Miss
MARIE LLOYD
Negative by
ALFRED ELLIS
20 Upper Baker St N.W
Written by
SIR AUGUSTUS HARRIS
HARRY NICHOLLS.
AND
ROBINSON
CRUSOE
Sir Augustus Harris's
15th DRURY LANE
PANTOMIME.
WAS.
1893-
-4
BOOK OF WORDS
ONE SHILLING

Boyveau & Chevillet
Livres en toutes Langnes
22. R. de la Banque, PARIS
PR
3403
A3
N42
BUTLER'S MUSICAL INSTRUMENTS
OF EVERY DESCRIPTION.
GUITARS, MANDOLINES,
AUTOHARPS,
BAND INSTRUMENTS,
ONLY GENUINE
COUGHS,
FLUTES, DRUMS, &c.
Largest Assortment in the Kingdom.
BUTLER'S VIOLINS.
With Bow, in Case Complete, 20/-, 25/-, 30/-, 40/-, to £10.
DR. J. COLLIS BROWNE'S
CHLORODYNE
29 HAYMARKET, LONDON.
ILLUSTRATED PRICE LIST (60 PAGES) POST FREE.
COLDS,
ASTHMA,
TRADE MARK/
BRONCHITIS.
DR
R. J. COLLIS BROWNE'S CHLORO-
DYNE.-Dr. J. C. BROWNE (late)
Army Medical Staff) DisCOVERED A
REMEDY to denote which he coined the
word CHLORODYNE. Dr. Browne is the
SOLE INVENTOR, and as the composition
of Chlorodyne cannot possibly be dis-
covered by analysis (organic substances
defying elimination), and since the formula
has never been published, it is evident
that any statement to the effect that a
compound is identical with Dr. Browne's
Chlorodyne MUST BE FALSE,
This Caution is necessary, as many per-
sons deceive purchasers by false represen-
tations.
DR
R. J. COLLIS BROWNE'S CHLORO-
DYNE.-Vice-Chancellor Sir W.
PAGE WOOD stated publicly in Court that
Dr. J. COLLIS BROWNE WAS UNDOUBTEDLY
the INVENTOR OF CHLORODYNE, that the
whole story of the defendant Freeman was
deliberately untrue, and he regretted to
say it had been sworn to.-See "The
Times," July 13th, 1864.
ORIGINAL AND
IS THE GREAT SPECIFIC
FOR CHOLERA,
DYSENTERY.
D GENERAL BOARD OF HEALTH,
London, REPORT that it Acts
as a CHARM, one dose generally sufficient.
Dr. GIBBON, Army Medical Staff, Cal-
cutta, states: "Two DOSES COMPLETELY
CURED ME OF DIARRHEA."
R. J. COLLIS BROWNE'S CHLORO-
NE
DR DYNE
R. J. COLLIS BROWNE'S CHLORO-
DYNE is a liquid medicine which
assuages PAIN of EVERY KIND, affords
a calm, refreshing sleep WITHOUT
HEADACHE, and INVIGORATES the
nervous system when exhausted.
EURALGIA,
TOOTHACHE, RHEUMATISM.
GOUT,
CANCER,
DR
R. J. COLLIS BROWNE'S CHLORO-
DYNE
cuts short all
rapidly
rapidly
attacks of
EPT
PILEPSY, SPASMS, COLIC, PAL-
PITATION, HYSTERIA.
MPORTANT
I'
CAUTION. The IM-
MENSE SALE of this REMEDY
has given rise to many UNSCRUPULOUS
IMITATIONS. Be careful to observe
Trade Mark.
Of all Chemists.
1s. 1 d., 2s. 94, and 48, 6d.
SOLE MANUFACTURER,
J. T. DAVENPORT,
33 Great Russell Street, W.
1 P
GOLD MEDAL,
PARIS, 1889.
MAJSTRISË OF
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Addresses (48 Burlington Arcade, W.; and in Paris.
43
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GOLD MEDAL,
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85 New Bond Street, W.; 248 Regent Street, W.
A
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PR
3403
A3
N62


W. C. WILLIAMS.
MANUFACTURING FURRIER,
102 REGENT ST., W.

T
A CHOICE ASSORTMENT OF FUR CAR-
MENTS IN ALL THE NEWEST DESIGNS
Alaska Sealskin Jackets and
Mantles.
subakiwa@kanakNow,
*
GENTLEMEN'S FUR-LINED
OVERCOATS from 8 Guineas.
Silk-Lined Cloaks from
3 Gns.
LADIES' FUR-LINED
COATS AND CLOAKS
from 4 Gns. to 50 Gns.
FUR CAPES, MUFFS, BOA,
&c., in Great Variety.
Sealskin Jackets
Furs
Renovated and
Re-modelled
to
present Fashion
at Moderate
Charges.
and other
Jurta
102, Regent St.,
LONDON, W.
PERFECT FIT
GUARANTEED.
SPECIALITIES IN MODERN ARTISTIC FURNISHING
UNOBTAINABLE ELSEWHERE.
GODFREY GILES & CO.,
Of 19 OLD CAVENDISH ST.,

489 OXFORD ST., W.
HIGH CLASS
FURNITURE AND DECORATIONS
TEMPORARY
ADDRESS
FITMENTS & INTERIOR WOODWORK OF EVERY DESCRIPTION.
Estimates given, and competent representatives sent to all parts of the United Kingdom, to receive
instructions and give advice as to how to make the best of a house.
WALL PAPERS.
Sir WALTER RALEIGH
SMOKING CHAIR
A COMPLETE SUCCESS.
A MOST ACCEPTABLE PRESENT.
The Queen
Queen says: The
chair, of which we give an
illustration, although princi-
pally intended for the use of
smokers, can easily be adapted
for non-smokers, and even for
ladies and their varions
occupations
in
leisure
time -read-
ing, writing,
doingneedle-
work, sip-
ping tea, &c.
At the back
of the chair
a lamp is fix-
ed, which is
so arranged
that it can
easily be
moved from
one side of
the chair to
the other or
adjusted to
any height
to
its
80
throw
light on the
book
newspaper
one is read-
ing."
WALNUT OR
OAK
BOOKCASES
All sizes
from
£3 5s.
**
PREMI
(C
******
pisiva
£7 18s. 6d. show-wood design.
£8 18s. 6d. Divan shape, as above.
Fitted with Lamp, as shown, 35/- extra.
EASY
CHAIRS.
COMFORTABLE EASY CHAIRS of every
description, stuffed all hair, and best materials only.
CALL or WRITE for designs and prices.
Minis
>>
PEN & INK SKETCHES.
A guide to Furnishing. Post free to any part of the
world on application.
Our well-known collection has been largely
added to, many of the choice and beautiful
designs and colourings being unobtainable
elsewhere.
Patterns and prices on application.
DURING
RE-BUILDING

COSY CORNER
-
18
STARS NETHERL
Price as above, £7 7s., Enamelled White.
For special estimates and further particulars
send measurements of corner to be fitted.
489 OXFORD ST.,
GODFREY GILES & CO., 19 OLD CAVENDISH ST., W.
www
ESTABLISHED 50 YEARS.
NICHOLSON'S
New Edition of "How to Dress with Good Taste and
Economy"; containing Illustrations of everything for
Ladies' and Children's Wear, Gratis and Post Free.

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WATE
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Hàng hải B tại đ
कामात मल
THE CHOICEST AND CHEAPEST STOCKS OF
Dress
Fabrics,
SILKS, & VELVETS.
PATTERNS FREE.
New Costumes & Mantles at Wholesale
Prices.
100 Illustrations of Costumes, Jackets, Mantles, Ball
and Evening Costumes; also Price List of
HOUSEHOLD LINEN, FURS, BOOTS AND
SHOES, LADIES' UNDERCLOTHING, &c.,
Post Free.
EVENING MATERIALS.
Annual Sale from January 1st to
end of the month.
MOURNING MATERIALS,
Calicoes, Linens, Sheetings,
Flannels.
PATTERNS FREE.
Handsome SORTE DE BAL or Theatre Wrap.
In plain smooth-faced cloth, £3 13s. 6d. ; or in silk brocade,
woven in gold or silver tinsel, as sketch, £5 5s.
Evening Cloaks in great
variety from 1 guinea.
BALL DRESSES.
ILLUSTRATIONS FREE.
PRIZE MEDAL awarded, PARIS EXHIBITION, 1889, for Excellence in Manufacture of
Mantles, Costumes, and Furs.

NICHOLSON'S,
50 to 54, St. Paul's Churchyard; 4, Cheapside, & 66, 67, & 68, Paternoster Row, London.
ROBINSON CRUSOE
A Grand Comic Christmas Pantomime
HARRY NICHOLLS AND SIR AUGUSTUS HARRIS.
Theatre Royal, Drury Lane,
CHRISTMAS 1893.
LESSEE
→ bed
•ppalakalan al 100% gap a maga sakkan alle de diya ang kapaka wake kama ma
1
ROBINSON CRUSOE...
POLLY PERKINS
MRS. CRUSOE
WILL ATKINS ...
MAN FRIDAY
...
WRITTEN BY
BOOK OF WORDS.
...
..
#
...
SIR AUGUSTUS HARRIS

CAST OF THE CHARACTERS.
MISS ADA BLANCHE
MISS MARIE LLOYD
MR. DAN LENO
MR. HERBERT CAMPBELL
SUPA Vn – matta, nggal pr
Válka, ((aka, ka ma
LITTLE TICH
vy play When a je
THE

Grafton Fur Co.
Whereas
dream
*****
*****
LTD.
Art
Furriers.
"The one great charm
"about the furs shown
蠢​蠢
​by the Grafton Fur
"Company in their lovely
"salons at 164, New
"Bond-street, lies in the
(6
(C
'fact that the fur gar-
"ments which one sees
"here are always en-
"tirely original in design.
They have about them
"the indescribable charm
"of novelty and of in-
(C
dividuality." -LADY'S
PICTORIAL.
Sealskin
Jackets,
from £20.
Gentlemen's Fur-
Lined Coats,
from £9.
164, NEW BOND STREET, LONDON, W.
Race Bk. Room
Regent
get 784-1927
R. R. Huttand
CAST OF
OF THE
THE CHARACTERS
PERKY SNOOKS...
TOMMY BOLINE
DAVY JONES
CAPT. PERKINS
DOG
CAT
...
MATE...
SNOOKS
KING OF THE
ISLANDS
HIS QUEEN
HIS PRIME MINISTER
PARROT
GOAT ...
...
...
..
•••
••
...
:
···
•
PIRATE CHIEF...
··
•••
FRIDAY'S OLD FATHER…..
BESSIE LIGHTFOOT...
SPIRIT OF PANTOMIME...
Continued,
···
..
...
10.
Miss V. MALVERN
MISS J. SCOTT
MISS G. COOK
Miss L. MENELLY
MISS B. ARTHUR
CANNIBAL
...
...
...
..
:
...
RECRUITING OFFICERS ..
··
...
...
...
MR. CHAS. DODSWORTHI
MR. W. POLUSKI
MR. S. POLUSKI
MR. ARTHUR ALEXANDER
•••
..
...
MR. LECLERQ
MR. BEN BROWN
MR. NEWLAND
MR. CALHAEM
MISS MAUD RICHARDSON
MISS JULIA KENT
MISS LILY HAROLD
:
...
MISS CARLYON
MR. H. JEE
MR. J. JEE
MR. W. JEE
MR. T. JEE
r
MISS NITA CARLYON
MISS A. REYNOLDS
MR. FRANK W. DAMER
BIRDS OF THE ISLAND.
MISS E. PRITCHARD
MISS M. MORDAUNT
MISS F. DALQUEEN
MISS M. BRENARD
MISS E. ARUNDEL
Principal Dancers.


OPOIT
BAYLEY'S
ESTABLISHED 1739.
By Appointment.
ESS BOUQUET, SNOW WHITE BLOSSOMS
SWEET MACE, &c., &c., PERFUMES.
"XENIE," The Latest Fashionable Perfume.
SPERMACETI SOAP,
OTTO ROSE SOAP, ESS BOUQUET SOAP.
The New Skin Soap, "ECZA."
Of all Chemists and Perfumers throughout the World.
LISTS FREE ON APPLICATION.
17 COCKSPUR STREET, LONDON, S.W.

VIDE PRESS:-All should visit the Establishment of
GARROULD,

EDGWARE ROAD, HYDE PARK, W.
Costumier & Fashionable Coat Maker,
Fancy Store, etc.
The Gentlewoman says:-
"At Garrould's one may always count upon
buying stylish and pretty dresses at reasonable prices."
The Lady's Pictorial says:-
"Tasteful novelties of all descriptions marked at
very moderate prices may always be seen at the
well-known establishment of Messrs. Garrould."
All Goods at Strictly Moderate Prices.
NOTICE.-Illustrated Catalogues of all depart-
ments post free.
E. and R. GARROULD,
150, 152, 154, 156, 158, Edgware Road,
Hyde Park, London, W.
Telegraphic Address: "GARROULD, LONDON."
CAST OF THE CHARACTERS
MISS L. TEESDALE
MISS FEVERELL
MISS L. BROOKING
MISS EDITII BEAUMONT
MISS J. MUNRY
MISS F. MACLEAN
MISS J. DOUGLAS
MISS M. FRANCIS
MISS B. BAWN
MISS G. LENNARD
MISS J. HUTCHINSON
MISS J. MABLEDON
Continued.
MISS L. WERENDEL
MISS D. LEWIN
MISS F. ASHBY
MISS A. DAWSON
MISS J. BEAUMONT
SAILORS.
¦
PIRATES.
I
PRESS GANG.
MISS G. KINGSTON
Miss E. CLARE
MISS WALDO
MISS SADLER
MISS V. KNIGHT
MISS. E. BUDD.
MISS CUNNINGHAM
MISS K. MAUDE
MISS N. THORNE
MISS A. HAMMOCK
Miss M. CHURCHILL
MISS B. GRANVILLE
MISS PAGE
MISS PHILLIPS
MISS V. VAUGHAN
MISS D. DONDALL
MISS S. JOHNSTONE
PRINCIPAL DANCERS.
MESDAMES ZUCCHI and EMMA D'AUBAN,
SIGNOR ALBERTIERI and MR. JOHN D'AUBAN.
ESTABLISHED 70 YEARS.
ATKINSON & CO.'S
FURNISHING WAREHOUSES,
198 to 212,
WESTMINSTER BRIDGE ROAD, LONDON.


The Best House in the Trade for Artistic Furniture
and Good Wearing Carpets.
ILLUSTRATED FURNISHING GUIDE, FREE.
This Theatre is Carpeted throughout
by ATKINSON & CO.
S. & H. HARRIS'S
HOUSEHOLD REQUISITES.
EBONITE BLACKING
BUT
BLACK
TRADE
Pa
PATTERNS FREE.


MARA
EAUTIFUL
(WATERPROOF)
FOR BOOTS AND SHOES.
Does not injure the Leather. Requires no brushing.
ASK FOR IT.
POLISHING PASTE,
FOR METALS AND GLASS OF ALL DESCRIPTIONS.
PLATE POWDER,
DOES NOT INJURE THE SILVER.
BRUNSWICK BLACK,
FOR STOVES OR IRON WORK.
STEEL POWDER,
FOR BRIGHT GRATES AND FIRE IRONS.
FURNITURE POLISH,
NO HOUSE COMPLETE WITHOUT THEM.
SOLD EVERYWHERE.
MANUFACTORY:-LONDON, E,
PRODUCED UNDER THE DIRECTION OF
SIR AUGUSTUS HARRIS.
The Original Music Composed and Arranged by MR. J. M.
GLOVER.
Stage Manager-MR. ARTHUR P. COLLINS.
The Ballets by MR. JOHN D'AUBAN.
Scenery by MESSRS. CANEY, HARKER, RYAN,
GLENDINNING, and PERKI NS.
The splendid Costumes designed by PERCY ANDERSON,
CRAGE, COMELLI, and EDEL.
The Dresses by ALIAS HARRISONS, LTD., B. J. SIM-
MONS, MAY, CLARKSON, ANGEL, M. LANDOLFF,
PHILLIPS and SONS, MISS FISHER, MISS PALMER,
MRS. CHAMPION, MRS. BERFORD, MRS. MANNING,
and MISS COLLIER.
Armour and Jewellery by KENNEDY, COLLATER, and
WHITE.
Wigs by CLARKSON.
Machinery by E. A. TAYLOR.
Properties by A. JONES, and LABHART.
Chorus Master-MR. STEDMAN.
Assistant-Stage Manager-MR. N. BARRY.
Brian
erita wigetrapaÏUG???AMA
vahidlylagandlow, WALEPİRATOSett välden taivasti vaba.
***********(**344-
Sitemap. 2 itsas Mariens
OM BACK
"
FARMER, LANE & CO.
MANUFACTURERS,

DOUBLE.
77-79 NEW OXFORD ST.,
LONDON, W.C.
Intending purchasers of Chil-
dren's Carriages, Chairs, Cots, &c.,
will do well to call or send for
FARMER, LANE & CO.'s
beautifully illustrated and fully
described Catalogue.
DINNEFORD'S
MAGNESIA.
CHOICE and WELL-ASSORTED STOCK
ALWAYS ON VIEW.
SOLD THROUGHOUT THE WORLD.
GO TO
Fuller's
The best remedy for Acid-
ity of the Stomach, Heart-
burn, Headache, Gout, and
Indigestion; and safest
aperient for delicate Con-
stitutions, Ladies, Children
and Infants.


AMERICAN CONFECTIONERY,
358 STRAND,
For TEA, COFFEE, ETC.,
AFTER THE MATINÉE.
Established 1806


Hove
SINGLE.
Salmon, ODY, AND CO.'S
Latest Patent SELF-ADJUSTING TRUSSES
Are the most effectual for Hernia, and answer the purpose with more Ease and Security than any
other Invention, requiring no Under Strap or Galling Bandage. Persons in the Country should send
the Circumference of the Body 1 in. below the Hips. Observe that "Salmon, Ody, and Co." is
stamped on every Truss. Illustrated List Post Free on application.
LADIES' ABDOMINAL BELTS, OBSTETRIC BINDERS, ELASTIC STOCKINGS, &c.
A FEMALE ATTENDANT FOR LADIES.
Price Lists, with Directions for Self-measurement, on application.
292, STRAND, LONDON.
SYNOPSIS OF SCENERY.
SCENE I.
Port of Hull-The Quay--Troopship at back-
Public House.
(CANEY.)
Dance of Sailors (Dresses Designed by PERCY ANDERSON).
SCENE II.
The Ship.
(CANEY.)
SCENE III.
The Wreck.
(CANEY.)
Grand Fish Ballet-Revels under the Sea.
Principai Danseuse, Madlle. ZuсCHI, and Sig. Albertieri.
SCENE IV.
Back in England.
(PERKINS.)
SCENE V.
Polly's Room.
(CANEY.)

Examine your
Finger Nails!
Then have them
لیے
PROPERLY
Manicured
AT ONCE.
PROPERLY MANICURED FINGER NAILS
CULTURE, REFINEMENT, AND CHARACTER.
*****
***
FINGER NAIL VARNISH, as supplied to H.R. H. the Prince of Wales.
CHILBLAIN CURE, a positive Cure for Chilblains.
TWO-LIPS, a new preparation of a superior quality for the Cheeks and Lips.
MIMOSA, for Whitening and Softening the Hands-a much-needed preparation for winter weather.
MEDICATED AND PERFORATED SLEEPING GLOVES-Preventative for
PRICE LISTS furnished on application.
Chapped Hands.
* 革新​派​.6.
M. W. CARMICHAEL, Originator of American Manicure in Europe,
28, CONDUIT ST., LONDON, W.; 28, PLACE VENDOME, RUE DE LA PAIX, PARIS.
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CARMICHAEL'S SPECIALITÉS.
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DENOTE

* * * * * * *
***
CHILDREN'S TEETH.-At the first
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teeth, a good dentist should be consulted,
and as a dentist for children as well as for
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'PERFECT ARTIFICIAL TEETH."
From a Photograph by Messrs. W. & D. Downey.
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English and American Dentistry. New Pamphlet by J. Shipley Slipper. Just published.
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PAINLESS DENTISTRY
ENGLISH and AMERICAN.
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SPECIAL.-All Children's teeth should
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SYNOPSIS OF SCENERY-Continued.
SCENE VI.
Crusoe's Island.
(RYAN.)
AAA SAAT PANDAN ORANG AKAN AT SICAK P
SCENE VII.
The Golden Reef.
(PERKINS.)
(Dance of Birds.)
SCENE VIII.
Another part of the Island-The Sea-shore.
(Glendenning.)
SCENE IX.
The Hut.
(CANEY.)
SCENE X.
The Ship.
(PERKINS.)
The History of England in Twenty Minutes.
Grand Procession of Kings and Queens of England from William 1
to H.I.M. Queen Victoria.
Dresses Designed by A. COMELLI.
(Scenery by J. HARKER.)
HARLEQUINADE.
CLOWN-MR. HARRY PAYNE,
Zivituksineensiseviiminettanto a

lage sol Mentenga mjekundig
TEA MERCHANTS TO
H.R.H.
THE PRINCE OF WALES.
*******
15+ $
**** 51
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UNITED KINGDOM
TEA COMPANY,
(LIMITED),
LANE, LONDON, E.C.
21 MINCING
PREMIER" TEA MERCHANTS OF THE WORLD!
THE
((
Date
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vi
The Port of Hull-The Quay-Troopship at back-Public House R.
-4
HE
95
Allo Vivace
SCENE I.
((
OPENING CHORUS. (J. M. Glover.)
(CANEY.)


work for wage to day, and
→
SNOOKS (to Crowd).
M
Hurray with heart and hand boys in the good old fashioned way, Lets
carn
VIN KANË KR
it while we
(SAILORS, MARINES AND LABOURERS.)
PAD MĚ Makratne value alg
Chicago." (By kind permission of Miss Vesta Tilley.)
may.
Enter SNOOKS, the Landlord.
Here! What's all this about? You fellows working?
Instead of in the public houses lurking! .
How is a licensed victualler to pay
His rates and taxes if you work all day?
While that's going on, there can no drinking be,
Which, you'll admit, is very hard on me.
Live and let live's my motto!
IST LABOUrer.
Yes, quite so!
But where's our living coming from?
SNOOKS (winking).
Experience by this time must have taught you
You know!
Poprad VON MARKET
B
And

18
That if you strike the public will support you!
Find you in ev'rything-coals, togs and grub!
OMNES. Long live the Public! (Going towards Inn).
SNOOKS (pointing to Inn-aside). And long live the Pub!
MISS P.
OMNES.
MISS P.
IST L.
IST L.
2ND L.
3RD L.
(Miss PERKY, the Barmaid, appears at Inn door.)
What means this sudden rush of business, eh?
We want some drinks!
And who is going to pay?
The Public! Barmaid, let us have some beer!

сосии феритову
His synth ruptu
MISS P. (to Snooks).
SNOOKS
reparmest use
Bunnings for wellies y
"AREAD VALEDICEBATAVIAren in ver
JOHN HAVUMISNIN
Ky
Are they to have it?
TILL
Snooks (Mr. A. Alexander.)
'Tisn't the idea!
(to Crowd).
Of course, you'll pay, my friends, for what you drink!
No! we don't pay !
Not likely!
What d'ye think ?
19
IST L.
Come on, my lads-to eat, to drink and smoke!
OMNES (rushing to Inn). Hooray!
SNOOKS
MISS P.
SNOOKS.
Miss P.
SNOOKS
Miss P.
SNOOKS.
MISS P.
I almost wish I hadn't spoke! (Exeunt to Inn.)
Well, now you've done it-p'raps you're satisfied!
It's not a great success-but still, I tried!
"Hoist with your own petard!"--it's hard!
Still, to think they're ransacking the larder!
I'm ruined, stony-broke!
J
If that's the case
I'd better look out for another place!
What! would you leave me now I've come to grief!
(Snivelling.)
Oh! this is dreadful-where's my handkerchief?
I thought you liked me!
Well I thought so, rather!
But now, you see-
SNOOKS (putting his arm round her waist suddenly)—I love you!
B 2
Robinson Crusoe (Miss Ada Blanche).
Pet-hard-er

20
POLLY.
MISS P.
POLLY.
SNOOKS.
POLLY.
MISS P.
POLLY.
Miss P.
SNOOKS (Tearing his hair, &c.).
MISS P.
POLLY.
Miss P.
POLLY.
POLLY (to MISS P.).
MISS P.
POLLY.
Miss P.
POLLY.
MISS P.
Hallo, Father!
How are we going on now? You gay old flirt!
(To Miss P.)
And as for you, you minx.
POLLY.
(Enter POLLY.)
What do you mean by going on like this?
Silence, child!
Sha'n't!
Come, don't be pert !
I'd make you!
This is too much! I feel I can't go through it!
I think perhaps I'd better leave you to it !
I'm sorry
Madam!
This is delightful! But don't go too far,
Do you suppose you'll ever be my Ma?
I shouldn't wonder !
Well, you won't then, see?
Though goodness knows you're old enough to be?
Thank you, I'm sure!
Miss!
Don't mention it, my dear!
There, go and draw the customers their beer,
And keep your place!
Ha ha!
That there's no place to keep!
How long has that been?
for you, dear!
You little know
You're ruined!
It's but just occurred!
They're smashing up the house!
Upon my word,
POLLY.
I'm sure of that!
MISS P. What will you do? You've no friends, have you ?
POLLY (aside).
Cat!
Miss P.
Oh!
And won't that fellow, Crusoe, be upset
To find you've got no money! He'll forget
His vow of love.
Ah! spare such words as these!
Don't say such things about my Crusoe, please!
(Exit.)
१
21
Miss P.
POLLY.
MISS P.
POLLY.
We mustn't hurt each other's feelings, eh?
I shall hurt something soon!
to Be Me
Sweet thing!
Will Atkins (Mr. Herbert Campbell).
Jack
wete kurippuan pe
Good day!
(Exit Miss P.)

Now, Polly, Polly, keep your temper dear,
Or rather, lose it, for it's very clear
It's not worth keeping-get another one,
And all these bickerings and quarrels shun!
There may be troubles coming by-and-by,
Which you're to conquer, if you will but try!
SONG POLLY.
si
(Exit.)
22
MYSTERIOUS CHORUS (ATKINS). Original.
Mysterioso.
ATKINS.
OMNES.
ATKINS.
OMNES.
ATKINS.
OMNES.
ATKINS.
OMNES.
ATKINS.
OMNES.
ATKINS.
OMNES.
OMNES.
ATKINS.
Phụ gi
any crime that comes Our
.
We are a - greed, just so, thirst-ing for bleed, just So,
(Enter MYRMIDONS followed by their Chief, WILL ATKINS.)
We are agreed?
3
Just so!
Thirsting for "bleed"?
Just so!
way.
OMNES (shouting).
ATKINS.
W. Slaughter.

Or any crime that comes our way!
But our special line of trade is
The abducting of young ladies-
And we've got a job on hand to-day!
Just so!
All is prepared?
Just so!
Plunder be shared?
Just so!
I see to that the girl you'll seize !
Once the lugger she's aboard of
She'll be mine, her own accord of
pt that
(Though that's not the very latest wheeze).
Oh no!
Mr. Atkins, don't it seem to strike you
That this strange behaviour may make folks chi-ike you?
We've not been noticed, have we? These disguises
Made up of odds and ends--all sorts and sizes,
When we go on this kind of expedition
Are calculated to disarm suspicion.
My friends, one word!
You understand?
We do!
I'd give the thing away if I were you!
You're Myrmidons, you know-as such, don't yell,
But let your words be murmured uns as well!
And now to seize the girl! You will, of course
Use only just the necessary force.
We've pillows that her shriekings may be stifled with;
or

23
ATKINS.
H
West
JAMO
よ
​четверост
Hak
пералната
K
"RED AREA,
Pak
And these may prove that we will not be trifled with!
Here is the chloroform !
(Produces enormous bottle.)
Some ropes and chains
To bind her with! And now if she complains
That we've not done our best and asks for more
This is really not the girl I take her for!
Will this succeed? Or am I going too far?
Metrono
CATEG
دره و لات ایران و در ده اورد . . .
This MEN HA
"}}}
ን።
pornsink. A
Cute An
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maps the page
Captain and mate (the Poluskis).
Oh! Atkins, what an awful man you are!
It comes a little irksome, so to speak
To be a villain just twelve times a week!
What of it, though? 'Tis villainy that pays.
(Of course I have to throw in Matinées)!
But courage! For this work I must go through,
But if I love the girl
W


24
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS (struggling).
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
Enter MRS. CRUSOE.
P'raps I shall do!
Good morning, William, dear!
You seem a bit "down"-ish!
Well, surely I can cheer you up a bit-
Am I not by your side?
Good morning, maʼam !
Yes, I am!
Yes, that's just it!
He loves me! I can see it in his
(ATKINS turns away)
back!
Of fascinating me he's caught the knack!
Look at that noble chest! How it dilates!
Ain't he got lovely legs! And oh ! his plates !
Who could resist a being such as that?
I wonder who she thinks she's getting at?
Away, reserve!
Away, reserve! I'll be no longer coy!
Say, will you be a father to my boy?
Not much! I won't! Old party, don't be silly!
You'll have to be, though, willy-nilly, Billy.
How do you make that out?
I know your plan
For carrying Miss Polly off, my man.
Well, if you know, I needn't tell you, eh, mum ?
Oh, do not say you spurn me !
Go away, mum !
I won't! I mean to be your very own!
It is not good for man to be alone!
Nor women either!
Will you kindly shift?
I wouldn't take you as a loan-or gift!
Then you despise me?
Well, my dear good soul,
I rather think I do, upon the whole.
You shall repent this!
Oh, don't make a fuss!
This sort of thing is nonsense between us!
Come, have a drink! There's something in this measure,
And drink success, ma'am, to "A Life of Pleasure."
Was it for this, then, that you brought me here ?
Your words into my brain will burn-hard (sniffs at tankard)
Beer!
False, cruel, heartless, born but to betray!
25
ATKINS.
MRS. C.
ATKINS.
CRUSOE.
A cad, a brute, a wretch !
Oh, come, I say!
He offers me this drink! D'ye think I'd taste it!
'Tis thus I drink to him! No, I won't waste it!
As to the girl, to gain whom you endeavour,
Now go to her, I've done with you for ever!
That's off my mind! A pleasant journey, mum!
And now to seize the girl!
(Enter CRUSOE.)
Another day of trouble, I suppose,
Has dawned for me! Can I, before its close
Find nothing in the way of work to do?
Or must I simply "lounge" the whole day through!
If it were not for Polly's love for me
I should despair, but no! that must not be!
I must do something her dear hand to win
As I have won her heart! But how begin!
Oh for the means to make my love my wife
And I will ask no more!
Ha! What a life!
Will some one or other
What is that you, Mother?
MRS. C. (in dock).
Crusoe.
MRS. C.
CRUSOE.
MRS. C.
CRUSOE.
MRS. C.
CRUSOE.
MRS. C.
(Exit ATKINS.)
That sounds familiar!
Come to my rescue !
Where are you?
In the mud, above my knees !
All right! I'll pull you out, old girl!
дам
Do, please.
But tell me, Mother, how did you come there?
You don't suppose for fun, or change of air!
But if you'll pull me out, I will explain
And if you don't-
CRUSOE.
Well, there you will remain !
MRS. C. When I get out, I'll give you such a slap!
CRUSOE. Well, come, that should encourage a poor chap.
MRS. C. (lying helpless on Quayside).
I'm in a nice state! And I'm nearly stifled with!
And more than that-my feelings have been trifled with!
But I will be revenged! No time I'll lose!
Crusoe.
But first I think I'd better change my shoes!
Now, Mother, you are safe! So let's discuss!
Things don't look well!
MRS. C. (looking at her feet). They couldn't look much wuss!
26
1
CRUSOE.
MRS. C.
CRUSOE.
CRUSOE.
MRS. C. (looking at skirt).
CRUSOE.
MRS. C.
ATKINS.
POLLY.
ATKINS.
I'll go abroad. In fact, I should, I find
Have gone before!
POLLY.
ATKINS.
POLLY.
ATKINS.
Am I all right behind?
I'll win a name—and all my bad luck crush.
And come back rich and great.
That wants a brush!
To mend my fortunes I should go, Ha?
Yes!
You mend your fortune! (Looking at tear in skirt).
While I mend my dress.
POLLY (falling on knees to ATKINS).
ATKINS.
ROB.
Ma is enthusiastic in the matter!
But there the world's before me!
(Noise of MYRMIDONS inside Inn dragging POLLY out).
What's this clatter?
(Hides-enter ATKINS, &c., with POLLY).
Exit MRS. C.
Oh, save me! Ah! You! Then I know my fate!
Say you'll be mine, before it is too late!
If I refuse?
No one is here to aid you!
(Producing weapons, chains, &c.)
Perhaps this little trifle may persuade you !
Never !
Take her aboard!
I will not go-there!
You're in my power, and nothing can
ROB. (POLLY fainting in his arms.)
(Enter ROBINSON CRUSOE-knocks over OMNES.)
Halloa, there!
Why! what's all this? A female in distress?
Belay! Avast! Although I must confess
That's somewhat of the "chestnut " order, eh?
But it's effective, so-Avast! Belay!
I sha'n't. I want to make this maiden "mine."
Well, she's engaged! Look up, love; give some sign!
Where am I?
(Reviving.)
In the Crusoe's Arms.
ATKINS.
ROB.
POLLY.
ROB.
POLLY (nestling to him).
I see!
ATKINS (aside). And that's a sign she won't belong to me!
(Aloud.) But I won't give her up!
ROB.
But you forget,
My worthy friend, you haven't got her yet!
I love her more than you do!
Prove it, sir!
27
ATKINS.
ROB.
ATKINS.
POLLY.
ROB.
ATKINS.
POLLY.
ROB.
ATKINS.
POLLY.
ATKINS.
POLLY.
ATKINS.
•600
POLLY.
ROB.
I'd jump upon my grandmother for her!
That's very thoughtful! What else would you do?
I'd murder anybody, even you!
I hate to interfere, but if I might
Venture to offer you a slight suggestion-
Being the individual in question—
Don't it seem to you that it would be
As well to let the matter rest with me?
Hear hear! (To ATKINS.) What say you?
Hear! hear! I suppose.
What can you offer me?
Oh, goodness knows.
I've nothing but my love!
Oh, that won't do!
I think I'm going to win!
And what can you?
Why, don't you know a fortune I have made?
I've been connected with the smuggling trade.
I've a large stock on hand, which would be pleasant
To any lady as a wedding present.
Tobacco, gunpowder, and casks of rum!
And if you'll say the word, they're yours, so come!
It's very tempting! But, if you don't mind,
I'd rather wed my Robinson!
BOTH (?)
You'll find.
I'm not defeated yet! Revenge I'll nurse, so,
In corners, by myself, I'll Crusoe-curse, so!
DUET. (FRENCH) POLLY AND ROBINSON.
Can this be love that sways the heart of such
as
Can this be Love that sways the heart of such as he?
Oh! sweetheart mine, tell me, I pray!
No, dearest, no! true love can never cruel be!
(Exit.)

he.
'Tis gentle as the sunlight ray
And lives till life has passed away.
So hand in hand, and heart to heart, for ever side by
side;
Fondly loving, trusting, no matter what betide;
Many years pass by, that like a day may seem
Till the time shall come, that ends our happy dream!
28
ROB.
POLLY.
&c
(Re-Enter MRS. CRUSOE.)
MRS. C. Hide, Robinson, the Press Gang are coming.
FINALE SCENE I.
Pop
$
But, love, this happiness for us cannot yet be
Oh, sweetheart mine, I must away!
But tell me, love, you will be ever true to me
The heart that fain would have you stay
Is yours for ever and a day!
We re-quire an a
PRESS GANG CHORUS. (Original. J. M. Glover.)

ROB.
come a-long my bul- ly boy to sea, Let us have no he si-tat-ing, For his
Japa
ma - jes-ty
POLLY.
add to fav
GEN
ble sea-man, and be-yond a doubt you're the man, So

PRESS GANG (seizing CRUSOE).
is wait-ing, and to have you serve him anxious as can be.
We require an able seaman,
And beyond a doubt you're the man,
-
So come away, my bully boy, to sea!
Let us have no hesitating,
For His Majesty is waiting,
Like a Molly Colly lubber,
But come and serve your country, staunch and true.
ROB. C. (recovering himself).
This is really most distressing,
And since you are so (6
press "-ing
It's perhaps the very best thing I can do.
My Polly, I must say good-bye to—
But dry your tears, now do, love,
I'll win a fortune, or I'll try to,
And bring it home to you, love?
But foreign countries thus to fly to--
And to have you serve him, anxious as can be!
So don't stand there and blubber,
29
MRS. C.
ATKINS.
AIR.
MRS. C.
ATKINS.
$
4
A
SO.
Vain fortune to pursue, love—
I think it silly!—
So do I, too,
So stay at home and "woo" love!
Oh, Robinson Crusoe !
You'll shortly be looking quite blue, so
Pray love, stay love,
Or this sort of thing you will rue, so.
But he daren't refuse, so
There's no other place he can choose, so
Don't you give way, you'll be all right some day
If you don't take on the booze, so!
"THE JAP." (By kind permission of MR. D. LENO.)
(Published Sheard & Co., 198 High Holbern.)
My boy is going where people talk of nothing else but
ching-chang.
(C
Sometimes murmur ting-tang
Occasionally "sling-slang."
But if anybody worries him, he'll fire his gun off “bing-
O Rob
Vaata, m
bang."
All the way from Rotherhithe to Japan!
The ship must sail to-day
And when he's gone away
I'll quite knock out that bounder there!
·
"}
in
K
"OH, ROBINSON." (French melody.)
Ele
soe, He'll shortly be looking quite blue
son
Cru
-
"}


GRAND FINALE AND HORNPIPE.
END OF SCENE I.
men dj me
I
O pray love and stay love, or this sort of thing you will rue
CORPS DE BALLET.
My sp
SO.
man mata uadr
&c.
30
SCENE II.
The Ship.
(CANEY.)
(ROBINSON on deck. SAILORS, &c. CAPTAIN, MATE, &c.
storm.)
CAPT. (staggering about on deck).
I think it's going to be a little rough!
PACKIN
Davy Jones (Mr. C. Dodsworth
MATE (falling against him).
CAPT,
What do you think we'd better do sir?
Lufti
fearfu

31
ROB.
CAPT. (very intoxicated—shouting to crew).
Why don't you luff?
ROB.
CAPT.
DAVY.
CAPT.
DAVY.
I never did hear such an awful clatter !
ROB.
DAVY.
This is no "luffing" matter.
What! Mutiny aboard! You contradict me!
I've got a slight idea that someone kicked me!
Am I the Captain of this ship, eh?
No!
I am when I am here!
Oh, are you, though?
His presence chills my bones
We'll see to that!
Who are you?
Your old fav'rite, Davy Jones!
When such as you have charge of ships, d'ye see?
It's certain that you'll have a call from me!
Oh, get out, you old fraud !
Ha ha! Young mocker!
You're mine! You're booked for Davy Jones's locker.
END OF SCENE II.
32
DAVY.
S. P.
DAVY.
S. P.
DAVY
S. P.
Davy.
S. P.
DAVY.
S. P.
DAVY.
S. P.
DAVY.
SCENE III.
The Wreck.
(CANEY.)
(Enter DAVY JONES and MONSTERS OF THE Deep.)
We haven't done so badly—she's gone down!
And all but Crusoe I've contrived to drown!
His time has not yet come—or it
He's not been born to drown-well, we shall see!
He's swum ashore-the disappointment's great
But never mind! Old Davy Jones can wait!
may be
Enter THE SPIRIT OF THE PANTOMIME.
I wish you luck !
Yes, you can wait, my friend, no harm in that!
Excuse me, Mister, but what are you at?
I'm looking after Crusoe!
Oh, indeed!
My friend, there is no need!
Not while I'm about!
You'll not!
Get out!
Don't cheek me in my own home 'cos i'ts low !
It's not a lively place!
I'm sure to save him!
I'll have him by-and-by!
Oh! you don't know!
So don't give an opinion! You've not seen it!
But I should like to very much!
D'ye mean it?
Then so you shall! Come then and take a peep
At Davy Jones's wonders of the Deep!
No. I.
f = cj d
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No. 2.
23
-4
No. 3.
53
4
FISH BALLET. (Composed by J. M. Glover.)
March.
Tempo de Waltz.
$ I
3
My Add
33
Jas
Mazurka.
Galop Finale.
END OF SCENE.
3

PER
с
f/&c.
- ||&c.
C.
34



$5======
C#$%
Flying fish.
Armid escoplosus.
.
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Red gurn t.
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Chequered swine-fish.
FISH BALLET,
Mackerel.



Sea-horse.
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35

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FISH BAI LET.
Albert
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Rainbow wragge.
C 2
36
P. C.
IST PIR.
P. C.
2ND PIR.
P. C.
OMNES.
P.C.
4TH PIR.
P. C.
5TH PIR.
P. C.
IST PIR.
2ND PIR.
P. C.
OMNES.
PIRATES TO BEGIN.
(Girls).
Well, boys, we're in for it! We're Pirates now!
Yes, it's a paying game, we must allow !
Of course it is, or else we shouldn't trouble it,
Our income's small, but by this means we'll double it !
Mr. Will Atkins is our Captain, eh?
When do we sail?
Rather!
SCENE IV.
Back in England.
(PERKINS.)
(languidly)
Upon my word, can't say!
It's quite enough that I'm a pirate!
I say! I hope we've got no work to do!
Good gracious, no! why that would break our hearts!
We've only been engaged for speaking parts;
And to look nice.
I think we do boys, don't we?
By Jove!
CC
I think we'll fetch em!
Won't we!
SONG. PIRATE CHIEF.
Strolling Round the Town."
So back again in England! My dear eyes!
We mean to give the girls a slight surprise.
We've had a high old time upon the seas.
And come back with our pockets full of these!
We'll spend it all-as Pirates should you know,
It easy came-as easy it should go ;
Of course we'll spend it with our sweethearts! What?
Why, bless their hearts! and let them have the lot.
I'll have some fun to-night, boys, if I live.
Where shall you go!
The Pav?
The Troc?
The Tiv?
37
SNOOKS.
Oh yes, to all of them! And then I'll have
A little bit of supper at the "Sav."
We want a thorough change! Boys, what d'ye say?
We'll see a bit of life to night.
Hooray!
DANCE.
(Enter MR. SNOOKS, very miserably.)
Well, trouble seems to come to me in "lumps,"
I've got about a half-dozen "humps."
བོད་ འད་ལྟ་ སྟག་མས་ད་ངས་
༡
གདན་ས་ན་ན་ག་ག་ག་ག་ག་ན་ས་
to the cons on register for the
Stone gel ajkejatungan nəd
གང་བ་ཚན་དང་་་་
J 305 3
ܡܝܘܩܪܬܐ ܬܐ ܗ .
V
Tommy Boline (Miss Lily Harold).
%


C·A· 1.
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Whatever I attempt misfortune blights,
I've got no money, bacca, beer, nor lights!
I've lost the hopes to which I used to cling,
In fact, I think I'm losing ev'rything!
I lost a public house the other day
And I don't care now if I lose my way!
thek
Bessie Lightfoot (Miss Maud Richardson).
38
MISS P. (singing and playing, not noticing him).
"Oh, torral, larral, laddie."
SNOOKS (sulkily).
Miss P.
Spare us a copper!
SNOOKS.
MISS P. (recognising him).
SNOOKS.
MISS P. (laughing).
SNOOKS.
MISS P.
SNOOKS.
Miss P.
SNOOKS.
Miss P.
SNOOKS.
Miss P.
SNOOKS.
PERKY.
SNOOKS.
PERKY.
SNOOKS.
Miss. P.
SNOOKS.
Miss P.
SNOOKS.
Miss P.
SNOOKS.
How are you going on now?
Get out!
Poor inan! Ha! Ha!
Here, don't shove !
Hallo, Guv!
Oh, thank you-broke!
I'm glad you see the joke!
Right as rain!
You seem to be all right, though!
But I shall never be all right again!
Oh, yes, you will, beyond a doubt.
DUET.
Not I!
I think I'll go and drown myself-good-bye!
Are things so hopeless then?
They are for me.
Ah, I shall have to put you right, I see.
How can you put me right when I've nothing left!
Have you nothing?
No, only my love for you !
Love, what is love?
SCENE 4. (Snooks and Perks.)
PE
CHORUS.
4
Now how does the Deutscher boy woo the Deutscher girl.
Now, how does the Deitcher boy woo his Deitcher girl
Over there in their own fatherland?
(Exeunt.)
He trots out the old, old tale to his precious pearl,
To the music of the German band.
Oh, Tina, you vos all mine own,
Say that you will be mine own leetle frow!
Oh, Tony, you let me all alone,
I've got to cook the sausages just now !
Oh, Tina!
Tony, how you vos?
Say dot you vill be mine turtle-dove-Vill you?
39
MISS P.
Вотн.
POLLY.
Vell, yah ! I vill! perhaps!
Dot's how der sour-krauts make love!
(Enter POLLY.)
Has anybody seen my Pa? I think
The poor old man has given way to drink.
He is so changed-one hardly hears him speak---
He hasn't used bad language for a week.

ག་པ་བ
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151
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Mrs. Crusoe (Mr. Dan Leno).
"(
He'll sigh, and moan-in fact, upon the whole
cheerful soul.'
He's not what one would call a
I'm not much better-Crusoe far away,
His mother calling on me every day
To tell me that her son went off to sea
And left his happy home because of me!
40
MRS. C.
POLLY.
MRS. C.
POLLY.
POLLY.
My
MRS. C.
POLLY.
MRS. C.
POLLY.
MRS. C.
POLLY.
3-
4
That's pleasant! And to add to all the fun
Will Atkins swears that we must soon be "one."
Ah, Crusoe, dear, come back! I pray you, do so;
Give up this cruising-Robinson, why cruise so?
(Enter MRS. CRUSOE in a dreadful state of mind.)
var miklum
It's no use arguing! I will be loved!
I will be billed and coo-ed and turtle-doved!
It's something sickening to see you minxes.
Get all the kisses and the hugs and winkses!
Have grown-up women nothing else to do
But stand aside for "bits of girls" like you?
Are you addressing your remarks to me?
To you as much as any one!
I see !
The old complaint! (Soothing her.)
Now go and sleep it off!
And then you'll be much better !
Well, let's dance it off.
Marie Lloyd'S DANCE. (J. M. Glover.)
Mazurka.


ATKINS.
MRS. C. (flying at him).
ATKINS.
AMANDA A
You scoff
At love like mine-so fervent and so true!
Whom do you love?
You don't know?
Well, never mind; I know my life is wrecked.
Who did it, dear?
A
(Enter ATKINS.)
Yes, you! False man!
She means me, I expect.
No! do you?
&c.
I never said a word!
41
MRS. C. I'm driven to distraction!
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
MRS. C.
SNOOKS.
POLLY.
SNOOKS.
POLLY.
ATKINS.
POLLY.
MISS P.
So I've heard!
Well, Polly, you'll be mine now, I suppose?
Before my eyes under my very nose!
My bitter cup you're filling to the brim!
(To POLLY.)
You've caught my boy-(throwing ATKINS across)——
but you might leave me him!
If you take such a liberty again-
-I'll never mind!
I know-you'd take my life!
'Twere needless to explain-
You're right, I would!
Thank you! I'm very glad that's understood!
ATKINS (to POLLY).
Cheer up, my pretty!
MRS. C. (reviving).
But it's so sudden !
(Enter SNOOKS, excitedly with newspaper.)
Hooray! Here's news! Look here!
Whatever is the matter?
Here you are!
"Shipping intelligence "-news from abroad
That Crusoe's ship's gone down with all on board !
Oh, let us go to him at once!
"Latest edition !
">
Good gracious, Pa!
Yes, dear, if I can!
(He lets her fall.)
There's a horrid man!
I'll never rest until my love is found!
I feel he lives. I know the storm he's braved!
(Enter MISS PERKY and newsboys with newspapers.)
'Everybody saved!”
(6
He's drowned!
CONCERTED PIECE.
(In imitation of GILBERT and SULLIVAN.)
(Contradictory reports in newspapers.)
42
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SNOOKS.
ATKINS.
Machine
TAROSTI 120
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can't help feeling
For the daily pa-pers we
ritis
"tever ass"
-MS.
POLLY.
MRS. C.
11нение
Miss P.
istan Askatas
Sailor and fishwife.
"I/I
Yanağı
JOURNALISM QUARTETT.

vonninceleja
colchada
vexed.
live demily na 4 you saydamas ja
wwwwwwwww
For the daily papers, we
Very thankful ought to be
But we can't help feeling vexed
When we find the latest news
That we carefully peruse
Contradicted in "our next!
Pirate.
very thankful ought to
""
GENERATE CAMALAN STEEN
But this age of competition
Makes them issue each edition
In a way that's most absurd!
And without consideration
They will give us information
Of a thing that's not occurred!
Here's a paper, now, that states
мотрим тако парицинова труполи
2018
be
Alwa
One of the townsfolk.
RIMERSIONS:
NA
for we



43
POLLY.
MRS. C.
ATKINS.
OMNES.
(Giving places, names, and dates)
That our Crusoe's drowned at sea!
But of nonsense that's a tissue
For you see this "special issue"
Says he's right as he can be!
Here's a slight anticipation.
In the way of information
For it says he's going to swim ashore!
But this real news is giving-
"On the island he's been living
For the last five years, and more!"
For the daily papers we
Very thankful ought to be
For this fresh hope in the breast implants,
Of his nervous sisters, and his cousins, and his aunts
But it's nearly time it seems to me
That we resumed the original key!
For oh, you know!
This has confused us so !
And where to go, and what to do
I've no idea, have you?
But oh, d'ye know
Who's music this is, though
Is it Sullivan's, or another man's
I've no idea, have you?
END OF SCENE IV.
44
!
ATKINS.
ATKINS.
OMNES.
ATKINS.
OMNES.
ATKINS.
SCENE V.
Polly's Room.
(CANEY.)
Enter ATKINS with PIRATES.
(ATKINS and his MYRMIDONS creep on when she is asleep.)
Now, Buccaneers! Remember that I'm near you,
And if you make a noise, this buck can 'ear you!
And if I do --
We understand !
SONG. ATKINS, "It's hard at first."
I have brought presents wherewithal to tempt the pal.
Tread softly, boys! this is Miss Polly's room!
And she Ha! Ha! little knows her doom!
The game Will Atkins wins!
scorn ye all! I've barked my shins!
I triumph now!
And loathe and
Oh, thanks!
This serves me right for taking on such cranks!
Will you be quiet?
We will !
You're very kind!
Now, just disperse yourselves, if you don't mind!
MUSIC.
Well, have it your own way, gents, don't mind me!
We're all out for the evening, I can see!
I wouldn't from the slightest fun debar you.
45
MRS. C.
MRS C. (Gazing into looking glass).
POLLY.
Enter MRS. CRUSOE.
MRS. C.
Why was this fatal beauty ever mine?
And I allowed to dwindle, peak, and pine?
What have I done to be thus put aside?
I can't be loved, and goodness knows, I've tried!
Look at these cheeks, both blushing like the rose
(I fancy that's a pimple on my nose!)
((
My eyes are liquid" ones, still, no one sighs
"Drink to me only with thy "liquid eyes!"
No! I'm a "frost" at present, I admit ;
But I've a chance if I'm "touched up " a bit!
SONG. (C
My Face."
MRS. CRUSOE and POLLY.
You're very kind
But I would be alone if you don't mind!
You only say that, dear, because you feel
You'll give me trouble—well, I've had a deal,
A little more won't matter, goodness knows!
POLLY (resigning herself.)
No, don't you say a word; because, my dear,
I too have known, for many a long year
What loneliness is, and I couldn't let
You be here by yourself, and so, my pet
I've come to stay with you!
POLLY (pensively, at toilet table).
You'd better have the spare room I suppose,
So make yourself at home! (Aside.) So she intends '
Who was it once said "Save me from my friends"?
What shall I do? I can't make up my mind,
If I knew where my Robinson to find
I'd start at once. But I can't go around
Enquiring where R. Crusoe's to be found.
Ah, dear! What's that? I feel a nameless dread,
Of something happening! I'll go to bed!
(MUSIC.
46
S.P.
POLLY Lullaby.
In my dreams to-night may I
To my love's presence fly;
Fly to him who loves me so!
And whom I love well! Heigho!

(o
C.N.
Th
Wien
n
Robinson Crusoe (Miss Ada Blanche).
Enter SPIRIT OF PANTOMIME.
POLLY
You see, he swims ashore ;
(In her sleep)
POLLY (restlessly in her sleep).
My love!
Sleep on, dear Polly; while I send to you
Sweet dreams of him whose love is strong and truc
As when you parted with such fond regret;
(PANORAMA OPENS)
He will get wet!
1
ATKINS.
POLLY.
ATKINS. Oh, no, she doesn't! To that love she clings!
She means me!
(THE VISION. The Scene opens at back, discovering wreck [?])
POLLY. Oh, mercy, help!
ATKINS.
She thinks she's seeing things!
POLLY. Saved! Oh, what joy! Ha! Ha!
ATKINS (watching her).
POLLY.
Saved! on a raft!
POLLY.
MRS. C.
POLLY (holding her up).
MRS. C.
POLLY
MRS. C.
POLLY.
MRS. C.
47
ATKINS.
You don't know what you're (r)after !
POLLY (excitedly in her sleep, stretching her arms towards vision).
Alive! and well! I come, my love, so true!
ATKINS (to his crew).
Gentlemen, back! This is no place for you!
POLLY (awaking).
He is alive! My love! I'll find him yet! (Rising.)
ATKINS. Hem! Gentlemen, I think we'd better get !
MRS. C. Now, don't you hurry, there's a dear!
POLLY (putting her fingers to her lips). Hush!
MRS. C.
Why?
Will Atkins and his crew are there!
Oh my!
Don't! Save me !
Why should I?
But you must, though!
Crusoe, love, where are you?
Now for the girl!
MRS. C.. Help!
She shakes with laughter
ATKINS.
POLLY (peeps in cautiously).
No, I won't!
1
Oh yes, I will! At last I see my chance!
Now, Mr. Atkins, you've led me a dance,
I'll lead you one! You go in there!
Now for my great revenge! Ha, ha!
ATKINS (looking round). Ah, the old woman's gone!
wait!
How?
I don't know?
If you don't,
What's this?
What bliss!
Well, she can
Ha! you call too late!
That was a very friendly thing to do,
She's very kind-disinterested too!
And now to pack--and the first ship that starts
I'll book my passage in for foreign parts.
Now that I've quite made up my mind to go
دیگر
48
MRS. C.
POLLY.
MRS C.
POLLY.
MRS. C.
POLLY.
MRS. C.
POLLY.
MRS. C.
POLLY.
MRS. C.
In search of Robinson, I don't quite know
If I am sad or glad to leave my home.
Good gracious! I forgot my brush and comb!
Good-bye, dear little room--for many a day
I never packed my powder-puff away!
Good-bye, each treasure that to me belongs.
I don't believe I packed my curling-tongs!
I feel disheartened! Oh, what shall I do?
It hasn't come off!
Well, what's wrong with you?
I'm sad at leaving home.
That mustn't be,
You won't be lonely, dear, while you have me!
You're surely not going too?
I am, my dear.
The voyage will upset you.
Oh! no fear!
I look upon it as a picnic quite !
Now let us see that everything is right.
Here's a nice crab, some apples, soap and tow'l,
A pair of sand-shoes and a half a fowl.
Here's pepper, salt, and mustard, knife and fork,
An umberella, and a hand of pork!
A looking-glass in which to take a "glimpse,"
A box of choc❜lates, and a pint of shrimps!
I think that's all we'll want.
Yes, quite enough.
We'll be prepared if it should come on rough.
We may be ill ere very far we've gone,
So we'll eat something, just to work upon !
Oh, I can't touch a bit!
(Sees POLLY.)
You must, now; come, come
Never go sailing on an empty "tum tum!
(Concerted PiecE, during which ATKINS re-enters with CREW, declares
he will go with Mrs. C. and POLLY.
SNOOKS (knocking at door).
Polly, are you awake?
POLLY.
What is it, Dad?
SNOOKS. I've brought you some good news!
POLLY.
"}
I can't!
Oh, I'm so glad!
(Opens door and lets MR. SNOOKS and MISS PERKY in).
Something important has been picked up.
SNOOKS.
POLLY.
SNOOKS.
Try and guess what it is!
POLLY.
SNOOKS. (producing enormous bottle).
MRS. C. Is that for me?
Where?
Well there!
49
MISS P.
MRS. C.
SNOOKS.
MRS. C.
SNOOKS.
POLLY.
ATKINS.
POLLY.
SNOOKS (reading paper).
POLLY.
So you won't want it.
Oh no, there's nothing in it.
Saucy thing!
One minute.
Upon the shore for weeks this bottle lay
And no one noticed it until to-day.
And then we thought it might contain some news
We opened it, and found it full of—
ATKINS.
Booze?
No tidings of young Crusoe! How he's cast
Upon a desert island!
Found! at last!
The latitude and longitude explains ;
OMNES.
ATKINS (aside).
The nearest way there, and the fastest trains!
Come on at once; oh! indeed this is bliss!
(Enter ATKINS and CREW).
I've heard the news! So I must be in this !
I've done you wrong, but if you will be friends
I'll do all in my power to make amends!
So by my ship, we'll start within an hour!
Is it agreed?
It is!
They're in my power!
SNOOKS (to POLLY).
FINALE.
GENERAL CHORUS.
DANCE and Exeunt.
Oh, my darling! I come! my love! I come to thee!
And we will never part again!
How could'st thou ever leave me, love?
I come! I come! etc., etc., etc.
Oh, drop that blessed Intermezzo !
A thing that always me upsets so!
That fearful strain affects my brain ;
Please drop the Intermezzo!
Shall you o'er the ocean glide,
Forth your love to meet, Poll?
Make my woe complete, Poll?
D
50
Miss P. Don't make a fuss, old man,
But let her go away.
OMNES.
MRS. C.
Oh, let her go; or she will break her heart, poor thing!
"Love me little-love me long." (By kind permission of Messrs.
Francis, Day, and Hunter.)
How a maiden's heart is fluttered,
When she hears those sweet words uttered,
"Love me little-Love me long!"

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HONDANT OF 19,- WANT
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Polly Crusoe (Miss Marie Lloyd).
When a man his lips is smacking
And the good old wheeze is cracking-
"Love me little-Love me long !"
But I found, alas! he loved me
Very little-not for long!
Odpo
But the years have passed away,
Since that happy, foolish day,
When I heard my sweetheart sing Love's chestnut song.
When he woo-ed and turtle dove-ed me-
51
OMNES.
POLLY.
ATKINS.
SNOOKS.
Miss P.
MRS. C.
What shall I do! May I come toɔ?
I shall be so lonely on shore !
Where'er you go, I follow, you know,
I'll never be leaving you more!
Upon my word, I never heard
Such impudence like it before!
(Ref.) The anchor's weighed
And we're delayed
I'm much afraid
Well, I never did you ever!
Something must have been all wrong!
But though beauty you had none, he
Might have stood you-if you'd money-
"Loved you little-Loved you long.
"Demoiselle de Magazin."
Come, let's away; no more delay!
My sweetheart is waiting for me!
My ship so tight, at your service quite,
Is ready to put out to sea !
Too long to aid
That roving blade
Who disobeyed
His parent staid
In grief arrayed,
Well, as we said
"The Anchor's weighed."
END OF SCENE V.
D) 2
52
FRIDAY.
FRIDAY.
QUEEN.
SCENE VI.
Crusoe's Island.
(RYAN.)
Enter FRIDAY.
Well, here I am at last! In my canoe
I've paddled here across the ocean blue
To seek adventures in this lively spot :-
And somehow the impression I have got
That I shall meet my little sweetheart here.
But she may disappoint me yet, I fear.
To hear my vows of love she seems inclined
But when she will—she can't make up her mind!
SONG.-"She'll meet me when the weather's more settled."
Can it be, after all, her love's a sham?
Has she deceived me?
Enter the QUEEN.
Sweet one!
Here I am!
Where have you been? I've sought you all the day.
And now I've got you!
FRIDAY (struggling).
Oh, look here, I say!
Is this affection or annoyance ?
QUEEN (puts him down).
What?
You know my love is warm!
FRIDAY (rubbing himself).
QUEEN.
FRIDAY.
QUEEN.
I think it's hot
But is this quite respectable, you know?
The King has got a lot of wives, and so
I'll have a lot of husbands-that's but fair.
But this may lead to trouble—
I don't care!
But still I will be cautious!
53
FRIDAY.
QUEEN.
FRIDAY.
QUEEN.
KING.
FRIDAY.
KING.
FRIDAY.
KING.
FRIDAY.
KING.
Yes, please do!
So I commence, my dear, by choosing you!
I'll have as many husbands as I please,
And thus I'll be revenged!
Where is the King and suite?
KING.
QUEEN (starting away from FRIDAY).
It's lovely weather, isn't it?
FRIDAY.
Don't think of them!
They're far away! and we are now—
Enter the KING.
But by degrees!
Ah, yes!
(Aside.)
It strikes me we are in a pretty mess!
(Airily walking away.)
Well, now, I'll say good morning!
I beg your pardon !
Not at all!
We'll have a little conversation, Sir!
You know this lady?
Yes!
FRIDAY.
KING (beckoning on his suite).
Because I'm going to eat you!
FRIDAY. I knew it! Oh, great King.
KING (bowing).
QUEEN.
KING.
FRIDAY.
KING.
Ahem!
FRIDAY.
KING (To attendants.)
FRIDAY.
Oh, don't go !
So I infer!
But I have not the honour--Never mind!·
I shall know all about you soon, you'll find!
And how is that!
Just so!
I'm charmed to meet you!
You do not think of eating him for dinny?
I do indeed!
But look, I'm very skinny!
There's very little of me!
Yes, that's true
And by and by, there will be less of you!
I'm sure to make you queer, Sir!
Not a bit!
take him to the spit.
There!
no more words! Quick!
I must admit now that all hope is flown
((
'The meat is sweet that's nearest to the bone!"
54
CRUSOE.
PARROT.
CRUSOE.
Enter CRUSOE.
If anybody wants to settle down
In some "quiet spot-a few miles out of town-
Within an easy distance of the sea,
The bathing excellent "--and where he'd be
Not" overlooked" by neighbours at the back
And wind up as a raving maniac,
I'll let him have this island, nor refuse for it,
The lowest offer-I've no further use for it!
It certainly is not a cheerful Isle,
But I'll forget my troubles for a while,
I'll not brood lest I grow melancholy,
But think of love, and home, and-

igomer in
QUETESS
Doug
1971)
BUT THE
Man Friday (Little Tich).
CHISE
Enter the PARROT.
Pretty Polly!
Good gracious! Who pronounced that name? (Sees PARROT.)
'Twas she!
Is this a message from across the sea,
To tell me that my Polly still is true?
Come to me then, my pretty Poll, now do!
(Original Music by Walter Slaughter.)
DUET. ROBINSON and PARROT, after which the PARROT flies away,
leaving CRUSOE.
55
CRUSOE.
Sweet bird, you come here as a token
That my Polly loves me still,
Or to mock me in my solititude
And with false hopes my bosom fill.
But tell me pray, shall I ever see the day
My own little sweetheart true
To my arms will fly,
With tender sigh,

проверить
envoy
потоволта
༡་ ་ ་ ་ ༠ ༠ ༠ ༠ ༠༡༢ ༡ ༡ ༡
The Queen (Mr. Ben Brown).
The King (Mr. Leclerq).
The vows of love renew?
Pretty Polly! pretty Polly!
Do you come across the sea?
Pretty Polly! pretty Polly!
Do you bring good news to me?
That's done me good! I take this as a sign
That happiness is once more to be mine!
My hopes revive, and nothing seems amiss,
56
CRUSOE.
FRIDAY.
CRUSOE.
FRIDAY.
Crusoe.
I'm reconciled to fate!
Dear me, what's this?
A footprint? Then I have been wrong to call
This place a desert island after all!
Why, it's inhabited! This blow is stunning!
If this is fun, oh, sea-shore, cease your funning!
But no, it's real! A footprint!
That is flat-
A pretty little foot it is-
S
A missionary taught it me, I guess!
CRUSOE. He must have been a good man !
FRIDAY (chuckling).
I nebber knew a better?
What's that?
A black man chased by others comes this way!
I'll save him! Boom, we're in for "larks " to day!
Protect me and I'll be your humble slave !
I know you will! for you look good and brave!
And if I live, I'll do as white men do!
I'll sometimes wash! and put on clothes like you!
I'll wear high collars, boots, and smoke cigars!
And drink, and flirt with ladies over bars!
I'll turn day into night, and shout and sing,
The latest comic songs, and front bells ring,
And wrench off knockers, and assault the p'lice
And get bound over too, to keep the peace!
Save me! All this I'll do !
All this I'll do ! You'll be surprised,
How soon this Savage will be civilized!
You speak English!
Yes, he was!
Why?
Becos
After he'd taught me everyfing he knew
I ate him (smacking his lips). Nice man!
Who's arranged this for us?
Just like a sieve-all holes!
He has escaped, Sir !
Yes!
Grateful thing to do!
(Enter KING, QUEEN, and PRIME MINISTER, Wounded. Business.)
KING.
Somehow I feel
And where's our meal?
P. M.
KING.
P. M. (stiffly walking).
But I can't walk with anything like ease
And as to running! Sir, I must refuse you!
KING (savagely).
You must catch him, please!
What! (makes an effort to move-stops in pain).
If you feel as I do, I'll excuse you!
57
Of lumps of things I seem to have a head full!
(To QUEEN with mock sympathy.)
How are you feeling, sweet one?
QUEEN (crying).
KING.
D'ye feel a sort of “tingling”?
Where do you feel it most?
Won't you sit down a minute?
QUEEN (going to do so-thinks better of it).
QUEEN.
KING.
QUEEN.
KING.
Something dreadful!
Yes, I do!
What's that to you?
Not just yet.
You've had a little disappointment, pet,
You've lost your dinner, and you feel it rather,
But never mind--we still have got his father!
(To guards.)
To cook him in the place of him who's flown!
And till he's ready--I would be alone !
(They all exeunt except KING. SONG and Exit.)
END OF SCENE VI.
KING (Sneeringly).
58
ROB.
ROB.
FRIDAY (in great pain).
ROB.
FRIDAY.
CRUSOE.
FRIDAY.
CRUSOE.
FRIDAY.
CRUSOE.
FRIDAY.
SCENE VII.
The Golden Reef.
(PERKINS).
(Enter SPIRIT OF PANTOMINE.)
DANCE OF BIRDS.
(John Glover.)
(Enter FRIDAY and CRUSOE.)
I'll introduce my pets, if you'll permit me
Friday! My Parrot!
I believe he bit me!
And here you'll see my favourite Tom Cat.
He didn't mean it.
No, poor puss!
Take that!
This is my Goat! Lie down! Oh, how you try me!
This is the Bow-wow Daddy wouldn't buy me!
Now what's your name, poor Blacky?
"Kill-ee-go-wollop-um-munchy-um-skully-go-cracky!"
Yes, that saved trouble. It's a pretty name;
I'd like it shorter, if it's all the same!
Let's see! To-day to fry you your friends tried—ch?
So in that sense it might have been your fry-day,
And this is Friday-so I'll call you that!
Now as to terms. Of course it's understood
You'll have no wages for the first half year,
Or till you've learnt your work. Instead of beer
You'll have the money--if you're lucky!
Yes!
You must bestow more care upon your dress;
This is a desert isle-but there may come times
When visitors may call. (Whispering.)
Wear trousers-sometimes.
Of course I'll do whatever you request!
Golly, sha'n't I look funny when I'm dressed!
DUET-FRIDAY and CRUsoe.
59
CRUSOE.
FRIDAY.
No. I.
If you only can,
I swear I'll nebber eat anoder man!
CRUSOE. Come on! No time to lose!
FRIDAY (very plaintively-clasping his hands).
оте
9 4
No. 2.
No. 3.
3
4
P
Madde
They've seized my poor old father, and they'll cook him!
Oh, how I wish that I had not forsook him!
But I will save him!
pa mga
Oh, if they eat him--(suddenly)-won't he disagree with
'em!
(Grand Procession.)
INDIAN BALLET. (J. M. Glover.)
Grand March.
3
dedededer
3
Even we'll be with 'em !
Polka.
V
Grand Waltz.
3
A Apply M
1. ff&c.
AMAZONS. Now, Brudder Savages, the King and Qucen
Will soon be here, and will, with hunger keen
Demand their lunch, so don't let's keep them waiting,
A

&c.

бо
THURSDAY.
Kindle the flame !
Because there's nothing that's more irritating.
Pile on the wood to burn!
And cook the royal feed just to a “turn.”
Produce the viand!
(Enter THURSDAY [FRIDAY'S father] bound and guarded.)
Here's the royal meal!
Don't you feel honoured ?
I can't say I feel
Exactly jubilant in this "preferment,"
3)

Princess Koko (Mrs. D'Auban).
AMAZONS. But on a royal chest to gain interment
Must bring renown to one of your condition;
THURSDAY. But I've grown old, and lost all my ambition!
Can't you find someone younger?
AMAZONS.
Well, you see
61
THURSDAY.
KING.
P. MIN.
KING.
Your son's escaped, and therefore, you must be
His substitute !
I always used to say
My footsteps he would follow some fine day;
And now he's left me here to scorch and friz,
He follow mine! I'd like to follow his !

vky?V=ZART
Noblulu (Mr. J. D'Auban).
___________\OFFENDEDEY
Come, is the banquet served?
No, sir, not yet.
There's been an accident. To our regret
A portion of the Menu ran away!
Oh yes, I know--but hurry up, I say,
How much was this a pound?
THURSDAY. I'm an acquired taste!
KING.
KING.
(Enter KING and QUEEN.)
All right, we'll acquire it!
No, hurry up because I've had no lunch, and I'm quite
peckish !
THURSDAY. I'm very tough, to cook will take a time !
62
KING.
QUEEN (protecting him).
KING.
OMNES.
P. MIN.
KING.
Hear, hear!
Oh, sir, why on your servant put the blame?
Am I not fit to govern in your name?
You are a traitor--traitor-I repeat;
Not fit to govern? (Kicks him aside).
No, nor fit to eat!
Where is my dinner? I am feeling faint!
P. MIN. (feebly).
May I suggest, your Majesty—
KING.
THURSDAY.
Why don't you cook your Minister, he's Prime!
That's not a bad idea!
CRUSOE.
Come, seize that chap!
THURSDAY. I'm sure to make you queer, sir!
KING.
At any rate I'll risk it !
I'm so thin!
where to begin!
KING.
Your majesty won't know
Well, that's my business! Come, prepare the feast!
THURSDAY (resigning himself).
KING.
CRUSOE.
KING.
No, you shall not!
Why, would you send your Minister to pot?
"Twould only be a tit for tat, my dear;
He'd send us all there if he could!
Crusoe.
KING.
No, you mayn't!
And put him on the spit!
Not a bit!
KING.
Seize the intruders? Bind them on the spot!
CRUSOE (pointing gun).
KING.
Then cook me very carefully, at least!
Serve me up nicely-baste me well, of course;
Plenty of salt and pepper-mind the sauce!
NIGGER BOYS' CHORUS.
Stand back! You won't? Here goes then! There!
Great Scott!
Has some one's stay lace busted? What's amiss?
(To CRUSOE.)
Did you do that?
Oh, no, not I—but this (showing gun).
But 'tis my servant, and at my command
He'll slay you by the score-you understand?
M'yes! Now, what can I do for you, I pray?
Release your prisoner!
Oh, come, I say!
And what about my dinner? No! I won't!
I'll fire this off again then!
No, please, don't!
END OF SCENE VII.
63
CAPTAIN.
MATE.
CAPTAIN.
MATE.
CAPTAIN.
MRS. C.
SCENE VIII.
(Enter CAPTAIN and MATE staggering with a box, fatigued.)
On shore at last! That was a tidy swim!
But still I'm landed! Now, I've landed him !
Where is the nearest pub? I want a drink,
There's nothing else but water here, I think.
Let's go and look for some. I'm parched with thirst!
Look out for wild beasts. I say you go first.
(Exeunt.)
Another Part of Island-The Sea-shore.
(GLENDENNING.)
(Enter ATKINS and MRS. CRUSOE very miserably.)
Is this your notion of a picnic, pray ?
Where are we now?
ATKINS.
MRS. C.
ATKINS.
I'm sure, mum, I can't say.
You're a nice beauty, thus to wreck a "barque."
A barque? I'd like a bite, I may remark!
MRS. C. (flopping against him). And I feel faint!
ATKINS.
Good gracious, ma'am, don't flop?
MRS. C. (on his chest). Well, here I am and here I mean to stop!
ATKINS. Will you hold up, please?
MRS. C.
Would you thus dismiss me?
Give me some food!
ATKINS.
MRS. C.
ATKINS.
MRS. C.
ATKINS. I've read of shipwreck horrors-but somehow
I've never realised them until now !
MRS. C. Well, we must make the best of things! Oh, dear!
Where's Polly and the others?
I can't!
Drink!
No!
Then kiss me!
64
ATKINS.
MRS. C.
ATKINS.
ATKINS.
MRS. C.
"We don't know where we are.”
ATKINS.
MRS. C.
ATKINS.
MRS. C.
MRS. C.
ATKINS.
MRS. C.
ATKINS.
POLLY.
Well, I fear
They've gone down with the ship.
Thank goodness! No--
Just so,
I mean-thank goodness we are saved!
Beneath my grief that satisfaction lurks.
It's not so dreadful under all the circs.
TOPICAL DUET AND EXEUNT.
(Published by Howard & Co., Great
Marlborough Street.
WRITTEN BY GEOFFREY THORN.
We've come alive, from the ocean, like the merry little
bloater or the smelt.
Both saved from the raging billows, by wearing of a
Harness belt.
Together we clung to the Home Rule Bill, for it was our
only mast,
When a wave they called, the British House of Lords, came
and knocked us off our perch at last.
We tried Employer's Liabilitee, 'twas, you see our only
spar.
And we tried to float ourselves ashore, but sank down
where the Parish Councils are.
CHORUS.
Wet through, and without a blessed farden, on this desert
island all alone.
Not dressed in the latest fashion, but what we have is ev'ry
bit our own.
Not a soul to guide us to the nearest liquoring bar;
Since Dave Jones chucked us on this island with a splosh,
why, we don't know where we are.
There, father, dear! you're saved!
POLLY.
A few more spanks, dear!
SNOOKS (feebly). Just roll me over two or three times!
Thanks, dear!
Now stand me on my head! (They do so.) Now pull my
nose!
The incident may close.
We don't know,
Give me one kick!
I'm better! Now,
(They do so.)
(They do so.)
where are we?
But fancy it is Crusoe's island, though.
65
MISS P.
SNOOKS.
POLLY.
Let's search the place.
All right, I've no objection.
Let's each go in a different direction
And meet here in an hour-now, be off, Pater.
SNOOKS (affectionately).
Farewell, my child! Miss P., I'll see you later!
(MISS P. and SNOOKS excunt, R. and L., leaving POLLY.)
LITET
WHEE
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POLLY.
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20
Perky Snooks (Miss Ju ia Kent).
I can't help feeling, now that I'm alone
A little bit disheartened, I must own.
And worst of all, before I came away
I tried to learn some French, because they say
It's always useful, and I learnt a lot,
But it's no good, in this deserted spot,
For nobody can hear me! It's a shame!
But I will keep it up though, all the same!
SONG " Continong."
pra
அ
66
POLLY.
Crusoe.
POLLY.
CRUSOE.
Crusoe.
POLLY (sinking in his arms).
What if my Crusoe isn't here!
Oh my!
I think I'd like to have a real good cry!
Shipwrecked and on a desert island cast-
MRS. C.
(Enter CRUSOE and POLLY.)
Whom have we here? (She turns.) 'Tis she! My love!
At last.
CRUSOE.
MRS. C.
Robin! You love me still?
On you I dote !
Then I am happy! (Suddenly.) What a funny coat!
Where did you get that hat?
CRUSOE.
MRS. C. (rushing at him).
(Enter MRS. CRUSOE, ATKINS, PIRATE CHIFF, MISS PERKY and
SNOOKS, THURSDAY and FRIDAY.)
Come now, don't smile!
I made it here it is a desert (t)ile
But bye and bye I'll tell you all, love! Ah!
I'm so happy once more!
DUET-POLLY and CRusoe.
Hallo! Ma!
My boy, do I behold him then once more!
Excuse a mother's feelings, gents? Oh lor!
Oh! (feels her heart) what is this feeling that is stealing
over_me-something went "pop"--was it my stay-
lace ?—or was it love at first sight?
Love at first sight, mother-don't be ridiculous—an old
married woman like you.
Ah, you say that because I was your poor father's wife-
but know, child, there was no love lost between the
late Mr. Crusoe and me-your mother-I say there
was no love lost, and especially on Saturday night—-
and why do I say so ?-because there was no love to
lose-there might have been a broken head, or an eye
or a nose or a few teeth lost-but how should a bit
of a boy like you talk of love—of first love with me
an old experienced hand? No, I tell you-I know it--
because I feel it, as I have felt it on many occasions
before. This is the first love-love at first sight-
undenying, undying, irresistible love-love that makes
the world go round-love that makes my head swim-
as if it was drowning-in whisky like.
FRIDAY.
MRS. C.
ATKINS.
MRS. C.
67
(To FRIDAY.) Oh, gentle sire-forgive the modest and
innocent blush that comes to the nose of one who feels
the magnetic attraction of your overpowering influence.
Go on, what are you driving at?
He asks me what I am driving at.
Well, why don't you tell the young fellow--you've been

INC
JESS
WIL
Polly Crusoe (Miss Marie Lloyd).
забраната
going on at so much a mile and we [have understood
nothing.
Ah, it is because you have no soul-but my friend here
understands me-dost thou not charmer? What! the
difference between hunger and love?-One is hunger
and the other is love-and you like hunger-and
then you have a drink to wash them both down.
E 2
68
MRS. C.
FRIDAY.
ATKINS.
CRUSOE.
ATKINS.
CRUSOE.
ATKINS.
Crusoe.
CRUSOE.
POLLY.
MRS. C.
SNOOKS.
ATKINS.
Crusoe.
During the rest of the pantomime you will find me by this
gentleman's side.
ATKINS.
For evermore we are multum in parvo.
Thank heaven she found something at last-and she'll
leave me alone.
Oh, Mrs. Crusoe! Oh, don't leave your Billy Atkins.
Oh, for goodness sake leave her alone.
Well, Atkins, how are you?
Now, don't you think the best thing you can do
Is to give up all claim to Polly's hand?
You haven't got a chance!
I understand
And now I've lost the game, and you have won,
I will admit that it was all my
"fun."
Good! Then we're all as happy as can be!
To my hut, I ask you all to tea.
(CONCERTED PIECE AND DANCE.)
FINALE SCENE.
Now I'm found, safe and sound
Let us be good friends all round.
Oh, dear, what joy it is to find
You are not drowned!
But when, my child
The kettle's "biled"
"They all take after me." (Published by Messrs. Francis Day &
Hunter.)
Your poor old mother will be glad
To have a cup of tea, my lad!
A nice strong cup of tea
Will be a boon to me!
"Twill be such a rar-i-tee,
We've had none since we went to sea.
Then come along to my cave, where we
Will drink, my dears, of the "cup that cheers,"
So kindly follow me!
"Take it on boys!" (By kind permission of C. Sheard & Co.)
Come along boys, come along, boys
""
As there's not a cab or "fly
We shall have to walk!
69
MRS. C.
P. C.
P. C.
FRIDAY.
MATE.
CAPTAIN.
Good gracious!
But my appetite's rapacious
So I mustn't let the chance go by!
"Push dem clouds away !"
All our troubles now are over, and de sun's about to shine,
And we'll push dem clouds away!
And I feel so happy cos to be his servant I is,
And we'll push dem clouds away!
Oh cheer up, Mrs. Crusoe, don't give way to grief like dis,
But push dem clouds away!
For I'll marry you next Monday-such a chance you musn't
miss,
So push dem clouds away!
Don't push! don't shove,
Don't spurn such love, I pray.
The first time you I saw, Marm,
I said "You shall be my squaw, Marm,
To push dem clouds away!"
(Re-enter CAPTAIN and MATE.)
CAPTAIN. There is a desert isle and no mistake!
No water anywhere our thirst to slake!
I shan't go any further! Let me die!
All right, I'll join you! I say, get up!
Why?
MATE.
CAPTAIN.
MATE
A crowd of people coming-and they're black!
CAPTAIN. (Very interested.)
I think we'd better hide them,-where's the sack?
If they don't see us we can't come to harm.
For a disguise I think this takes the palm.
KING (furiously.)
(Enter KING, QUEEN and PARTY.)
Hullo go-loo-go-lum! Boo-la-go-Roo-gal-row!
(This is bad language that I'm using now).
It means that I'm annoyed, that white man dies.
When I get hold of him—(Smacking his lips.)
Oh, what a prize!
70
Go, get your bows and arrows-bring them here!
(They exeunt, leaving KING and QUEEN.)
I'll sit upon this sack and wait. Sit down, my dear.
CAPTAIN. Quick, we must save young Crusoe !
MATE.
KING.
QUEEN.
We've found out where his cave is, we'll attack it.
And when we get him, won't we dust his jacket!
(To ATTENDANTS.)
That's all right.
But how to do it? I'm too weak to fight.
CAPTAIN. Why we will dress up in our camel's skin
And go there with these savages. Get in!
There's something wrong about those sacks !
Dear me !
They've disappeared. Wherever can they be?
It's most mysterious, upon my word!
Well, let's get on now. That's a curious bird!
Just catch him for me.
(Bus. with BLACKS trying to catch him, etc.)
On him I will ride! (Tries to mount bus.)
QUEEN. Don't you think, dear, you'd better get inside?
KING (trying hard to get on his back--gives it up.)
All my attempts to mount him he will baulk.
(To QUEEN.) You'd better try him, dear, I'm going to walk !
(BUS. AND EXEUNT.)
P. MIN.
KING.
71
(Animals Discovered.)
(Enter FRIDAY.)
(Feeding of Animals, &c.)
(Enter CRUSOE, ATKINS, MRS. CRUSOE, &C. &c., MR. SNOOKS and
MISS PERKY.)
FRIDAY.
MRS. C. (aside).
Crusoe.
Welcome to all! Tea will be ready soon!
Will ladies step upstairs?
MRS. C. (floundering about-comes face to face with dog).
Good afternoon!
FRIDAY (bowing, &c).
SCENE IX.
The Hut.
(CANEY.)
I always hated dogs about the place!
Let me protect you, Madam!
Bless his sweet face;
I feel he's won my heart! I'm conquered quite
(Aloud.)
You foreign gentlemen are so polite!
MRS. C. (bowing).
FRIDAY
CRUSOE.
Oh not at all, I'm sure!
Oh yes you are!
Don't go away from me!
I won't!
Control yourself, please?
MRS. C.
You stuck-up impudent young monkey!
ATKINS. (striking gong).
CRUSOE (offering arm to POLLY).
Come, Polly! Friday, offer Ma your arm!
Now, Ma!
Look here, don't cheek me!
Tea!
72
ATKINS.
Crusoe.
You feel a little better, don't you, Ma'am?
Now, Ma, pour out the tea, and pass the toast.
Have you quite finished, Friday?
FRIDAY (clearing the plate).
ATKINS.
MRS. C.
ATKINS.
Miss P.
Pass me a muffin, please!
MRS. C. (handing them to her). Pray take one, Miss!
Before she can do so MRS. C. gives them all to FRIDAY.
MR. SNOOKS. "Manners is manners! but I can't stand this!
""
Yes, almost!
If you could spare it—I should like a bite.
Take some shrimps, dearest! (gives him all the shrimps).
Well, this is all right!
1
73
¡
SCENE X.
The Ship.
(PERKINS.)
(Enter the CAPTAIN and MATE.)
CAP.
Let all the passengers to land prepare !
And look their luggage out-we're nearly there!
KING (very ill). So we're in England!
ROB.
Yes, we're here at last!
KING.
I don't think much of it!
ROB.
Come, not so fast!
Wait till you've seen it! Then give an opinion!
QUEEN (miserably).
I wish we'd never left our own dominion !
PRIME MIN. (very ill).
ROB.
KING.
ROB.
KING.
ROB.
KING.
P. M.
KING.
QUEEN.
KING.
C
If any one has suffered, I think I'm one!
Your Majesties, be patient! cheer up, prime one!
But what have you to show us when we're there?
Oh! Strand, Embankment, and Trafalgar Square!
From what I've heard of that last place, I guess
It is a nice quiet spot!
On Sundays, yes!
Then there's the House of Commons, that's all right
If you enjoy a good all-round free fight!
We've Music Halls, Theatres, ev'rything
That wealth can purchase, or can pleasure bring!
And you shall see them all, my dusky pal,
You will enjoy yourself!
I think I shall !
I won't go home again!
Sire, may I state.
Your kingdom will be lost!
I abdicate!
Let some one else be king, for I have done with it!
Send for Will Atkins-let him have some fun with it!
(Some sailors go off).
What in the meantime will become of me!
Oh, don't you worry in the least, you'll see !
74
*******
ATKINS.
KING.
ATKINS.
KING.
ATKINS.
ATKINS.
KING.
(Enter SAILORS, dragging ATKINS).
What have I done? You know I haven't been
A villain since the end of the Eighth Scene!
Ho, and we would reward you! Make you king!
That shows what good luck " villainy" will bring.
What am I king of?
My old country!
KING (Putting absurd crown on him).
Robinson Crusoe (Miss Ada Blanche).
Law!

There is your crown! Your sceptre! And your Squaw.
(Handing him the Queen.
Although a compliment I've no doubt this is
I'll take a kingdom but can't stand your Missis!
Put him in irons ! Ho! you plead in vain.
I'll never have a chance like this again,
75
ROB. (Looking at Queen.)
MRS. C.
FRIDAY.
MRS. C.
FRIDAY.
MRS. C.
FRIDAY
MRS. C.
FRIDAY.
MRS. C.
FRIDAY.
POLLY.
MRS. C.
POLLY.
FRIDAY.
To get my Queen off; and it's thanks to you (To Rob)
You don't think I'm to blame?
Can't say I do!
MRS. C.
FRIDAY.
(Trio and exeunt).
(Enter FRIDAY and MRS. CRUSOE very lovingly.)
Oh, this is lovely! When we get ashore
You'll marry me?
You've mentioned that before,
About six hundred times, I rather think!
Don't tell me, from the prospect, dear, you shrink!
Oh, please don't “shrink.’
I wasn't going to, Ma'am !
Oh say, you are my own true love!
I am!
And nothing now our happiness can bar!
Are you not overjoyed, my own?
I are!
Oh, what emotions in my bosom riz!
And you are feeling just the same?
I is !
Enter POLLY.
Now, Ma, I wish your feelings you would check ;
Or go below-they'll notice you on deck!
Well, let 'em, I don't care!
But bear in mind
It's rather rough on Friday!
I'm resigned!
(Enter OMNES.)
CAPTAIN. Well, we shall be ashore soon—safe and sound
So say good-bye and let's shake hands all round.
ROB. (to POLLY).
Now, dearest, all ends happily for us.
And so, I hope, for all! Is that so?
Yus!
Ain't she a beauty, father? There's a "figger!
I'm sorry you've no wife, Dad.
Poor old nigger!
THUR.
SNOOKS (to Miss Perky)
If I may judge, my darling, by your looks,
You'll marry me!
"
76
Miss P.
ATKINS.
ROB.
POLLY.
Rob.
POLLY.
ATKINS.
SNOOKS.
MISS P.
MRS. C.
ROB.
With pleasure!
Bravo, Snooks!
I'm rather out of this though, am I not?
I'd like to " come up with my little lot."
But I sha'n't worry!
Now for shore.
My dear !
Have you forgotten? You've one duty here
You must perform before you go away!
We're very much delighted--but are they?
To crown our happiness, there's one thing needed,
Which is to hear from you that we've succeeded
And if we have, please take from me the cue, so!
And say you're pleased with Polly and her Crusoe.
FINALE TO PANTOMIME.
"Demoiselle de Magazine."
I.
Come, let's away! no more delay !
My dinner is waiting for me!
It don't seem polite, but my appetite
Must very soon satisfied be!
What shall I do! May I come too?
I'd like to be getting ashore;
Wherever you go-I'll follow, you know
I'll never be leaving you more!
Upon my word: I never heard
Such impudence like it before!
Our piece is played
This roving blade,
Of lovely grade
By beauty swayed,
Who disobeyed
His parents staid,
In grief arrayed
By fortune's aid.
In love and trade
Success has made!
строить муть мовно мото
KING.
"Marguerite."
ROB (to KING). We are greeting you in England, gladly.
We are greeting you in England, gladly.
OMNES.
SNOOKS.
77
OMNES.
2.
(They knock him about in their exuberance.)
Me thus to greet is very kind, I know,
But still I really wish you wouldn't greet me so.
"Appy 'Ampstead."
But sha'n't we have a high old time,
Just take the tip from me.
We'll take our dusky friend about
Old London town to see!
Miss P.
MRS. C. Their savage minds shall be impressed
With all they see, you bet,
ATKINS.
But there's one place above them all
That we must not forget,
That's 'Ampstead, 'Appy, 'Appy 'Ampstead.
That's the Cockney's Paradise,
And the fun, and at the price,
Oh 'Ampstead's very 'ard to beat,
If you want a beano it's a fair old treat!
(C
Chicago."
(Everybody delighted, shaking each other's hands,
patting each other's back, &c, &c.)
I thank you very much I'm sure,
For all that you have done !
We've had some splendid fun
All throughout the vessel's "run,"
And I think the Captain of the Ship,
You should invite to take a "snip "
As soon as he has got ashore the cargo!
78
THE HISTORY OF ENGLAND IN TWENTY MINUTES.
Grand Procession of Kings and Queens of England from William I
to H.I.M. Queen Victoria.
Dresses Designed by A. COMELLI.
(Scenery by J. HARKER.)
William I.
The Sea Shore at Pevensey-The Fleet of the Normans seen approach-
ing-William's boat in the foreground-In landing the king falls down, he
picks up a handful of the sand, exclaiming, “Thus do I take possession
of this country."
William II.
The sound of hunting horns is heard, the King, on horseback, followed
by huntsmen cross the stage-Walter Tyrrel with a bow and arrow shoots
off-He escapes-the King wounded, is carried across the stage on a litter.
Henry I.
The King comes on with the Queen Matilda. A butcher of Rouen
brings news of the death of Prince William-the King exclaims that he
will never smile again. Stephen, one of the courtiers, is also there and
swears fealty to the King's daughter. A Banquet is then ordered-Cooks
bring in lampreys-the King eats so much that he gets ill and dies at the
table. Stephen seizes his crown and puts it on his own head.
Stephen.
Henry II.
The King and Rosamond come on spooning; he kisses her and leaves
her. The Queen finds Rosamond in the bower and presents to her a cup of
poison and a dagger. Rosamond takes the poison. Becket tries to pacify
the Queen, but goes to the King in an authoritative manner. He turns with
a gesture of impatience to the four knights who murder Becket. The
King expresses his regret.
79



****
William I.
James I
William II. (Rufus).
TAINS PRIMEPENTINGAN
pine Senate.
Henry V.
727
Richard I.



Charles I.
80
Richard I.
The King and the Crusaders are blessed by a priest. They kneel and kiss
the hilts of their swords, which are in the shape of crosses and depart.
Blondel, the minstrel, with his lute follows the king.
John.
Queen Constance and Arthur-John places him in the care of Hubert de
Burgh, who orders his two assistants to put his eyes out. Hubert, however,
relents. John is then confronted by the Barons and forced to sign the
Magna Charta, after which he exits in great anger.
Henry III. of Winchester.
Simon de Montfort, Earl of Leicester, who had once been one of the
King's favourites, took the lead in a rebellion. The King and barons were
continually making treaties, the conditions of which were broken as soon as
made. Prince Edward, when old enough, asserted his own and his father's
rights, and many barons joined the royal standard. The armies of the
King and of the Earl of Leicester met at Lewes, in Sussex, on the 14th of
May, 1264. It resulted in Edward and his father being taken prisoners.
Edward I.
The Welsh people are troublesome-Edward enters with so many soldiers
-The Welsh show submission, and Edward introduces to them the young
Prince of Wales with the nurse.
Edward II.
Robert Bruce with banner Bannockburn and six Scotch warriors.
Edward III.
The King enters, followed by a few courtiers and Queen Philippa-the
Bourgeois of Calais in their shirts and halters-the Queen begs for the
King's clemency and he lets them go. Then enter the Black Prince,
followed by soldiers carrying the Cressy and Poitiers flags. After that one
of the ladies crosses stage and the King picks up her garter and presents it
to her-Lady blushes-the King institutes the order of the Garter, on his
own leg, "Honi soit qui mal y pense." The Black Prince takes three
feathers and puts them in his helmet which he then puts on-and takes
shield with "Ich Dien."
>>
Richard II.
Richard II., the Lord Mayor of London, the two sheriffs and some
soldiers are met by Wat Tyler and his rabble-the Lord Mayor (Walworth),
strikes down Wat Tyler, and the King passes on,



Queen Mary (Tudor).
C.H. SE
5207
***
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ONS
Edward VI.
LIBÉBIJOD
Queen Elizabeth and her Court
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Edward III. (Black Prince).

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82
Henry IV.
The King's happiness was embittered by the wildness of his eldest son,
the "Madcap Harry." One of his companions was committed for a robbery,
and brought before the chief justice Gascoigne. Gascoigne refused to
release the offender, whereupon the Prince drew his sword, and behaved in
a very violent manner, on which the Chief Justice ordered him to be taken
to prison. The Prince submitted to the punishment; when this incident
was related to the King, he exclaimed-"Happy the Monarch who possesses
a Judge so resolute in the discharge of his duty, and a son so willing to
submit to the laws!"
Henry V.
The French Ambassador brings him tennis balls; the King declares war
and puts on his armour. Rush of soldiers with banners from tableau-
triumphant return-Agincourt-Poictiers-Troye.
Henry VI.
First enter Ballet of Red Roses and White warrior dance. Enter King
Henry and Queen and Court. Enter Edward IV. and Queen. Enter
Warwick and followers with banners, Mortimer Cross-after this he deposes
Henry VI. and gives crown to Edward IV.
Edward IV.
Edward V.
Richard III.
Henry VII.
"Long live King Henry" from crowd. Henry VII. rushes on followed by
his Red Roses and Queen Elizabeth of York with White Rose supporters
follows on. They join hands-blending of Roses-dance of Roses.
Henry VIII.
Cardinal Wolsey and his pages and suite receive the King Henry VIII.
The Palace is quite new and very sumptuous and beautiful. Wolsey is
clever enough to pretend that he has had it built for the King, and asks
him to accept it. The King shows it to Catharine of Aragon, thanks
Wolsey for the present, and notices the Queen's Lady of Honour, Anne
Boleyn, flirts with her, and suddenly expresses his opinion that his marriage
with Catharine of Aragon was not legal, and asks Wolsey about it. Wolsey
says it is, the King turns his back and goes to Cranmer, who dissolves the
marriage. Catharine of Aragon goes for, succour to Wolsey. Wolsey
comes up very angrily to the King. The King tells him to go to Jericho.
Wolsey then expresses in Pantomime "Had I served my God as I have
served my King, he would not have left me in my hour of need."
Edward VI.


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Princes in the Tower.
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William III., and Mary II.
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Mary.
Enter Lady Jane Grey, Dudley and pages, followed by Queen Margaret,
and soldiers. Queen orders soldiers to seize Lady Jane Grey.
Elizabeth.
Procession to St. Paul's - Thanksgiving-Armada.
Sir John Hawkins discovers East Guinea.
Martin Frobisher discovers Arctic Sea.
Sir Francis Drake discovers East Indies and Cape Horn.
Sir Walter Raleigh discovers Virginia (America).
James I.
Enter Lord Monteagle, showing letter to Lord Salisbury.
Charles I.
Pages enter solemnly with flags draped with black, turned down. Enter
Charles, followed by executioner and Ironsides. Cromwell and Roundheads.
Oliver Cromwell.
Charles II.
James II.
The King enters with Marlborough, presently the Prince of Orange and
soldiers enter. Marlborough forsakes him and cross over to Prince of
Orange.
William and Mary.
Sixteen Greenwich pensioners salute King and Queen and pass along.
Anne.
Queen Anne and court enter first followed by the Duke of Marlborough
and soldiers carrying banners of victories he has won.-Blenheim-Ramillies
Oudenarde-Malplaquet.
George I.
Six heralds enter announcing the House of Hanover.
George II.
Enter General Wolfe with officers carrying banners of Quebec-Preston-
pans, Falkirk-Canada-India. Presentation of Canada to the Klng.
George III.
George IV.
William IV.
VICTORIA
QUEEN OF GREAT BRITAIN AND EMPRESS OF INDIĄ.

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SCENE I..
SCENE II.
Clown
Columbine
Pantaloon
Harlequin
Policeman
Med
HARRY PAYNE,
HARLEQUINADE.
ROADSIDE INN.
BRIGHTON SANDS.
CHARACTERS.
MR. HARRY PAYNE.
MISS EVA CLIFTON.
MR. CARL Waller.
SIGNOR ALBERTIERI.
MR. JULIAN Girard).
GRAND TRANSFORMATION SCENE.
BY RYAN.
THE HOME OF INDUSTRY.
DRURY LANE & COVENT GARDEN THEATRES ROYAL.
1879-1893
DRURY LANE THEATRE, 1879-1893; COVENT GARDEN, 1888-1893.
FIFTEEN YEARS MANAGEMENT
))
Drury Lane Theatre.
1879.
GEORGE RIGNOLD'S SEASON.
Nov. I HENRY V.
May
SIR AUGUSTUS HARRIS.
SYNOPSIS OF THE RINCIPAL PRODUCTIONS.
OF
Dec. 26 BLUE BEARD (Pantomime)
""
BY
31 AS YOU LIKE IT
1880.
March 29 LA FILLE DE MADAME ANGOT
LADY AUDLEY'S SECRET
July 31 THE WORLD
Dec.
...
..
...
...
...
MISS LITTONS SEASON.
Brothers Grimm (E. L. Blanchard).
...
...
...
:
Shakespeare.
...
Ch. Lecocq.
R. Robert
Meritt, Pettitt, and Augustus Harris.
27 MOTHER GOOSE (Pantomime)
E. L. Blanchard.
Shakespeare.
88
1881.
March 4 THE WORLD (Revival)
March 14 THE STORES...
April 25 VIRGINIUS
May 14 OTHELLO
""
""
JOHN M'CULLOUGH'S SEASON.
•••
...
...
Meritt, Pettitt, and Augustus Harris.
Bucalossi, Rose, and Augustus Harris.
SEASON OF THE DUCAL COURT COMPANY OF
SAXE-MEININGEN.
UNDER THE PATRONAGE OF H.R.H. THE PRINCE OF WALES.
Shakespeare.
Shakespeare.
Schiller.
May 30 JULIUS CÆSAR
May 31 TWELFTH NIGHT
June 6 DIE RÄUBER...
June 9 WILHELM TELL
June 13 WINTER'S TALE
June 16 DIE AHNFRAU
Schiller.
IPHIGENIE AUF TAURIS
June 18
June 20 FIESCO ...
June 27
DAS KÄTHCHEN VON HEILBRONN
July 4 PRECIOSA
July 19
1
••
...
...
...
...
...
...
...
•••
...
1882.
WALLENSTEINS LAGER...
...
FIDELIO
DIE MEISTERSINGER
••
...
...
...
:
...
20 TRISTAN UND ISOLDE
•••
Göthe.
Schiller.
Von Kleist.
A. Wolff.
Schiller,
DER EINGEBILDETE KRANKE Adapted from Molière.
:
...
...
May 18 LOHENGRIN
May 20 DIE FLIEGENDE HOLLÄNDER
May 23 TANNHÄUSER
May 24
May 30
June 14 EURYANTHE
June
...
**
...
...
••
···
Aug. 6 YOUTH ..
P. Meritt and Augustus Harris.
Dec. 26 ROBINSON CRUSOE (Pantomime) E. L. Blanchard.
...
...
...
•••
FRANKE AND POLLINI'S GERMAN OPERA SEASON.
Wagner.
Wagner.
Wagner.
Beethoven.
Wagner.
Weber.
Wagner.
...
•••
...
Sheridan Knowles.
Shakespeare.
...
...
:
:
...
:
...
...
..
:
...
..
...
...
...
Shakespeare.
Grillgarger.
:
:
...
89
CASUAL SE BESTE NA BUNKHLAS PODRE
July
July
MADAME RISTORI'S SEASON.
3 MACBETH
15 ELIZABETH
March 26 ESMERALDA
April
Aug.
Sept.
Oct.
...
...
Aug. 5 PLUCK
Dec. 26 SINDBAD (Pantomime)
···
...
FIDELIO
March 29
March 31
THE BOHEMIAN GIRL
April 3 IL TROVATORE
April 7 MARITANA
April 9 COLOMBA
April FAUST.
April 14 MIGNON
IO
...
..
...
...
1883.
THE CARL ROSA ENGLISH OPERA SEASON,
UNDER THE JOINT MANAGEMENT OF CARL ROSA AND
AUGUSTUS HARRIS.
...
...
Marzials, Randegger, and Goring Thomas.
Beethoven.
Balfe.
Verdi.
Wallace.
Hueffer and Mackenzie.
Gounod.
Ambroise Thomas
April 14 BOHEMIAN GIRL
April 15 CARMEN
April 16 MARITANA
April 17 COLOMBA
...
...
···
...
...
………
...
...
::
H. Pettitt and Augustus Harris.
E. L. Blanchard.
...
...
...
...
...
AUGUSTUS HARRIS.
...
...
...
28 YOUTH (Revival).
4 FREEDOM
Paul Meritt and Augustus Harris
G. F. Rowe and Augustus Harris.
8 THE OPERA-CLOAK L. D. Powles and Augustus Harris.
15 A SAILOR AND HIS LASS
Robert Buchanan and
Augustus Harris.
Dec. 26 CINDERELLA (Pantomime)
E. L. Blanchard
...
...
...
...
…….
1884.
CARL ROSA SEASON.
UNDER THE JOINT MANAGEMENT OF CARL ROSA AND
...
...
...
...
...
Shakespeare.
Giacometti.
...
………
...
………
...
Wallace.
Hueffer and Mackenzie.
Balfe.
Bizet.
90
April 18
April 19
April 22
April 28 THE CANTERBURY PILGRIMS
May 10 IL TROVATORE
Dec.
MIGNON
LUCIA DI LAMMERMOOR
ESMERALDA ...
...
""
June 15
July 27
May 31 to August HAVERLY'S AMERICAN-EUROPEAN MAS-
TODON MINSTRELS.
Sept. II THE WORLD (Revival)
...
...
April 6 MARITANA
April 7 CARMEN
April 8 FAUST .
April 13 LUCIA DI LAMMERMOOR
April II THE BOHEMIAN GIRL
April 16 NADESHDA
April 18
FIDELIO
···
...
Meritt, Pettitt, and Augustus Harris.
26 WHITTINGTON AND HIS CAT (Pantomime)
E. L. Blanchard.
...
Gilbert A'Beckett and Villiers Stanford.
Verdi.
CARL ROSA SEASON.
1885.
UNDER THE JOINT MANAGEMENT OF CARL ROSA AND
AUGUSTUS HARRIS.
•••
··
...
LILY OF KILLARNEY
ESMERALDA
...
...
""
May
2
May 7 MANON...
May 16 MIGNON
May 30 THE MARRIAGE OF FIGARO
Wallace.
Bizet.
Gounod.
Donizetti.
Balfe.
Julian Sturgis and Goring Thomas.
Beethoven.
Sir Julius Benedict.
Goring Thomas.
Massenet.
...
...
...
...
...
...
...
...
:
...
:
...
...
...
...
···
...
:
..
...
Ambroise Thoma
Donizetti.
Goring Thomas.
:
...
...
...
...
...
•••
...
A TRUE STORY
IT'S NEVER TOO LATE TO MEND (Revival)
•••
···
Ambroise Thomas.
Mozart.
...
Charles Reade.
Sept. 12 HUMAN NATURE Henry Pettitt and Augustus Harris
Dec. 26 ALADDIN (Pantomime)
E. L. Blanchará
Elliot Galer
91
1886.
April 24 HUMAN NATURE (Revival)
CARL ROSA SEASON,
UNDER THE JOINT MANAGEMENT OF MR. CARL ROSA
AND MR. AUGUSTUS HARRIS.
June 29 FRIVOLI
May 31 MARRIAGE OF FIGARO…..
June I
MANON
June
2 FAUST...
Junc
3 CARMEN
June 4 BOHEMIAN GIRL ...
June 8 THE TROUBADOUR
NADESHDA ...
June
IO
24
MARITANA
June
June 26 MIGNON
Dec.
...
...
April 30 CARMEN
May
2 FAUST...
May
3
...
...
...
...
...
BOHEMIAN GIRL
···
...
Henry Pettitt and Augustus Harris.
...
:
...
••
...
...
··
...
...
...
:
:
...
...
···
**
:
..
:
:
...
August 28 A RUN OF LUCK Henry Pettitt and Augustus Harris.
July 13 and 17 SLAVIANSKY'S RUSSIAN CHOIR (Special
Matinées).
July 31 MR. AND MRS. EDMUND RUSSELL, of NEW
YORK: The Harmony and Expression of Motion
(Special Matinée).
26 THE FORTY THIEVES (Pantomime)….. E. L. Blanchard
...
1887
CARL ROSA SEASON.
UNDER THE JOINT MANAGEMENT OF CARL ROSA
AND AUGUSTUS HARRIS.
Hue er and A. C. Mackenzie.
Goring Thomas.
Wallace.
Ambroise Thomas.
...
...
:
...
………
...
:
...
Wm. Beatty-Kingston.
Mozart.
Massenet.
Gounod.
Bizet.
Balfe.
...
...
...
Bizet.
Gounod.
Balfe.
92
May
May
4 NORDISA
II MIGNON
""
""
May 18
May 25
May 26
June 10 MARITANA ...
ESMERALDA
IL TROVATORE
LOHENGRIN
...
Dec.
Oct. 4
...
...
Sept. 3 PLEASURE
Nov. 2 NITOCRIS
Dec. 26 PUSS IN BOOTS
...
AN
...
...
...
...
THE MARRIAGE OF FIGARO
...
...
LES HUGUENOTS
June 13 AÏDA
June 14 LA TRAVIATA
June 15 RIGOLETTO ...
June 16 NORMA
June 17 LOHENGRIN
DON GIOVANNI
June 18
June 20
IL BARBIERE DI SIVIGLIA..
June 25 FAUST…..
June 27 LUCIA DI LAMMERMOOR
July 7 CARMEN
July II
July
15 IL TROVATORE
...
...
...
...
...
ROYAL ITALIAN OPERA SEASON.
...
...
··
...
••
...
...
1888.
...
...
...
...
:
••
..
...
...
...
...
...
...
...
...
...
...
...
...
...
··
...
March 31 A RUN OF LUCK (Revival).
Sept. 22 THE ARMADA (a Romance of 1588)
F. Corder.
Ambroise Thomas.
Goring Thomas.
Verdi.
...
...
...
...
...
...
...
:
:
...
...
...
:
...
...
...
...
...
Verdi.
Verdi.
Verdi.
Bellini.
Wagner.
Mozart.
Rossini.
Gounod.
... Donizetti.
Bizet.
Meyerbeer.
Verdi.
...
...
…….
...
···
Paul Meritt and Augustus Harris.
Clo. Graves.
E. L. Blanchard.
...
...
Wagner.
Mozart.
Wallace.
···
Henry Hamilton and Augustus Harris.
EXHIBITION OF ARMADA AND ELIZA-
BETHAN RELICS WAS OPENED BY THE EARL
OF WINCHILSEA AND NOTTINGHAM IN THE
GRAND SALOON OF DRURY LANE THEATRE.
26 THE BABES IN THE WOOD, AND ROBIN HOOD
AND HIS MERRY MERRY MEN, AND HARLE-
QUIN WHO KILLED COCK ROBIN
E. L. Blanchard, Augustus Harris, and Harry Nicholls.
93
Kajian kan ta viena koi mái, Zombie du bien és ki delakon dat talenata
Sept.
Dec.
Dec.
23 THE ROYAL OAK
Henry Hamilton and Augustus Harris.
26 JACK AND THE BEANSTALK; OR HARLEQUIN
AND THE MID-WINTER NIGHT'S DREAM
Harry Nicholls and Augustus Harris.
1890.
CARL ROSA SEASON.
April
7
""
""
April 5 ROMEO AND JULIET
BOHEMIAN GIRL...
CARMEN
April 8 FAUST
April 10
April
April 17
Meyerbeer.
April 22 THORGRIM ... Joseph Bennett and Frederick H. Cowen.
April 26 LOHENGRIN
9 MARITANA
MIGNON
LURLINE
12
STAR OF THE NORTH
Wagner.
Wallace
May
...
...
...
1889.
...
...
...
...
...
···
...
...
12
May
PAUL KAUVAR
Sept. 6 A MILLION OF MONEY
...
:::
···
:
...
··
...
...
...
...
..
::
...
...
•.•
••
Steele Mackay.
Henry Pettitt and Augustus Harris.
26 BEAUTY AND THE BEAST (Pantomime).
William Yardley and Augustus Harris.
...
1891.
April II IT'S NEVER TOO LATE TO MEND
(Revival)
May 26 FORMOSA (Revival)
June 23
DRINK (Revival)
Sept. 5 A SAILOR'S KNOT
Dec. 26 HUMPTY DUMPTY, OR THE YELLOW
DWARF AND THE FAIR ONE WITH
THE GOLDEN LOCKS
...
Gounod.
Balfe.
Bizet
Gounod
Ambroise Thomas.
Vincent Wallace.
...
...
...
...
...
...
...
...
...
...
...
...
...
Charles Reade.
Dion Boucicault.
Charles Reade.
Henry Pettitt.
Harry Nicholls and Sir Augustus Harris.
94
July
July
July
June 13
Junc 27
June 29 CAVALLERIA RUSTICANA
June 29 PHILÉMON ET BAUCIS ...
2
FIDELIO ...
4 DIE WALKURE
8
SIEGFRIED
""
May
April 5
April IO
April II
April 14
April 26
ROYAL OPERA.
DAS RHEINGOLD
""
June
1892
4 CARMEN
...
...
...
FAUST .
MARITANA
LA JUIVE
LOHENGRIN
IRMENGARDA...
...
June 12 LES PLAIDEURS.
...
April 8 BOHEMIAN GIRL ...
II
...
...
1893.
July 9
July 16
TROMPETER VON SAKKINGEN
TRISTAN UND ISOLDE ...
L'AMICO FRITZ
July 18 DIE GOTTERDAMMERUNG
RUN
July 22 DON GIOVANNI
July 23 NYDIA, THE BLIND GIRL OF POMPEII
ROYAL OPERA.
CAVALLERIA RUSTICANA
:
...
:
...
:
...
...
...
...
...
"
13 UN PÈRE PRODIGUE
:
...
:
...
LE MALADE IMAGINAIRE
...
...
Sept. 17 THE PRODIGAL DAUGHTER
Henry Pettitt and Sir Augustus Harris.
Dec. 26 LITTLE BO-PEEP, LITTLE RED
RIDING HOOD AND HOP O' MY
THUMB Sir Augustus Harris and Mr. Wilton Jones.
...
...
••
••
..
...
...
...
...
:
...
...
:
...
...
...
••
...
:
...
:
...
:
:
:
:
COMÉDIE FRANÇAISE SEASON.
UNDER THE DIRECTION OF SIR AUGUSTUS HARRIS
MESSRS. HENRY E. ABBEY AND MAURICE GRAU.
Wagner.
Wagner.
Mascagni.
Gounod.
Beethoven.
Wagner.
Nessler
Waner.
Mascagni.
Wagner.
Mozart.
George Fox.
Balfe.
Mascagni.
Bizet.
Gounod.
Wallace.
Halévy.
Wagner.
Emil Bach.
Racine
Molière
Alexandre Dumas, fils.
95
June 14
59
June
June 16
June 17
.
1893-continued
**
""
June
""
15 DENISE ...
""
""
June 26
June 27
June 28
""
..
,,
June 19 LE DEMI-MONDE
June 22
June
23
""
Sept.
Dec.
""
July I
July
PAR LE GLAIVE
""
"
""
June 24 DÉPIT AMOUREUX ...
···
LES EFFRONTÉS
LE FLIBUSTIER
...
""
I
...
GRINGOIRE
LE GENDRE DE M. POIRIER
LE PRÉCIEUSES RIDICULES
...
...
::
...
HENRY III. ET SA COUR...
LE LUTHIER DE CREMONE
FRANÇILLON
L'AUTOGRAPHE
...
...
...
...
July 22 DIE WALKÜRE
July 24 SIEGFRIED
MDLLE. DE LA SEIGLIÈRE
ADRIENNE LECOUVREUR
FROU-FROU
RUY BLAS
···
29 L'ÉTÉ DE LA ST. MARTIN
CEDIPE ROI
...
...
SOUVENT HOMME VARIE
LE MONDE, OU L'ON
:::
July 4 BATAILLE DE DAMES
LES FEMMES SAVANTES
••
...
...
..
..
21 A LIFE OF PLEASURE
...
26 ROBINSON CRUSOE
...
...
...
::
ROYAL OPERA.
>>
HERNANI
July
July 5 ARLEQUIM POLI PAR L'AMOUR
July 7 L'ETINCELLE ...
July IO LA REINE JUANA
July
12 LA JOIE FAIT PEUR
...
S'ENNUIE
...
:::
3 HAMLET, PRINCE DE DANEMARKE
Jean Richepin
A. Dumas, fils
Emile Augier.
Jean Richepin.
Theodore de Banville.
...
...
...
...
Sophocle, traduite par Jules Lacroix.
...
...
...
·
...
...
...
...
Edouard Pailleron.
Meilhac and Halévy.
...
...
Dumas et Paul Meurice.
Scribe et Legouvé.
Molière.
V. Hugo.
...
···
Emile Augier.
Molière.
A. Dumas, fils.
Alexandre Dumas.
François Coppée.
A. Dumas, fils.
::
Molière.
Jules Sandeau.
Scribe and Legouvé.
Meilhac et Halévy.
V. Hugo.
Auguste Vacquerie.
...
...
………
...
•••
...
...
···
...
Alexandre Parodi.
...
Wagner.
Wagner.
Henry Pettitt and Sir Augustus Harris.
Harry Nicholls and Sir Augustus Harris.
96
Covent Earden Theatre.
1888.
ROYAL ITALIAN OPERA.
May 14 LUCREZIA BORGIA
CARMEN
May 15
May 17
May
LA TRAVIATA
FAUST
DON GIOVANNI
..
...
...
19
May 21
May 22
May 24
May 26
Junc 2
June
4 L'AFRICAINE ...
June 9 LES HUGUENOTS ...
June 16 LOHENGRIN ...
June 19 IL BARBIERE DI SIVIGLIA
June 21 FRA DIAVOLO
June 25 IL FLAUTO MAGICO
July 3 UN BALLO IN MASCHERA
July 5 GUGLIELMO TELL...
July 14 AÏDA
July 17
FAUST
CARMEN
...
MEFISTOFELE
...
...
...
RIGOLETTO
LUCIA DI LAMMERMOOR
LE NOZZE DI FIGARO
IL TROVATORE
..
...
...
...
...
···
•••
··
...
...
1889.
...
...
...
•
...
...
18 I PESCATORI DI PERLE...
May
May
20
May 21
May 23 LA TRAVIATA
May
25 AÏDA
May 28 MEFISTOFELE
May
30 LOHENGRIN
June 3 LA SONNAMBULA ...
June 5 LE NOZZE DI FIGARO
June 6 RIGOLETTO
GUGLIELMO TELL
June II
June 13 DON GIOVANNI
June
...
...
...
...
15 ROMÉO ET JULIETTE
...
•••
:
...
...
...
···
...
...
...
...
..
:
...
··
...
...
···
...
...
...
•••
...
...
...
•••
•
...
:
::
...
...
...
...
••
:
...
···
...
···
••
:
···
:
:
...
...
...
...
...
...
...
...
...
...
...
:
..
...
...
...
...
...
:
••
...
:
··
...
...
···
...
Donizetti.
Bizet.
Verdi.
Gounod
Mozart.
Verdi.
Donizetti.
Mozart.
Verdi.
Meyerbeer.
Meyerbeer.
Wagner.
Rossini.
Auber.
Mozart.
Verdi
Rossini
Verdi.
Boito.
Bizet
Gounod.
Bizet.
Verdi.
Verdi.
Boïto.
Wagner.
Bellini
Mozart.
Verdi.
Rossini.
Mozart.
Gounod.
97
June 18 LES HUGUENOTS
Junc 28 IL TROVATORE
July 2
Meyerbeer
Verdi
STATE PERFORMANCE BY COMMAND OF H.M
THE QUEEN IN HONOUR OF THE SHAH OF
PERSIA.
19 FAUST..
CARMEN
July 13 DIE MEISTERSINGER
...
May
May 20
May 22 I PESCATORI DI PERLE
May 23
LOHENGRIN ..
May
24 IL TROVATORE
May
27
May
29
June 2
June
June 6
June 7
June 13
June 18 LE NOZZE DI FIGARO
June 23 LE PROPHÈTE
RIGOLETTO
June 26
July 2
July 3 LA TRAVIATA...
July 12
July
21
LES HUGUENOTS
LA SONNAMBULA
DON GIOVANNI
3 ROMÉO ET JULIETTE
...
ESMERALDA ...
HAMLET
...
...
...
...
LUCIA DI LAMMERMOOR
DIE MEISTERSINGER
LA FAVORITA
DIE MEISTERSINGER
1890.
...
Dec 15 A MILLION OF MONEY
...
...
...
...
..
1891.
Feb. 3, Feb. 17, Mar. 4, Mar. 18 FANCY DRESS BALLS
14 SERIES OF LENTEN ORATORIOS.
Feb.
6 ORFÉO
April
April 7 FAUST
April
9 CARMEN
LOHENGRIN
II
April
April 15 ROMÉO ET JULIETTE
••
•
...
………
...
::
...
Henry Pettitt and Augustus Harris.
...
J
Wagner
Gounod.
Bizet.
Bizet.
Goring Thomas.
Ambroise Thomas.
...
Wagner.
Verdi.
Meyerbeer.
Bellini.
Mozart.
Gounod.
Donizetti.
Wagner.
Donizetti.
Mozart.
Meyerbeer.
Verdi.
Wagner,
Verdi.
Gluck.
Gounod.
Bizet.
Wagner.
Gounod.
G
98
April 18 TANNHÄUSER
April 20 LA TRAVIATA
RIGOLETTO
LE PROPHÈTE
MEFISTOFELE
April 22
April 27
May 2
March I
March 16
...
March 23
April 20
May
19
•
...
99
...
DON GIOVANNI
MANON...
LES HUGUENOTS ...
•
···
•
Meyerbeer.
Boïto.
Mozart.
May 7
May 19
Massenet.
May 20
Meyerbeer.
May 23 DIE MEISTERSINGER
Wagner.
Gounod.
June 10
June 24
Donizetti.
June 26 MARTA ...
Flotow.
July 3 FIDELIO
Beethoven.
July 8 STATE PERFORMANCE BY COMMAND OF H.M•
THE QUEEN, IN HONOUR OF THE GERMAN
EMPEROR AND EMPRESS.
...
•••
...
...
...
:
MIREILLE
LUCIA DI LAMMERMOOR
•••
...
...
...
...
...
...
...
AÏDA
July 14
July 15 OTELLO...
Sept. 12 PROMENADE CONCERTS SEASON.
...
...
...
··
16 PHILÉMON ET BAUCIS
:
...
Dec. 30 GRAND FANCY DRESS BALL.
••
...
...
..
:
:
:
•
...
...
CAVALLERIA RUSTICANA
:
···
………
..
AUTUMN SEASON OF ROYAL ITALIAN OPERA.
20 ROMÉO ET JULIETTE
Oct.
Oct. 22 CARMEN
Oct. 24 PHILÉMON ET BAUCIS ...
Oct. 29 LA RÊVE
Nov. 3 FAUST
Nov. 7 LOHENGRIN
Nov. 9 LES HUGUENOTS
1892.
Jan. 13 SECOND FANCY DRESS BALL.
Jan. 27 THIRD FANCY DRESS BALL.
Feb. 10 FOURTH FANCY DRESS BALL.
FIFTH FANCY DRESS BALL.
SIXTH FANCY DRESS BALL.
SEVENTH FANCY DRESS BALL.
EIGHTH FANCY DRESS BALL.
...
...
:
...
:
:
...
...
•••
••
...
:
...
...
:
:
:
...
...
...
...
••
...
•••
ROYAL ITALIAN OPERA SEASON,
Gounod.
Bizet.
Gounod.
Alfred Bruneau.
Gounod.
...
...
...
:
Wagner.
Verdi.
Verdi.
...
Verdi.
Verdi.
...
Wagner.
Meyerbeer.
Gounod.
Mascagni
99
May
19
May
21
May 23
May 27
May 30
June 2
June 3
June 8
June IO
June II
June 15
June 16
10
FAUST ..
ORFEO...
Dec.
..
...
...
L'AMICO FRITZ
MANON ...
ROMÉO ET JULIETTE
LOHENGRIN ...
IL VASCELLO FANTASMA
SIEGFRIED
...
...
...
LES HUGUENOTS
LA LUCE DELL' ASIA
TRISTAN UND ISOLDE
DON GIOVANNI
CARMEN
..
...
...
•
...
...
DAS RHEINGOLD
June 17
June 22
June 25 LE PROPHÈTE
June 28 LE NOZZE DI FIGARO
June 29 DIE WALKÜRE
July 5 ELAINE ...
July 7 AÏDA
July 13 DIE GÖTTERDÄMMERUNG
July 16 TANNHÄUSER
July 20 FIDELIO
...
...
...
...
...
...
...
...
...
...
···
...
...
...
...
•.•
...
...
···
...
•
...
...
...
...
…….
...
...
...
...
...
...
………
...
...
...
...
...
:
...
...
12 THE PRODIGAL DAUGHTER
***
:
...
...
...
...
...
...
•
...
...
...
...
ROYAL OPERA AUTUMN AND WINTER SEASON.
Oct. 10 ORFÉO ...
...
...
...
:
CAVALLERIA RUSTICANA
99
""
IL TROVATORE
LOHENGRIN ...
Oct.
II
Oct. 12
Oct. 15 FAUST..
Oct.
CARMEN
Oct. 24 RIGOLETTO
Oct. 25 IL BARBIERE DI SIVIGLIA
29 DON GIOVANNI
22
Oct.
Nov.
I
Bizet.
Verdi.
Rossini
Mozart.
TRISTAN UND ISOLDE
Wagner.
Nov.
Verdi.
4 AÏDA
Nov. 5 THE BOHEMIAN GIRL
Balfe.
Nov. 9 L'AMICO FRITZ
Mascagni.
Nov.
Verdi.
22 OTELLO
Dec.
3 PERFORMANCE OF CARMEN, BY COMMAND OF
H.M. THE QUEEN, AT WINDSOR CASTLE.
Dec. 8 IRMENGARDA
Emil Bach.
...
⠀⠀⠀
···
···
:
...
··
:
•••
•••
...
...
...
***
:
...
:
•
Isidore de Lara.
Wagner.
Mozart.
Bizet.
Wagner.
Meyerbeer.
... Mozart.
:
:
:
:
...
:
...
:
...
...
...
•••
...
...
:
··
………
...
...
...
Gounod.
Gluck.
Mascagni.
Massenet.
...
Gounod.
Wagner.
Wagner
Wagner.
Meyerbeer.
...
...
...
•••
Wagner.
M. Bemberg.
Verdi.
...
Wagner.
Wagner
Beethoven.
... Gluck.
Mascagni.
Verdi.
Wagner.
...Gounod.
...
...
...
...
...
•••
-
...
*
Henry Pettitt and Augustus Harris.
2
100
Jan.
Feb.
May
May
1893.
25 FANCY DRESS BALL.
8 DITTO.
Feb. 22 DITTO.
Mar. 8 and 21; April 12 DITTO.
Jan. 28 SERIES OF OPERATIC COSTUME RECITALS
COMMENCED.
15 LOHENGRIN
16, ORFÉO ...
""
18
19
ROYAL OPERA SEASON.
………
...
CAVALLERIA RUSTICANA
CARMEN
PAGLIACCI
PHILÉMON ET BAUCIS
SIEGFRIED
...
...
""
May
May
""
May
May 20 FAUST ..
May
June
I
LA JUIVE
June 3 LES PÉCHEURS DE PERLES …..
Junc 7 TANNHÄUSER
LA FAVORITA
June 10
June 13 DJAMILEH
Junc 19
Junc 21
June 28
June 29
July 4
...
...
...
25 ROMÉO ET JULIETTE
...
...
...
...
...
Leoncavallo.
Gounod.
Gounod.
... Gounod.
Halévy.
Bizet.
Wagner.
Donizetti.
Bizet.
Mascagni.
Wagner.
Wagner.
Verdi.
L'AMICO FRITZ
IL VASCELLO FANTASMA
TRISTAN UND ISOLDE ...
RIGOLETTO
GALA OPERA NIGHT, BY COMMAND OF H.M.
THE QUEEN, IN HONOUR OF THE ROYAL
VISITORS TO THE WEDDING OF H.R.H. THE
DUKE OF YORK AND PRINCESS MAY OF TECK.
ROMÉO ET JULIETTE ... Gounod.
Wagner.
Mascagni.
Meyerbeer.
Wagner.
Wagner.
BEFORE
...
••
...
...
...
..
...
…….
...
...
...
...
...
………
...
••
...
...
July 19 SIEGFRIED ...
July 20 AMY ROBSART
July 26 THE VEILED PROPHET...
July 28
IRMENGARDA
•••
...
...
...
:
..
::
...
...
**
...
...
...
...
...
...
..
...
...
...
...
:
••
••
July 5
DIE WALKÜRE
July 7 I RANTZAU
July 8 LES HUGUENOTS ...
July IO
July 12 DIE MEISTERSINGER
July 15 ROYAL COMMAND PERFORMANCE
H.M. THE QUEEN AT WINDSOR CASTLE.
Act II. L'AMICO FRITZ AND CAVALLERIA
RUSTICANA
...
...
•••
...
...
:::
...
...
..
...
………
...
•••
•••
•••
Wagner
Gluck.
Mascagni
Bizet.
...
...
···
...
...
...
...
...
Mascagni.
Wagner.
De Lara.
...
Villiers Stanford.
Emil Bach.
BRANCHEN JAESARS käes
The Great Coal Tar Disinfectant
JEYES' FLUID
The Cheapest, Safest, and most reliable in use. Prevents the outbreak
of Smallpox, Fever, and all Infectious Diseases.
SANITARY POWDER. DISINFECTANT SOAPS.
"Senalia Soap,"
Triple-milled and delicately perfumed. The most perfect Toilet Soap
made. Four Tablets in Fancy Box, 2s.
SOLD BY ALL CHEMISTS, GROCERS, AND STORES.
HEAD OFFICE: 43 CANNON STREET, LONDON.


NON
POISONOUS
(281
PALMER'S BAZAAR
Buy, Sell, and Exchange with
Parliament to pass an Act to
Cheapest House. The best price
Opinions given on stamps gratis.
Forgeries. Discount 50 per cent.
For FOREIGN STAMPS, CRESTS, and STAMP ALBUMS.
Palmer, who agitated
stop forged stamps.
given for collections.
The Exterminator of
Best prices given.
500 stamps, all different, 6s. Bric-a-Brac, Id.
Stamps sent on approval.
J. W. PALMER, Foreign Stamp Merchant, &c., 281 Strand, London.
(182
alé
THE
STAMP
FOREIGN
W
PAI MERCHANT
STAMPS•
EXTERMINATOR OF FORCED
STRAND, IS LONDON.
(2811
NON
281
POISONOUS

THE HOLBORN SILK MARKET
OUR SHOW OF SILKS AND DRESS MATERIALS FOR EVENING
WEAR IS THE LARGEST IN LONDON.
ALPINE SILKS.-Light Evening Shades, 21-inch, 91d. per yard; quite half price.
THE ONDINE SILKS in Light Evening Shades, 22-inch, 1/0} per yard, usual price 1/9.
QUILTED SATINS, in Black, Light, and Bright Shades, 18-inch, 1/4 per yard; usual
THE ENGLANDINE EGERTON SILKS, for Evening Wear, 40 Shades, 22-inch 2/11}
per yard.
price 2/6.
BRIGHT PONGEE SILKS, 22-inch, 8}d., 10}d., 1/0}, and 1/6} per yard.
BRIGHT CHINA SILKS.-Art and Light Shades, 23-inch, 1/4 and 1/77 per yard.
DUCHESSE COSTUME SATINS, for Evening Wear, 22 and 23-inch, 1/0}, 1/4}, 1/7}, and
1/11 per yard.
WHITE AND CREAM BROCHE SILKS, 22-inch, 1/11), 2/6}, and 2/11} per yard.
THE “GOUFFRE” MOHAIR CREPONS, Light Evening Shades, 42-inch, 1/73 per
yard; usual price 2/6.
THE “ATTILA” CREPONS, Light Shades, 40-inch, 1/0} per yard.
THE "ALLIGATOR" CREPONS, 40 Light and Art Shades, 42-inch, 1/4 and 1/73 per yard.
THE "TORTOISE" CREPONS, Evening Shades, 42-inch, 1/72 per yard; usual price 2/6.
NUN'S VEILINGS, for Evening Wear, 21-inch, 43d. ; 24-inch, 63d.; 40-inch, 1/0} per yard.
CREAM GROUND, with Coloured Silks, Stripes, Veilings, and Crepons, 42-inch, 1/4}, 1/73,
1/11), and 2/3} per yard.
WARM DRESS MATERIALS FOR CHARITIES, 2}d., 3}d., 4}d., 61d., and
8 d. per yard.
FANCY MOLLETON FLANNELETTES, Extra Thick, for Ladies' Dressing Gowns;
29-inch, 6d. and 83d. per yard.
PATTERNS POST FREE.
SAMUEL LEWIS & CO.,
7, 8, 9, 10 & 11, Holborn Bars, E.C.
GEORGE LICHTENFELD,
The "Perfect Fringe."




SEE THE
'QUEEN,"
蕾蕾
​Aug. 26, 1893,
"These fringes, we are assured, will stand any amount of sea air and perspiration without losing any of their
pretty effect, and will be found invaluable to ladies who are either travelling, yachting, or visiting the seaside.
Another effective new style for the back of the head is his 'New Coil,' arranged elongated."-Vide Queen, Aug.
26, 1893.
The Perfect Fringe,
Price £3 38. & £4 48.
COMPLETE HEADDRESS,
COMPLETE HEADDRESS,
£8 8s. & £10 10s.
£8 8s. & £10 10s.
Illustrated Catalogue free from observation by post.
PLEASE
AB-
New Coil (Elongated).
Price £3 3s.
NOTE THAT
My ONLY Establishments are
93 Great Portland St., &
79 Regent St. (st. James's Hall
3 Doors from
NEW INVENTION. HAIR SCALP SHIELD.

((
THIS new invention is invaluable for Ladies who have thin hair or tender heads, and who
are desirous of dressing the hair in a fashionable and natural way. The new
Shield," which is composed of finely plaited hair, is perfectly ventilated, pliable, and
Hair
ade to the shapo of the scalp. It has strands of long fine hair attached, which can be
d. sse with the greatest ease into any desirous style.

zefa Jazz ce
By
Baybės pag
*******
JEFFS & HARRIS
Fur Merchants.
Established over 60 Years.
Suitable Presents.
In consequence of the fall
in Sealskins of 20 per
cent., we are reducing our
prices accordingly.
High - Class Fur
Garments in the
Choicest Selected
Seal and other
Furs.
Speciality in De
signs and Fit
Guaranteed
Gentlemen's
Fur-lined Coats
from £8.
LADIES' FUR LINED
COATS & CLOAKS.
A Large Stock of
Specially Selected
Darkest Russian Sable
Skins, Silver Foxes,
Chinchillas, Astrachans
Matchless Sea-Otters,
Ermines, Minks, also
Royal Bengal and Him-
alayan Tigers.
www
www
COMPARISON OF QUALITY AND PRICE
INVITED.
Particular attention paid
to Alterations & Repairs.
244 REGENT STREET,
LONDON, W.
Illustrated Priced Catalogue Post Free.
KOKO HAIR
/ WILL
POSITIVELY
HAIR FROM
FALLING
OUT
✅
KOKO
FOR UT
THE



FOR THE
HAIR
TRADE MARK
REGISTERED
INCREASE THE
GROWTH OF
HAIR 2
V
SURELY
WILL
ENSURES MAGNIFICENT TRESSES.
KOKO FOR THE HAIR is a tonic, cleansing invigorating preparation, causes
the hair to grow luxuriantly, keeps it soft and pliant, imparts to it the lustre and freshness
of youth, eradicates dandriff, prevents hair from falling, is the most cleanly of all hair
preparations, and is perfectly harmless.
Old People Like It for its wonderful power to invigorate decayed hair, and induce
an entire new growth when that is possible.
Middle-Aged People Like It, because it prevents them from getting bald, keeps
dandriff away, and makes the hair grow thick and strong.
Young Men Like It, because it is an elegant preparation for dry, harsh, and
brittle hair, and assists to force a heavy moustache and whiskers.
Young Ladies Like It as a dre sing, because it gives the hair a beautiful glossy
lustre, insures a luxuriant growth, and enables them to dress it in whatever form they wish,
where it will remain.
www.
Children Like It, because it keeps the hair and scalp cool and clean, allays
irritation, and keeps the hair in whatever position desired.
They All Like It, because it is pure as crystal, perfectly colourless, contains no
poisonous substance, no sugar of lead, sulphur, nitrate of silver, or grease, and does not
soil or colour the scalp, face, or the most delicate fabric in clothing, produces a wonderful,
pleasant and cooling effect on the head, and no other dressing is needed to give the hair the
most elegant appearance possible. Try it once and you will use no other. It contains
no colouring matter or dye.
IT IS A MISTAKE to
be allowed to take care of itself, and that it does not
maintain its growth. That KOKO FOR THE
purpose is conceded by all who have given it a trial.
suppose that at any age, period or
condition of life, the Hair can or should
require some dressing to stimulate and
HAIR is the best preparation for this
Miss ELLEN TERRY, the great actress, writes: "I have used KOKO for the Hair
for years, and can assure my friends that it stops the hair from falling off, promotes its
growth, and is the most pleasant dressing imaginable.
*)
THOUSANDS
OF
TESTIMONIALS.
PREPARED by the KOKO-MARICOPAS CO., LTD., NEW YORK & LONDON.
Sold by Druggists, Chemists, Hairdressers, &c., at 2/6 and 4/6 per Bottle
of 6 oz. and 12 oz.
If you have trouble to procure it, send Postal Order for 4s 6d or 2s. 6d. to KOKO-MARICOPAS CO.,
LTD., 9, Prince Teck Buildings, Earl's Court, London, and receive a Bottle, under cover, Free by Parcel
Post, or call at 233, Regent Street, and see the wonderful hair on exhibition.

FISHER & SON,
Genuine Ladies' Tailors.
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COUNTRY, FOREIGN,
AND
COLONIAL POST ORDERS
RECEIVE OUR
PERSONAL SUPERVISION.
Se
DOUBLE-BREASTED
NEWMARKET
DRIVING COAT.
Made in Fawn-
coloured Box Cloth,
with two rows of
buttons and a very
large collar of Golden
Otter Fur. All the
seams are widely
strapped, and the
cuffs stitched with
five rows of stitching.
PATTERNS, SKETCHES,
AND
SELF-MEASUREMENT FORMS
FORWARDED
FREE ON APPLICATION.
To Kille
FISHER & SON, 217 & 219, REGENT ST., W.
REDUCTION IN PRICE
7/6 instead of 10/6; by post, 2d. extra
MADE ON A NEW AND IMPROVED PRINCIPLE.
"LA MERVEILLEUSE"
N.B.-GREAT

A MOST
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WASAMEH
BY ROYAL LETTERS
ஆம்பல்
PATENT
THE TALK OF THE DAY,
INGENIOUS CONTRIVANCE FOR THE PRESENT STYLE
way for any
собрано ливадат
OF HAIRDRESSING.
Invented by the well-known Coiffeur,
ANDRÉ HUGO.
Hadees
ARGENBRUNE
szerda qiyin
KŘÍN
HAIR FRAME.


WHERE DOES
A
TH
HIS IS THE LATEST AND MOST
SIMPLE INVENTION for arranging
the "Coil," also the style now much worn
termed "L'Empire." Any shade of Hair can be
matched. By the aid of one of these Frames a
lady can dress her own hair quite easily and neatly
in half the usual time. A very pretty head-dress
can be produced with either a large or small quan-
tity of hair. The comfort experienced in the use
of these Frames is unsurpassed, as only a few hair-
pins are required, and they penetrate the Frame
instead of touching the head, which so often causes
great irritation. ANDRE HUGO is prepared to
instruct any lady in the use of these Frames, should
she call at his establishment, or by letter if in the
country.
Oval-shaped Frame with two
holes.
Hair Frame and Coil, £3 3s.
N.B. BEWARE OF IMITATIONS.
Owing to the great success of "LA
MERVEILLEUSE " HAIR FRAME,
Mons. Hugo has pleasure in announcing
that he now makes them in much larger
quantities, and is able to produce them
at 7/6 instead of 10/6 as formerly; by post,
2d. extra.
None Genuine without
André Hugo's name
inside.
CAN BE OBTAINED
ONLY
FROM HIM AT
180 SLOANE ST.
50
THE SONY STATISTICS
EXCARE
+\" "spre
the curse one to
estertortion servcient fire EDSASSES,
Information and as a
drooms whereontinenty fourth
varezsti
\ ་།
No.
to
2.-Natural Curled
Fringe, guaranteed not
ditions, with frame to raise the
come uncurled under any con-
hair on top of the head. From
50s. to £4 4s., according to
size. "La Merveilleuse Ha'r
Frame (designed by M. André
Hugo, 180, Sloane Street).


Frame, Two Holes.
Frame, One Hole.
ANDRÉ HUCO, REMOVED 180 SLOANE STREET, LONDON, S.W.
ELVERY & CO.,
WATERPROOFERS
Under Royal Patronage.



WATERPROOF
MANTLES,
ULSTERS,
CAPES,
COATS,
RUGS,
COACHMEN'S
46 Lr. Sackville St.,
18 Nassau St.,
COATS,
BOX-CLOTH
APRONS,
TRAVELLING
RUGS,
ETC., ETC.
concompensão é
IN THE FAST FELLIGENS
GENT'S WATERPROOF.
LADY'S WATERPROOF
Messrs. ELVERY & Co. hold the best selected stock of Ladies' and
Gentlemen's Waterproofs in London, comprising the latest novelties in
material and shape. Having given special attention to the waterproof trade
for over 40 years, and employing only first-class cutters and workmen, we
are enabled to execute all orders in the best possible manner.
QUALITY & WEAR GUARANTEED.
31 CONDUIT ST., LONDON, W.,
ONE DOOR FROM NEW BOND ST.,
Branch Establishments:-
DUBLIN, and 78 Patrick St., CORK.
ESTABLISHED 1850
PRICE LISTS
CONTAINING 200
ILLUSTRATIONS POST FREE.
PATENT
TAN
PATENT CALF
4/9
COLORED SUEDE
O# GLACE KID
6/11 &7/W
f
COLORED
12/9
911
GLACÉ
BLACK VELVET 6/11 BRONZE KID
CALF
GLACE KID
4/6
9/11
PATENT CALF or GLACE KID
HOSIERY DYED TO
MATCH.
City
(GLACE KID 13/9.
8/11
FELT
4/9
Warehouse:
GLACE KID
SATIN SHOES IN 60 DIFFERENT
SHADES.
JET BEADED
BRONZE KID
4/11
Regd Design
15/9
GLACE
KID or PATENT CALF
45a,
GLACE KID PATENT FRONTS
10/9
THE
LONDON
SHOE
COMPANY.
Registered Design.
6/v*8/11
o* BRONZEKID
GLACE
BLACK
Warehouse: 116 & 117 NEW BOND
QUILTED
6/11
SATIN
6/11
GRENCHORDRE
GLACE KID
ALL LETTER ORDERS
TO CHEAPSIDE.
BRONZE KID
APSIDE,
6/11
GLACE
E.C.
OR
Ju/8 11/2
ST., W.
BRITISH LETTER ORDERS
ACE
OR
BRONZE
KII
6/91
6/91
SO38 13,
st
Regd Design
NOISTO 6018
11/0
CARRIAGE

11/8
80 309TH
J
PAID ON
euxa of
GLACE
0001500
0183089
LARGEST STOCKS
IN
EUROPE.
Fancy Costume Balls.
SAMUEL MAY,
35 Bow Street, W.C.
(ESTABLISHED over HALF A CENTURY),


Costumier to the Royal Family, to the Principal London
and Provincial Theatres.
LARGEST & BEST COLLECTION
OF
Fancy & Historical
COSTUMES
ON HIRE,
WIGS, MOUSTACHES, & GENERAL MAKE-UPS.


Stage and Scenery Supplied for Amateur
Performances.
ORDERS BY POST RECEIVE PROMPT ATTENTION.
Ladies' or Gentlemen's Costumes can be made to Order
FOR SALE OR HIRE.
The Ladies' Department under the personal superintendence of Mrs. MAY.
Fancy Dress Balls.
W. CLARKSON,
Court Costumier & Perruquier.
By Special Appointment to Her Majesty.

VAJAVVWALAVAVV
www
Wigs, Costumes, Dominos, Masks, Lime-
light, Scenery, & Properties.

AMATEUR THEATRICALS, TAB-
LEAUX VIVANTS, CHARADES, &c.,
attended in Town or Country on Moderate Terms.
Competent Men sent with every Requisite.
FANCY COSTUMES, WIGS, &c., for
FANCY DRESS BALLS, of
of the Best
Quality and Workmanship. Professional Terms.
Sale or Hire.
CLARKSON'S LILLIE POWDER.
Is. 6d. per box.
SHEPHERDS' CROOKS, FAIRY
WANDS, RED HOT POKERS, FAIRY
WINGS, FATHER CHRISTMAS
COSTUME, WIG, and BEARD for
Christmas Parties. Sale or Hire. Estimates
given.
TR
A
Tright
BERTRAMARIN MILETIC COLONY
TEMPO you
Дитинан
STRAND, LONDON.
витаминен
we wer
WE TH F
Superposten!
Telegraphic Address-WIGGERY, LONDON.
CORETAN EROTY
PREPARA
کاری اس امر کی ہے اور اسے
MEM
JACJACHARUVANNING
Bhado
www
$18
Mrs. Langtry as Cleopatra
Costume and Wig by CLARKSON
ང ་ གིས་ ན ར ཀ ནི ་ཡ
All the Wigs and part of the Costumes worn in Drury Lane
Theatre made by W. CLARKSON.
45 & & 44 WELLINGTON STREET,
BEST
AND
CHEAPEST.
NEAVE'S
FOOD
HABITS.
LADIES' TAILOR & HABIT MAKER.
The Perfect
SAFETY HUNTING SKIRT,
Patented September, 1892.
Established
1825.

www
FOR
INFANTS,
CHILDREN,
INVALIDS.
AND THE AGED
In Patent Air-tight Tins.


PATTERNS
SENT ON
APPLICATION.
THE
G.S.WOLMERSHAUSEN & CO., LTD.
Only Address :
REGENT STREET, W.
16, GREAT MARLBOROUGH STREET,
NOTE. No connection with
any other firm trading under the
name or style of Wolmershausen.
WE
+1.75" $220,
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BOYS'
SUPERIOR
AND
DURABLE
MOTHER of MANY
in "The Queen"
Newspaper, says:
"I have found
CHAS BAKER&Co.
eminently satis-
factory for my
boys. The clothes
are singularly in-
expensive."
BOYS' NORFOLK
SUITS
In Tweeds.
S/11, 12/11, 14/11,
19/11.
BOYS' HATS.
Silk Hats
Eton Suits.
6/11, 8/11, 10/6.
for
COLLEGE CAPS,
3/6, 4/11.
AS
SUPPLIED
AT
FLANNEL OUTFITS.
BOYS'.
Knickers, 3/6 to 5/6.
Trousers, 5/11, 6/11.
Shirts, 4/6.
Jackets, 8/11.
CHAS.
BAKER
& CO.'S
ONLY FOUR
DEPÔTS
ARE'
* CHABAKER ACE
GİSAYAR KİNOVA gasa
sa TR
"AREAIS)
Chas Baker
OPENED TO KEEP PACE
ETON JACKETS AND
VESTS.
In Black Super and
Diagonal Cloths.
Quality1-17/9 to 25/9
2-22/6 to 31/6
3-27/6 to 41/6
According to size.
HAIR-LINE TWEED
YOUTHIS'.
Knickers, 5/11 to 6/11
Trousers, 6/11, 7/11,
9/11.
Shirts, 5/6.
Jackets, 9/11.
BOYS' FELT HATS, 1/!1, 2/6, 3/6, 4/11, 6/11.
TROUSERS.
6/11, 8/11, 10/9,12/11,
14/11.
van
CLOTHING, HOSIERY,

**
CHAS BAKER & C STORES LTD
HEAD
REAL WEST OF ENGLAND CLOTHING
MALAMED 'C
COMPLETE OUTFITS 25AWUNDER PRICES
STANLOVED
TP PARE WITH THE CIVIC avicd
172
273
S
O
zakon
ELNE SIRLE, **
En finalis
1/2012
NAS BAKER ACE.
JOOKS
274
O
***
SCMA» BANKOS
BUTYRË, S: *R*:
www
All Goods Carriage Paid to any part
of the United Kingdom, and if not
approved, exchang-
ed, or the money
returned, which-
ever preferred.
taki *****
3:10 3 1 t
PRVS'' You Thum
BOYS' RUGBY SUITS.
In good durable
Tweeds.
8/11, 10/9, 12/11, 13/9.
17/9.
In real West of Eng-
land Cloths, Scotch
Tweeds, &c.,
21/6, 26/9, 31/6.
Head Depôt and Letter Order Dept. :
271,272,273, 274, HIGH HOLBORN
(City side of the Inns of Court Hotel).
CHAS BAKER & C. UNITED
CITY BRANCH
BOYS SUFFOLK SUITS.
Three - Garment
Suit, in Tweeds and
Cheviots,
19/11 to 25/9.
24/6 to 31/6.
According to size.
41 CHA BAKER & CHYTORES ***** **
Geomom.cobsens tanks
+45
JABLO
WE LINKER
THE MERCE
*~~ -
........
BCYS' TWEED AND SERGE
ÉTON CAPS.
6jd., 1/-, 1/11.
A
patereffione, interes
-
Offenders Earn


OVER
City Branch:
41 & 43, LUDGATE HILL
(Opposite Old Bailey).

܀
SHIRTS, HATS, BOOTS, &c. 25 PER
OUTFITS
P
& Co.'s Stores, LIMITED
WITH CIVIL SERVICE STORES.
Cheques, Postal
Orders, &c., to be
crossed to
BARCLAY, BEVAN,
TRITTON & CO
Suite safe
YOUTHS'
JACKETS AND VESTS.
18/11, 22/6, 27/6.
TROUSERS,
4/11 to 14/11.
CHABAKER O
West-End Branch:
192 & 194, OXFORD STREET
(Close to Peter Robinson's).
YOUTHS'
BOYS'
CAPE OVERCOATS.
CAPE OVERCOATS.
With All-round Capes.
10/9, 13/9, 17/9,
19/11, 23/6, 27/6, 33/9.
21/6, 25/9.
37/6, 41/6.
BOYS' WHITE SHIRTS, 2/6 and 2/11, 3/6 and 3/11,
Accordin❘
BOYS' FLANNEL SHIRTS, 1/11 to 3/11, 2/11 to 4/11, to size
BOYS' KNICKER DRAWERS, Cotton, 1/11, 2/11, Merino, 2/3, 2/11, Lambs Wool,
3/6, 3/11.
BOYS' UNDERVESTS AND PANTS,
:
"
CENT.
UNDER
USUAL LONDON
PRICES.
VESTS.
ကိုယ်ပိုင်း ထိုး
YOUTHS' TWEED
SUITS.
10/9, 12/11, 14/1,
16/11, 19/11, 22/6.
In Real West of Eng
land Cloths.
27/6, 33/9, 37/6, 41/6.
On
T
HA BAKER CHAS BAKER CYSTORES
PANTS.
3/3
Merino 2/11
Natural and Dyed Wool, 3/11, 4/11. 4/11, 5/6.
BEGEL
A Lady writer In
THE GENTLEWOMAN
says: "FRIENDS OF
MINE HAVE TRIED
SEVERAL HOUSES
FOR BOYS' CLOTHING,
&c, BUT SO FAR AS I
KNOW, THE MOS
SUCCESSFUL CUT OF
CLOTHES HAS BEEN
THAT SUPPLIED BY
CHAS. BAKER & CO.
West End Branch: 137, 138, 139, & 140,
TOTTENHAM COURT ROAD
(The corner of Euston Road).
BOYS' REEFERS.
In Nap.
5/11, 8/11, 11/9,
14/11.
In Blue Serges.
/11, 11/9, 14/11.
Boys' Umbrellas.
3/11, 4/11, 5/11
BOYS' SCHOOL BOXES.
4/11, 5/11.
BOYS' SCHOOL TRUNKS.
5/11 to 18/9.
COMPLETE
PRICE
LISTS
Can be obtained at
either of their Depots,
or will be forwarded
POST FREE
on application.
•

các con
do c
********* pof
OPENED TO KEEP PACE WITH CIVIL SERVICE STORES.
BARTINS
HURCH
HAS BAKER
&CO'S
SCHOOL OUTFITS
Per
25 Cent. UNDER LONDON PRICES
MOST BELT
ALLATIO
FOLDEBAILE
ORES
LIMITED.
"MOTHER OF MANY" in "THE QUEEN" Newspaper
says, respecting Boys' Dress:-
A
"I have found CHAS. BAKER & CO. eminently
satisfactory for my boys. The clothes are singularly
inexpensive.'
A LADY WRITER in "THE
GENTLEWOMAN" says:-
"Friends of mine have tried several
houses for Boys' Clothing, Eton Suits,
&c., but so far as I knew the most
successful cut of clothes
has been that supi lied
by CHAS. BAKER
& CO., Limited.
CMS BAKERS
CITY BR
BRANG
SEE
Price List
and
Fasbions
INSIDE
30
COVER.
VIEW OF LUDGATE HILL SHOWING POSITION OF CHAS. BAKER & CO.'S
NEW CITY BRANCH (Nos. 41 and 48), opposite Old Bailey.
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