OLK
ONGS
FKOM MEXICO AND
SOUTH AMERICA
COMPILED AND EDITED BY
ELEANOR HAGUE
PIANOFORTE ACCOMPANIMENTS BY, EDWARD KILENYI "
PRICE, $1.00
NEW YORK..THE H. W. GRAY COMPANY
SOLE AGENTS FOR
NOVELLO & CO., Ltd.
NOVELLO &I CO., Ltd,
Copyright, 1914, by The H. W. Gray Company
NOVELLO'S VOCAL ALBUMS
rne, Thomas A.-Twenty Songs..........75
Bach, J. S.-Twenty Sacred Songs......... 7
Beethoven.-'Twenty-six Songs (Vol. I)......76
--*-Seventeen Songs (Vol. II.)...........75.-- *-Twenty-two Songs (Vol. III.)...........75
Bell, W. H.-A Set of Six Love Lyrics for
Contralto or Baritone.................. 1.50
Bendl, Karel.-*Gipsy Songs. First Series. 1.25
- itto. Second Series. (English and Bohemian)........................ 1.25
--*Twelve Songs (" Loving Hearts ")...... 1.25
----*Twelve Songs. Set 2. (Stimmungsbilder) 1.25
Bennett, Geo. J.-Ten Songs (Robert Burns) 1.25
- Twelve Songs (Shelley and Rosetti)..... 1.25
Bennett, Sterndale.-- Twelve Songs........ 50
-- Ditto..................... Cloth, gilt 1.25
Berlioz.-Summer Nights (English and French).75
Bishop, Sir Henry R.-Twenty Songs........75
Blumenthal, J.-Two Books of Song (Op. 101)
Vol.. In the Shadow. Vol. I. In the
Sunshine............... each 2.00
- Ditto.....................Cloth, gilt 8.00
Brahms, J.-Twenty-two Songs.............75
-- Selected Songs (English, French, and German Words). For high or low voice.
Eight Books............... each 1.50
Bright, Dora.-Twelve Songs.............. 1.25
Cobb, G. F.-Three Sacred Songs. Folio.... 2.00
The Angel's Song..................
Not now, my child.............
Blow, golden trumpets............
--Twenty-four Songs for Little People
(Book 1)............ 1.25
- Ditto (Book 2)................. 1.25
Dannreuther, E.-Six Songs (D. G. Rosetti).. 1.25
- Five Songs (W. Morris)....... 1.25
Dibdin, Charles.-Twenty-one Songs......... 75
Dvo k, Antonin.-*Sixteen Songs (Op. 2, 5, 17
and 31)......................... 1.25
- Eight Love Songs (English, German, and
Bohemian Words), Op. 83.........1.50
Elliott, J. W.-National Nursery Songs and
Rhymes. With sixty-five Illustrations
Cloth, gilt 3.75
Franz, R.-Thirty Songs................75
-- Fourteen Songs (Robert Burns)........ 1.25
Goetz, Hermann.--Eighteen Songs (Op. 4, 12,
19)........................... 1.25
Gregory, E. C.-Six Vocal Sketches......,.....75
Handel.-Twelve Songs for Soprano......... 1.00
-- Twelve Songs for Contralto........... 1.00
- Twelve Songs for Tenor.............. 1.00
- Twelve Songs for Baritone or Bass...... 1.00
Haydn.-Ten Canzonets.....................75
Haynes, Battison.--Elizabethan Lyrics...... 1.25
Hill, Lady Arthur.-Holiday Songs.......... 1.25
Hook, James.-Twenty Songs...............75
King, H. J.-Album of Songs............ 1.75
King, Oliver.-Six Songs (Baritone)........ 1.25
Liszt.- Twenty Songs................ 1.25
Loder, E. J.-Twenty-one Songs............ 1.00
QKacCunn. H.-Cycle of Six Love Lyrics.... 1.25
Mackenzie, A. C.-Eighteen Songs. 3 Books,
each $1.26
- Eighteen Songs, One Vol. Cloth, gilt 3.75
S Spring Songs...................... 1.26
Mendelsbohn.-Songs. (With Portrait.) Folio
Cloth, gilt 10.60
----Songs, complete. 8vo. edition........ 2.00
-- *- Ditto........................ Cloth, gilt 8.00
--*--Ditto. (Deep Voice)................00
- Ditto. Ditto........ Cloth, gilt 3.00
- Solo music in "Elijah" (Soprano, Contralto and Tenor)............ each.75
- Ditto (Bass)...................... 1.25
Moore.-Irish Melodies................... 1.26
- Irish Melodies.............Cloth, gilt 2.00
- Irish Melodies. (Folio)...... Cloth, gilt 10.50
Mozart.-*Nineteen Songs...................76
- The Songs in "'Le Nozze di Figaro."
4 Books, each 1.00
- The Songs in "Don Giovanni." 4 Books,
each 1.00
Parry, C. H. H.-English Lyrics (Set 1).... 1.26
- Ditto.............(Set 2)..... 1.25
- Ditto...............(Set 3)..... 1.25
-- Ditto........... (Set 4).... 1.25
- Ditto..............(Set 5)...... 1.25
- Ditto............... (Set 6)..... 1 2
Purcell, Henry.-Twelve Songs............. 1.25
Randegger.-Sacred Songs for Little Singers.
(Illustrated)...................... 1.25
- Ditto..................... Cloth, gilt 2.50
Rubinstein, A.--Twenty-five Songs.......... 75
Schubert.-Twenty Songs (Mezzo-Sop.).......75
- Twenty Songs (Contralto).............75
- Twenty Songs (Sop. or Tenor)........7
----*Schwanengesanng (Swan Songs).....7
---Die Schione Mtillerin (The Fair Maid of
the Mill)..........................76
--*Winterreise (The Winter Journey), Op. 89.76
Schumann.--Songs. (Folio)..... Cloth, gilt 5.25
---, Myrthen (Twenty-six Songs), Op. 25.....7
---*Liederkreis (Twelve Songs), Op. 89.... 50
--- Vocal Album........................ 1.2
-- Ditto....................Cloth, gilt 2.26
----Woman's Love and Life (Eight Songs),
Op. 42.50
--.--Twelve Songs (Op. 35)................50
- Dichterliebe (A Poet's Love). Sixteen
Songs. (Op. 48).76
Stainer, J.-Seven Songs.................. 50
- Six Italian Songs. (Mezzo-Soprano)... 1.26
- Two Italian Songs. (Violin Obligato).. 1.00
Stanford, C. V.-Irish Songs and Ballads..... 2.00
Tschaikowsky.-Twenty-four Songs......... 1.26
Umlauft, P.-Four Songs (Op. 87).......... 1.00
Various Composers.English Folk-Songs..................... 1.25
Old Ireland (Irish Melodies)............ 1.25
The Sunlight of Song. Forty-six Illustrations................... Cloth, gilt 2.5C
Paper boards 1.75
*Thesea Songs hae German and English Words.
Ll, 6
8~
3/ 4
jOLK EONGS
/
FFKOM MEXICO AND
SOUTH AMERICA -
COMPILED AND EDITED BY
ELEANOK
HAGUE
PIANOFORTE ACCOMPANIMENTS
v EDWARD KILENYI
PRICE, $1.00
BY
NEW YORK.* THE H. W. GRAY COMPANY
SOLE AGENTS FOR
NOVELLO & CO., Ltd.
\
PREFACE
ACES with Latin blood in their veins love to sing, and into their music, whether it be
gay or tragic, they pour all the intensity of their southern temperament. To the AngloSaxon, accustomed by inheritance to moderation in all things, the emotional expression
sometimes seems overdone; but in tropical surroundings, with vivid skies, florid architecture, brilliant flowers and gay-colored clothes, it appears spontaneous and appropriate. To sit in the plaza of some quaint Mexican town on a starry, perfumed evening
is to realize the significance of highly colored and impassioned utterance. One's blood
is fired by the rhythmic power of the music which floats out from the gaily lighted central pavilion,
and the groups11of people are a delight to one's"'eyes: Indians in white cotton clothes, gaudy serapes,
and big hats; groups of young girls with scarfs over their heads, walking about; other groups of young
men in picturesque charro costume; as well as occasional older people of dignified mien. On a bench
an exquisitely pretty girl sits beside her mother, with her eyes fixed on space, but quite conscious of
the handsome youth in his best embroidered jacket and sombrero, at the farther end of the bench,
who gazes shyly at her and then looks away with rapture in his eyes. If he has not already begun
to "play the bear" under her window, he!will undoubtedcy` soon reach that point in his courtship.
Any of the twelve love songs in this volume might be sung by this young lover or others of his
kind. The first nine belong to the people of Spanish inheritance in Latin America, the last three to
those of Portuguese antecedents, and come from the neighborhood of Para in northern Brazil. Of
the twelve, two are known to be variants of songs sung in Spain: No. III, The Incognito Gallant, and
No. IV,, The Signal. A different version of this latter song is to be found in a volume from the province of the Asturias. The remaining songs seem to have originated on this side of the ocean, and many
of them are undoubtedly known over a larger area than is suggested below. The compiler has searched
through. numerous volumes of Spanish folk-music and has often questioned the singers as to the lýistory of their songs, but has been unable to trace any of the others back to Spain. Both words and
melodies have been recorded with care, as accurately as possible.
The first two songs, The White Dove and Serene Night, as well as, the fourth, The Signal, were sung
by Sefiorita Carlotta Manuela Corella, who had learned them from her father during her childhood
spent in Mexico City. No. III, The Incognito Gallant, is familiar from end to end of Spanish America,
and is sung with many variants. No. V, The Troubador, was heard in southern California, while
No. VII, Ask It of the Stars, comes from Mexico City, and No. VI, Dove Street, from its picturesque
suburb, San Angel.
No. VIII and No. IX, Enchanting Maria and My Dream, were both, sung for the compiler by a
man named Pedro Diaz, a half-breed Indian from the ancient city of Oaxaca in southwestern Mexico.
He is a tailor by trade, slight and delicate in build, with a finely cut profile, and a beautiful, natural
baritone voice. Without any training, his instinct for good interpretation is almost unerring, so that
his singing is true pleasure. He used to come in the evening after his long day's work was over and
sing with his guitar in a vast, bare room. The only light was from one small lamp in the center, which
made the surrounding darkness all the darker, while the open windows and doors let in the murmuring
of leaves and the splashing of fountains from the square outside, and the occasional hum of voices.
Pedro Diaz said that as a boy he had learned the songs from his uncle. He was very modest about
them, and doubted whether they could possibly be what the seftorita really wanted.' They are, however, excellent examples of the fact that an untrained, uneducated singer does not necessarily sing
primitive melodies.
In Mexico the guitar is used everywhere for accompanying and also for solos. As a rule, in playing
accompaniments the ifatives content themselves with simple harmonies in chord-form or as arpeggios;
but they have a deep affection for successions of thirds, and never seem to tire of their honeyed sweetness.
The present piano accompaniments are an effort to keep true to the inherent simplicity of folk-music.
Grace notes and flourishes would probably be added by the native performer of this music to
suit his momentary fancy. At one or two points in this volume these have been suggested, but the
custom can be followed and extended almost without limit, The Spanish language uses many more
vowels to the number of consonants than occur in English, which gives a transparent quality to the
sound and makes it most singable. When a word closes with a vowel and the following one commences with another vowel, only one note of music is given for the two syllables, which should be sung
without a break and made as flowing as possible.
~Courteous acknowledgement is hereby made to the Journal of American Folk-Lore, for permission to reprint Nos. I, II, IV, V, X, XI, XII, in which magazine they first appeared, without accompaniments or English words.
The valuable assistance of Miss ESnnER SINGLETON, MRS. ELENA DE APEZTEGUIA MIDDL:ETON,
MISS EDNA THOMPSON, MISS ETHEL I. BROWN, and others in the work of translating these songs is
thankfully acknowledged. To these, and to Mr. Kilenyi, as well as to those who have givenh their
songs for this volume, and the friends who have helped in many ways, the compiler is deeply grateful.
ST OcxmwxE, MASS., 1914.
CONTENTS
PAGE
I La Paloma Blanca (The White Dove).... 2
II Noche Serena (Serene Night)....... 4
III El Galan Incognito (The Incognito Galant).... 6
IV La Seia (The Signal)........ 10
V El Trobador (The Troubador)... *.. 12
VI La Calle de la Paloma (The Street called Dove Street).. 14
VII Preguntale a las Estrellas (Go ask of the High Stars Gleaming) 18
VIII Encantadora Maria (Maria Dear)...... 22
IX Mi Sue~o (My Dream)........ 24
X Os Tormentos de Amor (The Torments of Love).. 29
XI Nasci Para Te Amar (I was Born to Love Thee)... 32
XII Meu Anjo (My Angel)....... 34
2
LA PALOMA BLANCA.
THE WHITE DOVE.
Con spirito.
YO soy tu pa- lo- ma blan-ca,
I'm your lit M te dove, my dar- ling',
Aff f f~ I W lif
IMizI
PEd.
Fed.
Tn e-res pi-chon a - zul, Ar- ri -ma - me
You're my fret- ty ~ geon blue. Turn your sweet, red
[d?6
Fo. ed. Fed. Fed.
tu bo -qui -ta, Pa- ra ha- cer CUi nu cui ru. A la jo- ta,
l'its to me, dear; And let6 woo and coo, COO, coo, To the jo,- ht,
A I I 'r I M
a.7 7 1 7.7 _____ ____ ____
Ied
Fe4.
Ied
Pod.
Copyrig-ht, f91, by The H. W. Gray C?
3
(2
e2) K
- si -
Ye -
to,
su,
Cu
Coo
ru
coo
r
cu ru
coo coo
cu ru.
coo coo.
Airjr.1-- --
--Uly
(I
mf
I
V
--~r ~f
w
4
NOCHE SERENA.
SERENE NIGHT
Molto moderato con sentimento.
TY
Ped..
TY
Poco Pili mosso.
r~i
-ca pa. lo -ma del al -ba luz: No-Che se -re - na de, pri -ma -ve - ia,.snow -white dove -of the wak- ing- day, Oh! eace-ful night of the bud-ding, sfiring,-time,
too;
I
OUAM
%3
U3
Te~wpo rimo.
Blanca a- zu -ce-nae - sa e - res tu.
Oh! thou ra-diant li-lyAII these are like thee.
a orWr -
Y ai ha -ber yo lle-ga -do a -
Light of my dawn and of wid - light my
il --- 0 1
e)E
Au fl~ -~-~ii
L-.
too;
-'4j
Ppd.,Cqt4yrig-*t, ism~, by The H. W. Gray C?
5
a tempo
rit.
I
Largamente.
tier -no be - so,
kiss I send thee,
2 L
Que te man-do,
Take it love, Ah!
a tempo
pa - ra i.
turn, to me.
rit.
Cam -po en in
Win - ter's chill doth
I. *
1)
04
e~L~jl
ia
I L I
L, I
- vier - no,
come too soon,
$--2
I IK I
Flor mar-chi
I am but a
4: *.
a
I I u
-ta -.da,
with-ered flower,
A f
No - che sin
Night with-out
lu
ray
- na,
of moon,
c~4)
K
* I
~ fc~-b~i~
'I'~~ I ~ il Ir6
I I
J Ne-gro tir-6i-6 n.
Wild storm's raging hour.
colla parte
ALg
Flor
Flower
sinwith
a
its
- 0o
per-fume
ma,
spent,
IMar
Tree
- chi -
tossed and
c~~m-~
fmm
-M cAa-Ado
1 1
(,
Sostenuto.
I
-ta - da,
torn and bent,
C) -
Ar - bol tron
Love's storm hath
- cha - do
swept oer me
- I,~
E -
so C
colla parte
It
so- soy yo.
ru -el - ly.
A.* P
AM
wr
tLI 7E -_
47_
/007
' I'
Ped.
6
EL GALAN INCOGNITO.
THE INCOGNITO GALLANT.
Allegretto..~ WIwI Ifjfdd
I Ai dd-.
tmP I -~mI
1L I
En no -che 16o-bre- ga, ga-lIan in- cog ni- to,
Otte clou dy ev' - ning a gal - lant in - cog- ni- to
La cl- e cntr cs a ra y sYa ie a l,4s0-c
Pasd hoghte ArwdedsresadtbtcsurTeaa h aeo h
wow 40
_ _ _ _ _ _ _ _ _ _ _W90_ _ _ _ _ _
k k L
loo
1*0
Copyright, ~ij4, by The H. W. Gray C?~
7
ya - s can- t: ___
and sang this air:
r~ rr - - - -- __
que oy6 es-te can - ti- co, En - tre. las sa, - ba, - nas
from the in- cog- - hi- to)ý Pulled down the blinds so tighAt
o,
~Q~7
i L k
Can -to ro -man -ti -
Si t- O-Pr ro - mn n-tic~.
r 7r
CO, no te a -bro
T nbe.not to
yo.
thee.
kvv 8"'i I "' - it" IV -IV I'I6"A %o __v Fv____91_v_%_IV_______V
-i7
colla voce -
'F
Mulw= - a if
w.
N
9
0 1
Pe - ro
My win-L01 -
r ~
es lo0 - bre -ga,
dow shows no ligfht,
r-f
la
Se
no - che
-go r, I
hab
go
la re
to bed,
Ml _
AM A
-1 --1 1
-I m UAm An
1 19 IW
W
()'f
-- - -
Se van las
Sing to the
sil
ra in
- fi- des
a Cos-.ti- par?'
in- stead,, sing not
to me."
FET
~rm~
t)
"e s -t an
"Now from
r r 1*
las bo
the face
ye - das
of, Heav'n
ver
rain. tien -
falls
F
do
in
hIa - gri-mas,
tears like m ine,
$ i
MMMMINI md now"
I -I r
Add L 1 1.00 A I
m
AM Am AN
IW IW Im
Now
I I
C)'
ej r r I#- r r r r
Yhas-ta los tue ta -nos me ca -la -
I am drenched through and through, sing-- ing- to
thee?'
ea)
I I
I
"'III
10
LA S
THE Si
Leggiero.
Ar I Opk- li I
IlIL
ni - n'a que a" mi me quie -
heart love to gain for ev
L I CTAi a I feelt
quie - - ra, Ha de ser cot
ev - - er High spi-rit a
Ii. II
con- di - ci6n. La
maid must show. My
ou- Itw m
Ida I I
I"
- ra, La ni - iia que a mi
- e, My heart love to gain
me
for
n con - di - cion, Yha de ser con
maid must show, High spi-rit a
- /Ii~
", W
i I
2.
-
Qu? vol - viendo le ' hacer la se - fia,
To her window I'll call from be - low,
Copyright, 914, by The H.W Gray C?
11
- con, Yha de sa- lir al bal - c6n, Que vol - viendo le ahacer la
hov - - er, At her bal- co - ny rail she'll hov-er, She must signal like thisfrom a -
a,.
Uweuw
()
Whistled.
Ha de con-tes - tar,
And thus will she Prove
A
Her
(1N
mor!
love!
140
-ý.00 0
4L
IL
w
~a~0
kL
qkL
ILL.
14
CI
0
0
0ý
13
semfre Piu agitato
*~ w r I
Pros - cri - to yo, en ex - tran-je - ro sue -lo, No
Ban-ished am I, Ah! show me now thy fi - ty, From
lsem]re fii agitato _
mf
WF lr
~ss
fb.
0 I
zb6W K I r I K F F r
yo, en ex - tran-je - ro sue - lo, No hay pieI, Ah! show me now thy fi - ty, From for - eign
__ ___ (:bNEs~~rLF-IL CC;I
7,4PII
I
~ ' K#
rit.
-dad,
lands
(i
de un tris - te tro - ba -
I send my cry to
rit.
dor.
thee.
NF
I
14
LA CALLE DE LA PALOMA.
THE STREET CALLED DOVE STREET
Allegretto giocoso.
()
ca - lie de la pa - lo
Dove Street my life was dawn -
C)~r
ma,
ing-,
Ay!
Ay!o
*F~7~
Ay!
Ayof
Tr
Es te nom-bre me
This name the chil-dren
- *-a" -
4
I
V.
die - ron de ni-h'a en bro
called me, both night and morn
m- a;
-ing;
Ay! Ay!
Ay Ay!
y
Since
co- mo sal-to athere I flit- ted
cJ
~ ji
4
r F
K'
(0
I
-le -
gai
gre de ca-lle en ca - lie, Ay! Ay! Es - ie nom-bre me
ly through streets and g-ar - dens, Ay! Ay! Dove was the name they
4 1
1 1~
1 ii
Copyright, 1914, by The H. W. Gray C?
15
I I L rit. -
- -
a tempo
die - ron de ni- iia en
called me both night and
A,
~IOL
bro - ma,
morn - ing,
Ay! Ay!
Ay! Ay!
Y co- mo a
I'm soft - ly
a tempo
9
4
rit. -
I
_ I i
U*
C)
I
--3-I I In i ~
rru - 1l, pa-lo - ma soy, Que brin- co y can - to
call - ing to find my love, Com-tlain - ing sad - ly,
I'd
w
t
6001
C,
16
-0 -
TI
~-ta- na cer- ca del cie lo, Ay! Ay! y por el, las- pa.win- dow I sit a - spy- ingr, Ay! Ay! Sky - wlard I lookand
*
4..k.i -
[d.
C)
vi -drio que el al-ba a -so - ma, Ay! Ay! Te~n -der qui- ste-ra el
soft- ly, I s-igh,('My dear love, Ay! Ay! Would. I could fly and
_ i'41
e~-)
1 4
I I i i
F1.
17
()
I
--rru l1o, pa-tlo-- ma soy, Que brin*- coy can a- to
Call11 in to find 'my love, Go'm-jilaift ing sad - ly,
c9
u.
s18
PREGUNTALE A LAS ESTRELLAS.
GO ASK OF THE HIGH STARS GLEAMING.
Moderato.
Copyright, 19, by The IH.W Gray C?
19
I 8 w
Ya nun- ca du - des que yo te quie - ro, Que por tl
Ah! doubt not dear - est, that I a - dore thee, For thee I
___ ___ A,., * 4 -, f
mf
I rI****r*"
I
colla voce
20
I - I I I~
Tii Sien com - pren - des, que yo te
Ah! hear me dear - est, how well I
quie - ro,
love thee,
Quepor f
For thee I
As i
it a
des~F
- --II__ _ _ _
ml
I
-. I [
colla voce
M - I7
9
1-0 -
I -8
r f r;r
vi - da, So -lo en el mun-do, so-o en el mun-do, e qie-ro a
- dore thee. My heart's de - co-tion,my heart's de - vo-tion I of - fer
ti.
thee.
l. #
- f) 44* -
-
-- I1 I
8
f
B 7~ 1
S IOR
~iZ7~~
r~I
PMd~
22
ENCANTADORA MARIA.
MARIA DEAR.
Moderato.
K K
k
L L.
En
- can- ta- do - ra Ma - ri - a,
v
Yo te
and
Ma - ri - a dear, my
tas-sion
L
mJ
SI I
SIN I
-gras de mi co-ra -
my de - vo-ted
3
zdn?
zneart
h ea rt?_____
Ay!
Ay!
~+t+~o+ t* a #
I0.*L.
Copyright, o91, by The H. W Gray C?
23
no me ha-ga su-frir ado not jest with my grief, but
MI SUENO.
MY DREAM.
Tragicainenle.
Pel. Pad. PEd. 'PEd.
Ped. Ppd. Ped. Ped. PEd.
0 -44 -
Por- que tu e' res____
is ii - lu - sion __
and
lu-si6n._ ____
des - lair.
r)~ ~'
p
1V 10.I LI.
PEdl. FELL Fed. FEd. FE'd.
Cotyright, f914, by The HI. W. Gray C?
25 -
perL Ped. ppd. Ppd.
oo 44 - a.-- z I LayeI
hopedo myjoulIorOi
-UN.1 KI K _ _ _ _
ppd. PEd. Fd
Fed.
ped.
26
Pii mosso,
27
o1 ý4-ý
Ay
Ahl!
1)J ý,
vuel - ve
turn toward
tu a
me thy
mi - rar,
sweet face,
f
II Li
I F
I K
I r
PEL.
IC~ y
Ped.
Ped.
Ped.
PEd.
rn I, C
que es mi
Fix thy
V
a - do - ra - cidn,
dear eyes on mine,
AoJ T o
Ped.
I,.
PeEL.
Ir
PeEd.
PEd.
I K
o I.
PpdE.
n~( ),
Te - ner - te con pa -
Let my heart rest by
si6n,
thine,
An-gel de a - mor!
Grant me
this grtice.
jo A
P
decresc.
II
I I
P~pd
Ped.
Av I. f
Wr I
PEd.
PEd. PE.
Fed. Fed d..FEL ed. FEdl.
E im -plo - rar el per - don,
Grant me Par- don, I cry!
44 - &.I
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NASCI PARA TEAMAR.
I WAS BORN TO LOVE THEE.
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London: No~vello 8f Company, i9A- Engravers.
"i
~' tF
SUCCESSFUL
SACRED SONGS
RECENTLY PUBLISHED
MARKS, J C.
The Dawn of Easter
No.
Out of the Deep
TORRANCE, G. W.
I am the Resurrection
No.
CA LA MARA, N.
Ave Maria
SEALY, FRANK
Fountain of Life
Light of Light
SMITH, D. STANLEY
Roll Out, O Song, to
1, Soprano, or Tenor
2, Contralto or Baritone
Contralto or Baritone
and the Life
1, Soprano or Tenor
2, Contralto or Baritone
Soprano or Tenor
Soprano
Soprano
or Tenor
or Tenor
lod
No. 1,
" 2,
PRICE, 60 CENTS EACH
RANDEGGER, ALBERTO
Six Sacred Songs for Soprano
i " " " ~Alto
S " " " Tenor
4L 64 fi -
Soprano or Tenor
Alto or Bass
%s T~o
iaritone or Bass
PRICE, $1.00 EACH BOOK
NEW YORK.-. THE H. W. GRAY CO.
BOLE AGENTS FOR
NOVELLO & CO., LT.
~ls&i~R
SOME SUCCESSFUL SONGS
Aeedham, Alicia Adelaide. At Last.
No. 1. (in F).
2. (in G flat).
3 (in D).
(Violin and Organ ad lib. to each key, 3d.)
-- In blossom time (No. 1, in D,).
- Ditto (No. 2, in F).
-- Irish Ballads, Four
No. 1. Maureen (in F and A flat).
2. The Maid of Garryowen.
3. The Irish Reel.
4. Lonesome.
- Lang Syne, Scotch Song.
-- Lyrics, Four.
No. 1. Irish Lullaby (in D flat, F. E fiat).
2. Lorna Doone's Song.
8. Oh Mistress Mine.
4. Pastheen Fion.
-- My dear and only love (Baritone).
-- Songs for soldiers (Three).
No. 1. Might I march through life again.
No. 1. In F (Bass).
2. In G (Baritone).
8. In B flat (Tenor).
No. 2. The Gordons.
No. 1. In D (Bass).
2. In E (Baritone),
3. In G (Tenor),
No 3. Bad luck to their marching.
No. 1. In D minor (Bass).
2. In E minor (Baritone.
3. In G minor (Tenor).
With faithful heart (Baritone).
- Your Father's Boreen, Humorous Irish Song.
Song (No. 1, in Eb)
- Ditto (No. 2, in D minor).
- Ditto (No. 8, in C).
Elgar, Edward. The Angel's Song. (Contralto or
Baritone).
--~The Sword Song, from " Caractacus" (Baritone)
---There are seven that pull the thread. Song in
Act 1., " Grania and Diarmid" (Medium).
-- In Moonlight.
No. 1. (In G).
2 (In F).
8. (In F flat)
Xaynes, Battison. Sweet Vales of Devonia (Medium
voice).
-- The ould plaid shawl (No. 1, in B flat).
- Ditto (No. 2, in C).
-- Ditto (No. 8, in D).
German, Edward. His Lady (Mezzo-Soprano).
- Orpheus with his Lute (arranged from the Trio
in the Music to Henry VIII.) (Soprano or
Tenor.)
-- Rolling down to Rio. (Words by Kipling.)
(Baritone.)
- Merrow Down. (Words by Kipling.) (Medium
voice.)
-- The First Friend. (Words by Kipling.)
(Medium Voice.)
Coleridge-Taylor, S. A blood red ring hung round
1 the moon (Contralto).
-- American Lyrics, Six (for Contralto or Bari.
tone)....................... each
O thou, mine other, stronger part.
O praise me not.
Her love.
The dark eye has left us.
O ship that sailest slowly on.
Beat, beat drums.
-- As the moon's soft splendour (Con. or Bar.).
-- Canoe Song -
No. 1, in D flat (Con. or Bar.).......
No. 2, in F (Soprano or Tenor).....
-- Eleanore (Tenor).
--~Hiawatha's Vision, from "1Scenes from the
Song of Hiawatha" (Baritone).
-----Onaway 1 awake, beloved! (Tenor Song), from
"tHiawatha's Wedding Feast,"
----~Spring had come, from " Scenes from the Song
of Hiawatha " (Soprano).
-- Sweet evenings come and go -
No. 1, in F (Con. or Bar.)..........
No. 2, in B flat (Soprano or Tenor)...
-- The Soul's Expression (Op. 42). Four Son.
nets (Contralto)
No. 1. The Soul's Expression.
2. Tears.
3. Grief.
4. Comfort.
-- Ulysses, Songs from -
Great is he who fused the might.
Drinking Song (Tenor).......
O set the sails (Tenor).........
- You'll love me yet -
No. 1, in G minor (Con. or Bar.)....
No. 2, in B minor (Soprano or Tenor)
Pointer, John. Two little Songs.
The Lark.
The Bumble Bee.
-- Rosamond.
No. 1, in F minor.
2, in D minor.
Price 60 cents each
Coslete atalogue qf Songs s nt on requeta
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