OMAR AND THE RABBI 822.8 $2453 nm BY FREDERICK LEROY SARGENT * DEUR MIRA MILAGREBOT EX-LIBRIS SCENICIS .. J 1. ! DANIEL L QUIRKR : Daniel L. Quint D. Oct-1919- OMAR AND THE RABBI OMAR and the RABBI FITZGERALD'S TRANSLATION OF THE RUBAIYAT OF OMAR AND BROWN- KHAYYAM, ING'S RABBI BEN EZRA, Ar- RANGED IN DRAMATIC FORM BY FREDERICK LEROY SARGENT 日 ​BOSTON THE FOUR SEAS COMPANY 1919 ་ 75 Copyright, 1909, by FREDERICK LEROY SARGENT Copyright, 1919, by THE FOUR SEAS COMPANY First edition, October, 1909 Second December, 1911 Third August, 1919 The Four Seas Press Boston, Mass., U. S. A. 7 Preface For the benefit of readers who may not be entirely familiar with the two poems here combined, it may be well to state that each poem is used entire and without any alteration or transposition of parts. Whether Browning could have had Fitzgerald's translation in mind when writing Rabbi Ben Ezra is a matter of conjecture with regard to which there seems to be no more evidence than the way the two poems fit together. However that may be, the fitting together which has been here attempted reveals an amount of structure and dramatic power in both poems perhaps hitherto unsuspected. A pub- lic performance of the play was given by the Senior Class of Emerson College at Chickering Hall, Bos- ton, Massachusetts, April 11, 1910. F. L. S. 3 Omar and the Rabbi PERSONS OMAR KHAYYAM, the astronomer-poet of Persia. Rabbi Ben Ezra, a philosopher. A DANCING GIRL, representing Spring (soprano). A YOUNG MAN SINGER, representing Summer (tenor). SAKI, representing Autumn (contralto). OLD MAN, representing Winter (bass). A YOUTH. A MAIDEN. SCENE: A garden on the road to Naishápúr. Through branches at the left one sees a turret and minarets of the city. Near the center a tent richly ornamented and bearing a tavern- sign of grapes, leaves, and tendrils. At the right a well. Springtime, 1100. The scene opens before sunrise; the light, at first very dim, becomes rosy, then fades, and finally brightens into day. Enter, right, the YOUTH and the MAIDEN, both simply clad. She stops at the well and draws water. He, attracted by the tent, gazes at it with eager interest. Enter, left, Omar, in festal attire. 3 OMAR [Approaching the tent.] Wake! For the Sun who scatter'd into flight The Stars before him from the Field of Night, Drives Night along with them from Heav'n, and strikes The Sultan's Turret with a Shaft of Light. [Catches sight of the Youth.] Before the phantom of False morning died, Methought a Voice within the Tavern cried, "When all the Temple is prepared within, Why nods the drowsy Worshipper outside?" [The Maiden goes hurriedly to the Youth and of- fers him a cup of water. The Youth takes it, but hesitates to drink, and gazes still at the tent. Omar, marking the Youth's leaning. continues.] And, as the Cock crew, those who stood before The Tavern shouted: Open then the door! You know how little while we have to stay, And, once departed, may return no more.” [Omar goes to the tent door, holds it open with an inviting gesture and smiles engagingly at the Youth, who starts to enter, but is restrained by the Maiden. Then, at a sign from Omar, there comes from the tent the DANCING GIRL, appareled as SPRING, and bearing an almond branch in bloom. As the Girl sings, the Maiden shows increasing fear and distress at the Girl's power over the Youth.] 6 SONG OF SPRING Now the New Year reviving old Desires, The thoughtful Soul to Solitude retires, Where the WHITE HAND OF MOSES on the Bough Puts out, and Jesus from the Ground suspires. Iram indeed is gone with all his Rose, And Jamshyd's Sev'n-ring'd Cup where no one knows; But still a Ruby gushes from the Vine, And many a Garden by the Water blows. Wine! And David's lips are lockt; but in divine High-piping Péhlevi, with "Wine! Wine! Red Wine!" the Nightingale cries to the Rose That sallow cheek of her's to'incarnadine. Come, fill the Cup, and in the fire of Spring Your Winter-garment of Repentance fling: The Bird of Time has but a little way To flutter and the Bird is on the Wing. Whether at Naishápúr or Babylon, Whether the Cup with sweet or bitter run, The Wine of Life keeps oozing drop by drop, The Leaves of Life keep falling one by one. [Before the end of the song, enter, right, RABBI BEN EZRA. Observing the Maiden's distress and Omar's smile, he casts at him a reproach- ful glance, goes to the Youth and puts an arm on the young man's shoulder affection- ately.] 7 RABBI [To the Youth, as they walk together toward the well.] Grow old along with me! The best is yet to be, The last of life, for which the first was made: Our times are in His hand Who saith, "A whole I planned, Youth shows but half; trust God: see all, nor be afraid!" [Omar glances smilingly at the Maiden; then in re- sponse to his beckoning there comes from the tent the YOUNG MAN SINGER, appareled as SUM- MER, and bearing a book.] SONG OF SUMMER Each Morn a thousand Roses brings, you say; Yes, but where leaves the Rose of Yesterday? And this first Summer month that brings the Rose Shall take Jamshyd and Kaikobád away. Well, let it take them! What have we to do With Kaikobád the Great, or Kaikhosrú? Let Zál and Rustum thunder as they will, Or Hátim call to Supper-heed not you. [To the Maiden, who stands wondering.] With me along the strip of Herbage strown That just divides the desert from the sown, Where name of Slave and Sultán is forgot And Peace to Máhmúd on his golden Throne! A Book of Verses underneath the Bough, A Jug of Wine, a Loaf of Bread- and Thou Beside me singing in the Wilderness Oh, Wilderness were Paradise enow! RABBI [To the Youth.] Not that, amassing flowers, Youth sighed, "Which rose make ours, Which lily leave and then as best recall?” Not that, admiring_stars, It yearned, "Nor Jove, nor Mars; Mine be some figured flame which blends, tran- scends them all!" Not for such hopes and fears Annulling youth's brief years, Do I remonstrate: folly wide the mark! Rather I prize the doubt Low kinds exist without, Finished and finite clods, untroubled by a spark. Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast; Such feasting ended, then As sure an end to men; Irks care the crop full bird? Frets doubt the maw- crammed beast? Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God 9 Who gives, than of His tribes that take, I must believe. [SAKI peers from the tent. She is appareled as AUTUMN, and carries a jug and a wine-cup. Omar goes to her, takes the cup which she has offered to him, and holds it to receive wine from the jug. He then leads her forward. Following her from the tent comes the OLD MAN, appareled as WINTER, and leaning on a staff twined with withered leaves.] OMAR Some for the Glories of This World; and some Sigh for the Prophet's Paradise to come; Ah, take the Cash, and let the Credit go, Nor heed the rumble of a distant Drum! RABBI Then, welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand but go! Be our joys three-parts pain! Strive, and hold cheap the strain; Learn, nor account the pang; dare, never grudge the throe! [Saki, acknowledging a look from Omar, sings.] SONG OF AUTUMN "Lo, Look to the blowing Rose about us Laughing," she says, "into the world I blow, At once the silken tassel of my Purse Tear, and its Treasure on the Garden throw." IO And those who husbanded the Golden grain, And those who flung it to the winds like Rain, Alike to no such aureate Earth are turn'd As, buried once, Men want dug up again. [The Old Man sings.] SONG OF WINTER The Worldly Hope men set their Hearts upon Turns Ashes or it prospers; and anon, Like Snow upon the Desert's dusty Face, Lighting a little hour or two-was gone. RABBI [Turns sadly away from the Old Man, goes to the well, where he seats himself: the Maiden at the same time coming to sit reverently at his feet.] For thence, - a paradox Which comforts while it mocks, Shall life succeed in that it seems to fail: What I aspired to be, And was not, comforts me: A brute I might have been, but would not sink i' the scale. What is he but a brute Whose flesh has soul to suit, Whose spirit works lest arms and legs want play? To man, propose this test Thy body at its best, How far can that project thy soul on its lone way? II OMAR [Advances to Youth; speaks intimately.] Think, in this batter'd Caravanserai Whose Portals are alternate Night and Day, How Sultán after Sultán with his Pomp Abode his destin'd Hour, and went his way. They say the Lion and the Lizard keep The Courts where Jamshyd gloried and drank deep: And Bahrám, that great Hunter- the Wild Ass Stamps o'er his Head, but cannot break his Sleep. I sometimes think that never blows so red The Rose as where some buried Cæsar bled; That every Hyacinth the Garden wears Dropt in her Lap from some once lovely Head. And this reviving Herb whose tender Green Fledges the River-Lip on which we lean Ah, lean upon it lightly! for who knows From what once lovely Lip it springs unseen! [The Youth is led the while apart by Omar, and ap- pears fascinated by the poet's fancies. The singers, observing Omar's triumph, sing to- gether. CHORUS Ah, my Belovéd, fill the cup that clears TO-DAY of past Regret and future Fears: To-morrow! Why, To-morrow I may be Myself with Yesterday's Sev'n thousand Years. 12 For some we loved, the loveliest and the best That from his Vintage rolling Time has prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest. And we, that now make merry in the Room They left, and Summer dresses in new bloom, Ourselves must we beneath the Couch of Earth Descend ourselves to make a Couch—for whom? Ah, make the most of what we yet may spend, Before we too into the Dust descend; Dust into Dust, and under Dust, to lie, Sans Wine, sans Song, sans Singer, and — sans End! RABBI Yet gifts should prove their use: I own the Past profuse Of power each side, perfection every turn: Eyes, ears took in their dole, Brain treasured up the whole; Should not the heart beat once "How good to live and learn"? Not once beat "Praise be Thine! I see the whole design, I, who saw power, see now Love perfect too: Perfect I call Thy plan: Thanks that I was a man! Maker, remake, complete, — I trust what Thou shalt do!" For pleasant is this flesh; Our soul, in its rose-mesh Pulled ever to the earth, still yearns for rest: 13 Would we some prize might hold To match those manifold Possessions of the brute,-gain most, as we did best! Let us not always say, Spite of this flesh to-day I strove, made head, gained ground upon the whole!" As the bird wings and sings, Let us cry," All good things Are ours, nor soul helps flesh more, now, than flesh helps soul!" OMAR Alike for those who for TO-DAY prepare, And those that after some TOMORROW stare, A Muezzin from the Tower of Darkness cries, Fools, your Reward is neither Here nor There." Why, all the Saints and Sages who discuss'd Of the Two Worlds so learnedly are thrust Like foolish Prophets forth; their Words to Scorn Are scatter'd, and their Mouths are stopt with Dust. Myself when young did eagerly frequent Doctor and Saint, and heard great argument About it and about: but evermore Came out by the same door where in I went. With them the seed of Wisdom did I sow, And with my own hand wrought to make it grow; And this was all the Harvest that I reap'd- "I came like Water, and like Wind I go. 14 Into this Universe, and Why not knowing, Nor Whence, like Water willy-nilly flowing; And out of it, as Wind along the Waste, I know not Whither, willy-nilly blowing. What, without asking, hither hurried Whence? And, without asking, Whither hurried hence! O, many a Cup of this forbidden Wine Must drown the memory of that insolence! Up from Earth's Centre through the Seventh Gate I rose, and on the Throne of Saturn sate, And many a Knot unravell'd by the Road; But not the Master-knot of Human Fate. There was the Door to which I found no key; There was the Veil through which I could not see: Some little talk awhile of ME and THEE There was and then no more of THEE and ME. Earth could not answer; nor the Seas that mourn In flowing Purple, of their Lord forlorn; Nor rolling Heaven, with all his Signs reveal'd And hidden by the sleeve of Night and Morn. Then of the THEE IN ME who works behind The Veil, I lifted up my hands to find A Lamp amid the Darkness; and I heard, As from Without-"THE ME WITHIN THEE BLIND!" RABBI Therefore I summon age To grant youth's heritage, Life's struggle having so far reached its term: 15 Thence shall I pass, approved A man, for aye removed From the developed brute; a God though in the germ. And I shall thereupon Take rest, ere I be gone Once more on my adventure brave and new: Fearless and unperplexed, When I wage battle next, What weapons to select, what armour to indue. Youth ended, I shall try My gain or loss thereby: Leave the fire ashes, what survives is gold: And I shall weigh the same, Give life its praise or blame : Young, all lay in dispute; I shall know, being old. For, note when evening shuts, A certain moment cuts The deed off, calls the glory from the grey: A whisper from the west Shoots - Add this to the rest, Take it and try its worth: here dies another day." So, still within this life, Though lifted o'er its strife, Let me discern, compare, pronounce at last, "This rage was right i' the main, That acquiescence vain: The Future I may face now I have proved the Past." For more is not reserved To man, with soul just nerved To act to-morrow what he learns to-day: 16 Here, work enough to watch The Master work, and catch Hints of the proper craft, tricks of the tool's true play. As it was better, youth Should strive, through acts uncouth, Toward making, than repose on aught found made; So, better, age, exempt From strife, should know, than tempt Further. Thou waitedest age: wait death nor be afraid! OMAR [Drains the wine-cup.] Then to the Lip of this poor earthen Urn I lean'd, the Secret of my Life to learn: And Lip to Lip it murmur'd-"While you live, Drink! - for, once dead, you never shall return." I think the Vessel, that with fugitive Articulation answer'd, once did live, And drink; and Ah! the passive Lip I kiss'd, How many Kisses might it take — and give! For I remember stopping by the way To watch a Potter thumping his wet Clay: And with its all-obliterated Tongue It murmur'd-"Gently, Brother, gently, pray!" Listen - a moment listen! Of the same " Poor Earth from which that Human Whisper came The luckless Mould in which Mankind was cast They did compose, and call'd him by the name. 17 And not a drop that from our Cups we throw For Earth to drink of, but may steal below To quench the fire of Anguish in some Eye There hidden-far beneath, and long ago. As then the Tulip for her morning sup Of Heav'nly Vintage from the soil looks up, Do you devoutly do the like, till Heav'n To Earth invert you like an Empty Cup. Perplext no more with Human or Divine, To-morrow's tangle to the winds resign, And lose your fingers in the tresses of The Cypress-slender Minister of Wine. And if the Wine you drink, the Lip you press, End in what All begins and ends in Yes; Think then you are TO-DAY what YESTERDAY You were- TO-MORROW you shall not be less. So when the Angel of the darker Drink At last shall find you by the river-brink, And, offering his Cup, invite your Soul Forth to your Lips to quaff-you shall not shrink. Why, if the Soul can fling the Dust aside, And naked on the Air of Heaven ride, Wer't not a Shame-wer't not a Shame for him In this clay carcase crippled to abide? 'Tis but a Tent where takes his one-day's rest A Sultan to the realm of Death addrest; The Sultan rises, and the dark Ferrásh Strikes, and prepares it for another Guest. 18 And fear not lest Existence closing your Account, and mine, should know the like no more; The Eternal Sáki from that Bowl has pour'd Millions of Bubbles like us, and will pour. When You and I behind the Veil are past, Oh but the long long while the World shall last, Which of our Coming and Departure heeds As the SEV'N SEAS should heed a pebble-cast. A Moment's Halta momentary taste Of BEING from the Well amid the Waste- And Lo! - the phantom Caravan has reach'd The NOTHING it set out from -Oh, make haste! Would you that spangle of Existence spend About THE SECRET -quick about it, Friend! A Hair perhaps divides the False and True And upon what, prithee, does Life depend? A Hair perhaps divides the False and True; Yes; and a single Alif were the clue- Could you but find it to the Treasure-house, And peradventure to THE MASTER too; Whose secret Presence, through Creations veias Running Quicksilver-like eludes your pains; Taking all shapes from Máh to Máhi; and They change and perish all-but He remains; A moment guess'd then back behind the Fold Immerst of Darkness round the Drama roll'd Which, for the Pastime of Eternity, He does Himself contrive, enact, behold. 19 But if in vain, down on the stubborn floor Of Earth, and up to Heav'n's unopening Door, You gaze TO-DAY, while You are You-how then TO-MORROW, You when shall be You no more? Waste not your Hour, nor in the vain pursuit Of This and That endeavour and dispute; Better be jocund with the fruitful Grape Than sadden after none, or bitter, Fruit. RABBI Enough now, if the Right And Good and Infinite Be named here, as thou call'st thy hand thine own, With knowledge absolute, Subject to no dispute From fools that crowded youth, nor let thee feel alone. Be there, for once and all, Severed great minds from small, Announced to each his station in the Past! Was I, the world arraigned, Were they, my soul disdained, Right? Let age speak the truth and give us peace at last! OMAR [Turning with a shrug to his followers.] You know, my Friends, with what a brave Carouse I made a Second Marriage in my house; Divorced old barren Reason from my Bed, And took the Daughter of the Vine to Spouse. 20 For "Is" and "Is-Nor” though with Rule and Line, And "UP-AND-DOWN" by Logic I define, Of all that one should care to fathom, I Was never deep in anything but - Wine. Ah, but my Computations, People say, Reduced the Year to better reckoning? - Nay, 'T was only striking from the Calendar Unborn To-morrow, and dead Yesterday. And lately, by the Tavern Door agape, Came shining through the Dusk an Angel Shape Bearing a Vessel on his Shoulder; and He bid me taste of it; and't was the Grape! The Grape that can with Logic absolute The Two-and-Seventy jarring Sects confute: The sovereign Alchemist that in a trice Life's leaden metal into Gold transmute : The mighty Mahmúd, Allah-breathing Lord, That all the misbelieving and black Horde Of Fears and Sorrows that infest the Soul Scatters before him with his whirlwind Sword. Why, be this Juice the growth of God, who dare Blaspheme the twisted tendril as a Snare? A Blessing, we should use it, should we not? And if a Curse - why, then, Who set it there? I must abjure the Balm of Life, I must, Scared by some After-reckoning ta'en on trust, Or lured with Hope of some Diviner Drink, To fill the Cup-when crumbled into Dust! 21 O threats of Hell and hopes of Paradise! One thing at least is certain, —- This Life flies; One thing is certain and the rest is Lies; The Flower that once has blown forever dies. Strange, is it not? that of the myriads who Before us pass'd the door of Darkness through Not one returns to tell us of the Road, Which to discover we must travel too. The Revelations of Devout and Learn'd Who rose before us, and as Prophets burn'd, Are all but Stories, which, awoke from Sleep They told their fellows, and to Sleep return'd. I sent my Soul through the Invisible, Some letter of that After-life to spell: And by and by my Soul return'd to me, And answer'd “Í Myself am Heav'n and Hell.” Heav'n but the Vision of fulfill'd Desire, And Hell the Shadow of a Soul on fire, Cast on the Darkness into which Ourselves, So late emerg'd from, shall so soon expire. We are no other than a moving row Of Magic Shadow-shapes that come and go Round with this Sun-illumin'd Lantern held In Midnight by the Master of the Show; Impotent Pieces of the Game He plays Upon this Checker-board of Nights and Days; Hither and thither moves, and checks, and slays, And one by one back in the Closet lays. 22 The Ball no question makes of Ayes and Noes But Right or Left as strikes the Player goes; And He that toss'd you down into the Field, He knows about it all He knows-HE knows! The Moving Finger writes; and, having writ, Moves on: nor all your Piety nor Wit Shall lure it back to cancel half a Line, Nor all your Tears wash out a Word of it. And that inverted Bowl they call the Sky, Whereunder crawling coop'd we live and die, Lift not your hands to It for help for It As impotently rolls as you or I. With Earth's first Clay They did the Last Man knead, And there of the Last Harvest sow'd the Seed: And the first Morning of Creation wrote What the Last Dawn of Reckoning shall read. YESTERDAY This Day's Madness did prepare; TO-MORROW'S Silence, Triumph, or Despair: Drink! for you know not whence you came, nor why: Drink! for you know not why you go, nor where. [Holds wine-cup for Saki to refill, then drains it.] I tell you this - When, started from the Goal, Over the flaming shoulders of the Foal Of Heav'n Parwin and Mushtari they flung, In my predestin'd Plot of Dust and Soul 23 The Vine had struck a fibre: which about If clings my Being let the Dervish flout; Dervish_flout; Of my Base metal may be filed a Key, That shall unlock the Door he howls without. And this I know whether the one True Light Kindle to Love, or Wrath-consume me quite, One Flash of It within the Tavern caught Better than in the Temple lost outright. What! out of senseless Nothing to provoke A conscious Something to resent the yoke Of unpermitted Pleasure, under pain Of Everlasting Penalties, if broke! What, from his helpless Creature be repaid Pure Gold for what he lent us dross-allay'd — Sue for a Debt we never did contract, And cannot answer - Oh the sorry trade! Oh Thou, who didst with pitfall and with gin Beset the Road I was to wander in, Thou wilt not with Predestin'd Evil round Enmesh, and then impute my Fall to Sin! Oh, Thou, who Man of baser Earth didst make And ev❜n with Paradise devise the Snake: For all the Sin wherewith the Face of Man Is blacken'd-Man's Forgiveness give — and take! [The Maiden rises in horror at Omar's words, and rushes to the Youth, who stands amazed yet fascinated. He permits himself to be drawn a few steps away from Omar, while the Rabbi steps in between Omar and them.] 24 RABBI [While he is speaking the wine-cup, filled by Saki, goes round among the singers.] Now, who shall arbitrate? Ten men love what I hate, Shun what I follow, slight what I receive; Ten, who in ears and eyes Match me: we all surmise, They this thing, and I that: whom shall my soul believe? Not on the vulgar mass Called "work," must sentence pass, Things done, that took the eye and had the price; O'er which, from level stand, The low world laid its hand, Found straightway to its mind, could value in a trice: But all, the world's coarse thumb And finger failed to plumb, So passed in making up the main account; All instincts immature, All purposes unsure, That weighed not as his work, yet swelled the man's amount: Thoughts hardly to be packed Into a narrow act, Fancies that broke through language and escaped; All I could never be, All, men ignored in me, This, I was worth to God, whose wheel the pitcher shaped. 25 OMAR [Smiling cynically at the Rabbi.] As under cover of departing Day Slunk hunger-stricken Ramazán away, One more within the Potter's house alone I stood, surrounded by the Shapes of Clay. [With significant looks at the Rabbi, the Youth, and the Maiden.] Shapes of all Sorts and Sizes, great and small, That stood along the floor and by the wall; And some loquacious Vessels were; and some Listen'd perhaps, but never talk'd at all. Said one among them-"Surely not in vain My substance of the common Earth was ta'en And to this Figure moulded, to be broke, Or trampled back to shapeless Earth again." Then said a Second-"Ne'er a peevish Boy Would break the Bowl from which he drank in joy: And He that with his hand the Vessel made Will surely not in after Wrath destroy." After a momentary silence spake Some Vessel of a more ungainly Make; They sneer at me for leaning_all awry: What! did the Hand then of the Potter shake?” Whereat some one of the loquacious Lot I think a Súfi pipkin- waxing hot- " All this Pot and Potter-Tell me then, Who makes - Who sells - Who buys - Who is the Pot?" 26 "Why" said another, "Some there are who tell Of one who threatens he will toss to Hell The luckless Pots he marr'd in making - Pish! He's a Good Fellow, and 't will all be well." "Well," murmur'd one, “Let whoso make or buy, My Clay with long Oblivion is gone dry: But fill me with the old familiar Juice, Methinks I might recover by and by." So while the Vessels one by one were speaking, The little Moon look'd in that all were seeking: And then they jogg'd each other, "Brother! Brother! Now for the Porter's shoulder-knot a-creaking!" RABBI Ay, note that Potter's wheel, That metaphor! and feel Why time spins fast, why passive lies our clay, - Thou, to whom fools propound When the wine makes its round, "Since life fleets, all is change; the Past gone, seize to-day!" Fool! All that is, at all, Lasts ever, past recall; Earth changes, but thy soul and God stand sure: What entered into thee, That was, is, and shall be: Time's wheel runs back or stops: Potter and clay endure. He fixed thee mid this dance Of plastic circumstance, This Present, thou, forsooth, wouldst fain arrest: 27 Machinery just meant To give thy soul its bent, Try thee and turn thee forth, sufficiently impressed. What though the earlier grooves Which ran the laughing loves Around thy base, no longer pause and press? What though, about thy rim, Skull-things in order grim Grow out, in graver mood, obey the sterner stress? OMAR Ah, with the Grape my fading Life provide, And wash the Body whence the Life has died, And lay me, shrouded in the living Leaf, By some not unfrequented Garden-side. That ev'n my buried Ashes such a snare Of Vintage shall fling up into, the Air As not a True-believer passing by But shall be overtaken unaware. Indeed the Idols I have loved so long Have done my credit in Men's eyes much wrong: Have drown'd my Glory in a shallow Cup, And sold my Reputation for a Song. Indeed, indeed, Repentance oft before I swore - but was I sober when I swore? And then and then came Spring, and Rose-in-hand My thread-bare Penitence apieces tore. And much as Wine has play'd the Infidel, And robb'd me of my Robe of Honour-Well, I wonder often what the Vintners buy One half so precious as the stuff they sell. 28 Yet Ah, that Spring should vanish with the Rose! That Youth's sweet-scented manuscript should close! The Nightingale that in the branches sang, Ah whence, and whither flov n again, who knows! Would but the Desert of the Fountain yield One glimpse—if dimly, yet indeed, reveal'd, To which the fainting Traveller might spring, As springs the trampled herbage of the field! Would but some wingéd Angel ere too late Arrest the yet unfolded Roll of Fate, And make the stern Recorder otherwise Enregister, or quite obliterate! [Turning to Saki.] Ah Love! could you and I with Him conspire To grasp this sorry Scheme of Things entire, Would not we shatter it to bits—and then Re-mould it nearer to the Heart's Desire! [The Youth turns from Omar in revulsion, then looks lovingly toward the Maiden, while he drinks from the water-cup and hands it to her. She takes it from him joyfully and drinks what remains, raising her eyes in thanks to Heaven. When she has emptied the cup she places it inverted upon the well. All watch her with interest. The light declines and becomes sil- very. Omar continues, sadly.] Yon rising Moon that looks for us again How oft hereafter will she wax and wane; How oft hereafter rising look for us Through this same Garden -and for one in vain! 29 And when like her, oh Sáki, you shall pass Among the Guests Star-scatter'd on the Grass, And in your blissful errand reach the spot Where I made One — turn down an empty Glass! RABBI [To the Youth, lovingly.] Look not thou down but up! To uses of a cup, The festal board, lamp's flash and trumpet's peal, The new wine's foaming flow, The Master's lips a-glow! Thou, heaven's consummate cup, what need'st thou with earth's wheel? [In prayer.] But I need, now as then, Thee, God, who mouldest men; And since, not even while the whirl was worst, Did I-to the wheel of life With shapes and colors rife, Bound dizzily-mistake my end, to slake Thy thirst: So, take and use Thy work: Amend what flaws may lurk, What strain o' the stuff, what warpings past the aim! My times be in Thy hand! Perfect the cup as planned! Let age approve of youth, and death complete the same! mar and his followers retire to the tent with forced merriment. The Rabbi, followed by the Youth and the Maiden hand in hand, walk toward the city.] 30 Reviewed by Preservation: 1997 DO NOT REMOVE OR MUTILATE CARD i UNIVERSITY OF MICHIGAN 3 9015 03808 7980 ARTES SCIENTIA VERITAS LIBRARY OF THE UNIVERSITY OF MICHIGAN TUENOR •QUÆRIS-PENINSULAM’AMŒNAM. CIRCUMSPICE BEQUEST OF DANIEL L. QUIRK, JR.