Years of Design I 1890-2017 I e~2 M'.ianBa UNIVERSITY OF MICHIGAN BICENTENNIAL ALWAYS LEADING. FOREVER VALIANT. Copyright © 2017 by Francesca Kielb Some rights reserved This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. Published in the United States of America by Michigan Publishing Manufactured in the United States of America ISBN 978-1-60785-430-2 (paper) http://hdl.handle.net/2027/md p.39015087418763 An imprint of Michigan Publishing, Maize Books serves the publishing needs of the University of Michigan community by making high-quality scholarship widely available in print and online. It represents a new model for authors seeking to share their work within and beyond the academy, offering streamlined selection, production, and distribution processes. Maize Books is intended as a complement to more formal modes of publication in a wide range of disciplinary areas. http://www.maizebooks.org  or a The Michigan Daily 4 414 4, titian 4 ~ii1l At* I - -E* z & r i1 f:t Jt 4- Iwt 6fL lt=4'" r =8  I I would like to dedicate this book to the people who have made this project possible: Franc Nunoo- Quarcoo, Jason Colman, Gary Krenz, Anjali Alangaden, Shoham Geva, Emma Kinery, Shane Achenbach, Fritz Swanson, Carolyn Gearig, Michelle Phillips, Ava Weiner, and the many more staff members at The Michigan Daily who contribute to this publication's legacy.  CONTENTS xi. Preface 1 The Masthead 13 The Front Page 43 The Redesign L, 13 I Everyone says it: Print is dead. Newspapers across the country have been going through a process of intense change, as their primary method of distribution moves from print to digital. But my position as a managing design editor for The Michigan Daily means that I lay out the front page for the print version of a paper, design the layout of photos and the creation of graphics. I create the look of the paper, the feel of it. Looking at myself and my work for the Daily I wondered how many before me had toiled over that front page, and how few may follow. I was conflicted. I don't subscribe to the pure nostalgia some hold for the screenless days, when books were the primary source of information. While it's easy to dramatize the transition from print to digital using terms like death, I understood the very real benefits. What I didn't understand is how this transition would change my relationship with the design of the paper. Would seeing how many clicks I got on a page mean as much as seeing a stranger holding up the newspaper I had designed the night before? Is there a value shift when the paper ceases to be an object? Can I still say I made something? If I couldn't control what was happening, maybe I could at least understand it. Maybe if I could understand the ways that the paper has changed in the past with technological advance, then I could better understand my current predicament. I found some of those answers in a library basement with a bearded man named Fritz. One of the Daily's copy editors had told me about the man who runs the printing press for the Wolverine Press, a letterpress shop operated by Fritz Swanson, a lecturer in the English Department. Apparently he had been there so long that when choosing his own uniqname and email he was able to pick whatever three letters he wanted. The editor told me he had showed her trays of old metal blocks of type, which they use to make books, and showed her how to use them. That's when I realized I had no idea how the newspaper was actually made. When I was finished designing at the end of each night I simply sent over the InDesign file to the printer, and when I woke up 10,000 copies just magically appeared on stands throughout the campus. I drafted an email to Fritz's three-letter address asking if he could take a few minutes of his time to explain printing presses and how they have changed since the Daily began printing in 1890. At 10 a.m. on a Thursday, I wandered through the basement of the Duderstadt Library looking for Conference Room 100. The only people I know who go to a North Campus library are in the College of Engineering. Even though I am a senior, the space is dark and QI I unfamiliar to me. The fluorescent lights flickered on the cement block walls. As I scanned the glass enclosed rooms lining the central space, I saw a black metal machine. It was an old letterpress. Smaller than I expected, maybe the size of a kitchen island, it was meant for personal, not industrial, use. I grabbed my pen and notebook and entered the room. Three people were engrossed in conversation, which I interrupted. They stared at me. There were two men and one woman. Each man had a beard - one, old and silver, the other, young and dark. Having heard the story about him being at the University for such a long time, I turned to the man with the silver beard and said, "I'm Francesca Kielb, from The Michigan Daily." He looked confused. The younger man stuck out his hand and introduced himself. "I'm Fritz." The room was covered in shelves filled with tiny metal blocks. Each shelving unit was a different font, each drawer a different weight of a respective font (bold, bold italic, medium, medium italic, etc.) These were the types of building blocks used for all print materials created between 1450 and 1950. This small room in the basement library was transformed into a letterpress studio, which were once in common use, and the three people in the room facilitated this travel back in time. When I mentioned that I was from The Michigan Daily, the woman, Rebecca Chung perked her head up. She said she was an editor at The Michigan Daily from 1985 to 1987. According to Rebecca, that period of time saw the greatest change in the way that the paper was made. "One year we were using typewriters and the next we were using Macs," Rebecca explained to me. Her presence in this room suggested where her preference lay. I asked why, given the grueling process, she preferred the years she used a typewriter. "Typewriter method allowed you and forced you to think concisely," she said. "Everything I learned about editing I learned from The Michigan Daily. We were brutal." I thought back to the night before, which I had spent at my design desk, on one of the iMacs that populate the Daily's newsroom. Nights usually begin with a meeting of all the section editors. I find out from News which stories they want to put on the front page, and I talk with Photo about which images they want to highlight. I then confirm if we have any infographics or illustrations for the night, then oversee the design and layout of all special inserts. The night always ends with a call to the printers; after the articles have XIi. I made their way through rounds of senior editors, managing editors and Copy; after I lay out the photos, place the articles on the front page and organize the spill; after the infographics and illustrations are exported as JPEGs so that they can be viewed online. After all of that, once the call happens, only four people remain in the room. I save the pages on one of the iMacs. The editor-in-chief dials the number. "Did you get everything?" she speaks into the phone. "The pages are all there? Great, have a great night!" She hangs up. Then she announces to the few of us left, "We made a paper!" Now, I imagined creating pages without our library of templates, without the ability to drag and drop, without auto- settings that ensure the text is always aligned and properly sized. What would my night have looked like? Fritz pulled up a chair and began his story. It started with the letterpress. "You've worked in letterpress?" he asked. I gave a nervous laugh and said "a little bit." I have seen someone else print a poster once but never actually done anything myself. But in that moment it felt like a lie. Over email I made it clear I wanted to learn, but then, sitting in that basement in a wrinkled blouse, clutching my pen and notebook while holding up my recording app on my iPhone, I wanted to be taken seriously. "It's a relief printing process. It's a recombinant process," he continued without skipping a beat, "What Gutenberg did that was special was he created a system for casting metal type and being able to rearrange it. You've seen metal type before? You've handled it?" "Yes," I replied, again stretching my single interaction with a press into some actual experience. I nodded a lot. He told me that while letterpresses had been used on smaller scales since the mid-1400s, newspapers were an 18th-century invention. Imagine a room. You are a worker, surrounded by other workers and their trays. You place letter by letter by hand, forming words which eventually form paragraphs that eventually form columns that eventually form one page. You can smell the metal. And it gets worse. The whole page has to be laid out backwards in order for it to appear properly on the paper that gets pressed onto it - thus why it is called relief printing. So you are letter by letter forming an illegible inverse of the actual page, and if the tray is so much as slightly knocked during the chaos of the creation process, the tiny metal letters will fall and scatter onto the floor - and you will have to start from scratch. I'm struck by the physicality of it, people making something with their hands. To them, I imagine, what I do has nothing to do with the making of a XIII I paper. To them, I imagine, my work is so far removed that it might as well be displayed the way it was created - on a screen. Fritz divides the newspaper's constraints at this time into three categories: labor, materials and time, or how many people can work in that space and for how long, how many sets of metal type can be bought and stored at one time and how quickly can the pages be assembled. The design of the front page is merely "a consequence of those pressures," he said. For example, the size of a newspaper today stems from the size that was convenient for one man to make in a mold in the 17th and 18th century. The sheet sizes were set by the manufacturer and were essentially determined by ergonomics - the largest size that was still manageable for a single worker to handle. Every change, every cut or adjustment to this set size was another added process, meaning added work and time. Making a paper that filled an entire sheet, then, was the most efficient and cost effective solution. As Fritz put it, it's "the reason why a newspaper is a newspaper, and not a news book. That is why magazines didn't come about until much later in the game. Thus 18th-century constraints have determined the sizing standards for an era with infinite possibilities." These conditions are why my InDesign file that I drag and click and arrange each night is the size and shape that it is. There is no other reason. And it doesn't end with the paper size. Why is text arranged into narrow columns in newspapers rather than into a wider setting like books? There is a reason for The Michigan Daily's ultra-condensed, four-column design on its original front pages in 1890. On the tray where text was laid out there would be set galleys, or channels built up on the press to divide the words - metal lines of separation - making columns a norm in newspaper printing. At this point Rebecca steps in. "When I was working at the Daily, I didn't realize it," she said. "But we had those cases, I had to send copy down by 6 o'clock at night, and then we had a typesetter named Lucius, Lucius Doyle, and he was grouchy and mean and tough and we loved him. Once he was done doing the hot metal setting, we would go look at it there and we would look at a print and we would make final decisions. The more metal involved, the fewer corrections he was willing to make." She paused, recalling the year before they transitioned to the Mac. "I had no idea that I cared about it so much while I was there," Rebecca said. "It was all just sinking in. But I'll let you two get back to talking." XIV. I She returned to her work setting up the new letterpress studio. Her self-realization prompted internal debate. Why do I care that the digital file I create gets duplicated 10,000 times on paper? Why does it matter that I can pick it up on my way to class and hold it in my hands? Why is that more meaningful to me than pulling it up on a screen? And lastly, will I care like she cares when it dies? "I'm glad she brought that up," Fritz adds. "Because the Daily was still set - do you know about the linotype machine at all?" I lie, laugh awkwardly and say, "A little." I think he knows by now what my responses really mean, because he explains it anyway. He explains that columns such as ads would stay set up week to week to save labor. But in the meantime the rest still had to be constructed by hand - that is, until the linotype machine was made in the 1880s (though not broadly used until the early 20th century). Now, instead of hand placing each letter, you could use a typewriter. Each letter you pressed on the typewriter would prompt that same letter in real life, in metal block form, to slide down into a line on the newspaper tray. You could type a single line of text, then that text would be cast in metal together into what was called a slug. Now, say you trip and the tray spills on the floor. Instead of having tons of individual letters scattered everywhere, you had complete lines, formed together, which could be picked up and rearranged again back to the proper order. This one machine cut work time significantly. This development explains why the column grid begins to loosen up in the early 20th century. The linotype was able to adjust the length of the lines (or slugs) that were cast, and therefore headlines begin to span multiple columns and graphics begin to enter into the designs because there was no longer hand- setting of pages. The efficiency allowed for flexibility. Yet it is important to note that, while minor changes have been made, papers continue to stick with essentially the same columns that were made 150 years prior. Fritz paused. It had been more than 30 minutes and I apologized for keeping him from the letterpress. He told me he needed to get back to it soon, but wanted to finish the story. I looked up and saw the other two time travelers in the room, tinkering with the letterpress machine and organizing stacks of hand-printed papers on a table. He finished the story. "It was probably a roller manufacturer in the 1950s who XV. I observed this effect first," Fritz said. "If you print onto a glossy surface - like plastic - then if you press that glossy surface back onto paper, it will deposit that ink." The capability to print with ink on plastic meant that presses no longer had the restrictions of metal type, and paper could instead be rolled through cylinders and printed. This technique of drawing paper through cylinders meant that the paper could be fed much more quickly, further improving the efficiency of production. Imagine you have been working a letterpress all of your life. You are accustomed to the metal blocks of type, the trays. You hold onto it for as long as you can, but eventually you just can't compete. Offset presses are taking over. They demand less labor, they require simpler tools and they take less time. It's a no- brainer. Fritz told me The New York Times, despite changing technology, printed on a letterpress until 1977. There was a video shot by one of the linotype operators about the last day of production on a letterpress. As I heard this, I sat there and wondered, is that heroic, to be the last to stick to a dying technology? I was nervous to bring up the potential ecological benefit of print's death to a man setting up a letterpress, but I was curious to hear his perspective and surprised by his response. "We are in a position now where you should only print things that you have to print - that must be in print ... so how can we make this more utilitarian, more functional, more useful?" he said. "How can we leverage print so that we are not just echoing the past mindlessly?" I didn't expect that from a man who has dedicated his life to print. Fritz knew that the cost of printing was high - not just financially. He was not of the mindset that business should just continue as usual, quite the contrary. His was a mandate: to understand the past and not press repeat, to ask questions and to print only that which must be in print. But how do we determine what must be in print? Does our small, local, student run newspaper make that cut and - if so, why? Time passes, and the restrictions that originally demanded every design decision no longer exist, yet the conventions linger on, a remnant of technologies long buried. Print design may just be a remnant of history based on prior necessity, repeated blindly. Because, while I may have changed fonts, increased graphics and enlarged photos, there are still six, thin columns of text on our front page. Does that deserve to be repeated 10,000 times a day? When I got up to leave, Fritz went searching through the XVI. I drawers and pulled out a small piece of cardstock. On it was every letter and number from his favorite font, Kennerley. He had set each letter of metal type, one by one, on the letterpress and printed it by hand. He reached out and gave it to me. Article originally published by The Michigan Daily November 22, 2016. Iheld it in my hands. It was beautiful. 0400 XViI. THE MASTHEAD 1. the highest part of a ship's mast or of the lower section of a mast. 2. the title of a newspaper or magazine at the head of the front or editorial page. * 1890 2 The~ ~ ~ Unvrst ofS Mihgns nwpprsa h' ie hc stdn nesapr The Mihia alrad use a tndr gti limtatons It' firs matha U of M DalSalosbett dsply the startin g pon or cag.As a rnd hi asha th evlto of th nesae' set a creaive whl perhap s brand Unik mst prfss ioa am tur ineedn tone. * A heav tyefc (o a* veso thref in us fro 15ht 8hcnuie.Snnm lc II91 Th Mihia Dai 4 The masthead in 1910 takes a wildly different direction. The structural serif* font gives the brand a more professional look than the illustration. However, it loses the essence of free-spirit and creativity that was the driving feature of the masthead in 1890. The Michigan Daily has always stressed its editorial freedom, and prides itself on its ability to take stances that may question the authority of the University. The standard font and lackluster display evokes neither power nor freedom. * A typeface with short lines stemming from the upper and lower ends of the strokes of a letter. 1920 6 192 mak a drsi chng fo itSated ieyuwl fo th viua idntt of Th see aleain vrtm nsz Mihia Dily It abnos the and spcig th cags gig basi sei fon an adopts a mor Sowr ar muc moesble trdiinal edtra gothiS fonS - ft~ hu o" I Fifty years later and not much has changed. In 1920 print was booming and page sizes were getting larger and larger. By 1970 pages begin to grow gradually smaller and smaller and type becomes increasingly condensed. You will notice that the major difference between the two mastheads is the kerning* between letters, which is now significantly smaller. * Adjusting the spacing between letters or characters in a piece of text to be printed. C = . I~o1 C*% -h V Whl no muc haS tehial pres So prne, n ro ad chaged wit the mathad lain of letr t h ueo the leter ar rserad m r I sin fo fns and layut dstn . Thi Sa be atrbue men thtte caatr'r So the ~ diiaizto Sf Sl prin both diitlie a d xat me ia Sh Srnito Sro prntn *Adsko g bishin sotwr apiai o produced by Adob Sstms I1I1h I The front page of a newspaper displays the most relevant, note- worthy information each day. It sets the tone for the rest of the publication, and creates a brand for the paper as a whole. Since 1890, the size, use of photography, story placement, and general layout of The Michigan Daily has gone through waves of change. What is interesting to note is that this change has not always been linear. While some redesigns introduced entirely new ideas, incorporating methods of layout and design that were previously unseen, many other design changes were recursive, looking back to previous decades for inspiration for the future. That being said, while looking for inspiration for the most recent redesign of the newspaper, we believed that it was pivotal to look both forward and backward, to inform our future with our past. tk MONDAY, SEPTZMBBR 29, 1890. -NUxmBE 1. VOLUME 1. :ROEHWG MAKERS OP = RATE RN ITY Pz=sN, 00 RUGBY TEAM. I bafore, and there will be a game at BIikao this year that %411 be - -Imarked by sandy playing. Ir~r a THE NSJ&CLEUS OF IT PRACTIC- m Iuch! closer score than Coretell ING DAILY ON THE CAMPUS wl okfr obgnwt "S wtelilooc ork isTo be wthe The Cainpuse La. taken on a; I'ytnaio k 3tob h hom lie l hi pat wcth ,foundation ofthe Rugby eleven homelikelookthispsatw te i Eeyafternoon has seen some of tlis tear. At 4 P. M., every day, Everyc r~y manl who wants to play oni our canvas backed Rugby players t Lb1 b~ k.It id f. rt the fcar in ust show up on the. Wright, Kay & Co f (" n S ~o kum-w~ of G jr-,) and Art GcooIs. tNivee, .,d Op. t-carys Mauat.rr of 0"e V~nest Soc~otyj BSdjoi; mo.s w, the counryi samp',s sae ,Ypen pro- per rsteretcs, trying to lickt goalis. It has been Campus. At 4:15 the players on the ground will be placed on the Woodward Avenue, ;Grand Circus cold 9111 raw, but the spectators 140 WOO0D)WARD AVE.. ::)== 1T,. - t4cII. FACULTY ANNOUNCEMEtNTSi. GZXZUAL BIOLOOT.--Tae under- igned will be in the Botanical ..aboratory on Wednesday between ,0:30 and 12:30 a. mn., to consult rith students about courses in iiology, Botany and Morphology. :abra~tory work in Biology begins 1rhurday at 9:30, in room 25. V. M. 8PJAULDINO. J. E. RICIOUARD. LATIN.--Course 1. Section V. :ivy, will report to Prof. Rolfe, t will be limited to students who iave shown exceptional proficien- IV. It is expected that this see- ion will cover more ground than hie other sections. Course 3. Section IV will be riven by Mr. Clement. HroixNx. -Student s wishing to take the courses in Bacteriology sill find Mr. Novy in Hygiene Laboratory overy' afternoon this oceek. An optional course iin Hater Analysis will be given this Icinester. A MRi. Noy v. Eivo1raXlm4tSTCENTs. - A sourse In Foundry Work will be even the first semester. All engineering students wish- have had (many x laugh am the NVI aI~ t W Iillle~ tw aas r boys w old form an invincible VJS Mleyes intention to play two ...............................ame every dair.-aad the play- 0 etroit, - Mi'chgan. and split the wind with it, butt if~~ they have dad nothing but theeowl pa ntwo oiin they ev-er hrope to down the Eastern team. And the fact i4 they've wind to boat aginst, they have at le&At been learning to stand shoulder to shoulder. And they are doing good work, thee few who are back getting in condition by tossing the ball, tackling, breaking the line, trying the V or the gridiron, and learning the twist that gave Amea of Prince-. ton his celebrated okk s me of "4Snake Ames." The boys are working wnder Malley, who has brought back a trunk full of new trucks and has already began to teach his men a few of them. Abbott, Trainer, Hatch, DeI'ont, Rathbone, Dy. gert,MeAllastcr, Stone,and Chad. bouirne take to them as naturally as any canvasback does to water. Of coturse the boys are all "'soft," and short wind-d as yet, but if they follow the liner laid down by Captain Malley it will be soiled meat anid sand that Cornell runs up against this year. It does onci heart good to hear Captain Malley talk. If he does remaisle~r Aj tu 4w, LSka IMt u 11 W - 90t to woork way be U ft (i) ba they a ,~ if they paey Mui there. .W Q 10 ww~i rwWi go to a baty-asm to Ine piaoe poob. ably in tbhe basement of the Medi- cal building. Here a douse and a rub and then to Prettywnt's, where they will rest and discus. the playa of the afternoons while a supper is beiag prepared for thenm 1A a training table that Prettymxan is to ru for theem. This will be run in the same way that the E~astern training tables are. .0r n*r t'l1]h , Ll. lti l unlinit ed a101 tnin t IfmIlyg ai Iil aiilt, to111. he a - DISSECTING GAr hna aurp .-io o out,, line, an tlteiiiiiliiolio1i ioltton __ 101 looli heson 11al uestiontont lit majoiy * U* ha w ,it, iit Llivotha of0 twon studnto- f eiquiln IRIIITh c~~ionsu lit opitnion is that the I * ~ ~ student opeinding enstirely upons hitm- sel reqiIe on nomuolh energy for ot * 336 South State Ste. ite wokasnt tl o behabl tonccot- __________________________ just_ a ofortable allnnwance in the one T EODFo nsneealwkse ~ v who ha -chani-on mnst in his favor. (1 pentsainaeinsuk foriihe Theorespondtenttifrom thetUnivernityaof RELIABL an io- ert rSedy w-sh Miohigtn is of the otninion thtahv PIFtb'A- .0 SF'EI LTY. ho dlisatdvantageous." Theb folloitnlg table gives the average R . E. J 0 L L Y & C 0. andi minimoum expense and the atteod- N ff ++M N N 4 oc (last year's) of sotiree of the lend- inlg univrsitles: DISSECTING SETS. *___ _______ S (Complete se-ta, parts oaf sets , - or single inntrumenlts. We INSITUTIOiN. :A a think we have exactly what . i 1 youl wanlt andI we know that Z ________ ~~__ S the prices are right. Our IWilliams Cotllege....$700 $25(0 385 eases for five instruments Bowdoin College.... 3140 250 234 S are very neat and conven- University of Kansas.. 2410 75 1100 ient ansi were gotten up a._ Univer'ty of MchitY0-40 210 3100 cording to suggestions from +Beloit College.-.. ... 1(1 200 417 Dr. Yutzy. Universityof Vermont 300 200 554 CgKNSTATE STREET. ±Oberlin College. ......195-309 11154 CAKIS.Indiana University..150-300 1049 SUniv. of Pennsylvania 400 3315 2834 Uot nie ..lty 300 150 D Harvard University .0P 31901 SE ON -H N Univ of California... 200 160 2300 SE O D- A D Princeton University..210-100 1100 TE T O O S Georgetown Univ.. 500 400 700 University .......226-250 10 For all Departments, Law Universtty of Nebraska 225 100 1915 andMedcalBoos Bio Univ. of Tennessee... 200 140 595 andMeicl oos.Brng Purdue University-...l50-20o 1750 in your old books for ex- lyracuse University..250-350 1200 change. C.ollege~tatinnery University of Illinois... 200 1750 and Blank Boall prices. Cormnl Univ. (N. Y.)....400-600 16.0 2324 at UniT. of Wisconsin.... 320 126 3920 Writing by the pound 5t Brown University...2M-800 926 115, 20 and 25c, Make our University of Iowa... 224 1200 dares your headquarters. Minnesota state Univ. 300 200 2900 ! Ohio state Unlversit 200 1100 VII 1mgR 1$ Leland Stanford, Jr., University ............8300 1530 1200 Two 3toesUniv. of N'th Carolina 208 160 487 Tw ft75,Dartmouth College. 360 250 694 VOWIN ""IN Yale Univeit,..., b 3020 t nl li t lli it h o -.! eetl 1 OIl-n II l i n ti it:d " 1 iti tl- a t - In ue1,nf m i tit--al bal\ -. l"liloS ftht ball itri-e all ohi-I t:t ntuot Iloollig its d il t ilatin f'.19adn f-,d pltys, hats b-ot cln,tlll Sctvcinis has hoe-n mnade tn Sctil an fillws. lIt vane ofi a five kick 1(101e 2f1. ii the- ic-i- advances beondl his mark before his chasing the ball (SRolen 7 and 1r, b), whethner he then blobs or not, 1111 oppone~tntsi shall he allnowed tlinbe up live yards neat-er the kicker's matk. and tile kitk shall then be nmade from the name point back of the fit-nt mark, and at the name distance from the side linen. This shall also apply wohen the side having a free hick allows the halt to toucht tihe ground and then fails to blcb it, kick off and try at goal after touch-dnnwn excepted. The aro ruling shall be given In case any player of the side making a free kick Is ahead of tne ball wohen it is kicked." Sec-tion F of the same r-ule, wohich on- stricts starting before the ball is put in play for a scrimmage, provided there is so infration of Rule IA, the ball shall bet brought back and put In play again. If this occurs again In the same down, the ball shall be given to the opponents. If again during the game that side again Infringes the rule bearing on this act, the ball shall be immediately given 1o t'he opponents. The same ruling shall be made in ease of loft-action of M~ule 18, b and c. Yale's New System. Yale is trying a new system of foot- ball practice this fall. As in former years the Varsity and college elevens are retained, but in addition there are two other elevens which will play against each other and on these the new men will be tried, being promoted later, if their work is good, to the col- lege eleven antd thence to the Varsity. Varsity vs. Hillsdale-College vs. Ann Arbor Hig-Saturday, Sept. 80, at Regents Field. Admisejon, s0 cents. Th ast nboifs oi.- i-ins iad tO 11li nb t Nr~eeley throgh1 ttrl5 I lit ofte tis the College ii the bill int, he Varty'il a erritc- -a., :- ly till nina time. g)110 they _. - ,j dolwnc withnin ta yard of the g - J i -, atid tnwiotecycordibybhard 1 u _:so throaughi thc line. tiveAffee w- r- attit3 applause from the spectlators '_ y -tr wany in whlich 110 lore things up 1: htork- lng through guardl and tackle nCot i cciling the ends. Hecrr at quarter-boAc& did good stork alno. He isa a n--v stss, wvhose experience has been g-airil atI Villa Nova college. After bein~g xto--net. o, the second time the Varsity, ho [be. ttid of the kick-off and a blocked kick. immediately followving, succeeded in, tbe-- log the score. Coach Henninger declarIes that it is- still too early toa get much of a line- -w tint men, and Coach Ferbert thinks that there will he considerable shifts a around before anything that wil ae- semble the final line-up of the mot. in reached. In fat he was not wea. pleased noun the Varsity's showing yes-- tclday. An Old Alumnus Visits Lan, Departb- ment. Judge ISmith, 68L., of Lansing, visited, the laws department today. When lIse the lasw department yesterday. Whse-s ha slvisited the second year class in equ:W~ Jurisprudenc, Deant Hutschins asked. him to speak to the class, He slpolkee entertainingly of the work in the taws department thirty years ago. At t'han- time the course consisted of but t4N years of six months each, and was ad counted one of America's best. By able Jurists conducted the was, Judges Cooley and Campbenl being thet on the faculty. He closed by paying 4, tribute to the law school for Its subs. stantial progress and auvanemen4 and for being now as then withinA 7 reach of all. EN The DAILY will be tree tNs week. . The Michgan Daily F OGG'S MEN HERE "PAY FEES PRtOMPILY" READY FOR BATTLE "; A Harid Game Expieted in Spite ots z of Fe-ar Stoies from Case Hea dquarters MItHIGAN UNION SI [ill:)m I HLR'JB PACKED) TO DOORS ~ Icc 3Cc r ci2>tC i :;; " President Hutchins Ernphawlil the Necessity of a Muci laige-r Cluhhouse MONEY' ON HN FOR AUIJfT..'UY. VARSirY IN GREAT CONDITION 21 0 n 0 0 0 t:. o ~ cith A. .tai+. - . Eprtrr= .. .,-, Ic"1 eti ,fir of 'tie +tl3ire - the HIG CAMiPAIcGN ENDS TOIGic atc t ~ kc, -t i .tc, ! !, reticn afe i~ t~ tl t1i 1 :, i : I , !Itc1 - T} cc c Ic ct III .c I i ccc r Jaccitc . dcu.I. ccc ccccc cc .t N - ~ ~ ~ ~ ~ ~ h _i~ _ t c cc ccoeelo I c tl I n, c«,tli ; ,. tc vci th n aicc,, a h t ei' r It~h ,r er,.- nc ,t poe t i e Ia l iar The \~ even whc etre bc he cci ! tl - . tccc t u b r c cc' c forbiddengh h is phci. ~ t tocc 1.g i-_' , The citccc itticcicc k joh hacTcnc _ - -- ~ Xcc ri crcia -l to ;g tcc k l s r Gait r n, cli Nccicgar onchc cccccc, rciii tot~~n . a I iccc a a gacc Icc e cciccr, wh adccc tlt tl ' - - rccc _chc ii Ca tticrct atic nl cc~ ccytin will 1r nc tct actr ~ ..g c ,i r ~ii h tntili of ! Acjth-"ss I)iO s-t pc .1g f rflso ' D1Nr lL 10 BEto 1O-ia mI _eOA l'll i wit h i'I -int li 1 nandtha tmihin :-ii] OHeti. . I uD Th.m odil i otill t il i et bo i Brew11 t tizbt t kingt anu0d5~ CsOUNI itlTtiiitttpTOIGHT Thit Stet couil it holdti t- tit etig o t t oear at it1 by itc toigttt inom 301 otte Theipesienhe to. get pa uinei oit the wotrkl oft echote miibers foil tie coigeari tat tistim sitio that tth hiiarios committes ity ibl ap- toin't s soitasoie. Alltttin- hetr. aire qete tto e ottidlt. i Ther atre soeera imentnt t TMaitondy thee pep1 moeting ftiorte thee fir hiO, ed tttcago ites tatl gaes ero enb toheto unerclasest, a rreacnct, ind thepu Rictiv-e itoh i et na.Ode trin.Tl Thea poreiene fre t unetood thnnratith coniodnee aho all tie to baav been betIntertof the timh tbne thon ahe 2.nt0 allstdets ito boe freeto thfer sutgtsiof be ns. Mdottlremphag 25tinrot, thcldhn feegls more thent hoe thd I apl- then eforo paioll thne manlofthi ny ale apeehreisaredb hotll,. a eeseatie peof tie topubimen herek tor addlb detdewho tis to v ntere by aid a ersnaf eo ther clrb. the stated tfht, Indtana, wod b ad Nwoo. heine probe staesel the c.rucale of I the pnreO- noanteal dapaigon uhiyatr thn anlan- feeet boe tda'stfe GIna makietg thatff to pacll ee otrat lecd eatm8 ohe peettme to take eo Io Thdes thel ofstudayt In con- near? ftr soldars.ttie th b. Pel stated at ee stheg ouew be ead anth ee trtprobablyr POLEH-Rifl PET SIGNEE, MISiICE IN LFF[CT 19TH . o I lilt iF~ [Es ~ EI1 J UPlaTIl BL t 1',<; , +itt,.21 ' her int E MPL[IEDn'" PASS BAHl E.aM S 't,'~y d its- hig ]ft Iso,'Iigdl ut 1's s: i lte t,,t, 1,,1 Sla i'y1, t .i is it~t~t 1~ It i5g r .iti T t s sttt ott it-b ll ~i I: i~ .l ,A ulk ls~;.D 1 l . n:,"f , :. ENR ILENT IN UNIVERSITY SH0 S 68DCES ffkCLUB ROFFELR WILL nfln r l n ~[t~ !{LI M ~CLOSE TOMORROW [TTHlI'I LI~ LL tr r olg GSM ~ ~~ IBES G RESE MKE t L ses Ex ee 50 S S[SSI BEGINJS ;r, t LIFHIN ABL [ FBFKi; 'f K s e n.. '.2 >w, \It~ Sito A ') ,.,..' I D, ,1, t . t ~ ~ ~ ~ ~ ., Eo:co, of. t.Pooiiooioenn Is o ei. Ro3l33 0 11 t' 1u N[: ~~Bg~~ Or240( la.) vl. i 1% xr ~ ~ ~ ~ ~ E f o~ Thi, 't11N ut e . h t ~ f S - ,1( ;I n TO LIST STRE CARS CT, , ." Hundrl'g'd NIci t. Stat, N,, 1u End1D11'.,,,, '33 I';! 3', It I2jlI' 1IPEI 3 N/ E-______ * 1 tM I 1 1D[ .,I1 M, ..1[.u Icf rIJIL U.L ,\''o~~o 1,.10 S31133 t4.43i1 ,''IR I.H 'oOtl n. 'I ALEen l I o3,, ,u1b 13' ', 3 - '3 I I n l. fl17% ht 1 l t r k R3uain Will Coninu «I, ,',', aa, Wil ho t l 33 3 3 3 3 1 d' ,,3 1,, , 1, 033.. Al"" ':I, ,,, ,". 3..,, m. i11 33. g.n..ik -I ' ,,oo "3'3330 2 o, '' , i, ,3 '*.,IO 'o _. . . ...'.A ,. l. ,._db -._, ,.l~lI.,b l,,31 ' 113 , :,_ .l 33333 .312ir .1 et. 33,A'3 33 ', Th uo".~' n~ r( ,'I Medessh Theatr - ,l,'' 3 £o4~~~ Co,' 53 1IrdiS KIPKI, iii3o1o "pj 23 1133 -OI3'' ,ol'l~iy ..1, i3,~. T 1 'tt 311.ms.330 330313 1ub .3 13 by hi ] ," 3,,3f Wil Prsn a cr' ,i,,3 3',. 050100, D' , , ,', opar3 T oo.01 ,1l, 21 3,' ,o '1 .1,',',," e n3 3 Pit ! 3 3 I s r lO v ih e 1 3 3 0 1 3 p 0 . ,3 11 u l . o 3 0 0 3 , l Ic rl 1:' m , 3 , 1 3 1 ~ y C , l ~ ' , , , , ' "J gt 1, 13 03t0'1 ,oilhr ws ll , 1 t331,,3 ,.I '' ,, s31 1.31,, 331. .d~y ofst Conn d,5,s IlI 30 10333 t"'03t ('':,3, 31,1331 MLI loots 30, ,noot mus 33c037:13', :. 1 10 otoywtllo ns ;sm o a do 13 I r 3033 1 11, ll3',3 1 1 ,, f l,l , 103 111 33,3333l' 13 -/ 3r~~e , stets Scheduled3 0a stmt ot 5aIo133ofc fw ll \Bt, 33,. 133 131 ", It. , 30313l 333 3,11,1,_, ~ ds rl o 13,I 3.. ~ P, 3 1,, + - A - 111 r.n b i stj 111 tebulnt0l l131333 TIg,3 eo~oo S13 3o3a.i33 '13 01 t 4 cr ,rlls 0 tlo~ I up,00 whot 131 43133 3in ill,_ - - s .. -a, FR SH E MEETr ~ HAZYg~t RE ETO then33 3110 ,.e,,l,31 33, CHORA SO IT rs3 Shr-, 5'Y - , -p drfl hre. t atly wor a n dtn An 1 01 1 i3113y or- llg t 1rSuh 310 03N' 1 ~ II N 3 4 by ~ ~ ~ ~ ~ E N S A NI H t005 by ~ 3003330 05301 113 1,od53y53 30 13,o~,~1~'Wll 1133 ,10 I t.,s1 , I) 1%',.',0 .3331 001 3.1 '' 013 03 yoar. -030 yooO ~ l Yootlm3,, 3000 3001 133 3 10303 130301 ows I: 331 311.130 ,1 1:13 ,., 13 - 3 1133 3i 3,0 3,iO 03,t ,,Nh . 05531 01053 WOBIP r" 'irrrs Fileujter 01f0 t oryse 13131' i3o too I 303, 313331 r34..3'.o33 33 ,1 3 ~ .3 0 .10,3 555. 03031 5555 a. e W a last 300 Is3. I03 01003 . Ths'oo o,t L3oie ohI,3i 15331 Wollo 3'3'1'03 333. 13 P 1,131 3333 133331,0 -'~n~e I, er. fnrn ' C0 3 .30' n "o '3ho3,,3mi .31,wi13, wlads ule,33'ilo,,I 3 '' oiy4 33 IootUnon 133a 01 0,I 3,0,,.3,0 I 1930 The 1930 cover of The Michigan Daily introduces the paper's first headline* that is extra bold and spans accross the whole page, all seven columns. As you may notice, the paper is even larger, adding yet another column since 1920. With the exception of a single vertical photograph in a small portion of one column, the cover is still completely reliant on textual elements. While we have seen rules dividing stories horizontally within a column, this is also the first time that columns are merged together. If you look to the top of the two far right columns, you will see one headline taking up two column widths, without a line dividing the columns. This is the first real experimentation with the grid, and marks a transition from purely vertical formats to more geometric story formats. * A heading at the top of an article or page in a newspaper or magazine. I 1940 The greatest change in The Michigan Dailys 1940 cover is the consistent font selection for all headlines. Instead of alternating between consensed sans serifs and serifs, and italics and size, the headlines stick to one, bold serif font. This unifies the stories and creates a more cohesive visual identity. While this adjustment is an improvement from 1930, the other elements of the grid are also less daring. There is no bold headline that stretches accross all seven columns, and the column number and width remain the same. One picture does take up two columns, as does the headline that goes with it, but beyond that they do not push the limits of the seven column, vertical grid. el, ~uv u ,r ruu.uYu cw 'U-U I' I,,.. TI. .. , . hIiwyi< e(Ie1 5 Dorm rn 1 s!Ur .AIichigan s. 'I ilev Yearl Old jee (Carn1ival 1I t rftcI rat -" v 11 _ III," lIi 101 el 511 t 'ri('sI Ij(Itrd N 11j~lli'e'.t'ii1 *Silv'ei 111 ju . ilkatinu- ' 11o Irfn, ui11 ii n'' ~c I - I (li lt([f t 4i '~j~~j l1ri 4l (,gicr~riI .1f I a 'fft )u ini Ill [' nrlin ('ah Pnr IC nrlu ' ,.,, '" ( "lr"r"lir{icion, A lirr I'll ~"., .. . o"rt"nl Ge"rui;tn 1Ltt ., ;Ill AI I . Tall~ (If \A'ar h, i r 1 1 t " I ' r Irllfe 1 1 ! ANM t., 1- 1 '.II .+ !soot iC .., , " ,,1 i f , rl rt n,,. Unl ;n, - ij I u, rt u, , r:.n n n '- - - r .1 I11 rtl L n r 1 : \ h C c f , I dt, .,r, n, , t1 ,i i ' [br' :s[l io,, 11 i, r to i ttr" tt tl 1'. , h" . i.!, , I E ,a fns I [- T;ti ,I - I i,.t r ig +1, 1 I u s, [ 1 : "il=(1 tit 'w ed I le r A' )t1a11 C.IIrs( n . ISrfr 13r n1(led False. ;' II Steilldo ff (run r ':rn ... ... r f, ', 1 t,. t uxs 1 ,. I i li; Iho I ();lt11: t:,;r I Y r , '.r n r ,. r o l u Ali n I 1 ,} I I L{ ba II I f-tI fit-IF GaD1, D Pto. 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'Ihra n~etln to rk el ~e in lfnrntul Ilotrl. nati-cb., rally tiled for Oct. 3 By HA\'\':111 M(1 FtltiSO -w'u In All n 1r>or pt onu - to be ,.,t couf!Ilt It that tame. .,a9, Jun Ili D llc t Collitloll to Lind thr, W.I. r'c d ,11 ,;ttlol, wii h i in, i" a 1a I I.lduni after Saturday s 911111, to . .. 1~ A , Coal c.l fPAC) l letnam wtf, the 1U1. o 1111.;0 i.Kut.:_ M1,1I ratio ,.e'. fill G ~te will also be u'he ,.. _, ,ar u1, mere, ,_r.t[lotr is planned "trial,-: in viet n tm" mural pal d[I I, ic, PAC vhd...'_. .supp"', "' the Studlit Mo..lt l'. ta C mittee r.xj1 ' cftlfl ,n- h .tiii,,it InI Ituty. Irft bt ray S t 'rl I ( '[' t 1 l . ,rl .I I.' 1 i nl , tt',1 0 ~ith C , It I -. L earl', the . , u11 rr ChrlKtia~ l.r de r. ,II'.tt IaI 1' r .,,.d r ll:, :hill' "1 .. LEGAL 5' ,.d Juo 1 -: It" eel '. G _. t t1: rl e S. judiciary I 'd y 4 '- tt ! Id- 1 d i I. .ILI makeup of 't b e 1, it, fu. h, state ,un ,1 tt' d ItllN I C BI: nAt IN F4 to I' th 1 'f II tl '.11. t c o .. I f Jt '' I. t 1 but 17 r , I111I;. a tlml s eie to tc,.etl o[ of nl, e d.. r had e -t et aL fit III' he14 l.:,np llm Sndet ,..d tU f 1111 I da- H «. f I a off' tt [ - I - _. - lhi, h LI 111 V 1, n le: t by. h t. b" I . It i '.1. iI 1' rt 'K T lii., 1 I v:l it tII 1, rf Ix,- al ill ( ^ ['. [ et Ithtl 9o II I k tt ant l , ,d admit, Q l 1,r: o d d (ii IE Yet m- I "! III' t'd F'a c t n 1 ,, chief i ho "1 nd fe- at tila a uld fo11 _ and Air Mar- n fitly n Thal", libri. a form. rirlhibua Ii'll".11 IWpotr led bs Uf fial"i F ftobbcn Flal Iant W 'In Y dnl Ell cr 47tc A,,, il. ; r'IoU lt' ,IuVI Ed tic Pe cu tl t'[ I ntlt r 1f IEq"ItL D I IC o::11.1 by a iUl, of pis Yb ml. Von nraI varty. tar Arab So bring trid I d ;i.st [:I n. U the Cabinet tact L _ +t let is And a cqult., It t tare- lent I- du r !u lr yumrd l[ht1 dl-, -etl the date bri., r AR.-ABI. P- x r.ItJJ ta ..~a r.. 111cIr1*ib In }h .i -I a dn . li:,, I ih< I If Yluid.il . lll L f t l l; killed I ll "h iii nt 1 I _ ;l a1,,-]tort t tfcu 'turn n .. _ c1 tl l.l'... I t 111 1111 I "T I' Bull It Al,--,thy. pl-illit If Ir'Ienii4 oi1 oulll paild 1 I ' tffbif. h L I fttff lf tl t L 'a t et1.1t1 rr ft *ftft ftttttt1 ttff Ift ftf ftftiftiftftftfcotlftf d h k t 1 . tftftftft f t eara ' R b i t Uf. B ftfIftl f fttKftfftf1tf Ilf htfffffflttfffffffffbff ft - ''rt ftt Rfrtff. ft li unittb ft ft.. ftd t GoIft'tt f tfttfft ufttf l 1 ft [ f t h offttftlt t fet ',tftttf t.if t eetttfflft fttfffttf P 1. c Nt . 9 tt PI tf otbt1l 1, d ca er d fto t dtg 1 i :ttor h lb 111 reform:f . L u"II ,r l1,,IAbfi t or n I2o eno-ugnYE dc c U y ft ft.,4 {" r' b p 1ftfftfttff Ift tu by ltt ft 011 fot fftflf n tlfted ftftftAflftft ( ,t P 4 'ft 111 wthl t ftfftfttiftman lEfmfttde 9 t + 1 lbftiftftfttftf l f tlfhfif studet. a E' lftftft tftftt rftflectt ftftr t bafttfk tr ods iftePlftt. Thefbftflft i acetlityl ftfiit "lotft Tlineft roiitte ha o e e ifbto frindyb yr ft o f t t iniaft ri.l to botth rhyl"It hnyr farc- ltf eti on oftyl thfftef rbftuftfpfttt brfrrlt'. Lrt rftlft fty fttrfftfrfftfftflftftrtfttlitr~rlf~llftflftl~y~iftfllfii~tlflft fItftlfat fftfl. ir. votetyti ttbf e h '*"I"'rrlilearfnt Vgfjr fttfrrr~liftifrrr~fftlilftll.b~nr.lfrtf Paft e 'Liidt areedtftat eachlr yrf thr N01ftr 1IrV HOW.d 1)f N~th hft l of,1 Caro h yestra, elinhn rpyfnltiuet Lrrlfttft Pe lb rotposed ftelnftt foftr ftaty procedural Abrtio lbay haver.. no. beyen. liralize Inif 15ftbrei Bt lberl doesn' atlfilbbrb meantavai Itb sillet. Wyyto..oI you ayre wlpryftl If yout livein ft lyrge cft. y and aveu prvat doyirctoyhffy lft y.yi Andlgr ii mylftaketrim. So~ ryfht that woubldft prbblftbyr elp t make~f tef appitmnt bel ftotre yohft fregnant.l~ r~r InThrttfoftnft whft prieyiously y ete tyoy,.y futoiBle, rry Engan, rfat nca nw ax dolio hecryner sil, wher llithy r bbt rw illgt, fthyir ftbotionsl.. utlltfor th wome r whoy i could' ayfrd~~ir, t plne fr the fiyt plae. tPioLsrt. lift srin .ily.D. Dre nation'srne moodfty.. f .1lrefm has rt "Yotuf ftal ft v if t he ftLiitft liberalized rtion lbft !a f iftf 'frt t dnn ot Itftfffliof.zl ftifii tt Stfft et . lit lm tbiilnftft4tftl kypiftftitft111 xftlfi be lfltffftdfaiorgtllydltaIltttlid iiflft..i.u not-ti Mn r Y rlbf llf Ch fttlfifftfttllf.itfl i...b od Ine t hen littf ot tlift. s lftftiuv l l liton h lfttflp tft bI 1111. ,ftlff Ia ft. 11 ll . t 1 lbig h ftbyp tl.. 1 bwl sIfttt it ft t t it tintflt yllfe~l lift-tlftl t t lgft t 1 -far" rt ft1 a ftff tii lit. vfe1ft i~ ftfttift, It ii. f,.b. m unicipa h s ia, l fft I~tf tlttff 4.84ft -lft tf 19 lof ift.,ft 0tr. f t ftt~tt Aftft1, tfl ft I tt~t t s ft... ABRIOrNS, Plia I 1970 1970 marks a major divergence from The Michigan Dailys previous design. They utterly abandon any set width or number of columns that was the crux of the previous newspaper designs. The top story is boxed off and has a horizontal format with seven short columns. On the bottom right of the page is a similarly boxed off section. However, this story only has two thick columns, taking up the space of three of the standard text columns above the box. The distance between the top columns is wider than the distance between the lower columns, meaning that they do not align. Notice that the lower far left column ends right in the center of the column above it. The photographs take up a much larger portion of the page, and serve as the new focal points. I 1980 The Michigan Daily continues to separate the stories with boxes and rules in the 1980 cover, using a different column and grid format for each story. At the top of the page there are six columns, which then changes to five, then to four for the bottom two stories--completely isolating the text from story to story. There is also a wide range in text size and italicization for the headlines, creating separate and distinct spaces for each segment. This is the first example of the picture being displayed on the upper left-hand corner, a format that soon becomes standard practice. It is also the first example of the five story per page layout that exists to this day. Armed robbers, eh old '" ."nr !.! up store iSouth Quad ftiq itill abide by U.N. 'ae-fire if Irani agrees " f (Rsft ff111it fl\ at" ST RESSES ISARMAMElNTI Cofin speaks on mnilitairy ..-: - - - Iru l i _be a ..c .e e _. ~~ ~ ~ r, ..t . a . . . getciiie in landps~l a ckmdetru al reslutio u -w cam.. .i' h wke pv" re. rsetae Yhef^h.11 fee ".g t ., P: : hop r, ae th-ei desc The prot ~i e~--- he ft complined about the ttMer h- Regent ffeeIg S-he said F:" !e~~ Roachtfe dalt wihlIths V >"111fit IDi SHEt Conshderedthfe retent the Aegey te ount paty meet1tt Nefleeffe .. he unarae ed anf~d nie It'sent . I tiit- ' mate tha p l befe -Till ffEfOLI'TIO\ got grter pulicityI thanhd couned on. Poeyeai If ifeedffit as 11n inera mtewih,. he-rtl did not adde tht hethfik i i good tht an idivdual an do soehing 'The fIe can h-e made The cue cae p for disuso atf last Thur.- sdey sparty meetg The. rsltinwa e ad and Pley. Roach, ad othIe ls com- 1taee opposedf PfiI at thle metling. and said faninervew latght thtthe con f t-atacking a eso rather than the boardl sheeoght itthrough. but justdumepedfitin. STAEPLE fSlh f1 HE fpest the buldn odf Ike Stegea proet isagrvig witffh Poey onin hfemethd ferttac fth prolem. Dfemoctic Couniman Keneth Latta D- Firt Ward, said Pole revaes tme frmafeling f uhapinessaf cl er i DIemocat th hRoah' perfraneonmr pff-Greduate Emp]oees Oraizto flell I canidate againt Roach fie regent 's elrgn iied one oure f un~eae c-I Latte lHe edded there ar pats of the pll Th meue lnot- eperefpn, betoel- tffI-ffc headatlstoera Deoris veryske-pilabout itsche forl approvalf 1ilanEarl Greene. deeld Pelflee said she is soe-hat failed eel-Ill I thinfk I fe ahieved whaI waed in tha the matei eng iiiscused. She aded mi bringng ot uch prob~eleie gdtin mlit- self. "This is urve Yn sholdi put i ta war an lt thechips fall. Rh ODAY- v and show - me ' e r 'A tree a - r, 1-f ylefe Iflee tie eteptf~te eeee '.~ . r ' ... ee . ey /f"f . teit Aelton' recovteed tfrom his first buitt At speedt fnd aed efthefishhir efoe hopponents Th addates het tith e If may aftert the rafcewa aver.bt ffeefpe ca :roaf theffgee wasef a lite upet becaefee the rc a o rtleh the rthe exhted reptile Hie uncurledt his rfinge to .-,effletmrr rmfflmonic ltfffn and seet sedly tthat his I feed ,iur't tl d Eairly to bed ft _,^3 e .one 'A ireW peraple who fere Ie t et and terfhf0te fleevr la 'adnt fgf to Yale In ani effort llffff teteeft e valor-n,-tffesty seyftfg toI rttudenfts fut fee 'ree hI A ht Iy'~rn theeua her- eael t heerigd fee iee dth ty ui la"d "t ight ane seep inlted ricrat elefted tlttf Al tel c t fhtealltt fle te eteecee Hlwtyi phh Th bney heeer iep lt eourse Calle IfR~/ A h rT lei M~ ceyc pi xef feet, aeelsofe lno tae tece- mucehtefmen it was offered laerin e more- ning.Whl feharlty to bed ealy to etfet fa nt mke Yfle heealthy and ealthy it mafy maeke themt wie. Just1 funini Itt was no t godasOrelfWees' War offthe Wrds stunt, tcut Tofny Jhn of raio steation WhTRX in 111ft wated toliven p his showcllthetltte pun, Sohebroke in to his pettee lfat week to sey, A"W e hebulfei.f ls hear thet a emenlt truc an aFint poflce vanecarringf prioer hesfjust clldedofftFlintseat ide. feeonethe lookouttfor twelve 'hardeedcriial. eteecHarfffned crimilst Ceent. Get it' Neithertdidpaetsinthe ea Tthey saped area schoolwttchohdsith calls ad fored the evctiee of two elementaery scholsentlt~ the ci minals Icould he caugifht You are what you wear Atreent srey byfour eseeeceat te e r it ff teiforttia found that teenaegfe ysreadme exual econ- fend Wthilemtteenag grl the A bis. efletvctefe-el ve~ > .t ve feefhngIf uef ifpr fete tetftlf tc eer Lis orl- cut paftit on- Ott the inside Ifxteel profvidef it peie off Atfhe .^l Holest mafpt Arts ree1 efti A rbo JaueFestival anfd Howar v ~~is ao fte reitrn o h rft ifyusenews happen, clt T6-DAILY ens . House sends 'Ott budget plan -rlato " enate Y t'tO1 k it 5' no: Touchdown ' al bars, liquor stores confiscate fake IDs t,1 ' . . ''-- a-aaa'a--aaa..a---a-Oaa'a--aaa I -il roiya.'. ..-.'--k-aaaa,- 11~~~~~~ tt ltitFI I li i l An t~~i ~ ~ I" I tA t "I,- fil Students criticize assigned seating scheme for Big Chill Originally, policy ad..Ir allowed for general .ct I, . 1 , admission in h ( , - ~ a.t.Ah~i iil.l 1~y nhle r, appl, fur five , , c - of nn-inu i,,,, 'it" «n , till) ,,.,r la h I rl n. r p iz n. pn - . n.il .h< neh gress'ar I the Univ ,ii ' al' ut n !,,I hill into tau tar from nleg, I f Sil,'.a Yc.l ra' a lee. DREAM Page 3A In mentor progiram, 'U' alumni help high school students plain for college Mvichigan College t f k III a .... Advising Corps d ~ .d~I,~ places graduates in1 schools across state ,,.,I Ili I- RyRoug Rii-iI m ye y Cabbies say Ann Arbor a prime market flows barriers to ...a'' o n; Pl ; .os I Ak d her en entiy larige student A I I ' IIp ~en htrt Iud lici tnim'iiy t %jU WEATHER TOMORROW cnT A Nf WS T'AP' INDEX e I 2010 In 2010 The Michigan Daily returned to a streamlined grid layout. As you can see, every story aligns to the same six columns. The story format is still the same 'C' shaped design that we saw in 2000, only now there are small blue labels above the headlines which group the stories into genres. This label, called a kicker,* is in a condensed sans serif font that visually connects the stories together while letting the reader know the general theme of the piece. This is also the first example of a rule explicitly dividing the top and bottom half of the page, creating a visible division. You will also notice that the bottom tease from 2000 has been moved to the top of the page, above the masthead, and has expanded from only textual cues to using illustrated graphic elements, as well. * Words above the article that are generally set in a different type face, that organize the articles by categorizing them into broader genres. I 2015 The Michigan Daily maintained the story layout from 2010, but made some subtle adjustments in an attempt to modernize it. The photograph is more consistently paired with story two in the upper left-hand corner, and spreads across four of the six columns. The second photograph, below the fold on the right, has a rule dividing it on all sides, with a caption above it, reading "Spider-woman." This is an example of a feature photo,* which gives the reader a sneak peak at a story inside. It adds a visual element to a front page when there is no photo coverage of the events in the cover stories. The teaser to the inside has been moved from above the masthead back to the bottom, like the 2000 cover. However, this time it is almost entirely graphic. * A photograph that is placed on the front page but is separate from the front page stories. It often is a high quality photo from a story inside the paper which was placed on the front for its visual appeal. Wednesday, September 30, 2015 n CAMU CONTEX One year in, Sch lissel says diversity plan A t moves ahead Student groups organize vigil for Syrian refugees in] 'esideot slaited to LU ILL]!~".r. oi l out strategic lLnL~e 'bae--e [iaive on inlusIOnO rt-eial-tle by spr1ing 2016 wa..tdn.hv ~na} ByJIMMAKINERY tILLLLLmpL n",Nlen et ILL ciL y IL II LLL LU] I LLL11LkLL 1 tLLa kLLLI-LL lL pL t Lb - ICESE n . s ,ai L ,L 3, Spea kers focus on e hu manizing those clt. uiaeeed lby eL.atLLL hldteI d the crisis Lr rl~ean le~ L By TANYA MADESANI Th ilo A il eu~e ancen Gre ,a~ ee rl ircl-yea- I- . _snidcnt clmnr LI I I wnt*,i, , , p1cC lent of ,ft S, .alcl L i tL I I t "I ',2CSA decided to hold It, eigil to all t, tien n I g IvI I gl t. Ilv 'ric'e is , g""Iet liuinan -fight than it Styrian I fag- (en.l) and all , sidling it urhold'" LI ILiI~agt said IV- been atehing it unfold lei we finallc tch nc lc ., a, ugh mumnnm to yet omedInl don Fl-] I In at*,i ,aid he I pcs t i t L L tt - t. rmed >Iill, ,-u sat hat it ill be net, hk, I, thew vvl I1 , k, , 1"n in t1,c t have-the Iexl Pe ue' II iu ut Ie' d, , a d ,y; thl, ,drool .old I net d t" le abl, t~ also chink ll g= ,ainfu.e, ea,, iPe fie acct, ism and adv ",acv. Is. -being able ,, Put on See VIGIL, Page 3A -SPIDER-WOMAN 7._7t lDinit ci Nakassis wins $650,000 to pursue Study focused oin classics By TANYA MADHAN I uLILLlLLL "'fL. LLLLL LL]F LLILnL IhlLl f ten1S Lippn L IL ae IL'e ILL II t ~inner. aI." ~'I ode Avant is --Pendent Ta Nulni-c"ate, i Pl,"'1 gl [ , -tui Lin it t IMi i It s' Pat t' bigy;er Pi eject of t.. ; t" 1 'tattd N111,na, ict}, net just h}" looping at the Pe, ,n the Palate and net just bolting err the. "'Inc,' "It al~ by looking at ,what's happening ,uthlc the Palace. he .,aisl. ".S it},u ,,anted to undci-t" d 1 , Abei , ouldn t jut look at the In . mI i il; hr!'. Rluc1, it Nka~i,, tnd, i, i I L.d t ..., e I. Gcek Inee 1 1,1,lt ,hieh a - if, ts mat 10-I if ed the cal hest farm el the G.,,k I: ng age. Ihc i ll 1, . I t-,t f r t'I I nt- that t it t- ilt the p:11ISe :11 .I the. dividu:d. I enf. t.ik, , let of student., I _sn't reap} sale vNhat to major m, Nak ~I, aid. 'InitiallN plan to d>uH have a dulle c. ent arson in l'i't'), v c _ L , s nom at n iu-1:1ev and I INSee GENIUS. Pace 3A II L IP Coleman appointed nlext AAj president President emeriti to lead assuciatiuon (If 612 research niversities By SAM GBINGL AS .Y n LLLt ~ LdLLI] t. I I i LL tLL PLILLL ent COLMA Fit F~a, in oc 5 ASP Small interventions shown to decrease youth Stud- says Ietld ti:I emnergencroo 01101 gae",>rla talks elluld change heIe WI LULLot L Li-I LLLLLLLLLL risks' behavo he 11) L e.e~aPnl LI ~ ~ ~ ~ ~ ~ ~ c tLoLLFL rep]LLL ILLLLL ILLIL Li drinking hfiffi F IA rnrele "1 nao.et iIscnoWh4Wi lt WEATHER GOT ANEWS TI P? NEW ON MLCHLGBNBGILY.COM TOORO L yL JLIl idL the444 4.of the s qicly 444af erurd - 44he 4 gam for~ H 4a, whih had4,3 Mo4ng- ackard 4o 4o4ld See FOOTBALL. Page 8A LCLBill Clinton campaigns for Hillary Wecm City plans to initiate Clinton in Detroit Labor Day parade Week data audit of A2 I' e farmer P~resident marchbed alonside U.W unio members Manday shows drop police dept. ANn Arboar manaqec aims to hace contract in place ky Decemlber Ten n 4 ftr, 4344ir pulihe4 3po42-aerpr 4444'444'4444h44ndependent3 audti4f 444A44Ar 444Pli' D4ph4tm4ptt'ci44manger' 444444has4 44ate t4akng the In 44tial steps tow - a 5d44444 l IIRC' recommendations. 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At DEBTialyin21, o Beeal Author Malcolm GI risks and realities o Talk hosted by Rss as part of the Joseph c~ Ooshy.Ssop't'eporte gives an en5tepreneOor Abtolo, Mlolm Glsdsvsll', Hofi ass omshl'od ,osOisof entrepreneus~ip sared by alltsetss'prso lag t55 5000175 In fOilll] ietrsns Au~ditoriums disa17ssss blnss m term the cres,,s of sisfosi,, Esil Freirsich wohelsped inosot toodern cheotheraspy; Steoo lsbts, whofoundesdApple; and IKOEA, wosparp00 sTho Joseph, anod Sally HsaodleosanoLecture Sis hoosted by the Ro,, sitsdssell chlslsogps tl i ,"ss o 5'teprB5eurship, onessss ar sm t nsoss nde talkiong absout sh nnO' r part of senrepreneship andotssnousgh tine ',takingb cbhant the, sosia pB,, o . rep-wrshss~lil," Glados I tIlk abot this even505. entrepreness, air definedt to prodsuce the Macsinsh~sl possbt ~ sI "Pbs,) Auh, Ma..O0 5 o, 5s11bwel 0,5 s pso',a0 whir their their tree im" rier, i q', and I, o [adwell lectures on PCNErcpo f entrepreneurship ofrhealtho ,nd Sally Rlandleman discossio)n serie differs for adisgard Isr thesapprsoval "if Feiec0nee ofohes ' lusrteti ap-hlukmawol sil genders no n ssof sagreeabs~ lnss s, heo eist, sai d. ss 's t'Os sibosdisappov l nd accusstios ssatuss -o b dyn smi socty ohs C('e ~ fUl to IsV~N] lof 01 iH00orlits. o 'smis whibch fusels the Dssp hs bstal, entrepreneurss t, omplement, Bs.i~s~lt'iIII'Ot 0ss~s~d~sois~ s~, sL h, GADWLL os, 3A ALEXA ST. JOHN onsly 0smff 05nre Men and.s]5en self-rat, bhis bight xpainil pd t hy sh si oso Ipie oge ac pording '5isd thessless i l ss h,055 thy 00g1 r The is, ty, tbtt 1 fore, iffo. seoo lool,,gsl,o l nu see mdica ep "Bsossll dsigne is btud o low ,5,000 aut 'ag s''''' 66ol~s and 505de5 frf 1b 50ts0 5 so tsss 0i os's50 5,, o ,,a s~s,,s s,, dsp1 ,100 addsovee tEaLtO gseA GOT A NEWS TIP? (Lill 73" CIS ell e ail ors, m'ch as ndaly cema yet us know Foror storis nd coveragesit I sDX 1,A micnlganaly.com 121 M-frDyCASfS 1 Monday, September 12, 2016 nn Arbm NA FAAa Remembering September11 fifteen years later ANk Ter is abroad has not discouraged students from travel abroad programs Summer attacks influence international experiences Fifteen years later, effects of 9/11 still apparent for University students Lastingq impacts remain in public perception JACKIECHARNIGA with apiece ofgrass inhe'othe. 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Black students outline concerns with issues of overpolicing in A 2 'lft'ldk';' il4 th ffut Ioiuni tt hhiqhliqhtnucj 1tn U)(Oiintt itl 'iL' an ru _ibwruuit R A BAI u b ~ e ~ 1,, l,-b, e E ,LnTL T L~ec, ,,,,1t_ A I l,,ARIf cc d1- " t~n t , :al d Ihn.-z ,h o 1~ ~tl ilc, : Pla Iepl .al , .-TtIFau n~t I., r I rec" L l 1. 1, c, A u.t t, 1dun1 braid inlj 1, m tI ogtn A %1.:1 n[- 1:rtI ,mdcalrs e p .. , the c ,n lie Bl -l._; ap, A_-In All -,1 _ e h .[y nil veil } lccd ill uadc-nt lil thin 1 _r 1mn: a 1111 AT rh 1nl ,.¢_ ', , r. -, an I --nt. It- In 1111[l 11, h t ;ee ,tIk ,r I n, r.-iJ, t e l"I n.t F _L of rh,- {clNr h, \,1ar 1 em du11 ditier, n spar LlaCkILTI& Ciall" Pa.ackm CnnnI .I IA -htn.vn 1 aela, ac 1 h Nhl" ,urre'i ddln t e t-1,1e 1-c I N JI t.: ,. I n I2 t rc,: "in" ll III, - Inn ),I", acn_ fI 1 Ii laeuln