people. The superintendent of the road, however, as he has made a habit of doing ever since when the party have had occasion to pass on his line, placed a first-class car at their disposal. The novel sight of such a carriage with colored faces at almost every window made a sensation at every station where they stopped. The company was received at the University with a joy and thanksgiving that cannot be described. They had gone forth weeping; but they returned bringing their sheaves with them -- a marvellous harvest after those months of marvellous patience, privation, and triumph. CHAPTER VI. THE SECOND CAMPAIGN. UNDER God's blessing their labors had saved the University from suspending, or even curtailing, its work. But their success, so far, in raising money, was chiefly valuable as evidence that a way had been found for obtaining the much larger sum that the necessities of the growing work required. The Singers had received an invitation to participate in the second World's Peace Jubilee, to be held in Bos- ton in June. Stopping in Nashville little more than a week, they again took the field. Giving Giving a few concerts in Illinois, Michigan, and Ohio, they went on to Boston. Parts had been assigned them on the programmes of several days' exercises. The immense audience of 40,000 people was gathered from all parts of the land; and the color prejudice that had followed the Singers everywhere reappeared here in the shower of brutal hisses that greeted their first appearance. But the air of that radical New England city is not kindly to colorphobia, and a deluge of applause answered and drowned the in- sult. And a day or two after the Singers had a proud revenge. Mrs. Julia Ward Howe's stirring lyric, “The Bat- tle-hymn of the Republic," was on the programme, AN INSULT ANSWERED. 41 to be sung to the air of "John Brown." The first verses were to be taken by some colored singers of Boston. But for some unexplained reason the key was given to the orchestra in E-flat, cruelly high under such circumstances, and the first verses were a painful failure. The Jubilee Singers were to come in with the verse beginning “He hath sounded forth the trumpet that shall never call retreat." Fired by the remembrance of their reception on the previous day, and feeling that to some extent the reputation of their color was at stake, they sang as if inspired. Mr. White's masterly drill had made easy to them the high notes on which the others had failed. Every word of that first line rang through the great Coliseum as if sounded out of a trumpet. The great audience were carried away on a whirl- wind of delight; the trained musicians in the or- chestra þent forward in forgetfulness of their parts; and one old German was conspicuous, holding his violoncello above his head with one hand, and whack- ing out upon it his applause with the bow held in the other. When the grand old chorus, “ Glory, glory, halle- lujah," followed, with a swelling volume of music from the great orchestra, the thunder of the bands, and the roar of the artillery, the scene was inde- scribable. Twenty thousand people were on their feet. Ladies waved their handkerchiefs. Men threw their hats in the air, and the Coliseum rang with rheers and shouts of “The Jubilees! The Jubilees forever!" Mr. Gilmore brought the Singers from their place below, and massed them upon his own platform, where they sang the remaining verses. 42 THE JUBILEE SINGERS. Mr. White has never quite forgiven himself that he did not answer the thunderous encore that fol- lowed with "John Brown” in the original version! Musically speaking, it was the greatest triumph of their career, and they never recall it yet without a gleaming eye and quickened pulse. It was worth more than a Congressional enactment in bringing that audience to the true ground on the question of “ civil rights.” The number of the Singers had been increased to fourteen, with a view to division into two companies when it was desired to visit the smaller places where it would not pay to take the full number; and the rest of the summer was spent in rest and drill at Acton, Mass. A faithful trial, during the fall, of the experiment of two small companies little more than paid expenses; and at New Year's Day the troupe was reorganized, to consist of eleven mem- bers, as follows: Ella Sheppard, Maggie L. Porter, Jennie Jackson, Mabel Lewis, Minnie Tate, Georgia Gordon, Julia Jackson, Thomas Rutling, Edmund Watkins, Benjamin M. Holmes, and Isaac P. Dick- erson. A busy and successful campaign of three months followed. The Singers received a letter, drawn up at the suggestion of their distinguished and faithful friend, Hon. George H. Stuart of Philadelphia, and signed by such representative citizens as Mr. Stuart, Jay Cooke, Rev. Dr. Hawes, Bishop Simpson, Rev. Dr. Newton, John Wanamaker, etc., inviting them to visit that city. The Academy of Music, one of the finest halls in the United States, had been refused a few months THE VISIT TO PHILADELPHIA. 43 before for an address by a United States senator, because he was a black man. But the names of the distinguished citizens by whose invitation the Sing- ers came to the city were sufficient to secure it for their concerts; and the fact that they were the first representatives of the colored race to occupy that platform gave a special significance to the occasion. The great building was thronged night after night, and it was one of the most profitable series of con- certs ever given by the Singers. Application had been made to several of the lead- ing hotels for the entertainment of the party. But no hotel-keeper had been found with the convictions and courage to risk the odium he might incur if he admitted colored guests, and they had been com- pelled to take up inconvenient and insufficient quar- ters in a small boarding-house. This fact being mentioned at one of the concerts, the proprietor of the Continental, the best hotel in the city, who was absent when application was made at his office, at once announced that the Singers were welcome to as good accommodations as his house afforded. Sub- sequently he entertained them in the best manner, and at a generous reduction from regular rates. While stopping at the Continental, the house- keeper one day kindly escorted the party on a semi- subterranean tour through the kitchen and other working departments of the great hotel. They were much interested in the novel sight, and asked per- mission to invite the working force of the hotel to their dining-room, that they might sing for them. Word came to the guests of the hotel of what was going on, and they gathered about the doors of the 44 THE JUBILEE SINGERS. crowded room, begging that the concert might be adjourned to the larger dining-room. The Singers acquiesced on condition that their invited hearers, white and black, should have the front places. There probably was never a Jubilee concert that gave more pleasure to the occupants of the “reserved seats;" nor to the rest of the audience, for that matter. At a concert to be given soon after, in the Ma- sonic Hall, Baltimore, a city noted for its intense pro-slavery feeling, the ticket-seller, acting in accord- ance with Baltimore usages, had taken upon himself the responsibility of refusing to sell reserved seats to colored people. This came to the ears of the company when they reached the city the day of the concert, and one of the Singers was sent incognito to the ticket-office to buy a reserved seat, and test the truth of the story. His application for a seat to hear himself sing was refused! Here was evidently a call to do a little missionary work, as well as furnish some entertainment for the people of Baltimore. The ticket-seller was relieved from further duty, and notice was immediately given that any well-behaved person could have any seat in the hall by paying the advertised price for it. A few colored people occupied reserved seats here and there on the main floor, but it was never heard that any one received harm from such a radical innova- tion in Baltimore customs. The audience were ap- parently so interested in the singing that they for- got to study the color of their neighbors' faces. The Singers were accustomed to being refused entertainment at hotels because of their color. This was not always, however, for fear merely of offend- FIGHTING THE CASTE SPIRIT. 45 ing other guests. In one case, in Illinois, the hotel servants squarely refused to wait on the “nagurs, ” as they pronounced the word, and the Singers were their own boot-blacks and chamber-maids. At an- other hotel the landlord met a similar refusal by pay- ing the mutineers their wages and sending them en- masse into the street. But the most offensive manifestation of caste prej- udice that ever flaunted itself in the face of the party occurred during this campaign, at Princeton, N. J. They had been invited by President McCosh, and other members of the Faculty of Princeton College, to visit the place, and one of the churches had been tendered them for their concert. A little while be- fore it was time for the concert to begin, they learned that an out-of-the-way corner of the church had been set aside for colored people, and that they were refused admission to any other part of the house. An estimable lady, who was a teacher in a colored mission school, had bought reserved seats for her class; but they, too, were compelled to take their place in the colored quarter under the gallery, regardless of the contract involved in the tickets which they held. The singers were so indignant that they would gladly have given up the concert. The fact that so many old friends of the slave had come from long distances to hear them alone per- suaded them to go on. During two seasons of concerts they had never before been subjected to this indignity, even in a public hall; that it should be offered in a church of Christ was a grievance not to be passed over in si- lence, and Mr. White took occasion, in an interval 46 THE JUBILEE SINGERS. of the concert, to characterize it in the terms it de- served. It was plainer preaching on that subject, probably, than had ever been heard in that church before. And most of those who greeted it with their angry hisses have doubtless already lived long enough to be heartily ashamed of them. A tract of twenty-five acres, on a commanding site overlooking the city of Nashville, had been purchased for the permanent location of Fisk Uni- versity. During the war the eminence had been crowned by Fort Gillem, one of the encircling line of fortifications that had defended the city in the memorable contests that had raged around it. The students had worked with the laborers to level the earthworks, and the foundations had been laid for a noble building for university purposes, to be called Jubilee Hall. The project of visiting England with a view to raising funds for its completion, had been for some time under prayerful consideration. During the winter campaign it was decided to start early in the spring, and the closing work of the season took the shape of farewell concerts in New York, Brooklyn, Boston, Providence, and elsewhere. One given in Boston, March 26th, in response to a request signed by Governor Claflin, Wendell Phillips, William Lloyd Garrison, Rev. E. E. Hale, Dr. Kirk, Phillips Brooks, and several other eminent citizens, was the most suc- cessful, financially, that the Singers had ever given in that city. And so the winter's work drew to a close. Its net result was the addition of another $20,000 to their {und, making $40,000 that they had now secured. PREPARING TO GO ABROAD. 47 With exultation and thankfulness as they thought of past success, and with high hopes for the future, preparations were at once made for the visit to Great Britain. Very cordial letters of introduction, com- mending the music and mission of the Singers, were given by the governors of five of the New England States, Rev. Henry Ward Beecher, Hon. George H. Stuart, George Macdonald,—then on a lecturing tour in America,--and other influential friends. An open letter from Governor Brown of Tennessee, bespeak- ing favor for their work, was especially valuable as coming from the chief magistrate of a common- wealth that ' was so recently a slave State. They were not to get away, however, without still another conflict with caste prejudices. Cabin ac- commodations were refused the party by one after another of the leading ocean steamship lines. At last an application to the Cunard agents at Boston met with ready success; and when the Singers stepped on the deck of the good steamer Batavia, it was to enter upon a year's experience where such annoyances were to be unknown. CHAPTER VII. THE FIRST VISIT TO LONDON. A STUDY of the situation, on Mr. Pike's arrival in London in advance of the Singers, made it at once apparent that the indorsement and patronage of dis- tinguished people, which had been such a helpful feature of the work in America, were still more indis- pensable to an early and large success in England. Under a favoring Providence, the letters of intro- duction previously mentioned speedily opened the way to all of the assistance of this sort that could have been hoped for. The Earl of Shaftesbury, than whom no man in any station, on either side of the Atlantic, has given his life more untiringly and unselfishly to every spe- cies of philanthropic effort, at once manifested much interest in the enterprise. There was no one else in the kingdom whose rank, relations, and reputation would combine to make him such a valuable patron and friend. He was President of the Freedmen's Missions Aid Society, the English organization aux- iliary to the American Missionary Association. In accordance with his advice, arrangements were made for a private concert at Willis's Rooms on the after- noon of the 6th of May. Cards of invitation, issued in the name of the Earl of Shaftesbury and the Com- THE FIRST VISIT TO LONDON. 49 mittee of the Society, were sent to the nobility, members of Parliament, the leading clergymen of different denominations, editors, and other persons of influence likely to be interested in such a cause. The visit to London had been timed with a view to reaching the influential ministers and laymen from all parts of the kingdom who throng there during the May anniversaries. Mr. Pike—and Rev. James Powell, who, being of English birth and used to English ways, had come with him to aid in launching the enterprise in foreign waters—had spent nearly a month in stirring up an interest through the press and in private effort. When the time for the concert came the hall was filled with a distinguished assemblage. The Singers, keenly eager to justify the promises made on their behalf, did their best. Before the programme was half finished they had carried their audience by storm. At the close con- gratulations were lavished upon them, and offers of coöperation were abundant. The Duke and Duchess of Argyll were foremost in expressing a desire to assist them, and before leaving the hall, arranged for a visit of the Singers to Argyll Lodge the next day. The leading dailies, the Times, the Standard, the News, the Telegraph, on the next morning gave cordial praise of the entertainment. Through this first concert, and the distinguished hospitalities to which it led, the Singers found themselves at once introduced to the British public under the most fav. oring auspices. The visit to Argyll Lodge was destined to be a more notable event than they, even in their great 4 50 THE JUBILEE SINGERS. gratification at what was apparent in the invitation, could at all foresee. The kind attentions with which they were received in the drawing-room were strik- ingly in contrast with their experiences of recent date in American hotels and railway stations. But what was their surprise and delight to learn, after a little time pleasantly spent in conversation with their noble hosts and other guests, that the Queen had been asked to be present and was expected soon! They had been told, again and again, that if they could but sing before the Queen their success would be assured. But how to secure her notice for a company of young freed people, singers who had nothing of more renown to offer than the prayer- meeting hymns which they had learned in bondage, was a problem on which no light whatever had been cast until it lay suddenly solved before them. Soon after her Majesty's arrival the Duke in- formed them that she would be pleased to see them in an adjoining room. At his request they sang, first, “Steal away to Jesus;" then chanted the Lord's Prayer, and sang “Go down, Moses." " The Queen listened with manifest pleasure, and, as they withdrew, communicated through the Duke her thanks for the gratification they had given her. There was no stage parade or theatric pomp in the scene; but the spectacle of England's Queen coming from her palace to listen to the songs which these humble students learned in their slave cabins, and that not merely for her own entertainment, but to encourage them in their efforts to lift up their fellow freed people, was worthy a place in history. DISTINGUISHED HOSPITALITIES. 51 Other hospitalities made the next three months of their stay in London memorable. Probably no pri- vate party of Americans was ever before treated with such distinguished attention. It was not pos- sible for them to accept all of the invitations of this nature which they received. While at Argyll Lodge Dean Stanley invited them to visit the Deanery at Westminster Abbey, a pleasure which they realized a few days after. An afternoon was spent at the delightful home of Samuel Gurney, the distinguished Quaker abolition- ist, near Regent's Park, introducing the Singers to a large party who were Friends in truth as well as name. To no one did the mission of the Singers mean more than to the noble circle of Quakers, who had all their lives long been such devoted friends of the oppressed. Mr. George Macdonald, the distinguished novel- ist, gave them a welcome invitation to his beautiful home on the banks of the Thames, on the occasion of one of his annual garden parties--a scriptural gathering of the poor and the lame whom he brings out from the crowded London tenements every sum- mer for a day's outing under the trees. No one could have enjoyed more than the Singers the op- portunity of contributing to its success. But the most distinguished attentions of this sort which they received came through the kind offices of Rev. Newman Hall, in mentioning the Singers to Mr. and Mrs. Gladstone. The latter were to give a lunch at their residence, Carlton House Terrace, to the Prince and Princess of Wales, and other mem- bers of the royal family. The Singers were invited 52 THE JUBILEE SINGERS. а. to be present and chant the Lord's Prayer, as grace before lunch, and contribute in any other way that might seem desirable to the entertainment of the occasion. Standing in one of the alcoves of the dining-room, they had been unobserved by most of the company until the sweet 'harmony of that fine Gregorian chant stole through the room. Then ex- planations passed from one to another of the guests, and there was a call for more singing. Along with other pieces, "John Brown" was given, awakening that special enthusiasm with which English hearers have always received it. The Prince of Wales, looking over the book of songs, called for “ No more auction-block for me;" and Mrs. Gladstone asked, as a special favor to the Grand Duchess Czarevna, whose imperial father-in-law had emancipated the serfs in Russia, that “ John Brown” might be re- peated. Special interest was manifested in the Singers, and many questions were asked of them, and many encouraging words spoken by the distin- guished guests. Among those present, beside the royal family, were the Duke of Sutherland, the Duke and Duchess of Argyll, Earl Granville, and other members of the nobility; Count Munster, Mr. Motley, and other representatives of the diplomatic corps; the Hon. John Bright, the Bishop of Win- chester-son of the great Wilberforce, Mrs. Jenny Lind Goldschmidt, and others. But this was not all of their good fortune at the hands of the Prime Minister. A few days after a note was received, in which Mr. Gladstone said, “I beg you to accept the assurances of the great pleas- ure which the Jubilee Singers gave on Monday to GUESTS OF MR. GLADSTONE. 53 our illustrious guests, and to all who heard them. I should wish to offer a little present in books in ac- knowledgment of their kindness, and in connection with the purposes, as they have announced, of their visit to England. It has occurred to me that per- haps they might like to breakfast with us, my family and a very few friends, but I would not ask this unless it is thoroughly agreeable to them." The note closed with suggesting a day on which he would be glad to entertain the party. The invitation was of course gladly accepted. Aside from the especial help it might give them in their immediate work, it was felt that such atten- tions to a company of colored people, just out of bondage, by the Prime Minister of Great Britain, was a rebuke to the caste spirit in America that would do great good. Their first visit to Carlton House Terrace was to entertain its guests, now they were to be themselves its guests. Mr. Gladstone had spent the night at Chiselhurst, and was in such poor health that he had, by his physician's order, excused himself from attending the banquet to be given at the Mansion House that evening by the Lord Mayor to the Ministry. Nevertheless, he rode in twenty-five miles that morning to keep his appointment to meet his negro friends at breakfast. Several members of the Cabinet and of Parliament, with ladies of the nobility, were also among the guests. The Singers were distributed between them at the table, and were the recipients of the kind and assiduous attentions of all. Writing an account the occasion for the New York Independent, the Rev. Newman Hall, alluding to the color prejudices 54 THE JUBILEE SINGERS. of so many Americans, said: “I wish they had been present yesterday, to see Mrs. Gladstone and her daughters, and the noble lords and ladies present, taking their negro friends by the hand, placing them chairs, sitting at their side, pouring out their tea, etc., and conversing with them in a manner utterly free from any approach either to pride or condescen- sion; but exactly as if they had been white people in their own rank in life. And this not as an effort, nor for the show of it, but from a habit of social intercourse which would have rendered any other conduct perfectly impossible.” After breakfast Mr. Gladstone showed to his guests some of the principal objects of interest in his collection of art treasures, explaining them in his fascinating style. “ Then,” to quote Mr. Hall's account once more, "all the party being gathered in the drawing-room, the Jubilee Singers entertained us with their wonderful music. First we had John Brown. I never heard them sing it as they did yesterday. It was not the music alone, but the features of the singers also which made it so im- pressive. Their eyes flashed; their countenances told of reverence and joy and gratitude to God. Never shall I forget Mr. Gladstone's rapt, enthusi- astic attention. His form was bent forward, his eyes were riveted ; all the intellect and soul of his great nature seemed expressed in his countenance; and when they had finished he kept saying, “Isn't it wonderful? I never heard anything like it !' The tender, thrilling words and music of 'Oh, how I love Jesus!' brought tears to the eyes of the listeners; and when they closed with the Lord's Prayer, all DINNER OF THE CONGREGATIONAL UNION. 55 the company, lead by Mr. Gladstone, reverently stood with bowed heads in worship. “ Just before leaving the room, they sang, 'Good- by, brother; good-by, sister;' which went to every heart. As brothers and sisters, the Premier and Mrs. Gladstone, with their guests, bade them fare- well. It was just noon when we passed through the hall, where several persons were waiting on official business to see the Premier, who, doubtless, from that time till late at night was anxiously occupied with public affairs, but whose morning was given up to his negro friends with such heartiness and leis- ure of mind that a stranger might suppose he was, of all present, the one whose time was most his own.” Subsequently Mr. Gladstone sent them a valuable present of books for the University library; as did Mr. Motley, in accordance with a promise made to them on their first visit to Carlton House Terrace. Several other occasions served to introduce the Singers to the public, in a way that gave them spe- cial assistance in their work afterwards. By the kind assistance of Dr. Allon, and one or two other friends, arrangements were made for them to appear at the annual dinner of the Congregational Union. Six or seven hundred leading ministers and laymen from all parts of the kingdom were present, and gave rapturous applause to one after another of the songs. As at Oberlin, this served as a favorable in- troduction to the denomination throughout the whole country. The promises of coöperation were many and were well kept. At the anniversary of the Freedmen's Missions 56 THE JUBILEE SINGERS. Aid Society the Singers were advertised as one of the attractions, and the hall was much too small to hold all who came. Lord Shaftesbury presided. The venerable Dr. Moffat was among the speakers, and eloquently testified to the renewed hope he had for Africa as he listened to the Jubilee Singers. He had been “holding his tiny rushlight amidst the desolations of that continent, and holding it with the feeling that his efforts were almost futile.” But as he thought of the trained missionaries who might yet be raised up among the emancipated slaves of America, he saw light ahead. Here again the " John Brown” song electrified the audence. As the stir- ring refrain rang out, " John Brown died that the slave might be free !" the dense audience rose to their feet, hats and hand- kerchiefs waved in the air, and the deafening ap- plause was kept up until the Singers answered with God Save the Queen. The American Missionary Association, in its work among the freedmen, had always taken strong ground against the use of liquor—a position which Chris- tian people in England do not always take. The National Temperance League therefore looked upon the Singers as allies in its work, and gave them a cordial welcome to their annual soirée at the Cannon Street Terminus Hotel. Such was the eagerness to hear them, after they had filled the parts assigned them on the programme, that the other exercises were shortened to give them more time for singing At the great annual fête of the League at the Crystal Palace in July, the free use of the opera- A PERPLEXING QUESTION. 57 house was tendered to the Singers for a concert, and all the advertising was done for them by the committee, without charge. The great event of this occasion, which was attended by thousands of excursionists from all parts of the kingdom, was the concert given in the central transept, by a choir of five thousand children, under the management of Mr. Frederick Smith. The audience was immense. At the close of the programme the Jubilees came upon the platform and sang one or two songs. One of them, of course, was “ John Brown,” and at the last verse Mr. Smith suddenly rapped up his army of singers to join in the chorus. The effect was very fine, and the song closed with round after round of long-continued applause. These occasions, however, added little to the Ju- bilee Fund, valuable as they were in the way of ad- vertising for their future work. The best method of raising money was, in fact, a perplexing question. Friends generally advised free concerts with collec- tions at the close. But experience with this plan in America was not at all encouraging. And, with one or two exceptions, in the few cases where it was tried the collection did not usually yield them more than one half as much as would have been received if the same audience had paid the common price for tickets. One of these exceptions was a concert of a semi-private character, planned by Dr. Allon, and given in his chapel at Islington. Special cards of invitation were sent out, on which the mission of the Singers was explained, and the fact stated that a contribution would be taken up for their work. Of this concert Dr. Allon wrote to Rev. Henry Ward 58 THE JUBILEE SINGERS. Beecher: “ The desire to hear them was so great that three times the number of tickets printed were applied for. There was a great and most enthu- siastic crowd. The collection produced about £80. Since then the interest in them has been growing, and they will certainly have a hearty reception now that they are about to visit the provincial cities and towns of the kingdom. Their songs produce a strange, weird effect. Notwithstanding the oc- casional dash of negro familiarity and quaintness of expression, they are full of religious earnestness and pathos, and one loses all sense of oddity in the feel- ing of real and natural piety. It will greatly help them that their performance is such as the most fas- tidious will not hesitate to welcome in our churches." Dr. Allon's high standing, both as a Christian min- ister and as an editor of works to promote the ser- vice of song in the churches, gave to his testimony special value. The singing in the Nonconformist churches being generally congregational, there seemed to be no opportunity for the Singers to take that special part in the Sabbath services to which they had become so much accustomed in America, and in which it was believed that they had done no little good. An invitation from Rev. Newman Hall, therefore, to sing at his morning service in Surrey Chapel was specially welcome as opening the way to such work. They were seated near the pulpit, and their singing both before and after the sermon seemed to be re- garded by the congregation as every way befitting the Lord's house and its worship. There were special reasons why it would be better AT MR. SPURGEON'S TABERNACLE. 59 to give concerts in public halls, where the people of all denominations could meet on a common footing and with equal interest in the work. But it was foreseen that it would often be impossible to secure suitable assembly-rooms of this sort. And as it was by no means common to open even Nonconformist chapels to gatherings where an admission fee was charged, Mr. Hall was again of timely service to the company by his offer of Surrey Chapel to them for a paid concert. A crowded audience attended, and the precedent thus established was of much value. Concerts were given in these days at St. James's Hall and other places of repute for first-class enter. tainments. But the expenses were so large as to eat up most of the receipts. The concerts in chap- els paid better, enlisting as they did, in the case of strong city churches, a corps of co-workers in the congregation who were usually sure to fill the house. The most notable of these was the one given in Mr. Spurgeon's Tabernacle. Mr. Spurgeon had signified, in his hearty way, his interest in their mission, and had tendered them the use of his large church. The Sunday previous to the concert they attended service there, and at the close tarried to shake hands with the great preacher. While wait- ing their turn in the room adjoining that where Mr. Spurgeon receives his visitors, some of the people present asked for a song. The Singers, with tender and earnest feeling, sang, “O brothers, don't stay away." They had scarcely finished when Mr. Spur. · geon summoned them into his room. He had heard the song, and was so affected by it that he wanted бо THE JUBILEE SINGERS. them to attend the evening service and repeat it there. "I do not know whether you will approve or not,' he said to his people in commencing the service, "but it seems to me it is the right thing, and I will take the risk. After the morning service I heard the Jubilee Singers sing a piece, O brothers, don't stay away, for my Lord says there's room enough in the heavens for you. I found tears coming in my eyes; and looking at my deacons I found theirs very moist too. That song suggested my text and my sermon to-night. Now as a part of the sermon, I am going to ask them to sing it, for they preach in the singing; and may the Spirit of God send home this word to some to-night-some who may remember their singing if they forget my preach- ing.” Then followed the singing, so clear and strong as to reach every person in the great audience of five or six thousand people, and Mr. Spurgeon preached with great effect from the text, “ It is done as thou hast commanded, and yet there is room.” In giving notice of the concert on Wednesday, he added the exhortation, “O brothers, don't stay away." And his counsel was well heeded. It was advertised that the doors would be open at seven o'clock, but long before that the crowds about the gates were such that it was necessary to open them to avoid blockad- ing the street, and the attendance was estimated at seven thousand. Every song, with the inspiration and enthusiasm of such an audience, was a triumph. At the close, Mr. Spurgeon said : “Now our friends are going to Scotland, and I have told them to come INVITATION TO COME AGAIN. 61 { here and hold their first concert when they return to London. They have come to Great Britain to raise £6000: they will do it; and if they want £6000 more, let them come back to this country again, and we will give it to them." CHAPTER VIII. A BUSY WINTER IN GREAT BRITAIN. THE Singers had spent over three months in Lon- don, and arrangements were now made for a tour in Scotland, with a visit to a few of the larger cities on the way. Hull, the birthplace of Wilberforce, was reached, by a pleasant coincidence, on the first of August, the anniversary of emancipation in the British colonies. Here it was decided to try the plan adopted at Dr. Allon's chapel in Islington, and find how it would work in the provinces. Fifteen hundred invitations to a concert in the Hope Street Chapel were sent out to those most likely to be interested. The col- lection, which seemed a very large one to the friends who had charge of the arrangements, amounted to about £52. When it was explained that not less than £100 ought to be realized from each evening's work, if the mission to Great Britain was to be a success, some of the good friends insisted on another trial, with an admission fee. When the time came, Hengler's Cirque, in spite of a rainy evening, and to the delight of all, was crowded, and the receipts were £140. Sitting by his window at the hotel in Hull on Sunday evening, and noting the tide of people flow- OFF FOR SCOTLAND 63 ing idly by, Mr. White proposed an extempore relig- ious service for their benefit. Taking the base of the King William monument as a platform, Mr. Pike preached and the Singers sang of the love of Christ to a crowd that filled the street farther than the voice of either speaker or singer could be heard. Tears trickled down the cheeks of many to whom the sound of prayer or religious song was apparently almost unknown. In Scarborough, a free concert yielded a collection of about £90 and on Sunday the Singers sang, in a heavy rain, to a Sunday-school gathering of four thousand people on the green. At Newcastle, Rev. H. T. Robjohns had so thoroughly worked up the public interest that every seat was sold before it was time for the concert to commence. At Sunderland, Moody and Sankey had been holding meetings not long before, at the beginning of what afterwards be- came such a famous work, and the special interest thus awakened in religious song prepared the way for the Singers. J. Candlish, Esq., M.P., presided, the ministers of the different denominations were advertised as patrons, and the large Victoria Hall was filled before many who wished to attend could obtain admission. | Lord Shaftesbury, with characteristic kindness and foresight, had given the Singers a cordial letter of introduction to his friend, John Burns, Esq., of the Cunard Steamship Line, at Glasgow. Mr. Burns's sympathies were at once awakened, and he arranged for a garden party at Castle Wemyss, his residence Wemyss Bay. Invitations were sent out to four hundred persons of prominence and influence in on 64 THE JUBILEE SINGERS. the west of Scotland; and Lord Shaftesbury, who was also present, made a very effective appeal for their coöperation in promoting the mission of the Singers. To crown these helpful efforts to forward their work in Scotland, his lordship placed in Mr. Pike's hands, before their departure from Castle Wemyss, letters of introduction to the Lord Provost of Glas- gow, and the Lord Provost of Edinburgh. Their contents were at that time unknown. Least of all was it suspected that they contained a proposal that the authorities of Glasgow and Edinburgh should vote a welcome to the Singers, and bring them be- fore the public under the auspices of the “Lord Provost, the magistrates, and the Town Council" of these two leading cities! Reports of this gath- ering at Castle Wemyss had prominent place in the daily papers, kindling a general desire to hear the Singers. A series of successful concerts followed. At Largs the pastor of the Established (Presbyterian) Church set a desirable precedent by opening his church for a concert with an admission fee. The city authori- ties at Greenock gave the Singers the use of the town hall, which holds two thousand people. It was densely crowded on two evenings with audi- ences as sympathetic and enthusiastic as could be desired. As this was the season when many of the people of the larger towns in Scotland were at the summer resorts, it was decided to pay a short visit to Ireland. Letters from Mr. Burns, and the indorsement of the Hon. George H. Stuart, who is held in high regard THE RECEPTION Aİ EDINBURGH, 65 in that country of his birth, prepared the people to welcome them. Dr. Henry, President of Queen's College, presided at the first concert in Ulster Hall, Belfast, and Rev. William Johnson, the Moderator of the General Assembly, aided heartily in the sub sequent work there. At Londonderry their wel... come accorded with the historic fame of that old, liberty-loving town, so foremost in Protestant zeal and good works. Returning to Scotland, they were met with the announcement that the authorities of Glasgow had acted upon Lord Shaftesbury's suggestion, and voted to invite them to give a concert at the city hall under their official patronage. Looking backward to the bondage and ostracism that was still so fresh in their memory, such a thing, in that great city of five hundred thousand people, seemed almost in- credible. The city hall was full. The Lord Provost presided, and beside him, on the platform, sat the magistrates and leading clergymen of the city. The Singers were eager to do their best, and the Lord Provost in his closing remarks declared that he“never attended a more delightful meeting.” Their reception at Edinburgh was equally hearty and inspiring. The authorities gave them a vote of welcome. The Lord Provost presided at their first concert, and afterwards gave a dinner-party in their honor at his own residence. At Paisley a most helpful friend was found in Sir Peter Coats, whose name as a thread manufacturer is a household word throughout the world, but whose highest praise where he is personally known is his Christian philanthropy. He entertained the Singers at his country-house on 5 66 THE JUBILEE SINGERS. the banks of the “bonny Doon,” piloted them in visits to the many places of historic and poetic in- terest in that vicinity, attended personally to the preliminary arrangements for and presided at their concert. At Kilmarnock, Ayr, Aberdeen, Perth, Dundee, and other cities, concerts were given that were a series of triumphs. Many presents were made in money and books for the University, and the peo- ple everywhere vied with each other in showing a most gracious hospitality. From the first the Jubilee music was more or less of a puzzle to the critics; and even among those who sympathized with their mission, there was no little difference of opinion as to the artistic merit of their entertainments. Some could not understand the reason for enjoying so thoroughly, as almost every one did, these simple, unpretending songs. This criticism led to the publication, by Mr. Colin Brown, Ewing Lecturer on Music in the Andersonian Univer- sity, Glasgow, of a series of articles, analyzing this style of music, in which he said: “The highest triumph of art is to be natural. The singing of these strangers is so natural that it does not at once strike us how much of true art is in it, and how careful and discriminating has been the training bestowed upon them by their accomplished instructor and leader, who, though retiring from public notice, deserves great praise. Like the Swedish melodies of Jenny Lind, it gives a new musical idea. It has been well remarked that in some respects it disarms criticism, in others it may be truly said that it almost defies it. It was beautifully described by a simple Highland girl, It filled my whole heart!' The richness and REVIVAL LABORS WITH MR. MOODY. 67 purity of tone, both in melody and harmony, the contrast of light and shade, the varieties of gentle- ness and grandeur in expression, and the exquisite refinement of the piano, as contrasted with the power of the forte, fill us with delight, and at the same time make us feel how strange it is that these un- pretending singers should come over here to teach us what is the true refinement of music, make us feel its moral and religious power." The labors of the Singers in connection with the meetings of Messrs. Moody and Sankey were one or the most memorable features of this visit to the North. They first met the evangelists at Newcastle on-Tyne, and for some days lent daily assistance in the great work. Their songs were found to be es- pecially adapted to promote the revival. One inci- dent in connection with one of the noonday prayer- meetings, of which Mr. Moody often spoke after- wards, cannot be better told than in the words of Rev. Mr. Robjohns: “The Jubilee Singers had been specially prayed for. A moment's pause, and there went up in sweet, low notes a chorus as of angels. None could tell where the Singers were,-on the floor, in the gallery, or in the air. The crowd was close, and the Singers—wherever they were were sitting. Every one was thrilled, for this was the song they Sang: There are angels hovering round To carry the tidings home.' The notes are before us as we write, simple enough, -the words, too; but one should hear the Jubilees sing them. It was like a snatch of angelic song heard from the upper air as a band of celestials 68 THE JUBILEE SINGER S. passed swiftly on an errand of mercy.” And he adds: “Nor are these all our obligations to our beloved friends. They have gone in and out the churches, Sunday-schools, and mission-rooms, sing- ing for Jesus. Such services to souls and Christ have opened wide the people's hearts, and the Jubilees have just walked straight in, to be there enshrined for evermore.” In the great work at Edinburgh, also, the Singers rendered special assistance, sometimes taking part in as many as six meetings a day,--prayer meetings, inquiry-meetings, Bible readings, preaching services, etc. On one Sunday evening Mr. Moody preached, and they sang, to an audience of between six and seven thousand working-people, gathered by special cards of invitation in the Corn Exchange, which was followed by an inquiry meeting, at which some seven hundred asked for prayer. After the engagements of the Singers took them away from Mr. Moody, missionary and revival meet- ings were frequently held on Sundays; and at them and at Sunday-school gatherings Mr. Dickerson and Mr. Rutling--as well as Mr. White and Mr. Pike- often made addresses. january brought a very whirl of work and a har- vest of money, in connection with the campaign through the midland counties. Wherever the Sing- ers went they met crowded houses at their concerts. Many subscriptions were made to furnish rooms, at a cost of £ 10 each, in Jubilee Hall. Mr. Frederick Priestman, though carrying the cares of an extensive business of his own, interested himself in perfect- ing arrangements for a private concert at Bradford, ONE MONTH'S WORK. 69 which was so well worked up that it yielded £150, Sir Titus Salt, who was unable to be present, send- ing £25. Under the patronage of Rev. Eustace Conder and Edward Baines, Esq., M.P., the first concert at Leeds, in a pecuniary point of view, was the most successful one so far that had been given in the kingdom. At Halifax, John Crossley, Esq., M.P., the great carpet manufacturer, pledged a sup- ply of carpets for Jubilee Hall. One of the results of a second visit to Hull was the presentation, for the library of the University, of a fine oil portrait of Wilberforce, purchased through a subscription by the citizens, a memento of the Jubilee work that will always be held in high regard. The Hon. John Bright was absent from home when the Singers vis- ited Rochdale, but his family subscribed £10 to fur- nish a room to bear his name ; and afterwards he wrote a letter commending their mission as “one deserving of all support," which went the rounds of the papers and was of much help to them. At Bol- ton, J. P. Barlow, Esq., gave £ 50 for five rooms, one of them to be named after President Charles G. Fin- ney, of Oberlin College, in remembrance of his evan- gelistic labors during a great revival in that town years before. At Manchester they were fortunate in enlisting the services of Mr. Richard Johnson, the apostle of ragged schools. No town was ever before more thoroughly ploughed with advertising and sown with information, and such work never yielded a better harvest. The proceeds of the four concerts in the Free-Trade Large Hall amounted to over £1200. This sum was further swollen by the sale of the 70 THE JUBILEE SINGERS. books giving the history of their first American cam- paign, the profit on these sales in one evening being £40. Three concerts followed in the Philharmonic Hall at Liverpool, with large receipts, the first one yielding £325. The total receipts of the month of January amounted to £3800, or about $19,000! But this success was achieved at the cost of an appalling amount of work. Requests for concerts flowed in from all parts of the kingdom. It was impossible to comply with half of them, and the investigation involved in deciding where to go was an exhausting strain on time and strength. A vast amount of correspondence was unavoidable in reply- ing to invitations to breakfasts, dinners, and teas, and in answering the many requests that came for concerts for the benefit of schools, churches, asylums, and charities of every sort. Much thought had to be given to the preparation of newspaper notices and other advertising, and much time had to be spent in enlisting the interest and assistance of those whose patronage would be valuable. Adding to all this the incessant demands in meeting the thousand details of concert management and hotel arrange- inents, and the watchful guidance of the Singers in this new life to which they were so unused, it is no wonder that one after another of the working force broke down under the load. Miss Gilbert, whose labors had been as inces- sant as they were invaluable, was taken very ill, and obliged to give up all work. Mr. Pike, who had been doing the work of two men, succumbed next to serious nervous prostration, and had scarcely settled down for the rest that was imperatively necessary, OVERWORK AND ILLNESS. 71 when his only assistant gave way under the load that he was carrying, and was forbidden by his med- ical adviser to give any further attention whatever to business. Mr. White was thus left alone. His lungs wee weak, and the heavy fogs and the night-work were telling seriously upon them. And at this juncture came word that his wife, whose health had not been good, and who, with her children, was in lodgings in Glasgow, was ill. Yet as the gross income of the concerts at that time was averaging $1000 a night, and it seemed to be so manifestly “now or never” with their mission, he felt that it was his duty to keep on, at whatever sacrifice of personal feelings or strength, with the work. But a few days after he received intelligence that impressed him with the conviction that his wife, who had been taken with typhoid fever, was more seriously ill than he sup- posed. Hurrying to her bedside, he reached it less than two days before she died. She had been a val- ued teacher with him at Fisk before their marriage; and her death, which would have been a terrible blow at any time, in these peculiar circumstances of his health and work was unspeakably trying. A loss of sleep and appetite followed which so reduced his strength that he was finally obliged to give up work. And in the midst of this prostration he was attacked with hæmorrhage of the lungs, and for some time scemed to be lying at the very gates of death. These facts becoming known to friends interested in the work, offers of assistance were numerous, and by relying largely on volunteer help, the Singers were able to go on and fill all their appointments. 72 THE JUBILEE SINGERS. . At Sheffield, Derby, Wolverhampton, Norwich, Ipswich, Cambridge, Leicester, Nottingham, Bir- mingham, and other cities, the experiences of Jan- uary were repeated in crowded audiences, generous contributions, and the good cheer of true English hospitality There was a large harvest still ungathered when the time drew near that had been fixed for their return to America. But circumstances were such, especially the health of those who had the charge of the work, that a longer stay than was originally proposed was impracticable. A trip to the south of Wales, with concerts at Newport, Cardiff, Merthyr Tydvil, and Swansea, was followed by successful visits to Bristol, Southamp- ton, Bath, Brighton, and a few other cities. Mr. Spurgeon, not forgetful of his farewell words when they left London, not only opened his Tabernacle to them for a second concert, but made one of his happiest addresses in connection with the present of a full set of his works for the library. The house was densely crowded, and the receipts exceeded even those of the first concert in the same place. The closing concert was given in Exeter Hall, and yielded a larger sum than any other of the whole campaign in Great Britain. That steadfast friend, the Earl of Shaftesbury, presided. Dr. Allon, whose counsels had been of great value to them from the beginning, gave the audience some account of the winter's work. Nearly £10,000 had been raised for the Jubilee Hall, aside from special gifts for the pur- chase of philosophical apparatus, and donations in money for the library, and of books from Mr. Glad- THE RETURN TO AMERICA. 73 stone, Mr. Motley, Dean Stanley, Mr. Spurgeon, Mr. Thomas Nelson, and many other friends. Lord Shaftesbury, in his parting address, spoke with much feeling of the pleasure their visit had given the English people, and of the affection and respect in which they would always hold the Jubilee Singers. The Doxology was sung by the entire assembly, and his Lordship, amid the cheers of the audience, and in their behalf, bade them good-by, shaking hands with each of the Singers as they left the platform. To the Singers personally, aside from the finan- cial success that had attended their work, the visit had been one of almost unalloyed satisfaction. They had been everywhere the object of hospitable atten- tions that, if they had any fault, were sometimes so urgent and abounding as to be wearisome, after the strain which their work made upon their energies. Few of them had suffered from sickness, and the shorter distances to be travelled, and the warmer temperature in winter, had made concert-work easier than in America. In no way were they ever offen- sively reminded, through look or word-unless by some rude American who was lugging his caste conceit through a European tour, or by a vagrant Englishman who had lived long enough in America to " catch” its color prejudices — that they were black. The Singers reached Nashville in time to attend the Commencement exercises. The trustees passed resolutions testifying to the interest and sympathy. with which they had followed their career, to their . 74 THE JUBILEE SINGERS. industry and devotion in their work, and to the high honor they had achieved for themselves and their people, adding: “No one can estimate the vast . amount of prejudice against the race which has perished under the spell of their marvellous music. Wherever they have gone they have proclaimed to the hearts of men in a most effective way, and with unanswerable logic, the brotherhood of the race.” CHAPTER IX. OVER THE OCEAN AGAIN. IN 1875 Fisk University completed its first dec- ade. During the ten years thousands of young people had been gathered in its classes. Its stu- dents, in turn, had taught tens of thousands in Sab- bath and day-schools, communicating far and wide among the freed people its uplifting influences. It had conquered the respect of those who began by hating it. It had opened to the vision of vast num- bers of colored people new possibilities of Christian attainment and manly achievement. It had demon- strated the capacity of that despised race for a high culture. It had raised up the Jubilee Singers, who had done great things for their people in breaking down, by the magic of their song, the cruel preju- dice against color that was everywhere in America the greatest of all hindrances to their advancement; who had raised the money to buy a new site for the University, and erect on it a substantial and beau- tiful hall to take the place of the tottering hospital barracks; and who stood on the threshold of its sec- ond decade as its special and providential reliance in laying the foundation of its needed endowments. This year was marked by several events of special interest. Hitherto the University had been without 76 THE JUBILEE SINGERS. a president. Its work had been outlined and guided in its general features by the American Missionary Association. It was felt that the time had come when a capable president should take charge of it, supported by a fully-organized faculty. For this place, Rev. E. M. Cravath was the unanimous first choice of its trustees and friends. More than any one else he had had the responsibility of its estab. lishment; and, during his subsequent service for several years as field secretary of the Association, the burden of planning its work and providing for its wants had rested chiefly upon him. Educated at anti-slavery Oberlin, and identified all his life with anti-slavery effort, he was felt to be specially adapted and providentially guided to the place. And as soon as events shaped so that he could well be spared from those duties, he resigned his secretaryship in the Association and entered upon the new work. In 1875, also, the University graduated its first college class. It had taken some of them, ten years before, with little more than a knowledge of the alphabet, and carried them through extended pre- paratory studies and a thorough classical course, to the point where a rigid examination awarded them the degree of A.B. At graduation one was chosen instructor in the University, and others found re- sponsible positions awaiting them as teachers in the city schools at Nashville and Memphis. Two were the sons of an unlettered freed woman, who had consecrated every spare dollar of her hard earnings, for these ten years, to aid her boys in getting an education. It was a proud hour for her when they stepped upon the stage to receive their diplomas- 属 ​UA 准 ​“OK 09000011 VAL JAME. AV. IMMUNITE JUBILEE HALL, FISK UNIVERSITY, NASHVILLE, TENNESSEE, 2014 GIGO CCA 11:11 , sol000 IENT film 一点 ​( wai100UID ALAMUALAAMSEL 15.1 XL: PROGRESS AT FISK UNIVERSITY. 77 a scene that it would have done the heart of every contributor to Fisk University good to see. The completion and occupancy of Jubilee Hall was another of the important events of 1875. Both in its architectural appearance and substantial con- struction of the most durable materials, as well as in its admirable adaptation to the permanent uses of the University, it is all that could be desired. Its walls are of brick, with stone foundations and facings; every part of the work upon it has been done in the most thorough manner, and it is believed to be the best building of its kind in the Southern States. Crowning a commanding eminence overlooking the capital city of Tennessee and the beautiful encircling valley of the Cumberland, it stands, not only an enduring and most fitting monument to the toils and triumphs of the Jubilee Singers, and to the sympathy and generosity shown them by the Christian public on both sides of the Atlantic, but a perpetual in- spiration to the freed people as they struggle out of the slough of ignorance and social proscription in which emancipation found them. But the very success of these years had increased the demands upon the University faster than it had supplied the means of meeting them. It had achieved results that demonstrated the necessity of its existence and guaranteed its permanence. But its needs were greater than ever. Its new site, and the new hall standing upon it, was simply the solid foundation for future growth, and it was entirely without the means, within itself, of supporting, to say nothing of enlarging, its work. Money was urgently needed for endowments from which to pro- 78 THE JUBILEE SINGERS. vide for the support of teachers and to aid earnest, struggling students to educate themselves for Chris- tian work as teachers and ministers of the gospel. In the poverty of the freed people the revenue from tuition fees could be but a trifle at the best, com- pared with its expenses. The continual financial pressure throughout the country caused a serious shrinkage in the receipts of the American Missionary Association. Many who were wont to give liberally to such objects were unable to do so longer. Urged by these pressing necessities and convinced that God pointed out the way by his providences, the Jubilee Singers, after a few months of rest, again took the field. Mr. White's health was still so seriously impaired that it was im- possible for him to undertake such exhausting work as was involved in the entire care of a concert cam paign, and Prof. T. F. Seward, of New York, who first wrote down the Jubilee Songs, and had been deeply interested in the work, was fortunately se- cured to share the labor. A series of concerts was given during the winter and spring in the larger cities of the North, prelimi- nary to another tour abroad. Some of them were very successful, but the net receipts of the winter's work were not large. The “ Times” were hard; the weather was unusually cold and unfavorable; and rival companies, some of whom appropriated not only the name, but even the testimonials belonging to the Jubilee Singers, had taken the field, and, to a considerable extent, had trampled down the harvest where they had not the ability to gather it. On May 15th the company, reorganized to consist RETURN TO LONDON. 79 of ten members, sailed for England in the Cunard steamer Algeria. It was a sign of progress that more than one steamship line, which had refused them cabin accommodation two years before, offered reduced rates if they would accept them now. Mr. White accompanied them, to give, so far as his health would permit, the counsel and assistance which his previous experience made so valuable, and President Cravath followed in the autumn to take charge of the general interests of the enterprise, and to reënforce the working force when the heavy drafts of the busy season began. The announcement that they would be present and sing a few of their slave-songs at the annual meeting of the Freedmen's Missions Aid Society, in the City Temple, London, Monday evening, May 31st, was to many of their friends the first news of their return from America ; but it was news that travelled quickly, and it drew an audience that not only packed every inch of space in that capacious church, but filled the large lecture hall below with an overflow meeting. So great was the gathering about the building that to get even to the doors was a formidable task, and the chairman, Lord Shaftesbury, was delayed some minutes in reaching the platform by the diffi- culty of penetrating the dense crowd that filled the corridors. In ascending the stand his eye caught sight of the singers in the gallery, whom he greeted with a cordial salutation, and in his remarks on tak- ing the chair he said: "I am delighted to see so large a congregation of the citizens of London come to offer a renewal of their hospitality to these noble 80 THE JUBILEE SINGERS. brethren and sisters of ours, who are here to-night to charm us with their sweet songs. They have re- turned here, not for anything in their own behalf, but to advance the interests of the colored race in America, and then to do what in them lies to send missionaries of their own color to the nations spread over Africa. When I find these young people. gifted to an extent that does not often fall to th.. lot of man, coming here in such a spirit. I don't want them to become white, but I have a strong disposition my- self to become black. If I thought color was any. thing-if it brought with it their truth, piety, and talent, I would willingly exchange my complexion to-morrow. In the name of this vast mass of British citizens, and, I may say, in behalf of thousands and tens of thousands who are absent, we receive them with joy again to our shores, and will do all that in us lies to advance their holy cause; and, besides cur prayers and hospitality, we will do as Joseph did to his brethren, send them back loaded with all the good things of Egypt." Rev. Dr. Parker, pastor of the City Temple, reëchoed these words of welcome in an eloquent address, and the occasion could not have been more of an ovation to the Singers than if it had been planned for that purpose. The next evening they gave their opening concert to a large and very enthusiastic audience in Exeter Hall, with an address full of a genuine English wel come from the chairman, Rev. Ll. D. Bevan. At this time Messrs. Moody and Sankey were in the midst of their great work in London. The Sing- ers had not been in the city an hour before a request came from Mr. Moody that they would take part in MEETINGS WITH MR. MOODY. 81 the service that afternoon at the Haymarket Opera- house. The next day he desired them to sit on the platform, and sing “Steal Away" after the sermon. That remarkable series of meetings at the West End was drawing to a close. The house was packed in every part with an audience representing much of the wealth and rank of London; upon whom Mr. Moody urged the claims of Christ in a discourse of peculiar tenderness and power. At its close the great congregation bowed, with tearful faces, in silent prayer. Soon the soft, sweet strains of “Steal Away" rose from the platform, swelling finally into a volume of conquering song that seemed to carry the great audience heavenward as on angels' wings. The effect could not have been happier had the song been written for the sermon, or the sermon for the song Thereafter their services were in almost constant demand in the London meetings. For several weeks they declined nearly all applications for concerts, in order that they might be free for this work. After Messrs. Moody and Sankey had closed their services at Bow-Road Hall to go to Camberwell, the meet- ings were continued at the former place, with preach- ing each night by the Rev. Mr. Aitken or Mr. Henry Varley, and singing by the Jubilee choir. The at- tendănce was so large, on week-day as well as on Sunday evenings, that hundreds were sometimes turned away, even after a congregation of ten or twelve thousand had crowded into the hall. After these meetings closed, Mr. Aitken gave them a letter testifying to his misgivings at first in employing in such a work an agency that might seem 6 82 THE JUBILEE SINGERS. so sensational, but cordially declaring that his mis- givings were quite at fault, and that he should carry away most pleasing recollections of their work to- gether. In recognition of their services in these meetings, a subscription of over £500 was made for Fisk University by a few members of the com- inittee having the meetings in charge. Mr. Moody gave them an open letter to his friends everywhere, warmly commending their mission; and before leav- ing the country purchased and presented to each of the party a duplicate of that copy of Bagster's Bible, whose almost constant use in his meetings he has made so famous and popular. Nothing could have better prepared the way for their special work, nothing could have better pre- pared them for it, than these revival labors. The religious papers carried reports of the meetings throughout the kingdom; and wherever they went thereafter, the great Christian heart of England gave them a specially fraternal greeting. During July and August, months usually unfavor- able to concert receipts, the appointments at various places in Wales and the South of England drew, generally, good audiences. It was, however, after the fall work began in Scotland that it was most manifest how widespread and hearty was the inter- est with which their return was awaited. Applica- tions for concerts poured in from every quarter of the kingdom. Full houses met them everywhere. At Inverness, where they appeared under the pat- ronage of the provost, magistrates, and other lead- ing citizens, the Music Hall was much too small to accommodate the eager crowds that thronged the doors on two successive evenings. SUCCESSES IN SCOTLAND: 83 At Aberdeen, Lord Kintore was active in efforts to make their visit a great success. At Dundee, Provost Cox presided at their concert, and the re- ceipts were larger than on their first visit to that city in the high tide of enthusiasm two years before. At the first concert in Glasgow, given in the Kibble Crystal Palace, the receipts for tickets, and the profits on the sale of books for the one evening, amounted to nearly £325. At Edinburgh, where the chair was taken on one evening by Lord Provost Falshaw, hundreds were turned away from the doors of the Music Hall, even after all standing-room had been exhausted. The religious effect of their concert-work was never more gratifying nor manifest. Several of their new songs, particularly, seemed to have a pe- culiar power in reaching the hearts of their au- diences. After one of the concerts in Glasgow, an unknown friend placed £15 in the hands of one of the Singers, as a contribution to their fund, accom- panied with the request that they would sing “ I've been Redeemed" at every concert they should give in Great Britain. Their singing of this and other hymns at the Glasgow Evangelistic Conference, in October, was spoken of in all reports as one of the special attractions of that inspiring meeting. Their services were sought also at the similar Conference in Dublin a few weeks later. This was their first visit to Dublin; and at these meetings, and at the concerts which followed, Irish enthusiasm was thor- oughly enkindled. Mr. Russell, known through the three kingdoms for his efficient services to the tem- perance cause, gave most valuable assistance in 84 THE JUBILEE SINGERS. “working up" the concerts; and at the first concert in the Exhibition Palace it was estimated that fif- teen hundred applicants for tickets were turned away after every seat in the great hall was filled. Religious meetings with the Sunday-school chil- dren, on Saturday or Sunday, came to be, also, a common and important feature of their work. Ad- mission was always given by free tickets, previously distributed to a certain proportion of teachers and scholars; and the exercises consisted of singing, al- ternated with short addresses. At Aberdeen, 4000 teachers and scholars filled the Music Hall, at nine on Sunday morning; and over 5000 gathered in the Drill Hall, Edinburgh, at ten o'clock, on a Sunday. At Liverpool the tabernacle erected for Mr. Moody's meetings—one of the largest ever built for his ser- vices—was crowded by over 12,000 children, repre- senting over ninety different schools. Each of these meetings, like others in smaller cities, were occasions of sweet and solemn interést that will be long remembered. Nor was this visit any less marked than the first one for the social attentions shown to the Singers. The Earl of Kintore, Lord Lieutenant of Aberdeen- shire, entertained them at his ancestral seat, Keith Hall, --whose walls were laid before the Pilgrims landed on Plymouth Rock,-and made them his debtors by the memory of the delightful day spent there and by subsequent kindly attentions. Their visit to Chester brought a pleasant note from Mr. Gladstone, recalling their former acquaintance, and inviting them to spend an afternoon at Hawarden Castle, his country home in North Wales, and pro- LIVINGSTONE MISSIONARY HALL. 85 posing to send his carriages to meet them at the railway station two miles away. A memorable after- noon was spent in social intercourse with the great statesman and his family, in the inspection of his art and literary treasures, and in wandering about the ruins of the older castle,—which dates back to the days of Edward the First. No one could have had a more gracious welcome to the hospitalities of this historic English mansion. The Duke and Duch- ess of Argyll also invited them, for the second time, to Argyll Lodge, where they met a company of dis- tinguished guests, including the Princess Louise, on terms of pleasantest intercourse and most friendly interest. It was in the midst of this year's work, and when Jubilee Hall had been but a little time occupied, that the need of another building at Fisk University be- came so apparent and imperative as to demand immediate action. The ordinary earnings of the Singers were all needed in meeting the other press- ing necessities of the school, and much prayerful deliberation was had concerning ways and means for supplying this want. It was finally decided to undertake to raise by subscription £10,000 for the erection of a companion building to Jubilee Hall, which should be called-with obvious fitness and significance — “Livingstone Missionary Hall." It was when this decision was but just reached, and before any general announcement had been made of the plan, that a check was received from the Baroness Burdett-Coutts for two per cent of the entire sum,— €200. And Mrs. Agnes Living. stone Bruce, Dr. Livingstone's daughter, — the 86 THE JUBILEE SINGERS. loved “Nannie" of whom he so fondly and proudly speaks in his journal, -testified to her interest in the Singers, and to her appreciation of this trib- ute to her father, by a handsome subscription. Soon after this the movement was publicly inaugu- rated in London by means of two invitation con- certs, under the patronage of Lord Shaftesbury and other distinguished friends. The chairman at the first of these concerts, Samuel Morley, Esq., M.P., himself subscribed £100; and under the impetus thus given to the effort over $15,000 was secured that year for Livingstone Hall, while con- cert work yielded good returns for the general uses of the University. Would concerts on the Continent pay? Would the slave songs keep their power where the words lost their meaning? These were questions that had been asked often during the work in England. While the Singers were taking a brief summer rest in Geneva, Switzerland, an experiment had been tried which, if one swallow only made a summer, might have seemed conclusive as an answer to these questions. Just before their departure they gave a concert in the Salle de la Reformation at which Père Hyacinthe presided. The distinguished chairman, and, with few exceptions, the audience, did not un- derstand English-much less the vernacular of the But the hall was crowded and the en- thusiasm rose to white heat. When asked how they could enjoy the songs when they could not under- stand the words, the answer was, “We cannot un- derstand them, but we can feel them.” With all the encouragement which this concert gave, the certainty slave songs. VISIT TO HOLLAND. 87 of heavy loss if a tour on the Continent proved a failure, made the venture still seem a hazardous and doubtful one. One of the London concerts was the means of turning the scale in which this question lay balanc- ing. Mr. G. P. Ittman, Jr., an eminent Christian gentleman of Rotterdam, and a leading merchant there, was in London on business when his attention was attracted one day by an advertisement in the Times of a Jubilee concert that evening at Sur- rey Chapel. He attended, and was so greatly inter- ested that he came forward at the close of the con- cert and urged the Singers to visit Holland, offering to do all in his power to make their trip a success. When the time came, some months afterward, to go, Mr. Ittman was found to be as good as his word. He not only gave his own time and influence lav- ishly in preparing the way for the Singers, but he enlisted the active co-operation of influential and generous friends all through the kingdom. The Story” found an admirable translation at the hands of Rev. Adama van Scheltema, who rendered the songs, even, into Dutch with remarkable success. The publisher, Mr. A. van Oosterzee of Amsterdam, was one of the most serviceable helpers whom the mission of the Singers ever enlisted. Local committees of leading citizens were formed in almost every place the Singers planned to visit, who assumed the burden of preparing for the con- certs, and whose patronage was itself a guarantee of success. Where there were no halls of suitable dimensions the churches were tendered to the Sing- ers, and even the great fathedrals, as at Utrecht, 88 THE JUBILEE SINGERS. Leenwarden, Harlegen, Zwolle, Dordrecht, Delft, Alkmaar, and Schiedam were opened for their con- certs. Nowhere have the Singers found a heartier welcome or left dearer friends than in the Nether- lands. The most distinguished attentions which they had hitherto received from the great and the learned were quite eclipsed in the splendor of the reception given them in the palatial mansion of the Baron and Baroness van Wassenaer de Catwijck at The Hague, where they met the Queen of the Netherlands- famous as well for her own accomplishments as the patronage she has given art and literature and other members of the royal family, and a hundred or more of the nobility and diplomatic corps of the Dutch capital. All but the Singers were in court dress, and the files of soldiery that lined the path to the door, the liveried servants that ushered the guests to cloak-room and salon, the brilliant cos- tumes of the ladies, and the no less brilliant uni- forms and decorations of soldiers and diplomats, the coronet of the queen flashing with diamonds, and the rich furnishings of the elegant apartments made a scene of dazzling splendor which was only height- ened by the attentions shown to their dusky guests. The Queen gave the Singers a pleasant greeting indi- vidually, and testified to the sincerity of her expres- sions of pleasure in listening to their songs by hon- oring their public concert, a few evenings later, with her presence. The King also received them, not long after, at his royal residence, the Loo, and added a generous subscription to the fund for Livingstone Hall, A SUCCESSFUL TOUR. 89 After two months spent thus with their Dutch friends, the Singers returned to their work in Eng- land, their treasury the fuller by $10,000 for this excursion to the Netherlands, and their plans now taking shape for a visit to Germany. CHAPTER X. EIGHT MONTHS IN GERMANY. THE field in Great Britain had been well har- vested. The diminished receipts of concert work, cwing to the hard times which rested like a leaden pall on English industries, warned the Singers that the longer they delayed their contemplated visit to Germany, the less revenue it would probably yield them, because of the increasing stringency there. In October, 1877, therefore, they set their faces, not over-confidently, toward the country which is the fatherland of Christian song, and where they might expect that their work would meet severer critical tests than it had yet encountered. Stopping in Holland to sing at a few places that they were obliged to pass by on their previous visit, they met everywhere with attentions that made this hurried passage through the Netherlands seem like a holi- day excursion. Crowned heads could scarcely have been treated with more distinction at some of the hotels, even, where they were guests. President Cravath had preceded them to Berlin, accredited by letters from their unwearied friend, Lord Shaftesbury, to the British ambassador and other influential personages ---to make known their mission and prepare for their coming. To do this AT THE NEW PALACE. 91 with success was a delicate and difficult task. But the speedy entrance which they found, on their ar- rival, into the best circles of the German capital showed how wisely and well it had been done. Baron von Bunsen, son of the great scholar, gave a dinner-party in their honor, at which they met, among other distinguished people, leading represen- tatives of the diplomatic corps at the imperial court. And reception followed reception in the drawing- rooms of the élite, which made them and their mission known to the leaders in the philanthropic, musical, and religious circles of the city, and, to some extent, of the whole empire. One of the court preachers, Rev. Dr. Bauer, and his estimable wife extended to them the hospitalities of an ideal German Christian home. The Singers were permitted to share in the Christmas festivities of the household—which were advanced several days on the calendar to give them acquaintance with this domestic anniversary as Ger- man families delight to observe it. But no other occasion in Berlin-nor any in their varied experience elsewhere—was so significant or memorable as their reception by the Crown Prince and Crown Princess at the “ New Palace" in Pots- dam. They were invited to attend there at four o'clock on a Sunday afternoon. German usage, in high places as well as low, is so far removed from the stricter views of Christian people in the United States regarding Sunday observance, that the Sing- ers had some misgivings about accepting the invita- tion. But the advice of their most judicious Chris- tian friends was in favor of going, and the result proved that their fears were indeed at fault. The 92 THE JUBILEE SINGERS. imperial carriages, under charge of an officer of the household, were sent for them. Arrived at the pal- ace, there was none of the distinctive pageantry of royalty to be seen, beyond the grim troopers who stood sentinel at the doors and clanked their sabres through the corridors. After their wraps had been laid aside the Singers were ushered into an elegant salon-selected for this occasion, as the Crown Prin- cess afterward informed them, because of its admir- able acoustic properties. The Crown Prince and Crown Princess quickly came in to greet them, and were followed by their children and other members of the imperial family, including Prince Frederick Charles, the hero of Metz. It was as much of a gratification as a surprise to the Singers to find that the emperor himself, who had come out from Berlin to dine at the New Palace, had detained his special train, and suspended his engagements at the capital, that he might remain longer and hear their songs. As the straight, stately old soldier entered the room he bowed pleasantly to the Singers, and, taking his place near President Cravath, asked such questions about the freed peo- ple and the mission of the Singers as gave a pleasant insight into his largeness and kindliness of heart. An aide brought him an easy-chair, to which he was well entitled by his years as well as his relation to the company, but he declined it, and with the polite- ness of the old-school gentleman, remained standing during the half hour of conversation and singing that preceded his departure. Those who thus met him will never be able to think of him other than as gracious in manner and noble in character as he is eminent in imperial position. AT THE NEW PALACE. 93 The Singers, at intervals, sang “Steal Away, " “I've been Redeemed," " Who are these in Bright Array," and others of their most effective spiritual songs. “Nobody knows the Trouble I See" filled the eyes of the Crown Princess with tears, and she apologized for seeming "so weak," saying that the thought of the wretchedness of the slave life which gave birth to such a wail as that quite overcame her. In the familiar conversation during the intervals of the singing, the Crown Princess told the Singers that she had been anxious for a long while to hear them. Her mother-Queen Victoria—had excited her interest in them by a long letter which she wrote giving an enthusiastic account, at the time, of their singing when she heard them at the Duke of Argyll's. Beyond her Majesty's courteous and formal thanks on that occasion, they had had no hint of the im- pression which their singing made upon her, and this intelligence, so many years after, was specially gratifying The Crown Prince chatted socially of matters in America, and begged a copy of the songs, saying that he should wish to play and sing them with his family. “These songs, as you sing them," said he, go to the heart; they go through and through one." Both he and the Crown Princess not only expressed great delight in the singing, but asked of their plans for work in Germany, gave some suggestions, and expressed a hearty hope that their visit might be a very successful one. Tea was served for the Sing- ers before their departure, and the Crown Princess brought her children forward to shake hands with each of them. It was a delightful glimpse of the 94 THE JUBILEE SINGERS. . home-life to-day in the palace of Frederick the Great, with its fine culture, warm feeling, and religious sincerity. In its bearing on the future work of the Singers it was worth everything. As Rev. Dr. Joseph P. Thompson said, in an account of it written for the New York Independent, “ The kindly, hearty approbation of such an audience was a cer- tificate of character as well as of musical merit. They were received at the palace not as a strolling band of singers, but as ladies and gentlemen, and the degree of culture and politeness they exhibited were gracefully recognized by their illustrious hosts." Subsequently the Domkirche in Berlin-the church where the imperial family worship—was tendered to them without charge for their concerts, and the Sing-Akademie—a music hall into which nothing but entertainments of high tone and the best char- acter are admitted-was opened to them, and the concerts were every way a complete success. At their concerts in the Sing-Akademie, on their return to the capital some weeks afterwards, the Empress Augusta was present on two occasions, and sending for Professor White, during the intermission, to come to the imperial box, manifested by her many ques- tions her curiosity to know about the history of the Singers, and her interest, especially, in the religious aspects of the work at Fisk University. German critics, it was found, yielded as readily to the mysterious charm of the Jubilee songs as had those of other countries, and were quite as unani. mous and hearty in their praise. Rev. Dr. Kögel, another of the four court preachers, and perhaps the most eloquent devine in the empire, wrote an GERMAN CRITICISM. 95 excellent article for “Daheim," in which he spoke in the highest terms of their work. He said : “Berlin is, indeed, not Germany, as some modest inhabitants of this metropolis think, still a good part of it, and, to tell the truth, one highly critical. Should they only stand first (so said to themselves the travelling Singers from the emancipated negro-folk of North America) the fire-proof of musical Germany, espe- cially on the hard ground of the central province, then would they win the game in the more out-of- the-way parts of our German fatherland. And they have won!” And elsewhere the same writer says: “ These are not concerts which the negroes give ; they are meetings for edification, which they sus- tain with irresistible power." The Berliner Musik- Zeitung, a severely critical journal, in a long and dis- criminating article took up the concert programme, piece by piece. Of“Steal Away," and the “ Lord's Prayer," it exclaims, “What wealth of shading ! What accuracy of declamation! Every musician felt then that the performances of these Singers are the result of high artistic talent, finely trained taste, and extraordinary diligence. Such a pianissimo, such a crescendo, and a decrescendo as those at the close of 'Steal Away' might raise envy in the soul of any choir-master.” The same critique closes, “ Thus the balance turns decidedly in favor of the Jubilee Sing- ers, and we confess ourselves their debtors. Not only have we had a rare musical treat but our musi- cal ideas have also received enlargement, and we feel that something may be learned of these negro singers if only we will consent to break through the fetters of custom and long use." And the critics 96 THE JUBILEE SINGERS. of the Volks-Zeitung, the Bürger-Zeitung, the Tag- blatt, and the Königliche privilegirte Berlinische Zei- tung were all of one accord in the same favorable ver- dict upon both the songs and the singing, as judged from artistic standards. Now and then there would be, of course, here as everywhere, a growling discord in the general har- mony of the greeting. One crusty journalist pub- lished an article disparaging their work, and declar- ing that their pretence of raising money for a school was probably a Yankee swindle. This served a good purpose in calling out a fine tribute to their mis- sion from a German gentleman who was a stranger to the singers, but who had travelled in the United States. In speaking of what they had accomplished he likened the famous “Sing-Akademie” of Berlin to a cow-shed, in architectural comparison with Jubilee Hall. In England that earnest, evangelistic element in the churches which stood by Mr. Moody's work everywhere took a special interest in the Singers, and prized their services of song as an effective ally in gospel effort. The same class of Christian peo- ple in Germany met them with the same fraternal heartiness, and rejoiced in this unique instrumental- ity for bringing gospel truth to the formalists and the materialists whom it was so difficult to reach. After this good start at the capital the company went successively to most of the larger cities in the empire. At Wittenberg they made joyful pilgrim- age to the places associated with Luther's memory, and sang “Praise God, from whom all blessings flow" in his room in the old monastery. At Weimar VISIT WITH PROF. CHRISTLIEB. 97 noted for its musical and art atmosphere, they had a crowded house, the Grand Duke and his retinue at- tending, with much courtly clatter of military escort. At Wiesbaden they sang in the Curhaus, the now dismantled old gambling hall, and in Homburg also the Jubilee songs echoed to the same strange asso- ciations. Visits to Göttingen, Cassel, Hanover, Hamburg, Lübeck, and other of the old free cities thereabouts, followed. At Brunswick they sang in the hall where Franz Abt was wont to conduct concerts, and received from the great composer a cordial greeting and many attentions. Thence their appointments took them, among other places, to Osnabruck, Munster, Dortmund, Essen, Elberfeld, and Dusseldorf. At the latter city they were the recipients, after the concert, of a formal reception and fraternal address from the evangelical Protestant element of the city. At Barmen, the capital of the iron and coal district, with its large operative population, they had an overflowing house. Spending a Sunday there, they visited the great Sunday-school, one of the largest in the world, singing for the children, and listening to their singing; the name of Jesus, the name that made them one, being the only word that either could recognize in the other's songs. At the Catholic city of Cologne, where the Protes- tant minority has little vigor for Christian work, their concerts were not successful. At the Catholic city of Bonn, on the contrary, where the Protestant ele- ment has more of apostolic ardor, they found full houses. Their stay at this university town is re- membered with special interest for a delightful Sun- 7 98 THE JUBILEE SINGERS. day afternoon hour spent in the charming atmos- phere of the great Professor Christlieb's home. In the conversation the professor spoke with enthusi- asm of his pleasant experiences in the United States, during his visit to attend the meeting of the Evan- gelical Alliance. Just then, he said, he was reading with the deepest interest President Finney's me- moirs, and making notes therefrom for use in his classes. Asking about Oberlin, he begged Professor White to say to its Faculty that its religious influ- ence was felt and gratefully owned in Bonn Univer- sity. He spoke with admiration of Mr. Finney and Mr. Moody as men of power, because they were men of positive convictions. Their visits to Darmstadt were lifted to a high place in memory by the pleasant acquaintance they made with that most charming lady and noble woman who was so greatly beloved by every one in her royal circle, and so idolized by her people, the late Prin- cess Alice, Grand Duchess of Hessen. The court theatre was placed at the disposal of the Singers, and the Grand Duchess attended the concert with her children, whom she spoke of in answer to a vis- itor's adıniring glance, with motherly pride and daughterly loyalty, as the “ Queen's grandchildren.” The Grand Duke was absent from home at this time, and the Princess Alice expressed the hope that the Singers would be able to visit Darmstadt again, when her husband could have the opportunity of hearing them. Returning for another concert a few weeks later they were gratified to find not only the Grand Duke and Grand Duchess present in the royal box, but also the Prince of Wales and Duke THE PRINCESS ALICE. 99 sum- of Connaught, who had stopped at Darmstadt for a visit to their sister, on their way to London from the ceremonies of the grand royal double wedding at Berlin. After the concert the Singers were moned to the royal box; the Princess Alice received each with a pleasant greeting, and expressed the hope that they might have continued success. The Prince of Wales spoke of the enjoyment their sing- ing gave him at Mr. Gladstone's, asked which of the party were present on that occasion, and added the hope that they would make another tour of England before returning home. At Dresden there was a successful concert, at- tended by the King and Queen of Saxony, who man- ifested much interest in the slave songs that were such a novelty to German ears. In Leipzig, distin- guished for music and learning, their reception was all that could be desired. The Gewandhaus, in which, as in the Berlin Sing-Akademie, only the best class of concerts is allowed, was placed at their dis- posal, and the concerts were a great success. A visit was made to Stettin at the invitation of a German gentleman, who was formerly engaged in business in Memphis, who entertained them in the finest manner in his elegant home. Concerts were given in Breslau, Munich, and other cities. A brief visit was made to Switzerland, and then, retracing a part of their winding track northward, they filled out their eight months' campaign in Germany. Financially, it had not been the success that was desired. The hard times had been growing harder every month; it was expensive work to break up such new ground; and it was found necessary, in joo THE JUBILEE SINGERS the abundance of low-priced musical entertainments in that country, to place the admission fees lower than in England or the United States. But testi- mony came from many sources, and in many ways, that their visit had been rich in results. It was a good thing to go up and down Germany singing Christian truth to multitudes who would have turned from it had it come in any other guise. Their visit was a revelation of the qualities and capacities of the negro to those who had known so little of him, that was in his favor. Listening to the Singers, thought- ful people said with surprise, “We could not take even our German peasantry and reach such results in art, and conduct, and character, in generations of culture, as appear in these freed slaves." Their presence and work gave, as it could be seen, an added impulse-far more than it could have done in this countrymto the freshened interest that all the western nations feel in everything that relates to the exploration, civilization, and Christianization of the continent of Africa. And doubtless it was of less consequence in the Divine thought that the Singers shor:ld take away much money with them, than that they should leave such influences at work behind them. At the close of this campaign future prospects for successful concert work abroad seemed so uncertain that it was deemed best to disband the company. Some of the Singers remained on the Continent for study, and the others turned their faces westward, for that visit home which their three years' absence had prepared them to enjoy so much. 1. · - CHAPTER XI. PERSONAL HISTORIES OF THE SINGERS. THE children who were set free by the abolitiori of slavery in the United States occupy a position in which no other generation, of any color, or in any land, were ever placed before. Behind them are all the disabilities and cruelties of that bondage in which their lives began. Before them are all the possibilities of culture, distinction, and usefulness that are open to the citizens of one of the foremost nations of the earth. This fact adds a peculiar inter- est to the personal histories of the Jubilee Singers. With the misguidances and limitations of their early life such as they were,-and it is not possible for any one to have an adequate idea of them who has not stood face to face with them, the readi- ness with which the Singers met the new social de- mands that were made upon them in their work was as remarkable as the quiet modesty and self-posses- sion with which they received the attentions and honors that came so suddenly to them. It was a dizzy change from a breakfast of hominy and bacon in a slave-cabin to dinners in the mansions of the wealthy, and receptions in the drawing-rooms of the nobility. But their heads were not turned by it. They may feel more at home on the concert plat- 102 THE JUBILEE SINGERS. forin than they did at first, but their manners there have remained as natural and unaffected-as free from professional “airs," as if they had never sung outside their own school-room. To some of them it has been a daily regret that they had to surrender their school advantages as they did. But they have made that good as well as they could by keeping up special studies and courses of reading, so far as the disadvantages of their 20mad life year after year would allow. Every member of the company is a professing Christian, one or two having been converted in con- nection with the religious influences that have by God's blessing ever attended the work. Whenever the exigencies of hotel life or railway travel do not prevent, family worship is held each morning-a novelty to hotel servants usually, and a season of spiritual refreshment which friends who are occa- sionally present refer to afterward with peculiar interest. At different times twenty-four persons in all have belonged to the company. Twenty of these have been slaves, and three of the other four were of slave parentage. There is not room in this volume for even brief histories of all the twenty-four. Such have been selected as together give the truest idea of slavery as it was felt by the generation to which the jubilee Singers belong; of the changes and difficul ties to which emancipation introduced them; of the sympathy and assistance they need and deserve. The unembellished facts in the sketches that follow form a mosaic that brings out the dreadful pattern of slavery as no story or sermon could reproduce it. ELLA SHEPPARD. 103 ELLA SHEPPARD was born in Nashville. Her father, while a slave, had hired his own time, and earned enough, in carrying on a livery stable, to buy his freedom, for which he paid $180o. His wife was owned by a family living in Missis- sippi, and soon after Ella's birth she was taken back to that State. The mother was worked so hard that the baby could have little attention, and nearly died of neglect. When it was fifteen months old the father heard that it was very sick and not likely to live. Going at once to Mississippi he bought his own child for $350, and took it, ill as it was, home with him to Nashville. Afterward he tried to buy his wife, but her master refused to sell her. By and by they were entirely separated from one another. By the usage of slavery she was dead to him, and he married again. His second wife was also a slave, and he pur- chased her freedom, after their marriage, for $1300. Free papers could not be executed without going to a free State. Before it was convenient to make a visit to Ohio for this purpose, he became embar- rassed in his business. Having bought his wife, she was legally his prop- erty, and as liable to be seized and sold for his debts as his horses were. He learned one night, through a friend, that some of his creditors were intending to take her for this purpose. Without waiting an hour he hurried to an out-of-the-way railway station in the woods, some miles distant, and placed her on board the midnight train bound for Cincinnati. Soon after, he followed with his child, leaving all the rest of his property to his creditors, and beginning life anew, without a penny of his own, in Cincinnati. 104 THE JUBILEE SINGERS. sources, In Cincinnati, Ella attended a colored school, with frequent and sometimes prolonged absences on ac- count of poor health. When twelve or thirteen she began to take lessons in music. But the sudden death of her father by cholera, when she was but fifteen, broke up their home. All his property, of which he had again accumulated a considerable amount, including the piano he had given to Ella, went to pay the costs of unjust law-suits, and she and her step-inother were thrown on their own re- Often they were in great straits, and more than once Ella went to festivals where her services as a pianist were in demand, but went supperless, because there was nothing in the house to eat. A friend, who had become acquainted with her musical abilities, offered to give her a thorough course of instruction as a music teacher, with the understanding that she was to repay him from her earnings whenever she was able to. An eminent teacher of Cincinnati was engaged to give her in- struction on the piano. She was the only colored pupil, and the conditions on which she was taken were, that the arrangement should be kept secret, and that she should enter the house by the back way, and receive her lessons in a secluded room up stairs, between nine and ten at night. The failure of her patron very soon broke up these plans. Being under the necessity of earning her own living, she accepted the offer of a school in Gallatin, Tennessee. Although she had thirty-five scholars, the remuneration was so small that she was able to save but six dollars from the term's work. With this she went to Fisk University, MAGGIE L. PORTER. 105 where she was engaged in study, and in work for self-support, for about two years, when she was ap- pointed one of the teachers of instrumental music. She aided in drilling the choir with which Mr. White gave the cantata of “ Esther,” and out of which the Jubilee Singers were organized. As the skilful pi- anist of the company, she has been with it in all its travels. MAGGIE L. PORTER was born in Lebanon, Tenn. Her master was wealthy, owning some two hundred slaves, and, as her mother was a favorite house-ser- vant, she saw little of the harsher side of slavery in her childhood. Not long before the war her master removed to Nashville, and there the President's proclamation, and the coming of the Union army, gave Maggie and her parents their freedom. When twelve years old she began to go to school. The next year she was one of the three hundred pupils that gathered in the old hospital barracks the first week the Fisk School was opened. An older sister had been sent away to a plantation in Mississippi before the war, and it was not known wha, had become of her. The mother often talked of her-told how she looked, and what she did when she was with them, and speculated about her finding her way back to them in the tide of homeless freed- men that in those days ebbed and flowed through every Southern city. Day by day, as Maggie passed the railway station on her way to school, she would scan the passengers who got off the trains, to see if there was any one among them who answered her 106 THE JUBILEE SINGERS. mother's description of her missing sister. But no such person ever appeared. One day, when Maggie was alone at home, a woman came to the door inquiring for her mother, who was out at work. Maggie had been instructed to let no strangers in when she was thus left in charge of the house, and the visitor was refused admittance. When she at last declared she was her sister from Mississippi, Maggie would not believe her. And even her mother, when she met her, did not recognize her, she had changed so much in these years of absence. It was such a disappoint- ment to the sister that she soon returned to Mis- sissippi, and it was some time before she could get over the chill of this reception sufficiently to come and make her home with her mother. After the war her father was persuaded to try his fortunes with a company of freedmen going to Liberia. But from the day he left, no word ever came back from him. For two years Maggie was constant in her attend- ance at Fisk. Then when a call came from the Board of Education for teachers for country schools, Maggie, though scarcely fifteen, offered her services. She passed the required examination, and was ap- pointed to a school at Bellevue, seventeen miles from Nashville. She taught during the fall, and went home to spend the Christmas vacation-al- ways a time of hilarity, and often of disorder, in that part of the country. Returning the first Mon- day of the New Year, she found nothing but a heap of ashes where her school-house had stood. It was probably burned—as the easiest method of getting PATTI ). MALONE. 107 rid of the school—by some of those who were so bitterly opposed to efforts for the elevation of the freedmen. Her next school was twelve miles south of Nashville. Here she taught in a rough log build- ing. It had no window except a hole in one side, closed by a board shutter, and the seats were logs split in halves and set on sticks. When Mr. White decided to prepare his student choir to give the cantata of “ Esther,” Maggie's fine voice marked her for the part of Queen Esther, which she rendered with a success that surprised and delighted every one. She has missed taking her part in but few of the concerts that the Jubilee Singers have given since their first appearance in Cincinnati in 1871. on PATTI J. MALONE was born of slave parents, in the village of Athens, state Alabama. Dr Malone, to whom her mother belonged, was a very wealthy man, and owned a large number of slaves. He was considered in that neighbourhood a good master, yet Patti's mother still bears scars her head, the effects of his treatment. Patti, like most children born in slavery, had but little maternal care when an infant, as her mother was compelled to leave her own child in charge of an old woman while she took care of her owner's little ones. Though too young to suffer much from the effects of slavery, except the loss of her mother's care, Patti has very vivid recollections of her anxiety over the risks her mother ran, despite the treatment she had received, in helping Dr. Malone to secrete himself 108 THE JUBILEE SINGERS. 1 from the Northern Army as it entered Athens; even carrying food and other necessaries to him while hiding from those who, had they found him, would have imprisoned him., At the opening of the first coloured school in Athens, Patti was, with her mother, among the three hundred anxious men, women, and children who gathered at the door, all eager to commence to learn. Then came the difficulty of getting employ- ment, and at the same time some education ; for the white people had declared they would not employ those who either went themselves or sent their chil- dren to school. After considerable trouble Mrs. Malone secured work in her former owner's family, on condition that her daughter would work also in the house before and after school hours. This she did for some time, but it was only by great perseverance that she could attend school regularly, as the family exercised considerable ingenuity in sending her on errands that would cause her to lose either the whole or a part of the day. In her anxiety to learn she often went to school when so ill as to be com- pelled to lie down when there. Then, in addition to other opposition, there were constant contests with the white children, who would band together and try to wrest from the coloured children their books, slates, etc., while on the way to and from school. When Miss Wells, who was with the Singers when they first started on their mission, arrived in Athens as Principal of one of the schools under the American Missionary Association, she took GEORGIA GORDON. 109 Patti in her employ, in order that she might thus aid her in the effort to obtain an education. So great was her diligence, and so earnest was she in her desire to improve, that Miss Wells sent her to Fisk University, where she remained, winning the love and approbation of the entire faculty by her earnestness of purpose and gentle manners, until the autumn of 1877, when she left to join the Singers in Germany, to fill the place of Miss Jennie Jackson, who was compelled by illness to return home. As she has been found well qualified for her position, she has remained, with the excep- tion of a few months, with the company ever since. GEORGIA GORDON'S grandmother, on her mother's side, was a white woman of Scotch-Irish ancestry, who married her own slave. Or rather they lived together in fidelity as man and wife, the statutes of the State forbidding the intermarriage of whites and blacks according to the forms of law. They had a large family of children, who, following by slave law the condition of the mother, were free-born. Georgia's mother inherited much of the traditional Scotch-Irish capacity and sturdiness of character. Beginning by cutting and making dresses for her dolls, she becaine, even while a girl, a self-taught but capable seamstress and dressmaker. She grew up without school advantages; but at church one day, the text, which was the first verse of the Gospel of St. John, specially attracted her interest, and she committed it to memory. On reaching home she took the Bible and got some one who could read to + . ΙΙο THE JUBILEE SINGERS. And so, un- find this verse for her. Picking out the words one by one, she learned them all by sight. Then she searched the Bible for words like them. Little by little she got the clew to new words. aided, and unknown to any one else, she learned to read. Marrying a slave, she was able by her trade as a dressmaker, not only to earn a living for her family and send her children to school, but she also hired her husband's time of his mistress for more than his wages would amount to, that they might all live together in their own home. Georgia was born in Nashville. She began to at- tend the Fisk School very soon after it was opened, and would have entered its Freshman class in 1872 had she not laid aside her studies that year to join the Jubilee Singers. THOMAS RUTLING'S early home was in Wilson County, Tennessee, where he was born in 1854. His father was sold away before his birth, and his family never heard from him afterward. His mother was in the habit of running away and hiding in the woodş, in the hope of escaping from slavery. But it was never very long before she would be found, brought back, flogged, and set to work again. Whip- pings, however, proved of no avail, and she was finally sold and sent farther south. Tom was then but two or three years old, and his earliest recollec- tion is of parting with his mother-how he stood on the doorstep as she kissed him and bade him good-by, and how she cried as they dragged her away from her children. Two or three years after- THOMAS RUTLING. III ward his mistress told him one day, as he was play- ing around the house, that they had heard from his mother. She had been whipped almost to death, probably for another attempt to obtain her freedom ; and that was the last he ever heard from her. He had an older brother and several sisters. Some of them were also sold away, and he does not know where they are or whether they are alive. His mistress treated him well in his childhood- as good treatment went in that system that sepa- rated families as if they were but a herd of sheep. He was kept at the house during the day to bring wood and water, and make himself useful in enter- taining the children and sent to the slave-quarters only at night. Once they discussed in his presence whether they would sell his brother, and he remem- bers how troubled both were, although they were very young, by the prospect of separation. After- wards he heard his owner remark that he was sorry he did not sell him and put him in his pocket. When he was eight years old he was set to work in the field a part of the time,--holding a plough that was about as tall as he was. The war had be- gun, and the other slaves told him he must listen sharp to what was said by the white folks, and report to them. He was the table waiter, and when they had talked over the war news his mistress would say to him, “Now, Tom, you mustn't repeat a word of this." Tom would look, to use his own expression, "mighty obedient;" but, somehow, every slave on the plantation would hear the news within an hour. One night the report of the proclamation of eman- cipation came. The next morning the children were 12 THE JUBILEE SINGERS. sitting in the slave-quarters at breakfast, when their young master rode up and told them they were free. They danced and sang for joy, and Tom, supposing he would have everything like his young master, decided at once what sort of a horse he would ride! They remained, however, on the plantation till 1865. Then, having heard that their eldest sister was in Nashville, Tom and his brother started off to find her. While with her he learned his letters. Then he drifted about, working at one thing and another, until he became a pupil at Fisk, where he remained most of the time for several years until he went out with the Jubilee Singers, on the first organization of the company. On their return to America in 1878 he remained in Switzerland for study, and has since been more or less engaged in evangelistic work there, in connection with his studies. on FREDERICK J. LOUDIN* is a native of Charles- town, Portage County, Ohio. His grandparents his father's side were natives of Africa, and were stolen and brought to America in a slave- ship. They were held as slaves in the State of Con- necticut up to the time of the abolition of the slave system; but under the law which was enacted be- fore emancipation in that State their children were born free, excepting the oldest (an uncle of F. J Loudin's), who was born before the passage of this act. On his mother's side, his grandfather's father was Became manager and director of the company in 1882. FREDERICK J. LOUDIN. II3 a a Scotchman, by the name of Morie Clark. His great-grandmother was native African, named Diana Tatcher. They lived at New Millford, Con- necticut, where Mr. Loudin's grandfather, Clark, was born. He served in the Federal army in the war of 1812. His great-grandfather on his mother's side was an English sea-captain. His grandmother, who lived in Vermont, was bound to a Mrs. Tuttle, who en- deavoured to enslave her, but failed. Though living in a free State, Mr. Loudin was, from his earliest recollection, under the hateful shadow of slavery. The Northern States, though they had had the vitality to throw off the slave system earlier in their history, had still fostered the cruel prejudice in which the colored people were held everywhere as the representatives of an en- slaved race. In some respects, this ostracism was even more complete and unchristian in the free than in the slave States. Loudin's father had accumulated some pro- perty, and had given generously, according to his means, for the endowment of a college a few miles from his home. But when he asked that one of his children might be admitted to the advantages of its preparatory department he was coolly informed that they did not receive colored students. His farm was taxed for the support of the public schools, but it was an exceptional favour of those days that his children allowed to share their privileges. In Ravenna where Loudin went to school for a time, the seats in the school-room were assigned according were 8 114 THE JUBILLEE SINGERS. was to scholarship He was studious and quick to learn, but when he found entitled by the rules to a higher seat than several members of his class, their parents took their children out of school, in a white heat of wrath that he should not only have a seat beside but above them ! Subsequently he had the honor of being a pupil of Mr. President Garfield. Converted when a lad, he was admitted to mem- bership in the Methodist church at the same place. He was then a printer's apprentice. His wages were $45 a year, and he gave $5 of this to the church. Having a reputation among iis acquaintances as a good singer, he applied, two or three years after he became a church member, for admission to the choir. To his surprise and indignation his application was refused, because of his color. He made up his mind that he was not likely to get or do much more good in that church, and he never troubled it with his presence afterward. When a young man he found himself in the city of Cleveland, and obliged to obtain lodgings for the night. Going from one hotel to another he was re- fused by each in turn. It was nearly midnight, and only one remained unvisited, and that the leading hotel of the city. Using a little strategy here, he led them to suppose he was a slave travelling in ad- vance of his master, and they gave him a room at once, thanks to the reflected refulgence of this sup- posed ownership by a white man! He could not have got one at any price had they known that he was a free man and paid his own bills. There was one college in Ohio, that at Oberlin, MABEL LEWIS. 115 which admitted colored students to the same privi- leges as white ones, and his parents would have gladly aided him in obtaining a college education. But the obstacles in the way of using it, either as a means of usefulness or of earning a livelihood, were so great that it seemed to them not worth the while. In those days the most a colored man could look forward to was a position as waiter or hostler in a white man's hotel; or possibly, if he was excep- tionally thrifty and subservient, to the ownership of a small barber's shop. After he had learned the printer's trade, in fact, he found it of no use to him. White printers would not tolerate the presence of a black compositor, and he was obliged to seek other means of getting a livelihood. Going to Tennessee after the war, he became interested in the work of the Jubilee Singers, and joined them previous to their second visit to Great Britain in 1875. MABEL LEWIS was born, as she supposes, in New Orleans. But of her parentage, and the date of her birth, she knows nothing beyond vague supposition. She has reason to think that her mother was a slave and her father a slave-holder, and that it was owing to the interest her father felt in her that she was sent North, when two years old, and carefully reared in a wealthy family. Her earliest recollection is of a pleasant home, of being sent to and from school in the family carriage, and of being carefully guarded even from association with the servants. But, when she was about ten years old, for some unknown reason there came a change in the treatment which 116 THE JUBILEE SINGERS. she received. The family, who had used her as kindly as if she were their own child, went abroad, and left her to the care of the servants. Their cru- elty and neglect were such that she finally ran away to escape her sufferings at their hands. She drifted about from one place to another, a homeless, friend- less waif, cursed by the slight strain of negro blood that appeared in her hair and complexion, working as she had opportunity, and as well as she knew how, for her board and clothes. A benevolent gentleman in Massachusetts finally became interested in her, and provided her with school advantages. Other friends afterwards aided her in obtaining the special instruction in music which her fine voice deserved, and finally introduced her to the Jubilee Singers, whom she joined in 1872. Her health gave way during the exhausting labors of their first visit to Great Britain, and she was un- able for several years to take up again the exacting duties of concert work. MINNIE TATE's parents were both free colored people. Her grandmother, on her mother's side, was a slave in Mississippi, but her master gave her and some of her children, including Minnie's mother, their freedom. Designing to make their home in a free State, the family took such of their possessions as they could carry in bundles on their heads, and started on foot for Ohio, little realizing how long a traip they had undertaken. They had to work for their living as they went along, and often stopped several months in a place before they could get enough money saved to warrant them in again tak- BENJAMIN M. HOLMES. 117 ing up their pilgrimage. Finally they reached a German settlement in Tennessee, where the good people treated them so kindly that they decided to bring their journey to an end, and make their home among them. Minnie's înother was allowed to at- tend school with the white children, and obtained quite a good education in the common English branches. Afterwards she removed to Nashville, where she married, and where Minnie was born. Her mother gave her her first lessons in reading at home, but when older she went to Fisk School. She was one of the original Jubilee Singers, and the youngest of the company which made the first visit to Great Britain, where her sweet voice and her youth drew to her many friends. On the return to America she was obliged, by the prostration of her voice, to give up singing, and resumed her studies. BENJAMIN M. HOLMES was a native of Charles- ton, South Carolina. He was born of slave parents in either 1846 or 1848, but which year he never cer- tainly knew. When a little fellow, scarcely old enough to look over his employer's bench, he was apprenticed to learn the tailor's trade. His father had learned to read a little, and secretly taught him his letters. He studied the business signs and the names on the doors when he carried home bundles for his master, and asked people to tell him a word or two at a time, until by 1860 he found himself able to read the pa- pers very well. His mother then promised him a gold dollar if he would learn to write. This was not so easy as to learn to read, as asking help in any 118 THE JUBILEE SINGERS. way was more likely to excite suspicion. But when sweeping out the shop, before business hours in the morning, he would study the letters in the measuring book, and so in time learned to write. He secretly taught his fellow-slaves, and came to be looked upon as one of those slaves who “knew too much." When Charleston was threatened with capture by the Union troops, in 1862, his master, fearing they would get their freedom, sold his slaves to a trader, who confined them in the slave-prison until he should be ready to take them into the interior. While in prison Holmes got hold of a copy of Pres- ident Lincoln's proclamation of emancipation. Great was the excitement and rejoicing as he read it aloud to his fellow-captives. Finally he was sold to a mer- chant of Chattanooga, Tennessee, who gave him a few hours before starting in which to say good-by to his mother, whom he never saw afterwards. His new owner took him into his own store, and soon came to place great confidence in him. He would often say, “ I'd trust any part of my business to Ben." In 1863 he and all his clerks were drafted into the rebel army, and Ben carried on the business for a short time until his owner and one of the clerks were exempted from service. Near the end of this year Chattanooga fell into the hands of the Union troops, and Holmes took ad- vantage of the terms of the proclamation which he had read the year before in the Charleston slave- pen. He hired out as a servant to General Jefferson C. Davis, of the Union army, at $10 a month, but in the spring returned to the employ of his old owner, who offered him $30 a month. Afterward he worked BENJAMIN M. HOLMES. 119 for a year or two as a cashier in a large barber shop, and on the death of his employer he was made ad- ministrator of his estate—the first colored man ever appointed to such duties in the State of Tennessee. He had previously taken an interest in the business, but on settling up the estate it was found to be in- solvent; and after it had eaten up $300 of his small savings he gave up the business. He had been anxious for a long while to get a bet- ter education, and in 1868 began studying at Fisk University. The next year he was engaged to teach one of the State schools for the colored people in Da- vidson County, and was promised $30 a month. His school averaged an attendance of sixty-eight schol- ars, but those were days of poverty in private, and mismanagement in public affairs, and Davidson County failed to pay him $150 of his wages. The attempt to educate the colored people met with bitter opposition, and in another school a shot whizzed past him one day while he was hearing a class recite, fired by some one outside, but by whom it was never known. After studying again for a while at Fisk, he took charge of a school eight miles from Nashville. His habit at this time was to walk home on Friday night to attend the meeting of the students' literary so- ciety, of which he was a member, work at his tailor's trade all day on Saturday, and walk back on Sunday morning that he might be on hand to conduct the Sabbath-school in his school-house. He was one of the original Jubilee Singers, and continued with the company until its return from its first visit to Great Britain, when he resumed his studies at Nashville. I 20 TIIE JUBILEE SINGERS. . During the absence of the Singers on their second trip abroad he died of consumption; the first death among those who have at any time been members of the Jubilee Singers' company. ISAAC P. DICKERSON was born in Wytheville, Vir- ginia. One of the first things he remembers was the sale of his father to a slave-trader. When five years old he lost his mother, who was also a slave, by death. After emancipation, he went to Chattanooga, Ten- nessee, where he worked at anything he could find to do. Part of the time he attended an American Mis- sionary Association school, and when sufficiently ad- vanced in his studies began teaching school himself. But he failed to get his pay, and when he went to Fisk University the next year he was obliged to make economy one of his principal studies. He was very fond of music, and in the cantata of Esther,” in which so many of the Jubilee Singers made their début, he sang the part of Haman. When the Sing- ers returned to America, in 1874, he remained in Edinburgh to pursue studies preparatory to entering the ministry. In 1878 he began evangelistic labors in France--work for which his connection with the Singers had in some respects given him a special training. SUPPLEMENT. BY F. J. LOUDIN. CHAPTER I. THE NEW MANAGEMENT. WITH this chapter begins a new epoch in the “Story of the Jubilee Singers." Hitherto, the triumphs and wonderful achieve- ments had been accomplished under the direction and management of the so-called dominant race, but in September, 1882, a Negro steps to the helin and henceforth directs the now famous Jubilee Craft. He fully realized that it was no easy task to come out of the ranks, where he had been on equal terms with the rest of the company, and take command; that it would greatly damage the cause of the Negro, if, under the management of one of the race, there should be in any respect a failure, and how thousands, who have no confidence in the leadership of the Black Man, would say significant- ly, “I told you so," or "I knew it.” Many were the predictions which came to our ears of the utter failure of the company under the new inanagement. In May, 1882, Mr. White, who had been manag- ing the company since 1879, told us, when disband- ing for the season, that he saw no prospect of keeping the company together longer, and I was urged by some of the members, who, with myself, thought the work of the Singers not ended, to take 124 THE NEW MANAGEMENT. the inanagement and direction of the company. Having waited until the latter part of August in the vain hope that Mr. White would again take up the work, I set about the task of re-organization. Not quite all were willing to continue in the company under the new conditions and the task of filling those places thus made vacant, fur the time had already passed when, if we were to be in the field, the work of organizing should be complete, was by no meanis easy. After searching through several states, the va- cancies were well filled and the work of rehearsal began. After nearly a inonth spent thus, the new parts of the Craft were fitted to their places, and the vessel, with its new helmsinan, was, with all sails set, soon under way. Two very successful years were spent in the United States and Canada. But a desire for new and greater achieveinents than the little band had ever won was ever present with me; but to find a field where this was possible was the perplexing question. It did not seein possible to do this in either Europe or America, for they were neither of them new fields; so, finally, it was decided to circuiin: navigate the globe; and we resolved to sing these sweet, tuneful melodies in lands where they had not yet been heard, and where we were entire strangers With this end in view, we sailed from New York, April 3, 1884, bound for Great Britain. IN GREAT BRITAIN. 125 IN GREAT BRITAIN. cept, viz: Landing in Liverpool after a rather rough pas- sage, we went on to London and found that the “May Meetings," as the annual gatherings of the various churches and other organizations are called, were already in session. As soon as it was known that we were in the city, invitations came thick and fast for us to take part in these various ineetings, only three of which were we able to ac- the Y. M. C. A., the Y. W. C. A., and the Freedmen's Missions Aid Society; the last was held in Westminster Church, the other two in the great historic Exeter Hall, both buildings being crowded to their utmost capacity. At the Young Women's ineeting, that lamented and beloved Christian nobleman, Lord Shaftesbury, presided. Among the many good things he said, was the following: He had never hoped to see such a grand sight as that before him. Some of the Jubilee Singers had borne the yoke of servitude, which, by the mercy of God, had been broken; and the use they made of their liberty was to devote their talents and energies in the earlier part of their career to help their kith and kindred. Some of them were old friends of his. It had now come to pass that colored people came to England to advance the temporal and eternal interests of the white popu- lation. God forbid that we should hear any more of that blaspheinous nonsense, that there was any 126 IN GREAT BRITAIN. material difference between races redeemed by the same Savior and destined to the same immortality. He had derived great benefit from the meeting and enjoyed a rich and happy treat." Our agent being new to the work and to the country, made the very sad mistake of booking us in the South instead of the North of Great Britain, when at this season of the year it was so warm that all indoor entertainments were failures, and our concerts were no exceptions, so that our losses up to the close of the season, July 6, amounted to several thousand dollars. A vacation of six weeks, which was spent in Scarborough, the “Queen of Watering Places," as its surpassing beauty entitles it to be called, followed. Notwithstanding our most pleasant surroundings, they were anxious weeks as we looked forward to the outcome of the approaching season, for which plans were formulated and engagements made. A new difficulty arose at this point. An agent, who had been discharged before leaving America, and a man for whom we had given a number of concerts, were taking advantage of our absence from the country to organize a company which they called “The Original Fisk University Jubilee Singers," and were making advances through an approachable inember of our company, to several others, by offering them increased pay to return and join thein. All with one exception refused, being thoroughly loyal to the inanagement. The knowledge of this treachery did not come to me IN GREAT BRITAIN. 127 all- until within a week or ten days before the time for beginning the season's work, when it was nounced at morning rehearsal that he and one of my principal singers were about to leave. This meant a delay of about a month in getting new singers and an additional two or three weeks to fit them in their places; and the breaking of more than a score of good contracts, making myself liable for damages; besides the additional expense of an idle company, to which, in order that the situation may be appreciated, the losses already incurred inust be added. After a long, exhausting discussion with the par- ties, I succeeded in showing the one whom I want- ed to retain, and who was an excellent singer, the dishonor of such action, and he agreed to remain. September found us in excellent condition and a bright prospect before us, which gave vigor to our work. Our third concert was at Hull, where we sang to an audience of over five thousand in Hengler's Circus, sharing the proceeds with a Methodist Church. 1 The next appointment was at the old historic city of York, where we had one of the grandest array of patrons the company had ever been hon- ored with at any single concert. It was given in the “Festival Concert Room," September 4. Among those under whose patronage and in whose presence the concert was given were the Earl and Countess of Zetland, Lord and Lady Wenlock, Sir 128 IN GREAT BRITAIN. F. G. Milne, Bart., M. P., and Lady Milne, the Right Hon. the Lord Mayor and Lady Mayoress, the Sheriff of York, Major-Gen. Willis, C. B., and Mrs. Willis, Major-Gen. Nason and Mrs. Nason, the ex-Lord Mayor and Mrs. T. Varey, Sir James Meek, Rev. Canon Fleming, B. D., and thirty-one other distinguished personages of York and vicin- ity. An enormous crowd filled every available space in the concert room. So greatly were the people pleased that they demanded a second con- cert, which was given at a later date. We pass over many interesting events, as space compels us to do so, and take the reader with us to Chillingham Castle, in the North of England, the home of the Earl of Tankerville. The Earl and the Countess of Tankerville are among the most active Christians of that region. The old castle dates back well nigh a thousand years, and we had been invited here to stay from Saturday till Monday. We went there on the 4th of October. The day was beautiful, and the estate of nearly two thou- sand acres, in the midst of which the castle stands, was decked in all its autumnal beauty. The native cattle, white in color and in a wild state, which are found on this estate and that of the Duke of Hamilton's only, number nearly one hundred head. They have about seven hundred acres of a deer park through which to roam. It seemed like a dream to us that we, who had been, and still are, driven from so many hotels in ÎN GREAT BRITAIN. 129 the "Sweet Land of Liberty" because of our color; and some, too, who had been born in slavery, should now be entertained by an Earl for three days in his home. What took place on Sunday I will let his lordship tell. In a letter he wrote to a friend the next day, and which by perinission was published in a paper called “The Service for the King,” (1 regret that space will not permit the entire article to be published,) he says: "Yesterday was such a day as Chillingham never saw before-the old castle turned into an iinpromptu cathedral was fairly taken by storm-a vast mul- titude having gathered to hear the Jubilee Singers and their touching hymns, which we thought. might be turned to good account in connection with an address from Mr. Stevenson Blackwood, who was here with us. We fancied that the court-yard” (a large square, on the four sides of which the castle with its four corner towers is built) “would be large enough for any number who were in reach, but when the gates were opened the first rush filled it, and they still came pouring in like a river; so I desired them to go up the tower staircases and man the battlements, which made excellent galler- ies—but still inore caine, soine of whom were al- lowed to go into all the rooms looking into the court. "The scene was very striking, all these crowds of faces so intent, so quiet, so orderly. Still, there were many who were disappointed, for we expected perhaps five or six hundred, and there were, I am told, upwards of two thousand. 130 IN GREAT BRITAIN. The distances they came from were out of all calculation; some as far as Rothbury and the sea- side; and froin Wooler and Belford in quantities. Froin the stone steps, in the centre of one side of the court, which lead up to the Hall, there was a platform raised for the Singers, and froin which Mr. Blackwood spoke. After settling the crowd, who marshalled theinselves to order like soldiers, the Jubilee Singers began. You heard only a faint note in unison, like the wind among leaves, which resolved itself into a beautiful chord on an Æolian harp, and thien they swelled their voices into full song. The hyinn, “My Redeemer," was most im- pressive, and when it died away you might have heard a pin drop. “Mr. Blackwood then began, and was splendid, fixing the whole audience, although nine-tenths of them only caine to hear the Jubilee Singers. * * * * * * 'The elements, too, were under command, for though we are now late in the season for fine weather and subject to equinoctial gales, the day was as bright and still as any summer's day that we have had; and though boys and men were perched upon all the tower tops and rickety old battlements, not an accident or contre-temps of any kind occurred, while 2,000 people wandered at will through all the gardens and flower beds, and never trod upon one or gathered a single flower, though there was no one to hinder them. About sixty or eighty came afterwards into the Hall, before finally IN GREAT BRITAIN. 131 going away, where we had a parting prayer with them. * * * "I could not help thinking when that weird music chimed in so meltingly, that these songs of their captivity (as they call them) might have been soinething of an echo of the songs of the captive children of Israel, when they hung their harps on the willows, and wept by the waters of Babylon; and their songs, if they could have been handed down to us, must have been most beautiful, for the Jews are the first musicians and the first composers in the world. But as song, like poetry, is the out- come of the passions, whether of joy or of sorrow, all the world over, these wild, plaintive hymns, longing to be away in the Home to come, might have some resemblance to those of ages past, as ' like causes produce like effects.' “Altogether, our October 5th was a very mem- orable one, and I do hope and believe will be a day to be remembered by many, who went away with very different thoughts than those they came with; and certainly these old walls never saw such a day.” It was evident now that the tide had set in in our favor and success followed success from day to day and from month to month. February 17 we sang in Hengler's Circus in Liverpool, before an audience numbering nearly seven thousand. The concert was given under the auspices of the Y. W. C. A. of Gordon Hall. It was a inost enthusiastic audience 132 IN GREAT BRITAİN. and the bursts of applause which followed many of the pieces fairly shook the great building. This was the largest audience where an adinis- sion fee was charged to which the Jubilee Singers had ever sụng. Of this concert, the Liverpool Courier of the 18th, among other things, said : "The Jubilee Singers are not a numerically strong choir, but long association, careful practice, and above all a deep sympathy with their songs have brought the inembers individually and collectively to a high state of perfection. The peculiar weird- ness which characterizes many of their songs, the richness and yet softness and simplicity of the melodies and the exquisite taste and feeling with which they are rendered, combine to give any audience who have had the pleasure of listening to them a rare musical treat, and such was the concert last night. Frequently throughout the evening the Singers had to respond to deinands for repetition, and this they did with a pleasure the sincerity of which was evident to all the listeners." IN IRELAND. On each former occasion the Jubilee Singers had visited only a few of the larger towns of Ireland, and these only in the North, for the reason they feared that the towns and cities where Roman Catholicism predominated would not give paying audiences, but it was resolved to try it, and the re- sults fully justified the venture; for we were İN GREAT BRITAIN. 133 greeted almost universally with good houses of very enthusiastic people. Queenstown, Cork, and many other of the southern towns were visited with good results. At Abbey Leix, we had the honor of the patronage of the Viscount and Lady De Vesci, who attended the concert, accompanied by Lady Ken- inare, wife of Baron Kenmare, of Killarney House, Killarney Co. We were honored with an invitation to lunch the next day with Lady De Vesci at her beautiful home. Lady Kenmare was also present and invited us to Killarney House, should we visit that most charming part of the Emerald Isle, putting one of her cottages and a yacht at our disposal during our stay; but time would not permit us to accept her most cordial invitation, much to our regret. CHAPTER II. BOUND FOR THE ANTIPODES. It had been decided to start for the Antipodes in the spring of 1886, so we returned to England in March, after sending our agent on one month in advance, with full instructions. It required no small amount of persuasion to induce all of the Singers to put the earth's diameter between them- selves and home, and their parents as well to allow them to go so far from the parental roof. All, however, finally decided to go, with one ex- ception, and his place was filled by a young man from Georgia. We reached London about March 27, and the next four days were very busy ones, as the reader may know, getting things together ready for a start. Five thousand copies of the “Story of the Jubilee Singers” had to be shipped, as well as eight or nine hundred dollars' worth of various kinds of printed matter which, as was learned afterward, could have been done as well, if not so cheaply, in Australia as in England. Numerous friends came to say farewell and wish us God-speed, one of our old friends, Richard Johnson, coming all the way from Manchester for that purpose. OUR VOYAGE. 135 OUR VOYAGE. April 1st found us astir, bright and early, and on our way to the railway station, where we took the train which conveyed us to the great Albert docks, some dozen miles down the Thames. Arriving at the docks, our party, save myself, saw for the first time the beautiful staunch steamer"Orient," of the Orient line of steamers, which was to be our ocean home for the next six weeks. It was, up to this time, the finest ship we had ever made a voyage upon. There were twelve of our party and the fare alone was about three hundred dollars each, beside the agent, who had already gone. One might have thought we were leaving home rather than going from one foreign country to an- other, froin the large number of dear English friends who were down to bid us good-bye. Promptly at ten o'clock, the appointed time, the lines were hauled in and the ponderous 5,000 horse-power engines began their motion, and we were on our way to the “Land of the Golden Fleece." The voyage was inost pleasant and interesting The death of an infant and the breaking of a leg by a third-class passenger made up the chapter of accidents during the voyage. I shall try to tell in another book some of the interesting events of this voyage, and here mention only the detour made by some half-dozen of our company to Cairo >) 136 OUR VOYAGE. during the two days our ship took to pass through the Suez Canal, one of the greatest events of our lives up to the present. At the end of forty-four days our ship lay alongside the wharf at Williamstown, the port of Melbourne. The long association on shipboard had made for us inany friends. There was none of that insolent color prejudice to confront us, as we were the only Americans on board. We had been asked by the "Aged Seamen's Home," of Liverpool, to give a concert on the way out. We did so, and the lady passengers managed the financial part by seiling programs, which they printed and ornamented. The net results were something over $150, which amount the purser re- initted to the “Home.” Before leaving the ship on the morning of May 14, 1886, the following was handed to me by a committee of our fellow passengers: S. S. “Orient," May 13, 1886. TO F. J. Loudin, Esq., DEAR SIR:—We cannot allow our voyage in the S. S. “Orient" to terminate without tendering to you and the other members of the Fisk Jubilee Singers our best thanks for your unremitting efforts to contribute to our entertainment during the six weeks we have been together. You have at all times been ready to assist in making the evenings pass pleasantly, and with so inuch cheerfulness have you displayed your ability to entertain that OUR VOYAGE. 137 your presence on board has been most welcome to us all. We also beg to express our high estimation of the character of your musical entertainment as ex- pressive of the religious feeling and the religious life of the colored people while in bondage in the Southern States; we think the music not only touching and interesting, but unique. We sin- cerely hope that in your visit to the Australian Colonies you will meet with the great success and will receive the high appreciation which, from our experience, we feel sure you most certainly deserve. We are, dear sir, yours very sincerely, Then follow the names of all our fellow passen- gers in the first saloon. CHAPTER III. IN AUSTRALASIA. We landed in Melbourne, the beautiful capital of the colony of Victoria, and found things in a very bad shape for us. Our agent, who had started a month in advance of us, had only been on shore- or rather on the mainland-four days in advance of us, as there had been a case of small-pox on his ship and all had been quarantined for three weeks. We went to the Grand Hotel, the best in Mel- bourne, and in a few days began practice in the Y. M. C. A. Hall, which was very generously placed at our service for that purpose. We can never forget the cordial welcome we re- ceived. Numerous social gatherings were arranged by leading citizens of Melbourne, by members of Parliament and their wives, and by leading mer- chants, until finally the social courtesies culminat- ed in a grand reception and private concert at the Grand Hotel. The invitations sent out were as follows: "The Very Reverend, the Dean of Melbourne, upon be- half of the committee especially formed to welcome the Jubilee Singers to Australia, requests the IN MELBOURNE. 139 pleasure of company ať a private concert and reception, which will be given at the Grand Hotel, on Monday afternoon, 31st May. The chair will be taken at three o'clock by the Very Reverend, the Dean. Morning dress. Car- riages at 4:30 P. M. Committee: The Honorable Jones MacBain, President of the Legislative Council; the Right Worshipful, the Mayor of Melbourne; the Very Reverend, the Dean of Melbourne; the Honorable James Balfour, M. L. C.; the Honorable C. J. Ham, M. L. C.; the Honorable F. C. Beaver, M. L. C.; the Rev. Rentoul, D. D.; the Rev. H. B. Macart- ney, Jr., M. A.; the Rev. H. A. Langley; the Rev. D. S. McEachran; the Rev. J. Watsford; the Rev. Wm. Allen; Andrew Harper, Esq.; M. A. Duncan Love, Esq.” The greeting given us on this occasion was most memorable; more than two hundred of the best people of this wonderful city were present. Gen- tle women and strong men grasped our hands in such a manner as to assure us that, though among strangers in that part of the earth farthest from our homes, we were yet in the midst of warm and true-hearted friends. The singing seemed to touch their hearts, and, indeed, wherever we went through Australia, flowers were strewn along our pathway. Following this came an invitation from Lady Loch to attend her reception at Government House, where we were made most welcome by the Gov- 140 IN AUSTRALASIA. ernor and his estiinable wife, and were cordially greeted by those who attended. On the 7th of June, we gave our first concert. We had rented the Town Hall, seating 3,200. His Excellency, the Governor, Sir Henry Loch and Lady Loch, with suite, honored us with their patronage on the opening night. The hall was packed almost to suffocation, as it was also on the twenty-five succeeding nights. Hundreds were frequently turned away. We eclipsed all records of concert companies (jubilee or classical) during our stay in Melbourne, for we gave eighty success- ful concerts during this visit to Melbourne. In each of the capital cities of Australasia, the governors and their wives honored us with their patronage. We sang sixty nights in Sidney, forty in Adelaide, and thirty in Brisbane. We were in beautiful New Zealand seven months, in Tasmania one month-remaining in Australasia altogether three and one-half years. Space will permit the narration of only a few of the more remarkable incidents which were crowded into our visit to Australasia. The aborigines of Australia are said to be the lowest type of the human family; they are very black, with long, wavy hair and very coarse feat- ures. We were invited by a missionary at Meloga, a Mission Station, to come out and sing to them. We gladly consented, and after a drive of fourteen miles through thickly wooded forests, arrived at the station. We found these black people far from 1 2 THE ABORIGINES OF AUSTRALIA. 141 ܕ ܕ cordial, in fact they gave us to understand by their actions that they did not wish to have anything to do with us. After we had spent about an hour in- specting their schools, homes, etc., the church bell rang, and when they had assembled we took our places and began to sing that sweetly pathetic song evolved from the crushed hearts of the en- slaved black people of America, “Steal Away to Jesus." Up to this time they seemed like unwil- ling children forced to go to Sabbath school; but what a change of expression the tones of the old slave song awoke! First, wonder, which seemed to say, "What strange sounds are these which for the first time fall upon our ears?" then joy, as the full volume of the melody filled the humble little church. The song ended, we sang another, and still others of "sweetly solemn, wildly sad" old inelodies. 'And the soug of our devotion Filled their hearts with strange emotiou," for long before the" Benediction” had been chant- ed, they were weeping like children, tears of joy; and when we had finished they gathered about us, and, with tears still flowing, they clasped our liands and in broken accents exclaimed, “Oh! God bless you ! we have never heard anything like that before !” As we drove away, they climbed upon the fences and up in the trees, and until our car- riages were lost to view, they waved us good-bye. The Maoris of New Zealand are the aboriginal people of those beautiful mountainous islands. 142 THE MAORIS OF NEW ZEALAND, songs have Unlike the aborigines of Australia, they are a strong, vigorous, intelligent people. They seemed to take to us at once, and, though their a limited scale of only three tones, still they were charmed with our music. I have known them to follow us from town to town simply to talk with us and hear us sing. One woman who, with her two children, was on the train with us going to the next town, said to me, " It seems as if your singing makes me crazy; I have been to two places to hear you sing and I am now going to a third.” Three and a half years were spent among the warm-hearted, go-ahead people of Australasia with as great profit and pleasure to us as in any similar period of our history. CHAPTER IV. FROM AUSTRALASIA TO THE ORIENT. On the 25th of October, we embarked on the magnificent ship"Orizaba, "of the Orient line, home- ward bound via Ceylon. I own it was with rather a sad heart that we bade farewell to our numerous friends in Australasia, although we were homeward bound. Our trip to Ceylon was pleasant and uneventful. On a beautiful morning in November we landed in Columbo, after seventeen days' sail. Unfortunately, we found that our agent, who had preceded us by a inonth, was unable to fix a date for us which would suit the date of our arrival and departure, as the only available hall in Columbo had been previously engaged; so, after three days spent in Ceylon, during which time some of us visited Kandy, about forty miles from Columbo, we left for Calcutta, greatly pleased with what we had seen. A number of Europeans at Columbo were greatly disappointed because we did not give a concert, and, after our arrival, succeeded in having the parties consent to vacate the hall for one night, but fearing the short advertisement would not insure successful results, I declined to give a concert-a decision I have al- 144 IN INDIA. ways regretted, for if not financially successful it would have been a rare experience. Our voyage to Calcutta was a very rough one, as during two days we were on the edge of a cyclonic storm, consequently our arrival was delayed two days; but our agent, having taken this possibility into account, we arrived a day ahead of our open- ing date. His Excellency, Lord Landsdowne, and his wife accorded us their patronage; the Ainerican consul and wife were also among our distinguished pa- trons. Our audiences were frequently very large and enthusiastic, almost exclusively European and Eurasians, as the natives were but little attracted by us. After a season of about two weeks in the hall, we opened a season of six or eight nights in Bishop Thorburn's Church, with marked success, and enabled them to free theinselves from a debt which had hung over them for years. In Boinbay we sang with even greater success, as the Parsees came in large numbers to hear us, and our hall was nightly crowded to its utmost capacity, many persons sitting on the stage behind Madras was also one of our inost successful points in India. At Agra we had an experience which stands out proininently among our long list of wonderful ex- periences. At Agra is built that wonderful tornb, the Taj-Mahal, acknowledged by the whole world to be the inost beautiful monument the earth has yet possessed. Poets and painters alike have us. AT THE TAJ-MAHAL. 145 striven to describe this world's wonder, and, having exhausted the power of pen and brush, they have been compelled to give up in despair and acknowl- edge that "the half has never been told.” It goes without saying that we, like the others who have made pilgrimages to this tomb, built by Shah Jehan for his devoted wife, Banos Begum, were overpowered by its indescribable beauty, but we were destined to have an experience of which we had not dreamed. At the close of our first night's concert, a gentle- man came up to the platforin, extended his hand to me and gave expression as best he could to the pleasure the concert had given him, and then added that he would be glad to show us through the Taj- Mahal, as he was custodian of the place. A thought flashed across my mind that we might have an experience enjoyed by no other Christian people, namely, singing a Christian song in a Mohammedan tomb or temple, and that temple the most beautiful on earth. Thanking the gentleman for his kind offer, I at once asked if it would not be possible for us to sing a song there; he looked a little sur- prised, hesitated a moment, then answered,“ Yes.” We told a few friends, including the proprietor of one of the leading papers, who engaged a special reporter to write up the event. We were up bright and early, having been ad- vised by the custodian to be there in the early morning or late afternoon as the best time to see it. Quite a large number of people drove out to be present at this remarkable event. 146 AT THE TAJ-MAHAL. As we entered the arched door-way, we met Mohammėdans coming out; they had been within to bedeck the tombs of Shah Jehan and his wife with the fresh flowers of the morning, and with shoeless feet had repeated in the (to them) sacred presence their morning prayers. We looked with friendly glances into one another's dark faces as we met and passed; they inquiringly, while our faces inust have been aglow with expectant de- light. Lightly we tread the rich mosaic floor until the centre of the octagonal temple is reached, where under the snow-white dome, two hundred and sixty-two feet high, are located, exactly above the Teal tombs in the crypt below, two sarcophagi du- plicates of the real ones below, ornamented with texts from the Koran, traced in precious stones- sapphires, rubies, emeralds, garnets, jaspar, mala- chite, lapis-lazuli, carnelian, agate, and blood-stone. We gather around the sarcophagi and soon the great lofty dome echoes the first Christian song it has ever caught up, and that song the cry of a race akin to those whose dust sleeps in the crypt be- neath. As the tones of that beautiful slave song, “Steal Away to Jesus," which we had sung before einperors, presidents, kings and queens, awoke the stillness of that most wonderful of teinples, we were so much overcome by the unique circumstances that it was with the utinost difficulty we could sing at all. I've Been Redeemed” and We Shall Walk Through the Valley” were sung, and thus IN BURMAH. 147 closed one of the most remarkable events in the history of the Fisk Jubilee Singers. Life in the Orient was full of interest-Cawnpore, Lucknow, and Madras were particularly so; but space forbids dwelling longer upon this most in- teresting portion of our trip around the world. We sailed from Madras along the east coast of India, calling at the various ports until Coconada was reached; then, crossing the Bay of Bengal, our next stop was at Rangoon in Lower Burmah. For a stay of one week our work here was very profitable, most of our concerts being given in the Methodist Church. Here also we had the opportunity of coining in contact with the native population. The Baptists have a strong hold here, especially among the Karens. We were asked to sing to their schools, and one beautiful inorning we drove out to where they were located and found gathered in the large hall nearly half of their students, packed like sardines in a box. They were gentlemanly and lady-like and greeted us most heartily. We sang a number of pieces for them, which they seemed inost thoroughly to enjoy, inany of them being moved to tears. They, in turn, sang for us a number of the Moody and Sankey nyinns, which they did very well, indeed. The Methodist Church was just opening a mission in Rangoon, under the direction of Bishop Thorburn and the immediate charge of Rev. Clancy. One of the very first teachers at Fisk University was also engaged here, and it was a real treat to ineet so old 148 IN CHINA. and tried a friend as Miss Matson. Another of the Reverend Clancy's assistants was a Miss Lillian Black, who impressed us as being one of the most effective workers we have met in the mission field. Leaving Rangoon, we sailed down the bay, along the coast of the Malay Peninsula to Penang and Singapore. At the latter place we were especially successful, the hall being crowded nightly to its utmost capacity; our prices of admission were one and two dollars. We made a trip also over to Je- hore, which is situated on the mainland, where we gave a concert for Dato Meldrum. We made many friends here and the week was very pleasant- ly spent. Leaving here by a German steamer, our next stop was at the beautiful city of Hong Kong We were unfortunate here as to the time of our concert, for it was race-week and the people of Hong Kong give up their entire time, night and day, to the festivities of this great annual event-all business being suspended from ten o'clock in the day, while the nights are given up to dinner-parties and balls, which are given not only at the homes of the residents but by the officers of the various men-of-war, of which there are always from twenty to thirty in the harbor. Some of us made a trip up the Canton River to the wonderful city of Canton. Leaving Hong Kong, we went to Shanghai, but, as many of the leading Europeans of the French and English colonies, as well as the American colony, had gone to the races at Hong Kong and had not yet returned, IN CHINA. 149 it proved to be an inauspicious time to visit Shang- hai; still, we did a good business here and re- mained about two weeks. From here we sailed for beautiful Japan. CHAPTER V. IN JAPAN. We found to our surprise that nearly all of the accommodations in the various steamers sailing to San Francisco were engaged, except in one ship, which was the poorest of them all, so it was neces- sary either to cut our stay shorter than we had planned, or remain a number of weeks longer than it would be profitable to do. Our first stop was at Nagasaki, and, having arranged with the Steam- ship Company to delay the sailing of our steamer for about twelve hours, we were enabled to give a concert, which was very successful indeed. Our next stop was at Kobe, where we spent about a week, singing to crowded houses nightly, our audi- ences here consisting, as in other Oriental cities, chiefly of Europeans; still, a much larger percent- age of the Japanese attended our concerts than any of the other Oriental races. We had here a very interesting and pleasant experience. The young ladies of the Congregational School, under the charge of the Rev. Atkinson, were very anxious to have uis come and sing for them and sent down to know how much we would charge. We regarded it as a labor of love and refused to accept anything. IN JAPAN. 151 It was a most interesting and pleasant occasion. The day was the closing of the term, and the usual exercises for such an occasion were gone through with ; declamations, essays, singing, etc., were ren- dered in English and Japanese, but they seemed impatient to hear us. Your humble servant was introduced and made a little speech, which was interpreted by Mr. Atkinson, but they seemed very anxious to hear the singing. I have never seen a more interested and enthusiastic audience; they gave expression to their delight by clapping their hands and deep-drawn sighs, which, Mr. Atkin- son informed us, was their mode of express- ing the highest degree of delight, and when we left, the girls ran down to the hedge which sur- rounds the school-house grounds and waved us good-bye as we were drawn away in our Rickshaws. Our next stop was at Yokohama, where also our hall was crowded nightly with eager listeners, many of whom were Japanese. We met a very enthusiastic American here, who was engaged in the shipping business on an exten- sive scale. Our agent had engaged him to land our baggage, deliver it at the hotel, and load it again on the ship at our departure. I called to settle with him before leaving; he told me how much he had enjoyed the concerts (I had seen him every night in the two-dollar seats), and expressed his deep regret that we were leaving so soon. He said that if we were going to remain a month, he would go every night, adding further that he did 152 HOMEWARD BOUND. we are on not feel as though he had given enough for his en- joyment. I jokingly said, “Very well, I do not know of any law that will prevent you from giving inore.” Whereupon he handed me my receipted bill, amounting to twenty-five dollars, and refused to accept any money in payment, adding that he did not feel that even such a favor paid for the pleasure and benefit he had received. It is now Thursday, the 3d of April—and at ten o'clock in the morning, board of the Rio de Janeiro. The ship weighs anchor and we are on our way home again, it being just six years to the very day of the week, day of the month, and hour of the day, since we had sailed from New York. The morning is rough. Hours after our ship had started, Fujiyama was still in plain view, and we looked with longing eyes back to this beautiful land where our stay had been much too short, either for profit or pleasure. The sea is rough and grows rougher with each succeed- ing hour, until we find ourselves in a veritable cy- clone. Our progress is slow and gets laborious as the ship rolls and tosses day after day. At last we enter the Golden Gate after a voyage of seventeen days, being two days behind the time of this, one of the slowest ships plying between China and San Francisco via Japan. After a few weeks' stay in San Francisco, we start on our way eastward, and we are not long in finding out that we are no longer free from that prejudice which confronts a Negro at every turn in AT HOME. 153 life, and which we had not met with in any other quarter of the globe. We sang at Pueblo. Our next point eastward was Colorado Springs, forty- two miles distant, but we were compelled to return to Pueblo after our concert to get a place to sleep, as no hotel in Colorado Springs would keep us. Our next appointment was still east of Colorado Springs, so I was compelled to pay the passage of twelve people eighty-four miles to get a place to sleep. Surely this is the “land of the free and the liome of the brave." We arrived at our various hoines on the third of June, thus having made the circuit of the globe in six years and two months. As an answer to the predictions of our failure under the new inanagement, of which mention has been inade, I would say that at no period in the history of the coinpany was its success more inarked. Some of the singers were enabled to buy for themselves comfortable homes; while I may refer, with, I trust, pardonable pride, in view of the discussion now being waged on the “Negro Problem," to the fact that I was able to become the largest stockholder in a shoe manufactory at my home, Ravenna, Ohio; that the stockholders did me the honor to name the company The F. J. Loudin Shoe Manufacturing Company, and the shoes we inanufacture the “F. J. Loudin Shoe." So, I trust, my readers will pardon the reference I make to the above, as well as to the fact of iny being the first man to make a successful six years concert tour around the world, and that, too, with ! 154 AT HOME. a company of colored singers, singing chiefly music composed by the Negro; for it is such things which go far towards solving the much debated “Negro Problem.” JUBILEE SONGS. PREFACE TO THE MUSIC. In giving these melodies to the world in a tangible form, it seems desirable to say a few words about them as judged from a musical standpoint. It is certain that the critic stands completely disarmed in their presence. He must not only recognize their immense power over audiences which include many people of the highest culture, but, if he be not thor- oughly encased in prejudice, he must yield a tribute of ad- miration on his own part, and acknowledge that these songs touch a chord which the most consummate art fails to reach. Something of this result is doubtless due to the singers as well as to their melodies. The excellent rendering of the Jubilee Band is made more effective and the interest is inten- sified by the comparison of their former state of slavery and degradation with the present prospects and hopes of their race, which crowd upon every listener's mind during the singing of their songs. Yet the power is chiefly in the songs themselves, and hence a brief analysis of them will be of interest. Their origin is unique. They are never “composed” after the manner of ordinary music, but spring into life, ready- made, from the white heat of religious fervor during some protracted meeting in church or camp. They come from no musical cultivation whatever, but are the simple, ecstatic utterances of wholly untutored minds. From so unpromis- ing a source we could reasonably expect only such a mass of crudities as would be unendurable to the cultivated ear. On the contrary, however, the cultivated listener confesses to a 156 PREFACE TO THE MUSIC. new charm, and to a power never before felt, at least in its kind. What can we infer from this but that the child-like, receptive minds of these unfortunates were wrought upon with a true inspiration, and that this gift was bestowed upon them by an ever watchful Father, to quicken the pulses of life, and to keep them from the state of hopeless apathy into which they were in danger of falling. A technical analysis of these melodies shows some inter- esting facts. The first peculiarity that strikes the attention is in the rhythm. This is often complicated, and sometimes strikingly original. But although so new and strange, it is most remarkable that these effects are so extremely satisfac- tory. We see few cases of what theorists call mis-form, al- though the student of musical composition is likely to fall into that error long after he has mastered the leading princi- ples of the art. Another noticeable feature of the songs is the rare occur- rence of triple time, or three-part measure among them. The reason for this is doubtless to be found in the beating of the foot and the swaying of the body which are such fre- quent accompaniments of the singing. These motions are in even measure, and in perfect time; and so it will be found that, however broken and seemingly irregular the movement of the music, it is always capable of the most exact measure- ment. In other words, its irregularities invariably conform to the “higher law” of the perfect rhythmic flow. It is a coincidence worthy of note that more than half the melodies in this connection are in the same scale as that in which Scottish music is written ; that is, with the fourth and seventh tones omitted. The fact that the music of the ancient Greeks is also said to have been written in this scale suggests an interesting inquiry as to whether it may not be a peculiar language of nature, or a simpler alphabet than the ordinary diatonic scale, in which the uncultivated mind finds its easiest expression. THEO. F. SEWARD. INDEX TO MUSIC. PAGE PREFACE TO THE MUSIC.. 155 NO. PAGR NO 221 114. A great Camp-meeting in the promised land 280 92. A Happy New Year....... 247 6). A little more faith in Jesus... 212 99. Anchor in the Lord.... 255 70. Angels waiting at the door... 223 20. Been a listening.. 178 128. Benediction..... 299 105. Bright Sparkles in the Church-yard 262 66. Children, you'll be called on. 174 6. Children, we all shall be free. 164 127. Chilly Water......... 298 121. Come, all of God's children.. 292 106. Come down, angels.... 268 33. Come, let us all go down ...... 190 W.97. Deep River..... 230 61. Did not old Pharaoh get lost? 213 10. Didn't my Lord deliver Dan- ..... 168 95. Don't you grieve after me... 250 85. Down by the River..... 239 166. Farewell, my brother... 219 5. From every grave-yard........ 163 75. Gabriel's Trumpet's going to blow........ 229 51, Getting ready to die. 109. Gideon's Band.. 272 17. Give me Jesus... 174 13. Go down, Moses..... ..... 176 56. Go, chain the lion down........ 208 (94. Good-by, Brothers..... 249 PAGE 115. Good news, the chariot's coming... 282 89. Good old Chariot.. 244 90. Grace... 245 14. Gwine to ride up in the Chariot 172 124. Hail! Hail!.. 295 87. Hard trials.... 241 38. He arose....... 194 1:36. Hear de Angels singin'.... 307 88. He rose from the dead......... 242 41. He's the Lily of the Valley. 197 130. Humble yourself, the bell done rung....... 301 50. I am going to die no more... 205 68. I ain't got weary yet...... 117. I know that my Redeemer lives 276 II. I'll hear the trumpet sound.. 170 9. I'm a rolling ......... 167 22. I'm a traveling to the grave. 180 54. I'm going to live with Jesus. 207 113. I'm going to sing all the way 278 32. I'm so glad..... 189 107. I'm so glad..... 269 53. I'm troubled in mind............ 207 122. I want to be ready; or, walk in Jerusalem just like John 293 78. In Bright Mansions above.... 232 67. Inching along...... , 30. In the River of Jordan......... 187 that great getting-up morning. 274 iel ?.. ... + ... 206 220 110. In NO. PAGE PAGE NO. 296 200 184 ... 55. I've been in the storm so long 208 73. I've been redeemed... 226 13. I'vejust come from the Foun- tain.... 171 101. John Brown's Body......... 257 26. Judgment-day is rolling round........ 183 40. Judgment will find you so.... 194 132. Keep a Moving..... 303 21. Keep me from sinking down. 179 71. Keep your lamps trimmed and burning....... 224 102. Listen to the Angels............ 259 135. Lobe an' serbe de Lord ........ 306 63. Love-feast in Heaven........... 216 138. Love King Jesus... 3c9 76. Lord, I wish I had a come.... 230 100. Lord's Prayer......... 256 23. Many thousand gone.. 180 44. March on...... 49. Mary and Martha... 204 103. Move along... 260 59. My good Lord's been here... 211 137. My Lord delibered Daniel..., 308 rū79. My Lord, what a mourning. 233 25. My Lord's writing all the time....... 182 43. My ship is on the ocean... .... 199 45. My way's cloudy... 1. Nobody knows the trouble I 159 97. Now we take this feeble body 253 134. Oh, my little soul's gwine to shine. 305 35. Oh! holy Lord.. 191 118. Oh, Brothers are you get- ting ready ?..... 288 126. Oh, give me the wings......... 297 119. Oh, make a-me holy.... 290 8r. Oh, wasn't that a wide river 234 81. Oh, yes! Oh, yes!....... 246 29. Old ship of Zion.. 186 4. O Redeemed... 162 58. O! Sinner Man...... 108. Peter, goring them bells...... 270 42. Prepare us....... 198 117. Reign, Master Jesus..... -46. Ride on, King Jesus.... ,96. Rise and Shine.... 251 12. Rise, Mournc.S....... 170 125. Rise, shine, for thy light is a-coming....... 7. Roll, Jordon, roll... 165 3. Room enough..... ror 69. Run to Jesus...... 222 $9. Save me, Lord, save me........ 195 28. Shine, shine... 185 98. Shine, shine... 254 133. Sitting down by the side of the Lamb...... 304 112. Sweet Canaan...... 277 72. Show me the way...... 225 116. Some of these mornings....... 286 144. Steal away.. 181 √2 2. Swing low, sweet Chariot..... 160, 93. ' 'Tis Jordan's River...... 248 131. The Crucifixion... 302 52. The General Roll........ 206 27. The Gospel Train. 139. The Old Ark.... 310 18. TheRocks and the Mountains 175 104. The Angels changed my Name.... 261 V65. There's a meeting here to- night..... 218 37. The Ten Virgins....... 193 123. The work's being done......... 294 129. These bones going to rise again 300 120. They led my Lord away...... 297 36. This Old Time Religion....... 192 8. Turn back Pharaoh's army.. 166 86. Wait a little while 240 82. Way over Jordan..... 236 84. We are almost home... 238 8o. We are climbing the hills of Zion...... 234 15. We'll die in the Field.. 173 83. We'll overtake the Army..... 237 31. We'll stand the Storm.........., 188 74. We shall walk through the valley.... 228 47. What kind of shoes are you going to wear.... 57. When Moses smote the water 209 64. When shall I get there ?...... 217 62. Wrestling Jacob..... 214 34. Zion's Children, Igo 201 see 210 202 287 202 JUBILEE SONGS. It will be observed that iu most of these songs the first strain is of the nature of & chorus or refrain, which is to be sung after each verse. The return to this chorus should be made without breaking the time. Iu some of the verses the syllables do not correspond exactly to the notes in the music. The adaptation is so easy that it was thought best to leave it to the skill of the siuger rather than to confuse the eye by too many notes. The music is in each case carefully adapted to the first verse. Whatever changes may be necessary in siugiug the remainiug verses will be found to involve no difficulty. No, 1. Nobody knows the Trouble H see, Lord ! 2 24 No-bo-dy knows the trouble I see, Lord, No-bo-dy knows the trou-ble I see, Ño-bo-dy knows the trouble I see, Lord, FINE. E No - bo - dy knows like Je - sus. 1. Broth-ers, will you bhi pray for me, Brothers, will you pray for me, Brothers, will you D. C. pray for me, me, And help me to drive old Sa - tan a. way. 2. Sisters, will you pray for me, &c. 3. Mothers, will you pray for me, &c. 4. Preachers, will you pray for me, &c. 159 No. 2. Swing low, sweet Charioi. 2 2 2 Swing low, sweet char-i-ot, Com-ing for to car-ry me home 22 Þ4 === FINE. Swing low, sweet char-i-ot, Com-ing for to car l'y me lome. -- 1 0 se. B 1. I looked ver Jor-dan, and what did I 2. If you get there be fore I do, 3. The bright - est day that ev I san, f. I'm som times up and some - times down, er Com-ing for to Com-ing for to Com-ing for to Con-ing for to car - ry me home?. A band of an - gels car - ry me home, Tell all may friends I'm car - ry me home, When Je-sus wash'd my car - ry me home, But still my soul feels ร 9 D 버 ​1). C. Ell COM com-ing af - ter, me, Com-ing for to ing too, Com-ing for to sins way, Com-ing for to heaven ly bound, Com-ing for to car - ry car - ry car - ry car - ly 1 me home me home. me home. me home. a 9 G 은 ​160 No. 3. Room Enough. 4 1. Oh, brothers, don't stay a-way, Brothers, don't stay a - way, 9:12 PLE 4. 5-4 -o-b Broth-ers, don't stay à - Way, Don't stay a way. Bob CHORUS * For my Lord says there's room e-nough, Room e-nough in the } Heav'ns for you, My Lord says there's room enough, Don't stay away. 2 Oh, mourners, don't stay away. Cho.–For the Bible says there's room enough, &c. 3 Oh siuners, don't stay away. Cho. - For the angel says there's room enough, &c. 4 Ob, children, don't stay away. Cho.-For Jesus says there's room enough, &c. • The peculiar accent here makes the words sound thus: “rooma nough." 161 No 4. O Redeemed. . CHORUS. SS 24 3 4 redeemed, re- deemed, I'm wasued in the blood of the * FINE. # Lamb, o redeemed, re-deemed. I'm wash'd in the blood of the Lamb, 9 1. Al-though you see me going a - long so, Washed in the 2. When I was a mourner just like you, Washed in the 3. Re - li - gion's like bloom - ing rose, Washed in the a IF 3: A have my blood of the Lamb, I tri - als bere be - low, blood of the Lamb, I mourned and prayed till I got through, blood of the Lamb, As none but. those that feel it knows, # D. S. S. G Washed in the blood of the Lamb. O redeemed, re-deemed. 9: * Attention is callea to this characteristic manner of connecting the last strain with the chorus in the D. C. 162 No. 5. From every Graveyard. Just be-hold that number, Just be-hold that number, Just be - 9:42 4 3 IF 1. Going to 2. Going to hold that num-ber From ev -e - ry grave-yard. 3 Going to 4. Going to 5. Going to 9 # 3- # 1. meet the brothers, there, That used to join in prayer, Go-ing 2. meet the sis - ters, there. That used to join in prayer, &c. 3. meet the preachers, there, That used to join in payer, &c. 4. meet the mourners, there, that used to join in prayer, &c. . 5. meet the Christians, there, That used to join in prayer, &c. D. C. 3 W up thro' great trib- u - la- tion From ev e ry grave-yard. 98 ਹੈ 3 163 S No. 6. Children, we all shall be Free. hai Chil-dren, we all shall be free, Chil-dren, we all shall be :-2 2. 9-24 free, Children, we all shall be free, When the Lord shall appear. 27 9 9 H-2 1. We want 20 cowards in our band, That from their color: flv. We 2 92 D. C. 15-2 call for val-iant-hearted men, That are not a - fraid to die. R -9-5- B 2. We see the pilgrim as he lies, With glory in his scul; To Heaven he lifts bis longing eyes, And bids this world adieu. CAC.-Children, we all shall be free, &c. 3. Give ease to the sick, give sight to the blind Enable the cripple to walk: He'll r ise t'e dearl from under the earth, And give them permission to fly. CHO.- Children. Tronil shall be free, &c. * The words, “On Jordan's stormy banks I stand," are sometimes sung to this strain: 164 No. 7. Roll, Jordan, Roll. 2 옵 ​4 1. Roll , Jordani, roll, roll, Jorılan, roll, I want to go to be 37 2:32 Roll,..... 17 1446 7 혼 ​hea - ven when I die, To hear Jor dan roll. 9:32 b-b3 q 혼 ​Oh, brothers, you ought t’have been there, Yes, my Lord ! A R. b-b D.C. B the Kingdom, To hear Jor-dan sit - ting in ! roll. 9:- 9 CR ON : 2. Oh, preachers you ought thave been there, &c. 3. Oh, sinners, you ought, &c. 4. Oh, mourners, you ouyht, &c. 5. Oh, seekers, you ouglrt; &c. 6. Oh, mothers, you ought, &c., 7. Ob, sisters, you ought, &c. 165 447 No. 8. Turn back Pharaoh's Army. Solo. Moclerato. 2 2 4 1. Gwine to write to Mas-sa Je-sus, To send some valiant soldier, 2. If you want your souls converted, You'd better be a praying, 3. You say you are a sol-clier, Fighting for your Saviour, 4. When the children were in bondage, They cried un-to the 5. When Mo-ses smote the wa-ter, The children all passed over, 6. When Pharaoh cross'd the water, The waters came to-gether, CHORUS. Faster. 1. To turn back Pharaoh's army, Hal-le-lu! To turn back Pharaoh's 2. To turn back Pharaoh's army, Flal-le - lu! To turu back, &c. 3. To turn back Pharaoh's army, Hal-le-lu! To turn back. &c. 4. He turn'd back Pharaoh's army, Hal-le - lu ! Heturn'd back, &c. 5. And turn'd back Pharaoh's army, Hal-le - lu ! And turn'd back, &c. 6. And drown'd ole Pharaoh's army, Hal-le-lu! And drown'd ole, &c. 9. 也 ​年 ​T lu ar - my, Hal - le jah! Το turn back Pharaoh's B ar-my, Hal-le - lu! To turn back Pharaoh's ar - my, Hal-le- 2:22 bb lu - jah! To turn back Pharaoh's ar- my, Hal - le - lu! $ ୨: : Bb 166 No. 9 I'm a Rolling. 6 I'm a roll - ing, I'm a roll - ing, I'm a roll-ing thro' an un- 2: mit b 번 ​AN 2 friend-ly world, I'm a roll - ing, I'm a roll - ing thro'an - un - friend-ly world. 1. Obrothers, wont you help me, 2. O sis - ters, wont you help me, 3. O preachers, wont you help me, } 1 2 O brothers, wont you help me to pray? O brothers, wont you Osis - ters, wont you help me to pray.? O sis - ters, &c. O preachers, wont you help me to fight? O preachers, &c. D. C. help me, Wont you help me in the service of the Lord ? * 2: * Return to the beginning in exact time. 167 No. 10. Didn't my Lord deliver Daniei. Sung in Unison. Did-n't my Lord de - iiy - er Dan iel, D'liver Dan - iel, d'liver Dan - iel, Did-n't my Lord de - liv - er IST VERSE. Dan - iel, And why not a ev - e - ry man? He de lip-er'd Daniel from the li - ons den, Jo - nab from the bel - ly of the whale, And the Hebraw children from the b 비 ​fie - ry fur-nace, And why not er - e ту mian ? Did - nit my Lord de - liv - er Dan iel. D'liver ch Dan iel, d'liver Dan-iel. Did-n't my Lord de - liv - er * Grion without panee, leaving out two beata of the measure. 168 L2 b Dan iel, And why not a ev -e - ry man ? 20 VERSE. The moon run downin a purple-stream, The sun for - bear to D. C. "Didn't ?ny Lord." 10 मै ta shine, And ev-e-ry star dis-ap-pear, King Jesus shall be mine. 3D VERSE. -22 W 나 ​wind blows West, It The wind blows East, and the blows like the judg-ment day, And ev And ev - ery poor soul that D, C. “Didn't my Lord.” 19 버 ​pev-er did pray, 'll be glad to pray, that day. 4TH VERSE. I set my foot on the Gos - pel ship, And the # ship it be - gin to sail, It land-ed me 0 - ver on D. C. "Didn't my Lord." 18 a ny T'. Ca-Daan's shore, And I'll nev-cr cone back 169 No. 11. I'll hear the Trumpet Sound. IG # 4 = You may bur-y me in the East, You may bur - y y me 3 * in the West: But I'll hear the trumpet sound In that morning. 3 22 In that morn-ing, my Lord, How I long to go, For to morn bear the trum-pet sound, In that ing. 2. Father Gabriel in that day, 3. Good old christians in that day, He'll take wings and fly away, They'll take wings and fly away,&c. For to hear the trumpet sourd Cho - In that morning, &c. In that morning. 4. Good old preachers in that day, You may bury him in the East, They'll take wings and fly away, &c. You may bury him in the West; Cho.- In that morning, &c. Butle'll hear the trumpet sound, In that morning. 5. In that dreadful Judgement day, I'll take wings and fly away &c. Cho.- In that morning, &c. Cho. - Iu that morning, &c. * Repeat the music of the first strain for all the verses but the first. No. 12. Rise, Mourners.* 1. Rise, 2. Rise, 3. Rise, 4. Rise, mourners, rise, mourners, seekers, rise, seekers, sinners, rise, siuners, brothers, rise, brothers, FINE. O can't you rise and O can't you rise &c. O can't you rise &c. O can't you rise &c. 16: arrange tell, What the Lord has done for you. Yes, he's taken my feet out oftbe D. C. A 美 ​mi - ry clay, And he's placed them on the right side of my Father. * This hymn is sung with great unction while "seekers" are going forward to the altar. 170 No. 13. I've jnst come from the Fountain. 2 2 22 1. I've just come from the fountain, I've just come from the 2. Been drinking from the fountain, Been drinking, &c. 9:02-2 464 보 ​20 1 fountain, Lord ! I've just come from the fountain, His name's so 9: 一​2 出 ​CHORUS. b sweet. O brothers, I love Je-sus, O brothers. I love D. C. 民 ​JE - sus, O brothers. I love Je-sus, His name's so sweet. 9 eithe 3. I found free grace at the fountain, I found free grace, &c. Cho.-O preachers, I love Jesus, &c. 4. My soul's set free at the fountain, My soul's set free, &c. Cho. O sinners, I love Jesus, &c. * The Tenors usually sing the melody from this point. 171 SOLO. CHORUS No. 14. Gwine to ride up in the Chariot. 12 다 ​号 ​Gwine to ride up in the chariot, Soon-er in the morning. 2:2 SOLO. CHORUS. Ride up in the cha- riot, Soon-er in the morn-ing. 9:8 9 병 ​밥 ​Ride up in the cha- riot, Soon-er in the morning, And I 77 77 9 hope I'll join the band. O Lord, have mer-cy on m6, 1 2 7 7 # O Lord, have mer-cy on me; o Lord, have 9: # 172 D. C. 詳 ​mer-cy טס me, And I hope I'll join the band. 27 77 # 2. Gwine to meet my brother there, Sooner, &c. Cho.-0 Lord, have mercy, &c. 3. Gwine to chatter with the Angels, Sooner, &c. Cho.-O Lord, have mercy, &c. 4. Gewine to meet my massa Jesus, Sooner, &c. Cho.-O Lord, have mercy, &c. 5. Gwine to walk and talk with Jesus, Sooner, &c. Cho. -O Lord, have mercy, &c. No. 15. We'll die in the field. UNISON. 1. O vhat do you say, seekers, O what do you say, 2-2 seekers; O what do you say, seekers, A-bout the Gospel war? And I will die in the field, Will die in the field: 22 -2= 1 1 =b Will die in the field, I'm on my jour-ney home. 5-5 2. O what do you say, brothers, &c. 3. O what do you say, christians, &c. 4. O what do you say, preachers, &c. 173 No. 16. Children, you'll be called on. 12 2 2 EES 1. Chil-dren, you'll be called on 2. Preachers, you'll be called on 3. Sinners you'll be called on 4. Seek-ers, you'll be called on 5. Christians, you'll be called on To march in the field, of To march in the field, &c. To march in the field, &c. To march in the field, &c. To march in the field, &c. . # bat - tle, When this war - fare'll be end -ed, Hal-le - lu. CHORUS DV No When this war - fare'll be end-ed, I'm a sol-dier of the D. C! IF ju - bi-lee, This warfare'll be ended, I'm a soldier of the cross. No. 17. Give me Jesus. 底 ​1. O when I come to die, o when I come to die, 0 2. In the morning when I rise, In the morning when I rise, &c. 3. Dark midnight was my cry, Dark ipidnight was my cry, &c. 4. I heard the mourner say, I heard the mourner say, &c. when I come to diemGive me Je sus, Give me Je- 2 sus, give me Je - sus, You may have all this world, Give me Je-sus. 174 No. 18. The Rocks and the Mountains. 54 Oh, the rocks and the mountains shall all flee a-way, And 54 9-12 步 ​you shall have a new lid ing - place that day. 9:25 5.-12 1. Seek - er, seek-er, give up your heart to God, And [フリー​ち ​D. C. you shall have au new hid - ing - place that day. 2015 b -b-b 2. Doubter, doubter, give up your heart to God, And you shall have a new hiding-place that day. Oh, the rocks, &c. 3. Mourner, Mourner, give up your heart to God, &c. 4. Sinner, sinner, give up your heart to God, &c. 5. Sister, sister, give up your heart to God, &c. 6. Mother, mother, give up your heart to God, &c. 7. Children, children, give up your heart to God, &c. 175 No. 19. Godown, Moses. 4 1. When Is - rael was in E-gypt's land: Let my peopl·go, 多​: 5: -24 bb Oppress'd so hard they could not stand, Let my peo-ple go. 多 ​25 9 9 Go down, Mo-ses, Way down in 1 E-gypt land, 9:25 1 Tell ole Pha Let my peo - ple rol, go. 2. Thus saith the Lord, bold Moses said, Let my people go; If not I'll smite your first-born dead, Let my people go. Go down, Moses, &c. 3. No more shall they in bondage toil, Let my people go; Let them come out with Egypt's spoil, Let my people go. Go down, Moses, &c. 176 4. When Israel out of Egypt came, And left the proud oppressive land, Let my people go. Go down, Moses, etc. 15. Your foes shall not before you stand, Let my people go; And you'll possess fair Canaan's land, Let my people go. Go down, Moses, etc. 5. 0, 'twas a dark and dismal night, Let my people go; When Moges led the Israelites, Let my people go. Go down, Moses, etc. 16. 'Twas just about in harvest time, Let my people go When Joshua lect his host divine, Let my people go, Go down, Moses, etc. 6. 'Twas good old Moses and Aaron, too, Let my people go;.. 'Twas they that led the armies througlu, Let my people go. Go down, Moses, etc. 17. O let us all from bondage flee, Let my people go; And let us all in Christ be free, Let my people go. Go down, Moses, etc. 7. The Lord told Moses what to do, Let my people go; To lead the children of Israel througlı, Let my people go. Go down, Moses, etc. 18. We need not always weep and moan, And wear these slavery chains for- lorn, Let my people go. Go down, Moses, etc. 8. O come along, Moses, you'll not get lost, 19. This world's a wilderness of woe, go; Let my people go; Stretch out your rod and come across, , O, let us on to Canaan go, Let my people go. Let my people go. Go down, Moses, etc. Go down, Moses, etc. 9. As Israel stood by the water side, Let my people go; At the command of God it did divide, Let my people go. Go down, Moses, etc. 20. What a beautiful morning that will be Let my people go; When time breaks up in eternity, Let my people go. Go down, Moses, etc. 10. When they had reached the other shore, Let my people go; They sang a song of trlumph o'er, Let my people go. Go down, Moses, ete. 21. O brethren, brethren, you'd better be engaged, Let niy people go; For the devil he's out on a big ram- page, Let my people go. Go down, Moses, etc. 11. Pharaoh said he would go across, Let my people go; But Pharaoh and his host were lost, Let iny people go. Go down, Moses, etc. 22. The devil he thought he had me fast, Let my people go; But I thought I'd break his chains at last, Let my people go. Go down, Boses, etc. 12. O, Moses, the cloud shall cleave the way, Let my people go; A fire by night, a shade by day, Let my people go. Go down, Moses, etc. 23. O take yer shoes from off yer feet, Let my people go; And walk into the golden street, Let my people go. Go down, Moses, etc. 13. You'll not get lost in the wilderness, Let my people go; With a lighted candle in your breast, Let my people go. Go down, Moses, etc. 24. I'll tell you what I likes de best, Let my people go; It is the shouting Methodist, Let my people go. Go down, Moses, etc. 14 Jordan shall stand up like a wall. 25. I do believe without a doubt, Let my people go; Let my people go; And the walls of Jericho shall fall, Thata Christian has the right to shout Let my people go. Let my people go. Go down, Moses, etc. Go down, Moses, etc. 177 No. 20. Been a Listening. . Been а lis - ten - ing all the night long, Been 2 9: 6 lis - ten - ing all the night long, Been a FINE. 辛 ​he lis-ten-ing all the night long, To hear some siuner pray. nie 1. Some say that John the Baptist was nothing but a Jew, But the 2. Go read the third of Matthew, And read the chapter thro', It 2 韓 ​D. C. “Been a listening." HE Ho -ly Bi - ble tells us he preach-er is the guide for Christians, and tells them what to was a too. do. HE 178 No. 21. Krep me from sinking Down. P f P 4 Oh, Lord, Oh, my Lord! Oh, my good Lord ! Keep . 9:4 44 HI FINE. f # me from sink-ing down. 1. I 12. I tell you what I look up yonder, and Di P р f mean to do; Keep me what do I see ; Keep me from sink - ing down: from sink - ing down: I I 9 P р D. C. mean to go to heav-en too; Keep me from sinking down. see the angel beckoning to me; Keep me from sinking down. 3. When I was a mourner just like you; Keep me from sinking down: I mourned and mourned till I got through: Keep me from sinking down. Oh, Lord, &c. 4. I bless the Lord I'm gwine to die; Keep me from sinking down: I'm gwine to judgment by-und-by; Keep me from sinking down. Oh, Lord, &c. 179 I No. 22. I'm a trab'ling to the Grabe. CHORUS 4 每 ​6 I'm a trav'ling to the grave, I'm a trav'ling to the U grave, my Lord, I'm a trav'ling to the grave, For to lay this bod-y FINE. f E down. 1. My Mas-sa died a shouting, Singing glo-ry hal - le - D C lu - jah, The last word he said to me, Was a-bout Je-ru -sa-lem. 2. My missis died a shouting, &c. 3. My brother died a shouting, &c. 4. My sister died a shouting, &c. No. 23. Many Thousand Gone. Plaintively. 4 8 1. No more auc-tion block for me, No more, no more; 9-4 AT 5-68 E No more auction block for me, Ma - ny thousand gone. with 52 2. No more peck o' corn for me, &c. 3. No more driver's lash for me, &c. 4. No more pint o' salt for me, &c. 5. No more hundred lash for me, &c. fe No more mistress' call for me, &o- 180 No.24. Steal Away. ?? 4 Steal a - way, steal a - way, steal a. way to Je - sus! 32 -52 3 f р FINE, 1 Steal a-way, steal away home, I hain't got long to stay here. f calls me, 1. My Lord He calls me by the thunder; The 2. Green trees are bending, Poor sin- ners stand trembling; The,&c. P р D. C. CH porn 洋 ​trumpet sounds it in my soul: Í hain't got long to stay here. 3 My Lord calls me, He calls me by the lightning: The trumpet sounds it in my soul: I hain't got long to stay here. Cho.--Steal away, &c. 4 Tombstones are bursting, Poor sinners are trembling: The trumpet sounds it in my soul: I lain't got long to stay here. Cho.-Steal away, &c. 181 No.25. My Lord's writing all the time.* Refrain. Solo. 4 1. Come down, come down, My Lord,come down, My Lord's writing all the 2. When I was down in Egypt's land, My Lord's writing all the 3. O christians you had bet- ter praj, My Lord's writing all the 4. King Jesus rides in the middle of the air, My Lord's writing all the 2 4 Solo. Refrain g time. And take me up to wear the crown, My Lord's writing all the time. time. I heard some talk of promised land, My Lord's writing all the time. time. For Satan's round you every day, My Lord's writing all the time. time. He's calling sinners from everywhere, My Lord's writing all the time. : CHORUS. 1 41 Oh, he sees all you do, He liears all Fou say, A PP My Lord's writing all the time, 0 he sees all you do, не į. 9 1 nears all you sav. My Lord's writing all the time. * Published in sheet form, with piano accompaniment, by JOHN CHURCH & Co., Cincinnati. 182 No. 26. Judgment Day is rolling Round. 4 Judgment, Judgment, Judgment day is rolling around, Judgment, -14 Judgment, o how I long to go. go. 1. I've a good old mother in the 2 9 อ: FEE heaven, my Lord, How I long to go there too, I've a 1 good old mother in the heaven, my Lord, O how I long to go. 2 There's no back-sliding in the heaven, my Lord, How I long to go there too, There's no back-sliding in the heaven, my Lord, O how I long to go. Coo.-- Judgment, &c. 3 King Jesus sitting in the heaven, my Lord, How I long to go there too, King Jesus sitting in the heaven, my Lord, O how I long to go. Cho.-Judgment, &c. 4 There's a big camp meeting in the heaven, my Lord, How I long to go there too, There's a big camp meeting in the heaven, my Lord, O how I long to go. Cleo.–Judgment, wc. 183 No. 27. The Gospel Train. 并 ​#4 UNISON. 4 4 1. The gos - pel train is coming, I hear it just at land, 2. I hear the bell and whistle, The coming round the curve; 3. No sig-nal from an --oth-er train To fol - low on the line, # I hear the car-wheels moving, . And rumbling thro’the land. She's playing all her steam and powr And straining every 0, siu - ner, you're forever lost, If once you're left be - hind. Derve. doo Get on board, children, Get on board, children, Get on g 앉 ​9:3 * 7 | 1st. | 2d. 1 # buildl, children, For there's room for many a more. more'. 9 4 This is the Christian banner, The motto's new and old, Salvation and Repentance Are burnished there in gold. Cho.-Get on board, children, &c. 5 She's nearing now the station, O, sinner, don't be vain, But come and get your ticket, And be ready for the train. Cho.-Get on board, children, &c. : 6 The fare is cheap and all can go, The rich and poor are there, No second-class on board the train, No difference in the fare. Cho.-Get on board, children, &c. 184 7 There's Moses, Noah and Alraham, And all the prophets, too, Our friends in Christ are all on board. O, what a heavenly crew. Cho.-Get on board, children, &c. 8 We soon shall reach the station, O, how we then shall sing, With all the lieavenly army, We'll make the welkin ring. Cho.-Get on board, children, &c. 9 We'll shout o'er all our sorrows, And sing forever more, With Christ and all his army, On that celestial shore. Cho.-Get on board, children, &c. No. 28. Shine, Shine. 16 Shine, shine, I'll meet you in the morning, Shine, shine, I'll # meet you in the morning, Shine, shine, I'll meet you in the morning, IN Oh! my soul's going to shine, shine, Oh! my soul's going to shine, shine. 1. I'm going to sit at the welcome ta - ble, I'm going to sit at the 1 { welcome ta - ble, I'm going to sit at the welcome ta - ble. D. 0 Ol! my soul's going to shine, shine, Oh! my soul's going to shine, shine. 2 I'm goiog to tell God about my trial, &c. Oh! my soul's going to shine, &c. Cho.-Shine, shine, &c. 3 I'm going to walk all about that city, &e. Oh! niy soul's going to shine, &c. Cho.-Shine, shine, &c. 185 No. 29. Old Ship of Zion. R 주 ​a 1. What ship is that 'Tis the old... ship of Do you think that she is sail - ing, Hal - le - lu Zi - on, Hal - le - lu ble. Hal- le lu a 4 Repeat twice for first verse. FE a jah, What... ship is that jah, 'Tis the old... ship of jah, Do you think that she is sail - ing, Hal- le Zi - on, Hal- le ble, Hal- le lu. lu. a lu. will Do you think that she is а. ble, For to 7:# car - ry us all.... home. 0... glo - ry, Hal- le - lu. 9 In singing the last two verses the music is not to be repeated. 2 She has landed many a thousand, Hallelujah, She has landed many a thousand, Hallelu, She has landed many a thousand, And will land as many a more. Oh glory, Hallelu. 3 She is loaded down with angels, Hallelujah, She is loaded down with angels, Hallelu, And King Jesus is the Captain, And he'll carry us all home. On glory, Hallelu. 186 No. 30, In the River of Jordan. 4 拜 ​1. In the riv- er of Jordan John baptized, How I long to go 4 0 mi be baptized; In the riv - er of Jordan John baptized, To the dying Lamb. Pray on. pray on, pray on, ye 9 2 8 g A म mourning souls, Pray on, pray on, un - to the dying Lamb. 9 8 음 ​100 2 We baptize all that come by faith, How I long to be baptized; We baptize all that come by faith, To the dying Lamb. Cho.- Pray on, &c. 3 Here's another one come to be baptized, How I long to be baptized; Here's another one to be baptized, To the clying Lamh. Cho.-Pray on, &c. 187 No. 31. We'll stand the Storm. 25 10 1. Oh! stand the storm, it won't be long, We'll anchor by-and-by, 9:-2 52 6 Stand the storm, it won't be long, We'll anchor by - and-by. 2 3 6 1. My ship is on the O-cean, We'll anchor by- and - by, My 2: D. C. ship is on the O-cean, We'll anchor by - and-by. 2 She's making for the kingdom, We'll anchor, &c. 3 I've a mother in the kingdom, We'll anchor, &c. 188 No. 32. I'm so Glad. 14 6 OR E I'm SO glad, I'm SO glad, I'm so glad there's 10 go 4 no dy - ing there. 1. I'll tell you how I found the Lord, q 부 ​# No dy ing there, With a bung down head 9 D. C. WE and'ach ach - ing heart, NO dy ing there. 9: 2. I hope I'll meet my brother there, No dying there, That used to join with me in prayer, No dying there. Cho. - I'm so glad, &c. 3. I hope I'l] meet the preacher there, No dying there, That used to No dying there. Cho.--I'm so glad, &c. 189 No. 33. Come, let us all go Down. 7676 4 1. As I went down in the val-ley to pray, Studying a-bout that 2. I think I hear the sinner say, Come, let's go in the val- 3. I tuuk I hear the mouruer say, Come, let's go in the val- goodold way;You shall wearthe starry crown, GoodLord, show me theway; ley to pray;You shall wearthe starry crown, GoodLord, show me the way; ley to pray;You shall wearthe starry crown, GoodLord, show me the way; # 1 By - and - by we'll all go down, all go down, all go down, THE By-and-by we'll all go down, Down in the val-ley to pray. No. 34. Zion's Children. E 4 Oh! Zi - on's children com-ing a - long, Com-ing a - long, Com-ing a - long, Zi - on's children com - ing a - long, Talk - ing a bout the well - come come day, 1. I 2. Oh! 3. I hail my moth-er in the morn - ing, Com-ing & - long, don't you want to live up yon - der, Com-ing, &c. think they might - y hap - py, Com-ing, &c. are 190 com - ing a long, I bail my moth - er in the D. C. morn - ing, Talk - ing a bout the wel - come day. No. 35. Oh! Holy Lord. 排 ​* 生 ​Oh! ho - ly Lord ! Oh! ho ly Lord! OU! ho - ly Lord ! Done with the sin and # 19 sor - row, 1. Oh! rise up chil - dren, get your crown, # Done with the sin and sor - row, And by your Saviour's D. C. side sit down, Done with the sin and sor - row. 2 What a glorious morning that will be, Done with the sin and sorrow; Our friends and Jesus we will see, Done with the sin and sorrow.-Cho. 3 Oh shout, you Christians, you're gaining ground, Done with the sin and sorrow; We'll shout old Satan's kingdom down, Done with the sin and sorrow.--Cho. 4 I soon shall reach that golden shore, Done with the sin and sorrow; And sing the songs we sang before, Done with the sia and sorrow.--Cho. I9I No. 36. This Old Time Religion. 2 2 Oh! this old tine re - li - gion, This old time re - li- gion, This 4本 ​4 t 1 old time re - li - gion, It is good e- nough for me. *WE 并 ​1. It is good for the mourner, It is good for the mourner, It is F E 446 good for the mourner, It is good e - nough for me. 2. It will carry you home to heaven, It will carry you home to heaven, It will carry you bome to heaven, It is good enough for me. Cho. --Oh, this old time religion, &c. 3. It brought me out of bondage, &c. Cho. -Oh, this old time religion, &c. 4. It is good when you are in trouble, &c. Cho.-Oh, this old time religion, &c. 192 No. 37. The Ten Wirgins. ED 4 1. Five of them were wise when the bridegroom came, 2014 4 # Five of them were wise when the bride - groom came. ## Repeat. PP E g O Zion, O Zion, O Zion, when the bridegroom came. 9 2 Five of them were foolish when the bridegroom came, Five of them were foolish when the bridegroom came. Cho..–0 Zion, wc. 3 The wise they took oil when the bridegroom came, The wise they took oil when the bridegroom came. Clo. 0 Zion, wc. 4 The foolish took no oil when the bridegroom came, The foolish took no oil when the bridegroom came. Gho.—O Zion, ºc. 5 The foolish they kept knocking when the bridegroom came, The foolish they kept knocking when the bridegroom came. Cho.–0 Zion, &c. 6 Depart, I never knew you, said the bridegroom, then, Depart, I never knew you, said the bridegroom, then. Cho 20 Zion, ºc. 193 No. 38. Le Arose. Simuly. 4 A 1. The Jews killed poor Jesus, The Jews killed poor Jesus, The 9.4 Jews killed poor Je - sus, And laid him in the tomb. He a rose, He a rose, He a Repeat. pp 9 부 ​없 ​rose, He a - rose and went to beaven in a cloud. 9: 2 Then down came an angel, Then clown came an angel, Then dowii care an angel, And rolled away the stone. Cho.-. He arose, ºc. 3 Then Mary she came weeping, Then Mary she came weeping, Tben Mary she came weeping, A looking for her Lord. Co.–He arose, &c. 194 No. 39. Save me, Lord, Save. 0- 1. I called to my father, my father hearkened to me, And the 2:2 2 2 last word I heard him say, was, Save me, Lord, save me. 应 ​EC And I wish that leav'n was a mine, And I wish that heav'n will a SHE G 영 ​3 좋 ​beinine, And I wish that heav'n was a mine, O save me, Lord, save me. 9 2 I called to my mother, my mother hearkened to me, And the last word I beard her say Was, save me, Lord, save me, Cho.--And I wish that lieav'n was a mine, &c. 3 I called to my sister, my sister hearkened to me, &c. Cho.-And I wish that heav'n was a mine, &c. 4 I called to my brother, my brother hearkened to me, &c. Cho.-And I wish that heav'n was a mine, &c. 195 II No. 40. Judgment will find you so. 至 ​와 ​2 Just as you live, just so you die, And af - ter death, 2 2 2 2 # + g 등 ​Judgment will find you so. 1. O brethren, brethren, B watch and pray, Judgment will find you So, For D. C. Satan's round you ev - 'ry day, Judgment will find you so. 2 9 # 2 The tallest tree in Paradise, Judgment will find you so; The Christian calls the tree of life, Jadgment will find you so. Cho. Just as you live, &c. 8 Oh! Hallelujah to the Lamb, Judgment will find you so; The Lord is on the giving hand, Judgment will find you so. Cho.-Just as you live, &c. 196 No. 41. He's tbe Lily of the Valley. 5 4 4 He's the li - ly of the val - ley; Oh! my 9:4 -4 -4 Lord; He's the li - ly of the val- ley, Oh, my Lord; 그 ​1. King Je - sus in the chariot rides, Oh! my Lord; With 8 多 ​D. C. 去 ​four white hors es side by side, Oh! my Lord. 2 2 2 What kind of shoes are those you wear, Oh! my Lord; That you can ride upon the air, Oh! my Lord. Cho. —He's the lily of the valley, &c. 3 These shoes I wear are gospel shoes, Oh! my Lord; And you can wear them if you choose, , Oh! my Lord. Cho, -He's the lily of the valley, &c. 197 No. 42. Prepare us. 4 4 3 중 ​Pre - pare me, Pre - pare me, Lord, Pre - pare me, When 94- death sliall shake this frame. I go down the 1. As 9 부 ​stream of time, when death shall shake this frame, I'll 3 9 부 ​D.O. leave this siu- ſul world behind, when death shall sbake this frame. 2 The man that loves to serve the Lord, When death shall shake this frame; He will receive his just reward, When death shall shake this frame. Cho.-Prepare me, &c. 3 Am I a soldier of the cross, When death shall shake this frame; Or must I count this soul but lost, When death shall shake this frame. Cho.-Prepare me, &c. 4 My soul is bound to that bright land, When death shall shake this frame; And there I'll meet that happy band, When death shall shake this frame. Cho,- Prepare me, &c. 198 No. 43. My Ship My Ship is on the Ocean. 4 My ship is on the ocean, My ship is on the ocean, My 9:拜​生 ​* ship is 011 thie O-cean, Poor sin - ner, fare - you - well. 2: 其​LE 1. I'm go - ing a - way to see the good old Dan-iel, I'm 9:群 ​D. C. 客 ​go ing a way То N see my Lord. 2 I'm goiug to see the weeping Mary, I'm going away to see my Lord. Cho.--My ship, &c. 3 Oh! don't you want to live in that bright glor- Oh! don't you want to go to see my Loril? Cho.—My ship, &c. 199 No. 44. March On. 2 2 1. Way 0 - ver in the E-gypt land, You shall gain tlie 952 14 vic Way 0 - Ver in the E - gypt land, to - ry, March on, and you shall gain the You shall gain the day. 8 名 ​Repeat. PP 8 동 ​vic - to - ry, March on, and you shall gain the day. 93 2 When Peter was preaching at the Pentecost, You shall gain the victory; He was endowed with the Holy Ghost, You shall gain the day. Cho.—March on, &c. 3 When Peter was fishing in the sea, You shall gain the victory; He dropped his net and followed me, You shall gain the day. Cho.—March on, &c. 4 King Jesus on the mountain top, You shall gain the victory; King Jesus speaks and the chal cot stops, You shall gain the day. Cho.-March on, &c. 200 No. 45, My way's Cloudy. 4 5 Oh! bretheren, my way, my way's cloud-y, my way, Go 2014 24 send them an - gels down, Oh! breth-er - en my -R way, 并​一 ​my way's cloud-y, my way, Go send them an- gels down. e. D 버 ​1. There's fire in the east and fire in the west, Send them angels.down, And 2. Old Sa - tan's mad and I am glad, Send them angels down, He 3. I'll tell you now as I told you before, Send them angels down, To 4. This is the year of J12 - bí - lee, Send them angels down, The 2 D. C. 9 a fire mong the Meth - 0 - dist, O send them an- gels down. missed the soul he thought he had, O send them an- gels down. the promised land I'm bound to go, o send them an- gels down. Lord has come and set me free, o send them an-gels down. 許 ​។ 201 No. 46. Ride on, King Jesus. 2 2 2 2. Ride on, King Je - sus, sus, No man can a bin - der me, EF Ride on, King Je sus, No man can a hinder me. 1. I was but young when I begun, No man can a binder me, But D. C. no 7 先 ​now my race is almost done, No man can a hinder me. 2 King Jesus rides on a milk-white horse No man can a hinder me; The river of Jordan he did cross, No man can a hinder me. Cho.- Ride on, &c. 3 If you want to find your way to God, No man can a binder me; The gospel highway must be trod, No man can a hinder me. Cho.-Ride on, &c. What kind of shoes are you going to wear ? No, 47. ebb bha 4 옵 ​1. What kind of shoes you going to wear? Golden slippers ! 2. What kind of crown you going to wear? Star-ry crown! 3. What kind of robe you going to wear? White robe! 4. What kind of song you going to sing ? New song! 9:52 5:54 LOR * Published in sheet form, with piano accompaniment, by JOAN CHURCH & Co, Cincinnati. 202 bi What kind of shoes yon going to wear? Golden shlippers! Golden shlippers I'm What kind of crowu yon going to wear? Starry crowul Star-r'y crowu I'm What kind of robe you going to wear? White robe! Long white robe I'm What kind of harp you going to play ? Golden harp! Gold-en harp I'm & B bound bound bound bound to wear, That out-shine the glit - ter - ing sun. to wear, That out-sbides the glit- ter - ing sun. to wear, That out-shines the glit-ter - ing to play. That out-shines the glit- ter-ing sun. sun. 25 2-2 Yes, yes, Yes, yes, my Lord, I'm going to join the heavenly choir, 9 5 b Yes, yes Repeat PP 없 ​i Yes, yes, yes, my Lord. I'm -a sol - dier of thae cross 203 No. 49. Mary and Martha, 2 2 1. Ma-ry and a Martha's just gone 'long, Ma-ry and a Martha's 2 527 just gone 'long, Ma - 1y and a Mar-tha's just gone 'long, To 三 ​E ring those charming bells; Cry-ing free grace and dy-ing love, 8 Free grace and dy - ing love, Free grace and dy - ing love, To 6 e 9 2 多 ​ring those charming bells. Oh! way o-ver Jordan, Lord, Way o-ver 8 : Э 6 204 Jordan, Lord, Way over Jordan, Lord, To ring those charming bells. 9 8 2 The preacher and the elder's just gone 'long, &c. To ring those charming bells. Cho.-- Crying, free grace, &c. 3 My father and mother's just gone 'long, &c. To ring those charming bells. Cho.-Crying, free grace, &e. 4 The Methodist and Baptist's just gone 'long, &c. To ring those charming bells. Cho.-Crying, free grace, &c. No. 50. I ain't going to die no more. Oh! ain't I glad, Oh! ain't I glad, Oh! ain't I glad, I : ain't a going to die no more; 1. Going to meet those happy Christians 10 soon - er in the morning, Soon - er in the morning, Soon - er in the morning, Meet those hap-py Christians D. C. soon- er in the morning, I ain't a going to die no more. 2 Going shouting home to glory sooner in the morning, &c. Cho.-Oh! ain't I glad, &c. 3 Going to wear the starry crown sooner in the morning, &c. Cho.-Oh! ain't I glad, &c. 4 We'll sing the troubles over sooner in the morning, &c. Cho. -Oh! ain't I glad, &c. 205 No. 51. Getting Ready to Die. 山​开 ​2 Get - ting read - y to die, Get - ting read - y to Hit 19 die, Get - ting read-y to die, die, 0 Zi - 017, Zi - on, 1. When I set out, I was but young, Zi - 011, Zi - on, But D. C. Zi - On, now my race is al - most run, Zi - ou. 2 Religion's like a blooming rose, Zion, Zion, And none but those that feel it knows, Zion, Zion. Cho.-Getting ready to die;" &c. 3 The Lord is waiting to receive, Zion, Zion, If sinners only would believe, Zion, Zion.-Chorus. All those who walk in Gospel shoes, Zion, Zion, This faith in Christ they'll never lose, Zion, Zion.—Chorus. . No. 52. The General Roll. 4 4 $ I'll be there, I'll be there, Oh when the general roll is called, #5 I'll be there. 1. O hal - le - lu - jah to the Lamb, The general 2. Old Sa - tan told me not to pray, The general roll roll is called, I'll is called, 1:11 be there; The Lord is on be there; He wants my soul the at D. C. giv - ing hand, The general roll is called, I'll be there. Judgment Day, The general roll is called, I'll be there. 206 No. 53. I'm troubled in Mind. [The person who furnished this song (Mrs. Brown of Nashville, formerly a slave), stated that she first heard it from her old father when she was a child. After he had been whipped he always went and sat upon a certain log near his cabin, and with the tears streaming down his cheeks, sang tliis song with so much pathos that lew could listen without weeping from sympathy: and even his cruel oppres- sors were not wholly unmoved.] :52 4 I'm troubled, I'm troubled, I'm troubled iu mind, If Jesus don't help me, I sure - ly will die. 1. O Je-sus, my. Saviour, on D. C. 25 thee I'll depend, When troubles are near me, you'll be my true friend. 2 When ladened with trouble and burdened with grief, To Jesus in secret I'll go for relief. Cho.—I'm troubled, &c. 3 In dark days of bondage to Jesus I prayed, To help me to bear it, and he gave me his aid. Cho, I'm troubled, &c. No. 54. I'm going to live with Jesus. 6 8 1. I'm going to live with Je-sus, 2. I've started out for heaven, 3. I kuow I love my Je-sus, A soldier of the Ju-bi-lee, I'm A soldier of the Ju-bi-lee, I've A soldier of the Ju-bi-lee, I 19 going to live with Je - sus, start-ed out for heaven, know I love my Je - sus, A soldier А soldier A soldier of the cross. of the cross. of the cross. #F Oh! when you get there remember me, A soldier of the Jubilee, Oh! when you get there re - member me. A soldier of the cross. 207. No. 55. J've been in the Storm so long. CITORI'S. 2 4 I've been in the storni so long, I've been in the storm so long, children, I've | 1st time. 19 Oh! give me lit-tle time to been in the storm so long, 2d time. pray... I've pray. 1. Oh! let me tell my mother 2. Oh! when I get to to heaven, 3. I'll go in - to heaven, how I came a - long, Oh, I'll walk all à - bout, Oh, and take my seat, Oh, give me lit - tle time to pray, give me lit - tle time to pray, give me lit - tle time to pray, With a hung down head and an There'll be no - bo - dy there to Cast my crown at D. C.. ach turn Je ing heart, On, me out, Oh, sus' feet, Oh, give me lit - tle time give me lit tle time give me lit tle time to to to pray. pray. pray. No. 56. GO, chain the Lion down. Go, chain the li on down, Go, cliain the li - on dowo, Go 山​# A chain the li - on down, Before the heav'n doors close. 1. Do you HE see that grand old sister, Come a wagging up the hill so slow, She D. C. wants to get to heav'n in due time, Before the heav'n doors close. 2 Do you see the good old Christians? &c. 3 Do you see the good old preachers ? &c. 208 No. 57. When Moses smote the water. When Mo-ses smote the wa - ter, The chil-r'ren all passed 9:-2 54 0- yer, When Moses smote the wa - ter, The sea gave a - way. 1. O chil-dren ain't you glad You've left that sin - ful D. C. ar - my? O chil-dren ain't you glad The sea grave à - way? 2. O Christians ain't you glad You've left that sinful army? O Christians ain't you glad The sea gave away? Cho.-When Moses smote, &c. 3. O brothers ain't you glad You've left that sinful army? O brothers ain't you glad The sea gave away? Cho.-When Moses smote, &c. 209 No. 58. Oh! Sinner Man. 252 4 Oh! sin-ner man, 1 Oh! sin-ner Oh! sin-ner, Oh! 18 22:52 1-24 which way are you go-ing? 1. Oh! come back, sinner, and with TE don't go there, which way are you going? For hell is deep, and D. C. 4 dark des - pair. Oh! which way are you go - ing? 的 ​b=5 2. Though days be dark, and nights be long, Which way are you going ? We'll shout an, sing till we get home, Which way are you goivg? Cho.-Oh! sinner, &c. 3. 'Twas just about the break of day, Which way are you going? My sins forgiven and soul set free, Which way are you going? Cho.-Oh! sinner, &c. 210 No.59, My good Lord's been here. 2 옵 ​My good Lord's been here, leen here, been here, 2 9:33 3 2: WF My gooil Lord's been here, and he's blessed my soul and gone. 2 2 을 ​并 ​中 ​9 8 1. O brothers, where were you, brothers, where were you, 1 : -P D. C. 77F broth -ers, wliere were you When my good Lorel was here? 1 2 O sinners, wliere were you. &c. Cho. -My good Lord's been here; &c. 3 O Christians, where were you, &c. Cho. – My good Lord's been here, &c. 4 0 mourners, where were you, &c. Cho.-My good Lord's been here, &c. 2II I 2 No. 60. A little more faith in Jesus. 4 4 iffin.. All I want, All I want, All I want 2 4 -5-4 q AR lit - tle more faith in Je - sus. 1. When-ey-er we meat 9:2 222 you here we say, A lit A lit - tle more faith in Je - sus. Pray D. C. what's the order of the day? A lit-tle more faith in Jesus. 9 ร 2. I tell you now as I told you before, A little more faith in Jesus, To the promised land I'm bound to go, A little more faith in Jesus. Cho.-All I want, &c. 4. I do believe without a doubt, A little more faith in Jesus, That Christians have a right to shout, A little more faith in Jesus. Cho.--All I want, &c. 5. Sliout, you children, shout, you're free, A little more faith in Jesus. For Christ has bought this liberty, A little more faith in Jesus. Cho. All I want, &C. 3. Oh! Hallelujah to the Lamb, A little more faith in Jesus, The Lord is on the giving hand, A little more faith in Jesus, Cho. All I want, &c. 212 No. 61. Did not old Pharaoh get lost? 的​。 1. I - saac a ran-som, wbile he lay Up-on au al - tar Z 2 119 동 ​bound, Mo-ses, an infant cast away, By Pharaoh's daughter found. Did not old Pharaoh get lost, get lost, lost, get lost, Did not old Pharaoh get lost Red h's 2 Joseph, by his false brethren sold, ; To Hannah's child the Lord foretola HOW Eli's house should fall. Cho.–Did not old Pharaoh, &c. 3 The Lord said unto Moses. Go anto Pharaoh now, For I have hardened Pharaoh's heart, To me he will not bow. Cho.-Did not old Pharaoh, &c. 4 Then Moses and Aaron, To Pharaoh did go, Thus says the God of Israel, Let my people go. Cho.-Did not old Pharaoh, &c. 5 Old Pharaoh said who is the Lord, That I should him obey? His name it is Jeliovah, For he hears his people pray. Cho.-Did not old Pharaol, &c. 6 Then Moses numbered Israel, Through all the land abroad, Saying, children, do not murmur, But hear the word of God. Cho.-Did not Ald Pharaoh, &c. in the sea ? 7 Hark! hear the children murmur, They cry aloud for bread, Down came the hidden manna, The hungry soldiers fed. Cho.-Did not old Pharaoh, &o. 8 Then Moses said to Israel, as they stood along the shore, Your enemies you see to-day, You will never see no more. Cho.- Did not old Pharaoh, &c. 9 Then down came raging Pharaoh, That you may plainly see, Old Pharaoh and his host, Got lost in the Red Sea. Cho. Did not old Pharaoh, &c. 10 Then men, and women, and children To Moses they did flock; They cried aloud for water, And Moses smote the rock. Cho.-Did not old Pharaoh, &c. 11 And the Lord spoke to Moses, From Sinai's smoking top, Saying, Moses, lead the people, Till I sball bid you stop. Cho.-Did not old Pharaoh, &c. 213 No. 62. Wrestling Jacob. 4 1. Wrestling Ja - colo, Juu - colo, tuy is breaking, 9:54 -5- -4 A Fine. 守 ​Wrestling Ja - col), Ja - cob, I will not let thee go. EB :) Let me go, Ja - cob. I will not let tliee go. 9 2 -b2 2 C Let me go Ja - cob. I will not let tliee go, Un- til thou bless me, I will not let thee go; Un- 93b ។ 214 til thou bless me, I will not let thee go. 22 HEL A . Wrest - ling Ja - cob, Ja - cob, day is a - break-ing, 6 Wrest- ling Ja - cob, Ja - cob, I will not let thee go. 1'11 (Or this.) I'll A D hold thee till the break of day, I wres - tle till the break of day, I will not let thee go, Un will not let thee go, Un - -b D. C til thou tell me what's thy name, I will not let thee go. til thou come and bless my soul, I will not let thee go. 9:2 215 NO. 63. Love-least in Heaven. SSS 2 2 24 5 There's a love - feast in the heav - en by - and - by, chil-dred, There's a love - feast in the heav-en by-and- G by. Yesa love - feast in the heav- en by- and - by, FINE. 10 chil - dren, There's a love-feast in the heav- en by - and - by. 1. Ob! run up, chil-dren,get your crown, There's a love-feast in the 益 ​6 @ heav-en by - and - by, And by your Sav-iour's side sit down D. S. sid 11 There's a love - feast in the heav-en by - and - by. Yes, a 2 Old Satan told me not to pray, &c. He wants my soul at the Judgment-day, &c. 3 Oh, brethren, and sisters, how do you do, &c. And does your love continue true, &c. 4 Oh, brethren, brethren, how do you know, &c. Because my Jesus told me so, &c. 216 No. 64, When shall I get there. 4 发 ​There's a heaven - ly home up yon-der, There's a heaven - ly home up yon - der, There's a heaven - ly home up yon - der, Oh! Fine. SOLO. 는 ​when shall I get there? 1. Old Pi - late says, I CHORUS. SOLO. wash my hands; When shall I get there? I CHORUS. D. C. find no fault in this just man; When shall I get there? 2 John and Peter ran to see, When shall I get there? But Christ had gone to Galilee, When shall I get there? 3 Paul and Silas bound in jail, When shall I get there? They sang and prayed both night and day. When shall I get there? 4 I'm bred and born a Methodist, When shall I get there? I carry the witness in my breast, When shall I get there ? 217 No. 65. There's a Meeting here To-night. 4 Get you rea - dy, there's a meet-ing here to-night, Comea - 2 # long, there's a meet-ing here to-night; I know you by your will Fine, dai - ly walk, There's a meeting here to-night. 1. Camp-meeting 1 down in the wilderness, There's a meeting here to-night; I D. C. t. know it's among the Methodist ;, There's a meeting here to-night. 218 2 Those angel wings are tipped with gold, &c. That brought glad tidings to my soul, &c. 3 My father says it is the best, &c. To live and die a Methodist, &c. 4 I'm a Methodist bred, and a Methodist born, &c. And when I'm dead there's a Methodist gone, &c. No. 66. Farewell, my Brother. 9 4 Farewell, my brother, * farewell for-ev - er, Fare you well, my 4 brother, now, For I am going home. Oh! good-bye,good-bye, For 90 D. C. ELE I am bound to leave you, Oh,good-bye, good-bye, for I am going home. After Da Capo sing this : Shake hands, shake hands, for I am bound to leave you, Oh, shake hands, &c. * Oy Sister. 219 No. 67. Jnching along. [Attention is called to the appropriateness of the melody for the expression of these singular words. It is all embraced within the first three tones of the scale, and thus may be said to be itself not more than an inch long.) CHORUS. 4 Keep a inch-ing a - long, Keep a inch-ing a · long; I 注 ​Je-sus will come by'nd-bye ; Keep a inching a-long like a Pune. Solo. poor inch-worm, Jesus will come by'nd-bye. 1. 'Twas a inch by inch I CHORUS. SOLO. 쿵 ​sought the Lord, Je - sus will come by'nd-bye; And a CHORUS. D.O. 排 ​inch by inch He bless'd my soul, Je-sus will come by'nd-bye. 2 The Lord is coming to take us home, Jesus will come by'nd-bye ; And then our work will soon be done, Jesus will come by'nd-bye. 3 Trials and troubles are on the way, Jesus will come by'nd-bye; But we must watch and always pray, Jesus will come by'nd-bye. 4 We'll inch and inch and inch along, Jesus will coine by'nd-bye ; Ana inch and inch till we get home, Jesus will come by'nd-bye. 220 No. 68. I ain't got weary yet. भी 4 And I ain't got weary yet, And I ain't got weary yet; Been 4 TIC W 公 ​6 E down in the val-ley so long, and I ain't got wea - ry yet. 9 老 ​SOLO. CHORUB. AR 1. Been praying for the sinner so long, And I ain't got weary yet; ť DUET. D. C. Been praying for the sinner so long, And I ain't got weary yet. IN 2 Been praying for the mourner so long, &c. 3 Been going to the sitting-up so long, &c. 221 No. 69. Run to Jesus. [This song was given to the Jubilee Singers by Hon. FREDERICK DOUGLASS, at Washington, D. C., with the interesting statement, that it first suggested to him the thought of escaping from slavery.] 4 Run to Je sus, shun the dan ger, I don't ex - pect to stay much long - er here. 1. He will BER be our dear-est friend, And will help us to the end ; I 11 don't ex-pect to stay much long - er here. Run to Je. SUS shun the dan - ger, I don't ex-pect to stay much long-er here. 2 Oh, I thought I heard them say, There were lions in the way. I don't expect, etc. 3 Many mansions there will be, One for you and one for me. I don't expect, etc. 222 No. 70. Angels waiting at the Door. 25.4 B 54 als A 1. My 2. She 3. She sis - ter's took her flight and gone home, And the has laid down her cross and gone honie, And, &c. has taken up ber crown and gone home, And, &c. 4 乐 ​HA 走 ​an gels wait-ing at the door. My sis-ter's took her है। flight and gone home, And the an-gels wait-ing at the door. 9 9 一 ​25 Tell all my father's children, Don't you grieve for me; 25 65 Tell all my father's children, Don't you grieve for me. 9 5. 67 223 No. 71. Keep your Lamps trimmed. 2 4 AF Keep your lamps trimm'd and a-burning, Keep your lamps trimm'd and a- & burning, Keep your lamps trimm'd and a-burning, For this work's almost done. Brothers, don't grow wea - ry, Brothers, don't grow wea - ry, Preachers, &c. Fine, ai Brothers, don't grow wea- ry, For this work's al-most done. D 分 ​Keep your lamps trimm'd and a-burning, Keep your lamps trimm'd and a. 18 burning, Keep your lamps trimm'd and a-burning, For this work's almost done. 基 ​2 'Tis re- lig-ion makes us hap-py, 'Tis re - lig - ion makes us We are climbing Ja-cob's ladder, &c. Eve’ry round goes higher and higher, &c. happy, 'Tis religion makes us happy, For this work's almost done. 224 No. 72. Show me the Wlay. ' me 1. Broth - er, 2. Sis - ter, 3. Yes,.. llave you come have you come my good Lord, to to show show show me me the the the 22 2 way? Broth - er, Sis - ter, Yes,.. have have my way? you you good come come to to way; Lord,... 95 me show show show the the the way? way? me Show Show Show me me me the the the me way, way how to watch and... pray? 9. 225 No. 73. J've been Redeemed. I've been re deem'd,... I've been re- 3 e been re-deemid , I've been re- deen'd, I've been te I've deem'd Hie deem'd,..... I've been re- deem'd,..... I've been re- tee deem'd, I've bcen redeem'd, I've been redeem'd, I've been redeem'd, I've been re- be deem'd,.... I've been re deem'd,.... I've been re deem'd, I've been redeem'd, I've been redeem'd, I've been redeem'd, I've been re- deemid, Fine. deem'd, I've been redeem'd, Been wash'd in the blood of the Lamb. 226 Been washed in There is a The dy - ing the blood of the Lamb,.. Been fount - ain.., filled with blood, Drawn thief joiced to see That re washed in from... fount the blood Im - man ain in of the uel's.. his. Lamb, veins; day;. Been And And . 9 washed in the blood sin ners plung'd there may... I, of the be though Lamb,.. neath that flood, vile as he That Lose Wash D. C.* уа. flows all all from Cal their guilt у a ry. stains. way.. my sins 93 * Da Capo in exact time. 227 13 No. 74. We shall walk thro' the Ualley. 态 ​We shall walk thro' the valley and the shadow of death, We shall E # 自 ​3 walk thro' the val - ley in peace; If Je-sus Himself shall be our 9 Fine. lead er, We shall walk through the val - ley in peace. We shall meet those Chris-tians there, meet them there,We shall meet those Chris tians there, meet them there; If Die 228 म Je sus Him - self shall be Our lead er, We shall D. C. walk... through the val ley in peace. 2. 1: There will be no sorrow there, : / İf Jesus Himself shall be our leader, We shall walk through the valley in peace. CHORUS.- We shall, &c. No. 75. Gabriel's Trumpet's going to blow. (As sung by Miss JENNIE JACKSON.) 3 1. Gabriel's trumpet's going to blow, By and by, by and by : Yes, 拉 ​Gabriel's trumpet's going to blow At the end of time. 2. The first sounding of the trumpet Oh, get you all ready for to go for the righteous By and by, by and by; At the end of time. Oh, get you all ready for to go 5. At the end of time. Go, wake the sleeping nations, 3. By and by, by and by; Then my Lord will say to Gabriel, Go, wake the sleeping nations By and by, by and by; At the end of time, Go, get you down your silver trum- 6. At the end of time. [pet, Then, poor sinner, what will you do? 4. By and by, by and by; The first sounding of the trumpet You'll run for the mountains to hide for the righteous, you, By and by, by and by; At the end of time. 229 No. 76. Lord, I wish y had a-come. 2 2 ffil 1. Lord, I wish I had a - come when you call'd me, Lord ; I 2. There's no temp-ta tions in the heav - ens, There's 3. My fa- ther and my moth-er in the heav - ens, My fa- a wish I had come when you call'd me, Lord; no temp - ta tions in tbe There's ther and my moth - er in the My fa- heav - ens, heav - ens, a call'd wish I had come no temp - ta tions ther and my moth - er when you in the in the leav me, ens, ens, heav Sit- ting by the side of my Je - sus. Way Over in the lieav - eus, Way O-yer in the heav - ens, Way 0 - ver in the heav - ens, Sit- ting by the side of my Je . sus. 至 ​No. 77. Deep River. 出 ​Deep... riy-er, My home is 0 - ver Jor-dan, f Deep.... PP riv-er, Lord, I want to cross 0 - ver in-to camp-ground, Lord, I 230 124 + want to cross I 0 - ver in - to camp-ground Lord, PP want to cross O - ver in to camp - ground, Lord, I Fine. 1494 16 16 生 ​want to Cross 0 ver in to camp - ground. 2. I'll go take my 1. Oh, don't you want to go to that Gos - pel - feast, That in - to heav-en, and seat, 3. Oh, when I get to heav'n, I'll walk all à - bout, There's f prom - is'd land where all is Cast my Crown at - sus' nobody there for to turn me Je peace ? Lord, i feet. Lord, I out. Lord, I PP # want to cross - ver in to camp-ground, Lord, f 122 16 & 2013 want to cross 0 . ver in to camp-ground, Lord, pp vant to cross ver in - to camp-ground, Lord, I D.O. 9 부 ​want to cross O yer in to camp-ground. 231 No. 78. jln bright Mansions above. In bright mansions above, In bright mansions a-bove, Lord, I #6 5 Fine. want to live up yon-der, In bright man-sions a - bove. gi 1. My fa-ther's gone to glo- ry 2. My broth-er's gone to glo-ry; 3. The Christian's gone to glo - ry; I want to live there too, Lord, I D.C. want to live up yon - der, In bright man - sions a bove. 232 No. 79. My Lord, what a mourning. TE My Lord, what a mourning, My Lord, what a mourning, we 多 ​* 1. You'll My Lord, what a mourning, When the stars begin to fall. 2. You'll 3. You'll hear the trum-pet sound To wake the nations un-der ground, hear the sin - ner mourn, To wake the nations un-der ground, hear the Christian shout, To wake the nations un-der ground, 9:3 Looking to my God's right hand, When the stars be-gin to fall. 9: 233 No. 80. Wie are climbing the hills of Zion. (As sung by Miss JENNIE JACKSON.) Slowly. We are climbing the hills of Zi-on, the bills of Zi-on, the hills of Zi-on, We are climbing the hills of Zi-on, 7 E 1. Oh, brethren, do get ready, With Je - sus in our souls. 2. Oh, seek-er, do get ready, 3. Oh, sin-ner, do get ready, 2 Oh, brethren, do Oh, seek - er, do Oh, sin - ner, do get get get ready, ready, ready, Oh, Oh, breth - ren, seek - er, sin - ner, Ob, read-y, Je • sus do get With in your souls. No. 81. Dh, wasn't that a wide River ? 2 4 Oh, was - n't that a wide riv . er, riv. er of 3:2 54 Jor dan, Lord ? wide riv er ! There's d. 9 234 11st. 12d. 1 one more riy-er to cross. cross. 1. Oh, the riv-er of Jor - dan 2. I.... have some friends be- 3. Shouty. shout, 4. Old Sa tan is a is SO fore me Satan's a snake in the wide, goue, bout, grass, One more riv - er to 2: cross; cross; cross; cross; I, By the of .... don't know how to grace Shut your you don't mind. get God door he'll on the I’il... and.... get If .... 9 q D. C. side; on ; oth er fol low keep him out; you at One more riv - er to last; cross. LE 235 No. 82. Way over Jordan. E Oh, way 0 ver Jor - dan, View the land, view the land ; JE Fine. Way 0 - 0 - ver Jor - dan, Oh, view the heav'nly land. 9 want to go to heaven when I die, View the land, view the land ; To 9: 9 부 ​D. C. 1 shout sal - va- tion as I fly, Oh, view the heav'nly land. 2 Old Satan's mad, and I am glad, 3 You say you're aiming for the skies, View the land, view the land; View the land, view the land ; He miss'd that soul he thought he had, Why don't you stop your telling lies ? Oh view the heav'nly land. Oh view the heav'nly land. Oh, way over Jordan, &c. Oh, way over Jordan, &c, 4 You say your Lord has set you free, View the land, view the land; Why don't you let your neighbors be? On view the heav'nly land. Oh, way over Jordan, &c. 236. No. 83. We'll overtake the Army. 1 We'll o ver - take the ar - my, o - ver-take the ar - my, 9 Finea O ver take the ar my, Yes, my Lord. す ​1. I've 'list - ed, and I mean to fight; Yes, my Lord. Till 2. Tho' I may fall, I'll bless Hij name; Yes, my Lord. I'll. 3. The God I serve is a man of wal; Yes, my Lord. He 3:# D. CA to Yes еу 'ry foe is put trust in God, and rise fights and con- quers ev - à flight, gain, more, iny Lord. Yes, my Lord. Yes, my Lord. er 2:31 237 No. 84. We are almost home. A We are al - most home, We are al - most home. We are 6 al . most home to ring those charming bells. 1. Oh, 2. Oh, :-62 DOO + come along, brothers, come along, come along, brothers, come along, come along, sis-ters, come along, come along, sis-ters, come a-long, pi IND come along, brothers, come along, To ring those charming bells. come along, sis - ters, come along, To ring those charming bells. 238 No. 85. Down by the River. Oh, we'll wait till Je · sus comes Down by the riv-er; We'll Die Hine. wait till Je - sus comes Down by the river side. 1. Oh, 2. Oh, 3. Oh, 9: म * hal le lu - jah to the Lamb, Down by the river; The are pil-grims here be - low, Down by the river; Oh, little did I think that He was so nigh, Down by the river; He we D.c. on Lord is the giv-ing hand, Down by the riv-er side. soon to glo - ry we will go, Down by the riv-er side. spake, and made me laugh and cry, Down by the riv-er side. 9 239 No. 86. Wait a little While. a Wait a lit - tle while, Then we'll sing the new song ; 9轮 ​= Fine. Wait a lit- tle while, Then we'll sing the new song. 1. My 9 w q 부 ​heavenly home is bright and fair, We will sing the new song ; No 2..Jesus, my Lord, to heav’n is gone, We will sing the new song ; He 5 D.C. # I pain or sor - row en-ter there; We will sing the new sovg. whom I fix my hopes up-on; We will sing the new song. JE 240 No. 87. Hard Trials. th 每 ​Gebe 1. The foxes Luve holes in the ground. The birds have nests in the air, The Christians have a hiding-place, But we poor sinners have none; Now ain't them hard tri - als, trib u-lations ? Ain't them 9 9 22 多​, hard tri - als ? I'm going to live with God! BE 多 ​22 2 Old Satan tempted Eve, And Eve, she tempted Adam ; And tbat's why the sinner has to pray so hard To get his sins forgiven. 3 Oh, Methodist, Methodist is my name, Methodist till I die; I'll be baptized on the Methodist side, And a Methodist will I die. 4 Oh, Baptist, Baptist is my name, Baptist till I die: I'll be baptized on the Baptist side, And a Baptist will I die. While marching on the road, A-hunting for a home, You had better stop your different And travel on to God. 241 No. 88. be rose from the Dead. He rose, He rose, He 2 4 9:# He rose, He rose, He rose, He rose, He rose from the dead ; He 2 2 9 부 ​..9 54 He rose, He rose, rose, He rose, He # B 웁 ​rose, He rose, He rose, He rose, He rose from the dead; He 9: q 보 ​He rose, rose, Ile rose, rose, He rose, He rose, He rose, He rose from the dead, and the 2 He rose, Fine. 某 ​A His chil dren home. 1. The Lord shall bear - 부 ​242 Jews cru - ci - fied Him, and nail'd Him to the tree, The 9 활 ​拜 ​Jews cru - ci - fied Him, and nailed Him to the tree, The 2 9. Jews cru - ci - fied Him, and nail'd Him to the D. C. · tree, And the Lord shall bear His chil. dren bome. 今年 ​2 Joseph begged His body, and laid it in the tomb, And the Lord shall bear His children home. 3 Down came an angel, and rolled the stone away, And the Lord shall bear His children home. # Mary, she came weeping, her Lord for to see, But Christ had gone to Galilee. 243 14 No. 89. Good old Chariot. CHORUS. PP a Swing low, sweet char - i - ot, Swing low, sweet char - i - ot, 一​上 ​| 1st time. 驾 ​Swing low, sweet char-i-ot, Don't you leave me be-hind. Oh, i 2d time. Fine. If rit. Don't you leave me be-hind. (1. Good old chariot, swing so low, 2. Good old chariot, take us all home, 9: A J Good old chariot, swing so low, Good old chariot, swing so low, Good old chariot, take us all home, Good old chariot, take us all home, gi 244 D.O. 去 ​Don't you leave me be . hind. ,دان 9 No. 90. Grace. [The following, "Grace before Meat," is printed at the request of numerous friends of the Jubilee Singers.] Arr. from P. P. BLI88. Thou art great, and Thou art good, And we thank Thee 9 9: for this food; By Thy hand must all be fed, 2: Give us, Lord, our dai ..ly bread. A. men. 2 ) 245 No. 91. Dh, yes! oh, yes! 并 ​។ I come this night for jo sing and pray, Oh, yes! oh, yes! To 1. That heavenly home is bright and fair, Oh, yes I oli, yes ! But 6 도 ​G. drive old Sa - tan far a - way, , ver - y few can en - ter there, Oh, yes! oh, yes! ter there, Oh; yes! oh, yes!} Oh, 9 wait till I get on my robe, Wait till I get on my robe, 1 Wait till I get on my robe, Oh, yes! oh, yes ! 2 As I went down in the valley to pray, Oh, yes ! I met old Satan on the way, Oh, yes ! And what do you think he said to me, Oh, yes ! “You're too young to pray, and too young to die," Oh, yes ! 3 If you want to catch that lieavenly breeze, Oh, yes I Go down in the valley on your knees, Oli, yes ! Go, bow your knees upon the ground, Oh, yes! And ask your Lord to turn you round, Oh, yes ! 246 No. 92. a Happy New Year. What a hap-py new year, What a hap-py new year, What a 9:54 -3 Fine. 盆 ​2 hap - py, what a hap - py, what a hap - Py new year. 9 5 多 ​1. I'm run-ning thro' grace To that hap - py place; Thro' D.C. HE see my Lord's face. LE grace I'm de . ter min'd To 2 One thing I do find, I'll keep it in mind, He won't live in glory And leave me behind. 3 0 sinner, believe Christ will you receive, For all things are ready, And you stand in need. 247 No. 93. ' Tis Jordan's River. 'Tis Jor - dan's riv - er, and must go 'cross, 'Tis 96 Jor - dan's riy er, and 1 must go cross; 'Tis ' ) 14 Jor . dan's riv er, and mist go 'cross ; Poor 후​: sin-ner, fare you well. 1. Am I a sol - dier of the Cross ? 9 D.O. Yes, my Lord !.. Or must I count this soul as lost ? Yes, my Lord ! 9 248 2 As I go down the stream of time, Yes, my Lord I I leave this sinful world behind, Yes, my Lord I 3 Old Satan thinks he'll get us all, Yes, my Lord ! Because in Adani we did fall, Yes, my Lord ! 4 If you want to see old Şatan run, Yes, my Lord ! Just shoot him with a Gospel-gun, Yes, iny Lord ! No. 94. Good-bye, Brothers. 2 4 1. Good - bye, broth · ers, good - bye, sis If bye, sis - ters, - 2 544 Đ 泰 ​Ï don't see you a- ny more; I'll meet you in heav en, in the bless-ed king-dom, If I don't see you a- ny more. 1 2 We'll part in the body, we'll meet in the spirit, If I don't see you any more; So now God bless you, God bless you, If I don't see you any more. The good-bye, brothers, &c. C 249 No. 95. Don't you grieve after me. . #th 4 1. Oh, who is that à - com-ing? Don't you grieve aft er me; Oh, 9 V 计 ​who is that à - com-ing? Don't you grieve aft er me; Oh, IT ១: AIE who is E that A com- ing? Don't you grieve aft er me, Lord, HF don't want you to grieve aft er me, IE 2 It looks like Gabriel ; don't you gideve after me, Lord, I don't want you to grieve after me. 3 Oh, who is that behind him ? don't you grieve after me, Lord, I don't want you to grieve after me. 4 it looks like Jesus, don't you grieve after me, Lord, I don't want you to grieve after me. 5 Go, blow your trumpet, Gabriel, don't you grieve after me, Lord, I don't want you to grieve after me. 6 How loud inust I blow it ? don't you grieve after me, Lord, I don't want you to grieve after me, ng Loud as seven claps of thunder! don't you grieve after me, Lord, I don't want you to grieve after me. 8 To wake the sleeping nations ; don't you grieve arter ree, Lor). I don't want you to grieve after me. 250 No. 96 Rise and Shine. be Oh, brethren, rise and shine, and give God the glo-ry, glo - ry, DAEEE Then you must rise, &c. k Rise and shine, and give God the glo - ry, glo - ry, to Fine. Rise and shine, and give God the glory, for the year of Ju-bi - lee. 1. Don't you want to be a sol-dier, sol-dier, sol-dier, Don't you 2 9: q 부 ​251 want to be a sol-dier, sol-dier, sol - dier ? Don't you want to be a sol-dier, sol-dier, sol - dier For the 9 9. year of Ju .bi lee? Job 5-62 LILI 2 Do you think I will make a soldier For the year of Jubilee? 3 Yes, I think you will make a soldier For the year of Jubilee ! Sing the three verses in succession, and after the third verse go back to the beginning, and sing the words, " Then you must rise," &c. 252 No. 97. Now we take this feeble Body. (This hymn is much used at funerals, and especially while bearing the body and lowering it into the grave.] 6€ we 1. Now we 2. Now we 3. Now we take this fee . ble take this dear old lift our mournful bod y, fa - ther, voic - es, And And As we we 6 car - ry it to the grave, And we all leave it there, Hal-le- car - ry him to the grave, And we all leave him there, Hal-ie - gather a-round the grave, And we weep as we sing Hal-le- ១: lu - jah, And a Hal - le - lu - jah, and a Hal-le - lu - jalı, And we lu - jah, And a Hal- le- lu - jah, and a Hal-le - lu - jah, And we lu - jah, And a Hal - le- lu - jah, and a Hal-le - lu - jah, And we Uish -PP. f all leave it there, Hal-le-lu jah, And a Hal-le-lujah, and a Hal-le- all leave him there, Hallelujah, And a Hal-le-lujah, and a Hal-le- weep as we sing Hal-le.lu-jah, And a Hal-le-lujah, and a Hal-lu- 9. 一字 ​253 产 ​lu - jah, And we all leave it there, Hal- le - lu - jah. lu - jah, and we all leave him there, Hal - le - lu - jab. lu - jah, And we weep as we siog Hal- le - lu - jah. 8 No. 98. Shine, shine. 2 2 my bod 1. I. ... don't care where you bur - y y, 2. You may bury my body in the E - gypt.... gar - den, 3. I'm.. going to join.... the fortyfour-thou.sand, 4. Great big stars.. way up.... yon der, Don't care where you bur - y my bod - y, Don't care where you Bury my body in the E-gypt gar-den, Bury my body in the Going to join the forty-four-thousand, Going to join the Great big stars.... way up....yon der, Great big stars . bur - y my bod - y, E - gypt gar-den, for-ty-four thousand, way up.... yon- der, O my lit-tle soul's going to shine, shine, O my little soul's going to shine,shine, All around the heav'n going to shine, shine, All a - round the heav'n going to shine, shine. 254 1 No. 99. Anchor in the Lord. Anch-or, be - liey-er, anch-or, anch · or in the Lord, 2b-2 224 Fine. 562 Throw your anch-or a- ny way, anch - or in the Lord. 2012 g 혼 ​1. Throw it to my dear mother's door, 2. Throw it to my dear father's door, Anch - or in the Lord; 3. Throw it to my dear sis-ter's door, to DER * 言 ​Throw it to my dear mother's door, Throw it to my dear father's door, anch - or in the Lord. Throw it to my dear sis-ter's door, 255 FE King Je - sus says he will come a-gain, King Je-sus makes the cripple to walk, Anch-or in the Lord ; King Je-sus makes the blind to see, D. C. King Je - sus says he will come a-gain, King Je-sus makes the cripple to walk, Anch-or in the Lord; King Je-sus makes the blind to see, 9 No. 100. Lord's Prayer. 3 휴 ​Z 8 당 ​Our Father, which art in heaven, hallowed. be Thy Give us this day our.... dai - ly And lead us not into temptation, but deliver from name, bread. evil. us 9 其 ​Het Z 关 ​Thy kingdom come, Thy? will be done on earth as it is in heaven. And forgive us our tres- passes, as we forgive .. them that tresspass a-gainst us. For Thine is the kingdom, and the power, and the ſ glory, for ever and ever. A - men. 18 多 ​256 John Brown's Body. No. 101. [Sing the verses in the order in which they are numbered. Do not sing the chords after the third verse, but go at once to the fourth, and then close with the chords.] 1. John Brown's bod - y 3. John Brown died * 4. Now bas come.. lies a - mould'ring in the grave, that the slave.. might be free, the... glo - rious ju : bi - lee, . Ꮎ Ꮎ the grave, John Brown's bod - y John Brown died.. Now has come lies a that the mould'ring in slave ... might be free, glo - rious ju bi - lee, the .... John Brown's bod-y John Brown died Now bas come lies a - mould'ring in the grave, But his that the slave... might be free, But his glo - rious ju · bi - lee, When all the .... on. soul's marching soul's marching kind aie op. free. Glo - ry, glo - ry, Hal - le . man E * The words of the fourth verse do not correspond fully to the notes, bat the adaptation can be easily made by the singer. 257 lu - jah, Glo-ry, glo-ry, Hal-le- lu - jah, Glo-ry, glo-ry, Hal - le- 다 ​g lujah, His soul's marching on. 2. He captured Harper's Ferry with his to 9 HA nineteen men so true, And be frightened old Vir-gin-ia till she Q trembled thro' and thro'; They hung him for а traitor, them. 13 + se selves the trait-or crew, But his soul's marching on. 258 No. 102. Listen to the angels. BE 2 4 Where do you think I found my soul, List-en to the an - gels 16 shouting, I found my soul at hell's dark door, Listen to the an - gels shouting ; Be-fore I Be-fore I lay in hell one day, Listen to the angels shouting, I sing and pray my soul a - way, List en to the an - gels shout-ing. Run all the way,.. ru all the way, Run all the way, my Lord, 16 List-en to the an - gels shout-ing. Blow, Ga-briel, blow, Blow, Ga - briel, 考 ​blow, Tell all the joy - ful news, List-en to the an-gels shouting. I is don't know what sinners want to stay here for, List-en to the an - gels # BE shout - ingi When he gets home he will sor - row n0 more, way, etc. List -en to the an - gels shout - ing. Run all the Brethren, will you come to the promised land, See arch, &c. Come all and sing with the heavenly band, See arch, &c. 259 15 No. 103 move along. Menu 4 PE Let us move a - long, move a - long, move a- long to the heav-en - ly 9-2 4 BB Fine. 1 home, Let us move a - long, move a-long, I am bound to meet you there. og “ 出 ​ग 1. We are on the 0 • cean sail-ing, And a while must face the stormy 2. Yonder see the gold - en And the ligbt-house gleaming on the 3. There we'll meet our friends in Je-sus, Who are wait-ing on the gold-en cig - y 9. D. C. 212 blast, But if Je-sus is our cap-tain, We will make the port at last. shore, Hear the an-gels sweetly sing-ing, Soon our jour-ney will be o'er. shore, With a shout of joy they'll greet us, When we meet to part no more. 260 No. 104. The angels changed my Dame. e e to 1. I 2. I went to the hill - side, I went pray, looked at my hands and my hands were new, I I know know the an gels done changed my the an - gels done changed my name, Done name, I name changed my looked at for the com - ing day; Thank feet and my feet were too; Thank my CHORUS. 年 ​God, God, the the an - gels done gels done changed my name. changed my name. } Done an changed my name for the com-ing day, I know the angels done changed my name, Done changed my name for the com-ing day; Thank God, the an-gels done changed my name 261 Bright sparkles in the Churchyard. No. 105. (As sung by the “Hampton Students.") May the Lord, He will be glad of me,... May the Lord, He BE 出 ​will be glad of me,... May the Lord, He will be glad of me, 乡 ​In the beav-en He'll re - joice... In the heaven once, In the :( 乡 ​G 맡 ​joice; In the heav - en twice, In the heay - en He'll re 9 heaven once, In the heaven twice, In the heaven He'll re - joice. 262 Duo-soprano and Tenor. 年 ​Bright sparkles in the church-yard Give light un · to the tomb; d d. 9 TRIO—1st and 2d Soprano and Alto. 多 ​Bright summer, spring's over, Sweet flowers in their bloom. QUARTETTE. Bright sparkles in the church-yard Give light un · to the DY tomb; Bright summer, spring's over, Sweet flowers in their bloom. 9 5- E 후 ​TUTTI. My other once, my mother twice, my mother, she'll re- 263 RE the Heav - en once, In the beav- en twice, - joice; In 9: 1st time. | 20 2d time. In the heaven she'll re-joice ; In the heaven she'll re-joice. P में Mother, rock me in the cra - dle all the day, Mother, all the day, S 9 年 ​G 2 其 ​rock me in the cra - dle all the day, Mother, P rock me in the cra-dle all the day, . Mother, all the day, Di 264 S. rock me in the cla - dle all the day.. 은 ​QUARTETTE. Bp all the day,.. all the day, all the day, all the day, Oh, 到 ​rock me in the cra-dle all the day,. all the day, all the day, the day, all the day, Oh, rock me in the all 3 岁 ​93 cra-dle all the day. Oh, mother, don't you love your darling 265 1st time. 24 time. 1 굶 ​多多 ​day. child, .. Oh, rock me in the cra-dle all the day,. 9: ff 到 ​Mother, rock me in the cra - dle, Mother, rock me in the d 9 | 1st time. 2 cradle, Mother, rock me in the cra - dle all the day.. I 20 time. | QUARTETTE. el 日 ​母 ​Mother, P day,.. All the day, all the day, all the day, all the . . E I g 당 ​Oh, rock me in the cra-dle all the day...... day, 9 9 266, AU all the day, ,ران all the day, 三​: 多 ​all the day, all the day, 多 ​P. A rock me in the cra dle all the day. You may 9 5 a 흐 ​E lay me down to sleep, my mother dear ; Oh, rock me in the cradle all the 赶去 ​g day; You may lay me down to sleep, my mother dear, 2. 9 多 ​Dim in U Q do. ет. Oh, rock me in the cra-dle all the day.. all the day. E88 267 No. 106. Come down, angels. CHORUS. Come down, angels, trouble the water, Come down, angels, trouble the water, b 버 ​| 1st time. A Come down, angels, trouble the water, Let God's saints come in, Oh, | 2d time. Fine. let God's saints come in. 1. I love to shout, I love to sing, Let God's 2. I think I hear the sin - ver say, Let God's 3. I hope to meet my brother there, Let God's 4. Didn't Jesus tell you once be - fore, Let God's D.O. 4性 ​saints come in, I love to praise my heav'nly King. Let God's saints come in. saints come in, My Saviour taught me how to pray, Let God's saints come in. saints come in, That used to join with me in prayer, Let God's saints come in. saints come in, To go in peace and sin no more, Let God's saints come in. 268 No. 107. I'm so Glad. CELORUS. I'm so glad the angels brought the tidings down, I'm so 9: 1st time. | 2d time. glad, I'm hunting for a home, Oh, hunting for a home. 9 计 ​# 1. You'll not get lost in the wil-der-ness, Hunting for a home, 2. Oh, Chris - tians, you had better pray, Hunting for a home, 3. A lit - tle long-er here be- low, Hunting for a home, 4. The an-gels sang in Beth -le - hem, Hunting for a home, D. C. 124 V With the love of Je. sus in your breast, Hunting for a home. For Satan's round you ev'ry day, Hunting for a home. And then to glo- ry we will go, Hunting for a home. Peace on earth, good will to men, Hunting for a home. 269 No. 108. Peter, go ring them Bells. 1. Oh, Peter, go ring them bells, Peter, goring them bells, Peter,go -2 24 To Chorus after D. C. --- ring them bells, I heard from heaven to - day. I wonder where my 9 부 ​mother is gone, I won-der where my mother is gone, I 9 D, C. 考 ​wonder where my mother is gone, I heard from heaven to-day. BE 270 CHORUS 平 ​I heard from heaven to-day, I heard from heaven to-day, I Fine. 度 ​thank God, and I thank you too, I heard from heaven to - day. - .2. I wonder where sister Mary's gone- I heard from heaven to-day; I wonder where sister Martha's gone- I heard from heaven to-day; It's good news, and I thank God I heard from heaven to day ; Oh, Peter, go ring them bells- I heard from heaven to-day. CHORUS.--I heard from heaven, &c. 3. I wonder where brother Moses's gone I heard from heaven to-day ; I wonder where brother Daniel's gone I heard from heaven to-day ; He's gone where Elijah has gone- I heard from heaven to-day; Oh, Peter, go ring them bells- I heard from heaven to-day. CHORUS.—I heard from heaven, &c. 271 No. 109 Gideon's Band. { , Oh, the milk-white horses, milk-white horses, milk-white hors-es, ter # 0 - ver in Jor-dan, Band of Gid-e-on, band of Gid-e-on, 0 - ver in Jor-dan, Milk-white hors - es, milk-white hors - es, 9 DUET. 名 ​多 ​How I long to see that day. 1. I hail to my sis - ter, my 至 ​美 ​sis-ter she bow low, Say, don't you want to go to heav-en ?.. CHORUS 그 ​21 Oh, the twelve white hors es, Oh, hitch 'em to the char-i-ot, 272 16 twelve white hors es, twelve white hors es, o. ver in Jor-dan ; hitch 'em to the char- i- ot, bitch 'em to the char - i - oto o 0 - ver in Jor-dan; ho 영 ​sto Twelve white horses, Twelve white hors - es, How I long to see that day! Hitch 'em to the chariot, hitch 'em to the chariot, How I long to see that day! go E 범 ​W כןu DUET.-I bail to my brother, my brother he bow low; Say, don't you want to go to heaven? How I long to see that day ! CHORUS.-Oh, ride up in the chariot, ride up in the chariot, Ride in the chariot over in Jordan; Ride up in the chariot, ride up in the chariot, How I long to see that day! It's a golden chariot, a golden chariot, Golden chariot over in Jordan; Golden chariot, a golden chariot- How I long to see that day! DUET.—I hail to the mourner, the mourner he bow low; Say, don't you want to go to heaven? How I long to see that day ! CHORUS.—Oh, the milk and honey, milk and honey, Milk and honey over in Jordan; Milk and honey, milk and honey How I long to see that day! Oh, the healing water, the healing water, Healing water over in Jordan; Healing water, the healing water- How I long to see tbat day! 273 Jn that Great Setting-up morning. No. 110. As sung by the “ Hampton Students." pe 1. I'm a-going to tell you about the coming of the Saviour, 2:26 22 1st time. 2d time. Fare you well! Fare you well I Fare you well! Fare you well! € 9፡ There's a bet-ter day a-coming, Fare you well ! Fare you well ! Prayer-makers, pray no more, 9 9 Oh, preachers, fold your Bibles, Fare you welli Fare you well! For the last soul's converted, A In that great getting-up morning, Fare you well! Fare you well! 2 th 코 ​274 Q In that great getting up morning, Fare you well! Fare you well! 2 2. The Lord spoke to Gabriel : Go look behind the altar, Take down the silver trumpet, Blow your trumpet, Gabriel. Lord, how loud sball I blow it? Blow it right calm and easy, Do not alarm My people, Tell them to come to judgment; Gabriel, blow your trumpet. Lord, how loud shall I blow it? Loud as seven peals of thunder i Wake the sleeping nations. 3. Then you'll see poor sippers rising; Then you'll see the world on fire ; See the moon a-bleeding, See the stars falling, See the elements melting, See the forked lightning, Hear the rumbling thunder; Earth shall reel and totter. Then you'll see the Christians rising; Then you'll see the righteous marching, See them marching home to heaven. Then you'll see my Jesus coming With all his Holy angels, Take the righteous home to heaven, There they'll live with God for ever. 275 16 No. 111. I know that my Redeemer lives. Oh, I know, I know, my Lord, I know,and I know that my Re- ON ga ; deem-er lives. Just stand right still, and steady yourself, I Oh, Dan-iel in the li on's den, I Oh, Ca - leb and Joshua, the very ones, I Just watch that sun, and see how it runs, I 9 q ch À know that my Redeemer lives. Oh, just let me tell you about the Oli, none but Je-sus is That prayed to God... for to Oh, don't let it catch you with your Q ១ D. C. God Him - self, Dan - iel's friend, stop the sun, work un - done, I know that my Re- deem-er lives. 276 No. 112. Sweet Canaan. CHORUS. 12 ter Oh, the land I am bound for, Sweet Canaan's happy laud I am bound for, Sweet ORE 8 을 ​g 뜹 ​Canaan's happy land I am bound, for Sweet Canaan's happy land, Pray Fine. give me your right hand, 1 Oh, my brother, did you come for to help me ? Oh, my sister, did you come for to help me ? 公 ​6 न Oh, my brother, did you come for to help me ? Oh, my brother, did you Oh, my sis-ter, did you come for to help me? Oh, my sis-ter, did you 9:# 6 | 1st time. | 2d time. D.C. come for to help me? Pray give me your right hand, your right hand. 277 No. 106. I'm going to sing all the way. * CAORUS. S 4 Oh, Im a-going to sing, going to sing, going to SS + q 부 ​24 b 버 ​Going to sing, going to sing, going to sing all a - long.. long.. the way. Oh, I'm a-going to sing all à - long the way. sing, going to sing, going to 9 Going to sing, going to sing, going to hob sing all a long PP Oh, the way. I'm a-going to 9 9 부 ​sing all a - long the way. * Published in Sheet Form, with Piano Accomp., by JOHN CHURCH & Co., Oin. 278 G sing, going to sing, going to 9 부 ​going to sing, going to sing, going to sing all a long the way. Oh, I'm a - going to sing, going to sing, going to sing all a-long the way. Going to sing, ។ - Going to sing, going to sing, going to sing all a-long the way. SOLO. 5 1. We'll raise the Christian banner, The motto's new and old, Re- 2. We want no cowards in our band, That from their colors fly, We 3. We soon shall reach the other shore, O, how we then shall sing, With 4. We'll shout o'er all our sorrows, And sing for ev-er-more, With S. pentance and sal - ya - tion, Are burnished there in gold. call for val - iant-heart-ed men, That are not a - fraid to die. all the heavenly cho - rus We'll make the arch-es ring. Christ and all His arm y,.. On that ce-les - tial shore. 279 a great Camp-meeting in the Promised Land. No. 114. 生 ​मे From “ Hampton and its Students,” by per. Oh, walk to-geth-er, chil-dren, Oh, talk to-geth-er, chil-dren, Oh, sing to-geth-er, chil-dren, Don't you get wea - ry, Don't you get wea - ry, Don't you get wea - ry, 24 Oh, Walk to - geth - er, chil - dren, Talk to - geth - er, chil - dren, Sing to - geth - er, chil - dren, Don': you get wea - ry, Don't you get wea - ry, Don't you get wea - ry, Walk to-geth-er, chil-dren, Talk to-geth-er, children, Don't you get wea - ry, There's a Sing to-geth-er, children, 2: great camp-meeting in the Promised Land. Going to mourn and never 280 dd 1 tire, .. Mourn and nev-er tire, Mourn and never tire, There's a great camp-meeting in the Promised Land. OTT 2. Clap your hands, children, Don't you get weary, (bis.) Oh, get you ready, children, Don't you There's a great camp-meetivg in the Promised Land. Get you ready, children, Don't you get Oh, will you go with me, Don't, &c, weary, (bis.) Will you go with me, Don't, &c. (bis.) There's a great camp-meeting in tbe Will yon go with me, Don't, &c. (bis.) Promised Land. There's a great camp-meeting, &c. For Jesus is a-coming, Don't you get CH0.--Going to shout and never tire, weary, Shout and never tire, (tis.) Jesus is a-coming, Don't you get weary, There's a great camp-meeting in (bis.) the Promised Land. There's a great camp-meeting in the Promised Land. CHO.-Going to pray and never tire, 4. Pray and never tire, (ois.) There's a great camp-meeting in Oh, feel the Spirit a-moving, Don't you the Promised Land. get weary, Feel the Spirit a-moving, Don't you get weary, (tis.) 3. There's a great camp-meeting in the Promiscd Land. There's a better day coming, Don't you Oh, now I'm getting happy, Don't you get weary, get weary, Better day a-coming, Don't you get Now I'm getting happy, Don't you got. weary, (bis.] get weary. (öis.) There's a great camp-meeting in the CAO.-Oh, and never tire, Promised Land. Fly and never tire, (ois.) Oh, clap your hands, children, Don't you There's a great camp-meeting in: get weary, the Promised Land. 281 Good News, the Chariot's coming. No. 115. From "Hampton and its Students,” by permission. CHORUS 22 4 4 the chariot's coming, Good news, the Good news, Good news, d 9:53 4 Good news, Good news, Good news, chariot's coming, Good news, the chariot's coming, I Good news, . don't want her leave a - me be - hind. Going to 9 ride up in the char - i - ot, Car - ry me home, 9 282 Ride up in the char - i - ot, car ry me home, Ride up in the char - i - ot, car ry me home, 2:2 | 1st. 1 20. D.O. V And I don't want her leave-a me be - hind. hind. 9:2 2 There's a long white robe in the heaven, I know, A long white robe in the heaven, I know, A long white robe in the heaven, I know, And I don't want her leave-a me behind. There's a golden crown in the heaven, I know, A golden crown in the heaven, I know, A golden crown in the heaven, I know, And I don't want her leave-a me behind. CHORUS. -Good news, the chariot's coming, &c 3 There's a golden harp in the heaven, I know, A golden harp in the heaven, I know, A golden harp in the heaven, I know, And I don't want her leave-a me behind. There's silver srippers in the heaven, I know, Silver slippers in the heaven, I know, Silver slippers in the lieaven, I know, And I don't want her leave a me behind. CHORUS.—Good news, the chariot's coming, &c. 283 No. 116. Some of these mornings. From “ Hampton and its Students," by per. 4 主 ​Going to see my moth-er some of these morn-ivgs, see my moth-er Oh, sitting in the kingdom some of these mornings, sitting in the kingdom 2:32 524 be some of these mornings, See my moth-er some of these mornings, some of these mornings, Sittivg in the kiugdom some of these mornings, 9 2.2. Look & -way in the heaven,.... Look a- 也 ​Look &- way in the heaven, Look a - Way in the heaven, .. Look a- Hope I'll join the band. Look a - way in the hcaven, Leck & -way in the heaven, 9:25 Il 284 way in the heav - en, Look a - way mo Look a way in the heav-en, in the way in the heav - en,...... Look a - way in the Il Look a - way in the heav-en, in the Look a-way in the heav-en, Look &- Way Look a - way in the A 0: heav-en, Lord, Flope I'll join the band, Look a - way .. Look a ad 出 ​heav-en, Lord, Hope I'll join the band, Look a - Way in the heav-en, Lord, Hope I'll join the band, Look a - 9: B-2 DE Look a-way in the 285 heav-en, Look a - Way in the heav-en, Look & Ho 在 ​6 way in the heay-en, Look a-way.. Look a - way in the heav-en, Look a - way,... fa f 59 heav-en, ....... Look a - Way in the heav-en,...... Look a. 公 ​6 way in the heav-en, Look & -way in the heav-en, 9:72:56 A heaven, Look a-way in the heaven, N bota be way, In the heav-en, Lord, Hope I'll join the band. way, In the heav-en, Lord, Hope I'll join the band. 3 을 ​Look a - way in the heav-en, Lord, Hope I'll join the band. DEE 로 ​9:1975 b Ic 2 Going to see my brother some of these mornings, &c. Oh, shouting in the heaven some of these mornings, &c. CHORUS.-Look away in the heaven, &c. 3 Going to walk about in Zion some of these mornings, &c. Going to chatter with the angels some of these mornings, &c. CHORUS.-Look away in the heaven, &c. 4 Going to talk the troubles over some of these mornings, &c. Going to see my Jesus some of these mornings, &c. CHORUS.-Look away in the heaven, &c. 286 No. 117. Reign, master Jesus.* 2 * reign, O reign, O reign, my Sav - iour, 2 Reigo, Master Je-sus, reign! 0 reign sal va tion 9: in my poor soul, Reign, Mas - ter Je - sus, reign! SOLO. CHORUS. 1. I tell you now as I told you be - fore, 3. l'll tell you how I sought the Lord, 3. I ney-er shall for get that day, 4. I look'd at my hands and my hands looked pew, 5. I nev-er felt such love be fore, Reign, Master Jesus, reign 9: * Published in Sheet Form, with Piano Accomp., by JOHN CHURCH & Co., Cin. 287 SOLO. CHORUS 5 并 ​To the promised land I'm bound to go, Pray'd a little by day, and all night long, When Je-sus washed my sins a - way. I looked at my feet, and they looked so too, Saying, Go in peace, and sin no more, Reign, Master Jesus, reign. Elf E O reign, O reign, O reign, my Saviour, Reign, Master Jesus, 탑 ​CH reign! O reigo salvation in my poor soul, Reigo, Master Jesus, reign. No. 118. Dh, Brothers, are you getting ready? 4 Oh, brothers, are you getting ready, ready, Brothers, are you Oh, sis - ters, are you getting ready, ready, Sis-ters, are you Oh, fa-thers, are you getting ready, ready, Fathers, are you Oh, preachers, are you getting ready, ready, Preachers, are you 9 288 ...t getting ready, ready, Brotbers, are you getting ready, ready, getting ready, ready, Sisters, are you getting ready, ready, getting ready, ready, Fa-thers, are you getting ready, ready, getting ready, ready, Preachers, are you getting ready, ready, म For the year of Ju-bi - lee. Oh, rise, shine, and give God the rise, shine, ta 과 ​glory,glory,Rise, shine,and give God the glory,glory, Rise, shine,and Rise, shine, Rise, shine, give God the glory, glory, For the year of Ju-bi - lee. 289 No. 119. Dh, make a-me Holy. 3 # Oh, make & - me ho ly,.. ho - ly, I do love, I 3 3 Fine おかだ ​# 4 A A do love, make me a ho ly... ho - ly, I do love the Lord. 3 1. Young people, I tell you, one and all, I do love, I do love, 2. I picked up my hymn-book and Bible too, I do love, I do love, 3. Oh, away up yonder, round the throne, I do love, I do love, 43 3 D. C. 3 You'd better be ready when Gabriel calls, I do love the Lord For I have re - ligion as well as you, I do love the Lord. The waters are sweeter than lion-ey-comb, I do love the Lord. 2:18 290 No. 120. They led my Lord away. 3 3 才 ​4 They led my Lord a - way, a way, a way... They 9:#2 IN 并 ​led my Lord a · way, Oh, tell me where to find Him. 9:# SOLO. CHORUS. Solo. WE Na 1. The Jews and Romans in one band, Tell me where to find Him, They 2. They led Him up to Pilate's bar, Tell me where to find Him, But the 3. Pilate said, “I'll wash my hands," Tell me where to find Him, I.. CHORUS. i cru - ci - fied the Son of man, Jews could not condemn Him there, Tell me where te find Him. find no fault in this just man, 9:# 291 17 No. 121. Come, all of God's Children. 2 4 3 3. Come, all of God's children, In the field, Come, all of God's children, 9:2 64 q 회 ​1 3 中 ​In the field, Come, all of God's children, In the field of battle-glory 3 3 3 E DEBE in - a my soul. 1.0l),the preachers want warriors In the field, The 2. Oh, you must bow low to get in the field, Oh, 3. Oh, we will shout when we get In the field, Oh, , 2 3 12 3 preachers want warriors In the field, Oli, the preachers want warriors you must bow low to get In the field, Oh, you must bow low to we will shout when we get In the field, Oh, we will shout when we 9: 5 -ਹੈ- 3 BD In the field of bat - tle - glo - ry get In the field of bat · tle-glo - ry get In the field of bat, - tle-glo - ry } In a my soul. 9; 292 No. 122. I want to be ready ; OR, WALK IN JERUSALEM JUST LIKE JOHN. 224 I want to be read - y, I want to be read - y,... 2 554 Fine. I want to be read - y... To walk in Je-rusalem just like Jolin. 1 E 1. John said the city was just four-square, 2. Oh, John I oh, John! what do you say ? 3. When Peter was preachiug at Pentecost, Walk in Je-ru-sa-lem just like John; D. C. Aud he declared he'd meet me there, I That I'll be there at the coming day, Walk in Je-ru - sa - lem just like John. He was endowed with the Holy Ghost, 自 ​293 No. 123. The Work's being done. 4 一生 ​Where the work's being 1. We need more reapers in the har-vest field, 2. We need more workers in the har-vest tield, 3. We need more teachers in the har-vest field, 4. Wenced more preachers in the har-vest field, Du b-4 B 2-24 다​. done; We need more reapers in the harvest field, done; We need more workers in the harvest field, done; We need more teachers in the baryopt tield, done; We need more preachers in the harvest field, Where the work's being pub obt li done. Oh, chil-der-en, the work's be-ing done, Oh, the work's be-ing 9122 done ; Oh, chil-der-en, the work's being done, Oh, the work's be-ing 9 BHE done, Oh, the work is being done, Oh, the work..... is be-ing 9: 9 Oh, the work 294 Oh, the work ib done, Oh, the work...... is be - ing done, Oh, the work's be-ing done. 9:ab 5 Oh, the work No. 124. bail! hail ! +222 4 Hail ! bail! I'll tell you when I get 0 - Ver; Hail ! hail ! 23:52 b24 Mine. You know I can't stay here. 1. John the Bap-tist did declare, You know I 2. When I get on my golden shoes, You know I 3. When I get in the middle of the air, You know I 52 D. C. can't stay here, You know I can't stay here. mhat none but the righteous would be there, can't stay here, I'll walk abont heaven and tell the news, You know I can't stay here. can't stay bere, Not sin-per will be there, You know I can't stay here. 9:- 295 Rise, Shine, for thy Light is a-coming. No. 125. 4 苏 ​Oh, rise, shine, for thy light is a com - ing, Rise, shine, Rise, shine, for thy light is a - coming, Ohi, rise, shine, for thy 2 # Rise, shine, rise, shine, Fine. light is a - coming, My Lord says He's coming by 'nd-by. 1. 0!, wet or dry, I intend to try, My Lord says He's 2. We'll build our tent on this camp-ground, My Lord says He's 2. I intend to shout and nev- er stop, My Lord says He's 296 coming by'nd-bye, To serve the Lord un til I die, coming by'nd-bye, and give old Satan an oth- er round, coming by'nd-bye, Un - til I reach the mountain - top, 9 D.C. 并​一 ​My Lord says He's com - ing by'nd by. 9:# No. 126. Dh! give me the Wings. 4 Oh! give me the wings, Oh, good Lord, give me the wings, And oh!. Fine. 124 give me the wings, My good Lord, give me the wings for to move a - long. A 1. Oh, Method - ist it is my name, And oh,. . glo - ry! I in- 2. I love the shouting Method - ist, And oh,.. glo - ry! Be. 3. I'm born of God, I know I am, And oh,.. glo - ry! And.. D.C. 19 .. glo - ry! tend to live and die the same, cause they sing and pray the best, And oh, you de - ny it if you can, 297 No. 127 Chilly Wiater. 4 Chil - ly wa ter, chil - ly wa ter, -6-2 2 5-64 | 1st time. | 2d time. ib 2=2. Hal . le .lu le - lu jah to that Lamb; to that Lamb. I 92 ter is a know that I bave wa Je chil - ly and cold, And in my soul, And SUS a а 9 : | 1st time. | 2d time. Hal le - lu - jah to that Lamb, But to that Lamb. 9: 2 In a-that ark, the little dove mourned, And hallelujah to that Lamb; Christ Jesus standing as the corner-stone, And hallelujah to that Lamb. 3 Old Satan's just like a snake in the grass, And hallelujah to that Lamb; Watching for to bite you as a-you pass, And hallelujah to that Lamb. 4 Oh, brothers and sisters, one and all, And hallelujah to that Lamb; You had better be ready when the roll is called, And hallelujah to that Lamb. 298 No. 128. Benediction. [As sung by the Jubilee Singers.] With much e.cpression. T. F. SEWARD को The Lord make His The Lord bless thee,and keep thee, face shine upon thee; } and be 24 24 2 gracious un to thee; The Lord lift up His countenance up- 2 PP 앉 ​on thee,.. and give thee peace. A . men. , 9 8 乡 ​196 299 18 No. 129. These bones going to rise again. 共 ​4 1. O I know, yes in - deed I know, my Lord, I know, td f FINE. SOLO, Lamb! These bones going to rise again. Hal-le-lu- jah to the es Solo. On These bones going to rise il-gain. The Lord is the D. C. A 1 giy-ing hand, These bones going to rise a- -gain. C A 2 If you get there before I do, These bones going to rise again; Tell all my friends I'm coming too. These bones going to rise again. CHORUS. 300 Thumble yourself, the bell done rung. No. 130. FINE, :8: 4 4 1. Live humble, humble, humble yourself Tbe bell done rung; 三角 ​4 Solo. E ま ​I tried to live humble and I couldn't live humble; 19 I I tried to preach humble and I couldn't preach humble; D. C. 好 ​b 버 ​I tried to preach humble and I couldn't preach humble. 2 If you want to see old Satan fall, Load and shoot him with the Gospel ball; If you want to see old Satan fall, Live humble, etc. 3 See the hearse a-come rolling around, Carrying of the body to the new burying ground; See the hearse a-come rolling around, Live humble, etc. 4 Behold I stand on the seat of glass, The sea of glass all mingled with fire; God's going to raise-a my soul up higher, Live humble, ctc. 301 No. 131. The Crucifixion. 24 4 1. Were you there when they cril-ci-fied my Lord?...... 4 4 Were you there when they cru-ci - fied my Lord? ......... o # QOA (some-times it causes me to tremble, tremble, tremble, el V 1 Were you there when they cru - ci - fiel my Lord? 2 Were you there when they crowned him with the thorns ? etc. 3 Were you there when they piercei? him in the side ? etc. 4 Were you there when they laid him in the tomb ? etc. 302 No. 132. :8: keep a-Doping. 4 Keep a-mov-ing, keep a-moving, My Lord's a-moving in the air; 54 Fine. Keep a-moving, keep a-moving, Oh, my Lord's a-moving in the air. 00 -2 非 ​yo 1. You inay cast me here, you may cast me there, My Lord's a-moving in the air; .... But the Lord's in heaven and he * D. C. E C P- My Lord is a-moving in the air...... an - swers praycr, 2 0, there's preaching here, there's preaching there, ain the And I really do believe there's preaching everywhere, , My Lord's a-moving in the air. CHORUS.-Keep a-moving, etc. 3 0, brethren, don't you think it best, My Lord's a-moving in the air; To carry the witness in your breast? My Lord's a-moving in the air. CHORUS.-Keep a-moving. etc. 303 Sitting down by the side of the Lamb. No. 133. 4 ने Hal le - lu - jah now, Sitting down by the side of the Lamb; d 04 4 23 1. Way down yonder on Jordan's stream I hear them crying, I've been redeemed. Sitting down by the side of the Lamb, I've been redeemed; Sitting down by the d d side of the Lamb; Been redeemed, Sitting down by the side of the Lamb. d 2 Young man, young man, you look mighty fine, But you ain't got God Almighty in your mind; Sitting down by the side of that Lamb On your mind, Sitting down by the side of that Lamb. 3 Deacon, deacon, I tell you the fact: Some of your members are living mighty slack Sitting down by the side of that Lamb, Sitting down by the side of that Lamb. 304 Oh, den my little Soul's gwine to Shine. No. 134. "This was sung by a boy who was sold down South by his master; and when he parted from his mother, these were the words he sang."-J. H. BAILEY. E ? 4 1. I'm gwine to jine de great’so-ci-i-tion, I'm gwine tojine de 洋​4 #4 great 'so-ci - a-tion, I'm gwine to jine de great 'so-ci - a-tion; ff Den my lit - tle soul's gwine to shine, shine, Den my 000 1st TIME. 2d TIME. A lit - tle soul's gwine to shine a-long, Oh, 2 I'm gwine to climb up Jacob's ladder, Den my little soul, etc. 3 I'm gwine to climb up higher and higher, Den my little soul, etc. 4 I'm gwine to sit down at the welcome table, Den my littlé soul, etc. 5 I'm gwine to feast off milk and honey, Den my little soul, etc. 6 I'm gwine to tell God how-a you sarved me, Den my little soul, etc, 7 I'm gwine to jine de big baptizin’, Den my little soul, etc. 305 No. 135. Lobe án' serbe de Lord. HE If ye love God, serve Him, Halle-lu- jah, Praise ye de Lord! :8: Come go to glo-ly with me, o el : If ye love Goil, serve Hin, Hallelujah! Love an' serve de Lord. Come, go to glory with me. Solo. If Good mornin', brother travler, Pray tell me where you're bound ? I'm D. C. al Seg. f bound for Canaan's happy land, Aud de en-chant-ed ground. 2 Oh, when I was a sinner, I liked my way so well; But when I come to find out, I was on de road to hell. CHO. I fleed to Jesus-Hallelujah!, etc. Oh, Jesus, received me, Hallelujah, etc. 3 De Father, He looked on de Son, and smiled, De Son, He lookeil on me; De Father, redeemed my soul from hell; An' de Son, He set me free. CH0.-I shouted Hallelujah! Hallelujah, etc. I praised my Jesus, Hallelujah, etc. 4 Oh, when we all shall get dere, Upon dat-a heaveuly sho', We'll walk about dem-a golden streets, An' nebher part no mo'. CÆ0,-No rebukiu' iu de churches-Hallelujah, Ebery day be Sunday-Hallelujah, eto 306 No. 136. Tbear de Angels singin'. CHORUS de way, Sing all de way, my Lord, Oh, sing all de way, sing all £ 64 4 基 ​दी ter ト ​SOLO, Hear de an - gels sing - in'. We're marchin' up to Hcb-ben, Au' Je sus is on a Dem-a Christ tians take Dey're i dlin' On D. C. 产​力​; a Hear de an gels sing-in. it's de b- up dat hap - py time; mid-dle line; too much time; bat tle line; 2 Now all things well, an' I don't dread hell;- Hear de angels singin', I am goin' up to Hebben, where my Jesus dwell;- Hear de angels singin'. For de angels are callin' me away,- Hear de angels singin', An' I must go, I cannot stay, Hear de angels singin'. CHO.-Oh, sing, etc. 3 Now take your Bible, an' read it through, Hear de angels singin', An'ebery word you'll find is true;- Hear de angels singin', For in dat Bible you will see, - Hear de angels singin, Dat Jesus died for you an' me,- Hear de angels singin'. CHO.-Oh, sing, etc. 4 Say, if my memory sarves me right, - Hear de angels singin', We're sure to hab a little shout to-night, Hear de angels singin'. For I love to shout, I love to sing. Hear de angels singin', I love to praise my Hebbenly King,- Hear de angels singin'. CH0.-Oh, sing, etc. 307 No. 137. My Lord delibered Daniel. Po # € 당 ​g My Lord de- lib-ered Dan-iel, My Lord de-lib-ered Dan-iel, My e ce FINE. to lib - er me? Lord de --lib-ered Dan -iel; Why can't he de e Solo. g I met a pilgrim on de way, An' I ask him whar he's a gwine. I'm D. C. | G OT Ale bound for Canaan's happy lan', An' dis is de shouting band, Go on! 2 4 Some gay dat John de Baptist He delibered Daniel from delions'den, Was nothing but a Jew, Jonah from de belly obde whale, But de Bible doth inforin us An' de Hebrew children from de fiery Dat he was a preacher, too; furnace, Yes, he was! And why not ebery man? CHO.-My Lord delibered Daniel. Oh, yes! Cro.- My Lord delibered Daniel. 3 5 Oh, Daniel cast in de lions' den, De richest man dat eber I saw He pray both night an' day, Was de one dat beg de most, De angel came from Galilee, His soul was filled wid Jesus. An' lock de lions' jaw. An' wid de Holy Ghost. Dat's so. Yes it was! CH0.- My Lord delibered Daniel. CHO.--My Lord delibered Daniel. 308 No. 138. Love king Jesus. 62 1. El-der, you say you love King Je-sus, El-der, you say you 2 2 54 1 Y 2 love the Lord. Lord. Oh, come and let us know how you FINE, love King Je-sus, Come and let us know how you love the Lord. + 1 2 Sister, you say you love King Jesus, Sister, you say you love the Lord. REFRAIN.-Oh, shout and let us know how you love King Jesus, Shout and let us know how you love the Lord. 3 Deacon, you say you love King Jesus, Deacon, you say you love the Lord. REFRAIX.-Oh, preach and let us know how you love King Jesus, Preach and let us know how you love the Lord. 4 Brother, you say you love King Jesus, Brother, you say you love the Lord. REFRAIX.-Oh, pray and let us know how you love King Jesus, Pray and let us know how you love the Lord. 5 Mourner, you say you love King Jesus, Mourner, you say you love the Lord. REFRAIN.-Oh, inourn and let us know how you love King Jesus, Mourn and let us know how you love the Lord. 6 Children, you say you love King Jesus, Children, you say you love the Lord. REFRAIN.-Oh, sing and let us know how you love King Jesus, Sing and let us know how you love the Lord. 309 No. 139. The Old Ark. CHORUS. to 4 Oh, the old ark's a-mov-ing, move a-long, children, The Di ba 5 64 FINE. 1 1 2 Solo. old ark's a-moving, move a-long home. home. 1. When Jesus Christ con- be vert-ed my soul, In a my soul was a lit-tle white stone, 9. t N On that stone was a new-ly written, None could read it but :D bb 310 those re-ceived it, I re-ceived it and I could read it; Ogle zob q 4 b Just let me tell you what the stone did say, Re- 4 q Db D. C. deemed, redeemed a been Son of God, Been washed in the blood of the Lamb. bo 2 When I was lying at hell's dark door, Never did lie so low before, Massa Jesus, He came riding by Oh! He gave me the wings for to rise and fly.-CHORUS. 3 When I was walking along one day, I met an old hypocrite on my way, She's always right and never is wrong, She's always up and never is down, Just watch that sun how study she runs, Don't you never let her catch you with your work undone.-CHORUS. 4 You take your sister right by the hand, And lead her 'long down in the Promise Land. If my sister should have a fall, Just get on your knees and curry 'er case to the Lord.—CHORUS. 311 DATE DUE TEP 7 1987 care OCT 01 0907 APT 2 1987 NOV/2 4 1987 人​了 ​1932 NOV 14 1989 APRO JUN 276 REGO HOY 1996 July DEC 2 1982 5 APR 0 2013 1 UNIVERSITY OF MICHIGAN 3 9015 00943 3866 1 . } IT SR ;: