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5931
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A Catalogue of
THE SHEDD MEMORIAL ART BOOKS
presented to the
.."
CARLETON COLLEGE LIBRARY
by the family of
WILLARD WHITCOMB MORSE
Northfield, Minnesota
Printed by The Colwell Press, Inc. for
Carleton College
..
1962
་།
PROPERTY OF
nivesity of
Michigan
Libraries

1817
ARTES
SCIENTIA VERITAS
! ||
A Catalogue of
THE SHEDD MEMORIAL ART BOOKS
presented to the
CARLETON COLLEGE LIBRARY
by the family of
WILLARD WHITCOMB MORSE
Northfield, Minnesota
Printed by The Colwell Press, Inc. for
Carleton College
1962
Fine Arts
2
5931
028
The Boliou Art Library of Carleton College is aug-
mented annually by books purchased with the Shedd
Memorial Fund. This fund is presented by the family of
Willard Whitcomb Morse in the memory of the Rev-
erend Charles Shedd and Eliza Rowell Shedd, his wife,
and grandmother of Mrs. Willard W. Morse.
When Carleton College was founded in 1867, Charles
and Eliza Shedd had served as pioneer missionaries of
the Congregational Church in Minnesota for eleven
years. They assisted in the establishment of the college
and as friends of its first president James W. Strong,
helped to support it with timely gifts through its first
twenty years. The Morse family has chosen to honor
the spiritual and intellectual example of Mr. and Mrs.
Shedd by perpetuating this generous tradition. In doing
so they honor themselves as well.
ii
Fine Art
Spr
AN APPRECIATION
Of all of the devices man has created to perpetuate his culture and
his civilization, books are the most important. Indeed, they may be
more important than all other devices put together. It is no accident
that the collection of books in our Library of Congress exceeds in
value that of all of the government buildings in Washington combined.
Here, indeed, is our greatest national treasure.
Books achieve their maximum importance as a part of the educa-
tional process. I know of no kind of gift that comes as near being
perpetual as a book; and among the most enlightened methods of
supporting independent liberal arts colleges, giving books and libraries
surely takes first place. Indeed, the tradition of private philanthropy
is responsible for the Carleton College Library and its collection
of books.
When the Willard Whitcomb Morse family decided to memorialize
the Reverend Charles Shedd and Eliza Rowell Shedd, who were pio-
neers in the establishment of Carleton College, they were wise indeed
to make the memorial in the form of a continuing collection of books.
No other kind of gift could be as fundamental and self-renewing.
The Shedd Memorial Fund, which provides a continuing new
source of vitality to our art collection, is one of the most stimulating
and enriching influences - not only to students in art but to the Col-
lege and its faculty as a whole.
Laurence McKinley Gould
iii
!
ELIZA ROWELL SHEDD
PIONEER MISSIONARY
Feb. 27, 1804 - Sept. 29, 1900
Eliza Rowell, eldest daughter of the Reverend Joseph and Mrs.
Hannah Chase Rowell of Cornish, New Hampshire, married Charles
Shedd on August 25, 1825, shortly after her graduation from the New
Ipswich Female Academy. She immediately began to assist her hus-
band in his educational work, first at Kimball Union Academy and
later at New Ipswich Academy. While preceptress of the latter, she
also taught French, Latin and Mathematics. She was, in addition,
especially interested in natural science studies, and later in her life
presented to Carleton College a collection of geological specimens
and Indian relics she had collected in the Mississippi Valley.
The history of Carleton College says of her: "Reared among the
granite mountains of New Hampshire, and trained in the rigid
theology of Jonathan Edwards, strong in body and mind, indomita-
ble in will, and invincible in her faith in God, Mrs. Shedd seemed
to possess something of the strength of clear vision and far horizons
of the everlasting hills."
In addition to her home and her work with her husband, Mrs.
Shedd found time for sewing, knitting, quilt making, and the weav-
ing of linens and rag carpeting. The sale of much of this work made
possible her many gifts to missionary work as well as to Carleton
College. She became blind in the 1880's, and spent the last years of
her life in the home of her granddaughter, Mrs. Willard W. Morse.
President Strong was a friend of the Morses, and one time told of
the invaluable donations Carleton had received in its early years,
donations which had always come when the college most needed
money to continue. They would be signed simply "E.R.S." And once
when dining at the Shedd home, Dr. Strong noticed those initials on
some silver and realized immediately who the anonymous benefactor
to the college had been. Such gifts were typical of Mrs. Shedd's un-
selfishness and goodwill.
虞
​iv
THE REVEREND CHARLES SHEDD
PIONEER MISSIONARY
Oct. 21, 1802 - May 7, 1885
Charles Shedd was born in Ringe, New Hampshire, the son of
Captain Abel Shedd and Rebecca Locke Adams. He attended New
Ipswich and Hanover Schools prior to entering Dartmouth College
in 1822. On August 25, 1825 he married Eliza Rowell and the follow-
ing year graduated with honors. Dartmouth later made him Phi Beta
Kappa. He taught for eight years at Kimball Union Academy in
Meriden, New Hampshire and in 1804 moved with his family to be-
come principal of Appleton Academy in New Ipswich. He did much
to maintain Appleton as one of the leading preparatory schools of
its day.
In 1841 Mr. Shedd resigned to study the ministry, and a year later
was ordained a minister of the Congregational Church. In the next
fifteen years he became one of the leaders of the church in New
Hampshire.
In 1856 the Reverend Charles Shedd resigned his pastorate of the
Congregational Church of Campton, New Hampshire, to come to the
territory of Minnesota as home missionary. The trip was made by
covered wagon to St. Louis and by boat from there to the territory
of Minnesota. He settled in Mantorville and spent the following two
years organizing churches in Zumbrota, Claremont, Wasioja, Waseca
and other communities. A teacher before he turned to the ministry,
he was anxious to found a college in the territory and was soon able
to give assistance in the creation of Carleton College. From the age
of 71 to 78 he preached in Waseca and then in 1880 retired to Zum-
brota near the home of his son, Henry Shedd. He died May 7, 1885.
The Shedd Memorial Fund for the purchase of books for the Boliou
Art Library of Carleton College was presented in memory of Reverend
and Mrs. Charles Shedd by the family of Willard Whitcomb Morse.
INTRODUCTION
This catalogue is a classified list of the books which form the Shedd
Memorial Collection of art history at Carleton College. Its compila-
tion is designed to serve a number of worthwhile purposes not the
least of which is to provide the acknowledgment of its worth set
forth by President Gould on the preceding page. In addition it will
prove a useful guide for the faculty and students of art at Carleton,
both in research and the further development of the college's collec-
tions. It may prove useful by reminding readers of new or forgotten
books of art history, and the classified arrangement itself may serve
as a teaching device. Finally it is hoped that thru distribution in
appropriate places it may offer to other librarians and art historians
a means of locating desired research material which may be requested
via interlibrary loan.
The classification system was devised by Mrs. Eileen Michels, and
adapted by her for this collection. As is necessary in any linear clas-
sification such as this, allowing only one entry for each book, abstract
logic must often be sacrificed to obtain a workable arrangement which
recognizes the intrinsic peculiarities of the subject matter. Thus sub-
ject matter rather than form has determined the placement of each
book in the list; there are no separate sections for encyclopedias,
dictionaries, directories, etc. In some cases placement of titles has
been determined arbitrarily, where with equal validity a book belongs
in either of two sections of the scheme. Such situations are acknowl-
edged by see also references. Library cataloging practice is also in
evidence in other ways, for example the alphabetizing of names
beginning with Mc as though they are Mac in the index. In general,
however, standard practice of art historians, where different, has
taken precedence over that of librarians.
The table of contents is somewhat more detailed than perhaps is
necessary. In this form, however, it presents the classification plan fol-
lowed with one exception, as will be noted below. Since one generally
approaches art books either in simplest terms, by period, medium or
place, these approaches have been accommodated in that order in the
classification. As this is at the present time a relatively small collec-
tion of books, to carry out detailed subclassifications for very small
groups of books such as those on Etruscan, Chinese or Aboriginal art
would be unnecessary. On the other hand it is expedient to do a more
detailed subclassification for Medieval, Renaissance or Modern art.
Although the standard media divisions of architecture, sculpture,
painting and various minor arts are logical for art from the Renais-
sance on, they are not particularly relevant to Ancient or Medieval
art. In the latter, because "painting" as it survives consists of illumi-
nated manuscripts, mosaics, drawing and fresco painting, it seems best
to include them all in one group. Similarly, the division between
Medieval architecture and sculpture is in most cases an arbitrary one.
Why not then put them both under one group? In most cases all of
the works by and about a particular artist have been put in one place.
Thus, for although there are separate sections for both painting and
drawing in the nineteenth century, books about the drawings of
Cézanne will be found in one place - along with those about his
paintings. However, there is an appropriate cross reference in the sec-
J
vii
tion on nineteenth century drawings. The body of an artist's work
generally has been considered more important than the medium in
which it was rendered.
One further comment in this connection is needed because the table
of contents does not make clear the treatment of monographic material
on the work of individual artists. In each section of the arrangement
where such works might properly be found, they are entered in alpha-
betical order by name of the artist, irrespective of the author's name,
and separated from the general works by a line of asterisks. Thus,
under Renaissance and Baroque art; 15th and 16th Centuries; Paint-
ing, the last general book treating this area is Zervos' Paysages français
du XV siècle, after which appears a line of asterisks. Following these
will be found books dealing with individual 15th and 16th century
painters, such as Bassano, Bellini, Bruegel, Dürer, etc., in that order
regardless of the authors of the books.
Each book in this catalogue is identified for exact reference by an
entry number in the margin. The author and series index at the rear
gives locations by entry number rather than by page. Each entry
includes with the author and title the publisher, place and date of
publication if evident in the book. Publishers' names are usually short-
ened to the minimum necessary for accurate identification. Where the
author and publisher are the same, the place of publication is given
but the name is not repeated. The editor, or the writer of the intro-
duction, is often given as the author of a book consisting largely of
reproductions of one or more artists.
Since 1951 all library books selected by the Art Department of
Carleton College have become part of the Shedd Memorial book col-
lection. It will be noted that some of the works included here are
incomplete. This is due in part to the chance that led to the acquisition
of early volumes of a set or serial publication prior to 1951, and hence
excluded them from the Shedd collection catalogued here. Or it may
result from the fact that final volumes have not yet been published,
or that certain volumes of sets are no longer available. And of course
since the selection of art books has been intended to meet the needs
of a particular curriculum in an undergraduate program some omis-
sions have been deliberate. All part of a continuing process under
the direction of Alfred Hyslop, Chairman of the Art Department of
Carleton College, the collection is expected to grow further, repairing
omissions and extending its scope as needs or opportunities occur.
A supplementary catalogue will be prepared when this development
warrants it.
Appreciation is expressed for the gracious assistance of Professors
Dale Haworth, Donald S. Schier and Ralph L. Henry, as well as to
the persons named above. Technical advice was theirs; any faults or
omissions are attributable to the editor.
James H. Richards, Jr.
LIBRARIAN OF CARLETON COLLEGE
viii
TABLE OF CONTENTS
HISTORICAL WORKS
WESTERN TRADITION
BACKGROUND:
Philosophy, aesthetics and visual perception.
GENERAL HISTORIES:
Surveys, bibliographies and miscellanies.
Architecture
City and Town Planning.
Sculpture
Painting
Prints and Drawings..
Minor Arts
Greek Art
Roman Art
·
•
LIMITED HISTORIES:
Ancient Art
Surveys
Egyptian Art
Mesopotamian Art
Aegean Art
Etruscan Art
•
•
Medieval Art
Early Christian and Byzantine Art...
(includes East Christian)
Romanesque and Gothic Art
•
(includes Pre-Romanesque in the West)
Renaissance and Baroque Art
15th and 16th Centuries
Surveys
Architecture
Sculpture
Painting
Prints and Drawings..
1
3
7
8
9
9
Surveys
23
25
Architecture and Sculpture....
Illuminated Manuscripts, Mosaics, Drawings and Paintings 28
Minor Arts
30
11
12
.. 13
14
16
16
16
. 17
19
.. 20
31
31
32
33
. 43
ix
17th and 18th Centuries
Surveys
Architecture
Sculpture
Painting
Prints and Drawings.
Modern Art
19th Century
Surveys
Architecture
Sculpture
Painting
Prints and Drawings..
•
20th Century
Surveys
Architecture
Sculpture
Painting
Prints and Drawings.
Minor Arts
•
•
•
•
FAR EASTERN TRADITION
BACKGROUND
LIMITED HISTORIES
Chinese Art
Indian Art
(includes Islamic Art in India; Cambodian Art)
Japanese Art
ABORIGINAL ART
GENERAL HISTORIES
LIMITED HISTORIES:
African Art
American Art
European Art
Pacific Art
•
NON-HISTORICAL WORKS
ART EDUCATION AND CHILD ART
COLOR, PERSPECTIVE AND DESIGN, ADVERTISING AND
INDUSTRIAL ART
TECHNIQUES OF THE FINE ARTS
TECHNIQUES OF THE MINOR Art; Crafts AND HOBBIES
•
•
4
•
43
44
45
46
49
. 62
62
. 67
70
81
81
•
50
51
52
52
61
.. 83
83
84
. 85
. 86
. 87
87
88
88
. 88
. 89
91
. 92
X
HISTORICAL WORKS
WESTERN TRADITION
BACKGROUND; philosophy, aesthetics, and visual perception
1. Abell, Walter.
The collective dream in art; a psycho-historical theory of culture
based on relations between the arts, psychology, and the social
sciences. Cambridge, Harvard University Press, 1957.
2. Arnheim, Rudolf.
Art and visual perception; a psychology of the creative eye.
Berkeley, University of California Press, 1954.
3. Berenson, Bernhard.
The passionate sightseer; from the diaries, 1947 to 1956. London,
Thames and Hudson, 1960.
4. Chang, I-t'iao.
The existence of intangible content in architectonic form. Prince-
ton, Princeton University Press, 1956.
5. Coomaraswamy, Ananda K.
Christian and Oriental philosophy of art. N. Y., Dover, 1956.
6. Focillon, Henri.
The life of forms in art. 2nd English ed., enl. N. Y., Wittenborn,
1948.
7. Gilbert, Katharine E.
Aesthetic studies; architecture & poetry. Durham, Duke Univer-
sity Press, 1952.
8. Gilson, Etienne H.
Painting and reality. N. Y., Pantheon, 1957.
9. Gombrich, Ernst H. J.
Art and illusion; a study in the psychology of pictorial repre-
sentation. N. Y., Pantheon, 1960.
10. Kepes, Gyorgy, ed.
The visual arts today. Middletown, Conn., Wesleyan University
Press, 1960.
11. Kuh, Katharine.
Art has many faces; the nature of art presented visually. N. Y.,
Harper, 1951.
12. Langer, Susanne K., ed.
Reflections on art; a source book of writings by artists, critics,
and philosophers. Baltimore, Johns Hopkins, 1959.
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CARLETON COLLEGE LIBRARY
F
13. MacCallum, Reid.
Imitation and design. Toronto, University of Toronto Press,
1953.
14. Maritain, Jacques.
The responsibility of the artist. N. Y., Scribner, 1960.
15. Mumford, Lewis.
The conduct of life. N. Y., Harcourt, Brace, 1951.
16. Newton, Eric.
The meaning of beauty. N. Y., Whittlesey House, 1950.
17. Pepper, Stephen C.
Principles of art appreciation. N. Y., Harcourt, Brace, 1949.
18. Picard, Max.
The atomization of modern art. London, Vision Press, 1958.
19. Rodman, Selden.
The insiders; rejection and rediscovery of man in the arts of our
time. Baton Rouge, Louisiana State University Press, 1960.
20. Saarinen, Eliel.
Search for form. N. Y., Reinhold, 1948.
21. Seiberling, Frank.
Looking into art. N. Y., Holt, 1959.
22. Sitwell, George R.
On the making of gardens. N. Y., Scribner, 1951.
23. Stein, Leo.
Appreciation; painting, poetry, and prose. N. Y., Crown, 1947.
24. Weitz, Morris, ed.
Problems in aesthetics; an introductory book of readings. N. Y.,
Macmillan, 1959.
25. Weyl, Hermann.
Symmetry. Princeton University Press, 1952.
26. Whyte, Lancelot L, ed.
Aspects of form; a symposium on form in nature and art. Lon-
don, Lund, Humphries, 1951.
27. Zola, Emile.
Salons, recueillis, annotés et presentés par F.W.J. Hemmings et
Robert J. Niess, et précedés d'une étude sur Emile Zola critique
d'art, de F.W.J. Hemmings. Geneve, E. Droz, 1959.
2
THE SHEDD MEMORIAL ART BOOKS
་
GENERAL HISTORIES
Surveys, Bibliographies and Miscellanies
28. Art News Annual. v. 18-29.
N. Y., Art Foundation, 1948-59.
29. Bédarida, Henri, ed.
A travers l'art italien du xve au xxe siècle. Paris, Boivin, 1949.
30. The Bible in art.
N. Y., Phaidon, 1956.
31. Bréhier, Louis.
L'art chrétien, son développement iconographie des origines à
nos jours. 2 éd. rev. et complétée. Paris, H. Laurens, 1928.
32. Brion, Marcel.
L'art en Sicile. Paris, Editions des Deux Mondes, 1955.
33. Cahiers d'art. 31-32° année; 1956-7.
Paris, Editions "Cahiers d'art", 1957.
34. Cayet, J., et al.
Anvers, photographies. Bruxelles, C. Dessart, 1953.
35. Cayet, J., et al.
Bruges, photographies. Bruxelles, C. Dessart, 1954.
36. Cayet, J., et al.
Bruxelles, photographies. Bruxelles, C. Dessart, 1949.
37. Cayet, J., et al.
Gand, photographies. Bruxelles, C. Dessart, 1949.
38. Chamberlain, Mary W.
Guide to art reference books. Chicago, American Library Asso-
ciation, 1959.
39. Chapman, William M., ed.
Films on art. N. Y., American Federation of Arts, 1952.
40. Cincinnati. Art Museum.
Guide to the collections of the Cincinnati Art Museum. Cin-
cinnati, 1956?
41. Clark, Kenneth M.
The nude; a study in ideal form. N. Y., Pantheon, 1956.
42. Cocagnac, A. M.
Le Judgement dernier dans l'art. Paris, Editions du Cerf, 1955.
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CARLETON COLLEGE LIBRARY
43. Courtauld institute of art, London.
Bibliography of the history of British art, v. 5, 1938-45. Cam-
bridge, University Press, 1951.
44. Diderot, Denis.
Salons. Oxford, Clarendon Press, 1957-.
45. Duncan, David D.
The Kremlin. Greenwich, Connecticut, N. Y. Graphic Society,
1960.
46. Encyclopedia of world art. v. 1-
N. Y., McGraw-Hill, 1959-
47. Fleming, William.
Arts and ideas. N. Y., Holt, 1955.
48. Formes et couleurs, no. 3-4, 1945.
Lausanne, Imprimerie Held, 1945.
49. Fry, Roger E.
French, Flemish and British art. N. Y., Coward-McCann, 1951.
50. Gardner, Helen.
Art through the ages. 4th ed. N. Y., Harcourt, Brace, 1959.
51. Goldwater, Robert J., ed. and tr.
Artists on art, from the XIV to the XX century. N. Y., Pantheon,
1945.
52. Gombrich, E. H.
The story of art. London, Phaidon, 1950.
53. Grimschitz, Bruno.
Ars Austriae. Wien, Kunstverlag Wolfrum, 1960.
54. Hamilton, George H.
The art and architecture of Russia. Baltimore, Penguin, 1954.
(Pelican history of art. v. 6.)
55. Hatzfeld, Helmut.
Literature through art; a new approach to French literature.
N. Y., Oxford University Press, 1952.
56. Hauser, Arnold.
The philosophy of art history. N. Y., Knopf, 1959.
57. Hauser, Arnold.
The social history of art. 2 v. N. Y., Knopf, 1951.
4
THE SHEDD MEMORIAL ART BOOKS
58. Janson, Horst W., ed.
Key monuments of the history of art; a visual survey. Engle-
wood Cliffs, N. J., Prentice-Hall, 1959.
59. Lavalleye, Jacques.
Introduction aux études d'archeologie et d'histoire de l'art. Lou-
vain, E. Nauwelaerts, 1958.
60. Lucas, E. Louise.
The Harvard list of books on art. Cambridge, Harvard Univer-
sity Press, 1952.
61. Matton, Raymond.
La Crète au cours des siècles. Institut Français d'Athènes,
Athènes, 1957.
62. Mendelowitz, Daniel M.
A history of American art. N. Y., Holt, Rinehart, and Winston,
1960.
63. Murray, Peter.
An index of attributions made in Tuscan sources before Vasari.
Firenze, L. S. Olschki, 1959.
64. Museum of Modern Art, New York.
Teaching portfolio no. 3; modern art old and new. N. Y., n.d.
65. Myers, Bernard S.
Understanding the arts. N. Y., Holt, 1958.
66. New York Historical Society.
Dictionary of artists in America, 1564-1860. New Haven, Yale
University Press, 1957.
67. Panofsky, Erwin.
Meaning in the visual arts. N. Y., Doubleday, 1955.
68. Pevsner, Nikolaus.
The Englishness of English art, an expanded and annotated ver-
sion of the Reith lectures broadcast in October and November
1955. London, Architectural Press, 1956.
69. Pierson, William H., ed.
Arts of the United States, a pictorial survey. N. Y., McGraw-
Hill, 1960.
70. Pilon, Edmond.
The country round Paris. Boston, Hale, Cushman and Flint,
1929.
10
5
CARLETON COLLEGE LIBRARY
71. Portfolio. no. 1- 1959-
N. Y., Art Foundation Press, 1959-
72. The Praeger picture encyclopedia of art.
N. Y., Praeger, 1958.
73. Read, Herbert E.
The grass roots of art; lectures on the social aspects of art in an
industrial age. N. Y., Wittenborn, 1955.
74. Réau, Louis.
Iconographie de l'art chrétien. 3 v. Paris, Presses Universitaires
de France, 1955-1959.
75. Rice, Tamara T.
Russian art. West Drayton, Middlesex, Penguin, 1949.
76. Rowland, Benjamin.
Art in East and West; an introduction through comparisons.
Cambridge, Harvard University Press, 1954.
77. Ruhemann, Helmut.
Artist and craftsman; contrast, similarity, influence. N. Y.,
Chanticleer Press, 1948.
78. Saxl, Fritz, and Wittkower, R.
British art and the Mediterranean. N. Y., Oxford University
Press, 1948.
79. Saxl, Fritz.
Lectures. 2 v. London, Warburg Institute, 1957.
80. Schwarz, Heinrich.
Salzburg und das Salzkammergut; die kunstlerische Entdeckung
der Stadt und der Landschaft im 19 Jahrhundert. Wien, A
Schrool, 1958.
81. Shapley, Fern R.
Comparisons in art; a companion to the National Gallery of Art,
Washington, D. C. N. Y., Phaidon, 1957.
82. Thieme, Ulrich, and Becker, Felix.
Allgemeines lexikon der bildenden kunstler von der antike bis
zur gegenwart. 37 v. Leipzig, W. Englemann, 1907-23.
83. Tietze-Conrat, Erika.
Dwarfs and jesters in art. N. Y., Phaidon, 1957.
84. Upjohn, Everard M. et al.
History of world art. N. Y., Oxford University Press, 1949.
6
THE SHEDD MEMORIAL ART BOOKS
85. White, John.
The birth and rebirth of pictorial space. London, Faber and
Faber, 1957.
86. Willemsen, Carl A, and Odenthal, D.
Apulia, imperial splendour in southern Italy. London, Thames
and Hudson, 1959.
Architecture
87. Alnaes, Eyvind. comp.
Norwegian architecture throughout the ages. Oslo, Aschehoug,
1950.
88. Andrews, Wayne.
Architecture in America; a photographic history from the colonial
period to the present. N. Y., Atheneum, 1960.
89. Bertram, Anthony.
The house; a summary of the art and science of domestic archi-
tecture. 2 ed. London, A. & C. Black, 1945.
90. Braun, Hugh.
The story of English architecture. London, Faber and Faber,
1950.
91. Fletcher, Banister F.
A history of architecture on the comparative method. N. Y.,
Scribner, 1950.
92. Freedley, George.
Theatrical designs from the baroque through neoclassicism.
N. Y., H. Bittner, 1940.
93. Giedion, Sigfried.
Space, time and architecture; the growth of a new tradition.
Cambridge, Harvard University Press, 1941.
94. Gloag, John, and Bridgwater, Derek.
A history of cast iron in architecture. London, Allen and Unwin,
1948.
95. Hautecoeur, Louis.
Mystique et architecture; symbolisme du cercle et de la coupole.
Paris, A. & J. Piccard, 1954.
96. Lancaster, Clay.
Architectural follies in America; or Hammer, sawtooth and nail.
Rutland, Vt., C. E. Tuttle Co., 1960.
7
CARLETON COLLEGE LIBRARY
97. Masson, Georgina.
Italian villas and palaces. N. Y., H. N. Abrams, 1959.
98. Morrison, Hugh S.
Early American architecture from the first colonial settlements
to the national period. N. Y., Oxford University Press, 1952.
99. Neuenschwander, Eduard.
Finnish architecture and Alvar Aalto. N. Y., Praeger, 1954.
100. Paulsson, Thomas.
Scandinavian architecture. London, L. Hill, 1958.
101. Pevsner, Nikolaus.
An outline of European architecture. 6th ed., Baltimore, Pen-
guin, 1960.
102. Richardson, Albert E.
The art of architecture. 3rd ed. N. Y., Philosophical Library,
1956.
103. Saylor, Henry H.
Dictionary of architecture. N. Y., Wiley, 1952.
104. Scholfield, P. H.
The theory of proportion in architecture. Cambridge, Univer-
sity Press, 1958.
105. Smith, G. E. Kidder.
Italy builds; its modern architecture and native inheritance.
N. Y., Reinhold, 1955.
106. Summerson, John N.
Heavenly mansions, and other essays on architecture. N. Y.,
Scribner, 1950.
107. Viollet-Le-Duc, Eugène E.
Discourses on architecture. 2 v. N. Y., Grove Press, 1959.
108. Zevi, Bruno.
Architecture as space; how to look at architecture. N. Y., Hori-
zon Press, 1957.
City and Town Planning
109. Garvan, Anthony N. B.
Architecture and town planning in colonial Connecticut. New
Haven, Yale University Press, 1951.
8
THE SHEDD MEMORIAL ART BOOKS
110. Hilberseimer, Ludwig.
The nature of cities. Chicago, P. Theobald, 1955.
111. Korn, Arthur.
History builds the town. London, Lund, Humphries, 1953.
112. Lavedan, Pierre.
Histoire de l'urbanisme. v. 3. Paris, H. Laurens, 1952.
113. Sitte, Camillo.
The art of building cities. N. Y., Reinhold, 1945.
114. Tunnard, Christopher.
The city of man. N. Y., Scribner, 1953.
115. Zucker, Paul.
Town and square from the agora to the village green. N. Y.,
Columbia University Press, 1959.
Sculpture
116. Agard, Walter R.
Classical myths in sculpture. Madison, University of Wiscon-
sin Press, 1951.
117. Malraux, André.
Le musée imaginaire de la sculpture mondiale. Paris, Gallimard,
1952.
118. Miller, Alec.
Tradition in sculpture. N. Y., Studio Publications, 1949.
119. Seymour, Charles, Jr.
Masterpieces of sculpture from the National Gallery of Art.
Washington, Smithsonian Institution, 1949.
Painting
120. Bazin, Germain, ed.
History of classic painting. N. Y., Hyperion Press, 1951.
121. Berenson, Bernard.
Seeing and knowing. N. Y., Macmillan, 1953.
122. Berkman, Aaron.
The functional line in painting. N. Y., Yoseloff, 1957.
9
CARLETON COLLEGE LIBRARY
123. Born, Wolfgang.
Still-life painting in America. N. Y., Oxford University Press,
1947.
124. Brunetti, Mario.
Venice. N. Y., Skira, 1956.
125. Courthion, Pierre.
Paris in the past; from Fouquet to Daumier. Lausanne, Skira,
1957.
126. Dewald, Ernest T.
Italian painting, 1200-1600. N. Y., Holt, Rinehart and Win-
ston, 1961.
127. Eliot, Alexander.
Three hundred years of American painting. N. Y., Time, Inc.,
1957.
128. Fratelli Alinari.
A thousand paintings of twenty centuries. Firenze, Fratelli
Alinari, 1949.
129. Friedländer, Max J.
Landscape, portrait, still-life; their origin and development.
N. Y., Philosophical Library, 1950?
130. Grosser, Maurice R.
The painter's eye. N. Y., Rinehart, 1951.
131. Janson, Horst W, and Janson, Dora J.
The picture history of painting, from cave painting to modern
times. N. Y., Abrams, 1957.
132. Lassaigne, Jacques.
Flemish painting. 2 v. N. Y., Skira, 1957.
133. Lassaigne, Jacques.
Spanish painting. 2 v. N. Y., Skira, 1952.
134. Maiuri, Amedeo.
Painting in Italy. N. Y., Skira, 1959.
135. Marle, Raimond van.
The development of the Italian schools of painting. 19 v. The
Hague, M. Nijhoff, 1923-38.
136. Myers, Bernard S.
Encyclopedia of painting. N. Y., Crown, 1955.
10
THE SHEDD MEMORIAL ART BOOKS
137. Offner, Richard.
...Italian primitives at Yale University, comments and revi-
sions. New Haven, Yale University Press, 1927.
138. Richardson, Edgar P.
Painting in America; the story of 450 years. N. Y., Crowell,
1956.
139. Robb, David M.
The Harper history of painting; the occidental tradition. N. Y.,
Harper, 1951.
140. Sterling, Charles.
Great French painting in the Hermitage. 2nd ed. N. Y., Abrams,
1958.
141. Venturi, Lionello.
Four steps toward modern art; Giorgione, Caravaggio, Manet,
Cézanne. N. Y., Columbia University Press, 1956.
.
142. Venturi, Lionello.
...Painting and painters; how to look at a picture, from Giotto
to Chagall. N. Y., Scribner, 1945.
143. Wilenski, Reginald H.
Outline of English painting. N. Y., Philosophical Library, 1948.
144. Wilenski, Reginald H.
Flemish painters, 1430-1830. 2 v. N. Y., Viking Press, 1960.
145. Wilenski, Reginald H.
French painting. Rev. ed. Boston, C. T. Branford, 1949.
Prints and Drawings
146. Gómez Sicre, José.
Spanish drawings, XV-XIX centuries. N. Y., Hyperion Press,
1950?
147. Holme, Bryan, ed.
Master drawings in line. N. Y., Studio Publications, 1948.
148. Laran, Jean.
L'estampe. Paris, Presses Universitaires de France, 1959.
149. Mongan, Agnes, ed.
One hundred master drawings. Cambridge, Harvard University
Press, 1949.
11
CARLETON COLLEGE LIBRARY
150. Parker, K. T.
Catalogue of the collection of drawings in the Ashmolean Mu-
seum. v. 1. Oxford, The Clarendon Press, 1938.
151. Pataky, Dénes.
Master drawings from the collection of the Budapest Museum
of Fine Arts, 19th and 20th centuries. N. Y., Abrams, 1959.
152. Slatkin, Charles E., and Shoolman, Regina.
Treasury of American drawings. N. Y., Oxford University
Press, 1947.
153. Vayer, Lajos.
Master drawings from the collection of the Budapest Museum
of Fine Arts, 14th-18th centuries. N. Y., Abrams, 1957.
154. Watrous, James.
The craft of old-master drawings. Madison, University of Wis-
consin Press, 1957.
155. Achdjian, Albert.
Minor Arts
Le tapis, un art fondamental. Paris, SELF, 1949.
156. Barret, Richard C.
Bennington pottery and porcelain; a guide to identification.
N. Y., Crown, 1958.
157. Bland, David, ed.
A history of book illustration, the illuminated manuscript and
the printed book. Cleveland, World Publishing Co., 1958.
158. Leach, Bernard.
A potter's portfolio. N. Y., Pitman, 1951.
159. Lejard, Andre, ed.
The art of the French book from early manuscripts to the pres-
ent time. Paris, Editions du Chêne, 1947.
160. Morison, Stanley.
Four centuries of fine printing. 2nd rev. ed. N. Y., Farrar,
Straus, 1949.
161. Pollack, Peter.
The picture history of photography, from the earliest begin-
nings to the present day. N. Y., Abrams, 1958.
12
THE SHEDD MEMORIAL ART BOOKS
162. Scarfe, Laurence.
Alphabets; an introductory treatise on written and printed let-
ter forms for the use of students. London, Batsford, 1954.
163. Weitzmann, Kurt.
Ancient book illumination. Cambridge, Harvard University
Press, 1959.
LIMITED HISTORIES
ANCIENT ART
Surveys
164. Arbman, Holger.
The Vikings. N. Y., Praeger, 1961.
165. Babelon, Jean.
... Le portrait dans l'antiquité d'après les monnaies. Paris,
Payot, 1950.
166. Bosi, Roberto.
The Lapps. N. Y., Praeger, 1960.
167. Bushnell, Geoffrey H. S.
Peru. N. Y., Praeger, 1957.
168. Marek, Kurt W.
Gods, graves, and scholars; the story of archaeology. N. Y.,
Knopf, 1951.
169. Clarke, Roy R.
East Anglia. N. Y., Praeger, 1960.
170. Evans, John D.
Malta. N. Y., Praeger, 1959.
171. Hawkes, Jacquetta H.
History in earth and stone; prehistoric and Roman monuments
in England and Wales. Cambridge, Harvard University Press,
1952.
172. Hinks, Roger P.
.. Myth and allegory in ancient art. London, The Warburg
Institute, 1936.
173. Huyghe, René, ed.
L'art et l'homme. Paris, Larousse, 1957.
174. Kantor, Helene J.
The Aegean and the Orient in the second millennium B. C.
Bloomington, Indiana, Principia Press, 1947.
13
CARLETON COLLEGE LIBRARY
175. Klindt-Jensen, Ole.
Denmark before the Vikings. N. Y., Praeger, 1957.
176. Laet, Siegfried J. de.
The Low Countries. N. Y., Praeger, 1958.
177. Piggott, Stuart, and Daniel, Glyn E.
A picture book of ancient British art. Cambridge, University
Press, 1951.
178. Reifenberg, Adolf.
Ancient Hebrew arts. N. Y., Schocken Books, 1950.
179. Steingraber, Erich.
Antique jewelry. N. Y., Praeger, 1957.
180. Stone, J. F. S.
Wessex before the Celts. N. Y., Praeger, 1958.
181. Wheeler, Sir Robert E. M.
Archaeology from the earth. Oxford, Clarendon Press, 1954.
182. Wilson, David M.
The Anglo-Saxons. N. Y., Praeger, 1960.
183. Woolley, Sir Charles L.
History unearthed; a survey of 18 archaeological sites through-
out the world. London, Benn, 1958.
Egyptian Art
184. Aldred, Cyril.
The Egyptians. N. Y., Praeger, 1961.
185. Aldred, Cyril.
Old Kingdom art in ancient Egypt. London, A. Tiranti, 1949.
186. Aldred, Cyril.
Middle Kingdom art in ancient Egypt, 2300-1590 B.C. London,
A. Tiranti, 1950.
187. Carlier, Achille.
Thèbes; 70 photographies inédites. Paris, Vincent Fréal, 1948.
188. Carter, Howard, and Mace, A. C.
The tomb of Tut. ankh. Amen. 2 v. N. Y., Cassell & Co., 1923.
189. Champdor, Albert.
L'Egypte des pharaons. Paris, Albert Guillot, 1955.
14
THE SHEDD MEMORIAL ART BOOKS
190. DeWit, C.
La statuaire de Tell el Amarna. Bruxelles, Aux éditions
"Erasme” S. A., 1950.
191. Fox, Penelope.
Tutankhamun's treasure. N. Y., Oxford University Press, 1951.
192. Gayet-Tancrède, Paul.
The glory of Egypt. N. Y., Vanguard, 1955.
193. Iverson, Erik.
Canon and proportions in Egyptian art. London, Sidgwick and
Jackson, 1955.
194. Kielland, Else C.
Geometry in Egyptian art. London, A. Tiranti, 1955.
195. Lange, Kurt, and Hirmer, M.
Egypt: architecture, sculpture, painting in three thousand
years. N. Y., Phaidon, 1956.
196. Lhote, André.
Les chefs-d'oeuvre de la peinture égyptienne. Paris, Hachette,
1954.
197. Mekhitarian, Arpag.
Egyptian painting. N. Y., Skira, 1954.
198. Murray, Margaret A.
The splendour that was Egypt. N. Y., Philosophical Library,
1949.
199. Piankoff, Alexandre.
The Tomb of Ramesses VI. 2 v. N. Y., Pantheon, 1954.
200. Smith, W. Stevenson.
The art and architecture of ancient Egypt. Baltimore, Penguin,
1958. (Pelican history of art v. 14)
201. Steindorff, George.
Catalogue of the Egyptian sculpture in the Walters Art Gal-
lery. Baltimore, The Trustees, 1946.
202. United Nations Educational, Scientific and Cultural
Organization.
Egypt; paintings from tombs and temples. Greenwich, Conn.,
N. Y. Graphic Society, 1954.
203. Winlock, Herbert E.
Models of daily life in ancient Egypt. Cambridge, Harvard
University Press, 1955.
15
CARLETON COLLEGE LIBRARY
Mesopotamian Art (see also 298)
204. Champdor, Albert.
Babylone et Mésopotamie. 3rd éd. Paris, A. Guillot, 1953.
205. Frankfort, Henri.
The art and architecture of the Ancient Orient. Baltimore, Pen-
guin, 1955. (Pelican history of art v. 7.)
206. Metropolitan Museum of Art, New York.
The great king, king of Assyria. N. Y., 1945.
207. Rice, Tamara T.
The Scythians. N. Y., Praeger, 1957.
208. Vieyra, Maurice.
Hittite art, 2300-750 B.C. London, A. Tiranti, 1955.
209. Zervos, Christian.
L'art de la Mésopotamie de la fin du quatrième millénaire au
xv siècle avant notre ère. Paris, Editions "Cahiers d'art", 1935.
Aegean Art
210. Marinatos, Spyridon.
Crete and Mycenae. N. Y., Abrams, 1960.
211. Wace, Alan J. B.
Mycenae, an archaeological history and guide. Princeton,
Princeton University Press, 1949.
212. Zervos, Christian.
L'art de la Crète néolithique et minoenne. Paris, Editions
"Cahiers d'art", 1956.
213. Beazley, John D.
Etruscan Art
Etruscan vase-painting. Oxford, Clarendon Press, 1947.
214. Cles-Reden, Sibylle.
The buried people; a study of the Etruscan world. N. Y.,
Scribner, 1955.
215. Pallottino, Massimo.
Art of the Etruscans. N. Y., Vanguard, 1955.
216. Pallottino, Massimo.
...Etruscan painting. Geneva, Skira, 1952.
16
THE SHEDD MEMORIAL ART BOOKS
217. Richter, Gisela M. A.
Handbook of the Etruscan collection of the Metropolitan
Museum of Art. N. Y., The Marchbanks Press, 1940.
218. Riis, Poul J.
An introduction to Etruscan art. N. Y., Philosophical Library,
1954.
Greek Art (see also 261)
219. Beazley, John D.
Attic black figure vase-painters. Oxford, Clarendon Press, 1956.
220. Beazley, John D.
The development of the Attic black-figure. Berkeley, Univer-
sity of California Press, 1951.
221. Bieber, Margarete.
The sculpture of the Helenistic age. N. Y., Columbia Univer-
sity Press, 1955.
222. Blumel, Carl.
Greek sculptors at work. London, Phaidon, 1955.
223. Carpenter, Rhys.
Greek sculpture, a critical review. Chicago, University of Chi-
cago Press, 1960.
224. Charbonneaux, Jean.
Aspects de la Grèce. Paris, Braun, 1953.
225. Charbonneaux, Jean.
La sculpture grecque archaïque. Paris, Editions de Cluny, 1938.
226. Charbonneaux, Jean.
La sculpture grecque classique. 2 v. Paris, Editions de Cluny,
1944.
227. Chittenden, Jacqueline, and Seltman, Charles.
Greek art; a commemorative catalogue of an exhibition held in
1946 at the Royal Academy, Burlington House, London. Lon-
don, Faber and Faber, 1947.
228. Cook, R. M.
Greek painted pottery. Chicago, Quadrangle Books, 1960.
229. Daux, Georges.
...Les merveilles de l'art antique (Grèce-Rome). Paris, F.
Nathan, 1946.
17
CARLETON COLLEGE LIBRARY
230. Deonna, Waldemar.
... Du miracle grec au miracle chrétien; classiques et primiti-
vistes dans l'art...3 v. Bâle, Les Editions Birkhaeuser,
1945-48.
231. Desborough, Vincent R.
Protogeometric pottery. Oxford, Clarendon Press, 1952.
232. Dinsmoor, William B.
The architecture of ancient Greece; an account of its historic
development. 3rd. ed., rev. and enl. N. Y., Batsford, 1950.
233. Frotier de la Coste-Messelière, Pierre.
Le trésors de Delphes. Paris, Editions du Chêne, 1950.
234. Gialoures, Nikolaos.
Classical Greece; the Elgin marbles of the Parthenon. Green-
wich, Conn., N. Y. Graphic Society, 1960.
235. Hambridge, Jay.
The Parthenon and other Greek temples. New Haven, Yale
University Press, 1924.
236. Lane, Arthur.
Greek pottery. London, Faber and Faber, 1948.
237. Lawrence, Arnold W.
Greek architecture. Baltimore, Penguin, 1957. (Pelican history
of art v. 11.)
238. Lullies, Reinhard.
Greek sculpture. Rev. ed. London, Thames and Hudson, 1957.
239. Martienssen, Rex D.
The idea of space in Greek architecture, with special reference
to the Doric temple and its setting. Johannesburg, Witwaters-
rand University Press, 1956.
240. Martin, Roland.
L'urbanisme dans le Grèce antique. Paris, A. & J. Picard, 1956.
241. Payne, Humfry, and Mackworth-Young, Gerard.
Archaic marble sculpture from the Acropolis. 2nd ed. N. Y.,
Morrow, 1951.
242. Pfuhl, Ernest.
Masterpieces of Greek drawing and painting. N. Y., Macmillan,
1926.
243. Richter, Gisela M. A.
The archaic gravestones of Attica. N. Y., Phaidon, 1961.
18
THE SHEDD MEMORIAL ART BOOKS
244. Richter, Gisela M. A.
Attic red-figured vases. New Haven, Yale University Press,
1946.
245. Richter, Gisela M. A.
Kouroi, archaic Greek youths. 2nd ed. London, Phaidon, 1960.
246. Richter, Gisela M. A.
The sculpture and sculptors of the Greeks. New rev. ed. New
Haven, Yale University Press, 1950.
247. Richter, Gisela M. A.
Three critical periods in Greek sculpture. Oxford, Clarendon
Press, 1951.
248. Robertson, Martin.
Greek painting. Geneva, Skira, 1959.
249. Rodenwaldt, Gerhart.
Griechische Tempel. 2 aufl. München, Deutscher Kunstverlag,
1951.
250. Zervos, Christian.
L'art des Cyclades, du début à la fin de l'âge du bronze, 2500-
1100 avant notre ère. Paris, Editions "Cahiers d'art", 1957.
251. Zervos, Christian.
L'art en Grèce, du troisième millénaire au IV siècle avant notre
ère. Paris, Editions "Cahiers d'art", 1946.
Roman Art (see also 229, 286, 297)
252. Bloch, Raymond.
The origins of Rome. N. Y., Praeger, 1960.
253. Brion, Marcel.
Pompeii and Herculaneum, the glory and the grief. N. Y.,
Crown Publishers, 1960.
254. Brown, Frank E.
Roman architecture. N. Y., Braziller, 1961.
255. Champdor, Albert.
Les ruines de Palmyre. 6th ed. Paris, A. Guillot, 1953.
256. Corti, Egon C.
The destruction and resurrection of Pompeii and Herculaneum.
London, Routledge, 1951.
19
CARLETON COLLEGE LIBRARY
257. Cumont, Franz V. M.
Recherches sur le symbolisme funéraire des Romains ...
Paris, P. Geuthner, 1942.
•
258. Duran, Frédérique.
Dans les pas des Césars. Paris, Hachette, 1955.
259. Gusman, Pierre.
L'art decoratif de Rome de la fin de la répvbliqve av IV
siècle. Paris, Librairie centrale d'art et d'architectvre, 1908.
260. Hamberg, Per G.
Studies in Roman imperial art, with special reference to the
state reliefs of the second century. Copenhagen, Ejnar Munks-
gaard, 1945.
261. Hekler, Antal.
Greek and Roman portraits. London, W. Heinemann, 1912.
262. Maiuri, Amedeo.
Pompei. Novara (Italy), Fernand Nathan, 1952.
263. Maiuri, Amedeo.
Roman painting. Geneva, Skira, 1953.
264. Riegl, Alois.
•
Spätrömische Kunstindustrie. Wien, Österr. Staatsdruckerei,
1927.
265. Smith, Earl B.
Architectural symbolism of imperial Rome and the Middle
Ages. Princeton, Princeton University Press, 1956.
MEDIEVAL ART
Early Christian and Byzantine Art (includes East Christian)
(see also 224, 230, 264, 265, 311)
266. Bovini, Giuseppe.
Ravenna mosaics. Greenwich, Conn., N. Y. Graphic Society,
1956.
267. Bovini, Giuseppe.
I sarcofagi paleocristiani. Istituto di archeologiz cristiana,
Roma, 1949.
268. Bréhier, Louis.
La sculpture et les arts mineurs byzantin... Paris, Les Edi-
tions d'art et d'histoire, 1936.
20
THE SHEDD MEMORIAL ART BOOKS
269. Brooklyn Museum.
Coptic Egypt; papers read at a symposium... in connection
with the exhibition, Paganism and Christianity in Egypt. Brook-
lyn, Brooklyn Museum, 1944.
270. Demus, Otto.
Byzantine mosaic decoration. London, Paul, Trench, Trubner,
1948.
271. Der Nersessian, Sirarpie.
Armenia and the Byzantine empire. Cambridge, Harvard Uni-
versity Press, 1945.
272. Diehl, Charles.
Manuel d'art byzantin. 2nd ed., rev. et augm. 2 v., Paris, A.
Picard, 1925.
273. Dumbarton Oaks papers, no. 6.
Cambridge, Harvard University Press, 1951.
274. Duthuit, Georges.
La sculpture copte; statues - bas-reliefs - masques. Paris, Van
Oest, 1931.
275. Dvornik, Francis.
The idea of apostolicity in Byzantium and the legend of th
apostle Andrew. Cambridge, Harvard University Press, 1958.
(Dumbarton Oaks Studies 4.)
276. Ebersolt, Jean.
Les arts somptuaires de Byzance; étude sur l'art impérial
de Constantinople. Paris, Leroux, 1923.
277. Ebersolt, Jean.
...La miniature byzantine. Paris et Bruxelles, G. Vanoest,
1926.
278. Ebersolt, Jean.
Sanctuaires de Byzance; recherches sur les anciens trésors des
églises de Constantinople. Paris, Leroux, 1921.
279. Grabar, André.
Byzantine painting; historical and critical study. Geneva,
Skira, 1953.
280. Grabar, André.
Martyrium; recherches sur le culte des reliques et l'art chrétien
antique. 3 v. Paris, Collège de France, 1946.
21
CARLETON COLLEGE LIBRARY
281. Hanfmann, George M. A.
The Season sarcophagus in Dumbarton Oaks. Cambridge, Har-
vard University Press, 1951. (Dumbarton Oaks Studies, 2.)
282. Mâle, Emile.
The early churches of Rome. Chicago, Quadrangle Books, 1960.
283. Meyer, Peter.
Byzantine mosaics. London, Batsford, 1952.
284. Micheles, P. A.
An aesthetic approach to Byzantine art. London, Batsford,
1955.
285. Morey, Charles R.
The mosaics of Antioch. N. Y., Longmans, Green, 1938.
286. Morey, Charles R.
Roman and Christian sculpture... pt. 1. Princeton, The
American society for the excavation of Sardis, 1924.
287. Rice, David T.
The art of Byzantium. London, Thames and Hudson, 1959.
288. Rice, David T.
The beginnings of Christian art. London, Hodder & Stoughton,
1957.
289. Simson, Otto G. von.
Sacred fortress; Byzantine art and statecraft in Ravenna. Chi-
cago, University of Chicago Press, 1948.
290. Stewart, Cecil.
Byzantine legacy. London, Allen & Unwin, 1947.
291. Strzygowski, Josef.
Origin of Christian church art. Oxford, Clarendon Press, 1923.
292. Toesca, Pietro, and Forlati, Ferdinando.
Mosaics of St. Mark's. Greenwich, Conn., N. Y. Graphic So-
ciety, 1958.
293. United Nations Educational, Scientific and Cultural
Organization.
Greece: Byzantine mosaics. Greenwich, Conn., N. Y. Graphic
Society, 1960.
294. Vercors.
L'art médiéval Yougoslave. Paris, Art et Style, 1950.
22
THE SHEDD MEMORIAL ART BOOKS
295. Walters Art Gallery, Baltimore.
Early Christian and Byzantine art. Baltimore, The Trustees,
1947.
296. Weitzmann, Kurt.
Greek mythology in Byzantine art. Princeton, Princeton Uni-
versity Press, 1951.
297. Whittemore, Thomas.
Mosaics of St. Sophia at Istanbul; preliminary report on the
work. v. 2-4. Boston, Byzantine Institute of America. 1936-1952.
298. Yale University.
The excavations at Dura-Europos... Final report, v. 8 part 1.
The synagogue by Carl H. Kraeling. New Haven, Yale Univer-
sity, 1956.
Romanesque and Gothic Art (includes Pre-Romanesque
in the West) (see also 265)
Surveys
299. Aymard, Odilon et al.
Touraine romane. Paris, Zodiaque, 1957.
300. Baltrusaitis, Jurgis.
... Art sumérien, art roman. Paris, Leroux, 1934.
301. Baudry, Jean et al.
Bourgogne romane. 3rd ed. Paris, Zodiaque, 1958.
302. Bruyne, Edgar de.
Etudes d'esthétique médiévale. 3 v. Brugge, De Tempel, 1946.
303. Burmeister, André, et al.
Suisse romane. Paris, Zodiaque, 1958.
304. Craplet, Bernard.
Auvergne romane. 2nd ed. Paris, Zodiaque, 1958.
305. Defarges, Dom B.
Val de Loire roman. Paris, Zodiaque, 1956.
306. Durliat, Marcel.
Roussillon roman. La Pierre-qui-Vire (Yonne), Zodiaque, 1958.
307. Evans, Joan.
Life in medieval France. London, Phaidon, 1957.
23
CARLETON COLLEGE LIBRARY
308. Frankl, Paul.
The Gothic literary sources and interpretations through eight
centuries. Princeton, Princeton University Press, 1959.
309. Gischia, Léon.
Les arts primitifs français, art mérovingien, art carolingien, art
roman. Paris, Arts et métiers graphiques, 1953.
310. Herbécourt, Pierre d', and Porcher, Jean.
Anjou roman. Paris, Zodiaque, 1959.
311. Hubert, Jean.
L'art pré-roman. Paris, Les Editions d'art et d'histoire,
1938.
312. Junyent, Edouard.
Catalogne romane. Paris, Zodiaque, 1960.
313. Labande, Yvonne.
Poitou roman. Paris, Zodiaque, 1957.
314. Lethaby, William R.
Medieval art from the peace of the church to the eve of the
Renaissance, 312-1350. N. Y., Philosophical Library, 1950.
315. Mâle, Emile.
L'art religieux du XIIe siècle en France; étude sur les origines
de l'icongraphie du moyen âge. 5th ed. rev. et corr. Paris, A.
Colin, 1947.
316. Mâle, Emile.
L'art religieux de la fin du moyen âge en France; étude sur
l'iconographie du moyen âge et sur ses sources d'inspiration. 5th
ed. rev. et corr. Paris, A. Colin, 1947.
317. Maury, Jean, et al.
Limousin roman. Paris, Zodiaque, 1960.
318. Maury, Jean, et al.
Quercy roman. Paris, Zodiaque, 1959.
319. Oakeshott, Walter F.
Classical inspiration in medieval art. London, Chapman and
Hall, 1959.
320. Seroux d'Agincourt, Jean B. L. G.
History of art by its monuments, from its decline in the fourth
century to its restoration in the sixteenth. London, Longman,
Brown, Green & Longman's, 1847.
24
THE SHEDD MEMORIAL ART BOOKS
321. Swarzenski, Hanns.
Monuments of Romanesque art; the art of church treasures in
north-western Europe. Chicago, University of Chicago Press,
1954.
322. Varagnac, André.
L'art gaulois. Paris, Zodiaque, 1956.
Architecture and Sculpture
323. Adhémar, Jean.
.. Influences antiques dans l'art du moyen âge français, re-
cherches sur les sources et les thèmes d'inspiration. London,
The Warburg Institute, 1939.
324. Anderson, Mary D.
The imagery of British churches. London, Murray, 1955.
325. Aubert, Marcel.
L'architecture cistercienne en France... 2 v. Paris, Les
Editions d'art et d'histoire, 1943.
326. Aubert, Marcel.
La cathédrale Notre-Dame de Paris. Paris, D. A. Longuet, 1909.
327. Aubert, Marcel.
La sculpture française au moyen-âge. Paris, Flammarion, 1947.
328. Baum, Julius.
German cathedrals. London, Thames and Hudson, 1956.
329. Bridaham, Lester B.
Gargoyles, chimères, and the grotesque in French Gothic sculp-
ture. N. Y., Architectural Book, 1930.
330. Busch, Harald, ed.
Romanesque Europe. London, Batsford, 1960.
331. Carli, Enzo.
Le sculture del Duomo di Orvieto. Bergamo, Istituto italiano
d'arti grafiche, 1947.
332. Christ, Yvan.
Pierres flamandes. Paris, Editions Mondes, 1953.
333. Conant, Kenneth J.
Carolingian and romanesque architecture, 800 to 1200. Balti-
more, Penguin, 1959. (Pelican history of art v. 13.)
25
CARLETON COLLEGE LIBRARY
334. Cook, George H.
Portrait of S. Albans Cathedral. London, Phoenix House, 1951.
335. Cook, George H.
The story of Durham Cathedral. London, Phoenix House, 1951.
336. Cranage, David H. S.
Cathedrals and how they were built. Cambridge, University
Press, 1948.
337. Crichton, George H., and Crichton, E. R.
Nicola Pisano and the revival of sculpture in Italy. Cambridge,
University Press, 1938.
338. Daniel-Rops, Henry, and Christ, Yvan.
Cathédrales de France. Nouvelle éd. rev. et aug. Paris, Editions
Mondes, 1952.
339. DuColumbier, Pierre.
Les chantiers des cathédrales. Paris, A. et J. Picard, 1953.
340. Evans, Joan.
Cluniac art of the Romanesque period. Cambridge University
Press, 1950.
341. Gardner, Arthur.
English medieval sculpture. The original handbook rev. & enl.
Cambridge, University Press, 1951.
342. Gieure, Maurice.
Les églises romanes en France. Paris, Editions du Louvre, 1953.
343. Haseloff, Arthur E. G.
Pre-Romanesque sculpture in Italy. N. Y., Harcourt, Brace,
1931?
344. Hildburgh, Walter L.
English alabaster carvings as records of the medieval religious
drama. Oxford, Printed by Charles Batey for the Society of
Antiquaries of London, 1949.
345. Hürlimann, Martin.
English cathedrals. Boston, Houghton Mifflin, 1950.
346. Hutton, Edward.
The Cosmati; the Roman marble workers of the XIIth and
XIIIth centuries. London, Routledge, 1950.
347. Jullian, René.
L'eveil de la sculpture italienne; la sculpture romane dans
l'Italie du nord. 2 v. Paris, Van Oest, 1955.
26
THE SHEDD MEMORIAL ART BOOKS
348. Katzenellenbogen, Adolf E. M.
The sculptural programs of Chartres Cathedral: Christ, Mary,
Ecclesia. Baltimore, Johns Hopkins Press, 1959.
349. Leisinger, Hermann.
Romanesque bronzes; church portals in mediaeval Europe.
N. Y., Praeger, 1957.
350. Marriage, Margaret S., and Marriage, Ernest.
The sculptures of Chartres cathedral. Cambridge, University
Press, 1909.
351. Panofsky, Erwin.
Gothic architecture and scholasticism. Latrobe, Pa., Archabbey
Press, 1951.
352. Pillement, Georges.
Cloîtres et abbayes de France. Paris, Editions des Deux
Mondes, 1950.
353. Pita Andrade, José M.
Cathédrales d'Espagne. Paris, Editions des Deux Mondes, 1951.
354. Saxl, Fritz.
English sculptures of the twelfth century. London, Faber and
Faber, 1954.
355. Schnitzler, Hermann.
Der Dom zu Aachen. Düsseldorf, L. Schwann, 1950.
356. Simson, Otto G. von.
The Gothic cathedral; origins of Gothic architecture and the
medieval concept of order. N. Y., Pantheon, 1956.
357. Stoddard, Whitney S.
The west portals of Saint-Denis and Chartres; sculpture in the
Ile de France from 1140 to 1190, theory of origins. Cambridge,
Harvard University Press, 1952.
358. Stone, Lawrence.
Sculpture in Britain; the Middle Ages. Baltimore, Penguin,
1955. (Pelican history of art v. 9.)
359. Thibout, Marc.
Eglises gothiques en France. Paris, Editions Aimery Somogy,
n.d.
360. Uhler, Fred.
France romane. Neuchâtel et Paris, Editions Ides et Calendes,
1952.
27
CARLETON COLLEGE LIBRARY
361. Valentiner, Wilhelm R.
The Bamberg rider; studies of mediaeval German sculpture.
Los Angeles, Zeitlin and Ver Brugge, 1956.
362. Vigneau, André.
La cathédrale de Chartres, vues extérieures. Paris, Editions
"Tel", 1949.
363. Webb, Geoffrey.
Architecture in Britain; the Middle Ages. Baltimore, Penguin,
1956. (Pelican history of art v. 12.)
364. Zarnecki, Jerzy.
English Romanesque lead sculpture; lead fonts of the twelfth
century. N. Y., Philosophical Library, 1957.
365. Zarnecki, Jerzy.
English Romanesque sculpture, 1066-1140. London, A. Tiranti,
1951.
Illuminated Manuscripts, Mosaics,
Drawings and Paintings
366. Baltrusaitis, Jurgis.
Le moyen âge fantastique; antiquités et exotismes dans l'art
gothique. Paris, A. Colin, 1955.
367. Berenson, Bernard.
Studies in medieval painting. New Haven, Yale University
Press, 1930.
368. Bible, N. T.
Evangeliorum quattuor Codex Lindisfarnesis. (facsimile) 2 v.
Lausanne, Urs Graf, 1956.
369. Boeckler, Albert.
Deutsche Buchmalerei vorgotischer Zeit. Konigstein im
Taunus & Leipzig, K. R. Langewiesche, 1942.
370. Bognetti, Gian P.
Santa Maria di Castelseprio. Milano, Fondazione Treccani degli
Alfieri per la storia di Milano, 1948.
371. Buchthal, Hugo.
...A hand list of illuminated oriental Christian manuscripts.
London, The Warburg institute, 1942.
372. DeWald, E. T.
The illustrations of the Utrecht psalter. Princeton, Princeton
University Press, 1932.
28
THE SHEDD MEMORIAL ART BOOKS
373. Duft, Johannes, and Meyer, Peter.
The Irish miniatures in the Abbey Library of St. Gall. N. Y.,
Duschnes, 1954.
374. Dupont, Jacques.
Gothic painting. Geneva, Skira, 1954.
375. Goldschmidt, Adolph.
... Die deutsche Buchmalerei . . . 2 v. München, K. Wolff, 1928.
376. Grabar, André, and Nordenfalk, Carl.
Early medieval painting from the fourth to the eleventh cen-
tury. N. Y., Skira, 1957.
377. Grabar, André, and Nordenfalk, Carl.
Romanesque painting from the eleventh to the thirteenth cen-
tury. N. Y., Skira, 1958.
378. Harrsen, Meta.
Central European manuscripts in the Pierpont Morgan Library.
N. Y., 1958.
379. Metz, Peter.
The Golden Gospels of Echternach, Codex Aureus Epterna-
censis. N. Y., Praeger, 1957.
380. Walters Art Gallery, Baltimore.
Illuminated books of the Middle Ages and Renaissance; an ex-
hibition held at the Baltimore Museum of Art. Baltimore, The
Trustees, 1949.
381. Moe, Emile A. van.
The decorated letter from the VIIIth to the XIIth century.
Paris, Editions du Chêne, 1950.
382. Oakeshott, Walter F.
The sequence of English medieval art, illustrated chiefly from
illuminated mss., 650-1450. London, Faber and Faber, 1950.
383. Paccagnini, Giovanni.
Simone Martini. Milano, A. Martello, 1955.
384. Porcher, Jean.
Le Bréviaire de Martin d'Aragon. Paris, Editions Nomis, 1953.
385. Porcher, Jean.
Medieval French miniatures. N. Y., Abrams, 1960?
386. Réau, Louis.
Histoire de la peinture au moyen-âge. Melun, Librairie d'Ar-
gences, 1946.
29
CARLETON COLLEGE LIBRARY
387. Rickert, Margaret J.
Painting in Britain; the Middle Ages. Baltimore, Penguin,
1954. (Pelican history of art v. 5.)
388. Salmi, Mario.
Italian miniatures. 2nd ed., rev. & enl. N. Y., Abrams, 1956.
389. Saunders, O. Elfrida.
English illumination. 2 v. Florence, Pantheon, Casa Editrice,
1928.
390. Sullivan, Edward.
The book of Kells. 5th ed. N. Y., Studio Publications, 1952.
391. Swarzenski, Hanns.
Early medieval illumination. N. Y., Oxford University Press,
1952?
392. Toesca, Pietro.
Il trecento. Torino, Unione Tipografico-editrice Torinese, 1951.
393. Venturi, Lionello.
Italian painting; origins to the 13th century. Geneva, Skira,
1950.
394. Volbach, Wolfgang F.
Mosaïques chrétiennes primitives du IVe au VIIe siècle; Rome-
Naples-Milan-Ravenne. Paris, Librairie Plon, 1943.
395. Weitzmann, Kurt.
The fresco cycle of S. Maria di Castelseprio. Princeton, Prince-
ton University Press, 1951.
396. Wormald, Francis.
English drawings of the tenth and eleventh centuries. London,
Faber and Faber, 1952.
Minor Arts
397. Gauthier, Marie M. S.
Emaux limousins champlevés des XII, XIIIe, & XIVe siècles.
Paris, G. LePrat, 1950.
398. Grodecki, Louis.
The stained glass of French churches. London, L. Drummond,
1948.
399. Jessup, Ronald F.
Anglo-Saxon jewellery. London, Faber and Faber, 1950.
30
THE SHEDD MEMORIAL ART BOOKS
400. Lejard André.
The Bayeux tapestry. Paris, Vendôme, 1947.
401. Stenton, Frank, ed.
The Bayeux tapestry. N. Y., Phaidon, 1957.
RENAISSANCE AND BAROQUE ART
15th and 16th centuries
Surveys
402. Blunt, Anthony.
Art and architecture in France, 1500 to 1700. Baltimore, Pen-
guin, 1954. (Pelican history of art v. 4.)
403. Blunt, Anthony.
Artistic theory in Italy, 1450-1600. Oxford, Clarendon Press,
1940.
404. Detroit. Institute of Arts.
Flanders in the fifteenth century, art and civilization. Detroit,
1960.
405. Panofsky, Erwin.
Renaissance and renascences in Western art. Stockholm, Alm-
qvist and Wiksell, 1960.
406. Seznec, Jean.
The survival of the pagan gods. N. Y., Pantheon, 1953.
407. Simpson, Lucie.
The Greek spirit in Renaissance art. N. Y., Philosophical Li-
brary, 1953.
408. Wind, Edgar.
Pagan mysteries in the Renaissance. New Haven, Yale Univer-
sity Press, 1958.
409. Wölfflin, Heinrich.
Classic art; an introduction to the Italian Renaissance. N. Y.,
Phaidon, 1952.
410. Wölfflin, Heinrich.
The sense of form in art; a comparative psychological study.
N. Y., Chelsea, 1958.
Architecture (see also 570, 572, 584)
411. Alberti, Leone B.
Ten books on architecture. London, A. Tiranti, 1955.
31
CARLETON COLLEGE LIBRARY
412. Baroni, Constantino.
... Bramante. Bergamo, Istituto italiano d'arti grafiche, 1944.
413. Coffin, David R.
The Villa d'Este at Tivoli. Princeton, Princeton University
Press, 1960.
414. Harvey, John D. M.
An introduction to Tudor architecture. London, Art and Tech-
nics, 1949.
415. Kent, William W.
The life and works of Baldassare Peruzzi of Siena. N. Y., Archi-
tectural Book, 1925.
416. Kubler, George.
Mexican architecture of the sixteenth century. 2 v. New Haven,
Yale University Press, 1948.
417. Mathey, François.
Châteaux de France. Paris, Editions des Deux Mondes, 1954.
418. Ricci, Corrado.
Architecture and decorative sculpture of the high and late.
renaissance in Italy. N. Y., Brentano, 1923?
419. Zorzi, Giangiorgio.
I desegni delle antichita di Andrea Palladio. Venezia, N. Pozza,
1959.
420. Pope-Hennessy, John.
An introduction to Italian sculpture, pts. 1-2. London, Phaidon,
1955-1958.
421. Valentiner, Wilhelm R.
Studies of Italian Renaissance sculpture. London, Phaidon,
1950.
Sculpture
422. Wiles, Bertha H.
The fountains of Florentine sculptors and their followers, from
Donatello to Bernini. Cambridge, Harvard University Press,
1933.
423. Planiscig, Leo.
*
*
*
*
*
... Luca della Robbia. Wien, A. Schroll, 1940.
32
THE SHEDD MEMORIAL ART BOOKS
424. Janson, Horst W.
The sculpture of Donatello. 2 v. Princeton, Princeton Univer-
sity Press, 1957.
425. Goldscheider, Ludwig.
Ghiberti. N. Y., Oxford University Press, 1949.
426. Krautheimer, Richard.
Lorenzo Ghiberti. Princeton, Princeton University Press, 1956.
427. De Tolnay, Charles.
The Medici Chapel. Princeton, Princeton University Press,
1948.
428. De Tolnay, Charles.
The Tomb of Julius II. Princeton, Princeton University Press,
1954.
429. Hempel, Eberhard.
Das Werk Michael Pachers. 3 erweiterte Aufl. Wien, A. Schroll,
1940.
430. Toesca, Ilaria.
Andrea e Nino Pisani. Firenze, Sansoni, 1950.
431. Keller, Harald.
...Giovanni Pisano. Wien, A. Schroll, 1942.
432. Freeden, Max H. von.
Tilman Riemenschneider. München, Deutscher Kunstverlag,
1954.
433. Poensgen, Georg.
Der Windsheimer Zwölfbotenaltar von Tilman Riemenschnei-
der. München, Deutscher Kunstverlag, 1955.
434. David, Henri.
Claus Sluter. Paris, P. Tisné, 1951.
435. Lutze, Eberhard.
... Veit Stoss, 2. aufl. Berlin, Deutscher Kunstverlag, 1940.
436. Dutkiewicz, Josef E., et al.
Der Krakauer altar, Wit Stwosz. Warszawa, Panstwowy Insty-
tut Wydawniczy, 1953.
Painting (see also 388, 599)
437. Alazard, Jean.
Le portrait florentin de Botticelli à Bronzino, 2nd ed. Paris,
H. Laurens, 1938.
33
CARLETON COLLEGE LIBRARY
438. Antal, Frederick.
Florentine painting and its social background; the bourgeois
republic before Cosimo de' Medici's advent to power. Lon-
don, K. Paul, 1948.
439. Aru, C.
La Galerie Sabauda de Turin. (Les primitifs flamands; corpus
de la peinture des anciens pays-bas méridionaux au quinzième
siècle, fasc. 5) Anvers, De Sikkel, 1952.
440. Becherucci, Luisa.
Manieristi toscani. 2nd ed. Bergamo, Istituto italiano d'arti
grafiche, 1949.
441. Benesch, Otto.
The art of the renaissance in northern Europe; its relation to
the contemporary spiritual and intellectual movements. Cam-
bridge, Harvard University Press, 1945.
442. Berenson, Bernard.
The Italian painters of the Renaissance. N. Y., Phaidon, 1952.
443. Berenson, Bernard.
Italian pictures of the Renaissance. Venetian School. 2 v. Lon-
don, Phaidon, 1957.
444. Borsook, Eve.
The mural painters of Tuscany, from Cimabue to Andrea del
Sart. London, Phaidon, 1960.
445. Castelli, Enrico.
Christianesimo e ragion di stato. L'umanesimo e il demoniaco
nell'arte. Roma, Fratelli Bocca Editori, 1952.
446. Clark, Kenneth M.
Florentine paintings, fifteenth century. N. Y., Pitman, 1948.
447. Davies, Martin.
The National Gallery, London. (Les primitifs flamands; corpus
de la peinture des anciens pays-bas méridionaux au quinzième
siècle, fasc. 6-13) 2 v. Antwerp, DeSikkel, 1953-4.
448. Edgell, George H.
A history of Sienese painting. N. Y., L. MacVeagh, Dial Press,
1932.
449. Friedländer, Max J.
Early Netherlandish painting, from Van Eyck to Bruegel. N. Y.,
Phaidon, 1956.
34
THE SHEDD MEMORIAL ART BOOKS
450. Friedlaender, Walter F.
Mannerism and anti-mannerism in Italian painting. N. Y.,
Columbia University Press, 1957.
451. Gould, Cecil.
An introduction to Italian renaissance painting. N. Y., Phaidon,
1957.
452. Janssens de Bisthoven, Alin, and Parmentier, R. A.
Le Musée Communal de Bruges. (Les primitifs flamands; cor-
pus de la peinture des anciens pays-bas méridionaux au quin-
zième siècle, fasc. 1-4) Anvers, DeSikkel, 1951.
453. Jenkins, Marianna D.
The state portrait. N. Y., College Art Assn. with the Art Bul-
letin, 1947.
454. John Herron Art Institute, Indianapolis.
Pontormo to Greco, the age of mannerism; a loan exhibition of
paintings and drawings of the century 1520-1620. Indianapolis,
1954.
455. Lassaigne, Jacques.
The fifteenth century from Van Eyck to Botticelli. N. Y.,
Skira, 1955.
456. Lassaigne, Jacques.
Flemish painting; the century of Van Eyck. N. Y., Skira, 1957.
457. Lavalleye, J.
Collections d'Espagne. (Les primitifs flamands; répertoire des
peintures flamands des quinzième et seizième siècles) 2 v. An-
vers, DeSikkel, 1953.
458. Leymarie, Jean.
Dutch painting. N. Y., Skira, 1956.
459. Mahon, Denis.
Studies in seicento art and theory. London, Warburg Institute,
1947.
460. Meiss, Millard.
Painting in Florence and Siena after the Black Death. Prince-
ton, Princeton University Press, 1951.
461. Panofsky, Erwin.
Early Netherlandish painting, its origins and character. 2 v.
Cambridge, Harvard University Press, 1953.
35
CARLETON COLLEGE LIBRARY
י
462. Pope-Hennessy, John.
Sienese quattrocento painting. N. Y., Oxford University Press,
1947.
463. Porcher, Jean.
Chefs-d'oeuvre de l'enluminure française du 15° siècle. Paris,
Editions Nomis, 195-?
464. René I, Duke of Anjou.
Traité de la forme et devis d'un tournoe. Paris, Editions de la
Revue Verve, 1946.
465. Salmi, Mario.
Paolo Uccello, Andrea del Castagno, Domenico Veneziano.
Milano, Hoepli, 1938.
466. Venturi, Lionello.
Italian painting; the creators of the renaissance. Geneva, Skira,
1950.
467. Venturi, Lionello.
Italian painting; from Caravaggio to Modigliani. Geneva, Skira,
1952.
468. Venturi, Lionello.
The sixteenth century, from Leonardo to El Greco. N. Y.,
Skira, 1956.
469. Zervos, Christian.
Paysages français du XV siècle. Paris, Editions "Cahiers d'art",
1927.
470. Alberti, Leone B.
* *
472. Lauts, Jan.
*
On painting. New Haven, Yale University Press, 1956.
473. Fischer, Otto.
*
471. Bottari, Stefano.
Antonello da Messina. Greenwich, Conn., N. Y. Graphic So-
ciety, 1955.
*
Antonello da Messina. Wien, A. Schroll, 1940.
Hans Baldung Grien. München, F. Bruckmann, 1939.
474. Magagnato, Licisco.
Mostra di dipinti dei Bassano. Venezia, Neri Pozza Editore,
1952.
36
THE SHEDD MEMORIAL ART BOOKS
475. Zampetti, Pietro.
Jacopo Bassano. Rome, Istituto poligrafico dello Stato, Libreria
dello Stato, 1958.
476. Hendy, Philip, and Goldscheider, Ludwig.
Giovanni Bellini. N. Y., Oxford University Press, 1945.
477. Walker, John.
Bellini and Titian at Ferrara; a study of styles and taste. Lon-
don, Phaidon, 1956.
478. Baldass, Ludwig von.
Hieronymus Bosch. N. Y., Abrams, 1960.
479. Fränger, Wilhelm.
The millennium of Hieronymus Bosch; outlines of new inter-
pretation. Chicago, University of Chicago Press, 1951.
480. Linfert, Carl.
Hieronymus Bosch, the paintings. Complete ed. London, Phai-
don, 1959.
481. Argan, Giulio C.
Botticelli; biographical and critical study. N. Y., Skira, 1957.
482. Bertini, Aldo C.
Botticelli. Milano, A. Martello, 1953.
483. Chastel, André.
Botticelli. Greenwich, Conn., N. Y. Graphic Society, 1958.
484. Mâle, Emile.
Les Heures d'Anne de Bretagne. Bibliothèque Nationale.
(Manuscrit Latin 9474) Paris, Editions Verve, 1946.
485. Delevoy, Robert L.
Bruegel: historical and critical study. Geneva, Skira, 1959.
486. DeTolnay, Charles.
Pierre Bruegel l'ancien. 2 v. Bruxelles, Nouvelle société
d'éditions, 1935.
487. DeTolnay, Charles.
The drawings of Peter Bruegel the Elder; with a critical cata-
log. N. Y., Twin editions, n. d.
488. Genaille, Robert.
Bruegel l'ancien. Paris, P. Tisné, 1953.
37
CARLETON COLLEGE LIBRARY
489. Grossmann, F.
Bruegel, the paintings. Complete ed. London, Phaidon, 1955.
490. Friedlaender, Walter F.
Caravaggio studies. Princeton, Princeton University Press,
1955.
491. Hinks, Roger P.
Michelangelo Merisi da Caravaggio; his life, his legend, his
works. London, Faber and Faber, 1953.
492. Palazzo Reale, Milan.
Mostra del Caravaggio e dei Caravaggeschi. 2d ed. Milano, San-
soni Editore, 1951.
493. Venturi. Lionello.
Il Caravaggio; con prefazione di Benedetto Croce. Sotto gli
auspici del Comitato della città di Caravaggio. Novara, Istituto
geografico de Agostini, 1951.
494. Pignatti, Terisio.
Carpaccio: biographical and critical study. N. Y., Skira, 1958.
495. Wittkower, Rudolf.
The drawings of the Carracci in the collection of Her Majesty
the Queen at Windsor Castle. London, Phaidon, 1952.
496. Jolly, Alphonse.
Les crayons de Jean Clouet. Paris, Librairie Marceau, 1952.
497. Popham, Arthur E.
Correggio's drawings. London, Oxford University Press, 1957.
498. Cetto, Anna M.
Watercolours by Albrecht Dürer. N. Y., Macmillan, 1954.
499. Conway, Martin, ed. and tr.
The writings of Albrecht Dürer. N. Y., Philosophical Library,
1958.
500. Panofsky, Erwin.
The life and art of Albrecht Dürer. 4th ed. Princeton, Princeton
University Press, 1955.
501. Waetzoldt, Wilhelm.
Dürer and his times. London, Phaidon, 1950.
502. Weyer, P. W. v. d.
The revelation of Saint John Apocalypse. Utrecht, n. d.
38
THE SHEDD MEMORIAL ART BOOKS
503. Baldass, Ludwig von.
Jan van Eyck. N. Y., Phaidon, 1952.
504. Coremans, Paul B.
L'agneau mystique au laboratoire; examen et traitement. (Les
primitifs flamands; contributions à l'étude des primitifs flam-
ands). Anvers, De Sikkel, 1953.
505. Argan, Giulio C.
Fra Angelico; biographical and critical study. Geneva? Skira,
1955.
506. Pope-Hennessy, John.
Fra Angelico. N. Y., Phaidon, 1952.
507. Fiocco, Giuseppe.
Giorgione. 2nd ed. Bergamo, Istituto italiano d'arti grapfiche,
1948.
508. Johns Hopkins University.
Giorgione and his circle. Baltimore, printed by J. H. Furst,
1942.
509. Pergola, Paola della.
Giorgione. Milano, A. Martello, 1955.
510. Venturi, Lionello.
Giorgione. Rome, L. Polveroni e A. Quinti, 1954.
511. Battisti, Eugenio.
Giotto, biographical and critical study. Lausanne, Skira, 1960.
512. Santos, Reynaldo dos.
Nuno Gonçalves, the great Portuguese painter of the fifteenth
century and his altar-piece for the Convent of St. Vincent.
London, Phaidon, 1955.
513. Guinard, Paul.
El Greco; biographical and critical study. Lausanne? Skira,
1956.
514. Huysmans, J. K.
Grünewald, le Retable d'Issenheim. Paris, Braun, 1951.
515. Huysmans, J. K., and Ruhmer, E.
Grünewald, the paintings. London, Phaidon, 1958.
516. Pevsner, Nikolaus, and Meier, Michael.
Grünewald. N. Y., Abrams, 1958.
39
CARLETON COLLEGE LIBRARY
517. Clark, James M.
The Dance of Death by Hans Holbein. London, Phaidon, 1947.
518. Ganz, Paul.
The paintings of Hans Holbein. N. Y., Oxford University
Press, 1950.
519. Leonardo da Vinci.
(Based on the Leonardo Exposition held in Milan in 1938.)
N. Y., Reynal, 1956.
520. Goldscheider, Ludwig, ed.
Landscapes and plants of Leonardo. London, Phaidon, 1952.
521. Heydenreich, Ludwig H.
Leonardo da Vinci. N. Y., Macmillan, 1954.
.
522. Leonardo da Vinci.
The art of painting. N. Y., Philosophical Library, 1957.
523. Leonardo da Vinci.
The notebooks of Leonardo da Vinci arranged, rendered into
English and introduced by Edward MacCurdy. 2 v. N. Y., Rey-
nal & Hitchcock, 1938.
524. Leonardo da Vinci.
Treatise on painting. (Codex urbinas latinus 1270.) Translated
and annotated by Philip McMahon. 2 v. Princeton, Princeton
University Press, 1956.
525. Popham, A. E.
The drawings of Leonardo da Vinci. N. Y., Reynal & Hitch-
cock, 1945.
526. Pedretti, Carlo.
Leonardo da Vinci; fragments at Windsor Castle from the Codex
Atlanticus. London, Phaidon, 1957.
527. Malo, Henri.
Les Très Riches Heures du duc de Berry. Paris, Editions de la
Revue Verve, 1940.
528. Porcher, Jean.
Les Très Riches Heures du duc de Berry, Musée Condé à Chan-
tilly. Paris, Editions Nomis, 1950.
529. Salmi, Mario.
Filippo Lippi: gli affreschi nel dumo di Prato. Bergamo, Istituto
italiano d'arti grafiche, 1944.
40
THE SHEDD MEMORIAL ART BOOKS
530. Rowley, George.
Ambrogio Lorenzetti. 2 v. Princeton, N. J., Princeton Univer-
sity Press, 1958.
531. Berenson, Bernard.
Lorenzo Lotto; complete ed. N. Y., Phaidon, 1956.
532. Fiocco, Giuseppe.
Mantegna, la Cappella Ovetari nella Chiesa degli Eremitani.
Milano, A. Pizzi, 1947?
533. Tietze-Conrat, Erika.
Mantegna; paintings, drawings, engravings. Complete ed. Lon-
don, Phaidon, 1955.
534. Pacht, Otto.
The Master of Mary of Burgundy. London, Faber and Faber,
1948.
535. Salmi, Mario.
Masaccio, Brancacci Chapel, Church of Santa Maria del Car-
mine, Florence. Milan, Amilcare, n.d.
536. Condivi, Ascanio.
La vie de Michel Ange. Paris, Dorbon Aîné, n.d.
537. DeTolnay, Charles.
Michel-ange. Paris, Tisné, 1951.
538. DeTolnay, Charles.
The final period: Last Judgment, frescoes of the Pauline Chapel,
last Pietàs. Princeton, Princeton University Press, 1960.
539. Goldscheider, Ludwig.
Michelangelo drawings. London, Phaidon, 1951.
540. Redig de Campos, D.
Michelangelo, the frescoes of the Pauline Chapel in the Vati-
can. N. Y., Transbook, 1951.
.
541. Freedberg, Sydney J.
Parmigianino; his works in painting. Cambridge, Harvard Uni-
versity Press, 1950.
542. Popham, A. E.
The drawings of Parmigianino. N. Y., Beechhurst Press, 1953.
543. Longhi, Roberto.
Piero della Francesa; frescoes. N. Y., Oxford University Press,
1949.
41
CARLETON COLLEGE LIBRARY
544. Venturi, Lionello.
Piero della Francesca, biographical and critical studies. Geneva,
Skira, 1954.
545. Becherucci, Luisa.
Disegni del Pontormo. Bergamo, Istituto italiano d'arti grafiche,
1943.
546. Clapp, Frederick M.
Jacopo Carucci da Pontormo, his life and work. New Haven,
Yale University Press, 1916.
547. Dimier, Louis.
... Le Primatice. Paris, A. Michel, 1928.
548. Fischel, Oskar.
Raphael. 2 v. London, K. Paul, 1948.
549. Middledorf, Ulrich.
.. Raphael's drawings. N. Y., Bittner, 1945.
550. Pittaluga, Mary.
Raphael; panel paintings. N. Y., Abrams, 1955.
551. Hartt, Frederick.
Giulio Romano. 2 v. New Haven, Yale University Press, 1958.
552. Kusenberg, Kurt.
... Le Rosso. Paris, A. Michel, 1931.
553. Pope-Hennessy, John.
Sassetta. London, Chatto and Windus, 1939.
554. Salmi, Mario.
Luca Signorelli. Novara, Istituto geografico de Agostini, 1953.
555. Delogu, Giuseppe.
Tintoretto. Milano, A. Martello, 1953.
¡
556. Newton, Eric.
Tintoretto. N. Y., Longmans, Green, 1952.
557. Tietze, Hans.
Tintoretto; the paintings and drawings. N. Y., Oxford Univer-
sity Press, 1948.
558. Hourticq, Louis.
La jeunesse de Titien... Paris, Hachette, 1919.
42
THE SHEDD MEMORIAL ART BOOKS
559. Tietze, Hans.
Titian, the paintings and drawings. 2nd. rev. ed. London,
Phaidon, 1950.
(Titian, see also 477)
560. Ruhmer, Eberhard.
Tura; paintings and drawings. N. Y., Phaidon, 1958.
561. Pope-Hennessy, John.
The complete work of Paolo Uccello. N. Y., Phaidon, 1950.
562. Delogu, Giuseppe.
Veronese; the Supper in the House of Levi. N. Y., Transbook,
1950.
563. Pallucchini, Rodolfo.
Mostra di Paolo Veronese. 2nd. ed. Venezia, Libreria Serenis-
sima, tipi di Carlo Ferrari, 1939.
564. Michel, Edouard.
Roger van der Weyden, sept reproductions en couleurs d'aprés
les tableaux de l'Escurial et du Musée du Prado. Paris, Librairie
Plon, 1951.
Prints and Drawings (see also 488, 496, 497,
503, 517, 525, 539, 542, 545, 549)
565. Adhémar, Jean.
French drawing of the XVI century. N. Y., Vanguard, 1955.
566. Major, Emil, and Gradmann, Erwin.
Urs Graf. London, Home & Van Thal, 1947.
567. Phillips, John G.
Early Florentine designers and engravers: Maso Finiguerra,
Baccio Baldini, Antonio Pollaiuola, Sandro Botticelli, Fran-
cesco Rosselli. Cambridge, Harvard University Press, 1955.
17th and 18th Centuries
Surveys (see also 402)
568. Baltrusaitis, Jurgis.
Anamorphoses ou perspectives curieuses. Paris, Olivier Perrin,
1955.
569. Faniel, Stéphane, ed.
French art of the eighteenth century. N. Y., Simon and Schus-
ter, 1957.
43
CARLETON COLLEGE LIBRARY
570. Kubler, George, and Soria, Martin.
Art and architecture in Spain and Portugal and their American
dominions; 1500 to 1800. Baltimore, Penguin, 1959. (Pelican
history of art, v. 17.)
571. Lees-Milne, James.
Baroque in Italy. N. Y., Macmillan, 1960.
572. Mâle, Emile.
L'art religieux de la fin du XVIe siècle, du XVIIe siècle et du
XVIIIe siècle; étude sur l'iconographie après le Concile de
Trente, Italie-France-Espagne-Flandres. 2. éd., rev. et corr.
Paris, A. Colin, 1951.
573. Mantoux, Paul J.
The industrial revolution in the eighteenth century; an outline
of the beginnings of the modern factory system in England.
Rev. ed. London, J. Cape, 1928.
574. Schönberger, Arno.
The rococo age; art and civilization of the 18th century. N. Y.,
McGraw-Hill, 1960.
575. Tapié, Victor L.
The age of grandeur; Baroque art and architecture. N. Y.,
Grove, 1960.
576. Victoria and Albert Museum, London.
Rococo art in Bavaria. London, Lund, Humphries, 1956.
577. Wittkower, Rudolf.
Art and architecture in Italy; 1600 to 1750. Baltimore, Pen-
guin, 1958. (Pelican history of art, v. 16.)
Architecture
578. Kaufmann, Emil.
Architecture in the age of reason; baroque and post-baroque in
England, Italy, and France. Cambridge, Harvard University
Press, 1955.
579. Millon, Henry A.
Baroque & rococo architecture. N. Y., Braziller, 1961.
580. Powell, Nicolas.
From baroque to rococo; an introduction to Austrian and Ger-
man architecture from 1580 to 1790. London, Faber and Faber,
1959.
44
THE SHEDD MEMORIAL ART BOOKS
581. Reilly, Paul.
An introduction to regency architecture. London, Art and Tech-
nics, 1948.
582. Ricci, Corrado.
Baukunst und decorative Skulptur der Barokzeit in Italien.
2nd. ed. Stuttgart, Julius Hoffmann, 1922.
583. Richardson, Albert E.
Georgian architecture. N. Y., Pellegrini & Cudahy, 1950.
584. Summerson, John.
Architecture in Britain; 1530 to 1830. Baltimore, Penguin, 1954.
(Pelican history of art, v. 3.)
585. Mayor, A. Hyatt.
The Bibiena family. N. Y., Bittner, 1945.
587. Muriel, John S. C.
*
586. Freeden, Max H. von.
... Balthasar Neumann als Stadtbaumeister. Berlin, Deutscher
Kunstverlag, 1937.
Wren; his work and times. N. Y., Rich & Cowan, 1951.
*
Sculpture
588. Chantelou, Paul F. de.
...Journal du voyage en France du cavalier Bernin. Paris,
Stock, 1930.
591. Bassi, Elena.
589. Grassi, Luigi.
Disegni del Bernini. Bergamo, Istituto italiano d'arti grafiche,
1944.
590. Wittkower, Rudolf.
Gian Lorenzo Bernini, the sculptor of the Roman baroque. Lon-
don, Phaidon, 1955.
592. Réau, Louis.
Canova. Bergamo, Istituto italiano d'arti grafiche, 1943.
J.-B. Pigalle. Paris, P. Tisné, 1950.
45
CARLETON COLLEGE LIBRARY
593. Belknap, Waldron P.
American colonial painting: materials for a history. Cambridge,
Harvard University Press, 1959.
Painting
594. Bergström, Ingvar.
Dutch still-life painting in the seventeenth century. N. Y.,
Yoseloff, 1956.
595. Dupont, Jacques, and Mathey, Francois.
The seventeenth century; the new developments in art from
Caravaggio to Vermeer. Geneva, Skira, 1951.
596. Levey, Michael.
Painting in XVIII century Venice. London, Phaidon, 1959.
597. Thiery, Yvonne.
Le paysage flamand au XVII siècle. Paris, Elsevier, 1953.
598. Traz, Georges de.
The eighteenth century; Watteau to Tiepolo. Geneva, Skira,
1953.
599. Waterhouse, Ellis K.
Painting in Britain; 1530-1790. Baltimore, Penguin, 1953. (The
Pelican history of art, v. 1.)
*
600. Constable, William G.
X
Canaletto. 2 v. Oxford, Clarendon Press, 1962.
*
601. Parker, Karl T.
The drawings of Antonio Canaletto in the collection of His
Majesty the King at Windsor Castle. London, Phaidon, 1948.
602. Pope-Hennessy, John.
The drawings of Domenichino in the collection of His Majesty
the King at Windsor Castle. London, Phaidon, 1948.
605. Waterhouse, Ellis K.
603. Sedlmayr, Hans.
Johann Bernhard Fischer von Erlach. Wien, Herold, 1956.
604. Wildenstein, Georges.
The paintings of Fragonard. Complete ed. London, Phaidon,
1960.
Gainsborough. London, E. Hulton, 1958.
46
THE SHEDD MEMORIAL ART BOOKS
606. Moschini, Vittorio.
Francesco Guardi. Milano, A. Martello, 1952.
607. Baard, H. P.
Frans Hals; the Civic Guard Portrait Groups. N. Y., Macmil-
lan, 1950.
608. Beckett, R. B.
Hogarth. London, T. Brun, 1949.
609. Gaunt, William.
Hogarth. N. Y., Pitman, 1950.
.
610. Moore, Robert E.
Hogarth's literary relationships. Minneapolis, University of
Minnesota Press, 1948.
611. Oppé, A. P.
The drawings of William Hogarth. London, Phaidon, 1948.
612. Quennell, Peter.
Hogarth's progress. N. Y., Viking, 1955.
613. Puyvelde, Leo van.
Jordaens. N. Y., Elsevier, 1953.
614. Arland, Marcel.
Georges de la Tour. Paris, Editions du Dimanche, 1953.
615. Furness, S. M. M.
Georges de La Tour of Lorraine, 1593-1652. London, Routledge,
1949.
616. Fiocca, Guiseppe.
Disegni e dipinti di Giovanni Antonio Pellegrini, 1675-1741.
Venezia, N. Pozza, 1959.
617. Friedlaender, Walter F.
The drawings of Nicolas Poussin, pt. 2 & 3. London, The War-
burg Institute, 1949, 1953.
618. Benesch, Otto.
Rembrandt; biographical and critical study. N. Y., Skira, 1957.
619. Benesch, Otto.
The drawings of Rembrandt. 6 v. London, Phaidon, 1954-57.
620. Münz, Ludwig.
Rembrandt. N. Y., Abrams, 1954.
47
CARLETON COLLEGE LIBRARY
621. Münz, Ludwig.
Rembrandt's etchings. 2 v. London, Phaidon, 1952.
622. Rosenberg, Jakob.
Rembrandt. Cambridge, Harvard University Press, 1948.
623. Saxl, Fritz.
Rembrandt's Sacrifice of Manoah. London, The Warburg
Institute, 1939.
624. Slive, Seymour.
Rembrandt and his critics, 1630-1730. The Hague, M. Nijhoff,
1953.
625. Valentiner, Wilhelm R.
Rembrandt and Spinoza; a study of the spiritual conflicts in
seventeenth-century Holland. London, Phaidon, 1957.
626. Trapier, Elizabeth Du Gué.
Ribera. N. Y., Hispanic Society of America, 1952.
627. Oldenbourg, Rudolf.
P. P. Rubens, des Meisters Gemälde in 538 Abbildungen. 4th
aufl. Stuttgart, Deutsche Verlags-Anstalt, n.d.
628. Puyvelde, Leo van.
Rubens. N. Y., Elsevier, 1952.
629. Nicolson, Benedict.
Hendrick Terbrugghen. London, L. Humphries, 1958.
630. Morassi, Antonio.
G. B. Tiepolo, his life and work. London, Phaidon, 1955.
631. Sizer, Theodore.
The works of Colonel John Trumbull, artist of the American
Revolution. New Haven, Yale University Press, 1950.
632. Puyvelde, Leo van.
Van Dyck. Bruxelles, Elsevier, 1950.
633. Farque, Léon-Paul.
Velásquez. Paris, Divan, 1946.
634. Herzer, Alfred E., et al.
Velázquez. N. Y., Random House, 1953.
635. Hoesch, Roberto.
Diego Velazquez and B. E. Murillo. Milano, The author, n.d.
48
THE SHEDD MEMORIAL ART BOOKS
636. Lafuente Ferrari, Enrique.
Velazquez; biographical and critical study. Lausanne, Skira,
1960.
637. Trapier, Elizabeth Du Gué.
Velázquez. N. Y., Hispanic Society of America, 1948.
638. Goldscheider, Ludwig.
Jan Vermeer, the paintings. London, Phaidon, 1958.
639. Gowing, Lawrence.
Vermeer. N. Y., Beechhurst Press, 1953.
640. Thienen, Frithjof W. S. van.
Jan Vermeer of Delft. N. Y., Harper, 1949.
641. Vries, Ary B. de.
Jan Vermeer de Delft; suivi de la poétique de Vermeer. Paris,
Tisné, 1948.
642. Adhémar, Hélène.
Watteau, sa vie, son oeuvre. Paris, P. Tisné, 1950.
643. Soria, Martin S.
The paintings of Zurbarán. London, Phaidon, 1953.
Prints and Drawings (see also 589, 601, 602, 611,
617, 619, 621)
644. Benesch, Otto.
Venetian drawings of the eighteenth century in America. N. Y.,
Bittner, 1947.
645. Bernt, Walther.
Die niederlandischen Zeichner des 17 Jahrhunderts. 2 v. Mün-
chen, F. Bruckmann, 1957.
646. Blunt, Anthony, and Croft-Murray, Edward.
Venetian drawings of the XVII & XVIII centuries in the col-
lection of Her Majesty the Queen at Windsor Castle. London,
Phaidon, 1957.
647. Boucher, François, and Jacottet, Philippe.
Le dessin français au XVIIIe siècle. Lausanne, Mermod, 1952.
648. Hofer, Philip.
Baroque book illustration. Cambridge, Harvard University
Press, 1951.
49
CARLETON COLLEGE LIBRARY
649. Talleyrand-Périgord, Héli, duc de.
Dessins vénitiens du dix-huitième siècle de la collection du Duc
de Talleyrand. Milano, D. Guarnati, 1958.
650. Vallery-Radot, Jean, and Jacottet, Philippe.
Le dessin français au XVIIe siècle. Lausanne, Mermod, 1953.
651. Bechtel, Edwin De T.
Jacques Callot. N. Y., Braziller, 1955.
༔
652. Daniel, Howard.
The world of Jacques Callot. N. Y., Lear, 1948.
653. Pallucchini, Rodolfo, and Guarnati, G. F.
Les eaux-fortes de Canaletto. Venezia, D. Guaranati, 1946.
654. Thomas, Hylton.
The drawings of Giovanni Battista Piranesi. N. Y., Beechhurst
Press, 1954.
655. Benesch, Otto.
Rembrandt as a draughtsman; an essay. London, Phaidon, 1960.
656. Held, Julius S.
Rubens; selected drawings. 2 v. Garden City, N. Y., Phaidon,
1959.
657. Dacier, Emile.
Gabriel de Saint-Aubin, peintre, dessinateur et graveur, 1724-
1780. 2 v. Paris, Van Oest, 1929-31.
MODERN ART
19th Century
Surveys
658. Boase, T. S. R.
English art, 1800-1870. Oxford, Clarendon Press, 1959. (v. 10
Oxford History of English Art.)
659. Brooklyn Institute of Arts and Sciences. Museum.
Victoriana, an exhibition of the arts of the Victorian era in
America, April 7 - June 5, 1960. Brooklyn, 1960.
660. Dans les rues de Paris au temps des fiacres.
Paris, Editions du Chêne, 1950.
661. Gayley, Charles M.
The classic myths in English literature and in art based origi-
nally on Bulfinch's "Age of Fable." New ed., rev. & enl. N. Y.,
Ginn, 1911.
50
THE SHEDD MEMORIAL ART BOOKS
662. Lenning, Henry F.
The art nouveau. The Hague, M. Nijhoff, 1951.
663. Madsen, Stephan T.
Sources of art nouveau. N. Y., Wittenborn, 1956.
664. Selz, Peter, ed.
Art nouveau; art and design at the turn of the century. N. Y.,
Museum of Modern Art, 1960.
665. Topffer, Rodolphe E.
Reflexions et menus-propos d'un peintre genevois; ou, essai sur
le beau dans les arts. 2 v. Paris, J. J. Dubochet, Lechevalier,
1848.
Architecture
666. Bøe, Alf.
From Gothic revival to functional form; a study in Victorian
theories of design. N. Y., Humanities, 1957.
667. Condit, Carl W.
The rise of the skyscraper. Chicago, University of Chicago
Press, 1952.
668. Greenough, Horatio.
Form and function; remarks on art. Berkeley, University of
California Press, 1947.
669. Hitchcock, Henry-Russell.
Architecture; nineteenth and twentieth centuries. Baltimore,
Penguin, 1958. (Pelican history of art, v. 15.)
670. Hitchcock, Henry-Russell.
Early Victorian architecture in Britain. 2 v. New Haven, Yale
University Press, 1954.
671. Maass, John.
Gingerbread age: a view of Victorian America. Rinehart, 1957.
672. McClure, Harlan E., ed.
Twin cities architecture; Minneapolis and St. Paul, 1820-1955.
N. Y., Reinhold, 1955.
673. Mumford, Lewis, ed.
Roots of contemporary American architecture; a series of 37
essays dating from the mid-nineteenth century to the present.
N. Y., Reinhold, 1952.
674. Torbert, Donald R.
A century of art and architecture in Minnesota. Minneapolis,
University of Minnesota Press, 1958.
51
CARLETON COLLEGE LIBRARY
675. Turnor, Reginald.
Nineteenth century architecture in Britain. N. Y., Batsford,
1950.
676. Keim, Jean A.
La tour Eiffel. Paris, Editions "Tel", 1950.
677. Latrobe, Benjamin H.
Impressions respecting New Orleans; diary & sketches, 1818-
1820. N. Y., Columbia University Press, 1951.
678. Hamlin, Talbot F.
* * *
Benjamin Henry Latrobe. N. Y., Oxford, 1955.
Sculpture
680. Gobin, Maurice.
679. Ramsden, E. H.
Sculpture; theme and variations, towards a contemporary aes-
thetic. London, Lund, Humphries, 1953.
Daumier sculpteur, 1808-1879. Genève, P. Cailler, 1952.
681. Rewald, John, ed.
682. Haesaerts, Paul.
* * * **
Degas; works in sculpture. N. Y., Pantheon, 1944.
683. Rodin, Auguste.
*
Renoir, sculptor. N. Y., Reynal & Hitchcock, 1947.
On art and artists. N. Y., Philosophical Library, 1957.
684. Elsen, Albert E.
Rodin's "Gates of Hell". Minneapolis, University of Minnesota
Press, 1960.
685. Storey, Sommerville.
Rodin. London, Phaidon, 1956.
686. Rilke, Rainer Maria.
687. Alazard, Jean.
Rodin. London, The Grey Walls Press, 1946.
Painting (see also 806)
Ingres et l'ingrisme. Paris, Michel, 1950.
52
THE SHEDD MEMORIAL ART BOOKS
688. Baudelaire, Charles P.
The mirror of art; critical studies. N. Y., Phaidon, 1955.
689. Bazin, Germain.
L'époque impressionniste, avec notes biographiques et biblio-
graphiques. 2nd. ed. Paris, P. Tisné, n.d.
690. Bazin, Germain, ed.
History of modern painting. N. Y., Hyperion Press, 1951.
691. Bell, Clive.
The French impressionists in full colour; London, Phaidon,
1952.
692. Boucher, François.
Au temps de Baudelaire, Guys et Nadar. Paris?, Editions du
Chêne, 1945.
693. Cheney, Sheldon.
The story of modern art. N. Y., Viking, 1950.
694. Colin, Paul.
La peinture européenne au XIX siècle, le romantisme. Paris,
H. Floury, 1935.
695. Courthion, Pierre.
Montmartre. Lausanne, Skira, 1956.
696. Courthion, Pierre.
Paris in our time; from impressionism to the present day. Lau-
sanne? Skira, 1957.
697. Dickason, David H.
The daring young men; the story of the American pre-Raphael-
ites. Bloomington, Indiana University Press, 1953.
698. Dorival, Bernard.
Les étapes de la peinture française contemporaine... 3 v.
Paris, Gallimard, 1943.
699. Flanagan, George A.
How to understand modern art. N. Y., Studio Publications,
1951.
700. Friedlaender, Walter F.
David to Delacroix. Cambridge, Harvard University Press,
1952.
701. Humbert, Agnès.
Les Nabis et leur époque, 1888-1900. Genève, P. Cailler, 1954.
53
CARLETON COLLEGE LIBRARY
702. Institute of Contemporary Art, Boston.
The sources of modern painting. Boston, Institute of Modern
Art, 1939.
703. Leymarie, Jean.
Impressionism; biographical and critical study. 2 v. Lausanne?,
Skira, 1955.
704. Museum of Modern Art, New York.
15 paintings by French masters of the nineteenth century, lent
by the Louvre and the museums of Albi and Lyon. N. Y., 1955.
705. Museum of Modern Art, New York.
Masters of British painting, 1800-1950. N. Y., 1956.
706. Musée national du Louvre, Paris.
Peintures; Ecole francaise, XIX siècle. 4 v. Paris, Editions des
Musées Nationaux, 1958-.
707. Raynal, Maurice.
The nineteenth century; new sources of emotion from Goya to
Gauguin. Geneva, Skira, 1951.
708. Rewald, John.
Post-impressionism. N. Y., Museum of Modern Art, 1956.
709. Rothenstein, John.
The moderns and their world. N. Y., Philosophical Library,
1958.
710. Sloane, Joseph C.
French painting between the past and the present; artists,
critics, and traditions, from 1848 to 1870. Princeton, Princeton
University Press, 1951.
711. Soby, James T.
Modern art and the new past. Norman, University of Oklahoma
Press, 1958.
712. Taylor, Basil.
The Impressionists and their world. London, Phoenix House,
1953.
* * * * *
713. Blunt, Sir Anthony.
The Art of William Blake. N. Y., Columbia University Press,
1959.
714. Keynes, Geoffrey.
Blake, N. Y., Pitman, 1949.
54
THE SHEDD MEMORIAL ART BOOKS
715. Beer, François-Joachim.
Pierre Bonnard. Marseille, Editions françaises d'art, 1947.
716. Laprade, Jacques de.
Bonnard. N. Y., Tudor, 1946.
717. Roger-Marx, Claude.
Bonnard; lithographe. Monte Carlo, A. Sauret, 1952.
718. McCracken, Harold.
George Catlin and the old frontier. N. Y., Dial, 1959.
719. Berthold, Gertrude.
Cezanne und die alten Meister. Stuttgart, W. Kohlhammer,
1958.
720. Fry, Roger E.
Cézanne, a study of his development. N. Y., Macmillan, n.d.
721. Guerry, Liliane.
Cézanne et l'expression de l'espace. Paris, Flammarion, 1951.
722. Mack, Gerstle.
... Paul Cézanne. N. Y., Knopf, 1936.
723. Neumeyer, Alfred.
Cézanne drawings. N. Y., Yoseloff, 1958.
724. Raynal, Maurice.
Cézanne; biographical and critical studies. Geneva, Skira, 1954.
725. Rewald, John, ed.
Paul Cézanne letters. 3rd ed. Oxford, Bruno Cassirer, 1946.
726. Schapiro, Meyer.
Paul Cézanne. N. Y., Abrams, 1952.
727. Schmidt, Georg.
Cézanne, water-colours. N. Y., British Book Centre, 1953.
728. Schniewind, Carl O.
Paul Cézanne sketch book. 2 v. N. Y., C. Valentin, 1951.
729. Baud-Bovy, Daniel.
Corot, Genève, A. Jullien, 1957.
730. Bazin, Germain.
Corot. 2nd éd., rev. et augm. Paris, P. Tisné, 1951.
55
CARLETON COLLEGE LIBRARY
¡
731. Courthion, Pierre, and Cailler, Pierre.
Corot raconté par lui-même et par ses amis, pensées et écrits du
peintre. Vésenaz-Genève, P. Cailler, 1946.
732. Courthion, Pierre, and Cailler, Pierre.
Courbet, raconté par lui-même et par ses amis, sa vie et ses
oeuvres. Genève, P. Cailler, 1948.
733. Mack, Gerstle.
Gustave Courbet. N. Y., Knopf, 1951.
734. MacOrlan, Pierre.
Courbet. Paris, Editions du Dimanche, 1951.
735. Maurois, André.
J. L. David. Paris, Editions du Dimanche, 1948.
736. Musée National du Louvre, Paris.
J. L. David; quatorze dessins publiés par Maurice Sérullaz.
(Collection de reproductions de dessins publiés sous la direction
de Gabriel Rouchès.) Paris, Musées Nationaux, 1939.
737. Champigneulle, Bernhard.
Degas, dessins. Paris, Editions des Deux Mondes, 1952.
738. Guérin, Marcel.
Lettres de Degas. Paris, B. Grasset, 1945.
739. Cooper, Douglas.
Degas, pastels. N. Y., British Book Centre, 1953.
740. Traz, Georges de.
Degas; biographical and critical studies. Geneva, Skira, 1954.
741. Rich, Daniel C.
Edgar Hilaire Germain Degas. N. Y., Abrams, 1951.
(Degas, see also 681)
742. Delacroix, Eugene.
The Journal of Eugene Delacroix. N. Y., Covici, Friede, 1937.
743. Cassou, Jean.
Delacroix. Paris, Editions du Dimanche, 1947.
744. Rose, Millicent.
Gustave Doré. London, Pleiades books, 1946.
745. Porter, Fairfield.
Thomas Eakins. N. Y., Braziller, 1959.
56
THE SHEDD MEMORIAL ART BOOKS
746. Fierens, Paul.
... James Ensor. Paris, Editions Hyperion, 1943.
747. Haesaerts, Paul.
James Ensor. N. Y., Abrams, 1959.
748. Tannenbaum, Libby.
James Ensor. N. Y., Simon and Schuster, 1951.
749. Mason, Eudo C.
The mind of Henry Fuseli; selections from his writings. Lon-
don, Routledge, 1951.
750. Powell, Nicolas.
The drawings of Henry Fuseli. London, Faber & Faber, 1951.
751. Gauguin, Paul.
Intimate journals... with the 29 drawings from the [original]
manuscript and 25 additional pages of drawings and paintings.
Bloomington, Indiana University Press, 1958.
752. Estienne, Charles.
Gauguin; biographical and critical studies. Geneva, Skira, 1953.
753. Goldwater, Robert.
Paul Gauguin. N. Y., Abrams, 1957.
754. Hanson, Lawrence, and Hanson, Elisabeth.
The noble savage; a life of Paul Gauguin. London, Chatto &
Windus, 1954.
755. Rewald, John.
Gauguin drawings. N. Y., Yoseloff, 1958.
756. Berger, Klaus.
Géricault and his work. Lawrence, University of Kansas Press,
1955.
757. Berger, Klaus.
Géricault, drawings & watercolors. N. Y., H. Bittner, 1946.
758. Berger, Klaus.
Géricault und sein Werk. Wien, A. Schroll, 1952.
759. Courthion, Pierre, and Cailler, Pierre.
Géricault, raconté par lui-même et par ses amis. Genève, P.
Cailler, 1947.
760. Ferrari, Enrique L.
The frescoes in San Antonio de la Florida in Madrid. N. Y.,
Skira, 1955.
57
CARLETON COLLEGE LIBRARY
761. Gassier, Pierre.
Goya; biographical and critical study. N. Y., Skira, 1955.
762. López-Rey, José.
A cycle of Goya's drawings; the expression of truth and liberty.
London, Faber & Faber, 1956.
763. López-Rey, José.
Goya's Caprichos; beauty, reason and caricature. Princeton,
Princeton University Press, 1953.
764. Malraux, André.
Goya, drawings from the Prado. London, Horizon, 1947.
765. Malraux, André.
Saturn, an essay on Goya. N. Y., Phaidon, 1957.
766. Malraux, André.
Saturne, essai sur Goya. Paris, NRF, 1950.
767. d'Alain. (pseud.)
Ingres. Paris, Editions du Dimanche, 1949.
768. Courthion, Pierre, and Cailler, Pierre.
Ingres raconté par lui-même et par ses amis; pensées et écrits
du peintre. 2 v. Vésenaz-Genève, P. Cailler, 1947-8.
769. Wildenstein, Georges.
Ingres. London, Phaidon, 1954.
770. Bataille, Georges.
Manet; biographical & critical study. N. Y., Skira, 1955.
771. Hamilton, George H.
Manet and his critics. New Haven, Yale University Press, 1954.
772. Vaudoyer, J.-L.
E. Manet. Paris, Editions du Dimanche, 1955.
773. Richardson, John.
Edouard Manet; his paintings and drawings. London, Phaidon,
1958.
774. Adhémar, Hélène.
Monet peintures. Paris, Editions du Chêne, 1950.
775. City Art Museum of St. Louis.
Claude Monet, a loan exhibition. Minneapolis Institute of Arts,
1957.
58
THE SHEDD MEMORIAL ART BOOKS
776. Rouart, Denis.
Claude Monet. N. Y., Skira, 1958.
777. Seitz, William C.
Claude Monet. N. Y., Abrams, 1960.
778. Rewald, John, ed.
Camille Pissarro; letters to his son, Lucien. N. Y., Pantheon,
1943.
779. Roger-Marx, Claude.
Redon, fusains. Paris, Braun, 1951.
780. Sandström, Sven.
Le monde imaginaire d'Odilon Redon. N. Y., Wittenborn, 1955.
781. Rewald, John.
Renoir drawings. N. Y., H. Bittner, 1946.
782. Rouart, Denis.
Renoir, biographical & critical studies. Geneva, Skira, 1954.
(Renoir, see also 682)
783. Dorra, Henri, and Rewald, John.
Seurat. Paris, Les Beaux-arts, 1959.
784. Rich, Daniel C., ed.
Seurat; Paintings and drawings. Chicago, University of Chi-
cago Press, 1958.
(Seurat, see also 819)
785. Cooper, Douglas.
Henri de Toulouse-Lautrec. N. Y., Abrams, 1952.
786. Jourdain, Francis.
T-Lautrec; essai sur Toulouse-Lautrec. Paris, P. Tisné, 1952.
787. Julien, Edouard.
The posters of Toulouse-Lautrec. N. Y., Paris Book Center,
1951.
788. Landolt, Hanspeter.
Henri de Toulouse-Lautrec; drawings and sketches in colour.
N. Y., Macmillan, 1955.
789. Lassaigne, Jacques.
Lautrec, biographical and critical studies. Geneva, Skira, 1953.
790. Mack, Gerstle.
... Toulouse-Lautrec. N. Y., Knopf, 1938.
59
CARLETON COLLEGE LIBRARY
791. Museum of Modern Art, New York.
Toulouse-Lautrec; paintings, drawings, posters, and lithographs.
N. Y., 1956.
792. Natanson, Thadée.
Un Henri de Toulouse-Lautrec. Genève, P. Cailler, 1951.
793. Schniewind, Carl O.
A sketch book by Toulouse-Lautrec. N. C., C. Valentin, 1951.
794. Tietze, Hans.
Toulouse Lautrec. N. Y., Beechhurst Press, 1953.
795. Van Gogh, Vincent.
Complete letters, with reproductions of all the drawings in the
correspondence. 3 v. Greenwich, Conn., N. Y. Graphic Society,
1958.
796. Cooper, Douglas.
Drawings and watercolours by Vincent Van Gogh. N. Y., Mac-
millan, 1955.
797. Courthion, Pierre, and Cailler, Pierre.
Van Gogh, reconté par lui-même et par ses amis; ses con-
temporains, sa postérité. Vésenaz-Genève, P. Cailler, 1952.
798. Estienne, Charles.
Van Gogh; critical study. Geneva, Skira, 1953.
799. Fierens, Paul.
Van Gogh, Paris, Braun, 1947.
800. Hammacher, A. M.
Van Gogh. Milan, A. Martello, 1953.
801. La Faille, J. B. de.
Vincent van Gogh. Paris, Editions Hypérion, 1939.
802. Lord, Douglas, ed. (pseud.)
Vincent van Gogh letters to Emile Bernard. N. Y., Museum of
Modern Art, 1938.
803. Nordenfalk, Carl.
The life and work of Van Gogh. London, Elek, 1953.
804. Schapiro, Meyer.
Vincent van Gogh. N. Y., Abrams, 1950.
805. Stone, Irving, ed.
Dear Theo; the autobiography of Vincent Van Gogh. N. Y.,
Doubleday, 1946.
60
THE SHEDD MEMORIAL ART BOOKS
806. Ritchie, Andrew C.
Edouard Vuillard. N. Y., The Museum of Modern Art in col-
laboration with the Cleveland Museum of Art, 1954.
807. Roger-Marx, Claude.
L'oeuvre gravé de Vuillard. Monte Carlo, A. Sauret, 1948.
808. Pennell, Elizabeth R.
Whistler the friend. Philadelphia, Lippincott, 1930.
Prints and Drawings (see also 717, 723, 728, 736, 737, 750,
755, 757, 762, 764, 781, 784, 787, 788, 791, 793, 795,
796, 807, 1108)
809. Berger, Klaus, ed.
French master drawings of the nineteenth century. N. Y., Har-
per, 1950.
810. Carlisle, Anne.
English drawings, XIX century. N. Y., Hyperion, 1951.
811. Heise, Carl G.
Grosse Zeichner des XIX Jahrhunderts. Berlin, Gebr. Mann,
1959.
812. Huyghe, René, and Jaccottet, Philippe.
French drawing of the 19th century. N. Y., Vanguard Press,
1956.
813. Adhémar, Jean.
Honoré Daumier. Paris, P. Tisné, 1954.
815. Fuchs, Eduard.
*
814. Courthion, Pierre, and Cailler, Pierre.
Daumier raconté par lui-même et par ses amis. Vésenaz-Genève,
P. Cailler, 1945.
816. Lejeune, Robert.
*
Der Maler Daumier. München, A. Langen, 1927.
Honoré Daumier. Lausanne, La Guilde du Livre, 1953.
818. Geffroy, Gustave.
817. Dangon, Georges, et al.
Louis Favre and the development of colour lithography. The
Hague, Mouton, 195-?
Charles Meryon. Paris, H. Floury, 1926.
61
CARLETON COLLEGE LIBRARY
819. Seligman, Germain.
The drawings of Georges Seurat. N. Y., C. Valentin, 1947.
Twentieth Century
Surveys and Directories (see also 660, 663, 664)
820. Solomon R. Guggenheim Museum, New York.
A handbook to the Solomon R. Guggenheim Museum collec-
tion. N. Y., 1959.
821. Who's who in American art,
a biographical directory of selected artists in the United States
working in the media of painting, sculpture, graphic arts, illus-
tration, design, and the handicrafts. Washington, D. C., Ameri-
can Federation of Arts, 1956.
822. Who's who in art,
being a series of alphabetically arranged biographies of the
leading men and women in the world of art today. London, The
Art Trade Press, 1956.
Architecture (see also 99, 105, 669, 672, 673, 1045)
823. Architects' year book, v. 3-6.
London, Elek, 1949-55.
824. Architectural record.
Architectural engineering. N. Y., F. W. Dodge, 1955.
825. Architectural record.
Industrial buildings. N. Y., F. W. Dodge, 1951.
826. Architectural record.
Religious buildings for today. N. Y., F. W. Dodge, 1957.
827. Architectural record.
A treasury of contemporary houses. N. Y., F. W. Dodge, 1954.
828. Bittermann, Eleanor.
Art in modern architecture. N. Y., Reinhold, 1952.
829. Damaz, Paul.
Art in European architecture. Synthèse des arts. N. Y., Rein-
hold, 1956.
830. Encyclopédie de l'architecture.
Immeubles collectifs. Paris, Editions Albert Morancé, 1956.
831. Giedion, Sigfried.
Architecture, you and me. Cambridge, Harvard University
Press, 1958.
62
THE SHEDD MEMORIAL ART BOOKS
832. Giedion, Sigfried, ed.
A decade of new architecture. Zürich, Girsberger, 1951.
833. Goodman, Percival, and Goodman, Paul.
Communitas, means of livelihood and ways of life. Chicago,
The University of Chicago Press, 1947.
834. Hamlin, Talbot F., ed.
Forms and functions of twentieth-century architecture. 4 v.
N. Y., Columbia University Press, 1952.
835. Hatje, Gerd, et al.
New German architecture. N. Y., Praeger, 1956.
836. Henze, Anton, and Filthaut, Theodor.
Contemporary church art. N. Y., Sheed & Ward, 1956.
837. Hitchcock, Henry-Russell, and Drexler, Arthur, eds.
Built in USA; post-war architecture. N. Y., Simon & Schuster,
1952.
838. Hitchcock, Henry-Russell.
Latin American architecture since 1945. N. Y., Museum of
Modern Art, 1955.
839. Hudnut, Joseph.
Architecture and the spirit of man. Cambridge, Harvard Uni-
versity Press, 1949.
840. Kocher, Alfred L., and Dearstyne, Howard.
Colonial Williamsburg, its buildings and gardens. Williams-
burg, Colonial Williamsburg, 1949.
841. Mills, Edward D.
The modern church. N. Y., Praeger, 1956.
842. Mumford, Lewis, et al.
The arts in renewal. Philadelphia, University of Pennsylvania
Press, 1951.
843. Mumford, Lewis.
From the ground up. N. Y., Harcourt, Brace, 1956.
844. Nelson, George, ed.
Living spaces. N. Y., Whitney, 1952.
845. Nelson, George.
... Tomorrow's house. N. Y., Simon & Schuster, 1946.
846. Pagani, Carlo.
Architettura italiana oggi. Milano, Hoepli, 1955.
63
CARLETON COLLEGE LIBRARY
847. Peter, John.
Masters of modern architecture. N. Y., Braziller, 1958.
848. Pica, Agnoldomenico.
Recent Italian architecture. Milan, Edizioni del Milione, 1959.
849. Raafat, Aly A.
Reinforced concrete in architecture. N. Y., Reinhold, 1958.
850. Richards, James M.
An introduction to modern architecture. Rev. ed., N. Y., Pen-
guin, 1947.
851. Roth, Alfred.
The new school. Zürich, Girsberger, 1950.
852. Roth, Alfred.
La nouvelle architecture. 5th ed. Zürich, Girsberger, 1951.
853. San Francisco Museum of Art.
Domestic architecture of the San Francisco bay region. San
Francisco, 1949.
854. Scully, Vincent J.
Modern architecture; the architecture of democracy. N. Y.,
Braziller, 1961.
855. Sert, José L.
... Can our cities survive? Cambridge, Harvard University
Press, 1942.
856. Stein, Clarence S.
Toward new towns for America. Chicago, Public Administra-
tion Service, 1951.
857. Thiry, Paul, et al.
Churches & temples. N. Y., Reinhold, 1953.
858. Whittick, Arnold.
European architecture in the twentieth century. 2 v. London,
C. Lockwood, 1953.
859. Zevi, Bruno.
Towards an organic architecture. London, Faber and Faber,
1950.
*
860. Gutheim, Frederick A.
*
*
Alvar Aalto. N. Y., Braziller, 1960.
*
64
THE SHEDD MEMORIAL ART BOOKS
861. Belluschi, Pietro.
The Northwest architecture of Pietro Belluschi. N. Y., F. W.
Dodge, 1953.
862. Collins, George R.
Antonio Gaudi. N. Y., Braziller, 1960.
863. Gropius, Walter.
The new architecture and the Bauhaus. London, Faber and
Faber, 1955.
864. Gropius, Walter.
Scope of total architecture. N. Y., Harper, 1955.
865. Papadaki, Stamo, ed.
Le Corbusier, architect, painter, writer. N. Y., Macmillan, 1948.
866. Jeanneret-Gris, Charles E.
The chapel at Ronchamp. N. Y., Praeger, 1957.
867. Jeanneret-Gris, Charles E.
Concerning town planning. New Haven, Yale University Press,
1948.
868. Jeanneret-Gris, Charles E.
The Marseilles block. London, Harvill, 1953.
869. Jeanneret-Gris, Charles E.
The modulor. 2nd ed. Cambridge, Harvard University Press,
1954.
870. Jeanneret-Gris, Charles E., and Jeanneret, Pierre.
Œuvre complète de 1910-1929. 4th éd. Erlenbach, Editions
d'architecture, 1946.
871. Jeanneret-Gris, Charles E., and Jeanneret, Pierre.
Euvre complète de 1929-1934. Zürich, Girsberger, 1935.
872. Jeanneret-Gris, Charles E., and Jeanneret, Pierre.
Œuvre complète, 1934-1938. 2nd éd. Erlenbach, Zürich, Edi-
tions d'architecture, 1947.
873. Jeanneret-Gris, Charles E., and Jeanneret, Pierre.
Euvre complète, 1938-1946. Erlenbach, Zürich, Editions
d'architecture, 1947.
874. Jeanneret-Gris, Charles E., and Jeanneret, Pierre.
Euvre complète, 1946-1952. Zürich, Girsberger, 1953.
875. Jeanneret-Gris, Charles E., and Jeanneret, Pierre.
Œuvre complète, 1952-1957. N. Y., Wittenborn, 1957.
65
CARLETON COLLEGE LIBRARY
876. Bill, Max.
Robert Maillart. 2nd ed. Zürich, Girsberger, 1955.
877. Whittick, Arnold.
Eric Mendelsohn. 2nd ed. London, L. Hill, 1956.
878. Drexler, Arthur.
Ludwig Mies van der Rohe. N. Y., Braziller, 1960.
879. Hilberseimer, Ludwig.
Mies van der Rohe. Chicago, Theobald, 1956.
880. Nervi, Pier L.
Structures. N. Y., F. W. Dodge, 1956.
881. Boesiger, W., ed.
Richard Neutra; buildings and projects. Zurich, Girsberger,
1951.
882. Boesiger, W., ed.
Richard Neutra: 1950-60, buildings and projects. N. Y., Prae-
ger, 1959.
883. Museu de Arte, São Paulo.
Neutra, residences. São Paulo. Brasil, Museu de Art, 1951.
884. Neutra, Richard J.
Mystery and realities of the site. Scarsdale, N. Y., Morgan &
Morgan, 1951.
885. Papadaki, Stamo.
The work of Oscar Niemeyer. N. Y., Reinhold, 1950.
886. Szarkowski, John.
The idea of Louis Sullivan. Minneapolis, University of Minne-
sota Press, 1956.
887. Wright, Frank L.
An American architecture. N. Y., Horizon, 1955.
888. Wright, Frank L.
The future of architecture. N. Y., Horizon, 1953.
889. Wright, Frank L.
The living city. N. Y., Horizon, 1958.
890. Wright, Frank L.
The natural house. N. Y., Horizon, 1954.
891. Wright, Frank L.
The story of the Tower. N. Y., Horizon, 1956.
66
THE SHEDD MEMORIAL ART BOOKS
892. Wright, Frank L.
A testament. N. Y., Horizon, 1957.
893. Manson, Grant C.
Frank Lloyd Wright. N. Y., Reinhold, 1958.
Sculpture (see also 679, 680, 984, 989, 1071)
894. Berckelaers, Ferdinand L.
The sculpture of this century. N. Y., Braziller, 1960.
895. Brumme, C. Ludwig.
Contemporary American sculpture. N. Y., Crown, 1948.
896. Gertz, Ulrich.
Plastik der Gegenwart. Berlin, Rembrandt-Verlag, 1953.
897. Giedion-Welcker, Carola.
Contemporary sculpture. N. Y., Wittenborn, 1955.
898. Joray, Marcel.
La sculpture moderne en Suisse. Neuchâtel, Editions du Grif-
fon, 1955.
899. Museum of Modern Art, New York.
Teaching portfolio no. 1, modern sculpture, N. Y., n.d.
900. Ritchie, Andrew C.
Sculpture of the twentieth century. N. Y., Museum of Modern
Art, 1952.
901. Schaefer-Simmern, Henry.
Sculpture in Europe today. Berkeley, University of California
Press, 1955.
902. The unknown political prisoner,
international sculpture competition sponsored by the Institute
of Contemporary Arts. London, Tate Gallery, 1953.
903. Wilenski, Reginald H.
The meaning of modern sculpture. London, Faber & Faber,
1932.
* * * * *
904. Soby, James T.
Arp. (Museum of Modern Art) Garden City, N. Y., Double-
day, 1958.
905. Carls, Carl D.
Ernst Barlach. 5. Aufl. Berlin, Konrad Lemmer, 1950.
67
CARLETON COLLEGE LIBRARY
906. Heise, Carl G.
Ernst Barlach: zwischen Erde und Himmel. München, Piper,
1958.
907. Lüdecke, Henry.
Ernst Barlach. Berlin, Deutsche Akademie der Kunste, 1951.
908. Lewis, David.
Constantin Brancusi. N. Y., Wittenborn, 1957.
909. Hodin, J. P.
Chadwick. N. Y., Universe Books, 1961.
910. Museum of Modern Art, New York.
Naum Gabo and Antoine Pevsner. N. Y., 1948.
911. Read, Herbert, and Martin, Leslie.
Gabo, constructions, sculpture, paintings, drawings, and en-
gravings. London, Lund, Humphries, 1957.
912. Degand, Léon.
Gonzalez. N. Y., Universe Books, 1959.
913. Ritchie, Andrew C.
Julio Gonzalez. N. Y., Museum of Modern Art, 1956.
914. Read, Herbert.
Hepworth, carvings and drawings. London, Lund, Humphries,
1952.
915. Hammacher, A. M.
Barbara Hepworth. N. Y., Universe Books, 1959.
916. Goldscheider, Cécile.
Laurens. N. Y., Universe Books, 1959.
917. Le Point.
Henri Laurens. v. 33, Juillet, 1946 of "Le Point”.
918. Hofmann, Werner.
Wilhelm Lehmbruck. N. Y., Universe Books, 1959.
919. Goldwater, Robert.
Lipchitz. N. Y., Universe Books, 1959.
920. Hope, Henry R.
The sculpture of Jacques Lipchitz. N. Y., Museum of Modern
Art, 1954.
68
THE SHEDD MEMORIAL ART BOOKS
921. Apollonio, Umbro.
Marino Marini, sculptor. 2nd ed., rev. Milan, Edizioni del
Milione, 1953.
922. Langui, Em.
Marino Marini. N. Y., Universe Books, 1959.
923. Argan, G.
Martini. N. Y., Universe Books, 1959.
924. Schmeckebier, Laurence.
Ivan Mestrovic: sculptor and patriot. Syracuse, Syracuse Uni-
versity Press, 1959.
925. Grigson, Geoffrey.
Heads, figures and ideas. Greenwich, Conn., N. Y. Graphic
Society, 1958.
926. Grohmann, Will.
The art of Henry Moore. N. Y., Abrams, 1960.
927. Hodin, J. P.
Moore. N. Y., Universe Books, 1959.
928. Read, Herbert.
Henry Moore; sculpture and drawings. 3rd rev. & much enl. ed.
2 v. N. Y., C. Valentin, 1949.
929. Takiguchi, Shuzo, et al.
Noguchi. Tokyo, Bijutsu Shuppan-Sha, 1953.
(Antoine Pevsner, see 910)
930. Penrose, Poland.
Picasso. N. Y., Universe Books, 1961.
931. Sherwood, Ruth.
Carving his own destiny, the story of Albin Polásek. Chicago,
R. F. Seymour, 1954.
932. Cassou, Jean.
Germaine Richier. N. Y., Universe Books, 1961.
933. Schneider, Bruno F.
John Rood's sculpture. Minneapolis, University of Minnesota
Press, 1958.
934. Arnason, H. H.
Theodore Roszak. Minneapolis, Walker Art Center; New York,
Whitney Museum of American Art, 1956.
69
CARLETON COLLEGE LIBRARY
935. Hammacher, A. M.
Zadkine. N. Y., Universe Books, 1959.
Painting (see also 693, 695, 696, 698, 699, 705, 709, 711)
936. Albright Art Gallery, Buffalo.
Expressionism in American painting. Buffalo, 1952.
937. Ballo, Guido.
Modern Italian painting, from futurism to the present day.
N. Y., Praeger, 1958.
938. Barker, Virgil.
From realism to reality in recent American painting. Lincoln,
University of Nebraska Press, 1959.
939. Barr, Alfred H., Jr., ed.
Masters of modern art. N. Y., Museum of Modern Art, 1954.
940. Battarbee, Reginald E.
Modern Australian aboriginal art. Sydney, Angus and Robert-
son, 1951.
941. Bauman, Hans F. S., ed.
Eight European artists. London, Heinemann, 1954.
942. Baur, John I. H.
Nature in abstraction. N. Y., Macmillan, 1958.
943. Baur, John I. H., ed.
New art in America. N. Y., Praeger, 1957.
944. Baur, John I. H.
Revolution and tradition in modern American art. Cambridge,
Harvard University Press, 1951.
945. Bayer, Herbert, ed.
Bauhaus. N. Y., The Museum of Modern Art, 1938.
946. Bernier, Georges, and Bernier, Rosamond.
The selective eye III; an anthology of writings on modern art.
N. Y., Reynal, 1957.
947. Bethers, Ray.
How paintings happen. N. Y., Norton, 1951.
948. Blesh, Rudi.
Modern art USA. N. Y., Knopf, 1956.
949. Brion, Marcel.
Art abstrait. Paris, A. Michel, 1956.
70
THE SHEDD MEMORIAL ART BOOKS
950. Brown, Milton W.
American painting from the Armory Show to the depression.
Princeton, Princeton University Press, 1955.
951. Chen, Jack.
Soviet art and artists. London, Pilot Press, 1944.
952. Cheney, Sheldon, and Cheney, Martha C.
Art and the machine. N. Y., Whittlesey house, 1936.
953. Dorival, Bernard.
Twentieth century painters. 2 v. N. Y., Universe Books, 1958?
954. Flanner, Janet.
Men and monuments. N. Y., Harper, 1957.
955. Fowlie, Wallace.
Age of surrealism. N. Y., Swallow Press, 1950.
956. Giani, Giampiero.
Spazialismo; origini e sviluppi di una tendenza artistica.
Milano, Conchiglia, 1956.
957. Golding, John.
Cubism; a history and an analysis, 1907-1914. N. Y., Witten-
born, 1959.
958. Gray, Christopher.
Cubist aesthetic theories. Baltimore, Johns Hopkins Press,
1953.
959. Habasque, Guy.
Cubism: biographical and critical study. N. Y., Skira, 1959.
960. Museum of Modern Art, New York.
Les fauves. N. Y., Museum of Modern Art, 1952.
961. Haftmann, Werner, et al.
German art of the twentieth century. N. Y., Museum of Mod-
ern Art, 1957.
962. Hamilton, George, and Baur, John I. H.
Twentieth century painting. Newton, Mass., The University
prints, n.d.
963. Hess, Thomas B.
Abstract painting; background and American phase. N. Y.,
Viking, 1951.
71
CARLETON COLLEGE LIBRARY
964. Jean, Marcel.
Histoire de la peinture surréaliste. Paris, Editions du Seuil,
1959.
965. Kepes, Gyorgy.
The new landscape in art and science. Chicago, P. Theobald,
1956.
966. Kuhn, Charles L.
German expressionism and abstract art; the Harvard collec-
tions. Cambridge, Harvard University Press, 1957.
967. Lehmann-Haupt, Hellmut.
Art under a dictatorship. N. Y., Oxford University Press, 1954.
968. Leymarie, Jean.
Fauvism: biographical and critical study. N. Y., Skira, 1959.
969. McCurdy, Charles, ed.
Modern art, a pictorial anthology. N. Y., Macmillan, 1958.
970. Modern artists in America.
1st series, 1949-50. N. Y., Wittenborn, Schultz, 1950.
971. Motherwell, Robert, ed.
The Dada painters and poets, an anthology. N. Y., Wittenborn,
Schultz, 1951.
972. Miller, Dorothy.
12 Americans. N. Y., Museum of Modern Art, 1956.
973. Myers, Bernard S.
Problems of the younger American artist. N. Y., City College
Press, 1957.
974. Pousette-Dart, Nathaniel, ed.
American painting today. N. Y., Hastings House, 1956.
975. Raynal, Maurice.
Modern painting. Geneva, Skira, 1953.
976. Ritchie, Andrew C., ed.
The new decade; 22 European painters and sculptors. N. Y.,
Museum of Modern Art, 1955.
977. Rodman, Selden.
Conversations with artists. N. Y., Devin-Adair, 1957.
978. Selz, Peter.
German expressionist painting. Berkeley, University of Cali-
fornia Press, 1957.
72
THE SHEDD MEMORIAL ART BOOKS
979. Seuphor, Michel, and Berckelaers, Ferdinand L.
L'art abstrait, ses origines, ses premiers maitres. Paris,
Maeght, 1949.
980. Severini, Gino.
The artist and society. N. Y., Grove Press, 1952.
981. Shattuck, Roger.
The banquet years; the arts in France, 1885-1918. N. Y., Har-
court, Brace, 1958.
982. Stedlijk Museum, Amsterdam.
De Stijl. Amsterdam, 1951.
983. Stewart, Virginia.
45 contemporary Mexican artists; a twentieth-century renais-
sance. Stanford, Stanford University Press, 1951.
984. Verkauf, Willy, ed.
Dada; monography of a movement. N. Y., Wittenborn, 1957.
985. City Art Museum of St. Louis.
Max Beckmann, 1948. N. Y., Marchbanks Press, 1948.
986. Buchheim, Lothar G.
* * * * *
Max Beckmann. Feldafing, Buchheim, 1959.
987. Levy, Julien, ed.
Eugene Berman. N. Y., American Studio Books, 1947.
988. Argan, Giulio C.
Umberto Boccioni. Roma, De Luca, 1953.
989. Fumet, Stanislas.
Sculptures de Braque. Paris, Editions Albert Morancé, 1951.
990. Russell, John.
G. Braque. London, Phaidon, 1959.
991. Baur, John I. H.
Charles Burchfield. N. Y., Macmillan, 1956.
992. Apollonio, Umbro.
Chagall. Venezia, Alfieri, 1949.
993. Chagall, Marc.
My life. N. Y., Orion Press, 1960.
73
CARLETON COLLEGE LIBRARY
994. Christ, Yvan.
Chagall dessins. Paris, Editions Mondes, 1953.
995. Kloomok, Isaac.
Marc Chagall; his life and work. N. Y., Philosophical Library,
1951.
996. Lassaigne, Jacques.
Chagall. Paris, Maeght, 1957.
997. Venturi, Lionello.
Chagall; biographical and critical study. N. Y., Skira, 1956.
998. Chagall, Marc.
Illustrations for the Bible. N. Y., Harcourt, Brace, 1956.
999. Pica, Agnoldomenico.
12 opere di Giorgio de Chirico. 4th ed. Milano, Edizioni del
Milione, 1952.
1000. Soby, James T.
Giorgio de Chirico. N. Y., Museum of Modern Art, 1955.
1001. Morse, Albert R.
Dali, a study of his life & work. Greenwich, Conn., N. Y.
Graphic Society, 1958.
1002. Goossen, E. C.
Stuart Davis. N. Y., Braziller, 1959.
1003. Hess, Thomas B.
Willem de Kooning. N. Y., Braziller, 1959.
1004. Sutton, Denys.
André Derain. London, Phaidon, 1959.
1005. Limbour, Georges.
Tableau bon levain à vous de cuire la pâte; l'art brut de Jean
Dubuffet. N. Y., P. Matisse, 1953.
1006. Duchamp, Marcel.
From the green box. New Haven, Readymade Press, 1957.
1007. Lebel, Robert.
Marcel Duchamp. N. Y., Grove Press, 1959.
1008. Courthion, Pierre.
Raoul Dufy. Genève, P. Cailler, 1951.
1009. Lassaigne, Jacques.
Dufy; biographical and critical studies. Geneva, Skira, 1954.
74
THE SHEDD MEMORIAL ART BOOKS
1010. Francastel, Pierre.
Estève. Paris, Editions Galanis, 1956.
1011. Glackens, Ira.
William Glackens and the Ashcan group. N. Y., Crown, 1957.
1012. Schwabacher, Ethel.
Arshile Gorky. N. Y., Macmillan, 1957.
1013. Wight, Frederick S.
Morris Graves. Berkeley, University of California Press, 1956.
1014. Kahnweiler, Daniel H.
Juan Gris, his life and work. N. Y., C. Valentin, 1947.
1015. Soby, James T.
Juan Gris. N. Y., Museum of Modern Art, 1958.
1016. Baur, John I. H.
George Grosz. N. Y., Macmillan, 1954.
1017. Hecht, Ben.
1001 afternoons in New York... with illustrations by George
Grosz. N. Y., Viking, 1941.
1018. Hofmann, Hans.
Search for the real and other essays. Andover, Mass., Addison
Gallery of American Art, Phillips Academy, 1948.
1019. Weiler, Clemens.
Alexej von Jawlensky. Wiesbaden, Limes Verlag, 1955.
1020. Kandinsky, Wassily.
... On the spiritual in art. N. Y., Solomon R. Guggenheim
Foundation for the Museum of Non-Objective Painting, 1946.
1021. Bill, Max.
Wassily Kandinsky. Boston, Institute of Contemporary Art,
1951.
1022. Grohmann, Will.
Wassily Kandinsky; life and work. N. Y., Abrams, 1958.
1023. Klee, Paul.
The inward vision; watercolors, drawings, writings. N. Y.,
Abrams, 1958.
1024. Klee, Paul.
On modern art. London, Faber and Faber, 1948.
75
CARLETON COLLEGE LIBRARY
1025. Klee, Paul.
Pedagogical sketchbook. N. Y., Praeger, 1953.
1026. Giedion-Welcker, Carola.
Paul Klee. N. Y., Viking, 1952.
1027. Grohmann, Will.
Paul Klee. N. Y., Abrams, 1954?
1028. Ponente, Nello.
Klee: biographical and critical study. Lausanne, Skira, 1960.
1029. Read, Herbert.
Klee. N. Y., Pitman, 1949.
1030. San Lazzaro, Gualtieri di.
Klee; a study of his life and work. N. Y., Praeger, 1957.
1031. Soby, James T.
The prints of Paul Klee. N. Y., Museum of Modern Art, 1947.
1032. Spiller, Jurg, ed.
Paul Klee: the thinking eye, the notebooks of Paul Klee.
N. Y., Wittenborn, 1961.
1033. Hoffman, Edith.
.
Kokoschka, life and work. Boston, Boston Book & Art Shop,
n.d.
1034. Wingler, Hans M., ed.
Oskar Kokoschka; the work of a painter. Salzburg, Galerie
Welz, 1958.
1035. National Museum of Modern Art, Tokyo.
Kuniyoshi. Tokyo, Bijutsu Shuppan-sha, 1954.
1036. Cooper, Douglas.
Fernand Léger et le nouvel espace. London, Lund, Humphries,
1949.
1037. Descargues, Pierre.
Fernand Léger. Paris, Editions Cercle d'art, 1955.
1038. Kuh, Katharine.
Léger. Chicago, Art Institute of Chicago, 1953.
1039. Jardot, Maurice.
Léger, dessins. Paris, Editions Mondes, 1953.
76
THE SHEDD MEMORIAL ART BOOKS
1040. Bünemann, Hermann.
Franz Marc; Zeichnungen, Aquarelle. 2nd Aufl. München, F.
Bruckmann, 1952.
1041. Lankheit, Klaus.
Franz Marc. Berlin, Konrad Lemmer, 1950.
1042. Bardi, P. M.
Marino Marini; Graphic work and paintings. N. Y., Abrams,
1960.
1043. Ebersole, Barbara (Warren).
Fletcher Martin. Gainesville, University of Florida Press,
1954.
1044. Leiris, Michel, and Limbour, Georges.
André Masson and his universe. Genéve, Editions de Trois
Collines, 1947.
1045. Matisse, Henri.
Les chapelles du Rosaire à Vence. Paris, Editions du Cerf,
1955.
1046. Matisse, Henri.
Dernières oeuvres de Matisse, 1950-1954. Paris, Verve, 1958.
1047. Matisse, Henri.
Portraits. Monte Carlo, A. Sauret, 1954.
1048. Diehl, Gaston.
Henri Matisse. N. Y., Universe Books, 1958.
1049. Lassaigne, Jacques.
Matisse: biographical and critical study. Geneva, Skira, 1959.
1050. Lieberman, William S.
Etchings by Matisse. N. Y., Museum of Modern Art, 1955.
1051. Lieberman, William S.
Matisse; 50 years of his graphic art. N. Y., Braziller, 1956.
1052. Verve.
Vence, 1944-48. v. 6, no. 21-22. Paris, Editions de la Revue
Verve, 1948.
1053. Rubin, William.
Matta. N. Y., Museum of Modern Art, 1957.
1054. Pierre Matisse Gallery, New York.
Miró; recent paintings. N. Y., P. Matisse, 1953.
77
CARLETON COLLEGE LIBRARY
1055. Ceroni, Ambrogio.
Amedeo Modigliani, peintre. Milan, Edizioni del Milione,
1958.
1056. Roy, Claude.
Modigliani. N. Y?, Skira, 1958.
1057. Mondrian, Piet.
... Plastic art and pure plastic art. N. Y., Wittenborn, Schultz,
1947.
1058. Lewis, David.
Mondrian, 1872-1944. N. Y., Wittenborn, 1957.
1059. Benesch, Otto.
Edvard Munch. London, Phaidon, 1960.
1060. Deknatel, Frederick B.
Edvard Munch. Boston, Institute of Contemporary Art, 1950.
1061. Read, Herbert.
Ben Nicholson; paintings, reliefs, drawings. London, Lund,
Humphries, 1948.
1062. Gosebruch, Martin.
Nolde; Aquarelle und Zeichnungen. München, F. Bruckmann,
1957.
1063. Hoffmann, Rudolf.
Holzschnitte von Emil Nolde. Bremen, M. Hertz, 1947.
1064. Hoffmann, Rudolf.
Nolde, Radierungen. Bremen, M. Hertz, 1948.
1065. Helm, Mackinley.
Man of fire; J. C. Orozco. N. Y., Harcourt, Brace, 1953.
1066. Barr, Alfred H.
Picasso, fifty years of his art. N. Y., Museum of Modern Art,
1946.
1067. Barr, Alfred H., ed.
The Picasso 75th anniversary exhibition. N. Y., Museum of
Modern Art, 1957.
1068. Duncan, David D.
The private world of Pablo Picasso. N. Y., Harper, 1958.
1069. Elgar, Frank.
Picasso. N. Y., Praeger, 1956.
78
THE SHEDD MEMORIAL ART BOOKS
1070. Kahnweiler, Daniel H.
Picasso, Keramik. Hannover, Fackelträger-Verlag, 1957.
1071. Kahnweiler, Daniel H.
The sculptures of Picasso. London, R. Phillips, 1949.
1072. Larrea, Juan.
Guernica, Pablo Picasso. N. Y., C. Valentin, 1947.
1073. Lieberman, William S.
The sculptor's studio: etchings by Picasso. N. Y., Museum of
Modern Art, 1952.
1074. Leiris, Michel.
A suite of 180 drawings... Picasso and the human comedy.
N. Y., Harcourt, Brace, 1954.
1075. Penrose, Roland.
Portrait of Picasso. N. Y., Museum of Modern Art, 1957.
1076. Ramie, Georges, and Ramie, Suzanne.
Céramiques de Picasso. Paris, Skira, 1948.
1077. Raynal, Maurice.
Picasso; biographical and critical studies. Geneva, Skira,
1953.
1078. Sabartès, Jaime.
Picasso; documents iconographiques. Genève, P. Cailler, 1954.
1079. Sabartès, Jaime.
Picasso; lithographie. 3 v. Monte Carlo, A. Sauret, 1949-1956.
1080. Verve.
Picasso à Vallauris, 1949-1951. v. 7, no. 25-26. Paris, Verve,
1951.
1081. Wittgens, Fernanda.
Picasso. Milan, "Silvana" Editoriale d'Arte, 1954.
1082. Zervos, Christian.
Pablo Picasso. 11 v. N. Y., E. Weyhe, 1932-1959.
1083. Zervos, Christian, et al.
Picaso, 1930-1935. Paris, "Cahiers d'art", n.d.
1084. O'Hara, Frank.
Jackson Pollock. N. Y., Braziller, 1959.
1085. Robertson, Bryan.
Jackson Pollock. N. Y., Abrams, 1960.
79
CARLETON COLLEGE LIBRARY
1086. Weller, Allen S.
Abraham Rattner. Urbana, University of Illinois Press, 1956.
1087. Museum of Modern Art, New York.
Rouault; retrospective exhibition. N. Y., 1953?
1088. Wheeler, Monroe.
Rouault, Miserere. N. Y., Museum of Modern Art, 1952.
1089. Goodrich, Lloyd.
Albert P. Ryder. N. Y., Braziller, 1959.
1090. Grohmann, Will.
Karl Schmidt-Rottluff. Stuttgart, W. Kohlhammer, 1956.
1091. Shahn, Ben.
The shape of content. Cambridge, Harvard University Press,
1957.
1092. Rodman, Selden.
Portrait of the artist as an American. N. Y., Harper, 1951.
1093. Soby, James T.
Ben Shahn; his graphic art. N. Y., Braziller, 1957.
1094. Museo Nacional de Artes Plásticas, Mexico (City).
70 obras recientes de David Alfaro Siqueiros. Departamento
de Artes Plásticas, Mexico, 1947.
1095. Goodrich, Lloyd.
John Sloan. N. Y., Macmillan, 1952.
1096. Juin, Hubert.
Soulages. N. Y., Grove Press, 1960.
1097. Szittya, Emil.
Soutine et son temps. Paris, Bibliothèque des arts, 1955.
1098. Instituto Nacional de Bellas Artes, Mexico.
Tamayo, 20 años de su labor pictórica. Mexico, 1948.
1099. Soby, James T.
Yves Tanguy. N. Y., Museum of Modern Art, 1955.
1100. Baur, John I. H.
Bradley Walker Tomlin. N. Y., Whitney Museum of Ameri-
can Art, 1957.
1101. George, Waldemar.
Utrillo. Greenwich, Conn., N. Y. Graphic Society, 1960.
80
THE SHEDD MEMORIAL ART BOOKS
1102. Goodrich, Lloyd.
Max Weber. N. Y., Whitney Museum of American Art, 1949.
Prints and Drawings (see also 994, 998, 1031, 1039, 1040,
1050, 1051, 1061, 1062, 1073, 1074, 1079, 1090)
1103. Buchheim, Lothar G.
Graphik des deutschen Expressionismus. Feldafing, Buchheim,
1958.
1104. Cassou, Jean, and Jaccottet, Philippe.
French drawing of the 20th century. N. Y., Vanguard, 1955.
1105. Sachs, Paul J.
Modern prints and drawings. N. Y., Knopf, 1954.
1106. Trier, Eduard.
Zeichner des XX Jahrhunderts. Berlin, Gebr. Mann, 1956.
1107. Wheeler, Monroe.
Modern painters and sculptors as illustrators. 3rd ed., rev.,
N. Y., The Museum of Modern Art, 1946.
1108. Zigrosser, Carl.
The expressionists, a survey of their graphic art. N. Y., Brazil-
ler, 1957.
1109. Dix, Otto.
1110. Heilborn, Adolf.
* *
Der Krieg. Berlin, K. Nierendorf, 1924.
1111. Zigrosser, Carl.
Käthe Kollwitz. 4 Aufl. Berlin, K. Lemmer, 1949.
1112. Pfannstiel, Arthur.
*
Kaethe Kollwitz. N. Y., Braziller, 1951.
*
1113. Jardot, Maurice.
Dessins de Modigliani. Lausanne, Mermod, 1958.
1114. Arrhenius, Lily.
Picasso, Drawings. N. Y., Abrams, 1959.
Minor Arts (see also 1070, 1076)
Svensk heminredning. Stockholm, Vepe, 1957.
81
CARLETON COLLEGE LIBRARY
1115. Bill, Max.
Form, eine Bilanz über die Formentwicklung um die Mitte
des XX. Jahrhunderts. Basel, K. Werner, 1952.
1116. Dorner, Alexander.
The way beyond "art". N. Y., Wittenborn, Schultz, 1947.
1117. Drexler, Arthur, and Daniel, Greta.
Introduction to twentieth century design. N. Y., Museum of
Modern Art, 1959.
1118. Feininger, Andreas.
The anatomy of nature. N. Y., Crown, 1956.
1119. Goldwater, Robert J., and Harnoncourt, René d'.
Modern art in your life. 2nd ed., rev. N. Y., Museum of Mod-
ern Art, 1953.
1120. Jacobson, Egbert, ed.
Seven designers look at trademark design. Chicago, P. Theo-
bald, 1952.
1121. Jones, Barbara M.
The unsophisticated arts. London, Architectural Press, 1951.
1122. Kracauer, Siegfried.
From Caligari to Hitler; a psychological history of the Ger-
man film. Princeton, Princeton University Press, 1947.
1123. Museum of Modern Art, New York.
Teaching portfolio no. 4, useful objects today. N. Y., Simon
and Schuster, n.d.
1124. Kaufman, Edgar, Jr.
What is modern interior design? N. Y., Museum of Modern
Art, 1953.
1125. Pevsner, Nikolaus.
An enquiry into industrial art in England. Cambridge, Uni-
versity Press, 1937.
1126. Read, Herbert E.
Art and industry. London, Faber and Faber, 1944.
1127. Rosenthal, Rudolph, and Ratzka, Helena L.
The story of modern applied art. N. Y., Harper, 1948.
1128. Steichen, Edward.
The family of man. N. Y., Museum of Modern Art, 1955.
82
THE SHEDD MEMORIAL ART BOOKS
1129. Strache, Wolf.
Forms and patterns in nature. N. Y., Pantheon, 1956.
FAR EASTERN TRADITION (see also 5, 76, 84, 91, 117)
1130. Forman, Werner, and Forman, Bedrich.
Art of far lands. London, Spring Books, 1958?
1131. Rowland, Benjamin.
The Harvard outline and reading lists for Oriental art. Cam-
bridge, Harvard University Press, 1952.
1132. Cahill, James.
BACKGROUND
Chinese painting. Geneva?, Skira, 1960.
1133. Cohn, William.
LIMITED HISTORIES
Chinese Art
1134. Hájek, Lubor.
Chinese painting. N. Y., Oxford University Press, 1948.
Chinese art in Czechoslovak museums. London, Spring Books,
1955?
1135. Kwan, Kim-gaul.
Art's golden thread from west to east. Rutland, Vt., C. E.
Tuttle, 1958.
1136. Munsterberg, Hugo.
The landscape painting of China and Japan. Rutland, Vt.,
C. E. Tuttle, 1955.
1137. Munsterberg, Hugo.
A short history of Chinese art. N. Y., Philosophical Library,
1949.
1138. Rowley, George.
Principles of Chinese painting. 2nd ed. Princeton, N. J.,
Princeton University Press, 1959.
1139. Sickman, Laurence, and Soper, Alexander.
1140. Wang, Kai.
The art and architecture of China. Baltimore, Penguin, 1956.
(Pelican history of art, v. 10.)
The tao of painting; a study of the ritual disposition of Chinese
painting. 2 v. N. Y., Pantheon, 1956.
83
CARLETON COLLEGE LIBRARY
1141. White, William C.
Bronze culture of ancient China. Toronto, University of
Toronto Press, 1956.
Indian Art (includes Islamic Art in India; Cambodian Art)
1142. Brown, Percy.
Indian architecture. 2nd ed., rev. & enl. 2 v. Bombay, D. B.
Taraporevala Sons, 1956.
1143. Ebersole, Robert.
Black Pagoda. Gainesville, University of Florida Press, 1957.
1144. Gray, Basil.
Rajput painting. N. Y., Pitman, 1949.
1145. Kramrisch, Stella.
The art of India; traditions of Indian sculpture, painting and
architecture. N. Y., Phaidon, 1954.
1146. Kramrisch, Stella.
The Hindu temple. 2 v. Calcutta, University of Calcutta, 1946.
1147. Marchal, Henri.
Les temples d'Angkor. Paris, A. Guillot, 1955.
1148. Rowland, Benjamin.
The art and architecture of India; Buddhist, Hindu, Jain.
Baltimore, Penguin, 1953. (Pelican history of art, v. 2.)
1149. Silva-Vigier, Anil de.
The life of the Buddha retold from ancient sources. London,
Phaidon, 1955.
1150. Wheeler, Monroe.
Textiles and ornaments of India. N. Y., Museum of Modern
Art, 1956.
1151. Wheeler, Sir Robert E. M.
Early India and Pakistan: to Ashoka. N. Y., Praeger, 1959.
1152. Wilkinson, James V. S.
Mughal painting. N. Y., Pitman, 1949.
1153. Zimmer, Heinrich R.
The art of Indian Asia; its mythology and transformations.
2 v. N. Y., Pantheon, 1955.
84
THE SHEDD MEMORIAL ART BOOKS
Japanese Art (see also 1136)
1154. Akiyama, Aisaburo.
Shinto and its architecture. 2nd ed. Tokyo, Tokyo News Serv-
ice, 1955.
1155. Boller, Willy.
Masterpieces of the Japanese color woodcut. N. Y., Crown,
1957.
1156. Bowie, Henry P.
On the laws of Japanese painting; an introduction to the study
of the art of Japan. N. Y., Dover, 1951.
1157. Carver, Norman F.
Form and space of Japanese architecture. Tokyo, Shokokusha,
1955.
1158. Gorham, Hazel H.
Japanese and oriental pottery. Yokohama, Yamagata, 1957?
1159. Grilli, Elise.
Japanese picture scrolls. N. Y., Crown, 1958?
1160. Hamaguchi, Yogo.
Hamaguchi maniere noir. Paris, Berggruen, 1958.
1161. Harada, Jiro.
The lesson of Japanese architecture. Rev. ed. Boston, C. T.
Branford, 1954.
1162. Hillier, Jack R.
Hokusai; paintings, drawings and woodcuts. London, Phaidon,
1955.
1163. Hillier, Jack R.
Japanese masters of the colour print. London, Phaidon, 1954.
1164. Kawakita, Michiaki.
Modern Japanese painting; the force of tradition. Tokyo, Toto
Bunka, 1956.
1165. Kidder, Jonathan E.
Japan before Buddhism. N. Y., Praeger, 1959.
1166. Kitao, Harumichi.
Cha-no-yu houses in detailed illustrations. Tokyo, Shoko-
kusha, 1953.
1167. Mori, Osamu.
Katsura villa. Tokyo, Tokyo Cultural Association, 1955.
85
CARLETON COLLEGE LIBRARY
1168. Museum of Modern Art, New York.
The architecture of Japan. N. Y., 1955.
1169. Newsom, Samuel.
A thousand years of Japanese gardens. Tokyo, Tokyo News
Service, 1953.
1170. Okuda, Seiichi, et al.
Japanese ceramics. Tokyo, Toto Bunka, n.d.
1171. Paine, Robert T., and Soper, Alexander.
The art and architecture of Japan. Baltimore, Penguin, 1955.
(Pelican history of art, v. 8.)
1172. Statler, Oliver.
Modern Japanese prints; an art reborn. Rutland, Vt., C. E.
Tuttle, 1956.
1173. Takahashi, Seiichiro.
The evolution of ukiyoe. Yokohama, Yamagata, 1955.
1174. National Museum of Modern Art, Tokyo.
Today's focus on the history of Japanese art. Tokyo, 1955.
ABORIGINAL ART
GENERAL HISTORIES
1175. Adam, Leonhard.
Primitive art. 3rd ed., further rev. & enl. Baltimore, Penguin,
1954.
1176. Bandi, Hans G.
Art in the ice age. London, Allen and Unwin, 1953.
1177. Christensen, Erwin O.
Primitive art. N. Y., Crowell, 1955.
1178. Forman, Werner, and Forman, Bedrich.
Exotic art. London, Spring Books, 1956?
1179. Hooper, James T., and Burland, C. A.
The art of primitive peoples. London, Fountain Press, 1953.
1180. Kutscher, Gerdt.
Exotische Masken. Stuttgart, Strache, 1953.
1181. Muensterberger, Warner.
Sculpture of primitive man. N. Y., Abrams, 1955.
86
1
THE SHEDD MEMORIAL ART BOOKS
1182. Elisofon, Eliot.
LIMITED HISTORIES
African Art
The sculpture of Africa. N. Y., Praeger, 1958.
1183. Radin, Paul.
African folktales and sculpture. N. Y., Pantheon, 1952.
1184. Segy, Ladislas.
African sculpture speaks. N. Y., A. A. Wyn, 1952.
1185. Underwood, Leon.
Bronzes of West Africa. London, A. Tiranti, 1949.
1186. Underwood, Leon.
Figures in wood of West Africa. London, A. Tiranti, 1947.
1187. Underwood, Leon.
Masks of West Africa. London, A. Tiranti, 1948.
1188. Willcox, A. R.
Rock paintings of the Drakensberg, Natal and Griqualand
East. London, M. Parrish, 1956.
1189. Wingert, Paul S.
The sculpture of Negro Africa. N. Y., Columbia University
Press, 1950.
American Art (see also 167)
1190. Appleton, LeRoy H.
Indian art of the Americas. N. Y., Scribner, 1950.
1191. Bennett, Wendell C.
Ancient arts of the Andes. N. Y., Museum of Modern Art,
1954.
1192. Boas, Franz.
Primitive art. Irvington-on-Hudson, N. Y., Capitol, 1951.
1193. Covarrubias, Miguel.
The eagle, the jaguar, and the serpent; Indian art of the
Americas. 2 v. N. Y., Knopf, 1954.
1194. Lothrop, Samuel K.
Pre-Columbian art; Robert Woods Bliss Collection. N. Y.,
Phaidon, 1957.
87
CARLETON COLLEGE LIBRARY
!
1195. Museum of Modern Art, New York.
32 masterworks of Andean art. N. Y., 1955.
European Art (see also 168-177, 179-183)
1196. Bataille, Georges.
Lascaux. Lausanne, Skira, 1955.
1197. Breuil, Henri.
Four hundred centuries of cave art. Montignac, France, Cen-
tre d'études et de documentation prehistoriques, 1952.
1198. Poulík, Josef.
Prehistoric art. London, Spring Books, 1956.
Pacific Art
1199. Leenhardt, Maurice.
Folk art of Oceania. N. Y., Tudor, 1950.
1200. Wingert, Paul S.
Art of the South Pacific islands. London, Thames and Hud-
son, 1953.
NON-HISTORICAL WORKS
ART EDUCATION AND CHILD ART
1201. D'Amico, Victor E.
Creative teaching in art. Rev. ed. Scranton, International
Textbook Co., 1953.
1202. De Francesco, Italo L.
Art education; its means and ends. N. Y., Harper, 1958.
1203. Harrison, Elizabeth.
Self-expression through art; an introduction to teaching and
appreciation. Peoria, Ill., C. A. Bennett, 1951.
1204. Logan, Frederick M.
Growth of art in American schools. N. Y., Harper, 1955.
1205. Lowenfeld, Viktor.
Creative and mental growth. 3rd ed. N. Y., Macmillan, 1957.
1206. McCausland, Elizabeth.
Careers in the arts. N. Y., John Day, 1950.
88
THE SHEDD MEMORIAL ART BOOKS
1207. Munro, Thomas.
Art education, its philosophy and psychology; selected essays.
N. Y., Liberal Arts, 1956.
1208. Naumburg, Margaret.
Schizophrenic art; its meaning in psychotherapy. N. Y.,
Grune & Stratton, 1950.
1209. Read, Herbert E.
Education through art. London, Pantheon, 1943.
1210. Ziegfeld, Ernest.
Art in the college program of general education. N. Y., Teach-
ers College, Columbia University, 1953.
Color, PerspECTIVE AND DESIGN, ADVERTISING AND
INDUSTRIAL ART (see also 1120)
1211. ... Art directors annual of advertising art……
v. 30, 1951. N. Y., Longmans, Green, 1951.
1212. Birren, Faber.
New horizons in color. N. Y., Reinhold, 1955.
1213. Bustanoby, Jacques H.
Principles of color and color mixing. N. Y., McGraw-Hill,
1947.
1214. Carlyle, Paul, and Oring, Guy.
Learning to letter. N. Y., McGraw-Hill, 1939.
1215. Carlyle, Paul, and Oring, Guy.
Letters and lettering. N. Y., McGraw-Hill, 1938.
1216. De Postels, Theodore A.
Fundamentals of perspective. 2nd ed., enl. N. Y., Reinhold,
1951.
1217. Finsterer-Stuber, Gerda.
Marken und Signete. Stuttgart, J. Hoffmann, 1957.
1218. Graphis annual.
International advertising art, 1959-60. Zurich, Amstutz & Her-
deg, 1960.
1219. Idea; international design annual. no. 4.
N. Y., Wittenborn, Schultz, 1958.
89
CARLETON COLLEGE LIBRARY
1220. International poster annual. 1951, 1954, 1956-7.
N. Y., Pitman, 1951-7.
1221. Knoblaugh, Ralph R.
Modelmaking for industrial design. N. Y., McGraw-Hill, 1958.
1222. Leach, Mortimer.
Lettering for advertising. N. Y., Reinhold, 1956.
1223. Lippincott, Joshua G.
Design for business. Chicago, P. Theobald, 1947.
1224. Lohse, Richard P.
New design in exhibitions. N. Y., Praeger, 1954.
1225. McLuhan, Herbert M.
The mechanical bride; folklore of industrial man. N. Y., Van-
guard, 1951.
1226. Mourlot, Fernand.
Art in posters; the complete original posters of Braque, Chag-
all, Dufy, Léger, Matisse, Miró, and Picasso. N. Y., Braziller,
1959.
1227. Rand, Paul.
Thoughts on design. N. Y., Wittenborn, 1947.
1228. Kamekura, Yusaku, ed.
Paul Rand; his work from 1946 to 1958. N. Y., Knopf, 1959.
1229. Scott, Robert G.
Design fundamentals. N. Y., McGraw-Hill, 1951.
1230. Sutnar, Ladislav.
Design for point of sale. N. Y., Pellegrini & Cudahy, 1952.
1231. Van Doren, Harold L.
Industrial design. 2nd ed. N. Y., McGraw-Hill, 1954.
.
1232. Wallance, Don.
Shaping America's products. N. Y., Reinhold, 1956.
1233. Watson, Ernest W.
How to use creative perspective. N. Y., Reinhold, 1955.
1234. Wolchonok, Louis.
The art of three-dimensional design; how to create space fig-
ures. N. Y., Harper, 1959.
90
THE SHEDD MEMORIAL ART BOOKS
Techniques OF THE FINE Arts
1235. Apps, E. A.
Printing ink technology. London, L. Hill, 1958.
1236. Bacon, Cecil W.
Scratchboard drawing. N. Y., Studio Publications, 1951.
1237. Dehn, Adolf A.
How to draw and print lithographs. N. Y., American Artists
Group, 1950.
1238. Halse, Albert O.
Architectural rendering; the techniques of contemporary pre-
sentation. N. Y., F. W. Dodge, 1960.
1239. Herberts, Kurt.
The complete book of artists' techniques. N. Y., Praeger, 1958.
1240. Keck, Caroline K.
How to take care of your pictures. N. Y., Museum of Modern
Art & the Brooklyn Museum, 1954.
1241. Lamade, Erich.
The craft of the artist. N. Y., 1952.
1242. Laurie, Arthur P.
The technique of the great painters. London, Carroll and
Nicholson, 1949.
1243. Maroger, Jacques.
The secret formulas and techniques of the masters. N. Y.,
Studio Publications, 1948.
1244. Müller, Hans A.
How I make woodcuts and wood engravings. N. Y., American
Artists Group, 1945.
1245. Nordmark, Olle.
Fresco painting; modern methods and techniques for painting
in fresco and secco. N. Y., American Artists Group, 1947.
1246. Peterdi, Gabor.
Printmaking: methods old and new. N. Y., Macmillan, 1959.
1247. Reed, Carl, and Orze, Joseph.
Art from scrap. Worcester, Mass., Davis Publications, 1960.
91
CARLETON COLLEGE LIBRARY
1248. Smith, Charles W.
Experiments in relief print making. Charlottesville, Univer-
sity of Virginia Press, 1954.
1249. Sternberg, Harry.
Modern methods and materials of etching. N. Y., McGraw-
Hill, 1949.
1250. Taubes, Frederic.
Better frames for your pictures. N. Y., Crowell, 1952.
Techniques of the Minor Arts; Crafts and Hobbies
1251. Atwater, Mary M., ed.
The Shuttle-craft Guild recipe book. Basin, Mont., 1931.
1252. Atwater, Mary M.
The summer-and-winter weave then and now. Basin, Mont.,
1947.
1253. Bassett, Kendall T., and Thurman, Arthur B.
How to make objects of wood. N. Y., Museum of Modern Art,
1952.
1254. Bates, Kenneth F.
Enameling. 2nd ed. Cleveland, World Publishing Co., 1951.
1255. Baxter, William T.
Jewelry, gem cutting and metalcraft. 3rd ed., rev. & enl. N. Y.,
Whittlesey House, 1950.
1256. Bériau, Oscar.
Home weaving. New ed., rev. & enl. Gardenvale, Que., Arts
and crafts of Gardenvale, Inc., 1947.
1257. Birrell, Verla L.
G
The textile arts. N. Y., Harper, 1959.
1258. Brooks, Evelyn.
Your textile printing. London, Sylvan Press, 1950.
1259. Ceramics Monthly.
A CM handbook on underglaze decoration. Columbus, Ohio,
Professional Publications, 1957.
1260. Crampton, Charles.
Canework. 10th ed. Leicester, England, Dryad Press, 1948.
92
THE SHEDD MEMORIAL ART BOOKS
1261. D'Amico, Victor E, et al.
Art for the family. N. Y., Museum of Modern Art, 1954.
1262. Davison, Marguerite P.
A handweaver's pattern book. Rev. ed. Swarthmore, Pa., 1951.
1263. Dean, John W.
Leathercraft techniques and designs. Bloomington, Ill., Mc-
Knight & McKnight, 1950.
1264. De Koningh, Henry.
The preparation of precious and other metal work for enamel-
ling. London, C. Lockwood & Son, 1927.
1265. Fabbro, Mario dal.
How to build modern furniture. 2nd ed. N. Y., F. W. Dodge,
1957.
1266. Grimm, Gretchen, and Skeels, Catherine.
Craft adventures for children. Milwaukee, Bruce, 1952.
1267. Howard, James H.
Revised lapidary handbook. Greenville, S. C., 1946.
1268. Jenkins, Louisa, and Mills, Barbara.
The art of making mosaics. Princeton, Van Nostrand, 1957.
1269. Johnson, Pauline.
Creating with paper. Seattle, University of Washington Press,
1958.
1270. Kafka, Francis J.
The hand decoration of fabrics. Bloomington, Ill., McKnight
& McKnight, 1959.
1271. Kinney, Ralph P.
The complete book of furniture repair and refinishing. N. Y.,
Scribner, 1950.
1272. Leach, Bernard H.
A potter's book. N. Y., Transatlantic Arts, 1948.
1273. Maryon, Herbert.
Metalwork and enamelling. 3rd ed. N. Y., Dover, 1955.
1274. Norton, Frederick H.
Ceramics for the artist potter. Cambridge, Mass., Addison-
Wesley, 1956.
93
CARLETON COLLEGE LIBRARY
:
L
1275. Norton, Frederick H.
Elements of ceramics. Cambridge, Mass., Addison-Wesley,
1952.
1276. Noyes, William.
Handwork in wood. Peoria, Ill., The Mutual arts press, 1941.
1277. Pack, Greta.
Jewelry & enameling. N. Y., Van Nostrand, 1941.
1278. Parmelee, Cullen W.
Ceramic glazes. Chicago, Industrial Publications, 1948.
1279. Pettit, Florence H.
Block printing on fabrics. N. Y., Hastings House, 1952.
1280. Rose, Augustus F., and Cirino, Antonio.
Jewelry making and design. Rev. ed. Worcester, Mass., Davis
Press, 1949.
1281. Roseaman, Ivy P.
Leatherwork. Leicester, England, Dryad Press, 1939.
1282. Sperisen, Francis J.
The art of the lapidary. Milwaukee, Bruce, 1950.
1283. Untracht, Oppi.
Enameling on metal. N. Y., Greenberg, 1957.
1284. Watson, William.
Textile design and colour, elementary weaves and figured fab-
rics. 5th ed. N. Y., Longmans, Green, 1946.
1285. Wiener, Louis.
Hand made jewelry. N. Y., Van Nostrand, 1948.
1286. Young, Joseph L.
Course in making mosaics. N. Y., Reinhold, 1957.
.
94
INDEX
95
!
Aalto, Alvar
Abell, Walter
Achdjian, Albert
Adam, Leonhard
Addison Gallery of American Art..1018
Adhémar, Hélène
Adhémar, Jean
.642, 706, 774
•
• •
•
·
Agard, Walter R.
Akiyama, Aisaburo
Alazard, Jean
Alberti, Leone B.
Albright Art Gallery
Aldred, Cyril
Alnaes, Eyvind
Anderson, Mary D.
Andrews, Wayne
Fra Angelico
Antal, Frederick
Antonella da Messina
Apollonic, Umbro
Appleton, Le Roy H.
Apps, E. A.
•
Baard, H. P. ..
Babelon, Jean
•
•
·
44, 148, 323, 565, 786, 813
116
1154
.437, 687
.411, 470
.936
184, 185, 186
87
324
.88
505, 506
.438
.471, 472
921, 992
1190
1235
·
•
•
·
·
A
·
•
•
·
Art directors annual of
• •
•
• •
advertising art
Art Institute of Chicago
Art news annual
Aru, C.
B
Bacon, Cecil W.
Baldass, Ludwig von
Baldung Grien, Hans
Ballo, Guido
Arbman, Holger
Architects' year book
Architectural record ..824, 825, 826, 827
Argan, Giulio C... 455, 481, 505, 923, 988
Arland, Marcel
..614
Arnason, H. H.
Arnheim, Rudolf
Arp, Hans
934
.2
904
Arp, Jean
.904, 971, 1021
Arrhenius, Lily
1114
Baltrusaitis, Jurgis
Bandi, Hans G.
Barker, Virgil
Barlach, Ernst
Baroni, Constantino
Barr, Alfred H., Jr.
•
Barret, Richard C.
Barrett, Lawrence
Bassano, Jacopo
Bassett, Kendall T.
Bassi, Elena
Bataille, Georges
Bates, Kenneth F.
•
Ashmolean Museum, Oxford
Atwater, Mary M.
Aubert, Marcel
Aymard, Odilon
•
•
•
·
•
•
•
•
+ •
•
·
•
•
• •
•
•
.99, 860
.1
155
1175
•
·
D
• •
•
• ·
•
•
.28
.439
.150
.1251, 1252
.325, 326, 327
299
164
823
· •
1211
1067
939, 1066, 1067, 1072
156
1237
474, 475
1253
..591
770, 1196
1254
607
165
1236
478, 503
.473
937
.300, 366, 568
1176
.938
.905, 906, 907
.412
Battarbee, Reginald E.
Battisti, Eugenio
Baud-Bovy, Daniel
Baudelaire, Charles P.
Baudry, Jean
Baum, Julius
Bauman, Hans F. S.
Baur, John I. H.
Baxter, William T.
Bayer, Herbert
Bazin, Germain
Beazley, John D.
Becherucci, Luisa
·
Bellini, Giovanni
Belluschi, Pietro
Benesch, Otto
• •
Bechtel, Edwin D. T.
Beckmann, Max
Beckett, R. B.
Bédarida, Henri
·
942, 943, 944, 991, 1016, 1100
1255
..945
120, 689, 690, 730
213, 219, 220
.440, 545
..651
.985, 986
..608
•
·
•
• ·
Blake, William
Bland, David
Blesh, Rudi
Berger, Klaus
Bergström, Ingvar
Beriau, Oscar
Berkman, Aaron
Berman, Eugene
Bernier, Georges
Bernier, Rosamond
Bernini, Gian L.
Bernt, Walther
•
Beer, François-Joachim
Belknap, Waldron P.
Bell, Clive
·
·
•
·
•
•
•
·
Berthold, Gertrude
Bertini, Aldo
Bertram, Anthony
Bethers, Ray
Bibiena family
Bible
Bieber, Margaret
Bill, Max
·
441, 618, 619, 644, 655, 1059
Bennett, Wendell C.
Berckelaers, Ferdinand L.
Berenson, Bernard
1191
.894
·
Boeckler, Albert
Boesiger, W.
Bognetti, Gian P.
Boller, Willy
Bonnard, Pierre
Born, Wolfgang
•
Birrell, Verla L.
Birren, Faber
Bittermann, Eleanor
Bliss, Robert W.
Bloch, Raymond
Blumel, Carl
Blunt, Anthony
Boas, Franz
Boase, T. S. R.
Boccioni, Umberto
Boe, Alf
•
•
• •
•
+
•
3, 121, 367, 442, 443, 531
.756, 757, 758, 809
.594
.1256
•
·
•
•
•
•
•
•
•
•
•
•
• •
•
-
•
•
.940
511
729
688
.301
.328
.941
..593
691
.476, 477
.861
•
.29
715
..221
.876, 1021, 1115
1257
.1212
.828
713, 714
157
.948
1194
252
222
402, 403, 646, 713
1192
•
122
..987
.946
..946
588, 589, 590
645
719
482
..89
..947
.585
.30, 368, 379
•
658
.988
666
.369
881, 882
.370
.1155
.715,716, 717
123
97
Bottari, Stefano
Botticelli, Sandro
Borsook, Eve
• •
Bosch, Hieronymus
Bosi, Roberto
•
Boston Institute of Contemporary
Art
Boucher, François
Bourdichon, Jehan
Bovini, Giuseppe
Bowie, Henry P.
Bramante, Donato
Brancusi, Constantin
··
•
•
Carli, Enzo
Carlier, Achille
Carlisle, Anne
• 串 ​•
•
•
•
•
Cahiers d'art
Cahill, James
Callot, Jacques
Canaletto, Antonio
Canova, Antonio
·
• •
•
•
•
Braque, Georges
Braun, Hugh
Bréhier, Louis
Breuil, Henri
Bridaham, Lester B.
Brion, Marcel
Brooklyn Institute of Arts
& Sciences
Brooklyn Museum
Brooks, Evelyn
Brown, Frank E.
Brown, Milton W.
Brown, Percy
254
.950
1142
Bruegel, Peter...485, 486, 487, 488, 489
Brumme, C. Ludwig
895
Brunetti, Mario
124
Bruyne, Edgar de
.302
.986, 1103
371
•
.702, 748, 1053, 1060
647, 692
.484
266, 267
1156
412
.908
989,990
.90
.31, 268
1197
329
.32, 253, 949
•
Carls, Carl D.
Carlyle, Paul
Carpaccio, Vittorio
Carpenter, Rhys
Carter, Howard
Carver, Norman F.
Cassou, Jean
•
·
с
•
•
·
Buchheim, Lothar G.
Buchthal, Hugo
Budapest Museum of Fine Arts
•
•
·
· •
*
·
•
...471
481, 482, 483
444
. 478, 479, 480
166
•
Buffalo Fine Arts Academy
Bünemann, Hermann
Burchfield, Charles
991
303
Burmeister, André
Busch, Harald
330
Bushnell, Geoffrey H. S.
.167
1213
Bustanoby, Jacques H.
Byzantine Institute of America ...297
•
•
•
Caravaggio, Michelangelo M.
• •
•
• ►
•
A
•
·
659
269
1258
•
•
151, 153
.936
.1040
33
1132
.651, 652
600, 601, 653
591
490, 491, 492, 493
331
187
810
905
1214, 1215
494
223
188
1157
•
701, 743, 747, 932, 941, 1104
Castagno, Andrea del
Castelli, Enrico
Catlin, George
465
445
718
+
Cayet, J. . .
.34, 35, 36, 37
168
1259
Ceram, C. W. (pseud.)
Ceramics Monthly
Ceroni, Ambrogio
Cetto, Anna M.
Cezanne, Paul
1055
498
..719, 720,
721, 722, 723, 724, 725, 726, 727, 728
Chadwick, Lynn
909
Chagall, Marc
992, 993, 994, 995, 996, 997, 998
Chamberlain, Mary W.
.38
Champdor, Albert
189, 204, 255
Champigneulle, Bernhard
737
Chang, I-t'iao
Chantelou, Paul F.
Chapman, William M.
Charbonneaux, Jean
Chastel, André
Chatzidakis, Manolis
Chen, Jack
•
Cheney, Sheldon
Chicago Art Institute
Chirico, Giorgio de
Chittenden, Jacqueline
Christ, Yvan
•
Clouet, Jean
Cocagnac, A. M.
Coffin, David R.
Cohn, William
Colin, Paul
•
•
•
•
•
►
•
Christensen, Erwin O.
Cincinnati Art Museum
Cirino, Antonio
City Art Museum of St. Louis
Clapp, Frederick M.
Clark, James M.
Clark, Kenneth M.
Clarke, Roy R.
• •
→ •
•
Cles-Reden, Sibylle
Cleveland Museum of Art
Collins, George R.
Conant, Kenneth J.
Condit, Carl W.
Condivi, Ascanio
·
•
•
•
•
• ··
•
•
•
•
•
748, 806, 1087
.496
.42
.413
1133
694
..862
.333
..667
.536
.600
.499
334, 335
228
.5
Cooper, Douglas 739, 785,796, 1036
Le Corbusier (pseud.).
.866, 867,
868, 869, 870, 871, 872, 873, 874, 875
Coremans, Paul B.
504
Corot, Jean B. C.
729, 730, 731
Correggio
497
256
732, 733, 734
.660
Corti, Egon C.
Courbet, Gustave
Coursaget, Rene
Courtauld Institute of Art
Courthion, Pierre
.43
.125, 695,
696, 731, 732, 768, 797, 814, 1008
Covarrubias, Miguel
Crampton, Charles
Cranage, David H. S.
Craplet, Bernard
1193
1260
336
.304
·
#
• •
•
•
Constable, William G.
Conway, William M.
Cook, George H.
Cook, R. M.
Coomaraswamy, Ananda K.
• ►
•
4
588
.39
.224, 225, 226
483
.293
.951
..693, 952
1038, 1067
999, 1000
.227
.332, 338, 994
1177
..40
.1280
.985
.546
517
41, 446, 566
169
.214
•
• •
•
•
•
·
•
•
•
•
•
•
•
•
98
Crichton, George H.
Cumont, Franz V. M.
Dacier, Emile
d'Alain (pseud.)
Dali, Salvador
Damaz, Paul
D'Amico, Victor E.
Dangon, Georges
Daniel, Glyn E.
Daniel, Howard
Daniel-Rops, Henry
Dans les rues de Paris au temps
Daux, Georges
David, Henri
·
•
•
David, Jacques L.
Davies, Martin
Davis, Stuart
•
•
D
des fiacres
.660
Daumier, Honoré. 680, 813, 814, 815, 816
.229
.434
.735, 736
.447
1002
1262
.1263
.305
1202
.912
•
Davison, Marguerite P.
Dean, John W. ..
Defarges, Dom B.
De Francesco, Italo L.
Degand, Léon
Degas, Edgar H. G.
Dehn, Adolf A.
Deknatel, Frederick B.
De Koningh, Henry
De Kooning, Willem
Delacroix, Eugene
Delevoy, Robert L.
Delogu, Giuseppe
Demus, Otto
Deonna, Waldemar
•
•
Doré, Gustave
Dorival, Bernard
Dorner, Alexander
Dorra, Henri
d'Harnoncourt, Rene
Dickason, David H.
Diderot, Denis
•
•
Drexler, Arthur
Dubuffet, Jean
Duchamp, Marcel
•
•
Diehl, Charles
Diehl, Gaston
Dimier, Louis
Dinsmoor, William B.
•
•
681, 737, 738, 739, 740, 741
1237
•
•
Dix, Otto
Domenichino, Zampieri.
Donatello
•
•
·
•
•
• •
• •
•
•
•
De Postels, Theodore A.
Derain, André
Der Nersessian, Sirarpie
Desborough, Vincent R.
Descargues, Pierre
De Tolnay, Charles
Detroit Institute of Arts
Dewald, Ernest T.
DeWit, C.
427, 428, 486, 487, 537, 538
404
126, 372
190
DeYoung Memorial Art Museum. 1200
.1119, 1191
.697
44
272
1048
547
.232
1109
602
424
744
698, 953
1116
783
837, 878, 1117
1005
1006, 1007
•
•
•
·
.657
767
.1001
.829
1201, 1261
817
177
·
•
•
•
•
•
• •
337
.257
•
•
•
652
.338
•
1060
1264
1003
742, 743
485
555, 562
.270
230
1216
1004
271
231
1037
Du Columbier, Pierre
.339
Duft, Johannes
.373
1008, 1009
Dufy, Raoul
Dumbarton Oaks
Duncan, David D.
273, 275, 781
.45, 1068
374, 595
Dupont, Jacques
Duran, Frederique
.258
Dürer, Albert ...498, 499, 500, 501, 502
Durliat, Marcel
Duthuit, Georges
.306
.274
Dutkiewicz, Josef E.
436
Dvornik, Francis
275
·
Eakins, Thomas
Ebersole, Barbara
Ebersole, Robert
Ebersolt, Jean
•
Ensor, James
Estève, Maurice
Estienne, Charles
Evans, Joan
Evans, John D.
·
•
•
•
•
Frankl, Paul
Fratelli Alinari
•
·
Dal Fabbro, Mario
Faniel, Stéphane
Fargue, Léon-Paul
Favre, Louis
•
Edgell, George H.
Elgar, Frank
Eliassen, Georg
Eliot, Alexander
Elisofon, Eliot
Elsen, Albert E.
Encyclopedia of world art
Encyclopédie de l'architecture
•
•
•
•
•
•
•
•
• •
•
E
Feininger, Andreas
Ferrari, Enrique L.
Fierens, Paul
Films on Art
Finsterer-Stuber, Gerda
•
•
F
Fragonard, Jean H.
Francastel, Pierre
•
•
•
·
Fiocco, Giuseppe
Fischel, Oskar
Fischer, Otto
Fischer von Erlach, Johann B.
Flanagan, George A.
Flanner, Janet
Fleming, William
Fletcher, Banister F.
Focillon, Henri
Forlati, Ferdinando
Forman, Werner
Formes et couleurs
·
•
•
•
· •
Francesca, Piero della
Franger, Wilhelm
Frankfort, Henri
Fosca, François (pseud.)
Fowlie, Wallace
Fox, Penelope
·
•
·
•
•
·
·
.745
1043
1143
276, 277, 278
.448
1069
•
•
•
•
• ·
•
87
127
1182
.684
.46
.830
746, 747, 748
•
•
•
·
•
1265
.569
633, 660
817
1118
.760
746, 799
.39
1217
506, 532, 616
.548
473
.603
.699
954
.47
.91
.6
.292
1130, 1178
48
598, 740
955
191
604
1010
543, 544
.479
1010
752, 798
307, 340
.170
•
.205
308
128
•
•
99
Freedberg, Sydney J.
Freeden, Max H.
Freedley, George
Friedlaender, Walter F.
•
Friedländer, Max J.
Frotier de la Coste-Messelière,
Pierre
Fry, Roger E.
Fuchs, Eduard
Fumet, Stanislas
Furness, S. M. M.
Fuseli, Henry
•
Gardner, Arthur
Gardner, Helen
Gabo, Naum
Gainsborough, Thomas
Ganz, Paul
•
•
Garvan, Anthony N. B.
Gassier, Pierre
Gaudi, Antonio
•
•
G
·
4
•
910, 911
605
518
341
.50
109
761
.862
Gauguin, Paul . .751, 752, 753, 754, 755
Gaunt, William
609
397
Gauthier, Marie M. S.
Gayet-Tancrède, Paul
192
Gayley, Charles M.
661
Geffroy, Gustave
818
Genaille, Robert
488
George, Waldemar
Gericault, Jean L.
1101
.756, 757, 758, 759
896
425, 426
234
956
.93, 831, 832, 882
897, 1026
342
•
•
•
Gertz, Ulrich
Ghiberti, Lorenzo
Gialoures, Nikolaos
Giani, Giampiero
Giedion, Sigfried
Giedion-Welcker, Carola
Gieure, Maurice
Gilbert, Katharine
Gilson, Etienne H.
Giorgione
•
▼
•
·
Giotto di Bondone
Gischia, Léon
Giulio Romano, P.
Glackens, Ira
Glackens, William
Gloag, John
Gloeckner, André
Gobin, Maurice
Golding, John
Goldscheider, Cécile
Goldscheider, Ludwig
•
·
•
•
•
• ·
•
•
•
•
450, 490, 617, 700
129, 449
·
•
•
•
•
·
•
• •
·
•
•
...541
432, 586
92
•
507, 508, 509, 510
511
309
551
1011
1011
•
•
233
49, 720
815
989
425, 520, 539, 638
375
Goldschmidt, Adolph
Goldwater, Robert J.. .51, 753, 919, 1119
Gombrich, Ernst H. J.
Gomez Sicre, José
Gonçalves, Nuno
Gonzalez, Julio
Goodman, Percival
9, 52
146
512
.912, 913
.833
Goodrich, Lloyd.. 1012, 1089, 1095, 1102
Goossen, E. C.
1002
1158
Gorham, Hazel H.
Gorky, Arshile
1012
..615
749, 750
•
•
7
8
•
•
94
810
680
957
916
Gosebruch, Martin
Gould, Cecil
Gowing, Lawrence
Goya, Francisco J.
Grabar, André
Gradmann, Erwin
Graphis annual
Grassi, Luigi
Graves, Morris
Gray, Basil
Gray, Christopher
El Greco
760, 761, 762, 763, 764, 765, 766
279, 280, 376, 377
566
1218
589
1013
1144
958
·
Gropius, Walter
Grosser, Maurice R.
Grossmann, F.
Grosz, George
..513
.941
.668
.925
Greene, Graham
Greenough, Horatio
Grigson, Geoffrey
Grilli, Elise
Grimm, Gretchen
Grimschitz, Bruno
Gris, Juan
1159
1266
.53
. 1014, 1015
Groce, George C.
Grodecki, Louis
...66
..398
Grohmann, Will . .926, 1022, 1027, 1090
.863, 864, 945
130
489
1016, 1017
514, 515, 516
.606
653
738
721
513
.259
860
•
•
·
•
Habasque, Guy
Haesaerts, Paul
Haftmann, Werner
•
•
•
Grünewald, Matthais
Guardi, Francesco
Guarnati, G. F.
Guerin, Marcel
Guerry, Liliane
Guinard, Paul
Gusman, Pierre
Gutheim, Frederick A.
•
•
•
•
•
H
•
•
Hájek, Lubor
Hals, Frans
Halse, Albert O.
Hamaguchi, Yogo
Hamberg, Per G.
Hambridge, Jay
Hamilton, George H.
Hamlin, Talbot F.
Hammacher, A. M.
Hanfmann, George M. A.
Hanson, Lawrence
Harada, Jiro
Harrison, Elizabeth
Harrsen, Meta
Hartt, Frederick
Harvey, John D. M.
Haseloff, Arthur E. G.
Hatje, Gerd
Hatzfeld, Helmut
Hauser, Arnold
Hautecoeur, Louis
Hawkes, Jacquetta
Hecht, Ben.
Heilborn, Adolf
Heise, Carl G.
•
•
•
•
.
·
•
•
·
•
•
·
•
•
·
•
•
•
•
• •
•
•
..959
682, 747
.961
1134
607
1238
1160
260
.235
.54, 771, 962
.678, 834
800, 915, 935
281
754
1161
1203
.378
.551
•
· •
·
•
1062
451
639
R
·
55
56, 57
.95
.171
1017
1110
.811, 906
•
.414
.343
.835
•
100
Hekler, Antal
Held, Julius S.
Helm, Mackinley
Hemmings, F. W. J.
Hempel, Eberhard
Hendy, Philip
Henze, Anton
Hepworth, Barbara
Herbécourt, Pierre d'
•
Herberts, Kurt
Herzer, Alfred E.
Hess, Thomas B.
•
Hodin, J. P.
Hoesch, Roberto
Hofer, Philip
Hoffmann, Edith
Hoffmann, Rudolf
Hofmann, Hans
Hofmann, Werner
Hogarth, William
•
Heydenreich, Ludwig H.
Hilberseimer, Ludwig
Hilburgh, Walter L.
Hillier, Jack R.
·
·
·
·
Hinks, Roger P.
Hirmer, M.
Hitchcock, Henry-Russell
• •
·
·
•
Hokusai, Katsushika
Holbein, Hans
Holme, Bryan
Hooper, James T.
Hope, Henry R.
Hourtica, Louis
Howard, James H.
Hubert, Jean
Hudnut, Joseph
Humbert, Agnès
Hürlimann, Martin
Hutton, Edward
Huyghe, René
Huysmans, J. K.
•
•
[]
•
• •
•
►
•
•
►
•
••
•
·
•
•
•
·
•
· •
•
•
·
•
·
•
Janson, Horst W.
Janssens de Bisthoven, Alin
Jardot, Maurice
27
429
476
..836
.914, 915
.310
1239
634
.963, 1003
521
110,879
344
.1162, 1163
172, 491
.195
•
608, 609, 610, 611, 612
1162
.517, 518
.147
.1179
·
•
669, 670, 837, 838
.909, 927
.635
.648
•
•
•
·
•
261
656
1065
•
.1033
1063, 1064
.1018
.918
I
Idea; international design annual. 1219
Ingres, Jean A. ...687, 767, 768, 769
Instituto Nacional de Bellas Artes. 1098
International poster annual
.1220
Irvine, Rosalind ..942, 991, 1016, 1100
Iversen, Erik
193
•
傻
​1267
.311
839
701
345
346
173, 641, 642, 812
.514, 515
•
·
J
Jaccottet, Philippe . .647, 650, 811, 1104
1120
Jacobson, Egbert
58, 131, 424
452
1039, 1113
1019
964
Jawlensky, Alexej von
Jean, Marcel
Jeanneret-Gris, Charles E. ...866, 867,
868, 869, 870, 871, 872, 873, 874, 875
Jenkins, Louisa
1268
453
Jenkins, Marianna D.
Jessup, Ronald F.
399
•
920
558
•
John Herron Art Institute,
Indianapolis
Johns Hopkins University
Johnson, Pauline
Jolly, Alphonse
Jones, Barbara M.
Joray, Marcel
Jordaens, Jakob
Jourdain, Francis
Juin, Hubert
Julien, Edouard
Jullian, René
Junyent, Edouard
•
•
•
·
▸
·
• •
·
•
■
•
•
•
K
Kafka, Francis J.
1270
Kahnweiler, Daniel H..1014, 1070, 1071
Kandinsky, Wassily .1020, 1021, 1022
Kantor, Helene J.
Katzenellenbogen, Adolf E. M.
174
348
1124
Kaufmann, Edgar, Jr.
Kaufmann, Emil
578
Kawakita, Michiaki
1164
1240
.676
431
Keck, Caroline
Keim, Jean A.
Keller, Harald
Kent, William W.
Kepes, Gyorgy
Keynes, Geoffrey
.415
10, 965
714
Kidder, Jonathan E.
1165
Kielland, Else C.
194
Kinney, Ralph P.
1271
Kitao, Harumichi
.1166
Klee, Paul ......1023, 1024, 1025, 1026,
1027, 1028, 1029, 1030, 1031, 1032
Klindt-Jensen, Ole
Kloomok, Isaac
.175
.995
1221
840
.1033, 1034
1110, 1111
111
Knoblaugh, Ralph R.
Kocher, Alfred L.
Kokoschka, Oskar
Kollwitz, Käthe
Korn, Arthur
Kracauer, Siegfried
Kraeling, Carl
Kramrisch, Stella
Krautheimer, Richard
Kubler, George
Kuh, Katharine
.1122
298
1145, 1146
426
.416, 570
.11, 1038
Kuhn, Charles L.
Kuniyoshi, Yasuo
Kusenberg, Kurt
Kutscher, Gerdt
Kwan, Kim-gaul
.966
1035
552
•
•
Lane, Arthur
Lange, Kurt
Langer, Susanne K.
•
• ·
•
►
L
•
.4
• • •
•
O •
•
Labande, Yvonne
Laet, Siegfried J. de
La Faille, J. B. de
Lafuente Ferrari, Enrique
Lamade, Erich
Lancaster, Clay
Landolt, Hanspeter
· •
►
•
•
·
•
•
•
·
•
•
•
•
• •
·
•
•
*
•
•
•
·
•
• ·
•
•
•
.454
508
1269
496
1121
898
.613
.786
1096
787
347
312
•
•
•
•
•
•
•
•·
.1180
1135
...313
176
.801
.636
1241
..96
788
236
195
.12
A
•
•
101
Langui, Em
Lankheit, Klaus
Laprade, Jacques de
922
1041
716
148
1072
132, 133,
455, 456, 789, 996, 1009, 1049
Laran, Jean
Larrea, Juan
Lassaigne, Jacques
•
Laurie, Arthur P.
Lauts, Jan
•
La Tour, Georges de
Latrobe, Benjamin H.
Laurens, Henri
Lavalleye, Jacques
Lavedan, Pierre
·
Lawrence, Arnold W.
•
Leenhardt, Maurice
Lees-Milne, James
Levey, Michael
Levy, Julien
Lewis, David
•
·
Leymarie, Jean
Lhote, André
•
•
•
Le Point, Souillac
Lethaby, William R.
•
·
Leach, Bernard H.
Leach, Mortimer
Lebel, Robert
Le Corbusier (pseud.)...See Corbusier
•
•
•
Limbour, Georges
Lindisfarne gospels
Lothrop, S. K.
Lotto, Lorenzo
Lowenfeld, Viktor
Lucas, Edna L.
Lüdecke, Henry
Lullies, Reinhard
Lutze, Eberhard
•
•
•
•
1199
.571
Leger, Fernand ..1036, 1037, 1038, 1039
Lehmann-Haupt, Hellmut
Lehmbruck, Wilhelm
Leiris, Michel
..967
918
1044, 1074
Leisinger, Hermann
Lejard, André
..349
159, 400
Lejeune, Robert
Lenning, Henry F.
816
662
.519, 520,
Leonardo da Vinci
521, 522, 523, 524, 525, 526
917
314
596
.987
.908, 1058
458, 703, 968
196
•
•
•
•
• •
.
Lippincott, Joshua G.
Logan, Frederick M.
Lohse, Richard P.
Longhi, Roberto
López-Rey, José
•
•
·
•
· ·
•
M
Lindsey, John (pseud.)
Linfert, Carl
Lipchitz, Jacques
Lippi, Filippo
•
•
·
•
•
•
Maass, John
MacCallum, Reid
McCausland, Elizabeth
•
•
•
Lieberman, William S..1050, 1051, 1073
1005
.368
587
.480
919, 920
529
•
*
Lord, Douglas (pseud.)
Lorenzetti, Ambrogio
Los Angeles County Museum
•
• •
· •
*
•
•
•
•
•
•
614, 615
677, 678
916, 917
1242
472
59, 457
112
237
158, 1272
1222
1007
•
•
•
.
•
·
*
•
•
•
•
·
604
.762, 763
.802
.530
1015
1194
.531
1205
1223
1204
1224
.60
.907
238
.435
· 671
13
1206
•
McClure, Harlan E.
McCracken, Harold
McCurdy, Charles
Mace, A. C.
Mack, Gerstle
Mackworth-Young, Gerard
McLuhan, Herbert M.
MacOrlan, Pierre
Madsen, Stephan T.
Magagnato, Licisco
Mahon, Denis
Maillard, Robert
Maillart, Robert
Maiuri, Amedeo
Major, Emil
Mâle, Emile
Malo, Henri
•
E
•
•
Malraux, André
Man, Felix H. (pseud.)
Manet, Edouard
Manson, Grant C.
Mantegna, Andrea
Mantoux, Paul J.
Marc, Franz
Marchal, Henri
Marek, Kurt W.
Marinatos, Spyridon
Marini, Marino
Maritain, Jacques
Marle, Raimond van
Maroger, Jacques
Marriage, Margaret S.
Martienssen, Rex D.
Martin, Fletcher
Martin, Leslie
Martin, Roland
Martini, Arturo
Martini, Simone
Maryon, Herbert
Masaccio
Meryon, Charles
Mestrovic, Ivan
•
Mason, Eudo C.
Masson, André
Masson, Georgina
Mathey, François
Matisse, Henri
•
..672
718
.969
.188
722, 733, 790
.241
1225
734
663
474
459
1069
876
134, 262, 263
.566
282, 315, 316, 484, 572
527
•
Metz, Peter
Meyer, Peter
Michel, Edouard
Michelangelo
•
•
•
• •
•
•
•
•
•
•
•
1040, 1041
1147
168
210
.921, 922, 1042
14
135
1243
.350
239
1043
911
240
..923
.383
.1273
.535
749
1044
97
417
1045, 1046,
1047, 1048, 1049, 1050, 1051, 1052
1053
•
*
Mekhitarian, Arpag
Mendelowitz, Daniel M.
Mendelsohn, Eric
•
•
Matta Echaurren, Roberto
Matton, Raymond
Maurois, André
Maury, Jean
Mayor, Alpheus H.
Meier, Michael
Meiss, Millard
•
117, 764, 765, 766
941
770, 771, 772, 773
.893
.532, 533
573
+
·
2
·
•
•
1
·
Metropolitan Museum of Art
•
•
•
•
•
•
.61
735
317, 318
.585
516
460
.197
..62
.877
.818
.924
203, 206, 217, 246, 567
379
.283
.564
427, 428, 536, 537, 538, 539, 540
Micheles, P. A.
284
102
Middeldorf, Ulrich
Miller, Alec
Miller, Dorothy
Millon, Henry A.
Mills, Edward D.
Miner, Dorothy
•
Minneapolis Institute of Arts
775, 960, 976, 1015, 1191
Miro, Joán
1054
.970
Modern artists in America
Modigliani, Amedeo ..1055, 1056, 1112
381
Moé, Emile A. van
Modriaan, Pieter C.
Monet, Claude
Mongan, Agnes
Moore, Henry
Moore, Robert E.
Morassi, Antonio
Morey, Charles R.
Mori, Osamu
Morison, Stanley
Morrison, Hugh S.
Morse, Albert R.
Moschini, Vittorio
Motherwell, Robert
Mourlot, Fernand
Muensterberger, Warner
•
·
•
Münz, Ludwig
Muriel, John S.
·
•
Müller, Hans A.
Mumford, Lewis
Munch, Edvard
Munro, Thomas
Munsterberg, Hugo
•
·
•
•
·
•
•
•
1226
1181
1244
.15, 673, 842, 843, 856
1059, 1060
1207
1136, 1137
620, 621
587
.635
Murillo, Bartholomé E.
.198
Murray, Margaret A.
Murray, Peter
Musée National du Louvre ...706, 736
..63
Museo Nacional de Artes
· •
• •
••
• •
•
·
• ·
•
•
N
1057, 1058
.774, 775, 776, 777
149
.925, 926, 927, 928
..610
.630
285, 286
1167
160
..98
1001
•
•
• •
Naumburg, Margaret
Nelson, George
Nervi, Pier L.
Neuenschwander, Eduard
Plásticas
1094
.883
Museu de Arte, Sao Paulo
Museum of Modern Art, N. Y...64, 664,
704, 705, 748, 791, 802, 806, 837, 838,
899, 900, 904, 910, 913, 920, 939, 945,
960, 961, 972, 976, 1000, 1015, 1050,
1053, 1066, 1067, 1073, 1075, 1087,
1088, 1099, 1107, 1117, 1119, 1123,
1124, 1128, 1150, 1168, 1191, 1195,
1240, 1253, 1261
Museum of non-objective painting. 1020
Myers, Bernard S.
..65, 136, 973
Natanson, Thadée
National Gallery of Art
National Museum of Modern Art
•
•
• •
549
118
.972
.579
.841
. 295, 380
•
•
•
Neumann, Balthasar
Neumeyer, Alfred
Neutra, Richard
New York Historical Society
•
•
1037, 1174
.1208
.844, 845
..880
.99
586
723
.881, 882, 883, 884
.66
606
971
•
.792
. 81, 119
• •
Newsom, Samuel
Newton, Eric
Nicolson, Benedict
Niemeyer, Oscar
Noguchi, Isamu
Nolde, Emil
Nordenfalk, Carl
Nordmark, Olle
Norton, Frederick H.
Noyes, William
•
O'Hara, Frank
Okuda, Seiichi
O
Oakeshott, Walter F.
Odenthal, D.
Offner, Richard
•
•
Oldenbourg, Rudolf
Oppé, A. P.
Orozco, Jose C.
Orze, Joseph
•
•
•
•
•
P
Paccagnini, Giovanni .
Pach, Walter
Pachers, Michael
Pacht, Otto
Pack, Greta
•
•
•
•
•
·
•
•
•
il Parmigianino
Pataky, Dénes
Paulsson, Thomas
Payne, Humfry
Pedretti, Carlo
Pellegrini, Giovanni A.
Pennell, Elizabeth
Penrose, Roland
Pepper, Stephen C.
Pergola, Paola della
Peruzzi, Baldassare
Peter, John
Peterdi, Gabor
Pettit, Florence H.
Pevsner, Antoine
Pevsner, Nikolaus
•
•
•
•
Pagani, Carlo
.846
Paine, Robert T.
1171
492
419
Palazzo Reale
Palladio, Andrea
Pallottino, Massimo
Pallucchini, Rodolfo
215, 216
563, 653
Panofsky, Erwin . .67, 351, 405, 461, 500
Papadaki, Stamo
865, 885
Parker, Karl T.
150, 601
Parmelee, Cullen W.
.1278
541, 542
.151
100
.241
526
.616
..808
.930, 1075
.17
.509
.415
847
1246
1279
.910
•
•
·
•
•
•
•
•
·
Pfannstiel, Arthur
•
Pfuhl, Ernest.
Phillips, John G.
Piankoff, Alexandre
Pica, Agnoldomenico
Picard, Max
Picasso, Pablo
·
• •
· •
•
.1169
16, 556
629, 1061
..885
929
1062, 1063, 1064
376, 377, 803
• •
•
•
•
•
•
.1245
1274, 1275
.1276
•
·
319, 382
..86
137
1084
1170
.627
.611
.1065
1247
•
·
•
•
•
•
•
•
68, 101, 516, 576, 1125
1112
242
567
199
848,999
.18
930, 1066, 1067,
1068, 1069, 1070, 1071, 1072, 1073,
1074, 1075, 1076, 1077, 1078, 1079,
1080, 1081, 1082, 1083, 1113
•
383
1072
429
.534
1277
·
•
A
•
103
Pierpont Morgan Library
Pierre Matisse Gallery, N. Y.
Pierson, William H.
Pigalle, Jean B.
Piggott, Stuart
Pignatti, Terisio
Pillement, Georges
Pilon, Edmond
Piranesi, Giovanni B.
Pisano, Andrea
Pisano, Giovanni .
Pisano, Niccolo
Pisano, Nino
Pissarro, Camille
·
Porter, Fairfield
Poulík, Josef
• •
Pita Andrade, José M.
Pittaluga, Mary
Planiscig, Leo
Poensgen, Georg
Polásek, Albin
Pollack, Peter
Pollock, Jackson
Ponente, Nello
Pontormo, Jacopo
Pope-Hennessy, John
Quennell, Peter
" ·
•
Reed, Carl
Reid, Kenneth
•
·
· 瞻
​•
•
Primaticcio, Francesco
Puyvelde, Leo van
►
Raafat, Aly A.
Radin, Paul
Ramie, Georges
Ramsden, E. H.
Rand, Paul
Raphael
Rattner, Abraham
Ratzka, Helena L.
Raynal, Maurice
Read, Herbert E.
• •
·
•
Reifenberg, Adolf
Reilly, Paul
•
420, 462, 506, 553, 561, 602
Popham, Arthur E.
.497, 525, 542
Porcher, Jean 310, 384, 385, 463, 528
Portfolio
71
745
1198
974
.617
.580, 750
·
·
Pousette-Dart, Nathaniel
Poussin, Nicolas
Powell, Nicolas
Praeger Picture Encyclopedia of Art. 72
547
613, 628, 632
Q
R
Réau, Louis
Redig de Campos, D.
Redon, Odilon
•
•
·
•
•
•
·
René I, Duke of Anjou
Renoir, Pierre A.
•
·
•
Rembrandt, Hermanszoon
•
·
849
1183
1076
679
1227, 1228
548, 549, 550
1086
1127
.707, 724, 975, 1077
73, 284, 910,
911, 914, 928, 1024, 1029, 1033, 1061,
1126, 1209
.74, 386, 592
.540
779, 780
1247
.825
178
581
.618, 619,
620, 621, 622, 623, 624, 625, 655
.464
682, 781, 782
·
་
•
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592
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337
430
778
353
550
423
433
931
. 161
1084, 1085
1028
545, 546
•
•
654
430
•
•
612
Rewald, John
681, 708, 725, 755, 778, 781, 783
.626
418, 582
287, 288
75, 207
.741, 784
.850
.102, 583
138
773
..932
Ribera, Jusèpe
Ricci, Corrado
J
Rice, David T.
Rice, Tamara T.
Rich, Daniel C.
Richards, James M.
Richardson, Albert E.
Richardson, Edgar P.
Richardson, John
Richier, Germaine
Richter, Gisela M. A.
·
•
Saarinen, Eliel
Sabartès, Jaime
Sachs, Paul J.
·
217, 243, 244, 245, 246, 247
387
264
432, 433
218
.686
Ritchie, Andrew C...806, 900, 913, 976
.139
.423
1085
Robb, David M.
della Robbia, Luca
Robertson, Bryan
Robertson, Martin
Rodenwaldt, Gerhart
Rodin, Auguste R. F.
248
249
•
Rickert, Margaret J.
Riegl, Alois
Riemanschneider, Tilman
Riis, Poul J.
Rilke, Rainer M.
*
+
Rodman, Selden
Roger-Marx, Claude
Rood, John
Rose, Augustus F.
Rose, Millicent
•
Roseaman, Ivy P.
Rosenberg, Jakob
Rosenthal, Rudolph
il Rosso
Roszak, Theodore
Roth, Alfred
Rothenstein, John
Rouart, Denis
Rouault, Georges
Rowland, Benjamin
Rowley, George
Roy, Claude
Rubens, Peter P.
Rubin, William
Ruhemann, Helmut
Ruhmer, Eberhard
Russell, John
Ryder, Albert P.
•
•
•
•
•
·
4
•
S
•
•
•
•
•
St.-Aubin, Gabriel de
St. Louis City Art Museum
705, 748, 961, 985
Salmi, Mario .388, 465, 529, 535, 554
Samivel (pseud.)
Sandström, Sven
. 192
780
·
683, 684, 685, 686
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.627, 628, 656
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.990
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1078, 1079
1105
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San Francisco Museum of Art
853, 960, 1015, 1038
San Lazzaro, Gualtieri di
1030
Santos, Reynaldo dos
512
104
Sassetta, Stefano
Saunders, O. E.
Saxl, Fritz
Saylor, Henry H.
Scarfe, Laurence
Schaefer-Simmern, Henry
..
•
•
Slive, Seymour
Sloan, John
•
Schapiro, Meyer
Schmeckebier, Laurence
Schmidt, Georg
Schmidt-Rottluff, Karl
Schneider, Bruno F.
Schniewind, Carl O.
Schnitzler, Hermann
Scholfield, P. H.
Schönberger, Arno
Schwabacher, Ethel
Schwarz, Heinrich
Scott, Robert G.
Scully, Vincent J.
Sedlmayr, Hans
Segy, Ladislas
Seiberling, Frank
Seitz, William C.
Seligman, Germain
Selz, Peter
Seroux d'Agincourt, Jean B.
Sert, José L.
Seuphor, Michel
Seurat, Georges
Severini, Gino
Seymour, Charles, Jr.
Seznec, Jean
Shahn, Ben
·
•
Spiller, Jurg
Statler, Oliver
•
·
·
•
•
•
•
Shapley, Fern R.
Shattuck, Roger
Shear, John K.
Sherwood, Ruth
Shoolman, Regina
Sickman, Laurence
Signorelli, Luca
Silva-Vigier, Anil de
Simpson, Lucie
Simson, Otto G.
Siqueiros, David A.
Sitte, Camillo
Sitwell, George R.
Sizer, Theodore
Slatkin, Charles E.
•
•
•
·
•
•
•
■
Museum, N. Y.
Soria, Martin S.
Soulages, Pierre
Soutine, Haim
Sperisen, Francis J.
•
Sloane, Joseph C.
Sluter, Claus
Smith, Charles W.
Smith, Earl B.
Smith, George E. K.
Smith, W. Stevenson
Soby, James T.
•
•
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•
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·
•
•
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.200
·
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643
1096
1097
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1172
Stedlijk Museum, Amsterdam ....982
Steichen, Edward
.1128
..856
..23
201
179
Stein, Clarence S.
Stein, Leo.
Steindorff, George
Steingraber, Erich
Stenton, Frank
Sterling, Charles
Sternberg, Harry
Stewart, Cecil
Stewart, Virginia
Stoddard, Whitney S.
•
Tapié, Michel
•
Tapié, Victor L.
Tate Gallery
•
·
·
Stone, Irving
Stone, J. F. S.
Stone, Lawrence
Storey, Sommerville
Stoss, Veit
Strache, Wolf
Strzygowski, Josef
Sullivan, Edward
Sullivan, Louis
Summerson, John N.
Sutnar, Ladislav
Sutton, Denys
Swarzenski, Hanns
Sweeney, James J.
Szarkowski, John
Szittya, Emil
•
Taubes, Frederic
Taylor, Basil
• ·
•
•
•
•
•
·
· •
Takahashi, Seiichiro
Takiguchi, Shuzo
•
•
•
Talleyrand-Périgord, Héli
Tamayo, Rufino
Tanguy, Yves
Tannenbaum, Libby
•
•
•
T
•
·
Thiery, Yvonne
Thiry, Paul
Thomas, Hylton
Thurman, Arthur B.
Tiepolo, Giovanni B.
Tietze, Hans
•
Terbrugghen, Hendrick
Thibout, Marc
Thieme, Ulrich
Thienen, Frithjof W.
Tietze-Conrat, Erika
il Tintoretto
Titian
Toesca, Ilaria
Toesca, Pietro
·
• ·
Tomlin, Bradley W.
Topffer, Rodolphe
Torbert, Donald R.
Toronto Art Gallery
•
•
•
•
•
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Tokyo, National Museum of
Modern Art
•
·
a
·
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140, 706
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•
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1035, 1164, 1174
1100
.665
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960
Toulouse-Lautrec, Henri de...785, 786,
787, 788, 789, 790, 791, 792, 793, 794
.626, 637
Trapier, Elizabeth D.
1173
.929
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557, 559, 794
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555, 556, 557
477, 558, 559
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292, 392
•
105
Traz, Georges de
Trier, Eduard
Trumbull, John
Tunnard, Christopher
Tura, Cosino
Turnor, Reginald
·
D
•
Uccello, Paola
Uhler, Fred
Underwood, Leon
UNESCO world art series
Unknown political prisoner
Untracht, Oppi
Upjohn, Everard M.
Utrillo, Maurice
D
•
•
•
U
·
V
>
Vercors
Verkauf, Willy
Vermeer, Jan
Veronese, Paola
Verve
Victoria & Albert Museum
Vieyra, Maurice
Vigneau, André
•
Wang, Kai
Warburg Institute
·
W
Viollet-Le-Duc, Eugène E.
Vitry, Paul
Volbach, Wolfgang F.
Vries, Ary B.
Vuillard, Edouard
Valentiner, Wilhelm R....361, 421, 625
Vallery-Radot, Jean
148, 650
.878, 879
Van der Rohe, Ludwig M.
Vandier, Jacques
202
Van Doren, Harold L.
1231
632
503
Van Dyck, Anthony
Van Eyck, Jan
van Gogh, Vincent ..795, 796, 797, 798,
799, 800, 801, 802, 803, 804, 805
Varagnac, André
Vaudoyer, J. L.
Vayer, Lajos
Velasquez, Diego
322
772
153
•
Waterhouse, Ellis K.
Watrous, James
Watson, Ernest W.
•
•
·
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.1185, 1186, 1187
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Veneziano, Domenico
Venturi, Lionello ...134, 141, 142, 393,
466, 467, 468, 493, 544, 997
294
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638, 639, 640, 641
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1052, 1080
..576
208
362
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641
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·
Wace, Alan J. B.
Waetzoldt, Wilhelm
Walker Art Center, Minneapolis
•
•
Walker, John
Wallace, David H.
Wallance, Don
Walters Art Gallery, Baltimore
་
•
•
•
598 Watson, William
1106 Watteau, Jean A.
Webb, Geoffrey
Weber, Max
Weiler, Clemens
Weitz, Morris
Weitzmann, Kurt
Weller, Allen S.
Weyden, Roger van der
Weyer, P. W. v.d.
Weyl, Hermann
Wheeler, Monroe
Wheeler, Robert E. M.
Whistler, James A. M.
·
•
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934, 1053
477
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154
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1140
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501
· •
White, John
White, William C.
►
•
Whitney Museum of American
Art
Yale University
Young, Joseph L.
Zadkine, Ossip
Zampetti, Pietro
Wölfflin, Heinrich
Woolley, Charles L.
Wormald, Francis
Wren, Christopher
Wright, Frank L.
Zevi, Bruno
Whittemore, Thomas
Whittick, Arnold
Who's who in American art
Who's who in art
Whyte, Lancelot L.
Wiener, Louis
Wight, Frederick S.
Wildenstein, Georges
Wilenski, Reginald H.
·
Zarnecki, Jerzy
Zervos, Christian
•
Wiles, Bertha H.
Wilkinson, James V. S.
Willcox, A. R.
Willemsen, Carl A.
Wilson, David M.
Wind, Edgar
Wingert, Paul S.
Wingler, Hans M.
Winlock, Herbert E.
Wittgens, Fernanda
Wittkower, Rudolf
Wolchonok, Louis
▸
•
•
··
•
•
Zola, Emile
Zorzi, Giangiorgio
Zucker, Paul
Ziegfeld, Ernest
Zigrosser, Carl
Zimmer, Heinrich R.
•
•
·
.934, 942, 991, 1012,
1016, 1095, 1100, 1102
..297
.858, 877
·
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•
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•
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564
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1088, 1107, 1150
. 181, 1151
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1086
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·
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143, 144, 145, 903
422
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