No. XV. FRENCH' S S 1 AN D A R D DRAM A THE HU N, C HB A:C' K 2L 1Laa IN FIVE ACTS BY.JAMES SHERIDAN KNOWLES, WITH THE AUTHOR'S LATEST CORRECTIONS, ALL THE STAGE BUSINES3, CAST OF CHARACTERS, COTUMES, RELATIVE POSITIONS, &c. _J PERFORMED BY MR. KNOWLES, MIR. AND 5MISS KEMIBLV MR. AND MIRS. CHARLES KEAN THE ONLY UNMUTILATED EDIT1IO: the Stagt Oa 0iiionls eare;fu!l~ marked with inverted eommV NEw YORK LONDOi SAMUEL FRENCH SAMUEL FRENCH, LTD. PUBLISHER 26 SOUTHAMPTON ST. 24 WEST 22D STREET*, STRAND, LONDON, W, C. CAbT O'F CHARACTERS. Covent Garden, 1832. Park, 1845. Cshergn. St. a18 Master Walter...... Mr. J. S. Knowles. Mr. Bass. Mr. Maywood. Sir Thomas Clifford. " C. Kemble. "Chas. Kean.' Chas. Kenmble Lord Tineel........ "Wrench.'De Walden. " Murdock. Modes............. " Abbott. "G. Barrett "Rowbotha. Pathom......... " Meadows. " Fisher. " Watsoil. bfaster PWilford...... "J. Mason "Crocker. " J. G. Porter. Maater eartwell.... " Evans. " Anderson. Walstejn Gaylove............ Henry. " Pearson. Darley.'homas............. " Barnes. " Povey. " Kent. Stephen............ " Payne.' M'Douall. "Jervis. SinjqsonPa.......... "Bradv. " Bulard. "Broad.'iKlliams........ "Irwil.. Gourlay. " Eberle. Hoaldwell..... "Beender. "Gallott. " Craddock. &ervaentt... " Cooper. "King. " Br.ittinghas. Julia............... Miss F. Kemble. Mrs. Chas. Kean Miss Fanny Kemnlhe Petles.M.......,. M iss Tay or, Mrs. Abbott. Mr'. Rowbothama, COSTU M ES. MAtSTER WAsiTER.-Black Old-English doublet, puffed with re4 silk or black satin, black mantle. black cap and plume, sword and canle. SLR THOMAS CLIFFORD.-Dark coloured doublet richly slashed with crimssol, dark manitle, trunks trimmed with lace, russet boots b.ff hat and white feathers, ruff, and sword with handsome scabbard. LORD TINSEr — Blue and silver jacket and pantal',ns, trinlmed with silk cortt, plated buttons, fancy coloured vest, hat and feathers, eilk stockings with gold clocks.,IODUS.-Brown Old-English dress trimmed with blue, hat and fea thIers. FATHOM.-Old-Englisb livery. -1ASTER WILFORD.-First dress: Old-English doublet and mantle, slightly ornamented.-Second dress: Rich nobleman's suit, —fdnc, Coloured jacket and pantaloons trimmed with lace,-trunks, belt, and mantle trimmed,-russet boots, and rich cap and f'eathers. rL'L.IA.-First dress: White muslin, trimmed with iace.-Seccad rcress: M biite satin gown, with silk spencer or boddice according to taste, hat and ostrich feathers.-Third dress: White satin robe and temi-trailn, trimmed with lace, white satin shoes. IlEiLEN. —'irst dress: White muslin trimmed with pink or blue i0k and girdle A: the same.-second dress of satin EXITS AND ENTRANCES. R. meons Right; L. Left; R. D. Rzght Door; L. D. Left Door S 1 Second Entrance; U. E. Upper Entrance; M. D. Middle Doom RELATIVE P'JSITIONS. R., means Right; L., Left; C., Centre; R. C., Right of Centrs L C., LeJt of Centre. 5.~ Passages marked with Inverted Commas, are urially omzt ted int tM representatioa,. EID. T RiAL INTROD[ CTIO.N. saz appearance of " The Ifunc:lback" marked an era in the hist~Mq t Fnglish dramatic literature. It did much to restore a taste for th* atrical entertainments of an elevated character both in England and the United States, and to silence the cry of those critical croakers, the continual burthen of whose lament was " the decline of the drama." A freshness and frankness in the spirit, a heartiness in the tone, and a manly, muscular energy in the language of' this admirable play, called to mind the dramatists of the day of Elizabeth. And yet Knowles is no imitator. His style is singularly original. Indeed it is sometimes little too liberally garnished with absolute Knowles-isms; as where he attains concisene.,s of expression at the price of obscurity, or, by the convolution of his sentences, conceals without invigorating the sentiment. " The Hunchback" was first produced the 5th of April, 1832, at the Covent Garden Theatre. It had been offered to the managers of the rival house of Drury Lane; but they had been either so obtuse or so impolitic as to slight its claims to their attention. The penalty for thel ueglect was, that they were obliged to close their doors a month be{,l re the usual period, simply because no attraction they could offer cooti compete with that of the new-play. Its success was instant and imposing. In the part of Julia, Miss Failtny Kemble surpassed all her former efforts. " It was," says a ot:lermpol ary critic, who also writes like a candid one, "a noble and fit tie same time a most touching performance: noble in the sustained.lenergy of its passion in some of the scenes, and touching in the pure.It pths of its pathos in others. Her exclamation (in the scene with M aster Walter) of' Do it!' with reference to the breaking off the hated match wit- the.Earl, was the most remarkable instance of the first,.ad her cry-half fond, half froward and impatient —of' Clifford, is it, mu? was an exquisite example of the other.... But the great novelty of the night was the acting of Mr. Knowles himself, in the character of Master Walter; and we can agree with all the praise, and but.ittle, if any, of the censure, which have been obentowed upon his performance. It was in many parts the most %at* wi that we remember to have seen on the English stage: it was In It 16x1xEDITORIAL INTROD U0lOlN. some pear vigodous, and even dignified, and it was intelstrl and original in all. We speak of the mellowed performance, not that od the first night, in which the actor commenced under an erroneous im pression as to the effect and capability of his physical powers, with re,rence to the locality on which they were to be employed. c" Finally, Mr. Kemble's Clifford was a delightful specimen of grace kW and gentlemanly propriety; and Miss Taylor's Helen, though great oves done, was full of sterling comic humor and vivacity." Most of the London critics were less complimentary in their corm ments upon the acting of Mr. Knowles. One of them remarked: "Hil voice is without modulation, always in one loud key, pumping out the words; which are, moreover, enriched with a genuine and classic brogue." Soon after " The Hunchback" had been made familiar to English play-goers, those of this country had an opportunity of witnessing the excellent performances of Mr. Charles Kemble and his daughter in this piece. Subsequently, Mr. Knowles himself made us a visit, and impersonated lMaster Walter in our principal cities. We knew and loved the man; but must turn informer to posterity so far as to confess that his brogue, even in acting, wzas rich and ripe. How could it be otherwise, when he was so thoroughly national as to be well content with the familiar prefix of Paddy to his name? He ala not attract large audiences at our theatres; although respect for the dramatist and affection for the man secured him some substantial returns. It was often a subject of regret with us, that our laws for the protection of literary property were not such, that he could derive some benefit from the frequent performance o those sterling productions of his genitus, "The Hunchback," and " The Wife." Here were foreign managers and actors making their thousands in this country out of the fruits of his dramatic toil; while he was debarred from exacting a penny from these persons for the use of his popular plays' When shal we have legislators with souls to rectify such rank injustice? The character of Julia has been a sort of test-part for the rlisFlay of the abilities of nearly all the accomplished actresses, who have ap. peared upon our boards since the production of " The Hunchback' bIiss Vincent, Miss Wheatley, Miss Phillips, Miss Jarman, and Mrs Charles Wean, have been deservedly plrased for their exquisite em. bodyings of Master Walter's wayward daughter. Recently Mrs Mowatt, who is the peer of any one,Af her predecessors in the respect of talent if not of stage experience, has added this part to her role and won new laurels by her spirited personation of it in tne Soutnern theatres. The scene of 1" The Hunchback" is laid about the time of Charles 1L The stor) is that of a father, who, in consequence of his personal de EDITORIAL INTRODUCTION. formity, imagires that his daughter will be wanting in filial affetion, and so brings her up in ignorance of their true relationship. She knows him only as Master Walter, her kind friend and guardian. Ei proves in the end to be the rightful possessor of the peerage of Rochdalei but before this is discovered, he has found in the person of Sir Thomas Clifford a suitor for his daughter. Julia, while yet a simple country maiden, accepts this suitor; but on being tried by the gayeties of a city life, she enters into them so heartily as to make her lover questiclthe sincerity of her attachment to himself. She takes offence at his monitions, and, while her pride is stung and her resentment aroused, consents —" only to show him she can wed above him"-to receive the addresses of the supposed Earl of Rochdale. But no sooner is her word passed than she bitterly repents of her precipitancy. When she learnls that adversity has overtaken Clifford, the generosity of her nature is beautifully betrayed; and the scenes in which she thenceforward appears are wrought up to an intensity of interest. Such are some of the principal incidents, upon which the plot turns. It is not very luminously developed. There are crudities and obscuri. ties in the construction; of which, indeed, no one can be more aware than the author himself. It does not clearly appear, for example whether Clifford and Master Walter are not, after the third act, in col. luslon with each other; and the precise position of Lord Rochdale is not very intelligibly defined. An audience, however, will be general. ly too much interested in Julia to pay regard to these subordinate questions of the play. This charming creation presents throughout one of the moat consummate feminine portraits ever depicted by any dramatist. Much cannot be said in praise of the underplot. Some of the cha. racters are quite unworthy of the good company, in which they find themselves. Modus is a conception of but little genuine humor; and, little as that is, it is partially borrowed from Gradus in "Who's the Dupe?" The scenes between the sheepish student of Ovid and his cousin Helen, (why need she have been a cousin?) always seemed to as forced and inharmonious. No young woman of any refinement, natural or acquired, c)uld have played the wooer as she does; and no nan of sense, whether a recluse or a man of the world, could have teen entrapped by the exercise of such unfeminine arts as she stoops to employ. We always pity the actress, who is cast in the part os he!Ten. But, after enumerating all imaginable flaws and defects. there i a large balance of beauties in this play, sufficient to excite our gratitude and admiration, and to justify the unparalleled popularity which it has attained. It will be read, acted and admired, while a vestige od Bie English drama temains. AU THOR'S PREFACE, Tis comedy owes its existence to the failure of Ihe Beggar' Daughter of Bethnal Green," which was produced under the most an f-vurable circumstances, and in the unavoidable absence of the an thor. I did not like to be baffled, especially, as I thought, withou good reason; and cheered by the generous, enthusiastic advocacy o the Atlas (a perfect stranger to me), I set to work upon " The Huncv back." My friend, Mr. Macready, who was very angry with me for again attempting a walk in which I had failed,-and who came to Glasgow solely, as I believe, for the object of expostulating with me,-was the first to elicourage me to proceed. I had completed my first act. I read it to him, and he told me to go on. This I thought the happies of omens, for many a proof had he given me of his admirable judgmea in such things. This happened about two years ago. It was not, however, until the latter end of the summer of 1831, that I had leisure to proceed with my work. I recommenced it in the pleasant walks about Birmingham, and completed it on the sands of Newhaven-my roomy study; where, at the same time, I remodelled'Alfred." I brought both plays up to town with me in April last. " The Hunchback" was read to Mr. Lee, and instantly accepted by that gentleman, who, without hesitation, granted me terms even more advantageous than those which I required for it from Covent Garden and to whose polite and liberal deportment tos tsrds me, during his brief, divided reign of management, I joyfully take this opportunity o bearing testimony. The play, however, was defective in the undes plot, which was perfectly distinct from the main one. This error, Mr Macready pointed out to me,-as did subsequently Mr. Morton, in as elaborate critique as full of kindness as of discrimination. My avoca tins, however, did not leave me at liberty to revise my work, til ksc-ut two months ago, when I constructed my under plot anew; and having done my best to obviate objections, presented "The Hunch back" to Drury Lane, from which establishment I subseqrently with drew it, becaase il w as not treated with the attention which I'housh ik aerited THE HUNCIHBACK ACT I'. SCENE I. —. Tavern.. On one side, SIR THOMAS CLIFFORD at a table with wine before'him; on the other, MASTER WILFORD, GAYLOVE, HOLDWELL, and SIMPSON, likewuse taking wine. Wilf Your wine, Sirs; your wine; you do not justice to mine host of the Three Tuns, nor credit to yourselves. I swear the beverage is good! It is as palatable poison as you will purchase within a mile round Ludgate! Drink, gentlemen; make free. You know I am a man of expectations; and hold my money as light as the purse in which I carry it. Gay. We drink, Master Wilford; not a mar.of us has been chased as yet. Igilf. But you fill not fairly, Sirs! Look at my measure! Wherefore a large glass, if not for a large draughtt Fill, I pray you, else let us drink out of thimEles. This will never do for the friends of the nearest oi kit to the wealthiest peer in Britain. Gay. We give you joy, Master Wilford, of the prospect it' advancement which has so unexpectedly opened to you. FVilf. Unexpectedly indeed! But yesterday arrived he news that the Earl's only son and heir had died;: an],o day has the earl himself been seized with a mortal illness. His dissolution is looked for hourly: and I, his cousin in only the third degree, known to him but to be unnoticed by him-a decayed gentleman's son —glad of the title and revenues of a sclivener's clerk,-am the undoubted succeso w to his estates and coronet. 10 THE HUNCHB3ACK. [wA I Gay. Have you been sent for I TYif: No; but I have certified to his agent, Master Walter, the Hunchback, my existence and peculiar propin. quity; and momentarily expect him here. " Gay Lives there any one that may dispute your c.aizl — I mean vexatiously. "I TIf Not a man, Master Gaylove. i am the sole co 6 maining branch of the family tree." Gay. Doubtless you look for, much happiness from tnis change of fortune 1 ViIf: A world! Three things have I an especial pas-. sion for: the finest hound, the finest horse, and the finest wife in the kingdom, Master Gaylove. Gay. The finest wife! WIilf Yes, Sir; I marry. Once the Earldom comes into my line, I shall take measures to perpetuate its remaining there. I marry, Sir! I do not say that I shall love. My heart has changed mistresses too often to settle down in one servitude now, Sir. But fill, I pray you, friends. This, if I mistake not, is the day whence I shall date my new fortunes; " and, for that reason, hither have ~' I invited you, that having been so long my boon compa-'nions, you should be the first to congratulate me." Enter WAITER, L. Wait. You are wanted, Master Wilford. Wijhf By whom. Wait. One Master Walter. Wilf. His Lordship's agent! News, Sirs! Show him iL [Rises. Exit Waiter i,' By heart's a prophet, Sirs.-The Earl is dead. Enter MASTER WALTER, L. Well, Master Walter; how accost you me? [All come forward,. Walt. As your impatience shows me you would have Mly lord, the Earl of Rochdale! [me: Gay Give you joy! Hold. All happiness, my lord! Simp. Long life and health unto your lordship! "Gay. Come! (' We'll drink to his lordship's health!'Tis two o'clock ~ We'll e'en carouse till midnight I Hea'th my lord I" THE HUNCHBACK. ll IHold. AMy lord, much joy to you! Hi.zza! [All go to the table, fill and drish "Simp. Huzza!" Walt, Give something tc the dead!:Gay. Give what? [I'alt. Respect! lie has made the living I First to him that s gone, Say " Peace,"-and then with decency to revels. Gay What means the knave by revels I [Advances towards lValtet iValt. Knave! gay. Ay, Knave! Walt. Go to! Thou'rt flushed with wine. Gay. Thou sayest false!'rho' didst thou need a proof thou speakest true, I'd give thee one. Thou seest but one lord here, And I see two! ITalt. Reflect'st thou on my shape? Thou art a villain 1 Gay. Ha i Walt. A coward, too! [ Walks from hint, L Draw! [Drawing his sword.j Gay. Only mark him, how he struts about! How laughs his straight sword at his noble back. VWalt. Does it. It cuffs thee for a liar, then! [Strikes him with his sword Gay. A blow! TWalt. Another, lest you doubt the first! Gay. His blood on his own head! I'm for you, Sir! [Drawaa Clif. Hold, Sir! This quarrel's mine! [Coming forward R. of TValter, and draunq, W'alt. No man shall fight for me, Sir! Cif. By your leave!-'Yofu patience, pray! My lord-for so I learn elnoves me to accost you-for your own sake D)raw off your friend! Walt. Not till we have a bout, Sir! "Clif My lord, your happy fortune ill you greet — I Ill greet it those who love you-greeting thus "The herald of it!' Walt. Sir, what's that to you? Let go my sleeve I 12 - TITHE HUNCHBACK.' Cl/f. My lord, if blood be shed Onil the fair dawn of your prosperity,' Look not to see the brightness of its day.''Twill be o'ercast throughout!" Gay. My lord, I'm struck! Clif. You gave the first blow, and the hardest one I Look, Sir: if swords you needs must measure, I'm Your mate, not he. Walt. I'm mate for any man. "Clif Draw off your friend, my lord, for your ow sake!" Wil. Come, Gaylove! let us have another room. Gay. With all my heart, since'tis your lordship's will Wifl. That's right! Put up! Come, friends! [Exeunt W7ilford and friends, n Walt. I'll follow him! Why do you hold me?'Tis not courteous of you! "Think'st thou I fear them? Fear! 1 rate them but' As dust! dross! offals! Let me at them!-Nay, "Call you this kind? then kindness know I not;" Nor do I thank you for't! f et go, I say!'lif: Nay, Master Walter, they're not worth your wrath Walt. How know you me for Master Walter? By NIy hunchback, Eh?-" my stilts of legs and arms, " TFhe fashion more of ape's, than man's. Aha!' So you have heard them, too-their savage gibes "As I pass on,-' There goes my lord!' aha!" N!od made me, Sir, as well as them and you. Sdeath! I demand of you, unhand me, sir. [D&zsengaging himpe/ Clif There, Sir, you're free to follow them! Go for And I'll go, too: so on your wilfulness Shall fall whate'er of evil may ensue. I.'t fit to waste your choler on a burr? "The nothings of the town? whose sport it is " To break their villain jests on worthy men, "The graver, still ta. fitter! Fie, for shame!" Regard what such would say I So would not I, No more than heed a cur. Wralt. You're right, Sir; right, For twenty crowns! So there's my rapier up You've dOIlne me a good turn against my will' I,So 1 THE TUNCHf3ACk 1 W,, ch, R&e a wayward child, whose piet is cif, Tha - made him restive under wholesome check, I no v right humbly own, and thank you for. Ct1f: No thanks, good Master Walter, owe you me I I'm r gad to know you, Sir. Wlt. I pray you, now, How did you learn my name? Guessed I not right I;Was'L not my comely hunch that taught it you I Ci.' I own it. WO It. Right, I know it; you tell truth. like you for't. Cl.; But when I heard it said That faster Walter was a worthy man, Whose word would pass on'change, soon as his bad, i liberal man-for schemes of public good That sets down tens, where others units write; A charitable man-the good he does, That's told of, not the half-I never more Could see the hunch on Master ~Walter's bac. Walt. You would not flatter a poor citizei I C7fi Indeed, I flatter not i Walt. 1 like your face: & frank and honest one! Your framo's well knit. Proportioned, shaped! Clif: Good, Sir! Walt. Your name is CliffordSir Thomas Clifford. Humph! You're not the heir Direct, to the fair baronetcy? He That was, was drowned abroad. Am I not right? Your cousin, was't not?. So succeeded you To rank and wealth, your birth ne'er promised you, Clif. I see you know my history.'It-alt. I do. You're lucky who conjoin the benefits Wf penury an I abundance; for I know Your father was a man of slender means. You do not blush, I see. That's rightl IWhy shouW you? What merit to be dropped or fortune's hill I rhe honour is to mount it. You'd have done it; For, you were trained to kn)wledge, ind:istry, Frugality and honesty,-the sinews vA THE HUNCHBIACK Thai surest hell) the climber to the top, And keep him there. I have a clerk, Sir Thonlas, Once served your father, there's the riddle for yw, qumph! I may thank you for my life to-dag. Clf. I pray you, say not so! -WValt. But I will say so! Because I think so, know so, feel so, Sir!; our fortune, I have heard, 1 think, is ample; And doubtless you live up to't? Clif.'Twas my rule, And is so still, to keep my outlay, Sir, A span within my means. " Walt. A prudent rule.: The turf is a seductive pastime! " Clf. Yes. " Wfalt. You keep a racing stud? You bet " Clf: No, neither.''Twas still my father's precept-' Better owe'A yard of land to labour, than to chance'Be debtor for a rood!' Walt. "'Twas a wise precept." You've a fair house-you'll get a mistress for it? Clif: In time. Walt. In time!'Tis time thy choice were made [s't not so yet? Or is thy lady-love, rhe newest still thou see'st X Clif. Nay, not so. I'd marry, Master Walter, but old useFor, since the age of thirteen, I have lived In the world, —has made me jealous of the thing I'hat flattered me with hope of profit. Bargains Another would snap up, might lie for me Till I had turned, and turned them! Speculations, That promised twenty, thirty, forty, fifty, Ay, cent. per cent. returns, I would not launch in When others were afloat, and out at sea! Whereby I made small gains, but missed great'osses! As ever then I looked before I leaped, go do I now. W'al. Thou'rt all the better for't! Let's see! H and free-heart whole-well favoured —,so, Rieki -titled! Let that pass!-kind, valiant, prudent B tI. rR i HUNCHBACk. Sir Thomas, I caii help thee to a wife, Hast thou the luck to win her! Clif. Master Walter! iou jest! lWal. I do not jest. —I like you! maw mI lke you, and I like not every one I! I say a wife, Sir, can I help you to, The pearly texture of whose dainty skin Alone were worth thy baronetcy! PF-ormA: I. -.rfeatare heas she,e. wherein mc ve -and glow The- charms, that in the marble, cold and still Culled by the sculptor's jealous skill, and joinead d;?-, Jnspire us! Sir, a maid, before whose feet A duke —a duke might lay his coronet, To lift her to his state and partner her! A fresh heart, too! A young fresh heart, Sir, one That Cupid has not toyed with, and a warm one. Fresh, young, and warm! mark that! a mind to boot. Wit, Sir: sense, taste; a garden strictly tendedWhere naught but what is costly flourishes. A consort for a king, Sir! Thou shalt see her. Clif. I thank you, Master Walter! As you speak. Methinks I see me at the altar foot, " Her hand fast locked in mine-the ring put on." My wedding bell rings merry in my ear; And round me throng glad tongues that give me joy To be the bridegroom of so fair a bride! Wal. What! sparks so thick? We'll have a blab;e anon' Enter SERVANT, L. Serv. The chariot's at the door TVal. It waits in time! Sir Thomas, it shall bear thee to the bowel Where dwells this fair, for she's no city belle, Put e'en a Sylvan Goddess. Clif. Have with you. Wal. You'11 bless the day ycu served the Hunchht-c Sir. [Exeuna L, ScENE II. —A Garden before a Country Hoesw Enter JULIA and HELEN, R. U. E, Bel. (t.) I like not, Javua, tt is, your country life. fUm weary ou't. 16 LE HUNCHBACL tlA JAl. (1. Indeed? So am not I! I know no other; would no other know. fel. Yod would no other know! Would you r t knoAnother rldative?-another friendAnother house —another anything, Because the ones you have already please you I That's poor content! "Would you not be more rich. "More wise, more fair 1" The song that last you leax-'*A You fancy well; and therefore shall you learn No other song? Youjr virginal.'tis true, HIath a sweet tone; but does it follow thence You shall not have another virginal? You may, love, and a sweeter one; and so A sweeter life may find, than this you lead! Jul. I seek it not. Helen, I'm constancy! Hel. So is a cat, a dog, a silly hen, An owl, a bat,-where they are wont to lodge That still sojourn, nor care to shift their quarters. Thou'rt constancy? I'm glad I know thy name! The spider comes of the same family, That in his meshy fortress spends his life, Unless you pull it down, and scare him from it. "And so, thou'rt constancy? Art proud of that I "I'll warrant thee I'll match thee with a snail, "From year to year that never leaves his house I " Such constancy, forsooth!-A constant grub "That houses ever in the self-same nut'Where he was born,'till hunger drives him out,'OI plunder breaketh thro' his castle wall!" And so, in very deed, thou'rt constancy! Jul. Helen, you know the adage of the tree;I've ta'en the bend. This rural life of mire, Enjoined me by an unknown father's will, I've led from infancy. Debarred from hope Of change, I ne'er have sighed for change. The