LO ES idTMS THE CENSOR I Å D. 1 7 3 0 Ок) UNIVERSITY OF MICHIGAN 90937 : AATES SCIENTIA VERITAS LIBRARY OF TIME جن GIFT OP REGENT LL HUBBARD : al omnir : malenia Hubbard imag. Voy. PR 2724 ·L69 17302 Τ Η Ε CENSORIAD: A PO E M. Written Originally by Martin GULLIVER: Illuſtrated with fundry Curious Annotations of divers Learned Commentators, Scholiaſts and Criticks. -Felicia sempyras, que te Moribus opponunt Juv. . Thou Vermin wretched, Aseer in meazeld Pork was hatched! Thou Tail of Worſhip, that doft grow On Rump of Juſtice, as of Cow! HUDI BRAS. LONDON; Re-printed from the DUBLIN THIRD EDITION, for WEAVER BICKERTON, in Devereux-Court, near the Middle-Temple. M.DCC.xxx. (Price Six-Pence.) THE Commentator's PROEME Unto the Courteous Reader. T HIS delectable Piece of Poeſie having mainly and marvelouſly ſuffer'd, through the Precipitation of ſundry Tranſcribers and Co- pyiſts heretofore; we deemed it meet (and in ſome ſort it behoveth us) to reſtore it to its pri- ſtine Garb: partly by comparing together the ſeveral Copies, and adhereing unto ſuch thereof as liked us moft ; partly on the Verity of others; and finally on our own Experience, manyfold Ob- ſervations, and profound Penetration. 79 And in good footh to compyle this Commen- tarie, much Labour and Oyle hath been expen- ded, albeit great Pleafance hath it miniftred un- to us, inaſmuch as it hath enabled us to bring in- to Light this Piece in its primal Purity, and eke to teſtifie unto the Publique our unwearied In- deavour for the Entertainment thereof, unto the Preponderancy of whoſe Judgment, we ſubject - the Fruits of our Toyle and Erudition : Age, benigne Leftor, bis noftris conatibus fave. Vale & fruere. Regent h. L. rattaid 1-10-192-4 (3) THE CENSORI A D. Skaip Hou'd the old Cenſor of Imperial Rome Raiſe his tremendous Preſence from the Tomb, How would he glow with juſt indignant Rage, How wou'd he pity and deteſt that Age, Where Ideots dictate, and Buffoons turn ſage! O thou ! to whom theſe Verſes I direct, Whom Folly can't ſecure, nor Wit protect ; ANNOTATIONS. Cenforiad. So Iliad, Æneid, Dunciad, &c. but let the Reader be fatisfy'd, that it fignifies no more than a Song on the Cenfor, which Word naturally produces a Note. Certain it is, that the generality of Man- kind are ever fond of filling thoſe Offices, for which Nature hath render'd them moſt unfit. Optat Ephippia bos piger, optat arare caballus. Hor. Our Hero being elected to the Cenſorſhip, re- mindeth me of ſome Germans, who allowed an Aſs to be beſt qualified to diſtinguiſh the Harmony of Sounds, becaufe it had the longeſt Ears. Whence the Epide- mic Fondneſs of our Kingdom for Mufic may ratio- nally be accounted for.-Nam auriculas Afini quis non habet ? Heinfius. Ver.5-Where Ideots. Alludes to this of Juvenal, Quoties aliquid de vioribus audent, Qui Curios fimulant, & Bacchanalia vivunt. Too A 2 The CENSORIAD. Too bulky grown to paſs unnotic'd by, And yet too dull to rally and reply: How wou'd that Cato weep, nay, ſmile to view 10 Dictators ape'd by Animals like You? Who dare confirm new Offices and Laws, At once the Scourge and Scandal of thy Cauſe; ANNOTATIONS. Ver.8. Too bulky Similiter Horatius : Epicuri de grege Porcum. Ver.1o. How would that Cato weep. Some Cria ticks contend, this and the following Lines ſhould be read in hunc modum i How wou'd that Cato weep, nay ſmile to fec, Dictators ape'd by Animals like Thee? Either I think may ſerve ; but here give me leave to animadvert on the Ignorance of a certain Scholiaſt, who affirmeth, that Weep and Smile, applied fo cloſe- ly to the ſame Perſon, imply a Contradiction in Terms: . but well we may imagine this Critick ne- ver knew there was ſuch a Figure in Rhetorick as Epanorthoſis; or that Weep might refer to the Abuſe of the Office, and Smile to the Buffoonry of the Per- fon, ignorant at the ſame time of that beautiful Ex. preſſion in Homer. --Δακρυοεν γελάσασα. . She mingled with a Smile a tender Tear. POPE. Ver.12. Who dare confirm-The Reverend Hero of our Poem, was not only the Inſtitutor of the Cen- farſhip, but the firſt that, through a conſciouſneſs of his own ſuperior Worth and Abilities, embrac'd the honourable Office himſelf, and by his indefatigable Induſtry, hath paved a Path, worthy to be trodden by all ſucceeding Cenfars. Hund talem fpe&tate virum, imitamini virtutem. Dunceſc. Who Il... The CENSORIAD. 5 15 Who teach unpoliſh'd Monſters to declaim, And ſervile Hearts to tremble at a Theme; Where Dread and Dulneſs all their Force unite, Where you give Subjects, and where Freſhmen write : Who leaſt offends himſelf, ſhould cenſure moſt, Our Cenfor ſeems the Object of his Poft. ANNOTATIONS Ver.14. Who teach unpoliſh'd, &c. Similiter fragmentum incerti Authoris : ipfe rudis rudibus poſuit precepta noviftis. Ver.16. Where Dread and Dulneſs, &c. tho' no Animal is more ſluggiſh and deſpicable than an Aſs, yet nothing is more frightful than its braying. Idem. Ver.18. Who leaft, &c. Directly oppofite to this Rule of our Author, is the general Practice of the World. For the Ignorant and Vicious are evermore the moſt impertinent and cenforious, and it is not doubted by the Learned, that the Hero of this poem, for being well accompliſh'd in both theſe Reſpects, was, as Milton expreſſeth it, on a parallel Occa- fion namely Satan's Election to the Cenſorſhip of Tarta- * advanc'd to that bad Eminence. Heinſius. Ver.19. Our Cenfor feems. This may ſeem a piece of Satire on our Cenfor, but I must beg pardon, if I argue from an oppoſite Principle ; 'tis the higheſt Encomium he could receive, ſince he ſacrifices his private to the publick Intereſt of a Society: This, as I take it, is the true Spirit of a Patriot, and a notable Imitation of Cato. I hall ſtrengthen this my Opinion with one Argument. Suppoſe my Neighbour were ſo extremely kind, as to weed my Garden, ſhall I quarrel with him for his good Office, becauſe at the ſame time his own is over run with Nettles and Thiſtles ? Lipſius. To rus, Sc. 6 The CENSORIA D. To thinking Minds this honeſtTask ſhou'd fall, 20 But G-prates too much, to think at all : Officious, fawning, frivolous and loud, Awkardly Vain, and impotently Proud ; Partially ſtrict, and ſneakingly ſevere, And fickle as the * Bcaſt which lives on Air. 25 He can't judge right, for Triflers never can, 'Tis not the Cauſe that's odious, but the Man. Great is the Task, and worthy of a Mind, Imbu'd with Virtue, and by Wit refin'd, ANNOTATIONS. Ver.21. But Gra-This Word hath occafion'd feve- ral Conjectures; ſome imagine it to be Griffith, ſome Griffin, and others peremptorily affirm it to be a Name, too obvious to be mention'd. Caſaubon. Ibid. But Gr-The Word prates is very fignifi- cantly apply'd by our Author: thus we ſay the Par- Tot prates, the Magpye, &c. Similiter aanólépav, sopāvuss apud Anacreontem. Bentleius. Ver. 27. 'Tis not the Cauſe, Sc. So that we may ſay, his Office becomes him, as the Armour of A- chilles would Therfites, and on whom (according to Mr. Young) It-Shines as Trophies on a Poft. Grevius. * This Periphrafis fignifies a Camelion : ER Animal, quod mille duit diverfa colores Äurai Species. Paccuvii frag. Το The CENSORIAD. 7 To point the Paths of Piety and Truth, 30 To curb the Sallies of licentious Youth: At once endeavour to inſtruct and pleaſe, Adviſe with Candour, and correet with Eaſe : To ſuch a Cenſor, and in ſuch a Cauſe, Whoſe good Example ratifies his Laws; 35 We give Attention, for Offence attone, And make his Life the Standard of our own. But when this Mimic Ape, with Aſpect four, Exerts the Rigour of Tyrannic Pow'r; We ſtart with generous Indignation back, 40 For who wou'd take the Potion of a Quack? ANNOTATIONS Ver. 32. At once endeavour, &c. So Horace, Aut prodeje volunt, aut dele&tare Aut ſimul & jucunda & idonea dicere vite. Et paulo poft, Omne tulit punctum,qui mifcuit utile dulci. Ver.37. & 40. And make his Life, &c. Our Au- thor here, in the Characters of a good and bad Cen- for, concludes with two Epiphonemas, the one in the Affirmative, and t'other in the Negative, wherein he giveth us to underſtand, that Precept availeth bat Jittle, if it be not inforc'd by practical Precedent; and it muſt be confeſs’d, that unworthy Magiſtrates are, at beft, but ſo many Burleſques on their Of- fices : far be it from me to reflect on the juſt and wiſe Body of Aldermen of this City; and farther yet be it from me to reflect on the right worſhipful Cen. for of T. c. Faction ☆ The CENSORIAD. Faction he loves, tho' for its Tool deſign'd, For this he'd ſtand the Teſt of all Mankind. He hunts Reproach, lays Snares for Ridicule, And takes uncommon Pains to play the fool ; 45 ANNOTATION S. Ver.42. Faction he loves, &c. I would not have the Reader infer from this, that he interferes with the State Arcana. No, far be it from him to be fuf- pected for a Politician; it only relates to his con- duct in the Common-wealth of Learning, where the Superficial and Turbulent are (cæteris paribus) as dangerous as in the Body Politick, like Moles, which, tho' blind, are ever undermining, and Snails which touch nothing without leaving a Portion of their Slime on't. Spondanus. Ver.43. For this he'd ſtand the Teft, tc. The Word Teft hath, with good Reaſon, given occaſion to various Conjectures ; ſome imagine it ought to have been Peſt, and that the Line ſhou'd run thus, In this he is the Peſt of all Mankind. Alii vero fic. In this he is the Jeſt of all Mankind. Reader, thou haſt variety, chuſe which thou wilt. Scal. Ver.44. And takes uncommon Pains, Sc. The Courteous Reader may perhaps accuſe the Poet of running here into the Improbable ; but the following Story may, I think, fuffice, to vindicate him from that Imputation. The Cenfor, whilſt paying his Devoirs to a certain Nobleman, accidentally drop'd his Handkerchief, and ſtooping to take it up, in its ſtead, he innocently ſeizes his Patron's Slipper, and crams it into his Breaſt; and tho' immediately told of his Miſtake, cou'd ſcarce be convinc'd, that the Slipper was not really the Handkerchief. Eaſy The CENSORIAD. 9 1 Eaſy alike, if Zeal or Party's bad, Or if he paſs for Popular or Mad. Witneſs that glorious Night, when fluſh'd with Wine, His Folly ſpurr'd him to a brave Deſign; When Miſers dreaming, brood o'er hoarded Pelf, And ev'ry Hog lay ſnoring, but himſelf. 51 Back'd ANNOTATIONS. Ver.45. Eaſy alike, Sc. From this Inſenſibility of Temper in our Hero, it appears, that he eſpouſes the Stoic Sect of Philoſophers, to which the Romana Cenſor was ſo inviolably attach'd, tho' others af- firm, his Principles are Epicurean from his daily Ex- periments of the Air-Pump, and his contending for a Vacuum. And laſtly, others are for making out, that he is a Carteſian, and that he ſolidly believes that to be a Plenum which all others take for a Va- Scal. jun. Ver.48. When fluſh'd with Wine. As we have al- ready, in other reſpects, compar'd him to Gato, the Parallel will hold good in this. Dicitur & priſci Catonis Sape mero caluiſſe virtus. Ver.49. His Folly, &c. This whole Epiſode is mat- ter of fact, and no poetical Fiction, as hath erro- neouſly been held by ſome. From the Tenour of which, a very uſeful Moral may be drawn, viz. That all Magiſtrates inveſted with any civil Power, ſhould be well guarded when they are diſcharging the rigour of their Office. The circumſpect Mr. Hawkins was ſo well convinc'd of the Truth of this Aphoriſm, that he never went upon any publick Enterprize without his Train'd-band. Ver.50. When Miſers dreaming, &c. The Antients as well as Moderns, have been very copious in their B Deſcrip- cuum. . 10 The CENSORIA D. And open Back'd by one Vaffal, thro' the mazy Gloom He boldly ſtagger'd to a Scholar's Room; Thrice knock'd with pond'rous Feet and Mutton Fiſts, And thrice the bolted Door his Rage reſiſts: 55 At length he tries the Proweſs of his Pate, flies the barricado'd Gate ; For ANNOTATIONS. Deſcriptions of Night: Probably our Author had the following one of Virgil in view. Nox erat & terras animalia fera per omnes Alituum PECUDUMQUE genus fopor altus ha- bebat. As Night and Chaos are repreſented by the Poets, to have been the Progenitors of Dullneſs and Stupi- dity, certainly our Author cou'd not have pointed out a fairer Scene of A&tion for his HERO, than that va- cant Space of Time, when the more thoughtful Part of Mortals ſuſpend their Purſuits, and recruit their Spirits for the Buſineſs of the Day Volius. Ver.52. Back'd by one Vaffal. So Virgil, Horrentibus umbris Ipfe uno graditur comitatus Achate. Ver.54. Thrice knock'd, &c. So Lucan, Bis terque manu, quaſantia teftum, Limina commovit-- Ver.56. At length he tries, &c. I can't well juſti- fy our Author in this, for he ſeems to attribute à de- gree of Reaſon and Reflection to the Cenſor; how much better had he deſcrib'd him according to Ho- Iracundus, Inexorabilis, Difficilis, Querulus, &c. Ver.57. And open flies, &c. Our Author in this hath ſhewn himſelf well vers'd in the Beauties of the race. The CENSORIAD. For what is Oak or Iron, but a Sham, Againſt the Force of ſuch a batt'ring Ram? The Cenſor enters and about he flings 60 The injur'd Glaſſes, and the Chamber rings. See Locke and Clarke in Floods of Liquor ſwim, He ſeiz'd the Scholar, and the Scholar him; Of fly their Wings, they give alternate Cuffs, The Scholar labours, and the Cenfor puff's. 65 This ANNOTATIONS. the Claſſicks ; for it is obſervable, that all the Epic Writers, when they ſtudy'd to exalt the Characters of their Heroes, deſcrib'd them breaking Gates and burſting open Doors: Thus Homer (Iliad 1 2.) mag- nifies Hector for breaking the Gate of the Grecian Wall with the Fragment of a Rock ; Milton aggran- dizes the Courage of Satan, by deſcribing him break- ing open Hell Gates, and the Author of Hudibras, to exalt the Character of Magnano, repreſents him indeed like our Hero, coming off with the worſt in his Encounter, but ſeems to think him fufficiently extoll'd in the other part of the Deſcription. The brave Magnano came, Magnano great in Martial Fame; But when with Orſin he wag'd Fight, 'Tis fung, he got but little by't. Yer Doors were feeble to reſiſt The Fury of his armed Fift. Ver.65. The Cenſor puffs. So Virgil, Vaſtos quatit æger anbelitus artus. Though much it irketh me to accuſe our Author of Plagiariſm; yet Reader, perceiveft thou not, that the following Deſcription is purloin'd from a Paſſage in the fifth Æneid of Virgil, where Dares and Entel- lus are contending at Whirlbats ? Albeit, we must al- low the Application to be meer enough. :: Ba Ille, I 2 The CENSORIAD. This on Activity and Youth relies, In Martial Spirit greater, leſs in Size : Not ſo the Cenſor; the dull heavy Hulk Chiefly depends on his enormous Bulk: But as he moves his Body in a Heat, 70 His Joints relax beneath th' unwieldy Weight. Bloodleſs they yet contend with many Bumps, Their hollow Sides repeat the heavy Thumps ; And now their Nails indent Heroic Scars, They tug and lengthen one another's Ears: 75 With formidable Hands they lay around Repeated Wounds, at each repeated Wound Their Heads are dizzy'd, and their Cheeks re- found. 2 ANNOTATION S. Ille, pedum nclior motu, fretuſq; juventa: Hic membris & mole valens; ſed tarda trahenti Genua labant- Multa viri nequidquam inter ſe vulnera jactant, Multa cavo lateri ingeminant & pectore vaſtos Dant Sonitus, erratz; aures & tempora circum Crebra manus: duro crepitant ſub vulnere mala. Stat gravis Entellus, &c. Oftendit dextram inſurgens- alte Extulit: ille iftum venientem à vertice velox Prævidit, celerique elapfus corpore ceſit. Entellus vires ir ventum effudit, & ultro Ipfe gravis, graviterq; ad terram pondere vaſto Concidit- Dunceſe. Ye Thé CENSORIA D. 13 85 Yet lo! unmov'd the Mighty Cenſor ſtands, Shakes off the Foe, and weighs his potent Hands; The feebler Foe, as when with fatal Knocks, 81 The Butcher's bent to kill the ſtately Ox; The Cenſor views in Majeſty of Fat, And tries, with Inſult vain, this way and that. Aloft his weighty Hand the Cenfor lifts, And bravely charges--but the Scholar ſhifts ; The yielding Air receiv'd the Cenſor's Strength, And down he fella huge unwieldy Length! Then, oh! what Scenes of Gallantry and Blood, What noble Theme for Poets had enſu'd ; 90 Had not pacific Dulneſs, all unſeen, Ruſh'd in a Freſhman's Habitude between; Anxious to ſave her genuine Offspring's Life, And put a Period to the doubtful Strife? Him ſtraight the Goddeſs to his Room convey'd, And in a downy Bed ſupinely laid; 96 ANNOTATIONS. Ver.gr. Had not pacific Dulneſs-The Interpofi- tion of Deities is frequently us'd by Homer and other Epic Writers: from many Inſtances, take the fol- lowing out of the 2ift Iliad, where Apollo reſcues his Favourite Agenor from the Violence of Pelides. -Ουδε τέασσεν*Απόλλων Κυδος άρέθαι *Αλλα μίν εξήρπαξε, κάλυψε δ'αρ ήερε πολλή. Then 14 The CENSORIAD. Then gently round his conſecrated Head, A miſty Cloud of drowſy Vapours ſhed. To ſooth his Dolours with Nutation bland, Thrice o'er his Temples ſhook the Magic Wand; Thrice ſweetly humm'd, to lullaby his Pain, 101 Pambaicks ſoft ſleep-creating Strain ! And thrice her Parent Breath with his commix'd, And his dim Eyes in leaden Slumber fix'd. But ANNOTATIONS. Ver.1or. Thrice o'er his Temples. The Goddeſs is here introduc'd with all ſuitable Pomp and Solem- nity, who, at the ſame time ſhe diſplays her Divi- nity, Thews all the tender care and concern of a Pa- rent: to mitigate his late Misfortune, ſhe breaches her Influence on him ; The lulls him aſleep. The Goddeſs of Wiſdom herſelf cou'd do no more to her Favourite Penelope in her Affli&tions, -οι υπνον, Ηδον έπι Βλεφάροισι βάλε γλαυκώπις "Αθηνη. Certain it is, that nothing can give greater Orna- ments to Poetry than this Figure, when well wrought and aptly apply'dm-Nec Deus interfit, sziſi dignus vindice nodus inciderit-It muſt be a Matter of the laſt Importance, that demands the Preſence of a Deity. So that, with the ſame poetical Juſtice wherewith the God of Wit preſerv'd his Votary, the Goddeſs of Dulneſs preſerv'd hers. Gronovius. Ver.107. Pambaicks foft. A peculiar and inoffen- five kind of things fo nominated from their ſoft and fimple-meaning Author Namby Pamby. By the Criticks dignified with the Titles of the Infantine, the Finical, the See-Saw, &c. and which, to uſe his own eaſy Dialect, Readers The CENSORIAD. IS 105 ; But let the Cenſor's Folly be his Guide, Since this is all that can ſupport his Pride In ev'ry Scrape his Politicks muſt run, And where his Schemes do nothing nothing's done : When daring Faults call haſty Vengeance down, Preſumptuous Sins, too big for Half-a-Crowns Then gentle Ras ſtupidly complains, Whoſe Conſcience ſo much overweighs his Brains. III ANNOTATIONS. Readers abſolutely keep Awake-or kindly lull aſleep. Didymus. Hiatus in M. S. valde de flendus * * * * For my part, , As to the lamentable Chaſm in the M.S. Com. mentators are ſtrangely divided ; fome tell us we have loft about thirty or forty Lines, for which little or no account can be given; others are of Opinion, the Poem reach'd no farther, and that what Lines follow are but a fpurious Supplement, a Practice too notorious among fome Scholiafts! I ſhall not pretend to be deciſive, but this I can affirm, that I have deliver'd it to the World, as I found it in a M. S. of the Grubſtreet Vatican, which is reckon'd the moſt ancient now extant. Faber. Verwn. Then gentle Rs ftupidly. I have feen an old M. S. wherein, for ſtupidly, is written, beavily; and it is more than probable, the former hath been foifted in, either thro' the inadvertence or Conceit of the Tranſcriber; becauſe, Heavy Com- plaints hath been an old Mode of Speech, not but that both may be equally applicable to the Perſon. But 16 The CENSORIAD. But Graſighs to ſee a Crime fo large, For none but paltry Sinners are his Charge. Yet grins and leers, at leaſt, to ſhew his Zeal, 115 Impertinence ſucceeds, tho' Power may fail. He ſhall tell Tales, work Infamy more warm, Inlarge, invent, think Nonſenſe-then inform. If by the Looks the inmoſt Soul we trace, Who cannot read his Dulneſs in his Face ? 120 Well does Grimace his Sentiments befit, His Smiles are Commentators on his Wit. Sar- ANNOTATIONS. Ver.118. Think Nonſenſe. A vulgar Author here wou'd have faid, ſpeak Nonfenfe (as I have feen it in one of the furreptitious Editions of this Poem) but better knew our Poet to penetrate into the Me- dullar cauſes of things ; for, methinks there is a wide difference between one that thinks, and one that on- Jy ſpeaks Nonſenſe : a wiſe Man, per lapſum lingua, may throw out Nonſenſe; but to think Nonſenſe, is a peculiar Gift, a Talent not to be acquired by Art, and as I may ſay, implanted on the Minds of ſome of the Favourites of Nature herſelf, who are there- fore called Naturals. Ver.121. Well does Grimace, &c. The Doctrine of Phyfiognomy is what hath been always maintained, whence the Latin Adage, Vultus eſt index animi, is daily quoted ; and certain it is, that the Countenance of a Felon at the Bar has often been the ſtrongeſt E- vidence againſt him. 'Tis from this received Opi- nion, that Dryden, in his Fable of Cymon and Iphi- genia has introduced the former Witneſſing-mbis Wonder with an Idiot Laugh. And we find that Ho- mer, . The CENSORIAD. 17 Sardonic Smiles diſtort his hideous Jaws, Senſeleſs he jefts, and laughs without a Cauſe. In vain Democritus he wou'd appear 125 With noč one ſign of Wiſdom—but the Sneer. But inuch I grieve your Errors to expoſe, To pawn Advice in Verſe, for Faults in Proſe; Can you renounce thoſe Follies all deſpiſe, Will future Ages ſay, you once were wiſe ? 130 Sooner ſhall fcribling * Coffey fue for Grace, Or dull + Arbuckle's weekly Labours ceaſe : Sooner ſhall out-ſhine a Barber's Block, home riſe at fix, and think like Locke. Yet with unhallow'd Feet, in endleſs round, 135 You boldly treſpaſs on Poetick Ground; Profane the Flowers, and pollute the Strain Of Homer, Horace, and the Mantuan Swain: ANNOTATIONS. mer, to expreſs Impudence, has uſed the Epithet, Kuvómis. How far there Remarks may be applicable to the Cenſor's Circumſtances, is beſt known to thofe that have had Eyes to fee, and Ears to hear him. Ver.123. Sardonic Smiles. Hear Servius upon this. 112 Sardinia naſcitur quædam herba, qu& Sardoa dici- tur: hæc commefa ora hominum riEtus dolore contra- bit, & quafi ridentes interimit : unde vuigo Eap divuos yénus. * t.Two notorious Scriblers; one as remarkable for lad Verse, as the other for bad Projė. Ver.118. C Loft 18 The CENSORIAD. : Loſt to Reproof, tho Pallas ſhakes her Spear, And * Phæbus often threats to pull thy Ear, 140 As when a ſluggiſh Aſs, whom Hunger leads To Fields of bladed Corn; or verdant Meads ; Feeds on, nor values the collected Noiſe Of Peaſants, Maſtiffs, Curs, and Village-Boys : They wave their Clubs, and plentifully pour, 145 Faſt on his groaning Sides a wooden Show'r: Yet be, tho'much he bears, and much he bleeds, Mocks their united Rage, and bears, and feeds. But know, O thou! of undiſcerning Head, With Front of Braſs, and Intellects of Lead; 150 Not all the Time you ſquander to explore, Thro' dark Meanders, Nature's Myſtic Store; Nor ANNOTATIONS * So Virgil ---Mihi Cynthius aurem Vellit As when a ſluggiſh Afs, &c. doubtleſs our Author had the following Simile of Homer's in view, where the paſſive Courage of Ajax is liken'd unto that of an Aſs ; yet verily, it is much more happily apply'd to our Hero. Ως δ' ότ' όνος παρ' αρουραν των εθήσατο παίδας Νωθης, ώ δη τολλά περί ρόπαλ' άμφις δάγη Κειρει τ' εισελθών βαθυ λήιον οι δέ τε παίδες Tύττουσιν ροπάλοισι βίνη δέτε νηπίν αυτών, Στεδή τ' εξήλασσαν, επεί τ' εκορέσσατο Φορτής. Iliad 11. Leunclavius. Ver.151. Not all the time you ſquander, &c.ru nihil invita dices faciefve Minervalaith Horace; and yet how The CENSORIA D. 19 Nor Globe, nor Glaſs, nor any Inſtrument That * Serex forms, or Hellbam can invent: Not all thy buſy Schemes, and fåge Device 155 Of reading Books, and ſuffocating Mice, Can make thy Learning, or thy Senfe extend Beyond thy old, Id Velim, in the end. ANNOTATIONS. how frequently do we 'oblerve this Precept tranf- grefs'd, to the great Derriment of Society, whole Intereft terminates in a proper Application of the Talents of its ſeveral Members? is from this In- fringement upon Natura, that the Publick vis often depriv'd of good Coklers, jolly Tinkers, full-fed Al- dermen, Tufty Dray-men, and able Butchers: is it not a Matter of daily Experience, that ſome, by peruſing Books, abuſe them, when they might have been better employ'd in binding them for the uſe of others? This Mifapplication of Parts is well expreſs'd in a Paſquinade which was fix'd to the Cenſor's Door. Lambinus. A Curfe on him that fent thee fuft to School, He ſpoild a Plow-man, to improve a Fcol. rellus inarata quiefcit. Vir. . Defuntque manus, poſcentibus arvis.---Luc.- Ver.156. Suffocating Alice, &c. among the various Entertainments of the Cenfor's, the choaking Mice ¡A 80 Air pump is no inconfiderable one. celebrated Mathematical Inſtrument-Makcy * A ор. Se in Lond C2 20 The CENSORIAD. So have I ſeen upon a Sign diſplay'd, Aloft in Air, a Horſe with Wings array'd; 160 Which (as Sir Toby ſaid) appear’d to prance Progreſſive ſtill, but never cou'd advance : And yet ſome good we boaſt, fome Learned Few, Such as Old Athens would not bluſh to view; And ye uninfluenc'd Few,whoſe candid Hearts 165 Diſdain the Practice of inglorious Arts ; Who thro' the Paths of Virtue follow Praiſe, And value Merit in the worſt of Days: Whọ view with mournful, but indignant Eyes, The Coxcomb triumph, and the Blockbead riſe ; 170 Who bluſh to think, that Alma ſhou'd advance A Dołt from Engd, or an Ape from France: - ANNOTATIONS Ver.159. So have I ſeen, &c. reſembling this, is the Simile illuſtrating the Character of Sidrophelin Hudibras, but with greater Juſtice, applicable to the Confor. He, as a Dog that turns the Spit, Beſtirs himſelf, and plies his Feet To climb the Wheel, but all in vain, His own Weight drags him down again, And fill is in the ſelf-fame Place, Where at his ſetting out he was, &c. Hudibras. . Gronovius. While The CENSORIAD. 20 While old lerne's Progeny bewail Her Genius languiſh in the lighter Scale ; Forgive my Satyr, and indulge my Spleen, 175 So may your Fame be ſafe, your Laurels green ; Tho' bad the Numbers are, the Satyr's juſt; You can't deny one Line, and yet I muſt. W 22 The CENSORIAD. . Varia Lectiones, wy? Excerpta ex eruditiſſimis Comentariis Ric. Bentleii, Lud. Theobaldi, Nec non Leonardi Welſtedii . Ver.14,2 Who teach unpoliſh'd Monſters to declaim, 15. S And fervile Hearts to tremble at a Theme. I have ſeen this in an old Manuſcript, written thus, Who teach unficdged Monſters to declaim, And fervile Hearts to tremble at a Name. Unfledg'd! Barbarous ! Gothíck! Iniproper! be- ing only peculiak so Fowl! I thou'd rather conclude, Rude was the Original Epithet, but that a Mono- fyllable wou'd nog amfwer the Moaſure of the Verſe; but trembling at'a Name in the fubfequent Line, is entirely ſpurious aud vernacular. Bentlčius. Ver.2 s. And fickle as the Beaſt, &c. I have read it in the Grub.ſtreet Manuſcripts thus, Thoughtfully dull, and rudely inſincere : But this we thought pro- per not to preſerve, it ſeeming admitted more for its Verity than the Beauty of the Verſification. Welftedius. Ver.29. For Imbu'd, lege Indu'd or Endu'd. Theobaldus. Ver. 1. To curb the Sallies, &c. I have ſeen Crub for Curb in a certain Copy, but this is an Error too obvious to be overſeen by any Reader of tolerable Underſtanding. Bent. Ver.44. lays Snares for Redicule, &c. Redicule! Kakography! an Error of the laſt Con- coction! this muſt have been a Blunder of the Edi- tors, The CENSORIAD. 23 tors. Blot out that (e) boldly, and ſupply it with (). Theobs. Ver.53. He boldly ſtagger'd, Sc. in an antient Edi- tion is written, fwagger'd, which appears to be more correſpondent to the Cenſor's Perfon, were he not in Liquor. Welftedits. Ver.99, To footh his Dolors with Nutation bland, 100. $ Thrice o'er his Temples ſhook her Magick (Wand I ſhall only offer, in this place, a conje&ural E- mendation, which ſeems not unnatural. To footh his Sorrows with Lethargick Nod, Thrice o'er his Temples ſhook her Magick Rod. Theobaldus. Ver.132. dull Arbuckle's weekly Labours ceaſe, &c. All the Copies amazingly diſagree in the diffe- rent Lections of this Line ; in fome it is weekly Tribunes, in others weekly Nonsenſe, in others weekly Journals; but mechinks, the Word Labours implics all the Degrees and Kinds of bad Writing, for which this Author daily diftinguiſhes himſelf. FINI S. W ADVERTISEMENT. E muſt acquaint the Pub- lick, that as this Edition was juſt perfected, we received a curious Collection of Notes, which we promiſe faithfully to inſert in the next Edition, and hope the in- genious Author will not impute it either to our Neglect or Con- tempt of his Performance, that the World is not now favour'd with them ; however, to fhew the juſt Eſteem the preſent Commentators have for them, they thought pro- per to let the Curious know, they are to be introduc'd with the fol- lowing Motto: Nec deficit alter Aureus, & fimili ſílendefcit virga metallo. Virg. . ( 25 ) A LIBEL on Dr. D-----------Y, And a Certain Great LORD. -- DE Eluded Mortals, whom the Great Chuſe for Companions tête à tête ; Who at their Dinner, en famille, Get leave to fit whene'er you will: Then, boaſting, tell us where you dine'd, And how his Lordſhip was ſo kind; How many pleaſant Things he ſpoke, And how you laugh'd at ev'ry Joke : Swear, he's a moſt facetious Man, That you and he are Cup and Can. You travel with a heavy Load, And quite miſtake Preferment's Road. Suppoſe my Lord and you alone, Hint the leaſt Int'reſt of your own; His Viſage drops, he knits his Brow, He cannot talk of Bus'neſs now: Or mention but a vacant Poſt, He'll turn it off with, Name your Toaſt. Nor could the niceſt Artiſt paint A Countenance with more Conſtraint. D For, 26 A LIBEL ON Dr. Dy. oled For, as their Appetites to quench, Lords keep a Pimp to bring a Wench; So, Men of Wit are but a kind Of Pandars to a vicious Mind ; Who proper Objects muſt provide, To gratify their Luſt of Pride : When weary'd with Intrigues of State, They find an idle Hour to prate, Then, ſhou'd you dare to ask a Place, You forfeit all your Patron's Grace, And diſappoint the ſole Deſign, For which he ſummon'd you to dine. Thus, Congreve ſpent in writing Plays, And one poor Office, half his Days; While Montague, who claim'd the Station, To be Mecænas of the Nation: For Poets open Table kept, But ne'er conſider'd where they ſept. Himſelf, as rich as fifty Jews, Was eaſy, though they wanted Shoes ; And crazy Congreve ſcarce cou'd ſpare A Shilling to diſcharge his Chair ; Till Prudence taught him to appeal, From Pæan's Fire to Party Zeal: Not owing to his happy Vein, The Fortunes of his latter Scene, Took A LIBEL ON Dr.Day. 27 Took proper Principles to thrive, And ſo might ev'ry Dance alive. Thus Steele, who own'd what others writ, And flouriſh'd by imputed Wit; From lodging in a hundred Jayls, Was left to ſtarve, and die in Wales. Thus Gay, the Hare with many Friends, Twice feven long Years the Court attends ; Who, under Tales conveying Truth, To Virtue form’d a Princely Youth ; Who paid his Courtſhip with the Crowd, As far as Modeſt Pride allow'd; Rejects a ſervile Uber's Place, And leaves St. James's in diſgrace. Thus Addiſon, by Lords careft, Was left in foreign Lands diſtreft ; Forgot at home, became for Hire, A trav’ling Tutor to a 'Squire : But wiſely left the Muſes Hill, To Busʼneſs ſhape'd the Poet's Quill: Let all his barren Laurels fade, Took up himſelf the Courtier's Trade ; And grown a Miniſter of State, Saw Poets at his Levee wait. Hail! happy Pope, whoſe gen'rous Mind, Deteſting all the Stateſman kind; D2 Con- . 28 A LIBEL on Dr. Dy. Contemning Courts, at Courts unſeen, Refus'd the Viſits of a Queen: A Soul with ev'ry Virtue fraught, By Sages, Prieſts, or Poets taught; Whoſe filial Piety excels Whatever Grecian Story tells. A Genius for all Stations fit, Whoſe. meaneſt Talent is his Wit: His Heart too great, tho? Fortune little, To lick a Raſcal Stateſman's Spittle. Appealing to the Nation's Taſte, Above the Reach of Want is place'd. By Homer, dead, was taught to thrive, Which Homer never cou'd alive; And fits aloft on Pindus' Head, Deſpiſing Slaves that cringe for Bread. Truc Politicians only pay, For ſolid Work, but not for Play ; Nor ever chuſe to work with Tools, Forg'd up in Colleges and Scbools. Conſider how much more is due To all their Fourney-men, than you, At table you can Horace quote ; They at a pinch can bribe a Vote: You Thew your Skill in Grecian Story, But they can manage Wbig and Tory. You, A LIBEL on Dr. D-y. 29 You, as a Critick, are ſo curious, To find a Verſe in Virgil ſpurious: But they can ſmoke the deep Deſigns, When Bolingbroke with Pultney dines, Beſides, your Patron may upbraid ye, That you have got a Place already ; An Office for your Talents fit, To flatter, carve, and ſhew your Wit; To fnuff the Lights, and ſtir the Fire, And get a Dinner for your Hire. What Claim have you to Place or Penſion ? He over-pays in Condeſcenſion. But, Rev'rend Dočtor, you, we know, Cou'd never condeſcend ſo low. The Vice-Roy, whom you now attend, Wou'd, if he durſt, be more your Friend; Nor will in you thoſe Gifts deſpiſe, By which himſelf was taught to riſe. When he has Virtue to retire, He'll grieve he did not raiſe you highet, And place you in a better Station, Although it might have pleas'd the Nation. This may be true---ſubmitting ftill ToW's more than R Will. And what Condition can be worſe? He comes to drain a Beggar's Purſe: Hc 0 3 A LIBEL on Dr. D---y, He comes to tye our Chains on faſter, And ſhews us Eis our Maſter. Careſſing Knaves, and Dunces wooing, To make them work their own Undoing: What has he elſe to bait his Traps, Or bring his Vermin in, but Scraps? The Offals of a Church diſtreſt, A hungry Vicaridge, at beſt; Or ſome remote inferior Poſt, With forty Pounds a Year, at moft. But, here again you interpoſe, Your fav’rite Lord is none of thoſe, Who owe their Virtues to their Stations, And Characters to Dedications : For keep him in, or turn him out, His Learning none will call in doubt: His Learning, though a Poet ſaid it Before a Play, wou'd loſe no Credit: Nor Pope wou'd dare deny him Wit, Altho' to praiſe it Philips writ. I own, he hates an Action baſe, His Virtues battling with his Place; Nor wants a nice diſcerning Spirit, Betwixt a true and ſpurious Merit ; Can ſometimes drop a Voter's Claim, And give up Party to his Fame. I A LIBEL on Dr. Dy. 31 I do the moſt that Friendſhip can, I hate the Vice-Roy, love the Man. But you, who, till your Fortune's made, Muſt be a Sweet'ner by your Trade; Shou'd ſwear he never meant us ill, We ſuffer ſore againſt his Will : That if we cou'd but fee his Heart, He wou'd have choſe a milder Part: We rather ſhou'd lament his Caſe, Who muſt obey, or loſe his Place. Since this Reflection ſlipt your Pen, Inſert it when you write agen ; And, to illuſtrate it, produce This Simile for his Excuſe. “ So to deſtroy a guilty Land, « An Angel fent by Heaven's Command, « While he obeys Almighty Will, Perhaps, may feel Compaſſion ftill, « And wiſh the Task had been aſſign'd “ To Spirits of leſs gentle kind.” But I, in Polilicks grown old, Whoſe Thoughts are of a diff'rent Mold; Who, from my Soul, fincerely hate Both and Miniſters of State, Who look on Courts with ſtricter Eyes, To ſee the Seeds of Vice ariſe ; Can I 32 A LIBEL on Dr. D-ny. Can lend you an Alluſion fitter, Tho'flati’ring Knaves may call it bitter : Which, if you durſt but give it place, Wou'd fhew you many a Stateſman's Face. Freſh from the Tripod of Apollo, I had it in the Words that follow : (Take notice, to avoid Offence, I here except His Excellence.) So, to effect his Mb's Ends. From Hell a V-DEV'L aſcends ; His Budget with Corruptions crammid, The Contributions of the Damn'd; Which, with unfparing Hand, he ſtrows ThroCourts and Senates as he goes. And then at Belzebub's Black-Hall, Complains his Budget was too ſmall. Your Simile may better ſhine In Verſe ; but there is Truth in mine : For no imaginable Things Can differ more than God and And Stateſmen by ten thouſand odds, Are ANGELS, juſt as are Gods. F I N I S. SWIFT THE CE N S O R I A D 1 7 3 0