º º º -º - | - º- º --~~~ º º º ºº º - - | | º º º | -º- - | º º - - º- s - º | | | - - - - - º º - - - º º º | º - - -- --~~ --~~~~ º --~~ - --- º º - --- º º º º - º --~~~~ º º º º - º º - - º º º - - º - --- º - - º º s º -- - s º º º - º º º º: º º - º - - - - - - º º --~~~~ º |-- --~~~~ -- º - º |- º º ----- º º º - - - - - - ----------- - -- sº º --> -- - º - - º - - - ºº:: - º --- - º - - º º - -- º º --- - - -º-º-º-º: - - - - - - - --~~~~ - º - - - - - º --- º - - - - - - - -- - - - - - --~~ - - - - º º º º º º - º - º º º --- -----------> º - º ---------… --~~~~ ---> º º ---> - --- | | | º | º --~~~~ ------ - º º º - - º º - º º - ------------ - - º - -º-º-º-º:º- - GENERAL LIBRARY OF UNIVERSITY OF MICHIGAN −∞,∞， √æ√2−（g） - - -· ！\， ，）|- ----|- ------ŽTOET,TOETSĀ）.Y :·|- - -|-|- <！-！ ***~ & № © K. *C. ^® º N © ► ~ |- Ľ C) |- � ^~ >> €- } \{ } ſ) ſy J St 1-e ("t. \\ \ WHITE & ( (). \/ſ Y; (5:3 & 65 Heels Innan ^T\/7 <- s \ º: El El L NEW YORK. /* "Ca T. sº \ & Pºº ~#~~~~ſ>/）， ±√s， Sº G New York Type Foundry. NEW York, SEPTEMBER. I, 1858. To PRINTERs: We have now the pleaſure of handing you a Book of Specimens which, although prepared in ſuch a form as to be easily forwarded by mail, will be found to contain all the sizes and ſtyles of Metal Type which are defirable for News, Book, and Job Printing Offices. Among the selections we preſent will be found many novelties, recently in- troduced to notice, ſome of which have never been offered before to Printers, either in this country or in Europe. - We truſt that our efforts to prepare a book in ſo compact a form as to enable Printers to readily find ſuch articles as they may be in need of, will prove accepta- ble; thus sparing them the time and labor so often beſtowed upon more ponderous volumes. As the preſcribed limits of this book would not admit of our ſhowing specimens of Wood Letter, a complete book of such specimens, or sheets of the Same, will be sent upon application. We alſo furnish all ſtyles of Type not in our Book which are ſhown by other Type Founders. Besides a complete price liſt of Type, &c., we alſo preſent a full deſcription of ſome of the moſt approved Presses and other articles neceſſary to Printers, with the prices of each annexed. Our terms for Presses are the ſame as those of the manufacturers. We have added to our Price Liſts carefully prepared Eſtimates for Newspaper and Job Offices, and also a ſcale of the fizes of our fonts, from which purchasers may arrive at the cost. The Type we are now furniſhing is all cast of our “Improved Metal,” which has met with unqualified approbation from all the offices where it has been uſed, among which are many of the largeſt News and Book Offices throughout the country. The particular feature of this new Metal is its great DURABILITY, which enables it to ſucceſsfully refist the severe action of power preſs printing. By the peculiarity both of the ingredients and combination of our Metal, the hair lines are not rendered brittle, which has always been the objection among Printers to hard Type. Having diſcontinued the ſyſtem of keeping stocks of Type in different parts of the country, we are thus ſaved the expenſe attending the same, which enables us to improve our material in order to give it ſtill greater perfection, while at the ſame time we can offer it upon very favorable terms. We ſhall be happy to be favored with your orders, which ſhall have our best attention. CHAS. T. WHKEE & CO. PRICES OF PRINTING TYPEs. THE following are the PRICES OF PRINTING TYPES when sold at six months' credit, for approved paper. for cash. Shipments by way of the Atlantic, when made to credit orders, will be insured, and the premium charged in the bill. type received at current rates, in exchange for new. Roman and Italic. #9 ſo Diamond. . . . . . . . . . . . . . . . . . . . . . . . . . . . $1 60 Pearl... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 08 Agate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 72 Nonpareil . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 58 Minion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 48 Brevier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 44 Bourgeois . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 40 Long Primer . . . . . . . . . . . . . . . . . . . . . . . . () 36 small pica...' ....................... 0 34 Pica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 32 English . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 32 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 32 Paragon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 32 Double Small Pica. . . . . . . . . . . . . . . . . . . () 32 Real Double I’ica. . . . . . . . . . . . . . . . . . . . 0 32 Double English. . . . . . . . . . . . . . . . . . . . . . 0 32 Double Great Primer . . . . . . . . . . . . . . . . () 32 Double Paragon. . . . . . . . . . . . . . . . . . . . . . 0 32 Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 32 Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 32 Five-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 30 Six-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 28 Seven-line Pica. . . . . . . . . . . . . . . . . . . . . . 0 28 Full Face. Pearl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 60 Agate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 20 Nonpareil . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 00 Minion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 84 Brevier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 74 Bourgeois . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 66 Long Primer . . . . . . . . . . . . . . . . . . . . . . . . 0 60 smāīl picn.......................... 0. 50 ica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Two-Line. Two-line Diamond. . . . . . . . . . . . . . . . 0 66 Two-line Pearl. . . . . . . . . . . . . . . . . . . 0 60 Two-line Agate. . . . . . . . . . . * * * * * * * () 56 Two-line Nonpareil . . . . . . . . . . . . . . . . . 0 52 Two-line Minion. . . . . . . . . . . . . . . . . . . () 48 Two-line Brevier . . . . . . . . . . . . . . . . 0 44 Two-line 13ourgeois . . . . . . . . . . . . . . . . . . 0 44 Two-line Long Primer . . . . . . . . . . . . . . . 0 44 Two-line Small Pica . . . . . . . . . . . . . . . . . () 42 Two-line Pica . . . . . . . . . . . . . . . . . . . . . . () 42 Two-line English . . . . . . . . . . . . . . . . . . . . () 42 Ornamented and Shaded. Pearl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 20 Nonpareil Open . . . . . . . . . . . . . . . . . . . . . 1 50 Minion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 35 Brevier Antique . . . . . . . . . . . . . . . . . . . . . 1 20 Brevier Tuscan . . . . . . . . . . . . . . . . . . . . . . 1 20 Brevier Extended. . . . . . . . . . . . . . . . . . . . 1 20 Bourgeois Single g º e e g g g s s a s a e s a e s e º & ºt 1 12 Long Primer Gothic . . . . . . . . . . . . . . . . . 1 00 Long Primer Tuscan . . . . . . . . . . . . . . . . . 1 00 Long Primer Antique. . . . . . . . . . . . . . . . 1 00 Long Primer Extended. . . . . . . . . . . . . . . 1 00 Long Primer Meridian . . . . . . . . . . . . . . . 1 00 Long Primer French. . . . . . . . . . . . . . . . . 1 00 Long Primer Tuscan, No. 2.... . . . . . . . 1 00 Two-line Pearl Italian. . . . . . . . . . . . . . . . 1 00 Two-line Pearl Double. . . . . . . . . . . . . . . 1 00 Two-line Nonpareil Single. . . . . . . . . . . . 0 90 Two-line Nonpareil Double, No. 2 .... 0 90 Two-line Nonpareil Meridian. . . . . . . . . 0 90 Two-line Nonpareil Meridian Double.. Two-line Nonpareil Backslope Open... Two-line Nonpareil Tuscan. . . . . . . . . . . 0 90 Pica Tuscan . . . . . . . . . . . . . . . . . . . . . . . . . 0 90 Pica Back-slope. . . . . . . . . . . . . . . . . . . . . . 0 90 Pica Open. . . . . . . . . . . . . . . . . . . . . . . . . . . 0 90 English Open. . . . . . . . . . . . . . . . . . . . . . . . 0 85 English Tuscan . . . . . . . . . . . . . . . . . . . . . . 0 85 English Ray. . . . . . . . . . . . . . . . . . . . . . . . . 0 85 English Scroll. . . . . . . . . . . . . . . . . . . . . . . . 0 85 Two-line Minion. . . . . . . . . . . . . . . . . . . . . 0 85 Two-line Minion Italic . . . . . . . . . . . . . . . 0 85 Two-line Minion Ray . . . . . . . . . . . . . . . 0 S5 Two-line Brevier Open. . . . . . . . . . . . . . . 0 80 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Two-line Long Primer Black-ground... 0 72 Two-line Long Primer Tuscan........ 0 72 Two-line Long Primer Ray. . . . . . . . . . . 0 72 Paragon Ray. . . . . . . . . . . . . . . . . . . . . . . . . 0 72 Paragon Italic . . . . . . . . . . . . . . . . . . . . . . . 0 72 Two-line Small Pica Gothic . . . . . . . . . . 0 72 Double Small Pica Tuscan. . . . . . . . . . . . 0 72 Double Small Pica Open Antique . . . . . 0 72 Double Pica Tuscan Open . . . . . . . . . . . . 0 72 Two-line Pica Shade in Relief . . . . . . . . () 6S Two-line Pica Open. . . . . . . . . . . . . . . . . . 0 68 Two-line Pica Rustic. . . . . . . . . . . . . . . . . 0 68 Two-line Pica Double. . . . . . . . . . . . . . . . 0 68 Two-line Pica Grecian Shade . . . . . . . . . 0 6S Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 68 Double English Shaded Text . . . . . . . . . 0 68 Double English Tuscan. . . . . . . . . . . . . . . 0 68 Double English Condensed . . . . . . . . . . . 0 68 Double English Scroll. . . . . . . . . . . . . . . . 0 6S Double Great Primer Condensed . . . . . () 64 Double Great Primer Gotlic . . . . . . . . . 0 64 Double Great Primer . . . . . . . . . . . . . . . . 0 64 Double Paragon . . . . . . . . . . . . . . . . . . . . . 0 60 Double Paragon Tuscan. . . . . . . . . . . . . . 0 60 1)ouble Paragon Black . . . . . . . . . . . . . . . 0 60 Ornamented and Shaded. #9 Tb Four-line Pica Gothic. . . . . . . . . . . . . . . . $0 48 Four-line Pica Condensed Open Gothic 0 48 Four-line Grecian. . . . . . . . . . . . . . . . . . . . 0 48 Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 48 Five-line Grecian. . . . . . . . . . . . . . . . . . . . 0 44 Six-line Pica. . . . . . . . . . . . . . . . . . . . . . . . . 0 40 Six-line Pica Grecian. . . . . . . . . . . . . . . . . 0 40 Six-line Pica Tuscan Condensed . . . . . . 0 40 Seven-line Pica. “ “ . . . . . . 0 40 Eight-line Pica. “ “ . . . . . . () 34 Ten-line Pica {{ “ . . . . . . 0 32 Saxon Open. Double Small Pica. . . . . . . . . . . . . . . . . . . . 0 72 Double Pica. . . . . . . . . . . . . . . . . . . . . . . . . . () 63 Double Great Primer. . . . . . . . . . . . . . . . . () 64. Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 48 Outline. Minion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 35 Long Primer. . . . . . . . . . . . . . . . . . . . . . . . . 1 ()0 Long Primer Black.... . . . . . . . . . . . . . . . 1 00 Pica Black. . . . . . . . . . . . • e 8 & 4 e º & e º 'º - e º ſº () 90 English Outline. . . . . . . . . . . . . . . . . . . . . . 0 S5 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Great Primer Black. . . . . . . . . . . . . . . . . . 0 76 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 72 Double Paragon. . . . . . . . . . . . . . . . . . . . . . () 60 Grecian. Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 6S Double Great Primer. . . . . . . . . . . . . . . . . 0 64 Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ú 48 Four-line Pica. . . . . . . . . . . . . . . . . . . . . . 0 4S Roman Condensed. Nonpareil . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 00 Brevier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 74 Two-line Diamond. . . . . . . . . . . . . . . . . . . 0 66 Two-line Pearl. . . . . . . . . . . . . . . . . . . . . . . 0 60 Long Primer . . . . . . . . . . . . . . . . . . . . . . . . 0 60 Two-line Nonpareil . . . . . . . . . . . . . . . . . . 0 52 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 English. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 48 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 Two-line Brevier . . . . . . . . . . . . . . . . . . . . 0 44 Two-line Long I’rimer. . . . . . . . . . . . . . . . .0 44 Double Small Pica. . . . . . . . . . . . . . . . . . . . () 42 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 42 Double English . . . . . . . . . . . . . . . . . . . . . . 0 42 Two-line English . . . . . . . . . . . . . . . . . . . . 0 42 Two-line Great Primer. . . . . . . . . . . . . . . () 38 Double Paragon . . . . . . . . . . . . . . . . . . . . . 0 36 Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 32 Five-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 30 Six-line Pica. . . . . . . ... • - - - - - - - - - - - - - - - - 0 28 Extra Condensed. Long Primer . . . . . . . . . . . . . . . . . . . . . . . . 1 00 Pica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 90 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 68 Two-line Pica Gotlie. . . . . . . . . . . . . . . . . () 68 Double Paragon . . . . . . . . . . . . . . . . . . . . . 0 60 Five-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 44 Old Style. Long Primer . . . . . . . . . . . . . . . . . . . . . . 0 60 ica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 Double Small Pica. . . . . . . . . . . . . . . . . . . 0 42 Real Double Pica. . . . . . . . . . . . . . . . . . . . 0 42 Antique. Pearl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 60 Agate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 20 Nonpareil. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 00 Minion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 84 Brevier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 74 Bourgeois. . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 66 Long Primer. . . . . . . . . . . . . . . . . . . . . . . . . 0 60 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 English. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 48 Great Primer. . . . . . . . . . . . . . . . . . • - - - - - 0 44 Paragon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 44 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . . () 42 Double Great I’rimer. . . . . . . . . . . . . . . . . 0 3S Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 32 Five-line Pica Italic. . . . . . . . . . . . . . . . . . 0 30 Five-line Pica Open....... . . . . . . . . . . . 0 44 Antique Condensed. Long Primer. . . . . . . . . . . . . . . . . . . . . . . . . 0 60 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 52 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 Double English . . . . . . . . . . . . . . . . . . . . . . 0 42 Double Great Primer. . . . . . . . . . . . . . . . . 0 38 Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 36 Antique Extra Condensed. Two-line Pica..... . . . . . . . . . . . . . . . . . . 0 68 Double Paragon... . . . . . . . . . . . . . . . . . . . 0. 56 JFour-line I’ica. . . . . . . . . . . . . . . . . . . . . . . 0 4S Five-line I’ica . . . . . . . . . • * * * * * * * * * * * * 0 44 A liberal discount made Old Gothic. Skeleton. . #9 To #9 to Pearl Gothic. . . . . . . . . . . . . . . . . . . . . . . . . $100 Pica ................................ $0 90 Nonpareil . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 00 | Great Primer. . . . . . . . . . . . . . . . . . . . . . . . () T6 Brevier . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 74 || Two-line Pica ... . . . . . . . . . . . . . . . . . . . . 0 6S Long Primer . . . . . . . . . . . . . . . . . . . . . . . . 0 (60 . K. fine Brevier .................... | ; Skeleton Antique. WO-11116. Jijl'éVlel' . . . . . . . . . . . . . . . . . . . . e * w * Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0.4% two line fica............... . . . . . 0 6S - Gothic Condensed. Two-line Great Primer. . . . . . . . . . . . . . 0. 54 Brevi 0 74 Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 4S TeV101". . . . . . . . . . . . . . . . . . . . . . . . . . . . . . # *:::::::::::::::::::::::: }; Ionic. Great l’rimer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 || Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 Paragon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 44 Double Small Pica . . . . . . . . . . . . . . . . . . . () 42 Double Great Primer. . . . . . . . . . . . . . . . . 0 38 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 42 Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 32 Double Great Primer . . . . . . . . . . . . . . . . 0 88 Four-line IPica. . . . . . . . . . . . . . . . . . . . . . . 0 32 Black—Plain. Seven-line Pica. . . . . . . . . . . . . . . . . . . . . . 0 4t) Nonpareil... . . . . . . . . . . . . . . . . . . . . . . . . 1 00 || Nine-line Pica. . . . . . . . . . . . . . . . . . . . . . . . () 3S Brevier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . () 74 Long Primer. . . . . . . . . . . . . . . . . . . . . . . . . () 60 Script. ić... . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . () 9{) English. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 48 || Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Great Primer. . . . . . . . . . . . . . . . . . . . . . . 0.44 | Double Small Pica. . . . . . . . . . . . . . . . . . . 0 72 Double Small I’ica. . . . . . . . . . . . . . . . . . . . () 42 | Double Great Primer. . . . . . . . . . . . . . . . . 0 56 Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0.42 Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Double º Primer. . . . . . . . . . . . . . . . . 0 3S M Five-line Pica. . . . . . . . . . . . . . . . . . . . . . . . () 30 ercantile Script. Black—Open. Double Small Pica................... 0 72 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Calligraphic Script. Double Small Pica . . . . . . . . . . . . . . . . . . . 0 72 in { Two-line Pica . . . . . . . . . . . . . . . . . . . . . . . § 3 ; Rouble Small Pica ................... 0 72 e Dasi ran ave Two-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 68 Double Great Primer. . . . . . . . . . . . . . . . . 9 * | Double English () 68 Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 48 || 0 b" ºn s - - - - - - - - - - - - - - - - - - - - - - Five-line Pica. . . . . . . . . . . . . . . . . . . . . . . . ô 44 Canon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Secretary. Black—Condensed. Long Pri ‘. . . . . . . . . . . . . . . . . . . . . . . . . 1 00 Pica..... ... . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 90 tº: 0 $5 Great, Primer.: . . . . . . . . . . . . . . . . . . . . . 0 76 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Double Small Pica................... 0 72 Two-line Long Primer. . . . . . . . . . . . . . . . 0 72 gº ſº º Double Small Pica. . . . . . . . . . . . . . . . . . . . 0 72 Hair-Line. Two-line Pica. . . . . . . . . . . . . . . . . . ... • * * * * * 008 || Pica. . . . . . . . . . . . . . . . . ............... 0 90 Double English . . . . . . . . . . . . . . . . . . . . . . 0 68 Pica Condensed. . . . . . . . . . . . . . . . . . . . . . 0 90 3. Paragon. . . . . . . . . . . . . . . . . . . . . . | § Bourgeois . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 12 fºlloll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. Eight-line Pica . . . . . . . . . . . . . . . . . . . . . . 0 50 Borders Arabesque. Nºpºl * * * : * * * * * * * * * * * * * * * * * * * e s e s º g h § or Primal' * . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . * # Primer. . . . . . . . . . . . . . . . . . . . . . . . . * } #: * * * * * * * * * * * * * * * * * * * * * * * e s a e g e 0 48 ... º. . . . . . . . . . . . . . . . . . . . . . . . }reat Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 76 # wo-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 42 hree-line Pica. . . . . . . . . . . . . . . . . . . . . . 0 40 Great Pri German Text. 0 76 #. Pica. . . . . . . . . . . . . . . . . . . . . . . 0 32 Ted U tº TIII.161 . . . . . . . . . . . . . . . . . . . .e. s e s a ive-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 32 Double Small Pica. . . . . . . . . . . . . . . . . . . 0 72 | Six-line Pica......................... 0 32 #. #. e e º & g º ºs e º e < * * * * * * * * * * * § § Seven-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 32 Ollſ)16. I al’ag OIl. . . . . . . . . . . . . . . . . . . . . . Church Text. N il Superiors. 1 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 90 9mparell. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5ſ) Double Small Pica. . . . . . . . . . . . . . . . . . () 72 Mº, e i º e º e s & e e s is a s = e s s s s e < e < e < e a e e } ; Double English . . . . . . . . . . . . . . . . . . . . . . 0 68 Bourgeois............................ 1 12 or Prinn tº 1. Ornamented Text. ś ºº & 8 & 9 º' is e º e º sº e < e e a e º e s º e s & 8 * § Three-line Pica . . . . . . . . . . . . . . . . . . . . . . 1 00 fica................................. o go Four-line Pica. . . . . . . . . . . . . . . . . . . . . . . 0 S5 Five-line Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 76 Signs Clarendon. Nonpareil. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 00 • as Minion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 84 łº".......................... . . . ............................. 0 74 Long Primer. . . . . . . . . . . . . . . . . . . . . . . . . Ö 60 | Bourgeois. . . . . . . . . . . . . . . . . . . . . . . . . . . 0 66 ica 0 52 Long Primer. . . . . . . . . . . . . . . . . . . . . . . . . 0 60 Great Primer........................ à 44 Šilić. * * * * * * * * * * * * * * * * * * * * * * * * * * e 0 56 Double Small Pica. . . . . . . . . . . . . . . . . . . 0 42 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 52 Double Englislı. . . . . . . . . . . . . . . . . . . . . . 0 42 Double Great Primer . . . . . . . . . . . . . . . . 0 38 Piece Fractions. Bourgeois. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 00 Extended. j* * * * * * * * * * s s a e e s a º ºs e s & e º e 2 20 Minion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 S4 small fic. . . . . . . . . . . . . . . . . . . . . . 1 80 Brevier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 74 Pica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 50 Long Primer... . . . . . . . . . . . . . . . . . . . . . 0 60 Brevier Clarendon . . . . . . . . . . . . . . . . . . . 0 74 Leads. •º * Clarendon . . . . . . . . . . . . . . () 60. Long Primer Clarendon "six to Pica and thicker............... 0 27 Gothic Extended. Seven to Pica. . . . . . . . . . . . . . . . . . . . . . . . 0 82 Eight to Pica 0 40 Kºi...............'........... }}|Niñº ºn......................... . ; i...".........' ............... ; ; Ten to Pica........... .............. 0 70 L9ng Primer. . . . . . . . . . . . . . . . . . . . . . . . . 99" | Flourishes........................... 1 00 lca. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Great Primer . . . . . . . . . . . . . . . . . . . . . . . . " * | Pearl Check........................ 0 S0 Light Face and Antique Extended. Space Rules. . . . . . . . . . . . . . . . . . . . . . . 1 20 Pearl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 60 Agate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 20 | Circular Quads. . . . . . . . . . . . per font, 12 00 Nonpareil. . . . . . . . . . . . . . . . . . . . . . . . . . . 1 00 F. : * e º & & e º e º e º 'º e º & e º e º e º º : • - - - - - 0 74 Slugs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 27 ong Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 60 pi.T. . . . . . . . . . . . . . . . . . . . . . . . . 0 52 Quotations. . . . . . . . . . . . . . . . . . . . . . . . . . 0 27 Great Primer. . . . . . . . . . . . . . . . . . . . . . . . 0 44 • , Double Great Primer. . . . . . . . . . . . . . . . 0 88 | Printer's Guides............. 50 cts. to 1 25 CHAS. T. WHITE & CO. NEW YORK. PERICES OF PERINTING MATERIALs. Cylinder Printing Machines. IIoe's Double Cylinder. No. 1. . . . . . . . . . . . . . Bed 41 x 28 $2,750 00 “ 2. . . . . . . . . . . . . . “ 46 × 31 3,000 00 “ 8. . . . . . . . . . . . . . “ 50 × 31 3,250 00 “ 4. . . . . . . . . . . . . . “ 54 x 34 3,500 00 “ 5. . . . . . . . . . . . . . “ 57 × 36 3,750 00 “ 6. . . . . . . . . . . . . . “ 60 × 40 4,250 00 Larger or smaller sizes made to order. IIoe's Single Small Cylinder. No. 6. . . . . . . . . . . . . . Bed 33 x 25 $1,390 00 “ T. . . . . . . . . . . . . . “ 41 x 28%. 1,750 00 “ S. . . . . . . . . . . . . . “ 46 × 31 1,875 00 “ 9. . . . . . . . . . . . . . “ 50 × 31 2,050 00 “ 10. . . . . . . . . . . . . . “ 52 x 33 2,150 00 “ 11. . . . . . . . . . . . . . “ 54 x 36 2,250 00 “ 12. . . . . . . . . . . . . . “ 57 × 36 2,450 00 “ 18. . . . . . . . . . . . . . “ 60 x 40 2,600 00 IIoe's Single Large Cylinder. Folio Post. . . . . . . . I3ed 24 × 19 $960 00 Medium . . . . . . . . . . “ 28% x 23 1,275 00 Super-royal... . . . . “ 33 x 25 1,490 00 No. 1 (Dbl. Med.) “ 41 x 28% 1,900 00 “ 2. . . . . . . . . . . . . “ 46 × 31 2,100 00 “ 8. . . . . . . . . . . . . “ 50 × 31 2,250 00 “ 4. . . . . . . . . . . . . “ 52 x 34 2,400 00 “ 5. . . . . . . . . . . . . “ 54 x 40 2,550 00 “ 6. . . . . . . . . . . . . “ 57 x 40 2,650 00 Machine Blankets, $3 yard. ... from 4 50 {{ Vulcanized India Rubber Blanket, pr. yard, from 7 50 “ Gut Band, 3% diameter, 21 feet long. . . . . . . . . . . . . . . 6 00 {{ Tape, narrow linen, §2 yd. 0 06 {{ * Wide $6 {{ 0 10 New Job Printing Machine. * Little Jobber'.” Bed 20 x 13 inches inside of bearers $700 00 Medium, bed 23 x 28, to work 5 type inking rollers . . . . . . . . . . . . . . . . . . 1,800 00 Super-royal, bed 25 x 33 to work 4 type inking rollers. . . . . . . . . . . . . 2,000 00 Hand Printing Presses, &c. Washington, and Smith. Mammoth . . . . . . . . Bod 48 x 38% $380 00 Imperial No. 6.. “ 46 × 29%. 290 00 {{ “ 5. . . . “ 43% x 28%. 275 00 {{ “ 4. . . . “ 41% x 27%. 260 00 ${ “ 3. . . . “ 39% x 26 tº 250 00 (, i. “ 2 . . . . “ 37 × 25% 240 00 {{ “ 1.... “ 34% x 24%. 230 00 Super-royal . . . . . . . “ 32% & 26%. 220 00 Medium. . . . . . . . . . . “ 29% X 22% 200 00 Foolscap. . . . . . . . . . “ 24 x 18 165 00 Hand Lever..... platen 16% x 13% 90 00 Half-sheet Post {{ 9% A. 45 00 Machine Card PreSS... . . . . . . . . . 200 00 I?roof PreSS. . . . . . . . . . . . . . . . . . . . . 70 00 tº For Gordon's presses see description of presses. Ruggles' Presses and other Machinery. Diamond Card Press, Form 4% x 3. . $110 00 Card and Bill Head, Form 7 x 4%. , 180 00 Half Sheet Cap Rot'y, Form 10% × 734 315 00 Quarter Sheet Engine, Form 12% x 9 375 00 Half Sheet Engine, Form 18 x 12 ... 550 00 Letter Sheet Comb., Form 7% x 9%. 300 00 Quarto Sheet Comb., Form 10 x 12.. 800 00 Half Medium Comb., Form 12 x 18. , 550 00 Circular and Hat-tip Press, Form 8 × 6 25 00 Embossing Press, 18 x 10 650 00 Cast Iron Imposing Table, 26 × 22. . . 12 00 Shaving Machine, shaves 27 x 16... 150 00 Paper Cutter, cuts 27 in. . . . . . . . . . . . . 55 00 Card Cutter, improved, cuts 25 in . . . 25 00 Bookbinders' Rot'y Shears, cuts 25 in. 25 00 Adams' Printing Machines. JNew Patent. Platen 34 x 48%... 6 rollers. ... $2,800 00 “ 30% x 45 ....2 “ . ... 1,900 00 “ 30% x 43 . . . .2 “ ... 1,825 00 * 2824 × 43 . . . .6 “ . 2,000 00 “ 28% x 43 . . 4. “ 1,950 00 “ 28% x 43 ....2 “ . . . . 1, Roller Moulds. . . . . . . . . . . . . . . . $12 to 30 00 Extra Friskets, according to size, $250 to 4 00 Extra Fountains. . . . . . . . . . . . . . $18 to 35 00 The Presses are furnished with two sets of Roller Cores and two Friskets. For remainder of Adams' presses see de- scription of presses. Inling Machines. Steam. Inking Matchine. Folio Post. . . . . . . . . . . . . . . . . . . . . . . . $150 00 Medium. . . . . . . . . . . . . . . . . . . . . . . . . . 165 00 Super-royal Imperial Counter Shaft, Hangers and Pulleys, €XL18, a s as a e s e s is s e e s sº e º s = * * * * * 16 50 Self-Inking Machine. Foolscap..... .* * * * * * * * * * * * * * * * * * * * * $85 00 Medium. . . . . . . . . . . . . . . . . . . . . . . . . . 95 00 Super-royal....................... 1(5 00 Imperial, Nos. 1 and 2. . . . . . . . . . . . . 115 00 Imperial, Nos. 3, 4 and 5 . . . . . . . . . . 130 00 Improved Inking Apparatits. (FOR THE HAND PRESS.) With vibrating cylinder, railway, and car- riage to work one ink roller, Imperial, Nos. 5 and 6. . . . . . . . . . . . . . . $45 00 Do. “ 1, 2, 3, and 4. . . . . . . . . . 4ſ) 00 Super-royal. . . . . . . . . . . . . . . . . . . . . . . . . 37 50 Medium. . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 00 Foolscap . . . . . . . . . . . . . . . . . . . . . . . . . . 32 50 With vibrating cylinder, railway, and car- riage to work two ink rollers, Imperial, Nos. 5 and 6 . . . . . . . . . . . . . . $52 00 Do. “ 1, 2, 3, and 4. . . . . . . . . . 47 00 Super-royal..... . . . . . . . . . . . . . . . . . . . . 44 50 Medium.... . . . . . . . . . . . . . . . * * * * * * * * * 42 00 Foolscap . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 50 Letter-Press Department. Composition Rollers, complete, im- perial, Nos. 5 and 6 . . . . . ... $30 00 DO. do. 1, 2, 3, 4. . . . . 25 (;0 DO. do. super-royal... 22 50 Do. do. medium...... 2() ()() Buckskin rollers, “mplete, imperial. 35 00 Do. do. super-royal 30 00 Do. do. medium . . . 2S 00 Roller Moulds, ca it iron, finished very true, finely PolishED, and furnished with bungs and centers, at 40 cents per inch, as follows:— Foolscap Hand Press, requires 30in.long 12 00 $% * { 34 {{. 1: 60 Medium 3 Super Royal “ { % 36 “ 14 40 Imperial, No. 1 “ “ 38 “ 15 20 * { 2 § {. € $ 4() § { 16 00 {{ 3 § { {{ 42 § { 16 80 { % 4 * * {{ 44 $ 17 60 { % 5 {{ {{ 46 {{ 18 40 {{ 6 { % { % 4S {{ 19 20 Mammoth $$. § { 5() “ 20 00 Cylinder Press, No. 2 “ 52 “ 20 80 {{ {{. 3 {{ 56 {{ 22 40 Bank and IIorse. . . . . . . . . . . . . . . from 5 50 Balls, large size, made up, #3 pair... 7 50 IDO. middle “ § { $ (, (5 00 DO. Smaller “ {{ {{. 5 00 Ball Skin and Lining. . . . . . . . . . . . . . . 2 25 Roller Skin and Lining, sewed . . . . . . 75 Stereotype Blocks, 4to, 4 blocks... 10 00 IDO. do. 8vo, 8 “ . . 14 00 Do. do. 12mo, 12 “ 15 00 IDO. do. 18mo, 18 “ 1S 50 IDO. do. 24mo, 24 “ 22 00 I)0. do. 32mo, 32 “ 25 00 Do. do. 4Smo, 48 “ .. 30 00 Parchments. . . . . . . . . . . . . . . . . $15) to 2 00 Glue, for rollers, #3 Tb . . . . . . . 25 cts. to 00 37 Compo. Roller Copper Kettles, § set, 15 00 Points, with Springs, 3 pair. . . . . . . . . 0 50 Do. without Springs, “ . . . . . . . . . 0 30 Compositor's Department. Imposing Stone and frame, with drawer, double imp., No. 6, #55 00 { % {{ {{ {{ 5, 50 00 $ tº $6 {{ $ (, 4, 45 00 { % {& {{ { * 3, 40 00 { * $$. {{ {{ 2, 35 00 $$ $é $é {{ 1, 3() 00 $é “ dbl. large sup, royal, 30 00 $º {{ { medium, 25 00 * { { * {{ foolscap, 22 50 {{. { % single imp., No. 6, 85 00 {{ { % $ & ${ 5, 30 00 * * ë tº { % ${ 4, 26 00 { $* {{ {{ 3, 24 00 $$. {{ {{ { { 2, 22 00 {{ {{ {{ {{ 1, 21 00 Double super-royal Chases, shifting bars, $3 pair. . . . . . . . . . . . . 20 00 “ medium ” tº § $é 18 00 Imperial * { {{ {{ 16 00 Super-royal { % { % {{ 14 00 Medium {{ {{ {{ 13 00 Demy § { {{ {{ 12 00 Foolscap {{ { % {{. 10 ()0 No. 4 and 3, imperial News Chases, § pair. . . . . . . . . . . . . . . . . . . . 15 00 {{ 2, • * {{ {{ * e 13 00 {{ 1, {{ $6 {{. $º 12 00 “ 6, Half Chases, each . . . . . . . . . . 6 00 “ 5, {{ “ . . . . . . . . . . 5 50 “ 4 and 3, “ “ . . . . . . . . . . 5 00 “ 2, {{ “ . . . . . . . . . . 50 Super-royal, cast iron, 3 pair. . . . . 5 00 edium, {* “ . . . . . 4 50 Foolscap, {{ “ . . . . . 3 00 Job, {{ * 50 cts, to 2 00 Iron Side and Foot Sticks, #3 inch... 0 05 Type Cases, $3 pair. . . . . . . . . . . . . . . 2 00 Job Case. . . . . . . . . . . . . . . . . . . . . . . . . 1 13 Half Case. . . . . . . . . . . . . . . . . . . . . . . . 0.87 Triple Case. . . . . . . . . . . . . . . . . . . . . . 1 13 Music Case. . . . . . . . . . . . . . . . . . . . . . 1 13 Compositor's Department. Greek and Hebrew Cases . . . . . $250 to $4 00 Cabinet of 10 pair small Cases, with Standing galley. . . . . . . . . . . . . . . . . 00 Cabinet of 10 pair small Cases, with- out galley. . . . . . . . . . . . . . . . . . . . . . 1 00 Cabinet of 15 Half Cases, withstand- ing galley. . . . . . . . . . . . . . . . . . . . . . 22 00 Cast Iron double stands, with racks 15 00 {{ {{ {{. without * 12 00 {{ single {{ {{ {{ 00 Double Stand, with racks. . . . . . . . 6 00 {{ without racks. . . . . . 5 00 Single Stand. . . . . . . . . . . . . . . . . . . . . 4 00 Composing Sticks, 6 and 8 in., each, 1 50 {{ {{ 10 inch. . . . . . . . 1 75 {{ {{ 2 “ . . . . . . . . 2 00 {{ “ 14 “ . . . . . . . . 2 25 {{ ** 16 “ . . . . . . . . 2 5) {{ “ 18 “ . . . . . . . . 2 75 {{ ** 20 “ . . . . . . . . 3 25 Steel Composing Rules. . . . . . . . . . . 0 25 Mahogany Job Stick, 20 inches. ... 2 00 Saw and Mitre-box. . . . . . . . . . . . . . . 2 00 Shears, $3 pair. . . . . . . . . . . . . . . . . . . 1 50 Improved Lead and Brass Rule Cutter, 6 inch shears. . . . . . . . . . . . 12 00 Lead Cutter, Smaller........ $4 to 5 00 Iron Mitre-box, with saw. . . . . . . . . 6 75 Candlesticks, #3 dozen . . . . . . . . . . . . 1 50 Snuffers, $3 pair. . . . . . . . . . . . . . . . . . 0 37% Bellows. . . . . . . . . . . . . . . . . . . . . . . . . . 0 50 Bodkins . . . . . . . . . . . . . . . . . . . . . . . . . 0 18% Galley, proof, double column, all | brass . . . . . . . . . . . . . . . . . . . . . 6 50 {{ “ single ( & { % 6 00 {{ {{ double * Wool rim, brass bottom. . . . . . . . . 3 00 {{ {{ single 2 5) “ Brass, single, lined. . . . . . . . 3 25 { % ‘‘ double, “ . . . . . . . . 3 75 “ Republican slice, 25 x 18, 3 00 “ Imperial “ 22 x 15, 2 25 “ Super-royal “ 21 x 14, 2 0() “ Royal “ 18 x 12, 1 S7% * Medium “ 16 × 10, 1 75 “ Quarto “ 13 × 8%. 1 50 ** Octavo . “ 10 x 6, 1 25 “ Common. . . . . . . . . . . . . from 0 37 Furniture, Pearl to 6 line, inclusive yard 0 (5 “. . 6 to 12 line, including Side Stick. . . . . . . . . . . . . . {2 yard 0 C6 Mourning Reglets, ” . . . . . . . 0 12% Wood Rule, double, “ . . . . . . . 0 15 Single, “ . . . . . . . 0 12% Shooting Stick, brass. . . . . . . . . . . . . 1 25 { iron. . . . . . . . . . . . . . 1 00 {{ hickory. . . . . . . . . . . 0 10 Ink Slice . . . . . . . . . . . . . . . . . . . . . . . . 0 75 Ink Block. . . . . . . . . . . . . . . . . . . . . . . . 1 00 Bounce Straps, #2 set. . . . . . . . . . . . . 1 25 Mallets. . . . . . . . . . . . . . . . . . . . . .37% to 1 50 Planer. . . . . . . . . . . . . . . . . . . . . . . . . . . 0 31% Quoins, hickory and cherry, #2 100, 0 50 “ boxwood. . . . . . . . . . {{ 75 Proof Brush . . . . . . . . . . . . . . . . . . . . . 1 12% Lye Brush. . . . . . . . . . . . . . . . . . . . . . . 0 87% Page Cord, 3 ball. . . . . . . . . . . . . . . . 0 25 Warehouse Department. Standing Press, wood, wrought iron bars; screw 2%in.; bet. rods 28 in. $115 00 ({ $% 3 {{ 30%. 138 00 “ “ 334 {{ 31%. 167 00 “ “ 4 {{ 33% 213 00 {{ with cast iron platens, wheel, ratchel and bar; all iron, small sup. royal, screw 8% in...; bet, rods 28in. 175 00 “ “ 4 {{ 28 200 00 “ large super-royal ; screw 4 in...; bet. rods 28 in. 225 00 “imperial 4%in. “ 34 250 00 “ improved geered; doub. med. two screws, platen 29 × 45 in. 500 00 Pressing Boards, dbl. med. 40 × 28, : 2 25 sé imperial 36 × 27, 2 00 { % sup. royal 30 × 24, 1 50 { % royal.... 27 x 23, 1 25 § { medium 24 x 19, 1 00 {& demy ... 22 x 19, 0 87% * { sheet iron... from 1 00 {{ glazed paper...? grOSS. . . . . . from 12 00 Hydraulic Standing Presses...from 800 00 Paper Cutting Machine and Table, Iron Bar for standing press, #2 ſp.. Foolscap Ink Table..... . . . . . . . . . . Wetting Department. Lye and Wetting Trough, • * $% { % imperial {{ §§ {{. sup.royal & “ {{ {{ medium {{ {{ $6 lined with lead, extra Wetting Boards, double medium 40 x 28 inches imperial, 36 x 27 super-royal 30 × 24 royal 27 x 23 medium 24 x 19 55 00 0 12% 7 50 dbl. med $15 00 13 00 11 00 10 50 i i i ; | i | i | Printing Inks, &c. Black No. 1 . . . . . . . . . . . . . $2 b .... $100 “ No. 2... . . . . . . . . . . “ . . . . 0 75 “ No. 2% . . . . . . . . . . . & 4 ... 0 62% “ B . . . . . . . . . . . . . . . . {{. . . . 0 5U “ No. 3. . . . . . . . . . . . . {{ ... 0 40 “ No. 4. . . . . . . . . . . . . {{ ... 0 84 “ News Ink. . . . . . . . . {{ ... 0 25 “ Superfine . . . . . . . . . {{. ... 3 00 “ Super-superfine ... “ . 5 00 Colored, Red, Blue, &c... “ . . . . 2 50 {{ Fine Red. . . . . . . “ . . . . 12 00 {{ Superfine Red.. “ . . . .24 00 Gold Size . . . . . . . . . . . . . . . “ . . . . 3 ()() Varnish . . . . . . . . . . . . . . . . “ . . . . 0 50 Ultramarine Blue Powders “ $1, 1 50 Bronze Powders, all colors, #2 ounce 1 50 75 cts. } Wood Type. SIZE. ROMAN ANTIQUE, FANCY GOTHIC AND GTRECIAN. Full Face, Condensed, Shaded, In Pica || Roman, . A Il L.; Tuscan, Lines. | Antique, & 'Gothic and Extended, Ornamented, Gothic. Grecian. &c. 2 cts. - cts. – "cts. 4 cts.- to — 3 - --- 4 - ** — 4 * - 4 - ( & --- 5 4 4 5 6 * 1 {} 6 4 4 6 6 “ 12 7 5 5 6 6 “ 14 8 5 5 6 7 “ 15 9 5 5 7 S “ 16 1() 6 6 7 10 “ 20 12 S 7 9 12 “ 21 14 9 S 10 12 “ 22 15 11 9 10 13 ** 26 16 12 1() 14 14 “ 2S 1S 13 11 15 15 “ 32 2.) 14 12 16 16 “ 35 22 14 12 18 17 “ 40 24 16 14 20 17 “ 42 25 16 14 22 1S “ 50 26 18 15 24 1S “ 52 28 18 15 26 20 “ 54 30 22 16 2S 22 “ 58 35 24 18 --- 24 “ 64 40 26 20 --- 28 “ 72 45 30 22 t— 30 “ 80 50 35 25 --- 53 “ 85 60 40 27 --- 40 “ 9() 65 45 28 -- 44 “ 95 7() 30 29 --- 46 “ 98 75 55 33 - 50 “100 Scale of Fonts, showing the Number of Letters for each Font, from 3 A to 5 A. cº tº a; £ ta a; g g * * 20 Double Cross Rules, at 8 cts. . . . . . . . . . . . . . . . . . . 20 Parallel Rules, at 8 cts. . . . . . . . . . . . . . . . . . . . . . . . . 28 Column Rules, at 68 cts. . . . . . . . . . . . . . . . . . . . . . . . Head Rules, about. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500 lbs. Long Primer, at 86 cts. . . . . . . . . . . . . . . . . . . . 400 lbs. Brevier, at 44 cts . . . . . . . . . . . . . . . . . . . . . . . . . . 56 lbs. Nonpareil, (if wanted) at 58 cts. . . . . . . . . . . . . Display Type for Reading matter, about . . . . . . . . . . . . { % “ for Advertisements, about . . . . . . . . . . . 50 lbs. Leads, at 27 cts. . . . . . . . . . . . . . . . . . . . . . . . . . . . Head for Paper, Ornaments, about Boxing and Carting, about. . . . . . . . . . . . . . . . . . . . . . . . . e sº º e = e º 'º e º a tº e º e º 'º e e s e º s = e º e s e º 'º º º 1 Imperial No. 5 Washington Press 1 Card Press 1 Ruggles' Combination Engine Press. . . . . . . . . . . . 1 Imperial No. 5 Roller Mould..... ". . . . . . . . . . . . . . 1 Set Imperial No. 5 Distributors 1 Pair Imperial Chases, with bars. . . . . . . . . . . . . . . . 1 Pair Cap Chases, ( * Job Chases, assorted. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Job Roller Stocks and Handles. . . . . . . . . . . . . . . . . . . . 6 Double Stands with Racks, at $600 20 Pair Cases, at $2.00. . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Job Cases, at $118. . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Triple Cases, at $1 18 2 Cabinets, at $2000. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Cabinet with Standing Galley. . . . . . . . . . . . . . . . . . 3 Slice Galleys 4 Double Brass Galleys, at $2.75. . . . . . . . . . . . . . . . . 2 Quarto Brass Galleys, at $400 10 Common Galleys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200 Yards Furniture, &c. . . . . . . . . . . . . . . . . . . . . . . . . . . 1,000 Hickory Quoins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Mallets 3 Planers 6 Shooting Sticks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Composing Sticks. . . . . . .... : . . . . . . . . . . . . . . . . . . . . 1 30 inch Mahogany Job Stick 2 Lye Brushes, at 88 cts 2 Proof Brushes, at $1 12 Saw and Iron Mitre Box. . . . . . . . . . . . . . . . . . . . . . . . . . . Wood Mitre Box 1 Standing Press, 2% inch Screw * e s e s = * * * * * * g º e º 'º 1 Dbl. Imperial No. 5 Imposing Stone. . . . . . . . . . . . 30 lbs. News Ink, at 25 cts. . . . . . . . . . . . . . . . . . . . . . . 25 lbs. Book “ at 50 cts. . . . . . . . . . . . . . . . . . . . . . . . 5 lbs. Fine “ at $100.... . . . . . . . . . . . . . . . . . . . . . . 5 lbs. Poster “ Blue, at $1 50 5 lbs. Poster “ Ited, at $150 5 lbs. Colored Ink, assorted, at $250 2 lbs. Warnish, at 50 cts. . . . . . . . . . . . . . . . . . . . . . . . . . 1 lb. Gold Size º 8 oz. Bronze, assorted colors, at 75 cts. . . . . . . . . . . . 100 lbs. Leads, at 27 cts. . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 lbs. Quotations, at 27 cts 3 lbs. Space Rule, at $120 Brass Rules Metal “ 20 Yards Wood Rule 25 lbs. Pearl, at $108. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 lbs. Nonpareil, at 58 cts. . . . . . . . . . . . . . . . . . . . . . . . 200 lbs. Brevier, at 44 cts 100 lbs. Long Primer, at 36 cts. . . . . . . . . . . . . . . . . . . . . 㺠is small Pica, at 34 cts 100 lbs. Pica, at 32 cts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 lbs. Great Primer, at 82 cts. . . . . . . . . . . . . . . . . . . . . 50 lbs. Double Small Pica, at 82 cts. . . . . . . . . . . . . . . . 50 lbs. Double English, at 32 cts. . . . . . . . . . . . . . . . . . . 50 lbs. Double Paragon, at 32 cts. . . . . . . . . . . . . . . . . . 50 lbs. Four Line Pica, at 32 cts. . . . . . . . . . . . . . . . . . . 30 lbs. Great Primer Script, at 76 cts. . . . . . . . . * * * * * 50 lbs. Double Small Pica Script, at 72 cts. . . . . . . . . 25 lbs. Dhl. Small Pica Mercantile Script, at 72 cts. 20 lbs. Double Great Primer Script, at 56 cts 30 lbs. Two Line Pica Calligraphic Script, 20 lbs. Canon { % § Fonts Ornamented Pearl to Long Primer...... . . 12 FontS º Two Line Nonpl. to Gt. Pr. . 15 Fonts ë we Gt. Pr. to Four Line Pica. . . s Fonts Extended and Two Line. . . . . . . . . . . . . . * 6 Fonts Condensed Black and Text § Fonts Clarendon and Full Face. 10 Fonts Gothic, Antique and Ionic. . . . . . . . . . . . . . . 6 Fonts Large MetalJob Lette!... . . . . . . . ; ... . . . . . . 20 Fonts Wood Type Seven to Fifty Line Pica. . . . . Borders tº º e º 'º - e º 'º º 'º & © º • e s : * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * g & e e º 'º s e º e s & e º 'º e s e a s = e º e º sº e & * * g e º 'º 4 & 4 tº $ tº º & B e º $ tº º ºs & 8 & 9 a s = e º e s e e º e s a e s s = * * * * * * * * * * * * * * * * * , , , , , , , , , , = • * * * * * * * * * * * * * * * * * * * * * * * * • , , , s = • , s = * * * * * * * * * * * * * * * * * * * * * * * * * * * * * a ſe e s = e º ºs e º & e º ºs º gº e º a & a º ºs e < * * * * * * * * * * * * * * * * * * * * & e º sº e º se e s e º e s tº e º gº & º e º s e e s s = e s a e s e s a s = * * * * * * * * * * * * * * * * * * e e º e º 'º e º & # * * * * * g e 9 s & e < e < e < * e s e e • , , , s , , , º, e s = • * * * * * * * * * * * * * * * * * * * * * e e < * * * * * * * * * * * * * * * * * * * * . . . . . . . . . . . . . . * * * * * * * * * * * * * * * * * * * * * * * * . . . . . . . . . . . . . . * * * * * * * * * * * * * * * * * * * * * * * * * e e s a s = < e < e < * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * e < * * * * * * * * * * * . . . . . . . . . . . . . . . . . . . . . . . . . . * * * * * * * * * * * * * * * * * . Cuts, ornaments, Dashes, &c. . . . . . . . . . . . . . . . . . . . . . . at 68 ctS. at 52 cts. 16 00 $1071 54 ESTIMATE FOR LARGE JOB OFFICE. manner and on reasonable terms. FC I, ECT F O TY FIN G-. Ionic. Great Primer.......... Double Small Pica. . . . . . Two Line Pica......... - Double Great Primer . . . Four Line Pica No. 1... . tº $. ** No. 2... Seven Line Pica ....... | Nine Line Pica ........ i Leads. A column of Leads 24 inches long, § newspaper width, will weigh about 12 lbs. Six to Pica and thicker . Seven to Pica.......... Eight to Pica.......... Nine to Pica........... Ten to Pica. . . . . . . . . . . . - Metal Furniture. All Sizes............... Ornamented. | Pearl....... . . . . . . . . . . . . . Nonpareil.... . . . . . . . . . . Minion No. 1 . . . . . . . . . . Brevier No. 1. . . . . . . . . . tº º No. 2. . . . . . . . . . { { No. 3. . . . . . . . . . ! “ No. 4. . . . . . . . . . i I.ong Primer No. 1 . . . . . tº $. No. 2..... tº b No. 3..... tº tº No. 4.. tº $. No. 5..... tº $. No. 6. tº # No. 7..... § º No. 8... . . Two Line Nonp. No. 1. tº tº * & N e 2. tº $ tº º No. 3. it tº § { No. 4. ë tº $ $ No. 5. $ tº ** No. 6. § tº ** No. 7. # * ** No. 8. tº § ** No. 9. * * ** No. 10. t is ** No. 11 is tº “ No. 12 $ tº ** No. 13 § & ** No. 14 §§ ** No. 15 * * ** No. 16 * { $$. No 17 { % { % NO 18 # * § { NO 19 * * $ $ NO 20 $ $ { { NO 21 English No. 1.......... tº 0.2. . . . . . . . . . . { % No. 3.......... $$. Wo. 4. . . . . . . . . . - Two Line Minion No. 1. e is * { O. 2., Two Lino Brevr. No. 1. $ $ “ No. 2. $ tº “ No. 3. Great Primer No. 1. . . . tº is No. 2.... tº k No. 3. . . . * * No. 4....' § { No. 5. . . . . $ 8. No. 6. . . . $ tº No. 7... * * No. 8.... # tº No. 9.... tº $. No. 10... Two Line Lg. Pr. No. 1. § { ** No. 2. * * ** No. 3. * * ** No. 4. $ tº ** No. 5. Two L. Sm. Pica No. 1. $ $ ** No. 2. $ ** No. 3. tº * No. 4. ** No. 5. § ** No. 6. $ ** No. 7. * ** NO. S. * No. 0. * * ** No. 10. ë tº ** No. 11. $ $ “ No. 12. * * ** No. 13. Two Iline T’ica No. 1 . . tº tº § a No. 2. º * “ No. 3. . te ** No. 4. . * { { No. 5. e $ “ No. 6.. § & tº tº No. 7.. “ No. 8.. t “ No. 9.. * “ No. 10... $ tº “ No. 11.. tº $. “ No. 12.. $ $ “ No. 13. . . tº tº “ No. 14. . . “ No. 15. # * “ No. 16... ë “ No. 17. . $ tº “ No. 18.. * { ** No. 14). . . Two Line Eng. No.1. § “ No. 2... $ tº “ No. 3... tº $ “ No. 4.. # * § { No. 5.. # * { { No. 6. º § { “ No. 7...' “ No. S. . . º $ $ No. 0. e } # “ No. 10...' $ “ No. 11.. “ No. 12.. $ $ “ No. 13.. tº “ No. 14.. $ $ $ tº Wo. 15. e j Two Line Gt. Pr. No. 1 . tº e ** No. 2. ** No. 3. “ No. 4. $ ** No. 5. ** No. 6. º '? No. 7. 1 0 tl, : 1. 8 .... 8 12 ºn 8 .... 8 g {j & e 6 * t; 6 8 t; Pitopont'ION WEIGHT. PRICE - 32 lb of FontS. i tº gº º ºs e º e s e º º * : * * * g º e s s e : * } ; A 18 A ! } i 1 2 tl i l ; 1 i i - * 0. Four Line Pica INo. - * h $ tº O Five Line Pica No. : g«º : i 2 à ; 1 Four I,. Pica Cond. Go. ; : Six Line Pica Gothic... Eight L. Pica Tuscan. . Ten Line Pica Tuscan.. * O }0 } i5 à&& l r I º : i i i ſ } 1 | 1.j fi-s { f } 54 fi i ; ; i } i i 1 e 52 6 4 § | 8 – ; : : Ornatd., Continued. Two Line Par. No. !. & © NO. 2 ſº tº ** NO. 3. . . tº $. tº b TNO $$. is tº NO es $ $ NO is $ * * No tº tº * * NO ſº is * N N $ tº tº $. No tº b $ $ No tº tº is is No $ $ * @ No Six Line Pica No.i. Seven Line PicalWo. 1.. - Eight Line Pica No. . g e Ten Line Pica No. 1... - * , tº tº No. Outline. ; : Pica Black............. - English................ Great Primer.......... Two Line Pica Tuscan. Two L. Pica Bl'k No. 1. tº is $$. $ $ O. 2 Old Style. * * * * * * * * * * * * * * * * * * * I)ouble Small Pica. . . . . i Two Line Pica......... | Ornamented Text. Three Line Pica....... - Four Line Pica * gº tº e º sº sº e Five Line Pica......... Piece Fractions. Bourgeois.............. Long Primer........... Small Pica............. + Pica . . . . . . . . . . . . . ... . . . Quotations. In Fonts of 5 lbs. and up- Wards... . . . . . . . . . . . . . Signs. Twelvetype of each will wevgh about as follows. Astronomical. Nonpareil.............. Minion . . . . . . . . . . . . . . . . Brevier ................ Bourgeois....... . . . . . . . Long Primer........... ! Small Pica............. Mathematical. | Nonpareil.............. . | | t i | | | i i ! ; t ſ Minion...... . . . . . . . . . . - Brevier................ Bourgeois...... . . . . . . . . Long Primer... . . . . . . . . Small Pica............. Physical. | Nonpareil........... . . . Minion ......... . . . . . . . - Brevier................ Bourgeois.............. Long Primer... . . . . . . . . Superior Letters. will wei follows. Nonpareil.............. Minion................ Brevier................ | | Bourgeois.............. . ; : Long Primer........... . Small Pica............. : Superior Figures. Smallest Fonts. N9npareil........... . . . Minion . . . . . . . . . . . . . . . . Brevier... . . . . . . . . . . . * * i Bourgeois... . . . . . . . . . . . Long Primer........... | Small Pica. . . . . . . . . . . . . - Shaded. Nonpareil Open........ Brevier Antique §: 1.. • $ ** No. 2... $ $ Tuscan........ $ $ Tºxtended...... Bourgeois jº. s e s s e s s Long Primer French. .. Small Pica ............ Twenty ºffe of each i gh about als, . . . . 24 A 36 a 12 A 36 a 12 A 16 a 8 A 16 a 8 A . . . . 18 A ... . 12 A 12 a 6 A ... (; A 12 in 6 A .... 8 A 16 tu S A. 16 a $ A ... 6 A 4 A 5 A 5 A PROPORTION of Fonts. 6 A & sº sº e º ºs e º is sº a tº e º & E ºf a º sº & 9 * e s e º s º ºs e º & e e e º s & e s sº sº s * * * * * * * * * * * e tº º º º e º e º 'º º & © $ & © & © tº e º & tº º # tº gº © e º e º & * & sº e s e e g = * * tº $ 4 & sº * * * * * e e s is sº e º s e s tº * * * * * * * * * * * tº e º e & © tº 4 e º & e = * * * * * * * * = & e º 'º e º º ºs e s º * = e º 'º e º e º 'º e & e º º 'º º e º ºs º ºs tº e º 4 & e º 8 ºr tº & * * * * * * * * * * * * e º 'º $ & e º e s e e = e º 'º e º e º sº e * * * * * * * * * * * * * * * * * * * * * * * * * * g e = < * * * ‘WEIGHT. PRICE #3 l 1 l }b i } º;i } ; 1. : } i s 1. i f t = i : ;: s 1 2 i i : | : f---§ ; J. $0 60 () 60 0 60 0 60 :: § i jS 6 () i 3. 2 : i : i : i : g1 2 20 1. } º i | | IDouble Pica ........... - Double Great Primer. . Canon . . . . . . . . . . . . . . . . i 2.* i ;i . Two Iline Agate No. 1 . . . ë tº “ No. 2. i No. 3 Two Iline Nonpl. No. 2. : tº tº ** No. 4. - 5. Two Line Minion No. 3. :We ; : $ No. 5. Two L. Bourgeois No. 2. | ê Đ tº tº No. 4. No. 5. Two Line Lg. Pr. No. 2. # * ** No. 3. : * * *d 0, 4. | Two Line Pica No. 1... tº § ** No. ; ; : Two Line Minion...... * “ $ $ $ tº & & #. Two Line Brevr. Open. * s & Great Primer Black.... 16 a Twº L. LgPr'Tus. Nº.1 No.2 tº b “ Ray No. 1. y * is $ $ $ tº No. 2 - Paragon Ray.......... Two L. Sm. Pica Goth. : Two Line Pica Rustic. . : $ tº “ Open ... tº is * In relief. tº is * Grecian. * * * Double . . $ $ * * No. 1... Two Line Fº º ond ... $$. “ Ray..... ſ & * Text.... Twº L. Gt. Pr. Cond . . * Gothic . . # e. tº t O. 1 gº tº tº $. $ $ NO. 2 tº gº Two L. Paragon........ . - $ tº # * f 'usc' n. .... Double Paragon Black. 12 a tº e y ...t ; : (2XL . . Four L. Pica Gothic.... # * ë tº Grecian .. $ $ [ { & * * * * * - Fi º No. * Five L. Pica Grecian. . . . t tº $. Cond. Tus. Six L. P. Tus. Co. No. 1. Six Line Pica....... . . . . i Biºlº Cond tº tº $ $ TuS * o.N.A. ! ! Saxon Open. | Double Small Pica. . . . . Pica ................... 8 Great Primer No. 2... . . . . 12 jbi. Smail fica No. 3.15 Double Great Primer .. 20 . Dºl. Sm. Pica Mercntle. 12 ... Calligrap. 14 : Two L. Pica Calligraph. 14 Two L. Eng. Calligraph 14 Canon Calligraphic..... gº is sº e º e º ºs e º 'º e º sº sº Secretary. Tica ................ . . . 36 tl Great Primer.......... i Two Line Pica. . . . . . . . . Two L. Gt. Pr. Antique Canon Antique ........ : Seven L. Pica Antique. Shaded, Continued. PROPORTION º of F Long Primer Tuscan...' • * . $ $ Tuscan 2. ge e tº tº Gothic ... g e ë tº Antique.. gº & © tº b Meridian. . . . . tº is Extend'd. 12 a Two Line Pearl Double. * * Two L. Nonp. Single. . . . . . $ tº ** Meridian . . . . is is $º b. No. 2 .... tº tº ** Mer. Dbl . . . . b tº “ Back Slp. ... $ tº “ Tuscan. . . . . Pica Gothic............ . . . “ Tuscan............ gº º º “ Back Slope ....... sº º * Grecian........... tº * Open No. 1 ....... e $ tº * No. 2 ....... & English Ray..... • * * * * * tº as is e * Open.......... 36 a tº $. Tuscan........ tº sº and 16 and 25 and 30 and 40 and 25 and 28 and 28 and 28 Pica................... 100 in Ten Line Pica Antique. . . . . . Seroll. English......... . . . . . . . Double English........ Space Rule. In Fonts of 2, 3, 5 lb., &c. Slugs. | Cut to any measure.... | Two Line. | Two L. Diamond No. 2. Two Line Pearl No. 2... * * “ No. 4. . . * * * Italic. . . tº tº tº § i i $ tº * * No. . No. 5. tº tº “ No. 6. Two Line Brevier No. 2. tº tº ** No. 4. $ tº § tº # $ tº § { * No. 4. Two L. Sm. Pica No. 1. t # # * No. 3. ſº tº { % N 4 $ tº * No. 3. . . Two Line English No. 1 e 9 º' gº e s sº e < * * s sº as p < * * * * * * & º gº º gº º sº º * * * * * * * * • * * * º º º 1 io 4º§ | 9 0 | § . : : : i i 1 1 1 }: I ii() 1 1 {j 8 1. -Tb { i --ls i ; i i : : i i i i º º : t; i 1.}l11.f #|º2 ! T'RICE i Cost. 2 50 : e ) i i i ; : ; : i 1. (?: I.A.S. T. W. IIITE & (X). Erass Rules. • • • • • ► ► ► ► ► ► ► ► ►**■ ■ ;w） av • ~~~~ av • aer • • • • • • • • • • • •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ► ► ► • • • • • • • • • • • • • • • • • • • • • aevºaeaer • • • • • • • • • • • • • • • • • • • • • ►• • • • • • • • • • • • • • • • • • • • ►º，…：… • • • • • • • • •r• • • •• • • • • • • • • • • • • • • • • • • • • • • ^^º， ， ， ） »• § Foot S cts. * As * * * * * * * * * * * * * * * * * * * * > *- : * * * *-º º-º º Aº º Aº º Aºz *-** 4ºz º.º.º. º º Aº vº ſº * * * * * * * * * * 29 27 28 31 32 42 33 4 16 17 56 18 19 1 2 3 4 5 6 7 NO. 30 . \ CHAS. T. WHITE & CO.-NEW YORK. { i } ; ) . t ! ; : { i * * * * * * * * * * * * * * * * * ** are A, e a us an e º e * * * * * * * * * * * * * * * * * * * * * * * ••• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • aerº， aerº， 4» º aer • • • • • • • • • • • • • • • • • • • ►º， aer • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ** **> £v *~~~~，~~~~T~~~~ 4° *...* * * * * * * * * * * * * * * * * * * *-** Arvº ar wa-a-º. 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Fº 44 *-*.*.*.*. ** **** ** 53 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~...~~~~~~~~~~~~~~~~~~~~~~~~~...~~~~~~~~~~~~...~~~~~~~~~~~~~~~~.A. 12 45 ^^^^^^^^^_^-"S-2">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 16 54 TS-TN-O-ON_^_^_^_^_^_^_^_^_^_^_^^2 \Z^_^_^_^_^_^_^_^_^_^_^_^^/~~~~~~~~~~~~~~ *- 16 35 16 10 16 36 -ºm 20 11 20 87 25 38 30 CHAS. T. WHITE & CO.-NEW YORK. . c. gº gº & sº es e” ecº c gº gº © cºs, ºs e gº © ºr e • ** |Brass F, ules. NO. § Foot 14 F- 25 41 30 15 F-- 80 58 ==== 20 1()7 50 10S 40 CIIAS. T. WII ITE & CO.-NEW YORK. Metal Rules and EOrders. A few Specimens from our Large Book. No. #9 ft. 72 8 c. 78 12 c. 87 Sc. 90 -- 12 c. 92 14 c. * = 16*. * = ** 97 25 c. 109 = 14 c. 127 E “ 131 = 22 C. 152 = 22 c. -º-º: 153 = 86 c. =. 166 = 28 c. T- 178 = 14c. 181 22 C. 182 [ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 C. [ . . . . . . . . . . . . . . . . . . . . . . . . . . . 196 - 16 c. [ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 266 == 14 c. 267 == 18 c. 26S =#HE 20 c. 269 = 28 c. No. #2 ſt 702 271 272 273 = 50 c. 289 14 c. 290 18 c. 291 20 c. 292 28 c. 293 E 36 C. E 294 40 c. 295 44 c. 296 50 c. 832 = 22c. 333 36c. A large number of Brass Dashes like the one shown here, of patterns similar to those on the following page, and varying from eight to ten inches in length. = D-e-O-e-G Lºm- CHAS. T. WHITE & CO. —NEW YORK. BRASS DASHES. Dashes from 1 to 76 cut to suit the column, 10 cents each. No. 1 ... O No. 26. —mº G D ºme--— No. 39. -—(?– 2. sº 27. —sº-c-—Q----> --— 40. -------------- sº 3 --—º-—- - 28. --—º-m- 41. — — $e)—-—— 4 -–O-º- C-- 29. ---------º-º-ºm------ ---- 42 —e-O-e---— 5 -—“C- 80. —s •se sº- 43. —tº D--—— 6. 6-O-O--— 31. --------º e-Q–e ºm--------- 44. —--—sº- ---— 9 --—4–6– 84. —---------— 47. —sº-º--—— 10. -ºm--— 52. - © --------- 53. —sºmº-ºm---— 15 –sº-º-º-—— 06. —s-tes----—— 54. ——sº-º-º-o-º- 16. —-º-C-Q--— 67. — — —sº-c-e-Q-e-e—º- 55. --——---—sº. —C- ºr ----- ------ 17. —sº-Gº P-O-–— 68. —-º-e-O-e-Qººm--— 56. ——º-e-Q Po-ºº--— 1S. … --—-4-43 Dºº-º-o--— – 69. —-------- 57 ------nº -º- Dºm- ------ 19. –– º – Q-ºm- 70 —º-s—m- 58 ºQ. —-mº-Cºm –-- . . — 20. . --——º----— 71. --—º-e—m- 59. --—sº e-Q Pe—Cº--— 21. —-mº--4---ºm--— 72. — m—sº-m- 60. ---------—-º-o-º--------- 22. … ------—º-e—Q-o-º----— 73. —-mº e —ºe)- 4 m− 61. —-º-O-Qººm--—— 23. ——sº- >-Q--— 74. --—m—ess-m--— 62. sº->–G >-e—º 24. 75. —--→-e-m-- 63. -------------- 25. —-mº e-º-e `m -—— 76. —-º-º-o-º-º-º-o-º-Tº- 64. --—sº- - - -->- - -º- No. 77 O 25 cts. 78 —sº- & & 80 - —e–O—e § { S2 *—O —º- O—º- { { 83 - - 81% 84 ºf -e-K -º $ 4 85 mº- -O-( -m. & & 88 m —sº- m & { 94 mº -e-Q-C-4 - tº 6 97 mº- >-e-O-e—sº m { { 98 ... - E - P-O-G >O-G -m & & 99 mº —sº-O-º-º-m { { 10) mº- >–P-O-º-º-m & 6 CHAS T. W. HITE & CO. —NEW YORK. e^ º, *** *** ********** ****** * ****** ****** sººt, sº east sººs ºssess one gºt sº tº sºns as a pºsgºt a sess tº sets sº sees as essesses assess as essessess asses one sº easts a ss as 49 - a sº ess tº sº es sºmeºs ess sº tº gº tº gº sat a pºses's gºt gºt gº gº ºs º ºsmºs at spºt gºt gºt a sº sº as pºe gºt sº tº sº a set sº sº tº a pºe gºt sº be" tº sº sººs sº a sº e gºt sºlº sº gºº & PICA SCRIPT. C/.../ te/ec/45 enºum. /ø/ 2nſea o/3 42/ ?/ae. tea/ 2%, and ‘6amaa’a 4a/ we’ awe 94% ºated wił4 o/* 2% º żonyany, 2/2/444 Q7/2/ 2%merican/ o/ºrceaſºna/ Aurma/A-2 /cſ’.5 øſ' GREAT PRIMER SCRIPT NO. 2. %/a/// adenza” % // 2%a, %// ?/ ?/ ?/º/, jo. 4 4% wered º/ @42%enz. gºo. 24.7% &menza% Q7zºe/ an/ ©2%& DOUBLE SMALL PICA MERCANTILE SCRIPT. %. ~~~~~~~~ eº%. /2 …Zeze.ºe 222*2~~~ ~~~ ~~~< 2//?… 2…e...” 2. Z Zz22 “” Z.72 DOUBLE SMALL PICA SCRIPT NO. 2. eZ/º a Za '^esſ/ſo // //º eZ/e/ madº aſ //, eZond/o ſº zeo/) aº//* //o a/o // ---------------- | Charleston, March 21.-The U. S. Mail Steamer James Adger, Captain Turner, from New York, arrived here this (Saturday) afternoon at 2 o'clock. MERCANTILE LIBRARY ASSOCIATION, The regular Monthly Meeting of the members will be held at the rooms on Friday evening, Sep- tember 7, at 8 o'clock. At this meeting a Corres- ponding Secretary and a Director will be balloted for, to fill vacancies occurring in the Board of Gov- ernment. S. W. FAY, Rec. Sec. New York Type Foundry AND PRINTERS WAREHOUSE, 63 and 65 Beekman Street, Manufacture and keep on hand a large stock of type and printing materials, and are prepared to furnish Printing offices entire, including Presses and every article requisite. The type manufactured by this Foundry is unequaled for toughness, solidity, and durability. RNAMENTAL TYPE. –A large and handsome variety is shown in this book, from which a choice and valuable selection can be made for all kinds of Printing. APER WAREHOUSE. — J. B. SHEF- FlELD & Co., 63 and 65 Beekman Street, near Gold, New York, would call the attention of the trade to their extensive stock of Papers, compris- ing an assortment unequaled in variety and quality. paper Manufacturers' articles constantly on hand. WMFOUNT HOPE IRON CO. CUT NAILS.—The attention of dealers and shippers is requested to this new brand of Cut Nails, made at entirely new works, with latest improvements in machinery. They are unsurpassed by any others for beauty of finish, and toughness in quality. For sale by PETER HARDING. IMBER.—The undersigned having made ar- rangements with southern mills for the supply- ing of lumber on orders from this port, are ready to attend to any business that may be entrusted to them in that line reasonably and with dispatch. can vessels. and edges, Agate No. 2. MARINE INTELLIGENCE. Arrived this Forenoon. Ship Liverpool, Kearney, London and Isle of Wight Feb. 4. with moise. and 157 passengers to Grinnell, Mincturn & Co. Bark Star of Rockland, Crockett, Sagua la Grande 4th inst.. with sugar and molasses to Metcalf & Duncan, Brig Central America of Boston, Eldridge, Minatitlan, Mex- ico, Feb. 6, with mahogany, &c. to G. Onley. Left no Ameri. Sailed. Ship Mountain Belle, Huntingdon, with cotton and tobacco for Odessa, Russia. From Quarantine-Schooners Hamilton, Webster, for Denia. Spain; Bostonian, Radcliffe, for Monrovia, Liberia. - —— — «» Spoken. . At Guayama, P. R., Feb. 27, barks Clarissa, for New York in 10 ds. ; Mayflower, for New Haven in 5 ds. ; brigs Mary Means, for do. in 2 ds. ; Abby Thaxter, for Charleston in 6 ds: Lundellen, discg. y The Firemen's Insurance Company, OFFICE NO. 125 WASHINGTON STREET, Iš fully organized, and prepared, to take fire risks in New York on dwellings, furniture, buildings, goods, produce, and all kinds of insurable property in the city of New York. HE KEEPSAKE-An Illustrated Gift Book for 1857. Royal 8vo, beautifully bound in extra cloth, full gilt sides e beveled boards, with twelve splendid engravings. Also in morocco, full guilt, and in morocco antique. B. CLARK & CO., 112 Canal Street. witHstER's Royal Octavo Dictionary, Containing ALL THE worDS in the Quarto Edition, With an arrangement of SYNONYMS under the leading words, a new and important feature. - The demand for an edition of WEBSTER’s DictionARy, full, comprehensive, and of conyenient size for daily reference, has led to the preparation of the Roy AL, OCTAvo. The great favor with which it has been received, both in this country and England, is the best evidence of the value of the work. Fecorminenclations. “It is the most complete work of the kind yet published. The definitions are clear and concise, presenting briefly the various meanings and shades of meaning belonging to each Word.” “It is all that can be desired. Etymologically, it is superior to any that has preceded it, and is in this department of lexi- cographic labor, a monument of labor and research.” “A feature, which cannot but prove of the greatest utility, is the introduction of a complete Dictionary of SyNoNyMs. Every one who is at all engaged in literary composition, feels the negessity of such a work, as none of those hitherto pub- lished have been precisely adapted to the wants of the public in this respect. This cannot fail to be universally acceptable. and is an entirely novel feature of the work.” “How it could be published for $350, considering the ex- pense incurred in the revision and preparation, is a secret known only to the trade.” Pºiºs from the several manufacturers, Hoe, Ruggles, and others, furnished on the most favorable terms. Tº RASS GALLEYS, lined, will be found to be more serv. iceable than those with the wooden rim. All the different yarieties, sº Double, Quarto, and sizes to order, readily furnished. so all kinds of Wooden Galleys. CRIPTS, cast from our hard metal, will be found to give §ºod satisfaction both in regard to appearance and dura- 111ty. EW YORK BOOK TRADE.-S. BRIGGS & Co., 111 John St., Publishers, Booksellers and Stationers, whole- sale and retail. º ºf TERMs.—Low prices and cash, or short credit and prompt payment. No orders filled for strangers unless ac- companied with the cash. Tº: DESERTED WILLAGE. By Oliver Goldsmith, Illus. º #. º: §º Club. * yºne square 12mo, Ex- tl’a cloth, 's 50. OrocCO extra, $5. l'a. CiOth, gllſ, $1 O B. D. SMITH & CO., , , Cowrier. 121 Grand St., H. RAYMOND & CO. The Printers' Gazette. Chas. T. White & Co., New Y Ork. Brevier INTO. ll. IMinion. No. 1 O. Nonpareil No. 7. Čhe Jrinterg’ (5agette. The earnestness with which the Legislature considered the subject of the Quarantine remov- al, and the promptness with which it matured and passed the necessary bill, encourages us to hope that the city of New York may expect some measure at least of the Legislative help which it so much needs. Some fears had been expressed that the gentlemen at present representing the State at Albany, although a more than usually respectable body, numbered among them too many timid and too many indifferent men to jus- tify sanguine expectations that they would bold- ly and vigorously grapple with the monstrous system of wrongs with which New York is op- pressed, and relieve the commercial metropolis of the State and the Union of evils under which she staggers. But the liberal and honorable spirit in which those representing both interests in re- gard to this vital question of Quarantine were met, and the wisdom of the decision to which the majority finally and quickly arrived in the mat- ter, would seem to show that such a suspicion was unwarranted. It is matter of congratulation, aside from the direct importance of the question itself, that this subject has been thus disposed of; and we trust that the Legislature will be as ready to protect us against moral corruption in our city government, as it has been to secure us from the infection of pestilential disease. Our readers know that we have strongly fa- vored the immediate removal of the entire Quar- antine establishment; and could that have been effected with a due consideration for all the in- terests which had a right to be considered—that of the health of the city being, of course, para- mount—we should not have been Satisfied with the present compromise law. But other things being equal, that is, the security from infectious disease being secured as far as possible, it cannot be reasonably denied that the commercial inter- est, by which New York City and New York State have been made what they are, might just- ly demand a consideration in the decision of this question, inferior, at least, to no other of a mate- rial nature. —º-º-º- It was a beautiful thought of a little girl in the streets of our city, hungry and ragged, taken by a kind hearted lady and led into a cake shop, and fed as she had never been-fed before. And when the angel woman had given the little child all she could eat, and some cakes to carry home, she took her into another store and gave her a nice warm shawl and other matters that the girl need- ed, and was dismissing her, when the child looked up into her face, and with all simplicity said, “Are you God's wife?” She had heard that God gives good things, and the gifts of the good lady seemed to be such only as could come from him, or one like him. It was not profane, it was sim- STATUE OF WORIDSWORTH. A fine statue of white marble, from the chisel of Mr. Thrupp, has just been erected in Westminster Abbey, to perpetuate the memory of the poet WoRDsworth. It represents the author of the “Excursion” sitting in the open air, in a contem- plative mood, as if communing with nature, under whose habitual sway he may be said to have lived. He is resting on a moss and ivy-mantled stone or knoll, with the green sward at his feet enameled in flowers; the legs are crossed; his right hand and arm are wound gracefully round one knee; the left hand, with the forefinger slightly uplifted, is laid upon an open book, which the poet has just been reading; and the eyes are bent, in pensive admira- tion, upon the flowers at his feet. The conception is an exceedingly felicitous one; the whole attitude of the figure is singularly easy and graceful, and the sculptor has been equally happy in rendering the head and features of the deceased, with which the public are more or less familiar. The Type which is used in this paper is all pro- cured of Chas. T. White & Co., 63 and 65 Beekman St., New York, one of the oldest and most reliable Type Foundries in the United States. Persons wishing to procure Newspaper, Job, or Fancy Type, will find all the most desirable styles at their es- tablishment, as also every necessary article for fit- ting out a News and Job Printing Office. Being well versed in their business, they afford uncom- mon facilities to purchasers, and every order re- ceives prompt attention.—St. Law’nce Plain Dealer. PUBLIC MEETINGS. E’OETF.Y. DEATH OF THE FLOWERS. THE melancholy days are come, The saddest of the year, Of wailing winds and naked woods, And meadows brown and sear. Heaped in the hollows of the grove, The withered leaves lie dead: They rustle to the eddying gust, And to the rabbit’s tread. The robbin and the wren have flown, And from the shrub the jay, And from the wood-top caws the crow, Through all the gloomy day. COMMERCIAL. The business of our importers and jobbers has fallen off rapidly during the last few days. The Spring trade being over, and Summer upon us, with the near ap- proach of the day when our new Tariff is to go into op- eration, all have a depressing effect upon trade. Large amounts of goods have been sent to the bonded ware- houses to remain till the 1st of July, when the reduction of duties takes place, and the advent of active business may be expected. - * We notice no change in the Money market. The Banks are accommodating, loaning freely, on call, at 6 @ 7 § cent. ; and there is no difficulty in negotiating first-class paper through the bill brokers, at 7 (Q) 9 º' cent., usual time. Six and eight months' paper, single names, meet with little encouragement short of heavy rates. Foreign Exchange is quiet, with free offerings of Ster- ling bills, first-class, at 8 (3) 9 $3 cent. : Commercial bills at 9 @ 10 #2 cent. Francs at 5.18 (3) 5.16. ENIOR VETERAN CORPS OF 1812–The corps will assemble at the statue of Washington, cor- ner Broadway and 14th st., on Thursday evening, June 11, at 6% o'clock, by invitation of the citizens, to attend a concert at the Demilt Dispensary Hall, in full uniform, for the Home, and prepare for the 4th of July. Let every Veteran be present. Music will be furnished for the occasion. By order, * H. RAYMOND, Col. OTICE.- THE COMMITTEE HAVING THE subject of the removal of the landing of the North and East River Steamboats under considera- tion will meet in room No. 8, City Hall, on Wednes- day, 10th inst., at 2 o'clock P. M. All persons interested are particularly requested to attend. H. º , Chairman. ADVERTISEMENTS. EW YORK TYPE FOUNDRY AND PRINT- ERS’ WAREHOUSE, CHAs. T. WHITE & Co.— Type, Borders, Ornaments, Brass and Metal Rule, &c., all made of the very best material, and finished with the greatest care, and offered on our usual liberal terms kept constantly on hand. This being one of the oldest and most extensive establishments, with a very large stock and unsur- passed assortment, orders to any extent can be promptly filled. Editors or Printers wishing to establish a News- paper, Book, or Job Printing Office, will be fur- nished with an estimate in detail for the same. ROAD MOUNTAIN COAL.—Discharging, car- goes of this superior coal, so admirably adapted for cooking ranges, burning freely and leaving no clinker, which will be sold at the lowest market rice. The subscriber is also receiving the pure ed Ash coal, from the mines yielding the best ar- ticle. - APER WAREHOUSE.—J. B. SHIEFFIELD & CO. 63 and 65 Beekman Street, near Gold, New York, would call the attention of the trade to their extensive stock of Papers, comprising an assortment unequaled in variety and quality. Paper Manufacturers' articles constantly on hand. OAL.—The undersigned is in daily receipt of Coal, ! direct from the mines, and is prepared to put in sup- plies for winter at the lowest summer prices. His Lo- cust Mountain, for the kitchen range, is unequaled. Consumers are invited to give it a trial before laying up Supplies. W. J. REYNOLDS. OOKS.—T. R. WEBSTER & CO., Booksellers and Publishers, No. 80 Broome Street, have on hand the largest collection of rare Books, Portraits and Auto- graphs relative to America ever offered for sale. Hav- ing direct connection with all of the old book dealers in England, he is enabled to import promptly and on the best terms. Catalogues sent gratis to any address. URE MANILA CORDAGE.-The Brooklyn Cord- age Company have on hand and are constantly manufacturing a large assortment of Manila and tarred cordage, which they continue to offer to the trade at greatly reduced prices. They warrant their Rope in all respects equal if not superior to that of any other establishment in the city, and respectfully invite the attention of city and country buyers. ARDWARE.—A full assortment of American, En- glish and German for sale by WILLETS & CO., 803 Pearl St. RASS GALLEYS.—Job, Single, Two-Column, and Double Galleys, made of heavy Brass, and lined throughout. Also, Wood Galleys, including different lengths of News Galleys, and all sizes of Slice Galleys. ASES AND CABINETS.—News, Italic, Triple and y Half Cases. Also large and small Cabinets. D ing Bevel Furniture, made of thoroughly seasoned Cherry. - OLORED PRINTING INKS.—Red, Blue, Green, Brown, Yellow and White, furnished at short no- tice. Also Printer's Warnish, Gold Size, and superior ple and sublime. Black Book and News Ink. W. ALLING. THE TYPE FOUNDER. Chas. T. White & Co., New York. - - - Long Primer No. 10. THE TYPE FOUNDER. Seeing and 0bserving, Seeing and observing are two different things. One man shall look at a steam engine, wonder, and go on his way as ig- morant of its principle as he was before his eye was dazzled by the fly-wheel, puz- zled by the governor, or his ear astounded by the whirl of wheels: he saw, but un- derstood not; his unobservant mind failed in appreciating the genius of steam. There- fore, to quote Wordsworth, he was not “a wiser man Than he had been before.” That was the seeing, the merely seeing man. Now, let us take cognizance of the observing man. He looks into the wonderful machine; dives into its mysteries, and understands what he sees. His quick eye detects in an instant the hidden power. The crank goes slowly, the wheels revolve quickly, innumerable wheels within wheels do not puzzle him. With majestic movement the piston slides up and down the cylinder in- to which the genius of steam rushes. He wonders, but is not confounded. All is plain to him, for he is not superficial. Chemistry may not have showered its wealth of wisdom on his head; his condi- tion may be humble, but his thoughts fly to the inventor of the great moving mass of iron before him. He remembers James Watt toiling and thinking: Fulton launch- ing the first fire-boat, and triumphing in the knowledge of his sound principle, while sneers hissed in his scientific ears. Trac- ing great events from little causes, he wonders, and admires. Brunel with his lightning-like Great Western Engine rush- es over his mind; and Stephenson flashes before his mental eye. The Electric Tel- egraph he does not omit to notice, for he is well aware that steam generates elec- tricity. Gazing on the powerful machine, he shrinks into his own mind, there to ponder on the source of power. Such to our minds is the observant man. By telegraph from Quebec, dated last evening, we learn that the Canadian screw steamer North American arrived at that port at midnight on Saturday last. The North American sailed from Liverpool on the 3d inst., and consequently brings no later intelligence than that received by the Bourgeois No. 9. General Summary. Various topics of public interest have en- gaged the attention of Congress, but upon none of them has any definite action been taken. On the 2nd of January the President sent in a message, presenting an elaborate argument against the policy of making appropriations by the General Government for purposes of inter- nal improvement, and windicating his own refusal to sign the bill passed at the last session of Congress for that purpose. The main point urged is, that if the power is once conceded to the General Government of making such improvements, there can be no limit fixed to its exercise; and appropriations for draining marshes, constructing bridges, and every thing which tends to develop the resources of the country, will be just as legitimate as appro- priations for improving the navigation of riv- ers and harbors. -——sº-o-º-o-º------— We have received many flattering compli- ments in relation to the appearance of Our pa- per, and as we are rather modest, and exceed- ingly prone to blush on such occasions, we will state that much of the credit is due Chas. T. White & Co., of the celebrated New York Type Foundry, for which establishment Messrs. H. A. Porter & Bro. are agents in this city. The printing materials manufactured by White & Co. cannot be surpassed by any foundry in the United States, and should any of our contem- poraries desire material of the best quality, we would advise them to call on the agents in this city, who will furnish them promptly.—Rock Island Daily News. —--—sº e-º-o-º------—— The newspaper is emphatically the poor man's lyceum, his library, and his best in- structor. The weekly sheet brings to him a vast treasure of information, which he cannot read without being a wiser and better man. It has been aptly said that a newspaper is as good as a lesson for the thoughtful. Where a newspaper and Bible is seen upon the table in the family circle, there will be found intelli- gence and virtue. —sº-o-º-o-º--— BEAUTIFUL TYPE.-The new and beautiful type in which our advertisements are printed, is from the foundry of Chas. T. White & Co., New York. A handsomer type cannot be found.—Poughkeepsie Eagle. -———sº e-º-o-º----— Harper's New Monthly Magazine for June, just published, commences the fifteenth vol- ume of this popular journal, and the com- mencement is a good one. A very graphic and interesting description of Charleston is the opening paper, which is illustrated with numerous engravings of the public buildings of that city. Adventures of the Early Settlers of New England follows, and brings vividly before the reader the old and fearful scenes of LATEST INTELLIGENCE Minion No. 10. In Mexico the new Constitution is under discus- sion, and will doubtless be adopted. Its principal provisions are as follows: The President to be elected for four years; the Legislature to consist of one House. Religion to be free, but the Catholic faith to be specially protected. - From Great Britain there is little of special im- portance. The negotiations in relation to Central America are in progress, with every prospect of a speedy and satisfactory conclusion, upon a basis which will insure the perfect freedom of the route across the Isthmus, and the abandonment of all British occupation or special protection. Italian affairs present the same uncertain aspect as heretofore, and the danger of a rupture between Austria and Sardinia is increasing. The Sardinian Government has demanded a large credit for the purpose of erecting fortifications. The question as to the probable interference of England in the af. fairs of Naples excites much interest. SPECIAL NOTICES, Geographical and Statistical Society.— A paper will be read this (Thursday) evening, at the room of the Society, in the New York Univer- sity, Washington square, by the Rev. Dr. Adamson, on “Observations to be made in traveling.” Free to members of the Society and their friends. American Institute.—A stated monthly meet- ing of the Institute will be held this evening June 4, at its rooms, No. 351 Bowery, at 7% o'clock. H. MEIGS, Recording Secretary. New York Bible Society.—A regular meet- ing of the Board of Managers will be held at the American Bible Society’s House, Astor Place, this (Thursday) evening, at {} o'clock. jºš ČHoßN, Rec. Sec'y. To Printers.--We would call the attention of Printers to the Metal we are now using. It is the re- sult of long-continued experiments for the purpose of obtaining such Toughness as will preserve the hair lines. This improved Type is particularly cal- culated to successfully resist the severe action of Power Press Printing. - CHAS. T. WHITE & Co. ADWERTISEMENTS, EW YORK TYPE FOUNDRY.—-Electrotyped Jobbing Fonts, cast on metal bodies, being much more durable than the metal faces, and not easily injured by rough handling, are now produced. We strongly commend them to the trade. e Newspaper Heads will be engraved from designs furnished, and Electrotyped. Also, Electrotyped Newspaper Heads from styles shown in this Book. C. T. WHITE & Co. APER WAREHOUSE. J. B. SHEFFIFLD & CO., 63 and 65 Beekman Street, near Gold, New York, would call the attention of the trade to their extensive stock of Papers, comprising an assort- ment unequaled in variety and quality. RAZIERS AND BOLT COPPER.—A full as- sortment of Braziers' and Bolt Copper of the most approved kinds. Extra sizes, made to order by PHELPS, DODGE & CO., 19 and 21 Cliff Street. TATALAGA LAYER. RAISINS, of Prime Qual- ity, for sale by P. HARMONY'S NEPHEWS & CO., Vanderbilt. S1 Greenwich Street. Indian warfare. NONIPAREIL NO. S. OST self-educated men, who for the most part have to win their bread and their information together, feel that the pressing and material business of life has a tend- ency to interfere with the memory of the scientific facts or of the philosophical truths which, in the intervals of leisure, they have been at pains to acquire. Now there are many every-day familiar things which, by any one sincerely in earnest, may be made powerful helps to the memory, and to habits of reflection, through the associa- iion of ideas. It may be useful to illustrate this position by a few examples. There are few readers who have traveled by any sort of carriage, who could have failed to remark the appearances of motion impressed upon the landscape. These are due, not to the landscape, but to the carriage. Such simple phe- nomena are easy of association with the motion of the earth and the immobility of the sun; they read many lessons to us on the difference between real and apparent motion. Among the highest truths in nature is the now confessed universality of motion. The fixed stars are no longer fixed in the ordinary sense, and the belief of thousands of years that they were absolutely fixed, is now proved to have arisen from an illusion of the senses. All are now conceded to be moving around each other with marvelous velocity; though, from the distance, the motion appears to us to be remarkably slow. In the words of a modern astronomer, “mutation and change are every where found; all is mo- tion; orbits expanding or contracting, their planes rocking up or down, their perihelia and modes sweeping in oppo- Site directions round the Sun.” It is well that we are like- wise told that “the limits of all these changes are fixed; that these limits can never be passed, and that at the end of a vast period, amounting to many millions of years, the entire range of fluctuation will have been accomplished, the entire system, planets, orbits, inclinations, excentrici- ties, perihelia and modes, will have regained their original values and places, and the great bell of eternity will have then sounded One | Now among many things which we have not mentioned, but which are nevertheless involved in the above state- ment, there are not a few that are extremely difficult to be remembered, but which it would be serviceable to retain in memory by the aid of familiar associations. Recurring again to the phenomena of travel (for earth is to man none other than a magnificent chariot wherein he rides around that great central luminary, the sun, in the midst of plan- etary systems without end,) we may again refer to the ap- parent motion of the objects through which the passenger on the railway progresses. While passing in a direct line through a forest of trees, those trees toward which he is moving will appear to open out or separate from each other, while those left behind will appear to close up. Now this Same opening out, and this Same closing up, are actually the criteria employed to determine the astronomer touch- ing the direction in which man on this earth is traveling through the starry forest in the skies. Borne along by the movement of the Sun, the astronomer accordingly seeks a point in the heavens where the stars appear to be increas- ing their mutual distances. Finding this point, he next looks behind him in the opposite direction, and there per- ceiving the stars to close up on each other, he concludes that he has found the direction in which he is moving. In this manner it was, in fact, that HERSCHEL determined that the solar system is traveling through space toward a point in the constellation Hercules. Now, many minds acting on this simple association, like the actor who re- ceives the cue of a word or two from the prompter and then remembers his whole part, may, from the mere force of such a system, remember the whole of the discoveries of Argelander and Maedler. The sun with its planets will be seen sweeping toward the north pole of the heavens, in fact, toward the star marked in the constellation Hercules, MINION NO. 9. Quosque tandem abutere, Catilina, patientia nostra º quamdiu nos etiam furor iste tuus eludet 2 quem ad finem Sese effrenata i. audacia tua nihilne te nocturnum praesidium palatii, nihil urbis vigiliae, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, ni- hil horum ora Vultusque moverunt? patere tua consilia non sentis? constrictam jam omnium horum con- scientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris quos convocayeris, quid consilii ceperis, quem nostrum ignorare º O tempora, O mores | Senatus hog intelligit, consul vidit; hic tamen vivit. Vivit? immo vero etiam in senatum venit; fit publici con- silii particeps; notat et designat oculis ad cadem unumquemgue nostrum. Nos, autem, viri fortes, sa- tisfacere reipublica, videnur, siistius furorem ac tela vitemus. Ad mortem te Catilina, ducijussu con- Sulis jam pridem oportebat: in te conferri pestem istam, quam tu in nos omnes, jamdiu machinaris. An vero vir amplissimus, P. Scipio, pontifex maximus, Tiberium Gracchum, mediocriter labefactantem sta- tum reipublicae, privatus interfecit Catilinam vero, orbum terrae caede atque incendiis vastare cupientem, nos consules perferemus? nam illa nimis antiqua praetereo, quod Q. Servilius Ahala, Sp. Melium novis ABCDEFGHIJKLMNOPQRSTUVW XYZ & AECE A B C D EFG H IJ K LMN OPQRSTUVW XYZ & THE Spanish peasantry, taken in a body, are perhaps the finest, and certainly the proudest, in Europe. They are generally well made and robust, very frugal, patient under privations, naturally solemn and taciturn, high-spirited and brave. An exclusive love of their native country, and a dislike to foreigners, are with them traditional feelings connected with their religion ever since the period of the Moorish wars. At the same time, they have so little idea of the construction of the social and political body, that they even lately did not know the meaning of the word nation, and they applied their corresponding word na- cion to designate foreigners exclusively and indiscriminately. They had never heard of “the Spanish nation,” until the constitution of 1820 adopted the appellation; but they knew the meaning of Spain, and Spaniards, and still better that of Castilians, Andalusians, Valencians, &c., according to their res- One illusion vanishes after another. Life seems nothing else than a tour through the illusory world, where the traveler communes with phantoms as he passes along, listens to their vain imaginings, attempts to realize CHAS. T. WIIITE & CO. —NEW YORK. BREVIER NO. 9. Quousque tandem abutere, Catilina, patientia nostra? quamdiu nos etiam furor iste tuus eludet ? quem ad finem sese effrenata jactabit audacia tua? nihilne te nocturnum præsidium palatii, nihil urbis vigiliæ, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque moverunt? patere tua consilia non sentis ? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convocaveris, quid consilii ceperis, quem nostrum ignorare arbitraris? () tempora, O mores! Senatus hoc intelligit, consul vidit; hic tamen vivit. Vivit? immo vero etiam in senatum venit; fit publici consilii particeps; notat et designat oculis ad cædem unumquem- que nostrum. Nos, autem, viri fortes, satisfacere reipublicæ videmur si istius furorem ac tela vite- • A B C D E F G HIIJ K LM N O P Q R STU VW X YZ & Æ (E Quousque tandem abutere, Catilina, patientia nostra ? quamdiu nos etiam furor iste tuus eludet, quem ad finem sese effrenata jactabit audacia tua ? nihilne te nocturnum præsidium palatii, nihil urbis vigiliæ, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque moverunt? patere tua consilia non sentis ? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convocaveris, quid consilii ceperis, quem nostrum ignorare arbitraris? O tempora, O mores ! Senatus hoc intelligit, consul vidit; hic tamen vivit. Vivit? immo vero etiam in senatum venit; fit publici consilii particeps; notat et designat oculis ad cædem unum- A B C D E F G II IJ K I, MI N O P Q R S T U V W X Y Z & , E (E Quousque tandem abutere, (Jatilina, patientia nostra ? quamdiu nos etiam furor iste tuus eludet ? quem ad finem sese effrenata jactabit audacia tua ? nihilne te nocturnum præsidiotm palatii, nihil BREVIER NO, 11. Quousque tandem abutere, Catilina, patientia Quousque tandem abutere, Catilina, patientia T * � $) se e � *e «-* $ - 9 «-* & • � nostra? quamdiu nos etiam furor iste tuus eludet? nostra? quamdiu nos etiam furor iste tuus eludet? quem ad finem sese effrenata jaetabit audacia tua? d fi ffrenata iaetabit audacia tua? nihilne te nocturnum praesidiüm palatii, nihil urbis | quem ad nnem sese eurenata Jactapiy audacia tua? vigiliæ, nihil timor pópuli, nihil eonsensus bono- i nihilne te nocturnum præsidium palatii, nihil ur- rum omnium, nihil hic munitissimus habendi se- j bis vigiliæ, nihil timor populi, nihil consensus bo- & ** m * * * • * ' .• te √ 9 G- e* *- • ę ç , ©* £ * ę natus locus, nihil horum Ora yultusque ì9Verunt? inorum omnium, nihil hic munitissimus habendi patere tua consilia non sentis? eonstrictam jam tus l ihil horum ora vultusq ómnium horum eonscientia teneri conjuratioiiem | senatus loeus, nimi hºrum ora Vultusque move- tuam non vides? quid proxima, quid superiore | runt? patere tua consilia non sentis? constrictam nocte, egeris, ubi fueris, quos convocaveris, quid jam omnium horum eonscientia teneri conjuration- eonsilii ceperis, quem nostrum ignorare arbitraris? em tuam non vides? quid proxima, quid superiore () tempora, 0 mores ! Senatus hoe intelligit, con- nocte, egeris, ubi fueris, quos convocaveris, quid sul vidit; hic tamen vivit. Vivit? immo vero e, egeris, , quos 3 q. •) tieeps; notat et designat oculis ad eædem unum- i 0 tempora, 0 mores ! Senatus hoc intelligit, con- ABCDEFGHIJKLMNOPQRSTUVWXYZ& ÆCE The oxeeedingly ingenious inventiom of primting with metal Types was first brought to light in the Fifteemth Century, in Germany; a country most remarkable in the history of mankind, for having furnished many important improvements in the mechanic arts. Until the diseovery of this art, no natiom in the world possessed a distinct knowledge of its neighbor, or was evem acquainted with its owm internal properties. All communications had to be effected by means of Writing or by special messengers, and the knowledge gleaned by one generation was necessarily exposed to the risk 9f being lost, foî want of a permanent medium of communication. The early inhabitants of the earth would A B C D E F G II IJ K L M N O P Q R S T U V W X Y Z & AE CE CIIAs, T. wHITE & Co.—NEW YORK. BREVIER NO. 10. UR COMMERCIAL AGE.-It is an age of all barriers, penetrating every solitude, and enter- ing into the daily thought and living of mankind. commercial civilization. A man not only hears this truth from the lips of every orator on the platform, and from every philosopher in the lec- ture-hall; it not only reaches him through the press and from the pulpit, but his eye reports the fact along the streets and wharves of every city. The whole country, indeed, is a gigantic adver- tisement of this commercial character of the age. The great world itself owns a common brother- hood in this new spirit of modern life; and unlike as tribes and nations are, the productions of their soils and the manufactures of their hands are unit- Each part of the globe is fast becoming a necessity to every other part, and, at last, Selfishness serves Benevolence by executing the commands of Uni- versal Sympathy. It is not a new lesson. Divine Wisdom taught it long since. The sentiment of race and brother- hood, revealed in the early ages of the world, il-, lustrated by prophets and confirmed by Christ, was always a truth for reverence and love. But it slumbered in beautiful parables, and lay hidden in mystic figures, until the slow working of time : brought it forth and enthroned it in the practical creed of obedient men. advanced on the intellectual and social convictions ing them closely together. Some find fault with it; others vehemently condemn it; while not a few, rising above the mere materialism of commercial phenomena, see therein the sure prophecy of a higher humanity. One thing, however, is certain, viz., intercourse is the law of the age. If men themselves will not travel, their skill, inventions, and products can not remain with them. The indus- try of the world is all in motion, floating over the ocean, hastening over the land, breaking through Step by step religion has of human Society; step by step it has mastered One interest after another; so that now trade and commerce are exerting their wondrous agency in behalf of the reign of universal peace. Beneath all this interchange, then, there lies a great prin- ciple; viz., the original, permanent, exalted idea of the unity of the race; and whatever trade and commerce may accomplish in the pursuit of their temporal ends, there are other and grander results to follow. Business is not confined to dollars and cents. It involves intercourse of mind with mind —the action of one nature on another nature—the influence of life on life; and hence, the foundation BOURGEOIS NO. S. LD ENGLAND is a subject which may well follow Young America in our month- ly editorials; and as we have furnished our readers with quite a liberal supply of the lat- ter article, they will without doubt be grateful enough to indulge us in a few thoughts on the other and less popular topic. It may have less to stimulate our self-esteem, or Our na- tional “organ of approbativeness;” still it has a deep interest for ourselves, especially in our outward relations to the civilized and Chris- tianized world. Old England, our father-land —or, as we are more in the habit of styling it, our mother-land—is now hard bested in a War more arduous, more critical, more perilous to her rank, if not her very existence among na- tions, than, perhaps, any former contest in which she was ever engaged. It is a righteous war on her part. The declared issue, the real issue, is one in which England has the right beyond all question. As far, too, as such a conflict can ever be righteously entered into terests, it is an unselfish war. It is a war in- volving the highest questions of the world's welfare. It is a war on which would seem to be staked the destinies of Europe. It is a war of civilization against barbarism, of constitu- tional liberty against despotism. It is a war for supporting the faith of treaties. It is un- dertaken in defense of a weaker nation unjust- ly invaded by a powerful neighbor, and with demands utterly destructive of its national in- dependence, and even of its very nationality itself. It is a war demanded, not simply by the English Ministry—who were, in fact, very reluctant to engage in it, and with the best reasons for such reluctance—but by the En- glish people. It is a war which has enlisted the enthusiasm of all ranks in a nation most Christian, most intelligent, most civilized, most philanthropic, most like ourselves in all the best and higher attributes of humanity. It is a war which has the all but unanimous assent of a people whose substantial and numerous middle class is distinguished, among all others, for a healthy moral sense, or a public con- Science most keenly sensible to right, and most alive to all questions of practical philanthropy. It is, last though not least among considera- without a due regard to the best national in- |tions that may be adduced to our own nation- CHAS. T. WHITE & CO. —NEW YORK. LONG PRIMER NO. 9. Quousque tandem abutere, Catilina, patientia nostra º quamdiu nos etiam furor iste tuus eludet quem ad finem sese effrenata jactabit audacia tua nihilne te noc- turnum praesidium palatii, nihil urbis vigiliae, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihli horum ora vultusque moverunt? patere tua consilia non sentis? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convocaveris, quid consilii ceperis, quem nostrum ignorare arbitraris? O tempora, O mores! Senatus hoc intelligit, consul vidit; hic A B C D EFG H IJ K L M N OP Q R S T U W W X Y Z & AE OE Quousque tandem abutere, Catilina, patientia nostra º quamdiu nos etiam furor iste tuus eludet? quem ad finem sese effrenata jactabit audacia tua nihilne te noc- turnum praesidium palatii, nihil urbis vigiliae, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque moverunt; patere tua consilia non sentis' constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convocaveris, quid consilii ceperis, quem nostrum A B C D E F. G. H. I. J K L M N O P Q R S T U W W X Y Z & AE CE Quousque tandem abutere, Catilina, patientia nostra 3 quamdiu nos etiam furor iste tuws eludet 3 quem ad finem Sese effrenata jactabit audacia tua & nihilne te noc- LONG PRIMER NO. Z/ E Americans are the best makers of money and the worst spenders of it in the world. We are like the slaves in the diamond mines of Brazil, who toil and sweat and grub in the dirt in search of the riches they are destined never to enjoy. At each turn of the spade or the pick dia- monds may be thrown up, but their splen- dor never glitters in the eye of the wretched bondsman. He goes on digging, and add- ing to the heap of the rude, unpolished stones; but as he is unskilled in the art of the lapidary, he must remain as unconscious of the brilliancy of the diamond as if it were no more than a paltry pebble. So we toil and toil to heap up riches, without ever having learned the art to give them, by proper cultivation, that effect upon which alone their value depends. Some one having remarked, in the hear- ing of Lord Erskine, that a certain Smith, Brown, or Jones, of London, had died worth a million of pounds, his Lordship, in his usual quiet, satirical way, remarked, “What a handsome sum to begin the next world with.” Our merchants would seem to be toiling, and adding hundreds to hun- dreds of thousands, in order to start busi- ness in the next world with a suitable cap- ital. It might really be supposed that they thought paradise, if they ever raise their eyes upward and think of paradise at all, was another Wall Street, where the chief employment was shaving notes, and the highest delight getting fifteen per cent. for their money. They, however, as they must, some time or other, take their departure for the next world—but whether their future locality will be paradise or its antipodes it may not be perhaps polite, whatever may be our private opinion, to say just now— will find that they can not carry their money bags with them. These they must leave behind to be opened, and their glittering contents scattered, perhaps, by some spend- thrift heir. • In the masquerade reign of Louis the Fifteenth, when the king put on the cap CIIAS. T. WIIITE & CO. —NEW YORK. ;—---—--— — -—--— • • •- --- LONG PRIMER No. 12. Quousque tandem abutere, Catilina, patientia nostra? quamdiu nos etiam fu- ror iste tuus eludet? quem ad finem sese effrenata jactabit audacia tua? nihilne te nocturnum præsidium palatii, nihil urbis vigiliæ, nihil timor populi, nihil con- sensus bonorum Omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque moverunt? patere tua consilia non sentis? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convocaveris, quid cönsilii ceperis, quem nostrum ignorare arbitraris? O tempora, O mores ! ' Senatus hoc intelli- git, consul vidit ; hic tamen vivit. Vivit ? immo vero etiam in senatum venit; fit publici consilii particeps; notat et designat oculis ad cædem unumquemque nostrum. Nos, autem, viri fortes, satisfacere reipublicæ videmur, si istius furo- rem ac tela vitemus. Ad mortem te Catilina, duci jussu consulis jam pridem oportebat: in te conferri pestem istam, quam tu in nos omnes, jamdin machinaris. An vero vir amplissimus, P. Scipio, pontifex maximus, Tiberium Gracchum, mediocriter labefactantem statum reipublicæ, privatus interfecit: Catilinam vero, orbum terræ cæde atque incendiis vastare cupientem, nos consules perferemus? nam illa nimis antiqua prætereo, quod Q. Servilius Ahala, Sp. Melium novis rebus studentem mana sua occidit. Fuit, fuit, ista quondam in hac reipublicæ virtus, ut viri fortes acrioribus suppliciis civem perniciosum quam acerbissimum hostem coercerent. Habemus enim senatus consultum in te Catilina, vehemens ABCD EFGHIJKLMNOPQRSTUVWXYZ& ÆOE Quousque tandem abutere, Catilina, patientia nostra? quamdiu nosiam fu- et ror iste tuus eludet? quem ad finem sese effrenata jactabit audacia tua? nihilne te nocturnum præsidium palatii, nihil urbis vigiliæ, nihil timor populi, nihil con- sensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque moverunt? patere tua consilia non sentis? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convocaveris, quid consilii ceperis, quem nostrum ignorare arbitraris? O tempora, O mores! Senatus hoc intelli- git, consul vidit ; hic tamen vivit. Vivit ? immo vero etiam in' senatum venit; fit publici consilii particeps; notat et designat oculis ad cædem unumquemque nostrum. Nos, autem, viri fortes, satisfacere reipublicæ videmur, si istius furo- rem ac tela vitemus. Ad mortem te Catilina, duci jussu consulis jam pridem oportebat: in te conferri pestem istam, quam tu in nos omnes, jamdiu machinaris. An vero vir amplissimus, P. Scipio, pontifex maximus, Tiberium Gracchum, mediocriter labefactanterh statum reipublicæ, privatus interfecit: Catilinam vero, -A B C D E F G HIIJ KL MN O P Q RSTUVWXY Z & Æ CE Quousque tandem abutere, Catilina, patientia nostra ? quamdiu nos etiam furor iste tuus eludet ? quem ad finem sese effrenata jactabit audacia tua ? mihilne te nocturnum præsídium palatii, nìhìl urbîs vîgîliœ, nihil timor. A B C D EFG HI.VKLMNO P Q R S TUV WX YZ«£ ÆOE CIIAS. T. WHITE & CO.-NEW YORK. PICA NO. 6. Quousque tandem abutere, Catilina, patientia nostra ? quamdiu nos etiam furor iste tuus eludet? quem ad finem sese effrenata jac- tabit audacia tua ? nihilne te nocturnum præsidium palatii, nihil urbis vigiliæ, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vul- tusque moverunt? patere tua consilia non sentis ? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides ? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convo- caveris, quid consilii ceperis, quem nostrum ignorare arbitraris ? O tempora, O mores ! Senatus hoc intelligit, consul vidit; hic tamen vivit. Vivit ? immo vero etiam in senatum venit; fit publici consilii ABCDEFGHIJKLMNOPQRSTUVWXYZ& ÆCE ABCDEFGHIJKLMNOPQRSTUVWXYZAEOE Quousque tandem abutere, Catìlina, patientia nostra ? quamdiu nos etiam furor iste tuus eludet ? quem ad finem $e$e effrenata jac- PICA NO. 7. Quousque tandem abutere, Catilina, patientia nostra? quamdiu nos etiam furor iste tuus eludet? quem ad finem sese effrenata jac- tabit audacia tua? nihilne te nocturnum præsidium palatii, nihil urbis vigiliæ, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vul- tusque moverunt? patere tua consilia non sentis? constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi fueris, quos convo- caveris, quid consilii ceperis, quem nostrum ignorare arbitraris? O tempora, O mores! Senatus hoc intelligit, consul vidit; hic tamen vivit. Vivit? immo vero etiam in sematum venit; fit publici consilii ABCDEFGHIJKLMNOPQRSTUVWXYZ& ÆCE ABCDEFGHIJKLMNOPQRSTUVWXYZ&ÆCE Quousque tandem abutere, Catilina, patientia nostra? quamdiu mos etiam furor iste tuus eludet? quem ad finem 8e8e effrenata jacta- CHAS. T. WHITE & CO.—NEW YORK. ENGLISH No. 4. Quousque tandem abutere, Catilina, patientia nostra 2 Quamdiu nos etiam furor iste tuus eludet P quem ad finem sese effrenata jactabit audacia tua 2 nihilne te nocturnum praesidium palatii, nihil urbis vigiliae, nihil timor populi, nihil consensus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque move- runt 2 patere tua consilia non sentis 2 constrictam jam omnium horum conscientia teneri conjurationem tuam non vides? quid proxima, quid superiore nocte, egeris, ubi ABCDEFGHIJ KLMNOPQRSTUVWXYZ&AE OE ABCDEFGHIJKLMNOPQRSTUVWXYZ&AECE Quousque tandem abutere, Catilina, patientia nostra 2 quamdiu nos etiam furor iste tuus eludet 2 quem ad finem GREAT PRIMER No. 4. Quousque tandem abutere, Catilina, patientia nostra? quamdiu nos etiam furor iste tuus eludet quem ad finem sese effrenata jactabit audacia tua 7 nihilne te nocturnum praesidium palatii, nihil urbis vigiliae, nihil timor populi, nihil consensus bonorum omnium, nihil hic ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ&AEOE Quousque tandem abutere, Catilina, patientia nostra º quamdu nos etham furor iste tuus CHAS T. WHITE & CO.-NEW YORK. NO. 3. Gazing on the powerful machine to ponder on the source of power there THE NEWSPAPERS. 185. Forthcoming new Publications! 3 Reaching to the secluded valleys along the DELAw ARE. ERIE RAIL ROAD. 8 .Majestic .Notwithstanding The sweetest Pictures of gentle beauty shown OUR NATIONAL 8 Smiling contentment. DOUBLE ENGLISII NO. 1 |Morning Glories PLEASURE. 5 Kindly hearted The sunshine EMBLEMI 7 .Wew anthem Names 7 From the Hudson to the Lakes the scenery GRAND WIEW. 5 Financial e/Matters. DOUBLE SMALL PICA No. 2. Constantly changin from the sublime an EARNESTLY. 7 Western Earpress! Abounding With HUDSON. 75 e/acedoniana. Imposing Stone |FRAMIES. 5 Fast Freight Pretty mice -Illusions The Poet. Graceful CIIAS. T. WHITE & CO.-NEW YORK, AGATE ROMAN EXTENDED. The larls: llad called rm e at the birth of Clavvin. My clıeerful toils all d rural sports to slnare; IN or when mildl evening glirrhimer’d on the lawn, EHadl sleep been frighted by the voice of care. A G-ATIE I,IG E HIT ETA CIE EXTEIN IDEID - 1234: BREVIER ROMAN NONPAREIL ROMAN EXTENDED. O Wisdom if thy soft control Can soothe the sickness of the soul, Can bid the warring passions cease, IBFIX ATUTIETTUIL AND IRRESISTIBLE 82 EXTENDEI). With what a stately and majestic step That glorious Constellation of the North treads its eternal Circle ! THE COMPERIEEHENSIVE EXPANSION OF ENOVVILEDG-E 34-6 LONG PRIMER ROMAN EXTENDED. The Lord is my Shepherd, no want shall I know ; I feed in green pastures, safe folded I rest; GEE AT AND E2EESTEVIEERING INDUSTRY 34-56 PICA ROMAN EXTENDED. A musing EReminiscences Of Early Times. IRIEETINIEMENT AND COUTERTESY 234– Extraordinary Intelligence yº DENOMINATIONAL 258 LONG PRIMER OLD STYLE, His late Majeſty, King Charles the Second, did by his letters patent, under the great Seal of ENGLAND, bearing date at Westminster, the 18th day of December, in the CURIOSITIES OF ANTIQUITY. 1492 GREAT PRIMER OLD STYLE. THE early history of Printing is enveloped in mystery. Its intro– OLD MANUSCRIPT 250 PICA OLD STYLE. PRINTING was first brought to light in the fifteenth century, in Germany, a most re- ANCIENT DOCUMENTS. 1607 ALTHOUGH only four cen- turies have passed since the CARTHAGENIA 2.8 REAL DOUBLE PICA OLD STYLE. ANCIENT paper was white, ſmooth, and durable. SKETCHES OF OLDEN TIMES 1340 CHAS. T. WHITE & CO. —NEW YORK, |→ |PEARL FULL FACE, Congress, in my opinion, possesses the power to pass a uniform bank- rupt law applicable to all banking institutions throughout the United States; and I strongly recommend its exercise. This would make the irreversible organic law of each bank’s existence depend upon ANTICIPATION OF MAKING LARGE ORDERS. 123456 AGATE FULL FACE. Printing has made rapid progress throughout our entire country during the past years, opening and enlarging the avenues for com- petition, increasing trade and developing rits stength and resources CYLINDER PRESSES IN PRINTING OFFICES. 1379 NoNPAREIL FULL FACE No. 1. Education should be freed from plailosophy not supported by truth; and then that which ermanates from instruction will spring from a main source OUIR, I HEAVY FACE O PLAIN LETTER, 16 NoNPAREIL FULL FACE NO. 2. Commerce has done and can do much to advance civilization in the earth. The personal intercourse of men with Christian prin- ciples, if time could allow, would promote this object greatly. SPREAD OF CHRISTIANITY IN THE WORLD. 58 MINION FULL FACE. - This desirable Fullface Letter is much used in News- papers for headings, display lines in the advertising pages, and is attractive generally for its neatness and SELECTED FROM BUSINESS THOUGHTS 23 BREVIER FULL FACE. How far Printing will help Religion is to be determined only when error shall be separated from minds already learned. Or IBO L DNESS IN AIRGUMIENT. 12345 BOURGEOIS FULL FACE. Heavy Faced Titleing letter should be at Inamd in Primating Offices for gemneral Job work particularly for cards and circulars CHAIRM IIING | DISPLAY LETTERS. 28 LONG PRIMER FULL FACE. Long Primer Full Face is one of the best sizes of this style of Title letter. Genteelly comparisoned in CONS II DEIRA HELLE WEIGHT. 58 SMALL PICA FULL FACE. Prominent characteristic of this class of printing type is its bold attractiveness: constant enduring IRICHILY WARIE D CHAIRMS. 5 NONPAREIL ITALIC FULL FACE. The mean echo is so conscious of the rectitude of his inten- tions as to be willing to open his bosom to the inspection of the world, is in possession of one of the strongest pillars OF AZ AIDE CIDAEID CLAAAAIR.MCTEP, Jº IV*/EAA/T (D-NY'S OF THE JWIICROSCOPA'. BREVIER ITALIC FULL FACE. Glorious JW'ew England 2 thow art still true to thy ancient fame, and worthy of thy ancestral honors. Wºe have assembled JWIOU.W*T*AL.A." RE W*IELRIES. JPOTAAAAY" (CeALL LE XI PI LOI Reſ (TIO.W.S. BOURGEOIS ITALIC FULL FACE. Large aſíssortments of display types for every kind of Printing; Jºewspaper, Job, Card, Fancy, Circular, and Book Offices PRI.W'TI.W.’G JM-4TER.I.MLS, OR.W.M.M.E.W*TS, BORDERS, &c. Etc. LONG PRIMER ITALIC FULL FACE. Colored, Book and JVews printing Ink, of every describable kind or anzanºwfacture. Cheaper kinds of ink IEI LECT ROTY"I PANY"G. ..aret of Triple row.wºw.v.G SMALL PICA ITALIC FULL FACE. Printing Papers; cap, letter, folio post, newspaper, book, and other papers are kept constantly one hand elſ. HP. S. Aſ E. F. F. T. E. L. D & COO. DEE.ITES M.V. CO.V'GRESS. PICA ITALIO FULL FACE, Primeters fºrwaishânagy &2°- ticles, Reglets, planners, Cabinets, Stannals, Points TATE FOUAW"DIR Y” COe/Wº'ſ TEe/WILP/Deſ/TTOe/Wº. PICA FULL FACE, Finely proportioned bold face letter, well finished and cast of hard material THE UNITED IFACES 7 CHAS T. WHITE & CO.-NEW YORK, NoNPAREIL conDENSED THE CONFIDENTIAL CORRESPONDENCE OF NAPOLEON AND 00NTRIBUTIONS TO NATURAL HISTORY. 248 - TWO LINE DIAMOND CONDENSED. (LARKE'S COMMENTARY ON THE OLD AND NEW TESTAMENTS. INTERESTING WRITINGS, TWO LINE DENSED NO. 3 THE NORTH AMERICAN MAIL STEAMSHIPS LECTURES ON ELECTRICITY. 1857 LINE NONEPAREIL CONDENS THE MECHANICS AND TRADESMEN THE GENERAL SOCIETY. 2683 REVOLUTIONARY HISTORIES FOR THE FRENCH. 754 THE DEIAWARE CANAL AND HUDSON, 1823 CENTRAL AMERICA ROCKLAND 23 HOLIDAY PRESENTS MER(HANTS 58 FO LINE GREAT PRIMER CONDENSED. MAGNETISM 25 TWO LINE DIAMOND NO. 3. * THE GENIAT, RAY OF MORNING. REFULGENT SUMMER. 284 ACCUMULATIONS NEW BOOKS 20 COMPREHENDs EXCELSIOR 15 COMPENDIOUS MOULDED 42 TRIUMPH 5 MONTHLIES KNIGHT 4. TWO LINE NoNPAREIL CONDENSED NO. 1. CABINETS FURNITURE CHASES, 958 SUPERFINE BLACKINK.2s REFORM MEASURES 58 BINDERSFONTs 32 *Two Line Nonpareil No. 6 of this series now ready. The swelling tide of improvement, with its Gracefully proportioned 'blending magnificent attractiveness. Progress of the utility and beauty without orna- * ; . ºne ment. Superbly useful. e Merchants' Exchange STFENGTH AND ELEG-ANCE. 78 - ELABORATE CHASTE. 1257 PICA IONIC. Fashioned by the skillful The sunshine of hope, the fra- * –. L7 grance and beauty of love: in artist'S hand. Excellent Sweetest harmony. style of printing type G-RADUATE HIGHER, 58 BRIGHT AND GA.Y. 15 DOUBLE SMALL The enchanting magnificence of the scenery in passing through the Highlands. FINE LANDSCAPE GARDENING 58 We admire the shape of this letter and its elegance and usefulness. TYPOGRAPHICAL SOCIETY. 28 PRIMER HONIC, Marble statuary from the chisel of the Sculptor. DESIRABLE STYLE. 21 FOUR LINE PICA Excelsior and chaste THE PRINTER. 3 Four LINE PICA IONIO No. 2. ENSHRINE 5 CHAS. T WHITE & CO, NEW YORK, sºuruſ/, /muſhº, uro/sºurmºuſ 77 pop/s/- - s/ano V Ž//amp/ 2/7 fo wo///pg| //o/asmoſº i w” say ºn ofun/o 2/7 ſo www.ro/uq 2% way, - wo/n umo//7 waſ sm/7 spy 7/87 fo 2.Ém// Zson p '7027 -/ms 7/7 oz paſſpo Fuſa/woſzuaſſo hiſ 77% ºſmosſo pup 7027%u an/p/p/u/oo w/ u/p/ 270/ Žay/ 7mou ///um 2/2/ houſafu, Aſſay/ up 72%, so 2./o haſ a sm Fuoup pºp/rº/ -sp $72/7/2/0/u/oo op/2//// uda/ amo/s/Mp 2/2 ºup//ou z, so sm/uał w Zuazoftºp 2.ſo am 70// wor//asso 2/7 277// 7//up sºoz//mys pups:/a/u/p/./mo ſo sºft/om 2// ſo hurru, so 7am so ‘sao//vuo/vu 702/5 /mo ſo suo//ompoſ/ 2//~ ‘sko 91 tº 'sqL 06? OIJo sluog "NVINOSIGVIN ?IGHINI Hai J.V.GI?H5) | 7pro/ p/p/ payoffo/2% ſmo zuo'ſ appu Sa'iſha buzzulºſſy Ā’67.9/ pup/bug /777n woºſumuluoy 27//p/baja'O • Sappy/> payru// 2/7 pup pup/bug uzan/27 suo/opsupta 7prºſauruſogy/ 2//2 ,772 wroſso 27 of 7/8 ºf ampy audu puzſ 'paup'ſ 2/27m 27m sp 7p 24,27m 277/7 S/Z. ‘zua, hourſ upo awo ou a ſms u/~—Sºyooy hiſ/ d; aurospupy os son /- fros fayz ſºp puž , ‘aſooj; 2,777//m2s pup puzzurp/ſo sºftſon uproaſt), ſo soya, 7nſympaſ, #75u, -puol/s24f02 ſoft Sayºfpaşa, sriy u, up/7 fºſſao/ pup 2A/o/2// ſo 777s,ſm/ 2/7 w! 2:/ouſ Zou pay/872p fasury paapu, ‘oſaa/g/ 7up/ſon/uſ, pup 707/uamºſuſ 2/7p sº pup ‘zoaffo auſps aſz pup urbºſo auſps 2/7 spy sy/p 2s2/7 ſo yopa ‘hºſ/207//o (2/m2/ſmos ‘Buſſurp/ſa/72// 'sm 2/mssp 77m yopo ſo hºofsſy aſy 'puzzu 2/7 ſo Zuouſano/i/uſ pup Žuauſauſa, aſ ſoſ 20tſp/ſonſu, Zsa/frſ/ 2/7 fo Aſp ſo hipmys 27/7 pap/opa/ Mama ampy pºſom 2/7 ſo sapp uſapou pup Zuazo -up 2/7 ºn Wyom 'spuru pazony/m2 pup paſſ/p/ua /soul aſ ſo suos/ai/ 7p/a- “syo 06 tº "sqL WI º 1, Jo.syuo. I *NWINOSIGIVIN WOIJI ag/, /s/mºz ſºoº suoruñoſ, LONG PRIMICIR CONDENSED BLACK. ūoths #titutifully llustratto, by Şamut! #itburbson. #umorists of the Eighteenth ºrnfurg, 1857 GREAT PRIMER CONDENSED BLACK No. 2. (5rtat (ºthibition of the Ülorld. 12 ENGLISH CONDENSED BLACK. (ſomitium ºf the #pril 3 mtrithm &milms. §mportantt ºf the flittlämit 3rts 482 DOUBLE SMALL PICA CONIDENSED BLACK. 3||lustratti family ºillts 187 ſ DoublE ENGLISH CONDENSED BLACK No. 2. ºth jalm jumg film's (ſhristian 3380tiatim, 57 DOUBLE PARAGON tlugital Agºſtiutium; tıf Yıtu ?)uth 15 Q \º CONDENSED BLACK. CANON CONDENSED BLACK. (1. / It ſtuptional jarmonist 5 ——g-Heº®3394-3--— PICA CONDENSED BLACK SHADED. £eautiful fºggong of £ractical ºiáñom DOUBLE ENGLISII CONDENSED BLACK SHADED. GREAT PRIMER CONDENSED BLACK SHADED. àurmuring ºuntain streams, DOUBLE SMALL PICA CONDENSED BLACK SHADED. *louthful sprightlintº Arraged in ſºliday press. DOUBLE GREAT PRIMER CONDENSED ELACK SHADED. ălnium Literary and Uhtological seminary PICA CoNDENSED BLACK. What (ºlorious (ſongfellation of the 3\orth Double ENGLISH CONDENSED BLACK NO. 3. Çime-worm #attlements GREAT PRIMER CONDENSED BLACK No. 3. Commencement of 6turva College. Double SMALL PICA CONDENSED BLACK No. 2. The American Čurudopedia DOUBLE GREAT PRIMER CONDENSED BLACK. Hiploma of the firmtuthu Alledical College CHAS. T. WHITE & CO. —NEW YORK. PICA CIIURCII TEXT. Čít jelligital #rminting if the Ölmitri šimtri, Criſtill ingrupil if it ſiſtſ 7 (Pullmºlitill ſºlullûtillº. LONG PRIMER DLACK NO. 2. (fight (Inlimber (Impe renolping fugt Jrinting. 8 PICA BLACK No. 2. IJimensiong & Jrites jJrinting ſilachines 5 GREAT PRIMER BLACK No. 2. £mprouch £5tambing Jrtggrg. 82 1Japer (Iutting 4tlachine 7 TWO LINE PICA BLACK. 1īrabſ, 33roof ºregº. 3 GREAT PRIMER CONDENSED BLACK No. 1. łłith am unrith Jortrlain (Ilind marts. 5 TWO LINE LONG PRIMER, CONDENSED BLACK. (Biruitbolts finiſtle (Ornaments. 7 (I|\t Atlantic flaga;int. 25 Two LINE ENGLISH CONDENSED BLACK No. 1. jmūnâtrill (Erhibitiºn 4 DOUBLE PARAGON SHADED BLACK. § & & Lº Q. A. A º § e ly. t e \\ lº º | t PICA SECRETARY. ôleasing veminiscences of of) acquaintances. Aſ 85 j. GREAT PRIMER SECRETARY. 0\}ct %wiceable %cſics of doen Žimes 5 DOUBLE SMALL PICA SECRETARY. Šſhouſe (Oſ) %ion), to foºqotten. 48 GREAT PRIMER GERMAN TEXT NO. 2. ășorks §ſ gantſ whº profuseſt, §ſſustafé 3 DOUBLE SMALL PICA GERMAN TEXT. % k gº, Géº s &lmont $ictures of ğrt &aſſºrs, 2 DOUBLE ENGLISH GERMAN TEXT. (2& sº ſº Seſs $ *ew ºth #£cabema of music 7 I)OUBLE PARAGON GERMAN TEXT. \ A $ ~5 A y $ ſº § 1110 snºwn. y DOUBLE SMALL PICA SAXON OPEN. #Iſuminaiti º DOUBLE PICA SAXON OPEN. N | iltàign, GY O * ſ à. i ||| | | * 4) 3. *(c DOUBLE GREAT PRIMER SAXON OPEN. Antiºn; ºnlum º CANoN saxoN OPEN. &milm ºmni CHAS. T. WHITE & CO. —NEW YORK, BOURGEOIS HAIR LINE. The newspaper is emphatically the poor man's lyceum INTERESTING TRADITIONS. 2358 Film: IEVEſ pºſs in a moſt Eſlāſāgīthumſ thiſ whºm sh: Itiuſ's COMMERCIAL INTERCOURSE OF AMERICA. 2160 From the Hudson to the Lakes the Scenery THE MOUNTAIN TORRENT. 5732 How dear to my heart are the Scenes of my PLEASURES OF CHILDHOOD. 1890 LONG PRIMER OUTLINE. The Limes with precision drawm. (OUTILINE LETTERS, 274 The Universal Geography. IDEMIOSTHIENIES 5(§ LONG PRIMER BLACK OUTLINE. #t ig mecc33ary to am tăgy, and jappy life, fo pººge; our CQ)}|º]}{2|{Jºſ. 35'NG|3%lºr:TG.; IPICA BLACK OUTLINE. &ºtſtet ºutſº; almºgºmºlºg TWO LINE PICA BLACK OUTLINE. t 3 ſº? V. A 4 Júſagiiitºnſ gºt, 5. firfisſical Imbenſions of an ingenious person. 570 PICA ARABEsque. 30hiffling Imaginations of a School 30ſ. 28 GREAT PRIMER ARABESQUE. Penknife skeich of iſobel Type 3 GREAT PRIMER BLACK SHADED. §); guigiously 3!ymiºubls. Two LINE PICA opFN BLACK No. 1. 3cientific Attainments, 8 TWO LINE PICA OPEN BLACK NO. 2. Tlepotch to Knowledge DOUBLE PARAGON SHADED TEXT. #ſºr ºmirº GREAT PRIMER GRECIAN. ||||||||||||Will. IITſ Hiſ TWO I,INE PICA SKELETON. SITMH. Hill J||}|T|| || TWO LINE PICA GOTHIC EXTRA CONDENSED NO. 1. HIHHMH) Immiſſibliºtt, 54. TWO LINE PICA GOTHIC EXTRA CONDENSED NO. 2. §IIIH) || ||||PM||||I|| || GREAT PRIMER SKELETON. CAN BE USED ADVANTAGEOUSLY 4 TWO LINE PICA SKELETON. SUPERIOR JOBENGTYPE ) DOUBLE GREAT PRIMER SKELETON ANTIQUE. |||}||N|| || CANON SKELETON AN TIQUE. PHHNſ||M|| || GREAT PRIMER, EXTRA CONDENSED. |DDRESSED TO THE PRINTERN, 7 TWO LINE PICA EXTRA CONDENSED. WI. FIRWIN MEMS TYPEN || DOUBLE PARAGON EXTRA CONDENSED. |||||||||||||| CHAS. T. WIIITE & CO. —NEW YORK. PEARL ORNAMENTED, &Q9%tºlºgºşırlitºſłºgº Hººgºfilº Ny’Hºasta 4AGºße - NONPAREIL OPEN SHADE. UNITED KINGOOM OF GREATERITAIN AND IRELAND 857 MINION OUTLINE, TELARPERPS JOURNAIL (OIF (CIVILIZATIONo IsrevieR or NAMENTED No. 1. § {}{}NiščHT EX&ºjššíðN Tô HAºû,''{}N 185? BREVIER ORNAMENTED NO. 3. DEALER IN MATHEMATICAL INSTRUMENTS, TROY, BREVIER ANTIQUE SHADE NO. 1. NIEW ANID) ElliºGANI'ſ PARNITRINIGS 19 BREVIER TUSCAN SHADE. $43,333 fºº(3 AğüS$$$$$fº $334} §§§ 3&4, ºšºf Jööß4\ºn, AśćA$f ºf{&##$º & & LONG PRIMER ANTIQUE SHADE. É'INTE: EURNIIISHIIING! (GOODS lº LONG PRIMER EXTENDED SHADE. *Hria sºrouagadaatase e TWO LINE PEARL ITALIAN, IEEER ºr "S ANCIENT HISTORY 35 LONG PRIMER ORNAMENTED NO. 2. IDWTA IIISEORIEAT 30ETºr is ºr LONG PRIMER ORNAMENTED NO. 4. Siłłłłºńi, Nû''{{{S 8F NEW PöBiłCAT&NS 785 LONG PRIMER or NAMENTED No. 6. ITN'`IBIBLESTINIGł WQRIKSo Sól LONG PRIMER ORNAMENTEI) No. 8. *@Wºjºſa ºf A{C}#IBINTÉe TWO LINE NONPAREIL DOUBLE SHADE No. 2. TNRMNBiºlº Dlº AlºlºlièS., $53 TWO LINE NONPAREIL MERIDIAN SHADE. 'Nillº Mºlºlºl, COLLEGE 7& NONTAREIL ORNAMENTED. DEVOTED TO NEws, LITERATURE, LOCAL INTERESTS MINION ORNAMENTED No. 1. TIETIE, Wyº)IRIKS (DIF SIR WALTIER SG(DTT BREVIER EXTENDED SHADE. *IRIHRIEEE SLEP pangºrean and NYºkos and lºosy & BREVIER ORNAMENTED NO. 2. £ºſ STEAMS SITP Aſſº(ATY(T. WI9 BREVIER ORNAMENTED NO. 4. THE ANNUAL TRADE SALES D857, BREVIER ANTIQUE SHADE No. 2. WAT'GjáII:#S ANTID JJäWJäITARY, 427 BOURGEOIS SINGLE SHADE. DYIBITNT G JESTABLISHTMTIENTIN 983 illusrº ºnly seize. irº missiºnal as guns sº sºmes sea awson, waaaaaaaa as - LONG PRIMER ORNAMENTED NO. 1. NEW YORK FIRE DEPARTMENT. LONG PRIMER ORNAMENTED NO. 3. NEWARR ºf ºilºſºi WORRS, LONG PRIMER ORNAMENTED NO. 5. E}}}}#}{? SPR}}}} {}{}{}}S #} {{}{}}'}{}}N #3 LoNg PRIMER or NAMENTED No. 7. - £ANüšAGº 03 SA3% ºf WAB} SPLENDIll) ENGRAVING 28 TWO LINE NoNPAREIL SINGLE SHADE. JEQ}(DNIQMIIIQAllahYo TWO LINE NONPAREIL TUSCAN. HoRTICULTURAL FAIR 85 l?S5 CHAS, T, W IIITE & CO.-N:W YORK, WNSWNSW, WWWW & MAINE MILITARY ACADEMY 268 PICA OPEN SHADE NO, 1. HARLEM GAS (COMPANY. 357 PICA TUSCAN SHADE. Arusiºg A.G.A.Dºrr, aud TWO LINE NONPAREIL ORNAMENTED NO. 2. Aºy * * ſº ſº, sººn Wºº §§§§N SČščğ, $33&#Aºſ, 333 §§§§§N SČščğ, &&####Y, º& TWO LINE NONPAREIL ORNAMENTED NO. 4. . |PUBLISHIJING |H|(OUSES., 34, TWO LINE NONPAREIL ORNAMENTED NO. 6. Aſſissidas ºswax. TWO LINE NONPAREIL ORNAMENTED NO, 8. Bºº--º-S-5 (ºNF 23-33 TWO LINE NONPAREIL ORNAMENTED No. 10. NEW PORTA}} E £A}}N. 53 WARRATIVE UF THE LAST WAR 78 TWO LINE NONPAREXL ORNAMENTED NO. 14. SMNI) ER'S ${}}|00ſ, READHRs 34 Two LINE NONPAREIL or NAMENTED No. 16. |COMMERCIAL REPORTER TWO LINE NONPAREIL ORNAMENTED NO. 18. CHARMING Gºan CEs. 185 TWO LINE NONPAREIL ORNAMENTED NO. 20. NOWELTIES OF THE TRADE, 1867 standadºnnaudiwane ENGLISH RAY SHADE. anºaxia aaaaaaaa, www.swiss viewsAssess, PICA GRECIAN SHADE. THE $$IENTIFIIſ; INT$ºſſ Ruſſº, EAEPETER AND BUILDER TWO LINE NONPAREIL ORNAMENTED No. 1. K.A.NE'S Nº. 9.8889. HMBANA PBMALE ACADEMY 85 saxoascot exaoxºcas, TWO LINE NONPAREIL ORNAMENTED NO. 7. §§§ſº, $6.3% ºf {}} @ºſ, É'AM{{{`f Mºšºa, 423 TWO LINE NONPAREIL ORNAMENTED No. 11. £3;ȫ €038E3P0º. 26 TWO LINE NONPARE1L ORNAMENTED No. 13. - |NO)W&l, ºf MIA[..}||N& W(ſ)}{S 908 TWO LINE NONPAREIL ORNAMENTED NO. 15. }}}{A}, {}, {}}A\ {}}N}}S 846 TWO LINE NONPAREIL or NAMENTED No. 17. Two LINE NONPAREIL ORNAMENTED No. 19. TWO LINE NONPAREIL ORNAMENTED NO. 21. THE westERN warras 458 * WESTERN GAZETTE eg ENGLISH ORNAMENTED NO. J. lºſéâVäia fººtºo CIIAS. T. WHITE & CO. — NEW YORK. ENGLISII ORNAMENTED NO. 2. Yº (ºg º AX}\{S. UNITED STATES COURT, 123 laris sissionaar. www.riano-rontº. Itaro armºran was NārūfīTiVES OF AMERICA 5667 IN MEMORY or Munson. GREAT PRIMER ORNAMENTED NO. 2. CARPET WAREHOUSE 8 GREAT PRIMER ORNAMENTED NO. 4. FINE CHINA WARES GREAT PRIMER ORNAMENTED No. 6. §§§§ºjº. 3 GREAT PRIMER or NAMENTED No. 8. §§§ {" ſº $5, GREAT PRIMER ORNAMENTED No. 10. - THE Picrobial History 18, TWO LINE LONG PRIMER TUSCAN SHADE NO. Two LINE LONG PRIMER RAY SHADE No. 1. \\-SS,\, SNSANS º Yº ºn Nº N. N. nº \ Nº Yn r r ti establishment ENGLISH ORNAMENTED NO. 3. lſ|H|E (GH/ATH/AM] B/\INK - TWO LINE MINION SHIAI. E. MANTUIRAQ}TNUIRE 2 Two LINE MINION ITAlic shape. JęUP841D, S(0)})Y’ElèYo TWO LINE MINION ORNAMENTED No. 2. ##### #F #Nº. ### inst | JHA.l. iſ] [...]|[][1][]}\ses Ujjūji. TWO LINE BREVIER ORNAMENTED NO. J. TWO LINE BREVIER ORNAMENTEI) No. 3. &############$ . GREAT PRIMER ORNAMENTED No. 1. e {e\ (tº U. tº \\ º ſt gº © [º ſº 'e 5 }{}{{{\{ {{{{{{{{}}'}{}{# GREAT PRIMER ORNAMENTED No. 3. picture callery. 98 GREAT PRIMER ORNAMENTED NO. 5. (EHEMIGALS FOR SALE 2 GREAT PRIMER ORNAMENTED NO". 7 e V > W . §º IA Sºº." º h ſ’9) (C GREAT PRIMER or NAMENTED NO. 9. {{ {{{NAMENTA, ſºº. § PARAGON RAY SHI ADE. Two LINE LONG PRIMER TUSCAN SHADE No. 2. iš.[ºl tº ſºlat) © 9 Two LINE LONG PRIMER RAY 5HADE Nø. 2. CHAS T W IIITE & CO. —NEW YORK. TWO LINE LONG PRIMER BLACK GROUN ly. Two LINE LONG PRIMER ORNAMENTED NO. 2. The Institute Two LINE LONG PRIMER ORNAMENTED No. 4. T][7][205}TER} 05: IlB}0)[] TWO LINE SMALL PICA GOTILIC SHAI. E. }|YDRAULIGS 415 TWO LINE SMALL PICA OPEN ANTIQUE. DAR15 lines 5 Two LINE SMALL PICA ORNAMENTED No. 2. Two LINE SMALL PICA ORNAMENTED NO. 4. Wöº º ºf 3 Two LINE SMALL PICA ORNAMENTED NO. 6. © X | | || 4. N º | | | | V | }) Jºe TWO LINE SMALL PICA ORNAMENTED TWO LINE SMALL PICA ORNAMENTED NO ) Noarº stan. Two LINE SMALL PICA ORNAMENTED No. 12. à) (?)ſ)] ſº N. Yſ J "Fºº FA ºft. 5 TWO LINE, PICA RUSTIC. LAWAR TWO LINE PICA SHADE IN RELIEF. Two LINE LONG PRIME:t or NAMENTEI) No. 1. jºin; Šišniºn":/º }. ! t | |\| || Jº X. #ſºſ ()iſ iſ iſ iſjºº Two LINE LONG PRIMER or NAMENTED No. 3. NEW MACHINE TWO LINE LoNG PRIMER ORNAMENTED No. 5. PR+N++Nº PRESS. TWO LIN E SMALL PIC.V TUSC.A.N OPEN. $ºMº'N' Two LINE SMALL PICA or NAMENTED No. 1. Hº H #N ūAA= #! § - § \\ſº ###| || §ººlºo Two LINE SMALL PICA on NAMENTED No. 3. Two LINE SMAli, Pica ORNAMENTED No. 7. 6A ºff{}}{N}A &0\,{} 8 BROADWAY BANK NORTH HAMILTON, TWO LINE SMALL PICA ORNAMENTED NO. 13. THE Clearing House. 78 TWO LINE PICA Ol’EN SHADF. ſ)}A\}} [N 800 ($ (§ TWO LINE PICA GRECIAN SII.V.DF. gº º ſ | | ſºil | | l º * . \ e ſ CHAS. T. WHITE & CO..—NEW YORK, TWO LINE PICA OUTLINE. ()RIGINAL ANECI)0TÉS Two LiNE PICA SHADE No. 1. IV IAI LS 65 Two LINE PICA or NAMENTED No. 2. Two LINE PICA or NAMENTED NO. 4. tº MCAN 2A Two LINE PICA or NAMENTED NO. 6. Nº. 3 Two LINE PICA or NAMENTED No. 8. COMPANIONS. 65 Two LINE PICA or NAMENTED No. 10. §§§ EX}{{{{{{{}MS Two LINE PICA ORNAMENTED No. 12. $5300'Sº YNſ, Two LINE PICA or NAMENTED NO. 14. §§§:9, § Two LINE PICA or NAMENTED No. 16. tº Jº. t º TWO LINE PICA DOUBLE SHADE. FIME SCENES 8 TWO LINE PICA ORNAMENTED NO. TWO LINE PICA ORNAMENTED NO. ºstrºy a TWO LINE PICA ORNAMENTED NO. 5. THE ANTIQUARY. TWO LINE PICA ORNAMENTED No. 7. Fäßstä Päijyºti; Two LINE PICA or NAMENTED No. 11. TWO LINE PICA ORNAMENTED NO. 13. KNOW THYSELF Two LINE PICA ORNAMENTED No. 15. Two LINE PICA or NAMENTED No. 17. TYPE FOUNDRY, 12 1 & #& I. TWO LINE ENGLISH CONDENSED SHADE. |||} \ll) \)|||ſ $ CHAS. T. WHITE & CO. —NEW YORK. TWO LINE ENGLISH RAY SHADE. TWO LINE. ENGLISH ORNAMENTED No. 1. TWO LINE ENGLISH ORNAMENTED NO. 3. ll.J.J.S ſity'ſ E & TWO LINE ENGLISH ORNAMENTED NO. 5. O jº e à: OX-Yº O 9) : () | § © Two LINE ENGLISH or NAMENTED No. 7. TWO LINE ENGLISH ORNAMENTED NO. 9. Two LINE ENGLISH or NAMENTED No. 11. P}\},{{}},{}{S}{Y}; Two LINE ENGLISH or NAMENTED No. 13. N = (a Pl | y *…** |-l sº- *-se =l Two LINE ENGLISH or NAMENTED No. 15. h NEW Magazine 8 TWO LINE GREAT PRIMER GOTHIO SHADE. Two LINE GREAT PRIMER or NAMENTED NO. 2. MUS® Two LINE ENGLISH or NAMENTED No. 2, . NEW YORK MUSIC TWO LINE ENGLISH ORNAMENTED NO. 4. TWO LINE ENGLISH ORNAMENTED NO. 10. DME CIRCLE TWO LINE ENGLISH ORNAMENTED NO. 12. FAR TWO LINE ENGLISH ORNAMENTED No. 14. BLUE WIDLETS Two LINE GREAT PRIMER CONDENSED SHADE. H|ARTH}} {|0|| No. 1. TWO LINE GREAT PRIMER ORNAMENTED CHAS. T. WHITE. & CO. —NEW YORK. Two LINE GREAT PRIMER ORNAMENTED NO. 4. Two LINE GREAT PRIMER ORNAMENTED No. 6. REPUBLIC 3 Two LINE GREAT PRIMER SHADE No. 1. Dubliuſ &S TWO LINE PARAGON SHADE. Two LINE PARAGON ORNAMENTED No. 8. }\\{}}{N} | {} Two LINE GREAT PRIMER ORNAMENTED NO. 5. TWO LINE GREAT PRIMER SHADE NO. 2. LP4All ºf N TWO LINE PARAGON TUSCAN SHADE. Two LINE PARAGON or NAMENTED No. 1. §§§§§ {} Two LINE PARAGON ORNAMENTED No. 3. Two LINE PARAGON ORNAMENTED NO. 5. BUILDER Two LINE PARAGON ORNAMENTED No. 7. Two LINE PARAGON ORNAMENTED No. 9. CIIAS. T. white & Co.—NEW YORK. %:. . . . 3:… . . FOUR LINE PICA CONDENSED OPEN GOTHIC. ECTIOM Four LINE PICA or NAMENTED No. 1. Four LINE PICA ORNAMENTED No. 3. }}}}}\}{.{ } Four LINE PICA ORNAMENTED NO. 5. FOUR LINE PICA GRECIAN SHAIDE. ŠUPERI[]{5, Five LINE PICA ORNAMENTED No. 1. HARP fling Five LINE PICA conDENSED TUSCAN SHADE. t * | - *H IV ---, six LINE PICA SHADED. Lºll FOUR LINE PICA GOTHIC SHAIDE, NORT}|É Four LINE PICA or NAMENTED NO. 2. Four LINE PICA or NAMENTED No. 6. MA Four LINE PICA shADED No. 1. BA FIVE LINE PICA GRECLAN SHADF. || || six LINE PICA opeN GOTilic. OE seveN LINE PICA ORNAMENTED No. 1. CHAS. T. WHITE & CO. —NEW YORK. BREVIER CONDENSED NO. 1. All of our advertisement fonts are made of hard material, and will be found Tough and Durable, and well finished, 123456 MATERIAL FURNISHED WILL BE OF GOOD QUALITY, LONG PRIMER CONDENSED NO. 1 Cases and every article required in a Printing office tan be furnished by this establishment at short notice, EVERY ARITCLE WANTED IN PRINTING OFFICES 5 ENGLISH CONDENSED NO. 2. This noble invention is one of the greatest blessings heaven has bestowed, and we have MANY STYLES OF LETTERS, $570 GREAT PRIMER CONDENSED No. 2. This noble invention which is One Of the greatest blessings heaven ADWERTISEMENTS, $2350 ****-*** - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ------------------ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ---------------------------------------------------------------------------------- **-***-- “*-****-*****************-******* # ********** -- ***.*.*.*- : *** - - - - - - - - - - - - - - - ** - - - - - - - - - - - - - - - - - - - - ***.*.*.*...** -------------------- ***...*-------------------------------------...----------------...----------------...----------------...-------------------------------------------------------------------------------------------------------- **--~~~~ * *******-***-****- -- ** BREVIER CONDENSED No. 2. ALTHOUGH four centuries have not yet elapsed since the in- vention of the noble art of Printing, yet the origin of this TRANSCENDANT ART OF TYPE FOUNDING, 2675, LONG PRIMER CONDENSED NO. 4. ALTHOUGH four centuries have not yet elapsed Since the invention of the noble art of Printing ADWERTISEMENT DISPLAY LIMES. 65. PICA CONDENSED NO. 3. ALTHOUGH four centuries have not yet elapsed since the invention of the noble TYPE ADAPTED TO HARD USAGE, 2573 DOUBLE SMALL PICA CONDENSED. ALTHOUGH follr Centuries have not yet elapsed since TYPE INVENTION. 52 NONE’AREIL CLARENDON. THE introduction of Printing was perhaps necessary to pre- pare the way for many *::::::: #. departments of lit- WALUABLE DISPLAYTYPE FOR ADVERTISING, 5782. BREVIER CLARENDON. THE introduction of Printing was perhaps ne- cessary to prepare the way for many researches DEPARTMENTS OF LITERATURE. 56789 LONG PRIMER CLARENDON. THE introduction of Printing was per- haps necessary to prepare the way for DURABLE PRINTING TYPE. 368 PICA CLARENDON. THE introduction of Printing was perhaps necessary to pré: NEWSPAPER HEADS, 578 GREAT PRIMER CLARENDON, THE introduction of Print- ing was perhaps necessary NOW PROMINENT. 57 BREVIER CLARENDON EXTENDED. IMCOIDIEIF.INT EIISTOIF. Sºº 24- LONG PRIMER CLARENDON EXTENDED. N/ITU CIEH admired for vari- ous kinds of Job Frinting. CL-A-I-R, EN ID ON 4-2 PEARL ANTIQUE EXTENDED. E*EFA Etics A-INTIce UEF Exºr.HENTIDIEED- 4.5 NONPAREIL ANTIQUE EXTENDED. *T*ECEE -A-rt of IEPriraltirag vºritiºn. rialetal "Tºy Pe vvas first irn tro- G-C CID IMEA-TEER.I.A. irs. 253 BREVIER ANTIQUE EXTENDED. TIETIEH Art cf IEPrintirng vvit]h raletal Type was Hisºr AELIsIEEEI.D. as LONG PRIMER ANTIQUE ExTENDED. *T*I E II ETH Irºn CTOle a, rºt; Cif *Tºy Ipe follinic lirng is I FCSTITINTI DIEHI F-S. Fº PICA ANTIQUE EXTENDED. *I'ETE: IPrinter Gri FR-ALINTI D- a 3 * - - -* --.”* *...*.*.*.*.*.*.*.*.*.*.*.*.*.*...*** - A - * ------------ ***-** **** **-* T *-* * *-*T********** -- **---------...--------------------, --, -, --, ... -- - - - - - - - - - - e- • ----------------> *.*.*****************-************-*******- *********-******** ****-**-------------------------------------------------...---------------------...----------------...----------...---...------------...-----------...---------------------------------------------------------------------" "--~~~~~~~~~~~~ ********************-*******-, CHAS. T. WHITE & CO. —NEW YORK AGATE ANTIQUE No. 1. PLEASING AS AN ORNAMENT. Light and Serviceable Type 5 NONPAREIL ANTIQUE NO. 3. EINTERTAINMENT OF KNOWLEDGE under difficulties. 851 BREVIER ANTIQUE NO. 3. MISCELLANEOUS IDOINGS and adventures 5687 LONG PRIMER ANTIQUE NO. 2. PLEASUREs of the Imagination. 234 LONG PRIMER ANTIQUE NO. 3. STORIES FOR THE Home circle. 185 PICA ANTIQUE NO. 3. OUR SECULAR Recreations. 4 GREAT PRIMER ANTIQUE NO. 3. JUBILANT cheerful 7 PARAGON ANTIQUE NO. l. GOOD Prospects 54 Two LINE PICA ANTIQUE NO. 1. THE Summer. 5 PEARL ANTIQUE. THINGS INIEW AND OLD WISE AND OTHERWISE 5 NONFAREIL ANTIQUE No. 1. OLD FAMILIAR FACES coming back again 85 NONFAREII, ANTIQUE NO. 2. IE LIECHAINTT IE IOUSEE IOI, D FULRINT ITU. RE 35 MINION ANTIQUE. §" "EA DIII ºf PIE REEVIER ING! to find the useful 5 BREVIER ANTIQUE No. 1. HEAvy FACED heading letter. 1 BREVIER ANTIQUE NO. 2. S.A. D. D. L. E. A.INID E ARINESS IMA & B-R 20 LoNG PRIMER ANTIQUE No. 1. Wº: AGAIN COM II: forward to 18. PICA ANTIQUE No. 1. Much Most desirable. 57 GREAT PRIMER ANTIQUE No. 1. GREETING you! 2 LONG PRIMER ANTIQUE CONDENSED. THE PATENT DOUBLE Cylinder Printing, 85 AN IMPROVED Inking Apparatus, 28 EXTENSIVE Arrangements 5 Two LINE PICA ANTIQUE EXTRA CONDENSED. DELIGHTFUL Journeys. 4 ” DOUBLE PARAGON ANTIQUE EXTRA CONDENSED. MUSIClearning 2 Four LINE PICA ANTIQUE EXTRA CONDENSED No. 1. NDTIHEhim 1 DOUBLE SMALL PICA CLARENDON. CABINET of minerals 1 DOUBLE ENGLISH CLARENDON. GRAND Concert 8 TWO LINE ENGLISH ANTIQUE CONDENSED. HARD METAL, 4 ENGLISH conDENSED No. 1. TYPE FOR B00KBINDERS USE DOUBLE ENGLISH CONDENSED. CIRCLING Years 5 DouBLE PARAGON CONDENSED No. 3. MEN OF OllrS 7 OHAS T. WHITE & CO. —NEW YORK. PEARL GOTHIC EXTENDED NO. 1. SPREADING, EFANCHES OF THE OAK- 4-5 FIV ULETTS AN/ONG THE HILLS. NONPAREIL GOTHIC EXTENDED. FLOVVERs strew our PATHVVAY. 12 AN UNCHANGING LANDsCARE. LONG PRIMER GOTHIO EXTENDED. REcoMME T 36 CIRCUMsTANTIAL PEARL GOTHIC EXTENDED NO. 2. GOTH!C EXTENDED AND VVELL FF OFORTIONEED - 2 FESOLUTE FIFE INSURANCE COMFANY- BREVIER GOTHIC EXTENDED. oNwaRD As THE TRUTH. 54. RAF | DLY ADVANCING- PICA GOTHIC EXTENDED. . EXPANDED TYPES. 5 NEVV INVENTIONS. PEARL GOTHIC NO. 3. - MANUFACTURERS OF MATHEMATICAL INSTRUMENTs 5823 NARRATIVE OF THE INDIAN WARS IN NEW ENGLAND NONPAREIL GOTHIO NO. 4. BRILLIANT METEORS FLASHING LIGHTNING. 567. NEW YORK HARD WARE ESTABLISHMENTS. BREVIER GOTHIO NO. 3. SUBLIME AS PEALS OF THUNDER. 54-7 REVERBERATING IN THE AIR. LONG PRIMER GOTHIO NO. 3. MECHANIcs DEPARTMENT 85 IMPORTANT To FARM ERS PICA GOTHIO No. 1. BANK NoTE ENGRAVING 13 CUM BERLAND COAL CO. PEARL GOTHIO CONDENSED. PEN AND PENCIL skETCH OF THE BATTLEFIELDs OF THE AMERICAN REVOLUTION HIGHLY ENTERTAINING SKETCHES OF TRAVEL IN THE UNITED STATES BREVIER GOTHIO CONDENSED NO. 2. CHARM OF Music AT THE EARLY DAWN OF MORN THE ATMOSPHERIG PHENOMENON, NONEAREIL GOTHIO CONDENSED, THE FIRST AMONG THE LATER ISSUES OF NEW PRINTING TYPE. HEAVY IMPORTATIONS OF RIGH GODDS FROM EUROPE. Long Penter gothic condessed No. 3. - - RECENT AstroNOMICAL Observations PITMAN's Phonographic MANUAL NONFARELL ROUND SHADED. I Love my Country's Pine-clad Hills, her thousand Bright and Rushing Bills, hep Sunshine and her Stopm 493 PROGRESS OF AMERICA IN THE ARTS AND SCIENCES The advancing tide of Civilization FLOUBISH)||NG BUSINESS 36 MONETARY AFFAIRS 78 - BUSINESS NOTICES ‘. . AGATE IONIC, The history of Type Founding as a business dates no further back, strictly speaking, than the year 1798. CLIPPINGS FROM oUR LATEST ExCHANGEs || ; : *t GREAT PRIMER or NAMENTED No. 11. ** GIRGUMNAVIGATION Two LINE ‘DIAMOND No. 3. CLEAR AND BEAUTIFUL TYPE 158 | NEW PICTORIAL ALBUMS ohas. T. whire & co.—New York. N-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-Am an amº an Ama Ama-am an Am Ama Ama. ******-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º-º- as a sº am amº an amº an amº Zºº am amº Ama º Aº Aº Aº Aº Aº Am Am- : Nur-sur------~~~~~~~~~~~~~~~~~~~~~~~~~~~~sº-º-º-esº-sº-sº PEARL GOTHIC NO. 1. AMONG THE MANY VARIETIES OF PRINTING TYPES THIS WILL BE FOUND VERY USEFUL NONPAREIL GOTHIC NO. 1. THE ENDLESS CHANGES OF THE KALEIDOSCCPE, THE ATLANTIC SUBMARINE TELEGRAPH co- NONPAREIL GOTIIIC NO. 2. THE HISTORY OF CALIFORNIA FROM ITS EARLIEST SETTLENMENT BREVIER GOTIIIC NO. 1. THE UNITED st ATEs M A ; L STEAM ER STAR OF THE WEST. LONG PRIMER GOTHIC NO. 1. THE COMMERCIAL INSURANCE PICA GOTHIC NO. 1. NARRATIVE OF TRAVELS IN BEAU Monde. 145 TWO LINE PICA GOTHIC NO. 2. TWO LINE GREAT PRIMER GOTHIC. HOME. 5 mºviet comic cosorssºn. THE ACTION OF THE LEGISLATURE TO PROVIDE FOR THE |NCORPORATION OF INSURANCE COMPANIES, LONG PRIMER GOTHIC CONDENSED. No. 1 MEMOIRS AND ANECDOTES OF REMARKABLE PERSONS OF EVERY AGE, GREAT IPRIMER GOTHIC CONDENSED. INTRODUCTION TO FRENCH. y TWO LINE PICA GOTHIC CONDENSED. PENCIL SKETCHING * * * ~~~~~~~~~~~~~~~~~~~~~~~mºrºsºrºrººººººººººººººººººº. PEARL GOTHIC NO. 2. ALBANY LITERARY AND scientific institution. NEW YORK TVPOGRAPHICAL SOCIETY. NoNPAREIL coring No. 3. THE AMERICAN ACADEMY OF FINE ARTS, CHAMBER OF COMMERCE. BREVIER GOTIIIC NO. 2. INDIANA TEMPERANCE JOURNAL. ISLAND CITY BANK. LONG PRIMER GOTHEC NO. 2. IMPROVED Lichtninc Rod AMERICAN FRICATE- Y. PICA GOTIIIC NO. 2. MoUNT WASHINGTON HEAvy Foundation Two LINE LONG PRIMER GOTHIc. THE MONARCH Two LINE PICA GoTHIC No. 1. THE BRANCH LONG PRIMER GOTHIC CONDENSED NO. 2. ANNIVERSARY OF THE AMERICAN INSTITUTE - SEGURITY INSURANGE GOMPANY. PICA GOTHIC CONDENSED, NEW YORK AND Australia stEAM PARAGON GOTHIC CONDENSED. DETERMINED RESOLVE, TWO LINE ENGLISH GOTHIC CONDENSED. |RON BOUND. 5 DOUBLE GREAT PRIMER GOTHIO CONDENSED, - FOUNDER 1 CHAS. T. WIII.T.E & CO.-NEW YORK. 2- a 2-L-2- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~º ******-º-º-º-º-º-º-º-º-º-º-º-º-º-º- ºne me • * ~ * ~~~~~~~~~~~~ * * ~~~~ *~~~~~~~mºurº-º-º-º-º-º-º-º-º-ºººººººººººººººººººººººººººººººººº, ºr º ºr ºr sº-sºus-us-s-s-s-s-s-s-s-s-s-us-as-us-um-w-sur-w---~~~~~~~ vºy-ºr *=r vºy 4. --“..- -*.&.-e- SIBMARINE THERAPH COMPANY 52 | | THEGRAPHIC CABLE CHEBRATION1 F||||IS ||F PERSEWERMNEE 7 Entertaining Experiments LAKEDRUMMOND 58 | EXCURSION 3 - Four LINE PICA TUSCAN No. 1. - . - - - - - - - - . . .. - l - - º . . - - - - - . . . . . . - - - - - - º . - * i ." ‘. . º * > . s . . . : ‘. . - > ... " - - \ - - - - - i. r - rº w CHAS. T. WHITE & CO. —NEW YORK, - Double PARAGON CONDENSED No. 1. HOME in 2 SIX LINE PICA CONDENSED NO. 2. FIVE LINE PICA Roy AN EXTRA CON DENSEI). D ) UBLE GREAT PRIMER CLARENDON. HOPE On, CANON No. 2. Volumn FOUR LINE PICA NO. 1. Dime FOUR LINE PICA No. 2. | Ful FIVE LINE PICA ITALIC ANTIQUE. sº FOUR LINE PICA ANTIQUE EXTRA CONDENSED NO. 2. EORGIA 3 Four LINE PICA ANTIQUE No. 1. FOUR LINE PICA ANT: QUE CONDENSED NO. 2. * . FOUR LINE PICA GRECIAN. FOUR LINE PICA GOTHIC CONDENSED NO. 2. MORALS SIX LINE PICA GOTHIC NO. 1. HEN SIX LINE PICA GoTHIC CONDENSED. CHAS. T. WHITE & CO. —NEW YORK. Electrotyped Fonts. SIX LINE PICA GOTHIC NO. 1. ERO SIX LINE PICA GOTHIC TUSCAN OPEN. 0MET EIGHT LINE PICA ORNAMENTED NO. 1. OME! TEN LINE PICA ORNAMENTED NO. 2. INE EIGHT LINE PICA ORNAMENTED NO. 2, FIVE LINE PICA GOTHIC NO. 2. MODE. FIVE LINE PICA IONIC EXPANDEI). EIGHT LINE PICA GOTHIC TUSCAN OPEN. TEN LINE PICA GOTHIC TUSCAN OPEN. ILE TEN LINE PICA ORNAMENTED NO. 1. CHAS. T. W.IIITE & Co.—NEW YORK. Electrotyped Fonts. SEVEN LINE PICA SKELETON ANTIQUE. º TEN LINE PICA SKELETON ANTIQUE. Gardēnēſ. Medollſ SIX LINE PICA IONIC. TEN LINE PICA ROMAN EXTRA CONDENSEI). - - NINE LINE PICA ROMAN. i | |||| | NINE LINE PICA IONIC. MOI EIGHT LINE PICA GOTHIC. GEM E5 E. ELEVEN LINE PICA ROMAN. TEN LINE PICA GOTHIC. CHAS. T. WHITE & Co.—NEW YORK. Wood Letter. We show a few specimens only of Wood Type, but furnish all sizes and varieties. When requested, a separate Book of Specimens will be furnished. SIX LINE PICA GRECIAN EXTRA CONDENSED. AMHIAN Titſiſh SIX LINE PICA ROMAN EXTRA ()() NI) ENSED. (MBINEI 25 tellſ, SIX LINE PICA GOTHIC NO. 3. NEW tone SIX LINE PICA ANTIQUE EXTRA CONDENSED. HUNTER hDnBSt SIX LIN E PICA OLD STYLE CE hire SIX LINE PICA CONDENSED. |EMT tradi CHAS; T. WHITE & CO. —NEW YORK. –3+()+3>-4-3-->3-4-3- g6I G3e3eeeeeeeeeeGG #6I -º-º-º-º- 86.I €GéºécGG 26L Sºx 061 @@@@ 6SI × xxx xxxx SSI X X X X X X X X 181 1 ſ L_1 - F - 1 1 m f__i i L.1 ! --M. L. f. L_1 | 1–1-_1 L-1 i 1–1–1 | #SI +++++HHHHHHHHHHH gst Jºll.lºl. Z8I *Ig 4444444444444444 ISI Çs—sº:---sº- OSI º fºL fºll ill lºll iſºll— iſºll iſſºl iſſ!... iſli lll ill--tºll iſºl iſ if ... if it iſſ 6) I S!...I !! I --→ --- *- : *... --_*... - "---- *- : *--- *- : *-- - ". . .” --- ~ *- : * Q). 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() V. i / |ºr ºl|*.*{W.& ºl|*.gº! #.ź. | Stf No. 9 $1 25 t-ſ“;t**-**w-“: º (o º & * º tº s * a *_ E. º º [- º 2-S-2 = ..S.-> WN º, ZºSNS owº ly ..º." SNSD .sº Nº. *** ZºSNS ..º. ZTSN > ..º. ZºSN ssee, ºn •eº ese *** _º | W. &PTSL2Tº 3.S.–Tº Yº' tº 2- * sº ===s=z-Hº-Pi—y-2-42-y->-P *(\ dº w S-C - 759 $0.50 760 $0.50 761 $0.50 762 $0.50 _/~ 763 $0.65 764 $0.50 765 $0.50 767 $0.75 768 $0.75 770 $0.75 771 $1.25 - 772 $0.75 CHAS. T. WHITE & CO.-NEW YORK, In ordering please state particularly “Cuts from NEW BOOK.” Newspaper Cuts. NoTE.—Our Cuts have been re-arranged and RE-NUMBERED. In ordering please state particularly “Cuts from NEW BOOK.” 1. 6 c. 2. 6 c. 3. 6 c. 4. 6 c. 5. 6 c. 6. 6 c. 7. 6 c. S. 6 c. 9. 6 C. 10. 6 c. 11. 6 c. 12. 6 c. 13. 6 c. 14. 6 c. 15. 6 c. 16. 6 c. 17. 6 c. 18. 6 c. 19. 6 c. 20. 10 C. 24. 6 c. 25. 10 c. 26. 10 c. 29. 3 c. 30.3 c. 31. 5 c. 32. 5 c. 33. 6. c. 34. 6 c. 35. 6. c. 36. 6 c. 37. 6 c. 38. 6 c. - - 2s., sº º === Z-->º , ºf r= - s Hºss ºf Čº gº ºn @ 3) 43. 6 c. 44. 6 c. 45. 6 c. 46. 6 c. 47. 6. c. 4S. 6 c. 49. 6 c. 50. 6 c. 51. 6 c. º, f.i ſã º º §º ſº; iíl ** & .N. 5.2. 6 c. 53. 6 c. 55. 6 c. 56. 6 c. 57. 6 c. 5S. 6 c. 59. 6 c. 62. 6 c. 63. 6 c. tº ºr sº ſº º- T-2A. 64. 6 c. 65. 6 c. 66. 6 c. 67. 6 c. 6S. 6 c. 69. 6 c. 70. 6 c. 71. 6 c. 7.2. 6 c. 73. 6 c. -> tºº, *- A - j ºs II. * I tº X - rºšT |. 77. 6 c. 7S. 6 c. 79. 6 c. 83. 6 c. S9. 6 c. 93. 10 c. |||ſ 9.S. 6 c. 99. 6 C. 100. 6 c. 101. 15 c. 102. 15 c. 103. 6 c. 104. 6 c. 105. 6 c. 106. 10 c. 107. 10 c. * * * £, º Hº C- I ºº: litur Jº In unintrºnoredº 10S. 10 c. 109. 10 c. 110. 6 c. 112. 6 c. 114. 15 c. º, - Ulj HEEE= º º III : ºº º 117. 6 c. 11S. 6 c. 119. 6 c. 120. 6 c. 121. 6 c. 122. 6 c. 123. 6 c. 124. 6 c. 125. 6 c. 126. 6 c. 127. 6 c. 129. 6 c. 130. 6 c. 131. 10 c. - ={P-3 s== - 132, 10 c. 133. 10 c. 134. 10 c. 135. 10 c. 137. 10 c. 13S. 10 c. 139. 10 c. 140. 10 c. 141. 10 c. 142. 10 c. 143. 10 c. sº § ão - sº * * º º/s ºzºs M ------- X. × - sº C × 144. 10 c. 145. 10 c. 146. 6 c. 147. 10 c. 151. 6 c. 152. 6 c. 153. 6 c. 154. 6 c. 155. 6 c. 156. 6 c. - * 23 Ä ~ || --> º As Ö. - | allºs ||| |A | $: | 157. 6 c. 158. 10 c. 159. 6 c. 160. 6 c. 163. 10 c. 164. 6 c. 165. 10 c. | N - º SN 171. 12 c. 17.2. 6 c. 173. 6 c. 174. 6 c. 176. 10 c. 179. 6 c. 180. 10 c. -su. • - a ſºft: ** º -1 ={}=&# 181. 10 c. 1S2. 6 c. 1S3. 12 c. 1ST. 6 c. 1SS. 6 c. CiliCAGO TYPE FOUNDRY. 191. 10 C. 236. 12 C. l_sº 242. 20 c. JCTIſ 24S. 20 c. 192. 15 C. 193. 10 c. 249. 20 C. 255. 20 c. 261. 10 C. 194. 10 c. 223. 10 C. 231. 20 C. 262. 10 c. 224. 10 C. &S 225. 12 c. 232. 20 C. 233. 20 c. sº- S$7%. fºe. º- a Wifi 2S5. 15 c. - 245. 20 C. Jºy Gośās; 251. 20 c. 264. 10 C. Zºº” º |||||||||||||| 199. 10 C. 207. 10 C. 20S. 6 c. 200. 10 c. 234. 20 c. _>-7-r-E CHAS. T. YORK. WHITE & CO. —NEW 298 $0.12 299 $0.20 - - 301 $0.10 302 $0.10 303 $0.20 304 $0.15 305 $0.20 306 $0.20 º --&-L KY ||||W 330 $0.25 331 $0.38 332 $0.30 33S $0.20 (1–1 º 339 $0.20 -: S$ § - CHICAGO TYPE FC) \, N I) R.Y. In ordering please state particularly “Cuts from NEW B00K." 359 $0.3S - 36S $0.25 377 $0.30 379 $0.50 -** 22% -> - % zºº %) Ø *% % ÉSº geº 442 $1.00 22*2,…, º ºrſº Nº wº º wº §§§ſº CHAS. T. WHITE & CO.-NEW YORK. In ordering please state particularly “Cuts from NEW B00K.” 471 $0.50 472 $1.00 473 $1.00 498 $0.75 - # L----- Tº ſ –7– - I-w | - | ~ == *|| || – iſſuillº - §s, išº * . . * , , - N - | 1||||I||N. lilill-ill-ill Sºśī. ſ - MIK. / | | *= \ šč|H|| |º: | ºs \ | _> #"illiºğl - / E== - - º ~f~, | _- ~~ --~~~E - utiliſ." ==~~ - |Tim]º------ -—- - = — — — —- --- - 525 $1.00 - t > --" ===#"º º º ~~ |\\ É#imum || \\ º #Tº ||||||||||||\ sº º º/ſº s ºt- º = × -> ſº |||||| \ ==|ºl ſiſſilſ º ºuillſUN §n- º º uni 2-sº º º ſ |V/F mºll"W". W |Wil/ /# *|||||| Pes *=sº TW/IW / . º sº = § |||}º \\\ \\ 503 $1.00 509 $1.00 §ºeZºº” Wººſ / Wºſſº, .v. º º "ſºſillſhirº ſ - {" ſitſº %; ſº - !" Žiž ſº W º Øe ſº Z ſº %% . ſº y "7% 7 ~ CHAS. T. WHITE & CO. —NEW YORK. In ordering please state particularly “Cuts from NEW BOOK.” 487 $1.00 491 $1.00 625 $1.00 7SS $1.00 790 $2.50 791 $1.25 - NS rº- \{\}, . \º º n \ h ºf 7. Nº || ~ N ==S \ º y^@N §§ \ \ - 㺠*- Y N w WXN § - ſ § §§ º ºv, § } - - º | -- - I ~. - WOWLAND DEL & Sc C - tº V º Rººs - CHAS. T. WHITE & CO. —NEW YORK. 561 $0.75 562 $1.50 563 $1.50 564 $1.50 wº-wº º º | | | º * º º ºliºs ſº º - + 1) 2.1 ov,; to particularly “Cuts from NEW BOOK. CHAS. T. W.HITE & CO. —NEW YORK. In ordering please state p y 748 $1.25 581 $1.25 75S $1.50 --------- *zz. zºº/”, , , , ,,,, \\ %| º º \\ - |||||| CHAS. T. WHITE & CO. —NEW YORK. - In ordering please state particularly “Cuts from NEW B00K." 626 $2.00 635 §1.50 N. S … Sºº --- . <-ºr-m % % % % % CHAS. T. WIIITE & CO. —NEW YORK. In ordering please state particularly “Cuts from NEW BOOK.” ${}. () 77) $0.30 7S() $1.0) 781 $0.75 CHAS. T. WHITE & CO. —NEW YORK. - In ordering please state particularly “Cuts from NEW BOOK." 676 $0.20 679 $0.25 682 $0.25 685 $0.25 691 $0.25 - 689 $0.25 692 $0.25 - º º \\\\\\\º º Myº º º s W º - > -- Lillº Sº- ãº/E - ºrs = | º ºss 699 $0.25 700 $0.20 701 $0.20 702 $0.20 703 $0.25 704 $0.25 714 $0.15 715 $0.10 716 $0.30 …~~ - - -6 7, // - – (Zº —- ‘Z2. - 717 $0.30 71S $0.20 * 719 $0.20 720 $0.20 721 $0.20 04/. - /. /ø (ZZ, %, ’’. º/º/, %, a 22 (2/2 2. . .2%ze, a Zºſ º CHICAGO TYPE FOUNI) in Y. - - In ordering please state particularly “Cuts from NEW B00K.” 722 $0.25 - 723 $0.25 724 $0.25 725 $0.38 ºff ºf ºz 727 $0.25 728 $0.30 729 $0.38 130 s 0.38 * 731 $0.40 .* <--" . .” __---- & > . -- ( / ZX/ . Ž 2 / %2. ( a ºžy. 737 $0.40 738 $0.25 Jºse- -Ses TX --> **{} . $ ^. i. - Cº ſis &ramat §ºſſippº, 740 $0.40 741 $0.25 §is ºntº éHippo 743 $0.75  ºntºr, CHAS. T. WHITE & CO, NEW YORK, In ordering please state particularly “Cuts from NEW BOOK.” CHAS. T. WHITE & CO. TYPE FOUNDERS, NEW YORK. Hoe's Patent Single Large Cylinder Printing Machine. aſſº. TTTTTHF- THIS Machine is particularly adapted to Book, Job and fine Newspaper work. It has a perfect registering apparatus and sheet-flyer ; also ad- justable iron bearers, so that stereotype may be worked with the same facility and beauty as type forms. One boy is required to lay on the sheets, and the press may be driven by man or steam power. With the same attendance, it will print twice as fast as any bed and platen ma- chine, and equally as well in every respect: say from 1,000 to 2,000 im- pressions in an hour, according to the size of the press, and the quality of the work desired. We now furnish vulcanized india-rubber impres- sion cloth for these presses, and as it is not readily indented by the type, forms of different sizes may be worked without any change of blankets. Overlays are conveniently made on the rubber, and may be removed by a wet sponge. To prevent moise, buffers are applied as in the double cylinder machine. - The smaller sizes are found exceedingly useful for Jobbing of all kinds, from the finest work in colors, to the cheapest programme or handbills. Script circulars, bill heads, checks and blanks, are printed by them with the greatest despatch, uniformity and neatness. By their rapid execu- tion, a job of 500 can be made ready and printed in the time usually re- quired to get the form ready on a bed and platen machine press. They . be seen in operation in all the principal offices in New York and other cities. Aº SIZES AND PRICES. º | Folio Post, Bed 24 by 19 inches. . . . . . . . . . . . . . . . $960 &l" Medium, “ 28% by 23 “ . . . . . . . . . . . . . . . . 1,275 Super-Royal. “ 33 by 25 “ . . . . . . . . . . . . . . . . 1.490 No. 1, Double Medium “ 41 by 28% “ . . . . . . . . . . . . . . . . 1,900 2, “ 46 by 31 “ . . . . . . . . . . . . . . . . 2,100 -4 !!!!". 3. . § by § . . . . . . . . . . . . . . . . . 2,250 - 4, 2 by 34 “ . . . . . . . . . . . . . . . . 2.400 - - 5. . . . . . . . 3.550 |iº 6, 7 by 40 “ . . . . . . . . . . . . . . . . 2,650 jº | | Extra Fountain, from $35 to $65. -- Fly Wheel and Stand, small size, $50. * - “. large size, $75. Each Machine is furnished with Roller Moulds, two sets of Rolle. Stocks, Blankets, Band, Counter Shaft, two Hangers and Puſley. Boxing and Carting, $20 to $50. Drawings and directions for putting up and working the Presses, fur- nished with each Machine. TERMs of PAYMENT.-One-half cash, one-half six months, for satisfac- tory note, 23 per cent, discount from the whole bill, if all is paid in cash IN this press the form of types is placed upon a flat bed, and the impression faken upon the paper by means of a cylinder, while the form is passing under it. . The small size of the cylinder allows the machine to be constructed in a very compact manner. So as to shorten the distance which the bed travels, thereby considerably increasing the number of impressions in a given time, beyond the single Zarſfe cylinder press. One person only is required to feed down the !". whose position is but a step from the floor. t Will give from 2,000 to 3,000 impressions per hour, with perfect safety to the machinery. The Printed sheets are thrown out by a fly-frame in a - - -Illill - - !". !"º. jº, accurate for : ºillº \\ |º ſº; - - newspaper and job work is obtained by the patent . == F– Al | ºiſm." - ^ ||||| feed guides, which are attached to each º |ll - |||||||| - - - - When required, a registering or pointing appa- ratus is furnished, and the press may then be used |ji - advantageously for book work. lili İ|A This º % º in the same substantial man- º ner, as the doub/6 cylinder press, with buffers similarly arranged to prevent noise. When driven by steam power, No. 8 occupies feet by 12 feet. If by man power, requiring fly wheel and stand, it occupies S feet by 16 feet. - - SIZES AND PRICEs. No. 6, Bed 33 by 25 inches...... $1,390 | No. 10, Bed 52 by 33 inches. . . . . . $2,150 Each Machine is furnished with Roller Moulds, two sets of Roller 1.750 11 7, “ 41 by 28% “ . . . . . . ,75 , “ 54 by 36 “ . . . . . . 2,250 Stocks, Blankets, Band, Counter Shaft, 2 Hangers and Pulley. S, “ 46 by 31 “ . . . . . . 1,875 12, “ 57 by 36 “. . . . . . . 2,450 TERMs of PAYMENT:-One-half cash, one-half six months for satisfactory 9, “ 50 by 31 “ . . . . . . 2,050 13, “ 60 by 40 “ . . . . . . 2,600 || note. 2% per cent. discount from the whole bill if all is paid in cash. Fly Wheel and Stand, small size, $50. Fly Wheel and Stand, large size, $75. Registering or pointing apparatus, $50 extra. Boxing and Carting, $20 to $50. CHAs. T. WHITE & Co., TYPE FOUNDERS, NEW YORK. Taylor's Single Small Cylinder Printing Machine. This press is constructed similarly to the Double Cylinder Press. The small diameter of the cylinder renders it necessary for the bed containing the form to travel a shorter distance than is required in a Large Cylinder Press, and enables it, by the assistance of one person to feed the paper, to print from 2,000 to 3,000 impressions per hour, which are thrown off and piled up by means of the flying apparatus. A pointing apparatus is added when the machine is required for book-work. Messrs. TAYLoR & Co. furnish to all their cylinder presses, “Patent atmospheric Springs,” which they say “are susceptible of easy adjustment to any speed that may be required, and their use has obviated the incessant jar and noise of the machine when in motion, and lessened the wear and tear, reducing the constant expense of repairs. SIZES AND Plk ICES. No. 6, Bed 33 by 25 inches . . . . . $1,300 7, “ 41 by 2S4 “ 1. 8, “ 46 by 31 * * 9, “ 50 by 31 ** 10, “ 52 by 33 “ 11, “ 54 by 36 “ 12, “ 57 by 36 “ . . . . . . 13, “ 60 by 40 “ 2,600 Boxing and Carting, $20 to $50. Each Machine is furnished with Roller Moulds, two sets of Roller Stocks, Blankets, Band, Counter Shaft, two Hangers and Pulley. Registering or Pointing Apparatus, $50 extra. Fly-Wheel and Stand, small size, $50 * * • * * - large * - $75 TERMs of PAYMENT—One-half cash, one-half in six months for satisfactory note. 2% per cent. discount if all is cash. 2, 32 by 46 3, “ 30% by 45 * * 4, “ 30% by 43 * - 5. “ 30% by 43 -- 6. “ 30% by 43 “ “ 2S34 by 43 -- S. “ 28% by 43 -- 9, “ 28% by 43 -- 10, “ 30 by 40 * * 11. “ 27 by 43 • * 12, “ 261 (by 43 * * No. 1, Platen 34 by 4S' inches, 6 Rollers. . . * * 2 * - -- • * - - - - - - - - - - - - - - -- - - | |o o ºl. E. |ſº [[I] III]. | No. 13, Platen 2694 by 43 inches, 2 Rollers. . . . . . . . $1,765 , “ 27 by 41 “ 2 “ , , , , , , , , 1,765 15, “ 27 by 40 6 “ . . . . . . . . 1,890 16, “ 27 by 40 2 “ . . . . . . . . 1,685 17, “ 26 by 40 6 “ . . . . . . . . 1,870 18, 26 by 40 4 . . . . . . . . 1,820 19, “ 26 by 40 2 “ . . . . . . . . 1,650 20, “ 24% by 38% 4 “ . . . . . . . . 1,600 21, “ 24% by 37 2 “ . . . . . . . . 1,575 22, “ 23 by 34 2 “ . . . . . . . . 1,525 23, “ 24 by 20% 2 “ . . . . . . . . 1.490 24, 22% by 31% 2 “ . . . . . . . . 1.490 A.E.T A.Vloº . No. 25, Platen 22% by 29% inches, 6 Rollers, . . . . . . . . $1,730 6, “ 22% by 29% “ 2 ... . . . . . . . . . ,440 27, “ 20 by 25 “ 4 “ . . . . . . . . . 1,450 2S, “ 19 by 25 “ 2 “ . . . . . . . . . 965 29, “ 19 by 23 ** 6 “ . . . . . . . . 1,100 boº, cinmºn'sſiºn, sº Boxing, Carting and Shipping () - #.º.º.º. ºne, $12 to $25 Extra Friskets, according to size, $250 to $4. Extra Fountains, $18 to $36. Extra Nippers, $4 to $450. Extra for moveable Fly-fingers and Tape-wheels, $20 to $80, ºTerms of Payment same as for Cylinder Presses, Gr º º | º | liſ E H tºº |jº i |Q); º Rºll||N||Y RT. ~-lii º º | | | H | | º | º * º Hoe's Job Printing Machine. THE long-existing want of a cheap and fast press for jobbing, smaller than our cylin- der presses, has induced us to get up the “LITTLE Jo BBER. This press combines the advantages of speed and durability with convenience, simplicity and cheapness. It is capable of throwing off 2,500 impressions per hour with ease, or more, if the feed-boy can supply the sheets, and works so still, that a person standing a few feet from it, cannot hear it, The manner of running the bed is entirely original, and is done by means of a crank and lever, which gives it a slow and uniform motion while the impres- sion is being taken, but a quick retrograde movement, thus combining a slow impres- sion with speed, Another new feature of the press is, that the sheet-flyer is so arranged, that no tapes pass around the impression cylinder, so that whatever sized form is worked, there are neither tapes nor fingers to shift, thus obviating the only objection to that apparatus for a jobbing press. It has an iron feed and fly-board, and all our recent improvements, such as an adjustable knife to the fountain, bearers for the bed, patent feed guides, &c. &c. The bed is 20 by 13inches inside of bearers, and prints matter 16 by 9 inches; the press occupies 5 feet by 3 feet. Price, $700. Medium, Bed 23 by 28 inches, to work 5 Type Inking Rollers........ $1,800 Super Royal Bed 25 by 33 “ “ 4 -- ** -- Drawings and Directions for putting up and working the Presses, furnished with each Machine. TERMS or PAYMENT.-One-half cash, one-half six months for satisfactory note. 2% per cent, discount from the whole bill, if all is paid in cash. - Washington Hand Press. THE celebrity which our Patent Washington and Smith Hand Presses have obtained, and their exclusive and constant use in almost every Printing Office in the United States and other countries, during the last twenty years, renders any remarks upon their Superiority unnecessary. They are elegant in appearance, simple, quick, and powerful in operation, and combine every facility for the production of superior printing. Each press is tried at the manufactory, and warranted for one year. DIMENSIONS AND PRICES OF PATENT WASHINGTON AND SMITH HAND PRESSES. Platens. Beds. Mammoth. . . . . . . . 43% by 34% inches. . . . . . . . . . . . 48 by 38% inches. . . . . . . . . . . . . . $380 Imperial, No. 6.41% by 26 “ . . . . . . . . . . . . 46 by 29% “ 290 -- “ 5.39 by 25 “ . . . . . . . . . . . . 43% by 28% “ -- “ 4.37 by 24 “ . . . . . . . . . . . . 41% by 27% “ ** “ 3.35 by 23 “. . . . . . . . . . . . . 39% by 26% “ -- “ 2.32% by 22% “ . . . . . . . . . . . . 37 by 25% “ -- “ 1..30 by 21% “ . . . . . . . . . . . . 34% by 24% “ Super Royal . . . .28 by 22% “ . . . . . . . . . . .32% by 26% “ Medium . . . . . . . . .25 by 19 “ . . . . . . . . . . . . 29% by 22% “ Foolscap. . . . . . . . . 19% by 14% “ . . . . . . . . . . . . 24 by 18 -- Two pairs of points, 1 press wrench, 1 sheepsfoot, 1 brayer, 1 slice, and one extra frisket, are ſurnished with each press without additional charge. - If the frame is made to be taken in pieces, $10 extra. Boxing and Carting, $3. DIRECTIONS FOR PUTTING UP THE WASHINGTON AND SMITH HAND PRESSES. IT will be necessary to observe, that all the connecting parts are marked, or indented by points: if these are carefully observed, the press may be put together without difficity. After setting the frame upon its legs, and putting on the ribs and be, lay the platen on . the bed, placing under it two bearers about type high. Then, put the springs, in their places, and the nuts over them, and pass the suspending rods through them, observing to place the rods so that the number of indentations on them correspond with those on the platen. Give the nuts two or three turns, then run in the bed, so as as bring the platen under the rods, and screw them fast to the platen, after which put in the bar-handle, standard and lever, (or wedge and knees if a Smith Press.) Turn the nuts on the sus- pending rods, so as to compress the springs just enough to give the platen a quick retrº- grade motion, observing at the same time to get the surface of the platen parallel with the surface of the bed. - - - After having put the press together and levelled it, be particular not to raise the end of the ribs by the gallows, but let it go under rather loose, which will have a tendency to make the bed slide with more ease on the ribs. The size of the Press is marked on the front end of the platen. Presses of large size destined for Mexico, South America, or other mountainous re- gions where there are no carriage roads, have their frames made so that they can be taken to pieces and packed in smaller packages. CHAS. T. WHITE & CO., Hoe's Self-Inking Machine. (FOR THE HAND PRESS.) By means of this Machine, the Pressman inks the form by the ordinary operation of the press, and gives a more perfect distribution of the ink. The present Machine is much more simple in its construction, regular in its movement, easier to put up, and is far Superior in every respect to anything of the kind heretofore in use. SIZES AND PRICES. Foolscap. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $S5 00 Medium. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 00 Super Royal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 00 Imperial, No. 1 and 2 . . . . . . . . . . . . . . . . . . . . . . . . 115 00 • * No. 3, 4 and 5 . . . . . . . . . . . . . . . . . . . . . . 130 00 Boxing and Carting . . . . . . . . . . . . . . . . . . . . . . . . . . 2 50 Hoe's Machine Card Press. | | | ſ - º – eſ. Iºwſ THE manufacturers say: “For printing Cards and Small Circulars, this Machine is not surpassed It is worked either by a crank or treadle, and will print from 1,000 to 1,500 cards per.hour in the best manner, and may also be used for printing note paper and small circularsº. Size of inside, 6% by 5 inches. *rice, $200. Boxing and Carting, $2 50. TYPE FOUNDERS, NEW YORK. Hoe's Paper-Cutting Machine. THE manufacturers say: “This cut represents a machine that is used by printers and others for cutting paper. The working portion of the machine is made of wrought and cast iron, Steel and brass, and is supported by frame-work and a table of wood. The knife is attached to a vertical slide with a rack on one edge of it; this is moved up and down by a }. that turns in bearings on a head or carriage, which slides horizontally over the table. he parts above and below the table are connected by wrought iron rods and a screw. A hand-wheel attached to the screw is used to raise the horizontal slide, so as to admit the paper under it, and then to screw it down and press it hard upon the top of the table. The operator takes hold of the pinion shaft, which serves as a handle, and slides the carriage, with the knife in it, across the paper, at the same time turning the pinion so as to force the knife down and cut the paper. It will cut paper 27 inches wide.” Price, $55. Hoe's Improved Inking Apparatus for the Hand Press. | | * . .2% º wº Nº TIE large distributing cylinder vibrates. There are two rollers” to ink the form, moving in a carriage with four wheels. The wheels on one end are plain, those on the other have a projecting flange in the middle of the rim. Two wrought iron rails are to lie on the bed, outside of the chase; one of them having a groove cut in the top of it, to receive the pro jecting flanges on one pair of the wheels, the other level on the surface. Projecting from the distributing frame are two short rails, on which the wheels rest while the rollers are re- ceiving ink from the distributing cylinder. The machine must be set up behind the press so that the short rails on it shall agree exactly with the rails on the bed of the press when it is run out, both in height and width. The journal boxes in which the inking rollers run, have adjusting screws to regulate them, so that they may bear more or less on the type, as circumstances may require. * Unless the order be for one roller only. SIZES AND PRICES. With vibrating cylinder, railway, and car- With vibrating cylinder, railway, and car- riage to work one ink roller: riage to work two ink rollers. Imperial, Nos. 5 and 6 . . . . . . . . . . . . . . . $400 Imperial, Nos. 5 and 6 $52 00 * & Nos. 1, 2, 3 and 4. . . . . . . . . . . 4 00 * * Nos. 1, 2, 3 and 4 . . . . . . . . . . Super Royal . . . . . . . . . . . . . . . . . . . . . . . . . 3 50 Super Royal . . . . . . . . . . . . . . . . . . . . . . . . . Medium . . . . . . . . . . . . . . . . -- - - - - - - - - - - - - 3 00 Medium . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 50 Foolscap. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Foolscap. . . . . . . . . . . . . . . . . . . . . . . . . . . . Hoe's Hand Lever Printing Press. FOR PRINTING CIRCULARS, HAT TIPS, &c. --- SIZES AND PRICES. Foolscap, º 16% by 18% inghes. . . . . . . . . . . . . . . . . . . . . . $90. Half sheet Post, platen 9% by 7 inches....... - - - - - - - - - - - - - - - 45. Hoe's Improved Screw Standing Press. º ſº | º | º º º | º: CHAS. T. WHITE & CO., TYPE FOUNDERS, NEW YORK. Hoe's Patent Ready Proof Press. THIS Machine consists of a cast iron table, or bed and railway, supported by a cast iron frame. The solid cast iron cylinder is of weight sufficient to give the requisite impression: there is also a closet, to keep the ink roller and wet paper in, which when open, (as shown In the cut,) answers for a distributing table. The cylinder has flanges at each end to prevent it from running off the track; the surface of the cylinder is turned parallel, and the space between the rails is covered with a blanket : the railway stands above the level of the bed, as much as the height of the type and the thickness of the galley bottom. The Machine should stand level, so that the cylinder will rest at either end; and when a proof is required, place the galley with the matter in it, on the bed, ink it, lay on the slip of paper and roll the cylinder to the other end of the railway. 'Price, including Proof Roller, $70. Boxing and Carting, $250. THE opposite cut represents a STANDING PRESS, with a wrought iron faggotted screw, with hardened steel point, composition box, and cast iron platen planed true on the face; it is operated by a rachet wheel, pawl and lever. The head and bottom are made of the best white oak timber, well seasoned, and secured by iron plates, bolts and nuts, and connected by wrought iron rods, with screws and nuts above and below. SIZES AND PRICES. 2% inch screw, between rods 28 inches. . . . . . . . . . . . . . . . . . . . $115 3 * . * . - “. “ 30% “ . . . . . . . . . . . . . . . . . . . . 3 3% “ * * * - “ 31% “ . . . . . . . . . . . . . . . . . . . 167 4 -- * . -- “ 88% “ . . . . . . . . . . . . . . . . . . . . 213 DIRECTIONS FOR MAKING COMPOSITION ROILERS. RoLLERS are made of best American Glue and Sugar-house or West India Molasses, or thick Sugar Syrup. For summer use, to each pound of glue add one pint of molasses. The quantity of each, how- ever, will depend on the temperature of the weather; more glue being required in warm than cool weather. A medium roller will require about five pounds of glue to two quarts of molasses. Place the glue in a bucket, and cover it completely with clean water; let it soak from 20 to 30 minutes: then drain off the water, and let the glue in the bucket remain covered for 3 or 4 hours, or longer; it will then be in good order for melting. The glue should then be put into the small kettle, with water enough in the large kettle to completely surround the small one. Then place the same over the fire, and let the glue boil until completely melted, which will require from one to two hours. The molasses may then be added, and well mixed with the glue, by frequent stirring, and the whole boiled an hour or an hour and a half longer, and then poured into the mould, there to remain, untouched, until cold. The mould should be perfectly clean and well oiled with a swab before using it. After being taken out of the mould, the oil on the roller may be wiped off with paper, and the roller exposed to the air in a cool place for two or three days. When quite new, rollers should be used as long as possible without washing, or until they become so dirty as to require it. Washing the roller too soon, before the composition acquires consistency, is apt to injure the face of it; after that, it may be washed whenever it becomes dirty or loses its adhesion; it ºld be washed in lye with a soft sponge or soft rag, and rinsed perfectly cléan with water, and wiped ry. - CHAS. T. WHITE & CO., TYPE FOUNDERS, NEW YORK. Gordon's Franklin Press. Ruggles' Rotary Card and Bill-Head Press. 2: THE manufacturer, in describing it, says: “The bed faces the operator, and never moves beyond a vertical line, therefore the type cannot drop or fall out. The plater has a rotating recipro- cating motion to and from the impres- sion, and forms an excellent table to re- ceive the sheet. The sheet is relieved from the type by grippers, which are speedily adjusted to suit the form. The inking apparatus is new, simple and thorough—double rotating tables being used, moving in opposite directions to each other. Three rollers are carried forward and backward over the form for each impression. The impression Ruggles' Rotary Job Press THIS Machine is of nearly the same construction as the Rotary Job Press, but being smaller, is particularly calculated for Cards, Bill Heads, Notes, Circulars, Labels, &c. It is fur- nished with the same moveable bearers and ink-distributing arrangements as the Rotary Job Press, and possesses a great advantage over all other Card and Bill Head Presses, in being so constructed as to print either paper or cards with the great- est facility and perfection. It is put in motion by a treadle, \ , with the foot, and may be worked at the rate of from 1,000 to # 3,000 impressions per hour. It will print a form 7 by 4% inches. Cash Price, $180. Boxing and Carting, $1.50. s- Extra Chases $1.25. is given by toggles. Four screws, to which the platen is attached, regulate the impression. The register is perfect. The operator cannot be injured, how- ~ ever careless he may be. º º §º - -- - - -> ture of the “Franklin Job Press” is ºwſº 㺠THE manufacturers say: “This Press has re- that the distributing tables, the rollers, the face of the type, the face of the platen, are aii. - Sº I y lls i're cently been invented and patented, and pre- sents many new features and advantages. | is well adapted to all kinds of Job Work, including large Cards. It distributes ink in the most thorough and perfect manner, while its self- adjusting, moveable ink-roller bearers, at each end of the form, causes the ink-rollers to pass except at the moment of impression, in full view of the eye of the operator, who can detect at once any imperfection in the working of the Press. The Press is admirably adapted for steam, and may be driven by the foot. The “Franklin’ will run with ease 1,000 impres- sions per hour, but may be run more rapidly, if desired, particularly the smaller ones.” SIZES AND CASH PRICES. Half Medium. . . . . . . . . . . . . . . . 12 by 19 inches, inside of chase...... $450 over the types in a manner so delicate and com- Quarter Medium . . . . . . . . . . . . 9 by 14 * * * * “ . . . . . . 325 plete, as to insure the cleanest and very best Card and Bill-Head size. . . . . 5% by 10 “ “ “ . . . . . 175 of work. It is put in motion by the foot, with a treadle, or may be run by steam: is easily worked, and is a favorite with all who have used it. It will print a form 10% by 7% inches.” Cash Price, $315. Boxing and Carting. $4. Extra Chases, $150. Boxing extra. Gordon's Fire-Fly Card Press. 1, 1 ; , , . S 1'.' I tº N. I. The manufacturer says: “The accompanying cut is a representation of ‘Gordon's Fire-Fly,” as recently improved. The Press is very strong, com- pact, and simple: is quickly made ready, and in all its movements works with unerring certainty— feeding, printing, and cutting its own cards. Its distribution is rotary, with a double set of rollers alternately inking the form ; thus giving a slow motion to the rollers, with rapid impressions to the form. The vibration is beautiful and new. This press will print from a ‘No. 1' to a “Double Small' card at the rate of from 8,000 to 10,000 per hour.” Cash Price.......... . . . . . . . . . . . . . . $500 Boxing and Carting, extra. Ruggles' Job Printing Engine. THE manufacturers say: “These Presses have been in operation many years, and have given perfect satisfaction. They are very simple in their construction, and are now in general use. The Job Press is put in motion by a treadle with the foot, requiring but one person (a boy or man) to work it, throwing off perfect impressions at the rate of from five to six tokens per hour. These Presses vary in size from a quarter to a half sheet.” SIZES AND CASH PRICES. Half sheet. . . . to print 18 by 12 inches. . $550 Quarter sheet “ 12% by 9 * * 375 Extra Chases, $1.50 and $1.25. Boxing and Carting, $5. Ruggles' Combination Engine Press. THE manufacturer says, “One of the principal improvements in the new Com- Ruggles' IXiamond Rotary Card Press. bination Engine Press, is an entire change in the position of the form, which is Not up-side-down, as it is in the Rug- gles Engine, as heretofore made. Ano- ther important and very desirable cha- racter in this Press, is a simple arrange- ment by which the impression may be ºl or diminished on any part of § the form, with the greatest ease and ex- WA: pedition; and another improvement still, \\ which insures the perfect working of the form, however small in size it may be, whether it is placed in the centre or in one corner of the bed. There are several zºz nTº other improvements and conveniences s - - Nºrtºis º W THE manufacturers say: “This Press has been pro- duced within a few months past, and is designed ex- pressly for Cards and small Labels. It turns out the most beautiful work, at the rate of from one to three thousand impressions per hour, and is justly con- sidered the ‘ne plus ultra of Card Presses, as it is fast taking the precedence of all machines, heretofore made for this purpose. It is put in motion with a crank by the hand of the workman, or may be run by power. For Cards and small Labels, it has re- ceived the preference over every other press by all who have used it. It is not only better, but also ºf connected with the Press, which it would | | |||— cheaper than any other Card Press yet invented.” occupy too much space to enumerate, | º l, It will print a form 4% by 3 inches. and, independent of them all, it has been is . | Mr. Ruggles' particular aim, in the gene- |||||| | | The cash price is. . . . . . . . . . . . . . . . $110 ral construction of the Press, to avoid - | | Boxing . . . . . . . . . . . . . . . . . . . . . . . . . 1 any and every difficulty or objection that *|| | Extra Chases, 75 cents. might arise from having it worked (as all ºlº | small Job Presses generally are) by care- I.T.ſ, LTS PATI, NT ë less º |. !'. persons of little expe- rience, skill, or judgment, in the manage- 7 - ment of.." The Press is worked Ruggles Rotary Card Cutter. by a treadle with the foot or by steam power, the same as his other Presses, and throws off, with the greatest rapidity, & he very best quality of work.” SIZES AND CASH PRICES. Half-sheet Medium, printing a form 18 by 12 inches. . . . . . . . $550 Quarter-sheet “ * * “ 12% by 10 “ . . . . . . . . 400 THE manufacturers say: “This Machine, which has recently been improved, has been found a great acqui- sition to the Printing Office. It is intended for cutting card-board into regular sizes of cards. By purchasing their card stock in sheets, and using this machine for cutting them, Printers realize a saving of about fifty per cent.” It will cut card 25 inches long. Cash Price, $25. Boxing and Carting, $1. Extra Chases, $150 and $125. Boxing and Carting, each size, $5 | Foster’s Patent Hand Press. º | The manufacturer says: “The advantages of this Press are as follows: First. “The great increase of power; the same physical force producing at least one-third more pressure, Less physical exertion being required, the pressman is enabled to perform more work in the same length of time. Secondly. “The simplicity of its construction, dispensing with all springs, bolts, and the complicated lever power used in the old presses, parts the first and most liable to break and get out of order. Thirdly. “The tympan is counterbalanced by a weight, which, in an easy and beautiful manner, not only balances the tympan, but holds the bed from running in while inking the form. - Fourthly. “The power being applied under the bed instead of over the platen, the heavy top part is dispensed with, thus throwing more light upon the form, and making it other- wise more convenient for the pressman.” SIZES AND PRICES. Foolscap . . . . . . . . . . . . . . . Platen, 14 inches by 18 inches * - 19 • * 25 * * Press.” centre of the platen, thus preventing it from springing. It produces a beautiful and clear impression, works with great ease, and will print from 1200 to 1500 impressions per hour. Size of platen, 4 by 18 inches.” Cash Prices. Medium . . . . . . . . . . . . . . . . Super Royal . . . . . . . . . . . . “ 22% • * 29 “ Imperial . . . . . . . . . . . . . . . . “ 23 • * 32 “ Double Medium . . . . . . . . . -- 24% * * 38% “ Imperial, No. 5 . . . . . . . . . -- 26 -- 40 “ Double Super Royal . . . . “ 2S * * 42% “ Foster’s Patent Card Press. By recent improvements made on it, is now before the public unrivalled for beauty, du rability, and speed, besides being the cheapest Card Press made. It will print from 2000 to 3000 Cards per hour, and warranted to do superior work.-Manufacturer's circular. Cash Price, $150. CHAS. T. WHITE & CO., TYPE FoundERS, NEw York. Foster's Locomotive Jobber. The manufacturer's circular says: “This Press works on the principle of the “Alligator It differs from all others of a similar construction, the power being applied to the Cash Price, $350. Foster’s Excelsior Jobber. The manufacturer's circular says: “This Press is entirely different from any other of the kind in the º of its inking and distributing apparatus. The Rollers pass entire- ly around the bed, over a distributing board which is caused to vibrate as the Rollers pass over it, thus giving nearly twice the distribution obtained on other presses. It has also an arrangement by which Cards can be printed as rapidly as on the ordinary Rotary Card - Press and equally as well. 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