- 'vSE/*' rC-M., ■ W L //jB^jjjgPBBgmBI ^^^Hi ^HS^^^^'' " ^'IH P. s- ^"^ '\. A^ id j^acf^s p7^ W' -r-^"if;y?', I^HHPMP^^^^' ^; • ■ ^ ■+-> -(— > O ui E. HOWLETT Driving Lessons NEW YORK R. H. RUSSELL & SON 1894 Copyright, 1804, by R. H. RUSSELL & SON Press of J. J. Little & Co. Astor Place, New York I DEDICATE THIS BOOK to W. G. Tiffany MY OLDEST CLIENT AND FRIEND, /;/ remembrance of pleasant times passed together on a coach. Ed WIN HOIVLETT TO MY PUPILS My pupils have often asked me to write a book of instructions on tJje management of four horses. I am not a practiced writer; but in order to comply witJj titeir wishes, I will try to explain here what I have been teaching for a great many years. If tbey will permit me to commend tJjis volume to their kind attention, it will he the best recompense I can ask for niy work in preparing it. E. HOWLETT. Paris, March, 1892. PREFACE In Paris, London, and New York, the art of Coach in.L;- has been remarkably de- veloped. Many clubs have been formed in order that amateurs of the sport might congregate, and men of the highest social position do not disdain driving the public coaches which run daily. If I employ the word art in speaking of coaching, it is for the reason that only by lO DRIVING LESSONS close attention to such lessons as are taught in this volume can perfection, which is the ideal of all art, be attained. It is a luxurious pleasure, perhaps, to display one of these turnouts, but it is surely an elegant pastime. In order to practice this sport in perfection, you should be possessed of many qualities that can- not be acquired by money alone, and one cannot arrive at correctness or perfection unless possessed of much tact and savoir- faire. Once the tools are organized, the coach built according to the best and most sensible principles, and four well- matched horses with good action have been selected; then the owner must learn how to drive them properly, for it is not good form to be driven on a coach by one's coachman. Now begins the art of driving, which i_ 'i_ a TJ (U " "^ (" 00 j:^: 73 -*— ' p c/J __* OJ ^ o a; t^ C OJ to c o o PREFACE I I Howlett has brought to the highest de- gree of perfection, hi a book entitled ''Paris an 'Bois," Crafty, the well-known writer and authority on sporting subjects, gives a sketch of Howlett so absolutely true that I permit myself to quote it here : " In noting the rapid development of four-in-hand ' driving, I would commit an unpardonable over- ' sight and injustice if 1 did not speak of a man ' who has done more than anyone else for its won- ' derful progress. 1 refer to Howlett, the founder ' of the dynasty. " The art of driving four horses is not the result of ' reflection. It is not a talent you can develop in ' the retirement of your study ; you must study it ' in the field, have the horses and carriage — in a ' word, all the necessary tools. " All these appliances Howlett has offered to the ' young student, as well as his incomparable in- ' structions, which are given with admirable ' patience, marvellous perseverance and politeness, ' together with imperturbable composure and a ' presence of mind always on the alert. " He has been the instructor of the majority of " the skillful four-in-hand drivers, and there is not 12 DRIVING LESSONS ' one of his pupils who is not ready to attest that ' he owes his knowledge to the untiring attention ' of the professor who has given him the benefit ' of his incomparable experiences. This man, who ' plays with a four-in-hand as Paganini played on ' the violin, calmly regards all the false notes made ' by the neophytes, whom he assists with hiscoun- ' sels, never interfering unless he is called upon for ' help. Should his assistance not be called for, he ' allows an accident to occur with a resignation ' worthy of praise ; for, after all, his limbs are as ' much in danger as those of his pupils. But when ' the mishap has occurred, you should see with ' what activity he remedies it. " He has been known more than once to take off, ' pick up and put to, by himself, all his horses ' thrown down at once by the lack of skill of a ' pupil. " On these occasions he is of more value than a ' detachment of grooms. Without seeming hurry ' he touches at once the proper strap to be un- ' buckled in order to loosen the harness, stepping ' in the midst of the legs of the horses that are ' down with a fearlessness that recognizes no ' danger, he puts everything in order and mounts ' to his seat beside the culprit as quietly as if noth- ' ing had happened." Another sporting writer and well - known whip, the tlrst in France to write a book on four -horse driving, PREFACE I 9 Monsieur Doiiatien Levesque, in the '' Grandes Guides," speaks of Professor Howlett as follows : " His ability in driving is very great, and his way " of teaching so precise, so clear and mild, that " none of my many professors have left such agree- " able impressions with me. " In a few lessons, for which he supplies the team, " he gives you precepts that you would never dis- " cover yourself, even by long practice, and what is " often missing in many coachmen — incontestable " individual ability." This is a portrait in its truest light of the man whom all amateurs of four-horse driving are able to appreciate, as much for his talent as for his character. I will now sketch a few lines of his life, which will show that during his childhood Howlett studied and practiced the art discussed by him in this volume. Edwin Howlett was born in Paris on the tlfth day of May, 1835 ; he is one of the seven sons of John Howlett, of Nor- 14 DRIVING LESSONS wich, (Norfolk), coachman to the Marquis of Hereford. From the age of eleven, Edwin Howlett was able to look out for himself, having in a way the intuition of his trade, being skillful, careful, and devoted to his horses. At sixteen he entered the service of the Princess Bacciochi ; he afterwards served as second coachman with Monsieur Alex- andre Horvath ; and in i8s2 with Prince Pericles Gikha, who took him to Vienna and gave him the management of his stable. Later, Howlett was trusted by the Prince to bring the team back to Paris by road. Leaving Vienna on the twenty- seventh of October, 1852, he arrived in Paris on the sixteenth of De- cember, without any of the horses being in the least tired, and without accident of any kind. PREFACE 1 5 In 1853, Howlett was with Mr. Spencer Cowper (who was setting up his es- tablishment, having just married the Countess d'Orsay,) as second coachman under the orders of his father, whom he succeeded in i8ss. After nine years in this confidential position, during which time the neatness of the turnouts was remarked, Howlett established himself in business; he started with ten horses and seven carriages at 15 Rue Jean-Goujon, Paris, where he is at the present time. Only after long and sustained effort, having gone through many hard times with name and reputation unimpeached, has he attained to the prosperity and notoriety which his establishment now possesses. His five sons, worthy representatives of 1 6 DRIVING LESSONS their lather, work with him, give lessons, and travel about wherever they may be called, teaching the methods in which they have been instructed by their fother. We all saw at the ''Concours Hippi- que," his youngest son, then aged seven years, strapped to his seat while driving four horses with ability and great cool- ness, turning small figure eights on the show grounds ; and we can certify that neither of his daughters would be in the least troubled to manage a drag in the thronged thoroughfares of Paris. It is, therefore, rare good luck for the public to find in this volume the les- sons of the professor who has taught most of our drivers, among whom are mentioned : Mesdames, M"*-' de BuFFiEREs. — M'"^- Barker. — M"^ L. PREFACE 1 7 EusTis. — M'"*^- Pedreno. — M'""' Prince. — M"*^ Mabel Simpkins. — B""^ Zuylen de Nyfvelt. Messieurs, C'^^ d'ALSACE.— C'^' Ph. d'ALSACE. — O" d'AMlLLY. — M'^ d'AuDiFFRET-PASQUiER. — Arnaud de I'Ariege. — Adam. — Appleton. — Arbuthnot. — Puissant d'Agimont. — C'*= de Berthier. — Bertin. — O. P. H. Belmont. — 0*= de Barral. — Bronson. — E. D. Beylard. — C''^ Ch. D. de Beauregard. — C"' Costa de Beauregard. — B''" deCARAYON La Tour. — Due Decazes. — Louis Cordonnier. — E. Cordon- NiER. — Chanu. — Cruger. — Caner. — Dela- garde. — Desgenetais. — W. B. Duncan. — B"" d'EsTE. — W. C. EusTis. — D. English. — Fair- man-Rogers. — V"' B. de Gironde. — O. Gallice. — M'* de GuADALMiNA. — B'^'^ de la Grange OTard. — GoocH. — Goffin. — C'<= de Gramont d'Aster. — Gardener. — C'^^Jametel. — Foxhall Keene — B°" Lejeune. — GuiUaume, Joseph, Louis and Lucien Lavessiere, — Donatien Levesque. — Mayeur. — Meurinne. — B°" de Neuflize. — Due de Lorges. — C'^ de Pourtales. — V^^ Pernety. — de Ql'adra. — 1 8 DRIVING LESSONS B°" Edouard de Rothschild. — Henri Renard. — John SiMPKiNs. — Paul Schneider, — H*^^*^ M. Sandys — Simpson. — Screpel. — J. Stern. — Nathaniel, E.-V.-R., John and Bayard Thayer. — W. G. Tiffany. — Thorndyke. — B.-R. Winthrop. — W.-S. Webb. — O^ H. d'YANviLLE. — P. Yturbe. — B"" ZuYLEN de Nyevelt. — Prince Zurlo. 1 could continue this already long list indefinitely, for Howlett gives twelve hundred four-in-hand lessons a year. Oe de CLERMONT-GALLERANDE. Wm a (II..;.- o CO (U o c 0-1 c < -a > - fee +-» C CD (LI t/5 b/j -T3 a; > <— Xl 3 n o ■*— ' oa OJ D r" o o bp 5 +-' -a The Driving-Cushion The driving-cushion should be tlat enough so that the shaking or jolting of the carriage will not make you slip forward, and should be long enough to reach nearly to the back of the knees. Driving-cushions, as they generally make them, are high and have too much incline, putting all the weight of the body on the legs, which is very fatiguing on a long journey. Moreover, the jerks of the carriage cause you to slip forward, which obliges you to be con- tinually pushing yourself into your place. With the high cushions a man may easilv be pulled off the box by his horses ; with the tlrst men- tioned, on the contrary, he has a tlrm seat and can resist. The Driving-Seat The driving-seats of nearly all French car- riages are made rather too far back, a mistake akin to having the pole too long, as it puts the driver too far away from his horses. Coach builders have, without doubt, good reasons for making them so, but it is not handy for the one who has to drive ; the nearer you are to the horses the better off you are. The reason the coach builders give for placing the seat back is, that otherwise the footboards would touch the wheelers' tails and make them kick. To avoid this they have only to make the foot- board higher. DRIVING SEAT 85 Last year a pupil bought from me a set of four-horse reins to drive an ordinary break, but the driving-seat was so far behind his horses, and his pole of such an unreasonable length, that my reins, although long ones, were so much too short for him that he was unable to use them. The nearer the horses are to the driver the more enjoyable is the driving ; consequently, it is best to emplov every means to diminish the length of the turnout — a short pole and pole- hook, and main shackle only long enough to run in its place easily, with the hooks of the bars short, but the traces long enough to pre- vent the bars from touching the leaders' quarters or hocks. THE LESSON THE LESSON HOW TO TAKE THE REINS. AND GET ON THE BOX. When the horses are put to, walk around them and make sure that everything is in its place ; notice, above all, how your horses are bitted, in order to know what to do when driving them — either to give or take holes in the couplings; to tighten or loosen the curbs; to let down or take up the bits; to tighten or loosen the nosebands, etc., etc. Always get up on the right with a team put to, and your passengers up, otherwise you .92 DRIVING LESSONS would have to pass in front of the person on the box seat, for the driver gets up last. To pick up the reins you stand even with the off wheeler's pad, about a foot and a half from him, with the body slightly turned toward the leaders. You take the hand-pieces out of their place, they are generally run through the pad terret, or between the pad and the hame tug strap, letting them fall in front of you. With the left hand you take hold of the rein that is running through the middle terret of the near wheeler's pad ; draw it to you, watching it as it comes through the ferrets of the near leader. Mind not to move your feet. Draw this rein to you until you feel your leaders' mouths, but draw delicately so as not to make them run back. Then loosen your hold and run your hand down the rein, so that your arm hangs naturally in front of you, but do not bend. At this moment tighten your hand on the rein, for you are now holding the part that you will hold when on the box, driving. o tr. ■ f — -*-» -4—' C/l O O Q- * X V LU tr — r2 4%'^g^ ^^3SLmr%-^ "^ o c o Q be < on c 3 THE LESSON I35 quite straight. If the horses are very much on one side, put your right hand under the left and take the two middle reins by feeling for them about four inches below the left hand, push the off wheeler on one side and take hold of the next two reins and draw them to you six or eight inches or more, till the horses are straight. It is not often one uses this last way, as it is best not to let the horses get so far wrong. Suppose the leaders are bearing to the right and the wheelers to the left, pick up your near leader quickly at eight inches from your left hand, take the rein out of your left and put it in again at the right length ; do the same for the off wheeler, and this puts the team in a straight line. if your left hand is tired, take the four reins between the middle and index fingers of the right hand, close up behind the left, and clasp them ; then open your left without taking the reins out, and keep working your fingers to relieve them if they are cramped. This is also the way to shorten or lengthen the whole lot 136 DRIVING LESSONS of reins. If you want to rest the left hand you can do so by putting all the reins in vour right hand in front of the left, the right-hand middle finger between the two left reins, as for the dead-stop. If you want your left hand for anything, put all the reins in your right hand placed between the same fingers as in the left ; keep the hand well in front of you, or even rather more to the left, or all the team will run to the left. To have your right hand at liberty, put the whip high up in the left hand under the thumb, so that if you have to deviate to come to the right you can lower your left beside your thigh ; in this way the whip handle will not interfere with your motions since it is not below your hand. When you arrive at your destination, unbuckle your handpieces and throw them on the wheeler's backs as near the pads as you can, the right-hand ones to the right and the left-hand ones to the left. They should be thrown with the arm, and the movement should not be followed by the body; do not do this until the men are at the horses' THE LESSON 1 37 heads. When you get down from the coach, in- tending to remount, put all the reins in your right hand as you did when you mounted at first, lay the whip across the wheelers' backs and hang the reins as they were before taking them up : that is, either the buckle ends drawn through the pad terrets, or fold them and with the left hand pull away the hame tug and pass them between the pad and the hame tug and pad strap. It is disagreeable to have a horse that is always galloping; if you have three horses trotting ten miles an hour and one that can only do nine, put them all at the hitter's pace and all will go well. Some people may say you do not go fast; but your horses are going well, and you know the reason why. I will mention a few of the corners well known by my pupils, such as those of the Saint Dominique Fountain, the Rue du Sabot, the Rue des Anglais, the seven corners and the turn of the Belle-Mere. These places are not made to amuse one's self with all day, but it is well to know how to be 138 DRIVING LESSONS able to get out of ditficulties when they turn up. Many pupils have qualms of fright when they see these difficulties. Keep quiet, sit down and move only your arms. Always have your reins well fitted when there is something difficult to do, and do not forget the whip, nor have it twisted forty thousand times around the stick. TURNING AROUND THE SAINT DOMINiaUE FOUNTAIN Going towards the Saint Dominique Fountain from the Pont de I'Alma, we turn to the right into the Rue Saint Dominique and are sixty yards from the fountain. These are the rules to be obeyed : Pick up the leaders eight inches, keep all the team to the right by keeping your hand down towards your left thigh, go by the fountain ; but just as the leaders get at the level of the gutter (i) point the left leader, and help the two wheelers if necessary, drop the point, and keep all the team along the curbstone (2) by turning the left hand to the left toward the thigh. When the leaders get to angle 3, THE LESSON 139 point them to the left, and with the right wheeler's rein keep them well up to the angle (3). Let the point go and keep your team to the right; when your leaders' heads are at angle (4) point your left Ms ^ i ^ 1 ^ I 1 I ^ 3'SS a 9, 'f"C_ ''•' JJoininiqiis_ GeniMin leader, and with the off wheeler's rein keep on op- position enough to clear the last corner. You then come into the Rue Saint Dominique, turn left or right or go around again if it suits you, having a little hand-cart extra somewhere to allow you less room. I40 DRIVING LESSONS TURNING INTO THE RUE DU SABOT Going toward the Rue du Four by the Rue du Dragon, point at the first street to the left, and, if necessary, again loose the point at fifty yards from this point to the left, but remember we are going into the Rue du Sabot and have a steep descent to make. See at once if in the narrow part it is blocked, so as not to get in too far; for you could not get out again, as the street is only as wide as the coach. Keep going, and bring your leaders back, put the near wheeler's rein over the thumb and ask two points to the right. When it is time, and your horses are even with the first cross gutter, then help them all around at the last moment. Give all the orders as you get into a straight line, and steady yourself in the middle of the street. I have often been obliged to back out of this street when it was blocked. TURNING INTO THE RUE DES ANGLAIS FROM THE RUE DONAT Now let us go to the Rue des Anglais, an Turning? out of the Rue des Ano-lais into the Rue Donat (see page 141). THE LESSON I4I Ugly little street that finishes the Boulevard Saint- Germain; it is better to go along the Rue Donat, your leaders well back in hand, with two inches of opposition on your right wheeler, your hand well in its place; this keeps your coach bearing to the right. At the level of the corner point your near leader, and then help all to turn to the left; as your right opposition held your wheelers to the right, so must you also help them at the last moment to come to the left, give all orders, and the turn is finished. It is the sharpest angle I know of. Keep straight on to come out of the street, and turn to the left. Always be ready to stop when turning into such streets, for vou can only see what is in the next street after the four horses are fairly in it. TURNING THE CORNER OF THE BELLE-MERE The corner of the Belle-Mere is near the Arc- de-Triomphe, so we go along the Avenue Mac- Mahon, cross the Rue Tilsitt and keep going down the hill; put the brake on and the first 142 DRIVING LESSONS Street to the left is an acute angle with steep hills both ways. This is the Rue Montenotte ; the entrance is seven yards wide, and the right- side curbstone is one yard lower than the left. This is where you are apt to turn over if you come too quickly. Take off the brake and give your leaders some rein to climb the hill, then imme- diately take them up again to be able to turn in the Rue de I'Arc-de-Triomphe, and put the oppo- sition, or left wheeler's, rein over your thumb and make two points to the right ; put the brake on again, for the hill is a stiff one, let the points go as also the opposition, and keep hold of the four reins to steady the horses. It is this corner that makes the costermongers so frightened. They do not know where to go when they see the team coming around it. Keep going and we will have a canter up Avenue Carnot; take the first of two left-hand streets, give your leaders some rein and ask them to canter; near the top of the hill bring back your leaders and put on the dead-stop to steady the coach, THE LESSON 1 43 having now to cross the railroad. Then we go towards the Avenue du Bois, to turn the seven successive corners. TURNING THE SEVEN CORNERS Take the second street on your right in the Avenue, then the first to the right, this being the first of the seven turns; first to the left (second turn), again, first to the left (third turn), then at once put the rein over the thumb to keep to the left, then point to the right when the leaders' forefeet are in the gutter, put on the brake, let go the point and then the opposition, help to keep them straight to steady the coach on the descent which you have now reached (fourth turn). Then a left turn; take off the brake, and keep all to the right; point your left leader; give rein enough for the hill (fifth turn), and have all your orders ready for an acute angle to the right (sixth turn); continue straight on, pay attention to the decline; then comes an acute angle to the left, leaving macadam to turn on to asphalt 144 DRIVING LESSONS (seventh corner). Always be careful when you change your paving, for a horse is surprised at the change and easily slips up, particularly in turning an acute angle. I am often asked, "Why does that horse canter?" It is often because he is too willing to travel; he puts out all his courage. It should be the care of the one who is driving to see that such a horse does not work too hard. When you are driving four horses, all the horses ought to work equally, especially when going up hill. Remember this and you will find yourself the better for it some day. If the coachman drives his horses carefully he will make the lazy ones do their share of the work; then the good horse will never think of doing more than his share, and will keep trotting. I remember, some time ago, an amateur going to a race-meeting on a coach full of friends, thinking more of the conversation than of driving his horses. Nevertheless, the coach kept going and that satisfied him. On getting to the hill of THE LESSON 1 45 Marly-le-Roi. and feeling the pace die off, he called to his horses to excite them, still keeping up his conversation. Thanks to his repeated calls they kept on going till they reached the top of the hill; unluckily, only one horse obeyed the master's calls, and he alone drew the coach to the top of the hill. The horse's power of endurance having a limit, the poor beast fell dead as he got there ; the driver, undoubtedly, never thinking that he had killed his brave worker. He was obliged to keep on with his party with only three horses. If you go by the Avenue Fitz-James at Marly- le-Roi, a bit further than the horse-pond and opposite a fountain, you can say: "That is where the good old horse died," as in the English hunting song. Always think of what you are doing, as well at play as at work: it is but your duty. Let me be allowed, before finishing, to relate an interesting story or two: Some gentlemen protested that I could not 146 DRIVING LESSONS furnish a coach, with one change of horses, to go from Paris to Chantilly in three hours; the bet was easily won. The coach reached the Octori in two hours and twenty-one minutes, and the Hotel d'Angle- terre in two hours and twenty-four minutes, the pace being eleven and one-quarter miles an hour. One of the gentlemen asked me, before starting, if there was any chance of my winning ; I an- swered, "That it was won ; for if we only went ten miles an hour we could do it." 1 was running on the road, one day, with a well-known prince, and, for several consecutive runs of two-and-a-quarter miles we arrived at the milestones in exactly fifteen minutes by the foot- board watch ; this on a thirty-seven mile journey. The prince could not understand how one could drive at such a regular pace. Many persons think that they have only to drive a road coach to be good coachmen. These people are mistaken. In France you need a certain amount of skill to avoid the carters who, THK LESSON 1 47 when they hear the horn, seem to get purposely in the way. \n England, on the contrary, the coachmen are helped when coming into London by everyone clearing the way when he hears the coach coming. 1 like to run on the road : I have done a good deal of it and would like to do more ; but to learn to drive, one hour's lesson in the town is worth more than fiftv miles of road, for often when on the road one does not drive but lets the horses run on. The road is very agreeable with its greetings and salutes. Driving is a sport that gives a great deal of pleasure to those who can say, "I have driven my horses." FINIS CONTENTS TABLE OF CONTENTS Page Dedication 5 To my l^upils 7 Preface, by the Count de Clermont-Gal- lerande 9 Preliminary Advice The Four-Horse Whip and the way to use it ............ . 33 The Reins 46 1^2 DRIVING LESSONS Page The Lamps 59 The Brake 6i The Skid 64 The Bridle 6s The Head Terrets , . , 67 The Noseband 68 The Traces 70 The Pole Chains . . , 71 The Cruppers 72 The Collar . o . 73 The Pole 74 The Bars 76 The Martingale and Hame Straps .... 77 The Horn • 19 The. "Guard's Bag" ..,,... . 81 The Basket 82 TABLE OF CONTENTS I55 Page The Drivincf-Cushion 83 The Driving-Box 84 The Lesson How to take the reins, and get on the box 91 The start 99 The point 102 The stop 104 Turning a right angle to the right . . . 106 Turning a right angle to the left .... 1 1 1 Turning an acute angle to the right ... 112 Turning an acute angle to the left . . . 117 Driving through a gateway to the right . 117 Driving through a gateway to the left . . 119 Stopping beside a curbstone i lO I 34 DRIVING LESSONS Page How to back 122 How to pass a carriage 130 Turning round the Fontaine Saint-Domi- nique 138 Turning into the Rue du Sabot .... 140 Turning into the Rue des Anglais ... 140 Turning the Belle-Mere corner 141 Turning the seven corners 143 ILLUSTRATIONS ILLUSTRATIONS Opposite page E. Hewlett and family Title Coach on a straight line just as the driver takes up his leaders before making a turn II Coach team ready for lesson 21 Turning an acute angle to the right ... 27 Turning an acute angle to the left ... 33 1^8 DRIVING LESSONS Opposite page Turning a back comer or acute angle to the right at the Trocadero 39 Turning a back corner or acute left angle at the Trocadero 49 Backing round, position A 55 Backing round on the right, position B . . 67 Turning at the Fontaine Saint-Dominique . 73 Third turning at the Fontaine Saint-Domi- nique 83 Coach ready to be put to 91 Turning an acute angle to the right into the gateway of the Rue de I'Exposition 95 Backing round the Fontaine Saint-Dominique 99 Coach coming through the Rue du Sabot . 107 Turning an acute angle to the right, Rue du Sabot 119 ILLUSTRATIONS I S9 Opposite page Turning an acute angle to the left. Rue du Sabot I2Q Turning into the Rue des Anglais from the Rue Donat 135 Turning from the Rue des Anglais into the Rue Donat 141 Turning an acute angle to the right in the Bois de Boulogne 145 -'T-r'J^^'^ Tufts University School of yetetmaff M^a 200Wstboffo M.. ^Jt, W^-