THE
JUBILEE
3.33
B. BRADBURY
PUBLISHED BY YO
Mason Brothers New York

NORTH
AMERICA
The Herbert C. Ely memorial
Collection
William L. Clements Library
University of Michigan


C
A

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THE wees en orgne to do of gritsoon bestalt
JOHTUA T
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JUBILEE:
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docking stl to tolibe on doliw al bleuté dopo la soitool00 sotay at 10
181 ni Forelidug
AN EXTENSIVE
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COLLECTION OF CHURCH MUSIC
FOR
THE CHOIR, THE CONGREGATION, AND THE SINGING-SCHOOL.
08 01
bue
NEW EDITION,
CONTAINING
bebha ai
the ho
ADDITIONAL ANTHEMS, OPENING AND CLOSING PIECES. ETC.
BY WILLIAM B. BRADBURY.
elde ed
ni usta
NEW
YORK:
TO
noizains Juodi
PUBLISHED BY MASON BROTHERS
in leninge bonAND FOR SALE BY BOOKSELLERS GENERALLY.IT ni aixuit on to nito sa
68

Entered, according to Act of Congress, in the year 1858, by WILLIAM B. BRADBURY, in the Clerk's Office of the District Court for the Southern District of New York.
To Teachers of Sacred Music, Choristers, Choirs, and Classes, and to the Musical Public generally, whose favorable regards he has
had abundant occasion to acknowledge, this look is most respectfully inscribed by
PREFACE.
Or the various Collections of Church Music in which the editor of the present work has
been engaged, viz.: "THE PSALMODIST," published in 1844-"THE CHORALIST," in 1847
"THE MENDELSSOHN COLLECTION," in 1849-"PSALMISTA," in 1851-and "THE
SHAWM," in 1853, the last-named has perhaps proved the most extensively useful.
Encouraged, and grateful for past success, and the mission of good that he hopes has
already been accomplished, he has made it his constant study to ascertain the present
wants of the musical public at large, including the Elementary Singing School, the Choir,
and the Congregation. "THE JUBILEE" is the result of his experience and observation dur-
ing the last four years. The material of which it is composed has been increasing upon
his hands during this time; and, unless he greatly errs in judgment, it will be found to
excel, by far, any former efforts. He certainly was never before so favorably situated
never received so many words of encouragement, and never were half so many willing
hands extended to aid him; for all which his warmest thanks are tendered.
To aid in the selection of tunes, a number in the first part of the work will be found
designated as "Choir Tunes," "Congregational Tunes," etc., etc., not that the author
would assume to dictate what a choir or congregation should or can sing, for of that mat-
ter they are themselves the sole arbiters; but simply to hint to the leader that a tune so
marked, is, in his judgment, one of a class well adapted to "Choir" or "Congregational"
use, etc., etc.
Besides a great variety of Psalmody in all meters, numerous short pieces, such as Hymn
Chants, short Metrical Pieces, Introits, Opening and Closing Pieces, and short Anthems
And to these is added
adapted to the various occasions of public worship, will be found.
an unusual variety of larger Choruses, Anthems, etc., for Concerts and various other public
occasions.
Variety of styles, rich and natural harmonies, and pleasing and graceful melodies, it is
believed, will be found leading characteristics of "THE JUBILEE." While the artistic
singer and choir have not been neglected, the wants of the people-"ALL THE PEOPLE"-
have been mainly considered and provided for-for they are especially called upon to
"praise the Lord."
CONGREGATIONAL SINGING.-In immediate connection with the permanent establish-
ment of a good Choir, the practice of Congregational Singing is strongly advocated; and
as it is evidently a part of every chorister's duty to encourage and facilitate this mode of
public worship, he is urged to introduce, every Sabbath, and at every service, one tune at
least that is familiar to the congregation; and if sufficient interest is manifested on the
part of minister and people to warrant the movement, let Congregational Singing Meet-
ings, for the practice of such tunes as seem desirable to use on the Sabbath, be established.
POPULAR TUNES.-A tune, to become a favorite either with choir or congregation, and
THE AUTHOR.
hence useful, must be attractive to the popular ear. It must be a thing of life, possessing
a character of its own; and if happily wed to poetry of a congenial temper (to continue
the simile), it may stand the test. It must please, not merely upon its introduction, but
also upon a more familiar acquaintance. Some tunes, like some persons, make a favorable
impression at first, but soon become insipid; they have no depth-they are all surface,
Like sight-friends, such tunes are not to be trusted. Others, apparently less prepossessing,
improve on acquaintance, and you soon become fast friends.
Nothing can be more evident than the fact that in the composition of devotional music,
the soul of the composer must be filled with the spirit of the psalm or hymn he undertakes
the poetical sentiment expressing itself more eloquently and powerfully, by the aid of
to clothe with melody and harmony. His music must be, as it were, the outgushing of
song-language, than it can do through its own simply. The most popular and useful tunes
are those that seem to have composed themselves, or to have sprung up spontaneously from
the beautiful language of the poetry, or to have been, from the first, a necessity, and not a
mere appendage to the poetry.
Again, music to devotional poetry should be duly modest, not attracting so much to
itself as to detract from the sentiment whose help-mate it is designed to be. Through its
gentleness and modest beauty, it should ever impress more strongly the tender sentiments
of devotion, confession, penitence, and humble adoration with which it is laden. And
when, at other times, it has occasion to break forth
TOD
"In loud and joyful song,"
let it still be remembered that mere noise is not music. Let the singing, in no instance,
be so rapid as to be undignified, so loud as to be boisterous, or so slow as to be dull and
heavy.
Whether in this work the views herein expressed have been successfully carried out,
must be left to those who sing the music to judge. One thing is asked, viz.: that the
Teacher, Chorister, or private singer, who takes up this work for examination, would try
the tunes thoroughly before deciding upon their merits; and if any are found that wil
not bear the test of frequent repetition, let them be discarded. It is also suggested that
the singer who reads what is written in the paragraph preceding might do well to ask if
some of the same characteristics therein mentioned as essential to a good tune, are not
equally essential to a GOOD SINGER. Certainly, without the cultivation of a spirit becom-
ing an humble worshiper, no one, though he possess the voice of an angel, can ever sa
interpret the sentiments of the devout poet or successful composer as to be able to sing te
the edification either of himself or of others.
A large portion of the Music in "THE JUBILEE" is COPYRIGHT PROPERTY, and compilers and publishers are cautioned against using it without permission
ELECTROTYPED BY T. B. SMITH & SON.
Henry L. Mason
6
S. 18, 1948
PRINTED BY C. A. ALVORD.
NOTE
tone as
sing it t
form, ei
SII
e., pro
miliar b
partiall
music, n
SYLL
SYL
NUM
REPRE
03-
SIN
IV.

of New York
Te regards has
AUTHO
thing of life, sessing
nial temper (ontinue
on its introd on, but
ersons, make a vorable
h-they are surface,
rently less prej sessing,
ion of devotio music,
n or hymn he ertakes
were, the out shing of
powerfully, by e aid of
popular and u al tunes
g up spontane sly from
st, a necessity id not a
t attracting & auch to
ned to be. ough its
ly the tender timents
which it is la And
singing, innstance,
So slow as to lull and
successfully ried out,
is asked, viz that the
or examination ould try
if any are four hat wil
It is also sug ted that
ng might do w to ask
al to a good tu are not
tivation of a s becom
of an angel, ever s
er as to be ablo sing to
without permis n
Y C. A. ALVOR
THE NEW SINGING CLASS.
LESSON I.
THE
SCALE.
§ I. "THE SCALE" is a succession of EIGHT Musical Sounds or TONES.
NOTE-The Teacher will sing or play the scale, slowly at first, allowing the pupils to count each
tone as sung, from one to eight. After becoming familiar with its tones by listening, let them then
sing it themselves many times, backwards and forwards, before calling their attention to its written
form, either in the book or upon the blackboard.
NUMERALS OR NAMES OF THE SCALE.
§ II. The scale is numbered or named from the lowest to the highest tone, thus:
TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT.
7
ONE,
2
3
4
5
6
dlaw of bus sodelo
og o blow sind SYLLABLES.
ot uses ad Hiwi V
Base ad cogu uliteg
wolod sail ola
hellno vlingen
and upon this the characters representing the Scale and other
tunes are written.
THE STAFF.
PRACTICAL EXERCISES.
musical exercises and
NOTE. In the following Exercises, the teacher will give the pitch generally, as indicated by the
numeral 1, (supposing the clef and signature to be the e,) simply saying to the class, "Now Do (1)
is on the lowest (or first) line." "Now between the first and second lines," &c. By thus frequently
changing the position of the scale, the beginner learns from the first to regard the intervals in their
relative position, irrespective of any given space upon the staff. This we deem of much importance
in teaching the art of reading music vocally. (In learning to play upon an instrument the case is
different.) After getting some practical idea of what reading music is-by the preparatory exercises
that follow-the pupil will easily understand and appreciate the importance of fixed sounds, as indi-
cated by the letters and clefs. ONE THING AT A TIME," must be the successful teacher's motto.
No. 1.-THE SCALE UPON THE STAFF.
8.
ha
(SING.).
§ III. "SYLLABLES" like the following are used to assist the beginner in reading music,
i. e., producing the right tones. When all the sounds of the scale have been made fa-
miliar by practice, these "syllables," (which are mere helps to the beginner), may be
partially or wholly dropped, and one syllable, (La,) or the words ordinarily set to the
music, may be used instead.
SYLLABLES, as Written. Do, RE, Mi, FA, SOL, LA, SI, Do.
SYLLABLES, as Pronounced. Do, Ray, Mee, Fah, Sole, Lah, See, Do.
NUMERALS, or Names. 1
Numerals. I
Syllables. Do,
2
3
4
5
6
7
8
8
7
6
5
4
3
2
1.
Re, Mi, Fa, Sol, La, Si, Do. Do, Si, La, Sol, Fa, Mi. F Re, Do.
No. 2.-THE SCALE IN ANOTHER POSITION (HIGHER).
NOTE. The teacher will take the pitch a little higher, and sing the scale first, calling attention
to the notes. 701, DIO
boud
(SING.)
e-
6
8.
O
G
REPRESENTATION OF THE SCALE, WITH SYLLABLES AND NUMERALS.
SING, ascending and descending.
GKUO MORA
3 4
5
6.
Q
Numerals. 1 2
Syllables. Do, Re, Mi, Fa, Sol, La, si, Do. Do, Si,
No. 3. THE SCALE IN ANOTHER POSITION (LOWER).
7
8
8
7
6
5
4
3
La, Sol, Fa, Mi, Re, Do.
2
1.
(SING.).
8.
Do, Si, La, Sol, Fa, Mi, Re, Do.
8 77962 5843 2
B.
1.
STAFF.
Do, Re, Mi, Fa, Sol, La, Si, Do.
12 913 80 41005 6 1867
THE
§ IV. Five horizontal lines with the spaces between them constitute the musical Staff,
guak bel
blingu
3
4
5
5
7
8
8
7
6
5
4
3
2
Numerals. 2
Syllables. Do, Re, Mi, Fa, Sol, La, Si, Do. Do. Si, La, Sol, Fa, Mi, Re, Do.
That peace on earth, and joy may reign To heaven we pray. A-men, A-men.
Praise God, from whom all blessings flow, Praise him, all creatures here be- low.
aariola did ad morowod bod
bas bea di mord

4
in
any
§ V. It will be seen from the foregoing exercises that the scale may be placed
position upon the Staff, higher or lower, at the option of the writer. In the above a
short line below the staff has been added, in order to begin the scale lower. This is WHOLE NOTE, HALF NOTE, QUARTER NOTE, EIGHTH NOTE, SIXTEENTH NOTE, THIRTY-SECOND NOTE,
usually called a LEGER LINE, or ADDED LINE.
THE NEW SINGING CLASS.
ES
ILLUSTRATION OF NOTES WITH THEIR RESTS.
12 OF WITH THEIR
also called
SEMIBREVE. MINIM.
also called
also called
CROTCHET.
also called
QUAVER.
also called
SEMIQUAVER.
also called
DEMISEMIQUAVER.
CLA
bas
NOTES AND RESTS.
§ VI. The relative length of musical tones is represented to the eye by characters WHOLE REST. HALF REST. QUARTER REST. EIGHTH REST. SIXTEENTH REST. THIRTY-SECOND REST.
called NOTES.
The different forms of these notes represent the different lengths of musical sounds;
while also by their position (higher or lower), they are made to represent the different
tones or sounds of the scale.
SILENCE is indicated by characters called RESTS. Each NOTE has a corresponding
REST.
I a
A01 ។
גנונו
NOTE. By practice the pupil becomes familiar with the different forms and shapes of the above
notes and rests, and soon learns to govern the length of his tones entirely by them. This is called
KEEPING TIME.
PRACTICAL EXERCISES.
No. 4.-"LET US NOW BE UP AND DOING."-SCALE EXERCISE.
293
To T
8as ca
& II.
SIII
Do.
a ny fate, Still achiev-ing, still pursuing, Learn to la- bor and to wait.
leads
cy us, O'er the fair, bright world we go.
Let us now be up and do - ing, With a heart for
Up and down, o'er hills and meadows, Rid-ing, walking, quick or slow, On wher-ev
No. 5. "LET US, WITH A JOYFUL MIND."-TUNE.
-G
- er
fan
-
No.
SLOW.
O
J J J J J J
No
-Do
is kind; For his mercies shall endure
1. Let us, with a joyful mind, Praise the Lord, for he
2. He with all-com-mand-ing might Filled the new-made world with light; For his mercies shall endure
3. All things living he doth feed, His full hand sup-plies their need; For his mer-cies shall endure
SEASONS ROUND."-SONG EXIT
No. 6.-"SWIFTLY ROLL THE SEASONS ROUND."-SONG EXERCISE.
Ever faith-ful, ev-
Ever faith-ful, ever sure.
Ever faith-ful, ever sure.
MADE MET TO YOU
Je
-
er sure.
(No.
Now
Jen-
Do
Swiftly roll the
sea sons round; Sum-mer's passed a
Iway, Now the
foliage strews the ground, Leaf-less mourns the spray.
Re.
From the sad and na ked bower, From the bitter storms that lower, Far each feathered song - ster
·
flies, Seeking mild
er
skies.
plea

RESTS.
NOTE, THIRTY-SECON TE
d
also calle
ER.
DEMISEMIQUI.
REST. THIRTY-SECON EST.
ms and shapes of th ove
ely by them. This illed
bor and to w
right world we
LESSON II.
THE NEW SINGING CLASS.
5
.8я12 нTIVcounting or telling over the parts, as one, two; one, two, &c.;. and 2nd, to the eye, by.
CLASSIFICATION OF ELEMENTARY
motions of the hand, called BEATS, or BEATING TIME.
§ IV. A measure with two parts-having an accent on the first part-is called DOUELE
MEASURE; as one, two; one, two, &c.
CHARACTERS.
Par 10 2-II. MEASURE; as one, two, three; one, two, three, &c. HT TO
(SHOT BERET DRITTIKU)
To THE TEACHER.-Introduce Measures, beating Time, &c.
Turgeon lo bais JunW
§ V. A measure with three parts having an accent on the first part-is called TRIPLE
1.on
§ VI. A measure with four parts-having an accent on the first and third parts--is
called QUADRUPLE MEASURE; as one, two, three, four, &c.
§ I. There are three departments in the elements of music, as follows:
RHYTHMICS, treating of the length of tones.
del of MELODICS, treating of the pitch of tones. vil not out,owd. § VIII.
DYNAMICS, treating of the power of tones.
MEASURES.
§ II. Music is divided into small equal portions; these portions are called MEASURES.
§ III. Measures and parts of measures may be indicated, 1st, to the ear, by equally
Iguiga olt-nog paroolow
§ VII. A measure with six parts-accented on the first and fourth parts-is called
SEXTUPLE MEASURE.
I. Large figures placed at the beginning of a piece of music
denote
fractional
the
proportion of the whole note, and thus show the number of parts in a measure; thus, for
example, shows that four quarter notes, or an amount equivalent to them, are con-
tained in a measure; shows that three quarters, or their equivalent, fill the measure;
that TWO HALF NOTES fill the measure, &c., &c.
§ IX. Measures are represented to the eye by interspaces between vertical lines; the
dividing lines are called BARS.
PRACTICAL EXERCISES IN RHYTHMICS AND MELODICS.
No. 7.-EXERCISE IN DOUBLE MEASURE.
Foodo onT
lovila on tel
guing No. 8.-"NOW REJOICE."-SONG EXERCISE IN DOUBLE MEASURE.
4
2
14
20 по негодах, эко
Do,
Re,
Ө
h-ful, ever re.
h-ful, ever re.
h-ful, ever re.
Now rejoice, Now rejoice, Sing a- loud with cheerful voice.
Jenny Lind, Jenny Lind, Come again, dear Jen-ny Lind.
(No. 8-CONTINUED.)
Now rejoice, Now rejoice,
Jen-ny Lind, Jen-ny Lind,
Sing a
Come a
-
loud with cheerful voice.
gain, dear Jen-ny Lind.
No. 9. THE MEADOWS.-SONG EXERCISE IN QUADRUPLE MEASURE.
חת
mourns the sy.
milder
Do, Re, Mi, Fa, Sol,
Now re-joice, Now re-joice, Sing a- loud with cheerful voice. 1. How I love the mea-dows, Pleasant lights and sha-dows, Love-ly, purl -ing,
Jen-ny Lind, Jen-ny Lind, Come a- gain, dear Jen - ny Lind. 2. Winds are gently blow-ing,
All
a-round are strew-ing A-corns, moss and
L
8.
silver streams;
pleasant flowers;
vid
Hear the birds twitter,
young
Larks and rob - ins joining,
See the foliage eglitter,
All their powers com- bin - ing,
To the sun's bright morn-ing beams:
Praise the love ly morn-ing hours: gid

6
THE NEW SINGING CLASS.
d aye odt of but bes. of ov! 400
館
​EXERCISES WITH
SKIPS.
(Omitting or passing over certain tones of the scale.)
CAT and DA CAPO
TO THE TEACHER.-Exercise the class on the skips of ONE, THREE, and FIVE, and explain the REPEAT and DA CAPO.
No. 10.-SKIP OF THE THIRD. (OMITTING ONE TONE.)
What kind of measure?
IT 708801
TH TO WOJTADI1128AJO
ЗАЯАНЫ
No. 11.-SKIP OF THE FIFTH. (OMITTING THREE TONES.)
What kind of measure?
AB
To THE
SLT
§ II.
Do,
THE SCA
One, two, three, one, three, one, three, Come,and skip this third with me.
One, two, three, four, five, one, five, five, one, five, Af-ter wisdom let us strive,
§ III
No. 12.-"THE CHEERFUL DAY."-SONG.
Commencing on the second part of the measure.
FINE.-(End).
DA CAPO.*
2
scale beg
beginning
NOTE
ing them, a
tinguished
or numera
§ IV.
acter is u
let us strive.
Mi,
Mi, Sol,
Mi, Do,
The cheerful day is dawn-ing, I hear the cuckoo sing, welcome, welcome, cuck-oo! O, welcome, gen-tle Spring!
1. {The is And usher in the
To greet the ear-
r-ly morning, And ush-er in the Spring,
D. C. O, cuck-00, cuckoo, wel - come! O, welcome, gentle Spring!
*DA CAPO-Return to the beginning.
No. 13.-"NOW THE GENTLE MAY."-SONG EXERCISE ON ONE, THREE, AND FIVE.
This is ca
SV. T
BASE CLE
Do,
Mi,
Mi,
Re, Re, Re.
Boo,
Bo,
Sol, Sol, Mi, Mi, B, D, Mi, Mi,
1. Now the gen - tle May approaching, Shin-ing, fleecy clouds are seen, And a
2. Daily come the feathered her-alds, From a far, a cross the sea; And a
3. O'er the hills and meadows scat-ter, Low-ing cattle, far and near; And on
qui ha alo
4
SPRIGHTLY.
區
​Do, Mi, Sol, Mi,
·
Mi,
NOTH
Re, Re,
Bo.
Mi,
Sol, Sol, Mi, Mi, Do, Mi, Sol, Mi,
joyful song of welcome Sounds from ev-ery cop-pice green.
broad the happy children Shout and sing in harm-less glee.
zeph-yrs gently floating, Mark the sheep-bell tinkling clear.
No. 14.-" UP AND OFF, BOYS."-SONG EXERCISE ON ONE, THREE, AND FIVE.
Up and off, boys, Sun is rising, Let him not be- hold you here;
Light-ly step-ping, gay-ly step-ping, Still our hap-py voices join;
Up and off, boys, fields are smil-ing, Ev-ery bird is sing-ing clear.
If the storm comes, we can bear it, If the sun shines, let it shine.
is used in
sufficient
§ VI
line.
SVIL
line.
Each
A LRT

-)
பய
isdom let us st e,
DA 0.
gen-tle Spring
ABSOLUTE
LESSON III.
THE NEW SINGING CLASS.
PITCH-LETTERS-
CLEFS.
TO THE TEACHER.-Introduce ABSOLUTE PITCH OF TONES by letters. Explain Staff, Clef, &c.
§ I. The ABSOLUTE PITCH of Tones is indicated by the letters A, B, C, D, E, F, G.
§ II. Either of these may be taken as the basis of the series of sonnds that we call
THE SCALE.
§ III. The scale takes its name from the letter upon which it is founded, as e. g: a
scale beginning on C, is called THE SCALE OF C, and C is taken as ONE (Do); A scale
beginning on D, is called THE SCALE OF D, and D is taken as ONE, &c. &c.
NOTE.-The Teacher will explain further, and sing or play the sounds of the above letters, nam-
ing them, and especially drawing the attention of the pupils to the fact that musical sounds are dis-
tinguished from each other as to given pitch, or difference of pitch, by the letters, and not by syllables
or numerals.
§ IV. In order to determine the position and pitch of the scale upon the staff, a char-
acter is used to represent one of the letters,* and is placed at the beginning of the staff.
This is called a CLEF.
§ V. There are two clefs in general use, called the TREBLE or G CLEF, and the F or
BASE CLEF.
TOG CLEF.
F CLEF.
G CLEF.
F CLEF.
E
TREBLE STAFF WITH THE LETTERS MARKED.
B
A
D
E
BASE STAFF WITH THE LETTERS MARKED.
F.
7
D
T
B
G
A
NOTE. The pupils should all sing occasionally from the Base staff. Frequently half the school
may sing the Base, while the other half are singing the Treble parts.
000W ADDED
LINES.
§ VIII. The compass of the staff may be extended below or above by additional short
lines, called ADDED or LEGER LINES. These, with the spaces intervening, derive their
names also from the letters in the same manner as the staff proper. vel
§ IX. The degrees of the staff are numbered from the lowest upward, the lowest being
reckoned as the FIRST line.quid ad 77
§ X. It is important to become familiar with the lines and spaces of the staves, by
name, thus:
i, Re, Re,
cop-pice gr
harm-less gl
Dell tinkling cl
sing-ing cle
es, let it shin
475
NOTE.-Another, called the C CLEF,
C CLEF.
is used in many parts of Europe, but seldom in this country, the two above named being regarded
sufficient for all practical purposes.
§ VI. The G clef is placed upon the second line, and represents the letter G upon that
line.
§ VII. The F clef is placed upon the fourth line, and represents the letter F upon that
line.
Each line and space of the staff is then named after the letters, as follows:
A LETTER was originally used instead of what we now call the clef.
-E-
TREBLE STAFF.
LINES.
SPACES.
1st Added line above.-A-
-F
D
1st Added space above. G
E
-B
A
G
F
D
-C-1st Added line below.
1st Added space below.
BASE STAFF.
oda
LINES.
SPACES.
-C-
B
G
F
D
B
E
T
-E-
§ XI. Notes placed upon either degree of the staff receive their melodic name from
the letter of the line or space on which they are placed. Thus, a note on the first line
of the Treble staff is called E; on the first space, F, &c.
Practice reading tunes and exercises by the letters.
M

8
LADIES.
THE NEW SINGING CLASS.HT
PRACTICAL EXERCISES.
CAM 2ЯTT No. 15.-"SING WE REJOICING."-SONG EXERCISE IN TWO PARTS-QUADRUPLE MEASURE.
E MEASURE. I
P
-6-
land.
ent fo
home. 18
witho
SI
beats
two be
Bo,
Mi, Sol, Do,
1. Sing we
rejoicing, the boun-teous heavenly Hand,
2. Land of our
fathers, wher- ev er we may roam,
3. Though other countries may bright - er hopes ful - fill,
4. Heaven shield our coun try from ev ery hostile band,
GENTLEMEN.
Scat-tering
Dear - est
Dearest
ev ery blessing
ative land, we
tive land, to
na
na
Free - dom, love, and plenty,
us
o'er our happy
thou still art
ev - er love thee
still.
ev - er crown our land.
0:4
4
Do,
Mi,
Do,
Sol, Do, Sol,
Mi, Do, Sol
Mi, Sol, Mi, Do, Mi,
I No. 16.-"THE WOOD."-Two PART SONG. SCALE EXERCISE, FOUNDED ON C.
amoun
Sol, Do, Sol,
Do.
as ano
NOT
relative
Nor
invente
and tic
in fact,
weight
faster;
time;
In th
1. I love the wood, the lone-ly wood, 'Tis there I find my high-est good; O, where's a place like that so free? Or one so fraught with cheer and glee?
2. How sweet thy smiles when gentle Spring Returns, its golden joys to bring! And when,thro' all thy verdant bounds, The twitt'ring, chirping song resounds.
3. I love thy calm and cool retreat, When Summer sheds her sultry heat; O, then what charms thy walks pervade! How sweet to sit beneath thy shade!
4. And when the Autumn, deemed so drear, Makes all thy verdure dun and sear, Thou still hast charms to every view, In live-ly tints of va-ried hue
5. And ev-en Winter's chilling night, Does not thy lovely pleasures blight; Tho' Nature else is wrapped in dread, Yet thou art cheer'd by sportsman's tread.
4
same a
CHORUS TO EACH VERSE.
O si ballsordionA-STO
Then shout aloud, shout a-loud, shout, shout a - loud, Shout aloud and swell the chorus, Happy days are yet be-fore us, Shout, shout, shout aloud.
24
EXERCISE FOR TWO NOTES TO THE BEAT.
ofich an
La, la, la,
Silver lay,
Not a tear,
la, la, la,
Mea-sure gay,
Not B fear,
la, la,
Chas-ing
Ever
la, la, la, la, la,
la, la,
ev ery care a-
Voices free,
way,
Joyous ly
mar our pleas-ures here, Sweet the strain Wakes a - gain,
la, la, la,
la,
la, la,
Swell in
Sooth-ing
la, la, la.
harmo ny.
every pain.
SH

Py
land.
art home
thee still
our
land.
O
Do.
h cheer and g?
ng song resou
neath thy sha
va-ried hu
portsman's tril.
wol
THE NEW SINGING CLASST
LESSON IV.
RHYTHM.
§ I. In a former chapter we considered the length of sounds as indicated by the differ-
ent forms of the notes, &c., but the time of a piece of music may be slower or faster
without interfering with relative proportions.
§ II. When, for example, we apply four beats to the whole note, we must allow two
beats to the half note, and one beat to the quarter-note, &c.; but when we apply only
two beats to the whole note, we must allow but one beat to the half note, &c.
9
VARIETIES OF TIME, AND MOTIONS OF THE
HAND IN BEATING.
§ IV. There are in general use FOUR KINDS of Measures, and each kind has THREE
VARIETIES
DOUBLE MEASURE
has two beats; the upper figure is 2. The varieties are
hand are down, up; accented on the first part.
TRIPLE MEASURE
§ III. There may be various kinds of notes in the measure, but there must be an equal has three beats; the upper figure is 3. The varieties are
amount in every measure; that is, one measure must contain as much in the aggregate hand are down, left, up; accented on the first and third parts.
as another.
NOTE.-Examine, also, tunes in the body of the work. Question on the
relative duration of the notes, &c.
NOTE.-To aid in computing time, Maelzel, the celebrated French mechanist,
invented an instrument called a Metronome. It has a pendulum, which swings
and ticks at regular intervals of time, like that of a clock (The instrument is,
in fact, a clock turned upside down, but without dial plate or hands.) If the
weight be moved upwards, the pendulum will swing slower, if downwards,
faster; but put the weight where you will, its motions will always be in equal
time; never hurrying, never dragging.
In the performance of a piece of music, the time should be computed with the
same accuracy and regularity as by a Metronome, or a clock.
QUADRUPLE MEASURE
has four beats; the upper figure is 4. The varieties are
hand are down, left, right, up; accented on the first and third parts.
SEXTUPLE MEASURE
has six beats; the upper figure is 6. The varieties are
The motions of the
The motions of the
The motions of the
The motions of the
hand are down, down, left, right, up, up; accented on the first and fourth parts.
NOTE. When the movement in Sextuple Measure is rapid, it may be beaten the same as Double
Measure. When it is slow, beating may also be performed with three motions repeated, when this
method is preferred.
W gold-hr Janssolg
ЦИБАЛТИя вялт AHO ORMANTO
SCALE SONGS.
OR RHYTHMICAL EXERCISES WITH THE SCALE, FOR BEATING TIME AND SINGING.
Down, left, right, up, down, left, right, up, down, left, right, up, down, left, right, up, &c.
No. 17.
t, shout aloud
4
Do,
2 2 2 2
Re..
3
Mi,
3 3
4 4 4 4
Fa,
5
Sol,
55 d) 56
6 6
La.
Si,
SING BACKWARDS.
Men8ho08 min88. I
Do.
Now the gentle May approaching, Shining, fleecy clouds are fly-ing, Cheerly sound our notes of welcome, While with nature's songsters vieing.
No. 18.
D., I., r., u., d., 1., r., u., &c.
la,
la.
mony.
ery pain
Do, Do, Si, Si,
La La,
Bo, Do, Re, Re, Mi, Mi, Fa. Fa, Sol. Sol, La, La, Si, Si, Do, Do.
Sol, Sol, Fu, Fa, Mi. Mi, Re, Re, Do, Bo
Shepherds from their sleep are waking, Morning light is gen-tly breaking, Ro-sy beams in beau-ty springing, While all nature's voice is sing-ing.

10
4
-6-
Praise
God,
from whom
all
THE NEW SINGING CLASS.
No. 19.-"PRAISE GOD."
٥
C
blessings
flow; Praise
him,
all
No. 20.-" VOICES RINGING."-Two NOTES TO EACH BEAT.
Ө
O
crea
tures here
be
low.
SING BACKWARDS.
KWARDS.
Voic-es ring-ing, All are singing; Flowers springing, Beauty bringing; Hearts are bounding, Music's sounding, Countless treasures, Countless pleasures.
than it does otherwise: thus a dotted whole note is equal to a whole and half note,
(2 equal to
; a dotted half note is equal to a half and quarter note
&c.
DOTTED
NOTES.
§ V. By the addition of a Dor (*), a note
made to represent a tone one half longer to
No. 21.-"AH, MY HEART IS WEARY."
do yhot all
equal
4
4
Ah,
my heart
is wea
ry, waiting, wait
ing, wait
-
ing,
for
the
May-
Wait
ing for the
So
Tu
P
Let
-
pleasant rambles, Where the fragrant hawthorn brambles, With the wood - bine al ter nat - ing, Scent the dew - y
LESSON V.
DYNAMICS.
(POWER OF SOUND.)
§ I. To sing in good taste, our sounds must be varied with respect to their POWER or
stress, sometimes singing louder, and sometimes softer, according to the character of the
song or sentiment.
For this purpose, DYNAMICS are used.
No. 22.
pp
DYNAMIC
mp
m
MARKS
No. 23.
Piano
Pianissimo
Forte
Fortissimo
Mezzo
Mezzo Piano..
·
DYNAMIC CHARACTERS EXPLAINED.
Mezzo Forte...
Crescendo
Diminuendo
Swell..
Sforzando, or Explosive.
Staccato
Legato.
APPLIED.
m
.marked p..
marked pp..
marked f.
marked f.
marked m.
marked mp
.marked mf.
marked Cres., or
..marked Dim., or
...marked
.marked sf, or >
.marked, or 11.
marked
m
Soft.
..... Very soft.
Loud.
Very loud.
Medium.
Rather soft.
Rather loud.
way.
Si
bea
No
Commence loud and diminish.
Swell.
Commence soft and increase.
. Sudden and full.
Short and distinct.
Connected and smooth.
Breezes softly now are blowing, Streamlets gently now are flowing.
Softly now, Softly now, Lightly raise the song; Loudly now, Loudly now, Loud and very strong.
04

low.
G BACKWARDE
less pleasu
e and half n
note
e
THE NEW SINGING CLASS.
SCALE SONGS-CONTINUED.
No. 24.-"MAY DAY MORN."-May be sung in Two PARTS. See figures 1 and 2.
Cres.
Cres.
Cres.
11
May day morn is smil-ing, Hearts of grief be-guil-ing; Tune-ful choirs are wak-ing, Notes are gay - ly breaking, Fortune's gifts have crowned us,
f
Cres.
Cres.
Social friends surround us. List to what we're saying, Let us go a-May-ing.
Dim.
Dim.
May day morn is smil-ing, Hearts of grief be-guil-ing.
Dim.
Dim.
Tuneful choirs are waking, Notes are gay - ly break-ing. Fortune's gifts have crowned us, Social friends surround us; List to what we're say-ing,
No. 25.-DOUBLE MEASURE-TRIPLETS: three to each beat.
for
the
Let us go
a - May - ing.
SING BACKWARDS.
way.
nd increase.
and diminish.
mooth.
and
very
stro
3
04
Mi, Mi, Mi,
Do, Do, Do, Re, Re, Re,
Fa, Fa, Fa,
Beautiful, beau- ti- ful, beau- ti ful, beau-ti ful, beau- ti ful, beau - ti - ful,
Sol, Sol, Sol, La, La, La,
No. 26.-SEXTUPLE MEASURE.-When sung rapidly the effect is the same as with triplets, in No. 25.
LEGATO.
Si, Si, Si, Do, Do, Do.
beautiful, beau - ti - ful.
No. 27.-SCALE WITH RESTS.
D4
Beautiful, beau - ti ful, beau - ti - ful, beau - ti - ful, beau-ti - ful, beau-ti - ful, beau-ti - ful, beau-ti - ful.
onom mo
No. 28.-SCALE WITH RESTS.
4
04
2
No. 29.-SOLFAING.*-ROUND.
L4
Haydn.
04
4
3
e
6-
Do,
Re,
Mi, Mi, Fa,
Fa,
I
am tired of this sol fa - ing,
Singing with syllables.
And I know not what you're say-ing.

12
THE NEW SINGING CLASS.
2 Cres, aaught
be ad
No. 30.-"WHETHER YOU WHISPER."
f
Dim.
Highes
TREBL
practi
Whether you whis- per low,
or
ly
loud
call,
Distinctly,
Distinctly speak, or
do not speak at
-e
all.
gai-ling-od laig to MOVEMENT. M
EXPLANATION OF TERMS IN GENERAL USE.
ADAGIO-slow.
ALLEGRO-quick.
ALLEGRET quick.
so quick as Allegro. or abusit Izico2 bedwoo
ALLEGRO
ANDANTE-gentle, and rather slow.
ANDANTINO-Somewhat quicker than Andante, on of omit
CANTABILE-pronounced Kan-tah-bi-lee-graceful, flowing.
E-and.
GRAVE-slow and solemn.
banorius abroin Inisol
PASTORALE applied to graceful movements in Sextuple time.
LARGO-slow.
LARGHETTO-not so slow as Largo.
MODERATO-in moderate time.
PRESTO-quick.
PRESTISSIMO- -very quick.
RITARDANDO-retarding the time.
RALLENTANDO-Slower and softer by degrees.
TEMPO-time.serd
VIVACE-quick and cheerful.
o goi-jaw or exiodo IlourT
The above are the most common terms in use among musicians for expressing the dif
ferent degrees of movement.
No. 31.-"SILVER LAY."-THREE PART SONG.
Cres.
ALLEGRO.P
m
Cres. 9
2
4
Silver lay,
Not
I
Mea-sure gay, Chas-ing ev -
Not
a tear,
Ever
fear,
a
a
way, Voices free,
éry care
mar our pleas-ures here, Sweet the strain Wakes a - gain, Sooth-ing ev -
Joy-ously
har
Swell in
mo- ny.
ery pain.
0:2
4
E
Sing also with La, Letters, and Numerals.
LESSON VI.
§ II. Music is composed of one, two, three, four, and often more parts. When in two
or more parts, it is said to be in Harmony, and is so composed that the different parts
MUSIC IN PARTS-CLASSIFICATION OF agree, or HARMONIZE together.
VOICES.
§ I. A PART in music is represented to the eye by a single set or number of notes on
any staff. The treble, for example, is one PART, the base is another PART, &c.
§ III. Music for choirs is usually written in four parts.
CLASSIFICATION OF VOICES.
§ IV. The voice is naturally divided into four classes, viz.: Lowest male voices, BASE

at
all.
THE NEW SINGING CLASST
Highest male voices, TENOR. Lowest female voices, ALTO. Highest female voices,
TREBLE OF SOPRANO. Boys sing ALTO until their voices change. Young Misses should
practice ALTO until their voices become firm.
No. 32.-USUAL COMPASS OR EXTENT OF VOICES.
ALTO-from G below to C, 3d space.
TREBLE-from C below to G above.
味
​TENOR-from C below to G above.
BASE-from F below to C above.
13
§ V. Besides the above there is a BARITONE voice, between the Base and Tenor; and
the MEZZO SOPRANO, between the Alto and Treble.
NOTE. While learning to read music in classes it is sometimes advantageous to change parts
occasionally, and frequently all may sing on one part; but in church, changing of parts should not
be practiced by any unless at the request of the leader. Every singer should sing the part best
adapted to his or her voice, and what that is the teacher or leader will soon be able to decide.
THE COMMON CHORD.
TO THE TEACHER.-Practice the numerals 1, 3, 5, 8.
§ VI. The combination of the sounds 1, 3, 5, 8, is the first, simplest, and most pleasing
form of harmony. It is termed the COMMON CHORD. There are many other kinds of
chords which the student of harmony must learn, but this (the Common chord) should be
familiar to every singer.
nedw odwell
MODERATO E LEGATO.
TENOR. mp
No. 33.-THE ANGEL EVER NEAR, or BY AND BY.
p
Cres.
Cres.
Dim.
4
24
expressing the
1. There is an an-gel ever near, When toil and trou-ble vex and try,
ALTO.
That bids our faint-ing hearts take cheer, And whispers to
us-"By and
by."
10 ny.
ry pain.
SOPRANO. mp
p
Cres.
Cres.
Dim.
2. We hear it at our mo-ther's knee, With ten-der smile and love-lit eye, She grants some boon on child-ish plea, In these soft accents-"By and a by."
3. What visions crowd the youthful breast, What ho- ly aspira-tions high Nerve the young heart to do its best, And wait the promise-"By and by."
BASE.
TH
0:4
4
parts. When wo
t the different ts
4
ALLEGRO.-SPRIGHTLY. modome beggede flo awo to foll
No. 34.-" BELLS ARE RINGING."-SONG EXERCISE.-SKIPS OF THIRDS.
Bells are ring-ing, ring-ing, ring-ing, Maids are sing-ing, sing-ing, sing-ing, Birds are fly-ing, fly-ing, fly-ing, All are try-ing, try-ing, try-ing, Fleet-ly glanc-ing,
est male voices E
Bells
are ring-ing, ring-ing, Maids
are sing-ing, sing-ing, Birds
are fly-ing, fly-ing, All
are try-ing, try-ing, Fleet
ly
4

14
THE NEW SINGING CLASS.
glanc-ing, glanc-ing, Light-ly dane-ing, danc-ing, danc-ing, Bright in gush-es, gush - es, gush - es, Smiles and blush-es, blush-es, blush-es, Come and flit
away, a-way
SLOW.-LEGATO.
glanc-ing, glanc-ing, Lightly danc-ing, danc-ing, Bright in gush-es, gush - es, Smiles and blush-es, blush-es, Come and flit
No. 35.-" PEACEFUL SLUMBERING."-SONG EXERCISE ON SEVEN.
LEGATO.
away, a- - way.
Ladies and Gentlemen change parts.
194
4
04
1. Peace-ful slum-bering on the
ocean, Sea - men fear no
danger nigh,
gentle
2. He who, when the waves are roll-ing, Sets his heart on God on high,
Winds and waves in
motion, Soothe them with their lul- la - by.
Midst the tem- pest's fierc - est howl-ing, Still en - joys lul la- by.
a
-
T
04
4
No. 36.-" CULL THE FLOWERS."-SONG EXERCISE.-SKIPS OF 4, 6, AND 2.
TO THE TEACHER.-Practice the skips before singing the song.
§
repre
4
4
SI
scale
Do, Mi, Sol, Do, Do, Fa, La, Do, Si, Sol, Fa, Re, Do, La, Sol, Si, Do, La, Sol, Mi, Fa, La, Sol, Mi. Re, Fa, Mi, Sol,
Cull the flow-ers, 'Mong the bowers, Sweet-est po- sies, Pinks and roses, While the thrushes In the bushes Sing together
Do, Sol, Mi, Do.
This warm weather.
SI
below
0:4
4
§
Do, Do, Mi, Mi, Fa,
MODERATO.
HAL
No
No. 37.-MUSIC.-QUARTETTE.
differ
dei-blido, no goo
famil
shou
4
1. Music spok-en, Music brok-en, By the rushing of a rill;
3
04
What is this but what doth en-ter
In-to every heart's deep center, And doth all with gladness fill?
§
2. Music dwelling Where the swelling Of the wind and wave is near;
Cres.
mp
Fro
Fro
Fro
3. Music ringing, Where the singing Of the woodbird fills the dell ;
What is this delight of be- ing
But our own, when we are seeing What no words but song can tell?
What is this great heart of o-cean, But our own oft changed emotion, Now a smile, and now a
Cres.
f
tear?
VIZ.
Fro

a-way, a-way
away, a way
men change parts.
4
4
Do,
Re,
THE NEW SINGING CLASS.
No. 38. "ALL THE DAY I'M SINGING LIVELY."-EXTENDED SCALE.
Mi,
All the day I'm sing-ing live - ly, Though the day is
O
Re,
Re,
Mi,
Re,
long,
And from morning dawn to evening, Sounds my happy
Do.
song.
O
Do,
Fa,
Si, La, Sol,
Sol, La, Si, Do, Re, Mi, Fa,
Sol.
Sol, Fa, Mi, Re, Do, Si, La, Sol, Fa,
Sol, La, Si,
Do.
15
eir lul-la- by.
lul-la-by.
Do, Sol, Mi, Do.
his warm weather
with gladness fill
and now a tear
f
but song can tell!
LESSON VII.
INTERVALS.
§ I. THE scale may be compared to a flight of steps or ladder. It is frequently
represented by a ladder with the rounds or steps at unequal distances apart:
§ II. The steps or distances observable in the passage of the voice up and down the
scale or ladder, are called INTERVALS.
§ III. An INTERVAL is the distance from any sound of the scale to the next above or
below-the difference of pitch between any two sounds.
§ IV. There are two kinds of Intervals in the scale-LARGE and SMALL.
§ V. The larger intervals are called TONES or STEPS. The smaller HALF-TONES or
HALF-STEPS.
NOTE.-Good teachers differ as to the proper use or application of these and other terms. Such
differences, however, we do not consider of much importance. So long as pupils make themselves
familiar with the general nomenclature of the musical art, and understand its application, we
should be satisfied. We have given above both terms; teachers will adopt whichever they prefer.
THE INTERVALS OF THE SCALE.
The intervals of the letters are as follows, viz.:
From C to D, LARGE,-Tone or Step.
From D to E, LARGE,-Tone or Step.
From E to F, HALF,-Half-tone or Half-step.
From F to G, LARGE,-Tone or Step.
From G to A, LARGE,-Tone or Step.
From A to B, LARGE,-Tone or Step.
From B to C, HALF,-Half-tone or Half-step.
NOTE.-If the pupils observe carefully where the small intervals are situated, they will not be
liable to make mistakes, as they will then have only to remember that all the rest are large.
SCALE WITH THE SMALL INTERVALS DESIGNATED.
SMALL,
SMALL,
SMALL,
SMALL.
Q
0
2
00
Q eo
3 4
5
6
7 8.
8 7
6
5
4 3
2
Mi, Fa, Sol, La, Si, Do. Do, Si, La, Sol, Fa, Mi,
Re, Do.
9
Do, Re,
STAVES WITH THE SMALL INTERVALS (IN THE LETTERS)
DESIGNATED.
E
F
B
C
B-C-
E
-C-
B
F
E
B
C
-E-
D-g
§ VI. The intervals, as they succeed each other in the scale, are in the following order, ing no allusion to signatures, other than to say, Now One (Do) is on G, D, &c.
NOTE 1.-Practice in key of G, D, or A, &c., plain tunes, or any of the following exercises, mak-
viz.:
From 1 to 2, LARGE,-Tone or Step.
From 2 to 3, LARGE,-Tone or Step.
From 3 to 4, SMALL,-Half-tone or Half-step.
From 4 to 5, LARGE,-Tone or Step.
From 5 to 6, LARGE,-Tone or Step.
From 6 to 7, LARGE,-Tone or Step.
From 7 to 8, SMALL,-Half-tone or Half-step.
NOTE 2.-Desirous of continuing the plan of progressiveness, adopted as the basis of these Ele-
ments, interspersing the practical with the theoretical, we think it better to let the class practice in
different keys, before the subject of Transposition or Signatures is explained. The lesson of Inter-
vals is a very important one-indispensable, if they would understand Transposition. Let them,
therefore, learn this thoroughly, and sing on."
who slaves tai odit to guado que angle dead? to bla eda

16
ALL.
THE NEW SINGING CLASS.
No. 30.-SONG OF THE INTERVALS.-DIALOGUE. TEACHER AND PUPILS.
SCHOLARS.
FROM "THE MUSICAL BOQUET."
A song of the INTERVALS, Song of the INTERVALS, What shall it
be? Num. ONE to Two is a whole
ott Letters. C to D is a whole
TEACHER, or MALE PUPILS.
step;
step;
Two to THREE is a whole
D to E is a whole HA step;
step;
diatonic
4
former s
C
§ II.
Num. ONE to Two's a whole step;
Letters. C to D's a whole step;
Two to THREE's a whole step;
D to E's a whole step;
each oth
§ III
§ IV.
THIRD
Minor is o
E
THREE to FOUR is
to
F is
a
2
ha, ha, ha, ha, half-step; FOUR to FIVE is
G
ha, ha, ha, ha, half-step; F to
is
a whole
whole
step;
step;
FIVE to SIX is a whole
G to A is &whole
step;
step;
SIX to SEVEN is
A to B
is
a
31
NOTE-
readily und
SV. I
as in asce
THREE to FOUR is
E to F 18 a
ha, ha, ha, ha, half-step;
is a ha, ha, ha, ha, half-step;
HTTW LIAD2
FOUR to FIVE's a whole step; df to ogazand G to A's a whole step;
F to G's a whole step;
FIVE to SIX's a whole step;
whole
whole
step;
step;
SEVEN to EIGHT is a ha, ha, ha, ha, half-step; ha, ha, ha, ha, ha, ha, ha, ha,
B to
is a ha, ha, ha, ha, half-step; ha, ha, ha, ha, ha, ha, ha, ha,
ha, ha, ha, ha, ha,
ha, ha, ha, ha, ha,
What a queer song is the song of the INTERVALS.
What a queer song is the song of the INTERVALS.
SL
SIX to SEVEN's a whole step,SEVEN to EIGHT is a
A to B's a whole step, B to C. is a
ha, ha, ha, ha, half-step; ha, ha, ha, ha, ha, ha, ha, ha,
ha, ha, ha, ha, half-step; ha, ha, ha, ha, ha, ha, ha, ha,
ha, ha, ha, ha, ha,
ha, ha, ha, ha, ha,
Now you've learnt the
Now you've learnt the
song of the INTERVALS.
song of the INTERVALS.
§ III.
A sign is us
above.
SIGNS OF ELEVATION AND DEPRESSION.
§ I. A sign is used in music which, when placed before a note, indicates a sound a
HALF-TONE (half-step) HIGHER than the letter upon which the note is written would other-
wise represent. This is called a SHARP, (#).
aslaguorod aid!
§ II. A sign is used in music which, when placed before a note, indicates a sound a
HALF TONE (half-step) LOWER than the letter upon which the note is written would other-
wise represent. This is called a FLAT, (b).
To THE TEACHER.
Practice plain tunes in any key
used in music which will counteract the influence of either of the
This is called a NATURAL, ().
EXAMPLE OF THE SHARP, FLAT, AND NATURAL.
OC, C#, B, Bb, D#, Dt, F
O
e bo
Ft.
Read, C, C sharp. B, B flat, D sharp, D natural, F sharp, F natural.
§ IV. By the aid of these signs any change of the intervals can be made.
2. H
3. H
Nor

MUSICAL BOQU
THE NEW SINGING CLASS.
17
LESSON VIII.
NOTE.-Let pupils examine the above by intervals of letters, and then give the form or order of
intervals, ascending and descending.
MINOR SCALE-SECOND FORM.
le
ste
ste
THREE's a whol sep;
to E's a whol tep;
to SEVEN is
to B is
MINOR SCALE.
§ I. In addition to the Diatonic Scale as explained in Lesson VII, there is another
diatonic scale, differing from that in respect to intervals, called the MINOR SCALE. The
former scale is called MAJOR.
§ II. There are two forms of the MINOR SCALE in use. We distinguish them from
each other by the terms FIRST FORM and SECOND FORM of the Minor Scale.
§ III. In both forms of the Minor scale the intervals differ from those in the Major.
§ IV. The chief difference (to the ear) between the Major and Minor scales is in the
THIRD; that of the Major being composed of two steps (two tones), while that of the
Minor is only a step and half (tone and half). See Minor scale below.
NOTE. Those who have made themselves familiar with the intervals of the Major scale will
readily understand the difference between that and the Minor now to be presented.
§ V. In the first form of the Minor scale the intervals are not the same in descending
as in ascending.
MINOR SCALE-FIRST FORM.
1 2 3 4 5 6
8.
8 7 6 5 4 3 2 1.
La, Si, Do, Re, Mi, Fa, Si, La. La, Si, Fa, Mi, Re, Do, Si, La.
NOTE.-Pupils examine and name the order of intervals in second form of the Minor scale.
QUESTIONS: Wherein do the two Minor scales differ from each other? What is the order of inter-
ine and compare.
vals in the first form? Second form? Wherein do the Minor scales differ from the Major?-Exam-
§ VI. The MINOR scale commences on the numeral 6, syllable La, of the Major. 6,
(La), of the Major is taken as 1 of the Minor, but the syllable (La) is retained. See
scales above.
§ VII. When the MAJOR and MINOR scales have the same signature, they are said to
be RELATED. Thus the key of A MINOR is the RELATIVE MINOR of C; and the key of C
is the RELATIVE MAJOR of A MINOR.
§ VIII, The "RELATIVE MINOR" to any Major key is found a sixth above, or a third
below, the Major key note.
§ IX. Every Major scale or key has its "RELATIVE MINOR," and, as above stated, both
have the same signature.
75.-KEY OF A MINOR.-Relative of
1 2 3 4
6 7 8.
A, B, C, D, E, F, G#, A.
La, Si, Do, Re, Mi, Fi, Si, La.
5
8 7 6 5 4
A, G, F, E, D,
La, Sol, Fa, Mi, Re,
3 2 1.
C, B, A.
Do, Si, La.
of the INTER 8.
No. 40.-EVENING PRAYER.
of the INTER S.
SLOW, SOFT, and GENTLE.-LEGATO.
உஉ
to
La
1. Weary
of the INTER S
as with closing eye, On my peace-ful bed I
lie,
Father, may thy
an - gels keep Watch, a- round me while
I sleep.
of the INTER S.
2
4
ence of either the
Do
p
Cres.
Cres.
Cres.
Dim.
Dim.
TURAL
F
arp,
F natural
be made.
La
2. Have I through the day in aught, Sinned in word, or deed, or thought,
3. Heal each heart op-pressed with woe,
Dry the
sorrowing tears that flow,
Father, from thy holy throne, Send
Love thy creatures great and small,
a sav
-
Fa
ing par- don down.
ther, bless and guard them all.
:2
4
La
NOTE-Practice also La
(JUBILEE-2)
TO THE TEACHER. Practice plain tunes in any key, major and minor

18
THE NEW SINGING CLASS.
No. 41.-EXERCISE IN A MINOR.-Relative Minor of-
4
La, Do, Si,
La,
Si,
Si, La, Si,
La, Si, Do, La,
Si, Si, Mi,
Mi, Do, La, Do,
Si, Re, Do, Si,
Do, La,
Si,
La.
Now y
e-
4
La,
Mi,
Fa,
Mi,
Mi, Re,
Do,
Re,
Mi,
Mi,
La.
LESSON IX.
THE CHROMATIC
SCALE.
NOTE-The Chromatic Scale, being more difficult to sing than the Diatonic, and not being much
required in plain music, it is not usually studied or practiced until pupils are well versed in the Di-
atonic Scale, and able to read with considerable facility. But we would urgently recommend the
introduction of either a part or the whole of the Chromatic Scale, as an exercise for the voice and
ear, just as soon as pupils can read plain music in the Diatonic Scale. Do not attempt too much of
this kind of study at any one time. One or two chromatic exercises at each lesson will generally
be found sufficient, and, by judicious management, pupils will not become wearied. The easiest,
and perhaps the most useful, is the sharp fourth. Next in order may follow the flat seventh; then
the sharp second, flat third, &c., then, from sharp one on, gradually introducing the whole Chro-
matic Scale. If you have an instrument, play the chromatic scale often, that they may become ac-
customed to its progression. See page 31, Song Exercise, for the study of Chromatic Intervals.
§ I. All the intervals of the scale that are a whole tone (step) distant from each other
may be divided into half tones, (small steps), forming an entire scale of small intervals,
(half tones), called the CHROMATIC SCALE.
having been formerly written with colored ink. The term may also have a figurative signification,
as chromatics in music may be regarded as analogous to coloring in painting.
NOTE 2.-Let the pupils recall the intervals of the scale, and then name such only as must be di-
vided in order to form the Chromatic Scale,
§ II. The division of the large intervals, (tones), is represented by the sharp, or flat.
See Chromatic Scale below.
§ III. All the tones (steps) of the scale being thus divided, either by means of the
sharp or flat, we shall have for our Chromatic Scale, thirteen intervals, of a half tone
(small step) each.
§ IV. The scale heretofore used, consisting of five tones (steps) and two half tones,
(small steps), is called the DIATONIC SCALE.
NOTE 1.-DIATONIC. From two Greek words, signifying through the tones, or from tone to tone.
NOTE 2-In singing the Chromatic Scale, or exercises, with syllables, use the vowel sound of e long,
as in mete, for the sharps, (Di pronounced Dee, Ri Ree), and a long, as in fate, for the flats, (Se pro
nounced Say, Le Lay, &c.) By observing this rule, we are enabled to preserve uniformity in print-
ing the syllables.
NOTE 3.-Read the numerals thus-ONE, sharp one; Two, sharp two; SEVEN, flat seven; six, flat
NOTE 1.-CHROMATIC. From a Greek word, signifying color, the intermediate, or chromatic tones, six, &c. Read the letters thus-C, C sharp; D, D sharp; &c. &c.
No. 42.-THE CHROMATIC SCALE, NOTES, LETTERS, AND SYLLABLES.
Con
Joi
Com
Join
ASCENDING.
O
1,
#1, 2,
#2,
3,
4,
$4,
5,
#5,
6,
#6, 7,
C,
C#,
D,.
D#,
E,
F,
F#, G,
G#,
A,
A#,
B,
Do,
Di,
Re,
Ri,
Mi,
Fa,
Fi, Sol,
Si,
La,
Li,
Si,
ය පළි
Do.
SLOW.
mf
NOTE TO THE TEACHER-Exercise the Class in SHARP FOUR, in connection with Five, Four, &c., thus, 5, #4, 5; 3, #4, 5; 6, 4, 5, &c. &c.
No. 43.-"LIGHT OF THOSE WHOSE DREARY DWELLING."-SHARP FOUR.
DESCENDING.
O
e
O 0
SL. TR
another, ei
8, 7,
67,
6,
b6, 5,
b5,
4, 3,
b3,
2,
C,
B, Bb,
A,
Az,
G, Gb,
F,
E,
Eb,
b2,
D, Db,
1.
C.
SII. The
Do,
Si, Se,
La,
Le,
Sol,
Se,
Fa, Mi,
Me, Re,
Re,
Do.
& scale com
III. Th
IV. Th
V. SIGN
than that of
music. The
these as the
understood.
4
Fi,
La,
Sol.
Fi, Sol,
Fi,
Sol,
Fi,
Re, Do,
Light of those whose drear-y dwell-ing, Bor - ders
on
the shades of death, Rise
on
us, thyself
reveal-ing, Rise and chase the clouds be-neath.

O
Si,
La.
O
Mi,
La.
THE NEW SINGING CLASS.
No. 44.-"NOW WE'LL SING TO G."--SHARP FOUR.
Now we'll sing to G, And now we'll sing to C, Now we'll sing to F sharp, F sharp and G. F sharp and G, F sharp and G, G, A, B, C, C, B, A, G, F, E, D,
No. 45.-"COME, JOIN WITH MERRY ROUNDELAY."-SONG.
LIVELY.
19
a figurative signifin.
ing
4
such only as must di
by the sharp, o at.
Come, join with merry roundelay, Thy voice let har-mo-ny o- bey, Each heart with gladness Let mu-
Join, all join mer-ri- ly the strain, Fly grief, and nev-er come a-gain; Hence, gloom and sadness, Hope bids thee re-tire.
sic inspire; Hence, gloom and sadness, Hope bids thee re-tire.
either by means he
tervals, of a hal ne
s) and two half 108,
X4
04
Come, join with
merry roundelay, Thy voice let har-mo-ny o- bey, Each heart with gladness Let mu -
Join, all join mer-ri- ly the strain, Fly grief, and nev-er come a-gain; Hence, gloom and sadness, Hope bids thee retire. Hence, gloom and sadness, Hope bids thee re-
sic inspire;
- tire.
mes, or from tone to
04
7
e the vowel sound ong,
fate, for the flats, ro
eserve uniformity int
SEVEN, flat seven; flat
Practice Mahaleth, 122-Lystra, 118-Berith, 115-Mason, 88-Nebo, 77, and any other plain tunes in which Sharp Four occurs.
2, 62,
D, D
e, Re, Re,
,&c. &c.
the clouds be-n
LESSON X.
TRANSPOSITION.
§ I. TRANSPOSITION is removing the scale from one place, or position upon the staff, to
another, either higher, or lower.
§ II. The scale takes its name from the letter on which it commences; as for example,
a scale commencing on C is said to be in the key of C, and is termed the SCALE or C.
§ III. The scale may commence on any letter of the musical alphabet.
§ IV. The PROCESS of transposition will be explained in a future lesson.
iness as in the key of C, the pupil has only to make himself familiar with the signatures,
and then continue his practice.
§ VI. SIGNATURES TO ALL THE KEYS WITH SHARPS.-The signature to the key of G,
(first transposition with sharps), is one sharp (#).
§ VII. The signature to the key of, (second transposition with sharps), is two sharps,
(##).
(###).
§ VIII. The signature to the key of A, (third transposition by sharps), is three sharps,
18 IX. The signature to the key of E, (fourth transposition by sharps), is four sharps,
(####).
§ V. SIGN OF THE SCALE OR SIGNATURE.-When music is written on any other scale
than that of C, the signature or sign of the key is placed at the beginning of the piece of
music. These signatures or signs are one or more SHARPS OF FLATS. The reason for using
these as the sign of the key will be apparent so soon as the process of transposition is
understood. In order to read music in other scales or keys with as much ease and read-
§ X. The signature to the key of B. (fifth transposition by sharps), is five sharps,
(*****).
§ XI. The signature to the key of F sharp, (sixth transposition by sharps), is six sharps,
(######).
§ XII. The "BELATIVE MINORS" have the same signatures as above.

20
No. 46.
MAJOR.
2#
OF
THE NEW SINGING CLASS.
KEY OF G.
RELATIVE MINOR.-FIRST FORM.
Do, Re, Mi, Fa, Sol, La, Si,
Do. Do, Si, La, Sol, Fa, Mi, Re, Do. La, Si, Do, Re, Mi, Fi, Si, La. La, Sol, Fa, Mi, Re, Do, Si, La.
No. 47. THE CUCKOO.-ROUND.-RESTS.
Sweet the pleasures of the Spring, When we hear the cuckoo sing,
Cuckoo! Cuckoo!
Cuckoo ! Cuckool Sweet the pleasures of the Spring, When we hear the cuckoo sing.
No. 48.-THE CUCKOO.-ROUND IN THREE PARTS.-TIED NOTES AND RESTS.
4
Do.
Sweet the pleas
ures
of
the Spring, When
we
hear the cuck 00
-
sing,
Cuckoo !
Cuck-00!
When
we
hear the ouck
00
sing,
GENTLY.
2
L
Sol.
Hark!
hark!
hark! hark! Cuck-00!
No. 49.-NOONTIDE.-TIED NOTES AND REPEAT.
2
Cuckoo !
Cuck-00!
The
lou
Cuckoo ! Cuck-00! Hear the cuck-00 sing.
e
1.
'Tis noontide, 'tis noontide, so glowing and still,
No shade on the meadow, no breeze on the hill; }
No wave on the
waters that lan-guid - ly
glide-'Tis noontide in summer, the dreamy noontide.
4
At noontide, how pleasant to lie near the
Where the waters fall bright o'er the wheel of the mill, And
4
Or deep in the green-wood to loiter a long, l
gaze
on their sheen, half a - wake, half a
dream, "Till you think they are Naiads that dwell in the stream.
And list to the black-bird and grass-hopper's song. And mark on the leaves where the sun-show-ers
GA
break, Till they ripple like waves on a moon-lighted lake.
Do.
Do.
$ol.
245
Fa,Mi.Fa,Sol, La, Si, Do.
4

H
4
SCHOLARS.
Re, Do, Sia.
@$2
4
p
1. Hush,
TEACHER.
27
THE NEW SINGING CLASS.
No. 50.-SONG OF THE DYNAMICS.
21
P
Pr
ali must sing, Down to
hush, soft ly
-A-
NO your voic
- es
all must bring; But when 'tis FOR
- TE
loud our notes we'll raise,
1. Hush,
hush,
The Teacher may sing his part through alone the first time.
n we hear the cusing.
Pleasant is the
sing- ing, Mer - ry are our lays.
2. When there's a strain
ve -
ry
Cuck-o
ff
joy-ous, bold and strong, Then with FOR - TIS - SI - MO your
Dim.
กา
pp
loud-est notes pro-long,
But often should you sing thus, your neighbors you'll affright, While the sweet-est
PIAN
IS SI MO will ev er yield de- light.
the cuck-00
e dreamy no le.
that dwell in thream.
A LITTLE FASTER.
972
3. MEZ-ZO
p
and Pr - A - NO
f
ff
1
are pleasant tones to sing,
FOR-TE
and FORTIS - SI - MO will make our voic-es
ring, STAO - CA - TO
is dis-tinct; Sing LE -
4
>>>
GA-TO smooth to LA,
Then comes the bold Ex
a moon-lightere.
-PLOSIVE TONE,
Ha, ha, ha, ha, ha, ha, ha,
ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,

22
THE NEW SINGING CLASS.
pp
No
ha, ha, ha, ha, ha. Ha, ha, ha,
Tra, la, la,
ha, ha, ha, ha, ha, ha, ha, Thus ends our song, ha, ha, ha,
ha, ha, ha,
ha, ha, ha, thus ends our song.
TH
No. 51.
4
Steady,
A
2
2
(Sh!)
steady, or-der, or-der, or-der, all,
"POOR ROBIN RED-BREAST."-ROUND.-MINOR KEY.-TRIPLETS.
Pays
Or-der, (Sh!) Or-der, Hark! 'tis time to end our song.
Tho
N
Poor rob-in red-breast, look well to your nest, The cold weather, the cold weather comes on, Poor rob-in red-breast, look well to your nest, The cold weather, the
3
1. Th
cold weather comes on.
"I care not a rush, For I'll hie to my bush, I'll hie to my bush, And put my bill un-der my wing, un-der my wing,
KEY OF D.
under my wing."
2. Th
RELATIVE MINOR.-FIRST FORM.
4
3. Th
Do, Re, Mi, Fa, Sol, La, Si, Do, Do, Si, La, Sol, Fa, Mi, Re, Do.
La, Si, Do, Re, Mi, Fi, Si, La, La, Sol, Fa, Mi, Re, Do, Si, La.
No. 52.
"IF YOUR VOICES ARE TUNED."-ROUND.
If your voic
es
tuned,
are
Let us hear how they sound, Like the songs
that
you
sing,
You must let
it
go
round.
bir
Now
you
that
come
in next, Must keep pace with me,
The
mu - sie
is
not
sung
Ex
cept
we
a
gree.
Thus cheer-ful-ly we ever
sing, Both at school and at play,
And
when the singing hour is o'er, We will
join the birds up - on the spray.
3

ha, thus ends our
time to end our
The cold weath he
No. 53.
MODERATO.
THE NEW SINGING CLASS.
"THOSE EVENING BELLS."-ROUND.
23
Those evening bells, those evening bells, How many a tale their music tells,
Of youth, and home, and that sweet time When first we heard their soothing chime.
Those ring-ing, jingling, evening bells, How many a tale their music tells,
No. 54.
PRESTO.
Those evening bells, those evening bells, How many a tale their mu-sic tells.
"PLEASANT WEATHER."
*
1. Thank God for pleasant wea-ther;
+4
N
2
Chant it, mer-ry little rills, And clap your hands to-geth - er,
Ye ex-ult-ing little hills, Thank him, Thank him, teeming
B
under my g
2. Thank God of good the Giv - er!
Shout it, sportive lit-tle breeze, Re-spond, O tune -ful river,
To the nodding little trees. Thank him,Thank him, bird and
4
7
2
3. Thank God with cheerful spi - rit,
In
a glow of present love, For what we here in her - it,
And our blessed hopes a-bove. Thank him, Uni-ver- sal
Univer
sal
Vi, Re, Do, Si
val-ley,Thank him, Thank him, fer-tile plain, Thank him, For the gold - en sun
shine, And the silver rain, And the sil - ver rain, And the silver rain.
bird-ling, Thank him, As ye grow and sing, Thank him, Min-gle in thanks-giv
ing,
Ev
Ө
Na
ture
Nature Rev- els
in
Revels in her
her
birth,
When God, in plea-sant wea
birth. Thank him,
-on the s
ds up-o
-
ery living thing, Ev-ery living thing, Every living thing.
ther, Smiles up on the earth, Smiles upon the earth, Smiles upon the earth.

24
THE NEW SINGING CLASS.
"BRING THE SONG BOOK."-ROUND.
No. 55. LIVELY.-PRESTO.
#4
4
Bring the song book, quickly bring, Here we'll sit, and here we'll sing, Mer-ri-ly, mer-ri-ly, singing here to-geth-er.
No. 56.
La, la, la, la, la, la, la, la, la, la, la, la, la, la.
Or, Do, Re, Mi, Fa, Sol, La, Si, Do, Si, La, Sol, Fa, Mi, Re.
"THE WIDOW AND THE FATHERLESS."-QUARTETTE.
4
4
No.
of sorrow
dwell
tell
ing,
ing.
2. Go and bind up the woes
of the
4
When the cry of the
i3
father-less child heard From his poor and lonely
Let thy heart by his wail-ing com-plaint be stirred, By his voice
4
p
#4
4
3.
S When she sits
by the side
Let her share
in
the boun
-
of her fading coals, And her babes are round her
And soothe thou her bo- som's
ty that o'er thee rolls,
quaking,
4
4
wi-dow's breast, Burst the clouds that gather
round her,
Cres.
Cres.
-
4. Oh, prepare thou a
balm for the
Go and show her that where she had hoped it least, Hath Mercy's an gel found her.
-
mf
or-phan's grief, Go and cheer them in
their sadness,
For the hungry and
-
na ked pro- vide relief, For the weeping, songs of glad - ness.

, la, la, la, la, la,
o, Si, La, Sol, Fa, M
#4
#4
MAJOR.
THE NEW SINGING CLASS.
KEY OF A
RELATIVE MINOR.
Do,
Re, Mi, Fa, Sol, La, Si, Do.
Si, La, Sol, Fa, Mi, Re,
Do.
La,
Si, Do, Re, Mi, Fi, Si, La.
Sol, Fa, Mi, Re, Do, Si,
La.
No. 57. MODERATO. PIANO. GENTLE.
"LET US LOVE ONE ANOTHER."*
the woes of
1.
#
#6
4
Let us love one another, Not long may we stay, In this bleak world of mourning, So brief is life's day; Some fall ere tis noon, And few lin-ger till eve,
u a balm for
2. And the fondest, the purest, the tru-est that met,
O
4
angel found
ongs of glad-n
25
O there
Ev-er found that we need to for-give and for-get; Then, O tho' the hopes that we nourished de-cay, Let us
*NOTE TO TEACHER.
The easy Rounds in this key will be found on pages 26, 27, and 28.
No. 58.
SPRIGHTLY.
MY HEART'S HOME.-TRIO.*
م م
breaks not a heart but leaves some one to grieve.
1.
I
love one
an-oth - er as long as
we stay
know a sweet valley Where bright waters play, Where evening is mild-er, And brighter the day.
2. A grove, sweetly whisp'ring, Shades valley and spring, Where birds raise their nestlings, And teach them to sing.
3. There stands a neat cottage, With woodbines entwined, And sweet honey - suckles, And flowers to my mind.
4
4. There Peace dwells with Freedom; There foes are not feared; There childhood is cherished, And age is re-vered.
5. There hearts, true and humble. Their thanksgiving raise, And make of their hearth-stone, An al- tar of praise.
6. O, that's the sweet valley Where bright waters play, Where memory is mild-er, And brighter the day.
3
4
* For three voices, or in three parts.

26
No. 59.
THE NEW SINGING CLASS.
GOING A MAYING.-CANON
Come, let us all
a
Maying go,
a
Come, let us all Maying go, And lightly trip it to and fro, to and fro, The bells shall ring and the Cuckoo sing, The
drums shall beat, and the fife shall play, And so we'll pass the time a-way, The drums shall beat, the fife shall play, And so we'll pass the time a -
MY OWN NATIVE LAND.
No. 60. MODERATO.
way.
#4
4
1.
I've roved
over moun-tain, I've crossed over flood,
I've
traversed
the wave- roll - ing sand;
Tho' the fields were
as green,
and the
#4
4
2.
The right hand of friendship how
oft
I have grasped, And bright eyes have smiled and looked bland;
Yet
hap pi er far were the
4
3.
Then hail, dear Co- lum - bia, the land that we love, Where fiour - ish
- es
lib
erty's tree;
'Tis the birth - place of
Freedom, our
4
•
4
Fine.
A
Co
moon shone as bright, Yet it
was
not my own
native land.
No, no,
no,
no, no,
no.
No, no,
no, no,
no,
no.
hours that I passed In the West-in my own
na- tive land.
Yes, yes, yes, yes, yes, yes.
Yes, yes, yes, yes, yes, yes.
.
own
na - tive home; 'Tis the land, 'tis the land
of the free!
Yes, yes, yes, yes, yes,
yes.
*
no.no.
no.
yes, yes, yes,
First time sing the small notes.
Yes, yes, yes, yes, yes, yes.
no, no, no. no,
yes, yes, yes, yes,

No. 61.
ALLEGRO.
Cuckoo sing,
4
THE NEW SINGING CLASS.
"DAY IS BREAKING."-ROUND.
1. Day
break-
2. Sing we then
is
o'er
ing
the
hills,
our
morn -
ing
song, alq
Dawn ing on the
We
have sung it
-
lit tle rills,
oft and long,
Rouse, ye
Every
brothers,
sis ters
all,
morn tis fresh
and
new,
30
Cheer - ly
to each
oth er
As the pearl - y
No. 62.
call, Good
drops of dew, Good
morn
ALLEGRO.-CON SPIRITO.
ing, good morn
morn ing, good morn
THE SLEIGH-RIDE.
green, and
#4
4
1.
2.
O swift we go o'er the fleec - y snow, When moonbeams sparkle round,
On win-ter's night, when our hearts are light, And breath is on the wind,
er
far were e
-
ing, good morn ing, good morning, good
ing, good morn - ing, good morn - ing, good
morn ing.
morn ing,
27
-
When hoofs keep time to mu-sic's chime, As mer ri-ly on
We loose the rein, and sweep the plain, And leave our cares behind.
we bound.
As
As
Cres.
Legato.
Cres.
Dim.
of Free-dom, r
3. With laugh and song we glide along, A-cross the fleet - ing
4. The raging sea has the joys for me, When gale and tem-pest
snow,
roar;
As
With friends beside how swift we'll ride, The beau-ti-ful track below.
But give the speed of the foaming steed, And I'll ask for waves no more. As
we bound.
C
no, no, no
we
mer-ri-ly on, as mer-ri-
-ly on, as
bound
mer-ri - ly
on
we bound, we bound. La,
la, la, la, la,
la, la, la, la, la, la, la,
la, la,
la.
yes, yes, ye
, yes, yes,
Cres.
Cres.
pp
ff
mer-ri- ly on, as
mer-ri-ly
on, as
mer-ri ly on
we bound, we bound. La,
la, la,
la, la,
la, la, la, la, la, la, la,
la, la,
la.

28
No. 63.
THE NEW SINGING CLASS.
HELEN AND MARY."-ROUND.
and
Mary, your
in
to
ser
-
Vice
in
mu
sic
singing books
We'll
bring,
bring,
In
Thus
Sex tu
ly
gay
-
-
1. Helen
2. All
ple
and
mea
cheerly
- sure a
our
song
we will
sing,
·
voic es shall
ring,
Hen
and
ry, bring Wil
singing,
-
lie
all mer
-
ry
a long,
and glad,
With
0,
-
Net
none should
tie and
be
Sa rah
moody,
-
to
0,
join in
none should be
the
song.
sad.
Come Jo seph and
All
-
ringing
MAJOR.
Do, Re,
Do, Re,
KEY OF E.
RELATIVE MINOR.-SECOND FORM.
No. 64.
4
On rapid wings Time forward springs, Ne'er returning, Ne'er returning.
No. 66.
La, Si,
Fa, Si, La, La, Si, Fa,
La, Si,
No. 65.-HARD WINTER.-ROUND.
Hard the win-ter is in-deed, When a wolf, a wolf up-on his mate will feed.
DILIGENCE.-ROUND.
# *-3
4
Let all
your work
be
ear
la
No. 67.
no prize
By
ly done,
zy sloth
OUR BONNY BOAT.-ROUND.
is
won,
And time
and tide
will wait
for none.
Glide
a
long,
our bon
ny boat,
While with the tide
we grace-fully float, And chant to
the deep seas ech-
-0-
ing note.
Glide
a -
long,
our
bon
ny boat,
While with the tide
we grace-fully float, And chant to the deep sea's ech - o -
ing note.
。

No. 68.
SPRIGHTLY.
THE NEW SINGING CLASS.
THERE'S MUCH THAT GIVES PLEASURE."
#3
2
1. There's much that gives pleasure in all that's a-round, There's ma-ny a treasure where least it is known. La, la, la, la, la, la, la, la, la, la,
rise, It spreads its a - dorn-ing on evening's bright skies. La, la, la, la, la, la, la, la, la, la,
It glows in the morning, when sunbeams a -
ve will
ing,
2.
3
shall
唱
​in
the song.
29
1st time. 2d time.
6
la, la,
la.
la, la,
la.
1st time. 2d time.
hould be sad.
3.
"Tis found in the
4. There's pleasure in
5. There's pleasure in
days ever darksome and drear, For then round our hearth-stones we meet in good cheer. La, la, la, la, la, la, la, la, la, la,
if sore oppressed. La, la, la, la, la, la, la, la, la, la,
toil-ing, that sweetens our rest, Though oft we're re-coil-ing, as
sor-row, by con-trast of joy, Then why should we borrow those cares that an-noy. La, la, la, la, la, la, la, la, la, la,
la, la,
la, la,
la, la,
la.
FFF
la.
la.
L
No. 69. SLOW.-Soft and Gentle.
SUMMER EVENING.
#4
4
1. On
the glass
y
lake,
When day's light is fad
ing,
Beau
-
ty
plays in
all her
grace;
Circling, ver -
dant
4
last
p-on his will feed.
2. Day's
lin - g'ring light,
3. Pure and sweet this hour,
On the west
still glow
Calm as heavenly be
ing, Paints its blush- ing
ing, Fraught with more than
on
earth
1
the lake; While no
ly charms; Hour
of
trem-bling
hallowed
4
4
will wait for none.
banks
Widely cast their
shad
ing
O'er
the
wa
ter's
bur-nished face, O'er
the
wa - ter's bur nished
face.
g
g
as echo ng note.
leaf Tells
thought, Time
a
breeze is
of earth's
care
blow
flee
❤
ing,
ing,
While no
Free from
-
sound the si lence breaks, While
all earth's rude a larms, Free from
no
sound the si
all earth's rude
lence
a
breaks,
larms,
22
a's ech- og note.

30
No. 70.
PRESTO.
THE NEW SINGING CLASS.
THE FARMER'S SONG.
YTH Rit.
Suc-cess to the jol-ly old far
The monarch of prairie and for
on -
mer, Who sings as he follows his plow;
est, "Tis
ly to God he may bow.
He is
sure-
-ly a
-
för tu-nate fel-low,
He raises his bread and his
When the reign of the winter is
2.
3.
His banks are all chartered by na
His clerks never slope with de- pos
·
broken, And spring comes to gladden and bless;
When the flocks in the meadows are sporting, And the robin is building her nest-
ture, Their cred-its are am-ple and sure;
The
farmer walks forth to his
la-bor,
its, Pur-sued by the curse of the poor;
His
And man-ly and firm is his
stocks are the best in the, mar-ket; His shares are the shares of his
Rit.
A
4.
When his crops are all gathered and sheltered, When his cattle are snug in the fold,
He sits himself down by the fire side, And laughs at the tempest and cold,
la, la, la.
Tempo.
stranger to pride and am -
bi - tion,
-
His du ty he strives to ful-
اسلام
Rit. 1st time. 2d time.
cheese; And tho' hard is his la- bor in summer,
In
win-ter he lives
at his ease, ha, ha,
ha, ha,
In win-ter he lives at his
ease.
ease, ha, ha.
tread, As he scatters the seed for the harvest,
plow; They bring the bright gold to his coffers,
fill,
O
That yields to the na- tions their bread, ha, ha,
And pleasure and health to his brow, ha, ha,
Tempo.
ha, ha, That yields to the nations their bread.
ha, ha, And pleasure and health to his brow.
bread, ha, ha.
brow, ha, ha.
Rit. 1st time. 2d time.
Determined, whatev-er be-tides him, To let the world jog
as it will, ha, ha,
ha, ha,
To let the world jog as it
will,
will, ha, ha.
At bis esse, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
ha, ha, ha.
ha.
THES

Rit.
e rais-es his bre ind his
nd man-ly and fits his
THE NEW SINGING CLASS.
SONG EXERCISES FOR THE STUDY OF CHROMATIC INTERVALS.
TO BE USED IN CONNECTION WITH OTHER SONGS, &c.
No. 71.
SHARP FOUR AND FLAT SIX.
31
bd
2
Do,
All
Sol,
Fi,
our
voi
Sol,
ces,
Fa,
All
Re,
our
Voi -
Sol ces
Fa, Mi,
-
sweet ly chim- ing, While
SHARP TWO.
our
Le,
songs,
La,
our
songs are sweet - ly
chim
ing.
No. 72.
s shares are the sh of his
Rit.
Ri,
Mi, Fa, Mi,
Ri,
Brook-let flowing, Gently go ing On-ward, downward, Far
2-
No. 73.
way,
FLAT THREE.
Sil
ver waving, Green banks laving, Glow-est thou in
Re,
eve-ning ray.
LIVELY.
is duty he str to ful
Me,
Me,
Me,
Rouse, ye sleep-ers, up and labor, Rise and feel the sun's warm beam, See the mists the valley filling, Semblance of the tranquil stream.
No. 74.
LIVELY.
Rit. 1st time. ime.
FLAT SIX.
Cres.
Dim.
bo
Sol,
La,
I
Le, Sol,
see,
in the val ley
"AWAY WITH NEEDLESS SORROW."-FLAT SEVEN-SHARP FOUR.
Do,
Si, Se,
live there
SO
La, Le, Sol,
happy,
50
Sol, La,
hap
py
Si,
and
Do.
free.
-
B
ease.
ea ha, ha
My neat lit tle
No. 75.
Le, Sol,
home
2
40
eir bread.
br ha, ha
his brow.
br ha, ha
1. A
Rit. 1st time.
ime.
2. We
3. Let
way with need - less
can not tell the
us but
do our
sor -
rea
du
row, Though trou - ble
may be
son, For all the clouds we
ty, In
sun- -shine or in
-
fall-
see,
rain,
42
ha, ha
No. 76.
SHARP ONE AND FLAT THREE.
Two will serve as a guide to either of these tones.
4
ha, ha, ha.
"Di, Re,
Fi, Sol,
to
-
A bright-er day
row May shine up
mor
Yet
ev - ery time and sea son Must wisely
And heaven, all bright with beauty, Will bring us
No. 77.
us
all.
ordered be.
on
joy
SHARP FIVE AND FLAT SEVEN.
Six will serve as a guide to either of these tones.
04
La, Si,
Fi, Sol,
Se, La,
a - gain.

32
No. 75.-SHARP FIVE AND FLAT SEVEN. AMO
4
4
Si, La,
THE NEW SINGING CLASS.
No. 79.-SHARP FOUR AND FLAT SEVEN,
4
04
Se, La,
No. 80.-SHARP EIGHT, SHARP SIX, SHARP FOUR, AND SHARP Two.
No. 81.-CHROMATIC SCALE.
Do,
Di, Re,
Ri, Mi,
Fi, Sol,
Si, La,
Li,
Si,
Do.
No. 82.
Le, Sol,
Se, Fa,
Me, Re,
Re, Do.
Do, Si, Se, La,
"YOU PROVOKE US."-CHROMATIC SCALE.
NOTE. At first sing very slow, and gradually accelerate, being careful always that the intervals are truly given.
Re,
Do,
Ri, Mi, Fa,
You pro-voke us,
ho cus,
Fi,
Sol,
Si, La,
Do, Do, Do.
pocus, Your Chro-matic Scale, ha, ha,
Li,
Si,
Se,
Do, S1,
La, Le, Sol, Sol, Fa, Mi, Mi, Re, Re,
But pursuing, and sub- du - ing, We will yet pre- vail, ha, ha.
Do.
No. 83.
"O, WIPE AWAY THAT TEAR, LOVE."
-
1. O, wipe a way that tear, love, The pearl-y drop I
see;
Let hope thy bo - som cheer, love, Let hope thy bo- som cheer, love, As yon bright stars we see.
6
08
2. Yes, when a-way from thee, love, Sweet hope shall be my
3. At close of part-ing day, love, Ere yon bright star is
star;
set;
We do not part for aye, love, We do not part for aye, love, I'll welcome thee a
Still meet me while a - way, love, Still meet me while a - way, love, 'Mid scenes we'll ne'er for-get.
-
far.
146
4. I'll watch the set-ting star, love, And think I look on
thee;
And thus, tho' sundered far, love, And thus, tho' sundered far, love, How near our hearts may be.
2. W
9:

SCALE
Ri, Mi,
Re, Do.
Re, Re, Do
yet prevail
Fi, Sal
No. 84.
ALLEGRO RISOLUTO.
4
4
2
2
THE NEW SINGING CLASS.
SOLFEGGIO.*
33
ARRANGED FROM THE GERMAN.
* Exercise with syllables.-The above is an excellent study; let it be practiced until all the tones are correctly and promptly given, as indicated by the dynamic marks.
THE MOUNTAIN BOY.-Song of B Flat.
W. B. B.
No. 85.
SCHOLARS.
2
TEACHER.
I'll sing after thee!
0:2
L
As yon brights we see.
Sing after me,
I'll welcome a far
Mid scenes wel er for-get
Do you hear, A, B, C.
Yes, I hear, A, B, C,
2
O, dear, what's that? O what's that!
L
Pop
e
Now for B
flat, sing B flat,
what's that? what's that!
1. Let me sing a little moun-tain song,
Of P
mer - ry
moun-tain boy,
With a heart SO
light, And with eyes
so bright, Thus he
How near our h may be.
2. When I blow my little Alpine horn,
(JUBILEE-3)
Then the lamb - kins hear my song,
Here and there they come, Thro' their Moun-tain home, Thro' their

34
THE NEW SINGING CLASS.
sings his Bong
of
joy, Tra, la, la.
Rise with the rising
sun,
Sleep with the ris
-
ing moon,
For the moun -
tain boys,
happy
mountain home, Tra, la, la.
Rise with the rising
sun,
Sleep with the ris
ing moon,
For the moun
-
tain boys,
fre
moun-
tain boys,
Ever, ever, thus they live, Tra, la, la,
la, Mountain boys,
mountain boys,
Ever,
ever thus they live, Tra, la, la.
mountain boys,
Ey-
- er, ever, thus they sing,
Tra, la, la, la, Mountain boys,
mountain boys,
Ever,
ever thus they sing Tra, la, la.
va
L
No. 86.
ALLEGRO.
THE WANDERER'S FAREWELL.
D4
1.
The sails are
The
all
an-
- chor is
swelling, the streamers float gay,
rising, and I
must a
-
A dieu, my dear mountains, A-
உ
04
e'er hastes to
the west
Ocean are
never
at
rest;
The sun through the heav-ens
2.The waves of
the
►
POPULAR GERMAN STUDENT'S SONG.
dieu, my dear home!
2
turn from your
The
bird, with its pin - ions
un
·
fet-tered and free,
Ca
reers
in its
VE
SLIN
are neces
1. Tha
jeot, INTE

THE NEW SINGING CLASS.
mountain boy
thresh-old, 'mid stran-gers to roam,
I
turn from your threshold, 'mid strangers to roam.
to roam.
noun- tain boy
live, Tra, la,
35
Ju val-le-ra,* ju val-le-ra, ju
21
freedom o'er moun-tain and
sea,
Careers in its free-dom o'er mountain and sea,
and
Bea.
Ju val-le-ra,* ju
val-le-ra, ju
sing Tra, la,
val- le, val - le, val- le ra,
ju val-le-ra, ju val-le-ra, ju val- le, val - le, val - le
ra.
N STUDENT'S $1.
valle, val- le, val- le. ra,
ju val-le-ra, ju val-le-ra, ju val-Je, val - le, val- le- ra.
I
turn from your
3. Adieu, dearest mother! dear sisters, adieu!
I go where the skies are all shining and blue,
Where flowers ever blossom, where birds ever sing,
Where fruit loads the branches from harvest:to Spring.:||
Ju vallera, &c.
14. When far in the land of the stranger I see,
Dear Mary, the flowers I planted for thee,
And when the sweet songsters repeat in my ear
The notes we together have lingered ||: to hear. :
[Omit Ju vallera.]
5. And when, on the shore of that region of gold,
I fancy the waves round thy footsteps have rolled,
The wavelets, the birds, and the flowers where I roam,
Will bring you before me, and make me ||: a home!:]]
Ju vallera, &c.
Careers in its
TRANSPOSITION.
ILLUSTRATED AND EXPLAINED.
Pronounced Uvallerah.
§ I. In order to transpose or remove the scale to any position (any key) two things
are necessary to be borne in mind, viz. :-
1. That the intervals of the scale must be the same as represented in Lesson VII-sub-
ject, INTERVALS, page 15.
2. That the sounds represented by LETTERS are permanent-they never change; the
sound of C, for instance, is the same sound in one scale as in another, In different scales
it simply bears a different relation to the other sounds; in one scale it may be the first
or key-note, in another scale it may be the third, in another the fourth, &c., but it is ever
the same sound, C.
§ II. By examining and comparing the intervals of the scales with those of the letters,
it will be seen that when the scale commences on C, its intervals correspond with the in-
tervals of the letters.

36
ILLUSTRATION, No. 1-SCALE ON C, INTERVALS RIGHT.
C step D step Estep F step G step A step B step C.
1
Do,
2
Re,
3
Mi,
4
Fa,
5
6
Sol,
La,
Si,
8.
Do.
THE NEW SINGING CLASS
F) to G is but a half-step. Question: "What shall be done?" Answer: Insert # before G,
introducing G#, a half-step higher than G. From THREE to FOUR a half-step is required,
and from G# (3) to A (4) is a half-step-right.
ILLUSTRATION, No. 4.-SCALE ON E.
ILLUSTRATION, No. 2-SCALE ON D, INTERVALS. WRONG.
D step Estep F step G step A step B step C step D.
1
Do,
2
Re,
3
Mi,
4
Fa,
5
Sol,
6
La,
7
Si,
8,
Do.
§ III. In the above it will be perceived that the half-steps occur between 2 and 3, and
6 and 7, (these now being E F, and B C,) instead of between 3 and 4, and 7 and 8, as
they should. Here is a discrepancy for which a remedy must be provided. The intervals
of the letters must be made to correspond with those of the scale, wherever we choose
to place it. But before providing for the discrepancy here alluded to, let us see that the
discrepancy itself is manifest.
NOTE.-The teacher can not be too particular about this, if he would have his pupils thoroughly
understand the subject.
1
ILLUSTRATION, No. 3-SCALE ON E, INTERVALS WRONG.
5
7
Si,
8.
Do.
Estep F step G step A step B step C step D step E.
4
2
3
Do,
Mi, Fa,
Re,
Sol, La,
A
intervals.
NOTE.-Pupils examine the above and point out the wrong
PROCESS. From 1 to 2 there must be a large interval-step; but from E to F is a
half-step-wrong. From 3 to 4 must be a half-step, but from G to A is a step-wrong.
From 7 to 8 must be a half-step, but from D to E is a step-wrong.
§ IV. It will be observed that in the above there are small intervals where there
should be large, and vice versa. It will be seen also, we think, by all who have examined
the subject, that we now need the signs of elevation and depression-sharps and flats--
representing half-steps, by the use of which we may introduce larger or smaller intervals
at pleasure, thus correcting all the faults above alluded to, as will be seen by the fol-
lowing:
PROCESS.-SCALE ON E.-E to F is a half-step. E is now ONE, F is Two. Wrong, be-
cause from ONE to Two a step is required. Insert # before F and the sound is no longer
F, but F#, (F sharp) a sound a half-step higher than that of F. Now from E to F#, (ONE
to Two) is a step-right.
Again-from Two to THREE must be a step, but from F# (which was taken in place of
INTERVALS WRONG.
INTERVALS RIGHT.
C
e
e
1
2
Do, Re,
3
Mi,
4.
Fa.
1
2
3
4.
Do,
Re,
Mi, Fa
NOTE.-Let the pupils complete the transposition or construction of this scale, according to the
principles given above, and iranspose also into G, D, A, F, &c Music slates or music paper will be
convenient for this purpose, while some will be willing to go to the black-board, (which should al-
this study follow some half hour's practice in singing.
ways be on hand for illustration.) and transpose the scale before the class. It will be well to let
SUCCESSION
OF KEYS.
TRANSPOSITION BY FIFTHS.
§ V. The different scales requiring sharps succeed each other regularly, by taking
FIVE (Sol) as ONE (Do) of the next scale, and in each succeeding transposition an addi-
tional sharp will be required, to preserve the proper order of Intervals, (steps and half-
steps,) viz.:
Step,
2,
Step,
2 3,
3
Half-step,
4,
Step,
4 5,
5
Step,
6,
Step,
6 7,
Half-step.
7 8.
EXAMPLE.
KEY OF C.
No sharp required.-Why?
KEY OF G.
One sharp (#) required.-Where-Why?
1
Do,
2
Re,
3
6
4 5
Mi, Fa, Sol, La,
8.
7
Si, Do.
1
Do,
4
2 3
Mi, Fa, Sol, La,
Re,
5
6
7
8.
Si, Do.
KEY OF D.
OF D.
Two sharps (##) required.-Where?-Why?
IaKEY OF A.
Three sharps (#) required.-Where?-Why?
1
2
Do, Re,
3
4
Mi, Fa,
5
Sol,
7 8.
6
La, Si, Do.
5
Do,
6 7 8.
3
2
4
Re, Mi, Fa, Sol, La, Si, Do.
Fo
SV
(Fa) a
tional f
No
T
Fou

THE NEW SINGING CLASS.
KEY OF B.
Dswer: Insert fore G
a half-step quired,
KEY OF E.
Four sharps (###) required.-Where-Why? Five sharps () required.-Where ?-Why?
#四
​E
GHT.
2
8
Re,
Mi, a
f this scale, ace ing to the
slates or music er will be
ack-board, (whithould al
class. It will ell to let
1
Do,
2-
Re,
3
4
5
6
7
8.
1
Mi, Fa,
Sol,
La.
Do,
Si, Do.
2
Re,
3 4 5 6
Mi, Fa, Sol, La,
7 8.
Si, Do.
KEY OF F SHARP.
Six sharps (###) required.-Where?-Why?
牛牛
​....
1
2
Do,
Re,
3 4
Mi, Fa,
5
6
Sol,
La,
7 8.
Si, Do.
CEYS.
ther regularly taking
ng transposit an addi
Intervals, (ste and half-
TRANSPOSITION BY FOURTHS.
§ VI. The different scales requiring flats succeed each other regularly, by taking Four
(Fa) as ONE (Do) of the next scale; and in each other succeeding transposition an addi-
tional flat will be required to preserve the proper order of Intervals.
KEY OF C.
No flat required.-Why?
KEY OF F.
One flat (b) required.-Why?-Where?
37
KEY OF G FLAT.
Six flats bbbbb) required.-Where?-Why?
bo
Do,
Re, Mi, Fa, Sol, La, Si, Do.
SIGNATURES.
§ VII. The sharps and flats required in these different scales are placed at the begin-
ning of the staff, immediately after the clef, (instead of before each note, as above,) and
are called the SIGNATURE (sign) of the key.
KEY OF G.
KEY OF D.
1
Do.
Do.
KEY OF E.
KEY OF B.
KEY OF A.
1
Do.
KEY OF F SHARP.
e
Step, Hal p
1
6 7,
76
Do.
Do.
1
Do.
Do, Re, Mi, Fa, Sol, La,
EY OF G.
ired-Where hy!
KEY OF B FLAT.
Two flats (b) required.-Where ?-Why?
Si, Do. Do, Re, Mi, Fa, Sol, La, Si, Do.
KEY OF E FLAT
KEY OF F.
KEY OF B FLAT.
KEY OF E FLAT
Three flats (b) required.-Where ?-Why?
உ
*******
5
67 8.
Fa, Sol, La Si, Do
EY OF A.
required.-W1-Why!
1
Do.
1
Do.
1
Do.
KEY OF A FLAT.
KEY OF D FLAT.
KEY OF G FLAT.
'Do,
Re, Mi, Fa, Sol, La, Si, Do.
KEY OF A FLAT.
Do,
Re,
Four flats (bbbb) required.-Where-Why!
Mi, Fa, Sol, La,
KEY OF D-FLAT.
Five flats bbbb) required.-Where-Why?
Si, Do.
-ச h
0
Do.
1
Do.
1
Do.
4
5678
Fa, Sol, La Si, Do.
'bo, Re, Mi, Fa.
Sol. La Si, Do.
Do,
Re, Mi, Fa, Sol, La, Si, Do.
§ VIII. The letter on which the scale is formed (that which is taken as ONE) is
termed the KEY-NOTE, or simply the KEY.

38
MAJCE.
4
Do,
Re, Mi,
10:4
04
No. 87.
THE NEW SINGING CLASS.
KEY OF F.
2
RELATIVE MINOR.
La,
Si,
Si, La,
Si,
MIND YOUR OWN BUSINESS.-ROUND.
Keep to the work you best can do, And let all other
No. 88. "COME, JOIN WITH ME."-ROUND.
business go;
And hold this homely proverb fast, "Good cobbler, ne'er for-sake your last."
No. 89. "KEEP THY HEART."-ROUND.
Keep thy heart from sad re-pin-ing, And thy sun is always shining.
ARRANGED FROM THE GERMAN.
Come, join with me, Singing in glee, Mer-ri- ly, joy-ful-ly, Hap-py and free.
No. 99.
THE HUNTER'S PRIZE.
104
1. A
ALLEGRETTO.
hunter ear-ly ranging A-long the forest wild, Saw o'er the green sward tripping, tripping, trip
·
ping, Three maidens fair and mild, Three maidens fair and mild.
4
2. Fair queenly Faith came foremost, Next Love before him passed, With Hope, all bright and smiling, smiling, smil
3. She said, "Now choose between us, For one with thee will stay; Choose well, or thou may'st rue it, rue it, rue.
-
ing, The gayest and the last, The gayest and the last.
it, When two have passed away, When two have passed away.
4. Said he, "All bright and lovely, O,why must two depart? Faith, Hope, and Love, come sweetly, sweetly, sweet-- ly Possess and share my heart, Possess and share my heart.
tripping, tripping, tripping,
No
1.
D. C.
h
Wa

No. 91. ALLEGRO.
ESCAPE FROM THE CITY.
THE NEW SINGING CLASS.
WRITTEN AND ARR. FROM Flotow. FROM THE "N. Y. GLEE AND CHORUS BOOK."
39
Quartette, or Semi-Chorus.
Fine.
4
1. When far from
D. C. La, la,
la,
the town I
la, la, la,
take
la,
my way, I take my way,
Then thro'
la, la, la, Ja, la,
la, &c.
fields
de-light ed
here
I stray, yes, here
I
stray;
Fine.
2. Here I
3. When far
gaze
from
on vale
with joy
the town I take
and hill,
my way,
on
I
vale and hill,
take
my way,
Bird songs greet
Then thro' fields.
my ear, and gush - ing rill,
de-light- ed
and gushing rill;
here
I stray, yes, here I stray; &c.
me'er for-sake last."
64
Full Chorus.
-ROUND.
When
far from
the town I take
my way,
I take
Then
my way,
thro' fields
de-light- ed
here
I stray, yes, here I stray; I
is alway hining.
FROM THE GEN.
ree maidens fair 1 mild.
Here
gaze with joy on vale
and hill, on
vale and hill, Bird songs greet
my ear, and gushing rill, and gush- ing rill;
D. C
The gayest and last.
men two have pas away.
laugh and
carol, full of glee, Like cap-tive bird from cage set free; Laugh and
ca - rol, full of glee, Like captive bird from cage set free.
D. C.
Possess and shar y heart.
watch the wild birds soar and sing, Or build their nest, or plume their wing; Watch the wild birds soar and sing, Or build their nest, or plume their wing.
49
From the (*) BASE, TENOR and ALTO may sing HA, HA, instead of the words.

40
No. 92. SLOW.
Solo, or Chorus of Tenors.
THE NEW SINGING CLASS.
o wololo SWEET IS THE SUMMER." 087 240
Chorus.
Solo, or Chorus of Sopranos.
Chorus. pp
4
1. Three half
ses on
summer,
summer,
summer,
summer,
Sweet
one tree grew,
15 the
- open ro -
Sweet
The dews of the eve-ning had bathed each root,
is the
2.
Sweet is
roses are scattered, the bird is flown,
the
3. The
4. But then at his roots still doth life re- main, Sweet is the
5. And ro - ses will bloom in their beauty once more, Sweet is the summer,
Sweet
6. Despair never more should come near thy heart,
is the summer,
Sweet
7. Good angels will guard every leaf and hair,
the summer,
·
whole night thro',
Sweet
Sweet
Sweet is
is
the summer.
is. the summer.
the summer.
the summer.
A nightin-gale
sang the
A brooklet flowed round it and watered its roots,
The tree now is naked and stands a - lone,
And soon will its leaf-lets grow green again,
And birds soon will sing as they sang before,
Tho' blossoms may fall and the birds de- part,
And give all the good that thy heart will bear,
Sweet is
Sweet is the summer.
the summer.
Sweet is
Sweet is the summer.
204
04
MAJOR.
Do
No. 93.
2
02
KEY OF B FLAT.
RELATIVE MINOR.
बे
4
40
La
"GOD IS EVER GOOD."
7019
1. See the shining dew drops, On the flow'rets strewed, Proving as they sparkle, God is
2. See the morning sunbeams, Lighting up the wood, Si-lent-ly proclaiming-God is
ev - er
ev - er
good, God is
good, &c.
ever good,
God is
ever good.
2
3. Hear the mountain streamlet, In the solitude,
With its rip-ple saying, God is
ever
good, God is
ever
good, God is
ev
er
good.
2
4.
In the leaf-y tree tops, Where no fears in-trude,
Joyous birds are singing, God is
ever
5. Bring, my heart, thy tri-bute, Songs of gra- ti-tude,
While all na-ture ut-ters, God is
ev -
er
good,
good,
God is
ev
or
God is
good.
ever good.
B
2

THE NEW SINGING CLASS.
41
Doa To
the summer.
4
the summer.
the summer.
2. Time nev-er lingers, Moves never slow; While he permits it Say YES, or No.
the summer.
the summer.
the summer.
No. 94. MODERATO.
1. Short speech suf-fie - es Deep tho'ts to show, When you with wisdom say YES, or No. Save me from speeches long, dull, and slow-Oh! how much better, Plain Yes, or No.
If he escapes you Ne'er can you know If you a-gain may Say Yes, or No.
Rall.
Tempo.
"YES, OR NO." WOJS
Rall.
Tempo.
the summer.
-0-
3. Deep may the im-port, For joy or woe, Be in the utterance Of YES, or
No.
If even these, then, You would forego, Eyes, sparkling eyes, shall Say YES, or No.
4
SWEDISH MELODY.
No. 95.
MORNING WALKS.
4
Awake from your slumber, and come with a
Thro' meadows and forests, and wood-lands a
song,
-
long; The birds sing to wel-come the morning and you,
And sip their first breakfast of new-fall- en
dew.
Bev er good
4
-er
good
The woodlands are filled with sweet breath from the sky,
2. Our step is
un- tiring, Our spirits are high; The town at our backs, and the mountains in view, What joy is A- - wait-ing your comrades and you.
S
3.
{
-
Leap o ver the chasms with wings to our feet,
Climb up to the tree-tops, the heav-ens to greet;
No oak of the forest for us is
too
high, The further from earth, we are near-er
the sky.
6r
good
ev-er good
O: 13
64

42
No. 96.
Tutti.
ALLEGRO.
THE NEW SINGING CLASS
BLOW! BLOW! BLOW!-STORMY NIGHT SONG.
F. Schmidt.
No
W
4
1. Blow! blow! blow! How the winds do blow!
Tutti.
Shake! shake! shake!
How the case-ments shake!
Roar! roar! roar!
How the tem- pest
4
2. Sing! sing! sing! While the winds do blow!
22
Tutti.
£
4
2
Soli.
Cres.
Cres.
>
A
Sing! sing! sing!
While the case-ments shake!
Sing! sing! sing!
While the tem- pest
roars!
Shut the doors, and bar them,
Soli. Ores.
Shut the doors, and bar them!
Cres.
Let the fire blaze clear and strong, Then join and sing
P
3
roars.
Friend.... and friend are meeting, Friend.... and friend are greeting,
2
Soli.
mf
song,
Let
mf
Cres.
Ores.
u
Let the
tempest roar and ring, But we will gay, ly
CH
་
p
&
the fire blaze clear and strong, Then join and sing
ff Tutti.
song, join and sing
ff Tutti.
a
song, join and sing
a
song.
m
sing,
Let...... the
inf
tem - pest roar and ring. But
We
will gay ly
sing,
We
will gay
ly sing,
we
will gay
ly
sing.
Fo
ff Tutti.

THE NEW SINGING CLASS.
TAN300
F. Sidt.
arl
How them-pest
No. 97.
WORDS BY Geo. P. Morris, Esq.
MAESTOSO.
SOLO. TENOR OR SOPRANO.
THE FLAG OF OUR UNION.
NATIONAL SONG.
MUSIC BY Wm. B. Bradbury.
ng!
While the em pest
43
we stand, di-
the earth's despots and
of
station;
thun - der,
U i ted
-
Not all
1. A song for our ban-ner?" the watch-word re- call Which gave the Republic her
2. What God in
finite wisdom designed, And armed with his weapon
his in
-
vid - ed we fall!" It.... made and preserves us
fac tions combined, Have the power
a na
tion!
to con-quer or sun - der!
Sym.
The u
The u
-
nion of lakes-the
nion of lakes, &c.
ong, Then join an ing &
u - nion of lands, The union of States none can sever- The union of hearts-the union of hands, And the flag of our Union for ev -
ng, But we wi
CHORUS.
112 Cres.
and sing
Bong
ĉ
G
will gay
sing.
L
f
For ever,
for ever,
for ever!
The union of hearts-the union of hands, And the flag of our Union for ev
-
er.
C
For ev
m
er,
Cres.
for ev
er,
forever!
ff
For ever,
The union of hearts-the union of hands, And the flag of our Union for ever.
f
16
for ev er,
for ever!
The union of hearts-the union of hands, And the flag of
our Union for
ev - er.
er.

44
MAJOR.
Do.
No. 98. SLOW.
THE NEW SINGING CLASS.
MOI KEY OF E FLAT. ET
RELATIVE MINOR.
26-64
La.
"TIS HUM DRUM."-ROUND.
"Tis hum drum, 'tis mum, mum, what, no - body speaks; Here's one looks very wise, and another rubs his eyes, then gapes, and yawns, and cries-
No. 99. SLOW and SOFT.
TWILIGHT.
Heigh! ho! hum!
*
Now the light fail - ing, Darkness pre- vail-ing, Na-ture re - pos
-
es,
So the day clos
-es;
2
2
The moon now ap-pear-ing,
0
Να
1. S
2. S
Now the light failing, Darkness pre- vail-ing, Na-ture re-pos
es,
So the day
clos
-
es;
See the night cheer - ing, The moon now ap-pear-ing,
: 2
oin - U
Slow-ly as-cend-ing, The stars her at-tend-ing: Now the light failing, Darkness pre-vail-ing,
Nature re- pos- es,
So the day
clos
es.
Slow-ly as-cend-ing, The stars her at-tend -ing: Now the light fail- ing, Darkness pre-vail-ing,
Nature re-
pos
es,
So the day
closes.

HELL
THE NEW SINGING CLASS.
"SLEEP WELL."*-SERENADE.
Dim.
45
MUSIC BY Wm. B. Bradbury.
Cres.
No. 100. WORDS CY Mrs. Lydia M. Childs.
Cres.
1. Sleep well! sleep
2. Sleep well! sleep
well!
well!
Sleep well, sleep well,
May dreams bring near All
to
mu-
sic's spell;.
who are
dear
To rev-er - ie,
From early hours,
Like eve-ning breeze,
While, soft-ly free,
pp
ns, and cries He 10!
1. Sleep
2. Sleep
well! sleep
well! sleep
well! Sleep well..
well! Sleep well,.
Cres.
Dim.
Thus hushing thee To rev-er - ie,
With festal flowers, From early hours,
pp
Like evening breeze,
While, softly free,
Cres.
Thro' whispering
This mel-0-
Thro' whispering
This mel - 0-
The moon nopear
1. Sleep well! sleep
2. Sleep well! sleep
well!
well!
Sleep well, sleep well, To
May dreams bring near All
music's spell; Thus hushing thee, To rever - ie,
who are dear; With festal flowers, From ear-ly hours,
Like evening breeze,
While, soft-ly free,
2564
1. Sleep
well! sleep
2. Sleep well! sleep
well!
well!
Sleep well, sleep well, To
May dreams bring near All
mu - sic's spell; Thus hushing thee, To rever - ie,
who are dear; With festal flowers, From ear-ly hours,
Like evening breeze
While, softly free,
Thro' whispering
This mel- 0-
Dim.
pp
Cres.
Dim. Rall.
meer-ing, The moon ne peri
trees, whispering trees; Till memory and the lay Float dreami -ly a
dy, mel-o dy Drifts thro' thy tranquil dream, Like li-lies on a
way...
stream,.
dream-i- ly
li-lies on
a - way; Sleep
a stream; Sleep
well,.
well,.
sleep well.
sleep well.
poses, So the
trees, whispering trees; Till memory and the lay Float dreami-ly a
dy, mel-o dy Drifts thro' thy tranquil dream, Like li-lies on a
Dim.
way,.
stream,
dream-i- ly
li - lies on
a
CF4
way;.
Sleep well, sleep well.
stream;.
Sleep well, sleep well.
pp
Cres.
Dim.
Rall.
Sleep
well.
Sleep well.
sleep well.
sleep well.
dream-i- ly
li-lies on
a-way; Sleep well,.
sleep well.
a stream; Sleep well,.
sleep well.
poses, So the
Thro' whispering trees; Till memory and the lay.
This mel - 0 dy Drifts thro' thy tranquil dream,...
G
Float dreamily a
-
Like lilies on a
way,.
stream,.
way,.
stream
trees, whispering trees; Til memory and the lay Float dreami- ly a
dy, mel-o dy Drifts thro' thy tranquil dream, Like li- lies on
"Schlafen sie wohl." (sleep well), is the German evening adieu.
a

46
No. 101.
664
THE NEW SINGING CLASS.
O, COME, MAIDENS, COME.-TRANCADILLO. I alby
come, mai- dens, come,
O'er the blue
roll
-
ing
wave,
The
love
ly should still
be
the
care of
the brave.
O
come, maidens, come,
O'er the blue roll ing
wave,
The
love
-
ly should
still
be
the
care
of
the
brave.
Tran-ca- dil
Bright
lo, Tran - ca dil lo,
bil- low,
gay
bil- low,
Tran - ca
the
dil - lo, dil - lo, dil - lo, dil - lo,
bil-low, bil-low, bil-low, bil-low,
With moon-light and star- light We'll bound o'er the
With moon-light and starlight We'll bound o'er the
bil- low.
bil-low. S
lo,
bil - low,
Tran - ca dil lo,
gay
bil - low,
Tran- ca- dil- lo, dil - lo, dil - lo, dil - lo, With moon-light
the bil-low, bil-low, bil-low, bil-low, With moon-light
and star - light We'll bound o'er the
and star - light We'll bound o'er the
bil- low.
bil- low.
Tran-ca- dil
Bright
2.
Wake the chorus of song and our oars shall keep time,
While our hearts gently beat to the musical chime.
Trancadillo, Trancadillo, etc.
3.
See the helmsman look forth to yon beacon-lit isle.
So we shape our heart's course by the light of your smile.
Trancadillo, Trancadillo, etc.
And when on life's ocean we turn our slight prow,
May the light-house of hope beam like this on us now,
Life's billow, frail billow, the billow, billow, billow.
With oar-beat and heart-beat we'll bound o'er the billow. With lovelight and smile-light we'll bound o'er the billow, With hope-light, the true light, we'll bound o'er life's
Bright billow, gay billow, etc.
Bright billow, gay billow, etc.
With oar-beat and heart-beat we'll bound o'er the billow. With lovelight and smile-light we'll bound o'er the billow.
billow.
Life's billow, frail billow, etc.
With hope-light, the true light, we'll bound o'er life's, etc.

No. 103. LIVELY.
Chorus.
THE NEW SINGING CLASS.
47
"WHOM SHALL WE LET IN ?"
Solo.
GRA TIO9"
W. B. B.
6
४
the care of he b
the care of the bran
1. Whom, whom, shall
we let in! Whom
2. Whom, whom, shall we let in! Whom
3. Whom, whom, shall
we let
in? Whom
4. Whom, whom, shall we let in?
Whom
5. Whom, whom, shall
let in! Whom
we
shall we let in!
shall we let in?
shall we let in?
shall we
let
in?
shall
we let in?
-
of
The lov ers
singing, Who pleas - ure are
All eyes that can glitter, All tongues that can
Who-ev- er comes singing, Or glad -some-ly
The man who for ev
er Himself will dis
Who truth is pur - su
ev
ing, And
-
- er
es
6
t We'll bound o'er
bill
We'll-bound o'er bill
We'll bound o'ere bil-
We'll bound o'er bil-k
b6
2
Chorus. f
bringing: Our
twitter, And
bring - ing
sever
chewing
A
From
De
in.
And they may come in,
All such may come in,
0, he
may come in,
That man
may come in,
We'll welcome him in,
And they may come in,
All such may come in,
0, he
may come in,
That man
may come in,
We'll wel-come him in,
And they
All such
he
0,
That man
We'll wel. come
may come in.
may come in.
may come in.
may come in.
him in.
love they will win,
make lovely din,
-
And they may come
All such
in.
may come
good natured grin: 0, he
in.
may come
discord's foul sin- That man may come in.
ception's base sin, We'll wel-come him in.
e's ocean we turn light prov
wase of hope beam this on
, frail billow, the, billow,
the true light, bound de
fe's billow, frail bi etc.
the true light, we und der li
No. 104.
"GOOD NIGHT."-ROUND IN FOUR PARTS.
B
Good night! Good night! Time sounds its warning call, Sweet rest descend on all, Time sounds its warning call, Sweet rest descend on all,
Good night! Good night!

48
No. 105.
SOPRANO OR TENOR DOLO.
THE NEW SINGING CLASS.
"SOFT AND SWEET."-CHROMATIC SCALE EXERCISE, WITH CHORUS ACCOMPANIMENT.
Ah...
Mi, Fa, Fi,Sol, Si, La, Li, Si, Do, So. Mi. Sol, Sol, Fi, Fa, Mi, Re, Fa.... Mi, Ri, Mi, Do.
TENOR. Pp
Ah..
4
4
1. Soft and sweet the zeph-yrs sigh,
zephyrs sigh,
zephyrs sigh, 'Neath a
'Neath
calm and pla - cid sky,
a
pla - cid
sky.
ALTO. pp
4
4
SOPRANO. Pp
2
4
2. Glad I
hear
the chirp-ing song,
chirping song,
chirp - ing song, Raised by spring-birds, happy throng, Spring-birds, happy throng.
h
BASE. Pp
4
664
Ah.
Ah.....
Ah..
Ah..
ele
APPO
to lean,
All
our senses
now
regal-ing, Sweet-est fragrance now ex -
a
haling, All
·
long the path we tread,
'Long the path we tread.
smaller
longing
豆
​WRIT
THE S
with the
step or a
All the car ly morn-ing break-ing, Sweet-est songs the birds are mak-ing; First to
tell
of Spring's bright day,
Tell
of Spring's bright day.
NOTE
Its proper
便
​WRITTE

Ө
th a pla
sky.
4
MAJOR.
Do.
daum No. 106.
49
TEHT
RELATIVE MINOR.
THE NEW SINGING CLASS.
DZIDZIKEY OF
KEY OF A FLAT.
AM MET TO
14
La.
"HE WHO WOULD LEAD A HAPPY LIFE."-ROUND, OR CANON.
He who would lead a happy life, He who would lead a happy life, Must keep himself from an - gry strife, from an - gry strife, from an-gry strife.
"OLD JOHN CROSS."-ROUND, IN FOUR PARTS.
No. 107.
Old John Cross kept the village day-school, And a queer old man was he, was he; For he spared not the rod, and he kept the old rule, As he beat in the A B
ng-birds, hap- throng
C, A B C;
Every let-ter in the lit-tle boy's noddle Was driven as fast, as fast could be; So C af-ter B followed A thro' the noddle, Like
4
2
ng the path tread
ell of Spring's ht day.
411
nails all the A, B, C.
Old John Cross kept the village day - school, And ณ queer old man was he, was
APPOGGIATURA-TURN-SHAKE OR TRILL- -PORTAMENTO.
APPOGGIATURA. From an Italian word, which signifies,
to lean, or to rest upon. Usually represented by notes of
smaller size: considered, in respect to harmony, as not be-
longing to the chord in which they occur.
WRITTEN.
ILLUSTRATION.
PERFORMED.
THE SHAKE OR TRILL.-The rapid alternation of a tone
with the conjoint tone above it, at an interval of either a
step or a half-step, is called a SHAKE or TRILL.
NOTE. The shake is a very brilliant musical embellishment.
Its proper practice gives flexibility to the voice.
ILLUSTRATION.
WRITTEN. PERFORMED
(TBILEE-4)
OR
THE TURN.-A tone sung in rapid succession with the
conjoint tones above and below it, so as to produce a wind-
ing or turning melodic motion or movement, is called a
TURN. The turn has a variety of forms, a few of which
may be illustrated, as follows:
WRITTEN.
PERFORMED.
PORTAMENTO.When the voice is instantaneously con-
ducted by a concrete passage, or graceful and almost im-
perceptible glide from one note to another, so as to produce
a momentary previous recognition or anticipation of the
coming tone, such a carriage or transition of the voice, or
he.
such a blending or melting or one tone into another, is called
PORTAMENTO.
To send
NOTE.-The portamento should only occur between tones of
comparatively long duration, and in connection with words or
tones expressive of deep emotion. This beautiful grace, which,
when properly introduced, gives an inexpressible charm to sing-
ing, is sometimes, nay, often, most sadly misrepresented, carica-
tured, or counterfeited, and coarse slides, or vocal avalanches, are
heard in its place. Ferrari, in his "Singing Method," has applied
the very significant term "harsh shrieks" to these frightful lurch-
ings of the voice; but, by whatever name they may be called, they
should be most watchfully and determinately eschewed.
ILLUSTRATIONS.
WRITTEN.
PERFORMED.

e
IHT
THE STUDY OF SINGING.
BY LABLACHE.
THE VOICE AND ITS FORMATION IN GENERAL.
WHAT is called the voice, is the sound which human beings have the faculty of producing with
their own organs. The lungs and the larynx are the principal agents of it; but it is modified
The
by the co-operation of the maxillary sinuses, the nasal cavities, and the frontal sinuses.
greater or less opening of the upper extremity of the larynx, called the glottis, produces sounds
more or less grave. The purity of the voice depends upon the exact relation which there should
be between the degree of opening of the glottis, and the degree of elevation of the sound which it
is desired to produce.
What is called talent for singing consists then principally in the aptness to seize this relation,
and in the promptness with which this organ can articulate the sounds with which the mind has
conceived.
ON THE REGISTERS OF THE VOICE.
Men have the faculty of forming two series of sounds, which are called Registers of the Voice.
The first series commences with the lowest note of the voice and extends for the Base as far as
and is called the Chest-register. Above this sound would begin another series, which
would be called the Head-register; but the base voice has such a force in its chest-regis-
ter, that it is almost impossible to well tinite or equalize these two qualities of sounds.
Hence the use of sounds of the head-register has been discarded in this kind of voice.
Baritone and Tenor voices, which are softer and more flexible, can make use of the two registers;
and these are distributed in the following manner:
9
TENOR.
Chest-voice.
Chest-voice,
BARITONE.
Head-
voice.
Head-voice.
ST HO
The female voice is divided into three series of sounds, or registers-the Chest, Medium, and
Head registers.
The Contralto voice, which is the base of the female voice, rarely employs the head-register.*
The Mezzo-Soprano and the Soprano divide their sounds in the following manner:
CONTRALTO.
Chest-voice.
Chest-voice.
SOPRANO.
Middle-voice.
Middle-voice.
MEZZO-SOPRANO.
Head-voice.
Head-
voice.
This voice varies in its capacities with almost every individual; hence it is impossible to fix the
limits of its register precisely.
OF THE MANNER OF EXERCISING THE VOICE.
Experience has shown that in order to form the voice and equalize it, the pupil should sing much
on the vowel sound ä, and a little also, but at a later period, on the sound a. This is called vocal
izing.
Vocalizing by laying bare, so to speak, all the faults of the voice, which would be in part
disguised by the employment of words-becomes for this reason the most efficacious means of com
bating theni.
The conditions of good vocalizing are 1st, to know how to hold the mouth well; 2d, to breathe
well; 3d, to form and send forth the sounds of the different registers; 4th, to pass insensibly from
the sounds of one register to those of another; 5th, to attack and connect sounds for forming suc
cessions. We proceed to devote a special section to the analysis of each of these conditions.
ON THE POSITION OF THE MOUTH.
The mouth should be kept smiling, without distortion, and opened sufficiently to admit the end
of the forefinger.
The jaws should remain not always perpendicular one over the other, as has been wrongly
said, but in the position which is most natural for the conformation of the pupil's mouth.
The tongue should be suspended, and placed in such a manner as to leave the greatest possible
open space.
ON THE RESPIRATON.
A long and easy breathing is one of the most essential qualities for the singer. Hence we per-
suade the pupil to practice holding his breath for a long time, even will out singing. In order to
take in the breath, he should be careful to contract the abdomen, and to make the chest rise and
swell as much as possible. He should remain in this position as long as he can, and then he
should let the breath flow out very slowly, until his abdomen and his chest have regained their
natural position. Afterwards he should begin again, observing that the mouth is moderately open,
as well in drawing in the air, as in pressing it out again. By this exercise, lungs of a moderate
capacity will become able to furnish a well-pitched sound which will last from 18 to 20 seconds.
TO FORM SOUNDS OF DIFFERENT REGISTERS.
The sounds of the chest-register should be produced by sending forth the breath freely, and in
such a manner as not to strike against any part of the mouth on its passage; the least rubbing
against the glands destroys the vibrating quality of the tone. Females will obtain them more
easily by keeping the mouth a little rounded.
The medium sounds are produced by directing the breath against the upper teeth.
The head sounds are made by directing the breath entirely towards the frontal sinuses."
Every sound ought to be uttered without feeling or groping about for it. Many persons when
they are required to sound one, are disposed to strike six or seven and then lead the voice rapidly
up to the required tone. This occurs frequently in striking notes which are pretty high. It is a
fault which must be carefully avoided.t
*There are two faults to be avoided in the delivery of the voice-1st the guttural sound; 2d, the
nasal sound. The first proceeds almost always from this, that the tongue is too much pressed back
wards and against the lower part of the mouth. It may be avoided by pushing the tongue forward
a little, and keeping it suspended. The second fault proceeds from this, that the breath is forced into
the cavities of the nose. With attention, beginners who may have a tendency to this, will be able
to avoid it easily; but in order to eradicate it with persons with whom it is a habit of long stand-
ing there is no other means than that of making them vocalize at first upon the vowel O, then upon
and upon a, holding the nose pinched in such a manner that the breath can not pass at all. This
expedient is the only one the efficaciousness of which has been proved to us by experience: we
point it out without fear of ridicule. pursuaded as we are, that when the pupil shall have be
come able to send forth his voiee in this manner. the fault will have disappeared entirely. Observe
only this, that one should not attempt to sing with words in this manner, it is quite impossible.
We must also avoid commencing a sound by preceding it with a kind of preparation, which
may be expressed by um.
No. 1.
The exercis
and breathing
For Bariton
For Contralto
OF T
The two re
ery disagreea
ones of the ch
re very soft a
and softening
the next reg
ingle sound pa
EXERCI
The letter C
No. 2. F
0.
No. 3. F
0.
When one fi
stop the rema
greeable to he
Men who h
the chest-

No. 1. EXERCISE FOR SOPRANO.
Chest-voice.
Middle-voice.
STUDY O
STUDY OF SINGING.
51
C.
0.
H.
H.
THE VOICE
lize it, the pupil s sing m
the sound a. This led
voice, which w be in
he most efficaciou ans of
the mouth well, to bre
ters; 4th, to pass nsibly
nd connect sounds orming
+ Head-voice
Chest-voice.
of each of these itious
OUTH
ened sufficiently mit then
r the cther, as ha
en w
on of the pupil's
h.
r as to leave the
test pos
es for the singer
nce we
ven will out sing
o as long as he
In orde
and the
and his chest hay
gained th
that the mouth is erately
n, and to make thest rise
this exercise, lung a molen
h will last from 180 seconds
REGISTERS
ing forth the bre reely, and
on its passage:
- Females will
Middle-voice.
The exercise should be performed by forming the sounds according to the principles given above,
and breathing on each rest.
For Baritone and Mezzo Soprano voices, this exercise should be commenced a third lower, and
for Contralto and Base voices, it should be transposed a fourth.
OF THE MANNER OF UNITING SOUNDS OF DIFFERENT REGISTERS.
The two registers of the male voice frequently afford unequal sounds, which would produce a
very disagreeable effect, if the ability to unite them coul! not be attained by study. The highest
tones of the chest are very strong, by the very effort which they require, while the first head-tones
are very soft and often feeble. Hence it is necessary to apply one's self to strengthening the latter,
and softening the former As our organs permit us to produce the extreme sounds of one legister
in the next register, the best means of uniting the two kinds of sounds, is to begin by making a
single sound pass from the chest-register to the head register, and vice versa.
EXERCISES FOR UNITING THE CHEST-VOICE WITH THE HEAD-VOICE.
The letter C indicates the chest-voice, and the letter H indicates the head-voice.
No. 2. FOR THE MALE VOICE.
II.
0.
H.
east ro
them
0.
3
4
C.
H.
-0.
C
17.
-0.
inst the upper teet
wwards the frontal ses.
about for it. Mersons
and then lead voice r
tes which are pre ugh. H
re-Ist the guttur und: 2
me tongue is too mpressed
ded by pushing th gue for
this, that the b is forced
ve a tendency to will be
h whom it is a haflong st
first upon the vow, then ura
me breath can not at all
proved to us by erience:
at when the pu all barel
re disappeared ly. Obser
manner, it is qui possible.
with a kind of pation, w
No. 3. FOR THE MALE VOICE.
0.
4
FT.
0.
2
0.
H.
When one finishes a sound without having exhausted all the breath, it is necessary to use care
to stop the remaining breath very gently, and not to fling it out with a kind of expiration very dis-
agreeable to hear. We should equally avoid shutting the mouth as soon as the sound is finished.
+Men who have Tenor voices will do well to exercise themselves in singing the entire scale
from the chest-voice.
Tenor voices can form a kind of sound which is called mixed, because it combines the vibrating
quality of the chest sounds with the softness of the head sounds.
It is very difficult to fix the upward and downward limits of this kind of voice. We have heard Ten-
ors who, in descending scales, prolonged it even to
and only regained the chest-sound at
the lower G. This aided them admirably in making
the difference of sound existing be-
tween the chest and head-register disappear.
Hence we urge Tenor pupils to exercise this kind of voice in its whole extent. As for the
means to be employed, they can only be pointed out by the verbal instruction of the professor. We
shall merely recommend to them to guard themselves against the habit of the guttural sound, which
is easily contracted in the use of the mixed-voice
No. 4. FOR THE MIXED VOICE.
0.
4
M.
-6
H.
M.
0.
Although female voices have in fact three registers in the compass of their voice, the passage from
the Medium to the Head voice, offers but little difficulty to them. They should above all, direct
their attention to the union of the chest-register and the medium-register. The difficulty to be
overcome is the same which men experience, and the means to be employed are identical, namely,
weakening the high sounds of the chest, and strengthening the first tones of the medium.
EXERCISES FOR UNITING THE CHEST-VOICE WITH THE MEDIUM-VOICE.
The letter C indicates the chest-voice, and M the medium voice.
No. 5. FOR THE FEMALE VOICE.
0.
M.
C.
L
C.
M.
C.
0.
M.
0.
0.
M.
0.
0.
M.
0.
&o.
As the head-tones with females are stronger than the medium tones, in order to unite these two
registers they must follow a process the reverse of the preceding; this is to say, they must
strengthen as much as possible the last medium-tones, and soften the first head-tones.
These exercises ought to be sung very slowly at first, and in proportion as the pupil shall acquire
facility in passing from one register to the other, he can accelerate the movement.
TO ATTACK AND CONNECT SOUNDS.
Sounds which should form connected successions, as diatonic and other scales, ought to be
attacked boldly, and connected without sliding (save in the case of Portamento, of which we
shall speak at a later period.)
*There are many female voices which experience almost no difficulty in changing the registor
these are generally those which have not great power. It is for the master to distinguish who
need to perform these exercises, and who can do without them.

52
STUDY OF SINGING.
We should pass suddenly from one to the other, but without giving to each of them an impulse
of the chest or of the throat, which would make the singing resemble the manner of playing on
the piano of one who should strike all the keys successively with the same finger. The chin, the
lips, and the tongue should be entirely motionless.
The articulation of the sounds should be formed by the throat alone.
SWELLING SOUNDS.
To swell a sound is to strike it with firmness, but as softly as possible, augmenting the force
gradually to the middle of its duration, and from this point to the end, insensibly diminishing to the
degree of force with which it was commenced.
To succeed well with the exercise of the scale with the swell, it is necessary to take breath before
each note, to remain a moment with the chest raised, before giving forth the voice, and then to strike
the sound in the manner we have before suggested, taking care to make no movement either with
the mouth or with the tongue while the sound lasts.
The practice of scales with a swell is the most useful exercise which can be performed for good
singing. By this means one corrects the faults of the voice, gives firmness to it, increases its power,
and acquires the flexibility which is indispensable for coloring the melody. Pupils who desire to
speedily gain command of their vocal organs, should sing at least four scales with the swell, every
day for two months.
OF THE MANNER OF CARRYING THE VOICE.
The true carrying of the voice, which the Italians call Portamento, occurs principally between
two sounds pitched at the distance of at least one third, and in a rather slow movement. It consists
in quitting the first sound a little before the total expiration of its rhythmical value, in order to slide
the voice upon the following sound, after the manner of the very slightly perceptible anticipation.
This slide ought always to be made with augmenting the force when the voice is carried upon a
higher sound, and diminishing it when carried upon a lower sound; all this may be very nearly in-
dicated. For Example see last" Illustration," p. 49.
It is necessary to avoid with care leaning strongly upon the carriage of the voice in the descending. This would
produce a kind of yawn, which would be very disagreeable.
ON PRONUNCIATION AND ON ARTICULATION.
Pronunciation in singing is subjected to the same rules as in speech. Good pronunciation con-
sists in giving to each letter or to each syllable the sound which belongs to it; but as syllables have
generally more force and duration when sung, and as defects become thus more striking, it is neces
sary that the pupil in singing should take still more care to follow the directions of the grammar,
for the formation of each syllable. The rolling of the R, or the hissing of the S ought to be avoided;
but it is necessary, above all, to apply one's self to giving to each of the vowels the sound which is
proper to it, but not to excess in the pronunciation of E and of U, which, to favor the emission of
the voice, should be uttered with the mouth closed as little as possible.
The merit of a good pronunciation would disappear with the singer, if he did not add that of a
good articulation, which consists in giving more or less force to the consonants.
We would advise pupils to articulate rather extravagantly in study; for then if in singing before
people they lose a little of their precision, they will still have enough to do well.
CONCLUSION.
Having now set forth such rules as have been proved to us by experience to be useful, it remains
for us to say a few words on the manner of governing the voice, and practicing.
The voice is the finest of instruments, and also the most delicate. A well regulated life is neces-
sary to preserve it; all excess tends to destroy it, It is even necessary to abstain from singing too
long at a time: for as it is indispensable to always sing with a full and sonorous voice, the organs
would suffer by too long continued exercise. The singer should be careful to leave off singing a
little while before being fatigued. It is impossible to fix a limit to the time of study; this depends
on the strength of the individual. But we repeat that this study should invariably be performed,
not always with the entire fullness of the capacities of the voice, but always with an open and
sonorous voice; nothing is more injurious, and nothing more retards the progress than the habit of
singing through the teeth, or of practicing a mere humming tone. The chest is fatigued, the throat
acquires not real facility, and the voice gains neither certainty nor development.
VOCALIZING EXERCISES.
To be sung with vowel sounds, (principally Ah,) for flexibility of voice, and with syllables for distinctness and facility in articulation.
Not so fast as to be indistinct.
No. 1.
No. 2.
116
No. 3.
116?
From MASON's Vocalizing Exercises and Solfeggios.
May be repeated several times before singing the last note.
No. 4.
Endeavor to fill the lungs thoroughly, and without noise, however short the time for taking the breath. Sometimes loud, and sometimes soft, sometimes inereasing, and sometimes diminishing.
These lessons should sometimes be sung in G or A, to suit the lower voices Be careful not to force the voice upwards.
No. 5.
િ
No. 7.
116
No. 6.
No. 8.
THE
No
ALL

ARTICULATION
as in speech. Good unciation
which belongs to its syllables
s become thus more ting, it is
to follow the direct the gr
the hissing of the St to be ar
o each of the vowel sound w
d of U, which, to the emin
as possible.
th the singer, if he not add that
ce to the consonants
y in study; for them singing
ve enough to do we
us by experience to seful, it
voice, and practicin
delicate. A well rted life is
wen necessary to abs from sing
with a full and sono voice, the
should be careful ave of s
limit to the time of ly; this d
This study should inly be peri
the voice, but alwa ith an ce
more retards the prog than the
ng tone. The chestigued, the
aunty nor developme
Vocalizing Exercise Solferra
veral times before 1g the last
md sometimes diminis
No. 6.
No. 1.
ALLEGRETTO
abo
dol.
STUDY OF SINGING
No. 9.
SOLFEGGIOS. To be sung with vowel sounds or syllables for style, &c.
EVOITAT
T. COOKE
MOO DALIYE
No. 2.
ANDANTE.
T. COOKE,
No. 3. Syncopation.
ANDANTE.
No. 5.
ANDANTINO.
No. 6.
MODERATO.
P
No. 4.
ANDANTINO.
#4
46
53
T. COOKE.
T. COOKE.
T. COOKE.
GAETANO NAVA.
dol.
-site di vinoth ad
fr
No. 7.
GAETANO NAVA.
ANDANTE MOSSO.
dol.
del.
dol.

54
DZIDZIB
PRACTICAL EXERCISES IN ARTICULATION.
SYLLABIC COMBINATIONS.
1.-Initial Syllables.
[The common faults in the enunciation of syllables, consist in
a slack, obscure articulation of the single elements of which they
are composed, and, in addition, the fault of negligently allowing
a vowel sound to intervene between the consonants; thus, bala"
for bla. It is undoubtedly one of the greatest faults of our lan-
guage, that it abounds in unmusical collocations in the sounds of
letters and syllables. But true taste will never allow this fact to
excuse a slovenly style of articulation, but will always maintain
a neat, clear, and exact sound of every element, in whatever
combination it may occur.]
Bl, cl, fl, gl, pl, sl, spl.
Blame, bleed, blithe, blow, blew, black, bled, bliss, blot, blood,
blind, blest
Claim, clean, clime, close, clew, clap, cleft, clip, clot, clutch,
elov, cloud.
Flame, flee, fly, flow, flew, flat, fleck, flit, flock, flute, flood,
flower.
Glare, gleam, glide, glow, gloom, glad, glim, gloss, glut, glass,
glimpse, glance.
Place, plea, ply, plow, plan, plat, plot, please.
Slay, sleep, slide, slow, slack, slept, slip, slew.
Spleen, display, splendor, explore.
Br, cr, dr, fr, gr, pr, spr, tr, str, shr.
[The following words need attention to a clear, distinct enun-
ciation of the hard r,-free, however, from prolongation.]
Brave, bread, brink, broke, brisk, brow, brook, brink.
Crave, creep, cried, croak, crest, crook, crop, crust.
Drain, dream, dry, drove, drag, dred, drip, drop, draw, droop,
drug, drown.
Frame, free, fro, fruit, fret, froth, frown, freeze.
Grain, green, grind, groan, grand, grim, ground, graft.
Pray, preach, pry, prone, pride, prove, proud, prow.
Spray, spring, sprung, sprang.
Trace, tree, try, trust, track, tread, trip, true.
Stray, street, strife, strown, struck, stream, stress, strength.
Shrine, shroud, shrub, shriek.
Sm, sn, sp, st.
Small, smite, smoke, smooth, smile, smote, smear.
Snare, snear, snow, snug.
Space, speed, spike, spoke, spare, sped, split, spear.
Stay, steer, stile, store, stack, step, stick, stop.
2.-Final Syllables.
ld, lf, lk, lm, lp, ls, lt, lve.
Bold, hailed, called, held, filled, tolled, culled, pulled, howled,
spoiled, hurled, world.
Elf, wolf, gulph, sylph. Milk, silk, bulk, hulk.
Elm, helm, whelm, film. Help, gulp, alp. scalp.
Fails, tells, fills, hills feels, tools, howls, toils.
Fault, melt, bolt, hilt.
Elve, delve, helve, selves, twelve, valve, devolve, revolve.
Partly from "RUSSEL'S ELEMENTS OF MUSICAL ARTICULATION."
m'd, ms, nd, ns, nk, nce, nt.
Maimed, claimed, climbed, gloomed.
Fleams, streams, slimmes, stems.
And, band, hand, land, lined, moaned, pained, crowned.
Gains, dens, gleans, vines, groans, screens, wins, suns.
Bank, dank, drink, link.
Dance, glance, hence, whence, once, since, wince, ounce.
Ant, want, gaunt, Leurt, sent, went, jomt, point.
rb, rd, rk, rm, rn, rse, rs, rt, ruc, rbid, ric'd, rm'd, rn'd, rst, rs'd, rv'd.
Barb, erb, orb, curb, bart'd, ort'd, curb'd, disturb'd.
Hard, herd, hir'd, board, lord, gourd, bar'd, barr'd.
Hark, lark, jerk, stork, work, mark'd, jerk'd, work'd.
Arm, harm, farm, alarm, arm'd, harm'd, farm'd, alarm'd, con-
firin'd.
Earn, learn, scorn, horn, burn, turn, worn, shorn, earn'd,
scorn'd, burn'd, turn'd.
Hearse, verse, force, horse, dar'st, burst, first, worst, hears'd,
vers'd, forc'd, hors'd.
Bars, bears, hears, wears, pairs, tares, snares, repairs.
Mart, dart, start, hurt.
Carve, curve, serve, starve, carv'd, curv'd, serv'd, starv'd.
sm, s'n, sp, st, ks, ct, k'd, ft, f'd, pt, p'd, p'n, k'n, d'n, v'n.
sp, st, ks, ct,
Chasm, schisim, prism.
Reas'n,* seas'n, ris'n, chos'n.
Asp, clasp, gasp, wasp, lisp, crisp.
Past, mast, lest, nest, dust, lost, mist, wist.
Makes, quakes, likes, strikes, looks, streaks, ricks, rocks.
Quak'd, wak'd, lik'd, look'd, rock'd, shock'd, reject, respect.
Waft, quaff'd, laugh'd, oft, left, sift, soft, scoff'd.
Pip'd, ripp'd, supp'd, slop'd.
Op'n. happ'n, weap'n, rip'n.
Tak'n, wak'n, weak'n, tak'n.
Sadd'n, gladd'n. lad'n, burd'n, hard'n, yard'n, wid'n, hidd'n.
Ev'n,+ heav'n, giv'n, driv'n, wov'n, grav'n, leav'n, ov'n.
Ist, nst, rst, dst, rdst, rmdst, rndst.
ble, ple, dle, rl, bld. pr'd, rl'd.
Able, feeble, bible, double, troubl'd, bubbl'd, babbl'd, doubl'd.
Ample, steeple, triple, topple, tripl'd, toppl'd, dappl'd, crippl'd
Cradle, saddle, idie, bridle.
Marl, hurl, whirl, furi, world, hurl'd, whirl'd, furl'd.
ngs, ngst, ngd.
Rings, wrongs, hangs, songs.
Hang'st, sing'st, wrong'st, bring'st.
Wrong'd, hang'd, clang'd
DIFFICULT COMBINATIONS.
EXERCISES IN ARTICULATION.
By careful training on such difficult combinations as the follow-
ing, one will soon acquire great command of the muscles of the
face, (generally too rigid), and the tongue will move with fluency
and precision.
Practice at first slowly, and then more rapidly.
THE TWISTER.
(Tongue Exercise.)
When a twister, a twisting, will twist him a twist,
For twisting his twist, he three twines doth intwist;
But if one of the twines of the twist do untwist,
The twine that untwisteth untwisteth the twist
Thou waf'd'st the MUSOLE BREAKERS. in height cliff, and
saw'st the full orb'd moon, in whose effulgent light thou reef'd'st
the haggled sails.
He was unamiable, disrespectful, formidable, unmanageable,
inextricable and pusillanimous.
Lip and Tongue Exercise.
Peter Prinkle Prandle picked three pecks of prickly pears from
[Many of the following combinations occur in the singing of
hymns, and need much attention, from their difficulty in articu-picked three pecks of prickly, prangly pears, from three prickly,
three prickly prangly pear trees; if then Peter Prickle Prandle
lation.]
prangly pear trees, where are the three pecks of prickly pears
that Peter Prickle Prandle picked from three prickly prangly
pear trees; success to the successful prickly prangly pear picker.
Call'st, heal'st, tell'st, fill'st, roll'st, pull'st, reveal'st, unveil'st.
Canst, runn'st, gain'st, rain'st.
Durst, first, worst, erst, barr'st, car'st, hir'st, lur'st.
Mid'st, call'dst, fill'dst, roll'dst.
Heard'st, guard'st, reward'st, discard'st.
Arm'dst, harm'dst, charm'dst, form'dst.
Learn'dst, scorn'dst, turn'dst, burn'dst.
These words should always be read as if spelled without o or
e, in the last syllable. In singing, the o or the e must be sounded,
when the verse requires, but should never, through negligence,
be made broad or full, in the faulty style of "o-pun," "ta-un," &c.
+ These words are usually to be sung, as well as read, without
the sound of e after v, but never in the low style of "e-vun,"
"heav-un," &c.
R. (With one trill of the tongue only.)
The rough rock roars; round and round the rough rocks the
ragged rascal ran.
THE THISTLE SIFTER.
Theopholis Thistle, the successful thistle suter, in sifting a
sieve full of unsifted thistles, thrust three thousand thistles through
the thick of his thumb; if then Theopholis Thistle, the successful
thistle sifter, thrust three thousand thistles through the thick of
his thumb, see that thon, in sifting a sieve full of unsifted thistles,
dost not thrust three thousand thistles through the thick of thy
thumb.
The, before
ounced with
Finning with
he second sy
By, in collo
hort, with a
nd not, as so
hould be full
My should
mentioned abo
tyle: anl in
lemnity, as
ven in serious
y hand, my h
To be a
No.
All, ball, cal
All, ball, ca
No. 3
A-la
No. 4
Lawful-ly

bid. prd, rld.
bl'd, bubbl'd, ba, doubl'd.
ripid, toppl'd, dd, crippl
murl'd, whirl'd, f
g'st
OMBINATI 3.
ARTICULATI
Ticult combinatie is the follo
command of the uscles of th
he tongue will
en more rapidly
with fue
PRONUNCIATION.
The words The, By, My.
The, before a word beginning with a vowel, should be pro-
nounced with the same sound of e as in relate: before a word be-
ginning with a consonant, it should have the obscure sound, as in
the second syllable of eternal; but never the sound of broad a.
By, in colloquial, or very familiar language, may be pronounced
short, with a sound of y, corresponding to that or i, in the word it,
and not, as sometimes heard, to the e of me. But generally the y
should be full.
M should always be pronounced with the short sound of i,
mentioned above, unless, in emphatic expression, or in solemn
style and in the latter, only in phrases directly associated with-
solemnity, as in the following; "my God." Familiar phrases,
even in serious or solemn style, should retain the short y; thus,
my hand, my heart, my inouth,-not "my hand," normě hand,"
PRACTICAL EXERCISES.
&c. So also in phrases of address, my lords, my friends, my
countrymen, &c.-not my lords, &c. The word myself should
never have the long y.
The termination ed.
In the reading of the Scriptures, the solemnity and antiquity of
the style are supposed by some to require, or at least to authorize,
the sounding of e in such words. This, however, is a matter of
taste merely, and should never be extended to other reading.-In
chanting, the e should always be sounded: in singing, the pro-
nunciation is regulated by the verse, as retaining or omitting the
sound of this letter.
The words Guide, Guard, Regard, Sky, Kind.
These, in cultivated usage, are pronounced with a slight sound
of y, following g and k. The omission of this sound characterizes
the local usage of Scotland and of New England. The local mode
has, no doubt, the sanction of reason and system. But general
SINGING EXERCISES.
55
custom is the only law of spoken language. Words are facts of
speech, not logical deductions.
The words Amen, &c.
Vocal music, of a sacred character, is properly allowed the
same liberty which is conceded to the language of poetry, with
regard to the use of a style of pronunciation which is obsolete, for
common purposes, but appropriate in the expression of deep,
solemn, grand, or lofty effects of emotion. Hence the just prefer-
ence in the singing of sacred music, for the pronunciation of the
word amen, with a broad, as in arm.
The same remark may be applied to all instances of variable
pronunciation in which the current modern sound of a vowel is
flat and unmusical, and that of an older style is broad and melo-
dious.*
* Some vocalists extend this rule to the word my, giving it the
long y in all devotional music.
To be sung sometimes in Slow and sometimes in Quick time, sometimes Piano and sometimes Forte. The scale may be transposed to suit different voices.
No. 1. Monosyllables.
Tongue Exerc
will twist him vist,
three twines dot twist;
f the twist do u st,
untwisteth the t
BREAKERS.
the mountain ht cliffs, and
hose effulgent thou reefs
tful, formidable managea
gue Exercise
three pecks of ply pears fr
if then Peter ckle Prant
rangly pears, fr hree pre
The three pecks prickly pea
ked from three ickly pla
ssful prickly pra pear picle
of the tongue y.)
and round th ugh rockst
LE SIFTER.
essful thistle
in sifting
st three thousa istles throu
Theopholis This he success
and thistles thre the thick
ng a sieve full o ifted thistles
histles through thick of th
All, ball, call, fall. All, ball, cail, fall. All, ball, call, fall. All, ball, call, fall. All,ball, call,fall. All, ball, call, fall, All, ball, call, fall. All. All, ball, call, fall. All,ball, call, fall. All, ball,call, fall. All, ball, call, fall.
No. 2. Words of two Syllables, accented on the first.
No. 3.
All, ball, call, fall. All, ball, call, fall. All, ball, call, fall. All. Awful, lawful, dawning, drawing. Awful, lawful, dawning, drawing. Awful, lawful, dawning, drawing. Awful, lawful,dawning, drawing.
Words of two Syllables, accented on the second.
Alarm, dis - arm, de part, dis-charge. A - larm, dis - arm, de- part, dis-charge. A - larm, dis - arm, de - part, discharge. A - larm, dis - arm, de - part, dis - charge.
Alarm, dis - arm, de part, dis-charge. A - larm, dis - arm, de - part, dis-charge. A - larm, dis - arm, de - part, discharge. A - larm, dis - arm, de- part, dis- charge.
No. 4. Words of three Syllables, accented on the first.
Lawful-ly, wa-tering. Lawful-ly, wa-tering. Lawful-ly, wa-tering. Lawful-ly, wa-tering. Lawful-ly, wa-tering. Lawful-ly, wa-tering. Lawful-ly, wa-tering. Lawfully, wa-ter-ing.

56
PRACTICAL EXERCISES.
08
No. 5. Words of three Syllables, accented on the second.
Crow Departure, un-guarded, discharging. Departure, unguarded, discharging. Departure, unguarded, discharging. De-parture, unguarded, discharging. Departure, unguarded, discharging. De-
parture, unguarded, discharging. Departure, unguarded, discharging. Departure, unguarded, discharging. Departure, unguarded, discharging. Departure, unguarded, discharging. De-
parture,unguarded, discharging.Departure, unguarded, discharging. Departure, unguarded,discharging Departure, unguarded,discharging. Departure, unguarded,discharging. Departure,unguarded, &c.
No. 6. For Monosyllables, or Words of two Syllables, accented on the first.
1. No
2. See
aldolivanco
50
No. 7. For Words of two Syllables, accented on the second,
No. 8. For Words of three Syllables, accented on the first.
029
3. The
2B
UB
200
No, 9. For Words of three Syllables, accented on the second.
EXPRESSION.
The preceding exercises having been repeated, with strict re-
gard to perfect purity of tone, and the gradations of force and
movement, selections from them may be practiced for the purpose
of accustoming the voice to maintain a perfectly distinct articu-
lation along with the effects of feeling in expression.
articu-
The most important effects of expression which are common to
vocal music and to elocution, are dependent on what Dr. Rush
terms stress,-meaning by this designation the mode of applying
force to a sound, as in a regularly increasing swell, in an abrupt
and sudden explosion, or in a jerking and impatient style, which
begins moderately, but ends forcibly and violently.
Median Stress.
Pathetic, tranquil, and solemn feeling, adopts a regular and grad-
ual swell and diminish, as may be observed in the tones of the fol-
lowing lines, which exemplify this mode of voice, termed, in
elocution, median stress.
Pathos-Oh! I have lost you all, Parents, and home, and
friends!"
Tranquility:-"How sweet the moonlight sleeps upon this bank!"
Solemnity: How sweet and solemn is this midnight scene!"
Repeat a selection from the musical examples, with the expression
of median stress.
Radical Stress.
Anger, alarm, and haste, are distinguished by an abrupt burst of
explosive sound, which strikes. with sudden force, on the opening,
or radical, part of a note,-as in the following examples:-
Anger:-"You shall die, base dog! and that before yon cloud
has passed over the sun!"
gui
Alarm:"To arms! they come! the Greek! the Greek
Haste:-"Sisters, hence! with spurs of speed!"
Animation and courage have the same species of stress, but
without violence.
Animation: Come forth, O ye children of gladness, come!"
Courage:-"Once more unto the breach, dear friends, once more!"
Repeat examples from the musical exercises, with the expression of
radical stress.
2. Tho
Vanishing Stress.
Impatient, indignant and revengeful feeling is indicated by van-
ishing stress,-the opposite to radical stress; as it begins moder
ately and ends violently, on the vanish, or last audible portion, of a
sound.
Example:-" Away! away! I will not hear of aught but death
or vengeance now!"
Repeat, with vanishing stress, a selection from the musical e
amples.

rture,unguarded charging. D
ure, unguarded charging. D
(Taro). A
期
​THE JUBILEE
WARRINGTON. L. M.
Rev. R. Harrison.
rging.Departure uarded,
1. Now to the Lord a
3
no-
ble song; A- wake, my soul,
a- wake, my tongue; Ho-san-na to th' e-ter-
nal name, And all
his boundless love pro-claim.
2. See where it shines in Je
sus' face, The bright est im
age of his grace; God, in the per-son of
bis Son, Has all
his mightiest works out-done.
3
d on the fir
3. The spacious earth and spreading flood Pro - claim the wise, the powerful God, And thy rich glo-ries from a
far Spar-kle in ev ery rolling star.
ith spurs of spe
e the same sp of stress
Dye children of iness, come
The breach, dear ds, once mo
nical exercises, he express
hing Stress
engeful feeling dicated by
radical stress t begins
vanish, or last a le portion,
I will not hear ught but de
4, a selection f the murical
(JAKOTTADSTO
CARROL L. L. M.
Dr. L. Mason.
1. My God, how end - less is
thy love! Thy gifts are ev
-
ery evening new; And morn-ing mer- cies from a
bore, Gen-tly distill like early dew.
2. Thou spread'st the curtains of
the night, Great Guardian of
my sleep-ing hours! Thy sovereign word re-stores the light, And quickens all my drow-sy powers.
3.
I yield my powers to thy com-mand; To thee I
consecrate my days; Per - pet-ual bless -ings from thy hand,
De-mand per-pet-ual songs of praise.
3

58
SPIRITED. Rather Staccato.
路​二
​CHENANIAH.
L. M.
(CHOIR TUNE.)
662
W. B. 8.
1. The Lord in Zion ever reigus, And o'er her holds his guardian hand; Her worship and her law maintains, Which, like himself, unmoved shall staad, Which, like himself, &c.
3
Cres
cen
do.
2. Oh come, behold what he has done, Whom we delight to call our Lord; The vict'ries which his arm has won; And faithfully his deeds record, And faithfully his deeds record.
GENTLY.
ZEPHYR. L. M.
(CHOIR AND CONGREGATIONAL.) Wm. B. Bradbury. 1843.
1st hymn. Jesus can make a
dying
bed
2d hymn. Soft be the gently breath - ing notes
Feel soft as
That sing the
down-y
Saviour's
pil-lows are;
dying love;
While on his breast I lean my head,
Soft as the evening zeph-yr floats,
And breathe my life out sweet-ly there.
And soft as tune-ful lyres above.
鹽
​亞
​CHANT. A Second to each Half Note.
2-2
£2
KISH.
L. M.
(CHOIR AND CONGREGATIONAL.)
1. The tempter to my soul hath said-"There is
Lord, lift thou up thy serv-ant's head; My glo-ry, shield, and sol
no help in God for thee;"
- ace be.
2. Thus to the Lord I raised my cry,
He heard me from His ho ly hill;
At His command the waves rolled by; He beckoned, and the winds were still.
3.
I laid me down and slept-I woke Thou, Lord, my spirit didst sus - tain;
Bright from the east the morn-ing broke-Thy comforts rose on
me a
-
gain.
D

B.B.
BOLD and SPIRITED.
staud, Which, lik self, &e
BODWELL.
L. M.
(CHOIR AND SINGING SCHOOL.)
G. J. Webb.
59
Hosanna! let us join and sing The glo-ries of our rising King,
Recount his
deeds.
of might, and tell..
How Je-sus triumphed when he fell.
Hosanna! let us join and sing The glo-ries of our rising King,
And faithfully leeds re
40
m. B. Bra try. 18
SOFT and GENTLE.
C
S
2.
the my life out sy ly there.
as tune-ful ly above
1. Sweet is the scene when Christians die,
So fades a summer cloud a - way;
2
ARDENT and EARNEST.
Recount his
deeds..
of might, and tell.
How Je-sus triumphed when he fell.
Recount his
deeds.
WARD WELL.
of might, and
L. M.
tell....
How Jesus
tri
umphed when he fell.
(CHOIR & CONGREGATIONAL.)
A. J. Abbey.
When ho-ly souls retire to rest;
So sinks the gale when storms are o'er;
How mildly beams the closing eye,
So gen-tly shuts the eye of day;
How gen-tly heaves th'ex-pir-ing breast.
So dies a wave a long the shore.
OLIVE.
L. M.
Double.
(CHOIR AND CONGREGATIONAL.)
FINE.
O
S
W. B. B.
D.C.
1.
ry, shield, and sace be
Here, at thy cross, in - car-nate God, I lay my soul be-neath thy love; l
Beneath the drop-pings of thy blood, Nor let me from thy feet
D.C. Resolved, for 'tis my last de-fense, If I must per-ish, here
to
re- move. 2. Should worlds conspire to drive me thence, Un-moved and firm this heart shall be;
die.
02
Coned, and the w
were still
3
02
FINE.
D.C.
mforts rose on aga
But speak, my Lord, and calm my fear; Am I not safe be-neath
Thy jus-tice will not strike me bere, Nor Sa-tan dare my soul
D.C. Ho-san - na to my Sa-viour God. And my best honors
thy shade?)
to
invade. 4. Yes, I'm se - cure
his name.
beneath thy blood, And all my foes shall lose their aim;

60 BOLD and MAJESTIC, Moderately Staccato.
3
4
ASHUR.
L. M.
(CHOIR TUNE.)
1. With glory clad, with strength arrayed, The Lord, that o'er all nature reigns, The world's foun - da-tions firm-ly laid, And the vast fab-ric
4
2. How sure-ly 'stablished is thy throne! Which shall no change or period see; For thou, O Lord-and thou a lone, Art God from all e
£3
4
still sus-tains.
-ter
ni - ty.
sea com-ply.
3. The floods, O Lord, lift up their voice, And toss their troubled waves oa high; But God above can still their noise, And make the an-gry
4. Thro' end-less ages stands thy throne; Thy promise, Lord, is CV cr sure; The pure in heart-and they alone, Shall find their hope of heaven se-cure.
4
A Second to each Half Note.
ZELEK.
L. M.
(CHOIR AND CONGREGATIONAL TUNE.)
Q
3.
Is there a man who can not see
That joy and grief are from above'
O, let him humbly bend the knee,
And own his Father's chastening love.
5. C
1. When thickly beat the storms of life, And hea-vy is the chastening rod, The soul, beyond the waves of strife, Views the e-ter-nal rock, her God.
2. When hope dispels the spirit's gloom, When sinking 'neath affliction's shock? Faith, thro' the vista of the tomb, Points to the ev er-last-ing Rock.
Hope, Grace, and Truth, with gentle hand,
Shall lead a bleeding Saviour's flock,
And show them, in the promised land,
The shelter of th' eternal Rock.
ITTAI. L.M.
(CHOIR AND SINGING SCHOOL.)
GENTLE.
3
4
1. Lord, thou hast seen my soul sin-cere, Hast made thy truth and love ap-pear; Before mine eyes
I
set thy laws, And thou hast owned my righteous cause.
£3
04
4
2. What sore tempta-tions broke my rest! What wars and strugglings in my breast! But through thy grace, that reigns with-in, I
guard a-gainst
my dar-ling sin.
4

ROCK.
L. M.
(CHOIR TUNE.)
61
fab-rie still
VERY SPIRITED.
1. Awake, our souls; away, our fears; Let every trembling thought be gone; Awake, and run the heavenly 1ace, And put a cheerful courage on, And put a cheerful courage on.
all eter
2. True, 'tis a strait and thorny road, And mortal spirits tire and faint; Eut they forget the mighty God, Who feeds the strength of every saint, Who feeds the strength of every saint.
an-gry sea
THTI
hope of heaven se re
3. The mighty God whose matchless power Is ever new, and ever young, And firm endures, while endless years Their everlasting circles run, Their ever -last-ing cir- cles run.
QUICK. About one Second to each Half Note.
BAVA. L. M.
(CONGREGATIONAL TUNE.)
1.
3.
a man who can not se
joy and grief are from re
m humbly bend the k
wn his Father's chast
lore
5. Great Sun of Righteousness, arise! Oh, bless the world with heavenly light! Thy gospel makes the simple wise, Thy laws are pure, thy judgments right.
n, bless
race, and Truth, with le b
lead a bleeding Savio ock,
w them, in the promis nd,
helter of th' eternal R
02
41
The heavens declare thy glory, Lord;
In every star thy wisdom shines
But when our eyes behold thy word,
We read thy name in fairer lines.
2.
The rolling sun, the changing light,
And nights, and days thy pow'r confess,
But that blest volume thou hast writ
Reveals thy justice and thy grace.
* This tune is found in the German Psalter, of 1562. It is also contained in Ainsworth's Psalms, and is therefore one of the tunes used by the Fathers of New England
SLOW. One Second to each Quarter Note.
GEORGETOWN.
L. M.
MAY END HERE.
Haydn.
owned my right cause
ainst my dar sin
ΠΕ
Come, O my soul, in sacred lays Attempt thy great Creator's praise: But, O, what tongue can speak his fame? What verse can reach the lofty theme? What verse can reach, &c.
2. Enthroned amid the radiant spheres, He glory like a garment wears; To form a robe of light divine, Ten thousand suus around him shine, Ten thousand suns around him shine.

62 BOLD. ENERGETIC.
2
GILMER. L. M.
(CHOIR TUNE.)
02
1. A-wake, our souls, a way, our fears, Let ev-ery trem-bling thought be gone, A-wake, and
2
02
02
Lowell Mason. BY PERMISSION.
run
the heavenly race, And put a cheer
ful cour-age on.
2. True, 'tis a strait and thorn-y road, And mor-tal spirits tire and faint; But they for
O:2
get the migh- ty God, Who feeds
the strength of ev-ery saint.
CUSHI. L. M. (CONGREGATIONAL TUNE.)
Time, little more than one half Second to each Quarter Note.
1. God is the refuge of his saints, When storms of sharp distress invade; Ere we can of-fer our complaints, Behold him present with his aid.
3.
Loud may the troubled ocean roar-
In sacred peace our souls abide,
While every nation - every shore
Trembles,and dreads the swelling tide.
5.
Zion enjoys her Monarch's love,
Secure against a threatening hour;
Nor can her firm foundation move,
Built on his truth-and armed with
power.
SLOW and GENTLE.
MACAH. L. M.
(CONGREGATIONAL AND CHOIR.)*
1. Come, wea-ry souls, with sin op-pressed, Oh come! ac- cept the pro-mised rest;
49
3
The Sa-viour's gracious call obey, And cast your gloomy fears a - way.
2. Op-pressed with guilt-a pain-ful load, Oh come, and bow before your God!
Divine com-pas- sion, mighty love, Will all the pain-ful load re- move.
3. Here mer-cy's bound-less o- cean flows, To cleanse your guilt, and heal your woes, Here's par-don, life, and end-less peace--How rich the gift! how free the grace!
he suns as a Duet hetween Tenor and Seman
3
e
4

ZALMON.
L. M.
(CHOIR AND SINGING SCHOOL.)
9. F. 63
11 Mason.
MISSION
VERY BOLD and ENERGETIC.
ta cheer
our-agen
1. I will ex- tol thee, Lord, on high; At thy command dis-eas - es
fly; Who, but
a
God,
can speak and save
From the dark borders of
the grave.
2. Sing to the Lord, ye saints, and prove How large his grace, how kind his love; Let all your powers re-joice, and trace
The wondrous records of
his grace.
eds
the streng of every s
3. His an-ger but a mo-ment stays; Ilis love is life and length of
days; Tho' grief and tears
the night employ, The morn-ing star re-stores the joy.
EB
MODERATO.
mp
#
FEDERAL STREET.
Cres.
REETTIS
L. M.
(CHOIR TUNE.)
mf
H. K. Oliver.
Dim.
Loud may the tred ocean ru
In sacred peac souls able
While every nat every shore
Trembles,ands the swelling
Zion enjoys her rch's love,
Secure against eatening
Nor can her firm idation more
Built on his-and amelt
power.
least your gloom arsa
See gen-tle pa-tience smile on pain, See dy-ing hope
02
2
SLOW and MAJESTIC.
re- vive a- gain:-Hope wipes the tear from sor - row's eye, While faith points upward to the sky.
S O
23
JORAM.
L. M. (CHOIR TUNE.)
A
W. B. B.
1. Wait, O my soul, thy Maker's will, Tumultuous passions all be still! Nor let a murmuring thought arise; His ways are just, his counsels wise, His ways are just,his counsels wise.
Till all the pain-ad re-
2.
He in the thick-est
How rich the gift free the g
dark-ness dwells, Performs his work, the cause conceals; But, tho' his methods are unknown, Judgment and truth support his throne, Judgment and truth support his, &c.
de
3. Wait, then, my soul, sub - mis-sive wait, Prostrate be-fore his awful seat: 'Midst all the terrors of his rod, Still trust a wise and gracious God, Still trust a wise and gracious God.
4

64
MODERATO.
OLEO.
L. M.
1. How blest the righteous when he dies, When sinks a weary soul to
rest!
How mildly beam the closing eyes! How gently heaves th'expiring breast, How gently heaves th'ex-pir-ing
breast.
2. So fades a summer-cloud a
·
way; So sinks the gale when storms are o'er; So gently shuts the eye of day; So dies a wave a-long the shore, So
dies a
wave
along the
shole.
82
MAJESTIC and SOLEMN.
MONMOUTH. L. M.
Or P. M.
(CONGREGATIONAL.)
Luther.
In robes of judgment, lo, he comes! Shakes the wide earth, and cleaves the tomb; Before him burns devouring fire, The mountains melt, the seas retire, The mountains melt, &c.
As Great God! what do I see and hear! The end of things cre- a - ted!
P.M. The Judge of man I see ap-pear, On clouds of glo-ry seat - ed. Beneath his cross I view the day When heaven and earth shall pass away, And thus prepare to meet him.
When
ALLEGRO.
4
SABBATUS. L. M.
(CHOIR AND SINGING SCHOOL.)
S. F.
O, how I
love thy ho-ly word, Thy gracious cov - en - ant, O Lord!
(It guides me in..
I think up
the peaceful way,
- on..
it all the day, I think up on
it all the day.....
D
It guides me in.
the peaceful way.
I think up
- On
it all the day.
o O, how I
love thy ho-ly word, Thy gracious cov-en- ant, O Lord!
It guides me in..
the peaceful way,
I think up
-
on.
it all the day,
I think up on
it all the day...
#2
4
D
4

DEPARTING.
L. M. (CHOIR TUNE.)
ARRANGED FROM Beethoven. 65
y heaves th'ex-breas
1. Tho' I walk thro' the gloomy vale, Where death and all its terrors are, My heart and hope shall nev
er fail, For God my Shepherd's with me there.
4
wave
TOO
17110
a- the
2. A
mid the darkness and the deeps, Thou art my comfort, thou my stay; Thy staff supports my fee
ble steps, Thyrod directs my doubtful way.
ther
OIB
4
TENDERLY.
STEELE.
L. M.
tire, The moun s melt, d
When sins and fears pre- vail-ing rise, And faint-ing hope al - most ex-pires; Je-sus, to thee I lift mine eyes, To thee I breathe
, And thus pre e to meet li
4
S. F.
mk up on it he day..
ink upon it the day.
夏​金
​LEAMING. L. M.
Or 6 lines.
Hastings.
my
soul's de-sires.
Italian Melody.
1.
The Lord my pasture shall
His presence shall my wants
prepare, And feed me with a shepherd's care;
sup- ply, And guard me with a watchful eye;
My noon-day walks he shall at - tend, And all my midnight hours de - fend.
2.
4
{
When in the sul - try glebe
I faint, Or
on
To fer tile vales and dew
-
the thirsty mountain pant; }
y meads My weary, wandering steps he leads, Where peaceful riv-ers, soft and slow, A-mid the ver-dant land-scape flow.
(JUBILEE-5)

66
SPRIGHTLY.
SPRING WALE. L. M.
(CHOIR AND SINGING-SCHOOL.)
1. With all my powers of heart and tongue, I'll praise my Maker with my song; Angels shall hear the notes I raise, Approve the song, and join the praise, Angels shall hear the notes I raise, Approve, &c.
2. To God I cried, when troubles rose; He heard ma, and subdued my foes; He did my rising fears control, And strength diffused through all my soul,He did my rising fears control, And strength, &c.
4. Ill sing thy truth and mercy, Lord; I ll sing the wonders of thy word; Not all the works and names below, So much thy power and glory show; Not all the works and names below, So much thy, &c.
OB
MAJESTIC.
ROLLAND.
L. M.
(CHOIR.)*
Wm. B. Bradbury. 1844.
SO
How pleasant, how di- vinely fair, O Lord of hosts, thy dwellings are; With long desire my spirit faints, To meet th'assembly of thy saints, To meet th'assembly of thy saints.
#2
2.
MALOA.
*Much used as a Congregational Tune also.
L. M. (CHOIR.)
HABI
R. E. 0.
1. I will not mingle with the throng, Whose guilt their sorrow multiplies; I will not name them with my tongue, Nor join their bloody sacrifice, Nor join their bloody sa-cri- fice.
2. Preserve thy faithful servant, Lord, Who art the re-fuge of the just; To me thy sheltering aid afford, For in thine arm a-lone I trust, For in thine arm alone I
oppe
trust.
21

he notes Irais prore, &
BOLD and STRONG.
MARCUS. L. M.
(CONGREGATIONAL TUNE.)
He that hath made his refuge God, Shall find a most se-cure a - bode; Shall walk by day beneath his shade, And there at night shall rest his head, And there at night, &c.
rs control, An ength, &c.
2. Then will I say-" My God, thy power Shall be my fortress and my tower: I that am formed of feeble dust, Make thine almighty arm my trust, Make thine almighty arm," &c.
Dim.
mames below, Suchthy, d
3. Thrice happy man! thy Maker's care Shall keep thee from the fowler's snare ;-Satan, the tempter, who betrays Unguarded souls a thousand ways, Unguarded souls, &c.
Jell
Bradbur 1844.
SOFT and GENTLE, but not too Slow.
WOODWORTH.
L. M.
Wm. B. Bradbury. FROM "PSALMISTA."
t th'assembly thy saints
1. The God of love will sure in-dulge The flowing tear, the heaving sigh, When his own children fall around, When tender friends and kin - dred
2. Yet not one anx-
-ious, murm'ring thought Should with our mourning passions blend, Nor should our bleeding hearts forget Th' almighty, ev er liv ing
die.
Friend.
RE. O.
their bloody crifice
1611
thine arm al I trust
#4
MAESTOSO. Moderately loud. Cheerful.
LOWELL. L. M.
FROM A RUSSIAN MELODY.
ماد
1. A-wake the trumpet's lof - ty sound, To spread your sacred pleasure round; Awake each voice, and strike each stag, And to
+3
the solemn or -
gan sing.
رار
2. Let all, whom life and breath inspire, At - tend, and join the bliss - ful choir; But chief-ly ye, who know his word, A-dore, and love, and praise the Lord.
3

68
MAESTOSO.
1. Great is the Lord! what tongue can f anie An hon - or
BLENDON.
L. M.
(CHOIR TUNE.)
e
qual to
his name? How aw-ful are
2. The world's founda-tions by
his hand Were laid, and shall for
ev
er
F. Giardini.
his glorious ways! The Lord is dread-ful in his praise.
ま
​stand; The swelling billows know their bound, While to his praise they roll around.
3.
Thy glo-ry, fear-less of
decline, Thy glory, Lord, shall ev
er shine; Thy praise shall still our breath employ, Till we shall rise to end - less joy.
#4
RATHER SLOW. Gentle and Subdued.
ASHWELL.
L. M.00
Lowell Mason. BY PERMISSION.
2.
2
1. When we our wearied limbs to rest, Sat down by proud Euphrates' stream, We wept, with doleful thoughts oppressed, And Zion was our mournful theme.
Our harps, that, when with joy we sung,
Were wont their tuneful parts to bear.
With silent strings, neglected hung,
On willow trees that withered there
3.
e
CHANT. BOLD and JOYOUS.
4
How shall we tune our voice to sing,
Or touch our harps with skillful hands'
Shall hymns of joy, to God our King,
Be sung by slaves in foreign lands!
ISCAH. L. M.
(CONGREGATIONAL AND CHOIR TUNE.)
1. When, marshaled on the nightly plain, The glittering host bestud the sky, One star a lone, of all the train, Can fix the sinner's wandering eye.
2. Hark! hark! to God the chorus breaks, From every host, from every gem; But one a- lone the Saviour speaks, It is the star of Bethlehem!
2. Oh
e
4. No

F. Gi ini.
is dread-ful
his pr
is praise the roll arou
With ANIMATION.
CARMI. L. M.
Double.
(CHOIR TUNE.)
W. B. B. 69
1. Oh happy day,that fixed my choice On thee, my Saviour, and my God; Well may this glowing heart rejoice, And tell its raptures all a-broad.
all rise to d-less jp
. BY PE SION.
rps, that, w with joy wes
re wont their eful parts to
silent strings glected hung
willow trees withered the
hall we tune voice to si
ouch our har ith skillful b
hymns of joy God our King
ung by slave foreign land
3. 'Tis done, the great transaction's done; I am my Lord's, and he is mine: He drew me, and I followed on, Rejoiced to own the call di- vine.
#3
#4
2. Oh happy bond, that seals my vows To him who mer-its all my love! Let cheer-ful an-thems
fill
the house, While to his al-tar now I move
4. Now rest,my long-divided heart, Fixed on this blissful center, rest; Here have I found
a no - bler part, Here heavenly pleasures fill my breast.
me sinner andering e
SPIRITED.
TRURO. L. M.
Dr. Burney.
he star o Bethle-hen
Now to the Lord a
no - ble
song: : Awake, my soul, a-wake, my tongue; Ho-san-na to th'e - ter-nal name, And all his boundless love proclaim.

70
MUSIC.
L. M.
Double.
Or 6 lines.
FINE.
grateful praise;
Dr. Arne.
D. C.
I'll tune the notes of
As L. M. 1. God of my life, thro' all my days,
Double. The song shall wake with opening light, And warble to the silent night. (2. When envious care would break my rest, And grief would tear my throb- bing breast,
the sigh.
D. O. The notes of praise as- -cending high, Shall check the murmur and
FINE.
D. C.
As L. M. Single, or Six When death o'er nature shall prevail, And all the powers of language fail, Joy thro' my swimming eyes shall break, And mean the thanks I can - not speak.
lines, omitting the repeat. D. c. Joy thro' my swimming eyes shall break, And mean the thanks I can not speak.
3
#4
TENDERLY.
4
ST. EDMUND'S.
L. M.
cres.
THEME BY Haydu.
dim.
1. The hour of my de-parture's come, I hear the voice that calls me home: Now, O my God, let trou-ble cease, And let thy ser-vant die in peace.
OB
LEGATO. With Strong Expression.
ZOBA.
L. M.
(CHOIR.)
fotado futet allt no bold babi Haydn.
1. Loud hallelujahs to the Lord, From distant worlds, where creatures dwell: Let heaven begin the solemn word, And sound it dreadful down to hell.
2. The Lord, how ab-so-lute he reigns! Let ev-ery angel bend the knee, Sing of his love in heavenly strains, And speak how fierce his terrors be.
1933
3
2

Arne.
D.C
uld tear my ob-bing breas
ATHENS.
L.M.
(CONGREGATIONAL AND CHOIR.)
OTADEI
1st time.
TANGO 71
2d time.
6 65
1. Before Je - ho-vah's awful throne, Ye nations, bow with sa-cred jo
joy; Know that the Lord is God a
-
lone,
He can create, and He de-stroy.
He destroy..
2. His sovereign power, without our aid, Made us of clay, and formed us men; And when like wandering sheep we strayed, He brought us to his fold a- -gain.
2
fold a-gain.
3. We are his peo-ple; we his care; Our souls, and all our mor- tal frame: What lasting honors shall we rear,
Almighty Ma-ker, to thy name.
to thy name.
the thanks an-not spe
SLOW.
CAPTIVITY. L. M.
(CONGREGATIONAL.)
W. B. B.
our wearied limbs to rest, Sat down by proud Eu-phra-tes' stream, We wept, with dole -ful thoughts oppressed, And Zi - on
was our mournful theme.
THEME Hayda
dim.
hy ser-va die in pe
$$
When we,
2
#4
BOLD and SPIRITED.
CADY. L. M.
Haydn
d it dread down to te
4. We'll crowd thy gates with thankful songs, High as the heavens our voices raise, And earth, with her ten thousand tongues,
Shall fill thy courts with sounding praise.
ak how fie his terror
5. Wide as the world is thy command; Vast as e ter ni ty thy
y love; Firm as
&
rock thy truth shall stand, When rolling years shall cease to move.

72 MODERATO. LEGATO.
VOLK.
L. M.
ORTA
4
1. Thine earth-ly Sabbaths, Lord, we love; But there's a
no- bler rest above; To that our long-ing souls
as -
2.
No more fa-tigue, no
more dis-tress, Nor sin, nor death shall reach the place; No groans shall mingle with
George . Webb
pire, With cheerful hope, and strong desire.
the songs, Which war-ble from im - mor- tal tongues.
3.
No rude a-larms of
rag-ing foes, No cares to break the long re- pose; No mid-night shade, no cloud - ed
But sa cred, high, e- ter -
sun,
nál noon.
2
+4
4
GENTLE.
LAKE STREET. L. M.
H. P. Danks.
So fades the love-ly, blooming flower, Frail, smil-ing so lace of an hour; So soon our tran-sient comforts fly, And pleasure on -
-
MODERATO.
MOUNT ZION.
L. M.
ly blooms to
die.
FROM THE "N. Y. CHORALIST."
1. Another six days' work is done, Another Sabbath is begun; Return, my soul, enjoy thy rest, Improve the day thy God hath blest, Im-prove the day thy God hath blest.
#3
1
4
2. Oh that our tho'ts and thanks may rise, As grateful incense to the skies; And draw from heaven that sweet repose Which none but he that feels it knows, Which none but he, &c.
3. A heavenly calm pervades the breast, The earnest of that glorious rest Which for the church of God remains, The end of cares, the end of pains, The end of cares, the end of pains.
O3
#4

rge ebb
pe, and
ng desire
om im-tal tongues
high, e-
BOLD. Time, One Second to each Half Note
419
Q
NEBA. L. M.
*
73
1. God of the world, thy glories shine Thro' earth and heaven with rays divine; Thy smile gives beauty to the flower, Thine anger to the tempest power.
2. God of our lives! the throbbing heart Doth at thy beck its ac- tion start,-Throbs on, o- - bedient to thy will, Or ceases at thy fa- tal chill.
#4
ALLEGRETTO.
H. P.1nks.
##
6
2.
-ly bins to die.
NEWLAND. L. M.
(CHOIR.)
R. Jones.
1. 0, render thanks to God a-bove, The object of eternal love, Whose mercy, firm, thro' a-ges past, Has stood, and shall for-ever last.
THE "N. CHORALIST."
FIRM and ENERGETIC.-MAESTOSO.
e
STRONG.
L. M.
(CHOIR AND SINGING SCHOOL.)
6
day thy od hath b
1. Give to the Lord, ye sons of fame, Give to the Lord renown and power; Ascribe due honors to his name, And his eternal might adore, And his
e-ter-nal might a-c
- dore.
ws, Whic one but he d
d of care e end of pas
2. The Lord proclaims his power aloud Over the ocean and the land, His voice divides the watery cloud, And lightnings blaze at his command, And lightnings blaze at his command.

ELON.
4
74 SLOW and GENTLE.-LEGATO,
3
4
1. Come, smiling hope and joy sin-cere, Come make your constant dwelling here; Still let your presence cheer my heart, Nor sin com-pel you
L. M. Or 6 lines. (CHOIR TUNE.) no of W. B. B.
SPRI
#
to de - part.
Cres
cen
do.
Dim.
2.
O God of hope and peace di - vine, Make thou these sa-cred pleasures mine; Forgive my sins,
my fears re- move, And fill my heart with joy and love.
#4
ALL SAINTS. L. M.
(CONGREGATIONAL.)
W. Knapp.
Who shall as-cend thy heavenly place, Great God, and dwell be - fore thy face? The man who loves re
-
li-gion now, And hum- bly walks with God below.
1.
MAESTOSO.-FIRM and STRONG.
KADESH. L. M.
(CHOIR TUNE.)
1. T was from thy hand, my God, I came, A work of such a curious frame: In me thy fearful wonders shine, And each proclaims thy skill divine, And each proclaims thy skill divine.
3
4
2. Great God! my feeble nature pays Immortal tribute to thy praise; Thy thoughts of love to me surmount The power of numbers to recount, The power of numbers to recount.
3. I could survey the ocean o'er, And count cach sand that makes the shore, Before my swiftest thoughts could trace The numerous wonders of thy grace, The numerous, &c.

WB. B.
pel you
o.
depart
eart with
and love
SPRIGHTLY-A Second to each Half Note.
CHARRAN. L. M.
(CHOIR AND CONGREGATIONAL.)
ARRANGED FROM G. H. M. 75
1. Up to the hills I lift mine eyes, Th' e-ter-nal hills beyond the skies; Thence all her help my soul derives, There my al-might-y Refuge lives.
4
4
JJ J J J J J
J J J J J J J
गया
2. He lives, the everlasting God, That built the world, that spread the flood; The heavens with all their hosts he made, And the dark regions of the dead.
4
W. app.
walks w God below
ach prock 3 thy skill diri
power of bers to recom
ace, The erous, &e
WELLS.
L. M.
(CONGREGATIONAL.)
Israel Holdrayd.
1. Great God, indulge my humble claim; Thou art my hope, my joy, my rest; The glories that compose thy name, Stand all engaged to make me blest.
2. Thou great and good, thou just and wise, Thou art my Fa-ther and my God; And I am thine,by sacred ties, Thy Son,thy servant bought with blood.
(TAMOTT
GALESBURG. L. M.
(CONGREGATIONAL.)
1. Show pi-ty, Lord, O Lord, forgive, Let a repent-ing sinner live; Are not thy mercies large and free? May not a
2
sin
- ner trust in thee?
2. My crimes are great, but can't surpass The power and glory of thy grace: Great God, thy nature hath no bound, So let thy pardoning love be found.
ellele
3. Oh wash my soul from ev-ery sin, And make my guilty conscience clean; Here, on my heart, the burden lies, And past of- fen- ces pain my eyes.

76 MODERATO LEGATO.
BEULAH. L. M.
+3
4
R. E. 0.
MO
1. When we, our wea-ried limbs to rest, Sat down by proud Euphrates' stream, We wept with doleful thoughts oppressed, 'And Zi- on
#3
was our mournful theme.
1. W
3. Tea
2. Our harps that, when with joy we sung, Were wont their tuneful parts to bear, With silent strings ne - glect- ed hung On wil- low
trees that withered there.
3
SPIRITED.
PARK STREET.
L. M.
Venua.
1. Hark! how the choral song of heaven Swells full of peace and joy above; Hark! how they strike their golden harps, And raise the tuneful notes of love, And raise the tuneful, &c.
BOLD and VIGOROUS. FORTE.
#3
2
FIE
1.
3.
TE
CYPRUS. L. M.
(CHOIR AND CONGREGATIONAL.)
ARRANGED FROM Anton Gersbach.
e.
1. The praise of Zion waits for thee, My God, and raise becomes thy house; There shall thy saints thy glory see, And there perform their public vows.
2.
O thou, whose mercy bends the skies, To save when humble sinners pray; All lands to thee shall lift their eyes, And distant islands of the sea.

R.
MODERATO, Soft and Gentle, AFFETTUOSO,
BACA.
L. M.
MAOIM
77
1. We all, O Lord, have gone astray. And wandered from thy heavenly way: The wilds of sin our feet have trod, Far from the paths of thee our God, Far from the paths of thee, &c.
was our me ful theme
८
2. Hear us, great Shepherd of thy sheep! Our wanderings heal, our footsteps keep: We seek thy sheltering fold again; Nor shall we seek thee, Lord, in vain, Nor shall we seek, &c.
trees that wied there
Vel a.
3. Teach us to know and love thy way; And grant, to life's remotest day, By thine unerring guidance led, Our willing feet thy paths to tread, Our willing feet thy paths to tread.
FIRM and SPIRITED. A Second to each Half Note.
BOAZ.
L. M.
(CONGREGATIO
TIONAL TUNE.)
ove, And raise tuneful, de
1. Jehovah reigns; his throne is high, His robes are light and majes-ty;
2. His terrors keep the world in awe; His justice guards his ho- ly law;
3. Thro' all his works his wisdom shines, And baffles Satan's deep designs;
B
TENDER, GENTLE-PIANO.1
His glory shines with beams so bright, No mortal can sustain the sight.
His love re-veals a smil-ing face; His trutb and promise seal the grace.
His power is sovereign to fulfill The noblest counsels of his will.
B
CANO. L. M. 3TTS T
Anton G bach.
1. Return, my wandering soul, return, And seek an injured Father's face; Those warm desires that in thee burn, Were kindled by redeeming grace.
erform their lic vOWS
2. Return, my wandering soul, return; Thy dying Saviour bids thee live; Go, view his bleeding side, and learn How freely Jesus can
forgive.
ant islands of ie sea.
3. Return, my wandering soul, return, And wipe away the falling tear; 'Tis God who says, "No longer mourn;" "Tis mercy's voice invites thee near.
ます
​O
J

78
MICAH.
L. M.
(CONGREGATIONAL.)
CHANT. CHEERFUL. One Second to each Half Note.
ALEXCOM
1. With one consent let all the earth To God their cheerful voices raise; Glad homage pay, with hallowed mirth, And sing before him songs of praise.
2.
2
food easy.
As-sured that he is God alone, From whom both we and all proceed, We, whom he chooses for his own, The flock which he delights to feed.
SLADE. L. M.
One Second to each Half Note.
Lowell Mason. BY PERMISSION.
Sweet is the work my God, my King, To praise thy name, give thanks and sing; To show thy love by morn-ing light,
And talk of all thy truth at night.
#2
2
ALLEGRETTO.
#3
THE BETTER LAND.
L. M.
Double.
ARRANGED FROM Knecht.
Fine.
D. C.
b
1.
(There is
So bright that
D. C. There those who
a
land
all
meet
mine eye
which spreads be
shall part
no
bath seen, In visions
with Wits
tween Is
more, And those long
of
-
meet a
en raptured thought;
radiant glory fraught.)
gain.
part - ed
Fine.
2.
A land up
There rests no
on
whose bliss - ful
shadow, falls
shore
no
stain:
D. C.
3
4

JUDD. L. M.
W. B. B. FROM THE " MENDELSSOHN COLL.'
BY PERMISSION.
79
0925
before him so of praise
There is a land mine eye hath seen
In
vi-sions of enraptured thought, So bright that all which spreads between Is with its ra
-
diant glo
ry fraught.
&
SEASONS. L.M.
Pleyel.
which he de ts to feed
son. BY PE SSION,
The flowery spring, at God's com-mand, Perfumes the air and paints the land; The
The
sun
sum-mer rays with vi gor shine, To raise the corn and cheer the vine.
of all thy
ANGED FROM
echt.
D.C
WINDHAM. L. M.
(CONGREGATIONAL.)
Daniel Read, NEW HAVEN, CT. 1800.
1. Broad is the road that leads to death, And thousands walk together there; But wisdom shows a narrow path, With here and there a traveler.
2.
"Deny thyself, and take thy cross,"
Is the Redeemer's great command;
Nature must count her gold but dross,
If she would gain this heavenly land.
3.
The fearful soul, that tires and faints,
And walks the ways of God no more,
Is but esteemed almost a saint,
And makes his own destruction sure.
ose blissful hore
w, falls no tain:
MEROE. L. M.
(CONGREGATIONAL.) S
1. Jesus, and shall it ever be-A mortal man ashamed of thee! Ashamed of thee, whom angels praise, Whose glories shine thro' endless days!
O2
W. B. Bradbury. 1847.
2.
Ashamed of Jesus 1-that dear Friend
On whom my hopes of heaven depend!
No! when I blush, be this my shame,-
That I no more revere his name,
3.
Ashamed of Jesus!-yes, I may,
When I've no guilt to wash away,
No tear to wipe, no good to crave,
No fears to quell, no soul to save.

80
1.
STONEFIELD.
Stanfield.
1. God of
the seas, thine aw-ful voice, Bids all the roli-ing waves re-joice; And one
soft word of thy command, Can sink them si-lent
on the sand.
ALLEGRETTO.
4
EFFINGHAM.
L. M.
1. At anchor laid, re-mote from home, Toil-ing I cry, "Sweet Spi- rit come; Ce-les-tial breeze, no long-er stay,
2. Fain would I feel my spirit move, In breathing of lestial love; And while I spread my fee - ble sails,
ce -
8
But swell my sails and speed my way.
O send thy gentle, quicken-ing gales.
NOT TOO FAST.
요
​to-
PALESTRINA.
L. M.
:S:
6 lines.
FINE.
(Peace, troubled soul, whose plaintive moan Hath taught these rocks the notes of woe;
Cease thy complaint, suppress thy groan, [OMIT
RETURN TO THE SIGNS:
-] And let
D. C. To lull.
S
thy tears for-get to flow; Be-hold, the precious balm is found,
thy pain, to heal thy wound.
SLOW
RETREAT. L. M.
30
Hastings.
6
04
From every stormy wind that blows, From every swell-ing tide of woes, There is
a calm, a
sure re-treat, "Tis found be-neath the mer -
cy
seat.
4. The
6
4

Sield.
LEGATO. GENTLE.
hem si-lent
the sand
1. How blest the sa
-
(HAKELIDA.
L. M. (CHOIR AND CONGREGATIONAL.) din 81
cred tie that binds, In sweet communion, kindred minds! How swift the heavenly course they run, Whose hearts, whose faith, whose hopes are one.
4
2. To
each the soul of each how dear! What ten-der love, what ho ly fear! How doth the generous flame within Refine from earth, and cleanse from sin!
3. Nor shall the glowing flame ex- pire, When dim-ly burns frail nature's fire; Then shall they meet in realms a
-
bove, A heaven of joy, a heaven of love.
ails and 8 my wa
gen-tle, qun-ing (
:2
44
HEBRON. L. M.
L. Mason.
1830.
I. Thus far the Lord has led me on; Thus far his power prolongs my days; And every evening shall make known Some fresh memorial of his grace.
2.
Much of my time has run to waste.
And I, perhaps, am near my hoins,
But he forgives my follies past;
He gives me strength for days to come.
I lay my body down to sleep;
Peace is the pillow for my head;
While well-appointed angels keep
Their watchful stations round my bed
4290 S
RET TO THE SIS
the precious Im is found
SHERM. L. M.
(CONGREGATIONAL.)
الم
*
1. Thou, whom my soul admires above All earthly joy and earthly love, Tell me, dear Shepherd, let me know, Where do thy sweetest pastures grow? Where do thy sweetest, &c.
tings.
2. Where is the shadow of that rock, That from the sun defends thy flock! Fain would I feed among thy sheep, Among them rest, among them sleep, Among them rest, among, &e.
be-neath the r-cy set
4. The footsteps of thy flock I see; Thy sweetest pastures here they be; A wondrous feast thy love prepares, Bought with thy wounds, and groans, and tears, Bought with thy, &e.
(JUBILEE-6)

CHANT. Moderately quick. One Second to each Half Note. EDEN. L. M.
(CONGREGATIONAL.)
LE
2
·
H
1. The Lord is gracious to for-give, And slow to let
his an-ger move; The Lord is good to all that live, And all his tender mer - cy prove.
2
NAZARETH.
L. M.
(CONGREGATIONAL.)
Lor
Webbe.
When at this distance, Lord, we trace The various glories of thy face, What transport pours o'er all our breast, And charms our cares and woes to rest!
QUIC
Ө
The
SLOW-MODERATO LEGATO.
DOTHAN. L. M.
(CHOIR TUNE.)
4
JOY
1. In vain my roving thoughts would find A portion worthy of the mind; On earth my soul could nev
er rest, For earth can never make me blest.
4
2. Can lasting hap-pi-ness be found Where seasons roll their hasty round, And days and hours, with rap-id flight, Sweep cares and pleasures out of sight.
nif
mp
mp
Ores.
Crea.
Dim.
3. Arise, my thoughts; my heart, arise; Leave this vain world, and seek the skies; There purest joys for ever last, When seasons, days, and hours are past.
Th
3. Th
2941

Naricema.
83
070
stender me y pro
LEGATO-SLOW and GENTLE, od
With tender and earnest expresssion.
4
GAZA.
L. M.
1. Hear me, O Lord! in my distress, Hear me, in truth and righteousness; For, at thy bar of judgment tried, None living can be jus - ti-fied.
mp
4
Cres.
2. Lord! I have foes-without, within,-The world, the flesh, in-dwelling sin, Life's dai-ly ills, temptation's power, And Satan roar-ing to
'ebbe
04
devour.
QUICK-One and a half Seconds to each Whole Note.
IOSCO.
L. M.
(CONGREGATIONAL TUNE.)
s our cares an roes to
1. The praise of Zion waits for thee, Great God, and praise becomes thy house: There shall thy saints thy glory see, And there perform their public vows.
---
O Thou, whose mercy bends the skies,
To save, when humble sinners pray ;-
All lands to thee shall lift their eyes,
And every yielding heart obey.
3.
Soon shall the flocking nations run
To Zion's hill-and own their Lord.
The rising and the setting sun
Shall see the Saviour's name adored.
JOYOUS-SPRIGHTLY.
ROCKLAND.
L. M.
arth can never ke me
(PRAYER AND SOCIAL MEETING TUNE.)
1. Jesus my all, to heaven is gone, He whom I fix my hopes up - on;
His track I see, and I'll pursue The narrow way, till Him I view.
res and pleas out of
Crea
Dim.
sons, days, a
an urs are
2. The way the ho-ly prophets went, The road that leads from banishment, The king's highway of ho-li-ness I'll go, for all his paths are peace.
3. This is the way I long have sought, And mourned because I found it not; My grief and burden long have been, Because I could not cease from sin.

84
SWEET HALLELUJAHS.
L. M.
With Chorus. THED ben WOT-OTANTI
LE
1.
Now let
us
all
together sing The praise of Zi
on's glo
rious King; 'Tis
is he
who sits
on yon-der throne, 'Tis he who reigns, aud
3. Th
2.
Great as
he
18,
his people dare Ap-proach him, and
pre - sent their prayer, He hears his people's cry, and grants A full supply for
3.
4.
To him
Let those who praise his glorius name, His grace and ma- jesty
due To him who died, ye saints, for you;
be praise, for praise is
proclaim;
For Zion's King is God a-
Sweet is
of sins for
the sense
·
lone, 'Tis he
given, But who can
who sits
tell
on
4. Th
the
0:2
294
| 1ST TIME
2D TIME.
ALI
reigns a-
lone. Then
sweet hallelujahs, sweet hal- le lu
·
-
jahs, sweet hal- le lu jahs let
-
us sing,
lu jahs let
us
sing.
Awal
all
their wants. Then
sweet halle lu jahs, sweet hal le lu- jahs, sweet hallelujahs let
1ST TIME.
us
sing,
lu jahs let
2D TIME.
us
sing.
yon der throne. Then sweet hallelu - jahs, sweet hal le lu- jahs, sweet hal le lu- jahs let
joys of heaven. Then, &c.
us
sing, lu jahs let
us sing.
DRESDEN.
L. M.
Double.
(OR 6 LINES, BY OMITTING THE FIRST REPEAT.)
FINE.
MODERATO.
4
f Pre-serve me, Lord, in
1. But have no
merits
D. C. My praise can never
time of need, For
there to
plead, My
make thee blest, Nor
suc- cor
to thy throne I flee;
good-ness can not reach to thee. 2. Oft have my heart and tongue confessed How emp-ty and how
add new glories to thy name.
FINE.
poor
I
am:
1. How
D. C.
பூர்
04
2. To ea
D. O.
3. Their
4

throne, 'Tis he
reigns,
grants A full
lone, Tis he
given, But who
2D TIME.
lu-jahs
> sits
tell
lu jabs 1
us
2D TIME.
LEGATO.
で
​HERMES. L. M.
CYBE
Dr. L. Mason.
85
3. There is a stream whose gentle flow Supplies the city
of our God; Life, love, and joy still gliding through, And watering our di-vine a-bode.
4
aid to dizoh on
4. That sacred stream, thy holy word,─Our grief allays, our fears controls: Sweet peace thy promises af-ford, And give new strength to fainting souls.
ALLEGRO.
ROTHWELL. L. M.
Awake the trumpet's lofty sound, To spread your sacred pleasure round; Awake each voice, and strike each string, And to the solemn organ sing, And to the solemn organ sing.
2
Cur mou MOUNT ZOAR. L. M.
A. J. A.
lu-jahs
PEAT)
1. How blest the sacred tie that binds In sweet communion kindred minds! How swift the heavenly course they run, Whose hearts, whose hopes, whose faith are one, Whose, &c.
42
2. To each, the soul of each how dear !-what tender love!-what holy fear! How does the generous flame within Refine from earth, and cleanse from sin! Refine from earth, &c.
How emp-ty and hoor I
3. Their streaming eyes together flow For human guilt, and human woe; Their ardent prayers for ever rise, Like mingling flames in sacrifice, Like mingling flames in sacri-fice.

86
MCCABE. L. M.
FROM Rev. E. S. Widdemer.
4
1. When I survey the wondrous cross On which the Prince of glory died, My rich-est gain I count but loss, And pour contempt on all my pride.
63
4
رام
2. For-bid it, Lord! that I should boast, Save in the death of Christ, my God; All the vain things that charm me most, I sacrifice them to his blood.
04
3. See from his head-his hands-his feet, Sorrow and love flow mingled down! Did e'er such love and sorrow meet, Or thorns compose so rich a crown.
: 3
5. W
GILEAD. L. M.
FROM Mehul's "Joseph," BY L. M.
MAESTOSO.
2.
2
day,
Soon shall thy radiance stream afar.
Zion, awake! thy strength renew, Put on thy robes of beauteous hue, Church of our God, arise and shine, Bright with the beams of truth divine. Wide as the heathen nations are,
burn
Gentiles and kings thy light shall view;
All shall admire and love thee too.
LEGATO.
ORRINGTON.
L. M.
(CHOIR TUNE.)
Tenor light.
R. E. 0.
joice
1. Lord, when my thoughts delighted rove Amid the wonders of thy love, Sweet hope revives my drooping heart, And bids intruding fears depart, And bids intruding fears, &c.
Alto very prominent here.
172
Cres.
Cres.
Dim.
MO
1. T
2. H
2. Be all my heart, and all my days, Devoted to my Saviour's praise; And let my glad obedience prove How much I owe, how much I love, How much I owe, how much I love.
8. TH

er. E. S. Wid mer.
our contempt on my pri
CARPUS.
L. M. Double.
W B. B.
87
1. The spacious firma-ment on high, With all the blue e- thereal sky, And spangled heavens, a shining frame, Their great Original proclaim. 2. Th'unwearied sun from day to
3. Soon as the evening shades prevail, The moon takes up the wondrous tale, And nightly, to the listening earth, Repeats the story of her birth. 4. While all the stars that round her
I sacrifice them is blood
mp
horns compose so
04
a cro
l's "Joseph," LI
2.
772
Cres.
Cres.
Dim.
mp
5. What tho' in solemn si-lence, all Move round this dark terrestrial ball? What tho' no real voice, nor sound, Amid their radiant orbs is found? 6. In reason's ear they all re-
03
24
oon shall thy radiance am afu
Vide as the heathen nis are,
Gentiles and kings thy shall vie
day, Does his Cre- a-tor's power dis-play, And pub-lish - es to
burn, And all the planets in their turn, Con-firm the tidings
All shall admire and lo hee too.
712
mf
ev-ery land The work of an al- migh-ty hand, The work
as they roll, And spread the truth from pole to pole, And spread
Cres.
of
an almighty hand.
the truth from pole to pole.
Dim
E. 0.
ронов ридои
joice, And utter forth a glorious voice; For ever sing-ing,
as they shine, "The hand that made us
is Di-vine," "The hand
that made นะ is Di-vine."
part, And bids intre fears,
brow
Dim.
How much I owe, ho chlor
MODERATO.
g
1. Thou great In-struet - or, lest I
2. How oft my heart's af- fec-tions
3. Then, to my God, my heart and
62
WELTON.
L. M.
ARRANGED FROM A TUNE BY Rev. C. Malan. GENEVA.
stray, Oh teach my err-ing feet thy way! Thy truth, with ever fresh delight, Shall guide my doubtful steps a- right.
yield, And wander o'er the world's wide field! My rov-ing passions, Lord, re- claim, U-nite them all to fear thy name.
tongue, With all their powers, shall raise the song; On earth thy glo-ries I'll de clare. Till heaven th'immortal notes shall hear.
42

ALLEGRO.-BOLD.-Rather Staccato.
MASON. L. M.
88
4
1.
O
S. F.
Jesus demands the voice of joy,-Loud thro' the land let triumph ring; His honors should your songs employ,-Let grateful praises hail the King.
4
2. Shout to the Lord, adoring own, Thy works thy wondrous might disclose, Thine arm victorious power has shown; Thus did thy cross confound thy foes.
VERY BOLD and SPIRITED.
BROTHERS.
L. M.
(CONGREGATIONAL.)
W. B. E.
4
1. Give to our God im- mor- tal praise;-Mer-cy and truth are all his ways;
3. He built the earth, he spread the sky, And fixed the star-ry lights on high;
Wonders of grace to
Wonders of grace to
-
God be long;- Re-peat his mercies in your song.
·
God be long;- Re-peat his mercies in your song.
4
MODERATO.
SILVER SPRING. L. M.
(CHOIR AND SINGING SCHOOL.)
*
1. My Shepherd is the liv- ing Lord, Now shall my wants be well-sup-plied: His prov-i-dence and holy word Be-come my
safety
and my guide.
In pastures where sal va-tion grows, He makes me feed, he makes me rest; There living water gen-tly flows, And all the food's divine - ly blest.
O: 3

S.F.
grateful praise il the K
MANOAH. L. M. T (CONGREGATIONAL.)
89
ad of brosal on tred
1. Come, Ho-ly Spi-rit! calm my mind, And fit me to approach my God; Remove each vain, each worldly thought, And lead me to thy blest abode.
دار
jj
2. Hast thou im-part-ed to my soul A living spark of holy fire? Oh! kindle now the sa-cred flame; Make me to burn with
pure
de-sire.
d thy cross com ind thy fa
3. A brighter hope and faith im-part, And let me now my Sa-viour see; Oh! soothe and cheer
burdened heart, And bid my spirit rest in thee.
9107 7607
B.B.
LEGATO e PIANO.
WARD. L. M.
ARRANGED FROM A SCOTCH TUNE, BY L. Mason.
t his mer-cies your song
bis mer-cies
There is a stream, whose gentle flow Sup-plies the city of Our
your se
God; Life, love, and joy still glid - ing thro', And wa-t'ring our di - vine a
bode.
2
29
SCHOOL)
4
BoD svoda mot
MODERATO.-Gentle-Tender.
ELM GROVE.
L. M.
(QUARTETTE.)
1. Come, weary souls, with sin distressed, Come, and accept the promised rest; The Saviour's gracious call obey, And cast your gloomy fears a-way.
my safety nd my gu
4
the food's di e-ly
2. Oppressed with sin, a painful load, O, come and spread your woes abroad: Divine compassion, mighty love, Will all the painful load re move.

90
Time about One Second to the Measure.
(GILBERTSVILLE.
L. M.
W. B. B.
9-6
27
1. A-rise! arise! with joy survey The glory of the lat-ter day:
Al-read-1
-y
is
the dawn begun Which marks at hand the rising sun! Al-read-y is the
2
2. "Behold the way!" ye heralds, cry: Spare not, but lift your voices high: Convey the sound from pole to pole, "Glad tidings" to the cap-tive soul; Convey the sound from
கஅ
GRATITUDE.
L. M.
Bost.
dawn be-gun Which marks at hand the rising sun.
المواد
my God, how endless is thy love, And morning mercies from above Gently dis-till, like ear-ly dew.
Thy gifts are every evening new;
pole to pole, "Glad tidings" to the captive soul.
GENTLE.-STACCATO.
25b4
BADEN.
L. M.
Hastings.
2
O that I could for ev er dwell De-lighted at the Saviour's feet!
Be-hold the form
I love so well, And all his ten-der love
repeat.

SALOME. L. M. 6 lines.
(CHOIR TUNE.)
91
W. B.
CHEERFUL
4
1. The Lord my pasture shall prepare,
And feed me with
a
shepherd's care; His presence shall my wants sup-ply, And guard me
Sun! Al-read- is the
4
2. When in the sul-try glebe I faint,
Or on the thirsty moun-tain pant, To fer- tile vales and dewy meads, My weary,
oul; Convey thound from
4
>st.
with a watchful eye; My noon-day walks he shall attend, And all my mid-night hours defend, And all
mid
my
·
night hours de - fend.
dis-till, likely dew.
Has gs.
ten-der love -peat.
ful
riv
he shall.
ers, soft.
at tend,
and slow,
And all
my, &c.
Amid the, &c.
0201
OTANTOON
dant
land-scape flow.
bat osana My noon -- day walks....
Where peace
wandering steps he leads; Where peaceful rivers, soft and slow, Amid the verdant landscape flow, Amid the ver
HAMBURG. L. M.
(CONGREGATIONAL.)
ARR. BY L. Mason.
Happy the man, whose cautious feet Shun the broad way that sinners go; Who hates the place where atheists meet, And fears to talk as scoffers do.
564

92
4
4
SPIRITED.
BRITTON.
L. M.aze
1. Sovereign of worlds, dis-play thy power, Be this thy Sion's fa-vored hour; Bid the bright morning star
E. L. White.
a - rise, And point the nations to the skies.
4
4
2. Set up thy throne where Sa - tan reigns, On west-ern wilds, and heathen plains; Far let the gospel's sound be known, And be
the u- ni-verse thine own.
4
4
3. Speak, and the world shall hear thy voice: Speak, and the nations shall rejoice; Scatter the shades of moral night, With the
blest beams of heavenly light.
D: 24
4
ORLAND.
L. M.
Dr. Arnold.
BOLD.
4
42
ob eod adgin
1. Jesus shall reign where'er the sun Does his succes - sive jour-neys run; His kingdom stretch from shore to shore, Till moons shall wax and wane no more.
Behold the na-tions with their kings; There Eu-rope her best trib-ute brings; From north to south the prin- ces meet, To pay their hom - age at his feet.
2.
Ob4
42
MODERATO.-GRAZIOSO.
FULDA. L. M.
ARRANGED FROM THE GERMAN.
4
1. How pleasant, how divinely fair, O Lord of hosts, thy dwell-ings are! With long desire my spi
rit faints To meet th'as-sem
blies of thy saints.
3
4
4
2. My flesh would rest in thinea - bode; My panting heart cries out for God; My God, my King, why should I be So far from all my joys and thee!
O3
20.40

E. L. hite.
Time, One Second to each Half Note.
STILLWATER. L. M.
(CONGREGATIONAL.)
93
TTOE AW0,18
nations the ski
4
路
​1. Loud hallelujahs to the Lord, From distant worlds where creatures dwell! Let heaven begin the solemn word, And sound it dreadful down to hell.
u-
ni-e thine own
beams of venly light
دارد
2. Wide as his vast do-min- ion lies, Make the Creator's name be known: Loud as his thunder shout his praise, And sound it lof-ty as
64
Dr. nold.
all wax and e no more.
hom-age
his feet
D FROM THE CEMAN.
emblies thy saints
8 and theel
SURREY. L. M.
OTAT
his throne.
Costello.
Thine earthly Sabbaths, Lord, we love; But there's a nobler rest a-bove; (
To that our longing souls a spire, [OMIT
ogia bas edasit ovig onten vd oainy
] With cheerful hope
and strong desire, With cheer
-
ful hope and strong desire.
3
GENTLE-Soft and Slow.
40
1
NEW VERNON.
L. M.
UAI
(QUARTETTE.)
R. E. 0.
1. Great God! to thee my eve-ning song With hum-ble gratitude I raise; Oh! let thy mer-cy tune my tongue, And fill my heart with live-ly praise.
p
p
Cres,
Dim. Cres.
Cres.
Dim. Dim.
2.
My days un-cloud-ed as they pass, Aul ev-y gen
tly rolling ho Are mon-u-ments of wondrous grace, And wit-ness to thy love and power.
20

94
SLOW, and SOFT.
4
SHILOH. There is a calm." L. M.
(QUARTETTE.)
1. There is a calm for those who weep, A rest for weary pilgrims found: They soft-ly lie, and sweetly sleep, Low in the ground,
W. B. B.
Low in the ground.
Ritard.
2. The storm that sweeps the wintry sky
554
No more dis-turbs their deep re-pose, Than summer evening's latest sigh. That shuts the rose,.... That shuts the rose.
LEPANTO. L. M.
Sweet is the work, my God, my King! To praise thy name, give thanks and sing; To show thy love by morning light, And talk of all thy truth at night, And talk of all, &o
MODERATO e LEGATO.
1. Behold
mf
LAUREL HILL.
L. M.
ก stranger at the door! He gen-tly knocks,-has knocked before; Has wait-ed long- is waiting still; You treat no
Dim..
p
p
Cres.
p
W. B. B.
oth
- er friend 80 ill.
2. Oh! lovely at ti-tude-he stands With melting heart and load-ed hands: Oh! matchless kindness-and he shows This matchless kindness to
3
his foes.
264

Low in ground
That shy he rose
oflol...
BEACH. L. M.
(CHOIR TUNE.)
W. B. B. 95
1. Lord, when my thoughts delighted rove Amid the wonders of thy love, Sweet hope revives my drooping heart, And bids in-truding fear depart.
2. Repentant sor-row fills my heart, But mingling joy al - lays the smart: Oh! may my future life de clare The sorrow and the joy sincere.
3. Be all my heart, and all my days De- vot-ed to my Saviour's praise; And let my glad o-be-dience prove How much I owe-how much I love.
554
AFFETTUOSO.
OBERLIN.
L. M.
Bost, or SWITZERLAND.
night, And tal fall, de
O Je-sus, full of truth and grace! O all-a- toning Lamb of God!
I wait to
see thy glorious face; I
seek re-
- demption in.. thy blood.
40
W. I B.
oth-er friend
ill.
kindness to
foes.
PAULINA.
ele
A
L. M.
1. Why, on the bending willows hung, Israel! still sleeps thy tuneful string? Still mute remains thy sullen tongue, And Zion's song denies to sing? And Zion's song denies, &c.
2. Awake! thy sweetest raptures raise; Let harp and voice unite their strains: Thy promised King his scepter sways; Jesus, thine own Messiah, reigns! Jesus, thine own, &c.

96
SPARTA. IL. M.DA
(CHOIN TUNE.)
J. H. Rolle,
1.
1. 'Tis by the faith of joys to come, We walk thro' deserts dark as night; Till we
ar-rive at heaven, our home,
Faith is our guide-and faith
our light.
9700
2. The want of sight she well supplies; She makes the pearly gates appear; Far in to distant worlds she pries,
And brings th' e- ter-nal
glo-ries near.
3. Cheer-fal we tread the desert through, While faith inspires a heavenly ray, Tho' li - ons roar, and tempests blow,
47
2558
3.
And rocks and dan-gers fill the way.
ADAGIO, e Sempre Piano.
GERMANY. L. M.
Beethoven.
Soft-ly the shade of evening falls, Sprinkling the earth with dewy tears; While nature's voice to slum-ber calls, And si - lenee reigns a - mid the spheres.
540
ALLEGRO.
ADRA.
L. M.
ਸੰਗਰ
AT
Wm. B. Bradbury. FROM THE "SHAWM."
1. Thus far my God hath led me on, And made his truth and mercy known; My hopes and fears alternate rise, And comforts min-gle with my sighs.
J J J J
2. Thro' this wide wilderness I roam, Far distant from my blissful home; Lord, let thy presence be my stay, And guard me in this dangerous way.
2

NEW HUNDRED. L. M. (CONGREGATIONAL.)
S. Wesley Martin.
97
J. H. lle
ide-and fail our light
1. Praise waits in Zi-on, Lord, for thee; Thy saints a-dore thy ho-ly name, Thy creatures bend th' obedient knee, And humbly thy protection claim.
02
2. Thy hand has raised us from the dust; The breath of life thy spirit gave; Where, but in thee, can mortals trust? Who, but our God, has power to save.
e-ter-nal
ries near
3. Still may thy children, in thy word, Their common trust and refuge see;
O, bind us
to each ether, Lord, By one great tie--the love of thee.
dan-gers the way
Beet ven.
1. The heavens declare thy glo
ry, Lord,
e reigns am he sphere
B
SLOW and GENTLE.
. FROM THE SHAWX
UXBRIDGE. L. M.
(CONGREGATIONAL.)
Dr. L. Mason.
In ev-ery star thy wisdom shines; But when our eyes be-hold thy word, We read thy name in fair- er
ORIEL. L. M.
Ritard ad lib.
lines.
1. There is a calm for those who weep, A rest for weary pilgrims found: They softly lie, and sweetly sleep, Low in the ground, Low in the ground.
ts min-gle my sig
3. The storm that sweeps the wintry sky No more disturbs their deep re
pose, Than summer evening's la-test sigh, That shuts the rose, That shuts the rose.
Ritard ad lib.
me in this derous raj
2. Then traveler in the vale of tears, To realms of ev-er-last- ing light, Through time's dark wilderness of
b53
years,
Pursue thy flight, Pursue thy flight.
FO
(JUBILEE-7)

98
CHANT.
HARMONY CHANT.
L. M.
S. F.
1. Behold th'expected time draw near,The shades disperse, the dawn appear! Behold the wilderness assume The beauteous tints of Eden's bloom, The beauteous tints of Eden's, &e.
2.
Events with prophecies conspire To raise our faith, our zeal to fire: The ripening fields, already white, Present a harvest to the sight, Present a harvest to the sight.
52
3.
The untaught heathen waits to know The joy the gospel will bestow; The exiled cap-tive, to receive The freedom Jesus has to give, The freedom Je-sus has to give.
BOLD.
DUKE STREET.
L. M.
459
John Hatton.
1. Lord, when thou didst as-cend on high, Ten thousand an - gels filled the sky; Those heavenly guards a -
round thee wait, Like chariots that
at-tend thy state.
4 28
2662
LEGATO-Time, One Second to Each Quarter Note.
OWENS.
L. M.
10
1. There is a stream whose gentle flow Sup-plies the city
of our God; Life, love, and joy, still glid-ing through, And watering our divine a-bode.
Cres.
Dim.
p
b2
4
2.
That sacred stream. thine holy word, Our grief allays, our fear con - trols; Sweet peace thy prom-i - ses
afford, And give new strength to fainting souls.
2
榮
​(801)

Juidonne O KARA
BABCOCK. L. M.
W. B. E. 99
eauteous tin Eden's de
1. "Come hither, all ye wea-ry
souls! Ye hea-vy- la den
-
sinners! come; I'll give you rest from all your toils,
And raise you to
my heavenly home.
t a harvest the sight
2. " They shall find rest who learn of
me, I'm of a meek and low ly mind; But pas-sion ra -
ges like the sea,
And pride is rest - less as the wind.
edom Je-sus to give
3.
"Blessed is the man whose shoulders take My yoke, and bear it
with delight; My yoke is
ea - sy to
his neck, My grace shall make the bur - den light.
John ton.
PLEYEL'S HYMN.
L. M.
Pleyel.
that at-te thy state
So fades the love-ly, blooming flower, Frail, smiling sol - ace of an
hour! So soon our transient com - forts fly,
And plea-sure on - ly blooms to
die.
*
ring our die a-b
Jim.
*Fer Sevens, omit the first note in every strain.
OORD. L. M.*
R. E. 0.
1. Lift up your eyes, ye sons of light, Behold the fields al
-
rea-dy white; The glo-rious har - vest now is
come;
See ransomed sin-ners flock- ing home.
new strength faintings
2. Moved by the spi-rit's softest wind, Their hearts are all as
one in-clined; Their for-mer sins and fol-lies-mourn; They bow, and to their God re- turn

100
4
1.
2.
ITALY.
L. M.
Double.#
ARRANGED FROM Sacchini.
Come, O my soul, in sacred lays, Attempt thy great Cre-a-tor's praise:
{But, O, what tongue can speak his fame? What verse can reach the lof-ty theme? Enthroned amid the radiant spheres, He glory like a
In all our Maker's grand de-signs, Al-mighty power, with wisdom, shines; Raised on devotion's lofty wing, Do thou, my soul, his
His works, thro' all this wondrous frame, De-clare the glory of his name.
de
गमाग
gar-ment wears; To form a
robe of light di- vine, Ten thousand suns a-round him shine, Ten thousand suns a-round him shine.
glo-ries sing;
And let his praise em - ploy thy tongue Till listening worlds shall join the song, Till listening worlds shall join the song.
BERGEN. L. M.
While thus thy throne of grace we seek, Oh God, with in
our
spirits speak, For we will hear thy voice today, Nor turn our burdened hearts a-way.
4

cchini.
glo-ry
LOVING KINDNESS. L. M.
101
CODA.
1. Awake, my soul, to joy-ful lays, And sing the great Redeemer's praise; He justly claims a song from me: His loving kindness, O, how free! His loving kind-ness,
2
4
4
2.
He saw me ru-ined in the fall, Yet loved me, not-with-standing all; He saved me from my lost estate; His loving kindness, O, how great! His loving kindness,
o thou, my
454
TABERAH. L. M.
FROM Rossini.
a-round hir hine.
loving kindness, His loving kindness, O how free!
1.
Where is my God? does he re- tire Beyond the reach of humble sighs?
Are these weak breathings of de-sire, [OMIT..
] Too languid to as-cend the skies.
shall joint song
loving kindness, His loving kindness, O how great.
2.
Is not for bid-den to as-pire, [OMIT..
{He hears the breathings of de-sire; The weak petition, if sincere, And hope to reach his gracious ear.
..]
4
LUTON.
L. M.
wordarilo do ba dom Burder.
burdened bear way.
Wiih all my powers of heart and tongue, I'll praise my Mak-er in my song; Angels shall hear the notes I. raise, Approve the song, and join the praise.
3

102
STACCATO.
BLOOMFIELD CHANT.
L. M.
Wm. B. Bradbury. FROM THE SHAWM."
1. Ye Christian heralds, go proclaim Salvation in Immanuels's name; To distant climes the tidings bear, And plant the rose of Sharon there, And plant the rose of Sharon there,
2. He'll shield you with a wall of fire, With holy zeal your hearts inspire, Bid raging winds their fury cease, And calm the savage breast to peace, And calm the savage breast, de.
pp
3. And when our labors all are o'er, Then shall we meet to part no more, Meet, with the blood-bought throng to fall, And crown the Saviour Lord of all, And crown the Saviour,&c.
TENDERLY.
REST.
L. M. AMSAT
Wm. B. Bradbury. 1843.
1. Asleep in Je-sus! blessed sleep, From which none ever wakes to weep; A calm and un- disturbed repose, Un-broken by the last of foes.
7801
2. Asleep in Je-sus! O, how sweet To be for such a slumber meet! With holy con- fi-dence to sing, That death hath lost his venomed sting.
252
SOFT and GENTLE-Yet Distinct.
OLIVE'S BROW. L. M.
Wm. B. Bradbury. FROM "THE SHAWM."
1. 'Tis midnight, and on Olive's brow, The star is dimmed that lately shone: 'Tis midnight, in the gar-den now, The suffering Saviour prays a-lone.
4
g
2. 'Tis midnight, and, from all removed, Immanuel wrestles lone, with fears; E'en the dis-ci-ple that he loved Heeds not his Master's grief and tears

nry. FROM "HAW
BOLD and SPIRITED.
GALENA. L. M.
ARRANGED FROM A Ms. or H. T. M.
103
nd plant the rose sharon there
#2
4
1. Stand up, my soul-shake off thy fears, And gird the gospel ar-mor on: March to the gates of endless joy, Where Jesus, thy great Captain's gone.
And calm the sa e breast,
04
+
04
2. Hell and thy sins re-sist thy course; But hell and sin are vanquished foes; Thy Jesus nailed them to the cross, And sung the triumph when he rose.
of all, And crowe Saviourde
O2
4
B. Bradbu, 1843.
SMOOTH and FLOWING.
DUMBARTON. L. M.
W. B. B. FROM "THE MENDELSSOHN COLL."
en by the la of foes
1. Je-sus, where'er thy peo-ple meet, There they be - hold thy mer-ey-seat; Wher-e'er they seek thee, thou art found, And ev
0313
·
ery place is hallowed ground:
th hath lost his 10med sting
dbury. FRO CHE SHAVE
VERY BOLD and ENERGETIC,
SHERMAN. L. M.
ffering Saviour ays a-lore
1. Triumphant Zion, lift thy head From dust and darkness, and the dead! Tho' humbled long-awake at length, And gird thee with thy Saviour's strength, And gird thee, &c.
4
2. Put all thy beauteous garments on, And let thy ex-cellence be known: Decked in the robes of righteousness, Thy glories shall the world confess, Thy glories shall, &c.
not his Master ief and tea
3. No more shall foes unclean invade, And fill thy hallowed walls with dread; No more shall hell's insulting host, Their victory and thy sorrows boast, Their victory and thy, &c.

104
CHEERFUL
1.
EAGLE ROCK.
L. M.
W. B. B.
As when the weary traveler gains The height of some commanding hill, IIis heart revives, if o'er the plains He sees his home, tho' distant still-
70
Dox. No.
4
mp
Cres.
Cres.
Cres.
f
Dim.
Dim.
Dox. No. 2
4
2. So, when the Christian pilgrim views, By faith, his mansion in the skies, The sight his fainting strength renews, And wings his speed to win the prize.
Dox. No. 3.
4
HIDING-PLACE.
L. M.
2
Hail! sovereign love, that first be gan The scheme to res-cue fall- en man; Ilail! match-less, free, 0 ternal grace, That gave my soul a hiding place.
Glo
4
Ke
CALDWELL. L. M.
Dr. L. Mason-
13
M
1. The flow-ery spring, at God's com-mand, Perfumes the air, and paints the land: The summer rays with vig- or shine, To raise the corn,
and cheer the vine.
1. How
4
ر الرواد
2. His hand in autumn
-
richly pours, Thro' all her coasts re dundant stores; And winters, softened by his
care,
No more the face
of hor-ror wear.
2
4
3. The changing sen-sons, months, and days, De-mand success - ive songs of praise; And be the cheerful homage paid, With morning light and evening shade.
2. From h
O2

AUTHOR UNKNOWN.
105
W. B.
home, tho' dista still-
Dim.
m
ngs his speed to whe pri
OLD HUNDRED. L. M.
Dox. No. 1. Be thou, O God, ex-alt-ed high; And as thy glo- ry fills the sky, So let it be on earth displayed, Till thou art here, as there o-beyed.
Dox. No. 2. Praise God, from whom all blessings flow; Praise him, all creatures here below; Praise him above, ye heav'nly host, Praise Father, Son, and Holy Ghost.
Dox. No. 3. To God the Father, God the Son, And Ged the Spirit, three in ore, Be hon-or, praise, and glo-ry given, By all on earth, and all in heaven.
ave my soul a bid place
Dr. L. MOR
CHANTING STYLE.
EVENING HYMN.
L. M.
Tallis.
Glo-ry to thee, my God, this night,
For all the blessings of the light; Keep me
O keep me, King of kings, Be-neath the sha-dow
of thy wings.
4
MODERATO.
DENHOLM. L. M.
ARRANGED FROM THE GERMAN.
the corn,
and eb the rive
the face of he or we
4
1. How sweetly flowed the gospel sound From lips of gentleness and grace, When listening thousands gathered round, And joy and gladness filled the place
ing light and ey shade
4
2. From heaven he came,of heaven he spoke, To heaven he led his followers' way; Dark clouds of gloomy night he broke, Unvailing an im
204222
-
mor-. tal day.

106
A
ROCKINGHAM. L. M. O
Dr. Lowell Mason.
Who can describe the joys that rise Thro' all the courts of Par-a - dise? To see a prod -i- gal re-turn, To see an heir of glo- ry born?
OB
SPIRITED.
3
MENDON. L. M.
old
Loud swell the pealing organ's notes, Breathe forth your soul in raptures high! Praise ye the Lord, with harp and voice; Join the full chorus of the sky.
WINCHESTER. L. M.
Dr. Croft.
My soul, thy great Cre-a-tor praise; When clothed in his ce-les tial rays, He in full ma- jes- ty ap-pears, And like a robe his glo-ry wears.
4
only od bold coutely ban vol bn & boy bors
SHOEL. L. M.
"HANDEL AND HAYDN COLL." ALTERED FROM Shocl.
My s
Now shall the trembling mourner come, And bind his sheaves, and bear them home; The voice,long broke with sighs,shall sing, Till heav'n with hallelujahs ring.
My s

-Lowell MM.
THE BURDEN.
L. M.
107
TENDERLY.-Devoutly.
heir of glo born!
1. O that my load of
sin were gone! O that I could at last sub-mit, At Jesus' feet to
lay it down, To lay my soul at
Je-sus' feet.
2. Rest for my soul I long to find; Saviour, if mine in- deed thou art, Give me thy meek and
low-ly mind, And stamp thine im - age
on my heart.
the full chorus the sky
ple
FOREST. L. M.
Chapin.
Dr. ft.
Come hith-er, all ye
weary souls,
Ye hea-vy- la - den
sinners, come;
錄
​give you rest from all your toils, And raise you to
my heavenly home.
a robe his -ry wear
BRIDGEWATER. L. M.
300
My soul, thy great Redeemer praise, When, elothed in his celestial rays,
EL" ALTERED
Shock
My soul, thy great Redeemer praise, When, clothed in his celestial rays,
Theav'n with ha ujahs
My soul, thy great Redeemer praise, When, clothed in his celestial rays,
He
Edson.
He in full maj-es - ty appears, And like
a robe.. his glo-ry wears.
He in full majesty appears, And like a robe his glory wears.
in full majesty appears, He in full maj-esty appears, And like a robe his glory wears.
240
He in full maj-es-ty appears, He in full majesty appears, And like
a robe
his glo-ry wears.

108
SOFT and SLOW.
4
4
LYDDA.
289
L. M.
Aug. Kreissman.
1. There is a re-gion lovelier far Than sages tell or po-ets sing, Brighter than noonday glories are, And softer than the tints of spring.
4
04
仅仅
​04
p
2. It is not fanned by summer's gale; 'Tis not refreshed by vernal showers; It nev-er needs the moonbeams pale, For there are known no evening hours.
4
PORTUGAL. L. M.
T. Thorley.
Sweet is the work, my God, my King, To praise thy name, give thanks, and sing; To show thy love by morn-ing light,
And talk of
all thy truth at night.
#2
Newt
2
HARPER. L. M.
Ancot. ARRANGED.
1 Tho' I walk thro' the gloomy vale, Where death and all its terrors are, My heart and hope shall never fail, For God, my Shepherd's with me there.
2 A-mid the darkness and the deeps, Thou art my comfort, thou my stay; Thy staff supports my feeble steps, Thy rod directs
my doubt-ful way.

SLOWLY.
ug. Kreis an.
4
1.
HARTEL.
L. M.
Dr. L. Mason. FROM "THE HALLELUJAH."
109
Be-hold a stranger at the door! He gently knocks-has knocked before; Has waited long, is waiting still; You treat no other friend so ill.
than the tint spring
known no eving hours
ngh
2. Oh! lovely attitude-he stands, With melting heart and loaded hands: Oh! matchless kindness-and he shows This matchless kindness to his foes.
OLEAN.
L. M.
Lemuel Rockwell.
(BLIND.) 1854.
T. Trley,
1. Soft be the gen-tly breathing notes,.. That sing a Saviour's dying love;
Soft as the
eve-ning zeph-yr floats, And soft as
tune-ful lyres a- bove:
all thy tru it night
ラー
​2. Soft as the morning dews de scend,..
O2
While warbling birds ex-ult - ing soar,
So soft to
our
al-might-y Friend Be every sigh our
bosoms pour.
Ancot. A INGED.
MODERATO.
LAMPARD.
L. M.
G. R. L.
epherd's wit ne ther
1. Sweet is the work, my God, my King, To praise thy name, give thanks, and sing; To show thy love by morn-ing light, And talk of
all thy truth at night.
2. Sweet is the day of sa-cred rest; No mor-tal care shall seize my breast; O, may my heart in tune be found, Like Da-vid's harp of solemn sound.
my doub 1 way
4
ल

110
BOLD and ENERGETIC.
Soprano Solo.
KINGDOMS AND THRONES.
L. M.
QUINTET.
1. Kingdoms and thrones to God be
2. God is our shield, our joy, our
long;
rest;
Crown him, ye na
God is our King,
tions, in your song; His wondrous name and power rehearse; His honors shall en -
proclaim him blest; When ter-rors rise, when nations faint, He is the strength of ev
-
rich your verse.
ery saint.
Tenor.
1. Kingdoms and thrones to God be-long;
Crown him, ye na- tions
in your
song; His wondrous name and power rehearse; His honors shall enrich your verse.
Alte.
Soprano.
Chorus not too loud, and moderately Staccato. If the Soprano Solo is sung, see that the Chorus sing so lightly that they can hear it.
2
2. God is our shield, our joy, our rest;
God is our King, pro- claim him blest; When terrors rise, when nations faint,
Base.
He is the strength of ev -
ery saint.
MODERATO e LEGATO.
Soprano Solo.
Tenor.
THE SACRED TIE.
L. M.
QUINTET.*
K
Ad Lib.
1. How blest the sacred tie that binds In sweet communion kindred minds! How swift the heavenly course they run, Whose hearts, whose faith, whose hopes are one.
2. To each, the soul of each how dear! What ten-der love ! what holy fear! How does the generous flame within Re - fine from earth- and cleanse from sin.
1. How blest the sa-ored tie
Alto.
that binds
In sweet communion kindred minds! How swift the heavenly course they run, Whose hearts, whose faith, whose hopes are one.
Chorus, quiet and gentle. Practice at first with all the voices pp.
Soprano.
Cres.
Rit.
Dim.
2. To each, the soul of each how dear!
Base.
What tender love! what ho-ly fear! How does the generous flame with-in Re- fine from earth, and cleanse from sin !
Or Choral Tune with Soprano Solo Accompaniment. These tunes are complete without the Solo-that should never be sung in public except by a smooth and cultivated Soprane

#FC
MODERATE, but EXPRESSIVE.
Soprano Solo.
THE SACRED STREAM. L. M. (QUINTET.)
T. Wood, ALBANY.
111
rs shall en ich your
strength v ery su
1. There is a stream whose gen - tle flow,
Supplies the
city
of our
God, Life, love, and joy, still gliding through, And
M
shall en ch your
69
4
1. There is a stream whose gentle flow,
Supplies the ci
ty of our God,
Life, love, and joy, still glid-ing through,
O
2
3
2
4
strength every s
3
4
2. That sacred stream whose holy fount,
Does all our rag
ing fears control; Sweet peace thy prom - i - ses afford
बं
L
26 64
NOTE. In the Second Verse use the Small Notes.
se faith, wh hopes are
rth-and use from i
SLOW and SOFT.
ROSEDALE.
L. M.
G. F. Root.
001
wa-ter-ing our
di - vine
a-bode.
se faith, wh hopes are
J Great God, to thee my evening song With humble grat-i- tude I raise;
Oh, let thy mer-cy time my tongue, Omit.
And fill my heart with live-ly praise.
And watering our
di vine a-bode.
3
4
arth, and anse from
And give new strength to fainting souls.
My days un-cloud-ed, as they pass, And every gently rolling hour,
Are monuments of wondrous grace, Omit.
And witness to thy love and power.
Rit.
Dim
and cultivat prane
慈
​
112.
(CHRISTIAN'S SLEEP. L. M.
W. B. B.
D+
1. Dear is the spot where Christians sleep, And sweet the strain which an-gels pour; O, why should we in
an-guish weep? They are not lost-but
gone
be
-
fore.
1. F
2. Say, why should friendship grieve for those Who safe ar- rive on
04
Canaan's shore? Released from all their hurt - ful
foes, They are not lost-but gone be
fore.
3. Ilow many pain-ful days on earth Their fainting spi- rits numbered o'er! Now they en-joy a
4. Dear is the spot where Christians sleep, And sweet the strain which an-gels pour; 0, why should we in
2
QUITO.
L. M.
heaven-ly
birth; They are not lost-but gone be
an-guish weep? They are not lost-but gone be fore.
fore.
2. I
Who is this stranger in dis-tress, That tra-vels thro' this wil-der-ness? Oppressed with sorrow and with sin, On her beloved Lord she leans, On her beloved Lord she leans.
AFFETTUOSO.-LEGATO.
WILSON. L. M.
W. B. E.
LEIPZIG, JAN., 1848. FROM "THE MENDELSSOHN COLL."
C.M. Ea
88&68.
M
2612
M
1. My spirit sinks with-in me, Lord; But I will call thy grace to mind, And times of past dis-tress.record, When I
have found my God
was kind.
e
1. Th
Cres.
2. The
2. Yet will the Lord command his love, When I ad- dress his throne by day, Nor in the night his grace remove, The night shall hear me
sing
and pray
3. The
63
102

W. B.
t lost-but gon
ALLEGRO.-Joyful.
4
-fore
ELAH.
C..M.
(CHOIR AND SINGING SCHOOL.)
e
113
1. Faith is the brightest evidence Of things beyond our sight, Breaks thro' the clouds of flesh and sense, And dwells in heavenly light, And dwells in, &c.
lost-but gon
fore
4
04
t lost-but gone
t lost-but gon
fore.
2. It sets times past, in present view, Brings distant prospects home-Of things a thousand years ago, Or thousand years to come, Or thousand years, &c.
0:4
-2
LANESBORO. C. M. Or 8s & 6s.
English.
On her beloved d she leas
C. M. Early, my God, without de-lay, I haste to seek thy face; My thirsty spi-rit faints a way, My thirsty
88 & 6s. There is an hour of peaceful rest, To mourning wanderers given; There is a joy for souls distressed, A balm for
spi-rit faints a way, Without thy cheering grace.
every wounded breast; 'Tis found a lone in heaven.
-
THE MENDELS COLL
d my God
MODERATO.-Rather Gentle.
O
DEBORAH. C. M. Or 8s & 6s.
(CHOIR AND SINGING SCHOOL.)
Cres
as
1. There is an hour of peace-ful rest, To mourning wanderers given: There is a joy for souls distressed, A balm for every wounded breast, "Tis found a-lone in heaven.
4
2. There is a home for weary souls, By sin and sorrow driven; When tossed on life's tempestuous shoals, Where storms arise, and ocean rolls, And all is drear but heaven.
2
me sing
d pra
3. There, faith lifts up the tear-ful eye, The heart no longer riven, And views the tempest passing by, Sees evening shadows quickly fly,
And all se-rene in heaven.
(JUBILEE-8)

114
GENTLE.
ESLI. C. M. (MAY BE SUNG AS A SOFRANO AND ALTO DUET.)
W. B. B.
D
-
1. How oft, a las! this wretched heart Has wandered from the Lord! How oft my rov-ing thoughts depart, For-get-ful of
his word!
2. Yet sovereign mer-cy calls, "Return !" Dear Lord! and
3
23
may
I come?
-
My vile in grat - i- tude I mourn; Oh! take the wanderer home.
3. And canst thou, wilt thou, yet for give, And bid my crimes re- move?
And shall a pardoned rebel live, To speak thy wondrous love?
O
COVENTRY.
C. M.
MAJ
1. O could our thoughts and wish
-es
2. O then, on faith's sub- lim
fly,
est wing.
Above these gloom-y shades,
Our ardent souls shall rise,
To those bright worlds beyond the sky, Which sorrow ne'er in-vades.
To those bright scenes, where pleasures spring, Im mor- tal in the skies.
-
0:3
4
UB
P
SPIRITED.
e)
DOR. C. M.
SP
O
6
4. Almighty grace! thy healing power, How glorious, how di - vine! That can
to life and bliss re-store A heart so vile
as
mine.
1. Ha
2. He
5. Thy pardoning love-so free, so meek, Dear Saviour, I
a - dore; O keep me at thy sacred feet, And let me
rove no more.
8. He c
02

T.)
W. B.
-ful of hi word!
DISTINCT.-Rather Staccato.
BERITH.
C. M.AHO
115
1. God moves in a mysterious way, His wonders to perform; He plants his footsteps in the sea, And rides up-on the storm, And rides up-on the storm.
e the wandere home.
p
thy wondrot love?
972
mf
Cres.
2. Deep, in unfathomable mines Of never-failing skill, He treasures up his bright designs, And works his sovereign will, And works his sovereign will.
O
HEBER. C. M.
Geo. Kingsley.
sorrow ne'e
1-vades
mor-tal in e skies
The Sa-viour calls, let ev - ery ear
Attend the heaven-ly sound; Ye doubt-ing souls, dis - miss your fear,
d
Hope smiles re-
viv
·
ing round.
SPIRITED and JOYFUL.
2
CALNO.
C. M.
鹽
​2
80 vile a mine.
1. Hark! the glad sound! the Saviour comes, The Saviour promised long! Let every heart pre-pare
a throne, And ev-ery v.ce a song,
And every voice
a
song.
04
2. He comes, the prisoner to re-lease, In Sa-tan's bond-age held; The gates of brass before him burst, The iron fet - ters yield, The iron fet
ters
yield.
04
me rove n more.
3. He comes, from thickest films of vice To clear the men - tal
ray, And on the eyes oppressed with night, To pour ce-les- tial day, To pour ce - les
tial
day.

116
SPIRITED.
04
CHAPMAN.
C. M.
1. The Saviour calls; let every ear Attend the heavenly sound; Ye doubting souls, dismiss your fear; Hope smiles reviving round, Ye doubting souls, dismiss your fear, Hope smiles reviving round.
GR
Ke
ลงลง
2. Lif
E
2. For every
thirst-y, longing heart, IIere streams of bounty flow, And life, and health, and bliss, impart, To banish mortal woe, And life, and health, and bliss, impart, To banish mor-tal woe.
5. My
With GENTLENESS and PRECISION.
EDMESTON.
C. M.
FROM THE DULCIMER."
I. B. Woodbury.
The Second Ending may be omitted.
FI
1. N
1. When the worn spirit wants repose, And sighs her God to seek, How sweet to hail the eve-ning close, That ends the
wea-ry week, That ends the wea-ry week.
Dim.
Rit.
75
DZ
GENTLY.
MADAN. C. M.
(CHOIR AND CONGREGATIONAL.)
ANI
Wh
1. Our little bark, on boisterous seas, By cru-el tempests tost,
With-out one cheer-ful beam of hope, Expecting to
be
lost.
2. We to the Lord, in humble prayer, Breathed out our sad dis-tress; Though feeble, yet with contrite hearts, We begged return of
peace.
2. Shoul
3. Then ceased the stormy winds to blow; The surges ceased to
roll;
And soon
a - gain a placid sea Spoke comfort to
the soul.

GRAVE.-Slow and Majestie.
CREMONA.
C. M.
ARR. FROM Romberg.
117
1. Keep silence, all cre - a - ted things, And wait your Ma-ker's nod; My soul stands trembling while she sings The honors of her God, The honors of her God.
Hope smiles reg round.
2. Life, death, and hell, and worlds unknown, Hang on his firm de- cree; He sits on no pre ca
rious throne, Nor borrows leave to be, Nor borrows leave to be.
02
JJ J
2
To banish mor
wce.
5. My God, I would not long to
see, My fate with cu-rious
eyes;
What gloomy lines are
writ for me, Or what bright scenes may rise, Or what bright scenes may rise.
Woodbur
nd Ending may mitted.
FIRM and STRONG.
AGAWAM.
C. M.
(CONGREGATIONAL.)
W. B. B.
04
tends the wea
1. No change of time shall
ey er
shock
week.
My trust, O Lord, in thee; For thou hast always been my rock,
sure
defense to me.
Rit
D
4
ANDANTE.
ERASTUS. C. M. (CHOIR TUNE.)
Le 059
04
1. When I
can read my title clear To mansions in the skies,
I
bid
fare well.. to
ting
be lost.
ey - ery fear, And
wipe
my
weep
ing eyes.
red return of peace.
D4
2. Should earth... against my soul engage, And hell's fierce darts be hurled, Then I
can
smile at
fort to the soul
Satan's rage, And face
a frown
ing world.

118
JOYFULLY.-ALLEGRO MODERATO.
CHAMOUNIX.
C. M. Double.
FINE.
1. Awake, my soul, to sound his praise; Awake, my harp, to sing; Join all my powers, the song to raise, And morning in- cense bring. 2. Among the people of his
songs of praise will I pre-pare, And there his name re - sound; Glad songs of praise will I prepare, And there his name re-sound.
D. C.
4
FINE. ad bon
3. Be thou ex-alt- ed, O my God, A-bove the starry frame; Dif-fuse thy heavenly grace abroad, And teach the world thy name.
D. C. sinners hear thy pardoning voice, And taste re-deem-ing love, While sinners hear thy pardoning voice, And taste re-deem-ing love.
4. So shall thy chosen sons re-
3.
0:3
GENTLY.
D. C.
4
LYSTRA.
C. M.
A
40
care, And thro' the nations round, Glad
Spirit of peace, ce- lestial Dove, How ex- cel-lent thy praise!
No rich- er gift than Christian love, Thy [OMIT.
..]
}
gra-cious power dis-plays.
D. C.
4
4
joice, And throng thy courts above, While
2.
S Sweet as the dew on
At
evening's soft and
herb and flower, That silent - ly
balm - y hour, On [OMIT.
dis - tills,
.]
4
4
BOLD.
TERAH.
C. M.
'Tis by thy strength the mountains stand,
Zion's fruitful hills.
24
God
of Eter
nal
power! The
sea grows
calm
at
thy command, And tempests cease
to
roar.
3
AD
:2

6
MOUNT BETHEL. C. M.
Double.
ARRANGED FROM Richter.
119
ng the peop of his
O speed thee, Christian, on thy way, And to thy ar-mor cling;)
1.
With girded loins the call o-bey, That grace and mercy bring. 2. There is a battle to be fought, An upward race to run,
A crown of glory to be sought, A victory to be won.
6
4
hall thy chos sons re
3.
The shield of faith re- pels the dart That Satan's hand may throw;
His arrow can not reach the heart, If Christ control the bow.
O:6
4
ALLEGRETTO.
4. The glowing lamp of prayer will light Thee on thy anxious road,'Twill keep the goal of heav'n in sight, And guide thee to thy God.
BROWN. C. M.
Wm. B. Bradbury. 1845.
power dis-p.
I love to steal a-while
a-
way
From every cumbering care,
And spend the hours of
setting day, In
hum-ble, grateful prayer.
0:4
夏
​153
LEGATO.
3
-46
SCHROEPPLE.
C. M.
G. A. Smith.
fruit-ful.
1. There is an hour of hallowed peace, For those with cares oppressed, When sighs and sorrowing tears shall cease, And all be hushed to rest.
2. 'Tis then the soul
is freed from fears And doubts which here annoy; Then they that oft have sown in tears Shall reap again in joy.
3
4
pests cease
roar
m
p
ப்ப்
Cres.
Rit.
pp
3. There is
a home of sweet repose, Where storms as-sail
no more; The stream of end-less pleasure flows
On that ce- les - tial shore.
C

120
4
40
oldo VERDURE. C. M. Double.
Wm. Mingle.
FINE.
S:
FINE.
1. With songs and honors, sounding loud, Address the Lord on high; Over the heavens he spreads his cloud, And waters vail the sky. 2. He sends his showers of blessings down, To
makes the grass the mountains crown, And corn in valleys grow.
4
S:
:8:
MIRIAM.
C. M.
FINE.
FINE.
Naricema.
1. Come, humble sinner, in whose breast A thousand thoughts revolve; Come, with your guilt and fear oppressed, And make this last resolve.
cheer the plains below; He
:S:
2. "I'll go to Je-sus, though my sin High as a mountain rose;
E3
I know his courts, I'll en-ter in, What-ev-er may op- pose.
80
4
ST. MARTINS. C. M.
Tansur.
O
Thou, to whom all
creatures bow, With-in this earth-ly frame, Thro' all the world, how great
art Thou! How glo
rious is thy name.
1.
4

Wm Ingle.
showers of bings down
Na cema.
LAKE PLEASANT. C. M. Double.
Sa Mell-bove * 121
Ye wretched, hun-gry, starving poor, Be-hold a roy-al feast;
Where Mercy spreads her bounteous store For every humble guest. There Jesus stands with open arms; He calls, He bids you come; Tho' guilt restrains, and fear alarms, Be-
2.
SO, come, and with his children taste The blessings of his love; i
NO
While hope expects the sweet repast Of nobler joys above. There, with uni ted heart and voice, Before th' e-ter-nal throne, Ten thousand thou-sand souls re-joice In
OB
DOUBLEDAY.
C. M.
41
ed, And make last resolve
hold, there yet is room, Behold, there yet is room.
0#
1. Approach, my soul! the mercy-seat, Where Jesus answers prayer; There humbly fall before his feet, For none can
perish there.
0
What-ev-er n op- pose
songs on earth unknown, In songs on earth unknown.
2. Thy promise is my only plea, With this I
2
venture nigh: Thou callest burdened souls to thee, And such, O Lord! am
I.
Sur
glorions thy name
2
MEDFIELD. C. M.
W. Mather.
1. Early, my God, with-out delay,
haste
to seek thy face; My thirst-y
spirit faints a
way
-
With out thy cheering grace.

122
MAESTOSO.-Bold and Firm.
oldwed MAHALETH. C. M. A
1.
G. J. Webb.
-
1. Un shak-en as the sacred hill, And firm as mountains stand, Firm as
a rock, the soul shall rest, That trusts th'Almighty hand.
まま
​2. Nor walls, nor hills, could guard so well Old Sa-lem's happy ground, As those e- ter-nal arms of love, That ev-ery saint surround.
E4
2
CHEERFUL.
JORDAN. C. M.
Double.
2
}
-
There is a land of pure de-light, Where saints immor-tal reign;
In fi-nite day excludes the night, [OMIT..
ANDANTE e LEGATO.
Billings.
And pleasures banish pain. There ever- last-ing spring a-bides, And never - failing flowers;
PICKERING.
C. M.
9
BOL
ARRANGED FROM Thomas Clark.
4
1. How sweet the name of
Je-sus sounds In a be-liev-er's ear! It soothes his sor-rows,
heals his wounds, And drives away his fear, And drives away his fear.
INY
2. It makes the wounded spirit whole, And calms the troubled breast; 'Tis man-na to
the
hungry soul, And to the wea-ry, rest, And to the wea-ry, rest.
20

G. Jebb.
ALLEGRO con SPIRITO.
ts th' Al hty hand
MALONE.
C. M.
(CHOIR TUNE.)
て
​1. Sing to the Lord, ye distant lands, Ye tribes of ev-ery tongue; Ilis new-discov ered grace demands A new and no-bler song, A new and no
4
1.
123
bler song.
ery sain surround
2. Say to the
na-tions, Je-sus reigns, God's own Almighty Son; His power the sinking world sustains, And grace surrounds his throne, And grace surrounds his throne.
#4
4
PETERBORO". C. M.
Blings
d nev-en iling flower
[the skies.
Death, like a narrow sea, divides That heavenly land from ours. 1.Once more,my soul, the rising day Salutes thy waking eyes; Once more,my voice,thy tribute pay To him who rules
2
WORDS FROM
CONGREGATIONAL HERALD." AUG. 14, 1856.
FARMINGTON.
Thom Clark
1 There is
a place of sweet re-pose, Where weary souls may rest,
2. When worn with toil our spi- rits faint, By thousand cares op- pressed,
C. M.
To J. D. W.
FROM W. B. B.
Fell
From all their sor-rows,
Sweet is
the cure for
all their woes, On their Re-deemer's
our com-plaint, Our Jesus Is our
breast.
rest.
nd drivesay his fear.
4
رار
3. When death has torn some friend a-way, Our bleeding hearts left bare,
tal
4. When sickness clasps its withering arms A-round this
clay,
mor-
'Tis sweet to look to heaven and pray, For Je - sus
Its cup
of an-guish turns to charms, If
Je
- sus
an-swers
is
our
prayer.
stay.
16
4
d to the a-ry, rest
5. When trials and
6. O Thou, our rest,
temp-ta- tions try To prove our faith and love,
our help, our all, Help us to love Thee more,
Why should we yield, why should we fly? Our Je - sus
Then at thy feet we'll joy ful fall, When our last
bove.
reigns a
con-flict 's o'er.

124
MODERATO PIANO.
EUPHRATA. C. M.
1. Since all the varying scenes of time God's watchful eye surveys, Oh! who so wise to choose our lot, Or to appoint our ways! Or to appoint, our ways!
2. Good, when he gives-supremely good; Nor less, when he denies; E'en crosses, from his sovereign hand, Are blessings in disguise, Are blessings, &c.
OSOLEVANT.
C. M.
R. Jones.
4
1. How oft, a las! this wretch-ed heart Has wandered from the Lord!
2. Yet Sovereign mer - cy calls, Re-turn! Dear Lord, and may I come?
How oft my
My vile in
roving thoughts de-part, For-get ful of his word.
gratitude
I mourn, O, bring the wanderer home.
4
4
GENTLE.
HUDSON.
C. M.
W. B. B.
4
1. Co
2.
1. Hear what the voice from heaven proclaims, For all the pi
ous dead;-"Sweet is
the
sa -- vor
of their names, And soft their sleeping bed.
5
04
780
1.Com
2. "They die
in
Je
sus,
and are blessed, How kind their slumbers are! From suf-ferings and from
sins
released, And freed from ev. - ery snare.
20

VERY SPIRITED.
LINDEN VILLE.
C. M. AJ
W. B. B. FROM
"THE SHAWN."
125
ran - somed of the Lord, Your great Deliverer sing: Ye pilgrims, now for Zi - on bound, Be joy-ful in your King, Be joyful in your King.
Or to app t, our wa
1. Sing, all yo
2. See the fair way
his hand hath made,-How peaceful and how plain! The sim-plest traveler need not err, Nor seek the path in vain, Nor seek the path in vain.
isguise, A lessings &
3. A hand di- vine
shall lead you on,
2
Jones.
get-ful his word
ing the wrer home
B. B.
their sleeping bed
ed from evry snare
Thro' all the blissful road; Till to the sa-cred mount you rise, And see your smiling God, And see your smiling God.
WOODSTOCK.
C. M.
(CONGREGATIONAL.)
D. Dutton, Jr.
g
go
1. I love to steal a-while a-way From every cumbering care,
And spend the hours of set-ting day
In hum-ble, grate-ful prayer.
B
ALLEGRO.
CORFU.
Z
C. M.
(CHOIR AND SOCIAL.)
1. Come, let us join our cheerful songs With angels round the throne; Ten thousand thousand are their tongues. But all their joys are one,But all their joys are one, But all their joys, &c,
Jesus is worthy to receive Honor and power divine; And blessings, more than we can give, Be, Lord, for ever thine, Be, Lord, for ev-er thine, Be, Lord, for ev-er thine.
2.
1. Come,let us join our cheerful songs With angels round the throne: Ten thousand thousand are their tongues, Ten thousand, &c.,
Jesus is worthy to receive Honor and power divine: And blessings, more than we can give, And blessings, &c.,
But all their joys are one, But all their joys, &c.
Be, Lord, for ev-er thine, Be, Lord, for ev-er thine.

126
LA MIRA. C. M.
Wm. B. Bradbury. FROM "THE SHAWN."
CHANTING STYLE. W
4
1. I
love to steal a while a way
-
From every cumbering care, And spend the hours of setting day
In hum-ble, grateful prayer.
-4
4
2. I
love in sol- i- tude to shed
The pen
i- tential tear;
And all his promises to plead, When none but God is near.
03
4
QUICK.
HARVEY'S CHANT.
C. M.
W. B. B. FROM "THE SHAWM."
May end here. CODA.
1. With reverence let the saints appear,
3
65
And bow before the Lord; His high commands with reverence hear, And tremble at his word, And tremble at
his word.
1.
Ө
ee
O
6-8
WILLARD. C. M.
W. H. Bangs.
6
1. Dear Fa-ther! to thy
mer-cy
-
seat
My soul for shel - ter
flies:
'Tis here I find
a
safe retreat, When storms and tem- pests rise.
2. My cheer-ful hope can
never
die,
If
thou my God! art
near;
Thy grace can raise my spirits high,
And ban-ish
ev -
ery
fear.
3. My great Pro-tect - or,
and my Lord! Thy con-stant aid im
-
pai;
Oh! let thy kind, thy gra-cious word,
Sustain my trem-bling heart.
Ad

FROM "THE M
m-ble, grat prayer
VERY BOLD and FIRM.
GATCHELL. C. M.
(CONGREGATIONAL.)
127
CODA.
1. On God we build our sure defense; In God our hopes repose; His hand protects our varying life, And guards us from our foes, And guards us, &c.
4
4
亞
​2. Our minds shall be serene and calm, Like Zion's peaceful flood, When soft and silver streams refresh The city of our God, The ci-ty of our God.
one but Go near
#4
FROM "TH HAW
DA.
nd tremble at
Th
W. H.ngs
MORAVIAN.
C. M.
Double.
FINE.
GERMAN
D. C.
1.
I'm not
Main-tain
D. C. will
he
ashamed to own
the
hon - or of
put my soul
my Lord, Or
his word, The glory
to shame, Nor let
my
to
de
fend his cause,
of his cross.
hope be lost.
2. Je-sus, my God, I
know his name, His name is
all
my trust, Nor
GENTLE.
ROCKFORD.
C. M.
4
orms and tem to rise
1. Fa-ther, whate'er of earthly bliss Thy sovereign will de - nies,
Ac-cepted at thy throne of grace, Let this petition
rise:
ban-ish ev
fear
4
tain my trem ig heart
2. Give me a calm, a thankful heart; From every mur - mur free;
The blessings of thy grace impart, And make me live to
thee.
2

128
BOLD and FIRM.
良
​ROSE. C. M. (CONGREGATIONAL.)
Or may be sung as a Duet.
1. Thy law is perfect, Lord of light! Thy testimonies sure; The statutes of thy realm are right, And altogether pure, And al-to-geth
er
pure.
2. Ho-ly, in-vi-o-late thy fear, Enduring as thy throne; Thy judgments, chastening or se-vere, Justice and truth a-lone, Justice and truth alone.
3. Let these, O God! my soul convert, And make thy servant wise; Let these be gladness to my heart, The day-spring to mine eyes, The day-spring, &c.
4
#4
DEVIZES. C. M.
Come, let us join our cheer-ful songs, With an-gels round the throne; Ten thousand thousand are their tongues, But all their joys are
0:14
LEGATO e PIANO.
LILY. C. M.
(CHOIR.)
A
Tucker.
one, But all their joys are
3
4
1. By
cool
Si lo am's sha
dy rill How fair the lily grows! How sweet
the breath, be
-
neath the
hill, Of
Sha
درد اور دوداد
*
one.
ron's dewy rose.
3. By cool
Si lo am's sha dy
·
rill The lily must de-cay; The rose, that blooms beneath
the hill. Must shortly
fade
a-way.

-geth-
er
RIVERBANK. C. M.TE
129
#生
​4
re
1. Je ru
sa-lem! my happy home! Name ever
dear to me! When shall my
la-bors have an end, In joy and peace, in thee?
#4
4
stice and tru lone
2. O, when, thou city of my God, Shall I thy courts ascend, Where con- gregations ne'er break up, And Sabbaths have no end?
##4
4
es, The day-syg, &
3. There hap-pier bowers than Eden's, bloom, Nor sin nor
sorrow know: Blest seats! thro' rude and stormy scenes, I
on -
ward
press to you.
#4
Tuc
BURDER. C. M.
W. B. Bradbury. 1847.
Dim.
Thou lovely Source of true delight, Unseen whom I a dore, Un - vail thy beauties to my sight, That I
may love thee more, That I may love thee more.
their joys ar ne.
3
ron's dew rose
HILLSBORO".
C. M.
(CHOIR TUNE.)
1. Come, let us join our souls to God, In ev-er-last-ing bands; And seize the bless-ings he bestows, And seize the blessings he bestows, With eager hearts and hands.
t-ly fade way.
2. Come, let us
to his temple haste, And seek his fa- vor there; Before his foot-stool hum-bly bow, Be-fore his footstool hum-bly bow, And pour our grate-ful prayer.
(JUBILER-9)

130
ALLEGRETTO a TEMPO GIUSTO.
4
APHEKA. C. M. Double.
1. To our Redeemers' glorious name A-wake the sacred song! Oh may his love, immor-tal flame! Tune every heart and tongue. 2. His love what mortal
2. Dear Lord, while we ador-ing pay Our humble thanks to thee, May every heart with rapture say, "The Saviour died for me!" 4. O may the sweet, the
ন
thought can reach! What mortal tongue display! Im
ag i- nation's utmost stretch In wonder dies
a-
- way, In wonder dies
a-
- way.
p
blissful theme, Fill ev ery
-
p
heart and tongue, Till strangers love thy charming name, And join the sa-cred song, And join the sa-cred song.
WOODLAND. C. M.
N. D. Gould.
1. There is an hour of peaceful rest To mourning wanderers given; There is
a joy for souls distress'd, A balm for every wounded breast,-'Tis found above-in heaven.
EBI

e. 2. His lo hat mort
FIRM and STRONG.
22
ARMSTRONG.
C. M.
Dr. L. Mason.
131
1. Firm-ly I stand on Zi-on's hill, And view my star ry crown; No power on earth my hope can shake, Nor hell can thrust me down.
"2
e!" 4.0 mae sweet,
2. The loft-y hills, and state-ly towers, That lift their heads on high, Shall all be leveled low in dust-Their ve
.
ry names shall die.
MODERATO.
BARBY.
C. M.
wonder
Plaas gele de Il ge
1. O God, my heart is
fully bent To mag-ni
fy.... thy name; My tongue, with cheerful songs of praise, Shall cele -
brate thy fame.
B
LEGATO.
ad join the cred s
SILVER STREAM. C. M.
(CHOIR TUNE.)
1. Sweet is the prayer whose ho-ly stream In earnest pleading flows; De
6
VO
tion
dwells up on
the theme, And warm and warm
er glows.
N. Gould
4
बाब,
st-Tis found ve-in be
6
mp
Cres
do.
cen
2. Faith grasps the blessing she desires; Hope points the upward gaze; And Love,
ce
les
tial Love,
inspires The
el
0- quence
of praise.
3

132
MILTON.
C. M.
(CONGREGATIONAL.)
4
1.
To heaven I lift my waiting eyes; There all my hopes are laid; The Lord, who built the earth and skies, Is my per- pet - ual aid.
2
4
2. Their steadfast feet shall nev-er fall, Whom he de- signs to keep;
His ear attends their hum-ble call, His eyes can
never sleep.
4
3.
Israel, re-joice, and rest se - cure; Thy keep-er is the Lord; His wakeful eyes employ his power For thine e-
ter-nal guard.
O# #2
#4
GENTLE.
FRAGRANCE.
C. M. AS
4
When verdure clothes the fertile vale, And blossoms deck the spray, And fragrance breathes in every gale, How sweet the ver-nal day! How sweet the ver- nal day!
MODERATO.
SCUDDER. C. M.
1. While thee I seek, protect-ing Power, Be
my vain wish
<- es
stilled:
And may this con- se - crat-ed hour With better hopes be filled.
Thy love the power of thought bestowed; To thee my thoughts would soar;
Thy mer-cy o'er
my life has flowed; That mer-cy
I
a
dore.

yper-pe al aid.
CANTABILE.
MORSE. C. M.
A. J. Abbey.
133
4
1. Ma-jestic sweetness sits enthroned Up-on the Saviour's brow; His head with ra-diant glories crowned, His lips with grace o'erflow.
4
es can ne er sleep
ine e te nal guard
2. No mortal can with him compare Among the sons of men; Fairer
is he, than all the fair Who fill the heavenly train.
#4
BOLD and FIRM.-Not too Slow.
ST. ANN S. C. M.
Dr. Croft.
sweet the nal
Hail, sa- cred truth, whose pierc-ing rays
Dispel the shades of night,
Diffusing o'er the men - tal world The healing beams of light.
B
GENTLE.-LEGATO.
MILLS.
C. M.OUT
ter hopes
filled
3. O, thou great Source of joy
su-preme, Whose arm
а -
lone can save,- Dis
pel
the darkness, that sur-rounds The
entrance to the grave.
3
4
cy I
4. Lay thy sup-port-ing, gentle hand Be-neath my sink-ing head; And, with
a ray
of
love divine,
Il-lume my
dying bed.
6
dere.
5. Lean-ing on thy dear faithful breast, May I
-
re sign my breath, And,
in
thy fond
-
em bra
ces, lose
The bitter
-ness of death.
#3
4

134
MODERATELY STACCATO.
4
LAWN.
C. M.
4
See Israel's gentle Shepherd stand, With all-engaging charms! Hark! how he calls the tender lambs, Hark! how he calls the tender lambs, And folds them in his arms!
2. "Permit them to approach," he cries, " Nor scorn their humble name; For 'twas to bless such souls as these, For 'twas to bless such souls as these, The Lord of an-gels came."
#
#3
3.
We bring them, Lord! in thankful hands, And yield them up to thee; Joyful that we ourselves are thine, Joyful that we ourselves are thine,-Thine let our offspring be.
4
CORONATION.
C. M.
Oliver Holden.
All hail the power of Jesus' name! Let angels prostrate fall; Bring forth the royal diadem, And crown him Lord of all; Bring forth the royal diadem, And crown him Lord of all.
4
LEGATO.-GENTLE.
*When "Coronation" is sung as a congregational tune, all should sing in the Duet.
PEORIA. C. M.
4
1. Sweet was
the time when first I felt The Sa-viour's par-doning blood Ap-plied
to cleanse my soul from guilt, And bring me home to God.
#3
4
the morn the light re-vealed, His prais - es
tuned my tongue; And when the evening shades pre-vailed, His love was all my song.
2. Soon
04
3.
as
In prayer my soul drew near the Lord, And saw his
glory shine; And when I read his ho ly word, I called each promise mine.
4

With STRENGTH and FIRMNESS.
##2
SCUDO. C. M. (CONGREGATIONAL.)
135
d folds them is arms!
4
C
1.
How firm the saint's foundation stands! His hopes can ne'er remove, Sustained by God's al-might-y hand, And sheltered in his love!
##2
he Lord of an is came"
4
2.
God is the treasure of his soul, A source of
sa-cred joy, Which no af - flic-tions can control, Nor death it self-stroy.
-
# #2
hine let our ring be.
4
A
3. Lord, may we feel thy cheering beams, And taste thy saints' repose; We will not mourn the perished streams, While such a fountain flows.
Oliver olden.
MODERATO.
STEPHENS.
C. M.
Jones.
Tob
4
m, And erown Lord of
2
1.
To
our
al-might-y
Maker, God, New hon
be
- ors
ad-dressed; His great sal va- tion shines abroad, And makes the na- tions blessed.
4
#2
ANDANTE. Slow, and in exact time.
ASHNAH. C. M.
ng me hom to God
we was all my song
FROM Cherubini.
1. Oh, hap-py they who know the Lord, With whom he deigns to dwell! He feeds and cheers them by his word; His arm supports them well, His arm supports them well.
ed each pro se mine
8
His presence cheers us in our cares. And makes our burdens light; His gracious word dis-pels our fears, And gilds the gloom of night, And gilds the gloom of night.

136
GENTLE.
4
ROCKWELL. C. M.
1. When musing sor-row weeps the past, And mourns the present pain, How sweet to think of peace at last, And think that death is gain.
2.
'Tis not that murmuring tho'ts a - rise, And dread a Fa-ther's will; 'Tis not that meek sub - mis- sion flies, And would not suffer still.
A
DUNDEE.
C. M.
(CALLED ALSO French.)
FROM THE
"SCOTCH PSALTER." 1616.
1.
2
1. Let not de-spair, nor fell re-venge, Be
to my bosom known; O, give me tears for oth-ers' woe, And patience for my own.
2
Thro' all the changing scenes of life,
In trouble and in joy,
The praises of my God shall still
My heart and tongue employ.
2.
The hosts of God encamp around
The dwellings of the just;
Deliverance he affords to all
Who make his name their trust.
There is no objection, in tunes
The name of this tune in the old books is French. The Dundee of Scotland is the same as the Windsor of most of the English and American books of Psalmody.
of this class, to such consecutive fifths as occur between the tenor and the base in passing from the third to the fourth line.
ALLEGRO MODERATO.
CROYDON.
C. M.
THEME FROM Beethoven.
4
1.
#4
When
I can read my ti-tle clear To mansions in the skies, I
bid farewell to every fear, And wipe my weeping eyes,...
And wipe my weep-ing eyes, And wipe my weeping eyes.
And wipe my weep ing eyes.
·
2. Should earth against my soul engage, And fiery darts be hurled, Then I can smile at Satan's rage, And face a frowning world,..
And face a frown- ing world.
And wipe my weep-ing eyes, And wipe my weep - ing eyes.
4

ALLEGRO MODERATO.
MUSING.
C. M.
WORDS BY Thos. Hastings.
MUSIC BY W. B. Bradbury. 137
C
e
hink that dh is gain
4
1. While here I sit
At Jesus' feet,
A mid
the vale
of tears,
I'll trust his grace, And sing his praise, Nor yield to doubts and fears.
4
2. And can it. be That I shall see
3. The thought shall still My musings fill,
My Sa
viour face to face,
By cares and sorrows prest,
For
ever prove His boundless love, And end - less
The bless-ed hope Shall lift me up,
The hope of
an-thems raise?
endless rest.
would not su fer still
4. When God ap-pears
To wipe the tears From ev
ery pilgrim's eye,
What tongue can tell
The joys they'll feel Throughout e
-
ter ni ty!
-
#4
"SCOTCH PS ER." 1616
hro' all the cha ng scenes of
In trouble and joy,
he praises of m od shall still
My heart and ue employ.
The hosts of Go camp around
The dwellings the just;
eliverance herds to all
Who make his me their trus
There is no ction, in ture
EME FROM Bthoven.
yes, And wipe weeping eyes
-
wipe my w ing eye
CLARENDON.
C. M.
A
Tucker.
What shall I
render to
my God, For all his kind-ness shown? My feet shall vis - it
thine abode, My songs ad - dress thy throne.
64
C
ALLEGRO.
LUCILIA. C. M.
FROM A MS. OF W. T.
1. Now let our cheerful eyes
##
survey Our great High Priest above; And cel - e- brate his
con- stant care,- His sympathetic love.
A
2. Though raised to
a
su
perior throne, Where an-
-gels bow a- round, And high, o'er all
the shining train, With match-less hon-ors crowned.
face a froing world
yes, And wipe eep-ing eye

138
2
SHELTER ISLAND.
C. M.
CODA.
Ritura
1. Come, ye that know and fear the Lord! And raise your soul above; Let every heart and voice accord, To sing that- God is love, To sing that--God is love, To sing that-, &c.
رالة
2. This precious truth his word declares, And all his mercies prove; While Christ, th' atoning Lamb, appears, To show that God is love, To show that--God is love, To show, &c.
53
2
3. Behold, his loving-kindness waits For those who from him rove, And calls of mercy reach their hearts, To teach them-God is love, To teach them-God is love, To teach, &c.
3
2
SLOW.
52
BANGOR. C. M.
Hark! from the tombs a doleful sound, Mine
GENTLE.-Chanting Style.
Ravenscroft.
ears
at
tend the cry!
Ye living men, come, view the ground, Where you must short ly lie.
3.
4. 1
JAYNE.
C. M.
0. M. Brewster.
1. When
any turn from Zi- on's way,- A - las! what num-bers do!-- Methinks I hear my Sa-viour say, "Wilt thou for-sake me
too ?"
4
04
2. Oh! Lord, with such a heart as mine, Un-less thou hold me
fast, I feel I must, I shall de-cline, And prove like them at last.
5. T
6. G
2
04

MORRIS' CHANT. C. M. WORDS BY G. P. Morris. MUSIC BY W. B. B. 139
Ritar
d is love, To sing it, &
53
GENTLE and EXPRESSIVE.
1. Searcher of hearts-from mine erase All thoughts that should not be; And in its deep re-cess-es trace, And in its deep re-cess-es trace My gratitude to thee.
2
at-God is love show, de
2. Hearer of prayer! O guide aright Each word and deed of mine; Life's battle teach me how to fight, Life's battle teach me how to fight, And be the vic- t'ry thine.
-God is love, Tach, de
3.
4.
name.
Giv-er of all! for ev-ery good In the Redeemer came, For raiment, shelter, and for food, For raiment, shelter, and for food, I thank thee in his
Father and Son, and Holy Ghost, Thou glorious Three in One; Thou knowest best what I need most, Thou knowest best what I need most, And let thy will be done.
Ravens ft.
ANDANTE con GRAZIA.
A
NEVA. C. M.
FROM Haydn.
you must shor
3. Great is their peace, who
A
4. Then shall my heart have
love thy law; How firm their souls a-bide! Ner can
in - ward joy, And keep my face from shame, When all
a bold tempt - a
thy statutes
-
I
tion draw Their stea - dy
obey, And hon - or
feet a
all thy name.
side.
44
190
0. M. Brester.
JOYOUS-BOLD and ANIMATED.
SALUBRIA. C. M.
Fawcett.
62
4
Thou for-sake too?
Tove like them last
4. Shepherds rejoice, lift up your eyes, And send your fears away, And send your fears away; News from the regions of the skies, The Saviour 's born to-day, The Saviour's, &c.
p
4
5. Thus Gabriel sung, and straight around The heavenly armies throng, The heavenly armies throng; They tune their harps to lofty sound, And thus conclude the song, And, &c.
6. Glory to God that reigns above, Let peace surround the earth, Let peace surround the earth; Mortals shall know their Maker's love, At their Redeemer's birth, At their, &c.
20
ने
641

140
味
​4
OATLANDS. C. M. (ENGLISH TUNEJ
Thomas Clark.
1. Oh! what amazing words of grace Are in the gospel found! Suited to every sinner's case, Suit- ed to ev-ery sinner's case, Who knows the joyful sound, Who knows, &c.
4
Suited to ev-ery sin - ner's
case,
Who knows, &c.
2. Poor, sinful, thirsty, fainting souls, Are free and welcome here; Salvation, like a river, rolls, Salvation, like a river, rolls, Abundant, free, and clear, Abundant, free, and clear.
0:41
64
BOLD and FIRM.
WINTER.
C. M.
D. Read.
2
His hoary frost, his fleec - y snow,
De-scend and clothe the ground; The liquid streams for
bear
to
flow,
In i
cy
fetters bound.
MOD. e LEGATO.
WILLOW GROVE.
C. M.
Naricema.
3. Bowed down beneath a load of
sin, By Sa tan
sorely pressed, "By
-
wars with out and fears with - in,
I come to thee for rest.
4
4.
Be
thou my shield and hid - ing-place, That, sheltered near thy side,
may
my fierce
accus
er face, And tell him, thou hast died.
4
5.
Oh!
wondrous love,
to bleed and die, To bear the cross and shame, That guilty
sin
-
ners, such
as I. Might plead thy gracious name.
3
94

Thoma lark.
SILVERTON.
C. M.
(CONGREGATIONAL.)
1 sound, W nows, de
1. Lord! when we bend before thy throne, And our confessions pour,
0
may we feel
the
141
sins we own, And hate what we de plore.
Who know re.
2. Our con-trite spirits pit-ying see; True pen - i- tence im
part:
And
let a heal
ing ray from thee Beam hope on
ev - ery heart.
e
Abundant e, and clear
3. When we disclose our wants in prayer, O let our wills re
-
sign;
And
not a thought our
bo- som share. Which is
not whol
ly thine
O
Read
cy
-ters bound
ITTON
BALERMA.
C. M.
ASCRIBED TO R. Simpson, SCOTLAND.
1. O, happy is the man who hears Instruction's warn - ing voice, And who ce- lestial wisdom makes His ear
264
Nicema
SLOW and EXPRESSIVE.-AFFETTUOSO.
me to
for rest
HASTINGS. C. M.
-
ly,
only choice.
W. B. Bradbury.
4
1. How oft,
-
a las! this wretched heart Has wandered from the Lord! How oft my loving thoughts depart,-Forget - ful of his word.
ell him,
lead thy
hast
cious name
4
3
4
2. Yet sovereign mercy calls-"Return!" Dear Lord! and may I come? My vile in-grat - i - tude I mourn; O! take the wanderer home.
23

142
SPIRITED.
EVARTS. C. M.
1. Come, let us lift our joyful eyes up to the courts a-bove, And smile to see
4
2. Come. It us bow be-fore his feet, And venture near
our
Father there, Up - on
a throne of love.
the Lord; No fiery cher - ub guards his seat, Nor dou-ble - flam - ing sword.
175
4
3. The peaceful gates of heavenly bliss Are op-ened by
the Son; High let us raise our notes of praise, And reach th' Al-might-y throne.
063
26-4
WINDSOR. C. M.
FROM THE "SCOTCH PSALTER." 1615.
NOTTING HILL. C. M. C. H. Purdy.
22
1. O God, our help in a-ges past, Our hope for years to come, Our shelter from the stormy blast, And our e- ter-nal home.
3
27
1. My Shepherd will supply my need; Je - ho-vah is his name;
264+
LEGATO.
ADELPHA.
C. M.
63
ARRANGED FROM G. F. N. MICH.
VE
1. How sweet, up- on this sacred day, The best of all the seven, To cast our earth-ly thoughts a-way, And think of God
and heaven.
4
4
2. How sweet to be allowed to pray Our sins may be forgiven! With filial confidence to say, "Father, who art
O3
in heaven!"
264

**
a throne lore
6
MODERATO LEGATO.
WOODLAWN. C. M.
(QUARTETTE OR CHOIR.)
143
1. Hear, gracious God,my humble moan; To thee I breathe my sighs; When will the mournful night be gone? When shall my joys arise? When shall my joys, &c.
-ble-flam-sword
ch th' Al-mig thro
6
4
mp
Cres.
Ral. ad lib.
2. Yet tho' my soul in darkness mourns, Thy promise is my stay; Here would I rest till light returns; Thy presence makes my day, Thy presence makes my day.
264
C. M. C. Purd
JONES' JORDAN. C. M.
Abner Jones.
need; Je-ho-vs his na
In pastures fresh he makes me feed, Beside the living stream.
1. On Jordan's stormy banks 1 stand, And cast a wishful eye To Canaan's fair and happy land, Where my possessions lie.
63
ED FROM G. F. M
VERY SPIRITED AND JOYOUS. Staccato.
JEDDO. C. M.
FROM "THE SHAWM."
of God
1 hear
1. A-wake, my soul, stretch every nerve, And press with vigor on;
A heavenly
Lace
demands thy zeal,
1
A bright immortal crown, A bright immor - tal
crown.
who art
ديار
2. A cloud of wit-ness-es
a- round Hold thee in full survey; Forget the steps
al-read-y
trod,
And onward urge thy way, And onward urge thy ny.
hear
3. 'Tis God's all-an -
mat-ing voice That calls thee from on high; 'Tis his own hand
presents the prize
To thine uplifted eye, To thine up-lift- ed eye.
O2

144
ROWENA.
C. M. Double.
(CHOIR.)
1ST.
2D.
{My God,
glory of my brightest day, And comfort of my
delights, The
nights! In darkest shades, if he appear, My dawning is begun; He is my soul's bright morning star, And he my
IST.
2D.
The opening heavens around me shine With beams of sacred bliss, While
Jesus shows his love is mine, And whispers, I am
[meet my
}
his. My soul would leave this heavy clay, At that transporting word, And run with joy the shining way, To
23
rising sun.
1.
dear
- est Lord.
EGLAH. C. M.
(CONGREGATIONAL TUNE.)
I. A. H.
O God our Sa-viour, all our hearts To thy obedience turn; That, quenched with our repenting tears, Thy wrath no more may burn.
2
2. For why shouldst thou be an-gry still, And thou thy wrath re-tain? Re-vive us, Lord, and let thy saints Thy wont-ed com-fort gain.
HELENA. C. M.
W. B. B.
1. O thou, who driest the mourner's tear, How dark this world would be, If, pierced by sins and sorrows here, We could not fly to thee.
26
26-4
2.
The friends who in our sunshine live,
When winter comes, are flown;
And he who has but tears to give,
Must weep those tears alone.
3.
O, who could bear life's stormy doom,
Did not thy wing of love
Come brightly wafting thro' the gloom
Our peace-branch from above.
1.

EARNEST, TENDER EXPRESSION.
SECRET PRAYER. C. M.11⠀
W. B. B.
CODA. for this Hymn only.
145
1.
O thou from whom all goodness flows, I lift my soul to thee;
In all my sorrows, conflicts, woes, O Lord, re- mem- ber me.
Remember me, Remember me.
bright morning And hey
3
4
p
Dim.
mf
pp
Cres.
2. When, with an aching, burdened heart, I seek relief of thee, Thy pardon grant, new peace impart; O Lord, re- mem-
3
meet m
un with joy the ing way,
443
WAREHAM.
C. M.
ALLEGRO.
First time, Treble and Alto, Second time, Tenor and Base.
I
1ST TIME.
2D TIME.
TUTTI.
H
ber me.
Remember me, Remember me.
Dr. Arnold.
1.
Oh! praise the Lord with one con-sent, And magni fy his name;
Let all the servants of the Lord His wor-thy [OMIT....
] praise proclaim. (Let all
the servants
of
the Lord His worthy praise proclaim.
hy wrath no mor ay bum
o
LEGATO.
NEWHOPE. C. M.
hy wont-ed com rt gain
Hall
4
1. And can mine eyes, with out a tear, A weeping Saviour see? Shall I
ARRANGED FROM A MS. OF W. M.
friends who in o nshine li
When winter come : flown;
he who has but to give,
ust weep those te lone.
3.
who could bear li ormy do
Did not thy wing of!
ne brightly waftin o' the glo
ur peace-branch above.
4
2. Blest Jesus, let those tears of thine Sub-due each stubborn foe; Come, fill
LJUBILEE 10)
not weep
his
groans to hear, Who groaned and died for me?
my heart with love di- vine, And bid my sor-rows flow.

146
ALLEGRO,
4
4
MIKLOTH. C. M. Double. WORDS FROM "JONES' PSALMS OF DAVID."AS. F.
Oh God! my trust, preserve, defend, My Saviour, all di- vine;
1. With saints I love my good may blend, But cannot add to thine. The
4
men who other gods will seek, In
ma
·
ny sorrows sink;
The names they use I
2.
The Lord is my
The lines for me
O: 64
-4
a-lotted cup, My her - it-age, my all;
by him filled up, In pleasant pla-ces fall.
His connsel cheers my heart by night, His
name
be ever blest;
Because he is up-
2
will not speak, Nor their oblations drink.
44
BURFORD. C. M.
Purcell.
1. To God I cried with mournful voice, I sought his gracious ear, In the sad day when trouble rose, And filled my heart with fear.
4
on my right, My flesh in hope shall rest.
2. Will he for ever cast me off? IIis promise ev-er fail? Has he for-got his ten-der love? Shall anger still pre-vail?
WO
O3
ANDANTE.
12
CHINA.
C. M.
Swan.
1. W
Why do
we mourn de- part - ing friends, Or shake at death's
a- larms? "Tis
but
the
voice that Jesus sends
To
call them to his
arms.
3
2
20

DAVID." F.
The names use l
Because is
Pui II.
filled my h with fe
ALLEGRO con SPIRITO.
4
MERLIN.
C. M. Double.WED A
ARRANGED FROM A MS. OF A. J. A. 147
What glory gilds the sacred page! Majestic, like the sun,
It gives a light to every age; It gives, but borrows none.
2. The power that gave it still supplies The gracious light and heat: Its truths upon the nations rise; They rise, but
Let everlasting thanks be thine For such a bright display,
As makes a world of darkness shine With beams of heavenly day. 4. My soul rejoices to pursue The steps of Him I love,
464
nev-er
set.
62
langer sti e-vaill
worlds a -
Swa
them to
arm
e
Till glo-ry breaks up - on my view In bright-er
ULLA.
Or, THE CROSS.
C. M.
(CONGREGATIONAL.)
FROM "SPIRITUAL SONGS."
1. Lord! when we bow be-fore thy throne, And our con- fes- sions pour, Oh! may we feel the sins we own, And hate what we de-plore.
bove.
2.
Our contrite spi-rits pity - ing see;-True pen-i - tence im-part; And let a healing ray, from thee, Beam hope on every heart.
b2
RISSAH. C. M.
W. B. B.
1. Why is my heart so far from thee, My God, my chief delight? Why are my thoughts no more by day With thee, no more by night?
Why should my foolish passions rove!
Where can such sweetness be
As I have tasted in thy love,-
As I have found in thee,}
3.
When my forgetful soul renews
The savor of thy grace,
My heart presumes, I can not lose
The relish all my days.

148
MODERATO AFFETTUOSO.
ANGELO.
C. M.
ARRANGED FROM Mendelssohn.
1. Teach me the measure
of my days, Thou Ma-ker of my frame;
I would survey life's
narrow space, And learn how frail I
am, And learn how frail I am.
2.
A span is all that
we
can boast, How short the fleeting time!
Man is but van-i
-
ty and dust, In all his flower and prime, In all his flower and prime.
3.
Now I for-bid my
car-nal hope, My fond desires re- call;
I give my mortal.
interest up, And make my God my all, And make my God my all.
6
4
1. Must
2. How
6
54
:
CROSS AND CROWN.
C. M.
WESTERN MELODY.
Je
- sus bear the cross alone, And all the world
go free!
hap-py are the saints above, Who once went sorrowing
here;
No,
But
there's a cross for
now they taste un
every
-
one, And there's a cross for
mingled love, And joy with-out a tear.
me.
MARIA. C. M.
1. The Saviour !-Oh! what endless charms Dwell in the blissful sound! Its influence every fear disarms, And spreads sweet peace around, And spreads sweet peace around.
2
2. Here pardon, life, and joys divine, In rich ef- fu-sion flow, For guilt-y rebels lost in sin, And doomed to endless woe, And doomed to end - less
woe.

TARSUS.
C. M. Double.
Lowell Mason. BY PERMISSION. 149
Tendels in.
Rather SLOW, and in Exact Time.
arn how fr
am,
11 his flow ad prim
-
1. Thou love-ly source of true de light, Whom I un scen a
dore; Un vail thy beauties to my sight, That I may love thee more.
4
3. 'Tis here, whene'er my comforts droop, And sins and sorrows rise, Thy love, with cheering beams of hope, My faint-ing heart sup-plies.
O37
26-641
ke my Gor all.
WESTERN ODY.
2. Thy glory o'er cre- a- tion shines; But in thy sa
cred word I read, in fairer, brighter lines, My bleeding, dying Lord.
oes for
me.
4. But ! too soon the pleasin
pleasing scene Is clouded o'er
out a ear.
with pain; My gloomy fears rise dark be-tween, And I a gain com-plain.
s sweet pe around
6
PALONA.
C. M. (CONGREGATIONAL.)
1. Come, humble sin - ner, in whose breast A thousand thoughts re-volve, Come, with your guilt and fear oppressed, And make this last re - solve:
less
Woe
2. I'll go to Je - sus, though my sin Like mountains round me close; I know his courts, I'll en ter in, What- ev - er may oppose.
027
252

150
23
Hewod
HAZEL GROVE. C. M. AT
W. B. B.
1. By cool Si-lo-am's shady rill How fair the li- ly grows! How sweet the breath, beneath the hill, Of Sharon's dewy rose! Of Sharon's dewy rose!
J
3. By cool Siloam's shady rill The lily must decay; The rose, that blooms beneath the hill, Must shortly fade away, Must shortly fade away.
PHUVAI. C. M.*
I love the Lord: he heard my cries, And pit - ied eve-ry groan; Long as I live, when troubles rise,
GERMAN CHORAL OF THE 17TH CENTURY.
I'll hasten to his throne..
Or 7s, 6s & Ss; by omitting the first note.-See hymn "Brother thou art gone to rest." Or 8s, 6s & 4s; by using ties, as in the Soprano, the last Strain.-See hymn "Our blest Redeemer, ere he," &c.
LA PRAIRIE. C. M.
W. I. H.
1. Father! how wide thy glory shines! How high thy wonders rise! Known thro' the earth by thousand signs, By thousand thro' the skies.
ま
​2
2. Those mighty orbs proclaim thy power, Their motions speak thy skill; And, on the wings of every hour, We read thy pa- tience still.
de

!Of Sharon's
GRACEFUL-FLOWING.
JJ
FOWLER.
C. M.
1. The Lord himself, the mighty Lord, Vouchsafes to be my guide;
4
151
The Shepherd, by whose constant care
My wants are all
supplied.
4
Just shortly fad way.
-
2. In ten der grass he makes me feed,
And gently there re-
pose:
Then leads me to cool shades, and where
Refreshing wa
-
ter flows.
54
AL OF THE 17TH RT.
EXPRESSION.-Strong Emphasis.
TRIBUNAL.
C. M.
< <
GERMAN COLL.
2
-en to his rone.
O: 2
"Our blest Redeem e bek
W.I
housand thro
read thy pa- est
That awful day will surely come-Th' appointed hour makes haste-When I must stand be fore my Judge, And pass the sol
·
emn test.
GROVE. C. M.
WORDS BY Thos. Hastings. MUSIC BY W. E. B.
2
1. Our heavenly Father, hallowed Name,
2. Our cause to thee We now com - mit,
Before thy gra-cious throne
For thou art all di - vine;
We would pre-sent our hum
We lay our burdens at
2
3. We know thy wisdom can
not err,
And thou art good as
wise,
Be thou the sole in ter
4.
O make the path of du
5. 'Mid all our weak-ness, still
O2
ty plain,
in thee
Our fee - ble steps at - tend;
We fix our on ly trust;
-
From sin ful ways our feet
O clothe us with hu mil
-
俘 ​楚
​ble claim, And say-thy will be done.
thy feet, And every care re-sign.
pret er
A
-
mid the doubts that rise.
re- strain, From every snare de - fend.
ty, And keep us
the dust.
in

152
64
ALLEGRETTO.-CHEERFUL.
CRAMER.
C. M.
Double.
A. J. Abbey.
D. C.
FINE.
4
There 18 a land of
pure de-light, Where saints immortal reign,
1.
In fi-nite day ex
D. C. Death, like a
-
nar-row
cludes the night, And pleasures banish pain. 2. There, ev er lasting spring a-
sea, di-vides This heavenly land from ours.
bides,
And ney er - with- ering flowers;
❤
FINE.
D. C.
4
564
ALLEGRETTO.-CHEERFUL.
CADDO.
C. M.
FROM "THE SHAWM."
4
My soul, how love - ly
is
the place To which thy God
re-sorts! 'Tis heaven to see
his smil
ing face, Though in
Lis
earthly courts.
உ
040
JUDSON. C. M.
ALTERED FROM "MENDELSSOHN COLL."
ग
夜
​1. Our Father, God, who art in heaven, All hallowed be thy name; Thy king-dom come; Thy will be done In heaven and earth the same.
2. Give us this day our daily bread; And as we those for-give. Who sin
a-gainst us, 80 may we
For-giv-ing grace re-ceive.
3. In to tempt-a- tion lead us not; From c vil set us free; And thine the king-dom, thine the power, And glo - ry ever be.
-
Ob 12

A. J. A
Moderato.
04
-er-with-g flowers
FROM "THAWM
Lis
3.
ORIENT.
C. M. T
153
If ye have wept at yonder cross, And still your sorrows rise, Stoop down and view the vanquished grave, Stoop down and view the, &c. Then wipe your weeping eyes.
D.C
4. But dry your tears, and tune your songs, The Saviour lives again, Not all the bolts and bars of death, Not all the bolts and bars of death, The Conqueror could de-tain.
Cres.
Cres.
Dim
6-
ealy comts
5. High o'er th'an-gel-ic band he rears, His once dishonored head; And through unnumbered years he reigns, And through unnumbered years, &c. Who dwelt among the dead.
52
LEGATO e MODERATO.
BRADFORD.
C. M.
Handel.
A
I know that
my Re- deem
er lives, And ev
er
prays for me:
A to ken
of
his love he gives,-A pledge of liber-ty.
OMMENDE HN COLL
ven and ea the same
264
p
DENKMAL.
C. M.
Aug. Kreissmann.
1. To thee
before the dawning light,
My gracious God I
pray,
I med i- tate thy name by night,
And keep thy law by day.
p
€
-giv-ing g re-cere
glo-ry
eer
be
4
2. My spi
rit faints to see thy grace;
Thy pro-mise bears me
up;
And while salva- tion long delays,
Thy word sup-ports my hope.
p

154
GENTLY.
25-8
SATTERLEE. C. M.
C. J. Rudd.
When a ny
-
turn from Zion's way, A
las, what numbers do!
Methinks, I
hear my
Saviour
say: Wilt thou for
-
sake me
tool
2
When a
-
ny
turn from Zi
-
on's way, A -
las, what numbers do!
Methinks, I
hear my
Saviour
礎
​FLORA.
C. M.
9
say: Wilt thou for
sake me
too!
W. B. Eradbury. FROM "THE MENDELSSOHN COLL."
1. When verdure clothes the fertile vale, And blossoms deck the spray, And fragrance breathes in every gale, How sweet the vernal day! How sweet the ver-nal day!
3
商
​0221
And woods and fields re-joice.
2. Hark! how the feathered warblers sing! 'Tis nature's cheerful voice; Soft music hails the lovely spring, And woods and fields rejoice,
3. O God of nature and of grace, Thy heavenly gifts im- part; Then shall my medi-ta- tion trace Spring, blooming in my heart, Spring, blooming in my heart.
22
ST. AMBROSE.
popod dopo dell
C. M.
240
ENGLISH.
1.
1. Author of good, we
rest
on
thee; Thine cv -
cr
watch-ful
eye
A -
lone
our real
wants
can see, Thy hand
a - lone
sup-ply
Ch
-
2. In thine all gracious prov
i-dence Our cheerful hopes con-
32
S
e
9-
fide; O
let
thy power be our
defense, Thy love
our
foot - steps guide!
O
SL
MO
2

C.Judd.
SLOWLY.
-2-
2
Wilt thou for-
Tilt thou for me te
LACEY.
C. M.
ALTERED FROM "THE HALLELUJAH." W. B. B.
155
S
1. Still on the Lord thy burden roll, Nor let a care remain: His mighty arm shall bear thy soul, And all thy grief sustain, And all thy grief sustain.
2
-2--
Cres.
Dim.
2
2. Ne'er will the Lord his aid deny, To those who trust his love: The men who on his grace rely, Nor earth nor hell shall move, Nor earth nor hell shall, &c.
NONS
1
Q
OM "THE MEND OUN CO
DUNLAP. C. M.
WESTERN MELODY.
53
How sweet the nal day
1. That awful day will 'sure-ly come, Th' appointed hour makes haste--When
38
I must stand before my Judge,
And
pass the sol
emn
test.
And woods and is re-j
Spring, blooming my l
-4
MODERATO e LEGATO.
m
OTSEGO LAKE.
mf
C. M. A
ENGLISH
1. I love the Lord-he heard my cries, And pitied ev
ry groan; Long as I live, when troubles rise,
I'll hast
= en, to
his throne.
Thy hanl a
fed
mf
4
y love our
-steps g
2. I love the Lord-he bowed his ear, And chased my griefs away; Oh! let my heart no more despair While I
have breath
J JI
to pray.
3

156
GENTLY.
04 J
SAURIN. C. M.
Double.
W. B. B. FROM "THE PSALMISTA.
D. C.
D. C.
3
04
1.
Se
- cure and safe from
D. C. In
gentle sleep I
Up held by God's al
mighty arm, I passed the shades of night;
every harm, And see returning light. 2. While many spent the night in sighs, And
re- pose!
closed my eyes, How sweet was my
rest - less pains and woes;
D. C.
04
NOT TOO FAST.
FOUNTAIN, or COWPER.
C. M.
D. C.
Dr. L. Mason..
There is a fountain filled with blood, Drawn from Immanuel's veins; And sinners, plunged beneath that flood, Lose all their guilty stains, Lose all their guilt-y stains.
1.
|| and di
Alas! and
did my
Would he de- vote that
D. C. A maz - ing
2
ARPAD. C. M.
Double.
J. G. House.
D. C.
D. C.
sa-
pity,
Saviour bleed? And did my Sovereign die?
cred head, For such
grace un - known, And love beyond degree!
a Worm as
I?
2. Was it
for crimes that
had done,
He groaned up
<<-on
that tree!
D. C.
D. C.
2-

157
BOLD AND VIGOROUS-MAESTOSO.
FROM "THE DISTA
D.C
3
4
D.C
rest-less pain d woes;
MOUNT ELON.
C. M.
1
1. Gird on thy sword, vie-torious Prince, Ride with majestic sway; Thy terror shall strike through thy foes, And make the world obey, And make the world obey, And make the, &c.
>>
D.C
D.C
2. Thy throne, O God, forever stands, Thy word of grace shall prove A peaceful scepter in thy hands, To rule thy saints by love, To rule thy saints by love, To rule thy saints by love.
O #3
4
Dr. Lason
SLOW.
KONINGSBURGH.
C. M.
Hastings.
2
2
mins, Lose all their It-y stains
Life
is
a span, a fleet-ing hour, How soon the va-por flies! Man
is a ten-der, transient flow'r, That e'en in blooming dies, That c'en in blooming dies.
J. G. use.
D.C
SLOW.
FRANKLIN. C. M.
Lowell Mason.
BY PERMISSION.
D.C
4
1.
I love the Lord, he heard my cries, And pit-ied ev-ery groan: Long as I live, when troubles rise, I'll hasten to his throne, I'll hasten to
his throne.
e groaned up hat tre
D.C
I love the Lord, he bowed his ear, And chased my grief a-way:
O, let my heart no more de-spair, While I have breath to pray, While I have breath to pray.
7
D.G
3. The Lord be-held me sore distressed, He bade my pains re- move: Re-turn, my soul, to God, thy rest, For thou hast known his love, For thou hast known his love.
4
A
4

158 WORDS BY T. Hastings, Esq.
04
THE CALL. C. M. (WITH A CODA.)
CODA. Affet. pp Cres.
Rall.
1. Re-turn, O wanderer, to thy home, Thy Fa-ther calls for thee; No long-er now an ex-ile
roam In guilt and mis
- er
-y.
Return! return! return! return!
3
04
رادرال
94
2. Re-turn, O wanderer, to thy home, 'Tis Je-sus calls for thee; The Spi-rit and the Bride say-Come; O! now for refuge flee. Return! return! return! return!
3
4
NOTE.-Among the many beautifully tender hymns of this venerable POET-MUSICIAN, we know of none more sweetly pathetic than the above.
SOLON.
C. MI.
Double.
FINE.
E. A. Perkins.
D.C.
of
The glory my brightest
D.C. Thou art my soul's bright morn-ing
1. My God, the spring of all my joys, The life of my de-lights;
days, And com-fort of my nights.
star, And thou my rising sun.
In darkest shades, if
thou appear, My dawn- ing
is
be- gun;
4
623
CEYLON.
While beau-ty clothes the fer- tile
And fragrance breathes in every
hails the love-ly
1.
D.C. Soft mu - sic
vale, And blos-soms on....
gale, How sweet the ver
spring, And woods and fields
-
4
C. M.
Double.
FINE
T. Hastings. FROM "THE MANHATTAN COLL."
D.C.
D.
the spray;
nal day! 2. Hark! how the feathered warblers sing, 'Tis nature's cheer
rejoice.
ful voice;
D. C.
שר

t.pp Cres. all.
FLEMING. C. M.
Double.
saterlude, to be played after the second stanza.
Dr. L. Mason. FROM "THE HALLELUJAH." 159
D. C.
turn! return!n! retur
+
IM
A
turn! return!n! retum
C
04
To thee, my Shepherd, and my Lord, A grate - ful song I'll raise;
Oh! let the fee- blest of thy flock At-tempt to speak thy praise.
D. C. Ten thousand thousand comforts here, And no- bler bliss a-bove.
73
4
دارو دار رادا
2. My life, my joy, my hope I
Owe
To this
amazing love;
D. C.
above.
4
-A. Perki
With Tender, Earnest Expression.
ADARIO. C. M.
(CONGREGATIONAL.)
W. B. B.
wn-ing is
1. To whom, my Sa viour, can I go,
If
I de-part from thee? My Guide thro' all
guu;
this vale of woe, And more than all to me, And more than all to
(The Strain in small notes may be sung as a Duet, or onttel altogether.)
me.
O; 53
2
6
ALLEGRETTO MODERATO.
ONEONTA. C. M.
Double.
PARTY FROM A GERMAN MELODY.
D. C.
-6
"THE MANHAN COLL
DO
4
1.
Lord! when my raptured thought surveys Cre- a- tion's beauties o'er,
e's cheer
voice;
H
All nature joins to teach thy praise, And bid my soul adore. 2. Where'er I turn my gaz - ing eyes, Thy radiant footsteps shine;
D. C. Ten thousand pleasing wonders rise, And speak their source divine.
D. C.
#4
4

160
WIRTH. C. M. (CONGREGATIONAL.) 11
W. B. Bradbury.
MODERATO.
4
1. How sweet and heavenly is the sight, When those that love the Lord,
In one an-other's peace de-light,
And thus fulfill his word.
4
4
2.
O, may we feel each other's sigh, And with him bear a
part; May sorrow flow from eye to eye,
And joy from heart to heart.
52
6b4
EVAN.
C. M.
MODERATO.
(CONGREGATIONAL.)
ARRANGED FROM HAVERGAL, BY Dr. Lowell Mason.
1.
In
mer-ey, Lord, re-
member
me,
Thro' all the hours of
night; And grant to
me most gra-cious-dy,
The safe-guard of thy might.
2
-6
2. With cheerful heart
I close my eyes,
Since thou wilt not
re -
move;
in the morning
Oh,
let me rise,
Rejoicing in
thy love.
WOODMAN. C. M.
(CONGREGATIONAL.)
1.
(Sal-vation! O the joyful sound! 'Tis musie to our ears;
A sovereign balm for every wound, A cordial for our fears. Oh, glo-ry, hal-le- lu- jah! Praise ye our God! Oh,
-
glo-ry, hal-le lu-jah! Love and serve the Lord!
4
2.
(Salvation! O thou bleeding Lamb! To thee the praise belongs;
Salvation shall inspire our hearts, And an i-mate our songs.
JO, glory, hallelu
-
jah! Praise ye our God! Oh,
glo-ry, hal-le
lujah! Love and serve the Lord!
4

.B. Bradb
thus ful-fill word
BINGHAMPTON.
1. How sweet and heavenly is the sight, When those, who love the Lord, In one
4
C. M.
ATAL
161
-
an oth
er's peace delight, And so
ful-fill his word!
joy from hear heart
2. Oh! may we feel each brother's sigh, And with him bear a part;
May sor-rows flow from eye to eye. And joy from heart to heart.
Dr. Lowel fason
Hastings.
esafe-guard of y might
METRICAL CHANT.
BYEFIELD.
C. M.
g
ex-pressed, The mo tion of a hidden fire That trembles
in
the
breast.
Prayer is
the soul's sin - cere de - sire,
Uttered, or
un
-6
joic-ing in
252
GOODELL. C. M.
1. There is
a hope, a blessed hope, More precious and more
bright
Than all the joy less mock-e - ry
The world es- teems
de light.
-jah! Love and e the l
64
4
دار
2. There is
a star,
3. There is
a voice,
a love-ly star, That lights the dark - est
a cheering voice, That lifts the soul
gloom,
a
bove,
And sheds a peaceful radiance o'er The pros-pects of
Dispels the pain - ful, anxious doubt, And whispers, "God
the tomb.
is love."
-jah! Love and re the L
4. That voice, a loud from Calvary's height, Proclaims the soul
LJUBILER-11
for
-
given;
That star is rev - e-
lation's light: That hope, the hope
of heaven.

162
JAFFRA.
C. M.
O, could I find, from day to day, A nearness to my God, Then would my hours, glide sweet away, Then would my hours glide sweet away, While leaning on my God,
3
2. Lord, I de-sire with thee to live. A-new from day to day,
In joys the world can nev-er give, In joys the world can never give, Nor ever take a
way.
3
#2
This Duet may be sung in three ways, viz. by the SOPRANO and TENOR, as written; or by the TENOR and ALTO, the Alto singing the small notes; or by the SOPRANO and ALTO, the Soprano singing the
Tenor, and the Alto the small notes; or it may be omitted altogether.
MEMPHIS.
Or, CHELMSFORD.
C. M.
WESTERN AIR.
2
1. Oh! how I love thy ho- ly
law! "Tis dai-ly
my
de light;
And thence my med
i
ta-tions draw
Divine ad- vice by night.
THAXTED. C. M.
1. As pants the hart for cooling streams, When heated in the chase,
2
Beethoven.
So longs my soul, O God, for thee, And thy re-
fresh-ing grace.
3
4
2. For thee, my God, the living God, My thirsty soul doth pine;
Oh, when shall I be-hold thy face, Thou Maj-es
ty
di - vine.

While leaning of God,
-ev-er take
AVAH. C. M.
Double.#a
F. H. Nash. 163
8:
Fine
Al Seg.
8:
Fine.
Al Ses.
With my whole heart I'll raise my song, Thy wonders I'll proclaim; Thou sovereign judge of right and wrong Wilt put my foes to shame. 2. I'll sing thy majesty and grace; My God
To judge the world in righteousness, And make his vengeance known.
:8:
Fine.
[prepares his throne,
Al Seg.
ALTO, the Soprano ing the
4
4
WESTE AIR
vine ad-vice
Ө
:S:
AE
ROCHESTER. C. M.
Fine.
ENGLISH.
Al Seg.
G
night
God, my sup-port - er and my hope, My help for
ev
er near, Thine arm of mer
-
cy held me up, When sinking in de-spair.
Beeth en
SLOW and GENTLE.
S
NEWELL. C. M.
(MAY BE SUNG AS A DUET.)
e-fresh-ing ce
1. Dear Father, to thy mercy-seat My soul for shelter flies: "Tis here I find a safe retreat When storms and tempests rise, When storms, &c.
4
es- ty
di e.
4
2. My cheerful hope can never die, If thou, my God, art near; Thy grace can raise my comforts high, And banish every fear, And banish every fear.

04
164
4
GENTLE.-MODERATO.
BROOSA. C. M.
FROM "Methfessel.
40
1. Al- mighty Fa-ther, gracious Lord, Kind guardian of my days! Thy mercies let my heart re-cord In songs of grateful praise.
0#
2. In life's first dawn, my ten-der frame Was thine in- dul-gent care; Long ere I could pronounce thy name, Or breathe the in- fant prayer.
4
Oglo de doodle d
Oh, 'twas
3
2
P
MEAR. C. M.
joyful sound, to
hear
Q
Our tribes devout - ly say,
Q. Q
"Up, Israel, to the temple haste,
e
And keep your fes- tal day.".
B
B
TENDERLY.-EARNESTLY.
HEREFORD. C. M.
W. B. B. FROM "THE PSALMISTA."
1. In mer-cy, Lord, re- mem- ber me, Thro' all the hours of night; And grant to me, most gracious - ly, The safeguard of thy might, The safeguard of thy might
te
60
دارد
Ritard.
May end here.
2. With cheerful heart I close my eyes, Since thou wilt not re
move; 0, in the morning let me
rise, Re-joic-ing
in
thy love, Re-joicing in thy love.
C

FROM Methi 1.
ngs of grateful ise
04
athe the in-fan ayer.
BOLD and ANIMATED.
EZBON. C. M.HT TAR
165
1. To us a Child of hope is born, To us a Son is given: Him shall the tribes of earth obey, Him, all the hosts of heaven, Him shall the tribes of earth obey, Him, all the, &c.
3
04
04+
2. His name shall be the Prince of Peace, Forevermore adored, The Wonderful, the Counselor, The great and mighty Lord, The Wonderful, the Counselor, The great, &c.
4
50
eep your festal ay
Ө
D
25
J
FROM THE PSAIA."
MARLOW.
C. M.
Let
all the lands, with shouts of joy,
To God their voi - ces
raise;
·
Sing psalms in hon or of his name,
And spread his glorious praise.
3
B
MATTITUCK.
C. M.
With Chorus.
(PRAYER AND SOCIAL MEETINGS.)
1ST.
2D.
CHORUS.
1ST.
2D.
The safeguard or migh
-
1.
JYe hearts with youthful vig or warm! In smiling crowds draw near;
And turn from every mor- tal charm, A (OMIT.
-)
Saviour's voice to hear.
Ho-san
·
na! Ho-san-
na! Praise ye the Lord,
Lord.
Ritard.
1ST.
2D.
CHORUS.
1ST.
2D.
08
Te, Re-joicing in Te
2.
He, Lord of all the worlds on high, Stoops to converse with you;
And lays his radiant glo- ries by, Your (OMIT.
-)
friendship to pur
- sue.
Ho-san- na! Ho-san- na! Praise ye the Lord, Lord.
48

166
mf Soprano Solo.
happy they who know the Lord,
OH, HAPPY THEY. C. M. Quintet.*
Rall.
Ra".
i. O
2. To them in
each dis-tress - ing hour,
With whom he deigns to dwell! He feeds..
His throne of grace is near; And when.
and cheers them by.
they plead his love..
..his word; Ilis arm supports them well.
and pow'r, He stands engaged to hear.
Tenor.
3
0-4
1. O
happy they who know the Lord. With whom he deigns to dwell! He feeds and cheers
them by his word; His arm
supports them well.
Alto,
3
4
Rall. pp
p
mp m
mf
Dim. Rall.
Soprano.
2. To them, in each distressing hour, His throne of grace is near; And when they plead his
Base.
love and power, He stands en -
gaged to hear.
#3
4
Or Choral Tune with Soprano Solo Accompaniment. This tune is complete without the Solo-When thus sung, the Tenor may sing the small notes.
BOWER.
C. M.
With Chorus.
(PRAYER AND SOCIAL MEETING.)
7
A-las! and did my Saviour bleed, And did my Sovereign die?
Would he devote that sacred head For such a worm as
O the Lamb, the loving Lamb, The Lamb on Cal-va- ry! The Lamb that once was slain, That liveth again, To in-tercede for me.
Was it for crimes that I had done, He groaned up on the tree?
A-mazing pi-ty! grace unknown! And love be-yond degree!
4.
Well might the sun in darkness hide, And shut his glo-ries in,
When Christ, th'Almighty Saviour, died For man, the rebel's sin. (
4
Thus might I hide my blushing face, While his dear cross appears; }
Dissoive my heart in thankfulness, And melt my eyes to
tears.
O the Lamb, the loving Lamb, The Lamb on Cal-vary! The Lamb that once was slain, That liveth again, To in-tercede for me.
O the Lamb, the loving Lamb, The Lamb on Cal-va - ry! The Lamb that once was slain, That liveth again, To in-tercede for me.
O the Lamb, the loving Lamb, The Lamb on Cal-va- ry! The Lamb that once was slain, That liveth again. To in-tercede for me.

Ra
arm support them v
stands engage to be
arm sup- por hem well
tands en
Dim. U
MEETING.)
ARCADIA. C. M.
Hastings. FROM "THE PSALMODIST."
167
1. In time of fear, when trouble's near, I look to Thine a-bode; Tho' helpers fail, and foes pre-vail, I'll put my trust in God, I'll put my trust in God.
RANDOLPH.
C. M.7011
ARRANGED FROM A SILESIAN MELODY.
My Saviour, my Al- mighty friend, When I begin thy praise, Where will the growing numbers end, The numbers of thy grace?
初
​gag to he
3
at liveth again, To i ede for m
at liveth again, Toede for m
LARGHETTO.
BOWDOIN SQUARE. C. M.
ARRANGED FROM Vogler, BY Sumner Hill.
1. Happy is he who fears the Lord, And follows his commands; Who lends the poor without re- ward, Or gives with lib'-ral hands.
AVON. C. M. T
SCOTTISH.
at liveth again, Toede form
1. 0 Thou, whose tender mer - cy hears Con-tri-tion's humble sigh; Whose hand in-dul-gent, wipes the tears From sorrow's weep-ing eye-
liveth again. To in de form

168
WITH ENERGY,
HENRY. C. M.
S. B. Pond.
'Tis by thy strength the mountains stand, God of eternal power; The sea grows calm at
thy command, And tem-pests cease
to roar.
21
HOWARD.
C. M. AT
Lord, hear the voice of my complaint; Ac-cept my secret prayer; To thee a-lone, my King, my God, Will
MODERATO.
BRADNOR.
C. M.
Mrs. Cuthbert.
M
for
help re-pair.
Lowell Mason. BY PERMISSION.
Behold thy waiting servant, Lord, De-vot-ed to thy fear;
Remember and confirm thy word, For all my hopes are there.
2
2
MODERATO, TENDERLY.
And
can mine
ROMBERG.
C. M.
Cres
H. FROM "THE CHORALIST."
Dim.
eyes, with-out a tear, A weep-ing Sa-viour see? Shall I not weep his groans to hear, Who groaned and died for me?
70

Pond.
tem-pests ceas to roar.
BRATTLE STREET. C. M.
:8:
Double.
FINE.
Pleyel. 169
While thee I seek, protecting Power, Be my vain wishes stilled; And may this consecrated hour With better hopes be filled. Thy love the power of thought bestowed, To thee my
Thy mercy o'er my life has flowed; That mercy I adore.
FINE.
[thoughts would soar;
:S:
Mrs. Cubert.
SLOW and SOFT.
AZMON. C. M.
O
Glaser.
for help re-pair
1. Come, let us lift
our joy-ful eyes
Up
to the courts a bove,
·
And smile to see our
Father there,
Up on a throne of
-6
love.
O3
S
Mason. BY PSSION,
No
#2
FIRM.
SWANWICK. C. M.
my hopes are e.
1. A-rise, ye peo-ple, and a- -dore; Ex-ulting strike the chord; Let all the earth,
Ө
S
FROM "THE CALIST."
im.
groaned and di or me!
p
Lucas.
from shore to shore, Con- fess th' al-might-y Lord, Con-fess th' al-mighty Lord.
NAOMI.
C. M.
m
p
Lowell Mason. BY PERMISSION.
=
m
Fa-ther, whate'er of earth-ly bliss
Thy sovereign will de- nies,
Ac- cept-ed at thy throne of grace, Let this petition rise.
2
4

170
FIRM.
aldnot CAMBRIDGE. C. M. TAH
Dr. Randall.
Sing to the Lord a new made song, Who wondrous things has done, With his right hand and holy arm, The conquest he has won, The conquest ne nas won, The conquest he has won.
O: 621
20
HAVEN.
C. M.
Hastings.
2.
1. Earth's stormy night will soon be o'er,
E'en now the dis-tant rays ap-pear,
The rag-ing wind shall cease; The Christian's bark will reach the shore Of heaven's eternal peace.
To chase the gloom of night; The Sun of Righteousness is near, [OMIT
] And terrors take their flight.
4
RINDGE.
C. M.IWAW
Let every mortal ear attend, And every heart rejoice; The trumpet of the gospel sounds, With an inviting voice; The trumpet of the gospel sounds, With an in-vit-ing voice.
Yn Howo3
ST. JOHN'S.
C. M. IHGAR
Jesus, with all thy saints a-bove, My tongue would bear her part, Would sound a loud thy sav
ENGLISH TUNE.
ing love,
And
sing thy bleeding heart.
94

Dr. Rall.
as won, The con he ha
And terrors their fig
ALLEGRO.
CONVERSE.
S. M.I
ARRANGED FROM Anton Gersbach.
171
1. My God permit my tongue This joy-to call thee mine; And let my ear-ly cries pre-vail To taste thy love divine, To taste thy love
di-vine.
2. For life, without thy love,
No re-lish can afford; No joy can be compared with this,-To serve and please the Lord,
To serve and please the Lord.
MENONA. S. M.
E. A. Perkins.
1. Blest be the tie that
binds
Our hearts in Christian love; The fel-low-ship of kindred minds Is like to that a- bove,
Is
like to that
above.
6
#41
ds, With an iit-ingris
SLOW and GENTLE.
DOWNIE VILLE. S. M.
E. L. M., CALIFORNIA.
1. O where shall rest
be found Rest for the weary soul? 'Twere vain the ocean depths to sound, Or pierce to
either pole.
ENG TUL
3
4
2
2. This world can ne -
ver give
The bliss for which we sigh: 'Tis not the whole of life
to live, Nor all of death to die.
d sing thy ding be
3
3. Beyond this vale
of tears
There is
a life
a-bove, Un-measur-ed by the flight of years; And all that life is love.
で
​27

172
ALLEGRO con SPIRITO.
4
04.
LOUIS. S. M.
Naricema.
4. The hill of Zion yields A thousand
sa -
cred sweets,
Be-fore we reach those heavenly fields, Or walk the gold- en
streets.
G
ま​は
​4
D4
5. Then let our songs a-bound, And every tear
12dle 12
be
dry; We're marching thro' Immanuel's ground, To fair
·
er
worlds on
high.
PEACE.
e
S. M.ONE
Hastings.
1. Blest
are the sons
of
peace, Whose hearts and hopes are
one,
Whose kind de - signs
to
serve
and please, Through all their ac
tions
run.
--
B
O
CANTABILE.-Graceful, Flowing Style.
EUNICE.
S. M.
1. If, thro' un-ruf-fled seas, Tow'rd heaven we calmly sail,
Haydn.
AB
With grateful hearts, O God, to thee, We'll own the fostering gale, We'll own the fostering gale.
1. B
6
2. But should the surges
rise,
And rest de- lay to
come,
Blest be the sorrow-kind the storm, Which drives us nearer home, Which drives us near-er
home.
2. H
3. Soon shall our doubts and fears
All yield to thy control:
Thy ten-der mer-cies shall il-lume The mid-night of the soul,
The midnight of the soul.

Dr. L. Mason. 173
UCAL. S. M. (CONGREGATIONAL.)
cema.
the gold streets
1. I
love thy king-dom, Lord! The house of thine a bode,
The church our blest Re-deem-er saved With his own precious blood.
-er worlds high
2. I
love thy church, O God! Her walls before thee stand,
Dear as the ap
ple of thine eye,
And grav-en on thy hand.
stings.
Пфф
ough all their actions r
a
HESPERUS.
S. M.
E. Chamberlin.
02
We close the sa
cred day, Sweet day of
hallowed rest; Im part thy spi
-
rit, Lord, we pray,
To make it tru
ly
blest.
TOTO
Lydn
CANTABILE.
ORIOLE. S. M. WHO
ARRANGED FROM A. Weber.
6
We'll own the ering g
1. How beauteous are their feet, Who stand on Zi- on's hill,
6
Who bring salvation on their tongues, And words of peace reveal,.........
And words of peace re
veal.
Which drives us r-er
2. How charming is their voice! How sweet the tidings are!- "Zi - on! behold thy Saviour King, He reigns and triumphs here, He reigns and
tri
umphs here."
The midnig the
3. How hap-py are our ears, That hear this joy-ous sound! Which kings and prophets waited for, And sought, but never found, And sought, but
nev
er found.

174
TENDERLY.
1. O that I could re pent, With all my
-
LINDEN. S. M. AT
O
ARRANGED FROM MSS. or J. M. McF.
idols past, And to thy gracious eye pres-ent An hum-ble con trite heart;
2. A heart with grief op press'd, For having grieved my God; A troubled heart that
O
2
STILLINGFLEET. S. M.
cannot rest Till sprinkled with thy
blood.
FROM A SWISS TUNE.
छ
1. My God permit my tongue This joy to call thee mine; And let my
ear -- ly cries prevail To taste thy love
di
0138
2662
3
vine.
g
O
MAESTOSO.
NORWALK.
S. M. 0110
W. B. B. FROM "THE PSALMISTA."
4
1. "The Lord is risen in-deed;" He lives to die no more;
4
He lives the sinner's cause to plead, He lives the sinner's cause
to plead, Whose shame and curse he bore..
2. "The Lord is risen in-deed;" Then hell has lost his prey; With him
4
3. "The Lord is risen indeed;" At-tend-ing angels hear;
is risen the ran-somed seed, With him is risen the ransomed seed, To reign in end-less day.
Up to the courts of heaven, with speed, Up to the courts of heaven, with speed, The joyful tid-ings bear.
04

W-Soft, and Gentle.
MSS. OF J. ICF.
S
1. Go to thy rest, fair child!
ble con
tr heart
THE LITTLE GRAVE.* S. M.
(QUARTETTE.)
* 175
Go to thy dreamless bed, While yet so gen-tle, un-de-filed, With blessings on thy head. 2. Fresh ros-es in thy hand, Buds on thy pillow
3. Before thy heart had learned In waywardness to stray; Before thy feet had ever turned The dark and downward way; 4. Ere sin had scarr'd the breast, Or sorrow woke the
inkled with th blood
5. Because thy smile was fair, Thy lip and eyes so bright, Because thy loving cradle care Was such a dear delight; 6. Shall love, with weak embrace, Thy upward wing de
FROM A
laid, Haste from this dark and fear-ful land, Where flowers so quickly fade, Where flowers so quickly fade.
y love
pp
tear,
Rise to thy throne of changeless rest,
In yon
ce - les - tial sphere! In yon ce-les-tial sphere!
3. FROM "THE ALMISTA
tain?
No! gen-tle an - gel, seek thy place
A mid
the cherub train, [OMIT.
Whose shame and se he b
To reign in en iss
ed, The joyful
04
IN MEMORY OF A GENTLE DEPARTED ONE.
BRADEN.
S. M.
CODA for last Stanza.
-]
Amid the cherub train, Amid the che rub train.
W. B. B. FROM "THE PSALMISTA."
The swift de-clin- ing day, How fast its mo-ments fly, While evening's broad and gloomy shade Gains on the western sky!
2
6464
車
​-

176
SPIRITED.
(STTRAUO)
CRANBROOK. IS. M. T
1. Grace! 'tis
a
charming sound, Har
- mo- nious
to
the
ear! Heav'n with the
e-
cho shall resound,
Heav'n with the
2
Grace! 'tis
a
charming sound, Har
-mo-
nious
to
the
ear! Heav'n with the
e-cho shall resound.
6.
4
e- cho shall re- sound,
Th. Clark.
Heav'n with the
e-cho shall resound, Heav'n with the
Heav'n with the
Heav'n with the
e-
- cho shall resound, Heav'n with the
And
all
the earth shall hear,
And all the earth shall hear, And all
the earth
shall hear.
e-
cho shall resound,
And all
the earth shall hear,
And all
the earth shall hear,
And
all
the earth
shall
hear.
இயி
B
e
-
cho shall re-sound,
And
all
the earth shall hear,
And all
the earth shall hear,
And all the
earth
shall
hear.
e-
cho shall re- sound,
O
And
all
NEBO.
the earth shall hear,
S. M.
And all
the earth shall hear, And all the earth
shall
hear.
1.
H. FROM "THE PSALMODIST."
How beautous are their feet Who stand on Zion's hill! Who bring sal-va-tion on their tongues, And words of peace reveal! And words of peace re-
veal!
A
0.6

Th lark
BOLD.-MAESTOSO.
KIRKWOOD.
S. M.
177
He with the
1. Soldiers of Christ arise, And put your ar
mor on; Strong in the strength which God supplies,
Strong in the strength which God supplies Thro' his eternal Son.
o shall resound, 'n with the
#4
4
2. Strong in the Lord of hosts, And in his mighty power, The man who in the Sa
viour trusts,
The man who in the Saviour trusts Is more than conqueror.
Hea with t
3. Stand, then, in his great might, With all his strength endued, And take, to arm you for
the fight,
And take, to arm you for the fight, The pan-o- ply of God.
044
o shall resound; 'n with th
4
the earth
I hear
the earth
hear
earth
1 hear
CONFESSION. S. M.
O, blessed souls are they, Whose sins are COV ered o'er; Divine ly blest to
PROBATION. S. M.
Hastings.
whom the
Lord
Imputes their guilt no more.
Wm. B. Bradbury. 1847.
04
the earth
I hear
1. Now is the day of
grace;
Now to the Sa-viour come;
The Lord is calling, "Seek my face, And I
will guide you home."
FROM "THE LMODIST
04
04
nd words of pea re-real!
2. A Fa-ther bids you speed;
O, wherefore, then, de- lay?
He calls in love; he sees you need; He bids you come today.
(JUBILER 12,

178
With ENERGY.
ALENA. S. M. Double.
S. P.
1. Urge on your rapid course,
Ye blood-besprinkled bands;
The heavenly kingdom suffers force; 'Tis seized by
vio-lent hands:
See there the star-ry
4
04
4
4
2. Through much distress and pain, Through many con-flict here, Through blood you must the entrance gain, Yet, O dis-dain to fear:
a
#4
4
Courage, your Captain
throne,
It glitters through the skies; Sa- tan, the world,
and sin, tread down, And take the glo-rious prize, And take the
glo-rious prize.
cries,
(Who all your toil foreknew,) Toil ye shall
have,
yet all
despise;
I have o'ercome for you,
I
have o'ercome for
you.
SLOW and SOFT.-Cantabile.
DENNIS.
S. M.
ARRANGED FROM H. G. Nägeli.
4
How gentle
God's commands! How
kind his
pre-cepts are! Come, cast your
bur - dens
on
the
Lord, And trust
his
constant care.
254

MODERATO.
GREELY. S. M.
Double.
GERMAN POPULAR TUNE. FROM "CANTICA LAUDIS. 179
See there carry
1. Your harps, ye trembling saints, Down from the wil-lows take:
Loud to
the praise of love di-vine, Bid every string a - wake.
-
4
Cres.
Cres.
mf
mf
Courage, Capta
3. His grace will, to the end, Stronger and brighter shine;
$4
4
Nor present things, nor things to come, Shall quench this spark di-vine.
he glo-rious ze
2. Tho' in a for-eign land, We are not far from home; And near er to
-
our house a-bove, We
ev -
ery
moment come.
mp
Cres.
e o'ercome fo you
4. When we
OX H. G. Neli
this
con t care
mf
Cres.
in darkness walk, Nor feel the heavenly flame; Then will we trust our gracious God, And rest up on his
BARON. S. M.
name.
W. B. B. 1848.
How sweet to bless the Lord, And in his praises join, With saints his goodness to record, And sing his power divine, With saints his goodness to record, And sing his power divine.

180
KÖNIGSTRASSE.
S. M.
August Kriessmann.
2
1. Behold! the morning
sun
Begins his glorious way; His beams thro' all the na-tions run,
And life
and light con-vey.
2. But where the gos- pel comes, It spreads di- vin
PIA.-MOD.-ESPRESS.
-
er
G
S
light; It calls dead sinners from their tombs, And gives the blind their sight.
SHEFFIELD.
S. M.
Th. Hastings.
3
04
O, where shall rest be found, Rest for the
wea
ry soul? 'T were vain the
ocean's depths to sound, Or pierce
to
ther pole.
4
CHENANGO. S. M.
Dr. L. Mason.
4
4
1.
Ye
ser-vants of the Lord! Each in his office wait; With joy 0- bey his heavenly word, And watch before his gate.
2. Let all your lamps be bright, And trim the gold-en flame; Gird up your loins, as his sight, For awful is his name.
in
4
145

gust Kriess
and light
ATH HIS (1766
es the blind sight
GILLET.
S. M. Ta
181
1. How heavy is
the night That hangs up on our eyes,
Till Christ, with his re- viv - ing light, O - ver
our souls a rise!
·
4
#4
4
बे
6
2. Our guilty spirits dread To meet the wrath of heaven; But, in his right-eous-ness arrayed, We see
4
Th. Hing
ree to el
Dr. L Son
CRYSTAL LAKE. S. M.
our sins
forgiven.
ARRANGED FROM A MS. OF W. I. H.
Stand up, and bless the Lord, Ye peo-ple of his choice! Stand up, and bless the Lord your God, With heart, and soul, and voice.
LEGATO.
LIGHT.
S. M.ITTAR
4
watch be-fore gat
1. O, cease,
my wandering soul, On
restless wings
to roam; All this wide world, to
ei
ther pole, Has not
for thee
a home.
4
2. Be hold
the ark
of God; Be- hold
the
pen door; O, haste
to gain
that dear
a-
bode, And
rove, my soul,
no
more.
aw-ful is a
4
3. There safe
thou shalt
a bide, There sweet shall be
thy rest, And
67
ery long
ing set
is
fied. With full
sal - ve
tion blest.

182
GENTLE
ESTHER.
S. M.
1. Mine eyes and my desire
Are
to
ever
the Lord, I
love to plead his prom-is - es,
And rest up- on
his word.
H
2. Turn, turn thee to
my
oul, Bring thy sal-va- tion near; When will thy hand release my feet Out
of the dead-ly snare.
ALLEGRETTO-MODERATO.
SHIRLAND.
RLAND
S. M.
Stanley.
4
49
How perfect is
thy word! And all thy judg-ments just! For ever
sure thy prom-ise, Lord, And we secure-ly trust.
O34
4
ALLEGRO-SPRIGHTLY. Moderately Staccato.
Moder
HATTIE.
S. M.
+
4
4
Behold! the morning-sun Begins his glorious way; His beams through all the nations run, And life and light convey, And life and light convey.
2. But where the gospel come, It spreads divin - er light; It calls dead sinners from their tombs, And gives the blind their sight, And gives the &c.
4
4
3. How perfect is thy word! A nd all thy judgments just! For ev-er sure thy promise, Lord! And men securely trust, And men securely trust.
बे

up on
the dead snare
aley
SLOW.
MOUNT HOPE. S. M.
1. O God, my strength, my hope, On thee I cast my care, With humble con fi-dence look up, And know thou hearest prayer.
2. O for a godly fear, A quick dis-cern - ing eye, That looks to thee when sin is near, And sees the tempter fly!
ST. THOMAS. S. M.
*
Handel.
183
Te gecur trust
My soul, re
-
peat his praise, Whose mercies are so great; Whose an -
is
ger
SO slow to rise,
-
So rea dy to
a - bate.
nd life and li conve
G
PIANO.
LOTTIE. S. M.
(CONGREGATIONAL.)
1. How gentle God's com-mands! How kind his pre-cepts are! Come, cast your bur- dens on the Lord, And trust his con- stant care.
CODA for last Stanza of this Hymn.
sight, And the
And men sec trust
2. His bounty will pro-vide,
His saints se- cure - Ty dwell; That band which bears cre -a- tion up, Shall guard his children well.
3. Why should this anxious load Press down your weary mind! Oh, seek your heavenly Father's throne, And peace and com-fort find.
4. His goodness stands approved, Unchanged from day to day;
I'll drop my burden at his feet, And bear a song a- way, And bear a song
away.

184
ANDANTE.
4
WHITNEY. S. M.
S. M.
ARRANGED FROM A MS. OF W. O. P.
1. Se
-
rene
I
laid
me down, Be-neath his guar-dian care; I
slept, and I
a -
woke, and found My kind
Pre-serv
- er near.
mp
Cres.
mp
Cres.
f
Dim.
2. O, how shall I
re-pay The boun-ties of
my God; This fee
ble spirit pants be-neath The pleas
ing, pain-ful load.
3
6352
#4
ATORT TE
OWEN.
S. M.
J. E. Sweetser.
#4
g
th
Dear
Sa-viour! we
are
thine
By
ever-
-- last
ing
bonds;
Our names, our hearts, we would re
sign- Our hearts are
in
thy hand.
4
-6
ALLEGRO.
MANLY.
S. M.
(CONGREGATIONAL.)
W. M.
st
+4
1.
My soul! re- peat his
praise Whose mer-
- cies
are
SO
great;
Whose an
·
ger
is
SO
slow to
rise, So
rea
dy
to
a-
bate.
2. High
as
the heavens are raised
Above the ground we
tread,
So far
the rich
es as of his grace Our highest thoughts ex -
ceed.
3.
His power sub-dues our
sins,
And his
for giving
love,
Far
as
the east
is
from the west, Doth all our guilt
remove.
4
#4

AMS. OF D. P.
ALLEGRO con SPIRITO
TO
Pre-se er near
PEARNE. S. M.
Double.
公益
​S. F. 185
be known; Join in a song with sweet ac-cord, And thus sur - round
the
1. Come, we that love the Lord, And let our joys
sing, pa ful lo
4. The hill of Zion yields A thousand sa
cred sweets, Be-fore
we reach the heavenly fields, Or walk the gold
en
4
J. E. etser
rts are
dy to
Hatch
M
M.
10
-est thought-ceed
our guilt
-more
J
throne. 2. The sorrows of the mind Be banished from the place; Re-li-gion never was designed To make our pleas
ures less.
streets. 5. Then let our songs a-bound, And every tear be dry; We're marching thro' Immanuel's ground To fairer worlds
HUTTON. S. M.
on high.
Hastings.
Come, we that love the Lord, And let our joys be known; Join in
a song
with sweet ac - cord, And thus surround the throne.
O2

186
MODERATO.
HADYN.
S. M.
(CHOIR.)
07128 : R. E. 0.
1. Behold the throne of grace! The promise calls us near; There Je
-
sus
shows a
smiling face, There Jesus shows a smiling face, And waits to
answer prayer.
#4
2. That rich, a ton-ing blood, That sprinkled round we see, Provides for those who come to God, Provides for those who come to God An all-pre-vail-ing plea.
O3
-
MODERATO.
BEVERLY.
S. M.
(CONGREGATIONAL.)
FROM H. G. Nägeli.
g
Let songs of end- less praise From ev-ery nation rise; Let
all the lands their tri-bute raise To God, who rules the skies.
TOTO
O
2
GETHER.
S. M. (CONGREGATIONAL.)
O
1. Thy boun-ties, gracious Lord, With grat - i-tude we own;
We praise thy prov - i den-tial care, That showers its blessings down.
2
2. With joy thy people bring Their offerings round thy throne; With thankful souls, be-hold, we pay A tribute of thine own.

E. 0.
LARGO
FLAGG.
S. M.
Double. I
L. Mason. FROM "CANTICA LAUDIS."
187
And waits tower praye
1. How charming is the place Where my Redeem
er God
Unvails the glories of his face, And sheds his love
abroad! 2. Here, on
the
m
An all-pre-ing plea
3. To him their prayers and cries Each contrite soul
pre-sents: And while he hears their humble sighs, He grants them all
their wants. 4. Give me,
0
FROM H. Gageli
mer cy-seat, With radiant glo -ry crowned, Our joy
ful eyes
behold
him sit, And smile
on all &- round, And smile on all
around.
od, who rules e skies
2
mp
Lord, a place With - in
thy blest a-bode:
Among
the children of
thy grace, The serv-ants of my God, The servants of
my God.
owers its bless don
THATCHER. S. M.
Handel. FROM HIS "LORD, REMEMBER DAVID."
2
tribute of e OND
The Lord my Shepherd is,
I shall be well supplied; Since he is mine, and
I
am his, What can I want beside?
3
2

188
MODERATO.
RIVERSIDE.
S. M.DAT
Ye trembling captives! hear; The gos-pel trumpet sounds; No mu-sic more can charm the ear, No music more can charm the ear, Or heal
the heart-felt wounds.
4
2. 'Tis not the trump of war, Nor Sinai's aw-ful rear;
Sal-vation's news it spreads a - far, Sal-vation's news it spreads afar, And ven -
geance is
no more,
4
3. For-giveness, love, and peace, Glad heaven aloud pro-claims, And earth, the ju - bi-lee's re-lease, And earth, the ju-bi-lee's release, With ea
ger rapture claims.
4
ने
MORNINGTON. S. M.
Mornington.
The law by Mo
ses came,
But
peace, and truth, and love, Were brought by Christ, a nobler name,
Descend-ing from
a -
bove.
12116
ADAGIO.
LANDS. S. M.
Lowell Mason. BY PERMISSION.
#6
Bo
1. How gentle God's commands! How kind his pre-cepts are! Come, cast your burdens on the Lord, And trust
his con- stant care.
#6
mp
Cres.
Sym.
#6
8
2. His boun-ty will provide,
His saints se-cure-ly dwell: That hand, which bears crea-tion up, Shall guard his children
well.
177

ALLEGRO.-Bold and Spirited.-Forte.
1. Behold! the lofty sky
heal the hea It wound
en-geance is o more
ea -
ger rap re claims
9
##3
MAGNOLIA. S. M. (SINGING CLASS AND CHOIR.)
189
Declares its Maker, God; And all the starry works on high Proclaim his power abroad, Proclaim his power, &c.
Cres.
2. The darkness and the light Still keep their course the same; While night to day, and day to night, Divinely teach his name, Divinely teach, &c.
p
Morni on.
CLAYTONVILLE.
S. M. 5
Wm. B. Bradbury. FROM "THE PSALMISTA."
m
p
m
scend-ing from bore
TH:
Come, Holy Spirit, come,
With
en-er - gy
di vine, And
on this poor,
be-night-ed soul, With beams of mer cy shine.
3
g
O
QUICK.-Bold and Animated.
CORTLAND.
S. M.
fason. BY PISSION.
##2
4
his con- sta care
1. Grace!-'tis a charming sound,-Harmonious to the ear;
##2
Heaven with the echo shall re- sound,
And all
the earth
shall hear.
2. Grace first contrived the way To save re-bel-lious man;
And all the steps that grace dis-play,
Which drew
the won drous plan.
Sym.
4
3.
Grace led my roving feet To tread the heavenly road; And new supplies each hour I meet,
While press
ing
on
to God.
his child well
2

190
(mon an HOPEWELL.
S. MAR
#2
4
1. The man is
ev - er blest, Who shuns the sin-ners' ways;
A-mong their councils nev - er stands, Nor takes the scorn-er's place:
4
2. But makes the law of God His study and de-light,
Amid the la-bors of the day, And watch - es of the night.
2
4
PLAINTIVE.
PENITENCE. S. M.
W. B. B. FROM "THE CHORALIST."
Did Christ o'er sinners weep, And shall our tears be
dry?
Let floods of pen - i - ten-tial
grief Burst forth from ev-ery eye, Burst forth from every eye.
Co
BOLD.-Energetic and Staccato.
HARDING. S. M. THO
3
4
1. The Saviour's glorious name For ev -
er shall
en dure, Long as the sun, his matchless fame Shall ev
-
er stand se - cure.
##
#3
4
2. Wonders of grace and power To thee a lone
-
be - long; Thy church those wonders shall a dore, In
·
ever
-
lasting song.
4
3. O Israel, bless him still, His name to hon
or raise; Let all the earth his glory fill, Midst songs of grateful praise.
13

The scorn-
GENTLE.-Moderately Slow.-Legato.
CARRIE.
S. M.
1. The Lord my shepherd is,
I shall be well supplied: Since he is mine, and I am his, Since he
place:
191
is mine, and I am his, What can I want be- side?
2. He leads me to the place, Where heavenly pasture grows, Where living waters gently pass, Where liv-ing wa-ters gen-tly pass, And full salva-tion flows.
night
3. If e'er I go as-tray,
He doth my soul reclaim; And guides me in his own right way, And guides me in his own right way, For his most holy name.
FROM "THE ORALIST
SILVER STREET. S. M.
I. Smith.
t forth from
Come, sound his praise abroad, And hymns of glory sing;. Jehovah is
the sov-'reign God, The uni- ver- sal King.
y ere
6 J
LEGATO.
MARVIN. S. MI.
*
er stand e-cure
1. 0 for the death of those Who slumber in the Lord! 0, be like theirs
last
my
re
-
pose, Like theirs, my last reward.
er-
- last
g song
4
of grate praise
2. Their bodies in the ground In si- lent hope, may lie Till the last trumpet's joyful sound Shall call them to the sky.

192
ANE ANTE e LEGATO.-Slow-Gentle-Flowing.
BELLA. S. M. AO
Rall.
CODA. Ritard.
1. While my Redeemer's near, My Shep-herd and my Guide,
I bid farewell to every fear; My wants are all sup- plied,
My wants are all sup- plied.
64
4
p
Cres.
2. To ev-er fragrant meads, Where rich a-
bun-dance
grows,
54
4
CHORAL.
His gracious hand indulgent leads, And guards my sweet re-pose, And guards my sweet re- pose.
BADEA. S. M.Te
FROM A GERMAN CHORAL.
I hear thy word with love, And I would fain o bey;
Send thy good Spirit from a - bove, To guide me, lest I stray.
4
04
SINCLAIR. S. M.
Miss Louise Cooke, BLOOMFIELD, N. J.
LEGATO.
1. Seek not on earth thy home, Child of redeem - ing love; Rather in wild- est deserts roam Than lose thy rest a-bove!
2. The hand of faith extend, E ternal life
-
secure-
-With Jesus for
thy guide and friend, The heavenly prize is sure.
4
3. Seek not on earth thy home, Child of redeeming grace; Seek now, while nearing
to
the tomb, Thy Father's smiling face!
Fold
3

CODA. Ritar
SALUDA. S. M.
193
My wants ar sup-pl
4
1. My God, my life, my love! To thee, to thee
I call;
I can not live if thou remove, I can not live if thou remove, For thou art all in all.
4
4
And guards my et re-pos
2. Nor earth, nor all the sky, Can one delight
-
af ford; No, not a drop of
re-al joy, No, not a drop of real joy, Without thy presence, Lord.
O; 24
64
FROM A GER CHORAL
SLOW and SOLEMN.
BOYLE.
S. M.
OIT
W. B. B. FROM "THE PSALMODIST."
guide me, lest
4
stray
And canst thou, sin - ner, slight The call of love divine? Shall God with ten - der ness invite,
-
And gain no thought of
thine?
20-4
Cooke, BLOO LD, N.J.
MIRMA. S. M.
he
2
Q
an lose thyt a-bore
1. 0
for the death of those Who slumber in the Lord! O, be like theirs my last re-
- pose, Like theirs last
my
reward.
Ω
D
he heavenly is sure
2. Their bodies in the ground, In
si-lent hope, may
lie,
Till the last trum-pet's joy-ful sound Shall call them to
the
sky.
my Father's iling face
3. Their ransomed spi-rits soar On wings of faith and love,
To meet the Saviour they a -
dore, And reign with him
a- bove.
JURIER-13.

194
WOODSIDE.
S. M.
O
ます​よ
​1. The pity of the Lord
To those that fear his name,
Is such as tender parents feel- He knows our fee - ble frame.
2
2. He knows we are but dust,
Scattered with ev -
His
ery breath;
an-
like
-ger,
52
SLOW and SOLEMN.
TIOGA. S. M.
a ris - ing wind, Can send us swift to death.
Hastings.
4
O where shall rest be found-Rest for
the weary soul!
"T were vain the
ocean depths to sound, Or pierce to
el
ther pole.
4
ZABONI.
S. M.
W. B. B.
1. How ten-der is
thy hand,
O thou be loved Lord;
Af- fic-tions come
at
4
2. How gentle was
the rod
That chastened us for sin!
How soon we found
thy command, And leave us at thy word.
a smiling God, Where deep distress had been.
3
4
3. A Father's hand we
felt,
A Father's heart we knew; 'Mid tears of pen
i-tence we knelt, And found his word was true.
54

ALLEGRO MODERATO.
ATLAND.
S. M.
Lowell Mason. BY PERMISSION. 195
ows our fee le frame
1. How hon-ored is the place Where we a dor - ing stand, Zi- on,
-
the glo-ry of the earth,
And beau ty of.......
the land!
2
2
mf
Cres.
f
mf
mp
b
end us swi o death
2. Bul-warks of grace de fend The
city where we dwell, While walls, of strong sal-va- tion made,
De fy..... th'as-saults..
ele dell
of hell!
Ө
52
Haigs.
MIZAR.
S. M.
(CONGREGATIONAL.)
FROM W. W.
4
to
pole
छ
0
for the death of
those
Who slum-ber in the Lord! 0, be like theirs my last
re pose,
Like theirs my last re- ward.
12
W. B.
அ
OCEAN HILL.
S. M.
W. B. B. FROM "THE MENDELSSOHN COLL."
eave us at hy word
1. My soul, repeat his praise Whose mercies are so great, Whose an
ger
is
SO
slow
to rise, So rea-c
- dy
to...
a - bate, So rea-dy
to
a - bate.
eep distres ad ben
2. High as the heavens are raised Above the ground we tread, So far... the rich - es
of.... his grace Our highest thoughts
exceed, Our highest thoughts exceed.
A
ound his wo ras true.
8. His power subdues our sins, And his for-giv-ing love, Far as
the east is
from
the west, Doth all our guilt
re-move, Doth all our guilt re-move.

196
PASTOR.
S. M.
Double.
1. How beauteous are their feet, Who stand on
Zi-on's
hill!
&
R. E. v.
LAVE.
ब
lift
Who bring sal-va-tion on their tongues, And words of peace re-veal! 2. How charming is their
rom ea
3. How hap-py are our
ears That hear this joy-ful sound! Which kings and prophets waited for, And sought, but never
found. 4. How blessed are our
Re-mem
voice! How sweet the tidings are! "Zion, be-hold thy
Saviour-King, "Zi - on, be- hold thy Saviour-King, He reigns and triumphs here!"
r harps,
AD
eyes, That see this heavenly light!
Prophets and kings de- sired it long, Prophets and kings desired it long And died with-out the
sight.
A INTINO
1. Come to
2 Come to
the house of prayer, O thou
the house of praise, Ye who
0:4
BRAINERD. S. M.
afflicted, come;
are happy now,
1 God
W. B. B.
The God
In sweet
of
peace shall meet thee there; He makes that house his home.
ac-cord your voices raise, In kindred ho-mage bow.
the
64

j
GRAVE.
AZEL.
S. M.
197
their
1. I lift my soul to God; My trust is in his name: Let not my foes, that seek my blood, Still triumph in my shame.
our
4
2. From early dawning light Till even-ing shades a- rise,
For thy sal va - tion, Lord, I wait, With ever - long-ing eyes.
3. Re-member all thy grace, And lead me in thy truth; For-give the sins of rip er days,
03
And fol- lies of my youth.
26 64
OLMUTZ.
S. M.
ARR. FROM A GREGORIAN CHANT BY Dr. L. Mason..
ere!"
D
2
S
g
Your harps, ye trembling saints, Down from the willows take; Loud to the praise
of love di- vine, Bid every string
a - wake.
52
ght.
BILLINGS' HEBRON. S. M.
W. Billings.
ANDANTINO ESPRESSIVO.
1. My God, my life,
my love! To thee, to thee
I call; I can
not
live,
if thou remove, For thou art all
in all.
home
bow
2. To thee, and thee
a-lone, The angels owe their bliss; They sit
a
۵/۰۵/۰
round thy gracious throne, And dwell where Jesus is.

198
GROW.
S. M.
(CONGREGATIONAL.)
LLEGRE
1. With humble heart and tongue, My God, to thee I
pray:
O, bring me now, while I am young, To thee, the living way.
1. I 1
2. Make an un-guard-ed youth The ob-ject of thy care; Help me to choose the way of truth, And fly from ev ery snare.
3. My heart, to folly prone, Re-new by power di - vine; Unite it to
thyself a- lone, And make it wholly thine.
2. Il
63
O
252
With ENERGY.
4
264
FRANKLIN SQUARE.
S. M.
S. B. Pond.
OW and
Give to the winds thy fears, Hope, and be
un
·
dis - mayed;
God hears thy sighs, and
sees thy tears,
God will lift up
thy
head.
While
MODERATO.
HAZELWOOD.
S. M.a
LEGRE
です
​4
1.
I lift my
soul to God;
My trust is
in
his name:
Let not
my foes,
that seek
my blood, Still triumph in my shame.
The Lo
63
4
2. From early dawn-ing light Till eve-ning shades a - rise,
For thy
sal
- va
tion, Lord,
I
wait, With ev-er-long-ing eyes.
He lea
3

way.
Snare.
ALLEGRETTO.
4
MARIE. S. M.
1. I love thy kingdom, Lord! The house of thine & bode,
199
The church our blest Re-deemer saved With his own precious blood.
thine.
2. I love thy church, O God! Her walls before thee stand,
Dear as the apple of thine eye, And graven on thy hand.
464
GORTON,
S. M.
ARRANGED FROM Beethoven.
d.
SLOW and SOFT.
04
4
head.
While my Re-deem-er's near, My Shepherd and my guide, I bid farewell to every fear; My wants are all sup-plied.
ALLEGRETTO.
ELIM. S. M.
Ritard.
W. B. B.
Tempo.
shame.
1. The Lord my Shepherd is; I shall be well supplied: Since he is mine, and I am his, What can
I want be- side? What can
I want be-side?
eyes.
Ritard.
Tempo.
2. He leads me to the place Where heavenly pasture grows, Where liv-ing wa-ters gently pass, And full salva- tion flows, And full sal-va-tion flows.

200
AD LIB.
Soprano Solo.
OH, CEASE, MY WANDERING SOUL.
S. M.
QUINTET.
Repeat mf.
1. Oh, cease, my wandering soul,
ark
2. Behold the
of
God!
On
Behold
restless
wing
the
0-
to roam;
pen door;
this
All
haste
Oh!
to
ei -
wide world, to
that dear
gain
ther pole,
abode,
Has not for thee
And rove, my soul,
Tenor.
pp
a home.
no more.
as a wande
4
1. Oh! cease,
Alto.
my
wandering soul.
On
restless
wing
to
roam;
All this
wide world, to
ei -
ther pole, Has
not
for
thee
a
home.
[
4
Soprano.
pp Repeat mf.odat
Chorus not too loud, and moderately Staccato If the Soprano Solo is sung, let the Chorus sing so lightly that they can hear it.
46
2. Be-
Base.
hold
the
ark
of God!
Behold
the
open door;
Oh! haste
to
gain that dear
a -
bode, And rove,
my
soul, no more.
QUIET and GENTLE-Legato e Sostenuto.
mf. Soprano Solo.
THE LORD MY SHEPHERD IS. S. M.
QUINTET.
Ritard. Ad Lib.
Thepherd soug
Thoke in ten
raised my
They y closed
inting sou
The shed my
1 made me
They ht me to
1ng-sought
1. The Lord my Shep
leads me to
2. He
herd is: I shall be well supplied: Since he
the place Where heavenly pasture grows; Where liv
·
is
ing
mine, and I
waters gen
am
tly
his, What can
pass, And full
I
want be-side? What can I want be side!
salvation flows, And full sal-va-tion flows.
Tenor.
h2
4
LE 0.
Alto.
1. The Lord my Shepherd is; I shall be well supplied;
Since he is mine, and I am his, What can I want be- side ?What can I want be side?
Chorus, quiet and gentle. Practice at first with all the voices pp.
What can I want be side?
are the
Soprano.
2
4
2. He leads me to the place Where heavenly pasture grows; Where living waters gently pass, And full sal-va-tion flows, And full sal-va-tion
flows,
And full sal-va-tion flows.
2 B is
the
Base.
253
2
722
* Or Chorai Tune with Soprano Solo Accompaniment. These tunes are complete without the Solo-that should never be sung in public except by a smooth and cultivated Soprano.

Repea
hom
дощ с
hom
HHH
W.THE WANDERER. S. M. Double.
(PRAYER AND SOCIAL MEETINGS.)
:8:
FINE.
1. I was a wandering sheep, I did not love the fold:
D. C.
201
al Seg
I did not love my Shepherd's voice, I would not be controlled; I was a wayward child, I did not love my home,
I did not love my Shepherd's voice, I loved afar to roam.
:S:
FINE.
al Seg.
2. The Shepherd sought his sheep, The Father sought his child; They followed me o'er vale and hill, O'er deserts waste and wild; They found me nigh to death, Famished, and faint,
D. C. They bound me with the bands of love, They saved the wandering one.
[and lone;
4
04
041
0 moj
HI
e-si
OR fo
be-
HIH
tion
HIH
3.
They spoke in tender love,
They raised my drooping head;
They gently closed my bleeding wounds,
My fainting soul they fed;
They washed my filth away,
They made me clean and fair;
They brought me to my home in peace,
The long-sought wanderer.
LEGATO.
Jesus my Shepherd is,
"T was he that loved my soul;
"T was he that washed me in his blood,
'T was he that made me whole:
"T was he that sought the lost,
That found the wandering sheep,
"Twas he that brought me to the fold-
"Tis he that still doth keep.
ZEPHO.
S. M.
5.
No more a wandering sheep,
I love to be controlled,
I love my tender Shepherd's voice,
I love the peaceful fold:
No more a wayward child,
I seek no more to roam,
I love my heavenly Father's voice-
I love, I love his home.
03
The Lord my Shepherd is;
I shall be well supplied:
Since he is mine, and I am his,
What can I want beside!
He leads me to the place
Where heavenly pasture grows,
Where living waters gently pass,
And full salvation flows.
1. Blest are
104
04
2. Blest is
the
sons of
peace,
Whose hearts and hopes are one; Whose kind de- signs to serve and please Thro' all
دار الماد
دار روال
Bonovando ded
2
their ac
tions run.
the pi
ous house, Where zeal and friendship meet; Their songs of praise, their mingled vows, Make their com - mu
nion sweet.
04

202
PALESTINE. S. M.
-6
1. I love thy kingdom, Lord,
The house of thine a bode,
WC. W. Beames.
The church our blest Re-deem-er saved. With his own precious blood.
1. e, ye th
2. I love thy church, O God;
Her walls before thee stand,
Dear as
the
apple of thine eye,
And
gra-ven on thy hand.
ط
VIGOROSO.
LUTHER. S. M.
My soul, be
on
thy guard, Ten thousand foes are nigh; The hosts
of hell
COE. S. M.
Dim.
Hastings.
are pressing hard To draw thee from the sky, To draw thee from the sky.
25DM
God, in
AL GRO.-Con
hail! re-
1. How ten - der
is
thy hand,
O
thou most gracious Lord!
Af
flic-tions come at
thy com-mand,
And leave us
at
thy word
love-ly
2. How gentle
was
the
rod,
That chas-toned us
for
sin!
How soon
we found a
smil-ing God
Where deep distress had been.
S
6
8. wandering
S
3. A
Father's hand
we
felt,
A
Fa-ther's heart
we
knew; 'Mid tears of
pen
i
tence we knelt,
And found his word was
true.
G
In the e, and other
lenged other purpos
bald toke from the

es.
a
* WEST POINT. S. M.
manoTY C. W. Beames.
203
bloo
I J J J I J J I J
1. Come, ye that love the Lord, And let your joys be known,
Join in a song with sweet ac- - cord,
And thus sur-round the throne.
hand
O2
LITTLE MARLBOROUGH.
S. M.
S.
1. To God, in whom I trust,
I lift my heart and voice; O, let me
not
be
put to shame, Nor let my foes rejoice.
the s
ALLEGRO.-Con Spirito.-Forte.
BENJAMIN.
S. M.
ARRANGED FROM Haydn, BY W. B. B.*
1. All hail! re-deeming Lord, Sweet day-spring from on high; All hail! thou Sun of Righ-teous-ness, With all thy vi tal joy, With all thy vi
tal joy.
4
WO
4
J
2. Shine, love-ly star of day,
A-round and in us shine; And our be-night-ed souls shall own Thy light and love di - vine, Thy light and love di - vine
.
bee
3. Our wandering footsteps guide Through all this des-ert place; Beneath thy beams we'll trace
the path Of purity and peace, Of pu- ri- ty and peace,
*In the above, and other similar arrangements from standard authors, we simply ask the credit (if any there be) of putting into the limited compass of a psalm tune a beautiful musical thought, originally
designed for another purpose. To do this 8 as to make a euphoneous and popular tune, and yet preserve inviolate the author's meaning, is no light task. In this work it has been our constant endeavor neither
to add to nor take from the original one note that was not necessary in order to transfer it from its native to its newly adopted and metrical form.

204
doma. BOYLSTON.
S. M.
L. Mason.
SCHNEIDER. S. M.
W. B. B.
DERATO.
40
1. Our days are as the grass Or like the morning flower; When blasting winds sweep e'er the field, It withers in an hour.
The words of promise sure.
2. But thy compassions, Lord! To endless years endure; And children's children ev-er find
1. O cease, my wandering soul, On restless wings to roam; All
64
thou that
let thy
STATE STREET. S. M.
J. C. Woodman.
10
this wide world, to
either pole, Has not for thee a home.
How sweet the melting lay, Which breaks upon the ear, When, at the hour of rising day, Christians unite in prayer.
3
26-2
A SGRO M
DOVER. S. M.
ENGLISH.
SLOW. GOLDEN HILL. S. M. WESTERN TUNE.
Yhe Redeen
Great is the Lord our God, And let his praise be great; He makes the churches his abode, His most
delightful seat.
O cease, my wandering soul, On rest-less wing to roam; All
3
SPIRITED.
LABAN.
S. M.
L. Mason. 1830.
this wide world, to ei-ther pole, Has not for thee a home.
D2
My soul! be on thy guard, Ten thousand foes arise; And hosts of sin are pressing hard, To draw thee from the skies.
Oh! watch, and fight, and pray;-The battle ne'er give o'er; Renew it boldly every day, And help divine implore.
Yound-less
raise you

B. 1
Foam;
NO
mai
2664
e in pra
TERN
roam
1830
om the
ine im
h
S
4
MODERATO.
OMAR.
H. M. 21710
Deliberately.
205
yayognarod latyof wo
We plead the pro- mise
of thy word:
Grant us thy Holy
Spi-rit, Lord!
2
O thou that hearest prayer! Attend our
And let thy servants share Thy blessing
humble cry;
from on high:
ALLEGRO MODERATO.
Grant us thy
Ho
ly Spirit, Lord!
We
plead
the promise of thy word; Grant us thy Ho
ly Spirit, Lord!
S
STOW.
We plead the
H. M.
pro mise of thy word;
Grant us thy Holy Spirit, Lord!!
Yes, the Redeemer rose, The Saviour left the dead, And o'er our hellish foes, High raised his conquering head; In wild dismay The guards around, Fall to the ground, And sink a-way
SMITHVILLE.
H. M.
A. J. A.
B
h
4
Ye bound-less realms of joy,
His praise your songs employ
Ex
alt your Ma - ker's name:
Above the star
-
ry frame:
Your voi
ces raise, Ye cher
-
u - bim, And SO
-
ra- phim, To sing his praise.
44

GHTLY
206
ALLEGRO con SPIRITO.
DAVIS.
H. M.
4
4
Tel-come
1. Awake, ye saints! awake, And hail this sacred day; In loftiest songs of praise, Your joyful homage pay; Come, bless the
2. On this auspicious morn, The Lord of life a - rose, And burst the bars of death, And vanquished all our foes; And now he pleads
day
hail
that
Our
4
4
4
3. All hail! triumphant Lord! Heaven with hosannas rings; And earth, in humbler strains, Thy praise responsive sings;-"Worthy the Lamb that
Come, bless the day that God hath
ow may
scep
4
SOPHIE. H. M.
cause
a
God hath blessed, The type of heaven's e
the fruit
bove, And
reaps
-
ter nal rest.
of all his love.
1. The prom -i - ses I sing, Which sovereign love hath spoke; Nor
tal joys,
blessed,
once
•
2. The mountains melt a
was
slain, Thro' end- less years,
to live and reign!"
6
2
-
way, When once the Judge appears; And
the Lord
will th' e-ternal King
His words of grace re- voke:
They stand se-cure And stedfast still; Not Zi - on's hill A - bides so
sure.
And ba
sun and moon decay,
That measure mor- tal years;
But still the same, In radiant lines, The promise shines Thro' all the flame.
Bright w

HHH
hat God h
amb
HHH
SPRIGHTLY.
1ST
Welcome de-light-ful morn, Thou day
hail thy kind re- turn;- [OMIT
I
1ST
MINNI. H. M. 1
2D
207
of sacred rest!
] Lord! make these moments blest; From the low train of mor-tal toys I
| 2D
soar to reach im-
2.
Now may the king descend, And fill
Thy scepter, Lord! ex-tend, [OMIT
his throne of grace;
While saints address thy face:
Let sin-ners feel thy quickening word, And learn to know and
3
564
CHARLOTTE.
GENTLE.-Legato e Piano
H. M. (QUARTETTE.)
*
oke; or
mor-tal joys,
I soar to reach..
im mortal joys.
1. How beau-ti-ful the sight Of brethren who a
gree,
In friendship to u-
ATA
ears; 1
fear the Lord, And learn to know.
and
fear the Lord.
2. Tis like the dews that fill The cups of Hermon's flowers: Or Zi-on's fruitful
6
1ST
2D
sure.
nite, And bands of charity!
"Tis like the pre-cious oint-ment shed, O'er all his robes, from Aaron's
head,
1ST
Aaron's head.
2D
Hame.
hill, Bright with the drops of showers: When mingling odors breathe around, And
glo-ry
rests on all the ground,
all the ground.
O

208
LEGATO e PIANO.
GILBERT.
H. M.
1. How pleasing
the
voice
Of God, our heavenly King,
Who bids the frosts re
·
tire,
And wakes the lovely spring! Bright suns a -rise,
)
rd of the w
1. How pleasing is
the
voice
Of God, our heavenly King,
Who bids the frosts re-
tire,
And wakes the love-ly spring!
Bright suns a
happy so
go from a
1. How pleasing is
the
voice
Of God, our heavenly King,
Who, bids the frosts re-tire, And wakes the love
ly spring!
Bright suns a
ITTON HARO
The mild wind blows,
And beau-ty glows
2.
The morn, with glory crowned,
His hand arrays in smiles;
He bids the eve decline,
Thro' earth and skies.
The evening breeze
Rejoicing o'er the hills:
His beauty blooms
His breath perfumes; In flowers and trees.
3.
With life he clothes the spring,
The earth with summer warms:
He spreads th' autumnal feast,
And rides on wintry storms:
His gifts divine
Through all appear;
And round the year
His glories shine.
rise,
The mild wind blows,
And beauty glows Thro' earth and skies.
rise,
The mild wind blows,
And beauty glows Thro' earth and skies.
J-I
FIRM.
HADDA M. H. M.
de-sires
the way
her bring
Lowell Mason. BY PERMISSION.
yre-a-to
re-a-to
The Lord Je-ho-vah reigns; His throne is built on high;
The garments he as-sumes [OMIT
] Are light and ma-jes-ty; His glo-ries shine with beams so bright, No
mor-tal eye can bear the sight.
OF 2
UBILEE

CLARKSVILLE.
H. M.
209
1. Lord of the worlds a-bove! How pleasant, and how fair, 'T'ne dwellings of
thy love, Thine earthly tem-ples are! To thine a-bode
My heart aspires With
right st
Su
2. Oh! happy souls who pray, Where God appoints to hear; Oh! happy men
3. They go from strength to strength, Thro' this dark vale of tears, Till each arrives
who pay Their constant service there; They praise thee still;
at length, Till each in heaven appears; Oh! glorious seat,
And happy they, Who
When God our King, Shall
right su
2054
bloom
and tre
ms:
the yea
shine.
LENOX.
H. M.
Edson.
warm de-sires To
see
my God.
Ye tribes of A-dam, join With heaven, and earth, and seas, And of- fer notes di- vine
To
love the way To Zi
thither bring Our will
on's hill.
ing feet.
Ye tribes of A-dam, join With heaven, and earth, and seas, And of- fer notes di- vine
Ob4
64
To
RMISSION
your Cre-a-tor's praise.
ear the
your Cre-a-tor's praise.
Ye ho-ly throng Of an-gels bright, In worlds
of light
Begin the song.
E20
Ye ho-ly throng Of angels bright, In worlds of light Begin the song, In worlds of light Begin the song.
Ye holy throng Of an gels bright,
(JUBILEE-14)
Ye holy throng Of an-gels bright, In worlds of light Begin the song, In worlds
of light
Begin
the
song.

210
ALLEGRO.
54
1ST.
COOPERSTOWN. H. M.
2D.
Naricema.
ALLEGR
1.
Hark! what ce-lestial notes, What melo-dy we
on the morn it floats, And fills the [OMIT
hear! Soft
hanks to G
ov'reign K
-]
ravished ear: [ The tune-ful shell, The gold
en lyre,
And vocal choir The con-cert swell.
-
2.
See,
how from heaven they bend, And in full [OMIT.
join!} «
1ST.
2D.
-] chorus join! "Fear not," they say, "Great joy we bring:
Je-sus, your King, Is born to-day.
highty is
Hmed the ea
3.
He comes, from error's night, Your wandering feet to sare; To
realms of bliss and light He lifts you [OMIT.
from the grave:S
This glo-rious morn, Let all
at-tend; Your matchless Friend, Your Saviour's born.
64
5408
ALLEGRO MODERATO.
HARWICH.
H. M.
Give thanks to God most high, The universal Lord; The sovereign King of kings: And be his grace adored. Thy merey, Lord, Shall still endure, And ever sure Abides thy word.
04
ே
HODESH.
H. M.
1ST.
2D.
O
1. All triumphar
A GRETTO
R. E. 0.
Lor the worlds
The ling of t
a-lone.
Where is my Saviour now, Whose smiles I once possessed?
Till he re-turn, I
bow, By heavy grief op- [OMIT.] - pressed :) My days of happi-ness are gone, And I am left to weep
e
Where can the mourner
go, And tell his tale
2.
Ah, who can soothe his
of grief?
woe, And give him sweet re- [OMIT.]
lief?} Earth can not heal the wounded breast, Or give the troubled sinner rest.
0,py souls w
by men, w
2
22

a.
ert swe
1.
to-day
ur's bo
ALLEGRO.
SUTHERLAND. H. M.
W. B. B. FROM "THE PSALMODIST." 211
2
+
The sov'reign King of kings,
And
-ver-sal Lord;
u - ni -
And be his name a-dored. Thy
mercy, Lord, Shall still en-dure,
And ev - er sure
A-bides thy word.
2.
How mighty is his hand! What wonders he hath done!
He formed the earth and seas! And spread the heavens alone!
His
power and grace Are still the same;
And
let his name Have endless praise.
DARWELL. H. M.
مال
Darwell.
hy wor
1. All hail triumphant Lord! Heav'n with hosannas rings; While earth in humbler strains Thy praise responsive sings: Worthy art thou, who once was slain, Thro' endless years to live and reign.
W. B. B. FROM "THE PSALMISTA."
0.
-lone
ALLEGRETTO.
BOWEN. H. M.
1.
Lord of the worlds a-bove, How pleasant and how fair
The dwelling of thy love, Thine earthly temples, are! To thine abode my heart aspires, With warm desires To see my God, With warm desires To see my God.
er rest
2.
O, hap-py souls who pray Where God appoints to hear!
10, hap-py men, who pay Their constant service there! They praise thee still; And happy they Who love the way To Zion's hill, Who love the way To Zi- on's hill.

212
SPIRITED.
4
1. Let every
4
JENNIE. H. M.
LEGRO
crea-
ture join To bless Je
-
-
ho vah's name,
And ev-ery
power
unite To swell th' ex - alt- ed theme;
undless r
2. But, 0, from
hu
-
man tongues Should nobler praises flow,
And every
thank-ful heart With warm de VO tion glow:
-
-
2 L adore th
EB
ANTE.
Let na-ture raise,
From ev-ery tongue,
A general song
Of
grateful praise.
Yring sons
Let nature
Your voi-ces
raise,.
raise,.
MODERATO.
Let
nature raise,
From ev-ery
Ye high-ly
tongue,.
blest;.
A general
Above the
song.
rest.
Of grateful praise.
Declare his praise.
From
every tongue,
A
general song
Of grate
ful praise.
LISCHER.
H. M.
1. Heautiful
CHORUS.
Welcome, delightful morn! Thou day of sacred rest;
I hail thy kind return; Lord, make these moments blest:) From low delights and mortal toys, I soar to reach im-mor-tal joys, I soar
to reach....
CHORUS.
im-mor-tal joys,
2. Te the dew
3. Fore the Lo

AMHERST.
H. M.
Billings. 213
them
ALLEGRO.
1. Ye boundless realms of joy, Exalt your Maker's name; His praise your songs employ, Above the starry frame. Your voices raise, Ye cherubim, And seraphim, To sing his praise.
glow
Ful
pr
ful pr
his pr
2. Let all adore the Lord, And praise his ho-ly name, By whose al-mighty word They all from nothing came; And all shall last, From changes free, His firm decree Stands ever fast.
ANDANTE.
ZEBULON. H. M.
Lowell Mason. BY PERMISSION.
Ye dying sons of men, Immerged in sin and woe! Now mercy calls again, Its message is to you! Ye perishing and guilt-y, come! In mercy's arms there yet is room!
RIVINGTON. H. M.
Hastings.
ful pr
1. How beautiful the sight Of brethren who a-gree In friendship to u - nite, And bonds of char-i-ty; 'Tis like the precious ointment, shed O'er all his robes, from Aaron's head.
mor-tal
2. 'Tis like the dews that fill The cups of Hermon's flowers, Or Zion's fruitful hill, Bright with the drops of showers. When mingling odors breathe around, And glory rests on all the ground.
3. For there the Lord commands Blessings, a boundless store, From his unsparing hands, Yea, life for ev - er-more; Thrice happy they who meet above To spend e-tern - i ty
in love.
e
252

214
ALLEGRO
LINTZ.
H. M.
To God I lift mine
eves,
The God who built the skies,
From him is all my aid;
And earth and nature made:
God is the tower
To which I fly:
His
grace is
nigh In
LL the eart
every hour.
Cres.
2.
My feet shall never slide, And fall in fa- tal snares;
Since God, my guard and guide, De-fends me from my fears:
Those wakeful eyes
That
never sleep,
Shall Is rael
keep, When dangers rise.
ALLEGRO.
WAHNATAH.
2D..
H. M.S His grace is nigh His grace is nigh In every hour.
Heed the g
to nations
1.
To
Thy
And
2.
Hail! ever-last-ing spring, Ce-les- tial fountain, hail!
streams salvation bring, Thy waters never [OMIT... .] fail!
that dear source of love Our souls this day would come,
thith-er from a-bove, Lord, call the nations [OMIT.. .] home: That Jew and Greek, With rapturous songs, Thy praise may speak On all their tongues.
Still they endure, And still they flow, A sov-ereign
cure For
all
our woe.
hov vinely b
2D.
GUYON.
H. M.
FROM "NATIONAL PSALMIST."
MOT
Yes, the Redeemer rose, The Saviour left the dead, And o'er our hellish foes High raised his conquering head;
In wild dismay,
The guards around Fall to the ground, And sink away.
Praise emplo
Dim.
A
And ea and seas
mf
Yes, the Redeemer rose, The Saviour left the dead, And o'er our hellish foes High raised his conquering head; In wild dismay.The guards a-round Fall to the ground, And sink a - way.
#2
2

ery
rs ri
04
GALLAGHER. L. P. M. MAR
215
1. Let all the earth their voices raise, To sing the choicest psalm of praise, To sing and bless Jehovah's name: His glory let the heathen know, His wonders
04
2. He framed the globe; he built the sky; He made the shining worlds on high, And reigns complete in glory there: His beams are majesty and light; His beauties,
MODERATO.
NEWCOURT. L. P. M.
H. Bond.
to the nations show, And all his saving works proclaim.
1. I'll praise my Maker with my breath; And when my voice is lost in death,
ur w
ir tons.
how divinely bright! His temple, how di- vine - ly fair!
2. How blest the man whose hopes re- ly
On Israel's God, he made the sky,
04
04
MIST.
nk a
Praise shall employ my nobler powers; My days of praise shall ne'er be past, While life, and thought, and being last, Or im-mor-tal - i - ty en-dures.
im.
e
And earth, and seas, with all their train; His truth forever stands secure; IIe saves th' oppressed, he feeds the poor, And none shall find his promise vain.
nka-w

216
GABRIEL. C. P. M.
W. B. B. FROM "PSALMISTA."
O, could I speak the matchless worth, O, could I sound the glories forth, Which in my Saviour shine, I'd soar and touch the heavenly strings, And vie with Gabriel, while he
O thou,
lain in
hen save
O, could I speak the matchless worth, O, could I sound the glories forth, Which in my Saviour shine. I'd soar and touch the heavenly strings, And vie with Gabriel, while he
5b4
I'd soar and touch the heavenly strings,
And
sings,
In
notes al most
di - vine:
I'd soar
and touch the heavenly strings, And vie
with Gabriel while he sings, In notes al - most di-vine.
Thath don
for me,
theart, T
sings,
in
notes al
-
most
divine; I'd soar and touch the heavenly strings, And vie with Gabriel while he sings,
In
notes almost di- vine.
vie with Gabriel while he sings, In notes almost divine;
I'd soar
Not too FAST.
NASHVILLE.
and touch the heavenly strings, And vie with Gabriel while he sings, In notes al
L. P. M.
1
most divine.
ARL. FROM A GREGORIAN CHANT BY Dr. L. Mason.
Thy fear for-bids my feet to stray,
I love the volume of thy word; What light and joy those leaves afford To souls benighted and distressed! {Thy precepts guide my doubtful tray; Thy promise leads my heart to rest.
ted on
shall se
8

Et di-
el, whi
el, whe
A
HI
ה
O 3
2664
CAPPADOCIA.
C. P. M.
1. O thou, that hear'st the prayer of faith, Wilt thou not save a soul from death, That casts itself on thee? I have no refuge of my own, But fly to what my
2. Slain in the guilty
3. Then save me from
sinner's stead, His spot - less righteous - ness
e- ternal death, The spirit of 2-
217
I plead. And his avail-ing blood: That righteousness my robe shall be, That merit shall a-
dop-tion breathe, His con-so-la-tions send: By him some word of life impart, And sweetly whisper
ARIEL.
C. P. M. fr.Mozart.
ann by
Lowell Mason.
SLOWLY, and in Exact Time.
4
Lord hath done, And suffered once for me, And suffered once for me.
1. Oh, could I speak the matchless worth, Oh, could I sound the glories forth, Which
-tone for me, And bring me near to God, And bring me near to God.
to my heart, Thy "Maker and thy friend," Thy "Maker and thy friend."
2. I'd sing
3. Soon the
the characters he bears, And all the forms of love he wears, Ex-
delightful day will come, When my dear Lord will bring me home, And
st di
st di-
Haso
in my Saviour shine;
I'd soar and touch the heavenly strings, And vie with Gabriel while he sings, In notes almost divine,
In notes almost
di - vine.
heart st
alted
on his throne; In loftiest songs of sweetest praise, I would to ever last-ing days Make all his glories known, Make all his glo
I shall see his face; Then, with my Saviour, brother, friend, A blest e-ter-ni- ty I'll spend-Triumphant in his grace, Triumphant
ries known.
ia
his grace.

218
CARMELHILL.
C. P. M.
W. B. R
1. The festal morn, my God! is come, That calls me to thy sacred dome, Thy presence to adore: My feet the summons shall at - tend,
willing steps thy courts as - cend,
With
And
can
tread the hallowed
l resig
2. With ho-ly joy I hail the day, That warns my thirsting soul away; What transports hail my breast! For, ( lo! my great Redeemer's power Un-
folds the ev- er-last-ing door, And leads me to his
64
4-4
WINSLOW.
C. P. M.*
floor, And tread the hallowed floor.
1. That warning voice, O sin-ner, hear, And while salva- tion lingers near, The heavenly call
0->
Of essed
And I sed he
1.llow calm beaut
rest, And leads me to his rest.
2. Soon night comes on, with thickening shade; The tempest hovers o'er thy head, The winds with fury
Ө
He k the
Looked o' the
O
bey;
Flee from de- struc-tion's downward path, Flee from the threat-ening storm of wrath, That
ris - es o'er our way.
g
pour;
The lightnings rend the earth and skies, The
thunders roar,
the flames a rise, What
-
fill
terrors
that hour!
The
went
When 1 mor
* Sometimes marked L. C. M.

e hallo
1
2
to hi
BOONTON. C. H. M.
219
4
When I can trust my all with God, In tri-al's fearful hour,
Bow, all resigned, beneath his rod, And bless his sparing power, A joy springs up a - mid distress, A fountain in the wilderness, A fountain in the wilder - ness.
2.
Oh, blessed be the hand that gave, Still blessed when it takes; )
And blessed he who smites to save, Who heals the heart he breaks; Perfect and true in all his ways, Whom heav'n adores, and earth obeys, Whom heav'n adores, and earth obeys.
26-64
CALM. C. H. M.*
Hastings.
1. How calm and beautiful the morn That gilds the sacred tomb, Where once the Crucified was borne, And vailed in midnight gloom! O weep no more the Saviour slain; The Lord is risen, he lives again.
fury
41
OPHIR.
C. H. M.*
He knelt; the Saviour knelt and prayed, When but his Father's eye
Looked thro' the lonely garden's shade, On that dread ag -0-
ny;
The Lord of all
above, beneath, Was bowed with sor-row.
un
to death.
way.
hour
4
The sun went down in
When this mor-tal
20
fearful hour; The heavens might well grow dim,
ty had power To thus o'er-shad-ow
him;
That he who gave man's breath might know The
very depths of
hu
man woe.
7
09
Sometimes marked C. L. M.

220
SOFT and GENTLE.
04
ZETHAN.
S. H. M.
經
​1. Friend after friend departs: Who hath not lost a friend? There is no union here of hearts That finds not here an end; Were this frail world our only rest, Living or dying,
04
m the cro
[none were blest.
lo
2. Beyond the flight of time, Beyond this vale of death, There surely is some blessed clime Whence life is not a breath, Nor life's affections transient fire, Whose sparks fly upward to
[expire.
4
4
3. There is a world above, Where parting is unknown; A whole eternity of love, Formed for the good alone; And faith beholds the dying here Translated to that happier sphere.
0:4
2 Spred now w
p
MODERATO.
DALSTON.
S. P. M.
A. Williams.
How pleased and blessed was I, To hear the people cry, "Come, let us seek our God to-day !" Yes, with a cheerful zeal, We haste to Zion's hi'l, And there our vows and honors pay.
CHAMBERLIN, S. P. M.
J. E. Ball.
Cond welco
Cor nd welco
1. How pleased and blessed was I, To hear the people cry, "Come, let us seek our God to-day!" Yes, with a cheerful zeal, We haste to Zion's hill, And there our vows and honors pay.
Yes with a cheerful zeal We haste to Zion's hill,
2. Zion! thrice happy place, Adorned with wondrous grace, And walls of strength embrace thee round: In thee our tribes appear To pray, and praise, and hear The sacred gospel's
[joyful sound.
SLO and SOF
1.ft-ly
en for
32
700

CORNELIA.
78.
6 lines.
1ST.
2D.
dying
re ble
1. From the cross uplifted high, Where the Saviour deigns to die, What me-
lodious sounds I hear, Bursting on my ravished.
Oward
221
ear
Love's redeeming work is done,Come and welcome, sin - ner, come,
Come and welcome
1ST.
2D.
*
[expi
sphere
2. Sprinkled now with blood the throne, Why beneath thy burdens groan? On my
pierced bod-y laid, Justice owns the ransom.
paid;
a; }
Bow the knee, and kiss the Son, Come and welcome, sin - ner, come,
Come and welcome,
Come and welcome, sin-ner, come.
Ors pa
1.
Come and welcome, sin-ner, come.
nors pa
SLOW and SOFT.
GENTLY.
6
4
GERTRUDE.
7s.*
1. Cast thy burden on the Lord, On-ly lean up- on his word, (Thou wilt soon have cause to bless
His unchanging faithful-ness,
4
2. He sustains thee by his hand, He enables thee to stand; ( Those whom Jesus once hath loved,
In other hymns, omit this measure.
His unchanging faithfulness.
From his grace are never moved, From his grace are never moved.
May be sung as a Duet.
SISTERS.
76.
d gospe
ful sour
1. Soft ly now
the light of day
2. Soon for us
the light of day
Fades up
Shall for
on
my
ev - er
sight a- way,
pass 2- way;
Free from care, from la bor
Then, from sin and sorrow
free, Lord, I would com-mune with thee.
free, Take us, Lord, to dwell with thee.
4
1

222
22
04
PEASE.
78.
E. C. Howe.
1. Bread of heaven! on thee we feed, For thy flesh is meat in-deed: Ev - er let our souls be fed With this true and living bread!
04
weet th
04
2. Vine of heaven! thy blood supplies This blest cup of
sac
-
rifice: Lord, thy wounds our healing give; To thy cross we look and live.
5. feet the
4
SOSTENUTO.-ADAGIO.
DALLAS. 7s. Quartette.
ARR. FROM Cherubini.
GATO.
to
Keep me, Saviour, near thy side,
Let thy coun-sel be my guide; Never let me from thee rove, Sweet-ly draw me by thy love.
2664
TOPLADY, or ROCK OF AGES.
79.
Hastings.
D. C.
and
4
1.
Rock of
ages! cleft for me, Let me hide my - self in thee; Let the water and the blood, From thy wound-ed side that flowed,
D. C. Be of sin the per- fect cure; Save me, Lord, and make me pure.
D. C.
2. Should my tears for ev - er flow, Should my zeal no languor know, This for sin could not a tone; Thou must save, and thou a-lone:
D. C. In my hand no price I bring, Simply to thy cross I cling.
-
thy
640

we.
VIOLET. 7s. A
223
ng brea
1. Sweet the time- exceeding sweet!
When the saints together meet, When the Sa-viour is
the theme, When they
3
4
nd live
5. Sweet the place-exceeding sweet,
3
bini.
hy love
ngs.
at flow
LEGATO.
join
to sing of him.
see
and sing of him.
To
a-lone
Where the saints in glory meet; Where the Saviour's still the theme, Where they
6
URSINE.
7s.
FROM G. A. S.
1. Hear my prayer, Jehovah! hear; Listen to my hum-ble cries; See the day of trou-ble near; Heavy on my soul it lies.
2. Hide not, then, thy gracious face, When the storm around me falls, Hear me, O thou God of grace! In the time thy servant calls.
3. Earth and hell their censures pour, Madly rage against my soul: When my God ap-pears no more, Who their fu-ry can control?
Reded
HOLLISTER.
*
thy pas-tures, fair and large, Heavenly Shep-herd, lead thy charge; And my couch, with tenderest care,
'Midst the spring -ing grass pre-pare.
B

224
SLOW, SOFT and GENTLE.-Degato.
ALICE.
7s. 201017* ****
W. B. B.
1. To thy pastures, fair and large, Heavenly Shepherd! lead thy charge; And my couch, with tenderest care, Midst the spring-ing grass pre-pare.
2. When I faint with summer's heat, Thou shalt guide my weary feet To the streams, that, still and slow, Through the ver- dant meadows flow.
ren, while
we have,
08
the way
3. Safe the dreary vale I tread, By the shades of death o'erspread; With thy rod and staff supplied,
tan, with
This my guard-and that my guide.
of all
e betray
PLEYEL'S HYMN.
7s.
J. Pleyel.
-
Heavenly Father, sovereign Lord, Be thy glorious name a-dored; Lord, thy mercies never fail; Hail, ce les - tial goodness, hail!
SLOW.
0-
-ther,
SLOW, SOFT, and GENTLE.-Legato.
EVENING PRAYER.
75.
2
G
04
1. Weary, as with closing eye,
On my peaceful bed I lie,
Father, may thy an-gels keep Watch a-round me while I sleep.
me, saith
04
Cres.
Cres.
Cres.
Dim.
Dim.
04
2. Have I thro' the day in aught, Sinned in word, or deed, or thought, Father, from thy holy throne, Send a
原
​saving pardon down.
h-er c
(JUBL
4

B.
COME HOME.
Double. 960H
225
re-paro
ws flow
2.
my gui
3.
Brethren, while we sojourn here, Fight we must, but should not fear;
Foes we have, but we've a Friend, One that loves us to the end.
4
In the way a thousand snares Lie, to take us un-a-wares;
Satan, with ma - li-cious art, Watches each un-guard-ed part: (
But of all the foes we meet, None so oft mislead our feet,
None betray us to sin Like the foes that dwell within;
in
·
Forward then with courage go,
Long we shall not dwell below; Soon the joyful news will come," Child, your Father calls, come home !"
But, from Satan's malice free,)
Saints shall soon victorious be; (Soon the joyful news will come, "Child, your Father calls, come home!"
Yet let nothing spoil our peace,
Christ shall also conquer these; Soon the joyful news will come, "Child, your father calls, come home!"
yel.
ness, ha
I sleep
204
SLOW.
4-67
064
4
FULTON.
7s.
W. B. B.
Brother, though from yon - der sky
Cometh neither voice nor cry, Yet we know for thee to - day
Every pain hath passed a -
way.
SPRING.
7s.
William Mason.
1. Come, saith Jesus' sa- ered voice,
Come, and make my path your choice; I will guide you to your home;
Weary
pil- grims, hither come.
Q
on dow
2. Ilither
come; for here is found
Balm for ev ery bleed-ing wound, Peace which ev
er shall en- dure,
-
Rest, e ternal, sa cred, sure.
(JUBILEE-14

226
56
HOSFORD.
7s. 6 lines. (PARTING HYMN.)
1. When shall we all meet again? When shall we all meet again? Oft shall glowing hope expire, Oft shall wearied love re- tire, Oft shall death and sorrow reign Ere we all shall meet a -
PIC LEGA
gain.
tly fa
2. Though on foreign shore we sigh, Far remote our na-tive sky, Tho' the depths between us roll, Hope shall anchor there our soul, And in faith's well-known domain, Within the vail, we'll meet again.
81
3. When the dreams of life are fled, When its wasted lamps are dead, When in cold oblivion's shade Beauty, wealth, and fame are laid, Where immortal spirits reign, Thither soar, to meet a
-
gain.
21-ed tea
258
4
BENEVENTO.
7s.
S:
FINE.
1. While with ceaseless course,the sun Hasted thro' the former year, Many souls their race have run. Never more to meet us
D. C. We a little long-er wait, But how lit-tle, none can know.
D. C. 8:
ERATO.
here;
Fixed in an e- ter-nal state, They have done with all below;
FINE.
Prto God
D. C.
CHRISTMAS HYMN.
7s.
C. M. Cady.
EGRETT
2
04
1. Hark! the herald an
-
gels sing,
Glo
ry
to the new-born King, Peace on earth, and
mercy mild,
God
and sin
·
ners re- con- ciled.
loly G
04
2. Joyful all ye na
tions rise,
Join
the triumph of the skies; With th' an-gel - io
hosts proclaim,
Christ
is born
in Beth-le- hem.
04
3. Risen with heal-ing in his wings,
Light and life to all he brings; Hail the Sun of Righteous-ness,
Hail
the heav'n-born Prince of Peace.
ly G
--

PIANO e LEGATO.
meet a
1, Gently fall the dews of eve,
4
we'll me in.
GRANNIS.
7s.
INATII
W. O. Perkins. 227
Raising still the languid flowers: Sweetly flow the tears that grieve O'er
a mourner's
stricken hours.
meet a
2. Blessed tears and dews that yet Lift us near - er
012
un to heaven! Let us still his praise repeat, Who
in
mercy all hath given.
42
ne with alow;
1. Cad
IN
MODERATO.
NUREMBURG.
75.
Praise to God!-immortal praise, For the love that crowns our days; Bounteous source of ev'-ry joy, Let thy praise our tongues employ.
4
2-
ALLEGRETTO.
-9
NORVILLE.
7s.
-con-
1. Holy Ghost, with light divine, Shine up-on this heart of
mine;
Chase the shades of night
Turn the darkness
in
away;
to day,
Turn the darkness in
to
day.
th-le-1
ace of
1211
2. Holy Ghost, with power di-vine, Cleanse this guilt-y heart of
mine; Long has sin with
Held do-min-ion
out
o'er
con-trol,
my soul, Held do - min-ion o'er
my
soul

228
LITANY.
7 s.
Double.
四​口
​I. A. Hagar.
1. Saviour, when in dust to thee, Low we bow th'adoring knee; When, repentant, to the skies, Scarce we lift our streaming eyes; O, by all the pains and woe, Suffered once for man be-
مار دارددرة
for a
To the
D. et thyr
4. By thy deep expiring groan, By the sealed sepulchral stone, By thy triumph o'er the grave, By thy power from death to save; Mighty God, ascended Lord, To thy throne in
[heaven re-
40
- low, Bending from thy throne on high, Hear our solemn lit-a
-
ny.
MARTYN.
7s.
Double.
FINE.
Heat tune sung
INT, to 1849, and
Organ supp
Marsh.
D. C.
ous Spi-ri
Mary to the Saviour's tomb Hasted at the early dawn,
Spice she bro't, and sweet perfume, But the Lord she loved had gone.
For a while she lingering stood,
Filled with sorrow and surprise; }
D. C. Trembling while a crystal flood, Issued from her weeping eyes. FINE.
D. C
-stored, Prince and Saviour, hear our cry, Hear our solemn lit-a-ny.
110 11
SIDMOUTH.
75.
Double.
2. kthy pard
e, ye he
Dr. Malan.
the con
a-gain
Paths of sin and sorrow trod, Peace and comfort nowhere found; Now to you my spi-rit turns-Turns, a fu-gi- tive unblest; Brethren, where your altar burns, O, receive me in to rest.
People of the liv-ing God, I have sought the world around;
whose po
who hath
D.C. whose trut

agar
ST. NICHOLAI, or BOEHME.
79. Double.
MELODY OF THE 17TH CENTURY-HARMONIZED BY
C. F. BECKER, ORGANIST OF ST. NICHOLAI CHURCH.
229
FINE.
D. C.
22
S
HH
nce for be
thy th
heay
1.
For &
To
the
season called to
part, Let
gracious eye and heart Of our ev
us now
our-selves com-mend,
er present Friend. Je sus, hear our
D. C. Let thy mer- cy and thy care All our souls in safe ty keep. FINE.
Ob 2
g
hum-ble prayer; Ten - der Shepherd of thy sheep!
D. C.
We heard it sung in the same church about every other Sunday from October,
The Germans usually sing the melody only, the male voices greatly predom-
"Heard this tune sung by a large congregation, at the St. Nicholai Church, Leipzig, Feb. 8, 1552. L. MASON."
1847, to March 1849, and published it in the "Mendelssohn Collection." It appears to be the OLD HUNDREDTH of Leipzig.
inating. The Organ supplies the harmony.
7s.
ADELAIDE
Mars
S
1. Gracious Spi-rit! Love Divine! Let thy light with-in me shine; All my guilty fears re- move,
ring sto
nd surp
2. Speak thy pardoning grace to me, Set the burdened sin-ner free; Lead me to the Lamb of God,
MERRILL.
7s. Double.
he
alan
66
Wide, ye heavenly gates un- -fold,
1. Lo! the conquering Lord be - hold;
D. C. Hark a-gain! the answering choir
sin;
Closed no more by death and
Let the King of glo- ry in." Hark! th'an-gel
Thus in strains of triumph sing:
("He, whose power-ful arm 8- lone
Ile, who hath the victory won,
D. C. Ile, whose truth with blood was sealed;
2.
in-to
Fill me with thy heavenly love, Fill me with thy heavenly love.
Wash me in his precious blood, Wash me in his precious blood.
W. B. B.
FROM " PSALMISTA."
D. C.
4
ic host in quire, "Who is
he, th' Al-might-y King!"
D. C.
On his foes de-struc-tion hurled;
IIe, who saved a ruined world; He, who God's pure word ful-filled,
IIe is heaven's all-glorious Lord."
Jesus, the
in
-
car- Date Word;

230
BOLD and ANIMATED.
CHEROKEE.
79.
Double.
Or 6 lines.*oom Te
Let us, with a joyful mind, Praise the Lord, for he is kind; }
1. For his mercies shall en-dure. Ev- er fauthful, ev-er sure. 2. He, with all-commanding might, Filled the new-made world with light: For his mercies shall endure, Ever faithful, ever sure.
All things living he doth feed; His full hand supplies their need:
3. For his mercies shall endure, Ev-er faithful, ev-er sure, 4. He his chosen race did bless, In the wasteful wilder-ness: For his mercies shall en-dure. Ev-er faithful, ev-er sure.
LEGRO.-
!the song
he fullness
4
5.
He hath, with a piteous eye, Looked upon our mis-ery:
{For his mercies shall en-dure, Ev-er faithful, ev-er sure:
6. Let us then, with joyful mind, Praise the Lord, for he is kind: For his mercies shall endure, Ev-er faithful, ev-er sure
hall reign
hall reign,
3
WESLEY.
7s.
By omitting the Repeat.
Double.
Hastings. FROM THE "MENDELSSOHN COLL,"
They who toil up on the deep, And in vessels light and frail
54
O'er the might-y ocean sweep, With the billows and the gale, Mark what wonders God performs, When he speaks, and unconfined, Rush to battle all his storms, In the char-iots
GENTLE.
BUTLER.
7s.
of the wind.
Sre the king
6249
me cho round
1. Lord, we
come be
fore thee now;
At thy feet we hum-bly bow;
Oh! do
not
our
suit dis- dain;
Shall we
seek thee, Lord, in vain
2
2
2. Lord, on
thee our
souls de - pend,
In com- pas- sion, now descend;
Fill our hearts with thy rich grace,
Tune our
lips to
sing thy praise.
2. ould my
D.
my b
Q

ALLEGRO.-Bold and Spirited.
MINNEHAHA.
78. Double.
1ST.
2D.
thful, ever
Hark! the song of jubilee, Loud as mighty thunders roar,
Or the fullness of the sea, When it breaks upon the [OMIT -
ful, ev-ee.
hful, ev-ere
SOHN Col
-
231
[of this world Are the kingdoms of his
-] shore! 2. See Jehovah's banners furled; Sheathed his sword :-he speaks-'tis done! Now the kingdoms
122
3.
He shall reign from pole to pole, With supreme, unbounded sway;
}
[and
He shall reign, when, like a scroll, Yonder heavens have passed away. (4. Hallelujah! for the Lord God omnipotent shall reign: Hallelujah! let the word Echo round the earth
2
EVELYN.
7 s.
6 lines.
FINE.
D. C.
-iots of nd.
Son, Are the kingdoms of
his Son,
Are the kingdoms of his Son.
1. Rock of A-ges, cleft for me, Let me hide myself in thee; {
Let the wa-ter and the blood,
From thy wounded side that flowed,
FINE.
main, Echo round the earth and main, Echo round the earth and main.
D. C. Be of sin the perfect cure; Save me, Lord, and make me pure.,
ord, in
ने
ng thy pr
ZADOC. 7s. 6 lines.
FINE.
D. C.
Th. Hastings.
D.C.
2. Should my tears for
ev -
D. C. In
my hand
no
er flow, Should my zeal
price I bring, Sim - ply
no
to
thy
lan-guor know, This
cross I cling.
for sin could not
& - tone, Thou must save, and thou a
-
lone:
064
4

232
LEGATO e PIANO
ALETTA. 7s. Or 6 lines.
22
G
4
1.
Weary
On
sin - ner, keep thine eyes
View him bleeding
on
the tree,
th'a - ton - ing
Pouring out his
sacrifice;
life for thee:
There the dread-ful curse
he
bore; Weep-ing soul,
la- ment no
more.
Thou
Thou
Tosse-on life's
press as
faith-ful w
2.
At
(Cast thy guilt - y
his feet thy
soul on him;
bur - den lay;
Find him mighty
Look thy doubts and care
to
re-deem;
a-way;
Now by faith the Son
em - brace;
Plead his promise, trust his grace.
And th loud the
Dark though the st
Hush tempest's v
204
6
2741
MODERATO.
HENDON.
7s. Or 6 lines.*
FROM Rev. Dr. Malan.
1. To thy pastures fair and large, Heavenly Shepherd, lead thy charge; And my couch with tenderest care, Midst the springing grass prepare, Midst the springing grass prepare.
2. When I faint with summer's heat, Thou shalt guide my weary feet To the streams, that, still and slow, Thro' the verdant meadows flow, Thro' the verdant meadows flow.
1. I dis-miss
2
SOPRANO.
eee e
ee
to
WATCHMAN.
By repeating the first two lines.
7s.
TENOR.
CHORUS.
Q
Ө
1. Watchman! tell us of the night, What its signs of promise are. Traveler! o'er yon mountain's height, See that glory-beaming star! Traveler! o'er yon mountain's height, See that, &c.
2. Watchman! does its beauteous ray Aught of joy or hope foretell? Traveler! yes; it brings the day, Promised day of Israel, Traveler! yes; it brings the day, Promised day of Israel.
ALTO.
BASE.
3
3. Watchman! tell us of the night,
Higher yet that star ascends.-
Traveler! blessedness and light,
Peace and truth, its course portends !--
4. Watchman! will its beams alone
Gild the spot that gave them birth?
Traveler! ages are its own,
See it bursts o'er all the earth.
5. Watchman! tell us of the night,
For the morning seems to dawn.-
Traveler! darkness takes its flight,
Doubt and terror are withdrawn.-
6. Watchman! let thy wanderings cease;
Hie thee to thy quiet home.-
Traveler! lo! the Prince of Peace,
Lo! the Son of God is come!
20. Glo
Cease mourners,
Pain, a death, and
s brightest

SEAMAN'S SONG.
8s & 7s. Double.
233
4
T
Or
Tossed up
- on life's raging
Thou didst press a sailor's
D. C. Thou the faith-ful watch art
bil- low, Sweet it
is,
pil- low, And canst feel a sailor's woe.
keep-ing, "All is well," thy con-stant cheer.
O Lord, to know,
D. C.
Never slumbering, nev - er sleep-ing, Though the night be dark and drear,
04
FINE.
04
D. C.
Dark-ly though the storm-cloud's scowling O'er the sail-or's
D. o. Hush the tempest's wild com - mo- tion, At the bid-ding
#2
anx-ious head,
of thy will.
Thou canst calm the raging
0 - cean, And its noise and tu mult
·
still,
ele
4
4
SICILY, or DISMISSION. 9s & 7s. Or 8s, 7s & 4s.
1. Lord, dis - miss us
with thy bless-ing; Fill our hearts with joy and peace; (Let
us each, thy love pos- sess-ing,
Oh
re-fresh us,
Oh
re-fresh us,
Triumph in redeem-ing grace.
Traveling thro' this wil-der-ness.
1.
f Cease, ye mourners, cease to lan-guish
Pain, and death, and night, and an-guish,
D. c. Glory's brightest beams are playing
YATES.
86 & 7s.
Double.
W. B. B.
of
those ye love!
D. C.
O'er the grave
Ea - te not the world above! While in dark-ness you are straying Lonely in the deepening shade;
Round th' immor tal Spirit's head.
FINE.
D. C.

234
CESAREA.
8s & 7s. Double. 8
8:
FINE.
1. Israel's Shepherd, guide me, feed me, Thro' my pilgrimage below,
And beside the
:S:
wa-ters lead me, Where thy flock rejoic-ing go, Lord, thy guardian presence ev-er,
D. C. I have found thee, and would never, Never wander from thee more.
D.C
FINE.
AND
Ob6
98
D. C. S:
SLOWLY, GENTLY.
Meekly kneeling, I implore;
Ritard ad lib.
STOCKWELL.
8s & 7s.
B
1. Si-lent-ly the shades of eve-ning Gather round my lonely door; Si-lent - ly they bring be-fore me Fa-ces
دارا
D. E. Jones.
and SPIRIT
ard, onward
not till its
the red-brow
shall see no more.
Co thou fount
Sts of merc
c Fi my soul
2. Oh! the lost, the un-for-got-ten, Tho' the world be oft for- got; Oh! the shrouded and the lonely, In our hearts they perish not.
4
PILGRIM.
8s & 7s.
WESTERN MELODY.
D. C.
1.
4
"Whither goest thou, pilgrim stranger, Wandering thro' this lonely vale?
Knowest thou not 'tis full of danger, And will not thy courage fail?"
D. C. But no ill shall e'er befall me. While I'm blest with such a Guide."
94
3.
"Such a Guide? No guide attends thee-
Hence for thee my fears arise:
1. Jus comes,
lonely void-
If some guardian power defend thee,
'Tis unseen by mortal eyes."
2. Pilgrim thou dost justly call me, Wandering thro' this
4.
"Yes, unseen; but still, believe me,
Such a Guide my steps attend;
He'll in every strait befriend thee,
He will guide me to the end."
2. Yer throne,

1.
ce ev-er
ones.
eno mor
perish no
nds thee-
thee,
BOLD and SPIRITED.
GRIGGSTOWN. 8s & 7s. Double.
(On-ward, onward, men of heav-en! Bear the Gos-pel's ban
Rest not till its light is given, Star of
D. C. Bid the red-browed for-est ran-ger Hail it,
D
4
FINE.
235
D C
ere
- ner high; 1
every pa - gan sky.
he fades a-way.
Send it where the pil-grim stranger Faints 'neath Asia's scorching ray;
D. C.
FINE.
NETTLETON.
Ss & 7s.
Double. JOR
FINE.
D. C.
1.
Come, thou fount of
Streams of mer - cy,
D. C. Fill
my soul
with
heart to
every bless-ing! Tune my
nev-er ceasing, Call for loud - est songs of praise. Teach me some me-
sa-cred pleas-ure, While I sing re-deening love.
grateful lays;
lo-dious measure, Sung by raptured saints above;
ROSLYN. 8s & 7s.
R. Storrs Willis.
1. Je - sus comes,
his con-flict 0-ver,
Comes to claim his great re- ward:
An-gels round the vic-tor hover, Crowding to be - hold their Lord.
4
me,
2. Yon-der throne,
for him
rected,
e-
Now becomes the vic-tor's seat;
Lo, the man
on earth reject-ed! An-gels wor-ship at
his feet.
ee,
#4
4
J

236
MODERATO e LEGATO,
BEZEK.
Ss & 7s.
Double.
ODERATO
1ST.
PARTLY FROM Zelter.
2D.
FINE.
4.
D. C.
py soul, thy day
Saviour, source of
Streams of mercy,
D. C. Fill my soul with
every blessing, Tune my heart to grate-ful lays;
never ceasing, Call for ceaseless [OMIT.
sacred pleasure, While I sing re- [OMIT.
14.
-] songs of praise Teach me some me - lo-dious measure, Sung by raptured saints a
-] deeming love.
1ST.
2D.
FINE.
bove
D. C.
he joy he set
SLOW and SOFT.
MOUNT VERNON.
8s & 7s.
Dr. L. Mason.
-4
4
1. Sister. thou wast mild and levely, Gen-tle as the summer breeze, Pleasant as the air of evening When it floats among the trees.
2. Peaceful be thy silent slumber, Peaceful in the grave so low; Thou no more wilt join our number, Thou no more our songs shalt know.
·
3.
Dearest sister, thou hast left us,
Here thy loss we deeply feel;
But 'tis God that hath bereft us,
He can all our sorrows heal.
Yet again we hope to meet thee,
When the day of life is fled,
Then in heaven, with joy to greet thee,
Where no farewell joy is shed.
ANDANTE.
Sar stands a-bove
D
NORTHWOOD. 8s & 7s.
Double.
ARR. FROM A Ms. OF E. C. H.
D. C.
der deemer's brea
Glo-rious things of thee are
He, whose word can ne'er be
D. C. Ju-dah's temple far ex
-
spoken,
Zion, city of our God;
brok -
- en, Chose thee for his own a- bode.
celling, Beaming with the gospel's light.
1 ERATO.
Lord, thy church is still thy dwell-ing, Still is precious in thy sight;
D. C.
rious things

MODERATO
FAIRTON.
:8:
8s & 75. Double.
FINE.
D
1. Happy soul, thy days are ending, All thy mourning days below;
DAL SEG.
237
Go, the angel guards at- tending, To the sight of Je - sus go. Waiting to receive thy spi-rit, Lo, the
Shows the fullness of his merit. Reaches out the crown of love.
D
2. For the joy he sets before thee, Bear a momen-ta-ry pain;
DAL SEG.
et the
L
Ө
8:
FINE.
Die, to live a life of glory; Suffer, with thy Lord to reign: Struggle, thro' thy latest passion, To thy
To his ut-termost salvation, To his ev-erlast-ing rest.
SLOW and GENTLE.
ALIDA.
8s & 7s.
Double.
FINE.
D. C.
ARRANGED FROM Zumsteeg.
D. C.
Saviour stands a-bove,
4
Gently, Lord, O, gently lead us, Thro' this lone-ly vale of tears;)
D. C.
Thro' the changes thou'st decreed us, Till our last great change appears: When temptations darts assail
D. C. Let thy goodness nev-er fail us, Lead us in thy perfect way.
us, When in devious paths we stray,
FINE.
D. C.
D.
dear Redeemer's breast,
ht;
MODERATO.
4
4
D.
WORTHING. 8s & 7s.
Schultz.
Glo-rious things of thee are spoken,
Zi - on,
ei ty
of
our God;
He whose word can ne'er be broken, Chose thee for his
Own
a
-
bode.

238
1.
THE PROMISE.
1ST TIME.
8s & 7s.
Double. T
2D TIME.
4
will never, never leave thee, I will never thee for-sake,
I will guide, and save, and keep thee, For my [OMIT -
1ST TIME.
Fear no evil, fear no evil,
-] name and mercy's sake. Only all my counsel take; ( For I'll never, never leave thee, I will never thee forsake.
2D TIME.
1. ntly, Lord, O
204
When the storm is raging round thee,
Call on Me in humble prayer;
I will fold my arms about thee,
Guard thee with the tenderest care
In the trial, in the trial,
I will make thy pathway clear;
For I'll never, &c.
3. Idnod
When thy sky above is glowing,
And around thee all is bright,
Pleasure, like a river, flowing,
All things tending to delight,
I'll be with thee, I'll be with thee,
I will guide thy steps aright;
For I'll never, &c.
DUFFIELD,
When thy soul is dark and clouded,
Filled with doubt, and grief, and care.
Through the mists by which 'tis shrouded,
1 will make a light appear,
And the banner, and the banner
Of my love I will uprear;
For I'll never, &c.
Ss & 7s.
Double.
FINE.
6.
When thy feeble flame is dying,
And thy soul about to soar
To that land where pain and sighing
Shall be heard and known no more,
I will teach thee-I will teach thee
To rejoice that life is o'er;
And I'll never, &c.
When devious pa
W. B. B.
D. C.
1.
Cast thy bread up on the
God himself saith, thou shalt
D. C. Sor-row shall be turned to
waters; Thinking not 'tis thrown away; (
gath - er It a - gain some future day.
laughter, When thou findest it a- gain.
4
Cast thy bread up-on the waters;
Bounteous shall God send the harvest,
D. C. Have full faith that God will render
Why wilt thou still doubting stand?
If thou sow'st with lib-eral hand.
Thee again an hun-dred-fold.
Cast thy
bread
upon the wa-
ters, Tho' the waves
seem dark to men;
D. C.
FINE.
D. C.
Ffrom mor-t
Hour will-i
Cast thy
bread
up on the waters, Du - ty bids
thee not with-hold;
D. C.
cy from
D. C.
54

AUTUMN. Ss & 79.
Double.
SPANISH MELODY. 239
FINE.
sake.
1. Gently, Lord, O gently lead us Thro' this lonely vale of tears; Thro' the changes thou'st deereed us, Till our last great change appears: When temptation's darts assail us,
D. C. Let thy good-ness never fail us, Lead us in thy perfect way.
S:
FINE.
ing
more,
nee
en;
d;
D. C. S:
HOWELL.
89, 7s & 4s.
NEW WESTERN MELODY.
4
When in
devious paths we stray,
D. C. S:
Come, ye sinners, poor and needy, Weak and wounded, sick and sore;
Je-sus ready stands to save you, Full of pi-ty, love, and power:
He is able, He is willing, He is willing: doubt no more.
D.
D.
D. C
D.
गरमा
3
4
GREENVILLE.
Ss & 75.
Double.
J. J. Rousseau.
FINE.
D. C.
Far from mor- tal cares re-treat-ing,
Here our will-ing foot-steps meet-ing,
D. C. Mercy from above pro- claim-ing
Every heart to heaven as pires.) 2. From the fount of glo- ry beam-ing, Light celes - tial cheers our eyes,
Sor-did hopes and vain de - sires,
Peace and par- don from the skies.
FINE.
D.C.

240
1.
REEVES.
69, 7s & 4s.
A
Guide me, O thou great Jehovah, Pilgrim through this barren land.
I am weak--but thou art mighty; Hold me with thy powerful hand; Bread of heaven, Bread of heaven,
Feed me
till I want no more.
Glo
He,
s things
se word
of
ca
(Glorious gs of thee are sp
2.
(Open now the crystal fountain, Whence the healing streams do flow; ?
He, whos rd can not be br
Let the fiery cloudy pillar Lead me all my journey through: Strong Deliverer, Strong Deliverer,
Be thou still my strength and shield.
O
662
SPRIGHTLY.
ZION.
8s, 7s & 4s.
MINNESOTA.
8s, 7s & 4s.
On the mountain's top ap- pear-ing, Lo! the sacred herald stands!?
T. Hastings.
smile at all foes, She can s
18
Welcome news to Zi- on bearing, Zi-on long in hos - tile lands. Mourning cap- tive! God him self shall loose thy bands.
smile at all foes, She can s
MAES' NO.
Songs new of
All
wondrous w
(JUB-16)

10 mor
4
S.
GRISWOLD.
Glorious things
He,
whose word
of thee
can not
are spo
be
ken, Zi-on, ci-ty of our God!
bro
2
8s & 7s. Double.
FROM THE
"CANTATA OF ESTHER."
241
18333
23516
ken, Chose thee for his own abode; On the Rock of ages founded, What can shake her sure repose? With salvation's walls surrounded, She can
41
Glorious things of thee are spoken, Zion, city of our God! Zi-on, ci-ty of our God!!
He, whose word can not be broken, Chose thee for his own abode, Chose thee for, &c.
On the Rock of ages founded, What can shake her sure repose? Wiih salvation's walls surrounded, She can
shield
3
4
PALERMO.
8s, 7s & 4s.
smile at all her foes, She can smile at all her foes.
1.
smile at all her foes, She can smile at all her foes.
MAESTOSO.
ands.
J Songs a new of hon-or framing,
All his wondrous works proclaiming,
(JUBILEE-16)
2.
ARRANGED FROM A MS. BY G. A. S.
Guide me, O thou great Je-ho-vah! Pilgrim thro' this barren land; }
I am weak, but thou art mighty; Hold me with thy powerful hand: Bread of heaven! Bread of heaven! Feed me till I want no more.
[shield.
Strong deliverer! Strong deliverer! Be thou still my strength and
O
Open, Lord, the crystal fountain, Whence the healing waters flow;
Let the fi-ery cloudy pil-lar Lead ine all my journey thro':
3
22.
TAMWORTH.
8s, 7s & 4s.
Lockhart
Sing ye
to the Lord a lone;
Je-sus wondrous works hath done! Glorious
-
victory, Glorious
victory,
His right he and arm hath won.

242
YUBA.
1ST TIME.
Ss, 7s & Cs.
2D TIME.
J. M. Pelton.
4
Watchmen! onward to your stations; Blow the trumpet long and loud;
Preach the gos-pel to the nations, [OMIT -
1ST TIME.
and punk to every gath'ring crowd;} See, the day is breaking, See the saints a-wak-ing, No more in sadness bowed.
2D TIME.
l ten thousand ha
reigns, and heav
04
LIND.
9s & 7s.
Single.
(MAY BE SUNG AS A DUET.)
of glory! reignt
ng from thy love
1. Full of trembling ex-pec-ta-tion, Feeling much, and fearing more,
2. Suffering Son of man, be near me, In my sufferings to sus-tain;
Mighty God of my sal - va-tion, I thy time-ly aid im-plore, I thy time-ly aid im- plore.
By the sor-er griefs to cheer me, By thy more than mortal pain, By thy more than mortal pain.
Jesus rules the
3
{
Know my soul
Joy to find,
D. C. Think, what Je
thy
in
-
sus
4
4
04
4
to
CROTON.
8s & 7s.
Double.
FINE.
full salva-tion; Rise o'er sin, and fear and care,
every station, Something still to do or bear:
did to win thee; Child of heaven! canst thou re- pine?
G
PARTLY FROM Mendelssohn.
D. C.
Destined to bel
Think, what spirit dwells with - in thee; Think, what Father's smiles are thine;
FINE.
D. C.
HILLI
W life? 'tis but a v
Life at a dying taper
4

Es bow
-plore
al pai
thine
D.
ISADORE.
8s, 7s & 7. Or 8s & 7s. 6 lines. (87,87,77.)
1ST TIME.
2D TIME.
Hark! ten thousand harps and voices Sound the notes of praise a-bove,
Jesus reigns, and heaven rejoices; Jesus reigns,
the God of [OMIT. . ] love, Jesus reigns, the God of love :( See! he sits on yonder throne, Jesus rules the world
IST TIME.
2D TIME.
O
(King of glory! reign for ev-er-Thine an ev
er-last-ing crown:
2.
Nothing from thy love shall sever Those whom thou hast made thine
2D TIME.
own,
-
lone, Jesus rules the world a-lone.
ANIMATED.
C
243
a
Those whom thou hast made thine own; Happy objects of thy grace, Destined to behold thy
HARWELL.
Ss, 7s & 7. Or 8s & 7s. Double. (87,87,77.)
Lowell Mason. BY PERMISSION.
FINE.
D. C.
Hark! ten thousand harps and voices Sound the notes of praise above,
Jesus reigns, and heaven rejoices; Jesus reigns, the God of love:
D. C. Hallelujah! Halle-lu-jah! Hallelu-jah! A
(See! he sits on yonder throne; Jesus rules the world a-lone.
-
men.
FINE.
D. C.
face, Destined to behold thy face.
ター
​MILLINGTON. Ss, 7s & 7. Or 8s & 7s.
6 lines. (87,87,77.)
W. B. B. FROM "MENDELSSOHN COLL."
What is life? 'tis but a vaper, Soon it van-ish-es away;)
Life is but a dying taper; O, my soul, why wish to stay? Why not spread thy wings and fly Straight to yonder world of joy? Why not spread thy wings and fly Straight, &c.

244
1.
GABIDING REST. 8s & 7s.
Peculiar.
Double.*
FINE.
D. C.
}
I now have found abiding rest For which I long was sighing,
Now, on my Saviour's faithful breast My weary head is lying: This is the place where sin no more, And Death and Hell alarm
D. C. I now am safe, by Jesus' power, From all that else would harm me.
FINE.
[me;
D. C.
2.
He whispers me-"I'm wholly thine, And thou art mine forever;
Henceforth all fear and doubt resign.-Confiding in my favor!
Thy every want shall find supply From my exhaustless
[treasures;
D. C. I'll fill thy spirit with my joy, The pledge of endless pleasures.
04
3. From Jesus and his love, who now,
By terrors to divide me,
My great and many sins would show!-
His wounds from vengeance hide me:
My sins are great,-I'll not despair,
Though conscience too arraigns me,
Nor doubt my Saviour's watchful care-
His arms of love sustains me.
4. I thank thee, GoD's beloved Son,
Thy boundless grace adoring,
Which brought thee from thy glorious throne,
.
Our peace with God restoring:
O make my heart a shrine, where peace
Shall keep her constant dwelling;-
Where grateful praise shall never cease,
Abroad thy glories telling.
(Wot for a br
ul out of p
ther the hav
Hst he hath s
Being the same as C. M. Double, with an additional syllable at the end of every other line.
WILLOW CREEK.
Ss, 7s & 5s.
1. Hast thou, 'midst life's empty noises, Heard the solemn steps of time? And the low mysterious voices of an - o - ther clime?
2. Early hath life's mighty question Thrilled within thy heart of youth, With a deep and strong beseeching-What, and where is truth?
3. Not to ease and aimless quiet,
Doth the inward answer tend;
But to works of love and duty,
As our being's end.
4. Earnest toil, and strong endeavor
Of a spirit which within
Wrestles with familiar evil,
And besetting sin;
5. And without, with tireless vigor,
Steady heart and purpose strong,
In the power of truth assaileth
Every form of wrong.
lodge the Eden of
ΛΟΥΓΟΥ
sin are no
2 EVERY day hath toil and trouble
Every heart hath care;
Meekly bear thine own full measure,
And thy brother's share.
Fear not, shrink not, though the burden
Heavy to thee prove;
Adapted also to the Hymn: "EVERY DAY HATH TOIL AND TROUBLE."
For this hymn observe the ties in the third measure, and repeat the tune.
God shall fill thy mouth with gladness,
And thy heart with love.
2. Patiently enduring, ever
Let thy spirit be
Bound, by links that can not sever,
To humanity.
Labor, wait! thy Master perished
Ere His task was done;
Count not lost thy fleeting moments-
Life hath but begun.
3. Labor! wait! though midnight shadows
Gather round thee bere,
And the storm above thee lowering
Fill thy heart with fear-
Wait in hope! the morning dawneth
When the night is gone,
And a peaceful rest awaits thee
When thy work is done.
1. Enco ssed by clo

KEWANEE.08s. Double.
Naricema. 245
LOW
show-
ide me:
pair,
ns me,
ul care
rious thr
e peaco
ling
er cease,
ed from its bodily chain; ( With songs let us follow his flight, And mount with his spirit above. Escaped to the mansions of light, And
Weep not for a brother de-ceased, Our loss is his in-finite gain;
4
4
A soul out of pri-son released, And freed
His rest he hath sooner obtained, And left his companions behind. (Still tossed on a sea of distress, Hard toiling to make the blest shore, Where all is assurance and peace,. And
Our brother the haven hath gained, Outflying the tempest and wind;
54
ANDREWS.
8s.
E. C. Howe.
quiet,
ver tend
nd duty,
endeavo
thin
evil,
less vigor
pose stron
ssaileth
lodged in the Eden of love.
1. This God is the God we adore, Our faithful, unchangeable Friend, Whose love is as large as his power, And neither knows measure nor end.
sorrow and sin are no more.
2. "Tis Jesus, the first and the last, Whose spirit shall guide us safe home; We'll praise him for all that is past, And trust him for all that's to come
0:22
WILTON.
8s.
lowering
ar-
g dawnet
1. Encompassed by clouds of distress, Just ready all hope to resign, I pant for the light of thy face, But fear it will never be mine.
ne,
sthee
DA
Disheartened with waiting so long,
I sink at thy feet with my load;
All plaintive I pour out my song,
And stretch forth my hands unto God.

24€
PRINCETON. 8s.
Double.
FINE.
WOR Miss M
D. C.
6
4
light hast
1.
D. O. And, fast
as
Inspirer and hear - er of prayer, Thou Shepherd and Guardian of thine!
If
I, sleep-ing and wak-ing, re-sign:
My all to thy cove - nant care
my mo-ments roll on, They bring me but near-er
to thee.
thou art my shield and my sun, The night is no dark-ness to
me;
2 E
then seem
04
J J
FINE.
9
D. C.
04
2.
-
-
92
Thy minis-ter - ing spirits de-scend To watch while thy saints are a sleep;
sal-va-
tion to keep: Bright seraphs, despatched from the throne, Re- pair to their stations as-signed;
By day and by night they at-tend, The heirs of
D. C. And an - gels e lect are sent down, To guard the redeemed of man-kind.
ly by
4
UNION.
8s.
Th I feel
-
1. From whence doth this union a rise, That hatred is conquered by love; It fastens our
074
240
PEWAWKEE.
1ST TIME. 2D TIME.
Sve
4
1.
To Jesus the crown of my hope, My soul is
O, bear me ye cher - u-bim, up, And waft me
D. O. Whose name is ex-alt- ed a-bove All glo- ry,
in haste to be gone;
a- [OMIT...
do-[OMIT..
1ST TIME.
64
souls in such ties As na - ture nor time can re-move.
8s. Double.
1. Sath holy
D. C.
-way to his throne;} My Saviour, whom absent I love, Whom, not having seen, I a - dore;
-min-ion and power.
2D TIME.
41676
wea heart
D. C.

Hore
D.
ன்
me;
D.
WORDS BY Miss M. S. Preston.
EVER NEAR.
Trio. (FOR FEMALE VOICES.)
A. C. Williams. 247
1. Daylight hast
eth
by,
E
ven time is nigh;
Dim-ly seen thro' fall
ing tears,
Come the loved of
oth
er years;
2. Earth then seems less drear,
Hea
ven draw eth
-
near;
Rich and precious words
of love, Bring they from their home above;
ned
Closely
by
my side they stand, Linked to - geth
-
er hand
in hand, Sing-ing in
my
ear,
We
are ever, ev-
er
near.
move
TOP
Then
feel
a - lone no more; They will al
ways hov
er
near, Sing
ing,
Singing in my ear,...
We
are ev
er
near.
1. Sabbath ho
D.
便
​SABBATH HOLY.
ly! To the low-ly Still thou art a wel-come day, When thou com - est, earth and o- cean, Shade and brightness, rest and mo- tion, Help the
2.
wea-
ry heart
to
pray, Help the
wea -
ry heart to pray.
3.
Sabbath holy!
For the lowly
Paint with flowers thy glittering sod;
For affliction's sons and daughters,
Bid thy mountains, woods, and waters,
Pray to God-our Father, God.
Weary mother,
Toiling brother;
Sister-worn with anxious care;
Grief-bowed sire, that life-long diest;
Child that in thy sleeping sighest;
Come ye to the house of prayer.
Still God liveth!
Still he giveth
What no man can take away;
And, oh Sabbath! bringing glad
Unto hearts of weary sadness
Still thou art our holy day.

248
VIVACE.
D.A
4
4
WEBB. 7s & 6s.
motos'I G. J. Webb. samo
1. The morning light is breaking, The darkness disappears; The sons of earth are waking To pen-i-ten-tial tears: Each breeze that sweeps the ocean Brings tidings from afar Of
2. Rich dews of grace come o'er us, In many a gentle shower, And brighter scenes before us Are opening every hour: Each cry to heaven going, A-bun-dant answers brings, And
04
SUNSET.
7s & 6s.
Oh! the Lord's salv
To hbis an-cient na
(Let f hy rod of te
Roll the veil of e
GENTL
nations in com-mo-tion, Prepared for Zion's war.
1. The mellow eve is gliding Serenely down the west; So, every care subsiding, My soul would sink to rest.
For firsts, see FISKE, be
heavenly gales are blowing With peace upon their wings.
2. The woodland hum is ringing The daylight's gentle close; May angels, round me singing, Thus hymn my last repose.
0:4
04
MILLENNIUM SONG.
7s & 6s.
GREEK MELODY.
1.
Roll on, thou mighty ocean! And as thy billows flow, l
Bear mes-sen-gers of mer-cy To ev-ery land be low. A-rise, ye gales and waft them Safe to their destined shore, That man may sit in darkness, And death's black shade no more.
10 May gels, round me
The-low eve is
So, ery care sub
thou
2.
The tempests of the
eternal Ruler! Who holdest in thine arm
ocean, Protect them all from harm.
Thy presence e'er be with them, Wherev-er they may be, Though far from us who love them, Still let them be with thee.

nilus: O ZANKEE. 7s & 69. WAI HIT
nafar
JOh! that the Lord's salvation Were out of Zi-on come,
1.
To heal his an-cient nation, To lead his outcasts home. How long the ho-ly city Shall heathen feet profane? Re-turn, O Lord, in
ngs,
Let fall thy rod of terror, Thy saving grace im-part; (
2.
k to res
249
pi-ty; Rebuild her walls again.
鹽酸
​Roll back the veil of or-ror, Release the fettered heart; Let Israel, home returning, Their lost Mes-si-ah see; Give oil of joy for mourning, And bind the church to thee.
04
4
GENTLY.
CARSON.
7s & 6s.
P. J. Whipple.
D.C.
FINE.
2.
ast rep
For first stanza, see FISKE, below.
鹽
​DY.
4
FINE.
299
FISKE.
7s. & 6s.
1ST.
2D.
FINE.
4
4
4
no more.
The
So,
mel-low eve is gliding Se - rene-ly
every care sub- siding, My [OMIT
to the west;
D. C. May angels, round me singing, Thus [OMIT
-] soul would sink to
-] hymn my last re
1ST.
2D.
thee
6
bogo D. C.
The evening star has lighted
Her crystal lamp on high;
So, when in death benighted,
May hope illume the sky!
O, on the last bright morning,
May I in glory wake!
In golden splendor dawning,
The morning's light shall break.
ARR. FROM A MS. or W. O. Fiske.
D. C.
}
rest. The woodland hum is ringing The daylight's gentle close;
pose.
FINE.
Ө
D. C.
0:4

250
152
TIME IS WINGING. 7s & 6s. Peculiar.
Time is winging us away To our e-ter-nal home;
[arms.
Life is but a winter's day, A journey to the tomb; ( Youth and vigor soon will flee, Blooming beauty lose its charms; All that's mortal soon will be Enelosed in death's cold
Jmy God, my
thine arm
W my heart is
2.
Time is winging us away To our e-ter-nal home;
Life is but a winter's day, A journey to the tomb; ( But the Christian shall enjoy Health and beauty soon above; Far beyond the world's alloy, Secure in Je-sus' love.
O b 4
By thy hand sh
10. my sweet S
AMSTERDAM.
7s & 6s. Peculiar.
Or 8s & 6s.*
A
Rise, my soul, and stretch thy wings, Thy better portion trace;
Rise from all terrestrial things T'wards heav'nthy native place: ( Sun and moon and stars decay; Time shall soon this earth remove; Rise, my soul, and haste away To seats prepared above.
4
1. Drg souls, no lo
1 Drg souls, you
He pardons, full
10 Soo you on him
& Preis the Savi
1 Jess you, cease
By using small notes as in the Soprano. See the hymn, "Sing hallelujah! praise the Lord."
ENDOR. 7s & 6s.
Peculiar.
S. B. Marsh.
CIX,
(Lamb of God, whose bleeding love we now recall to mind;
Send the answer from above, And let us mercy find;
Think on us who think on thee; Every burdened soul release; Oh! remember Calvary, And bid us go
in
peace.
is my str
hosts en-cam
his is the orig

RURAL HILL. 7s & 6s.
Unusual.
(776,776.)
SEP
251
ath's co
1. Jesus my God, my Saviour, In thy celestial favor Is my supreme delight; The more my woes oppress me, The more do thou possess me, With thy all heavenly might.
2. Whene'r my heart is broken, Before my grief is spoken, God pities my complaint: And though he might reject me, He kindly does protect me, Lest all my courage faint.
3. By night thine arm attends me, And graciously defends me, And soft is my repose; Thine eyes, that watch my keeping, Are never, never sleeping-I can not fear my foes
4
4. By day thy hand shall lead me, Thy heavenly manna feed me Thro' all life's desert way; Thy beam my path enlightens, And more and more it brightens Unto eternal day.
5. O Jesus, my sweet Saviour, Soon thy celestial favor Shall be my sole delight; With seraphs I'll adore Thee, And cast my crown before thee, Around thy throne of light.
love.
04
UTICA.
1ST.
7s & 6s. Unusual.
(76,76,76,76.)
2D.
FINE.
SPIRITUAL SONGS.
D. C.
1. Drooping souls, no longer mourn, Jesus still is precious;
D. O. Drooping souls, you need not die; Go to him and
hear him.
ared abo
2. He has pardons, full and free, Drooping souls to gladden;
D. C. Soon as you on him rely, All shall be for
given.
3. Precious is the Saviour's name, Dear to all that love him;
D. C. Jesus calls you, cease to mourn; Worship him; re
If to Him you now return, Heaven will be propitious. Jesus now is passing by, Calling wanderers near
[him;
Still he cries-"Come unto me, Weary, heavy laden." Tho' your sins like mountains high, Rise, and reach
[to heaven,
He to save the dying came; Go to him and prove him. Waadering sinners, now return; Contrite souls, be-
ceive him.
[lieve him!
D. C.
rsh.
eace.
4
S
S
4
CECIX, or PHUVAHI.
1. God is my strong sal-va- tion!
2. Tho' hosts en-camp a-round me,
7s & 6s.* (76,76.) Or 7s, 6s & 4st by the ties.
What foe have I to fear? In darkness and tempta - tion, My light, my help is near.
Firm to the fight I stand; What ter-ror can confound me, With God at my right hand?
3.
Place on the Lord reliance,
115 My soul with homage wait:
His truth be thine affiance,
When faint and desolate.
His might thine heart shall strengthen;
His love thy joy increase:
Mercy thy days shall lengthen;
"The Lord will give thee peace."
*This is the original form of this celebrated tune: see a C. M. arrangement on p. 150.
+ See the hymn "Christ is my light and treasure."

25%
THYATIRA. 7s & 5s.
1ST.
2D
[75,75,75,75.) S
4
1.
Onward speed thy conquering flight; Angel, onward speed;
Cast abroad thy radiant light, Bid the shades re
cede; Tread the idols in the dust, Heathen fanes destroy, Spread the gospel's holy trust, Spread the gospel's joy.
bog
Hark fi onder mount a
On the the Lord of lo
2.
Onward speed thy conquering flight; Angel, onward haste;
4
群
​4
Quickly on each mountain's height. Be thy standard.. placed; ( Let the blissful tidings float Far o'er vale and hill, Till the sweetly echoing note Every bo-som thrill.
Mortal your guilt I die
Blood for free-17 give
L
Tenor.
ONEIDA. 7s & 5s. 8 lines.
Trio.
48
Peace to thee, O favored one,
Alto, or Soprano, or both.
[heaven, Light will soon arise,
Weeping thus before the throne, ( O'er the ills that thou hast done, With relenting sighs: While thy heart with grief is riven, All thy follies are forgiven; And beneath a smiling
2.
(Earthly joys to thee are dross,
OSMAN.
7s & 4s.
[side-He will hear thy prayer.
Earthly gain is heavenly loss, Look upon the bleeding cross, View the Victim there: He that for thy sins hath died Bids thee in his love confide; Trust in him, and none be-
14
2041
Lift not t the wailing voi
Upwher ssed saints rejo
A. J. A.
When the vale of death appears,
Blest Redeemer, soothe my fears,
Faint and cold this mor-tal clay,
1 Brothe ou art gone to
Brothe ou art gone to
Light me thro' the darksome way; Break the shadows, Break the shadows, Ush-er in
e-
ternal day.
2. Upward from this dy-ing state,
0- - pen
thou the crystal gate,
u art gone to
Brotheu art gone to
Brothe ou art gone to
Brothe
Bid my waiting soul as - pire;
To thy praise attune my lyre; S
Then tri-umphant, then tri-umph-ant, I will join th' immortal choir.

TITUS.
7s & 4s.
(77,77,47.)VIAB
.
I's joy.
Hark! from yonder mount arise Notes of sadness-Jesus dies!
04
On the cross the Lord of lords Love for guilty man re-cords; Sinner, sinner, Hear your dying Saviour's words,
22
thrill.
ha
800n ar
a smiling
253
Hear
your dy
-
ing Saviour's words.
64
Mortal, for your guilt I die,-Guilt that dared your God defy;
Blood for you I frec-17 give; Death I taste that you may live;
Will you,
sinner, Free salvation now re- ceive?
Free sal-va tion
-
now re-ceive?"
Hear your dying Saviour's words, Hear, &c.
BENINDA.
7s & 63. (78,78,88,88.)
"NATIONAL PSALMIST." L. M.
y prayer
none be-
(Lift not thou the wailing voice; Weep not, 'tis a Christian dieth:
Up,where blessed saints rejoice, Ransom'd now,the spirit flicth:
A.
1 day
choir.
6
1
High in heav'n's own light she dwelleth;
Full the song of triumph swelleth:
Freed from earth, and earthly failing, Lift for her no voice of wailing.
BELLEVILLE.
7s, 6s & Ss.
(76,86.)
1. Brother, thou art gone to rest; We will not weep for thee;
2. Brother, thou art gone to rest; Thine is an ear-ly tomb;
be.
For thou art now where oft on earth Thy spi-rit longed to be, Brother, thy spi-rit longed to
But Jesus summoned thee away; Thy Saviour called thee home, Brother, thy Saviour called thee home.
經
​3. Brother, thou art gone to rest; Thy toils and cares are o'er; And sorrow, pain, and suffering, now Shali ne'er distress thee more, Brother, shall ne'er distress thee more.
4. Brother, thou art gone to rest; Thy sins are all for given; And saints in light have welcomed thee To share the joys of heaven, Brother, to share the joys of heaven.
5. Brother, thou art gone to rest; And this shall be our prayer-That, when we reach our journey's end, Thy glo-ry we may share, Brother, thy glo-ry we may share.
-
6
68
C

254
4
04
HARVEST. 6s & 4s.
(664,664.) TIT
1. The God of harvest praise; In loud thanksgiving raise Hand, heart, and voice; The valleys smile and sing, Forests and mountains ring, The plains their tribute bring, The streams
4
[rejoice.
Low-ly and
Father, in th
2. Yea, bless his holy name, And purest thanks proclaim Through all the earth; To glory in your lot Is duty, but be not God's ben-e-fits for - got A-midst your nirth.
4
04
3. The God of harvest praise; Hands, hearts, and voices raise, With sweet accord; From field to garner throng, Bearing your sheaves along, And in your harvest song Bless ye the Lord.
8. him who b
4.1le trembling
ARNO.
6s & 4s. (64,64.)
SPIRITUAL SONGS.
AVA.
6s & 4s.
(64.64,44,64.)
SPIRITUAL SONGS.
D. C.
1. To-day the Saviour calls, Ye wanderers come; O ye benighted souls, Why longer roam.
2. To-day the Saviour calls, O hear him now; Within these sacred walls To Jesus bow.
3. To-day the Saviour calls, Forefuge fly; The storm of justice falls, And death is nigh.
MAESTOSO.
faith looks up
Child of sin and sorrow, Filled with dismay,
Wait not for to-morrow, Yield thee to-day; Heaven bids thee come, While yet
D. C. Child of sin and sorrow, Hear and o-bey.
[there's room,
D. C.
2. thy rich grad
联
​AMERICA. 6s & 4s.
(664,6664.)
NATIONAL HYMN. WORDS BY S. F. Smith.
4
1. My country, 'tis of thee, Sweet land of liberty, Of thee I sing: Land where my fathers died; Land of the pilgrim's pride; From every mountain side et feedom ring.
2. My native country! thee, Land of the noble free, Thy name I love: I love thy rocks and rills, Thy woods and templed hills; My heart with rapture thrills. Like that above.
but a strange
's but a deser
3. Let music swell the breeze, And ring from all the trees Sweet freedom's song: Let mortal tongues awake; Let all that breathe partake; Let rocks their silence break, The sound
[prolong.
4

HEMANS.
6s & 4s.
(
(664,6664.)
FROM
"THE PSALMODIST. 255
85
The dream
[rejoic
inibastio
Low-ly and sol-emn be Thy children's cry to thee, Father di- vine- A hymn of suppliant breath, Owning that life and death Alike are thine.
2. O Father, in that hour, When earth all helping power Shall disavow-When spear, and shield, and crown, In faintness are cast down, Sustain us, thou.
1.
our mirth
3. By him who bowed to take The death-cup for our sake, The thorn, the rod-From whom his last dismay Was not to pass away, Aid us, O God.
4. While trembling o'er the grave, We call on thee to save, Father divine; Hear, hear our suppliant breath; Keep us, in life and death, Thine, only thine.
e the Lo
4-
L SONGS.
D.
NEW HAVEN.
6s & 4s.
(664,6664.)
MUS. SACRA.
6
1. My faith looks up to thee, Thou Lamb of Cal-va-ry, Saviour divine; Now hear me while I pray; Take all my guilt away; O, let me, from this day, Be wholly thine.
here's room
While y
2
D.
2. May thy rich grace impart Strength to my fainting heart; My zeal inspire; As thou hast died for me, O, may my love to thee, Pure, warm, and changeless be-A living fire.
OF2
O
2
Smith
edom ring
that above
OAK.
6s & 4s.
(64,64,6664.)
Lowell Mason.
BY PERMISSION.
Ө
I'm but a stranger here, Heaven is my home;
[my home.
{Earth's but a desert drear, Heaven is my home; } Danger and sorrow stand Round me on every han 1; Heaven is my fatherland, Heaven is
2. What though the tempest rage,
Heaven is my home:
Short is my pilgrimage,
Heaven is my home.
Time's cold and wintry blast
Soon will be overpast;
I shall reach home at last;
Heaven is my home.
3. There at my Saviour's side,
Heaven is my home:
I shall be glorified,
Heaven is my home.
There are the good and blest,
Those I loved most and best,
There, too, I soon shall rest,
Heaven is my home.
The soun
[prolong
034

230
ALLEGRO.
ITALIAN HYMN. 6s & 4s. (664,6664.)
Giardini.
Come, thou Al-migh-ty King, Help us thy name to sing; Help us to praise! Father all glorious; O'er all vic - to - ri-ous, Come and reign o-ver us, Ancient of days.
4
உ2 உ
en shall we mee
n shall love fre
to that world
shall we meet
OKONTO. 6s & 4s.
(64,64.)
g:
1. Today the Sa-viour calls,
2. Today the Sa-viour calls,
Ye
0,
wanderers come;
hear him now;
24
2
A. J. A.
0, ye be-night-ed souls,
Within
these sacred walls,
To
Je
Why long er
sus bow.
roam.
OSHKOSH. 6s.
Double.
3.
To-day the Saviour calls;
For refuge fly;
The storm of justice falls,
And death is nigh.
4.
The Spirit calls to-day;
Yield to his power;
O, grieve him not away:
"Tis mercy's hour.
1.well, my friend
woes of life
oh, what joys s
is dark vale
ears of parti
Aime our joys o
0 ongs of praise s
4
1. Flung to the heedless winds, Or on the waters cast, Their ashes shall be watched, And gathered at the last: And from the scattered dust, Around us and a - broad, Shall
Jesus hath now received Their lat-est living breath; Yet vain is Satan's boast Of victory in their death: Still, still, tho' dead, they speak, And, triumph-tongued, proclaim To
2.
04
264
re the shining
W victory comes
Ylways joined
RIPPLE.
6s.
(6666.)
1. Come, wandering sheep, O come! I'll bind thee to my breast;
I saw thee stray forlorn, And heard thee faintly cry,
I shield thee from alarms, And wilt thou not be blest?
I'll bear thee to thy home, And lay thee down to rest.
And on the tree of scorn For thee I deigned to die.
I bear thee in my arms; Thou, bear me in thy breast.
tan's kingdom
ath is all pre-
strate ranks a
ly faith re-r
spring a plenteous seed Of witnesses for God.
many a wakening land The one a - vail-ing name.
2.
3.
UBILEE-17
1309

lini.
nt of days
WHEN SHALL WE MEET AGAIN. 6s & 5s.
1. When shall we meet again?-Meet ne'er to sev-er? When will peace wreathe her chain Round us for ever?
2. When shall love free-ly flow, Pure as life's riv- er? When shall sweet friendship glow Changeless for ever?
3. Up to that world of light Take us, dear Saviour; May we all there u-nite, Hap-py for ev er:
4. Soon shall we meet a-gain-Meet ne'er to sev-er; Soon will peace wreathe her chain Round us for ever:
(65,65,666,5.)
W. B. B. 257
Our hearts will ne'er re-pose, Safe from each blast that blows
Where joys celestial thrill, Where bliss each heart shall fill,
Where kindred spi-rits dwell, There may our mu-sic swell,
Our hearts will then re-pose Se-cure from worldly wocs;
4
02
4
r calls;
Hy.
us
ce falls,
gh.
ALLEGRO.
2d 1. Farewell, my friends beloved, Time passes swift-ly, When moments are improved Time passes sweetly: In Jesus we are safe, When our few years are done,
2. The woes of life we feel, And its tempta-tions; But let
Soldiers
no-bly fill Our proper stations:
of Christ, hold fast, The war will soon be past,
3. But oh, what joys shall crown That happy meeting; We'll bow be-fore thy throne, Each oth-er greeting; Refreshed, again we start, Though for a-while we part,
JOY. 6s, 7s & 8s. (67, 87, 67, 87.)
SHOUT OF
o-day;
wer;
away:
ur.
In this dark vale of woes-Nev-er-no, nev-er.
And fears of parting chill, Nev-er-no, nev-er.
And time our joys dis-pel, Nev-er-no, nev-er.
Our songs of praise shall close Nev-er-no, nev-er.
4
1. Hark! bark! a shout of joy! The world, the world is call-ing! In east and west, in north and south, See
2. Trust, trust the faithful God! His promise is un- fail - ing; The prayer of faith can pierce the skies, Its
3. See! see! the cross is raised; The crescent droops before it: The pagan nations feel its power, And
4. Pray! pray! then, Christian, pray; Tho' faint, be yet pur-su- ing, And cease not, day by day, the prayer Of
road, Sha
proclaim
wn to rest
d to die.
thy breast
48
Be-fore the shining throne We'll meet in
When victory comes at last, We'll meet in
Yet always joined in heart, We'll meet in
glo-ry.
glo-ry.
glo-ry.
Satan's kingdom falling! Wake! wake! the church of God, And dis-sipate thy slumbers! Shake off thy deadly ap- a - thy, And
breath is all pre-vail-ing; Look! look! the fields are white, And stay thy hand no longer; Tho' Satan's mighty le-gions fight, The
prostrate ranks adore it; Joy! joy! the Saviour reigns! See proph-e-cy fulfill-ing; The hearts of stubborn Jews relent, In
live-ly faith re-new-ing; Soon, soon your waiting eyes Shall see the heavens rending, And rich, and richer blessings still, From
(JUBILEE-17)
mar- shal
arm
all thy
of God is stronger.
God's own time made willing.
God's bright throne descend-ing.
numbers.

258.
#2
(4,30
MILWAUKEE.
Gs & 5s.
(65,65,65,65.)а изне
J. E. Kunstman.
1. In the hour of
trial. Je-sus, pray for me, Lest, by base de - ni
al,
I depart from thee; When thou see'st me waver. With a look re- call, Nor for fear or
Come a-y to the skies,
We have 1 up our love,
ارررراارارد
2. With its witching pleasures, Would this vain world charm, Or its sordid treasures, Spread to work me harm; Bring to my remembrance Sad Gethse-ma - ne,
鹽
​For thy gy we were
Or in darker
MUSCATINE.
6s, 8s & 4s.
(6684,6684.),
1ST
| 20
D. C.
Z-on ren, And, with
pa-ra-dio, And, with
vor Suffer me to fall.
Proclaim the lofty praise Of him who once was slain,
1.
But now is risen through endless days To [OMIT...] live and reign; He lives and reigns on high, Who bought us with his blood,
D. C. Enthroned above the farthest sky, Our [OMIT...
Saviour God.
D. C.
ter-ni-tyne, Both in fi
1ST
2D
D. C.
semblance, Cross crown'd Calvary.
2.
The Son of God adore; Ye ransomed, spread his fame;
With joy and gladness, evermore Laud (OMIT.
D. C. And every creature join to bless Th'in [OMIT..
his great name; (Let every tongue confess That Jesus Christ is Lord,
carnate Word.
D. C.
Be-hold the Lord Has
LANSINGBURGH.
Gs & 5s.
(65,65,65,65.)
German.
Why that look of sadness? Why that downcast eye? Can no thought of gladness Lift thy soul on high? O thou heir of heaven, Think of Jesus' love, While to thee is given All his grace to prove.
His word sends forth, F
The Rejoice in t

unstman.
or for fear or
Or in darker
ROWLEY. 6s & 9s.
HILA THOI HT HOU FROM "THE CHOIR." 259
-
1. Come a way to the skies, My be-lov-ed! a- rise, And re-joice in the day thou wert born; On this fes-ti - val day, Come ex-ult-ing a way, And, with singing, to
2. We have laid up our love, With our treasure, a-bove, Tho' our bodies con- tin - ue be-low; The redeemed of the Lord-We re-mem-ber his word, And, with singing, to
3. For thy glo-ry we were First cre-a - ted, to share Both thy nature and kingdom di-vine; Now cre- a - ted again, That our souls may remain, Both in time and e-
DORO.
Os, 6s & 11s.
(5,6,11)
で
​26
1. Ah! tell me no more Of the worldling's vain store, The time for such trifling with me now is o'er.
A re-gion is found Where true riches a-bound, And songs of sal - va- tion for - ev - er resound.
Zion re-turn, And, with sing-ing, to
paradise go, And, with sing-ing, to
Zi- on re-turn.
pa - ra - dise
go.
2.
us with his bl
D.
Christ is Lor
rman.
grace to prove
ter - ni- ty thine, Both in time and e- ter- ni- ty thine.
3. Then let us not stay In the tempter's dark way, But follow the Saviour to mansions of day.
CANA.
5s & Gs.
(558,558.)
Or 6s & 9s, by the small notes.
The same metre is sometimes marked 11s & 9s, or 11s ; 8s.
Lowell Mason. BY PERMISSION.
4
1. Be-hold how the Lord Has girt on his sword; From conquest to conquest proceeds! How happy are they Who live in this day, And witness his won-der-ful deeds!
2. His word he sends forth, From south to the north; From cast and from west it is heard: The rebel is charmed; The foe is disarmed; No day like this day has appeared.
O
The hymns" Rejoice in the Lord"-" Come let us ascend"-" How happy are they"-Come away to the skies"" Be joyful in God"-and others, may be sung to this tune

260
"THROUGH THE NIGHT AIR STEALING." Quartette. 5s, 6s & 75. FROM THE GERMAN.
SLOW, and with Tenderness.
b
2
4
1. Thro' the night-air steal
ing,
Hark! the bell is peal
ing,
Mournfully and slow;
Rest to the soul de
-
part
ed,
Peace to the
the das I have sent
2
2. Say for whom thou ring
est,
If
to him thou bring
est
Hopes be-yond the tomb;
Or if the sound ap- palls
him, When sad death's
2:2
2
O
b
PETALUMA.. 5s, 6s & 11s.
6s & 11
With LONG EXPRE
C
(555,11,6666.)
8
wald not alway, I ask no
broken-heart
-
ed,
In this vale of woe.
1. Come, let us a - new,
Our journey pur - sue, Roll round with the year, And nev - er stand still till the
D
vald not alway, no-w
sum-mons calls him
To
-
ua cer-tain doom.
2. Our life is
a dream; Our time, as a stream, Glides swiftly a-way, And the fu-gi- tive moment re
St
Come, sa let us join in th
Mas-ter ap- pear; His a dor - able will Let us glad-ly ful-fill, And our talents im-prove By the pa-tience of hope, And the la bor of love.
N
-
Come, sa and adore him
fus - es to stay: The
arrow is flown-The mo-ment is gone-The mil-len- ni al year Rushes on to our view, And e ter-
-ni- ty 's here.

GERMAN
eace to the
139
ELHANAN. 9s. 100%
261
From the depths I have sent up my cries, Hear the voice of my calling, O Lord! Should offenses be marked by thine eyes, Who is he shall abide the reward.
4
n sad deat
3
26-64
With STRONG EXPRESSION.
FREDERICK. 11s.
Geo. Kingsley.
still till th
1. I would not live alway, I ask not to stay, Where storm after storm rises dark o'er the way; The few lucid mornings that dawn on us here, Are followed by gloom, or beclouded by fear.
moment re
of love.
2
2. I would not live alway, no-welcome the tomb; Since Jesus hath lain there, I dread not its gloom; There, sweet be my rest, till he bid me arise, To hail him in triumph descending
(
[the skies.
CAPTIVITY.
Ө
11s.
1. Come, saints, let us join in the praise of the Lamb, The theme most sublime of the angels above: They dwell with delight on the sound of his name, And gaze on his glories with
[wonder and love.
#2
4
ty's here
2. Come, saints, and adore him; come, bow at his feet; Let grateful hosannas unceasing arise; O, give him the glory and praise that are meet, And join the full chorus that gladdens
[the skies.
+4

262
ROCK ISLAND. 11s. I
FROM THE CANTATA OF "ESTHER."
W. B. B.
4. While here in the valley of conflict I stay, O give me sub-mis-sion, and strength as my day;
04
In all my af-flic-tions to thee would I come, Re-
fight best of the sons of t
Bar of east, the ho-ri-zon
Angels re him, in sumber
6.
5. What e'er thou de ni est, O give me thy grace, The Spi-rit's sure witness, and smiles of thy face;
I long, dear-est Lord, in thy beauties to shine; No more as an ex - ile in
sorrow to pine;
En-due me with pa-tience to wait at thy throne, And
And in thy dear image arise from the tomb. With
Sr, shield him in costly
Pas o mountain, and pearls
liber, ar, is the heart's ad
2012
GOSHEN, 11s.
OLD GERMAN.
ALLE TTO.
joicing in hope of my glo- ri - ous home, Re-joicing in hope of my glo- ri
2
- ous home.
The Lord is our shepherd, our guardian and
Bighites best of the sons
find, even now, a sweet foretaste of home, And find, even now, a sweet foretaste of home.
glorified mil-lions to praise thee at home, With glorified millions to praise thee at home.
02
02
2
Cold on radle the dew-dro
7TIVITY
ALLE
guide; What-ever we want, he will kind - ly pro - vide; To sheep of his pas-ture his mer-cies a-bound, His care and pro-tec- tion his flock will surround.
The Lo great! Te hosts
tool eil towed ontos in
The L great! his maje
The Is great! his mere

3. B.
me, Re
STAR OF THE EAST.
11s & 10s. Double. ARRANGED FROM Mozart.
26.4
FINE.
1.
Brightest and best of the sons of the morning.Dawn on our darkness, and lend us thine aid; 2. Cold, on his cradle, the dew-drops are shining, Low lies his head with the beasts of the stall;
Star of the east, the ho- ri-zon a dorn - ing, Guide where the infant Redeemer is laid.
D. C. Angels adore him, in sumber reclining, Maker, and Monarch, and Saviour of all.
one, And
b. With
2.
ERMAN.
FINE.
Say, shall we yield him in costly de- vo tion, Odors of Edom, and offerings divine?)
Gems of the mountain, and pearls of the ocean, Myrrh from the forest, or gold from the mine? 4. Vainly we offer each ample oblation, Vainly with gold would his favor se - cure ;
D. C. Richer, by far, is the heart's adora tion,-Dearer to God are the prayers of the poor.
ALLEGRETTO.
AURORA.
11s & 10s.
AD.C.
ARRANGED FROM Mozart.
D.C.
ian and
41
1. Brightest and best of the sons of the morning, Dawn on our darkness, and lend us thine aid; Star of the East! the horizon adorning, Guide where our infant Redeemer is laid.
48
don
2. Cold on his cradle the dew-drops are shining; Low lies his head with the beasts of the stall; Angels adore him, in slumber reclining, Maker, and Monarch, and Saviour of all.
surround
ALLEGRO.
THE LORD IS GREAT.
11s & 8s.
(118,118.)
Lowell Mason.
BY PERMISSION.
1. The Lord is great! Ye hosts of heaven adore him, And ye who tread this earthly ball; In holy songs rejoice aloud before him, And shout his praise who made you all.
2. The Lord is great! his majesty how glorious! Resound his praise from shore to shore; O'er sin, and death, and hell, now made victorious, He rules and reigns for ev-er-more.
3. The Lord is great! his mercy how abounding! Ye angels, strike your golden chords! Oh praise our God! with voice and harp resounding, The King of kings and Lord of lords.
020
21

264
troll on 430 HADASSAH.
a
11s & 10s. TA HT TO TR
1. When winds are raging o'er the upper ocean, And billows wild contend with angry roar, 'Tis said, far down, beneath the wild commotion, That peaceful stillness reigneth evermore.
امار
2. Far, far beneath, the noise of tempests dieth, And silver waves shine ever peacefully, And no rude storm, how fierce so e'er it flieth, Disturbs the sabbath of that deeper sea.
அ
ALLEGRO. With Animation.
HAIL TO THE BRIGHTNESS.
11s & 10s.
1 The ot! the chariot ! its
They! the glo-ry! a
The tet! the trumpet! the
with bur-den of God-hea
alwho alm-wreaths of vict
1. Hail to the brightness of Zion's glal morning;
Joy to the lands that in darkness have lain ; Hushed be the accents of sorrow and mourning; Zion in triumph begins her mild reign.
G
A
rast gen ra-tions of man are
2. Hail to the brightness of Zion's glad morning;
3
04
Long by the prophets of Israel fore-told; Hail to the millions from bondage returning;
Gentiles and Jews the blest vision be-l:old.
COME,
YE DISCONSOLATE.
Solo, Duet, or Trio.
BAGS
11s & 10s.
First time Duet, second time Chorus.
& 10s. ant
6. Webbe.
e
1. Come, ye disconsonsolate, where'er ye languish ; Come, at the mercy-seat fervently kneel; Here bring your wounded hearts, here tell your anguish; Earth has no sorrow that heaven can not heal.
Joy of the des-o- late, light of the stray-ing; Hope of the pen-i- tent, fadeless and pure, Here speaks the Comforter, tenderly saying, Earth has no sorrow that heaven can not cure.
2
EFTFET
HYMN 2. Come, youthful sinners, come, haste to the Saviour, Come, ye young wanderers, cling to his side; Kneel at his mercy-seat, sue for his fivor, Lambs of his bosom, for whom IIe hath died.
They have to the land where th
To the here the Saviour of s

th evermore
tomobbi
THE CHARIOT. 12s.
MELODY BY J. Williams.
265
1. The chariot! the chariot! its wheels roll in fire, As the Lord cometh down in the pomp of his ire; Lo, self-mov-ing, it drives on its pathway of cloud, And the
2. The glory! the glo- ry! a-round him are poured Mighty hosts of the an-gels that wait on the Lord; And the glo- ri-fied saints and the martyrs are there, And there
3. The trumpet! the trumpet! the dead have all heard; Lo, the depths of the stone-covered charnel are stirred! From the sea, from the earth, from the south, from the north, All the
leeper sea.
20
heavens with the bur-den of God-head are bowed.
all who the palm-wreaths of vic-to-ry wear.
mild reign.
n be-loid.
vast gen-era-tions of man are come forth.
obe.
can not heal.
cap not cure.
M
EXPOSTULATION.
FION.
ALTO.
1ST.
11s.
2D.
O turn ye, O turn ye, for why will ye die?
SOPRANO.
1ST.
D. C.
When God,in great mer-cy is com-ing so nigh,
Now Je-sus in-vites you, the Spi-rit says come.
2D.
D. C.
D. C. And angels are waiting to wel- [OMIT......]-come you home.
BASE.
1ST.
PALESTINE. 12
2D.
12s & 9s.
D. C.
"MUS. SACRA."
1. They have gone to the land where the patriarchs rest, Where the bones of the prophets are laid; Where the cho-sen of Israel the promise possessed. And Je ho- vah his wonders displayed.
e hath died.
2. To the land where the Saviour of sinners once trod, Where he labored, and languished, and died; Where he triumphed o'er death, and ascended to God, As he cap-tive cap-tivity led.

266
ENON 110s. O IT
Rev. E. S. Widdemer.
1.
2
Go to the grave in all thy glorious prime, In full ac- tiv - i-ty of zeal and power; A Christian can not die before his time, The Lord's appointment is the servant's hour.
ERATO-GENTI
2. Go to the grave; at noon from labor cease; Rest on thy sheaves, thy harvest work is done; Come from the heat of battle and of peace, Soldier, go home; with thee the fight is won.
That soft ght the peaceful
2
2
3.
Go to the grave, for there thy Saviour lay In death's embraces, ere he rose on high; And all the ransomed by that narrow way, Pass to e-ter-nal life beyond the sky.
MODERATO.
4
SAVANNAH.
10s.
AI GRO,
Pleyel.
From Jesse's root, behold a branch arise, Whose sacred flower with fragrance fills the skies; The sick and weak, the healing plant shall aid, From storms a shelter,and from heat a shade,
04
2
MODERATO.
FREEPORT.
10s.
01 eye the Lord, pre
Let his great name d
AL RO.
G. A. S.
1. Hail,happy day! thou day of holy rest! What heavenly peace and transport fill my breast When Christ,the God of grace, in love descends, And kindly holds communion with his friends!
10, praithe Lord, prepar
2
2. Let earth and all its van-i-ties be gone, Move from my sight, and leave my soul alone; Its flattering, fading glories I despise, And to im
mor-tal beauties turn my eyes.
Let the great name dev
W
3. Fain would I mount and penetrate the skies, And on my Saviour's glories fix my eyes: O, meet my rising soul, thou God of love, And waft it to the blissful realms above.
அ

emer.
ervant's hou
e fight is wo
nd the sky
eyel.
heat a sha
MODERATO.-GENTLY.
DELIGHT. 10s.IT TO GAU
Wm. Mingle. 267
What soft delight the peaceful bosom warms. When nature, drest in all her vernal charms, Around the beauteous landscape smiles serene, And crowns with every gift the lovely scene.
ALLEGRO.
MORT
க
LYONS.
10s & 11s, or 5s & 6s.
Haydn.
-
1. O praise ye the Lord, prepare a new song, And let all his saints in full concert join; With voices u nited, the anthem prolong, And show forth his praises in music di-vine.
2. Let them his great name devoutly adore; In loud-swelling strains his praises express, Who graciously opens his bountiful store, Their wants to relieve, and his children to bless.
A. S.
ALLEGRO.
4
2
1881
"O, PRAISE YE THE LORD." 10s & 11s.
Jasy O Tento FROM Mozart.
th his friend
1. O, praise ye the Lord, prepare your glad voice, His praise in the great assembly to sing; In their great Creator let all men rejoice, And heirs of salva-tion be glad in their King.
urn my eye
ealms aboy
#4
02
JJJJ
2. Let them his great name devoutly a-dore; In loud-swelling strains his praises express, Who graciously opens his bountiful store, Their wants to relieve, and his children to bless.

263
ALLEGRETTO.
HEAD OF THE CHURCH.110
1. Head of
2 - dore thee; Till thou ap
the Church tri-umph-ant, We joyful-ly
2. Thou dost conduct thy people Thro' torrents of temp-ta- tion; Nor will we
pear, thy mem-bers here
fear, while thou art near,
Shall sing like those in
The fire of
tribu
glo- ry:
la- tion:
4
#4
We lift our hearts and voi-
The world, with sin
ces
and Sa
tan,
ti ei
With blest an -
In vain our march op
-
pos
And c
pa tion;
es; By
abud, and give to God
thee we shall break thro' them all,
The praise of
And sing the song of
our sal
CUR JOURNEY HOME.
1
V&-
Mo-
tion.
-ses.
WORDS FROM Rev. Ch. Beecher.
SA
1. hat were life with
Each
one of
10 say a
eds not what oth
ose that are stri
ne that is
ho
ad word life's hard
ad word would hel
life
y-er
1. We are on our journey home, Where Christ our Lord is gone; We shall meet around his throne, When he makes his people one In the new Jerusalem, In the new, In the newJerusalem.
2. We can see that distant home, Tho' clouds rise dark between; Faith views the radiant dome, And a luster flashes keen From the new Jerusalem, From the new,From the new Jerusalem.
3. O glory shining far From the never setting Sun! O trembling morning star! Our journey's almost done To the new Jerusalem, To the new, To the new Jerusalem.
O holy, heavenly home! O, rest eternal there! When shall the exiles come, Where they cease from earthly care, In the new Jerusalem, In the new, In the new Jerusalem.
5. Our hearts are breaking now Those mansions fair to see; O Lord, thy heavens bow, And raise us up with Thee To the new Jerusalem, To the new, To the new Jerusalem.
4.
ry to the In
L
BILLOW.
Ss, 7s & 4s.
1ST TIME..
L. Mason.
2D TIME.
1. Star of peace, to wand'rers weary, Bright the beams that smile on me; Cheer the pilot's visions dreary, Far, far at sea,
2. Star of hope, gleam on the billow, Bless the soul that sighs for thee; Bless the sailor's lonely pillow, Far, far at sea,
Ob4
2004
Far, far, at sea.
Far, far at sea.
3. Star of faith, when winds are mocking
All his toil, he flies to thee;
Save him on the billows rocking,
Far, far at sea.
4. Star divine, O safely guide him,
Bring the wanderer home to thee;
Sore temptations long have tried him,
Far, far at sea.
5. Star of hope, gleam on the billow,
Bless the soul that sighs for thee;
Bless the sailor's lonely pillow,
Far, far at sea.
all ye works
SLU

glory:
la- tion:
tion.
ASAY A KIND WORD WHEN YOU CAN. Song for Contralto or Base.
269
2.
3.
0
say a
What were life with-out some one
1.
cheer us
Each one of us owns to some failing,
kind word then, when-ev
to
er
With a
Tho'
"Twill
A
word, or a smile on our way,
friend who is faith-ful ly near us,
some may have more than the rest, But there's no good in need-lessly railing, 'Gainst
make the heart cheer-ful and glad; But chief ly-for- get it, oh, never, To the
And
heeds not what others may say;
those that are striv-ing their best;
that is hope-less and sad;
one
The brav-est
Re mem-ber, a
For there's no word so
of
spirits have of
word spoke com - plain - ing
ea - sy in saying,
ten
Half failed in
May blight ev
So begin-if
the
ery
race that they ran,
ef- fort and plan,
you have not be - gun,
For
Which a
And
a
INST OR VOCAL RESPONSE.
Mo
ses,
never
kind word life's hard-ships
kind word would help in
in life be
to
-
soft - en,
attain -ing,
de lay-ing,
To
Then say
Then say
say
a kind word when you can,
a kind word when you can,
a kind word when you can,
Then say a
Then say a
To say a
kind word,.
kind word,..
kind word..
Say
a kind word when you can.
Say
a kind word when you can.
Say
a kind word when you can.
eecher.
THE ADVENT.
DVENT.
(A DOUBLE INVERSE PALINDROME.)
REV. W. H. Havergal, WORCESTER, ENG.
newJerusale
ew Jerusale
Jerusalem,
Jerusalem.
Jerusalem.
ds are mockin
to thee;
vs rocking,
uide him,
home to the
ave tried hir
the billow,
sighs for the
y pillow,
Glory
to the Infant Stranger, Low-ly laid in Bethlehem's man-ger, Peace on earth, good will to mor-tals, Par - a - dise un-bars its por-tals.
-
-
[ -x
- so 'no- .1 -
op 8
-
- s - os sпopuoм
IIV
lad
NOUSN0SV H
BENEDICTE ANTHEM.
W. Clarke.
2. O ye, the angels of the Lord, Bless ye the Lord,
Praise him, and magnify him for ever.
1. O all ye works of God the Lord, Bless ye the Lord; Praise him, and mag-ni- fy
him for ever.
#2
ye
3. O all ye powers of the Lord, Bless the Lord,
Praise him and magnify him for ever.
4. O ye, the children of mankind, Bless ye, &c.
5. O ye, the servants of the Lord, Bless ye, &c.
6. Glory be to the Father; now,
Ghost, As it was, is J now, and shall be
forever.

270
SPIRITED. To olleitmo3 BLESS'D BE OUR GOD.
Doxology. VI PARTLY FROM R. A. Smith.
Bless'd be
our God, the
Father of
& off Desn
our Lord, Who, by
his
Son's a -
rising from the dead,
DO
63
Hath giv'n us
live-ly
651
Bless'd be
our God, the
Father of
our Lord, Who, by
his Son's a
rising from the dead, Hath giv'n us
lively
hope,.
hath
BL
མ
tal, wea-
ry
21d ones long lost
Hath giv'n us
lively
3. Id ones, yes, we
3107
201077
hope,
hath giv'n us
baid
lively hope, That we shall rise,
low bail
that we shall rise to
per- fect pure, and
never,
never
end - ing
day.
re that waits a-
g
giv'n us
live ly hope,..
That we
shall
rise,
that we
shall rise
to per-
- fect pure, an
and
never, nev er
ending
day,
fin thy looked for
hope,......
hath giv'n us
बे
live-ly hope, That we shall rise,
Hal-le-lu jah,
-
hal- le lu- jah,
LHA - men, Hal- le- lu- jah,.... hal-le - lu
-
jah,....
hal -le- lu- jah,
men.
Ha-le-lu.. jah, hal-le- lu
jah, hal-le- lu - jah, A- men,
Hal-le- lu
jah, hal-le- lu
jah, hal-le- lu - jah, A
men.
Hal-le-lu jah,
hal-le- lu jah,
A men.
Hallelujah,
hallelujah, Amen, Amen.
reis or ev erm
.
your heads in
-ry be to
a-round like

h.
#3
Live-ly
1. Mor-tal, wea ry
with thy toil-ing, As thro' earth's gay scenes we rove; List! those voic - es,
HEAVENLY REST. Quartette. (CLOSING OR OPPNING PIECE.)
J. M. Pelton.
271
gen-tly calling To the
$3
4
2. Loved ones long lost, gone be fore thee To the
-
regions of the blest,
Smiling now, are whispering o'er thee; Soon thou'lt
4
ve-ly
3. Loved ones, yes, we hope to meet you
After life's last work is
o'er; Hope in peace and joy to greet you, Where peace
gday.
day,
rest that waits above; Gen-tly calling To the toiling, Faithful now, thou'lt rest above, Faithful now, thou'lt rest a- -bove.
find thy looked for rest: Whispering o'er thee, Gone before thee! Bravely toil, in heaven thou'lt rest, Bravely toil, in heaven thou'lt rest.
men.
-men.
-men.
reigns for
ev - er more: Hope to greet you, Joy - ful meet you, And in heaven, rest ever more, And in heaven rest ev
-
-
er more.
HIGHLAND.
盒
​Ss, 6s & 5s.
1. Lift up your heads in joy ful
2. All glory be to God on
3. Let joy
a-round like rivers
hope, Salute the happy morn: Each heaven -ly power Pro-claims the glad hour; Lo! Jesus the Sa-viour is born.
high, To him all praise is due; The promise is sealed-The Saviour's revealed-And proves that the record is true.
flow; Flow on, and still in - - crease; Spread o'er the glad earth, At Imman - u - el's birth-For heav-en and earth are at peace.
O4

272...L
(HEAVENLY LOVE.gE Hymn Anthem. VASI
4
10 for a breeze of heavenly love To waft my soul
a-
way, -way To the ce-les-tial world above, Where pleasures ne'er de - cay.
a-
4
gu me safe t
4
4
O for a breeze of heavenly love To waft my soul a- way,
O:64
204
To the ce-les-tial world above, Where pleasures ne'er de - cay.
gui me safe
sa
From works of pride on either hand, From quicksands of de-spair, O guide me safe to Canaan's land, Thro' every fa- tal snare.
0
da ing bil-low
From works of pride on either hand, From quicksands of de-spair, O guide me safe to Canaan's land, Thro' every fa - tal snare.
KEDRON'S WATERS.
8s & 6s.
da ing bil-low
O guide me
F. H. N.
1. Beyond where Kedron's wa-ters flow, Be-hold the suffering Saviour go
To sad Geth - sem-a
ne;
His coun-
te-nance is all di-vine, Yet
grie p-pears in
BILEE-18

olegado t
HEAVENLY LOVE. (CONCLUDED.)
273
e-cay
guide me safe to Canaan's land, Thro' every
fatal snare.
An-chor me to that port above, On that ce-
les - tial shore,
Where
e-
guide me safe to Canaan's land, Thro' every
fatal snare.
An-chor me to that port above, On that ce
les - tial shore,
Where
cay
safe
to, &c.
uide me
.N.
dash-ing bil-lows nev - er move, Where tempests nev-er roar,
Where dash-ing bil-lows never move, Where tem-pests nev
er
roar.
dash-ing bil-lows never move, Where tempests nev-er roar, Where dash-ing bil-lows never move, Where tem-pests nev
KEDRON'S WATERS.
(CONCLUDED.)
ine,
grief ap-pears in
every line; His coun-te-nance is all di-vine,
Yet grief ap-pears in
every
line.
(JUBILEE-18.)
2
er
roar.
2. He bows beneath the sins of men,
He cries to God, and cries again,
In sad Gethsemane;
He lifts his mournful eyes above,
"My Father, can this cup remove?"
3. When storms of sorrow round us sweep,
And scenes of anguish make us weep,
To sad Gethsemane
We'll look, and see the Saviour there,
And humbly bow, like him, in prayer.

274
MAESTOSO.
THE LORD IS KING.
Anthem.
J. Chapple.
The Lord is King, The Lord is King, The Lord is King, and hath put on glorious ap- par - el, The Lord hath put on glorious ap- par - el,
on glo-rious ap
and
The Lord is King, The Lord is King, The Lord is King, The Lord is King, and hath put on glorious ap- par - el, The Lord hath put on glorious ap- par - el,
and
onglo-rious ap
$#4
4
7
girded himself with strength, and girded himself with strength. The Lord is King. The Lord is King, The Lord is
he Lord is King, and
and hath put on glorious a
glorious appar
-par- el, The Lord hath
He ha
girded himself with strength, and girded himself with strength. The Lord is King, The Lord is King, The Lord is King, and hath put on glorious ap- par - el, The Lord hath
1.
Wilt thou not vis - it
2.
Wilt thou not vis- it
3. Come for I need thy
me?
me?
The plant be-side me feels
Thy morn-ing calls on
me
love,
More than the flower the dew,
4. Yes! thou wilt vis - it
me?
Nor plant, nor tree, thine eye
O;2
UNAMI.
6s & 10s.
thee a - gain.
thy gen - tle dew; Each blade of grass I see, From thy deep earth its quickening moisture drew.
with cheer-ing tone; And ev-ery hill and tree, Lend but one voice, the voice of
or grass the rain; Come, like thy ho- ly dove, And let me in thy sight joice to live
de-lights so well. As when from sin set free, Man's spi-rit comes with thine in
a-gain.
peace to dwell.
租
​I be round world so
He ha
me round world so
The thy pro-tect-ing c
armore praising t
940

e.
el, and
el, and
e Lord hath
THE LORD IS KING.
(CONTINUED)
put on
glo-rious ap- par - el,
and gird-ed him-self with strength.
2
275
He hath made the round world so
He hath made the round world so
sure,
He hath
टर
put on glo-rious ap- par - el,
and girded him-self with strength.
He hath made the round world so
sure
OFF
ES
REPEAT f
He hath made the round world so
RECITATIVE. TENOR.
sure,
He hath
sure,
He hath made the round world so sure
that it
can-not be mov
ed.
Thy tes-ti-mo-nies, O Lord,
are
sure,
very sure.
made the round world so
sure.
e Lord hath
drew.
gain.
gain.
dwell.
that it
can-not be mov
ed.
He hath made the round world so sure
that it
can-not be mov
ed.
made the round world so
sure,
SO sure,
that it
can-not be mov
ed.
EASTON.
Gs & 5s. Peculiar.
Through thy pro-tect-ing care,
D. C. Evermore praising thee,
64
Kept till the dawn-ing; Taught to draw near in prayer, Heed we the warning;
God of the morn-ing.
D C.
O thou great One in Three, Glad-ly our souls would be,
D. C
6-4

276
1.
2.
THE LORD IS KING. (CONCLUDED.)
NOTE.-This part of the Anthem may be sung separately, as a short opening piece, if desirable.
4
Holiness,
Holiness,
Holiness be-cometh thine house, Holiness be-cometh thine house.
4
CHO OF MALE VO
1ST OR
Let
a-dore, let
Holiness,
Holiness,
2D
OR.
Ho
-li-ness be
553
172
Let
a-dore, le
BASI
DA
Ho-li-ness, Ho-li-ness,
Holiness be-cometh thine house, Holiness be-cometh thine hous,
Ho-li-ness, Holi-ness, Ho li -ness be
CHO OF FEMALE
1ST PRANO.
7815
4
Ho-li-ness,
ALLEGRO.
Ho-li-ness, Ho-li- ness be
ADAGIO.
Bow d thine ear, Tho
2D RANO.
2
cometh thine house, for ever and ev-cr, for ev-er, A- men, for ev-er and ev - er, for ev-er, A - men, for ev - er, A- men, for ev-er, A-men.
Bow da thine ear,"
Th
A-men, A men.
cometh thine house, for ev-er and ev-er, for ev-er, A- men, for ev - er and ever, for ev-er, A- men, for ev-er, A- men, for ever, A-men.
MERDIN..
7s, 6s & 7s.
ALT
•
FUL HORUS.
TEN
A
- men, Amen.
We will re-joid
ALT
L. Mason.
We
SOP TO.
Burst, ye emerald gates, and bring To my rap-tured vi- sion,
All th' ecstat-ic joys that spring Round the bright e-ly-sian;
Floods of ever-last-ing light Free-ly flash before him;
Myriads, with supreme delight, In-stant-ly adore him;
B
Lo! we lift our longing eyes, Break, ye intervening skies, Sons of righteousness arise, Ope the gates of Pa-ra-dise.
Angelic trumps resound his fame,Lutes of lucid gold proclaim All the music of his name, Heaven e cho-ing the theme.
We
BASE
We wre-joice,....
Should Sung by pure vou

-ness b
ness be
CHORUS OF MALE VOICES
1ST TENOR.
HEBREW MORNING HYMN.*
Mehul.
277
Let
2D TENOR.
us
a dore, let us mag-ni- fy him, Praise, O, praise him, WIS-EST, BEST: O, let us grate-ful- ly draw nigh him, And seek the tem- ple of
his rest.
Let
BASE.
us
a - dore, let us mag-ni- fy him, Praise, O, praise him, WIS-EST, BEST: O, let us grate-fully draw nigh him, And seek the temple of his rest.
CHORUS OF FEMALE VOICES.
1ST SOPRANO.
-ness b
10.
Bow down thine ear, Thou that ever liv - est,
2D SOPRANO.
God of
, A men
, A-men
ason.
-ra-dise.
the them
82
&
Bow down thine ear, Thou that ever liv - est,
ALTO.
FULL CHORUS.
TENOR.
mercy, throned a-bove: Great is the happiness thou giv- est; Great be thy praises, God of love.
L
मम्मा
God of
mercy, throned a-bove: Great is
the happiness thou giv- est; Great be thy prais-es, God of love.
We will re-joice,
we will glori - fy
him! Great and ho-ly is our Lord!
Who would not evermore draw nigh him,
And all his mighty acts re-call?
ALTO.
We will re-joice,
we will glorify him! Great and holy is our Lord!
Who would not evermore draw nigh him, And all his mighty acts re-call?
SOPRANO.
We will re-joice,
we will glorify him! Great and holy is our Lord!
BASE.
eff
We will re-joice,....
we
will glo
-
S
Who would not evermore draw nigh him, And all his mighty acts recall?
-6-
-e-
And all his mighty acts re- call?
er more draw nigh him,
rify him! Great and holy is our Lord! Who would not ev -
*Should be sung by pure voices, without instrumental accompaniment; or, if accompaniment be desirable let it be very light. It was from this beautiful composition that the tune "GILEAD" was derived.

278
SING, O HEAVENS.
3
Sing, O heavens, and be joyful, be joyful, O earth,
Sing, O heavens, and be joyful, be joyful, O earth,
Chorus.
Kent.
break forth in - to
singing, O mountains, break forth in- to singing, O mountains, the
O Lord,
break forth into singing, O mountains, break forth in - to
singing,
O Lord,
19
break forth in - to
singing, O mountains, break forth in - to singing, O moun tains, the
373
break forth in to singing, O mountains, the
B thou in
Lord hath comforted, hath comforted his people;
he will have mer
·
cy, he will have mer
-
cy, mercy on
his
af-flicted.
A
-
men,
A
men.
H
thou in
Lord hath comforted, hath comforted his people;
-Q
TEXT
he will have mer
-
cy, he will have, &c.
he will have mer - cy, he will have mer
537
S
-
cy, mercy on his
af-flicted.
Amen, A men.
Js! the on
-
he will have mer cy, he will have, &c.
3s & 6s.
SINNER! COME.
1, Sinner! come, 'Mid thy gloom, All thy guilt confessing;
Trembling now, Contrite bow, Take the offered blessing.
2. Sinner! come, While there's room-
While the feast is waiting;
While the Lord, By His word,
Kindly is inviting.
3. Sinner! come, Ere thy doom
Shall be sealed for ever;
Now return, Grieve and mourn,
Flee to Christ, the Saviour.
und, no har
us! our hope
4. Cohen, dear Lord
D

Kent.
untains, the
-9
Fins,
the
O LORD. MY GOD, HEAR THOU. Introit.
"MUSICAL REVIEW." 279
0
Lord, my God,
hear thou the prayer thy
ser
-
-
vant pray eth; Have thou
res
pect
un to
his
prayer;
8
です
​0
Lord, my God,
hear thou the prayer thy
ser
-
vant pray eth; Have thou res
-
pect un
to
his
prayer;
0:4
4
C
untains, the
Hear thou in heaven, thy dwelling place, And when thou hear'st, for
give,
And when thou hear'st, for
give.
g
छ 8
Amen.
Hear thou in heaven, thy dwelling place, And when thou hear'st, for
give,
And when thou hear'st, for
-
give.
"JESU DULCIS MEMORIE."*
C. M.
हर
R. Storrs Willis.
Amen.
Br
04
1. Je-sus! the on
ly thought of thee,
With sweet-ness
fills my breast, But sweeter far it were to see, And on
thy beau
-
ty
feast.
04
3.
2. No sound, no har mo
50 gay,
ny
Je-sus! our hope when We repent, Sweet source of
Can art
or
mu-
all
sic frame: No thoughts can reach, no words can say
our grace, Sole com-fort in our ban ishment,
The sweets of
Oh! what when
thy
face
blest name.
to face!
re's room-
ing;
word,
Dom
=r;
mourn,
viour.
4. Come then, dear Lord, possess my heart, Chase thence the shades of night; Come, pierce it with thy flum- ing dart, And
A beautiful Study in Imitative Counterpoint. ED.
ev
er shin
-
ing light.
2

280
BLESSED ARE THE PEACE-MAKERS. Introit.
MODERATO.-Gentle, but very distinct.
1ST TIME.
W. B. B.
2D TIME.
6
Fod; Bless-ed,
4
Bless
ed are the peace-mak - ers, Blessed are the peace-makers, Blessed are the peace-mak-ers,
Blessed,
Bless - ed,
Bless - ed.
p
A Cres.
Cres.
For
Dim.
1ST TIME.
2D TIME.
p
23
4
Bless
ed are the peace-makers, Blessed are the peace-mak-ers, Bless
ed are the peace-mak-ers,
Blessed,
Blessed,
Bless - ed.
p
Cres.
•
God;
Blessed,
For
od; Bless-ed,
ALLEGR
Cres.
They shall be
call
ed the
children of God,
shall be
call
1
ed the
children of
--
they shall be call - ed
the children of
God, shall be
mf
called the
children of
Cres.
God,
shall be
call ed the
children of
Cres.
Cres.
Blessed,
Blessed,
Bless
ed
are
the
peace-makers,
hey shall
they shall be
called the
children of
God,......
the
children of God,
JUST AS I AM.
8s & 6s.
(8886.)
g
shall be call - ed the children of
1. Just as I am-without one plea, But that thy blood was shed for me, And that thou bid'st me come to thee-O Lamb of God, I come!
2. Just as I am and waiting not To rid my soul of one dark blot, To thee, whose blood can cleanse each spot-O Lamb of God, I come!
3
25-62
3. Just as I am-though tossed about
With many a conflict, many a doubt,
With fears within, and wars without--
O Lamb of God, I come!
4. Just as I am-thou wilt receive,
Wilt welcome, pardon, and relieve,
Because thy promise I believe-
O Lamb of God, I come!
5. Just as I am-thy love, unknown,
Has broken every barrier down!
Now to be thine, and thine alone-
O Lamb of God, I come i
hey shall
As ecc is complete wi
1. 1st sor-row

B.
ME,
BLESSED ARE THE PEACE-MAKERS.
(CONTINUED.)
May end here.
281
God; Bless-ed,
Blessed: They shall be
call
ed
the chil-dren of God, shall be
p
call - ed
the
chil
dren
of
God.
God;
For
They shall be
call
ed
the children of God,
the
Cres.
P
Cres.
chil
Cres.
-
dren of
Dim.
God.
Bless ed,
Blessed,
Bless
are
the peace-makers: they shall be call ed
-
the
chil
dren
of
God.
p
For
God; Blessed,
CODA.*
of
-
ed
the
children of God,
Blessed: they shall be call
ALLEGRO. About one-third faster than the former.
the chil
dren of
God.
They shall be
-
call ed the
children of God,
the chil
dren of God,
L
They shall be called the
chil
dren, they shall be called the chil-dren of
-out
of
oubt,
They shall
be
-
call ed the chil dren of
God,
-
the
chil
dren, the chil
dren of
God,
ed the children of
God, the chil
dren of
God,
They shall be call ed the children,
they shall be call-
*As the piecc is complete without the Coda, we would not recommend that to be sung in public except by choirs well trained in chromatic intervals. The beauty of the whole Coda will depend chiefly on the
precision and exactness with which these are rendered by Soprano and Tenor.
NETTI E.
5s & 9s.
(559)
hout-
e,
1. Midst sor - row and care There's one
that
is near, And
ev - er
delights to re- lieve
us.
64
2. 'Tis Jesus our friend,
On whom we depend,
For life and for all its rich blessings.
3. When trouble assails,
His love never fails,
He meets us with sweet consolation.
3

282
God,
the
BLESSED ARE THE PEACE-MAKERS. (CONCLUDED.)
BRO
EGRETTO.
they shall be call - ed
the
chil
dren
of God,
they shall be
call
M
ed the
chil
dren
of
If God,
they shall be
called
the
beau-ti-fu
the
chil
beau-ti-fu
they shall be
called the
children of
the chil
dren
of
God,
the
chil
dren
of
God,.
ef
2
they shall be called the
chil
dren
of
God,..
boD
children, the
chil
dren
of
God, they shall
be
call
-
ed the
chil dren of
God.
children of God, the chil
dren
of
God,
they
shall
be
call
·
ed
-
the chil dren of God
2
hin that bringeth
S
dren
of God,
they
shall
be
call
ed
the
chil
-
dren of God.
him that bring-eth
God,
the
chil
dren,
the children of
God,
HERBST.
8s & 7s
ALLEGRO.
brett 200
1.
(When thy harvest yields thee pleasure, Thou the golden sheaf shalt bind;
To the poor belongs the treasure Of the scattered ears behind;
Povoll
दह
2.
This thy God ordains to bless The widow and the fatherless.
When thine olive plants, increasing,
Pour their plenty o'er the plain,
Grateful thou shalt take the blessing,
But not search the boughs again.
This thy God ordains to bless
The widow and the fatherless.
1101
TW
rael's Shep-

ALLEGRETTO.
M
2
HOW BEAUTIFUL UPON THE MOUNTAINS.
Anthem.
W. B. B.
283
4
od,
How
beautiful
up on the moun
-
tains, up on
-
the
moun - tains,
3
1-ed the
How beau- ti - ful
up
on the moun
-
tains,..
How
beau - ti- ful up on the moun-tains are the feet of
2
3
4
How beau-ti - ful
up
on
the moun
tains, How beautiful up on the moun tains
are the feet of
SUMIT, OS
-dren of
0:3
4
How
beautiful up on
the moun- tains,
How
beautiful up
- on
the mountains,
God.
That bringeth good ti- dings, good ti - dings of good,
That pub-lish- eth peace, that pub-lish-eth
God
him, that bringeth good ti-dings, good ti - dings of good,
That pub-lish - eth peace, that pub-lish-eth
God.
him that bring-eth good ti - dings, good ti - dings of good,
That bringeth good ti- dings, good ti - dings of good,
That pub- lish- eth peace,
T
(zalost
You are W
increasing,
the plain,
the blessi
ghs again
to bless
atherless.
sgood,.
HULSEN.
8s & 7s. W
C. M. Chase.
Israel's Shep-herd, guide me, feed me, Thro' my pilgrim -age below,
And beside the
wa-
ters lead me, Where thy flock re
joicing go.
22

284
peace,
HOW BEAUTIFUL UPON THE MOUNTAINS. (CONTINUED.)
f
で
​1ST TIME.
2D TIME.
電
​That bringeth good tidings, good tidings, That bring-eth good ti- dings, good ti - dings, tidings of good. That pub-lish-eth sal - va
peace, That bringeth good tidings, good ti dings of good,.
That bringeth good ti - dings, good tidings of good,.
P
in to joy, b
tion, that
ti - dings of good. That pub-lish-eth sal - va- tion, that
in-to
joy,....
ti - dings of good. That pub-lish-eth sal- va- tion, that
1ST TIME.
2D TIME.
That bringeth good ti- dings, good ti - dings,
FASTER. Presto con Spirito.
AD
saith un- Zi. on,
to
Thy
God
reign - eth,
Thy
God
reign
eth.
Break forth in
-
to joy, break
ees of Je-ru-
saith un-
to Zion,
Thy
God
reign - eth,
Thy
God
reign
eth.
Break forth in to
joy, break
ces of Je-ru-
saith un
-
to
Zion,
Thy
God
reign- eth,
Thy
God
reign
*How beauti
ful, how beauti
ful, how beauti
eth.
Break forth in
to
joy, break
ces of Je-ru-
ful up- on the mountains.
*The Bases may be divided-a part singing the words, (to large notes), "Thy God reigneth," and another part the words, "How beautiful," &c., (to small notes).
WILL YOU GO?
Ss & 3s.
WESTERN MELODY.
1. We're traveling home to heaven a-bove, Will you go?
2. We're going to see the bleeding Lamb, Will you go?
will you go?
will you go!
0:4
To sing ths Saviour's dy - ing love, Will you go? will you go!
In rapturous strains to praise his name, Will you go? will you go!
Mil-lions have reach'd that
The crown of life we
bode, A
noint-
wear, The conquer
04

HOW BEAUTIFUL UPON THE MOUNTAINS. (CONTINUED.)
285
HIL
forth in
·
to
joy, break forth, break forth, break forth in
to
joy,
Sing
to
-
gether,
sing.
to
-
ge
-
ther, ye
waste
a- tion,
سبب
forth in to
joy,
break forth, break forth in
to
joy,
Sing to
-
ge
ther,
sing to
-
ge
ther,
ye
waste
a- tion, t
forth in
to
- tion, t
joy,...
Sing to
ge
ther,
sing to
-
ge
ther,
ye
waste
on Spirit
ה
break forth, break forth, break forth in
-
to
joy,
Sing... to
-
gether,
sing.... to
gether,
1ST TIME.
2D TIME.
joy, k
places
of
Je
- ru -
sa - lem,
places
of
Je
ru -
så -lem;
Sing
to
gether,
sing
to
ge
ther, ye
waste
joy, k
places
of
Jeru
salem,
1ST TIME.
places
2D TIME.
of
Je ru- sa - lem;
Sing,.....
50
ELODY.
places
of
Jeru
-
salem,
places
of Je
ru - salem;
Sing
to
1ST TIME.
2D TIME.
gether,
d
Break
forth
in to
joy,..
WILL YOU GO?
(CONCLUDED.)
ADD
ye
waste
sing
to
ge
-
ther, ye
waste
sing to - gether, sing together,
reach'd
life w
-
blest a bode, A
noint -ed kings and priests to God, And millions more are on the road, Will you go?
there shall wear, The conqueror's palms our hands shall bear, And all the joys of heaven we'll share, Will you go?
----
will you go!
will you go?
அ
3.
We're going to join the heavenly choir,
Will you go!
To raise our voice and tune the lyre,
Will you go?
There saints and angels gladly sing
Hosanna to their God and King,
And make the heavenly arches ring,
Will you go!

286
HOW BEAUTIFUL UPON THE MOUNTAINS:
A little Slower. Legato e riany.
(CONTINUED.)
places
of
Je-ru-
sa
-
lem.
For the Lord hath com-fort-ed, hath com-fort-ed
his people,
He
hath re
-
deem - ed
Je 9 ru
sa
lem,
rm in the eyes
pla
ces
of Je -
ru -
sa - lem.
For the Lord hath com-fort-ed, hath com-fort-ed his people,
He
hath re
-
deem - ed
Je ru-
sa lem,
in the eyes
1
pla
ces
of Je ru - sa-
lem.
For the Lord hath com-fort-ed
his
peo
DUET, QUARTETTE, or CHORUS.
ple,
He
bath re-
deemed Je ru
sa lem,
rm in the eyes
hath com-fort-ed his people,
Presto. Forte.
earth shall see th
For the Lord hath com-fort-ed, hath com-fort- ed
his people,
He hath re- deem-ed Je
ru
- salem.
The Lord hath made bare his
earth shall see th
For the Lord hath com-fort- ed, hath com-fort-ed his people,
mp
He hath re- deem-ed Je
ru
- sa- lem.
The Lord hath made bare his
f
A
219
For the Lord hath com-fort- ed, hath com-fort- ed his people,
1. God,
the all ter
2. God, the Om ni
7
He hath re- deem-ed Je- ru
- sa- lem.
The Lord hath made bare his
PRAYER FOR PEACE.
11s, 10s & 9s.
RUSSIAN AIR. ARRANGED BY J. Zundel.
earth shall see th
ri
ble! Thou who
or
-
dain - est
po
tent! mighty
A-
ven -
ger,
Thunder
Watch -ing
thy clarion, and
in- visi - ble,
lightning thy
judging
sword; Show forth thy
on
high wher
mer
un
·
heard; Save
us
in
0
save us
664

W
HOW BEAUTIFUL UPON THE MOUNTAINS. (CONCLUDED.) 30"
Very Quick and Distinct.-Presto.
287
Q
745
sa-lem
ho
ly arm
in the
i bas
eyes of
all the na-tions, And all
Dodd giderow.
the ends of the earth shall see the salva- tion of our
God,.... And all
the
S
4
salem
ho
ly
arm
in the
eyes of
all
the na-tions, And all
the ends of the earth shall see the salva- tion
of Our
God.
And all the
salem
ho
ly
arm in the eyes of all
the na-tions, And all
the ends of the earth shall see the salva - tion
of our
God..... And all the
RO
ends of the earth shall see the sal
tion
-va-
of o
our
God.....
Hal-le- lujah, halle - lu - jah, hallelujah. A men,
A- men, A - men.
bare his
ends of the earth shall see the salva-
-
tion of
Our
God.
bare his
O
Hal-lelujah, hal-le- lu- jah, hal-le - lu- jah. A men,
2
N
2
Amen.
6
ends of the earth shall see the salva
tion
of our God..
Hal-le
lujah, hallelujah, hal- le lu- jah. A men,
-
-
A
men, Amen.
1
1
1
-e-
bare his
20
80
>
2
भा
Zunde
PRAYER FOR PEACE.
(CONCLUDED.)
pi ty
on
mer
cy, O
save us
high where thou reign- est: Give to us peace in our
from dan
in
ger, Give to gous- peace
our
time, O Lord!
time, Old Lord!
3. God, the all-merciful! earth hath forsaken
Thy ways
all holy, and slighted thy word;
But not thy wrath in its terror awaken,
Give to us pardon and peace, O Lord!
thy people with thankful devotion,
4. So will thy
Praise Him who saved them from peril and sword;
Shouting in chorus, from ocean to ocean,
Peace to the nations, and praise to the Lord.

288
DEVOTIONAL.
"OUR WAITING EYES ARE UNTO THEE." (PRAYER FOR OPENING PUBLIC WORSHIP.)
MODER
THE
3
The Lo less thee and
Our wait- ing eyes are
un- to thee, O Lord, Help us to worship thee, help us
£3
to worship thee in spi-rit and in truth; Help us to
4-
Our wait-ing eyes are
un- to thee, O Lord, Help us to worship thee, help us
to worship thee in spi-rit and in truth; Help us to
The Lo less thee and
0:3
2
pray; help us
to praise and hear thy
word.
Look down, O Lord, in mercy up- on
us,
and blot out all our transgressions.
pray; help us
to praise and hear thy word.
Look down, O Lord, in mercy up- on
us,
and blot out all our transgressions.
O, hear our prayer, forgive our sins, ac - cept and bless us for Je-sus' sake; ac - cept and bless us for Jesus' sake.
A-
men.
O, hear our prayer, forgive our sins, ac - cept and bless us for Je-sus' sake; ac- cept and bless us for Jesus' sake.
The above bel little melody
wwa reason is belief that h
the represen definite musica
-er
year
& few
Ere Jeep, for
0, mord! what sl
Leave m not, but
A
men.
UBILEE

-)
MODERATO.
mp
THE LORD BLESS THEE. (OPENING OR CLOSING PIECE.) THE "BLESSING OF AARON." NUM. VI. 24-26.89
elp us
The Lord bless thee and keep thee, The Lord make his face to shine upon thee and be gracious un - to thee, The Lord lift up his countenance upon thee, and give thee
peace.
mp
lp us
The Lord bless thee and keep thee, The Lord make his face to shine upon thee and be gracious un - to thee, The Lord lift up his countenance upon thee, and give thee peace.
04
The above beautiful little melody is believed by M. LEOPOLD HAUPT, a learned German of Görlitz, to have been that sung by the Israelites in the "Blessing of Aaron," Numbers vi. 24-26. M. HAUPT as-
signs as a reason for this belief that he has discovered the key to the interpretation of the Hebrew vowel points and." accents," generally held by Hebraists to indicate the inflections of the voice in reciting, and
that these representing definite musical sounds, the melodies of the ancient TEMPLE WORSHIP may now be restored.-Ed. See preface to "Cong. Ch. Music, Anthems and Chants," London, 1855.
nsgress s.
1. Another
2. Ah! not a
year
few
sgress s.
ANOTHER YEAR.
Has told its fourfold tale, And still
Who seemed life's toil to brave, Are hid
4s & 6s.
I'm here, A traveler
from view, With in the
in this vale.
silent grave.
3. Why am I spared
To see another year!
Why have I shared
So many mercies here?
4. From God alone
My mercies I receive;
To him alone
I would for ever live.
men.
men.
every
1. Ere I sleep, for
2. 0, my Lord! what shall I
8. Leave me not, but
04
64
JUBILEE-19.
ey er
fa vor,
render
love me,
ERE I SLEEP.
8s, 3s & 6s.
(8,8,8,6.)
This day showed
To thy name,
Let thy peace,
By my Lord,
Still the same,
Be
my bliss,
do bless my
Gracious, good, and
Till thou hence re
Sa
ten
move
viour.
der.
me.
29
4. Visit me with thy salvation;
Let thy care,
Still be near,
Around my habitation.
5. Thou, my rock, my guard, my tower,
Safely keep,
While I sleep,
Me, with all thy power

290
4
AND IT SHALL COME TO PASS IN THE LAST DAYS. Anthem."
ALLEGRETTO-Bold and Spirited.
ACCOMPANIMENT.
SUITABLE FOR DEDICATION, ORDINATION, AND THE ORDINARY OCCASIONS OF PUBLIC WORSHIP.
O
BASE SOLO OR CHORUS.
W. B. B.
panta nd be ox-al
0:4
And it shall come to
pass, in the last
days, that the mountain of the Lord's house shall be
Batai and be ex- al
es -
tab-lished in the
tops of the
CHORUS.
mountains, And be
ex -
alt
ed a-bove the
hills,..
palai nd be ex-al
Cho. in
the last
days, in the last days,
ন
in the last
days, in the last
days,
in the last
Cho. And it shall come to
pass,.
in
days, in the last days,
days,
the last
TRIO.
le Slower.
in
the last days, in
the last
days that the mountain of
the Lord's house shall be es - tab-lished in
the tops of the
And ma
peopl
鹽
​And it shall come to
pass,
in
the last days, in the last
days that the mountain of
the Lord's house shall be es - tab-lished in
the tops of the
ma
peopl
And it shall come to
pass,.
in
the last days, that the mountain of the Lord's house shall be established in
the tops of the
And ma
peopl
in
the last days,
Sung at the Closing Services of the Broadway Tabernacle Church, April 26, 1857.

B. B
160
HIH
s of
days
st day
day
tday
mountains, And be ox-
AND IT SHALL COME TO PASS.
D IT SH
alt
-
ed
above the hills, and be
exalted above the hills.
mountains, And be ex- alt - ed
above the hills, and be
ex - alt- ed above the hills.
CONTINUED.
G63
291
mountains, And be ex- alt ed
a- bove the hills, and be
ex- alt- ed a-bove the hills.
And all na- tions shall flow... un-
SOLO OR CHORUS.
to
it, shall
flow...
TRIO.
A little Slower.
CHORUS-TENORS AND BASES.
2
un to it.
And all
-
na tions shall flow
un to it, shall flow...
un to
it.
Faster.
And ma
ps
ny
peo
ple shall go,
and
say,
Come ye,
come ye, and let us go up
to the moun-tain of the
Lord:
Come ye,
ps
of
And ma
ny
peo
ple shall go,
and
say,
Come ye,
come ye, and let us
go up
to the moun-tain of
the
Lord:
s of
And ma-
HTH
ny
people shall go,
andas
say,
Come ye,
come ye, and let us go up
to the moun-tain of
the Lord;
2
2
Come ye,
Come ye,

292
AND IT SHALL COME TO PASS. T(CONTINUED.)
QUARTETTE OR SEMI-CHORUS.
Ritard.
come ye, and let us go
up to
of
the moun-tain
the Lord,
to the house of the God of
Jacob.
ন
SOLO.-Tempo.
walk.
in h
walk in hi
come ye, and let us
walk......
in hi
go
up to the moun-tain
of
308
the Lord,
to the house of the God of
Jacob.
And he...... will teach... us
2031
CHORUS.
And he will teach us,
will teach us of his ways, And we
will
And he...... will teach.
us
of
his
ways, And we...
will
of
his ways, and we...
will
walk, will walk in his ways.
And he will teach us
of
his
ways, And we will walk, will
8 ways, and
ESPRESSIVE.
THE VOICE OF FREE GRACE.
12s. Or 12s & 11s.
Dr. Clarke.
4
The voice of free grace cries, Es-cape to the mountain; For A-dam's lost race Christ hath opened a fountain; For.. sin and un
cleanness, and
Hal-le- lu- jah to the Lamb, who hath
உ
ere trans-gres-sic
pur-el our par-do
64

ach...
we
e...
HIH
(CONTINUED.)
Ritard.
(AND IT SHALL COME TO PASS.
2
in his paths: For out of Zi - on shall go forth the law, And the word of the Lord from Je-ru
walk.....
walk, will walk in
his paths;
1
Ritard.
sa -
lem.
SOLO. Tempo.
293
walk..
in his paths; For out of Zi
- on shall go forth the law, And the word of the Lord from Je-ru
salem. And he..... will
teach.. us
CHORUS.
And he will teach us,
will teach us
of his ways, And we
will
And he...... will teach.
... us
of
his
ways, And we...
will
of
e will wal ill
his ways, and we...
will
walk,
will walk in his ways.
And he will teach us
of
his
ways, And we will walk, will
Clarke.
2
THE VOICE OF FREE GRACE.
(CONCLUDED.)
anness, 8
mb, whe h
ev- ery trans-gres- sion,
pur-chased our par- don;
-
Ilis blood flows most free - ly in.... streams of sal va- tion,
We'll praise him a gain,... when we pass ver Jordan,
0-
His blood flows most free-ly in
We'll praise him a gain, when we
streams of sal - va - tion.
pass
over Jordan.

294
AND IT SHALL COME TO PASS.
A
(CONCLUDED.)
G
walk.
in his paths; For out
of
Zion
shall go forth the law, And the word of
the Lord from Je- ru -
sa -
lem.....
from thy pres
way
walk,
will walk in
his paths;
盛
​presene from thy pre
walk..
111
his paths: For out
of Zi - on shall go forth the law, And the word of
the Lord from Je- ru -
8a
lem.....
B
475
presenc
from thy pre
SLOW and TENDER.
CREATE IN ME A CLEAN HEART.
(OPENING OR CLOSING PIECE.)
W. B. B.
C
Create in me
2
clean heart, O
God, and re- new
a right spir-it with-in
me.
4
Cast me
not a
-
way, cast me not a-
joy of ay sal-va-t
Cast me not
a-
way, cast me not a -
way,
from thy
joy of hy sal-va-ti
from thy
joy o ay salva-t
Create in me
a
clean heart, O
God, And re- new a right spi-rit with-in
me.
Cast me not
2-
way,.
20
04
6179
ETTIE.
Ss, 5s, 7, & 6.
(8888,55,7,6.)
A help-less sin - ner in
Inscribed in char- ac- ters
thy
of
sight,
light,
At mer-cy's threshold, Lord, I
Thy prom-ise shines up - on
wait;
the
gate.'}
ASK-ye shall re-
ceive;
for
ye
SEEK-and shall find;
KNOCK-an-ter in,
Small notes for the last stanza.
258

m.....
way
from thy presence,
B.B.
me not
from
CREATE IN ME A CLEAN HEART.
(CONTINUED.)
Take not thy ho - ly spirit from me.
رارا
presence, from thy presence, And take not thy holy spirit, thy ho-ly
spirit from me.
Restore un-to
me.
presence, from thy pres-ence,
joy
of thy sal va- tion,
-
joy of thy sal - va-tion, Re - store un-to
b
from
joy
of thy sal va- tion,
P
ind;
KNOCK-and en -
me.
Take not thy ho- ly
spirit from me.
Re-store un- to
me
Restore un-to
me
ETTIE.
(CONCLUDED.)
1
295
Restore un to me
the
the
Restore.. un-to me the
the joy of thy sal - va- tion, And up - hold me, And up - hold me with thy free
the joy of thy sal - va- tion, And up-hold me, and up-hold me with thy free
the joy of thy sal va- tion, And up - hold me.
3.
with thy free
ter in, but leave all doubts and fears behind.
I ASK thy boundless grace to share,
I SEEK for pardon through thy blood,
I KNOCK by earnest, fervent prayer,
Lord, hear, and answer me for good.
"ASK-ye shall receive,
SEEK and ye shall find,
KNOCK-and enter in, but leave
All doubts and sins behind."
Yes, each mistrustful doubt of thee,
Each long-indulged, besetting sin,
Repented and renounced must be,
Ere we may dare to enter in.
Then asking, we receive;
And seeking, we shall find;
Till entering heaven's gate, we leave
Earth, sin, and death behind.

296
(CREATE IN ME A CLEAN HEART.
ALLEGRO.-Or about one-third faster than the preceding movement. Cheerful, but not boisterous.
(CONCLUDED.)
spi-rit,
spi-rit,
0 thou to dwell'st
Then will
teach transgress-ors thy ways, and sin
-ners shall be
con- vert- ed,
Then will I
teach.. trans-gressors thy
Then will
I
teach transgress-ors thy ways, And sin
-ners shall be
con-verted to thee,
Then will I teach trans-
0 Thot o dwell'st
transgre-ssors thy ways, and sin -ners shall be convert- ed to thee,
Then will I teach trans-
spi-rit,
Then will I
teach.
Then will I teach transgress-ors, &c.
2
Ritard.
Help us, ord, to
ways,.
And sin
ners
shall be
con-verted un- to
thee, un-to thee,
con
verted,
con-vert- ed un - to
thee.
gress-ors thy ways, And sin
ners
shall be
converted un to thee,.
con verted,
con-vert- ed un - to
Ritard.
thee.
Help us, word, to
gress-ors thy ways, And sin
-ners shall be converted un- to
thee,
un-to thee, And
sin -ners shall be con-vert- ed, con- vert-ed
un to thee.
And sin
ners
shall be
con- vert-
ed
un to thee,
GREENE.
7s.
2
1. Let us, with
a
2. Let us sound his
joy ful mind, Praise the Lord,
name a- broad, For of gods
for he
he is
is kind; For his mercies shall en- dure,
the God, Who by wis dom did create
P. T. Whipple.
1. Nearer, God, to
2. Though the wande
3. There lee way ap
4. Then wi my waking
Ever faith-ful, ev - er sure.
Heaven's ex-panse and all
5. Or if joyful w
its state.

INVOCATION. Opening Piece. 139 11 1
J. M. Pelton. 297
O thou who dwell'st in Heav'n above, Thou God of grace and boundless love,
To Thee our off'rings now
we bring; Help us, O Lord, thy praise to sing,
gressors
3
4
دار
புட்
teach t
4
O Thou who dwell'st in Heav'n above, Thou God of grace and boundless love,
teach tra
20 64
Help us, O Lord, to hear thy word, And to
us
all thy peace afford.
A
- to the
NAZA
To Thee our off'rings now we bring; Help us, O Lord, thy praise to sing,
Help us, O Lord, to hear thy word, And to
us
all
thy peace afford.
J J
- to the
Help us,
O Lord, to hear thy word, And to
us all thy peace afford.
Help us, O Lord, to hear thy word, And to all thy peace afford.
us
-to the
NEARER TO THEE.
6s & 4s.
(64,64,664.)
ipple.
er sure
its state
1. Nearer, my God, to Thee, Nearer to Thee! E'en though it be a cross That raiseth me; Still all my song shall be,-Nearer, my God, to Thee, Nearer to Thee!
2. Though like the wanderer, The sun gone down, Darkness be over me, My rest a stone; Yet in my dreams I'd be
to beckon me
3. There let the way appear, Steps unto heaven; All that Thou sendest me, In mercy given; Angels
4. Then with my waking thoughts, Bright with thy praise, Out of my stony griefs, Bethel I'll raise; So by my woes to be
Nearer, my God, to Thee,-Nearer to Thee!
Nearer, my God, to Thee,-Nearer to Thee!
Nearer, my God, to Thee,-Nearer to Thee!
5. Or if on joyful wing, Cleaving the sky, Sun, moon, and stars forgot, Upward I fly; Still all my song shall be,-Nearer, my God, to Thee,-Nearer to Thee!
64

298.
I WILL PRAISE THEE, O LORD. Anthem. I
m
Cres.
C. Mady.
f Cres.
L
CO
TO.-Ardent-D
I
ทะ
will praise thee, O Lord, O Lord, among the people,
Cres.
me un to
I will sing prais - es
un- to thee among the nations; For thy mercy is great, is
will praise thee, Lord, O Lord, among the people,
I will sing prais - es
un-to thee among the nations; For thy mercy is great, is
me un-to
I
f
FINE.
772
great above the heavens, And thy truth, thy truth reacheth unto the clouds.
Be thou ex-alt - ed,
Be
thou ex-alt- ed,
Be thou ex-alt-ed, O
you, and le
FINE.
m
great above the heavens, And thy truth, thy truth reacheth unto the clouds.
Repeat f
SOLO. Slower.
Be
thou ex-alt-ed,
Be
thou ex-alt- ed, ex- alt ed, O
you, and le
亞
​Be thou ex-alt - ed,
Be
thou ex-alt-ed,
Be thou ex-
alt- ed, O
TUTTI.
D. C.
God, above the heavens.
Thro' God shall we do va-liantly. Thro' God shall we do
va-liantly, For he
it is that treadeth down, treadeth down our enemies.
TUTTI.
D. C.
God, above the heavens.
God, above the heavens.
SOLO.
For he it is that treadeth down, treadeth down our enemies.
TUTTI.
Thro' God shall we do valiantly, For he it is that treadeth down, treadeth down our enemies.
סון
D. C.
un- to

COME UNTO ME, ALL YE THAT LABOR.
MORA
LEGATO.-Ardent-Devotional.
mf
Quartette or Chorus.
p
W. B. B. 299
m
great,
"Come un - to
mp
mei all ye that la- bor and are
hea
vy
la den, and I will give you rest, I
mf
will give you rest.
Take my yoke up
p
m
2
"Come un to me all
ye that la- bor and are
hea
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vy la den, and I
will give you rest, I
will give you rest.
Take my yoke up
great, is
0:2
b2
lt-ed, 0
alt-ed, O
t-ed, 0
D.
nemies.
D. O
mf
mp
m
on
you, and learn of
me,
me,.
Take my yoke up
- on
you, and learn of me;
mf
For I
am
meek and low
ly of heart, and ye
shall find
mp
m
g
on
you, and learn of
me,
Take my yoke up - on
you, and learn of me;
For
am
meek and low ly
-
of heart, and ye shall find
e
rest
mies.
D. O
rest
O
mies.
un
to
mp
your souls. For my yoke is
mp
pp
RIT.
easy,
and my burden is
light." His yoke is
light,
easy,
and his bur
-
den is light.
un
to
your souls. For my yoke is
easy,
and
my
burden is light." His yoke
is
ea
sy,
and his bur
-
den is
light.

Anthem.TU
HOO
ARR. FROM Haydn, BY L. MASON.
300
CHORUS-ALLEGRO. WE WILL REJOICE IN THE LORD.A Ant
2
We will re-joice,
we will re
joice...
in the
Lord,
1.
3
We will re-joice,
we
will re
joice.....
in
the
Lord,
And glo-ri-fy his name, mo
his
We will rejoice,
we
will re
joice.
in
the
Lord,
And glo-rify his
工
​+
And glo-ri-fy his name,
glo
ri- fy his
name,
We will rejoice, will rejoice in the Lord,
We wire-joic
And glo-ri- fy his name,
And glo-ri-fy his name for ev-er-more.
glo
fy his
name,
And glorify his name, will re joice...
-
in the Lord,
And glorify his name, And glo-ri- fy his name.
for ever-more.
name,
We will rejoice, will rejoice in the Lord,
And glo-ri-fy his name,
And glo-ri- fy his name..
for ev-er-more.
And glo-r fy his n
6
4
What's this that
That soon will
ind and bod
name,
118
And glorify his name,
ALL'S WELL.
8s
3s.
for 10
And glo-ri- fy his name for ev-er-more.
aluos so
WESTERN MELODY.
steals, that steals up-on my frame? Is
quench, will quench this vi-tal flame! Is
it death? Is it death?
it death? Is it death? If
this be death I soon shall be From every pain and sor-row free, I
shall the King glo-
90

MASON
his
i-fy
ri-fy h
-er-mor
WE WILL REJOICE IN THE LORD. (CONTINUED.)
We will rejoice,
we will
re joice.....
in the Lord,
glo
rify his name,
glo
rify his name for ever-more-
And glo-ri- fy his name,
301
And glorify his
And glo-rify his name,
glo
fy his
name,
And glo-ri-fy his
name.
for ever-more.
We will re-joice,
we will re
joice.... in
the
Lord,
er-more
S
-er-mor
And glo-rify his name,
And glo-rify his name for ev-er-more.
name,
his
er-more
name,
glo
ELODY.
-
ri-fy his name for ev-er-more.
shall the King of glory
see, All
ree,
is well! All is well!
Weep not, my friends, weep not for me,
All is well;
My sins are pardoned, I am free;
All is well.
There's not a cloud that doth arise,
To hide my Saviour from my eyes;
I soon shall mount the upper skies-
All is well.
8.
Tune, tune your harps, ye saints in glory,
All is well;
I will rehearse the pleasing story,
All is well.
Bright angels have from glory come,
They're round my bed, they 're in my room.
They wait to waft my spirit home-
All is well.

302
WE WILL REJOICE IN THE LORD. CONCLUDED.
We will rejoice,
re-juice in the Lord, And
glo
We will rejoice,
rejoice in the Lord,
-fy
his
name,
And glo- ri-fy his name,
We will re
And glo-ri- fy his name-will re
Bow in thine ear, O
We will rejoice,.
rejoice in the Lord,
And glo-ri-fy his
name,
And glo-ri-fy his name,
We will
Bow m thine 0
ear,
re
We will rejoice,
rejoice in the Lord, And
glo
fy
his
name,
We will re
1ST
2D
+
joice, will re-joice, will
rejoice in
the Lord,
And
Lord,..
A
men,
men.
joice,..
re-joice in
the Lord,
Lord,..
2D
1ST
men,
men.
joice, will re-joice, will
rejoice in the Lord, And glo-ri - fy his
Lord,....
A
men,
A
men.
1ST
2D
SUCCOR.
8s, 6s & 4.
1. Father,
who in the olive shade, When the dark hour came on,
Didst, with a breath of heaven-ly aid, Strengthen
thy
Son.
4
poo ad needy. Pre
poo ad needy. Pr
mf
SO and GENTLE.
iour, now re-co
This eye hath
let thought be
#4

ill re
04
SLOW.
22
BOW DOWN THINE EAR. WOR
Aug. Kreissmann.
303
Bow down thine ear, O Lord, and hear me, For I am poor, I am poor and needy, Bow down thine ear, O Lord, and hear me, For I am poor, I am
p
p
vill re
ll re
4
p
04
Cres.
Bow down thine ear, O Lord, and hear me, For I am poor, I am poor and needy, Bow down thine ear, O Lord, and hear me, For I am poor, I am
仅仅
​vill re
mf
poor and needy. Pre-serve my soul, pre-serve my soul, pre-serve my soul, pre-serve my soul, for I am ho- ly.
£
O thou, my God, save thy
pp
mf
poor and needy. Preserve my soul, pre-serve my soul, pre-serve my soul, pre-serve
mf
ます
​SOFT and GENTLE.
my soul, for I am ho- ly.
O thou, my God, save thy
pp
DEATH OF A CHILD.
Son.
1.
4
2. Though his eye hath brightened
3. Now let thought be-hold him
달​:
Sa-viour, now re-ceive him
To thy bo- som mild;
For with thee we leave him, Bless-ed, blessed child.
Oft our wea-ry way,
In his an-gel rest,
And his clear laugh light-ened Half our heart's dis-may.
Where those arms en fold him To
-
a Sa-viour's breast.
4. Yield we what was given,
At thy holy call;
The beautiful to heaven,
Thou who givest all.
5. Still, 'mid heavy mourning,
Look thee now to God!
There, thy spirit turning,
Kneel beside the sod

304
A
BOW DOWN THINE EAR. (CONTINUED.)
FASTER.
servant, save thy servant, O, thou, my God,.
save thy ser-vant, that trust-eth in thee, that trusteth in thee. So will I
name will I praise
O thou, my God,
p
save thy ser- vant, save thy servant,
mf
servant, save thy servant,
wood ban,bro OO, thou,
myll
p
God, save thy ser-vant, that trust-eth in thee, that trusteth in thee. So will I
name, will I praise
mf
Lor and glo-1
praise thee, O Lord, and glo-ri-fy thy name, so will I praise thee, O Lord, and glo-ri-fy thy name, so will I praise thee, O Lord, and glo-ri-fy thy
Lor and glo-
praise thee, O Lord, and glo-ri - fy thy name, so will I praise thee, O Lord, and glo-ri-fy thy name, so will I praise thee, O Lord, and glo-ri- fy thy
629
HTANG
SACO.
1.
We shall see a light appear, By and by, when he comes;
We shall see him full and clear, By and by, when he comes; ( Ride on, Jesus, O ride on! We're on our journey home, We're on, &c
2.
bus TT02
We shall have a mighty shout,
By and by, when he comes,
We shall, like the stars, shine out,
By aud by, when he comes.
S.
Then shall blaze earth's funeral pyre
By and by, when he comes,
We shall shout above the fire,
By and by, when he comes.
Send kir light, amid the
The nig dark, and I am
E-20)

FASTER.
So will
BOW DOWN THINE EAR.
(CONCLUDED.)*
name, so will I praise thee, O Lord, and glo-ri - fy thy name, so will I praise thee, O Lord, and glo-ri - fy thy name, so will I praise thee, O
305
mf
name, so will I praise thee, O
Lord, and glo-ri- fy thy name, so will I praise thee, O Lord, and glo-ri-fy thy name, so will I praise thee, O
So will
Lord,
and glo-ri-fy thy name, so will
I praise thee, and glo-ri- fy thy name, so will I praise thee, and glo- ri fy thy name.
-
i-fy th
Lord,
and glo-ri-fy thy name, so will
I praise thee, and glo-ri-fy thy name, so will I praise thee, and glo- ri fy thy name.
-
i-fy th
LEAD THOU ME ON.
2.
shout,
omnes,
shine out,
mes.
Funeral py
mes,
fire,
omes.
1. Send kindly light, amid th'encircling gloom, And lead me on;
The night is dark, and I am far from home; Lead thou me on! Keep thou my feet: I do not ask to see The distant scene; one step enough for me.
700
04
641
(JUBILEE-20)
I was not ever thus, nor prayed that thou
Should'st lead me on;
1 loved to choose and see my path; but now
Lead thou me on!
I loved day's dazzling light, and, spite of fears,
Pride ruled my will: remember not past years!
3.
So long thy power hath blessed me, surely still
"T will lead me on
Thro' dreary doubt, thro' pain and sorrow, till
The night is gone,
And with the morn those angel faces smile,
Which I have loved long since, and lost awhile.
חחחח

306
ALLEGRO MODERATO.
HOW BEAUTIFUL IN ZION.*WO
இட
W. B. B.
How beautiful in
Zion, how beautiful in Zi-on, Upon the mountain's brow, upon the mountain's brow; The coming of the messenger, the coming of the messenger, To
in Zi-on,
4.
Play eight measures as a symphony.
How beautiful in Zi-on, how beautiful in Zi-on, Upon the mountain's brow, upon the mountain's brow; The coming of the messenger, the coming of the messenger, To
cheer the plains below, to cheer the plains below. Em-bas-sa-dor with pardon From an injured King of kings, Glad tidings of sal-va-tion To a ruined world he brings. How
:8:
cheer the plains below, to cheer the plains below. Em-bas-sa-dor with pardon from an injured King of kings, Glad tidings of salvation, To a ruin ei world he brings, How
May be sung at opening or closing of service, or as a voluntary upon the entrance of the Minister into the pulpit.
WE'LL TRUST.
Hallelujah.
in Zi-on,
com the messeng
:8:
tom of the messen
1. We'll trust thy
love, We'll still
a
-
2. We'll praise thee now,
3. We'll trust thy word, We'll still
4. We'll trust thy grace, And
And
ever
-
be
ever
dore, We'll still adore,
lu
more, And ever-more,
lieve. We'll still be-lieve,
lu
love, And ev-er-love,
Hal - le
Hal - le
·
lu
jah,
jah,
Halle
Halle
..
lu
Hal - le
Halle
jah, Halle
lu
jah,
Halle
-
EEEE
lu
jah, Halle lu
jah, Hal-le
-
-
lu
lu
jah, Halle
- lu
jah
jah
jah
ev
er
more.
ev
er
·
lu
jah, Halle
lu
jah
or
ev -
er
er
more.
more.
1.C ye disconsolate!
more.
Jthe desolate,
1. He the bread of life

V. B. B
e messenge
HOW BEAUTIFUL IN ZION. (CONTINUED.)
Ritard A
307
1852
beautiful in Zi-on, Upon the mountain's brow, The coming of the messenger, To cheer the plains below. How beautiful in Zi-on, Upon the mountain's brow, The
e messenge
beautiful in
Ritard.
Zi-on, Upon the mountain's brow, The coming of the messenger, To cheer the plains below. How beautiful in Zi-on, Upon the mountain's brow, The
ทอ
he brings.
coming of the messenger To cheer the plains below. How beauti ful,
How beautiful in Zi-on.
he brings,
11113
more.
more
more
more
ন
How beautiful,
mp
Cres.
How beautiful,
How beautiful, To cheer the plains below.
Cres.
coming of the
messenger To cheer the plans below.
How beautiful,
How beautiful the coming of the messenger To cheer the plains below. How
How beau-ti - ful
CANANDAIGUA.
in
Zi
on,
The com ing of
-
sen -
ger,
the mes
G. L. W. CANANDAIGUA.
1. Come, ye disconsolate! where'er ye languish, Come to the mercy-seat, fervently kneel; Here bring your wounded hearts, here tell your anguish; Earth has no sorrow that heaven cannot heal.
2. Joy of the desolate, light of the straying, Hope of the pen-i-tent, fadeless and pure! Here speaks the Comforter, tenderly saying,-Earth has no sorrow that heaven cannot cure.
3. Here see the bread of life; see waters flowing Forth from the throne of God, pure from above: Come to the feast of love; come, ever knowing, Earth has no sorrow, but heaven can remove.

308
This may be omitted.
期
​HOW BEAUTIFUL IN ZION.
(CONCLUDED.)
D. C. AL SEG.
FINE
Slow and Pathetic. *
The coming of the messenger, To cheer
the plains below, To cheer the plains below.
AI GRO.
Great is e Lord, and
gr
FINE.
D. C. AL SEG.
beautiful in Zi-on, How beau-ti
How beautiful in Zi
ful
To cheer the plains below, To cheer the plains below. ( O listen to the heavenly voice, that speaks to you to-day,
Ye guilty and ye careless ones, Now hearken and obey.
}
on,
Great is e Lord, and g
* May be sung as a Soprano, Solo, or as a Quartette, or in Chorus. In either case let it be in a tender and subdued tone of voice.
WORDS BY Hannah E. Bradbury, BANGOR, ME. IT IS I, BE NOT AFRAID.
2
1. Brother, on the troubled deep, When the wild winds round you sweep, And the waves in madness leap, Listen, 'tis the voice that said
2. When the storm has died away, And the sun with cheering ray,. Now illumes your prosperous way, Trust, oh, trust in Him who said
L
"It is I, be not afraid, It is I, be not afraid."
"It is I, be not afraid, It is I, be not afraid."
3. Brother, far away from home, Restless as the wave's light foam, When temptations round you come, Pray for strength to Him who said "It is I, be not afraid, It is I, be not, &c
4. Brother, when death draweth near, And your spirit shrinks in fear From its portals damp and drear, Trust your soul to Him who said-"It is I, be not afraid. It is I, be not, &c.
WORDS BY Rev. Charles Beecher.
THERE'S REST IN THE GRAVE.
5s.
1. There's rest in the grave, Life's toils are all past, Night cometh at last: How calmly I rest In the sleep of the blest, Nor hear life's storm rave O'er my green, grassy grave.
2. No rest in the grave-Heaven's dawn purples fast, Morn's splendors are cast Like shafts thro' the gloom Of the dark, silent tomb; Heaven's fair bowers wave-No rest in the grave
Arise from the grave! Heaven's bright, burning throng Come rushing along; They gird me about, And triumphant shout, As myriad palms wave,
Ascend from the grave."
3.
PP
God, I e city of
10 t Al-might-y
20 e thou living

ALLEGRO.
GREAT IS THE LORD. Anthem.
ALTERED FROM Dr. Calcott. 309
Great is the Lord, and greatly to be praised, and greatly to be praised, and great-ly to be praised,
SOLI.
D. C. AL
4-
D. C. AL
3
04
day,
bey.
e not afri
e not afra
, be not,
be not
f. Great is the Lord, and greatly to be praised, and greatly to be praised, and great-ly to be prais-ed,
God, In the city of our God, In the mountain of his ho-liness, In the mountain of his ho-li-ness.
CORNET.
CHORUS. f
Great..
In the city of our
is the
Great is the Lord, and greatly to be praised,
ARR. FROM A WESTERN MELODY.
assy gra
64.
the gra
1. 0 thou Al-might-y
Father, Come help me
now
the gra
2. O come, thou living Saviour, Come help me now
to love thee tru
to praise thy glo- ry: Me-thinks I
ly: Me-thinks I
hear
hear
the
the
trum-pet sound Be - fore
Be
fore
trum-pet sound
the break
the break
of
of
0:4

510
Lord,..
GREAT IS THE LORD. (CONTINUED.)
and greatly to be prais-ed, In the city of our God, In the city of our God, In the mountain of his holiness, In the
Great is the Lord, and greatly to be prais-ed,
mountain of his ho- li-ness:
7
CHORUS. f
Great is the Lord, and greatly to be prais-ed,
2
-6.
di-ty of God, In
city of ar God, In
Great is the Lord, and great-ly to be prais-ed, In the
great-ly
be prais
Great is the Lord, and greatly to be prais-ed, Great is the Lord, and great-ly to be prais-ed, In the
CORNET. CONCLUDED.
UNISON.
day, Oh,
day, Oh,
had I
had I
the wings of
the wings of
the morn-ing, I'd fly a-way
to Canaan's shore, Bright an-gels should con-vey me home To the New Je- ru-sa- lem.
the morn-ing, &c.
great-ly
be prais
1. Hail, sov're love, that for
1A-gainst t God that rule

liness, In th
GREAT IS THE LORD.
Soli.
(CONCLUDED.)
Chorus.
3IL
city of our God, In the city of our God, In the mountain of his ho-li ness, In the mountain of his ho-li-ness.
Great is the Lord, and
city of our God, In the city of our God, In the mountain of his ho-li-ness, In the mountain of his ho-li-ness.
Great is the Lord, and
-ed, In th
great-ly to be prais-ed, In the city of our God, In the mountain of his ho - li- ness.
A-men,
Amen.
-ed, In th
great-ly to be prais-ed, In the city
of our God, In the mountain of his ho - li- ness.
Amen,
Amen.
UNISON
ru-sa-lem
HIDING-PLACE. L. M.
"
SPIRITUAL SONGS."
1. Hail, sov'reign love, that formed the plan, To save rebellious, sinful man; Hail, matchless, free, eternal grace, That gave my soul a hiding-place, That gave my soul a hiding-place.
hiding-place.
2. Against the God that rules the sky, I fought, with weapons lifted high, I mad-ly ran the sin-ful race, Re-gardless of a hid-ing-place, Regardless of a

312
WAKE THE SONG OF JUBILEE.
Chorus.
FROM "PSALMISTA." W. B. B.
Let it from shore to si
Wake the song, the song of ju-bi-lee, Let it ech-o o'er the sea; Now hath come the promised hour, Jesus reigns with sovereign power, Wake the
song,
the
song of ju-bi-lee,
4
4
Let it from shore to s
f
Wake the song, the song of ju-bi-lee, Let it ech-o o'er the sea; Now hath come the promised hour, Jesus reigns with sovereign power, Wake the song, the song of ju-bi-lee,
04
54
Let it s from shore to s
1
Let it so from shore to
Let it ech - o
o'er the sea; Wake the
song
song, the of ju- bi-lee, Let it ech-o
o'er the sea.
All ye na-tions join and sing Christ of lords and kings is King:
Let it so from shore to s
Let it ech - 0
o'er the sea; Wake the
song, the song
of ju- bi-lee, Let it ech - o
o'er the sea.
All ye na-tions join and sing
230
MISSIONARY HYMN.
7s & 6s.
Christ of lords and kings is King;
L. Mason.
Wund
om shore to sho
4
1. From Greenland's icy mountains,
2. What though the spicy breezes
From In-dia's co-ral strand, Where Af-ric's sun-ny fountains
Blow soft o'er Ceylon's isle, Though every prospect pleases,
Roll down their golden sand; From many an ancient river,
And only man is vile? In vain, with lavish kindness,
From a palmy plain
gifts of (are strown; Th
80

WAKE THE SONG. (CONTINUED.) NAW
B.B.
Let it sound from shore to shore, Jesus reigns for ev-er- more,
g of ju-bi-
Let it sound from shore to shore,
313
Jesus reigns for -ever more. Let it sound from shore to shore, Jesus reigns for - ev - er - more;
Jesus reigns.... for
ever-more.
Let it sound from shore to shore, Jesus reigns for
- ev-er-more,
Jesus reigns for
-ever more. Let it sound from shore to shore, Jesus reigns for - ev-er -
more;
of ju-bi-le
Let it
Let it sound from shore to shore,
Jesus reigns.... for
ever-more.
ings is Kin
Let it sound from shore to shore, Jesus reigns for ev-er-more.
Wake the song, the song of
ju-bi-lee, Let it ech-o
o'er the sea;
Wake the song,
wake the song of ju-bi lee, Let it echo
o'er the sea;
Wake the song,
the song of
ju-bi-lee, Let it
eeho
o'er the sea,
2
ngs is King
sound
on.
from shore to shore, Jesus reigns
(10)
river,
indness,
song,
for ever-more. Wake the song, wake the
MISSIONARY HYMN.
From many a palmy plain, They call us to de- liv-er Their land from error's chain.
The gifts of God are strown; The heathen, in his blindness, Bows down to wood and stone.
(CONCLUDED.)
Shall we, whose souls are lighted
By wisdom from on high-
Shall we, to man benighted,
The lamp of life deny?
Salvation!ob, salvation!
The joyful sound proclaim,
Till earth's remotest nation
Has learnt Messiah's name.
Let it echo o'er the sea,
4.
Waft-waft, ye winds, his story;
And you, ye waters, roll,
Till, like a sea of glory,
It spreads from pole to pole;
Till o'er our ransomed nature,
The Lamb for sinners slain,
Redeemer, King, Creator,
Returns in bliss to reign.

314
Wake the
song,
WAKE THE SONG OF JUBILEE.
the
song of ju- bi-lee, Let it ech-o
o'er the
sea.
TOR-15
(CONTINUED.)
Now the desert lands re-joice, And the islands join their voice; Yea, the whole creation sings
Let it eeh-o o'er the sea.
Now the desert lands re-joice, And the islands join their voice; Yea, the whole creation sings
Wake theng, the song of
pp
Wake the g, the song of
Je-sus is the King of kings; Yea, the whole creation sings,
Je-sus is the King of kings. Wake the song, the song of ju-bi-lee, Let it ech-o o'er the sea.
ech-o,
Let it ech
Je-sus is the King of kings; Yea, the whole creation sings,
Je sus is the King of kings. Wake the song, the song of ju- bi-lee, Let it ech-o o'er the sea.
Let ech-o
ech-0,
Let it ech
200
the King of kings.
I'LL WASH MY HANDS IN INNOCENCY.
Jesus is
Chorus.*
(OPENING PIECE.)
Let ch-o
Chapple.
f
p
P
I'll
wash my hands in in no-cen-cy, I'll
wash
my hands in
in
no-cen-cy
O Lord,
O Lord, and
so will I go,
go, and
The Base and Soprano may be sung first as a Duet.

Wake the
hole creation si
pp
ole creation sit
song,
WAKE THE SONG OF JUBILEE.
(CONCLUDED.)
the song of ju- bi-lee, Let it ech-o o'er the sea,
دار
Wake the song,
the
song of ju- bi-lee, Let it ech-o o'er the sea,
315
Let it ech-o
o'er the sea,
Let it ech - 0.
Let it
+
Let it ech-o,
Let it ech-0
o'er the
sea,
Let it ech-o,
2
H
Let it ech-
- 0,
Let it ech-o,
ech-o
o'er the sea,
Let it echo,
Let it
2
Let it ech-o o'er the sea,
o'er the sea
ech-o,
Let it echo o'er the sea,
Let it ech-o, Let it ech - o
o'er
the
sea,
Let it ech-o, Let it ech-o
C
Let it ech-0
ADAGIO.
O
o'er the sea.
Let it ech-0
o'er
the
sea,
Let it echo, Let it ech-o,
Let it ech-o o'er the sea, Let it ech - 0.
Let it ech-o
o'er the sea.
o'er the sea
ech-0,
Let it ech-o o'er the
sea,
Let it echo o'er the sea,
Let it ech-0
o'er the
sea,
Chapple.
o'er the
sea,
I'LL WASH MY HANDS IN INNOCENCY.
(CONCLUDED.)
de
o'er the sea.
ヤド
​o'er the sea.
I go,
SO
will I
go, and
so will I g
go
to thine al
tar, and
So will I go,
SO
will I
go, and
SO
will I go
to thine al
tar.
59

316
SLOW, SOFT, and EXPRESSIVE.
WHEN THE WORN SPIRIT.
RIT.
FROM "THE CHORALIST." W. B. B.
When the worn spirit wants
re
-
pose, And sighs her God to seek, How sweet to hail the evening's close, That ends the wea-ry week! How
When first
When first
m
53
4
When the worn spirit wants
re- pose, And sighs her God to seek, How sweet to hail the evening's close, That ends the wea-ry week! How
When
4
Ritard.
Moderately Quick, with Energy.
C
CHORUS or QU
sweet to hail the evening's close,
That ends the
wea
ry week!:
How sweet
to hail the
early dawn, That opens
on
the
8 day! thine hours
sha
mf
Cres.
sweet to hail the evening's close,
That ends the
wea -
ry week!
How sweet
to
hail the
early dawn, That o- pens on the
Sday! thine hours
+
700
85
sweet to hail
the
LAMB.
evening's close,....
8, 3s & 6.
How sweet to hail, &c.
(8,33,6.)
WORDS BY T. Hastings. MUSIC BY W. B. B.
III
2.
While the storm of life is lowering,
Night and day,
1. Alas poor and little
Whe the strength that
1. Shepherd, while thy flock are feed ing, Take these lambs In thine arms. Now for shelter
4
64
·
50
pleading.
Beasts of prey
Are lurking and devouring.
3.
Shepherd, every grace combining,
Keep these lambs
In thy arms,
On thy breast reclining.

B.
WHEN THE WORN SPIRIT.
(CONTINUED.)
317
sight, When first
that soul
-
re-
viv - ing morn Sheds forth.... new rays...... of light,
Sheds forth new rays
of
light...
....
week! How
sight, When first
that soul
reviving morn
Sheds forth
m
Cres.
new rays
Cres.
of
light,
Sheds forth new rays of
light.
ff
week! How
sight,
When first that soul
C
ens on the
reviving morn Sheds forth.... new rays...... of light, ............ Sheds forth new rays of 1 light.
SEMI-CHORUS or QUARTETTE. Slow and Gentle.
DUET.
Sweet day! thine hours too soon will cease; Yet, while they gently roll, Breathe, heavenly Spirit, source of peace, A Sabbath to my soul. Sweet day, thine hours too
p
Cres.
Dim. Ritard.
Sweet day! thine hours too soon will cease; Yet, while they gently roll, Breathe, heavenly Spirit, source of peace, A Sabbath to my soul. Sweet day, thine hours too
O
ens on the
RIVER. 8s & 4s.
lowering
ing.
1. Alas! how poor and little worth Are all those glittering toys of earth That lure us here! Dreams of a sleep that death must break, Alas! before it bids us wake, They disappear.
2. Where is the strength that spurns decay, The step that rolled so light and gay, The heart's blithe tone? The strength is gone, the step is slow, And joy grows weariness and woe,
[When age comes on.
bining,

318
3
(WHEN THE WORN SPIRIT. (CONCLUDED.)
CHORUS. Tempo primo.
E
ALL RO MAESTOSO
soon will coase; Yet, while they gently roll, Breathe, heavenly Spirit, souree of peace, A Sab-bath
to
my
soul.
When will my pilgrim-age, be done, The
Lou aro' the world
DR
Lou aro' the world
soon will cease; Yet, while they gently roll, Breathe, heavenly Spirit, source of peace, A Sab-bath
to my
soul.
When will my pilgrim-age be done, The
Lot bro' the world
جدا
world's long week be o'er, That Sabbath dawn, which needs no sun, That day, which fades no more, That Sabbath dawn, which needs no sun, That day, which fades no more?
ho h's high-est
Ritard.
world's long week be o'er, That Sabbath dawn, which needs no sun, That day, which fades no more, That Sabbath dawn, which needs no sun, That day, which fades no more?
ho h's high-est
Jesus lives! Jesus lives!
JESUS LIVES!
Hymn Chant.
2.
No longer now,
Jesus lives! and well
Better life will
can thy terrors, pall me;
Death, ap
know from the
dead he will re
call
me;
then commence,
be my confidence.
8.
This shall
Jesus lives! I know full well,
Nought from him my heart oan | sever;
Life nor death, nor powers of hell,
Joy nor grief, henceforth, for ever:
God will power and grace dispense,
This shall be my confidence.
Jesus lives! | henceforth is death
Entrance into life im | mortal;
Calmly I can yield my breath,
Fearless tread the frowning | portal;
Thou, when faileth flesh and sense,
Lord, wilt be my confidence.
8
1. Wilence only as t
2 Ye uld we say wha
8. Nc on us or ours t
4. Go ls our loved one
10

ALLEGRO MAESTOSO,
LOUD THROUGH THE WORLD PROCLAIM. Motett.
8:
FROM "THE HALLELUJAH" 319
be done, The
f
-
Loud thro' the world pro-claim Je ho
-
vah's high- est
prais-es,
Jehovah's high-est prais
es, high est
-
praises, Je-
7
Loud thro' the world pro-claim Je ho
f-
-
vah's high-est
prais-es,
Jehovah's high-est
prais
S
es,
Je ho-val's highest praises,
be done, The
Loud thro' the world pro-claim Je
-
-
ho vah's high-est
prais es,
Jehovah's high-est prais
es, Je ho
vah's high
est praises, Je -
Jehovah's highest prais -
es,
P
22
des no more
ho
vah's highest prais-es,
Bow-ing low at
his throne, with the an -
gels a
-
dore, Bow-ing low
at
his throne, with the an
-
gels a dore;
-
-e
رار
65
des no more!
ho
vah's highest prais-es,
Bow-ing low at
his throne, with the an-
gels - dore, Bow-ing low
at
his throne, with the an
gels a-
dore;
ĉ
1 well,
can sever;
ers of hell,
For ever:
e dispense,
dence.
is death
al;
eath,
portal;
nd sense,
1. With silence only as their bene
2. Yet would we say what every heart ap-
3. Not upon us or ours the solemn...
4. God calls our loved ones, but we lose not
ANGEL'S VISITS.
d/8
diction God's | angels..
pro veth, Our
an
-
gel hath
whol-ly What
Fa- ther's
0--
vil
come;.
will,.
He has
wrought;.
given;
O
Chant.
Where in the shadow of a great af
Calling to him the dear ones whom he.
The funeral anthem is a glad e
They live on earth in tho't and deed, as
soul sits
-
cy
8
dumb.
still.
fliction The..
lov eth, Is mer
van gel; The good die
-
tru
-
ly 23
in
his
not.
heaven.
dence.

€320 T-
LOUD THROUGH THE WORLD PROCLAIM.T (CONTINUED.) OTSA
to
L
For he
liveth and reigneth for
ey
er and
ever.
Re-joice, rejoice,
rejoice and praise his name,
Rejoice,
name,
Re-joice,
re-
re
Rejoice,
re- joice,
rejoice and praise his name, Re- joice,..... Re-joice,
Dame, Rece,
re-joice,
For
he
liveth and reigneth for
ev
er and
ever.
Rejoice,
re-joice,
and praise
his name,
Re-joice, re
name,
Rejoice,
re-
B
For
he
liv
eth and
reign-eth for ev - er and ever,
f
joice,
and praise his name.
Loud thro' the world pro-claim Je - ho
vah's highest
praises-
Re-joice, re-joice,
and praise his
Re-joice, and praise
his
name,
SOLO.
Re-joice,
name,
Re-joice,
re-joice, and praise
his name.
re-joice, and praise
his
Holir becometh thy hous
joice,
and praise
his name.
Loud thro' the world pro-claim Je ho
-
vah's highest
praises- Rejoice,
rejoice,
and praise
his
Re-joice
re-joice, and praise his
re-joice, and praise
his
name.
"MORE SWEET THAN ODORS."
Charity Chant.
More sweet than odors which at
morn Are wafted
thro' the sky,{
Soars charity's pure incense, borne
From earth to.
Him on high. A
men.
2. It can the woes of others cure,
And bring its own re-
|ward;
For what we give unto the poor,
We lend un- to the | Lord.
3. When God looks from his throne above,
No sight his eye can | sean
So pleasing as the deed of love,
Which binds man | more to | man.
4. And angels, when they dwell secure,
Those deeds with | joy re- | cord;!
For what we give unto the poor,
We lend un- to the | Lord. A- | men
-
Day of w that day of burning
Allsball to ashes turning, A
fire-told 1
Trumpet- tered sound of wor
der, Renc sepulchres asunder
Shall resi s
(JUB -21)

LOUD THROUGH THE WORLD PROCLAIM.
(CONCLUDED.;
321
L. C. S:
OSMA
f CHORUS.
joice,
name, Rejoice,
rejoice, and praise his name.
Loua thro' the world proclaim Je
ho
vah's praises,
Je
re
Re-joice
name, Re-joice,
re-joice, re-joice, and praise
his name.
Loud thro' the world proclaim Je
f CHORUS.
-
ho
vah's praises,
Je-ho- vah's highest
D. c. 8:
2
F
oice,
re
name,
Rejoice,
re-
and praise
joice,
his
proclaim Je
hovah's praises,
Jehovah's highest
name.
f CHORUS.
Re-joice
ise his
D
ise
his
ise
his
ise his
above,
are,
dif
A- men
name,
Re-joice,
re-joice, and praise his name. Loud thro' the world proclaim,
HOLINESS BECOMETH THY HOUSE.
-
pro claim Je
-
ho
vah's praises.
Opening Piece.
Holiness becometh thy house, Holi-ness becometh thy house, O Lord, for ever, O Lord, for ever; Holiness becometh thine house, O Lord, for ever and ev-er.
DAY OF WRATH. Chant.
8
SO! what fear it shall engender
When the Judge shall come Strict to mark and
in splendor.
just to
render.
All aghast then Death shall
thunder.
shiver, And great nature's When the graves their dead de- liv-er.
name shall quiver,.
a
S
Day of wrath,that day of burning,
1. All shall melt to ashes turning, All seers dis- cerning.
fore-told by.
Trumpet-scattered sound of won-
2. der, Rending sepulchres asunder, summons
Shall resistless
e
(JUBILEE-21)
A
- men.
3. Think, O Jesus, for what reason,
Thou endured'st earth's spite and treaon,
Nor me lose in that dread | season.
Seeking me thy worn feet hasted,
On the cross thy soul death tasted, ]
Let such labor not be wasted.
4. I beseech thee, prostrate lying,
Heart as ashes, contrite, sighing,
Care for me when I am dying.
On that awful day of wailing,
When man rising, stands before thee,
Spare the culprit, | God of | glory!

322
MAESTOSO.
4
AWAKE! PUT ON THY STRENGTH. Anthem. Is. li. 9, 11.
Wm. B. Bradbury.
FROM "THE MENDELSSOHN COLL."
A-wake! a-wake! put on thy strength, O arm of the Lord; A-wake! as in the ancient days; a-wake! as in the gen-er
a-tions of old; A-wake! as in the an-cient
com
come an with singing,
40
20-42
A-wake! a-wake! put on thy strength, O arm of the Lord; A-wake! as in the ancient days; a-wake! as in the gen-er
240
a-tions of old; A-wake! as in the an-cient
come a with singing,
m
20
days; a-wake! as in the gen-er
a-tions of
old.
Therefore the redeem-ed of the Lord shall re-turn, and come again with singing, with singing unte Zi-on, shall
m
be up-ceir heads:
14
_m
days; a-wake! as in the gen-er
a-tions of
old.
Therefore the redeem-ed of the Lord shall re-turn, and come again with singing, with singing unto Zi-on, shall
m
1. Into the silent land! Ah! who shall lead us thither?
2. In-to the silent land! To you, ye boundless regions
THE SILENT LAND.
Chant.
Clouds in the evening sky more darkly
1
gather, And shattered wrecks lie thicker on the strand! Who leads us with a gentle hand,
Of all perfection! tender morning,
3. O land! O si-lent land! For all the broken-hearted,
visions, Of beauteous souls! eterni-ty's own band! Who in life's battle firm doth stand,
The mildest herald by our fate al-
lotted, Beckons, and with inverted j torch doth stand, To lead us, with a gentle hand,
S Whither? O, thither,
Into the....
Shall bear hope's ten-
der blossoms, Into the
(Into the land of the great
departed, Into the.....
Or thus:
heads
be up-o eir heads:
be upor ir heals: Sorrow
silent land. silent land.
silent land. silent land.
the cross tation
silent land. silent land.
keeping, d the mother
mournful
Oh, how sa
sore
distre Was highly
that ner,

- Bradbury
MENDELSSOHN CO
AWAKE! PUT ON THY STRENGTH!
(CONTINUED.)
323
in the an-cie
come.
with singing un- to
Zi-on, and ev - er-lasting joy shall be upon their heads,.
ev-er-lasting joy...
shall
come a-gain with singing, with sing - ing un-to
Zi-on; and ever-last-ing joy
shall
be up- on their heads,
ev-er-lasting joy shall be
upon their
in the an-cie
come a-gain with singing, with sing - ing un-to
Zi-on; and ever-last-ing joy
shall
be up-on their heads,
ever-lasting joy
shall
their heads, ever-lasting joy......
shall
ng unte Zi-on,
be
up-on
their heads:
Sorrow and mourning shall flee
A
-
way;
sorrow and mourning shall flee
a -
way;
ev-er-last-ing joy..
shall
heads;.
Sor-row and mourning shall flee a way, sorrow and
-
mourn
ing shall flee
a-
- way;
50
ev-er-last-ing joy
f
shall
ev-er-last-ing joy
shall
gunto Zi-on,
be up-on their heads:
Sorrow and mourning shall flee
a -
way,
sorrow and mourning shall fle a -
way;
be upon their heals: Sorrow and mourn
Or thus
ing shall flee
AT THE
2 -
way, sorrow and
mourn
CROSS."
02
ing shall flee
away; ever-lasting joy......
shall be up-
Chant.
र
12212
Let me mingle tears with thee.
Mourning Him who mourned for me,
All the days that I may | live ;
By the cross with Him to stay,
There with thee to | weep and I pray,
Is all I ask of Christ to give.
4.
Christ, when thou shalt call me hence
Be thou only my de- | fense, Il
Be thy cross my victory;
While my body here decays,
May my soul thy goodness | praise
Safe in paradise with thee.
t land silent land
and. silent lan
land. silent lan
At the cross her station
keeping, Stood the
mournful
Oh, how sad and sore
distressed, Was
that mother,
highly blest, Of the sole-begotten One!
mother
weep- Close to Jesus to the last:
ing,
Thro' her heart, his
sorrow sharing, anguish bearing, Now at length the sword had passed.
And his bitter
Christ above in tor-
ment hangs, She holds the
beneath be
pangs
Of her dying,
glo-rious Son.

324
AWAKE! PUT ON THY STRENGTH.
(CONCLUDED.)
be up-on their heads,
ev-er-last-ing joy shall be up-on their heads;
sor-row and mourning shall flee
&
way,......
sor-row and
be up-on their heads,
ev-er-last-ing joy shall be up-on their heads, upon their heads;
sor-row and mourning shall flee
a way, a
way,..
be upon their heads, ev-erlasting
on
their heads,
བ
ERATO.
of my sal va
joy,...
sor-row and mourning sha'l flec a way,
sor-row and
Lof my salva
ev-er-last-ing joy....
shall
be up-on their heads;
10
0
mourning shall flee
a way,
sorrow and mourning shall flee away, flee a way,..
shall flee 2-
way,
sorrow and mourning shall flee
8- way.
داد
Lo of my salva
shall flee a- way,
sorrow and mourning shall flee a-way,
sorrow and mourning shall flee a
way,
sorrow and mourning shall flee
a-way.
mourning shall flee a
-
way,.
sorrow and mourning shall flee a -
way, shall flee a-
way..
Lof my salva
1. Behold the Lamb! be-hold the Lamb!
2. Behold the Lamb! be-hold the Lamb!
8. Behold the Lamb! be-hold the Lamb!
4. Behold the Lamb! be-hold the Lamb!
sor
row
shall flee
a-
BEHOLD THE LAMB.
O thou for sinners
Archangels-fold your
Drop down, ye glorious
All hail-Eternal
2
way, .
Chant No. 7.
slain: Let it not be in vain That
wings- Seraphs-hush all your strings Of
skies- He dies he dies-he dies For
Word! Thou universal Lord- Purge..
19 g 13
thou hast died:
mil-lion
man once
out our
lyres:
lost!
leaven:
Thee for Saviour let me take,..
my
The Victim, veiled on earth, in love-
Yet lo! he lives-he lives-he lives-
Clotho us with godliness and good,.
18
The ee alone my refug
enthroned-ad
Uny
And is church himself
Feed with thy celestial
-9-
LO
Ten the highest notes in
3

MODERATO.
Sor-row
Ө
way,.
Lord of my sal - va
m
LORD OF MY SALVATION.
De Monti.
325
-
tion,
Lord of
my sal
- va tion, Be
thou ev
-
er,
ev - er
near n.,
Lord of
my sal va
tion,
f
2
sor-row
Lord of my sal va
·
·
tion, Lord of my sal va
tion,
Be
thou ev
er.
ev - er
near me,
Lord of
my sal - va
tion,
0:2
2
FINE. P
flee a-wa
Lord of my sal va
tion,
Be
thou ev
er
near to
me,
Be.... thou ev
er
near
to
me.
Be near to
me,
flee a-wa
ميدية
2
FINE.
Ө
Lord of my sal va
tion,
Be
thou ev
·
er
near to me,
Be.... thou ev
er
near
to
me.
Be
near to
me,
鹽
​me take,..
rth, in love
-he lives-
and good,
Thee, thee alone my refuge make,
Unveiled enthroned-adored above-
And to his church himself he gives-In
Feed us with thy celestial food-..
BEHOLD THE LAMB!
Thy pierc-ed side.
All heaven admires !
nate.. Host!
car
Man
- na from
heaven!
(CONCLUDED.)
|: Behold the Lamb!:
Saints, wrapt in blissful | rest-1
Souls-waiting to be blest-
Oh! | Lord how long! I
Thou church on earth, o'erwhelmed with fears, |
Still in this vale of woe and tears, 1
Swell the full song.
8.
1: Behold the Lamb!:1
Worthy is he alone,
To sit upon the throne
Of God above! |
One with the Ancient of all days-|-
One with the Paraclete in praise-
All light-all | love!
1 Tenor sing the highest notes in the last strain, let the Alto also sing theirs, (A and F.)

326
LORD OF MY SALVATION.
be
near to
me,
thou Lord,.....
(CONTINUED.)
of my sal
va -
tion, be
thou
ev -
er
near to
me, thou
be
near to
me,
thou Lord of
my sal
va- tion, of my.....
in thee,
sal
va
tion, be.
thou
ev -- er
near.... to
me, thou
be
near to me,
thou Lord.
O
of
my sal
va -
tion, be
thou
ev -
er
near
to
me,
thou
Lord, be
ever
near,
be
near to
me,
thou Lord, be
ever
near,
be
near to
me;
Lord..
Lord, be
be
near to
me,
thou Lord,.
be
near to
me;
ever
near,
be
near to
me,
thou Lord, be
ever
near,
be
near to
me;
7
HALLELUJAH!
Chant No. 8.
RES
p
will trust
in
thee,
thou
near
will trust,
will trust
in
thee, will
me, be near
will trust
in
thee,
thou near
The kingdoms of this world are become the kingdoms of our
Lord and of his Christ, and he shall.
1. Hal
le
lu
jah!
For the Lord God Omnipotent..
reign-
-
eth.
2. Hal
-
le
lu - jah!
(We give thee thanks, O Lord God Al
mighty, who art, and wast, and..
Sart
LO
come.
King of..
}
for
ngs, and

me, the
LORD OF MY SALVATION.
will trust in
thee, will trust in
thee, will trust in thee;
(CONCLUDED.)
冠
​be
near to me,
327
trust in thee,
will trust.. in thee, will trust in
thee, will trust in thee;
Be thou near me,
be
near to
me,
Be
tnou
0
me, tho
me, tho
will trust in
d.
thee, will trust in
thee, will trust in thee;
2
f
be
near to me,
AD. C.
In thee,
Be
thou
near
to
me,
be
near
to me,
be near to
me, be
near.... to me,
be
near
to
me, be
near to
me.
+
n thee, wi
near me, be
near
to
me,
be
near
to
me,
be near
to
me,
be
near.... to
me,
be
near
to
me.
f
In thee,
Be
thou
near
to
me,
be
near
to
me,
be near
to
me, be
near.... to
be
me,
near
to
me, be
near to
me.
B
oms of our
HALLELUJAH!
CODA,
(CONCLUDED.)
reign
kings, and
for
and
ever
Lord of
ever.
IA
-
men,
Hal
-
lelujah,
lords.
e
men.
3.
Hallelujah! | Salvation to our God,
who sitteth upon the throne, and
unto the Lamb. | A- | men, Hal-
le- | lujah. Amen.
4.
Hallelujah! | Blessing, and glory,
and wisdom, and thanksgiving, and
honor, and power, and might. Do
unto our God for ever and ever

328
Ob 2
2062
BLESSED ARE THEY THAT MOURN.
Blessed are they that mourn, Blessed are they that mourn,
まま
​burn,
They shall be
com - fort ed.
And Je
sus
said: Blessed are they that mourn, Blessed are they that mourn; For they shall be com
m-fort-ed, For
forted,
Shall be
com
-
forted.
Ө
urn.
For they shall be comfort - ed.
For they
shall be
com-fort-ed,
They shall be com
fort
-
ed.
Blessed
are
they that
mourn,
that
Blessed
are they that
mourn,
10.
every heart
bids the sun to
For they
shall be
com
fort
·
ed.
Blessed
are they that
mourn,
For
they
shall be
O
com
fort
-
ed.
that
mourn
8s & 4s.
Or L. M.*
that
L. Mason.
For they
shall be com-forted,
they shall be
URMUND.
18 13
1. Hark! how the gos-pel trumpet sounds! Thro' all the world the e-cho bounds! And
2. Hail, Jesus! all vic-to-rious Lord! Be Thou by all mankind a - dored! For
#4
Jesus by redeeming blood, Is bringing sinners back to God, And
us didst Thou the fight maintain, And o'er our foes the victory gain, That
gui them safe-ly
Twith thee, mi
7744
.
By repeating half the last line.
4

fort-ed.
fort-ed.
BLESSED ARE THEY THAT MOURN. (CONCLUDED.)
mourn,
they shall be
com-fort-ed, they
shall be
eom -
forted,
they shall be com-fort-ed,
chey shall be
cora-
329
forted.
は
​com-fort-ed, For
they shall be
com-fort-ed, they
shall be
com
forted,
they shall be com-fort-ed, they shall be
com forted.
fort-ed.
mourn.
TRIO.
3
irn,
that
4
S
LET EVERY HEART.
Trio and Chorus.
Hastings.
1. Let every heart rejoice and sing, Let choral anthems rise; Ye rev'rend men and children, bring To God your sac-ri-fice; For he is good; the Lord is good, And
4
2. He bids the sun to rise and set, In heaven his power is known; And earth subdued to him shall yet Bow low before his throne; For he is good; the Lord is good, And
shall be
#4
that
.Mason.
God, And
gain, That
b3
48
SING PRAISE. 6s.
guides them safe-ly by his word To endless day.
we with thee, might ever reign In endless day.
1. Sing praise! the tomb is void Where the Redeemer lay; Sing of our bonds destroyed, Our darkness turn'd to day.
2. Weep for your dead no more; Friends, be of joyful cheer, Our Star moves on before, Our narrow path shines clear.
0:3

330
LET EVERY HEART. (CONCLUDED.)
CHORUS. Vivace.
kind are all his ways, With songs and honors sounding loud, The Lord Jehovah praise.
While the rocks and the rills,
And the vales
and the
hills, A
kind are all his ways, With songs and honors sounding loud, The Lord Jehovah praise. While the rocks and the rills,
And the vales
and the
hills,
When t
Wthe Lord shall buil
Withe Lord shall buil
When t
glorious
an
them raise, Let earth
·
pro long the grate
ful song, And the God
of our
fathers praise, And the God of our
fathers praise.
pe in his glory.
glo ry.
glorious
an
them raise, Let earth
pro-long
the grate
ful song, And the God of our
fathers praise, And the God of our fathers praise.
pe in his glory.
HAPPINESS. 6s and 9s.
(669, 669.)
WESTERN MELODY.
T and SLOW.
1. Oh! how happy are they, Who the Saviour obey, And have laid up their treasure above! Tongue can never express The sweet comfort and peace Of a soul in its ear-li-est love.
2. It was heaven below My Redeemer to know! And the angels could do nothing more, Than to fall at his feet, And the stor-y re-peat, And the Lover of sinners adore.
Ca hy burden on the

WHEN THE LORD SHALL BUILD UP ZION. Anthem.
J. Cole.
331
4
hills, A
When the Lord shall build up Zi - on, He shall ap-pear, shall ap-pear in his glo-ry,
in his glo
ry.
He shall ap-
O
When the Lord shall build up Zi
on,
He shall appear in his
glo
ry,
in his glo
ry, He shall appear in his glo- ry,
Ө
4
4
When the Lord shall build up Zi
on,
He shall ap-pear in his glory, his glo
ry, he shall ap-pear in his glo
ry,
He shall ap-pear
ills,
4
#4
O
When the Lord shall build up Zi - on,
SEMI-CHORUS.-Slow and Soft.
He shall ap-pear in his glo
·
ry,
in his glo
ry,
He shall ap-
athers praise.
pear in his glo
-
ry.
O pray for the peace, the peace of Je - ru-sa-lem, They shall prosper that love
thee.
Peace be within thy walls,
_mp
in his glo ry.
O pray for the peace, the peace of Je - ru-sa-lem, They shall prosper that love thee. Peace be within thy walls,
Peace be within thy
mp
p
200
thers praise.
pear in his glory.
O pray for the peace, the peace of Je - ru-sa-lem, They shall prosper that love
thee.
Peace be within thy walls,
mp
O
N MELODY.
SOFT and SLOW.
CAST THY BURDEN ON THE LORD.
Cast thy bur-den on the Lord,
Sentence.
-li-est love.
ers adore.
W. B. B.
f.
Cast thy burden on the Lord, Cast thy burden on the Lord, thy burden on the Lord, Cast thy burden on the Lord, And he will sustain thee,and strengthen thee,and comfort thee,
e
Hell
Hot
Cast
thy bur-den on the
Lord.......
Hotl
【

332
m
WHEN THE LORD SHALL BUILD UP ZION. (CONCLUDED)
f
CHORUS-Lively, Loud. m
CHORUS-Slow and Soft. Cres.
and plenteousness within thy pal - a-ces, and plenteousness with-in
thy pal a- ees.
Peace be within thy
walls,
Ө
walls,
and plenteousness within thy pal - a-ces, and plenteousness with-in thy pal - a - ces. Peace be within thy
mp
walls,
Cres.
Peace be within thy
m
e
Peace be within thy walls, with-in thy pal - a-ces, and plenteousness with-in thy pal
-a-ces.
Cres.
Peace be within thy
walls,
DDITION
ormer editions
popity of this Car
bas gested the pul
"EBR," "DANIEL
to rend to the repe
ther yes to our cho
AGRO MODERAT
Peace be within thy walls,
Peace, and plenteousness with-in thy pal a - ces, and plenteousness with-in thy pal a ces.
Amen.
Amen.
in the Lord, a
O
walls,
Ores.
Peace be within thy walls, and plenteousness with-in thy pal - á - ces, and plenteousness with-in thy pal - a- ces.
A- men.
A
- men
О
Peace be within thy
walls,
Peace, and plenteousness with-in thy pal - a - ces, and plenteousness with-in thy pal - a - ces.
A-
- men.
A-men.
O
and ver
CAST THY BURDEN ON THE LORD.
1ST TIME.
2D TIME.
m
(CONCLUDED.)
REPEAT PP
He will sustain thee, and comfort thee, He comfort thee;
888
He will sustain thee, He will comfort thee; Cast thy bur-den on the Lord, Cast thy burden on the Lord.
and ver
2

lls,
within thy
ADDITIONAL ANTHEMS, OPENING AND CLOSING PIECES, ETC.
IN former editions of THE JUBILEE, the Cantata of "ESTHER, THE BEAUTIFUL QUEEN," occupied the following forty pages. The
popularity of this Cantata as a concert piece, and the frequent requests that a collection of Cantatas might be issued in permanent form,
has suggested the publication of a "Book of Cantatas" for the use of Musical Societies, etc., consisting of the three following, viz.:
"ESTHER," "DANIEL," and "PILGRIM FATHERS." It being no longer necessary to republish "Esther" in The Jubilee, we are enabled
to respond to the repeated calls for more Anthems, and have filled the space with such (mostly quite new) as we believe will commend
themselves to our choirs and the musical public generally.
1600
"TRUST IN THE LORD, AND DO GOOD."
(OPENING OR CLOSING PIECE.)
ALLEGRO MODERATO.
4
ls,
4
and do good,
and do good,
So shalt thou dwell in the
land,.
4
4
So
shalt thou dwell in the
mf
Amen.
4
4
Trust in the Lord, and do
good, Trust in
the Lord, and do
good, So shalt thou dwell in the
land...
in the
Vom
don Hinde dont
176
Amen
0:4
4
and do good,
and do good,
-Hada
Amen.
So
shalt thou dwell in the land, shalt dwell in the
は
​ily,
verily, thou shalt
be
fed,
and ver
i-ly,
ver
- ly, thou shalt
be
fed.
O
REPEAT P
ま
​f land,
and ver
•
the Lord
land, and
ver
ily,
ver
ily,
thou shalt
be
fed,
and
ver
ly,
ver
ily thou shalt
be
fed.

334 ANDANTE
1ST TREBLE. Solo..
"LIFT THINE EYES TO THE MOUNTAINS."
79
p
TRIO AND CHORUS SELECTED FROM THE ORATORIO OF
ELIJAH.
VO
Mendelssohn.
4.
Lift thine eyes, O lift thine eyes
2D TREBLE. Solo.
ine eyes to
po
the
m
moun-tains, whence com-eth, whence com-eth, whence com
eth help,
the
mou
Thy help
(4
the mou
Lift thine eyes, O
ALTO. Solo.
lift thine
eyes
to
the moun-tains, whence com-eth, whence com eth, whence com
eth help, Thy help com
eth, com
eth
p
4
RUS
ALLEGR
Lift thine eyes, O lift thine eyes
to the moun-tains, whence com-eth, whence com- eth, whence com
eth
help,
Thy help com
eth
com
eth from
Cres.
the Lord,
the Ma
ker of heav
Dim.
earth,
en and
10
He
Cres.
hath said, thy
foot
shall not
be moved, Thy
pp
from
the
Lord,.
the
Ma
ker of heav
en and earth,
He
hath said,
thy foot shall not
be
mov
ed,
watching ov
from
the Lord,
the
Ma
ker
of heav
en
and earth, He hath said,
thy
foot shall not
be
mov
-
ed,
Cres.
keeper will nev-er slum
pp
ber,
nev-er, will never slum
Cres.
ber, never slum
Thy keeper will nev-er slum
ber
nev-er, will nev-er
slum
ber.
ber. Lift thine eyes, O lift thine eyes
Dim. p
Lift thine eyes, O lift thine eyes
He slum-bers no
He slu
Thy keeper will nev-er slum
ber,
never, will never
slum-ber, will nev
er
slum
ber. Lift thine eyes, O lift thine eyes
de
watching, slu

ohn.
Thy help
meth
om.
LIFT THINE EYES TO THE MOUNTAINS."
(CONTINUED.)
335
to
the
mountains, whence com - eth, whence com - eth, whence com
p
eth help,
whence com-eth, whence com-eth, whence com eth
sf
p
help.
to
the mountains, whence com-eth, whence com - eth, whenee com
eth help, whence com
eth, whence com-eth, whence com -
eth
help.
CHORUS. ALLEGRO MODERATO.
eth
4
4
ed, Thy
pp
He watching o
-
ver Is
ra - el,
slum-bers not nor sleeps, He watching o ver Is
ra -
ved,
He watching o
-
ver
·
Is ra el, slum-bers not nor sleeps,
He slumbers not
nor sleeps,
4
#4
ved,
Cres.
Cres.
p
He slum-bers not,
nor sleeps, He
slum-bers not
nor sleeps,
slum
bers not, He slum-bers not nor sleeps,
He
thine eyes
el,
He slum-bers not nor sleeps,
He watching o
ver Is
-
ra el,
slum
bers not, nor slumbers not nor sleeps,
He
thine eyes
He watching
ver Is ra - - el,
slum-bers not nor sleeps,
slum
-
bers not nor sleeps,
He
thine eyes
He watching, slum-bers not nor sleeps,
He slum
bers
not
nor sleeps,
slum
bers
not
nor sleeps,
He

336
pp
LIFT THINE EYES TO THE MOUNTAINS." (CONCLUDED.)
p
Cres.
slum
bers
sleeps not,
not,
He watch
ing.
slum
slumbers
not,
sleeps not,
He watch
·
ing
Is
rael, slum
slum
bers not,
sleeps not,
He watch ing Is
slum - bers
not,
MODERATO, Very Gentle.
ra - el, slum
Dim.
e
pp
NOTE. or short opening
ALLEGRO M
bers
not
nor sleeps.
O Lord, I
bers not
nor sleeps.
O Lord, I
Austan obers
not
nor sleeps.
sleeps not,
He
watch
ing Is
THE LOVE OF GOD.
ra - el
1 JOHN IV. 10 & 11.
slum
bers
not
nor sleeps.
O Lord, I
4
Here in is love,
Not that we loved God,
p
but that he loved us,
Cres.
f
And sent
mp
his Son, sent
Cres.
his Son to
Here in
-
is love,
Not that we loved God,
3
204
Here in is
love,
be the pro-pi-ti-a-tion for our sins.
but that he loved us,
And sent
his Son,
sent
his Son
to
2
th me, thin
Not that we lov-ed God,
but that he loved us,
And sent
his Son,
sent
his Son to
Be-loved, if God so loved us, We ought also to love one an-oth - er, We ought al-so to love one an-oth-er.
h me, thin
be the pro-pi-ti-a-tion for our sins.
Be-lov-ed, if God so loved us, We ought also to love one an-other, We ought al-so
to love one an-c
- other.
JUBILEE

337
CO LORD, I WILL PRAISE THEE." Anthem.
NOTE.-For short opening pieces, this Anthem may be divided, making two. In such case, sing for one, the music on this page only, closing with the first strain, "O Lord, I will praise thee." For
another, commence on page 838, "Lo! God is my salvation," and sing to the close.
ALLEGRO MODERATO.
A LITTLE SLOWER.
nor sleeps
•
f O Lord, I will praise thee, O Lord, I will praise
praise thee,
tari
at hom
I will praise thee.
Tho' thou wast an - gry, wast an
gry
nor sleeps.
A
f O Lord, I will praise thee, O
Lord,.
I
will praise
thec.
Tho' thou wast an -
gry, wast an
-
gry
nor sleeps.
6355
nor sleeps.
f O Lord, I will praise thee, O Lord, I will praise thee, I
will praise thee.
Tho' thou wast an -
gry, wast an
-
gry
23
s Son
to
Son to
3 Son to
n-oth-er.
1-other.
9:
with me, thine anger
Cres.
is turn-ed a-way, and thou comfortest me; Thine anger is turn-ed a-way, and thou comfortest me.
Dim.
Cres.
Dim.
with me, thine anger is turn-ed a-way, and thou comfortest me; Thine anger is turn-ed a-way, and thou comfortest me.
(JUBILEE-22)

338
ORIGINAL MOVEMENT,
"O LORD, I WILL PRAISE THEE."
no staom one
bag "nolluviaa yat bo
o
(CONTINUED.)
bably Bis. A
f Lo! God is my sal-va- tion, God is my sal-va-tion, I will trust,and not be afraid, I will trust,and not be a
Bis.
vah is
fraid.
vah is
onT
f Lo! God is my sal-va- tion, God is my sal-va-tion, I will trust and not be a-fraid,
vahis
I will trust and not be a-fraid.
9:
ff
For the Lord Je-ho-vah is my strength and my song, he al-so has become my sal - va tion.
u
jah
-
For the Lord Je-
ff
jah
For the Lord Je-ho-vah is my strength and my song, he also has be- come my sal - va- tion.
For the Lord Je-
jah
9:
hal-le-lu

"O LORD, I WILL PRAISE THEE." (CONCLUDED.)
339
-fraid.
ho
vah is
my strength and my song, he
al
SO
has become my sal
va- tion.
Hal-le lu
jah, hal le-
A
-
ho vah is
my strength and my song,
he
al
SO
has be
come my sal
va
tion.
Hal-le lu
jah, hal-le-
witho
vah is
a-fraid.
my strength and my song, he
al
SO
has be
come my sal
va
tion.
Hal-le lu
jah, hal-le-
9:
+
Hallelujah,
lu
Lord Je
jah, hal le lu
jah, Amen,
Hal le
lu
jah, halle
lu
jah, hallelu - jah, A
men.
A
6
lu jah, halle
-
lu .
jah,
Hal le
lu -
jah, hal le
lu
jah, hal-le- lu- jah,
A.
men.
Lord Je
9:
•
lu
jah, hallelu
jah, Amen,
Hal-le- lu
jah, hal-le
lu .
jah, hallelujah, A men.
hallelujah,
hal- le lu . jah,
hallelujah,
hallelujah,
·
A men, A. men.

340
4
93
"I WILL EXTOL THEE." Anthem.
ALLEGRO-Bold and Spirited.
_mf
I will ex - tol thee, my God, O King; I will ex- tol thee, my God, O King, and I will bless thy
・
mf
mf
e
I will ex - tol thee, my God, 0 King; I will ex- tol thee, my God, 0 King, and I will' bless thy
_mf
name for ev
Ө
Ev-ery day
-
er
and ev
er,
And I
will bless thy name for ev-er and ev
er.
eat is the
name for ev er
-
and ev
er,
And I will bless thy name for ever and ev
er.
at is the
9:
at is the

ess thy
ess thy
•
LamenoW oiau soll) 3 "I WILL EXTOL THEE." (CONCLUDED.) SON BUT
341
Ө
Every day will I bless
thee,
and I will praise thy name for ev-er and ev
er.
Ev-ery day I will bless
thee, and I will praise thy name for ev-er and ev
Ө
•
er
Ө
a
Great is the Lord,
and greatly to be praised, and his greatness is un- search
-
a- ble..
Ө
Cres.
PP
f
Dim.
p
Cres.
Dim. Ritard.
Great is the Lord,
and greatly to be praised, and his greatness is un- search
-
a - ble...
9.
Great is
the Lord, and greatly to be prais
ed.

342
Motet. (FOR PUBLIC WORSHIP.)
"THE LORD IS MERCIFUL AND GRACIOUS."
NOTE.-Where short opening pieces are desired, this Motet (extending to page 346) may be divided so as to make three such pieces;-one commencing here, and ending with page 343;-another commencing
on page 844 ("He hath not dealt with us," &c.), and ending on page 345, at the first double bar;-another commencing on page 845, first double bar, ("Like as a father,") and concluding on page 346
DOLCE e PIAN. Gentle, smooth, Soft
will not
4
will not
The Lord is mer
1
ci-ful, is mer - ei - ful and gracious, slow to
an -
ger, and plen-teous in mer
-
cy.
P
Dim.
P
or, a little the
will not
The Lord is mer
-
ci- ful, is mer - ci - ful and gracious, slow to
an
1
ger,
and plen-teous in mer
cy.
P
P
Cres.
ть
th
He will not
The Lord is
mer
-
ci-ful, is merci - ful and gra-cious, slow
to
anger, and plen-teous in
mercy.
le will not
bus bs - asiq ed
The Lord is
-
mer ci-ful, is merci - ful and gra-cious, slow
to
th
bai
an ger, and plen-teous in
-
mercy.
will no

ther commencing
g on page 346
"THE LORD IS MERCIFUL AND GRACIOUS." (CONTINUED.)
343
He will not al
ways chide, he will not always chide,
Neither will he keep his
TOI 2018 100 191
an
ger for ev
er.
mercy.
He will not always chide, he will not
al ways chide,
Neither will he keep his anger for ev
er.
mercy.
He will not al ways chide,.
9:
Tenor, a little the strongest here.
mercy.
He will not always chide,.
He will not always chide,
&
Neither will he keep
his
an
ger for ev
er.
Neither will he keep his an - ger
for ev
er.
Nei ther will he keep his an
ger for
ev -
er.
He will not always chide, he will not
al
ways chide,
Neither will he
keep his
an
ger for
ev
er.
er-cy.
He will not always chide, he will not
always chide,
Neither will he
keep his
an
-
ger for
ev
-
er.
9

344
"HE HATH NOT DEALT WITH US AFTER OUR SINS."
(THE LORD IS MERCIFUL-CONTINUED.)
He hath not dealt with us
after our sins, nor
re-ward-ed us
accord-ing to our in- i- qui- ties.
1h above th
He hath not dealt with us
after our sins, nor re-ward-ed us ac- cord-ing to our in
qui-ties.
1h above th
_mf_
As the heaven is
the Lor
As the heaven is
high above the
earth,
For as
the heaven is high
above the earth, a - bove
the
earth,
As the heaven is
high a
-
bove the
earth, above the earth,
as
the heaven is
the Lor

i-ties.
"LIKE AS A FATHER PITIETH HIS CHILDREN."
(THE LORD IS MERCIFUL-CONTINUED.)
345
PATHETIC-A little Slower and Softer.
us. Like as
a
father pit-i-eth his children,
OW
high above the earth, So far hath he remov-ed our transgressions from us.
i-ties.
high above the earth, So far hath he remov-ed our transgressions from us.
eil up dio
Like as
a father pit-i-eth his children,
19:
aven
BOI el 03 JET
arth,
So the Lord pit-i-eth them that fear him. Like as a father pit-i-eth his children, So the Lord pit-i-eth
3
3
ven is
So the Lord pit-i-eth them that fear him. Like as a a father pit-i-eth his children, So the Lord pit-i-eth
3

346
"LIKE AS A FATHER I PITIETH HIS CHILDREN."
(THE LORD IS MERCIFUL CONCLUDED.)
them that fear him. For he know-eth our frame, he know-eth our frame, he re-member-eth that we are dust.
P
PP
all up-on
call up-o
them that fear him. For he know-eth our frame, he know-eth our frame, he re-member-eth that we are
anotherоie29тgat) To bo-vomer od died at o2dine od
'dust.
vode, dich
9:
MODERATO.
"THE LORD IS NIGH." (FOR PUBLIC WORSHIP.)
-
to
4
ave them,
The Lord is nigh un-to all them that call up on him, To all that call upon him in truth, to all that
3
4
--The
The Lord is nigh un-to all them that call up on him, To all that call up on him in truth, to all that
upon
ave them,

st.
st.
9
b
"THE LORD IS NIGH."(CONCLUDED.)
FINE.
347
call up on him in truth. He will fulfill the de-sire of them that fear him; he also will hear their cry, and will
Cres.
FINE.
ま
​Dim.
call up on him in truth. He will fulfill the desire of them that fear him; he al- so will hear their cry, and will
D
D. C.
save them, He will fulfill the desire of them that fear him; he al- so will hear their cry, and will save them.
ll that
1 that
Cres.
Dim.
D. C
save them, He will ful-fill the desire of them that fear him; he al- so will hear their cry, and will save them.
03
YTY

348
BLESSED IS HE WHO COMETH."
Haydu.
ALLEGRO.
3
4
Bless-ed is
he
who cometh, who com
eth in
the name, in
the name of the
Lord,
Ho-san-na in the ligh-cst, in the
est, H n-na in the
3
04
3.
04
Bless-ed is
he
who com -
eth, who com eth in
the name, in
the name of the Lord, Ho-san-na in the high - est,
Ho-san
-
est, Hn-na in the
na in the
high
est,
Hosanna in the high-est,
Ho -san-na in
the
high
7
Ho-san-na in the high-est,
Ho-san na the high
est,
Ho-san-na
in the
high
Hosan-na in the high-ost, in the
high
est, Hosanna in the high - est,
Ho
san-na
in
the
high
high
est,
est.
Han-na in t
high st, Ho
Ho-san-na in the high-est,
Ho-san
na in the
high
Hn-na in th
"STAND UP FOR JESUS.""*
W. B. B.
1.
3.
Stand up for Je - sus! All who
2. Stand up for Jesus!
Yep of
Stand up
for Je sus! Lo! at
lead his host! Crowned with the splendors
every name! All one in prayer, and
God's right hand Je - - sus him-self for
O; b4
of the Ho
-
ly Ghost! Shrink from no foe,
all with praise a - flame! Forget the sad
de lights to stand! Let saints and sin
us
To
no tempt-a-tions yield,
es-trangement of the past,
ners won-der at his grace:
Dying charge of REV. DUDLEY A. TYNG.
Urge on the
With one
Let ws and
con-
4

Haydu.
-est. in the
est, Ho-san-na in the
highest,
-ns in the
Est,
"BLESSED IS HE WHO COMETH."
(CONCLUDED.)
in the high est, in the high - est, Ho-san-na in the high - est,
est, Ho-san-na in the high- est,
in the
high est, in the high est,
Ho-san-na in the high- est,
Ho-san-na in the high - est,
at
349
Ho-san-na in the
est,
Ho-san-na in the
highest,
in the highest, Ho-san-na in the high- est,
Ho-san-na in the
highest,
Ho-san-na in the high est,
in
the high
est,
Ho-san-na in the
high
est.
highest,
Ho
san
na
in
the high
est,
Ho-san-na in the high - est. in the
highest,
in the
high
est,
24-28079 Wont oil
i odi wab omoo Isda ell
2
Ho-san-na in the highest, in the
high
est,
Ho-san-na in the
high
est.
B. B.
"STAND UP FOR JESUS." (CONCLUDED.)
CHORUS.
tions yield,
f the past,
his grace:
Let Jews
and
Urge on the triumphs of this glorious field-
With one
con- sent in love and peace at
last-
Gentiles blend, and all our race-
fodil m
Stand up
for Je
sus! Stand up
for
Je
sus! Stand up
for Je
sus!
2

350
GENTLY--DOLCE & LEGATO.
SOLI.*
"HE SHALL COME DOWN LIKE RAIN."
He shall come down like rain
up-on
the mown grass, like rain
up- on
the mown grass, as
show-ers that
wa-
ter
3
4
Cres.
He shall come down like rain
up - on the mown grass, like rain up- on the mown grass, as show-ers that
9:23
water.
CHORUS.
MEZZO-FORTE.
water, that
-
wa ter the earth.
He shall come down like rain
up- on the mown grass, as show-ers that
water,
mf
(axauaozo), aueat, HOT 90 CVATA"
mp
water, that
water the earth.
bueta eus
He shall come down like rain up- on the mown grass, as show-ers that
9:
water,
*Or may be sang as an ALTO SOLO, the instrument playing the other parts as an accompaniment.

ers that
ers that
ers that
ers
(HE SHALL COME DOWN LIKE RAIN." (CONTINUED.)
351
water, that wa ter the earth. He shall come down like rain up-on the mown grass, As show-ers that
Cres.
wa
8
ff
Dim.
p
Cres.
ter, that water the earth. He shall come down like rain up-on the mown grass, As show-ers that
wa-
ter, that wa - ter the ear
earth,
As showers that water,
thatda water the earth.
Dim.
才
​that
b
no lleda
water, that
wa- ter
the earth,
As show-ers H that water,
that water the earth.
R.

352
"HE SHALL COME DOWN LIKE RAIN." (CONTINUED.)-
b
ALLEGRO MODERATO.-With Animation.
And in his days shall the righteous flourish, And his name shall en- dure, shall endure for ever,
me
9
b
Forte.
shall en-
78
-
And in his days shall the right - eous flourish, And his name shall en - dure, shall en
dure for
ever, His
lure,
His name shall en- dure
for ever,
His name shall en - dure for ev-er,
His
name shall en
-
dure,
His name shall en- dure,
b-b
His name shall en dure
-
for
ev - er,
His name shall en
-
dure
for
ever,
His name shall en-
me shall end
His
JUBILEE-23)

dinA "HE SHALL COME DOWN LIKE RAIN."
(CONCLUDED.)
Ө
- er,
name shall en-dure for ev - er,
His name shall endure for ever,
for
ev er and ev
-er, His
dure,
His name shall en -dure,
name shall en- dure
for
ev
er,
His name shall en -
- dure
for ev er,
for
ev er
and ev
Ө
His
er,
His name shall endure for ev
-
er, His name shall en - dure for ev
er..
shall en-
His
His name shall endure for ev
-
er,
His name shall en- dure for ev
er.
er,
(JUBILEE-23)
353

354
4
"GOD
ALLEGRO-MEZZO-FORTE.
WILL ARISE, AND HAVE MERCY ON ZION."
SUITABLE FOR DEDICATION, ORDINATION, OR FOR OPENING OR CLOSING PUBLIC WORSHIP.
Anthem.
God will
a -
rise, and
have mer cy
on
Zion,
ने
rise,
God will a
rise,
and have mer - cy
on
Zi - on,
4
God will a
God will a
rise,
a
rise, and have mer - cy
on
Zion,
For the time to
favor her,
9:3
+4
God will
a
rise,.
will
a -
rise, and
have mercy on
-
Zi on,
The set time is
come,
is
come,
.
Q
yea,
the set time is
come,
Ө
the set time is
come,
For the
rise,
The set time is
come, the set time is come.
God will
-
mer-
-cy,
hav
the set time is
come.
cy,
hav
is
come..
cy,
hav
D
time to
fa vor her, yea,
the set time is
come, the set time is
come, the set time is
come.
God will a-
mercy, hav

or her,
"GOD WILL ARISE." (CONTINUED.)
rise,
God will a
rise,
will
a
rise,.
God will
355
will a
rise, and have
a
rise,.
will
a- rise, and have mer - cy, have mer - cy
on Zi - on, have
mer-
a
rise,.
will a
1
rise, and have mer
-
cy,
have mer
e
cy
on
Zi
on,
have
mer-
For the
rise,
God will
a
rise,
will
a -
rise,.
100
will a
rise, and have
TOY
will-
mer- cy, have mer - cy
on
Zion,
For the time to fa
vor her, yea,
the set time is come, the set
time is
come,
cy,
have mercy
on
Zion, For the time
to
fa vor her, yea, the set time is
come.
For the
cy,
have mercy
on
Zion,
For the
will a
mer -
cy, have mercy on Zi - on,
yea, the
set time is
come, the set
time is

356
come,.
"GOD WILL ARISE."
(CONCLUDED.)
Ө
the set time is
come,
the set time is
come.
God will a
-
rise, and have mer -
cy
On
MAESTOSO.
b
raise and thank
time to
fa
- vor her, yea, the set time is come,
the set time is
come.
God will a
·
rise, and have mer - ey
on
time
to
fa -
- vor her, yea,
the set time is come,
the set time is
come.
God will a -
rise, and have mer cy
Hiw bob
女
​on
vad
come,
.
the set time is
come,
the set time is
come,.
and have mer - cy
on
aise and thank
od, un-to
Zion,
For the time to
fa
-
vor her, yea, the
set
time
is
come, the
set
time is
come,
is
come.
oda
Zion,
For the time
to
fa
vor
her, yea, the
set
time is
come, the
set
time is
come,
is
come.
Zion,
6
the set time is
come,
is
come.
od, un-to
Zion,
the set
time
is
come,.
the
set time is
come, the set time is
come
9:2

MAESTOSO.
"PRAISE AND THANKSGIVING." Anthem.
SOLI
Chr. H. Rink. 357
CHORUS
22 Ө
T-cy on
Praise and thanksgiving un-to our God, Praise and thanksgiving, Praise and thanksgiving un- to
our God, unto our
-cy
on
mf
ச
f
r-cy
bo
on
&
Praise and thanksgiving un- to
our God, Praise and thanksgiving, Praise and thanksgiving un- to
our God, unto our
r-cy on
94
Ө
ச
S come.
Ө
God, un to our God,
म
For he
is
-
mer-ci-ful, is mer-ci
-
mer-ci ful and gra-cious. Praise and thanksgiv-ing un-
18
come.
For he..
is
merci - ful,
mf
God, un-
to
our God,
For he
is
8
come.
9
19
come
f
mer-ci-ful, is mer-ci- ful and gra-cious. Praise and thanksgiv-ing un-
For he......
is
-
mer ci ful and gracious,
•

358
to
our
0
"PRAISE AND THANKSGIVING."
(CONTINUED.)
God, Wide, wide o'er earth and heaven, Wide, wide o'er earth and heaven his goodness reigns. Praise and thanksgiving un-
to
ஈ: 8
our God, Wide, wide o'er earth and heaven, Wide, wide o'er earth and heaven his good - ness reigns. Praise and thanksgiving un-
to
SOLI
CHORUS
Ө
a
our
God,
Let
us with thank-ful hearts rejoice before him,
And sing to God, sing to
God..
our
mf
p
SOLI
And sing
CHORUS.
to
God,
to
our God, Let I
us
with thank-ful heart rejoice before him, And sing
to
God, sing to God
mf
our
Ө
1699
od 201
And sing to
God,
11111
weet-est
$0
sweet- est so
If we confess
If we confes

6
iring un-
sweet - est
iving un-
9:
"PRAISE AND THANKSGIVING."
SOLI
(CONCLUDED.)
CHORUS.
songs of praise, Sing un- to Gods our sweetest songs of praise, Praise and thanksgiving un
SEL
359
to
our
For God.
p
Ө
5641
sweet
est songs of praise,
of praise, Sing unto 16-18
God our sweetest songs of praise, Praise and thanksgiving un to our
God.
od.. our
If we confess our sins,
od
our
p
If we confess our sins,
"IF WE CONFESS OUR SINS." Sentence.
(1 JOHN 1. 9.)
he is faithful, he is faithful, and just to forgive us our sins, and to cleanse us from all un-righteousness.
M J J J J J J J
mf
mp
Cres.
P
6
he is faithful, he is faithful, and just to forgive us our sins, and to cleanse us from all un- righteousness.
Ө Ө
Ө
od,
0

360
"BELOVED, IF OUR HEART CONDEMN US." Sentence. (FOR PUBLIC WORSHIP.)
MODERATO e PIANO.
94
6
Beloved, if our heart condemn us, God is
great-er than our heart, and know-eth all
things. Be-
ceive of hi
f
Beloved, if our heart condemn us, God is
great-er than our heart, and know-eth all
things. Be-
ceive of hi
Ө
•
evie au 2 W
loved, if
our heart condemn us not, then have we con- fi-dence t'ward God, and whatso - e'er we ask, we
re-
cause we ke
loved, if our heart condemn us not, then have we con- fi-dence t'ward God, and whatso - e'er we ask, we
re-
cause we ke
9:5
ச

"BELOVED, IF OUR HEART CONDEMN US." (CONCLUDED.)O
361
F
gs. Be-
ceive
of him, What-so-e'er we ask we receive of him, Be - cause we
keep his com-mand-ments, Be-
gs. Be-
9:3
す
​ceive of him, What-so-e'er we ask we receive of him, Be - cause we
keep his com-mand-ments, Be-
Dim.
we re-
cause
we keep his com-mand-ments,
And do those things that are pleas - ing
in
d his sight.
we re-
that are
pleasing in his
sight.
Cres.
ま
​cause
we keep his com-mand-ments,
And do those things that are pleas - ing
in .
his sight.
す
​
"TEACH ME THY WAY, O LORD. Anthem." (FOR OPENING OR CLOSING SERVICE.)
362
MODERATO.
DUET or TRIO.
CHORUS.
CHORUS.
Teach me, oo-o mid
Teach me,
ow das ow
CHORUS.
Sviss U-
truth,..
Teach me thy way,
0
Lord;
Teach me thy way, O
Lord, I will walk in thy truth, I will walk in thy truth. U-
nite my heart
4
9:3
94
Teach me thy way,00
Cres.
3643
3
O Lord;
Teach me thy way, O
Lord, I will walk in thy truth, I will walk in thy truth. U-
nite my heart
CHO.
CHO.
CHO
6
19:
Ө
Teach me,
Teach me,
truth, Unite
heart
to f
nite
my heart, to
fear thy name,
U
-nite
my o
heart to fear thy name.
aid I will walk in
thy
mp
.
nite
nite my heart to fear thy name, U nite....
Cres.
-
my
heart to
fear thy name.
I will walk in thy
mp
truth,
U-
my
heart
nite
my heart to fear thy name, Unite.
to f
my heart to fear thy name. I will walk in thy
truth,
U-
I will walk in thy

CHORUS
160 U-
truth,.
(TEACH ME THY WAY, O LORD." (CONTINUED.)
Cres.
Dim.
SEMI-CHORUS.
bo Unite my heart to fear thy name. I will walk in thy
*
-uth. U-
nite my heart, Unite my heart
to
Cres.
fear thy name.
Dim.
uth. U-
0
nite my heart, Unite
363
truth, United my
I will walk in thy truth,
brod
my
heart
to
fear thy name.
I will walk in
thy
truth, Unite
my
CHO
Ө
truth, Unite
my heart,
Unite my heart to
fear thy name.
heart to fear thy name, Unite
my
heart to fearthy
name.
in thy
*
I will walk in
P
thy
truth,
U nite
my
nite
TO
my
heart,
Fo
. - nite
my
heart to
fear
thy name.
will walk in
thy
truth,
Uite
my
U-
U-
thy
heart
to
fear thy name,
Unite my heart to
fear thy name.
will walk in thy truth,
U-
Ө
Ө
I will walk in
thy
truth, Unite
my
*Let the Alto in these responsive passages.be clear and distinct, but at the same time mach softer than the Soprano.

364
"TEACH ME THY WAY, O LORD."
ALLEGRO.
(CONTINUED.)
heart,
Unite
my heart to fear thy name. I will praise thee, O Lord, O
Lord my God, with all
my heart, with
aise thee, O Lo
heart,
u nite
w my heart to
fear
thy name. I will praise thee, O Lord, O Lord my God, with all
ச
my heart, with
ise thee, O Lord
nite
my heart, U-nite my heart to
fear
thy name. I will praise thee, O Lord, O Lord my God, with all my heart, with
ise thee, O Lord
heart, Unite
my heart to
fear
thy name.
பப
all
my heart.
I will praise thee, O Lord, O Lord, I will praise thee, and I will glo- ri fy thy name for ev - er more. I will
all
my heart. I will praise thee, O Lord, O Lord, I will praise thee, and I will glo- ri fy thy name for
-
ev - er more.
I will
2
all my heart. I will praise thee, O Lord, O Lord, I will praise thee, and I will glo- ri fy thy name for
-
9
ev - er more.
I will
Ө
aise thee, O Lo
ame
for -ev-er
ame for-ev-e
ame for-ev-e
I will

8.1 III TEACH ME THY WAY, O LORD."
(CONCLUDED.)**
R
heart, with
praise thee, O Lord, O
Lord,
I will praise thee, and I will glo-ri - fy thy name for
ev
er
-
305
more. I will glo-ri-fy thy
heart, with
praise thee, O Lord, And I will glo rify thy name,
for
ev - er more.
I will glo-ri fy thy
Ө
2
heart, with
ச
praise thee, O Lord, And I will glo-rify thy name,.
for
ev
er more.
I will glo-ri- fy thy
9:
praise thee, O Lord, O
Lord, I
will praise thee, and I will glo-rify thy name for
ev - er - more.
more. I will
-
-
name for ev er more, I will glo- ri - fy
I glo-ri-fy
thy name for ev
er-more, I will glo-ri-fy thy name for ev
er
more.
Lore.
ore.
I will
name for ever - more, I will glorify thy name for ev -
er - more, I will glo-ri-fy thy name for ev
er -
more.
name for ever more, I will glorify thy name for ev
-
ermore, I will glo ri- fy thy name for ev
- er
more.
I will
9
Ө

366
"BEHOLD, WHAT MANNER OF LOVE." Motet.
1 JOHN III. 1, 2, 3.
MODERATO.
g
8
-
Be hold, what man-ner of love,
Behold,
what man-ner
of love
the
Father hath bestowed up
on
us,
that
mp
Cres.
m
Father hat
Cres.
us,
on
Be hold,
what man-ner of love,
Behold,
what man-ner
of
love
the
Father hath bestowed up
on
us,
that
9
--olg w
0
Repeat-Tenor singing Soprano.
•
We
should be
call ed
the
sons
oms of God.o
Cres.
あり
​WC
should be call ed
-
the
sons
of
God.
•
Father hat
A
DISTINCT an
w I bas
Be
hold, what manner of love.....
the
There-fore
Be
-
what manner of
hold,
love
the
Father hath bestowed up-
There-fore
yday-in-olg lw I am-19
dt Behold, I what manner of love......
FOR MALE VOICES.
the
ANDANTE. PRAYER FOR OPENING OR CLOSING PUBLIC WORSHIP.
1ST TENOR OR ALTO.*
3
4
2D TENOR.
0 Lord, we are thy peo - ple.
1ST BASE.
call ed by thy name,
O
Lord, we are thy peo ple,
call ed
-
by thy
name.
We
hun-ble o
0:3
4
2D BASE.
An Octave below.

( BEHOLD, WHAT MANNER OF LOVE." (CONTINUED.)
HNTRAT 2271T A
us, that
Father hath bestowed up
-
on
us,
That
we........
should be
call
-
ed
the
sons.
m
Cres.
us, that
on
us,
Cres.
mf
That
we........
should be
the
call ed
sons..
of
God.
of
God.
Father hath bestowed up - on
us,
we should be called the sons
That
of
God,
that
we should be called the sons
of
God.
DISTINCT and EXPRESSIVE.
Ritard.
Con Espressione.
367
the
A
Therefore
the world know - eth us
not,
be
Cause
it knew him not,
it
knew
him
not,
it
knew
him not.
Inst.
bestowed up-
Therefore
the world know - eth us
not,
be
- cause
it knew him not,
it knew
him
not,
it
knew
him
not.
the
PRAYER.
thy face,..
(CONTINUED.)
1
1 2
We
humble ourselves before thee, We pray, and seek thy face, We seek thy face,
We seek thy
face,
We pray, and seek thy face.
face.

368
A LITTLE FASTER.
"BEHOLD, WHAT MANNER OF LOVE."
(CONTINUED.)
Be
- lov
-
ed,
NOW
are we the sons of God, the sons of God,
And it doth not
we shall see hi
yet ap pear,
-
what we shall be,
but we
ทอ Cres.
7.
Be-lov
ele
Cres.
Cres.
Dim.
mp
-
ed,
now
are we the sons of God, the sons of God,
And it doth not
yet ap- pear,
what we shall be,
but we
Two Tenors. Cres
know,
that when he shall appear,
We
know,
that when he shall ap- pear,
We shall be like bim,
We shall be like him,
for
we shall see
mp
Cres.
know,
that when he shall ap- pear,...
Cres.
that when he shall ap- pear,
We shall be like him,.
We know
that, &c.
PRAYER.
(CONTINUED.)
p
Cres.
f
Cres.
Ritard.
Dim.
we shall see hi
is,.......
Hear them in heaven, thy dwelling plaee, and when thou hear - est,
for give,
-
for give, And when thou hear - est,
for - give,
for-
For
give,
(JUBILEE-

TOASA o con aяOJ YIOMYJON Jon
66
BEHOLD,
Cres.
WHAT MANNER OF LOVE."
Cres.
(CONCLUDED.)
f
but we
we shall see him as
he
is......
but we
OFE
369
We shall see him as
Le is,.....
We shall be like
him,
for
We shall see him as
he
is,....
We shall be like him, we shall be like
him,
for
We shall see him as
he
is........
We shall be like him,.....
We shall see him as
he is,.
We shall see him as
he 1s,.
We shall see him as he
Two Tenors. Cres.
mf
f
Slower.
im, for
we shall see him as
be
is..
as
he is,....
We shall be like him,
we shall be like him, for
we shall see him as he is.....
d.
Dim.
give, for
we shall see him as
he
is, shall see him as he 18.
f
We, &c.
mf
We shall see him as
he is.....
We shall be like him, we shall be like him," for
we shall see him as
ke
is.....
is,.
for
we, &c.
PRAYER.
(CONCLUDED.)
For
Je-
sus sake,
-
give,
for
Je
Bus'
sake, for
Je
sus
sake,
for
Je
sus' sake.
men,
men.
(JUBILEE-24)

370
MODERATO
TENOR.
4
"HOLY, HOLY, HOLY LORD GOD OF SABAOTH,"
VOI
CT TO INIWAN TATTL
Fox Haydn's "THID MASS IN D
Ho
15......
no
ly,.
ALTO.
4
SUPRANO.
Ho
ly,.....
no
ly,....
BASE.
#4
PIANO OR ORGAN.
暮
​8VA.
551
f
ALLEGRO.
holy, holy Lord
God
of Sa-
ba-oth,
God of
Sa
ba - oth,
Sa-
ba-oth,
glo
O
sing
holy, holy Lord God
of Sa ba-oth,
God of
Sa
ba - oth,
glo
f
14
glory,
Ho-ly Lord God of
Sa
ba- oth.
Na-tions shall sing.
of thy glo
ry,
sing
of thy
盒
​f
113
f
14
glory,
Holy
Lord
God of
Sa -- ba - oth.
Na-tions shall sing..
of thy glo
f
313
Allegro.
glo
ry,
sing
of thy

IN D
glo
"HOLY, HOLY, HOLY LORD GOD OF SABAOTH." (CONTINUED.)
sing
of thy glory,
glo
glo
ry,
of thy
2
of thy
glory,
ry,
371
Na-tions shall sing of thy glory, thy glo
ry,
sing
of thy
ts
Na- tions shall sing of thy glory, shall sing of thy, &c.
sing
of thy glo
ry,
Nations shall sing of thy glo
ry,
sing
of thy
ry,
Na- tions shall sing of
thy glory, shall sing of thy, &c.
Ho-san-na
in the high
Ho-san-na in the high
est,
est,
2
Ho
Ho
-san-na in the
Ho-san-na in the high
est,
Ho-san-na in the high

372
high
HOLY, HOLY, HOLY LORD GOD OF SABAOTH." (CONCLUDED.)
est,
in
the
high
est,
820
na
in
the
high
est,
H
in the high
p
est,
in
the
p
est,
in
the
high
est,
in the high
est, Ho-san-na in the high
est,
in the
p
p
Ho-san-na in the high
8VA.
est,
high-
est, Ho-san-na in the
high
est, in the
high
£
high
est,
in
the
high
f
PED.
2
2
Ending as in the original.
Second Ending, altered from the original.
G
est.
BEST
bigh
est.
ने
PLCE E MOD
Yon spoti
The lili
to
life
low o'er
est, in the high
est.
high
est.
vio-
decked thy fa
Ho-san-na in the high
est, &c.

DOLCE E MODERATO.
THE MOTHER'S LAMENT. Song, with Chorus Responsc.
W. B. B. 313
in the
p
1. Yon spot in the churchyard, How sad is
2. The lilies bend meek-ly
Thy bo
som
the bloom That sum - mer flings round it,
In flowers and per-fume: It
21- bove, But thou wilt not pluck them, Sweet child of
my love: I
is thy dust, my darling, Gives
Bee.. the green wil-low Droop
6
04
t, in the
N
p
00
4
Rall. ad lib.
Tempo.
life
to
each
low
o'er
thy
rose;
bed,
'Tis be
But I
see
cause thou hast with ered, The
not the ring lets That
vi
O
decked thy
let
fair
head;
blows; 'Tis be -
But
I
cause
see
thou hast
the
not
withered,
ringlets
The
That
The original.
vi -
decked thy fair
0- let
blows..
head..
CHORUS.
let blows.
Tis because thou hast withered, The Vi
But I 630 not the ringlets That decked thy fair head.
#
बं
8.
I hear the bee humming
Around thy bright grave:
Can he deem death is hidden
Where sweet flow'rets wave?
From the white cloud above thee
The lark scatters song,
But I list for thy voice,
O, how long! O, how long!
Then come back, my darling,
And come back to-day,
For the soul of thy mother
Grows faint with delay.
The home of thy childhood
In order is set,
The couch and the chamber-
Why com'st thou not yet?
Dear child! thou wilt never
Return unto me,
But we part not for ever-
I go unto thee.
My Saviour stands smiling
With thee on his breast,
And in his compassion
My heart shall find rest.

374
THE BLIND ORPHAN GIRL.
WORDS BY Cornelia.
Song, with Melodeon Accompaniment.
COMPOSED AND RE-ARRANGED BY Wm. B. Bradbury.
OLDS BY J. T
RECITANDO.
1. They tell me the earth is most love-ly and fair, Be-decked with sweet blossoms that God hath placed there; O, would I could see then, tho' fleet-ing
2. I've a sweet little bro-ther, with heart full of
glee, Who lisps in my ear,.. dear sister Marie; I clasp his light form in my trembling em-
MELODEON ACCOMPANIMENT.-Play eight measures as a Prelude.
the
I met a child, hi
I saw a man in
I, "Poor boy, wh
stricken one," sai
view, Me thinks I
brace, And pray for
should ever re
one glimpse of his
tain their bright hue. Then the glori ous
dear, sunny
sun with his man-tle
of
face: I.... feel his soft
ring- lets float o - ver
my
gold, And the sweet, silvery moon that such
cheek, When
up to my neck he....
Rall.
A Tempo
-
beau-ty un fold, And the bright chain of
elimbeth to
stars
speak, With his soft little
8va.
Accelerando.
Rall. con Espress.
Tempo.
that round them are
arms round me lovingly
twined; O when shall I see them, I'm blind, O I'm blind; The bright chain of
twined;
He whis-pers, dear sister, are you blind, are you blind; With his soft lit-tle
Rell.
3
stars
arms
that round them are twinel; 0
round me lovingly twined; He
when shall I see them, I'm blind, O!....
whispers, dear sis-ter, are you blind, are.
I'm blind.
you blind?
NOTE. The small notes are chiefs for The send stanza.
ココ
​C
SOOTHINGLY,
Not frien
For-got
3.
My father, dear father, I loved so to greet;
And kind, gentle mother, whose voice was so sweet:
When they bore them away, and whispered, they 're dead,
I wept that my spirit with theirs had not fled:
And while o'er these idols the warm tears did start.
A voice whispered peace to the orphan's lone heart;
1: It breathed of a home where the lost I should find,
And murmur no more, I'm blind, O! I'm blind. :f
1
MODERATO
QUARTETTE or
por pp
Not friendless ch
for-got-ten?
saw a gentle mothe
As to her throbbin
linfant, seemingl
On its kind mothe
Fair one," said I, "
Sobbed she, "The i

NO TEARS IN HEAVEN.
Song, with Quartette or Chorus.
* 375
WORDS BY J. T. Swartz.
RECITANDO.
bure.
1. I met a child, his feet were bare, His weak frame | shiver'd with the cold: His
youthful brow was knit with care, His flashing..
2. I saw a man in life's gay noon, Stand weeping. o'er his young bride's bier; "And must we part," he cried, "so soon!" As down his
eye his sorrow told.
cheek there rolled a tear;
t-ing the
bling em
moon that such
meck he....
I, "Poor boy, why weepest thou?" "My parents both are dead," he said; "I have not where to lay my head; 0, I am lone and friendless now!"
-stricken one," said I," weep not !" "Weep not !" in accent wild, he cried, "But yesterday my loved one died. And shall she bo so soon forgot?"
tchain of
ft lit-tle
SOOTHINGLY.
R
Said
66 Heart-
Not friendless child; a Friend on high
For-got-ten? No! still let her love
For you his pre cious blood has given; Cheer up, and bid
Sustain thy heart, with an-guish riven; Strive thou to
each tear be dry--"There are no tears, no tears in heaven."
meet thy bride above, And dry your tears, your tears in heaven.
ट
MODERATO- In a subdued and soothing style.
QUARTETTE or CHORUS.
por pp
Not friendless child; a
no
Friend on high
For got-ten? No! still let her love
For you his precious blood has given; Cheer up, and bid each tear be
Sus-tain thy heart with an- -guish riven; Strive thou to meet thy bride a
-
dry--"There are tears, no tears in heaver."
bove, And dry your tears, your tears in heaven.
eet:
y're dead,
art.
art:
d.
3. I saw a gentle mother weep.
As to her throbbing heart she prest
An infant, seemingly asleep.
On its kind | mother's shelt'ring breast.
"Fair one," said I, "pray, weep no more."
Sobbed she, "The idol of my hope
I now am called to render up;
My babe has reached death's gloomy shore."
Young mother, 'yield no more to grief,
Nor be by passion's tempest driven,
But find in these sweet words relief,
"There are no tears, no tears in heaven."
4. Poor traveler o'er life's troubled wave-
Cast down by grief, o'erwhelmed by care-
There is an arm above can-save.
Then yield not thou to fell despair.
Look upward, mourners, look above!
What though the thunders echo loud:
The sun shines bright beyond the cloud,
Then trust to thy Redeemer's love.
Where'er thy lot in life be cast,
Whate'er of toil or woe be given-
Be firm-remember to the last,
"There are no tears, no tears in heaven "

376 WORDS BY Mrs. Dana.
SLOW and EXPRESSIVE.
2
HEAR MY PRAYER.
Sacred Song.
d Song. On
MUSIC BY W. B. B.
13
Hear my prayer, my heavenly Father, Let my
For my soul full of trou-ble,
spar row sitting lone-ly,
watch-ing every hour,
Like
I
2000
-
cry come un - to thee
O be merciful to
O my heart
me.
All the cloud-y win-ter's day,
For the sun's re-viv-ing ray.
A little Faster.
ful-ness
And my cheer-ful - ness has fled, Hear my
bloo ond 43w
13
full of trou- ble,
In
a country, dark and bar ren,
O how long have I to roam; I ara
The Sabbath sch
In God's own b
Sabbath seb
And when on ea
prayer, my heavenly Father, Raise up my drooping head; 0,
wan d'ring thro' the wilderness, And longing for my home. O,
when shall I be sing-ing, My voice with music ring-ing, While my soul her way is winging. To my
when shall I, &c.
heavenly, heavenly home; While my soul her way is wing-ing, To my heavenly, heavenly home, my heavenly home, my heavenly home, To my heavenly, heavenly home.
THE ORIGIN OF SONG.
WORDS BY Rev. Dr. Bethune.
SPRIGHTLY.
*
1. Man first learned song
2. Then, let me sing
in
Para-
while yet
I
dise,
may,
·
From the bright an gels o'er him singing;
Like him God loved, the sweet-tongued Psalm-ist,
in
our
And
home be yond the
Who found in harp and ho
-
ly
skies, Glad
lay The
one
very
an-som gave
ab-baths end,
here shall greet,
14
an - thems are for ever
charm that keeps the spir-it
we will wake, Where love
join the throng Who sing
QUARTETTE or CHORUS.
1-2#
ringing
calm - est,
God lends his ear, well pleased to hear The songs that cheer his chil-dren's sorrow The day shall break, and
For sadly here I need the cheer, While siu ful fear with pleasure blendeth; O! how I long to
,
ve to go
ven &- bove,
will make un fad - ing
the song that never
·
morrow,
end eth,
Where love, where love, where love
Who sing
the song, the song,
will make, will make un-
fading
Who sing the song that never
mor-row.
end eth,
1. God lends his ear, well pleased to hear The songs that cheer his children's sorrow; The day shall break, and we will wake Where love will make un-fading mor-row.
2. For sadly here I need the cheer, While sinful fear with pleasure blendeth; O! how I long to join the throng Who sing the song that never end-th.
1. J we love to meet. O
2. V are not trifle now,
4. Vsten to thy word, C

V.B. B.
s filed, Hear my
roam; I am
1. The
winging, To my
beavenly home.
SABBATH
SCHOOL PIECES.
THE SABBATH SCHOOL.
3. In
4. And when
Sabbath school's a place of prayer, I love to meet my
2. In God's own book we're taught to read How Christ for sin -ners
Sabbath school we sing and pray, And learn to love the
on earth our days are o'er, We'll meet in heaven to
Dat
377
FROM BRADBURY'S "S. S. CHOIR."
teachers there, I love to
groan'd and bled, How Christ for
Sabbath day, And learn to
part no more, We'll meet in
meet my teachers there;
sinners groan'd and bled;
love the Sabbath day;
part
heaven to
no more;
They teach me there that
That precious blood a
That, when on earth our
teachers kind we
Our
407
Boys.
All.
skies, Glad
lay The
eve -
110 85674 E
one May find,
ry
ran som
gave For
Sab-baths end,
there shall greet, And oh! what joy 'twill
-
A
sin ful
glorious rest
in heav'n
man-his
in
2
to
happy home-May
soul
heav'n we'll spend, A
be
find
in heaven
28
hap Py
-
home;
love
to
go,
I
have,
For
sin
glo
rious
ful mat
man-
rest
his
to meet, Anl
oh!
what joy
soul
in heav'n we'll spend;
'twill be
to
save;
I
love
to
go,
&c.
I
love
to
go,
&c.
to meet
In heaven
a. - bove,
In
shall break, and
I long to
gmor-row.
rend-eth,
Boys.
All.
love
4. heaven
to
&-
go
bove,
to Sabbath - school,
love to
go
In heaven above, to part
no
more,
In
love to
go,
heaven above,
I love to
In heaven a
2
anage HOLY DAY.
love to
go,
to Sabbath - school.
go
bove, In heaven above to part no more.
TIJA
FROM BRADBURY'S "S. S. CHOIR."
ing mor-row.
rend-th
1. Jesus we love to meet. On this thy holy day, We worship round thy seat, On this thy holy day; Thou tender heavenly Friend, To thee our prayers ascend O'er our young spirits bend. On this thy holy day.
2. We dare not trifle now, On this thy holy day, In silent awe we bow, On this thy holy day; Check every wandering thought, And let us all be taught, To serve thee as we ought, On this thy holy day.
4. We listen to thy word, On this thy holy day, Bless all that we have heard, On this thy holy Jay; Go with us when we part, And to each youthful heart Thy saving grace impart, On this thy holy day.
: 2.
04

378
OGLADLY MEETING.
1. Gladly meeting, Kind- ly greeting, On
this holy
2. Gladly meeting, Kindly greeting, School-mates, teachers,
TAE E A FROM BRADBURY'S "S. S. CHOIR.*
all
Sabbath day,
are here;
Sin -
ful thoughts are
Some are listening, some
all
for- sak
pre siding, Some the
en,
Every
les
seat in
-sons
6
a wak
-
qui et taken, Let each heart to God
en, While we sing and pray, While we sing
are pro-vid-ing, Some the in- fant mind are guid - ing, Filled with holy fear, Filled with ho
Scholars.
DIALOGUE SONG
Teachers.
1. Teachers, tell us why you toil, Why on us your hours bestow? Children, 'tis to us a jov,
2. Does no other cause in- duce; Is our good your on- ly aim? Children, for your souls we toil;
0:12
4
Scholars. 3. Little fruits your efforts crown,
Teachers.
Yet, dear Teachers, labor on.
God dispensing showers around,
May refresh our barren ground.
T.
S. 4. May we all, our Teachers dear,
Recompense your pious care.
Children now for heaven prepare;
May we reign together there.
ALL THE WEEK
and
-
ly
pray.
fear.
3. Gladly meeting,
Kindly greeting,
Let us all unite in heart,
While the throne we're all addressing,
And our sinful ways confessing,
Let us seek a heavenly blessing
Ere we hence depart.
4. Gladly meeting,
Kindly greeting,
As each Sabbath shall return,
May our minds by study brighten,
May our aspirations heighten,
And may grace our souls enlighten,
While we strive to learn.
life to
show.
You the way of life to show, You the way of
And the blest Redeemer's name, And the blest Re-deem-er's nante.
Scholars and Teachers.
Taught and teachers would unite
Their warm tribute with delight,
For our Superintendents now
At the throne of grace we bow,
SPEND.
WE
There our fervent prayer ascends
For rich blessings on our friends;
Safe in God may all abide-
Sweet the refuge there to hide.
1. All the week we spend Full of childish bliss, Every changing scene Brings its happiness; Yet our joys would not be full, Had we not the Sabbath School, Yet our joys would not be full, Hal we not, &.
2. Lovely is the dawn Of each rising day: Loveliest the morn of the Sabbath day; Then our youthful hearts are full Of the precious Sabbath school, Then our youthful hearts are full Of the precious, &c.
3. To our happy ears Blessed news is brought; Tidings of the work Love divine has wrought; Gracious news and mer if il: How we love the Sabbath school! Gracious news and merciful; How we, &c.
E2
S
1C Father who art
2. I king lom come;
Gus this day our
4. A forgive us our
5. A lead us not into
6. I thine is the kin
1 T mercy of the L
d his righteousn
2. Tuch as keep his
them.
1 Ser little children
2. F of such..is the
1. Il put my spirit
sball
2. A they
urses.
sp
1. E shall feed his flo
d carry them
2. A shall gently lea
1. F the promise is u
2. A to all that are a
1. Ge, and teach all
n, and of the
with you alwa
SELECT
2. Thing them to o
1. Ce unto me all ye
2. Ce unto me all ye

S. S. CHOIR.
CHANT No. 1.-SINGLE, HO
TALLIS.
379
ry seat in
the lessons
ting,
n heart,
re all addressing,
confessing,
ly blessing
part.
ting,
ting,
hall return,
dy brighten,
meighten,
Duls enlighten,
o learn.
life to show.
eem-er's name.
prayer ascends
on our friends;
labide-
here to hide.
SELECTION I.-The Lord's Prayer.
1 Our Father who art in heaven, hallowed | be thy | name:
2. Thy king lom come; Thy will be done, on earth, as it | is in | heaven.
? Give us this day our daily | bread;
men.
them that I trespass a-gainst us.
us from evil;
4. And forgive us our trespasses, as we forgive
5. And lead us not into temptation, but deliver
6. For thine is the kingdom, and the power, and the glory,..for- | ever,..and | ever.
SELECTION II.-For Children.
PSALM 103: 17, 18.
1 The mercy of the Lord is from everlasting to everlasting, upon them that fear him,
and his righteousness unto | children's | children:
2. To such as keep his covenant, and to those that remember his com- | mandments to |
do | them.
MARK 10: 14.
1 Suffer little children to come unto me, and for- | bid them | not:
2. For of such..is the kingdom..of | heaven.
ISAIAH 44: 3, 4.
1. I will put my spirit upon thy seed, and my blessing up- on thine | offspring:
2. And they shall spring up as among the grass, as willows..by the water- [
courses.
ISAIAH 40: 11.
1. He shall feed his flock like a shepherd; He shall gather the lambs with his arms,
and carry them | in his | bosom,
2. And shall gently lead | those that | are with young.
ACTS 2: 30.
1. For the promise is unto you, and | to your children;
2. And to all that are afar off, even as many as the | Lord our God shall | call
SELECTION III.-For Baptisms.
MATT. 28: 19, 20.
1. Go ye, and teach all nations, baptizing them in the name of the Father, and of the
Son, and of the Holy Ghost
2.
Had we not, &.
the precious, &c.
ful: How we, &c.
Teaching them to observe all things whatsoever I have commanded you; and lo, I
am with you alway. | even..to the end..of the world. | A-1 men.
SELECTION IV. For Opening or Closing Service.
INVITATIONS.
MATT. 11: 28.
1. Come unto me all ye that labor and are | heavy | laden.
2. Come unto me all ye that labor and are heavy laden, and | I will give you | rest.
3. Take my yoke upon you, and learn of me; for I am meek and | lowly..in | heart;
4. And ye shall find | rest un- | to your souls
5. For my yoke is easy, and my | burden. .is | light,
6. For my yoke is | easy...and my | burden..is | light.
PSALM 51: 17.
1. The sacrifices of God are a | broken | spirit.
2. A broken and a contrite heart, O God, thou | wilt not..de- | spise.
REV. 22: 17.
1. And the Spirit and the Bride say, Come, and let him that | heareth..say, | Come;
2. And let him that is athirst, come, and whosoever will, let him take the water of
| life-freely.
CHANT No. 2.-TRIPLE CHANT.-GLORIA IN EXCELSIS.
FIRST PART.
SECOND PART.
THIRD PART.
இ
SELECTION V.-Gloria in Excelsis.
TO THE FIRST PART OF THE CHANT.
1. Glory be to God on | high, and on earth | peace, good will towards | men.
2. We praise thee, we bless thee, we worship | thee,we glorify thee, we give thanks to
thee for thy great-glory.
TO THE SECOND PART.
3. O Lord God, | Heavenly | King, | God the Father | Al- mighty!
4. O Lord, the only-begotten Son, Jesus | Christ, O Lord God, Lamb of God, | Son..
of the Father!
TO THE THIRD PART.
5. That takest away the sins..of the world, have mercy up- on- us.
6. Thou that takest away the | sins..of the world, have mercy up-on-us.
7. Thou that takest away the sins..of the world. Re-ceive our prayer.
8. Thou that sittest at the right hand of | God the Father, have mercy up- | on- | us.
9. For thou only | art | holy.
10. Thou only, O Christ, with the
the Father. A- | men.
TO THE FIRST PART.
Thou | only | art the Lord.
Holy Ghost, art most high in the glory..of | God

380
CHANT No. 3.-SINGLE
CHANT No. 5.-"O GIVE THANKS.
SOLO, or SEMICHORUS.
CHORUS to every nerse
UNISON, or VERSE
CHORUS
SELECTION VI.-For Opening or Closing Service, or for Funeral Occasions.
PSALM 90: 12.
1. Lord, thou hast been our dwelling place in | all gene- | rations.
2. Before the mountains were brought forth, or ever Thou hadst formed the earth and
the world, even from everlasting to ever- | lasting, | Thou art | God.
3. Thou turnest man to destruction; and sayest, Return ye | chil..dren of men.
4. For a thousand years in thy sight are but as yesterday when it is past, and | as a
watch..in the night.
a |
5. Thou carriest them away as with a flood; they are as sheep: in the morning they
are like grass which | groweth | up.
6. In the morning it flourisheth, and groweth up; in the evening it is cut | down, cut |
down and withereth.
7. For we are consumed by thine anger, and by thy | wrath..are we | troubled.
8. Thou hast set our iniquities before Thee, our secret sins in the | light of thy-|
countenance.
9. For all our days are passed away in Thy wrath; we spend our years as a tale..
that is told.
10. The days of our years are threescore years and ten; and if by reason of strength
they be fourscore years, yet is their strength labor and sorrow: for it is soon cut |
off..and we fly a- | way,
11. Who knoweth the power of thine anger? Even according to thy fear, so is..
thy wrath.
12. So teach us to number our days, that we may ap- ply our | hearts..unto | wisdom.
CHANT No. 4.-SINGLE.
O give thanks unto the Lord, for he is good: For his mer-ey en-dur - eth for ev-er.
SOLO, or SEMICHORUS.
CHORUS
O give thanks unto the God of gods, For his mer-cy en-dur-eth for ev-er
PSALM 186.
1. O give thanks unto the Lord, for he is good;
2 O give thanks unto the God of gods;
3. O give thanks unto the Lord of lords;
4. To him who alone doeth great wonders;
5. To him that by wisdom made the heavens;
6. To him that stretched out the earth above
7. To him that made great lights;
CHо. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
the waters;
CHO. For his mercy endureth for ever.
CHO. For his merey endureth for ever.
CHO. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
CHо. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
CHO. For his mercy endureth for ever.
Amen.
8. The sun to rule by day; the moon and stars to rule by night;
9. Who remembered us in our low estate;
10. And hath redeemed us from our enemies;
11. Who giveth food to all flesh;
12. O give thanks unto the God of heaven;
AP
men
CHANT No. 6.
Abid Best.....
244 Bo
159 Bo
Adar
029 Bo
Adeli
142 Boy
Adel
96 Boy
Adra
.117 Bra
Agav
178 Bra
Alen
232 Bra
Alett
224 Bra
Alice
237 Bra
Alidi
74 Bri
All S
800 Bri
Al's
254 Bro
Ame
213 Br
Amb
A-men.
Ams am.
250 Br
245 Bu
Andr
148 Bu
Ange
Anot Year
289 Ba
Aphe
.130 By
Arca
.167
Arm ng.
.131 Ca
Arno
.254 Ca
156 Cal
Arpa
Ashr
131 Cal
Ashu
Ashv
60 Ca
68 Ca
Athe
Ca
Atla
195 Ca
Aurc
263 Cal
Autu
289 Ca
Ava
254 Ca
Aval
163 Ca
Avo
167 Car
Azm
169 Car
Azel
197 Car
Arle
217 Car
Car
Bab
99 Ca
Baci
77 Ce
Bad
192 Ce
Bad
90 Ce
Bale
..141 Ch
Ban
188 Ch
Bart
131 Ch
Barc
.179 Ch
Bay
61 Ch
Bead
95 Ch
Bell
192 Ch
Bello.
253 Ch
Ben to
226 Ch
Ben
253 Ch
Ben .
203 Ch
Beri
115 Ch
Ber
100 Cl
Beu
76 C
Bev
Bez
196 C
Bill
Bill Hebron.....17 C
236 C
Ble
Bin apton.....161 C
268 C
Bo
Blo eld Chant....102 C
68 C
Bo
77 C
Bo
59 C
Rn
929 Co
SELECTION VII.-For Opening or Closing Service.
REV. 4: 8 & 11, and 5, 10 & 13.
1. Holy, holy, holy, | Lord..God Al- | mighty, which was, and | is, and | is to come.
2. Thou art worthy, O Lord, to receive glory, and | honor..and | power; for Thou
hast created all things, and for thy pleasure they are and I were cre- [ated.
3. Worthy is the Lamb | that was slain, to receive power, and riches, and wisdom,
and strength; and honor,..and | glory...and | blessing.
4. Blessing, and honor, and glory,..and | power, be unto Him that sitteth upon the
throne, and unto the | Lamb, for- ever..and ever. | Amen.
SELECTION VIII.
"Thy will be done "
"Thy will be done!" In devious way
The hurrying streams of life may run;
Yet still our grateful hearts shall say, I
"Thy will be done!"
"Thy will be done!" If o'er us shine
A gladdening and a prosperous | sun,
This
prayer
I will make it more divine- |
"Thy will be done !"
"Thy will be done!" Tho' shrouded o'er
Our | path with | gloom, one comfort-one
Is ours:-to breathe, while we adore, |
"Thy will be done!"
BOWRING.
Close by repeating the first two measures. "Thy wi!! he
done."
19 Co

ur-eth for ev-er.
45
rev-er
A-men
y endureth for ever
endureth for ever
y endureth for eve
endureth for eve
y endureth for eve
yendureth for eve
endureth for eve
yendureth for eve
y endureth for eve
y endureth for eve
endureth for eve
endureth for eve
Ame
it more divine-
will be done!"
Tho' shrouded o'e
Jone comfort-or
ile we adore,
will be done!"
BOWRING
measures, "Thy wi
Abiding Rest.
A dario..
Adelaide.
Adelpha
Adra....
Agawan..
Alena..
Aletta..
Alice...
Alida.
All Saints.
All's Well..
America..
Amherst.
Angelo..
Amsterdam..
Andrews.
Another Year
Apheka..
Arcadia.
Armstrong.
Arno..
Arpad
Ashna
Ashur...
Ashwell..
Athens..
Atland..
Aurora..
Autumn
Ava
Avah.
Avon.
Azmon..
Azel.
Ariel..
Babcock.
Baca...
Badea,.
Baden
Balerma
Bangor
Barby..
Baron...
Bava.....
Beach.
Bella.....
Belleville..
Benevento.
Beninda.......
Benjamin.....
Berith.
Bergen...
Beulah..
Beverly.
Bezek...
OTH TRAI ALPHABETICAL INDEX OF TUNES.
.244 Bowdoin Square.....167| Cortland..
159 Bowen...
229 Bower..
142 Boyle.
96 Boylston.
.117 Braden..
178 Bradford.
232 Bradnor..
224 Brainerd...
237 Brattle street
74 Bridgewater..
300 Britton...
254 Broosa..
213 Brothers.
250 Brown.."
245 Burder..
148 Burford.
.289 Butler..
.130 Byefield..
167
.131 Caddo....
.254 Cady..
.156 Caldwell.
.131 Calm..
60 Calno..
68 Cambridge.
71 Cano...
.195 Cana..
.263 Canandaigua
1.239 Cappadocia.
.254 Captivity (L. M.)
.163 Captivity (11s.).
167 Carmelhill.
..211 Coventry..
..166 Cowper.
.198 Cramer...
..204 Cranbrook.....
.175 Cremona.
153 Cross and Crown.
.168 Croton.
.196 Croydon
.169 Crystal Lake.
.107 Cushi..
92 Cyprus.
.164
SS Dallas:::
.119 Dalston.
129 Darwell.
146 Davis..
189 Fairton
237 Hazel Grove.!!! ..150 Laurel Hill.......... 94 Mizar.
114 Farmington......128 Hazelwood.. ...198 Lawn..
.134 Monmouth..
...156 Federal street. 63 Head of the Church. 268 Lead thou me on....305 Moravian
..152 Fisk....
176 Flagg.
117 Fleming........
148 Flora.
242 Foord.
136 Forest
.181 Fountain.......
62 Fowler.....
76 Fragrance...
Franklin.
249 Heber
7.187 Hebron....
159 Helena...
154 Hemans.
99 Hendon..
...107 Henry.
2.156 Herbst..
151 Hereford....
132 Hermes....
157 Hesperus.:
222 Franklin Square.....198
220 Frederick...
.211 Freeport.
.206 Fulda..
113
.280 Death of a child......303 Fulton.
.161 Deborah
Delight.
152 Denholm.
71 Denkmal...
.104 Dennis.
.219 Departing.
.115 Devizes..
.170 Dor.....
77 Doro..
259 Dothan
.307 Doubledaya
.217 Dover..
.......
71 Downieville.
261 Dresden..
.267 Gabriel
.105 Galena.
.158 Galesburg.
.178 Gallagher.
75 Gaza.....
.128 Gatchell..
..114 Georgetown.
..259 Germany..
82 Gertrude..
.121 Gether..
.204 Gilbertsville.
.171 Gilbert..
Hiding Place (1).
...115 Learning..
... 81 Lenox
..811 Lischer.
261 Hiding Place (2).....101 Litany.
.266 Highland..
65 Mornington...
..209 Morris Chant.
94 Morse...
125 Mt. Vernon..
.214 Muscatine..
.212 Music..
228 Musing
.188 Naomi.
.271 Little Marlborough..203
92 Hillsboro.......... 1.129 Lottie...
225 Hollesh.:
Hollister..
.216 Hopewell.
.103 Hosford..
75 Howard.
.215 Howell..
83 Hudson.
127 Iulsen...
61 Hutton
96
221 Iosco
.186 Isadore.
90 Iscah..
.208 Italian Ilymn..
86 Italy.
1.210 Louis..
.172 Nashville..
223 Loving Kindness....101 Nazareth.
.239 Luton.
.124 Lydda
.288 Lyons.
.185 Lystra..
83 Macah.
.243 Madan.
68 Magnolia.
.256 Mahaleth.
..100 Maloa...
.181 It is I, be not afraid..308 Malone..
..202 Nebo.
101 Nettie....
.108 Nettleton
.267 Neva.
.118 Newcourt.
Newell.
62 Newland..
.116 New Haven..
189 New Hope.
122 New Hundred..
66 New Vernon..
123 Northwood...
70 Pearne...
....137 Pease
.195 Owen..
.184
64 Owens
98
127 Ozankee
.249
.188 14.
139 Palermo
.241
144 Lepanto.
183 Palestina.
.202
..255 Levant..
.........124 Mount Bethel
...119 Palestine..
.265
4232 Light.
www.181 Mount Elen.5.10.157 Palestrina....
80
1.168 Lily
......128 Mount Hope
.....183 Palona..
.149
.232 Lind.........242 Mount Zion...
72 Park street
76
..164 Linden...
174 Mount Zoar.....
85 Pastor
.19
85 Lindenville..
.236 Paulina..
95
.178 Lintz
.258 Peace....
..172
.185
.222
Penitence..
.169 Peoria
.216 Petaluma.
..190
..184
...260
82 Peterboro'.
123
.190 Lowell....
.226 Lucilia..
67 Nearer to Thee.
137 Neba...
.297 Pewawkee.
.246
73 Phurah..
..150
.168 Luther..
176 Phuvah.
..251
.251 Pickering.....
..122
235 Pilgrim....
.234
.139 Pleyel's Hymn (L.M) 99
.215 Pleyel's Hymn (7s.) .224
168 Portugal......
108
78 Princeton..
..246
255 Prayer for Peace....286
145 Probation..
.177
95
.288
84 Gilead..
Gillet..
93 Quito....
112
236
98 Gilmer..
62 Ittai.
60 Manly
.227 Randolph.
..167
..103
.186
Golden Hill.
Goodell..
.204
.161
Jaffra..
.162
57 Dunlap..
..155 Gorton...
.199
Jayne.
.138
Goshen.
.262
Jeddo..
.183
77 Cecix....
251 Eagle Rock..
104 Grannis.
227
Jennie.
.212
234 Easton.
.275 Gratitude..
S2 Greely.
90-
179
Jesu dulcis memoriæ.279
Joram
63
.116 Greene..
.296
Jordan (Billings')
..122
80 Greenville
.144 Griggstown.
.239
Jordan (Jones')......143
235
Judd......
..113 Griswold..
241
Judson......
.261
Grove...
151-
Just as I am...
.. 79
152
2$0
Manoah.
Marcus.
Maria.
Marie.
Marlow..
Martyn
Marvin.
Mason
Mattituck.
McCabe..
Mear..
Medfield.
.174 Reeves..
..240
67 Notting Hill..
.148 Nuremburg..
.142 Rest....
.102
227 Retreat.
80
Ringe..
170
255 Ripple.
256
.228 Oatlands.
..147
.191 Oberlin
95 River.
.817
.195 Riverbank.
.129
.165 O cease, my wander-
86
soul.
Riverside.
.188
.200 Rivington..
.213
..166 Rochester..
.136
121 Okonta..
.256 Rock...
61
S1 Grow
.198
volan Ja
.180 Elim..
199 Guyon..
Kadesh..
74 Memphis......
.162 Old Hundred.
.105 Rockford..
.127
.214
Kedron's Waters..
272
.106 Olean...
.109 Rock Island..
.262
57 Elm Grove.
89
Kewanee.
245
64 Rockingham.
.106
230 Elon..
74 Hadyn..
.186
250 Hadassah
Konigstrasse..
180
Merdin.
59 Rockland
88
264
Koningsburg.
157
Merlin.
.147 Olive's Brow.
102 Rock of Ages.
.322
266 Haddam
208
.117 Hail to the brightness.264
Kingdoms&Thrones.110
Kirk wood.
Meroe
197 Rockwell.
.168
177
Merrill..
.205 Rolland..
66
289 Hamburg.
182 Harding
91
.330
.190 Laban..
Kish.
58
Micah...
78 Oneida..
.252 Romberg..
..168
Mikloth..
146 Oneonta
..159 Rose...
128
.204 Millennium Song.
.248 Ophir..
..219 Rosedale.
.111
.243 O praise ye the Lord.267 Roslyn..
285
.133 Oriel..
97 Rothwell.
85
132 Orient..
.158 Rowena
.144
258 Oriole.
173 Rowley.
259
92 Rural Ifill...
251
86
.256 Sabbatus.
64
252 Saco.
304
91
185
.169 Carini..
197 Carpus
.217 Carrie.
Carroll.
99 Carson.
192 Cesarea..
90 Ceylon.
141 Chamberlin...
138 Chamounix
.131 Chapman..
.179 Charlotte.
61 Charran
95 Chelmsford..
192 Chenango.
253 Chenaniah
226 Cherokee
.253 China.
203 Christian's Sleep..
.115 Christmas Hymn.
100 Clarendon...
76 Clarksville...
.1-6 Claytonville....
236 Coe.....
Billing's Hebron.....137 Come Home...
Billow.
.218 Duffield.
69 Duke street.
87 Dumbarton..
191 Dundee..
249
158 Eden...
.220 Edmeston.
.118 Effingham..
.116 Eglah.
.207 Elah.
75 Elhanan.
.162 Elida.
.146 Endor
112 Enon
..226 Erastus
..137 Ere I sleep
.209 Esli....
..189 Esther.
202 Ettie..
.225 Eunice..
268 Come.ye disconsolate 264 Euphrata..
Binghampton.....161 Confession..
Blendon.......... 68 Converse...
Bloomfield Chant....102 Cooperstown.
Boaz..
77 Corfu.
59 Cornelia.
Bod well..
Bohine..
Reanton....
.229 Cornet..
.19 Coronation.
.177 Evan
.171 Evarts.
.210 Evelyn..
125 Evening Hymn..
.221 Evening Prayer..
..309 Expostulation...
134 Ezbou
.114 Happiness.
.294 Harmony Chant.
.172 Harper..
124 Hartel.
.160 Harvest.
.142 Harvey's Chant..
.281 Harwell..
105 Harwich
.244 Hastings.
265 Hattie
99 Lacey
108 Lake Pleasant.
..109 Lake street
.254 Lamb
.126 La Mira
.243 Lampard.
.210 Lands.
.141 Lanesboro..
165 Haven.
.170 La Prarie....
.182 Lansingburg..
Men fon..
Menona.
.155 Millington
.121 Mills..
72 Milton.
.316 Milwaukee..
.126 Minnehaha.
.109 Minnesota.
18S Minni..
113 M riam...
.258 Mirma.
184 Norville..
89 Norwalk.
.199
165 Oak...
88 Ocean Hill
.164 O happy they,
171 Oleo..
.276 Olive.
79 Olmutz...
.229 Omar...
231 Orland..
.240 Orrington..
207 Oshkosh..
120 Osinan.
198 Otsego Lake..
.140 Rissah.
.155 Salome..
......150 Missionary liyan...312 Our journer bonie...368 Salubri..

93
.192 Stow...
.205
Thatcher..
..829 Strong.
73 Thaxted..
.278 St. Ambrose...
..154
Terah.
.221 St. Ann's..
.183
70
The Burden..
.170
The Call.
382
Saluda.
Satterlee..
Saurin
Savannah.
Schneider.
Schroepple.
Scudder...
Beudo..
Seaman's Song
Seasons.
Secret Prayer.
Sheffield.
Shelter Island..
Sherm
Sherman
198 Sicily
.154 Sidmouth.
156 Silverton..
266 Silver Spring..
204 Silver Stream
.119 Silver street....
132 Sinclair..
.135 Sing Praises...
288 Sinner, come...
79 Sisters....
145 Slade
.180 Smithville..
ANTHEMS, CHORUSES, OPENING AND CLOSING PIECES, CHANTS, ETC
.233 | Steele....
.228 Stephens...
141
Stillwater.
88 Stillingfleet
.181 Stockwell..
.191 Stonefield.
.174 Taberah..
..234 Tamworth.
80 Tarsus...
78 St. Edmonds..
..120 The Chariot.
.229 The Cross..
.183 The Little Gravo....175 Tribunal.
.802 The Lord is great. .263 Truro..
.205 St. John's..
.138 Solon..
158 St. Martins..
81 Sophie..........
.206
St. Nicolai..
108 Sparta.
96
St. Thomas.
@hool.
.106 Spring.
.225
Succor..
Shilob
94 Springvale.
66 Sunset..
.248
Shirland..
182 Star of the East..
.263 Surrey.
93
The Lord my Shep-
herd is.
Shout Toy
257 State street
.204 Sutherland.
211
200 Urmund.
The Promise........238 Ucal...
Willow Creek.
Willow Grove.
Will you go?..
Wilson..
Wilton..
Winchester..
65 Swanwick..
.135 Sweet Hallelujah.... 84
.101
.241
149
.187 The Wanderer.
Ulla...
..169 | There's rest in the
.308 Unami.
Grave....
The Sacred Stream..111 Union...
The Sacred Tie......110 Ursini.
Utica
The Voice of Free
Grace...
.292 Uxbridge..
..201
.147 | Welms..
.274 Welton..
.246 Wesley.
.223 West Point..
251 Whitney
97 Willard..
75 Woodlawn.......
87 Woodman.
143
160
.280 Woodside
.194
.203 Woodworth.
.184 Worthing...
.126
67
237
Hiding
M
Iosco
.162 Through the night air
.118 stealing..
.260
The Better Land.
78 Thyatira.
252
.107 Time is winging.
250
Verdure
Volk.
Violet.....
.120
72
223
.244 Yates..
.140 Yuba...
.284
238
96 Iscal
242
Adra..
74 Ittai..
All Balt
60 Joram
112 Zaboni..
.245 Zadoc...
.194
Anbur.
.281
68 Judd
Ashwel
....158 Tioga..
194
106 Zalmon.
:.68
71 Kades
848 The Lord bless thee...
803 The Love of God..
269 Dialogue Song.
289 Gladly meeting.
274 Holy Day.
The Sabbath School..
846
836
831 Trust in the Lord, &c..
299 Wake the song of jubilee..
812
294 We will rejoice in the Lord..
80-11
247 When the Lord shall build up Zion.
831
309 When the worn spirit...
816
854
272 CHANTS FOR OPENING OR
271
CLOSING SERVICE.
253 Wahnatah.
.222 Ward...
.151 Wardwell.
69 Warehamn.
Warrington....
.828 Watchman.
.178 Webb..
59 Winslow..
145 Winter...
57 Wirth.
282 Woodland.
248 Woodstock..
ANTHEMS, CHORUSES, OPENING AND CLOSING PIECES, CHANTS, ETC.
ANTHEMS & OPENING PIECES.
And it shall come to pass.
Awake put on thy strength..
Behold what manner of love..
Beloved if our heart condemn us..
Benedicite Anthem...
Blessed is he who cometh.
Llessed are the peacemakers.
Blessed are they that mourn.
Blessed be our God...
Bow down thine ear.
Cast thy burden on the Lord.
Come unto me all ye that labor.
Create in me a clean heart..
Ever near...
Great is the Lord..
God will arise.....
Heavenly Love.....
Heavenly Rest..
Prayer for opening or closing Public The Blind Orphan Girl...
Worship..
Sabbath holy.
290 Sing, O heavens
322 Stand up for Jesus..
366 Teach me thy way..
360 The Advent..
869 The Ascension..
280 The Lord is King.
866 The Mother's Lament..
247 The Origin of Song
278 Say a kind word when you can....
348
862
SABBATH-SCHOOL PIECES.
269 All the week we spend..
828 The Lord is merciful and gracious.. 842
270 The Lord is nigh
814 Song of Intervals.
878 Stormy Night Song
876 Summer Evening.
269 Sweet is the Summer..
The Angel Ever Near..
The Farmer's Song..
378 The Hunter's Prize.
378 The Mountain Boy.
378 There's much that gives pleasure.
877 The Sleigh-ride.
377 The Wanderer's Farewell.
833 SI GING-CLASS MUSIC.
The Widow and Fatherless..
The Wood
29 Cornet.
Athens.
.265 Titus
.214 Windham..
79 Zebulon.
..213
99 King
.147 Toplady.
89 Windsor..
142 Zelek.
60
Babcoel
77 Kish.
218 Zepho
Baca
.201
90 Lake
140 Zephyr.
.160 Zethan..
Baden.
58
61 Lamp
220
Bava...
95 Laure
..180 Zion.....
.125 Zoba..
..240
Beach..
Tu
Bergen
...100 Lepar
76 Lovin
Bealab
68 Lowe
Blendo
Bloomf Chant.
102 Luton
Boaz...
77 Lydd
Bodwel
59 Macal
16 Another Year..
289
42 At the Cross..
Bridge
107 Malos
828
92 Mano
Britton
29 Behold the Lamb..
824
Brothe
88 Marc
40 Belleville...
258
13 Canandaigua.
807
Cady..
71 Maso
80 Cast thy burden.
Caldwe
.104 McCa
831
Cano
77 Mend
98 Come home..
225
83 Come, ye disconsolate.
264
Captivi
71 Mero
Carroll
57 Mical
809
27 Ettle-"A helpless sinner".
Charra
75 Mour
294
84 Freeport-"Hail happy day"
266
Chenal
38 Mour
24 Hail to the Brightness.
261
Christi Sleep....112 Moun
Ceshi.
62 Nazar
8 Head of the Church.
265
Trancadillo..
46 Heavenly Rest....
271
Cypru
76 Neba
Twilight
GLEES AND MELODIES.
44 Hebrew Morning Hymn..
277
Denbo
105 New
Vocal Exercises and Solfeggios
.52, 53 Hiding Place....
811
Depart
65 Newl
All the day I'm singing.
15
Away with needless sorrow.
31
Whom shall we let in ?..
Yes or No...
47 It is I, be not afraid.
808
Dotbal
82 New
41 Jesus lives! (Chant).
818
Dake
98 Oberl
Chromatic Song Exercises..
.31, 82
Just as I am.
280
Dumb
..103 Olean
Come join with merry roundelay..
19
Escape from the City..
Hebrew Morning Hymn..
277
He shall come down like rain..
Angel's Visits.
819
Evening Prayer..
850
Flag of our Union...
Holiness becometh thy house.
At the cross..
323
321
God is ever good..
Holy, Holy, Holy. Lord God of Sa-
Behold the Lamb.
823
Let us love one another.
baoth..
870
Come unto me all ye that labor.
879
How beautiful in Zion..
How beautiful upon the mountains. 28% Glory be to God..
306
Day of wrath.
821
Morning Walks.
Music Spoken..
879
If we confess our sins.
859
Go ye,
and teach all nations...
879
My Heart's Home...
I'll wash my hands in innocency
Invocation....
214
Hallelujah.
My own Native Land.
826
297
iloly, holy, holy, Lord God Almighty
Noontide.
I will praise thee, O Lord.
Jesus lives
818
8500 wipe away that tear..
20 If your voices are tuned.
298
I will extol Thee...
340
Lord, thou hast been our dwelling.. 880
Peaceful slumbering.
Let every heart.
More sweet than odors...
820
Pleasant Weather....
829
Lift thine eyes to the mountains...
884
O give thanks unto the Lord
380
Lord of my salvation...
Our Father who art in heaven
879
325
Silver Lay.
Practical Exercises in Articulation
Scale Songs..
54, 55 Our bonny boat.
..9-11
Loud through the world proclaim.
39
The mercy of the Lord..
879
ROUNDS.
89 Bells are ringing.
17 Bring the song-book.
43 Come, join with me.
40 Day is breaking..
25 Diligence..
41 Going a-Maying.
14 Good-night...
25 Hard Winter.
26 Helen and Mary.
82 Keep thy heart..
14 Mind your own business.
23 On rapid wings..
Poor Robin Redbreast..
12 The Cuckoo....
Lamb...
816
Eagle
.104 Oleo.
18 Lead thou me on..
805
Eden
24 More sweet than odors.
820
Effing
88 Nearer to Thee..
297
Elida.
82 Old H
80 Olive
81 Oriel
27 Nettie...
281
Elm G
89 Orlan
28 Oak.
255
Eveni
mn.....105 Orrin
26 Oneida..
252
Feder eet..
63 Ower
28 Sabbath Holy..
47 Our Journey Home...
268
Foord
...99 Pales
247
Fores
28 Saco--"We shall see a light".
804
Fulda
107 Park
92 Paul
22 The Lord bless thee...
289
Galen
..103 Pley
38 The Lord is great.
263
Gales
75 Port
88 The Promise..
289
Gazs
$$ Quit
28 There's rest in the grave...
808
Georg..
61 Rest
28 The Silent Land..
822
Germ
96 Retr
22 Titus..
253
Gilbe le.
90 Rock
20 Unami.
274
Gilea
O Lord, my God, hear Thou...
279
The Silent Land.
322
Singing Exercises for Articulation 55, 56 Those evening bells.
28 Utica..
251
Gilm
96 Rock
O Lord, I will praise Thee.
887
Thy will be done..
880
Sing we rejoicing.
8 "Tis humdrum.
Sleep well
44 We'll trust, Hallelujah..
62 Roal
806
Grat
45
90 Roll
Our waiting eyes.
SHORT PIECES FOR
288
SONGS.
Praise and Thanksgiving..
857 Hear my Prayer..
No tears in Heaven.
876 Solfeggio..
Soft and Sweet.
375 Song of Dynamics
48
33
Opening or Closing Worship.
When shail we meet again?..
Will you go?...
257
Ham
294
Hart Chant
91 Ros
Harp
98 Rot
21 As Well.
800
Hari
108 Sabl
Hleb
Her
Hid.
... Shor
Sher
..104 Shil
.....109 Seas

dlawn.... 149
dman.....
dside..
dworth.
thing..
160
...194
67
287
238
249
..194
L. M.
Adra..
All Saints.
58 Stonefield.
90 Lake street..
72 Strong.
61 Lampard..
109 Surrey
95 Laurel Hill.
94
Sweet Hallelujah.
100 Lepanto.
91
Taberah.
101
Broosa.
Beulah..
Blendon..
76 Loving Kindness....101
The Burden
..107
68 Lowell.
67
The Sacred Stream..111
Bloomfleld Chant.
102 Luton..
101
The Sacred Tie.
..110
115 Lily..
Bosz...
108
Truro
69 Cambridge..
170 Lindenville
.125
Bodwell..
62 Uxbridge.
.146 Lucilia...
137
Inner"
py day".
mon.
lon.
..231
68
Ashur
Ashwell..
21
Athens..
k.
6
Babcock
ДО
.201
Baca..
myr.
58
Baden
220
Bava..
240
Tu
Beach...
Bergen..
Bridgewater..
Britton..
289
828
824
253
Brothers.
Cady.
Caldwell.
Cano
Captivity....
Carroll.
Hiding Place.
Iosco
.811
96 Iscah.
74 Ittai..
60 Joram
68 Judd.
71 Kadesh
Shoel
83 Silver Spring.
68 Slade.
60 Sparta
63 | Springvale
79 St. Edmunds.
74 Steele....
99 Kingdoms&Thrones.110 Stillwater..
77 Kish.
77 Lydda
59 Macah
107 Maloa..
92 Manoah
88 Marcus
71 Mason
104 McCabe.
Micah...
66 Urinund..
89 Volk.
67 Ward..
.89 Wardwell..
86 Warrington
106 Wells.
79
78 Bradford...
98
Bradnor.
S4 Brattle street.
Burford.
Caddo.....
Calno..
97 China.
328 Coventry.
72 Cowper..
89 Chapman..
59 Chelmsford.
57 Corfu..
..166 Koningsburg.
1.153 Lacey
.168 La Mira
.169 Lanesboro'
..164 La Prairie.
.146 Lawn.
..152 Levant..
.114 Lystra
.156 Madan..
116 Mahaleth.
.162 Malone..
.125 Maria..
.184 Marlow..
.117 Mattituck.
..155 Swanwick...
126 Terah..
.118 Thaxted..
150 The Call.
134 The Cross.
124 Tribunal.
128 Ulla..
Wareham.
Willard.
118 Willow Grove.
116 Windsor
.162 Dennis.
158 Dover..
.151 Elim..
.147 Esther.
.145 Eunice..
Gether...
.142 Gillet..
140 Golden Hill.
Gorton.........
..161
Judson..
METRICAL INDEX.
106 Bangor.
88 Barby
78 Berith.
96 Binghampton
138 Howard...
.131 Hudson.
..115 Jaffra.
.161 Jayne.
66 Bowdoin Square.....167 Jeddo...
70 Brown..
65 Burder..
93 Byefield...
SO Bower..
168 Secret Prayer.
124 Shelter Island....
162 Silver Stream.
.188 Silverton
.119 Jesu dulcis memorie.279 St. Ann's..
.129 Jordan...
.145 Braden..
..138
Brainerd.
131 Carrie.
.175 Saluda.
193
.196 Schneider..
204
.191 Sheffield.
..180
141 Chenango.
.184
Shirland..
182
143 St. Ambrese..
154 Claytonville.
189 Silver street.
191
.133 Coe.
.202 Sinclair
92
.143 St. John's..
.174 Confession..177 State street.
204
.152 St. Martin's...
120
Converse...
171 Stillingfleet..
...174
..157 Stephens..
1.135
Cortland.
189 St Thomas.
.183
169
Cranbrook
176 Thatcher.
.187
.118 Crystal Lake.
181 Tioga.
.194
.178 The Little Grave....175
.204 The Lord my Shep-
147 Downieville.
.171
herd is...
200
199 Ucal
.173
.182 West Point....
.203
.172 Whitney.
.184
.126 Franklin Square.
140
.198 Woodside.
.....194
.186 Zaboni..
.194
.181 Zepho..
201
263
Foord..
247
Forest.
a light".
804
Fulda..
289
263
289
Galesburg.
Gaza.
808
.112 The Better Land.... 78
.102
ATO...
829
96 Retreat
253
80
61
C. M.
274
Gilead.
86 Rockingham
106 Adario..
251
Gilmer..
62 Rookland..
83 Adelpha
806
Gratitude.
90 Rolland.
66 Agawam.
gain?
Hamburg.
91 Rosedale.
111 Angelo..
294
Harmony Chant..
98 Rothwell..
85 Arcadia..
Harper.
Hartel.
.108
Sabbatus.
64 Armstrong.
.181
Heber.
.109
Seasons.
79
Ashnah.
.185
Hebron....
.... Sherm :.
81
Avon
Helens..
..167 Henry.
Hermes..
85
Hiding Place.
.104
Sherma.
Shiloh
103
Azmon..
94 Balerma
..169
141
Hereford..
164 Scudder...
Hillsboro'
129 Sendo...
..160
130 Grow.
77 Mendon,.
75 Coronation.
165 Woodlawn..
.143 Hadad
71 Meroe
57
Welton...
7S Wilson...
87 Cremona.
.165 Woodman..
.160 Harding
.112
Charran..
75
Monmouth.
64 Winchester
106
Cross and Crown.
Clarendon..
.143 Mear..
164 Woodstock.
.187 Medfield.
121
Chenaniah.
58
Mount Zion.
72 Windham..
Christian's Sleep....112
Mount Zoar.
85 Woodworth.
67
79 Croydon.
Deborah
.186 Memphis..
162
C. M. Double..
.113 Mills.
138
Cashi....
62
271
Cyprus..
76
Nazareth..
Neba....
82 Zalmon..
63
Denkmal..
.15%
Milton...
132 Apheka.
73 Zelek.
60
Meriam.
277
Denholm..
105 New Hundred.
97 Zephyr..
811
Departing.
65 Newland...
73 Zoba......
808
Dothan
82
818
Duke street.
New Vernon..
93 Oberlin...
93
Dumbarton....103
Olean.
95 L. M. Double or 6 lines.
..109
816
Eagle Rock.
.104
Oleo.
805
820
Effingham..
Eden
Elida.
Elm Grove..
Evening Hymn.
Federal street..
82 Old Hundred.
64 Dresden...
..105
So Olive's Brow...102 Learning..
81 Oriel.
89 Orland..
.105 Orrington.
63 Owens.
99 Palestrina.
Elon..
74 Elah..
65 Erastus
97 Salome..
91 Esli..
92
86
L. M. Double.
99
80 Carmi...
.107
92
Park street..
Paulina.
76 Carpus.
95 Italy
Galena.
Georgetown.
Germany.
Gilbertsville.
.103 Pleyel's Hymn.
83 Quito.
61 Rest.
90 Rock...
99
Music..
75 Portugal
.108
Olivo...
59 Fowler.
Fragrance..
Franklin.
Gehazi..
122 Winter..
.123 Wirth..
.204
..199
S. M. Double
148 Woodland..
.198
.186 Alena..
113
190 Flagg.
187
182 Randolph
.117 Hastings.
.148 Haven...
.167 Hazel Grove.
150 Rose..
115 Salubria...
168 Schroepple.
Devizes..
58 Dor....
70 Doubleday.
Dundee
Dunlap...
Edmeston
84 Eglah.
Euphrata
Evan....
Evarts.
69 Ebon
87 Farmington..
Flora...
.100
70 Fountain..
Goodell..
.159 Grove..
.142 Harvey's Chant.
128
.114 Morris Chant.
.121 Morse..
.186 Mount Elon.
.155 Musing
116 Naomi.
.144 Neva..
.113 Newell.
.117 New Hope..
.114 Notting Hill.
124 Oatlands
.160 Orient..
142 Otsego Lake.
.165 Palona.
.123 Peoria
154 Peterboro'
156 Phuvah..
.151 Pickering.
157 Ringe..
127 Rissah..
161 Riverbank
151 Rochester.
.126 Rockford..
.141 Rockwell..
120 Arpad..
139 Avah.
183 Ceylon..
..157
Chamounix.
.137 Cramer
.169 Fleming
139 Jordan..
.163 Lake Pleasant.
.145 Merlin...
Moravian
Mount Bethel.
155 O, happy they.
.149 Oneonta...
.184 Rowena..
123 Saurin
.168 Atland..
.127 Azel..
.136
125 Hattie
Hazlewool.
Hesperus.
Hopewell.
180 Hutton...
.182 Greely.
179
198 Pastor
196
.178
Pearne..
.185
.190 The Wanderer...
.201
.185
.156 Kirkwood..
.177
H.M.
.168 Konigstrasse..
.180
.158 Laban..
204 Amherst..
213
.118 Lands.
188 Bowen..
.211
.152 Light.
.181 Charlotte..
.207
.159 Linden.
.174 Clarksville...
.209
.122 Little Marlborough..208 Cooperstown.
.210
.121 Lottie...
.183 Darwell..
211
147 Louis...
.172 Davis..
206
.142 Mikloth..
.140
153
.146 Luther.
.202 Gilbert..
1.208
127 Magnolia.
189 Guyon.
..214
.119 Manly
..166 Marie.
.184 Haddam.
.208
.199
Harwich.
.210
.150 Solon
.167
122 Tarsus.
Verdure...
Mount Hope
.159 Maroni.
.144 Menona.
156 Mirma..
.158 Mizar....
149 Mornington...
.120
.171 Jennie.
.191
Hodesh.
.210
.212
193 Lenox
.209
.195 Lintz..
.214
.188 Lischer.
.212
.183 Minni...
207
170
Nebo....
176 Omar...
205
147
S. M.
Norwalk.
174 Rivington..
.213
.129
Ocean Hill
195 Smithville
205
..195
O cease, iny wander-
Sophie.
206
197
ing soul..
.200 Stow.
20%
Badea...
192
Olmutz..
.197 Sutherland.
207
170 Romberg..
.168
Baron...
179 Oriole..
178 Wahnatah..
214
.128 Bella..
192 Owen
184 Zebulon...
218
139 Benjamin.
203 Palestina.
202
144 Satterlee........
.154 Beverly
.186 Peace.
132 Boyle.
119 Billing's Hebron.....197 Penitence.
135 Boriston
172
190
L. P. M.
.193 Probation
177 Gallagher....
.204 Riverside.
188 Monmouth..
..215
64

384
METRICAL INDEX.
Mus
1858
Nashville..
216
Ds. 6s, & 11s.
65, 88, & 48.
Toplady...
222
7s & 6s. Unusual.
Newcourt......
215
Zadoc........ ...231
8s, 5s, 7s, & 6s.
Seaman's Song.
233
10s & 11s.
The Promise.
238
Doro.....
Petaluma.
.259 Muscatine...
..260
258
Rural Hill.
7s. Double.
Saco.
.251 Ettie...
.804
294 Yates..
283 Lyons.
...267
Br
C. P. M.
O praise ye the Lord.267
6s & 9s.
Utica
251
8s & 6s.
8s & 7s. Pec. Double.
Ariel.
217
5s & 98.
Benevento
226
118.
Cappadocia.
.217
Carinolhill..
.218
Nettie.......
Cana.
.291 Happiness..
259 Bohine..
229
7s, 6s, & 4s.
Gabriel
216
Rowley..
330
.259
Cherokee...
230
Come Home...
225 Cecix.
Just as I am..
Kedron's Waters
.280
272
Abiding Rest........244
251
Winslow..
218
6s.
Litany..
.228
Phuvah.
..........251
8s, 6s, & 4s.
88, 7s, & 4s.
Captivity...
Expostulation...
.261
.265
Frederick..
261
Ripple..
Sing Praises....
.256
.829
6s & 10s
Martyn
.228
Goshen.
Merrill..
.229
7s, 6s, & 7s.
269
Succer........
Billow
268
..802
Rock Island....
.269
C. H. M.
Unami..
.274 Minnehaha.
.231
Howell..
239
6s. Double.
Sidmouth.
223
Merdin..
.276
Boonton..
.219
8s, 6s, & 58.
Minnesota..
240
7s.
St. Nicolai..
.229
Palermo.
241
11s & 8s.
Calm.
Ophir.
.219 Oshkosh..
219
.256
Wesley...
.230
7s, 6s, & 8s.
Highland...
271
Reeves..
.240
Adelaide..
229
Sicily.
238
6s & 4s.
Aletta..
232
Belleville........
.253
S. P. M.
78 & 4s.
83 & 7s.
Tamworth
241
Alice...
224
Zion....
.240
The Lord is great... 263
11s & 10s.
America.
254
Butler.
Chamberlin.
Dalston..
.220
.220
Arno...
.254 Christmas Hymn.
.230 Osman.
7s & 8s.
226
Titus.
Ava
254 Dallas...
.252
.253
222
Harvest.
254 Evening Prayer
224
Herbet.
Hulsen..
Beninda.
Lind.
Head of the Church. 268 Mt. Vernon...
.253
282
288
242
8s, 7s, & 5s.
Aurora...
.208
S. H. M.
Hemans..
.255 Fulton..
225
78 & 5s.
236 Willow Creek.......244
Zethan..
Italian Hymn.
.220 Nearer to Thee..
.256
Gertrude...
221
8s.
.297 Grannis..
.227 Thyatira.......
Pilgrim...
Roslyn..
234
235
.252
3s & 63.
New Haven....
Oak..
..255 Greene...
296
255 Hendon..
232
7s & 5s. 8 lines.
Andrews..
Union....
Wilton....
.245 Sicily
238
8s, 7s, & 6s.
.246 Stockwell.
284
Yuba...
.242
Canandaigua. ..807
Come,ye disconsolate 264
Hadassah
Hail to the brightness.264
11s & 10s. Doubls.
...264
.245 Worthing.
.287
Okonta...
.256 Hollister..
228
Star of the East......269
Binner, come.....
278
Norville.
227 Oneida
.252
6s & 5s.
Nuremburg..
227
4s & 6s.
Pease.
222
Death of a child..
.303 Pleyel's Hymn.
7s & 6s.
8s. Double.
Kewanee..
8s & 7s. 6 lines.
8s, 7s, & 7s.
224
Another Year.
a Pewawkee...
.239
.246
245 Isadore
Millington
243
........248
Lansingburg..
.258 Sisters.
221
Milwaukee.
258 Spring.
Carson.............249
Princeton...........246
Harwell..
Isadore.
Millington..
.243
.243
11s, 10s, & 98.
.243 Prayer for Peace....286
225
58.
Cecix..
When shall we meet
again
Ursini...
228
Fisk....
.251
.249
8s & 7s. Double.
128.
98.
8s & 3s.
257
Violet..
.223
There's rest in the
Millennium Song....248
Alida.
287
Watchman..
232
grave......
.308
68 & 5s Peculiar.
Missionary Hymn...312 All's Well..
.300
Autumn
239
Elhanan..
.261
The chariot....
266
Ozankee
...249 Will you go?........284
Bezek..
236
The Voice of Free
Grace....
292
7s. 6 lines.
53 & 6s.
Phuvah.
..251
Cesarea.
234
10s.
Easton...
275
Sunset..
.248
Aletta..
232
8s, 3s, & 6s.
Croton
242
Cana...
250
Webb..
.248
6s & 7s.
Cherokee
230
Lyons.
267
Cornelia...
221
Our journey home...268
Evelyn..
.281
78 & 68. Peculiar.
Ere I sleep.
Lamb....
.289
..........816
Duffield.
Fairton
Greenville
.238
Delight
237 Enon
267
.266
12s & 9s.
289 Freeport..
Griggstown
235 Savannah..
.266 Palestine....
..266
260
53, 2, & 7s.
Hendon..
12s & 11s.
.232
83 & 48.
65, 73, & 8s.
Hosford..
.226
Amsterdam..
250
Griswold..
Harwell..
241
243
10s & 4s.
Through the night air
stealing
It is I, be not afraid..308
Endor.
.260
Shont of Joy...
257 Rock of Ages..
.222
Time is winging..
.250
.250 River.
Urmund
317 Nettleton
328 Northwood..
285
286 Lead thou me on....805
The Voice of Free
Grace...
252

ons.
10s&11a
praise ye the Lord
tivity..
118.
postulation....
ederick.
shen.
ck Island.......
11s & 88.
Lord is great..
11s & 10s.
ora....
mandaigua.
meye disconsolate
lasseh.....
to the brightness
s&10s. Doub
of the East.....
116, 10s, & 98
yer for Peace...
128.
chariot........
Voice of Fre
race......
12s&95.
estine..
12s & 113.
Voice of Fre
race..
Music
1858
Br Bradbury, William Batchelder.
17345

THE
JUBILEE
3.BRADBURY
BY
PUBLISHED BY
Mason Brothers New York